WEBVTT - #389 -Sunny Sweeney Getting Nominated for ACM Three Months After Getting Dropped From Label + Wanting to Quit Music to Being Featured in Country Music Hall Of Fame + Being Prepared To Be Alone + Writing A Letter To Emmylou Harris

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<v Speaker 1>When I got dropped from Big Machine, I gave myself

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<v Speaker 1>fourteen days. On the last day, at five pm the ACMs,

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<v Speaker 1>he said, we're not supposed to call you right now,

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<v Speaker 1>but I just felt like you needed to know this today.

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<v Speaker 1>We're not announcing it till like mid January, but you've

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<v Speaker 1>been nominated for an ACM. I saw our massive van

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<v Speaker 1>slash almost tour bus slash. I don't know, it was

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<v Speaker 1>just awesome, Like I need one of these. I don't

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<v Speaker 1>know why. It's like a mini home on wheels. Yeah.

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<v Speaker 1>I saw it drive into the driveway and I was like,

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<v Speaker 1>who is that? And it turns out it was Sunny Yeah.

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<v Speaker 1>And it's got like a big battering ram on the

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<v Speaker 1>front of it, and she talks about kind of why

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<v Speaker 1>but not a real battering ram, but it does have

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<v Speaker 1>a look, you know, something on the front there that

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<v Speaker 1>if anybody messed with her, she can just drive into you.

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<v Speaker 1>But Sunny Sweeney is our guest episode three eighty nine,

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<v Speaker 1>and so there's a lot we get into. Really enjoyed

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<v Speaker 1>this and it's rare that I get to talk to

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<v Speaker 1>somebody that back in the day I bought tickets to

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<v Speaker 1>watch and so I guess tickets. I think I just

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<v Speaker 1>paid at the door for her shows. Yeah, whatever it was.

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<v Speaker 1>It was in Austin, and she was in Austin, so

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<v Speaker 1>I would just go pay at the door and we

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<v Speaker 1>went in. So but regardless, I paid money to watch

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<v Speaker 1>her sing. And Sonny Sweeney talks a lot about, you know,

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<v Speaker 1>how her career started in Texas and then she came

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<v Speaker 1>to Nashville, and she talks about getting dropped and how

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<v Speaker 1>hard that was for her, like dropped from a label

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<v Speaker 1>and you know what's happened, Like she got signs that

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<v Speaker 1>you know, she's this person who believes in signs from

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<v Speaker 1>the universe. I don't know that I'm that person. The timing, though,

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<v Speaker 1>is yeah, I agree, yeah, the timing with those and

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<v Speaker 1>they're not just like a leaf blows in front of

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<v Speaker 1>you signs. She's like, give me a sign and that's

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<v Speaker 1>something massive happens. So I really enjoyed this Sonny Sweeney.

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<v Speaker 1>She's at getting sweenered on Instagram. By the way, we

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<v Speaker 1>always linked to socials in those notes where if you

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<v Speaker 1>gets a little drop down you can see it in there.

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<v Speaker 1>But she's got a couple of new songs. There is

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<v Speaker 1>Red Dirt Girl. It's an Emulu Harris cover that we

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<v Speaker 1>talk about here you go. When I say new, I

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<v Speaker 1>mean she put out a record in September last year,

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<v Speaker 1>so newish. But she's also got a whole dealt to

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<v Speaker 1>cut your music Hall of Fame, which we'll talk about.

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<v Speaker 1>So here we go. Also, let me shout out Jamie

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<v Speaker 1>Lyne Wilson because she's also on Red Dirt Girl with

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<v Speaker 1>Sunny Sweeney. There, but let's do it. She's on tour

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<v Speaker 1>right now. Got to Sunny Sweeney dot com. It's episode

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<v Speaker 1>three eighty nine. Here she is, Sonny Sweeney. Sonny, when

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<v Speaker 1>did you live in Austin. That's a funny question. Well,

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<v Speaker 1>my stuff is still in storage there right now. I'm

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<v Speaker 1>kind of not living anywhere. But I moved there in

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<v Speaker 1>ninety six for college, and you were there until kind

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<v Speaker 1>of like the last the last couple of months. Yeah,

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<v Speaker 1>I was thinking about just you. And I've listened to

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<v Speaker 1>your music for years, and I lived in Austub for

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<v Speaker 1>twelve years. I listened to you when I were there,

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<v Speaker 1>and I've been to a couple of your shows, but

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<v Speaker 1>I never met you. So weird. Yeah, And when I

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<v Speaker 1>walked in, you said, and I was thinking the same thing, like,

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<v Speaker 1>I don't think we've ever met. I've been to at

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<v Speaker 1>least two of your shows. That's so weird, and so

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<v Speaker 1>until now, I don't think we've ever actually spoken to

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<v Speaker 1>each other. We've been in the same city in the

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<v Speaker 1>same place a couple, and I literally listened to you

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<v Speaker 1>like as a fan. Oh you did in Austin. Well

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<v Speaker 1>that's so at some point this was going to happen. Yeah,

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<v Speaker 1>of course it was fine. So the big van out there,

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<v Speaker 1>that's mine, baby, that's a that's a big, awesome van. Okay,

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<v Speaker 1>So that's our touring van and UM. In June of

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<v Speaker 1>this past year, we were driving UM from Ohio. We

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<v Speaker 1>were in my car though, thank god, but we were

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<v Speaker 1>coming from Ohio to Nashville and an eight like eighty

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<v Speaker 1>miles an hour driving down the interstate, and this deer

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<v Speaker 1>decides to commit suicide and walked in front of us,

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<v Speaker 1>blew the deer up. It was terrible. It totaled the car.

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<v Speaker 1>It was really bad, really tragic. So my dad and

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<v Speaker 1>my stepdad bought me that big grill guard on the

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<v Speaker 1>front of it for the van. So it looks like

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<v Speaker 1>it's got a like some sort of protection system on it.

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<v Speaker 1>It is, and my dad and my stepdad are like, baby,

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<v Speaker 1>if you're driving down the road, you are protected, not

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<v Speaker 1>just from deer, like I think you can run through

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<v Speaker 1>a building with that thing and of those transformers. Yeah,

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<v Speaker 1>did you have trouble get that thing in the gate? No? Okay,

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<v Speaker 1>Oh I can park that in a regular spot. I can't.

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<v Speaker 1>I can't park my car in a regular spot. I'm terrible. Also,

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<v Speaker 1>here's what I was thinking about you. I went to

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<v Speaker 1>the country He's to Call of Fame four days ago,

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<v Speaker 1>and some of your stuff is there listening. If you

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<v Speaker 1>didn't know this, I'm telling you now, I think you

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<v Speaker 1>do know. But we saw we saw some of your stuff,

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<v Speaker 1>and I knew you were coming in and I was like, oh,

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<v Speaker 1>I should bring that up. Oh, trust me, I knew

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<v Speaker 1>and had like a shen dig around it. Um. So,

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<v Speaker 1>I've been doing this for a long time, like eighteen years,

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<v Speaker 1>and there's been so many times where I've just been

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<v Speaker 1>like I'm quitting, Like I can't do this anymore. It's

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<v Speaker 1>too hard, which of course is not ever going to

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<v Speaker 1>be the case. Something will always pull me back in

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<v Speaker 1>and I love it. And it's the only job that

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<v Speaker 1>I've ever loved. However, getting validation like that after eighteen

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<v Speaker 1>years and having them just randomly call when it was

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<v Speaker 1>I have a story for you that I'll tell you later,

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<v Speaker 1>but like, this is one of the moments in my

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<v Speaker 1>life where my mom was like, you know, I bounce

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<v Speaker 1>things off her all the time, and I was like, Mama,

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<v Speaker 1>I'm just done. I can't do this anymore. COVID was

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<v Speaker 1>too hard, like all this it just it sucked, Like

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<v Speaker 1>I don't want to do it anymore. She's like, baby,

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<v Speaker 1>please don't don't do this yet. Just you need to

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<v Speaker 1>say a prayer and you need to like beg for

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<v Speaker 1>a sign that you're supposed to keep doing this. This

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<v Speaker 1>is the second major thing that's happened in my life

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<v Speaker 1>when I've done this. They called me. They had already

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<v Speaker 1>mailed me a package with all of the invite and

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<v Speaker 1>everything saying they're going to put my stuff in there,

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<v Speaker 1>but I never got it because I moved. So then

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<v Speaker 1>the guy just randomly calls me one day and says

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<v Speaker 1>the curator or whatever, and he goes, hey, I don't

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<v Speaker 1>know if you ever got this message, but I said,

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<v Speaker 1>I didn't ever get a message. I never got an email,

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<v Speaker 1>I never got anything. Well that's why I was calling you.

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<v Speaker 1>I thought you would be excited about this. But it

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<v Speaker 1>was literally two days after I had told my mom

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<v Speaker 1>I was quitting. And so then I thought, O, well,

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<v Speaker 1>now I've got stuff in the country music Call of Fame.

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<v Speaker 1>Now this was just like last weekend. So my whole

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<v Speaker 1>family came up to Texas. Yeah, there was a sort

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<v Speaker 1>a hat there. There's one of my hats, like a

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<v Speaker 1>cool looking hat. Yeah, standard hat works from Waco, Texas. Um,

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<v Speaker 1>it's my friend Cameron. He makes the best hats. He's

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<v Speaker 1>like the only hat that I'll wear, probably because he

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<v Speaker 1>just he knows how big my like actually circumference, not

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<v Speaker 1>how figuratively big my head is, but like the circumference

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<v Speaker 1>of my head and um, and so he just will

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<v Speaker 1>sometimes just bust out like a really cool hat. And

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<v Speaker 1>he made one for me to wear to that with

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<v Speaker 1>these cactuses on the side. It was really cool. But anyway, yeah,

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<v Speaker 1>he's got one in I've got in the display. There's that,

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<v Speaker 1>and then my guitar did I have a bunch of

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<v Speaker 1>signatures on and then um, a piece of woodwork that

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<v Speaker 1>my dad made in reference to one of my songs

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<v Speaker 1>called Poets prayer and then um my, because I'm trashy,

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<v Speaker 1>I guess, but I have like a dream holder that

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<v Speaker 1>goes into my mic stand and I put that in there. Well, congratulations,

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<v Speaker 1>that's super cool. And we were going through my wife's grandpa.

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<v Speaker 1>I had never been to the opera or the country

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<v Speaker 1>means to Call of Fame, so we did all that

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<v Speaker 1>this weekend. I love that, And what's cool is it?

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<v Speaker 1>You know, sometimes myself I take it for granted because

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<v Speaker 1>it's here and I work at the opera and I

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<v Speaker 1>perform at the opera. And then we did the countries

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<v Speaker 1>to Call of Fame and walk through everything, and I

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<v Speaker 1>saw your and I knew you were coming in, and

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<v Speaker 1>I was like, dang, I should remember the teller I saw.

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<v Speaker 1>That makes me so happy. American the American American Currents

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<v Speaker 1>are the really cool new room build out. Yeah, congratulations.

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<v Speaker 1>So was that a sign to you? Was that the

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<v Speaker 1>sign you're absolutely? I mean yes, absolutely. And you know

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<v Speaker 1>the other one that happened so dramatically was I'm a

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<v Speaker 1>very open book with my life and how this whole

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<v Speaker 1>like music thing has transpired over the years. But in

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<v Speaker 1>two thousand and twelve, at the end of We'll get

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<v Speaker 1>into this later, I'm sure, but what I call my

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<v Speaker 1>time on the Artist Protection Program. When I got dropped

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<v Speaker 1>from Big Machine, I was devastated. I was like, I

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<v Speaker 1>didn't know what to do. I didn't. I was like,

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<v Speaker 1>do I feel like a loser? Do I feel proud

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<v Speaker 1>that they thought I was too country? Like? I mean,

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<v Speaker 1>what are my feelings? You know? And I couldn't never

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<v Speaker 1>get really my head wrapped around anything. I just knew

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<v Speaker 1>that I was super depressed and I couldn't I couldn't

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<v Speaker 1>really figure out what my plan was. And I was like,

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<v Speaker 1>am I Am I gonna need to like get a job, Like,

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<v Speaker 1>am I gonna need to like go I have a

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<v Speaker 1>college degree. I don't know if I can get a

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<v Speaker 1>job doing that. But I mean, what do I do?

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<v Speaker 1>And I was just like panicking. And I told my mom.

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<v Speaker 1>This was in two twelve, and I was like, Mama,

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<v Speaker 1>I just I'm gonna quit, you know whatever. She's like,

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<v Speaker 1>please beg verst sign, Please beg for a sign. She goes,

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<v Speaker 1>give yourself like a date, you know, like give yourself

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<v Speaker 1>fourteen days. And if you don't get that sign, she goes,

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<v Speaker 1>you know that I will stand behind you no matter

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<v Speaker 1>what you do, but please do this for me because

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<v Speaker 1>I know this is what you're supposed to do. It's like, okay, fine,

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<v Speaker 1>you know, roll my eyes. So I gave myself fourteen

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<v Speaker 1>days and um, this was in December, and you know,

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<v Speaker 1>the music business like shuts down. And on the last

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<v Speaker 1>day at five pm, um, the ACMs called me during

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<v Speaker 1>everything being shut down and said that I had a

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<v Speaker 1>They weren't. He said, we're not supposed to call you

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<v Speaker 1>right now, but I just felt like you needed to

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<v Speaker 1>know this today. Um, we're not announcing it till like

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<v Speaker 1>mid January, but you've been nominated for an ACM without

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<v Speaker 1>a label, without a song on the radio. It was

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<v Speaker 1>wild twelve. So for this after you've been dropped the

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<v Speaker 1>two three months after I got that quick wow. Yeah.

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<v Speaker 1>And they called you when they weren't I supposed to

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<v Speaker 1>at a time where you were giving yourself fourteen days

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<v Speaker 1>and it was on the fourteenth day at five pm. Two.

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<v Speaker 1>So what do you do when you hang up that call? Well,

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<v Speaker 1>I was sobbing hysterically first, and I immediately called my

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<v Speaker 1>mom and I was like, well, you're not You're not

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<v Speaker 1>gonna believe this. Actually, you are going to believe this

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<v Speaker 1>and I told her what happened, and she just she

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<v Speaker 1>was so excited and she's like, I told you, And

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<v Speaker 1>for you know, honestly, for for years, that little thing

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<v Speaker 1>carried me through, knowing like all the hard nights and

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<v Speaker 1>all the hard because this is a hard business, like

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<v Speaker 1>I mean, you know as well as I know, like

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<v Speaker 1>it is is not for the faint of heart. And

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<v Speaker 1>I ultimately kind of think maybe I'm like a cockroach

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<v Speaker 1>because I just I keep like people keep trying to exterminate,

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<v Speaker 1>you know, like use different extermination methods and all this.

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<v Speaker 1>But I think my love for music just honestly like

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<v Speaker 1>keeps me going a lot of times. And then those

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<v Speaker 1>two events like the Hall of Fame thing and then

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<v Speaker 1>that ten years apart. By the way, you know, most

0:11:07.120 --> 0:11:09.600
<v Speaker 1>people probably wouldn't admit that they tried to quit. But

0:11:09.640 --> 0:11:11.920
<v Speaker 1>also like it's hard. I don't want people to think

0:11:11.960 --> 0:11:14.360
<v Speaker 1>this is easy. You know. There's too many people that

0:11:14.440 --> 0:11:16.560
<v Speaker 1>are trying to do this that come up and ask

0:11:16.640 --> 0:11:20.800
<v Speaker 1>for advice, and they say, like, what's your advice for

0:11:20.880 --> 0:11:24.200
<v Speaker 1>getting started in the music business. I'm like, well, there's

0:11:24.240 --> 0:11:28.440
<v Speaker 1>two things. Either don't or be prepared to work harder

0:11:29.080 --> 0:11:31.800
<v Speaker 1>than you've ever worked in your life at anything, and

0:11:31.880 --> 0:11:34.480
<v Speaker 1>be prepared to be alone even though you're with people

0:11:34.480 --> 0:11:37.400
<v Speaker 1>all the time. Put your head down and just focus

0:11:37.400 --> 0:11:41.000
<v Speaker 1>on what you want to happen, and then prepare. You know.

0:11:41.040 --> 0:11:44.080
<v Speaker 1>It's like I saw a meme once that said, like

0:11:44.280 --> 0:11:46.439
<v Speaker 1>grind now so that your dog can have a good

0:11:46.520 --> 0:11:49.920
<v Speaker 1>yard later, sort of like that, like grind now, you know,

0:11:50.000 --> 0:11:52.360
<v Speaker 1>and then enjoy the fruits of your labor, like later

0:11:52.520 --> 0:11:55.680
<v Speaker 1>after you have been busting your ass for however long

0:11:55.880 --> 0:12:00.240
<v Speaker 1>you said something, be prepared to be alone even though

0:12:00.280 --> 0:12:03.240
<v Speaker 1>there will be people around you. What do you mean

0:12:03.240 --> 0:12:06.280
<v Speaker 1>by that? I mean like working, Like I have a band,

0:12:06.320 --> 0:12:08.920
<v Speaker 1>I have employees, I have all of that, and my

0:12:08.960 --> 0:12:11.160
<v Speaker 1>partner is actually in my band. He's my guitar player.

0:12:11.200 --> 0:12:14.560
<v Speaker 1>So I'm you know, I'm not alone so to speak.

0:12:14.600 --> 0:12:18.280
<v Speaker 1>But in theory this is the joke. And my band

0:12:18.400 --> 0:12:20.360
<v Speaker 1>is name on the door, so they're like your name's

0:12:20.400 --> 0:12:22.800
<v Speaker 1>on the door, Like if there's like a bad promoter

0:12:22.960 --> 0:12:25.840
<v Speaker 1>or something, you know, and I have to go deal

0:12:25.880 --> 0:12:28.000
<v Speaker 1>with something, it's me that has to go deal with something.

0:12:28.160 --> 0:12:31.000
<v Speaker 1>So like you know, and I still do my own merch,

0:12:31.440 --> 0:12:34.559
<v Speaker 1>I ship my own merch, I store my own merch

0:12:34.720 --> 0:12:37.720
<v Speaker 1>like I do literally everything. I'm back a trailer better

0:12:37.760 --> 0:12:42.079
<v Speaker 1>than anyone ever in the band, and like I want

0:12:42.120 --> 0:12:44.160
<v Speaker 1>to kind of have like a contest. I've thought about

0:12:44.240 --> 0:12:47.080
<v Speaker 1>having a contest because there's all these like men that

0:12:47.080 --> 0:12:50.120
<v Speaker 1>are pretty chauvinistic, not in my band, but where they're like,

0:12:50.280 --> 0:12:52.920
<v Speaker 1>y'all gonna let that little lady drive the band, and

0:12:52.960 --> 0:12:58.440
<v Speaker 1>they're like, letter let her my dad would My dad's

0:12:58.440 --> 0:13:00.480
<v Speaker 1>been teaching me how to drive a band. I was,

0:13:00.520 --> 0:13:05.280
<v Speaker 1>you know, seven, So anyway, like I do, it's on me.

