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Speaker 1: It's the Best Bits of the Week with Morgan Number two.

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Speaker 1: What's up everyone? Happy weekend if you're listening to this

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Speaker 1: on the weekend, or Happy Weekday if you're listening to

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Speaker 1: this during the week. This is the Best Bits podcast.

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Speaker 1: I'm Morgan and this is just the Bits. Make sure

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Speaker 1: you check out Part one. It's with Eddie this week.

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Speaker 1: We always have such fun conversations. We talked about high

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Speaker 1: school and our movies we're looking forward to this summer.

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Speaker 1: Plus we also shared some things about sports going on

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Speaker 1: in our lives right now, So make sure to check

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Speaker 1: out Part one with Eddie. Right now, we're going to

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Speaker 1: get into the best Bits from this week. Coming in

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Speaker 1: at the number seven spot, Mike d shared the top

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Speaker 1: five movies he's most anticipating this summer. I don't think

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Speaker 1: I said that right. That sounds weird, but it is

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Speaker 1: the movies he's most looking forward to seeing in theaters,

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Speaker 1: and a lot of them I agree with. There's several

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Speaker 1: of them that I hope to get to see very soon,

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Speaker 1: especially one of them. That's all I'm gonna say, y'. Also,

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Speaker 1: here you go number seven at summertime now asually right, Yeah,

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Speaker 1: it's like I mean, I just feel any different. But

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Speaker 1: in this summertime, and so with summer, all the big

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Speaker 1: blockbusters are coming out. That what's airplane movie called Tom

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Speaker 1: Gun came out? The airplane I didn't give a crab whatever.

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Speaker 1: Tom Cruise weird me. It's hard for me to like

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Speaker 1: any of Tom Cruise movie. Yeah, you have to block

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Speaker 1: that out. For Top Guns, I probably will, but I

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Speaker 1: did not watch it. But my idea is our movie guy.

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Speaker 1: And so Mike, tell everybody what you bought for the summer.

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Speaker 1: It's a summer pass to a movie theater subscription. So

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Speaker 1: that means what twenty bucks a month? I can go

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Speaker 1: see as many movies as I want. Oh not bad,

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Speaker 1: that's awesome. That saves so much money. It's so expensive.

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Speaker 1: And he loves going up. How many movies you go

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Speaker 1: into in a month? I'd probably go to like four

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Speaker 1: or five? You get popcorn or anything with that, No,

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Speaker 1: I just traight movie. How much does it cost for

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Speaker 1: a movie ticket now? Probably like thirteen fourteen bucks? So

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Speaker 1: if you go to two, you made your money back easy.

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Speaker 1: You're gonna go to two movies a month easily, A movie,

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Speaker 1: podcasts a movie. Mike, Yeah, I guess. But you'd probably

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Speaker 1: done that anyway. Yeah, whatever, he knows. He's not all

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Speaker 1: for the summer, right, Like we still work. It's not

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Speaker 1: like school. I think he does this anyone. Oh yeah, yeah,

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Speaker 1: you know we're summer vacation. So you have your list

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Speaker 1: of what top five movies I'm anticipating this summer. Are

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Speaker 1: they all blockbusters? Yes? Big movies? All right? Number five,

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Speaker 1: Mike d Jurassic World, Dominion. It's the final in this trilogy,

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Speaker 1: but all the original people from the first one they're

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Speaker 1: coming back. Dominion. Yeah, what's that mean. It's just the

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Speaker 1: name of the movie, so all the people for like,

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Speaker 1: is gold Bloom gonna be there? Yeah, if you have

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Speaker 1: gold Bloom Samuel and durn I just had never cared.

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Speaker 1: I saw the first one. I thought it was fine

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Speaker 1: back in the day, but I just haven't watched any

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Speaker 1: of the other ones. They're good, they're fine, really, Yeah,

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Speaker 1: I don't really care enough. All right, next one Light

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Speaker 1: Year so buzz it's yeah, it's like the original story

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Speaker 1: of how the real person who inspired the toy, the

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Speaker 1: real there's a human Yeah, well it's a cartoon. Yeah,

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Speaker 1: it's a cartoon, so it's a fictional person. But he

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Speaker 1: would have been. This would have been the movie that

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Speaker 1: Andy would have seen that would have inspired him to

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Speaker 1: buy the buzz Lightyear toy. Okay. Number three it is Elvis.

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Speaker 1: Oh yeah, that one out. So I've been seeing great

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Speaker 1: reviews about it, Like some of his family have said

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Speaker 1: that they really kind of captured who he was. Apparently

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Speaker 1: I got a ten minute standing ovation at the end

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Speaker 1: of some film festival, but every year it's like, there

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Speaker 1: he stood up right, minutes seventy two minutes. I think

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Speaker 1: they just do that craft see how long they can

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Speaker 1: stand out. Yeah, I think it's like, all right, stay,

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Speaker 1: everybody stand out. Let's just clap towards tired. Um. That

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Speaker 1: looks good. Yeah. That comes out on June twenty fourth.

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Speaker 1: Is it on streaming services at all our theaters? These

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Speaker 1: are all theaters. Gotta give me a subscription thing it

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Speaker 1: all right? Number two it is a movie called Nope

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Speaker 1: from director Jordan Peel. He did us Nope, Nope, Lesen No,

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Speaker 1: but Nope yeah, Nope, scary. Yeah, it's like a modern

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Speaker 1: horror movie. He's the guy who did get Out in US.

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Speaker 1: I liked his movies, and I don't like scary movies,

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Speaker 1: but I like those two. Yeah, they're like psychological thrillers.

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Speaker 1: So this is the kind of horror movie I'm really

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Speaker 1: into right now. And this is looking like it's to

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Speaker 1: be really good. Asking me if I'm gonna watch the theater,

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Speaker 1: You're watched in the theater. Nope, okay, nope. What's it

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Speaker 1: about done? You know, it's about basically aliens coming down

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Speaker 1: and taking over like this California ranch times about every

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Speaker 1: girl that I asked to date ages fifteen to twenty six,

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Speaker 1: it's not that, not that okay, So aliens come down

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Speaker 1: to the ranch. Yeah, I like that. And it comes

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Speaker 1: out on July twenty second, all right, and the number

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Speaker 1: one movie movie Mike's anticipating this summer. Well, Marvel movies

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Speaker 1: are my favorite. And Thor Lovin Dunder comes out on

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Speaker 1: July eighth, and I think this is going to be

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Speaker 1: one of the best Marvel movies probably in the last

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Speaker 1: five years. Thor, I'm kind of lukewarm on the characters.

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Speaker 1: I think he's very underrated. I liked the first one

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Speaker 1: pretty good, I kind of got bored with him. I

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Speaker 1: liked Fat Thor. Oh yeah, that was fat was awesome.

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Speaker 1: They should do that lay Yeah, Fat Thor on coming

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Speaker 1: at you August third, So he's not fat Thor anymore.

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Speaker 1: Now he gets ripped up for this one. He ripped

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Speaker 1: up for all of them. What I mean, like in

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Speaker 1: the movie you see him go from that transformation from

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Speaker 1: fat doors. Oh he has fat Thor in the movie. Yeah,

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Speaker 1: he's started in. Sign me up. I'll leave when he's up,

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Speaker 1: when he's normal. But I'm in for the first fat part.

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Speaker 1: All right, Mike appreciate that. Yeah, there is movie Mike,

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Speaker 1: and you check out movie Mike's podcast, which is called

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Speaker 1: movie My Movie Podcast. That is it? That is it?

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Speaker 1: All right? Mike appreciate that. It's the best bits of

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Speaker 1: the week with Morgan. Number two. Everybody has a rough

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Speaker 1: day every now and again, Okay, like we just all

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Speaker 1: go through it. We're human. And Amy decided to share

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Speaker 1: hers with all of us, and it was quite the

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Speaker 1: chaotic morning, so much so that the cops showed up

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Speaker 1: at our house. So I'm just gonna let her tell

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Speaker 1: that story for you. Number six, Okay, let's talk about

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Speaker 1: this because Amy comes into the studio freaking out this

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Speaker 1: morning because she's like, I think the cops are coming

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Speaker 1: to my house. Did they come to your house? Yes?

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Speaker 1: What happened. Well, I found out after the fact that

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Speaker 1: they did in fact arrive. So my phone wasn't plugged

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Speaker 1: in all the way. So you know, I I charge

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Speaker 1: my phone at night and I go but the but

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Speaker 1: the outlet in the wall, it wasn't plugged into the wall.

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Speaker 1: But I didn't know that. So you charge your phone

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Speaker 1: into nothing. So I'm thinking all night it's charging. Not

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Speaker 1: only that, I decided to listen to, you know, some

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Speaker 1: noise making stuff which killed my phone, like it made

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Speaker 1: it die way sooner, and I guess in the middle

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Speaker 1: of the night my phone died. My alarm to go off.

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Speaker 1: I'm shocked. I made it here on time, and so

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Speaker 1: I had about five minutes to get ready and get

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Speaker 1: out the door. And I opened the door to run

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Speaker 1: to the car, and my house alarm goes off. But

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Speaker 1: it doesn't go It's more of a more subtle at first.

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Speaker 1: It's like it's like giving you the however long to

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Speaker 1: enter your code? Ye. Yeah. The only problem is I

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Speaker 1: don't know the code for the keypad. I I have

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Speaker 1: a I have an app on my phone for my alarm.

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Speaker 1: You don't know the code inside your house? I did,

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Speaker 1: But when you enter it wrong, and it's not like,

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Speaker 1: don't call you yo, Hey, your phone's going off. My

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Speaker 1: phone's dead. Remember this is the phone. All of this

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Speaker 1: goes back to the fact that my phone is dead.

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Speaker 1: So but I if I can again, if I can

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Speaker 1: just get out the door, I won't be late to work,

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Speaker 1: because what happens if you're late to work, you have

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Speaker 1: to go home exactly. We get set home and I'm like,

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Speaker 1: I am not gonna be set home and I'm not

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Speaker 1: gonna be late on an instant like that. Though. That's one. Yeah,

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Speaker 1: but I had no way to call you because time.

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Speaker 1: So I just I actually am questioning my judgment at

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Speaker 1: this point. But this should also show you how dedicated

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Speaker 1: I am to getting here on time. Because this alarm

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Speaker 1: just starts blaring like it is loud, like basically, the

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Speaker 1: police are coming. Wait, you can hear and you drive off. Oh.

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Speaker 1: I get in my car and I'm like, you know what,

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Speaker 1: I'm sure like my kids are sleeping. Nobody's woken up

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Speaker 1: at this point, and I'm like, well, okay, my husband's

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Speaker 1: not there. And so I back out the driveway and

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Speaker 1: I had to work and I'm like, with the alarm

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Speaker 1: going on, you out of your mind I supposed to do.

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Speaker 1: My phone was dead. So listen did you do as

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Speaker 1: you go on and plug your phone and it takes

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Speaker 1: about two minutes of the little battery to come back.

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Speaker 1: Only then you have one percent. And then when you

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Speaker 1: get that one percent, you call up here and be like, hey,

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Speaker 1: my house alarms going off. I'll be a few minutes later. Yeah.

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Speaker 1: I've been thinking about this because again questioning my judgment.

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Speaker 1: But I feel like we're all such nervous wrex about

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Speaker 1: being late to work that I went into like fight

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Speaker 1: or flight, and I, you're not being robbed. I took

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Speaker 1: off fight, you went flight. Fight like the anxiety I

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Speaker 1: felt around. First of all, my alarm not going off.

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Speaker 1: I think I was already just woke up in that mode.

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Speaker 1: And then I was doing I was in survival whatever

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Speaker 1: I needed to do to take care of myself, which

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Speaker 1: included me leaving my house while the alarm is blaring.

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Speaker 1: So the cops came to your house, Yeah, so they

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Speaker 1: did so, but you're not there, I know, but we

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Speaker 1: have someone that gas and kicking the door down. I

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Speaker 1: had someone arriving at the house to eventually help out

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Speaker 1: with the kids and stuff, and so when she got there,

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Speaker 1: the cops were there, and she was like, oh, I

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Speaker 1: hadn't even had a chance to call her to tell

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Speaker 1: her what happened, because you didn't get here in charge

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Speaker 1: your phone. I did, but all it takes twenty minutes

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Speaker 1: for me to drive to work and my phone was

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Speaker 1: dead the whole time because I don't have a charger

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Speaker 1: in my Oh my goodness, how do you not charger

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Speaker 1: in your car? Not feeling like a responsible adult right now,

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Speaker 1: but trust me, I am just not today. I just

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Speaker 1: can't believe you left the house with the alarm going?

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Speaker 1: But who did you got here on time? No, I

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Speaker 1: hear you. I don't even care about that. What about

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Speaker 1: your kids? Who are they didn't wake up? Oh my god,

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Speaker 1: even though alarms going off, Thank goodness. I mean now

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Speaker 1: I'm worried, like if there's a fire, So what did

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Speaker 1: they wake up to the cops going, hey, are you okay? No?

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Speaker 1: I think, well, I don't know if Shannon, who helps us?

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Speaker 1: I don't know if she got there like a right

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Speaker 1: about the same time. I don't know how it happened.

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Speaker 1: But she texted me and she's like, so the police

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Speaker 1: were here this morning, and like, yeah, yeah, I figured

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Speaker 1: that might happen. What so, But you got here and

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Speaker 1: charge your phone, and that's when I came on charger.

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Speaker 1: I brought mine from the wall and then plugged it in,

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Speaker 1: But you didn't plug it into your car. Because you

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Speaker 1: can take something the raw. It takes a special cord

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Speaker 1: in my car and a cassette player. What's up? Trust me?

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Speaker 1: I know my car has the USB and you know

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Speaker 1: how new Apple chargers have that teeny tiny because Apple

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Speaker 1: likes to change everything and make it difficult, and my

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Speaker 1: car doesn't have that. Well, you're okay, everything's good, cops,

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Speaker 1: There no charges. You're all clear. Yeah, except for if

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Speaker 1: the police happen to be listening to the show right

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Speaker 1: now and they realize that's my house, they're probably thinking,

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Speaker 1: what kind of a mother are you. I don't think

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Speaker 1: it's just a police that think that. I know and

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Speaker 1: now I'm telling a girl, but I'm admitting that sometimes

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Speaker 1: when we're not in our rational brain, we make decisions

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Speaker 1: and nobody was going to get hurt. It doesn't make

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Speaker 1: you a bad mom. It just makes you a human

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Speaker 1: who didn't make a good decision. But you, at times

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Speaker 1: I was frantic, but you at times forget or disregard,

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Speaker 1: M where are you going with this human life? Life?

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Speaker 1: My children? No? Okay, good? The ability to make quality decisions?

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Speaker 1: What but I got here on time? I know, I know,

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Speaker 1: but your priorities were a little out of whack at

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Speaker 1: that time. You got your car running for like three

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Speaker 1: hours when you went in the garage, he's left running. Remember, well,

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Speaker 1: I didn't know it was running. I didn't know. You

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Speaker 1: don't know what you don't Know's I supposit anyway, So

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Speaker 1: if you happen to have something like this happened to

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Speaker 1: you today, don't worry. Not alone you probably, I hope

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Speaker 1: you are alone. It's not happening a lot. But that's

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Speaker 1: a good story, and nobody was heard. I like it.

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Speaker 1: Thank you for being vulnerable and sharing that with us. Yeah,

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Speaker 1: because I could have kept this all to myself. Yeah,

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Speaker 1: you could have just plugged your phone in for I

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Speaker 1: mean for three minutes. So if I listen though, but

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Speaker 1: all of this was happening because my phone died and

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Speaker 1: my alarm didn't go off, that's the irresponsible part. I

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Speaker 1: didn't check to see that my charger was plugged into

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Speaker 1: the wall. So if I had called here and said, hey,

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Speaker 1: I'm gonna be late because I didn't wake up because

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Speaker 1: my alarm never went off. That's not what you say. Hey,

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Speaker 1: I'm gonna be late. My house alarm was going off

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Speaker 1: and cops are coming over here. But I went to

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Speaker 1: the origin. The origin is that I let my phone

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Speaker 1: die and that's irresponsible. Okay, I needed to get here.

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Speaker 1: We'll go home. So when you throw the cops in

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Speaker 1: the late story, we're good. Yeah, as long as you

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Speaker 1: can prove it. I need a sign slept by the

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Speaker 1: cops going I was at your house. It's the best

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Speaker 1: bits of the week with Morgan. Number two, Alicia Silverstone

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Speaker 1: was with us this week. She virtually called in and

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Speaker 1: talked about some of the previous acting roles she's done,

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Speaker 1: as well as what all she's changed in her health

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Speaker 1: to be able to be this super energetic and positive

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Speaker 1: person and very healthy person that she is now. And

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Speaker 1: some people are like, what is happening? But I'm telling you,

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Speaker 1: this is so cool to hear about because I've always

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Speaker 1: been a big believer that food is very important in

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Speaker 1: the grand scheme of things with the health of our body.

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Speaker 1: So hearing Alicia talk about it was really awesome, especially

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Speaker 1: when she talked about some of her previous acting roles.

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Speaker 1: So here you go, number five, Alicia, How are you good?

