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Speaker 1: So it's me.

2
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Speaker 2: And the robot, uh, the Spedka robot uh. And we

3
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Speaker 2: are we're at the FARC camp, like the Columbian Rebels camp.

4
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Speaker 2: We're about to do a raid on this barracks. It's

5
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Speaker 2: like army barracks. Uh. And we were kind of like

6
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Speaker 2: going through the four you know, we like split up,

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Speaker 2: We're going through the the jungle.

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Speaker 3: Uh.

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Speaker 2: And we get to this camp and they know we're coming.

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Speaker 2: What Yeah, and so somebody has huh. I think it

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Speaker 2: might have been Seton Smith because Seaton Smith was there too,

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Speaker 2: and I think it's possible that Seton Hayes alerted them

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Speaker 2: that yeah, what.

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Speaker 1: What hang on? It done something? You are responding to

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Speaker 1: what I'm saying, Sam, is can I not listen to

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Speaker 1: earbuds inside my headphones while we do this? Now you're

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Speaker 1: gonna want to listen to what Haes Hayes' fe just

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Speaker 1: the one set of headphones because I have much smaller

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Speaker 1: headphones that I have in a lot. What are those playing?

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Speaker 3: Uh?

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Speaker 1: They're playing just a cool tune. Do you know this band?

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Speaker 1: It's new? Yeah, it's kind of dub inspired the Rolling Stones. Okay, yeah,

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Speaker 1: they're so freaking rebellious. But It's like some of it

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Speaker 1: I would get in trouble if my dad knew I

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Speaker 1: listened to it, which is why I don't put it

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Speaker 1: through my big speaker in my basement apartment, which is

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Speaker 1: very nice. I do put it through my little headphones.

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Speaker 1: But I didn't realize. I thought I could just be

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Speaker 1: listening to music and then we'll do the show because

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Speaker 1: they fit on well.

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Speaker 2: Normally that has worked very well for you. I don't

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Speaker 2: know why today suddenly.

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Speaker 1: It might be just that the Stones, who I just

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Speaker 1: found out about, are rocking.

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Speaker 2: Exact kind of music is distracting for you. Yeah, in

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Speaker 2: a way that the dub that you normally listened.

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Speaker 1: To, well, I used to listen to more out Basie

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Speaker 1: like that was sort of my thing for a long time.

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Speaker 1: Was the old big band sort of yeah uh, and

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Speaker 1: I was really into that and the brass you know,

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Speaker 1: the McNasty brass band. Well, what do you want to do? Oh, well,

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Speaker 1: I'm I'm in a tough situation. I certainly don't want

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Speaker 1: to stop rocking. I don't want to give into what

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Speaker 1: my dad would want and just stop listening to the Stones.

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Speaker 1: And he'd never liked you listening to count Bassie either

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Speaker 1: no that I that was a big, big fight. Wo

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Speaker 1: what a mighty punch I caught. So I don't want that,

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Speaker 1: but I want to be able to do the show

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Speaker 1: with you. And it seems like you were making faces

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Speaker 1: like you were telling a good story Aiden Smith or something.

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Speaker 1: Oh you heard that? Oh well, I read lips, but

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Speaker 1: sometimes your lips were behind the mic and I'd miss something.

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Speaker 1: You want me to start over? No, I don't want that, Sam.

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Speaker 1: Do you have a suggestion? Try half put one bud

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Speaker 1: in one budd in backwards for dub. Oh yeah, dub

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Speaker 1: dub Charney. I don't know. I have a joke actually

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Speaker 1: that I came up with. You know, I'm talking about

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Speaker 1: listening to music. So maybe ask me, uh my, what's

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Speaker 1: my favorite album? Context? Maybe ask me that's what's my

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Speaker 1: favorite album? Okay?

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Speaker 2: So well let's go back to the do another setup

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Speaker 2: of like you and listening to the earbuds and how much.

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Speaker 1: I just got my earbuds in. I'm rocking out, you

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Speaker 1: know me? I love music?

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Speaker 2: Oh yeah, so speaking of music, what's your favorite album

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Speaker 2: to listen to?

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Speaker 1: Oh? Just but just say, what's your favorite album not

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Speaker 1: to listen to? Okay? So I'm rocking out to this,

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Speaker 1: uh you know the these headphones like and I just

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Speaker 1: you know me, I really love music. Oh what's your

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Speaker 1: favorite album? Probably Tuesdays with More. Hey, welcome to Hollywood.

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Speaker 2: Hand look at a Tier's guy to kicking button dropping

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Speaker 2: names in the red carpet lineback hallways of this industry

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Speaker 2: we call showbiz. People are doing these things that are

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Speaker 2: so good online. We gotta do this. I was looking

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Speaker 2: at this the other day. So you go on the computer.

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Speaker 2: Somebody's showing me this. Oh yeah, this guy's walking down

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Speaker 2: the street with a laptop. He says, check this out,

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Speaker 2: shows it to me.

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Speaker 1: Cloud. It's people eating that would come to stop. No more.

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Speaker 1: It's people eating these peppers. Oh yes, the pepper eating

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Speaker 1: is just so fun. And they can't even explain how

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Speaker 1: hot it is because their mouths full of these. Say

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Speaker 1: I hope I don't get too hot for these peppers,

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Speaker 1: but they get so hot. The peppers are so oh yeah.

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Speaker 1: See Sam, I just said, no more of this. Are

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Speaker 1: you doing that? Yes, but you don't even have any control.

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Speaker 1: My bud's backwards, My buds backwards. Oh so you turned

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Speaker 1: your bud so I thought I'll hear him better if

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Speaker 1: I have it facing away from.

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Speaker 2: My ear, and I have this okay, And I think

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Speaker 2: what's also happening now is you're playing it so well

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Speaker 2: well now that it's in your ear. Sometimes when your

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Speaker 2: mouth is open, you're playing wow.

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Speaker 1: And so I do have to sort of talk with

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Speaker 1: my lips real tight and sort of my don't move

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Speaker 1: my jaw like Nick the Bachelor. That sounds really hard. Oh,

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Speaker 1: that must have been intense for you.

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Speaker 2: So so where was I was talking about the peppers?

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Speaker 1: Yeah, and how hot they can.

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Speaker 2: People eat these peppers in their wow. So I thought,

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Speaker 2: would it be exciting for us to eat? So we

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Speaker 2: have to close your mouth. Sorry, we have some of

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Speaker 2: these peppers here.

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Speaker 1: Sorry, just when you talk about peppers, my mouth starts watering.

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Speaker 1: I got to open it to clear the drool. We

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Speaker 1: have this pile of peppers. Yep.

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Speaker 2: I don't know what to do. How do we do

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Speaker 2: the show with this? We can't do the peppers and

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Speaker 2: the song. Okay, we can't eat these peppers and listen

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Speaker 2: to the song.

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Speaker 1: Okay, I gotta pick between the peppers and the song.

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Speaker 1: What if I listened to red hot chili peppers instead? See,

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Speaker 1: that would be great?

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Speaker 2: And then that then you then you have to keep

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Speaker 2: your mouth open just a little bit so we get

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Speaker 2: kind of like bed music.

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Speaker 1: Yes, it's gotta be kind of quiet, and then I

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Speaker 1: have to close it I guess like every fifteen seconds

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Speaker 1: so we don't have to pay for the music. That's nice.

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Speaker 1: It's not the spiciest sog, but this will be fine.

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Speaker 1: But this is just the intro.

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Speaker 2: So we're gonna eat these peppers and then we'll see

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Speaker 2: if they're hot, and we'll talk about how hot.

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Speaker 1: We'll say it they're hot and we're really eating them. Yes,

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Speaker 1: it's well.

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Speaker 2: Here we have this whole pile of peppers, and let's

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Speaker 2: get the most the hottest one but is still very hot.

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Speaker 2: We'll start with one that's like only a little bit hot.

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Speaker 1: Yeah, let's just do a nice light one. And this

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Speaker 1: one's almost like a sweet pepper and it's not that hot.

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Speaker 2: Okay, you want to take the first bite or we'll

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Speaker 2: take it bite at the same I'll.

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Speaker 1: Take it, and Sam, we need you to make a

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Speaker 1: crunch sound for us, because obviously we're not going to

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Speaker 1: actually eat these.

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Speaker 2: Yeah, crazy we Yeah, we should stop this down a

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Speaker 2: little bit because we are not going to be eating

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Speaker 2: these peppers because.

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Speaker 1: They're too hot. Yeah, and we've seen the people online.

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Speaker 1: Their faces look like they're really uncomfortable when you eat

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Speaker 1: the peppers.

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Speaker 2: So we can either put in a crunch sound later

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Speaker 2: you can make one. Yeah that's great, well you have

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Speaker 2: Can you crunch the pepper? Can you just start chomping

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Speaker 2: on it right now?

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Speaker 1: Yeah? Like that? Yeah, can you do that again? Oh yo,

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Speaker 1: Yes that was me and so and.

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Speaker 4: Oohoo my mouth, my nose, it's stingy, it's.

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Speaker 1: Nuts, it's hurting me. Now it's not numb anymore. It hurts.

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Speaker 1: Oh wow, b what was that? That was like almost

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Speaker 1: a bee uh like coming to life inside my mouth

153
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Speaker 1: is what it feels like? A wasp attack my buds

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Speaker 1: taste buds, taste dubs. So that was good.

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Speaker 2: And can you go through this later, Sam, and just

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Speaker 2: like pull out anything, if anything, the thing to do

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Speaker 2: might be to eat one of these peppers later and

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Speaker 2: then decide if what we're doing sounds.

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Speaker 1: Like yeah, seems right because what was the name of

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Speaker 1: that pepper? It was just like a freaking banana pepper. Yes, okay,

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Speaker 1: oh this is nice. I kind of ran out. I

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Speaker 1: didn't have that many songs downloaded. From the peppers. But

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Speaker 1: this could be good.

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Speaker 2: Huh okay, do we want to this is me? Okay,

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Speaker 2: so god, let's just bake. Let's yeah, let's bank a

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Speaker 2: lot of these peppers at once. So yes, just get

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Speaker 2: a lot of pepper, Sam, thank you?

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Speaker 1: Whoa crazy? Oh No, that's not that hot.

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Speaker 2: Yeah, I spoke too soon. It sneaks up on you.

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Speaker 2: Oh okay, Now do like do one that there is

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Speaker 2: a little hotter than that one?

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Speaker 1: But okay, yeah, and now, hayes, you read the peer Okay,

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Speaker 1: I I already said it was hot. We need but

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Speaker 1: we need some of you being like I know, I

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Speaker 1: know what hot was, and now that this is crazy.

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Speaker 2: Okay, that one before was hot, but best one is

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Speaker 2: even more.

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Speaker 1: Yeah, or maybe even like, so my my idea is

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Speaker 1: almost like that one before wasn't hot. I just found

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Speaker 1: out when I found out what hot.

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Speaker 2: Okay, I used to think that that pepper was hot.

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Speaker 1: Don't talk over it.

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Speaker 2: I used to think that that pepper I was hot,

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Speaker 2: But now I think this pepper is hot.

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Speaker 1: Okay, now finish your thought. Tell me your unusual suspects.

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Speaker 1: When he's telling the story of Kaiser so Seen, he

187
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Speaker 1: goes one of the stories the one I believe, and

188
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Speaker 1: then he tells the whole story about him basically killing

189
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Speaker 1: his own family in front of these criminals. And he

190
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Speaker 1: goes and he showed these men of will, sorry hang

191
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Speaker 1: on anyways, show these men of will what true will

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Speaker 1: really was or something. And it's like, you know, this

193
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Speaker 1: Pepper's showing you the man of hot pepper eatd what

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Speaker 1: hot peppers really was.

195
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Speaker 2: You know what we should do, Sam is just take

196
00:11:08,640 --> 00:11:11,840
Speaker 2: some of the video where like, if you find some

197
00:11:11,880 --> 00:11:13,640
Speaker 2: of these videos and take some of the stuff there

198
00:11:13,679 --> 00:11:14,840
Speaker 2: saying about the peppers.

199
00:11:15,320 --> 00:11:16,880
Speaker 1: I wish we came up with some of the stuff

200
00:11:16,920 --> 00:11:18,080
Speaker 1: these people say they're having on.

201
00:11:18,240 --> 00:11:22,640
Speaker 2: Pepper, actual pepper noise from the internet. Pepper noise, Yes,

202
00:11:22,679 --> 00:11:26,920
Speaker 2: people eating one of these pepperson And then we'll say

203
00:11:26,960 --> 00:11:31,400
Speaker 2: like this is this is me or something. Even smell.

204
00:11:31,600 --> 00:11:33,240
Speaker 2: I don't even like having these in front of me.

205
00:11:33,320 --> 00:11:36,760
Speaker 2: They smell so they smell too spicy, even in their

206
00:11:36,840 --> 00:11:38,440
Speaker 2: little the smell too spice jacket.

207
00:11:38,480 --> 00:11:41,600
Speaker 1: Well, all I really eat is milk and oatmeal. Yeah, lately,

208
00:11:43,160 --> 00:11:45,920
Speaker 1: just because I started watching these Pepper Challenge things and

209
00:11:45,920 --> 00:11:46,760
Speaker 1: I got pretty spooch.

210
00:11:48,080 --> 00:11:49,360
Speaker 2: I was like, there's stuff, this is hot out there

211
00:11:49,440 --> 00:11:53,760
Speaker 2: and milkin is an adjective. It's oatmeal that you've made milkin, Yeah,

212
00:11:53,800 --> 00:11:59,160
Speaker 2: milk and oatmeal. And so we say like, this is

213
00:11:59,240 --> 00:12:09,319
Speaker 2: us now talking anywhere, and this is still me.

214
00:12:10,520 --> 00:12:18,120
Speaker 1: That's Hayes. Yep, that's how hot.

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Speaker 2: Oh my god, And you're listening to Hollywood Hambrick and

216
00:12:25,640 --> 00:12:27,600
Speaker 2: this is Hayes and this is Sean.

217
00:12:27,400 --> 00:12:28,240
Speaker 3: And who.

