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Speaker 1: I listened to The Black Guy Who Tips Podcast because

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Speaker 1: Rod and Karen are hot.

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Speaker 2: Hey, welcome to another episode of The Black Guy Who

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Speaker 2: Tells Podcast. I'm your host Rod, joined as always by

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Speaker 2: my co host Karen, and we're live on a Saturday

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Speaker 2: night or afternoon, ready to give you feedback. You left

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Speaker 2: us feedback throughout the week, and now we're going to

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Speaker 2: leave you feedback on the feedback that you left us.

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Speaker 2: It's that simple.

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Speaker 3: The official weapon of the show is no, it's not no.

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Speaker 2: It's not voting chair. It's the voting chair and the

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Speaker 2: unofficial sport but a bullet ball extreme and today's show.

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Speaker 2: The way to leave feedback look in the show notes.

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Speaker 2: So wherever you're listening, wherever you're listening, there you go.

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Speaker 3: That's it. Voicemail, email, website.

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Speaker 2: All the information is right now.

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Speaker 3: If you're on Spotify, you can look at voting polls.

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Speaker 2: Like all the stuff is right there in your face.

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Speaker 2: You don't have to, y'all to do a lot of extra. Okay,

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Speaker 2: we like to go meet you. What if they meet

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Speaker 2: them where they are we meet y'all? Way are we

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Speaker 2: got everything? It's up just like a Christian mingle page.

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Speaker 2: You know, we are out here. We out in these streets.

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Speaker 2: Apparently we're trying to find y'all wherever the listeners at.

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Speaker 2: That's what we are, ever one or tour gathered as

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Speaker 2: they say. But yeah, so this is uh where we

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Speaker 2: do our thing. We're going to talk about the people

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Speaker 2: that gave us money, the people that voted in the post,

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Speaker 2: people that you know, told us we were pretty with

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Speaker 2: the five star views all that stuff, the people being

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Speaker 2: told I'm pretty and the people are what you are pretty,

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Speaker 2: and the people that I want to start with all

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Speaker 2: the people that gave us money. Man, we're now listening

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Speaker 2: to Charlotto and.

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Speaker 4: People.

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Speaker 1: Welcome to good folks who tied to the black living tips.

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Speaker 2: That's right. New denominations, new motivations. Oh the first person

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Speaker 2: that gave us money, let me shout out dotstra j

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Speaker 2: SHEIRLI Wong Esquad, please say the Esquid Tiffany B linds Ay,

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Speaker 2: B J Full, Pametto Stone, Magic Mster Spaan, Alfonso M.

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Speaker 3: Autumn W, David C.

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Speaker 2: James C, Jasmine j Unbrido, Love Doctor Professor Bambi, Letricia C.

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Speaker 3: Kevin W.

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Speaker 2: And lastly Falcons Diva our girl. Thank you everybody, for

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Speaker 2: leaving us the money. We love the money. That's one

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Speaker 2: of our favorite parts of life. It's getting money. All right.

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Speaker 2: Talk about five star views. We got left the couple one.

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Speaker 5: Yay.

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Speaker 2: It's from It's titled a must Listen. It's from the

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Speaker 2: United States. That's why you don't have to live in

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Speaker 2: the United States to leave us a five star review.

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Speaker 2: We'll read it if it's nice. We don't care where

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Speaker 2: you are in the world. We're not xenophobic. Okay, anywhere,

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Speaker 2: we'll read it. Your name's better than no name is

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Speaker 2: the person that listening name? And it seems that it's

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Speaker 2: an update to an old one. We love updates. Updated,

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Speaker 2: you're still riding with us?

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Speaker 6: Okay?

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Speaker 2: A lot of people done fell off this wagon. Uh,

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Speaker 2: y'all so lit? Still listening steal a five star pod?

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Speaker 2: Thank you. I believe that was all the new stuff.

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Speaker 2: Thank you so thank you so much for the update

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Speaker 2: on the review. We appreciate you, and uh, you know

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Speaker 2: we need that. That's all. Leave us five star reviews everybody.

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Speaker 2: We want stoves, all right, we appreciate them. First Episode

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Speaker 2: of the Week, twenty seven eighty two, How did you

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Speaker 2: get caught cheating? It was the name of it name

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Speaker 2: so easy. I like Saturday shows because if I remember

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Speaker 2: the due just the tip, that's kind of pretty much

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Speaker 2: the easiest name to name the show. So what we

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Speaker 2: talk about the longest, not just the tip? Do it

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Speaker 2: for the ground? Yes, thank you? All right, my bad

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Speaker 2: man mistake? All right? Episode two. Let's see the first

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Speaker 2: Now the title is about cheating, but the first four

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Speaker 2: comments three comments are from Appia, and I know she

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Speaker 2: don't know nothing about that life. So about that life?

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Speaker 2: About the kid in my son's class, all with the

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Speaker 2: black kid. Yes, yes, I didn't talk about it last

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Speaker 2: week because it was too hurtful for me. He changed

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Speaker 2: over the summer. He's cool now, cool clothes or cool

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Speaker 2: haircut it I got too cool for you. He doesn't

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Speaker 2: look in my direction anymore. Also, the kids are bigger now,

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Speaker 2: so we are not supposed to I guess go to

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Speaker 2: the meeting place. It's what the teacher picks them up

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Speaker 2: in the morning with them, so I see him way

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Speaker 2: less often. I think this relationship might be over for good. Well,

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Speaker 2: I say, don't give up. Don't give up. Yeah, because

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Speaker 2: kids get to a certain day they want to push

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Speaker 2: you to the side. I won't to be seen with you.

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Speaker 2: All you need to do is make your kids cool.

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Speaker 2: It's easy as hell. Get them some shades and a

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Speaker 2: nice jacket and some Jordans. That's how I've seen it

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Speaker 2: done my whole life, sending up school and that shit

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Speaker 2: doing the black heavy friends in no time at all.

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Speaker 2: Know what I'm saying, Flat and less Hollywood movies are lie,

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Speaker 2: which I don't think they are. She says, now would

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Speaker 2: they lie to me? The views on people from Poland

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Speaker 2: changed a lot here in the last thirty years. Now

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Speaker 2: they are considered acceptable foreigners. I think it's very similar

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Speaker 2: to what happened to the Irish in America, but the

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Speaker 2: Irish had it better with already speaking the language. Plus

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Speaker 2: point for Polish people, they don't look much different. Some

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Speaker 2: of them have a certain style, but if they don't,

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Speaker 2: you don't see it until they speak. People like that,

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Speaker 2: like the fact that they are not Muslims.

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Speaker 3: Yay, and she said sorry one more.

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Speaker 2: I know Keith is often listening. That's why I made

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Speaker 2: my remark about Mike as a present for him. You

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Speaker 2: made it.

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Speaker 3: KTG is always on my mind.

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Speaker 2: There you go. Crossover World, We Love the Multiverse podcast

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Speaker 2: Swaby p says es cargo. Yuck Rod. I think it's

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Speaker 2: time we need a Canby line jingle. I know, right,

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Speaker 2: y'all leave me alone. Sean says the Republicans are the

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Speaker 2: party that says government doesn't work, and then they get

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Speaker 2: elected and proved it. Prove it, says p J or Rourke.

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Speaker 2: That's a quote. Your comments about Republican politicians reminded me

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Speaker 2: of this quote. Thank you, thank you. So I feel

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Speaker 2: Sewn says, haven't had French style s cargo, but I

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Speaker 2: have had Chinese sea snails and chili sauce. A bit chewy,

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Speaker 2: but pretty good. Okay, they're gonna still take your word

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Speaker 2: for it. I'm not gonna eat snail. Sorry, it's not

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Speaker 2: gonna be my thing. Everybody gotta draw a line somewhere.

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Speaker 2: Snails is fine. Uh, vagina is dj Kealich. So I'm

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Speaker 2: doing way better than him that spot eve, he says.

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Speaker 2: The first thing I have the first time I hades

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Speaker 2: cargo was at a fancy steakhouse and it came in

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Speaker 2: the shell with garlic butter. It was a little chewy,

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Speaker 2: but really good. It's the texture of broiled oyster or clam.

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Speaker 2: But first of all, you know, oysters are very divisive

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Speaker 2: right now, apparently it is don't eat for eight of them,

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Speaker 2: don't fight the men and the women in my comments. Okay,

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Speaker 2: don't bring that mess over here. I keep that over there.

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Speaker 2: But secondly, I think the presentation in the shells definitely

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Speaker 2: would throw me off.

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Speaker 3: Like if I was gonna eat one.

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Speaker 2: I tried thee the thing he did with the chili

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Speaker 2: sauce before I tried the shell snails. But I don't

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Speaker 2: think I would try either. It's the texture a broad

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Speaker 2: oyster claim. If you do ever try recommend I recommend

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Speaker 2: trying to at an upscale restaurant. It's probably not a

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Speaker 2: dish I try to cook on my own. Well, here's

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Speaker 2: the thing i'd say you eat arive's arrest my case.

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Speaker 2: All right, let's go to that's my thing. But I

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Speaker 2: cook it for you. Now, I don't want you cooking it.

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Speaker 2: I want you let me cook everything else, everything else.

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Speaker 2: She just trying to get me take out to a

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Speaker 2: fancy French restaurant. It's a lot. I'm not falling for

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Speaker 2: this bullshit. You can get, you can get, you can

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Speaker 2: get door dashed, you can get I'm not getting no

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Speaker 2: door dash snails. See snail. What's wrong with door dash snail.

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Speaker 2: You will eat it, yes, okay, So then what's the problem.

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Speaker 4: And we initially said that. I was like, I would

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Speaker 4: try it fried and stuff like that. By the time

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Speaker 4: niking here's gonna be cold. I don't want no coach restaurant.

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Speaker 2: They don't frame at the French restaurants anyway. Two, we

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Speaker 2: got air fry. You love air frying stuff. Air fright

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Speaker 2: them snails, my nigga yuki soon. That's not how that works.

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Speaker 4: You can't just going to go in the hairstea that

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Speaker 4: pup like, yeah, give me two pounds of snails.

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Speaker 2: You probably can, You just ain't never ordered it because

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Speaker 2: you don't want to eat it. I rest my case.

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Speaker 2: I've never seen a snail. I've seen fish to Lisle, oh,

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Speaker 2: because the seeing the appetizing snail is that's what you've

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Speaker 2: been waiting on this. I never seen the snails, and

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Speaker 2: that's my problem. I always want to eat them, but

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Speaker 2: y'all just don't see enough. If I just saw some

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Speaker 2: delicious snails running around on each other and stuff, then

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Speaker 2: I'll be like, h y'all look at the snail and

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Speaker 2: be like, God, damn, I wish I had some salt

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Speaker 2: not to kill it, but to eat it. That's I

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Speaker 2: want to marinate the snall on YouTube, so one says,

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Speaker 2: see what happened was look, relationship just be complicated, and

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Speaker 2: that that's our girl Lakeda talking about talking about cheating.

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Speaker 2: The poe was, has anyone ever used you as a

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Speaker 2: cheating alibi? Yes or no? No? And I actually said

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Speaker 2: yes or not that I know of, because technically known,

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Speaker 2: we could all be somebody's alabi. Yeah, they might have just.

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Speaker 4: Been in your presence at the times and you'd be like, oh, yeah,

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Speaker 4: you just oblivious to what's happening.

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Speaker 2: Yeah, you're thinking it's all good, and then it's just

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Speaker 2: you know, it's like you know, you don't find you

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Speaker 2: just they cheat it so good you never knew anyway, Yes,

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Speaker 2: forty five percent on our website, fifty four percent not

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Speaker 2: that they know of. I am the not that I

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Speaker 2: know of. If I was, I was oblivious to it.

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Speaker 2: And on Spotify thirty two percent say yes they've been used.

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Speaker 2: Sixty eight percent say not that I know of. So

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Speaker 2: it's hard to use people that got a lot of

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Speaker 2: money and notoriety because then people know you where those

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Speaker 2: people be at, they know you wasn't with them, so

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Speaker 2: I could see why y'all didn't get a lot. I

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Speaker 2: see that too. The comments, which what did they moved

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Speaker 2: the comments? What's happening?

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Speaker 6: Uh?

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Speaker 2: Normally when it says comments, I can just click on

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Speaker 2: the published comments and see because I know people responded

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Speaker 2: to this, But the Q and A was Yeah, for

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Speaker 2: some reason, it's just out on their website. What a

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Speaker 2: weird time to be out. Huh. But it was like,

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Speaker 2: go listen to us on the Marriage b Hard podcast,

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Speaker 2: and I know people responded to it, and for some

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Speaker 2: reason it's everything's blank. Oh um, I'll keep I'll try

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Speaker 2: refreshing in the background, see if it'll come back up

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Speaker 2: before the end of the show. If not, maybe we'll

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Speaker 2: try to get to it tomorrow. But okay, the Q

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Speaker 2: and A on Spotify is broke right now, so they

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Speaker 2: ain't got It's weird because the poll the polls are

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Speaker 2: still up. It's just the Q and A for everything. Huh.

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Speaker 2: I'll try one more thing. I'll try going to another

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Speaker 2: what do you call it? Another browser?

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Speaker 4: Okay, maybe it's the browser right to see if it

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Speaker 4: pops up over there.

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Speaker 2: Yeahah, so about this, they just might might be down.

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Speaker 2: You just never know. Looks like it's just down. Okay,

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Speaker 2: all right, wasn't a browser, damn there would be some

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Speaker 2: good that'ud be some good stuff. All right, Let's go

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Speaker 2: to the next episode, twenty seven eighty three, The Attention Economy.

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Speaker 2: We were joined by Brandon and Justin of the Media

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Speaker 2: Popcorn podcast. We got several comments. Appia says, here are

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Speaker 2: my important thoughts on Drake. I know I'm a middle class,

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Speaker 2: big farmer manager, a white woman born in nineteen seventy

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Speaker 2: eight and from Europe, and therefore not the exact target audience.

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Speaker 2: I don't know that might be Drake target audists. Don't

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Speaker 2: discount yourself, right, definitely not writing it for real niggas

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Speaker 2: like myself. But I, like many hip hop artists, I

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Speaker 2: tried to listen to Drake multiple times, always with the

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Speaker 2: same result. I don't get it. It's so boring. Now

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Speaker 2: I don't even try anymore. I'm sure Drake will read

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Speaker 2: this and be very sad. Sorry it's my opinion. Well,

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Speaker 2: first of all, if he reason is very sad, he'll

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Speaker 2: probably make another album out of it, because that's the

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Speaker 2: kind of music he makes. But yeah, I don't know.

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Speaker 2: I think a lot of people aren't in a demo

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Speaker 2: for the people who are going to his concerts, buying

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Speaker 2: his music and making him like such a big deal. Right,

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Speaker 2: And at this point the only thing he gets from

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Speaker 2: our age group is typically people sharing it to bash

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Speaker 2: it on Twitter, which does help his numbers if I

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Speaker 2: really don't care, Yeah, Katrina says very true regarding Drake.

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Speaker 3: He's always been this way away.

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Speaker 2: I never liked so, I've never listened to an album,

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Speaker 2: but his he's anticipated even more now in the attention

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Speaker 2: economy by bringing his soft g misogyny to anyone who

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Speaker 2: that is hard as shit, and it's perfect fighter for

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Speaker 2: the outrage machine on socials. People won't admit it, but

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Speaker 2: they live for having something to react to. Yeah, that's

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Speaker 2: the real truth of all this shit. Uh. And he's

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Speaker 2: giving people that outright in ways that don't even pretend

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Speaker 2: to be clever lyrics. Yeah that's yeah, Like yeah, this

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Speaker 2: personal taxis I talk for no reason, even when people

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Speaker 2: like share the stuff that they'll share it with. Like

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Speaker 2: we think Drake was talking about Rihanna and this iby's

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Speaker 2: talking about Rihanna because it's not clever, like it's like,

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Speaker 2: it's just what uh Uh It's what a basic ass

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Speaker 2: rapper would say about Rihanna.

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Speaker 3: So you know, at this point, I.

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Speaker 2: Just his lack of ingenuity and creativity has been holding

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Speaker 2: him back for a while, and I think he's in

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Speaker 2: a rut, and I think his thing is I'm just

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Speaker 2: gonna piss everybody off. And that's how it ends up

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Speaker 2: infiltrating the zeit guys, because the only thing worse than

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Speaker 2: being terrible and nobody listening, or being terrible and everybody listening,

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Speaker 2: is being terrible and nobody listens. And of course there's

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Speaker 2: like a counterculture to all this stuff, and we are

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Speaker 2: out of his age demographics. So one thing people keep

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Speaker 2: saying is I wanted to see him grow up. I

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Speaker 2: want to see him grow up. Well, you know what

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Speaker 2: happens when you grow up with your fans sell les

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Speaker 2: records normally, Yes, you do. You know he's he's chosen

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Speaker 2: what I think is the easy way out. But everybody

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Speaker 2: who's at a club right now, I would like them

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Speaker 2: to listen to my music. That's what he decided. And

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Speaker 2: the numbers ain't lying, I mean, clearly is working for him.

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Speaker 2: Where hip hop is sales are down forty percent or something.

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Speaker 2: It's uninspired to people like us who want to hear

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Speaker 2: some real life or something that reflects reflects our lives.

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Speaker 2: But it's working for him, man, that whatever's the wave

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Speaker 2: right now, get a couple of young artists and now

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Speaker 2: you're jumping on this kind of like in cell Ish

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Speaker 2: vibe that that he's always had, but he's getting these

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Speaker 2: doubling down on it. I mean, it is what it is.

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Speaker 2: It's a product, yes it is. She goes on to

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Speaker 2: say his greatest sin lately is fire shots at black women,

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Speaker 2: folks like in respect more than him. Megan Esperanza, Rihanna, Well,

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Speaker 2: black women respect those black women more than they respect Drake.

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Speaker 2: I don't know that that's everybody, by which I mean,

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Speaker 2: like there's a lot of people. Drake's a big fucking deal,

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Speaker 2: So there's a lot of people that probably respect Drake

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Speaker 2: more than Esperanza. His his the sin of it is

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Speaker 2: only a sin to a targeted group of people that

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Speaker 2: he is, you know, using using as like the punching

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Speaker 2: bag for his ship. Like I doubt he's even really

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Speaker 2: fully thought it through. He's he also talked about some

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Speaker 2: other like he talked about some white people on that album.

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Speaker 2: I just don't know who the white people is. Nope,

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Speaker 2: Like I saw somebody sharing it like is this about

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Speaker 2: Katie mcgoins or whatever the fuck like youtubeer, But I

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Speaker 2: don't know who Katie is. Uh anyway, Yeah, having to

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Speaker 2: that lady, I don't know her.

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Speaker 3: Yeah, I wouldn't even say like no, I'll just put

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Speaker 3: it this way.

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Speaker 2: I agree that that's what's helping him go viral around

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Speaker 2: the people I know. I just feel like it's on purpose,

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Speaker 2: like it is, like it ain't a mistake. I think

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Speaker 2: he really sat down and was like, I can't come

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Speaker 2: up with nothing that's gonna really move the needle that

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Speaker 2: I can't come up with a sound or lyrics that

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Speaker 2: people gonna talk about because they were so dope. Let

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Speaker 2: me just slide on into I'm talking a bunch of

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Speaker 2: shit about people, and see who gonna bite.

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Speaker 3: Katrina also says one more.

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Speaker 2: Thing, I'm commenting as I listen what you said about

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Speaker 2: it being shocking if Drake made songs about real grown

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Speaker 2: man life, grown man shit in his life reminds me

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Speaker 2: of what Carti said about how she doesn't put her

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Speaker 2: actual struggles on the songs because she's aware to know people.

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Speaker 2: Oh yes, she's self aware to know most people's realize

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Speaker 2: plight can't relate. So I wonder if Drake's immaturity and

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Speaker 2: part of his so far successful image. Oh, if it

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Speaker 2: is part of that, yeh, I think so, yes, yes,

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Speaker 2: of course.

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Speaker 4: And you bought up a good point when you were

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Speaker 4: saying that, you know, if the artists grew up, they

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Speaker 4: sales go down.

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Speaker 2: Yeah, because we're not a club. A lot of a

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Speaker 2: lot of find a lot of us.

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Speaker 4: We're not going to be the one buying the ship

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Speaker 4: and streaming the ship and all that stuff. If most

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Speaker 4: of us listen to it barely and you got kids, yes,

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Speaker 4: because you're busy.

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Speaker 2: You got ship that you got, you got a job

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Speaker 2: like the He would like to be popping in he's

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Speaker 2: in the club.

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Speaker 3: He would like to be popping in the club.

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Speaker 2: As long as possible, shout the dragonfly Jones who calls

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Speaker 2: him the old man at.

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Speaker 3: The club that. I think that's a perfect, perfect analogy.

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Speaker 2: They had a good episode the Jenkins and Jones podcast

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Speaker 2: last week where they talked about the Drake album. It's

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Speaker 2: kind of later in the show, but it's a funny show,

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Speaker 2: so all of it's good. I'm a fan of the podcast.

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Speaker 2: But the stuff they said about the Drake album, I

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Speaker 2: was like, yes, that's it, Like it's you know, because

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Speaker 2: they're a little younger than me.

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Speaker 3: Even he never was for me. I was just too old.

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Speaker 2: It's not even I was already too old.

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Speaker 3: Yeah, I was just on too old.

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Speaker 2: Does He always sounded like he was wrapping the nineteen

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Speaker 2: year old girls to me and nineteen year old dudes

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Speaker 2: that wanted to fuck nineteen year old girls like he

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Speaker 2: just sounded like that. So yeah, listening to them talk

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Speaker 2: about it, I was like, that's the perfect way to

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Speaker 2: listen to it. So check that out. She says, for

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Speaker 2: the niggas that I look at to forget about their problems,

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Speaker 2: not wanting to grow up, deflecting by blaming women. Yeah, yep,

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Speaker 2: it's why the fucking you know the man the spear

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Speaker 2: thing took off, you know, in the pandemic the last

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Speaker 2: few years. A bunch of entitled dudes that feel and

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Speaker 2: think like Drake. Ramsey Djingis says five Stars episode was good.

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Speaker 2: Brandon and Justin always bring the funny enjoyed the conversation

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Speaker 2: about the attention economy the world awards harmful and trash

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Speaker 2: behavior through clicks and likes. Mike says, I voted let

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Speaker 2: them Fight because I found myself agreeing with damn near

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Speaker 2: every side of the Drake debate. It's about the poll

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Speaker 2: between Drake and Joe Budden. On the one hand, the

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Speaker 2: people who don't like his content seems so pressed to me,

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Speaker 2: It's like they're going to McDonald's and being mad they

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Speaker 2: can't get a whopper. But at the same time, the

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Speaker 2: biggest rapper in the game putting out a solid album

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Speaker 2: out should spark interest and dialogue from the casuals and

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Speaker 2: diehard diehards alike. I think Drake seasons consistent numbers iss

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Speaker 2: susss to himself, why would I change the formula? Yeah? Yeah,

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Speaker 2: I agree with everything you just said. Yep, I agree

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Speaker 2: because especially that, why would I change the formula? Shit?

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Speaker 2: That's to me A big part of this is everyone

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Speaker 2: is telling him it they don't like it, but the

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Speaker 2: numbers aren't reflecting that.

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Speaker 4: No, they're not, and they don't. And the numbers don't

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Speaker 4: care if you listen because you like it or you

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Speaker 4: listen because.

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Speaker 2: You fucking hate it. The numbers don't care. Yeah, the

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Speaker 2: numbers are the numbers, and he's getting more listens than everybody.

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Speaker 2: So it's a little bit like he may want it,

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Speaker 2: quote unquote, like the critical acclaiming stuff. At some point

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Speaker 2: in his career.

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Speaker 3: He may want to be literally everybody's gold or something.

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Speaker 2: But he don't seem like he's worried about that at

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Speaker 2: the moment, and he's just gonna make a numbers argument. Hey,

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Speaker 2: I was streaming this much. I had more his to

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Speaker 2: Mike Jackson, I did this, that and the other. Fuck

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Speaker 2: everybody said they don't like me. I'm the man, and

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Speaker 2: maybe he gonna ride with that. I don't know. MS

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Speaker 2: Barr says, that is so sad about the DCU. Oh,

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Speaker 2: what is so sad about the DCU is that there

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Speaker 2: are so many good stories from the graphic novels and

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Speaker 2: it translates so well in animated movies in many of

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Speaker 2: the TV series. However, when it comes to the big screen,

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Speaker 2: it just doesn't translate well with the accept the exception

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Speaker 2: of Wonder Woman, The Suicide Squad and a few other exceptions.

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Speaker 2: My favorite DCU story is Blackest Night, Brightest Day from

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Speaker 2: the Green Lantern series. However, I would be terrified if

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Speaker 2: they are tempted it on the big screen. If anything,

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Speaker 2: make an animated keep it pushing. And my thing is

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Speaker 2: not about translating. Will it would translate? Great?

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Speaker 4: The problem is the people that are over it. Would

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Speaker 4: they allow you to go full cartoon like cartoonish? Would

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00:21:53,640 --> 00:21:55,960
Speaker 4: they allow you to be like, yeah, we're gonna put

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Speaker 4: these outfits on. We're not going to quote unquote take

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Speaker 4: ourselves seriously, We're gonna completely dive into this world like

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Speaker 4: like like this is what we're gonna do. We're gonna

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Speaker 4: actually give the people.

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Speaker 2: What they want. But it's always something with them.

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Speaker 4: And the thing is, uh, a lot of some of

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Speaker 4: their movies recently that people have liked, you know what,

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Speaker 4: they didn't do no fucking promotion, The First Shazam, the

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Speaker 4: First Wonder Woman, you know, some of the movies that

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Speaker 4: people are like, this is great. They did no fucking promotion.

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Speaker 4: Then the shit that sucked it was goddamn everywhere.

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Speaker 2: It's very very confusing.

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Speaker 4: It's very frustrating because, like you said, it's like the

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Speaker 4: animated group does not talk to the other group. And

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Speaker 4: basically you could take the animation and do it shot

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Speaker 4: for shot in the movie almost and and and not

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Speaker 4: change anything, not change anything. Maybe some things because the

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Speaker 4: fixit physics or whatever. But you could do CGI for

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Speaker 4: a lot of things. Now, it's it's just the fact

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Speaker 4: that whoever's over it, they don't actually fucking care about

429
00:22:51,560 --> 00:22:54,320
Speaker 4: the product. They don't care about the about the content

430
00:22:54,400 --> 00:22:57,080
Speaker 4: and the and the foundation of what they're trying to present,

431
00:22:57,119 --> 00:22:58,920
Speaker 4: the like, we're just gonna make money and you're fucking

432
00:22:59,040 --> 00:22:59,600
Speaker 4: sucking at it.

433
00:23:00,640 --> 00:23:04,600
Speaker 2: I agree, Eve says, I love when Brandon and Justin

434
00:23:04,640 --> 00:23:07,840
Speaker 2: our guests. They're so funny, and I love medium popcorn.

435
00:23:08,520 --> 00:23:11,040
Speaker 2: I think Doja Cat is either suffering from mental issues

436
00:23:11,160 --> 00:23:13,639
Speaker 2: or she has some huge self hate issues, kind of

437
00:23:13,760 --> 00:23:17,080
Speaker 2: I mean, could be both. May Little call and b

438
00:23:18,320 --> 00:23:21,320
Speaker 2: She's half black and half Jewish, a double negative to

439
00:23:21,359 --> 00:23:25,040
Speaker 2: the white supremacist she seems to support right. I wonder

440
00:23:25,200 --> 00:23:27,160
Speaker 2: she thinks she'll get the same support from her fans

441
00:23:27,320 --> 00:23:29,800
Speaker 2: she starts making a different type of music, she may

442
00:23:29,880 --> 00:23:31,760
Speaker 2: find she no longer has the same support from the

443
00:23:31,800 --> 00:23:34,840
Speaker 2: black or white fans. Drake has a couple songs that

444
00:23:34,920 --> 00:23:37,520
Speaker 2: I like, but I don't find most of his music memorable.

445
00:23:40,040 --> 00:23:42,080
Speaker 2: I can say I'm a I can't say I'm a

446
00:23:42,119 --> 00:23:44,119
Speaker 2: hip hop rap expert, but he seems to be a

447
00:23:44,200 --> 00:23:47,399
Speaker 2: trend follower, not a trend maker, and that probably is

448
00:23:47,440 --> 00:23:49,000
Speaker 2: why his music seems stagnant.

449
00:23:50,000 --> 00:23:50,119
Speaker 4: Uh.

450
00:23:53,960 --> 00:23:56,480
Speaker 2: As a person that's listened to the music, I'd say

451
00:23:56,520 --> 00:23:59,320
Speaker 2: it's like half and half. I think as he's getting older,

452
00:24:00,119 --> 00:24:02,440
Speaker 2: he's becoming more of a trend follower. But that's every

453
00:24:02,560 --> 00:24:05,160
Speaker 2: old rapper for the most part, because you're not making

454
00:24:05,280 --> 00:24:09,800
Speaker 2: new shit at that like you're you're that's what you're

455
00:24:09,920 --> 00:24:12,399
Speaker 2: not having a new lived experience to bring back a

456
00:24:12,520 --> 00:24:15,800
Speaker 2: new sound. You know, these kids coming up are the

457
00:24:15,880 --> 00:24:18,240
Speaker 2: ones that are gonna make the new sound for hip hop.