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Speaker 1: How are you? A couple things? Here? Your podcast a

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Speaker 1: real hell podcast. So what do you eat generally for

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Speaker 1: you to stay healthy and for you to heal? Yeah?

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Speaker 1: I stopped eating meat dairy s. Well, first it was

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Speaker 1: just meat and dairy and that did everything to begin with.

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Speaker 1: But then I started to understand even more about health

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Speaker 1: and how I could start eating less sugar and less

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Speaker 1: processed foods and really eat whole grains. I do a

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Speaker 1: lot of rely on Tom's and aspirin and Red Bull.

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Speaker 1: I assume red Bulls not really on the list of

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Speaker 1: things I should probably be crushing daily exactly. So that

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Speaker 1: might be working for you right now, but I don't know.

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Speaker 1: Giving you a couple more years, you're gonna have some problems.

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Speaker 1: I'm twenty two, but yeah, I'm just I look a

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Speaker 1: lot older because all that red Bull and Tom's probably

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Speaker 1: just guess and you're not really twenty two, are you? No? God,

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Speaker 1: no God, I'm like, say, face, you're so far away,

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Speaker 1: you're at a big guest. Yeah, just trust me. It's

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Speaker 1: a beautiful, young looking face. It looks twenty two. Well,

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Speaker 1: let me. Let me say this. The podcast is called

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Speaker 1: the Real Hill Podcast. Yeah. I do want to talk

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Speaker 1: about the movie too, because I love apocalyptic movies. Those

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Speaker 1: are my favorite kind of movies where I wonder, like,

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Speaker 1: after the apocalypse happened, could I survive? That? To me

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Speaker 1: is if it's a TV series or a movie like that,

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Speaker 1: is that is my genre of movie as Lunchbox, let's

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Speaker 1: say here on the show. And so the Last Survivor

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Speaker 1: is that it's in that world. Do you think after

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Speaker 1: shooting this movie that you would be someone? Because when

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Speaker 1: you talk about how you eat and all the plants,

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Speaker 1: I feel like you'd be pretty good at this already.

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Speaker 1: How would I survive? I have no idea. Yeah, would you?

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Speaker 1: I mean after doing the movie, are you like, man,

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Speaker 1: I can actually do this or are you like nah,

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Speaker 1: I'm good. I like internet and running water. Living off

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Speaker 1: the grid is very pleasurable for me when energy, when

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Speaker 1: the power goes out and everyone can't use it, it it

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Speaker 1: makes me very happy. So yeah, I think I'd be

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Speaker 1: okay with all those things, living off the grid and

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Speaker 1: managing like that. But our movie Last Survivors is really

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Speaker 1: interesting and the relationships are really interesting, and my character

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Speaker 1: has left her children to go live in the woods,

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Speaker 1: you know, and this farm, and I don't think I

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Speaker 1: could do that. I wouldn't leave my baby. Okay, So

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Speaker 1: I want to do this if you're cool with it.

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Speaker 1: I have a few general questions that I would like

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Speaker 1: to ask you about your career and it'll be very quick.

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Speaker 1: Are you game? One of fun thing I want to

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Speaker 1: tell you before you do that is that I can't

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Speaker 1: believe that this little movie Last Survivors that we made

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Speaker 1: on a shoe string budget has been number one on

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Speaker 1: Hulu for it was on a number one on Hulu

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Speaker 1: for like an entire week. And at the same time,

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Speaker 1: senior year, this fun movie I did for Netflix was

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Speaker 1: number one on Netflix. So I had two number one

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Speaker 1: movies at the same time. Yeah, the other movie on

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Speaker 1: Netflix is that with Rebel Wilson. I'm just going from

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Speaker 1: memory here. Yes, she's so funny. What is it like

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Speaker 1: to be Yeah, like, if you're with somebody who's just

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Speaker 1: hilarious or are people that we see that we think

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Speaker 1: all they're hilarious in movies, they're really not the hilarious

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Speaker 1: not on the movie, Like what is that dynamic? Like, well,

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Speaker 1: Rebel's just a really clever woman, and she's so when

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Speaker 1: I when we weren't shooting, we were just sitting there chatting,

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Speaker 1: and she was a very deep, serious person. So yeah,

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Speaker 1: I don't think she's walking around just joking around all

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Speaker 1: the time. She's very She's got a lot of thoughtful

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Speaker 1: things going on in her mind. I think she's studied

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Speaker 1: to be a lawyer. At what I think she was

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Speaker 1: almost a lawyer. So anyway, I had a really good

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Speaker 1: time with her. I just have a little cameo in

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Speaker 1: the movie, but I I loved it. Made me laugh

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Speaker 1: so hard, this film. It's so fun right here. In

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Speaker 1: my final few questions for you, do you know I'm

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Speaker 1: gonna you can just say no and be like, that's

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Speaker 1: a stupid question. Do you know your first acting credit list?

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Speaker 1: About IMDb? Because I did like the research, obviously, but

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Speaker 1: I went like, super generic. Do you know the first

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Speaker 1: thing they list you is acting in Nick and Me.

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Speaker 1: It's The Wonder Years in nineteen ninety two, and I've

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Speaker 1: seen every episode. I do not remember you on the show.

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Speaker 1: Do you have a memory of filming that show? I

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Speaker 1: mean ninety two? The why I'm sure you've done so much.

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Speaker 1: I don't remember half the crap I've done last month.

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Speaker 1: I wonder if you remember a random Wonder Years episode

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Speaker 1: from ninety two, remember Stay, I do remember being in

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Speaker 1: the hallway where I shot that and with Fred Kevin

359
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Speaker 1: on the show. I think, right kets Yeah, yeah, okay,

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Speaker 1: I just wondered if you knew that's number one. Number two.

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Speaker 1: My number two question is so in I guess I

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Speaker 1: was in high school Batman Batgirl In Batman, you're a

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Speaker 1: batgirl and Batman. But that suit, that suit looks like

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Speaker 1: it's super hard to move around and live in, especially

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Speaker 1: if you YEA. So how hard is it to actually

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Speaker 1: have to function in a suit that seems like it's

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Speaker 1: wrapped around your entire body for twelve hours at a time.

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Speaker 1: It sucked. We had to put I think we had

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Speaker 1: to put baby powder all over ourselves or these stockings underneath,

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Speaker 1: I don't remember, but the whole thing was so such

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Speaker 1: an ordeal, and when you had to pee, it was

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Speaker 1: such a pain in the butt to get the thing off.

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Speaker 1: It was so epic and yeah, not fun suit. I'm

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Speaker 1: sure they've improved on the suits since. And my final

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Speaker 1: question is I you speak French fluently from what I understand,

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Speaker 1: and I have a French miner. Now with my French miner,

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Speaker 1: I know like six things and that's all. But I

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Speaker 1: would like to run a few of those six things

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Speaker 1: by you, if you are fluent in French. I am

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Speaker 1: not fluid in French. I have no idea where you were.

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Speaker 1: Let's try anyway, because I either. So let's see what

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Speaker 1: happens here. All right, here we go, h bonjeur, Alicia bonjeou, Bobby,

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Speaker 1: She's already better than I am. She said, this fact

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Speaker 1: is made up on the internet. Set T Gay? How

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00:18:01,359 --> 00:18:04,879
Speaker 1: about this? How about this? Is that? How are you?

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00:18:04,960 --> 00:18:06,399
Speaker 1: I don't know. I just remember saying it over and

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00:18:06,400 --> 00:18:10,040
Speaker 1: over again, but I don't remember all of our wall.

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Speaker 1: All I've got is a kiss kiss pass. Yeah, we're

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Speaker 1: about to say she didn't speak confluently, guys, I just

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Speaker 1: checked it out. Um, okay, here's what I want to say.

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Speaker 1: And you have just been a delight to talk with

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Speaker 1: and thank you, and so the two things I want

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Speaker 1: you to check out The Real Hill podcast. All the

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Speaker 1: episodes are out there. Episode eleven came out on the

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Speaker 1: twenty sixth, so it's out. They're all out now. Wow,

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Speaker 1: they just all came out, So check them out and

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Speaker 1: then check out Last Survivors on Hulu, which is really great.

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Speaker 1: The look in the field the movie far surpasses the

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Speaker 1: money they spent on it, and that is a testament

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Speaker 1: to how great a job you guys did. So Alicia,

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Speaker 1: thank you for your time. If you can zoom in

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Speaker 1: one more time in my face, I want to leave

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Speaker 1: it with this, Eddie your zoom Yeah, check it out.

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Speaker 1: Oh you're so okay, yea, thank you? All right there

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Speaker 1: she is Alicia Sails telling everybody out by Alsia. Yeah,

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Speaker 1: it's the best bits of the week With Morgan. Number two,

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Speaker 1: we all felt a little disgusted on the show this week.

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Speaker 1: Lunchbox ate AMI's lunch out of the trash can. No,

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Speaker 1: not just like eate Amies lunch. He ate it out

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Speaker 1: of the trash can. And it was a whole thing

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Speaker 1: when I got brought up on the show. And yeah,

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Speaker 1: I'm just I'm gonna let you relive this for you.

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Speaker 1: Number four. By the way, I hear the lunchbox eat

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Speaker 1: food out of the garbage in here. Have you heard,

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Speaker 1: lunchbox you were seen eating food out the garbage in

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Speaker 1: this room. No Amy, you put some food in the trash. Yes,

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Speaker 1: So it was in your office. I threw it away.

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Speaker 1: I was doing some work in there, and then I

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Speaker 1: came back into the main studio to leave. But on

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Speaker 1: my way out, I passed back by your office and

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Speaker 1: I see lunch box pulling my food out of the trash.

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Speaker 1: I kept walking because I didn't even want to. I

423
00:19:40,359 --> 00:19:42,679
Speaker 1: didn't want to embarrass him. I didn't want to know

424
00:19:42,720 --> 00:19:44,600
Speaker 1: what was going on. Then I thought, well, I'll just,

425
00:19:45,000 --> 00:19:47,120
Speaker 1: you know, send it in a prep later and ask,

426
00:19:47,480 --> 00:19:49,800
Speaker 1: why are you smiling so big? I mean, I did

427
00:19:49,840 --> 00:19:52,080
Speaker 1: eat it a hold night, So why did you see? Though?

428
00:19:52,080 --> 00:19:53,480
Speaker 1: How did you know she put food in the trash?

429
00:19:53,520 --> 00:19:55,840
Speaker 1: Because I was walking in because I needed to use

430
00:19:56,119 --> 00:19:58,320
Speaker 1: your office for something, and she was getting done, and

431
00:19:58,359 --> 00:19:59,960
Speaker 1: she had food and she put it in her bag

432
00:20:00,240 --> 00:20:02,040
Speaker 1: and through in the trash. She was wrapping it all

433
00:20:02,119 --> 00:20:04,120
Speaker 1: up through in the trash. I was like, and there's

434
00:20:04,160 --> 00:20:06,120
Speaker 1: still like four bites left, Like why would you throw

435
00:20:06,119 --> 00:20:08,439
Speaker 1: that away? And so I pulled it out and what

436
00:20:08,760 --> 00:20:12,200
Speaker 1: sounds like a salad? You went into the garbage and

437
00:20:12,240 --> 00:20:14,720
Speaker 1: ad a salad that she'd already eating and thrown away.

438
00:20:14,600 --> 00:20:17,439
Speaker 1: I listen, I would have kept eating too, but I

439
00:20:17,480 --> 00:20:18,800
Speaker 1: was in a hurry. And headed to a meeting, and

440
00:20:18,800 --> 00:20:20,359
Speaker 1: I couldn't take food with me because it would just

441
00:20:20,400 --> 00:20:22,400
Speaker 1: be sitting in my car. So he's not wrong. There

442
00:20:22,480 --> 00:20:25,920
Speaker 1: was still good bites left. Still. Look, I know Amy.

443
00:20:26,000 --> 00:20:28,320
Speaker 1: I know Amy's not spitting on her food or putting

444
00:20:28,320 --> 00:20:30,200
Speaker 1: in her mouth and spitting it out. So I feel

445
00:20:30,200 --> 00:20:34,119
Speaker 1: like Amy's a pretty healthy person. Doesn't like you went

446
00:20:34,160 --> 00:20:36,720
Speaker 1: into the garbage and a half eating salad? Yeah? Yeah,

447
00:20:36,840 --> 00:20:41,399
Speaker 1: did you not have food? Not in any food? Man?

448
00:20:41,440 --> 00:20:44,040
Speaker 1: You watch us eat, see when we put food in

449
00:20:44,080 --> 00:20:46,360
Speaker 1: the trash, and then if you liked what we had

450
00:20:46,400 --> 00:20:50,280
Speaker 1: going after it, I will Yeah, I pay attention. That's

451
00:20:50,359 --> 00:20:53,879
Speaker 1: so weird. But it was a free meal. It was

452
00:20:53,920 --> 00:20:55,879
Speaker 1: really a free snack and didn't fill me up, but

453
00:20:56,320 --> 00:20:57,880
Speaker 1: you know, tied me over so I can get somewhere

454
00:20:57,920 --> 00:21:00,240
Speaker 1: to eat. You found someone else put food in the trash.

455
00:21:00,280 --> 00:21:02,080
Speaker 1: I told you your TikTok angle was always to go

456
00:21:02,080 --> 00:21:04,600
Speaker 1: onto the trash and eat no filment. I just ate

457
00:21:04,680 --> 00:21:07,320
Speaker 1: it and I didn't. I had no idea anybody saw me.

458
00:21:07,359 --> 00:21:09,040
Speaker 1: And when you started talking about I was like, dang,

459
00:21:09,080 --> 00:21:13,639
Speaker 1: I got caught. That's so weird. It's the best bits

460
00:21:13,680 --> 00:21:18,240
Speaker 1: of the week with Morgan. Number two because May is

461
00:21:18,320 --> 00:21:21,119
Speaker 1: now over. That meant we could award an Employee of

462
00:21:21,119 --> 00:21:23,800
Speaker 1: the Month for May. And all I'm gonna say is

463
00:21:23,800 --> 00:21:27,359
Speaker 1: that I'm just so freaking excited. That's it, and that's

464
00:21:27,440 --> 00:21:29,560
Speaker 1: all I can reveal before you listen to this. But

465
00:21:29,640 --> 00:21:34,439
Speaker 1: like also spoiler, you should congratulate me. Here you go,

466
00:21:34,960 --> 00:21:37,600
Speaker 1: number three, it's time to name the employee of the month.

467
00:21:37,640 --> 00:21:40,399
Speaker 1: Here we are first part of June. We got a

468
00:21:40,520 --> 00:21:43,560
Speaker 1: name the MVP of May. By the way, Lunchbox the

469
00:21:43,560 --> 00:21:46,119
Speaker 1: reigning employee the month. Yeah, it feels so good. You

470
00:21:46,200 --> 00:21:51,640
Speaker 1: could you could repeat? I could be here. Had any repeats, Abby, maybe? Yeah,

471
00:21:53,080 --> 00:21:55,639
Speaker 1: just a sympathy. Each month I recognized a member of

472
00:21:55,720 --> 00:21:58,920
Speaker 1: the show twice. Yeah, each month I recognized remember the

473
00:21:58,960 --> 00:22:02,320
Speaker 1: show brought the best content, had the best attitude, went

474
00:22:02,359 --> 00:22:05,119
Speaker 1: above and beyond and all aspects of their role. That

475
00:22:05,160 --> 00:22:07,639
Speaker 1: describes me to a t. Lunchbox won it for the

476
00:22:07,640 --> 00:22:10,199
Speaker 1: first time ever last month. I've been thinking about that

477
00:22:10,240 --> 00:22:12,320
Speaker 1: since I started at Randall's at fifteen years old, the

478
00:22:12,320 --> 00:22:15,520
Speaker 1: grocery store. Well, I got it. Here to put your

479
00:22:15,520 --> 00:22:18,480
Speaker 1: picture frame up in the mid room. Here are the prizes.

480
00:22:18,600 --> 00:22:20,760
Speaker 1: You can spend the wheel of cash where you can

481
00:22:20,760 --> 00:22:23,920
Speaker 1: win anywhere from one dollar to one hundred dollars, except

482
00:22:24,119 --> 00:22:26,320
Speaker 1: there's a catch, but it's a good catch. I'm gonna

483
00:22:26,320 --> 00:22:29,680
Speaker 1: mark out one of these one dollars now it's gonna

484
00:22:29,720 --> 00:22:34,439
Speaker 1: say one hundred and fifty dollars. Yeah, that's what I'm

485
00:22:34,440 --> 00:22:37,560
Speaker 1: talking about. Serious, I'm talking about. That's employ the Month.

486
00:22:37,600 --> 00:22:39,159
Speaker 1: If you win that, you can take a spin of

487
00:22:39,160 --> 00:22:42,160
Speaker 1: the wheel. You can also have self promotion fifteen seconds

488
00:22:42,200 --> 00:22:44,080
Speaker 1: whatever you want to say on the air. Also you'll

489
00:22:44,080 --> 00:22:45,640
Speaker 1: get an Employee the Month post on the Bobby Bone

490
00:22:45,680 --> 00:22:48,720
Speaker 1: Show Instagram. Oh wow, I should get that anyway, you

491
00:22:50,280 --> 00:22:52,960
Speaker 1: if you choose, can have my parking spot. You can

492
00:22:52,960 --> 00:22:55,200
Speaker 1: have the use of my parking spot anytime I'm not here.