218
00:12:29,880 --> 00:12:35,000
Speaker 1: Speaci much and so and shut it down. I'm not

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Speaker 1: that much of a pussy all right now. We don't

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Speaker 1: want to be like we don't want to be like cowards.

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Speaker 1: We want to be like fun. So what a great

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Speaker 1: Pepper challenge? But that was yeah, what's the name? Oh

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Speaker 1: it was uh Peter Piper's Pipe and Pepper. Yes, uh

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Speaker 1: uh popped off Pumpy challenge.

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Speaker 2: That was Peter Piper's Uh what pepper, Peter Pepper's Pipe

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Speaker 2: and Pepper pumped off pop and challenge. We have a guest,

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Speaker 2: the great guest on the show Julie on Hollywood hamm okay,

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Speaker 2: So it is me and the Spedka robot. We are

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Speaker 2: in the jungle, uh with the farc rebels. We are

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Speaker 2: doing a midnight raid on the army barracks. They know

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Speaker 2: we are coming because seven Smith is there as well,

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Speaker 2: and he uh leaked.

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Speaker 1: That this raid was happening. He betrayed us.

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Speaker 2: Yeah, and so they have like a mounted flamethrower set up,

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Speaker 2: like you know, like cut us down, and they start

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Speaker 2: firing on us and they hit the Sveedka robot, but

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Speaker 2: she's full of Svedka.

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Speaker 1: Yeah, and so she just like lights up as I'm

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Speaker 1: hearing this. Yeah, I didn't need to take my earbults

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Speaker 1: out for this, you know what I mean? Like, I so, uh,

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Speaker 1: you asked me to do this again? No, I know,

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Speaker 1: I'm not.

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Speaker 5: You have.

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Speaker 1: Just been listening and you asked me last time to

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Speaker 1: tell you this story. But my tenors really get me

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Speaker 1: in the zone. And I feel like for doing the show,

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Speaker 1: we got like a big guess we're doing this show.

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Speaker 2: But your explanation is not what is important to me.

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Speaker 2: The point is you asked me to do this so

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Speaker 2: to put me in I assumed it was going to

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Speaker 2: be a good story. To put me in this position,

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Speaker 2: to tell the story all over again and then tell

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Speaker 2: me that you don't actually need this like this was

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Speaker 2: all your.

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Speaker 1: But to put me in the position of listening to

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Speaker 1: this story which is about you did that something I

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Speaker 1: don't even know what you're talking about and is stupid

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Speaker 1: and bad.

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Speaker 2: But why But this is such a turn. I'm being

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Speaker 2: as nice as I can about this. We're like the

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Speaker 2: whole time when we took a snack break and you

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Speaker 2: said that, like I really wish i'd heard that story,

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Speaker 2: because like, because I do know about this stuff, and

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Speaker 2: I were telling.

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Speaker 1: It like it was good, and so I'm going, does

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Speaker 1: Haese not know the difference? It's so rude, it's so

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Speaker 1: d I'm being as nice as I can, and I

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Speaker 1: know you're doing I know you're doing this for Sam

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Speaker 1: because you are, because why Sam? Do you think this

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Speaker 1: is cool? Do I look cool when I do this?

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Speaker 2: It was when Sam was gone that you're saying, I

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Speaker 2: have to hear that story, you have to tell it. Oh,

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Speaker 2: I don't know, And it was like that Sam, he's

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Speaker 2: exaggerating so rude.

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Speaker 1: I'm just I'm gonna go okay, and he's really leaving

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Speaker 1: and he has to.

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Speaker 2: I think that's well. I actually think this is for

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Speaker 2: the best.

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Speaker 1: So go on. What was the the robot exploding? It's

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Speaker 1: a new, brand new band. You probably haven't heard of it.

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Speaker 1: What are they called Rolling Stones?

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Speaker 2: So the robot is on fire and the fumes from

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Speaker 2: the s fedka are like people are breathing in the

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Speaker 2: fume and getting fucked up.

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Speaker 1: Yeah, and so it becomes like a party.

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Speaker 2: I don't know, like this is actually someone different, Julie,

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Speaker 2: no I, so yo, get a pic of me? This

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Speaker 2: is like an intentional thing that hear? What does where

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Speaker 2: they are supposed to all kind of like look the same,

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Speaker 2: but this is actually this one is Kevin.

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Speaker 3: Sam's taking my picture?

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Speaker 1: Okay, anyway, we got some good pictures. Sam is really

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Speaker 1: quite the shutterbug. And I heard the story for the

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Speaker 1: most part. Jude Klauser's here. You've heard her voice. Now

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Speaker 1: you hear her name. She's gonna do the show with us,

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Speaker 1: and we're gonna make it work.

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Speaker 2: So hi, and Julie's been on the show a lot

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Speaker 2: of times and you're probably thinking, like she.

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Speaker 1: Gets it now, she's used to it.

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Speaker 2: You'd think, yeah, yes, and also like what more else

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Speaker 2: could they do? Like it's kind of like a lot

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Speaker 2: of the threads are have run dry threads?

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Speaker 1: Yeah yeah, how many times have you done the show? Julie?

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Speaker 3: Seven and a half?

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Speaker 1: Seven and a half, And you'd think maybe she is

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Speaker 1: tired of it. Maybe she doesn't like it anymore. Actually

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Speaker 1: we're cool. She likes us. You think she knows her

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Speaker 1: way into the studio.

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Speaker 3: No, no, I don't know my way into the studio.

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Speaker 1: She doesn't know where she is.

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Speaker 3: Both of you guys have to come down and get me.

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Speaker 1: Yeah, and we have to get like a wheelchair. It's

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Speaker 1: like a real Is it a wheelchair.

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Speaker 3: No, it's a wheelchair. It's a wheel with chairs on it.

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Speaker 1: That's true. It's like a rickshaw.

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Speaker 3: And uh, you give me Hayes, give me that spoon

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Speaker 3: with the egg.

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Speaker 1: Spoon with the egg.

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Speaker 3: And then I put an orange between my chin and

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Speaker 3: my chest.

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Speaker 1: And we do dizzy bats. We do dizzy bats where

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Speaker 1: you put your nose on the bat, you spin around

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Speaker 1: three times, you let the bat fall, and then you

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Speaker 1: go to walking.

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Speaker 3: Whoo.

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Speaker 1: It's like a Jamir Kui video in here.

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Speaker 3: You take off my blindfold.

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Speaker 1: Yep, and then you're cooked baby. So anyway, we wound

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Speaker 1: up in the studio. We're recording the show, and you

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Speaker 1: think like, well, these between the three of them, they've

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Speaker 1: done it all, they've achieved everything and the idea and

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Speaker 1: there's nothing new under the sun. Well, sorry to tell

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Speaker 1: you yes, there is. Yes, the three of us together

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Speaker 1: are collaborating on a big exciting venture, our own series

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Speaker 1: possibly of vampire novels. And people are doing these vampire books.

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Speaker 1: These things are brand new. They're starting to get really hot.

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Speaker 1: The Harry Potter and and Anna Rice and all these

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Speaker 1: vampire novels fault in our Stars and the vampire novels

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Speaker 1: that are out there. Fifty shapes, all this stuffy shapes.

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Speaker 1: Fifty shapes and and I think it's one of the

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Speaker 1: shapes as a bat. One of the shapes is a

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Speaker 1: old Countans, you know. One of the shapes is a

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Speaker 1: young Debonair, you know, Hayes type. And so you start

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Speaker 1: to see, okay, this is a trend, and we're I.

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Speaker 3: Went on kayak and I got a ticket to come

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Speaker 3: out to Los Angeles, h and we're gonna, you know,

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Speaker 3: we're gonna go all in.

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Speaker 1: You told us about the trend, and we're like, all right, well,

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Speaker 1: let's sort of invest It's almost like The Big Short.

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Speaker 1: Do you ever see that?

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Speaker 3: You mean, Marty? Is that what you call Marty?

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Speaker 1: Yeah? The Big Short?

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Speaker 3: Yeah? I love Marty Short.

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Speaker 1: M h. That was a movie too.

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Speaker 2: And what I liked in the movie is it's helping

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Speaker 2: me understand money, and it's helping me by I'm looking

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Speaker 2: at this hot babe in a bad and I'm also

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Speaker 2: looking at my masculine hero. Anthony bordade.

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Speaker 3: I heard that movie is just him talking about how

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Speaker 3: much he paid for that leather jacket.

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Speaker 2: It's it's so weird what happens in that movie because

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Speaker 2: they cut to Anthony Bourdain and they're like, he's gonna

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Speaker 2: explain to you this thing about, yeah, the finance industry,

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Speaker 2: and then they never cut away again. It's the rest

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Speaker 2: of the rest of the movie.

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Speaker 1: It's anti like there.

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Speaker 3: Are numbers, there is talk of money, no.

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Speaker 1: Yeah, but it's all about how much the jacket was,

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Speaker 1: and it's him haggling for the jacket is a large

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Speaker 1: part of the story, and it sounds like he got

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Speaker 1: a great deal.

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Speaker 2: And you assume at some point that they're going to

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Speaker 2: go back to all this other stuff that they've set up,

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Speaker 2: all these other characters, but they never do.

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Speaker 1: They follow him. At minimum, let's hear the shopkeeper side

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Speaker 1: of the story who sold him this jacket, because you're

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Speaker 1: only getting like his perspective, which is that he really

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Speaker 1: took this guy for a ride right, And I don't

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Speaker 1: think the guy would have sold it if he wasn't

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Speaker 1: making something of a prophet.

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Speaker 2: But I appreciate that it's a movie also for women

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Speaker 2: as well as for men, because they show the hot

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Speaker 2: babe and the bath. That's like, that's like for the

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Speaker 2: boys to understand this, but we need a little cheesecake

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Speaker 2: for the girls too. So here's Anthony Boorday.

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Speaker 1: Yeah, yeah, well and I see Borday and.

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Speaker 3: I go that's me, right, And I see Margot Roberts

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Speaker 3: and I think that's me.

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Speaker 1: Yeah, yes, but I'm also.

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Speaker 3: I also like to take a bath when I watch movies.

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Speaker 2: And I'm looking at Margot and saying, let's get it on.

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Speaker 2: You're looking at Anthony Bourdaine and.

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Speaker 3: Thinking how much is that jacket? And if if you

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Speaker 3: got a good deal on it, then I'm going to jump.

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Speaker 1: Well, there's nothing sexier and then getting a deal. So

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Speaker 1: we're going to get a big deal book signing deal

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Speaker 1: when we do this vampire not and what we know

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Speaker 1: the elements are romance, the undead bats, castles, friendship, young people, right,

399
00:21:32,960 --> 00:21:40,920
Speaker 1: that's who's reading. Babies, babies, babies, and ideally some kind

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00:21:40,960 --> 00:21:48,440
Speaker 1: of mystery. Oh and forbidden. You know, something that's all forbidden.

401
00:21:48,520 --> 00:21:50,919
Speaker 1: It's got to be taboo, you know.

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Speaker 2: And yes, we did a movie with Paul Cheer that

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Speaker 2: was also about vampires.

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Speaker 1: Different. We are not out of ideas. If it's a

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Speaker 1: completely different thing. There's a whole new thing we did.

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Speaker 1: And we're not just realizing that now. Oh and we're

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00:22:04,200 --> 00:22:06,679
Speaker 1: not even also realizing that we kind of did a

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Speaker 1: young adult novel thing already.

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Speaker 2: Yes, that's and I'm not I'm also not not remembering that.

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00:22:14,080 --> 00:22:16,719
Speaker 1: Yes, and that's that was maybe John Daley or something.

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Speaker 1: So I love blood, yes remember and had all that

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Speaker 1: blood that.

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00:22:26,080 --> 00:22:29,320
Speaker 3: Was so hot because when those two in Billy Bob.

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Speaker 3: First of all, I think about Billy Bob Thornton and

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Speaker 3: Angelina Jolie Phillip.

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Speaker 1: Bob's almost he's like a preboard Dane.

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Speaker 3: I think about them fucking and I think about her

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Speaker 3: going to his shows playing rock and roll, knowing that

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Speaker 3: his blood is like like pretty close to her tits.

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Speaker 1: Right on her tits, and so she's got bloody tits

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Speaker 1: and we got this preboard day.

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Speaker 3: Can we just like, I know it's a little bit

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Speaker 3: of a tangent.

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Speaker 1: Mmm, or you think it's funny when people say target

425
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Speaker 1: like it's fancy. Yeah.

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00:23:01,359 --> 00:23:04,320
Speaker 3: So yeah, it's funny because like they're not poor, but

427
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Speaker 3: they go to a place that poor people can go to.

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00:23:06,480 --> 00:23:07,080
Speaker 1: Yeah.

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Speaker 3: So anyway, I want to talk about a little like

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Speaker 3: the kind of sex that Angelina Jolie and Billy Bob

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Speaker 3: Thornton used to have, because I have a feeling that

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Speaker 3: they did some crazy stuff.

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Speaker 1: Oh yeah, like kind of bite him a little bit.

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Speaker 3: Yeah, like Niles nibbles lobes and so freezing. He probably did,

435
00:23:22,040 --> 00:23:24,320
Speaker 3: like the pepsi challenge, but like with their piss.

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Speaker 1: Okay, And here's the kind of thing that we can

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Speaker 1: put in the book and we let the editors say

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Speaker 1: whether it's gonna be okay or not. Sean wants to

439
00:23:34,000 --> 00:23:34,880
Speaker 1: kind of get back to the book.

440
00:23:35,000 --> 00:23:37,080
Speaker 3: Okay, but can I just describe it the pepsi challenges

441
00:23:37,080 --> 00:23:39,159
Speaker 3: for people that listen to Earwolf but they are maybe

442
00:23:39,200 --> 00:23:42,200
Speaker 3: like a little younger than I don't know us.

443
00:23:42,240 --> 00:23:44,040
Speaker 1: You know, it's where you try to think of someone

444
00:23:44,119 --> 00:23:49,840
Speaker 1: you know who prefers pepsi and it's a real challenge. Yeah.