458
00:24:18,680 --> 00:24:20,719
Speaker 2: And I think a lot of us are finding ourselves

459
00:24:20,840 --> 00:24:25,320
Speaker 2: going back to the older artists anyway, because the ogs

460
00:24:25,400 --> 00:24:28,240
Speaker 2: have a level of consistency that the new dudes don't.

461
00:24:28,560 --> 00:24:30,600
Speaker 2: You know, for a lot of a lot of the

462
00:24:30,680 --> 00:24:32,720
Speaker 2: people that want to listen to like male rappers for

463
00:24:32,800 --> 00:24:34,479
Speaker 2: the record, you know what I mean. The women are

464
00:24:34,600 --> 00:24:38,120
Speaker 2: kind of doing their own thing that is pushing it forward. Yes,

465
00:24:39,640 --> 00:24:41,680
Speaker 2: to a certain degree. I know it's starting to get

466
00:24:41,920 --> 00:24:46,000
Speaker 2: over like it's starting to get oversaturated, but that's what

467
00:24:46,200 --> 00:24:50,160
Speaker 2: success does in hip hop is someone breaks through. People

468
00:24:50,240 --> 00:24:52,479
Speaker 2: start coming up just like a one degree off, one

469
00:24:52,480 --> 00:24:54,320
Speaker 2: degree off, one degree off, and then you look up

470
00:24:54,320 --> 00:24:57,200
Speaker 2: and you're like, oh, everybody's doing pussy rap, you know,

471
00:24:57,640 --> 00:25:00,760
Speaker 2: like it don't start that way, but that's how up anyway.

472
00:25:02,040 --> 00:25:05,679
Speaker 2: I would say that, like sometimes he brings he's always

473
00:25:05,840 --> 00:25:08,520
Speaker 2: he's not a musician, so he's always gonna be to

474
00:25:08,640 --> 00:25:13,360
Speaker 2: some extent, uh behind the trend. But when you get

475
00:25:13,400 --> 00:25:16,080
Speaker 2: as big as him, what it's about is elevating other people.

476
00:25:16,960 --> 00:25:20,920
Speaker 3: Jay Z did this a lot. You know, nads try

477
00:25:21,000 --> 00:25:21,640
Speaker 3: to do this well.

478
00:25:21,680 --> 00:25:23,439
Speaker 2: You bring in some other people that got a new,

479
00:25:23,480 --> 00:25:25,639
Speaker 2: fresh sound, and then you kind of link up with

480
00:25:25,800 --> 00:25:28,399
Speaker 2: them and y'all bounce off each other till you make

481
00:25:28,480 --> 00:25:29,199
Speaker 2: something unique.

482
00:25:29,359 --> 00:25:29,520
Speaker 6: You know.

483
00:25:30,280 --> 00:25:33,879
Speaker 2: I love the like the nas and the Marley uh

484
00:25:34,440 --> 00:25:37,399
Speaker 2: LPs that they did together where it's like, oh, okay,

485
00:25:37,720 --> 00:25:40,560
Speaker 2: we're mixing like these Allen sounds and this hip hop like.

486
00:25:40,840 --> 00:25:41,040
Speaker 4: You know.

487
00:25:41,960 --> 00:25:46,680
Speaker 2: The thing for Drake I think is as of late,

488
00:25:47,080 --> 00:25:51,080
Speaker 2: his content has been uninspired, uninspired. Then he gets the

489
00:25:51,240 --> 00:25:56,040
Speaker 2: features from the up and coming artists, which they seem

490
00:25:56,119 --> 00:25:57,960
Speaker 2: I mean some of these features they be killing them

491
00:25:57,960 --> 00:26:00,439
Speaker 2: because it's their opportunity to shine on a big ass

492
00:26:00,960 --> 00:26:06,679
Speaker 2: platform that they might not always get. And then sound wise,

493
00:26:06,880 --> 00:26:08,639
Speaker 2: I mean he's tried some stuff he I mean he

494
00:26:08,800 --> 00:26:11,880
Speaker 2: was doing that fucking house music shit that his shit

495
00:26:12,000 --> 00:26:14,800
Speaker 2: came out I think before Beyonce shit. It did, and

496
00:26:15,240 --> 00:26:18,120
Speaker 2: people that like it. It was just the worst thing ever. Yeah,

497
00:26:18,480 --> 00:26:21,520
Speaker 2: like people act like he heard Beyonce was coming out

498
00:26:21,560 --> 00:26:25,680
Speaker 2: with this with I mean, it sounds so ridiculous to

499
00:26:26,400 --> 00:26:29,120
Speaker 2: knowing what goes into making everything, but like he heard

500
00:26:29,320 --> 00:26:31,600
Speaker 2: her album was gonna be that, and then like a

501
00:26:31,640 --> 00:26:34,440
Speaker 2: week before her album dropped, he rushed and made it

502
00:26:34,600 --> 00:26:35,280
Speaker 2: this other album.

503
00:26:35,440 --> 00:26:37,320
Speaker 3: I don't I think he's he's trying.

504
00:26:37,359 --> 00:26:40,119
Speaker 2: I just don't think he's very successful. He's also a

505
00:26:40,240 --> 00:26:42,399
Speaker 2: coward because he only comes for what he seems to

506
00:26:42,440 --> 00:26:45,280
Speaker 2: think are easy targets, mostly women. He's peaked and he

507
00:26:45,400 --> 00:26:48,040
Speaker 2: knows it, which is why Joe Budden's criticism really got

508
00:26:48,119 --> 00:26:52,720
Speaker 2: to him. He's going outside. I don't think he. I

509
00:26:52,760 --> 00:26:55,400
Speaker 2: don't think it's just about it being easy targets, because

510
00:26:55,400 --> 00:26:57,400
Speaker 2: he also went it push the T and Meet Mill.

511
00:26:58,600 --> 00:27:01,919
Speaker 2: He's had some pretty good rap beefs in his career,

512
00:27:02,040 --> 00:27:04,520
Speaker 2: and he's he's kind of like ll a little bit

513
00:27:04,600 --> 00:27:08,479
Speaker 2: where he's won a lot of them, not all of them,

514
00:27:08,520 --> 00:27:11,040
Speaker 2: but he's won a lot of them. Because people don't

515
00:27:11,080 --> 00:27:13,640
Speaker 2: think he's that greater. Like people are like, oh shit,

516
00:27:13,720 --> 00:27:16,400
Speaker 2: he actually came back with some pretty hard shit.

517
00:27:16,600 --> 00:27:19,480
Speaker 4: He's very funny. Truth, He's really really funny, dude. You

518
00:27:19,560 --> 00:27:21,560
Speaker 4: know how to execute lines.

519
00:27:21,320 --> 00:27:23,639
Speaker 3: Yeah, which is a huge part of winning a battle

520
00:27:23,760 --> 00:27:24,439
Speaker 3: is being funny.

521
00:27:25,040 --> 00:27:29,280
Speaker 2: Anyway, all that shit to say, Like, I think as

522
00:27:29,359 --> 00:27:32,480
Speaker 2: of late, with him being so uninspired in his main

523
00:27:32,560 --> 00:27:37,560
Speaker 2: critics being like he feels a little like Chappelle. Chappelle

524
00:27:37,720 --> 00:27:41,639
Speaker 2: uses trans people to really fight with the people that

525
00:27:41,800 --> 00:27:45,360
Speaker 2: are on the left, that are that he feels are

526
00:27:46,320 --> 00:27:50,720
Speaker 2: anti comedy. So that so he's gotten stuck there. Trans

527
00:27:50,760 --> 00:27:56,920
Speaker 2: people are basically been the been the bystanders in this

528
00:27:57,040 --> 00:27:58,760
Speaker 2: whole thing, you know, whether they like it or not.

529
00:27:58,840 --> 00:28:00,840
Speaker 2: I know there's a range of opinion on trans people's

530
00:28:00,840 --> 00:28:03,880
Speaker 2: feelings towards Dave Japelle, but I'm not even arguing about

531
00:28:03,920 --> 00:28:05,800
Speaker 2: whether you like what he's doing or not, or whether

532
00:28:05,840 --> 00:28:08,600
Speaker 2: it's okay or not. I'm just saying four or five

533
00:28:08,840 --> 00:28:12,320
Speaker 2: specials in You're like, oh, this dude is making comedy

534
00:28:12,359 --> 00:28:14,520
Speaker 2: specials to fight Twitter.

535
00:28:15,240 --> 00:28:17,879
Speaker 4: Yes, and I came to see hear your comedy. I

536
00:28:17,880 --> 00:28:20,080
Speaker 4: didn't come to hear you talk about some online niggas.

537
00:28:20,560 --> 00:28:23,680
Speaker 2: Drake feel like that. To me, his last few albums

538
00:28:23,720 --> 00:28:26,280
Speaker 2: feel like he knows what people are gonna say about

539
00:28:26,359 --> 00:28:29,439
Speaker 2: him on Twitter and the patron saints of pretty much

540
00:28:29,480 --> 00:28:33,840
Speaker 2: black Twitter are very famous Black women, and I think

541
00:28:33,960 --> 00:28:38,240
Speaker 2: he thinks he he's fucking being so clever and so

542
00:28:38,440 --> 00:28:41,800
Speaker 2: fucking whatever, because look at these bitches getting mad again

543
00:28:41,960 --> 00:28:44,640
Speaker 2: ha ha has I'm gonna say this line about Meghan

544
00:28:44,760 --> 00:28:46,480
Speaker 2: Stallion everybody, you know.

545
00:28:46,880 --> 00:28:48,520
Speaker 3: Everybody's gonna go listen to my song.

546
00:28:48,640 --> 00:28:51,200
Speaker 2: And I just feel like that's the lowest level of

547
00:28:51,280 --> 00:28:56,560
Speaker 2: creativity is the shock like I pissed everybody off like that.

548
00:28:56,760 --> 00:28:58,040
Speaker 3: It doesn't take a lot to do that.

549
00:28:58,200 --> 00:29:01,240
Speaker 2: Show me what you're doing that another rapper can't do,

550
00:29:01,840 --> 00:29:03,720
Speaker 2: Show me why you're better, And to me, I think

551
00:29:03,760 --> 00:29:07,520
Speaker 2: he's run out of whatever that used to be. Trey said,

552
00:29:07,600 --> 00:29:10,240
Speaker 2: speaking on Drake, I have to say it's also extremely

553
00:29:10,320 --> 00:29:13,160
Speaker 2: dumb business move. It's just a plain unnecessary move by

554
00:29:13,280 --> 00:29:15,160
Speaker 2: him to go out to these celebrity women on wax

555
00:29:15,240 --> 00:29:18,600
Speaker 2: like he has been doing with the latest album, talking

556
00:29:18,640 --> 00:29:21,760
Speaker 2: crazy about Rihanna Esperans, a spading jazz formal beat Drake

557
00:29:21,840 --> 00:29:25,240
Speaker 2: in the past Grammy Category f y and the twenty

558
00:29:25,280 --> 00:29:28,960
Speaker 2: one Savage Collage album, Collab album Talking Crazy about Meg.

559
00:29:29,600 --> 00:29:33,600
Speaker 2: Women listeners have Low Key or Hell Hockey been the

560
00:29:33,640 --> 00:29:36,840
Speaker 2: biggest consumers and supporters of his music over the years.

561
00:29:37,320 --> 00:29:40,000
Speaker 3: That's what he says. You know, I don't know if

562
00:29:40,040 --> 00:29:42,080
Speaker 3: the numbers back then, but that's what he says.

563
00:29:42,760 --> 00:29:44,720
Speaker 2: That's always to me, I've always felt like that was

564
00:29:44,840 --> 00:29:48,640
Speaker 2: his excuse, Like all the reason I'm making this kind

565
00:29:48,680 --> 00:29:51,000
Speaker 2: of soft music is because girls love it, and we

566
00:29:51,200 --> 00:29:53,720
Speaker 2: just take his word like girls must love it. But

567
00:29:53,800 --> 00:29:56,960
Speaker 2: I don't know that he's the ll like when L

568
00:29:57,200 --> 00:30:00,320
Speaker 2: L was making music and it was ladies love Cool James.

569
00:30:00,800 --> 00:30:03,080
Speaker 2: Ladies loved Cool James.

570
00:30:03,280 --> 00:30:06,080
Speaker 4: Licking them lips, yes sir, Yeah, So I don't and

571
00:30:06,280 --> 00:30:08,040
Speaker 4: and like could be an age thing.

572
00:30:08,600 --> 00:30:12,720
Speaker 2: This isn't a you know, I love them now right

573
00:30:13,080 --> 00:30:17,360
Speaker 2: and he may accidental racist, so it could be an

574
00:30:17,440 --> 00:30:19,720
Speaker 2: age thing where I never was around the kind of

575
00:30:19,800 --> 00:30:23,080
Speaker 2: women that are like Drake is the tops, that's what

576
00:30:23,240 --> 00:30:25,600
Speaker 2: the fuck. He's the sex sym what we want and

577
00:30:26,000 --> 00:30:30,160
Speaker 2: that that's absolutely feasible. I haven't bounced it off anybody.

578
00:30:30,240 --> 00:30:33,400
Speaker 2: I'm just answering your question because I haven't thought about it.

579
00:30:33,600 --> 00:30:38,200
Speaker 2: But uh, I do wonder if if that was even

580
00:30:38,240 --> 00:30:41,920
Speaker 2: his biggest consumers. I think he just has run out

581
00:30:41,920 --> 00:30:45,680
Speaker 2: of ideas. It's just to me, it's just shock values.

582
00:30:46,200 --> 00:30:48,520
Speaker 2: Here's me talking about a black woman who's minding her business.

583
00:30:48,560 --> 00:30:53,960
Speaker 2: Everybody goes oh, and he goes A, I gotcha. I don't.

584
00:30:54,200 --> 00:30:56,480
Speaker 3: Yeah, I don't even know if he means it or not.

585
00:30:57,480 --> 00:30:59,080
Speaker 3: I just assume he doesn't move on.

586
00:31:00,560 --> 00:31:02,680
Speaker 2: I mean, it's easier to assume he does, because why

587
00:31:02,720 --> 00:31:04,840
Speaker 2: the fuck are you still doing this? But if correct,

588
00:31:04,960 --> 00:31:07,240
Speaker 2: it's not like if I found out he was like,

589
00:31:07,600 --> 00:31:09,720
Speaker 2: I just be trolling and talk to shit and I

590
00:31:09,760 --> 00:31:11,200
Speaker 2: don't mean any of it. It's not like I would

591
00:31:11,240 --> 00:31:14,160
Speaker 2: look at him back favorably. I look at him worse. Yeah,

592
00:31:14,360 --> 00:31:16,840
Speaker 2: I'm like, so you don't you just what just be

593
00:31:16,920 --> 00:31:20,280
Speaker 2: saying shit? Right, like rap about your fucking son, nigga,

594
00:31:20,440 --> 00:31:23,480
Speaker 2: rap about your life if you I mean, this is

595
00:31:23,480 --> 00:31:25,480
Speaker 2: a difference between him and Cardi. By the way, someone

596
00:31:25,560 --> 00:31:29,560
Speaker 2: brought up Carti. Cardi's like, I'm not gonna share my

597
00:31:29,720 --> 00:31:32,080
Speaker 2: life with y'all because I know how people are gonna

598
00:31:32,080 --> 00:31:34,960
Speaker 2: feel about that, like Hayden, But if you listen to

599
00:31:35,040 --> 00:31:40,000
Speaker 2: Cardi's music, it's it's got a goal of like keeping

600
00:31:40,080 --> 00:31:42,240
Speaker 2: you like entertained.

601
00:31:43,720 --> 00:31:45,360
Speaker 3: Her goal isn't to piss you off.

602
00:31:46,400 --> 00:31:48,920
Speaker 2: No, it's not. That's the difference. Like Drake's goal with

603
00:31:49,040 --> 00:31:51,280
Speaker 2: his music has been like I don't want to go

604
00:31:51,480 --> 00:31:54,360
Speaker 2: viral on Twitter for forty eight hours cause I was

605
00:31:54,480 --> 00:31:57,040
Speaker 2: saying reckless shit. It's notice the whole goal.

606
00:31:57,280 --> 00:32:00,200
Speaker 4: Sometimes it's like that's sometimes I think he might roll

607
00:32:00,280 --> 00:32:02,360
Speaker 4: lines in there just to like you said, just what

608
00:32:02,400 --> 00:32:02,760
Speaker 4: I think.

609
00:32:03,000 --> 00:32:05,120
Speaker 2: Man, it don't seem like he because it doesn't make

610
00:32:05,160 --> 00:32:07,080
Speaker 2: when's the last time I showed somebody just shared you

611
00:32:07,160 --> 00:32:09,000
Speaker 2: a Drake song because they thought the song was dope?

612
00:32:09,520 --> 00:32:12,560
Speaker 2: Oh that's been. When's the last time somebody wrote about

613
00:32:12,640 --> 00:32:15,960
Speaker 2: how just how dope the album was and it wasn't. Well,

614
00:32:16,080 --> 00:32:18,760
Speaker 2: the album has these sounds. But let's stop and talk

615
00:32:18,800 --> 00:32:23,680
Speaker 2: about what he said about X Star here correct. But yeah,

616
00:32:23,760 --> 00:32:26,600
Speaker 2: we'll see if that's even true about women listeners being

617
00:32:26,680 --> 00:32:31,880
Speaker 2: his his bread and butter. But yeah, peace, thank you

618
00:32:32,200 --> 00:32:37,640
Speaker 2: the pole Drake, Jersey Drake versus Joe Budden? Who you

619
00:32:37,800 --> 00:32:42,400
Speaker 2: got Drake Joe Budden? Or let him fight? Okay, hold

620
00:32:42,440 --> 00:32:44,640
Speaker 2: on them fight, I don't care. Eighty seven percent of

621
00:32:44,680 --> 00:32:49,560
Speaker 2: the audience agrees will let him fight and then when

622
00:32:49,640 --> 00:32:56,640
Speaker 2: it comes to uh Spotify, here we go. Uh it

623
00:32:56,880 --> 00:33:01,040
Speaker 2: is eighty six so it's almost identical. So so six

624
00:33:01,160 --> 00:33:04,880
Speaker 2: percent Drake, six percent Joe Budden, then most of the

625
00:33:05,000 --> 00:33:08,200
Speaker 2: people saying let them fight. And then on Spotify three

626
00:33:08,280 --> 00:33:11,320
Speaker 2: percent Drake, eleven percent Joe Button and probably because people

627
00:33:11,400 --> 00:33:14,520
Speaker 2: listening to Joe Butden's podcast on Spotify, so I guess.

628
00:33:15,760 --> 00:33:17,440
Speaker 2: And Q and A is still not working, guys, so

629
00:33:17,520 --> 00:33:20,480
Speaker 2: I don't know what that's about. Let me check the

630
00:33:21,040 --> 00:33:26,960
Speaker 2: comments on YouTube real quick. For the attention economy.

631
00:33:27,520 --> 00:33:28,320
Speaker 1: We had.

632
00:33:30,080 --> 00:33:36,280
Speaker 2: Two comments. Trey says, women love Drake, plain and simple,

633
00:33:37,080 --> 00:33:41,200
Speaker 2: and Ninja's know that and consume Drake whether it for

634
00:33:41,320 --> 00:33:45,280
Speaker 2: good or bad to engage with women. Maybe because I'm

635
00:33:45,320 --> 00:33:48,080
Speaker 2: a bit younger than you, guys, but for the mid

636
00:33:48,200 --> 00:33:51,160
Speaker 2: thirties and below, Drake has been the culture for over

637
00:33:51,240 --> 00:33:54,240
Speaker 2: a decade now. During Instagram's peak, Drake.

638
00:33:54,080 --> 00:33:57,200
Speaker 3: Was probably the most quoted person when people needed to

639
00:33:57,280 --> 00:33:57,960
Speaker 3: catch a quote for.

640
00:33:57,960 --> 00:34:01,800
Speaker 2: Their ig post. Even East's character on Insecure season one

641
00:34:01,880 --> 00:34:04,800
Speaker 2: had that quote he just really gets us, referring to

642
00:34:04,880 --> 00:34:07,480
Speaker 2: Drake when Daniel said every black girl that went to

643
00:34:07,560 --> 00:34:10,759
Speaker 2: college like Drake, I personally haven't listened to a Drake

644
00:34:10,840 --> 00:34:13,360
Speaker 2: album in four For some years now, every time I

645
00:34:13,440 --> 00:34:15,720
Speaker 2: think it's stars faded. When I go out in these streets,

646
00:34:15,760 --> 00:34:19,520
Speaker 2: he's still heavily in rotation with the ladies. Really enjoyed

647
00:34:19,560 --> 00:34:23,520
Speaker 2: the discussion. Gods. Yes, like I said, people say it's

648
00:34:23,600 --> 00:34:24,040
Speaker 2: the women.

649
00:34:24,120 --> 00:34:24,439
Speaker 1: I don't.

650
00:34:24,520 --> 00:34:28,360
Speaker 2: I personally don't know if it's the women, but also

651
00:34:28,640 --> 00:34:30,879
Speaker 2: haven't done any level of research. And that you brought

652
00:34:30,960 --> 00:34:35,320
Speaker 2: up we owe So I'm not around like the twenty

653
00:34:35,360 --> 00:34:38,719
Speaker 2: five year old club blame of girls that's going out.

654
00:34:38,840 --> 00:34:41,560
Speaker 2: He raps the kind of shit they would want to hear.

655
00:34:42,680 --> 00:34:45,000
Speaker 2: And honestly, I'll kind of blame some of these younger

656
00:34:45,080 --> 00:34:47,600
Speaker 2: rappers if that shit is true, not because just because

657
00:34:47,600 --> 00:34:49,960
Speaker 2: they're not catering to women, but because a lot of

658
00:34:50,000 --> 00:34:53,000
Speaker 2: these dudes just are not putting the time in to

659
00:34:53,160 --> 00:34:58,719
Speaker 2: make music that has like elocution and diction and you know,

660
00:34:59,040 --> 00:35:02,520
Speaker 2: a word choice, like you know, like I hate to

661
00:35:02,560 --> 00:35:05,080
Speaker 2: pay with a bride brush. But I'm not just one

662
00:35:05,120 --> 00:35:07,719
Speaker 2: of these people that's shitting on young people. I do

663
00:35:07,960 --> 00:35:10,319
Speaker 2: listen to a shit ton of music, probably more than

664
00:35:10,360 --> 00:35:13,440
Speaker 2: most people, and most of it being rapped, and just

665
00:35:13,920 --> 00:35:18,440
Speaker 2: a lot of these dudes are not trying to they're

666
00:35:18,520 --> 00:35:21,000
Speaker 2: not even trying to attempt to get past, you know,

667
00:35:21,280 --> 00:35:24,640
Speaker 2: just the mumble rap trap repeat type of type of

668
00:35:24,920 --> 00:35:28,120
Speaker 2: you know, the drug rap shit and uh yeah, so

669
00:35:28,239 --> 00:35:32,120
Speaker 2: Drake is still in that lane basically by myself in

670
00:35:32,239 --> 00:35:34,440
Speaker 2: the attention economy, wasn't the best thing to do be

671
00:35:34,600 --> 00:35:37,600
Speaker 2: ignoring idiots, says Lakita. I know it's probably easier said

672
00:35:37,640 --> 00:35:40,440
Speaker 2: than done, but if any attention is your currency, can

673
00:35:40,520 --> 00:35:44,080
Speaker 2: we just stop paying it? Sure you could.

674
00:35:44,239 --> 00:35:46,319
Speaker 3: I think you're just never.

675
00:35:46,280 --> 00:35:48,520
Speaker 2: Gonna get that. Like you said, it's easier said than done.

676
00:35:48,600 --> 00:35:51,360
Speaker 3: I mean, look at our show, we still talked about it.

677
00:35:51,480 --> 00:35:55,000
Speaker 2: We just didn't talk about it in the like very simple,

678
00:35:55,960 --> 00:35:59,759
Speaker 2: uh black and white, you know, fuck Drake ha. Is

679
00:35:59,800 --> 00:36:02,520
Speaker 2: it funny that he like we talked about a little deeper,

680
00:36:03,280 --> 00:36:05,600
Speaker 2: like why do we care about this? Why are we

681
00:36:05,680 --> 00:36:10,040
Speaker 2: obsessed with this? Why? Why is this like the goal

682
00:36:10,480 --> 00:36:12,880
Speaker 2: for rappers that we're supposed to be thinking of as

683
00:36:12,920 --> 00:36:16,160
Speaker 2: accomplished rap musicians. Why are they still going to the

684
00:36:16,800 --> 00:36:20,759
Speaker 2: just just trolling? Well, so, you know, we still kind

685
00:36:20,800 --> 00:36:22,799
Speaker 2: of did it. So I think everyone talks about these

686
00:36:22,840 --> 00:36:23,200
Speaker 2: things and.

687
00:36:23,360 --> 00:36:26,759
Speaker 4: Also when it you know, people don't want to This

688
00:36:26,840 --> 00:36:30,200
Speaker 4: is how I feel when it comes to the attentioning economy, Yes,

689
00:36:31,200 --> 00:36:33,200
Speaker 4: everybody could ignore, everybody could.

690
00:36:33,040 --> 00:36:34,040
Speaker 2: Move on and things like that.

691
00:36:34,719 --> 00:36:38,239
Speaker 4: But my thing is this, most people you know, with

692
00:36:38,360 --> 00:36:41,440
Speaker 4: deception to some have some form of social media. You

693
00:36:41,480 --> 00:36:43,040
Speaker 4: have some people that are not on social media at all.

694
00:36:43,040 --> 00:36:45,400
Speaker 4: I'm not talking about you, but the vast majority of

695
00:36:45,400 --> 00:36:47,600
Speaker 4: the people underneath the sound of our voice, even if

696
00:36:47,640 --> 00:36:50,839
Speaker 4: they don't use it. I have a social media site.

697
00:36:50,840 --> 00:36:53,560
Speaker 4: Why do you have that social media site? Like like,

698
00:36:53,640 --> 00:36:55,840
Speaker 4: why do you have a Twitter or Facebook or Instagram?

699
00:36:55,920 --> 00:36:56,440
Speaker 2: At TikTok?

700
00:36:56,520 --> 00:36:59,520
Speaker 4: A lot of it is for attention batt blah like

701
00:36:59,600 --> 00:37:01,960
Speaker 4: people people When people say that, they always say that

702
00:37:02,160 --> 00:37:05,239
Speaker 4: at other people. And I'm not saying about you. Look

703
00:37:05,239 --> 00:37:07,319
Speaker 4: at what I'm saying. When people make that statement, they

704
00:37:07,480 --> 00:37:10,360
Speaker 4: always say it like everybody else is a problem, but

705
00:37:10,400 --> 00:37:12,400
Speaker 4: they're never the problem. And everybody thinks that they're never

706
00:37:12,480 --> 00:37:14,560
Speaker 4: the problem. But every but the people who think they're

707
00:37:14,560 --> 00:37:17,759
Speaker 4: never the problem are the same people who the camera

708
00:37:17,920 --> 00:37:21,680
Speaker 4: turns out not a camera's inwards, Which means you post selfies,

709
00:37:21,760 --> 00:37:23,880
Speaker 4: you post pics, you post pictures of your food, you

710
00:37:23,920 --> 00:37:26,520
Speaker 4: post pictures of your family, You constantly talk about these

711
00:37:26,600 --> 00:37:31,239
Speaker 4: various different things. We're all are victims of attention economy.

712
00:37:31,640 --> 00:37:33,640
Speaker 4: We all get it, but a lot of us get

713
00:37:33,680 --> 00:37:36,600
Speaker 4: it on smaller scales than others. You know, when it's

714
00:37:36,640 --> 00:37:39,359
Speaker 4: on such a big scale, people go, I don't drink alright, Well,

715
00:37:39,440 --> 00:37:41,640
Speaker 4: then if if we do that, you need to ignore

716
00:37:41,719 --> 00:37:43,719
Speaker 4: individual people too, which we're not gonna do.

717
00:37:44,400 --> 00:37:48,319
Speaker 3: Yep, I agree, all right.

718
00:37:48,600 --> 00:37:50,000
Speaker 5: Uh that was.

719
00:37:51,480 --> 00:37:54,480
Speaker 2: The Oh yeah, the Q and A is still not working.

720
00:37:54,600 --> 00:37:59,920
Speaker 2: Fuck all right, you know what, fuck it. We gotta

721
00:38:00,120 --> 00:38:03,480
Speaker 2: we gotta play some music here anyway to put some commercials. Okay,

722
00:38:15,360 --> 00:38:37,839
Speaker 2: let's Drake would kill that ship. Okay, let me tell y'all. Uh,

723
00:38:39,320 --> 00:38:41,799
Speaker 2: you would be crying about some girl that stopped calling

724
00:38:41,880 --> 00:38:42,720
Speaker 2: him because he cheated.

