1 00:00:00,200 --> 00:00:10,639 Speaker 1: It's nine with Jenny Garth and Tori Spelling. Hi, everybody, 2 00:00:10,840 --> 00:00:16,040 Speaker 1: welcome to another episode of nine O two one od MG, Hi, 3 00:00:17,520 --> 00:00:23,200 Speaker 1: I'm girlies. Hi, beautiful ladies, Hi, and all our beautiful 4 00:00:23,880 --> 00:00:26,040 Speaker 1: friends out there listening to us. Thank you guys for 5 00:00:26,800 --> 00:00:29,639 Speaker 1: checking it out. We have another episode, but before we 6 00:00:29,680 --> 00:00:32,520 Speaker 1: get to that, I wanted to check in with you, guys. 7 00:00:34,040 --> 00:00:38,360 Speaker 1: Three beautiful ladies and a belly. That's very small belly. 8 00:00:38,400 --> 00:00:41,360 Speaker 1: But it's how you feel Insis I feel good? I 9 00:00:41,360 --> 00:00:45,960 Speaker 1: feel like the nausea is think of the past. Do 10 00:00:45,960 --> 00:00:48,000 Speaker 1: you feel different this time around then with the twins? 11 00:00:50,240 --> 00:00:52,919 Speaker 1: Not really so far. It's kind of the same. Like 12 00:00:52,960 --> 00:00:54,760 Speaker 1: I was nauseous with the twins and the first trimester, 13 00:00:54,800 --> 00:00:56,360 Speaker 1: and as soon as the second trimester it was like 14 00:00:56,360 --> 00:00:58,280 Speaker 1: a light switch and all of that was gone. And 15 00:00:58,280 --> 00:00:59,920 Speaker 1: I have like burst of energy all of a sudden. 16 00:01:00,640 --> 00:01:04,319 Speaker 1: But we'll see, we'll see when I get bigger. Are 17 00:01:04,319 --> 00:01:09,000 Speaker 1: you sick? We're still waiting for that burst of energy? What? 18 00:01:09,000 --> 00:01:13,679 Speaker 1: What there it is? Are you sick of talking about 19 00:01:13,680 --> 00:01:17,399 Speaker 1: it yet? No? No, I'd be like, yeah, I'm pregnant, 20 00:01:17,400 --> 00:01:21,039 Speaker 1: get over at people. Yeah. She would be like that, 21 00:01:23,720 --> 00:01:25,959 Speaker 1: what do you how do you guys feel about when 22 00:01:26,000 --> 00:01:30,160 Speaker 1: people just come in with the belly touch. I'm guessing 23 00:01:30,200 --> 00:01:32,160 Speaker 1: I know how Jen felt about that when you were 24 00:01:32,200 --> 00:01:34,600 Speaker 1: pregnant and people be like, oh, let me get your belly. 25 00:01:34,840 --> 00:01:37,280 Speaker 1: So like, right now, I hate it because I feel 26 00:01:37,319 --> 00:01:40,840 Speaker 1: like it's just like my fat, like yeah, you know, 27 00:01:40,880 --> 00:01:43,160 Speaker 1: it's like not really a bump. Like my dad went 28 00:01:43,160 --> 00:01:44,440 Speaker 1: in for that the other day. I saw him, and 29 00:01:44,480 --> 00:01:46,200 Speaker 1: I guess that's my Dad's like, I really don't care, 30 00:01:47,000 --> 00:01:51,040 Speaker 1: but anybody else no, yeah, but when you get big, 31 00:01:51,280 --> 00:01:54,160 Speaker 1: when I get big, it's like it bumps into everything anyway. 32 00:01:54,160 --> 00:01:57,320 Speaker 1: It's like, doesn't really bother me. Jed, I'm guessing you 33 00:01:57,320 --> 00:02:00,160 Speaker 1: were not okay with it. I'm gonna go with no. 34 00:02:02,320 --> 00:02:06,000 Speaker 1: But you know, it's unavoidable at a certain point. It's like, yeah, 35 00:02:06,040 --> 00:02:08,200 Speaker 1: the elephant in the room, they gotta just touch it. 36 00:02:08,960 --> 00:02:11,840 Speaker 1: Do you ever have that? Like you you have you 37 00:02:11,919 --> 00:02:16,240 Speaker 1: of course let people touch it. You know, me touch 38 00:02:16,400 --> 00:02:19,680 Speaker 1: my head. I was like, no, please don't touch it, 39 00:02:19,800 --> 00:02:22,560 Speaker 1: And outside I'm like, sure, whatever you want to do 40 00:02:22,680 --> 00:02:27,040 Speaker 1: to me, you know. So, are you not a hugger, Jenny? 41 00:02:27,919 --> 00:02:31,799 Speaker 1: I mean I'm not really a hugger. I think we've 42 00:02:31,840 --> 00:02:35,239 Speaker 1: talked about that before. By nature, I'm just not a huggers. 43 00:02:35,280 --> 00:02:38,080 Speaker 1: Not like I don't like people at all or anything, 44 00:02:38,240 --> 00:02:40,920 Speaker 1: but I it takes me a minute to warm up 45 00:02:40,919 --> 00:02:45,520 Speaker 1: to someone and and their germs. Yeah, I just go 46 00:02:45,639 --> 00:02:47,320 Speaker 1: right in. But let me tell you, when she is 47 00:02:47,360 --> 00:02:49,960 Speaker 1: a hugger and she loves you, she gives the best, longest, 48 00:02:50,000 --> 00:02:53,560 Speaker 1: tightest hugs. Amazing. Yeah. The last time I hugged you, 49 00:02:53,600 --> 00:02:56,680 Speaker 1: I almost didn't let you go. I know, and I 50 00:02:56,720 --> 00:02:58,799 Speaker 1: never know. I'm like, they're let Oh is it too soon? 51 00:02:59,080 --> 00:03:05,560 Speaker 1: What do we do? So Bo just had a birthday. 52 00:03:05,639 --> 00:03:08,320 Speaker 1: He just turned four, and I'm super sad, you guys, 53 00:03:08,360 --> 00:03:10,560 Speaker 1: because you know what this means. This to me, It 54 00:03:10,639 --> 00:03:15,280 Speaker 1: meant officially that I no longer have a baby. Noel 55 00:03:15,680 --> 00:03:18,519 Speaker 1: Wow four. I was like, you're a full blown kid now. 56 00:03:18,800 --> 00:03:25,280 Speaker 1: Oh man lit Bodine. Yeah, he is the cutest little 57 00:03:25,320 --> 00:03:30,359 Speaker 1: boy my eyes have ever seen. He's a cute guy. 58 00:03:30,919 --> 00:03:33,000 Speaker 1: I keep thinking I should record his little voice because 59 00:03:33,000 --> 00:03:35,520 Speaker 1: I forgot to with the rest. And it changes one day. 60 00:03:35,560 --> 00:03:38,360 Speaker 1: It's just like not that little, tiny, little baby voice anymore. 61 00:03:38,400 --> 00:03:40,280 Speaker 1: And it's I feel like that's going to happen real soon. 62 00:03:40,480 --> 00:03:43,760 Speaker 1: I think about that all the time. Yeah, The one 63 00:03:43,840 --> 00:03:47,480 Speaker 1: great thing about my ex is he did so much 64 00:03:47,480 --> 00:03:51,040 Speaker 1: recording of the kids, so that we have tons and 65 00:03:51,120 --> 00:03:54,200 Speaker 1: tons of footage of them when they were little from 66 00:03:54,240 --> 00:03:57,440 Speaker 1: that like big you know video camera you used to use, 67 00:03:57,640 --> 00:04:01,560 Speaker 1: kind of like David Silver's. Yeah, and I've since put 68 00:04:01,600 --> 00:04:04,120 Speaker 1: it all on CDs and the girls have them and 69 00:04:04,160 --> 00:04:08,839 Speaker 1: they love watching themselves when they were babies. I love that. 70 00:04:09,480 --> 00:04:13,320 Speaker 1: It's so cute. I have none of that. Man, did 71 00:04:13,360 --> 00:04:16,760 Speaker 1: you have a birthday party for him? I mean what 72 00:04:16,800 --> 00:04:19,040 Speaker 1: we can do just our family, but we have so 73 00:04:19,080 --> 00:04:21,839 Speaker 1: many family members that it is a birthday surprise, so 74 00:04:22,360 --> 00:04:27,279 Speaker 1: there's none of black kids around. Yeah. My friend Jess 75 00:04:27,279 --> 00:04:30,480 Speaker 1: who you know Jen, her daughter Sophia came over. She's two. 76 00:04:30,920 --> 00:04:34,760 Speaker 1: Both calls her his girlfriend. And he wanted Mickey Mouse. 77 00:04:34,880 --> 00:04:37,560 Speaker 1: But he was very exact with what he wanted, which 78 00:04:37,560 --> 00:04:40,039 Speaker 1: was great. It helped make it easier. He wanted a 79 00:04:40,080 --> 00:04:42,440 Speaker 1: Mickey Mouse cake and he said, I want Mickey Mouse balloons, 80 00:04:42,480 --> 00:04:46,120 Speaker 1: a Mickey Mouse pinata, a mi a Mickey Mouse bounce castle, 81 00:04:46,520 --> 00:04:48,960 Speaker 1: and I want you to put something down on the 82 00:04:48,960 --> 00:04:51,760 Speaker 1: table that's Mickey Mouse and put everything on it. I 83 00:04:51,839 --> 00:04:54,120 Speaker 1: was like, oh, he's like a little party designer. He 84 00:04:54,200 --> 00:04:57,280 Speaker 1: knew a tablecloth, a Mickey Mouse tablecloth. Okay, party city here, 85 00:04:57,279 --> 00:05:02,000 Speaker 1: I come done. Oh my god, I missed those days 86 00:05:02,040 --> 00:05:05,280 Speaker 1: of the big birthday party days. I know. Well now 87 00:05:05,279 --> 00:05:07,920 Speaker 1: it's so different though, I mean, he's fine. It's harder 88 00:05:07,960 --> 00:05:10,640 Speaker 1: like Liam's birthday is coming up next week, and he 89 00:05:10,760 --> 00:05:14,400 Speaker 1: was the first. His birthday happened when La went into lockdown. 90 00:05:14,480 --> 00:05:18,080 Speaker 1: His thirteenth birthday, which is a big birthday birthday, so 91 00:05:18,120 --> 00:05:20,440 Speaker 1: he didn't have his thirteenth birthday party, and now his 92 00:05:20,560 --> 00:05:24,039 Speaker 1: fourteenth he won't have either. So I feel the status 93 00:05:24,040 --> 00:05:31,880 Speaker 1: for teenagers, Yeah, definitely, because they remember those parties. Yeah, huge, Miles. 94 00:05:31,880 --> 00:05:35,839 Speaker 1: One day, your sixteenth is going to be huge. We'll 95 00:05:35,880 --> 00:05:40,000 Speaker 1: give Bo a happy birthday kiss from me. I well, 96 00:05:40,000 --> 00:05:42,479 Speaker 1: you know you want to smother him with kisses? I do, 97 00:05:42,839 --> 00:05:47,400 Speaker 1: I do. So what do we got this week? Oh? 98 00:05:47,520 --> 00:05:51,400 Speaker 1: We have a whole new episode Episode sixteen. Fame is 99 00:05:51,440 --> 00:05:55,000 Speaker 1: Where You Find It. It aired on February twenty eight, 100 00:05:55,160 --> 00:05:58,640 Speaker 1: nineteen ninety one. It was directed by Paul Schneider and 101 00:05:58,720 --> 00:06:02,640 Speaker 1: written by our good friend Darren Starr and the synopsis 102 00:06:03,040 --> 00:06:05,320 Speaker 1: the right look at the right place, at the right 103 00:06:05,400 --> 00:06:09,040 Speaker 1: time gets Brandon a shot at TV stardom. Little does 104 00:06:09,080 --> 00:06:12,000 Speaker 1: he know the lead Lydia Leads has other reasons why 105 00:06:12,000 --> 00:06:15,359 Speaker 1: she's bringing him onto the show. Meanwhile, Brenda plays a 106 00:06:15,480 --> 00:06:18,440 Speaker 1: role covering for Brandon at his restaurant shop and gets 107 00:06:18,480 --> 00:06:22,960 Speaker 1: a little taste of her own acting. What a fun 108 00:06:23,040 --> 00:06:26,440 Speaker 1: just the synopsis you're in right, Yeah, it's like Hollywood 109 00:06:26,600 --> 00:06:29,000 Speaker 1: and acting and all the lights of it all. It's 110 00:06:29,640 --> 00:06:33,800 Speaker 1: episode was fun. Yeah, it was. I enjoyed watching it 111 00:06:33,839 --> 00:06:37,640 Speaker 1: and like seeing the you know, behind the scenes. I'm 112 00:06:37,640 --> 00:06:40,720 Speaker 1: sure everybody really loved watching that back in the day 113 00:06:40,720 --> 00:06:43,400 Speaker 1: because they didn't really have access to knowing what it 114 00:06:43,440 --> 00:06:46,279 Speaker 1: was like on a set, you know, or people in 115 00:06:46,480 --> 00:06:50,680 Speaker 1: you know, Kansas or I mean wherever, Germany, whoever was 116 00:06:50,680 --> 00:06:54,240 Speaker 1: watching the show. They didn't really know what it looked like. 117 00:06:54,320 --> 00:06:56,560 Speaker 1: But that's what it looked like. That's what it looks like. 118 00:06:56,960 --> 00:07:00,800 Speaker 1: You're so right, Like nowadays there's shows that picked Hollywood 119 00:07:00,800 --> 00:07:03,480 Speaker 1: behind the scenes and reality shows, but we're right. There 120 00:07:03,520 --> 00:07:07,679 Speaker 1: was nothing then, and they did a damn good job. 121 00:07:08,600 --> 00:07:10,800 Speaker 1: We did that. We did that on a BH two 122 00:07:10,760 --> 00:07:13,640 Speaker 1: and no we went did a little behind the curtain 123 00:07:13,760 --> 00:07:18,960 Speaker 1: stuff with sets and all the goings on behind the scenes. 