WEBVTT - Best Bits (Just The Bits) with Morgan: PART 2

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<v Speaker 1>It's the Best Bits of the Week with Morgan Number two.

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<v Speaker 1>What's up everyone? Happy weekend if you're listening to this

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<v Speaker 1>on the weekend, or Happy Weekday if you're listening to

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<v Speaker 1>this during the week. This is the Best Bits podcast.

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<v Speaker 1>I'm Morgan and this is just the Bits. Make sure

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<v Speaker 1>you check out Part one. It's with Eddie this week.

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<v Speaker 1>We always have such fun conversations. We talked about high

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<v Speaker 1>school and our movies we're looking forward to this summer.

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<v Speaker 1>Plus we also shared some things about sports going on

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<v Speaker 1>in our lives right now, So make sure to check

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<v Speaker 1>out Part one with Eddie. Right now, we're going to

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<v Speaker 1>get into the best Bits from this week. Coming in

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<v Speaker 1>at the number seven spot, Mike d shared the top

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<v Speaker 1>five movies he's most anticipating this summer. I don't think

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<v Speaker 1>I said that right. That sounds weird, but it is

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<v Speaker 1>the movies he's most looking forward to seeing in theaters,

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<v Speaker 1>and a lot of them I agree with. There's several

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<v Speaker 1>of them that I hope to get to see very soon,

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<v Speaker 1>especially one of them. That's all I'm gonna say, y'. Also,

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<v Speaker 1>here you go number seven at summertime now asually right, Yeah,

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<v Speaker 1>it's like I mean, I just feel any different. But

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<v Speaker 1>in this summertime, and so with summer, all the big

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<v Speaker 1>blockbusters are coming out. That what's airplane movie called Tom

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<v Speaker 1>Gun came out? The airplane I didn't give a crab whatever.

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<v Speaker 1>Tom Cruise weird me. It's hard for me to like

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<v Speaker 1>any of Tom Cruise movie. Yeah, you have to block

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<v Speaker 1>that out. For Top Guns, I probably will, but I

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<v Speaker 1>did not watch it. But my idea is our movie guy.

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<v Speaker 1>And so Mike, tell everybody what you bought for the summer.

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<v Speaker 1>It's a summer pass to a movie theater subscription. So

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<v Speaker 1>that means what twenty bucks a month? I can go

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<v Speaker 1>see as many movies as I want. Oh not bad,

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<v Speaker 1>that's awesome. That saves so much money. It's so expensive.

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<v Speaker 1>And he loves going up. How many movies you go

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<v Speaker 1>into in a month? I'd probably go to like four

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<v Speaker 1>or five? You get popcorn or anything with that, No,

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<v Speaker 1>I just traight movie. How much does it cost for

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<v Speaker 1>a movie ticket now? Probably like thirteen fourteen bucks? So

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<v Speaker 1>if you go to two, you made your money back easy.

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<v Speaker 1>You're gonna go to two movies a month easily, A movie,

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<v Speaker 1>podcasts a movie. Mike, Yeah, I guess. But you'd probably

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<v Speaker 1>done that anyway. Yeah, whatever, he knows. He's not all

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<v Speaker 1>for the summer, right, Like we still work. It's not

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<v Speaker 1>like school. I think he does this anyone. Oh yeah, yeah,

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<v Speaker 1>you know we're summer vacation. So you have your list

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<v Speaker 1>of what top five movies I'm anticipating this summer. Are

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<v Speaker 1>they all blockbusters? Yes? Big movies? All right? Number five,

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<v Speaker 1>Mike d Jurassic World, Dominion. It's the final in this trilogy,

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<v Speaker 1>but all the original people from the first one they're

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<v Speaker 1>coming back. Dominion. Yeah, what's that mean. It's just the

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<v Speaker 1>name of the movie, so all the people for like,

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<v Speaker 1>is gold Bloom gonna be there? Yeah, if you have

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<v Speaker 1>gold Bloom Samuel and durn I just had never cared.

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<v Speaker 1>I saw the first one. I thought it was fine

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<v Speaker 1>back in the day, but I just haven't watched any

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<v Speaker 1>of the other ones. They're good, they're fine, really, Yeah,

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<v Speaker 1>I don't really care enough. All right, next one Light

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<v Speaker 1>Year so buzz it's yeah, it's like the original story

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<v Speaker 1>of how the real person who inspired the toy, the

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<v Speaker 1>real there's a human Yeah, well it's a cartoon. Yeah,

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<v Speaker 1>it's a cartoon, so it's a fictional person. But he

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<v Speaker 1>would have been. This would have been the movie that

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<v Speaker 1>Andy would have seen that would have inspired him to

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<v Speaker 1>buy the buzz Lightyear toy. Okay. Number three it is Elvis.

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<v Speaker 1>Oh yeah, that one out. So I've been seeing great

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<v Speaker 1>reviews about it, Like some of his family have said

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<v Speaker 1>that they really kind of captured who he was. Apparently

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<v Speaker 1>I got a ten minute standing ovation at the end

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<v Speaker 1>of some film festival, but every year it's like, there

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<v Speaker 1>he stood up right, minutes seventy two minutes. I think

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<v Speaker 1>they just do that craft see how long they can

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<v Speaker 1>stand out. Yeah, I think it's like, all right, stay,

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<v Speaker 1>everybody stand out. Let's just clap towards tired. Um. That

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<v Speaker 1>looks good. Yeah. That comes out on June twenty fourth.

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<v Speaker 1>Is it on streaming services at all our theaters? These

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<v Speaker 1>are all theaters. Gotta give me a subscription thing it

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<v Speaker 1>all right? Number two it is a movie called Nope

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<v Speaker 1>from director Jordan Peel. He did us Nope, Nope, Lesen No,

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<v Speaker 1>but Nope yeah, Nope, scary. Yeah, it's like a modern

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<v Speaker 1>horror movie. He's the guy who did get Out in US.

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<v Speaker 1>I liked his movies, and I don't like scary movies,

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<v Speaker 1>but I like those two. Yeah, they're like psychological thrillers.

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<v Speaker 1>So this is the kind of horror movie I'm really

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<v Speaker 1>into right now. And this is looking like it's to

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<v Speaker 1>be really good. Asking me if I'm gonna watch the theater,

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<v Speaker 1>You're watched in the theater. Nope, okay, nope. What's it

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<v Speaker 1>about done? You know, it's about basically aliens coming down

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<v Speaker 1>and taking over like this California ranch times about every

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<v Speaker 1>girl that I asked to date ages fifteen to twenty six,

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<v Speaker 1>it's not that, not that okay, So aliens come down

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<v Speaker 1>to the ranch. Yeah, I like that. And it comes

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<v Speaker 1>out on July twenty second, all right, and the number

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<v Speaker 1>one movie movie Mike's anticipating this summer. Well, Marvel movies

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<v Speaker 1>are my favorite. And Thor Lovin Dunder comes out on

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<v Speaker 1>July eighth, and I think this is going to be

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<v Speaker 1>one of the best Marvel movies probably in the last

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<v Speaker 1>five years. Thor, I'm kind of lukewarm on the characters.

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<v Speaker 1>I think he's very underrated. I liked the first one

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<v Speaker 1>pretty good, I kind of got bored with him. I

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<v Speaker 1>liked Fat Thor. Oh yeah, that was fat was awesome.

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<v Speaker 1>They should do that lay Yeah, Fat Thor on coming

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<v Speaker 1>at you August third, So he's not fat Thor anymore.

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<v Speaker 1>Now he gets ripped up for this one. He ripped

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<v Speaker 1>up for all of them. What I mean, like in

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<v Speaker 1>the movie you see him go from that transformation from

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<v Speaker 1>fat doors. Oh he has fat Thor in the movie. Yeah,

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<v Speaker 1>he's started in. Sign me up. I'll leave when he's up,

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<v Speaker 1>when he's normal. But I'm in for the first fat part.

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<v Speaker 1>All right, Mike appreciate that. Yeah, there is movie Mike,

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<v Speaker 1>and you check out movie Mike's podcast, which is called

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<v Speaker 1>movie My Movie Podcast. That is it? That is it?

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<v Speaker 1>All right? Mike appreciate that. It's the best bits of

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<v Speaker 1>the week with Morgan. Number two. Everybody has a rough

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<v Speaker 1>day every now and again, Okay, like we just all

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<v Speaker 1>go through it. We're human. And Amy decided to share

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<v Speaker 1>hers with all of us, and it was quite the

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<v Speaker 1>chaotic morning, so much so that the cops showed up

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<v Speaker 1>at our house. So I'm just gonna let her tell

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<v Speaker 1>that story for you. Number six, Okay, let's talk about

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<v Speaker 1>this because Amy comes into the studio freaking out this

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<v Speaker 1>morning because she's like, I think the cops are coming

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<v Speaker 1>to my house. Did they come to your house? Yes?

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<v Speaker 1>What happened. Well, I found out after the fact that

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<v Speaker 1>they did in fact arrive. So my phone wasn't plugged

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<v Speaker 1>in all the way. So you know, I I charge

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<v Speaker 1>my phone at night and I go but the but

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<v Speaker 1>the outlet in the wall, it wasn't plugged into the wall.

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<v Speaker 1>But I didn't know that. So you charge your phone

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<v Speaker 1>into nothing. So I'm thinking all night it's charging. Not

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<v Speaker 1>only that, I decided to listen to, you know, some

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<v Speaker 1>noise making stuff which killed my phone, like it made

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<v Speaker 1>it die way sooner, and I guess in the middle

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<v Speaker 1>of the night my phone died. My alarm to go off.

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<v Speaker 1>I'm shocked. I made it here on time, and so

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<v Speaker 1>I had about five minutes to get ready and get

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<v Speaker 1>out the door. And I opened the door to run

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<v Speaker 1>to the car, and my house alarm goes off. But

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<v Speaker 1>it doesn't go It's more of a more subtle at first.

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<v Speaker 1>It's like it's like giving you the however long to

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<v Speaker 1>enter your code? Ye. Yeah. The only problem is I

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<v Speaker 1>don't know the code for the keypad. I I have

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<v Speaker 1>a I have an app on my phone for my alarm.

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<v Speaker 1>You don't know the code inside your house? I did,

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<v Speaker 1>But when you enter it wrong, and it's not like,

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<v Speaker 1>don't call you yo, Hey, your phone's going off. My

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<v Speaker 1>phone's dead. Remember this is the phone. All of this

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<v Speaker 1>goes back to the fact that my phone is dead.

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<v Speaker 1>So but I if I can again, if I can

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<v Speaker 1>just get out the door, I won't be late to work,

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<v Speaker 1>because what happens if you're late to work, you have

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<v Speaker 1>to go home exactly. We get set home and I'm like,

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<v Speaker 1>I am not gonna be set home and I'm not

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<v Speaker 1>gonna be late on an instant like that. Though. That's one. Yeah,

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<v Speaker 1>but I had no way to call you because time.

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<v Speaker 1>So I just I actually am questioning my judgment at

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<v Speaker 1>this point. But this should also show you how dedicated

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<v Speaker 1>I am to getting here on time. Because this alarm

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<v Speaker 1>just starts blaring like it is loud, like basically, the

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<v Speaker 1>police are coming. Wait, you can hear and you drive off. Oh.

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<v Speaker 1>I get in my car and I'm like, you know what,

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<v Speaker 1>I'm sure like my kids are sleeping. Nobody's woken up

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<v Speaker 1>at this point, and I'm like, well, okay, my husband's

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<v Speaker 1>not there. And so I back out the driveway and

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<v Speaker 1>I had to work and I'm like, with the alarm

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<v Speaker 1>going on, you out of your mind I supposed to do.

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<v Speaker 1>My phone was dead. So listen did you do as

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<v Speaker 1>you go on and plug your phone and it takes

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<v Speaker 1>about two minutes of the little battery to come back.

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<v Speaker 1>Only then you have one percent. And then when you

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<v Speaker 1>get that one percent, you call up here and be like, hey,

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<v Speaker 1>my house alarms going off. I'll be a few minutes later. Yeah.

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<v Speaker 1>I've been thinking about this because again questioning my judgment.

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<v Speaker 1>But I feel like we're all such nervous wrex about

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<v Speaker 1>being late to work that I went into like fight

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<v Speaker 1>or flight, and I, you're not being robbed. I took

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<v Speaker 1>off fight, you went flight. Fight like the anxiety I

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<v Speaker 1>felt around. First of all, my alarm not going off.

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<v Speaker 1>I think I was already just woke up in that mode.

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<v Speaker 1>And then I was doing I was in survival whatever

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<v Speaker 1>I needed to do to take care of myself, which

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<v Speaker 1>included me leaving my house while the alarm is blaring.

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<v Speaker 1>So the cops came to your house, Yeah, so they

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<v Speaker 1>did so, but you're not there, I know, but we

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<v Speaker 1>have someone that gas and kicking the door down. I

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<v Speaker 1>had someone arriving at the house to eventually help out

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<v Speaker 1>with the kids and stuff, and so when she got there,

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<v Speaker 1>the cops were there, and she was like, oh, I

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<v Speaker 1>hadn't even had a chance to call her to tell

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<v Speaker 1>her what happened, because you didn't get here in charge

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<v Speaker 1>your phone. I did, but all it takes twenty minutes

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<v Speaker 1>for me to drive to work and my phone was

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<v Speaker 1>dead the whole time because I don't have a charger

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<v Speaker 1>in my Oh my goodness, how do you not charger

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<v Speaker 1>in your car? Not feeling like a responsible adult right now,

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<v Speaker 1>but trust me, I am just not today. I just

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<v Speaker 1>can't believe you left the house with the alarm going?

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<v Speaker 1>But who did you got here on time? No, I

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<v Speaker 1>hear you. I don't even care about that. What about

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<v Speaker 1>your kids? Who are they didn't wake up? Oh my god,

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<v Speaker 1>even though alarms going off, Thank goodness. I mean now

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<v Speaker 1>I'm worried, like if there's a fire, So what did

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<v Speaker 1>they wake up to the cops going, hey, are you okay? No?

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<v Speaker 1>I think, well, I don't know if Shannon, who helps us?

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<v Speaker 1>I don't know if she got there like a right

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<v Speaker 1>about the same time. I don't know how it happened.

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<v Speaker 1>But she texted me and she's like, so the police

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<v Speaker 1>were here this morning, and like, yeah, yeah, I figured

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<v Speaker 1>that might happen. What so, But you got here and

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<v Speaker 1>charge your phone, and that's when I came on charger.

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<v Speaker 1>I brought mine from the wall and then plugged it in,

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<v Speaker 1>But you didn't plug it into your car. Because you

0:09:33.080 --> 0:09:35.720
<v Speaker 1>can take something the raw. It takes a special cord

0:09:35.760 --> 0:09:40.480
<v Speaker 1>in my car and a cassette player. What's up? Trust me?

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<v Speaker 1>I know my car has the USB and you know

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<v Speaker 1>how new Apple chargers have that teeny tiny because Apple

0:09:47.800 --> 0:09:50.160
<v Speaker 1>likes to change everything and make it difficult, and my

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<v Speaker 1>car doesn't have that. Well, you're okay, everything's good, cops,

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<v Speaker 1>There no charges. You're all clear. Yeah, except for if

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<v Speaker 1>the police happen to be listening to the show right

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<v Speaker 1>now and they realize that's my house, they're probably thinking,

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<v Speaker 1>what kind of a mother are you. I don't think

0:10:03.679 --> 0:10:06.520
<v Speaker 1>it's just a police that think that. I know and

0:10:06.559 --> 0:10:09.680
<v Speaker 1>now I'm telling a girl, but I'm admitting that sometimes

0:10:09.800 --> 0:10:13.200
<v Speaker 1>when we're not in our rational brain, we make decisions

0:10:13.200 --> 0:10:15.080
<v Speaker 1>and nobody was going to get hurt. It doesn't make

0:10:15.080 --> 0:10:17.080
<v Speaker 1>you a bad mom. It just makes you a human

0:10:17.120 --> 0:10:20.720
<v Speaker 1>who didn't make a good decision. But you, at times

0:10:20.960 --> 0:10:26.559
<v Speaker 1>I was frantic, but you at times forget or disregard,

0:10:27.440 --> 0:10:31.960
<v Speaker 1>M where are you going with this human life? Life?

0:10:32.000 --> 0:10:36.560
<v Speaker 1>My children? No? Okay, good? The ability to make quality decisions?

0:10:36.559 --> 0:10:40.480
<v Speaker 1>What but I got here on time? I know, I know,

0:10:40.559 --> 0:10:42.360
<v Speaker 1>but your priorities were a little out of whack at

0:10:42.360 --> 0:10:43.719
<v Speaker 1>that time. You got your car running for like three

0:10:43.760 --> 0:10:46.040
<v Speaker 1>hours when you went in the garage, he's left running. Remember, well,

0:10:46.040 --> 0:10:49.320
<v Speaker 1>I didn't know it was running. I didn't know. You

0:10:49.360 --> 0:10:52.559
<v Speaker 1>don't know what you don't Know's I supposit anyway, So

0:10:52.640 --> 0:10:55.360
<v Speaker 1>if you happen to have something like this happened to

0:10:55.360 --> 0:10:58.040
<v Speaker 1>you today, don't worry. Not alone you probably, I hope

0:10:58.080 --> 0:11:01.280
<v Speaker 1>you are alone. It's not happening a lot. But that's

0:11:01.280 --> 0:11:02.960
<v Speaker 1>a good story, and nobody was heard. I like it.

0:11:03.880 --> 0:11:05.680
<v Speaker 1>Thank you for being vulnerable and sharing that with us. Yeah,

0:11:05.679 --> 0:11:09.400
<v Speaker 1>because I could have kept this all to myself. Yeah,

0:11:09.440 --> 0:11:14.000
<v Speaker 1>you could have just plugged your phone in for I

0:11:14.080 --> 0:11:17.480
<v Speaker 1>mean for three minutes. So if I listen though, but

0:11:17.600 --> 0:11:20.480
<v Speaker 1>all of this was happening because my phone died and

0:11:20.520 --> 0:11:23.040
<v Speaker 1>my alarm didn't go off, that's the irresponsible part. I

0:11:23.040 --> 0:11:25.000
<v Speaker 1>didn't check to see that my charger was plugged into

0:11:25.040 --> 0:11:27.160
<v Speaker 1>the wall. So if I had called here and said, hey,

0:11:27.440 --> 0:11:29.480
<v Speaker 1>I'm gonna be late because I didn't wake up because

0:11:29.480 --> 0:11:31.520
<v Speaker 1>my alarm never went off. That's not what you say. Hey,

0:11:31.520 --> 0:11:33.360
<v Speaker 1>I'm gonna be late. My house alarm was going off

0:11:33.480 --> 0:11:35.280
<v Speaker 1>and cops are coming over here. But I went to

0:11:35.280 --> 0:11:37.280
<v Speaker 1>the origin. The origin is that I let my phone

0:11:37.320 --> 0:11:39.840
<v Speaker 1>die and that's irresponsible. Okay, I needed to get here.

