1 00:00:01,720 --> 00:00:02,840 Speaker 1: Causer Media. 2 00:00:06,760 --> 00:00:11,160 Speaker 2: You're listening to the Away Days podcast on the ground outside, 3 00:00:11,520 --> 00:00:17,520 Speaker 2: reporting from the underbelly with me Jake Hanrahan. To watch 4 00:00:17,560 --> 00:00:22,520 Speaker 2: Awaydays documentaries, go to YouTube dot com slash at away 5 00:00:22,640 --> 00:00:23,280 Speaker 2: Days TV. 6 00:00:25,920 --> 00:00:27,040 Speaker 3: This is part one. 7 00:00:27,680 --> 00:00:34,040 Speaker 2: No Rules Is No Rules, Episode three. This podcast in 8 00:00:34,080 --> 00:00:36,440 Speaker 2: the production of h Lemon Studio and. 9 00:00:36,440 --> 00:00:37,320 Speaker 3: Call Zone Media. 10 00:00:43,560 --> 00:00:46,640 Speaker 2: It's a few months since the FPVS fighting can and 11 00:00:46,680 --> 00:00:50,560 Speaker 2: now I'm in Germany or just about mate, we're. 12 00:00:50,240 --> 00:00:54,520 Speaker 3: In the middle of nowhere is that the term. 13 00:00:54,800 --> 00:00:57,920 Speaker 2: I'm driving through a rundown town right on the border 14 00:00:58,000 --> 00:01:01,480 Speaker 2: with Strasbourg, trying to find the occasion of another No 15 00:01:01,640 --> 00:01:06,160 Speaker 2: Rules underground event. There were green hills and traditional scenic 16 00:01:06,240 --> 00:01:08,720 Speaker 2: villages here and there on the drive in, but the 17 00:01:08,760 --> 00:01:12,400 Speaker 2: final destination is honestly a bit of a tip reminds 18 00:01:12,400 --> 00:01:16,280 Speaker 2: me of home. Everything's gray concrete and dying retail parks, 19 00:01:16,600 --> 00:01:19,200 Speaker 2: lad stood on corners and arguments and alleyways. 20 00:01:19,440 --> 00:01:21,160 Speaker 3: It's a long long way. 21 00:01:20,920 --> 00:01:23,880 Speaker 2: From hipster Berlin, a place where I got laughed at 22 00:01:23,880 --> 00:01:26,040 Speaker 2: by a guy with a waxed mustache when I ordered 23 00:01:26,040 --> 00:01:29,440 Speaker 2: a black coffee earlier. In contrast, this morning, in this 24 00:01:29,560 --> 00:01:32,240 Speaker 2: border town, an old fellow wanted to fight because he 25 00:01:32,319 --> 00:01:35,000 Speaker 2: felt I'd parked too close to his car. It's a 26 00:01:35,040 --> 00:01:39,440 Speaker 2: long way from Berlin. Indeed, this place is probably perfect 27 00:01:39,440 --> 00:01:43,600 Speaker 2: for cross country smuggling, destitution, drugs, and a poorous border 28 00:01:43,600 --> 00:01:46,960 Speaker 2: with France. I'm not too surprised there's an underground fight 29 00:01:47,040 --> 00:01:50,120 Speaker 2: club here. We're a long way from Cannes as well. 30 00:01:51,120 --> 00:01:54,400 Speaker 2: The fight club I'm heading to is called Frontier, perhaps 31 00:01:54,480 --> 00:01:58,120 Speaker 2: named after the Franco Alamande Frontier border cross into the 32 00:01:58,120 --> 00:02:00,960 Speaker 2: west of the city. Frontier is much more of an 33 00:02:01,000 --> 00:02:07,320 Speaker 2: illicit organization than FPVSTPVS, for example, has the tagline just 34 00:02:07,360 --> 00:02:11,320 Speaker 2: do sport and no one gets paid. Frontiers tagline is 35 00:02:11,560 --> 00:02:15,359 Speaker 2: respect of the streets and fighters do get paid, not much, 36 00:02:15,440 --> 00:02:19,080 Speaker 2: but they get something, whether at least opposed to moren that. Later, 37 00:02:21,320 --> 00:02:23,760 Speaker 2: the GPS directs me out of the city and onto 38 00:02:23,800 --> 00:02:26,799 Speaker 2: the outskirts. I drive through a small rural town and 39 00:02:26,840 --> 00:02:29,440 Speaker 2: pull up to a long dirt road. Fight club is 40 00:02:29,480 --> 00:02:33,920 Speaker 2: this way. Halfway down the track, there's a pit stop 41 00:02:34,000 --> 00:02:37,080 Speaker 2: restaurant with a few heavy you stood outside, tall fellas 42 00:02:37,120 --> 00:02:41,320 Speaker 2: with thick necks, sunglasses and a scary tracksuits. I pull 43 00:02:41,400 --> 00:02:44,280 Speaker 2: up next to them and wind down my window. Blonde 44 00:02:44,280 --> 00:02:45,960 Speaker 2: guy with a back he could break a chair on. 45 00:02:46,120 --> 00:02:49,240 Speaker 2: Comes up to the car. He nods slightly, asking what 46 00:02:49,440 --> 00:02:51,560 Speaker 2: I want. Do you know where the fights are? 47 00:02:51,720 --> 00:02:52,119 Speaker 3: I ask? 48 00:02:52,400 --> 00:02:55,840 Speaker 2: He laughs and looks around, kind of uncertain. Maybe he 49 00:02:55,919 --> 00:02:58,000 Speaker 2: thinks I'm a cop. He takes a drag of his 50 00:02:58,000 --> 00:03:01,640 Speaker 2: cigarette the fight. He asks, Yes, I'm here to see Lavvy. 51 00:03:01,800 --> 00:03:05,640 Speaker 2: I say, Lavvy is the guy who runs Frontier. Ah, 52 00:03:05,840 --> 00:03:09,240 Speaker 2: says Blondie. He nods, it's all good. He points to 53 00:03:09,280 --> 00:03:13,440 Speaker 2: a fairly large but otherwise inconspicuous building in the near distance. 54 00:03:14,000 --> 00:03:17,000 Speaker 2: It sits opposite some horse stables, which are obscuring most 55 00:03:17,000 --> 00:03:19,160 Speaker 2: of the structure. But I can see where to go. 56 00:03:19,720 --> 00:03:21,280 Speaker 2: A park up on the side of the road and 57 00:03:21,280 --> 00:03:26,040 Speaker 2: get out the car. Everything is rock, gravel and mud underfoot. 58 00:03:26,600 --> 00:03:29,400 Speaker 2: The building looks like a British workingman's club or an 59 00:03:29,440 --> 00:03:34,000 Speaker 2: old function hall, Beige, drab, forgettable. It's tucked away, just 60 00:03:34,080 --> 00:03:37,760 Speaker 2: off the road, surrounded by forgotten allotments and overgrown fields. 