124 00:07:19,040 --> 00:07:23,720 Speaker 1: I love that stuff me too. Apparently you guys didn't, 125 00:07:23,760 --> 00:07:30,560 Speaker 1: but you know they no, we did. I know. Sorry, 126 00:07:30,640 --> 00:07:33,800 Speaker 1: let me take that again. Apparently Fox didn't love it. 127 00:07:33,880 --> 00:07:38,920 Speaker 1: Oh no, we both know. Fox had an agenda going in. 128 00:07:39,040 --> 00:07:42,400 Speaker 1: They wanted for six episodes. It was like an event 129 00:07:43,320 --> 00:07:48,000 Speaker 1: limited series for them, and that's all they wanted. Remember 130 00:07:48,120 --> 00:07:50,600 Speaker 1: the day we read it in the press, a limited 131 00:07:50,840 --> 00:07:56,080 Speaker 1: events series. We had never heard those words, and we're like, wait, wait, 132 00:07:56,080 --> 00:08:00,600 Speaker 1: two thinks red flags limited events. I thought we just 133 00:08:00,640 --> 00:08:04,280 Speaker 1: got a series picked up. What's happening here is that's 134 00:08:04,360 --> 00:08:07,320 Speaker 1: just how it happens. They're like, nah, we we well, 135 00:08:07,640 --> 00:08:09,560 Speaker 1: we asked our people to ask their people, and by 136 00:08:09,560 --> 00:08:11,480 Speaker 1: the time you know, they came back to us, it 137 00:08:11,520 --> 00:08:13,040 Speaker 1: was like, oh no, this is just what we do. 138 00:08:13,120 --> 00:08:17,800 Speaker 1: We say event to make it more exciting. So we're like, oh, okay, yeah, 139 00:08:17,840 --> 00:08:21,520 Speaker 1: we're both calling bullshit on that. One foolis once fullis Twightwait? 140 00:08:21,560 --> 00:08:25,480 Speaker 1: How's that going? Fool me once? Shame on you, fool 141 00:08:25,520 --> 00:08:31,240 Speaker 1: me twice, shame on somebody else me. Oh yeah, so 142 00:08:31,280 --> 00:08:35,680 Speaker 1: they shall never foolish again. Never could you have gone 143 00:08:35,679 --> 00:08:38,320 Speaker 1: to another network? We could have, but the we we 144 00:08:38,440 --> 00:08:42,079 Speaker 1: just kind of felt like it was supposed to be 145 00:08:42,160 --> 00:08:44,400 Speaker 1: at Fox, and I don't know, taking it somewhere else 146 00:08:44,440 --> 00:08:48,480 Speaker 1: felt a little weird. Well, we would follow you guys where. 147 00:08:48,600 --> 00:08:55,079 Speaker 1: Well yeah, but enough about that show. Let's talk about 148 00:08:55,120 --> 00:08:58,200 Speaker 1: this show. Okay. First of all, right out of the gate, 149 00:08:58,240 --> 00:09:01,520 Speaker 1: the director of the show, I was very confused first 150 00:09:01,520 --> 00:09:04,000 Speaker 1: of all going in, because I was like, wait, why 151 00:09:04,120 --> 00:09:07,200 Speaker 1: is there a criminal in Beverly Hills with a knife? 152 00:09:07,280 --> 00:09:12,200 Speaker 1: What's happening the same where did that guy come from? Out? 153 00:09:12,559 --> 00:09:15,400 Speaker 1: So Hey, Hello, I don't know what to do. Sorry, 154 00:09:15,440 --> 00:09:18,160 Speaker 1: I don't know what to do. He was supposed to 155 00:09:18,200 --> 00:09:21,600 Speaker 1: be taken out of here before the podcast. Clearly he's not. 156 00:09:21,679 --> 00:09:23,960 Speaker 1: He's still in here. He wants to be with you. Yeah, 157 00:09:23,960 --> 00:09:25,680 Speaker 1: that was my first thought too. When I saw the 158 00:09:25,679 --> 00:09:27,440 Speaker 1: graffiti on the playground, I was like, okay, well, this 159 00:09:27,480 --> 00:09:32,120 Speaker 1: is not Beverly Hills. And then and then you they 160 00:09:32,280 --> 00:09:35,160 Speaker 1: yell cut, and then you realize, oh, it's a TV show. 161 00:09:35,200 --> 00:09:37,400 Speaker 1: They're filming a TV show where at the same park 162 00:09:37,440 --> 00:09:44,719 Speaker 1: where Brandon is rollerblading? You know, so lucky? What a 163 00:09:44,800 --> 00:09:49,320 Speaker 1: lucky quinkadink? Yeah? But did you guys roller blade? I'd 164 00:09:49,320 --> 00:09:54,800 Speaker 1: like to know I did you did? I watched people rollerblade, 165 00:09:54,840 --> 00:10:00,320 Speaker 1: you know stuff like that. Yeah, yeah, I was. He 166 00:10:00,360 --> 00:10:03,560 Speaker 1: was like doing like hockey, like street hockey too. Jason's 167 00:10:03,600 --> 00:10:05,959 Speaker 1: a hockey player, so it is. And then I was 168 00:10:05,960 --> 00:10:09,679 Speaker 1: saying mad moves. That makes sense because his characters from Minnesota, 169 00:10:09,720 --> 00:10:11,839 Speaker 1: and it's real icing cold there. They play a lot 170 00:10:11,880 --> 00:10:15,120 Speaker 1: of hockey there, so good, good chance for him to 171 00:10:15,120 --> 00:10:18,200 Speaker 1: show off his moves. But then, but then the director 172 00:10:18,240 --> 00:10:22,160 Speaker 1: comes in and kisses the actress. Did you notice that? Okay? 173 00:10:23,480 --> 00:10:26,680 Speaker 1: Did you see? I could have sworn that when he 174 00:10:26,679 --> 00:10:28,760 Speaker 1: went into kiss or she almost turned and gave him 175 00:10:28,800 --> 00:10:31,680 Speaker 1: her mouth. Did you notice that? It's like he came 176 00:10:31,720 --> 00:10:34,360 Speaker 1: in she had a moment like, okay, like they were 177 00:10:34,400 --> 00:10:37,360 Speaker 1: real too close to were real friendly. I don't. I 178 00:10:37,440 --> 00:10:39,840 Speaker 1: didn't remember the episode from when we first shot it, 179 00:10:39,840 --> 00:10:41,080 Speaker 1: so I thought it was going to go a different 180 00:10:41,120 --> 00:10:43,840 Speaker 1: direction because we have all these themes of older romances. 181 00:10:43,920 --> 00:10:47,720 Speaker 1: I didn't know. Well, I'm glad it didn't me too, 182 00:10:49,000 --> 00:10:52,240 Speaker 1: but I thought that. And I was also confused by 183 00:10:52,280 --> 00:10:55,040 Speaker 1: her name. Her name is Lydia Leeds. That's a very 184 00:10:55,480 --> 00:10:57,240 Speaker 1: I don't know what that seems like. It's such a 185 00:10:57,280 --> 00:11:00,400 Speaker 1: made up name, Lydia Leeds. I guess the Leeds could 186 00:11:00,400 --> 00:11:04,000 Speaker 1: be someone's name, but I actually liked it because it 187 00:11:04,040 --> 00:11:10,240 Speaker 1: felt like her name was like Lydia, like Lydia Leisenberg 188 00:11:10,360 --> 00:11:12,079 Speaker 1: or something. And they were like, no, no, no, that's 189 00:11:12,120 --> 00:11:15,960 Speaker 1: not gonna fly. So it's Lydia Leads. They changed sing name, 190 00:11:16,760 --> 00:11:19,520 Speaker 1: which happens you here in Hollywood. They're like, that name's 191 00:11:19,559 --> 00:11:22,439 Speaker 1: too long, let us make it something more like TV friendly. 192 00:11:24,559 --> 00:11:27,160 Speaker 1: I wanted to change my name, did you, Madonna? You 193 00:11:27,240 --> 00:11:31,000 Speaker 1: probably didn't have that option. I never liked Tory, but 194 00:11:31,320 --> 00:11:33,120 Speaker 1: now I do, but I didn't. What did you want 195 00:11:33,160 --> 00:11:37,160 Speaker 1: to change yours too? Anything? Because when I was in school, 196 00:11:37,240 --> 00:11:39,640 Speaker 1: which was right before I got into acting, when I 197 00:11:39,679 --> 00:11:43,520 Speaker 1: was like in elementary school, they called me Jenny Barf. 198 00:11:48,960 --> 00:11:51,600 Speaker 1: Jenny Barf, I mean, and when you think about it 199 00:11:51,679 --> 00:11:56,960 Speaker 1: kind of works. I shall only call you Jenny Barr 200 00:11:57,200 --> 00:12:03,160 Speaker 1: from now. No. That the best I know. I thought 201 00:12:03,160 --> 00:12:08,439 Speaker 1: you'd like that. You just made my day. Uh well, 202 00:12:08,440 --> 00:12:13,360 Speaker 1: those kids are sad now because yeah, jokes on them. Yeah. 203 00:12:13,800 --> 00:12:16,360 Speaker 1: So Brandon goes into the makeup trailer right, which is 204 00:12:16,400 --> 00:12:24,160 Speaker 1: obviously I'm sorry, Hello, I had been pregnancy gases the 205 00:12:24,200 --> 00:12:31,320 Speaker 1: worst I hear, you know, when they go into like 206 00:12:31,360 --> 00:12:34,319 Speaker 1: the makeup trailer or they're outside on the with all 207 00:12:34,360 --> 00:12:36,319 Speaker 1: the trucks around the lights and on the more the 208 00:12:36,520 --> 00:12:39,800 Speaker 1: arm sets. That is like the saving grace for a 209 00:12:39,880 --> 00:12:42,760 Speaker 1: production because they get to use what we already have 210 00:12:43,120 --> 00:12:45,480 Speaker 1: around the lot. You know, we had that makeup trailer, 211 00:12:45,559 --> 00:12:48,000 Speaker 1: so that was the set for that scene, and they 212 00:12:48,160 --> 00:12:51,440 Speaker 1: we had all the lighting equipment and all that stuff, 213 00:12:51,480 --> 00:12:53,000 Speaker 1: so they didn't have to bring all that stuff in. 214 00:12:53,080 --> 00:12:55,400 Speaker 1: I felt like they even probably use some of our 215 00:12:55,440 --> 00:13:00,280 Speaker 1: actual crew members as well. It's just I'm b H 216 00:13:00,400 --> 00:13:02,240 Speaker 1: nine two. No, we did the same, Like we had 217 00:13:02,240 --> 00:13:04,800 Speaker 1: a makeup trailer scene. We used our makeup trailer and 218 00:13:04,800 --> 00:13:09,560 Speaker 1: we used our makeup artists. Yeah. That was fun. Yeah, 219 00:13:09,559 --> 00:13:12,360 Speaker 1: But I loved how when Brandon goes into the makeup trailer, 220 00:13:14,200 --> 00:13:20,719 Speaker 1: the act Lydia leads is reading Entertainment Weekly. For me, 221 00:13:20,800 --> 00:13:25,360 Speaker 1: I don't know, I just made me laugh that that's 222 00:13:25,400 --> 00:13:28,720 Speaker 1: the magazine they choose for her to read because they've 223 00:13:28,720 --> 00:13:31,880 Speaker 1: got an actress. You know, you have to Yeah, you 224 00:13:31,960 --> 00:13:34,080 Speaker 1: have to be you have to keep on top of 225 00:13:34,120 --> 00:13:36,920 Speaker 1: your game, you know. I guess, so maybe I should 226 00:13:36,960 --> 00:13:45,480 Speaker 1: start reading that ship. No, technically, if he was going 227 00:13:45,520 --> 00:13:47,560 Speaker 1: into the makeup and hair trailer, he wouldn't have his 228 00:13:47,720 --> 00:13:50,160 Speaker 1: bandana on his head yet because that would have been 229 00:13:50,160 --> 00:13:53,319 Speaker 1: given to makeup and hair. They would have done this 230 00:13:53,480 --> 00:13:55,640 Speaker 1: makeup and then they would have put it on, because 231 00:13:55,720 --> 00:14:00,600 Speaker 1: that would have been considered hair, not wardrobe. Well, maybe 232 00:14:00,640 --> 00:14:02,200 Speaker 1: he just fell in love with it and he just 233 00:14:02,240 --> 00:14:04,760 Speaker 1: wanted to wear it all the time. That bandana, look, 234 00:14:04,840 --> 00:14:08,679 Speaker 1: I mean, that whole outfit. I wonder Jason's reaction when 235 00:14:08,720 --> 00:14:10,480 Speaker 1: they were like, this is what you're gonna wear. If 236 00:14:10,480 --> 00:14:14,040 Speaker 1: he was like, yeah, I'm totally into this pink bandana. 