0:11:39.880 --> 0:11:41.719
<v Speaker 1>We'll go home. So when you throw the cops in

0:11:41.760 --> 0:11:43.520
<v Speaker 1>the late story, we're good. Yeah, as long as you

0:11:43.520 --> 0:11:45.040
<v Speaker 1>can prove it. I need a sign slept by the

0:11:45.080 --> 0:11:49.360
<v Speaker 1>cops going I was at your house. It's the best

0:11:49.480 --> 0:11:54.880
<v Speaker 1>bits of the week with Morgan. Number two, Alicia Silverstone

0:11:55.120 --> 0:11:58.160
<v Speaker 1>was with us this week. She virtually called in and

0:11:58.240 --> 0:12:01.200
<v Speaker 1>talked about some of the previous acting roles she's done,

0:12:01.200 --> 0:12:04.240
<v Speaker 1>as well as what all she's changed in her health

0:12:04.320 --> 0:12:08.000
<v Speaker 1>to be able to be this super energetic and positive

0:12:08.000 --> 0:12:11.280
<v Speaker 1>person and very healthy person that she is now. And

0:12:12.000 --> 0:12:14.360
<v Speaker 1>some people are like, what is happening? But I'm telling you,

0:12:14.400 --> 0:12:16.680
<v Speaker 1>this is so cool to hear about because I've always

0:12:16.720 --> 0:12:20.600
<v Speaker 1>been a big believer that food is very important in

0:12:20.640 --> 0:12:23.000
<v Speaker 1>the grand scheme of things with the health of our body.

0:12:23.080 --> 0:12:26.560
<v Speaker 1>So hearing Alicia talk about it was really awesome, especially

0:12:26.559 --> 0:12:29.040
<v Speaker 1>when she talked about some of her previous acting roles.

0:12:29.040 --> 0:12:32.760
<v Speaker 1>So here you go, number five, Alicia, How are you good?

0:12:32.840 --> 0:12:35.160
<v Speaker 1>How are you? A couple things? Here? Your podcast a

0:12:35.280 --> 0:12:40.400
<v Speaker 1>real hell podcast. So what do you eat generally for

0:12:40.440 --> 0:12:44.520
<v Speaker 1>you to stay healthy and for you to heal? Yeah?

0:12:44.640 --> 0:12:48.440
<v Speaker 1>I stopped eating meat dairy s. Well, first it was

0:12:48.480 --> 0:12:51.080
<v Speaker 1>just meat and dairy and that did everything to begin with.

0:12:51.800 --> 0:12:54.199
<v Speaker 1>But then I started to understand even more about health

0:12:54.480 --> 0:12:57.360
<v Speaker 1>and how I could start eating less sugar and less

0:12:57.400 --> 0:13:01.400
<v Speaker 1>processed foods and really eat whole grains. I do a

0:13:01.400 --> 0:13:03.760
<v Speaker 1>lot of rely on Tom's and aspirin and Red Bull.

0:13:04.080 --> 0:13:05.679
<v Speaker 1>I assume red Bulls not really on the list of

0:13:05.720 --> 0:13:09.720
<v Speaker 1>things I should probably be crushing daily exactly. So that

0:13:09.800 --> 0:13:11.800
<v Speaker 1>might be working for you right now, but I don't know.

0:13:12.480 --> 0:13:14.600
<v Speaker 1>Giving you a couple more years, you're gonna have some problems.

0:13:14.840 --> 0:13:19.160
<v Speaker 1>I'm twenty two, but yeah, I'm just I look a

0:13:19.160 --> 0:13:21.240
<v Speaker 1>lot older because all that red Bull and Tom's probably

0:13:22.000 --> 0:13:25.240
<v Speaker 1>just guess and you're not really twenty two, are you? No? God,

0:13:25.320 --> 0:13:28.720
<v Speaker 1>no God, I'm like, say, face, you're so far away,

0:13:28.720 --> 0:13:30.760
<v Speaker 1>you're at a big guest. Yeah, just trust me. It's

0:13:30.760 --> 0:13:33.520
<v Speaker 1>a beautiful, young looking face. It looks twenty two. Well,

0:13:33.600 --> 0:13:35.720
<v Speaker 1>let me. Let me say this. The podcast is called

0:13:35.720 --> 0:13:38.840
<v Speaker 1>the Real Hill Podcast. Yeah. I do want to talk

0:13:38.880 --> 0:13:42.160
<v Speaker 1>about the movie too, because I love apocalyptic movies. Those

0:13:42.160 --> 0:13:44.160
<v Speaker 1>are my favorite kind of movies where I wonder, like,

0:13:44.200 --> 0:13:47.040
<v Speaker 1>after the apocalypse happened, could I survive? That? To me

0:13:47.160 --> 0:13:49.400
<v Speaker 1>is if it's a TV series or a movie like that,

0:13:49.559 --> 0:13:52.160
<v Speaker 1>is that is my genre of movie as Lunchbox, let's

0:13:52.160 --> 0:13:54.760
<v Speaker 1>say here on the show. And so the Last Survivor

0:13:54.880 --> 0:13:56.920
<v Speaker 1>is that it's in that world. Do you think after

0:13:56.920 --> 0:13:59.319
<v Speaker 1>shooting this movie that you would be someone? Because when

0:13:59.320 --> 0:14:01.080
<v Speaker 1>you talk about how you eat and all the plants,

0:14:01.520 --> 0:14:03.439
<v Speaker 1>I feel like you'd be pretty good at this already.

0:14:03.920 --> 0:14:06.160
<v Speaker 1>How would I survive? I have no idea. Yeah, would you?

0:14:06.520 --> 0:14:07.800
<v Speaker 1>I mean after doing the movie, are you like, man,

0:14:07.800 --> 0:14:09.319
<v Speaker 1>I can actually do this or are you like nah,

0:14:09.360 --> 0:14:12.719
<v Speaker 1>I'm good. I like internet and running water. Living off

0:14:12.720 --> 0:14:16.000
<v Speaker 1>the grid is very pleasurable for me when energy, when

0:14:16.000 --> 0:14:18.200
<v Speaker 1>the power goes out and everyone can't use it, it it

0:14:18.320 --> 0:14:21.600
<v Speaker 1>makes me very happy. So yeah, I think I'd be

0:14:21.640 --> 0:14:23.640
<v Speaker 1>okay with all those things, living off the grid and

0:14:24.000 --> 0:14:28.760
<v Speaker 1>managing like that. But our movie Last Survivors is really

0:14:28.800 --> 0:14:32.720
<v Speaker 1>interesting and the relationships are really interesting, and my character

0:14:32.760 --> 0:14:35.800
<v Speaker 1>has left her children to go live in the woods,

0:14:36.200 --> 0:14:39.600
<v Speaker 1>you know, and this farm, and I don't think I

0:14:39.640 --> 0:14:41.800
<v Speaker 1>could do that. I wouldn't leave my baby. Okay, So

0:14:41.840 --> 0:14:43.200
<v Speaker 1>I want to do this if you're cool with it.

0:14:43.400 --> 0:14:45.400
<v Speaker 1>I have a few general questions that I would like

0:14:45.480 --> 0:14:48.800
<v Speaker 1>to ask you about your career and it'll be very quick.

0:14:49.520 --> 0:14:52.280
<v Speaker 1>Are you game? One of fun thing I want to

0:14:52.320 --> 0:14:54.360
<v Speaker 1>tell you before you do that is that I can't

0:14:54.360 --> 0:14:57.440
<v Speaker 1>believe that this little movie Last Survivors that we made

0:14:57.920 --> 0:15:01.120
<v Speaker 1>on a shoe string budget has been number one on

0:15:01.200 --> 0:15:03.000
<v Speaker 1>Hulu for it was on a number one on Hulu

0:15:03.000 --> 0:15:05.520
<v Speaker 1>for like an entire week. And at the same time,

0:15:06.400 --> 0:15:08.920
<v Speaker 1>senior year, this fun movie I did for Netflix was

0:15:09.000 --> 0:15:11.840
<v Speaker 1>number one on Netflix. So I had two number one

0:15:11.880 --> 0:15:14.920
<v Speaker 1>movies at the same time. Yeah, the other movie on

0:15:14.960 --> 0:15:16.840
<v Speaker 1>Netflix is that with Rebel Wilson. I'm just going from

0:15:16.840 --> 0:15:19.560
<v Speaker 1>memory here. Yes, she's so funny. What is it like

0:15:19.680 --> 0:15:21.720
<v Speaker 1>to be Yeah, like, if you're with somebody who's just

0:15:21.880 --> 0:15:24.720
<v Speaker 1>hilarious or are people that we see that we think

0:15:24.760 --> 0:15:27.480
<v Speaker 1>all they're hilarious in movies, they're really not the hilarious

0:15:27.480 --> 0:15:30.480
<v Speaker 1>not on the movie, Like what is that dynamic? Like, well,

0:15:30.480 --> 0:15:35.360
<v Speaker 1>Rebel's just a really clever woman, and she's so when

0:15:35.400 --> 0:15:38.800
<v Speaker 1>I when we weren't shooting, we were just sitting there chatting,

0:15:38.840 --> 0:15:43.280
<v Speaker 1>and she was a very deep, serious person. So yeah,

0:15:43.280 --> 0:15:45.400
<v Speaker 1>I don't think she's walking around just joking around all

0:15:45.400 --> 0:15:49.680
<v Speaker 1>the time. She's very She's got a lot of thoughtful

0:15:49.760 --> 0:15:51.600
<v Speaker 1>things going on in her mind. I think she's studied

0:15:51.600 --> 0:15:53.200
<v Speaker 1>to be a lawyer. At what I think she was

0:15:53.320 --> 0:15:56.720
<v Speaker 1>almost a lawyer. So anyway, I had a really good

0:15:56.720 --> 0:15:59.080
<v Speaker 1>time with her. I just have a little cameo in

0:15:59.120 --> 0:16:01.960
<v Speaker 1>the movie, but I I loved it. Made me laugh

0:16:02.040 --> 0:16:04.240
<v Speaker 1>so hard, this film. It's so fun right here. In

0:16:04.400 --> 0:16:06.560
<v Speaker 1>my final few questions for you, do you know I'm

0:16:06.600 --> 0:16:08.560
<v Speaker 1>gonna you can just say no and be like, that's

0:16:08.560 --> 0:16:11.160
<v Speaker 1>a stupid question. Do you know your first acting credit list?

0:16:11.200 --> 0:16:14.240
<v Speaker 1>About IMDb? Because I did like the research, obviously, but

0:16:14.280 --> 0:16:16.600
<v Speaker 1>I went like, super generic. Do you know the first

0:16:16.600 --> 0:16:18.760
<v Speaker 1>thing they list you is acting in Nick and Me.

0:16:19.120 --> 0:16:21.520
<v Speaker 1>It's The Wonder Years in nineteen ninety two, and I've

0:16:21.560 --> 0:16:24.440
<v Speaker 1>seen every episode. I do not remember you on the show.

0:16:24.560 --> 0:16:27.000
<v Speaker 1>Do you have a memory of filming that show? I

0:16:27.040 --> 0:16:29.080
<v Speaker 1>mean ninety two? The why I'm sure you've done so much.

0:16:29.120 --> 0:16:31.120
<v Speaker 1>I don't remember half the crap I've done last month.

0:16:31.240 --> 0:16:33.800
<v Speaker 1>I wonder if you remember a random Wonder Years episode

0:16:33.800 --> 0:16:37.120
<v Speaker 1>from ninety two, remember Stay, I do remember being in

0:16:37.120 --> 0:16:41.760
<v Speaker 1>the hallway where I shot that and with Fred Kevin

0:16:41.960 --> 0:16:44.240
<v Speaker 1>on the show. I think, right kets Yeah, yeah, okay,

0:16:44.320 --> 0:16:46.480
<v Speaker 1>I just wondered if you knew that's number one. Number two.

0:16:46.560 --> 0:16:50.280
<v Speaker 1>My number two question is so in I guess I

0:16:50.280 --> 0:16:53.960
<v Speaker 1>was in high school Batman Batgirl In Batman, you're a

0:16:53.960 --> 0:16:56.960
<v Speaker 1>batgirl and Batman. But that suit, that suit looks like

0:16:57.000 --> 0:16:59.560
<v Speaker 1>it's super hard to move around and live in, especially

0:16:59.560 --> 0:17:01.920
<v Speaker 1>if you YEA. So how hard is it to actually

0:17:02.000 --> 0:17:03.920
<v Speaker 1>have to function in a suit that seems like it's

0:17:03.960 --> 0:17:06.320
<v Speaker 1>wrapped around your entire body for twelve hours at a time.

0:17:06.800 --> 0:17:09.679
<v Speaker 1>It sucked. We had to put I think we had

0:17:09.680 --> 0:17:14.480
<v Speaker 1>to put baby powder all over ourselves or these stockings underneath,

0:17:14.520 --> 0:17:17.160
<v Speaker 1>I don't remember, but the whole thing was so such

0:17:17.160 --> 0:17:18.919
<v Speaker 1>an ordeal, and when you had to pee, it was

0:17:19.040 --> 0:17:21.760
<v Speaker 1>such a pain in the butt to get the thing off.

0:17:21.800 --> 0:17:25.560
<v Speaker 1>It was so epic and yeah, not fun suit. I'm

0:17:25.600 --> 0:17:29.240
<v Speaker 1>sure they've improved on the suits since. And my final

0:17:29.359 --> 0:17:33.800
<v Speaker 1>question is I you speak French fluently from what I understand,

0:17:33.800 --> 0:17:36.720
<v Speaker 1>and I have a French miner. Now with my French miner,

0:17:36.840 --> 0:17:40.320
<v Speaker 1>I know like six things and that's all. But I

0:17:40.359 --> 0:17:42.160
<v Speaker 1>would like to run a few of those six things

0:17:42.160 --> 0:17:44.800
<v Speaker 1>by you, if you are fluent in French. I am

0:17:44.840 --> 0:17:46.960
<v Speaker 1>not fluid in French. I have no idea where you were.

0:17:47.240 --> 0:17:49.040
<v Speaker 1>Let's try anyway, because I either. So let's see what

0:17:49.080 --> 0:17:55.719
<v Speaker 1>happens here. All right, here we go, h bonjeur, Alicia bonjeou, Bobby,

0:17:56.000 --> 0:17:58.120
<v Speaker 1>She's already better than I am. She said, this fact

0:17:58.200 --> 0:18:01.320
<v Speaker 1>is made up on the internet. Set T Gay? How

0:18:01.359 --> 0:18:04.879
<v Speaker 1>about this? How about this? Is that? How are you?

0:18:04.960 --> 0:18:06.399
<v Speaker 1>I don't know. I just remember saying it over and

0:18:06.400 --> 0:18:10.040
<v Speaker 1>over again, but I don't remember all of our wall.

0:18:11.560 --> 0:18:14.679
<v Speaker 1>All I've got is a kiss kiss pass. Yeah, we're

0:18:14.720 --> 0:18:16.480
<v Speaker 1>about to say she didn't speak confluently, guys, I just

0:18:16.520 --> 0:18:19.480
<v Speaker 1>checked it out. Um, okay, here's what I want to say.

0:18:19.720 --> 0:18:22.000
<v Speaker 1>And you have just been a delight to talk with

0:18:22.119 --> 0:18:24.400
<v Speaker 1>and thank you, and so the two things I want

0:18:24.400 --> 0:18:26.359
<v Speaker 1>you to check out The Real Hill podcast. All the

0:18:26.400 --> 0:18:29.280
<v Speaker 1>episodes are out there. Episode eleven came out on the

0:18:29.280 --> 0:18:31.880
<v Speaker 1>twenty sixth, so it's out. They're all out now. Wow,

0:18:31.920 --> 0:18:33.879
<v Speaker 1>they just all came out, So check them out and

0:18:33.920 --> 0:18:37.560
<v Speaker 1>then check out Last Survivors on Hulu, which is really great.

0:18:37.680 --> 0:18:39.720
<v Speaker 1>The look in the field the movie far surpasses the

0:18:39.760 --> 0:18:41.720
<v Speaker 1>money they spent on it, and that is a testament

0:18:41.760 --> 0:18:44.000
<v Speaker 1>to how great a job you guys did. So Alicia,

0:18:44.080 --> 0:18:45.800
<v Speaker 1>thank you for your time. If you can zoom in

0:18:45.840 --> 0:18:46.919
<v Speaker 1>one more time in my face, I want to leave

0:18:46.920 --> 0:18:48.480
<v Speaker 1>it with this, Eddie your zoom Yeah, check it out.

0:18:48.960 --> 0:18:51.120
<v Speaker 1>Oh you're so okay, yea, thank you? All right there

0:18:51.119 --> 0:18:56.119
<v Speaker 1>she is Alicia Sails telling everybody out by Alsia. Yeah,

0:18:56.119 --> 0:18:59.880
<v Speaker 1>it's the best bits of the week With Morgan. Number two,

0:19:02.280 --> 0:19:05.320
<v Speaker 1>we all felt a little disgusted on the show this week.

0:19:05.480 --> 0:19:09.280
<v Speaker 1>Lunchbox ate AMI's lunch out of the trash can. No,

0:19:09.440 --> 0:19:11.440
<v Speaker 1>not just like eate Amies lunch. He ate it out

0:19:11.480 --> 0:19:13.760
<v Speaker 1>of the trash can. And it was a whole thing

0:19:13.960 --> 0:19:16.120
<v Speaker 1>when I got brought up on the show. And yeah,

0:19:16.160 --> 0:19:18.719
<v Speaker 1>I'm just I'm gonna let you relive this for you.

