1 00:00:10,360 --> 00:00:12,559 Speaker 1: Boom have No Fear of the Iron Rapport stereo podcasts is here. 2 00:00:12,560 --> 00:00:14,640 Speaker 1: Biguni Boom have No Fear of the I Am rap 3 00:00:14,640 --> 00:00:16,880 Speaker 1: Port Stereo podcast is in the place to be On 4 00:00:16,960 --> 00:00:20,040 Speaker 1: today's banging, high flying I Am rap Port Stereo podcast. 5 00:00:20,760 --> 00:00:23,159 Speaker 1: I directed a documentary call beat Trims in Light the 6 00:00:23,160 --> 00:00:27,440 Speaker 1: travels of a Tribe col Quest, and people still still 7 00:00:27,680 --> 00:00:30,480 Speaker 1: talk about it to this day. I am sharing some 8 00:00:30,720 --> 00:00:35,760 Speaker 1: never ever said, never ever shared secrets about the making, 9 00:00:36,240 --> 00:00:40,559 Speaker 1: the history, the reality of that fantastic documentary that I 10 00:00:40,560 --> 00:00:44,879 Speaker 1: had the privilege of directing. Plus Draymond Green got his 11 00:00:44,960 --> 00:00:49,760 Speaker 1: feelings hurt by Dylan Brooks and one night in Boston, 12 00:00:50,360 --> 00:00:55,400 Speaker 1: the New York Knickerbocker's took down the evil empire of 13 00:00:55,440 --> 00:00:58,560 Speaker 1: the Boston Celtics. So much more. Plus Bill Belichick, what 14 00:00:58,600 --> 00:01:00,800 Speaker 1: are you doing all that? On a high flying, fully 15 00:01:00,840 --> 00:01:03,200 Speaker 1: disruptive Iron Rapport Stereo podcast Coming up right now, Miles 16 00:01:03,280 --> 00:01:06,000 Speaker 1: Joorne aka the Bleach Brothers aka the dest Brothers. Start 17 00:01:06,000 --> 00:01:08,279 Speaker 1: this puppy of a jump, real nice, Start this puppy 18 00:01:08,280 --> 00:01:09,560 Speaker 1: of a jump, real love. But most I wortant to 19 00:01:09,560 --> 00:01:12,679 Speaker 1: start this Iron Rapport Stereo podcast off with something real funks. 20 00:01:12,760 --> 00:01:30,039 Speaker 1: Iron Rap Port Stereal Pockets. Lindy, Let's go Boom. Have 21 00:01:30,080 --> 00:01:32,959 Speaker 1: no fear of the Iron Wrapperport Stereo Podcast is here, Biggy Boom, 22 00:01:33,000 --> 00:01:36,360 Speaker 1: have no fear that I Am Rappaport Stereo Podcast is 23 00:01:36,360 --> 00:01:38,520 Speaker 1: in the place to be. Welcome to the Iron Dome 24 00:01:38,560 --> 00:01:41,760 Speaker 1: of Disruption. Welcome to the Ziggety Zone of Disruption. My 25 00:01:41,840 --> 00:01:46,720 Speaker 1: name is Michael Rappaport aka the inflamed Oskanazi aka the 26 00:01:46,880 --> 00:01:52,560 Speaker 1: Sultan of Sniff, a k a. The Raging bull Shitter, 27 00:01:54,120 --> 00:01:55,840 Speaker 1: and you're now rocking with the very very best the 28 00:01:55,960 --> 00:02:01,440 Speaker 1: I Am Rappaport Stereo Podcast, coming live and direct. We 29 00:02:01,480 --> 00:02:04,240 Speaker 1: are in May May of twenty twenty five. If you 30 00:02:04,240 --> 00:02:08,320 Speaker 1: could believe that we are in almost at the halfway 31 00:02:08,360 --> 00:02:13,840 Speaker 1: point of May of twenty twenty five. Okay, one week down. 32 00:02:14,160 --> 00:02:16,800 Speaker 1: Hope everybody's feeling real good. Hope everybody's feeling real safe. 33 00:02:16,919 --> 00:02:21,960 Speaker 1: Hope everybody is feeling super duper saying Iron rap Port 34 00:02:22,000 --> 00:02:25,840 Speaker 1: Stereo Podcast. Tell a friend, who, Tell a friend, Subscribe, rate, review, 35 00:02:25,960 --> 00:02:29,119 Speaker 1: and ask a question, leave a comment. If you're only 36 00:02:29,120 --> 00:02:31,880 Speaker 1: listening to the Iron Rapport Stereo Podcast, why you could 37 00:02:31,919 --> 00:02:36,120 Speaker 1: watch and listen. Listen and watch at my YouTube page 38 00:02:36,480 --> 00:02:40,520 Speaker 1: at Michael Rappaport at Michael Rapaport And if you are 39 00:02:40,560 --> 00:02:43,240 Speaker 1: watching me on YouTube, h you got any questions, you 40 00:02:43,280 --> 00:02:46,240 Speaker 1: got any comments, things you like, things you do not like, 41 00:02:48,320 --> 00:02:53,639 Speaker 1: let me know so much to discuss. This is a great, 42 00:02:53,720 --> 00:02:59,240 Speaker 1: great time of year for sports fans, particularly NBA fans, 43 00:02:59,360 --> 00:03:06,160 Speaker 1: even wa NBA fans, college basketball, female fans. I was 44 00:03:06,200 --> 00:03:10,640 Speaker 1: watching this documentary on ESPN. It's like a four part 45 00:03:10,680 --> 00:03:18,760 Speaker 1: documentary covering last season in the women's NCAA basketball world. 46 00:03:18,800 --> 00:03:23,840 Speaker 1: And I never thought I never ever thought I would 47 00:03:23,919 --> 00:03:28,160 Speaker 1: sit here or even sit down and watch something regarding 48 00:03:28,880 --> 00:03:32,480 Speaker 1: women's basketball. Yet here we are. But I really enjoy 49 00:03:32,560 --> 00:03:34,680 Speaker 1: that little documentary that they got on there. What is 50 00:03:34,680 --> 00:03:36,280 Speaker 1: it called? It is called you know what I got 51 00:03:36,320 --> 00:03:38,800 Speaker 1: my phone here, I'm gonna check. It is called Full 52 00:03:38,840 --> 00:03:45,200 Speaker 1: Court Press, Full Court Press on ESPN. And I really 53 00:03:45,600 --> 00:03:48,320 Speaker 1: these girls are fun, man. Was I was talking to 54 00:03:48,360 --> 00:03:53,120 Speaker 1: Frank Isola and Brian Scalabrini about what I like about 55 00:03:53,320 --> 00:03:55,760 Speaker 1: this documentary, what I like about the women and the 56 00:03:55,760 --> 00:03:58,520 Speaker 1: girls on this documentary. They're young girls in eighteen, nineteen, 57 00:03:58,720 --> 00:04:02,040 Speaker 1: twenty twenty one. Call them women and be respectful, young ladies. 58 00:04:03,720 --> 00:04:08,960 Speaker 1: They're so themselves, which is really something that I like 59 00:04:10,240 --> 00:04:13,880 Speaker 1: watching Flage and the other girls that they covered. They're 60 00:04:13,920 --> 00:04:17,479 Speaker 1: just themselves and they're not jaded, and they're not like 61 00:04:17,600 --> 00:04:24,400 Speaker 1: debutants like so many of the NBA players are like contrived, 62 00:04:25,120 --> 00:04:28,760 Speaker 1: very very aware of themselves, very very aware of the 63 00:04:28,880 --> 00:04:31,560 Speaker 1: sort of persona they want to carve out. And I 64 00:04:31,640 --> 00:04:36,599 Speaker 1: was discussing that in relation to the Celtic City documentary 65 00:04:36,640 --> 00:04:39,680 Speaker 1: on HBO, which again I think is very very good, 66 00:04:39,760 --> 00:04:41,480 Speaker 1: whether you like the Celtics or not. And we're going 67 00:04:41,520 --> 00:04:44,120 Speaker 1: to get into how much I can't stand the Celtics 68 00:04:45,120 --> 00:04:47,520 Speaker 1: and the Nicks and the Celtics are duking it out 69 00:04:47,560 --> 00:04:50,400 Speaker 1: in the second round right now. But one of the 70 00:04:50,440 --> 00:04:54,120 Speaker 1: things that's great about the documentary Celtic City, where they 71 00:04:54,120 --> 00:04:58,839 Speaker 1: talk about Robert Parrish, Kevin McHale, Larry Bird, the Danny Ainge, 72 00:04:59,120 --> 00:05:02,279 Speaker 1: the Paul Pierce, lend Bias to Kevin Garnett, the Ray Allen, 73 00:05:02,600 --> 00:05:05,880 Speaker 1: every single thing that has to do with the Celtics. 