445
00:23:49,880 --> 00:23:53,720
Speaker 3: Well, okay, so like two Dixie cups full of piss, right,

446
00:23:55,240 --> 00:23:59,480
Speaker 3: one is BBT one is a Jolie. They do the

447
00:23:59,480 --> 00:24:02,000
Speaker 3: old switch. You've seen the videos where cats can play

448
00:24:02,000 --> 00:24:05,800
Speaker 3: three card money. Yeah, the shell game, the Michelle game.

449
00:24:06,119 --> 00:24:08,959
Speaker 1: Yeah, I can't tell it because you're wearing sung glasses.

450
00:24:08,960 --> 00:24:09,240
Speaker 1: I can't.

451
00:24:09,280 --> 00:24:11,119
Speaker 2: You are facing me, but I can't tell if your

452
00:24:11,119 --> 00:24:12,520
Speaker 2: ei are closed or if you are.

453
00:24:12,560 --> 00:24:13,840
Speaker 3: I'm going to a poker game after that.

454
00:24:13,960 --> 00:24:14,440
Speaker 1: Okay.

455
00:24:15,880 --> 00:24:18,720
Speaker 3: Anyway, they can't tell whose piss is what and that,

456
00:24:19,560 --> 00:24:20,280
Speaker 3: and then they come.

457
00:24:21,000 --> 00:24:25,920
Speaker 1: I like to talk about poker, you know. I think

458
00:24:25,960 --> 00:24:27,520
Speaker 1: it's something all my fans enjoy.

459
00:24:28,520 --> 00:24:29,439
Speaker 3: Your poker tips.

460
00:24:29,520 --> 00:24:33,000
Speaker 1: It's just a fun way your poker stories, just my tips,

461
00:24:33,080 --> 00:24:36,480
Speaker 1: just like widening or tightening your range based on position,

462
00:24:36,680 --> 00:24:40,400
Speaker 1: table image, the you know, profile of your opponent. Are

463
00:24:40,440 --> 00:24:46,639
Speaker 1: they loose aggressive? It's a likable celebrity quality. Yeah, poker.

464
00:24:46,760 --> 00:24:50,800
Speaker 2: To be good at it, Yes, to be a pseudo

465
00:24:50,880 --> 00:24:53,760
Speaker 2: professional poker player, because you have a lot of money

466
00:24:53,800 --> 00:24:56,000
Speaker 2: and can be in these places where you waste it

467
00:24:56,080 --> 00:24:58,720
Speaker 2: like it's your job, Like Jennifer Tilly, I mean, this

468
00:24:58,880 --> 00:24:59,480
Speaker 2: is your thing.

469
00:25:00,240 --> 00:25:02,320
Speaker 3: It's also like an intellectual like I think it's like

470
00:25:02,440 --> 00:25:03,480
Speaker 3: I think it's math for her.

471
00:25:03,680 --> 00:25:03,840
Speaker 1: You know.

472
00:25:03,840 --> 00:25:06,240
Speaker 3: One of my favorite moves of hers is like she'll

473
00:25:06,280 --> 00:25:07,959
Speaker 3: be smiling like I'm talking to you right now, when

474
00:25:07,960 --> 00:25:10,640
Speaker 3: I'm smiling, and then she'll take her hand like up here,

475
00:25:11,000 --> 00:25:12,359
Speaker 3: you know what I mean, like above her head, and

476
00:25:12,400 --> 00:25:15,040
Speaker 3: then as she brings it down to her chin over

477
00:25:15,080 --> 00:25:15,760
Speaker 3: her face, her.

478
00:25:15,640 --> 00:25:16,800
Speaker 1: Face is totally different. Yes.

479
00:25:16,800 --> 00:25:19,120
Speaker 2: And because when you did it, yeah, it was not

480
00:25:19,240 --> 00:25:23,880
Speaker 2: really on time. Before your before your hand even got

481
00:25:23,960 --> 00:25:26,200
Speaker 2: near your face, I could see it's starting to change.

482
00:25:26,520 --> 00:25:28,800
Speaker 1: That's why Tilly's a master. She can do it so fast.

483
00:25:28,880 --> 00:25:31,840
Speaker 1: When you do it, it's like very slow. So you

484
00:25:31,880 --> 00:25:34,479
Speaker 1: have your hand up here, you're smiling, but you're like

485
00:25:34,600 --> 00:25:37,320
Speaker 1: trying to like get it. You gotta be ready and

486
00:25:37,440 --> 00:25:39,560
Speaker 1: do it. Frown. I can't trust my face to do

487
00:25:39,600 --> 00:25:41,400
Speaker 1: all that was That was what I was going to say.

488
00:25:41,400 --> 00:25:42,520
Speaker 3: Is I have a palsied face?

489
00:25:42,840 --> 00:25:45,080
Speaker 2: Yes, And so you actually are having to use your

490
00:25:45,119 --> 00:25:48,919
Speaker 2: other head to kind of drag it into the right position.

491
00:25:49,080 --> 00:25:50,600
Speaker 3: Do you have to use my left hand to form

492
00:25:50,640 --> 00:25:51,760
Speaker 3: my face into a smile.

493
00:25:52,119 --> 00:25:55,080
Speaker 1: Yeah, yeah, it's true. And Tilly can do it just

494
00:25:55,160 --> 00:25:59,160
Speaker 1: her face. Yeaing math for Tilly. Here's a really quick

495
00:25:59,160 --> 00:26:01,840
Speaker 1: way to calculate odds at any point many And I

496
00:26:01,880 --> 00:26:03,840
Speaker 1: was trying to circumbate this, but oh, did you not

497
00:26:03,920 --> 00:26:06,520
Speaker 1: want to? But I just thought you would want to

498
00:26:06,520 --> 00:26:08,600
Speaker 1: get back to the book. Oh, okay, let's talk about

499
00:26:08,640 --> 00:26:12,120
Speaker 1: the book. Maybe one of the vampires in the book

500
00:26:12,200 --> 00:26:14,080
Speaker 1: is a professional poker player, because a lot of those

501
00:26:14,119 --> 00:26:15,280
Speaker 1: tournaments go all night.

502
00:26:16,240 --> 00:26:18,159
Speaker 3: I think they go on all night because people are

503
00:26:18,200 --> 00:26:20,359
Speaker 3: so into playing poker and they just can't walk away

504
00:26:20,359 --> 00:26:21,080
Speaker 3: from the table.

505
00:26:21,640 --> 00:26:24,080
Speaker 2: And there's no windows in the casino because you can't

506
00:26:24,080 --> 00:26:25,800
Speaker 2: see the sun, and so that makes you.

507
00:26:25,960 --> 00:26:27,040
Speaker 3: A vampire in a way.

508
00:26:27,320 --> 00:26:31,840
Speaker 1: Yeah. Yeah, And they have those big cups of soda. Yeah,

509
00:26:31,920 --> 00:26:37,960
Speaker 1: which we were talking about earlier. Huge, what why don't you?

510
00:26:38,200 --> 00:26:42,000
Speaker 3: Why are you so sex negative? I feel like every

511
00:26:42,040 --> 00:26:45,000
Speaker 3: time I mentioned sex around you, you're doing what you're

512
00:26:45,000 --> 00:26:47,040
Speaker 3: doing right now. Your eyes are getting slinty.

513
00:26:47,240 --> 00:26:50,240
Speaker 1: Well, you've certainly got a large enough sample size. I

514
00:26:50,240 --> 00:26:53,520
Speaker 1: don't even know what to make that judgment bring.

515
00:26:54,320 --> 00:26:59,600
Speaker 3: I thought you were talking about, like you'urine samples. Sex

516
00:26:59,680 --> 00:27:01,880
Speaker 3: and your and are not the same thing, but they

517
00:27:01,920 --> 00:27:02,480
Speaker 3: also are.

518
00:27:04,600 --> 00:27:06,320
Speaker 1: They're not different. They come from the same.

519
00:27:06,440 --> 00:27:07,800
Speaker 3: They're not they're not different.

520
00:27:07,880 --> 00:27:09,600
Speaker 1: They're in the same, they come out of the same.

521
00:27:09,840 --> 00:27:11,960
Speaker 1: And we could talk about this. It's for both.

522
00:27:12,160 --> 00:27:15,320
Speaker 3: We have talked about it yes, but not when Seawan's around.

523
00:27:16,119 --> 00:27:18,640
Speaker 1: It's for going P and for and for having sex.

524
00:27:18,720 --> 00:27:20,560
Speaker 1: We think, what do you mean?

525
00:27:20,600 --> 00:27:22,560
Speaker 3: We think I'm just saying.

526
00:27:22,680 --> 00:27:26,479
Speaker 2: Yes, yes, fine. I don't know where these scientists are

527
00:27:26,480 --> 00:27:28,520
Speaker 2: coming from. Necessarily, I'm not going to be like this

528
00:27:28,600 --> 00:27:30,800
Speaker 2: person's right and this person's wrong. But a lot of

529
00:27:30,800 --> 00:27:33,000
Speaker 2: the stuff we're reading is, yes, it is for going P.

530
00:27:33,400 --> 00:27:37,160
Speaker 1: Most of the implications are yes, so far that's the evidence.

531
00:27:37,240 --> 00:27:40,720
Speaker 1: But just for doing climate change, yes. I don't want

532
00:27:40,760 --> 00:27:43,439
Speaker 1: to get out in front and go like, oh yeah, definitely,

533
00:27:43,560 --> 00:27:46,280
Speaker 1: P and sex come from the same spot, you know

534
00:27:46,280 --> 00:27:48,040
Speaker 1: what I mean. And then all of a sudden we're

535
00:27:48,320 --> 00:27:49,560
Speaker 1: changing all these laws.

536
00:27:51,280 --> 00:27:54,439
Speaker 2: We can say reason, we're losing money, we can say that,

537
00:27:54,520 --> 00:27:56,440
Speaker 2: and a lot of in the science book it does

538
00:27:56,520 --> 00:27:57,800
Speaker 2: say yes, it's for going.

539
00:27:58,080 --> 00:27:59,439
Speaker 3: We're making vampire books.

540
00:27:59,800 --> 00:28:03,359
Speaker 1: We are because I think I think the vampire could

541
00:28:03,359 --> 00:28:07,240
Speaker 1: be a scientist who plays poker. Oh you know. And

542
00:28:07,440 --> 00:28:12,280
Speaker 1: at that point, he's got a big pepsi cup full

543
00:28:12,280 --> 00:28:16,160
Speaker 1: of blood at the table and he's sort of sipping it.

544
00:28:16,160 --> 00:28:18,040
Speaker 1: It's one of the big Pepsi cups like they used

545
00:28:18,080 --> 00:28:23,720
Speaker 1: to have on or X Factor, either one. I can't

546
00:28:23,720 --> 00:28:26,360
Speaker 1: remember which one. Had pepsi and which one didn't. And

547
00:28:26,400 --> 00:28:32,600
Speaker 1: they're drinking the blood and they're trying to make a

548
00:28:32,640 --> 00:28:36,400
Speaker 1: decision about a big hand. But also they're trying to think.

549
00:28:36,400 --> 00:28:38,640
Speaker 3: We should have had this conversation before I bought a ticket.

550
00:28:38,920 --> 00:28:42,240
Speaker 1: Okay, okay, what do you what do you think the

551
00:28:42,320 --> 00:28:46,880
Speaker 1: vampires are doing? Having sex? A fucking little kid?

552
00:28:48,920 --> 00:28:52,480
Speaker 3: My god, See when you said forbidden? What did you

553
00:28:52,560 --> 00:28:53,120
Speaker 3: mean by that?

554
00:28:53,640 --> 00:28:54,160
Speaker 1: Forbidden?

555
00:28:55,960 --> 00:29:00,720
Speaker 3: A sexy idea? I like, I forbid you to like, yeah,

556
00:29:00,760 --> 00:29:01,920
Speaker 3: like the forbidden dance.

557
00:29:02,040 --> 00:29:04,200
Speaker 1: I think of forbidden. I think of race words I

558
00:29:04,240 --> 00:29:07,280
Speaker 1: can't use anymore, you know what I mean, race based

559
00:29:07,320 --> 00:29:10,040
Speaker 1: words that I'm allowed to use that you know, like

560
00:29:10,160 --> 00:29:11,280
Speaker 1: that ideally will.

561
00:29:11,160 --> 00:29:13,400
Speaker 3: Be brought back, of course, race like it's because it's

562
00:29:13,400 --> 00:29:13,960
Speaker 3: animal crew.

563
00:29:14,080 --> 00:29:16,360
Speaker 1: You know that's that way. I mean, you know that's

564
00:29:16,400 --> 00:29:19,920
Speaker 1: not what I mean. He means like the M word, Yeah,

565
00:29:20,040 --> 00:29:27,960
Speaker 1: the M word. Tuesdays eight thirty on Fox. The plus

566
00:29:28,000 --> 00:29:32,800
Speaker 1: threes are through the roof. The thing's a fucking runaway training.

567
00:29:33,560 --> 00:29:35,400
Speaker 3: What is she doing on that banister in that.

568
00:29:35,320 --> 00:29:39,080
Speaker 1: Ad whatever she can well wants the numbers she's pulling,

569
00:29:39,160 --> 00:29:41,720
Speaker 1: I'll tell you what she's doing. Grind. They got it.

570
00:29:42,720 --> 00:29:44,520
Speaker 3: So it's it's in a way it is equal to

571
00:29:44,520 --> 00:29:45,000
Speaker 3: the grinder.

572
00:29:45,160 --> 00:29:45,880
Speaker 1: She's getting off.

573
00:29:45,960 --> 00:29:47,640
Speaker 3: They replaced the grinder it away.

574
00:29:47,520 --> 00:29:50,000
Speaker 2: Yes, certainly, Well that was the thing about the show

575
00:29:50,040 --> 00:29:54,520
Speaker 2: the Grinder is he almost never grinds up on any

576
00:29:54,680 --> 00:29:56,040
Speaker 2: like home furnishings.

577
00:29:56,320 --> 00:30:00,000
Speaker 1: Yeah, and well, and believe me, I gave that note.