0:19:19.359 --> 0:19:21.360
<v Speaker 1>Number four. By the way, I hear the lunchbox eat

0:19:21.760 --> 0:19:23.600
<v Speaker 1>food out of the garbage in here. Have you heard,

0:19:23.720 --> 0:19:25.359
<v Speaker 1>lunchbox you were seen eating food out the garbage in

0:19:25.359 --> 0:19:27.919
<v Speaker 1>this room. No Amy, you put some food in the trash. Yes,

0:19:28.040 --> 0:19:30.000
<v Speaker 1>So it was in your office. I threw it away.

0:19:30.000 --> 0:19:31.159
<v Speaker 1>I was doing some work in there, and then I

0:19:31.160 --> 0:19:33.800
<v Speaker 1>came back into the main studio to leave. But on

0:19:33.920 --> 0:19:35.919
<v Speaker 1>my way out, I passed back by your office and

0:19:35.960 --> 0:19:38.400
<v Speaker 1>I see lunch box pulling my food out of the trash.

0:19:38.440 --> 0:19:40.320
<v Speaker 1>I kept walking because I didn't even want to. I

0:19:40.359 --> 0:19:42.679
<v Speaker 1>didn't want to embarrass him. I didn't want to know

0:19:42.720 --> 0:19:44.600
<v Speaker 1>what was going on. Then I thought, well, I'll just,

0:19:45.000 --> 0:19:47.120
<v Speaker 1>you know, send it in a prep later and ask,

0:19:47.480 --> 0:19:49.800
<v Speaker 1>why are you smiling so big? I mean, I did

0:19:49.840 --> 0:19:52.080
<v Speaker 1>eat it a hold night, So why did you see? Though?

0:19:52.080 --> 0:19:53.480
<v Speaker 1>How did you know she put food in the trash?

0:19:53.520 --> 0:19:55.840
<v Speaker 1>Because I was walking in because I needed to use

0:19:56.119 --> 0:19:58.320
<v Speaker 1>your office for something, and she was getting done, and

0:19:58.359 --> 0:19:59.960
<v Speaker 1>she had food and she put it in her bag

0:20:00.240 --> 0:20:02.040
<v Speaker 1>and through in the trash. She was wrapping it all

0:20:02.119 --> 0:20:04.120
<v Speaker 1>up through in the trash. I was like, and there's

0:20:04.160 --> 0:20:06.120
<v Speaker 1>still like four bites left, Like why would you throw

0:20:06.119 --> 0:20:08.439
<v Speaker 1>that away? And so I pulled it out and what

0:20:08.760 --> 0:20:12.200
<v Speaker 1>sounds like a salad? You went into the garbage and

0:20:12.240 --> 0:20:14.720
<v Speaker 1>ad a salad that she'd already eating and thrown away.

0:20:14.600 --> 0:20:17.439
<v Speaker 1>I listen, I would have kept eating too, but I

0:20:17.480 --> 0:20:18.800
<v Speaker 1>was in a hurry. And headed to a meeting, and

0:20:18.800 --> 0:20:20.359
<v Speaker 1>I couldn't take food with me because it would just

0:20:20.400 --> 0:20:22.400
<v Speaker 1>be sitting in my car. So he's not wrong. There

0:20:22.480 --> 0:20:25.920
<v Speaker 1>was still good bites left. Still. Look, I know Amy.

0:20:26.000 --> 0:20:28.320
<v Speaker 1>I know Amy's not spitting on her food or putting

0:20:28.320 --> 0:20:30.200
<v Speaker 1>in her mouth and spitting it out. So I feel

0:20:30.200 --> 0:20:34.119
<v Speaker 1>like Amy's a pretty healthy person. Doesn't like you went

0:20:34.160 --> 0:20:36.720
<v Speaker 1>into the garbage and a half eating salad? Yeah? Yeah,

0:20:36.840 --> 0:20:41.399
<v Speaker 1>did you not have food? Not in any food? Man?

0:20:41.440 --> 0:20:44.040
<v Speaker 1>You watch us eat, see when we put food in

0:20:44.080 --> 0:20:46.360
<v Speaker 1>the trash, and then if you liked what we had

0:20:46.400 --> 0:20:50.280
<v Speaker 1>going after it, I will Yeah, I pay attention. That's

0:20:50.359 --> 0:20:53.879
<v Speaker 1>so weird. But it was a free meal. It was

0:20:53.920 --> 0:20:55.879
<v Speaker 1>really a free snack and didn't fill me up, but

0:20:56.320 --> 0:20:57.880
<v Speaker 1>you know, tied me over so I can get somewhere

0:20:57.920 --> 0:21:00.240
<v Speaker 1>to eat. You found someone else put food in the trash.

0:21:00.280 --> 0:21:02.080
<v Speaker 1>I told you your TikTok angle was always to go

0:21:02.080 --> 0:21:04.600
<v Speaker 1>onto the trash and eat no filment. I just ate

0:21:04.680 --> 0:21:07.320
<v Speaker 1>it and I didn't. I had no idea anybody saw me.

0:21:07.359 --> 0:21:09.040
<v Speaker 1>And when you started talking about I was like, dang,

0:21:09.080 --> 0:21:13.639
<v Speaker 1>I got caught. That's so weird. It's the best bits

0:21:13.680 --> 0:21:18.240
<v Speaker 1>of the week with Morgan. Number two because May is

0:21:18.320 --> 0:21:21.119
<v Speaker 1>now over. That meant we could award an Employee of

0:21:21.119 --> 0:21:23.800
<v Speaker 1>the Month for May. And all I'm gonna say is

0:21:23.800 --> 0:21:27.359
<v Speaker 1>that I'm just so freaking excited. That's it, and that's

0:21:27.440 --> 0:21:29.560
<v Speaker 1>all I can reveal before you listen to this. But

0:21:29.640 --> 0:21:34.439
<v Speaker 1>like also spoiler, you should congratulate me. Here you go,

0:21:34.960 --> 0:21:37.600
<v Speaker 1>number three, it's time to name the employee of the month.

0:21:37.640 --> 0:21:40.399
<v Speaker 1>Here we are first part of June. We got a

0:21:40.520 --> 0:21:43.560
<v Speaker 1>name the MVP of May. By the way, Lunchbox the

0:21:43.560 --> 0:21:46.119
<v Speaker 1>reigning employee the month. Yeah, it feels so good. You

0:21:46.200 --> 0:21:51.640
<v Speaker 1>could you could repeat? I could be here. Had any repeats, Abby, maybe? Yeah,

0:21:53.080 --> 0:21:55.639
<v Speaker 1>just a sympathy. Each month I recognized a member of

0:21:55.720 --> 0:21:58.920
<v Speaker 1>the show twice. Yeah, each month I recognized remember the

0:21:58.960 --> 0:22:02.320
<v Speaker 1>show brought the best content, had the best attitude, went

0:22:02.359 --> 0:22:05.119
<v Speaker 1>above and beyond and all aspects of their role. That

0:22:05.160 --> 0:22:07.639
<v Speaker 1>describes me to a t. Lunchbox won it for the

0:22:07.640 --> 0:22:10.199
<v Speaker 1>first time ever last month. I've been thinking about that

0:22:10.240 --> 0:22:12.320
<v Speaker 1>since I started at Randall's at fifteen years old, the

0:22:12.320 --> 0:22:15.520
<v Speaker 1>grocery store. Well, I got it. Here to put your

0:22:15.520 --> 0:22:18.480
<v Speaker 1>picture frame up in the mid room. Here are the prizes.

0:22:18.600 --> 0:22:20.760
<v Speaker 1>You can spend the wheel of cash where you can

0:22:20.760 --> 0:22:23.920
<v Speaker 1>win anywhere from one dollar to one hundred dollars, except

0:22:24.119 --> 0:22:26.320
<v Speaker 1>there's a catch, but it's a good catch. I'm gonna

0:22:26.320 --> 0:22:29.680
<v Speaker 1>mark out one of these one dollars now it's gonna

0:22:29.720 --> 0:22:34.439
<v Speaker 1>say one hundred and fifty dollars. Yeah, that's what I'm

0:22:34.440 --> 0:22:37.560
<v Speaker 1>talking about. Serious, I'm talking about. That's employ the Month.

0:22:37.600 --> 0:22:39.159
<v Speaker 1>If you win that, you can take a spin of

0:22:39.160 --> 0:22:42.160
<v Speaker 1>the wheel. You can also have self promotion fifteen seconds

0:22:42.200 --> 0:22:44.080
<v Speaker 1>whatever you want to say on the air. Also you'll

0:22:44.080 --> 0:22:45.640
<v Speaker 1>get an Employee the Month post on the Bobby Bone

0:22:45.680 --> 0:22:48.720
<v Speaker 1>Show Instagram. Oh wow, I should get that anyway, you

0:22:50.280 --> 0:22:52.960
<v Speaker 1>if you choose, can have my parking spot. You can

0:22:52.960 --> 0:22:55.200
<v Speaker 1>have the use of my parking spot anytime I'm not here.

0:22:56.600 --> 0:22:59.080
<v Speaker 1>All right, there you go. Lunchbox was the winner for April.

0:22:59.440 --> 0:23:01.199
<v Speaker 1>Now what the deal is. I'll go to you. You You

0:23:01.320 --> 0:23:03.920
<v Speaker 1>have fifteen seconds to read your speech and I'll tell

0:23:03.960 --> 0:23:05.680
<v Speaker 1>you if you're not the Employee the Month or hang

0:23:05.720 --> 0:23:10.480
<v Speaker 1>out for a minute. Okay, Amy, Okay, read me your speech.

0:23:10.880 --> 0:23:15.440
<v Speaker 1>Oh okay, I'm not even sure what to write about anymore.

0:23:16.920 --> 0:23:19.399
<v Speaker 1>Last round of this my rhyme was a bore. But

0:23:19.480 --> 0:23:22.080
<v Speaker 1>since we have to have something to share just in case,

0:23:22.440 --> 0:23:26.520
<v Speaker 1>here's two Employee of the month, finally featuring my face. Well,

0:23:26.560 --> 0:23:29.440
<v Speaker 1>I'm thankful to win. We all know it takes a team.

0:23:29.480 --> 0:23:32.280
<v Speaker 1>There's so much talent on the show. We're bursting at

0:23:32.280 --> 0:23:34.639
<v Speaker 1>the seam. So to each and every one of you

0:23:34.680 --> 0:23:37.280
<v Speaker 1>in this room, this award is for you too, So

0:23:37.359 --> 0:23:41.359
<v Speaker 1>don't look some gloom. Okay, Okay, that's Amy. That's Amy

0:23:41.400 --> 0:23:47.520
<v Speaker 1>speech you said fifteen seconds. Yeah, she went over Amy.

0:23:47.920 --> 0:23:52.560
<v Speaker 1>Yeah you did not win. Okay, ah, yeah, you an't

0:23:52.560 --> 0:23:56.159
<v Speaker 1>good to hang around Lunchbucks. You want already to read it.

0:23:56.280 --> 0:23:57.800
<v Speaker 1>Go and read your speech. Don't want to ruin this.

0:23:57.880 --> 0:23:59.960
<v Speaker 1>But here we go back to back. How do you

0:24:00.160 --> 0:24:02.879
<v Speaker 1>like that? I can't even remember how dominating I was

0:24:02.920 --> 0:24:04.760
<v Speaker 1>this past month, but I know the other people in

0:24:04.760 --> 0:24:07.440
<v Speaker 1>this room have done nothing to dethrone me. A couple

0:24:07.480 --> 0:24:09.600
<v Speaker 1>of tips for the losers in the room. Be funny

0:24:09.600 --> 0:24:11.880
<v Speaker 1>and compelling if you want to be Employee of the month.

0:24:12.200 --> 0:24:14.280
<v Speaker 1>Until then, I will sit up here on my throne

0:24:14.480 --> 0:24:18.080
<v Speaker 1>and look at you, wishing you were me. Wow. You

0:24:18.119 --> 0:24:19.639
<v Speaker 1>felt like it was gonna rhyme, but it just never did.

0:24:19.680 --> 0:24:23.320
<v Speaker 1>He started with it. Yeah, yeah, yeah, Lunchbox, I'm hanging around.

0:24:23.400 --> 0:24:26.760
<v Speaker 1>You are hanging around. I know, hey with not saying

0:24:26.760 --> 0:24:29.520
<v Speaker 1>back to that, how do you like that? Eddie? Read

0:24:29.560 --> 0:24:32.000
<v Speaker 1>me your speech employ the Month. Let's say you win.

0:24:32.080 --> 0:24:33.560
<v Speaker 1>What do you say? Yeah? Yeah, this is how I'm

0:24:33.600 --> 0:24:35.720
<v Speaker 1>gonna start it. Guys. I'm gonna be honest with you.

0:24:35.720 --> 0:24:38.760
<v Speaker 1>I don't think I deserve this award. It's been a

0:24:38.880 --> 0:24:40.919
<v Speaker 1>really weird month for me. You know. I lost the

0:24:40.960 --> 0:24:43.840
<v Speaker 1>easy trivia trs. I'm really bummed about that. I forgot

0:24:43.880 --> 0:24:45.600
<v Speaker 1>to pay my bed at the coffee shop where I

0:24:45.600 --> 0:24:47.800
<v Speaker 1>had to go bark like a dog. I didn't do that.

0:24:47.880 --> 0:24:50.040
<v Speaker 1>Then I eventually did, so I failed on that. Heck,

0:24:50.160 --> 0:24:52.560
<v Speaker 1>I even lost almost lost the State Capital game, but

0:24:52.640 --> 0:24:54.879
<v Speaker 1>thank god. You know, Morgan's not very smart, so she

0:24:54.960 --> 0:24:59.800
<v Speaker 1>lost necessary. I promise I will do better next month.

0:25:00.240 --> 0:25:06.000
<v Speaker 1>So come on, okay, well you're not it. Yeah, kick

0:25:06.040 --> 0:25:09.320
<v Speaker 1>him off for next month. I didn't win this, Morgan.

0:25:09.440 --> 0:25:13.080
<v Speaker 1>You're smart by the way. Ray, Let's say, yeah, Ray

0:25:13.160 --> 0:25:14.639
<v Speaker 1>is the one ear if you were what your speech

0:25:14.680 --> 0:25:18.920
<v Speaker 1>goes like? What? Let's not forget the news story about

0:25:18.920 --> 0:25:22.440
<v Speaker 1>the Alabama jail guard. She was almost awarded the Employee

0:25:22.480 --> 0:25:24.600
<v Speaker 1>of the Month, and then she helped a convicted felon

0:25:24.800 --> 0:25:27.160
<v Speaker 1>escape prison. That's why you have to give this award

0:25:27.160 --> 0:25:29.720
<v Speaker 1>to the right person. Amy went to La and left

0:25:29.760 --> 0:25:32.960
<v Speaker 1>us for dead for multiple days. Lunchbox's best bit was

0:25:33.000 --> 0:25:36.399
<v Speaker 1>calling a motel six about beer cans and pizza. Doctor Bones,

0:25:36.400 --> 0:25:42.600
<v Speaker 1>you're a smart man. This award belongs with Sison. Ray

0:25:44.359 --> 0:25:49.000
<v Speaker 1>You're limited, Morgan. So hey, if morganate's only and you

0:25:49.040 --> 0:25:52.479
<v Speaker 1>win again, Lunchbox, I know, yeah, Okay, I like it

0:25:52.520 --> 0:25:55.480
<v Speaker 1>all right, Okay. I feel so proud to know that

0:25:55.520 --> 0:25:58.200
<v Speaker 1>I finally won this award. This is now the only

0:25:58.240 --> 0:26:00.639
<v Speaker 1>achievement that matters to me. It's an honor to be

0:26:00.720 --> 0:26:03.959
<v Speaker 1>recognized for all of my hard work this month. From Bobby,

0:26:04.119 --> 0:26:06.639
<v Speaker 1>Mike D, Scooba Steve. Thank you to everyone on the

0:26:06.640 --> 0:26:10.720
<v Speaker 1>show and all the listeners, Short and Sweet, Short and Sword.

0:26:10.920 --> 0:26:13.080
<v Speaker 1>I didn't throw any punches. I guess I should have. Yeah,

0:26:13.080 --> 0:26:16.840
<v Speaker 1>I got to fight other people for it. Morgan just

0:26:17.040 --> 0:26:23.479
<v Speaker 1>rude hang around. Wh Wow, Lunchboxing Morgan. I met with

0:26:23.520 --> 0:26:25.720
<v Speaker 1>my team before the show, which is Mike D and

0:26:25.760 --> 0:26:27.560
<v Speaker 1>Scooba Steve. We talked about who we thought should be

0:26:27.600 --> 0:26:33.080
<v Speaker 1>employee of the month. Wow, Lunchbox. Only one person's ever repeated.

0:26:34.200 --> 0:26:36.119
<v Speaker 1>She didn't even get didn't even get in a space

0:26:36.200 --> 0:26:42.760
<v Speaker 1>this time. Abby. Oh yeah, Abby, Dabby, you didn't get it.

0:26:43.920 --> 0:26:46.240
<v Speaker 1>Go ahead, I'm sorry, it's all forgotten. She is, guys

0:26:46.280 --> 0:26:50.919
<v Speaker 1>like her phone's gonna go ahead. Sound okay. It's not

0:26:51.000 --> 0:26:53.399
<v Speaker 1>uneasy task answering hundreds of calls a day, but it

0:26:53.520 --> 0:26:56.639
<v Speaker 1>is super rewarding, like when you help sixth grader Reese

0:26:56.680 --> 0:26:59.400
<v Speaker 1>with their talent show her dreams come true. Their listener

0:26:59.480 --> 0:27:01.800
<v Speaker 1>Merle with his what surprising his wife to a trip

0:27:01.800 --> 0:27:04.720
<v Speaker 1>to Nashville and getting Lunchbox, an acting gig that he

0:27:04.800 --> 0:27:07.919
<v Speaker 1>turns down. So cool anyway, I appreciate all, appreciate all

0:27:07.960 --> 0:27:10.199
<v Speaker 1>the listeners calling in and being loyal, Thank you. But

0:27:10.280 --> 0:27:12.720
<v Speaker 1>you know she doesn't get heavy hang around, no, no,

0:27:12.840 --> 0:27:17.960
<v Speaker 1>wow on. She doesn't get that they come to her.

