WEBVTT - More Conversations About Kendrick vs. Drake

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<v Speaker 1>Watch up and welcome back to another episode of No

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<v Speaker 1>Sealers Podcast with your hosts Now fuck That with your

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<v Speaker 1>loaw glasses Malone. Nah. So it's weird listening to it

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<v Speaker 1>because right, it's like I've been saying this for years,

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<v Speaker 1>you know, and I get a lot of pushback to

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<v Speaker 1>me on I get a ton of pushback on all

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<v Speaker 1>of this because of that, you know what I mean. Like,

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<v Speaker 1>there's like it ain't on purpose. I just think that

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<v Speaker 1>he got into a space to where it's like people

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<v Speaker 1>have been complaining about hip hop being like like an

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<v Speaker 1>advocate of like violence in the community or molding drug

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<v Speaker 1>used like you know, rich Homie Kwan passed away from Atlanta,

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<v Speaker 1>and you know when something like that happens, the first

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<v Speaker 1>thing is like, well, let's look at the music, and

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<v Speaker 1>it's like, well, what was happening before the music? You

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<v Speaker 1>feel me like, why were people on drugs in the

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<v Speaker 1>sixties and seventies or in the fifties.

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<v Speaker 2>Yeah, they never talked about like the music going on

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<v Speaker 2>when Kirk Cobain blew out his own brains or they

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<v Speaker 2>never they never mentioned that it was the music.

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<v Speaker 1>Well, I think white people kind of did. But again,

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<v Speaker 1>it's like it's like really silly. I mean, the artist

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<v Speaker 1>very reflective of said community. But the point I was

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<v Speaker 1>making is in that situation with Dot and Drake, it's like,

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<v Speaker 1>but Dot and Drake is like Draked just pretty much

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<v Speaker 1>you know, said hey, you know he pulled the carpet.

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<v Speaker 1>You know, he had been standing on this rug that

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<v Speaker 1>we call cultural cachet this whole time. M hm, and

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<v Speaker 1>he just snatched the rug like man, you're not the

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<v Speaker 1>culture boom. And then you know, so he couldn't really

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<v Speaker 1>there was nothing to stand up on them now, And

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<v Speaker 1>I think that's what we're looking at, Like hip hop

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<v Speaker 1>is still rooted in poor people making things cool. No

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<v Speaker 1>that that don't mean hip hop is only poor people,

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<v Speaker 1>but the culture of it comes from poor people. The

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<v Speaker 1>language comes from you know, the majority of the language

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<v Speaker 1>come from you because it's bad educational programs. The fashion

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<v Speaker 1>is taking ship. That's that you you know, if parents

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<v Speaker 1>can't afford but you know, some dickeys and putting creases

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<v Speaker 1>in them, you know, and rocking it with pride. You know,

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<v Speaker 1>it's not the chucks themselves, it's the fat laces and

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<v Speaker 1>the chucks. So you know, that's what that pride and

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<v Speaker 1>that type of struggle is really where hip hop is different.

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<v Speaker 1>You know, how can these people be so happy under

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<v Speaker 1>these circumstances.

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<v Speaker 2>I think, and I think that's that gets lost. That's

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<v Speaker 2>lost now, you know. And that's and that's why people

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<v Speaker 2>start to, oh, well, hip hop isn't just only poor people,

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<v Speaker 2>and hip hop isn't only just from the hood, and

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<v Speaker 2>hip hop isn't only this and that, And it's like, actually,

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<v Speaker 2>like at the core essence of it, if that's what

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<v Speaker 2>that's literally what it came from, you know, And we've

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<v Speaker 2>talked about that.

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<v Speaker 1>You know.

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<v Speaker 2>I was like your slogan that you're not it's not slogan,

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<v Speaker 2>but you're the way you set it up, you say

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<v Speaker 2>it's a street urban street urban culture, but there's more

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<v Speaker 2>to it.

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<v Speaker 1>Personify through the arts of elements, PERI, through the arts

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<v Speaker 1>and elements. So like the actual act itself is not

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<v Speaker 1>really hip hop, like being you know, street urban culture.

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<v Speaker 1>But once you put it into the arts and elements,

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<v Speaker 1>that's when you start seeing that the artistic expression that

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<v Speaker 1>we reference as hip hop.

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<v Speaker 2>And that's the part that gets confused I think for

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<v Speaker 2>people because then they just go, well, if I can

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<v Speaker 2>just do the art part of it, then I'm hip

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<v Speaker 2>hop and that's not necessarily true. Now, I think you

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<v Speaker 2>used to use this.

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<v Speaker 1>Term was shit. What is it was like a what

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<v Speaker 1>did you say?

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<v Speaker 2>You used to say it was like when you're not

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<v Speaker 2>from a product of hip hop, a product of hip hop.

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<v Speaker 1>Yeah, it's a ton of people who enjoy the music

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<v Speaker 1>and they are not hip hop. No, just because you know,

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<v Speaker 1>my favorite food is Mexican food, Bro, that I don't

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<v Speaker 1>make Mexican. Bro. I don't care how many tacos I get,

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<v Speaker 1>how many you know, it don't matter.

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<v Speaker 2>But most people in the Mexican community would give you

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<v Speaker 2>a pass and say that you are an honorary Mexican.

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<v Speaker 2>And I think that a lot of people in hip

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<v Speaker 2>hop want that because Drake was low key kind of

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<v Speaker 2>getting that until I feel like it almost seemed like,

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<v Speaker 2>I mean, I don't know because I don't know him personally,

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<v Speaker 2>but it seemed like he started getting under people's skin

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<v Speaker 2>by doing things where he started thinking he was bigger

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<v Speaker 2>and not and doing things that he didn't remember, like, Yo,

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<v Speaker 2>low Key, you kind of a guess bro, even though

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<v Speaker 2>you're mixed.

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<v Speaker 1>Yeah, okay, you have Jewish, you have black. That's cool.

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<v Speaker 2>But but that don't make you hip hop like that.

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<v Speaker 1>Well, again, I don't think the mixed part of it

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<v Speaker 1>is the problem. It's it's it's the culture part. Grow

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<v Speaker 1>How do you grow up culturally? I mean, if you

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<v Speaker 1>grew up in Jewish culture, you know, if a rabbi

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<v Speaker 1>started rapping about his Jewish experience, I think we would

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<v Speaker 1>enjoy it and we love to claim it, but it

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<v Speaker 1>probably would be Jewish.

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<v Speaker 2>Well, I think what's his name made a comment about that,

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<v Speaker 2>and I thought that was prettype Rosenberg and he was like,

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<v Speaker 2>he's like, I know a guy that grew up in

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<v Speaker 2>like cause he's Jewish. So he was basically saying like

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<v Speaker 2>he could identify and he said. Drake got upset at

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<v Speaker 2>that because he was like, like, I understand that he

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<v Speaker 2>doesn't like that. I can see who. Yeah, it's like,

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<v Speaker 2>nothing's wrong with that.

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<v Speaker 1>Again, but again, if you're trying to present yourself as

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<v Speaker 1>the poor people culturally, I mean, and and did he

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<v Speaker 1>ever do that? Yes, that's the problem. That's what started

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<v Speaker 1>to so when he first, like when Cuz first came

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<v Speaker 1>right like you knew he was this nigga Lodian kid.

