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Speaker 1: Let's deal with the fact that Drake may have planted

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Speaker 1: information to Kendrick Lamar and how that weighs in as

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Speaker 1: it pertains to Kendrick going in the studio laying the

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Speaker 1: whole track, coming out with it, thinking he's exposing something

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Speaker 1: and he's been fed that information. I believe that to

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Speaker 1: be one of the more clever things that's ever happened

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Speaker 1: in battle rap And I also believe that if Kendrick

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Speaker 1: had done that to Drake, they would they would literally

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Speaker 1: bring Drake out and hang him to a cross. This

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Speaker 1: is bigger than a battle. When someone starts to throw

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Speaker 1: this stuff around. Number one, you gotta know what era

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Speaker 1: where in bro This is not an error to be

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Speaker 1: playing with these powerful billion dollar dues where all they

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Speaker 1: need is allegations. Is what it looks like to get

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Speaker 1: a real investigation going and to really affect business here.

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Speaker 1: Drake is one of the biggest in the world. If

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Speaker 1: you just thought that Drake what all that time and

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Speaker 1: you didn't let him know, I got an issue with

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Speaker 1: how you handled that. So here's the mistake Drake made. Drake,

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Speaker 1: you send all of your people to think that academics

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Speaker 1: is the place and then Kendrick can use academics against you. Now,

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Speaker 1: I'm too addicted for that audience to go anywhere but here,

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Speaker 1: anywhere but here to get this, I don't want you

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Speaker 1: going nowhere. So even if it hurts my man, I

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Speaker 1: got to cover it. So the idea that the only

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Speaker 1: thing standing between me and you is time, and you

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Speaker 1: will bank. You'll put your whole bank on that. You'll

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Speaker 1: put your whole bank that a dude that been wrapping

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Speaker 1: all his life can't come back to back. I don't

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Speaker 1: think that was a good move, But some of these

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Speaker 1: low level tactics I think have been driven by some

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Speaker 1: of these media guys who want to amplify their brands

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Speaker 1: and their voices. To go with academics, to me was

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Speaker 1: a mistake because if you do any case study with academics,

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Speaker 1: you saw Road with Takashi like that, and then at

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Speaker 1: some point he switched it off in the midst of

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Speaker 1: this battle to be telling Cosine, Yo, stay up, man,

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Speaker 1: I'm about to drop. It's like yo, bro casing. That

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Speaker 1: job is to react to that kind of shit. He

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Speaker 1: gonna get to it now. Niggas want to allure me to

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Speaker 1: death exactly, my man, Lord, my man, loans, old loan

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Speaker 1: new little okay okay okay.

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Speaker 2: Osmun it's up there and stuck that nigga when it's

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Speaker 2: up there, Man, it's stuck there.

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Speaker 1: Shut up, yo. Let's take a break from the show.

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Speaker 1: This episode is brought to you by Prize Picks, the

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Speaker 3: Youar me?

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Speaker 1: Man, listen, pick up when I'm putting down man. This

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Speaker 1: Iut p ain't nothing bigger than this applane. It's up there.

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Speaker 1: Let's get back to the show. Welcome to us, Up

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Speaker 1: there podcast. I go by Big Loans. You already know

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Speaker 1: the vibes is how we are coming off with two

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Speaker 1: more records that just dropped, and I'm gonna be honest,

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Speaker 1: I'm exhausted what we deal with with these guys Drake

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Speaker 1: Kendrick Lamar going back and forth. One of the more

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Speaker 1: fast paced battles that I've ever witnessed, and not only

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Speaker 1: music in any kind of disc course, right, competitive discourse.

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Speaker 1: It's never been this fast, even in playoffs, even in boxing.

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Speaker 1: There's no rematches and things that really go at this

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Speaker 1: rate of speed. Congratulations to these guys, but they have

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Speaker 1: broke the mold as it pertains to what battling is

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Speaker 1: and what rap has to now consider when we call

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Speaker 1: ourselves headed to the to the top tiers to see

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Speaker 1: who actually is king of the hell. Both fan bases

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Speaker 1: out running rampant. Right. We got a lot of commenters,

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Speaker 1: you know, a lot of the people that leave comments

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Speaker 1: that everybody has an opinion on this, rightfully, So two

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Speaker 1: of the bigger artists that ever has graced any kind

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Speaker 1: of stage. So I definitely, I definitely understand it. Last

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Speaker 1: time I spoke with y'all, I looked over family matters

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Speaker 1: in Euphoria after that six ' sixteen drop. Now, there's

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Speaker 1: a significant breach of information that Kendrick was referring to

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Speaker 1: on six sixteen that I believe he was fed that information.

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Speaker 1: But Kendrick is a mastermind, so he stepped on the

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Speaker 1: roll out of people saying, ah, I got you right.

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Speaker 1: And so we're dealing with all of this in real time. Again,

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Speaker 1: I'm not gonna be able to keep up with how

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Speaker 1: they're dropping this stuff, and so we're gonna just do

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Speaker 1: punch ins as it pertains to YO when I see you,

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Speaker 1: this is what's happening. And let's move forward. For those

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Speaker 1: of you underwear. Six sixteen drops with Kendrick Lamar and

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Speaker 1: he's on the proud calling Drake this horrible person hiding

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Speaker 1: another kid, and he had a certain vitry all about

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Speaker 1: his tone that I believe he truly believed that. I'm

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Speaker 1: not saying it's not true. Some people are saying still

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Speaker 1: trying to hint around the fact that it's true. I

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Speaker 1: don't think the guy make that mistake, the same mistake twice,

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Speaker 1: and if he did, it would say a lot about

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Speaker 1: his character. But I am leaning towards that that's not

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Speaker 1: the situation right This rap battle is tooking on New

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Speaker 1: Heights Man. People are invested in this in a way

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Speaker 1: that no matter what is being said, they do not care.

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Speaker 1: They don't care what's being said. If their team Drake,

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Speaker 1: whatever Kendrick say, don't matter. If their team Kendrick, whatever Kendrick,

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Speaker 1: if their team Kendrick, whatever Drake say, doesn't matter. We've

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Speaker 1: now got into a weird place with this. Let's ask

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Speaker 1: the question if if you're in a battle rap and

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Speaker 1: you're lying, does that land Looking over this Kendrick Lamar

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Speaker 1: and Drake battle, it helps me analyze the Internet and

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Speaker 1: it's a case study for me. And what I've learned

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Speaker 1: is that there's pockets of the Internet like that. It's

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Speaker 1: almost like group chats. I always tell people like when

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Speaker 1: they ask me something, Yo, you heard about Kushan I'll

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Speaker 1: be like, I ain't in that group chat. Basically, group

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Speaker 1: chat is your algorithm. It's just your worldwide group chat.

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Speaker 1: It's not the group chat with you and the homies.

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Speaker 1: But that's my that's my slang, that's what I say. Yo.

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Speaker 1: I'm not in that group chat, So I don't really

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Speaker 1: know much about that, but it amplified the group chats

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Speaker 1: that exist online. As I navigate through this Drake and

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Speaker 1: Kendrick Lamar skirmish, there's a bunch of narratives that's been

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Speaker 1: picked over as a bunch of talking points that's been regurgitated.

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Speaker 1: There's videos, there's tiktoks, this's instant Twitter. There's so many

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Speaker 1: different avenues and alleys of information that leads to narratives

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Speaker 1: on each one of these guys. For whatever reason, it

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Speaker 1: just feels like Drake's narratives are not carrying in the

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Speaker 1: same way. And again, a lot of what you hear

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Speaker 1: me talk about today, unless I'm specifically letting you know

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Speaker 1: I'm speaking about the music is everything outside of music.

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Speaker 1: And so we are as media laying the parameters for

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Speaker 1: the battles to come. Because again, never in history has

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Speaker 1: it been this influential as it pertains to media and

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Speaker 1: narratives on a battle. Media has usually been a closed

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Speaker 1: off section of hip hop that's very controlled, very traditional

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Speaker 1: in its approach, and so I believe that the new

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Speaker 1: age will start to see things kick out in a

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Speaker 1: different way. Now. I don't want to feel like Drake

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Speaker 1: is becoming like upset, because I do believe Drake to

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Speaker 1: be spoiled. He's been on top for so long that

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Speaker 1: I do believe that he knows that I deserve a

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Speaker 1: certain kind of y'all. Damn y'all gonna let him do

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Speaker 1: me like that, y'all gonna just bump to him like

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Speaker 1: Damn y'all gonna do that, And I think he doesn't

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Speaker 1: understand it. Bro, when it's time for war, when it's

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Speaker 1: time to defend the throne, while those accolades have held

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Speaker 1: you up for so long, it's now time to focus

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Speaker 1: on ability and not accolades. And what I think Drake

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Speaker 1: is doing is he believes, because his accolades that y'all

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Speaker 1: shouldn't even allow certain things, and that's just not how

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Speaker 1: it goes. Let's deal with the fact that Drake may

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Speaker 1: have planted information to Kendrick Lamar and how that weighs

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Speaker 1: in as it pertains to Kendrick going in the studio

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Speaker 1: laying the whole track, coming out with it, thinking he's

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Speaker 1: exposing something and he's been fed that information. I believe

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Speaker 1: that to be one of the more clever things that's

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Speaker 1: ever happened in battle Rap. And I also believe that

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Speaker 1: if Kendrick had done that to Drake, they would they

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Speaker 1: would literally bring Drake out and hang him to a cross. YO,

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Speaker 1: you got put in a trick bag now you just

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Speaker 1: can't with the boy. The boy is just light years

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Speaker 1: ahead thinking of you. Like they would literally say, Kendrick

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Speaker 1: Lamar is so much more smarter than you. You're out

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Speaker 1: of your league. Imbecaw. They would call the boy imbecaw

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Speaker 1: if he was to If Drake was to bite into

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Speaker 1: a fake story and drop a whole record and come

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Speaker 1: out like he got your moment and it was fake,

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Speaker 1: they would one hundred percent say Kendrick Lamar is God

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Speaker 1: over Drake. But this ain't the time to get in

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Speaker 1: your feelings. So Drake got to just whatever they throw

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Speaker 1: in their he just got to handle it. YO. A

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Speaker 1: lot of hate you brouh A lot of said, YO,

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Speaker 1: you've been self promoting for the last twenty years. I

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Speaker 1: get on a song with you, and you a dismay

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Speaker 1: on my song. Even if you don't dism on the song,

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Speaker 1: you're dis on the next record. Every you'll say something

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Speaker 1: like every song sound like Drake featuring Drake, like, yeah,

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Speaker 1: they don't be quiet, they need the feature. They might

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Speaker 1: not say nothing, but they don't forget that. I always

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Speaker 1: say it's important to watch people with power and not

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Speaker 1: how they treat their peers, but how they treat the

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Speaker 1: people that they think are under them, the people they

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Speaker 1: really think need them, how they treat them. Now, Drake

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Speaker 1: has been put in a trick bag because he's so

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Speaker 1: mega successful that what hip hop was built on is

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Speaker 1: now playing against him. Because, if I'm being one hundred

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Speaker 1: percent honest, hip hop was built on boasting and bragging

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Speaker 1: and yeah, I'm number one, and it's a competitive element

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Speaker 1: to the sport. It's a competitive nature inside of the

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Speaker 1: squared circle that is hip hop. So I cannot say, yo,

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Speaker 1: it just so happened to be Drake being one of

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Speaker 1: the most successful ever, so when he said it hit

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Speaker 1: a little different. Really, no one could have ever said

200
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Speaker 1: stuff like that prior to Drake. Even if we look back,

201
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Speaker 1: jay Z would do a lot of self promotion as well.

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Speaker 1: His wouldn't be at the rappers, It'll be at the critics.

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Speaker 1: And I think Drake is one of the first people

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Speaker 1: that shot at the rappers while standing next to him.