0:27:18.119 --> 0:27:20.000
<v Speaker 1>I mean that they just call in just to ten

0:27:20.040 --> 0:27:23.480
<v Speaker 1>thousand calls and saves certain ones I don't see. Oh

0:27:23.520 --> 0:27:25.479
<v Speaker 1>my gosh, I could have let up on them. Ry

0:27:25.560 --> 0:27:27.760
<v Speaker 1>could never mind. You're out this time, We'll see you

0:27:27.800 --> 0:27:33.399
<v Speaker 1>next months. Like that, that's all it takes. I mean, hey, Morgan,

0:27:33.440 --> 0:27:35.440
<v Speaker 1>if you win which prize you want? Oh, I want

0:27:35.440 --> 0:27:38.800
<v Speaker 1>to spin the wheel absolutely lunchbox if you repeat what prize.

0:27:38.800 --> 0:27:41.680
<v Speaker 1>Do you want? Oh, I definitely am taking the money. Okay,

0:27:42.119 --> 0:27:47.680
<v Speaker 1>the winner, I've employed of the month. Let's spin the wheel. Wait, wait, yes,

0:27:48.520 --> 0:27:51.800
<v Speaker 1>let's go. Don't even don't even come on, let's go.

0:27:51.960 --> 0:27:54.560
<v Speaker 1>Let's go. You think it's you again? It absolutely is.

0:27:54.720 --> 0:27:58.280
<v Speaker 1>I haven't written down, so I'm not. Absolutely is Morgan

0:27:58.359 --> 0:28:02.560
<v Speaker 1>number two? What did she bring? A lot? Oh, my

0:28:02.760 --> 0:28:06.040
<v Speaker 1>lantern will post on the internet, a great I post

0:28:06.080 --> 0:28:12.480
<v Speaker 1>on Twitter too, Twitter. The winner is yeah, back to

0:28:12.640 --> 0:28:19.920
<v Speaker 1>back jacks, back to back, Michael Jordan, baby lunchbox. Yeah,

0:28:19.960 --> 0:28:26.920
<v Speaker 1>you did not winan where's all the list of things?

0:28:27.320 --> 0:28:32.320
<v Speaker 1>Here we go. Her segment highlights include her smell test

0:28:32.359 --> 0:28:34.760
<v Speaker 1>to see if she had returned from being able to

0:28:34.760 --> 0:28:37.439
<v Speaker 1>smell stuff from COVID. She revealed a major personal detail

0:28:37.480 --> 0:28:39.240
<v Speaker 1>that she and her boyfriend been talking about moving in

0:28:39.240 --> 0:28:42.200
<v Speaker 1>together maybe later on this year. She shared recommendations for

0:28:42.240 --> 0:28:44.880
<v Speaker 1>those shoes that so many listeners keep asking me about

0:28:44.880 --> 0:28:47.560
<v Speaker 1>opos or whatever they're called. She brought us the crazy

0:28:47.560 --> 0:28:49.320
<v Speaker 1>store of someone getting their pursonal and with their phone

0:28:49.360 --> 0:28:52.000
<v Speaker 1>inside of a wedding, and the millennial reviews of Saved

0:28:52.000 --> 0:28:55.080
<v Speaker 1>by the Balance Showshank Redemption, as well as her normal

0:28:55.120 --> 0:28:57.560
<v Speaker 1>digital job, Morgan, that is why you are employer. The

0:28:58.960 --> 0:29:01.720
<v Speaker 1>I also still honest street corner. Okay, that's a punishment.

0:29:01.840 --> 0:29:04.760
<v Speaker 1>That's how you spend the reward for going to the coffeehouse. No,

0:29:04.880 --> 0:29:06.680
<v Speaker 1>it's something you had to do because you watch Hey

0:29:06.760 --> 0:29:09.560
<v Speaker 1>keep talking, crab. It's gonna be good karma for me, Morgan.

0:29:09.640 --> 0:29:11.280
<v Speaker 1>Whatever the lands on is the money you get on

0:29:11.280 --> 0:29:14.280
<v Speaker 1>this wheel. There's one dollar, there's five dollars, there's ten dollars,

0:29:14.280 --> 0:29:18.880
<v Speaker 1>there's twenty dollars, there's one hundred dollars. Where's that hundred

0:29:18.880 --> 0:29:20.840
<v Speaker 1>dollars one hundred fifty? Oh that's up there, and then

0:29:20.880 --> 0:29:25.160
<v Speaker 1>there's now a one hundred and fifty dollars. All right,

0:29:25.200 --> 0:29:27.400
<v Speaker 1>so what's lunch? I'm sure for a dollar? Why it

0:29:27.400 --> 0:29:28.720
<v Speaker 1>doesn't affect you at all. You don't have to give

0:29:28.720 --> 0:29:30.920
<v Speaker 1>your money, I know. But she's rude to me. Okay,

0:29:31.800 --> 0:29:39.400
<v Speaker 1>here we go, let's spend that. Come on, maybe let's

0:29:39.400 --> 0:29:42.360
<v Speaker 1>go one fifty? Why are you jerman Ward? How cool

0:29:42.360 --> 0:29:49.680
<v Speaker 1>would that be? One just sounding dollar saying that's okay?

0:29:49.680 --> 0:29:58.360
<v Speaker 1>It was win the game and one spin or two goom?

0:29:58.960 --> 0:30:03.719
<v Speaker 1>What I was employ the month? Every month is different.

0:30:03.800 --> 0:30:15.080
<v Speaker 1>Oh wait, wait, wait fifty dollars. Wow, I'm gonna pay

0:30:15.120 --> 0:30:18.440
<v Speaker 1>you right now. Morgan, this is your fifty dollars for

0:30:18.480 --> 0:30:20.680
<v Speaker 1>being Employed of the month lunch. What are you saying

0:30:20.680 --> 0:30:22.320
<v Speaker 1>over there? You didn't spend it twice when I was

0:30:22.320 --> 0:30:24.840
<v Speaker 1>Employed of the month. I guess you didn't work as

0:30:24.880 --> 0:30:27.560
<v Speaker 1>hard as that. Yeah, right, mine was out of this world.

0:30:28.160 --> 0:30:32.400
<v Speaker 1>Okay Morgan with the eot M. Money is sent congratulation

0:30:34.520 --> 0:30:36.920
<v Speaker 1>work and now here's the message. Everybody else work harder?

0:30:36.920 --> 0:30:42.600
<v Speaker 1>All right. It's the best bits of the week with Morgan.

0:30:42.720 --> 0:30:47.000
<v Speaker 1>Number two Hot and the number two spots the Keith

0:30:47.120 --> 0:30:50.200
<v Speaker 1>Urban Interview. He came into the studio, brought his guitar,

0:30:50.680 --> 0:30:53.800
<v Speaker 1>talks about so many creative things his career. He talks

0:30:53.880 --> 0:30:56.920
<v Speaker 1>about how he finds balance in his life. And he

0:30:57.080 --> 0:31:00.800
<v Speaker 1>also performed little snippets of covers of different songs. And

0:31:00.920 --> 0:31:03.280
<v Speaker 1>he talks about the song that he thinks is like

0:31:03.320 --> 0:31:06.080
<v Speaker 1>the most romantic of all time and coming from Keith Urban,

0:31:06.520 --> 0:31:08.240
<v Speaker 1>I think we should all listen to it and play

0:31:08.280 --> 0:31:11.520
<v Speaker 1>it for our loved ones. Number two are you doing, buddy?

0:31:11.640 --> 0:31:16.480
<v Speaker 1>I'm good hit playing chord on something there when you're

0:31:16.880 --> 0:31:19.600
<v Speaker 1>at home and you have instruments all over and I

0:31:19.640 --> 0:31:22.720
<v Speaker 1>feel like your mind is always at least when I've

0:31:22.760 --> 0:31:25.080
<v Speaker 1>been around, you've just creating all the time. Will you

0:31:25.120 --> 0:31:26.560
<v Speaker 1>just grab an instrument and be like, oh, I gotta

0:31:26.560 --> 0:31:28.680
<v Speaker 1>get this out of my system, or or no, or

0:31:28.720 --> 0:31:31.000
<v Speaker 1>at home not so much, but if you go down

0:31:31.240 --> 0:31:34.600
<v Speaker 1>into like the studio, that's where you do that. Anywhere,

0:31:35.400 --> 0:31:38.000
<v Speaker 1>do you have instruments strategically placed, like near your toilet

0:31:38.000 --> 0:31:39.400
<v Speaker 1>where you just grab it and be like, I got

0:31:39.400 --> 0:31:41.560
<v Speaker 1>a little song idea here, I've done it one in

0:31:41.560 --> 0:31:44.080
<v Speaker 1>the toilet. But because if I could play like you,

0:31:45.240 --> 0:31:46.959
<v Speaker 1>I think i'd have one everywhere. You would just never

0:31:47.040 --> 0:31:49.840
<v Speaker 1>leave the toilet, that's what you're saying, right, yeah, now

0:31:49.960 --> 0:31:51.840
<v Speaker 1>just hanging there. I do a lot of good work

0:31:52.080 --> 0:31:54.960
<v Speaker 1>in the shower, right, Yes, ideas come in the shower.

0:31:55.200 --> 0:31:57.440
<v Speaker 1>Why do you think that is because you're doing something

0:31:57.440 --> 0:31:59.560
<v Speaker 1>you don't have to think about, and it liberates you

0:31:59.640 --> 0:32:02.120
<v Speaker 1>and it's a good feeling because I feel like I

0:32:02.160 --> 0:32:04.920
<v Speaker 1>get my best at least ideas I feel are strong

0:32:05.360 --> 0:32:08.520
<v Speaker 1>are in the shower, or like ideas for like comedy

0:32:08.560 --> 0:32:11.520
<v Speaker 1>bits or songs for like comedy songs. I'm like, dang,

0:32:11.560 --> 0:32:13.320
<v Speaker 1>But then what if I'm just like sitting on the couch.

0:32:13.360 --> 0:32:16.000
<v Speaker 1>I cannot. I don't have that same like freedom for

0:32:16.040 --> 0:32:19.160
<v Speaker 1>some reason. No, no, I hear you. Where will you

0:32:19.200 --> 0:32:21.520
<v Speaker 1>put yourself? If you're like, all right, I've got like

0:32:21.560 --> 0:32:24.960
<v Speaker 1>three days to create or think, like, where will you

0:32:24.960 --> 0:32:26.560
<v Speaker 1>put yourself to really make sure you can get the

0:32:26.600 --> 0:32:30.600
<v Speaker 1>best out of you? Oh, that's a good question. I'm

0:32:30.600 --> 0:32:33.920
<v Speaker 1>more creative in the morning. I don't really get creative

0:32:34.000 --> 0:32:37.080
<v Speaker 1>crazy late at night unless we're touring, and then I

0:32:37.120 --> 0:32:38.560
<v Speaker 1>find I come off stage and I've got a lot

0:32:38.560 --> 0:32:41.760
<v Speaker 1>of ideas I'd love to get into studio. Sometimes after

0:32:41.800 --> 0:32:45.200
<v Speaker 1>a gig, do you ever line that up? Or is

0:32:45.200 --> 0:32:47.360
<v Speaker 1>it something you just feel randomly? So you can't really

0:32:47.400 --> 0:32:49.720
<v Speaker 1>line a studio up after a show. Oh you can,

0:32:49.960 --> 0:32:53.080
<v Speaker 1>but I haven't done it. I have done it before,

0:32:53.120 --> 0:32:54.640
<v Speaker 1>but I haven't done it in a long time. But

0:32:54.760 --> 0:32:56.880
<v Speaker 1>sometimes that's the when you're in the flow. You know

0:32:56.920 --> 0:33:00.200
<v Speaker 1>you've just come off stage, You're just everything's flowing when

0:33:00.200 --> 0:33:02.400
<v Speaker 1>you're on stage. Do you ever get a couple of

0:33:02.440 --> 0:33:04.480
<v Speaker 1>ideas for a song? Like I have to remember this,

0:33:04.640 --> 0:33:06.760
<v Speaker 1>I'm playing a song that everybody knows, but I just

0:33:06.760 --> 0:33:10.080
<v Speaker 1>had a great idea. Is would you ever jot something

0:33:10.120 --> 0:33:11.920
<v Speaker 1>down or talking to be like, hey, remember the idea here?

0:33:11.920 --> 0:33:13.520
<v Speaker 1>I got a song called a love on a butterfly?

0:33:13.720 --> 0:33:16.360
<v Speaker 1>Or that ever happened? What's the title? Love on a butterfly?

0:33:16.520 --> 0:33:19.280
<v Speaker 1>Love on a butterfly? Play along? I'll sing it for you.

0:33:20.040 --> 0:33:26.880
<v Speaker 1>I was floating early one morning, I was reaching for

0:33:27.080 --> 0:33:33.240
<v Speaker 1>the sky. I didn't know that what I had was

0:33:33.360 --> 0:33:38.360
<v Speaker 1>love on a butterfly? Thank you? Yeah? And it just

0:33:38.360 --> 0:33:41.120
<v Speaker 1>flew away and then it died. Noah, got squatted and died? Yes,

0:33:41.840 --> 0:33:44.520
<v Speaker 1>quick song? Quick song? Does that ever happen where you're

0:33:44.560 --> 0:33:47.720
<v Speaker 1>up there? And I got a great idea, but I

0:33:47.720 --> 0:33:51.560
<v Speaker 1>gotta save it at sound check? It happens a lot,

0:33:52.040 --> 0:33:53.640
<v Speaker 1>not in a gig. I've never had it happening in

0:33:53.680 --> 0:33:55.440
<v Speaker 1>a gig, so it's too many things going on in

0:33:55.480 --> 0:33:58.000
<v Speaker 1>a gig. Will you ever play at a sound check

0:33:58.040 --> 0:33:59.920
<v Speaker 1>and kind of work through a song that you're right?

0:34:00.000 --> 0:34:03.240
<v Speaker 1>I didn't have somebody record it? Yeah? Yeah, yeah, absolutely.

0:34:03.280 --> 0:34:06.240
<v Speaker 1>Any of the good ones come from that. I think

0:34:06.280 --> 0:34:08.319
<v Speaker 1>some riffs have come A lot of riffs have come

0:34:08.400 --> 0:34:11.520
<v Speaker 1>from that. Yeah. Define a riff like a guitar riff,

0:34:11.600 --> 0:34:13.719
<v Speaker 1>or like a vocal no no no no no no

0:34:14.239 --> 0:34:17.239
<v Speaker 1>only above vocal riff. Yeah, melody of some sort, either

0:34:17.280 --> 0:34:20.279
<v Speaker 1>in guitar, singing something like that. After all of these

0:34:20.320 --> 0:34:22.960
<v Speaker 1>awards and years of performing, it still feels to me

0:34:23.640 --> 0:34:28.000
<v Speaker 1>that when you do it like you still find like

0:34:28.120 --> 0:34:33.120
<v Speaker 1>such purpose in performing. Right? Has that gone up or down?

0:34:33.239 --> 0:34:36.600
<v Speaker 1>Or does it? As you move along in your career?

0:34:37.080 --> 0:34:41.719
<v Speaker 1>Does sometimes are you like super excited to go performing? Others?

0:34:41.760 --> 0:34:43.560
<v Speaker 1>Not so much? Like I don't You've just done some

0:34:43.760 --> 0:34:45.680
<v Speaker 1>nice giant I feel the same as I always did,

0:34:45.920 --> 0:34:49.439
<v Speaker 1>like literally zero difference as far as getting on stage

0:34:49.440 --> 0:34:54.600
<v Speaker 1>and playing. How is that possible? It just is? I

0:34:54.640 --> 0:34:57.880
<v Speaker 1>mean literally because where I grew up in Australia, playing

0:34:57.880 --> 0:35:00.360
<v Speaker 1>all the pubs and clubs where you walk out to

0:35:00.400 --> 0:35:02.880
<v Speaker 1>a bunch of crossed arms and people going all right,

0:35:03.000 --> 0:35:05.080
<v Speaker 1>what do you do? Why should I care about this?

0:35:05.200 --> 0:35:07.640
<v Speaker 1>You know? And you've got to come out and get

0:35:07.920 --> 0:35:11.600
<v Speaker 1>get people engaged. That's just in my DNA. So it's

0:35:11.640 --> 0:35:15.560
<v Speaker 1>never changed. But crazy Just indulge me for a second.

0:35:16.160 --> 0:35:20.839
<v Speaker 1>I understand that. But you've been an entertainer of the year,

0:35:21.520 --> 0:35:23.960
<v Speaker 1>multiples you've done at all, and there never becomes a

0:35:23.960 --> 0:35:26.919
<v Speaker 1>point where some of that shakes off and you become

0:35:26.920 --> 0:35:29.480
<v Speaker 1>a little jaded. You have to recheck yourself. No, really,

0:35:29.520 --> 0:35:33.120
<v Speaker 1>I forget every I forget everything in a really good,

0:35:33.239 --> 0:35:35.520
<v Speaker 1>organic way. I don't push it off. I just don't.