493
00:22:56,600 --> 00:22:59,080
Speaker 1: All right, there you go. Lunchbox was the winner for April.

494
00:22:59,440 --> 00:23:01,199
Speaker 1: Now what the deal is. I'll go to you. You You

495
00:23:01,320 --> 00:23:03,920
Speaker 1: have fifteen seconds to read your speech and I'll tell

496
00:23:03,960 --> 00:23:05,680
Speaker 1: you if you're not the Employee the Month or hang

497
00:23:05,720 --> 00:23:10,480
Speaker 1: out for a minute. Okay, Amy, Okay, read me your speech.

498
00:23:10,880 --> 00:23:15,440
Speaker 1: Oh okay, I'm not even sure what to write about anymore.

499
00:23:16,920 --> 00:23:19,399
Speaker 1: Last round of this my rhyme was a bore. But

500
00:23:19,480 --> 00:23:22,080
Speaker 1: since we have to have something to share just in case,

501
00:23:22,440 --> 00:23:26,520
Speaker 1: here's two Employee of the month, finally featuring my face. Well,

502
00:23:26,560 --> 00:23:29,440
Speaker 1: I'm thankful to win. We all know it takes a team.

503
00:23:29,480 --> 00:23:32,280
Speaker 1: There's so much talent on the show. We're bursting at

504
00:23:32,280 --> 00:23:34,639
Speaker 1: the seam. So to each and every one of you

505
00:23:34,680 --> 00:23:37,280
Speaker 1: in this room, this award is for you too, So

506
00:23:37,359 --> 00:23:41,359
Speaker 1: don't look some gloom. Okay, Okay, that's Amy. That's Amy

507
00:23:41,400 --> 00:23:47,520
Speaker 1: speech you said fifteen seconds. Yeah, she went over Amy.

508
00:23:47,920 --> 00:23:52,560
Speaker 1: Yeah you did not win. Okay, ah, yeah, you an't

509
00:23:52,560 --> 00:23:56,159
Speaker 1: good to hang around Lunchbucks. You want already to read it.

510
00:23:56,280 --> 00:23:57,800
Speaker 1: Go and read your speech. Don't want to ruin this.

511
00:23:57,880 --> 00:23:59,960
Speaker 1: But here we go back to back. How do you

512
00:24:00,160 --> 00:24:02,879
Speaker 1: like that? I can't even remember how dominating I was

513
00:24:02,920 --> 00:24:04,760
Speaker 1: this past month, but I know the other people in

514
00:24:04,760 --> 00:24:07,440
Speaker 1: this room have done nothing to dethrone me. A couple

515
00:24:07,480 --> 00:24:09,600
Speaker 1: of tips for the losers in the room. Be funny

516
00:24:09,600 --> 00:24:11,880
Speaker 1: and compelling if you want to be Employee of the month.

517
00:24:12,200 --> 00:24:14,280
Speaker 1: Until then, I will sit up here on my throne

518
00:24:14,480 --> 00:24:18,080
Speaker 1: and look at you, wishing you were me. Wow. You

519
00:24:18,119 --> 00:24:19,639
Speaker 1: felt like it was gonna rhyme, but it just never did.

520
00:24:19,680 --> 00:24:23,320
Speaker 1: He started with it. Yeah, yeah, yeah, Lunchbox, I'm hanging around.

521
00:24:23,400 --> 00:24:26,760
Speaker 1: You are hanging around. I know, hey with not saying

522
00:24:26,760 --> 00:24:29,520
Speaker 1: back to that, how do you like that? Eddie? Read

523
00:24:29,560 --> 00:24:32,000
Speaker 1: me your speech employ the Month. Let's say you win.

524
00:24:32,080 --> 00:24:33,560
Speaker 1: What do you say? Yeah? Yeah, this is how I'm

525
00:24:33,600 --> 00:24:35,720
Speaker 1: gonna start it. Guys. I'm gonna be honest with you.

526
00:24:35,720 --> 00:24:38,760
Speaker 1: I don't think I deserve this award. It's been a

527
00:24:38,880 --> 00:24:40,919
Speaker 1: really weird month for me. You know. I lost the

528
00:24:40,960 --> 00:24:43,840
Speaker 1: easy trivia trs. I'm really bummed about that. I forgot

529
00:24:43,880 --> 00:24:45,600
Speaker 1: to pay my bed at the coffee shop where I

530
00:24:45,600 --> 00:24:47,800
Speaker 1: had to go bark like a dog. I didn't do that.

531
00:24:47,880 --> 00:24:50,040
Speaker 1: Then I eventually did, so I failed on that. Heck,

532
00:24:50,160 --> 00:24:52,560
Speaker 1: I even lost almost lost the State Capital game, but

533
00:24:52,640 --> 00:24:54,879
Speaker 1: thank god. You know, Morgan's not very smart, so she

534
00:24:54,960 --> 00:24:59,800
Speaker 1: lost necessary. I promise I will do better next month.

535
00:25:00,240 --> 00:25:06,000
Speaker 1: So come on, okay, well you're not it. Yeah, kick

536
00:25:06,040 --> 00:25:09,320
Speaker 1: him off for next month. I didn't win this, Morgan.

537
00:25:09,440 --> 00:25:13,080
Speaker 1: You're smart by the way. Ray, Let's say, yeah, Ray

538
00:25:13,160 --> 00:25:14,639
Speaker 1: is the one ear if you were what your speech

539
00:25:14,680 --> 00:25:18,920
Speaker 1: goes like? What? Let's not forget the news story about

540
00:25:18,920 --> 00:25:22,440
Speaker 1: the Alabama jail guard. She was almost awarded the Employee

541
00:25:22,480 --> 00:25:24,600
Speaker 1: of the Month, and then she helped a convicted felon

542
00:25:24,800 --> 00:25:27,160
Speaker 1: escape prison. That's why you have to give this award

543
00:25:27,160 --> 00:25:29,720
Speaker 1: to the right person. Amy went to La and left

544
00:25:29,760 --> 00:25:32,960
Speaker 1: us for dead for multiple days. Lunchbox's best bit was

545
00:25:33,000 --> 00:25:36,399
Speaker 1: calling a motel six about beer cans and pizza. Doctor Bones,

546
00:25:36,400 --> 00:25:42,600
Speaker 1: you're a smart man. This award belongs with Sison. Ray

547
00:25:44,359 --> 00:25:49,000
Speaker 1: You're limited, Morgan. So hey, if morganate's only and you

548
00:25:49,040 --> 00:25:52,479
Speaker 1: win again, Lunchbox, I know, yeah, Okay, I like it

549
00:25:52,520 --> 00:25:55,480
Speaker 1: all right, Okay. I feel so proud to know that

550
00:25:55,520 --> 00:25:58,200
Speaker 1: I finally won this award. This is now the only

551
00:25:58,240 --> 00:26:00,639
Speaker 1: achievement that matters to me. It's an honor to be

552
00:26:00,720 --> 00:26:03,959
Speaker 1: recognized for all of my hard work this month. From Bobby,

553
00:26:04,119 --> 00:26:06,639
Speaker 1: Mike D, Scooba Steve. Thank you to everyone on the

554
00:26:06,640 --> 00:26:10,720
Speaker 1: show and all the listeners, Short and Sweet, Short and Sword.

555
00:26:10,920 --> 00:26:13,080
Speaker 1: I didn't throw any punches. I guess I should have. Yeah,

556
00:26:13,080 --> 00:26:16,840
Speaker 1: I got to fight other people for it. Morgan just

557
00:26:17,040 --> 00:26:23,479
Speaker 1: rude hang around. Wh Wow, Lunchboxing Morgan. I met with

558
00:26:23,520 --> 00:26:25,720
Speaker 1: my team before the show, which is Mike D and

559
00:26:25,760 --> 00:26:27,560
Speaker 1: Scooba Steve. We talked about who we thought should be

560
00:26:27,600 --> 00:26:33,080
Speaker 1: employee of the month. Wow, Lunchbox. Only one person's ever repeated.

561
00:26:34,200 --> 00:26:36,119
Speaker 1: She didn't even get didn't even get in a space

562
00:26:36,200 --> 00:26:42,760
Speaker 1: this time. Abby. Oh yeah, Abby, Dabby, you didn't get it.

563
00:26:43,920 --> 00:26:46,240
Speaker 1: Go ahead, I'm sorry, it's all forgotten. She is, guys

564
00:26:46,280 --> 00:26:50,919
Speaker 1: like her phone's gonna go ahead. Sound okay. It's not

565
00:26:51,000 --> 00:26:53,399
Speaker 1: uneasy task answering hundreds of calls a day, but it

566
00:26:53,520 --> 00:26:56,639
Speaker 1: is super rewarding, like when you help sixth grader Reese

567
00:26:56,680 --> 00:26:59,400
Speaker 1: with their talent show her dreams come true. Their listener

568
00:26:59,480 --> 00:27:01,800
Speaker 1: Merle with his what surprising his wife to a trip

569
00:27:01,800 --> 00:27:04,720
Speaker 1: to Nashville and getting Lunchbox, an acting gig that he

570
00:27:04,800 --> 00:27:07,919
Speaker 1: turns down. So cool anyway, I appreciate all, appreciate all

571
00:27:07,960 --> 00:27:10,199
Speaker 1: the listeners calling in and being loyal, Thank you. But

572
00:27:10,280 --> 00:27:12,720
Speaker 1: you know she doesn't get heavy hang around, no, no,

573
00:27:12,840 --> 00:27:17,960
Speaker 1: wow on. She doesn't get that they come to her.

574
00:27:18,119 --> 00:27:20,000
Speaker 1: I mean that they just call in just to ten

575
00:27:20,040 --> 00:27:23,480
Speaker 1: thousand calls and saves certain ones I don't see. Oh

576
00:27:23,520 --> 00:27:25,479
Speaker 1: my gosh, I could have let up on them. Ry

577
00:27:25,560 --> 00:27:27,760
Speaker 1: could never mind. You're out this time, We'll see you

578
00:27:27,800 --> 00:27:33,399
Speaker 1: next months. Like that, that's all it takes. I mean, hey, Morgan,

579
00:27:33,440 --> 00:27:35,440
Speaker 1: if you win which prize you want? Oh, I want

580
00:27:35,440 --> 00:27:38,800
Speaker 1: to spin the wheel absolutely lunchbox if you repeat what prize.

581
00:27:38,800 --> 00:27:41,680
Speaker 1: Do you want? Oh, I definitely am taking the money. Okay,

582
00:27:42,119 --> 00:27:47,680
Speaker 1: the winner, I've employed of the month. Let's spin the wheel. Wait, wait, yes,

583
00:27:48,520 --> 00:27:51,800
Speaker 1: let's go. Don't even don't even come on, let's go.

584
00:27:51,960 --> 00:27:54,560
Speaker 1: Let's go. You think it's you again? It absolutely is.

585
00:27:54,720 --> 00:27:58,280
Speaker 1: I haven't written down, so I'm not. Absolutely is Morgan

586
00:27:58,359 --> 00:28:02,560
Speaker 1: number two? What did she bring? A lot? Oh, my

587
00:28:02,760 --> 00:28:06,040
Speaker 1: lantern will post on the internet, a great I post

588
00:28:06,080 --> 00:28:12,480
Speaker 1: on Twitter too, Twitter. The winner is yeah, back to

589
00:28:12,640 --> 00:28:19,920
Speaker 1: back jacks, back to back, Michael Jordan, baby lunchbox. Yeah,

590
00:28:19,960 --> 00:28:26,920
Speaker 1: you did not winan where's all the list of things?

591
00:28:27,320 --> 00:28:32,320
Speaker 1: Here we go. Her segment highlights include her smell test

592
00:28:32,359 --> 00:28:34,760
Speaker 1: to see if she had returned from being able to

593
00:28:34,760 --> 00:28:37,439
Speaker 1: smell stuff from COVID. She revealed a major personal detail

594
00:28:37,480 --> 00:28:39,240
Speaker 1: that she and her boyfriend been talking about moving in

595
00:28:39,240 --> 00:28:42,200
Speaker 1: together maybe later on this year. She shared recommendations for

596
00:28:42,240 --> 00:28:44,880
Speaker 1: those shoes that so many listeners keep asking me about

597
00:28:44,880 --> 00:28:47,560
Speaker 1: opos or whatever they're called. She brought us the crazy

598
00:28:47,560 --> 00:28:49,320
Speaker 1: store of someone getting their pursonal and with their phone

599
00:28:49,360 --> 00:28:52,000
Speaker 1: inside of a wedding, and the millennial reviews of Saved

600
00:28:52,000 --> 00:28:55,080
Speaker 1: by the Balance Showshank Redemption, as well as her normal

601
00:28:55,120 --> 00:28:57,560
Speaker 1: digital job, Morgan, that is why you are employer. The

602
00:28:58,960 --> 00:29:01,720
Speaker 1: I also still honest street corner. Okay, that's a punishment.

603
00:29:01,840 --> 00:29:04,760
Speaker 1: That's how you spend the reward for going to the coffeehouse. No,

604
00:29:04,880 --> 00:29:06,680
Speaker 1: it's something you had to do because you watch Hey

605
00:29:06,760 --> 00:29:09,560
Speaker 1: keep talking, crab. It's gonna be good karma for me, Morgan.

606
00:29:09,640 --> 00:29:11,280
Speaker 1: Whatever the lands on is the money you get on

607
00:29:11,280 --> 00:29:14,280
Speaker 1: this wheel. There's one dollar, there's five dollars, there's ten dollars,

608
00:29:14,280 --> 00:29:18,880
Speaker 1: there's twenty dollars, there's one hundred dollars. Where's that hundred

609
00:29:18,880 --> 00:29:20,840
Speaker 1: dollars one hundred fifty? Oh that's up there, and then

610
00:29:20,880 --> 00:29:25,160
Speaker 1: there's now a one hundred and fifty dollars. All right,

611
00:29:25,200 --> 00:29:27,400
Speaker 1: so what's lunch? I'm sure for a dollar? Why it

612
00:29:27,400 --> 00:29:28,720
Speaker 1: doesn't affect you at all. You don't have to give

613
00:29:28,720 --> 00:29:30,920
Speaker 1: your money, I know. But she's rude to me. Okay,

614
00:29:31,800 --> 00:29:39,400
Speaker 1: here we go, let's spend that. Come on, maybe let's

615
00:29:39,400 --> 00:29:42,360
Speaker 1: go one fifty? Why are you jerman Ward? How cool

616
00:29:42,360 --> 00:29:49,680
Speaker 1: would that be? One just sounding dollar saying that's okay?

617
00:29:49,680 --> 00:29:58,360
Speaker 1: It was win the game and one spin or two goom?

618
00:29:58,960 --> 00:30:03,719
Speaker 1: What I was employ the month? Every month is different.

619
00:30:03,800 --> 00:30:15,080
Speaker 1: Oh wait, wait, wait fifty dollars. Wow, I'm gonna pay

620
00:30:15,120 --> 00:30:18,440
Speaker 1: you right now. Morgan, this is your fifty dollars for

621
00:30:18,480 --> 00:30:20,680
Speaker 1: being Employed of the month lunch. What are you saying

622
00:30:20,680 --> 00:30:22,320
Speaker 1: over there? You didn't spend it twice when I was

623
00:30:22,320 --> 00:30:24,840
Speaker 1: Employed of the month. I guess you didn't work as

624
00:30:24,880 --> 00:30:27,560
Speaker 1: hard as that. Yeah, right, mine was out of this world.

625
00:30:28,160 --> 00:30:32,400
Speaker 1: Okay Morgan with the eot M. Money is sent congratulation

626
00:30:34,520 --> 00:30:36,920
Speaker 1: work and now here's the message. Everybody else work harder?

627
00:30:36,920 --> 00:30:42,600
Speaker 1: All right. It's the best bits of the week with Morgan.

628
00:30:42,720 --> 00:30:47,000
Speaker 1: Number two Hot and the number two spots the Keith

629
00:30:47,120 --> 00:30:50,200
Speaker 1: Urban Interview. He came into the studio, brought his guitar,

630
00:30:50,680 --> 00:30:53,800
Speaker 1: talks about so many creative things his career. He talks

631
00:30:53,880 --> 00:30:56,920
Speaker 1: about how he finds balance in his life. And he

632
00:30:57,080 --> 00:31:00,800
Speaker 1: also performed little snippets of covers of different songs. And

633
00:31:00,920 --> 00:31:03,280
Speaker 1: he talks about the song that he thinks is like

634
00:31:03,320 --> 00:31:06,080
Speaker 1: the most romantic of all time and coming from Keith Urban,

635
00:31:06,520 --> 00:31:08,240
Speaker 1: I think we should all listen to it and play

636
00:31:08,280 --> 00:31:11,520
Speaker 1: it for our loved ones. Number two are you doing, buddy?