237 00:14:14,400 --> 00:14:18,880 Speaker 1: I kind of doubt it. I'm gonna say no, But 238 00:14:18,920 --> 00:14:25,120 Speaker 1: he did seem rather comfortable wearing that makeup. He didn't 239 00:14:25,120 --> 00:14:28,120 Speaker 1: flinch when she was putting on all that makeup on 240 00:14:28,160 --> 00:14:34,360 Speaker 1: his face, kept swiping it on. Then Brandon goes back 241 00:14:34,400 --> 00:14:36,800 Speaker 1: home and he talks about he talks about it to Brendan. 242 00:14:36,880 --> 00:14:41,480 Speaker 1: I thought that there. I really felt the sibling ism 243 00:14:41,520 --> 00:14:44,720 Speaker 1: in this episode. I felt like rivalry, yeah, the rivalry, 244 00:14:44,800 --> 00:14:47,440 Speaker 1: but just the connection to like between brother and sister 245 00:14:47,520 --> 00:14:50,840 Speaker 1: and especially twins. They seemed it just seemed really cohesive 246 00:14:50,880 --> 00:14:53,760 Speaker 1: and like it it went well. I loved it. M 247 00:14:54,520 --> 00:14:56,760 Speaker 1: Like the bargaining with the top two shelves or the 248 00:14:56,800 --> 00:15:00,840 Speaker 1: top two drawers. Yeah, exactly. I thought Brandon looked really 249 00:15:00,880 --> 00:15:02,600 Speaker 1: good on camera. I thought he could he could have 250 00:15:02,640 --> 00:15:06,920 Speaker 1: been an actor. I'm telling you he did. He looked 251 00:15:07,120 --> 00:15:10,240 Speaker 1: you know who he looked like. Who looked just like 252 00:15:10,320 --> 00:15:16,960 Speaker 1: that guy Jason Priestley interchangeable. Wow, that is uncanny. I know, 253 00:15:18,320 --> 00:15:21,440 Speaker 1: so young, and those looked just like this guy from 254 00:15:21,720 --> 00:15:26,520 Speaker 1: Sister Kates. I know he always had the pinkest lips, 255 00:15:26,520 --> 00:15:28,720 Speaker 1: didn't They didn't. They say, like at some point they 256 00:15:28,720 --> 00:15:31,520 Speaker 1: thought like makeup was putting on, like gloss or something 257 00:15:31,560 --> 00:15:33,240 Speaker 1: on his lips because they were so pink. But it 258 00:15:33,320 --> 00:15:36,760 Speaker 1: was just as like he had these great lips. Yeah 259 00:15:37,360 --> 00:15:41,880 Speaker 1: he did. He had very beautiful lips. How much did 260 00:15:41,880 --> 00:15:46,160 Speaker 1: you love? When Lydia Leads comes to pick up Brandon 261 00:15:46,200 --> 00:15:51,280 Speaker 1: in a white limo stretch, I felt at home actually 262 00:15:51,320 --> 00:15:55,840 Speaker 1: because I grew up with a white limbo. Oh my god, okay, 263 00:15:55,840 --> 00:15:58,880 Speaker 1: please talk about that. Oh my gosh, that was like 264 00:15:58,920 --> 00:16:02,200 Speaker 1: your family station. I got a white limo. I know 265 00:16:02,240 --> 00:16:07,440 Speaker 1: we had a station wagon too. Wait that one, I 266 00:16:07,440 --> 00:16:09,480 Speaker 1: don't believe I did. I didn't. I went. I went 267 00:16:09,480 --> 00:16:11,800 Speaker 1: in the station wagon with my nanny on weekends and 268 00:16:12,000 --> 00:16:14,280 Speaker 1: I only went in the limo when my parents weren't. 269 00:16:14,320 --> 00:16:16,080 Speaker 1: It's not like I ever got taken in the limo 270 00:16:16,160 --> 00:16:17,840 Speaker 1: by myself. It was only if you know, mister and 271 00:16:17,840 --> 00:16:19,880 Speaker 1: missus spelling were in the limo, we got to go 272 00:16:19,920 --> 00:16:22,800 Speaker 1: in the limo. But my parents did take it to 273 00:16:22,840 --> 00:16:26,920 Speaker 1: like school events, and in elementary school that was not 274 00:16:27,000 --> 00:16:30,160 Speaker 1: cool to like roll up in a limo and like 275 00:16:30,200 --> 00:16:32,760 Speaker 1: you would drop like there was like some recital and 276 00:16:32,760 --> 00:16:34,600 Speaker 1: they had to drop me off first, so they went 277 00:16:34,640 --> 00:16:38,000 Speaker 1: in the long line. And I was so mortified that 278 00:16:38,040 --> 00:16:39,600 Speaker 1: I would not get out of the limo. When I 279 00:16:39,600 --> 00:16:41,440 Speaker 1: made them like drive around and drop me off in 280 00:16:41,480 --> 00:16:44,160 Speaker 1: the back and like walk in, I was like devastated. 281 00:16:45,720 --> 00:16:47,960 Speaker 1: I think like one percent of the world can relate 282 00:16:47,960 --> 00:16:52,880 Speaker 1: to that story because it's like the exact opposite for 283 00:16:53,040 --> 00:16:56,120 Speaker 1: like a yellar person they get embarrassed because their mom's 284 00:16:56,160 --> 00:16:58,600 Speaker 1: car so gross, or they don't want to anyone to 285 00:16:58,640 --> 00:17:00,640 Speaker 1: see the real car. You know. All we wanted was 286 00:17:00,680 --> 00:17:03,400 Speaker 1: to be in limos, I know. And all I wanted 287 00:17:03,400 --> 00:17:05,160 Speaker 1: it was to be a regular kid because people made 288 00:17:05,160 --> 00:17:06,960 Speaker 1: fun of me. I would get bullied at school for 289 00:17:07,000 --> 00:17:08,840 Speaker 1: being like the rich girl in school, and I was 290 00:17:08,880 --> 00:17:10,199 Speaker 1: like I didn't know how to fight back with that. 291 00:17:10,280 --> 00:17:15,520 Speaker 1: I was just like, I'm sorry, I'm sorry, I'm so sorry. 292 00:17:15,560 --> 00:17:19,880 Speaker 1: My dad's rich. Don't worry, I'll get paid back soon enough. 293 00:17:19,960 --> 00:17:22,080 Speaker 1: I'll be cut out of the wheel one day. Just kidding. 294 00:17:23,440 --> 00:17:28,320 Speaker 1: Flash forward forward, Yeah, but the white limo really took 295 00:17:28,359 --> 00:17:33,000 Speaker 1: me right back to the nineties hardcore. They don't they 296 00:17:33,000 --> 00:17:36,200 Speaker 1: don't really use white limos anymore unless it's like a wedding. 297 00:17:37,160 --> 00:17:40,399 Speaker 1: You're right now. It's just like the Limo escalade or 298 00:17:42,880 --> 00:17:46,720 Speaker 1: one where'd all the white limos go. That's what I'd 299 00:17:46,720 --> 00:17:50,000 Speaker 1: like to know. The white limos go like a graveyard, 300 00:17:50,160 --> 00:17:53,720 Speaker 1: Limo graveyard. That would be rad to have an old 301 00:17:53,760 --> 00:17:56,120 Speaker 1: like nineties or eighties like white limo and just drive 302 00:17:56,160 --> 00:17:58,919 Speaker 1: it as your car. Hey, I should get one. I probably. 303 00:17:59,080 --> 00:18:02,000 Speaker 1: I bet they're not like expensive now and I could 304 00:18:02,040 --> 00:18:07,480 Speaker 1: fit my entire family and excuse that would be the ticket. 305 00:18:08,359 --> 00:18:10,920 Speaker 1: Just stick out the alcohol bottles before you put them 306 00:18:10,920 --> 00:18:14,679 Speaker 1: in there. Oh the spots they have for it. Now, 307 00:18:14,760 --> 00:18:16,840 Speaker 1: I'll just have like the thing you open up has 308 00:18:16,880 --> 00:18:19,720 Speaker 1: all the ice. I'll just have like juice boxes in there. Perfect. 309 00:18:20,240 --> 00:18:23,200 Speaker 1: I'm this is going to work out, Thank you. We 310 00:18:23,280 --> 00:18:27,880 Speaker 1: have we have a guest today coming up to Ah. 311 00:18:27,920 --> 00:18:30,639 Speaker 1: It's very exciting because I'm actually a fan of hers 312 00:18:30,680 --> 00:18:33,000 Speaker 1: and you probably are too. Amy Hill is with us. 313 00:18:33,760 --> 00:18:40,040 Speaker 1: She played She played the like assistant director on the 314 00:18:40,040 --> 00:18:44,200 Speaker 1: TV show that we called them first Ads. They really 315 00:18:44,200 --> 00:18:46,640 Speaker 1: do it all the first ads on certain charge. Yea, 316 00:18:46,760 --> 00:18:49,800 Speaker 1: she was in charge. Basically we got we get to 317 00:18:49,800 --> 00:18:52,400 Speaker 1: talk to her. Why don't we do that after the break? 318 00:18:52,400 --> 00:19:09,280 Speaker 1: You guys? Sounds good? Hi Amy? Yeah, Hi Amy, thanks 319 00:19:09,320 --> 00:19:13,760 Speaker 1: for joining seeing you well? Happy to be here? Well, 320 00:19:13,800 --> 00:19:15,560 Speaker 1: I would be happy to be where you are. You're 321 00:19:15,560 --> 00:19:18,720 Speaker 1: in Hornian, aren't you. I know. I'm very You're currently 322 00:19:18,760 --> 00:19:22,359 Speaker 1: filming magnum Pi right now. That's so nice. I know, 323 00:19:22,640 --> 00:19:26,880 Speaker 1: I'm so lucky in Hawaii. Wow, I want a dream Hawaii. 324 00:19:27,080 --> 00:19:29,199 Speaker 1: Who knew that this would be the perfect place to 325 00:19:29,240 --> 00:19:35,240 Speaker 1: be in? I know, I'm sure more shows are gonna 326 00:19:35,280 --> 00:19:39,160 Speaker 1: want to film there. Well, you know it's great because 327 00:19:39,680 --> 00:19:44,960 Speaker 1: we are, you know, predominantly Asian Americans, so we are 328 00:19:45,160 --> 00:19:50,200 Speaker 1: very compliant. We all wear masks. Not a lot of 329 00:19:50,320 --> 00:19:56,440 Speaker 1: Karen's here, and uh, you know, we we kind of 330 00:19:56,520 --> 00:20:00,560 Speaker 1: created our own bubble by shutting down keep coming in 331 00:20:00,680 --> 00:20:02,919 Speaker 1: for a while. Now people come in and they had 332 00:20:02,960 --> 00:20:07,480 Speaker 1: to be protested. We had a sort of a spike 333 00:20:07,720 --> 00:20:10,520 Speaker 1: a couple of times January we went up from like 334 00:20:10,960 --> 00:20:13,720 Speaker 1: thirty a day to three hundred a day. But now 335 00:20:13,720 --> 00:20:17,240 Speaker 1: we're back to like thirty under. I mean it's very 336 00:20:17,280 --> 00:20:20,560 Speaker 1: We had like a one point one percent positivity, So 337 00:20:20,600 --> 00:20:23,680 Speaker 1: that's great, that's amazing. I'm freaking out right now because 338 00:20:23,720 --> 00:20:25,960 Speaker 1: I am such a big fan of yours from there's 339 00:20:26,040 --> 00:20:28,159 Speaker 1: one thing in particular, Is it bad if I just 340 00:20:28,200 --> 00:20:30,480 Speaker 1: say the one thing that I loved you in so much? 341 00:20:31,160 --> 00:20:35,639 Speaker 1: Cat and the Hat? Oh? Is that random? That you 342 00:20:35,680 --> 00:20:38,879 Speaker 1: were my favorite? I've watched that movie like a hundred times. 343 00:20:40,000 --> 00:20:43,520 Speaker 1: Thank you so much. That was that was so much fun. 344 00:20:43,560 --> 00:20:46,560 Speaker 1: I mean I really looked forward to it because you know, 345 00:20:46,680 --> 00:20:49,960 Speaker 1: before I did it, I thought, oh, my dream would 346 00:20:49,960 --> 00:20:54,840 Speaker 1: be to you know, be in like crazy makeup and 347 00:20:55,720 --> 00:20:59,080 Speaker 1: a lot of prosthetics, and and then after you do it, 348 00:20:59,119 --> 00:21:02,679 Speaker 1: you go this. Why did I say? Yes? Yeah? But 349 00:21:02,760 --> 00:21:06,399 Speaker 1: you looked amazing. It was how many hours did it 350 00:21:06,480 --> 00:21:08,440 Speaker 1: take to do that that long? It wasn't as bad 351 00:21:08,440 --> 00:21:10,480 Speaker 1: as Mike Myers, but it was a couple of hours. 