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Speaker 1: You still get nervous with women. You get butterflies.

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Speaker 2: It's been a while.

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Speaker 1: Meg getting butterflies as wild.

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Speaker 2: I think it's cute, but I'm not.

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Speaker 3: I'm not saying I'm not, but I'm not. I'm not

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Speaker 3: a butterfly man over here, but.

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Speaker 2: I get nervous around the hunts sometimes.

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Speaker 1: First of all, no worran. Yeah all right, So who

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Speaker 1: has the best plans for the fourth of July?

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Speaker 2: I don't think I have any at all, except for

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Speaker 2: just to celebrate America.

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Speaker 1: That's the greatest plan.

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Speaker 2: Just to drape myself in the flag and talk about freedom,

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Speaker 2: storm to Capitol only place in his freedom. Did you

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Speaker 2: guys know that in the world, And anytime we've been attacked,

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Speaker 2: it's because they were jealous of our freedom. And that's

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Speaker 2: why no one likes us in the world. Okay, because

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Speaker 2: it's they're jealous of our freedom. Yeah, the only place

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Speaker 2: in the world that has it, so everyone appreciate it.

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Speaker 2: Happy July fourth. Everybody was free after July fourth.

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Speaker 1: Mark were still not free.

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Speaker 3: But Julie, wish your plans for the fourth mine?

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Speaker 4: No?

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Speaker 1: Mine? Yours?

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Speaker 3: Yes? Uh fuck you.

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Speaker 5: I'm not doing anything. Just get drunk, probably drink a

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Speaker 5: bunch of bud Lights vibes.

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Speaker 3: I like it. Keep your trans I feel that.

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Speaker 1: Okay, do you know they stock like plummeted thirty After.

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Speaker 3: That they'll be Yeah, it's bud Light, They'll be fine.

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Speaker 1: I'm just saying, I just think that's crazy.

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Speaker 5: And people are drinking Modello instead, which is distributed by

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Speaker 5: Nheiser Busch. But you know, America is really smart fucking idiots.

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Speaker 6: The Maria City plans for the fourth I'm trying to

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Speaker 6: be where the sun dresses are. Oh my god, you

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Speaker 6: sound like the I want to be where the rich

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Speaker 6: niggas are.

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Speaker 7: Oh my god, I want to see and.

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Speaker 2: You wait sundresses and.

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Speaker 1: Like pig, I mean you rich guys can be with

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Speaker 1: the sundresses off.

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Speaker 8: The rich guys are always with the sun dresses are.

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Speaker 2: All right, even with the bisexual thing that day, just

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Speaker 2: pick which one.

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Speaker 1: Like, even with the b SX I have Saturday you could.

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Speaker 2: Be straight and then Sunday you could be gay.

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Speaker 3: Mm hmm. How about that last Sunday was the one

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Speaker 3: to be gay at Yeah.

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Speaker 1: Last last last Sunday for sure.

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Speaker 2: But I feel like when you go out as you

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Speaker 2: weren't person.

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Speaker 8: I was the only one of the How you gonna

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Speaker 8: tell me I wasn't gay?

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Speaker 1: You pussy last weekend? We're getting somewhere for pride pride?

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Speaker 3: Is that?

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Speaker 1: Like lin like you gotta eat pussy for pride?

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Speaker 6: Like?

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Speaker 1: What is that? Did I miss up?

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Speaker 3: Well?

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Speaker 2: We can't eat pussy for pride that you're going against everything?

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Speaker 8: No, y'all got a suck dick or you you just

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Speaker 8: took that all the way.

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Speaker 2: Like, I'm not I'm not that proud.

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Speaker 5: Yeah, I'm definitely not that guy that's still.

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Speaker 2: The most ironic name ever for that group.

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Speaker 1: You know, definitely not the Proud Boys. Tell us more

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Speaker 1: about this. Uh, just prideful shandwich.

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Speaker 7: You had.

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Speaker 1: Or taco or taco?

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Speaker 2: Yeah that was good?

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Speaker 6: No, yeah, I was just I was prideful, celebrated. I

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Speaker 6: was with my girlfriend and we had a.

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Speaker 3: Time were You're just like, it's the day you girlfriend?

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Speaker 1: Do you mean like a friend that's a female or

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Speaker 1: like your girlfriend?

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Speaker 8: I'm it's complicated, but yes, so, but I like that.

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Speaker 1: At least your consistent, because even your relationships with your

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Speaker 1: boyfriends are complicated, so even your relationship with your girlfriends.

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Speaker 2: How cool is that that lesbians and bisexual women get

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Speaker 2: to have that title so blurred, like that's my girlfriend,

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Speaker 2: not my girlfriend, but it's still the same word.

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Speaker 8: I hear. You know that's relationships too.

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Speaker 2: That's incredible that, No, you're still my girl.

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Speaker 7: Do y'all?

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Speaker 8: Yeah, y'all do y'all have girlfriends and girlfriends.

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Speaker 1: I don't think we allowed.

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Speaker 2: Yeah, but if she's not my girlfriend, I don't say

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Speaker 2: that's my girlfriend. You get the luxury of saying that

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Speaker 2: girlfriend and it's still be comp Yeah, you have to

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Speaker 2: add context to it.

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Speaker 6: Okay, I'm gonna let you'll get your shirt off because

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Speaker 6: I'm being nice.

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Speaker 7: Okay, what are you talking about? We can just be

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Speaker 7: like with girlfriends.

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Speaker 3: I say girlfriends, but I'm actually freeing of girls that

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Speaker 3: are friends.

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Speaker 2: That's that's weird, weird. That's not really about that's your friend.

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Speaker 3: She's a girl.

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Speaker 2: Girls can call their girlfriends like here's my girlfriend. No,

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Speaker 2: that's your friends to be a girl.

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Speaker 7: Why can't you just call her your friend?

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Speaker 2: Because when I'm sweeting sex in the city, that's that's

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Speaker 2: your friends about.

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Speaker 1: To say, Like, who are you?

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Speaker 8: Homegirl? Like homegirl is usually the term, right mos stays homegirl.

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Speaker 2: You're one step away from calling her your twin, and

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Speaker 2: that's the nastiest and then two steps away from treacherous twins.

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Speaker 1: Yeah, and that's disgusting. That's you. Guys may can't call

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Speaker 1: a female his twin or a male well you can, well,

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Speaker 1: I have a twin sister, but you can't, like your friend.

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Speaker 1: You can't say your twins.

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Speaker 3: I've never said that.

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Speaker 1: You call your girlfriend, you might as well say twin.

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Speaker 5: But when I'm saying usually when we're speaking in generalizations,

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Speaker 5: I'll say, oh, I was with my girlfriend mmmmm home girl.

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Speaker 5: Like now that you guys know what is, I'll just

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Speaker 5: say greer. But if it's another woman, I'll say that.

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Speaker 8: When you're talking to a woman that you're interested in dating.

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Speaker 3: You don't want to say all the time.

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Speaker 2: So when you've had a girlfriend, you refer to other

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Speaker 2: girls as your girlfriend?

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Speaker 1: Yeah, that's do you think waiting the first you as

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Speaker 1: her boyfriend?

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Speaker 3: Huh?

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Speaker 8: Do you think it refers to you as a boyfriend.

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Speaker 3: I don't know.

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Speaker 1: Maybe let me help you out.

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Speaker 3: She doesn't know, she says, my black friend.

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Speaker 1: Sure, she definitely doesn't if you're the black friend. If

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Speaker 1: you're the black friend, that's insane.

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Speaker 2: First of all, my white girl standard, he's definitely the

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Speaker 2: black guy.

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Speaker 1: But like if grip like my black friend and you

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Speaker 1: pull up and it's like a real black guy there,

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Speaker 1: He's like, come on, that's the thing.

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Speaker 3: That would be no other black guy there.

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Speaker 1: That's sick. What do you say to myut grier she's white? No,

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Speaker 1: but like deeper than that, what are you saying about her?

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Speaker 3: Oh, I'm the black friend. I know my role.

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Speaker 8: You're the representation.

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Speaker 3: Yeah, I'm the quota.

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Speaker 7: Okay, women.

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Speaker 1: Gotta love it.

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Speaker 2: What are your plans for a for fourth of July?

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Speaker 1: I'm a go to Montreal for the jazz fest. My

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Speaker 1: mom been wanting to go up for some years in

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Speaker 1: American Yeah, some then we go to Montreal for the

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Speaker 1: jazz It's like two or three days.

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Speaker 2: And what are you part of the Confederate Army?

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Speaker 1: No, I'm just you know, Montreal is beautiful.

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Speaker 3: Man.

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Speaker 2: Why would you leave America on America's birthday?

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Speaker 1: Because, as I just asked around a room, y'all have

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Speaker 1: zero fucking plans. Like y'all are not doing anything.

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Speaker 3: Getting drunk and doing nothing is pretty damn American.

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Speaker 1: That's the regular fucking day in America.

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Speaker 2: I don't know. I could go like bald eagle watching

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Speaker 2: or something.

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Speaker 3: True.

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Speaker 2: Somewhere where are you gonna go watching New Jersey?

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Speaker 3: Don't cut your hair. They attack bald heads, is that true?

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Speaker 2: Yeah, they're not bald either, which is kind of weird.

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Speaker 2: How did the eagle end up being like our mascot?

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Speaker 7: I don't know, but you know, the sound that you're

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Speaker 7: used to is not actually the sound.

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Speaker 8: They swoop down and kill people and take ship that

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Speaker 8: isn't their.

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Speaker 2: What is the sound of a bald eagle? Don't even know.

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Speaker 5: It's like some it's like really whack. It sounds more

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Speaker 5: birdy than masculine.

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Speaker 2: Have you guys ever seen one before?

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Speaker 1: Yeah?

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Speaker 7: Before in Canada?

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Speaker 1: No, it was upstate somewhere.

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Speaker 5: Do you look bald men, Beware an eagle out has

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Speaker 5: been attacking your kind.

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Speaker 2: Okay, it's kind of like orches and boats. All right, well,

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Speaker 2: wear a hat, I guess, like dressed like jewels and

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Speaker 2: going on forest.

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Speaker 1: But if you had a ball ahead like that, you know,

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Speaker 1: that changes your entire Like the way people speak to you.

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Speaker 2: Okay, I'm on board so far. Why and how and

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Speaker 2: what are they saying?

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Speaker 1: White power? I don't know you.

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Speaker 2: I would definitely look way more.

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Speaker 5: Racist that one like shirt you have with the American flag,

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Speaker 5: the fduy like the post nine to eleven, if you

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Speaker 5: wore that shirt, Baldy and you were with with like

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Speaker 5: your dustiest pair of new balances.

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Speaker 2: When you go to prison, you have to pick a side.

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Speaker 1: That's that's a fact. That's what shot would you pick.

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Speaker 2: I just don't know if the crips would have me.

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Speaker 1: Chris would have they might not be welcoming.

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Speaker 2: I have thought about that, and like another one of

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Speaker 2: ten thousand reasons why I would not survive in prison

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Speaker 2: nor want to go to prison, is like I would

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Speaker 2: have to like click up with with the whites.

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Speaker 3: You have to be white for the first time in life.

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Speaker 2: And then like I have tattoos already. If I don't

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Speaker 2: get the Nazi symbol, they're gonna look at me crazy.

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Speaker 7: Is that how that works?

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Speaker 1: But if Rory's fun, if he goes to jail and

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Speaker 1: anyway you slice it, because he's gonna have to He's

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Speaker 1: gonna be so attractive. No, but you're gonna have to

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Speaker 1: like join like with your white brothers, right.

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Speaker 2: That's what I'm saying. I'd have to join the arian right.

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Speaker 1: But then once they do their homework on you and

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Speaker 1: they do diligence and they see you only date black women.

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Speaker 1: They're gonna call your nigga lover. Yeah, and they're gonna

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Speaker 1: jump you and kick you out of the game.

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Speaker 2: They call me that on Twitter, and I g if

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Speaker 2: I just refresh the page.

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Speaker 1: Now, I don't have to go to jail to be

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Speaker 1: called that.

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Speaker 2: What they do, Yes, they do know they call R.

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Speaker 3: Remember the one day you might call.

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Speaker 2: That white guilt, because you have to understand white There

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Speaker 2: is a large part of hip hop or fans that

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Speaker 2: are white fans that like hip hop but hate black people.

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Speaker 2: Like they're just into the music, but they actually despise.

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Speaker 2: That's a large group of hip hop that's like and

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Speaker 2: they listen to our podcast as well, so they oh

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Speaker 2: my god.

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Speaker 1: How come out and see I would have retweeted that,

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Speaker 1: did you?

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Speaker 7: That's what you would have reached it.

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Speaker 5: Remember remember the day Elon was like I'm done with

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Speaker 5: word censorship and like the hard e R was trending.

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Speaker 3: All people wanted to.

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Speaker 1: Tweet was.

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Speaker 3: His replies that what you mentioned, Yeah, you know trend

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Speaker 3: like that.

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Speaker 2: Yeah, damn, that's fucked up.

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Speaker 1: I'm gonna go to Montreal for a couple of days

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Speaker 1: and go to the jazz festival, Mom and just and cousin.

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Speaker 1: It's just chill.

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Speaker 2: I guess, I guess that's American sort of.

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Speaker 1: Yeah, Canada's American, a little bit.

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Speaker 2: Friendly neighbors to the north.

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Speaker 1: You're gonna miss us, I am.

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Speaker 7: No, you're not.

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Speaker 6: I am You're gonna go a week without us and

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Speaker 6: start to feel week without us.

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Speaker 3: Mmm. So what you're telling get that from Drake's poetry

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Speaker 3: book Seven.

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Speaker 2: Days Without Prayer Mixed one week that you never thought

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Speaker 2: of it that way?

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Speaker 1: You're right, I never thought. I have never thought of that.

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Speaker 1: Never in my life. If I thought about that.

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Speaker 2: Rory no one plastic Auntie face books.

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Speaker 1: Oh my God, Jesus Christ. So yes, that's our plans

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Speaker 1: for the fourth of July. I hope all y'all have fun,

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Speaker 1: be safe, yes, and I want anybody to come back

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Speaker 1: with all their fingers. Please, please don't blow your especially Julian.

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Speaker 1: You could lose a thumb or two. I don't care.

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Speaker 2: Edd And please what the and Edden did save fireworks

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Speaker 2: last year?

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Speaker 7: Kind of?

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Speaker 2: I mean they were on my roof roof, but they

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Speaker 2: were they were the safe ones, like I legally bought them,

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Speaker 2: those corny the legally bought fireworks.

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Speaker 8: Rory almost set his roof. Yeah, I don't know why

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Speaker 8: he's over there capping.

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Speaker 2: That's for insurance money. I'm a honer.

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Speaker 1: I haven't heard well, I have heard fireworks already, but

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Speaker 1: it's not as bad as I thought it would be yet.

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Speaker 1: I know it's still still got a couple of days

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Speaker 1: until it gets really bad, but it's been This year's

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Speaker 1: kind of been decent compared to the last few. The

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Speaker 1: last year they started, I thought it was the fourth

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Speaker 1: of July every day for like two months.

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Speaker 2: They're gearing up though, you never know. I think it'll

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Speaker 2: last through September.

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Speaker 1: Oh yeah, once it happened. Once it starts the fourth,

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Speaker 1: that's it.

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Speaker 5: Everybody is the rest of the something traumatizing month for

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Speaker 5: dolls Yeah yeah.

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Speaker 2: Yeah, and also again for like homeowners, like I really

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Speaker 2: pay taxes in my neighborhood, so like, please get these

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Speaker 2: children off off my street with these fireworks.

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Speaker 1: Are they that bad on your block?

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Speaker 2: I'm two or three blocks away from the projects, so.

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Speaker 1: Oh yeah, the projects forget about it.

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Speaker 2: And it's like low rise projects, so you could definitely

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Speaker 2: get all your fireworks off. Yeah, it's not scared with

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Speaker 2: the high rise. Yeah, it's kind of wild.

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Speaker 1: But well either way, I want you to be safe. Please, Eddan,

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Speaker 1: You're the only one whose fingers I care about a

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Speaker 1: yo yo. I mean not like I mean he's fast

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Speaker 1: hands Eddy. He has to push a lot of buttons.

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Speaker 2: And we could get him like one of those like

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Speaker 2: fake Han prospects my face.

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Speaker 1: Like a dog.

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Speaker 2: Anyways, we have a lot to get to. Uh Dewey

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Speaker 2: Julian's favorite show. Let's get to it, his idol.

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Speaker 3: Don't put this on me.

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Speaker 7: The Weekend definitely your favorite show.

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Speaker 3: This show is terrible.

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Speaker 2: You name this show show because the Weekend was. He

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Speaker 2: is your idol.

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Speaker 3: Run the tape. I never said I like this show.

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Speaker 6: Told you it sucked the first episode.

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Speaker 5: Because we were we agreed as a team to watch

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Speaker 5: it before we recorded.

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Speaker 3: They didn't.

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Speaker 5: So I walked into the studio and they're watching it

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Speaker 5: and they're on their phones, and then they didn't finish

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Speaker 5: the episode.

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Speaker 3: This is terrible. You weren't even paying attention.

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Speaker 1: So they were kind of right from the beginning the

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Speaker 1: show does suck, but they couldn't at that time with

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Speaker 1: House of Balloons, right.

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Speaker 3: I mean, but House of Balloons mine I might relapse.

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Speaker 2: So episode five just came out right.

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Speaker 3: Or four or worst.

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Speaker 2: They're canceling it at five. Originally they were just going

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Speaker 2: to cancel it after the full season, so now they're

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Speaker 2: going to cut it off mid season.

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Speaker 1: But it's funny because a reporter came out that they

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Speaker 1: canceled season two, yes, and then HBO denied that claim,

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Speaker 1: was like, no, that's not true. And now the first

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Speaker 1: season is being canceled before it's even yes, completely done, yep,

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Speaker 1: before we know the ending. Yeah.

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Speaker 2: Did any you guys watch the fourth episode? No?

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Speaker 3: I didn't.

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Speaker 5: Oh my god, is it bad. It's one of the

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Speaker 5: worst shows period.

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Speaker 1: That's that is. So the reason why this is shocking

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Speaker 1: the movie is because, first of all, when I found

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Speaker 1: out it was the creators of Euphoria, I was like, okay,

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Speaker 1: good team. They put out a hit show. They got

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Speaker 1: some clout. Then when they said the Weekend was in it,

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Speaker 1: I'm like, okay, the Weekend has been any character for

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Speaker 1: the past couple of years in his own world as

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Speaker 1: an artist might have something there. They cooking them with

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Speaker 1: something here.

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Speaker 2: Johnny Depp's daughter, Yeah, it was everything. The recipe was

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Speaker 2: she's been traumatized, so she's got to be a great.

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Speaker 1: Actress gotta be a great actress. So the recipe records

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Speaker 1: she's been traumatized.

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Speaker 2: So I read the script.

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Speaker 1: The rest of the ingredients were there for a good

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Speaker 1: show on paper, sure, but now we get a cancelation

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Speaker 1: only five episodes into the first seat.

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Speaker 5: It's just a porn fantasy, and I have a high

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Speaker 5: tolerance for like six shit, Like you know me, It's

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Speaker 5: just it's just the weekend in Sam's rape fantasy. It's

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Speaker 5: just that whole fourth episode is just her, like him

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Speaker 5: eating her out in the back of a car. Are

350
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Speaker 5: they go into the store to shop, He's fucking her

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Speaker 5: in the dressing room. They come back to the home,

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Speaker 5: he's eating her out in front of all the guests.

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Speaker 5: It's like it's just him fucking her in every scene.

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Speaker 5: It's horrible, Like there's no storyline, and it's just like

355
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Speaker 5: they just progressively undress her. She gets more and more

356
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Speaker 5: naked as the show goes on.

357
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Speaker 2: Like locks more people.

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Speaker 3: She just gets Yeah, it's just and then the whole horn.

359
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Speaker 5: I think this is the classic case of when you're

360
00:14:26,720 --> 00:14:29,480
Speaker 5: in I think what happened in the show mirrored on

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Speaker 5: set in real life, where everyone that was on set

362
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Speaker 5: production whoever bought into the cult that was this show,

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Speaker 5: the cult that they were creating in the show, and

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Speaker 5: thought this was groundbreaking and something that you know was

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Speaker 5: bigger than it was.

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Speaker 3: And then when you.

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Speaker 5: Present it and remove yourself from that reality and show

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Speaker 5: it to the normal world, us the consumer, that's when

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Speaker 5: you start seeing how ridiculous and terrible this is.

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Speaker 6: Well a bit sorry, I hate to cut you off,

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Speaker 6: but a bit of backstory with this show. So before

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Speaker 6: it even premiered, right, The reason why The Weekend and

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Speaker 6: roll Stone had beef is because Rolling Stone had came

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Speaker 6: out with an article that said that the original director

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Speaker 6: left like through when eighty percent of the season was

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Speaker 6: already filmed. Her name was Amy Cements or something like that. Yeah,

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Speaker 6: she she left, right.

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Speaker 2: What happened was she was semen.

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Speaker 6: So yeah, because The Weekend came in and said the

380
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Speaker 6: show is too much from a female perspective, right, the

381
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Speaker 6: original show, it was too much going and hading too

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Speaker 6: much into a female perspective.

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Speaker 8: He hated it.

384
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Speaker 6: They bought Sam Levinson in and he rewrote the entire thing. Fired,

385
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Speaker 6: They fired half the staff, like the show was done,

386
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Speaker 6: and then they flipped it and redid it completely.

387
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Speaker 2: Whoever he wrote youphor You with should have been on

388
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Speaker 2: set because it's some of the worst writing ever. And

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Speaker 2: what makes it even worse than just being bad dialogue

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Speaker 2: is they think they're.

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Speaker 1: Being deep exactly.

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Speaker 2: That's the most annoying for outside of the shitty dialogue.

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Speaker 2: They think they're like, really have some groundbreaking, like you

394
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Speaker 2: don't understand the idle metaphor where making here? And then

395
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Speaker 2: in the last episode they try to do the twist

396
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Speaker 2: of like maybe she's the leader of the cults, and

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Speaker 2: it's it's just bad when you try to get too

398
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Speaker 2: deep and the dialogue sucks already. I totally get why

399
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Speaker 2: they would cancel it. It's shot really well. I think

400
00:16:16,400 --> 00:16:19,480
Speaker 2: we can should buy that footage from HBO and make

401
00:16:19,640 --> 00:16:22,320
Speaker 2: some music videos. Mm hmm, because it's shot great.

402
00:16:22,520 --> 00:16:24,320
Speaker 1: Do we think that this hurts the weekend?

403
00:16:24,880 --> 00:16:25,680
Speaker 3: H No, I don't.

404
00:16:25,800 --> 00:16:28,880
Speaker 5: I think this character it's so far removed, and it's

405
00:16:28,920 --> 00:16:30,800
Speaker 5: weird because for the first time, you know, I'm a

406
00:16:30,920 --> 00:16:34,480
Speaker 5: stand they've been putting out singles like with each episode,

407
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Speaker 5: like they'll preview music in the show and then eventually,

408
00:16:37,400 --> 00:16:40,240
Speaker 5: it's smart on their part, they'll release that on DSPs.

409
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Speaker 5: I haven't listened to any of those songs in real life,

410
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Speaker 5: I don't care to. I hate that show so much

411
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Speaker 5: I won't even listen to the music that they put out.

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00:16:45,760 --> 00:16:47,040
Speaker 1: From So that's what I'm saying that you don't think

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Speaker 1: that hurts the weekend.

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Speaker 5: Now, because once he puts out a new album and

415
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Speaker 5: starts his actual on the artist rollout, I'll tap it.

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00:16:52,080 --> 00:16:53,800
Speaker 1: No, I'm not talking about as far as like music.

417
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Speaker 1: I'm talking about his wanting to jump into like TV.

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Speaker 8: And yes it hurts.

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Speaker 3: Oh yeah, that's what that part.

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Speaker 1: He's done it.

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00:17:00,920 --> 00:17:02,480
Speaker 3: I don't know if he's done, but he takes some time.

422
00:17:02,640 --> 00:17:04,439
Speaker 2: Definitely not gonna make the pivot that I think.

423
00:17:04,320 --> 00:17:06,399
Speaker 3: He thought he would take down the Ponytail.

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Speaker 2: Music wise, I don't think he'll ever work with Mike

425
00:17:08,320 --> 00:17:11,400
Speaker 2: Dean again. Mike Dean is pissed. Why do you drag

426
00:17:11,440 --> 00:17:13,040
Speaker 2: me into this nonsense?

427
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Speaker 3: You want to see?

428
00:17:13,760 --> 00:17:16,880
Speaker 2: Look at this, ma, Mike Dean is an old man

429
00:17:17,000 --> 00:17:20,479
Speaker 2: that rarely leaves his house. Why did they drag him

430
00:17:20,480 --> 00:17:20,800
Speaker 2: into this?

431
00:17:22,000 --> 00:17:23,800
Speaker 1: Yeah? I mean I thought that this was gonna be

432
00:17:23,840 --> 00:17:25,440
Speaker 1: a good show. I'm not gonna lie. I am surprised

433
00:17:25,440 --> 00:17:28,480
Speaker 1: that it is canceled just because like I said the

434
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Speaker 1: rest of people was dead for a great show. But

435
00:17:32,080 --> 00:17:33,480
Speaker 1: I guess who took a hard left somewhere.

436
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Speaker 3: Mike Dean's character was this character.

437
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Speaker 2: He's Mike Dean.

438
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Speaker 5: I'm just saying, like they make they like really lean

439
00:17:40,240 --> 00:17:42,800
Speaker 5: into the whole. It's just him hopping out of a tesla,

440
00:17:42,880 --> 00:17:46,760
Speaker 5: ripping a bong, like him just smoking blunt. He doesn't,

441
00:17:46,760 --> 00:17:48,880
Speaker 5: he doesn't have an empty hand the whole show. He's

442
00:17:48,920 --> 00:17:51,720
Speaker 5: just chief in a blunt and just laughing at the weekends.

443
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Speaker 5: Actually assault Lily Rose deb.

444
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Speaker 2: Yeah, it's it's very odd. It's very very odd. But

445
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Speaker 2: I don't know. I think this hurts a Sam levistein

446
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Speaker 2: Levinson Levinson, I made him too Jewish, my bad, Okay.

447
00:18:07,119 --> 00:18:10,000
Speaker 2: I think this hurts him more than anyone because he

448
00:18:10,000 --> 00:18:12,320
Speaker 2: he was batt in a thousand, he was the golden child.

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00:18:12,720 --> 00:18:15,680
Speaker 2: He did Euphoria obviously, and then the what's the other

450
00:18:15,720 --> 00:18:24,000
Speaker 2: one with Denzel's son that you love was India Oh ye, Malcolm, Yeah,

451
00:18:24,040 --> 00:18:27,920
Speaker 2: he did that as well, and it looked like those

452
00:18:27,920 --> 00:18:30,800
Speaker 2: two were gonna stay together and she was gonna star

453
00:18:30,880 --> 00:18:32,840
Speaker 2: and everything that he wrote and they were going to

454
00:18:32,920 --> 00:18:37,080
Speaker 2: be that new combo. This I think hurts him more

455
00:18:37,119 --> 00:18:40,440
Speaker 2: than anything, or it starts to raise questions and I'm

456
00:18:40,440 --> 00:18:43,240
Speaker 2: not raising them, but people are gonna talk. Is he

457
00:18:43,320 --> 00:18:45,919
Speaker 2: really as ill as we thought he was? Because if

458
00:18:45,920 --> 00:18:49,119
Speaker 2: you're gonna go out and do something else outside of

459
00:18:49,160 --> 00:18:52,000
Speaker 2: the internal team you have, and it's like this, who's

460
00:18:52,080 --> 00:18:55,040
Speaker 2: really the good writer over there? Who's really the one

461
00:18:55,760 --> 00:18:57,679
Speaker 2: that's putting these shows together? Because we see what you

462
00:18:57,760 --> 00:19:00,760
Speaker 2: did when you broke off from the tribe. Yeah, and

463
00:19:00,800 --> 00:19:03,399
Speaker 2: we got this. I'm not saying that's the case, but

464
00:19:03,800 --> 00:19:05,400
Speaker 2: that's how I think people will view it.

465
00:19:05,560 --> 00:19:08,359
Speaker 6: But if you look at Euphoria and Malcolm and Marie both,

466
00:19:08,480 --> 00:19:12,040
Speaker 6: if you remove Zindia and her amazing acting out of that,

467
00:19:12,400 --> 00:19:14,160
Speaker 6: is it really that good of a show?

468
00:19:14,280 --> 00:19:15,239
Speaker 7: Yes, that's pretty well.

469
00:19:15,280 --> 00:19:18,400
Speaker 2: Euphoria is very well written, is a great show. There's

470
00:19:18,480 --> 00:19:22,560
Speaker 2: also great actors and actresses outside of her carrying the

471
00:19:22,600 --> 00:19:25,359
Speaker 2: show as well. But it is a very well written show,

472
00:19:26,080 --> 00:19:28,800
Speaker 2: very well shot. It shot better than that.

473
00:19:28,920 --> 00:19:31,840
Speaker 1: They had to get an actress as good as great

474
00:19:31,840 --> 00:19:34,359
Speaker 1: as in Daiya. They had to. That's how good that

475
00:19:34,400 --> 00:19:36,840
Speaker 1: show is. Like they couldn't get an actress that was like,

476
00:19:37,600 --> 00:19:40,440
Speaker 1: you know, she's good. They had to get a great actress.

477
00:19:40,040 --> 00:19:44,040
Speaker 5: And it's one of those shows that has retroactively launched

478
00:19:44,240 --> 00:19:47,520
Speaker 5: everyone else. It's like Cidney Sweeney took off because of Euphoria,

479
00:19:47,640 --> 00:19:51,640
Speaker 5: that Jacob Elroy, the football guy took off from that show.

480
00:19:51,680 --> 00:19:54,440
Speaker 5: Like there's been a lot of careers made from that show.

481
00:19:54,880 --> 00:19:57,879
Speaker 2: I mean, I think it's overly exaggerated in a lot

482
00:19:57,960 --> 00:20:00,679
Speaker 2: of places in the show, but at least they do

483
00:20:00,720 --> 00:20:02,760
Speaker 2: it in a good way. How they exaggerated ship and

484
00:20:02,880 --> 00:20:06,639
Speaker 2: Idle is fucking awful. Like in Euphoria when the sons

485
00:20:06,640 --> 00:20:08,600
Speaker 2: and dad were fucking the same girl but they were

486
00:20:08,640 --> 00:20:11,760
Speaker 2: gay but both gay like that was that was very

487
00:20:11,880 --> 00:20:14,119
Speaker 2: over the top, but at least it played well in

488
00:20:14,160 --> 00:20:17,000
Speaker 2: the storyline with the kid and the dad being a

489
00:20:17,000 --> 00:20:20,280
Speaker 2: fucking dirt bag. It was over the top, but it

490
00:20:20,359 --> 00:20:23,080
Speaker 2: played well. Everything in the show is over the top

491
00:20:23,119 --> 00:20:26,399
Speaker 2: and awful, like everything is just bad.