74 00:05:05,920 --> 00:05:09,400 Speaker 1: They cover it. But whether you liked Larry Bird, McHale 75 00:05:09,440 --> 00:05:12,600 Speaker 1: and the Celtics or not, you didn't know much about them. 76 00:05:12,640 --> 00:05:15,159 Speaker 1: You thought you had an idea of what they were like, 77 00:05:15,760 --> 00:05:19,280 Speaker 1: and you thought you understood what kind of people they 78 00:05:19,279 --> 00:05:21,520 Speaker 1: were and what the dynamic was of the team, but 79 00:05:21,640 --> 00:05:24,839 Speaker 1: there wasn't access to them the way there's access to 80 00:05:24,920 --> 00:05:29,320 Speaker 1: players now. So it makes it It makes it interesting, 81 00:05:29,360 --> 00:05:31,560 Speaker 1: whether you're a Celtics fan or not, to sort of 82 00:05:31,680 --> 00:05:34,560 Speaker 1: uncover these iconic teams, because those teams were iconic with 83 00:05:34,680 --> 00:05:37,680 Speaker 1: so many iconic players and Robert Parrish in particularly, you 84 00:05:37,680 --> 00:05:39,520 Speaker 1: didn't know anything about them, but you really get to 85 00:05:39,920 --> 00:05:44,560 Speaker 1: get a sense of Robert parrishon what he meant to 86 00:05:44,600 --> 00:05:46,920 Speaker 1: that team and the dynamic of the team. And it's 87 00:05:46,920 --> 00:05:49,120 Speaker 1: just very good. The Celtics City thing is very good, 88 00:05:49,760 --> 00:05:53,360 Speaker 1: and so is the little documentary on ESPN, the four 89 00:05:53,400 --> 00:05:58,280 Speaker 1: part documentary about the women NCAAA girls. It covers four girls. 90 00:05:58,680 --> 00:06:01,120 Speaker 1: But the afore me, Oh, it's a lot of Boston 91 00:06:01,160 --> 00:06:03,320 Speaker 1: stuff we're gonna talk about today because Bill Belichick, I 92 00:06:03,320 --> 00:06:06,120 Speaker 1: don't know how I haven't really deep dived into your 93 00:06:06,200 --> 00:06:11,719 Speaker 1: sick fucking ask Bill Belichick, Leader of Men, Bill Belichick 94 00:06:11,839 --> 00:06:14,080 Speaker 1: lead you know, I'm gonna start with Bill Belichick, leader 95 00:06:14,080 --> 00:06:17,919 Speaker 1: of Men, super Bowl champion, arguably the greatest coach in 96 00:06:18,200 --> 00:06:22,919 Speaker 1: NFL history? Were you were you the greatest coach in 97 00:06:23,040 --> 00:06:26,719 Speaker 1: NFL history? Like, what the fuck is your deal, Bill Belichick? 98 00:06:26,760 --> 00:06:32,920 Speaker 1: What is your story? Man? Man? I mean talk about 99 00:06:33,200 --> 00:06:38,120 Speaker 1: tarnishing your image, Bill Belichick. I never liked you. I 100 00:06:38,160 --> 00:06:40,480 Speaker 1: never liked the way you presented yourself. I never liked 101 00:06:40,480 --> 00:06:43,760 Speaker 1: your mumbly humbly like oh bojo. I'm just here and 102 00:06:43,839 --> 00:06:46,839 Speaker 1: I'm just aftering the quest. I actually got in trouble 103 00:06:47,320 --> 00:06:49,400 Speaker 1: years ago. I was on ESPN. I was doing something 104 00:06:49,440 --> 00:06:54,760 Speaker 1: on ESPN Old ESPN in Connecticut at the ESPN studio. 105 00:06:55,400 --> 00:06:58,240 Speaker 1: That show I was co hosting with Jamel Hill, and 106 00:06:58,400 --> 00:07:01,160 Speaker 1: I refer to Bill Belichick as a I said, he's 107 00:07:01,200 --> 00:07:03,400 Speaker 1: up there with all right, we could probably gotta bleep 108 00:07:03,440 --> 00:07:06,080 Speaker 1: that because he can't say that word. And this is 109 00:07:06,360 --> 00:07:10,480 Speaker 1: before that word became even more taboo than it is now, 110 00:07:10,520 --> 00:07:12,720 Speaker 1: although they're saying that the word is back. I don't 111 00:07:12,720 --> 00:07:14,680 Speaker 1: want no problem. I got enough problems. I don't need 112 00:07:14,720 --> 00:07:17,760 Speaker 1: to go down with the R word ship. But I said, 113 00:07:17,800 --> 00:07:20,480 Speaker 1: you know, I can't stand Bill Belichick and his whole 114 00:07:21,520 --> 00:07:24,480 Speaker 1: routine and his mumbly and I'm just you know, I'm 115 00:07:24,520 --> 00:07:27,880 Speaker 1: just here and you know, and I'm I'm so complicated 116 00:07:27,880 --> 00:07:31,120 Speaker 1: and I'm so involved with my football thoughts and ideas 117 00:07:31,160 --> 00:07:34,120 Speaker 1: and my football schemes and plans and all that stuff. 118 00:07:34,160 --> 00:07:36,560 Speaker 1: I'm just a football guy, so I'm just oppressed. It 119 00:07:36,640 --> 00:07:39,240 Speaker 1: just it freaks me out. I'm I'm gonna answer the 120 00:07:39,320 --> 00:07:41,320 Speaker 1: questions and I don't know, and I have to talk 121 00:07:41,360 --> 00:07:44,200 Speaker 1: to Tom and we're just gonna go out there and bullshit. 122 00:07:45,080 --> 00:07:47,200 Speaker 1: I thought it was bullshit then Bill Belichick, and I 123 00:07:47,200 --> 00:07:51,360 Speaker 1: feel like it's even more bullshit now. And this is 124 00:07:51,440 --> 00:07:54,840 Speaker 1: coming off a season where I softened No Bruno, I 125 00:07:54,920 --> 00:07:58,600 Speaker 1: softened No Diddy for Bill Belichick, watching him with Eli 126 00:07:59,160 --> 00:08:02,240 Speaker 1: and Peyton Man, watching him on Inside the NFL. NFL 127 00:08:02,400 --> 00:08:04,880 Speaker 1: was like I could get behind this Bill Belichick. I 128 00:08:04,920 --> 00:08:06,840 Speaker 1: love how much he loved football. I love when he 129 00:08:06,880 --> 00:08:09,920 Speaker 1: talks about football, but his persona as a coach while 130 00:08:09,960 --> 00:08:12,200 Speaker 1: he was coaching the New England Patriots, this guy I 131 00:08:12,240 --> 00:08:15,600 Speaker 1: don't like. I think he's hiding something. And you're only 132 00:08:15,640 --> 00:08:20,680 Speaker 1: as sick as your secrets, Bill Belichick. You're only as 133 00:08:20,800 --> 00:08:30,120 Speaker 1: sick as your secrets. You sick, old, nasty. What's your story, man, 134 00:08:31,280 --> 00:08:35,400 Speaker 1: unless you've been hiding under a football rock. For the 135 00:08:35,440 --> 00:08:42,480 Speaker 1: past few weeks, everybody has seen Bill Belichick, who's on 136 00:08:42,520 --> 00:08:44,560 Speaker 1: a book tour for his book where he doesn't talk 137 00:08:44,600 --> 00:08:49,800 Speaker 1: about Aaron Hernandez, he doesn't talk about the Flakegate, doesn't 138 00:08:49,800 --> 00:08:55,199 Speaker 1: really talk about Robert Kraft, doesn't talk about any of 139 00:08:55,280 --> 00:08:59,840 Speaker 1: the controversial fun things that we the fans want to know. 140 00:09:00,160 --> 00:09:02,679 Speaker 1: Just just talk to all football, just talk about ball. Well, 141 00:09:02,720 --> 00:09:04,640 Speaker 1: you know what, Bill Belichick, if you're not gonna talk 142 00:09:04,640 --> 00:09:06,319 Speaker 1: about Aaron or Nandaz, you're not gonna talk about the 143 00:09:06,360 --> 00:09:08,400 Speaker 1: flate Gate. You're not gonna talk about spy Kate. You're 144 00:09:08,400 --> 00:09:09,839 Speaker 1: not gonna talk about any of the things that we 145 00:09:09,880 --> 00:09:12,160 Speaker 1: want to talk about that are a part of your legacy, 146 00:09:12,200 --> 00:09:16,160 