1 00:00:02,960 --> 00:00:06,280 Speaker 1: Welcome to episode two foot four. We do a couple 2 00:00:06,280 --> 00:00:09,719 Speaker 1: of things here. Coming up, we'll talk to Ruthie Collins, 3 00:00:09,760 --> 00:00:11,399 Speaker 1: who's the new artist I think you guys are like, 4 00:00:11,680 --> 00:00:15,200 Speaker 1: we'll play our new music game show with Adam Hamburg 5 00:00:15,400 --> 00:00:18,880 Speaker 1: versus just someone who listens to this show, and if 6 00:00:18,920 --> 00:00:21,959 Speaker 1: Adam wins, he gets to promote whatever he wants, and 7 00:00:22,000 --> 00:00:24,520 Speaker 1: if the listener wins, they get fifty bucks. I'll bend 8 00:00:24,520 --> 00:00:27,840 Speaker 1: moode them immediately, which we're gonna do this just on zoom. 9 00:00:27,880 --> 00:00:31,720 Speaker 1: But Adam was like, hey, you've been being safe with Corona, right. 10 00:00:31,760 --> 00:00:33,320 Speaker 1: I was like, yeah, not only that, I tested negative. 11 00:00:33,600 --> 00:00:35,640 Speaker 1: That's like my calling card now when someone's like, hey, 12 00:00:35,920 --> 00:00:37,640 Speaker 1: I believe what were you talking about? I'm testing negative. 13 00:00:37,680 --> 00:00:39,680 Speaker 1: You do whatever you want with me, touch me, like me, 14 00:00:39,760 --> 00:00:42,560 Speaker 1: I'm good. I think I'm gonna go again next week. Really, 15 00:00:42,600 --> 00:00:44,479 Speaker 1: because I just enjoyed being able to tell people I 16 00:00:44,520 --> 00:00:47,479 Speaker 1: just tested negative. And also there's the responsible part of 17 00:00:47,479 --> 00:00:49,720 Speaker 1: it too. But yeah, I think, so have you have 18 00:00:49,760 --> 00:00:52,159 Speaker 1: you get tested yet? I haven't know. Man, it's all 19 00:00:52,200 --> 00:00:54,960 Speaker 1: the cool kids are doing it, okay, get it first, 20 00:00:55,000 --> 00:00:58,000 Speaker 1: all the cool kids wearing masks. Yeah, I do that now, 21 00:00:58,040 --> 00:01:00,680 Speaker 1: all the cool kids are getting tested so they can go, hey, 22 00:01:00,720 --> 00:01:04,320 Speaker 1: all good here, So we'll do new music now, let's 23 00:01:04,319 --> 00:01:07,720 Speaker 1: start at number five. This week, Lori McKenna put out 24 00:01:07,720 --> 00:01:10,520 Speaker 1: a new album called The Balladeer, a Little Big Town's 25 00:01:10,560 --> 00:01:13,720 Speaker 1: Karen Fairchild and Kimberly Schlapman guest starring a song called 26 00:01:14,040 --> 00:01:28,279 Speaker 1: This Town as a Woman is a Woman Girl. Laurie 27 00:01:28,400 --> 00:01:31,560 Speaker 1: is one of the love junkies who wrote just for 28 00:01:31,600 --> 00:01:33,399 Speaker 1: one of the songs of the Mini for A Little 29 00:01:33,400 --> 00:01:37,000 Speaker 1: Big Town Girl Crush, so they definitely have a relationship there. 30 00:01:37,680 --> 00:01:40,000 Speaker 1: Kaylee Hammock put out a new cover song with Alan 31 00:01:40,120 --> 00:01:43,480 Speaker 1: Jackson called Lord. I Hope this Day is Good, which 32 00:01:43,520 --> 00:01:46,280 Speaker 1: is a Don Williams song, but her and Alan Jackson 33 00:01:46,280 --> 00:02:04,280 Speaker 1: are together. Here you Go says great. I hope this 34 00:02:04,520 --> 00:02:07,840 Speaker 1: stays is good. It's good one. Tim McGraw has a 35 00:02:07,840 --> 00:02:10,760 Speaker 1: new song I called Hallelujahville. It's another track from his 36 00:02:10,840 --> 00:02:13,200 Speaker 1: upcoming album Here on Earth. It comes out August twenty one, 37 00:02:13,240 --> 00:02:15,680 Speaker 1: and here is that song, Can I Get in Amy 38 00:02:18,600 --> 00:02:28,720 Speaker 1: Living in Hallelujah. Blake Shelton and Win Stefani have put 39 00:02:28,720 --> 00:02:31,919 Speaker 1: out another duet and it is called Happy Anywhere. I 40 00:02:32,120 --> 00:02:41,200 Speaker 1: Swear to be Happy anywhere location, You're as my distanation 41 00:02:41,880 --> 00:02:45,440 Speaker 1: kill the other thing that I'm changing before I get 42 00:02:45,480 --> 00:02:47,720 Speaker 1: to number one. I expected to have Kanye on this 43 00:02:47,840 --> 00:02:51,240 Speaker 1: top five, but there's no Kanye record today. It's not out. 44 00:02:51,840 --> 00:02:53,160 Speaker 1: Why do you think that is? Because he said it 45 00:02:53,200 --> 00:02:55,120 Speaker 1: was coming out today. I think he always does this. 46 00:02:55,120 --> 00:02:56,600 Speaker 1: He said he's gonna put out an album and then 47 00:02:56,600 --> 00:02:58,840 Speaker 1: he comes out like a month later. Do you think 48 00:02:58,880 --> 00:03:00,360 Speaker 1: a little bit of it could have been Well, I'm 49 00:03:00,360 --> 00:03:03,280 Speaker 1: gonna give it. Give you two scenarios. One, whatever is 50 00:03:03,320 --> 00:03:06,360 Speaker 1: going on with him psychologically? Not sure? You know he 51 00:03:06,400 --> 00:03:08,840 Speaker 1: had some people are saying a breakdown. Do you think 52 00:03:08,840 --> 00:03:11,880 Speaker 1: it has anything to do with that? Or Two? Because 53 00:03:11,880 --> 00:03:14,600 Speaker 1: Taylor put out this record kind of surprised everybody with it, 54 00:03:15,040 --> 00:03:16,840 Speaker 1: but they kind of pulled back because they didn't want 55 00:03:16,840 --> 00:03:19,680 Speaker 1: to be number two or be overshadowed. I don't think 56 00:03:19,720 --> 00:03:22,920 Speaker 1: that factors in either one. I don't. I just think that, 57 00:03:23,360 --> 00:03:25,080 Speaker 1: like the last two albums he's put out, He's like, 58 00:03:25,080 --> 00:03:26,760 Speaker 1: I'm gonna drop it on this day and it ends 59 00:03:26,800 --> 00:03:28,720 Speaker 1: up coming out so much later. I think this is 60 00:03:28,800 --> 00:03:31,480 Speaker 1: kind of what he does well. Number one is Taylor 61 00:03:31,480 --> 00:03:33,760 Speaker 1: Swift's new album. She put it out called Folklore. This 62 00:03:33,800 --> 00:03:36,400 Speaker 1: is their eighth album, just announced yesterday, just popped up 63 00:03:36,400 --> 00:03:39,119 Speaker 1: in a tweet, and she has a song featuring Bonavit 64 00:03:39,240 --> 00:04:00,920 Speaker 1: called Exile. I was talking to Lauren from it sounds 65 00:04:00,920 --> 00:04:02,480 Speaker 1: like Nashville, and I said, hey, because she was that 66 00:04:02,520 --> 00:04:04,600 Speaker 1: tweeting about it. I said, if you've listened to this 67 00:04:04,600 --> 00:04:07,720 Speaker 1: whole record, because we record this on Friday morning, I said, 68 00:04:07,720 --> 00:04:09,600 Speaker 1: if you listen to this whole thing already, I want 69 00:04:09,600 --> 00:04:12,280 Speaker 1: to talk to you. And because she's a diehard Tales 70 00:04:12,320 --> 00:04:13,440 Speaker 1: With fan, She's like, I haven't got all the way 71 00:04:13,440 --> 00:04:15,000 Speaker 1: through it. I've been working. So I was trying to 72 00:04:15,000 --> 00:04:16,800 Speaker 1: get someone on let's listen to the whole thing already 73 00:04:16,839 --> 00:04:18,880 Speaker 1: to give me. But here's the thing, someone listen to 74 00:04:18,920 --> 00:04:20,279 Speaker 1: the whole thing is gonna be a die hard fan. 75 00:04:20,680 --> 00:04:23,000 Speaker 1: But still I'm curious to know how much have you 76 00:04:23,000 --> 00:04:26,160 Speaker 1: listened to I forgot about four tracks in and I 77 00:04:26,200 --> 00:04:28,720 Speaker 1: like it's slower, different. Yeah, that's that's my question. What's 78 00:04:28,720 --> 00:04:32,240 Speaker 1: the difference. It's more i'd say more emo India's sounding, 79 00:04:32,680 --> 00:04:35,880 Speaker 1: and just very slow piano driven. There any big pop 80 00:04:35,920 --> 00:04:38,400 Speaker 1: songs on there? Not so far. Now, how many tracks 81 00:04:38,400 --> 00:04:41,719 Speaker 1: are on the record? Do you remember I think it's sixteen. Wow, 82 00:04:41,760 --> 00:04:45,279 Speaker 1: that's a lot of tracks. Logic and this is not 83 00:04:45,320 --> 00:04:46,960 Speaker 1: in the top five, but just a little extra here. 84 00:04:47,160 --> 00:04:50,240 Speaker 1: The rapper Logic put out his final album called No Pressure. 85 00:04:50,640 --> 00:04:53,200 Speaker 1: Here's the song called hit my Line. I think it's 86 00:04:53,200 --> 00:05:01,200 Speaker 1: gonna be a good day's So I think I'm retiring 87 00:05:01,240 --> 00:05:06,320 Speaker 1: too from this podcast. Okay, I'm gonna retire, but in reality, 88 00:05:06,320 --> 00:05:09,640 Speaker 1: I'll come back next Friday to do it again. He'll 89 00:05:09,680 --> 00:05:12,560 Speaker 1: do the same thing. There's no reason trying to jump 90 00:05:12,560 --> 00:05:14,479 Speaker 1: out right now. He may take a long break, but 91 00:05:14,480 --> 00:05:17,480 Speaker 1: I don't think he's retired for sure. Taylor Acorn put 92 00:05:17,480 --> 00:05:21,400 Speaker 1: out a cover of Matchbox twenties. Unwell, I'm not crazy. 93 00:05:21,680 --> 00:05:26,320 Speaker 1: I'm just a little well. No, Rod, No, you can't 94 00:05:27,279 --> 00:05:33,280 Speaker 1: but stay well. Maybe then he'll say, differenson of me. 95 00:05:33,680 --> 00:05:39,040 Speaker 1: I'm not crazy, I'm just a little impaired. No, Rod, No, 96 00:05:39,360 --> 00:05:43,720 Speaker 1: you don't care. But soon enough you're gonna think of me. 97 00:05:45,400 --> 00:05:49,440 Speaker 1: I used to be I love Matchbox twenty and I 98 00:05:49,480 --> 00:05:53,320 Speaker 1: liked that song. I think I like her version because 99 00:05:53,400 --> 00:05:56,240 Speaker 1: I hear it a little differently. The Matchbox twenty version 100 00:05:56,320 --> 00:05:59,520 Speaker 1: is a little more, a little brighter, and I don't 101 00:05:59,560 --> 00:06:03,120 Speaker 1: think you're really get the effect that I get with 102 00:06:03,160 --> 00:06:04,960 Speaker 1: this version of it, because I don't listen to the 103 00:06:05,000 --> 00:06:07,080 Speaker 1: lyrics a lot unless it's really slown down. I don't 104 00:06:07,120 --> 00:06:11,080 Speaker 1: listen to the lyrics. I like this version. I can't 105 00:06:11,120 --> 00:06:14,200 Speaker 1: say it's better because it's derivative, but I do enjoy 106 00:06:14,279 --> 00:06:26,039 Speaker 1: this with me, so I sing it. That's good. Nice job, 107 00:06:26,080 --> 00:06:28,560 Speaker 1: Taylor Corn. What do you think about that? Mike? Yeah, 108 00:06:28,560 --> 00:06:30,760 Speaker 1: I mean too. I just hear the words different, like 109 00:06:30,800 --> 00:06:34,120 Speaker 1: it hits me different. Uh. Kanye West, Donda, we mentioned 110 00:06:34,120 --> 00:06:37,920 Speaker 1: that earlier he announced the release, and I mean again, 111 00:06:37,960 --> 00:06:39,720 Speaker 1: I'll mentioned it real quick. It's not out as of 112 00:06:39,760 --> 00:06:42,240 Speaker 1: this podcast recording. If it comes out at six pm 113 00:06:42,360 --> 00:06:45,880 Speaker 1: or over the weekend, we weren't able to get it. 114 00:06:45,960 --> 00:06:49,440 Speaker 1: Most music comes out at midnight Eastern Friday morning. It 115 00:06:49,520 --> 00:06:52,000 Speaker 1: was not there. All Resellers has a new song called 116 00:06:52,000 --> 00:06:54,640 Speaker 