0:13:05.679 --> 0:13:08.640
<v Speaker 1>Your job is on you, no matter who your employees are,

0:13:08.679 --> 0:13:11.080
<v Speaker 1>no matter it's always on you. Your name is the

0:13:11.120 --> 0:13:12.880
<v Speaker 1>one that's on the door. If they mess up, it's

0:13:12.880 --> 0:13:15.960
<v Speaker 1>your responsibility exactly, and if they do something bad, it

0:13:16.000 --> 0:13:18.320
<v Speaker 1>comes back on you, which is why I don't have

0:13:18.800 --> 0:13:21.800
<v Speaker 1>people that party too hard or do weird shit on

0:13:21.840 --> 0:13:24.120
<v Speaker 1>the road or whatever, you know, Like I don't do that.

0:13:24.160 --> 0:13:27.880
<v Speaker 1>This is a business. It's a business like first and foremost,

0:13:28.000 --> 0:13:29.920
<v Speaker 1>and it always has been, and I've always looked at

0:13:29.960 --> 0:13:34.480
<v Speaker 1>it like that, and I just feel like, honestly, I

0:13:34.559 --> 0:13:37.480
<v Speaker 1>mean even this morning I was over there ship and

0:13:37.559 --> 0:13:39.719
<v Speaker 1>March I was just like, I don't want to give

0:13:39.760 --> 0:13:42.520
<v Speaker 1>twelve percent of the merch away just because someone I'm

0:13:42.559 --> 0:13:45.600
<v Speaker 1>capable of doing this, So it's all on me. That's

0:13:45.600 --> 0:13:47.760
<v Speaker 1>what I mean by being alone, like in the sense of,

0:13:48.640 --> 0:13:51.959
<v Speaker 1>you know, I'm doing I'm doing the things that are

0:13:52.040 --> 0:13:56.760
<v Speaker 1>making the thing work, you know, and I've been doing

0:13:56.760 --> 0:13:59.760
<v Speaker 1>it for eighteen years. Yeah, you're the CFO, the CEO.

0:14:00.280 --> 0:14:03.080
<v Speaker 1>You're also the face. You're all I mean. And if

0:14:03.080 --> 0:14:05.160
<v Speaker 1>anybody messes up, it's also on you. You can't really

0:14:05.200 --> 0:14:07.600
<v Speaker 1>blame anybody else either. They don't come to you and

0:14:07.640 --> 0:14:10.960
<v Speaker 1>say if some drunk drummer or whatever is being a

0:14:11.040 --> 0:14:15.439
<v Speaker 1>jerk someone. They don't say the drunk drummer from this band.

0:14:15.520 --> 0:14:17.880
<v Speaker 1>They go, we're not having Sunny Squeeney's band back. That

0:14:17.920 --> 0:14:20.760
<v Speaker 1>guy was an asshole, you know, like or whatever. That

0:14:20.800 --> 0:14:23.840
<v Speaker 1>comes back on me, and that is never going to happen.

0:14:23.920 --> 0:14:26.840
<v Speaker 1>So I choose to put wonderful people around me. And

0:14:26.960 --> 0:14:30.560
<v Speaker 1>the people that I have around me are, oh my gosh,

0:14:30.720 --> 0:14:33.040
<v Speaker 1>you found a good group. Now. It's everything is so

0:14:33.160 --> 0:14:37.200
<v Speaker 1>good right now. So I let everyone go fifteen months

0:14:37.200 --> 0:14:40.000
<v Speaker 1>ago and started again from the ground up, new, all

0:14:40.000 --> 0:14:41.880
<v Speaker 1>the way across, all the way across. Why do you

0:14:41.880 --> 0:14:45.000
<v Speaker 1>think or what I'm gonna ask you this, and this

0:14:45.040 --> 0:14:46.800
<v Speaker 1>may make you have a little bit of a big head,

0:14:46.840 --> 0:14:48.720
<v Speaker 1>but you really it won't sound like that. But why

0:14:48.800 --> 0:14:52.240
<v Speaker 1>do people believe in you in your band? Um? Honestly,

0:14:52.320 --> 0:14:56.520
<v Speaker 1>I feel like, you know, I heard I heard Rick

0:14:56.600 --> 0:14:59.400
<v Speaker 1>Rubin do an interview before, and you know, he doesn't

0:14:59.440 --> 0:15:02.440
<v Speaker 1>play in intruments, and people are like, why do you

0:15:02.480 --> 0:15:05.960
<v Speaker 1>think that you are so sought after as a musician

0:15:06.080 --> 0:15:08.720
<v Speaker 1>or as a producer, And He's like, because people believe me,

0:15:09.080 --> 0:15:11.680
<v Speaker 1>they believe in my vision. And I feel like that's

0:15:12.120 --> 0:15:14.120
<v Speaker 1>what it is with me too, because I have been

0:15:14.160 --> 0:15:18.920
<v Speaker 1>doing this for so long and I will give anyone

0:15:18.960 --> 0:15:20.800
<v Speaker 1>advice if they ask for it. I'm not one of

0:15:20.800 --> 0:15:22.520
<v Speaker 1>those people that just like puts it out there, but

0:15:22.560 --> 0:15:25.920
<v Speaker 1>they're Lately, there have been a lot of young women

0:15:26.200 --> 0:15:28.120
<v Speaker 1>that are in this business that have like that I

0:15:28.120 --> 0:15:30.280
<v Speaker 1>don't know, that have reached out to me and asked

0:15:30.280 --> 0:15:36.520
<v Speaker 1>like crazy, like kind of weird, intense questions, and I'm like, oh,

0:15:36.600 --> 0:15:38.880
<v Speaker 1>let's go. Let's like I want to give you. I

0:15:38.920 --> 0:15:41.000
<v Speaker 1>want a corner cut for you if I can, in

0:15:41.040 --> 0:15:44.200
<v Speaker 1>any way, shape or form. And I just feel like,

0:15:44.680 --> 0:15:46.520
<v Speaker 1>you put good out into the world, and you get

0:15:46.600 --> 0:15:48.800
<v Speaker 1>good back. That's what I think it is. Did you

0:15:48.840 --> 0:15:52.520
<v Speaker 1>have anybody that helped you like that? Oh? Absolutely when

0:15:52.520 --> 0:15:54.520
<v Speaker 1>you were young you said, hey, help me out or

0:15:54.640 --> 0:15:56.040
<v Speaker 1>let me know what you know, and that would help

0:15:56.080 --> 0:15:57.840
<v Speaker 1>me out. Who was that for you? I have like

0:15:57.880 --> 0:15:59.800
<v Speaker 1>a couple of them and I call them my corner creditors.

0:16:00.120 --> 0:16:02.680
<v Speaker 1>Red Vulcart, he's a guitar player in Austin Or he

0:16:02.720 --> 0:16:05.160
<v Speaker 1>moved to Virginia now, but he was one of the

0:16:05.240 --> 0:16:07.280
<v Speaker 1>guys that I would share a Tuesday night with him

0:16:07.280 --> 0:16:11.040
<v Speaker 1>at Egos and he taught me guitar a little bit,

0:16:11.080 --> 0:16:13.280
<v Speaker 1>and he was just a really good friend. And he

0:16:13.320 --> 0:16:15.600
<v Speaker 1>was he played with Merle Haggard, which is my hero,

0:16:15.800 --> 0:16:18.360
<v Speaker 1>and so I was kind of like, man, this guy's

0:16:18.400 --> 0:16:20.960
<v Speaker 1>so cool and he's he's willing to help me and

0:16:21.040 --> 0:16:25.240
<v Speaker 1>give me advice, you know, unsolicited sometimes him. And then

0:16:25.360 --> 0:16:29.880
<v Speaker 1>Dallas Wayne, who's a radio DJ now also on series

0:16:29.880 --> 0:16:33.360
<v Speaker 1>Sex in which I do that also. But he was

0:16:33.360 --> 0:16:37.280
<v Speaker 1>actually at my first gig ever, first gig ever, Like

0:16:38.240 --> 0:16:40.600
<v Speaker 1>he randomly showed up at my first gig ever because

0:16:40.640 --> 0:16:44.880
<v Speaker 1>he was old, oh, twenty seven and how does he

0:16:44.960 --> 0:16:47.760
<v Speaker 1>randomly show up? He was playing after me. I was

0:16:47.800 --> 0:16:50.200
<v Speaker 1>like the band that was playing, and he came up

0:16:50.240 --> 0:16:54.440
<v Speaker 1>to me, Dallas did, and he said, he goes, I

0:16:54.440 --> 0:16:57.720
<v Speaker 1>don't know how long you've been doing this, but you

0:16:57.800 --> 0:17:00.480
<v Speaker 1>have really good potential and I'd love to help you

0:17:00.520 --> 0:17:03.200
<v Speaker 1>anyway that I can. And I said, oh, tonight, it's

0:17:03.240 --> 0:17:07.520
<v Speaker 1>my first gig. And he's like, oh, like your first gig.

0:17:07.560 --> 0:17:10.159
<v Speaker 1>I go, no, like really, this is like my first

0:17:10.160 --> 0:17:14.120
<v Speaker 1>gig ever. And it was at the Carousel in um Austin,

0:17:14.320 --> 0:17:16.679
<v Speaker 1>you know, across from that halfway house. And I know

0:17:16.680 --> 0:17:18.640
<v Speaker 1>exactly where Egos is, and I worrying. I'm sure we're

0:17:18.640 --> 0:17:22.120
<v Speaker 1>talking about things that, yeah, Mike and I know really well. Yeah,

0:17:22.160 --> 0:17:24.280
<v Speaker 1>I mean I lived there twenty years, so I mean

0:17:24.560 --> 0:17:27.879
<v Speaker 1>or twenty some years, so yeah, yeah. I was like,

0:17:27.960 --> 0:17:31.640
<v Speaker 1>I didn't. I didn't get into music until my first

0:17:31.680 --> 0:17:34.639
<v Speaker 1>gig was two thousand and four, which, yeah, which is

0:17:35.320 --> 0:17:38.600
<v Speaker 1>older than most to do a first gig. YEP. I

0:17:38.640 --> 0:17:41.359
<v Speaker 1>think definitely you had something inside you that made you

0:17:43.720 --> 0:17:49.879
<v Speaker 1>sound really educated quickly music music wise, because when I

0:17:49.880 --> 0:17:54.600
<v Speaker 1>saw you, it wasn't two maybe two years after what

0:17:54.680 --> 0:17:56.879
<v Speaker 1>you just said. I didn't know you don't be doing

0:17:56.920 --> 0:17:58.600
<v Speaker 1>a couple of years and I educated. I mean it

0:17:58.640 --> 0:18:00.280
<v Speaker 1>felt like you had just learned a whole lot in

0:18:00.320 --> 0:18:02.520
<v Speaker 1>a short period of time. Then I feel like when

0:18:02.560 --> 0:18:05.920
<v Speaker 1>you're starting all the way with this song, I feel

0:18:05.920 --> 0:18:07.720
<v Speaker 1>like songs are written with who they're supposed to be

0:18:07.760 --> 0:18:11.399
<v Speaker 1>written with. I feel like, you know, things that you

0:18:11.480 --> 0:18:14.040
<v Speaker 1>learn are learned when they're supposed to be learned. I

0:18:14.040 --> 0:18:16.400
<v Speaker 1>could have learned guitar. When I was twelve. My stepdad

0:18:16.400 --> 0:18:19.240
<v Speaker 1>and you know, begged me to let him teach me guitar,

0:18:19.320 --> 0:18:21.080
<v Speaker 1>and I was like, oh, it's for old people. It's

0:18:21.080 --> 0:18:23.040
<v Speaker 1>because him and my uncles would sit around and play guitar,

0:18:23.280 --> 0:18:25.160
<v Speaker 1>and I thought it was for old people. So when

0:18:25.200 --> 0:18:27.040
<v Speaker 1>I went to college, I went to Southwest And then

0:18:27.040 --> 0:18:29.720
<v Speaker 1>when I went to college, I graduated and had a

0:18:29.800 --> 0:18:32.199
<v Speaker 1>job for like twenty one day something like this is

0:18:32.280 --> 0:18:36.679
<v Speaker 1>not what I worked at UM. I worked in a

0:18:36.720 --> 0:18:39.440
<v Speaker 1>cubicle at this place called Support Kids, and it's basically

0:18:39.480 --> 0:18:42.400
<v Speaker 1>where you would get deadbeat parents to pay their child support.

0:18:43.280 --> 0:18:46.760
<v Speaker 1>It was, it was rough, and it was it broke

0:18:46.800 --> 0:18:48.760
<v Speaker 1>my heart more than anything, like dealing with some of

0:18:48.760 --> 0:18:51.400
<v Speaker 1>the parents that just wanted nothing to do with their kids.

0:18:51.440 --> 0:18:54.119
<v Speaker 1>And I, I, thank god, have never had to deal

0:18:54.200 --> 0:18:56.439
<v Speaker 1>with that, but I have plenty of friends that you

0:18:56.480 --> 0:19:01.040
<v Speaker 1>know have parents in similar situations, and it just broke

0:19:01.119 --> 0:19:05.119
<v Speaker 1>my heart, like it's really tragic, and so I just

0:19:05.720 --> 0:19:07.760
<v Speaker 1>I just called my stepdad and was like, hey, man,

0:19:08.800 --> 0:19:10.960
<v Speaker 1>I think I'm ready to learn guitar. Wow. What did

0:19:10.960 --> 0:19:12.919
<v Speaker 1>he say to that? He said, I'm sorry, could you

0:19:12.960 --> 0:19:17.040
<v Speaker 1>repeat yourself? And so he went and bought me a guitar,

0:19:17.600 --> 0:19:21.240
<v Speaker 1>taught me three chords, and we were coincidentally going on

0:19:21.240 --> 0:19:25.399
<v Speaker 1>a family vacation that weekend. So from Austin all the

0:19:25.440 --> 0:19:29.080
<v Speaker 1>way to red River, New Mexico or wherever we were

0:19:29.200 --> 0:19:31.880
<v Speaker 1>going skiing, I played those three chords in the back

0:19:31.880 --> 0:19:34.159
<v Speaker 1>of the suburban, just over and over, and they laughed

0:19:34.160 --> 0:19:36.439
<v Speaker 1>now because they were like, you were literally driving us crazy,

0:19:36.480 --> 0:19:39.520
<v Speaker 1>but we were so happy that you found something that you,

0:19:39.520 --> 0:19:43.040
<v Speaker 1>you know, enjoyed doing. And and I've always sang like

0:19:43.080 --> 0:19:45.240
<v Speaker 1>I would sang in church and you know, choir and

0:19:45.280 --> 0:19:47.920
<v Speaker 1>all that, and then a minor or. I was going

0:19:47.960 --> 0:19:52.919
<v Speaker 1>to minor in musical theater, but then I moved to

0:19:52.960 --> 0:19:56.280
<v Speaker 1>New York for two years tool side note, and I

0:19:56.320 --> 0:19:59.360
<v Speaker 1>wanted to be a Broadway star. And that's a lot

0:19:59.400 --> 0:20:02.800
<v Speaker 1>harder than seems. Everything is, honestly, of course, especially when

0:20:02.800 --> 0:20:08.600
<v Speaker 1>you have to be a creative yes, consistent, and different,

0:20:09.280 --> 0:20:13.640
<v Speaker 1>because to do all of those to do one of them,

0:20:13.680 --> 0:20:16.119
<v Speaker 1>all right, you can be creative, but how are you

0:20:16.160 --> 0:20:18.040
<v Speaker 1>going to be different? How are you going to be special?

0:20:18.080 --> 0:20:20.399
<v Speaker 1>How are you going to be consistent? And also with

0:20:20.400 --> 0:20:23.120
<v Speaker 1>creative people, it's really hard to find consistency because because

0:20:23.160 --> 0:20:26.000
<v Speaker 1>we're nuts. Absolutely we have. You have to be nuts

0:20:26.040 --> 0:20:27.920
<v Speaker 1>to even get in this business. Yep. And so you're

0:20:27.920 --> 0:20:30.439
<v Speaker 1>already nuts if you've decided I'm in and I'm going

0:20:30.480 --> 0:20:34.840
<v Speaker 1>to keep going, and so those kind of people like myself,

0:20:34.880 --> 0:20:39.320
<v Speaker 1>like you, it's hard to find consistency there, even within ourselves.

0:20:40.040 --> 0:20:42.280
<v Speaker 1>You were talking about just to throw some in there,

0:20:42.400 --> 0:20:43.920
<v Speaker 1>you're you can tell you're an og like me because

0:20:43.920 --> 0:20:46.720
<v Speaker 1>you called a Southwest. It's Texas State, you know, yeah,

0:20:47.200 --> 0:20:49.320
<v Speaker 1>it's Southwest, right, Yeah? That When you said that, I

0:20:49.359 --> 0:20:51.240
<v Speaker 1>was like, dang, that's og. That's like I went the

0:20:51.280 --> 0:20:53.720
<v Speaker 1>last semester before they changed the name, and they asked

0:20:53.720 --> 0:20:55.680
<v Speaker 1>if I wanted a new diploma. I was like, no,

0:20:55.800 --> 0:20:58.200
<v Speaker 1>I didn't go to Texas State. I went to Southwest's

0:20:58.200 --> 0:21:04.080
<v Speaker 1>the collector's item too. You grew up and your childhood

0:21:04.160 --> 0:21:08.640
<v Speaker 1>years like five to twelve. What was homelike then? So

0:21:08.760 --> 0:21:11.520
<v Speaker 1>my parents got divorced when I was like four, and

0:21:11.560 --> 0:21:16.440
<v Speaker 1>so then the family unit was different, do you know

0:21:16.480 --> 0:21:19.399
<v Speaker 1>what I mean? And as an adult, it's easier for

0:21:19.480 --> 0:21:21.960
<v Speaker 1>me to see how and I've been divorced twice, so

0:21:22.040 --> 0:21:24.800
<v Speaker 1>like I see now that, like not all marriage is

0:21:24.800 --> 0:21:26.840
<v Speaker 1>meant to be you know, you think it is, you

0:21:26.880 --> 0:21:30.000
<v Speaker 1>have this like whatever. So my parents were not meant

0:21:30.040 --> 0:21:33.280
<v Speaker 1>to be married, and then they got married to other

0:21:33.320 --> 0:21:38.080
<v Speaker 1>people and they're still married to those people a couple

0:21:38.080 --> 0:21:43.600
<v Speaker 1>of years after that. And I've always had four parents,

0:21:44.480 --> 0:21:48.720
<v Speaker 1>you know. And I sometimes feel selfish saying that because

0:21:48.760 --> 0:21:51.040
<v Speaker 1>there's so many people that don't even have like one parent.