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<v Speaker 1>We all knew he was a pop act. We realized

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<v Speaker 1>he was this unbelievable talent as a writer and in

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<v Speaker 1>real story, like Puna tell you, like punish it like

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<v Speaker 1>Puna tell you, Like, there was times bro where the

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<v Speaker 1>dude would be trying to talk to me and I

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<v Speaker 1>wouldn't even talk to him, not on no funny shit,

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<v Speaker 1>but just like nigga, I don't know you cuz I'm

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<v Speaker 1>just that type of nigga. You know, the streets teach

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<v Speaker 1>you to be that kind of person, and I don't

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<v Speaker 1>care how successful you get. I mean, that's just maybe

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<v Speaker 1>it's not right. That's not to say I wouldn't say hello,

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<v Speaker 1>but like, and I'm on my own mission, feel me,

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<v Speaker 1>And I'm not mad at you know how I interact

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<v Speaker 1>with you. I'm really careful how I interact with people.

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<v Speaker 2>I think at one time you were you know, this

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<v Speaker 2>is a different time period and you were a different

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<v Speaker 2>maybe not as approachable person back then either, so that

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<v Speaker 2>probably played with it, because you know it's funny like

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<v Speaker 2>even though like we talk about, like you tell me,

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<v Speaker 2>I'm like, well, I'm more of a square dude grew

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<v Speaker 2>up here, like yeah, but you're still from the street

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<v Speaker 2>because you grew up from in Inglewood and you know,

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<v Speaker 2>you was outside cool.

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<v Speaker 1>But I remember if you got into a fight. Do

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<v Speaker 1>you remember the first time somebody hit you at school? Yeah,

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<v Speaker 1>you wouldn't tell your parents, You remember that.

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<v Speaker 2>No, I didn't tell my parents. I was too scared

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<v Speaker 2>to tell my dad because.

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<v Speaker 1>He knew what he would have said. Yeah, what he

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<v Speaker 1>was saying, he said, what did you do? Back?

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<v Speaker 2>That's the street And if I didn't do anything, I

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<v Speaker 2>would have got whatked?

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<v Speaker 1>Then that's the streets. That nothing but the streets, see

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<v Speaker 1>you don't. It don't mean like you so dope. It

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<v Speaker 1>means people where you grew up at so dope. It

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<v Speaker 1>don't mean that you was out still in cars. People

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<v Speaker 1>where you grew up at stole cars. But the simplest

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<v Speaker 1>rulee you get in hip hop is you know when

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<v Speaker 1>you were a kid, right, Because hip hop is street

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<v Speaker 1>urban culture, right personified through the arts of elements. So

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<v Speaker 1>the street urban part is densely popular. That's urban crime

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<v Speaker 1>written street communities, right, the culture there, And the number

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<v Speaker 1>one thing that makes our existence really special is that

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<v Speaker 1>type of shit where my mom would fuck me up

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<v Speaker 1>if I let somebody hit me and I don't do

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<v Speaker 1>nothing back to them. She ain't never told me go

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<v Speaker 1>tell the teacher. You need to go tell the principal.

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<v Speaker 1>That's most Americans. Most Americans tell their kids to go

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<v Speaker 1>tell the teacher. You know what, if somebody does something

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<v Speaker 1>to you, go tell the proper authorities. That's the American way.

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<v Speaker 1>But hip hop, right, the culture that we are brought

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<v Speaker 1>up in. The simplest rule you're taught is, hey, if

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<v Speaker 1>a motherfucker put they hands on you, you hit they

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<v Speaker 1>motherfucking ass back. Yeah, that's hip hop. So again, yeah,

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<v Speaker 1>I'm not saying when I say you Street or like

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<v Speaker 1>DJ headed Street, I'm not saying y'all are criminals. I'm

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<v Speaker 1>saying you grew up in a culture that Disley populated,

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<v Speaker 1>crime written communities created, and you had to you adheeded

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<v Speaker 1>to those same standards. They didn't have a choice, you

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<v Speaker 1>know what I'm saying.

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<v Speaker 2>But what I was trying to connect it to was

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<v Speaker 2>I also remember in moments where when I'd be in

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<v Speaker 2>certain areas and I, you know, I tried to you know,

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<v Speaker 2>you're trying to be cool with people or whatever, chop

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<v Speaker 2>it up, and it might be some dudes there was

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<v Speaker 2>bloods or there was essays like dresses whatever, and if

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<v Speaker 2>they was gang bangers. They kind of would like what

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<v Speaker 2>you just said, how you would like kind of ignored,

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<v Speaker 2>you know, Drake, Like, That's how I would feel sometimes

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<v Speaker 2>because I would be like, you know, trying to chop

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<v Speaker 2>it up, and they looking like why are you talking

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<v Speaker 2>to me?

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<v Speaker 1>But you know what I mean, No silings jail. I

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<v Speaker 1>got my brother Tony Nardio and here hip hop hip

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<v Speaker 1>hop officiate or out of Anglewood. They love with the whole,

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<v Speaker 1>you know, the whole culture except the West Park got

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<v Speaker 1>that together. But that was Head too, though Head didn't

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<v Speaker 1>know how to feel about West Coast culture at first.

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<v Speaker 1>DJ Head didn't know how to feel about it because

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<v Speaker 1>he felt left out because you hear this a lot

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<v Speaker 1>on the West. Oh Man, you need to be a

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<v Speaker 1>gang banger to make it. I'm like, no, they just

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<v Speaker 1>have most of the culture. But we but again, before

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<v Speaker 1>like gangs got officially recognizes wearing dickies, everybody in the

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<v Speaker 1>streets dressed like that. Sure, not just gang members. Everybody

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<v Speaker 1>in the streets wore chucks. Everybody in the streets wore

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<v Speaker 1>fat laces. Maybe they laces wasn't blue or red, some

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<v Speaker 1>of them was. Even if they wasn't part of the gang.

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<v Speaker 1>They still wore the same thing. So, like you mean

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<v Speaker 1>they wore thick black lacers. Everybody in La wore T shirts.

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<v Speaker 1>Caine wasn't from No Game and Men.

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<v Speaker 2>Of Society solid T shirts, long sleeve solid fight T shirts.

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<v Speaker 1>We all dressed the same until you start to pursue

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<v Speaker 1>your own level of fashion. So I remember, you know,

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<v Speaker 1>I had the same conversation with DJ Head, and I'm like,

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<v Speaker 1>it's certain things that you gonna know because you've been

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<v Speaker 1>around me enough and they gonna click into what you remember.

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<v Speaker 1>So yeah, it's the same as expected of you. Like

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<v Speaker 1>I wouldn't you know, I wouldn't call you a civilian.