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Speaker 1: If you remember jay Z, jay Z may come out

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Speaker 1: in one million, two million, three million, four right, he

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Speaker 1: would more so say, oh, the critics thing I'm falling off,

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Speaker 1: ain't no fall off. The critics don't understand what I'm

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Speaker 1: doing now, They're too far behind, right. So Jay and

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Speaker 1: those guys would kind of shoot at the critics. The

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Speaker 1: Grammys the Award showed things like that with Drake shooting

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Speaker 1: at those rappers, and it just seems like it comes

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Speaker 1: back to bite them at this point. I'm gonna paint

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Speaker 1: a clear picture today that because of Drake's successful career,

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Speaker 1: he's now locked in a box. And I'm not saying

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Speaker 1: he can't get it done, but they've got him in

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Speaker 1: a trick bag at this point. Now we go record

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Speaker 1: for record. That's one thing again, I'm gonna talk about

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Speaker 1: the elements outside of the music because that's where I

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Speaker 1: want to live at. I have no reservations as it

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Speaker 1: pertains to any one of these guys lyric ability, and

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Speaker 1: so after six sixteen drops we got Drake basically started

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Speaker 1: to feed the narrative and shout out the Grand Wizard,

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Speaker 1: which is really the guy that's behind Academics entire things.

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Speaker 1: He's really the guy running the whole show. He's the

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Speaker 1: guy where everybody's kind of repurposing his memes, Academics pages.

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Speaker 1: I think he's running a lot of those, right. Academics

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Speaker 1: is the face, but I think Grand Wizard is the

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Speaker 1: administrative part of that scenario and the presence online that

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Speaker 1: you see as it pertains the academics in a large way.

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Speaker 1: Maybe not one hundred, but I would give a high

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Speaker 1: percentage of that too, Green Wizard. I believe Kendrick Lamar

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Speaker 1: started to get the word that Yo, maybe they feed

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Speaker 1: that information to you, maybe you bit the bait, and

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Speaker 1: he already had another one in the tongue. And so

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Speaker 1: when that information started to circulate, didn't get Kendrick Lamar,

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Speaker 1: who shows up to the fight like this, I see dad, people.

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Speaker 3: I must have hun the beat beet both be back niggas.

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Speaker 3: Hear a free throat man, damn all that temple of

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Speaker 3: lambs tell him blea broke, no nigga to the cross.

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Speaker 3: He walking around like t so what's something you don't

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Speaker 3: he ask niggas trying to see Compton the hind the

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Speaker 3: streaking hate me fucking morning.

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Speaker 1: They mama, how many options diet he got? How many?

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Speaker 3: It's too many options. I'm fin the pass on his body.

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Speaker 3: I'm John stocked and beat your ass and how the

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Speaker 3: Bible with guy watches. Sometimes you gotta pop out and

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Speaker 3: show niggas so that if I bunky man, I'm no

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Speaker 3: one that up to score with him. I'm walking down

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Speaker 3: the whole time. I know he got some hor in him.

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Speaker 3: I pulled on him, sit the flow on him. Say Drake,

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Speaker 3: I hear you like I'm young. You better have her

253
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Speaker 3: go to sell black one to any bitch to talk

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Speaker 3: to him and they in love. Just make sure you

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Speaker 3: hot your little sister from him.

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Speaker 1: Wow. So let's deal with that. That's a lot to unpack.

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Speaker 1: Number one, Let's deal with the element of mustard being

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Speaker 1: inserted in this. Mustard being added in this scenario was

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Speaker 1: interesting to me because I did think that Kendrick was

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Speaker 1: gonna stay on the side of maybe rocking with a Ya,

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Speaker 1: maybe rocking with a metro because they've already inserted themselves

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Speaker 1: in the scenario. I also think it's interesting how they've

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Speaker 1: kicked Ya out the car for some reason. The industry,

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Speaker 1: even the guys that don't like Drake, it seems as

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Speaker 1: if they have distanced theirself from Yate. Yay's going through

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Speaker 1: a kind of blackout as well. But I thought Kendrick

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Speaker 1: would more so stay next to Metro because Metro has

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Speaker 1: a vested interest in it. But popping out with Mustard

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Speaker 1: was right now. The context clues I got from that says, Oh,

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Speaker 1: they're about to try to snatch some of the waves

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Speaker 1: and pipe the West Coast back up. At least that's

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Speaker 1: what it feels like. And what other way to do

273
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Speaker 1: that then to go get one of the more influential

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Speaker 1: producers on the West Coast. You cannot deny this beat.

275
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Speaker 1: You cannot deny this up tempo club banger. It's been

276
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Speaker 1: going crazy. It's on pace to be one of the

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Speaker 1: records other summer alongside like that. In my opinion, Kendrick

278
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Speaker 1: Lamar definitely delivered on this record. What I believe them

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Speaker 1: to be doing to Drake is bullying them and not

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Speaker 1: bullying them, like putting their hands on them or like

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Speaker 1: they're touching them. But mentally I think they know he's

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Speaker 1: somewhat saying, man, come on, man, this ain't even fair

283
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Speaker 1: like niggas lying on me, calling me up, calling me

284
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Speaker 1: a PDF filer. When you call somebody a PDF filer,

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Speaker 1: it's damnar impossible for a person to come back against that.

286
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Speaker 1: That's a very hard peal to swallow. And so they

287
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Speaker 1: put him on defense. Now, did Kendrick Lamar dropped this

288
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Speaker 1: record to step on the fact that he was bamboozo Maybe,

289
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Speaker 1: but that's a part of it. It's almost like Drake

290
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Speaker 1: put too much stock in the fact that I tricked

291
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Speaker 1: him with that. Yo, this is a fight. You hit

292
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Speaker 1: me with a left hook, that does not just stop

293
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Speaker 1: the fight, or if I hit you with a low blow.

294
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Speaker 1: That's what it is. That is the very that's the

295
00:16:22,600 --> 00:16:25,920
Speaker 1: analogy what we're dealing with with Kendrick Lamar and Drake.

296
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Speaker 1: It's like if they were boxing and every so often

297
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Speaker 1: Kendricks head budded. Kendrick is hitting him in the nuts.

298
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Speaker 1: They ain't took a point off yet, but the ref

299
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Speaker 1: keep breaking him up. Then come on, man, you can't

300
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Speaker 1: do that, you know, Come on, brother, you can't do that. Yeah,

301
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Speaker 1: and Drake is starting to get in his feelings. You know.

302
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Speaker 1: It seems like Drake is starting to be like, man,

303
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Speaker 1: come on, they using stuff. Then. I ain't think we

304
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Speaker 1: were gonna do it like this. I ain't think we

305
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Speaker 1: were gonna get in here and do it like this.

306
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Speaker 1: Must have been added in this scenario was interesting to

307
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Speaker 1: me because I did think that Kendrick was gonna stay

308
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Speaker 1: on the side of maybe rocking with a Ya, maybe

309
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Speaker 1: rocking with a Metro, because they've already inserted themselves in

310
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Speaker 1: the scenario. I also think it's interesting how they've kicked

311
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Speaker 1: Ya out the car for some reason. The industry, even

312
00:17:11,800 --> 00:17:14,159
Speaker 1: the guys that don't like Drake, it seems as if

313
00:17:14,200 --> 00:17:17,399
Speaker 1: they have distanced theirself from Yate. Yay's going through a

314
00:17:17,520 --> 00:17:21,760
Speaker 1: kind of blackout as well. But I thought Kendrick would

315
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Speaker 1: more so stay next to Metro because Metro has a

316
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Speaker 1: vested interest in it. But popping out what Mustard was

317
00:17:27,960 --> 00:17:31,400
Speaker 1: right now, the context clues I got from that says, Oh,

318
00:17:31,840 --> 00:17:33,960
Speaker 1: they're about to try to snatch some of the wave

319
00:17:34,240 --> 00:17:36,720
Speaker 1: and pipe the West coast back up. At least that's

320
00:17:36,760 --> 00:17:39,440
Speaker 1: what it feels like, and what other way to do

321
00:17:39,640 --> 00:17:42,200
Speaker 1: that than to go get one of the more influential

322
00:17:42,880 --> 00:17:46,120
Speaker 1: producers on the West Coast. You cannot deny this beat.

323
00:17:46,200 --> 00:17:49,679
Speaker 1: You cannot deny this up tempo club bangor it's been

324
00:17:49,800 --> 00:17:52,119
Speaker 1: going crazy. It's on pace to be one of the

325
00:17:52,200 --> 00:17:55,840
Speaker 1: records other summer alongside like that. In my opinion, Kendrick

326
00:17:55,920 --> 00:18:00,520
Speaker 1: Lamar definitely delivered on this record. What I've leave them

327
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Speaker 1: to be doing the Drake is bullying them and not

328
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Speaker 1: bullying him like putting the hands on them or like

329
00:18:06,240 --> 00:18:11,480
Speaker 1: they're touching them. But mentally I think they know he's

330
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Speaker 1: somewhat saying, man, come on, man, this ain't even fair

331
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Speaker 1: like niggas lying on me, calling me a calling me

332
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Speaker 1: a PDF fowler. You know what I'm saying. You can't

333
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Speaker 1: really just when you call somebody a PDF fowler, it's

334
00:18:27,640 --> 00:18:31,520
Speaker 1: damnar impossible for a person to come back against that.

335
00:18:32,080 --> 00:18:34,800
Speaker 1: That's a very hard peal to swallow. And so they

336
00:18:34,880 --> 00:18:39,680
Speaker 1: put him on defense. Now, did Kendrick Lamar drop this

337
00:18:39,920 --> 00:18:43,800
Speaker 1: record to step on the fact that he was bamboozo Maybe,

338
00:18:44,240 --> 00:18:47,040
Speaker 1: but that's a part of it. It's almost like Drake

339
00:18:47,160 --> 00:18:49,679
Speaker 1: put too much stock in the fact that I tricked

340
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Speaker 1: him with that. Yo. This is a fight. You hit

341
00:18:53,080 --> 00:18:55,080
Speaker 1: me with a left hook, that does not just stop

342
00:18:55,200 --> 00:18:57,640
Speaker 1: the fight. Or if I hit you with a low blow.

343
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Speaker 1: That's what it is. That is the very that's the

344
00:19:01,359 --> 00:19:07,240
Speaker 1: analogy what we're dealing with with Kendrick Lamar and Drake.

345
00:19:07,320 --> 00:19:10,320
Speaker 1: It's like if they were boxing and every so often

346
00:19:11,119 --> 00:19:14,480
Speaker 1: Kendricks head budded, Kendrick is hitting him in the nuts.

347
00:19:15,000 --> 00:19:16,719
Speaker 1: They ain't took a point off yet, but the ref

348
00:19:16,880 --> 00:19:18,520
Speaker 1: keep breaking them up. Then come on, man, you can't

349
00:19:18,560 --> 00:19:21,480
Speaker 1: do that, you know, come on, brother, you can't do that. Yeah,

350
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Speaker 1: and Drake is starting to get in his feelings. You know,

351
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Speaker 1: it seems like Drake is starting to be like, man,

352
00:19:27,080 --> 00:19:29,000
Speaker 1: come on, they using stuff. Then, I ain't think we

353
00:19:29,080 --> 00:19:31,760
Speaker 1: were gonna do it like this. I ain't think we

354
00:19:31,840 --> 00:19:34,159
Speaker 1: were gonna get in here and do it like this. So,

355
00:19:34,400 --> 00:19:38,000
Speaker 1: in my opinion, both caps got molds in them. They

356
00:19:38,080 --> 00:19:41,240
Speaker 1: got people talking out of both camps because it felt

357
00:19:41,359 --> 00:19:45,159
Speaker 1: like Kendrick knew that he was fed that information and

358
00:19:45,280 --> 00:19:47,480
Speaker 1: Drake was about to come out with that. I always

359
00:19:47,600 --> 00:19:50,639
Speaker 1: told y'all that, and I fuck with Drake, I fucked

360
00:19:50,640 --> 00:19:52,760
Speaker 1: with Kendrick. I fucked with both of these guys. But

361
00:19:52,840 --> 00:19:57,480
Speaker 1: I've always told y'all that whatever Drake's obsession or interest

362
00:19:57,640 --> 00:20:01,480
Speaker 1: in these low level things, and media guys will play

363
00:20:01,520 --> 00:20:05,840
Speaker 1: against him. These media guys don't even know which way

364
00:20:05,960 --> 00:20:08,359
Speaker 1: is up, man. Sometimes they're just in the middle of

365
00:20:08,440 --> 00:20:11,720
Speaker 1: this thing and they're being used and utilized without even

366
00:20:11,840 --> 00:20:15,240
Speaker 1: knowing it. Because Drake had went on a little celebration

367
00:20:15,560 --> 00:20:18,680
Speaker 1: after Kendrick dropped that record about the daughter and all

368
00:20:18,760 --> 00:20:21,879
Speaker 1: of that. And it was also interesting that the picture

369
00:20:21,960 --> 00:20:26,000
Speaker 1: that Kendrick Lamar used for the cover art was allegedly

370
00:20:26,119 --> 00:20:31,080
Speaker 1: fed to him, and so they're saying that the ozepic

371
00:20:31,240 --> 00:20:34,320
Speaker 1: and the mayback Glove, all of these things were supposed

372
00:20:34,320 --> 00:20:37,240
Speaker 1: to be shots at certain things that he had already

373
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Speaker 1: planned a while back. And so again I don't know.