61 00:03:38,320 --> 00:03:40,400 Speaker 2: If you use to fancy things, you might think the 62 00:03:40,480 --> 00:03:44,000 Speaker 2: area is completely abandoned. It's not, though life goes on. 63 00:03:44,480 --> 00:03:47,640 Speaker 2: It's just an under the table sort of location. I 64 00:03:47,760 --> 00:03:50,120 Speaker 2: text Lavvy. He calls to say he'll be out in 65 00:03:50,160 --> 00:03:55,160 Speaker 2: a bit. As I wait, more cars start arriving, black 66 00:03:55,240 --> 00:03:59,960 Speaker 2: range rovers with black windows, boy racer hatchbacks, white work vans, 67 00:04:00,520 --> 00:04:04,760 Speaker 2: vehicles for activities other than driving. Lovvy shouts over to 68 00:04:04,800 --> 00:04:07,920 Speaker 2: me from the hall entrance and comes strolling over here. 69 00:04:11,720 --> 00:04:15,320 Speaker 1: Is it yes, exectly middle of nowhere? Yes, executive. 70 00:04:18,240 --> 00:04:20,320 Speaker 2: He's wearing a black face covering pulled up to his 71 00:04:20,400 --> 00:04:23,320 Speaker 2: eyes and a bright red zip up jacket with the 72 00:04:23,360 --> 00:04:27,080 Speaker 2: frontier logo embroidered into it. His hair is shaved short, 73 00:04:27,279 --> 00:04:30,200 Speaker 2: and he's about six foot. He's slim but built like 74 00:04:30,240 --> 00:04:33,440 Speaker 2: a fighter. He approaches me warmly and we shake hands. 75 00:04:33,920 --> 00:04:37,080 Speaker 2: Lobby is upbeat and immediately friendly. In the back of 76 00:04:37,120 --> 00:04:40,600 Speaker 2: his head, he's got a cab. All cops are bastards 77 00:04:40,920 --> 00:04:44,560 Speaker 2: tattooed in large black letter with a butterfly knife underneath. 78 00:04:45,000 --> 00:04:48,360 Speaker 2: It's a real career and the type of tattoo it's incredible. 79 00:04:49,400 --> 00:04:50,400 Speaker 3: I love that in the. 80 00:04:50,400 --> 00:04:56,880 Speaker 4: Back of your head, man, I'll tell us some beautiful. 81 00:04:56,600 --> 00:05:00,280 Speaker 2: Lobby is instantly likable. There's zero front and no foot 82 00:05:00,279 --> 00:05:03,279 Speaker 2: to come across toff. In my experience, it's guys like 83 00:05:03,320 --> 00:05:06,800 Speaker 2: this who are actually about it. He's nice, but I'm 84 00:05:06,839 --> 00:05:08,719 Speaker 2: sure he'd have my skull caved in if needs be. 85 00:05:09,279 --> 00:05:11,560 Speaker 2: He tells me that outside of the fight clubs, he 86 00:05:11,680 --> 00:05:24,240 Speaker 2: works at security, which could mean many different things. Immediately 87 00:05:24,279 --> 00:05:26,760 Speaker 2: inside the building, there's an entrance hall where four men 88 00:05:26,839 --> 00:05:30,599 Speaker 2: wearing balaclavas are stood waiting. They're each holding a baseball 89 00:05:30,680 --> 00:05:34,240 Speaker 2: bat underground security. They nod at Lava and me and 90 00:05:34,320 --> 00:05:37,320 Speaker 2: we're fine. Nobody search needed when the boss man is it. 91 00:05:38,080 --> 00:05:40,960 Speaker 2: The security guy's waivers passed through two double doors into 92 00:05:40,960 --> 00:05:46,599 Speaker 2: the main hall. Inside there's noise and lights and people 93 00:05:46,640 --> 00:05:49,600 Speaker 2: filling in through an unseen back entrance. All along the 94 00:05:49,720 --> 00:05:52,760 Speaker 2: edges there are permanent booths with tables here and there. 95 00:05:52,800 --> 00:05:55,960 Speaker 2: On the walls, there's framed generic mail order arts, jazz 96 00:05:56,000 --> 00:06:00,120 Speaker 2: bands in Italian kitchens. Fluorescent ceiling bulbs keep everything thing 97 00:06:00,279 --> 00:06:02,520 Speaker 2: washed out. At the back of the room there's a 98 00:06:02,520 --> 00:06:04,839 Speaker 2: small bar, and through that there's a corridor to a 99 00:06:04,839 --> 00:06:09,040 Speaker 2: smaller function room. This place is a social club, only 100 00:06:09,080 --> 00:06:11,960 Speaker 2: it's being transformed. In the middle of the room, there's 101 00:06:12,000 --> 00:06:15,400 Speaker 2: a makeshift ring made of heavy duty Herris fencing. The 102 00:06:15,480 --> 00:06:18,279 Speaker 2: portable galvanized steel frames you get on the perimeter of 103 00:06:18,320 --> 00:06:20,960 Speaker 2: a building site. They are about ten foot tall. With 104 00:06:21,040 --> 00:06:24,360 Speaker 2: fence blocks and clips holding them together. The fights take 105 00:06:24,400 --> 00:06:28,760 Speaker 2: place inside this improvised arena. The floor is flat concrete. 106 00:06:29,720 --> 00:06:31,839 Speaker 2: As I'm walking through the room with lav a spot 107 00:06:31,839 --> 00:06:34,200 Speaker 2: and no rules. Fighter from back home in the UK, 108 00:06:34,920 --> 00:06:39,320 Speaker 2: it's bash. Apparently he's fighting today. He notices me and 109 00:06:39,400 --> 00:06:54,240 Speaker 2: comes over to say hi happily. Over the next half hour, 110 00:06:54,320 --> 00:06:57,680 Speaker 2: the social club is converted into the fight club. There 111 00:06:57,720 --> 00:07:00,480 Speaker 2: will be around five or six fights today. A big 112 00:07:00,520 --> 00:07:03,560 Speaker 2: frontier banner is cable tied to the fences. There's maybe 113 00:07:03,560 --> 00:07:06,679 Speaker 2: one hundred people inside now, dozens of them with large 114 00:07:06,720 --> 00:07:10,640 Speaker 2: face tattoos, big guys, and big jackets, many in balaclavers. 115 00:07:10,960 --> 00:07:12,880 Speaker 2: I get chatting to one of the fighters who tells 116 00:07:12,880 --> 00:07:17,360 Speaker 2: me these people are largely members of serious organized motorcycle gangs. 117 00:07:17,920 --> 00:07:20,120 Speaker 2: I can believe it. I spot more than a few 118 00:07:20,160 --> 00:07:24,040 Speaker 2: Hells Angels, one percent of tattoos, and various other motorcycle 119 00:07:24,080 --> 00:07:27,840 Speaker 2: gang logos. The crowd is heavy. There are contingents here 120 00:07:27,880 --> 00:07:30,720 Speaker 2: that are definitely not friends, but for now the fighting 121 00:07:30,840 --> 00:07:33,720 Speaker 2: is contained. This is a far cry from the young 122 00:07:33,800 --> 00:07:35,080 Speaker 2: rogues of FPVS. 123 00:07:35,560 --> 00:07:36,440 Speaker 3: This is a fight. 