0:21:51.880 --> 0:21:54.159
<v Speaker 1>But I feel like each of them gave me something,

0:21:54.480 --> 0:21:55.640
<v Speaker 1>do you know what I mean? Like, do you feel

0:21:55.680 --> 0:21:59.919
<v Speaker 1>like your stepmom and your stepdad obviously two from both units,

0:22:00.119 --> 0:22:03.240
<v Speaker 1>do you feel like they both love you? Yes? My

0:22:03.320 --> 0:22:08.280
<v Speaker 1>stepfather is I mean, one of my favorite people in

0:22:08.320 --> 0:22:11.600
<v Speaker 1>this entire universe. He's his artwork is the one that's

0:22:11.600 --> 0:22:13.400
<v Speaker 1>in the Hall of Fame, Like, he means a lot

0:22:13.440 --> 0:22:14.840
<v Speaker 1>to me, and he's the one that taught me how

0:22:14.880 --> 0:22:18.040
<v Speaker 1>to play guitar. He's the one that you know, the

0:22:18.200 --> 0:22:21.119
<v Speaker 1>family life on my mom and my stepdad's side was

0:22:21.200 --> 0:22:25.679
<v Speaker 1>bluegrass and country and like Kenny Rogers and Conway Twitty

0:22:25.800 --> 0:22:28.560
<v Speaker 1>is my mama's favorite. And then like my dad's house

0:22:28.720 --> 0:22:31.720
<v Speaker 1>was more like Crosby Steels, Nash and Young and Tom

0:22:31.760 --> 0:22:34.800
<v Speaker 1>Petty and Stevie Nicks, and so I feel like a

0:22:34.960 --> 0:22:40.159
<v Speaker 1>lot of both households. It's like by osmosis almost like

0:22:40.200 --> 0:22:43.119
<v Speaker 1>when you learn what you like as a child, you

0:22:43.160 --> 0:22:45.360
<v Speaker 1>may not even really like it, you just know what

0:22:45.359 --> 0:22:47.919
<v Speaker 1>you're exposed to, which is how country music is now.

0:22:47.960 --> 0:22:50.159
<v Speaker 1>I feel like people like what they're exposed to. If

0:22:50.200 --> 0:22:52.920
<v Speaker 1>they were exposed to my music, I feel like more

0:22:52.920 --> 0:22:55.600
<v Speaker 1>people would. You know, it's more like Americana, you know

0:22:55.640 --> 0:22:57.520
<v Speaker 1>what I mean? But I think is the world country music?

0:22:57.760 --> 0:23:02.080
<v Speaker 1>If we're basing I do too what country music used

0:23:02.119 --> 0:23:06.120
<v Speaker 1>to be. I also believe in fluidity and not really

0:23:06.119 --> 0:23:08.800
<v Speaker 1>a signing. But when people go, oh, it's American, it's

0:23:08.840 --> 0:23:13.240
<v Speaker 1>not country, I'm like, man, it's the countryest thing there is. Well,

0:23:13.280 --> 0:23:16.880
<v Speaker 1>so here's the weird thing, and this is the weird thing?

0:23:17.000 --> 0:23:19.960
<v Speaker 1>Is this? So I used to say I'm a country

0:23:20.040 --> 0:23:22.600
<v Speaker 1>artist and I am. I mean, I'm from East Texas,

0:23:22.760 --> 0:23:26.120
<v Speaker 1>I would agree you're a country artist. Yes, yes, But however, however,

0:23:27.040 --> 0:23:31.640
<v Speaker 1>the country that is current now is not what I do. Correct.

0:23:31.720 --> 0:23:33.879
<v Speaker 1>So when I say I'm a country artist to a

0:23:33.960 --> 0:23:35.760
<v Speaker 1>random person on a plane, when they see me with

0:23:35.800 --> 0:23:37.800
<v Speaker 1>a guitar and they're like, what do you do? And

0:23:37.800 --> 0:23:42.040
<v Speaker 1>I'm like, I'm you know, I'm a secret shopper. I mean,

0:23:42.080 --> 0:23:43.879
<v Speaker 1>I'm you know, what do you think? I am? Like,

0:23:44.119 --> 0:23:47.240
<v Speaker 1>I'm just carrying this guitar around for fun. But I'm like,

0:23:47.280 --> 0:23:49.240
<v Speaker 1>I'm a you know, country singer. And I used to

0:23:49.280 --> 0:23:51.560
<v Speaker 1>say that and now I just say, um, I'm a

0:23:51.600 --> 0:23:56.480
<v Speaker 1>singer songwriter because I don't want I am. I have

0:23:56.680 --> 0:24:01.399
<v Speaker 1>so many beliefs about the way that I make music

0:24:01.920 --> 0:24:05.119
<v Speaker 1>and I want people to give it a chance. So like,

0:24:05.160 --> 0:24:07.959
<v Speaker 1>if there's someone that doesn't like current music and they

0:24:08.040 --> 0:24:10.560
<v Speaker 1>only like older music, I don't want them to not

0:24:10.640 --> 0:24:12.680
<v Speaker 1>give me a chance just by putting a label, because

0:24:12.720 --> 0:24:13.920
<v Speaker 1>I'm kind of with you, like, I don't think it

0:24:14.000 --> 0:24:18.600
<v Speaker 1>should have a label necessarily. But but I am country

0:24:18.640 --> 0:24:20.960
<v Speaker 1>and I will always be a country artist. I'll always

0:24:21.040 --> 0:24:23.600
<v Speaker 1>you know, my kind of country at least. So it's

0:24:23.600 --> 0:24:26.000
<v Speaker 1>a really hard I say your country. I think so

0:24:26.480 --> 0:24:28.639
<v Speaker 1>countries could be I think I think so too, But

0:24:28.680 --> 0:24:32.840
<v Speaker 1>then for sure that the popular standard of country is

0:24:32.880 --> 0:24:36.040
<v Speaker 1>based on who the most popular artists are right now exactly.

0:24:36.600 --> 0:24:39.200
<v Speaker 1>Let's take a quick pause for a message from our sponsor.

0:24:41.040 --> 0:24:44.280
<v Speaker 1>This is the Bobby Cast. Your mom. You've mentioned her

0:24:44.320 --> 0:24:48.120
<v Speaker 1>probably four times and we've been talking for twenty three minutes.

0:24:48.160 --> 0:24:50.119
<v Speaker 1>I want to know about your mom because it sounds

0:24:50.119 --> 0:24:52.520
<v Speaker 1>like she's still a great influence in your life. She is,

0:24:52.560 --> 0:24:57.160
<v Speaker 1>She's awesome. Um, she's actually an israel right now. They

0:24:57.160 --> 0:25:00.119
<v Speaker 1>went to Israel to do to go like to the

0:25:00.119 --> 0:25:02.720
<v Speaker 1>Holy Land? Wow? Has she ever been before? Now? And

0:25:02.840 --> 0:25:05.719
<v Speaker 1>what motivated that? They were at church one day and

0:25:06.840 --> 0:25:10.040
<v Speaker 1>their preacher was like, Hey, we're gonna have a trip

0:25:10.080 --> 0:25:12.760
<v Speaker 1>to Israel. Who wants to go? And before they even

0:25:12.880 --> 0:25:15.120
<v Speaker 1>left church, my stepdad told my mom, Hey, I signed

0:25:15.160 --> 0:25:17.040
<v Speaker 1>us up for that. We're going to Israel. My mom

0:25:17.160 --> 0:25:22.120
<v Speaker 1>was like, we are, so I am thrilled for them.

0:25:22.160 --> 0:25:25.399
<v Speaker 1>Like they went to Nazareth today, it's like eight hours ahead.

0:25:25.440 --> 0:25:29.520
<v Speaker 1>I think they went to Nazareth today and then tomorrow

0:25:29.520 --> 0:25:31.800
<v Speaker 1>they're going to see Jesus's tomb and like stuff like that.

0:25:31.880 --> 0:25:35.080
<v Speaker 1>I think that traveling is the reason that I continue

0:25:35.080 --> 0:25:39.080
<v Speaker 1>doing this job. I love traveling. It is my favorite

0:25:39.080 --> 0:25:42.040
<v Speaker 1>thing on this planet. Nothing will ever compare to it,

0:25:42.200 --> 0:25:44.199
<v Speaker 1>no edge process of it. Though you're like getting to

0:25:44.280 --> 0:25:46.840
<v Speaker 1>these places. I don't mind either of it. Really, I'm

0:25:46.840 --> 0:25:49.159
<v Speaker 1>not one of those it's so weird. I know, I

0:25:49.200 --> 0:25:52.080
<v Speaker 1>don't care as long as I'm in motion. I'm one

0:25:52.119 --> 0:25:55.880
<v Speaker 1>of those people that's like a motion person. And like

0:25:55.960 --> 0:25:59.040
<v Speaker 1>today when we leave here, I'm literally getting in the

0:25:59.119 --> 0:26:01.480
<v Speaker 1>van going into hatching the trailer and then we're driving

0:26:01.480 --> 0:26:03.840
<v Speaker 1>a Little Rock and I'm so excited to go to

0:26:03.840 --> 0:26:05.480
<v Speaker 1>Little Rock. Hey, nothing on that route. I do it

0:26:05.480 --> 0:26:08.840
<v Speaker 1>about six times a year. But good luck to you.

0:26:10.240 --> 0:26:11.920
<v Speaker 1>But you know what I mean. So they're in they're

0:26:11.920 --> 0:26:15.560
<v Speaker 1>in a Israel and and and my mom is, you know,

0:26:15.640 --> 0:26:20.120
<v Speaker 1>clearly my best friend and time every day, all the time,

0:26:20.680 --> 0:26:24.480
<v Speaker 1>more more than more than every day. What about what

0:26:24.560 --> 0:26:27.280
<v Speaker 1>about her makes her a great friend and a great mom?

0:26:27.320 --> 0:26:29.520
<v Speaker 1>And what are you happy that you got from her?

0:26:30.000 --> 0:26:32.879
<v Speaker 1>I think she's the one that always told me. You know,

0:26:33.000 --> 0:26:35.199
<v Speaker 1>it sounds cliche, but like you can do whatever you

0:26:35.240 --> 0:26:37.520
<v Speaker 1>want to do. As long as you really really want

0:26:37.520 --> 0:26:40.600
<v Speaker 1>to do something, you can figure out a way and

0:26:40.880 --> 0:26:45.280
<v Speaker 1>do not ever let anyone tell you otherwise. So I

0:26:45.320 --> 0:26:47.680
<v Speaker 1>think the persistence aspect of it is what I got

0:26:47.720 --> 0:26:51.000
<v Speaker 1>from her, like just not giving up the cockroach aspect,

0:26:51.040 --> 0:26:53.399
<v Speaker 1>I guess is what we should call it. And you

0:26:53.440 --> 0:26:58.240
<v Speaker 1>know her, her humor is really good and like she

0:26:58.240 --> 0:27:00.920
<v Speaker 1>she can she can get it no matter what I'm

0:27:00.920 --> 0:27:03.320
<v Speaker 1>talking about. We can have like a conversation with our

0:27:03.320 --> 0:27:07.040
<v Speaker 1>eyes in a room full of people without even talking.

0:27:07.480 --> 0:27:09.840
<v Speaker 1>So to me, that's a pretty big deal. You know,

0:27:10.160 --> 0:27:13.920
<v Speaker 1>to have that first call if something goes wrong, oh yeah,

0:27:14.200 --> 0:27:17.280
<v Speaker 1>like something like real, like like yeah, fundamentally it's something's wrong,

0:27:17.320 --> 0:27:22.600
<v Speaker 1>you call her, absolutely yeah. And is she your first

0:27:22.600 --> 0:27:26.760
<v Speaker 1>call and something goes right? Absolutely? Yeah? Her? And I

0:27:26.800 --> 0:27:29.960
<v Speaker 1>mean my partner, I call him. I call him, you know,

0:27:30.760 --> 0:27:34.040
<v Speaker 1>unless we're together somewhere also with him a lot too,

0:27:34.119 --> 0:27:36.520
<v Speaker 1>right Yeah. So I mean, you know, but if if

0:27:36.560 --> 0:27:39.320
<v Speaker 1>I'm like by myself and I get good news, I'll

0:27:39.600 --> 0:27:41.560
<v Speaker 1>usually text both of them first and be like, can

0:27:41.640 --> 0:27:46.880
<v Speaker 1>y'all call me back? You know, I like Sharon good news. Yeah,

0:27:46.920 --> 0:27:51.159
<v Speaker 1>And does she text? I don't know, Yeah, she text her?

0:27:51.160 --> 0:27:54.520
<v Speaker 1>Oh yeahcause she was a lot of emojis I had

0:27:54.560 --> 0:27:56.119
<v Speaker 1>to have the talk with because I would imagine she's

0:27:56.119 --> 0:27:59.679
<v Speaker 1>over sixty, she's seventy. Okay, now what's her emoji use? Like?

0:28:02.160 --> 0:28:05.800
<v Speaker 1>These are great questions. I love this. I had to

0:28:05.840 --> 0:28:08.440
<v Speaker 1>have a talk with her. I was like, mom, one

0:28:08.480 --> 0:28:12.400
<v Speaker 1>emoji's fun. You don't have to do you don't have

0:28:12.480 --> 0:28:17.320
<v Speaker 1>to do literally seventeen lines of emojis, all different. You know,

0:28:17.440 --> 0:28:19.160
<v Speaker 1>I know you know what I'm talking about, and that's

0:28:19.200 --> 0:28:21.280
<v Speaker 1>why I ask. And I was being sensitive about you know.

0:28:21.280 --> 0:28:23.879
<v Speaker 1>I don't old she was, but I got to the

0:28:23.880 --> 0:28:25.280
<v Speaker 1>text question that I was like, I'm going in for

0:28:25.280 --> 0:28:29.480
<v Speaker 1>the emojis because I feel like anybody over sixty, like

0:28:29.560 --> 0:28:33.119
<v Speaker 1>sixty three, they either don't know how to use somebody

0:28:33.200 --> 0:28:37.000
<v Speaker 1>use way too many, and it's either one of the two.

0:28:37.240 --> 0:28:39.920
<v Speaker 1>So she uses way too many. She did, and then

0:28:39.920 --> 0:28:41.160
<v Speaker 1>I had to have the talk with her because I

0:28:41.200 --> 0:28:42.560
<v Speaker 1>was like, if you're doing this to me, you're probably

0:28:42.560 --> 0:28:44.560
<v Speaker 1>doing this to other people too. So this is annoying,

0:28:44.960 --> 0:28:46.960
<v Speaker 1>So don't do that. And then what do you call it?

0:28:47.000 --> 0:28:50.160
<v Speaker 1>A y'all? Or is it a gift or a Jeff? Yeah,

0:28:50.280 --> 0:28:53.400
<v Speaker 1>Jeff like a j but it's with a g. Okay,

0:28:53.400 --> 0:28:56.760
<v Speaker 1>so a Jeff. She has found the jef. So she

0:28:56.840 --> 0:28:59.360
<v Speaker 1>hits a little little work I were glass. It pulls

0:28:59.440 --> 0:29:01.560
<v Speaker 1>up all the jeffs you could send. Yeah, oh yeah,

0:29:01.600 --> 0:29:06.040
<v Speaker 1>so she is a Jeff user. And she sent me

0:29:06.080 --> 0:29:09.960
<v Speaker 1>one the other day and it was so she didn't

0:29:10.000 --> 0:29:11.840
<v Speaker 1>watch it all the way through, you know how it's

0:29:11.880 --> 0:29:14.200
<v Speaker 1>tough times has words at the end, like a penis

0:29:14.200 --> 0:29:16.240
<v Speaker 1>comes up from me. You didn't even see. It's because

0:29:16.480 --> 0:29:19.440
<v Speaker 1>I'll do that. I'll send some sometimes too. Well I'm like, oh,

0:29:19.440 --> 0:29:20.920
<v Speaker 1>this is hilarious, and I send it. Then I don't

0:29:20.920 --> 0:29:24.600
<v Speaker 1>watch it. Why did she send you? Um? It was

0:29:24.880 --> 0:29:29.160
<v Speaker 1>it was not good. Um. And I had to call

0:29:29.200 --> 0:29:32.400
<v Speaker 1>her and be like, mom, do you remember when because

0:29:32.400 --> 0:29:35.200
<v Speaker 1>there was this one time, like back when vhs was

0:29:35.240 --> 0:29:40.720
<v Speaker 1>a thing, So she would buy vhs like at garage

0:29:40.720 --> 0:29:43.760
<v Speaker 1>sales because you could tape over them, you know, and

0:29:43.800 --> 0:29:46.760
<v Speaker 1>she would she would tape her shows on them, you know,

0:29:46.840 --> 0:29:49.800
<v Speaker 1>like when you could tape shows before DVR or whatever

0:29:49.800 --> 0:29:54.640
<v Speaker 1>it's called DVR. And um, anyway, so I am not

0:29:54.760 --> 0:29:56.400
<v Speaker 1>kidding when I say this, this is a joke. In

0:29:56.520 --> 0:29:59.680
<v Speaker 1>my family. She was recording stuff and sending it to

0:29:59.720 --> 0:30:03.479
<v Speaker 1>her sister, to me, to whoever. Like, you know, she

0:30:03.600 --> 0:30:05.720
<v Speaker 1>was like so proud that she could record whatever shows

0:30:05.720 --> 0:30:10.520
<v Speaker 1>we wanted, they had porn on them. So oh whoas

0:30:10.600 --> 0:30:11.960
<v Speaker 1>at the end, she just didn't get far. It did

0:30:12.000 --> 0:30:14.200
<v Speaker 1>not get far. She just like hit record. So it's

0:30:14.240 --> 0:30:17.280
<v Speaker 1>a joke in our family now, like she's so like,

0:30:17.320 --> 0:30:19.720
<v Speaker 1>thank god her sisters were the ones that saw it.

0:30:20.080 --> 0:30:22.200
<v Speaker 1>And then my mom called everyone that she had sent

0:30:22.280 --> 0:30:25.320
<v Speaker 1>a thing to and was like, what's in turn it

0:30:25.360 --> 0:30:27.320
<v Speaker 1>off five minutes before it's over. I'll tell you how

0:30:27.320 --> 0:30:32.040
<v Speaker 1>it ends. That's funny. I was going through your music

0:30:32.080 --> 0:30:33.560
<v Speaker 1>a little bit ago and I saw a new song

0:30:33.560 --> 0:30:36.320
<v Speaker 1>I popped up and it was Emily Harris cover. And

0:30:36.800 --> 0:30:39.840
<v Speaker 1>I'm not familiar with Jamie Lynn Wilson, but I know

0:30:39.880 --> 0:30:42.200
<v Speaker 1>you guys did that song together? Why that song? What

0:30:42.320 --> 0:30:46.200
<v Speaker 1>about that song stood out? And why her? So Jamie

0:30:46.240 --> 0:30:48.080
<v Speaker 1>and I have been friends a long time and we

0:30:48.080 --> 0:30:52.040
<v Speaker 1>were touring together in Switzerland in twenty sixteen and it

0:30:52.160 --> 0:30:54.719
<v Speaker 1>was just me and her just doing a solo you know,

0:30:54.880 --> 0:30:59.520
<v Speaker 1>song swap thing for two weeks and um, we just

0:30:59.680 --> 0:31:03.520
<v Speaker 1>on trip, did a lot of driving and we would,

0:31:03.600 --> 0:31:06.600
<v Speaker 1>you know, plug the iPod in and just start listening

0:31:06.640 --> 0:31:08.920
<v Speaker 1>to music. And we always were leaning towards Emmy and

0:31:08.960 --> 0:31:12.520
<v Speaker 1>so we realized that we both had this infatuation with

0:31:12.600 --> 0:31:16.440
<v Speaker 1>that record, the Red Dirt Girl record, and it talked

0:31:16.440 --> 0:31:19.280
<v Speaker 1>about procrastinator. It took us like what seven years to

0:31:19.320 --> 0:31:22.680
<v Speaker 1>actually record it, after we had initially decided, let's should

0:31:23.120 --> 0:31:26.000
<v Speaker 1>the song. Sorry, yeah, just the song. No that I'm

0:31:26.000 --> 0:31:28.560
<v Speaker 1>saying that you didn't take seven years to record. It's

0:31:28.600 --> 0:31:30.760
<v Speaker 1>one song you're talking about. We didn't restart recording it

0:31:30.840 --> 0:31:33.200
<v Speaker 1>until about three months ago, So I'm saying it took

0:31:33.240 --> 0:31:36.320
<v Speaker 1>seven years to come to fruition. And so then we

0:31:36.440 --> 0:31:40.160
<v Speaker 1>just put it out and um, and we I threw

0:31:41.400 --> 0:31:43.440
<v Speaker 1>threw it all out there because every answer is going

0:31:43.480 --> 0:31:47.320
<v Speaker 1>to be no unless you ask. And so I contacted

0:31:47.360 --> 0:31:49.800
<v Speaker 1>Buddy Miller, who is, in my opinion, one of the

0:31:49.840 --> 0:31:54.880
<v Speaker 1>greatest musicians and people on this earth. And I was like, hey, Buddy, UM,

0:31:54.920 --> 0:31:56.640
<v Speaker 1>I know this is a shot in the dark and

0:31:56.680 --> 0:32:00.640
<v Speaker 1>you're probably gonna say no, but if you would possibly

0:32:01.440 --> 0:32:04.080
<v Speaker 1>let Emmy hear this, because I know Yellow really close

0:32:04.720 --> 0:32:07.800
<v Speaker 1>and if she's interested, would you ask her if she

0:32:07.840 --> 0:32:12.200
<v Speaker 1>would maybe want to sing harmony? He goes, oh, I'll hey,

0:32:12.560 --> 0:32:14.760
<v Speaker 1>I will get it to her. I will, I will

0:32:14.840 --> 0:32:17.080
<v Speaker 1>definitely get it to her. I will let her hear it.