374
00:20:40,640 --> 00:20:43,000
Speaker 1: I do believe again, if that was Kendrick Lamart had

375
00:20:43,040 --> 00:20:46,960
Speaker 1: done that, it'll been received much differently. So let's deal

376
00:20:47,040 --> 00:20:49,800
Speaker 1: with the elephant in the room. A lot of people

377
00:20:49,920 --> 00:20:54,040
Speaker 1: have said that Drake has been using academics. He's compromised,

378
00:20:54,680 --> 00:20:57,879
Speaker 1: and they've been using him to kind of push some

379
00:20:58,000 --> 00:21:01,200
Speaker 1: of these narratives further, some of these conversations. I said

380
00:21:01,200 --> 00:21:04,000
Speaker 1: it was a mistake at the beginning, because I know

381
00:21:04,200 --> 00:21:07,320
Speaker 1: that academics in the midst of this moment he's having

382
00:21:07,640 --> 00:21:13,240
Speaker 1: is now addicted to this moment. So he's now addicted

383
00:21:13,440 --> 00:21:21,520
Speaker 1: to the moment. An addiction supersedes everything else. So while

384
00:21:21,680 --> 00:21:26,119
Speaker 1: Drake thinks that he'll be a pillar on a post

385
00:21:26,440 --> 00:21:29,240
Speaker 1: for me, if I'm Drake, I believe him to be

386
00:21:29,320 --> 00:21:31,720
Speaker 1: wrong in that assessment. I think that a million views

387
00:21:31,800 --> 00:21:33,840
Speaker 1: is a million views, no matter how it comes. I

388
00:21:33,920 --> 00:21:37,600
Speaker 1: think some of these guys have now been placed in

389
00:21:37,680 --> 00:21:43,359
Speaker 1: a scenario to trick themselves into putting pressure on Drake.

390
00:21:43,960 --> 00:21:48,479
Speaker 1: Now why do I say that, Because the first trick was, Oh,

391
00:21:48,560 --> 00:21:51,119
Speaker 1: they think Kendrick Lamar can't rap all the time, They

392
00:21:51,160 --> 00:21:54,960
Speaker 1: think he won't drop back to back. So Drake comes out,

393
00:21:55,280 --> 00:21:59,600
Speaker 1: drops the song na now you Following through, he gets

394
00:22:00,720 --> 00:22:04,440
Speaker 1: what seems to be academics. My word is used academics

395
00:22:04,960 --> 00:22:08,080
Speaker 1: to put Kendrick Lemon on some sort of clock. That

396
00:22:08,240 --> 00:22:11,879
Speaker 1: clock now plays against you, because the same clock they

397
00:22:11,920 --> 00:22:15,600
Speaker 1: have him on, they have to put you on. No

398
00:22:15,720 --> 00:22:19,120
Speaker 1: matter what he says, whether it be PDF filer, whether

399
00:22:19,160 --> 00:22:22,920
Speaker 1: it be any of these other narratives, lies, truths, You

400
00:22:23,040 --> 00:22:25,840
Speaker 1: got a daughter, you don't got a doughter, somebody whatever

401
00:22:25,920 --> 00:22:29,200
Speaker 1: it may be you now are on a quote unquote

402
00:22:29,240 --> 00:22:32,679
Speaker 1: clock that you and your guys started for whatever reason,

403
00:22:33,000 --> 00:22:35,480
Speaker 1: I don't know what level of arrogance that they had

404
00:22:35,560 --> 00:22:38,760
Speaker 1: to think these dudes are not going to be able

405
00:22:38,840 --> 00:22:41,040
Speaker 1: to create at the pace that I create at. I

406
00:22:41,080 --> 00:22:43,840
Speaker 1: don't know where they got that from. This is one

407
00:22:43,880 --> 00:22:47,280
Speaker 1: of the biggest battles and opportunities in the rap world

408
00:22:47,359 --> 00:22:49,800
Speaker 1: at this point. He has a chance to resurrect the

409
00:22:49,880 --> 00:22:52,320
Speaker 1: whole West Coast if he can just snatch this from Drake.

410
00:22:52,600 --> 00:22:56,159
Speaker 1: So the idea that the only thing standing between me

411
00:22:56,240 --> 00:22:58,600
Speaker 1: and you is time and you will bank. You'll put

412
00:22:58,640 --> 00:23:01,560
Speaker 1: your whole bank on that. You'll put your whole bank

413
00:23:01,680 --> 00:23:04,640
Speaker 1: that a dude that been wrapping all his life can't

414
00:23:04,680 --> 00:23:07,000
Speaker 1: come back to back. I don't think that was a

415
00:23:07,040 --> 00:23:10,480
Speaker 1: good move. But some of these low level tactics I

416
00:23:10,640 --> 00:23:13,800
Speaker 1: think have been driven by some of these media guys

417
00:23:14,040 --> 00:23:16,800
Speaker 1: who want to amplify their brands and their voices. Being

418
00:23:16,880 --> 00:23:20,920
Speaker 1: beside Mustard with this record, stepping on the fact that

419
00:23:21,240 --> 00:23:24,160
Speaker 1: I was forced fest of information. Allegedly, according to Drake

420
00:23:24,240 --> 00:23:28,360
Speaker 1: and his team, it was a flash bang force out.

421
00:23:29,200 --> 00:23:33,240
Speaker 1: You got to come out to play. Now, why is

422
00:23:33,320 --> 00:23:37,560
Speaker 1: that interesting to me? That's interesting because not only is

423
00:23:37,640 --> 00:23:44,320
Speaker 1: it Drake and Kendrick, Drake has now isolated itself. He's

424
00:23:44,400 --> 00:23:49,720
Speaker 1: put itself in a handicap match, so the top producers

425
00:23:49,760 --> 00:23:51,960
Speaker 1: in the game. Of course he has all the resources

426
00:23:52,040 --> 00:23:54,800
Speaker 1: in the world. But who's getting in there with Drake

427
00:23:54,880 --> 00:23:59,359
Speaker 1: to say, let's go to warmont brother like Kendrick. Like

428
00:23:59,440 --> 00:24:02,840
Speaker 1: when Mustn't get the call from Kendrick, it's a feeling

429
00:24:02,920 --> 00:24:06,760
Speaker 1: to go with that. When ya get the call from Kendrick,

430
00:24:06,800 --> 00:24:09,720
Speaker 1: there'll be a feeling to go with that. When Metro

431
00:24:09,880 --> 00:24:11,800
Speaker 1: get the call from Pluto, it's a feeling to go

432
00:24:11,960 --> 00:24:17,000
Speaker 1: with that. All y'all rap is remember this, lock yourself

433
00:24:17,119 --> 00:24:19,640
Speaker 1: with a producer who gonna feel a way about shit,

434
00:24:19,760 --> 00:24:23,120
Speaker 1: you feel a way about like your boy, your boy,

435
00:24:23,240 --> 00:24:26,879
Speaker 1: because the producer can bring things out of you that

436
00:24:27,000 --> 00:24:29,639
Speaker 1: you didn't even know what's in there. Drake should be

437
00:24:29,760 --> 00:24:32,760
Speaker 1: in a in a studio, locked in with someone that's saying,

438
00:24:33,359 --> 00:24:36,440
Speaker 1: not only do Kendrick got you ficked up, but Mustard

439
00:24:36,520 --> 00:24:40,639
Speaker 1: got me. And I don't think that Drake has anyone

440
00:24:41,080 --> 00:24:46,840
Speaker 1: of notable status that is saying alongside him that yo,

441
00:24:47,240 --> 00:24:51,000
Speaker 1: Kendrick and must have got used up, Metro got us up.

442
00:24:51,119 --> 00:24:53,520
Speaker 1: I don't think nobody's saying that, and that's gonna play

443
00:24:53,960 --> 00:24:57,440
Speaker 1: into this scenario about he's just still in the chop

444
00:24:57,480 --> 00:25:00,679
Speaker 1: shop with its same four five people. This was one

445
00:25:00,720 --> 00:25:04,000
Speaker 1: of the first times in Drake's response to this what

446
00:25:04,280 --> 00:25:07,520
Speaker 1: I actually said that, Oh, Drake only has about three

447
00:25:07,600 --> 00:25:10,320
Speaker 1: or four styles. I thought Drake was the boy that

448
00:25:10,520 --> 00:25:14,239
Speaker 1: got fifty fucking styles and at any moment he can

449
00:25:14,359 --> 00:25:18,440
Speaker 1: just pull a style out on you, Dad. But when

450
00:25:18,480 --> 00:25:20,640
Speaker 1: I'm hearing them more and more now, it says old

451
00:25:21,480 --> 00:25:25,960
Speaker 1: they're forcing him to create fast and I'm seeing those templates.

452
00:25:27,400 --> 00:25:30,879
Speaker 1: He has these little templates that he uses depending on

453
00:25:31,000 --> 00:25:33,359
Speaker 1: the beat, maybe the tempo. I'm not sure how he

454
00:25:33,480 --> 00:25:35,879
Speaker 1: comes up with it, but it feels like that he

455
00:25:36,000 --> 00:25:39,000
Speaker 1: has an approach to certain beats. I never thought that

456
00:25:39,119 --> 00:25:42,840
Speaker 1: he was limited in his approach to beats or reps,

457
00:25:43,560 --> 00:25:45,880
Speaker 1: and I'm still not sure, but it feels that way.

458
00:25:46,000 --> 00:25:48,399
Speaker 1: And it's almost like Kendrick is playing both sides of

459
00:25:48,480 --> 00:25:52,200
Speaker 1: this game, offense and defense. Right. Not only is he

460
00:25:52,359 --> 00:25:56,320
Speaker 1: rapping on these high tempo beats, club type beats with

461
00:25:56,440 --> 00:26:01,240
Speaker 1: the DJ Mustard thing, He's also played send Easter Eggs

462
00:26:01,480 --> 00:26:05,560
Speaker 1: in the slow tempo beats. So he's playing both sides

463
00:26:05,600 --> 00:26:08,760
Speaker 1: of this. And I told you guys that the fast

464
00:26:08,920 --> 00:26:10,760
Speaker 1: rapping thing is where he was gonna get him. And

465
00:26:10,840 --> 00:26:14,600
Speaker 1: if you hit his song, you hear how he's that

466
00:26:14,800 --> 00:26:17,560
Speaker 1: same beat giving to anyone else. It still doesn't get

467
00:26:17,640 --> 00:26:21,440
Speaker 1: that same He's punchy. The flow is very punchy, and

468
00:26:21,600 --> 00:26:23,320
Speaker 1: that's something I'm not sure Drake can do.