124 00:07:36,280 --> 00:07:39,480 Speaker 2: Club with a much stronger criminal element. If you fuck 125 00:07:39,520 --> 00:07:42,920 Speaker 2: around in here, in this nowhere town border area. You 126 00:07:43,000 --> 00:07:59,000 Speaker 2: might just vanish. Lava's weaving in and out of the 127 00:07:59,000 --> 00:08:02,240 Speaker 2: crowd of rapid pays trying to get things organized. A 128 00:08:02,400 --> 00:08:06,239 Speaker 2: DJ is playing ship music and everyone is chatting non stop. 129 00:08:06,640 --> 00:08:09,640 Speaker 2: There's an electric in the air. Fighters are sat around 130 00:08:09,680 --> 00:08:12,560 Speaker 2: with their respective groups. Hands are getting wrapped, limbs are 131 00:08:12,560 --> 00:08:16,280 Speaker 2: getting stretched. Today is a big one. It's the first 132 00:08:16,320 --> 00:08:19,040 Speaker 2: time ever the women will be taking part in a 133 00:08:19,120 --> 00:08:22,800 Speaker 2: no rules fight club. Two female fighters are planned with 134 00:08:22,920 --> 00:08:26,880 Speaker 2: around four male fights as Labby heads outside to check 135 00:08:26,920 --> 00:08:29,600 Speaker 2: the cops are not sniffing around and grabbing for a second, 136 00:08:29,640 --> 00:08:34,240 Speaker 2: to talk about frontier What is frontier respected the streets? 137 00:08:34,400 --> 00:08:37,520 Speaker 4: Frontier respect off the streets are something who what we 138 00:08:37,640 --> 00:08:40,560 Speaker 4: built from the first fighter was the first fighter had 139 00:08:40,559 --> 00:08:43,960 Speaker 4: a problem with other people in the ghetto of Strasbourg. 140 00:08:44,400 --> 00:08:48,880 Speaker 4: Then we was fighting and after that we're filmed more 141 00:08:49,080 --> 00:08:52,800 Speaker 4: and the Corona played us Willy in the cards because 142 00:08:52,840 --> 00:08:54,679 Speaker 4: the jobs was not any more there. We come all 143 00:08:54,720 --> 00:08:57,560 Speaker 4: from the street, from the security at the erotic business 144 00:08:57,679 --> 00:09:01,319 Speaker 4: and other things, and that's why Corona closed all. 145 00:09:01,679 --> 00:09:02,720 Speaker 1: So we was boring. 146 00:09:02,720 --> 00:09:05,560 Speaker 4: Also because we trained together, we worked at a door together, 147 00:09:05,920 --> 00:09:09,720 Speaker 4: and that's why we fought because it was also boring 148 00:09:10,400 --> 00:09:13,319 Speaker 4: and with that we tried to come up. 149 00:09:14,040 --> 00:09:17,120 Speaker 2: So basically, Lovey and his entourage were involved in running 150 00:09:17,120 --> 00:09:21,960 Speaker 2: security for strip clubs and or maybe brothels in this area. 151 00:09:22,440 --> 00:09:25,800 Speaker 2: When COVID hit and shut things down, those illicit businesses 152 00:09:25,960 --> 00:09:29,280 Speaker 2: mostly fell apart. At the same time, love had an 153 00:09:29,280 --> 00:09:32,400 Speaker 2: issue with some lads in Strasbourg. His crew went over. 154 00:09:32,760 --> 00:09:35,480 Speaker 2: Lovey had a fight and someone decided to film it. 155 00:09:36,000 --> 00:09:40,760 Speaker 2: From this frontier was sort of accidentally born. With himself 156 00:09:40,800 --> 00:09:43,360 Speaker 2: and a load of violent heavies out of work, Lovey 157 00:09:43,400 --> 00:09:46,719 Speaker 2: decided to form the Fight Club, essentially just to give 158 00:09:46,760 --> 00:09:48,760 Speaker 2: them an outlet whilst there was fuck all to do 159 00:09:48,920 --> 00:09:49,640 Speaker 2: during COVID. 160 00:09:50,480 --> 00:09:52,920 Speaker 3: And what's happening today today? 161 00:09:52,960 --> 00:09:55,439 Speaker 1: You will see blood, you will see crazy fights. Yes, 162 00:09:55,800 --> 00:09:58,000 Speaker 1: and so god will nobody will die? Yes? 163 00:09:58,960 --> 00:10:02,520 Speaker 2: Why is it like underground fighting is becoming really popular 164 00:10:02,600 --> 00:10:03,040 Speaker 2: in Europe? 165 00:10:03,080 --> 00:10:04,040 Speaker 3: Now? Why do you think that is? 166 00:10:04,360 --> 00:10:07,199 Speaker 4: It's like a game, you know, we are still kids 167 00:10:07,240 --> 00:10:09,720 Speaker 4: like that, we want to play. Yes, it's a special thing, 168 00:10:09,720 --> 00:10:13,160 Speaker 4: you know. Not everybody does it. Everybody make maybe box 169 00:10:13,200 --> 00:10:15,199 Speaker 4: and all we respect all the spots. 170 00:10:14,840 --> 00:10:19,199 Speaker 1: But that is other. When you make a mistake, it's over. 171 00:10:19,440 --> 00:10:22,560 Speaker 4: No referee say hey, come up again and blah blah blah. 172 00:10:22,640 --> 00:10:23,360 Speaker 3: It's more brutal. 173 00:10:23,760 --> 00:10:26,959 Speaker 1: It's more brutal. Yes, so these. 174 00:10:26,760 --> 00:10:29,520 Speaker 2: Fights happening today, no rules, it says, no rules. What 175 00:10:29,520 --> 00:10:30,080 Speaker 2: does that mean? 176 00:10:30,520 --> 00:10:31,840 Speaker 1: Completely with no rules? 177 00:10:32,040 --> 00:10:36,400 Speaker 2: So buying yes, exactly, high gouge yes, kick yes, like. 178 00:10:36,360 --> 00:10:39,120 Speaker 4: In the street. You have to win, you have to survive. 179 00:10:40,280 --> 00:10:42,839 Speaker 4: Nobody ask in the street because the honor. 