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Speaker 1: So, Joe, you got these Air Force ones that you

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Speaker 1: dropped off, So tell us about what you're doing with Nike.

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Speaker 2: You know what's crazy is the craziest part of the

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Speaker 2: story is so you see, not comparing myself in no way,

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Speaker 2: shape or form, but you see how Malcolm X was killed,

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Speaker 2: then they made schools after he died.

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Speaker 3: Martin Luther King, you know he was killed. Now we

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Speaker 3: got a Martin Luther King boulevard, Joe Louis.

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Speaker 2: You know, they stressed him to death and then they

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Speaker 2: made highways after him. Well, the guy who actually designed

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Speaker 2: this sneaker from me got fired for designing the sneaker

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Speaker 2: back in the day at nineteen oh yeah, and twenty

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Speaker 2: years later were celebrating the Air Force one.

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Speaker 3: Wow, you know what I'm saying. That the guy designed

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Speaker 3: and he got fired.

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Speaker 2: It's just ironic how we celebrate things years later.

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Speaker 4: I remember you on MTV cribs showing the TS.

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Speaker 3: Air Force long time ago. I thought that was official,

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Speaker 3: back I was twenty year it was.

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Speaker 2: But what happened was I had a guy who was

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Speaker 2: the designer of Nike making them for me without permission. Wow,

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Speaker 2: you know what I'm saying. So he gave me a

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Speaker 2: couple of color waves and all that, and so actually, Virgil,

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Speaker 2: right rest in peace, Virgil asked me to do a

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Speaker 2: Terror Squad Air Force one because he knew all about

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Speaker 2: the coaching and all that. And then he passed away

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Speaker 2: maybe three days later, but he had already told all

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Speaker 2: a Nike like, Yo, I'm doing the Fat Joe Terror

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Speaker 2: Squad air Force one, and so that like opened the

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Speaker 2: door to the discussion where they were like, y'all Virgil

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Speaker 2: was gonna rock with Joe, let's do it.

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Speaker 3: And so you know, I'm out here. I'm in the streets.

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Speaker 3: You know, I'm the Maleman. I'm not calm alone, but

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Speaker 3: I'm doing that especial delivery all over us.

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Speaker 1: And you got two colourwaves, right, and they both street.

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Speaker 3: We got we got it. This is gonna be the

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Speaker 3: New York release.

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Speaker 2: The black and white is globally, so you get it, Philippines,

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Speaker 2: Middle East, Africa, everywhere. And then we got a Friends

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Speaker 2: and Family which is a baby pink and great with

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Speaker 2: you guys on the list for that as well.

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Speaker 3: But I'm just trying to beat everybody to you know,

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Speaker 3: I'm us.

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Speaker 2: I don't feel right if I got something coming out

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Speaker 2: and I ain't on my ones and twos promoting I

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Speaker 2: got it.

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Speaker 3: You know, back in the days, we used to pull

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Speaker 3: up on Envy with the white label in the club.

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Speaker 2: Absolutely, that's what I'm doing. It's the same hustle. It's

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Speaker 2: just we're selling a different product.

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Speaker 1: What do you think about the sneaker coaching now? Of

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Speaker 1: course you own a couple of sneaker stores, but it's

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Speaker 1: a lot different. You know, back then it was to

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Speaker 1: you bought sneakers to get fly. Now you gotta kind

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Speaker 1: of be careful because people are buying sneakers to make money.

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Speaker 1: They're taking it from the kids that just want to

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Speaker 1: wear them and charging tripple and quadruple for the sneakers.

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Speaker 2: Nike won't like my answer, but I'm all about the entrepreneur.

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Speaker 2: You know what I'm saying that them kids stand online

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Speaker 2: and they buy a sneaker for a buck fifty and

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Speaker 2: they sell it for three hundred. That's done. They not

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Speaker 2: robbing nobody's mother. They're out there hustling, you.

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Speaker 3: Know what I'm saying. So they don't they don't like

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Speaker 3: my response.

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Speaker 2: You know, I reposted a couple of cats that already

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Speaker 2: had the sneakers.

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Speaker 3: They were like Joe. Those are infamous reasons.

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Speaker 5: Take it down.

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Speaker 3: Yeah, I'm with the hype, you know what I'm saying.

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Speaker 3: It's like, I'm with the hype.

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Speaker 2: It's like if I put out a record in the

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Speaker 2: DJ in Memphis or Abay Bay is playing it and

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Speaker 2: I'm reposting. I'm like, you know, I don't know, I'm

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Speaker 2: just reposting the hype. They got the sneakst to they ear.

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Speaker 3: It's fly, you know. With me, I'm all about the entrepreneur.

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Speaker 2: You know, somebody making a couple of dollars who ain't

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Speaker 2: doing no harm than nobody.

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Speaker 3: You know what I'm saying.

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Speaker 2: But that's an independent, you know response, not a reflection

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Speaker 2: the Nike. They definitely ain't with that.

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Speaker 5: We were just talking before you walked in.