725
00:38:44,320 --> 00:38:44,440
Speaker 4: Uh.

726
00:38:44,520 --> 00:38:46,920
Speaker 2: The worst Denzel ever was the next episode. We had

727
00:38:46,960 --> 00:38:47,800
Speaker 2: six comments.

728
00:38:50,200 --> 00:38:50,279
Speaker 4: Ms.

729
00:38:50,440 --> 00:38:53,080
Speaker 2: Barnes says, I'm sorry, Rod, you were swindled. That is

730
00:38:53,239 --> 00:38:55,480
Speaker 2: not Denzel voice and not at all.

731
00:38:57,560 --> 00:38:57,680
Speaker 7: Uh.

732
00:38:57,920 --> 00:39:01,960
Speaker 2: You need a Denzel from Finn's his voiceover. Ah, that

733
00:39:02,040 --> 00:39:02,799
Speaker 2: would be nice.

734
00:39:03,520 --> 00:39:05,440
Speaker 3: I mean it's hard to do an impression that short

735
00:39:05,480 --> 00:39:06,320
Speaker 3: in the first place.

736
00:39:07,120 --> 00:39:10,120
Speaker 2: Like I get it. You know, you got to establish

737
00:39:10,400 --> 00:39:16,200
Speaker 2: like your you know, your your DENZELSMS and in like

738
00:39:16,440 --> 00:39:19,320
Speaker 2: ten words or something. I listened to the Black Autels

739
00:39:19,400 --> 00:39:22,040
Speaker 2: podcast is ryding Karendon. Ho's not giving a lot, but

740
00:39:22,800 --> 00:39:23,640
Speaker 2: the best can do it.

741
00:39:23,840 --> 00:39:24,000
Speaker 4: You know.

742
00:39:24,320 --> 00:39:29,319
Speaker 2: I think Trump, that Jail's Trump impression is so good

743
00:39:29,800 --> 00:39:35,240
Speaker 2: with it, you know, the the goofy impression, Homer Simpson,

744
00:39:35,320 --> 00:39:38,120
Speaker 2: like some of these they nail it. I just think

745
00:39:38,239 --> 00:39:40,719
Speaker 2: that dude, Denzel was not that great. And and in

746
00:39:40,840 --> 00:39:45,320
Speaker 2: fairness to him, JL did text me to say the

747
00:39:45,520 --> 00:39:51,520
Speaker 2: original clip I played on the show from Fever. He said,

748
00:39:51,560 --> 00:39:54,279
Speaker 2: it actually isn't that bad. He said to him, it does.

749
00:39:54,719 --> 00:39:56,960
Speaker 2: And he's a master impressionist, So if he say it's

750
00:39:57,000 --> 00:39:59,279
Speaker 2: not that bad, I'm not gonna fight him. He said,

751
00:39:59,320 --> 00:40:02,080
Speaker 2: it sounds like Denzel to him, and to me. I

752
00:40:02,239 --> 00:40:05,960
Speaker 2: said to him, I reply, like, it sounds like Denzel

753
00:40:06,200 --> 00:40:10,000
Speaker 2: calling his bank, like, don't speak to a manager.

754
00:40:10,160 --> 00:40:11,840
Speaker 3: It don't sound like an actor, Denzel.

755
00:40:11,840 --> 00:40:15,719
Speaker 2: It sounds like Denzel completely bereffed of all denzelisms that

756
00:40:15,840 --> 00:40:19,640
Speaker 2: he has, just like ordering a pizza ordered, you know,

757
00:40:20,560 --> 00:40:23,600
Speaker 2: can I get can I get to tacos? That's not

758
00:40:23,719 --> 00:40:27,919
Speaker 2: what I wanted. I wanted Denzel like, yeah, I wanted

759
00:40:27,960 --> 00:40:30,719
Speaker 2: him to give me a little something, man, Denzel, laugh

760
00:40:30,880 --> 00:40:34,120
Speaker 2: or something. I didn't get that, so I think it's

761
00:40:34,160 --> 00:40:38,320
Speaker 2: the worst, the worst Denzel I've ever heard. You know so,

762
00:40:39,200 --> 00:40:42,479
Speaker 2: but this isn't this is uh, this is Trump from jail.

763
00:40:43,000 --> 00:40:48,240
Speaker 2: I listen to the Black Gyo Tips podcast because Rod

764
00:40:48,440 --> 00:40:51,120
Speaker 2: and Karen, Uh he did it.

765
00:40:52,520 --> 00:40:54,359
Speaker 3: If I played that for anybody, go, that's Trump.

766
00:40:55,640 --> 00:41:00,680
Speaker 2: This dude, he wasn't. He wasn't giving it to me. Alright.

767
00:41:00,760 --> 00:41:02,640
Speaker 3: Listen to the black guy who tells, like, what is

768
00:41:02,680 --> 00:41:03,919
Speaker 3: Denzel doing a white voice?

769
00:41:03,960 --> 00:41:07,760
Speaker 2: Because he's at work, all right, Ev, he said TPS

770
00:41:07,880 --> 00:41:11,000
Speaker 2: reports here goes Ev. That Denzel voice kind of sound

771
00:41:11,080 --> 00:41:12,840
Speaker 2: like him a little, if you know. That's what it

772
00:41:13,000 --> 00:41:15,920
Speaker 2: was supposed to be on the Voice Actors website. But

773
00:41:16,000 --> 00:41:18,080
Speaker 2: that promo he recorded for you as a whole ass

774
00:41:18,120 --> 00:41:23,560
Speaker 2: white man. Thankfully it was only five dollars Apple say

775
00:41:23,600 --> 00:41:26,160
Speaker 2: it's great. Now, I want a new garlic press. Are

776
00:41:26,200 --> 00:41:27,840
Speaker 2: you working for Big Garlic?

777
00:41:27,960 --> 00:41:28,160
Speaker 5: Rod?

778
00:41:28,239 --> 00:41:29,120
Speaker 2: At least a minute.

779
00:41:31,080 --> 00:41:32,239
Speaker 3: I bought one after the show.

780
00:41:32,640 --> 00:41:34,840
Speaker 4: Yes, I like a good gallic press. We got the

781
00:41:34,920 --> 00:41:36,880
Speaker 4: one with the wheels, We got the ones to crash.

782
00:41:37,000 --> 00:41:38,640
Speaker 2: The one with the wheels broke. That's why I bought

783
00:41:38,680 --> 00:41:43,680
Speaker 2: a new garlic press. Worst Denzel ever, I felt pissed

784
00:41:43,719 --> 00:41:47,440
Speaker 2: on your behalf, said Brooklyn Shoebag. Kevn says gender Wars

785
00:41:47,520 --> 00:41:50,920
Speaker 2: the sperm obsessed preacher. We really did need to dig

786
00:41:51,000 --> 00:41:54,120
Speaker 2: into this man's past and present because he is dropping

787
00:41:54,160 --> 00:41:58,399
Speaker 2: more hints about crimes committed than Cosby did. He does

788
00:41:58,520 --> 00:42:02,799
Speaker 2: sound creepy, all right, Uh. C Jeter says, I mean

789
00:42:03,040 --> 00:42:05,960
Speaker 2: you can kind of hear Denzel in there, but he

790
00:42:06,120 --> 00:42:08,239
Speaker 2: did no extra work to bring it out, none of

791
00:42:08,280 --> 00:42:12,239
Speaker 2: his inflections, phrasing or anything. He just didn't try. But

792
00:42:12,400 --> 00:42:14,680
Speaker 2: for real, though, I always thought that Bob from Bob's

793
00:42:14,680 --> 00:42:17,839
Speaker 2: Burger's one was the butt head from Beavis and butt Head. Ah,

794
00:42:18,360 --> 00:42:23,799
Speaker 2: that's funny. I can see that too. And then let's

795
00:42:23,800 --> 00:42:29,480
Speaker 2: see anything on YouTube for this one. Just the home

796
00:42:29,520 --> 00:42:31,640
Speaker 2: I create sending us a heart emoji thank you. We'd

797
00:42:31,640 --> 00:42:35,759
Speaker 2: appreciate it like that. And then the poe will the

798
00:42:35,800 --> 00:42:38,160
Speaker 2: Catholic Church blessed same sex union as yes or no?

799
00:42:38,520 --> 00:42:43,200
Speaker 2: Now twenty yes, seventy five percent no, So most people

800
00:42:43,320 --> 00:42:47,600
Speaker 2: agree with you, Karen, but no, there's a quarter of the.

801
00:42:47,600 --> 00:42:49,640
Speaker 3: Audience that's holding out hope, you know.

802
00:42:50,719 --> 00:42:50,839
Speaker 6: Uh.

803
00:42:51,239 --> 00:42:55,239
Speaker 2: And then on Spotify thirteen percent yes, eighty seven percent no,

804
00:42:55,360 --> 00:42:59,360
Speaker 2: so even less people holding out hope. On Spotify, they said, listen,

805
00:42:59,520 --> 00:43:05,680
Speaker 2: I know what these times go episode twenty seven eighty five,

806
00:43:05,880 --> 00:43:09,359
Speaker 2: Maga libs. We got ten comments. What the hell are

807
00:43:09,360 --> 00:43:13,399
Speaker 2: we talking about? Tawane the Coach? Like in Drake Domaniac's

808
00:43:13,480 --> 00:43:18,880
Speaker 2: Fried Dumplings McDonald's New Sauce. Aaron Rodgers on the Macfiet,

809
00:43:18,880 --> 00:43:21,279
Speaker 2: Oh yeh, this is a good show, Eve, he says,

810
00:43:21,320 --> 00:43:23,719
Speaker 2: congratulates on a good job you're doing on Drake the

811
00:43:23,800 --> 00:43:26,560
Speaker 2: Maniac's RD. Here's to all your future accolades. People will

812
00:43:26,560 --> 00:43:29,400
Speaker 2: probably say it was playful banter between Aaron Rodgers and

813
00:43:29,440 --> 00:43:32,840
Speaker 2: Travis Kelce, but Aaron Rodgers was clearly bothered by Travis's response.

814
00:43:33,200 --> 00:43:35,360
Speaker 2: He pretended to laugh it off. But it's always gonna

815
00:43:35,760 --> 00:43:37,600
Speaker 2: always seems like. To go to a response with these

816
00:43:37,680 --> 00:43:40,719
Speaker 2: Q and nine cucks is to say, let's debate. If

817
00:43:40,760 --> 00:43:43,040
Speaker 2: it's just playful banter, what's the need for the bait?

818
00:43:43,160 --> 00:43:46,360
Speaker 2: Aaron Rodgers's asshole. I agree, I do too. Love with

819
00:43:46,480 --> 00:43:49,279
Speaker 2: me and Eve you agree don't happen often, but what

820
00:43:49,400 --> 00:43:54,480
Speaker 2: we do we cool. Justin said, I don't know how

821
00:43:54,560 --> 00:43:57,040
Speaker 2: other people feel, but I like the banter. One of

822
00:43:57,120 --> 00:43:59,160
Speaker 2: the reasons I like talk radio on podcast is that

823
00:43:59,280 --> 00:44:02,240
Speaker 2: sometimes the host and the audience definitely have no idea

824
00:44:02,320 --> 00:44:05,800
Speaker 2: what the conversation is going. I say, keep the banter up. Okay,

825
00:44:06,760 --> 00:44:11,280
Speaker 2: one vote for banter, won't vote for banter. Jason Momoa,

826
00:44:11,680 --> 00:44:14,840
Speaker 2: this is Appia. Jason Momoa dresses the same way Johnny

827
00:44:14,880 --> 00:44:18,879
Speaker 2: Depp always does. Then you said at us, yes, yeah,

828
00:44:18,960 --> 00:44:21,320
Speaker 2: me and me and Appier, we're right here. But what

829
00:44:21,520 --> 00:44:25,759
Speaker 2: never stops being funny to me? Depth means moron and

830
00:44:25,880 --> 00:44:32,440
Speaker 2: German is that where dirt comes from? Uh, maybe even worse,

831
00:44:32,640 --> 00:44:35,560
Speaker 2: more like the Village idiots. So when you say depth,

832
00:44:35,640 --> 00:44:39,160
Speaker 2: fans is always amusing. For your german Ish friend, Apia,

833
00:44:40,680 --> 00:44:43,879
Speaker 2: that's hilarious, Brooklyn shoe Baby says, just made my day,

834
00:44:44,080 --> 00:44:48,520
Speaker 2: Apia learn something new, sharing the knowledge each one teach one.

835
00:44:48,680 --> 00:44:51,880
Speaker 3: Brooklyn shoe Baby says, I for one love your bantering.

836
00:44:52,600 --> 00:44:56,120
Speaker 2: All right, Okay, it's two for banter, Apple says, the

837
00:44:56,239 --> 00:44:59,719
Speaker 2: other good, the other good one. Puff Daddy. When this

838
00:45:00,120 --> 00:45:04,200
Speaker 2: is his name, puff means brothel. Also puff daddy means

839
00:45:04,280 --> 00:45:08,120
Speaker 2: brother of daddy. Oh so that's like a pimp brother

840
00:45:08,160 --> 00:45:08,560
Speaker 2: of daddy.

841
00:45:08,680 --> 00:45:10,439
Speaker 3: Kind of that's kind of that's kind of a pimp

842
00:45:10,520 --> 00:45:11,120
Speaker 3: and ass name.

843
00:45:11,440 --> 00:45:16,840
Speaker 2: Ain't he brother of daddy? A broth of daddy? Bitches?

844
00:45:16,920 --> 00:45:17,880
Speaker 3: Where is my money?

845
00:45:18,120 --> 00:45:23,600
Speaker 2: It's brother of daddy? Coming there? Run Run girl, we

846
00:45:23,760 --> 00:45:24,640
Speaker 2: in travel.

847
00:45:24,960 --> 00:45:28,480
Speaker 3: Uh, Pamela Inmates. Pamela Mate says.

848
00:45:28,719 --> 00:45:31,160
Speaker 2: Just popped over to Spotify to get Drake though Maniac's

849
00:45:31,200 --> 00:45:34,280
Speaker 2: Five Stars got his book Black Fuck History on kendle

850
00:45:34,440 --> 00:45:37,279
Speaker 2: Hold at the library too, so I can learn more. Yeah,

851
00:45:37,320 --> 00:45:39,440
Speaker 2: my uncle, My dad told me my uncle bought the

852
00:45:39,480 --> 00:45:44,440
Speaker 2: book off of his interview on our podcast So Small World.

853
00:45:45,520 --> 00:45:47,640
Speaker 2: It's a also didn't know my uncle listening to show.

854
00:45:48,239 --> 00:45:52,080
Speaker 2: It's a great about said, what's your uncle? Uh? What

855
00:45:52,200 --> 00:45:55,279
Speaker 2: would I say on the show? Bad? Text me? I

856
00:45:55,640 --> 00:45:57,960
Speaker 2: I'm sorry. In the group chat, I get I was

857
00:45:58,000 --> 00:45:59,960
Speaker 2: out of the group chat. I'm sorry. It's a great show,

858
00:46:00,120 --> 00:46:02,840
Speaker 2: and I agree. I'm sure it takes a lot of

859
00:46:03,000 --> 00:46:05,840
Speaker 2: work to both get in the facts and make it entertainer.

860
00:46:05,960 --> 00:46:08,120
Speaker 2: I'm new to learning about black history, and sometimes for

861
00:46:08,280 --> 00:46:10,920
Speaker 2: me the subject matter can be heavy. It is it

862
00:46:11,080 --> 00:46:13,760
Speaker 2: is heavy, and it can be heavy. The sixteen nineteen

863
00:46:13,800 --> 00:46:16,279
Speaker 2: project was excellent, but sometimes it took my breath away,

864
00:46:16,640 --> 00:46:18,920
Speaker 2: like in a stressful way, and I'd have to switch

865
00:46:18,960 --> 00:46:21,640
Speaker 2: over to lighter fare before I could switch back over.

866
00:46:22,040 --> 00:46:23,960
Speaker 2: You're doing good work out there, and you and the

867
00:46:24,000 --> 00:46:26,200
Speaker 2: rest of the team are to be commended. Thank you,

868
00:46:27,480 --> 00:46:30,239
Speaker 2: and uh yeah, it can be a lot, and we're

869
00:46:30,360 --> 00:46:33,320
Speaker 2: very thoughtful about what goes in there. I'm and I

870
00:46:34,280 --> 00:46:38,440
Speaker 2: like for me, I just admittedly tell people I'm not

871
00:46:38,719 --> 00:46:41,440
Speaker 2: a very sensitive person of this type of stuff. So

872
00:46:41,560 --> 00:46:43,600
Speaker 2: if you feel like something needs to be taken out,

873
00:46:43,600 --> 00:46:46,719
Speaker 2: I'm gonna trust you on that always, because I'm the

874
00:46:46,840 --> 00:46:49,200
Speaker 2: kind of person that's like, if that's what they did,

875
00:46:49,520 --> 00:46:51,120
Speaker 2: tell me what they did. I don't want you to

876
00:46:51,160 --> 00:46:54,839
Speaker 2: get sugarcoated and try to because to me, my mind

877
00:46:54,960 --> 00:46:59,880
Speaker 2: is already past the shame or guilt or shock or

878
00:47:00,040 --> 00:47:01,600
Speaker 2: outright and other people hadn't worked through that.

879
00:47:01,800 --> 00:47:02,840
Speaker 3: Yeah, I'm past it.

880
00:47:02,880 --> 00:47:04,760
Speaker 2: I've been reading this stuff since I was like thirteen,

881
00:47:04,840 --> 00:47:07,480
Speaker 2: eleven years old, so now I'm at this point of

882
00:47:07,600 --> 00:47:09,120
Speaker 2: being like, just tell me what the fuck they did?

883
00:47:09,239 --> 00:47:11,840
Speaker 2: Rip the band aid off. I don't feel like, you know,

884
00:47:12,080 --> 00:47:15,439
Speaker 2: going through all this right, you know, a hustle, no flow,

885
00:47:15,480 --> 00:47:16,360
Speaker 2: says Gender Wars.

886
00:47:16,440 --> 00:47:17,439
Speaker 3: Comment was on point.

887
00:47:17,520 --> 00:47:20,080
Speaker 2: The guns came out big ways for Will and Jada

888
00:47:20,400 --> 00:47:23,840
Speaker 2: at Atlanta Oysterday and no cheesecake factory day. It's like

889
00:47:23,920 --> 00:47:26,879
Speaker 2: folks are always gonna feed the beasts, and we're gonna

890
00:47:26,920 --> 00:47:29,280
Speaker 2: feed it later this week. All three of them segments.

891
00:47:30,040 --> 00:47:33,200
Speaker 2: Ha ha, Well shit, if we're gonna get behind because

892
00:47:33,239 --> 00:47:37,160
Speaker 2: we take days off unlike the Gender Wars, So who

893
00:47:37,239 --> 00:47:39,320
Speaker 2: knows what the fuck is gonna be by tomorrow.

894
00:47:39,480 --> 00:47:42,920
Speaker 4: Shit, it might be something completely different, right tomorrow Sunday,

895
00:47:42,960 --> 00:47:45,240
Speaker 4: and y'all know them niggas like Sundays.

896
00:47:45,040 --> 00:47:47,440
Speaker 2: Right, they bored before the NFL come on.

897
00:47:47,840 --> 00:47:50,160
Speaker 4: NFL started nine thirty because they want to play over

898
00:47:50,160 --> 00:47:52,920
Speaker 4: in London somewhere, so shit that be early, no morning did.

899
00:47:52,880 --> 00:47:54,600
Speaker 2: And they don't have to be a famous person. They

900
00:47:54,640 --> 00:47:56,880
Speaker 2: could just be like a brother tried to split the

901
00:47:56,960 --> 00:47:58,840
Speaker 2: check on the first day. Now we got a fucking

902
00:47:59,200 --> 00:48:03,120
Speaker 2: new Gender War a title I know we need the

903
00:48:03,360 --> 00:48:09,560
Speaker 2: music The Wars War. Ramsey d Jinger says five stars

904
00:48:09,600 --> 00:48:12,000
Speaker 2: for the episode and five for Apia with the jokes

905
00:48:12,320 --> 00:48:16,120
Speaker 2: and her European brand of banter never changed. Apia Trey says,

906
00:48:16,440 --> 00:48:18,920
Speaker 2: I absolutely love the banter. Please keep doing it whenever

907
00:48:19,000 --> 00:48:23,279
Speaker 2: y'all can. Great episode, Peace trade, Thank you, thank you, y'all.

908
00:48:23,320 --> 00:48:26,960
Speaker 2: Think I had meant to make that the pole, the

909
00:48:27,440 --> 00:48:30,200
Speaker 2: the the banter, like should we keep the banter? And

910
00:48:30,280 --> 00:48:33,480
Speaker 2: I forgot to make it the pole? So y'all writing

911
00:48:33,560 --> 00:48:37,719
Speaker 2: in saying hey, please keep it. I mean, y'all, y'all

912
00:48:37,800 --> 00:48:41,160
Speaker 2: are y'all are letting us know because no y'all like it?

913
00:48:41,160 --> 00:48:42,840
Speaker 4: Because that's something to being right me and right is

914
00:48:42,840 --> 00:48:44,759
Speaker 4: just a lot of podcasts with me and Rogie be

915
00:48:44,880 --> 00:48:47,799
Speaker 4: in the car riding in about we realized like more

916
00:48:47,800 --> 00:48:51,200
Speaker 4: and more podcasts. It's like sometimes five, ten, fifteen, twenty

917
00:48:51,239 --> 00:48:53,640
Speaker 4: minutes sometimes and them just talking about bullshit before they

918
00:48:53,719 --> 00:48:56,000
Speaker 4: actually move off to whatever I'm listen to.

919
00:48:56,480 --> 00:48:58,759
Speaker 3: I'm opening and experimenting with the show man.

920
00:48:58,880 --> 00:49:01,640
Speaker 2: I'm not a stickler no, so we could be flexible

921
00:49:01,680 --> 00:49:04,759
Speaker 2: to It's like, oh, we can just talk about nonsense too, yeah.

922
00:49:05,640 --> 00:49:05,759
Speaker 5: Uh.

923
00:49:05,960 --> 00:49:09,120
Speaker 2: And then on YouTube the home I create hard emoji.

924
00:49:10,480 --> 00:49:16,800
Speaker 2: Jins Full says to Karen's point about brother West the West,

925
00:49:17,840 --> 00:49:21,360
Speaker 2: it made me laugh because I texted, uh, Jay Elkovin

926
00:49:21,640 --> 00:49:26,000
Speaker 2: does uh. I forget the exact name. I've been calling

927
00:49:26,080 --> 00:49:28,720
Speaker 2: him Carnegie East, but he does an impression of Cornell

928
00:49:28,800 --> 00:49:31,160
Speaker 2: West that is, it's getting better every week. But it's

929
00:49:31,200 --> 00:49:33,760
Speaker 2: so funny to me. I think I just love Cornell

930
00:49:33,800 --> 00:49:38,120
Speaker 2: West impressions and uh what he was texting about the

931
00:49:38,200 --> 00:49:42,480
Speaker 2: dizzl One. I was like, we need a Cornell West

932
00:49:42,520 --> 00:49:46,160
Speaker 2: one where you're being like brother brother Rod his sister Karen.

933
00:49:48,480 --> 00:49:53,520
Speaker 2: I listened to the I don't know why it's been

934
00:49:53,760 --> 00:49:56,040
Speaker 2: so funny to be in my head. They probably can't

935
00:49:56,120 --> 00:49:58,520
Speaker 2: live up to it in real life because taking on

936
00:49:58,600 --> 00:50:00,960
Speaker 2: the life of his own in my head, but I

937
00:50:01,160 --> 00:50:03,319
Speaker 2: just picture like Cornell West saying a bunch of shit.

938
00:50:03,400 --> 00:50:05,400
Speaker 2: They got nothing to do with the podcast, like for

939
00:50:05,680 --> 00:50:10,719
Speaker 2: the neo liberal plutocrat establishment, like get to just say

940
00:50:10,719 --> 00:50:13,520
Speaker 2: the blackout tips, hold on, just take two, brother, hold on,

941
00:50:13,719 --> 00:50:20,120
Speaker 2: it's start over. And since I left the Green Party,

942
00:50:20,200 --> 00:50:22,320
Speaker 2: I got on a party of the blackout tips.

943
00:50:22,400 --> 00:50:28,000
Speaker 4: Sir, sir, cut cut cut, take three, take it the

944
00:50:28,160 --> 00:50:30,320
Speaker 4: deep breaths and shit he be doing before you finish

945
00:50:30,400 --> 00:50:31,080
Speaker 4: the sentence.

946
00:50:30,880 --> 00:50:34,000
Speaker 2: Be guess vocabulation's words for no reason? Oh man, I

947
00:50:34,120 --> 00:50:37,960
Speaker 2: love that dude. Uh. To Karen's point of our brother West,

948
00:50:38,120 --> 00:50:40,000
Speaker 2: I was wondering if he's ever tried to run for

949
00:50:40,120 --> 00:50:42,840
Speaker 2: more local positions. I did a quick look and I

950
00:50:42,920 --> 00:50:45,600
Speaker 2: didn't see where he's ran any other campaigns. It's Karen

951
00:50:45,680 --> 00:50:48,160
Speaker 2: pointed out, if you're serious about creating a new party

952
00:50:48,200 --> 00:50:50,480
Speaker 2: and changing the system, why not do the work to

953
00:50:50,600 --> 00:50:52,680
Speaker 2: take the office outside of the presidency?

954
00:50:53,040 --> 00:50:53,239
Speaker 4: Right?

955
00:50:53,560 --> 00:50:55,600
Speaker 3: Why only wait for the big race you know you

956
00:50:55,719 --> 00:50:56,200
Speaker 3: can't win.

957
00:50:56,719 --> 00:50:58,839
Speaker 2: Sometimes I think people just be doing this so they

958
00:50:58,840 --> 00:51:01,520
Speaker 2: could have something to complain about and talk about why

959
00:51:01,560 --> 00:51:04,080
Speaker 2: the system doesn't work. Folks put up minimal effort and

960
00:51:04,160 --> 00:51:07,200
Speaker 2: be like I tried, I tried, it didn't work. See.

961
00:51:07,719 --> 00:51:11,080
Speaker 2: Most frustrating thing about it about it is that this

962
00:51:11,200 --> 00:51:13,919
Speaker 2: failed attempt will validate the position of people who choose

963
00:51:14,000 --> 00:51:16,760
Speaker 2: not to vote, who will continue to spread their apathy

964
00:51:16,880 --> 00:51:19,120
Speaker 2: to others and validate what's in quotes. Just so y'all

965
00:51:19,160 --> 00:51:22,640
Speaker 2: know that anyway, what.

966
00:51:22,600 --> 00:51:25,239
Speaker 4: I'm saying now only that all they do is just

967
00:51:25,320 --> 00:51:27,719
Speaker 4: fuck up the elections because when they do this, they

968
00:51:27,840 --> 00:51:30,960
Speaker 4: pull votes away from one candidate or both candidates. A

969
00:51:31,040 --> 00:51:33,800
Speaker 4: lot of times they have swung elections off of this bullshit.

970
00:51:34,160 --> 00:51:36,120
Speaker 4: And it's one of these things where it's like, motherfucker,

971
00:51:36,120 --> 00:51:38,080
Speaker 4: we taking this seriously. Don't bring your ass over here.

972
00:51:38,160 --> 00:51:41,080
Speaker 4: You're not seriously, you know, if you're not really serious,

973
00:51:41,160 --> 00:51:44,000
Speaker 4: because my thing is this start from the ground roots,

974
00:51:44,320 --> 00:51:47,000
Speaker 4: like like that's if you really want it done, and

975
00:51:47,120 --> 00:51:50,120
Speaker 4: you really fucking tired, and y'all, and and you are

976
00:51:50,280 --> 00:51:53,440
Speaker 4: really really serious about it, like you say, have not

977
00:51:53,680 --> 00:51:56,840
Speaker 4: ran for any other fucking position, that dog catcher, not

978
00:51:57,040 --> 00:52:00,040
Speaker 4: may or the goddamn student council president, nothing, bitch, But

979
00:52:00,160 --> 00:52:01,520
Speaker 4: yet you want to run for fucking president.

980
00:52:01,600 --> 00:52:05,239
Speaker 2: Get out my motherfucking face. Wait until later this week

981
00:52:05,680 --> 00:52:08,840
Speaker 2: when I tell you why he left the Green Party.

982
00:52:09,200 --> 00:52:15,680
Speaker 2: Oh well you see that quote, boy, I laugh so hard, right, Yeah,

983
00:52:15,800 --> 00:52:18,440
Speaker 2: I love me a Cornell. I love some corn Oll

984
00:52:18,520 --> 00:52:23,400
Speaker 2: West like impressions. Not enough people doing, and it's super funny.