352 00:21:10,520 --> 00:21:12,159 Speaker 1: And then it took like a couple of hours to 353 00:21:12,160 --> 00:21:14,760 Speaker 1: take it off. They had to scrape everything. It was 354 00:21:14,840 --> 00:21:19,160 Speaker 1: really I wasn't that much fun. But and I also 355 00:21:19,240 --> 00:21:22,600 Speaker 1: did my own stunts, which at the beginning I thought 356 00:21:22,720 --> 00:21:26,720 Speaker 1: great and then at the end was like, ah, it 357 00:21:26,760 --> 00:21:30,880 Speaker 1: was hard, but you know, we always have to do 358 00:21:31,119 --> 00:21:34,359 Speaker 1: take these challenges as they come. Well, that one paid 359 00:21:34,400 --> 00:21:39,200 Speaker 1: off for me. Oh good, thank you so much. So 360 00:21:39,400 --> 00:21:43,000 Speaker 1: what do you remember about being on Beverly Hills Line 361 00:21:43,040 --> 00:21:44,440 Speaker 1: Up two? I know back in the day. I know 362 00:21:44,520 --> 00:21:46,639 Speaker 1: you've done so much, so I'm sure you don't remember 363 00:21:46,760 --> 00:21:51,000 Speaker 1: much from this experience, but actually do you I do, really. 364 00:21:51,720 --> 00:21:53,840 Speaker 1: It was the first It was one of the first 365 00:21:53,920 --> 00:21:58,000 Speaker 1: jobs that I had in Los Angeles, and I knew 366 00:21:58,119 --> 00:22:03,040 Speaker 1: Charles Rosen. He was a friend of a friend and 367 00:22:03,080 --> 00:22:05,479 Speaker 1: so he was very like he was there and he 368 00:22:05,520 --> 00:22:08,560 Speaker 1: was you know, he hung out with me because you know, 369 00:22:08,600 --> 00:22:10,919 Speaker 1: when you're a guest star on anything, especially when you 370 00:22:10,920 --> 00:22:15,960 Speaker 1: haven't been around very long, you feel like, you know, hi, Hi, 371 00:22:16,320 --> 00:22:20,639 Speaker 1: will you play with me? Everybody was very kind and wonderful. 372 00:22:21,840 --> 00:22:26,240 Speaker 1: Jason Priestley was so sweet, and so was Luke Perry. 373 00:22:26,359 --> 00:22:30,159 Speaker 1: They were raised very well. They were so polite and kind. 374 00:22:31,960 --> 00:22:34,560 Speaker 1: But I knew Charles, so he had lunch with me, 375 00:22:35,119 --> 00:22:39,119 Speaker 1: and I also knew the location scout Diane Friedman from 376 00:22:39,160 --> 00:22:41,680 Speaker 1: San Francisco, so she came and had lunch with me. 377 00:22:42,400 --> 00:22:45,760 Speaker 1: So I didn't feel lonely. You had the royal treatment 378 00:22:46,720 --> 00:22:52,679 Speaker 1: did everywhere. And I remember going into her like, that 379 00:22:52,760 --> 00:22:56,000 Speaker 1: was my clothes that I wore. I said, I was 380 00:22:56,000 --> 00:22:58,760 Speaker 1: going to ask about the hat. The hat keeps surfacing 381 00:22:59,000 --> 00:23:04,560 Speaker 1: in many scenes. Was that yours? No, I don't think 382 00:23:04,600 --> 00:23:07,119 Speaker 1: they have. Probably wasn't mine, But I know what the 383 00:23:07,280 --> 00:23:10,760 Speaker 1: jacket was mine. I bought that in New York. It 384 00:23:10,840 --> 00:23:13,760 Speaker 1: was at anyway, But I said this, I feel like, 385 00:23:13,800 --> 00:23:16,040 Speaker 1: you know, I've done some indie films and I knew 386 00:23:16,080 --> 00:23:20,159 Speaker 1: what a A What was it? A D? And a 387 00:23:20,320 --> 00:23:22,920 Speaker 1: D looked like? So I said, this looks good, right 388 00:23:23,000 --> 00:23:24,960 Speaker 1: and they said yeah. And I said I don't probably 389 00:23:25,000 --> 00:23:26,960 Speaker 1: won't wear makeup and they said, oh, yeah, you don't 390 00:23:26,960 --> 00:23:29,240 Speaker 1: have to. And literally I went into hair and makeup. 391 00:23:29,280 --> 00:23:32,000 Speaker 1: They looked at me and said, you look fine. No, 392 00:23:32,760 --> 00:23:34,760 Speaker 1: you know how usually they make you up to look 393 00:23:34,760 --> 00:23:38,200 Speaker 1: like you don't have made yeah ethic, Wow, Well it 394 00:23:38,240 --> 00:23:40,800 Speaker 1: looked great. They must have been there. I got it 395 00:23:40,960 --> 00:23:43,760 Speaker 1: on lunch hour or something. I gotta say you're a 396 00:23:43,840 --> 00:23:46,199 Speaker 1: second guest star that has said that they had to 397 00:23:46,240 --> 00:23:49,040 Speaker 1: wear their own wardrobe. Interesting, right, John, But I think 398 00:23:49,080 --> 00:23:51,120 Speaker 1: that's common. I think that a lot of times when 399 00:23:51,119 --> 00:23:52,840 Speaker 1: you guest st are on a show or you're just 400 00:23:52,880 --> 00:23:55,040 Speaker 1: doing like a one day on a show, they say, 401 00:23:55,080 --> 00:23:56,800 Speaker 1: you want you to be comfortable. So if you have 402 00:23:56,880 --> 00:23:59,160 Speaker 1: you like a favorite pair of jeans or something, bring 403 00:23:59,240 --> 00:24:01,639 Speaker 1: them in with you. Yeah. Well, they didn't ask me 404 00:24:01,760 --> 00:24:04,639 Speaker 1: to bring other stuff in. They just okay, you know, 405 00:24:04,680 --> 00:24:06,600 Speaker 1: like on an indie film they say, can you bring 406 00:24:06,640 --> 00:24:08,280 Speaker 1: like a few things and we can take a look 407 00:24:08,320 --> 00:24:13,719 Speaker 1: at it, or can we She gets offended, an upset 408 00:24:13,800 --> 00:24:15,440 Speaker 1: that we asked people to come on the show and 409 00:24:15,480 --> 00:24:20,439 Speaker 1: then made them wear their own clothes. I love it, okay, 410 00:24:20,440 --> 00:24:23,480 Speaker 1: you know, fair enough, there's nothing more. Well, I'm not 411 00:24:23,560 --> 00:24:27,919 Speaker 1: like you, beautiful girls. I hate going into and trying 412 00:24:27,960 --> 00:24:30,560 Speaker 1: on a bunch of stuff. I just when they do 413 00:24:30,600 --> 00:24:37,439 Speaker 1: wardrobe fittings. Oh, I mean Jenny hates them too. Jenny 414 00:24:37,520 --> 00:24:41,439 Speaker 1: hates fittings. They like anything, just put them on me. 415 00:24:41,560 --> 00:24:45,320 Speaker 1: I'm like, no, you have to like it. Yeah I don't. 416 00:24:45,440 --> 00:24:49,000 Speaker 1: I don't understand. And they use they take pictures and 417 00:24:49,000 --> 00:24:52,399 Speaker 1: they use like maybe one out of the five hundred 418 00:24:52,400 --> 00:24:55,439 Speaker 1: things you've tried on, where are all those pictures that 419 00:24:55,440 --> 00:24:58,680 Speaker 1: they take of you in every single outfit? Wait, I'm 420 00:24:58,720 --> 00:25:02,760 Speaker 1: horrified because here's what happens. They for people that don't 421 00:25:02,800 --> 00:25:05,000 Speaker 1: know you, go to wardrobe fitting and they try on 422 00:25:05,119 --> 00:25:08,480 Speaker 1: like ten outfits of you. They'd polaroids. What was a 423 00:25:08,480 --> 00:25:11,639 Speaker 1: polaroid back then? Right? You in every outfit and then 424 00:25:11,640 --> 00:25:13,800 Speaker 1: they show those polaroids to the producers. Now it's like 425 00:25:13,880 --> 00:25:17,480 Speaker 1: on the ice, right, But there were stacks and stacks 426 00:25:17,520 --> 00:25:20,000 Speaker 1: and stacks of polaroids just on our show. Can you 427 00:25:20,040 --> 00:25:24,439 Speaker 1: imagine all the polaroids from all the shows? Where are 428 00:25:24,440 --> 00:25:27,840 Speaker 1: the Jennifer eve guards? If you are a genius, I 429 00:25:27,920 --> 00:25:30,520 Speaker 1: just came up. You just came up with the best. 430 00:25:30,600 --> 00:25:32,880 Speaker 1: It should be a photo book, like a book, coffee 431 00:25:32,880 --> 00:25:38,280 Speaker 1: table book. Yeah, with all Yes, that's your next project. 432 00:25:39,359 --> 00:25:42,360 Speaker 1: It was Jenny's idea. You heard it here. I'll steal it. 433 00:25:42,480 --> 00:25:45,280 Speaker 1: I'm gonna I'm gonna steal it. I know I'm gonna 434 00:25:45,280 --> 00:25:48,000 Speaker 1: do it with you. I don't steal your ideas. I 435 00:25:48,119 --> 00:25:50,399 Speaker 1: do it. I probably can always put in the front. 436 00:25:51,000 --> 00:25:53,840 Speaker 1: This is you know, uh, this was tory. This was 437 00:25:53,920 --> 00:25:57,199 Speaker 1: a Jenny's idea, but I'm doing it. But doing is 438 00:25:57,200 --> 00:26:01,359 Speaker 1: what's work. So I say, if I have an idea 439 00:26:01,359 --> 00:26:04,720 Speaker 1: and somebody else does it, I'm like, good, good, enjoy 440 00:26:05,200 --> 00:26:10,800 Speaker 1: run with that. Yeah, I'm too lazy. Well, we are 441 00:26:10,840 --> 00:26:14,000 Speaker 1: so glad that you joined us. And should we do 442 00:26:14,080 --> 00:26:18,560 Speaker 1: a little rapid fire game with Amy you guys? Yes, 443 00:26:18,800 --> 00:26:20,879 Speaker 1: we can. I ask you one more question, So the 444 00:26:20,960 --> 00:26:24,320 Speaker 1: children where Jason got water thrown in his face over 445 00:26:24,359 --> 00:26:30,239 Speaker 1: and over? How did you feel about that? Well? I 446 00:26:30,280 --> 00:26:34,840 Speaker 1: always feel bad about anything, even if it's not real. 447 00:26:35,240 --> 00:26:37,879 Speaker 1: I mean, you know, we're doing this for camera, but 448 00:26:38,000 --> 00:26:40,480 Speaker 1: I always feel bad. And he was such an he's 449 00:26:40,560 --> 00:26:45,000 Speaker 1: so sweet a trooper, he's a trooper. But I felt bad. 450 00:26:45,040 --> 00:26:54,560 Speaker 1: I always do. I kind of liked it. Give her 451 00:26:54,560 --> 00:26:56,960 Speaker 1: the game. The game. Here's a rapid fire you can 452 00:26:56,960 --> 00:26:59,960 Speaker 1: just answer first thing that comes to mind. Favorite care 453 00:27:00,280 --> 00:27:02,800 Speaker 1: on Beverly Hills nine two A no, And we have 454 00:27:02,840 --> 00:27:07,199 Speaker 1: no hard feelings here, so don't worry. Well, you know, 455 00:27:07,200 --> 00:27:10,200 Speaker 1: I'm kind of I love the boys, so I'm gonna say, uh, 456 00:27:10,280 --> 00:27:15,080 Speaker 1: Luke good one, Dylan good one? Ye? Yeah, Dylan. Remember 457 00:27:15,119 --> 00:27:18,959 Speaker 1: I can only remember one day either or their characters. 458 00:27:18,760 --> 00:27:21,800 Speaker 1: We did it for you. The next question was team 459 00:27:21,880 --> 00:27:25,920 Speaker 1: Dylan or team Brandon. So I'm assuming your team Dylan Dylan. Yeah, 460 00:27:26,960 --> 00:27:30,080 Speaker 1: I'm a loyal person. Yeah. Do you have a favorite 461 00:27:30,359 --> 00:27:34,639 Speaker 1: nineties nine O two and no fashion item or anything 462 00:27:34,680 --> 00:27:37,240 Speaker 1: you were during their nineties because it's all back in now, 463 00:27:37,359 --> 00:27:41,400 Speaker 1: you know? Now? Why did I throw anything away? I know, right? 