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<v Speaker 1>I was talking a problem about this, you know, and

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<v Speaker 1>he feels like he's a civilian. I'm like, you not

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<v Speaker 1>fucking drug dealer, bro. You used to sell drugs at

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<v Speaker 1>one time. I mean, like you're a criminal, like it

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<v Speaker 1>got loose that, oh you just got to be from

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<v Speaker 1>a gang. Well no, if you you know, maybe you

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<v Speaker 1>don't go as far to commit crimes, but you will

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<v Speaker 1>break the rules. One of the rules being at a

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<v Speaker 1>regular school. I don't care if it's Morningside or whatever,

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<v Speaker 1>the middle school or elementary nighborhood. The rule is if

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<v Speaker 1>somebody hit you, you supposed to tell the teacher. The rule

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<v Speaker 1>is not to fight back. That's not the rule, y'all.

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<v Speaker 1>Both will get suspended. If you fight back, maybe you

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<v Speaker 1>get less days, but your ass getting suspended. Yeah, I mean,

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<v Speaker 1>California don't have no self defense law. You shoot the

0:12:00.400 --> 0:12:03.560
<v Speaker 1>motherfucker running up on you, You finna get this involuntary man slaughter.

0:12:03.880 --> 0:12:05.880
<v Speaker 1>We might plead you out, you could do you know,

0:12:06.000 --> 0:12:08.200
<v Speaker 1>nine months and you walk home, but you fighting this

0:12:08.280 --> 0:12:11.640
<v Speaker 1>involuntary manslaughter. The closest you can get to it, bro,

0:12:11.880 --> 0:12:16.040
<v Speaker 1>is you feel me? Is somebody in your house walking

0:12:16.080 --> 0:12:18.040
<v Speaker 1>with a gun aimed at you, and you and your

0:12:18.040 --> 0:12:20.880
<v Speaker 1>house with your legal firearm, and right before they shoot you,

0:12:20.880 --> 0:12:23.960
<v Speaker 1>you shoot them. California a different place, bro. If you

0:12:24.080 --> 0:12:27.360
<v Speaker 1>if somebody breaking your house and fall on a knife, nigga,

0:12:27.400 --> 0:12:30.840
<v Speaker 1>you can get sued. That's crazy, you know what I'm saying.

0:12:31.000 --> 0:12:34.880
<v Speaker 2>So, but and with all with all that being said,

0:12:34.920 --> 0:12:38.120
<v Speaker 2>we were going back to the original topic of conversation

0:12:38.320 --> 0:12:39.960
<v Speaker 2>is that he didn't grow up that way.

0:12:40.559 --> 0:12:43.240
<v Speaker 1>No, he grew up a Jewish kid in the Jewish.

0:12:43.040 --> 0:12:46.680
<v Speaker 2>Community, right, And I think that's where totally because black,

0:12:46.720 --> 0:12:49.240
<v Speaker 2>he's away black he would be the race that we

0:12:49.320 --> 0:12:52.280
<v Speaker 2>call black for shortsop. Well, that's why I think for

0:12:52.360 --> 0:12:55.719
<v Speaker 2>the most part, I see most people that came for

0:12:55.880 --> 0:12:58.080
<v Speaker 2>him are people that grew up the same way, with

0:12:58.120 --> 0:13:01.120
<v Speaker 2>the exception of just certain cat. It's like, I don't

0:13:01.160 --> 0:13:03.280
<v Speaker 2>know how mal grew up, but mall caps for him

0:13:03.320 --> 0:13:05.480
<v Speaker 2>a lot, you know, But they're not.

0:13:07.240 --> 0:13:10.800
<v Speaker 1>See they for some reason, they think their entry into

0:13:10.880 --> 0:13:14.160
<v Speaker 1>hip hop is Drake. He represents their interest. He doesn't.

0:13:14.480 --> 0:13:19.880
<v Speaker 1>Their interest is represented in somebody like Kanye West. That's

0:13:19.920 --> 0:13:23.200
<v Speaker 1>who their interest is represented. You know, guys like that

0:13:23.520 --> 0:13:27.839
<v Speaker 1>where maybe they didn't quite commit a crime ever, but

0:13:27.920 --> 0:13:31.520
<v Speaker 1>for sure if somebody did something to them, they gonna

0:13:31.520 --> 0:13:33.920
<v Speaker 1>stand up for theirself. Like you can't just go walk

0:13:33.960 --> 0:13:37.280
<v Speaker 1>up and punch Kanye West, right, I mean it's gonna

0:13:37.520 --> 0:13:40.960
<v Speaker 1>that crazy motherfucker probably gonna fight your ass. Yeah. I mean,

0:13:41.080 --> 0:13:43.240
<v Speaker 1>he was raised by his mother and his father. I'm

0:13:43.240 --> 0:13:45.240
<v Speaker 1>sure his mother was not saying go tell the teacher.

0:13:45.679 --> 0:13:48.199
<v Speaker 1>I'm sure his mother was like, you better fight that motherfucker.

0:13:47.960 --> 0:13:52.600
<v Speaker 1>So what You're sure Drake's mother was like, yo, bro,

0:13:52.720 --> 0:13:56.640
<v Speaker 1>you need to go tell the the principal. Yeh.

0:13:56.640 --> 0:13:59.840
<v Speaker 2>I feel like Drake probably hasn't had too many fights

0:13:59.880 --> 0:14:01.800
<v Speaker 2>in his entire life.

0:14:02.040 --> 0:14:05.480
<v Speaker 1>It's been it's been a lot of situations where you know,

0:14:05.520 --> 0:14:08.160
<v Speaker 1>obviously the Tips story where his homeboy pissed on him

0:14:08.200 --> 0:14:10.960
<v Speaker 1>and you know he later on told about it, but

0:14:10.960 --> 0:14:14.520
<v Speaker 1>he didn't do nothing. It's a situation with with Puff,

0:14:14.640 --> 0:14:16.079
<v Speaker 1>you know what I mean. With Puff kind of punched

0:14:16.080 --> 0:14:18.480
<v Speaker 1>on him. He and tuned and some shit, you know

0:14:18.520 --> 0:14:21.000
<v Speaker 1>what I mean. And again it's one of them things

0:14:21.000 --> 0:14:24.200
<v Speaker 1>where we never even when I used to hear stories

0:14:24.240 --> 0:14:26.520
<v Speaker 1>about Cuz, like and he would have these kind of

0:14:27.040 --> 0:14:29.840
<v Speaker 1>confrontations and he didn't respond in the way that I

0:14:29.880 --> 0:14:32.560
<v Speaker 1>would respond. I neverudged him for it because I'm like, yo,

0:14:32.680 --> 0:14:36.239
<v Speaker 1>this dude is you know, he's not of the same elk.

0:14:37.400 --> 0:14:40.120
<v Speaker 2>But how do you separate that then from say, like

0:14:42.360 --> 0:14:45.520
<v Speaker 2>Joe Butden, Joe Budden is from fucking New Jersey. He

0:14:45.640 --> 0:14:48.560
<v Speaker 2>better fight a motherfucker back. Well, he's didn't fight back,

0:14:49.560 --> 0:14:52.360
<v Speaker 2>but that's my point. And he know why we said, like, nigga,

0:14:52.480 --> 0:14:55.520
<v Speaker 2>use a mark, you got marked out. I don't give

0:14:55.560 --> 0:14:57.560
<v Speaker 2>a fuck if it was ghost Face, Ray Kuan and

0:14:57.600 --> 0:14:58.560
<v Speaker 2>any of the motherfuckers.