Speaker 1: whether you like it or not, Bill Belichick, the flate Gate, Spygate, 147 00:09:17,720 --> 00:09:21,560 Speaker 1: the owner Robert Kraft, who's another a rub and tug guy. 148 00:09:22,360 --> 00:09:24,520 Speaker 1: You're not gonna talk about any about anything about that. 149 00:09:24,960 --> 00:09:30,360 Speaker 1: You're gonna show up to do press, Bill Belichick. You're 150 00:09:30,360 --> 00:09:35,679 Speaker 1: gonna show up to do press for your book tour 151 00:09:36,440 --> 00:09:39,800 Speaker 1: with your twenty four year old girlfriend. Now listen, I 152 00:09:39,880 --> 00:09:43,240 Speaker 1: get it, Bill Belichick, he's seventy four. This is as 153 00:09:43,360 --> 00:09:47,800 Speaker 1: old as time. Older men successful, you always want to 154 00:09:47,840 --> 00:09:51,400 Speaker 1: get your hands on a younger woman. That's just that's 155 00:09:51,440 --> 00:09:53,880 Speaker 1: just the way it is. Now. The fact that it's 156 00:09:53,920 --> 00:09:56,160 Speaker 1: a woman who's fifty years you know, can't get somebody 157 00:09:56,160 --> 00:10:00,680 Speaker 1: in your thirties, okay, like okay, like thirty for thirty. 158 00:10:00,880 --> 00:10:03,160 Speaker 1: You got a twenty four year old who Bill Belichick 159 00:10:03,240 --> 00:10:08,200 Speaker 1: allegedly met this woman when she was twenty on a plane. 160 00:10:08,480 --> 00:10:13,960 Speaker 1: So you were sniffing around this twenty year old. And 161 00:10:14,640 --> 00:10:17,760 Speaker 1: for those of you who who don't know, Bill Belichick 162 00:10:17,840 --> 00:10:21,320 Speaker 1: was married for forty years. Great, he's got three kids. 163 00:10:21,440 --> 00:10:24,920 Speaker 1: Forty years, three kids, fantastic. Then he was in another 164 00:10:24,960 --> 00:10:31,160 Speaker 1: relationship for sixteen years. And then somehow Someway Jordan got 165 00:10:31,160 --> 00:10:36,280 Speaker 1: her hands on old man Bill Belichick, and she is 166 00:10:36,440 --> 00:10:41,640 Speaker 1: turning him out. This young girl Jordan is turning Bill 167 00:10:42,320 --> 00:10:46,800 Speaker 1: Belichick out. Leader of men, the guy who you know 168 00:10:46,920 --> 00:10:49,320 Speaker 1: was too grumpy to speak to the press, the guy 169 00:10:49,360 --> 00:10:53,040 Speaker 1: that was too curmudgety to give interviews whether they won 170 00:10:53,360 --> 00:10:55,520 Speaker 1: or lost games, and he was just too complicated and 171 00:10:55,559 --> 00:10:57,480 Speaker 1: he was too much of a mystery guy. He was 172 00:10:57,480 --> 00:10:59,600 Speaker 1: too much of a football mind to speak to the press. 173 00:10:59,720 --> 00:11:02,720 Speaker 1: Is now on social media on ig on the Gram. 174 00:11:02,920 --> 00:11:06,760 Speaker 1: Bill Belichick is on the Gram with his twenty four 175 00:11:06,920 --> 00:11:10,360 Speaker 1: year old girl. She's dressed up like a mermaid. They're 176 00:11:10,400 --> 00:11:14,440 Speaker 1: doing poses. They're lovey dovey, they're kissy whissy, But you 177 00:11:14,520 --> 00:11:18,040 Speaker 1: couldn't talk to the press all those years when you 178 00:11:18,080 --> 00:11:21,800 Speaker 1: were winning chip after chip after chip. You're like everybody 179 00:11:21,880 --> 00:11:26,080 Speaker 1: else on social media now with your young twenty four 180 00:11:26,160 --> 00:11:30,120 Speaker 1: year old girl, Bill Bell, you're a sick fuck. You're 181 00:11:30,240 --> 00:11:32,800 Speaker 1: fifty years older than this school. And some people say, 182 00:11:32,880 --> 00:11:35,280 Speaker 1: Mike crab if you were seventy four and you get 183 00:11:35,280 --> 00:11:37,840 Speaker 1: your hands on some a twenty four year old girl, 184 00:11:38,880 --> 00:11:40,920 Speaker 1: some if you get your hands on a twenty four 185 00:11:40,960 --> 00:11:42,960 Speaker 1: year old girl, you would do it too. I'm not 186 00:11:43,000 --> 00:11:47,199 Speaker 1: saying I wouldn't, But hold your head, Bill Belichick, how 187 00:11:47,200 --> 00:11:50,559 Speaker 1: do you let some this is a stranger, pretty much 188 00:11:50,559 --> 00:11:54,200 Speaker 1: a stranger come into your life and just turn you 189 00:11:54,520 --> 00:11:57,720 Speaker 1: all out upside down. I think I have an idea 190 00:11:57,760 --> 00:12:00,440 Speaker 1: of what she's doing to them. I think I have 191 00:12:00,800 --> 00:12:03,880 Speaker 1: a pretty good idea of what Bill Belichick is into 192 00:12:03,960 --> 00:12:08,160 Speaker 1: and what Jordan is doing to him. And Jordan apparently is, 193 00:12:08,840 --> 00:12:15,720 Speaker 1: you know, from a very a fun, loving, free, open family. 194 00:12:16,240 --> 00:12:20,480 Speaker 1: Her mother allegedly owns a sex shop. And I think 195 00:12:20,520 --> 00:12:26,760 Speaker 1: that Jordan brings home toy after toy and scrub after scrub, 196 00:12:27,160 --> 00:12:31,160 Speaker 1: and lotion and lube after lube and I think her 197 00:12:31,280 --> 00:12:34,000 Speaker 1: and old man Belichick are having a good old time 198 00:12:35,360 --> 00:12:39,200 Speaker 1: and you know what, do your thing. It would be 199 00:12:39,240 --> 00:12:43,960 Speaker 1: fine if you were retired. But Bill Belichick is now 200 00:12:44,040 --> 00:12:50,080 Speaker 1: the head coach of a college football team UNC and 201 00:12:50,120 --> 00:12:54,600 Speaker 1: we haven't seen it yet, but he is again supposed 202 00:12:54,640 --> 00:12:58,000 Speaker 1: to be the leader of men. But how can you 203 00:12:58,040 --> 00:13:00,840 Speaker 1: be the leader of men when you are getting led 204 00:13:00,920 --> 00:13:05,400 Speaker 1: around by a twenty four year old chippy. She's showing 205 00:13:05,520 --> 00:13:09,319 Speaker 1: up at his interviews, she's starting the interviews. She's interrupting 206 00:13:09,320 --> 00:13:12,040 Speaker 1: the universe. This CBS interview that he gave the other 207 00:13:12,080 --> 00:13:14,319 Speaker 1: day for his book tour, for the book where he 208 00:13:14,360 --> 00:13:18,720 Speaker 1: doesn't talk about Aaron Hernandez, Spygate, deflate Gate, or any 209 00:13:18,720 --> 00:13:21,040 Speaker 1: of the gates that he was involved with. She was 210 00:13:21,080 --> 00:13:23,280 Speaker 1: on the sidelines, you know, like, oh, we're not gonna 211 00:13:23,280 --> 00:13:24,920 Speaker 1: talk about this, We're gonna stop the interview. We're not 212 00:13:24,960 --> 00:13:27,439 Speaker 1: gonna do the Yo. You're supposed to be the leader 213 00:13:27,440 --> 00:13:30,600 Speaker 1: of man. Man, you can't control the interview yourself, Bill 214 00:13:30,640 --> 00:13:35,760 Speaker 1: belk you got what's happened to you? Man? And she's 215 00:13:35,800 --> 00:13:40,600 Speaker 1: not only doing his personal life and his persona. Bill 216 00:13:40,640 --> 00:13:44,520 Speaker 1: Belichick was at a spring practice and the girl was 217 00:13:44,559 --> 00:13:48,120 Speaker 1: on the sidelines talking to coaches and adjusting his pants. 218 00:13:50,080 --> 00:13:53,440 Speaker 1: Did you see the video of her adjusting his bitness 219 00:13:53,440 --> 00:13:57,640 Speaker 1: is a football coach. We're not in an old age home. 220 00:13:58,280 --> 00:14:01,400 Speaker 1: This is in Thanksgiving. We're not home for the holidays. 