637
00:31:11,640 --> 00:31:16,480
Speaker 1: I'm good hit playing chord on something there when you're

638
00:31:16,880 --> 00:31:19,600
Speaker 1: at home and you have instruments all over and I

639
00:31:19,640 --> 00:31:22,720
Speaker 1: feel like your mind is always at least when I've

640
00:31:22,760 --> 00:31:25,080
Speaker 1: been around, you've just creating all the time. Will you

641
00:31:25,120 --> 00:31:26,560
Speaker 1: just grab an instrument and be like, oh, I gotta

642
00:31:26,560 --> 00:31:28,680
Speaker 1: get this out of my system, or or no, or

643
00:31:28,720 --> 00:31:31,000
Speaker 1: at home not so much, but if you go down

644
00:31:31,240 --> 00:31:34,600
Speaker 1: into like the studio, that's where you do that. Anywhere,

645
00:31:35,400 --> 00:31:38,000
Speaker 1: do you have instruments strategically placed, like near your toilet

646
00:31:38,000 --> 00:31:39,400
Speaker 1: where you just grab it and be like, I got

647
00:31:39,400 --> 00:31:41,560
Speaker 1: a little song idea here, I've done it one in

648
00:31:41,560 --> 00:31:44,080
Speaker 1: the toilet. But because if I could play like you,

649
00:31:45,240 --> 00:31:46,959
Speaker 1: I think i'd have one everywhere. You would just never

650
00:31:47,040 --> 00:31:49,840
Speaker 1: leave the toilet, that's what you're saying, right, yeah, now

651
00:31:49,960 --> 00:31:51,840
Speaker 1: just hanging there. I do a lot of good work

652
00:31:52,080 --> 00:31:54,960
Speaker 1: in the shower, right, Yes, ideas come in the shower.

653
00:31:55,200 --> 00:31:57,440
Speaker 1: Why do you think that is because you're doing something

654
00:31:57,440 --> 00:31:59,560
Speaker 1: you don't have to think about, and it liberates you

655
00:31:59,640 --> 00:32:02,120
Speaker 1: and it's a good feeling because I feel like I

656
00:32:02,160 --> 00:32:04,920
Speaker 1: get my best at least ideas I feel are strong

657
00:32:05,360 --> 00:32:08,520
Speaker 1: are in the shower, or like ideas for like comedy

658
00:32:08,560 --> 00:32:11,520
Speaker 1: bits or songs for like comedy songs. I'm like, dang,

659
00:32:11,560 --> 00:32:13,320
Speaker 1: But then what if I'm just like sitting on the couch.

660
00:32:13,360 --> 00:32:16,000
Speaker 1: I cannot. I don't have that same like freedom for

661
00:32:16,040 --> 00:32:19,160
Speaker 1: some reason. No, no, I hear you. Where will you

662
00:32:19,200 --> 00:32:21,520
Speaker 1: put yourself? If you're like, all right, I've got like

663
00:32:21,560 --> 00:32:24,960
Speaker 1: three days to create or think, like, where will you

664
00:32:24,960 --> 00:32:26,560
Speaker 1: put yourself to really make sure you can get the

665
00:32:26,600 --> 00:32:30,600
Speaker 1: best out of you? Oh, that's a good question. I'm

666
00:32:30,600 --> 00:32:33,920
Speaker 1: more creative in the morning. I don't really get creative

667
00:32:34,000 --> 00:32:37,080
Speaker 1: crazy late at night unless we're touring, and then I

668
00:32:37,120 --> 00:32:38,560
Speaker 1: find I come off stage and I've got a lot

669
00:32:38,560 --> 00:32:41,760
Speaker 1: of ideas I'd love to get into studio. Sometimes after

670
00:32:41,800 --> 00:32:45,200
Speaker 1: a gig, do you ever line that up? Or is

671
00:32:45,200 --> 00:32:47,360
Speaker 1: it something you just feel randomly? So you can't really

672
00:32:47,400 --> 00:32:49,720
Speaker 1: line a studio up after a show. Oh you can,

673
00:32:49,960 --> 00:32:53,080
Speaker 1: but I haven't done it. I have done it before,

674
00:32:53,120 --> 00:32:54,640
Speaker 1: but I haven't done it in a long time. But

675
00:32:54,760 --> 00:32:56,880
Speaker 1: sometimes that's the when you're in the flow. You know

676
00:32:56,920 --> 00:33:00,200
Speaker 1: you've just come off stage, You're just everything's flowing when

677
00:33:00,200 --> 00:33:02,400
Speaker 1: you're on stage. Do you ever get a couple of

678
00:33:02,440 --> 00:33:04,480
Speaker 1: ideas for a song? Like I have to remember this,

679
00:33:04,640 --> 00:33:06,760
Speaker 1: I'm playing a song that everybody knows, but I just

680
00:33:06,760 --> 00:33:10,080
Speaker 1: had a great idea. Is would you ever jot something

681
00:33:10,120 --> 00:33:11,920
Speaker 1: down or talking to be like, hey, remember the idea here?

682
00:33:11,920 --> 00:33:13,520
Speaker 1: I got a song called a love on a butterfly?

683
00:33:13,720 --> 00:33:16,360
Speaker 1: Or that ever happened? What's the title? Love on a butterfly?

684
00:33:16,520 --> 00:33:19,280
Speaker 1: Love on a butterfly? Play along? I'll sing it for you.

685
00:33:20,040 --> 00:33:26,880
Speaker 1: I was floating early one morning, I was reaching for

686
00:33:27,080 --> 00:33:33,240
Speaker 1: the sky. I didn't know that what I had was

687
00:33:33,360 --> 00:33:38,360
Speaker 1: love on a butterfly? Thank you? Yeah? And it just

688
00:33:38,360 --> 00:33:41,120
Speaker 1: flew away and then it died. Noah, got squatted and died? Yes,

689
00:33:41,840 --> 00:33:44,520
Speaker 1: quick song? Quick song? Does that ever happen where you're

690
00:33:44,560 --> 00:33:47,720
Speaker 1: up there? And I got a great idea, but I

691
00:33:47,720 --> 00:33:51,560
Speaker 1: gotta save it at sound check? It happens a lot,

692
00:33:52,040 --> 00:33:53,640
Speaker 1: not in a gig. I've never had it happening in

693
00:33:53,680 --> 00:33:55,440
Speaker 1: a gig, so it's too many things going on in

694
00:33:55,480 --> 00:33:58,000
Speaker 1: a gig. Will you ever play at a sound check

695
00:33:58,040 --> 00:33:59,920
Speaker 1: and kind of work through a song that you're right?

696
00:34:00,000 --> 00:34:03,240
Speaker 1: I didn't have somebody record it? Yeah? Yeah, yeah, absolutely.

697
00:34:03,280 --> 00:34:06,240
Speaker 1: Any of the good ones come from that. I think

698
00:34:06,280 --> 00:34:08,319
Speaker 1: some riffs have come A lot of riffs have come

699
00:34:08,400 --> 00:34:11,520
Speaker 1: from that. Yeah. Define a riff like a guitar riff,

700
00:34:11,600 --> 00:34:13,719
Speaker 1: or like a vocal no no no no no no

701
00:34:14,239 --> 00:34:17,239
Speaker 1: only above vocal riff. Yeah, melody of some sort, either

702
00:34:17,280 --> 00:34:20,279
Speaker 1: in guitar, singing something like that. After all of these

703
00:34:20,320 --> 00:34:22,960
Speaker 1: awards and years of performing, it still feels to me

704
00:34:23,640 --> 00:34:28,000
Speaker 1: that when you do it like you still find like

705
00:34:28,120 --> 00:34:33,120
Speaker 1: such purpose in performing. Right? Has that gone up or down?

706
00:34:33,239 --> 00:34:36,600
Speaker 1: Or does it? As you move along in your career?

707
00:34:37,080 --> 00:34:41,719
Speaker 1: Does sometimes are you like super excited to go performing? Others?

708
00:34:41,760 --> 00:34:43,560
Speaker 1: Not so much? Like I don't You've just done some

709
00:34:43,760 --> 00:34:45,680
Speaker 1: nice giant I feel the same as I always did,

710
00:34:45,920 --> 00:34:49,439
Speaker 1: like literally zero difference as far as getting on stage

711
00:34:49,440 --> 00:34:54,600
Speaker 1: and playing. How is that possible? It just is? I

712
00:34:54,640 --> 00:34:57,880
Speaker 1: mean literally because where I grew up in Australia, playing

713
00:34:57,880 --> 00:35:00,360
Speaker 1: all the pubs and clubs where you walk out to

714
00:35:00,400 --> 00:35:02,880
Speaker 1: a bunch of crossed arms and people going all right,

715
00:35:03,000 --> 00:35:05,080
Speaker 1: what do you do? Why should I care about this?

716
00:35:05,200 --> 00:35:07,640
Speaker 1: You know? And you've got to come out and get

717
00:35:07,920 --> 00:35:11,600
Speaker 1: get people engaged. That's just in my DNA. So it's

718
00:35:11,640 --> 00:35:15,560
Speaker 1: never changed. But crazy Just indulge me for a second.

719
00:35:16,160 --> 00:35:20,839
Speaker 1: I understand that. But you've been an entertainer of the year,

720
00:35:21,520 --> 00:35:23,960
Speaker 1: multiples you've done at all, and there never becomes a

721
00:35:23,960 --> 00:35:26,919
Speaker 1: point where some of that shakes off and you become

722
00:35:26,920 --> 00:35:29,480
Speaker 1: a little jaded. You have to recheck yourself. No, really,

723
00:35:29,520 --> 00:35:33,120
Speaker 1: I forget every I forget everything in a really good,

724
00:35:33,239 --> 00:35:35,520
Speaker 1: organic way. I don't push it off. I just don't.

725
00:35:35,560 --> 00:35:37,840
Speaker 1: I never think about it. I'm always thinking about the

726
00:35:37,880 --> 00:35:42,279
Speaker 1: next thing always. That is true. I can on a

727
00:35:42,360 --> 00:35:44,280
Speaker 1: very small level of valuch for that, because I remember

728
00:35:44,280 --> 00:35:46,000
Speaker 1: once being with you and you're like, this is my

729
00:35:46,080 --> 00:35:48,080
Speaker 1: album three albums from now, but I'm like, you're just

730
00:35:48,120 --> 00:35:49,560
Speaker 1: putting this one out right now. You're like, yeah, but

731
00:35:49,600 --> 00:35:52,200
Speaker 1: I got this working over here. So when you're putting

732
00:35:52,200 --> 00:35:57,600
Speaker 1: out a project and we're hearing it, you're already three

733
00:35:57,600 --> 00:36:00,200
Speaker 1: steps ahead working on the next thing. Sometimes, but then

734
00:36:00,200 --> 00:36:01,920
Speaker 1: those songs don't and then you know, you go to

735
00:36:01,960 --> 00:36:04,719
Speaker 1: make the next album and those songs don't resonate the

736
00:36:04,760 --> 00:36:07,480
Speaker 1: way they did Thank you before. Do you wish you

737
00:36:07,480 --> 00:36:09,360
Speaker 1: could go back? I'm gonna I'm gonna actually put you

738
00:36:09,360 --> 00:36:13,040
Speaker 1: on this if you could go back and rerecord one

739
00:36:13,080 --> 00:36:16,040
Speaker 1: of your big that's a good question, like, because you

740
00:36:16,080 --> 00:36:18,479
Speaker 1: hear it now and you're like, uh, like, what song

741
00:36:18,520 --> 00:36:24,040
Speaker 1: would you go back and creatively transform? Ah? Wow, that's

742
00:36:24,080 --> 00:36:27,319
Speaker 1: a great question, Bobby. I don't think. I don't think

743
00:36:27,360 --> 00:36:30,279
Speaker 1: about rerecording anything. I just think about certain songs that

744
00:36:30,320 --> 00:36:33,759
Speaker 1: didn't get to be singles, which was a bummer. What

745
00:36:33,920 --> 00:36:36,759
Speaker 1: would be that song off the last album, a song

746
00:36:36,800 --> 00:36:39,080
Speaker 1: called Live with that I really hoped it was going

747
00:36:39,160 --> 00:36:41,759
Speaker 1: to be a single, but we don't really hope. You're

748
00:36:41,800 --> 00:36:44,240
Speaker 1: a Keith Urban. If you wanted to be a single,

749
00:36:44,280 --> 00:36:47,239
Speaker 1: you walk in that office, you put your foot down right,

750
00:36:47,640 --> 00:36:50,120
Speaker 1: and you say, if you don't make this a single, yeah,

751
00:36:50,160 --> 00:36:52,160
Speaker 1: I'm not gonna have an accent anymore. And you give

752
00:36:52,160 --> 00:36:54,879
Speaker 1: what you threaten them. It's something that they didn't see

753
00:36:54,920 --> 00:36:57,920
Speaker 1: coming at all. Right, So if I threatened you with

754
00:36:57,960 --> 00:37:00,760
Speaker 1: how how long it takes songs to to get played,

755
00:37:02,440 --> 00:37:05,240
Speaker 1: what would happen? What would your reaction be? Not my problem,

756
00:37:05,280 --> 00:37:08,200
Speaker 1: That's what I would say. But I would think at

757
00:37:08,239 --> 00:37:10,160
Speaker 1: this point, when you have a favorite song, you could

758
00:37:10,200 --> 00:37:11,640
Speaker 1: just say I want this to be a single and

759
00:37:11,640 --> 00:37:14,640
Speaker 1: they'd have to listen. Yeah, except sometimes you're onto the

760
00:37:14,680 --> 00:37:18,920
Speaker 1: next the next thing you know, it's um. I know

761
00:37:19,000 --> 00:37:21,160
Speaker 1: when we had a song called you Look Good in

762
00:37:21,239 --> 00:37:22,960
Speaker 1: My Shirt it was going to be the next single

763
00:37:23,040 --> 00:37:26,520
Speaker 1: off that album, and we had the first single off

764
00:37:26,520 --> 00:37:28,799
Speaker 1: the next record ready to go. So you go, well,

765
00:37:28,800 --> 00:37:30,239
Speaker 1: do we come with a fifth single or do we

766
00:37:30,320 --> 00:37:32,080
Speaker 1: come with the first single off the next record, and

767
00:37:32,120 --> 00:37:35,359
Speaker 1: so that song just misses. It's it's shot, and you're

768
00:37:35,360 --> 00:37:38,719
Speaker 1: probably so excited about the next project that you more

769
00:37:38,719 --> 00:37:40,200
Speaker 1: times than not just go, let's just go to the

770
00:37:40,239 --> 00:37:44,160
Speaker 1: next one. Right. Yeah. It's unusual right now, isn't it.

771
00:37:44,200 --> 00:37:46,799
Speaker 1: I mean, as far as where songs go, how they live,

772
00:37:46,800 --> 00:37:50,440
Speaker 1: how they get discovered, what's classified a hit song these days,

773
00:37:50,800 --> 00:37:53,360
Speaker 1: there's so many metrics for all of that. It's not

774
00:37:53,400 --> 00:37:55,400
Speaker 1: a straight line like it used to be. When you

775
00:37:55,440 --> 00:37:57,680
Speaker 1: talk about singles and you know you would like this song.

776
00:37:57,800 --> 00:37:59,239
Speaker 1: Did you ever have a song on the label said hey,

777
00:37:59,320 --> 00:38:01,160
Speaker 1: this is the song and you're like, oh, man, I

778
00:38:01,239 --> 00:38:02,960
Speaker 1: like it, but I don't think it's a single, And

779
00:38:03,000 --> 00:38:05,920
Speaker 1: then they went with it and it crushed, and you're like, wow,

780
00:38:05,960 --> 00:38:08,439
Speaker 1: I missed on that one because it's awesome Blue Aunt

781
00:38:08,480 --> 00:38:11,359
Speaker 1: of Color, isn't It's not a song that I didn't

782
00:38:11,360 --> 00:38:13,200
Speaker 1: think it was going to be a single, but I

783
00:38:13,200 --> 00:38:15,239
Speaker 1: had no idea it would resonate the way it did,

784
00:38:16,080 --> 00:38:18,840
Speaker 1: no idea, and the label loved it. And so do

785
00:38:18,880 --> 00:38:21,280
Speaker 1: you just go, okay, because what I do with my bosses,

786
00:38:21,360 --> 00:38:22,800
Speaker 1: you know what, I'm gonna do this one because you

787
00:38:22,880 --> 00:38:24,640
Speaker 1: would like me to do it, But the next time

788
00:38:24,680 --> 00:38:27,839
Speaker 1: I ask for one, like I you owe me one.