985
00:52:23,640 --> 00:52:25,759
Speaker 4: Yeah somebody and somebody brought up in there talking about

986
00:52:25,760 --> 00:52:27,120
Speaker 4: it's for the money, Yes, because a lot of times

987
00:52:27,120 --> 00:52:29,160
Speaker 4: it's grifted cause you know they can raise money, so

988
00:52:29,200 --> 00:52:30,600
Speaker 4: a lot of times they just get people to give

989
00:52:30,600 --> 00:52:32,919
Speaker 4: them money. Act act actual girl of the Green Party

990
00:52:32,920 --> 00:52:35,239
Speaker 4: who talking about the revol style, and then be for

991
00:52:35,320 --> 00:52:36,840
Speaker 4: her from my motherfucking ass sense.

992
00:52:37,320 --> 00:52:40,520
Speaker 2: Yeah, Yeah, it's sad because I feel like there's a

993
00:52:40,600 --> 00:52:45,560
Speaker 2: delineation in Cornell west career that most people would say

994
00:52:45,560 --> 00:52:51,120
Speaker 2: it starts with Obama's inauguration. I would say it starts

995
00:52:51,200 --> 00:52:55,760
Speaker 2: with the matrix too, Like the matrix after the matrix

996
00:52:55,840 --> 00:52:57,839
Speaker 2: two hours and man, that shit did not sit right

997
00:52:57,920 --> 00:52:59,480
Speaker 2: with me. I was like, what are you doing?

998
00:53:00,640 --> 00:53:01,440
Speaker 5: What the fuck?

999
00:53:02,200 --> 00:53:04,560
Speaker 3: We can't have a president that was in the matrix too.

1000
00:53:05,480 --> 00:53:09,440
Speaker 2: Come home, man, let me serious, We're gonna let Roy

1001
00:53:09,560 --> 00:53:13,640
Speaker 2: Jones Junior run too, Like, come on about the boo

1002
00:53:13,719 --> 00:53:16,719
Speaker 2: pot guy. That is sad as it seemed like he

1003
00:53:17,160 --> 00:53:19,759
Speaker 2: had a noble cause and it's interesting that his work

1004
00:53:19,800 --> 00:53:21,919
Speaker 2: had can go more viral. But to your point, Roder,

1005
00:53:21,960 --> 00:53:23,879
Speaker 2: that situation does sound a bit like he got caught

1006
00:53:23,960 --> 00:53:26,000
Speaker 2: up in the trap of needing to generate more content.

1007
00:53:26,440 --> 00:53:28,920
Speaker 2: Depending on where birthdays follow, a seventeen year old and

1008
00:53:28,960 --> 00:53:30,960
Speaker 2: a fifteen year old could potentially be a junior high

1009
00:53:31,000 --> 00:53:33,640
Speaker 2: school and a sophomore high school, but most likely a

1010
00:53:33,719 --> 00:53:37,040
Speaker 2: gap of two grades. I'm not sure what that's an

1011
00:53:37,080 --> 00:53:40,520
Speaker 2: issue worth of pursuing, Yeah, because like what would the

1012
00:53:40,600 --> 00:53:43,120
Speaker 2: police even do with that if that's not illegal?

1013
00:53:43,239 --> 00:53:45,399
Speaker 3: And there's gonna be a lot of states where that's

1014
00:53:45,520 --> 00:53:46,880
Speaker 3: not illegal.

1015
00:53:46,600 --> 00:53:51,359
Speaker 2: Right, So, like at that point, and I think once

1016
00:53:51,440 --> 00:53:54,000
Speaker 2: I read that he was like physically beating people up

1017
00:53:54,040 --> 00:53:57,000
Speaker 2: on camera and stuff, I was like, oh, so at

1018
00:53:57,080 --> 00:53:59,560
Speaker 2: some point it's just content. Now you got you can't

1019
00:53:59,640 --> 00:54:02,399
Speaker 2: not have video this week. Can't be like nobody got caught.

1020
00:54:02,440 --> 00:54:04,600
Speaker 2: It's like, fuck it, we'll make the seventeen year old work.

1021
00:54:04,640 --> 00:54:07,839
Speaker 2: I don't I don't know, but maybe things have changed

1022
00:54:07,880 --> 00:54:09,719
Speaker 2: since and I've been in high school. Since I've been

1023
00:54:09,719 --> 00:54:11,759
Speaker 2: in high school, so now it looks like you have

1024
00:54:11,880 --> 00:54:15,000
Speaker 2: a grown man physically some teenagers of course not defending

1025
00:54:15,120 --> 00:54:18,520
Speaker 2: them shooting him. Yeah, and I mean, I'll be surprised

1026
00:54:18,680 --> 00:54:24,040
Speaker 2: those kids really get any trouble for that. He attacked them, right, Like,

1027
00:54:24,120 --> 00:54:26,359
Speaker 2: maybe they'll get in trouble, Like you shouldn't have a gun,

1028
00:54:26,560 --> 00:54:31,319
Speaker 2: but shit, actually, depending on the state, that's probably legal. Yeah,

1029
00:54:31,320 --> 00:54:33,959
Speaker 2: you're getting more from the gun, right. No, I'm saying

1030
00:54:34,239 --> 00:54:36,480
Speaker 2: a kid having a gun, it's probably legal. I'm probably

1031
00:54:36,520 --> 00:54:38,720
Speaker 2: I'm thinking of it like it's not. But who knows.

1032
00:54:39,000 --> 00:54:44,239
Speaker 2: You had depending on I think it was Michigan, so

1033
00:54:44,880 --> 00:54:46,759
Speaker 2: you probably got some hunting laws or something that let

1034
00:54:46,800 --> 00:54:49,800
Speaker 2: you have a gun. Or maybe maybe there's some obscure

1035
00:54:49,840 --> 00:54:51,680
Speaker 2: part of the lot, like he could he could have

1036
00:54:51,719 --> 00:54:54,239
Speaker 2: had a rifle, but he had a handgun. But I

1037
00:54:54,280 --> 00:54:56,080
Speaker 2: don't know, man, it might be a chance that those

1038
00:54:56,719 --> 00:54:59,719
Speaker 2: kids don't even go to jail all sad.

1039
00:55:00,040 --> 00:55:02,359
Speaker 4: Maybe it's just me, maybe because I'm old and black.

1040
00:55:02,719 --> 00:55:05,480
Speaker 4: I'm like, don't bother me, like I'm minding my business.

1041
00:55:06,000 --> 00:55:08,000
Speaker 4: You coming over here with the yuck yucks? If I

1042
00:55:08,080 --> 00:55:11,160
Speaker 4: fuck you up? Baby, He wasn't doing pranks, he was

1043
00:55:11,600 --> 00:55:13,480
Speaker 4: said he was. I don't know if you don't forgot.

1044
00:55:13,320 --> 00:55:16,080
Speaker 2: The story it was he was he got shot and

1045
00:55:16,280 --> 00:55:18,560
Speaker 2: killed because he was a person that was trying to

1046
00:55:18,600 --> 00:55:22,560
Speaker 2: be like Chris Hanson the hood. Oh that dude. Okay, okay, yes, yes, yes,

1047
00:55:22,640 --> 00:55:24,120
Speaker 2: So it wasn't like he was coming.

1048
00:55:24,000 --> 00:55:25,400
Speaker 3: Up to the people as a pranks.

1049
00:55:25,719 --> 00:55:28,719
Speaker 2: I was guess in his mind he thought he was

1050
00:55:28,760 --> 00:55:32,160
Speaker 2: beating up pedophiles even ok it was a big questionable

1051
00:55:32,239 --> 00:55:34,560
Speaker 2: at this point compared to some of his earlier words.

1052
00:55:34,680 --> 00:55:37,000
Speaker 4: Right, and you just just walking up on people like

1053
00:55:37,120 --> 00:55:39,320
Speaker 4: that and they don't know who you are. They possibly

1054
00:55:39,400 --> 00:55:40,560
Speaker 4: thought they was in dangers for.

1055
00:55:41,160 --> 00:55:43,440
Speaker 2: So they were defending themselves. You could be right and

1056
00:55:43,560 --> 00:55:45,319
Speaker 2: still one of these dudes could shoot you and probably

1057
00:55:45,400 --> 00:55:47,400
Speaker 2: not go to jail. I agree, like you could they

1058
00:55:47,560 --> 00:55:49,640
Speaker 2: It could be like, yes he's a pedophile. Also, you

1059
00:55:49,719 --> 00:55:53,000
Speaker 2: start beating somebody up and they shoot you, they're not

1060
00:55:53,120 --> 00:55:53,839
Speaker 2: gonna go to jail.

1061
00:55:53,880 --> 00:55:55,680
Speaker 4: For that, right, It's not like he walked up with

1062
00:55:55,760 --> 00:55:57,600
Speaker 4: a camera but like, hey, I'm such such am blah

1063
00:55:57,680 --> 00:55:59,160
Speaker 4: blah blah blah blah blah blah. But he know, he

1064
00:55:59,239 --> 00:56:01,400
Speaker 4: walked up and just started when people asked and they like,

1065
00:56:01,440 --> 00:56:03,600
Speaker 4: oh I got shot. Yes, you walked over here and

1066
00:56:03,760 --> 00:56:06,080
Speaker 4: beat me. Yes, I have the Yeah the fuck is

1067
00:56:06,160 --> 00:56:06,879
Speaker 4: this right?

1068
00:56:08,400 --> 00:56:13,719
Speaker 2: So all right back to this though, he says, oh,

1069
00:56:14,080 --> 00:56:16,200
Speaker 2: of course, not defending them shooting him. I'm just thinking

1070
00:56:16,239 --> 00:56:18,759
Speaker 2: about how someone sometimes when folks get caught up in

1071
00:56:18,840 --> 00:56:22,160
Speaker 2: that content trapp losing the plot. Yeah, that's that's really

1072
00:56:22,239 --> 00:56:24,800
Speaker 2: The sad part to me is to think, you know,

1073
00:56:25,160 --> 00:56:27,759
Speaker 2: he had good intentions, but by the end of it,

1074
00:56:28,000 --> 00:56:30,840
Speaker 2: it seemed like he was just down to like, whoever

1075
00:56:30,920 --> 00:56:32,520
Speaker 2: the fuck I can get on camera and beat up

1076
00:56:32,600 --> 00:56:35,240
Speaker 2: or get on camera and accuse of being a pedophile.

1077
00:56:35,320 --> 00:56:37,440
Speaker 2: Then they mentioned that there was one person that was

1078
00:56:37,520 --> 00:56:39,480
Speaker 2: falsely accused. It's like, well, you.

1079
00:56:39,560 --> 00:56:41,879
Speaker 3: Gotta be right if you're doing something.

1080
00:56:42,120 --> 00:56:45,919
Speaker 2: To be right, he can't be close. You gotta be like, hey,

1081
00:56:46,680 --> 00:56:48,719
Speaker 2: he definitely did it. You can't be rolling up on

1082
00:56:48,840 --> 00:56:54,360
Speaker 2: no fifty fifty cases. Dog, No, you cannot ain't no

1083
00:56:54,480 --> 00:56:56,240
Speaker 2: such thing as a fifty to fifty pedophile.

1084
00:56:56,320 --> 00:56:56,440
Speaker 7: Man.

1085
00:56:56,520 --> 00:56:59,640
Speaker 2: People gonna be out there looking for these folks. Man,

1086
00:57:00,000 --> 00:57:00,560
Speaker 2: Oh my god.

1087
00:57:00,680 --> 00:57:03,200
Speaker 4: And then, like you say, they don't know what's happening.

1088
00:57:03,320 --> 00:57:07,200
Speaker 4: They just you're just randomly getting attacked. And this is

1089
00:57:07,320 --> 00:57:09,959
Speaker 4: one thing, you know, we're running up on. Somebody go wrong,

1090
00:57:10,200 --> 00:57:11,040
Speaker 4: and it went wrong.

1091
00:57:13,160 --> 00:57:15,760
Speaker 2: The last episode was of course I walk in there episode.

1092
00:57:15,760 --> 00:57:19,840
Speaker 2: We had one comment. It was episode twenty seven eighty six,

1093
00:57:19,960 --> 00:57:23,640
Speaker 2: Hoping Change. Evie says, I feel like I'm discovering the

1094
00:57:23,720 --> 00:57:26,960
Speaker 2: show all over again through these recaps. Thoroughly enjoying your commentary.

1095
00:57:27,360 --> 00:57:30,480
Speaker 2: I think, by far, the Commonwealth has had the weakest

1096
00:57:30,600 --> 00:57:33,480
Speaker 2: main villain because Pamela is not about that life.

1097
00:57:33,520 --> 00:57:34,680
Speaker 3: Hornsey was scarier than her.

1098
00:57:34,880 --> 00:57:37,280
Speaker 2: I agree she Yeah, she.

1099
00:57:37,400 --> 00:57:40,600
Speaker 4: Thinks she is strategic badass, but she's making a lot

1100
00:57:40,720 --> 00:57:42,960
Speaker 4: of errors that I honestly think if she would have

1101
00:57:44,480 --> 00:57:46,880
Speaker 4: kept hornsby some of this shit, she wouldn't have failed

1102
00:57:46,920 --> 00:57:48,920
Speaker 4: for it, because he'd have been like, no, send them

1103
00:57:49,000 --> 00:57:51,280
Speaker 4: all to whatever number two or some shit like that.

1104
00:57:51,400 --> 00:57:54,360
Speaker 2: He was like, no, don't be doing this bullshit because.

1105
00:57:54,200 --> 00:57:56,600
Speaker 4: If you, if you don't, you know, do this, they're

1106
00:57:56,640 --> 00:57:59,040
Speaker 4: gonna it's gonna come back to bite your ass. But

1107
00:57:59,240 --> 00:58:01,440
Speaker 4: you know she she out here thinking she big and

1108
00:58:01,520 --> 00:58:03,880
Speaker 4: bad too, busy trying to get Eugene and how to

1109
00:58:03,960 --> 00:58:06,760
Speaker 4: try to the century and ship, and now that she's

1110
00:58:06,800 --> 00:58:08,600
Speaker 4: gonna fuck around and look up and they're gonna be

1111
00:58:08,640 --> 00:58:14,840
Speaker 4: took back. Alexandria hilltop and ocean view side ocean side,

1112
00:58:14,840 --> 00:58:16,400
Speaker 4: ocean view you.

1113
00:58:16,480 --> 00:58:18,080
Speaker 2: Had to shoot for the moon was close. I was

1114
00:58:18,120 --> 00:58:25,480
Speaker 2: real close. But also I'm so shocked by just how

1115
00:58:25,560 --> 00:58:29,240
Speaker 2: little they know about our crew. I just wonder how

1116
00:58:29,280 --> 00:58:32,960
Speaker 2: they survive without running into anybody that they couldn't handle,

1117
00:58:33,040 --> 00:58:40,160
Speaker 2: because like crew has been through the Olympics of of

1118
00:58:40,800 --> 00:58:45,240
Speaker 2: just murderer's role literally, and so they gonna take this.

1119
00:58:45,400 --> 00:58:48,400
Speaker 2: They got three episodes to go. They probably the whole

1120
00:58:48,480 --> 00:58:50,640
Speaker 2: last episode might not even be about this place because

1121
00:58:51,000 --> 00:58:53,800
Speaker 2: they finnah, get this, get back, look back real quick.

1122
00:58:55,600 --> 00:58:59,720
Speaker 2: All right. Back to YouTube. Black Bell Traveler says, I

1123
00:58:59,800 --> 00:59:01,880
Speaker 2: turned on the clothes catch for the next episode, and yep,

1124
00:59:01,960 --> 00:59:04,200
Speaker 2: Judith is doing all the intros, thank.

1125
00:59:04,000 --> 00:59:06,560
Speaker 3: You and the poets.

1126
00:59:06,560 --> 00:59:09,240
Speaker 2: Would you be able to forgive Meaghan, yes or no?

1127
00:59:10,800 --> 00:59:14,560
Speaker 2: Because Gabe and Nigan had that talk. I mean, Zeke

1128
00:59:14,560 --> 00:59:16,920
Speaker 2: and Nigan had that talking. Zeke clearly ain't he keep

1129
00:59:16,920 --> 00:59:19,960
Speaker 2: it that same energy twenty five percent yes, seventy five

1130
00:59:19,960 --> 00:59:24,720
Speaker 2: percent no, and eighteen and eighty two on Spotify. So

1131
00:59:25,600 --> 00:59:28,960
Speaker 2: vast majority of people would not be able to get

1132
00:59:29,040 --> 00:59:31,400
Speaker 2: forgive and forget with Niagan, And I don't blame him.

1133
00:59:32,920 --> 00:59:38,320
Speaker 2: All right, let's get to the next segment. Uh, because

1134
00:59:38,360 --> 00:59:40,080
Speaker 2: I didn't forget to do it this week. Doing it

1135
00:59:40,160 --> 00:59:55,440
Speaker 2: for the ground, the grammar, the grammar, the grammar, all right,

1136
00:59:55,680 --> 00:59:57,320
Speaker 2: doing it for the grand We put a question on

1137
00:59:57,400 --> 01:00:02,480
Speaker 2: our Instagram, you respond to it. We read your responses,

1138
01:00:03,840 --> 01:00:05,880
Speaker 2: and there was a lot of them because I put

1139
01:00:05,960 --> 01:00:08,120
Speaker 2: this one up like five days ago, so y'all had

1140
01:00:08,160 --> 01:00:11,360
Speaker 2: plenty of time to respond. Sometimes I do it last

1141
01:00:11,400 --> 01:00:16,360
Speaker 2: minute because I'll be forgetting. When did you realize your

1142
01:00:16,400 --> 01:00:19,040
Speaker 2: club and days were over? Oh this is gonna be

1143
01:00:19,080 --> 01:00:22,600
Speaker 2: good when your knees locked up? You got that hot back.

1144
01:00:24,040 --> 01:00:27,640
Speaker 2: Flick's chick g says, I threw in the tale at

1145
01:00:27,720 --> 01:00:29,680
Speaker 2: some point, but the deal was still. When I was

1146
01:00:29,760 --> 01:00:32,600
Speaker 2: in Rome and the people I went with went with

1147
01:00:33,000 --> 01:00:35,880
Speaker 2: had me in the club with fire dancers, loud music,

1148
01:00:36,440 --> 01:00:40,000
Speaker 2: I was out of I was out on all of it.

1149
01:00:40,600 --> 01:00:43,680
Speaker 2: I felt like Murta sitting in the corner talking to myself,

1150
01:00:43,920 --> 01:00:47,920
Speaker 2: I'm too old for this shit. They said dancing. I

1151
01:00:48,000 --> 01:00:50,120
Speaker 2: know you were like, the funck is happening? They said

1152
01:00:50,200 --> 01:00:52,840
Speaker 2: we could stay an hour, and my ass was counting

1153
01:00:52,920 --> 01:00:55,600
Speaker 2: down the minutes. Went to them on the hour, mark

1154
01:00:55,800 --> 01:01:01,360
Speaker 2: y'all ready, yes, time up. Let me tell you something

1155
01:01:01,520 --> 01:01:05,560
Speaker 2: to about this. Why do you sound like the people

1156
01:01:05,760 --> 01:01:10,080
Speaker 2: on Lizzo's dance tour, like, uh, they talking about fire

1157
01:01:10,200 --> 01:01:15,120
Speaker 2: dancers and eating banana vaginas. I'm good, I'm too old.

1158
01:01:15,400 --> 01:01:18,080
Speaker 2: Maybe that's what happened. Maybe it's not an abusive workplace.

1159
01:01:18,360 --> 01:01:20,880
Speaker 2: Maybe them other people just old, you know, maybe it's

1160
01:01:21,000 --> 01:01:23,480
Speaker 2: just old. She needs younger dances that were being like,

1161
01:01:23,560 --> 01:01:25,960
Speaker 2: oh my knees still work. I could be up all night. Okay,

1162
01:01:26,720 --> 01:01:28,600
Speaker 2: I'm just kidding. Don't write in guys as a joke.

1163
01:01:30,600 --> 01:01:33,840
Speaker 2: I am Victorian could never says I could never get

1164
01:01:33,880 --> 01:01:36,040
Speaker 2: into club and even when I was eighteen, I was

1165
01:01:36,080 --> 01:01:40,320
Speaker 2: faking the funk thinking I'd grown into it. I didn't. Yeah,

1166
01:01:40,400 --> 01:01:42,680
Speaker 2: I'm not a club person. Some people that's not their jam.

1167
01:01:43,600 --> 01:01:45,960
Speaker 2: I hate it. I hate the whole concept. I hate

1168
01:01:45,960 --> 01:01:49,240
Speaker 2: everything about it. As a person that needs to eat

1169
01:01:49,360 --> 01:01:51,240
Speaker 2: to be able to talk to people, in order to

1170
01:01:51,320 --> 01:01:57,080
Speaker 2: be good company. It's just it's just my worst enemy

1171
01:01:58,320 --> 01:02:01,200
Speaker 2: formerly known as EM, says my knee. You started popping

1172
01:02:01,480 --> 01:02:04,800
Speaker 2: lock dropping for days after going out without my permission,

1173
01:02:05,520 --> 01:02:10,040
Speaker 2: come on through. I told you, they'll tell on you. Yeah,

1174
01:02:10,360 --> 01:02:14,680
Speaker 2: needs wasn't like permission to pop applying the club and

1175
01:02:14,720 --> 01:02:17,720
Speaker 2: definition to going out and Austin bar hopping until two

1176
01:02:17,800 --> 01:02:20,920
Speaker 2: am and hitting it up a twenty four hour dinner

1177
01:02:21,120 --> 01:02:23,720
Speaker 2: or drive through after. I think it was when I

1178
01:02:23,800 --> 01:02:26,120
Speaker 2: stopped going to the sixth Street or downtown in general

1179
01:02:26,200 --> 01:02:29,760
Speaker 2: unless my friends were playing shows, especially once I went

1180
01:02:29,840 --> 01:02:33,600
Speaker 2: home after their set was over, instead of hitting up

1181
01:02:33,840 --> 01:02:36,640
Speaker 2: a few places since I was already out along with

1182
01:02:36,720 --> 01:02:43,080
Speaker 2: said friends. I'll add being out downtown recently at a

1183
01:02:43,200 --> 01:02:47,560
Speaker 2: place in between evening cocktails with conversations and then loud

1184
01:02:47,640 --> 01:02:49,920
Speaker 2: music and yelling beginning I can't go back, give me

1185
01:02:50,000 --> 01:02:52,280
Speaker 2: your chair to the brewery or dive bar post haste.

1186
01:02:52,600 --> 01:02:52,800
Speaker 6: Yeah.

1187
01:02:52,960 --> 01:02:55,360
Speaker 4: Yeah, because if y'all realized this when it comes to

1188
01:02:56,360 --> 01:03:00,360
Speaker 4: clubbing and stuff, some people have like rules, whatever, go nigga,

1189
01:03:00,400 --> 01:03:02,160
Speaker 4: if you're under twenty five, we don't want your fucking

1190
01:03:02,200 --> 01:03:03,840
Speaker 4: ass in here. They was like, we like you sit,

1191
01:03:04,520 --> 01:03:08,640
Speaker 4: drink whiskey, drink wine and chill and here to the talk.

1192
01:03:08,880 --> 01:03:10,960
Speaker 4: Like you know, people go, why you hot that room?

1193
01:03:11,040 --> 01:03:12,640
Speaker 4: Cause we were like you got too much energy?

1194
01:03:13,000 --> 01:03:19,320
Speaker 2: Beat it. Another thing for me is I will absolutely

1195
01:03:19,480 --> 01:03:22,480
Speaker 2: leave when they break out the live music. I hate

1196
01:03:22,560 --> 01:03:24,080
Speaker 2: live music. It's always too.

1197
01:03:24,040 --> 01:03:27,120
Speaker 3: Loud, and I don't want to be a dick. But fam,

1198
01:03:27,680 --> 01:03:30,200
Speaker 3: we didn't come here for you like this.

1199
01:03:30,320 --> 01:03:32,640
Speaker 2: Ain't like we didn't buy a ticket to see you.

1200
01:03:32,960 --> 01:03:36,640
Speaker 2: We went to you know, to get some wings and

1201
01:03:36,760 --> 01:03:40,200
Speaker 2: it said, oh live music tonight. We turn it down.

1202
01:03:40,600 --> 01:03:41,880
Speaker 2: Put the fuck yeah.

1203
01:03:41,880 --> 01:03:44,000
Speaker 4: And I realized that too, because they and a lot

1204
01:03:44,040 --> 01:03:45,720
Speaker 4: of times depend on where you have that's springing on you,

1205
01:03:45,800 --> 01:03:47,800
Speaker 4: where you don't even know what's happening, Like the fuck

1206
01:03:47,920 --> 01:03:48,080
Speaker 4: is this?

1207
01:03:48,560 --> 01:03:51,480
Speaker 2: You are a surprise to most of us? Yes, this

1208
01:03:51,560 --> 01:03:54,520
Speaker 2: is a surprise concert for at least seventy five percent

1209
01:03:54,640 --> 01:03:57,120
Speaker 2: people in here, right, so turn it down? Maybe we

1210
01:03:57,320 --> 01:04:00,160
Speaker 2: just want some background music, right, there's like, no, you're

1211
01:04:00,160 --> 01:04:06,280
Speaker 2: gonna hear us, and you hear the amp singing like

1212
01:04:06,400 --> 01:04:11,760
Speaker 2: fucking Buddy Holly's agent is in the audience, like nothing.

1213
01:04:12,000 --> 01:04:13,760
Speaker 3: No one's being signed tonight.

1214
01:04:13,560 --> 01:04:16,240
Speaker 4: John yet like somebody saying, And a lot of times

1215
01:04:16,280 --> 01:04:17,000
Speaker 4: depending on the people.

1216
01:04:17,040 --> 01:04:20,320
Speaker 2: It's not good right, they'd be like, I'm gonna get

1217
01:04:20,360 --> 01:04:21,160
Speaker 2: that deal today.

1218
01:04:22,120 --> 01:04:22,840
Speaker 6: I love you.

1219
01:04:23,400 --> 01:04:27,160
Speaker 2: I'm not going up like you. Calm down, bruh, sir.

1220
01:04:27,840 --> 01:04:31,320
Speaker 3: Now I have you're making my calamarn shake off the plate.

1221
01:04:32,320 --> 01:04:35,400
Speaker 4: Yes, now it's different. I've been to places where I go, oh,

1222
01:04:35,440 --> 01:04:37,960
Speaker 4: I'm going for the live music. That's completely different.

1223
01:04:38,200 --> 01:04:39,880
Speaker 2: But like you say, me and Roger gotta be there

1224
01:04:39,960 --> 01:04:41,560
Speaker 2: places and next day, you know, like you say, you

1225
01:04:41,840 --> 01:04:44,680
Speaker 2: you you know, could you hear that? Am, give me

1226
01:04:45,360 --> 01:04:50,600
Speaker 2: an acoustic white woman. Yeah, you're gonna do unprompted live music.

1227
01:04:50,680 --> 01:04:52,960
Speaker 2: Give me an acoustic white woman. You know it's gonna

1228
01:04:53,000 --> 01:04:55,840
Speaker 2: be salt, turned the amp down and just let her

1229
01:04:55,920 --> 01:04:59,360
Speaker 2: strum and sing, roverta flak or whatever she's doing. I

1230
01:04:59,440 --> 01:05:01,600
Speaker 2: can get her do that. I could deal with that.

1231
01:05:01,880 --> 01:05:04,200
Speaker 2: At least my food and my drink will not shake.

1232
01:05:04,480 --> 01:05:06,880
Speaker 2: Let us saying whatever you like by t I I

1233
01:05:06,920 --> 01:05:11,200
Speaker 2: won't even complain about the appropriation. It's me. I'm down

1234
01:05:11,280 --> 01:05:16,640
Speaker 2: with that. R R says needing somewhere to sit, not

1235
01:05:16,800 --> 01:05:19,560
Speaker 2: wanting to wear heels, Jonna before ten pm, not wanting

1236
01:05:19,600 --> 01:05:22,600
Speaker 2: to go if I didn't make take time time for

1237
01:05:22,760 --> 01:05:25,160
Speaker 2: take a nap to get a nap in come nap.

1238
01:05:25,200 --> 01:05:27,760
Speaker 4: I ain't got time to take a napping. One time

1239
01:05:28,280 --> 01:05:31,480
Speaker 4: my family had a function and I was like, I

1240
01:05:31,560 --> 01:05:33,160
Speaker 4: won't be going. It was like ten o'clock.

1241
01:05:33,200 --> 01:05:34,440
Speaker 2: I was like, I won't be going. It was like

1242
01:05:34,480 --> 01:05:36,360
Speaker 2: we're still up. I was like, that's nice. I'm old.

1243
01:05:36,560 --> 01:05:38,200
Speaker 2: My ass is not leaving the house at ten. I

1244
01:05:38,280 --> 01:05:41,280
Speaker 2: need to already be there. Ms.

1245
01:05:41,440 --> 01:05:44,960
Speaker 3: Mary Smile says when there were more songs played.

1246
01:05:44,760 --> 01:05:49,400
Speaker 2: That I didn't know than I did. Yeah, because you're

1247
01:05:49,400 --> 01:05:53,000
Speaker 2: not even keeping up on the music, right, are you?