578
00:30:01,320 --> 00:30:05,680
Speaker 2: And people are showing up one of the van to

579
00:30:05,680 --> 00:30:11,600
Speaker 2: see some frotage to see is the grinder the vampire frotage?

580
00:30:12,200 --> 00:30:15,520
Speaker 3: Yes, I love's like on a Sunday.

581
00:30:15,280 --> 00:30:18,640
Speaker 2: The Sunday fretage. And so now we have this frontereur

582
00:30:20,360 --> 00:30:23,320
Speaker 2: in the poster, and so people know what the that

583
00:30:23,360 --> 00:30:25,840
Speaker 2: they are getting some good grind against some good fritage.

584
00:30:26,280 --> 00:30:29,320
Speaker 1: So uh, I'll say it a third time. Is the

585
00:30:29,360 --> 00:30:31,800
Speaker 1: Grinder one of the vampires? This is a character who

586
00:30:31,840 --> 00:30:34,520
Speaker 1: people are already familiar with. Let's face it, they're not

587
00:30:34,600 --> 00:30:36,120
Speaker 1: doing anything with him right now.

588
00:30:36,160 --> 00:30:38,280
Speaker 3: Can the BFG be one of the vampires?

589
00:30:38,440 --> 00:30:44,480
Speaker 1: Okay? And finally constructive suggestion instead, we brought you instead

590
00:30:44,520 --> 00:30:46,200
Speaker 1: of just like no no, no.

591
00:30:46,360 --> 00:30:49,040
Speaker 3: I love positive reinforcement, we.

592
00:30:49,040 --> 00:30:52,720
Speaker 1: Do a pitch instead like the bfg's and the BFG

593
00:30:53,000 --> 00:30:55,080
Speaker 1: is doing it. And what a great way to combine

594
00:30:55,120 --> 00:31:01,440
Speaker 1: two supernatural elements. Imagine a giant vampire. How fucked up

595
00:31:01,600 --> 00:31:08,960
Speaker 1: the BfV. That's so fucked up the b f g V.

596
00:31:09,600 --> 00:31:10,720
Speaker 1: It's back, it is back.

597
00:31:10,760 --> 00:31:14,440
Speaker 2: It did circle back to the sexual stuff.

598
00:31:14,600 --> 00:31:20,120
Speaker 1: Yeah, I guess it's so so the giant vampire. I

599
00:31:20,120 --> 00:31:21,120
Speaker 1: guess it's baby ish.

600
00:31:22,240 --> 00:31:26,240
Speaker 3: I'm sorry, Sean, I'm here, Sean, Sean, I apologize for

601
00:31:26,280 --> 00:31:26,880
Speaker 3: interrupting you.

602
00:31:27,000 --> 00:31:30,800
Speaker 4: It's baby first, he said it was like kids.

603
00:31:30,880 --> 00:31:32,600
Speaker 1: He said, it was like you're it was like for

604
00:31:32,600 --> 00:31:35,560
Speaker 1: a little kid, like babased kids. You are behaving like

605
00:31:35,640 --> 00:31:39,360
Speaker 1: Baba's kids, and you're totally and the theme park is

606
00:31:40,240 --> 00:31:43,600
Speaker 1: gonna be destroyed if we let you run amuck like this.

607
00:31:44,040 --> 00:31:45,920
Speaker 3: I don't think it's baby is to talk about sex.

608
00:31:46,000 --> 00:31:47,960
Speaker 1: Come on, if we don't, we don't die. We multiply.

609
00:31:48,000 --> 00:31:49,640
Speaker 1: How do you think they multiply? Somebody has to have

610
00:31:49,680 --> 00:31:52,480
Speaker 1: sex to make more of those kids. That is what's

611
00:31:52,520 --> 00:31:55,000
Speaker 1: going on right now, is you're pulling a straight up

612
00:31:55,000 --> 00:31:57,720
Speaker 1: baby's kids, and it's baby ish. As Hayes pointed.

613
00:31:57,400 --> 00:32:03,280
Speaker 3: Out, I feel baby shamed, and I also feel berry

614
00:32:03,320 --> 00:32:04,160
Speaker 3: berry ashamed.

615
00:32:04,680 --> 00:32:09,160
Speaker 1: Oh Sherry's berries, cherries, berries, we love them. I don't

616
00:32:09,200 --> 00:32:10,640
Speaker 1: want your favorite cherries berries.

617
00:32:10,720 --> 00:32:11,600
Speaker 3: I don't know what that is.

618
00:32:11,680 --> 00:32:13,160
Speaker 1: This will be good a podcast?

619
00:32:13,720 --> 00:32:15,040
Speaker 3: Was this like an Airwolf podcast?

620
00:32:15,080 --> 00:32:19,640
Speaker 1: We're like, we should do two ads. We should too,

621
00:32:19,640 --> 00:32:22,560
Speaker 1: shown we should do two Sherrysberry's ads. Then they have

622
00:32:22,640 --> 00:32:26,160
Speaker 1: to give it to us again. Yes, that's right, we

623
00:32:26,240 --> 00:32:27,480
Speaker 1: have to get more berries.

624
00:32:27,640 --> 00:32:29,520
Speaker 3: Is it like blue apron? But it's just berries.

625
00:32:29,720 --> 00:32:32,520
Speaker 1: Well, okay, it's not quite like that. You don't have

626
00:32:32,560 --> 00:32:34,920
Speaker 1: to cook the berries. You just have enjoyed that.

627
00:32:35,000 --> 00:32:37,600
Speaker 2: Yeah, so just talk about how much you like Okay,

628
00:32:37,960 --> 00:32:41,720
Speaker 2: a specific yes, a specific what? Just a story about

629
00:32:41,720 --> 00:32:44,680
Speaker 2: a berry that you and you and okay, like.

630
00:32:44,800 --> 00:32:47,480
Speaker 3: Well one time, like I took this this, this.

631
00:32:47,440 --> 00:32:51,760
Speaker 1: Blueberry, yeah, to a blueberry. Yeah, you took it to.

632
00:32:51,840 --> 00:32:54,800
Speaker 3: What Now I can't well exactly. And now as I

633
00:32:54,880 --> 00:32:56,240
Speaker 3: say it out loud, I'm like, they're going to be

634
00:32:56,240 --> 00:32:56,640
Speaker 3: mad at me.

635
00:32:57,240 --> 00:32:59,640
Speaker 1: Okay, you took it all the way down.

636
00:33:00,080 --> 00:33:01,400
Speaker 3: I just I just put it inside of me.

637
00:33:03,120 --> 00:33:04,880
Speaker 1: Yeah, and it's a seed. That's what you do.

638
00:33:05,200 --> 00:33:07,760
Speaker 3: People don't know, Well, it's what I did with one.

639
00:33:08,640 --> 00:33:16,880
Speaker 1: Well, blueberries are blueberry is a seed. Yes, a blueberry

640
00:33:16,960 --> 00:33:17,480
Speaker 1: is a seed that.

641
00:33:21,760 --> 00:33:22,600
Speaker 3: Ended up in the e r.

642
00:33:22,800 --> 00:33:23,800
Speaker 1: Strawberry is a bud.

643
00:33:24,000 --> 00:33:25,280
Speaker 3: But it was a mental.

644
00:33:24,880 --> 00:33:28,840
Speaker 1: Hospital, bud hospital.

645
00:33:28,960 --> 00:33:31,840
Speaker 3: Yes, wow, because it was like I was like, well,

646
00:33:31,880 --> 00:33:33,160
Speaker 3: are you guys here to remove the berry?

647
00:33:33,200 --> 00:33:40,560
Speaker 1: They're like, no, that's helping. Bud flower seed and thistle,

648
00:33:46,000 --> 00:33:49,600
Speaker 1: bullet weapon, warhead missile. You know this is a little

649
00:33:49,720 --> 00:33:53,040
Speaker 1: this is a poem you can use. Remember diff between

650
00:33:53,160 --> 00:33:59,800
Speaker 1: berries and projectiles. Uh, and it's important a weapon is

651
00:33:59,800 --> 00:34:00,680
Speaker 1: a projectile.

652
00:34:01,240 --> 00:34:02,480
Speaker 3: Oh yeah, I didn't know what that was.

653
00:34:04,120 --> 00:34:07,800
Speaker 1: Yeah, it certainly can be. You know, not all thistles

654
00:34:07,880 --> 00:34:10,560
Speaker 1: or berries, just as not all weapons are projectiles. But

655
00:34:10,760 --> 00:34:12,000
Speaker 1: certainly there's overlap.

656
00:34:12,239 --> 00:34:15,120
Speaker 3: These are from scientists that you listen to that don't

657
00:34:15,120 --> 00:34:16,320
Speaker 3: have any opinions.

658
00:34:15,880 --> 00:34:21,399
Speaker 1: About There was a radio lab about this, Yeah, so yeah,

659
00:34:21,400 --> 00:34:23,680
Speaker 1: Sean is talking about a specific radio.

660
00:34:23,520 --> 00:34:24,440
Speaker 3: Lab about thistles.

661
00:34:24,719 --> 00:34:26,640
Speaker 1: Yeah, thistles and projectiles.

662
00:34:26,840 --> 00:34:28,160
Speaker 3: It's called thistle while you work.

663
00:34:29,719 --> 00:34:32,719
Speaker 1: Yeah, thistle while I work. And uh, it was all

664
00:34:32,760 --> 00:34:36,560
Speaker 1: about radio abs. You know when the guy lets the

665
00:34:36,560 --> 00:34:40,960
Speaker 1: strong man lets a tire drive over his stomach. So

666
00:34:42,760 --> 00:34:46,600
Speaker 1: i'veged to pull out of a tailspin here, let's get

667
00:34:46,640 --> 00:34:49,480
Speaker 1: back to this vampire. Quick question about radio.

668
00:34:50,239 --> 00:34:52,640
Speaker 3: Because I've never seen it or heard it, I assume

669
00:34:52,640 --> 00:34:54,160
Speaker 3: it's a show or a show, you know what I

670
00:34:54,160 --> 00:34:57,719
Speaker 3: mean radio. Is it about a man who takes little

671
00:34:57,719 --> 00:34:59,759
Speaker 3: transistor radios and puts them in test tubes and like

672
00:34:59,800 --> 00:35:02,680
Speaker 3: hold to test tubes up to the light non exclusively.

673
00:35:02,880 --> 00:35:05,440
Speaker 2: Now, see, like how I feel called out because I

674
00:35:05,480 --> 00:35:08,640
Speaker 2: don't listen to this thing of us mentioning something that

675
00:35:08,680 --> 00:35:09,520
Speaker 2: I've heard before.

676
00:35:09,600 --> 00:35:11,520
Speaker 3: Okay, Sean, well guess what. Look who's out.

677
00:35:11,480 --> 00:35:14,200
Speaker 1: Numbered and now Julie's making me dig in brought it up.

678
00:35:14,840 --> 00:35:17,759
Speaker 3: No I know, but he seemed like he, well, you're

679
00:35:17,800 --> 00:35:19,960
Speaker 3: at number because you're the only one who watches it.

680
00:35:20,120 --> 00:35:24,080
Speaker 1: Okay. I love being outnumbered. It makes me unique. See,

681
00:35:24,280 --> 00:35:26,640
Speaker 1: I don't mind being an individual. I don't have to

682
00:35:26,719 --> 00:35:28,960
Speaker 1: always talk about dirty stuff to fit in.

683
00:35:29,760 --> 00:35:32,799
Speaker 3: Uh this is you? Like what is that thing in

684
00:35:32,800 --> 00:35:34,520
Speaker 3: a because I don't drive? So is it the thing

685
00:35:34,560 --> 00:35:36,080
Speaker 3: where you're like go to reverse and you go to

686
00:35:36,120 --> 00:35:37,680
Speaker 3: the front and you go in reverse because you're trying

687
00:35:37,719 --> 00:35:38,600
Speaker 3: to get out of a hole?

688
00:35:39,840 --> 00:35:40,000
Speaker 1: Yes?

689
00:35:40,080 --> 00:35:43,439
Speaker 2: Oh driving, I feel like that that car thing.

690
00:35:43,520 --> 00:35:47,160
Speaker 1: Yes, when you're in the hole, like that's you're driving

691
00:35:47,200 --> 00:35:49,520
Speaker 1: to a hole and then you're going back and forth.

692
00:35:49,560 --> 00:35:53,800
Speaker 3: You're doing saying unique because it's not lonely.

693
00:35:54,480 --> 00:35:58,440
Speaker 1: Mmmmmm. We's got to do this book we have to

694
00:35:58,600 --> 00:36:01,520
Speaker 1: because we promised our publisher we sold the ads based

695
00:36:01,560 --> 00:36:04,480
Speaker 1: on the ads were based on us doing this book.

696
00:36:04,840 --> 00:36:08,000
Speaker 2: So like this big media package with the berries really quickly,

697
00:36:08,080 --> 00:36:10,000
Speaker 2: we're gonna do the vampire book.

698
00:36:09,760 --> 00:36:12,040
Speaker 1: Together and berries.

699
00:36:12,360 --> 00:36:13,799
Speaker 3: You know what berries are?

700
00:36:13,840 --> 00:36:15,880
Speaker 1: I have to do the book. You cannot say it.

701
00:36:15,920 --> 00:36:16,399
Speaker 1: They're fine.

702
00:36:16,560 --> 00:36:19,440
Speaker 2: Okay, you can say that. Only if you say that,

703
00:36:19,480 --> 00:36:21,359
Speaker 2: then we have to explain to you what they are.

704
00:36:21,719 --> 00:36:26,520
Speaker 1: Great the vampires like maybe they eat raspberries and strawberries

705
00:36:26,520 --> 00:36:28,839
Speaker 1: because they're red like blood, and that's like a good

706
00:36:28,840 --> 00:36:31,520
Speaker 1: blood replacement. That's a way hurting people.

707
00:36:31,600 --> 00:36:34,640
Speaker 3: Funny YouTube where the bunny eats a raspberryinicula.