464 00:27:41,600 --> 00:27:45,240 Speaker 1: Who knew? I think shoulder pads are great. I love 465 00:27:45,280 --> 00:27:50,800 Speaker 1: a shoulder pad. Who has shoulders like that? The young uns? 466 00:27:51,280 --> 00:27:56,040 Speaker 1: It's I'm sorry, I'm gonna have to interject here and 467 00:27:56,080 --> 00:27:59,040 Speaker 1: tell you and tell you all three shoulder pads were 468 00:27:59,040 --> 00:28:02,600 Speaker 1: the eighties though. Oh well, then you know I'm delayed. 469 00:28:02,640 --> 00:28:06,840 Speaker 1: I wore everything from the a's in the nineties. My daughter, 470 00:28:07,160 --> 00:28:09,440 Speaker 1: who's twenty, I remember when she was in high school 471 00:28:09,480 --> 00:28:14,520 Speaker 1: bott a member's only jacket for like sixty bucks at 472 00:28:14,520 --> 00:28:18,439 Speaker 1: a crypt store. I'm like, are you kidding me? Because 473 00:28:18,480 --> 00:28:23,000 Speaker 1: we wore them, right, that's so good for the days? 474 00:28:23,640 --> 00:28:26,879 Speaker 1: All right. The last question is more of a I 475 00:28:26,920 --> 00:28:31,000 Speaker 1: guess scenario. It's kiss Mary or kicked to the curb 476 00:28:31,119 --> 00:28:33,960 Speaker 1: out of all of the cast members on then two 477 00:28:33,960 --> 00:28:36,960 Speaker 1: and O, who would you kiss? Who would you marry? 478 00:28:37,359 --> 00:28:38,880 Speaker 1: And who were you just gonna say? But bye? Do 479 00:28:39,680 --> 00:28:42,680 Speaker 1: and in character, so you don't have to kick any 480 00:28:42,840 --> 00:28:45,200 Speaker 1: real actor to the curb. Well, I don't feel this 481 00:28:45,280 --> 00:28:53,320 Speaker 1: way now because she's gone through so much. Oh my god, 482 00:28:55,320 --> 00:29:00,560 Speaker 1: what's hers Shannon, Yeah, I feel horrible about her. But 483 00:29:00,640 --> 00:29:05,440 Speaker 1: in the day, Brenda would uh kick to the curb. 484 00:29:06,400 --> 00:29:08,880 Speaker 1: She was not fun. She was not a pleasant person 485 00:29:09,320 --> 00:29:11,680 Speaker 1: on the show. On the show, maybe in real life. 486 00:29:11,680 --> 00:29:13,520 Speaker 1: I don't know. I didn't work with her at all. 487 00:29:15,760 --> 00:29:19,000 Speaker 1: But now, oh my god, it breaks my heart. And Luke, 488 00:29:19,840 --> 00:29:24,440 Speaker 1: I would I guess I kiss him because he's so kissable. 489 00:29:25,320 --> 00:29:29,000 Speaker 1: And Jason i'd marry because he seemed very uh you know, stable, 490 00:29:29,200 --> 00:29:33,320 Speaker 1: he'd be good in a relationship. Luke, you don't. We 491 00:29:33,560 --> 00:29:36,560 Speaker 1: have a lot of that kiss Dylan, Mary, Jason and 492 00:29:36,560 --> 00:29:42,240 Speaker 1: Mary Brandon. Yeah. Right, seem like a marrying guy kissing 493 00:29:42,280 --> 00:29:47,400 Speaker 1: the bad boy. You marry the practical guy. Yeah, exactly. Yeah, Amy, 494 00:29:47,440 --> 00:29:50,280 Speaker 1: I want to ask you what okay, so magnum p I, 495 00:29:51,400 --> 00:29:53,480 Speaker 1: what els are you up to? And when can people 496 00:29:53,840 --> 00:29:58,240 Speaker 1: check that out? Well? We wrap at the beginning of March, 497 00:29:58,320 --> 00:30:02,480 Speaker 1: and I'm looking forward to possibly doing an independent film. 498 00:30:02,520 --> 00:30:05,440 Speaker 1: Of course, everything is Nda now, so I can't really 499 00:30:05,480 --> 00:30:09,040 Speaker 1: talk about it, but I'm really really excited. The cast 500 00:30:09,160 --> 00:30:14,040 Speaker 1: is super super cool, everybody I love, written by people 501 00:30:14,080 --> 00:30:17,520 Speaker 1: that I love. So I'm very very excited things. I'm 502 00:30:17,560 --> 00:30:21,560 Speaker 1: doing a lot of you know, over the pandemic. I 503 00:30:21,720 --> 00:30:26,680 Speaker 1: created my own studio. Uh, you know, like in the closet, 504 00:30:26,760 --> 00:30:30,920 Speaker 1: haven't you all? You all have studio at your voiceovers? Yeah, 505 00:30:30,960 --> 00:30:32,520 Speaker 1: for my voiceover. So I've been doing a lot of 506 00:30:32,560 --> 00:30:38,760 Speaker 1: animation and and then I did this new podcast. It's 507 00:30:38,800 --> 00:30:44,280 Speaker 1: a it's a fiction podcast where I'm an artificial intelligence. 508 00:30:44,960 --> 00:30:48,760 Speaker 1: Oh that's very cool. So it's like acting, but on 509 00:30:48,800 --> 00:30:53,960 Speaker 1: a podcast. Yes, like this is like a yeah, yeah, 510 00:30:54,160 --> 00:30:58,320 Speaker 1: Agent Stoker, look for it. It's very cool. I like that. 511 00:30:58,920 --> 00:31:02,640 Speaker 1: An amazing cast as well. So animation wise, what is 512 00:31:02,680 --> 00:31:05,800 Speaker 1: your favorite voice that you've ever done? I'm always an 513 00:31:05,800 --> 00:31:11,160 Speaker 1: old Chinese lady in various forms. Ka wait, do you 514 00:31:11,280 --> 00:31:14,720 Speaker 1: use like your normal voice or do you like no, 515 00:31:15,480 --> 00:31:18,800 Speaker 1: I mean, you know, does it your children ever watch 516 00:31:19,080 --> 00:31:24,200 Speaker 1: Kung Fu Panda on Amazon Prime. Yeah, I'm Grandma Panda. 517 00:31:25,440 --> 00:31:28,880 Speaker 1: Oh can you do a little bit for us like this? 518 00:31:29,240 --> 00:31:32,760 Speaker 1: And then I go oh oh, oh oh oh, And 519 00:31:35,320 --> 00:31:40,920 Speaker 1: I love it so much as a Chinese old Chinese lady. Yeah, 520 00:31:40,920 --> 00:31:43,280 Speaker 1: Oh my gosh, my four year old bow is gonna 521 00:31:43,320 --> 00:31:49,360 Speaker 1: be super excited. I'm playing now. Yeah. So I'm various 522 00:31:49,360 --> 00:31:53,560 Speaker 1: forms of that in different shows. Sometimes I'm a Japanese 523 00:31:53,560 --> 00:31:59,720 Speaker 1: old lady. Yeah. Sometimes whatever it's it's really fun. Animation 524 00:31:59,840 --> 00:32:02,960 Speaker 1: is on. I'm sure you guys know that. Yeah, I 525 00:32:03,000 --> 00:32:05,400 Speaker 1: haven't done very much animation, but the little that I've 526 00:32:05,400 --> 00:32:08,080 Speaker 1: done it was a lot of fun. Isn't it fun? 527 00:32:08,240 --> 00:32:11,760 Speaker 1: The people working in it are fun, The other cast 528 00:32:11,840 --> 00:32:16,680 Speaker 1: are fun, the engineers are fun. Everybody's fine. Jen. Remember 529 00:32:16,720 --> 00:32:21,080 Speaker 1: Iron had an animation series called Biker Mice from Mars 530 00:32:21,120 --> 00:32:24,400 Speaker 1: that he also produced and we were guest stars on it. 531 00:32:24,400 --> 00:32:26,800 Speaker 1: Do you remember that back in the day too, Biker 532 00:32:26,880 --> 00:32:32,920 Speaker 1: Mice from Mars. Yes, it's the best. Tell your agents 533 00:32:33,600 --> 00:32:36,840 Speaker 1: we're gonna call him right after. We're gonna call him. 534 00:32:37,600 --> 00:32:41,280 Speaker 1: And now you can do it in your closet. You 535 00:32:41,320 --> 00:32:44,760 Speaker 1: can do a lot of things in there. Well, Amy, 536 00:32:44,760 --> 00:32:48,120 Speaker 1: thank you so so much for joining us today. We 537 00:32:48,240 --> 00:32:53,200 Speaker 1: love reminiscing with you, and good luck on magnum p I. Yeah, 538 00:32:53,320 --> 00:32:59,320 Speaker 1: thank you. Continues to this big fans of yours, take care, 539 00:32:59,680 --> 00:33:05,560 Speaker 1: Thank thank you, Amy. Hell we love you buying you guys. 540 00:33:05,720 --> 00:33:07,960 Speaker 1: I really love it when we have guests on the show, 541 00:33:08,760 --> 00:33:12,160 Speaker 1: me too. Oh my gosh, she's adorable. I know. Do 542 00:33:12,200 --> 00:33:14,840 Speaker 1: you remember have you seen Cat in the Hat? I have, 543 00:33:14,920 --> 00:33:16,360 Speaker 1: and I didn't remember. Now I'm gonna have to go 544 00:33:16,440 --> 00:33:18,040 Speaker 1: back and watch it. You guys have to watch it, 545 00:33:18,120 --> 00:33:20,240 Speaker 1: especially with kids. You have little kids. That's when I 546 00:33:20,280 --> 00:33:22,880 Speaker 1: watched it over and over and over. But yeah, she 547 00:33:23,160 --> 00:33:28,959 Speaker 1: is the babysitter and she's hysterical. So I don't think 548 00:33:29,000 --> 00:33:31,960 Speaker 1: i've watched it since I had, like Bow, I feel 549 00:33:32,000 --> 00:33:34,480 Speaker 1: like he would be into it. Now. What's the age guy, 550 00:33:34,520 --> 00:33:40,920 Speaker 1: between Bow and your last tory? Uh? Four years? Oh? 551 00:33:41,320 --> 00:33:55,600 Speaker 1: I had to count my fingers. Sorry, hey you guys, 552 00:33:55,760 --> 00:33:59,360 Speaker 1: we are back. It is nine oh two one oh mg. 553 00:34:00,480 --> 00:34:05,560 Speaker 1: And fame is what sorry, fame is where you have it? 554 00:34:05,680 --> 00:34:08,320 Speaker 1: No famous, what you have it? What is fame? Famous 555 00:34:08,840 --> 00:34:13,120 Speaker 1: is where you find it. Yeah, if you're lucky and 556 00:34:13,160 --> 00:34:16,240 Speaker 1: then what So we talked about Brandon getting his fame, 557 00:34:16,239 --> 00:34:19,759 Speaker 1: but Brenda also kind of had her moment in the sun. 558 00:34:19,880 --> 00:34:23,960 Speaker 1: Yeah her peach. I love how they intertwined A and 559 00:34:24,000 --> 00:34:28,280 Speaker 1: B storylines that you know, Brandon finds fame and then Brenda, 560 00:34:28,360 --> 00:34:31,400 Speaker 1: who actually wants to be an actress, is jealous, but 561 00:34:31,440 --> 00:34:33,480 Speaker 1: then she finds her own way of bringing fame to 562 00:34:33,560 --> 00:34:36,960 Speaker 1: her real life into everybody at the peach Pit with Laverne, 563 00:34:37,520 --> 00:34:39,200 Speaker 1: that would go on to be one of the most 564 00:34:39,360 --> 00:34:43,920 Speaker 1: memorable characters ever. Yeah, she owned that she did a 565 00:34:44,000 --> 00:34:47,680 Speaker 1: great job with that character. Didn't we want to do 566 00:34:48,040 --> 00:34:50,320 Speaker 1: a flashback with her playing Laverne? I don't think it 567 00:34:50,360 --> 00:34:52,080 Speaker 1: ever happened, but we want it to. And b H 568 00:34:52,160 --> 00:34:55,920 Speaker 1: and L twanno right, I think so? Yeah, yeah, because 569 00:34:55,960 --> 00:35:00,880 Speaker 1: she was really a terrible waitress as Brenda, she needed 570 00:35:01,560 --> 00:35:04,720 Speaker 1: an alter ego. But it looks stressful being a waitress 571 00:35:04,760 --> 00:35:06,680 Speaker 1: at the peach Pit. Jeez. I wouldn't want to do 572 00:35:06,719 --> 00:35:11,120 Speaker 1: that either, No way. And Brandon just does it. It's 573 00:35:11,200 --> 00:35:15,919 Speaker 1: effortless when he does it, he's just yeah, he just slides. Yep, 574 00:35:17,640 --> 00:35:21,080 Speaker 1: that's right. I was pretty impressed watching it back when 575 00:35:21,400 --> 00:35:23,400 Speaker 1: Brenda was even talking about what she was going to 576 00:35:23,520 --> 00:35:25,920 Speaker 1: do as a waitress. She wanted to do like a 577 00:35:25,920 --> 00:35:28,880 Speaker 1: comedy act or do something else, and do like something 578 00:35:29,040 --> 00:35:32,320 Speaker 1: different too, because obviously being a waitress wasn't her strength, 579 00:35:32,360 --> 00:35:34,439 Speaker 1: so what could she do? And when she was doing 580 00:35:34,480 --> 00:35:36,879 Speaker 1: all the voices, all the dialects, I was like, oh, 581 00:35:36,960 --> 00:35:40,279 Speaker 1: my gosh, like I like she was British and then 582 00:35:40,320 --> 00:35:42,600 Speaker 1: she was like from New Jersey and then she was 583 00:35:42,760 --> 00:35:45,320 Speaker 1: like a valley girl. I don't know. It was really 584 00:35:45,440 --> 00:35:47,480 Speaker 1: watching that back, I was like, oh my god, that 585 00:35:47,560 --> 00:35:51,480 Speaker 1: was cool. She's that hard to do for you guys. 586 00:35:51,600 --> 00:35:54,359 Speaker 1: Can you guys do accents? I can't do accents, Jen, 587 00:35:54,480 --> 00:35:58,840 Speaker 1: It's hard. I can't even do like a British accent. 