789
00:38:27,880 --> 00:38:29,880
Speaker 1: Do you ever do that with them? They will? I

790
00:38:29,880 --> 00:38:33,640
Speaker 1: mean they always default to the letting me sequence things

791
00:38:33,680 --> 00:38:35,600
Speaker 1: the way that I've always done it really right from

792
00:38:35,640 --> 00:38:41,239
Speaker 1: the beginning. But I'm not always right. I get it

793
00:38:41,280 --> 00:38:43,840
Speaker 1: wrong a lot. I don't know. You know interesting you

794
00:38:43,880 --> 00:38:46,080
Speaker 1: know with your show, do you do bits that you go,

795
00:38:46,239 --> 00:38:47,680
Speaker 1: this is going to crush today and you do it

796
00:38:47,719 --> 00:38:50,480
Speaker 1: and it's like okay. I think I approach them all

797
00:38:50,520 --> 00:38:52,839
Speaker 1: like okay, and then we just do what happens, right,

798
00:38:52,840 --> 00:38:55,160
Speaker 1: you know? Um, Yes, there are sometimes where I'm like,

799
00:38:55,600 --> 00:38:57,720
Speaker 1: you must be surprised things that don't work. I would

800
00:38:57,719 --> 00:39:00,440
Speaker 1: think what I can't. So here's the difference. In the studio,

801
00:39:00,480 --> 00:39:02,279
Speaker 1: I can't really tell because I can't see the people.

802
00:39:02,280 --> 00:39:04,239
Speaker 1: But when I'm doing standout right right and I'm like,

803
00:39:04,400 --> 00:39:08,200
Speaker 1: this bit is so funny, right, I will write it

804
00:39:08,239 --> 00:39:09,920
Speaker 1: and be like this's gonna crush, It's gonna crush here,

805
00:39:09,920 --> 00:39:11,400
Speaker 1: it's gonna crush here, and then I do it and

806
00:39:11,440 --> 00:39:15,799
Speaker 1: there's not a peep that to me stunts because I'm like,

807
00:39:16,080 --> 00:39:18,719
Speaker 1: but I've been I've done four hundred shows and I

808
00:39:18,800 --> 00:39:20,839
Speaker 1: at this point, I feel like I can understand what's

809
00:39:20,840 --> 00:39:22,839
Speaker 1: funny and what's not. And then there will be times

810
00:39:22,880 --> 00:39:24,719
Speaker 1: where I don't think a joke is that funny, or

811
00:39:24,719 --> 00:39:27,520
Speaker 1: it's just a throwaway line, and they'll they will die laughing,

812
00:39:27,640 --> 00:39:30,320
Speaker 1: and I'll make a note They're like, oh do that again? Yeah,

813
00:39:30,320 --> 00:39:34,000
Speaker 1: so yes, that again? When you do it again, is

814
00:39:34,040 --> 00:39:37,600
Speaker 1: it as funny? No? No, never, I know, because whatever

815
00:39:37,680 --> 00:39:41,160
Speaker 1: it was that I had then, yeah, yeah that maybe

816
00:39:41,200 --> 00:39:45,759
Speaker 1: the tone, Yeah, maybe, how flippantly I taught, it's never

817
00:39:45,960 --> 00:39:49,120
Speaker 1: quite as funny. You know. There's a great expression that says,

818
00:39:49,480 --> 00:39:51,800
Speaker 1: the only real music is when a baby first cries.

819
00:39:52,080 --> 00:39:54,120
Speaker 1: After that, the baby knows, the mom will come running.

820
00:39:54,120 --> 00:39:57,279
Speaker 1: It's all show business. M it's all you know what

821
00:39:57,320 --> 00:39:59,960
Speaker 1: I mean. Yeah, it's the truth in spontaneity of something.

822
00:40:00,120 --> 00:40:04,240
Speaker 1: That's why I think every show has to have constant spontaneity, flowing,

823
00:40:04,360 --> 00:40:09,520
Speaker 1: not not not myopic repetition of the night before, because

824
00:40:09,520 --> 00:40:12,680
Speaker 1: it doesn't work. It just doesn't work. We've all been

825
00:40:12,680 --> 00:40:16,160
Speaker 1: too shows where we're like, that doesn't that feels a

826
00:40:16,200 --> 00:40:21,960
Speaker 1: little phoned in? As as someone watching like a fan, Yeah, yeah, absolutely,

827
00:40:22,200 --> 00:40:27,239
Speaker 1: I would. Before I got into this art, I don't

828
00:40:27,239 --> 00:40:29,040
Speaker 1: think I ever felt I thought every show was awesome

829
00:40:29,040 --> 00:40:30,800
Speaker 1: and I just but now I can see it. I

830
00:40:30,840 --> 00:40:32,839
Speaker 1: think because I'm so inside of it, I would be like, oh,

831
00:40:32,840 --> 00:40:36,480
Speaker 1: they're not feeling it right now, or but then I

832
00:40:36,480 --> 00:40:37,960
Speaker 1: would talk to like other people that are like, I know,

833
00:40:38,040 --> 00:40:39,840
Speaker 1: this is the greatest show ever. It's it's a weird

834
00:40:39,920 --> 00:40:43,360
Speaker 1: dynamic now watching a show for me because I can't really,

835
00:40:43,800 --> 00:40:45,680
Speaker 1: which is why I don't go to many the last

836
00:40:45,719 --> 00:40:47,160
Speaker 1: five shows I've been to, we're all yours and not

837
00:40:47,280 --> 00:40:49,239
Speaker 1: just watching your window, just watching you play at home.

838
00:40:49,440 --> 00:40:54,040
Speaker 1: That's all I do. Yeah, that was the bushes rustling.

839
00:40:54,040 --> 00:40:56,680
Speaker 1: And let's talk about wild Hearts for a second, because

840
00:40:56,920 --> 00:40:58,920
Speaker 1: here we go, we got another one here. I was

841
00:40:58,960 --> 00:41:01,760
Speaker 1: talking to Brad tur Ercy, who one of the writers

842
00:41:01,760 --> 00:41:04,040
Speaker 1: on the song, and he was complimenting you so much

843
00:41:04,280 --> 00:41:07,000
Speaker 1: as a songwriter because he said, you know, we had

844
00:41:07,000 --> 00:41:10,920
Speaker 1: this song, him and two of my friends Eric Paslay

845
00:41:10,960 --> 00:41:13,040
Speaker 1: and Gen Wayne, like, we had written this song and

846
00:41:13,120 --> 00:41:17,000
Speaker 1: sent it to Keith, and Keith was like, love the

847
00:41:17,560 --> 00:41:20,160
Speaker 1: hook and the melody, and you can tell me if

848
00:41:20,160 --> 00:41:23,719
Speaker 1: this is all true or not. But the verses, some

849
00:41:23,760 --> 00:41:26,920
Speaker 1: of them don't don't fit me. Right now, And you

850
00:41:26,960 --> 00:41:29,000
Speaker 1: were like, can I rewrite it? And he said yeah,

851
00:41:29,000 --> 00:41:30,520
Speaker 1: And then I asked him. I put him on the spot.

852
00:41:30,560 --> 00:41:32,839
Speaker 1: I said, did he rewrite it? Or did he add

853
00:41:32,880 --> 00:41:35,240
Speaker 1: a couple of words? And I knew what his answer

854
00:41:35,239 --> 00:41:36,680
Speaker 1: was gonna be, and he goes, no, he rewrote all

855
00:41:36,719 --> 00:41:41,200
Speaker 1: the verses. And so when that happens, and someone sends

856
00:41:41,200 --> 00:41:43,440
Speaker 1: you a song and you go him dang, like I

857
00:41:43,960 --> 00:41:47,080
Speaker 1: what about this song drew you in? And then what

858
00:41:47,120 --> 00:41:49,200
Speaker 1: did you feel that made you want to change up

859
00:41:49,200 --> 00:41:52,560
Speaker 1: some of the lyrics. I got sent the song by

860
00:41:52,640 --> 00:41:57,800
Speaker 1: Roxy King at Universal and I listened to it and

861
00:41:58,080 --> 00:42:00,839
Speaker 1: I went, I like it, but not staying with me.

862
00:42:00,920 --> 00:42:04,399
Speaker 1: So I passed on the song. And about two weeks later,

863
00:42:04,440 --> 00:42:07,920
Speaker 1: I woke up one morning singing this chorus of a

864
00:42:07,960 --> 00:42:10,279
Speaker 1: song and I go, what what is that malady? And

865
00:42:10,320 --> 00:42:13,080
Speaker 1: it was Wild Hearts? So I got the song back

866
00:42:13,120 --> 00:42:15,560
Speaker 1: out listen to it again, and I went, man, I

867
00:42:15,640 --> 00:42:19,000
Speaker 1: love this chorus, but the verses don't speak to me.

868
00:42:20,520 --> 00:42:23,799
Speaker 1: But it's a really it's a song about chasing your dreams, right,

869
00:42:23,880 --> 00:42:26,360
Speaker 1: you know, going after it no matter what against all odds.

870
00:42:27,520 --> 00:42:30,480
Speaker 1: The verses probably need to be a bit more autobiographical

871
00:42:30,560 --> 00:42:35,120
Speaker 1: for me to make it, make the chorus land properly

872
00:42:35,160 --> 00:42:37,160
Speaker 1: for me. So I called Roxy and I said, do

873
00:42:37,200 --> 00:42:39,840
Speaker 1: you think the writers would be okay if I rewrote

874
00:42:39,840 --> 00:42:42,360
Speaker 1: the verses? I've never done it in my life ever,

875
00:42:42,080 --> 00:42:46,799
Speaker 1: never ever done this, and they were a game for it.

876
00:42:46,840 --> 00:42:49,480
Speaker 1: So they sent me the track with no words, and

877
00:42:49,520 --> 00:42:51,520
Speaker 1: then I just wrote the verses. When you write the

878
00:42:51,640 --> 00:42:54,000
Speaker 1: verses and it's coming from your story, your mind, your heart,

879
00:42:54,520 --> 00:42:56,760
Speaker 1: do they just fall out of you at that point

880
00:42:57,000 --> 00:42:58,800
Speaker 1: or do you just spend a lot, You spend extra

881
00:42:58,840 --> 00:43:02,960
Speaker 1: time because you're also working with someone else's canvas. They

882
00:43:03,040 --> 00:43:07,880
Speaker 1: just had a good structure, so it was just about

883
00:43:07,880 --> 00:43:11,239
Speaker 1: being truthful. So you know, one morning, I literally just

884
00:43:11,320 --> 00:43:14,320
Speaker 1: hit play, got my little pad out, and I'm just writing.

885
00:43:14,640 --> 00:43:17,480
Speaker 1: And I thought, well, if it's about my particular journey,

886
00:43:17,480 --> 00:43:19,960
Speaker 1: where did that start? And I went, well, probably when

887
00:43:20,000 --> 00:43:21,680
Speaker 1: my mom and dad took me to see Johnny Cash

888
00:43:21,719 --> 00:43:25,000
Speaker 1: when I was five. Start there and was like, oh,

889
00:43:25,040 --> 00:43:27,279
Speaker 1: I saw the man in black, spotlight in the air,

890
00:43:27,320 --> 00:43:29,560
Speaker 1: but the boom and then it just it just flowed.

891
00:43:30,160 --> 00:43:32,000
Speaker 1: You saw Johnny Cash at five years old? Now, how

892
00:43:32,080 --> 00:43:35,399
Speaker 1: much of that do you actually remember? I remember well,

893
00:43:35,400 --> 00:43:38,120
Speaker 1: the images I remember are kind of in the song.

894
00:43:39,640 --> 00:43:43,320
Speaker 1: I remember this really the loudest. I mean, you know,

895
00:43:43,400 --> 00:43:45,040
Speaker 1: I'm only five and I met around a lot of

896
00:43:45,040 --> 00:43:48,080
Speaker 1: people in these big settings before. It's like five thousand

897
00:43:48,080 --> 00:43:55,560
Speaker 1: seat hall, drunk, roudy, loud, fun people, really working class

898
00:43:55,560 --> 00:44:00,400
Speaker 1: where I grew up. That was exciting going into the hall.

899
00:44:00,440 --> 00:44:03,680
Speaker 1: I remember it being deafening in the hall. I don't

900
00:44:03,680 --> 00:44:07,719
Speaker 1: know where our seats were, probably up the nosebleeds. And

901
00:44:07,760 --> 00:44:09,839
Speaker 1: then I remember it going pitch black in this big

902
00:44:09,880 --> 00:44:12,400
Speaker 1: spotlight coming across our heads and when you know, when

903
00:44:12,400 --> 00:44:16,920
Speaker 1: you're five, that beam is surreal. I've never seen anything

904
00:44:16,960 --> 00:44:19,480
Speaker 1: like it. And then it's hitting this guy up on

905
00:44:19,520 --> 00:44:22,040
Speaker 1: the stage. Everyone's screaming, going crazy, and then I remember

906
00:44:22,080 --> 00:44:24,879
Speaker 1: looking up at my dad and seeing the way that

907
00:44:25,000 --> 00:44:28,320
Speaker 1: he was looking at this guy on stage, and probably

908
00:44:28,600 --> 00:44:32,000
Speaker 1: I might take a child psychologist to confirm it, probably

909
00:44:32,400 --> 00:44:34,799
Speaker 1: wondering what have I got to do to get my

910
00:44:34,880 --> 00:44:37,279
Speaker 1: dad to look at me that way. So that's why

911
00:44:37,320 --> 00:44:39,680
Speaker 1: that line in there, you know, heard a thousand screams,

912
00:44:39,680 --> 00:44:43,279
Speaker 1: saw my daddy stare is in the song do you

913
00:44:43,320 --> 00:44:45,640
Speaker 1: know a lot of Johnny Cash stuff? Since that was

914
00:44:45,680 --> 00:44:49,040
Speaker 1: such an imprint, like did it as a young kid,

915
00:44:49,040 --> 00:44:50,680
Speaker 1: did you? I want to also learned some stuff from

916
00:44:50,719 --> 00:44:54,640
Speaker 1: Johnny Cash. I learned a few of his songs, for sure,

917
00:44:54,680 --> 00:44:57,400
Speaker 1: But I mean that voice is so unique and I

918
00:44:57,440 --> 00:45:00,640
Speaker 1: didn't have that, not when I I started singing a

919
00:45:00,680 --> 00:45:02,600
Speaker 1: plane at six seven, eight years old, I sound like

920
00:45:02,640 --> 00:45:05,799
Speaker 1: Dolly Potton I did. I could sing in her key,

921
00:45:06,080 --> 00:45:08,879
Speaker 1: you know, so I sang all of her songs. What

922
00:45:08,960 --> 00:45:10,759
Speaker 1: was your front yard like? As a kid? I wonder

923
00:45:10,760 --> 00:45:13,000
Speaker 1: what you're like? You're you think back and it's hard

924
00:45:13,000 --> 00:45:15,399
Speaker 1: for me to think and remember anything earlier than five

925
00:45:15,480 --> 00:45:17,279
Speaker 1: years old, Like that's probably where it starts for me.

926
00:45:17,440 --> 00:45:19,279
Speaker 1: But like, what was what was the front yard like

927
00:45:19,640 --> 00:45:23,120
Speaker 1: at your house? I always think we confuse memories with

928
00:45:23,160 --> 00:45:27,799
Speaker 1: photographs and vice versa. M We moved around all the time,

929
00:45:28,280 --> 00:45:31,040
Speaker 1: never owned a house, just rented and moved from house

930
00:45:31,040 --> 00:45:33,080
Speaker 1: to house to house all the time, so it is

931
00:45:33,120 --> 00:45:36,680
Speaker 1: a constant change front Yeah, do you have a home

932
00:45:36,760 --> 00:45:38,960
Speaker 1: that you feel like? Is like if I were, like,

933
00:45:39,120 --> 00:45:41,120
Speaker 1: what's the house you consider yourself that you grew up in?

934
00:45:41,239 --> 00:45:43,439
Speaker 1: Do you can you picture that house? Or again? Were

935
00:45:43,440 --> 00:45:46,000
Speaker 1: you moving so much? We moved all the time. I

936
00:45:46,040 --> 00:45:50,240
Speaker 1: went to six different schools and about five years thanks

937
00:45:50,280 --> 00:45:56,080
Speaker 1: six schools. So did you learn how to moving so much?

938
00:45:56,239 --> 00:45:58,360
Speaker 1: Meeting a lot of new people? You constantly had to

939
00:45:58,400 --> 00:46:01,680
Speaker 1: make new friends. Did that make you withdraw more into

940
00:46:01,840 --> 00:46:05,040
Speaker 1: music or did it create some sort of you can

941
00:46:05,040 --> 00:46:07,359
Speaker 1: now blend in with anyone and you can now kind

942
00:46:07,360 --> 00:46:09,640
Speaker 1: of assimilate no problem. I think it was a bit

943
00:46:09,640 --> 00:46:12,719
Speaker 1: of both. And the guitar was really helpful. You know,

944
00:46:12,760 --> 00:46:15,680
Speaker 1: it's a physical thing. It's like the security blanket right

945
00:46:15,719 --> 00:46:18,520
Speaker 1: there in front of you, this little protective field. So

946
00:46:19,080 --> 00:46:23,400
Speaker 1: it was helpful for that, and it had mixed benefits.

947
00:46:24,160 --> 00:46:27,279
Speaker 1: When you're a boy in a school and you play

948
00:46:27,320 --> 00:46:29,480
Speaker 1: the guitar and sing and have long hair like I did,

949
00:46:30,160 --> 00:46:34,560
Speaker 1: it's a mixed blessing. Were you a small kid, yeah?

950
00:46:34,920 --> 00:46:38,560
Speaker 1: When did you grow Tuesday? Yes? I felt that one.