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Speaker 4: How you are clearly probably the best storyteller, not even

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Speaker 4: just in hip hop, just one of the best storytellers period.

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Speaker 4: Because he was listening to you on rap radar when

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Speaker 4: you were telling the story about being in your mom

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Speaker 4: house and it's just the attention to detail everything. I

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Speaker 4: was in my mother's house about three thinking about retirement,

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Speaker 4: shirt off topless.

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Speaker 2: You know, my mom's house is still a baby like,

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Speaker 2: so no real talk like my mom's house is the

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Speaker 2: only place I take my shirt off. Everything I'm in boxes,

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Speaker 2: my feet is on my mom, bubbing my feet.

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Speaker 3: I'm home, you know what I'm saying. I'm just home.

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Speaker 2: I don't know how to explain it any other way.

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Speaker 2: And so and Eminem called and was like, yo.

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Speaker 3: Bro, you can't retire. You know you can't.

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Speaker 2: You know what I'm saying. And that's like big for me.

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Speaker 2: You know what I'm saying. I look up to Eminem.

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Speaker 2: You know, he's one of the rap guards to me.

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Speaker 2: So you know, with him calling me trying to come here,

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Speaker 2: and I really gave this thought, Like he said, I

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Speaker 2: really started listening to all your music and I really

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Speaker 2: He's like, nah, Joe, you still got it now, you

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Speaker 2: can't leave. It was almost like a don't leave, like,

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Speaker 2: don't leave us, like he's still in the game.

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Speaker 3: That No.

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Speaker 2: That was right around the time I had dropped the

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Speaker 2: joint with with Dre, the album with with Dre from

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Speaker 2: Cooling Dre. And so he was like, yo, bro, you can't.

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Speaker 2: You know, you can't leave the game. You know you

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Speaker 2: got some legends up there.

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Speaker 3: I'm in that corner.

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Speaker 1: He's all Breakfast Club moments, a moment to the breakfast club.

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Speaker 1: So these are all things that happen on the breakfast club,

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Speaker 1: the same outfits, the same facial less.

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Speaker 5: I like.

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Speaker 4: You, Big Daddy, Kmee, DMX, Charlie Murphy, Nori, Jennifer Lewis, Ray,

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Speaker 4: Will Smith.

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Speaker 2: Mat something happened to think that I have some legendary

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Speaker 2: not shock value, not.

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Speaker 3: Birdman, respect on my name, not dumb. But I think

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Speaker 3: I've come up in here.

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Speaker 2: We've done had some legendary conversations, some behind the scenes,

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Speaker 2: something on the mic, something on the mic, some behind

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Speaker 2: the scenes, but just on the mic. I tell you

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Speaker 2: that story about what I told the guy he needs

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Speaker 2: ninety nine more guys in jail.

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Speaker 3: That was a legendary story.

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Speaker 5: Guy. People got to read your book.

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Speaker 4: If you think Joe's a great storyteller, read his book,

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Speaker 4: The Book of the Book of the Book of Jose.

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Speaker 5: Jose criminally underrated very much. So you read it and

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Speaker 5: you're like, this couldn't have happened. But then you're like,

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Speaker 5: this is Joe.

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Speaker 3: Probably you know what happened. I tell first of all,

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Speaker 3: I don't lie.

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Speaker 2: That's just just men shouldn't lie unless you're a lawyer.

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Speaker 2: Because one time I was in the room and they

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Speaker 2: was just lying each other. I wanted to die.

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Speaker 3: I tried to get out of there. It was negotia,

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Speaker 3: You're right, I lied.

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Speaker 2: Okay, yeah, like we're playing these guys to lie to

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Speaker 2: each other, right, And so thank you my brother.

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Speaker 3: It's all you know.

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Speaker 2: I don't lie, So I never want to have somebody

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Speaker 2: catch me in the line and be like, yo, this

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Speaker 2: guy's line. So if I say something, I know that

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Speaker 2: eventually somebody would back it up. Somebody will come out

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Speaker 2: of nowhere, you know what I'm saying. The recent one,

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Speaker 2: I'm rapped made out, I said, but with no disrespect,

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Speaker 2: because you know I love Drake six god, you know,

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Speaker 2: most consistent. But I told you I called me like

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Speaker 2: three times trying to get on all the way remix, right,

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Speaker 2: But being the whole story I had with jay Z,

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Speaker 2: I wanted it to just be me and jay Z

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Speaker 2: because you know, I never thought in a hip hop

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Speaker 2: I never thought Fat Joe and jay Z would do

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Speaker 2: a song be myself, right, So I was like, Yo,

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Speaker 2: no thanks, but you know I love you brother.

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Speaker 3: Maybe some other time, please call me now, Drake.

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Speaker 2: So it's like, you know, But then I said some

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Speaker 2: normal person to be like, yo, he sounds crazy this

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Speaker 2: and this and that.

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Speaker 3: But I'm sure.

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Speaker 2: Sooner or later, Drake's gonna confirm the story and be like, yo,

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Speaker 2: you know I called him.

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Speaker 3: You know, you know I want it. And that's it.