588 00:36:00,120 --> 00:36:04,520 Speaker 1: You've done one, like like legit got paid for one? Yeah, 589 00:36:04,680 --> 00:36:08,080 Speaker 1: not just like in the bathroom. Uh yeah. I did 590 00:36:08,120 --> 00:36:10,880 Speaker 1: a movie where I was playing an Irish lasse once 591 00:36:11,040 --> 00:36:14,200 Speaker 1: and okay, you know we're gonna ask you. Oh no, no, no, 592 00:36:14,719 --> 00:36:18,239 Speaker 1: I can't do it. You have to go up at 593 00:36:18,239 --> 00:36:21,799 Speaker 1: the end of every sentence. When you're Irish, when you 594 00:36:21,800 --> 00:36:24,279 Speaker 1: have to ask a question and everything ends in the 595 00:36:24,320 --> 00:36:26,879 Speaker 1: top of the you have to go up at the end. 596 00:36:27,560 --> 00:36:30,319 Speaker 1: Today you have to think about Apricorn and just do that. 597 00:36:30,920 --> 00:36:34,839 Speaker 1: How would say? Uh, we say how are you? How 598 00:36:34,880 --> 00:36:40,600 Speaker 1: are you? Are you? How are you? It's very Irish, 599 00:36:40,760 --> 00:36:47,200 Speaker 1: very you know, it's my blend. It's my own personal 600 00:36:47,360 --> 00:36:51,040 Speaker 1: sort of Irish. Uh, Mike, I have a girlfriend that's 601 00:36:51,160 --> 00:36:54,960 Speaker 1: from you know, or Dana. She's from Canada, but sometimes 602 00:36:54,960 --> 00:37:01,560 Speaker 1: she sounds like she's from Ireland, kissing your rights. Who 603 00:37:01,640 --> 00:37:04,840 Speaker 1: knows who. I will never ever get hired to do 604 00:37:04,880 --> 00:37:08,359 Speaker 1: an accent because I cannot do accents like it's you 605 00:37:08,400 --> 00:37:10,400 Speaker 1: could do it, you just you have to study, you know. 606 00:37:10,520 --> 00:37:12,959 Speaker 1: I can't go to a dialect coach and they teach 607 00:37:13,000 --> 00:37:14,279 Speaker 1: you and they train you how to do it and 608 00:37:14,320 --> 00:37:16,399 Speaker 1: then you do it. Oh, you're right. If I had 609 00:37:16,480 --> 00:37:19,200 Speaker 1: that maybe, but like remember I'm mister girls, I had 610 00:37:19,239 --> 00:37:21,600 Speaker 1: to do a Southern accent. I couldn't do it, and 611 00:37:22,280 --> 00:37:24,640 Speaker 1: it was like bad, like anyone like most people can do, 612 00:37:24,760 --> 00:37:26,799 Speaker 1: like you know, from the South. I couldn't do it. 613 00:37:26,960 --> 00:37:29,719 Speaker 1: And then actually, it's gonna give us a little South. Now, 614 00:37:29,880 --> 00:37:31,880 Speaker 1: give us a little Southern accent. Now, okay, give me 615 00:37:31,920 --> 00:37:33,400 Speaker 1: something to say. You know, I can't do it, but 616 00:37:33,440 --> 00:37:35,000 Speaker 1: I'll show you how bad I can do it. Give 617 00:37:35,000 --> 00:37:39,680 Speaker 1: me something to say, uh, say, say the biscuits are 618 00:37:39,680 --> 00:37:46,520 Speaker 1: coming out of the oven. That's a good one. The 619 00:37:47,280 --> 00:37:50,480 Speaker 1: biscuits are coming out of the oven. Oh no, it's 620 00:37:50,520 --> 00:37:54,640 Speaker 1: pretty good. It was why did you not move your mouth? Though? 621 00:37:55,680 --> 00:37:58,080 Speaker 1: I was frozen in fear, and I was like, oh, 622 00:37:58,120 --> 00:38:00,719 Speaker 1: just something came out so here's the thing. We will 623 00:38:00,719 --> 00:38:04,040 Speaker 1: get to it eventually, but there is. It's in later seasons. 624 00:38:04,480 --> 00:38:08,480 Speaker 1: There's an episode where we filmed a reality show and 625 00:38:08,520 --> 00:38:10,040 Speaker 1: it was supposed to be like a real world. It's 626 00:38:10,080 --> 00:38:12,799 Speaker 1: in the beach apartment and I had to play I 627 00:38:12,800 --> 00:38:16,439 Speaker 1: had to have a British accent, and apparently I did 628 00:38:16,440 --> 00:38:19,400 Speaker 1: it so bad that on the Internet they panned me 629 00:38:19,440 --> 00:38:22,319 Speaker 1: on the Internet like that was so awful, and I 630 00:38:22,360 --> 00:38:25,480 Speaker 1: got so horrified afterwards that I was like, I'm never 631 00:38:25,520 --> 00:38:27,799 Speaker 1: doing an accent again. So most of it comes from 632 00:38:27,840 --> 00:38:33,600 Speaker 1: that fear. So thanks Internet Rolls, you know who you are. 633 00:38:33,960 --> 00:38:36,800 Speaker 1: But Brenda's Laverne is probably one of my favorite memories 634 00:38:37,120 --> 00:38:40,600 Speaker 1: from the series, really yes, because it just brought back 635 00:38:40,680 --> 00:38:43,360 Speaker 1: so many members of like watching it, I was like, 636 00:38:43,400 --> 00:38:46,760 Speaker 1: where'd she get that get up? That was a complete, 637 00:38:46,800 --> 00:38:49,680 Speaker 1: like outfit? She just pulled that out of Cindy's closet. 638 00:38:49,719 --> 00:38:53,359 Speaker 1: Where to come from? Like, I would love to know 639 00:38:53,520 --> 00:38:56,440 Speaker 1: if Shannon. I don't even remember if she weighed in 640 00:38:56,560 --> 00:38:59,200 Speaker 1: on the character and how she'd be styled and all 641 00:38:59,239 --> 00:39:01,719 Speaker 1: of that, because it was so specific and so brilliant 642 00:39:01,800 --> 00:39:04,040 Speaker 1: and I don't even remember to ask. It seems like 643 00:39:04,160 --> 00:39:08,040 Speaker 1: something that she had some saying because she did it 644 00:39:08,040 --> 00:39:10,799 Speaker 1: with such a passion, you know, she really went for it, 645 00:39:11,360 --> 00:39:16,560 Speaker 1: so she must have felt like it was good. It 646 00:39:16,600 --> 00:39:20,040 Speaker 1: was so good. Did Laverne ever come back after this episode? 647 00:39:20,560 --> 00:39:24,920 Speaker 1: I don't think so. Mmm, she should have. M How 648 00:39:24,920 --> 00:39:27,759 Speaker 1: did we end up dancing with her behind the counter though? 649 00:39:27,800 --> 00:39:33,200 Speaker 1: I don't what's going on in that restaurant? I don't know, 650 00:39:33,640 --> 00:39:36,200 Speaker 1: but it was fun. I found Remember I told you 651 00:39:36,200 --> 00:39:37,759 Speaker 1: I had found the sound track of all the nine 652 00:39:37,800 --> 00:39:40,920 Speaker 1: O Twine music. Uh huh. There was also a soundtrack 653 00:39:41,080 --> 00:39:43,200 Speaker 1: of It's My Party, because I guess they had sent 654 00:39:43,239 --> 00:39:45,279 Speaker 1: it to us each with a cassette so we could 655 00:39:45,320 --> 00:39:46,920 Speaker 1: listen to it so we could lip sing to it 656 00:39:47,000 --> 00:39:49,640 Speaker 1: and dance. And that actually still made it into the 657 00:39:49,640 --> 00:39:52,200 Speaker 1: show on like I was watching on Amazon Prime. So 658 00:39:52,239 --> 00:39:55,480 Speaker 1: it wasn't dubbed over with something random that would have 659 00:39:55,520 --> 00:39:57,880 Speaker 1: been weird. If it would have been very weird. It 660 00:39:58,040 --> 00:40:00,960 Speaker 1: dubbed over a different song, Yeah, that could have been. 661 00:40:01,120 --> 00:40:02,680 Speaker 1: They probably had to use that one and pay for 662 00:40:02,719 --> 00:40:06,279 Speaker 1: it because we were lip syncing, right, So Tori on 663 00:40:06,320 --> 00:40:08,719 Speaker 1: the internet it says Kelly and Donna is dancing too. 664 00:40:08,760 --> 00:40:13,919 Speaker 1: It's My Party was choreographed by Tori Spelling. So interestingly enough, 665 00:40:14,080 --> 00:40:18,960 Speaker 1: I remember everything. Usually I do not remember that. I 666 00:40:19,000 --> 00:40:21,560 Speaker 1: don't remember that. I'm gonna say it was probably you, 667 00:40:21,680 --> 00:40:24,960 Speaker 1: because just recently we had to do something where we 668 00:40:24,960 --> 00:40:28,799 Speaker 1: were dancing on a stage and you kind of came 669 00:40:28,880 --> 00:40:31,520 Speaker 1: up with the moves. Do you remember didn't you come 670 00:40:31,560 --> 00:40:32,880 Speaker 1: up with the moves on bh N I two and 671 00:40:32,920 --> 00:40:39,680 Speaker 1: I when we had to do that Robert Palmer thing. No, 672 00:40:40,320 --> 00:40:42,080 Speaker 1: I mean yes and no, But it was kind of 673 00:40:42,080 --> 00:40:44,239 Speaker 1: we were mimicking what we did in the original one, 674 00:40:45,040 --> 00:40:49,480 Speaker 1: which was so I remember that one, but this one 675 00:40:49,719 --> 00:40:54,640 Speaker 1: I probably did. Probably I used to. I used to 676 00:40:54,719 --> 00:40:58,279 Speaker 1: choreograph in when I did go to high school dance 677 00:40:58,360 --> 00:41:01,200 Speaker 1: routines for pe when we'd have to do like hula 678 00:41:01,239 --> 00:41:03,520 Speaker 1: hoop where you'd have to do like with a handball 679 00:41:03,560 --> 00:41:05,560 Speaker 1: and do things, but also do a routine you have 680 00:41:05,560 --> 00:41:08,719 Speaker 1: to teach people. I used to make those up. Just 681 00:41:08,800 --> 00:41:12,359 Speaker 1: a little dancer. You missed your calling. Could have been 682 00:41:12,400 --> 00:41:18,759 Speaker 1: a choreographer, famous choreographer. Would I have been a billionaire 683 00:41:21,239 --> 00:41:25,160 Speaker 1: traveled the world. It would have traveled traveled the world, 684 00:41:25,480 --> 00:41:30,040 Speaker 1: maybe like Katy Perry or something or like. That would 685 00:41:30,080 --> 00:41:35,080 Speaker 1: have been a nice life. The fashion in this episode 686 00:41:35,680 --> 00:41:41,400 Speaker 1: was well between LaVerne's outfit and Brandon's. I guess what 687 00:41:41,400 --> 00:41:44,400 Speaker 1: would you call him? A punk kid outfit? I like 688 00:41:44,719 --> 00:41:49,600 Speaker 1: graffiti sweatshirt or a pirate but like his like graffiti 689 00:41:49,640 --> 00:41:54,480 Speaker 1: sweatshirt would be totally in now. Yeah, I liked it. 690 00:41:55,080 --> 00:41:57,960 Speaker 1: I liked Kelly's sheer sleeves on her denim jacket with 691 00:41:58,040 --> 00:42:01,480 Speaker 1: the daisies. I felt like that was not a Kelly 692 00:42:01,560 --> 00:42:04,080 Speaker 1: jacket though. I feel like that was a Donna piece 693 00:42:04,120 --> 00:42:09,320 Speaker 1: and for some reason to put it on Kelly toats Yeah, 694 00:42:09,400 --> 00:42:11,839 Speaker 1: that was a Donna. I feel like Donna had only 695 00:42:11,920 --> 00:42:14,080 Speaker 1: at this point had one daisy outfit. It was the 696 00:42:14,080 --> 00:42:16,719 Speaker 1: previous episode, so maybe at this point it wasn't established 697 00:42:16,719 --> 00:42:18,440 Speaker 1: to be her thing, so it was kind of a 698 00:42:18,440 --> 00:42:20,319 Speaker 1: trade off, and then later it became a thing. But 699 00:42:20,640 --> 00:42:23,520 Speaker 1: I for her with that? Is it me you guys? 700 00:42:23,600 --> 00:42:26,600 Speaker 1: Or did you think the character Lydia leads the actress. 