951
00:46:38,560 --> 00:46:40,480
Speaker 1: I kind of set you up for that one right there. Yes,

952
00:46:40,840 --> 00:46:43,440
Speaker 1: I'm here. So here's the three things I want to know.

953
00:46:43,520 --> 00:46:48,200
Speaker 1: What makes you happy? Personal? Professional? And then you get

954
00:46:48,239 --> 00:46:49,839
Speaker 1: kind of a grab bag. You can pick whatever you want.

955
00:46:49,840 --> 00:46:52,520
Speaker 1: But so what makes you genuinely happy? Right now? Keith Urban,

956
00:46:52,960 --> 00:46:55,920
Speaker 1: who we see has it all right, but seeing it

957
00:46:56,000 --> 00:46:58,960
Speaker 1: isn't always real life, right, It definitely isn't at all.

958
00:46:59,320 --> 00:47:01,600
Speaker 1: But what makes you happy right now at this stage

959
00:47:01,600 --> 00:47:08,080
Speaker 1: of your career, in your life all of it. The

960
00:47:08,760 --> 00:47:15,000
Speaker 1: balance that I've that I've found and can maintain better

961
00:47:15,000 --> 00:47:19,880
Speaker 1: than ever between work and home life because it's you know,

962
00:47:20,160 --> 00:47:25,000
Speaker 1: it's complicated for anybody. Family work different. You've only got

963
00:47:25,040 --> 00:47:27,839
Speaker 1: so much of your time. Where does it go? How

964
00:47:27,920 --> 00:47:29,920
Speaker 1: much do you give to writing songs, being with your family,

965
00:47:29,960 --> 00:47:34,839
Speaker 1: touring in this? You know? So I think being able

966
00:47:34,880 --> 00:47:37,319
Speaker 1: to balance that better than I used to. So what's

967
00:47:37,360 --> 00:47:39,520
Speaker 1: the key thing? Because that's honestly the biggest struggle that

968
00:47:39,560 --> 00:47:42,000
Speaker 1: I have right now. Right, been married a year basically,

969
00:47:42,360 --> 00:47:45,759
Speaker 1: and my struggle is figuring out how to balance because

970
00:47:45,760 --> 00:47:48,960
Speaker 1: I've never had to balance right, right, I've been extremely

971
00:47:48,960 --> 00:47:51,000
Speaker 1: selfish and that it's just always been about me. It's

972
00:47:51,080 --> 00:47:52,600
Speaker 1: not that I want to keep everything, but it's like

973
00:47:52,640 --> 00:47:54,919
Speaker 1: I only have to worry about me my whole life. Yeah,

974
00:47:55,000 --> 00:47:57,920
Speaker 1: and now I don't just have to worry about me.

975
00:47:58,000 --> 00:48:01,200
Speaker 1: It's worry. I have to actually care and like want

976
00:48:01,400 --> 00:48:03,960
Speaker 1: to lift the other person up, right, my wife? So

977
00:48:04,200 --> 00:48:06,520
Speaker 1: what's what's that advice you would give me them? Because

978
00:48:06,520 --> 00:48:11,800
Speaker 1: balance is tough for me? Yeah, Well, it's never achieved,

979
00:48:11,800 --> 00:48:15,200
Speaker 1: it's just maintained. And that to me was a shock, Like,

980
00:48:15,320 --> 00:48:16,759
Speaker 1: you mean, I got to do it all the time,

981
00:48:17,640 --> 00:48:21,600
Speaker 1: Like I wasn't used to maintaining anything. It's terrible at it. Yeah,

982
00:48:21,680 --> 00:48:26,160
Speaker 1: given stuff up or passing opportunities has been a very

983
00:48:26,160 --> 00:48:28,080
Speaker 1: difficult one because I feel like I've just worked so

984
00:48:28,120 --> 00:48:30,120
Speaker 1: hard to get any opportunity at all, right, just scratch

985
00:48:30,160 --> 00:48:32,160
Speaker 1: and clawing, and then you start to get them and

986
00:48:32,200 --> 00:48:34,920
Speaker 1: then now I'm going, you know what, maybe I shouldn't

987
00:48:34,920 --> 00:48:36,560
Speaker 1: do this, because what I can do is I can

988
00:48:36,600 --> 00:48:40,120
Speaker 1: spend create some balance. But that's been very difficult. Was

989
00:48:40,160 --> 00:48:42,279
Speaker 1: that something with you where you're like, hey, I go

990
00:48:42,320 --> 00:48:45,360
Speaker 1: do this show or this, but but this is also

991
00:48:45,440 --> 00:48:48,640
Speaker 1: as important because I'm investing into the relationship. Was that

992
00:48:49,120 --> 00:48:51,600
Speaker 1: just a place that you got to one day and

993
00:48:51,600 --> 00:48:54,000
Speaker 1: it made sense or is that still something you constantly

994
00:48:54,239 --> 00:48:58,960
Speaker 1: have to focus on sort of a bit of everything.

995
00:48:59,200 --> 00:49:02,640
Speaker 1: I mean it constant, I'm not definitely. Stuff goes out

996
00:49:02,640 --> 00:49:05,200
Speaker 1: of whack, you know, all the time, and I think

997
00:49:05,239 --> 00:49:07,880
Speaker 1: the only difference is the speed of which I correct things,

998
00:49:08,719 --> 00:49:10,920
Speaker 1: or the fact that I actually do correct it. You know,

999
00:49:11,080 --> 00:49:12,920
Speaker 1: That's the thing that's changed in my life. I never

1000
00:49:13,040 --> 00:49:17,480
Speaker 1: used to recognize things falling out of balance. It's terrible.

1001
00:49:17,560 --> 00:49:20,040
Speaker 1: How do you recognize it now? Because I'm told that's

1002
00:49:20,040 --> 00:49:24,440
Speaker 1: how I recognize it. I'm sorry, I'm learning. Yes. And

1003
00:49:24,480 --> 00:49:26,799
Speaker 1: then you just have this feeling that happens where you

1004
00:49:26,800 --> 00:49:29,000
Speaker 1: start to be with somebody that you go I can

1005
00:49:29,080 --> 00:49:32,080
Speaker 1: feel like I've completely I'm dropping the ball here. I

1006
00:49:32,160 --> 00:49:34,160
Speaker 1: just feel like all the time. But it's when I don't,

1007
00:49:34,520 --> 00:49:36,440
Speaker 1: I'm like, oh, I'm actually doing pretty good here, right,

1008
00:49:36,840 --> 00:49:40,320
Speaker 1: Keith here? What have you learned in your year of marriage? Bobby, Um,

1009
00:49:40,360 --> 00:49:43,520
Speaker 1: that's a great question. A lot. I have learned that

1010
00:49:43,840 --> 00:49:47,040
Speaker 1: I am not the Sun and all the planets revolve

1011
00:49:47,080 --> 00:49:49,640
Speaker 1: around the Sun, because I have just been able to

1012
00:49:49,640 --> 00:49:52,719
Speaker 1: be the sun and good times and bad meaning as

1013
00:49:52,760 --> 00:49:54,840
Speaker 1: a kid, all the way up into my early twenties,

1014
00:49:55,120 --> 00:49:58,600
Speaker 1: I was the surviving son, meaning I had to survive.

1015
00:49:59,040 --> 00:50:01,560
Speaker 1: Everything was about me just trying to have money to

1016
00:50:01,560 --> 00:50:04,920
Speaker 1: pay rent or eat or school clothes or and it

1017
00:50:05,000 --> 00:50:08,440
Speaker 1: was all about what I could. But now I don't

1018
00:50:08,520 --> 00:50:10,359
Speaker 1: have to be the sun anymore. I think a lot

1019
00:50:10,360 --> 00:50:12,120
Speaker 1: of me being the Sun and the solar system was

1020
00:50:12,520 --> 00:50:15,920
Speaker 1: it was forced I had. I was everything had to

1021
00:50:16,000 --> 00:50:18,920
Speaker 1: rotate around me. Because it was a necessity that I

1022
00:50:19,000 --> 00:50:22,919
Speaker 1: just look out for me or I wouldn't survive. Ye. Now, yeah,

1023
00:50:23,040 --> 00:50:24,799
Speaker 1: I don't have to be the sun anymore. And it

1024
00:50:24,880 --> 00:50:27,839
Speaker 1: is a relief as much as it is difficult at times.

1025
00:50:27,960 --> 00:50:32,640
Speaker 1: So just turn it off, right, it correct And that

1026
00:50:32,760 --> 00:50:36,080
Speaker 1: is uncomfortable sometimes, but it's a good You don't grow

1027
00:50:36,719 --> 00:50:39,680
Speaker 1: without having some uncomfortability and anything. You just don't you

1028
00:50:39,719 --> 00:50:43,400
Speaker 1: know human, you get taller, it hurts, you learn a skill,

1029
00:50:43,440 --> 00:50:45,920
Speaker 1: it sucks because you're not good at it at first, right,

1030
00:50:46,239 --> 00:50:48,960
Speaker 1: So to grow, you've got to have a little bit

1031
00:50:49,000 --> 00:50:52,759
Speaker 1: of uncomfortability, and that, to me has been what I've

1032
00:50:52,840 --> 00:50:55,400
Speaker 1: learned is that I don't have to do everything by myself.

1033
00:50:55,440 --> 00:50:57,319
Speaker 1: I don't have to be the sun, right I can.

1034
00:50:57,400 --> 00:51:01,520
Speaker 1: I can roll and be a batman Robin and sometimes

1035
00:51:01,520 --> 00:51:04,439
Speaker 1: I'm Robin and sometimes I'm Batman and that's okay. So

1036
00:51:04,920 --> 00:51:08,360
Speaker 1: that's that's what I'm still learning. So yeah, that's the

1037
00:51:08,440 --> 00:51:11,120
Speaker 1: situation there. Picturing you in tights now, it's just a

1038
00:51:11,200 --> 00:51:14,320
Speaker 1: very awkward vision. You don't picture, I'll send you a

1039
00:51:14,360 --> 00:51:15,839
Speaker 1: picture of it. You don't have to picture. Oh yeah,

1040
00:51:15,880 --> 00:51:17,319
Speaker 1: I've got a couple of pictures of me and tight soun.

1041
00:51:19,400 --> 00:51:21,320
Speaker 1: All right, listen, we've we've talked a long time. I

1042
00:51:21,360 --> 00:51:23,319
Speaker 1: know you have your guitar over here, and I don't

1043
00:51:23,320 --> 00:51:25,880
Speaker 1: have anything crazy planned, but would you mind grabbing it

1044
00:51:25,920 --> 00:51:28,360
Speaker 1: for a second? Yeah? Do you? We were talking about

1045
00:51:29,040 --> 00:51:30,399
Speaker 1: I'm gonna put you a little bit on the spot

1046
00:51:30,400 --> 00:51:33,080
Speaker 1: here because I feel comfortable enough to do that. We

1047
00:51:33,080 --> 00:51:35,239
Speaker 1: were talking on the show maybe a week or so

1048
00:51:35,320 --> 00:51:39,279
Speaker 1: ago about the most romantic songs of all time, not

1049
00:51:39,360 --> 00:51:42,719
Speaker 1: just country but just period. And I picked the Pretenders

1050
00:51:42,719 --> 00:51:45,200
Speaker 1: I'll stand by You, which is just a great song

1051
00:51:45,880 --> 00:51:50,479
Speaker 1: often overlooked. I picked the Beach Boys. God only knows.

1052
00:51:50,840 --> 00:51:53,560
Speaker 1: God only knows. Uh. If I were to ask you

1053
00:51:53,640 --> 00:51:55,000
Speaker 1: and you have your guitar, and if you can think

1054
00:51:55,360 --> 00:51:57,520
Speaker 1: what a great opening line of that song, by the way,

1055
00:51:57,680 --> 00:51:59,680
Speaker 1: go ahead, and might not always love you, I may

1056
00:51:59,760 --> 00:52:02,920
Speaker 1: not always love you. As long as they're asked us

1057
00:52:02,920 --> 00:52:05,799
Speaker 1: above you, you'll have no need to doubt it. I'll

1058
00:52:05,800 --> 00:52:07,840
Speaker 1: make you sure about it. Oh my gosh, isn't that

1059
00:52:07,960 --> 00:52:12,839
Speaker 1: such a great So what's the most romantic song? Two

1060
00:52:12,880 --> 00:52:15,520
Speaker 1: parts that you have? And just give me a little

1061
00:52:15,560 --> 00:52:19,239
Speaker 1: fifteen twenty thirty seconds of it, and then period in

1062
00:52:19,239 --> 00:52:23,759
Speaker 1: your mind. I've been asked that question before, and did

1063
00:52:23,800 --> 00:52:26,120
Speaker 1: I lose my mic? No, you're there. You may have

1064
00:52:26,120 --> 00:52:31,360
Speaker 1: pulled your headphones out these God only knows. Was always

1065
00:52:31,400 --> 00:52:33,920
Speaker 1: my number one song for I think, one of the

1066
00:52:33,960 --> 00:52:36,400
Speaker 1: greatest love songs ever. Basically we're the same person musically,

1067
00:52:36,440 --> 00:52:39,720
Speaker 1: Keith myself. I just heard it here. It's true because

1068
00:52:39,719 --> 00:52:42,319
Speaker 1: it's just such a That opening line always grabbed me.

1069
00:52:42,400 --> 00:52:44,399
Speaker 1: I may not always love you. It's like, what that's

1070
00:52:44,440 --> 00:52:46,279
Speaker 1: a love song. But then when you hear the rest

1071
00:52:46,280 --> 00:52:49,399
Speaker 1: of it yourself, Oh my gosh, Yeah, that's it. That's

1072
00:52:49,440 --> 00:52:52,160
Speaker 1: the best one ever. But what about yours now and

1073
00:52:52,280 --> 00:52:56,120
Speaker 1: your arsenal? You have to look at it objectively. What

1074
00:52:56,320 --> 00:53:04,279
Speaker 1: is your most romantic song? My most romantic song? Oh,

1075
00:53:04,320 --> 00:53:07,400
Speaker 1: I don't know. I don't that's I'm maybe not the

1076
00:53:08,560 --> 00:53:11,640
Speaker 1: the one to ask that of right, but you are

1077
00:53:13,160 --> 00:53:20,840
Speaker 1: because I'm asking, Yeah, you are, hang because we're here.

1078
00:53:23,040 --> 00:53:25,520
Speaker 1: I can't pick one, Okay, okay, I can't pick one.

1079
00:53:25,840 --> 00:53:29,200
Speaker 1: I think I think um making Memories, which I didn't write.

1080
00:53:29,239 --> 00:53:31,080
Speaker 1: That's a Rodney Crowell's song, But I think that's one

1081
00:53:31,120 --> 00:53:33,160
Speaker 1: of the most beautiful songs. Give me a little bit

1082
00:53:33,200 --> 00:53:36,040
Speaker 1: of making memories. Just pet Durban's here, Hang on second,

1083
00:53:36,080 --> 00:53:37,520
Speaker 1: jes he just learned how to play the guitar today.

1084
00:53:37,520 --> 00:53:39,319
Speaker 1: This is exciting. What are you looking for? A pick

1085
00:53:39,880 --> 00:53:43,600
Speaker 1: that's only hangs my keys? I thought it was really

1086
00:53:43,800 --> 00:53:45,719
Speaker 1: this is like a comedy bit where he's pulling out

1087
00:53:45,760 --> 00:53:50,000
Speaker 1: all these things. The rabbits. Here, here's the art of war. Well, crap,

1088
00:53:50,040 --> 00:53:52,560
Speaker 1: all right, here's I swear I brought it in. Do

1089
00:53:52,600 --> 00:53:56,080
Speaker 1: you want a capo? Yeah, you don't have one. Okay,

1090
00:53:56,080 --> 00:53:58,799
Speaker 1: we won't even do it. Oh look it's here in

1091
00:53:58,800 --> 00:54:03,080
Speaker 1: my pocket. There it is around. How big are those

1092
00:54:03,080 --> 00:54:08,240
Speaker 1: pockets that you can't find it on first grass? Because

1093
00:54:08,239 --> 00:54:27,160
Speaker 1: it's not small? It's great thin, it's funny. I'm gonna

1094
00:54:27,239 --> 00:54:32,120
Speaker 1: be here for your baby. I'll be a man in

1095
00:54:32,480 --> 00:54:38,320
Speaker 1: my word, speak a language in a voice that you

1096
00:54:38,440 --> 00:54:46,759
Speaker 1: have never hear. I want to sleep with you forever.