180 00:10:43,000 --> 00:10:46,520 Speaker 2: You know, you guys are selling this like pay per view, right, 181 00:10:46,600 --> 00:10:48,719 Speaker 2: some people can watch it. How does that work out? 182 00:10:48,880 --> 00:10:50,360 Speaker 2: It does it make money for you guys? 183 00:10:50,960 --> 00:10:53,640 Speaker 4: It should be because it's much work inside and when 184 00:10:53,679 --> 00:10:56,719 Speaker 4: you think about all the hours, all the days we 185 00:10:56,840 --> 00:11:00,120 Speaker 4: put inside. Also we have also families. For myself, I 186 00:11:00,160 --> 00:11:03,480 Speaker 4: have two daughters. I take that time for the club, 187 00:11:03,520 --> 00:11:06,360 Speaker 4: you know, and it have also to pay because at 188 00:11:06,360 --> 00:11:08,640 Speaker 4: the end I have discussions with my family, why you 189 00:11:08,679 --> 00:11:10,760 Speaker 4: don't have time blah blah blah, you know, and for 190 00:11:10,800 --> 00:11:14,160 Speaker 4: that I want also a little bit for myself. And yes, 191 00:11:14,200 --> 00:11:16,560 Speaker 4: but it's not about it's not really about money. 192 00:11:16,559 --> 00:11:16,920 Speaker 1: Of course. 193 00:11:17,800 --> 00:11:20,679 Speaker 4: It all costs really much to make that, to get 194 00:11:20,679 --> 00:11:22,199 Speaker 4: the people here at that and that and. 195 00:11:22,200 --> 00:11:26,120 Speaker 1: It small passion, passion, it's passion because I make that. 196 00:11:26,240 --> 00:11:28,520 Speaker 4: Now we make that no three years and there was 197 00:11:28,600 --> 00:11:32,760 Speaker 4: nothing big money, you know, And we have discipline because 198 00:11:32,800 --> 00:11:35,520 Speaker 4: we see the goal and one day it will be yes. 199 00:11:36,120 --> 00:11:39,160 Speaker 2: So for lovely things are a little different. He wants 200 00:11:39,200 --> 00:11:40,040 Speaker 2: to make money from this. 201 00:11:40,440 --> 00:11:41,080 Speaker 3: He has to. 202 00:11:41,559 --> 00:11:43,880 Speaker 2: He's put a lot of time and effort into organizing 203 00:11:43,920 --> 00:11:47,480 Speaker 2: the fight club, so why shouldn't he read the benefits today? 204 00:11:47,800 --> 00:11:51,240 Speaker 2: View it all across the world, although mostly Europe, will 205 00:11:51,280 --> 00:11:54,960 Speaker 2: be able to pay around ten euros to watch several 206 00:11:55,160 --> 00:12:00,000 Speaker 2: No Rules fights live and direct from Frontier Livey himself 207 00:12:00,120 --> 00:12:03,440 Speaker 2: won't be fighting, but unlike some of the other fight clubs, 208 00:12:03,480 --> 00:12:06,640 Speaker 2: he the leader of Frontier, has fought before as part 209 00:12:06,679 --> 00:12:09,000 Speaker 2: of his own No Rules fight club. 210 00:12:10,160 --> 00:12:14,560 Speaker 4: I fought four times here on my own, but I think, 211 00:12:14,600 --> 00:12:17,840 Speaker 4: you know, I should give other people the chance because 212 00:12:17,960 --> 00:12:21,360 Speaker 4: I'm also we make that, so we are in the business, 213 00:12:21,360 --> 00:12:24,120 Speaker 4: so I don't I don't have also to fight, and 214 00:12:24,200 --> 00:12:26,720 Speaker 4: I don't want a personal thing only about me. 215 00:12:26,800 --> 00:12:28,040 Speaker 1: It's about the fighters, you know. 216 00:12:28,720 --> 00:12:32,440 Speaker 2: And yes, no rules fighting as far as somewhere like 217 00:12:32,440 --> 00:12:35,560 Speaker 2: it's very illegal, right what would happen if like the 218 00:12:35,559 --> 00:12:37,280 Speaker 2: police came down here or whatever. 219 00:12:38,440 --> 00:12:42,080 Speaker 1: Then many people run. Yes, it's like that. 220 00:12:42,200 --> 00:12:44,760 Speaker 2: Really you're not worried about like them coming after your rest, and. 221 00:12:45,240 --> 00:12:47,440 Speaker 1: I would be stupid if I'm not worried, you know. 222 00:12:47,679 --> 00:12:53,000 Speaker 4: But it's like, yes, it's like that, we've we respected 223 00:12:53,040 --> 00:12:57,360 Speaker 4: and all. But if it happens, then it happens. Yes, 224 00:12:57,360 --> 00:13:00,800 Speaker 4: we are prepared for that, but you're never safe. Yeah, 225 00:13:00,800 --> 00:13:02,920 Speaker 4: So no risk, no fun, no champagne. 226 00:13:04,400 --> 00:13:07,319 Speaker 2: Your security guys who got like bats and weapons and 227 00:13:07,360 --> 00:13:09,880 Speaker 2: they're searching people. Is they usually trouble from outside at 228 00:13:09,880 --> 00:13:10,560 Speaker 2: these things? 229 00:13:11,240 --> 00:13:13,560 Speaker 4: Not really, But you have to be careful because we 230 00:13:13,600 --> 00:13:18,880 Speaker 4: are many different groups, many different characters, and we want 231 00:13:18,920 --> 00:13:20,320 Speaker 4: to be safe just in case. 232 00:13:20,600 --> 00:13:21,280 Speaker 1: Yes, exactly. 233 00:13:21,520 --> 00:13:22,960 Speaker 3: Some people say like this stuff. 234 00:13:23,280 --> 00:13:25,839 Speaker 2: People say this is too brutal, You shouldn't be doing it, 235 00:13:25,840 --> 00:13:27,320 Speaker 2: it's dangerous, blah blah blah. 236 00:13:27,360 --> 00:13:28,199 Speaker 3: What do you think about that? 237 00:13:28,760 --> 00:13:31,520 Speaker 4: I think everybody have to decide that for his own 238 00:13:31,600 --> 00:13:34,600 Speaker 4: And of course it's brutal, it's all that things, you know, 239 00:13:35,040 --> 00:13:38,559 Speaker 4: But there are some people, you know, there are soldiers, 240 00:13:38,559 --> 00:13:41,040 Speaker 4: and there are people who are normally us, and you 241 00:13:41,040 --> 00:13:43,840 Speaker 4: have to decide for yourself what side you are. And 242 00:13:43,880 --> 00:13:47,480 Speaker 4: in some people it grows. They cannot stop that, they 243 00:13:47,480 --> 00:13:51,440 Speaker 4: cannot make in the office. No, they make that and 244 00:13:51,559 --> 00:13:53,920 Speaker 4: other people are in the office. We need both of 245 00:13:53,960 --> 00:13:56,520 Speaker 4: the people, you know, but we are from the other side. 246 00:13:57,200 --> 00:13:59,160 Speaker 2: You couldn't do that, right, You couldn't go to normal 247 00:13:59,200 --> 00:14:06,320 Speaker 2: work the you prefer fighting. Yes, If that wasn't clear, 248 00:14:06,720 --> 00:14:10,000 Speaker 2: Lovey points out something that I think is pretty interesting here. 249 00:14:10,400 --> 00:14:13,880 Speaker 2: He acknowledges that