469
00:26:23,680 --> 00:26:25,399
Speaker 3: They tell me Chelse the Holy One, they get your

470
00:26:25,440 --> 00:26:27,720
Speaker 3: hemmy downs and pardon yet the parton playing with his

471
00:26:27,840 --> 00:26:30,119
Speaker 3: nose now and Baka got a weird case? Why is

472
00:26:30,200 --> 00:26:33,080
Speaker 3: he around? So the five lover Boys, so the five pedophiles?

473
00:26:33,160 --> 00:26:37,920
Speaker 3: Why that fuck him up? I'm gonna do much stuff.

474
00:26:38,119 --> 00:26:40,119
Speaker 3: Why you throw him like a bitch? Ain't you tired?

475
00:26:40,160 --> 00:26:42,520
Speaker 3: T gonna strike a cord? And it's probably a minor.

476
00:26:48,560 --> 00:26:51,280
Speaker 4: They not like us, They not like us. They not

477
00:26:51,480 --> 00:26:55,399
Speaker 4: like us. They not like us, They not like us,

478
00:26:55,720 --> 00:26:57,920
Speaker 4: They not like us. Do you think the they gonna

479
00:26:57,960 --> 00:27:00,760
Speaker 4: let you disrespect pap nikkol? I think that show bo

480
00:27:00,840 --> 00:27:03,160
Speaker 4: Let's stock Nigga the cold foud. I don't know why

481
00:27:03,160 --> 00:27:04,639
Speaker 4: you're still pretending? What is that?

482
00:27:05,080 --> 00:27:08,720
Speaker 1: So let's deal with the PDF filer angle. And I

483
00:27:08,840 --> 00:27:12,360
Speaker 1: have to say that for monetization status on all these

484
00:27:12,400 --> 00:27:15,080
Speaker 1: different platforms. Right, So if we deal with the PDF

485
00:27:15,200 --> 00:27:18,520
Speaker 1: filer angle, I truly think that that is a very

486
00:27:18,600 --> 00:27:22,640
Speaker 1: serious topic. This is not something to play with. I'm

487
00:27:22,720 --> 00:27:25,280
Speaker 1: not sure that Kendrick truly believes it. If he does

488
00:27:25,440 --> 00:27:28,760
Speaker 1: believe that this changed the whole battle. This is bigger

489
00:27:28,800 --> 00:27:31,080
Speaker 1: than a battle. When someone starts to throw this stuff around.

490
00:27:31,200 --> 00:27:34,320
Speaker 1: Number One, you gotta know what error we're in, bro, Like,

491
00:27:34,640 --> 00:27:39,080
Speaker 1: powerful men are actually getting arrested for being involved in

492
00:27:39,200 --> 00:27:42,680
Speaker 1: these in these kind of crimes, in these acts. This

493
00:27:42,880 --> 00:27:45,360
Speaker 1: is not an error to be playing with these powerful

494
00:27:45,480 --> 00:27:49,080
Speaker 1: billion dollar dues where all they need is allegations. Is

495
00:27:49,160 --> 00:27:52,480
Speaker 1: what it looks like to get a real investigation going

496
00:27:52,600 --> 00:27:55,000
Speaker 1: and to really affect business here, Drake is one of

497
00:27:55,080 --> 00:27:59,040
Speaker 1: the biggest in the world, one of the biggest artists

498
00:27:59,080 --> 00:28:02,720
Speaker 1: in the world, and they forever now attached that P

499
00:28:02,960 --> 00:28:06,720
Speaker 1: word to his name. Now, is there any evidence, man,

500
00:28:06,760 --> 00:28:09,200
Speaker 1: there's a lot on TikTok, there's a lot of narratives

501
00:28:09,280 --> 00:28:13,480
Speaker 1: being pushed. There's no charges. Let's live there for a second.

502
00:28:13,680 --> 00:28:16,760
Speaker 1: And when you're dealing with someone of that status and

503
00:28:16,840 --> 00:28:20,760
Speaker 1: you're Kendrick Lamar, who in my opinion does go around

504
00:28:20,880 --> 00:28:24,840
Speaker 1: basically talking about uplifting black people, uplifting black men. And

505
00:28:24,920 --> 00:28:27,320
Speaker 1: if you do view Drake as black, which I have

506
00:28:27,480 --> 00:28:30,239
Speaker 1: to say that a lot of you industry don't come

507
00:28:30,320 --> 00:28:32,920
Speaker 1: in me now talking Drake ain't black when you around

508
00:28:32,960 --> 00:28:35,720
Speaker 1: him for twenty years, I ain't never fake kick it.

509
00:28:37,359 --> 00:28:40,320
Speaker 1: When I don't like y'all don't speak to him, I

510
00:28:40,400 --> 00:28:43,560
Speaker 1: don't act like I like him. You dig. That's just

511
00:28:43,640 --> 00:28:46,680
Speaker 1: how I get out. Maybe maybe that's emotional for some people,

512
00:28:46,760 --> 00:28:49,440
Speaker 1: but it's safe for me. I like people to know

513
00:28:49,600 --> 00:28:52,280
Speaker 1: that I'm genuine when I'm around. I don't need nothing

514
00:28:52,280 --> 00:28:54,520
Speaker 1: from nobody. But if I fuck with you, I really

515
00:28:54,640 --> 00:28:56,960
Speaker 1: fuck with you. I don't got no I don't got

516
00:28:57,000 --> 00:28:59,400
Speaker 1: no problem. Let nobody no. I won't fuck with them.

517
00:29:01,800 --> 00:29:04,320
Speaker 1: And so if you just thought that Drake was at

518
00:29:04,440 --> 00:29:07,280
Speaker 1: that time and you didn't let him know, I got

519
00:29:07,400 --> 00:29:12,520
Speaker 1: a issue with how you handle that. I got an

520
00:29:12,560 --> 00:29:15,320
Speaker 1: issue with how you handle that because, in my opinion,

521
00:29:15,480 --> 00:29:18,600
Speaker 1: that sucker behavior. Now, if he done something to you

522
00:29:18,760 --> 00:29:22,000
Speaker 1: along the way, then cool, But to pop out now

523
00:29:22,160 --> 00:29:24,760
Speaker 1: saying Yo, you ain't even yell man, you're a white dude,

524
00:29:25,280 --> 00:29:28,320
Speaker 1: I don't know how I feel about that, and I

525
00:29:28,320 --> 00:29:30,440
Speaker 1: don't need no coach, sayn from nobody. I don't care

526
00:29:30,480 --> 00:29:33,120
Speaker 1: how nobody feel about how I feel. You need to

527
00:29:33,160 --> 00:29:35,120
Speaker 1: find something else to do with your time and worry

528
00:29:35,120 --> 00:29:40,120
Speaker 1: about how I feel. You dig So the artwork of

529
00:29:40,200 --> 00:29:43,160
Speaker 1: this song was Drake's house and it had a bunch

530
00:29:43,240 --> 00:29:46,200
Speaker 1: of sex registered icons over it, like a bunch of

531
00:29:46,320 --> 00:29:49,880
Speaker 1: sex offenders live in that house. Like this is a

532
00:29:49,960 --> 00:29:53,400
Speaker 1: different game, but this is battle rap. This is the

533
00:29:53,520 --> 00:29:57,080
Speaker 1: battle rap, bro, and it's a battle rap from a

534
00:29:57,160 --> 00:30:00,760
Speaker 1: nigga that really probably don't like you. All these dudes

535
00:30:00,840 --> 00:30:04,320
Speaker 1: in media that everybody think I got issues with it

536
00:30:04,400 --> 00:30:06,360
Speaker 1: ain't that kind of issue because I got dirt on

537
00:30:06,440 --> 00:30:08,840
Speaker 1: it right now that I can drop, like right now,

538
00:30:09,000 --> 00:30:11,840
Speaker 1: I got damaging dirt right now to drop right now

539
00:30:12,640 --> 00:30:15,800
Speaker 1: that'll kill a bunch a couple of these careers right

540
00:30:15,880 --> 00:30:20,280
Speaker 1: now today, right today, I got recordings that's been sent

541
00:30:20,360 --> 00:30:23,520
Speaker 1: to me. I got fights of dudes and women that's

542
00:30:23,560 --> 00:30:26,400
Speaker 1: been sent to me. I got certain shit. People just

543
00:30:26,520 --> 00:30:29,040
Speaker 1: send me all kind of shit, bro, cause they know

544
00:30:29,120 --> 00:30:31,840
Speaker 1: I'm the realist in the game. But I don't play

545
00:30:31,920 --> 00:30:34,400
Speaker 1: those kind of games. And that's what's interesting. The angle

546
00:30:34,440 --> 00:30:39,720
Speaker 1: that Kendrick is this pro black guy and playing with

547
00:30:39,840 --> 00:30:44,240
Speaker 1: this PDF filer angle. It's like, Bro, you know that's

548
00:30:44,400 --> 00:30:48,840
Speaker 1: real serious. Bro, Like god lead, that's serious. That is

549
00:30:48,920 --> 00:30:53,800
Speaker 1: a serious allegation. That is a very serious allegation. But

550
00:30:53,920 --> 00:30:56,480
Speaker 1: I do like how Kendrick is watching both sides of

551
00:30:56,520 --> 00:31:02,040
Speaker 1: the car right again on one and I'm going introspective.

552
00:31:02,120 --> 00:31:05,320
Speaker 1: On the other end, I'm going club banger and I'm

553
00:31:05,400 --> 00:31:08,040
Speaker 1: just going insult. I'm gonna just insult you on some

554
00:31:08,200 --> 00:31:11,120
Speaker 1: ether kind of shit. And I truly believe that Drake

555
00:31:11,240 --> 00:31:15,400
Speaker 1: is somewhat disappointed. And you asked, why is Drake disappointed? Man,

556
00:31:15,480 --> 00:31:18,000
Speaker 1: Drake has been spoiled for the last ten fifteen years

557
00:31:18,040 --> 00:31:21,440
Speaker 1: in his industry. Niggas hold their breath when they seen him.

558
00:31:22,480 --> 00:31:24,760
Speaker 1: Niggas might have felt a way and didn't say nothing.

559
00:31:25,200 --> 00:31:28,960
Speaker 1: Nigga was big brawn them, street niggas was bounding down

560
00:31:29,080 --> 00:31:33,360
Speaker 1: to him. Street niggas was giving them passes so called

561
00:31:33,520 --> 00:31:36,400
Speaker 1: tough dudes, you know what I'm saying. So Drake has

562
00:31:36,560 --> 00:31:41,160
Speaker 1: never been pushed up on and treated unfairly with narratives,

563
00:31:41,240 --> 00:31:44,760
Speaker 1: with nothing. He's been the golden child for so long,

564
00:31:46,120 --> 00:31:49,240
Speaker 1: and so I know that this is that monumental Lebron

565
00:31:49,440 --> 00:31:52,040
Speaker 1: lost it. Like I believe Drake to be having like

566
00:31:52,120 --> 00:31:54,960
Speaker 1: a fit somewhere, like, ah, you're just lying about me

567
00:31:55,120 --> 00:31:57,880
Speaker 1: like you niggas is ah man. I believe Drake is

568
00:31:57,960 --> 00:32:02,520
Speaker 1: now forced into isolation while Kendrick is allowed the entire

569
00:32:02,640 --> 00:32:05,560
Speaker 1: industry to work with. And it's weird way they got Drake, like,

570
00:32:05,680 --> 00:32:08,000
Speaker 1: prove it, prove it, prove it, but by yourself, Kendrick,

571
00:32:08,080 --> 00:32:11,560
Speaker 1: go get with anybody improve it, but you, Drake, prove

572
00:32:11,600 --> 00:32:14,920
Speaker 1: it by yourself. There's a weird aura going on. There's

573
00:32:14,960 --> 00:32:19,680
Speaker 1: something happening with Drake. What seems like the people are saying,

574
00:32:20,160 --> 00:32:22,480
Speaker 1: we don't want to even see anyone help you in this.