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Speaker 3: All the stories are confirmed. But in the in the book, man.

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Speaker 2: That's why I had to write the book, because the

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Speaker 2: book was so much transparency.

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Speaker 3: I didn't want to leave nothing out.

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Speaker 5: The stories before rap the better people.

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Speaker 2: To really understand. Ah, there's a lot of rap stories

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Speaker 2: never told. For Fat Joe, that's a whole different, you know,

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Speaker 2: But the stories before rapped, Like when the Ecuadorian kid

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Speaker 2: was trying to kill me, he said eight times in

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Speaker 2: two days, like he was.

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Speaker 5: He was letting it go like unbelievable.

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Speaker 3: We know he was unbelievable. He was like he was

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Speaker 3: like God, John Wick.

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Speaker 2: From Mark for Death, the guy from Mark for Death,

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Speaker 2: like rich Richie, remember Richie kept popping up Stevenson call

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Speaker 2: like this guy was trying to finish.

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Speaker 3: For no reason.

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Speaker 5: So he shot the car up and he was in

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Speaker 5: the car and everybody thought.

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Speaker 2: I heard the screams like if I was dead, the

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Speaker 2: whole building.

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Speaker 3: Yo. Yeah, and we like yo, what's up?

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Speaker 2: And you know, we try to get him, we couldn't

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Speaker 2: get him. Like this guy he was, he was really,

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Speaker 2: he was really something else.

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Speaker 3: Man.

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Speaker 1: I don't tell too many because you want people to

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Speaker 1: go on. You gotta.

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Speaker 2: But you know we're doing the series with the Terrero brothers,

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Speaker 2: Judy Jesse and Kenya. Kenya Barris is actually writing the

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Speaker 2: series himself. So that's an honor, you know what I'm saying.

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Speaker 2: So we excited about it. But you know, we got

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Speaker 2: this little strike or whatever the case may be. So

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Speaker 2: I'm opening and I do, trust me, I do sympathize

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Speaker 2: with everybody striking because you know, some of these checks

203
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Speaker 2: come through for two dollars, Like I be like Joe

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Speaker 2: the time you hosted Wendy Williams two dollars and forty

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Speaker 2: three seconds. I'm like, yo, I would be homeless trying

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Speaker 2: to live on a like a royalty check, a royalty

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Speaker 2: check from from TV or movie. No, it's incredible, be

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Speaker 2: like Yo, sag and I go rush. I opened the

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Speaker 2: check eight dollars nineteen.

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Speaker 3: I said, Yo, bro, I can't buy sandwich with this

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Speaker 3: thing right here?

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Speaker 5: Did that affect your talk show? And you have to

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Speaker 5: talk show with Star.

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Speaker 2: Yeah, but not really. We still we all in. We

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Speaker 2: shot the first one.

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Speaker 3: It's all go. But yes, the strike effects, it's affecting everything.

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Speaker 5: You got my girl over there, Bianca beyond everybody.

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Speaker 3: You know.

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Speaker 2: Listen, Stars is gonna be amazing. It's gonna be a

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Speaker 2: list It's gonna be the interviews you never thought you

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Speaker 2: could get, you know, on top of the game. And

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Speaker 2: you know the thing with me is, you know, coming

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Speaker 2: from like artists to artists, you know they could let

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Speaker 2: their guard down and know I ain't trying to jam

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Speaker 2: a mark.

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Speaker 3: You know what I'm saying. They could be like we

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Speaker 3: could talk about you know.

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Speaker 2: I always say, you know, when we was doing COVID,

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Speaker 2: I start turning on the I g you both was

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Speaker 2: my guests. So I interviewed Bobby Brown. Now there's so

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Speaker 2: much stuff you could talk about Bobby Brown, but all

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Speaker 2: I kept it was music. You know, this and this

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Speaker 2: and that. And so when an artisty oh, he ain't

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Speaker 2: trying to jam me up. He threw me a gym.

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Speaker 2: He was like, yo, you know I taught Michael Jackson

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Speaker 2: how to moonwalk. You know, I wanted to slam the

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Speaker 2: phone against the wall like I never heard he said

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Speaker 2: he taught Michael Jackson how to move.

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Speaker 3: You ever had an interview with somebody said something, you

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Speaker 3: just want to end it right there. It's off like,

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Speaker 3: you know, we got it like this.

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Speaker 5: I got that from the Bronx. I thought it was

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Speaker 5: break dances in the Bronx. I thought it was.

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Speaker 2: No no, and then and so what happened is I

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Speaker 2: called or remember members of New Edition and they all

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Speaker 2: didn't comment on it. They was like, yo, no comment.

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Speaker 2: So I kind of heard that it was the guy

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Speaker 2: from Shallamar taught Michael how the Moon.

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Speaker 5: That's what they said.

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Speaker 3: Yeah, yeah, they said the.

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Speaker 2: Guy from Shallamar taught him. But but when Bobby Brown

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Speaker 2: told me that, I was like, oh my god, like

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Speaker 2: you taught Michael.

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Speaker 5: How the Moon? Was still a story.