1248
01:05:53,160 --> 01:05:58,320
Speaker 2: The jah are y'all? Jos says when it became boring

1249
01:05:58,440 --> 01:06:00,680
Speaker 2: and I was more excited about my I dessert in

1250
01:06:00,760 --> 01:06:04,440
Speaker 2: the fridge come out. That's the worst when you out

1251
01:06:04,520 --> 01:06:07,760
Speaker 2: think about some shit at home. Yes, you'd be like, fuck,

1252
01:06:07,880 --> 01:06:10,240
Speaker 2: I could be at home even I can't. I can't

1253
01:06:10,280 --> 01:06:12,040
Speaker 2: wait to get that dessert. You're like, who the fuck

1254
01:06:12,040 --> 01:06:16,600
Speaker 2: am I head in? Yeah? When I discover day parties,

1255
01:06:16,760 --> 01:06:19,400
Speaker 2: we can get turned up at one in afternoon to

1256
01:06:19,480 --> 01:06:22,840
Speaker 2: be home by four or five pm. Yeah, Now, day parties,

1257
01:06:23,080 --> 01:06:25,760
Speaker 2: I've never been to one, But that's not like my jam. Yeah,

1258
01:06:25,800 --> 01:06:27,840
Speaker 2: I'm not really a day party person. But that's what

1259
01:06:27,960 --> 01:06:31,320
Speaker 2: I think a lot of people like about brunch. It's like, shit,

1260
01:06:31,480 --> 01:06:34,000
Speaker 2: you can get drunk faster and deal with less people,

1261
01:06:34,040 --> 01:06:39,360
Speaker 2: and you be sleep by five, Like you take that nap.

1262
01:06:40,160 --> 01:06:43,000
Speaker 2: Alegra says. When I went to the club and looked around,

1263
01:06:43,040 --> 01:06:45,560
Speaker 2: so everyone around me was twelve years old. At all

1264
01:06:45,640 --> 01:06:48,000
Speaker 2: I wanted to do was give them water as they

1265
01:06:48,040 --> 01:06:50,440
Speaker 2: were getting more and more wasted. I was about thirty

1266
01:06:50,440 --> 01:06:54,920
Speaker 2: eight or so. Yeah, start turning into caretaker. Oh are

1267
01:06:55,000 --> 01:06:57,440
Speaker 2: y'all babies? What am I doing? Hell? When you're not

1268
01:06:57,560 --> 01:06:59,520
Speaker 2: taking shots, You're just like y'all gonna have a headache

1269
01:06:59,560 --> 01:07:02,680
Speaker 2: in the morning. Jack, Like you're gonna be dehydrated. You

1270
01:07:02,720 --> 01:07:06,120
Speaker 2: better go drinks the water. Just go home. Then when

1271
01:07:06,160 --> 01:07:08,680
Speaker 2: I realized I'm at the age where loud noises and

1272
01:07:08,760 --> 01:07:12,880
Speaker 2: too many people irritate me, irritating the club singing so

1273
01:07:14,280 --> 01:07:19,720
Speaker 2: like a special kind of hell. China says, when my

1274
01:07:19,840 --> 01:07:22,680
Speaker 2: BFF moved to ATL I had no one to back

1275
01:07:22,760 --> 01:07:27,520
Speaker 2: that ass up with anymore. Shout out to the nine

1276
01:07:27,560 --> 01:07:30,360
Speaker 2: to nine in the two thousands, baby, that's how I meditate.

1277
01:07:30,720 --> 01:07:32,680
Speaker 2: I think of the sound of one ass backing up.

1278
01:07:35,440 --> 01:07:39,640
Speaker 2: Marlee Marlene says, I was never a big club person. However,

1279
01:07:39,720 --> 01:07:42,920
Speaker 2: in two thousand and three, when twenty one people died

1280
01:07:43,040 --> 01:07:45,160
Speaker 2: at E two, a club in Chicago, that sealed my

1281
01:07:45,280 --> 01:07:48,480
Speaker 2: club days. I was done after that. Yeah, I can

1282
01:07:48,520 --> 01:07:52,320
Speaker 2: see that. Yeah, when I was no longer on the prow,

1283
01:07:52,720 --> 01:07:58,120
Speaker 2: Sess Mace Coban Price found that person. Okay. Mimi says

1284
01:07:58,960 --> 01:08:02,320
Speaker 2: it was a combination another culture changing to less dancing

1285
01:08:02,880 --> 01:08:05,480
Speaker 2: people coming to the spot in business tie, taking a

1286
01:08:05,560 --> 01:08:10,440
Speaker 2: nap for the club and sleeping after in fact, straight

1287
01:08:10,560 --> 01:08:13,360
Speaker 2: through the club and hour. You know what he made

1288
01:08:13,400 --> 01:08:16,760
Speaker 2: me think about because I don't you know, obviously we

1289
01:08:16,880 --> 01:08:20,360
Speaker 2: dont club, and we know people don't dance as much.

1290
01:08:20,520 --> 01:08:23,120
Speaker 2: Are people just doing like the TikTok dancers in the club,

1291
01:08:23,560 --> 01:08:24,040
Speaker 2: I don't know.

1292
01:08:24,160 --> 01:08:27,360
Speaker 4: I've seen a TikTok video about somebody talking about people

1293
01:08:27,439 --> 01:08:30,200
Speaker 4: not dancing in the club no more. And they were older.

1294
01:08:30,280 --> 01:08:31,920
Speaker 4: They were saying, back in the day, you could come

1295
01:08:32,040 --> 01:08:33,880
Speaker 4: and just dance and not be a thing. But there's

1296
01:08:33,920 --> 01:08:37,200
Speaker 4: like now with everybody recording everybody, every nobody wants to

1297
01:08:37,240 --> 01:08:40,120
Speaker 4: be considered uncool or goofy, and nobody want to be

1298
01:08:40,200 --> 01:08:42,880
Speaker 4: recorded without their consent. On TikTok, what you're talking shit,

1299
01:08:42,960 --> 01:08:44,320
Speaker 4: so people are like, the fuck I'm gonna be out

1300
01:08:44,320 --> 01:08:46,200
Speaker 4: here for so now everybody's standing around and look at

1301
01:08:46,240 --> 01:08:46,719
Speaker 4: each other.

1302
01:08:47,520 --> 01:08:52,719
Speaker 2: Somehow, in my mind, I'm just picturing everybody taking turns

1303
01:08:53,080 --> 01:08:55,960
Speaker 2: dancing on the floor, but it's all separate TikTok dances

1304
01:08:57,000 --> 01:09:00,600
Speaker 2: like doing that floss dance and shit possibility.

1305
01:09:01,080 --> 01:09:02,640
Speaker 3: I mean, I don't know what I mean.

1306
01:09:02,720 --> 01:09:04,880
Speaker 2: Maybe people aren't dancing, that's fine, but in my mind,

1307
01:09:04,920 --> 01:09:08,000
Speaker 2: I just I'm picturing awkward TikTok dances with people just

1308
01:09:08,120 --> 01:09:10,000
Speaker 2: looking at each other like it's a you know, a

1309
01:09:10,040 --> 01:09:13,400
Speaker 2: middle school dance. DJ Job says, I'm fifty five years

1310
01:09:13,400 --> 01:09:15,080
Speaker 2: old and I let the club every weekend. I'm a

1311
01:09:15,120 --> 01:09:18,120
Speaker 2: resident DJ, so I'm at work. But if I wasn't,

1312
01:09:18,200 --> 01:09:20,800
Speaker 2: I would have stopped back in my thirties. That's when

1313
01:09:20,840 --> 01:09:23,160
Speaker 2: I started seeing my friends and children in the club,

1314
01:09:23,800 --> 01:09:26,360
Speaker 2: my friends children in the club instead of my friends

1315
01:09:26,680 --> 01:09:29,360
Speaker 2: who are far more sensible than me. Oh that, Oh,

1316
01:09:31,200 --> 01:09:34,160
Speaker 2: you're right, you seeing a whole nother generation, right, so

1317
01:09:34,280 --> 01:09:37,080
Speaker 2: you like, you know, my daddy, you're basically feeling like

1318
01:09:37,200 --> 01:09:40,479
Speaker 2: Drake when he goes to the club. A club uh

1319
01:09:41,960 --> 01:09:46,000
Speaker 2: reprodis rafi Vic says, when the last three times I

1320
01:09:46,120 --> 01:09:47,599
Speaker 2: left the club a shootout happened.

1321
01:09:47,720 --> 01:09:52,400
Speaker 3: Was shit three? Okay, bless your heart, you get one

1322
01:09:52,439 --> 01:09:52,760
Speaker 3: of those.

1323
01:09:53,160 --> 01:09:55,680
Speaker 2: I'm done. I ain't. That's true. I'm gonna got a

1324
01:09:55,720 --> 01:09:59,599
Speaker 2: one shooting tolerance right now. Uh Tudy says when there

1325
01:09:59,680 --> 01:10:03,240
Speaker 2: was a sh out inside the club America, Why we

1326
01:10:03,400 --> 01:10:06,040
Speaker 2: all got to die? Because y'all can't manage your emotions.

1327
01:10:06,240 --> 01:10:09,040
Speaker 2: Dancing barefoot in my living room is much more fun

1328
01:10:09,120 --> 01:10:12,800
Speaker 2: and safer. Yes it is. H two guitar says, because

1329
01:10:12,840 --> 01:10:15,200
Speaker 2: if you can't go to Bellache, where can you go?

1330
01:10:15,920 --> 01:10:16,160
Speaker 7: Mom?

1331
01:10:16,240 --> 01:10:19,160
Speaker 2: Where can you go? That is true. We all here,

1332
01:10:19,160 --> 01:10:21,040
Speaker 2: we're trying to have fun, trying to have big fun,

1333
01:10:21,160 --> 01:10:25,599
Speaker 2: and they shutting it down fighting at the Stamp Club.

1334
01:10:28,160 --> 01:10:31,439
Speaker 2: Let's see. Someone said, listen but in all serious and

1335
01:10:31,479 --> 01:10:33,799
Speaker 2: scary shit I've ever been through. Oh that's the original

1336
01:10:33,840 --> 01:10:38,479
Speaker 2: poster talking about you know, being shot at. You know, yeah, man,

1337
01:10:38,560 --> 01:10:41,439
Speaker 2: I like getting shot at. That is not some shit

1338
01:10:41,520 --> 01:10:45,920
Speaker 2: you just get used to. I'm saying me in my homegirl,

1339
01:10:46,000 --> 01:10:48,360
Speaker 2: because we feel like, what damn if you can't go

1340
01:10:48,400 --> 01:10:51,680
Speaker 2: to ben nota what the hell cause you gout come

1341
01:10:51,760 --> 01:10:56,320
Speaker 2: on me and my homegirl, Langston says when I couldn't

1342
01:10:56,360 --> 01:10:58,160
Speaker 2: hear a word of what my friend was trying to say.

1343
01:10:58,960 --> 01:11:01,000
Speaker 2: That was me Like the first time in the club,

1344
01:11:01,040 --> 01:11:04,040
Speaker 2: I was like, oh god, this is terrible. Yeah, man,

1345
01:11:04,240 --> 01:11:06,880
Speaker 2: Roger went to that sushi slash club place that we

1346
01:11:06,920 --> 01:11:09,800
Speaker 2: didn't know. We was like, literally face to face, huh

1347
01:11:10,479 --> 01:11:15,160
Speaker 2: what right? When I started needing somewhere to sit. Sections

1348
01:11:15,160 --> 01:11:18,040
Speaker 2: are too damn sensitive. Yeah, and they've charged They be

1349
01:11:18,120 --> 01:11:23,200
Speaker 2: charging that VIP for sitting space, Like you're gonna buy

1350
01:11:23,240 --> 01:11:26,880
Speaker 2: a bottle to sit, No, bitch, I go home.

1351
01:11:28,000 --> 01:11:28,519
Speaker 3: Twenty one.

1352
01:11:28,720 --> 01:11:30,400
Speaker 2: I was going to the clubs really young and they

1353
01:11:30,479 --> 01:11:35,360
Speaker 2: became too pricey. Well, yeah, when you're twenty one, everything's pricey, Chad, Yes,

1354
01:11:35,600 --> 01:11:39,080
Speaker 2: you got to be on a budget. Never started, says

1355
01:11:39,160 --> 01:11:41,519
Speaker 2: this good Christian asker who.

1356
01:11:41,439 --> 01:11:42,439
Speaker 3: Says never started.

1357
01:11:42,479 --> 01:11:45,439
Speaker 2: I tried, but I'd rather get a root canal with

1358
01:11:45,560 --> 01:11:49,719
Speaker 2: the needle going directly into the nerve. Jo Seanna says,

1359
01:11:50,880 --> 01:11:53,759
Speaker 2: we might go to the pub for five and seven

1360
01:11:53,800 --> 01:11:56,960
Speaker 2: happy hour in Montreal, but after that we always end

1361
01:11:57,040 --> 01:11:59,759
Speaker 2: up in someone's place to play tabletop games for our nightmare.

1362
01:12:00,120 --> 01:12:04,519
Speaker 2: Nighttime fun clubs closes at three am. Who can stay

1363
01:12:04,600 --> 01:12:07,160
Speaker 2: up that late anymore? Shah, I feel you on that,

1364
01:12:07,560 --> 01:12:12,080
Speaker 2: not me. Harriet's gunn our girl says, see it says never,

1365
01:12:13,360 --> 01:12:15,680
Speaker 2: I realized my general the mission days were over when

1366
01:12:15,720 --> 01:12:20,840
Speaker 2: my magnes vanished. But I'm never going to. Oh, I'm

1367
01:12:20,880 --> 01:12:23,880
Speaker 2: never going to, I guess be so old to sit

1368
01:12:24,000 --> 01:12:25,960
Speaker 2: pretty and too old to sit pretty and pop a

1369
01:12:26,000 --> 01:12:29,280
Speaker 2: few bottles. The new thirty thirty five year olds we

1370
01:12:29,600 --> 01:12:30,080
Speaker 2: really not.

1371
01:12:30,200 --> 01:12:31,680
Speaker 3: Trying to grow up now.

1372
01:12:31,800 --> 01:12:34,880
Speaker 2: If they start TikTok dance battling on the dance floor,

1373
01:12:34,920 --> 01:12:38,000
Speaker 2: I'm out. Okay, So see you've seen the TikTok okay

1374
01:12:38,160 --> 01:12:39,680
Speaker 2: that is happening.

1375
01:12:40,360 --> 01:12:43,320
Speaker 4: Apparently apparently so And you know what I had to

1376
01:12:43,360 --> 01:12:45,479
Speaker 4: break it to you, ain't no new nothing. Thirty is

1377
01:12:45,560 --> 01:12:47,960
Speaker 4: thirty thirty five and thirty five forty is forty. Ain't

1378
01:12:47,960 --> 01:12:50,920
Speaker 4: no new sixties to twenty whatever shit, y'all make up No.

1379
01:12:51,320 --> 01:12:54,840
Speaker 2: Well, I think what she's saying is like, the people

1380
01:12:54,920 --> 01:12:57,920
Speaker 2: that are that age now are not trying to grow up.

1381
01:12:58,000 --> 01:13:00,479
Speaker 2: And I'm not to get off tended into deep, but

1382
01:13:01,200 --> 01:13:04,360
Speaker 2: I think a lot of that's also financial, like once

1383
01:13:04,400 --> 01:13:09,080
Speaker 2: you start looking at like homes and student loans, and

1384
01:13:09,120 --> 01:13:11,880
Speaker 2: how many people are like spending time like living with

1385
01:13:12,000 --> 01:13:14,799
Speaker 2: their parents until like twenty five being on their parents insurance.

1386
01:13:16,160 --> 01:13:17,040
Speaker 2: You got do them right.

1387
01:13:17,080 --> 01:13:19,320
Speaker 3: I'm not growing up. I can't afford to.

1388
01:13:19,680 --> 01:13:23,120
Speaker 2: I can't. I can't, I can't, So I'd rather just

1389
01:13:23,800 --> 01:13:26,599
Speaker 2: use my mind. I'm gonna use my income at the club.

1390
01:13:26,920 --> 01:13:29,760
Speaker 2: I have a good time. Okay. So from that perspective,

1391
01:13:30,000 --> 01:13:33,000
Speaker 2: I get that just as a generation. I don't know

1392
01:13:33,240 --> 01:13:36,800
Speaker 2: anyone's personal situation, but just as a generation people because

1393
01:13:36,840 --> 01:13:39,400
Speaker 2: people keep doing like these kids won't grow up, I'm like,

1394
01:13:39,560 --> 01:13:42,639
Speaker 2: can they right? Like they can't afford shit to find

1395
01:13:42,680 --> 01:13:45,080
Speaker 2: what growing up is? For you to find it? For

1396
01:13:45,120 --> 01:13:46,720
Speaker 2: a lot of people that was moving out, shit, if

1397
01:13:46,720 --> 01:13:48,400
Speaker 2: I move out, I got to have roommates in a

1398
01:13:48,439 --> 01:13:51,599
Speaker 2: country that's trying to take away all the fucking rights,

1399
01:13:51,680 --> 01:13:55,040
Speaker 2: privileges and safety nets of society. A lot of people

1400
01:13:55,080 --> 01:13:58,639
Speaker 2: ain't risking it. And I don't blame you, baby, No drama.

1401
01:13:58,720 --> 01:14:02,479
Speaker 2: CC says, cheap alcohol started to make me sick. Oh

1402
01:14:02,560 --> 01:14:07,160
Speaker 2: ye had been making you sick? Yeah? The bottom shelf,

1403
01:14:07,240 --> 01:14:09,920
Speaker 2: the rock bottom, No thank you. White Label America says

1404
01:14:09,960 --> 01:14:11,760
Speaker 2: I have to leave a voicemail for this. When I

1405
01:14:11,840 --> 01:14:15,040
Speaker 2: was typing and just realized that there's a version tied

1406
01:14:15,080 --> 01:14:19,080
Speaker 2: to economics, but the main reason might have to deal

1407
01:14:19,160 --> 01:14:22,240
Speaker 2: with why I was in a depressed state for some time.

1408
01:14:22,760 --> 01:14:25,639
Speaker 2: I'll go with my ass to oh to be too

1409
01:14:25,720 --> 01:14:27,679
Speaker 2: old to be standing in line, just to go yell

1410
01:14:28,120 --> 01:14:34,080
Speaker 2: what you're saying the whole night. I know, right, Ksar says,

1411
01:14:34,640 --> 01:14:36,760
Speaker 2: when I found the person that I would rather chill

1412
01:14:36,800 --> 01:14:39,840
Speaker 2: with on the couch than be anywhere else. Also, the

1413
01:14:39,960 --> 01:14:41,720
Speaker 2: last time I went out, I had to pay a

1414
01:14:41,800 --> 01:14:44,479
Speaker 2: cover to get in the club. Once inside, then I

1415
01:14:44,600 --> 01:14:46,320
Speaker 2: had to pay another cove to get it to the

1416
01:14:46,439 --> 01:14:48,919
Speaker 2: lit section of the club. And this economy.

1417
01:14:49,000 --> 01:14:53,640
Speaker 3: Hell no, the nerve, the nerve for them to have a.

1418
01:14:53,720 --> 01:14:55,880
Speaker 2: Part of the club that they say, this ain't lit.

1419
01:14:56,760 --> 01:14:57,280
Speaker 2: The nerve.

1420
01:14:58,520 --> 01:15:00,320
Speaker 4: They're like, y'all in know boring side. Did you want

1421
01:15:00,360 --> 01:15:02,519
Speaker 4: to get with a real where the party at? You

1422
01:15:02,560 --> 01:15:04,760
Speaker 4: gonna have to cop up some ball. They was looking

1423
01:15:04,800 --> 01:15:06,960
Speaker 4: at you like, oh, wait, you wanted to have fun

1424
01:15:07,120 --> 01:15:08,920
Speaker 4: in the club. Oh why didn't you say that?

1425
01:15:09,600 --> 01:15:11,920
Speaker 2: That'll be thirty more dollars. Of course you could have

1426
01:15:12,120 --> 01:15:15,240
Speaker 2: fun in the club for a up charge. Now this

1427
01:15:15,400 --> 01:15:17,320
Speaker 2: is for the squares in the sucker section. You want

1428
01:15:17,320 --> 01:15:18,960
Speaker 2: to go, you go have a seat over there in

1429
01:15:19,000 --> 01:15:23,519
Speaker 2: the in the loser Section Friday says, when my friends

1430
01:15:23,600 --> 01:15:26,439
Speaker 2: and I bought bottles because we wanted to stay seated,

1431
01:15:26,760 --> 01:15:29,160
Speaker 2: the group chat decided we were either too old or

1432
01:15:29,200 --> 01:15:32,800
Speaker 2: too broke to do that regularly. Mmmmm, shot, I feel

1433
01:15:32,800 --> 01:15:33,800
Speaker 2: you on that one. Thank you.

1434
01:15:34,040 --> 01:15:35,679
Speaker 3: This was over twelve years ago.

1435
01:15:35,720 --> 01:15:43,040
Speaker 2: And we spent one thousand dollars about thousand, one thousand. Yep.

1436
01:15:43,120 --> 01:15:44,120
Speaker 2: Can't do that on the regular.

1437
01:15:44,640 --> 01:15:49,760
Speaker 4: No, that's like a birthday or like a special occasion,

1438
01:15:50,160 --> 01:15:50,640
Speaker 4: nigga just.

1439
01:15:50,680 --> 01:15:54,040
Speaker 2: To sit our tic Chick says when my pre club

1440
01:15:54,120 --> 01:15:58,160
Speaker 2: and naps became more enjoyable than actually going out. Uh

1441
01:15:58,840 --> 01:16:01,560
Speaker 2: PhD fifteen says, when I could no longer back it

1442
01:16:01,640 --> 01:16:05,320
Speaker 2: up and drop it like it was hot black and

1443
01:16:05,960 --> 01:16:10,640
Speaker 2: pa Ppd says when I became a people manager and

1444
01:16:10,760 --> 01:16:13,000
Speaker 2: had to actually be productive on Monday morning.

1445
01:16:13,200 --> 01:16:17,160
Speaker 4: Oh right, yeah, and now only that when you're younger,

1446
01:16:17,560 --> 01:16:19,760
Speaker 4: you have more energy because when people and me and

1447
01:16:19,880 --> 01:16:25,639
Speaker 4: Rogerck seen it, we've seen particularly with with with summer

1448
01:16:25,680 --> 01:16:29,839
Speaker 4: Rogeric White Friends years ago. They would get lit Friday,

1449
01:16:30,000 --> 01:16:33,880
Speaker 4: Saturday and Sunday, go to work function all day, turn

1450
01:16:33,920 --> 01:16:35,840
Speaker 4: around and do it over again for like three or

1451
01:16:35,840 --> 01:16:36,240
Speaker 4: four days.

1452
01:16:37,120 --> 01:16:43,519
Speaker 2: They started on Thursday Thursday, Friday, Saturday, Sunday, and yeah,

1453
01:16:43,560 --> 01:16:48,120
Speaker 2: they used to be miserable Fridays and Mondays especially, you know, like,

1454
01:16:49,000 --> 01:16:52,080
Speaker 2: no wonder you hate Mondays? You're hung over, right?

1455
01:16:52,120 --> 01:16:54,160
Speaker 4: And then they would party to like really bitly late

1456
01:16:54,200 --> 01:16:55,600
Speaker 4: and turn around and you'd be like, how do you

1457
01:16:55,880 --> 01:16:56,479
Speaker 4: when you get old?

1458
01:16:56,520 --> 01:16:58,280
Speaker 2: You're like, how did I have the energy for that?

1459
01:16:58,600 --> 01:16:58,760
Speaker 6: Yeah?

1460
01:16:58,760 --> 01:17:00,680
Speaker 2: And I didn't want the people, man, so I was like,

1461
01:17:00,760 --> 01:17:05,720
Speaker 2: I got a dip. Let's see, Chavn says. I was

1462
01:17:05,800 --> 01:17:08,320
Speaker 2: living in Miami and I had to meet some friends

1463
01:17:08,400 --> 01:17:11,799
Speaker 2: at bed. I got a great parking spot on the corner,

1464
01:17:12,240 --> 01:17:15,519
Speaker 2: went and dropped my stuff on our corner futon and

1465
01:17:15,800 --> 01:17:18,120
Speaker 2: was spending and inverting on the polls for what felt

1466
01:17:18,160 --> 01:17:20,920
Speaker 2: like ages. Later, I sat and chatted and then said

1467
01:17:21,040 --> 01:17:23,599
Speaker 2: bye and got back in my car. It had only

1468
01:17:23,680 --> 01:17:31,519
Speaker 2: been one hour and fifteen minutes. I know you thought

1469
01:17:31,560 --> 01:17:33,200
Speaker 2: you had had a night too, Like, who I was

1470
01:17:33,280 --> 01:17:34,200
Speaker 2: out there the night?

1471
01:17:34,640 --> 01:17:34,880
Speaker 7: Yes?

1472
01:17:35,240 --> 01:17:38,799
Speaker 2: Do it good? Oh, I'm getting in late tonight, livin

1473
01:17:38,960 --> 01:17:43,200
Speaker 2: a'clock news. Here I come. I looked at my friends

1474
01:17:43,240 --> 01:17:44,960
Speaker 2: at the club and was just like, is it me?

1475
01:17:45,160 --> 01:17:46,880
Speaker 2: Is this music just a little too loud? Just a

1476
01:17:46,920 --> 01:17:49,600
Speaker 2: little bit just tap it somebody else says, when I

1477
01:17:49,880 --> 01:17:52,320
Speaker 2: realized I had more fun at home with better liquor

1478
01:17:52,360 --> 01:17:54,800
Speaker 2: in my bonnet and on my comfy couch with no

1479
01:17:54,920 --> 01:17:57,960
Speaker 2: shoes or pants, song using a clean bathroom for no line,

1480
01:17:58,040 --> 01:18:01,040
Speaker 2: with no line, plus no one's dus the sun, dancing

1481
01:18:01,080 --> 01:18:03,280
Speaker 2: too closees expecting my phone number because they bought me

1482
01:18:03,360 --> 01:18:08,200
Speaker 2: a drink, and everyone just same, heavy on, no pants.

1483
01:18:08,720 --> 01:18:13,639
Speaker 2: Every bit of this was fine. That was the conment.

1484
01:18:14,320 --> 01:18:18,880
Speaker 2: Lit it Up, Lit it Up sixteen likes less. Miss

1485
01:18:19,000 --> 01:18:22,719
Speaker 2: lever Blouse says, when we got out of the roughest

1486
01:18:22,760 --> 01:18:24,600
Speaker 2: part of the pandemic and I still didn't feel like

1487
01:18:24,720 --> 01:18:28,760
Speaker 2: going out, you know, it would not be surprising. Maybe

1488
01:18:28,840 --> 01:18:30,800
Speaker 2: not a lot, but it wouldn't be.

1489
01:18:30,800 --> 01:18:33,120
Speaker 4: Surprising if like clubs and strip clubs in the dip

1490
01:18:33,520 --> 01:18:37,200
Speaker 4: Because for some people they got home and they started

1491
01:18:37,200 --> 01:18:40,200
Speaker 4: looking at their banker, Oh bitch, I'm saving money for somebody, They're.

1492
01:18:40,040 --> 01:18:42,519
Speaker 2: Like, bitch, I'm not going back out there. I'm with you.

1493
01:18:43,280 --> 01:18:44,320
Speaker 3: I think that's what happened.

1494
01:18:45,439 --> 01:18:48,639
Speaker 2: Our Laiba two thousand says I went with my wife

1495
01:18:48,760 --> 01:18:51,000
Speaker 2: and we both complained the music was too loud. That's

1496
01:18:51,040 --> 01:18:55,560
Speaker 2: when I knew I started at sixteen seventeen trying to

1497
01:18:55,600 --> 01:18:57,920
Speaker 2: hang with my older cousins. So I was done by

1498
01:18:58,000 --> 01:19:01,439
Speaker 2: twenty five. I'm a lounge or holding the wild girl

1499
01:19:01,560 --> 01:19:03,960
Speaker 2: now or the rare case. On the rare occasions I

1500
01:19:04,000 --> 01:19:04,519
Speaker 2: do go out.

1501
01:19:04,640 --> 01:19:07,479
Speaker 4: Yeah, a lot of older laid background just because it's

1502
01:19:07,520 --> 01:19:09,519
Speaker 4: a lot more laid back, like you can.

1503
01:19:09,760 --> 01:19:10,120
Speaker 2: That's why.

1504
01:19:10,320 --> 01:19:11,880
Speaker 4: You know a lot of people like like more like

1505
01:19:11,920 --> 01:19:13,960
Speaker 4: the hookah places where you can kind of just sit

1506
01:19:14,080 --> 01:19:16,639
Speaker 4: back and chill and relax and it's.