0:32:17.560 --> 0:32:20.720
<v Speaker 1>But I don't think she's doing much right now other

0:32:20.760 --> 0:32:23.680
<v Speaker 1>than what's kind of on her calendar. I was like, okay,

0:32:23.720 --> 0:32:27.040
<v Speaker 1>well if you would just send it to her anyway,

0:32:27.240 --> 0:32:30.720
<v Speaker 1>just see so Emmy Lou Harris is a huge dog person,

0:32:30.920 --> 0:32:34.560
<v Speaker 1>as am I, and so I wrote her a letter

0:32:34.600 --> 0:32:36.240
<v Speaker 1>and I sent her a picture of my dog wearing

0:32:36.240 --> 0:32:41.560
<v Speaker 1>a bow tie and she this. Two days later, Buddy

0:32:41.600 --> 0:32:44.440
<v Speaker 1>called me. He goes here, you're not gonna believe this.

0:32:45.000 --> 0:32:48.040
<v Speaker 1>She's gonna take a swing at it. So and I

0:32:48.120 --> 0:32:50.480
<v Speaker 1>was like what, and he I go win and he

0:32:50.560 --> 0:32:54.040
<v Speaker 1>said tomorrow. I said tomorrow, okay, And he said would

0:32:54.040 --> 0:32:55.480
<v Speaker 1>you like to come over and meet her? And I'd

0:32:55.480 --> 0:32:58.360
<v Speaker 1>met her like backstage, you know, fifteen years ago somewhere,

0:32:58.880 --> 0:33:02.400
<v Speaker 1>but never like really talk to her. And he goes, yeah,

0:33:02.440 --> 0:33:04.440
<v Speaker 1>if you come over at one, we're going to record it.

0:33:04.720 --> 0:33:07.360
<v Speaker 1>Come over at one and then you know, you can

0:33:07.400 --> 0:33:09.720
<v Speaker 1>meet her. I was like, okay. I went and sat

0:33:09.840 --> 0:33:13.000
<v Speaker 1>in a laundry matt parking lot for two hours before

0:33:13.080 --> 0:33:14.880
<v Speaker 1>the time when he told me to be there in

0:33:14.920 --> 0:33:17.720
<v Speaker 1>case they got finished early, so that I could be there,

0:33:17.760 --> 0:33:19.480
<v Speaker 1>And then when I showed up, I was like, oh hey,

0:33:19.680 --> 0:33:23.240
<v Speaker 1>oh yeah. I was like I know, I had a

0:33:23.240 --> 0:33:25.520
<v Speaker 1>friend that lives near here and me and the laundry

0:33:25.520 --> 0:33:28.360
<v Speaker 1>matter my friend, but I was so excited to meet

0:33:28.400 --> 0:33:32.400
<v Speaker 1>her and she was so gracious and so sweet and um, actually,

0:33:32.400 --> 0:33:34.960
<v Speaker 1>do you know who Radney Foster is? So Radney actually

0:33:34.960 --> 0:33:37.400
<v Speaker 1>texted me yesterday and said that he had run into

0:33:37.400 --> 0:33:41.160
<v Speaker 1>Emmy Lou a couple days ago and that she was

0:33:41.400 --> 0:33:44.320
<v Speaker 1>really really happy with how that turned out. And she came,

0:33:44.360 --> 0:33:46.440
<v Speaker 1>you know, saying on it and she said, I'm just

0:33:46.480 --> 0:33:48.880
<v Speaker 1>so glad that they wanted to cut my song. That's

0:33:48.920 --> 0:33:51.840
<v Speaker 1>just so you know, flattering. And of course my heart's

0:33:51.840 --> 0:33:55.120
<v Speaker 1>exploding while I'm reading that text message because I love her.

0:33:55.160 --> 0:33:58.240
<v Speaker 1>I just she's the coolest. She's like the ultimate cool,

0:33:58.440 --> 0:33:59.920
<v Speaker 1>you know, and it cut me to call a fan.

0:34:00.120 --> 0:34:01.320
<v Speaker 1>The whole thing about her too. I don't know if

0:34:01.320 --> 0:34:05.360
<v Speaker 1>you if you saw it, but just spending time breaking

0:34:05.400 --> 0:34:08.319
<v Speaker 1>down her early life and how different because now we

0:34:08.480 --> 0:34:10.680
<v Speaker 1>just go, oh, the great Emma Lou Harris, but what

0:34:10.719 --> 0:34:13.680
<v Speaker 1>she was doing was kind of radical at the time. Yeah,

0:34:13.680 --> 0:34:15.080
<v Speaker 1>and how she was doing her music and who she

0:34:15.120 --> 0:34:17.640
<v Speaker 1>was doing it with and who and I would encourage

0:34:17.640 --> 0:34:19.200
<v Speaker 1>anybody just to look her up. I mean, she kind

0:34:19.200 --> 0:34:23.160
<v Speaker 1>of at times was like a hippie total like California

0:34:23.280 --> 0:34:27.120
<v Speaker 1>but country, and was taking that there and bringing that here,

0:34:27.320 --> 0:34:29.640
<v Speaker 1>and like working with Doll. I mean she had the

0:34:29.640 --> 0:34:32.000
<v Speaker 1>Albert League guy playing guitar with her too, which was

0:34:32.000 --> 0:34:35.480
<v Speaker 1>a totally like I mean, he has a bad ass

0:34:35.520 --> 0:34:40.040
<v Speaker 1>and he's just like he's guy's such a great guitar player.

0:34:40.080 --> 0:34:43.600
<v Speaker 1>But like that Luxury Liner. Just I mean, if anyone

0:34:44.160 --> 0:34:46.160
<v Speaker 1>is caring at all what I'm saying, you should listen

0:34:46.160 --> 0:34:49.279
<v Speaker 1>to a Luxury Liner because it is it is like

0:34:49.440 --> 0:34:52.879
<v Speaker 1>so radical, like you said, just like it's it's so

0:34:53.520 --> 0:34:55.799
<v Speaker 1>above it's time. Yeah. I can only imagine people were like,

0:34:55.800 --> 0:34:58.160
<v Speaker 1>what is she doing when she first started doing it,

0:34:58.520 --> 0:35:04.640
<v Speaker 1>and then she was so great at combining styles where

0:35:04.640 --> 0:35:06.600
<v Speaker 1>it didn't feel like she was combining styles. I felt

0:35:06.600 --> 0:35:09.640
<v Speaker 1>like she created her own path. Yeah, that she became

0:35:09.719 --> 0:35:11.200
<v Speaker 1>what people tried to be like, and then it just

0:35:11.239 --> 0:35:14.320
<v Speaker 1>became normal because she was so wonderful at it. Yeah,

0:35:14.360 --> 0:35:17.600
<v Speaker 1>that's very true. It's very true. I never thought about that,

0:35:17.640 --> 0:35:19.879
<v Speaker 1>but yeah, that's I recently, I mean, I just spent

0:35:19.960 --> 0:35:21.640
<v Speaker 1>a bunch of time like I was at the Hall

0:35:21.680 --> 0:35:23.360
<v Speaker 1>of Fame, and then I went back and kind of

0:35:23.400 --> 0:35:26.319
<v Speaker 1>deep dove a little more. And it's funny you bring

0:35:26.360 --> 0:35:29.080
<v Speaker 1>her up, and I didn't even know that that she

0:35:29.120 --> 0:35:31.120
<v Speaker 1>would that she's saying the harmonies on that. Yeah, she's

0:35:31.160 --> 0:35:32.759
<v Speaker 1>on the end of it. She's on the bridge and

0:35:32.800 --> 0:35:35.560
<v Speaker 1>the last chorus. That's really cool that she agreed to

0:35:35.600 --> 0:35:36.960
<v Speaker 1>do that. And it was a dog with a bow

0:35:37.000 --> 0:35:38.360
<v Speaker 1>tie for sure, because whatever you wanted for me, if

0:35:38.360 --> 0:35:39.759
<v Speaker 1>you had a dog with Boti picture, I was say, yes,

0:35:39.800 --> 0:35:41.440
<v Speaker 1>what do you need to Kidney? Yeah, absolutely sing it.

0:35:41.440 --> 0:35:46.320
<v Speaker 1>Absolutely a dog in bow tie. I'm in the Bobby Cast.

0:35:46.480 --> 0:35:51.720
<v Speaker 1>We'll be right back. Welcome back to the Bobby Cast.

0:35:51.920 --> 0:35:54.319
<v Speaker 1>You mentioned your very first ever performance. You said you

0:35:54.320 --> 0:35:57.880
<v Speaker 1>were twenty seven. Why did it take until twenty seven

0:35:58.160 --> 0:36:00.959
<v Speaker 1>or maybe twenty four? I don't even four. Yeah, even

0:36:00.960 --> 0:36:05.120
<v Speaker 1>if you were to say nineteen, yeah, for most folks there,

0:36:05.360 --> 0:36:07.120
<v Speaker 1>And I say this working on America, and I hope

0:36:07.120 --> 0:36:08.279
<v Speaker 1>for four years. I'll be like, I've a waiting a

0:36:08.280 --> 0:36:10.120
<v Speaker 1>whole life for this, And I'm like, bro, you're fourteen.

0:36:10.320 --> 0:36:12.160
<v Speaker 1>That's what I mean, your whole life. I got an

0:36:12.200 --> 0:36:16.840
<v Speaker 1>armpit hairs long older than you. So when did the

0:36:17.000 --> 0:36:19.280
<v Speaker 1>music bug bite you? For lack of a better question

0:36:19.320 --> 0:36:24.680
<v Speaker 1>about that. Well, so my performance my first performance I

0:36:24.680 --> 0:36:26.560
<v Speaker 1>mean that with a band, like yeah, but like a

0:36:26.600 --> 0:36:28.839
<v Speaker 1>pay with with a band, where yeah, you're like, this

0:36:28.920 --> 0:36:34.200
<v Speaker 1>is my show. I mean I always have done like stage,

0:36:34.440 --> 0:36:37.160
<v Speaker 1>like stage has always been where I've been most comfortable.

0:36:37.600 --> 0:36:42.200
<v Speaker 1>You know, I did um, you know high school would

0:36:42.200 --> 0:36:46.200
<v Speaker 1>you do? Oh every play that was available and um,

0:36:46.239 --> 0:36:49.800
<v Speaker 1>but even younger than that, like middle school plays. Um,

0:36:49.880 --> 0:36:52.120
<v Speaker 1>That's why I wanted to do musical theater. What was

0:36:52.120 --> 0:36:55.080
<v Speaker 1>the dream then? I didn't really I didn't really have

0:36:55.280 --> 0:36:58.680
<v Speaker 1>a certain dream. I just knew that my hometown wasn't

0:36:58.680 --> 0:37:00.240
<v Speaker 1>where I needed to be to do what I wanted

0:37:00.280 --> 0:37:03.120
<v Speaker 1>to do. Your hometown it wasn't specifically Houston. Did you

0:37:03.160 --> 0:37:04.879
<v Speaker 1>have one of the suburbs? Law View, Texas is where

0:37:04.920 --> 0:37:07.120
<v Speaker 1>I'm from. So Houston's where I was born, and then

0:37:07.160 --> 0:37:09.319
<v Speaker 1>we moved up to northeast Texas like when I was two.

0:37:09.480 --> 0:37:11.680
<v Speaker 1>Got it. So you don't really remember Houston as far

0:37:11.719 --> 0:37:13.919
<v Speaker 1>as like growing up. Yeah, because my whole family still

0:37:13.920 --> 0:37:15.640
<v Speaker 1>lived there, so I went there all the time. Got it.

0:37:16.200 --> 0:37:23.520
<v Speaker 1>But lawn View is very small and and it's very quaint,

0:37:24.160 --> 0:37:27.400
<v Speaker 1>and it's cute, and there's a small little county airport

0:37:27.920 --> 0:37:29.880
<v Speaker 1>and I knew that I needed something bigger than that.

0:37:29.960 --> 0:37:31.359
<v Speaker 1>How did you know that? Why did you know that?

0:37:31.440 --> 0:37:33.279
<v Speaker 1>I don't know. That's the weird thing. So I have

0:37:33.320 --> 0:37:37.480
<v Speaker 1>a friend actually that passed away last year. His name

0:37:37.560 --> 0:37:39.680
<v Speaker 1>was Heath, and me and him, when we were still

0:37:39.680 --> 0:37:42.560
<v Speaker 1>in high school, we both had this whatever this was

0:37:42.640 --> 0:37:45.719
<v Speaker 1>where we had this like vision of us leaving this town.

0:37:46.320 --> 0:37:51.080
<v Speaker 1>And there was a booking agent over on Gilmour Road,

0:37:51.640 --> 0:37:53.879
<v Speaker 1>a booking agent in my hometown. Like, we don't even

0:37:53.960 --> 0:37:56.000
<v Speaker 1>know really what she booked, like we laughed about it

0:37:56.040 --> 0:37:59.920
<v Speaker 1>as adults, but anyway, he and I went there, I

0:38:00.080 --> 0:38:02.400
<v Speaker 1>think our junior year of high school, and we just

0:38:02.440 --> 0:38:05.720
<v Speaker 1>sat in her office and it was like Joey from Friends,

0:38:05.760 --> 0:38:08.640
<v Speaker 1>you know, with the agent smoking the cigarettes. She was

0:38:08.719 --> 0:38:12.080
<v Speaker 1>literally smoking cigarettes talking to me in Heath and she's like, so,

0:38:12.160 --> 0:38:14.360
<v Speaker 1>do you have a resume, and we're like a resume?

0:38:14.480 --> 0:38:17.759
<v Speaker 1>We don't know. So that was our first experience. We

0:38:18.520 --> 0:38:21.480
<v Speaker 1>wanted to talk to her about booking us in movies. Yeah,

0:38:21.480 --> 0:38:23.480
<v Speaker 1>but what was she booking? We don't know. I still know,

0:38:23.520 --> 0:38:25.959
<v Speaker 1>I'm curious, like what was I don't know that either,

0:38:26.080 --> 0:38:28.799
<v Speaker 1>And he's not with us anymore, so we can't even

0:38:29.000 --> 0:38:32.680
<v Speaker 1>really honestly figure it out. But um, she was this.

0:38:33.120 --> 0:38:36.439
<v Speaker 1>It probably was like a casting agency for who knows

0:38:36.480 --> 0:38:38.680
<v Speaker 1>what really, But I mean I remember where it was,

0:38:39.000 --> 0:38:40.759
<v Speaker 1>and it was in this like strip center and we

0:38:40.920 --> 0:38:44.200
<v Speaker 1>go in there and and Heath and I laughed about

0:38:44.200 --> 0:38:47.759
<v Speaker 1>it until you know, the last time I saw him

0:38:47.960 --> 0:38:51.279
<v Speaker 1>was twenty nineteen. We laughed about it then because he

0:38:50.880 --> 0:38:52.839
<v Speaker 1>is he was an actor, and all of his friends

0:38:52.960 --> 0:38:56.520
<v Speaker 1>or actors out in LA and so he was like, hey, yo,

0:38:56.560 --> 0:38:58.920
<v Speaker 1>we're the ones that actually left. We're following our dreams.

0:38:58.920 --> 0:39:01.360
<v Speaker 1>And so he was kind of like my first person

0:39:01.480 --> 0:39:04.319
<v Speaker 1>that gave me the courage to figure out what I

0:39:04.320 --> 0:39:06.560
<v Speaker 1>wanted to do. I didn't know what I wanted to do.

0:39:06.600 --> 0:39:09.040
<v Speaker 1>So then when I went to college, I did entertainment

0:39:09.120 --> 0:39:11.919
<v Speaker 1>pr because I thought, well, I'll be a publicist. That'd

0:39:11.920 --> 0:39:13.879
<v Speaker 1>be a great job for me. I'd be great at this.

0:39:15.320 --> 0:39:18.759
<v Speaker 1>But then that didn't work out because I got bit

0:39:18.880 --> 0:39:21.239
<v Speaker 1>by the wanting to do the performance part of it.

0:39:21.760 --> 0:39:25.840
<v Speaker 1>And did you do that at Southwest? No? But productions

0:39:25.880 --> 0:39:28.960
<v Speaker 1>there no, because I was just there to finish school,

0:39:29.000 --> 0:39:31.080
<v Speaker 1>like my parents really wanted me to finish school, and

0:39:31.120 --> 0:39:33.319
<v Speaker 1>I did not want to be there. But I had

0:39:33.360 --> 0:39:36.799
<v Speaker 1>an internship at Lone Star Music and the guy that

0:39:36.800 --> 0:39:39.360
<v Speaker 1>owned the company's name is Chad, and he's in a

0:39:39.360 --> 0:39:46.040
<v Speaker 1>wheelchair and he's a paraplegic, and so he would have

0:39:46.200 --> 0:39:50.480
<v Speaker 1>me go out to the venues to find people to

0:39:50.520 --> 0:39:54.360
<v Speaker 1>put their merchandise on our website to sell artist. So

0:39:54.719 --> 0:39:56.439
<v Speaker 1>I went to this club one night and I called

0:39:56.520 --> 0:39:59.120
<v Speaker 1>Chad and I was like, hey man, this guy, Like

0:39:59.160 --> 0:40:01.200
<v Speaker 1>I could do what this guy is doing. I just

0:40:01.239 --> 0:40:03.680
<v Speaker 1>have to learn to play guitar. Chack goes do it,

0:40:04.120 --> 0:40:05.320
<v Speaker 1>and I was like, no, I mean, like, I have

0:40:05.360 --> 0:40:07.919
<v Speaker 1>to learn to play guitar. He goes do it. So

0:40:07.960 --> 0:40:13.800
<v Speaker 1>that's you know, I just kind of got really interested in, like, oh,

0:40:13.840 --> 0:40:17.080
<v Speaker 1>all these people are they're they're writing songs, they're writing

0:40:17.120 --> 0:40:20.560
<v Speaker 1>stories and then they're putting them to music. And I

0:40:20.600 --> 0:40:24.280
<v Speaker 1>already wrote stories because I'm an English miner in college,

0:40:24.320 --> 0:40:27.600
<v Speaker 1>and I'm like, I've written stories, you know for however

0:40:27.600 --> 0:40:30.719
<v Speaker 1>long I've been in college six years. If I can

0:40:30.719 --> 0:40:32.399
<v Speaker 1>just play guitar, I ben I can figure this out.