492
00:20:26,840 --> 00:20:27,040
Speaker 4: Yeah.

493
00:20:27,160 --> 00:20:29,480
Speaker 3: Now, but when the Weekend ate her out on Sun's head, I.

494
00:20:29,440 --> 00:20:32,240
Speaker 8: Felt that you able play on Sunset before.

495
00:20:33,320 --> 00:20:37,240
Speaker 2: No, it's such a like actually on the street or

496
00:20:37,840 --> 00:20:39,159
Speaker 2: a hotel on Sunset.

497
00:20:39,720 --> 00:20:43,960
Speaker 3: Oh well that kid, yeah am I the Weekend?

498
00:20:45,040 --> 00:20:45,920
Speaker 2: I know you want to be.

499
00:20:48,280 --> 00:20:49,240
Speaker 8: All coke aside.

500
00:20:49,520 --> 00:20:56,760
Speaker 2: Jonathan Mays probably your other friend group. Anyways, with the

501
00:20:56,760 --> 00:21:01,520
Speaker 2: shitty writing strike, it shows in this and now actors

502
00:21:01,520 --> 00:21:04,480
Speaker 2: are about to go and strike. Are we fucked as

503
00:21:04,480 --> 00:21:06,359
Speaker 2: far as entertainment goes outside of music.

504
00:21:07,359 --> 00:21:10,720
Speaker 1: I'm not gonna say fucked, But I do think that

505
00:21:11,200 --> 00:21:13,520
Speaker 1: in some way, I think this is a good thing.

506
00:21:14,720 --> 00:21:16,679
Speaker 1: I think that this gives a lot more room for

507
00:21:17,200 --> 00:21:20,439
Speaker 1: new creatives to kind of like get out there and

508
00:21:20,480 --> 00:21:25,760
Speaker 1: do their thing. Okay, because these are, like, you know,

509
00:21:25,800 --> 00:21:28,919
Speaker 1: this strike is for like the big A listers. So

510
00:21:28,960 --> 00:21:31,600
Speaker 1: if you're like an up and coming writer, producer, actor,

511
00:21:32,480 --> 00:21:35,520
Speaker 1: I think that this is space for you now to

512
00:21:35,600 --> 00:21:36,640
Speaker 1: put out some good work.

513
00:21:37,000 --> 00:21:40,520
Speaker 2: Well, I think anyone that joins SAG is part of

514
00:21:40,560 --> 00:21:44,760
Speaker 2: the part of the strike in general. Yeah, so it's

515
00:21:44,760 --> 00:21:46,640
Speaker 2: the A listers leading it just to show like we're

516
00:21:46,680 --> 00:21:49,840
Speaker 2: not fucking around because Jennifer Lawrence is involved. But like

517
00:21:49,880 --> 00:21:54,440
Speaker 2: even writers that aren't maryal Shpeps involved, they're on strike

518
00:21:54,480 --> 00:21:56,440
Speaker 2: as well, even the younger up and coming writers, just

519
00:21:56,480 --> 00:21:59,000
Speaker 2: because they are part of that community. This I think

520
00:21:59,080 --> 00:22:03,040
Speaker 2: is gonna get weird, and I think we'll see it

521
00:22:03,160 --> 00:22:05,960
Speaker 2: hit at the top of twenty twenty four because they

522
00:22:05,960 --> 00:22:08,600
Speaker 2: would be shooting everything now. Yeah, I think it's going

523
00:22:08,680 --> 00:22:12,280
Speaker 2: to take over a year. Twenty Winter of twenty twenty

524
00:22:12,320 --> 00:22:14,880
Speaker 2: four is when I think we'll start to get more shows, movies,

525
00:22:15,320 --> 00:22:17,520
Speaker 2: TV series at the earliest.

526
00:22:17,600 --> 00:22:21,320
Speaker 1: Isn't the writer strikes to be over in like October time? October?

527
00:22:22,160 --> 00:22:24,399
Speaker 2: I'm not to sure about that. But if the actors

528
00:22:24,440 --> 00:22:26,000
Speaker 2: are about to go on strike and the writers come

529
00:22:26,000 --> 00:22:30,040
Speaker 2: back kind of pointless, yeah, unless you know, they find

530
00:22:30,040 --> 00:22:32,240
Speaker 2: new talent that isn't part of SAG or doesn't want

531
00:22:32,240 --> 00:22:34,680
Speaker 2: to be part of that strike. I just think that's

532
00:22:34,720 --> 00:22:35,520
Speaker 2: going to get difficult.

533
00:22:36,040 --> 00:22:36,360
Speaker 3: They said.

534
00:22:36,400 --> 00:22:38,480
Speaker 5: The only shows that would be able to continue are

535
00:22:38,880 --> 00:22:42,480
Speaker 5: like reality TV Oh my God, which started really took

536
00:22:42,520 --> 00:22:44,680
Speaker 5: off if you look at it when the for initial

537
00:22:44,760 --> 00:22:48,480
Speaker 5: writer strike happened. They just needed unscripted television. So those

538
00:22:48,560 --> 00:22:50,480
Speaker 5: kind of things would take off in like talk shows,

539
00:22:50,560 --> 00:22:51,119
Speaker 5: day shows.

540
00:22:52,359 --> 00:22:55,800
Speaker 2: But even those require like writers. Yeah, but I mean

541
00:22:56,119 --> 00:22:58,439
Speaker 2: ray J may just own this year. It just may

542
00:22:58,520 --> 00:23:01,600
Speaker 2: be like a ray J a decade because he can write,

543
00:23:02,160 --> 00:23:03,960
Speaker 2: produce acts reality TV.

544
00:23:04,080 --> 00:23:06,919
Speaker 1: Reality TV went too crazy though, Like I think I

545
00:23:06,960 --> 00:23:10,200
Speaker 1: think reality TV is good if it's like good reality TV,

546
00:23:10,600 --> 00:23:13,960
Speaker 1: but now they just got anything on TV, Like everybody

547
00:23:14,000 --> 00:23:18,000
Speaker 1: has a show now give us. An example, that Joscelyn show.

548
00:23:18,800 --> 00:23:20,440
Speaker 1: What is that which Jocelyn show?

549
00:23:20,480 --> 00:23:22,880
Speaker 7: Are you talking about with the strippers?

550
00:23:23,240 --> 00:23:26,480
Speaker 8: Yeah, Jocelyn's cabaret. You know what's crazy?

551
00:23:26,640 --> 00:23:29,160
Speaker 6: Jocelin cabaret is actually not that bad and I hate

552
00:23:29,160 --> 00:23:30,240
Speaker 6: reality it's pretty good.

553
00:23:30,280 --> 00:23:31,040
Speaker 8: They actually have a.

554
00:23:30,960 --> 00:23:35,040
Speaker 2: Goal, a goal, and I mean she's she's a goat

555
00:23:35,160 --> 00:23:37,119
Speaker 2: in that ship too, So she's going to be a

556
00:23:37,160 --> 00:23:38,119
Speaker 2: star in reality TV.

557
00:23:38,160 --> 00:23:40,280
Speaker 1: Why y'a didn't tell me they call Jocelyn cocaine beer.

558
00:23:40,720 --> 00:23:41,119
Speaker 7: I didn't know.

559
00:23:41,400 --> 00:23:43,399
Speaker 3: I was not aware of that.

560
00:23:44,280 --> 00:23:46,520
Speaker 1: Yeah, at the Wilson name. When she was backstage beating

561
00:23:46,520 --> 00:23:49,040
Speaker 1: that girl up, it was like your look at cocaine

562
00:23:49,600 --> 00:23:50,000
Speaker 1: a lot.

563
00:23:50,720 --> 00:23:52,080
Speaker 2: Like she was getting busy.

564
00:23:52,280 --> 00:23:55,160
Speaker 1: She was. She was popping on any everybody.

565
00:23:55,280 --> 00:23:58,480
Speaker 8: Yeah, she was swinging order with a camera, she swung on.

566
00:23:58,960 --> 00:24:01,959
Speaker 1: She was popping on anybody. And I just fought out

567
00:24:01,960 --> 00:24:03,879
Speaker 1: that they called a cocaine beer, Like, oh, I get it.

568
00:24:04,080 --> 00:24:05,080
Speaker 2: She was probably sober too.

569
00:24:05,760 --> 00:24:07,080
Speaker 1: No, that is not a sober woman.

570
00:24:07,520 --> 00:24:10,359
Speaker 2: I think like that over high.

571
00:24:10,880 --> 00:24:14,600
Speaker 1: That's not I didn't go She's Puerto Rica, that's not so.

572
00:24:15,600 --> 00:24:18,560
Speaker 1: I saw those eyes, bro, those eyes they gotta write

573
00:24:18,560 --> 00:24:21,439
Speaker 1: with cooner. They got it. They gotta write with cocaine beer.

574
00:24:21,440 --> 00:24:23,080
Speaker 7: They got it right, that's fu.

575
00:24:23,119 --> 00:24:25,680
Speaker 2: But I mean reality TV it's always been shitty in

576
00:24:25,720 --> 00:24:26,240
Speaker 2: a great way.

577
00:24:26,600 --> 00:24:29,320
Speaker 3: Yeah, but now it's just too much ship Nicholas corner

578
00:24:29,400 --> 00:24:29,879
Speaker 3: that market.

579
00:24:30,280 --> 00:24:33,119
Speaker 1: It's too much shitty though, Like it's too much shitty

580
00:24:33,119 --> 00:24:34,240
Speaker 1: in the reality TV world.

581
00:24:34,560 --> 00:24:38,399
Speaker 2: I mean, I kind of prefer the older reality shows

582
00:24:38,440 --> 00:24:41,679
Speaker 2: to these like Love Island things that Nicolache and his

583
00:24:41,760 --> 00:24:45,800
Speaker 2: wife are doing. They're pimping a lot of desperate people. Yeah,

584
00:24:46,800 --> 00:24:48,320
Speaker 2: they might be the biggest pimps on earth.

585
00:24:48,440 --> 00:24:50,640
Speaker 1: That's what I'm saying. It's just too much. Like sometimes

586
00:24:50,640 --> 00:24:54,159
Speaker 1: you gotta be like, nah, I'm cool, like because it's like,

587
00:24:54,200 --> 00:24:57,400
Speaker 1: once that's out there, it's over. And now she ras

588
00:24:57,480 --> 00:24:59,480
Speaker 1: b and Orlando what's his name.

589
00:25:01,080 --> 00:25:01,320
Speaker 2: Brown?

590
00:25:01,400 --> 00:25:06,920
Speaker 1: Lando Brown was fighting rasby sucking sixty crip and now

591
00:25:06,920 --> 00:25:08,640
Speaker 1: he's apologizing for saying sixty crip.

592
00:25:08,720 --> 00:25:11,359
Speaker 2: First of all, you didn't love that clip? No, it

593
00:25:11,400 --> 00:25:12,760
Speaker 2: makes me want to go watch that show.

594
00:25:13,160 --> 00:25:15,760
Speaker 1: It's not that I didn't love it's listen, it's funny, right,

595
00:25:15,800 --> 00:25:18,359
Speaker 1: but it's it's like they're really putting money. It's a

596
00:25:18,400 --> 00:25:20,040
Speaker 1: production crew shooting this show.

597
00:25:20,119 --> 00:25:23,040
Speaker 2: Yees, because it's making them don't miss quote Rasby. He said,

598
00:25:23,160 --> 00:25:27,600
Speaker 2: that's on really throwing sixties. Blood, That's what he said.

599
00:25:27,680 --> 00:25:29,280
Speaker 2: But this is what I'm saying that I think you

600
00:25:29,320 --> 00:25:30,120
Speaker 2: confused it two.

601
00:25:30,200 --> 00:25:32,480
Speaker 1: And now he's supposed to a video apologize and said

602
00:25:32,520 --> 00:25:35,240
Speaker 1: he's an entertainer, he's not a gang member.

603
00:25:35,920 --> 00:25:39,560
Speaker 2: Like it's I love when people are on camera saying

604
00:25:39,600 --> 00:25:42,680
Speaker 2: something direct and then their responsibilities like I didn't mean

605
00:25:42,720 --> 00:25:43,240
Speaker 2: it like that.

606
00:25:43,480 --> 00:25:45,320
Speaker 1: Yeah, he blamed He blamed it on the show. He

607
00:25:45,359 --> 00:25:46,560
Speaker 1: was like, it gets kind of crazy.

608
00:25:46,720 --> 00:25:49,400
Speaker 2: So what did you mean when you said on rolling sixties?

609
00:25:49,880 --> 00:25:51,119
Speaker 3: What was he?

610
00:25:51,280 --> 00:25:52,400
Speaker 2: What did I missing the context?

611
00:25:52,400 --> 00:25:55,680
Speaker 1: He said? Orlando Brown said blood, So he went to

612
00:25:55,840 --> 00:25:58,280
Speaker 1: cousin Crip that was that was.

613
00:25:58,160 --> 00:25:59,920
Speaker 3: His The lights in the spread a blue.

614
00:26:00,080 --> 00:26:01,600
Speaker 2: But he said that's not what he meant. What did

615
00:26:01,600 --> 00:26:01,879
Speaker 2: he mean?

616
00:26:03,640 --> 00:26:05,200
Speaker 1: I don't know, man, this is what I'm trying to say.

617
00:26:05,280 --> 00:26:08,359
Speaker 1: It's just like, this is a lot of these dudes

618
00:26:08,359 --> 00:26:12,200
Speaker 1: are suffering from mental health issues, were drug abuse.

619
00:26:13,040 --> 00:26:14,240
Speaker 8: Brown is far but we.

620
00:26:14,280 --> 00:26:16,399
Speaker 2: Bet on that, and I think it's it's fucked up

621
00:26:16,400 --> 00:26:18,719
Speaker 2: that people keep putting a camera and microphone from him.

622
00:26:18,760 --> 00:26:20,320
Speaker 1: Yeah, and That's what I'm saying. So it's just like

623
00:26:21,640 --> 00:26:24,080
Speaker 1: and everything is just because people watch it and click

624
00:26:24,119 --> 00:26:26,639
Speaker 1: on it doesn't mean that it's good. Doesn't mean that

625
00:26:26,680 --> 00:26:27,760
Speaker 1: it's good for you, Like.

626
00:26:28,040 --> 00:26:30,199
Speaker 2: We can't say that. I'm sure all the chicks on

627
00:26:30,359 --> 00:26:33,560
Speaker 2: Flavor of Love were not the most mentally stable. They

628
00:26:33,560 --> 00:26:37,480
Speaker 2: were women we put We put cameras on mentally ill people's.

629
00:26:37,119 --> 00:26:39,440
Speaker 1: All the time, and that's a problem. I agree, that's

630
00:26:39,480 --> 00:26:39,880
Speaker 1: what I'm saying.

631
00:26:39,880 --> 00:26:42,120
Speaker 6: That's when I bought that up about Jerry Springer, God

632
00:26:42,160 --> 00:26:45,200
Speaker 6: blessed dead, and I told you that he was exploitative

633
00:26:45,440 --> 00:26:49,080
Speaker 6: and that he started a wave of exploiting people who

634
00:26:49,119 --> 00:26:52,040
Speaker 6: are mentally ill, poor, et cetera. He was like, no,

635
00:26:52,280 --> 00:26:55,879
Speaker 6: they volunteered to go on there, say for it, Yes.

636
00:26:55,680 --> 00:26:57,000
Speaker 2: But what are you supposed to do?

637
00:26:57,720 --> 00:26:59,720
Speaker 1: I didn't say he got paid for ago. I don't

638
00:26:59,720 --> 00:27:01,120
Speaker 1: know if they got paid for it. I would never

639
00:27:01,119 --> 00:27:02,600
Speaker 1: say that, but I'm not saying. I didn't say they

640
00:27:02,720 --> 00:27:03,480
Speaker 1: didn't volunteer.

641
00:27:04,200 --> 00:27:06,960
Speaker 2: And that's fine at three pm, like eight pm, with

642
00:27:07,000 --> 00:27:09,399
Speaker 2: these reality shows, you could put other content there three pm.

643
00:27:09,440 --> 00:27:13,280
Speaker 2: It's just it Jerry Springer.

644
00:27:13,080 --> 00:27:15,719
Speaker 6: Not the goddamn flot. We're talking about the actual people.

645
00:27:16,359 --> 00:27:19,480
Speaker 2: No, I agree, Jerry Springer definitely exploited plenty of people.

646
00:27:19,600 --> 00:27:21,960
Speaker 1: That is a legend, rush in peace to the legend.

647
00:27:22,000 --> 00:27:25,440
Speaker 2: Oh, legends exploit, so sometimes why they're so legendary because

648
00:27:25,440 --> 00:27:26,040
Speaker 2: they've exploited the.

649
00:27:26,119 --> 00:27:27,400
Speaker 8: Mona Scott's a legend too.

650
00:27:27,640 --> 00:27:31,080
Speaker 2: Absolutely, Yeah, oh, bro, did Mona?

651
00:27:31,359 --> 00:27:33,120
Speaker 1: You know how I feel about open Did Mona.

652
00:27:33,000 --> 00:27:35,760
Speaker 3: Exploit in the beginning, big Maga?

653
00:27:36,080 --> 00:27:37,320
Speaker 1: Did she exploit in the beginning?

654
00:27:37,400 --> 00:27:38,880
Speaker 5: Yeah?

655
00:27:39,040 --> 00:27:42,360
Speaker 2: I think it was more exploitation once the platform got

656
00:27:42,359 --> 00:27:45,920
Speaker 2: bigger than you were really just exploiting people's fucking trauma

657
00:27:46,119 --> 00:27:49,040
Speaker 2: and giving them a whole bunch of fucking alcohol because

658
00:27:49,040 --> 00:27:51,320
Speaker 2: you know they're gonna act stupid. I'm not saying her

659
00:27:51,320 --> 00:27:54,440
Speaker 2: intentions were great on season one, but it was really

660
00:27:54,480 --> 00:27:56,800
Speaker 2: supposed to be about love and hip hop. It was

661
00:27:56,840 --> 00:27:58,800
Speaker 2: about it was supposed to be about women that were

662
00:27:58,800 --> 00:28:02,760
Speaker 2: in relationships with the rappers. It grew to a very

663
00:28:02,880 --> 00:28:05,399
Speaker 2: much exploitative that.

664
00:28:05,440 --> 00:28:07,240
Speaker 1: Has nothing to do with love or hip hop.

665
00:28:07,600 --> 00:28:10,440
Speaker 2: Like, I don't think she was exploiting Chrissy in season one.

666
00:28:10,640 --> 00:28:12,720
Speaker 2: I think they were just putting together a good I

667
00:28:12,800 --> 00:28:14,760
Speaker 2: think she had been around Jimmy and Christi and said

668
00:28:14,760 --> 00:28:15,520
Speaker 2: this has make great TV.

669
00:28:16,520 --> 00:28:16,639
Speaker 1: HM.

670
00:28:17,080 --> 00:28:20,000
Speaker 2: Of course it's salacious, and you have to add some

671
00:28:20,040 --> 00:28:20,480
Speaker 2: sauce to it.

672
00:28:20,920 --> 00:28:23,560
Speaker 1: TV did start like it was supposed to be about

673
00:28:23,600 --> 00:28:25,280
Speaker 1: couples and hip hop.

674
00:28:25,680 --> 00:28:28,200
Speaker 2: I get it, okay, with a splash of ignorance because

675
00:28:28,200 --> 00:28:33,000
Speaker 2: it's reality TV. It then definitely turned into people being exploited.

676
00:28:33,040 --> 00:28:34,600
Speaker 2: But at that point, I don't even put that on

677
00:28:34,680 --> 00:28:38,200
Speaker 2: mona like viacom at that point to keep that shit going.

678
00:28:38,200 --> 00:28:40,080
Speaker 1: It's kind of the same with basketball wives. Just started

679
00:28:40,120 --> 00:28:43,440
Speaker 1: with real wives of basketball players, and then it turned

680
00:28:43,440 --> 00:28:45,840
Speaker 1: into them bringing on some of their girlfriends, their homegirls,

681
00:28:46,200 --> 00:28:47,920
Speaker 1: and then like girls that were just sleeping with a

682
00:28:47,960 --> 00:28:49,280
Speaker 1: much none of Like it got to a point where

683
00:28:49,280 --> 00:28:50,960
Speaker 1: it was like maybe only two married women on the.

684
00:28:50,920 --> 00:28:53,600
Speaker 6: Show, but they were still just because there were wives

685
00:28:53,640 --> 00:28:57,400
Speaker 6: on there, they were still exploiting them. Was the reality

686
00:28:57,440 --> 00:29:01,040
Speaker 6: TV is to create drama because they produce the majority

687
00:29:01,040 --> 00:29:03,640
Speaker 6: of that drama. You produced the drama with people who

688
00:29:03,720 --> 00:29:06,000
Speaker 6: are prone to drama because of the people they've chosen

689
00:29:06,040 --> 00:29:08,200
Speaker 6: to be in love with, and you make money off

690
00:29:08,240 --> 00:29:08,480
Speaker 6: of them.

691
00:29:08,480 --> 00:29:10,320
Speaker 8: That's the whole point of selling a TV show.

692
00:29:10,600 --> 00:29:12,560
Speaker 1: Yeah, but so it's exploited from the.

693
00:29:12,480 --> 00:29:15,760
Speaker 5: Beginning, also mutually beneficial, Like we've got to stop back,

694
00:29:15,880 --> 00:29:18,160
Speaker 5: like it's exploitation. These people want to be on camera,

695
00:29:18,240 --> 00:29:20,600
Speaker 5: they want to be personality like, they want the attention.

696
00:29:20,680 --> 00:29:21,640
Speaker 7: It's paid exploitation.

697
00:29:21,840 --> 00:29:26,400
Speaker 1: Yeah, but the exploiting part comes in because you target

698
00:29:26,440 --> 00:29:30,480
Speaker 1: people that you know need that check and need that look. Yeah. Yeah,

699
00:29:30,640 --> 00:29:33,040
Speaker 1: that's when it comes from exploiting. It's like, Yo, they

700
00:29:33,080 --> 00:29:33,640
Speaker 1: need this, they're not.

701
00:29:33,760 --> 00:29:34,800
Speaker 7: What's the fine line of it then?

702
00:29:34,880 --> 00:29:36,160
Speaker 3: Yeah, exactly the Bachelor.

703
00:29:36,280 --> 00:29:38,240
Speaker 1: I mean, my thing is this, even if it's a

704
00:29:38,280 --> 00:29:39,760
Speaker 1: camera on your face, as long as you're not doing

705
00:29:39,800 --> 00:29:42,080
Speaker 1: nothing that's going to make you look or sound crazy.

706
00:29:42,280 --> 00:29:43,960
Speaker 1: They can't make you look for sound crazy.

707
00:29:44,360 --> 00:29:46,840
Speaker 8: They can setting them up though that's an objective as well.

708
00:29:47,840 --> 00:29:50,160
Speaker 1: They set them up if we're not trust me, I've

709
00:29:50,200 --> 00:29:53,000
Speaker 1: been on set. I know. I'm just saying like, it's

710
00:29:53,040 --> 00:29:55,840
Speaker 1: just it's just the fact of like, if you get paid, no, but.

711
00:29:55,720 --> 00:29:58,240
Speaker 3: If you're not like that expectation.

712
00:29:58,360 --> 00:30:01,120
Speaker 1: Yeah, I wasn't a reoccurring fucking character.

713
00:30:01,280 --> 00:30:02,640
Speaker 3: They have a name in the lower third.

714
00:30:02,640 --> 00:30:04,360
Speaker 7: It said, mal yeah you could have been.

715
00:30:04,440 --> 00:30:05,120
Speaker 3: They said to him.

716
00:30:05,480 --> 00:30:07,920
Speaker 1: Whatever it was, I just saw it. I'm like, okay,

717
00:30:07,960 --> 00:30:10,360
Speaker 1: I get it. Bringing the drinks, put the drinks on

718
00:30:10,360 --> 00:30:11,160
Speaker 1: the table.

719
00:30:11,240 --> 00:30:13,680
Speaker 2: Invite people that wouldn't be there to beg old at.

720
00:30:13,680 --> 00:30:15,840
Speaker 1: These people don't really like each other. They haven't seen

721
00:30:15,880 --> 00:30:18,960
Speaker 1: each other in four or five weeks. They've been talking

722
00:30:19,000 --> 00:30:23,080
Speaker 1: spicy online like whenever interaction happens on social media. Of course,

723
00:30:23,080 --> 00:30:25,800
Speaker 1: oh you're filming the next day. I believe that, like

724
00:30:25,880 --> 00:30:27,600
Speaker 1: you're getting a text like yo, the call Beata to

725
00:30:27,640 --> 00:30:28,720
Speaker 1: pick you up seven am.

726
00:30:28,880 --> 00:30:31,880
Speaker 2: And I don't think they're evil per se, but it

727
00:30:32,000 --> 00:30:34,640
Speaker 2: is exploiting, like people are participants in that, but they

728
00:30:34,680 --> 00:30:35,480
Speaker 2: are exploiting them.

729
00:30:35,640 --> 00:30:37,920
Speaker 3: I think, yes, I understand, I'm not killing.

730
00:30:37,760 --> 00:30:40,360
Speaker 2: One Scott, not killing reality TV, but it is exploiting

731
00:30:40,920 --> 00:30:41,960
Speaker 2: like it is that.

732
00:30:42,160 --> 00:30:44,000
Speaker 5: But the case can be made. No one's putting a

733
00:30:44,000 --> 00:30:45,240
Speaker 5: gun to your head and saying and do it. You

734
00:30:45,280 --> 00:30:46,440
Speaker 5: can also say no.

735
00:30:46,400 --> 00:30:47,960
Speaker 8: You know your bills might be putting a gun to

736
00:30:48,000 --> 00:30:48,320
Speaker 8: your head.

737
00:30:48,320 --> 00:30:48,560
Speaker 3: Sage.

738
00:30:48,720 --> 00:30:51,960
Speaker 5: Yeah, a lot of these shows don't pay. No, but

739
00:30:51,960 --> 00:30:53,960
Speaker 5: it's not even want the exposure.

740
00:30:53,640 --> 00:30:56,280
Speaker 1: Right, But it's not that it's not the show paying you.

741
00:30:56,280 --> 00:30:58,680
Speaker 1: You get like you get money in other places, like

742
00:30:58,720 --> 00:31:01,360
Speaker 1: you'll get like a walk through here, the appearance here.

743
00:31:02,000 --> 00:31:04,040
Speaker 1: You know, you get little bags hearing there to kind

744
00:31:04,040 --> 00:31:06,920
Speaker 1: of help you, you know, Pauline, other things.

745
00:31:06,680 --> 00:31:08,840
Speaker 2: Would you consider vlad a mob wife.

746
00:31:09,760 --> 00:31:11,160
Speaker 7: What is wrong with this guy?

747
00:31:11,800 --> 00:31:16,720
Speaker 6: I'm sorry, got Torch, did he.

748
00:31:18,520 --> 00:31:21,560
Speaker 2: Why did they make that show about criminals wives talking

749
00:31:21,600 --> 00:31:22,160
Speaker 2: about crime?

750
00:31:22,320 --> 00:31:23,040
Speaker 7: That was kind of wild.

751
00:31:23,040 --> 00:31:24,680
Speaker 1: I still don't understand how they got that off, by the.

752
00:31:24,680 --> 00:31:26,520
Speaker 2: Way, because most of them were not mob wives.

753
00:31:27,240 --> 00:31:28,280
Speaker 1: Okay, that makes sense.

754
00:31:28,520 --> 00:31:32,080
Speaker 2: Yeah, I like some daughters whose you know, fathers and

755
00:31:32,200 --> 00:31:33,480
Speaker 2: uncles are dead or in jail.

756
00:31:33,560 --> 00:31:36,080
Speaker 1: And it wasn't like Sanmity Bull's door on that show.

757
00:31:36,160 --> 00:31:37,000
Speaker 2: She was one of the stars.

758
00:31:37,080 --> 00:31:40,040
Speaker 1: Yeah, that's just crazy to me that they would like put.

759
00:31:39,840 --> 00:31:42,120
Speaker 7: A camera in think she was one of the.

760
00:31:41,720 --> 00:31:43,520
Speaker 2: Starters of it. She was like the Mona Scyt of

761
00:31:43,520 --> 00:31:44,120
Speaker 2: that ship, I think.

762
00:31:45,120 --> 00:31:46,960
Speaker 1: Yeah, I mean, I know it's big money in that ship,

763
00:31:47,000 --> 00:31:48,160
Speaker 1: but people watching.

764
00:31:48,280 --> 00:31:48,720
Speaker 3: Yeah, I was.

765
00:31:49,640 --> 00:31:52,920
Speaker 2: That was a huge fucking reality show. You watch my

766
00:31:53,040 --> 00:31:55,680
Speaker 2: wis I caught a few episodes, yeah, of course, back

767
00:31:55,680 --> 00:31:57,720
Speaker 2: in the day, like when you'd flip their channels. Yeah yeah,

768
00:31:57,960 --> 00:31:59,000
Speaker 2: I didn't know everyone's name.

769
00:31:58,960 --> 00:31:59,840
Speaker 7: But he watched like five some of em.

770
00:31:59,840 --> 00:32:01,520
Speaker 2: But over the time, you know, if I have every

771
00:32:01,520 --> 00:32:05,240
Speaker 2: season on DVD, that's a sick DVD and I keep

772
00:32:05,240 --> 00:32:07,160
Speaker 2: a DVD players just so I can rewatch.

773
00:32:06,800 --> 00:32:11,160
Speaker 1: My DVD collection. We owed John Well, let me speak

774
00:32:11,160 --> 00:32:13,240
Speaker 1: for myself. I owe Jonathan Major's an apology.

775
00:32:13,960 --> 00:32:15,280
Speaker 2: Uh, I think I do too.

776
00:32:15,360 --> 00:32:17,440
Speaker 1: I was kind of tough on him. First of all,

777
00:32:17,800 --> 00:32:21,200
Speaker 1: we support Johathan Majors. We think it's a great actors.

778
00:32:21,160 --> 00:32:21,959
Speaker 2: And it's changing.