708
00:36:36,680 --> 00:36:39,680
Speaker 1: Yes, that could be good, I guess. I mean because

709
00:36:39,680 --> 00:36:42,479
Speaker 1: that's already a book. Yeah, it's a brand new book

710
00:36:42,520 --> 00:36:45,040
Speaker 1: about vampires, just like these other ones were saying.

711
00:36:44,800 --> 00:36:49,560
Speaker 2: We could put that book inside this book vegetables. I

712
00:36:49,560 --> 00:36:52,000
Speaker 2: don't know. I just look, you keep asking about stuff.

713
00:36:52,040 --> 00:36:53,840
Speaker 2: I have not read this book. It is something I

714
00:36:53,880 --> 00:36:54,560
Speaker 2: have heard of.

715
00:36:54,760 --> 00:36:57,440
Speaker 1: So if the vampire is dating a mummy and the

716
00:36:57,520 --> 00:37:03,239
Speaker 1: mummies like addicted to painkillers or oh, that's interesting. Are

717
00:37:03,280 --> 00:37:04,480
Speaker 1: the mummies like uh?

718
00:37:05,080 --> 00:37:12,960
Speaker 5: Or oh oh dude, the mummies like uh hiding from

719
00:37:13,000 --> 00:37:16,960
Speaker 5: someone in a in a bathroom, and then the dudes

720
00:37:17,000 --> 00:37:20,040
Speaker 5: in there like take a deuce, and then he's just.

721
00:37:20,000 --> 00:37:22,840
Speaker 1: Like, oh, I think I need to wipe, you know,

722
00:37:23,080 --> 00:37:25,120
Speaker 1: and the mummy's like, oh, please don't see me.

723
00:37:25,280 --> 00:37:27,759
Speaker 2: Some of it is like and some of it is

724
00:37:27,800 --> 00:37:30,640
Speaker 2: like poking out of the hiding place and oh, there's

725
00:37:30,680 --> 00:37:31,320
Speaker 2: my TP.

726
00:37:31,239 --> 00:37:34,680
Speaker 1: Here's my TP. And he starts unrolling. Do you not

727
00:37:34,760 --> 00:37:35,080
Speaker 1: get it?

728
00:37:35,160 --> 00:37:35,560
Speaker 3: I get it.

729
00:37:35,600 --> 00:37:37,800
Speaker 1: I don't like and the mummies like off he unrolls anymore,

730
00:37:37,800 --> 00:37:39,279
Speaker 1: They're gonna be able to see my wing.

731
00:37:40,560 --> 00:37:42,360
Speaker 3: I don't know, guys, I don't feel like we're on

732
00:37:42,400 --> 00:37:43,439
Speaker 3: the same page right now.

733
00:37:43,840 --> 00:37:47,799
Speaker 1: Okay, you're jealous. You're jealous.

734
00:37:49,040 --> 00:37:51,960
Speaker 2: We are really getting something going here, and you wanted

735
00:37:52,000 --> 00:37:53,160
Speaker 2: to be more of a part of it.

736
00:37:53,239 --> 00:37:54,280
Speaker 3: I just don't like that idea.

737
00:37:54,360 --> 00:37:57,200
Speaker 1: So you can see. Come on, I don't do you

738
00:37:57,239 --> 00:37:58,000
Speaker 1: not understand?

739
00:37:58,120 --> 00:37:59,200
Speaker 3: I told you I get it.

740
00:38:00,000 --> 00:38:04,920
Speaker 1: Looks like a big TP. Yeah, oh okay, yes, and

741
00:38:04,960 --> 00:38:08,480
Speaker 1: now that yes, I have a pitch. It's berries that

742
00:38:08,520 --> 00:38:12,480
Speaker 1: you get in the mail. This is what the frozen

743
00:38:13,480 --> 00:38:16,040
Speaker 1: decon and fresh, juicy, sweet, chable and irresistable.

744
00:38:16,080 --> 00:38:17,240
Speaker 3: Are they frozen dried?

745
00:38:17,600 --> 00:38:23,240
Speaker 1: No, that's space berries. These are not thinking of space berries.

746
00:38:23,560 --> 00:38:26,799
Speaker 1: They're for sweethearts. Yeah. This is like there's nobody more

747
00:38:26,840 --> 00:38:28,080
Speaker 1: special than your Valentine.

748
00:38:28,239 --> 00:38:33,280
Speaker 3: What if the novel opens on it's like like Walter

749
00:38:33,360 --> 00:38:38,719
Speaker 3: White's like fiftieth. Oh, and like his wife who's like

750
00:38:38,800 --> 00:38:41,640
Speaker 3: this bitch that nobody.

751
00:38:41,560 --> 00:38:44,360
Speaker 1: Doesn't want him to sell draps and like she like

752
00:38:44,480 --> 00:38:46,359
Speaker 1: be normy.

753
00:38:46,000 --> 00:38:48,719
Speaker 3: And she's like she's like happy birthday, honey. And he's like,

754
00:38:48,760 --> 00:38:51,440
Speaker 3: oh my god, I can't believe I'm like fifty now.

755
00:38:51,880 --> 00:38:57,319
Speaker 1: He's getting so like and the food is fifty. Well, yeah,

756
00:38:57,360 --> 00:38:58,600
Speaker 1: she looks like fifty.

757
00:38:58,680 --> 00:39:00,960
Speaker 3: She puts a food in front of him. Yeah, and

758
00:39:01,000 --> 00:39:02,960
Speaker 3: she and she makes the word fifty.

759
00:39:03,239 --> 00:39:04,520
Speaker 1: This is good on the food.

760
00:39:04,600 --> 00:39:07,840
Speaker 3: But then he's like, oh cool, Like is this bacon

761
00:39:07,880 --> 00:39:13,240
Speaker 3: And she's like it's veggie bacon because of your cholesterol. Yes,

762
00:39:12,480 --> 00:39:16,920
Speaker 3: And so he's like wait a minute, like I'm getting

763
00:39:17,000 --> 00:39:19,880
Speaker 3: older and I have to eat this like this fucking

764
00:39:20,040 --> 00:39:21,520
Speaker 3: like rabbit food.

765
00:39:21,880 --> 00:39:25,600
Speaker 2: Yes, okay, going off that going off that he's going out.

766
00:39:25,640 --> 00:39:27,880
Speaker 2: He's saying, I bet I'm not sick today. That he

767
00:39:27,960 --> 00:39:32,839
Speaker 2: goes to the doctor and he is now I think

768
00:39:32,920 --> 00:39:33,680
Speaker 2: he is sick.

769
00:39:33,760 --> 00:39:34,920
Speaker 3: He got sick from the food.

770
00:39:36,280 --> 00:39:40,719
Speaker 1: No, okay, no, must have been something else. It's gott

771
00:39:40,760 --> 00:39:44,560
Speaker 1: al the yes, is it from Banicula bit him?

772
00:39:44,680 --> 00:39:48,320
Speaker 2: But we don't say that, but we just kind of know. Yeah,

773
00:39:48,480 --> 00:39:51,319
Speaker 2: that's in flashbacks or now that's where we can spook too.

774
00:39:51,440 --> 00:39:54,120
Speaker 2: That's where we can put the banicular book inside our book.

775
00:39:55,360 --> 00:39:58,000
Speaker 2: Now he goes to sleep and is having a memory

776
00:39:58,040 --> 00:39:58,239
Speaker 2: in his.

777
00:39:58,400 --> 00:40:00,839
Speaker 1: Past, and now we just about but I yeah, yes,

778
00:40:01,719 --> 00:40:04,000
Speaker 1: making that knocks out a lot of pages for.

779
00:40:04,040 --> 00:40:07,200
Speaker 3: Us to make it a dreamy yeah.

780
00:40:07,239 --> 00:40:09,600
Speaker 1: And now and then he wakes up.

781
00:40:09,880 --> 00:40:13,160
Speaker 2: Yeah, and now he's going to see his I think

782
00:40:13,200 --> 00:40:15,880
Speaker 2: the guy is his bossy.

783
00:40:16,400 --> 00:40:17,880
Speaker 3: Oh, and he's going to tell the boss to go

784
00:40:18,000 --> 00:40:18,480
Speaker 3: shove it.

785
00:40:19,160 --> 00:40:21,799
Speaker 2: No, I might be thinking of a different guy. This

786
00:40:21,880 --> 00:40:23,360
Speaker 2: is a guy. Maybe it's his friend.

787
00:40:23,880 --> 00:40:29,040
Speaker 1: Oh, and he's like exploding the guy. Yeah. Oh wow,

788
00:40:29,280 --> 00:40:31,359
Speaker 1: this might have been from a later one. Yeah.

789
00:40:31,440 --> 00:40:34,680
Speaker 3: I'd love to get back to the bitch wife. Okay, okay,

790
00:40:35,080 --> 00:40:37,360
Speaker 3: like could she like I don't think she should be

791
00:40:37,400 --> 00:40:38,200
Speaker 3: any fun at all?

792
00:40:38,760 --> 00:40:40,520
Speaker 1: No, because she wants him to be normal and not

793
00:40:40,560 --> 00:40:42,719
Speaker 1: do things a little differently. Well, I think she should

794
00:40:42,760 --> 00:40:50,719
Speaker 1: want him to be honest. Well, what a disgusting trait. Yeah,

795
00:40:50,760 --> 00:40:55,200
Speaker 1: and she should just not get it that like it's

796
00:40:55,239 --> 00:40:59,960
Speaker 1: cool to do crimes. Mm hmmm. And she kind of

797
00:41:00,200 --> 00:41:02,319
Speaker 1: should be okay with it, but we should still be

798
00:41:02,360 --> 00:41:02,879
Speaker 1: mad at her.

799
00:41:04,280 --> 00:41:05,080
Speaker 3: I think he.

800
00:41:05,120 --> 00:41:10,200
Speaker 2: Should be worried about the son who has U Isn't

801
00:41:10,239 --> 00:41:11,960
Speaker 2: it great that the letting him be.

802
00:41:12,120 --> 00:41:13,920
Speaker 1: He got oh he got sick from the food?

803
00:41:14,200 --> 00:41:16,880
Speaker 3: Yeah, the sun because because oh did I not explain?

804
00:41:16,920 --> 00:41:20,640
Speaker 3: Because for this Walter White character, we don't need to, right, We'll.

805
00:41:20,520 --> 00:41:23,400
Speaker 1: Give him a different name, Heisenberg.

806
00:41:23,520 --> 00:41:26,040
Speaker 3: Maybe fine, He's like, I don't want to eat this

807
00:41:26,160 --> 00:41:27,680
Speaker 3: like rabbit food.

808
00:41:28,640 --> 00:41:34,200
Speaker 1: His son, and his son is ridicula.

809
00:41:34,360 --> 00:41:36,960
Speaker 3: Hold on, I'm sorry I should that's my fault. I

810
00:41:36,960 --> 00:41:38,320
Speaker 3: should have done a better job explaining.

811
00:41:38,520 --> 00:41:39,960
Speaker 1: That's why he dreams about him.

812
00:41:40,200 --> 00:41:42,800
Speaker 3: Just give me a second. So the Walter White character

813
00:41:42,880 --> 00:41:44,520
Speaker 3: will say, it's like, I don't want to eat this

814
00:41:44,719 --> 00:41:47,719
Speaker 3: rabbit food. So he takes the plate over to the

815
00:41:47,800 --> 00:41:49,880
Speaker 3: dog bowl, and he just like he like, you know,

816
00:41:50,000 --> 00:41:52,759
Speaker 3: you like take a hey for for can you use

817
00:41:52,800 --> 00:41:55,040
Speaker 3: it as like a the dog?

818
00:41:55,840 --> 00:41:58,120
Speaker 1: You use it as like a freaking boomerang?

819
00:41:58,280 --> 00:42:01,560
Speaker 3: Right, right, So he puts the veggie bacon and the

820
00:42:01,600 --> 00:42:03,959
Speaker 3: dog bowl and then the sun goes.

821
00:42:04,840 --> 00:42:08,279
Speaker 1: You said it's rabbit food, the sun eats from the

822
00:42:08,320 --> 00:42:12,960
Speaker 1: dog ball and the sun becomes unicular Yeah, and you

823
00:42:12,960 --> 00:42:14,840
Speaker 1: gets food pointing fights with the dog.

824
00:42:16,040 --> 00:42:17,920
Speaker 3: Wow, let's talk about the dog.

825
00:42:18,239 --> 00:42:21,920
Speaker 1: Okay, Yeah, let's sort of uh deep in the dog.

826
00:42:22,239 --> 00:42:25,240
Speaker 3: Like it's like, like, what is funny about a funny dog?

827
00:42:26,080 --> 00:42:29,680
Speaker 1: Well, if they're flying a plane in the war, I

828
00:42:29,719 --> 00:42:39,200
Speaker 1: know that's a popular comic, which war idea.

829
00:42:35,960 --> 00:42:38,600
Speaker 2: The World War One, A lot of those planes did not,

830
00:42:39,640 --> 00:42:42,200
Speaker 2: Like it was like a seventy percent death rate of

831
00:42:42,280 --> 00:42:44,719
Speaker 2: being a pilot in World War One because the technology

832
00:42:44,760 --> 00:42:47,359
Speaker 2: wasn't really worked out, and so that would make even

833
00:42:47,440 --> 00:42:50,799
Speaker 2: more sense, like, yeah, these dogs are like even on

834
00:42:51,040 --> 00:42:52,880
Speaker 2: you're pretty sure that the dog is gonna die, even on

835
00:42:52,960 --> 00:42:53,880
Speaker 2: practice runs.

836
00:42:53,920 --> 00:42:55,680
Speaker 1: Not even like it's the actual war.

837
00:42:55,719 --> 00:42:58,680
Speaker 3: We're seeing an opportunity to like see something.

838
00:42:58,360 --> 00:43:03,480
Speaker 1: About war, like how awesome it is.

839
00:43:03,960 --> 00:43:06,759
Speaker 3: Or how you know, or how great it.

840
00:43:06,719 --> 00:43:10,359
Speaker 1: Is, or how fucking legendary it is.