0:40:33.160 --> 0:40:35.680
<v Speaker 1>So that's when I called my dad, like after I graduated,

0:40:35.719 --> 0:40:37.719
<v Speaker 1>and was like, I can I know I can do this,

0:40:38.400 --> 0:40:40.920
<v Speaker 1>and Paul, my stepdad, that's his name. He was like,

0:40:41.520 --> 0:40:43.440
<v Speaker 1>I mean, I know you can do it. It's like

0:40:43.480 --> 0:40:45.680
<v Speaker 1>no question in my mind. Well how long did it

0:40:45.680 --> 0:40:49.000
<v Speaker 1>take you to find it? And obviously your voice and

0:40:49.000 --> 0:40:51.160
<v Speaker 1>I'm not talking about your physical voice, but your your voice,

0:40:51.160 --> 0:40:53.719
<v Speaker 1>who you are, what you say, what you stand for musically?

0:40:54.360 --> 0:40:58.200
<v Speaker 1>How long until you kind of found what that was? Initially?

0:40:59.360 --> 0:41:03.319
<v Speaker 1>Pretty much since I started, because I know what I like.

0:41:03.440 --> 0:41:06.240
<v Speaker 1>I've always known what I like, which is classic country music,

0:41:07.800 --> 0:41:11.880
<v Speaker 1>Waylon Jennings, Merle Haggard. I love that stuff. Now that

0:41:12.000 --> 0:41:15.440
<v Speaker 1>being said, I really love Tom Petty. I think he

0:41:15.680 --> 0:41:19.640
<v Speaker 1>was the everything. There is a Tom Petty song for

0:41:19.719 --> 0:41:24.400
<v Speaker 1>every situation. And Stevie Nicks. I just feel like it

0:41:24.480 --> 0:41:27.480
<v Speaker 1>is the biggest style icon that's ever walked on the planet.

0:41:27.480 --> 0:41:31.360
<v Speaker 1>And so kind of Lauretta Lens talking about she was

0:41:31.400 --> 0:41:33.640
<v Speaker 1>so ahead of her time. Even now, if her songs

0:41:33.680 --> 0:41:35.520
<v Speaker 1>came out they came out in the sixties, even if

0:41:35.520 --> 0:41:38.239
<v Speaker 1>they came out now, people would still be show I

0:41:38.239 --> 0:41:42.040
<v Speaker 1>mean the pill look, dude, I can't imagine that. Then,

0:41:42.360 --> 0:41:46.120
<v Speaker 1>I know, you know what kind of uproar that calls no?

0:41:46.320 --> 0:41:48.480
<v Speaker 1>I yes, but no, it's I think in my head,

0:41:48.520 --> 0:41:50.719
<v Speaker 1>I do I know but I can't imagine we're in

0:41:50.760 --> 0:41:53.080
<v Speaker 1>twenty twenty three. You're talking about the sixties, I know.

0:41:53.480 --> 0:41:57.240
<v Speaker 1>Putting that out, I know, I would imagine every super

0:41:57.280 --> 0:42:00.400
<v Speaker 1>conservative and you're talking about a time when everybody's can servative,

0:42:00.680 --> 0:42:04.279
<v Speaker 1>just generally because it was the sixties. Yeah, that they

0:42:04.280 --> 0:42:05.600
<v Speaker 1>had to be shutting doors and no where you're not

0:42:05.680 --> 0:42:10.040
<v Speaker 1>listening to that, yeah, breaking it, turning the radio. That's culture.

0:42:10.080 --> 0:42:12.279
<v Speaker 1>That's as punk as you could possibly be, I know.

0:42:12.400 --> 0:42:17.120
<v Speaker 1>And she was. She she's the one that that spoke

0:42:17.400 --> 0:42:20.960
<v Speaker 1>for all of us. And she's the she's the reason

0:42:21.040 --> 0:42:25.160
<v Speaker 1>that I will write about stuff that's that's taboo. Sure,

0:42:25.680 --> 0:42:27.680
<v Speaker 1>she's the one that told me to write about stuff

0:42:27.680 --> 0:42:29.640
<v Speaker 1>that's taboo. Well, you know, it was not comfortable for her,

0:42:30.120 --> 0:42:33.480
<v Speaker 1>and she kicked down so many kicked up at so

0:42:33.480 --> 0:42:36.720
<v Speaker 1>many doors and down so many walls for other female artists.

0:42:36.719 --> 0:42:39.000
<v Speaker 1>Oh my god, because of what she put herself through

0:42:39.000 --> 0:42:43.840
<v Speaker 1>doing that. She's literally the queen for any woman that

0:42:43.920 --> 0:42:46.799
<v Speaker 1>walked behind her. Now that being said, she'll tell you

0:42:46.840 --> 0:42:49.920
<v Speaker 1>that Kitty Wells was the queen that kicked every you know,

0:42:50.000 --> 0:42:53.080
<v Speaker 1>door down for her. And it just shows me that,

0:42:53.160 --> 0:42:56.920
<v Speaker 1>like it's always been a thing with women. It's always

0:42:56.920 --> 0:43:00.320
<v Speaker 1>been a thing. It still is. Oh yeah, yeah, and

0:43:00.600 --> 0:43:02.560
<v Speaker 1>in twenty years it still will be and there'll be

0:43:02.560 --> 0:43:04.719
<v Speaker 1>people like yourself. Like in Katy Walls, you have the

0:43:04.719 --> 0:43:08.600
<v Speaker 1>first number one song as a female artist ever. Is that?

0:43:08.760 --> 0:43:11.560
<v Speaker 1>I don't know, but yes, it wasn't Guy Too Made

0:43:11.560 --> 0:43:14.359
<v Speaker 1>Honky tonk Angels was her big and I think that

0:43:14.440 --> 0:43:16.920
<v Speaker 1>was the first. I'd be interested to know that. I

0:43:16.920 --> 0:43:19.320
<v Speaker 1>actually don't know that if I know that, Mike, because

0:43:19.320 --> 0:43:21.680
<v Speaker 1>we were listening to Jake Ohen and I are big

0:43:22.000 --> 0:43:24.760
<v Speaker 1>classic classic. There's classic country, and there's like classic classic

0:43:24.760 --> 0:43:27.080
<v Speaker 1>where sometime people forget Kitty Walls is in that and

0:43:27.120 --> 0:43:29.040
<v Speaker 1>we we were just listening to that song a few

0:43:29.080 --> 0:43:31.919
<v Speaker 1>weeks ago. Is that the first it is? I'm trying

0:43:31.920 --> 0:43:34.279
<v Speaker 1>to find the exact song, but she was Katy Walls

0:43:34.360 --> 0:43:37.120
<v Speaker 1>was first woman to have a number one. Well, so

0:43:37.640 --> 0:43:42.680
<v Speaker 1>whenever Luretta died, um, you know, it was hard for

0:43:42.760 --> 0:43:46.560
<v Speaker 1>me to not say, you know the queen, But I

0:43:46.600 --> 0:43:51.239
<v Speaker 1>mean for me, she's my queen um and she will

0:43:51.280 --> 0:43:53.200
<v Speaker 1>always be and I had the pleasure of meeting her

0:43:53.239 --> 0:43:55.799
<v Speaker 1>and she she's the one that gave me so much

0:43:55.880 --> 0:43:59.160
<v Speaker 1>advice about writing and like write what you know, right,

0:43:59.200 --> 0:44:03.799
<v Speaker 1>what you know? It's that simple, right what you know? Really? Yeah? Right?

0:44:03.880 --> 0:44:05.560
<v Speaker 1>What you know? Because if if you know it, then

0:44:05.600 --> 0:44:08.279
<v Speaker 1>there's other women that know it. Sure, So why would

0:44:08.280 --> 0:44:11.520
<v Speaker 1>you hesitate what's saying calling her the queen? Oh? Because

0:44:12.040 --> 0:44:14.319
<v Speaker 1>because she would. She would probably laugh at that and

0:44:14.360 --> 0:44:16.799
<v Speaker 1>be like and say somebody else's She was like, oh, baby, now,

0:44:17.080 --> 0:44:19.280
<v Speaker 1>Keaty Whales is the queen, you know, But like, Lauretta

0:44:19.360 --> 0:44:23.200
<v Speaker 1>is my queen, hands down, She's she She kicked down

0:44:23.280 --> 0:44:27.759
<v Speaker 1>every door. Um that I could have ever wanted kicked down,

0:44:27.920 --> 0:44:31.520
<v Speaker 1>because I don't think that there should be any I

0:44:31.560 --> 0:44:35.480
<v Speaker 1>think just because I'm female, maybe it is considered crass

0:44:35.480 --> 0:44:37.239
<v Speaker 1>if I sing about some of the things I sing about,

0:44:37.280 --> 0:44:41.600
<v Speaker 1>or maybe it's considered taboo or maybe like I remember,

0:44:43.880 --> 0:44:48.440
<v Speaker 1>I had a song UM on my label when I

0:44:48.440 --> 0:44:51.720
<v Speaker 1>had a label, UM, Big Machine was my record label. UM.

0:44:51.760 --> 0:44:56.880
<v Speaker 1>I remember the the A and R person When we

0:44:56.880 --> 0:44:59.839
<v Speaker 1>were discussing songs to go on my record. She said

0:44:59.840 --> 0:45:03.400
<v Speaker 1>to me, Um, nobody wants to hear from the other woman.

0:45:06.400 --> 0:45:09.320
<v Speaker 1>Someone just want a Grammy. Yeah, Carly and Nashley mcbrian

0:45:09.440 --> 0:45:11.960
<v Speaker 1>Yeah yeah, So I feel like it was just a

0:45:11.960 --> 0:45:16.160
<v Speaker 1>little early, you know, and that's fine, Like I am

0:45:16.360 --> 0:45:19.120
<v Speaker 1>so excited for them like to win that. But I

0:45:19.120 --> 0:45:21.640
<v Speaker 1>mean there's been many songs about that, but I remember

0:45:21.680 --> 0:45:26.800
<v Speaker 1>ply on the same label. Yeah, no, no, no, that's ironic. Yeah,

0:45:26.840 --> 0:45:29.720
<v Speaker 1>but I remember her saying that, and I remember saying,

0:45:29.760 --> 0:45:34.200
<v Speaker 1>like it's country music, like you think that? Do you

0:45:34.320 --> 0:45:36.920
<v Speaker 1>do you think that just because I'm a female, that

0:45:37.440 --> 0:45:39.680
<v Speaker 1>nobody's gonna want to hear me talk about that, because

0:45:39.680 --> 0:45:43.080
<v Speaker 1>there are plenty of women over the last ten years

0:45:43.080 --> 0:45:45.799
<v Speaker 1>that have come up to me saying, you know, oh,

0:45:46.680 --> 0:45:50.000
<v Speaker 1>thank you for that song. You know, so it kind

0:45:50.040 --> 0:45:52.959
<v Speaker 1>of does sting a little bit. But also I'm so

0:45:53.000 --> 0:45:55.120
<v Speaker 1>excited that there is a time now where there are

0:45:55.200 --> 0:45:59.279
<v Speaker 1>women speaking like that, you know, and saying things that

0:45:59.320 --> 0:46:02.600
<v Speaker 1>I feel like to be said, you know, And I mean,

0:46:02.640 --> 0:46:05.360
<v Speaker 1>we go out, girls go out, girls party. You know,

0:46:05.400 --> 0:46:10.759
<v Speaker 1>it's not like tell me more, do you know what

0:46:10.800 --> 0:46:14.840
<v Speaker 1>I mean? Like, it's it's um, especially in this business,

0:46:14.920 --> 0:46:16.920
<v Speaker 1>like you kind of have to adapt and it's a

0:46:17.160 --> 0:46:20.480
<v Speaker 1>it's a male dominated business and you have to kind

0:46:20.480 --> 0:46:24.200
<v Speaker 1>of adapt as a woman in this business. And um,

0:46:24.280 --> 0:46:26.480
<v Speaker 1>A couple of my friends say that when they go

0:46:26.560 --> 0:46:29.399
<v Speaker 1>home to their families that they their their husband will

0:46:29.440 --> 0:46:32.640
<v Speaker 1>be like, oh, I see that you've got road mouth, because, like,

0:46:32.719 --> 0:46:35.879
<v Speaker 1>you know, girl, it's like you're in a different world

0:46:35.960 --> 0:46:37.520
<v Speaker 1>when you're on the road and then you go home.

0:46:38.040 --> 0:46:39.759
<v Speaker 1>You know, I don't have a family at home, so

0:46:39.840 --> 0:46:43.960
<v Speaker 1>like my life kind of just stays pretty consistent. But um,

0:46:44.000 --> 0:46:46.920
<v Speaker 1>that's the joke with them. And but I mean, girls,

0:46:46.920 --> 0:46:50.560
<v Speaker 1>girls have we have things to say, we have things

0:46:50.600 --> 0:46:53.440
<v Speaker 1>to talk about. I know, I do, you know, and

0:46:53.520 --> 0:46:56.200
<v Speaker 1>I don't hold back on those things. And if if

0:46:56.239 --> 0:46:58.799
<v Speaker 1>it's uncomfortable for you, I'm very sorry, not you, but

0:46:59.000 --> 0:47:02.440
<v Speaker 1>whoever's listening. That's what music is supposed to do, is

0:47:02.440 --> 0:47:06.920
<v Speaker 1>bring up emotions. Right, So if I have a song

0:47:08.600 --> 0:47:13.200
<v Speaker 1>about one of my friends committing suicide, it's uncomfortable for

0:47:13.239 --> 0:47:15.120
<v Speaker 1>me to sing it. It was uncomfortable for me to

0:47:15.160 --> 0:47:17.800
<v Speaker 1>write it. But there have been people that have tattooed

0:47:17.800 --> 0:47:21.440
<v Speaker 1>these lyrics on their body, you know. So it's just

0:47:21.520 --> 0:47:25.920
<v Speaker 1>a very it's a weird dynamic being a woman in

0:47:25.960 --> 0:47:29.480
<v Speaker 1>this business, it really is. It's very interesting to navigate.

0:47:29.640 --> 0:47:33.960
<v Speaker 1>Hank Tye, the Bobby Cast will be right back. Wow,

0:47:34.400 --> 0:47:37.560
<v Speaker 1>and we're back on the Bobby Cast. You signed a

0:47:37.560 --> 0:47:40.080
<v Speaker 1>record deal with Big Machine in two thousand and seven,

0:47:40.360 --> 0:47:47.560
<v Speaker 1>six six, So did you develop a base through the Texas, Oklahoma,

0:47:47.840 --> 0:47:50.520
<v Speaker 1>Arkansas kind of area, touring around and that's why they

0:47:50.600 --> 0:47:54.319
<v Speaker 1>found you? Or did somebody hear you and go we

0:47:54.320 --> 0:47:56.400
<v Speaker 1>should sign you. This is the weirdest story and you

0:47:56.440 --> 0:48:00.920
<v Speaker 1>probably won't believe me, but so I was doing music

0:48:00.960 --> 0:48:04.239
<v Speaker 1>down at played at the Poodle Dog Lounge every Sunday night,

0:48:04.320 --> 0:48:06.640
<v Speaker 1>you know where that is Jenny's little Longhorn, all the

0:48:06.640 --> 0:48:09.600
<v Speaker 1>little dives in Austin, played at Central Market, played at

0:48:09.640 --> 0:48:11.719
<v Speaker 1>the grocery store, played anywhere they would let me set

0:48:11.760 --> 0:48:16.239
<v Speaker 1>up my pa and um. Then my fans that would

0:48:16.280 --> 0:48:18.839
<v Speaker 1>come come to these shows, what they would say, like,

0:48:19.080 --> 0:48:21.600
<v Speaker 1>you need to make a CD. I was like, came

0:48:21.640 --> 0:48:23.880
<v Speaker 1>a CD. Like They're like, no, really, you need to

0:48:23.880 --> 0:48:26.279
<v Speaker 1>make a CD. I had no intentions. I wanted free

0:48:26.280 --> 0:48:28.640
<v Speaker 1>beer and burgers, you know, like, and that's I was.

0:48:28.719 --> 0:48:31.080
<v Speaker 1>I was eating for free and drinking for free, and

0:48:31.120 --> 0:48:35.000
<v Speaker 1>like I was living the high life and um. Anyway,

0:48:35.000 --> 0:48:38.920
<v Speaker 1>so I ended up making a CD and somehow, and

0:48:39.080 --> 0:48:42.520
<v Speaker 1>I to this day do not know how this happened

0:48:42.560 --> 0:48:45.080
<v Speaker 1>because I did not even know this guy. My CD

0:48:45.280 --> 0:48:48.919
<v Speaker 1>ended up on Scott Borshat's desk. No clue. How still

0:48:48.960 --> 0:48:51.680
<v Speaker 1>I didn't. I didn't like, had not been to Nashville,

0:48:52.400 --> 0:48:56.080
<v Speaker 1>and um, so he sends me a message on my Space.

0:48:56.800 --> 0:48:58.799
<v Speaker 1>He's like, hey, I own a record label. And I

0:48:58.840 --> 0:49:02.120
<v Speaker 1>was like, this sounds creepy. Sound creepy. Totally sounds creepy.

0:49:02.120 --> 0:49:03.480
<v Speaker 1>It didn't have a picture. It was just like the

0:49:03.560 --> 0:49:06.440
<v Speaker 1>Little Gray Head and I was like, this sounds super creepy,

0:49:06.520 --> 0:49:10.080
<v Speaker 1>but um wow. So I looked up the record label

0:49:10.080 --> 0:49:11.880
<v Speaker 1>he was talking about and I saw that Jack Ingram

0:49:11.920 --> 0:49:13.680
<v Speaker 1>was on that record label. And I've known Jack since

0:49:13.719 --> 0:49:17.000
<v Speaker 1>I was fifteen. So I called Jack and I was like, uh,

0:49:17.040 --> 0:49:19.400
<v Speaker 1>this dude just sends me a message. He's like, Sonny,

0:49:19.560 --> 0:49:22.680
<v Speaker 1>call him back. He's like what are you crazy. He's

0:49:22.680 --> 0:49:24.680
<v Speaker 1>like yeah, that's the head of my record label. Call

0:49:24.760 --> 0:49:28.319
<v Speaker 1>him back. And I was like, okay, this is kind

0:49:28.360 --> 0:49:30.840
<v Speaker 1>of weird. So I called him and I was like, hey,

0:49:30.920 --> 0:49:33.640
<v Speaker 1>it's sunny. And he's like, hey, um, could you send

0:49:33.640 --> 0:49:36.640
<v Speaker 1>me another copy of this? Um My wife won't let

0:49:36.680 --> 0:49:39.040
<v Speaker 1>me have this one back, but we would really love

0:49:39.080 --> 0:49:40.799
<v Speaker 1>to see you play. Are you ever going to play

0:49:40.800 --> 0:49:42.480
<v Speaker 1>in Nashville? And I was like, Oh, it's funny that

0:49:42.520 --> 0:49:46.440
<v Speaker 1>you mentioned that I'm going to play there in like November,

0:49:46.760 --> 0:49:50.960
<v Speaker 1>and this was like July. He goes, we're coming. I

0:49:51.080 --> 0:49:53.440
<v Speaker 1>was like, okay. He goes, can you put us on

0:49:53.480 --> 0:49:57.759
<v Speaker 1>the list? And I was like, which is Billy Block lit?