1: Somebody's Watching Check that out. Levi Hummed has a new 117 00:06:54,680 --> 00:06:57,320 Speaker 1: song called Good Taste. Mickey Guidan has got a new 118 00:06:57,320 --> 00:06:59,880 Speaker 1: song out called Heaven Down Here. Hardy has a new 119 00:07:00,000 --> 00:07:02,920 Speaker 1: long out called Give Him Some Hell. Neon Trees, Now, 120 00:07:02,960 --> 00:07:04,920 Speaker 1: do you have a clip of Neon Trees big song 121 00:07:04,960 --> 00:07:07,440 Speaker 1: for Back in the Day, Because for a minute these 122 00:07:07,480 --> 00:07:11,080 Speaker 1: guys were just smashing it. Neon Trees have a new 123 00:07:11,080 --> 00:07:14,480 Speaker 1: album out called I Can Feel You Forgetting Me. It 124 00:07:14,600 --> 00:07:18,680 Speaker 1: is their fourth album Back in the Day. Yeah, or 125 00:07:18,760 --> 00:07:21,600 Speaker 1: is this called Animal? They came and played this in 126 00:07:21,640 --> 00:07:23,680 Speaker 1: our studio back in the day. I wouldn't see him live, 127 00:07:23,760 --> 00:07:27,880 Speaker 1: you did, but they did pretty good. What's the course 128 00:07:27,880 --> 00:07:38,240 Speaker 1: of song? Sound like? It's here? We got waiting for? 129 00:07:42,360 --> 00:07:49,040 Speaker 1: I want some more? What are you waiting for? What 130 00:07:49,080 --> 00:07:59,200 Speaker 1: are you waiting for? Bagging out of Heart? And then finally, 131 00:07:59,640 --> 00:08:02,520 Speaker 1: super Tonic Mixes is out from Diana Ross. It's a 132 00:08:02,560 --> 00:08:04,880 Speaker 1: mixtape of her number one hits. That's all the new 133 00:08:04,960 --> 00:08:07,119 Speaker 1: music out this week. We'll take a quick little break 134 00:08:07,160 --> 00:08:10,080 Speaker 1: and we'll come back with Adam Hambrick and a listener. 135 00:08:10,240 --> 00:08:12,720 Speaker 1: Who's the listener we have has a lot, a lot 136 00:08:12,720 --> 00:08:16,119 Speaker 1: already connected with you today. She's ready to go, Ready 137 00:08:16,120 --> 00:08:18,560 Speaker 1: to go. They'll play music trivia and the winner it 138 00:08:18,600 --> 00:08:21,520 Speaker 1: gets either money or promotion. By the way, Hamburg gets 139 00:08:21,520 --> 00:08:23,679 Speaker 1: no promotion if you lose it. He's just a guy. 140 00:08:24,560 --> 00:08:31,840 Speaker 1: We'll do that next. All right, Welcome to a brand 141 00:08:31,840 --> 00:08:35,080 Speaker 1: news segment on the show. I don't really have a 142 00:08:35,160 --> 00:08:39,280 Speaker 1: name for it yet. Music Trivia against the musician. I 143 00:08:39,320 --> 00:08:41,920 Speaker 1: don't know. That's a working title. Each week we'll come 144 00:08:42,000 --> 00:08:45,120 Speaker 1: up with a better name. Stay tuned on the phone 145 00:08:45,200 --> 00:08:47,080 Speaker 1: right now is a listener named Alana. Hey, Lona, how 146 00:08:47,120 --> 00:08:49,520 Speaker 1: are you? I'm great? How are you? I'm pretty good? 147 00:08:49,559 --> 00:08:52,640 Speaker 1: Where do you live? I live in Arlington, Virginia, just 148 00:08:52,720 --> 00:08:56,440 Speaker 1: outside DC. Well do you feel like you're a pretty 149 00:08:56,520 --> 00:09:03,000 Speaker 1: proficient in music? Um? I guess I don't know what 150 00:09:03,200 --> 00:09:05,400 Speaker 1: a category? Yeah, that's what. That's the deal. That's pretty 151 00:09:05,400 --> 00:09:07,679 Speaker 1: tough because it is Adam Hambrick's here too, who We're 152 00:09:07,679 --> 00:09:09,520 Speaker 1: just gonna say as a guy at this point, because 153 00:09:09,640 --> 00:09:11,480 Speaker 1: you only get to talk about what you do if 154 00:09:11,520 --> 00:09:14,720 Speaker 1: you win. Like that's that's what you're playing. Your promotion 155 00:09:14,840 --> 00:09:17,120 Speaker 1: is if you win her deal. If she wins, she 156 00:09:17,160 --> 00:09:20,079 Speaker 1: wins fifty and I've been mowing to her immediately, So 157 00:09:20,440 --> 00:09:22,080 Speaker 1: Adam Hambrick right now just to get just my friend 158 00:09:22,080 --> 00:09:24,480 Speaker 1: who stopped by just that's but that's why you want 159 00:09:24,480 --> 00:09:26,480 Speaker 1: to win. That's why I want to win, because we have, 160 00:09:26,920 --> 00:09:29,040 Speaker 1: you know, a million people listen to Thing a month, 161 00:09:29,600 --> 00:09:31,560 Speaker 1: and you want to make sure that from those lips 162 00:09:32,679 --> 00:09:36,360 Speaker 1: they get to hear what you're working on right now advertised, right, 163 00:09:36,520 --> 00:09:38,480 Speaker 1: all right, Atlanta, So what are you doing right us 164 00:09:38,480 --> 00:09:43,440 Speaker 1: in DC? Um? I work at a professional organization association. 165 00:09:43,880 --> 00:09:46,080 Speaker 1: That is the most generic term for a job. I've 166 00:09:46,120 --> 00:09:52,280 Speaker 1: ever heard a professional association of organism. What is it again? Um, 167 00:09:52,320 --> 00:09:56,480 Speaker 1: it's a professional association for country club managers. You're a spy, 168 00:09:56,520 --> 00:09:58,600 Speaker 1: aren't you? That's always what they say that, Like, you know, 169 00:09:58,760 --> 00:10:01,640 Speaker 1: I work in an organization of places? Yeah, what does 170 00:10:01,679 --> 00:10:03,800 Speaker 1: that mean? Okay, well, you are a spy? And which 171 00:10:03,920 --> 00:10:06,000 Speaker 1: was the first spy we've ever had on the show? Um? 172 00:10:06,040 --> 00:10:09,400 Speaker 1: So you'll each get five questions, and I have a 173 00:10:09,400 --> 00:10:12,600 Speaker 1: whole other set in case there is a tie. Now, Adam, 174 00:10:12,679 --> 00:10:14,079 Speaker 1: since you're the celebrity, you get to pick. Do you 175 00:10:14,120 --> 00:10:17,760 Speaker 1: want to go first or second? I'll go second. Okay, ladies, first, 176 00:10:17,960 --> 00:10:20,160 Speaker 1: you're at first, Atlanta, you get you get your first question? 177 00:10:21,160 --> 00:10:26,400 Speaker 1: Which country singer? Which famous country singer wrote Patsy Klein's 178 00:10:26,480 --> 00:10:36,040 Speaker 1: hit crazy Correct? Wow? Wow, look at her she comes 179 00:10:36,040 --> 00:10:40,600 Speaker 1: out swinging. Adam Hambrike, who was the first country artist 180 00:10:40,840 --> 00:10:44,520 Speaker 1: to sell over ten million copies of an albums Correct 181 00:10:44,720 --> 00:10:47,800 Speaker 1: is his self titled debut album, We Are at Wonder 182 00:10:47,840 --> 00:10:53,280 Speaker 1: One Atlanta. Which song by the band's Survivor was the 183 00:10:53,280 --> 00:11:02,880 Speaker 1: theme song for the nineteen two movie Rocky three. Um, 184 00:11:02,960 --> 00:11:06,680 Speaker 1: the band was Survivor. They put out a song. What 185 00:11:06,800 --> 00:11:12,600 Speaker 1: was that song? Oh gosh, five seconds. You know it's 186 00:11:12,600 --> 00:11:16,079 Speaker 1: gonna bum you out when you miss it. Time is up. 187 00:11:16,760 --> 00:11:18,319 Speaker 1: We put a little clock on you in case you 188 00:11:18,360 --> 00:11:20,080 Speaker 1: try to google, which we know you would never do 189 00:11:20,120 --> 00:11:23,040 Speaker 1: because you are a professional organization of management associates and 190 00:11:23,080 --> 00:11:25,640 Speaker 1: that is not what you guys are about. That is 191 00:11:25,679 --> 00:11:30,000 Speaker 1: I the tiger. It's the of the tiger, ready to 192 00:11:30,080 --> 00:11:33,840 Speaker 1: fight going? You know that? All right? Adam which country 193 00:11:33,960 --> 00:11:39,240 Speaker 1: legend a member of the Grand Ol Operation since hired 194 00:11:39,240 --> 00:11:42,520 Speaker 1: by the Eagles following the death of Glenn Fry. He 195 00:11:42,760 --> 00:11:47,559 Speaker 1: was Tiff finsqu Oh, Yeah, that is correct, Adam take 196 00:11:47,600 --> 00:11:55,160 Speaker 1: the lead by one Atlanta. Which artist whose hits include 197 00:11:55,679 --> 00:11:59,640 Speaker 1: Born to Run and Glory Days has the nickname the 198 00:11:59,720 --> 00:12:10,160 Speaker 1: ball Us his nickname? Correct? Yeah, there you go, There 199 00:12:10,200 --> 00:12:15,000 Speaker 1: you go, Adam Handbrick, Which famous composer created some of 200 00:12:15,040 --> 00:12:20,800 Speaker 1: his greatest music while he was going deaf? Beethoven? Correct? 201 00:12:21,920 --> 00:12:23,600 Speaker 1: Was that a guest? Or? Do you know? Pretty confident 202 00:12:23,600 --> 00:12:26,920 Speaker 1: about that? You feel good about? You had the tone 203 00:12:27,000 --> 00:12:34,840 Speaker 1: of Beethoven Beethoven Atlanta, which music icon began his career 204 00:12:34,840 --> 00:12:38,600 Speaker 1: as a member of the group The Whalers, which music 205 00:12:38,800 --> 00:12:41,120 Speaker 1: icon began his career as a member of the group. 206 00:12:42,080 --> 00:12:51,480 Speaker 1: They were called the Whalers. I have no idea. The 207 00:12:51,480 --> 00:12:56,800 Speaker 1: answer was Bob Marley. That's incorrect, Bob Marley and the Whalers. Adam, 208 00:12:56,840 --> 00:12:59,360 Speaker 1: which two country singers teamed out for the two thousand 209 00:12:59,440 --> 00:13:02,800 Speaker 1: three hits Beer for My Horses. Oh, that would be 210 00:13:03,120 --> 00:13:06,360 Speaker 1: Toby Keith and Willie Nelson. Y'all. He's not gonna miss one, folks. 211 00:13:06,520 --> 00:13:08,120 Speaker 1: That's a that's a great song. That's one of my 212 00:13:08,200 --> 00:13:10,160 Speaker 1: that'st one of my favorite country songs of that decade. 213 00:13:10,160 --> 00:13:13,760 Speaker 1: To be honest Atlanta, which British singer teamed up with 214 00:13:13,840 --> 00:13:23,760 Speaker 1: Queen in nineteen eight one for the hit under Pressure. Um, 215 00:13:23,800 --> 00:13:27,400 Speaker 1: that's incorrect. It was Vanilla Ice, that's what it was done. 216 00:13:28,040 --> 00:13:31,760 Speaker 1: It was David Bowie Atlanta. You didn't win, but man, 217 00:13:31,840 --> 00:13:33,440 Speaker 1: you played the heck of a game. You came out 218 00:13:33,480 --> 00:13:35,360 Speaker 1: strong when you hit that first one, and you knew. 219 00:13:35,400 --> 00:13:38,440 Speaker 1: Willie Nelson wrote crazy, I thought we gotta contect. Yeah, 220 00:13:38,440 --> 00:13:39,880 Speaker 1: because I didn't know that one. I didn't know that 221 00:13:39,920 --> 00:13:43,440 Speaker 1: when I was I felt ashamed of my country fanhood 222 00:13:43,480 --> 00:13:47,280 Speaker 1: for a second. Well, Atlanta, you did not win fifty dollars, 223 00:13:47,280 --> 00:13:50,160 Speaker 1: but that was very cool to have you on the show. 224 00:13:50,440 --> 00:13:54,000 Speaker 1: What's Happening Today at work? Um, not a whole lot 225 00:13:54,040 --> 00:13:57,480 Speaker 1: working from home? You know, quarantine in a way, it's 226 00:13:57,640 --> 00:14:02,720 Speaker 1: new world. Yeah, you weren't a mask when you go out. Nice. 227 00:14:02,760 --> 00:14:05,600 Speaker 1: I did a poll on Twitter and on Facebook because 228 00:14:05,640 --> 00:14:07,960 Speaker 1: I wanted to see the demographic difference. And when I 229 00:14:08,000 --> 00:14:10,320 Speaker 1: asked about masks, because listen, I don't like to wear 230 00:14:10,320 --> 00:14:13,080 Speaker 1: a mask, but I do it because it's most likely 231 00:14:13,720 --> 00:14:16,480 Speaker 1: the socially responsible thing to do so. And if you 232 00:14:16,520 --> 00:14:18,600 Speaker 1: just say most likely that it's most likely you're gonna 233 00:14:18,640 --> 00:14:20,400 Speaker 1: help somebody, I'm all in because I would want somebody 234 00:14:20,400 --> 00:14:22,920 Speaker 1: to most likely help me, because I can't prove what 235 00:14:23,040 --> 00:14:25,240 Speaker 1: goes out through a mask. But what I'm listening to 236 00:14:25,280 --> 00:14:28,080 Speaker 1: is most scientists, you know, are the overwhelming amount of 237 00:14:28,120 --> 00:14:31,200 Speaker 1: scientists are saying this doesn't isn't the end all be all. 238 00:14:31,600 --> 00:14:33,120 Speaker 1: But if you wear one and they wear one, there 239 00:14:33,240 --> 00:14:35,960 Speaker 1: is the probability that it could stop in the middle 240 00:14:36,000 --> 00:14:41,160 Speaker 1: of that somewhere. And so, um, Michael is my point. 