0:14:58.560 --> 0:15:01.040
<v Speaker 1>You got to stand up for yourself. And they expect

0:15:01.040 --> 0:15:03.640
<v Speaker 1>the same, you know what I mean? So we don't.

0:15:03.840 --> 0:15:10.400
<v Speaker 1>And I irony, I came to that specific concert that

0:15:10.560 --> 0:15:13.640
<v Speaker 1>was at like a concert in the ie, and I

0:15:13.680 --> 0:15:16.080
<v Speaker 1>had pulled up right after the shit happened. I didn't

0:15:16.160 --> 0:15:18.200
<v Speaker 1>know that was out here. Yeah, that was the part

0:15:18.240 --> 0:15:21.200
<v Speaker 1>that was like an uh, might be Sam Bernardino. I

0:15:21.200 --> 0:15:23.720
<v Speaker 1>think it was Sam Bernardino. I was there though, right

0:15:23.760 --> 0:15:27.440
<v Speaker 1>after that shit happened, and I remember talking to Crooked

0:15:28.120 --> 0:15:29.920
<v Speaker 1>and Crooked was telling me he was update me on

0:15:30.000 --> 0:15:32.160
<v Speaker 1>everything that happened with Joe and the Wu Tang niggas,

0:15:32.160 --> 0:15:34.360
<v Speaker 1>and I'm like, did he fighting back? He's like nah,

0:15:34.440 --> 0:15:38.000
<v Speaker 1>I'm like, man, that nigga gotta go fight cuz you

0:15:38.000 --> 0:15:39.800
<v Speaker 1>know what I'm saying. And Joe did get mad at

0:15:39.840 --> 0:15:41.880
<v Speaker 1>s throwing out the traider. I don't quite know what happened,

0:15:41.920 --> 0:15:44.920
<v Speaker 1>but nigga, you got to stand up for yourself. You

0:15:44.960 --> 0:15:46.120
<v Speaker 1>know from where we come from.

0:15:46.200 --> 0:15:49.120
<v Speaker 2>Okay, But here's my question though, because I've also we've

0:15:49.120 --> 0:15:52.320
<v Speaker 2>also all heard instances where Joe, Joe ain't no pump

0:15:52.520 --> 0:15:54.600
<v Speaker 2>like Joe has that stood up for himself and.

0:15:54.600 --> 0:15:56.960
<v Speaker 1>Has every time he's supposed to.

0:15:57.560 --> 0:15:59.320
<v Speaker 2>Well, that's what I'm saying, So what do you where

0:15:59.360 --> 0:16:01.800
<v Speaker 2>do you think that this connectors and where does that

0:16:01.880 --> 0:16:03.920
<v Speaker 2>place him in terms of what we're saying with Drake

0:16:04.000 --> 0:16:07.440
<v Speaker 2>with where he's had stuff happen to him, Joe being

0:16:07.840 --> 0:16:10.000
<v Speaker 2>somebody who he knows from the hood, who will stand

0:16:10.080 --> 0:16:10.840
<v Speaker 2>up for himself.

0:16:11.400 --> 0:16:14.280
<v Speaker 1>But say he I guess he picks and chooses one time,

0:16:14.320 --> 0:16:15.760
<v Speaker 1>you know, that time he got pumped.

0:16:16.120 --> 0:16:19.320
<v Speaker 2>I mean, he got bullied, and it happens. It's not

0:16:19.440 --> 0:16:21.480
<v Speaker 2>so posed to, but it happens.

0:16:21.840 --> 0:16:25.480
<v Speaker 1>Yeah, but that's why we shame you. Yeah, I've been shamed.

0:16:25.880 --> 0:16:28.120
<v Speaker 2>I mean, forty four years old, I've had I can't

0:16:28.120 --> 0:16:30.680
<v Speaker 2>lie to you and say I've never had stuff happen where.

0:16:30.520 --> 0:16:31.280
<v Speaker 1>I'm not gonna win.

0:16:31.440 --> 0:16:34.120
<v Speaker 2>I should have stood up and punched that motherfucker and

0:16:34.160 --> 0:16:36.440
<v Speaker 2>I didn't. I didn't get punked and put their hands

0:16:36.480 --> 0:16:36.800
<v Speaker 2>on me.

0:16:36.880 --> 0:16:38.000
<v Speaker 1>But said something.

0:16:38.200 --> 0:16:40.080
<v Speaker 2>Yeah, they said some shit that I just I should

0:16:40.080 --> 0:16:43.360
<v Speaker 2>have reacted to and I didn't. So I've had that happen.

0:16:44.280 --> 0:16:49.000
<v Speaker 1>No, every Listen, there's a story specifically, right. I remember

0:16:50.160 --> 0:16:53.240
<v Speaker 1>it was a dude. He was older than me. Like

0:16:53.640 --> 0:16:56.160
<v Speaker 1>who I am is built off of all of these issues,

0:16:57.160 --> 0:16:58.960
<v Speaker 1>Like I remember used to being scared to stand there

0:16:58.960 --> 0:17:01.640
<v Speaker 1>because people was killer, Like, yeah, I got hurt certain homies.

0:17:01.800 --> 0:17:03.960
<v Speaker 1>I got certain homies, bro, that dropped out of school

0:17:03.960 --> 0:17:07.359
<v Speaker 1>before high school started, because why because they were selling

0:17:07.400 --> 0:17:09.119
<v Speaker 1>dope and they mom was going through shit and they

0:17:09.240 --> 0:17:11.080
<v Speaker 1>was going through it, you know what I'm saying. But

0:17:11.400 --> 0:17:14.080
<v Speaker 1>they was already doing drive bys and everything. I was

0:17:14.119 --> 0:17:17.320
<v Speaker 1>in school getting straight as and shit. And by tenth grade,

0:17:17.840 --> 0:17:19.520
<v Speaker 1>so even when I hopped off the porch and you

0:17:19.600 --> 0:17:22.320
<v Speaker 1>gang bang in ninth and tenth grade, these niggas being

0:17:22.400 --> 0:17:24.760
<v Speaker 1>gang bang in eighth grade. They don't go in the house.

0:17:24.800 --> 0:17:26.879
<v Speaker 1>Their parents ain't on them, you know. I mean, they

0:17:26.920 --> 0:17:30.880
<v Speaker 1>got a real traumatizing experience, and it turned them into

0:17:31.000 --> 0:17:34.680
<v Speaker 1>me in really fast. I remember them dudes used to

0:17:34.760 --> 0:17:36.119
<v Speaker 1>kind of worry me. I'm like, man, these dudes that

0:17:36.280 --> 0:17:38.680
<v Speaker 1>killed me. But shout out to Moon, shout out to Shady,

0:17:38.720 --> 0:17:41.639
<v Speaker 1>shout out to pluck them. Dudes really instilled the level

0:17:41.680 --> 0:17:45.480
<v Speaker 1>of masculinity, even Boo and Maine, like, it's this is

0:17:45.520 --> 0:17:49.560
<v Speaker 1>how I carry myself now. Like now it's like, you know,

0:17:49.680 --> 0:17:51.520
<v Speaker 1>I'll fight, and don't get me wrong, every time I

0:17:51.520 --> 0:17:53.479
<v Speaker 1>stood up in fighting, I didn't win all the fights,

0:17:54.160 --> 0:17:56.879
<v Speaker 1>well a lot of the fights, but I didn't win

0:17:56.920 --> 0:17:57.800
<v Speaker 1>them all, you know.