brutal no rules fighting is of course 250 00:14:14,200 --> 00:14:17,800 Speaker 2: not for everybody, but he also says the more sedentary 251 00:14:17,880 --> 00:14:21,480 Speaker 2: office work and nine to five type lifestyle is also 252 00:14:21,800 --> 00:14:25,400 Speaker 2: not for everybody. It's not for them, that's for sure. However, 253 00:14:25,520 --> 00:14:28,640 Speaker 2: he also says that we need both types of people 254 00:14:28,720 --> 00:14:31,840 Speaker 2: in this world. Unlike most of the people I've spoke 255 00:14:31,920 --> 00:14:35,280 Speaker 2: to in regards to no rules fight clubs, I think 256 00:14:35,360 --> 00:14:39,000 Speaker 2: love is probably onto something yin and yang in the 257 00:14:39,040 --> 00:14:43,320 Speaker 2: most violent way possible. The events start today, right, So 258 00:14:43,400 --> 00:14:45,560 Speaker 2: there's people come in all over from all over. What 259 00:14:45,640 --> 00:14:47,320 Speaker 2: kind of people are coming to fight? How do you 260 00:14:47,320 --> 00:14:48,840 Speaker 2: get hold of them? How do they contact you? 261 00:14:48,880 --> 00:14:50,880 Speaker 1: The underworld? Yeah, it's underworld. 262 00:14:51,240 --> 00:14:54,040 Speaker 3: Yes, what do you think it's gonna happen today? If 263 00:14:54,040 --> 00:14:54,360 Speaker 3: you're good? 264 00:14:55,080 --> 00:14:56,240 Speaker 1: I hope so, I hope. 265 00:14:56,280 --> 00:14:59,360 Speaker 4: So it will be a massive yes, and the most thing, 266 00:14:59,400 --> 00:15:01,560 Speaker 4: of course, it will to be brutal, but I would 267 00:15:01,640 --> 00:15:03,920 Speaker 4: like if I would say, I hope that something happens 268 00:15:03,920 --> 00:15:07,200 Speaker 4: really like an accident. You know, we are happy when 269 00:15:07,240 --> 00:15:10,240 Speaker 4: the people after can drink a beer, check you cola 270 00:15:10,280 --> 00:15:14,040 Speaker 4: and are happy, you know, and have Maybe I like that, okay, 271 00:15:14,240 --> 00:15:16,720 Speaker 4: but we also don't want that. That's why we have 272 00:15:16,760 --> 00:15:20,360 Speaker 4: to be really careful because it's a concered ground, right. 273 00:15:20,400 --> 00:15:22,680 Speaker 2: You don't want anyone to like be like damaged for life, 274 00:15:23,240 --> 00:15:23,720 Speaker 2: of course not. 275 00:15:23,840 --> 00:15:27,400 Speaker 1: We love to fight, Yes, it's the fight. 276 00:15:27,640 --> 00:15:29,040 Speaker 2: What do you think like King of the Streets you 277 00:15:29,080 --> 00:15:29,800 Speaker 2: guys call with them? 278 00:15:29,960 --> 00:15:32,040 Speaker 1: Of course, of course they are of that. 279 00:15:33,080 --> 00:15:37,600 Speaker 2: Again, all roads lead to King of the Streets. To 280 00:15:37,760 --> 00:15:40,400 Speaker 2: properly understand no rules, I need to go to a 281 00:15:40,480 --> 00:15:45,480 Speaker 2: Cots fight. It's very, very difficult for reporters though. The 282 00:15:45,600 --> 00:15:48,880 Speaker 2: leader is extremely paranoid and does not allow anyone in 283 00:15:48,960 --> 00:15:52,280 Speaker 2: that's close to the media. Cotts is about as hardcore 284 00:15:52,320 --> 00:15:55,320 Speaker 2: as it gets in this scene. In some of their videos, 285 00:15:55,360 --> 00:15:59,000 Speaker 2: they even brandish firearms, and I don't mean handguns. I'm 286 00:15:59,040 --> 00:16:03,000 Speaker 2: talking semi or traumatic rifles. In Europe, that is a 287 00:16:03,040 --> 00:16:05,920 Speaker 2: big deal. You don't get hold of such weapons unless 288 00:16:05,920 --> 00:16:10,000 Speaker 2: you're well connected in the criminal underworld. Anytime I've reached 289 00:16:10,000 --> 00:16:13,640 Speaker 2: out to Kots. They don't reply. I wouldn't reply either. 290 00:16:14,320 --> 00:16:28,920 Speaker 2: Where there's a will, there's a way. Whilst Frontier is 291 00:16:28,960 --> 00:16:32,640 Speaker 2: hardly doors open for anyone, it was definitely easier to 292 00:16:32,640 --> 00:16:36,080 Speaker 2: get this access. I showed Lava Lord of my previous work, 293 00:16:36,120 --> 00:16:38,320 Speaker 2: and he believed in the ethos of the Away Day's 294 00:16:38,400 --> 00:16:41,240 Speaker 2: project as a whole. Once that was sorted and a 295 00:16:41,280 --> 00:16:49,760 Speaker 2: few people vouch for me, it was on. So Here 296 00:16:49,800 --> 00:16:52,600 Speaker 2: I am on the outskirts of Germany, waiting for the 297 00:16:52,640 --> 00:16:55,640 Speaker 2: fights to begin. I noticed two of the women fighters 298 00:16:55,680 --> 00:17:00,000 Speaker 2: getting ready. One is very short, with big fake eyelashes, 299 00:17:00,400 --> 00:17:04,920 Speaker 2: a leopard print face tattoo, and lots of lipstick. She's 300 00:17:05,040 --> 00:17:09,000 Speaker 2: dressed in a bright red Frontier tracksuit with black leather 301 00:17:09,160 --> 00:17:13,879 Speaker 2: high heeled boots, and she's still very short. Her vibes 302 00:17:13,920 --> 00:17:17,840 Speaker 2: are incredible. She's very nervous, so I decided to leave 303 00:17:17,880 --> 00:17:21,720 Speaker 2: a bee and speak to her after the fight. One 304 00:17:21,720 --> 00:17:24,360 Speaker 2: of the other fighters is getting her hands wrapped in tape, 305 00:17:24,520 --> 00:17:27,600 Speaker 2: knuckles bare, but hands secured so us to help from breaking. 306 00:17:28,560 --> 00:17:32,600 Speaker 2: She's tall, lean and with face, hand and neckattoos. She 307 00:17:32,680 --> 00:17:36,359 Speaker 2: goes by the nickname Agro Terror. She seems shy, but 308 00:17:36,400 --> 00:17:38,840 Speaker 2: she's happy to talk. She tells me she works at 309 00:17:38,840 --> 00:17:40,760 Speaker 2: a bar and says she wants to fight to prove 310 00:17:40,840 --> 00:17:44,080 Speaker 2: something to herself. Can she do it? Is she brave enough? 