241 00:14:41,200 --> 00:14:42,920 Speaker 1: I don't know. I got into a whole little pivot 242 00:14:42,960 --> 00:14:45,000 Speaker 1: there even know what I was talking about. Oh no, no, 243 00:14:45,040 --> 00:14:46,600 Speaker 1: my I gotta, I gotta. So I'll put on Twitter 244 00:14:46,640 --> 00:14:49,960 Speaker 1: and Facebook to see the difference in demographics. And on Twitter, 245 00:14:50,000 --> 00:14:51,880 Speaker 1: I said, hey, just taking a poll of the folks 246 00:14:51,880 --> 00:14:56,120 Speaker 1: that are uh following me? Here should we would be 247 00:14:56,120 --> 00:14:58,000 Speaker 1: wearing a mask? You wear a mask? And it was 248 00:14:58,920 --> 00:15:02,560 Speaker 1: I think a D five And so I posted that 249 00:15:02,600 --> 00:15:04,640 Speaker 1: on my Instagram story and a lot of people said, well, 250 00:15:04,680 --> 00:15:06,880 Speaker 1: if you do that on Facebook, you're gonna see that 251 00:15:06,920 --> 00:15:09,680 Speaker 1: Facebook's probably sixty the other way. And I was like, 252 00:15:09,720 --> 00:15:12,160 Speaker 1: I don't think so, Like I have faith in most humans. 253 00:15:12,520 --> 00:15:13,840 Speaker 1: And so I put it on Facebook, and it was 254 00:15:13,880 --> 00:15:18,480 Speaker 1: a bit different because the it definitely excused as Twitter 255 00:15:18,520 --> 00:15:22,200 Speaker 1: does to the left a bit and and and being progressive, 256 00:15:23,280 --> 00:15:25,640 Speaker 1: Facebook does the same thing to the right of being conservative, 257 00:15:25,920 --> 00:15:28,960 Speaker 1: and but it was still only then, so it was 258 00:15:29,080 --> 00:15:31,880 Speaker 1: I was actually pretty proud of those results for Twitter 259 00:15:31,920 --> 00:15:34,400 Speaker 1: and Facebook, the most left and the most right being 260 00:15:34,480 --> 00:15:37,840 Speaker 1: pretty right on with each other. So anyway, all that 261 00:15:37,880 --> 00:15:39,960 Speaker 1: to say, Atlantic, good for you. I'm proud of that. 262 00:15:40,320 --> 00:15:41,800 Speaker 1: Thank you for playing. I hope you have a great 263 00:15:41,840 --> 00:15:44,520 Speaker 1: day at work. And it was really cool talking to you. Yeah, 264 00:15:44,600 --> 00:15:46,400 Speaker 1: thanks for having me appreciate all right, there she is 265 00:15:46,440 --> 00:15:48,480 Speaker 1: gonna say goodbye to her. Now, well, now it comes 266 00:15:48,480 --> 00:15:53,320 Speaker 1: a part of the show that we have to do what. 267 00:15:54,200 --> 00:15:56,240 Speaker 1: Uh So I don't just told me he lives. We're 268 00:15:56,280 --> 00:15:58,360 Speaker 1: not gonna say where. Somebody found my address and it's 269 00:15:58,360 --> 00:16:01,000 Speaker 1: already sent to be fan mail. I've moved. How in 270 00:16:01,040 --> 00:16:03,960 Speaker 1: the world can somebody find out where I live already? Dude, 271 00:16:03,960 --> 00:16:07,320 Speaker 1: I don't know, the World's a crazy everything is supposedly 272 00:16:07,600 --> 00:16:11,520 Speaker 1: locked down quote unquote. Yeah, but so if you find me, 273 00:16:11,640 --> 00:16:13,720 Speaker 1: just know that Adam lives within five miles on me. Now. 274 00:16:14,760 --> 00:16:16,320 Speaker 1: He came over and was like, dang, I live super 275 00:16:16,320 --> 00:16:18,200 Speaker 1: close to you. So what are you guys doing? Is 276 00:16:18,240 --> 00:16:20,880 Speaker 1: your wife still working? She's working in the hospital. Yeah, 277 00:16:20,920 --> 00:16:23,320 Speaker 1: she works at the at the some of the walking 278 00:16:23,320 --> 00:16:26,760 Speaker 1: clinics for Vanderbilts. Are they testing COVID? They are, she's 279 00:16:26,800 --> 00:16:28,360 Speaker 1: she's doing a lot of that testing. Man, it's been 280 00:16:28,440 --> 00:16:31,280 Speaker 1: it's been pretty pretty intent. Do you get a discount 281 00:16:31,280 --> 00:16:35,880 Speaker 1: on test you know? Family buying bulk? Yeah? Every night? Now, 282 00:16:36,200 --> 00:16:38,440 Speaker 1: I think they do. They do a thing for their employees, 283 00:16:38,680 --> 00:16:40,560 Speaker 1: but I don't think it extends to family. So have 284 00:16:40,720 --> 00:16:43,760 Speaker 1: you been tested? I have not been tested and so 285 00:16:44,120 --> 00:16:46,160 Speaker 1: but but she's done like the antibody test and she 286 00:16:46,240 --> 00:16:48,040 Speaker 1: came back like didn't have any of the the antibodies, Like 287 00:16:48,040 --> 00:16:49,960 Speaker 1: she hasn't had it at all. So that's that's a 288 00:16:49,960 --> 00:16:52,040 Speaker 1: big that's a big win for us. I got tested 289 00:16:52,520 --> 00:16:55,920 Speaker 1: three days ago and it really wasn't as intense as 290 00:16:56,280 --> 00:16:58,600 Speaker 1: some make it think. Was it a brain tickle because 291 00:16:58,640 --> 00:17:00,280 Speaker 1: now they do it a little bit farther out where 292 00:17:00,280 --> 00:17:01,880 Speaker 1: you don't have to go all the way up into 293 00:17:01,880 --> 00:17:04,520 Speaker 1: your It wasn't a brain tickle. But it definitely wasn't 294 00:17:04,520 --> 00:17:06,199 Speaker 1: the swab in the top of the notes like it 295 00:17:06,240 --> 00:17:08,640 Speaker 1: went deep enough for I was like, oh yeah, but 296 00:17:08,800 --> 00:17:11,240 Speaker 1: people act like they stick that thing you know, into 297 00:17:11,280 --> 00:17:13,399 Speaker 1: your nose and it comes out your peep hole like 298 00:17:13,440 --> 00:17:17,520 Speaker 1: it makes the whole circle. I mean, uh, like, my 299 00:17:17,520 --> 00:17:20,640 Speaker 1: wife's tested people and they've passed who passed out? Yeah, 300 00:17:20,680 --> 00:17:22,680 Speaker 1: maybe they've just gotten a little better at at at 301 00:17:22,720 --> 00:17:25,720 Speaker 1: doing the test maybe, So I don't know. So, you know, 302 00:17:25,760 --> 00:17:27,800 Speaker 1: we've all been locked up. What have you been working on, dude? 303 00:17:27,840 --> 00:17:30,399 Speaker 1: I've been working on music, which has been awesome. Does 304 00:17:30,400 --> 00:17:33,119 Speaker 1: that mean writing music or or like actually posting some 305 00:17:33,160 --> 00:17:35,800 Speaker 1: stuff both. Um. So we like there were three there 306 00:17:35,800 --> 00:17:38,960 Speaker 1: were three songs that we cut during quarantine, um and 307 00:17:39,160 --> 00:17:41,560 Speaker 1: uh and we just kind of like went back and forth, 308 00:17:41,560 --> 00:17:44,119 Speaker 1: like me and my producer, uh, Andrew Roberts, We just 309 00:17:44,160 --> 00:17:46,040 Speaker 1: kind of like ping pong back and forth. Like I 310 00:17:46,080 --> 00:17:48,040 Speaker 1: would send a guitar vocal and he would he would 311 00:17:48,080 --> 00:17:49,639 Speaker 1: build the track and I'd come back and like do 312 00:17:49,720 --> 00:17:51,440 Speaker 1: final vocals? What are you doing these in your house? 313 00:17:51,480 --> 00:17:53,639 Speaker 1: You have a little set up there, you know, I do. Yeah, 314 00:17:53,680 --> 00:17:56,200 Speaker 1: I have a little setup. We just we just moved 315 00:17:56,200 --> 00:17:58,439 Speaker 1: this summer, and uh in the house we were in, 316 00:17:58,680 --> 00:18:00,560 Speaker 1: I just had a little fold up our table in 317 00:18:00,600 --> 00:18:03,080 Speaker 1: the corner of our small bedroom, you know, and I 318 00:18:03,119 --> 00:18:04,720 Speaker 1: had to like pick it up and take it down. 319 00:18:04,760 --> 00:18:06,200 Speaker 1: Now I got a little space in the new in 320 00:18:06,240 --> 00:18:08,720 Speaker 1: the new spot. And so uh so, yeah, we've just 321 00:18:08,760 --> 00:18:11,280 Speaker 1: been been cutting vocals on on some tracks. I got 322 00:18:11,280 --> 00:18:14,040 Speaker 1: some new stuff coming uh next month that I'm really 323 00:18:14,040 --> 00:18:20,040 Speaker 1: excited about. So this is so in August or um 324 00:18:20,080 --> 00:18:25,240 Speaker 1: in August. Uh So what's the what's the plan is 325 00:18:25,240 --> 00:18:26,960 Speaker 1: it gonna be? You're putting on new three new songs 326 00:18:26,960 --> 00:18:29,080 Speaker 1: at once? No? No? So, uh so We're gonna do 327 00:18:29,160 --> 00:18:31,360 Speaker 1: kind of a series. I'm calling them flip sides. Uh, 328 00:18:31,560 --> 00:18:34,520 Speaker 1: two song drops and uh and we're kind of we're 329 00:18:34,520 --> 00:18:35,840 Speaker 1: gonna put the first one out at the end of 330 00:18:35,880 --> 00:18:39,399 Speaker 1: August and it's called Top Down Southbound. It's a series, 331 00:18:39,480 --> 00:18:41,879 Speaker 1: just just two songs, and uh, we're gonna do a 332 00:18:41,920 --> 00:18:43,800 Speaker 1: series of these through uh through the end of the 333 00:18:43,880 --> 00:18:46,320 Speaker 1: year and the top of the spring, and uh, we're 334 00:18:46,320 --> 00:18:48,199 Speaker 1: excited about it. Exa I finally put out like some 335 00:18:48,240 --> 00:18:51,639 Speaker 1: new music that that that we're really pumped about. If 336 00:18:51,640 --> 00:18:54,560 Speaker 1: someone doesn't know your music and everything that's up streaming 337 00:18:54,640 --> 00:18:56,680 Speaker 1: right now, what's the one song, Michael, pull it up here. 338 00:18:56,960 --> 00:18:58,600 Speaker 1: What's the one song you would be like, this song 339 00:18:58,720 --> 00:19:02,280 Speaker 1: right now best personifies who I am as an artist. 