0:17:58.040 --> 0:18:01.920
<v Speaker 2>As your friend, even like of almost fifteen years now,

0:18:01.960 --> 0:18:04.040
<v Speaker 2>like before I knew you. Those are those are some

0:18:04.080 --> 0:18:07.040
<v Speaker 2>of the things. That's one. Let me just say, let

0:18:07.080 --> 0:18:09.240
<v Speaker 2>me say one of the main things I've heard about

0:18:09.280 --> 0:18:13.000
<v Speaker 2>you that is respected is that classes ain't never turned

0:18:13.000 --> 0:18:13.920
<v Speaker 2>down no fade.

0:18:14.080 --> 0:18:16.080
<v Speaker 1>Well, of course when I was younger, I turned down

0:18:16.080 --> 0:18:17.080
<v Speaker 1>a fucking face.

0:18:16.920 --> 0:18:21.720
<v Speaker 2>But I only only personal people must know that because everybody.

0:18:22.560 --> 0:18:25.000
<v Speaker 1>Once I once I became a grown up and I'm

0:18:25.080 --> 0:18:28.720
<v Speaker 1>game banging every day. And I really say, is Moon

0:18:28.840 --> 0:18:32.000
<v Speaker 1>Moon really made me this way? I mean, Shady was

0:18:32.000 --> 0:18:33.680
<v Speaker 1>big too, because there was a moment Shady had to

0:18:33.680 --> 0:18:35.640
<v Speaker 1>get on me. There was a moment pluck. But once

0:18:35.680 --> 0:18:37.840
<v Speaker 1>I realized I could fight, and it wasn't that big

0:18:37.840 --> 0:18:40.159
<v Speaker 1>of a deal. It was over you. I mean, I

0:18:40.240 --> 0:18:42.120
<v Speaker 1>wasn't never gonna not fight no, Like that didn't make

0:18:42.160 --> 0:18:44.200
<v Speaker 1>no sense. Like you want to fight out, you beat

0:18:44.240 --> 0:18:46.680
<v Speaker 1>your ass or you're gonna win, but we're gonna fight.

0:18:46.800 --> 0:18:49.800
<v Speaker 1>But I think that's the simple rule in hip hop.

0:18:50.000 --> 0:18:52.879
<v Speaker 1>I mean, and you're shamed. You're more shamed for getting

0:18:52.920 --> 0:18:56.000
<v Speaker 1>marked out than you are for losing a fight. Yeah,

0:18:56.160 --> 0:18:58.840
<v Speaker 1>I mean, you have to stand up for yourself. But

0:18:59.119 --> 0:19:01.920
<v Speaker 1>it's a journey I'm saying, so you can redeem yourself.

0:19:01.920 --> 0:19:05.360
<v Speaker 1>Though that's the cold part. Like even somebody like Joe

0:19:05.440 --> 0:19:08.800
<v Speaker 1>Buddens you feel me, like yo, yeah, like that time

0:19:08.840 --> 0:19:11.200
<v Speaker 1>he made you know again, I don't I don't remember

0:19:11.240 --> 0:19:12.960
<v Speaker 1>the full story, so I don't know if he tried

0:19:13.000 --> 0:19:16.080
<v Speaker 1>to stand up on what quite happened, But I mean, yeah, yeah,

0:19:16.240 --> 0:19:19.760
<v Speaker 1>he got to the situation with Dog Jemmy from WU

0:19:19.800 --> 0:19:22.239
<v Speaker 1>time you feel me and it went that way. But

0:19:22.280 --> 0:19:25.040
<v Speaker 1>you got to stand up for yourself. So even the

0:19:25.080 --> 0:19:28.000
<v Speaker 1>point I'm saying is that was expected of Joe. That

0:19:28.200 --> 0:19:30.880
<v Speaker 1>was expected of Joe, and when he didn't, Nigga was like, man,

0:19:31.160 --> 0:19:33.720
<v Speaker 1>you know that's some mark ass shit and we Homeboy,

0:19:33.800 --> 0:19:36.600
<v Speaker 1>we don't expect nothing. If something happened to Drake, Like

0:19:36.680 --> 0:19:38.800
<v Speaker 1>I remember when they first told me what happened with

0:19:38.840 --> 0:19:41.040
<v Speaker 1>Puff and Drake. I was more mad at Diddy, like

0:19:41.040 --> 0:19:43.880
<v Speaker 1>why would you do that to cuz you know, this

0:19:43.920 --> 0:19:45.840
<v Speaker 1>is how I'm seeing cuz I'm looking at him like

0:19:45.840 --> 0:19:47.600
<v Speaker 1>why would you do this to this boy? This Nigga's

0:19:47.640 --> 0:19:50.320
<v Speaker 1>not part of the program like that, you know, or

0:19:50.359 --> 0:19:53.080
<v Speaker 1>the story with Tip Homeboy pissing on Cuz, like, well,

0:19:53.080 --> 0:19:54.800
<v Speaker 1>you're not part of the program, Like why would you

0:19:54.840 --> 0:19:57.520
<v Speaker 1>do that? But then as his raps start to go.

0:19:59.280 --> 0:20:01.240
<v Speaker 2>You're saying, his home boy pisted on him? How's that

0:20:01.280 --> 0:20:01.760
<v Speaker 2>his homeboy?

0:20:01.880 --> 0:20:04.840
<v Speaker 1>He pissed tips? Homeboy pisted on oh tips as a

0:20:05.000 --> 0:20:09.320
<v Speaker 1>Q tip oh t I oh okay, got you? And

0:20:09.359 --> 0:20:11.720
<v Speaker 1>so you would hear those stories and you'd be like,

0:20:12.119 --> 0:20:15.400
<v Speaker 1>damn Cuz, like you know, I wouldn't even be upset.

0:20:15.400 --> 0:20:18.359
<v Speaker 1>I wouldn't even call Drake or Mark because Drake is

0:20:18.400 --> 0:20:22.280
<v Speaker 1>not upset. Elk. Drake is a fucking man, a Jewish

0:20:22.280 --> 0:20:25.840
<v Speaker 1>Man from Canada. I mean culturally raised Jewish. He's a

0:20:25.880 --> 0:20:30.080
<v Speaker 1>black man racially, but he's a he's a culturally raised

0:20:30.240 --> 0:20:33.760
<v Speaker 1>Jewish Man, right, so they don't raise up. If you

0:20:33.880 --> 0:20:36.159
<v Speaker 1>punk a Jewish Man outside of my studio, I'd be

0:20:36.200 --> 0:20:37.880
<v Speaker 1>mad at you. Why would you do that to that man?