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Speaker 2: I know he means it though he Bobby Brown was

256
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Speaker 2: the man, So you gotta understand, right, it's a little Oozy, right,

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Speaker 2: Little ozis my man. I love him, Littlezy the little

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Speaker 2: dance he dude. You know it's another young kid from

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Speaker 2: Philly that taught him to dance. There's a young kid

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Speaker 2: from Philly that raps that taught him to dance. Ouzie

261
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Speaker 2: is such a star. He made it more famous It's

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Speaker 2: almost like Luie De was going, oh, and then be

263
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Speaker 2: honestly came and said, I took that to the you

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Speaker 2: know what I'm saying.

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Speaker 5: Le lean back from then?

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Speaker 3: Well, I learned lean back from Uh.

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Speaker 2: I studied Missy how she did songs around that time,

268
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Speaker 2: and really the whole reggae movement. It was like single

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Speaker 2: to play talking with all that, right.

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Speaker 3: The Elephant man, and and so I was like, yo, I.

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Speaker 2: Gotta do like the like the Jamaicans. Man, they making

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Speaker 2: these songs that everybody's doing the dance too. So that

273
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Speaker 2: was really the influence of lean back all in the

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Speaker 2: in the Gumboat.

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Speaker 3: I gotta ask.

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Speaker 1: So you know, of course we're still celebrating fifty years

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Speaker 1: of hip hop. Just because it was the day doesn't

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Speaker 1: mean we stopped celebrating. But you got a chance to

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Speaker 1: perform a Yankee Stadium. Talk about talk about Joey Krack

280
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Speaker 1: back in the Bronx at Yankee Stadium.

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Speaker 3: Man, it was just legendary.

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Speaker 4: You know.

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Speaker 2: I grew up five minutes from Yankee Stadium. I drove

284
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Speaker 2: there from the projects. So I went to my old apartment,

285
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Speaker 2: got dressed, dumped in the drop, drove to pass everybody

286
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Speaker 2: to k y'all, Miami trap, all the guys pistol drove.

287
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Speaker 3: In the stadium.

288
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Speaker 2: And then the next time the camera sees me, I'm

289
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Speaker 2: walking on stage, live and direct.

290
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Speaker 3: I had crazy legs and gravity. Who's my cousin?

291
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Speaker 2: They both break dances, so you know, they came out

292
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Speaker 2: there the biggest Puerto Rican flag you ever seen in

293
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Speaker 2: your life.

294
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Speaker 3: Like they was out there like then they got super busy.

295
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Speaker 2: So I'm walking on stage. You know, I started letting

296
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Speaker 2: it go a little my lifestyle. I let go to

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Speaker 2: New York.

298
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Speaker 3: Hundred guns and hundred. But I was possessed, you, I

299
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Speaker 3: was possessed. I was.

300
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Speaker 2: I was in that back room. I wasn't even talking

301
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Speaker 2: and over I had like five security. I don't have

302
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Speaker 2: security now, I just don't have security, but I had five,

303
00:13:28,040 --> 00:13:30,920
Speaker 2: like so nobody could offer me right and I had

304
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Speaker 2: to sneak in the stadium because they had like four

305
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Speaker 2: hundred and fifty guys. They were Joe. I mean, I

306
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Speaker 2: guess I went to Junior High with all. I didn't

307
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Speaker 2: even know who. The phone was going off too much,

308
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Speaker 2: so I couldn't answer the phone. But it was so

309
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Speaker 2: special to me because I knew it was the fiftieth anniversary.

310
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Speaker 2: You had run DMC, you had all the legends Hollywood

311
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Speaker 2: that every whoever you could name me an ice Cube,

312
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Speaker 2: Snoop this, Nahs this. It was just so it's not competition,

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Speaker 2: but it's friendly competition. And so I didn't want to

314
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Speaker 2: you know, Snoop Dog ain't letting me go to l

315
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Speaker 2: A and steal that thing, you know what I mean.

316
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Speaker 2: So I'm in the Bronx, so I knew yo, I

317
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Speaker 2: got to put it down for the Bronx, the rock Steady,

318
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Speaker 2: the create the rock Steady crew.

319
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Speaker 3: Remy came out with me. Uh, Tom Sunshine was with me.

320
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Speaker 2: Then we get We brought out a shanty looking beautiful

321
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Speaker 2: as ever.

322
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Speaker 3: She ripped that down. Crazy.

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Speaker 2: Then we went into Peter Guns with the with the

324
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Speaker 2: with the Bronx National and then in the middle of

325
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Speaker 2: the if it wasn't for the bron then it goes

326
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Speaker 2: standing at that.

327
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Speaker 3: And then the.

328
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Speaker 2: Big bully comes out, the teacher my idol carevas once

329
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Speaker 2: on the South Bronx.

330
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Speaker 3: Then he does the bridge the bridges over the bridges

331
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Speaker 3: was crazy.