311 00:17:44,440 --> 00:17:46,359 Speaker 2: I ask her what she thinks about doing this in 312 00:17:46,440 --> 00:17:50,520 Speaker 2: such a male dominated world. Some men, no doubt in 313 00:17:50,560 --> 00:17:53,119 Speaker 2: this scene, would say that women should not do no 314 00:17:53,320 --> 00:17:58,920 Speaker 2: rules without skipping a beat. She simply replies, well, those men. 315 00:17:58,800 --> 00:18:01,760 Speaker 3: Should shut up. I laugh, she laughs. 316 00:18:01,960 --> 00:18:03,600 Speaker 2: I wish her good luck and I let her be 317 00:18:03,680 --> 00:18:07,840 Speaker 2: as she goes to get prepared for the fight. Suddenly 318 00:18:07,880 --> 00:18:10,399 Speaker 2: I see Bash making a beeline for me through the crowd. 319 00:18:10,760 --> 00:18:13,520 Speaker 2: He looks distressed, with the only Brits here, so maybe 320 00:18:13,560 --> 00:18:17,240 Speaker 2: there's some solidarity, but in this crowd there's absolutely fuck 321 00:18:17,320 --> 00:18:20,919 Speaker 2: all I can do if there's trouble. But Bash explains 322 00:18:21,119 --> 00:18:24,120 Speaker 2: basically he's worried about one of the other women who 323 00:18:24,119 --> 00:18:26,480 Speaker 2: are fighting. I've not seen her yet, but he's telling 324 00:18:26,520 --> 00:18:29,880 Speaker 2: me he's offered to give her money. Why, well, it's 325 00:18:29,920 --> 00:18:34,160 Speaker 2: convoluted and Bash has unfortunately been drinking. But essentially what 326 00:18:34,200 --> 00:18:36,720 Speaker 2: he tells me at least is that the opponent picked 327 00:18:36,720 --> 00:18:40,040 Speaker 2: for agro Terra is a Romanian German single mother down 328 00:18:40,080 --> 00:18:43,080 Speaker 2: on her luck. She's apparently only fighting for the money 329 00:18:43,280 --> 00:18:46,720 Speaker 2: so she can help her kids. She doesn't train, apparently, 330 00:18:46,840 --> 00:18:50,760 Speaker 2: and she has no real experience, whereas agro Terra does mma. 331 00:18:51,359 --> 00:18:54,439 Speaker 2: Bash is visibly upset about this. I can see why 332 00:18:54,720 --> 00:18:57,560 Speaker 2: it's hardly an even match if this is true. Whilst 333 00:18:57,560 --> 00:19:01,679 Speaker 2: no rules might be a deeply underground activity, generally equal 334 00:19:01,720 --> 00:19:04,359 Speaker 2: ability fight to the norm. If not to be fair, 335 00:19:04,520 --> 00:19:09,720 Speaker 2: then to be entertainment. Scott for example, usually only has 336 00:19:09,800 --> 00:19:12,800 Speaker 2: the best of the best at their events. It's rare 337 00:19:12,840 --> 00:19:16,119 Speaker 2: to see someone trampled over in a minute, if what 338 00:19:16,200 --> 00:19:18,560 Speaker 2: Bash is saying it is true, though we could see 339 00:19:18,600 --> 00:19:21,919 Speaker 2: that happen with the first female no rules here at Frontier. 340 00:19:22,760 --> 00:19:27,919 Speaker 2: Something doesn't seem right. Fash wanders off to speak to 341 00:19:27,960 --> 00:19:31,120 Speaker 2: his wife. He's flown up with him as usual. Soon 342 00:19:31,200 --> 00:19:34,119 Speaker 2: he's got to fight a lad known as Underdog. This 343 00:19:34,160 --> 00:19:36,280 Speaker 2: guy has been shadow boxing in a corner with his 344 00:19:36,320 --> 00:19:39,960 Speaker 2: earphones in the whole time we've been here. Underdog looks 345 00:19:40,000 --> 00:19:42,560 Speaker 2: about half Bash's weight, but he's lighting his feet and 346 00:19:42,600 --> 00:19:46,320 Speaker 2: looks pretty able. With Bash's experience, though, he should steam 347 00:19:46,359 --> 00:19:49,919 Speaker 2: through Underdog easy well if he can sober up fast. 348 00:19:56,240 --> 00:19:58,560 Speaker 2: The last groups of people filter in through the front 349 00:19:58,680 --> 00:20:03,159 Speaker 2: after being frisked. At this point, when everyone's in, Lavy 350 00:20:03,240 --> 00:20:05,919 Speaker 2: checks the curtains are drawn and announces that all the 351 00:20:06,000 --> 00:20:10,840 Speaker 2: doors have now been locked were shut in. No one 352 00:20:10,880 --> 00:20:13,520 Speaker 2: will be coming in or going out whilst the fights 353 00:20:13,560 --> 00:20:16,960 Speaker 2: are taking place. It's kind of ominous, but it also 354 00:20:17,080 --> 00:20:20,760 Speaker 2: makes sense in regard to security. There's a ton of 355 00:20:20,800 --> 00:20:25,320 Speaker 2: criminals in here, including biker gangs, drug dealers, hooligans, and 356 00:20:25,359 --> 00:20:30,439 Speaker 2: street fighters. Not to mention the illegal underground fighting taking place. 357 00:20:31,440 --> 00:20:34,680 Speaker 2: You want as few people messing around outside as possible 358 00:20:34,920 --> 00:20:37,359 Speaker 2: in case police drive by and check what's going on. 359 00:20:40,840 --> 00:20:41,960 Speaker 3: It's packing here. 360 00:20:42,480 --> 00:20:45,879 Speaker 2: The whole crowd is going wild. People grab hold of 361 00:20:45,920 --> 00:20:48,960 Speaker 2: the Herris fencing and rattle it non stop. It sounds 362 00:20:49,000 --> 00:20:52,840 Speaker 2: like thunder. The energy here is a lot different to FPVS. 363 00:20:53,760 --> 00:20:57,280 Speaker 2: I think the crowd here is more dangerous than the fighters. 364 00:20:57,320 --> 00:21:01,680 Speaker 2: Every creed, color, and orientation of criminals is here. There 365 00:21:01,680 --> 00:21:04,919 Speaker 2: were big dogs on big chains, two men in balaclavas, 366 00:21:05,200 --> 00:21:07,920 Speaker 2: and women with their partners names tattooed across one side 367 00:21:07,920 --> 00:21:12,159 Speaker 2: of their forehead. This is the underworld. People here have 368 00:21:12,280 --> 00:21:15,879 Speaker 2: chosen to live outside of society, for better or worse. 369 00:21:21,680 --> 00:21:25,200 Speaker 2: The first fighters approach the fenced off area, two lads 370 00:21:25,200 --> 00:21:26,760 Speaker 2: in their twenties lightweight. 