779
00:32:22,400 --> 00:32:23,920
Speaker 1: I said that from again, and I said, Yo, you

780
00:32:24,000 --> 00:32:25,920
Speaker 1: had great ship going on and now you're risking it

781
00:32:26,080 --> 00:32:27,040
Speaker 1: by choking white women.

782
00:32:27,840 --> 00:32:29,800
Speaker 2: Look at that, Dion Sanders backpedal.

783
00:32:29,960 --> 00:32:31,720
Speaker 1: Wow, how was that a backpedal? I just said what

784
00:32:31,720 --> 00:32:33,640
Speaker 1: I said. I said, he was, you know, he was

785
00:32:33,920 --> 00:32:36,680
Speaker 1: fucking up his career by doing this shit. But uh,

786
00:32:36,800 --> 00:32:39,200
Speaker 1: more reports are coming out about, you know, the events

787
00:32:39,200 --> 00:32:43,800
Speaker 1: that took place that night, eyewitnesses uh uh, car service

788
00:32:43,880 --> 00:32:47,600
Speaker 1: drivers willing to testify and talk about what happened. So

789
00:32:47,640 --> 00:32:52,040
Speaker 1: it's being reported that Jonathan Major's actually maybe didn't do

790
00:32:52,080 --> 00:32:56,840
Speaker 1: anything that he is uh supposedly they said that she

791
00:32:56,920 --> 00:33:00,960
Speaker 1: said he did. So that's a good thing. So Jonathan

792
00:33:01,000 --> 00:33:03,520
Speaker 1: wasn't tripping the way he thought, well I thought he was.

793
00:33:03,600 --> 00:33:05,640
Speaker 1: He wasn't trying to throw away his career away. I

794
00:33:05,680 --> 00:33:08,000
Speaker 1: thought he was. So that's a good thing, because again,

795
00:33:08,000 --> 00:33:10,600
Speaker 1: it's just somebody that was once you in Marvel movies.

796
00:33:10,640 --> 00:33:12,680
Speaker 1: You made it so for him to be in a

797
00:33:12,680 --> 00:33:14,640
Speaker 1: Marvel movie, and then this come out. I thought he

798
00:33:14,720 --> 00:33:17,480
Speaker 1: lost his mind. Good to hear that Jonathan didn't lose

799
00:33:17,520 --> 00:33:21,800
Speaker 1: his mind and that he is still an upstanding citizen

800
00:33:22,240 --> 00:33:23,240
Speaker 1: of the black community.

801
00:33:23,880 --> 00:33:27,200
Speaker 2: And I think we should all, like somewhat apologize for

802
00:33:27,320 --> 00:33:30,320
Speaker 2: alluding to maybe something that happened, or taking those text

803
00:33:30,320 --> 00:33:34,520
Speaker 2: messages and making our own conclusions which become fucking law

804
00:33:34,600 --> 00:33:37,760
Speaker 2: on the internet. So I apologize.

805
00:33:37,280 --> 00:33:38,000
Speaker 1: Jonathan, didn't.

806
00:33:39,040 --> 00:33:39,280
Speaker 3: John.

807
00:33:39,680 --> 00:33:42,160
Speaker 1: We love you, we support you. Keep doing your pull

808
00:33:42,240 --> 00:33:44,120
Speaker 1: ups and eating your spinach and stay away from it.

809
00:33:45,080 --> 00:33:46,240
Speaker 7: There you go, that's great.

810
00:33:46,640 --> 00:33:47,920
Speaker 8: Well he's with Megan Good.

811
00:33:47,960 --> 00:33:49,280
Speaker 7: Now there you go.

812
00:33:49,480 --> 00:33:51,720
Speaker 2: A lot of people have to apologize to her too.

813
00:33:51,960 --> 00:33:54,239
Speaker 2: Why you know how many women were killing her on

814
00:33:54,280 --> 00:33:55,480
Speaker 2: Twitter of like, how could you be.

815
00:33:55,440 --> 00:33:56,560
Speaker 3: With this guy standing next to him?

816
00:33:56,680 --> 00:33:58,520
Speaker 2: She was getting smoked for like two weeks.

817
00:33:58,600 --> 00:33:59,560
Speaker 7: Do you hate Meghan Good?

818
00:33:59,600 --> 00:33:59,719
Speaker 2: No?

819
00:34:00,160 --> 00:34:02,040
Speaker 3: Like when he said people need apologize to her the

820
00:34:02,040 --> 00:34:03,280
Speaker 3: way you said, why it was just.

821
00:34:03,440 --> 00:34:04,640
Speaker 8: Because we have a podcast.

822
00:34:04,680 --> 00:34:05,800
Speaker 1: I'd like for him to explain himself.

823
00:34:06,400 --> 00:34:08,480
Speaker 2: She was getting killed for being out in public with

824
00:34:08,560 --> 00:34:10,720
Speaker 2: him and being in a relationship with him and supporting

825
00:34:10,760 --> 00:34:12,600
Speaker 2: him throughout the entire thing.

826
00:34:13,320 --> 00:34:13,600
Speaker 3: People.

827
00:34:13,680 --> 00:34:16,319
Speaker 2: Everyone thought he was guilty. The stuff they put out

828
00:34:16,440 --> 00:34:18,080
Speaker 2: made it appear very much that he was guilty.

829
00:34:18,239 --> 00:34:22,440
Speaker 1: Those text messages kind of made it like some something's

830
00:34:22,480 --> 00:34:23,600
Speaker 1: fishy yet, which.

831
00:34:23,360 --> 00:34:25,759
Speaker 2: We all have to take accountability and say, wait for

832
00:34:25,800 --> 00:34:27,040
Speaker 2: all the facts to come out. Wait for all the

833
00:34:27,120 --> 00:34:29,560
Speaker 2: facts to come out, because sometimes they are not what

834
00:34:29,600 --> 00:34:30,040
Speaker 2: they look like.

835
00:34:30,320 --> 00:34:31,360
Speaker 7: It doesn't make good content.

836
00:34:31,480 --> 00:34:34,560
Speaker 2: We wait, But this is also somebody's like life and

837
00:34:34,600 --> 00:34:38,279
Speaker 2: reputation and livelihood. Like, even though this is going to

838
00:34:38,320 --> 00:34:41,080
Speaker 2: get cleared up, the stain is probably not going to

839
00:34:41,120 --> 00:34:43,080
Speaker 2: go away to a certain group of people.

840
00:34:43,640 --> 00:34:46,120
Speaker 1: Yeah, the stain is always there. Like once shit like

841
00:34:46,120 --> 00:34:49,920
Speaker 1: this happens. Even if you're found innocent and all these

842
00:34:50,000 --> 00:34:52,960
Speaker 1: charges are thrown away, people still kind of give you

843
00:34:52,960 --> 00:34:54,359
Speaker 1: that look when you walk in the room, like yo, yo,

844
00:34:54,480 --> 00:34:57,600
Speaker 1: check your man out. Family, beat that case. That's old,

845
00:34:57,880 --> 00:34:59,200
Speaker 1: Like y'all can't keep putting that on me.

846
00:34:59,280 --> 00:35:01,200
Speaker 2: And you know, people don't don't even care about facts

847
00:35:01,200 --> 00:35:03,520
Speaker 2: once their mind is made up. You know, there'll be

848
00:35:03,560 --> 00:35:06,040
Speaker 2: plenty of people, specifically women, that are gonna be like

849
00:35:06,480 --> 00:35:09,320
Speaker 2: I think he did some ship. He comes off shady

850
00:35:10,040 --> 00:35:11,759
Speaker 2: like he just won in court. That doesn't mean shit.

851
00:35:11,840 --> 00:35:13,759
Speaker 2: I have a feeling that he still did something. Yeah,

852
00:35:13,800 --> 00:35:16,920
Speaker 2: he paid off like that. Those rumors happen no matter what.

853
00:35:17,040 --> 00:35:19,000
Speaker 2: It's kind of like whatever the first story is is

854
00:35:19,040 --> 00:35:21,920
Speaker 2: where the court of public opinion stops. He made their

855
00:35:21,920 --> 00:35:24,640
Speaker 2: mind up. Facts after that is just like, I mean,

856
00:35:24,680 --> 00:35:26,080
Speaker 2: I guess who do you pay?

857
00:35:27,000 --> 00:35:27,080
Speaker 4: So?

858
00:35:27,600 --> 00:35:28,000
Speaker 3: I don't know.

859
00:35:28,520 --> 00:35:31,480
Speaker 2: Apologies to him. I hope everyone else does the same.

860
00:35:31,520 --> 00:35:33,799
Speaker 2: That was very loud about him being guilty or even

861
00:35:33,840 --> 00:35:37,440
Speaker 2: covering the story with a tone that made it sound

862
00:35:37,520 --> 00:35:45,760
Speaker 2: like he was guilty, because it doesn't appear that way.

863
00:35:46,160 --> 00:35:48,400
Speaker 1: So our good friend Aubrey.

864
00:35:48,600 --> 00:35:51,800
Speaker 3: Of d that's why you're going to Canada for it?

865
00:35:51,960 --> 00:35:54,920
Speaker 1: Well, no, that's it's He has a poem, a poetry

866
00:35:54,920 --> 00:35:57,359
Speaker 1: book coming out cult titles Ruin Everything. Great title.

867
00:35:57,400 --> 00:35:59,000
Speaker 2: By the way, are you going to Canada to get

868
00:35:59,000 --> 00:35:59,720
Speaker 2: your copy signed?

869
00:36:00,480 --> 00:36:03,680
Speaker 3: That's disgusting fireworks at the estate.

870
00:36:04,080 --> 00:36:06,760
Speaker 1: No, he's going to Montreal, not Toronto.

871
00:36:06,840 --> 00:36:10,560
Speaker 7: Guys, he's gonna have the front page. That's sick.

872
00:36:10,800 --> 00:36:11,440
Speaker 1: Who's kissing?

873
00:36:11,480 --> 00:36:11,640
Speaker 4: What?

874
00:36:11,960 --> 00:36:14,239
Speaker 7: She said? That drink is gonna kiss to your front page.

875
00:36:14,120 --> 00:36:16,040
Speaker 1: With the lipt glass me with the lip bomb of

876
00:36:16,080 --> 00:36:19,080
Speaker 1: the book, the maarage, I am straight?

877
00:36:19,480 --> 00:36:21,239
Speaker 7: Why did you a little bit there?

878
00:36:21,280 --> 00:36:24,040
Speaker 1: Because I was gonna say, like heterosexual, but I'm straight, prove.

879
00:36:23,920 --> 00:36:30,279
Speaker 7: I can tell you sers days. So this is this

880
00:36:30,320 --> 00:36:33,000
Speaker 7: is so funny because before we even started, let's be

881
00:36:33,000 --> 00:36:34,160
Speaker 7: a little calm about this topic.

882
00:36:34,400 --> 00:36:37,480
Speaker 3: We got we got.

883
00:36:36,680 --> 00:36:37,640
Speaker 2: To get to the topic.

884
00:36:40,600 --> 00:36:44,520
Speaker 1: So a stream A Stream of Consciousness by Ken and

885
00:36:44,560 --> 00:36:46,560
Speaker 1: Auby Graham. Yes, uh so.

886
00:36:47,000 --> 00:36:47,239
Speaker 2: D J.

887
00:36:47,360 --> 00:36:50,640
Speaker 1: Kaller received the book and he broke down some of

888
00:36:50,680 --> 00:36:51,920
Speaker 1: the lines in the book.

889
00:36:52,320 --> 00:36:54,239
Speaker 2: New York Times bestseller already from him.

890
00:36:54,680 --> 00:36:56,840
Speaker 1: But it's what we kind of thought it would be.

891
00:36:56,880 --> 00:37:00,600
Speaker 1: I thought it would just be like you thought this this,

892
00:37:00,800 --> 00:37:02,560
Speaker 1: but I thought that Drake was gonna chose and it

893
00:37:02,680 --> 00:37:06,040
Speaker 1: be just a book full of like pictures and like

894
00:37:06,840 --> 00:37:09,400
Speaker 1: just like one liners. It kind of sort of is that.

895
00:37:09,440 --> 00:37:13,040
Speaker 1: It's a bunch of captions, IG captions, if he will

896
00:37:13,120 --> 00:37:16,880
Speaker 1: social media captions. I think it's a brilliant I think.

897
00:37:17,400 --> 00:37:20,319
Speaker 2: Well, he he tricked me because like two days before

898
00:37:20,360 --> 00:37:23,560
Speaker 2: he announced the book, he put a really long poem

899
00:37:23,800 --> 00:37:26,439
Speaker 2: that was like serious on his IG and I thought

900
00:37:26,440 --> 00:37:28,080
Speaker 2: it was really well written. I thought it was dope.

901
00:37:28,680 --> 00:37:30,480
Speaker 2: So I thought he was actually gonna get in his

902
00:37:30,680 --> 00:37:32,680
Speaker 2: poetry back and I was like, what a great idea

903
00:37:32,719 --> 00:37:34,440
Speaker 2: he's the only rapper that could do the shit like

904
00:37:34,640 --> 00:37:37,680
Speaker 2: it's perfect, and then Kali got his copy.

905
00:37:38,000 --> 00:37:42,160
Speaker 1: I just think that Drake is he he watches first

906
00:37:42,160 --> 00:37:43,799
Speaker 1: of all, he sees everything on social media. He's one

907
00:37:43,840 --> 00:37:45,879
Speaker 1: of those those people that he sees everything. He may

908
00:37:45,880 --> 00:37:49,520
Speaker 1: not react to everything, but he sees everything. I think that, well, yeah,

909
00:37:49,560 --> 00:37:51,800
Speaker 1: for sure. And I think that he just has found

910
00:37:51,800 --> 00:37:57,520
Speaker 1: a way to have fun with people thinking he's this serious. Yeah,

911
00:37:57,680 --> 00:38:00,520
Speaker 1: you know, like everything straight line type of god, Like

912
00:38:00,560 --> 00:38:04,080
Speaker 1: this is a classic way of saying, like, bro, I'm

913
00:38:04,120 --> 00:38:07,200
Speaker 1: not a poet, Like this is just us having fun.

914
00:38:07,520 --> 00:38:09,520
Speaker 1: These are some one line as me and my friends

915
00:38:09,560 --> 00:38:12,520
Speaker 1: say amongst each other, and we're putting them in a book.

916
00:38:12,840 --> 00:38:15,840
Speaker 1: Use them as captions because people use his music as captions.

917
00:38:16,120 --> 00:38:18,280
Speaker 1: So now he's giving you a book with straight captions.

918
00:38:18,400 --> 00:38:20,560
Speaker 2: And I love that. He's also like kind of the

919
00:38:20,600 --> 00:38:24,360
Speaker 2: only artists as far as just status wise, that could

920
00:38:24,600 --> 00:38:27,279
Speaker 2: make this funny. Yeah, because if like a lower tier

921
00:38:27,400 --> 00:38:29,799
Speaker 2: rapper tries to do this as a troll, it just

922
00:38:29,800 --> 00:38:30,359
Speaker 2: doesn't hit.

923
00:38:30,480 --> 00:38:32,720
Speaker 1: It doesn't hit the same. And then makeing sure Cali

924
00:38:32,800 --> 00:38:37,120
Speaker 1: gets the book first, look at Kalambert do what he's doing, Sunburn.

925
00:38:36,719 --> 00:38:38,719
Speaker 2: Coming off the jet ski so excited to read his

926
00:38:38,800 --> 00:38:42,040
Speaker 2: Drake poetry book. Yeah, opened it up with disgust. He's

927
00:38:42,080 --> 00:38:46,120
Speaker 2: go with the first excerpt, if you will. There are

928
00:38:46,120 --> 00:38:49,920
Speaker 2: two types of women in this world. Women who like

929
00:38:50,160 --> 00:38:53,560
Speaker 2: giving head and women who I don't like.

930
00:38:54,440 --> 00:38:56,200
Speaker 1: Listen, man, those are some powerful words.

931
00:38:56,520 --> 00:38:58,080
Speaker 2: I mean, I can't find a flaw in that sentence.

932
00:38:58,160 --> 00:39:00,560
Speaker 1: Yeah, that's just like right to it, just like you know.

933
00:39:00,600 --> 00:39:03,040
Speaker 2: I went in Hayton like I wanted to find a

934
00:39:03,080 --> 00:39:05,560
Speaker 2: way to hate that bar, but well it's it's flawless.

935
00:39:05,560 --> 00:39:08,080
Speaker 2: There's not a word wasted, straight to the point, straight

936
00:39:08,120 --> 00:39:11,239
Speaker 2: to the point. It separates women, which I love.

937
00:39:12,239 --> 00:39:13,960
Speaker 3: It's divisive as it should be.

938
00:39:13,960 --> 00:39:23,080
Speaker 2: Controversial, political almost Aubrey Luther King, I thought I was

939
00:39:23,120 --> 00:39:25,680
Speaker 2: reading the Diary of Anne Frank. It was really confused.

940
00:39:25,920 --> 00:39:30,360
Speaker 2: Jesus okay, and the real Diary of Anne Frank she

941
00:39:30,440 --> 00:39:39,000
Speaker 2: masturbates for like half of it. Everyone relaxed. Anyways, you

942
00:39:39,000 --> 00:39:40,040
Speaker 2: can read the next excerpt.

943
00:39:41,239 --> 00:39:44,359
Speaker 1: So then Aubrey goes on and says, I can't read

944
00:39:44,400 --> 00:39:47,920
Speaker 1: the signs. I left my glasses at home. M this

945
00:39:48,040 --> 00:39:48,520
Speaker 1: is powerful.

946
00:39:48,600 --> 00:39:50,279
Speaker 5: Do you guys see what he did here? He left

947
00:39:50,320 --> 00:39:53,880
Speaker 5: the left page blank. Yes, so there's no because we

948
00:39:54,000 --> 00:39:54,719
Speaker 5: read because.

949
00:39:54,480 --> 00:39:56,600
Speaker 2: We can't see it and it's silent. I left my

950
00:39:56,680 --> 00:39:59,879
Speaker 2: glasses at home. All the chick hunt is, I can't

951
00:39:59,880 --> 00:40:03,120
Speaker 2: read the signs names. How would you feel if a

952
00:40:03,160 --> 00:40:04,000
Speaker 2: man called you hunt?

953
00:40:06,120 --> 00:40:10,040
Speaker 6: I wish I had the little gay push button, the

954
00:40:10,120 --> 00:40:11,080
Speaker 6: gay push button.

955
00:40:12,760 --> 00:40:16,080
Speaker 2: We're never going to get a second out of this, dumeris.

956
00:40:16,160 --> 00:40:17,839
Speaker 2: How would you feel if a man called you hunt?

957
00:40:19,160 --> 00:40:22,879
Speaker 6: That's sassy, that's drake shit, Drake looks like he calls

958
00:40:22,920 --> 00:40:23,439
Speaker 6: women hunt.

959
00:40:24,200 --> 00:40:26,319
Speaker 2: I feel like that's the equivalent like when a man

960
00:40:26,840 --> 00:40:29,840
Speaker 2: calls you buddy or chief.

961
00:40:31,120 --> 00:40:33,839
Speaker 3: When people say I love that for you, that's condescending.

962
00:40:34,000 --> 00:40:35,520
Speaker 1: Yeah, that is that's very conscious.

963
00:40:35,800 --> 00:40:37,719
Speaker 8: You ever had a girl call you my love like that?

964
00:40:37,760 --> 00:40:38,799
Speaker 8: When girls throw that out, I.

965
00:40:38,800 --> 00:40:40,439
Speaker 2: Feel like it's like, and you're not their love.

966
00:40:40,600 --> 00:40:41,840
Speaker 8: Sassy game, yeah.

967
00:40:41,719 --> 00:40:44,000
Speaker 1: You never beat No girls call me but I mean

968
00:40:44,040 --> 00:40:46,759
Speaker 1: we've had sex, but they called me my love. No,

969
00:40:46,840 --> 00:40:48,280
Speaker 1: I'm talking about women who.

970
00:40:50,760 --> 00:40:53,120
Speaker 2: I don't like, women that overly do the babe thing

971
00:40:53,120 --> 00:40:55,799
Speaker 2: when I'm not your babe, like I just met you.

972
00:40:56,320 --> 00:40:58,239
Speaker 1: When is it too soon to call a girl or

973
00:40:58,320 --> 00:40:58,920
Speaker 1: god babe.

974
00:40:59,400 --> 00:41:01,399
Speaker 2: I've always been mad with that because then I kind

975
00:41:01,400 --> 00:41:03,000
Speaker 2: of double Dutch on the time of like should I

976
00:41:03,040 --> 00:41:05,200
Speaker 2: say it first? Should I wait to be called babe?

977
00:41:06,200 --> 00:41:08,839
Speaker 1: And when she if she says it first, it's kind

978
00:41:08,840 --> 00:41:10,480
Speaker 1: of it's like, oh, yeah, I'm about the hit.

979
00:41:11,000 --> 00:41:13,000
Speaker 3: I just want to know at that point you should

980
00:41:13,000 --> 00:41:13,880
Speaker 3: have already.

981
00:41:14,160 --> 00:41:16,600
Speaker 2: If you're just listening on audio. Maul just looked at

982
00:41:16,640 --> 00:41:19,480
Speaker 2: me with such disgust when I said I wait to either.

983
00:41:19,320 --> 00:41:22,440
Speaker 1: Be called babe, because why are you waiting for that?

984
00:41:22,840 --> 00:41:23,680
Speaker 2: Because I'm nervous.

985
00:41:24,400 --> 00:41:26,839
Speaker 1: You still get nervous with women. You get butterflies. It's

986
00:41:26,880 --> 00:41:30,719
Speaker 1: been a while a meg getting butterflies as wow that I.

987
00:41:30,640 --> 00:41:32,640
Speaker 2: Think it's cute.

988
00:41:33,080 --> 00:41:36,080
Speaker 3: But I'm not saying but I'm not. I'm not a

989
00:41:36,120 --> 00:41:37,279
Speaker 3: butterfly man over here.

990
00:41:37,320 --> 00:41:41,919
Speaker 2: But I get nervous around the hunts sometimes. First of all,

991
00:41:43,680 --> 00:41:45,520
Speaker 2: so when I can, when I can read the signs

992
00:41:45,520 --> 00:41:47,480
Speaker 2: and I bring my glasses, sometimes I get a little nervous.

993
00:41:47,520 --> 00:41:49,520
Speaker 1: No nod. We just fell into a whole nother converge.

994
00:41:49,600 --> 00:41:51,399
Speaker 1: That's how. Yeah, you get butterflies.

995
00:41:51,719 --> 00:41:53,239
Speaker 3: Now I'm with you, Roy, I'll defend you.

996
00:41:53,840 --> 00:41:56,279
Speaker 2: Yeah, in my adult age, I've gotten butterflies for sure.

997
00:41:56,280 --> 00:41:56,919
Speaker 1: There's no way.

998
00:41:57,000 --> 00:41:59,440
Speaker 2: What did she do if you like somebody you don't

999
00:41:59,440 --> 00:42:00,880
Speaker 2: get butterfly like really like to.

1000
00:42:00,880 --> 00:42:02,759
Speaker 8: Know what I'm saying, Like, what what what did she

1001
00:42:02,840 --> 00:42:03,239
Speaker 8: do to give you?

1002
00:42:03,320 --> 00:42:04,480
Speaker 2: Butterfly child?

1003
00:42:04,560 --> 00:42:04,960
Speaker 3: I don't know.

1004
00:42:05,080 --> 00:42:07,160
Speaker 2: Easy just touched my knee. I'm a slut.

1005
00:42:07,239 --> 00:42:08,600
Speaker 7: That's crazy, bro.

1006
00:42:10,480 --> 00:42:11,879
Speaker 3: Saying, all right, you lost me there?

1007
00:42:12,280 --> 00:42:12,920
Speaker 1: How do you get?

1008
00:42:12,800 --> 00:42:14,920
Speaker 5: But I'm more of an emotional thing. I told her

1009
00:42:15,000 --> 00:42:17,319
Speaker 5: or this like earlier? Was it last week? I ran

1010
00:42:17,360 --> 00:42:19,880
Speaker 5: into the girl that I was seeing for and we

1011
00:42:20,120 --> 00:42:21,960
Speaker 5: did stop talking. So it's been like four months since

1012
00:42:22,000 --> 00:42:24,360
Speaker 5: we really saw each other. I ran into her in

1013
00:42:24,360 --> 00:42:24,800
Speaker 5: the street.

1014
00:42:25,120 --> 00:42:29,920
Speaker 1: Yeah, that's that's you got butterflies't seen her in person

1015
00:42:29,960 --> 00:42:30,799
Speaker 1: in a long time, and it.

1016
00:42:30,760 --> 00:42:32,279
Speaker 3: Was nice to see her. We caught up, like, got

1017
00:42:32,280 --> 00:42:33,520
Speaker 3: a coffee, hung out a little bit.

1018
00:42:33,520 --> 00:42:34,640
Speaker 8: Are you guys gonna hang out again?

1019
00:42:34,800 --> 00:42:36,520
Speaker 3: There's no plan to, but it was just nice to

1020
00:42:36,600 --> 00:42:37,320
Speaker 3: like have that moment.

1021
00:42:37,920 --> 00:42:40,920
Speaker 1: So the butterflies were there, had coffee, Sting hooked up

1022
00:42:41,200 --> 00:42:45,080
Speaker 1: Jack and the cocoon said, the butterflies over coffee.

1023
00:42:45,239 --> 00:42:46,720
Speaker 3: I went got a massage afterwards.

1024
00:42:46,760 --> 00:42:48,239
Speaker 1: It's great to get the butterflies out.

1025
00:42:48,360 --> 00:42:49,200
Speaker 3: Yeah, they had a rub Man.

1026
00:42:49,239 --> 00:42:50,840
Speaker 2: Molls just said he just has a bunch of worms

1027
00:42:50,840 --> 00:42:53,840
Speaker 2: in his stomach and they haven't developed whatever.

1028
00:42:54,239 --> 00:42:56,319
Speaker 1: I just I just don't. I mean, I think that's

1029
00:42:56,320 --> 00:42:58,160
Speaker 1: a young like when you were a man. I don't

1030
00:42:58,160 --> 00:43:00,759
Speaker 1: think that that really butterflies.

1031
00:43:00,920 --> 00:43:04,120
Speaker 5: See my dad get butterflies in certain situations around my mom, Like.

1032
00:43:05,080 --> 00:43:07,160
Speaker 7: Got butterflies when you drink that coconut water.

1033
00:43:07,840 --> 00:43:12,560
Speaker 1: Yeah, I didn't get butterflies. You fucking what say?

1034
00:43:13,160 --> 00:43:13,520
Speaker 7: Say it?

1035
00:43:13,600 --> 00:43:14,080
Speaker 3: He said it?

1036
00:43:14,160 --> 00:43:20,160
Speaker 1: I wanted to throw something. What are you talking about? Butterflies?

1037
00:43:20,440 --> 00:43:23,240
Speaker 2: Butterflies on, I don't get nervous, but I've gotten butterflies.

1038
00:43:23,280 --> 00:43:26,680
Speaker 2: There's a difference between that. Being nervous is kind of crazy.

1039
00:43:26,840 --> 00:43:28,960
Speaker 3: What's the last time you've been sking nervous and butterflies?

1040
00:43:29,120 --> 00:43:30,680
Speaker 2: To me different?

1041
00:43:31,719 --> 00:43:35,239
Speaker 5: Maybe about a year, that's what that's askmall on was

1042
00:43:35,239 --> 00:43:36,240
Speaker 5: the last time he was smitten?

1043
00:43:37,160 --> 00:43:37,759
Speaker 1: About a year?

1044
00:43:38,080 --> 00:43:38,239
Speaker 3: Year?

1045
00:43:38,840 --> 00:43:41,920
Speaker 1: Butterflies? I think butterflies is a feeling that as you

1046
00:43:41,920 --> 00:43:45,839
Speaker 1: get older that it's not because it's almost a confidence thing,

1047
00:43:46,480 --> 00:43:48,520
Speaker 1: like when you get butterflies when you're youngest, because you

1048
00:43:48,560 --> 00:43:50,760
Speaker 1: don't you don't know. It's just the unknown.

1049
00:43:50,840 --> 00:43:51,640
Speaker 2: It's like nervous.

1050
00:43:52,080 --> 00:43:56,160
Speaker 1: That's nerves is nervous, and.

1051
00:43:56,320 --> 00:43:58,440
Speaker 8: Yeah, butterflies is like like.

1052
00:43:58,880 --> 00:44:01,000
Speaker 2: What's the feeling when you when you've walked out of

1053
00:44:01,000 --> 00:44:03,200
Speaker 2: your room and your main squeeze was in the living

1054
00:44:03,280 --> 00:44:06,920
Speaker 2: room already already rolling up, and your queen is just

1055
00:44:07,040 --> 00:44:09,759
Speaker 2: right there with the haze, Like you have to feel something.

1056
00:44:09,920 --> 00:44:15,160
Speaker 1: Yeah, past that. It's not butterflies, Like you get excited. Yes,

1057
00:44:15,560 --> 00:44:19,319
Speaker 1: that's butterflies. To me is when you almost even know

1058
00:44:19,360 --> 00:44:19,839
Speaker 1: what to say.

1059
00:44:19,920 --> 00:44:20,640
Speaker 3: It's an excitement.

1060
00:44:22,880 --> 00:44:23,520
Speaker 2: That's just pussy.

1061
00:44:24,560 --> 00:44:27,759
Speaker 1: Yeah like that. Like what as a girl, man, you

1062
00:44:27,800 --> 00:44:28,560
Speaker 1: get butterflies?

1063
00:44:28,760 --> 00:44:32,560
Speaker 2: No, butterflies, yes, nervous not so what's butterflies for you?

1064
00:44:33,080 --> 00:44:35,840
Speaker 2: It's a ship in your stomach. You just feel excited.

1065
00:44:35,920 --> 00:44:37,000
Speaker 1: That's nerves excitement.

1066
00:44:37,120 --> 00:44:37,920
Speaker 2: No, it's excitement.

1067
00:44:37,960 --> 00:44:40,960
Speaker 3: It's it's not nerves exciting. It is never have that.

1068
00:44:41,000 --> 00:44:42,360
Speaker 1: Like you saw that girl on the street and you

1069
00:44:42,400 --> 00:44:44,160
Speaker 1: were nervous. You didn't know what this was what she

1070
00:44:44,200 --> 00:44:46,000
Speaker 1: was say me. We hung out for like an hour

1071
00:44:46,040 --> 00:44:47,480
Speaker 1: and I first saw her.

1072
00:44:48,000 --> 00:44:50,239
Speaker 5: I went right out to her, like I wasn't like,

1073
00:44:50,239 --> 00:44:52,399
Speaker 5: oh ship, what do I sayd I literally saw her.