575
00:32:23,360 --> 00:32:25,600
Speaker 1: We don't want to see any producers sit next to

576
00:32:25,720 --> 00:32:27,960
Speaker 1: you in this. We don't want to see you because

577
00:32:28,000 --> 00:32:31,400
Speaker 1: he needs a big boy beat, he needs some help.

578
00:32:33,200 --> 00:32:36,040
Speaker 1: He's literally a handicap match. So for him to come

579
00:32:36,080 --> 00:32:37,920
Speaker 1: in saying it's a twenty v one, yeah it is,

580
00:32:38,080 --> 00:32:42,120
Speaker 1: but you can't accept the twenty v one. You can't

581
00:32:42,120 --> 00:32:45,719
Speaker 1: accept the twenty v one. Don you ain't. I mean,

582
00:32:45,800 --> 00:32:48,160
Speaker 1: come on, like bro, you can't accept the twenty v one.

583
00:32:48,240 --> 00:32:52,160
Speaker 1: Don't do yourself like that, like these are professionals bro

584
00:32:53,600 --> 00:32:56,960
Speaker 1: These are some of the most sharpened pins in the world,

585
00:32:57,080 --> 00:32:59,400
Speaker 1: some of the best producers known to man. The more

586
00:32:59,560 --> 00:33:03,640
Speaker 1: potent ideas coming out of some of these camps. When

587
00:33:03,640 --> 00:33:06,880
Speaker 1: you deal with Kendrick Lamar, He's been layered for years,

588
00:33:09,200 --> 00:33:12,360
Speaker 1: and I still don't believe in be working alone. I

589
00:33:12,440 --> 00:33:14,800
Speaker 1: believe they like to be in there. I believe must

590
00:33:14,840 --> 00:33:17,200
Speaker 1: have to be around. I believe that TD came to

591
00:33:17,280 --> 00:33:19,600
Speaker 1: be around, and I also believe Kendrick to be strong

592
00:33:19,680 --> 00:33:21,440
Speaker 1: in his own right. But when you go to throw

593
00:33:21,520 --> 00:33:27,080
Speaker 1: around this PDF filer, there's real money at stake, and

594
00:33:27,200 --> 00:33:30,720
Speaker 1: I started to think, I'm not sure Drake wants a

595
00:33:30,760 --> 00:33:33,400
Speaker 1: battle with this. Let's pay attention to what Drake dropped

596
00:33:34,200 --> 00:33:34,800
Speaker 1: right after that.

597
00:33:42,600 --> 00:33:49,280
Speaker 2: All Right, the Pulitzer Prize winner is definitely spiraling. I

598
00:33:49,400 --> 00:33:52,400
Speaker 2: got your fucking lives tap of sweating him down in first,

599
00:33:52,440 --> 00:33:54,040
Speaker 2: I wants a ratt So where's the proof of the

600
00:33:54,160 --> 00:33:57,320
Speaker 2: trialt in? Where's the paperwork at the cabinet is filed?

601
00:33:57,360 --> 00:33:59,920
Speaker 2: In ten ninety j would have took out a wall

602
00:34:00,240 --> 00:34:02,440
Speaker 2: down the streets were to have me hoiding out in

603
00:34:02,520 --> 00:34:05,720
Speaker 2: a small town. My Montreal connects stand up not far

604
00:34:05,920 --> 00:34:08,120
Speaker 2: down the ones that you get in your stories from

605
00:34:08,239 --> 00:34:11,799
Speaker 2: they all clowns. I am a war general season in preparation.

606
00:34:12,000 --> 00:34:15,040
Speaker 2: My jacket is covered in metals, honor and decoration. You

607
00:34:15,120 --> 00:34:17,560
Speaker 2: waited for this omen or who come with the desperation?

608
00:34:17,840 --> 00:34:19,800
Speaker 2: We plotted for a weekend. Then we faned you the

609
00:34:19,920 --> 00:34:22,439
Speaker 2: information a daughter that's eleven years old.

610
00:34:22,520 --> 00:34:23,360
Speaker 1: I Betty takes it.

611
00:34:23,560 --> 00:34:26,520
Speaker 2: We thought about giving a fake name or destination, but

612
00:34:26,640 --> 00:34:29,759
Speaker 2: you so thirsty, You not concerned with investigation. Instead, you

613
00:34:29,880 --> 00:34:32,799
Speaker 2: in that fantasy studio. It's a celebration. You gotta learn

614
00:34:32,840 --> 00:34:35,440
Speaker 2: to fact check things and be less impatient. Your fans

615
00:34:35,480 --> 00:34:38,720
Speaker 2: are rejoicing, thinking this is my expiration. Even the picture

616
00:34:38,800 --> 00:34:41,560
Speaker 2: you use, the jokes and the medication, the mayback glove

617
00:34:41,640 --> 00:34:44,719
Speaker 2: and the drug he uses for less inflation, master manipulated.

618
00:34:44,840 --> 00:34:47,920
Speaker 2: You bid on a speculation. Dumb and reactive nigga. I'm

619
00:34:47,960 --> 00:34:50,960
Speaker 2: petty with dedication. What about the bones we dug up

620
00:34:50,960 --> 00:34:53,799
Speaker 2: in that excavation? And why is it Whitney denying all

621
00:34:53,840 --> 00:34:54,879
Speaker 2: of these allegations.

622
00:34:55,120 --> 00:34:59,080
Speaker 1: Why you see how he's having this narrative going about

623
00:34:59,200 --> 00:35:02,520
Speaker 1: the child, but no nobody seems to care. I can

624
00:35:02,640 --> 00:35:05,720
Speaker 1: only imagine how frustrating that is if that's the truth,

625
00:35:06,280 --> 00:35:10,319
Speaker 1: and everybody cares about the lie. But Charlemagne always says,

626
00:35:10,400 --> 00:35:13,040
Speaker 1: nobody cares about the truth when the lies more entertaining,

627
00:35:14,520 --> 00:35:17,640
Speaker 1: And I believe them to think the lie is more entertained.

628
00:35:17,680 --> 00:35:21,200
Speaker 1: And couple with being tired of seeing Drake with the

629
00:35:21,280 --> 00:35:25,680
Speaker 1: self promotion, the pete cocking and being on top for

630
00:35:25,800 --> 00:35:29,600
Speaker 1: so long. They love you, they hate you, they love

631
00:35:29,640 --> 00:35:31,759
Speaker 1: you again. It just took you a long time, Drake,

632
00:35:31,800 --> 00:35:33,920
Speaker 1: to get around to that part where they're now hating you.

633
00:35:34,040 --> 00:35:36,319
Speaker 1: But they'll love you again if you make the right

634
00:35:36,400 --> 00:35:39,439
Speaker 1: decisions in these moments. But you cannot just sit there

635
00:35:39,640 --> 00:35:42,440
Speaker 1: and shoot this away because it seems unfair.

636
00:35:42,760 --> 00:35:45,360
Speaker 2: She following, Dave free and I missed them, Arale. You

637
00:35:45,480 --> 00:35:48,000
Speaker 2: haven't seen the kids in six months. The distance is wild,

638
00:35:48,280 --> 00:35:50,839
Speaker 2: Dave leaving heart and Moses underneath picture of the child

639
00:35:51,080 --> 00:35:52,640
Speaker 2: speaking to anything with a child.

640
00:35:52,719 --> 00:35:53,600
Speaker 1: Let's get to that now.

641
00:35:53,760 --> 00:35:57,680
Speaker 2: This Epstein angle was the shit I expected. TikTok videos

642
00:35:57,760 --> 00:36:01,239
Speaker 2: you collected and dissected instead of being on some dish

643
00:36:01,320 --> 00:36:04,040
Speaker 2: direct shit. You rather fucking grab your pen and miss

644
00:36:04,120 --> 00:36:06,799
Speaker 2: direct shit. My mom came over to today and I.

645
00:36:06,960 --> 00:36:09,799
Speaker 1: Was like, mother, I Mother, I Mother.

646
00:36:10,000 --> 00:36:12,920
Speaker 2: A wait a second, that's that one record where you

647
00:36:13,040 --> 00:36:15,560
Speaker 2: say you got my less Oh fuck me, I just

648
00:36:15,640 --> 00:36:18,840
Speaker 2: made the whole connection. This is about to get so depressing.

649
00:36:19,239 --> 00:36:21,759
Speaker 2: This is trauma for your own confessions. That's when your

650
00:36:21,800 --> 00:36:24,560
Speaker 2: father leave your home alone with no protection, so neglected.

651
00:36:25,480 --> 00:36:28,040
Speaker 2: That's why these pedophile raps and shit you so obsessed with.

652
00:36:28,320 --> 00:36:29,200
Speaker 1: It's so excessive.

653
00:36:29,400 --> 00:36:31,960
Speaker 2: They acting like it's so aggressive, but you just never

654
00:36:32,040 --> 00:36:34,280
Speaker 2: know on infection. I don't want to dish you anymore.

655
00:36:34,400 --> 00:36:37,160
Speaker 2: This really got me second guessing Touch My Body by

656
00:36:37,280 --> 00:36:40,480
Speaker 2: Mariah Carey play you probably start reflecting. I never been

657
00:36:40,560 --> 00:36:42,839
Speaker 2: with no one under edge, but now I understand why

658
00:36:42,880 --> 00:36:45,760
Speaker 2: it's that angle that you really mess with. Just for clarity,

659
00:36:45,840 --> 00:36:46,759
Speaker 2: I felt disgusted.

660
00:36:46,880 --> 00:36:47,800
Speaker 1: I'm too respected.

661
00:36:48,040 --> 00:36:50,200
Speaker 2: If I was fucking young girls, I promise I'd have

662
00:36:50,239 --> 00:36:52,640
Speaker 2: been arrested. I'm way too famous for the shit you

663
00:36:52,800 --> 00:36:55,200
Speaker 2: just suggested. But that's not the lesson. Clearly, that's a

664
00:36:55,239 --> 00:36:58,040
Speaker 2: deeper message, deep cuts that never healed and how they

665
00:36:58,120 --> 00:37:01,120
Speaker 2: got infected, like if Dave really fucked your perland got

666
00:37:01,200 --> 00:37:03,600
Speaker 2: a break and talk about pete and resentment. Not sure

667
00:37:03,640 --> 00:37:06,080
Speaker 2: how to ease the sentiment. The shit's two intimate. I'm

668
00:37:06,120 --> 00:37:08,919
Speaker 2: praying you recover from both incidents. But you're a piece

669
00:37:08,920 --> 00:37:11,600
Speaker 2: of shit, so it shit really no coincidence. Drake's not

670
00:37:11,680 --> 00:37:13,799
Speaker 2: a name that you don't see on no sex offender list.

671
00:37:13,920 --> 00:37:14,520
Speaker 1: Easy does it?

672
00:37:15,120 --> 00:37:17,920
Speaker 2: You mentioned it, Ay Minu. But niggas gotta beat sharp

673
00:37:17,960 --> 00:37:19,160
Speaker 2: and tell the fans who was.

674
00:37:19,160 --> 00:37:23,240
Speaker 1: It you thought you left? D flat d age, I'll slit.

675
00:37:23,120 --> 00:37:25,399
Speaker 2: Your throat with the razor and who Rick Ross's air

676
00:37:25,520 --> 00:37:28,680
Speaker 2: like that one flight from a lasier. I'm your baby, mama, screensaver,

677
00:37:29,200 --> 00:37:32,000
Speaker 2: only fucking with Whitney's not many Bobby Brown's. I never

678
00:37:32,080 --> 00:37:35,359
Speaker 2: looked twice at no teenager. I'm a fucking hit maker, doll.

679
00:37:35,520 --> 00:37:38,080
Speaker 1: Not a going on defense in the battle is a

680
00:37:38,160 --> 00:37:41,640
Speaker 1: sign of defeat. It's not defeat, but it's a sign

681
00:37:41,719 --> 00:37:44,960
Speaker 1: of defeat. If it was me, I may would have

682
00:37:45,080 --> 00:37:47,480
Speaker 1: kept it down to one line, one or two lines.