221 00:14:01,440 --> 00:14:03,679 Speaker 1: You don't need to be adjusting his pants. This is 222 00:14:03,679 --> 00:14:07,040 Speaker 1: supposed to be a football coach, the greatest football coach 223 00:14:07,080 --> 00:14:09,360 Speaker 1: of all time. You got a twenty four year old 224 00:14:09,440 --> 00:14:16,040 Speaker 1: chippy fixing you up on the sidelines during football practice. 225 00:14:16,200 --> 00:14:20,400 Speaker 1: What the fuck happened to you? Bill Belichick? What happened 226 00:14:20,440 --> 00:14:22,440 Speaker 1: to you? Man? I'm telling you I have a pretty 227 00:14:22,440 --> 00:14:28,400 Speaker 1: good idea that this girl is turning him out, turning 228 00:14:28,480 --> 00:14:34,320 Speaker 1: him out real nice and real proper with lubes, lotions. 229 00:14:34,800 --> 00:14:38,640 Speaker 1: I think she's pinging, progging and pegging this guy and 230 00:14:38,680 --> 00:14:40,800 Speaker 1: he likes it, and he's like, fucking, I'm seventy four. 231 00:14:41,240 --> 00:14:46,520 Speaker 1: I'm gonna let my freak flag fly. Forget these championship banners. 232 00:14:46,600 --> 00:14:50,600 Speaker 1: I'm letting my freak flag fly all over the place. 233 00:14:52,440 --> 00:14:54,280 Speaker 1: But I have a feeling this is not going to 234 00:14:54,400 --> 00:14:56,520 Speaker 1: end well. And I have a feeling it's not going 235 00:14:56,520 --> 00:14:58,720 Speaker 1: to go well when you're trying to be the head 236 00:14:58,760 --> 00:15:04,040 Speaker 1: coach of a college football team. It's way out there. 237 00:15:04,720 --> 00:15:08,280 Speaker 1: And I know I know that Tom Brady, Julian Elleman 238 00:15:08,840 --> 00:15:11,880 Speaker 1: and all the all the players that Bill Belichick coach. 239 00:15:11,960 --> 00:15:14,720 Speaker 1: I know they're probably like this fucking guy. I know 240 00:15:14,760 --> 00:15:17,120 Speaker 1: they're seeing a side of Bill Belichick that they never 241 00:15:17,160 --> 00:15:21,360 Speaker 1: got to see. He was, you know, tough and rough 242 00:15:21,720 --> 00:15:24,480 Speaker 1: and gruff, and now you're letting some twenty four year 243 00:15:24,480 --> 00:15:27,280 Speaker 1: old chippy control your life. I know Julian Lleman and 244 00:15:27,320 --> 00:15:31,640 Speaker 1: Tom Brady like, what the fuck is going on out here? 245 00:15:31,680 --> 00:15:35,520 Speaker 1: But Bill Belichick, I see you. I see you, my man. 246 00:15:35,720 --> 00:15:43,400 Speaker 1: I see you. Get control of your life. Man. Podcast. 247 00:15:54,160 --> 00:15:58,920 Speaker 1: Draymond Green, who's got his podcast? I mean, podcasts these 248 00:15:59,000 --> 00:16:04,200 Speaker 1: days are like they're like assholes. Everybody has one. They're 249 00:16:04,200 --> 00:16:10,600 Speaker 1: not even like opinions. Podcasts are like assholes. Every single 250 00:16:11,080 --> 00:16:15,520 Speaker 1: person has one. Draymond's podcast is good. Draymond's great. The 251 00:16:15,600 --> 00:16:18,560 Speaker 1: twenty twenty five Hustle Player of the Year. We got 252 00:16:18,600 --> 00:16:22,040 Speaker 1: to congratulate Draymond Green. He won the twenty twenty five 253 00:16:22,520 --> 00:16:26,800 Speaker 1: NBA Hustle Player of the not Defensive Player of the Year, 254 00:16:26,840 --> 00:16:30,840 Speaker 1: but he did win the NBA Hustle Player of the Year. 255 00:16:31,520 --> 00:16:37,240 Speaker 1: After the Golden State Warriors beat It wasn't easy, but 256 00:16:37,280 --> 00:16:41,920 Speaker 1: they beat the Houston Rockets in a game seven seven games. 257 00:16:41,920 --> 00:16:44,200 Speaker 1: It took took everything to beat them. They were tough, 258 00:16:44,840 --> 00:16:50,120 Speaker 1: they were long, no Bruno, and they're They're a team 259 00:16:50,600 --> 00:16:53,960 Speaker 1: that's got a lot to a lot going for them 260 00:16:54,040 --> 00:16:56,960 Speaker 1: in the future. Of course, Draymond Green did a podcast 261 00:16:58,040 --> 00:17:01,600 Speaker 1: and he talked about Dylan Brooks. Dylan Brooks apparently allegedly 262 00:17:01,760 --> 00:17:07,800 Speaker 1: after the Warriors beat the Rockets, Dylan Brooks didn't shake 263 00:17:07,840 --> 00:17:12,800 Speaker 1: hands with any of the Warrior players. And this wasn't 264 00:17:12,840 --> 00:17:14,920 Speaker 1: in the news. This wasn't on the news. But Draymond 265 00:17:14,920 --> 00:17:18,200 Speaker 1: Green made it newsworthy, and of course if he makes 266 00:17:18,200 --> 00:17:20,960 Speaker 1: it newsworthy, and he talks about it in his podcast, 267 00:17:21,280 --> 00:17:24,960 Speaker 1: every other podcast, including me the World's Most Disruptive Podcast, 268 00:17:25,160 --> 00:17:29,240 Speaker 1: I have to also speak about this. No one was 269 00:17:29,240 --> 00:17:33,320 Speaker 1: talking about this, Draymond Green until you brought it up. 270 00:17:33,359 --> 00:17:36,240 Speaker 1: But Dylan the villain, Dylan the villain, Brooks who's hard, 271 00:17:36,320 --> 00:17:40,520 Speaker 1: too hard to like, similar to Draymond Green. I think 272 00:17:40,600 --> 00:17:43,960 Speaker 1: Draymond Green sees a lot of himself in Dylan Brooks. 273 00:17:43,960 --> 00:17:47,159 Speaker 1: As Dylan Brooks as good as Draymond Green. No, but 274 00:17:47,320 --> 00:17:49,680 Speaker 1: essentially those are guys that you only like if they're 275 00:17:49,720 --> 00:17:54,720 Speaker 1: on your team. And throughout this series and throughout their history, 276 00:17:54,800 --> 00:17:59,360 Speaker 1: Draymond Green has talked he's he's talked crazy to Dylan Brooks. 277 00:17:59,400 --> 00:18:01,960 Speaker 1: He's talked to him on the court, He's talked crazy 278 00:18:01,960 --> 00:18:05,560 Speaker 1: to him in press conferences, He's talked crazy to him 279 00:18:06,040 --> 00:18:10,560 Speaker 1: throughout their career playing against each other before he was 280 00:18:10,600 --> 00:18:14,960 Speaker 1: a Rocket and Jimmy Butler, he also said I can't 281 00:18:15,000 --> 00:18:18,440 Speaker 1: and he said, I hate Dylan Brooks. I don't respect him. 282 00:18:18,600 --> 00:18:21,720 Speaker 1: He's a pussy, he's a bitch, and a few other things. 283 00:18:21,920 --> 00:18:24,000 Speaker 1: And he said, I can't stand them. I don't like them. 284 00:18:24,080 --> 00:18:29,320 Speaker 1: So after the series, if you know that the Golden 285 00:18:29,320 --> 00:18:32,639 Speaker 1: say worries think this of you because they're comfortable saying 286 00:18:32,680 --> 00:18:36,480 Speaker 1: I hate this motherfucker. I can't stand this motherfucker. He's 287 00:18:36,520 --> 00:18:39,159 Speaker 1: this that. And the third, why would he shake hands? 