340 00:19:02,680 --> 00:19:04,560 Speaker 1: What's the one song people can stream right now? The 341 00:19:04,640 --> 00:19:07,359 Speaker 1: one song I would I would probably say, all you, 342 00:19:07,440 --> 00:19:10,280 Speaker 1: all night, all summer, good thing for us. Mike has 343 00:19:10,280 --> 00:19:15,720 Speaker 1: it ready to go bad? In the West shot was 344 00:19:15,840 --> 00:19:20,160 Speaker 1: Baffy Crank with the does of the Cheap Bones Farm 345 00:19:20,240 --> 00:19:29,840 Speaker 1: on his Livings and a small I was all, are 346 00:19:29,880 --> 00:19:32,119 Speaker 1: you doing anything virtual where you're actually been able to 347 00:19:32,160 --> 00:19:34,120 Speaker 1: make a little money at all? You know, I haven't 348 00:19:34,240 --> 00:19:36,800 Speaker 1: haven't done that because I'm still a new artist. I 349 00:19:36,800 --> 00:19:39,880 Speaker 1: haven't like fully developed the you know, developed the audience 350 00:19:39,960 --> 00:19:42,600 Speaker 1: yet where I feel like somebody's gonna pay twenty dollars 351 00:19:42,600 --> 00:19:45,880 Speaker 1: to watch me play songs from my office, right you know. Um, 352 00:19:45,920 --> 00:19:47,720 Speaker 1: But but kind of kind of starting to build in 353 00:19:47,840 --> 00:19:49,680 Speaker 1: that with this release. We're gonna do some more virtual shows, 354 00:19:49,680 --> 00:19:52,040 Speaker 1: you can do some more live streams and all that stuff. 355 00:19:52,080 --> 00:19:55,280 Speaker 1: So yeah, we're fired to follow him. Adam Hamburg, you 356 00:19:55,320 --> 00:19:57,040 Speaker 1: can build that fan base he's talking about that he 357 00:19:57,119 --> 00:20:01,440 Speaker 1: doesn't have yet. He should have it, though, Adam Hambrick, 358 00:20:02,200 --> 00:20:04,040 Speaker 1: that's it. Hey, you win, You're you want to know, 359 00:20:04,240 --> 00:20:06,119 Speaker 1: you know what. I feel really good about that because 360 00:20:06,160 --> 00:20:08,159 Speaker 1: because you text me last night and I was like, 361 00:20:08,680 --> 00:20:10,560 Speaker 1: you know, I don't know if I actually know music 362 00:20:10,560 --> 00:20:12,919 Speaker 1: trivia or if I'm just in music, like there's a 363 00:20:13,320 --> 00:20:15,640 Speaker 1: you know, because I didn't grow up the biggest music fan. 364 00:20:15,720 --> 00:20:17,520 Speaker 1: It wasn't really I don't think, how do you grow 365 00:20:17,600 --> 00:20:21,080 Speaker 1: up not a music fan? Well, it's weird. My family 366 00:20:21,240 --> 00:20:23,600 Speaker 1: there there musical people, and we sang songs in church. 367 00:20:24,000 --> 00:20:27,280 Speaker 1: But I wasn't like introduced to like music at large, 368 00:20:27,440 --> 00:20:30,000 Speaker 1: like popular music and stuff until like high school and 369 00:20:30,040 --> 00:20:32,520 Speaker 1: college and and uh so like some of that stuff 370 00:20:32,560 --> 00:20:35,040 Speaker 1: just kind of came by way of being around. But 371 00:20:35,040 --> 00:20:37,639 Speaker 1: when did you start learning how to play music? Just 372 00:20:37,760 --> 00:20:42,200 Speaker 1: in in the church, Like I sang my whole life, 373 00:20:42,240 --> 00:20:44,280 Speaker 1: but then I started playing guitar when I was twelve, 374 00:20:44,480 --> 00:20:47,080 Speaker 1: so that's early. Yeah, Like I didn't get introduced to 375 00:20:47,160 --> 00:20:50,600 Speaker 1: any sort of music playing, which compared to you, I don't, 376 00:20:50,640 --> 00:20:52,359 Speaker 1: but I do enough to be able to, you know, 377 00:20:52,440 --> 00:20:55,800 Speaker 1: perform and especially do comedy until you know, I went 378 00:20:55,840 --> 00:20:57,800 Speaker 1: to a pawn shop when I was eighteen or nineteen 379 00:20:57,840 --> 00:21:00,159 Speaker 1: and bought a Walmart page and played course, So I 380 00:21:00,200 --> 00:21:03,080 Speaker 1: would say you were introduced way earlier than I was. 381 00:21:03,160 --> 00:21:05,680 Speaker 1: But I just it was just the radio, man, Yeah, 382 00:21:05,800 --> 00:21:07,400 Speaker 1: that that was. That was all. I knew the songs 383 00:21:07,440 --> 00:21:09,679 Speaker 1: on the radio. But like, we didn't have Google back then, 384 00:21:09,720 --> 00:21:12,399 Speaker 1: so we're like you just yes, Tracy Lawrence paying me 385 00:21:12,440 --> 00:21:14,679 Speaker 1: at Birmingham, you know, like but you don't but you 386 00:21:14,720 --> 00:21:17,600 Speaker 1: don't know who wrote the song or who you know, 387 00:21:17,720 --> 00:21:19,679 Speaker 1: so so it was kind of different. I just I 388 00:21:19,760 --> 00:21:21,480 Speaker 1: just listened to the radio. That was. That was the 389 00:21:21,520 --> 00:21:23,680 Speaker 1: extent of my music. What was your station growing up? 390 00:21:24,240 --> 00:21:26,320 Speaker 1: Like the top three stations in the format growing up? 391 00:21:26,400 --> 00:21:28,520 Speaker 1: Kissing NINETI six and Little Rock that was I mean, 392 00:21:28,520 --> 00:21:31,400 Speaker 1: that was it. That was the only station we listened to, really. Yeah. Yeah, 393 00:21:31,640 --> 00:21:33,639 Speaker 1: So Kissing ninety six is one of mine too. It 394 00:21:33,640 --> 00:21:36,440 Speaker 1: probably wouldn't be the it would be one of the biggest, 395 00:21:36,560 --> 00:21:40,520 Speaker 1: but Bob Robbins did mornings, and I'm on that station now. Um, 396 00:21:40,600 --> 00:21:44,479 Speaker 1: so you know, Kissing ninety six Cool ninety five out 397 00:21:44,480 --> 00:21:46,600 Speaker 1: of Little Rock was an oldies station and I listened 398 00:21:46,600 --> 00:21:48,760 Speaker 1: to all the time. I mean, I think that's why 399 00:21:48,800 --> 00:21:52,160 Speaker 1: I feel pretty pretty strong with music from the late 400 00:21:52,200 --> 00:21:56,320 Speaker 1: fifties all the way up to probably the early seventies. 401 00:21:56,680 --> 00:21:59,280 Speaker 1: I kind of lose some of that late seventies early eighties. 402 00:21:59,800 --> 00:22:01,639 Speaker 1: I'm kind of out a little bit when it starts 403 00:22:01,640 --> 00:22:04,480 Speaker 1: to go to the r O Speedwagon stuff. That's because 404 00:22:04,560 --> 00:22:06,920 Speaker 1: that wasn't on oldies, and it also wasn't new which 405 00:22:06,960 --> 00:22:10,920 Speaker 1: was nineties for me. So it wasn't history, and it 406 00:22:10,960 --> 00:22:13,440 Speaker 1: wasn't President. It was kind of this weird purgatory of 407 00:22:13,560 --> 00:22:17,320 Speaker 1: music I never cared about getting into. But it was 408 00:22:17,359 --> 00:22:20,160 Speaker 1: the pop station kla Z, which my first radio station 409 00:22:20,200 --> 00:22:22,240 Speaker 1: ever worked on. Yeah, that was a good one too. 410 00:22:22,400 --> 00:22:25,600 Speaker 1: And and so I grew up a lot in in Mississippi, 411 00:22:25,640 --> 00:22:27,840 Speaker 1: so Uh. So, like when I was when I was 412 00:22:27,880 --> 00:22:29,240 Speaker 1: really young, till I was like eight years old, we 413 00:22:29,280 --> 00:22:31,000 Speaker 1: lived in Arkansas and it was it was all country. 414 00:22:31,080 --> 00:22:33,639 Speaker 1: And then I went to I went like moved to Mississippi. 415 00:22:33,640 --> 00:22:36,920 Speaker 1: They didn't even really have like any radio stations really 416 00:22:36,920 --> 00:22:40,000 Speaker 1: like in the town Corinth, what was it near Um 417 00:22:40,040 --> 00:22:41,840 Speaker 1: It was about an hour from Tupelo, and so we 418 00:22:41,880 --> 00:22:44,560 Speaker 1: could kind of get a Tupelo station, but you know, 419 00:22:44,600 --> 00:22:46,760 Speaker 1: there wasn't like there was no poperating man. That would 420 00:22:46,760 --> 00:22:49,360 Speaker 1: suck if there was no radio. Yeah, we're in such 421 00:22:49,359 --> 00:22:51,119 Speaker 1: a rural area that you're not even close enough to 422 00:22:51,119 --> 00:22:53,520 Speaker 1: a tower from metropolitan area. Yep. So I just had tapes, 423 00:22:53,600 --> 00:22:55,159 Speaker 1: you know at that point, so we just had like 424 00:22:55,200 --> 00:22:58,119 Speaker 1: I had Garth no fences on a bootleg, you know 425 00:22:58,760 --> 00:23:01,359 Speaker 1: that my that my uncle gave me. And then you know, 426 00:23:01,600 --> 00:23:03,480 Speaker 1: like I would get a tape every Christmas and it 427 00:23:03,520 --> 00:23:05,439 Speaker 1: was usually Alan Jackson. You know what we would do 428 00:23:05,600 --> 00:23:07,640 Speaker 1: is I would hit hit up some friends. They would 429 00:23:07,720 --> 00:23:09,160 Speaker 1: hit me up too, but I didn't have as cool 430 00:23:09,200 --> 00:23:11,320 Speaker 1: of stations to them. But I had friends and dialaists 431 00:23:11,320 --> 00:23:13,199 Speaker 1: who I would be like, hey, man, take a tape 432 00:23:13,720 --> 00:23:16,520 Speaker 1: and we'll just record an hour of the Edge and 433 00:23:16,520 --> 00:23:18,359 Speaker 1: then flip it around and record an hour of the 434 00:23:18,440 --> 00:23:20,320 Speaker 1: Edge and then mail it to me because you couldn't 435 00:23:20,359 --> 00:23:21,919 Speaker 1: listen on the internet. There was no streaming. There was 436 00:23:22,200 --> 00:23:24,040 Speaker 1: there's nothing like that, And so they would take a 437 00:23:24,040 --> 00:23:26,280 Speaker 1: blank assette and just record an hour of the Edge. 438 00:23:27,119 --> 00:23:30,000 Speaker 1: Yeah that's what we are now. And I would get 439 00:23:30,040 --> 00:23:31,560 Speaker 1: that tape and it would be commercials and everything, and 440 00:23:31,760 --> 00:23:33,240 Speaker 1: you know, the first time, I will listen all the 441 00:23:33,240 --> 00:23:35,000 Speaker 1: way through, just to the whole hour, but then after 442 00:23:35,000 --> 00:23:36,840 Speaker 1: that would go through songs. But it was like the 443 00:23:36,880 --> 00:23:40,199 Speaker 1: Stabbing Westward Live. It was all that that version of 444 00:23:40,400 --> 00:23:42,439 Speaker 1: alternative music. And I was like, I gotta tape from 445 00:23:42,440 --> 00:23:44,640 Speaker 1: the Edge and this is so freaking cool. Hey, Mike, 446 00:23:44,720 --> 00:23:50,800 Speaker 1: So how old do you can you remember non streaming radio? Yeah, okay, 447 00:23:51,040 --> 00:23:53,879 Speaker 1: I don't really know where that cut off is. Where 448 00:23:53,920 --> 00:23:57,040 Speaker 1: it's when you had to listen to radio stations and 449 00:23:57,359 --> 00:23:58,760 Speaker 1: not just radio stations, but you had to listen to 450 00:23:58,800 --> 00:24:01,880 Speaker 1: them to rush really through it through a tower. Yeah, 451 00:24:02,400 --> 00:24:03,960 Speaker 1: so I think I think it was when I was 452 00:24:04,000 --> 00:24:05,639 Speaker 1: in college, was the first time I was able to 453 00:24:05,680 --> 00:24:09,440 Speaker 1: listen to streaming. Yeah, anything streamed from from somewhere else. 454 00:24:09,440 --> 00:24:15,960 Speaker 1: It was like late college to you whatever, ad I'm 455 00:24:15,960 --> 00:24:17,280 Speaker 1: going to see you many good to see it too. 456 00:24:17,320 --> 00:24:19,600 Speaker 1: Thanks for what's going to do this weekend? This weekend? 