683
00:37:47,520 --> 00:37:49,400
Speaker 1: I want to draw up a whole angle about that.

684
00:37:50,280 --> 00:37:54,600
Speaker 1: You know, I remember watching young Buck go through some

685
00:37:54,760 --> 00:37:57,799
Speaker 1: things because I'm from Casville, and I've seen as soon

686
00:37:57,840 --> 00:38:02,200
Speaker 1: as he responded, how we kind of now solidified that

687
00:38:02,440 --> 00:38:05,160
Speaker 1: something was going on. Now, if you pay attention to

688
00:38:05,280 --> 00:38:08,840
Speaker 1: Kendrick Lamar and how he tries to duck these narratives,

689
00:38:08,880 --> 00:38:12,160
Speaker 1: that Drake is throwing. He basically came out and say,

690
00:38:12,239 --> 00:38:15,200
Speaker 1: you heard mister Morale and you're lying. Hey, Drake, the

691
00:38:15,280 --> 00:38:19,120
Speaker 1: audience isn't dumb like this is what you have to do,

692
00:38:20,760 --> 00:38:24,720
Speaker 1: because clearly he's doubling tripling down on the PDF filer.

693
00:38:24,880 --> 00:38:27,920
Speaker 1: He's not gonna stop saying that. So now you got

694
00:38:28,040 --> 00:38:30,200
Speaker 1: to tell the audience that he thinks y'all are dumb

695
00:38:30,320 --> 00:38:33,479
Speaker 1: enough to believe that I'm a PDF filing. Yo, Drake,

696
00:38:33,600 --> 00:38:35,799
Speaker 1: the audience ain't slow as you think.

697
00:38:36,239 --> 00:38:36,440
Speaker 3: You know.

698
00:38:36,680 --> 00:38:39,759
Speaker 1: This is basically what Kendrick Lamar was saying. I think

699
00:38:39,880 --> 00:38:43,080
Speaker 1: Drake had to be more clever with that, But it's

700
00:38:43,160 --> 00:38:46,440
Speaker 1: that time clock that he started. And that's what I

701
00:38:46,560 --> 00:38:50,760
Speaker 1: mean about your Achilles heel. You just need to study

702
00:38:50,800 --> 00:38:53,400
Speaker 1: your opponent in a way to really know can he

703
00:38:53,600 --> 00:38:57,000
Speaker 1: create like that? Because the time clock thing has now

704
00:38:57,120 --> 00:38:59,239
Speaker 1: Drake in a scenario where he has to come back

705
00:38:59,280 --> 00:39:01,360
Speaker 1: out to try to stay up on that record, and

706
00:39:01,480 --> 00:39:04,080
Speaker 1: so he brings out one of those formatic styles. He

707
00:39:04,239 --> 00:39:07,360
Speaker 1: has to match this type of tempo beat, plug against

708
00:39:07,360 --> 00:39:10,200
Speaker 1: some words, address a few things, and he comes off

709
00:39:10,239 --> 00:39:13,359
Speaker 1: as like he's on defense, rapping his ass off on here,

710
00:39:14,000 --> 00:39:17,480
Speaker 1: rapping his motherfucking ass offf on here, but he comes

711
00:39:17,560 --> 00:39:20,839
Speaker 1: off his defense while Kendrick is on the other side.

712
00:39:20,880 --> 00:39:23,520
Speaker 1: Wa wah wah wah wah, doc fuck him up. Wah

713
00:39:23,640 --> 00:39:27,000
Speaker 1: wah wah wah, doc fuck him up. You see, this

714
00:39:27,239 --> 00:39:30,080
Speaker 1: is what the problem is, is the contrast. I also

715
00:39:30,200 --> 00:39:33,800
Speaker 1: believe Drake to be frustrated with the same media that

716
00:39:33,920 --> 00:39:38,040
Speaker 1: he's been trying to feed and amplify. Again, for whatever reason,

717
00:39:38,120 --> 00:39:40,959
Speaker 1: the audience is very superficial when it comes to Drake.

718
00:39:41,600 --> 00:39:45,120
Speaker 1: They will not give him the lead way they give

719
00:39:45,280 --> 00:39:48,480
Speaker 1: Kendrick as it pertains to the depe balls and he's

720
00:39:48,560 --> 00:39:52,520
Speaker 1: got it's some shit in there, but they are not reactive.

721
00:39:52,560 --> 00:39:56,719
Speaker 1: It's not landing. It's there, but it's not landing. I

722
00:39:56,840 --> 00:39:59,200
Speaker 1: believe Drake to be frustrated with the same media that

723
00:39:59,280 --> 00:40:02,480
Speaker 1: he started out amplifying and trying to feed, in particular

724
00:40:02,640 --> 00:40:05,280
Speaker 1: DJ academics. I don't think he can say it publicly,

725
00:40:05,360 --> 00:40:07,160
Speaker 1: but I think somewhere in the back of his head

726
00:40:07,200 --> 00:40:09,719
Speaker 1: he's like, you're not doing this right. I told y'all,

727
00:40:09,760 --> 00:40:13,280
Speaker 1: academics gonna post whatever, like academics gonna post the stuff

728
00:40:13,320 --> 00:40:16,240
Speaker 1: about your father that they're saying. It ain't been substantiated.

729
00:40:17,280 --> 00:40:19,920
Speaker 1: He's gonna post the stuff about the PDF filey that

730
00:40:20,000 --> 00:40:22,920
Speaker 1: ain't been substantiated. And if I'm holding your line over

731
00:40:22,960 --> 00:40:25,320
Speaker 1: here as media, I'm not posting that. Y'all gotta go

732
00:40:25,360 --> 00:40:27,400
Speaker 1: to No Jumper to get that. But I'm too addicted

733
00:40:27,480 --> 00:40:31,800
Speaker 1: for that audience to go anywhere but here, anywhere but

734
00:40:31,920 --> 00:40:34,320
Speaker 1: here to get this. I don't want you going nowhere.

735
00:40:34,480 --> 00:40:36,759
Speaker 1: So even if it hurts my man, I got to

736
00:40:36,840 --> 00:40:39,320
Speaker 1: cover it. And I'm gonna say I'm being loyal to

737
00:40:39,440 --> 00:40:42,759
Speaker 1: my audience, but I'm really addicted to the attention. Can

738
00:40:42,800 --> 00:40:45,920
Speaker 1: you imagine a level of attention that academics has been

739
00:40:45,960 --> 00:40:49,040
Speaker 1: getting in this moment. It is not matched by many

740
00:40:49,160 --> 00:40:51,600
Speaker 1: things that many human beings are gonna be able to

741
00:40:51,680 --> 00:40:54,320
Speaker 1: go through. These are two of the bigger rappers in

742
00:40:54,400 --> 00:40:59,640
Speaker 1: the world that are seemingly place holding him as some

743
00:40:59,800 --> 00:41:02,439
Speaker 1: sort the place for the culture to get some sort

744
00:41:02,480 --> 00:41:06,279
Speaker 1: of information. So here's the mistake Drake made. Drake, you

745
00:41:06,400 --> 00:41:09,120
Speaker 1: send all of your people to think that academics is

746
00:41:09,160 --> 00:41:13,279
Speaker 1: the place, and then Kendrick can use academics against you now,

747
00:41:14,080 --> 00:41:17,920
Speaker 1: and not even intentional. But academics is not a cerebral thinker.

748
00:41:18,280 --> 00:41:22,200
Speaker 1: He's very intelligent, He's been to college. His economy of words,

749
00:41:22,640 --> 00:41:25,360
Speaker 1: he has a lot of words he uses. He speaks

750
00:41:25,440 --> 00:41:28,360
Speaker 1: for ten hours and can keep going and not repeat

751
00:41:28,400 --> 00:41:33,080
Speaker 1: itself a lot. But he ain't smart enough problem solving

752
00:41:33,200 --> 00:41:38,400
Speaker 1: wise to know how to navigate. So he can be utilized.

753
00:41:38,480 --> 00:41:43,040
Speaker 1: He can become our puppet. If I'm Kendrick Lamar. There

754
00:41:43,080 --> 00:41:45,960
Speaker 1: were two streams in which academics came out and said, Yo,

755
00:41:47,680 --> 00:41:50,840
Speaker 1: I'm about to show y'all that the boy planted that information.

756
00:41:51,719 --> 00:41:56,960
Speaker 1: Every time he came out, Kendrick dropped the song, so

757
00:41:57,080 --> 00:42:02,839
Speaker 1: I'll smother you in news. I'll smother you in news.

758
00:42:04,400 --> 00:42:06,400
Speaker 1: And now you can't even come out and say anything

759
00:42:06,719 --> 00:42:09,040
Speaker 1: to this day right now, I'm still not sure that

760
00:42:09,160 --> 00:42:14,000
Speaker 1: that's been real coverage on the fact that Drake allegedly

761
00:42:14,120 --> 00:42:16,759
Speaker 1: fed information to Kendrick Lamar and he went and read,

762
00:42:16,840 --> 00:42:18,600
Speaker 1: and he went and wrote a whole song about it.

763
00:42:19,760 --> 00:42:22,719
Speaker 1: And for me, you asked, Loan, why do you think

764
00:42:22,800 --> 00:42:25,399
Speaker 1: that that act hasn't been able to get that out

765
00:42:26,040 --> 00:42:28,040
Speaker 1: or why do you think that Drake is frustrated with

766
00:42:28,160 --> 00:42:32,120
Speaker 1: acting other platforms? Again, context clues Drake doesn't do a

767
00:42:32,160 --> 00:42:33,799
Speaker 1: lot of talking. What do you hear at the hard

768
00:42:33,840 --> 00:42:36,279
Speaker 1: part six from Drake. Let's listen to the end of it.

769
00:42:36,400 --> 00:42:40,359
Speaker 1: It'll tell you everything I'm saying. It'll let you know that, Yo,

770
00:42:40,520 --> 00:42:42,640
Speaker 1: they couldn't get the word out, so you know what,

771
00:42:43,760 --> 00:42:46,040
Speaker 1: I got to do it myself. We need you can

772
00:42:46,160 --> 00:42:48,960
Speaker 1: hit me if you need a favor, and when I

773
00:42:49,040 --> 00:42:54,000
Speaker 1: say yeah, I'm not gonna lie that shit with some

774
00:42:54,600 --> 00:42:57,880
Speaker 1: good exercise, like it's good to get out, get the

775
00:42:57,920 --> 00:43:01,879
Speaker 1: penwork old be a worthy competitor. If I was really

776
00:43:01,920 --> 00:43:04,280
Speaker 1: a predator and you weren't fucking lying to every blogger

777
00:43:04,360 --> 00:43:09,360
Speaker 1: and editor, but it is what it is. You definitely

778
00:43:09,400 --> 00:43:12,680
Speaker 1: got the shit burnt the fuck out though, like you

779
00:43:12,800 --> 00:43:16,200
Speaker 1: got ten more records to drop the one before the

780
00:43:16,280 --> 00:43:18,560
Speaker 1: last one we finished you into telling a story that

781
00:43:18,960 --> 00:43:22,480
Speaker 1: doesn't even exist, and then you go and drop the

782
00:43:22,520 --> 00:43:25,080
Speaker 1: West Coast one and try and cover that up. I

783
00:43:25,120 --> 00:43:27,520
Speaker 1: would like that one. That would be some shit I

784
00:43:27,520 --> 00:43:30,520
Speaker 1: could dance to if you wasn't tripling down on some

785
00:43:30,600 --> 00:43:34,200
Speaker 1: whole other bullshit. But you know, at least your fans

786
00:43:34,280 --> 00:43:37,239
Speaker 1: are getting some raps out of you. I'm happy I

787
00:43:37,280 --> 00:43:40,160
Speaker 1: can motivate you, bring you back to the game. Like

788
00:43:41,160 --> 00:43:46,760
Speaker 1: he's clearly frustrated. Look at the tone. You hear the tone,

789
00:43:47,719 --> 00:43:50,919
Speaker 1: some people say that's a defeated tone, that's a frustrated tone.