0:35:35.560 --> 0:35:37.840
<v Speaker 1>I never think about it. I'm always thinking about the

0:35:37.880 --> 0:35:42.279
<v Speaker 1>next thing always. That is true. I can on a

0:35:42.360 --> 0:35:44.280
<v Speaker 1>very small level of valuch for that, because I remember

0:35:44.280 --> 0:35:46.000
<v Speaker 1>once being with you and you're like, this is my

0:35:46.080 --> 0:35:48.080
<v Speaker 1>album three albums from now, but I'm like, you're just

0:35:48.120 --> 0:35:49.560
<v Speaker 1>putting this one out right now. You're like, yeah, but

0:35:49.600 --> 0:35:52.200
<v Speaker 1>I got this working over here. So when you're putting

0:35:52.200 --> 0:35:57.600
<v Speaker 1>out a project and we're hearing it, you're already three

0:35:57.600 --> 0:36:00.200
<v Speaker 1>steps ahead working on the next thing. Sometimes, but then

0:36:00.200 --> 0:36:01.920
<v Speaker 1>those songs don't and then you know, you go to

0:36:01.960 --> 0:36:04.719
<v Speaker 1>make the next album and those songs don't resonate the

0:36:04.760 --> 0:36:07.480
<v Speaker 1>way they did Thank you before. Do you wish you

0:36:07.480 --> 0:36:09.360
<v Speaker 1>could go back? I'm gonna I'm gonna actually put you

0:36:09.360 --> 0:36:13.040
<v Speaker 1>on this if you could go back and rerecord one

0:36:13.080 --> 0:36:16.040
<v Speaker 1>of your big that's a good question, like, because you

0:36:16.080 --> 0:36:18.479
<v Speaker 1>hear it now and you're like, uh, like, what song

0:36:18.520 --> 0:36:24.040
<v Speaker 1>would you go back and creatively transform? Ah? Wow, that's

0:36:24.080 --> 0:36:27.319
<v Speaker 1>a great question, Bobby. I don't think. I don't think

0:36:27.360 --> 0:36:30.279
<v Speaker 1>about rerecording anything. I just think about certain songs that

0:36:30.320 --> 0:36:33.759
<v Speaker 1>didn't get to be singles, which was a bummer. What

0:36:33.920 --> 0:36:36.759
<v Speaker 1>would be that song off the last album, a song

0:36:36.800 --> 0:36:39.080
<v Speaker 1>called Live with that I really hoped it was going

0:36:39.160 --> 0:36:41.759
<v Speaker 1>to be a single, but we don't really hope. You're

0:36:41.800 --> 0:36:44.240
<v Speaker 1>a Keith Urban. If you wanted to be a single,

0:36:44.280 --> 0:36:47.239
<v Speaker 1>you walk in that office, you put your foot down right,

0:36:47.640 --> 0:36:50.120
<v Speaker 1>and you say, if you don't make this a single, yeah,

0:36:50.160 --> 0:36:52.160
<v Speaker 1>I'm not gonna have an accent anymore. And you give

0:36:52.160 --> 0:36:54.879
<v Speaker 1>what you threaten them. It's something that they didn't see

0:36:54.920 --> 0:36:57.920
<v Speaker 1>coming at all. Right, So if I threatened you with

0:36:57.960 --> 0:37:00.760
<v Speaker 1>how how long it takes songs to to get played,

0:37:02.440 --> 0:37:05.240
<v Speaker 1>what would happen? What would your reaction be? Not my problem,

0:37:05.280 --> 0:37:08.200
<v Speaker 1>That's what I would say. But I would think at

0:37:08.239 --> 0:37:10.160
<v Speaker 1>this point, when you have a favorite song, you could

0:37:10.200 --> 0:37:11.640
<v Speaker 1>just say I want this to be a single and

0:37:11.640 --> 0:37:14.640
<v Speaker 1>they'd have to listen. Yeah, except sometimes you're onto the

0:37:14.680 --> 0:37:18.920
<v Speaker 1>next the next thing you know, it's um. I know

0:37:19.000 --> 0:37:21.160
<v Speaker 1>when we had a song called you Look Good in

0:37:21.239 --> 0:37:22.960
<v Speaker 1>My Shirt it was going to be the next single

0:37:23.040 --> 0:37:26.520
<v Speaker 1>off that album, and we had the first single off

0:37:26.520 --> 0:37:28.799
<v Speaker 1>the next record ready to go. So you go, well,

0:37:28.800 --> 0:37:30.239
<v Speaker 1>do we come with a fifth single or do we

0:37:30.320 --> 0:37:32.080
<v Speaker 1>come with the first single off the next record, and

0:37:32.120 --> 0:37:35.359
<v Speaker 1>so that song just misses. It's it's shot, and you're

0:37:35.360 --> 0:37:38.719
<v Speaker 1>probably so excited about the next project that you more

0:37:38.719 --> 0:37:40.200
<v Speaker 1>times than not just go, let's just go to the

0:37:40.239 --> 0:37:44.160
<v Speaker 1>next one. Right. Yeah. It's unusual right now, isn't it.

0:37:44.200 --> 0:37:46.799
<v Speaker 1>I mean, as far as where songs go, how they live,

0:37:46.800 --> 0:37:50.440
<v Speaker 1>how they get discovered, what's classified a hit song these days,

0:37:50.800 --> 0:37:53.360
<v Speaker 1>there's so many metrics for all of that. It's not

0:37:53.400 --> 0:37:55.400
<v Speaker 1>a straight line like it used to be. When you

0:37:55.440 --> 0:37:57.680
<v Speaker 1>talk about singles and you know you would like this song.

0:37:57.800 --> 0:37:59.239
<v Speaker 1>Did you ever have a song on the label said hey,

0:37:59.320 --> 0:38:01.160
<v Speaker 1>this is the song and you're like, oh, man, I

0:38:01.239 --> 0:38:02.960
<v Speaker 1>like it, but I don't think it's a single, And

0:38:03.000 --> 0:38:05.920
<v Speaker 1>then they went with it and it crushed, and you're like, wow,

0:38:05.960 --> 0:38:08.439
<v Speaker 1>I missed on that one because it's awesome Blue Aunt

0:38:08.480 --> 0:38:11.359
<v Speaker 1>of Color, isn't It's not a song that I didn't

0:38:11.360 --> 0:38:13.200
<v Speaker 1>think it was going to be a single, but I

0:38:13.200 --> 0:38:15.239
<v Speaker 1>had no idea it would resonate the way it did,

0:38:16.080 --> 0:38:18.840
<v Speaker 1>no idea, and the label loved it. And so do

0:38:18.880 --> 0:38:21.280
<v Speaker 1>you just go, okay, because what I do with my bosses,

0:38:21.360 --> 0:38:22.800
<v Speaker 1>you know what, I'm gonna do this one because you

0:38:22.880 --> 0:38:24.640
<v Speaker 1>would like me to do it, But the next time

0:38:24.680 --> 0:38:27.839
<v Speaker 1>I ask for one, like I you owe me one.

0:38:27.880 --> 0:38:29.880
<v Speaker 1>Do you ever do that with them? They will? I

0:38:29.880 --> 0:38:33.640
<v Speaker 1>mean they always default to the letting me sequence things

0:38:33.680 --> 0:38:35.600
<v Speaker 1>the way that I've always done it really right from

0:38:35.640 --> 0:38:41.239
<v Speaker 1>the beginning. But I'm not always right. I get it

0:38:41.280 --> 0:38:43.840
<v Speaker 1>wrong a lot. I don't know. You know interesting you

0:38:43.880 --> 0:38:46.080
<v Speaker 1>know with your show, do you do bits that you go,

0:38:46.239 --> 0:38:47.680
<v Speaker 1>this is going to crush today and you do it

0:38:47.719 --> 0:38:50.480
<v Speaker 1>and it's like okay. I think I approach them all

0:38:50.520 --> 0:38:52.839
<v Speaker 1>like okay, and then we just do what happens, right,

0:38:52.840 --> 0:38:55.160
<v Speaker 1>you know? Um, Yes, there are sometimes where I'm like,

0:38:55.600 --> 0:38:57.720
<v Speaker 1>you must be surprised things that don't work. I would

0:38:57.719 --> 0:39:00.440
<v Speaker 1>think what I can't. So here's the difference. In the studio,

0:39:00.480 --> 0:39:02.279
<v Speaker 1>I can't really tell because I can't see the people.

0:39:02.280 --> 0:39:04.239
<v Speaker 1>But when I'm doing standout right right and I'm like,

0:39:04.400 --> 0:39:08.200
<v Speaker 1>this bit is so funny, right, I will write it

0:39:08.239 --> 0:39:09.920
<v Speaker 1>and be like this's gonna crush, It's gonna crush here,

0:39:09.920 --> 0:39:11.400
<v Speaker 1>it's gonna crush here, and then I do it and

0:39:11.440 --> 0:39:15.799
<v Speaker 1>there's not a peep that to me stunts because I'm like,

0:39:16.080 --> 0:39:18.719
<v Speaker 1>but I've been I've done four hundred shows and I

0:39:18.800 --> 0:39:20.839
<v Speaker 1>at this point, I feel like I can understand what's

0:39:20.840 --> 0:39:22.839
<v Speaker 1>funny and what's not. And then there will be times

0:39:22.880 --> 0:39:24.719
<v Speaker 1>where I don't think a joke is that funny, or

0:39:24.719 --> 0:39:27.520
<v Speaker 1>it's just a throwaway line, and they'll they will die laughing,

0:39:27.640 --> 0:39:30.320
<v Speaker 1>and I'll make a note They're like, oh do that again? Yeah,

0:39:30.320 --> 0:39:34.000
<v Speaker 1>so yes, that again? When you do it again, is

0:39:34.040 --> 0:39:37.600
<v Speaker 1>it as funny? No? No, never, I know, because whatever

0:39:37.680 --> 0:39:41.160
<v Speaker 1>it was that I had then, yeah, yeah that maybe

0:39:41.200 --> 0:39:45.759
<v Speaker 1>the tone, Yeah, maybe, how flippantly I taught, it's never

0:39:45.960 --> 0:39:49.120
<v Speaker 1>quite as funny. You know. There's a great expression that says,

0:39:49.480 --> 0:39:51.800
<v Speaker 1>the only real music is when a baby first cries.

0:39:52.080 --> 0:39:54.120
<v Speaker 1>After that, the baby knows, the mom will come running.

0:39:54.120 --> 0:39:57.279
<v Speaker 1>It's all show business. M it's all you know what

0:39:57.320 --> 0:39:59.960
<v Speaker 1>I mean. Yeah, it's the truth in spontaneity of something.

0:40:00.120 --> 0:40:04.240
<v Speaker 1>That's why I think every show has to have constant spontaneity, flowing,

0:40:04.360 --> 0:40:09.520
<v Speaker 1>not not not myopic repetition of the night before, because

0:40:09.520 --> 0:40:12.680
<v Speaker 1>it doesn't work. It just doesn't work. We've all been

0:40:12.680 --> 0:40:16.160
<v Speaker 1>too shows where we're like, that doesn't that feels a

0:40:16.200 --> 0:40:21.960
<v Speaker 1>little phoned in? As as someone watching like a fan, Yeah, yeah, absolutely,

0:40:22.200 --> 0:40:27.239
<v Speaker 1>I would. Before I got into this art, I don't

0:40:27.239 --> 0:40:29.040
<v Speaker 1>think I ever felt I thought every show was awesome

0:40:29.040 --> 0:40:30.800
<v Speaker 1>and I just but now I can see it. I

0:40:30.840 --> 0:40:32.839
<v Speaker 1>think because I'm so inside of it, I would be like, oh,

0:40:32.840 --> 0:40:36.480
<v Speaker 1>they're not feeling it right now, or but then I

0:40:36.480 --> 0:40:37.960
<v Speaker 1>would talk to like other people that are like, I know,

0:40:38.040 --> 0:40:39.840
<v Speaker 1>this is the greatest show ever. It's it's a weird

0:40:39.920 --> 0:40:43.360
<v Speaker 1>dynamic now watching a show for me because I can't really,

0:40:43.800 --> 0:40:45.680
<v Speaker 1>which is why I don't go to many the last

0:40:45.719 --> 0:40:47.160
<v Speaker 1>five shows I've been to, we're all yours and not

0:40:47.280 --> 0:40:49.239
<v Speaker 1>just watching your window, just watching you play at home.

0:40:49.440 --> 0:40:54.040
<v Speaker 1>That's all I do. Yeah, that was the bushes rustling.

0:40:54.040 --> 0:40:56.680
<v Speaker 1>And let's talk about wild Hearts for a second, because

0:40:56.920 --> 0:40:58.920
<v Speaker 1>here we go, we got another one here. I was

0:40:58.960 --> 0:41:01.760
<v Speaker 1>talking to Brad tur Ercy, who one of the writers

0:41:01.760 --> 0:41:04.040
<v Speaker 1>on the song, and he was complimenting you so much

0:41:04.280 --> 0:41:07.000
<v Speaker 1>as a songwriter because he said, you know, we had

0:41:07.000 --> 0:41:10.920
<v Speaker 1>this song, him and two of my friends Eric Paslay

0:41:10.960 --> 0:41:13.040
<v Speaker 1>and Gen Wayne, like, we had written this song and

0:41:13.120 --> 0:41:17.000
<v Speaker 1>sent it to Keith, and Keith was like, love the

0:41:17.560 --> 0:41:20.160
<v Speaker 1>hook and the melody, and you can tell me if

0:41:20.160 --> 0:41:23.719
<v Speaker 1>this is all true or not. But the verses, some

0:41:23.760 --> 0:41:26.920
<v Speaker 1>of them don't don't fit me. Right now, And you

0:41:26.960 --> 0:41:29.000
<v Speaker 1>were like, can I rewrite it? And he said yeah,

0:41:29.000 --> 0:41:30.520
<v Speaker 1>And then I asked him. I put him on the spot.

0:41:30.560 --> 0:41:32.839
<v Speaker 1>I said, did he rewrite it? Or did he add

0:41:32.880 --> 0:41:35.240
<v Speaker 1>a couple of words? And I knew what his answer

0:41:35.239 --> 0:41:36.680
<v Speaker 1>was gonna be, and he goes, no, he rewrote all

0:41:36.719 --> 0:41:41.200
<v Speaker 1>the verses. And so when that happens, and someone sends

0:41:41.200 --> 0:41:43.440
<v Speaker 1>you a song and you go him dang, like I

0:41:43.960 --> 0:41:47.080
<v Speaker 1>what about this song drew you in? And then what

0:41:47.120 --> 0:41:49.200
<v Speaker 1>did you feel that made you want to change up

0:41:49.200 --> 0:41:52.560
<v Speaker 1>some of the lyrics. I got sent the song by

0:41:52.640 --> 0:41:57.800
<v Speaker 1>Roxy King at Universal and I listened to it and

0:41:58.080 --> 0:42:00.839
<v Speaker 1>I went, I like it, but not staying with me.

0:42:00.920 --> 0:42:04.399
<v Speaker 1>So I passed on the song. And about two weeks later,

0:42:04.440 --> 0:42:07.920
<v Speaker 1>I woke up one morning singing this chorus of a

0:42:07.960 --> 0:42:10.279
<v Speaker 1>song and I go, what what is that malady? And

0:42:10.320 --> 0:42:13.080
<v Speaker 1>it was Wild Hearts? So I got the song back

0:42:13.120 --> 0:42:15.560
<v Speaker 1>out listen to it again, and I went, man, I

0:42:15.640 --> 0:42:19.000
<v Speaker 1>love this chorus, but the verses don't speak to me.

0:42:20.520 --> 0:42:23.799
<v Speaker 1>But it's a really it's a song about chasing your dreams, right,

0:42:23.880 --> 0:42:26.360
<v Speaker 1>you know, going after it no matter what against all odds.

0:42:27.520 --> 0:42:30.480
<v Speaker 1>The verses probably need to be a bit more autobiographical

0:42:30.560 --> 0:42:35.120
<v Speaker 1>for me to make it, make the chorus land properly

0:42:35.160 --> 0:42:37.160
<v Speaker 1>for me. So I called Roxy and I said, do

0:42:37.200 --> 0:42:39.840
<v Speaker 1>you think the writers would be okay if I rewrote

0:42:39.840 --> 0:42:42.360
<v Speaker 1>the verses? I've never done it in my life ever,

0:42:42.080 --> 0:42:46.799
<v Speaker 1>never ever done this, and they were a game for it.

0:42:46.840 --> 0:42:49.480
<v Speaker 1>So they sent me the track with no words, and

0:42:49.520 --> 0:42:51.520
<v Speaker 1>then I just wrote the verses. When you write the

0:42:51.640 --> 0:42:54.000
<v Speaker 1>verses and it's coming from your story, your mind, your heart,

0:42:54.520 --> 0:42:56.760
<v Speaker 1>do they just fall out of you at that point

0:42:57.000 --> 0:42:58.800
<v Speaker 1>or do you just spend a lot, You spend extra

0:42:58.840 --> 0:43:02.960
<v Speaker 1>time because you're also working with someone else's canvas. They

0:43:03.040 --> 0:43:07.880
<v Speaker 1>just had a good structure, so it was just about

0:43:07.880 --> 0:43:11.239
<v Speaker 1>being truthful. So you know, one morning, I literally just

0:43:11.320 --> 0:43:14.320
<v Speaker 1>hit play, got my little pad out, and I'm just writing.

0:43:14.640 --> 0:43:17.480
<v Speaker 1>And I thought, well, if it's about my particular journey,

0:43:17.480 --> 0:43:19.960
<v Speaker 1>where did that start? And I went, well, probably when

0:43:20.000 --> 0:43:21.680
<v Speaker 1>my mom and dad took me to see Johnny Cash

0:43:21.719 --> 0:43:25.000
<v Speaker 1>when I was five. Start there and was like, oh,

0:43:25.040 --> 0:43:27.279
<v Speaker 1>I saw the man in black, spotlight in the air,

0:43:27.320 --> 0:43:29.560
<v Speaker 1>but the boom and then it just it just flowed.

0:43:30.160 --> 0:43:32.000
<v Speaker 1>You saw Johnny Cash at five years old? Now, how

0:43:32.080 --> 0:43:35.399
<v Speaker 1>much of that do you actually remember? I remember well,

0:43:35.400 --> 0:43:38.120
<v Speaker 1>the images I remember are kind of in the song.

0:43:39.640 --> 0:43:43.320
<v Speaker 1>I remember this really the loudest. I mean, you know,

0:43:43.400 --> 0:43:45.040
<v Speaker 1>I'm only five and I met around a lot of

0:43:45.040 --> 0:43:48.080
<v Speaker 1>people in these big settings before. It's like five thousand

0:43:48.080 --> 0:43:55.560
<v Speaker 1>seat hall, drunk, roudy, loud, fun people, really working class

0:43:55.560 --> 0:44:00.400
<v Speaker 1>where I grew up. That was exciting going into the hall.