1507
01:19:16,560 --> 01:19:19,080
Speaker 2: Not well even then it's like less dancing, but the

1508
01:19:19,200 --> 01:19:21,280
Speaker 2: music and shit is still out and just stay up

1509
01:19:21,320 --> 01:19:26,720
Speaker 2: the mad late okay, case Iward says when I had

1510
01:19:26,800 --> 01:19:29,759
Speaker 2: two drinks, not even enough to get buzz let alone drunk,

1511
01:19:30,080 --> 01:19:34,599
Speaker 2: but still somehow was hungover on the following morning, hashtag washed.

1512
01:19:34,680 --> 01:19:37,040
Speaker 2: Old me still does go out occasionally, but I have

1513
01:19:37,160 --> 01:19:38,960
Speaker 2: a lot more money than young me did so I

1514
01:19:39,040 --> 01:19:41,360
Speaker 2: can get a table. I'm not If I can't get

1515
01:19:41,400 --> 01:19:45,840
Speaker 2: a table, I'm not going. I feel you. It's funny

1516
01:19:45,840 --> 01:19:48,760
Speaker 2: because like that's one thing as I get older, it's

1517
01:19:48,800 --> 01:19:50,639
Speaker 2: like stuff that I was like, Oh they just flexing.

1518
01:19:50,720 --> 01:19:52,080
Speaker 2: Now I'm like, oh, I see why you need that.

1519
01:19:52,880 --> 01:19:55,360
Speaker 2: You know, well, He's like like for example, ordering top

1520
01:19:55,439 --> 01:19:56,000
Speaker 2: shelf liquor.

1521
01:19:56,479 --> 01:19:57,439
Speaker 3: I get it, like it.

1522
01:19:57,720 --> 01:19:59,599
Speaker 2: I just needed to have the money to be able

1523
01:19:59,600 --> 01:20:01,640
Speaker 2: to try to. Couple of times I was like, oh yeah, no,

1524
01:20:01,760 --> 01:20:04,479
Speaker 2: hangover the next day. Love this? Oh never never, never

1525
01:20:04,880 --> 01:20:05,280
Speaker 2: going back?

1526
01:20:05,360 --> 01:20:06,439
Speaker 3: Yeah five out of five.

1527
01:20:06,520 --> 01:20:09,280
Speaker 2: I thought I really thought I could not drink tequila

1528
01:20:09,320 --> 01:20:12,679
Speaker 2: at all. Turns out just was drinking some rot gut.

1529
01:20:12,800 --> 01:20:15,479
Speaker 2: I drank some expensive tequila. Now I'll be like, shit,

1530
01:20:15,720 --> 01:20:18,560
Speaker 2: let's go and try. Yeah that we me and you

1531
01:20:18,800 --> 01:20:20,960
Speaker 2: just did balls deep woke up. I was like, I

1532
01:20:21,000 --> 01:20:24,559
Speaker 2: guess I go to work. I feel great. Appia says

1533
01:20:24,760 --> 01:20:27,120
Speaker 2: when I realized that my sleep schedule from ten pm

1534
01:20:27,240 --> 01:20:29,559
Speaker 2: to six am is way more important to me than

1535
01:20:29,600 --> 01:20:32,760
Speaker 2: anything a club can offer. Ain't that the truth? Reg

1536
01:20:32,920 --> 01:20:37,080
Speaker 2: Dale says when I realized I would have no idea

1537
01:20:37,520 --> 01:20:40,400
Speaker 2: even where to go or what to wear, and when

1538
01:20:40,439 --> 01:20:42,920
Speaker 2: my friend asked me to go out with her, refer

1539
01:20:43,080 --> 01:20:46,639
Speaker 2: to it as somebody's club, as in what I look

1540
01:20:46,760 --> 01:20:51,280
Speaker 2: like in somebody's clublub Joe says, when my wife and

1541
01:20:51,320 --> 01:20:53,559
Speaker 2: I fell asleep at the two shots set the table,

1542
01:20:55,880 --> 01:20:59,439
Speaker 2: not too shot since birth, I don't go clubbing. When

1543
01:20:59,520 --> 01:21:03,920
Speaker 2: someone asked if I was like thirty off tequila shat.

1544
01:21:03,960 --> 01:21:06,280
Speaker 2: I'm sorry, Oh sorry. I had to hear it that

1545
01:21:06,360 --> 01:21:09,000
Speaker 2: way because I know they said that shit like thirty

1546
01:21:09,160 --> 01:21:10,640
Speaker 2: was eighty. When it was like, oh, what are you

1547
01:21:10,800 --> 01:21:13,360
Speaker 2: like thirty? And he was like, fuck you fucking.

1548
01:21:13,320 --> 01:21:16,800
Speaker 4: Right right, because when you're young, child, anything over twenty

1549
01:21:16,880 --> 01:21:19,599
Speaker 4: five is ancient, right, Damn you still come here.

1550
01:21:20,320 --> 01:21:22,479
Speaker 2: That's the way they look at you, like you still

1551
01:21:22,560 --> 01:21:27,280
Speaker 2: hear once, I had a real nine to five when

1552
01:21:27,320 --> 01:21:31,240
Speaker 2: my introvert tendency took over. When the price of gas

1553
01:21:31,400 --> 01:21:34,080
Speaker 2: came over three dollars. First of all, that's a long

1554
01:21:34,160 --> 01:21:36,439
Speaker 2: time ago. Secondly, what was that really through with clubbing?

1555
01:21:38,640 --> 01:21:40,400
Speaker 2: That's where they stopped clubbing, That's.

1556
01:21:40,280 --> 01:21:40,760
Speaker 3: What I'm saying.

1557
01:21:41,200 --> 01:21:43,120
Speaker 2: It's a club two hours away. It was like, I

1558
01:21:43,479 --> 01:21:45,320
Speaker 2: was like the gas. I couldn't afforded.

1559
01:21:45,080 --> 01:21:46,639
Speaker 3: Gas over three dollars.

1560
01:21:47,200 --> 01:21:51,200
Speaker 2: Anyway, it might have been on an utherside of town. Baby,

1561
01:21:51,600 --> 01:21:53,600
Speaker 2: This person says. I could never get into club and

1562
01:21:53,720 --> 01:21:57,320
Speaker 2: even during my undergrad university days, the thought of leaving

1563
01:21:57,400 --> 01:21:59,240
Speaker 2: my house at a time when I should be in bed,

1564
01:21:59,360 --> 01:22:01,120
Speaker 2: or at least for learning from an event did not

1565
01:22:01,200 --> 01:22:04,280
Speaker 2: appeal to me at all. Neither did sticket floors incredibly

1566
01:22:04,360 --> 01:22:07,680
Speaker 2: loud music or random guys dancing too close or being inappropriate.

1567
01:22:08,040 --> 01:22:10,800
Speaker 2: My mom always says nothing good happens late at night,

1568
01:22:10,840 --> 01:22:13,400
Speaker 2: and those are the words I live by. All Right,

1569
01:22:13,600 --> 01:22:16,280
Speaker 2: good at two shoes, I eat your good at two

1570
01:22:16,360 --> 01:22:20,559
Speaker 2: step home, But I'm too good to them with y'all,

1571
01:22:20,600 --> 01:22:23,439
Speaker 2: he didn't, Ice Blacked, what kind of name is this?

1572
01:22:24,479 --> 01:22:27,760
Speaker 2: And dying? Am I not following it already? Don't be

1573
01:22:27,840 --> 01:22:30,599
Speaker 2: out here killing nobody with icy ice on the road?

1574
01:22:30,720 --> 01:22:34,960
Speaker 2: Ice Blacked the first time I went to a club

1575
01:22:35,080 --> 01:22:38,599
Speaker 2: with my friends at nineteen, and I absolutely hated the experience.

1576
01:22:38,720 --> 01:22:42,760
Speaker 2: Loud music, expensive drink, sweaty smelling people, crowded place, the

1577
01:22:42,880 --> 01:22:46,320
Speaker 2: late night getting home in NYC subway sucked, and me

1578
01:22:46,520 --> 01:22:48,960
Speaker 2: having to help take care of my little brother his

1579
01:22:49,120 --> 01:22:51,960
Speaker 2: dad left when he was one at twenty two made

1580
01:22:52,000 --> 01:22:55,880
Speaker 2: it so I had too many responsibilities. I can see that,

1581
01:22:56,160 --> 01:22:59,840
Speaker 2: but don't be bitter about anything. Lastly, Eve says, when

1582
01:22:59,880 --> 01:23:03,040
Speaker 2: a god flashed his penis at me when I was

1583
01:23:03,080 --> 01:23:05,280
Speaker 2: coming out the bathroom and I mushed him in the face,

1584
01:23:05,680 --> 01:23:08,880
Speaker 2: and I was like Murtop from Leatha Wep, I'm getting

1585
01:23:08,920 --> 01:23:12,640
Speaker 2: too old for this shit. Yeah, how many times did

1586
01:23:12,680 --> 01:23:14,320
Speaker 2: that pick up line work for him in the past.

1587
01:23:14,400 --> 01:23:17,360
Speaker 2: I'm gonna say, I'm gonna go ahead and risk a zero.

1588
01:23:18,280 --> 01:23:18,880
Speaker 1: And be like this.

1589
01:23:19,160 --> 01:23:22,160
Speaker 2: You're not the first person he flashed it too. Gotta

1590
01:23:22,200 --> 01:23:26,479
Speaker 2: feeling that man's that man's return ratio on dick on

1591
01:23:26,680 --> 01:23:29,840
Speaker 2: dick dick flashing, it's probably pretty low. It's just creepy

1592
01:23:29,880 --> 01:23:33,479
Speaker 2: in Nass. Yeah, we're wearing a trench coat in the club.

1593
01:23:35,200 --> 01:23:37,360
Speaker 2: Also on Facebook, we got a couple.

1594
01:23:38,280 --> 01:23:38,360
Speaker 4: Uh.

1595
01:23:38,640 --> 01:23:41,439
Speaker 2: Never, I'm a twenty four hour party person. Twenty four

1596
01:23:41,520 --> 01:23:48,760
Speaker 2: hours Uh not necessarily consecutive, said this person. Twenty four

1597
01:23:48,800 --> 01:23:53,439
Speaker 2: hour parorty person sounds fucking exhausting. Uh, Wonga says about

1598
01:23:53,560 --> 01:23:57,320
Speaker 2: ten days after they started, Andie says, let's meet up

1599
01:23:57,360 --> 01:24:00,280
Speaker 2: at ten pm. Absolutely not. I'm almost three hours in

1600
01:24:00,479 --> 01:24:03,080
Speaker 2: sleep mode. Ain't that the truth? Sean says when I

1601
01:24:03,200 --> 01:24:05,840
Speaker 2: saw take out, when I saw someone take out a

1602
01:24:05,840 --> 01:24:09,000
Speaker 2: phone on that club and record a video. If you

1603
01:24:09,120 --> 01:24:12,639
Speaker 2: can't guarantee a clean evidence trail, you can't really be clubbing.

1604
01:24:13,120 --> 01:24:16,240
Speaker 2: Never understand people using credit cards when clubbing for the

1605
01:24:16,320 --> 01:24:19,080
Speaker 2: same reason. First of all, Sean, what is going on

1606
01:24:19,200 --> 01:24:22,280
Speaker 2: in your clubs? I just need to know you can't

1607
01:24:22,280 --> 01:24:24,519
Speaker 2: even be seen at the clubs you be going to.

1608
01:24:25,000 --> 01:24:27,760
Speaker 2: I'm what kind of double life you living? Right? This

1609
01:24:27,920 --> 01:24:31,320
Speaker 2: motherfucker's showing up in the private society parties and shit like, Oh,

1610
01:24:31,439 --> 01:24:33,960
Speaker 2: let's fuck, what's going on over here? Oh? I can't

1611
01:24:34,000 --> 01:24:37,679
Speaker 2: be seeing y'all know, I'm marri Amanda says, when people

1612
01:24:38,120 --> 01:24:40,599
Speaker 2: were just standing around in the club and not dance

1613
01:24:40,720 --> 01:24:44,960
Speaker 2: or try to talk to someone. Yeah, m Nicole says,

1614
01:24:45,160 --> 01:24:48,000
Speaker 2: when I didn't feel like getting dressed at eight pm

1615
01:24:48,080 --> 01:24:50,840
Speaker 2: to go out anymore, I'd rather be putting pajamas home

1616
01:24:50,920 --> 01:24:56,680
Speaker 2: than makeup. I hear you. Let's see. Sheikha says, I

1617
01:24:56,760 --> 01:25:00,760
Speaker 2: don't think my days ever started. I lay bloomers. I

1618
01:25:00,840 --> 01:25:02,920
Speaker 2: tried for a few years, but none of my efforts

1619
01:25:02,960 --> 01:25:05,200
Speaker 2: were all of my most of my office was failures.

1620
01:25:05,240 --> 01:25:05,600
Speaker 1: I hear you.

1621
01:25:07,880 --> 01:25:12,760
Speaker 2: Lono says when the biggest priority about getting going to

1622
01:25:12,840 --> 01:25:15,160
Speaker 2: the club or party was figuring out if they had

1623
01:25:15,240 --> 01:25:18,080
Speaker 2: somewhere to sit that didn't require paying five hundred dollars

1624
01:25:18,200 --> 01:25:23,040
Speaker 2: or forty dollars bottle of great Goose. And last time

1625
01:25:23,120 --> 01:25:26,240
Speaker 2: really must be a thing mssrs Spaan left alone. He says,

1626
01:25:26,360 --> 01:25:28,919
Speaker 2: Last time I was in the club and I realized

1627
01:25:29,000 --> 01:25:31,320
Speaker 2: it was over for me. Was when I knew I

1628
01:25:31,439 --> 01:25:34,080
Speaker 2: had to go and be sober the whole night. I

1629
01:25:34,160 --> 01:25:36,560
Speaker 2: got a CDL license for the job. I got to

1630
01:25:36,600 --> 01:25:38,960
Speaker 2: conceal carry licen for my guns. And I live in

1631
01:25:39,000 --> 01:25:41,360
Speaker 2: the suburbs of Detroit where the police are just waiting

1632
01:25:41,439 --> 01:25:43,760
Speaker 2: to catch someone for a DUI and a gun in

1633
01:25:43,800 --> 01:25:46,200
Speaker 2: the car won't help matters much. But on top of that,

1634
01:25:46,400 --> 01:25:48,680
Speaker 2: I was at the club for a friend's birthday and

1635
01:25:48,800 --> 01:25:50,760
Speaker 2: I went to the bar to get my friend to drink.

1636
01:25:50,840 --> 01:25:53,719
Speaker 2: And this is when I really knew. The club was packed,

1637
01:25:53,720 --> 01:25:56,000
Speaker 2: so I had to try to maneuver around folks, and

1638
01:25:56,120 --> 01:25:58,439
Speaker 2: you had women who were extra sensitive to any dude

1639
01:25:59,000 --> 01:25:59,880
Speaker 2: just trying to move past.

1640
01:26:00,000 --> 01:26:02,240
Speaker 3: That's so my hands were above my damn head.

1641
01:26:02,680 --> 01:26:04,519
Speaker 2: And when I got to the bar, because the club

1642
01:26:04,640 --> 01:26:06,880
Speaker 2: was so packed, getting bartender's attention to even get the

1643
01:26:06,960 --> 01:26:09,200
Speaker 2: drink took down to twenty minutes. It was at that

1644
01:26:09,360 --> 01:26:11,559
Speaker 2: moment that I knew I wasn't doing this club shit.

1645
01:26:11,640 --> 01:26:14,320
Speaker 2: No mo my club and days we're done. I do

1646
01:26:14,439 --> 01:26:16,000
Speaker 2: hate order to drinking the club when.

1647
01:26:15,960 --> 01:26:20,240
Speaker 4: It's like when it's like that, yes, because you have

1648
01:26:20,360 --> 01:26:23,480
Speaker 4: to be like hello aggressive to even get the bartender's attention.

1649
01:26:23,280 --> 01:26:25,719
Speaker 2: Just felt like a fucking like like it's a feeding

1650
01:26:25,800 --> 01:26:28,640
Speaker 2: trough and you're like a pig, like a piglet just

1651
01:26:29,160 --> 01:26:31,720
Speaker 2: just running like how do on sqeeze in hell move?

1652
01:26:32,320 --> 01:26:34,840
Speaker 2: Just want rumma goat. You know it's like too much,

1653
01:26:35,840 --> 01:26:38,439
Speaker 2: But thank you everybody for doing it for the GRAMD segment.

1654
01:26:38,479 --> 01:26:45,439
Speaker 2: We appreciate y'all. A grandma for the grand the grandma,

1655
01:26:47,800 --> 01:26:54,280
Speaker 2: the grandma for the grand All right, let's talk go

1656
01:26:54,400 --> 01:26:56,680
Speaker 2: to the voicemail line. We got a couple of new voicemails,

1657
01:26:56,720 --> 01:26:58,439
Speaker 2: Blue Wave Rider right saying or.

1658
01:26:58,960 --> 01:27:02,600
Speaker 7: Form in y'all, it's the Blue Wave Writer because in

1659
01:27:02,720 --> 01:27:07,479
Speaker 7: y'all skype again, I was listening to episode twenty eight

1660
01:27:07,600 --> 01:27:11,000
Speaker 7: sixty two, the feedback episode, I think it was twenty

1661
01:27:11,080 --> 01:27:11,800
Speaker 7: eight sixty.

1662
01:27:11,560 --> 01:27:15,840
Speaker 8: Two, and the music that you played at the forty

1663
01:27:15,880 --> 01:27:19,680
Speaker 8: one minute mark so you could insert the commercial that

1664
01:27:20,400 --> 01:27:23,559
Speaker 8: was flame Boy Dude.

1665
01:27:23,640 --> 01:27:26,320
Speaker 1: I love that keyboard that that dude was playing. Man,

1666
01:27:26,360 --> 01:27:28,400
Speaker 1: you gotta tell us who that is, man, because I'm

1667
01:27:28,520 --> 01:27:32,360
Speaker 1: just in love with that had a nigga dancing on

1668
01:27:32,600 --> 01:27:34,280
Speaker 1: his job in the back room.

1669
01:27:35,040 --> 01:27:37,519
Speaker 7: So y'all have a good day, all right, thank you.

1670
01:27:37,800 --> 01:27:40,439
Speaker 2: I wonder if it was dj jops love can't be true.

1671
01:27:40,560 --> 01:27:42,560
Speaker 1: Hey, it's the Blue Wave Writer back again. I just

1672
01:27:42,720 --> 01:27:48,000
Speaker 1: checked Spotify. That was episode twenty seven eighty two. As

1673
01:27:48,040 --> 01:27:51,040
Speaker 1: a special requested me a long time black guy who

1674
01:27:51,160 --> 01:27:55,200
Speaker 1: tips the listener play the whole musical clip. I'm sure

1675
01:27:55,240 --> 01:27:57,080
Speaker 1: it can't be no more than two or three minutes long,

1676
01:27:58,360 --> 01:28:01,080
Speaker 1: but play the whole clip for the niggas that don't know.

1677
01:28:02,040 --> 01:28:07,040
Speaker 2: Don't the first of all, I don't even know remember

1678
01:28:07,080 --> 01:28:09,320
Speaker 2: the song, but he said twenty seven eighty two, forty

1679
01:28:09,360 --> 01:28:12,040
Speaker 2: one minutes in. All right, this is gonna be some

1680
01:28:12,160 --> 01:28:16,240
Speaker 2: meta ship. Listen to them trying to find this song,

1681
01:28:16,360 --> 01:28:18,000
Speaker 2: so I can at least tell you what it was.

1682
01:28:18,439 --> 01:28:27,320
Speaker 2: Probably did that shit? Do go that shit? Do go?

1683
01:28:27,479 --> 01:28:27,679
Speaker 5: Hard?

1684
01:28:28,840 --> 01:28:31,240
Speaker 2: Trying to think if I know the name of that

1685
01:28:31,640 --> 01:28:35,160
Speaker 2: that one? Somebody somebody made that before? Didn't Yeah, yeah,

1686
01:28:35,320 --> 01:28:38,320
Speaker 2: all these other ones that people mad, Is this the one?

1687
01:28:39,600 --> 01:28:40,120
Speaker 2: I don't think?

1688
01:28:40,200 --> 01:28:42,120
Speaker 6: So that's it?

1689
01:28:44,160 --> 01:28:44,280
Speaker 4: Oh?

1690
01:28:44,360 --> 01:28:47,600
Speaker 2: No, that sound? Yeah, I don't remember it off the

1691
01:28:47,640 --> 01:28:49,160
Speaker 2: top of my head, and I would just end up

1692
01:28:49,160 --> 01:28:53,960
Speaker 2: playing all the beats, so it's kind of be random,

1693
01:28:54,040 --> 01:28:56,280
Speaker 2: and I randomly pick them when I do those segments.

1694
01:28:56,880 --> 01:28:59,439
Speaker 2: So we played it before, but I don't remember, Yeah,

1695
01:28:59,520 --> 01:29:02,200
Speaker 2: I just did want to. I don't know. I guess

1696
01:29:02,240 --> 01:29:03,800
Speaker 2: I could give it. I give it. I'll tell you what.

1697
01:29:04,080 --> 01:29:06,640
Speaker 2: Let's take a minute. We're gonna highlight these people and

1698
01:29:06,840 --> 01:29:08,880
Speaker 2: let's give it a give it. Let's give I'll try

1699
01:29:08,920 --> 01:29:12,920
Speaker 2: to see if I can find it. Let's see. I

1700
01:29:12,960 --> 01:29:16,759
Speaker 2: don't think this is it. This is DJ joff CITs

1701
01:29:16,800 --> 01:29:21,479
Speaker 2: this one. All right, that's not it. Gotta go to

1702
01:29:21,520 --> 01:29:21,960
Speaker 2: the next one.

1703
01:29:22,040 --> 01:29:22,439
Speaker 6: Let's see.

1704
01:29:28,360 --> 01:29:37,240
Speaker 2: No, that's not it. But that's called rolling out, Yeah,

1705
01:29:37,280 --> 01:29:39,040
Speaker 2: because because it would be in the first like twenty

1706
01:29:39,080 --> 01:29:43,439
Speaker 2: five seconds, no go back one. I thought I did

1707
01:29:43,479 --> 01:29:43,800
Speaker 2: this one.

1708
01:29:44,479 --> 01:29:45,599
Speaker 4: This is love can be true?

1709
01:29:46,200 --> 01:29:50,200
Speaker 2: Okay, okay, no, no, no, no, okay, this can't be true. Uh,

1710
01:29:50,479 --> 01:29:52,120
Speaker 2: you gotta sped up whatever.

1711
01:29:54,760 --> 01:29:57,360
Speaker 3: That's shit hard too, Sorry, this is bad radio.

1712
01:29:57,640 --> 01:30:02,120
Speaker 2: Sorry, No, that's not it.

1713
01:30:02,439 --> 01:30:06,160
Speaker 4: This is We're going through it and eventually shout out

1714
01:30:06,160 --> 01:30:07,200
Speaker 4: to people to send us beats.

1715
01:30:07,640 --> 01:30:13,639
Speaker 2: Yeah, never go hard to these these mother fucking beat stuff.

1716
01:30:17,040 --> 01:30:20,240
Speaker 2: And I think all these are from Infrared Crypto. Okay,

1717
01:30:21,880 --> 01:30:26,200
Speaker 2: I love that one. God damn, I love all I

1718
01:30:26,320 --> 01:30:29,479
Speaker 2: love that one too. Yeah, I don't know, dog is

1719
01:30:29,800 --> 01:30:34,759
Speaker 2: it hard? That's bad as that's all these beats dope niggas.

1720
01:30:34,800 --> 01:30:37,760
Speaker 2: Just keep listening to the show hard next next one,

1721
01:30:37,800 --> 01:30:39,760
Speaker 2: I'm sorry, I don't know which one is, and it's

1722
01:30:39,800 --> 01:30:42,000
Speaker 2: been a lot of them. It's too many good ones.

1723
01:30:42,000 --> 01:30:45,760
Speaker 2: I'm sorry. Just keep listening. Uh support uh d J

1724
01:30:45,960 --> 01:30:49,360
Speaker 2: jaffa j A f f A uh support bro Bro

1725
01:30:49,520 --> 01:30:52,360
Speaker 2: cook it up. That could have been it too. Might

1726
01:30:52,439 --> 01:30:54,880
Speaker 2: have been my brother, because my brother makes beats. Bro

1727
01:30:55,000 --> 01:30:58,880
Speaker 2: Bro cooked that up on on Spotify.

1728
01:30:59,240 --> 01:30:59,800
Speaker 3: Follow him.

1729
01:31:00,479 --> 01:31:02,760
Speaker 2: He's working with a lot of artists put out like

1730
01:31:03,040 --> 01:31:06,320
Speaker 2: music for like local like artists and stuff. And then

1731
01:31:08,200 --> 01:31:13,479
Speaker 2: if a red crypto and it's k R Ypto. All

1732
01:31:13,520 --> 01:31:16,240
Speaker 2: these motherfuckers are super talented, you know, so yeah, go

1733
01:31:16,680 --> 01:31:19,680
Speaker 2: definitely get them a shout. I just we have at

1734
01:31:19,720 --> 01:31:23,200
Speaker 2: this point thirty beats and I played like ten and

1735
01:31:23,280 --> 01:31:25,040
Speaker 2: I still couldn't find it. So I don't know which

1736
01:31:25,080 --> 01:31:27,080
Speaker 2: one it is, and I don't want to spend too

1737
01:31:27,160 --> 01:31:30,439
Speaker 2: much time messing with it. So all right, now, let's

1738
01:31:30,439 --> 01:31:33,120
Speaker 2: get to the next voicemail. This is from Raphael.

1739
01:31:33,200 --> 01:31:34,000
Speaker 8: I believe.

1740
01:31:36,960 --> 01:31:42,120
Speaker 6: Hey Rod and Karen, it's your boy. Raphael. Just finished

1741
01:31:42,160 --> 01:31:45,960
Speaker 6: listening to your wonderful episode on the wast denzel eb

1742
01:31:46,800 --> 01:31:51,320
Speaker 6: I wish I knwke on awesome, Denzel, But I don't anyway.

1743
01:31:51,600 --> 01:31:58,360
Speaker 6: I wanted to talk about the pope scene. And I

1744
01:31:58,560 --> 01:32:01,840
Speaker 6: just feel like that's one point that people keep leaving

1745
01:32:01,920 --> 01:32:05,679
Speaker 6: out when they talk about the Catholic Church. The numbers

1746
01:32:06,080 --> 01:32:10,720
Speaker 6: are only dropping in Europe and not America. They've been

1747
01:32:10,800 --> 01:32:13,680
Speaker 6: dropping for a long time, but the numbers haven't been

1748
01:32:13,800 --> 01:32:19,200
Speaker 6: dropping in places like Africa, South America, Nothink Asia, And

1749
01:32:19,640 --> 01:32:23,160
Speaker 6: if you go by population counts, so that's where it's larger.

1750
01:32:23,439 --> 01:32:26,599
Speaker 6: And if you watch the popes, the way he targets

1751
01:32:26,720 --> 01:32:30,080
Speaker 6: where he visits, it's a it's a very calculated move

1752
01:32:30,160 --> 01:32:33,640
Speaker 6: that he does. So the guys he's a smart politician

1753
01:32:34,160 --> 01:32:36,320
Speaker 6: and he doesn't get credit for that, and he knows

1754
01:32:36,400 --> 01:32:40,280
Speaker 6: his audience, so he makes calculated moves. Like the most

1755
01:32:40,320 --> 01:32:44,960
Speaker 6: recent African countries that he's visited are like, how did

1756
01:32:45,000 --> 01:32:56,280
Speaker 6: I get caught off? It's in Africa? Comes to play,

1757
01:32:56,600 --> 01:33:01,360
Speaker 6: all right? So the most calculata countries UH where he

1758
01:33:01,479 --> 01:33:07,120
Speaker 6: visits in Africa, UH countries where the Catholic population has

1759
01:33:07,200 --> 01:33:11,880
Speaker 6: been increasing and growing lately. So it's like when he

1760
01:33:12,240 --> 01:33:16,560
Speaker 6: does the public speak on blessing gay unions, then he

1761
01:33:16,720 --> 01:33:20,160
Speaker 6: visits an African country. The language is different there because

1762
01:33:20,360 --> 01:33:25,240
Speaker 6: of you know how the homophobia is strong from the Catholic,

1763
01:33:25,840 --> 01:33:30,280
Speaker 6: from religious bodies in Africa, it's a whole different Yeah,

1764
01:33:30,320 --> 01:33:36,160
Speaker 6: you got cut miss calculated there. So he pop Francis

1765
01:33:36,280 --> 01:33:41,360
Speaker 6: seems to be doing a double game thing where you know,

1766
01:33:41,439 --> 01:33:45,320
Speaker 6: I'm an next Catholic so amongst going to other churches,

1767
01:33:45,360 --> 01:33:49,320
Speaker 6: which is why the scam game is good. But yeah,

1768
01:33:49,680 --> 01:33:52,400
Speaker 6: so it's like I kind of see. It's where he

1769
01:33:53,360 --> 01:33:57,000
Speaker 6: does the Twitter thing. Everybody praises him, does the online thing.