1074
00:44:52,520 --> 00:44:54,000
Speaker 5: She didn't see me. She was like looking the other

1075
00:44:54,000 --> 00:44:56,200
Speaker 5: way back across the street. Now like ran it behind

1076
00:44:56,200 --> 00:44:58,640
Speaker 5: her and I was like, ah, Like.

1077
00:44:58,840 --> 00:45:00,319
Speaker 3: I wasn't like, oh, my god, what do I say?

1078
00:45:00,320 --> 00:45:02,120
Speaker 1: I was like, no, this is great that you didn't

1079
00:45:02,120 --> 00:45:03,560
Speaker 1: know what to say. You said, ah, like, what the

1080
00:45:03,560 --> 00:45:04,839
Speaker 1: fuck is that? Like?

1081
00:45:04,239 --> 00:45:04,279
Speaker 2: You?

1082
00:45:04,840 --> 00:45:08,640
Speaker 5: I had an umbrella and I like you act Fred

1083
00:45:08,800 --> 00:45:09,040
Speaker 5: and in.

1084
00:45:08,960 --> 00:45:12,640
Speaker 2: The rain with the was like, Charlie, that was your thing?

1085
00:45:12,719 --> 00:45:17,920
Speaker 2: Did you turn into to beat her? So? What you

1086
00:45:18,000 --> 00:45:20,400
Speaker 2: hadn't seen her a while? It was with an umbrella?

1087
00:45:20,600 --> 00:45:25,160
Speaker 2: Like hey remember us, us me and the umbrella?

1088
00:45:26,000 --> 00:45:28,359
Speaker 3: Why I You.

1089
00:45:28,320 --> 00:45:30,520
Speaker 2: Know, sometimes when you haven't seen a girl in a while,

1090
00:45:30,520 --> 00:45:33,080
Speaker 2: you'll do like a reminiscing tactic to talk to her again,

1091
00:45:33,120 --> 00:45:36,280
Speaker 2: like maybe an inside joke y'all had. Yeah, Julian's version

1092
00:45:36,280 --> 00:45:38,040
Speaker 2: of that was to beat her with an object?

1093
00:45:38,440 --> 00:45:39,280
Speaker 1: Why why?

1094
00:45:39,280 --> 00:45:39,600
Speaker 7: Why?

1095
00:45:39,880 --> 00:45:45,440
Speaker 1: Why?

1096
00:45:46,360 --> 00:45:47,960
Speaker 8: Saying that we're going to be clean for.

1097
00:45:48,040 --> 00:45:54,160
Speaker 1: This, I'm talking about poultry, butterflies, domestic violence, Like, what's

1098
00:45:54,200 --> 00:45:56,160
Speaker 1: so great about you get no jitters?

1099
00:45:56,200 --> 00:46:00,520
Speaker 3: So get a clean strike off? With whipping?

1100
00:46:00,640 --> 00:46:04,440
Speaker 2: You have so much energy to be to swing from

1101
00:46:04,440 --> 00:46:05,839
Speaker 2: the hips, your.

1102
00:46:05,800 --> 00:46:09,920
Speaker 9: Right hook connects because her hands aren't shaky. Someone say

1103
00:46:09,960 --> 00:46:20,040
Speaker 9: the N word. Can you keep that? But just believes that,

1104
00:46:20,160 --> 00:46:25,400
Speaker 9: just believes? Uh, should we do the next poem?

1105
00:46:25,600 --> 00:46:27,959
Speaker 2: Yeah, let's run through these? How many is their total.

1106
00:46:28,320 --> 00:46:29,200
Speaker 3: I think like three more.

1107
00:46:29,200 --> 00:46:31,040
Speaker 2: Al Right, cool, let's just get run through three.

1108
00:46:34,480 --> 00:46:36,640
Speaker 7: Yeah, I'm might just bleep it. That's funny.

1109
00:46:37,080 --> 00:46:44,759
Speaker 1: Ready no, but yeah, okay is it all right?

1110
00:46:45,200 --> 00:46:46,439
Speaker 7: Ready?

1111
00:46:47,120 --> 00:46:47,400
Speaker 3: Okay?

1112
00:46:47,440 --> 00:46:50,480
Speaker 1: So now all goes on to say what's mine? Is mine?

1113
00:46:50,560 --> 00:46:56,400
Speaker 1: Not yours? Next page heart including oh my god, you too?

1114
00:46:56,480 --> 00:47:00,480
Speaker 1: That one? Who with that before? Who so that before?

1115
00:47:00,640 --> 00:47:03,279
Speaker 6: And nobody? That is the corniest thing I might have

1116
00:47:03,320 --> 00:47:04,040
Speaker 6: ever heard in my life.

1117
00:47:04,040 --> 00:47:05,000
Speaker 2: Is this your Marvin's room?

1118
00:47:05,160 --> 00:47:05,759
Speaker 7: Just the book?

1119
00:47:06,000 --> 00:47:07,279
Speaker 2: Like you got really offended by.

1120
00:47:07,160 --> 00:47:08,800
Speaker 8: That because it's so corny.

1121
00:47:10,320 --> 00:47:11,600
Speaker 2: Do you think he was trying not to?

1122
00:47:12,640 --> 00:47:14,440
Speaker 3: He put hearts included in parentheses?

1123
00:47:14,480 --> 00:47:18,319
Speaker 1: Should be your next He wasn't. He's spens a whole

1124
00:47:18,360 --> 00:47:19,040
Speaker 1: page on hearts.

1125
00:47:19,040 --> 00:47:20,880
Speaker 8: And this is Drake he might be.

1126
00:47:20,880 --> 00:47:23,680
Speaker 1: No, he's not having fun, just strolling, man.

1127
00:47:23,560 --> 00:47:25,919
Speaker 2: This is not this is just him the great coffee table.

1128
00:47:26,000 --> 00:47:27,680
Speaker 1: Yeah, this is this is dope. Its just dope. It's

1129
00:47:27,719 --> 00:47:29,200
Speaker 1: actually hilarious.

1130
00:47:29,200 --> 00:47:31,560
Speaker 6: Crazy for thinking that Drake might be serious about this.

1131
00:47:31,600 --> 00:47:33,359
Speaker 6: When Drake says things like I only love my bed

1132
00:47:33,400 --> 00:47:35,160
Speaker 6: and my mama, I'm sorry, I'm.

1133
00:47:34,960 --> 00:47:38,240
Speaker 2: Not that's great on that record and that's totally different.

1134
00:47:38,239 --> 00:47:39,960
Speaker 6: I'm sure he could put music behind this and make

1135
00:47:40,000 --> 00:47:42,360
Speaker 6: it sound great. It doesn't make it any less corny.

1136
00:47:42,640 --> 00:47:44,360
Speaker 3: Yeah, I think it's on purpose.

1137
00:47:44,400 --> 00:47:45,040
Speaker 7: It's on purpose.

1138
00:47:45,200 --> 00:47:46,120
Speaker 1: Yeah, sure, come on.

1139
00:47:46,320 --> 00:47:49,880
Speaker 2: Or these bars from the album Mmm, I would hate that.

1140
00:47:50,000 --> 00:47:51,399
Speaker 1: Oh this is Rory's bars right here.

1141
00:47:52,239 --> 00:47:54,840
Speaker 2: My therapist told me I need to stop listening to

1142
00:47:54,920 --> 00:47:58,520
Speaker 2: what people tell me. But I take her advice, I

1143
00:47:58,520 --> 00:48:00,799
Speaker 2: wouldn't be listening to what people tell me.

1144
00:48:01,400 --> 00:48:05,440
Speaker 1: Mm, okay, no, it's but if I take her advice,

1145
00:48:05,520 --> 00:48:07,719
Speaker 1: wouldn't I be listening to what people tell me.

1146
00:48:07,800 --> 00:48:12,239
Speaker 2: Better health dot com backslash, Yeah, takes your advice twenty

1147
00:48:12,239 --> 00:48:14,719
Speaker 2: percent off. If you don't like them, they'll find a

1148
00:48:14,760 --> 00:48:17,000
Speaker 2: new therapist free right, get you.

1149
00:48:17,040 --> 00:48:20,000
Speaker 6: Drake's am I the only one that's disappointed. I mean,

1150
00:48:20,040 --> 00:48:21,719
Speaker 6: obviously I know how he's doing this in the way

1151
00:48:21,719 --> 00:48:23,040
Speaker 6: that he went. I thought it was really going to

1152
00:48:23,080 --> 00:48:24,360
Speaker 6: be like Drake like poetry.

1153
00:48:24,440 --> 00:48:25,600
Speaker 1: I was super excited about.

1154
00:48:25,640 --> 00:48:27,960
Speaker 2: I thought this was the remix to his mother saying

1155
00:48:28,120 --> 00:48:31,040
Speaker 2: the best advice was don't take any advice. I always

1156
00:48:31,040 --> 00:48:34,720
Speaker 2: found that bors like what you're taking advice?

1157
00:48:35,239 --> 00:48:37,439
Speaker 1: Why hasn't anybody asked Drake why his mom was trying

1158
00:48:37,440 --> 00:48:38,239
Speaker 1: to run away from home?

1159
00:48:38,880 --> 00:48:38,960
Speaker 4: Like?

1160
00:48:39,000 --> 00:48:39,799
Speaker 1: How bad was Drake?

1161
00:48:39,800 --> 00:48:42,800
Speaker 7: As a kid, you think Drake was the problem.

1162
00:48:43,200 --> 00:48:45,480
Speaker 1: He caught his mom in the driveway. Caught his mom

1163
00:48:46,080 --> 00:48:47,439
Speaker 1: she was trying to run away from home.

1164
00:48:48,320 --> 00:48:51,319
Speaker 3: Wait, she ran from him, he said.

1165
00:48:51,320 --> 00:48:53,279
Speaker 1: He caught her trying to run like she was about

1166
00:48:53,280 --> 00:48:54,200
Speaker 1: to leave.

1167
00:48:54,040 --> 00:48:57,200
Speaker 2: And she was only five two oh yeah, so his

1168
00:48:57,280 --> 00:48:57,960
Speaker 2: lap was dreaded.

1169
00:48:59,000 --> 00:49:01,040
Speaker 3: Yeah, like think about that.

1170
00:49:01,080 --> 00:49:02,160
Speaker 1: How bad of a kid was?

1171
00:49:02,200 --> 00:49:04,480
Speaker 8: He asked your mother if she ever thought about running away?

1172
00:49:04,840 --> 00:49:06,759
Speaker 1: No, my mom never thought about She thought about some

1173
00:49:06,760 --> 00:49:08,680
Speaker 1: other things that I won't say on cameras doing to me.

1174
00:49:08,800 --> 00:49:10,879
Speaker 6: If you think your mom never thought about running away

1175
00:49:10,880 --> 00:49:11,480
Speaker 6: as a parent.

1176
00:49:12,000 --> 00:49:14,120
Speaker 2: No, Wait, but like, how did Drake find out she

1177
00:49:14,160 --> 00:49:15,400
Speaker 2: was trying to run away? Like? What if she was

1178
00:49:15,440 --> 00:49:16,000
Speaker 2: going to target?

1179
00:49:16,040 --> 00:49:16,239
Speaker 3: Yeah?

1180
00:49:16,280 --> 00:49:18,640
Speaker 8: Popped up home and then there were suitcases in the back.

1181
00:49:18,800 --> 00:49:21,000
Speaker 2: Yeah yeah going on a trip?

1182
00:49:21,160 --> 00:49:22,239
Speaker 1: Yeah without me?

1183
00:49:22,719 --> 00:49:23,120
Speaker 7: Yeah?

1184
00:49:23,360 --> 00:49:24,160
Speaker 3: How old was Drake?

1185
00:49:24,280 --> 00:49:25,080
Speaker 2: Yeah? How old was Drake?

1186
00:49:25,160 --> 00:49:27,440
Speaker 1: She was going to get milk. Yeah, my dad went

1187
00:49:27,480 --> 00:49:29,000
Speaker 1: to get his cigarettes and he didn't see him. I

1188
00:49:29,000 --> 00:49:32,200
Speaker 1: thought I was nineteen, and I mean on tobacco shortag inflation.

1189
00:49:34,360 --> 00:49:36,279
Speaker 2: Wanted to buy he wanted to buy him both down south.

1190
00:49:36,360 --> 00:49:39,440
Speaker 1: I don't know they didn't have no one hundreds left.

1191
00:49:41,719 --> 00:49:43,279
Speaker 2: Or he didn't want to bring the cigarette into the house,

1192
00:49:43,280 --> 00:49:44,239
Speaker 2: and it takes a while to smoke them.

1193
00:49:44,320 --> 00:49:45,560
Speaker 1: That's true.

1194
00:49:46,880 --> 00:49:49,160
Speaker 2: I do want to get down to that story with

1195
00:49:49,239 --> 00:49:49,680
Speaker 2: Drake though.

1196
00:49:49,880 --> 00:49:52,319
Speaker 1: Yeah, like that's what that's If you sit down interview Drake,

1197
00:49:52,320 --> 00:49:53,640
Speaker 1: you got to ask those type of questions.

1198
00:49:54,360 --> 00:49:56,080
Speaker 3: This next quote is crazy.

1199
00:49:56,280 --> 00:49:58,439
Speaker 2: Is this a shot of young thug read?

1200
00:49:59,160 --> 00:50:02,320
Speaker 1: Okay, so he said, you're not thlugging your kidding? One sided?

1201
00:50:02,320 --> 00:50:04,520
Speaker 1: Beef is not beef, it's chicken.

1202
00:50:05,320 --> 00:50:06,880
Speaker 3: As a vegan. How do you feel about this?

1203
00:50:07,040 --> 00:50:09,319
Speaker 1: I feel like what he's doing here is telling us

1204
00:50:09,320 --> 00:50:13,160
Speaker 1: that we should all stop eating animals, leave animals out

1205
00:50:13,200 --> 00:50:15,320
Speaker 1: of our business in our day to day lives. Okay,

1206
00:50:15,440 --> 00:50:16,200
Speaker 1: that's what I feel like.

1207
00:50:17,200 --> 00:50:20,319
Speaker 2: Or switched to chicken. Yeah, this could be. Actually this

1208
00:50:20,440 --> 00:50:22,239
Speaker 2: is a great Chick fil A ad. You know they

1209
00:50:22,239 --> 00:50:24,640
Speaker 2: put the cows up on the billboards.

1210
00:50:24,160 --> 00:50:25,480
Speaker 7: And say more chicken.

1211
00:50:25,480 --> 00:50:29,799
Speaker 2: They should maybe copyright this, ah, but you know, just

1212
00:50:29,840 --> 00:50:31,040
Speaker 2: not on Sunday, right.

1213
00:50:31,680 --> 00:50:32,799
Speaker 1: I think I'm about his booth.

1214
00:50:33,280 --> 00:50:34,200
Speaker 2: Is it even for sale?

1215
00:50:34,440 --> 00:50:35,439
Speaker 3: Yeah? Yeah?

1216
00:50:35,600 --> 00:50:39,640
Speaker 1: Out now people put it's another I G page Drake

1217
00:50:39,800 --> 00:50:41,480
Speaker 1: something cash.

1218
00:50:41,239 --> 00:50:43,480
Speaker 3: Crap on Drake.

1219
00:50:45,400 --> 00:50:46,759
Speaker 1: No, I don't think he needs one.

1220
00:50:46,800 --> 00:50:50,160
Speaker 6: It doesn't make it any less he could owe the

1221
00:50:50,160 --> 00:50:52,719
Speaker 6: booky themar Drake.

1222
00:50:53,040 --> 00:50:56,680
Speaker 1: This is a cash cra it's the most successful.

1223
00:50:57,920 --> 00:50:59,799
Speaker 6: Okay, but he said about you're selling flat tell me

1224
00:51:01,239 --> 00:51:06,000
Speaker 6: just because okay, all right, finished laughing.

1225
00:51:06,040 --> 00:51:08,279
Speaker 3: This could be money to fuel the jet you know.

1226
00:51:09,040 --> 00:51:11,399
Speaker 1: Oh my god. That's well.

1227
00:51:11,400 --> 00:51:13,279
Speaker 2: What did disappoint me because I didn't think it was

1228
00:51:13,320 --> 00:51:15,799
Speaker 2: a troll is that he said he recorded an album

1229
00:51:15,840 --> 00:51:17,560
Speaker 2: to go with the book. Is the album patrol?

1230
00:51:17,640 --> 00:51:17,839
Speaker 1: Now?

1231
00:51:18,120 --> 00:51:19,520
Speaker 2: Like, are we going to get that blank cd? He

1232
00:51:19,560 --> 00:51:20,839
Speaker 2: said he could sell on so far going.

1233
00:51:21,640 --> 00:51:22,160
Speaker 1: I hope not.

1234
00:51:22,239 --> 00:51:23,560
Speaker 3: Man, don't hate with artists say that.

1235
00:51:23,600 --> 00:51:26,719
Speaker 2: And he pushed back because of Thug. I really hope

1236
00:51:26,760 --> 00:51:29,719
Speaker 2: it's a real album, Like I hope it was the

1237
00:51:29,719 --> 00:51:33,200
Speaker 2: way they trolled with the Vogue cover with her loss

1238
00:51:33,280 --> 00:51:36,759
Speaker 2: and gave us an actual album, because that would be disappointing.

1239
00:51:37,480 --> 00:51:39,719
Speaker 1: No, this is this is an album. He's definitely putting

1240
00:51:39,719 --> 00:51:41,360
Speaker 1: out music. Well, I don't know when it's dropping. I

1241
00:51:41,400 --> 00:51:44,480
Speaker 1: don't know if it's dropping this weekend or next weekend.

1242
00:51:44,560 --> 00:51:46,960
Speaker 2: It appeared like he pushed just because Thug was dropping

1243
00:51:47,200 --> 00:51:49,840
Speaker 2: last Friday. And if you're listening to this, well no

1244
00:51:49,880 --> 00:51:52,839
Speaker 2: by now. But we're speculating on Thursday evening. I think

1245
00:51:52,920 --> 00:51:56,320
Speaker 2: he's pushing another week because Uzi's coming out.

1246
00:51:56,800 --> 00:51:59,160
Speaker 1: No, man, why did I explained?

1247
00:51:59,440 --> 00:51:59,760
Speaker 3: Explain?

1248
00:51:59,800 --> 00:52:00,000
Speaker 7: Please?

1249
00:52:00,640 --> 00:52:00,960
Speaker 3: All right?

1250
00:52:01,000 --> 00:52:02,800
Speaker 2: The one that's less fun for a podcast is just

1251
00:52:02,800 --> 00:52:05,120
Speaker 2: because him and Uzi are probably cool and m hmm,

1252
00:52:05,239 --> 00:52:08,759
Speaker 2: but that's not fun, not fun. Might be scared of Uzi.

1253
00:52:09,680 --> 00:52:11,160
Speaker 7: Do you think Drake is scared of Uzzi?

1254
00:52:11,760 --> 00:52:12,120
Speaker 3: Could be?

1255
00:52:13,520 --> 00:52:15,919
Speaker 2: What did Uzi soo on his last project, his last

1256
00:52:15,960 --> 00:52:18,840
Speaker 2: actual album, Uzi Moves Records?

1257
00:52:19,120 --> 00:52:20,520
Speaker 1: He does sho? Does Drake?

1258
00:52:20,520 --> 00:52:23,240
Speaker 2: I believe it was, of course, but we saw with honestly,

1259
00:52:23,280 --> 00:52:24,080
Speaker 2: never mind.

1260
00:52:24,680 --> 00:52:25,520
Speaker 1: Stop, don't count that?

1261
00:52:25,880 --> 00:52:26,640
Speaker 7: Why why?

1262
00:52:26,719 --> 00:52:28,799
Speaker 1: Because that was just a he put that out. It

1263
00:52:28,840 --> 00:52:30,600
Speaker 1: was no single with no song on nothing.

1264
00:52:30,680 --> 00:52:33,319
Speaker 2: It did if singles with this, yeah, we know what

1265
00:52:33,320 --> 00:52:33,880
Speaker 2: it sounds like.

1266
00:52:34,000 --> 00:52:35,840
Speaker 1: And it was also a dance album.

1267
00:52:35,920 --> 00:52:40,080
Speaker 3: It did four first week. Uh what's it called? The

1268
00:52:40,200 --> 00:52:40,560
Speaker 3: Drake one?

1269
00:52:40,719 --> 00:52:43,200
Speaker 2: Honestly, never mind that one, and then Uzi was probably

1270
00:52:43,239 --> 00:52:44,120
Speaker 2: what like three.

1271
00:52:44,040 --> 00:52:46,160
Speaker 5: To eighty eight to eighty eight, and that was when

1272
00:52:46,239 --> 00:52:48,440
Speaker 5: Uzi was Uzzi and that was Uzy prime.

1273
00:52:48,520 --> 00:52:50,920
Speaker 2: That was Uzi as one of the biggest singles out period.

1274
00:52:51,000 --> 00:52:54,960
Speaker 5: Right, His cultural relevance is not that eternal to take.

1275
00:52:55,120 --> 00:52:57,000
Speaker 2: Just got a phone throwing his face at BT Wars,

1276
00:52:57,040 --> 00:52:58,440
Speaker 2: but the great greatest rollout.

1277
00:52:58,239 --> 00:53:00,400
Speaker 3: Turnal to Take was so much more hyped.

1278
00:53:01,200 --> 00:53:01,880
Speaker 1: Let me help you out.

1279
00:53:02,040 --> 00:53:04,280
Speaker 3: Do you think you think like I was at Atlantic

1280
00:53:04,280 --> 00:53:06,160
Speaker 3: when a Tonto to Take was like on coming out

1281
00:53:06,160 --> 00:53:07,240
Speaker 3: that it was huge.

1282
00:53:07,600 --> 00:53:10,960
Speaker 2: I still think the buzz around Uzi is pretty much

1283
00:53:10,960 --> 00:53:13,000
Speaker 2: the same, especially with the single.

1284
00:53:12,760 --> 00:53:14,680
Speaker 3: He Yes, I don't think it'll do. I think this

1285
00:53:14,760 --> 00:53:15,520
Speaker 3: album will be good.

1286
00:53:15,719 --> 00:53:17,719
Speaker 5: I'm not dissing the album at all, but I think

1287
00:53:17,760 --> 00:53:18,879
Speaker 5: it won't perform as well.

1288
00:53:18,960 --> 00:53:20,400
Speaker 2: Well, I don't think it will perform as well, just

1289
00:53:20,440 --> 00:53:23,000
Speaker 2: based off numbers are different from the last time he

1290
00:53:23,560 --> 00:53:25,480
Speaker 2: dropped music, and yeah, they fucking calculate it.

1291
00:53:25,520 --> 00:53:27,640
Speaker 1: But has he come up with another single?

1292
00:53:28,320 --> 00:53:31,719
Speaker 2: I can see Drake not wanting smoke with Uzi, who's

1293
00:53:31,719 --> 00:53:33,839
Speaker 2: had a rollout and a big single, and Drake has

1294
00:53:33,840 --> 00:53:35,759
Speaker 2: no rollout and is just going to drop an album.

1295
00:53:37,000 --> 00:53:40,080
Speaker 2: There's a there is a risk there. Yeah, I know

1296
00:53:40,160 --> 00:53:42,719
Speaker 2: it's Drake, but there is still a slight risk. Out

1297
00:53:42,719 --> 00:53:46,960
Speaker 2: of all the artists that there is, UZI wouldn't be

1298
00:53:47,000 --> 00:53:50,600
Speaker 2: high on the list. Of course, you'd think like Beyonce, Rihanna, Travis.

1299
00:53:50,640 --> 00:53:53,640
Speaker 2: You could even throw in there some degree but Uzi

1300
00:53:53,760 --> 00:53:56,880
Speaker 2: might make the bottom of that list of artists that

1301
00:53:57,080 --> 00:53:59,759
Speaker 2: even the A listers would chill to not release on

1302
00:53:59,760 --> 00:54:00,359
Speaker 2: the same time.

1303
00:54:00,960 --> 00:54:02,560
Speaker 1: I gotta I gotta fight you on that one, Bro.

1304
00:54:02,680 --> 00:54:05,680
Speaker 1: I don't think Drake is concerned with Uzi dropping at all.

1305
00:54:06,440 --> 00:54:08,600
Speaker 1: I don't think Drake is concerned with anybody dropping, Honestly.

1306
00:54:09,239 --> 00:54:11,080
Speaker 1: I don't think that's the thought of his. I think

1307
00:54:11,160 --> 00:54:13,080
Speaker 1: other people, if they hear Drake, if they had hit

1308
00:54:13,120 --> 00:54:15,520
Speaker 1: the rumblins Drake is putting an album out, I think

1309
00:54:15,560 --> 00:54:18,920
Speaker 1: they move. Oh of course he's not moving, not for

1310
00:54:19,120 --> 00:54:21,120
Speaker 1: Uzie or anybody. Move for Taka.

1311
00:54:21,960 --> 00:54:23,400
Speaker 3: But that was more of respect.

1312
00:54:23,440 --> 00:54:26,000
Speaker 2: That was a that was a favor for a friend,

1313
00:54:26,600 --> 00:54:29,120
Speaker 2: and even like him shooting the video I felt was

1314
00:54:29,160 --> 00:54:32,200
Speaker 2: like a super favor. He had to guarantee getting the

1315
00:54:32,239 --> 00:54:34,920
Speaker 2: key to Memphis to go shoot that video knock out

1316
00:54:34,920 --> 00:54:37,840
Speaker 2: to two Birds of one Stone. Now Memphis has to

1317
00:54:37,840 --> 00:54:39,719
Speaker 2: give me the key to shoot the ship, or I

1318
00:54:39,760 --> 00:54:41,719
Speaker 2: have to go to Memphis to get the key, send

1319
00:54:41,719 --> 00:54:42,520
Speaker 2: the cameras out there.

1320
00:54:43,080 --> 00:54:43,920
Speaker 1: Yeah, I just don't.

1321
00:54:43,960 --> 00:54:44,200
Speaker 3: I don't.

1322
00:54:44,200 --> 00:54:47,600
Speaker 1: I don't think that Drake is concerned about any artist

1323
00:54:47,719 --> 00:54:49,320
Speaker 1: dropping the same day he drops.

1324
00:54:49,320 --> 00:54:51,200
Speaker 7: Fine, let's say he doesn't get concerned. Do you still

1325
00:54:51,200 --> 00:54:52,280
Speaker 7: think he drops this weekend?

1326
00:54:52,640 --> 00:54:53,080
Speaker 1: No?

1327
00:54:53,160 --> 00:54:53,520
Speaker 7: Why not?

1328
00:54:56,200 --> 00:54:56,480
Speaker 2: Uzi?

1329
00:54:56,960 --> 00:54:59,840
Speaker 1: No, Maybe the music is something he's waiting for, something musically.

1330
00:55:00,480 --> 00:55:01,839
Speaker 1: I just think that that may be it.

1331
00:55:01,920 --> 00:55:03,840
Speaker 2: But you don't think he'd want a clear path regardless

1332
00:55:04,160 --> 00:55:05,160
Speaker 2: with an artist like Uzi.

1333
00:55:05,600 --> 00:55:08,000
Speaker 7: Fourth July weekend, I think that he'd win.

1334
00:55:08,760 --> 00:55:12,040
Speaker 1: Yeah, and in the in the best scenario, I don't

1335
00:55:12,040 --> 00:55:14,440
Speaker 1: think he would want to drop the same day as Uzie,

1336
00:55:14,520 --> 00:55:18,520
Speaker 1: not in fear of not debuting, not debuting at number one.

1337
00:55:19,400 --> 00:55:21,560
Speaker 1: But I just think that he feels like it might

1338
00:55:21,600 --> 00:55:23,719
Speaker 1: be like damn, I kind of. I think Draken looked

1339
00:55:23,719 --> 00:55:26,600
Speaker 1: at it like damn, I stepped on Uzi's release. I

1340
00:55:26,640 --> 00:55:28,319
Speaker 1: don't I don't think he would look at it like damn,

1341
00:55:28,360 --> 00:55:29,839
Speaker 1: I might not get the number one out. He's gonna

1342
00:55:29,840 --> 00:55:31,839
Speaker 1: anytime Drake drops, he's going to have the number one album.

1343
00:55:31,880 --> 00:55:34,280
Speaker 2: Oh that's the truth. That's why I said in the beginning,

1344
00:55:34,440 --> 00:55:36,799
Speaker 2: that's what's happening. But it's not fun to say that.

1345
00:55:37,360 --> 00:55:38,480
Speaker 2: I'd rather just say he's scared of.

1346
00:55:38,560 --> 00:55:41,759
Speaker 5: There's a rumored unreleased record with Drake and Uzzi that

1347
00:55:41,880 --> 00:55:44,759
Speaker 5: I believe it is an Uzi record, So there could

1348
00:55:44,760 --> 00:55:47,160
Speaker 5: be that too. If that's on the album, it's not

1349
00:55:48,320 --> 00:55:50,560
Speaker 5: beneficial for Drake to put out an album, even though

1350
00:55:50,560 --> 00:55:52,480
Speaker 5: he's got a feature on another big album.

1351
00:55:52,760 --> 00:55:55,719
Speaker 3: Just I think that's a play too. Then the record's great, though, if.

1352
00:55:55,640 --> 00:55:58,440
Speaker 1: He doesn't drop tonight, If Drake doesn't drop that album tonight,

1353
00:55:58,480 --> 00:56:02,839
Speaker 1: it's strictly because the music wasn't ready yet, that's all.

1354
00:56:02,880 --> 00:56:07,160
Speaker 1: It's not because UZI is dropping. That's uh, that's the after.

1355
00:56:07,120 --> 00:56:08,840
Speaker 2: Well, then he'd have to re record because he was

1356
00:56:08,880 --> 00:56:10,759
Speaker 2: saying and even though it was all ended up being

1357
00:56:10,760 --> 00:56:12,400
Speaker 2: a trolled with the book, he said he recorded an

1358
00:56:12,400 --> 00:56:14,120
Speaker 2: album to go out with the book, and the book

1359
00:56:14,160 --> 00:56:15,000
Speaker 2: came out last week.

1360
00:56:15,760 --> 00:56:18,200
Speaker 8: He also said he pushed because of Tuka, so the

1361
00:56:18,280 --> 00:56:19,160
Speaker 8: music has to be done.

1362
00:56:19,239 --> 00:56:22,040
Speaker 2: That should be the most scared outside of his unfortunate

1363
00:56:22,120 --> 00:56:26,320
Speaker 2: situation is that UZI is dropping those second week numbers

1364
00:56:26,320 --> 00:56:26,640
Speaker 2: on Thug.