457 00:24:19,920 --> 00:24:22,439 Speaker 1: Uh well, I was supposed to go to a wedding 458 00:24:23,000 --> 00:24:25,680 Speaker 1: um and so my my my wife and my oldest 459 00:24:25,720 --> 00:24:27,880 Speaker 1: daughter who's a flower girl. They went to Oklahoma City 460 00:24:27,920 --> 00:24:30,400 Speaker 1: and so I got the baby now and we're here 461 00:24:30,400 --> 00:24:33,440 Speaker 1: because I have a couple. I got a TV thing, 462 00:24:33,880 --> 00:24:36,359 Speaker 1: a super download TV thing that I have to uh 463 00:24:36,720 --> 00:24:41,000 Speaker 1: not get COVID before. So I'm funny you say that 464 00:24:41,200 --> 00:24:43,520 Speaker 1: because I can't get I've been laydlow two because my 465 00:24:43,560 --> 00:24:45,320 Speaker 1: nat Geo show was abous to start next week. We 466 00:24:45,440 --> 00:24:46,920 Speaker 1: just got delayed again. But they're like, you can't get 467 00:24:46,960 --> 00:24:50,720 Speaker 1: COVID because the whole production shuts down. So I haven't 468 00:24:50,720 --> 00:24:53,159 Speaker 1: been to the gym. And I owned three gyms and 469 00:24:53,160 --> 00:24:56,359 Speaker 1: I felt like we do the safest, but I'm so hyper. 470 00:24:57,080 --> 00:24:59,400 Speaker 1: That's why I got tested to honestly for sure, because 471 00:24:59,480 --> 00:25:03,239 Speaker 1: Eddie got it. Yeah, Tim, my head security guy got it. 472 00:25:04,240 --> 00:25:06,040 Speaker 1: They all got on vacation like we went away, and 473 00:25:06,080 --> 00:25:10,919 Speaker 1: apparently they just went but wild and COVID land. I 474 00:25:10,960 --> 00:25:13,159 Speaker 1: talked to Eddie this week. He's he said he was 475 00:25:13,200 --> 00:25:18,360 Speaker 1: being super careful. He was. He, well, you don't say 476 00:25:18,400 --> 00:25:21,720 Speaker 1: you're super careful when you go to Florida for vacation. 477 00:25:22,160 --> 00:25:24,520 Speaker 1: I love Florida and and and you're got all the 478 00:25:24,560 --> 00:25:26,520 Speaker 1: windows down driving through and you get it. And they're 479 00:25:26,560 --> 00:25:29,159 Speaker 1: a big part of why I've been able to have 480 00:25:29,200 --> 00:25:31,480 Speaker 1: the success I have just Florida in general. However, I 481 00:25:31,520 --> 00:25:33,560 Speaker 1: think they would all admit to it's pretty bad down there, 482 00:25:33,600 --> 00:25:36,639 Speaker 1: like Florida and California is a real struggle right now 483 00:25:36,720 --> 00:25:38,879 Speaker 1: for for COVID. But Ed he's like, oh, we're going 484 00:25:38,880 --> 00:25:42,480 Speaker 1: on to vacation. One of the beach and the funny 485 00:25:42,480 --> 00:25:45,440 Speaker 1: part was Lunchbox and Raimundo from the radio show went 486 00:25:45,480 --> 00:25:48,160 Speaker 1: to Vegas for Raymundo's bachelor party. Eddie and I stayed away. 487 00:25:48,200 --> 00:25:50,000 Speaker 1: We're not can't get COVID. I had the TV show 488 00:25:50,000 --> 00:25:51,480 Speaker 1: to worry about. And he's like, you guys are gonna 489 00:25:51,480 --> 00:25:53,959 Speaker 1: get COVID. Ha ha ha. And then he goes to Florida, 490 00:25:54,040 --> 00:25:58,119 Speaker 1: comes back. It's like he called me. It was like COVID. 491 00:25:58,920 --> 00:26:04,520 Speaker 1: He said, I have coronavirus. Coronavirus. He's the full he's 492 00:26:04,600 --> 00:26:07,239 Speaker 1: the full term. Uh so, but yeah, I like you, 493 00:26:07,280 --> 00:26:09,920 Speaker 1: I'm not allowed to get it or it just delays 494 00:26:10,040 --> 00:26:14,240 Speaker 1: not only my job and recording, but all the crew. 495 00:26:15,280 --> 00:26:17,320 Speaker 1: There's there's so much, there's so many jobs and so 496 00:26:17,359 --> 00:26:20,159 Speaker 1: many people who are like counting on on stuff and 497 00:26:20,200 --> 00:26:23,560 Speaker 1: they're just like so tentatively doing the TV stuff and uh. 498 00:26:23,600 --> 00:26:25,920 Speaker 1: And the thing that's the thing, like if you show 499 00:26:26,000 --> 00:26:29,879 Speaker 1: up on set and you have COVID, they shut everything down, 500 00:26:30,440 --> 00:26:33,080 Speaker 1: millions of dollars down. The two people don't have jobs anymore. 501 00:26:33,119 --> 00:26:34,960 Speaker 1: It's a it's a thing. So you have to be 502 00:26:34,960 --> 00:26:38,439 Speaker 1: real careful with us. It's as soon as if I 503 00:26:38,480 --> 00:26:41,199 Speaker 1: get on an airplane, I have to get tested as 504 00:26:41,200 --> 00:26:42,880 Speaker 1: soon as I land, and then I have to wait 505 00:26:42,880 --> 00:26:45,000 Speaker 1: twenty four hours for that test. So then I have 506 00:26:45,040 --> 00:26:46,280 Speaker 1: to get to the set a day early. And then 507 00:26:46,320 --> 00:26:48,000 Speaker 1: once I get the negative, I get to go into 508 00:26:48,040 --> 00:26:51,439 Speaker 1: the shooting three day bubble because we as soon as 509 00:26:51,480 --> 00:26:53,080 Speaker 1: you're in the bubble, you don't get to leave. So 510 00:26:53,119 --> 00:26:54,639 Speaker 1: then we go into the bubble because we have the 511 00:26:54,640 --> 00:27:00,159 Speaker 1: bureaucracy of Disney nat G O because Disney owns not you, 512 00:27:00,240 --> 00:27:03,320 Speaker 1: but they're two different entities as well, and BBC, which 513 00:27:03,320 --> 00:27:06,560 Speaker 1: is my production company that I'm I'm working with, so 514 00:27:06,600 --> 00:27:09,359 Speaker 1: we're just and good for them, but it's just the 515 00:27:09,400 --> 00:27:11,439 Speaker 1: pain in the butt. Yeah, and they all have different process. 516 00:27:11,640 --> 00:27:13,159 Speaker 1: We we we got to go through all of them. So 517 00:27:13,200 --> 00:27:16,720 Speaker 1: we're supposed to go to Montana, not next week, but 518 00:27:16,800 --> 00:27:18,680 Speaker 1: I think the week after that. Now you're allowed to 519 00:27:18,680 --> 00:27:20,360 Speaker 1: say where in Montana? Yeah, I think so. I mean 520 00:27:20,600 --> 00:27:23,880 Speaker 1: I have the whole Montana is awesome. Let me see, 521 00:27:24,320 --> 00:27:28,560 Speaker 1: I'm going to near Bozeman, but I have the entire girl. 522 00:27:28,600 --> 00:27:30,840 Speaker 1: Like I was supposed to go do a wrestler wrestle 523 00:27:30,880 --> 00:27:34,000 Speaker 1: of these female wrestlers, they're they're professtional wrestlers, but COVID 524 00:27:34,000 --> 00:27:36,000 Speaker 1: shut down that idea because she's a stuntwoman in a 525 00:27:36,000 --> 00:27:37,720 Speaker 1: wrestler and we're gonna be a tag team and wrestle 526 00:27:37,800 --> 00:27:40,560 Speaker 1: to other wrestlers, female wrestlers. But they were like, this 527 00:27:40,600 --> 00:27:43,320 Speaker 1: is like, you can't wrestle during COVID. You're gonna hear 528 00:27:43,359 --> 00:27:46,240 Speaker 1: something funny. Fifth grade me swore up and down I 529 00:27:46,240 --> 00:27:48,160 Speaker 1: was gonna be a professional wrestler. That's what I wanted 530 00:27:48,160 --> 00:27:49,720 Speaker 1: to do with my life when I was Who was 531 00:27:49,760 --> 00:27:53,920 Speaker 1: your guy? You know? I love the nineteen eighties nineteen 532 00:27:54,000 --> 00:27:58,960 Speaker 1: nineties cartoonish like wwf WW, like full steroid guys full 533 00:27:59,000 --> 00:28:03,680 Speaker 1: steroid old Cogan like one guy was stereotypical. Who was 534 00:28:03,720 --> 00:28:05,720 Speaker 1: your one guy? I mean it was probably whole Cogan 535 00:28:06,000 --> 00:28:11,880 Speaker 1: like stereo generic. Just when when he made that flit 536 00:28:12,040 --> 00:28:14,439 Speaker 1: with the w c W, I was like, I'm all in, 537 00:28:14,760 --> 00:28:17,120 Speaker 1: I'm all in. I was way into wrestling then too. 538 00:28:17,600 --> 00:28:21,639 Speaker 1: I was a blonde haired Sting guy though because I 539 00:28:21,720 --> 00:28:24,400 Speaker 1: was young, you know, when he went to the black 540 00:28:24,400 --> 00:28:26,520 Speaker 1: hair Sting, it got a little weird. I liked it. 541 00:28:26,560 --> 00:28:29,400 Speaker 1: He was like the scorpion, but we never saw enough 542 00:28:29,440 --> 00:28:31,280 Speaker 1: of him after that. He came in did like company 543 00:28:31,400 --> 00:28:34,840 Speaker 1: ratlers and then go back. But yes, Sting. And in 544 00:28:34,880 --> 00:28:36,400 Speaker 1: my first book that I wrote, I wrote a think 545 00:28:36,400 --> 00:28:39,200 Speaker 1: about Sting and he signed he I don't know how 546 00:28:39,200 --> 00:28:40,320 Speaker 1: he got a copy of it, but he signed the 547 00:28:40,360 --> 00:28:41,800 Speaker 1: book and said, hey, thanks man, send me my own 548 00:28:41,840 --> 00:28:44,800 Speaker 1: book back. He signed over the part, and so did 549 00:28:44,880 --> 00:28:46,800 Speaker 1: Mark Grace, who's my favorite baseball player of all time. 550 00:28:46,800 --> 00:28:49,200 Speaker 1: Because Big Cup stand all I listen. We've gone on 551 00:28:49,240 --> 00:28:51,520 Speaker 1: and on. Everybody be safe. We have an interview with 552 00:28:51,560 --> 00:28:53,640 Speaker 1: Ruthie Collins coming up in a second. You familiar with 553 00:28:53,680 --> 00:28:55,800 Speaker 1: Ruthie Collins big fan of her voice? Are you? It 554 00:28:55,880 --> 00:28:58,400 Speaker 1: was fantastic. I have never seen her play. I've only 555 00:28:58,400 --> 00:29:00,760 Speaker 1: listened to her on Instagram, listened to her music, met 556 00:29:00,800 --> 00:29:03,120 Speaker 1: her twice now. I went up tour in the airport. 557 00:29:03,680 --> 00:29:06,360 Speaker 1: I think we touch on this briefly, but I saw 558 00:29:06,360 --> 00:29:08,880 Speaker 1: her and she's really good friends with Natalie Stoveball, who 559 00:29:09,120 --> 00:29:14,000 Speaker 1: I'm obviously super close to, and Nikita Carmen, who I mean, 560 00:29:14,000 --> 00:29:17,680 Speaker 1: I'm freaking brought from Australia to the States. They run 561 00:29:17,680 --> 00:29:19,600 Speaker 1: really tired. But I never met Ruthine and went happened. 