332
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Speaker 2: Miss I had just kissed rock Shan Chante on the

333
00:14:52,840 --> 00:14:55,280
Speaker 2: way to the stage. I was just talking to Craigy

334
00:14:55,320 --> 00:14:58,080
Speaker 2: g mc shan was the probably the one guy who

335
00:14:58,160 --> 00:15:00,560
Speaker 2: got in my room. I was talking to to him

336
00:15:00,600 --> 00:15:03,120
Speaker 2: for like an hour. So it was just a celebration

337
00:15:03,200 --> 00:15:05,520
Speaker 2: of hip hop, right, you know, And it was nothing

338
00:15:05,640 --> 00:15:08,520
Speaker 2: like it. You know, I pull up young young, young

339
00:15:08,600 --> 00:15:11,040
Speaker 2: dudes and girls. They had their own little speaker. It

340
00:15:11,080 --> 00:15:13,600
Speaker 2: was almost like when you watch one of the movies

341
00:15:13,640 --> 00:15:16,320
Speaker 2: like Malcolm X. With the movie Malcolm X, Spike Lee

342
00:15:16,360 --> 00:15:18,880
Speaker 2: did the al Shoppings on the box.

343
00:15:18,720 --> 00:15:21,400
Speaker 3: Preaching the usc That's how I was with hip hop.

344
00:15:21,440 --> 00:15:26,080
Speaker 2: Outside the stadium, they was all freestyling and then ten

345
00:15:26,160 --> 00:15:30,000
Speaker 2: Steps there was bands, queens, shook ones, ten Steps there

346
00:15:30,040 --> 00:15:33,520
Speaker 2: was cops breakdancing like it was out of this world.

347
00:15:33,680 --> 00:15:36,480
Speaker 2: And it wasn't just New York. It was like so

348
00:15:36,600 --> 00:15:39,080
Speaker 2: I went back and I watched all the interviews they did,

349
00:15:39,360 --> 00:15:41,400
Speaker 2: you know, like news reporters, and they was like, I'm

350
00:15:41,400 --> 00:15:46,400
Speaker 2: from Oklahoma. I drove up Yo, I'm from the California.

351
00:15:46,480 --> 00:15:50,400
Speaker 2: Guys with the Jerry Carrolls, they was in Yankee Stadium,

352
00:15:50,440 --> 00:15:54,000
Speaker 2: not performing. They came whoever the guys is with them.

353
00:15:54,440 --> 00:15:57,400
Speaker 2: They was all around. They was in the Bronx like

354
00:15:57,840 --> 00:16:00,560
Speaker 2: the whole world of hip hops I'm over there at

355
00:16:00,560 --> 00:16:03,040
Speaker 2: the Yankee Stadium, So there was an honor to see

356
00:16:03,040 --> 00:16:06,440
Speaker 2: some of the legends get acknowledge. Of course, you can't

357
00:16:06,480 --> 00:16:09,520
Speaker 2: make everybody happy, you know, there's just too many rappers,

358
00:16:09,920 --> 00:16:11,560
Speaker 2: you know what I'm saying. But we put it down

359
00:16:11,600 --> 00:16:12,960
Speaker 2: for rap, you know, legendary.

360
00:16:12,960 --> 00:16:15,640
Speaker 4: When you think about tarror squad, right and what terror

361
00:16:15,680 --> 00:16:17,360
Speaker 4: squad was in the street and then you see it

362
00:16:17,400 --> 00:16:19,200
Speaker 4: on the sneaker, what did that do to you?

363
00:16:19,200 --> 00:16:21,240
Speaker 3: You even can't even comprehend.

364
00:16:21,640 --> 00:16:23,440
Speaker 2: You know, I just work hard. You know, I got

365
00:16:23,520 --> 00:16:27,040
Speaker 2: up early. My wife is like, Yo, what's up. I said, Man,

366
00:16:27,080 --> 00:16:29,360
Speaker 2: we're just so blessed, and it was just like, you know,

367
00:16:29,440 --> 00:16:32,840
Speaker 2: we you know what we you know, I want a shot.

368
00:16:33,320 --> 00:16:37,920
Speaker 2: I went to my projects and I love you, Foss President,

369
00:16:37,960 --> 00:16:40,040
Speaker 2: you know, I always represent you. But I went to

370
00:16:40,120 --> 00:16:43,480
Speaker 2: my projects. It's been a while. I went to my

371
00:16:43,560 --> 00:16:47,200
Speaker 2: old project apartment. You know, I was touching the walls

372
00:16:47,280 --> 00:16:50,120
Speaker 2: like this one wall, one wall.

373
00:16:50,280 --> 00:16:52,400
Speaker 3: That's when you little, you think it's big.

374
00:16:53,200 --> 00:16:57,000
Speaker 2: You got four kids, uncles, you know, every uncle to

375
00:16:57,080 --> 00:16:58,960
Speaker 2: get thrown out his house, come to your house.

376
00:16:59,360 --> 00:17:01,800
Speaker 3: You know, we're walking on people. It's in the book

377
00:17:02,400 --> 00:17:03,520
Speaker 3: let my father's Cuban.