1097
00:54:49,080 --> 00:54:54,879
Speaker 1: I want to die your own in a cabin by

1098
00:54:55,160 --> 00:55:04,040
Speaker 1: medal where the wild be smooth. Oh yeah, I'm gonna

1099
00:55:04,280 --> 00:55:13,960
Speaker 1: love you like nobody loves you. I learn you trust

1100
00:55:14,040 --> 00:55:21,360
Speaker 1: making memories. That's so good. Dang, when I think of

1101
00:55:21,400 --> 00:55:24,799
Speaker 1: those songs too, that made me feel like that. And again,

1102
00:55:24,840 --> 00:55:27,640
Speaker 1: it doesn't sound like a love song at first, but

1103
00:55:27,719 --> 00:55:32,640
Speaker 1: ain't No Sunshine is maybe that's the greatest love that

1104
00:55:33,080 --> 00:55:35,239
Speaker 1: the greatest love song of all time, but people don't

1105
00:55:35,360 --> 00:55:37,400
Speaker 1: think about it. Is that you gotta you're aboud to

1106
00:55:37,440 --> 00:55:43,600
Speaker 1: hit it. I've never played with you. It's not when

1107
00:55:43,800 --> 00:55:50,799
Speaker 1: she's away. That's too highs and that's a beautiful song

1108
00:55:51,400 --> 00:56:00,399
Speaker 1: at No Sunshine and she's gone. It's not on wo

1109
00:56:00,880 --> 00:56:07,360
Speaker 1: when she's away. It ain't on some shot when you

1110
00:56:07,560 --> 00:56:12,800
Speaker 1: go and she's always going too long and it times

1111
00:56:12,920 --> 00:56:18,600
Speaker 1: she goes away. It's crazy how you can just go

1112
00:56:19,040 --> 00:56:20,839
Speaker 1: and not to you crazy to me that you can

1113
00:56:20,840 --> 00:56:22,600
Speaker 1: just go. Let me just figure this thing out, don't don't.

1114
00:56:22,800 --> 00:56:27,399
Speaker 1: I don't know it was that something that it didn't

1115
00:56:27,440 --> 00:56:29,200
Speaker 1: come naturally. And I don't mean it is that because

1116
00:56:29,200 --> 00:56:31,000
Speaker 1: you put a lot of work into your craft. But

1117
00:56:31,120 --> 00:56:34,520
Speaker 1: do you find that it's easier to identify sounds than

1118
00:56:34,640 --> 00:56:36,719
Speaker 1: some of your peers and even worse than some of

1119
00:56:36,719 --> 00:56:41,920
Speaker 1: your others based on just like natural instinct, Like because

1120
00:56:41,920 --> 00:56:44,400
Speaker 1: some people can run faster than others. Right, you can

1121
00:56:44,400 --> 00:56:47,279
Speaker 1: train all day, you can't run as fast as some folks. Right,

1122
00:56:47,760 --> 00:56:49,799
Speaker 1: where do you fall in that spectrum of your mind

1123
00:56:49,840 --> 00:56:53,719
Speaker 1: just understanding music? The more you learn the more you

1124
00:56:53,800 --> 00:56:59,680
Speaker 1: actually can do. Um, I think it's balance. Actually, I

1125
00:56:59,680 --> 00:57:01,200
Speaker 1: think you know too much and get in the way

1126
00:57:01,239 --> 00:57:03,440
Speaker 1: of creativity. Are there people that, you know, let me

1127
00:57:03,440 --> 00:57:06,320
Speaker 1: ask this a different way. They can hear and figure

1128
00:57:06,320 --> 00:57:09,080
Speaker 1: it out quicker and better than you can, like just

1129
00:57:09,160 --> 00:57:10,839
Speaker 1: hearing it going oh in internet and you're like, wow,

1130
00:57:10,840 --> 00:57:13,919
Speaker 1: I can't believe they just figure that out. Oh for sure, Yeah,

1131
00:57:13,960 --> 00:57:16,680
Speaker 1: of course, yeah, because I did that to you. Yeah,

1132
00:57:16,720 --> 00:57:18,520
Speaker 1: and you do that to other people and you go, wow,

1133
00:57:18,520 --> 00:57:20,680
Speaker 1: I cannot believe they just figure that out by hearing

1134
00:57:20,720 --> 00:57:23,280
Speaker 1: that one time and then now they know the whole song. Yeah.

1135
00:57:23,600 --> 00:57:25,440
Speaker 1: I know that some people have that skill that just

1136
00:57:25,520 --> 00:57:27,880
Speaker 1: I mean in the sessions, you see that. You know

1137
00:57:27,920 --> 00:57:30,880
Speaker 1: a lot of the session leaders just chatting out the

1138
00:57:30,920 --> 00:57:33,200
Speaker 1: song as it's going. But you have that skill, like

1139
00:57:33,240 --> 00:57:34,800
Speaker 1: you just said, let me figure this out. You went

1140
00:57:34,880 --> 00:57:36,440
Speaker 1: all the way up and found it. Sure do you

1141
00:57:36,640 --> 00:57:38,160
Speaker 1: understand that you have that? Are you so good you

1142
00:57:38,200 --> 00:57:40,280
Speaker 1: don't even know? It's like being good looking? Like maybe

1143
00:57:40,280 --> 00:57:41,400
Speaker 1: you don't even know how good looking you are. I

1144
00:57:43,280 --> 00:57:45,040
Speaker 1: mean I hit I mean, if you played it back,

1145
00:57:45,040 --> 00:57:47,560
Speaker 1: you'd know I hit a wrong quote here and within

1146
00:57:47,680 --> 00:57:50,560
Speaker 1: a second found the right one. Okay, Keith Urban check

1147
00:57:50,600 --> 00:57:52,560
Speaker 1: out the live shows, dude, it's the best you will see.

1148
00:57:52,560 --> 00:57:55,080
Speaker 1: I've said it many times. Wild Hearts going for number one?

1149
00:57:55,320 --> 00:57:58,160
Speaker 1: What's the what's next after this? Yeah? Is it another

1150
00:57:58,200 --> 00:58:00,560
Speaker 1: single from the project? Are we're moving on? Brand new

1151
00:58:00,720 --> 00:58:04,479
Speaker 1: Brandy Brandy music? Heard you heard it here? Yeah? Okay, Keith,

1152
00:58:04,560 --> 00:58:07,680
Speaker 1: great to see you give me Oh, everybody say bye

1153
00:58:07,680 --> 00:58:12,640
Speaker 1: to Keith. And that's that show biz baby, it's the

1154
00:58:12,760 --> 00:58:19,240
Speaker 1: best bits of the week with Morgan number two and

1155
00:58:19,440 --> 00:58:22,240
Speaker 1: naturally at the number one spot. It is when I

1156
00:58:22,280 --> 00:58:24,800
Speaker 1: got punished on the show this week feels weird having

1157
00:58:24,800 --> 00:58:27,240
Speaker 1: a segment that is something I've involved in at the

1158
00:58:27,320 --> 00:58:30,120
Speaker 1: number one spot. But you guys loved it so much

1159
00:58:30,200 --> 00:58:33,520
Speaker 1: because I got punished for not knowing the state capitals,

1160
00:58:33,520 --> 00:58:36,720
Speaker 1: which um as I was talking with Eddie about. You know, uh,

1161
00:58:37,000 --> 00:58:39,520
Speaker 1: most people don't, okay, so but I got punished anyway,

1162
00:58:39,560 --> 00:58:41,160
Speaker 1: and I had to stand on a street corner with

1163
00:58:41,320 --> 00:58:43,880
Speaker 1: a sign that read I am a disappointment to my

1164
00:58:43,960 --> 00:58:47,200
Speaker 1: friends and family for thirty minutes. And I mean it

1165
00:58:47,240 --> 00:58:48,919
Speaker 1: was a good time. Good time was had by all

1166
00:58:48,960 --> 00:58:52,800
Speaker 1: except me. Yep, that's true. So I'm just gonna let

1167
00:58:52,840 --> 00:58:56,080
Speaker 1: you enjoy this for yourself, because I'm gonna get out

1168
00:58:56,120 --> 00:59:00,520
Speaker 1: of the studio while this segment plays again. Number one. Okay,

1169
00:59:00,600 --> 00:59:02,640
Speaker 1: Morgan's out on the street and she is holding a sign,

1170
00:59:03,200 --> 00:59:05,480
Speaker 1: and on that sign says I'm an embarrassment to my

1171
00:59:05,560 --> 00:59:07,760
Speaker 1: friends and family. And you can watch her on our

1172
00:59:07,840 --> 00:59:09,840
Speaker 1: live stream. If you go over to our Facebook page,

1173
00:59:09,840 --> 00:59:11,439
Speaker 1: just search for the Bobby Bone Show. You can follow

1174
00:59:11,520 --> 00:59:14,400
Speaker 1: us over there. But she's out there now. And if

1175
00:59:14,400 --> 00:59:16,600
Speaker 1: you happen to drive and you're happy to see her,

1176
00:59:16,880 --> 00:59:18,880
Speaker 1: you're happen to see her, be nice to her. Oh

1177
00:59:18,920 --> 00:59:21,280
Speaker 1: she's holding it, you know, Hey, Morgan, can you hear

1178
00:59:21,360 --> 00:59:22,920
Speaker 1: me at all? Because I'm looking at her and she's

1179
00:59:22,920 --> 00:59:25,840
Speaker 1: holding the sign like below her shoulders. I need her

1180
00:59:25,840 --> 00:59:28,080
Speaker 1: to hold it proudly above her head. Yeah, hey, Morgan,

1181
00:59:28,120 --> 00:59:30,919
Speaker 1: are people looking at you when they drive by? Yes,

1182
00:59:31,080 --> 00:59:34,480
Speaker 1: I've had several people hump give me a thumbs up,

1183
00:59:34,520 --> 00:59:38,720
Speaker 1: but thumb down. A somebody stop to take a picture

1184
00:59:38,760 --> 00:59:42,160
Speaker 1: of me, going great, Yeah, I'm watching you here on

1185
00:59:42,160 --> 00:59:43,760
Speaker 1: our Facebook page. And if yeah, I just hold it

1186
00:59:43,800 --> 00:59:45,200
Speaker 1: him up there you go be proud. There she had

1187
00:59:45,240 --> 00:59:47,720
Speaker 1: told about her head and now yeah yeah, yeah, okay, Bryan,

1188
00:59:47,880 --> 00:59:51,160
Speaker 1: my arm is tired already. Why someone would give her

1189
00:59:51,200 --> 00:59:53,680
Speaker 1: a thumbs up, though, I kind of questioned them as humans.

1190
00:59:54,120 --> 00:59:56,760
Speaker 1: Someone's holding the sign as punishment. I'm an embarrassment to

1191
00:59:56,800 --> 01:00:00,080
Speaker 1: my family and friends. You go, hey, yeah, I like it.

1192
01:00:00,360 --> 01:00:03,520
Speaker 1: What Morgan, I'm just getting a lot of people. If

1193
01:00:03,520 --> 01:00:06,439
Speaker 1: I make eye contact, they start laughing at me because

1194
01:00:06,440 --> 01:00:08,080
Speaker 1: they don't know what else to do. Well, you have

1195
01:00:08,160 --> 01:00:10,640
Speaker 1: about ten minutes, so stay out there and hold that

1196
01:00:10,680 --> 01:00:12,560
Speaker 1: sign up, and we'll have people go watch you on

1197
01:00:12,560 --> 01:00:15,280
Speaker 1: Facebook and we'll see you back inside soon. Don't get

1198
01:00:15,320 --> 01:00:17,320
Speaker 1: hit by a car that dump truck like awfully close here.

1199
01:00:18,400 --> 01:00:20,320
Speaker 1: I'll be careful. All right, Morgan's out there. We'll check

1200
01:00:20,320 --> 01:00:22,560
Speaker 1: with her one more time before we go away. So

1201
01:00:22,960 --> 01:00:25,280
Speaker 1: I do want to update you guys on what happened

1202
01:00:25,360 --> 01:00:28,600
Speaker 1: here after a show when Lunchbox was following up on

1203
01:00:28,640 --> 01:00:31,960
Speaker 1: a segment. So back in the news a few weeks ago,

1204
01:00:32,960 --> 01:00:35,760
Speaker 1: the guy who was in jail, him and the woman

1205
01:00:35,800 --> 01:00:38,880
Speaker 1: that was basically running the jail, they escaped together, and

1206
01:00:39,640 --> 01:00:43,040
Speaker 1: they traveled all over America and we kept searching for him,

1207
01:00:43,280 --> 01:00:46,240
Speaker 1: and finally, and I believe in Indiana. They Evansville, Indiana,

1208
01:00:46,440 --> 01:00:49,600
Speaker 1: and it ended tragically. But there was a hotel room

1209
01:00:49,920 --> 01:00:51,640
Speaker 1: that they were staying in and lunchbox in the story

1210
01:00:51,680 --> 01:00:53,280
Speaker 1: that people were staying there and paying all this money

1211
01:00:53,280 --> 01:00:54,720
Speaker 1: to go stay there. So he called to try to

1212
01:00:54,720 --> 01:00:56,400
Speaker 1: book the room. We have all this audio we can't

1213
01:00:56,440 --> 01:00:59,000
Speaker 1: play because they said we couldn't play, but tell me

1214
01:00:59,080 --> 01:01:01,160
Speaker 1: what happened. So I called. At first, it was just

1215
01:01:01,240 --> 01:01:02,920
Speaker 1: kind of a joke because it was like, oh, you know,

1216
01:01:03,080 --> 01:01:05,320
Speaker 1: sixty people on the reservation list. I'm gonna try to

1217
01:01:05,320 --> 01:01:07,400
Speaker 1: get on the reservation list. And I called and the

1218
01:01:07,480 --> 01:01:09,720
Speaker 1: lay said, there are no reservations, but it's one hundred

1219
01:01:09,760 --> 01:01:12,920
Speaker 1: dollars a night. What is it normally sixty eight dollars

1220
01:01:12,960 --> 01:01:14,720
Speaker 1: a night, So they weren't charging more for it. They

1221
01:01:14,760 --> 01:01:16,680
Speaker 1: are charging more. And she said a lot of people

1222
01:01:16,760 --> 01:01:19,400
Speaker 1: are coming to that room because they want good energy.

1223
01:01:19,440 --> 01:01:21,240
Speaker 1: She goes, and if you ask me, there is no

1224
01:01:21,360 --> 01:01:23,280
Speaker 1: such thing as good You want energy staying in a

1225
01:01:23,320 --> 01:01:25,320
Speaker 1: room for people who escape jail, and that's what she said.

1226
01:01:25,360 --> 01:01:27,080
Speaker 1: She was like, I don't know what they're talking about.

1227
01:01:27,080 --> 01:01:28,720
Speaker 1: It is just so weird. And I said, oh, so

1228
01:01:28,920 --> 01:01:30,640
Speaker 1: is it like the same furniture. She goes, Oh, it's

1229
01:01:30,640 --> 01:01:32,520
Speaker 1: the same furniture. We didn't take any of the furniture,

1230
01:01:32,800 --> 01:01:36,400
Speaker 1: but we do have all the beer cans, the pizza boxes,

1231
01:01:36,680 --> 01:01:40,240
Speaker 1: their suitcases, their clothes, and they're gonna sell the money

1232
01:01:40,320 --> 01:01:43,960
Speaker 1: bay they are. Yeah, so why would someone want that?

1233
01:01:44,640 --> 01:01:47,880
Speaker 1: And also that story came and went so quickly, like

1234
01:01:48,000 --> 01:01:51,640
Speaker 1: it was interesting to us as it happened, because there

1235
01:01:51,720 --> 01:01:56,000
Speaker 1: she is a celebrated woman in uniform who had been

1236
01:01:56,040 --> 01:01:58,040
Speaker 1: greater a job and one like employee of the Month

1237
01:01:58,080 --> 01:02:00,840
Speaker 1: in the year five times. And then there's a prisoner.

1238
01:02:01,120 --> 01:02:03,720
Speaker 1: They fall in love. She helps him escape. They're on

1239
01:02:03,800 --> 01:02:07,200
Speaker 1: the run, and it's a bit of a romantic story

1240
01:02:07,400 --> 01:02:10,040
Speaker 1: in the way of look at them on the run

1241
01:02:10,120 --> 01:02:11,800
Speaker 1: from the law, and you don't want him to escape

1242
01:02:11,800 --> 01:02:13,400
Speaker 1: because he needs to be in jail. He's a bad dude.

1243
01:02:13,800 --> 01:02:16,520
Speaker 1: But then she ended up shooting herself and killing herself.

1244
01:02:16,960 --> 01:02:21,000
Speaker 1: Now the story is tragic and sad, that energy is not.

1245
01:02:21,920 --> 01:02:24,520
Speaker 1: But how crazy is it that they here's my thing,

1246
01:02:24,840 --> 01:02:28,000
Speaker 1: You're the most wanted people in America and you're kicked

1247
01:02:28,040 --> 01:02:30,520
Speaker 1: back drinking beers. I don't know they were the most

1248
01:02:30,600 --> 01:02:32,480
Speaker 1: They may have been the most famous right at that time.

1249
01:02:32,640 --> 01:02:34,200
Speaker 1: I think there were people. There are people that we

1250
01:02:34,280 --> 01:02:36,640
Speaker 1: want a little more than them at that time. But

1251
01:02:36,720 --> 01:02:38,800
Speaker 1: I'm saying, do you think you would be on your

1252
01:02:38,960 --> 01:02:41,440
Speaker 1: like onque like, oh my gosh, on alert. Instead you're

1253
01:02:41,480 --> 01:02:43,320
Speaker 1: sitting back and drinking. And they had different kinds of

1254
01:02:43,400 --> 01:02:46,200
Speaker 1: beer and not just one kind, and they ordered Domino's pizza.