1365
00:56:26,640 --> 00:56:28,640
Speaker 1: It's going to be well the first week numbers. He

1366
00:56:28,680 --> 00:56:30,279
Speaker 1: was rejected to do one ten and that dropped to

1367
00:56:30,480 --> 00:56:31,000
Speaker 1: eighty seven.

1368
00:56:31,120 --> 00:56:35,520
Speaker 2: Rastically, Yeah, and they definitely share fan bases. I yeah,

1369
00:56:35,520 --> 00:56:36,160
Speaker 2: everyone's gonna go.

1370
00:56:36,200 --> 00:56:37,920
Speaker 1: So him and Gunn kind of did the same numbers

1371
00:56:38,120 --> 00:56:38,399
Speaker 1: he did.

1372
00:56:38,560 --> 00:56:42,720
Speaker 5: He did like maybe ten more than Ghanna, Yeah.

1373
00:56:41,600 --> 00:56:42,160
Speaker 2: Which is wild.

1374
00:56:42,200 --> 00:56:43,760
Speaker 3: I mean, of course eighty seven.

1375
00:56:43,880 --> 00:56:45,400
Speaker 2: Like we said, he couldn't do any promo and it

1376
00:56:45,440 --> 00:56:47,640
Speaker 2: was tough, but at least he had, you know, eyes

1377
00:56:47,640 --> 00:56:49,680
Speaker 2: on him. But with those features, that's kind of well.

1378
00:56:50,120 --> 00:56:53,720
Speaker 1: That album gets better with every listen to Dougs.

1379
00:56:54,080 --> 00:56:54,839
Speaker 2: I guess I have to go back.

1380
00:56:54,880 --> 00:56:57,000
Speaker 1: I still think Gunn's album is better, but that the

1381
00:56:57,000 --> 00:56:58,560
Speaker 1: thug album gets better with every listening.

1382
00:56:58,560 --> 00:57:03,320
Speaker 2: What uh what he think with Uzzi's album? Is it

1383
00:57:03,360 --> 00:57:04,360
Speaker 2: going to stay in the same bag?

1384
00:57:04,920 --> 00:57:06,320
Speaker 8: Who are we doing predictions?

1385
00:57:06,680 --> 00:57:10,640
Speaker 1: I don't know, man. I like Uzi. I don't listen

1386
00:57:10,680 --> 00:57:13,640
Speaker 1: to him, but I like him. I love the fact

1387
00:57:13,680 --> 00:57:16,640
Speaker 1: that he's he does what he wants to do, he's himself.

1388
00:57:16,680 --> 00:57:19,240
Speaker 1: This is like true artist ship. Yeah, do what I want,

1389
00:57:19,640 --> 00:57:21,800
Speaker 1: does what he wants like I like. I like what

1390
00:57:21,840 --> 00:57:26,000
Speaker 1: he does around his art. I don't listen to it,

1391
00:57:26,000 --> 00:57:27,720
Speaker 1: like I'm not banging this shit in the crib, Like

1392
00:57:27,720 --> 00:57:30,919
Speaker 1: I'm just not who I am. But it is gonna

1393
00:57:30,920 --> 00:57:33,680
Speaker 1: be interesting to hear what type of content is on

1394
00:57:33,760 --> 00:57:34,360
Speaker 1: this project?

1395
00:57:34,920 --> 00:57:36,600
Speaker 2: Yeah, because it's been what three years?

1396
00:57:36,600 --> 00:57:37,080
Speaker 3: Two years?

1397
00:57:38,040 --> 00:57:41,040
Speaker 2: The last project is first one I liked a lot,

1398
00:57:41,360 --> 00:57:43,840
Speaker 2: the second one felt lazy to me, and he didn't

1399
00:57:43,880 --> 00:57:48,040
Speaker 2: really progress I felt like musically, but I am still

1400
00:57:48,080 --> 00:57:50,720
Speaker 2: excited because Uzzi is an artist I do respect. But

1401
00:57:50,760 --> 00:57:51,960
Speaker 2: we shall see.

1402
00:57:52,520 --> 00:57:54,920
Speaker 1: I'm definitely I don't like the singles.

1403
00:57:54,520 --> 00:57:57,440
Speaker 2: So I hope it's just not all Jersey Club records.

1404
00:57:57,840 --> 00:57:59,440
Speaker 3: There's no way I doubt.

1405
00:57:59,280 --> 00:58:01,680
Speaker 1: It out I hope not. I hope not.

1406
00:58:01,800 --> 00:58:03,760
Speaker 7: Like, just leave that to Wila, but I could see

1407
00:58:03,760 --> 00:58:04,800
Speaker 7: one more being in there.

1408
00:58:05,640 --> 00:58:07,960
Speaker 8: Sure, what do you predict? He sells Uzzi.

1409
00:58:08,160 --> 00:58:17,760
Speaker 2: One forty five, one forty final, one forty final, one

1410
00:58:17,840 --> 00:58:24,240
Speaker 2: eighty three. Mm hmmm, Julian, is that like a Bronx number?

1411
00:58:24,240 --> 00:58:27,680
Speaker 2: Is that the number you played? Uh, eighty third street?

1412
00:58:29,000 --> 00:58:30,040
Speaker 2: This is fairly specific.

1413
00:58:30,920 --> 00:58:33,680
Speaker 1: You play the great Is that the number you play?

1414
00:58:34,280 --> 00:58:38,640
Speaker 1: Box dollars straight one A three straight? Yeah? A box box?

1415
00:58:38,680 --> 00:58:38,760
Speaker 2: It?

1416
00:58:38,800 --> 00:58:44,360
Speaker 5: I like at one seventy five range one Okay, okay.

1417
00:58:44,280 --> 00:58:48,360
Speaker 2: I'm gonna go one six one, Go Yankees or Bronx.

1418
00:58:48,520 --> 00:58:52,600
Speaker 2: I get Yomi. You're a huge Uzi fan.

1419
00:58:53,600 --> 00:58:54,919
Speaker 3: The biggest.

1420
00:58:56,160 --> 00:58:56,600
Speaker 7: She said.

1421
00:58:58,680 --> 00:58:58,960
Speaker 1: I did.

1422
00:58:59,080 --> 00:59:01,000
Speaker 8: I did one hundred eight. Yeah.

1423
00:59:01,240 --> 00:59:03,240
Speaker 1: Do you think Oozie's got to do one hundred thousand hundred?

1424
00:59:03,320 --> 00:59:03,760
Speaker 3: That's it?

1425
00:59:04,880 --> 00:59:05,440
Speaker 1: I don't want to go.

1426
00:59:05,520 --> 00:59:05,920
Speaker 3: I like it.

1427
00:59:05,960 --> 00:59:06,640
Speaker 1: I don't want to go over.

1428
00:59:06,720 --> 00:59:09,200
Speaker 7: I respect it. It's a bet, come on, just for

1429
00:59:09,200 --> 00:59:09,760
Speaker 7: betting reason.

1430
00:59:09,880 --> 00:59:11,720
Speaker 3: Even if you go over, I'd rather be closer than

1431
00:59:11,760 --> 00:59:12,600
Speaker 3: like eighty off.

1432
00:59:13,800 --> 00:59:16,040
Speaker 1: Yeah, he's doing well over one hundred thousand.

1433
00:59:16,280 --> 00:59:19,760
Speaker 2: Well, we'll see and hopefully we get a Drake album.

1434
00:59:19,800 --> 00:59:22,280
Speaker 2: That would have been great for Fourth of July weekend. Yeah,

1435
00:59:22,840 --> 00:59:25,000
Speaker 2: and that would have been like great for a Canadian

1436
00:59:25,080 --> 00:59:27,640
Speaker 2: just to take over America's all there.

1437
00:59:27,520 --> 00:59:28,520
Speaker 7: And you're going to be in Canada.

1438
00:59:29,000 --> 00:59:32,360
Speaker 2: What about the wildfires? That's not scared.

1439
00:59:32,480 --> 00:59:34,680
Speaker 3: It's not over. We have shitty air today because of it.

1440
00:59:34,840 --> 00:59:36,760
Speaker 1: It's not It's not coming from Montreal, is it. I

1441
00:59:36,800 --> 00:59:37,280
Speaker 1: don't think so.

1442
00:59:37,360 --> 00:59:39,480
Speaker 8: It's not coming from Montreal because.

1443
00:59:39,280 --> 00:59:40,680
Speaker 1: People think Canada is like just Toronto.

1444
00:59:40,800 --> 00:59:41,800
Speaker 3: Well it's coming from the north.

1445
00:59:41,880 --> 00:59:43,840
Speaker 5: It's coming from the north of Montreal, so it would

1446
00:59:43,840 --> 00:59:44,800
Speaker 5: pass through Montreal.

1447
00:59:45,240 --> 00:59:45,960
Speaker 1: Well it's the same shit.

1448
00:59:46,000 --> 00:59:49,280
Speaker 3: If I was here and it's worse right there, it's okay.

1449
00:59:49,400 --> 00:59:50,600
Speaker 2: His drip will put the fire up.

1450
00:59:50,720 --> 00:59:52,840
Speaker 7: Yeah, that is all sick.

1451
00:59:53,360 --> 00:59:55,200
Speaker 2: That was in the Drake book. I didn't say that.

1452
00:59:55,560 --> 00:59:59,040
Speaker 1: Yeah, if you.

1453
00:59:59,040 --> 01:00:00,960
Speaker 2: Purchase the book, can I borrow it for like a day?

1454
01:00:01,040 --> 01:00:01,640
Speaker 1: Absolutely?

1455
01:00:02,880 --> 01:00:04,080
Speaker 3: For what? Yeah?

1456
01:00:04,120 --> 01:00:05,560
Speaker 7: Why you can't just buy one.

1457
01:00:06,320 --> 01:00:07,920
Speaker 2: I mean I figured we like split it.

1458
01:00:08,000 --> 01:00:09,280
Speaker 7: You too good for paying for the boy?

1459
01:00:10,760 --> 01:00:13,600
Speaker 1: What we could split the book in half? Pause and

1460
01:00:13,760 --> 01:00:15,920
Speaker 1: like you keep one side of the book, Yeah, keep

1461
01:00:15,960 --> 01:00:17,600
Speaker 1: the other side. Send it to you guys.

1462
01:00:17,880 --> 01:00:20,040
Speaker 2: It was like when your friends bought a CD and

1463
01:00:20,080 --> 01:00:21,240
Speaker 2: then would burn it.

1464
01:00:22,280 --> 01:00:24,000
Speaker 1: You know, people don't know about that though. We'll split

1465
01:00:24,720 --> 01:00:26,800
Speaker 1: that's that's that's true friendship. I used to tell them

1466
01:00:26,880 --> 01:00:28,320
Speaker 1: one person by burn me that.

1467
01:00:28,720 --> 01:00:32,000
Speaker 2: But then you'd have the friend that would try to

1468
01:00:32,000 --> 01:00:33,480
Speaker 2: play the oh now the last time you got the

1469
01:00:33,520 --> 01:00:35,600
Speaker 2: real copy even though they got it and they like

1470
01:00:35,760 --> 01:00:38,480
Speaker 2: conveniently forgot. Yeah, and then you're arguing about who gets

1471
01:00:38,480 --> 01:00:39,520
Speaker 2: to burn CD and who doesn't.

1472
01:00:39,760 --> 01:00:41,480
Speaker 1: I had a homeboy that would slide like one of

1473
01:00:41,480 --> 01:00:44,600
Speaker 1: his joints in there on the burnt seat. I'm like, yo, fan,

1474
01:00:44,640 --> 01:00:47,160
Speaker 1: come on man, you can't put you in between you

1475
01:00:47,200 --> 01:00:50,640
Speaker 1: whole and like, I'm that's great market a secret check

1476
01:00:50,680 --> 01:00:56,080
Speaker 1: on blueprints, Like, yo, come on, fan, Like that joint

1477
01:00:56,120 --> 01:00:57,600
Speaker 1: is dope that you did. It's a good record, but

1478
01:00:57,600 --> 01:00:59,160
Speaker 1: don't put that on the whole album, Like don't.

1479
01:01:04,800 --> 01:01:07,440
Speaker 2: We're still getting some updates with the pusher t in

1480
01:01:07,480 --> 01:01:11,840
Speaker 2: Jim Jones Debacle nothing from Push yet, but we did

1481
01:01:11,880 --> 01:01:14,360
Speaker 2: get a response from Cameron Well.

1482
01:01:14,280 --> 01:01:18,000
Speaker 1: Cam responded to the AI song to push a AI

1483
01:01:18,200 --> 01:01:19,120
Speaker 1: disc record.

1484
01:01:19,120 --> 01:01:22,280
Speaker 2: Just confirm that dipset has never listened to Pusher or

1485
01:01:22,360 --> 01:01:25,160
Speaker 2: Cam is just getting to that age where he doesn't

1486
01:01:25,240 --> 01:01:26,120
Speaker 2: understand AI yet.

1487
01:01:26,280 --> 01:01:28,000
Speaker 8: Cam is getting to the age where he doesn't understand it.

1488
01:01:28,360 --> 01:01:32,160
Speaker 2: Cares no way you can listen to this and think

1489
01:01:32,520 --> 01:01:34,520
Speaker 2: this is push t We know.

1490
01:01:34,640 --> 01:01:38,040
Speaker 4: That niggas will and be agent with it being ricked

1491
01:01:38,200 --> 01:01:41,280
Speaker 4: mill Red, black Wave and banging boys.

1492
01:01:41,040 --> 01:01:43,880
Speaker 2: Shield And I think Cam probably has great speakers in

1493
01:01:43,880 --> 01:01:48,040
Speaker 2: his car, probably has air pods with some good speakers.

1494
01:01:48,080 --> 01:01:51,160
Speaker 1: I just don't understand how I can see Cam not

1495
01:01:51,280 --> 01:01:52,240
Speaker 1: knowing that that's AI.

1496
01:01:52,920 --> 01:01:54,800
Speaker 6: He might have heard a clip, somebody might have sent

1497
01:01:54,840 --> 01:01:58,120
Speaker 6: the lyrics online, Like you know, people overreact without doing

1498
01:01:58,160 --> 01:02:00,520
Speaker 6: their research these days, especially old people.

1499
01:02:00,680 --> 01:02:03,360
Speaker 2: Well, I loved his response. Yeah, I mean, just in

1500
01:02:03,400 --> 01:02:05,960
Speaker 2: case Push actually does say anything about Cam or uses

1501
01:02:06,000 --> 01:02:07,560
Speaker 2: those clips. Let's Hayden.

1502
01:02:08,120 --> 01:02:09,960
Speaker 1: But I think if PUSHA said something about Kim, it

1503
01:02:10,000 --> 01:02:11,840
Speaker 1: won't be like a disch to Cam.

1504
01:02:12,160 --> 01:02:14,560
Speaker 2: Well what he did in the AI version. Whoever did

1505
01:02:14,560 --> 01:02:18,439
Speaker 2: the AI, But remember when Cam did that like really

1506
01:02:18,480 --> 01:02:23,080
Speaker 2: long ig live shit mm hmm. After Jimmy had did

1507
01:02:23,080 --> 01:02:24,960
Speaker 2: the flex Shit, it was just a clip from that,

1508
01:02:25,000 --> 01:02:26,920
Speaker 2: like saying, Jimmy's emotional, he just goes out on a

1509
01:02:27,000 --> 01:02:29,880
Speaker 2: ledgend says shit. Yeah, it was just using that that ship.

1510
01:02:30,000 --> 01:02:34,280
Speaker 2: But I don't know, Push, I don't feel like didn't

1511
01:02:34,280 --> 01:02:38,000
Speaker 2: we get a story of added on on July fourth?

1512
01:02:39,160 --> 01:02:40,920
Speaker 3: It was around that time of year.

1513
01:02:41,320 --> 01:02:43,520
Speaker 8: It was Memorial Day ish.

1514
01:02:43,640 --> 01:02:45,400
Speaker 2: I just felt like there was a holiday around it.

1515
01:02:45,480 --> 01:02:47,640
Speaker 8: Yeah, Memorial Day, all right, Well, at least we know.

1516
01:02:47,600 --> 01:02:50,240
Speaker 2: Push puts out records over holiday weekends.

1517
01:02:50,560 --> 01:02:50,680
Speaker 3: Uh.

1518
01:02:51,160 --> 01:02:52,720
Speaker 1: I'm gonna be honest, man, I don't I don't like

1519
01:02:52,720 --> 01:02:56,240
Speaker 1: what this is headed. Why just just been hearing some

1520
01:02:56,280 --> 01:02:59,720
Speaker 1: things Jim has been saying since his disc record came out,

1521
01:03:00,840 --> 01:03:04,360
Speaker 1: and it's already sounded like it's getting to a you

1522
01:03:04,360 --> 01:03:07,760
Speaker 1: know that type of talk is in there, just a

1523
01:03:07,800 --> 01:03:11,560
Speaker 1: personal you know, who want to spend the block for you.

1524
01:03:11,920 --> 01:03:14,720
Speaker 1: It's just like, I just wanted music. I don't want

1525
01:03:14,720 --> 01:03:19,120
Speaker 1: this to turn into nothing, you know, physical or violent,

1526
01:03:19,320 --> 01:03:22,520
Speaker 1: Like we just want some good bars. I respect the

1527
01:03:22,520 --> 01:03:24,840
Speaker 1: fact that Jim responded so quick, as I said on

1528
01:03:24,880 --> 01:03:28,840
Speaker 1: the last episode, but now it's just getting I'm just

1529
01:03:28,880 --> 01:03:30,960
Speaker 1: afraid it's getting to a point now where it's turning

1530
01:03:31,040 --> 01:03:32,240
Speaker 1: into something other than just.

1531
01:03:32,320 --> 01:03:37,280
Speaker 2: Rap, whereas the response that Push would give would force

1532
01:03:37,640 --> 01:03:39,720
Speaker 2: Jimmy's hand to make it not rap, is what you're.

1533
01:03:39,640 --> 01:03:44,680
Speaker 1: Saying, Yeah, I think so. I think that because this

1534
01:03:44,800 --> 01:03:48,480
Speaker 1: is not even a real the record, the clips record

1535
01:03:48,520 --> 01:03:50,800
Speaker 1: is not even done. That we heard at the LV show.

1536
01:03:51,000 --> 01:03:52,320
Speaker 1: That's not even a finished.

1537
01:03:51,960 --> 01:03:53,760
Speaker 2: Record, but it exists.

1538
01:03:53,840 --> 01:03:58,080
Speaker 1: But it exists, but it's not a finished record. I

1539
01:03:58,080 --> 01:04:00,560
Speaker 1: have a tidbit on who's on the records. The end

1540
01:04:00,600 --> 01:04:02,880
Speaker 1: of the record. It's like a real song, but it

1541
01:04:02,920 --> 01:04:05,080
Speaker 1: wasn't finished yet because the person that's on it didn't

1542
01:04:05,520 --> 01:04:06,640
Speaker 1: send his vocals in yet.

1543
01:04:07,000 --> 01:04:09,439
Speaker 2: It clearly looked like Hope had written thirty two bars

1544
01:04:09,480 --> 01:04:10,360
Speaker 2: while he was sitting right there.

1545
01:04:10,360 --> 01:04:13,320
Speaker 1: Oh for sure, for sure. But I just feel like

1546
01:04:13,400 --> 01:04:16,880
Speaker 1: this this may end up going going left at some point,

1547
01:04:16,960 --> 01:04:19,040
Speaker 1: and you know, we don't want that. We fans of

1548
01:04:19,120 --> 01:04:21,400
Speaker 1: hip hop. We love when, you know, rappers rap and

1549
01:04:21,440 --> 01:04:23,080
Speaker 1: go at each other. That's part of the art, that's

1550
01:04:23,120 --> 01:04:25,880
Speaker 1: part of the culture of hip hop. But you know,

1551
01:04:26,080 --> 01:04:28,880
Speaker 1: as we've seen too many times, it just sometimes can

1552
01:04:28,920 --> 01:04:32,400
Speaker 1: turn into something totally different, and we don't need no

1553
01:04:32,440 --> 01:04:34,520
Speaker 1: more of that like that's you know, let's we're trying

1554
01:04:34,560 --> 01:04:37,960
Speaker 1: to move past that. But I got a feeling this,

1555
01:04:38,280 --> 01:04:41,240
Speaker 1: you know, just it's you can you can feel energy,

1556
01:04:41,520 --> 01:04:43,040
Speaker 1: you know what I mean, You could sense things when

1557
01:04:43,040 --> 01:04:45,800
Speaker 1: it's real tension and it's it may be a problem,

1558
01:04:45,840 --> 01:04:49,240
Speaker 1: and it may be some real, you know, things around

1559
01:04:50,120 --> 01:04:52,600
Speaker 1: the situation that might happen. It might turn into something else.

1560
01:04:52,640 --> 01:04:55,480
Speaker 1: So I just don't like it. But I thought we

1561
01:04:55,480 --> 01:04:57,080
Speaker 1: was gonna get good music out of it. That's all

1562
01:04:57,080 --> 01:04:59,040
Speaker 1: I wanted. But I don't like where it is headed.

1563
01:04:59,320 --> 01:05:03,720
Speaker 2: I mean, I still foresee for the next round, if

1564
01:05:03,720 --> 01:05:07,960
Speaker 2: you will, if Push does reply saying something without saying it,

1565
01:05:08,320 --> 01:05:11,720
Speaker 2: saying something that only Jimmy would know, kind of like

1566
01:05:11,800 --> 01:05:14,000
Speaker 2: what he did on the clips record with it, I

1567
01:05:14,000 --> 01:05:16,960
Speaker 2: know where you're delicate shit that good rappers do where

1568
01:05:17,040 --> 01:05:18,760
Speaker 2: they know Hovah's famous for it.

1569
01:05:18,960 --> 01:05:21,960
Speaker 1: Yeah, what he says subliminals, he knows to know, Like yo,

1570
01:05:22,040 --> 01:05:24,000
Speaker 1: you know what, I know, the fans have no idea

1571
01:05:24,080 --> 01:05:26,800
Speaker 1: what I just said, but I know that you heard it,

1572
01:05:26,880 --> 01:05:29,520
Speaker 1: and you know, I think Push may do a lot

1573
01:05:29,520 --> 01:05:32,320
Speaker 1: of that because you didn't get disrespectful on the response.

1574
01:05:33,480 --> 01:05:37,560
Speaker 2: So for Push to go on the ledge like on

1575
01:05:37,640 --> 01:05:40,600
Speaker 2: some crazy shit. Jimmy's would definitely go to violence after that.

1576
01:05:40,920 --> 01:05:43,200
Speaker 1: Yeah, And that's just, you know, we don't need that, Like,

1577
01:05:44,040 --> 01:05:47,080
Speaker 1: let's leave that out of rap, out of music. Like,

1578
01:05:47,160 --> 01:05:49,000
Speaker 1: let's just keep it balls. If we're gonna keep it balls,

1579
01:05:49,000 --> 01:05:50,320
Speaker 1: if you're gonna go at each other, go at each

1580
01:05:50,320 --> 01:05:52,680
Speaker 1: other through the music, you know, and just let it,

1581
01:05:52,840 --> 01:05:54,880
Speaker 1: let it stay there. But I'm just you know, you

1582
01:05:54,920 --> 01:05:56,720
Speaker 1: start hearing the way people talk, and you can hear

1583
01:05:56,760 --> 01:05:59,160
Speaker 1: their tone and their energy, and you're like, all right,

1584
01:05:59,200 --> 01:06:02,400
Speaker 1: this might turn it something else. So let's just step

1585
01:06:02,440 --> 01:06:04,120
Speaker 1: away from it and just just leave it with is that.

1586
01:06:04,240 --> 01:06:06,880
Speaker 2: If we don't get a record by next week from Push,

1587
01:06:07,280 --> 01:06:12,080
Speaker 2: I foresee direct subliminals all over the Clips album, Oh yeah,

1588
01:06:12,080 --> 01:06:15,720
Speaker 2: where it's like it's a subliminal but it's direct, Yeah,

1589
01:06:16,760 --> 01:06:21,120
Speaker 2: or a La Leakers freestyle or a flex freestyle where

1590
01:06:21,160 --> 01:06:24,760
Speaker 2: he when they're doing the press run where Push goes

1591
01:06:24,760 --> 01:06:25,320
Speaker 2: at Jimmy.

1592
01:06:25,600 --> 01:06:25,920
Speaker 1: That's that.

1593
01:06:25,960 --> 01:06:27,959
Speaker 2: If we don't get one by next week, that's my If.

1594
01:06:27,840 --> 01:06:30,240
Speaker 1: It ends right here and Push it doesn't respond, who

1595
01:06:30,240 --> 01:06:31,560
Speaker 1: won Jimmy?

1596
01:06:33,040 --> 01:06:34,000
Speaker 2: Yeah, Jim Jones one?

1597
01:06:34,240 --> 01:06:34,439
Speaker 1: Really?

1598
01:06:35,360 --> 01:06:36,880
Speaker 7: How did he not thought a response?

1599
01:06:38,160 --> 01:06:38,440
Speaker 3: Well?

1600
01:06:38,840 --> 01:06:42,400
Speaker 1: Jim responded the bars at the LV Show.

1601
01:06:42,680 --> 01:06:47,120
Speaker 2: Yeah, Jimmy directly talked about both of them and malice.

1602
01:06:47,560 --> 01:06:49,840
Speaker 1: So if there's no other if Push it doesn't put

1603
01:06:49,880 --> 01:06:54,120
Speaker 1: out a response another track going at Jim, the battle

1604
01:06:54,160 --> 01:06:57,640
Speaker 1: is basically over. Might have to go with Jim.

1605
01:06:58,000 --> 01:07:01,320
Speaker 2: Do you think Push allows that on his jacket? Hell no,

1606
01:07:01,400 --> 01:07:03,720
Speaker 2: And Push to me, doesn't seem like the type that

1607
01:07:03,760 --> 01:07:06,720
Speaker 2: would be like, oh, that one doesn't count because I'm

1608
01:07:06,760 --> 01:07:07,080
Speaker 2: above it.

1609
01:07:07,960 --> 01:07:08,840
Speaker 1: Push can't do that.

1610
01:07:09,880 --> 01:07:11,280
Speaker 2: Of course he can't do it, But I don't see

1611
01:07:11,280 --> 01:07:12,520
Speaker 2: he's not that rape of person to me.

1612
01:07:12,560 --> 01:07:14,640
Speaker 1: Yeah, no, No, definitely the Push is a rapper. He's

1613
01:07:14,640 --> 01:07:18,840
Speaker 1: gonna rap. But I just feel like I feel like

1614
01:07:18,880 --> 01:07:20,840
Speaker 1: it may you know, just how the same with the

1615
01:07:20,920 --> 01:07:23,240
Speaker 1: Drake and Push it. I think it may be people

1616
01:07:23,320 --> 01:07:27,400
Speaker 1: and Push here like like leave it there. Yeah you

1617
01:07:27,440 --> 01:07:29,120
Speaker 1: know what I mean, Like, Yo, just leave it there.

1618
01:07:29,120 --> 01:07:31,560
Speaker 1: I don't even I feel like that's what it is.

1619
01:07:32,080 --> 01:07:33,840
Speaker 1: But we could be wrong. We can get another record

1620
01:07:33,840 --> 01:07:36,160
Speaker 1: this weekend. Push might be on that ship throwing all

1621
01:07:36,240 --> 01:07:39,320
Speaker 1: kinds of shots. Like I just feel like it's getting

1622
01:07:39,360 --> 01:07:41,840
Speaker 1: to a point where it may turn into something else,

1623
01:07:42,560 --> 01:07:45,919
Speaker 1: and I think people around the situation is like, we're

1624
01:07:45,960 --> 01:07:47,600
Speaker 1: not gonna even go there like we're all too old

1625
01:07:47,800 --> 01:07:50,400
Speaker 1: doing a whole bunch of you know, bigger ship. Like,

1626
01:07:50,600 --> 01:07:52,120
Speaker 1: we don't need to do that right now, so.

1627
01:07:53,040 --> 01:07:55,160
Speaker 2: We shall see voicemails.

1628
01:07:55,240 --> 01:07:56,840
Speaker 7: Yes, let's do voice man, let's.

1629
01:07:56,720 --> 01:07:58,080
Speaker 1: Get it into voicemails.

1630
01:07:59,040 --> 01:08:01,360
Speaker 3: Fun mix today, it's not just relationship.

1631
01:08:01,560 --> 01:08:01,840
Speaker 2: Wow.

1632
01:08:01,920 --> 01:08:04,960
Speaker 1: Okay, oh wow, Lilliam was digging through the voicemails. Huh.

1633
01:08:05,080 --> 01:08:07,760
Speaker 5: Yeah, it's a holiday weekend. Some people might be getting

1634
01:08:07,840 --> 01:08:11,600
Speaker 5: dressed up. Maybe dressed up. Yeah, you know you used

1635
01:08:11,640 --> 01:08:12,240
Speaker 5: to coordinate.

1636
01:08:14,040 --> 01:08:15,000
Speaker 3: We all used to do that.

1637
01:08:15,000 --> 01:08:19,519
Speaker 1: That was Jewell's not me that same area though, So fair.

1638
01:08:19,400 --> 01:08:23,439
Speaker 5: Enough to start with with some clothing advice, Yo, what's up?

1639
01:08:23,640 --> 01:08:24,639
Speaker 4: So quick question?

1640
01:08:24,760 --> 01:08:27,360
Speaker 10: I'm really into fashion, right, I like buying clothes, I

1641
01:08:27,439 --> 01:08:30,320
Speaker 10: like selling clothes, and I truly believe that I have

1642
01:08:30,439 --> 01:08:34,599
Speaker 10: my own unique style. But basically, I have this friend

1643
01:08:34,720 --> 01:08:39,080
Speaker 10: that copies my entire swag. We'll be at events and

1644
01:08:39,800 --> 01:08:43,559
Speaker 10: will have very similar outfit, very similar outf as me.

1645
01:08:44,640 --> 01:08:46,479
Speaker 10: And it's gone to a point where every time I

1646
01:08:46,520 --> 01:08:49,640
Speaker 10: see him now, I only dress in jeans and a

1647
01:08:49,680 --> 01:08:52,679
Speaker 10: black shirt. And sure enough, every time we see each other,

1648
01:08:52,920 --> 01:08:56,400
Speaker 10: he's now wearing jeans and a black shirt. So I

1649
01:08:56,400 --> 01:08:59,439
Speaker 10: don't know how I should address this situation. This is

1650
01:08:59,520 --> 01:09:03,240
Speaker 10: a close friend. I just feel like I'm too old

1651
01:09:03,560 --> 01:09:07,720
Speaker 10: to have another man dressed the same as me. You

1652
01:09:07,720 --> 01:09:09,479
Speaker 10: know what I'm trying to say, Like, that's not hip hop.