378
00:17:03,800 --> 00:17:07,719
Speaker 2: My father went to the Madiella to Cuba to go

379
00:17:07,760 --> 00:17:09,920
Speaker 2: get my brothers and sisters. They gave him two sisters

380
00:17:09,960 --> 00:17:13,520
Speaker 2: lords in mercy. They gave him thirty cubans. All those

381
00:17:13,600 --> 00:17:16,760
Speaker 2: Cubans came and the boat saying because it was a

382
00:17:16,760 --> 00:17:18,399
Speaker 2: bullshit boat, we ain't had no money.

383
00:17:18,640 --> 00:17:20,040
Speaker 3: All the Cubans came to my house.

384
00:17:20,320 --> 00:17:22,400
Speaker 2: When I was going to school, I was stepping on

385
00:17:23,080 --> 00:17:26,320
Speaker 2: Cubans like going to school in the morning, and that's

386
00:17:26,359 --> 00:17:29,400
Speaker 2: how small the crib was. When you go home now

387
00:17:29,480 --> 00:17:30,400
Speaker 2: and you see these.

388
00:17:30,240 --> 00:17:34,119
Speaker 3: Big ass ceilings and marble and stuff, you can't believe this.

389
00:17:34,240 --> 00:17:37,080
Speaker 2: So I'm looking at the terroce cars, sneaker, everything I

390
00:17:37,119 --> 00:17:41,320
Speaker 2: did prior to rap, and I'm not proud of what's.

391
00:17:41,200 --> 00:17:44,960
Speaker 3: To get sneakers.

392
00:17:43,640 --> 00:17:48,960
Speaker 2: It was to get sneakers, not to have your own sneaker.

393
00:17:49,080 --> 00:17:51,600
Speaker 2: I'm telling you the truth. I haven't even allowed I

394
00:17:51,600 --> 00:17:55,320
Speaker 2: don't know if it's a form of depression or something.

395
00:17:55,320 --> 00:17:57,520
Speaker 2: I don't I haven't you know how when you got

396
00:17:57,520 --> 00:18:00,840
Speaker 2: something that you just keep away. I have allowed myself

397
00:18:00,840 --> 00:18:03,360
Speaker 2: to really look at the sneaking by myself, in the room,

398
00:18:03,440 --> 00:18:06,159
Speaker 2: by myself, and be like you probably cried, Yeah, I.

399
00:18:06,200 --> 00:18:10,680
Speaker 3: Probably cried, I'm just like, yo, I'm sneaker. You know

400
00:18:10,760 --> 00:18:15,680
Speaker 3: what I'm saying with terror squad and with no disrespect.

401
00:18:15,800 --> 00:18:20,240
Speaker 2: It ain't like, you know, it ain't like it's Nike,

402
00:18:20,600 --> 00:18:23,159
Speaker 2: it's you know, it's an air Force one.

403
00:18:23,359 --> 00:18:24,640
Speaker 3: It's up chowns right.

404
00:18:24,720 --> 00:18:26,879
Speaker 2: It ain't a collab with a you know, up and

405
00:18:26,960 --> 00:18:29,720
Speaker 2: coming brand or something like that.

406
00:18:29,800 --> 00:18:32,600
Speaker 3: It's like, yo, it's the one. You know what I'm saying.

407
00:18:32,640 --> 00:18:35,359
Speaker 1: I love to see how far Joe has come as

408
00:18:35,400 --> 00:18:38,600
Speaker 1: a person, just how how you've come because all those

409
00:18:38,600 --> 00:18:41,960
Speaker 1: stories in the book, you know, we've either seen or

410
00:18:42,280 --> 00:18:45,160
Speaker 1: we've ran from, or we've avoided or dodged.

411
00:18:45,440 --> 00:18:47,200
Speaker 5: So the fact I read the book, I I had

412
00:18:47,200 --> 00:18:47,520
Speaker 5: to ask.

413
00:18:47,600 --> 00:18:49,800
Speaker 4: I wanted to ask him and Richard million questions like

414
00:18:50,000 --> 00:18:57,159
Speaker 4: how far removed tole them dispect, But he said there

415
00:18:57,200 --> 00:18:58,200
Speaker 4: will be no disrespect.

416
00:18:59,280 --> 00:19:02,600
Speaker 1: I remember I remember looking out my window and seeing

417
00:19:02,600 --> 00:19:05,199
Speaker 1: Fat Joe walking up my block Murdock Avenue, and me

418
00:19:05,280 --> 00:19:07,320
Speaker 1: calling Clue like what did you do?

419
00:19:07,720 --> 00:19:08,359
Speaker 3: He was like, what do you mean?

420
00:19:08,400 --> 00:19:10,640
Speaker 1: I'm like, Fat Joe is walking up the block. He's

421
00:19:10,640 --> 00:19:12,800
Speaker 1: probably coming to hurt you and kill you. He's like, no,

422
00:19:12,840 --> 00:19:14,359
Speaker 1: he's just dropping off a record. I'm like, well, I'm

423
00:19:14,400 --> 00:19:17,280
Speaker 1: staying in the house. I just I just remember those stories.