841
00:43:10,960 --> 00:43:12,600
Speaker 3: Yeah, we're like, you know, this is I don't know

842
00:43:12,600 --> 00:43:14,160
Speaker 3: if you guys are aware of this, but this is

843
00:43:14,160 --> 00:43:15,360
Speaker 3: a pretty political time.

844
00:43:16,239 --> 00:43:18,279
Speaker 1: The latest war has been a couple.

845
00:43:18,040 --> 00:43:20,200
Speaker 3: Of smashers, which one.

846
00:43:20,239 --> 00:43:25,160
Speaker 1: True smashers a banger dude. Last one was a fucking

847
00:43:25,480 --> 00:43:32,400
Speaker 1: legendary banger. Yeah, which wars for me? The War on

848
00:43:32,520 --> 00:43:37,120
Speaker 1: drugs legend wait for it, the War on Christmas legend.

849
00:43:38,680 --> 00:43:41,320
Speaker 1: The War on Christmas has been a fucking smasher.

850
00:43:43,400 --> 00:43:45,880
Speaker 3: How do they travel if they're not frozen.

851
00:43:47,239 --> 00:43:47,759
Speaker 1: Berries?

852
00:43:47,880 --> 00:43:50,480
Speaker 3: Yeah?

853
00:43:50,480 --> 00:43:53,319
Speaker 1: Oh well, I'm the CEO of Sherry's Berries. I'll answer

854
00:43:53,360 --> 00:43:54,160
Speaker 1: all the questions.

855
00:43:57,680 --> 00:44:01,840
Speaker 3: I ask pretty clear ones, though, because I'm waiting, mister ceo.

856
00:44:03,280 --> 00:44:05,520
Speaker 1: Well, I have to solve all the logistics. I can't

857
00:44:05,560 --> 00:44:08,000
Speaker 1: just know what, but you don't know how it does?

858
00:44:08,080 --> 00:44:09,480
Speaker 3: Okay, fine, Well I guess you don't know.

859
00:44:09,760 --> 00:44:11,880
Speaker 1: Yeah, I guess I don't know. And I guess that's.

860
00:44:12,560 --> 00:44:14,600
Speaker 3: Maybe I shinner guest cereal.

861
00:44:15,239 --> 00:44:17,760
Speaker 1: Why doesn't Amazon have to pay the same shipping prices

862
00:44:17,800 --> 00:44:22,640
Speaker 1: that I do? They don't, Well, they must not, right,

863
00:44:22,880 --> 00:44:24,799
Speaker 1: I mean, they can't be making a profit shipping all

864
00:44:24,800 --> 00:44:27,719
Speaker 1: these heavy things for free on the prime membership. A

865
00:44:27,840 --> 00:44:34,920
Speaker 1: Good Girls revolt Okay, yeah, I wasn't invited.

866
00:44:35,080 --> 00:44:37,880
Speaker 3: Well, when I want to march, that was what my

867
00:44:38,000 --> 00:44:38,520
Speaker 3: sign said.

868
00:44:39,920 --> 00:44:44,160
Speaker 1: It said good girls, bring back Good Girls said.

869
00:44:44,280 --> 00:44:49,560
Speaker 3: It's a good Girls revolting against Good Girls revolt being canceled,

870
00:44:50,800 --> 00:44:51,600
Speaker 3: which isn't cool.

871
00:44:52,960 --> 00:44:58,840
Speaker 1: So for me, as a one of the initial investors

872
00:44:58,920 --> 00:45:04,360
Speaker 1: in the Good Girl God to Divorce. I felt that

873
00:45:04,680 --> 00:45:10,840
Speaker 1: Good Girl's Revolt was I know where this is hitching

874
00:45:10,920 --> 00:45:13,320
Speaker 1: their wagonto our success.

875
00:45:13,600 --> 00:45:16,719
Speaker 2: Okay, now, I guess this is a good time to

876
00:45:17,000 --> 00:45:19,520
Speaker 2: just get out of the way. Address friends concerned that

877
00:45:19,600 --> 00:45:22,520
Speaker 2: you were hitching your wagon to Girlfriend's guid to Divorce.

878
00:45:22,600 --> 00:45:25,759
Speaker 1: No, no, that's not true. That is not true and

879
00:45:26,120 --> 00:45:28,360
Speaker 1: true Okay, I in fact didn't even know exactly the

880
00:45:28,520 --> 00:45:29,279
Speaker 1: name of that show.

881
00:45:29,760 --> 00:45:31,480
Speaker 3: I just want to mention when I was holding that sign,

882
00:45:31,520 --> 00:45:32,560
Speaker 3: I was sprayed with tear gas.

883
00:45:34,800 --> 00:45:40,200
Speaker 2: Yeah, that made you sad, made me cry, But did

884
00:45:40,280 --> 00:45:42,400
Speaker 2: you must be hard to know if it was because

885
00:45:42,440 --> 00:45:43,600
Speaker 2: you were so sad of a good girl.

886
00:45:43,640 --> 00:45:45,719
Speaker 3: I don't understand my own emotions. I mean, that's a

887
00:45:45,719 --> 00:45:47,400
Speaker 3: whole other episode of this podcast.

888
00:45:47,520 --> 00:45:49,560
Speaker 2: Do you want to also address the fact that some

889
00:45:49,680 --> 00:45:52,200
Speaker 2: people would point out that Good Girl's God to Divorce

890
00:45:52,280 --> 00:45:55,480
Speaker 2: came out after Good Girl's Revolt and Girlfriend's Got to Divorce.

891
00:45:55,640 --> 00:46:00,440
Speaker 1: Sure, I'll talk about that. I'll talk about that. The

892
00:46:01,239 --> 00:46:08,439
Speaker 1: soundstage flooded, simple, simple with what uh, liberal.

893
00:46:08,280 --> 00:46:12,120
Speaker 3: Tears creativity and liberal tears and pe and everything.

894
00:46:14,560 --> 00:46:16,160
Speaker 1: It's true. It's true.

895
00:46:17,000 --> 00:46:19,719
Speaker 2: I'm the guy who I don't know if you know

896
00:46:19,800 --> 00:46:22,080
Speaker 2: this about me. Whenever James Woods tweets, I'm the guy

897
00:46:22,160 --> 00:46:24,359
Speaker 2: who is the first one in there being like, oh

898
00:46:24,440 --> 00:46:26,640
Speaker 2: I love this tweet. I just read it sipping from

899
00:46:26,680 --> 00:46:30,759
Speaker 2: my liberal tears mug. And then I'm the guy who

900
00:46:30,840 --> 00:46:33,040
Speaker 2: tweets in response to that like, oh I just got

901
00:46:33,080 --> 00:46:35,600
Speaker 2: one as well. You can get it from like this address.

902
00:46:35,680 --> 00:46:36,400
Speaker 2: I'm both of them.

903
00:46:36,680 --> 00:46:43,760
Speaker 3: I love like tweeting back people I hate and saying

904
00:46:43,840 --> 00:46:47,360
Speaker 3: things like like wrong.

905
00:46:48,680 --> 00:46:52,399
Speaker 1: More Yeah, well, I like even tweeting back at people

906
00:46:52,480 --> 00:46:54,920
Speaker 1: who I'm a fan of and going like, hey, like

907
00:46:55,040 --> 00:46:58,840
Speaker 1: what you do, but this is more PC Hollywood bullshit.

908
00:47:00,520 --> 00:47:02,480
Speaker 3: Just like, how about like stick to acting? You know,

909
00:47:02,840 --> 00:47:06,480
Speaker 3: Like I love saying that, and.

910
00:47:06,560 --> 00:47:09,080
Speaker 1: I won't be sticking to what I'm doing, but you

911
00:47:09,920 --> 00:47:14,120
Speaker 1: to my job. I'll do politics and then my job

912
00:47:14,280 --> 00:47:19,960
Speaker 1: undisclosed and then you do acting and nothing else, and

913
00:47:20,080 --> 00:47:23,200
Speaker 1: then how about stick to that? And yeah, I guess

914
00:47:23,360 --> 00:47:25,560
Speaker 1: uh l A knows what's best for the rest of

915
00:47:25,640 --> 00:47:26,000
Speaker 1: the world.

916
00:47:26,120 --> 00:47:31,360
Speaker 3: Yeah exactly, Like that's me too, what you said that

917
00:47:31,480 --> 00:47:31,680
Speaker 3: to me?

918
00:47:31,840 --> 00:47:32,400
Speaker 1: I thought, so.

919
00:47:34,280 --> 00:47:36,279
Speaker 3: I think it's such an exciting I think social media

920
00:47:36,320 --> 00:47:38,080
Speaker 3: is on the rise. I'm so excited about it, right,

921
00:47:38,760 --> 00:47:43,239
Speaker 3: so exciting to be so social media golden age in

922
00:47:43,280 --> 00:47:46,160
Speaker 3: the way that you know, like you know how like okay,

923
00:47:46,320 --> 00:47:48,360
Speaker 3: you guys, like you know how there's like too many shows,

924
00:47:50,080 --> 00:47:51,959
Speaker 3: you know, like there's like TV's.

925
00:47:51,920 --> 00:47:55,320
Speaker 1: Okay, I can admit peaky t it's.

926
00:47:55,160 --> 00:47:59,080
Speaker 3: Like deep peak. It's like deep peak blinders. So it's

927
00:47:59,120 --> 00:48:02,520
Speaker 3: almost like in a way social media is better.

928
00:48:03,760 --> 00:48:06,160
Speaker 2: And you can watch it on there so much TV.

929
00:48:06,440 --> 00:48:08,920
Speaker 2: Sometimes I go on Twitter and it is TV as well.

930
00:48:10,560 --> 00:48:13,000
Speaker 2: It's true, Yeah, it's true. It's a couple of guys.

931
00:48:13,280 --> 00:48:15,000
Speaker 3: I just think Twitter is so great right now. And

932
00:48:15,360 --> 00:48:19,320
Speaker 3: I I am so excited about.

933
00:48:20,760 --> 00:48:24,680
Speaker 1: Who's that hat guy that was like Steve Bannon.

934
00:48:24,480 --> 00:48:26,759
Speaker 3: Punched in the face. No, the other one, the other one. Yeah,

935
00:48:27,520 --> 00:48:29,360
Speaker 3: that guy's so hot, Like is he.

936
00:48:29,400 --> 00:48:36,040
Speaker 1: A singer or like, yeah, I think he is a singer. Yeah, okay, yeah,

937
00:48:36,160 --> 00:48:41,040
Speaker 1: he's one of the singers Sun Gaio. Maybe. I like

938
00:48:41,360 --> 00:48:45,359
Speaker 1: when I'm watching TV on my social media and I'll

939
00:48:45,440 --> 00:48:48,040
Speaker 1: be like watching Spencer Breslin.

940
00:48:48,880 --> 00:48:53,719
Speaker 3: Yes, Spencer, I think he's dreamy. And and that other

941
00:48:53,800 --> 00:48:58,279
Speaker 3: guy with the funny Gavin McLeod. I love those two,

942
00:48:58,480 --> 00:49:00,840
Speaker 3: you know why they're hot and they're funny and like

943
00:49:01,080 --> 00:49:04,440
Speaker 3: they're smart, like they don't they speak opinions, and like,

944
00:49:04,840 --> 00:49:05,839
Speaker 3: I think it's really cool.

945
00:49:06,080 --> 00:49:08,040
Speaker 1: Glad Kale Hartman found the place to land.

946
00:49:11,320 --> 00:49:14,359
Speaker 3: I had a surprised phil that Phil Hartman had a son,

947
00:49:14,800 --> 00:49:17,360
Speaker 3: and I didn't realize that his mother was cooking.

948
00:49:19,560 --> 00:49:22,960
Speaker 1: Yeah, I was nervous. Is everybody gonna shut the door

949
00:49:23,040 --> 00:49:24,800
Speaker 1: on this guy? How where is this guy go to

950
00:49:24,840 --> 00:49:25,439
Speaker 1: find a home?

951
00:49:25,800 --> 00:49:27,319
Speaker 3: He landed on his feet? And you know what else?

952
00:49:27,360 --> 00:49:29,080
Speaker 3: All is really funny and cool that you guys are

953
00:49:29,120 --> 00:49:30,880
Speaker 3: selling those T shirts that say, like this is the

954
00:49:30,960 --> 00:49:33,640
Speaker 3: only kind of Kale I'll have in my life. Yeah,

955
00:49:34,080 --> 00:49:35,280
Speaker 3: because it's a double meaning.

956
00:49:36,200 --> 00:49:37,880
Speaker 1: It's in like the Yale font. Ye.

957
00:49:40,680 --> 00:49:42,200
Speaker 3: If you asked me for my notes, I would have

958
00:49:42,239 --> 00:49:46,000
Speaker 3: said maybe, like that's confusing, but it's your it's your guys,

959
00:49:46,120 --> 00:49:51,000
Speaker 3: is your Well, I'm just I'm glad it exists that

960
00:49:51,360 --> 00:49:53,040
Speaker 3: there's certain details like fonts or not.

961
00:49:53,360 --> 00:50:00,840
Speaker 1: I'm not a font girl, you know, Fonzie. Well, what

962
00:50:00,920 --> 00:50:03,680
Speaker 1: I was gonna say is, sometimes I'll be watching a show,

963
00:50:04,080 --> 00:50:04,840
Speaker 1: name a show.

964
00:50:06,680 --> 00:50:09,480
Speaker 3: Like a Freezer Madness or something Freezer Madness.

965
00:50:09,920 --> 00:50:11,920
Speaker 1: I'm watching it and I'm going like, these people all

966
00:50:11,960 --> 00:50:13,880
Speaker 1: look like people. So then I'll go on my social

967
00:50:14,000 --> 00:50:16,759
Speaker 1: media and I'll watch it through Snapchat. Huh, and now

968
00:50:16,800 --> 00:50:20,919
Speaker 1: they all look like fucking freak oh like dog. Yeah.

969
00:50:21,200 --> 00:50:23,880
Speaker 1: And then I'm like, uh, I wonder what everyone I

970
00:50:24,040 --> 00:50:26,759
Speaker 1: know looks like with this, And then I go like,

971
00:50:27,360 --> 00:50:29,720
Speaker 1: I hope that they don't just sort of amuse themselves

972
00:50:29,760 --> 00:50:30,680
Speaker 1: with it, and it's for me.