371 00:21:27,960 --> 00:21:30,200 Speaker 3: The fight is unremarkable, honestly. 372 00:21:30,359 --> 00:21:32,959 Speaker 2: To well win the wind milling hooks that mostly miss 373 00:21:33,400 --> 00:21:47,760 Speaker 2: lasts about two minutes. But then after that fight comes Bash. 374 00:21:47,880 --> 00:21:52,960 Speaker 2: The fence parts. Lavvy strides in. Bash follows, Underdog follows. 375 00:21:53,400 --> 00:21:56,920 Speaker 2: The latter is a local lad and clearly a crowd favorite. 376 00:21:57,720 --> 00:22:00,159 Speaker 2: Group of around a dozen young men in tracksuit some 377 00:22:00,200 --> 00:22:04,840 Speaker 2: bandanas pulled up to their eyes, goes crazy for him. 378 00:22:05,040 --> 00:22:07,080 Speaker 2: One of them next to me grabs me in excitement, 379 00:22:07,400 --> 00:22:14,000 Speaker 2: jumps up and down. They cannot wait. Underdog looks ready. 380 00:22:14,800 --> 00:22:18,080 Speaker 2: Bash is honestly looking a little worse for wear. The 381 00:22:18,160 --> 00:22:20,480 Speaker 2: confidence he walked with when I first saw him fighting 382 00:22:20,560 --> 00:22:24,119 Speaker 2: Hastings is gone. If anything, he looks a little weary. 383 00:22:25,119 --> 00:22:27,800 Speaker 2: He keeps touching his face and saying fucking hell under 384 00:22:27,840 --> 00:22:31,520 Speaker 2: his breath as he enters the makeshift arena. For all 385 00:22:31,560 --> 00:22:34,440 Speaker 2: his faults. I like Bash, honestly, I want to see 386 00:22:34,480 --> 00:22:36,720 Speaker 2: him win. On the run up to the fight, he 387 00:22:36,800 --> 00:22:39,800 Speaker 2: was saying online that he's planning to bite off Underdog's ears. 388 00:22:40,680 --> 00:22:43,959 Speaker 2: That energy door it seems long gone. He's holding himself 389 00:22:44,000 --> 00:22:46,160 Speaker 2: in a way that says he just wants to get 390 00:22:46,160 --> 00:22:49,840 Speaker 2: this over with. Underdog, The younger man, by at least 391 00:22:49,880 --> 00:22:52,920 Speaker 2: a decade, is still full of beans ready to go. 392 00:22:53,920 --> 00:22:55,399 Speaker 3: The two fighters meet in the middle. 393 00:23:07,240 --> 00:23:11,320 Speaker 2: Bash pushes forward, hands down and throws a very badly 394 00:23:11,400 --> 00:23:15,240 Speaker 2: timed kick. Underdog catches it with his shin and Bash 395 00:23:15,320 --> 00:23:20,080 Speaker 2: instantly goes down, falling over himself, hitting the concrete. Underdog 396 00:23:20,200 --> 00:23:23,840 Speaker 2: kicks it in wildly, mostly missing, sometimes kicking Bash's legs 397 00:23:23,920 --> 00:23:25,920 Speaker 2: as he spins around on his back trying to find 398 00:23:25,960 --> 00:23:29,440 Speaker 2: some kind of way to get up. Underdog leans over, 399 00:23:29,560 --> 00:23:31,919 Speaker 2: Bash punches him in the head a few times, and 400 00:23:31,960 --> 00:23:35,120 Speaker 2: then toe punts him straight in the face. Bash's head 401 00:23:35,160 --> 00:23:38,719 Speaker 2: snaps back a bit and he's knocked out. Kind of 402 00:23:39,680 --> 00:23:44,040 Speaker 2: Lavvy moves in and ends the fight. Bash remains unconscious 403 00:23:44,200 --> 00:23:48,360 Speaker 2: on the floor or something like that. Honestly, from here, 404 00:23:48,400 --> 00:23:50,480 Speaker 2: it looks to me as if Bash is just pretending 405 00:23:50,520 --> 00:23:51,200 Speaker 2: to be Kaot. 406 00:23:52,000 --> 00:23:52,560 Speaker 3: It's weird. 407 00:23:53,359 --> 00:23:55,679 Speaker 2: Lavvy and a woman with a bandana covering her face 408 00:23:56,000 --> 00:23:59,080 Speaker 2: dragged Bash out by his arms with his head slumped 409 00:23:59,119 --> 00:23:59,879 Speaker 2: and eyes. 410 00:24:01,160 --> 00:24:01,320 Speaker 3: Now. 411 00:24:01,440 --> 00:24:04,399 Speaker 2: I don't want to speculate too much, but something seems 412 00:24:04,560 --> 00:24:08,320 Speaker 2: fishy about this. Okay, Bash has taken a ton of 413 00:24:08,320 --> 00:24:12,080 Speaker 2: losses and no rules, but this just felt way too easy. 414 00:24:12,680 --> 00:24:17,240 Speaker 2: I'm not convinced he was actually knocked out. Underdog, though, 415 00:24:17,359 --> 00:24:20,119 Speaker 2: is jumping around, running to each part of the fence 416 00:24:20,440 --> 00:24:22,960 Speaker 2: and celebrating as if he just beat Mike Tyson in 417 00:24:23,000 --> 00:24:25,720 Speaker 2: one round. It all feels a bit strange to me, 418 00:24:26,000 --> 00:24:29,240 Speaker 2: but either way, the crowd is going insane. Their boy 419 00:24:29,280 --> 00:24:32,320 Speaker 2: has won in less than a minute against a quote 420 00:24:32,400 --> 00:24:34,080 Speaker 2: unquote no rules legend. 421 00:24:34,920 --> 00:24:36,320 Speaker 3: I don't know, it feels weird. 422 00:24:41,080 --> 00:24:43,560 Speaker 2: After a brief interlude, the first female fight of the 423 00:24:43,680 --> 00:24:47,520 Speaker 2: night begins. Agro Terror steps through the crowd. She looks 424 00:24:47,600 --> 00:24:52,080 Speaker 2: nervous but poised. Her competitor, a woman named Hattie, is 425 00:24:52,119 --> 00:24:55,200 Speaker 2: also now making her way to the circle. She's about 426 00:24:55,200 --> 00:24:59,159 Speaker 2: a foot shorter than Agro Terror. She's Kirby Compact and 427 00:24:59,200 --> 00:25:02,080 Speaker 2: has a dark hair tied up in a ponytail. Her 428 00:25:02,080 --> 00:25:04,879 Speaker 2: hands are partially wrapped with tape, and for some reason, 429 00:25:05,080 --> 00:25:08,479 Speaker 2: so are her feet. She's wearing no shoes or socks, 430 00:25:08,680 --> 00:25:12,520 Speaker 2: which is unusual. Hattie looks completely out of her debt. 431 00:25:13,080 --> 00:25:16,520 Speaker 2: I'm unsure if she even fully understands what's about to happen. 432 00:25:19,320 --> 00:25:21,920 Speaker 2: She walks by me and stands there looking into the fencing. 