424
00:19:17,320 --> 00:19:21,320
Speaker 1: So to see you in fifty performing in New York

425
00:19:21,400 --> 00:19:22,200
Speaker 1: together is.

426
00:19:22,200 --> 00:19:23,360
Speaker 3: I got one better for you.

427
00:19:23,560 --> 00:19:27,680
Speaker 2: They made documentaries about my brother, Pistol p Pistol p

428
00:19:27,920 --> 00:19:34,320
Speaker 2: Kar and his documentaries. Like he's like he predicate from

429
00:19:34,359 --> 00:19:37,600
Speaker 2: Rykers Island. You know, he started no disrespect, all that

430
00:19:37,760 --> 00:19:40,760
Speaker 2: cutting and all that in Reykers Island and now he's

431
00:19:40,800 --> 00:19:44,400
Speaker 2: going back mentoring the youth from Rykers Island, telling them

432
00:19:44,440 --> 00:19:47,359
Speaker 2: a chill, you know, vibing with them, you know, keeping

433
00:19:47,359 --> 00:19:49,000
Speaker 2: it real with them and telling them, yo, you got

434
00:19:49,080 --> 00:19:52,000
Speaker 2: to get up out of here. He's eveniller than Fat Joe.

435
00:19:52,240 --> 00:19:55,520
Speaker 2: Like it's unbelievable. When I'm sitting with him yesterday, we

436
00:19:55,560 --> 00:19:57,800
Speaker 2: was chilling and all he was telling me is about

437
00:19:57,960 --> 00:20:00,080
Speaker 2: how he's talking to the youth, how he's.

438
00:20:00,080 --> 00:20:02,160
Speaker 3: Trying to change their lives. Yo, jonahs crazy.

439
00:20:02,200 --> 00:20:05,560
Speaker 2: I'm looking at Pistol Pete like this, I'm like, yo,

440
00:20:05,640 --> 00:20:06,879
Speaker 2: this is out of control.

441
00:20:07,800 --> 00:20:10,080
Speaker 5: Was he one of the ones break dancing withche He.

442
00:20:10,200 --> 00:20:18,280
Speaker 2: Was just one of those, was the West Side story.

443
00:20:19,920 --> 00:20:23,119
Speaker 2: This guy he ain't lying man, you know, but we

444
00:20:23,240 --> 00:20:26,040
Speaker 2: come a long way and we really really want to

445
00:20:26,040 --> 00:20:28,720
Speaker 2: help the community. That's pretty much what it's all about,

446
00:20:29,240 --> 00:20:30,800
Speaker 2: you know, because at the end of the day, shout

447
00:20:30,800 --> 00:20:33,320
Speaker 2: out to my stylists and one of my best friends ever,

448
00:20:33,800 --> 00:20:36,880
Speaker 2: Terrell torell Is, And he told me one day, one day,

449
00:20:36,880 --> 00:20:39,480
Speaker 2: we in Turks and Kekos and we in the middle

450
00:20:39,480 --> 00:20:42,000
Speaker 2: of you know that water is different and we both

451
00:20:42,080 --> 00:20:44,479
Speaker 2: drinking and I said, man, I grew up with some

452
00:20:44,560 --> 00:20:48,080
Speaker 2: bad guys. He turned around, he said, they weren't that bad.

453
00:20:48,320 --> 00:20:50,080
Speaker 2: I said, what you mean? He said, they didn't kill

454
00:20:50,119 --> 00:20:53,720
Speaker 2: you in the lobby on the alley. Let you live.

455
00:20:55,280 --> 00:20:58,000
Speaker 2: Changed my whole life there. I start thinking about my

456
00:20:58,520 --> 00:21:01,400
Speaker 2: hood and I said, damn, they were bad, but they

457
00:21:01,440 --> 00:21:03,800
Speaker 2: really could have did me bad. You know how many

458
00:21:03,840 --> 00:21:07,240
Speaker 2: brothers died out there. You know what I'm saying, girls too.

459
00:21:07,280 --> 00:21:09,439
Speaker 2: It was like, you know, they never told on me.

460
00:21:10,280 --> 00:21:11,680
Speaker 2: You know, nobody ever told on.

461
00:21:11,720 --> 00:21:12,280
Speaker 3: Me out there.

462
00:21:12,320 --> 00:21:14,800
Speaker 2: They just kept them one hundred with me. So that's

463
00:21:14,840 --> 00:21:17,159
Speaker 2: why we constantly think about them. Every time we can

464
00:21:17,240 --> 00:21:20,200
Speaker 2: help them, every time we could do something for the community, we.

465
00:21:20,200 --> 00:21:22,960
Speaker 3: Always did, you know. You know, just the other day,

466
00:21:23,000 --> 00:21:24,320
Speaker 3: me and you was walking around.