790
00:43:51,040 --> 00:43:52,600
Speaker 1: Here I am at the end of the song. Got

791
00:43:52,680 --> 00:43:55,439
Speaker 1: a talk picture me the biggest artist in the world

792
00:43:55,520 --> 00:43:58,840
Speaker 1: being spoiled on Billboard last ten to fifteen years, feeding

793
00:43:58,880 --> 00:44:01,359
Speaker 1: these media niggs? Did I've trick this dude to rap

794
00:44:01,440 --> 00:44:04,839
Speaker 1: about something that ain't even true, and don't nobody give

795
00:44:04,880 --> 00:44:07,279
Speaker 1: a damn because he can't even get covered because the

796
00:44:07,360 --> 00:44:10,480
Speaker 1: guy that I've appointed to cover it is now talking

797
00:44:10,560 --> 00:44:12,920
Speaker 1: to his people all day on the thing, and I

798
00:44:13,000 --> 00:44:15,200
Speaker 1: can't call him and say, yo, bro, that ain't what

799
00:44:15,520 --> 00:44:18,080
Speaker 1: you need to be doing, because now that looks like

800
00:44:18,200 --> 00:44:21,239
Speaker 1: I'm cohorsing him on how to run this. But you

801
00:44:21,280 --> 00:44:24,839
Speaker 1: would think he has enough sense to know somebody got

802
00:44:24,960 --> 00:44:27,080
Speaker 1: to get the word out. We tricked this dude to

803
00:44:27,200 --> 00:44:30,600
Speaker 1: rap about the whole thing that wasn't even true, but

804
00:44:30,760 --> 00:44:32,799
Speaker 1: Kendrick stepping on it. He won't even let you get

805
00:44:32,840 --> 00:44:34,840
Speaker 1: that out. Why would Drake have to come on the

806
00:44:34,960 --> 00:44:38,160
Speaker 1: end of a record talking This energy ain't the energy

807
00:44:38,239 --> 00:44:41,360
Speaker 1: from pushups. This ain't the energy of the nigga that

808
00:44:41,480 --> 00:44:45,920
Speaker 1: said yo, Since like that, you ain't sounding entus how

809
00:44:46,080 --> 00:44:50,120
Speaker 1: you not in the booth that ain't this? Ain't that dude, bro,

810
00:44:50,400 --> 00:44:54,000
Speaker 1: this is this is a this is a frustrated this

811
00:44:54,160 --> 00:44:57,799
Speaker 1: is a frustrated doesn't even this is a frustrated guy,

812
00:44:58,080 --> 00:45:00,200
Speaker 1: and then you go and drive the West coast to

813
00:45:00,280 --> 00:45:02,799
Speaker 1: try and cover it out of I would like that one.

814
00:45:02,920 --> 00:45:05,120
Speaker 1: That would be some shit I could dance to if

815
00:45:05,120 --> 00:45:08,600
Speaker 1: he wasn't tripling down on some whole other bullshit. But

816
00:45:10,040 --> 00:45:13,280
Speaker 1: you know, at least your fans are getting some raps

817
00:45:13,280 --> 00:45:15,879
Speaker 1: out of you. I'm happy I can motivate you, bring

818
00:45:16,000 --> 00:45:20,440
Speaker 1: you back to the game, like you know, But just

819
00:45:20,560 --> 00:45:23,800
Speaker 1: let me know when we'll get into the facts. Everything

820
00:45:23,840 --> 00:45:27,720
Speaker 1: in my shit is facts, waiting on you to return

821
00:45:27,760 --> 00:45:30,839
Speaker 1: the favor, like I believe Drake to feel like he's

822
00:45:30,880 --> 00:45:34,080
Speaker 1: being treated unfairly. You know, he follows all of these guys,

823
00:45:34,360 --> 00:45:38,239
Speaker 1: you know, dms with Joe Budden, he dems with academics,

824
00:45:38,280 --> 00:45:41,520
Speaker 1: and if we're being honest, Joe Budden and them kind

825
00:45:41,560 --> 00:45:45,759
Speaker 1: of kicked off this PDF filer narrative. They they are

826
00:45:45,840 --> 00:45:49,240
Speaker 1: the ones that kicked off the PDA filing narrative dating

827
00:45:49,320 --> 00:45:52,439
Speaker 1: back to the last album. Yo, you're rapping the twenty

828
00:45:52,520 --> 00:45:55,399
Speaker 1: year olds, Yo, you kind of yo, my man, these

829
00:45:55,440 --> 00:45:58,520
Speaker 1: are children, and why is the thirty five year old

830
00:45:59,080 --> 00:46:03,959
Speaker 1: you play it that? Then they backed up, whoa, man, Wow, whoa.

831
00:46:04,680 --> 00:46:07,520
Speaker 1: This is industry shit. And I know Joe and Drake,

832
00:46:07,800 --> 00:46:10,279
Speaker 1: you know, I'm doing my job as to analyze in

833
00:46:10,360 --> 00:46:12,480
Speaker 1: the culture. I don't have a dog in the fight.

834
00:46:12,600 --> 00:46:14,920
Speaker 1: Don't give a damn who don't like me and how

835
00:46:14,960 --> 00:46:18,000
Speaker 1: they feel about what I cover. But I'm telling you

836
00:46:18,200 --> 00:46:20,719
Speaker 1: that that angle kind of was birthed at the Joe

837
00:46:20,800 --> 00:46:23,480
Speaker 1: Budden podcast. And then they try to get quiet, but

838
00:46:23,640 --> 00:46:26,399
Speaker 1: you already put it in the air. You've already put

839
00:46:26,440 --> 00:46:28,680
Speaker 1: it on the airwaves. You already put it in the

840
00:46:28,800 --> 00:46:31,239
Speaker 1: minds of some of the people. They bagged up off

841
00:46:31,320 --> 00:46:33,239
Speaker 1: of it, and then they kind of played with it

842
00:46:33,320 --> 00:46:35,520
Speaker 1: a little bit, kind of played with it a little bit,

843
00:46:36,000 --> 00:46:39,000
Speaker 1: and boom, here Kendrick Gibbs from the top of the mountain,

844
00:46:39,160 --> 00:46:43,200
Speaker 1: regurgitating it, reiterating it, adding to it. So these are

845
00:46:43,280 --> 00:46:48,800
Speaker 1: people that Drake have relationships with, Joe Budden, academics and others.

846
00:46:49,280 --> 00:46:50,960
Speaker 1: And I don't know if you guys know who the

847
00:46:51,080 --> 00:46:54,759
Speaker 1: artist Drake is, but the artist Drake is an emotional being.

848
00:46:55,080 --> 00:46:57,880
Speaker 1: You don't even get some of those classic albums, some

849
00:46:58,000 --> 00:47:01,439
Speaker 1: of those classic records. He's very emotional and in touch

850
00:47:01,520 --> 00:47:05,520
Speaker 1: with his emotions. There's no way in the world you

851
00:47:05,600 --> 00:47:07,879
Speaker 1: can make me believe that he doesn't feel a way

852
00:47:07,920 --> 00:47:12,160
Speaker 1: about this and it's not affecting them. Now. Do I

853
00:47:12,280 --> 00:47:15,640
Speaker 1: believe Drake to be a PDF filler? No, I haven't

854
00:47:15,640 --> 00:47:18,320
Speaker 1: seen anything that makes me think that. Y'all would have

855
00:47:18,440 --> 00:47:20,880
Speaker 1: to show me some things. And number one, I'm not

856
00:47:21,000 --> 00:47:24,120
Speaker 1: the guy to go searching for children things like that.

857
00:47:25,360 --> 00:47:27,200
Speaker 1: You know, I've always been at the top of the mound,

858
00:47:27,280 --> 00:47:29,040
Speaker 1: say yo, I'm one of the people that you hear

859
00:47:29,160 --> 00:47:36,400
Speaker 1: in media that's relatively popular that says, hey, I'm the

860
00:47:36,480 --> 00:47:38,760
Speaker 1: guy that ain't gonna never have none with no children.

861
00:47:39,880 --> 00:47:42,000
Speaker 1: They ain't gonna never have that. I took none from

862
00:47:42,040 --> 00:47:45,160
Speaker 1: no woman. They ain't gonna never be me. I'm a player,

863
00:47:45,440 --> 00:47:51,000
Speaker 1: Capitol P, y'all peons, Lord case P. Y'all might got

864
00:47:51,080 --> 00:47:54,080
Speaker 1: any kind of allegations against y'all, I ain't never gonna

865
00:47:54,120 --> 00:47:57,279
Speaker 1: have them type allegations. And guess what, I'm a dude

866
00:47:57,800 --> 00:48:01,360
Speaker 1: that pop pie power shit. And you don't hear nobody

867
00:48:01,480 --> 00:48:05,040
Speaker 1: saying nothing from where I come from because I'm the truth.

868
00:48:06,320 --> 00:48:10,399
Speaker 1: I'm the truth, So sometimes I have to come out

869
00:48:10,440 --> 00:48:12,520
Speaker 1: and say it because I want you other suckers to

870
00:48:12,600 --> 00:48:17,000
Speaker 1: be uncomfortable with your hidden secrets. I want you suckers

871
00:48:17,040 --> 00:48:19,800
Speaker 1: to be uncomfortable with all them hiding secrets of what

872
00:48:19,920 --> 00:48:22,440
Speaker 1: you niggas done to people and fucked over women and

873
00:48:22,560 --> 00:48:26,120
Speaker 1: took shit from them. And yeah, I'm the nigga at

874
00:48:26,160 --> 00:48:28,000
Speaker 1: the top of the mountain saying, man, I did it

875
00:48:28,120 --> 00:48:31,400
Speaker 1: the real way, the hard way, my nigga. But the

876
00:48:31,480 --> 00:48:35,000
Speaker 1: amount of money at risk with Drake and this pdfil

877
00:48:35,040 --> 00:48:38,480
Speaker 1: of thing is astronomical because they can pull out now

878
00:48:38,520 --> 00:48:41,000
Speaker 1: if they wanted to. The allegation is enough to lose

879
00:48:41,080 --> 00:48:46,680
Speaker 1: the money. But that's what war is. The first thing

880
00:48:46,760 --> 00:48:48,520
Speaker 1: you want to do when you go into a battle

881
00:48:48,640 --> 00:48:53,120
Speaker 1: is crippled a guy financially if you can, because you

882
00:48:53,239 --> 00:48:55,640
Speaker 1: need what what did Pop say? You need money to

883
00:48:55,719 --> 00:49:00,800
Speaker 1: go to war? And a nigga with no money, he

884
00:49:00,880 --> 00:49:02,719
Speaker 1: don't want no war. I don't care them about how

885
00:49:02,800 --> 00:49:06,360
Speaker 1: much heart you got. A nigga with no resources, he

886
00:49:06,440 --> 00:49:08,839
Speaker 1: don't want war. I don't care how much talking he doing.

887
00:49:09,680 --> 00:49:12,239
Speaker 1: He ain't prepared, he don't even know what he asking for.

888
00:49:14,960 --> 00:49:17,760
Speaker 1: He don't even know. And so now all these tweets

889
00:49:17,800 --> 00:49:20,200
Speaker 1: are coming out, all these different things are coming out,

890
00:49:20,640 --> 00:49:26,080
Speaker 1: you know, these monumental moments in hip hop. I look

891
00:49:26,160 --> 00:49:28,839
Speaker 1: back at so I say, all right, because Drake has

892
00:49:29,400 --> 00:49:34,680
Speaker 1: I guess for whatever reason, he's feeding academics information conson that.