973
00:50:31,520 --> 00:50:35,640
Speaker 3: Uh huh. I can't watch like good Fellows anymore unless

974
00:50:35,719 --> 00:50:39,400
Speaker 3: everybody on it has like a Snapchat or just like

975
00:50:39,480 --> 00:50:41,480
Speaker 3: those funny it's because it's funny when you think about, like,

976
00:50:41,600 --> 00:50:43,920
Speaker 3: what is a dog and it's really just a snoutineers

977
00:50:44,960 --> 00:50:46,399
Speaker 3: make you look like a dog if I just put

978
00:50:46,400 --> 00:50:47,279
Speaker 3: a snupin ears on you.

979
00:50:47,520 --> 00:50:53,680
Speaker 1: Yeah. I was also by Snoopinears. It's an offshoot of

980
00:50:53,680 --> 00:50:58,880
Speaker 1: Sherry's Berry's prompts. It's coming up. Please do get silly

981
00:50:59,080 --> 00:51:02,400
Speaker 1: Dog Flower for your tucks. It's a snoopin ear and

982
00:51:04,880 --> 00:51:09,040
Speaker 1: if you hurt yourself pinning it on, they will pay

983
00:51:09,120 --> 00:51:13,640
Speaker 1: your medical bills. So Sherry's Berry's coming soon. Snootinears go

984
00:51:13,719 --> 00:51:19,319
Speaker 1: to www dot snootinears dot com Slash handbook. Slash will

985
00:51:19,360 --> 00:51:23,359
Speaker 1: pay your medical bills if you is so big it's huge,

986
00:51:23,400 --> 00:51:28,319
Speaker 1: it goes straight out's no way to fold it. Well,

987
00:51:28,360 --> 00:51:30,520
Speaker 1: there's no Yeah, there's no other end for it, to

988
00:51:30,600 --> 00:51:31,160
Speaker 1: be honest with you.

989
00:51:31,239 --> 00:51:33,160
Speaker 3: I think that's like a way of people getting around

990
00:51:33,200 --> 00:51:37,440
Speaker 3: the old gun ban in high schools, like like the Nanny.

991
00:51:37,239 --> 00:51:41,200
Speaker 1: States, like yeah, I'm just dressed fancy, I don't have

992
00:51:41,280 --> 00:51:43,279
Speaker 1: a weapon. But then you can use it as an arrow,

993
00:51:43,480 --> 00:51:46,880
Speaker 1: Yeah you can. It's a well it's another projectile m.

994
00:51:48,120 --> 00:51:57,160
Speaker 1: So it's it's like seed thistle this again, Bud and flour.

995
00:51:58,040 --> 00:52:01,400
Speaker 3: It's like he's freestyling sty slowly.

996
00:52:03,719 --> 00:52:10,440
Speaker 1: Firepower, and it's it's a little rhyme to remind me

997
00:52:11,080 --> 00:52:12,479
Speaker 1: that this newtoneer is fire.

998
00:52:12,640 --> 00:52:15,080
Speaker 3: This was a cool movie. At the end, everything we've

999
00:52:15,120 --> 00:52:17,440
Speaker 3: seen would like correspond to his what he just the

1000
00:52:17,600 --> 00:52:20,239
Speaker 3: garbage he just said, and every scene would like have

1001
00:52:20,400 --> 00:52:23,239
Speaker 3: his voice over and he'd be like Firepower, like oh

1002
00:52:23,360 --> 00:52:26,920
Speaker 3: that's when like you know, Jennifer Beal's like like like

1003
00:52:27,320 --> 00:52:30,600
Speaker 3: like her pussy exploded Tode Wroth.

1004
00:52:31,400 --> 00:52:34,560
Speaker 1: Yeah, it's just a crawling Eli Roth was my rabbit.

1005
00:52:34,640 --> 00:52:36,040
Speaker 1: Did I ever tell you that? Yeah?

1006
00:52:37,200 --> 00:52:39,200
Speaker 3: So I have.

1007
00:52:40,120 --> 00:52:42,600
Speaker 1: I just want to stop down during this episode. I

1008
00:52:42,680 --> 00:52:45,640
Speaker 1: know we're in sort of a flow, yeah, and saying

1009
00:52:46,239 --> 00:52:48,879
Speaker 1: we can save some criticism for some of our prior

1010
00:52:48,920 --> 00:52:53,080
Speaker 1: episodes where it's felt a little free association, stream of consciousness,

1011
00:52:53,680 --> 00:52:58,800
Speaker 1: you know, grasping onto one thing. We hear you. I

1012
00:52:58,920 --> 00:53:01,000
Speaker 1: hope that this is sort of a make good yes

1013
00:53:02,320 --> 00:53:04,920
Speaker 1: for some of the episodes we've done together, you know,

1014
00:53:05,200 --> 00:53:09,080
Speaker 1: Mihes and Julie, where it's not organized, it doesn't have

1015
00:53:09,239 --> 00:53:12,520
Speaker 1: a singular theme that's consistent, it feels a little all

1016
00:53:12,600 --> 00:53:17,399
Speaker 1: over the place. And finally we have plotted out, we've

1017
00:53:17,680 --> 00:53:22,520
Speaker 1: sold this vampire book, and we're staying on task. And

1018
00:53:22,600 --> 00:53:24,759
Speaker 1: I just want to say you're welcome. We heard you,

1019
00:53:26,200 --> 00:53:27,759
Speaker 1: and thanks for the notes.

1020
00:53:27,960 --> 00:53:29,879
Speaker 2: And thank you for listening, and thank you for being

1021
00:53:29,920 --> 00:53:32,000
Speaker 2: a fan, and thank you for making us better, because

1022
00:53:32,239 --> 00:53:33,360
Speaker 2: this is actually why we do it.

1023
00:53:33,520 --> 00:53:36,360
Speaker 3: Sometimes I think I'm bisexual, and I just am like, no,

1024
00:53:36,480 --> 00:53:38,040
Speaker 3: I just want to look like Raquel Welch.

1025
00:53:39,120 --> 00:53:47,520
Speaker 1: Oh well, speaking of Welch's grapes, that reminds me of

1026
00:53:47,719 --> 00:53:51,960
Speaker 1: berries and Sherry's Berry's And if you're not ordering these

1027
00:53:52,040 --> 00:53:55,160
Speaker 1: things for your sweetie, then you're sour.

1028
00:53:56,280 --> 00:53:56,680
Speaker 6: How are you?

1029
00:53:56,760 --> 00:53:58,560
Speaker 2: By the way, I feel like you guys have advertisers

1030
00:53:58,600 --> 00:54:01,160
Speaker 2: listen to the whole show. Do not just listen to

1031
00:54:01,239 --> 00:54:05,120
Speaker 2: the ads. We are talking about your product within the show.

1032
00:54:05,120 --> 00:54:07,399
Speaker 1: Doing the ads in the ads. That's the part people

1033
00:54:07,440 --> 00:54:11,879
Speaker 1: skip because they know their ads ads in the show's show,

1034
00:54:11,960 --> 00:54:13,480
Speaker 1: and they don't know how long we're going to talk

1035
00:54:13,520 --> 00:54:15,919
Speaker 1: about it, so they can't jump ahead.

1036
00:54:15,640 --> 00:54:18,480
Speaker 3: Branded because we bring it up every couple of minutes. Yes,

1037
00:54:18,960 --> 00:54:21,120
Speaker 3: I feel like like you guys haven't talked about your

1038
00:54:21,160 --> 00:54:22,120
Speaker 3: sweeties in a while.

1039
00:54:22,760 --> 00:54:26,439
Speaker 1: Oh yeah, what's going on there? Well, I'm a little

1040
00:54:26,640 --> 00:54:27,600
Speaker 1: mad at Serena.

1041
00:54:29,160 --> 00:54:29,720
Speaker 3: What is Serena?

1042
00:54:29,840 --> 00:54:36,719
Speaker 1: Do Serena bead record most green slams? So don't feel

1043
00:54:36,719 --> 00:54:38,120
Speaker 1: great right?

1044
00:54:38,320 --> 00:54:40,200
Speaker 2: Mine is mad because I've been calling her Sherry and

1045
00:54:40,360 --> 00:54:43,319
Speaker 2: Moss in an effort to be promoting Sherry's.

1046
00:54:42,960 --> 00:54:46,840
Speaker 1: Buried avite in your house, in your home. Yes, so

1047
00:54:47,719 --> 00:54:49,760
Speaker 1: I won't stop.

1048
00:54:50,040 --> 00:54:53,080
Speaker 3: So both of your both of your wives are both

1049
00:54:53,120 --> 00:54:54,240
Speaker 3: of your sweeties.

1050
00:54:53,840 --> 00:54:57,719
Speaker 1: Are like sweeties are salty? Got it? It's always well

1051
00:54:57,719 --> 00:55:02,799
Speaker 1: because because Stephie, I've been calling her Lingenberry graph why

1052
00:55:03,719 --> 00:55:09,320
Speaker 1: just as Sherry's berries or whatever, and they don't have lincolnberries. No, no,

1053
00:55:09,880 --> 00:55:13,640
Speaker 1: but she's a German or something or Swiss. So it's

1054
00:55:13,719 --> 00:55:15,720
Speaker 1: like that feels like that kind of place is berry.

1055
00:55:16,000 --> 00:55:18,080
Speaker 1: Are they all strawberries? I think they are? It doesn't

1056
00:55:18,120 --> 00:55:19,000
Speaker 1: say though it doesn't.

1057
00:55:19,440 --> 00:55:21,239
Speaker 3: Wouldn't it just be called cherry strawberries?

1058
00:55:21,880 --> 00:55:22,200
Speaker 1: Kevin?

1059
00:55:22,239 --> 00:55:26,200
Speaker 2: Well, they're not strawberries. Google me this, Kevin. It's like

1060
00:55:26,239 --> 00:55:29,760
Speaker 2: the Riddler in the twenty first century.

1061
00:55:31,120 --> 00:55:43,040
Speaker 1: Kevin. Yeah, is my shecherasberries a strawberries? Yes? And I

1062
00:55:43,280 --> 00:55:45,279
Speaker 1: also want to why don't they want to say that

1063
00:55:45,880 --> 00:55:48,560
Speaker 1: the note some people have given that some of the episodes,

1064
00:55:48,600 --> 00:55:52,080
Speaker 1: regardless of whether Julie's here, feel like they're being made

1065
00:55:52,120 --> 00:55:56,279
Speaker 1: for us, not for anyone else, And it's like, well,

1066
00:55:56,480 --> 00:55:58,879
Speaker 1: they're at least being made for Sherry's Berries at this point,

1067
00:55:59,000 --> 00:56:00,400
Speaker 1: could we ignore what's that?

1068
00:56:02,160 --> 00:56:04,560
Speaker 2: Let's yes, let's come to let's meet in the middle

1069
00:56:04,600 --> 00:56:07,440
Speaker 2: on this. Okay, Yes, it may not be for you,

1070
00:56:07,640 --> 00:56:10,960
Speaker 2: the person who's listening audience, unless you are Sherry's Berries.

1071
00:56:11,520 --> 00:56:14,520
Speaker 2: And I listen to the whole episode.

1072
00:56:16,000 --> 00:56:18,560
Speaker 1: Are you crying about.

1073
00:56:18,320 --> 00:56:22,200
Speaker 6: How sometimes I think I have an eating sort, but

1074
00:56:22,320 --> 00:56:24,560
Speaker 6: then I'm just like, it's okay, I just want to

1075
00:56:24,600 --> 00:56:25,200
Speaker 6: eat fruit.

1076
00:56:25,080 --> 00:56:25,560
Speaker 3: All the time.

1077
00:56:26,000 --> 00:56:29,640
Speaker 1: Yeah, berries, that's good, that's good. This is helping. And

1078
00:56:29,719 --> 00:56:33,440
Speaker 1: then like it's like that's good that it's she it's

1079
00:56:33,480 --> 00:56:37,520
Speaker 1: a good kind of eating. It's like the only you know,

1080
00:56:37,680 --> 00:56:40,839
Speaker 1: the only kind of fruit I like shers berries. Yeah.

1081
00:56:42,640 --> 00:56:53,400
Speaker 6: Yeah, well, by the way, Harry Shepherd, right, I just

1082
00:56:53,560 --> 00:56:55,880
Speaker 6: spit all over Sean because.

1083
00:56:55,640 --> 00:56:56,640
Speaker 3: I'm trying to make him.

1084
00:56:58,320 --> 00:57:04,839
Speaker 1: Like me. It was like that Jurassic Park episode. Yeah, yeah,

1085
00:57:04,960 --> 00:57:07,520
Speaker 1: that first episode of Jurassic Park where you meet out

1086
00:57:07,560 --> 00:57:08,480
Speaker 1: the characters.

1087
00:57:08,239 --> 00:57:12,040
Speaker 3: Jurassic Parks and Wreck. Mm hmm, but the dinosaurs like

1088
00:57:12,280 --> 00:57:14,000
Speaker 3: have yeah, interviews to.

1089
00:57:14,000 --> 00:57:22,360
Speaker 1: Camera, Jurassic Parks and Wreck. Fun Jurassic Parks and Shrek.

1090
00:57:24,360 --> 00:57:28,320
Speaker 1: That's the funnier die. Yeah, go douche. I've never seen

1091
00:57:28,400 --> 00:57:30,640
Speaker 1: the funnier die. I never heard the god. I don't

1092
00:57:30,640 --> 00:57:33,880
Speaker 1: think so good douche. They say that at the beginning

1093
00:57:33,920 --> 00:57:37,560
Speaker 1: of the die. It's funny, Kevin, you know about Go Douche?

1094
00:57:38,160 --> 00:57:40,280
Speaker 1: Play it? Find it?

1095
00:57:41,280 --> 00:57:44,400
Speaker 3: Is that how the Big Short opens to No, it

1096
00:57:44,480 --> 00:57:45,240
Speaker 3: seems like it should.