288 00:18:39,600 --> 00:18:41,639 Speaker 1: I say, if I'm Dylan Brooks. Fuck, if these guys 289 00:18:41,640 --> 00:18:44,840 Speaker 1: don't like me, they don't respect me, they say they 290 00:18:44,840 --> 00:18:46,919 Speaker 1: don't like me, they say, don't they don't respect me? 291 00:18:47,119 --> 00:18:50,440 Speaker 1: Why should I shake their fucking hands? And Draymond Green 292 00:18:50,480 --> 00:18:53,200 Speaker 1: went on his podcast and told the story about Dylan 293 00:18:53,200 --> 00:18:55,280 Speaker 1: Brooks leaving the court and not shaking hands, and he 294 00:18:55,320 --> 00:18:57,960 Speaker 1: called him a sucker. He's a sucker, And I'm thinking 295 00:18:57,960 --> 00:19:04,600 Speaker 1: to myself, he's a sucker. You sucker punched your teammate, 296 00:19:05,920 --> 00:19:11,040 Speaker 1: you kick people in the dick, you stomp on people's chest, 297 00:19:11,240 --> 00:19:15,159 Speaker 1: you bully, bully, bully, you talk shit, and then after 298 00:19:15,200 --> 00:19:19,800 Speaker 1: the games you huggy huggy. I get it. Sportsmanship. I 299 00:19:19,920 --> 00:19:22,840 Speaker 1: like that. I like that, But some people might be like, yo, 300 00:19:22,880 --> 00:19:25,920 Speaker 1: fuck it, fuck you, fuck you Draymond fuck the Warriors, 301 00:19:26,040 --> 00:19:29,200 Speaker 1: fuck you, Jimmy Butler. Me personally, i'd give you five. 302 00:19:29,440 --> 00:19:33,800 Speaker 1: But you know, Draymond Green, I'm surprised anybody shakes your hand. 303 00:19:34,280 --> 00:19:37,680 Speaker 1: You're abusive to the refs, you're abusive to other players 304 00:19:37,720 --> 00:19:40,439 Speaker 1: in the league. And then when somebody's like, yo, fuck it, 305 00:19:40,800 --> 00:19:43,199 Speaker 1: I'm not shaking here, you get your feelings hurt and 306 00:19:43,240 --> 00:19:46,120 Speaker 1: you say he's a sucker. Da da da da da. 307 00:19:46,359 --> 00:19:48,919 Speaker 1: I mean, listen, I think Dylan Brooks, he's a needed 308 00:19:48,960 --> 00:19:53,120 Speaker 1: player and he's done an incredible job of carving out 309 00:19:53,240 --> 00:19:59,240 Speaker 1: an NBA career with very little skills. But if he 310 00:19:59,280 --> 00:20:02,040 Speaker 1: doesn't want to shake your hand because you guys say 311 00:20:02,200 --> 00:20:05,080 Speaker 1: I hate him, I don't respect him. You should at 312 00:20:05,160 --> 00:20:08,000 Speaker 1: least respect that he's doing the same thing that you 313 00:20:08,080 --> 00:20:11,359 Speaker 1: do to everybody else, except for afterwards, you hug, you kiss, 314 00:20:11,600 --> 00:20:14,320 Speaker 1: and all that shit. I'm surprised to the Houston Rockets 315 00:20:14,440 --> 00:20:18,800 Speaker 1: that young kid Sagoon who he was elbowing, he was pushing, 316 00:20:19,119 --> 00:20:22,000 Speaker 1: he was cheap shotting the entire series. I wouldn't shake 317 00:20:22,040 --> 00:20:25,359 Speaker 1: this fucking guy's hand either. You're a dirty player, dirty Draymond. 318 00:20:26,440 --> 00:20:28,960 Speaker 1: I mean, what do you guys think if the Golden 319 00:20:29,000 --> 00:20:31,520 Speaker 1: State Warriors say I hate this fucking guy, Jimmy Butler's 320 00:20:31,520 --> 00:20:34,000 Speaker 1: say I hate this fucking guy, Draymond Greens. I can't 321 00:20:34,040 --> 00:20:36,960 Speaker 1: stand this guy. I can't stand him. I don't respect him. 322 00:20:37,000 --> 00:20:40,320 Speaker 1: Why shake his hand after the game? Why subject yourself 323 00:20:40,359 --> 00:20:42,800 Speaker 1: to that? Why look somebody in the face and shake 324 00:20:42,880 --> 00:20:46,320 Speaker 1: the hand because of the brotherhood, Because it's uh, you know, 325 00:20:46,720 --> 00:20:49,600 Speaker 1: it's the right thing to do. The way Draymond Green 326 00:20:49,760 --> 00:20:52,919 Speaker 1: treats his opponents is certainly not the right way to 327 00:20:52,960 --> 00:20:58,960 Speaker 1: treat your opponents. He's abusive. He's he's literally physically abusive 328 00:20:59,000 --> 00:21:03,199 Speaker 1: and verbally abusive to other players and the referees. So 329 00:21:03,800 --> 00:21:05,800 Speaker 1: when you get somebody who's saying, yo, I know how 330 00:21:05,800 --> 00:21:09,040 Speaker 1: you feel about me, I know how I feel about you. 331 00:21:09,119 --> 00:21:11,760 Speaker 1: We're not shaking hands. I'll see you next season. I 332 00:21:11,880 --> 00:21:33,080 Speaker 1: like it. I like it. I saw some online stuff 333 00:21:34,280 --> 00:21:39,960 Speaker 1: about the award winning tribe called Quest documentary that I 334 00:21:40,000 --> 00:21:43,280 Speaker 1: had the privilege of directing Beat Tribes in Life, The 335 00:21:43,440 --> 00:21:47,720 Speaker 1: Travels of a Tribe, call Quest. If you haven't seen 336 00:21:47,720 --> 00:21:50,440 Speaker 1: Beat Tribes in Life, The Travels of a Tribe, call Quest. 337 00:21:50,520 --> 00:21:53,680 Speaker 1: Or you have seen it, you could stream it on 338 00:21:53,760 --> 00:21:58,080 Speaker 1: all your streaming platforms. Great documentary that I had the 339 00:21:58,160 --> 00:22:03,440 Speaker 1: privilege of directing. And every now and then something will 340 00:22:03,440 --> 00:22:07,640 Speaker 1: come up about that film in the gossipy sort of way. 341 00:22:07,880 --> 00:22:13,639 Speaker 1: The film, obviously it was documented, how challenging it was 342 00:22:13,720 --> 00:22:17,240 Speaker 1: to make, how frustrating it was to make, you know, 343 00:22:17,280 --> 00:22:20,080 Speaker 1: within the group. Shout out to the late great five Dog, 344 00:22:20,080 --> 00:22:24,159 Speaker 1: shout out to q tip Ali, Shahid Mohammad and Jerobi 345 00:22:25,080 --> 00:22:29,240 Speaker 1: for signing off on the film. But I saw something 346 00:22:29,400 --> 00:22:33,240 Speaker 1: on YouTube about this, that and the third about the film. 347 00:22:33,600 --> 00:22:36,840 Speaker 1: Let me let me just tell some some things about 348 00:22:37,200 --> 00:22:41,640 Speaker 1: the film that I directed. Award winning Producer Guild Award. 349 00:22:41,880 --> 00:22:45,120 Speaker 1: That ain't nothing to scaf at we want. It's looked 350 00:22:45,119 --> 00:22:48,720 Speaker 1: at it as one of the greatest music documentaries ever. 351 00:22:48,960 --> 00:22:52,159 Speaker 1: And you're only as good as your subject. But I 352 00:22:52,200 --> 00:22:54,960 Speaker 1: did direct it. I did direct it. But let me 353 00:22:55,080 --> 00:22:57,480 Speaker 1: let me just give a little clarity, a little history 354 00:22:57,560 --> 00:23:00,840 Speaker 1: of some facts about beats, rhymes in life, travels of 355 00:23:00,960 --> 00:23:04,480 Speaker 1: a tribe called Quest, the film that I directed, which 356 00:23:04,480 --> 00:23:08,399 Speaker 1: again you could stream on many of your streaming platforms, 357 00:23:08,440 --> 00:23:11,920 Speaker 1: and I highly recommend it if you haven't seen it. 358 00:23:11,920 --> 00:23:16,240 Speaker 1: It's a great journey about one of the most important 359 00:23:16,960 --> 00:23:18,960 Speaker 1: musical groups. I don't even call them just hip hop, 360 00:23:19,240 --> 00:23:23,080 Speaker 1: the most important musical groups of the last fifty years, 361 00:23:23,840 --> 00:23:28,480 Speaker 1: the rock and Roll Hall of Fame, Iconic, a tribe 362 00:23:28,680 --> 00:23:33,440 Speaker 1: called Quest. But that film came about because I went 363 00:23:33,520 --> 00:23:41,600 Speaker 1: to one of the last tribe called Quest concerts and 364 00:23:41,720 --> 00:23:44,400 