562 00:29:19,640 --> 00:29:21,480 Speaker 1: I was like, Hey, I feel like I know you. 563 00:29:21,880 --> 00:29:22,880 Speaker 1: I just want to come and say hi, and she 564 00:29:22,880 --> 00:29:24,239 Speaker 1: goes we met before, and I was like, oh, I'm 565 00:29:24,280 --> 00:29:26,640 Speaker 1: such a dude. I didn't remember. But that's just how 566 00:29:26,680 --> 00:29:29,320 Speaker 1: do she I am? Apparently it was at St. Jude, 567 00:29:29,360 --> 00:29:32,880 Speaker 1: like my first year in town, so that by the 568 00:29:32,960 --> 00:29:35,680 Speaker 1: whole thing long time. Yeah, all right, so Ruthie Collins 569 00:29:35,720 --> 00:29:38,080 Speaker 1: coming on. Also, go ahead and ask Ruthie about I've 570 00:29:38,080 --> 00:29:44,400 Speaker 1: already done the interview. I can't. We did need it's 571 00:29:44,400 --> 00:29:49,480 Speaker 1: a podcast. He thinks we have her on the phone 572 00:29:49,480 --> 00:29:51,840 Speaker 1: ready to go. What are you gonna tell me to ask? 573 00:29:52,560 --> 00:29:56,600 Speaker 1: She she she met she had met me, like we 574 00:29:56,880 --> 00:29:58,400 Speaker 1: kind of known each other. It was like right after 575 00:29:58,440 --> 00:30:00,000 Speaker 1: I moved the town and I show up. We're playing 576 00:30:00,000 --> 00:30:04,120 Speaker 1: in the show, um and I'm in the round with her. Um. 577 00:30:04,160 --> 00:30:06,400 Speaker 1: But then then she comes up to me and she 578 00:30:06,440 --> 00:30:08,720 Speaker 1: gets me a big hug and she goes, Scott, I'm 579 00:30:08,760 --> 00:30:11,800 Speaker 1: so glad you're here. You were you were late? And 580 00:30:11,840 --> 00:30:15,000 Speaker 1: I said, um, First off, I'm not late. Second off, 581 00:30:15,160 --> 00:30:19,360 Speaker 1: I'm not sky And her bass player walks in. His 582 00:30:19,440 --> 00:30:22,480 Speaker 1: name is Scott mulbi Hill doppelganger looking just like me, 583 00:30:22,520 --> 00:30:25,680 Speaker 1: And I'm like, no, no, this cannot be. Did you 584 00:30:25,720 --> 00:30:28,400 Speaker 1: ever play early when you moved to town around and 585 00:30:28,480 --> 00:30:29,840 Speaker 1: when you look back, You're like, oh, it's really cool. 586 00:30:29,840 --> 00:30:31,200 Speaker 1: I got to play around with that person before they 587 00:30:31,280 --> 00:30:34,520 Speaker 1: kind of popped, like before they were anything. But who 588 00:30:34,920 --> 00:30:38,400 Speaker 1: was that? My first round at the Bluebird UM Like 589 00:30:38,720 --> 00:30:41,440 Speaker 1: it was hilarious because I like literally had a rider 590 00:30:41,440 --> 00:30:44,640 Speaker 1: truck full of my crab from Arkansas, like pulled up 591 00:30:44,680 --> 00:30:46,560 Speaker 1: behind the Bluebird, got out of the rider truck, came 592 00:30:46,560 --> 00:30:49,080 Speaker 1: in and played around and it was an as cap 593 00:30:49,240 --> 00:30:51,800 Speaker 1: like discovery kind of round. It was me and Kelsey 594 00:30:51,840 --> 00:30:55,560 Speaker 1: Ballerini and Forest Whitehead. He produces Kelsey or did Yeah, 595 00:30:55,600 --> 00:30:57,320 Speaker 1: I don't know if it still does, but definitely did 596 00:30:57,800 --> 00:31:00,040 Speaker 1: is he Is he doing music, you know, Forest of 597 00:31:00,120 --> 00:31:01,920 Speaker 1: Music his own thing now? Oh, I mean he's just 598 00:31:02,000 --> 00:31:04,840 Speaker 1: producing and writing. Okay, yeah, he's amazing. I've I've written 599 00:31:04,840 --> 00:31:07,120 Speaker 1: a bunch of great songs before us. All right, we're 600 00:31:07,160 --> 00:31:09,400 Speaker 1: now done. Let's go here, take a break, and then 601 00:31:09,560 --> 00:31:13,080 Speaker 1: uh I'll ask Ruthie about Scott. We'll just insert it 602 00:31:13,120 --> 00:31:17,160 Speaker 1: in all right. Here, Follow Adam at Adam Hambrike the 603 00:31:17,240 --> 00:31:19,000 Speaker 1: one thing you should. It will give you good luck 604 00:31:19,040 --> 00:31:22,240 Speaker 1: if you follow Adam today on Instagram at Adam Handbrake. 605 00:31:22,320 --> 00:31:24,440 Speaker 1: If you don't, you have bad luck. And I'm putting 606 00:31:24,440 --> 00:31:25,600 Speaker 1: that on you right now. But if you do, you 607 00:31:25,680 --> 00:31:28,120 Speaker 1: have great luck, like a broken mirror. That's right, all right, 608 00:31:28,120 --> 00:31:37,239 Speaker 1: thanks guys. Ruthie, how are you? I'm great? How are you? 609 00:31:37,480 --> 00:31:38,960 Speaker 1: It's pretty good. I think this is the first time 610 00:31:38,960 --> 00:31:41,200 Speaker 1: we've ever Well, the weird thing about us is I 611 00:31:41,240 --> 00:31:43,800 Speaker 1: feel like I know you and we've only met a 612 00:31:43,800 --> 00:31:46,840 Speaker 1: couple of times ever, which is weird. Yeah, in strange 613 00:31:46,880 --> 00:31:50,160 Speaker 1: circumstances too. You know. I saw it at the airport 614 00:31:50,400 --> 00:31:51,960 Speaker 1: a couple of months ago, and I thought that was 615 00:31:51,960 --> 00:31:53,320 Speaker 1: the first time we met. But I guess we met 616 00:31:53,320 --> 00:31:57,080 Speaker 1: with Kelsey about once one time in an elevator. Not 617 00:31:57,200 --> 00:32:00,440 Speaker 1: that I have a weird I think it was like 618 00:32:01,320 --> 00:32:03,719 Speaker 1: at St. Jude's in an elevator with Kelsy. What were 619 00:32:03,720 --> 00:32:06,520 Speaker 1: you doing with Kelsey? I think you were with Kelsey? 620 00:32:07,480 --> 00:32:11,720 Speaker 1: Oh okay, well maybe so yeah, something like that. When 621 00:32:11,720 --> 00:32:12,840 Speaker 1: you said that, I was like, what were you doing 622 00:32:12,880 --> 00:32:16,520 Speaker 1: with Kelsey? Were guys doing a little uh side project? 623 00:32:16,600 --> 00:32:18,520 Speaker 1: But I guess if I was with Kelsey that makes sense. Well, 624 00:32:18,520 --> 00:32:19,840 Speaker 1: it was good to have you on here. I was 625 00:32:19,880 --> 00:32:22,560 Speaker 1: looking at your instagram. Um, I'm gonna play a couple 626 00:32:22,560 --> 00:32:25,560 Speaker 1: of these songs. First, let me play Joshua Tree, this 627 00:32:25,600 --> 00:32:41,280 Speaker 1: is a room a million Stars will Here's a song 628 00:32:41,320 --> 00:32:51,840 Speaker 1: called Dang Dallas. The album is out now, you can 629 00:32:51,920 --> 00:32:54,040 Speaker 1: stream it. You can even buy it on vinyl. So 630 00:32:54,120 --> 00:32:56,080 Speaker 1: what is that vinyl process? Like you have to go 631 00:32:56,160 --> 00:32:57,960 Speaker 1: somewhere and go, hey, let's make this album on vinyl, 632 00:32:57,960 --> 00:33:00,040 Speaker 1: and do you have to pay for all that you do? 633 00:33:00,200 --> 00:33:03,480 Speaker 1: I've actually been begging my record label Vinyl for years 634 00:33:03,640 --> 00:33:05,840 Speaker 1: and this time they were just like, hey, so we 635 00:33:05,840 --> 00:33:07,600 Speaker 1: were thinking it would be a good idea to do vinyl. 636 00:33:07,840 --> 00:33:10,760 Speaker 1: I was like, yes, I agree, great idea, so the 637 00:33:10,840 --> 00:33:12,840 Speaker 1: process this time was pretty easy for me. I got 638 00:33:12,840 --> 00:33:15,600 Speaker 1: to say, but I'm thrilled. Thrilled. I fine, we had Vinyl. 639 00:33:15,880 --> 00:33:19,360 Speaker 1: So your friends with Natalie, right, Natalie Stoball and I 640 00:33:19,440 --> 00:33:21,200 Speaker 1: think that's how we all kind of are in this article. 641 00:33:21,280 --> 00:33:25,160 Speaker 1: With Natalie and I are close. But Natalie went to 642 00:33:24,840 --> 00:33:27,280 Speaker 1: to music school in Boston. Is that is that where 643 00:33:27,280 --> 00:33:29,240 Speaker 1: you went to Is that where you guys met? It is? Yes, 644 00:33:29,320 --> 00:33:31,440 Speaker 1: we met at Berkeley and then when I moved to Nashville, 645 00:33:31,480 --> 00:33:33,880 Speaker 1: I lived with her husband. Before she did that, we 646 00:33:33,920 --> 00:33:36,920 Speaker 1: were roommates. But that's always our funny story. So you 647 00:33:36,960 --> 00:33:39,960 Speaker 1: went to Boston to music school knowing that you wanted 648 00:33:40,000 --> 00:33:41,720 Speaker 1: to do what? Like, what did you study of there? 649 00:33:42,640 --> 00:33:44,920 Speaker 1: I studied songwriting? But if I'm honest with you, it 650 00:33:44,960 --> 00:33:47,040 Speaker 1: was honestly just because I wasn't good at anything else 651 00:33:47,080 --> 00:33:50,240 Speaker 1: in life beside music, so I thought let's give this 652 00:33:50,360 --> 00:33:53,840 Speaker 1: a shot with I mean, people, where I come from, 653 00:33:53,960 --> 00:33:56,000 Speaker 1: music is just not like a huge thing there. So 654 00:33:56,600 --> 00:34:00,720 Speaker 1: I didn't have really big aspirations until I moved to Nashville. Um, 655 00:34:00,760 --> 00:34:02,680 Speaker 1: it just wasn't something that people did where I was from. 656 00:34:02,680 --> 00:34:04,560 Speaker 1: So it's sort of just like, let's just see what happens. 657 00:34:04,840 --> 00:34:08,120 Speaker 1: It seems like a you know, cool college and you 658 00:34:08,160 --> 00:34:10,120 Speaker 1: could made your own commercial music. So I thought that 659 00:34:10,200 --> 00:34:11,880 Speaker 1: was fun. And I met my best friends there, so 660 00:34:11,920 --> 00:34:14,080 Speaker 1: it was a great experience. I feel like you're downplaying 661 00:34:14,120 --> 00:34:15,640 Speaker 1: it a little bit because anybody I know that went 662 00:34:15,680 --> 00:34:20,160 Speaker 1: to Berkeley, they're super like dialed in music genius. What 663 00:34:20,400 --> 00:34:22,840 Speaker 1: is it like to have to audition? Like, what's the 664 00:34:22,880 --> 00:34:26,319 Speaker 1: process like to get into the Berkeley College music? You know? 665 00:34:26,440 --> 00:34:28,960 Speaker 1: It was? It wasn't that bad. I actually auditioned for 666 00:34:29,040 --> 00:34:31,360 Speaker 1: Bellmont as well, And one of my favorite stories is 667 00:34:31,440 --> 00:34:35,240 Speaker 1: I got in as a student, but not as a singer. 668 00:34:35,719 --> 00:34:38,239 Speaker 1: And I have this really sweet little mom of air 669 00:34:38,400 --> 00:34:40,600 Speaker 1: of a mom and she apparently called back and asked 670 00:34:40,600 --> 00:34:43,279 Speaker 1: the vocal director why I didn't get in as a singer, 671 00:34:43,320 --> 00:34:45,480 Speaker 1: and they said because I had no commercial appeal as 672 00:34:45,480 --> 00:34:48,280 Speaker 1: a vocalist, which is one of my favorite underdog stories 673 00:34:48,280 --> 00:34:50,200 Speaker 1: of all time because it's the Mike Curb School of 674 00:34:50,320 --> 00:34:52,760 Speaker 1: music and here I am, you know, a decade later, 675 00:34:53,200 --> 00:34:55,880 Speaker 1: with a record deal with my Curb. But so after that, 676 00:34:56,080 --> 00:34:59,440 Speaker 1: Berkeley didn't seem so scary because they were like, we 677 00:34:59,480 --> 00:35:01,520 Speaker 1: think you're great, and here's a scholarship. So I was like, oh, 678 00:35:01,560 --> 00:35:03,880 Speaker 1: I'm clearly supposed to go down this path. So you 679 00:35:03,880 --> 00:35:06,680 Speaker 1: go to Boston, you moved to Nashville, So what was 680 00:35:06,719 --> 00:35:09,200 Speaker 1: the reason you came to Nashville? Was because you love 681 00:35:09,200 --> 00:35:11,960 Speaker 1: country music? Or you had friends here? What was that do? Yeah, 682 00:35:11,960 --> 00:35:14,120 Speaker 1: it was more about the songwriting community. I just all 683 00:35:14,160 --> 00:35:16,000 Speaker 1: I knew was that I really loved writing songs. That's 684 00:35:16,000 --> 00:35:18,880 Speaker 1: when I felt, you know, the most alive, and I 685 00:35:18,920 --> 00:35:21,400 Speaker 1: knew that was like a viable profession here, but still 686 00:35:21,440 --> 00:35:24,279 Speaker 1: really didn't believe that, you know, record deal and being 687 00:35:24,360 --> 00:35:27,040 Speaker 1: a performing artist was something that I could actually do 688 00:35:27,239 --> 00:35:30,600 Speaker 1: until maybe a year after I moved here and I 689 00:35:30,640 --> 00:35:32,160 Speaker 1: was on one of those reality shows that he was 690 00:35:32,200 --> 00:35:35,360 Speaker 1: a CMT can You duet? And all of a sudden, 691 00:35:35,400 --> 00:35:37,800 Speaker 1: I was on a national television show competing for record 692 00:35:37,800 --> 00:35:39,279 Speaker 1: deal And I'm not even kidding you. That is the 693 00:35:39,320 --> 00:35:41,439 Speaker 1: first time in my life that I was like, oh, 694 00:35:41,520 --> 00:35:43,719 Speaker 1: maybe I am good enough to do this. So it 695 00:35:43,800 --> 00:35:45,520 Speaker 1: was kind of a later in life process for me, 696 00:35:45,600 --> 00:35:47,680 Speaker 1: but it just took a lot. What was that can 697 00:35:47,719 --> 00:35:50,160 Speaker 1: you do? At? Show? About? Um? It was like a 698 00:35:50,239 --> 00:35:52,440 Speaker 1: duo thing. It's like a show for a country duos 699 00:35:52,719 --> 00:35:54,640 Speaker 1: and who did you go on with. I went out 700 00:35:54,640 --> 00:35:57,600 Speaker 1: of this girl Victoria Gibson, and we were both late 701 00:35:57,719 --> 00:36:00,759 Speaker 1: just as at the cheesecake Factory at the time, So 702 00:36:00,760 --> 00:36:03,120 Speaker 1: it was quite culture shot to move into an Opperland hotel, 703 00:36:03,480 --> 00:36:05,319 Speaker 1: you know, for like two months in film and then 704 00:36:06,000 --> 00:36:08,480 Speaker 1: get off the show and sort of everything went back 705 00:36:08,520 --> 00:36:11,279 Speaker 1: to normal, you know. Um, but it just kind of 706 00:36:11,280 --> 00:36:13,080 Speaker 1: elevated me a little bit enough to the community that 707 00:36:13,120 --> 00:36:16,279 Speaker 1: I started getting better, right, So then I could kind 708 00:36:16,280 --> 00:36:18,560 Speaker 1: of had this bigger community open to me to write with. 709 00:36:18,680 --> 00:36:20,960 Speaker 1: And that's sort of how everything happened for me. Here. 710 00:36:21,280 --> 00:36:24,560 Speaker 1: Was there a point after you graduated college that you 711 00:36:24,880 --> 00:36:28,200 Speaker 1: moved to San Antonio and worked at a church. Yeah, yeah, 712 00:36:28,400 --> 00:36:31,560 Speaker 1: the biggest Lutheran church in the country, ten thousand members. 