1653
01:09:10,600 --> 01:09:12,200
Speaker 2: Actually it is love to pod.

1654
01:09:12,560 --> 01:09:15,320
Speaker 10: Keep it up and please let me know. By the way,

1655
01:09:15,400 --> 01:09:18,200
Speaker 10: I'm not asking this question in a car. So I

1656
01:09:18,200 --> 01:09:19,479
Speaker 10: feel like this question.

1657
01:09:20,320 --> 01:09:24,040
Speaker 7: Thank you some priority, Thank you peace, appreciate that, we

1658
01:09:24,120 --> 01:09:24,960
Speaker 7: appreciate you for sure.

1659
01:09:25,040 --> 01:09:27,679
Speaker 1: Yeah, I think this call your son.

1660
01:09:28,560 --> 01:09:29,439
Speaker 2: They'll stop after that.

1661
01:09:31,520 --> 01:09:33,320
Speaker 1: I think if it's your friend, I think you could

1662
01:09:33,360 --> 01:09:36,759
Speaker 1: have that conversation without it being awkward, like, yo, family,

1663
01:09:36,800 --> 01:09:39,280
Speaker 1: what's up? Why are you the last ten outfit? You

1664
01:09:39,360 --> 01:09:41,759
Speaker 1: war was like ship that I'm wearing.

1665
01:09:41,920 --> 01:09:46,000
Speaker 2: But then then the friend has kind of like that

1666
01:09:46,000 --> 01:09:48,240
Speaker 2: that big joker of like why are you clocking my outfits?

1667
01:09:48,280 --> 01:09:50,000
Speaker 2: Like that's man weird. That is true, it's not like

1668
01:09:50,000 --> 01:09:52,439
Speaker 2: stop looking at my my drip.

1669
01:09:52,680 --> 01:09:56,040
Speaker 1: No, you can't do his friend get hit him with

1670
01:09:56,080 --> 01:09:58,439
Speaker 1: like yo, yeah, like I like the way you dress

1671
01:09:58,520 --> 01:10:02,160
Speaker 1: like I'm and then you're gonna says he's.

1672
01:10:02,080 --> 01:10:03,120
Speaker 3: Just I'm idol.

1673
01:10:04,280 --> 01:10:04,759
Speaker 7: Oh wow.

1674
01:10:06,000 --> 01:10:10,200
Speaker 1: I mean, if it's your friend, I've looked at some

1675
01:10:10,240 --> 01:10:12,759
Speaker 1: of my friends and I've picked up something like okay,

1676
01:10:13,439 --> 01:10:15,080
Speaker 1: like we all done that, Like you didn't you had

1677
01:10:15,120 --> 01:10:16,840
Speaker 1: to learn how to dress. Well, let me shoot for

1678
01:10:16,840 --> 01:10:18,040
Speaker 1: myself because a lot of the dudes learn how to

1679
01:10:18,120 --> 01:10:21,680
Speaker 1: dress yourself watching Instagram now. But like you didn't know

1680
01:10:21,680 --> 01:10:23,519
Speaker 1: how to dress until you got snapped on a bunch

1681
01:10:23,560 --> 01:10:25,439
Speaker 1: of times, Like you wore some ship that your friends

1682
01:10:25,439 --> 01:10:27,680
Speaker 1: thought was trash and he was outside and they just

1683
01:10:27,680 --> 01:10:30,439
Speaker 1: picked on you the whole day, Like you never wore

1684
01:10:30,439 --> 01:10:32,880
Speaker 1: that shit again. That is true, That's how you learned

1685
01:10:32,880 --> 01:10:34,439
Speaker 1: how to dress. He was like, right, I can never

1686
01:10:34,439 --> 01:10:34,840
Speaker 1: wear that.

1687
01:10:34,800 --> 01:10:36,800
Speaker 2: Again, or you doubled down on it if you were

1688
01:10:36,840 --> 01:10:40,880
Speaker 2: cool and just it was confident and just kept wearing this.

1689
01:10:40,920 --> 01:10:42,320
Speaker 1: You know, you had to be comp like you couldn't

1690
01:10:42,320 --> 01:10:43,760
Speaker 1: go home and changed, like you had to stand out.

1691
01:10:44,040 --> 01:10:45,599
Speaker 1: You had to stay outside all day with that outfit

1692
01:10:45,640 --> 01:10:48,040
Speaker 1: on to get roasted, get killed. But when you went

1693
01:10:48,080 --> 01:10:50,880
Speaker 1: upstairs you definitely was like, I'm never wearing that ship again.

1694
01:10:50,920 --> 01:10:54,160
Speaker 2: It's interesting he brought this one up, Julian because it

1695
01:10:54,240 --> 01:10:56,639
Speaker 2: happened to us today. It's kind of ironic. Maul came

1696
01:10:56,680 --> 01:10:59,960
Speaker 2: in with the with the bandana tied around, asking I'd suggest,

1697
01:11:00,080 --> 01:11:02,559
Speaker 2: said that I had been wanting to do that. I'm

1698
01:11:02,600 --> 01:11:05,080
Speaker 2: just trash it tying the bandanas. And then I thought

1699
01:11:05,120 --> 01:11:06,839
Speaker 2: to myself, well, damn, now I can't wear a bandana

1700
01:11:06,880 --> 01:11:09,160
Speaker 2: because I already came in with the bandana. No, so

1701
01:11:09,200 --> 01:11:11,320
Speaker 2: I'm in the same predicament reverse as.

1702
01:11:11,640 --> 01:11:12,439
Speaker 3: You can wear it.

1703
01:11:12,600 --> 01:11:13,919
Speaker 7: You to matching bandanas.

1704
01:11:13,960 --> 01:11:15,280
Speaker 2: But like when we have to text each other in

1705
01:11:15,320 --> 01:11:16,519
Speaker 2: the morning to like hit the button.

1706
01:11:16,680 --> 01:11:20,280
Speaker 7: See, I can tell you, sir that he's gay.

1707
01:11:21,680 --> 01:11:23,240
Speaker 2: But what we have to hit each other in the morning.

1708
01:11:23,240 --> 01:11:25,519
Speaker 2: Paul is like, yo, are you wearing the bandana today?

1709
01:11:25,560 --> 01:11:26,040
Speaker 1: Please? Don't you?

1710
01:11:26,040 --> 01:11:28,080
Speaker 3: Guys could look like like we hit me and the

1711
01:11:28,240 --> 01:11:30,719
Speaker 3: dogs out the groomers. You both got matching bandana.

1712
01:11:31,080 --> 01:11:34,639
Speaker 1: Give the dog a little bandana, and I hate that ship.

1713
01:11:34,680 --> 01:11:36,599
Speaker 1: They spent all day trying to get that ship off.

1714
01:11:36,960 --> 01:11:39,280
Speaker 2: We could be like the bandana boys a podcasts.

1715
01:11:38,840 --> 01:11:39,640
Speaker 7: And people.

1716
01:11:40,920 --> 01:11:44,120
Speaker 8: Act bad bandana boys ab.

1717
01:11:45,400 --> 01:11:47,640
Speaker 5: Yeah, it's also weird because like I was wearing new

1718
01:11:47,680 --> 01:11:50,439
Speaker 5: Bounces forever and then Rory started wearing them. It was

1719
01:11:50,640 --> 01:11:57,360
Speaker 5: really awkward. Yeah, it got kind of weird and it got.

1720
01:11:57,280 --> 01:11:58,000
Speaker 1: Kind of awkward.

1721
01:12:00,760 --> 01:12:04,760
Speaker 2: Anytime you see Julian with some Salahi crocs on, just

1722
01:12:04,800 --> 01:12:07,080
Speaker 2: know that's me. Mm those were gifted.

1723
01:12:07,240 --> 01:12:11,160
Speaker 1: Man, that's crazy like that he threw Why would you

1724
01:12:11,200 --> 01:12:11,559
Speaker 1: do that?

1725
01:12:12,160 --> 01:12:16,360
Speaker 2: I mean, he started, I can't do that. I'm push

1726
01:12:16,400 --> 01:12:18,960
Speaker 2: your t in the situation. He's Jimmy White just saying

1727
01:12:18,960 --> 01:12:19,960
Speaker 2: ship man.

1728
01:12:20,000 --> 01:12:21,760
Speaker 1: That's kind of like when y Rory lets you like

1729
01:12:21,840 --> 01:12:23,560
Speaker 1: wear something of his and y'all around some girls. You

1730
01:12:23,800 --> 01:12:25,200
Speaker 1: don't get it dirty. I'm taking that back.

1731
01:12:26,520 --> 01:12:30,880
Speaker 11: Never you look you would do that. You just did

1732
01:12:30,920 --> 01:12:33,000
Speaker 11: that because he came to me. I was responding to

1733
01:12:33,439 --> 01:12:37,760
Speaker 11: just like letting you get left. You know, you gave him,

1734
01:12:37,760 --> 01:12:39,360
Speaker 11: so why would you even respond to it?

1735
01:12:39,400 --> 01:12:45,720
Speaker 2: Because I'm emotional? Yeah, So what should he do is

1736
01:12:45,720 --> 01:12:46,479
Speaker 2: I'm gonna hurt ch out?

1737
01:12:47,840 --> 01:12:49,479
Speaker 1: Listen, man, just have that to with your boy. Put

1738
01:12:49,560 --> 01:12:52,439
Speaker 1: him to the side, Like, yo, listen man, what's up?

1739
01:12:52,520 --> 01:12:56,599
Speaker 1: Though I've I've been noticing, like I purposely wore black

1740
01:12:56,680 --> 01:12:58,960
Speaker 1: T shirt and jeans every time I saw you, and

1741
01:12:59,080 --> 01:13:01,599
Speaker 1: now you're wearing black T shirts and jeez, Like, what's

1742
01:13:01,680 --> 01:13:03,680
Speaker 1: up man? What we're doing? We can't be wearing the same, like.

1743
01:13:03,720 --> 01:13:05,200
Speaker 3: Both beating black teacher and Jesus.

1744
01:13:05,400 --> 01:13:08,200
Speaker 1: That's like, y'all can't both be Steve jobs bro like that.

1745
01:13:08,400 --> 01:13:11,559
Speaker 2: I'm screaming or I mean, you could talk with another

1746
01:13:11,640 --> 01:13:14,040
Speaker 2: mutual friend and see if they've noticed it, and then

1747
01:13:14,160 --> 01:13:17,680
Speaker 2: collectively roast him for dressing like you in like a

1748
01:13:17,800 --> 01:13:19,400
Speaker 2: fun way, and then they'll never do it again.

1749
01:13:19,920 --> 01:13:21,599
Speaker 1: You saying it in front of you. If you're gonna

1750
01:13:21,640 --> 01:13:23,120
Speaker 1: roast them, it gotta be just the homies, though. It

1751
01:13:23,160 --> 01:13:26,000
Speaker 1: can't be in public around other people women that could

1752
01:13:26,320 --> 01:13:28,400
Speaker 1: no women. You can't roast the homies in front of

1753
01:13:28,439 --> 01:13:31,040
Speaker 1: women because that turns into something women out of something else.

1754
01:13:31,160 --> 01:13:32,920
Speaker 1: You gotta do it when y'all just in the crib,

1755
01:13:33,400 --> 01:13:37,920
Speaker 1: fight night or something playing two K, start the roasting secsion.

1756
01:13:38,880 --> 01:13:41,960
Speaker 1: You can't have that conversation if y'all like talking two

1757
01:13:42,000 --> 01:13:43,680
Speaker 1: K's funny, Yeah, like you just you know what I mean.

1758
01:13:43,960 --> 01:13:45,360
Speaker 1: You know, when you lose it, you wait for next.

1759
01:13:45,439 --> 01:13:47,640
Speaker 1: That's when you get roasted. You're sitting on the side waiting, like,

1760
01:13:47,680 --> 01:13:49,760
Speaker 1: all right, stop dressing like me.

1761
01:13:51,479 --> 01:13:52,679
Speaker 3: That the first line.

1762
01:13:52,680 --> 01:13:53,439
Speaker 1: You gotta go right to it.

1763
01:13:53,680 --> 01:13:54,439
Speaker 3: Damn, you gotta go right.

1764
01:13:54,520 --> 01:13:56,599
Speaker 1: You do me a favored like because you gotta say

1765
01:13:56,600 --> 01:13:58,680
Speaker 1: it like once you lose though, so it seemed like

1766
01:13:58,680 --> 01:14:00,960
Speaker 1: you salty like or that's funny, but stop dressing like me.

1767
01:14:01,160 --> 01:14:02,920
Speaker 2: Or wait till he's talking to a girl and then

1768
01:14:03,120 --> 01:14:04,880
Speaker 2: approach both of them and say, oh, you like how

1769
01:14:04,920 --> 01:14:06,800
Speaker 2: he dress? You actually like me?

1770
01:14:07,560 --> 01:14:09,760
Speaker 1: That's crazy you.

1771
01:14:10,800 --> 01:14:17,360
Speaker 7: I don't even know it's crazy.

1772
01:14:17,400 --> 01:14:18,960
Speaker 5: It's funny you guys bring that up because the next

1773
01:14:19,080 --> 01:14:20,880
Speaker 5: question has to do with dirty Mackett.

1774
01:14:22,520 --> 01:14:23,040
Speaker 1: Let's hear it.

1775
01:14:23,120 --> 01:14:27,360
Speaker 3: It's a perfect segue. What's going on? Guys? My name

1776
01:14:27,360 --> 01:14:28,600
Speaker 3: is Stephan from Louisiana.

1777
01:14:29,600 --> 01:14:31,320
Speaker 12: I'm trying to figure out, like, how do you deal

1778
01:14:31,400 --> 01:14:34,920
Speaker 12: with the friend who's good for the back door?

1779
01:14:35,479 --> 01:14:35,960
Speaker 7: Excuse me?

1780
01:14:37,439 --> 01:14:39,240
Speaker 12: I mean that, like, you know, when you have a

1781
01:14:39,320 --> 01:14:41,360
Speaker 12: woman that you're interested in or you dealt with in

1782
01:14:41,479 --> 01:14:44,519
Speaker 12: the past or maybe dealing with, and you're not really

1783
01:14:44,920 --> 01:14:47,160
Speaker 12: you're not really publicizing that to your friends and you know,

1784
01:14:47,320 --> 01:14:50,160
Speaker 12: telling them everything got going on, and then you find

1785
01:14:50,200 --> 01:14:50,960
Speaker 12: out that one of your.

1786
01:14:50,960 --> 01:14:53,439
Speaker 3: Mans is trying to like, you know, trying to fluck

1787
01:14:53,479 --> 01:14:53,760
Speaker 3: with him.

1788
01:14:54,400 --> 01:14:56,400
Speaker 12: He's aware that, you know, you might have some type

1789
01:14:56,439 --> 01:14:59,479
Speaker 12: of deals with her, not anything too deep, but he's

1790
01:14:59,479 --> 01:15:01,880
Speaker 12: still trying to like shoot a shot. How do you

1791
01:15:02,040 --> 01:15:06,719
Speaker 12: deal with that friend? And you know, is it cause

1792
01:15:06,760 --> 01:15:07,200
Speaker 12: for fighting?

1793
01:15:08,200 --> 01:15:12,880
Speaker 1: Thanks fighting homie over what? Yeah? I handle it.

1794
01:15:13,360 --> 01:15:15,400
Speaker 3: I have a friend that's like that, and it's really annoying.

1795
01:15:16,560 --> 01:15:19,640
Speaker 1: You have a friend backdoors you doesn't live here and

1796
01:15:19,920 --> 01:15:21,240
Speaker 1: and dates girls that you dated.

1797
01:15:21,680 --> 01:15:23,880
Speaker 5: Now, like if I like show him a girl or

1798
01:15:23,920 --> 01:15:25,720
Speaker 5: it's like I'm going on Davis girl the night, or

1799
01:15:25,720 --> 01:15:27,599
Speaker 5: if like I casually hooked up with a girl before,

1800
01:15:27,680 --> 01:15:30,960
Speaker 5: like and now that he knows she's like in the

1801
01:15:31,040 --> 01:15:33,800
Speaker 5: ecosystem of like my me and like my network, whatever,

1802
01:15:33,960 --> 01:15:34,960
Speaker 5: he'll like hit her.

1803
01:15:35,080 --> 01:15:35,719
Speaker 3: It's just weird.

1804
01:15:35,840 --> 01:15:37,439
Speaker 2: Wait, is this the same friend he told me about that,

1805
01:15:37,600 --> 01:15:40,600
Speaker 2: like the girl that you used to.

1806
01:15:42,920 --> 01:15:46,200
Speaker 3: No, No, we might need to cut that out because

1807
01:15:46,200 --> 01:15:48,280
Speaker 3: that's mad specific and I don't know if.

1808
01:15:48,200 --> 01:15:50,920
Speaker 2: You listen to the podcast, we will take it out.

1809
01:15:50,960 --> 01:15:51,640
Speaker 7: I'm gonna sleep it.

1810
01:15:51,800 --> 01:15:55,800
Speaker 2: Yep. It That story is wild. Huh.

1811
01:15:56,360 --> 01:15:58,160
Speaker 3: I would like to tell that, but I can't tell

1812
01:15:58,240 --> 01:16:02,000
Speaker 3: that here. Pre baby, I mean, how.

1813
01:16:01,960 --> 01:16:03,640
Speaker 2: Much money does you have? Would he subscribe to the

1814
01:16:03,640 --> 01:16:04,120
Speaker 2: twenty dollars?

1815
01:16:04,120 --> 01:16:04,320
Speaker 8: Tear?

1816
01:16:04,479 --> 01:16:04,519
Speaker 3: No?

1817
01:16:04,920 --> 01:16:06,599
Speaker 2: All right, we can say on the twenty dollars because

1818
01:16:06,960 --> 01:16:07,840
Speaker 2: that story sick.

1819
01:16:07,960 --> 01:16:08,400
Speaker 3: It's sick.

1820
01:16:09,000 --> 01:16:13,680
Speaker 1: But so to understand his question, is this girls that

1821
01:16:13,800 --> 01:16:16,559
Speaker 1: he like was his girlfriend or girls that he just dates?

1822
01:16:16,600 --> 01:16:17,960
Speaker 3: He sounds like casual hookup girls.

1823
01:16:18,040 --> 01:16:20,280
Speaker 5: Yeah, just like he was just hooking up with Oh okay,

1824
01:16:20,400 --> 01:16:22,080
Speaker 5: and friends like seeing him and he's like, oh, I

1825
01:16:22,120 --> 01:16:22,799
Speaker 5: want that too.

1826
01:16:23,120 --> 01:16:25,439
Speaker 2: And seems like casually will still you know, hit that

1827
01:16:25,520 --> 01:16:29,200
Speaker 2: girl up every now and then to beat. And now

1828
01:16:29,240 --> 01:16:32,920
Speaker 2: his friend is like talking to her. Yeah, those conversations

1829
01:16:32,960 --> 01:16:36,640
Speaker 2: to me are are very easy, Like you know, just

1830
01:16:36,760 --> 01:16:38,360
Speaker 2: I see that you're dealing with her. Just wanted to

1831
01:16:38,439 --> 01:16:41,280
Speaker 2: let you know I've fucked I dealt with her.

1832
01:16:41,439 --> 01:16:41,639
Speaker 1: Yeah.

1833
01:16:41,760 --> 01:16:45,719
Speaker 3: Yeah, but he that that's not a question.

1834
01:16:45,920 --> 01:16:48,360
Speaker 8: He knows that for me already. He just knows that

1835
01:16:48,479 --> 01:16:51,120
Speaker 8: his friend doesn't take her seriously, but he wants her.

1836
01:16:51,720 --> 01:16:53,599
Speaker 2: Oh that's that's just not your friend.

1837
01:16:53,720 --> 01:16:55,800
Speaker 1: His friend didn't take her seriously and he wants her,

1838
01:16:55,880 --> 01:16:56,559
Speaker 1: like in a serious way.

1839
01:16:56,840 --> 01:17:00,160
Speaker 3: Now he just wants to beat too. You want there's

1840
01:17:00,160 --> 01:17:02,000
Speaker 3: no way he's trying to date these girls, then just

1841
01:17:02,080 --> 01:17:02,439
Speaker 3: do your thing.

1842
01:17:02,479 --> 01:17:03,599
Speaker 2: It's the plots of Pearl Harbor.

1843
01:17:04,160 --> 01:17:06,280
Speaker 5: It's like if I'm seeing a girl, if I'm hooking

1844
01:17:06,360 --> 01:17:08,720
Speaker 5: up with a girl casually, and say she comes in

1845
01:17:08,800 --> 01:17:10,519
Speaker 5: here one day and like Eden meets her and they

1846
01:17:10,600 --> 01:17:11,320
Speaker 5: have a good conversation.

1847
01:17:11,439 --> 01:17:14,400
Speaker 3: He's like, oh interesting, and then like he's like, what's

1848
01:17:14,400 --> 01:17:14,920
Speaker 3: your deal with her?

1849
01:17:14,920 --> 01:17:16,800
Speaker 5: I'm like, oh, we like hook up like once a month,

1850
01:17:16,960 --> 01:17:19,439
Speaker 5: casual thing, and then he finds out he gets her.

1851
01:17:19,479 --> 01:17:21,439
Speaker 3: Ig D, I'm turned then tries to like do the

1852
01:17:21,479 --> 01:17:22,800
Speaker 3: same thing. That's weird.

1853
01:17:22,880 --> 01:17:23,559
Speaker 7: That's that's weird.

1854
01:17:24,040 --> 01:17:25,880
Speaker 3: That's what that sounds like. What he's saying, it's weird.

1855
01:17:25,920 --> 01:17:29,040
Speaker 6: But I feel like there's a way to do that. Well,

1856
01:17:29,080 --> 01:17:30,760
Speaker 6: first let's give him his advice. But there's a way

1857
01:17:30,800 --> 01:17:31,639
Speaker 6: to do that without.

1858
01:17:31,439 --> 01:17:32,000
Speaker 3: It being weird.

1859
01:17:32,320 --> 01:17:34,240
Speaker 8: Because if Eddan sees this girl and he likes her

1860
01:17:34,280 --> 01:17:35,600
Speaker 8: after he has a conversation.

1861
01:17:35,320 --> 01:17:37,679
Speaker 2: With Julian brought her in here, I'd be like, oh, okay, yeah,

1862
01:17:37,720 --> 01:17:40,880
Speaker 2: but there are are those guys. I've definitely experienced this

1863
01:17:40,920 --> 01:17:43,000
Speaker 2: when I was younger. If you did bring a girl

1864
01:17:43,080 --> 01:17:46,439
Speaker 2: around and they knew that you you know, we're fucking

1865
01:17:46,479 --> 01:17:49,160
Speaker 2: but it wasn't serious. They would try and be like, yo,

1866
01:17:49,280 --> 01:17:51,519
Speaker 2: but she's for everybody, Like that's how we all grew up.

1867
01:17:51,680 --> 01:17:53,680
Speaker 2: Like if she's not wifey, she's everyone. I used to

1868
01:17:53,720 --> 01:17:57,320
Speaker 2: find that very odd, weird and strange. That's weird, but

1869
01:17:57,479 --> 01:18:00,200
Speaker 2: that's kind of it's common. It is ver I like

1870
01:18:00,240 --> 01:18:02,479
Speaker 2: to know how old they are, yeah, because that behavior

1871
01:18:02,600 --> 01:18:04,160
Speaker 2: in your early twenties is sick, but it is.

1872
01:18:04,520 --> 01:18:06,479
Speaker 1: Unfortunate's how it goes. If you're in your early twenties,

1873
01:18:06,520 --> 01:18:07,240
Speaker 1: that's normal.

1874
01:18:07,160 --> 01:18:09,280
Speaker 2: Yes, fact, But if you're in your thirties, like still

1875
01:18:09,680 --> 01:18:11,840
Speaker 2: even your late twenties, yeah, I think it's kind of odd.

1876
01:18:12,120 --> 01:18:13,120
Speaker 1: I don't know, I just don't.

1877
01:18:14,320 --> 01:18:16,320
Speaker 2: I mean, let's just have the conversation with him, Like, bro,

1878
01:18:16,439 --> 01:18:17,280
Speaker 2: this is getting weird.

1879
01:18:17,760 --> 01:18:19,840
Speaker 1: Yeah, because like, what are you trying? What are you

1880
01:18:19,960 --> 01:18:23,240
Speaker 1: doing here? Like why every girl you can if I

1881
01:18:23,320 --> 01:18:26,120
Speaker 1: have good tastes and I date pretty women, cool, but

1882
01:18:26,240 --> 01:18:28,519
Speaker 1: it's like there's a lot of pretty girls out here

1883
01:18:28,560 --> 01:18:30,040
Speaker 1: that I haven't dated. Yeah.

1884
01:18:30,280 --> 01:18:33,800
Speaker 5: I think a lot of people like the convenience of

1885
01:18:33,920 --> 01:18:37,080
Speaker 5: when a friend brings someone into their circle. So even

1886
01:18:37,160 --> 01:18:39,920
Speaker 5: it's a casual girlfriend or a hookup, and then say,

1887
01:18:39,920 --> 01:18:41,720
Speaker 5: you happen to all go out together on a night

1888
01:18:41,760 --> 01:18:44,120
Speaker 5: out and drink whatever, and you get to know her like.

1889
01:18:44,160 --> 01:18:45,080
Speaker 3: She's in the group now.

1890
01:18:45,439 --> 01:18:48,479
Speaker 5: So it takes it like eliminates you making the risk

1891
01:18:48,600 --> 01:18:51,160
Speaker 5: of meeting someone new and getting rejected because you have

1892
01:18:51,360 --> 01:18:53,880
Speaker 5: like a relationship with this girl already.

1893
01:18:54,080 --> 01:18:55,840
Speaker 2: That exact thing makes her off limits to me.

1894
01:18:56,320 --> 01:18:58,439
Speaker 3: I couldn't agree more. I think it's horrible. It's a

1895
01:18:58,720 --> 01:18:59,280
Speaker 3: terrible friend.

1896
01:18:59,439 --> 01:19:02,120
Speaker 1: Just tell have a conversation with the homie, like, yo, listen, man,

1897
01:19:02,160 --> 01:19:02,519
Speaker 1: what's up.

1898
01:19:02,760 --> 01:19:04,759
Speaker 2: I'm curious what the girl thinks in this whole situation

1899
01:19:05,160 --> 01:19:06,800
Speaker 2: and if he's had a conversation with the girl.

1900
01:19:08,000 --> 01:19:09,519
Speaker 1: But I don't think you do it. I don't think

1901
01:19:09,560 --> 01:19:11,120
Speaker 1: if you dated the girl, I don't think you have

1902
01:19:11,200 --> 01:19:13,680
Speaker 1: a conversation with Who's.

1903
01:19:12,920 --> 01:19:14,360
Speaker 3: To say the girl even wants to hook up with

1904
01:19:14,439 --> 01:19:14,840
Speaker 3: the friend?

1905
01:19:15,200 --> 01:19:16,479
Speaker 1: Right, Well, I think he.

1906
01:19:17,080 --> 01:19:20,519
Speaker 2: Had some rhythm. Yeah he s he sent this voicemail.

1907
01:19:21,120 --> 01:19:24,960
Speaker 1: It looks like the first time he did this. Yeah,

1908
01:19:25,000 --> 01:19:27,080
Speaker 1: apparently right, this is like his this is what he does.

1909
01:19:28,280 --> 01:19:29,040
Speaker 3: That's that's sick.

1910
01:19:29,280 --> 01:19:31,240
Speaker 1: It's just weird. Yeah, you got to have a conversation

1911
01:19:31,320 --> 01:19:33,760
Speaker 1: with the homie, like, yo, fan, what'll we doing? Like

1912
01:19:34,600 --> 01:19:36,599
Speaker 1: you like every girl? I like, I'm not dealing with them.

1913
01:19:36,640 --> 01:19:39,040
Speaker 1: The more you start hollering at them like slow weird.

1914
01:19:39,320 --> 01:19:40,639
Speaker 2: So talk to the homie, not the homie.

1915
01:19:40,640 --> 01:19:42,960
Speaker 1: Hopper always talked to the homie.

1916
01:19:44,080 --> 01:19:47,439
Speaker 8: Like the word homie hopper, would you like? I don't

1917
01:19:47,479 --> 01:19:48,400
Speaker 8: like homie hopper?

1918
01:19:48,400 --> 01:19:48,880
Speaker 3: Would you like?

1919
01:19:49,080 --> 01:19:50,880
Speaker 8: Because I feel like she has the freedom to and

1920
01:19:50,960 --> 01:19:52,200
Speaker 8: I know him sticking up her women.

1921
01:19:52,560 --> 01:19:54,559
Speaker 2: She's loving the crew just sounds better.

1922
01:19:54,960 --> 01:19:57,000
Speaker 6: No, but if I sounded dating you and it didn't

1923
01:19:57,000 --> 01:19:59,240
Speaker 6: get any serious and we turned it into something casual.

1924
01:19:59,320 --> 01:20:01,200
Speaker 1: In your homeboy, he likes me. Your homeboy might be

1925
01:20:01,280 --> 01:20:01,840
Speaker 1: the love of my wife.

1926
01:20:01,840 --> 01:20:03,680
Speaker 6: I'm not gonna let my boyfriend keep me from I'm

1927
01:20:03,680 --> 01:20:06,719
Speaker 6: not gonna let my side nigga keep me from my husband.

1928
01:20:06,880 --> 01:20:09,160
Speaker 2: Like he might be a love love of your life.

1929
01:20:09,400 --> 01:20:12,560
Speaker 2: The man that would snake is homie and yeah, but

1930
01:20:12,680 --> 01:20:13,920
Speaker 2: that's not yah.

1931
01:20:13,720 --> 01:20:14,120
Speaker 1: That's the guy.

1932
01:20:15,040 --> 01:20:16,439
Speaker 6: No, no, no, no no, because this is what this

1933
01:20:16,600 --> 01:20:17,960
Speaker 6: is a lot with men do. Because I have a

1934
01:20:18,040 --> 01:20:20,360
Speaker 6: lot of male friends and I see I see scenarios

1935
01:20:20,439 --> 01:20:23,240
Speaker 6: like this happen. They'll dog talk women like, oh her, now,

1936
01:20:23,320 --> 01:20:25,320
Speaker 6: she's just a she's a pop, she's a jump like,

1937
01:20:25,400 --> 01:20:27,200
Speaker 6: she's she's nothing like, I don't take her serious.