Speaker 1: I started thinking about that in the nineties and then 365 00:23:44,560 --> 00:23:47,080 Speaker 1: two thousand and eight, two thousand and nine. I'm not 366 00:23:47,119 --> 00:23:49,560 Speaker 1: great with dates. I don't fact check. They did a 367 00:23:49,600 --> 00:23:53,959 Speaker 1: show in la and after the show, I was backstage 368 00:23:54,000 --> 00:23:57,119 Speaker 1: with Fife, I was backstage with Alis Shahid Muhammad. I 369 00:23:57,119 --> 00:23:59,320 Speaker 1: was backstage with Q Tip again shout out to the 370 00:23:59,400 --> 00:24:03,320 Speaker 1: late great Fife Dog, the late great Fifth Dog. And 371 00:24:03,359 --> 00:24:06,600 Speaker 1: I said something about doing a documentary about a Tribe 372 00:24:06,600 --> 00:24:10,760 Speaker 1: call Quest said it again years later and Q Tip said, 373 00:24:10,920 --> 00:24:13,560 Speaker 1: you should do it, because I said, I think, I said, 374 00:24:13,800 --> 00:24:16,480 Speaker 1: and I quote, somebody should do a documentary about you guys, 375 00:24:16,520 --> 00:24:19,880 Speaker 1: and he said, you should do it. Well, lo and behold, 376 00:24:20,880 --> 00:24:24,199 Speaker 1: I did it. They were performing shows in the summer, 377 00:24:24,880 --> 00:24:27,960 Speaker 1: and I found out very late in the game. I 378 00:24:27,960 --> 00:24:29,800 Speaker 1: had no idea that they were performing shows in the summer, 379 00:24:29,840 --> 00:24:32,720 Speaker 1: because for me, tribeical Quest performing shows, I'm like, where 380 00:24:32,840 --> 00:24:35,760 Speaker 1: when I'm going. I found out like a few days 381 00:24:35,760 --> 00:24:39,360 Speaker 1: before they were doing the shows, and I reached out 382 00:24:39,400 --> 00:24:41,080 Speaker 1: to Q Chip said I want to do a documentary. 383 00:24:41,160 --> 00:24:43,400 Speaker 1: He said cool. He said, reach out to Ali. Reach 384 00:24:43,440 --> 00:24:45,720 Speaker 1: out to Ali. I said, I want to do a documentary. 385 00:24:45,760 --> 00:24:48,880 Speaker 1: He said cool, and then I reached out the Fight. 386 00:24:49,040 --> 00:24:51,880 Speaker 1: The night before I spoke the Fife the Friday night 387 00:24:51,920 --> 00:24:54,840 Speaker 1: before their Saturday show, or the Saturday night before the 388 00:24:55,000 --> 00:24:58,119 Speaker 1: Sunday show. I believe it was a Saturday, I can't remember. 389 00:24:58,160 --> 00:24:59,960 Speaker 1: A long time ago, and that was the first time 390 00:25:00,040 --> 00:25:02,960 Speaker 1: I spoke to Fife and he said, let's do it. 391 00:25:04,440 --> 00:25:08,040 Speaker 1: Went and bought cameras, bought equipment with my own money, 392 00:25:08,840 --> 00:25:12,399 Speaker 1: bought cameras, bought equipment with my own money, got together 393 00:25:12,440 --> 00:25:17,280 Speaker 1: a crew to shoot that concert at Rock the Bells 394 00:25:17,320 --> 00:25:20,400 Speaker 1: in California. Can't remember the name of the venue, and 395 00:25:21,640 --> 00:25:26,320 Speaker 1: three years later we finally, finally were able to finish 396 00:25:26,320 --> 00:25:29,199 Speaker 1: the film. When I started doing Beatrums in Life, a 397 00:25:29,200 --> 00:25:30,960 Speaker 1: travels of a Tribal coal Quest, I thought it was 398 00:25:31,000 --> 00:25:33,440 Speaker 1: going to be sort of a retrospective about the group 399 00:25:33,480 --> 00:25:36,960 Speaker 1: coming back together and cover all the songs and all 400 00:25:37,000 --> 00:25:40,560 Speaker 1: the fun and all the history of the group, and 401 00:25:40,760 --> 00:25:44,040 Speaker 1: the film has a lot of that, but it also 402 00:25:44,119 --> 00:25:48,879 Speaker 1: got into a deeper, deeper, more serious storyline of the 403 00:25:48,960 --> 00:25:55,960 Speaker 1: group's brotherhood and brotherhood and relationships, especially between guys. It's 404 00:25:56,000 --> 00:25:59,640 Speaker 1: not always perfect, even though a tribe represented peace, love, 405 00:25:59,640 --> 00:26:03,760 Speaker 1: and you know, they're human beings. They're human beings, and 406 00:26:03,840 --> 00:26:06,439 Speaker 1: it started to get into, you know, the sort of 407 00:26:07,920 --> 00:26:11,800 Speaker 1: the friction at times within the group, and I didn't 408 00:26:11,840 --> 00:26:14,760 Speaker 1: know anything about the friction at times within the group, 409 00:26:14,920 --> 00:26:17,600 Speaker 1: but again, they are human and it started to cover that. 410 00:26:17,720 --> 00:26:20,200 Speaker 1: And then of course the surprise that I had I 411 00:26:20,280 --> 00:26:23,640 Speaker 1: knew nothing about. I knew Fife was diabetic, but I 412 00:26:23,640 --> 00:26:26,199 Speaker 1: had no idea that it was as serious as it 413 00:26:26,240 --> 00:26:31,200 Speaker 1: turned out. Obviously, diabetes was the main thing that wound 414 00:26:31,240 --> 00:26:34,359 Speaker 1: up taking his life way too young again. May his 415 00:26:34,440 --> 00:26:40,040 Speaker 1: memory be a blessing fife dog Malik Taylor. But we 416 00:26:40,119 --> 00:26:42,959 Speaker 1: covered that, We covered the kidney transplant that his wife, 417 00:26:44,080 --> 00:26:47,240 Speaker 1: you know, gave him, and it made for a great compelling, 418 00:26:48,800 --> 00:26:55,120 Speaker 1: emotional special documentary film. Beat Tribes in life are travels 419 00:26:55,200 --> 00:26:59,360 Speaker 1: of a tribe called Christ. But along the way there 420 00:26:59,400 --> 00:27:03,080 Speaker 1: was pushing, was pulling. There was friction within the group. 421 00:27:03,400 --> 00:27:06,959 Speaker 1: Five like this, Qtub didn't like this. Q Tib like this, 422 00:27:07,160 --> 00:27:09,840 Speaker 1: fIF didn't like this. Ali Shahid Muhammad like this, he 423 00:27:09,840 --> 00:27:13,440 Speaker 1: didn't like it. And I'm sort of making this film 424 00:27:13,480 --> 00:27:18,239 Speaker 1: trying to appease these three guys along with Jarobi, and 425 00:27:18,280 --> 00:27:19,879 Speaker 1: each one of them has a point of view of 426 00:27:20,320 --> 00:27:23,000 Speaker 1: their story that I'm trying to tell as respectfully and 427 00:27:23,080 --> 00:27:27,280 Speaker 1: as honestly as possible. But each one of them has opinions. 