893
00:49:35,360 --> 00:49:37,400
Speaker 1: This is what I mean when I think Drake doesn't

894
00:49:37,520 --> 00:49:41,480
Speaker 1: understand media in the way that he should. If we're

895
00:49:41,560 --> 00:49:45,560
Speaker 1: talking about want to utilize them to kind of further

896
00:49:45,680 --> 00:49:48,920
Speaker 1: your narrative in battle number one, the first thing you

897
00:49:48,960 --> 00:49:51,520
Speaker 1: would have done, you would have built up a new

898
00:49:51,640 --> 00:49:54,600
Speaker 1: person in this atmosphere. That had been the first thing

899
00:49:54,719 --> 00:49:58,360
Speaker 1: to do. To go with academics, to me was a

900
00:49:58,440 --> 00:50:01,759
Speaker 1: mistake because if you do when he case studied with academics,

901
00:50:01,800 --> 00:50:04,120
Speaker 1: you saw he rolled with Takashi like that, and then

902
00:50:04,160 --> 00:50:06,560
Speaker 1: at some point he switched it off and him and

903
00:50:06,600 --> 00:50:09,960
Speaker 1: Takashi are still cool, I guess, But and I did.

904
00:50:10,400 --> 00:50:12,239
Speaker 1: I do think they said he was fucking with Royal

905
00:50:12,360 --> 00:50:14,480
Speaker 1: rin Mar. I think they've been doing a good job

906
00:50:14,560 --> 00:50:17,920
Speaker 1: at how they've been kind of dissecting the information and

907
00:50:18,080 --> 00:50:21,359
Speaker 1: utilizing it. But in particular like with Kysanet and shot

908
00:50:21,400 --> 00:50:25,279
Speaker 1: out to Kay, that's my little hominge and Cosinet and Academics.

909
00:50:25,680 --> 00:50:29,120
Speaker 1: Casanet is just gonna react to things. So basically Cosinet

910
00:50:29,560 --> 00:50:32,040
Speaker 1: arm of the scenario is just gonna be letting people

911
00:50:32,120 --> 00:50:34,239
Speaker 1: know it's out. And you don't even need that at

912
00:50:34,280 --> 00:50:38,360
Speaker 1: this point, because when Drake drops a disrecord at Kendrick Lamar,

913
00:50:38,560 --> 00:50:43,279
Speaker 1: everyone's gonna know us out anyway. They're gonna know us

914
00:50:43,320 --> 00:50:48,000
Speaker 1: out anyway. Academics is useless in the way that Drake was,

915
00:50:48,160 --> 00:50:52,279
Speaker 1: I guess attempting to use him because he's gonna put

916
00:50:52,400 --> 00:50:54,480
Speaker 1: both sides out and then he's gonna call up the

917
00:50:54,640 --> 00:50:57,640
Speaker 1: enemy and do it like this. Why if you said

918
00:50:57,719 --> 00:50:59,880
Speaker 1: two hundred thousand people over there to watch him, he

919
00:51:00,080 --> 00:51:03,320
Speaker 1: got your enemy people on the thing, skewing the narrative.

920
00:51:03,719 --> 00:51:06,080
Speaker 1: He's sitting on the thing like this with your opponents

921
00:51:06,160 --> 00:51:09,160
Speaker 1: people on there, skewing the narrative, and you feeding him

922
00:51:09,200 --> 00:51:14,120
Speaker 1: everything and got him licked. So that was a mistake.

923
00:51:15,040 --> 00:51:18,120
Speaker 1: I don't think that Academics is doing anything wrong. He's

924
00:51:18,200 --> 00:51:21,000
Speaker 1: being sufficient like he's being for his brand. You know,

925
00:51:21,160 --> 00:51:24,080
Speaker 1: we saw almost burn his brand down dealing with Takashi.

926
00:51:25,440 --> 00:51:28,560
Speaker 1: What effects will this have on academics brand moving out

927
00:51:28,600 --> 00:51:31,000
Speaker 1: of this right the way that he's tried to ride

928
00:51:31,080 --> 00:51:34,879
Speaker 1: for Drake and all of the different memes and will

929
00:51:34,960 --> 00:51:37,600
Speaker 1: disaffect his brand? Will people start to look at him

930
00:51:37,680 --> 00:51:41,160
Speaker 1: as sambo as puppet because he no longer can say

931
00:51:41,200 --> 00:51:44,320
Speaker 1: he stands for independent and media and all of that

932
00:51:44,520 --> 00:51:47,879
Speaker 1: when number one, the numbers have outgrew that, and two

933
00:51:48,360 --> 00:51:52,919
Speaker 1: you got rappers that allegedly are feeding you narratives telling

934
00:51:52,960 --> 00:51:55,399
Speaker 1: you to stay up and go on stream and make

935
00:51:55,440 --> 00:51:57,760
Speaker 1: sure to get this out. And I get the business

936
00:51:57,880 --> 00:52:02,080
Speaker 1: element to that, but they've been able to paint academics

937
00:52:02,200 --> 00:52:07,320
Speaker 1: is clearly biased in this Kendrick Lamar Versus Drake battle.

938
00:52:08,080 --> 00:52:11,880
Speaker 1: How does that affect the brand moving forward? So again,

939
00:52:12,000 --> 00:52:15,480
Speaker 1: Casanett was someone that Drake was reaching out to. I

940
00:52:15,600 --> 00:52:19,880
Speaker 1: think that that was not needed, not saying the relationship.

941
00:52:19,920 --> 00:52:21,960
Speaker 1: I'm saying in the midst of this battle, to be

942
00:52:22,080 --> 00:52:25,200
Speaker 1: telling Casinet, Yo, stay up, man, I'm about to drop.

943
00:52:25,400 --> 00:52:29,080
Speaker 1: It's like, yo, bro, Casinet job is to react to

944
00:52:29,160 --> 00:52:31,080
Speaker 1: that kind of shit. He gonna get to it. What

945
00:52:31,280 --> 00:52:33,960
Speaker 1: you need is an arm of someone that's able to

946
00:52:34,080 --> 00:52:37,800
Speaker 1: go out and explain what's happening. And it's what I

947
00:52:37,960 --> 00:52:40,960
Speaker 1: tell Baby and all of the rap guys is yo.

948
00:52:41,960 --> 00:52:45,120
Speaker 1: It is with extreme scarcity, you find someone like me

949
00:52:46,520 --> 00:52:49,320
Speaker 1: who can come out in front of the people and

950
00:52:49,480 --> 00:52:53,000
Speaker 1: explain the scenario for you and kind of put two

951
00:52:53,080 --> 00:52:56,000
Speaker 1: and two together and you dig these The mean you

952
00:52:56,080 --> 00:52:59,440
Speaker 1: gotta the ju jitsu mental men is the mean you

953
00:52:59,560 --> 00:53:02,839
Speaker 1: gotta place in position to be able to drive those

954
00:53:03,000 --> 00:53:07,000
Speaker 1: narratives out right or wrong, but get your thought process

955
00:53:07,080 --> 00:53:10,200
Speaker 1: out to the people. I don't think Casinett was for that.

956
00:53:11,360 --> 00:53:15,680
Speaker 1: I don't even think academics was for that, because if

957
00:53:15,719 --> 00:53:18,160
Speaker 1: you really looked at an academic stream over the last

958
00:53:19,560 --> 00:53:25,040
Speaker 1: two weeks when he's having this moment, two or three weeks, literally,

959
00:53:25,160 --> 00:53:28,000
Speaker 1: someone on Twitter, one of y'all doue the calculations, one

960
00:53:28,080 --> 00:53:32,239
Speaker 1: of the fans. Someone due to the calculations. If he

961
00:53:32,360 --> 00:53:36,760
Speaker 1: streams for eight hours, he's probably spending three hours playing music.

962
00:53:37,040 --> 00:53:40,240
Speaker 1: He's getting his blanket licensing agreement to play these songs

963
00:53:40,320 --> 00:53:42,600
Speaker 1: back to back to back and not get his channel pulled.

964
00:53:42,640 --> 00:53:44,680
Speaker 1: There's no one else on YouTube that I think is

965
00:53:44,760 --> 00:53:49,480
Speaker 1: doing that. That's number one, but number two. Out of

966
00:53:49,520 --> 00:53:51,600
Speaker 1: an eight hour stream, you may got three hours of

967
00:53:51,640 --> 00:53:57,000
Speaker 1: straight music play. You may got another three or four hours.

968
00:53:58,280 --> 00:54:01,080
Speaker 1: Taking mindus is just eight hours. So there's three hours

969
00:54:01,120 --> 00:54:06,120
Speaker 1: of music, that's three hours of other people talking. So

970
00:54:06,280 --> 00:54:10,200
Speaker 1: he may talk forty minutes out of the entire eight

971
00:54:10,280 --> 00:54:15,000
Speaker 1: hour stream. So what was that. He didn't even add

972
00:54:15,040 --> 00:54:18,560
Speaker 1: to your narrative at all. He didn't even explain the

973
00:54:18,719 --> 00:54:22,080
Speaker 1: song for you at all. He read the lyrics and

974
00:54:22,200 --> 00:54:24,800
Speaker 1: then call people up that's going to dispute the lyrics

975
00:54:25,640 --> 00:54:27,800
Speaker 1: on the platform. You right, I'm just saying when you

976
00:54:27,920 --> 00:54:30,279
Speaker 1: go to get into the science of it, and that's

977
00:54:30,320 --> 00:54:33,040
Speaker 1: way down out up in the weeds of it, you

978
00:54:33,160 --> 00:54:36,160
Speaker 1: know what I'm saying. But we talk about you needing

979
00:54:36,280 --> 00:54:38,360
Speaker 1: someone to go out and be able to say, Yo,

980
00:54:38,520 --> 00:54:40,479
Speaker 1: this is what Drake meant, this is what he's trying

981
00:54:40,520 --> 00:54:42,520
Speaker 1: to do. Here's where I think he's going. Here's what

982
00:54:42,680 --> 00:54:44,880
Speaker 1: we think is the next step. Here's how he should

983
00:54:44,920 --> 00:54:48,520
Speaker 1: have done. Maybe Kendrick's doing this like, YO, you need

984
00:54:48,560 --> 00:54:53,640
Speaker 1: a cerebral thinker. You need a cerebral thinker. But what

985
00:54:53,840 --> 00:54:58,360
Speaker 1: you're dealing with is eight hours of stream with forty

986
00:54:58,440 --> 00:55:00,919
Speaker 1: five minutes of talking from academic out of the entire

987
00:55:01,000 --> 00:55:03,040
Speaker 1: eight hours. In some kind of way, they're saying he's

988
00:55:03,080 --> 00:55:06,640
Speaker 1: commentating the beef. I'm not hating on academics. I'm giving

989
00:55:06,719 --> 00:55:09,680
Speaker 1: y'all the information so you know that the trick bag

990
00:55:09,800 --> 00:55:14,479
Speaker 1: is in full effect. And that's why Drake's shit ain't

991
00:55:14,640 --> 00:55:19,359
Speaker 1: landing because the biggest people that he have out there

992
00:55:19,520 --> 00:55:23,839
Speaker 1: to amplify his voice and to sway his narrative are

993
00:55:23,920 --> 00:55:26,000
Speaker 1: not even doing So that's why you got him talking

994
00:55:26,040 --> 00:55:28,480
Speaker 1: at the end of songs because he can't get the

995
00:55:28,560 --> 00:55:31,239
Speaker 1: people that he got in position to explain what the

996
00:55:31,320 --> 00:55:35,520
Speaker 1: fuck he talking about. Number One, Kendrick keep dropping. So

997
00:55:35,719 --> 00:55:39,200
Speaker 1: what happens when Kendrick drops, Hey, hey, come on man,

998
00:55:39,239 --> 00:55:39,480
Speaker 1: come on.

999
00:55:39,560 --> 00:55:40,600
Speaker 2: Go go go, go go go.

1000
00:55:42,360 --> 00:55:45,520
Speaker 1: You ain't even talk about Drake the entire day. Drake drop?

1001
00:55:45,640 --> 00:55:48,560
Speaker 1: All right, cool, Kendreck drop again, We back talking about Kendrick.

1002
00:55:49,480 --> 00:55:50,600
Speaker 1: It's simple math.