701 00:42:27,560 --> 00:42:29,520 Speaker 1: I'm going to go on record and guess that she 702 00:42:29,640 --> 00:42:35,080 Speaker 1: might have auditioned for the part of Andrea. Similar vibes, Yeah, 703 00:42:35,120 --> 00:42:37,399 Speaker 1: a little bit right, And then they were like when 704 00:42:37,400 --> 00:42:38,840 Speaker 1: it came to this character, they were like, oh, we 705 00:42:38,880 --> 00:42:41,440 Speaker 1: had this great actress. You know they always used people again, 706 00:42:41,560 --> 00:42:47,440 Speaker 1: maybe I don't know, could have been I think she 707 00:42:47,160 --> 00:42:50,840 Speaker 1: would she did a great job, though I believed she did. 708 00:42:50,840 --> 00:42:53,600 Speaker 1: She looked nice in her blue spandex. Would you guys 709 00:42:53,600 --> 00:42:56,719 Speaker 1: think of Brandon's green shirt with the was it sunflowers? 710 00:42:56,719 --> 00:42:59,359 Speaker 1: On his time? He was wearing sunflowers? What they didn't 711 00:42:59,360 --> 00:43:03,680 Speaker 1: get the memo? Same thing to him? Bitch stole my luck? 712 00:43:03,880 --> 00:43:09,360 Speaker 1: What why we were stealing? Motherfucking show? But spelling? Imagine 713 00:43:10,400 --> 00:43:14,640 Speaker 1: nobody sent that memough guess not. I don't know. Maybe 714 00:43:14,640 --> 00:43:21,200 Speaker 1: they send it to Jessica album by mistake? What was 715 00:43:21,239 --> 00:43:27,799 Speaker 1: your favorite? That was a shameless callback? Oh? I have two. 716 00:43:27,880 --> 00:43:30,600 Speaker 1: I mean, I loved the Brandon line that he used 717 00:43:30,640 --> 00:43:34,680 Speaker 1: on camera on his show on Keep It Together, which is, hey, babe, 718 00:43:34,880 --> 00:43:38,440 Speaker 1: looking real good babe. But I also like, I hope 719 00:43:38,520 --> 00:43:42,560 Speaker 1: I didn't come off as rank amateur today I wrote 720 00:43:42,600 --> 00:43:46,319 Speaker 1: that down too, rank amateur? What R does that mean? 721 00:43:46,360 --> 00:43:48,160 Speaker 1: What does that mean? I hope I didn't come off 722 00:43:48,200 --> 00:43:50,239 Speaker 1: as a rank amateur, which means I guess it means 723 00:43:50,280 --> 00:43:54,600 Speaker 1: like a a bad amateur, I guess. But like, what's 724 00:43:54,640 --> 00:43:57,040 Speaker 1: the word that's in now dank? And that's a good thing. 725 00:43:59,080 --> 00:44:02,799 Speaker 1: It's considered. Yeah, dank is bad though, so it would 726 00:44:02,840 --> 00:44:08,279 Speaker 1: be like scabby both Wratchet Ratchett, Wratchet Ratchet and I 727 00:44:08,320 --> 00:44:11,120 Speaker 1: love when he's like, I've been told I'm a good kisser, 728 00:44:12,360 --> 00:44:15,080 Speaker 1: of course, because we talk about his kissing all the time. 729 00:44:15,160 --> 00:44:21,320 Speaker 1: So he talked about mine. Mine is actually a question 730 00:44:21,360 --> 00:44:26,200 Speaker 1: for you guys. It was from Lydia and she said 731 00:44:27,080 --> 00:44:29,240 Speaker 1: it's hard to be who you are when you're always 732 00:44:29,280 --> 00:44:33,440 Speaker 1: pretending to be somebody else, And then really got me 733 00:44:33,560 --> 00:44:36,120 Speaker 1: thinking of what it's like to be an actor and 734 00:44:36,200 --> 00:44:42,160 Speaker 1: if you felt any truth to that in real life. 735 00:44:41,320 --> 00:44:47,520 Speaker 1: Uh yeah, especially starting to act so young as he did. Yeah, 736 00:44:47,600 --> 00:44:49,680 Speaker 1: I didn't have any idea who I was until I 737 00:44:49,719 --> 00:44:54,120 Speaker 1: was forty, so it was a little bit of a 738 00:44:54,200 --> 00:44:58,680 Speaker 1: gap there. I feel the exact same way, and I 739 00:44:58,680 --> 00:45:02,080 Speaker 1: feel like, yeah, it was like late thirties forty, and 740 00:45:02,080 --> 00:45:05,759 Speaker 1: then I'm still I still go back to being like, oh, 741 00:45:06,000 --> 00:45:07,800 Speaker 1: it's what they want to be, Like, I still waiver 742 00:45:07,920 --> 00:45:10,800 Speaker 1: in between like speaker truth to being like oh everyone 743 00:45:10,840 --> 00:45:15,560 Speaker 1: expects me to be happy and on and fine. It's 744 00:45:15,600 --> 00:45:18,120 Speaker 1: still my waiver going back and forth. It's hard. It's 745 00:45:18,160 --> 00:45:20,880 Speaker 1: like a lifetime of being taught to be someone else, 746 00:45:20,960 --> 00:45:22,799 Speaker 1: Like how do you go back to being you? And 747 00:45:22,880 --> 00:45:25,520 Speaker 1: I don't think it's just specific to like us or 748 00:45:25,600 --> 00:45:28,400 Speaker 1: what we did for a limit, Like I think anybody 749 00:45:28,640 --> 00:45:32,880 Speaker 1: probably feels that way, Like, you know, you walk that 750 00:45:32,920 --> 00:45:35,640 Speaker 1: line of being you want to be what everybody wants 751 00:45:35,640 --> 00:45:38,680 Speaker 1: you to be, but at the same time, maybe you 752 00:45:38,719 --> 00:45:40,799 Speaker 1: don't feel like being that right now, or maybe that 753 00:45:40,880 --> 00:45:45,440 Speaker 1: doesn't actually suit you, but you've kind of gotten pigeonholed 754 00:45:45,520 --> 00:45:48,319 Speaker 1: or in that, you know. I think I think a 755 00:45:48,320 --> 00:45:51,800 Speaker 1: lot of people can relate to that. Is it difficult acting? 756 00:45:52,040 --> 00:45:54,840 Speaker 1: So you did? You played Donna and Kelly for ten years? 757 00:45:55,480 --> 00:45:57,520 Speaker 1: Is it difficult to then move on from that role 758 00:45:58,080 --> 00:46:02,000 Speaker 1: and start in different roles? Not for us, but I 759 00:46:02,040 --> 00:46:05,080 Speaker 1: feel like it's hard for other people to accept you 760 00:46:05,960 --> 00:46:11,080 Speaker 1: being so honest. That's yeah, that's interesting. I mean Jen 761 00:46:11,200 --> 00:46:13,640 Speaker 1: went on to do something that many actors never do, 762 00:46:13,960 --> 00:46:17,640 Speaker 1: which is have another hit television show playing a different 763 00:46:17,719 --> 00:46:21,560 Speaker 1: character after she already had a huge television show with 764 00:46:21,600 --> 00:46:24,399 Speaker 1: what I Like about You, Like, that's very uncommon, Like 765 00:46:24,440 --> 00:46:28,680 Speaker 1: that was amazing. I think enough time had passed because 766 00:46:28,719 --> 00:46:32,560 Speaker 1: I kind of kind of like hid hid for a 767 00:46:32,560 --> 00:46:35,400 Speaker 1: few years after the show ended, and I was making 768 00:46:35,440 --> 00:46:39,480 Speaker 1: babies or raising babies, I don't know, and I took 769 00:46:39,520 --> 00:46:43,719 Speaker 1: some time off, and yeah, I mean I think and 770 00:46:43,840 --> 00:46:46,240 Speaker 1: think you have to be careful with that as an actor, 771 00:46:46,239 --> 00:46:49,960 Speaker 1: what choices you make. And I mean, you know what 772 00:46:50,000 --> 00:46:52,880 Speaker 1: I think about sometimes too, is like with the Internet, 773 00:46:52,960 --> 00:46:57,680 Speaker 1: with like you know, social media, Instagram, everything, actors are 774 00:46:57,760 --> 00:47:03,839 Speaker 1: so exposed now, so like their everyday life is like 775 00:47:04,280 --> 00:47:06,279 Speaker 1: there for everyone to see, Oh, look what I need 776 00:47:06,320 --> 00:47:08,960 Speaker 1: for breakfast. Like think, you know, like they see in behind, 777 00:47:09,040 --> 00:47:13,320 Speaker 1: they see the real person. So I think that limits 778 00:47:13,400 --> 00:47:19,080 Speaker 1: you in a way because then the audience doesn't really 779 00:47:19,520 --> 00:47:22,279 Speaker 1: buy you as a different character. You know, when you 780 00:47:22,480 --> 00:47:26,040 Speaker 1: go do another project, it's hard to kind of shed 781 00:47:26,600 --> 00:47:28,759 Speaker 1: their image of you because it's so in their face 782 00:47:28,840 --> 00:47:30,759 Speaker 1: and so it's in their hands, you know, they're like 783 00:47:30,840 --> 00:47:34,680 Speaker 1: watching it. M Like, on one hand, you know, you 784 00:47:34,680 --> 00:47:38,160 Speaker 1: you're told in society like you're you want to stay relevant. 785 00:47:38,719 --> 00:47:42,320 Speaker 1: But on the other hand, sometimes there's like, oh, she's great, 786 00:47:42,400 --> 00:47:44,640 Speaker 1: she's so relevant, but then you go to get cast 787 00:47:44,800 --> 00:47:47,800 Speaker 1: in another part and they're like, oh, she's too relevant 788 00:47:47,880 --> 00:47:53,359 Speaker 1: basically right, Like I remember, like for Pilots last year, 789 00:47:53,400 --> 00:47:55,680 Speaker 1: my manager I was like, any auditions and He was like, 790 00:47:55,960 --> 00:47:58,600 Speaker 1: I keep coming up against people are like she she's great, 791 00:47:58,680 --> 00:48:03,960 Speaker 1: She's just too tory, And I was like, I'm too tory. 792 00:48:04,040 --> 00:48:07,080 Speaker 1: I could be somewhere else. I could be. Let me 793 00:48:07,080 --> 00:48:09,040 Speaker 1: the audition for it, like whoever you want me to be, 794 00:48:09,160 --> 00:48:11,080 Speaker 1: I can do it. I can be taller, I can 795 00:48:11,120 --> 00:48:16,200 Speaker 1: be shorter. Yeah, it's fun. Yeah, that's one thing I 796 00:48:16,239 --> 00:48:19,560 Speaker 1: can't stop being. I am who I am. So Yeah, 797 00:48:19,560 --> 00:48:22,600 Speaker 1: it's it's hard sometimes, Yeah, because you've made a choice 798 00:48:22,680 --> 00:48:25,879 Speaker 1: and like so many other people, to show your real 799 00:48:25,920 --> 00:48:29,399 Speaker 1: life and be so forthcoming and open with people. And 800 00:48:29,560 --> 00:48:31,640 Speaker 1: I think that makes you not it doesn't make you 801 00:48:31,800 --> 00:48:38,040 Speaker 1: what did you say the word was relevant? Relevant? Sorry? Yeah, 802 00:48:38,080 --> 00:48:40,359 Speaker 1: it doesn't make you relevant. It makes you relatable to 803 00:48:40,360 --> 00:48:43,239 Speaker 1: so many people. And maybe that's you know, I think 804 00:48:43,239 --> 00:48:48,560 Speaker 1: that's worth a whole different appreciation and value there, that 805 00:48:48,719 --> 00:48:51,719 Speaker 1: you're so relatable to so many people. But I don't 806 00:48:51,719 --> 00:48:54,759 Speaker 1: know about the relevant thing. I think you're only as 807 00:48:54,800 --> 00:48:59,239 Speaker 1: relevant as your last job. Well, but people again, that 808 00:48:59,360 --> 00:49:00,959 Speaker 1: used to be the case in Hollywood, and we would 809 00:49:00,960 --> 00:49:03,480 Speaker 1: always people would always say that. But like you just said, 810 00:49:03,520 --> 00:49:07,240 Speaker 1: nowadays you see everything on social media, You see everything online, 811 00:49:07,640 --> 00:49:09,839 Speaker 1: so you're more than just relevant from your last job. 812 00:49:09,880 --> 00:49:12,960 Speaker 1: It's like whatever you see weekly because people that haven't 813 00:49:12,960 --> 00:49:17,640 Speaker 1: worked in years are still relevant right nowadays, because it's different. Before, 814 00:49:17,719 --> 00:49:19,600 Speaker 1: if you were an actor, you only got seen when 815 00:49:19,600 --> 00:49:22,000 Speaker 1: you were in movies or on a television's show. Now 816 00:49:22,239 --> 00:49:24,799 Speaker 1: you can get seen daily if you have an Instagram. So, 817 00:49:26,400 --> 00:49:31,239 Speaker 1: I don't know. Did we answer your question? Yeah, you did. 818 00:49:31,440 --> 00:49:35,520 Speaker 1: Speaking of questions, we have two more from actual people, 819 00:49:36,160 --> 00:49:39,640 Speaker 1: not just me from some listeners. This is from Courtney. 