0:49:57.800 --> 0:49:59.799
<v Speaker 1>It was the Billy Block Show. Do you remember Billy Block?

0:50:00.440 --> 0:50:03.520
<v Speaker 1>He did like A. It was like A, I don't

0:50:03.560 --> 0:50:04.880
<v Speaker 1>even know what. So you did have a plan to

0:50:04.880 --> 0:50:07.160
<v Speaker 1>be here in November though, you didn't make that part up? No, No,

0:50:07.280 --> 0:50:08.960
<v Speaker 1>it was already planned. Yeah, I was coming to the

0:50:08.960 --> 0:50:11.799
<v Speaker 1>Billy Block Show. It was like a showcase. So I

0:50:11.880 --> 0:50:16.560
<v Speaker 1>come to this gig, they come and this was one

0:50:16.640 --> 0:50:19.200
<v Speaker 1>month before I turned thirty years old. And because I

0:50:19.200 --> 0:50:21.919
<v Speaker 1>was born in nineteen seventy six, so two thousand and six.

0:50:23.719 --> 0:50:27.879
<v Speaker 1>And at that gig he said, I'd like you signed

0:50:27.880 --> 0:50:31.240
<v Speaker 1>to my record label. At that time, it was Jack

0:50:31.800 --> 0:50:36.399
<v Speaker 1>and Justin Moore and Taylor and like one or two

0:50:36.400 --> 0:50:42.880
<v Speaker 1>other people. And and I said, oh, okay, I mean cool.

0:50:43.239 --> 0:50:45.080
<v Speaker 1>I had no idea what I was doing. You have

0:50:45.160 --> 0:50:47.080
<v Speaker 1>no like Bobby, I really did not know what I

0:50:47.120 --> 0:50:49.160
<v Speaker 1>was doing. I still don't know what I'm doing. I

0:50:49.200 --> 0:50:52.960
<v Speaker 1>really didn't know what I was doing. That all being said,

0:50:53.400 --> 0:50:55.160
<v Speaker 1>he did everything he said he was going to do.

0:50:55.360 --> 0:50:58.560
<v Speaker 1>He re released my album that I had already put out.

0:50:58.560 --> 0:51:01.400
<v Speaker 1>He didn't change anything on it, he rereleased it regionally.

0:51:01.840 --> 0:51:05.799
<v Speaker 1>I continued touring around Texas and that I jokingly call

0:51:05.960 --> 0:51:08.080
<v Speaker 1>that time because I was there for six years and

0:51:08.160 --> 0:51:10.200
<v Speaker 1>only put out one record, So I call it my

0:51:10.239 --> 0:51:12.560
<v Speaker 1>time on the artist Protection program. Why do you feel

0:51:12.600 --> 0:51:16.040
<v Speaker 1>like that happened? I don't know. I wish that someone

0:51:16.080 --> 0:51:21.400
<v Speaker 1>could explain it to me. He gave me opportunities that

0:51:21.440 --> 0:51:24.840
<v Speaker 1>I never would have had otherwise. He did everything he

0:51:24.880 --> 0:51:28.920
<v Speaker 1>said he was going to do. He he moved I

0:51:28.920 --> 0:51:32.680
<v Speaker 1>think the tragic mistake that happened because I know Scott

0:51:32.680 --> 0:51:37.759
<v Speaker 1>believed in me one hundred percent. He was like, I

0:51:37.800 --> 0:51:40.279
<v Speaker 1>really believe in my heart that he believed in me.

0:51:41.200 --> 0:51:44.360
<v Speaker 1>He moved me over to Republic and the new guy

0:51:44.560 --> 0:51:47.440
<v Speaker 1>did not like anything about me, and you weren't his

0:51:47.560 --> 0:51:51.200
<v Speaker 1>find exactly, which happens all the time, all the time,

0:51:51.200 --> 0:51:54.600
<v Speaker 1>and not just in music but anything creative. Yea, even

0:51:54.640 --> 0:51:56.799
<v Speaker 1>in sports it happens like a new general manager goes

0:51:56.800 --> 0:51:59.040
<v Speaker 1>in well gate my quarterback. I'm gonna go get my

0:51:59.080 --> 0:52:01.560
<v Speaker 1>own guys to get an allogy. Wow, So you get

0:52:01.600 --> 0:52:04.920
<v Speaker 1>it was that? Yeah, so so I was there from

0:52:04.920 --> 0:52:10.080
<v Speaker 1>two thousand and six to two thousand ten or nine

0:52:11.440 --> 0:52:14.520
<v Speaker 1>on Big Machine, and then Scott called me into his

0:52:14.560 --> 0:52:17.000
<v Speaker 1>office when Dan said, oh, there's this new sister label

0:52:17.040 --> 0:52:19.000
<v Speaker 1>we're opening, and I'm gonna move you over there. It's

0:52:19.000 --> 0:52:21.640
<v Speaker 1>going to be great for you. And I remember the

0:52:21.719 --> 0:52:24.319
<v Speaker 1>sinking feeling in my stomach going like, no, no, no,

0:52:24.920 --> 0:52:26.880
<v Speaker 1>I've already put in time with you. I want you

0:52:26.920 --> 0:52:30.759
<v Speaker 1>to believe in me. And then, as I predicted from

0:52:30.800 --> 0:52:33.759
<v Speaker 1>minute one of meaning the person that was the head

0:52:33.800 --> 0:52:36.719
<v Speaker 1>of the other label, he didn't like anything about me.

0:52:37.000 --> 0:52:39.960
<v Speaker 1>He didn't like my look, he didn't like my voice,

0:52:40.000 --> 0:52:42.319
<v Speaker 1>he didn't like like my actual voice, he didn't like

0:52:42.400 --> 0:52:44.359
<v Speaker 1>my songs. I wonder why you get put over there

0:52:44.360 --> 0:52:47.279
<v Speaker 1>if I don't. It wasn't a conversation, and whomever was

0:52:47.320 --> 0:52:49.680
<v Speaker 1>running it, I was hoping you would be able to

0:52:49.680 --> 0:52:52.960
<v Speaker 1>tell me, Yeah, it's weird to me that that would happen,

0:52:53.520 --> 0:52:56.640
<v Speaker 1>because there had to be a conversation between whomever the

0:52:56.800 --> 0:53:00.600
<v Speaker 1>governing bodies of those labels are a lot of times,

0:53:00.600 --> 0:53:04.120
<v Speaker 1>you know, things just happen, you know, like choices just

0:53:04.160 --> 0:53:07.239
<v Speaker 1>get made, and it was made for you obviously, absolutely,

0:53:07.400 --> 0:53:12.520
<v Speaker 1>and you know Um, I'm a big girl. I'm I'm okay.

0:53:12.640 --> 0:53:17.200
<v Speaker 1>Like I survived, I continue to survive. That's my whole

0:53:17.239 --> 0:53:19.680
<v Speaker 1>thing is survival. What was wrong? What was what was

0:53:19.760 --> 0:53:22.279
<v Speaker 1>wrong with you? Um? I didn't sell enough because I

0:53:22.360 --> 0:53:24.960
<v Speaker 1>was country. That's why I got drowned. So your style

0:53:25.080 --> 0:53:28.240
<v Speaker 1>then was, in my opinion, ahead of its time. I hope,

0:53:28.280 --> 0:53:30.640
<v Speaker 1>I hope that I would take that as a compliment honestly.

0:53:30.719 --> 0:53:33.920
<v Speaker 1>Oh for sure. You know, people that are so early

0:53:34.400 --> 0:53:39.400
<v Speaker 1>are often penalized when they're so right and so progressive

0:53:39.440 --> 0:53:41.440
<v Speaker 1>at the time. But it literally is what's about to

0:53:41.440 --> 0:53:44.040
<v Speaker 1>be the biggest thing. God, You're you're so spot on.

0:53:44.520 --> 0:53:48.440
<v Speaker 1>They're often penalized and treated like they're just garbage being

0:53:48.480 --> 0:53:51.000
<v Speaker 1>thrown out because people don't get it yet. It actually

0:53:51.040 --> 0:53:53.960
<v Speaker 1>takes other people consuming it over a period of time

0:53:54.040 --> 0:53:55.799
<v Speaker 1>to go we like it, we get it for even

0:53:55.840 --> 0:53:59.239
<v Speaker 1>them to go, Oh, I mean, Bobby, I feel like,

0:53:59.600 --> 0:54:02.920
<v Speaker 1>tell me if you think I'm wrong. People like what

0:54:02.960 --> 0:54:05.759
<v Speaker 1>they're exposed to for sure, Like it doesn't matter if

0:54:05.800 --> 0:54:09.920
<v Speaker 1>it's what or what it's like. If you listen to

0:54:09.960 --> 0:54:14.839
<v Speaker 1>something enough times, it's going to get in your brain right, yes, yes,

0:54:14.960 --> 0:54:18.279
<v Speaker 1>with the caveat of it just it just can't be bad.

0:54:18.480 --> 0:54:21.200
<v Speaker 1>Well sure, but yes, anything that is in that upper

0:54:21.320 --> 0:54:24.440
<v Speaker 1>I've had the conversation with my bosses and I don't

0:54:24.440 --> 0:54:27.239
<v Speaker 1>program music anymore. I just go. I just try to

0:54:27.280 --> 0:54:29.319
<v Speaker 1>do compelling content, right, I tried it funny. I try

0:54:29.360 --> 0:54:31.400
<v Speaker 1>to be compelling in many ways. But I've had the

0:54:31.480 --> 0:54:33.239
<v Speaker 1>argument with them, like, if you really believe in a song,

0:54:33.239 --> 0:54:34.839
<v Speaker 1>you just played enough time, it's going to be a hit.

0:54:34.960 --> 0:54:36.759
<v Speaker 1>That's what I think to you. If you believe in

0:54:36.800 --> 0:54:38.600
<v Speaker 1>it and and you literally just play it enough times, yep,

0:54:39.920 --> 0:54:42.440
<v Speaker 1>you can pound it into people's head. So I agree

0:54:42.520 --> 0:54:46.240
<v Speaker 1>with you in that way. Yes, okay, so that all happens.

0:54:46.280 --> 0:54:49.839
<v Speaker 1>So this is when Concrete, my album was out with

0:54:50.120 --> 0:54:52.040
<v Speaker 1>it had like from a table away on there. There

0:54:52.080 --> 0:54:54.640
<v Speaker 1>was stains worse than Leaving, which I was also told

0:54:54.760 --> 0:54:57.000
<v Speaker 1>was needing to be pitched to a man, that no

0:54:57.040 --> 0:54:58.920
<v Speaker 1>one would want to hear a woman sing about leaving.

0:54:59.480 --> 0:55:02.399
<v Speaker 1>I've made a career on that. Um and then um.

0:55:02.440 --> 0:55:04.439
<v Speaker 1>The next one that was on the radio was Drink

0:55:04.480 --> 0:55:08.600
<v Speaker 1>Myself single, which is a bar like honky Tonk super

0:55:08.600 --> 0:55:11.799
<v Speaker 1>country song. Even for my standards, it's country. So those

0:55:11.800 --> 0:55:16.800
<v Speaker 1>are my three singles that were out and um, I

0:55:16.840 --> 0:55:21.080
<v Speaker 1>did not. I didn't. I learn as I go with

0:55:21.120 --> 0:55:27.360
<v Speaker 1>pretty much everything, and um, in two thousand and twelve, also,

0:55:27.840 --> 0:55:31.520
<v Speaker 1>you know, the whole New Faces showcase or whatever. So

0:55:31.640 --> 0:55:34.000
<v Speaker 1>I don't know what that is. I have no clue

0:55:34.040 --> 0:55:38.200
<v Speaker 1>what that is at this point. And I know that

0:55:38.280 --> 0:55:42.240
<v Speaker 1>the labels, the label that I was with, were pushing

0:55:42.280 --> 0:55:45.800
<v Speaker 1>other artists. I guess the labels kind of barter or

0:55:45.840 --> 0:55:49.480
<v Speaker 1>not barter, but like guard for a jockey, for a position,

0:55:49.600 --> 0:55:55.520
<v Speaker 1>they'll put more of their promotion time, money and right. Yeah,

0:55:55.760 --> 0:55:57.920
<v Speaker 1>So they did that with a couple of artists that

0:55:57.960 --> 0:56:02.879
<v Speaker 1>were on Big Machine and public and not me. And

0:56:02.920 --> 0:56:05.000
<v Speaker 1>I had radio people that I had met over the

0:56:05.280 --> 0:56:07.680
<v Speaker 1>you know year that i'd been on the road promoting

0:56:07.680 --> 0:56:10.680
<v Speaker 1>my single that I had kind of really liked and

0:56:10.719 --> 0:56:13.400
<v Speaker 1>like stayed in touch with. And I think I'm pretty

0:56:13.400 --> 0:56:15.680
<v Speaker 1>easy to get along with and I love meeting people

0:56:15.680 --> 0:56:18.080
<v Speaker 1>and making friends, and so I had stayed in touch

0:56:18.120 --> 0:56:19.719
<v Speaker 1>with some of these people. Well, some of these people

0:56:19.719 --> 0:56:22.680
<v Speaker 1>were calling me, going, why is your label not putting

0:56:22.840 --> 0:56:25.560
<v Speaker 1>you up for these things? And I was like, I

0:56:25.600 --> 0:56:27.960
<v Speaker 1>don't even know what you're talking about, but I mean, whatever,

0:56:28.120 --> 0:56:30.400
<v Speaker 1>you know, it happens. I'm not gonna be mad about it,

0:56:30.440 --> 0:56:33.839
<v Speaker 1>like my time will come. That's always think that. And

0:56:33.920 --> 0:56:39.600
<v Speaker 1>so the nomen or whatever it's called come out and

0:56:40.200 --> 0:56:47.680
<v Speaker 1>I'm on the showcase without anything nothing, no help, no bartering,

0:56:47.800 --> 0:56:53.200
<v Speaker 1>no nothing, and whatever it's called. And so I remember

0:56:53.280 --> 0:56:56.120
<v Speaker 1>at that showcase that was when does that happened in

0:56:56.120 --> 0:56:58.359
<v Speaker 1>the spring? Happens now it's like in two days here

0:56:58.400 --> 0:57:03.120
<v Speaker 1>or now. Okay, so it's spring. So I remember we

0:57:03.160 --> 0:57:08.359
<v Speaker 1>did this showcase. It was awesome, and I remember I

0:57:08.360 --> 0:57:12.000
<v Speaker 1>had already put three songs out and I knew it

0:57:12.080 --> 0:57:14.760
<v Speaker 1>wasn't doing what they wanted it to do. And Scott

0:57:14.800 --> 0:57:19.120
<v Speaker 1>came backstage like, you know, oh my god, this was

0:57:19.160 --> 0:57:21.800
<v Speaker 1>the greatest show I've ever seen. If you play, we're

0:57:21.800 --> 0:57:26.080
<v Speaker 1>gonna put another single out, And I said, really, like,

0:57:26.160 --> 0:57:30.120
<v Speaker 1>because I thought I had already kind of felt that,

0:57:30.240 --> 0:57:32.440
<v Speaker 1>like I have a little bit of discernment where I

0:57:32.480 --> 0:57:35.880
<v Speaker 1>can kind of read people and feel the next move

0:57:36.080 --> 0:57:38.400
<v Speaker 1>sort of, and I kind of felt that they weren't

0:57:38.440 --> 0:57:41.040
<v Speaker 1>feeling it anymore. And so when he said that, it

0:57:41.120 --> 0:57:43.000
<v Speaker 1>kind of gave me a second burst of energy where

0:57:43.000 --> 0:57:46.120
<v Speaker 1>I was like, Wow, maybe this is gonna work, you know,

0:57:46.240 --> 0:57:49.200
<v Speaker 1>And I got really excited about it, and then he

0:57:49.240 --> 0:57:52.400
<v Speaker 1>didn't never do it, and I'd asked. I asked about it,

0:57:52.400 --> 0:57:54.760
<v Speaker 1>and he's like, yeah, we decided not too cool, okay,

0:57:55.040 --> 0:57:57.440
<v Speaker 1>all right, and then kind of back to square one.

0:57:58.000 --> 0:58:02.200
<v Speaker 1>Well then two months later he drops me after I've

0:58:02.200 --> 0:58:06.600
<v Speaker 1>been on the news and the two months later, Yeah,

0:58:06.640 --> 0:58:15.680
<v Speaker 1>new Faces means that radio label promote that they believe

0:58:15.760 --> 0:58:17.640
<v Speaker 1>in you and they've kind of annointed you as one

0:58:17.680 --> 0:58:20.240
<v Speaker 1>of the big new faces, like together that I've never

0:58:20.280 --> 0:58:22.920
<v Speaker 1>heard of that happening, and then do that show. And

0:58:22.960 --> 0:58:25.080
<v Speaker 1>then three months after that is or four months after

0:58:25.080 --> 0:58:28.080
<v Speaker 1>that is when I got the ACM nomination without a label,

0:58:28.120 --> 0:58:29.880
<v Speaker 1>without a song on the radio. Yeah, that is a weird,

0:58:30.120 --> 0:58:34.320
<v Speaker 1>like CRS New Faces, big deal, huge deal. Usually people go,

0:58:34.360 --> 0:58:36.000
<v Speaker 1>we need to invest more in that person because obviously

0:58:36.040 --> 0:58:39.680
<v Speaker 1>people believe in them. We drop you two months after

0:58:39.720 --> 0:58:42.680
<v Speaker 1>that ACMs we shall lift you up again. That's a

0:58:42.840 --> 0:58:45.520
<v Speaker 1>pretty up and down a little span of months there. Yeah,

0:58:45.600 --> 0:58:49.920
<v Speaker 1>So it was pretty heavy on my heart. I get it,

0:58:50.040 --> 0:58:52.360
<v Speaker 1>you know, and it was pretty like if I can

0:58:52.440 --> 0:58:55.760
<v Speaker 1>survive that, that's why I laugh now. When you know,

0:58:55.960 --> 0:58:58.560
<v Speaker 1>people try to like, um, give you the lowdown on

0:58:58.600 --> 0:59:01.080
<v Speaker 1>something that's about you know this person you're about to meet.

0:59:01.120 --> 0:59:05.280
<v Speaker 1>Blah blah. I'm like, I got it. Please, I'm good.