1097
00:57:45,480 --> 00:57:48,160
Speaker 1: Well, yeah, you'll get no argument from me.

1098
00:57:50,440 --> 00:57:52,760
Speaker 3: At the end of the Big Short, is the audience

1099
00:57:52,960 --> 00:57:54,919
Speaker 3: asked to vote on whether it's funny or die.

1100
00:57:55,960 --> 00:57:58,880
Speaker 1: Yes, that absolutely is ending. You have a clicker, you

1101
00:57:58,920 --> 00:58:00,520
Speaker 1: have to stick around for the whole credits.

1102
00:58:00,560 --> 00:58:02,760
Speaker 3: Got it and either outtakes two or no.

1103
00:58:03,560 --> 00:58:06,520
Speaker 1: Yeah, outtakes of Bordain, just like trying on different leather

1104
00:58:06,600 --> 00:58:09,240
Speaker 1: jackets and telling a story about those. He has like

1105
00:58:09,400 --> 00:58:12,200
Speaker 1: seven hundred of them. They all look the same. What

1106
00:58:12,400 --> 00:58:14,440
Speaker 1: else is happening with you? What's it like? What are

1107
00:58:14,480 --> 00:58:16,919
Speaker 1: you doing? Doing a show? Yeah? How's the show?

1108
00:58:17,400 --> 00:58:19,560
Speaker 3: It's so great. I'm so blessed, you know, it's so

1109
00:58:19,680 --> 00:58:21,360
Speaker 3: surreal and I'm just over the moon.

1110
00:58:22,080 --> 00:58:22,280
Speaker 1: Yeah.

1111
00:58:24,560 --> 00:58:29,160
Speaker 3: All I do is eat pro Vigil and berry. So

1112
00:58:29,360 --> 00:58:30,480
Speaker 3: I'm functioning great.

1113
00:58:30,680 --> 00:58:33,760
Speaker 1: Pro Vigil that's like jet fighter pilot. Yeah, like our

1114
00:58:34,000 --> 00:58:34,680
Speaker 1: dog hero in.

1115
00:58:34,720 --> 00:58:37,480
Speaker 3: Our And if you like grind it up, get back

1116
00:58:37,520 --> 00:58:40,480
Speaker 3: to the grinder. I guess you sprinkle it over sherries

1117
00:58:40,520 --> 00:58:42,280
Speaker 3: Berry's like it's you know, sweet and low.

1118
00:58:43,400 --> 00:58:44,840
Speaker 1: And then that's all I need.

1119
00:58:45,000 --> 00:58:47,040
Speaker 3: And then I go to the writer's room and I

1120
00:58:47,160 --> 00:58:51,480
Speaker 3: fucking like, you know, crack skulls. Yeah, I break story,

1121
00:58:52,720 --> 00:58:53,600
Speaker 3: I kill.

1122
00:58:53,440 --> 00:58:57,360
Speaker 1: It, yeah, mass jokes, break stories, crackskulls, and then I

1123
00:58:57,400 --> 00:58:59,000
Speaker 1: crush it and deliver the goods.

1124
00:58:59,200 --> 00:59:02,760
Speaker 3: Yeah. So I guess I'm doing pretty well.

1125
00:59:03,120 --> 00:59:08,960
Speaker 1: Yeah, thanks for asking. Alrighty then, remember so just to

1126
00:59:09,080 --> 00:59:11,080
Speaker 1: go over a quick character sheet for us, we have

1127
00:59:11,200 --> 00:59:13,760
Speaker 1: the grinder, We have the dog who's a fighter pilot.

1128
00:59:14,400 --> 00:59:17,000
Speaker 1: We have the kid who's Binicula, the mix in it,

1129
00:59:17,360 --> 00:59:20,920
Speaker 1: the bitch Wife, the Bitch Wife, Piece of Ship. We

1130
00:59:21,040 --> 00:59:23,320
Speaker 1: got the Walter White slash Heisenberg.

1131
00:59:25,080 --> 00:59:27,919
Speaker 3: We got like a Billy Bob and Angelina.

1132
00:59:27,480 --> 00:59:30,160
Speaker 1: Billy Bob, Anthony Bourdain.

1133
00:59:32,440 --> 00:59:35,640
Speaker 3: Fritage character like the like the is that is that

1134
00:59:35,920 --> 00:59:36,440
Speaker 3: the grinder?

1135
00:59:36,600 --> 00:59:39,480
Speaker 1: Like specifically like Ben wild to the Rise of Frontage,

1136
00:59:41,720 --> 00:59:47,320
Speaker 1: remember got it? Yeah? Yeah, yeah, no, alrighty, then let's

1137
00:59:47,360 --> 00:59:50,440
Speaker 1: talk a little bit more about your show though. So

1138
00:59:50,600 --> 00:59:54,000
Speaker 1: when you're done crushing it, then you got to show

1139
00:59:54,080 --> 00:59:56,800
Speaker 1: up on set and then yeah, then what happens just

1140
00:59:56,840 --> 00:59:57,720
Speaker 1: to let us inside?

1141
00:59:59,160 --> 01:00:01,800
Speaker 3: Then I'm just sort of like, you know, what's interesting

1142
01:00:02,000 --> 01:00:03,360
Speaker 3: is then I start killing it.

1143
01:00:04,200 --> 01:00:07,360
Speaker 2: Can I tell you what happens if you're like doing

1144
01:00:07,440 --> 01:00:09,280
Speaker 2: a sex scene and the guy gets a boner.

1145
01:00:12,480 --> 01:00:15,040
Speaker 3: This is what happens. I go, I look up to

1146
01:00:15,120 --> 01:00:16,560
Speaker 3: the sky and I make like prayer hands and.

1147
01:00:16,560 --> 01:00:20,440
Speaker 1: I go cue, Yes, you get to feel the boner

1148
01:00:22,760 --> 01:00:24,560
Speaker 1: through like some tape or something. What do they do

1149
01:00:24,720 --> 01:00:25,800
Speaker 1: like like put something.

1150
01:00:25,880 --> 01:00:28,800
Speaker 3: It's mostly masking tape. But I like having like all

1151
01:00:28,840 --> 01:00:30,760
Speaker 3: because there's always going to be a gaffer on set,

1152
01:00:31,120 --> 01:00:34,920
Speaker 3: you know, so we'll use a little gaffer tape has.

1153
01:00:34,560 --> 01:00:38,800
Speaker 1: Been infected by this acting fowl. Do they have to

1154
01:00:38,960 --> 01:00:40,560
Speaker 1: dry it a hop to get the tape on?

1155
01:00:41,120 --> 01:00:42,040
Speaker 3: That's a great question.

1156
01:00:42,560 --> 01:00:45,440
Speaker 2: Blast the hair dryer on it that side I think

1157
01:00:45,520 --> 01:00:47,600
Speaker 2: would work before you put the tape on, because it

1158
01:00:47,680 --> 01:00:48,320
Speaker 2: has to be dry.

1159
01:00:48,400 --> 01:00:50,880
Speaker 1: It can't be always the tape because it's naturally very

1160
01:00:51,280 --> 01:00:52,080
Speaker 1: confused about.

1161
01:00:51,920 --> 01:00:53,919
Speaker 3: What you're asking about. What's drying off?

1162
01:00:54,120 --> 01:00:56,880
Speaker 1: No, the thing, the guy's thing. You have to to

1163
01:00:56,920 --> 01:00:59,240
Speaker 1: be dry so the tape will stick, does it?

1164
01:00:59,640 --> 01:00:59,800
Speaker 3: Yes?

1165
01:01:00,160 --> 01:01:03,440
Speaker 1: Yeah, yes, it's not like because normally it's because it's

1166
01:01:03,520 --> 01:01:07,920
Speaker 1: resting in goo. Yes. Ever, oh it's very gooy and what.

1167
01:01:08,080 --> 01:01:11,480
Speaker 3: Like aspect, Yes, like an aspect you know, I've never

1168
01:01:11,680 --> 01:01:14,080
Speaker 3: been there for that's part of the process because they

1169
01:01:14,200 --> 01:01:15,200
Speaker 3: like to have privacy or.

1170
01:01:15,200 --> 01:01:17,400
Speaker 1: Whatever right they bring you out.

1171
01:01:17,960 --> 01:01:21,479
Speaker 3: It's already it's straight off and strapped down, I guess.

1172
01:01:21,560 --> 01:01:24,480
Speaker 1: Yeah. Can I say this in congratulations if you stuck around.

1173
01:01:27,160 --> 01:01:30,320
Speaker 1: I really do got mad at this thing that I

1174
01:01:30,440 --> 01:01:33,800
Speaker 1: see lately where people say check out Hollywood Handbook and

1175
01:01:33,840 --> 01:01:36,200
Speaker 1: some will go like I tried it, But I can

1176
01:01:36,240 --> 01:01:39,200
Speaker 1: only stand like twenty minutes of that inside showbiz joke.

1177
01:01:41,200 --> 01:01:48,840
Speaker 1: This fucking show is literal nonsense. Like, I understand if

1178
01:01:48,880 --> 01:01:53,400
Speaker 1: you don't like it. I don't think I would, But

1179
01:01:53,560 --> 01:01:56,000
Speaker 1: to be like it's inside show biz, it's like, well,

1180
01:01:56,040 --> 01:01:58,320
Speaker 1: then you only read the fucking title because we haven't

1181
01:01:58,320 --> 01:02:01,920
Speaker 1: talked about showbiz for two and a half years. This

1182
01:02:02,120 --> 01:02:08,600
Speaker 1: is the closest we've gotten. So you know, like, I

1183
01:02:08,720 --> 01:02:11,160
Speaker 1: get it. You don't have to like it, but just.

1184
01:02:12,640 --> 01:02:14,800
Speaker 3: Change the note of a better reason.

1185
01:02:15,840 --> 01:02:17,720
Speaker 1: Okay, So what else happens on your show?

1186
01:02:18,560 --> 01:02:21,040
Speaker 3: You know, I'm so blessed. It's such a thrill, it's

1187
01:02:21,080 --> 01:02:21,680
Speaker 3: so surreal.

1188
01:02:21,920 --> 01:02:25,400
Speaker 1: And is Billy gonna be beating anyone up this season.

1189
01:02:27,680 --> 01:02:28,480
Speaker 3: With a crowbar?

1190
01:02:28,760 --> 01:02:32,480
Speaker 1: Yeah? Is he gonna crack open somebody's skull for crowbar

1191
01:02:32,720 --> 01:02:34,720
Speaker 1: and just eat the juice out of the inside of

1192
01:02:34,720 --> 01:02:38,400
Speaker 1: their brain like a zombie? Yeah? Santa clari to diet

1193
01:02:40,480 --> 01:02:41,680
Speaker 1: finally a zomb com.

1194
01:02:42,600 --> 01:02:45,200
Speaker 3: Is it a zombie show or is it about cannibalism?

1195
01:02:45,320 --> 01:02:46,760
Speaker 3: Or is that both like the same coin.

1196
01:02:47,520 --> 01:02:49,240
Speaker 1: People are starting to ask about this.

1197
01:02:49,880 --> 01:02:54,000
Speaker 3: Zomb com and then people are in a real diet.

1198
01:02:54,080 --> 01:02:57,280
Speaker 2: People are unwilling to resolve this question by watching the show.

1199
01:02:58,200 --> 01:02:59,880
Speaker 2: They just ask I always.

1200
01:02:59,560 --> 01:03:03,760
Speaker 1: Stopped Barrymore's last name was scary scary more Verry Moore,

1201
01:03:04,440 --> 01:03:08,880
Speaker 1: Oh very Moore, what freaking bodies because you're a zombie

1202
01:03:09,000 --> 01:03:12,360
Speaker 1: unpack and she's doing a zomb come.

1203
01:03:13,800 --> 01:03:15,280
Speaker 3: Sorry you again.

1204
01:03:15,520 --> 01:03:18,880
Speaker 1: No, it's just the once that you spit a huge wad.

1205
01:03:19,120 --> 01:03:24,800
Speaker 1: It was a mega. I was wearing a mitten all

1206
01:03:24,840 --> 01:03:26,200
Speaker 1: of a sudden made out of spit.

1207
01:03:26,560 --> 01:03:29,800
Speaker 3: Come on, So there you go, you could like you

1208
01:03:29,880 --> 01:03:30,800
Speaker 3: don't need any tape.

1209
01:03:31,960 --> 01:03:32,280
Speaker 1: There you go.

1210
01:03:32,920 --> 01:03:36,480
Speaker 3: Wow, I just look at much sehn Nate's thinking about

1211
01:03:37,040 --> 01:03:37,960
Speaker 3: sex when.

1212
01:03:37,840 --> 01:03:41,920
Speaker 1: I'm up comfortable with it as a concept right, and

1213
01:03:42,000 --> 01:03:42,960
Speaker 1: I never have been.

1214
01:03:43,160 --> 01:03:45,920
Speaker 3: Thank you forgetting that about you, guys, that you hate sex.

1215
01:03:46,760 --> 01:03:48,480
Speaker 1: That's that's why cup of tea.

1216
01:03:48,600 --> 01:03:49,080
Speaker 3: I know you guys.

1217
01:03:49,320 --> 01:03:54,000
Speaker 1: My cup of tea is tea. You know whatever happened

1218
01:03:54,000 --> 01:03:56,560
Speaker 1: to that's how we enjoy ourselves at night. You get

1219
01:03:56,600 --> 01:03:59,919
Speaker 1: you and your loved one get together on the couch.

1220
01:04:00,240 --> 01:04:02,640
Speaker 1: You put the hot water on until it starts the whistle,

1221
01:04:02,880 --> 01:04:05,000
Speaker 1: and then he throw some leaves in there and give

1222
01:04:05,040 --> 01:04:13,680
Speaker 1: it some flavor the dish. This has been an Earwolf

1223
01:04:13,760 --> 01:04:18,280
Speaker 1: production executive produced by Scott Ackerman, Chris Bannon, and Colin Anderson.

1224
01:04:18,520 --> 01:04:21,560
Speaker 1: For more information and content, visit Earwolf dot com