1770
01:33:57,240 --> 01:34:00,040
Speaker 6: There's an audience, but he knows this audience everywhere, and

1771
01:34:00,120 --> 01:34:02,000
Speaker 6: he knows how to play audience, even like when he

1772
01:34:02,360 --> 01:34:07,719
Speaker 6: visited Mongolia recently. His audience he was targeting was China.

1773
01:34:08,120 --> 01:34:11,080
Speaker 6: People in China, but it seems like very few who

1774
01:34:11,200 --> 01:34:14,799
Speaker 6: caught that because China does this goes a very different

1775
01:34:14,840 --> 01:34:17,760
Speaker 6: thing to religious bodies over there's a whole different topic

1776
01:34:17,840 --> 01:34:20,120
Speaker 6: funds that day. So the guy knows how he plays

1777
01:34:20,160 --> 01:34:22,960
Speaker 6: the game. He knows how he hits his targets everywhere,

1778
01:34:23,040 --> 01:34:25,559
Speaker 6: So he knows how if I say this about gay

1779
01:34:25,600 --> 01:34:29,479
Speaker 6: people online, people respond one way. Then when I show

1780
01:34:29,600 --> 01:34:33,280
Speaker 6: up to certain countries, I use a different language and

1781
01:34:33,840 --> 01:34:35,880
Speaker 6: people who are there like, yeah, we're not mad, we

1782
01:34:36,080 --> 01:34:39,200
Speaker 6: could okay, So yeah, just wanted to point that out.

1783
01:34:39,640 --> 01:34:42,400
Speaker 6: And the non beast thing with Catholic churches just the

1784
01:34:42,600 --> 01:34:46,080
Speaker 6: different continent. I mean, yeah, some places it's just blowing

1785
01:34:46,200 --> 01:34:49,800
Speaker 6: up and growing because churches don't use condoms, don't use

1786
01:34:49,880 --> 01:34:52,519
Speaker 6: the Yeah, so priests be having babies and I saw

1787
01:34:52,560 --> 01:34:54,800
Speaker 6: that as it was a newspapers as a child growing

1788
01:34:54,880 --> 01:34:56,720
Speaker 6: up already in Nigeria. But they will leave the priest

1789
01:34:56,840 --> 01:34:59,000
Speaker 6: name out of it. We had those condoms, but we

1790
01:34:59,080 --> 01:35:02,840
Speaker 6: don't consider Catholic try having sand up many places in

1791
01:35:02,880 --> 01:35:03,200
Speaker 6: the world.

1792
01:35:03,320 --> 01:35:05,599
Speaker 1: So yeah, I love your show.

1793
01:35:06,160 --> 01:35:08,920
Speaker 6: Keep it going. Uh, I'm working on some new scamps

1794
01:35:08,960 --> 01:35:11,760
Speaker 6: to bring back. So yeah, it's about time. It's about

1795
01:35:11,800 --> 01:35:13,559
Speaker 6: time to druss on something new, new.

1796
01:35:13,520 --> 01:35:19,160
Speaker 2: Hustles, all right, I should it takes a scammera to

1797
01:35:19,200 --> 01:35:21,200
Speaker 2: see through a scamera because that's such a great point

1798
01:35:21,240 --> 01:35:25,479
Speaker 2: about Catholic Catholicism being global. A lot of it spread

1799
01:35:25,520 --> 01:35:28,719
Speaker 2: into Africa where that's where a lot of these churches

1800
01:35:28,800 --> 01:35:34,760
Speaker 2: do their most regressive ship is in Africa. And then you, uh, yeah,

1801
01:35:34,920 --> 01:35:37,600
Speaker 2: and then how you would say something maybe online, but

1802
01:35:37,720 --> 01:35:40,200
Speaker 2: say something different in different country that's a great point.

1803
01:35:40,240 --> 01:35:43,960
Speaker 2: Appreciate you calling in with that. Uh, and the Q

1804
01:35:44,120 --> 01:35:45,800
Speaker 2: and as are back up. We can go through the

1805
01:35:45,840 --> 01:36:14,360
Speaker 2: real quick. But let me play some transition music, all right,

1806
01:36:14,479 --> 01:36:18,680
Speaker 2: Q and a's let's go to these listen to our

1807
01:36:18,800 --> 01:36:22,040
Speaker 2: love story on marriage Be Hard podcast. Jane says, I'm

1808
01:36:22,080 --> 01:36:24,760
Speaker 2: going to listen to it. I like Kevin Stage Queen.

1809
01:36:24,880 --> 01:36:27,479
Speaker 2: Rod says, married lesbians here, and we're trying to start

1810
01:36:27,520 --> 01:36:30,120
Speaker 2: our own podcast. We won't be like Roder Carron. We

1811
01:36:30,200 --> 01:36:33,240
Speaker 2: grow up. We're actually old enough to be your parents.

1812
01:36:33,400 --> 01:36:35,680
Speaker 2: We love listening to you guys. Oh we love to

1813
01:36:35,720 --> 01:36:40,679
Speaker 2: see you. Okay. Dead Wood says, great podcast. You guys

1814
01:36:40,720 --> 01:36:43,560
Speaker 2: are everyday people in the world, full of fakes. Thank you,

1815
01:36:44,080 --> 01:36:46,320
Speaker 2: Thank you, babe. Michael says the best part is at

1816
01:36:46,360 --> 01:36:50,559
Speaker 2: fifty three fifty five when Rod catches himself about the cuts. Listen,

1817
01:36:51,640 --> 01:36:53,880
Speaker 2: I'm human too, but I do a pretty good job

1818
01:36:54,000 --> 01:36:57,080
Speaker 2: of like whatever, give me the parameters of the show

1819
01:36:57,120 --> 01:36:59,720
Speaker 2: I'm on. I do a pretty good job of never

1820
01:37:00,160 --> 01:37:02,160
Speaker 2: going over line. And they didn't tell us there was

1821
01:37:02,200 --> 01:37:04,960
Speaker 2: anything we couldn't say or couldn't but I just want

1822
01:37:05,040 --> 01:37:08,400
Speaker 2: to show a deference and respect to the platform they built.

1823
01:37:08,439 --> 01:37:11,280
Speaker 2: Which is why anytime I'm messing with keV or do

1824
01:37:11,400 --> 01:37:13,920
Speaker 2: anything with keV, I try to keep the curse into

1825
01:37:13,960 --> 01:37:16,040
Speaker 2: a minimum stuff. And when he's a guest on here,

1826
01:37:16,080 --> 01:37:18,599
Speaker 2: I feel like it's our home. We can say we won't,

1827
01:37:18,640 --> 01:37:21,519
Speaker 2: but even then I try to keep it a little

1828
01:37:21,560 --> 01:37:23,680
Speaker 2: more restrained than if you you know, then if we

1829
01:37:23,720 --> 01:37:26,600
Speaker 2: had a different guess, cause you know, my goal is

1830
01:37:26,720 --> 01:37:30,200
Speaker 2: never to offend. I think some people don't understand the difference,

1831
01:37:30,360 --> 01:37:34,200
Speaker 2: Like I want to always be myself, Like I grew

1832
01:37:34,320 --> 01:37:36,599
Speaker 2: up in a place where we talk a little rough

1833
01:37:36,760 --> 01:37:37,960
Speaker 2: and that, and I love it.

1834
01:37:38,240 --> 01:37:38,800
Speaker 8: I like that.

1835
01:37:39,960 --> 01:37:42,160
Speaker 2: It makes me feel a little bit like home with

1836
01:37:42,600 --> 01:37:44,720
Speaker 2: the way we talk to each other. But there's some

1837
01:37:44,840 --> 01:37:46,920
Speaker 2: people that don't like that, or didn't grow up around there,

1838
01:37:47,000 --> 01:37:49,160
Speaker 2: or have whatever hang ups. I'm never gonna be like, well,

1839
01:37:49,160 --> 01:37:50,519
Speaker 2: I'm gonna talk to you how I want to talk.

1840
01:37:50,560 --> 01:37:52,040
Speaker 2: I'm like, all right, cool, as long as you're not

1841
01:37:52,960 --> 01:37:55,840
Speaker 2: attacking me, I will do my best adjust for you.

1842
01:37:57,240 --> 01:37:59,599
Speaker 2: Carrie says, I already did great episode. I heard Ride

1843
01:37:59,600 --> 01:38:01,679
Speaker 2: of care organ story before, but I never get tired

1844
01:38:01,680 --> 01:38:03,920
Speaker 2: of hearing it. Y'all had a type relationship that people

1845
01:38:03,960 --> 01:38:06,000
Speaker 2: can can aspire to half.

1846
01:38:06,120 --> 01:38:06,400
Speaker 1: Thank you.

1847
01:38:07,120 --> 01:38:09,519
Speaker 2: You just get a time shine Mary high school sweetheart.

1848
01:38:11,960 --> 01:38:15,680
Speaker 2: Uh the attention economy. The Q and A was we

1849
01:38:15,800 --> 01:38:18,280
Speaker 2: would like to trade doja cat. I mean, wait, we

1850
01:38:18,320 --> 01:38:20,080
Speaker 2: would like to trade half a doja cat in the

1851
01:38:20,160 --> 01:38:24,240
Speaker 2: next racial draft. Half so I said, CARDI would be great.

1852
01:38:24,840 --> 01:38:27,679
Speaker 2: CARTI already over here. I think she she says she's black.

1853
01:38:28,600 --> 01:38:29,439
Speaker 3: I don't know what y'all.

1854
01:38:30,000 --> 01:38:32,720
Speaker 2: You know what y'all Twitter negroes are doing with that

1855
01:38:32,800 --> 01:38:36,040
Speaker 2: kind of information these days. But by the old, the

1856
01:38:36,200 --> 01:38:41,800
Speaker 2: old rules that I was grand fallowing into. You got

1857
01:38:41,880 --> 01:38:44,240
Speaker 2: some black in you, and you say identify with the blacks,

1858
01:38:44,240 --> 01:38:46,120
Speaker 2: you with the blacks, Yes you are, until you do

1859
01:38:46,240 --> 01:38:50,519
Speaker 2: something to get kicked out. That's that's the rules. Raphael says,

1860
01:38:50,640 --> 01:38:56,679
Speaker 2: I'll take hope. I said that right from South Africa.

1861
01:38:56,760 --> 01:38:59,720
Speaker 2: She was on my power with Beyonce, her lips, her

1862
01:38:59,760 --> 01:39:04,000
Speaker 2: hip equal yes Lord and return Dojah with added bonus

1863
01:39:04,080 --> 01:39:07,040
Speaker 2: of Elon to the Rainbow Nation. Fair trade. If you

1864
01:39:07,160 --> 01:39:11,080
Speaker 2: ask me, I think you're trying to trade people out

1865
01:39:11,240 --> 01:39:14,600
Speaker 2: of Africa. That sounds it feels like it wasn't just

1866
01:39:14,680 --> 01:39:19,320
Speaker 2: a race thing. You want a three rate trade. Elon

1867
01:39:19,400 --> 01:39:21,720
Speaker 2: musk ain't even on our side. To be traded, right,

1868
01:39:22,200 --> 01:39:23,560
Speaker 2: you try to Yeah, he tried to throw in some

1869
01:39:23,680 --> 01:39:26,080
Speaker 2: extra and the Phoenix Sons want to put Nah.

1870
01:39:26,040 --> 01:39:26,479
Speaker 5: We're good.

1871
01:39:27,000 --> 01:39:29,719
Speaker 2: You can't sneak nobody on the backside. The Lord says,

1872
01:39:29,880 --> 01:39:33,040
Speaker 2: upper half of lower half. Well, obviously, Lord, we keep

1873
01:39:33,120 --> 01:39:34,960
Speaker 2: the lower half if we only trade the half of

1874
01:39:35,040 --> 01:39:38,840
Speaker 2: Doja Cat. Come on, uh the top. We knew the

1875
01:39:38,920 --> 01:39:43,840
Speaker 2: top was white, and I'm just kidding. We never doubted

1876
01:39:43,920 --> 01:39:45,800
Speaker 2: the top was white. That was the problem was the

1877
01:39:45,880 --> 01:39:48,120
Speaker 2: bottom was black. And then she started doing videos with

1878
01:39:48,160 --> 01:39:50,360
Speaker 2: black women. It was like, I guess if Chloe like her.

1879
01:39:51,800 --> 01:39:54,560
Speaker 2: Mss barn says, we're trading all of Doja Cat for

1880
01:39:54,760 --> 01:39:58,400
Speaker 2: Travis Kelce. He gonna be back over here soon on

1881
01:39:58,520 --> 01:40:02,360
Speaker 2: his own course. Se uh mucho, Mama says, I submit

1882
01:40:02,439 --> 01:40:05,519
Speaker 2: to you. I submit to you. Jane Elliott. I mean

1883
01:40:06,040 --> 01:40:09,720
Speaker 2: the Actually, we could probably get Jane Elliott for very

1884
01:40:09,840 --> 01:40:12,720
Speaker 2: low so that that might work. I was gonna say,

1885
01:40:12,760 --> 01:40:14,719
Speaker 2: what white people be willing to part with Jane Elliott?

1886
01:40:14,760 --> 01:40:18,320
Speaker 2: But we know they answer, yes, they would give her

1887
01:40:18,320 --> 01:40:24,120
Speaker 2: away for free. Yes, they would cash considerations. You're best

1888
01:40:24,200 --> 01:40:28,360
Speaker 2: off right, NESU says we would like to trade her

1889
01:40:28,439 --> 01:40:32,040
Speaker 2: for Jack Harlowe well, he already got some bonnets. Yeah,

1890
01:40:32,120 --> 01:40:33,160
Speaker 2: he do, got bonnett.

1891
01:40:33,240 --> 01:40:34,320
Speaker 3: Come over with some bonnets.

1892
01:40:34,360 --> 01:40:37,160
Speaker 2: He might keep me stay over here. Carrie says, her

1893
01:40:37,240 --> 01:40:39,120
Speaker 2: draft stock glow. We gotta let her go for a

1894
01:40:39,160 --> 01:40:40,679
Speaker 2: couple of future picks and cast space.

1895
01:40:43,280 --> 01:40:43,360
Speaker 7: Uh.

1896
01:40:43,520 --> 01:40:45,360
Speaker 2: The next one was where do I get the Henny

1897
01:40:45,439 --> 01:40:48,320
Speaker 2: White Because they say they're gonna have a limited release

1898
01:40:48,400 --> 01:40:50,840
Speaker 2: in America, so I don't got to go to Jamaica

1899
01:40:50,920 --> 01:40:53,000
Speaker 2: to get it. What's up? I ain't got to get

1900
01:40:53,040 --> 01:40:56,080
Speaker 2: on the cruise ship or go to somewhere else. Fifi says,

1901
01:40:56,600 --> 01:40:59,960
Speaker 2: dear Ron, I think you have a future in AI voice.

1902
01:41:00,640 --> 01:41:02,599
Speaker 2: I would have. I would love to have an Alexa

1903
01:41:02,640 --> 01:41:07,599
Speaker 2: that sounded like you, thank you, Fifi. That's sweet. Uh yeah,

1904
01:41:07,640 --> 01:41:10,439
Speaker 2: I'll you know, I don't remember the impression that much.

1905
01:41:10,439 --> 01:41:14,760
Speaker 2: It's probably just a generic white woman's voice. Turn left

1906
01:41:14,880 --> 01:41:19,160
Speaker 2: that thing, you know that ship. Addie Bowler says, please

1907
01:41:19,240 --> 01:41:21,200
Speaker 2: tell me how I can find a video of this

1908
01:41:21,400 --> 01:41:23,800
Speaker 2: pastor I can't find it. I need to start my

1909
01:41:23,880 --> 01:41:27,000
Speaker 2: own gender wars in the group chat. No, that's the

1910
01:41:27,040 --> 01:41:30,160
Speaker 2: opposite of what I went all to do. I'm doing

1911
01:41:30,240 --> 01:41:33,360
Speaker 2: this ship, So y'all don't got too We ain't trying

1912
01:41:33,400 --> 01:41:38,000
Speaker 2: to start. Jude, that's the problem. Y'all love y'all love love,

1913
01:41:40,240 --> 01:41:43,720
Speaker 2: But I can't find it nowhere? How do I how

1914
01:41:43,760 --> 01:41:45,360
Speaker 2: do I drop it in the chat so they can

1915
01:41:45,439 --> 01:41:47,880
Speaker 2: fuss in my group? Also says a lot that a

1916
01:41:48,040 --> 01:41:51,280
Speaker 2: day later you couldn't find it because there's always something new,

1917
01:41:51,760 --> 01:41:54,160
Speaker 2: ain't always something That ship was old news by the

1918
01:41:54,200 --> 01:41:56,200
Speaker 2: time we covered it, I was like, we on oysters now?

1919
01:41:56,320 --> 01:41:56,640
Speaker 2: Fuck that?

1920
01:41:57,479 --> 01:41:57,679
Speaker 1: Right?

1921
01:41:58,600 --> 01:42:01,400
Speaker 2: What you do? What you do when when you get

1922
01:42:01,439 --> 01:42:03,240
Speaker 2: a parking ticket but she won't fuck you in the

1923
01:42:03,280 --> 01:42:05,960
Speaker 2: back seat? Like, what is happening? How do we get here?

1924
01:42:06,320 --> 01:42:10,519
Speaker 2: What are we fighting about again? Right? We lost the plot?

1925
01:42:10,800 --> 01:42:10,960
Speaker 7: Right?

1926
01:42:11,640 --> 01:42:14,040
Speaker 2: Blair says, I'm in Georgia. They stopped the wedges, and

1927
01:42:14,160 --> 01:42:16,439
Speaker 2: I was upset. I thought the lady was scamming me

1928
01:42:16,560 --> 01:42:20,560
Speaker 2: with her weak lunch of old old Marl food. I

1929
01:42:20,680 --> 01:42:23,240
Speaker 2: literally came for the fries. I bought the largest order

1930
01:42:23,240 --> 01:42:26,680
Speaker 2: to talk about those KFC wedges. They just do fries now, right.

1931
01:42:26,800 --> 01:42:28,519
Speaker 4: People are like, I didn't come here with the fucking

1932
01:42:28,600 --> 01:42:30,760
Speaker 4: French fries. We have French fries anywhere, because that's what

1933
01:42:30,840 --> 01:42:32,280
Speaker 4: made us special, because they were wedges.

1934
01:42:32,400 --> 01:42:35,320
Speaker 2: Just call me Beyonce because I would be heated if

1935
01:42:35,400 --> 01:42:38,880
Speaker 2: you gave me some KFC regular ass fries when I

1936
01:42:39,000 --> 01:42:40,519
Speaker 2: was expecting potato edges.

1937
01:42:40,640 --> 01:42:43,920
Speaker 4: I'm sorry because there is but that this ask a

1938
01:42:43,920 --> 01:42:46,840
Speaker 4: potato connoisseur, I eat all thinks potatoes.

1939
01:42:46,920 --> 01:42:49,360
Speaker 2: Yes, this is between a wedge and the French fry.

1940
01:42:49,960 --> 01:42:52,479
Speaker 2: Mara says, I replayed the intro twice trying to figure

1941
01:42:52,520 --> 01:42:54,400
Speaker 2: out who is that white man, only to hear the

1942
01:42:54,520 --> 01:42:57,360
Speaker 2: Denzel FIV story later. It's so bad that it's good

1943
01:42:59,320 --> 01:43:01,320
Speaker 2: they will re music because it's terrible. I don't know,

1944
01:43:02,200 --> 01:43:04,800
Speaker 2: Jane says rod Go on that training day, rage at

1945
01:43:04,840 --> 01:43:07,000
Speaker 2: them for giving them those fake ass rip off the

1946
01:43:07,200 --> 01:43:09,240
Speaker 2: Zel voices. That was god off for.

1947
01:43:12,320 --> 01:43:12,439
Speaker 4: Uh.

1948
01:43:13,120 --> 01:43:15,160
Speaker 3: Katie says that impression.

1949
01:43:14,800 --> 01:43:21,840
Speaker 2: Scams, cous rivalries and fraud scam goddess. Kenny White is

1950
01:43:21,920 --> 01:43:24,960
Speaker 2: the sadity auntie with the hood tendency, says Ms. Barnes.

1951
01:43:25,520 --> 01:43:29,840
Speaker 2: So you mean my favorite aunt Amani says most folks

1952
01:43:29,960 --> 01:43:32,800
Speaker 2: I know said it while out get it while out

1953
01:43:32,920 --> 01:43:36,320
Speaker 2: of the country, especially in the Caribbean. Nelsa says, not

1954
01:43:36,400 --> 01:43:38,080
Speaker 2: a fan of Henny White, I don't see the pill

1955
01:43:38,120 --> 01:43:40,840
Speaker 2: of paying premium price for it. Well, it's I mean,

1956
01:43:40,920 --> 01:43:42,960
Speaker 2: I thought they was paying more because it's overseas. If

1957
01:43:43,000 --> 01:43:45,720
Speaker 2: it's I just want to try it. Okay, I never

1958
01:43:45,840 --> 01:43:47,920
Speaker 2: tried it even if it's regular. Let me find out

1959
01:43:47,960 --> 01:43:51,200
Speaker 2: its regular so I could be like, uh, let me

1960
01:43:51,360 --> 01:43:54,559
Speaker 2: just for myself. That preview was the mighty Quinn Denzel.

1961
01:43:54,640 --> 01:43:57,360
Speaker 2: I don't know who that was saying your line best.

1962
01:43:57,400 --> 01:44:01,559
Speaker 2: The Zel impression is at imc can Yeah. Yeah, if

1963
01:44:01,640 --> 01:44:03,640
Speaker 2: Jayl was telling me about him, that's why he texted me,

1964
01:44:03,760 --> 01:44:05,519
Speaker 2: and I was like, I know I can't afford him.

1965
01:44:08,240 --> 01:44:10,840
Speaker 2: Can you say this? Just like what for for what

1966
01:44:11,360 --> 01:44:14,479
Speaker 2: I'm booked? Go to my cameo and pay me three

1967
01:44:14,560 --> 01:44:18,880
Speaker 2: hundred dollars to say I like your podcast? Right, Carrie says,

1968
01:44:18,960 --> 01:44:20,800
Speaker 2: got to hit the duty free next time you out

1969
01:44:20,840 --> 01:44:22,519
Speaker 2: the country. I voted yes on the poll. I do

1970
01:44:22,720 --> 01:44:27,080
Speaker 2: think they will acknowledge SS marriage, just no time soon.

1971
01:44:28,040 --> 01:44:29,559
Speaker 2: I hope you're right. I don't think.

1972
01:44:30,439 --> 01:44:32,200
Speaker 3: I don't think they ever will, but I hope you're right.

1973
01:44:32,640 --> 01:44:34,360
Speaker 2: This is a scam just to keep people on as

1974
01:44:34,400 --> 01:44:36,200
Speaker 2: long as they can. Yeah, and no time soon. Doing

1975
01:44:36,240 --> 01:44:39,240
Speaker 2: a lot of work, but I feel b Tailor says,

1976
01:44:39,479 --> 01:44:42,000
Speaker 2: I am in tears over that Denzel impression. I was

1977
01:44:42,160 --> 01:44:46,479
Speaker 2: not expecting that voice at all. I know, like Denzel

1978
01:44:46,520 --> 01:44:49,480
Speaker 2: applying for a job or regular job, not acting.

1979
01:44:52,240 --> 01:44:52,400
Speaker 5: Right.

1980
01:44:53,040 --> 01:44:58,479
Speaker 2: I'm Denzel Washington and anyway, new party? Who is Cornell West?

1981
01:44:59,520 --> 01:45:03,160
Speaker 2: Bos us? My girl only hear y'all in my car.

1982
01:45:03,320 --> 01:45:05,720
Speaker 2: So when I play something else, she says, can we

1983
01:45:05,840 --> 01:45:07,320
Speaker 2: listen to the Karen podcast?

1984
01:45:07,600 --> 01:45:07,960
Speaker 5: Lol?

1985
01:45:08,439 --> 01:45:10,439
Speaker 3: But now she says, can we listen to the wife

1986
01:45:10,479 --> 01:45:11,680
Speaker 3: and husband podcast?

1987
01:45:12,479 --> 01:45:17,080
Speaker 2: That's close? It is the podcast that's sweet word again?

1988
01:45:18,320 --> 01:45:21,080
Speaker 2: They know what that came from me. I do all

1989
01:45:21,600 --> 01:45:24,000
Speaker 2: I do all the like get the segments together, but

1990
01:45:24,479 --> 01:45:26,000
Speaker 2: Roger do all the hard work. I don't know what

1991
01:45:26,040 --> 01:45:30,160
Speaker 2: I'm gonna say. I'm the talent up like I'm here.

1992
01:45:30,880 --> 01:45:34,519
Speaker 2: Raphael says, I would invite brother Cornell, brother Cornell West

1993
01:45:34,560 --> 01:45:37,120
Speaker 2: to my political party, but I don't got time for

1994
01:45:37,240 --> 01:45:40,280
Speaker 2: the broke be gone to the Ford party, Brother West. Now,

1995
01:45:40,360 --> 01:45:45,559
Speaker 2: Assaudi and Katari are always welcome. New hustle selling out

1996
01:45:45,560 --> 01:45:48,800
Speaker 2: before you get selling. I hear you. Uh, Jane says me,

1997
01:45:48,920 --> 01:45:50,680
Speaker 2: my new running mate for the election. Give it up

1998
01:45:50,720 --> 01:45:54,120
Speaker 2: for Kanye Cornell West hashtag West toxic party.

1999
01:45:54,280 --> 01:45:56,960
Speaker 3: Oh no, First of all, he would call him brother Kanye.

2000
01:45:57,560 --> 01:46:02,040
Speaker 2: Yes, brother Kanye. He do a long proliferated, like like

2001
01:46:02,400 --> 01:46:05,320
Speaker 2: three minutes, brother, I'm bringing up the next something like, oh,

2002
01:46:05,400 --> 01:46:10,040
Speaker 2: here we go. He's one of the most predigenous, most prophetic.

2003
01:46:10,760 --> 01:46:14,240
Speaker 2: Like all right, Carrie says, I am not looking forward

2004
01:46:14,280 --> 01:46:17,320
Speaker 2: to this upcoming election season. I noticed that not enough

2005
01:46:17,320 --> 01:46:19,360
Speaker 2: people learn anything at twenty sixteen. I hope I'm wrong

2006
01:46:19,439 --> 01:46:21,600
Speaker 2: and just being paranoid. I hope you all too. I

2007
01:46:22,120 --> 01:46:24,519
Speaker 2: don't know how to explain it, because I am scared

2008
01:46:24,520 --> 01:46:27,439
Speaker 2: as fuck, obviously for the direction of this country. But

2009
01:46:27,560 --> 01:46:31,920
Speaker 2: at the same time, this is the easiest election season

2010
01:46:32,000 --> 01:46:35,479
Speaker 2: I've ever seen in just that unless you just have

2011
01:46:35,600 --> 01:46:39,959
Speaker 2: a death wish, you gotta I would vote for literally

2012
01:46:40,160 --> 01:46:43,040
Speaker 2: the corpse of Joe Biden before I voted for before

2013
01:46:43,120 --> 01:46:48,160
Speaker 2: any Republican. I don't. I don't they they can't govern,

2014
01:46:48,280 --> 01:46:50,120
Speaker 2: they can't even get a House speaker, and they got

2015
01:46:50,160 --> 01:46:54,080
Speaker 2: the majority. Like, that's not an option, that's not a

2016
01:46:54,200 --> 01:46:58,240
Speaker 2: viable option. The government to function fucking function, and when

2017
01:46:58,320 --> 01:47:01,879
Speaker 2: they do agree on things only make it worse for everybody.

2018
01:47:01,960 --> 01:47:05,080
Speaker 2: So I don't know who the fuck is struggling with

2019
01:47:05,160 --> 01:47:07,760
Speaker 2: this one. Just let me make it the November twenty

2020
01:47:07,800 --> 01:47:11,840
Speaker 2: twenty four man, let's stamp that ship. Let's go. I'll

2021
01:47:11,880 --> 01:47:13,760
Speaker 2: bring all the forum's I d I'll give a fuck

2022
01:47:13,800 --> 01:47:16,560
Speaker 2: what I gotta do, right. Uh, the last thing was

2023
01:47:16,640 --> 01:47:20,480
Speaker 2: slavery on our walking Dad Q and A sounds very American,

2024
01:47:20,680 --> 01:47:26,760
Speaker 2: says Precie. Carrie says, of course, I hate slavery and

2025
01:47:26,920 --> 01:47:34,240
Speaker 2: we do too, Yes, we do. All right, let's go

2026
01:47:34,360 --> 01:47:37,960
Speaker 2: to our final segment. It's time to talk about the

2027
01:47:38,760 --> 01:47:46,160
Speaker 2: uh the emails you wrote. Oh I found it. It's

2028
01:47:46,200 --> 01:48:59,479
Speaker 2: called Hope h Ope. And here's my brother's beat. Alright,

2029
01:48:59,520 --> 01:49:01,240
Speaker 2: I gave you a little bit longer. That's a minute

2030
01:49:01,280 --> 01:49:04,760
Speaker 2: in fifteen seconds. But yeah, man, I tried to tell

2031
01:49:04,880 --> 01:49:07,800
Speaker 2: y'all my brother is talented. Man, it's not.