0:59:05.520 --> 0:59:08.320
<v Speaker 1>I have handled so much worse than this, Like, you

0:59:08.360 --> 0:59:11.160
<v Speaker 1>have no idea. Do you enjoy playing shows? Now? It

0:59:11.240 --> 0:59:13.040
<v Speaker 1>is my favorite thing on this earth. I feel like

0:59:13.400 --> 0:59:16.520
<v Speaker 1>it's almost like when you talk about certain things, your

0:59:16.520 --> 0:59:18.360
<v Speaker 1>eyes light up, and when you talk about playing now,

0:59:18.720 --> 0:59:22.440
<v Speaker 1>it's almost like you've been reintroduced to how awesome it is.

0:59:22.120 --> 0:59:26.880
<v Speaker 1>It is the only thing on this planet. Okay, I

0:59:26.960 --> 0:59:31.560
<v Speaker 1>play guitar and I write songs. If my entire world

0:59:31.720 --> 0:59:37.440
<v Speaker 1>is taken away from me tomorrow, my band, my house,

0:59:38.000 --> 0:59:42.160
<v Speaker 1>my car, you know, my friends, my family. I still

0:59:42.200 --> 0:59:45.920
<v Speaker 1>have a guitar and I still have a brain, so

0:59:46.800 --> 0:59:51.080
<v Speaker 1>I can literally do this for the rest of my life.

0:59:51.400 --> 0:59:54.760
<v Speaker 1>As long as my fingers work and my brain works,

0:59:55.400 --> 0:59:58.520
<v Speaker 1>I can travel the world and play music. Now that

0:59:58.640 --> 1:00:00.880
<v Speaker 1>being said, I would much prefer to do that with

1:00:00.920 --> 1:00:03.960
<v Speaker 1>my friends. You know, we have a great time together.

1:00:04.120 --> 1:00:06.840
<v Speaker 1>And I'm one of those people that I don't really

1:00:06.880 --> 1:00:08.920
<v Speaker 1>care if I mean, I do care if it's not

1:00:09.000 --> 1:00:13.200
<v Speaker 1>a great like crowd, but I I will do the

1:00:13.240 --> 1:00:16.680
<v Speaker 1>same show whether you're the only person there or if

1:00:16.880 --> 1:00:19.880
<v Speaker 1>you brought three thousand friends with you. I love my job.

1:00:20.280 --> 1:00:22.320
<v Speaker 1>I like six friends, but if I had three thousand,

1:00:22.440 --> 1:00:24.400
<v Speaker 1>we would come. I just don't want you to get confused.

1:00:24.440 --> 1:00:26.640
<v Speaker 1>I don't have that many friends, have like six friends too.

1:00:26.760 --> 1:00:30.800
<v Speaker 1>So I was just in theory saying that if there's

1:00:31.120 --> 1:00:34.960
<v Speaker 1>three thousand people there or three people there, I think

1:00:35.080 --> 1:00:41.840
<v Speaker 1>starting out in bars with drunks, and you know, I

1:00:42.040 --> 1:00:45.720
<v Speaker 1>never assumed that. I when I started, I never assumed

1:00:45.800 --> 1:00:47.520
<v Speaker 1>that would have different kinds of fans. I thought it

1:00:47.520 --> 1:00:49.720
<v Speaker 1>would be like the one lonely guy in the back

1:00:51.000 --> 1:00:57.040
<v Speaker 1>and his drunk girlfriend screaming Tanya Tucker songs at me

1:00:57.280 --> 1:01:00.440
<v Speaker 1>from across the bar, or you know. I thought it

1:01:00.440 --> 1:01:03.560
<v Speaker 1>would be like the random kind of hipsters that would

1:01:03.560 --> 1:01:09.080
<v Speaker 1>show up at the carousel. I never imagined that fans

1:01:10.000 --> 1:01:14.520
<v Speaker 1>would become so instrumental in my life, especially during COVID.

1:01:15.160 --> 1:01:18.200
<v Speaker 1>These people kept us on our they kept a roof

1:01:18.240 --> 1:01:21.960
<v Speaker 1>over my head. I am not exaggerating, like I am

1:01:21.960 --> 1:01:26.320
<v Speaker 1>really not exaggerating. We did they I sold more merch

1:01:27.240 --> 1:01:30.880
<v Speaker 1>Darren COVID then I probably sold the year before that.

1:01:31.920 --> 1:01:36.880
<v Speaker 1>People got you, we got you, you know, And I

1:01:36.960 --> 1:01:40.880
<v Speaker 1>just never figured that. I always knew that fans were

1:01:41.080 --> 1:01:43.040
<v Speaker 1>I mean, obviously the only reason that any of us

1:01:43.080 --> 1:01:45.440
<v Speaker 1>do our job, because if you don't have people listening

1:01:45.440 --> 1:01:47.600
<v Speaker 1>to you, what happens you don't I don't get to

1:01:47.600 --> 1:01:49.640
<v Speaker 1>talk anymore. So I'm saying, if I don't have people,

1:01:50.160 --> 1:01:53.400
<v Speaker 1>you know, listening to me, buying things, whatever, it makes

1:01:53.400 --> 1:01:56.160
<v Speaker 1>it really hard to do things. So I know how

1:01:56.200 --> 1:01:59.640
<v Speaker 1>important they are. I never knew how important they are,

1:02:00.320 --> 1:02:03.000
<v Speaker 1>and COVID really made me see that and made me

1:02:03.080 --> 1:02:06.000
<v Speaker 1>feel it more than anything, and it is. It is

1:02:06.000 --> 1:02:09.720
<v Speaker 1>the best feeling on this planet, knowing that there's random

1:02:09.760 --> 1:02:13.080
<v Speaker 1>people in this world that I've never met, that somehow

1:02:13.360 --> 1:02:17.320
<v Speaker 1>maybe have been touched by anything that I've done, even

1:02:17.360 --> 1:02:19.720
<v Speaker 1>if it's just one thing. Right, I used to have

1:02:19.720 --> 1:02:25.120
<v Speaker 1>guilt about that. Where why Well, and here's the reason why.

1:02:25.200 --> 1:02:27.640
<v Speaker 1>But here's how I figured out that I shouldn't have guilt.

1:02:28.040 --> 1:02:32.040
<v Speaker 1>But I used to have guilt because, like the listeners

1:02:32.040 --> 1:02:33.760
<v Speaker 1>of the show, people who read my books or whatever

1:02:33.760 --> 1:02:37.160
<v Speaker 1>the case is, they've been so generous with lots of

1:02:37.200 --> 1:02:39.320
<v Speaker 1>stuff over my career. And again, I'm just a trailer

1:02:39.320 --> 1:02:41.760
<v Speaker 1>for our kid. I grew up in a really ruled town,

1:02:42.200 --> 1:02:46.800
<v Speaker 1>didn't have anything, and they would always come to shows

1:02:47.000 --> 1:02:49.560
<v Speaker 1>or donate to causes that I believed in and using

1:02:49.560 --> 1:02:51.479
<v Speaker 1>their own time and their own money, and I would

1:02:51.480 --> 1:02:54.880
<v Speaker 1>feel really guilty for the same reason, going, man, they

1:02:54.880 --> 1:02:57.720
<v Speaker 1>don't even know me and they're doing this, but they

1:02:57.760 --> 1:03:01.280
<v Speaker 1>know parts of me that I put out there, and

1:03:01.360 --> 1:03:04.000
<v Speaker 1>I would go mad, just feel bad that they're doing anything. However,

1:03:04.360 --> 1:03:06.160
<v Speaker 1>then I started to go, Okay, well, let me just

1:03:06.200 --> 1:03:09.160
<v Speaker 1>flip the perspective. Here are there people in my life

1:03:09.160 --> 1:03:11.439
<v Speaker 1>that I don't really know that if they were like, hey,

1:03:11.520 --> 1:03:14.320
<v Speaker 1>of course, yeah, there are people that have been an

1:03:14.360 --> 1:03:17.000
<v Speaker 1>influence in my life that I've never met, and if

1:03:17.000 --> 1:03:20.440
<v Speaker 1>they were having a difficult time or a different time,

1:03:20.880 --> 1:03:23.080
<v Speaker 1>and then yeah, and I saw it coming from a

1:03:23.080 --> 1:03:25.439
<v Speaker 1>really authentic place, heck yeah I would have. I would

1:03:25.480 --> 1:03:28.200
<v Speaker 1>have done that for them. So I think that's that

1:03:28.240 --> 1:03:30.400
<v Speaker 1>has a lot to do with heart, your heart too, like,

1:03:30.520 --> 1:03:33.160
<v Speaker 1>because I have a sensitive heart and I feel that

1:03:33.200 --> 1:03:35.600
<v Speaker 1>way too. I feel I think that may be actually

1:03:35.720 --> 1:03:37.240
<v Speaker 1>nail on the head for me. Why I feel that

1:03:37.320 --> 1:03:40.720
<v Speaker 1>way because it's like I wish that I knew them

1:03:40.800 --> 1:03:43.240
<v Speaker 1>all by names so that I could do something for them.

1:03:43.600 --> 1:03:45.760
<v Speaker 1>I struggle with accepting it for a long time. Oh God,

1:03:45.840 --> 1:03:49.000
<v Speaker 1>even accepting accepting them giving to things I cared about

1:03:49.040 --> 1:03:50.840
<v Speaker 1>that were like charities. I still was like, that's your money.

1:03:50.880 --> 1:03:52.680
<v Speaker 1>I can't believe. I couldn't believe I feel guilty or

1:03:52.680 --> 1:03:56.080
<v Speaker 1>even doing it now until I said, well, what I

1:03:56.120 --> 1:03:57.680
<v Speaker 1>do this for people that have been instrumental to me

1:03:57.680 --> 1:04:00.439
<v Speaker 1>and I would if I had it. Yeah, And so

1:04:00.560 --> 1:04:03.880
<v Speaker 1>I don't know. Sometimes I think will have a black heart,

1:04:04.400 --> 1:04:07.600
<v Speaker 1>like a deadheart, like there's just a just been through,

1:04:07.760 --> 1:04:09.880
<v Speaker 1>been through some crap and it's all numb at this point.

1:04:11.080 --> 1:04:14.400
<v Speaker 1>But that to me was what made me feel like

1:04:14.520 --> 1:04:18.440
<v Speaker 1>it's okay. I can one hundred percent get behind that

1:04:18.920 --> 1:04:20.560
<v Speaker 1>because I think that's what it is for me, and

1:04:20.640 --> 1:04:24.520
<v Speaker 1>like you know, I did. I've done fundraisers before for

1:04:24.600 --> 1:04:28.720
<v Speaker 1>I'm a huge animal person. I mean, oh god, um,

1:04:29.640 --> 1:04:31.480
<v Speaker 1>we worked with the Austin Pets Alive on a lee

1:04:31.560 --> 1:04:33.919
<v Speaker 1>me too, Bobby. I mean years and years and years

1:04:33.920 --> 1:04:37.360
<v Speaker 1>and years and years. So good. Yeah, it's an animal

1:04:37.480 --> 1:04:40.000
<v Speaker 1>is like a baby and like it's the most helpless

1:04:40.040 --> 1:04:43.600
<v Speaker 1>thing on this earth. And they don't have a mouth,

1:04:43.760 --> 1:04:46.080
<v Speaker 1>so they don't have words, so they can't tell you

1:04:46.120 --> 1:04:49.800
<v Speaker 1>what's wrong. And it's our job as humans, I think,

1:04:49.840 --> 1:04:51.240
<v Speaker 1>And that's why I feel like I was put on

1:04:51.240 --> 1:04:55.280
<v Speaker 1>this earth is to figure out a way to help animals,

1:04:55.280 --> 1:04:57.880
<v Speaker 1>like I just love animals. And I saw this little

1:04:57.920 --> 1:04:59.800
<v Speaker 1>kittie in Baton Rouge one time and it had been

1:04:59.840 --> 1:05:03.560
<v Speaker 1>hit back car. Its leg was all mingled, Oh oh no,

1:05:03.640 --> 1:05:06.920
<v Speaker 1>this is the best story ever. Okay, and my band

1:05:10.400 --> 1:05:14.400
<v Speaker 1>Sarah McGlocklin starts playing in the background. Go ahead, so um,

1:05:15.480 --> 1:05:19.040
<v Speaker 1>my band goes. I said, y'all, this cat screaming at me.

1:05:19.280 --> 1:05:21.200
<v Speaker 1>It's only looking at me. They were all standing there

1:05:21.200 --> 1:05:24.280
<v Speaker 1>and it's this big, it's like five pounds and it

1:05:24.320 --> 1:05:26.120
<v Speaker 1>was screaming. And I have video of it that I

1:05:26.160 --> 1:05:29.320
<v Speaker 1>will not show you. And and I said, if it's

1:05:29.360 --> 1:05:33.480
<v Speaker 1>alive in the morning, we're doing something. This is on

1:05:33.520 --> 1:05:36.800
<v Speaker 1>its deathbed. And so these two girls pull up and

1:05:36.840 --> 1:05:38.400
<v Speaker 1>we don't have any food in our car. We're in

1:05:38.440 --> 1:05:41.920
<v Speaker 1>the middle of like somewhere, no no gas station, nothing,

1:05:41.960 --> 1:05:44.280
<v Speaker 1>there's no food. None of us had food ad granola bar,

1:05:44.320 --> 1:05:47.520
<v Speaker 1>which wouldn't eat. So I asked these girls panicky. I

1:05:47.560 --> 1:05:48.880
<v Speaker 1>was like, hey, do you have any food for this

1:05:48.920 --> 1:05:50.520
<v Speaker 1>little cat? I think it's about to die. And they

1:05:50.560 --> 1:05:52.880
<v Speaker 1>gave me a waffle, so I got it some water,

1:05:53.000 --> 1:05:56.080
<v Speaker 1>gave it a little waffle, broke it up in little pieces,

1:05:56.480 --> 1:05:58.600
<v Speaker 1>and my drummer called me the next morning at like

1:05:58.640 --> 1:06:02.520
<v Speaker 1>seven o'clock. He goes, yo, your little friend is still outside,

1:06:02.560 --> 1:06:06.480
<v Speaker 1>and I was like, damn, so all right? So I

1:06:06.520 --> 1:06:10.920
<v Speaker 1>got up and I put on Facebook. Hey y'all, there's

1:06:10.920 --> 1:06:14.520
<v Speaker 1>this cat. Here's a picture of it. Do what you do?

1:06:14.760 --> 1:06:18.400
<v Speaker 1>I need. I need a cat rescue in Baton Rouge,

1:06:18.640 --> 1:06:22.800
<v Speaker 1>you know. So within ten minutes this guy has written

1:06:22.840 --> 1:06:26.000
<v Speaker 1>me back. He said, oh, I'm a cat rescue comes

1:06:26.000 --> 1:06:27.800
<v Speaker 1>and gets it. He goes, man, this cat's on its

1:06:27.880 --> 1:06:31.320
<v Speaker 1>last leg literally, and I go, yeah, I know, but

1:06:31.400 --> 1:06:33.640
<v Speaker 1>I can't leave it here to die. It cannot happen.

1:06:33.920 --> 1:06:36.480
<v Speaker 1>I can't do anything with it. Can you just take it?

1:06:36.520 --> 1:06:38.160
<v Speaker 1>And he goes, you know what, I'm gonna call Angel

1:06:38.320 --> 1:06:40.720
<v Speaker 1>Rescue and see if they'll take it. So they take

1:06:40.800 --> 1:06:44.760
<v Speaker 1>this cat. They called me two hours later and like

1:06:44.880 --> 1:06:46.840
<v Speaker 1>the cat needs its leg amputated, and I think will

1:06:46.840 --> 1:06:49.040
<v Speaker 1>be good to go. So I go on Facebook and

1:06:49.040 --> 1:06:52.240
<v Speaker 1>I was like, oh my gosh, all aren't gonna believe this. Wow,

1:06:53.000 --> 1:06:54.880
<v Speaker 1>the cat's gonna be fine as long as they get

1:06:54.880 --> 1:06:56.600
<v Speaker 1>its leg amputated. I was ready to put it on

1:06:56.600 --> 1:06:59.880
<v Speaker 1>my credit card. Someone started a fun thing for it.

1:07:00.120 --> 1:07:03.479
<v Speaker 1>Within minutes, I had six thousand dollars for this cat.

1:07:04.320 --> 1:07:08.640
<v Speaker 1>Long story, short cat is now living the high life.

1:07:09.400 --> 1:07:13.440
<v Speaker 1>It is named Sunny Sweeners and it is living with

1:07:13.480 --> 1:07:18.240
<v Speaker 1>my friend John, who we flew it to DC to

1:07:18.320 --> 1:07:20.520
<v Speaker 1>live with him. He's now moved to Nashville as of

1:07:20.560 --> 1:07:23.280
<v Speaker 1>like two weeks ago, but the cat now lives in Nashville.

1:07:23.720 --> 1:07:27.040
<v Speaker 1>It is the man of the house. It is the

1:07:27.080 --> 1:07:29.680
<v Speaker 1>most gorgeous cat. It has three legs. It walks on

1:07:29.720 --> 1:07:35.320
<v Speaker 1>a leash outside. It is the most gorgeous story. And

1:07:36.040 --> 1:07:38.560
<v Speaker 1>we made T shirts that were you know, I have

1:07:38.600 --> 1:07:40.640
<v Speaker 1>a fan page called the Trophy Room because one of

1:07:40.680 --> 1:07:45.000
<v Speaker 1>my records it is called Trophy And anyway, we made

1:07:45.000 --> 1:07:46.920
<v Speaker 1>these little trophy t shirts for the cat and we

1:07:46.960 --> 1:07:50.360
<v Speaker 1>sold those to give the Animal Rescue that did all

1:07:50.360 --> 1:07:54.520
<v Speaker 1>the work the profits from that and anyway, it's a

1:07:54.600 --> 1:07:56.720
<v Speaker 1>totally story. That's a great story. That's what I needed

1:07:56.720 --> 1:07:58.800
<v Speaker 1>to hear. Yeah, I don't need a mangle cat legged

1:07:58.880 --> 1:08:01.360
<v Speaker 1>in like that. Well, last we saw of it mangle

1:08:01.640 --> 1:08:05.360
<v Speaker 1>then we drove off. Wait what we left it hungry?

1:08:05.040 --> 1:08:10.280
<v Speaker 1>I'm feel sad after the Sunny interview. Mike, you're headed

1:08:10.320 --> 1:08:12.320
<v Speaker 1>to Little Rock because you have a show there. I'm

1:08:12.320 --> 1:08:13.800
<v Speaker 1>gonna just read off some of the cities you're gonna

1:08:13.800 --> 1:08:17.280
<v Speaker 1>be in, Um, Little Rock, Stonewall, Texas, Albany, Fort Worth,

1:08:17.280 --> 1:08:20.800
<v Speaker 1>Oklahoma City, Oklahoma, Houston, Galveston. We're doing a lot of

1:08:20.840 --> 1:08:23.800
<v Speaker 1>a lot down there. Huh. Just actually that's weird this

1:08:23.880 --> 1:08:27.040
<v Speaker 1>month we're in Texas. We're usually not but Galveston though. Oh,

1:08:27.040 --> 1:08:29.160
<v Speaker 1>we're doing a cruise. That's why so many days in

1:08:29.160 --> 1:08:32.200
<v Speaker 1>a row. I was like thank four night, or in Galveston, Austin,

1:08:32.280 --> 1:08:34.600
<v Speaker 1>San Antonio. Listen, you're all over the place. And we

1:08:34.600 --> 1:08:37.559
<v Speaker 1>had talked about the record and the song with Vince

1:08:37.640 --> 1:08:40.200
<v Speaker 1>Gill married alone before you came in. And I love

1:08:40.280 --> 1:08:43.320
<v Speaker 1>Vince Doo. He's the greatest. He's the best singer on

1:08:43.360 --> 1:08:47.240
<v Speaker 1>the planet. Yeah, he's just in just his presence soft

1:08:47.320 --> 1:08:54.040
<v Speaker 1>and also not like reading, not a skin presence. It's

1:08:54.120 --> 1:08:58.360
<v Speaker 1>also like strong and like comforting, and you just know

1:08:58.400 --> 1:09:00.160
<v Speaker 1>he's seen it all. I mean, he plays his was

1:09:00.200 --> 1:09:02.120
<v Speaker 1>the Eagles and then he goes to them. I saw

1:09:02.160 --> 1:09:03.840
<v Speaker 1>him with the Eagles at the Irwin Center. I saw

1:09:03.880 --> 1:09:06.320
<v Speaker 1>him with the Eagles at Bridge. It blew my freaking mind.