0:44:00.440 --> 0:44:03.680
<v Speaker 1>I remember it being deafening in the hall. I don't

0:44:03.680 --> 0:44:07.719
<v Speaker 1>know where our seats were, probably up the nosebleeds. And

0:44:07.760 --> 0:44:09.839
<v Speaker 1>then I remember it going pitch black in this big

0:44:09.880 --> 0:44:12.400
<v Speaker 1>spotlight coming across our heads and when you know, when

0:44:12.400 --> 0:44:16.920
<v Speaker 1>you're five, that beam is surreal. I've never seen anything

0:44:16.960 --> 0:44:19.480
<v Speaker 1>like it. And then it's hitting this guy up on

0:44:19.520 --> 0:44:22.040
<v Speaker 1>the stage. Everyone's screaming, going crazy, and then I remember

0:44:22.080 --> 0:44:24.879
<v Speaker 1>looking up at my dad and seeing the way that

0:44:25.000 --> 0:44:28.320
<v Speaker 1>he was looking at this guy on stage, and probably

0:44:28.600 --> 0:44:32.000
<v Speaker 1>I might take a child psychologist to confirm it, probably

0:44:32.400 --> 0:44:34.799
<v Speaker 1>wondering what have I got to do to get my

0:44:34.880 --> 0:44:37.279
<v Speaker 1>dad to look at me that way. So that's why

0:44:37.320 --> 0:44:39.680
<v Speaker 1>that line in there, you know, heard a thousand screams,

0:44:39.680 --> 0:44:43.279
<v Speaker 1>saw my daddy stare is in the song do you

0:44:43.320 --> 0:44:45.640
<v Speaker 1>know a lot of Johnny Cash stuff? Since that was

0:44:45.680 --> 0:44:49.040
<v Speaker 1>such an imprint, like did it as a young kid,

0:44:49.040 --> 0:44:50.680
<v Speaker 1>did you? I want to also learned some stuff from

0:44:50.719 --> 0:44:54.640
<v Speaker 1>Johnny Cash. I learned a few of his songs, for sure,

0:44:54.680 --> 0:44:57.400
<v Speaker 1>But I mean that voice is so unique and I

0:44:57.440 --> 0:45:00.640
<v Speaker 1>didn't have that, not when I I started singing a

0:45:00.680 --> 0:45:02.600
<v Speaker 1>plane at six seven, eight years old, I sound like

0:45:02.640 --> 0:45:05.799
<v Speaker 1>Dolly Potton I did. I could sing in her key,

0:45:06.080 --> 0:45:08.879
<v Speaker 1>you know, so I sang all of her songs. What

0:45:08.960 --> 0:45:10.759
<v Speaker 1>was your front yard like? As a kid? I wonder

0:45:10.760 --> 0:45:13.000
<v Speaker 1>what you're like? You're you think back and it's hard

0:45:13.000 --> 0:45:15.399
<v Speaker 1>for me to think and remember anything earlier than five

0:45:15.480 --> 0:45:17.279
<v Speaker 1>years old, Like that's probably where it starts for me.

0:45:17.440 --> 0:45:19.279
<v Speaker 1>But like, what was what was the front yard like

0:45:19.640 --> 0:45:23.120
<v Speaker 1>at your house? I always think we confuse memories with

0:45:23.160 --> 0:45:27.799
<v Speaker 1>photographs and vice versa. M We moved around all the time,

0:45:28.280 --> 0:45:31.040
<v Speaker 1>never owned a house, just rented and moved from house

0:45:31.040 --> 0:45:33.080
<v Speaker 1>to house to house all the time, so it is

0:45:33.120 --> 0:45:36.680
<v Speaker 1>a constant change front Yeah, do you have a home

0:45:36.760 --> 0:45:38.960
<v Speaker 1>that you feel like? Is like if I were, like,

0:45:39.120 --> 0:45:41.120
<v Speaker 1>what's the house you consider yourself that you grew up in?

0:45:41.239 --> 0:45:43.439
<v Speaker 1>Do you can you picture that house? Or again? Were

0:45:43.440 --> 0:45:46.000
<v Speaker 1>you moving so much? We moved all the time. I

0:45:46.040 --> 0:45:50.240
<v Speaker 1>went to six different schools and about five years thanks

0:45:50.280 --> 0:45:56.080
<v Speaker 1>six schools. So did you learn how to moving so much?

0:45:56.239 --> 0:45:58.360
<v Speaker 1>Meeting a lot of new people? You constantly had to

0:45:58.400 --> 0:46:01.680
<v Speaker 1>make new friends. Did that make you withdraw more into

0:46:01.840 --> 0:46:05.040
<v Speaker 1>music or did it create some sort of you can

0:46:05.040 --> 0:46:07.359
<v Speaker 1>now blend in with anyone and you can now kind

0:46:07.360 --> 0:46:09.640
<v Speaker 1>of assimilate no problem. I think it was a bit

0:46:09.640 --> 0:46:12.719
<v Speaker 1>of both. And the guitar was really helpful. You know,

0:46:12.760 --> 0:46:15.680
<v Speaker 1>it's a physical thing. It's like the security blanket right

0:46:15.719 --> 0:46:18.520
<v Speaker 1>there in front of you, this little protective field. So

0:46:19.080 --> 0:46:23.400
<v Speaker 1>it was helpful for that, and it had mixed benefits.

0:46:24.160 --> 0:46:27.279
<v Speaker 1>When you're a boy in a school and you play

0:46:27.320 --> 0:46:29.480
<v Speaker 1>the guitar and sing and have long hair like I did,

0:46:30.160 --> 0:46:34.560
<v Speaker 1>it's a mixed blessing. Were you a small kid, yeah?

0:46:34.920 --> 0:46:38.560
<v Speaker 1>When did you grow Tuesday? Yes? I felt that one.

0:46:38.560 --> 0:46:40.480
<v Speaker 1>I kind of set you up for that one right there. Yes,

0:46:40.840 --> 0:46:43.440
<v Speaker 1>I'm here. So here's the three things I want to know.

0:46:43.520 --> 0:46:48.200
<v Speaker 1>What makes you happy? Personal? Professional? And then you get

0:46:48.239 --> 0:46:49.839
<v Speaker 1>kind of a grab bag. You can pick whatever you want.

0:46:49.840 --> 0:46:52.520
<v Speaker 1>But so what makes you genuinely happy? Right now? Keith Urban,

0:46:52.960 --> 0:46:55.920
<v Speaker 1>who we see has it all right, but seeing it

0:46:56.000 --> 0:46:58.960
<v Speaker 1>isn't always real life, right, It definitely isn't at all.

0:46:59.320 --> 0:47:01.600
<v Speaker 1>But what makes you happy right now at this stage

0:47:01.600 --> 0:47:08.080
<v Speaker 1>of your career, in your life all of it. The

0:47:08.760 --> 0:47:15.000
<v Speaker 1>balance that I've that I've found and can maintain better

0:47:15.000 --> 0:47:19.880
<v Speaker 1>than ever between work and home life because it's you know,

0:47:20.160 --> 0:47:25.000
<v Speaker 1>it's complicated for anybody. Family work different. You've only got

0:47:25.040 --> 0:47:27.839
<v Speaker 1>so much of your time. Where does it go? How

0:47:27.920 --> 0:47:29.920
<v Speaker 1>much do you give to writing songs, being with your family,

0:47:29.960 --> 0:47:34.839
<v Speaker 1>touring in this? You know? So I think being able

0:47:34.880 --> 0:47:37.319
<v Speaker 1>to balance that better than I used to. So what's

0:47:37.360 --> 0:47:39.520
<v Speaker 1>the key thing? Because that's honestly the biggest struggle that

0:47:39.560 --> 0:47:42.000
<v Speaker 1>I have right now. Right, been married a year basically,

0:47:42.360 --> 0:47:45.759
<v Speaker 1>and my struggle is figuring out how to balance because

0:47:45.760 --> 0:47:48.960
<v Speaker 1>I've never had to balance right, right, I've been extremely

0:47:48.960 --> 0:47:51.000
<v Speaker 1>selfish and that it's just always been about me. It's

0:47:51.080 --> 0:47:52.600
<v Speaker 1>not that I want to keep everything, but it's like

0:47:52.640 --> 0:47:54.919
<v Speaker 1>I only have to worry about me my whole life. Yeah,

0:47:55.000 --> 0:47:57.920
<v Speaker 1>and now I don't just have to worry about me.

0:47:58.000 --> 0:48:01.200
<v Speaker 1>It's worry. I have to actually care and like want

0:48:01.400 --> 0:48:03.960
<v Speaker 1>to lift the other person up, right, my wife? So

0:48:04.200 --> 0:48:06.520
<v Speaker 1>what's what's that advice you would give me them? Because

0:48:06.520 --> 0:48:11.800
<v Speaker 1>balance is tough for me? Yeah, Well, it's never achieved,

0:48:11.800 --> 0:48:15.200
<v Speaker 1>it's just maintained. And that to me was a shock, Like,

0:48:15.320 --> 0:48:16.759
<v Speaker 1>you mean, I got to do it all the time,

0:48:17.640 --> 0:48:21.600
<v Speaker 1>Like I wasn't used to maintaining anything. It's terrible at it. Yeah,

0:48:21.680 --> 0:48:26.160
<v Speaker 1>given stuff up or passing opportunities has been a very

0:48:26.160 --> 0:48:28.080
<v Speaker 1>difficult one because I feel like I've just worked so

0:48:28.120 --> 0:48:30.120
<v Speaker 1>hard to get any opportunity at all, right, just scratch

0:48:30.160 --> 0:48:32.160
<v Speaker 1>and clawing, and then you start to get them and

0:48:32.200 --> 0:48:34.920
<v Speaker 1>then now I'm going, you know what, maybe I shouldn't

0:48:34.920 --> 0:48:36.560
<v Speaker 1>do this, because what I can do is I can

0:48:36.600 --> 0:48:40.120
<v Speaker 1>spend create some balance. But that's been very difficult. Was

0:48:40.160 --> 0:48:42.279
<v Speaker 1>that something with you where you're like, hey, I go

0:48:42.320 --> 0:48:45.360
<v Speaker 1>do this show or this, but but this is also

0:48:45.440 --> 0:48:48.640
<v Speaker 1>as important because I'm investing into the relationship. Was that

0:48:49.120 --> 0:48:51.600
<v Speaker 1>just a place that you got to one day and

0:48:51.600 --> 0:48:54.000
<v Speaker 1>it made sense or is that still something you constantly

0:48:54.239 --> 0:48:58.960
<v Speaker 1>have to focus on sort of a bit of everything.

0:48:59.200 --> 0:49:02.640
<v Speaker 1>I mean it constant, I'm not definitely. Stuff goes out

0:49:02.640 --> 0:49:05.200
<v Speaker 1>of whack, you know, all the time, and I think

0:49:05.239 --> 0:49:07.880
<v Speaker 1>the only difference is the speed of which I correct things,

0:49:08.719 --> 0:49:10.920
<v Speaker 1>or the fact that I actually do correct it. You know,

0:49:11.080 --> 0:49:12.920
<v Speaker 1>That's the thing that's changed in my life. I never

0:49:13.040 --> 0:49:17.480
<v Speaker 1>used to recognize things falling out of balance. It's terrible.

0:49:17.560 --> 0:49:20.040
<v Speaker 1>How do you recognize it now? Because I'm told that's

0:49:20.040 --> 0:49:24.440
<v Speaker 1>how I recognize it. I'm sorry, I'm learning. Yes. And

0:49:24.480 --> 0:49:26.799
<v Speaker 1>then you just have this feeling that happens where you

0:49:26.800 --> 0:49:29.000
<v Speaker 1>start to be with somebody that you go I can

0:49:29.080 --> 0:49:32.080
<v Speaker 1>feel like I've completely I'm dropping the ball here. I

0:49:32.160 --> 0:49:34.160
<v Speaker 1>just feel like all the time. But it's when I don't,

0:49:34.520 --> 0:49:36.440
<v Speaker 1>I'm like, oh, I'm actually doing pretty good here, right,

0:49:36.840 --> 0:49:40.320
<v Speaker 1>Keith here? What have you learned in your year of marriage? Bobby, Um,

0:49:40.360 --> 0:49:43.520
<v Speaker 1>that's a great question. A lot. I have learned that

0:49:43.840 --> 0:49:47.040
<v Speaker 1>I am not the Sun and all the planets revolve

0:49:47.080 --> 0:49:49.640
<v Speaker 1>around the Sun, because I have just been able to

0:49:49.640 --> 0:49:52.719
<v Speaker 1>be the sun and good times and bad meaning as

0:49:52.760 --> 0:49:54.840
<v Speaker 1>a kid, all the way up into my early twenties,

0:49:55.120 --> 0:49:58.600
<v Speaker 1>I was the surviving son, meaning I had to survive.

0:49:59.040 --> 0:50:01.560
<v Speaker 1>Everything was about me just trying to have money to

0:50:01.560 --> 0:50:04.920
<v Speaker 1>pay rent or eat or school clothes or and it

0:50:05.000 --> 0:50:08.440
<v Speaker 1>was all about what I could. But now I don't

0:50:08.520 --> 0:50:10.359
<v Speaker 1>have to be the sun anymore. I think a lot

0:50:10.360 --> 0:50:12.120
<v Speaker 1>of me being the Sun and the solar system was

0:50:12.520 --> 0:50:15.920
<v Speaker 1>it was forced I had. I was everything had to

0:50:16.000 --> 0:50:18.920
<v Speaker 1>rotate around me. Because it was a necessity that I

0:50:19.000 --> 0:50:22.919
<v Speaker 1>just look out for me or I wouldn't survive. Ye. Now, yeah,

0:50:23.040 --> 0:50:24.799
<v Speaker 1>I don't have to be the sun anymore. And it

0:50:24.880 --> 0:50:27.839
<v Speaker 1>is a relief as much as it is difficult at times.

0:50:27.960 --> 0:50:32.640
<v Speaker 1>So just turn it off, right, it correct And that

0:50:32.760 --> 0:50:36.080
<v Speaker 1>is uncomfortable sometimes, but it's a good You don't grow

0:50:36.719 --> 0:50:39.680
<v Speaker 1>without having some uncomfortability and anything. You just don't you

0:50:39.719 --> 0:50:43.400
<v Speaker 1>know human, you get taller, it hurts, you learn a skill,

0:50:43.440 --> 0:50:45.920
<v Speaker 1>it sucks because you're not good at it at first, right,

0:50:46.239 --> 0:50:48.960
<v Speaker 1>So to grow, you've got to have a little bit

0:50:49.000 --> 0:50:52.759
<v Speaker 1>of uncomfortability, and that, to me has been what I've

0:50:52.840 --> 0:50:55.400
<v Speaker 1>learned is that I don't have to do everything by myself.

0:50:55.440 --> 0:50:57.319
<v Speaker 1>I don't have to be the sun, right I can.

0:50:57.400 --> 0:51:01.520
<v Speaker 1>I can roll and be a batman Robin and sometimes

0:51:01.520 --> 0:51:04.439
<v Speaker 1>I'm Robin and sometimes I'm Batman and that's okay. So

0:51:04.920 --> 0:51:08.360
<v Speaker 1>that's that's what I'm still learning. So yeah, that's the

0:51:08.440 --> 0:51:11.120
<v Speaker 1>situation there. Picturing you in tights now, it's just a

0:51:11.200 --> 0:51:14.320
<v Speaker 1>very awkward vision. You don't picture, I'll send you a

0:51:14.360 --> 0:51:15.839
<v Speaker 1>picture of it. You don't have to picture. Oh yeah,

0:51:15.880 --> 0:51:17.319
<v Speaker 1>I've got a couple of pictures of me and tight soun.

0:51:19.400 --> 0:51:21.320
<v Speaker 1>All right, listen, we've we've talked a long time. I

0:51:21.360 --> 0:51:23.319
<v Speaker 1>know you have your guitar over here, and I don't

0:51:23.320 --> 0:51:25.880
<v Speaker 1>have anything crazy planned, but would you mind grabbing it

0:51:25.920 --> 0:51:28.360
<v Speaker 1>for a second? Yeah? Do you? We were talking about

0:51:29.040 --> 0:51:30.399
<v Speaker 1>I'm gonna put you a little bit on the spot

0:51:30.400 --> 0:51:33.080
<v Speaker 1>here because I feel comfortable enough to do that. We

0:51:33.080 --> 0:51:35.239
<v Speaker 1>were talking on the show maybe a week or so

0:51:35.320 --> 0:51:39.279
<v Speaker 1>ago about the most romantic songs of all time, not

0:51:39.360 --> 0:51:42.719
<v Speaker 1>just country but just period. And I picked the Pretenders

0:51:42.719 --> 0:51:45.200
<v Speaker 1>I'll stand by You, which is just a great song

0:51:45.880 --> 0:51:50.479
<v Speaker 1>often overlooked. I picked the Beach Boys. God only knows.

0:51:50.840 --> 0:51:53.560
<v Speaker 1>God only knows. Uh. If I were to ask you

0:51:53.640 --> 0:51:55.000
<v Speaker 1>and you have your guitar, and if you can think

0:51:55.360 --> 0:51:57.520
<v Speaker 1>what a great opening line of that song, by the way,

0:51:57.680 --> 0:51:59.680
<v Speaker 1>go ahead, and might not always love you, I may

0:51:59.760 --> 0:52:02.920
<v Speaker 1>not always love you. As long as they're asked us

0:52:02.920 --> 0:52:05.799
<v Speaker 1>above you, you'll have no need to doubt it. I'll

0:52:05.800 --> 0:52:07.840
<v Speaker 1>make you sure about it. Oh my gosh, isn't that

0:52:07.960 --> 0:52:12.839
<v Speaker 1>such a great So what's the most romantic song? Two

0:52:12.880 --> 0:52:15.520
<v Speaker 1>parts that you have? And just give me a little

0:52:15.560 --> 0:52:19.239
<v Speaker 1>fifteen twenty thirty seconds of it, and then period in

0:52:19.239 --> 0:52:23.759
<v Speaker 1>your mind. I've been asked that question before, and did

0:52:23.800 --> 0:52:26.120
<v Speaker 1>I lose my mic? No, you're there. You may have

0:52:26.120 --> 0:52:31.360
<v Speaker 1>pulled your headphones out these God only knows. Was always

0:52:31.400 --> 0:52:33.920
<v Speaker 1>my number one song for I think, one of the

0:52:33.960 --> 0:52:36.400
<v Speaker 1>greatest love songs ever. Basically we're the same person musically,

0:52:36.440 --> 0:52:39.720
<v Speaker 1>Keith myself. I just heard it here. It's true because

0:52:39.719 --> 0:52:42.319
<v Speaker 1>it's just such a That opening line always grabbed me.

0:52:42.400 --> 0:52:44.399
<v Speaker 1>I may not always love you. It's like, what that's

0:52:44.440 --> 0:52:46.279
<v Speaker 1>a love song. But then when you hear the rest

0:52:46.280 --> 0:52:49.399
<v Speaker 1>of it yourself, Oh my gosh, Yeah, that's it. That's

0:52:49.440 --> 0:52:52.160
<v Speaker 1>the best one ever. But what about yours now and

0:52:52.280 --> 0:52:56.120
<v Speaker 1>your arsenal? You have to look at it objectively. What

0:52:56.320 --> 0:53:04.279
<v Speaker 1>is your most romantic song? My most romantic song? Oh,

0:53:04.320 --> 0:53:07.400
<v Speaker 1>I don't know. I don't that's I'm maybe not the

0:53:08.560 --> 0:53:11.640
<v Speaker 1>the one to ask that of right, but you are

0:53:13.160 --> 0:53:20.840
<v Speaker 1>because I'm asking, Yeah, you are, hang because we're here.