1938
01:20:27,200 --> 01:20:27,800
Speaker 8: That ain't my girl.

1939
01:20:28,680 --> 01:20:30,560
Speaker 6: And the moment she Homie is like or some a

1940
01:20:30,640 --> 01:20:32,519
Speaker 6: dude that's around, it's like, oh bet, And he tried

1941
01:20:32,520 --> 01:20:34,960
Speaker 6: to get at her, like, bro, why would you?

1942
01:20:35,120 --> 01:20:35,560
Speaker 1: How could you?

1943
01:20:35,680 --> 01:20:36,960
Speaker 8: You was just talking about this girl like a dog.

1944
01:20:37,000 --> 01:20:38,240
Speaker 8: You said you don't give a funk if she live

1945
01:20:38,320 --> 01:20:38,599
Speaker 8: or die.

1946
01:20:38,640 --> 01:20:42,000
Speaker 1: And now that I want her right now, you're mad?

1947
01:20:42,240 --> 01:20:44,000
Speaker 1: Now you're mad like that.

1948
01:20:44,120 --> 01:20:46,360
Speaker 8: I'm just gonna I see it happen all the time.

1949
01:20:46,600 --> 01:20:48,439
Speaker 1: It don't sound like Homie was dog in the chick

1950
01:20:48,560 --> 01:20:50,320
Speaker 1: and like just like it sounds like this was just

1951
01:20:50,360 --> 01:20:54,360
Speaker 1: a girl. He's roster and like his homeboy actively likes

1952
01:20:54,439 --> 01:20:56,439
Speaker 1: the girls that he dates and like goes and tries

1953
01:20:56,479 --> 01:20:58,320
Speaker 1: to talk to him. Yeah, that's a little with no.

1954
01:20:58,400 --> 01:21:00,400
Speaker 6: Of course, I'm not talking about his specific an area,

1955
01:21:00,479 --> 01:21:01,559
Speaker 6: but I'm just talking in general.

1956
01:21:01,680 --> 01:21:03,880
Speaker 1: You don't like Yeah, I don't like Homie.

1957
01:21:04,200 --> 01:21:06,760
Speaker 6: Now, there are homie hoppers, but for situations like this,

1958
01:21:06,920 --> 01:21:09,080
Speaker 6: if you choose, if you picked the wrong friend, pick again.

1959
01:21:10,160 --> 01:21:12,800
Speaker 2: I see that perspective from a woman. But even if

1960
01:21:13,000 --> 01:21:17,360
Speaker 2: I'm friend was speaking like that about a woman, that's

1961
01:21:17,439 --> 01:21:19,360
Speaker 2: not the reason why I would or would not want

1962
01:21:19,400 --> 01:21:20,960
Speaker 2: to fuck her. I don't want to fuck her because

1963
01:21:21,000 --> 01:21:22,640
Speaker 2: my friend fucked her. He could have treated her like

1964
01:21:22,680 --> 01:21:26,080
Speaker 2: a queen or like an absolute piece of shit, but neither.

1965
01:21:26,160 --> 01:21:27,960
Speaker 2: That's none of that. That's null and void to everything

1966
01:21:27,960 --> 01:21:31,920
Speaker 2: that's happened. I don't want to be because you beat Yeah, yeah,

1967
01:21:32,840 --> 01:21:34,000
Speaker 2: it's happened to me when we didn't know.

1968
01:21:34,960 --> 01:21:35,800
Speaker 3: That's happened to me too.

1969
01:21:36,240 --> 01:21:42,120
Speaker 2: That's happened, and I felt weird after that data date

1970
01:21:42,320 --> 01:21:44,880
Speaker 2: or had slept with her. We didn't know. I didn't know,

1971
01:21:45,360 --> 01:21:48,040
Speaker 2: and that it ended up realizing and I was like.

1972
01:21:48,080 --> 01:21:49,760
Speaker 1: You didn't do nothing about that? Though, No, you didn't know.

1973
01:21:49,800 --> 01:21:52,720
Speaker 2: You didn't know, No, of course not. But either way,

1974
01:21:52,760 --> 01:21:56,439
Speaker 2: I'm I'm cool. We have one more, one more, last one?

1975
01:21:56,880 --> 01:21:58,280
Speaker 3: Do it? It's an interesting one.

1976
01:21:58,600 --> 01:22:03,000
Speaker 4: Hey, gang, This is Tommy Brower, a County, Florida. Loved

1977
01:22:03,040 --> 01:22:06,519
Speaker 4: the pod. Y'all are my faith, especially to Maris. Thank

1978
01:22:06,560 --> 01:22:10,160
Speaker 4: you for speaking for all women. You do it every

1979
01:22:10,240 --> 01:22:14,200
Speaker 4: time and you have not been wrong yet. I appreciate you.

1980
01:22:16,360 --> 01:22:18,360
Speaker 1: How many episodes of She listened to this at a.

1981
01:22:18,360 --> 01:22:24,280
Speaker 4: Happy hour last Friday and off, and we spent every

1982
01:22:24,320 --> 01:22:28,400
Speaker 4: single day together with the weekend together until Monday. So

1983
01:22:28,600 --> 01:22:31,439
Speaker 4: Monday I asked him for his ig. He gives it

1984
01:22:31,520 --> 01:22:35,200
Speaker 4: to me and it is a stand account for some

1985
01:22:35,439 --> 01:22:40,760
Speaker 4: soccer player in overseas, which I didn't like because as

1986
01:22:40,800 --> 01:22:43,680
Speaker 4: a man, why do you have a stand account, much

1987
01:22:43,800 --> 01:22:46,439
Speaker 4: less a stand account for another man? So I was

1988
01:22:46,520 --> 01:22:49,000
Speaker 4: kind of turned off by that. My best friend thinks

1989
01:22:49,800 --> 01:22:52,640
Speaker 4: that it might be like his brother account and he

1990
01:22:52,800 --> 01:22:56,719
Speaker 4: might have a main account where he is writing something. Honestly,

1991
01:22:57,120 --> 01:22:59,719
Speaker 4: I don't know which one is worst. I'm leaning towards

1992
01:22:59,840 --> 01:23:02,000
Speaker 4: just him having the main account. I think that might

1993
01:23:02,080 --> 01:23:05,080
Speaker 4: be better in the long run, because as a man,

1994
01:23:05,160 --> 01:23:07,040
Speaker 4: why do you have a stay in account? So he's

1995
01:23:07,080 --> 01:23:09,519
Speaker 4: been trying to hang out, but I've been kind of

1996
01:23:09,640 --> 01:23:13,160
Speaker 4: ghosting him. So am I being petty? Or is this

1997
01:23:13,280 --> 01:23:14,960
Speaker 4: really like out of line? Like I feel like this

1998
01:23:15,040 --> 01:23:15,719
Speaker 4: is out of pocket.

1999
01:23:16,439 --> 01:23:16,800
Speaker 7: I don't know.

2000
01:23:17,720 --> 01:23:19,160
Speaker 1: I think we got our first dump them.

2001
01:23:20,080 --> 01:23:24,440
Speaker 2: Yeah, yeah, holy ship, this is groundbreaking, equal rights.

2002
01:23:24,720 --> 01:23:25,280
Speaker 7: Equal rights.

2003
01:23:26,200 --> 01:23:27,840
Speaker 1: She got to start, you gotta. He's he's a he's

2004
01:23:27,840 --> 01:23:28,280
Speaker 1: a widow.

2005
01:23:28,720 --> 01:23:31,080
Speaker 2: And if she's already feeling this way's not going to

2006
01:23:31,160 --> 01:23:31,439
Speaker 2: go away.

2007
01:23:31,600 --> 01:23:34,120
Speaker 1: Did she say she met him at happy hour and

2008
01:23:34,200 --> 01:23:36,479
Speaker 1: they spent the whole weekend together as.

2009
01:23:37,280 --> 01:23:41,000
Speaker 3: That's a fun weekend though usually but that's okay, weird.

2010
01:23:40,880 --> 01:23:42,960
Speaker 1: Together like YO went home and then linked back up

2011
01:23:42,960 --> 01:23:46,240
Speaker 1: the next day, or like I spent the night with each.

2012
01:23:46,120 --> 01:23:48,639
Speaker 3: Other, those three day relationships and handcuffs and the radiator.

2013
01:23:51,640 --> 01:23:53,000
Speaker 1: I think she asked for the I g a little

2014
01:23:53,000 --> 01:23:56,720
Speaker 1: too late, no think, But how do you ask?

2015
01:23:57,160 --> 01:23:58,640
Speaker 3: But if you're if you're going to go home and

2016
01:23:58,680 --> 01:24:00,439
Speaker 3: you're there for the next two days. Why would you

2017
01:24:00,520 --> 01:24:02,280
Speaker 3: need it? You're there with them in person?

2018
01:24:02,680 --> 01:24:04,439
Speaker 1: Nah, did you see mutual friends?

2019
01:24:04,640 --> 01:24:05,280
Speaker 7: Yeah, what's up?

2020
01:24:05,640 --> 01:24:08,080
Speaker 2: I'd feel so weird if I met someone a happy hour,

2021
01:24:08,160 --> 01:24:10,920
Speaker 2: we hit it off, went back to my crib, was

2022
01:24:10,960 --> 01:24:14,080
Speaker 2: having an amazing time the next morning. Yos, I G.

2023
01:24:14,680 --> 01:24:15,120
Speaker 3: That's weird.

2024
01:24:15,160 --> 01:24:18,200
Speaker 8: I would feel so weird asking yeah at happy hour?

2025
01:24:19,040 --> 01:24:21,160
Speaker 5: Yeah, but they left, But like, if that's a weird,

2026
01:24:21,160 --> 01:24:23,400
Speaker 5: they didn't go home or to the same spot from

2027
01:24:23,520 --> 01:24:25,880
Speaker 5: happy hour, then yeah, but they never separated.

2028
01:24:26,080 --> 01:24:28,479
Speaker 6: That's not weird or you think that's a weird question

2029
01:24:28,600 --> 01:24:30,840
Speaker 6: because nobody asked you for your IG anymore because everybody

2030
01:24:30,880 --> 01:24:33,200
Speaker 6: already follows you. No one asked to be before damn

2031
01:24:33,439 --> 01:24:38,160
Speaker 6: influence because before you, because before you became a person

2032
01:24:38,320 --> 01:24:40,160
Speaker 6: of influence, people weren't.

2033
01:24:39,960 --> 01:24:42,519
Speaker 8: Asking for IG's like that. Now that's the new what's

2034
01:24:42,560 --> 01:24:42,920
Speaker 8: your phone?

2035
01:24:42,960 --> 01:24:44,960
Speaker 7: Numb influencer, that's weird.

2036
01:24:45,840 --> 01:24:46,559
Speaker 1: I wouldn't ask you.

2037
01:24:46,840 --> 01:24:47,679
Speaker 8: Who you are already.

2038
01:24:47,880 --> 01:24:54,240
Speaker 3: Yeah, they know you paid for your blue women Damn

2039
01:24:54,920 --> 01:24:57,479
Speaker 3: at the show Larry got asked at.

2040
01:24:57,640 --> 01:24:59,479
Speaker 6: That's what people ask Now they asked for your I G.

2041
01:24:59,600 --> 01:25:01,479
Speaker 6: They don't ask for your phone because I'll give my

2042
01:25:01,520 --> 01:25:01,920
Speaker 6: IG out.

2043
01:25:01,920 --> 01:25:03,760
Speaker 2: I'm not give you my phone number numbers so that

2044
01:25:03,840 --> 01:25:05,400
Speaker 2: I get if someone asked for your number and you

2045
01:25:05,479 --> 01:25:07,559
Speaker 2: reply with I'll give you my I G That makes

2046
01:25:07,640 --> 01:25:09,720
Speaker 2: mad sense to me. But to just out the gate

2047
01:25:09,840 --> 01:25:12,760
Speaker 2: like you vibe with somebody, It's like, what's your Instagram Like,

2048
01:25:13,560 --> 01:25:14,559
Speaker 2: that's like your business.

2049
01:25:15,160 --> 01:25:15,680
Speaker 3: That's l A.

2050
01:25:16,720 --> 01:25:17,679
Speaker 8: That is l A for sure.

2051
01:25:18,200 --> 01:25:20,840
Speaker 1: It's New York too. Though I did that one time. Man,

2052
01:25:20,920 --> 01:25:21,920
Speaker 1: I regret that ship.

2053
01:25:24,720 --> 01:25:26,840
Speaker 3: It's different for you, though. People are fishing for money

2054
01:25:26,880 --> 01:25:27,360
Speaker 3: bags from you.

2055
01:25:27,680 --> 01:25:31,400
Speaker 1: Nah, but I did. I did some that was you know,

2056
01:25:31,479 --> 01:25:33,400
Speaker 1: when you could just know you did some corny ship.

2057
01:25:33,560 --> 01:25:35,040
Speaker 1: As soon as you do it, that's like, why did

2058
01:25:35,080 --> 01:25:35,400
Speaker 1: I do that?

2059
01:25:35,680 --> 01:25:36,160
Speaker 3: What did you do?

2060
01:25:36,479 --> 01:25:36,679
Speaker 7: Yeah?

2061
01:25:37,720 --> 01:25:39,240
Speaker 1: Would you? I think I think Rory was with me.

2062
01:25:39,280 --> 01:25:41,720
Speaker 1: We was in l A h And we had went

2063
01:25:41,800 --> 01:25:44,680
Speaker 1: to uh we went to get something to eat, and

2064
01:25:44,760 --> 01:25:47,519
Speaker 1: then we went to CVS. I feel like it was

2065
01:25:47,560 --> 01:25:50,280
Speaker 1: me and Rory. It was me, and wasn't it about

2066
01:25:51,080 --> 01:25:55,760
Speaker 1: oh bro? We go to the CVS. YO, this beautiful

2067
01:25:55,840 --> 01:25:59,680
Speaker 1: girl walks in and if the line is kind of long,

2068
01:25:59,760 --> 01:26:02,200
Speaker 1: but I'm I'm like next, so like she gets what

2069
01:26:02,280 --> 01:26:04,120
Speaker 1: she's getting whatever she gets on the back of the line.

2070
01:26:05,040 --> 01:26:06,320
Speaker 1: So I'm just like, I'm like, yo, come on, I

2071
01:26:06,400 --> 01:26:08,599
Speaker 1: say you got it. That was the first she looked

2072
01:26:08,600 --> 01:26:09,680
Speaker 1: at me. I say, yo, come on, you got it,

2073
01:26:09,720 --> 01:26:12,000
Speaker 1: Like come on. So, like I didn't want people to

2074
01:26:12,479 --> 01:26:14,560
Speaker 1: like I want them to think we were together. So

2075
01:26:14,680 --> 01:26:17,559
Speaker 1: she came or whatever, went walked to the redishit together.

2076
01:26:18,560 --> 01:26:20,519
Speaker 1: I think she got like shampoo or something, some some

2077
01:26:20,760 --> 01:26:23,479
Speaker 1: simple ship. You bought it, Yeah, I bought to shampool,

2078
01:26:23,479 --> 01:26:24,720
Speaker 1: put it good, put up.

2079
01:26:25,080 --> 01:26:27,719
Speaker 2: Great wing man, I played io. Just went to another

2080
01:26:27,760 --> 01:26:30,719
Speaker 2: aisle and just like we weren't even so friends.

2081
01:26:31,080 --> 01:26:35,040
Speaker 1: So so we go pay for it whatever. So we

2082
01:26:35,120 --> 01:26:36,200
Speaker 1: walk out together. We're talking.

2083
01:26:37,600 --> 01:26:37,720
Speaker 11: Uh.

2084
01:26:38,320 --> 01:26:41,360
Speaker 1: She was parked right where uh we were with an

2085
01:26:41,400 --> 01:26:43,920
Speaker 1: event where the van was at. So she's in the

2086
01:26:44,000 --> 01:26:47,160
Speaker 1: car talking. We exchanged phone numbers. She's like, yeah, I

2087
01:26:47,920 --> 01:26:49,280
Speaker 1: got what she said she was from. She just moved

2088
01:26:49,280 --> 01:26:51,400
Speaker 1: to LA. She's like, oh, how long are you twn?

2089
01:26:51,560 --> 01:26:54,679
Speaker 1: Like we're here for like three days or whatever. She's like, Okay,

2090
01:26:54,720 --> 01:26:56,200
Speaker 1: we can hang out tomorrow and get some lunch, and

2091
01:26:56,240 --> 01:26:59,400
Speaker 1: so I'm like, cool, bet, let's do it. So the

2092
01:26:59,520 --> 01:27:02,639
Speaker 1: next day he like, we're texting. That night. The next

2093
01:27:02,720 --> 01:27:06,200
Speaker 1: day I text or whatever. So I didn't know I

2094
01:27:06,240 --> 01:27:07,880
Speaker 1: didn't know nothing about this girl, just met her in

2095
01:27:07,920 --> 01:27:10,080
Speaker 1: the CBS, got the phone and what we text for

2096
01:27:10,200 --> 01:27:11,200
Speaker 1: like an hour two that night.

2097
01:27:11,560 --> 01:27:11,880
Speaker 2: That was it.

2098
01:27:12,000 --> 01:27:15,240
Speaker 1: Next day, I'm using it like I could probably gauge

2099
01:27:15,360 --> 01:27:18,120
Speaker 1: more about this girl by seeing her Instagram, like what

2100
01:27:18,200 --> 01:27:20,120
Speaker 1: type of shit she's into, what type of food she likes.

2101
01:27:20,439 --> 01:27:22,760
Speaker 1: That's where my mind was at. But as soon as

2102
01:27:22,800 --> 01:27:24,920
Speaker 1: I asked for Instagram I regretted it. As soon as

2103
01:27:24,960 --> 01:27:26,720
Speaker 1: I texted, I was like, why did I even do that?

2104
01:27:26,800 --> 01:27:27,519
Speaker 1: Because I don't do that.

2105
01:27:28,760 --> 01:27:31,400
Speaker 3: Did she send it? Hell no, though, like she was

2106
01:27:31,520 --> 01:27:32,320
Speaker 3: like she dubbed it.

2107
01:27:32,560 --> 01:27:34,280
Speaker 1: She dubbed it, and I never that.

2108
01:27:34,400 --> 01:27:36,000
Speaker 7: She never responded to another text message.

2109
01:27:36,400 --> 01:27:37,479
Speaker 3: She got her sham bag.

2110
01:27:37,520 --> 01:27:42,400
Speaker 13: Oh my, I was yo, beautiful, I'm talking about beautiful

2111
01:27:42,520 --> 01:27:45,919
Speaker 13: and like how every tude was like it was all standard,

2112
01:27:46,360 --> 01:27:48,519
Speaker 13: it was cool, like it was cool.

2113
01:27:48,680 --> 01:27:51,360
Speaker 1: And as soon as I text, what's your EG I'm like,

2114
01:27:51,400 --> 01:27:52,880
Speaker 1: why did I I'm like, I don't even do that?

2115
01:27:52,920 --> 01:27:54,080
Speaker 7: Wait, why is that so bad?

2116
01:27:54,680 --> 01:27:55,000
Speaker 4: Weird?

2117
01:27:55,320 --> 01:27:57,720
Speaker 1: It's just I don't like women ask me. I don't.

2118
01:27:58,520 --> 01:28:00,679
Speaker 1: But I literally was only doing it because I wanted

2119
01:28:00,720 --> 01:28:03,040
Speaker 1: to kind of gauge, like, you know, she might have

2120
01:28:03,760 --> 01:28:05,559
Speaker 1: you know, the whole thing where they saved their reels

2121
01:28:05,560 --> 01:28:07,599
Speaker 1: and you can see like the type of food they eat. Why.

2122
01:28:07,920 --> 01:28:09,600
Speaker 1: I just wanted to gauge this girl a little bit.

2123
01:28:09,680 --> 01:28:14,960
Speaker 3: That's yeah, Yeah, I think much old Colt a boyfriend.

2124
01:28:15,040 --> 01:28:19,479
Speaker 1: Yeah, but until one thirty in the morning, we've been Oh,

2125
01:28:19,600 --> 01:28:22,800
Speaker 1: that don't mean nothing. He not acting, so I do

2126
01:28:22,880 --> 01:28:23,040
Speaker 1: with you.

2127
01:28:23,240 --> 01:28:26,240
Speaker 2: The game actor right all doesn't give the vibes like

2128
01:28:26,320 --> 01:28:28,280
Speaker 2: if he saw a boyfriend on the Instagram, he'd be like,

2129
01:28:28,360 --> 01:28:29,960
Speaker 2: no way, like I did me.

2130
01:28:30,280 --> 01:28:32,840
Speaker 1: I don't give a fuck. She doesn't know you enough

2131
01:28:32,920 --> 01:28:35,200
Speaker 1: to know that. Well, this is why we should have

2132
01:28:35,320 --> 01:28:35,920
Speaker 1: did lunch.

2133
01:28:36,960 --> 01:28:38,000
Speaker 3: You should have you should have.

2134
01:28:38,080 --> 01:28:40,400
Speaker 2: Been Yeah, and the guy that asked for the instagram

2135
01:28:40,520 --> 01:28:42,200
Speaker 2: might be the guy that d ms her man like

2136
01:28:43,040 --> 01:28:44,800
Speaker 2: do you know your girls in CBS last night?

2137
01:28:45,280 --> 01:28:47,479
Speaker 1: That's crazy. I hope she never think that I'm that

2138
01:28:47,560 --> 01:28:49,599
Speaker 1: type of guy. But I literally was only asking her

2139
01:28:49,600 --> 01:28:51,240
Speaker 1: because I want to kind of gauge, like a little

2140
01:28:51,280 --> 01:28:51,559
Speaker 1: bit more.

2141
01:28:51,840 --> 01:28:54,519
Speaker 3: Did you try to piece it up and say that, like,

2142
01:28:54,640 --> 01:28:55,840
Speaker 3: did you try to explain.

2143
01:28:57,040 --> 01:28:59,320
Speaker 1: Not? I forgot how it went, but I was like,

2144
01:29:00,120 --> 01:29:02,160
Speaker 1: because she said she was like why she was like,

2145
01:29:02,200 --> 01:29:04,240
Speaker 1: we're both adults. Why would you ask me that something

2146
01:29:04,280 --> 01:29:06,479
Speaker 1: like that, she said, and I was like, nah, I

2147
01:29:06,479 --> 01:29:07,920
Speaker 1: think I told her, was like no, I'm literally just

2148
01:29:07,960 --> 01:29:10,439
Speaker 1: trying to, you know, just gauge the type of type

2149
01:29:10,439 --> 01:29:11,360
Speaker 1: of girl you want to So I.

2150
01:29:11,360 --> 01:29:11,760
Speaker 3: Asks for you.

2151
01:29:12,200 --> 01:29:13,360
Speaker 7: Damn, you could have just went to lunch.

2152
01:29:13,400 --> 01:29:15,920
Speaker 1: You're right, and it was just, oh my gosh. She

2153
01:29:16,120 --> 01:29:17,800
Speaker 1: never responded, was sick.

2154
01:29:18,400 --> 01:29:20,240
Speaker 3: That was a little where were you taking her?

2155
01:29:21,280 --> 01:29:21,760
Speaker 8: I don't know.

2156
01:29:22,080 --> 01:29:24,040
Speaker 1: This was this was like this was out from the

2157
01:29:24,080 --> 01:29:25,640
Speaker 1: ocean when we had our tour. We was in La

2158
01:29:25,880 --> 01:29:29,880
Speaker 1: so this was like twenty eighteen, seventeen or eighteen. Yeah,

2159
01:29:29,880 --> 01:29:31,800
Speaker 1: this was like twenty seventeen, twenty eighteen. So I was

2160
01:29:31,920 --> 01:29:34,200
Speaker 1: just like, I was so fucking mad.

2161
01:29:34,240 --> 01:29:34,360
Speaker 4: Bro.

2162
01:29:34,479 --> 01:29:37,920
Speaker 1: This girl was beautiful and she was cool. Cool, like

2163
01:29:38,000 --> 01:29:40,840
Speaker 1: that little exchange right there, little five minutes cool, the

2164
01:29:40,920 --> 01:29:41,639
Speaker 1: text conversation.

2165
01:29:41,840 --> 01:29:42,080
Speaker 11: Cool.

2166
01:29:42,439 --> 01:29:47,639
Speaker 1: Next day I wake up on bullshit, what's your eyes?

2167
01:29:47,800 --> 01:29:50,599
Speaker 3: Should you should have jerked off before because I feel

2168
01:29:50,640 --> 01:29:53,720
Speaker 3: like that, No, he's right, I said, I know, I

2169
01:29:53,760 --> 01:29:55,800
Speaker 3: know what I'm saying.

2170
01:29:56,720 --> 01:29:59,400
Speaker 5: General that would have clean slave cleared your head and

2171
01:29:59,479 --> 01:30:01,400
Speaker 5: you probably would not have sent that time.

2172
01:30:01,520 --> 01:30:02,400
Speaker 2: But he's right.

2173
01:30:02,520 --> 01:30:06,160
Speaker 1: It literally, I literally was just trying to gauge this girl.

2174
01:30:06,240 --> 01:30:08,040
Speaker 8: He had more nervous and I wanted to make sure

2175
01:30:08,080 --> 01:30:09,840
Speaker 8: he picked the spot that was up to her.

2176
01:30:10,560 --> 01:30:11,559
Speaker 2: You know how to handle butterfly.

2177
01:30:14,439 --> 01:30:16,040
Speaker 1: I stepped straight to my you know you got it.

2178
01:30:16,200 --> 01:30:19,080
Speaker 1: I stepped straight to mys the marriage ships back of

2179
01:30:19,120 --> 01:30:20,280
Speaker 1: the line. No, no, no, no, no, you got to

2180
01:30:20,280 --> 01:30:20,719
Speaker 1: come over.

2181
01:30:20,600 --> 01:30:23,200
Speaker 8: Here, my boy, my dad with me.

2182
01:30:23,240 --> 01:30:23,680
Speaker 1: I don't do that.

2183
01:30:24,880 --> 01:30:27,200
Speaker 2: All looks super ill too, because we had the Mercedes

2184
01:30:27,240 --> 01:30:30,880
Speaker 2: Sprinter swore me swollen the size of do you.

2185
01:30:30,880 --> 01:30:33,439
Speaker 1: Know what I'm saying? Everything was laid out, my dumb man,

2186
01:30:33,479 --> 01:30:42,719
Speaker 1: what's your I can't believe that all the I fumbled

2187
01:30:42,760 --> 01:30:46,200
Speaker 1: the pack. That was crazy. If you're listening, I'm sorry, please,

2188
01:30:46,800 --> 01:30:53,519
Speaker 1: i'mber still the same text me. Definitely, she's definitely not listening.

2189
01:30:53,600 --> 01:30:55,000
Speaker 1: I'm definitely joking, not at all.

2190
01:30:55,560 --> 01:31:01,280
Speaker 3: So she has this girl? Should what dump this count? Yeah?

2191
01:31:01,360 --> 01:31:01,960
Speaker 1: This is dumb?

2192
01:31:02,479 --> 01:31:05,960
Speaker 2: Yeah because of the stand account for sending a stand account.

2193
01:31:06,000 --> 01:31:08,280
Speaker 1: Yeah, he's like that was wild. You might as well say, no,

2194
01:31:08,360 --> 01:31:09,080
Speaker 1: I g at that ship.

2195
01:31:09,240 --> 01:31:09,519
Speaker 4: He has.

2196
01:31:10,640 --> 01:31:11,280
Speaker 8: He has a family.

2197
01:31:12,160 --> 01:31:15,360
Speaker 1: It's if you're gonna.

2198
01:31:15,160 --> 01:31:17,160
Speaker 2: Lie about the family, you can lie about not having

2199
01:31:17,200 --> 01:31:19,519
Speaker 2: I g two. Yeah, like, don't draw the line there, and.

2200
01:31:19,840 --> 01:31:21,559
Speaker 7: What if it's a successful stand account.

2201
01:31:22,320 --> 01:31:24,000
Speaker 8: Shut up and that makes you even weird.

2202
01:31:25,280 --> 01:31:28,240
Speaker 1: That means you really putting hours into that sh Like,

2203
01:31:28,320 --> 01:31:28,840
Speaker 1: what what if.

2204
01:31:28,840 --> 01:31:31,160
Speaker 2: De Maris found out her guy ran the on road

2205
01:31:31,200 --> 01:31:34,000
Speaker 2: page for Drake like that?

2206
01:31:34,840 --> 01:31:38,320
Speaker 1: Would like that, y'all have demeris really really messed? Would

2207
01:31:38,320 --> 01:31:38,920
Speaker 1: love that. Y'all know.

2208
01:31:39,000 --> 01:31:41,519
Speaker 8: I don't allow men to do anything that isn't like.

2209
01:31:43,800 --> 01:31:44,639
Speaker 1: To do anything.

2210
01:31:44,680 --> 01:31:47,840
Speaker 8: I don't like men with Instagram, Okay, men in the room.

2211
01:31:48,680 --> 01:31:50,960
Speaker 2: What if you were dating a girl had her main

2212
01:31:51,040 --> 01:31:54,479
Speaker 2: I G. Things were going great month and you happen

2213
01:31:54,520 --> 01:31:57,080
Speaker 2: to find out she has another account and it's a

2214
01:31:57,120 --> 01:32:00,639
Speaker 2: bar of account. You don't answer because I know, like men,

2215
01:32:01,479 --> 01:32:04,200
Speaker 2: and then you start searching like her Twitter and.

2216
01:32:04,280 --> 01:32:07,840
Speaker 5: Like you see her getting barb Oh my god, yeah

2217
01:32:08,080 --> 01:32:10,240
Speaker 5: she's like I just wouldn't be a class someone that

2218
01:32:10,400 --> 01:32:10,920
Speaker 5: would do that.

2219
01:32:12,760 --> 01:32:14,240
Speaker 2: Sorry, barbies could live two lives.

2220
01:32:15,240 --> 01:32:15,479
Speaker 4: You know what?

2221
01:32:15,560 --> 01:32:19,160
Speaker 1: I hate when girls do what? I hate when theyve

2222
01:32:19,160 --> 01:32:21,400
Speaker 1: been like the comments with shave room and shit like that. Yeah,

2223
01:32:21,479 --> 01:32:24,559
Speaker 1: I imagine leaving a comment on the shave I really

2224
01:32:24,600 --> 01:32:26,880
Speaker 1: hate that. That's sick and like they're going back and

2225
01:32:26,960 --> 01:32:27,599
Speaker 1: forth with people.

2226
01:32:27,840 --> 01:32:28,559
Speaker 7: Oh that's weird.