820 00:49:39,960 --> 00:49:42,920 Speaker 1: She's saying Jenny was lucky enough to have many kissing 821 00:49:43,000 --> 00:49:47,680 Speaker 1: scenes with both Jason and Luke. Was there ever a 822 00:49:47,719 --> 00:49:50,880 Speaker 1: time where the kissing scene was supposed to end and 823 00:49:50,960 --> 00:49:57,520 Speaker 1: you actually just kept on going. Wouldn't that be fun? No? 824 00:49:57,640 --> 00:50:01,880 Speaker 1: I don't think so. I think kissing scenes are so 825 00:50:02,440 --> 00:50:06,880 Speaker 1: uncomfortable and awkward usually, I mean for me personally, I 826 00:50:06,920 --> 00:50:09,040 Speaker 1: don't think that ever happened where we were just kept 827 00:50:09,080 --> 00:50:12,160 Speaker 1: making out in front of the whole crew and wasting 828 00:50:12,200 --> 00:50:15,919 Speaker 1: everyone's time. I don't think so. How about Okay, sure, 829 00:50:16,840 --> 00:50:20,400 Speaker 1: did you ever keep making out with David Brian? No, 830 00:50:20,760 --> 00:50:23,000 Speaker 1: because you didn't want to be that one because when 831 00:50:23,000 --> 00:50:26,719 Speaker 1: they yelled cut like you quickly stopped and like backed 832 00:50:26,719 --> 00:50:29,360 Speaker 1: away like, yeah, like I didn't like it. Yeah, it 833 00:50:29,400 --> 00:50:31,040 Speaker 1: was the next scene because you didn't want them just 834 00:50:31,160 --> 00:50:35,359 Speaker 1: too into it. Yeah, I was just acting. Yeah, that's 835 00:50:35,360 --> 00:50:38,560 Speaker 1: too of this question. I could never be an actor. 836 00:50:38,680 --> 00:50:40,600 Speaker 1: I would just be it's too emotional for me. Like 837 00:50:40,640 --> 00:50:43,120 Speaker 1: if I'm having to make out with somebody, you would 838 00:50:43,120 --> 00:50:44,879 Speaker 1: be you would be you would be really in love 839 00:50:44,920 --> 00:50:48,400 Speaker 1: with them, right, oh best distantly, Yes, it would be 840 00:50:48,480 --> 00:50:50,440 Speaker 1: cheating on my husband for me, like, there's no way 841 00:50:51,080 --> 00:50:53,800 Speaker 1: I love. It messes with your head, That's what it does, 842 00:50:54,000 --> 00:50:59,839 Speaker 1: because instinctually, you you do your body, your brain like 843 00:51:00,760 --> 00:51:04,120 Speaker 1: starts stirring up these feelings of like a connection with 844 00:51:04,120 --> 00:51:06,800 Speaker 1: this person, and the truth is there is no connection. 845 00:51:06,880 --> 00:51:10,080 Speaker 1: Most of the time. They're going to lunch in a minute, 846 00:51:10,160 --> 00:51:12,040 Speaker 1: or they they're got to go home to their wife 847 00:51:12,040 --> 00:51:15,080 Speaker 1: and kids, Like there's no there's no relationship there. So 848 00:51:15,120 --> 00:51:18,320 Speaker 1: it really does mess with your head on a crazy level. 849 00:51:19,280 --> 00:51:24,400 Speaker 1: That's true. That's fascinating. There's more to this question from Courtney. 850 00:51:24,440 --> 00:51:27,840 Speaker 1: She says, any memories of one of them forgetting to 851 00:51:27,920 --> 00:51:30,960 Speaker 1: use mouthwash before a scene and they had an unbearable 852 00:51:31,040 --> 00:51:37,440 Speaker 1: kiss due to brad bad breath. I like Brad Brad breath, 853 00:51:37,640 --> 00:51:43,440 Speaker 1: Brad Breath. Okay, So no, not that I can specifically recall. 854 00:51:43,520 --> 00:51:46,800 Speaker 1: I do know that Jason back then was a smoker, 855 00:51:47,080 --> 00:51:51,839 Speaker 1: so that was something we had to kind of deal with. Yeah, 856 00:51:52,040 --> 00:51:56,399 Speaker 1: I wasn't a smoker, and uh I didn't love that. 857 00:51:56,520 --> 00:51:58,960 Speaker 1: I wouldn't love kissing a smoker because you know, you 858 00:51:59,000 --> 00:52:01,920 Speaker 1: can kind of it's like always there and taste it. 859 00:52:02,280 --> 00:52:05,520 Speaker 1: But he did his best with you know, the banocka 860 00:52:06,280 --> 00:52:08,840 Speaker 1: makeup always on top of it when makeup comes in 861 00:52:08,920 --> 00:52:11,680 Speaker 1: for your touch up and final looks. If you have 862 00:52:11,719 --> 00:52:13,759 Speaker 1: a kissing scene, they usually always are like do you 863 00:52:13,760 --> 00:52:17,160 Speaker 1: want to mentor you want to spray listerine strips? Something? 864 00:52:17,239 --> 00:52:21,000 Speaker 1: They're always offering something typically true. I had one time 865 00:52:21,040 --> 00:52:23,359 Speaker 1: I had to kiss somebody. I won't say his name, 866 00:52:23,719 --> 00:52:25,920 Speaker 1: but I had to kiss him on a movie and 867 00:52:29,120 --> 00:52:31,080 Speaker 1: definitely definitely not gonna say his name, but he had 868 00:52:31,120 --> 00:52:34,360 Speaker 1: like white in the corners of his mouth. Well have 869 00:52:34,400 --> 00:52:37,000 Speaker 1: you ever seen that, like when you when somebody's talking 870 00:52:37,040 --> 00:52:38,480 Speaker 1: a lot and then they get white. Oh my god, 871 00:52:38,480 --> 00:52:41,719 Speaker 1: that makes me want to puke. Jenny Barf, Okay, that's 872 00:52:42,040 --> 00:52:44,480 Speaker 1: seeing me out. I had. I had a kiss and 873 00:52:44,480 --> 00:52:48,839 Speaker 1: it keeps separating the white like a passion mouth. I 874 00:52:48,880 --> 00:52:51,239 Speaker 1: said to my makeup, I'm like, I can't, I don't, 875 00:52:51,280 --> 00:52:53,400 Speaker 1: I can't do it. I can't, I can't do that, 876 00:52:53,680 --> 00:52:56,120 Speaker 1: or like fix him. And so that's what they would do. 877 00:52:56,160 --> 00:52:59,799 Speaker 1: They would come in after every take and his mouth 878 00:53:00,200 --> 00:53:03,840 Speaker 1: nchalantly wipe his mouth down, like the corners of his 879 00:53:03,880 --> 00:53:07,160 Speaker 1: mouth with a little alcohol sponge, a sponge alcohol on 880 00:53:07,239 --> 00:53:09,360 Speaker 1: it was he You don't have to say who it is, 881 00:53:09,360 --> 00:53:12,880 Speaker 1: but was he good looking at least? Oh? Yeah, okay, 882 00:53:12,760 --> 00:53:14,680 Speaker 1: so that makes a little bit better because this is 883 00:53:14,680 --> 00:53:16,920 Speaker 1: like so okay, I'm gonna text you afterwards and you're 884 00:53:16,920 --> 00:53:19,000 Speaker 1: gonna tell me who this is. Well, I want to 885 00:53:19,040 --> 00:53:21,480 Speaker 1: know too. I promise I won't tell. Fine, we'll have 886 00:53:21,520 --> 00:53:25,319 Speaker 1: a three way text. Promise you won't tell, Like how 887 00:53:25,360 --> 00:53:27,680 Speaker 1: you didn't tell us you were pregnant whatever. Cis just 888 00:53:27,840 --> 00:53:29,279 Speaker 1: like that. See you know, now you know I can 889 00:53:29,360 --> 00:53:35,720 Speaker 1: keep a secret. All right? Another question before we wrap. 890 00:53:35,840 --> 00:53:38,760 Speaker 1: If you went to school with any of the Beverly 891 00:53:38,800 --> 00:53:41,920 Speaker 1: Hills Manituano characters, which one would you be friends with? 892 00:53:42,080 --> 00:53:46,360 Speaker 1: You can't say each other? Oh, well, because that's too easy. 893 00:53:46,560 --> 00:53:49,440 Speaker 1: I'd go for Andrea because then I could get my 894 00:53:49,480 --> 00:53:54,360 Speaker 1: homework done by her sheet off of her. She's smart. 895 00:53:55,840 --> 00:53:58,319 Speaker 1: So wait, we can't say like our own characters and 896 00:53:58,360 --> 00:54:02,520 Speaker 1: we can't say the other person's care. Sure you can't. No, 897 00:54:02,680 --> 00:54:05,520 Speaker 1: I added that part because I figured it's too easy. 898 00:54:05,800 --> 00:54:08,799 Speaker 1: That's a part of the question. No, you just embellished it. 899 00:54:09,200 --> 00:54:13,640 Speaker 1: Just make you have her own rules. Okay. To Jennifer's question, 900 00:54:14,000 --> 00:54:16,120 Speaker 1: I guess then I would probably pick Brenda if I 901 00:54:16,120 --> 00:54:19,560 Speaker 1: couldn't pick Kelly, and I can't pick Donna, Like, that's 902 00:54:19,560 --> 00:54:21,480 Speaker 1: someone I would at least be in my wheelhouse to 903 00:54:21,520 --> 00:54:23,520 Speaker 1: be friends with because we had a lot in common. 904 00:54:23,600 --> 00:54:25,360 Speaker 1: I guess. You know, she wanted to be an actor, 905 00:54:25,400 --> 00:54:30,359 Speaker 1: and she was into fashion and boys and yeah, it 906 00:54:30,400 --> 00:54:34,920 Speaker 1: was dramatic, emotional, typical girl. I picked Brenda. Choice. Good choice. 907 00:54:35,360 --> 00:54:41,440 Speaker 1: Well that's it for another exciting episode. You guys, bang, 908 00:54:41,840 --> 00:54:46,280 Speaker 1: only three hundred and eighty seven more to go. No, 909 00:54:46,520 --> 00:54:52,320 Speaker 1: not really, we're getting there. We're denting into that first season. 910 00:54:52,760 --> 00:54:55,000 Speaker 1: Yeah we are. We're all wenna have a rap party 911 00:54:55,080 --> 00:54:58,480 Speaker 1: for the first season. We should a rap party. Well, 912 00:54:58,560 --> 00:55:02,760 Speaker 1: let's have a virtual rap part season one party. Good idea, 913 00:55:02,920 --> 00:55:05,439 Speaker 1: We're doing that. We're doing that. Get your tickets now. 914 00:55:06,360 --> 00:55:12,000 Speaker 1: I know we we are on two, episode seventeen, stand 915 00:55:12,280 --> 00:55:18,480 Speaker 1: Up and Deliver, So do your homework, watch it back. 916 00:55:19,760 --> 00:55:23,880 Speaker 1: Be here next week, be here and we Square. Nope, nope, 917 00:55:24,400 --> 00:55:30,800 Speaker 1: be there, be there Square And the merge is still available. 918 00:55:30,840 --> 00:55:32,719 Speaker 1: If you guys want to get some, you can buy 919 00:55:32,760 --> 00:55:35,680 Speaker 1: it at my fan threads dot com slash nine o 920 00:55:35,760 --> 00:55:40,560 Speaker 1: two an OMG. I should really really want the Donna 921 00:55:40,640 --> 00:55:43,800 Speaker 1: plus Kelly Forever Friendship t shirt. If you know anyone 922 00:55:43,840 --> 00:55:48,000 Speaker 1: who knows anyone? Do you think I can possibly get one? Oh? 923 00:55:48,080 --> 00:55:50,279 Speaker 1: What am I thinking? I can just go to nine 924 00:55:50,320 --> 00:55:54,279 Speaker 1: o two one OMG podcast and order it. Yeah, never mind, 925 00:55:54,520 --> 00:55:57,279 Speaker 1: right there, I got it. I'm getting it. Okay, all right, 926 00:55:57,400 --> 00:56:00,759 Speaker 1: everybody have a great week. M