433 00:25:22,480 --> 00:25:24,840 Speaker 2: She catches my eye for a second, and I don't 434 00:25:24,840 --> 00:25:27,199 Speaker 2: know what to even say, so I just smile and 435 00:25:27,240 --> 00:25:31,160 Speaker 2: nod and I say good luck, You'll be fine, idiot. 436 00:25:34,119 --> 00:25:38,520 Speaker 2: Hatti steps through the fencing. She's first inside. I wrote Terror, 437 00:25:38,520 --> 00:25:41,520 Speaker 2: followed shortly after Labby talks up the fight. 438 00:25:43,760 --> 00:25:45,200 Speaker 1: She come to cant to night hair. 439 00:25:45,600 --> 00:25:50,280 Speaker 4: I'll don't try complain that. 440 00:25:50,760 --> 00:25:52,160 Speaker 3: And it all begins. 441 00:25:54,240 --> 00:25:56,760 Speaker 2: Immediately, I wrote Terror lands a low kick followed by 442 00:25:56,760 --> 00:25:58,119 Speaker 2: a swift jab straight. 443 00:25:57,840 --> 00:25:58,840 Speaker 3: Into Hattie's jaw. 444 00:25:59,080 --> 00:26:01,119 Speaker 2: Her head whips back and she has the look of 445 00:26:01,160 --> 00:26:03,359 Speaker 2: someone who's never been hit before in her life. She 446 00:26:03,440 --> 00:26:07,440 Speaker 2: seems dazed and shocked, but only for a moment. Quickly, 447 00:26:07,680 --> 00:26:10,159 Speaker 2: Hatti reaches out and grabs agro Terra by the scruff 448 00:26:10,200 --> 00:26:12,879 Speaker 2: of her neck. After some grappling, the two end up 449 00:26:12,880 --> 00:26:16,240 Speaker 2: scrabbling on the concrete. Hatti manages to flip herself over 450 00:26:16,600 --> 00:26:18,800 Speaker 2: and as Agrotera locks her arms. 451 00:26:18,760 --> 00:26:22,080 Speaker 3: She literally lifts her up fully off of the floor. 452 00:26:22,440 --> 00:26:25,880 Speaker 2: Turns out Hattie as strong as fuck. She repositions herself 453 00:26:25,920 --> 00:26:29,160 Speaker 2: and tries to lock agro Terror's arm. Hatti falls back, though, 454 00:26:29,359 --> 00:26:31,760 Speaker 2: and in the struggle for dominance, she ends up laid 455 00:26:31,800 --> 00:26:35,720 Speaker 2: out on her front. Agro Terra seizes the opportunity, jumps 456 00:26:35,800 --> 00:26:37,800 Speaker 2: up and begins punching Hatti in the side of her 457 00:26:37,800 --> 00:26:41,280 Speaker 2: head from behind. Flabby quickly runs in and ends it. 458 00:26:42,440 --> 00:26:44,320 Speaker 2: Patti lost, but only just. 459 00:26:44,840 --> 00:26:47,080 Speaker 3: It was not the blood barb I thought it might be. 460 00:26:47,680 --> 00:26:50,720 Speaker 2: I dare say with some training and experience, Hatti would 461 00:26:50,720 --> 00:26:54,359 Speaker 2: have plowed through a ro terror easily. The two women 462 00:26:54,400 --> 00:26:57,920 Speaker 2: are relatively unscathed. They held each other and both celebrate 463 00:26:57,960 --> 00:27:02,439 Speaker 2: their achievement. The first female no rules underground fight. The 464 00:27:02,520 --> 00:27:07,480 Speaker 2: crowd loves it. The second women's fight goes quick. The 465 00:27:07,520 --> 00:27:10,320 Speaker 2: short woman with the leopard print face tattoos I spoke 466 00:27:10,359 --> 00:27:14,359 Speaker 2: about earlier is named Miry. She fights a woman named Dilek, 467 00:27:14,520 --> 00:27:17,359 Speaker 2: who is much bigger than her. Miry starts to fight 468 00:27:17,440 --> 00:27:22,080 Speaker 2: off like a rocket, kicking, punching, grabbing, hair pulling completely 469 00:27:22,160 --> 00:27:25,520 Speaker 2: non stop until Lavy breaks up the fight quickly. Her 470 00:27:25,560 --> 00:27:32,080 Speaker 2: competitor had no clue what she was doing. The frontier 471 00:27:32,119 --> 00:27:35,480 Speaker 2: fights were pretty energetic, concertainly wild in their own way. 472 00:27:35,960 --> 00:27:38,919 Speaker 2: By a feeling, some easy opponents were picked out for 473 00:27:39,040 --> 00:27:42,600 Speaker 2: favored fighters. Something just didn't see it right with me. 474 00:27:42,800 --> 00:27:49,520 Speaker 2: The whole way things were off. When I get back 475 00:27:49,560 --> 00:27:52,159 Speaker 2: to England, I get a text from Joey, remember the 476 00:27:52,359 --> 00:27:56,280 Speaker 2: up and coming Welsh street fighter from episode one. Joey 477 00:27:56,359 --> 00:28:00,320 Speaker 2: has news. He's seemingly ecstatic. I give him a call 478 00:28:00,440 --> 00:28:03,439 Speaker 2: and he's bouncing off the walls even more than usual. 479 00:28:04,760 --> 00:28:07,040 Speaker 2: All of his dreams have come true. 480 00:28:07,080 --> 00:28:07,560 Speaker 3: Somehow. 481 00:28:07,680 --> 00:28:10,280 Speaker 2: Joey has been invited to fight on the number one 482 00:28:10,560 --> 00:28:14,480 Speaker 2: No Rules fight club in the world, the most notorious, 483 00:28:14,520 --> 00:28:20,040 Speaker 2: the most hardcore, the most exclusive, king of the streets. 484 00:28:22,520 --> 00:28:25,280 Speaker 2: We'll see more of Joey in the next episode. The 485 00:28:25,320 --> 00:28:41,640 Speaker 2: final part of No Rules is No Rules. You've been 486 00:28:41,680 --> 00:28:45,800 Speaker 2: listening to the Away Days podcast Next week episode four. 487 00:28:46,520 --> 00:28:50,520 Speaker 2: To watch independent Away Days documentaries, subscribe to our channel 488 00:28:50,600 --> 00:28:56,680 Speaker 2: at YouTube dot com slash at away Days TV. Your 489 00:28:56,720 --> 00:28:59,840 Speaker 2: Wait Days podcast is a production of H eleven Studio 490 00:29:00,320 --> 00:29:06,400 Speaker 2: for Cool Zone Media. Reporting, producing, writing, editing and research 491 00:29:06,640 --> 00:29:12,719 Speaker 2: by me Jake Hanrahan, co producing by Sophie Lichterman, Music 492 00:29:12,800 --> 00:29:17,320 Speaker 2: by Sam Black, sound mixed by Splicing Block. Photography by 493 00:29:17,400 --> 00:29:21,600 Speaker 2: Johnny Pickup and Louis Hollis. Graphic design by Laura Adamson 494 00:29:21,960 --> 00:29:23,120 Speaker 2: and Casey Highfield.