0:20:38.680 --> 0:20:41.160
<v Speaker 1>If a Jewish man walked down to seven and one

0:20:41.240 --> 0:20:43.720
<v Speaker 1>of the hummies just got on Cuz and start trying

0:20:43.720 --> 0:20:46.120
<v Speaker 1>to bully because I fight my hommy, like what I've

0:20:46.160 --> 0:20:47.640
<v Speaker 1>seen it, you know what I mean? Don't do this

0:20:47.800 --> 0:20:49.360
<v Speaker 1>man like this? You know what I mean? Like this

0:20:49.440 --> 0:20:51.800
<v Speaker 1>is not that kind of person to punk.

0:20:52.720 --> 0:20:55.639
<v Speaker 2>I've seen in firsthand when you've gotten upset with close

0:20:55.680 --> 0:20:57.879
<v Speaker 2>personal friends that they were trying to do.

0:20:57.800 --> 0:21:00.760
<v Speaker 1>That not cool for other people.

0:21:01.240 --> 0:21:03.480
<v Speaker 2>That's only but you know, that was a thing back

0:21:03.520 --> 0:21:05.600
<v Speaker 2>in the day too. When you're younger, though too is

0:21:05.880 --> 0:21:08.720
<v Speaker 2>most most dudes that gang bang or are trying to

0:21:08.760 --> 0:21:11.520
<v Speaker 2>be gang bangers in high school and shit, majority of

0:21:11.560 --> 0:21:14.040
<v Speaker 2>the time, them dudes is always pressing people. I'm not

0:21:14.080 --> 0:21:17.920
<v Speaker 2>saying everybody because maybe you know, you know, but when

0:21:17.960 --> 0:21:20.680
<v Speaker 2>I remember growing up, I used to see like homeboys

0:21:20.680 --> 0:21:22.639
<v Speaker 2>that I had from hoods. I used to tell him, like,

0:21:22.880 --> 0:21:26.040
<v Speaker 2>why you be picking on dudes, It's not gonna do nothing,

0:21:26.040 --> 0:21:28.600
<v Speaker 2>Like he's not gonna fight you, you know that. And they'd

0:21:28.640 --> 0:21:30.640
<v Speaker 2>be like, oh, because he's a punk, and I'm like yeah,

0:21:30.720 --> 0:21:33.359
<v Speaker 2>but you know, I used to be like in my head,

0:21:33.400 --> 0:21:35.840
<v Speaker 2>I'd be like, Okay, I guess, but it's my homeboy,

0:21:35.920 --> 0:21:36.359
<v Speaker 2>so I'm.

0:21:36.240 --> 0:21:38.359
<v Speaker 1>Not sure trying to judge them. Yeah, I'm trying not

0:21:38.400 --> 0:21:38.919
<v Speaker 1>to judge him.

0:21:38.920 --> 0:21:41.240
<v Speaker 2>But then I would be like, you know, but then

0:21:41.480 --> 0:21:43.840
<v Speaker 2>sometimes I would see them, you know, certain ones would

0:21:43.880 --> 0:21:47.600
<v Speaker 2>you know, come into confrontation with people that were from

0:21:47.600 --> 0:21:49.880
<v Speaker 2>hoods and they'd get busy, and then there'd be other

0:21:49.920 --> 0:21:52.400
<v Speaker 2>ones and they they'd get marked out by other dudes

0:21:52.400 --> 0:21:54.919
<v Speaker 2>from hoods. It's like, okay, well, you're pick on somebody

0:21:55.040 --> 0:21:57.080
<v Speaker 2>who's not from a gang. But when it comes to

0:21:57.560 --> 0:22:01.680
<v Speaker 2>people who you know can rival you or possibly beat you,

0:22:02.080 --> 0:22:04.600
<v Speaker 2>now all of a sudden you're scared or you now

0:22:04.920 --> 0:22:06.800
<v Speaker 2>now you want to pick and choose your battle.

0:22:07.480 --> 0:22:10.200
<v Speaker 1>That shit don't make no sense to me. No, yeah,

0:22:10.240 --> 0:22:14.399
<v Speaker 1>but gang Okay, So the thing about gangs is remember

0:22:14.440 --> 0:22:18.639
<v Speaker 1>you inherit the power of an army. Mm hm. You know,

0:22:18.720 --> 0:22:21.280
<v Speaker 1>so a lot of people do look to join part

0:22:21.359 --> 0:22:24.359
<v Speaker 1>of Most people join organizations because they want to blow

0:22:24.400 --> 0:22:26.680
<v Speaker 1>to something. They want something bigger than them for sure, Right,

0:22:26.720 --> 0:22:29.960
<v Speaker 1>so they fine whichever gangs are specific because you inherit

0:22:30.000 --> 0:22:33.280
<v Speaker 1>the power of a military to a degree. Right. So

0:22:34.119 --> 0:22:37.560
<v Speaker 1>I've always thought, you know, especially now more than ever,

0:22:37.640 --> 0:22:40.679
<v Speaker 1>that you know, like we not more like homies, is

0:22:40.680 --> 0:22:43.359
<v Speaker 1>not more responsible with who they grant this power to.

0:22:44.800 --> 0:22:48.800
<v Speaker 1>I think it is. I think it's handled irresponsibly. I

0:22:48.840 --> 0:22:52.320
<v Speaker 1>will agree most gang members, you know, not all because

0:22:52.359 --> 0:22:55.080
<v Speaker 1>certain homies they not fucking around. I'm one of those homies,

0:22:55.119 --> 0:22:56.600
<v Speaker 1>you know what I mean. But some and some of

0:22:56.640 --> 0:22:58.960
<v Speaker 1>my homies is them type of homies I mean where

0:22:59.000 --> 0:23:01.360
<v Speaker 1>they gonna raise your as you gonna be a man

0:23:01.400 --> 0:23:04.359
<v Speaker 1>when you leave this motherfucker. I mean, but all the

0:23:04.440 --> 0:23:09.000
<v Speaker 1>niggas that could, you know, initiate you into a situation,

0:23:09.200 --> 0:23:11.359
<v Speaker 1>not like that, you know, they they really to me

0:23:11.640 --> 0:23:15.560
<v Speaker 1>like they're more lonely and they're looking for the numbers people, numbers,

0:23:15.560 --> 0:23:17.639
<v Speaker 1>you know, I mean a lot of people. But like

0:23:17.720 --> 0:23:19.960
<v Speaker 1>I always instilled in all of my young hommies, like

0:23:20.000 --> 0:23:24.240
<v Speaker 1>whether it's Little Washboy or J Baby J or certain hommies,

0:23:24.280 --> 0:23:26.320
<v Speaker 1>you know what I mean, Like, Bro, like you gotta

0:23:26.359 --> 0:23:30.000
<v Speaker 1>be more responsible with who you allow to represent you.