428 00:27:27,440 --> 00:27:29,399 Speaker 1: Don't put that in there, put too much of this? 429 00:27:30,359 --> 00:27:32,560 Speaker 1: Why you put that in there? Add this? Did he 430 00:27:32,640 --> 00:27:34,639 Speaker 1: say this? Did he say that? And I'm becoming like this, 431 00:27:34,720 --> 00:27:37,959 Speaker 1: almost like therapist while I'm making the film. And this 432 00:27:38,040 --> 00:27:40,359 Speaker 1: is part for the course. You know, there's plenty of 433 00:27:40,400 --> 00:27:45,120 Speaker 1: other documentary filmmakers, especially musical documentaries, that have gone through 434 00:27:45,119 --> 00:27:47,840 Speaker 1: this and talked about it. But when you're going through 435 00:27:47,840 --> 00:27:49,399 Speaker 1: it and you're talking about it, especially that was the 436 00:27:49,400 --> 00:27:52,400 Speaker 1: first film that I had ever made, you're like, oh shit. 437 00:27:53,520 --> 00:27:56,480 Speaker 1: But inevitably the film turned out great. But I want 438 00:27:56,520 --> 00:27:58,640 Speaker 1: to explain a couple of things about how the film 439 00:27:58,640 --> 00:28:01,439 Speaker 1: got made. Number One, I put my money over one 440 00:28:01,520 --> 00:28:05,760 Speaker 1: hundred thousand dollars. I put my own money over one 441 00:28:05,800 --> 00:28:10,639 Speaker 1: hundred thousand dollars into the start of making Beat Trymes 442 00:28:10,640 --> 00:28:12,719 Speaker 1: in Life, The Travels of a Tribe Colquest. I'll say 443 00:28:12,720 --> 00:28:15,320 Speaker 1: it one more time. I put my own money over 444 00:28:15,400 --> 00:28:19,680 Speaker 1: one hundred thousand dollars into that film. To this day, 445 00:28:19,760 --> 00:28:22,639 Speaker 1: I haven't made any of it back zero point zero, 446 00:28:22,960 --> 00:28:25,320 Speaker 1: and I could give a shit. I'm so proud of 447 00:28:25,320 --> 00:28:29,080 Speaker 1: that film. I'm so happy we got it made. But 448 00:28:29,200 --> 00:28:31,280 Speaker 1: I put my money where my mouth is. I bought 449 00:28:31,280 --> 00:28:34,600 Speaker 1: the cameras, I hired the editor, I hired the producers. 450 00:28:34,680 --> 00:28:37,760 Speaker 1: I'm paying them all at first. Fortunately I got with 451 00:28:37,800 --> 00:28:41,640 Speaker 1: some other partners later and they put their money where 452 00:28:41,640 --> 00:28:46,200 Speaker 1: their mouth is into making Beat Trimes in Life, A 453 00:28:46,280 --> 00:28:48,720 Speaker 1: Travels of a Tribe col Quest. When we started the film, 454 00:28:48,760 --> 00:28:51,440 Speaker 1: like I said, it started very organically, y'all, want to 455 00:28:51,440 --> 00:28:54,000 Speaker 1: do a doc. The group said, cool. Next thing I know, 456 00:28:54,120 --> 00:28:57,720 Speaker 1: I'm buying a camera. I'm shooting. And as we go 457 00:28:57,760 --> 00:28:59,760 Speaker 1: along and they're starting to see footage and they're starting 458 00:28:59,800 --> 00:29:02,560 Speaker 1: to see these scenes. The group is starting, you know, 459 00:29:02,600 --> 00:29:05,520 Speaker 1: they're having their problems. They're kicking ass, they're having their problems. 460 00:29:05,520 --> 00:29:07,440 Speaker 1: They're having their problems. They're kicking as they like the film, 461 00:29:07,440 --> 00:29:10,080 Speaker 1: they hate the film, Fight loves the film, five hates 462 00:29:10,120 --> 00:29:12,320 Speaker 1: a film, QTIB loves a film, Cutub hats a film, 463 00:29:12,480 --> 00:29:14,440 Speaker 1: and so forth and so on. At leash you hi MOhm, 464 00:29:14,440 --> 00:29:18,080 Speaker 1: it's same thing. But while we were making the film, 465 00:29:18,360 --> 00:29:22,400 Speaker 1: they said, we want to be producers of the film. 466 00:29:23,480 --> 00:29:25,760 Speaker 1: And I'm thinking to myself, but you guys aren't producing 467 00:29:25,800 --> 00:29:31,000 Speaker 1: the film. And we had this discussion back and forth, 468 00:29:31,040 --> 00:29:32,959 Speaker 1: back and forth, and they got lawyers and they're like, well, 469 00:29:33,000 --> 00:29:36,080 Speaker 1: if we're not producers of the film, we're gonna shut 470 00:29:36,080 --> 00:29:38,680 Speaker 1: it down. I fuck it. You guys could be producers 471 00:29:38,680 --> 00:29:42,040 Speaker 1: of the film even though you're not producing it. In 472 00:29:42,080 --> 00:29:44,680 Speaker 1: a lot of ways, you're unproducing it because you know 473 00:29:44,760 --> 00:29:48,400 Speaker 1: they're not being helpful. Then they are being helpful. Then 474 00:29:48,400 --> 00:29:50,080 Speaker 1: they're not being helpful. Then they are being helpful, but 475 00:29:50,120 --> 00:29:53,520 Speaker 1: producers supposed to be all in. They want to be producers. Okay, cool. Finally, 476 00:29:53,560 --> 00:29:55,840 Speaker 1: maybe you guys will be totally helpful. We give them 477 00:29:55,840 --> 00:29:59,200 Speaker 1: producer credits. See the producer credits are executive producer credits, 478 00:30:00,080 --> 00:30:03,640 Speaker 1: obviously giving me the blessing to do the film. In 479 00:30:03,680 --> 00:30:06,040 Speaker 1: a way, there producers of the film, but that's not 480 00:30:06,080 --> 00:30:08,240 Speaker 1: how we started. A year and a half into production, 481 00:30:08,440 --> 00:30:11,160 Speaker 1: they say they want to be producers. Finally we say, fine, 482 00:30:11,200 --> 00:30:13,200 Speaker 1: you could be producers. This is when again I had 483 00:30:13,240 --> 00:30:15,560 Speaker 1: put up my money. At this point I got partners, 484 00:30:15,720 --> 00:30:18,560 Speaker 1: they put up their own money, and we're all doing 485 00:30:18,560 --> 00:30:21,440 Speaker 1: this because we love Tribe Coquisse. This is true blue 486 00:30:21,440 --> 00:30:27,480 Speaker 1: independent filmmaking. We're haggling, We're hassling. We're haggling. We're hassling. 487 00:30:27,960 --> 00:30:29,800 Speaker 1: And along with the fact that they want to be 488 00:30:29,880 --> 00:30:32,760 Speaker 1: producers of the film, although at times I felt like 489 00:30:32,800 --> 00:30:37,000 Speaker 1: they were unproducing the film, they say we want final 490 00:30:37,200 --> 00:30:42,880 Speaker 1: cut approval. The group wants final cut approval of the movie, 491 00:30:43,120 --> 00:30:47,800 Speaker 1: which is sacrilegious as a filmmaker. It's also sacrilegious. Now 492 00:30:47,840 --> 00:30:51,400 Speaker 1: we're talking two years, maybe two plus years into the 493 00:30:51,400 --> 00:30:56,280 Speaker 1: making of a Tribe call Quest documentary bet Tribes in Life. 494 00:30:56,280 --> 00:30:59,400 Speaker 1: They say, we want final cut approval, and I'm thinking, 495 00:30:59,440 --> 00:31:02,240 Speaker 1: what kind of it independent filmmaker am I? You know, 496 00:31:02,280 --> 00:31:05,800 Speaker 1: I grew up, you know, around Sundance. I grew up 497 00:31:05,840 --> 00:31:09,040 Speaker 1: loving John Cassavetti's I grew up loving Martin Scorsese. I 498 00:31:09,080 --> 00:31:11,120 Speaker 1: grew up going to the Sundance Film festal that's where 499 00:31:11,400 --> 00:31:14,240 Speaker 1: my first film Zebrahead showed, And it's all about you know, 500 00:31:14,280 --> 00:31:16,480 Speaker 1: the vision, the vision, the vision, and you can never 501 00:31:16,520 --> 00:31:18,920 Speaker 1: give up your vision. You never want to compromise your vision. 