1255
01:02:46,640 --> 01:02:48,160
Speaker 1: Just so you know, you went hard on the I

1256
01:02:48,240 --> 01:02:49,880
Speaker 1: was I was finding out all this stuff. You're the

1257
01:02:49,880 --> 01:02:52,080
Speaker 1: guy that'll buy her dress, huh yes, And they had

1258
01:02:52,080 --> 01:02:54,760
Speaker 1: the suitcase full of clothes and they were going to

1259
01:02:54,800 --> 01:02:57,840
Speaker 1: auction all that off on eBay at some point. They

1260
01:02:57,880 --> 01:03:00,960
Speaker 1: don't know when I'm surprised that the police don't confidence.

1261
01:03:01,240 --> 01:03:03,680
Speaker 1: That's what I said, And she was like, and she shit,

1262
01:03:03,840 --> 01:03:05,800
Speaker 1: she did say, but what is sad is there so

1263
01:03:05,920 --> 01:03:08,280
Speaker 1: many people call hearing yell at us like it's our fault.

1264
01:03:08,480 --> 01:03:09,960
Speaker 1: She was like, how are we supposed to know that

1265
01:03:10,000 --> 01:03:12,560
Speaker 1: they're staying at our hotel? And she was like and everybody,

1266
01:03:12,600 --> 01:03:14,680
Speaker 1: and she goes, so enough is enough? People need to

1267
01:03:14,760 --> 01:03:18,120
Speaker 1: quit calling? And then they said you couldn't use that audience. Yeah,

1268
01:03:18,440 --> 01:03:21,840
Speaker 1: including you. Yeah that's true. You did call too, Yes,

1269
01:03:21,920 --> 01:03:24,520
Speaker 1: but they are charging more for that room, which is weird,

1270
01:03:24,680 --> 01:03:26,000
Speaker 1: and they are going to sell the clothes of those

1271
01:03:26,040 --> 01:03:27,880
Speaker 1: people which is weird. But I guess even weird is

1272
01:03:27,920 --> 01:03:29,200
Speaker 1: people who want to buy it, who want to stay

1273
01:03:29,200 --> 01:03:32,040
Speaker 1: in the room. Yeah, but I thought, man, we should

1274
01:03:32,080 --> 01:03:34,480
Speaker 1: buy like the piece of Boxer should not. No, we

1275
01:03:34,560 --> 01:03:36,240
Speaker 1: get a mouse in your pocket, buddy, because we ain't

1276
01:03:36,240 --> 01:03:40,480
Speaker 1: doing that. Over here. Here is let's do voicemail number four.

1277
01:03:40,920 --> 01:03:44,480
Speaker 1: This is Rick from California. I was just hoping for

1278
01:03:44,640 --> 01:03:48,480
Speaker 1: maybe an update on Amy's package that was delivered to

1279
01:03:48,600 --> 01:03:50,160
Speaker 1: her house. So I thought we were going to get

1280
01:03:50,200 --> 01:03:53,520
Speaker 1: a final update or something around May or so. It's

1281
01:03:53,520 --> 01:03:57,880
Speaker 1: almost us. So a long time ago, Amy came to

1282
01:03:57,920 --> 01:03:58,920
Speaker 1: me and say, hey, I want to talk about the

1283
01:03:58,920 --> 01:04:00,000
Speaker 1: story on the air. And I said, what's that story?

1284
01:04:00,280 --> 01:04:03,240
Speaker 1: She said, well, this was sent and I got the

1285
01:04:03,280 --> 01:04:05,480
Speaker 1: package and she told me what it was and more details.

1286
01:04:05,480 --> 01:04:06,840
Speaker 1: And I said, Amy, I don't think you should share

1287
01:04:06,880 --> 01:04:09,360
Speaker 1: that story on air. She's like really, And so we

1288
01:04:09,480 --> 01:04:11,600
Speaker 1: got we almost did it. Head it on the list

1289
01:04:11,680 --> 01:04:13,280
Speaker 1: here things to talk about, and last minute I was,

1290
01:04:13,280 --> 01:04:15,520
Speaker 1: I don't think we should talk about it. It seems dangerous.

1291
01:04:15,560 --> 01:04:17,800
Speaker 1: Now this is a year ago, Okay, I said, it

1292
01:04:17,840 --> 01:04:20,840
Speaker 1: seems dangerous. And so a few months went by and

1293
01:04:20,920 --> 01:04:22,440
Speaker 1: then I was like, you know, maybe it's safe now.

1294
01:04:22,840 --> 01:04:24,320
Speaker 1: But then Amy talked to her head of security and

1295
01:04:24,360 --> 01:04:26,920
Speaker 1: he was like, don't talk about it. It's dangerous, right, yes,

1296
01:04:27,400 --> 01:04:30,360
Speaker 1: So I said we would check back on June first.

1297
01:04:30,480 --> 01:04:32,760
Speaker 1: It's just tomorrow, yeah, to see if you wanted to

1298
01:04:32,840 --> 01:04:35,000
Speaker 1: update or give us any detail about the package I

1299
01:04:35,040 --> 01:04:37,760
Speaker 1: was sent to your house. Not yet none. I feel

1300
01:04:37,800 --> 01:04:40,200
Speaker 1: like it got set back whenever, like you and Lunchbox,

1301
01:04:40,320 --> 01:04:41,919
Speaker 1: y'all don't want to talk about your what you found

1302
01:04:41,960 --> 01:04:44,400
Speaker 1: in your storage unit. And it's like a similar fear

1303
01:04:44,600 --> 01:04:46,520
Speaker 1: that like if I put something out there, then I'm

1304
01:04:46,560 --> 01:04:49,320
Speaker 1: the known person connected to it, and then what if

1305
01:04:49,360 --> 01:04:51,160
Speaker 1: they come and find me? What if you don't say

1306
01:04:51,200 --> 01:04:55,880
Speaker 1: exactly what it was, but you give a general general

1307
01:04:56,000 --> 01:04:58,560
Speaker 1: we can generalize, Okay, Well, how would y'all generalize? Okay?

1308
01:04:58,760 --> 01:05:01,400
Speaker 1: I would say when we bought the storage unit, and

1309
01:05:01,560 --> 01:05:03,320
Speaker 1: we had seen there were a bunch of shoes and

1310
01:05:03,560 --> 01:05:09,160
Speaker 1: clothes right all that when we got all the stuff out,

1311
01:05:09,480 --> 01:05:11,480
Speaker 1: turns out there was some stuff in there that would

1312
01:05:11,560 --> 01:05:13,720
Speaker 1: lead you to believe that there were some nefarious actions

1313
01:05:13,760 --> 01:05:15,920
Speaker 1: going on by the people that had that had that

1314
01:05:16,040 --> 01:05:23,640
Speaker 1: storage like illegal. I used to have to um look

1315
01:05:23,720 --> 01:05:26,520
Speaker 1: things up. I want to spell that at the dictionary.

1316
01:05:27,000 --> 01:05:29,920
Speaker 1: Uh so I would say that there were things in

1317
01:05:30,000 --> 01:05:35,760
Speaker 1: it that were absolutely related to criminal activity. Okay, same mine.

1318
01:05:36,240 --> 01:05:39,680
Speaker 1: What was delivered to us or how we ended up

1319
01:05:39,680 --> 01:05:42,920
Speaker 1: with this box, I'm still not sure, but it was

1320
01:05:43,240 --> 01:05:49,080
Speaker 1: definitely uh not within the law. So something was sent

1321
01:05:49,160 --> 01:05:52,120
Speaker 1: to you that wasn't legal, correct? Okay, See we're getting

1322
01:05:52,360 --> 01:05:54,760
Speaker 1: baby steps the show. The show doesn't even know what

1323
01:05:55,800 --> 01:05:58,040
Speaker 1: show up. Just like your regular mail. We have a

1324
01:05:58,200 --> 01:06:01,000
Speaker 1: UPS box and it was in our box, so it

1325
01:06:01,080 --> 01:06:03,800
Speaker 1: came through UPS. Yeah, we have that's what we use

1326
01:06:03,840 --> 01:06:06,840
Speaker 1: as our primary mailing address. And because it looks like

1327
01:06:06,920 --> 01:06:10,360
Speaker 1: an apartment but it's it's not it so but it

1328
01:06:10,480 --> 01:06:13,640
Speaker 1: was there waiting for us, and we think maybe some

1329
01:06:13,840 --> 01:06:17,040
Speaker 1: activity is running through our UPS store and somehow we

1330
01:06:17,240 --> 01:06:20,960
Speaker 1: ended up accidentally with the box because of a similar

1331
01:06:21,040 --> 01:06:23,960
Speaker 1: name mix up. Did you take it home? Yes, and

1332
01:06:24,080 --> 01:06:26,800
Speaker 1: it was unpacked and then did you freak out when

1333
01:06:26,840 --> 01:06:28,000
Speaker 1: you saw it or did it take a second to

1334
01:06:28,040 --> 01:06:30,600
Speaker 1: realize what would be freaked out? And I'm not going

1335
01:06:30,680 --> 01:06:32,919
Speaker 1: to say what happens next. Okay, good, you can stop

1336
01:06:32,960 --> 01:06:35,360
Speaker 1: it anytime, but just know that I don't have it.

1337
01:06:35,480 --> 01:06:37,600
Speaker 1: It don't come out. Okay, you don't have it. No,

1338
01:06:37,760 --> 01:06:41,160
Speaker 1: I don't have it. No, but that's the scary part.

1339
01:06:41,320 --> 01:06:43,600
Speaker 1: Did you call nine one one? I watch enough shows

1340
01:06:43,680 --> 01:06:46,800
Speaker 1: to know that they'll come after it. But that was

1341
01:06:46,880 --> 01:06:49,280
Speaker 1: a year ago at this point. Yeah, that's why if

1342
01:06:49,320 --> 01:06:51,720
Speaker 1: we the longer we wait, the safer I get. They

1343
01:06:51,840 --> 01:06:54,240
Speaker 1: kind of move on with that stuff with us already

1344
01:06:54,320 --> 01:06:57,400
Speaker 1: probably already died for it our unit. I don't know

1345
01:06:57,480 --> 01:07:02,000
Speaker 1: what happened to this stuff. Yeah, yeah, who it are? Okay, well,

1346
01:07:02,000 --> 01:07:07,680
Speaker 1: there are you having There was something else like happening around,

1347
01:07:08,520 --> 01:07:11,360
Speaker 1: like at the time, there was other things happening within

1348
01:07:11,440 --> 01:07:15,800
Speaker 1: our family that I literally thought I might know someone

1349
01:07:16,160 --> 01:07:18,800
Speaker 1: that I thought someone was using me that I knew

1350
01:07:19,280 --> 01:07:22,320
Speaker 1: and it was like a really connected thing. Thankfully that

1351
01:07:22,480 --> 01:07:24,240
Speaker 1: theory was debunction. I was like, I've been watching too

1352
01:07:24,320 --> 01:07:27,360
Speaker 1: much crime TV, listening to too many crime podcasts. But

1353
01:07:27,480 --> 01:07:30,200
Speaker 1: it's definitely something that is worrisome. So we got a

1354
01:07:30,280 --> 01:07:34,680
Speaker 1: nibble there. Yeah, it's and how about like, Mike, we'll

1355
01:07:34,720 --> 01:07:36,680
Speaker 1: check you back in September first. Okay, oh my god,

1356
01:07:36,760 --> 01:07:39,280
Speaker 1: all right, Morgan's on the street. Morgan, We're about to

1357
01:07:39,280 --> 01:07:41,840
Speaker 1: wrap this up. She's been holding a sign, a big

1358
01:07:41,920 --> 01:07:43,960
Speaker 1: white posterboard signed that say, I'm embarrassed with my friends

1359
01:07:43,960 --> 01:07:46,600
Speaker 1: and family. Morgan, how are you feeling right now? I mean,

1360
01:07:46,880 --> 01:07:49,560
Speaker 1: I'm not feeling very good about myself. One guy looked

1361
01:07:49,560 --> 01:07:52,320
Speaker 1: at me very disgusted and then gave me like a

1362
01:07:52,400 --> 01:07:54,800
Speaker 1: head nod, like he respected what I was doing, but

1363
01:07:55,000 --> 01:07:57,400
Speaker 1: was not proud of me. What do you feel most

1364
01:07:57,440 --> 01:07:59,960
Speaker 1: people think? What's the reason most people think you're out there?

1365
01:08:00,960 --> 01:08:02,840
Speaker 1: I don't think anyone knows. I'm getting a lot of

1366
01:08:02,880 --> 01:08:05,200
Speaker 1: like hands up in the air asking me what I did,

1367
01:08:05,360 --> 01:08:08,400
Speaker 1: and I just kind of strug my shoulders. So I

1368
01:08:08,440 --> 01:08:10,400
Speaker 1: don't think any of them know. I would think if

1369
01:08:10,440 --> 01:08:12,960
Speaker 1: I saw a woman holding that sign out there, that

1370
01:08:13,040 --> 01:08:15,120
Speaker 1: her husband caught her cheating into making him hold that sign.

1371
01:08:15,680 --> 01:08:18,080
Speaker 1: That's what I would think if I saw that. Ray,

1372
01:08:18,120 --> 01:08:20,200
Speaker 1: what would you think if you saw that? Well, she's smiling,

1373
01:08:20,320 --> 01:08:22,400
Speaker 1: so then that takes that away. But yes, it seems

1374
01:08:22,439 --> 01:08:24,479
Speaker 1: like an affair to me. So maybe some dudes are

1375
01:08:24,520 --> 01:08:27,519
Speaker 1: gonna pull over or whatever. I don't know. Well, did

1376
01:08:27,560 --> 01:08:34,440
Speaker 1: they think she's down? She's down? Yeah, okay, yeah, why

1377
01:08:34,560 --> 01:08:36,400
Speaker 1: was she out there holding the sign trying to, like,

1378
01:08:36,760 --> 01:08:42,120
Speaker 1: you know, make up for it? Well, so somebody just

1379
01:08:42,280 --> 01:08:45,640
Speaker 1: drove by like the ass. This has to be a joke, right.

1380
01:08:45,760 --> 01:08:47,800
Speaker 1: Her mouth was like all the way dropped to the floor.

1381
01:08:47,840 --> 01:08:50,800
Speaker 1: She couldn't imagine what was happening. It sound like a dude, yeah,

1382
01:08:50,800 --> 01:08:57,000
Speaker 1: it sound like yeah, I saw I saw Bay Ray's wife.

1383
01:08:57,240 --> 01:09:02,599
Speaker 1: She drove by heyo, not out of lots of story

1384
01:09:02,720 --> 01:09:05,360
Speaker 1: that I like that good. All right, Morgan, you have

1385
01:09:05,560 --> 01:09:07,479
Speaker 1: served your time. Go ahead and put your sign up,

1386
01:09:07,600 --> 01:09:10,360
Speaker 1: come on back in. Okay, all right, thank you here,

1387
01:09:10,360 --> 01:09:15,559
Speaker 1: You're awesome, a funny. Hey, let's just in. She's all by, Hey,

1388
01:09:15,640 --> 01:09:19,479
Speaker 1: pretty cool. I'm gonna work. It's the Best Bits of

1389
01:09:19,560 --> 01:09:24,160
Speaker 1: the week with Morgan number two. That's it, y'all. Thanks

1390
01:09:24,200 --> 01:09:27,360
Speaker 1: for checking out the best Bits this weekend. This was

1391
01:09:27,479 --> 01:09:30,360
Speaker 1: just the bits. Don't forget check out part one with Eddie.

1392
01:09:30,680 --> 01:09:32,599
Speaker 1: We talked about so many things. Also, there's some new

1393
01:09:32,680 --> 01:09:36,000
Speaker 1: food worlds and um yeah, I got trolled by my

1394
01:09:36,080 --> 01:09:38,600
Speaker 1: own family members. So you got to make sure you

1395
01:09:38,720 --> 01:09:41,679
Speaker 1: hear that Part two. So y'all have a fabulous weekend.

1396
01:09:41,800 --> 01:09:43,920
Speaker 1: I love you guys so much. Please hit me up

1397
01:09:44,120 --> 01:09:46,200
Speaker 1: and the dms. If you guys are listening to the podcast,

1398
01:09:46,280 --> 01:09:48,360
Speaker 1: tag me. I'll reshare it or let me know what

1399
01:09:48,479 --> 01:09:53,080
Speaker 1: you like and don't like respectfully. I love getting the feedback,

1400
01:09:53,160 --> 01:09:55,360
Speaker 1: so check me out at web Girl Morgan all the

1401
01:09:55,439 --> 01:09:59,240
Speaker 1: things at Bobby Bones Show for all types of content,

1402
01:09:59,360 --> 01:10:02,000
Speaker 1: not having just these seven bits. There's so much more

1403
01:10:02,080 --> 01:10:04,040
Speaker 1: out there, so make sure you check that out and

1404
01:10:04,240 --> 01:10:10,000
Speaker 1: at Bobby bones dot com. Y'all, Bye Bobby Bones. Uh

1405
01:10:10,120 --> 01:10:10,320
Speaker 1: huh