0:23:30.119 --> 0:23:32.359
<v Speaker 1>I mean, like, and maybe that's fucked up because I

0:23:32.400 --> 0:23:35.359
<v Speaker 1>think I take gang banging a lot more serious. I

0:23:35.400 --> 0:23:41.159
<v Speaker 1>take the responsibility of representing said culture differently. So not

0:23:41.280 --> 0:23:43.600
<v Speaker 1>only like you know, like I said, when I was younger,

0:23:43.640 --> 0:23:45.720
<v Speaker 1>I didn't have you know, as long as I don't

0:23:45.760 --> 0:23:48.399
<v Speaker 1>let somebody go too far hours enough, you know what

0:23:48.400 --> 0:23:51.320
<v Speaker 1>I mean. Now, I'm really careful with letting people get

0:23:51.840 --> 0:23:56.159
<v Speaker 1>anything out of order. I mean, because I've represented the hommies,

0:23:56.160 --> 0:23:59.080
<v Speaker 1>I've represented the West, I've represented this culture. So when

0:23:59.080 --> 0:24:01.760
<v Speaker 1>I go to out of ten and people popping it.

0:24:01.800 --> 0:24:05.400
<v Speaker 1>Bro First off, we're gonna have a bad problem. It's

0:24:05.400 --> 0:24:07.439
<v Speaker 1>gonna go all the way there because I don't just

0:24:07.520 --> 0:24:10.960
<v Speaker 1>represent myself. So things that in my mind I might

0:24:10.960 --> 0:24:13.040
<v Speaker 1>be okay with, like oh man, what that don't mean much?

0:24:13.920 --> 0:24:15.720
<v Speaker 1>You might think you can say that to somebody else

0:24:15.760 --> 0:24:18.800
<v Speaker 1>if I let you get that off. So you know

0:24:18.800 --> 0:24:20.600
<v Speaker 1>what I mean, I'm really careful how I talk to

0:24:20.600 --> 0:24:23.560
<v Speaker 1>people home. Really get into the disrespect of it, because

0:24:23.600 --> 0:24:25.320
<v Speaker 1>at that point, if if I call you a bitch,

0:24:25.359 --> 0:24:27.959
<v Speaker 1>I'm a fire your ship up. Sure, That's why I'm

0:24:28.000 --> 0:24:28.399
<v Speaker 1>at with it.

0:24:28.560 --> 0:24:32.720
<v Speaker 2>Yeah, I think a lot of guys that I know

0:24:33.400 --> 0:24:36.280
<v Speaker 2>they have that had that same mentality, Like Nipsey kind

0:24:36.320 --> 0:24:38.560
<v Speaker 2>of had that same mentality as you Like, he didn't

0:24:38.800 --> 0:24:41.640
<v Speaker 2>look like he tolerated just some of his homide punking

0:24:41.720 --> 0:24:44.840
<v Speaker 2>some regular you know, Asian kid on the corner.

0:24:45.280 --> 0:24:48.679
<v Speaker 1>I clash I classed with a few of my homies. Again, man, like,

0:24:48.760 --> 0:24:52.680
<v Speaker 1>my story in the hood is a lot different. You

0:24:52.720 --> 0:24:56.199
<v Speaker 1>know my story. I wasn't the baddest nigga. I was

0:24:56.240 --> 0:24:59.520
<v Speaker 1>the farthest thing from it. It didn't hit me tell

0:24:59.600 --> 0:25:05.000
<v Speaker 1>as I Sai started to you know, again, my greatest

0:25:05.000 --> 0:25:07.399
<v Speaker 1>fear initially was like, man, these dudes would kill me.

0:25:08.280 --> 0:25:10.720
<v Speaker 1>Then I realized like, if I had to, I would

0:25:10.760 --> 0:25:14.280
<v Speaker 1>have to kill somebody, and that's okay. That's the hard

0:25:14.280 --> 0:25:18.280
<v Speaker 1>part to swallow past that once you realize. Real story, bro,

0:25:18.320 --> 0:25:20.040
<v Speaker 1>I didn't realize I was gonna be a good game

0:25:20.080 --> 0:25:21.960
<v Speaker 1>bager until I went to jail. When I went to

0:25:22.080 --> 0:25:26.239
<v Speaker 1>jail and I was fighting, and it wasn't nothing. I

0:25:26.280 --> 0:25:29.720
<v Speaker 1>came home almost a minute to a degree, right well,

0:25:29.720 --> 0:25:31.879
<v Speaker 1>I was like, shit, nigga, I'll fight the hut. I

0:25:32.000 --> 0:25:36.560
<v Speaker 1>start fighting homies, these niggas, them niggas, any niggas, whatever

0:25:36.640 --> 0:25:39.040
<v Speaker 1>niggas want to do, because going to jail didn't scare

0:25:39.119 --> 0:25:42.119
<v Speaker 1>me anymore. That was to me outside of that. Then,

0:25:42.280 --> 0:25:45.159
<v Speaker 1>as I got older, dying even seemed less. You know,

0:25:45.240 --> 0:25:47.479
<v Speaker 1>when I got into twenty twenty, dying didn't even have

0:25:47.600 --> 0:25:52.000
<v Speaker 1>the same fear, Like preserving life wasn't the most important thing.

0:25:52.119 --> 0:25:55.720
<v Speaker 1>How people treated me meant a lot. How I lived

0:25:55.720 --> 0:25:58.760
<v Speaker 1>my life became more important than living life, Like how

0:25:58.800 --> 0:26:01.280
<v Speaker 1>people treated me, did you talk to me, how'd you

0:26:01.359 --> 0:26:04.520
<v Speaker 1>make me feel? Like? All of that shit started to matter,

0:26:04.560 --> 0:26:07.159
<v Speaker 1>and a lot of people don't really see value in it.

0:26:07.200 --> 0:26:09.880
<v Speaker 1>Because to me they cowards. It's just like I want

0:26:09.880 --> 0:26:13.320
<v Speaker 1>to hold on to life at at all costs. I mean,

0:26:13.320 --> 0:26:15.040
<v Speaker 1>but what good is if you live in life on

0:26:15.080 --> 0:26:18.959
<v Speaker 1>your knees? I mean, like it just depends on you, know,

0:26:18.960 --> 0:26:19.680
<v Speaker 1>how you see it.

0:26:20.119 --> 0:26:22.720
<v Speaker 2>What do you think about that culturally though? Like, so

0:26:23.560 --> 0:26:28.280
<v Speaker 2>I feel like black gangs deal with that a lot

0:26:28.400 --> 0:26:33.399
<v Speaker 2>more internally, like where individuals have that mentality. So like

0:26:33.440 --> 0:26:38.120
<v Speaker 2>you Nipsy Mugs, like Mugs is another person that's very respectful.

0:26:38.960 --> 0:26:39.800
<v Speaker 1>Yeah, And.

0:26:41.800 --> 0:26:45.000
<v Speaker 2>Like I'm not saying everybody, I'm just saying, like Mexican

0:26:45.080 --> 0:26:50.600
<v Speaker 2>gangs are known right in theory too, that everything is

0:26:50.640 --> 0:26:55.960
<v Speaker 2>about respect. First, would you say that black gangs structure

0:26:56.000 --> 0:26:58.920
<v Speaker 2>themselves the same way or individuals of black gangs structure

0:26:58.960 --> 0:27:01.920
<v Speaker 2>themselves that way? Because you're telling me, for you everything's

0:27:01.920 --> 0:27:03.679
<v Speaker 2>about respect, which makes sense.