502 00:31:19,080 --> 00:31:22,120 Speaker 1: And if I give up final cut approval to a 503 00:31:22,120 --> 00:31:25,040 Speaker 1: tribe call Quest and they don't get along, what kind 504 00:31:25,040 --> 00:31:30,080 Speaker 1: of a fucking filmmaker am I? But again wind up 505 00:31:30,080 --> 00:31:34,560 Speaker 1: giving them final cut approval, which essentially means they, as 506 00:31:34,600 --> 00:31:40,800 Speaker 1: individuals and as a group, have to sign off on 507 00:31:40,920 --> 00:31:44,800 Speaker 1: the final picture, the final product. Betrims in Life, the 508 00:31:44,840 --> 00:31:47,640 Speaker 1: travels of a tribe call Quest. I don't think anyone 509 00:31:47,960 --> 00:31:50,480 Speaker 1: has ever said that are omitted that, but we gave them. 510 00:31:50,880 --> 00:31:54,600 Speaker 1: I gave them final cut approval. And it wasn't easy 511 00:31:54,680 --> 00:31:56,440 Speaker 1: to get them to sign off because I gave them 512 00:31:56,440 --> 00:31:58,160 Speaker 1: a cut and they were like, I don't like that. 513 00:31:58,760 --> 00:32:00,640 Speaker 1: And then Fife would be like, I do like that, 514 00:32:00,720 --> 00:32:02,440 Speaker 1: and then q Tub would be like, I don't like that, 515 00:32:02,480 --> 00:32:04,320 Speaker 1: and I'll we would be like I like that, and 516 00:32:04,360 --> 00:32:06,400 Speaker 1: then I'd be like, well five said this, q Tub 517 00:32:06,440 --> 00:32:10,160 Speaker 1: said this, Jerobi said this. And I'm trying to appease 518 00:32:10,960 --> 00:32:13,920 Speaker 1: and make everybody happy that I can tell the best 519 00:32:13,960 --> 00:32:17,120 Speaker 1: story from my point of view about their life. And finally, 520 00:32:18,680 --> 00:32:23,600 Speaker 1: after hemming and hogging and fuck you's and fuck you's, 521 00:32:23,800 --> 00:32:26,920 Speaker 1: and you're this and You're dead and fuck you's everybody, 522 00:32:26,920 --> 00:32:31,080 Speaker 1: fuck everybody's, fuck you, fucking everybody's, this is we should 523 00:32:31,080 --> 00:32:35,280 Speaker 1: have documented the making of the documentary because the making 524 00:32:35,320 --> 00:32:37,840 Speaker 1: of Beatrium's in Life the Travels of a Tribalal Quest 525 00:32:38,080 --> 00:32:42,320 Speaker 1: was certainly as entertaining, if not more entertaining, than the 526 00:32:42,360 --> 00:32:48,800 Speaker 1: actual film. But after all that, after giving signing off 527 00:32:49,680 --> 00:32:53,680 Speaker 1: reluctantly on the group having approval of the final cut, 528 00:32:53,840 --> 00:33:01,400 Speaker 1: they the group a Tribe co Quest says cool, this 529 00:33:01,480 --> 00:33:06,120 Speaker 1: is it. We agree to this final cut that is 530 00:33:06,160 --> 00:33:11,640 Speaker 1: going to be seen out in the public. And to 531 00:33:11,680 --> 00:33:15,600 Speaker 1: this day, although the film has had great success and 532 00:33:15,640 --> 00:33:17,760 Speaker 1: it's seen all over the world and is still streaming, 533 00:33:18,800 --> 00:33:22,560 Speaker 1: with the amount of money that went into making the film, 534 00:33:23,080 --> 00:33:27,000 Speaker 1: the music clearances, the archival clearances. To this day, I 535 00:33:27,200 --> 00:33:31,680 Speaker 1: have and the financers and the other producers have not 536 00:33:31,840 --> 00:33:35,480 Speaker 1: made any money off this movie, zero point zero. And 537 00:33:35,560 --> 00:33:38,160 Speaker 1: I put in over one hundred thousand dollars of my 538 00:33:38,240 --> 00:33:41,240 Speaker 1: own money. I don't care. I'm so happy that I 539 00:33:41,320 --> 00:33:45,720 Speaker 1: made the movie. But if there's any complaints about the 540 00:33:45,760 --> 00:33:48,880 Speaker 1: final cut of Beats Rhymes in Life are travels of 541 00:33:48,920 --> 00:33:54,480 Speaker 1: a tribe called Quest, talk to the group. Don't talk 542 00:33:54,520 --> 00:33:57,680 Speaker 1: to me, talk to the group. If he didn't like it, 543 00:33:58,720 --> 00:34:02,000 Speaker 1: talk to them because they had final cut approval. If 544 00:34:02,000 --> 00:34:04,000 Speaker 1: you loved it, you should also pat them on the 545 00:34:04,040 --> 00:34:08,359 Speaker 1: back because they had final cut approval. So anybody who 546 00:34:08,360 --> 00:34:11,960 Speaker 1: didn't like it, and any podcasts and YouTuber saying this 547 00:34:12,120 --> 00:34:15,360 Speaker 1: that and the third about the way the film turned 548 00:34:15,400 --> 00:34:18,839 Speaker 1: out and this was left in and this was left out. 549 00:34:19,600 --> 00:34:23,759 Speaker 1: You approved the film. You approved the film. The group, 550 00:34:23,840 --> 00:34:27,520 Speaker 1: their management, their lawyers approved Beat Rhymes in Life. The 551 00:34:27,600 --> 00:34:31,360 Speaker 1: travels of a tribe call Quest. And you could always 552 00:34:31,400 --> 00:34:35,080 Speaker 1: go and make your own tribe called Quest movie. You 553 00:34:35,120 --> 00:34:39,120 Speaker 1: could always go and make your own tribe called Quest movie. 554 00:34:39,400 --> 00:34:44,480 Speaker 1: The Rolling Stones have many documentaries made about them. They're 555 00:34:44,480 --> 00:34:47,680 Speaker 1: that prolific where they're the tribe coal Quest is worthy 556 00:34:47,719 --> 00:34:53,160 Speaker 1: of multiple documentaries. Make another one yourself. But when I 557 00:34:53,200 --> 00:34:55,560 Speaker 1: tell you, it ain't as easy as just going out 558 00:34:55,560 --> 00:34:57,759 Speaker 1: there and doing it. It ain't as easy as just 559 00:34:57,840 --> 00:35:00,319 Speaker 1: going out there and doing it. But anybody he's got 560 00:35:00,360 --> 00:35:03,160 Speaker 1: problems with the final cut, what should have been in, 561 00:35:03,200 --> 00:35:06,200 Speaker 1: what shouldn't have been in, what could have been taken out, 562 00:35:06,760 --> 00:35:09,520 Speaker 1: what should have been added. It wasn't just me, because 563 00:35:09,560 --> 00:35:14,520 Speaker 1: the group themselves, their management, their lawyers also had final 564 00:35:14,640 --> 00:35:17,560 Speaker 1: cut approval of the finished product that I was so 565 00:35:17,640 --> 00:35:22,240 Speaker 1: happy to hand over. That being said, I'm so proud 566 00:35:22,719 --> 00:35:24,800 Speaker 1: of the film. I'm so glad we got it done. 567 00:35:25,120 --> 00:35:27,200 Speaker 1: I'm so glad we got it done during that time. 568 00:35:27,680 --> 00:35:31,200 Speaker 1: The film is honest, it's emotional, and we captured a 569 00:35:31,280 --> 00:35:35,759 Speaker 1: time that the group was going through something. And you know, 570 00:35:35,880 --> 00:35:39,120 Speaker 1: with the passing of five dog Malik Taylor, the late 571 00:35:39,160 --> 00:35:44,400 Speaker 1: great funky diabetic, what a mitzvah, What a blessing that 572 00:35:44,440 --> 00:35:46,919 Speaker 1: we were able to get it done even with all 573 00:35:47,120 --> 00:35:50,200 Speaker 1: the turmoil. But what I just said about the making 574 00:35:50,200 --> 00:35:52,239 Speaker 1: of Beach RUMs in life, the travels of a tribe 575 00:35:52,239 --> 00:35:57,080 Speaker 1: Coquest is all fact, it's all documented, and it's all 576 00:35:57,160 --> 00:36:04,000 Speaker 1: on paper anyway, I'm done. Came so disrupted, came saw disrupted. 577 00:36:05,200 --> 00:36:06,839 Speaker 1: Tell a friend to tell a friend about the Iron 578 00:36:06,920 --> 00:36:12,440 Speaker 1: Rappaport stereo podcast. I's join a k. The Bleach Brothers 579 00:36:12,480 --> 00:36:14,919 Speaker 1: aka the Dust Brothers. Take me out of something real nice, 580 00:36:15,360 --> 00:36:17,480 Speaker 1: Take me out of you, something real loud, but most importantly, 581 00:36:17,560 --> 00:36:21,800 Speaker 1: end this Iron Rapperport stereo podcast with something super duper 582 00:36:21,880 --> 00:36:23,080 Speaker 1: funky Boom. I'm out.