1:09:06.520 --> 1:09:09.680
<v Speaker 1>I know. So you guys check out Married Alone. We

1:09:09.680 --> 1:09:11.679
<v Speaker 1>talked about it earlier before you were here. But those

1:09:11.680 --> 1:09:13.559
<v Speaker 1>are a lot of those, if not all of them

1:09:13.560 --> 1:09:15.800
<v Speaker 1>were unreleased songs that you had had Is that is

1:09:15.800 --> 1:09:17.320
<v Speaker 1>that right? Or some of them were what do you

1:09:17.320 --> 1:09:20.439
<v Speaker 1>mean on my album? Yeah? On that married was it

1:09:20.479 --> 1:09:23.439
<v Speaker 1>all new stuff? That Married Alone? Um? It was all

1:09:23.520 --> 1:09:25.639
<v Speaker 1>new songs? But had you had any of them written

1:09:25.640 --> 1:09:28.160
<v Speaker 1>for a long time? Oh? Yeah, yeah, I Um, I

1:09:28.240 --> 1:09:32.440
<v Speaker 1>have a running list of in my phone of songs

1:09:32.560 --> 1:09:35.240
<v Speaker 1>that just some of them are fifteen years old. That's

1:09:35.280 --> 1:09:36.760
<v Speaker 1>what I mean. Like you had him for a long time,

1:09:36.800 --> 1:09:39.559
<v Speaker 1>you just hadn't cut them yet. Yeah. But Mary the

1:09:39.600 --> 1:09:42.960
<v Speaker 1>oldest song you had on there? Um, like that you

1:09:43.000 --> 1:09:44.519
<v Speaker 1>held for so long because it meant so much to you.

1:09:44.600 --> 1:09:46.760
<v Speaker 1>You just could easy. Someday you'll call my name. And

1:09:46.800 --> 1:09:48.880
<v Speaker 1>when do you think you wrote that? I know when

1:09:48.880 --> 1:09:50.880
<v Speaker 1>we wrote it, Me and my friend Brittan wrote that

1:09:51.000 --> 1:09:54.519
<v Speaker 1>in like two thousand and eight. And why did it

1:09:54.560 --> 1:09:57.479
<v Speaker 1>take so long to cut? Because it wasn't good and

1:09:57.560 --> 1:10:00.640
<v Speaker 1>so we rewrote it during COVID. We literally took the

1:10:00.640 --> 1:10:02.920
<v Speaker 1>title and rewrote it during COVID. Well, there was something

1:10:02.960 --> 1:10:05.400
<v Speaker 1>about it that just the chorus was there and we

1:10:05.479 --> 1:10:08.800
<v Speaker 1>knew the chorus was good. Um, but I wanted it

1:10:08.840 --> 1:10:11.160
<v Speaker 1>to be about something else. It was about something and

1:10:11.200 --> 1:10:14.240
<v Speaker 1>we wanted to change the topic of it and so um,

1:10:14.360 --> 1:10:16.880
<v Speaker 1>so we rewrote it over zoomed during COVID and the

1:10:16.960 --> 1:10:18.800
<v Speaker 1>day we wrote it, I was like, cool, that's going

1:10:18.840 --> 1:10:21.679
<v Speaker 1>on our record, Like, it's so weird how that happens?

1:10:21.720 --> 1:10:26.080
<v Speaker 1>Sometimes you just know. And then um, before it even

1:10:26.280 --> 1:10:29.600
<v Speaker 1>came out, that was in that. Do you remember the

1:10:29.640 --> 1:10:31.680
<v Speaker 1>movie that came out over the summer called Vengeance with

1:10:31.760 --> 1:10:34.960
<v Speaker 1>bj Novak? Yes, he's a posts a podcast. Yeah. I

1:10:34.960 --> 1:10:38.519
<v Speaker 1>didn't watch it, but right, yeah, me too, So it

1:10:38.560 --> 1:10:40.400
<v Speaker 1>was in that. They put it in that movie. Well,

1:10:40.400 --> 1:10:41.920
<v Speaker 1>I have to for sure what Mike keep telling me.

1:10:41.960 --> 1:10:44.200
<v Speaker 1>The movie is really good. It's great. And my dad

1:10:44.240 --> 1:10:46.200
<v Speaker 1>and I went for Father's Day last year to New

1:10:46.280 --> 1:10:48.519
<v Speaker 1>York to try back a film festival to see it

1:10:48.560 --> 1:10:52.320
<v Speaker 1>for the first time. That was like the premiere of it. Huh,

1:10:52.680 --> 1:10:54.760
<v Speaker 1>how how do you get in that movie? Who pitches that?

1:10:54.880 --> 1:10:58.880
<v Speaker 1>How's that happened? Um? Somebody hear it. I honestly, it

1:10:58.920 --> 1:11:01.120
<v Speaker 1>was one of those things where I was like, what's

1:11:01.120 --> 1:11:04.479
<v Speaker 1>not even out like how yeah on Earth? How on Earth?

1:11:05.560 --> 1:11:09.080
<v Speaker 1>But yeah, it just got pitched and the music supervisor

1:11:09.160 --> 1:11:11.320
<v Speaker 1>liked it and put it in the rodeo scene. So

1:11:11.439 --> 1:11:14.160
<v Speaker 1>it's pretty wild. That's super cool. How I was really excited.

1:11:14.200 --> 1:11:15.880
<v Speaker 1>That's what I would love to get into, is you

1:11:15.920 --> 1:11:19.120
<v Speaker 1>know that kind of stuff, like get into you know,

1:11:19.200 --> 1:11:22.840
<v Speaker 1>SYNC and like do um TV and film. I have

1:11:22.840 --> 1:11:24.840
<v Speaker 1>a friend who is a songwriter in town and he's like,

1:11:24.880 --> 1:11:26.360
<v Speaker 1>you know, I'm just gonna take this year and dedicate

1:11:26.400 --> 1:11:29.240
<v Speaker 1>it to SYNC. And I was like, so what does

1:11:29.240 --> 1:11:31.000
<v Speaker 1>that mean. He goes, well, I'll started to create these

1:11:31.000 --> 1:11:34.599
<v Speaker 1>relationships with these and so he he kills it. Now

1:11:35.040 --> 1:11:40.080
<v Speaker 1>he writes songs for cruise commercials or movies or whoa, Yeah,

1:11:40.080 --> 1:11:42.679
<v Speaker 1>that's awesome. He was like, you know, I was writing

1:11:42.720 --> 1:11:44.800
<v Speaker 1>a lot of songs and some of them would get

1:11:44.840 --> 1:11:47.920
<v Speaker 1>on hold, maybe one would get cut. Yeah, I'm in

1:11:47.960 --> 1:11:50.200
<v Speaker 1>a pub deal. And he's like, I'm just gonna write

1:11:50.200 --> 1:11:51.720
<v Speaker 1>for SYNC for a year. And now it's like five

1:11:51.760 --> 1:11:53.800
<v Speaker 1>times when he was making and he's also still getting

1:11:54.280 --> 1:11:57.400
<v Speaker 1>control of his life. Yes he does, and he's got

1:11:57.439 --> 1:11:59.120
<v Speaker 1>good joal. Yeah, but if you come off the road,

1:11:59.120 --> 1:12:00.720
<v Speaker 1>you're not gonna be the same, you want us down

1:12:00.760 --> 1:12:03.200
<v Speaker 1>the road. Oh, look, I do everything on the road.

1:12:03.240 --> 1:12:06.400
<v Speaker 1>Everyone's always like, for since day one, people have always

1:12:06.840 --> 1:12:09.240
<v Speaker 1>you know, I do, you know, writing appointments when I'm

1:12:09.240 --> 1:12:12.360
<v Speaker 1>in Nashville or in Austin or whatever. And people are like,

1:12:12.640 --> 1:12:14.639
<v Speaker 1>when you're off the road or when you're on the road,

1:12:14.640 --> 1:12:16.680
<v Speaker 1>do you need to like, you know, just be on

1:12:16.720 --> 1:12:18.559
<v Speaker 1>the road. I was like, no, I do a radio

1:12:18.560 --> 1:12:22.000
<v Speaker 1>show every morning from the road. I write songs on

1:12:22.080 --> 1:12:25.920
<v Speaker 1>the road. I've when I'm under pressure, I am a

1:12:26.080 --> 1:12:31.080
<v Speaker 1>much more like productive person. So the more that I

1:12:31.080 --> 1:12:34.000
<v Speaker 1>can do. That's why I think I don't mind honestly

1:12:34.080 --> 1:12:38.000
<v Speaker 1>doing all of the things because freak though I mean

1:12:38.120 --> 1:12:40.160
<v Speaker 1>probably I am because I'm scared if I don't do

1:12:40.200 --> 1:12:41.680
<v Speaker 1>it won't get done, and if it doesn't get done,

1:12:41.680 --> 1:12:43.280
<v Speaker 1>I'll fail. I'll be a failure again. Do you want

1:12:43.280 --> 1:12:45.840
<v Speaker 1>me to tell you one thing? Though, I definitely am

1:12:45.840 --> 1:12:49.240
<v Speaker 1>a control freak in it's because it's my name. I

1:12:49.320 --> 1:12:50.960
<v Speaker 1>want it done right, and I know if I do

1:12:51.000 --> 1:12:55.120
<v Speaker 1>it, it it will be done right. I have found there

1:12:55.200 --> 1:12:58.960
<v Speaker 1>is my tour manager now is the first person that

1:12:59.080 --> 1:13:03.200
<v Speaker 1>I have ever trust did to do certain things. And

1:13:03.320 --> 1:13:06.880
<v Speaker 1>not only does she do them, she kicks their butt.

1:13:07.640 --> 1:13:13.160
<v Speaker 1>She is It is like having another brain and two

1:13:13.160 --> 1:13:15.839
<v Speaker 1>more sets of hand, you know, like she is a machine.

1:13:16.320 --> 1:13:19.400
<v Speaker 1>She has changed my life so and just so dramatically.

1:13:19.840 --> 1:13:22.559
<v Speaker 1>And her name is Elisa. If you're listening to Lisa,

1:13:23.080 --> 1:13:25.680
<v Speaker 1>she is the best thing that's happened to me as

1:13:25.760 --> 1:13:29.800
<v Speaker 1>far as like being able to delegate something and I

1:13:29.920 --> 1:13:33.040
<v Speaker 1>know with no question in my mind that it will

1:13:33.080 --> 1:13:35.760
<v Speaker 1>get done properly. And if she has a question, she'll

1:13:35.760 --> 1:13:37.000
<v Speaker 1>call me and be like, is this how you want

1:13:37.000 --> 1:13:39.800
<v Speaker 1>it done? Like, actually, no, could you try this? And

1:13:39.800 --> 1:13:41.840
<v Speaker 1>she'd be like, oh my gosh, yeah, that's perfect. It

1:13:42.000 --> 1:13:44.120
<v Speaker 1>is awesome. I feel the same way about Mike, except

1:13:44.120 --> 1:13:45.960
<v Speaker 1>he doesn't ask me if that's how I want it done.

1:13:45.960 --> 1:13:47.040
<v Speaker 1>He just does it better than I would have done

1:13:47.080 --> 1:13:50.160
<v Speaker 1>at the beginning. But I never trusted anybody with anything

1:13:50.200 --> 1:13:52.120
<v Speaker 1>with shows or anything. I was doing that weird ever,

1:13:52.120 --> 1:13:53.600
<v Speaker 1>and I was like, Okay, I'm finally gonna give this

1:13:53.640 --> 1:13:56.360
<v Speaker 1>baby bird to Mike and say yes, but you but

1:13:56.520 --> 1:13:58.360
<v Speaker 1>you then you see it surviving and then all of

1:13:58.400 --> 1:14:02.599
<v Speaker 1>a sudden, not only driving, it's flying around and beating

1:14:02.600 --> 1:14:05.280
<v Speaker 1>people over the head with its wings. Hey I'm here,

1:14:05.840 --> 1:14:07.800
<v Speaker 1>And then I feel less end because Mike's better than

1:14:07.800 --> 1:14:12.679
<v Speaker 1>I am. And he's like, well I would do I dodd. Well, look,

1:14:12.720 --> 1:14:15.839
<v Speaker 1>we've we've been here for hour fifteen minutes. I've enjoyed

1:14:15.880 --> 1:14:19.360
<v Speaker 1>this so much too. You're just a jar of fun.

1:14:20.600 --> 1:14:24.519
<v Speaker 1>You just it's so your spirits just there. Thanks, you know.

1:14:24.600 --> 1:14:28.240
<v Speaker 1>So here's what I'm gonna say. You guys, go follow Sonny.

1:14:28.560 --> 1:14:31.519
<v Speaker 1>She's you know, getting sweenered on Instagram, but you're your

1:14:31.520 --> 1:14:36.000
<v Speaker 1>own name on TikTok, right, yeah, and Facebook, and getting

1:14:36.000 --> 1:14:39.400
<v Speaker 1>sweenered is Twitter and Instagram. Yeah, I'm confused, but I

1:14:39.439 --> 1:14:41.599
<v Speaker 1>got you. It's all on my website. If it's all,

1:14:42.400 --> 1:14:44.439
<v Speaker 1>it's linked on my website, just because I didn't realize

1:14:44.479 --> 1:14:46.360
<v Speaker 1>when I made those names that those would be like,

1:14:46.840 --> 1:14:49.439
<v Speaker 1>I know, so stupid. I wish I could change it now,

1:14:49.600 --> 1:14:52.720
<v Speaker 1>I know. But it's been years in the making that

1:14:52.760 --> 1:14:55.120
<v Speaker 1>we finally met. I know the two of your shows,

1:14:55.720 --> 1:14:58.080
<v Speaker 1>and I've listened to you way before you ever did this.

1:14:58.640 --> 1:15:01.000
<v Speaker 1>When you're back in Austin and mikel was like, hey,

1:15:01.280 --> 1:15:03.439
<v Speaker 1>Sonny's gonna be and I was like, really that, I'm

1:15:03.520 --> 1:15:05.120
<v Speaker 1>so happy, super cool. And then when I saw your

1:15:05.120 --> 1:15:06.680
<v Speaker 1>stuff with the country to call of fame. I was

1:15:06.720 --> 1:15:08.839
<v Speaker 1>going to remember to say it, and then I forgot

1:15:09.280 --> 1:15:11.519
<v Speaker 1>and then we start of talk and then I was like, oh, yeah,

1:15:11.600 --> 1:15:14.360
<v Speaker 1>that's right, and then it got us on to Dami

1:15:14.439 --> 1:15:17.200
<v Speaker 1>Lou Harris. This is all kind of happened organically, which

1:15:17.200 --> 1:15:19.760
<v Speaker 1>is super cool. Yeah, so thank you. You ask really

1:15:19.760 --> 1:15:22.920
<v Speaker 1>good questions too. I don't know that asks anything. I

1:15:23.000 --> 1:15:24.400
<v Speaker 1>just kind of live. But I mean, like you, you

1:15:24.439 --> 1:15:27.920
<v Speaker 1>don't you do ask like the Actually you ask the

1:15:28.040 --> 1:15:31.479
<v Speaker 1>right things. You ask things that make people want to talk. Well,

1:15:31.479 --> 1:15:33.360
<v Speaker 1>I appreciate That's what I When I listened to you,

1:15:33.439 --> 1:15:37.639
<v Speaker 1>I'm always like, oh, that question is going to make

1:15:37.680 --> 1:15:40.240
<v Speaker 1>this person say this. You know, like it's it's good.

1:15:40.280 --> 1:15:42.160
<v Speaker 1>You're really good at your job. I know you know that,

1:15:42.200 --> 1:15:44.439
<v Speaker 1>but like it's really fun. Same to you, You're really

1:15:44.520 --> 1:15:47.320
<v Speaker 1>good at your job. Thank you. So, Mike, anything you

1:15:47.320 --> 1:15:49.639
<v Speaker 1>want to say, could you teach me how to back

1:15:49.720 --> 1:15:52.840
<v Speaker 1>up a trailer? Yes, I want to do it. I

1:15:52.880 --> 1:15:55.519
<v Speaker 1>want to do it on a live feed. I want

1:15:55.520 --> 1:15:57.439
<v Speaker 1>to do that. I mean I have troubled my forward focus,

1:15:57.439 --> 1:15:59.519
<v Speaker 1>so I oh no, it's much easier to back a

1:15:59.600 --> 1:16:02.559
<v Speaker 1>trailer into back a regular car. Yeah, I don't think so,

1:16:02.600 --> 1:16:08.599
<v Speaker 1>because i'd had I'd pull trailers, boats, mowers, and I sucked.

1:16:08.840 --> 1:16:11.440
<v Speaker 1>Really yeah, yeah, I messed up a couple of them.

1:16:12.160 --> 1:16:14.040
<v Speaker 1>I think I could give you some pointers. I'm sure

1:16:14.040 --> 1:16:15.960
<v Speaker 1>you could watch me and like hit your gate on

1:16:15.960 --> 1:16:19.400
<v Speaker 1>the way. Hilarious, hilarious. All right, you guys go follow Sonny.

1:16:19.400 --> 1:16:21.720
<v Speaker 1>Go to Sunny tweeney dot com. The song they just

1:16:21.760 --> 1:16:24.320
<v Speaker 1>went up, Red Door a Girl. It's in Immlu Harris cover.

1:16:24.640 --> 1:16:26.599
<v Speaker 1>And then also her album which we just talked about,

1:16:26.600 --> 1:16:31.720
<v Speaker 1>which came out Middlelisi end of last year September. Yeah, okay, yeah,

1:16:31.720 --> 1:16:33.400
<v Speaker 1>I'm Middleshi end of last year. They kind of last

1:16:33.439 --> 1:16:36.479
<v Speaker 1>that term lash end. Yeah, married alone, and that song

1:16:36.520 --> 1:16:38.240
<v Speaker 1>also has Vince Gill on it and is not only

1:16:38.280 --> 1:16:40.080
<v Speaker 1>just the name of the album. Sonny, thank you, Thank

1:16:40.120 --> 1:16:43.080
<v Speaker 1>you so much. Thanks for listening to the Bobby Cast.

1:16:43.360 --> 1:16:46.080
<v Speaker 1>Share this episode with a friend because they don't pay

1:16:46.120 --> 1:16:46.920
<v Speaker 1>to advertise us.