0:53:23.040 --> 0:53:25.520
<v Speaker 1>I can't pick one, Okay, okay, I can't pick one.

0:53:25.840 --> 0:53:29.200
<v Speaker 1>I think I think um making Memories, which I didn't write.

0:53:29.239 --> 0:53:31.080
<v Speaker 1>That's a Rodney Crowell's song, But I think that's one

0:53:31.120 --> 0:53:33.160
<v Speaker 1>of the most beautiful songs. Give me a little bit

0:53:33.200 --> 0:53:36.040
<v Speaker 1>of making memories. Just pet Durban's here, Hang on second,

0:53:36.080 --> 0:53:37.520
<v Speaker 1>jes he just learned how to play the guitar today.

0:53:37.520 --> 0:53:39.319
<v Speaker 1>This is exciting. What are you looking for? A pick

0:53:39.880 --> 0:53:43.600
<v Speaker 1>that's only hangs my keys? I thought it was really

0:53:43.800 --> 0:53:45.719
<v Speaker 1>this is like a comedy bit where he's pulling out

0:53:45.760 --> 0:53:50.000
<v Speaker 1>all these things. The rabbits. Here, here's the art of war. Well, crap,

0:53:50.040 --> 0:53:52.560
<v Speaker 1>all right, here's I swear I brought it in. Do

0:53:52.600 --> 0:53:56.080
<v Speaker 1>you want a capo? Yeah, you don't have one. Okay,

0:53:56.080 --> 0:53:58.799
<v Speaker 1>we won't even do it. Oh look it's here in

0:53:58.800 --> 0:54:03.080
<v Speaker 1>my pocket. There it is around. How big are those

0:54:03.080 --> 0:54:08.240
<v Speaker 1>pockets that you can't find it on first grass? Because

0:54:08.239 --> 0:54:27.160
<v Speaker 1>it's not small? It's great thin, it's funny. I'm gonna

0:54:27.239 --> 0:54:32.120
<v Speaker 1>be here for your baby. I'll be a man in

0:54:32.480 --> 0:54:38.320
<v Speaker 1>my word, speak a language in a voice that you

0:54:38.440 --> 0:54:46.759
<v Speaker 1>have never hear. I want to sleep with you forever.

0:54:49.080 --> 0:54:54.879
<v Speaker 1>I want to die your own in a cabin by

0:54:55.160 --> 0:55:04.040
<v Speaker 1>medal where the wild be smooth. Oh yeah, I'm gonna

0:55:04.280 --> 0:55:13.960
<v Speaker 1>love you like nobody loves you. I learn you trust

0:55:14.040 --> 0:55:21.360
<v Speaker 1>making memories. That's so good. Dang, when I think of

0:55:21.400 --> 0:55:24.799
<v Speaker 1>those songs too, that made me feel like that. And again,

0:55:24.840 --> 0:55:27.640
<v Speaker 1>it doesn't sound like a love song at first, but

0:55:27.719 --> 0:55:32.640
<v Speaker 1>ain't No Sunshine is maybe that's the greatest love that

0:55:33.080 --> 0:55:35.239
<v Speaker 1>the greatest love song of all time, but people don't

0:55:35.360 --> 0:55:37.400
<v Speaker 1>think about it. Is that you gotta you're aboud to

0:55:37.440 --> 0:55:43.600
<v Speaker 1>hit it. I've never played with you. It's not when

0:55:43.800 --> 0:55:50.799
<v Speaker 1>she's away. That's too highs and that's a beautiful song

0:55:51.400 --> 0:56:00.399
<v Speaker 1>at No Sunshine and she's gone. It's not on wo

0:56:00.880 --> 0:56:07.360
<v Speaker 1>when she's away. It ain't on some shot when you

0:56:07.560 --> 0:56:12.800
<v Speaker 1>go and she's always going too long and it times

0:56:12.920 --> 0:56:18.600
<v Speaker 1>she goes away. It's crazy how you can just go

0:56:19.040 --> 0:56:20.839
<v Speaker 1>and not to you crazy to me that you can

0:56:20.840 --> 0:56:22.600
<v Speaker 1>just go. Let me just figure this thing out, don't don't.

0:56:22.800 --> 0:56:27.399
<v Speaker 1>I don't know it was that something that it didn't

0:56:27.440 --> 0:56:29.200
<v Speaker 1>come naturally. And I don't mean it is that because

0:56:29.200 --> 0:56:31.000
<v Speaker 1>you put a lot of work into your craft. But

0:56:31.120 --> 0:56:34.520
<v Speaker 1>do you find that it's easier to identify sounds than

0:56:34.640 --> 0:56:36.719
<v Speaker 1>some of your peers and even worse than some of

0:56:36.719 --> 0:56:41.920
<v Speaker 1>your others based on just like natural instinct, Like because

0:56:41.920 --> 0:56:44.400
<v Speaker 1>some people can run faster than others. Right, you can

0:56:44.400 --> 0:56:47.279
<v Speaker 1>train all day, you can't run as fast as some folks. Right,

0:56:47.760 --> 0:56:49.799
<v Speaker 1>where do you fall in that spectrum of your mind

0:56:49.840 --> 0:56:53.719
<v Speaker 1>just understanding music? The more you learn the more you

0:56:53.800 --> 0:56:59.680
<v Speaker 1>actually can do. Um, I think it's balance. Actually, I

0:56:59.680 --> 0:57:01.200
<v Speaker 1>think you know too much and get in the way

0:57:01.239 --> 0:57:03.440
<v Speaker 1>of creativity. Are there people that, you know, let me

0:57:03.440 --> 0:57:06.320
<v Speaker 1>ask this a different way. They can hear and figure

0:57:06.320 --> 0:57:09.080
<v Speaker 1>it out quicker and better than you can, like just

0:57:09.160 --> 0:57:10.839
<v Speaker 1>hearing it going oh in internet and you're like, wow,

0:57:10.840 --> 0:57:13.919
<v Speaker 1>I can't believe they just figure that out. Oh for sure, Yeah,

0:57:13.960 --> 0:57:16.680
<v Speaker 1>of course, yeah, because I did that to you. Yeah,

0:57:16.720 --> 0:57:18.520
<v Speaker 1>and you do that to other people and you go, wow,

0:57:18.520 --> 0:57:20.680
<v Speaker 1>I cannot believe they just figure that out by hearing

0:57:20.720 --> 0:57:23.280
<v Speaker 1>that one time and then now they know the whole song. Yeah.

0:57:23.600 --> 0:57:25.440
<v Speaker 1>I know that some people have that skill that just

0:57:25.520 --> 0:57:27.880
<v Speaker 1>I mean in the sessions, you see that. You know

0:57:27.920 --> 0:57:30.880
<v Speaker 1>a lot of the session leaders just chatting out the

0:57:30.920 --> 0:57:33.200
<v Speaker 1>song as it's going. But you have that skill, like

0:57:33.240 --> 0:57:34.800
<v Speaker 1>you just said, let me figure this out. You went

0:57:34.880 --> 0:57:36.440
<v Speaker 1>all the way up and found it. Sure do you

0:57:36.640 --> 0:57:38.160
<v Speaker 1>understand that you have that? Are you so good you

0:57:38.200 --> 0:57:40.280
<v Speaker 1>don't even know? It's like being good looking? Like maybe

0:57:40.280 --> 0:57:41.400
<v Speaker 1>you don't even know how good looking you are. I

0:57:43.280 --> 0:57:45.040
<v Speaker 1>mean I hit I mean, if you played it back,

0:57:45.040 --> 0:57:47.560
<v Speaker 1>you'd know I hit a wrong quote here and within

0:57:47.680 --> 0:57:50.560
<v Speaker 1>a second found the right one. Okay, Keith Urban check

0:57:50.600 --> 0:57:52.560
<v Speaker 1>out the live shows, dude, it's the best you will see.

0:57:52.560 --> 0:57:55.080
<v Speaker 1>I've said it many times. Wild Hearts going for number one?

0:57:55.320 --> 0:57:58.160
<v Speaker 1>What's the what's next after this? Yeah? Is it another

0:57:58.200 --> 0:58:00.560
<v Speaker 1>single from the project? Are we're moving on? Brand new

0:58:00.720 --> 0:58:04.479
<v Speaker 1>Brandy Brandy music? Heard you heard it here? Yeah? Okay, Keith,

0:58:04.560 --> 0:58:07.680
<v Speaker 1>great to see you give me Oh, everybody say bye

0:58:07.680 --> 0:58:12.640
<v Speaker 1>to Keith. And that's that show biz baby, it's the

0:58:12.760 --> 0:58:19.240
<v Speaker 1>best bits of the week with Morgan number two and

0:58:19.440 --> 0:58:22.240
<v Speaker 1>naturally at the number one spot. It is when I

0:58:22.280 --> 0:58:24.800
<v Speaker 1>got punished on the show this week feels weird having

0:58:24.800 --> 0:58:27.240
<v Speaker 1>a segment that is something I've involved in at the

0:58:27.320 --> 0:58:30.120
<v Speaker 1>number one spot. But you guys loved it so much

0:58:30.200 --> 0:58:33.520
<v Speaker 1>because I got punished for not knowing the state capitals,

0:58:33.520 --> 0:58:36.720
<v Speaker 1>which um as I was talking with Eddie about. You know, uh,

0:58:37.000 --> 0:58:39.520
<v Speaker 1>most people don't, okay, so but I got punished anyway,

0:58:39.560 --> 0:58:41.160
<v Speaker 1>and I had to stand on a street corner with

0:58:41.320 --> 0:58:43.880
<v Speaker 1>a sign that read I am a disappointment to my

0:58:43.960 --> 0:58:47.200
<v Speaker 1>friends and family for thirty minutes. And I mean it

0:58:47.240 --> 0:58:48.919
<v Speaker 1>was a good time. Good time was had by all

0:58:48.960 --> 0:58:52.800
<v Speaker 1>except me. Yep, that's true. So I'm just gonna let

0:58:52.840 --> 0:58:56.080
<v Speaker 1>you enjoy this for yourself, because I'm gonna get out

0:58:56.120 --> 0:59:00.520
<v Speaker 1>of the studio while this segment plays again. Number one. Okay,

0:59:00.600 --> 0:59:02.640
<v Speaker 1>Morgan's out on the street and she is holding a sign,

0:59:03.200 --> 0:59:05.480
<v Speaker 1>and on that sign says I'm an embarrassment to my

0:59:05.560 --> 0:59:07.760
<v Speaker 1>friends and family. And you can watch her on our

0:59:07.840 --> 0:59:09.840
<v Speaker 1>live stream. If you go over to our Facebook page,

0:59:09.840 --> 0:59:11.439
<v Speaker 1>just search for the Bobby Bone Show. You can follow

0:59:11.520 --> 0:59:14.400
<v Speaker 1>us over there. But she's out there now. And if

0:59:14.400 --> 0:59:16.600
<v Speaker 1>you happen to drive and you're happy to see her,

0:59:16.880 --> 0:59:18.880
<v Speaker 1>you're happen to see her, be nice to her. Oh

0:59:18.920 --> 0:59:21.280
<v Speaker 1>she's holding it, you know, Hey, Morgan, can you hear

0:59:21.360 --> 0:59:22.920
<v Speaker 1>me at all? Because I'm looking at her and she's

0:59:22.920 --> 0:59:25.840
<v Speaker 1>holding the sign like below her shoulders. I need her

0:59:25.840 --> 0:59:28.080
<v Speaker 1>to hold it proudly above her head. Yeah, hey, Morgan,

0:59:28.120 --> 0:59:30.919
<v Speaker 1>are people looking at you when they drive by? Yes,

0:59:31.080 --> 0:59:34.480
<v Speaker 1>I've had several people hump give me a thumbs up,

0:59:34.520 --> 0:59:38.720
<v Speaker 1>but thumb down. A somebody stop to take a picture

0:59:38.760 --> 0:59:42.160
<v Speaker 1>of me, going great, Yeah, I'm watching you here on

0:59:42.160 --> 0:59:43.760
<v Speaker 1>our Facebook page. And if yeah, I just hold it

0:59:43.800 --> 0:59:45.200
<v Speaker 1>him up there you go be proud. There she had

0:59:45.240 --> 0:59:47.720
<v Speaker 1>told about her head and now yeah yeah, yeah, okay, Bryan,

0:59:47.880 --> 0:59:51.160
<v Speaker 1>my arm is tired already. Why someone would give her

0:59:51.200 --> 0:59:53.680
<v Speaker 1>a thumbs up, though, I kind of questioned them as humans.

0:59:54.120 --> 0:59:56.760
<v Speaker 1>Someone's holding the sign as punishment. I'm an embarrassment to

0:59:56.800 --> 1:00:00.080
<v Speaker 1>my family and friends. You go, hey, yeah, I like it.

1:00:00.360 --> 1:00:03.520
<v Speaker 1>What Morgan, I'm just getting a lot of people. If

1:00:03.520 --> 1:00:06.439
<v Speaker 1>I make eye contact, they start laughing at me because

1:00:06.440 --> 1:00:08.080
<v Speaker 1>they don't know what else to do. Well, you have

1:00:08.160 --> 1:00:10.640
<v Speaker 1>about ten minutes, so stay out there and hold that

1:00:10.680 --> 1:00:12.560
<v Speaker 1>sign up, and we'll have people go watch you on

1:00:12.560 --> 1:00:15.280
<v Speaker 1>Facebook and we'll see you back inside soon. Don't get

1:00:15.320 --> 1:00:17.320
<v Speaker 1>hit by a car that dump truck like awfully close here.

1:00:18.400 --> 1:00:20.320
<v Speaker 1>I'll be careful. All right, Morgan's out there. We'll check

1:00:20.320 --> 1:00:22.560
<v Speaker 1>with her one more time before we go away. So

1:00:22.960 --> 1:00:25.280
<v Speaker 1>I do want to update you guys on what happened

1:00:25.360 --> 1:00:28.600
<v Speaker 1>here after a show when Lunchbox was following up on

1:00:28.640 --> 1:00:31.960
<v Speaker 1>a segment. So back in the news a few weeks ago,

1:00:32.960 --> 1:00:35.760
<v Speaker 1>the guy who was in jail, him and the woman

1:00:35.800 --> 1:00:38.880
<v Speaker 1>that was basically running the jail, they escaped together, and

1:00:39.640 --> 1:00:43.040
<v Speaker 1>they traveled all over America and we kept searching for him,

1:00:43.280 --> 1:00:46.240
<v Speaker 1>and finally, and I believe in Indiana. They Evansville, Indiana,

1:00:46.440 --> 1:00:49.600
<v Speaker 1>and it ended tragically. But there was a hotel room

1:00:49.920 --> 1:00:51.640
<v Speaker 1>that they were staying in and lunchbox in the story

1:00:51.680 --> 1:00:53.280
<v Speaker 1>that people were staying there and paying all this money

1:00:53.280 --> 1:00:54.720
<v Speaker 1>to go stay there. So he called to try to

1:00:54.720 --> 1:00:56.400
<v Speaker 1>book the room. We have all this audio we can't

1:00:56.440 --> 1:00:59.000
<v Speaker 1>play because they said we couldn't play, but tell me

1:00:59.080 --> 1:01:01.160
<v Speaker 1>what happened. So I called. At first, it was just

1:01:01.240 --> 1:01:02.920
<v Speaker 1>kind of a joke because it was like, oh, you know,

1:01:03.080 --> 1:01:05.320
<v Speaker 1>sixty people on the reservation list. I'm gonna try to

1:01:05.320 --> 1:01:07.400
<v Speaker 1>get on the reservation list. And I called and the

1:01:07.480 --> 1:01:09.720
<v Speaker 1>lay said, there are no reservations, but it's one hundred

1:01:09.760 --> 1:01:12.920
<v Speaker 1>dollars a night. What is it normally sixty eight dollars

1:01:12.960 --> 1:01:14.720
<v Speaker 1>a night, So they weren't charging more for it. They

1:01:14.760 --> 1:01:16.680
<v Speaker 1>are charging more. And she said a lot of people

1:01:16.760 --> 1:01:19.400
<v Speaker 1>are coming to that room because they want good energy.

1:01:19.440 --> 1:01:21.240
<v Speaker 1>She goes, and if you ask me, there is no

1:01:21.360 --> 1:01:23.280
<v Speaker 1>such thing as good You want energy staying in a

1:01:23.320 --> 1:01:25.320
<v Speaker 1>room for people who escape jail, and that's what she said.

1:01:25.360 --> 1:01:27.080
<v Speaker 1>She was like, I don't know what they're talking about.

1:01:27.080 --> 1:01:28.720
<v Speaker 1>It is just so weird. And I said, oh, so

1:01:28.920 --> 1:01:30.640
<v Speaker 1>is it like the same furniture. She goes, Oh, it's

1:01:30.640 --> 1:01:32.520
<v Speaker 1>the same furniture. We didn't take any of the furniture,

1:01:32.800 --> 1:01:36.400
<v Speaker 1>but we do have all the beer cans, the pizza boxes,

1:01:36.680 --> 1:01:40.240
<v Speaker 1>their suitcases, their clothes, and they're gonna sell the money

1:01:40.320 --> 1:01:43.960
<v Speaker 1>bay they are. Yeah, so why would someone want that?

1:01:44.640 --> 1:01:47.880
<v Speaker 1>And also that story came and went so quickly, like

1:01:48.000 --> 1:01:51.640
<v Speaker 1>it was interesting to us as it happened, because there

1:01:51.720 --> 1:01:56.000
<v Speaker 1>she is a celebrated woman in uniform who had been

1:01:56.040 --> 1:01:58.040
<v Speaker 1>greater a job and one like employee of the Month

1:01:58.080 --> 1:02:00.840
<v Speaker 1>in the year five times. And then there's a prisoner.