467
00:21:25,800 --> 00:21:29,800
Speaker 2: You want jay Z to get get the casino from

468
00:21:29,880 --> 00:21:33,240
Speaker 2: time squaes. It's time that a brother of color. You

469
00:21:33,280 --> 00:21:35,439
Speaker 2: know what I'm saying. We've been gambling. If you go

470
00:21:35,480 --> 00:21:39,040
Speaker 2: to any casino in America, there's nothing but black and

471
00:21:39,040 --> 00:21:42,200
Speaker 2: Spanish people in there, gambling every day. Finally we got

472
00:21:42,200 --> 00:21:45,840
Speaker 2: an opportunity to make the flat because he told me, yo,

473
00:21:45,920 --> 00:21:49,159
Speaker 2: we're gonna kill Dubai like this casino's gonna be so flat.

474
00:21:49,840 --> 00:21:53,080
Speaker 2: And so, you know, so I walked around the neighborhood

475
00:21:53,600 --> 00:21:56,800
Speaker 2: to see how they could benefit from the casino and

476
00:21:56,880 --> 00:22:02,000
Speaker 2: the community that does the plays and all the our

477
00:22:02,280 --> 00:22:04,680
Speaker 2: actors and all that they can have a home there

478
00:22:05,280 --> 00:22:05,640
Speaker 2: in there.

479
00:22:05,680 --> 00:22:06,760
Speaker 3: So it's a beautiful thing.

480
00:22:06,800 --> 00:22:10,760
Speaker 2: We just constantly just you know, trying to elevate to

481
00:22:10,840 --> 00:22:12,720
Speaker 2: another level. That's what we're doing. That's what you do.

482
00:22:12,800 --> 00:22:14,520
Speaker 2: That's what you do. That's what I do. That's what

483
00:22:14,520 --> 00:22:16,960
Speaker 2: we all do. We feel like we're blessed to live

484
00:22:16,960 --> 00:22:19,360
Speaker 2: another day. You know, I'm at the point now when

485
00:22:19,400 --> 00:22:22,840
Speaker 2: it's sunny outside, I wake up in and saying, oh

486
00:22:22,880 --> 00:22:24,080
Speaker 2: my God, I got another one.

487
00:22:24,280 --> 00:22:26,320
Speaker 3: God that's right, you know what I'm saying.

488
00:22:26,359 --> 00:22:29,200
Speaker 2: Thank God, God is the greatest. And so every day

489
00:22:29,240 --> 00:22:31,240
Speaker 2: I wake up now it's like, so you remember when

490
00:22:31,240 --> 00:22:33,640
Speaker 2: you was young. You know it's in the book.

491
00:22:33,720 --> 00:22:33,919
Speaker 3: You know.

492
00:22:33,960 --> 00:22:36,240
Speaker 2: I used to fight thirty forty dudes every day like

493
00:22:36,480 --> 00:22:37,639
Speaker 2: they was cutting me and.

494
00:22:38,400 --> 00:22:40,760
Speaker 3: I didn't care. I thought I was invincible. You know.

495
00:22:40,840 --> 00:22:41,440
Speaker 3: I got shot.

496
00:22:41,480 --> 00:22:44,440
Speaker 2: I checked out the hospital, you know, an hour later,

497
00:22:44,600 --> 00:22:48,040
Speaker 2: like take the tubes off, thinking I'm bionic. Now I'm like,

498
00:22:49,720 --> 00:22:55,040
Speaker 2: when to God, forbit, somebody sneeze on the plane, I'm.

499
00:22:55,040 --> 00:22:57,879
Speaker 3: Dunking, the mask is out, the hoodie. I'm like, yo,

500
00:22:58,240 --> 00:23:02,120
Speaker 3: I'm ank. You know, it's a different time.

501
00:23:02,200 --> 00:23:04,720
Speaker 2: So we appreciate God and we just constantly try to

502
00:23:04,760 --> 00:23:05,879
Speaker 2: get back to the community.

503
00:23:05,960 --> 00:23:07,080
Speaker 3: Well, we appreciate you, Joe.

504
00:23:07,080 --> 00:23:08,400
Speaker 1: We know we stole you for a couple of minutes

505
00:23:08,400 --> 00:23:11,040
Speaker 1: and we just came to we need to We needed

506
00:23:11,080 --> 00:23:12,040
Speaker 1: to holle let Joey Crack for.

507
00:23:12,280 --> 00:23:13,879
Speaker 2: We need the girl to send me the footage of

508
00:23:13,920 --> 00:23:16,120
Speaker 2: me giving you the Sneakers. We got it, we got it, came,

509
00:23:16,280 --> 00:23:16,560
Speaker 2: we got it.

510
00:23:16,560 --> 00:23:17,040
Speaker 5: We gonna get it.

511
00:23:17,040 --> 00:23:21,680
Speaker 3: To need that a son.

512
00:23:21,320 --> 00:23:25,680
Speaker 2: Before noon, before before you, guys, Joey Crack.

513
00:23:25,600 --> 00:23:27,480
Speaker 5: Get the Book of Jose Go get the Sneakers.

514
00:23:28,080 --> 00:23:32,200
Speaker 1: Squad Sneakers Joe from Mail, Breakfast, Clue co Morting

515
00:23:32,240 --> 00:23:33,400
Speaker 3: No No, No Politics,