713 00:36:31,920 --> 00:36:34,080 Speaker 1: That was crazy, but um, it was sort of writing 714 00:36:34,120 --> 00:36:38,239 Speaker 1: songs for like pastoral conferences and volunteer stuff and it 715 00:36:38,280 --> 00:36:40,719 Speaker 1: was great, but it just wasn't fulfilling the artistically enough. 716 00:36:40,760 --> 00:36:42,080 Speaker 1: And that's when I was like, you know, I think 717 00:36:42,120 --> 00:36:44,040 Speaker 1: I'm supposed to be writing songs. I need to go 718 00:36:44,120 --> 00:36:46,200 Speaker 1: where the people that write songs live. So you went 719 00:36:46,200 --> 00:36:48,120 Speaker 1: from Boston to San Antonio and then how long were 720 00:36:48,120 --> 00:36:51,239 Speaker 1: you there? Oh? My gosh, not even six months. That's 721 00:36:51,239 --> 00:36:52,920 Speaker 1: pretty pretty quick thing where I was like, this is 722 00:36:52,920 --> 00:36:54,440 Speaker 1: not what I'm supposed to be doing a right, So 723 00:36:54,560 --> 00:36:59,080 Speaker 1: you moved to Nashville, you guys when you do this show? Um, 724 00:36:59,400 --> 00:37:01,600 Speaker 1: Wild Me? Was it the name of your duet? Yeah, 725 00:37:01,680 --> 00:37:03,799 Speaker 1: that's it. Yeah. Did you guys think maybe you'd get 726 00:37:03,800 --> 00:37:08,280 Speaker 1: out of that show and be Wild Honey for a while? Yeah, yeah, definitely. 727 00:37:08,360 --> 00:37:10,279 Speaker 1: But um, you know, we were really young, and we're 728 00:37:10,280 --> 00:37:14,400 Speaker 1: in different places. And I had kind of been you know, 729 00:37:14,440 --> 00:37:16,440 Speaker 1: I'd come up in the music business a little bit 730 00:37:16,440 --> 00:37:18,799 Speaker 1: through college and been around a lot of people, so 731 00:37:18,840 --> 00:37:20,880 Speaker 1: I sort of was prepared for like the workload and 732 00:37:20,920 --> 00:37:23,919 Speaker 1: ready to dig in and I just we just we're 733 00:37:23,920 --> 00:37:25,920 Speaker 1: in different places with that. How far did you guys 734 00:37:25,960 --> 00:37:28,719 Speaker 1: get on the show? We came in six season one? 735 00:37:29,280 --> 00:37:32,680 Speaker 1: Was there anyone on that season that ended up having 736 00:37:32,680 --> 00:37:35,200 Speaker 1: a career in Nashville that we would know? Oh? Yeah, 737 00:37:35,640 --> 00:37:38,120 Speaker 1: Jolly and Rory were on that season with me. Did 738 00:37:38,120 --> 00:37:41,320 Speaker 1: they win the show? I think they came in third 739 00:37:41,440 --> 00:37:44,400 Speaker 1: or second. And the people that want are they still around? 740 00:37:45,040 --> 00:37:46,879 Speaker 1: I don't think so. Let me sure. I'm sure they're 741 00:37:46,880 --> 00:37:49,040 Speaker 1: still doing music because they're insanely talented. But there that 742 00:37:49,200 --> 00:37:51,040 Speaker 1: was a group named Caitlin and Will and the show 743 00:37:51,040 --> 00:37:52,879 Speaker 1: had actually put them together. They didn't know each other, 744 00:37:53,320 --> 00:37:57,239 Speaker 1: so that's always risty obviously. Dang. All right, so you 745 00:37:57,320 --> 00:38:01,960 Speaker 1: kind of hop into Nashville and when Natalie stovall, we're friends, 746 00:38:01,960 --> 00:38:03,719 Speaker 1: but you live with her husband? Did did you know? 747 00:38:03,960 --> 00:38:06,799 Speaker 1: Did you know him before she did? Or yeah? I 748 00:38:06,840 --> 00:38:08,759 Speaker 1: think no. I think we all knew each other at 749 00:38:08,760 --> 00:38:11,240 Speaker 1: the same time. But he was like, I was dating 750 00:38:11,280 --> 00:38:13,719 Speaker 1: the keyboard player in Natalie's band in college. But that's 751 00:38:13,719 --> 00:38:16,800 Speaker 1: how we all became friends, and she her husband was 752 00:38:16,880 --> 00:38:18,880 Speaker 1: living with that guy. So that's sort of how we 753 00:38:18,920 --> 00:38:20,600 Speaker 1: all came to know each other. So when I need 754 00:38:20,600 --> 00:38:22,880 Speaker 1: a place to say, James was like, that's just Condowe 755 00:38:22,880 --> 00:38:24,920 Speaker 1: in Green Hills. You're welcome the you know, come on 756 00:38:24,960 --> 00:38:28,040 Speaker 1: into me and my sister moved in and thus began 757 00:38:28,080 --> 00:38:30,040 Speaker 1: my journey in Nashville. It was nice to have a 758 00:38:30,080 --> 00:38:32,200 Speaker 1: little bit of a community here. I was watching your 759 00:38:32,200 --> 00:38:34,279 Speaker 1: Instagram and I guess you're doing like a tour of 760 00:38:34,400 --> 00:38:38,319 Speaker 1: your air stream. That's what that is, right. Yeah. So 761 00:38:38,440 --> 00:38:40,960 Speaker 1: basically when COVID hit, I went up to be with 762 00:38:41,000 --> 00:38:43,160 Speaker 1: my mom in New York for a while she was 763 00:38:43,239 --> 00:38:45,080 Speaker 1: in a farm up there. So I put long term 764 00:38:45,160 --> 00:38:46,640 Speaker 1: runners in my house because I had no idea how 765 00:38:46,640 --> 00:38:49,040 Speaker 1: long this is the black And obviously with touring not 766 00:38:49,120 --> 00:38:52,160 Speaker 1: being bible right now, um, that was a big help financially. 767 00:38:52,280 --> 00:38:54,319 Speaker 1: But then when Nashville started reopening, I was like, Okay, 768 00:38:54,360 --> 00:38:56,160 Speaker 1: I think it's kind to go home and try to 769 00:38:56,160 --> 00:38:58,399 Speaker 1: get back on a routine. Obviously didn't never knew where 770 00:38:58,400 --> 00:39:00,440 Speaker 1: to live, but I had this nineteam me through the 771 00:39:00,480 --> 00:39:03,480 Speaker 1: airstream that I had renovated maybe five years ago to 772 00:39:03,520 --> 00:39:05,080 Speaker 1: take on the road. Would be kent of it being 773 00:39:05,120 --> 00:39:08,000 Speaker 1: like a v I P Performance lange. So I was like, 774 00:39:08,000 --> 00:39:09,400 Speaker 1: I'm just going to put about room in there in 775 00:39:09,440 --> 00:39:11,480 Speaker 1: a shower and put it in the driveway and move 776 00:39:11,520 --> 00:39:13,239 Speaker 1: into that. And now I've been there for a month 777 00:39:13,280 --> 00:39:14,440 Speaker 1: and a half and I love it so much that 778 00:39:14,520 --> 00:39:16,640 Speaker 1: I might not leave. But I've been doing these online 779 00:39:16,640 --> 00:39:18,840 Speaker 1: shows from the air stream. Wait, do you live in 780 00:39:18,880 --> 00:39:21,920 Speaker 1: the driveway of the people that you're running to and 781 00:39:21,960 --> 00:39:24,279 Speaker 1: do they care that they're living at the house that 782 00:39:24,400 --> 00:39:27,319 Speaker 1: you're running to them? I mean, I asked them when 783 00:39:27,320 --> 00:39:29,319 Speaker 1: they were about to side the lease, and they're like 784 00:39:29,360 --> 00:39:31,520 Speaker 1: sounds great. Um, we're really good cooks. Maybe we'll invut 785 00:39:31,560 --> 00:39:35,080 Speaker 1: you in for dinner. But they have not yet. I'm still, lady, 786 00:39:35,239 --> 00:39:36,719 Speaker 1: do you have a relationship with them? Do you see 787 00:39:36,719 --> 00:39:38,560 Speaker 1: in their windows they walk around naked in there? What's 788 00:39:38,560 --> 00:39:41,120 Speaker 1: the deal? Well, they don't love around naked, but I 789 00:39:41,160 --> 00:39:44,000 Speaker 1: did just build an outdoor shower outside the airstream, So 790 00:39:44,120 --> 00:39:46,080 Speaker 1: sometimes I feel like they're like, oh, don't go out there, 791 00:39:46,080 --> 00:39:47,560 Speaker 1: and I'm like, you know, it's just like shower curtains 792 00:39:47,560 --> 00:39:50,279 Speaker 1: and privacy sense and I'm basically just trying to be 793 00:39:50,320 --> 00:39:53,000 Speaker 1: like one with nature in my driveway in East Nashville's 794 00:39:53,040 --> 00:39:55,560 Speaker 1: pretty funy is that? Are you heavy? Are you farm girl? 795 00:39:55,680 --> 00:39:58,000 Speaker 1: Because you go up on a farm, right, yeah? Yeah, yeah, 796 00:39:58,040 --> 00:40:00,440 Speaker 1: all of it, all of it, so all that pretty 797 00:40:00,480 --> 00:40:02,719 Speaker 1: normal to you then it is. But I do think 798 00:40:02,719 --> 00:40:04,759 Speaker 1: that that's like something COVID bringing out in me. You know, 799 00:40:04,760 --> 00:40:07,840 Speaker 1: how people are getting dogs or having babies, and I 800 00:40:07,840 --> 00:40:09,680 Speaker 1: think we're all just trying to do whatever we're doing 801 00:40:09,719 --> 00:40:11,880 Speaker 1: to try to control what we can control. I feel 802 00:40:11,880 --> 00:40:14,360 Speaker 1: like maybe I'm trying to recreate summer camp, which is 803 00:40:14,360 --> 00:40:16,480 Speaker 1: my favorite childhood memory, because everything all of a sudden 804 00:40:16,480 --> 00:40:18,279 Speaker 1: is like nature. For me, that seems to be like 805 00:40:18,280 --> 00:40:21,640 Speaker 1: where I'm finding and peace, So I think that's kind 806 00:40:21,640 --> 00:40:23,560 Speaker 1: of what I'm doing. Are you still hosting that d 807 00:40:23,640 --> 00:40:26,480 Speaker 1: I Y show on Annie? No, I haven't been doing 808 00:40:26,480 --> 00:40:28,080 Speaker 1: that for a couple of years, but that was super fun. 809 00:40:28,200 --> 00:40:30,160 Speaker 1: I a couple of years ago, I just went through 810 00:40:30,160 --> 00:40:33,320 Speaker 1: this like sort of big spiritual awakening and I decided 811 00:40:33,360 --> 00:40:36,040 Speaker 1: to only do things that I felt like aligned with 812 00:40:36,280 --> 00:40:39,080 Speaker 1: and if I'm being honest, um, that's when music really 813 00:40:39,080 --> 00:40:41,759 Speaker 1: started going better for me. So I'm don't know. I'm 814 00:40:41,800 --> 00:40:44,840 Speaker 1: just like, if I love it, if it's about music, 815 00:40:44,880 --> 00:40:46,880 Speaker 1: and it's like my propose passion in life, that's what 816 00:40:46,920 --> 00:40:49,000 Speaker 1: I'm focused on. And the design stuff was really fun, 817 00:40:49,040 --> 00:40:50,600 Speaker 1: but it's more stuff that I think I enjoyed just 818 00:40:50,680 --> 00:40:53,600 Speaker 1: doing for myself. And that was a whole series though, 819 00:40:53,600 --> 00:40:55,720 Speaker 1: that you just started. If I'm I'm trying to remember 820 00:40:55,760 --> 00:40:57,799 Speaker 1: this because I remember seeing it on Instagram to you 821 00:40:57,920 --> 00:41:01,319 Speaker 1: just started doing videos and how did that end up 822 00:41:01,719 --> 00:41:06,000 Speaker 1: elevating to the point where somebody hired you for a show? Sure? So, um, 823 00:41:06,040 --> 00:41:07,960 Speaker 1: I just was doing little like d I Y things 824 00:41:07,960 --> 00:41:12,840 Speaker 1: on Instagram and then got the Airstream and the label 825 00:41:12,920 --> 00:41:14,839 Speaker 1: was like well, we should probably film this process if 826 00:41:14,840 --> 00:41:17,000 Speaker 1: you're renovating an airstream to go out, you know, on 827 00:41:17,040 --> 00:41:19,040 Speaker 1: the road with So we did a little series for that, 828 00:41:19,120 --> 00:41:21,759 Speaker 1: just like online. And then they kind of were like, oh, 829 00:41:21,800 --> 00:41:23,520 Speaker 1: you're actually really good at this posting thing. Do you 830 00:41:23,560 --> 00:41:25,640 Speaker 1: want to do it? I was like, sure, this is fun, 831 00:41:25,719 --> 00:41:27,759 Speaker 1: you know, so just a little by little, and then 832 00:41:27,760 --> 00:41:29,560 Speaker 1: it was just something that came through my booking agents. 833 00:41:29,560 --> 00:41:32,600 Speaker 1: They were looking for, you know, some hosts for this 834 00:41:33,160 --> 00:41:35,680 Speaker 1: any show called homemade, and I sent in an audition 835 00:41:35,760 --> 00:41:39,800 Speaker 1: video and yeah, it was really fun. It was honestly 836 00:41:39,880 --> 00:41:42,279 Speaker 1: very easy compared to the music business. They were like, 837 00:41:42,600 --> 00:41:45,399 Speaker 1: read this compter, sorry, this nine hour days so long, 838 00:41:45,440 --> 00:41:46,920 Speaker 1: and I was like, I've literally been sitting in a 839 00:41:46,920 --> 00:41:48,560 Speaker 1: hair and makeup chair for two hours. This is not 840 00:41:48,600 --> 00:41:51,080 Speaker 1: hard work. Like please, thank you for the free catering. 841 00:41:51,080 --> 00:41:53,200 Speaker 1: This is a great life. I'm gonna play a couple 842 00:41:53,239 --> 00:42:03,400 Speaker 1: more clips here. This is cold comfort when your game 843 00:42:08,520 --> 00:42:16,400 Speaker 1: you feel the same. And here's a song called bad Woman. 844 00:42:26,400 --> 00:42:29,200 Speaker 1: So you're doing some uh some like streaming shows online 845 00:42:29,239 --> 00:42:32,360 Speaker 1: right where people can watch you. I'll see sometimes you know, 846 00:42:32,360 --> 00:42:34,480 Speaker 1: you get that little notification where it's like mind goes 847 00:42:34,560 --> 00:42:37,759 Speaker 1: Ruth Collins is online live and sometimes that you think 848 00:42:37,760 --> 00:42:40,240 Speaker 1: you're getting a message and you hit it and not yours. 849 00:42:40,239 --> 00:42:41,480 Speaker 1: But have some friends to go live and they have 850 00:42:41,520 --> 00:42:43,800 Speaker 1: like nineteen followers, and then I feel like I'm stuck 851 00:42:43,840 --> 00:42:46,560 Speaker 1: watching it for a minute because I like, yeah, I know, 852 00:42:46,880 --> 00:42:49,600 Speaker 1: it's so awkward, and when people are like they're just 853 00:42:49,640 --> 00:42:51,759 Speaker 1: waiting for people to get on, like, I get it. 854 00:42:51,800 --> 00:42:53,839 Speaker 1: I feel you. I clicked into one of my friends 855 00:42:53,840 --> 00:42:55,360 Speaker 1: the other day and he started talking right to me 856 00:42:55,400 --> 00:42:57,440 Speaker 1: because he saw me get on. Actually he's like, hey, Bobby, 857 00:42:57,480 --> 00:42:59,439 Speaker 1: and I was like, oh, now if I leave, its 858 00:42:59,560 --> 00:43:02,520 Speaker 1: sun not yeah, you better just make some popcorn and 859 00:43:02,840 --> 00:43:04,759 Speaker 1: what are you doing on your on your streaming show. 860 00:43:05,640 --> 00:43:09,160 Speaker 1: So basically I have dug so far deep into the 861 00:43:09,160 --> 00:43:12,680 Speaker 1: trenches with these virtual shows because obviously everyone and their 862 00:43:12,680 --> 00:43:15,080 Speaker 1: mom is going live, which is awesome because we're you know, 863 00:43:15,280 --> 00:43:17,920 Speaker 1: getting people to stay at home and giving them some entertainment. 864 00:43:17,920 --> 00:43:19,080 Speaker 1: But I was like, yeah, I really have to come 865 00:43:19,120 --> 00:43:20,680 Speaker 1: up with some creative ways to make this different and 866 00:43:20,760 --> 00:43:23,920 Speaker 1: I'm gonna cut through. So I've been doing them shows 867 00:43:23,960 --> 00:43:26,920 Speaker 1: every week to encourage your pete um, you know, audience members. 868 00:43:26,960 --> 00:43:29,160 Speaker 1: So I'm doing like I think the ones we just announced. 869 00:43:29,480 --> 00:43:32,520 Speaker 1: Nikia Carmen and I are actually doing Christmas in July tomorrow, 870 00:43:32,600 --> 00:43:35,400 Speaker 1: and then I've got Disney Night Love from Laurel Canyon, 871 00:43:35,480 --> 00:43:38,880 Speaker 1: which is gonna be like Semdise California Songs for doing 872 00:43:39,200 --> 00:43:42,400 Speaker 1: uh Nights Songs from the Desert to celebrate the one 873 00:43:42,480 --> 00:43:45,120 Speaker 1: universary of my song Joshua Tree coming out. So you know, 874 00:43:45,120 --> 00:43:48,239 Speaker 1: I've done like movie songs and summertime songs and then 875 00:43:48,280 --> 00:43:50,920 Speaker 1: we're selling like Zoom packages we can like chat with 876 00:43:50,960 --> 00:43:54,040 Speaker 1: fans afterwards and they're all pay with you can so 877 00:43:54,160 --> 00:43:56,399 Speaker 1: everybody gets to come. But it's just been so fun 878 00:43:56,400 --> 00:43:58,600 Speaker 1: and it's honestly been great for me too because I 879 00:43:58,680 --> 00:44:00,640 Speaker 1: still feel connected to all these pet flow out there, 880 00:44:00,680 --> 00:44:02,520 Speaker 1: you know, which is I think we're all a little 881 00:44:03,120 --> 00:44:05,279 Speaker 1: balloon right now. So it's just been so much fun. 882 00:44:05,360 --> 00:44:07,239 Speaker 1: I don't really want to stop, to be honest with you, 883 00:44:07,360 --> 00:44:09,640 Speaker 1: are you putting up You're putting up your Venmo or 884 00:44:09,640 --> 00:44:11,920 Speaker 1: your your PayPal? How is that working for you? So 885 00:44:12,000 --> 00:44:14,319 Speaker 1: basically I still want to be able to be giving 886 00:44:14,400 --> 00:44:16,560 Speaker 1: free content to everybody. So I'm doing these happy Hour 887 00:44:16,600 --> 00:44:18,400 Speaker 1: lives on Thursday, which I have been doing like the 888 00:44:18,480 --> 00:44:21,120 Speaker 1: Virtual tip Star char donation if they want to. But 889 00:44:21,200 --> 00:44:23,799 Speaker 1: then we are so are selling tickets through event right 890 00:44:23,840 --> 00:44:26,040 Speaker 1: to the other online shows that idea every Monday, so 891 00:44:26,040 --> 00:44:28,080 Speaker 1: those are on like a separate streaming platform. But like 892 00:44:28,080 --> 00:44:30,120 Speaker 1: I said, they'll pay what you can, so you may 893 00:44:30,200 --> 00:44:33,040 Speaker 1: fifty cents and come to the show. Ruthie Collins music 894 00:44:33,080 --> 00:44:39,120 Speaker 1: on Instagram, but it's spelled our ruthiek is right typo 895 00:44:39,200 --> 00:44:42,440 Speaker 1: on my sheet. Ruthie. Someone's getting fired around here? All right, 896 00:44:43,200 --> 00:44:46,640 Speaker 1: are you t h I e Ruthie Collins music. Um 897 00:44:46,719 --> 00:44:48,080 Speaker 1: well I'll go to talk to you. You can check 898 00:44:48,120 --> 00:44:50,600 Speaker 1: out Cold Comfort. I hope a lot of people come 899 00:44:50,600 --> 00:44:53,160 Speaker 1: and um well this will go up Friday, so they'll 900 00:44:53,160 --> 00:44:55,360 Speaker 1: have Mr Christmas in July. Do you do you post 901 00:44:55,400 --> 00:44:59,320 Speaker 1: these afterward or no? No, but you can you can 902 00:44:59,360 --> 00:45:02,680 Speaker 1: always buy ticket later and watch, so they're available afterwards. 903 00:45:02,719 --> 00:45:04,680 Speaker 1: But there you go, go get your ticket. Pay nickel 904 00:45:05,160 --> 00:45:08,440 Speaker 1: or five thousand dollars? What's the most someone has paid? Like, 905 00:45:08,520 --> 00:45:10,520 Speaker 1: let's pay what you can. But what's the biggest pay 906 00:45:10,600 --> 00:45:16,200 Speaker 1: that someone's done? Um I guess like wow, yeah, So 907 00:45:16,280 --> 00:45:18,719 Speaker 1: sometimes people will pay a hundred bucks to ticket, but 908 00:45:18,920 --> 00:45:21,400 Speaker 1: also like if they buy the after parties, you know, 909 00:45:21,480 --> 00:45:23,640 Speaker 1: package that makes it go up those or fifty bucks. 910 00:45:24,160 --> 00:45:27,680 Speaker 1: People have been so supportive, Bobby, I can't even tell 911 00:45:27,719 --> 00:45:31,160 Speaker 1: you like it's it's amazing. It's just amazing. I think 912 00:45:31,160 --> 00:45:33,960 Speaker 1: people really start form music and it's definitely brought me 913 00:45:34,000 --> 00:45:36,319 Speaker 1: closer to my fans during this time. So I'm just 914 00:45:36,480 --> 00:45:39,880 Speaker 1: I'm so thankful for all the sports, but amazing. Do 915 00:45:39,880 --> 00:45:41,319 Speaker 1: you have to send them like a lock of hair 916 00:45:41,440 --> 00:45:44,080 Speaker 1: a toenail or something like that. No, they're literally getting 917 00:45:44,080 --> 00:45:46,640 Speaker 1: like a song request in the twenty minute zoom call, 918 00:45:46,840 --> 00:45:48,360 Speaker 1: and I'm just like, hey, how are you doing up 919 00:45:48,360 --> 00:45:50,239 Speaker 1: there in New Jersey? Which you have for dinner to? Like, 920 00:45:50,239 --> 00:45:52,240 Speaker 1: I talk to these people all the time. Now, it's amazing. 921 00:45:52,520 --> 00:45:56,759 Speaker 1: All right, listen, She'll have dinner with you virtually for 922 00:45:56,800 --> 00:46:00,239 Speaker 1: the right price, That's right. Ruthie Collins music check, got 923 00:46:00,280 --> 00:46:02,799 Speaker 1: cold Comfort, Rosie. Good to talk to you, Good luck 924 00:46:02,800 --> 00:46:05,839 Speaker 1: and so much for the support. I really appreciate. Maybe 925 00:46:05,840 --> 00:46:09,600 Speaker 1: I'll see you soon. Bye bye, I'm skid h