1:02:01.120 --> 1:02:03.720
<v Speaker 1>They fall in love. She helps him escape. They're on

1:02:03.800 --> 1:02:07.200
<v Speaker 1>the run, and it's a bit of a romantic story

1:02:07.400 --> 1:02:10.040
<v Speaker 1>in the way of look at them on the run

1:02:10.120 --> 1:02:11.800
<v Speaker 1>from the law, and you don't want him to escape

1:02:11.800 --> 1:02:13.400
<v Speaker 1>because he needs to be in jail. He's a bad dude.

1:02:13.800 --> 1:02:16.520
<v Speaker 1>But then she ended up shooting herself and killing herself.

1:02:16.960 --> 1:02:21.000
<v Speaker 1>Now the story is tragic and sad, that energy is not.

1:02:21.920 --> 1:02:24.520
<v Speaker 1>But how crazy is it that they here's my thing,

1:02:24.840 --> 1:02:28.000
<v Speaker 1>You're the most wanted people in America and you're kicked

1:02:28.040 --> 1:02:30.520
<v Speaker 1>back drinking beers. I don't know they were the most

1:02:30.600 --> 1:02:32.480
<v Speaker 1>They may have been the most famous right at that time.

1:02:32.640 --> 1:02:34.200
<v Speaker 1>I think there were people. There are people that we

1:02:34.280 --> 1:02:36.640
<v Speaker 1>want a little more than them at that time. But

1:02:36.720 --> 1:02:38.800
<v Speaker 1>I'm saying, do you think you would be on your

1:02:38.960 --> 1:02:41.440
<v Speaker 1>like onque like, oh my gosh, on alert. Instead you're

1:02:41.480 --> 1:02:43.320
<v Speaker 1>sitting back and drinking. And they had different kinds of

1:02:43.400 --> 1:02:46.200
<v Speaker 1>beer and not just one kind, and they ordered Domino's pizza.

1:02:46.640 --> 1:02:48.160
<v Speaker 1>Just so you know, you went hard on the I

1:02:48.240 --> 1:02:49.880
<v Speaker 1>was I was finding out all this stuff. You're the

1:02:49.880 --> 1:02:52.080
<v Speaker 1>guy that'll buy her dress, huh yes, And they had

1:02:52.080 --> 1:02:54.760
<v Speaker 1>the suitcase full of clothes and they were going to

1:02:54.800 --> 1:02:57.840
<v Speaker 1>auction all that off on eBay at some point. They

1:02:57.880 --> 1:03:00.960
<v Speaker 1>don't know when I'm surprised that the police don't confidence.

1:03:01.240 --> 1:03:03.680
<v Speaker 1>That's what I said, And she was like, and she shit,

1:03:03.840 --> 1:03:05.800
<v Speaker 1>she did say, but what is sad is there so

1:03:05.920 --> 1:03:08.280
<v Speaker 1>many people call hearing yell at us like it's our fault.

1:03:08.480 --> 1:03:09.960
<v Speaker 1>She was like, how are we supposed to know that

1:03:10.000 --> 1:03:12.560
<v Speaker 1>they're staying at our hotel? And she was like and everybody,

1:03:12.600 --> 1:03:14.680
<v Speaker 1>and she goes, so enough is enough? People need to

1:03:14.760 --> 1:03:18.120
<v Speaker 1>quit calling? And then they said you couldn't use that audience. Yeah,

1:03:18.440 --> 1:03:21.840
<v Speaker 1>including you. Yeah that's true. You did call too, Yes,

1:03:21.920 --> 1:03:24.520
<v Speaker 1>but they are charging more for that room, which is weird,

1:03:24.680 --> 1:03:26.000
<v Speaker 1>and they are going to sell the clothes of those

1:03:26.040 --> 1:03:27.880
<v Speaker 1>people which is weird. But I guess even weird is

1:03:27.920 --> 1:03:29.200
<v Speaker 1>people who want to buy it, who want to stay

1:03:29.200 --> 1:03:32.040
<v Speaker 1>in the room. Yeah, but I thought, man, we should

1:03:32.080 --> 1:03:34.480
<v Speaker 1>buy like the piece of Boxer should not. No, we

1:03:34.560 --> 1:03:36.240
<v Speaker 1>get a mouse in your pocket, buddy, because we ain't

1:03:36.240 --> 1:03:40.480
<v Speaker 1>doing that. Over here. Here is let's do voicemail number four.

1:03:40.920 --> 1:03:44.480
<v Speaker 1>This is Rick from California. I was just hoping for

1:03:44.640 --> 1:03:48.480
<v Speaker 1>maybe an update on Amy's package that was delivered to

1:03:48.600 --> 1:03:50.160
<v Speaker 1>her house. So I thought we were going to get

1:03:50.200 --> 1:03:53.520
<v Speaker 1>a final update or something around May or so. It's

1:03:53.520 --> 1:03:57.880
<v Speaker 1>almost us. So a long time ago, Amy came to

1:03:57.920 --> 1:03:58.920
<v Speaker 1>me and say, hey, I want to talk about the

1:03:58.920 --> 1:04:00.000
<v Speaker 1>story on the air. And I said, what's that story?

1:04:00.280 --> 1:04:03.240
<v Speaker 1>She said, well, this was sent and I got the

1:04:03.280 --> 1:04:05.480
<v Speaker 1>package and she told me what it was and more details.

1:04:05.480 --> 1:04:06.840
<v Speaker 1>And I said, Amy, I don't think you should share

1:04:06.880 --> 1:04:09.360
<v Speaker 1>that story on air. She's like really, And so we

1:04:09.480 --> 1:04:11.600
<v Speaker 1>got we almost did it. Head it on the list

1:04:11.680 --> 1:04:13.280
<v Speaker 1>here things to talk about, and last minute I was,

1:04:13.280 --> 1:04:15.520
<v Speaker 1>I don't think we should talk about it. It seems dangerous.

1:04:15.560 --> 1:04:17.800
<v Speaker 1>Now this is a year ago, Okay, I said, it

1:04:17.840 --> 1:04:20.840
<v Speaker 1>seems dangerous. And so a few months went by and

1:04:20.920 --> 1:04:22.440
<v Speaker 1>then I was like, you know, maybe it's safe now.

1:04:22.840 --> 1:04:24.320
<v Speaker 1>But then Amy talked to her head of security and

1:04:24.360 --> 1:04:26.920
<v Speaker 1>he was like, don't talk about it. It's dangerous, right, yes,

1:04:27.400 --> 1:04:30.360
<v Speaker 1>So I said we would check back on June first.

1:04:30.480 --> 1:04:32.760
<v Speaker 1>It's just tomorrow, yeah, to see if you wanted to

1:04:32.840 --> 1:04:35.000
<v Speaker 1>update or give us any detail about the package I

1:04:35.040 --> 1:04:37.760
<v Speaker 1>was sent to your house. Not yet none. I feel

1:04:37.800 --> 1:04:40.200
<v Speaker 1>like it got set back whenever, like you and Lunchbox,

1:04:40.320 --> 1:04:41.919
<v Speaker 1>y'all don't want to talk about your what you found

1:04:41.960 --> 1:04:44.400
<v Speaker 1>in your storage unit. And it's like a similar fear

1:04:44.600 --> 1:04:46.520
<v Speaker 1>that like if I put something out there, then I'm

1:04:46.560 --> 1:04:49.320
<v Speaker 1>the known person connected to it, and then what if

1:04:49.360 --> 1:04:51.160
<v Speaker 1>they come and find me? What if you don't say

1:04:51.200 --> 1:04:55.880
<v Speaker 1>exactly what it was, but you give a general general

1:04:56.000 --> 1:04:58.560
<v Speaker 1>we can generalize, Okay, Well, how would y'all generalize? Okay?

1:04:58.760 --> 1:05:01.400
<v Speaker 1>I would say when we bought the storage unit, and

1:05:01.560 --> 1:05:03.320
<v Speaker 1>we had seen there were a bunch of shoes and

1:05:03.560 --> 1:05:09.160
<v Speaker 1>clothes right all that when we got all the stuff out,

1:05:09.480 --> 1:05:11.480
<v Speaker 1>turns out there was some stuff in there that would

1:05:11.560 --> 1:05:13.720
<v Speaker 1>lead you to believe that there were some nefarious actions

1:05:13.760 --> 1:05:15.920
<v Speaker 1>going on by the people that had that had that

1:05:16.040 --> 1:05:23.640
<v Speaker 1>storage like illegal. I used to have to um look

1:05:23.720 --> 1:05:26.520
<v Speaker 1>things up. I want to spell that at the dictionary.

1:05:27.000 --> 1:05:29.920
<v Speaker 1>Uh so I would say that there were things in

1:05:30.000 --> 1:05:35.760
<v Speaker 1>it that were absolutely related to criminal activity. Okay, same mine.

1:05:36.240 --> 1:05:39.680
<v Speaker 1>What was delivered to us or how we ended up

1:05:39.680 --> 1:05:42.920
<v Speaker 1>with this box, I'm still not sure, but it was

1:05:43.240 --> 1:05:49.080
<v Speaker 1>definitely uh not within the law. So something was sent

1:05:49.160 --> 1:05:52.120
<v Speaker 1>to you that wasn't legal, correct? Okay, See we're getting

1:05:52.360 --> 1:05:54.760
<v Speaker 1>baby steps the show. The show doesn't even know what

1:05:55.800 --> 1:05:58.040
<v Speaker 1>show up. Just like your regular mail. We have a

1:05:58.200 --> 1:06:01.000
<v Speaker 1>UPS box and it was in our box, so it

1:06:01.080 --> 1:06:03.800
<v Speaker 1>came through UPS. Yeah, we have that's what we use

1:06:03.840 --> 1:06:06.840
<v Speaker 1>as our primary mailing address. And because it looks like

1:06:06.920 --> 1:06:10.360
<v Speaker 1>an apartment but it's it's not it so but it

1:06:10.480 --> 1:06:13.640
<v Speaker 1>was there waiting for us, and we think maybe some

1:06:13.840 --> 1:06:17.040
<v Speaker 1>activity is running through our UPS store and somehow we

1:06:17.240 --> 1:06:20.960
<v Speaker 1>ended up accidentally with the box because of a similar

1:06:21.040 --> 1:06:23.960
<v Speaker 1>name mix up. Did you take it home? Yes, and

1:06:24.080 --> 1:06:26.800
<v Speaker 1>it was unpacked and then did you freak out when

1:06:26.840 --> 1:06:28.000
<v Speaker 1>you saw it or did it take a second to

1:06:28.040 --> 1:06:30.600
<v Speaker 1>realize what would be freaked out? And I'm not going

1:06:30.680 --> 1:06:32.919
<v Speaker 1>to say what happens next. Okay, good, you can stop

1:06:32.960 --> 1:06:35.360
<v Speaker 1>it anytime, but just know that I don't have it.

1:06:35.480 --> 1:06:37.600
<v Speaker 1>It don't come out. Okay, you don't have it. No,

1:06:37.760 --> 1:06:41.160
<v Speaker 1>I don't have it. No, but that's the scary part.

1:06:41.320 --> 1:06:43.600
<v Speaker 1>Did you call nine one one? I watch enough shows

1:06:43.680 --> 1:06:46.800
<v Speaker 1>to know that they'll come after it. But that was

1:06:46.880 --> 1:06:49.280
<v Speaker 1>a year ago at this point. Yeah, that's why if

1:06:49.320 --> 1:06:51.720
<v Speaker 1>we the longer we wait, the safer I get. They

1:06:51.840 --> 1:06:54.240
<v Speaker 1>kind of move on with that stuff with us already

1:06:54.320 --> 1:06:57.400
<v Speaker 1>probably already died for it our unit. I don't know

1:06:57.480 --> 1:07:02.000
<v Speaker 1>what happened to this stuff. Yeah, yeah, who it are? Okay, well,

1:07:02.000 --> 1:07:07.680
<v Speaker 1>there are you having There was something else like happening around,

1:07:08.520 --> 1:07:11.360
<v Speaker 1>like at the time, there was other things happening within

1:07:11.440 --> 1:07:15.800
<v Speaker 1>our family that I literally thought I might know someone

1:07:16.160 --> 1:07:18.800
<v Speaker 1>that I thought someone was using me that I knew

1:07:19.280 --> 1:07:22.320
<v Speaker 1>and it was like a really connected thing. Thankfully that

1:07:22.480 --> 1:07:24.240
<v Speaker 1>theory was debunction. I was like, I've been watching too

1:07:24.320 --> 1:07:27.360
<v Speaker 1>much crime TV, listening to too many crime podcasts. But

1:07:27.480 --> 1:07:30.200
<v Speaker 1>it's definitely something that is worrisome. So we got a

1:07:30.280 --> 1:07:34.680
<v Speaker 1>nibble there. Yeah, it's and how about like, Mike, we'll

1:07:34.720 --> 1:07:36.680
<v Speaker 1>check you back in September first. Okay, oh my god,

1:07:36.760 --> 1:07:39.280
<v Speaker 1>all right, Morgan's on the street. Morgan, We're about to

1:07:39.280 --> 1:07:41.840
<v Speaker 1>wrap this up. She's been holding a sign, a big

1:07:41.920 --> 1:07:43.960
<v Speaker 1>white posterboard signed that say, I'm embarrassed with my friends

1:07:43.960 --> 1:07:46.600
<v Speaker 1>and family. Morgan, how are you feeling right now? I mean,

1:07:46.880 --> 1:07:49.560
<v Speaker 1>I'm not feeling very good about myself. One guy looked

1:07:49.560 --> 1:07:52.320
<v Speaker 1>at me very disgusted and then gave me like a

1:07:52.400 --> 1:07:54.800
<v Speaker 1>head nod, like he respected what I was doing, but

1:07:55.000 --> 1:07:57.400
<v Speaker 1>was not proud of me. What do you feel most

1:07:57.440 --> 1:07:59.960
<v Speaker 1>people think? What's the reason most people think you're out there?

1:08:00.960 --> 1:08:02.840
<v Speaker 1>I don't think anyone knows. I'm getting a lot of

1:08:02.880 --> 1:08:05.200
<v Speaker 1>like hands up in the air asking me what I did,

1:08:05.360 --> 1:08:08.400
<v Speaker 1>and I just kind of strug my shoulders. So I

1:08:08.440 --> 1:08:10.400
<v Speaker 1>don't think any of them know. I would think if

1:08:10.440 --> 1:08:12.960
<v Speaker 1>I saw a woman holding that sign out there, that

1:08:13.040 --> 1:08:15.120
<v Speaker 1>her husband caught her cheating into making him hold that sign.

1:08:15.680 --> 1:08:18.080
<v Speaker 1>That's what I would think if I saw that. Ray,

1:08:18.120 --> 1:08:20.200
<v Speaker 1>what would you think if you saw that? Well, she's smiling,

1:08:20.320 --> 1:08:22.400
<v Speaker 1>so then that takes that away. But yes, it seems

1:08:22.439 --> 1:08:24.479
<v Speaker 1>like an affair to me. So maybe some dudes are

1:08:24.520 --> 1:08:27.519
<v Speaker 1>gonna pull over or whatever. I don't know. Well, did

1:08:27.560 --> 1:08:34.440
<v Speaker 1>they think she's down? She's down? Yeah, okay, yeah, why

1:08:34.560 --> 1:08:36.400
<v Speaker 1>was she out there holding the sign trying to, like,

1:08:36.760 --> 1:08:42.120
<v Speaker 1>you know, make up for it? Well, so somebody just

1:08:42.280 --> 1:08:45.640
<v Speaker 1>drove by like the ass. This has to be a joke, right.

1:08:45.760 --> 1:08:47.800
<v Speaker 1>Her mouth was like all the way dropped to the floor.

1:08:47.840 --> 1:08:50.800
<v Speaker 1>She couldn't imagine what was happening. It sound like a dude, yeah,

1:08:50.800 --> 1:08:57.000
<v Speaker 1>it sound like yeah, I saw I saw Bay Ray's wife.

1:08:57.240 --> 1:09:02.599
<v Speaker 1>She drove by heyo, not out of lots of story

1:09:02.720 --> 1:09:05.360
<v Speaker 1>that I like that good. All right, Morgan, you have

1:09:05.560 --> 1:09:07.479
<v Speaker 1>served your time. Go ahead and put your sign up,

1:09:07.600 --> 1:09:10.360
<v Speaker 1>come on back in. Okay, all right, thank you here,

1:09:10.360 --> 1:09:15.559
<v Speaker 1>You're awesome, a funny. Hey, let's just in. She's all by, Hey,

1:09:15.640 --> 1:09:19.479
<v Speaker 1>pretty cool. I'm gonna work. It's the Best Bits of

1:09:19.560 --> 1:09:24.160
<v Speaker 1>the week with Morgan number two. That's it, y'all. Thanks

1:09:24.200 --> 1:09:27.360
<v Speaker 1>for checking out the best Bits this weekend. This was

1:09:27.479 --> 1:09:30.360
<v Speaker 1>just the bits. Don't forget check out part one with Eddie.

1:09:30.680 --> 1:09:32.599
<v Speaker 1>We talked about so many things. Also, there's some new

1:09:32.680 --> 1:09:36.000
<v Speaker 1>food worlds and um yeah, I got trolled by my

1:09:36.080 --> 1:09:38.600
<v Speaker 1>own family members. So you got to make sure you

1:09:38.720 --> 1:09:41.679
<v Speaker 1>hear that Part two. So y'all have a fabulous weekend.

1:09:41.800 --> 1:09:43.920
<v Speaker 1>I love you guys so much. Please hit me up

1:09:44.120 --> 1:09:46.200
<v Speaker 1>and the dms. If you guys are listening to the podcast,

1:09:46.280 --> 1:09:48.360
<v Speaker 1>tag me. I'll reshare it or let me know what

1:09:48.479 --> 1:09:53.080
<v Speaker 1>you like and don't like respectfully. I love getting the feedback,

1:09:53.160 --> 1:09:55.360
<v Speaker 1>so check me out at web Girl Morgan all the

1:09:55.439 --> 1:09:59.240
<v Speaker 1>things at Bobby Bones Show for all types of content,

1:09:59.360 --> 1:10:02.000
<v Speaker 1>not having just these seven bits. There's so much more

1:10:02.080 --> 1:10:04.040
<v Speaker 1>out there, so make sure you check that out and

1:10:04.240 --> 1:10:10.000
<v Speaker 1>at Bobby bones dot com. Y'all, Bye Bobby Bones. Uh

1:10:10.120 --> 1:10:10.320
<v Speaker 1>huh