2227
01:32:28,640 --> 01:32:31,120
Speaker 2: See that's so much even a positive comment, It's just like,

2228
01:32:31,200 --> 01:32:31,559
Speaker 2: what do you.

2229
01:32:31,760 --> 01:32:32,759
Speaker 7: A positive comment?

2230
01:32:33,320 --> 01:32:35,640
Speaker 6: I feel I've commented on the shave Room before and

2231
01:32:36,160 --> 01:32:38,400
Speaker 6: felt nasty and I wrote in the comment I never

2232
01:32:38,520 --> 01:32:40,080
Speaker 6: comment this and I gotta delete it.

2233
01:32:40,080 --> 01:32:42,280
Speaker 1: That's what I'm saying, like I feel grow asked to

2234
01:32:42,320 --> 01:32:45,439
Speaker 1: what's her igh? Would I do that?

2235
01:32:46,160 --> 01:32:46,639
Speaker 3: That's sick.

2236
01:32:46,760 --> 01:32:49,439
Speaker 1: I still can't believe you. I don't understand, bro. It's

2237
01:32:49,560 --> 01:32:51,479
Speaker 1: that in the Serena william Ship for me in my life,

2238
01:32:51,520 --> 01:32:52,640
Speaker 1: where I'm just like, why would I do that?

2239
01:32:53,840 --> 01:32:54,200
Speaker 4: Oh my?

2240
01:32:54,640 --> 01:32:57,080
Speaker 7: So just her future? Know when I'm going out, I'm

2241
01:32:57,120 --> 01:32:59,040
Speaker 7: asking a woman, I should ask her or her I

2242
01:32:59,200 --> 01:32:59,880
Speaker 7: g or her number?

2243
01:33:00,280 --> 01:33:01,599
Speaker 8: You should ask her for her number.

2244
01:33:02,360 --> 01:33:04,560
Speaker 1: If she doesn't think, I think, then are supposed.

2245
01:33:04,240 --> 01:33:08,240
Speaker 3: To let I give preference? You'd pick explain I think

2246
01:33:08,280 --> 01:33:08,559
Speaker 3: the woman.

2247
01:33:08,600 --> 01:33:10,080
Speaker 1: I think then are supposed to let the woman ask.

2248
01:33:10,439 --> 01:33:11,000
Speaker 1: They got to ask.

2249
01:33:11,320 --> 01:33:14,880
Speaker 5: If it's in public, I'll If it's in public, I'll

2250
01:33:14,920 --> 01:33:17,080
Speaker 5: usually wait till they ask me. But on these on

2251
01:33:17,200 --> 01:33:19,519
Speaker 5: these dating apps, obviously the game is to get off

2252
01:33:19,600 --> 01:33:21,840
Speaker 5: these as fast as possible, So I will say, hey,

2253
01:33:21,920 --> 01:33:22,880
Speaker 5: let's move off of here.

2254
01:33:22,960 --> 01:33:25,200
Speaker 3: What do you prefer? I don't say, give me your

2255
01:33:25,280 --> 01:33:28,400
Speaker 3: number or send me your I G, I say, and then.

2256
01:33:28,320 --> 01:33:31,680
Speaker 1: She says whatever, and wait, could it be other than the.

2257
01:33:31,760 --> 01:33:35,519
Speaker 3: Number Instagram to go from like a hinjuryah to.

2258
01:33:36,439 --> 01:33:38,439
Speaker 1: Saying if you want a dating app to navigate, I

2259
01:33:38,479 --> 01:33:40,200
Speaker 1: don't say you on Instagram already?

2260
01:33:40,240 --> 01:33:42,519
Speaker 6: You ask you on a dating app. I'll give you

2261
01:33:42,960 --> 01:33:46,880
Speaker 6: my number before I give you my Instagram.

2262
01:33:46,840 --> 01:33:50,280
Speaker 1: Now, ig deeping with somebody? If you dming with somebody

2263
01:33:50,360 --> 01:33:52,120
Speaker 1: for days on I G, it's time to ask for

2264
01:33:52,160 --> 01:33:52,559
Speaker 1: that number.

2265
01:33:52,760 --> 01:33:54,960
Speaker 5: I prefer to keep it on Instagram to be honest,

2266
01:33:55,000 --> 01:33:56,559
Speaker 5: because I don't really save numbers.

2267
01:33:56,880 --> 01:33:58,519
Speaker 3: I get a ship ton of text. It's just way

2268
01:33:58,600 --> 01:34:00,080
Speaker 3: more organized on Instagram.

2269
01:33:59,800 --> 01:34:01,599
Speaker 8: For because you can see their pictures.

2270
01:34:01,640 --> 01:34:04,160
Speaker 5: It has nothing to do with the photos because like

2271
01:34:04,200 --> 01:34:05,680
Speaker 5: I don't save nohing. I guess it kind of does.

2272
01:34:06,040 --> 01:34:07,600
Speaker 5: I don't save numbers. So if I have like a

2273
01:34:07,680 --> 01:34:10,600
Speaker 5: bunch of numbers like running on my phone, I have

2274
01:34:10,680 --> 01:34:12,760
Speaker 5: to like find the source of where I got that number.

2275
01:34:12,880 --> 01:34:15,040
Speaker 5: So you have to go back to the Instagram to

2276
01:34:15,120 --> 01:34:16,760
Speaker 5: the dating app. It's like if it just stays on

2277
01:34:16,840 --> 01:34:17,640
Speaker 5: it ig, you.

2278
01:34:17,760 --> 01:34:21,080
Speaker 3: Just out here, okay, So no, it's like it's in person.

2279
01:34:21,800 --> 01:34:22,639
Speaker 7: I shouldn't have done.

2280
01:34:23,000 --> 01:34:23,880
Speaker 3: No, that's the number.

2281
01:34:23,880 --> 01:34:25,519
Speaker 6: One number if they don't like you like that, or

2282
01:34:25,520 --> 01:34:27,120
Speaker 6: they're trying to figure out if they like you, they'll

2283
01:34:27,160 --> 01:34:28,000
Speaker 6: give you their Instagram.

2284
01:34:28,120 --> 01:34:30,560
Speaker 3: Gotcha, you're a DJ, though, you can just be like

2285
01:34:31,080 --> 01:34:32,000
Speaker 3: you want to charge your phone?

2286
01:34:32,080 --> 01:34:34,920
Speaker 2: Yeah, never try that one, creepy shit.

2287
01:34:35,000 --> 01:34:37,200
Speaker 6: I think it's different for men though, because with you guys,

2288
01:34:37,240 --> 01:34:39,160
Speaker 6: if a girl sees your Instagram.

2289
01:34:39,000 --> 01:34:42,360
Speaker 8: Like oh he's cool, or he has like you know

2290
01:34:42,439 --> 01:34:45,280
Speaker 8: how people are. I'm a girl. So when I see

2291
01:34:45,400 --> 01:34:47,599
Speaker 8: when men start that, oh I see you big homie

2292
01:34:47,640 --> 01:34:48,760
Speaker 8: or big money, I.

2293
01:34:48,800 --> 01:34:52,599
Speaker 3: Can't do it big money, big money.

2294
01:34:54,439 --> 01:34:56,200
Speaker 6: Like when men see my Instagram and they're like, oh,

2295
01:34:56,320 --> 01:34:58,120
Speaker 6: like they for some reason they think I have like

2296
01:34:58,200 --> 01:34:59,639
Speaker 6: money or clout or something.

2297
01:34:59,520 --> 01:35:02,000
Speaker 1: Like that your Instagram, I gotta go to demarriage Instagram.

2298
01:35:02,880 --> 01:35:06,559
Speaker 6: Well, I'm talking about regular, regular men, right, regular men

2299
01:35:06,640 --> 01:35:09,639
Speaker 6: who follow two thousand people when they have seven hundred followers.

2300
01:35:10,520 --> 01:35:14,559
Speaker 6: They see that I have seventeen seventeen thousand followers, and they'll.

2301
01:35:14,360 --> 01:35:15,559
Speaker 1: Assume it's a regular man.

2302
01:35:17,439 --> 01:35:18,720
Speaker 8: Y'all are taking out.

2303
01:35:18,920 --> 01:35:20,439
Speaker 1: I just want to see what the marriage is posting

2304
01:35:20,520 --> 01:35:26,479
Speaker 1: with somebody like all right, big money, yeah, big forty five. Oh,

2305
01:35:26,520 --> 01:35:28,800
Speaker 1: it's the it's the it's the drizzling the sauce on

2306
01:35:28,880 --> 01:35:30,120
Speaker 1: the steak. That's a good stake.

2307
01:35:31,040 --> 01:35:31,840
Speaker 3: That's a good steak.

2308
01:35:32,280 --> 01:35:33,160
Speaker 1: Money, it's a good steak.

2309
01:35:34,200 --> 01:35:35,000
Speaker 3: It's a good study.

2310
01:35:35,400 --> 01:35:36,439
Speaker 8: It's more the followers.

2311
01:35:36,520 --> 01:35:37,040
Speaker 7: How do you order?

2312
01:35:37,200 --> 01:35:41,200
Speaker 6: Say, regular men get they feel a thing about followers.

2313
01:35:41,200 --> 01:35:43,400
Speaker 6: If you have like seventeen thousand followers, is regular to

2314
01:35:43,479 --> 01:35:46,599
Speaker 6: us because we're around women who are in different industries

2315
01:35:46,640 --> 01:35:49,479
Speaker 6: who have that. But regular men who work at FedEx,

2316
01:35:49,600 --> 01:35:50,240
Speaker 6: they they're not.

2317
01:35:50,600 --> 01:35:52,040
Speaker 7: There's some is that your type?

2318
01:35:52,800 --> 01:35:55,640
Speaker 2: If they do and dance with the packages, Yo, they

2319
01:35:55,680 --> 01:35:56,040
Speaker 2: get a lot.

2320
01:35:56,040 --> 01:35:57,800
Speaker 1: I don't know why demarriage don't show up in my

2321
01:35:57,880 --> 01:36:00,600
Speaker 1: feet as much. But I'm having you see that the

2322
01:36:00,600 --> 01:36:03,960
Speaker 1: marriage me posted, so she's no money. The captions, why

2323
01:36:04,040 --> 01:36:05,600
Speaker 1: y'ay tell me? The marriage me getting this type of

2324
01:36:05,600 --> 01:36:08,519
Speaker 1: ship making fun of Drake's So this picture, she says,

2325
01:36:09,080 --> 01:36:11,120
Speaker 1: from New York to LA the only time I'm back

2326
01:36:11,200 --> 01:36:11,639
Speaker 1: and forth.

2327
01:36:12,479 --> 01:36:14,840
Speaker 2: Oh my god, you had the nerve and ship on

2328
01:36:15,000 --> 01:36:19,320
Speaker 2: Drake's book is sick. You had to nerve heart and breaks.

2329
01:36:19,880 --> 01:36:22,200
Speaker 1: It's a lot of bar no I know, but I'm

2330
01:36:22,240 --> 01:36:23,840
Speaker 1: just saying the fact that you're getting this type of

2331
01:36:23,880 --> 01:36:24,280
Speaker 1: ship off.

2332
01:36:24,560 --> 01:36:26,599
Speaker 2: Hold on, let me see him two hours ago. Film

2333
01:36:26,680 --> 01:36:28,360
Speaker 2: doesn't lie, he.

2334
01:36:29,840 --> 01:36:30,599
Speaker 3: Lies all the time.

2335
01:36:30,920 --> 01:36:34,400
Speaker 1: Film doesn't does lie a lot seen mad films.

2336
01:36:34,439 --> 01:36:38,000
Speaker 3: They were, yeah, all right, it was who is area one?

2337
01:36:38,080 --> 01:36:40,280
Speaker 1: You can quote a real one, you can quote. He said,

2338
01:36:40,320 --> 01:36:41,800
Speaker 1: look at my fucking wife in my head. You're so

2339
01:36:41,920 --> 01:36:42,439
Speaker 1: fucking fine.

2340
01:36:42,520 --> 01:36:42,760
Speaker 3: Baby.

2341
01:36:43,280 --> 01:36:45,680
Speaker 2: Wait, this is Drake's book. If I'm a lot, go

2342
01:36:45,840 --> 01:36:47,400
Speaker 2: find less respectful.

2343
01:36:50,160 --> 01:36:52,000
Speaker 1: You shitting on drake book? And this is the ship

2344
01:36:52,040 --> 01:36:55,320
Speaker 1: you're getting off challenge, they said.

2345
01:36:55,400 --> 01:36:58,160
Speaker 2: They say, I'm hiding, but am I really hard to find?

2346
01:37:00,360 --> 01:37:01,120
Speaker 3: Where are you getting?

2347
01:37:03,280 --> 01:37:05,280
Speaker 1: I didn't know the marriage was getting this off.

2348
01:37:10,400 --> 01:37:12,479
Speaker 8: I was I'm trying to give advice, and I became

2349
01:37:12,560 --> 01:37:13,240
Speaker 8: the butt joke.

2350
01:37:13,600 --> 01:37:17,520
Speaker 2: You only exist if I allow you to remember.

2351
01:37:17,760 --> 01:37:19,679
Speaker 1: Yo, the marriage that you've never been to. Heaven?

2352
01:37:19,880 --> 01:37:22,160
Speaker 7: Have you remember that chapter?

2353
01:37:22,280 --> 01:37:22,559
Speaker 1: Twitter?

2354
01:37:22,760 --> 01:37:25,200
Speaker 3: Yo, I did not know the marias these are actually

2355
01:37:25,280 --> 01:37:26,400
Speaker 3: said the marriage.

2356
01:37:26,439 --> 01:37:28,320
Speaker 7: You are a fucking man.

2357
01:37:28,400 --> 01:37:29,920
Speaker 3: That's why you didn't like Drake's book. You didn't get

2358
01:37:29,920 --> 01:37:30,439
Speaker 3: a writing credit.

2359
01:37:30,600 --> 01:37:35,880
Speaker 1: Yeah, yo, baby, d I ain't gonna lie you. You

2360
01:37:36,000 --> 01:37:38,559
Speaker 1: give it. See why they they call you big.

2361
01:37:38,520 --> 01:37:42,960
Speaker 2: Time now big money, big money Mariss Miller over there.

2362
01:37:43,040 --> 01:37:46,320
Speaker 6: My point, my point to top that all office women

2363
01:37:46,400 --> 01:37:49,400
Speaker 6: are women like men's Instagram. So if you want to

2364
01:37:49,439 --> 01:37:52,800
Speaker 6: get a woman, give her, especially Julian. What do you mean,

2365
01:37:52,880 --> 01:37:55,360
Speaker 6: especially Julian all black and white aesthetic? Women love that

2366
01:37:56,200 --> 01:37:58,479
Speaker 6: you're organized and ship Yeah, art.

2367
01:37:59,439 --> 01:38:00,479
Speaker 3: I mean air product.

2368
01:38:00,560 --> 01:38:03,320
Speaker 5: It is weird how much people put steak into I,

2369
01:38:03,640 --> 01:38:07,080
Speaker 5: as someone that studied film and photography just at a

2370
01:38:07,160 --> 01:38:09,320
Speaker 5: young age, drew a liking to black and white photos.

2371
01:38:09,840 --> 01:38:12,280
Speaker 3: Never did I think that eventually my Instagram would be

2372
01:38:12,280 --> 01:38:12,600
Speaker 3: full of that.

2373
01:38:13,280 --> 01:38:13,320
Speaker 4: You.

2374
01:38:13,680 --> 01:38:16,479
Speaker 5: It's just I don't get the public perception of a

2375
01:38:16,520 --> 01:38:18,559
Speaker 5: black and white photo all of a sudden, like clean cut,

2376
01:38:18,640 --> 01:38:19,360
Speaker 5: class yelled it.

2377
01:38:20,240 --> 01:38:22,360
Speaker 3: No, it's not. I just like that aesthetic of.

2378
01:38:22,400 --> 01:38:24,000
Speaker 5: A black and it doesn't mean I'm that like I

2379
01:38:24,040 --> 01:38:26,080
Speaker 5: didn't body all these It's just weird the kind of

2380
01:38:26,400 --> 01:38:29,280
Speaker 5: projection people put on you. Because a lead photo on

2381
01:38:29,400 --> 01:38:32,560
Speaker 5: my Instagram, the next five are like memes and ship like.

2382
01:38:32,640 --> 01:38:34,760
Speaker 3: It's not ye, you know what I mean, Like, it's

2383
01:38:34,840 --> 01:38:35,439
Speaker 3: I don't get.

2384
01:38:35,360 --> 01:38:37,000
Speaker 2: If you don't need to be the girl that thinks

2385
01:38:37,600 --> 01:38:38,719
Speaker 2: that of your answer.

2386
01:38:38,640 --> 01:38:42,840
Speaker 3: Yeah you would to, That's what I'm saying. No, that's

2387
01:38:42,880 --> 01:38:44,800
Speaker 3: what I'm saying. But you go in deep dive in

2388
01:38:44,960 --> 01:38:46,040
Speaker 3: just let it be black and white.

2389
01:38:46,360 --> 01:38:48,800
Speaker 5: No, but I'm saying people put that weight in, like

2390
01:38:48,920 --> 01:38:53,519
Speaker 5: all this extra perception on something that Nah, just fuck

2391
01:38:53,600 --> 01:38:55,600
Speaker 5: with black and white, like it's not more than that.

2392
01:38:56,040 --> 01:38:59,519
Speaker 2: So mixed girls yeah true, yeah with curly hair.

2393
01:38:59,680 --> 01:39:02,960
Speaker 3: See and I are very similar. I get it. Any

2394
01:39:03,000 --> 01:39:03,719
Speaker 3: so many bounces.

2395
01:39:04,880 --> 01:39:06,280
Speaker 2: The worst thing that happened to me in LA was

2396
01:39:06,320 --> 01:39:10,120
Speaker 2: a girl gave me her number and in the notes part,

2397
01:39:10,240 --> 01:39:12,200
Speaker 2: like you know where you put your number in, she

2398
01:39:12,320 --> 01:39:16,240
Speaker 2: put her ig. That was the biggest spread flag around.

2399
01:39:16,040 --> 01:39:18,240
Speaker 1: To Wait, a girl gave you her number.

2400
01:39:18,320 --> 01:39:19,800
Speaker 2: Yeah, we were talking. I was like, oh, you know,

2401
01:39:19,920 --> 01:39:21,800
Speaker 2: let me get your number and then you know how

2402
01:39:21,800 --> 01:39:24,680
Speaker 2: you could put ad into context. You can put your

2403
01:39:24,840 --> 01:39:27,400
Speaker 2: email everything. She put her number, her name, and then

2404
01:39:27,439 --> 01:39:30,519
Speaker 2: in the notes part put her at what's wrong with that?

2405
01:39:32,439 --> 01:39:34,120
Speaker 1: Well, maybe she wanted you to remember who she was.

2406
01:39:34,439 --> 01:39:35,479
Speaker 1: Did you look at the picture?

2407
01:39:36,000 --> 01:39:36,280
Speaker 4: I mean.

2408
01:39:37,880 --> 01:39:40,360
Speaker 2: Big red flag? Wait, why that's why I'm weirds because

2409
01:39:40,360 --> 01:39:41,760
Speaker 2: we were in LA too, Like if that happened in

2410
01:39:41,800 --> 01:39:45,719
Speaker 2: New York, I would think that's a super girl flag. Okay,

2411
01:39:45,960 --> 01:39:49,680
Speaker 2: that's a what superficial weird LA girl girl that went

2412
01:39:49,720 --> 01:39:50,920
Speaker 2: to travel to LA.

2413
01:39:51,000 --> 01:39:52,680
Speaker 1: I think I don't know. I think that may be

2414
01:39:52,880 --> 01:39:55,360
Speaker 1: her way of saying, in case you forget who I am,

2415
01:39:55,479 --> 01:39:57,840
Speaker 1: this is my ig, you can just look at my

2416
01:39:57,880 --> 01:39:59,599
Speaker 1: picture like, oh, that's the girl I met.

2417
01:40:00,560 --> 01:40:02,000
Speaker 2: It was a very because what's different?

2418
01:40:02,720 --> 01:40:06,200
Speaker 1: What's different? What's the difference in doing that or putting

2419
01:40:06,800 --> 01:40:07,599
Speaker 1: where you met her at?

2420
01:40:09,080 --> 01:40:11,360
Speaker 2: That's fine. I used to say that, but I don't

2421
01:40:11,400 --> 01:40:13,000
Speaker 2: tell people that I put that there. I do that

2422
01:40:13,080 --> 01:40:13,960
Speaker 2: on my own accord.

2423
01:40:14,320 --> 01:40:15,800
Speaker 1: No, I know, you know that's what I'm saying. So

2424
01:40:15,920 --> 01:40:17,400
Speaker 1: I just think that she did that for you, like

2425
01:40:18,600 --> 01:40:20,400
Speaker 1: my I G In case you can't don't remember which,

2426
01:40:20,479 --> 01:40:22,160
Speaker 1: let's say her name is Nicole, which Nicole is?

2427
01:40:22,200 --> 01:40:24,560
Speaker 2: Now you Nicole highlight You put a co room? You

2428
01:40:24,680 --> 01:40:27,120
Speaker 2: know you do you Nicole too highlight Room.

2429
01:40:27,600 --> 01:40:30,479
Speaker 1: No, no, yeah, you do that. But I think that

2430
01:40:30,640 --> 01:40:32,720
Speaker 1: was her way of doing that in a different way.

2431
01:40:32,880 --> 01:40:35,439
Speaker 2: We were in Los Angeles at Highlight Room. You know

2432
01:40:35,520 --> 01:40:38,240
Speaker 2: why that girl put her Instagram? She her life is surrounded,

2433
01:40:38,360 --> 01:40:39,439
Speaker 2: She lives and dies by.

2434
01:40:39,360 --> 01:40:42,040
Speaker 1: That's her job. Instagram is the new business card.

2435
01:40:42,640 --> 01:40:45,439
Speaker 2: I hate that pussy.

2436
01:40:45,680 --> 01:40:48,439
Speaker 3: Yeah, I mean wow, yeah, did you tap into her business?

2437
01:40:48,680 --> 01:40:48,720
Speaker 2: No?

2438
01:40:49,680 --> 01:40:50,000
Speaker 7: I didn't.

2439
01:40:50,000 --> 01:40:50,760
Speaker 2: I didn't even text that.

2440
01:40:50,920 --> 01:40:52,080
Speaker 7: You love it, just love it.

2441
01:40:52,560 --> 01:40:56,880
Speaker 1: You smashed the big smash, the like button well one

2442
01:40:56,880 --> 01:40:59,600
Speaker 1: forgot her name and what was her name? Nicole, not

2443
01:40:59,760 --> 01:41:05,439
Speaker 1: no from not Nicle from Highlight, whatever her name was,

2444
01:41:05,479 --> 01:41:06,639
Speaker 1: I can' I'm sorry, I can't remember.

2445
01:41:06,920 --> 01:41:08,320
Speaker 7: But dump him.

2446
01:41:09,280 --> 01:41:11,439
Speaker 3: You're the first dump him, She's the first dump him.

2447
01:41:11,520 --> 01:41:12,519
Speaker 2: That one was super easy.

2448
01:41:12,600 --> 01:41:15,200
Speaker 1: That's the don't call that dude back.

2449
01:41:15,400 --> 01:41:17,160
Speaker 2: I respect her too for saying she was fine if

2450
01:41:17,160 --> 01:41:19,040
Speaker 2: he had a main page in the family, but the

2451
01:41:19,080 --> 01:41:21,439
Speaker 2: stance ship had. I respect her.

2452
01:41:21,479 --> 01:41:25,639
Speaker 1: Very weird widow vibes. So more news in sports, It's

2453
01:41:25,720 --> 01:41:28,920
Speaker 1: now being reported that the Phoenix Suns are in hot

2454
01:41:28,960 --> 01:41:32,679
Speaker 1: pursuit of Kyrie or hot person that I mean. They're there,

2455
01:41:33,000 --> 01:41:35,200
Speaker 1: They're laying it out for him. They're going after Kyrie.

2456
01:41:35,439 --> 01:41:37,680
Speaker 1: If this happens, Man, this NBA ship is just like

2457
01:41:38,680 --> 01:41:39,360
Speaker 1: it's a circus.

2458
01:41:39,439 --> 01:41:39,599
Speaker 3: Now.

2459
01:41:40,240 --> 01:41:41,679
Speaker 2: They weren't Brooklyn together.

2460
01:41:41,479 --> 01:41:46,559
Speaker 1: When Kyrie Bradley Beal, Devin Booker, Kevin.

2461
01:41:46,720 --> 01:41:48,280
Speaker 7: Like, what that team is not getting a chip?

2462
01:41:48,560 --> 01:41:49,360
Speaker 1: What are we doing?

2463
01:41:49,520 --> 01:41:49,720
Speaker 9: Man?

2464
01:41:49,880 --> 01:41:52,000
Speaker 1: Like I want to see these dudes play against each other.

2465
01:41:52,040 --> 01:41:54,600
Speaker 1: I don't want to see y'all play buddy ball like

2466
01:41:54,720 --> 01:41:59,439
Speaker 1: this ship either way, man, I don't know. I like,

2467
01:41:59,520 --> 01:42:01,519
Speaker 1: I love He's one of my favorite players. I just thought,

2468
01:42:01,520 --> 01:42:03,040
Speaker 1: I don't want to see him Phoix some gonna be honest,

2469
01:42:03,080 --> 01:42:05,000
Speaker 1: I don't want to see that. Yeah, I don't want

2470
01:42:05,000 --> 01:42:08,160
Speaker 1: to Phoenix, but it'll be fun to watch. I guess

2471
01:42:08,439 --> 01:42:10,439
Speaker 1: them to set screens and throw lobs all night and

2472
01:42:10,600 --> 01:42:12,640
Speaker 1: shoot threes. I don't know whatever. It's going to look

2473
01:42:12,640 --> 01:42:13,880
Speaker 1: like the Hall and Globe trotters out there.

2474
01:42:14,120 --> 01:42:16,080
Speaker 2: I mean, him going to la would be a great

2475
01:42:16,080 --> 01:42:18,760
Speaker 2: reality show because I'm Lebron, just let it.

2476
01:42:20,120 --> 01:42:21,800
Speaker 1: I still don't think Kyrie and Lebron like each other,

2477
01:42:21,880 --> 01:42:23,840
Speaker 1: like they hate each other. Yeah, I don't know why

2478
01:42:23,880 --> 01:42:26,200
Speaker 1: people think that La is A is a real destination

2479
01:42:26,280 --> 01:42:26,679
Speaker 1: for Kyrie.

2480
01:42:26,960 --> 01:42:27,839
Speaker 2: That would be hilarious.

2481
01:42:27,840 --> 01:42:30,200
Speaker 1: I don't think that him and broun A go see

2482
01:42:30,200 --> 01:42:33,880
Speaker 1: a movie together. No, No, I think that they respect

2483
01:42:33,920 --> 01:42:36,120
Speaker 1: each other. They want a championship together. I think it's that.

2484
01:42:36,320 --> 01:42:38,559
Speaker 1: But I don't think that they want to play play

2485
01:42:38,600 --> 01:42:40,479
Speaker 1: with each other on the same team again. I don't

2486
01:42:40,479 --> 01:42:41,439
Speaker 1: think that is gonna happen.

2487
01:42:41,840 --> 01:42:44,280
Speaker 2: I don't think they'll ever play on the same team

2488
01:42:44,320 --> 01:42:45,519
Speaker 2: on this flat earth ever again.

2489
01:42:46,160 --> 01:42:47,599
Speaker 3: The flat Earth, thank God is flat.

2490
01:42:47,920 --> 01:42:52,679
Speaker 1: So well, Happy holidays, everybody, be safe, have fun.

2491
01:42:54,120 --> 01:42:58,320
Speaker 2: We are off for one episode for July. What is

2492
01:42:58,360 --> 01:42:58,800
Speaker 2: that fifth?

2493
01:42:59,640 --> 01:43:01,600
Speaker 3: Yes, will be well Tuesday the fourth, there will be

2494
01:43:01,680 --> 01:43:02,160
Speaker 3: no episode.

2495
01:43:02,240 --> 01:43:04,439
Speaker 2: Yes, Tuesday the fourth, No episode will be right back.

2496
01:43:05,000 --> 01:43:06,280
Speaker 2: We'll be on Discord.

2497
01:43:06,680 --> 01:43:07,160
Speaker 3: We'll be on.

2498
01:43:07,479 --> 01:43:10,840
Speaker 2: Patreon doing some stuff, all right, some sketches dropping. We

2499
01:43:10,960 --> 01:43:12,800
Speaker 2: got ship dropping while we're while we're going.

2500
01:43:12,840 --> 01:43:15,400
Speaker 1: We'll keep you guys entertained. We'll stay in your faces

2501
01:43:15,400 --> 01:43:20,080
Speaker 1: as much as we can. Be safe this holiday. Have fun, ladies.

2502
01:43:20,080 --> 01:43:22,000
Speaker 1: If you went up sun dresses, please remember to wash

2503
01:43:22,080 --> 01:43:24,960
Speaker 1: that ass. Yeah, nobody wants to smell a stink curtain

2504
01:43:26,120 --> 01:43:30,240
Speaker 1: and merches out. Look how you go right into merch?

2505
01:43:30,600 --> 01:43:32,960
Speaker 2: Yeah, they can change into the merch.

2506
01:43:34,120 --> 01:43:35,840
Speaker 1: That ass is staking, change it to merch.

2507
01:43:35,960 --> 01:43:36,439
Speaker 2: Yeah, clean.

2508
01:43:36,920 --> 01:43:39,439
Speaker 1: New Rory in Maul dot com subscribed to the Patreon

2509
01:43:39,960 --> 01:43:41,639
Speaker 1: New Roryinmaul dot com as well.

2510
01:43:42,120 --> 01:43:43,680
Speaker 2: Episode of Ram Radio just came out.

2511
01:43:43,800 --> 01:43:45,519
Speaker 7: Episodes those joints.

2512
01:43:45,720 --> 01:43:48,760
Speaker 2: Yes, July fourth episode, so you know, use that as

2513
01:43:48,800 --> 01:43:50,880
Speaker 2: your playlist for your your barbecue.

2514
01:43:51,000 --> 01:43:54,240
Speaker 1: Yeah, download the Ram Radio Go America, not the Drake album.

2515
01:43:54,680 --> 01:43:56,759
Speaker 2: Wow fuck yeah America.

2516
01:43:57,720 --> 01:43:59,439
Speaker 1: We'll talk to y'all soon. Be safe. I'm that nigga,

2517
01:43:59,479 --> 01:44:02,479
Speaker 1: he's just ginger peace, No worrying mound