2032
01:49:08,600 --> 01:49:10,760
Speaker 3: I know, y'all. Niggas just be like, oh wow, a

2033
01:49:10,880 --> 01:49:13,200
Speaker 3: black man and his brother makes her pop music.

2034
01:49:13,320 --> 01:49:16,800
Speaker 2: Oh, when of these niggas gonna grow up? No, he's

2035
01:49:17,000 --> 01:49:19,760
Speaker 2: very fucking good at it. And I wouldn't say that

2036
01:49:20,320 --> 01:49:23,320
Speaker 2: was it, you know what I mean? Like, and the

2037
01:49:23,439 --> 01:49:26,519
Speaker 2: thing does with Rodney's beats playing them on here is

2038
01:49:26,760 --> 01:49:29,840
Speaker 2: a little bit different because like, he didn't give me

2039
01:49:29,880 --> 01:49:32,120
Speaker 2: these beats designed to beat inter loose. He just gave

2040
01:49:32,200 --> 01:49:33,800
Speaker 2: me like some beats, like yo, these are this is

2041
01:49:33,800 --> 01:49:35,840
Speaker 2: what I've been working on, and this is old shit.

2042
01:49:36,680 --> 01:49:38,840
Speaker 2: Like he's better, he's even better now, Like he's getting

2043
01:49:38,880 --> 01:49:44,240
Speaker 2: better so fast. But yeah, the problem is his beats.

2044
01:49:44,479 --> 01:49:47,360
Speaker 2: Thirty seconds isn't enough, as y'all can feel like it's

2045
01:49:47,400 --> 01:49:49,600
Speaker 2: starting to wake up at thirty seconds a minute in

2046
01:49:49,640 --> 01:49:51,560
Speaker 2: and you're like, what the fuck is a guitar? Is

2047
01:49:51,640 --> 01:49:56,760
Speaker 2: that a horn section? Anyway? Shout to him. Speaking of

2048
01:49:56,880 --> 01:50:00,040
Speaker 2: music emails, Tony writs and hey, Riot and Caro, I

2049
01:50:00,080 --> 01:50:04,840
Speaker 2: wanted to submit music for your Gender Wars segment. Oh shit,

2050
01:50:05,680 --> 01:50:09,040
Speaker 2: new segment. New music. Okay, this this beat, it's called

2051
01:50:09,200 --> 01:50:13,320
Speaker 2: you know what? All right, let's check it out, see

2052
01:50:13,360 --> 01:50:16,000
Speaker 2: what's going on with it. It looks like it's uh

2053
01:50:16,680 --> 01:50:18,840
Speaker 2: two and a half minutes, so we only need to

2054
01:50:18,880 --> 01:50:21,479
Speaker 2: beat to be like fifteen to thirty seconds. But let's

2055
01:50:21,520 --> 01:50:22,240
Speaker 2: see what it sounds like.

2056
01:50:29,280 --> 01:50:33,360
Speaker 5: Because you know that you know what, because you know

2057
01:50:34,160 --> 01:50:41,679
Speaker 5: that you know what, just kind of chill.

2058
01:50:44,120 --> 01:50:46,599
Speaker 2: I need a little bit more arguing, need to lead.

2059
01:50:47,640 --> 01:50:50,679
Speaker 2: I need like some I don't know, some some clips

2060
01:50:50,680 --> 01:50:53,080
Speaker 2: from baby Boy on it or something. But it's a start.

2061
01:50:53,160 --> 01:50:55,800
Speaker 3: It's a start, and of course the beat is dope.

2062
01:50:55,880 --> 01:50:56,720
Speaker 3: I'll definitely use it.

2063
01:50:56,840 --> 01:51:00,880
Speaker 2: For transitions and stuff, but I on a gender War

2064
01:51:01,080 --> 01:51:04,519
Speaker 2: specific beat, like I want somebody that they take some

2065
01:51:04,720 --> 01:51:07,320
Speaker 2: good clips where they go back and forth each other,

2066
01:51:07,960 --> 01:51:11,120
Speaker 2: like I wanted to feel a little bit like uh

2067
01:51:11,479 --> 01:51:18,640
Speaker 2: that Kendrick Lamar song for the last album where it

2068
01:51:18,840 --> 01:51:20,320
Speaker 2: was like, you know what, I'm sick of.

2069
01:51:20,360 --> 01:51:21,720
Speaker 5: These emotional.

2070
01:51:22,880 --> 01:51:27,240
Speaker 2: This niggas ain't ship Like that's that I want you

2071
01:51:27,240 --> 01:51:29,000
Speaker 2: all to be like God, I hope they turn that off.

2072
01:51:29,080 --> 01:51:32,240
Speaker 2: That's how I feel when I see Gender Wars coming.

2073
01:51:32,920 --> 01:51:34,719
Speaker 4: Like I said, I probably used to do a transition,

2074
01:51:34,800 --> 01:51:36,920
Speaker 4: but that's what we're looking for for people. That's like,

2075
01:51:36,960 --> 01:51:38,920
Speaker 4: I want to submit something for Gender Wars. That's what

2076
01:51:39,000 --> 01:51:39,479
Speaker 4: we're looking for.

2077
01:51:39,760 --> 01:51:42,720
Speaker 2: Yeah, so but I but once again, that's a dope beat.

2078
01:51:42,920 --> 01:51:46,080
Speaker 2: Yeah that's a dope beat. But yeah give me that motherfucker.

2079
01:51:46,160 --> 01:51:50,280
Speaker 2: We cry together, feeling and can crowd together. Thank you,

2080
01:51:50,560 --> 01:51:55,439
Speaker 2: Thank you, Tony. Uh, let's see Alonzo, says Denzel. What's up, man.

2081
01:51:56,720 --> 01:51:58,840
Speaker 2: I hope that you and Karen are doing well. I

2082
01:51:58,880 --> 01:52:01,000
Speaker 2: feel like you are both you are because you both

2083
01:52:01,040 --> 01:52:04,559
Speaker 2: sound great either that. Oh, you're both great actors. I mean,

2084
01:52:04,640 --> 01:52:07,519
Speaker 2: after what's going on with Jada and Will who knows

2085
01:52:07,920 --> 01:52:08,880
Speaker 2: who knows, y'all.

2086
01:52:08,960 --> 01:52:11,600
Speaker 4: We could be just be pretended, you know, you know,

2087
01:52:11,920 --> 01:52:15,200
Speaker 4: y'all be like they say they're in the same room,

2088
01:52:15,240 --> 01:52:18,080
Speaker 4: but they then background they completely did friend.

2089
01:52:18,240 --> 01:52:20,559
Speaker 2: They ain't even been. They never even they best friends.

2090
01:52:20,960 --> 01:52:23,200
Speaker 2: They've been separated since twenty and ten. I don't know

2091
01:52:23,200 --> 01:52:25,840
Speaker 2: why they playing they bad marriage for life over there?

2092
01:52:26,120 --> 01:52:29,080
Speaker 2: All right? Either way, listening to you is always gratified.

2093
01:52:29,120 --> 01:52:31,280
Speaker 2: When I saw the line the title of your show,

2094
01:52:31,320 --> 01:52:33,360
Speaker 2: I thought that you were going to be talking about

2095
01:52:33,400 --> 01:52:34,120
Speaker 2: Equalizer three.

2096
01:52:34,200 --> 01:52:36,559
Speaker 3: That movie got a lot of flack, but strangely enough,

2097
01:52:36,640 --> 01:52:37,160
Speaker 3: I enjoyed it.

2098
01:52:37,240 --> 01:52:39,360
Speaker 2: I have a few other thoughts about this episode, but

2099
01:52:39,479 --> 01:52:41,320
Speaker 2: we did do a review of it, and that is

2100
01:52:41,400 --> 01:52:44,160
Speaker 2: on our Blackout Tip Sport movie reviews, so check it

2101
01:52:44,200 --> 01:52:47,400
Speaker 2: out now. First, I got a revelation that you've been

2102
01:52:47,520 --> 01:52:50,400
Speaker 2: using FIB for voice impressions this whole time. I thought,

2103
01:52:50,479 --> 01:52:52,880
Speaker 2: for sure you've been using the AI voice generator. Thanks

2104
01:52:52,960 --> 01:52:55,840
Speaker 2: for supporting human beings. Oh no, yeah, it's always been

2105
01:52:56,040 --> 01:53:00,080
Speaker 2: people that did the impressions. It reminded me that I

2106
01:53:00,120 --> 01:53:03,160
Speaker 2: saw this great Denzel voice impressionator either on Ijia TikTok.

2107
01:53:03,200 --> 01:53:04,760
Speaker 2: I'll try to find him again. But you know how

2108
01:53:04,800 --> 01:53:07,320
Speaker 2: the algorithm is I might never find him again. I

2109
01:53:07,360 --> 01:53:09,479
Speaker 2: don't think I can forgive you for pulling putting that

2110
01:53:09,600 --> 01:53:13,599
Speaker 2: pussy whole, pink, booty, whole brown in my head. I'll

2111
01:53:13,600 --> 01:53:16,800
Speaker 2: get over it eventually. Uh. That preacher talking about women

2112
01:53:16,840 --> 01:53:19,479
Speaker 2: definitely sound like he recently got rejected, or that a

2113
01:53:19,560 --> 01:53:21,439
Speaker 2: woman caught him staring at her and he had to

2114
01:53:21,520 --> 01:53:23,479
Speaker 2: put him, She had to put him in his place.

2115
01:53:23,520 --> 01:53:25,840
Speaker 2: He sounded bitter as fuck. Yeah, I feel like he

2116
01:53:26,240 --> 01:53:30,439
Speaker 2: that something up with him. Yeah, he doff protests too much.

2117
01:53:30,920 --> 01:53:33,479
Speaker 2: Come on right lastly, as you may have heard him

2118
01:53:33,520 --> 01:53:36,639
Speaker 2: back in the podcast space, I have two episodes under

2119
01:53:36,680 --> 01:53:38,759
Speaker 2: my belt, and I love to have you and Karen

2120
01:53:38,840 --> 01:53:41,240
Speaker 2: come back sometime. Well that's all that I can think

2121
01:53:41,280 --> 01:53:43,280
Speaker 2: of from now. I hope to see you so yours truly,

2122
01:53:43,400 --> 01:53:45,160
Speaker 2: so all right, I'll hit you back with an email.

2123
01:53:45,280 --> 01:53:52,160
Speaker 2: Dog appreciate you, Uh, Slanda says, or Lanni says uh.

2124
01:53:52,640 --> 01:53:55,519
Speaker 2: Black Talk radio going conservative? Hi Rod of Karen loved

2125
01:53:55,560 --> 01:53:57,760
Speaker 2: the show. I wanted to speak on the radio station

2126
01:53:57,840 --> 01:54:01,040
Speaker 2: that went conservative. Detroit City is still major black, even

2127
01:54:01,120 --> 01:54:04,160
Speaker 2: though some whites are moving back into the downtown revitalization.

2128
01:54:04,880 --> 01:54:06,559
Speaker 3: Once you get out of Metro Detroit.

2129
01:54:06,680 --> 01:54:08,800
Speaker 2: It is very conservative. I live in a rural area

2130
01:54:08,840 --> 01:54:11,479
Speaker 2: about forty miles from Detroit, and there are plenty of

2131
01:54:11,520 --> 01:54:14,280
Speaker 2: people around here with Trump flags in their yard. Remember

2132
01:54:14,479 --> 01:54:16,640
Speaker 2: this is the state that had to applot the kid nap.

2133
01:54:16,760 --> 01:54:20,519
Speaker 2: Gretchen Whne Whitmer cue up the good work line. Yep,

2134
01:54:20,600 --> 01:54:25,599
Speaker 2: that's they won't be listening. Yes, uh, this is Desi

2135
01:54:25,760 --> 01:54:29,200
Speaker 2: Ray who writes saying high Ride and Karen. I try

2136
01:54:29,280 --> 01:54:31,200
Speaker 2: to keep up with new music, but it's hard when

2137
01:54:31,240 --> 01:54:34,720
Speaker 2: your peers stop. I'm fifty six and I almost and

2138
01:54:34,760 --> 01:54:37,280
Speaker 2: I mostly hear eighties and nineties playlists when I'm hanging

2139
01:54:37,320 --> 01:54:39,840
Speaker 2: out with people in my age range, and to beyond it,

2140
01:54:39,960 --> 01:54:41,880
Speaker 2: some places where I could hear new music are not

2141
01:54:42,000 --> 01:54:43,840
Speaker 2: places I want to be. I hear you on that.

2142
01:54:44,600 --> 01:54:47,200
Speaker 2: What has helped me stay somewhat current is joining the

2143
01:54:47,320 --> 01:54:50,360
Speaker 2: chat early and searching on Spotify for the music you

2144
01:54:50,440 --> 01:54:53,720
Speaker 2: play that I like. I first heard the Why I

2145
01:54:53,840 --> 01:54:57,800
Speaker 2: Love the Moon song in the chat Yeah by Phony.

2146
01:54:57,840 --> 01:55:00,960
Speaker 2: People love them and like the album so much that

2147
01:55:01,080 --> 01:55:03,680
Speaker 2: I found out Phony people playing at my at the

2148
01:55:03,720 --> 01:55:06,320
Speaker 2: Blue Note this September here in New York. My husband

2149
01:55:06,320 --> 01:55:08,360
Speaker 2: and I went to see them and it was so

2150
01:55:08,520 --> 01:55:12,600
Speaker 2: much fun. Thanks DJ Rod. Also, NPR's Tiny Desk Concerts

2151
01:55:12,600 --> 01:55:14,800
Speaker 2: as supposedly to a bunch of new artists, and all

2152
01:55:14,960 --> 01:55:16,960
Speaker 2: artists are different genres. Yeah, that's how I got put

2153
01:55:16,960 --> 01:55:20,600
Speaker 2: on the Moon Move flet up, Move Fresh. I was

2154
01:55:20,880 --> 01:55:22,720
Speaker 2: to say, yeah, I'm gonna say that's what I thought

2155
01:55:22,760 --> 01:55:24,960
Speaker 2: it was. But you know me, I tank everything. So

2156
01:55:25,080 --> 01:55:28,240
Speaker 2: I had a crisis. Yeah I said it right, Okay.

2157
01:55:28,880 --> 01:55:30,560
Speaker 2: I just as I was saying that, I got less

2158
01:55:30,560 --> 01:55:32,520
Speaker 2: confident in myself. I was like, wait a minute, am

2159
01:55:32,560 --> 01:55:34,440
Speaker 2: I being old and black? I just fucked up somebody

2160
01:55:34,600 --> 01:55:38,240
Speaker 2: name I'm not gonna write in it's Mimi Fresh Ride Okay,

2161
01:55:38,560 --> 01:55:42,400
Speaker 2: you're old. But yeah, that's how I got put on.

2162
01:55:42,480 --> 01:55:44,120
Speaker 2: My mom actually sent me a link to them.

2163
01:55:44,720 --> 01:55:44,840
Speaker 5: Uh.

2164
01:55:45,000 --> 01:55:47,680
Speaker 2: Thanks again for all you do. Much love, desiree. Ps.

2165
01:55:47,760 --> 01:55:49,680
Speaker 2: The Blue Note is a really nice place for introverse

2166
01:55:49,760 --> 01:55:52,120
Speaker 2: to hear live music for when you're back in New York.

2167
01:55:52,280 --> 01:55:57,000
Speaker 2: Thank you, thank you. And lastly, this is for this,

2168
01:55:57,080 --> 01:55:59,680
Speaker 2: says favvul. University is from Vicky, who says, Hi, Ride

2169
01:55:59,680 --> 01:56:02,080
Speaker 2: of Karen. Things are always putting out the best content ever.

2170
01:56:02,200 --> 01:56:04,640
Speaker 2: My son is looking at colleges. If Fairville is on

2171
01:56:04,760 --> 01:56:07,200
Speaker 2: this list. We on our way up uh in p

2172
01:56:07,480 --> 01:56:11,160
Speaker 2: NW and Seattle and planning to visit. On visiting if

2173
01:56:11,160 --> 01:56:13,720
Speaker 2: he gets accepted. My son is by and we're both

2174
01:56:13,760 --> 01:56:16,919
Speaker 2: wondering what the scene is like for LGBTQ folks at Fairville.

2175
01:56:17,240 --> 01:56:19,360
Speaker 2: Their policies look great, but maybe you have a little

2176
01:56:19,400 --> 01:56:22,600
Speaker 2: more insight thanks in advance. Were both big fans, so

2177
01:56:22,840 --> 01:56:27,200
Speaker 2: it's been too long since I was there to really

2178
01:56:27,240 --> 01:56:30,200
Speaker 2: give you any true like this is what it's like

2179
01:56:30,320 --> 01:56:34,839
Speaker 2: on the ground at the campus. Since since we're not students,

2180
01:56:34,920 --> 01:56:38,760
Speaker 2: I would probably, if possible, if your son is comfortable

2181
01:56:38,800 --> 01:56:43,280
Speaker 2: with that, I would actually ask like, uh, the person

2182
01:56:43,400 --> 01:56:47,520
Speaker 2: maybe that either in the dean's office or a person

2183
01:56:47,680 --> 01:56:49,960
Speaker 2: in the like if you have like a tour or

2184
01:56:50,000 --> 01:56:54,040
Speaker 2: something set up to ask a fellow student or something.

2185
01:56:54,720 --> 01:56:58,200
Speaker 2: You know, there's got to be an LGBTQ group on campus.

2186
01:56:58,280 --> 01:57:02,040
Speaker 2: Maybe you can email or something. I would do that first,

2187
01:57:02,240 --> 01:57:05,000
Speaker 2: you know, and especially a student group, not not like

2188
01:57:05,520 --> 01:57:07,879
Speaker 2: no offense to the to the office, but the offices

2189
01:57:07,920 --> 01:57:10,280
Speaker 2: job is to promote the campus no matter what. Correct

2190
01:57:10,760 --> 01:57:13,080
Speaker 2: I would reach out to a student group to be like,

2191
01:57:13,240 --> 01:57:14,520
Speaker 2: what's it like here? For real?

2192
01:57:14,760 --> 01:57:16,680
Speaker 3: Am I gonna be isolated alone.

2193
01:57:17,280 --> 01:57:19,760
Speaker 2: Is the shit gonna be weird and hard Because one

2194
01:57:19,800 --> 01:57:22,879
Speaker 2: thing about HBCUs I love my HBCU.

2195
01:57:22,920 --> 01:57:25,520
Speaker 3: I wouldn't trade it for the world. I love going there.

2196
01:57:25,600 --> 01:57:29,640
Speaker 2: But sometimes, at least when I was there, so let

2197
01:57:29,680 --> 01:57:33,000
Speaker 2: me when I was there, sometimes it could be a

2198
01:57:33,040 --> 01:57:35,440
Speaker 2: little churchy, and I don't mean churchy, and like they

2199
01:57:35,560 --> 01:57:37,840
Speaker 2: was walking in the in a class room, I'm saying,

2200
01:57:37,920 --> 01:57:39,840
Speaker 2: like we don't like gay people, nothing like that, but like,

2201
01:57:40,520 --> 01:57:44,320
Speaker 2: you know, it's just like a general like conservative bent

2202
01:57:44,520 --> 01:57:49,040
Speaker 2: to the like administration, not the students. Obviously populous, but

2203
01:57:49,240 --> 01:57:51,280
Speaker 2: and I'm sure that there's a bunch of white schools

2204
01:57:51,320 --> 01:57:53,880
Speaker 2: that feel that way too, you know, especially private schools,

2205
01:57:53,920 --> 01:57:56,760
Speaker 2: religiou schools and stuff, but public schools, I know white

2206
01:57:56,800 --> 01:57:59,040
Speaker 2: schools are kind of hand all hands off on that

2207
01:57:59,200 --> 01:58:03,080
Speaker 2: a little bit like a little bit more like in

2208
01:58:04,120 --> 01:58:06,160
Speaker 2: I guess not to sound shady, but a lack of

2209
01:58:06,240 --> 01:58:08,440
Speaker 2: concern where it's just like, fuck it, you're just here

2210
01:58:08,520 --> 01:58:10,320
Speaker 2: to spend money in past classes. If you don't do that,

2211
01:58:10,400 --> 01:58:13,520
Speaker 2: that's on you. Fuck you. But sometimes some of the

2212
01:58:13,760 --> 01:58:17,360
Speaker 2: like taking a person under their arm can be like hey,

2213
01:58:17,640 --> 01:58:20,240
Speaker 2: come to church with us or something like that. That's what.

2214
01:58:21,520 --> 01:58:24,360
Speaker 2: I was in the scholarship program for like three of

2215
01:58:24,440 --> 01:58:27,360
Speaker 2: my five years there, and that was one of the things.

2216
01:58:27,400 --> 01:58:29,680
Speaker 2: My freshman year was always they were trying to get

2217
01:58:29,720 --> 01:58:31,760
Speaker 2: me to do social stuff, but it wasn't social stuff

2218
01:58:31,880 --> 01:58:34,960
Speaker 2: I wanted to do, you know. And I was coming

2219
01:58:35,000 --> 01:58:38,280
Speaker 2: of age. I was seventeen, and I you know, and

2220
01:58:38,400 --> 01:58:41,920
Speaker 2: then I realized I'm grown. I don't have to do shit.

2221
01:58:42,320 --> 01:58:43,600
Speaker 2: So they'd be like, you want to go to church,

2222
01:58:43,640 --> 01:58:45,720
Speaker 2: and I'm like, no, I'm gonna go play basketball, and

2223
01:58:45,760 --> 01:58:49,320
Speaker 2: I just go do that. But yeah, I would reach

2224
01:58:49,360 --> 01:58:52,440
Speaker 2: out to a student organization to find out somebody else

2225
01:58:52,720 --> 01:58:54,760
Speaker 2: because things have changed, so a lot of that may

2226
01:58:54,840 --> 01:58:57,040
Speaker 2: have may not be the same. If there's a reddit

2227
01:58:57,200 --> 01:59:00,160
Speaker 2: or social media or something, there's something where you can

2228
01:59:00,200 --> 01:59:02,680
Speaker 2: get in contact with students from Favuell State, and if

2229
01:59:02,840 --> 01:59:05,400
Speaker 2: that's what I would do, because like I said, I

2230
01:59:05,520 --> 01:59:09,320
Speaker 2: can't even imagine the difference is because I feel like

2231
01:59:09,480 --> 01:59:12,960
Speaker 2: society has changed a lot since nineteen ninety six when

2232
01:59:13,000 --> 01:59:16,760
Speaker 2: I was in freshman or whatever. So I feel like

2233
01:59:16,880 --> 01:59:18,320
Speaker 2: too much of that has changed for me to be

2234
01:59:18,440 --> 01:59:20,720
Speaker 2: like this is what it's like when I was there.

2235
01:59:20,800 --> 01:59:26,240
Speaker 2: I still remember everyone the whole I remember everyone being homophobic.

2236
01:59:26,320 --> 01:59:28,120
Speaker 2: I remember there was a time where there was a

2237
01:59:28,520 --> 01:59:33,640
Speaker 2: guy that I was ninety nine percent sure was gay.

2238
01:59:33,720 --> 01:59:36,120
Speaker 2: I don't know how it was to play it like

2239
01:59:38,360 --> 01:59:41,000
Speaker 2: I hate to even sound scarotypical like that, but I

2240
01:59:41,120 --> 01:59:43,560
Speaker 2: want to be real with everybody, in realistic with people,

2241
01:59:43,640 --> 01:59:45,720
Speaker 2: and I know people know what the fuck I'm talking about.

2242
01:59:46,200 --> 01:59:48,800
Speaker 2: But it was a person that everyone he was like

2243
01:59:48,920 --> 01:59:52,760
Speaker 2: flamboyantly gay quote unquote, and to me it was I

2244
01:59:53,000 --> 01:59:55,920
Speaker 2: just like, oh, yeah, he's gay. Of course I didn't

2245
01:59:55,960 --> 01:59:58,000
Speaker 2: have any hang ups about it, and that just wasn't

2246
01:59:58,600 --> 02:00:00,520
Speaker 2: That wasn't one of the things that I thought was

2247
02:00:00,600 --> 02:00:02,760
Speaker 2: like we're gonna pick on people. I was like, yeah,

2248
02:00:02,760 --> 02:00:07,840
Speaker 2: he's gay, and that's whatever. And I just remember one

2249
02:00:07,880 --> 02:00:10,720
Speaker 2: time I was talking with some dudes and he came

2250
02:00:10,840 --> 02:00:15,480
Speaker 2: over and he started talking bad about gay people. And

2251
02:00:15,600 --> 02:00:17,960
Speaker 2: I think maybe he thought so we would be like

2252
02:00:18,520 --> 02:00:21,120
Speaker 2: high five, bro, you know we also hate the gays

2253
02:00:21,160 --> 02:00:23,520
Speaker 2: or whatever, But it just came off like weird because

2254
02:00:23,560 --> 02:00:27,440
Speaker 2: everybody was like, wait, what you hate? You hate yourself.

2255
02:00:27,720 --> 02:00:30,240
Speaker 2: We don't have a problem with you. You cool with us,

2256
02:00:30,800 --> 02:00:33,040
Speaker 2: you know what. I like it did, you know? But

2257
02:00:33,160 --> 02:00:36,400
Speaker 2: I don't know what his experience was separately. I don't

2258
02:00:36,400 --> 02:00:38,880
Speaker 2: know what experience was on the day to day, so

2259
02:00:39,000 --> 02:00:42,080
Speaker 2: who knows. You know that he may have learned it's

2260
02:00:42,160 --> 02:00:46,320
Speaker 2: better to talk about what people think I am than

2261
02:00:46,360 --> 02:00:49,440
Speaker 2: to just then to and say bad ship.

2262
02:00:49,600 --> 02:00:53,000
Speaker 3: Then the then the hope that these dudes are gonna

2263
02:00:53,000 --> 02:00:53,600
Speaker 3: be inclusive.

2264
02:00:53,720 --> 02:00:57,320
Speaker 2: So that's a long time ago. That's the only real

2265
02:00:57,400 --> 02:01:00,280
Speaker 2: experience I remember that some one of those things where

2266
02:01:00,600 --> 02:01:02,400
Speaker 2: like you said, things have changed.

2267
02:01:02,440 --> 02:01:05,800
Speaker 4: University has evolved. But like right to say, particularly with

2268
02:01:05,920 --> 02:01:07,560
Speaker 4: the Reddit buys a lot of times on the Reddit

2269
02:01:07,600 --> 02:01:10,240
Speaker 4: bulls is when you know you'll see people giving like comments.

2270
02:01:10,320 --> 02:01:10,920
Speaker 2: Well, Reddit.

2271
02:01:11,040 --> 02:01:13,160
Speaker 3: The reason I say Reddit is not so you can

2272
02:01:13,200 --> 02:01:14,720
Speaker 3: go on there because I think Reddit is.

2273
02:01:14,800 --> 02:01:19,040
Speaker 2: Still not an accurate reflection of much I agree. But

2274
02:01:19,320 --> 02:01:21,760
Speaker 2: so what I'm saying is you can go on Reddit

2275
02:01:21,840 --> 02:01:26,440
Speaker 2: and maybe find some contact information for whatever groups on

2276
02:01:26,600 --> 02:01:29,240
Speaker 2: campus there are. I would talk to groups because I

2277
02:01:29,280 --> 02:01:31,800
Speaker 2: feel like they would keep it real because their job

2278
02:01:32,000 --> 02:01:34,000
Speaker 2: isn't to get you to go to school. Their job

2279
02:01:34,120 --> 02:01:37,560
Speaker 2: is to make life better for LGBTQ people on campus. Correct,

2280
02:01:37,640 --> 02:01:40,760
Speaker 2: So I think if you said, hey, I'm a little

2281
02:01:40,800 --> 02:01:42,920
Speaker 2: worried about coming on the camp, what is life like,

2282
02:01:43,720 --> 02:01:46,800
Speaker 2: They're gonna tell you the real more than any ambassador

2283
02:01:46,960 --> 02:01:49,200
Speaker 2: to the school that's gonna tell you. Not that those

2284
02:01:49,240 --> 02:01:52,680
Speaker 2: people would are lying, but I just feel like their

2285
02:01:52,800 --> 02:01:55,680
Speaker 2: job is to sell, so they not gonna it'd be like, oh,

2286
02:01:55,720 --> 02:01:59,720
Speaker 2: that's straight. Like h I like to know some facts, right.

2287
02:02:00,600 --> 02:02:00,680
Speaker 4: Uh.

2288
02:02:00,800 --> 02:02:03,200
Speaker 2: That's it for today's episode. Thanks for listening to everybody.

2289
02:02:03,320 --> 02:02:05,960
Speaker 2: We'll be back throughout the week. Until next time. I

2290
02:02:06,040 --> 02:02:07,240
Speaker 2: love you, I know you by