0:27:03.840 --> 0:27:06.840
<v Speaker 1>Sure, But no, I don't think that's the core value

0:27:06.880 --> 0:27:10.080
<v Speaker 1>of one hundred and seventeen street crips. I don't think

0:27:10.119 --> 0:27:14.879
<v Speaker 1>that's the core value of it though. But why do

0:27:14.920 --> 0:27:16.200
<v Speaker 1>you think that's different culturally?

0:27:16.280 --> 0:27:19.880
<v Speaker 2>Is what I'm saying though, Like, like, do you think

0:27:19.920 --> 0:27:22.520
<v Speaker 2>there's Asian gangs that run on the same values as

0:27:22.640 --> 0:27:28.840
<v Speaker 2>the Mexican gang that respect is everything first, you know.

0:27:28.800 --> 0:27:34.320
<v Speaker 1>What, I think that's more. I don't know. I don't

0:27:34.320 --> 0:27:36.639
<v Speaker 1>know if I could say, like White Fence or Mautavia,

0:27:36.840 --> 0:27:40.000
<v Speaker 1>like do they know every member? Do they? Actually, it's

0:27:40.040 --> 0:27:43.159
<v Speaker 1>probably not true. Reality is they probably do have some

0:27:43.240 --> 0:27:45.840
<v Speaker 1>members that are from out of Via or White Fence

0:27:45.920 --> 0:27:49.600
<v Speaker 1>that they didn't scout, that they didn't raise. I mean

0:27:49.680 --> 0:27:52.520
<v Speaker 1>we in gang Turns, we like to call them immigrants,

0:27:52.560 --> 0:27:54.960
<v Speaker 1>people who didn't grow up and said community. But they

0:27:55.040 --> 0:27:57.359
<v Speaker 1>come moving and now they are part of the community.

0:27:59.440 --> 0:28:02.480
<v Speaker 1>So I don't think think they vetted everybody. I think

0:28:02.520 --> 0:28:04.840
<v Speaker 1>the people who are vetted from Seventh Street, like if

0:28:04.880 --> 0:28:07.119
<v Speaker 1>your home, like like I grew up on the seven

0:28:07.200 --> 0:28:09.160
<v Speaker 1>like since my family moved there when I was five,

0:28:09.520 --> 0:28:12.080
<v Speaker 1>Dad moved there. So it's like I grew up knowing

0:28:12.119 --> 0:28:14.240
<v Speaker 1>who Pluck was. I grew up knowing who Moon was.

0:28:14.280 --> 0:28:16.040
<v Speaker 1>I knew, grew up knowing who Shady was. I grew

0:28:16.119 --> 0:28:18.880
<v Speaker 1>up knowing who what he g was. No, I grew

0:28:18.960 --> 0:28:21.240
<v Speaker 1>up knowing who all of my older homies I seen him,

0:28:21.400 --> 0:28:23.240
<v Speaker 1>even if I didn't hang. Because I was a little kid,

0:28:23.359 --> 0:28:25.679
<v Speaker 1>I knew who they were, even the dudes that's my

0:28:25.720 --> 0:28:27.840
<v Speaker 1>age that was already gang banging. I knew them since

0:28:27.840 --> 0:28:31.240
<v Speaker 1>we were little kids, so so Pluck kind of taking

0:28:31.280 --> 0:28:34.000
<v Speaker 1>me on as a project to some degree, you know

0:28:34.000 --> 0:28:36.080
<v Speaker 1>what I'm saying, was more like he even he knew

0:28:36.080 --> 0:28:40.600
<v Speaker 1>my mom, you know, Olivia, like he him and Olivia talk.

0:28:40.960 --> 0:28:44.600
<v Speaker 1>He knew my dad, he knew my older brothers. So

0:28:44.720 --> 0:28:49.160
<v Speaker 1>it's a huge respect him. Yeah, yeah, like an uncle,

0:28:49.320 --> 0:28:52.360
<v Speaker 1>like a you know, I mean, really putting a pencil

0:28:52.440 --> 0:28:55.040
<v Speaker 1>up your back, stand up culse, like, don't let these

0:28:55.080 --> 0:28:58.160
<v Speaker 1>people in this world mistreat you. I mean, And those

0:28:58.400 --> 0:29:01.360
<v Speaker 1>lessons are, you know, invaluable. So I think culturally, if

0:29:01.400 --> 0:29:04.760
<v Speaker 1>you grew up within the community, you grew up with

0:29:04.800 --> 0:29:07.400
<v Speaker 1>respect for these people. But I watched Pluck shoot it

0:29:07.440 --> 0:29:09.680
<v Speaker 1>out with the PJS when I was a little kid,

0:29:11.200 --> 0:29:12.480
<v Speaker 1>middle of the street, you know what I'm saying. So

0:29:12.560 --> 0:29:15.280
<v Speaker 1>my respect for him not is oh he's some kind

0:29:15.280 --> 0:29:18.360
<v Speaker 1>of killer or he's some kind of murderer, but really

0:29:18.400 --> 0:29:20.280
<v Speaker 1>that this nigga is a man and he gonna stand

0:29:20.360 --> 0:29:22.680
<v Speaker 1>up for him and his homeboys and his friends and

0:29:22.720 --> 0:29:26.360
<v Speaker 1>his family. That Nigga was always a man. So even

0:29:26.480 --> 0:29:29.000
<v Speaker 1>as like to a degree, like I became a project

0:29:29.000 --> 0:29:32.040
<v Speaker 1>of his or of man or bull or tone. Certain

0:29:32.080 --> 0:29:34.720
<v Speaker 1>people to me that I was extra close with, you

0:29:34.760 --> 0:29:37.880
<v Speaker 1>know what I'm saying, Like it's a different bond pluck

0:29:37.960 --> 0:29:40.240
<v Speaker 1>didn't you know even when I woul hustle for him,

0:29:40.280 --> 0:29:42.440
<v Speaker 1>like he would take me to buy clothes, Like he

0:29:42.520 --> 0:29:44.640
<v Speaker 1>might have didn't pay me the most money, but he

0:29:44.640 --> 0:29:46.920
<v Speaker 1>would take me to buy clothes, like he showed me

0:29:47.000 --> 0:29:49.800
<v Speaker 1>how to be a man, even in the jungle, you

0:29:49.920 --> 0:29:53.280
<v Speaker 1>know what I mean. And again my intellect is, you know,

0:29:53.360 --> 0:29:55.479
<v Speaker 1>I had to fight, like I had to show hands.

0:29:55.600 --> 0:29:58.120
<v Speaker 1>Everybody had to look and be like, Okay, if I

0:29:58.160 --> 0:30:00.000
<v Speaker 1>fuck with glasses, it's gonna be a real fight, because

0:30:00.040 --> 0:30:03.479
<v Speaker 1>this nigga can fight for real. So I mean it

0:30:03.520 --> 0:30:06.720
<v Speaker 1>was I had to fight to have an opinion. See

0:30:06.760 --> 0:30:09.400
<v Speaker 1>social media grant everybody in opinion without having a stand

0:30:09.520 --> 0:30:12.560
<v Speaker 1>up for their opinion. Hip hop can do that sometimes too,

0:30:12.560 --> 0:30:14.160
<v Speaker 1>but it don't you know hip hop. You get on

0:30:14.200 --> 0:30:17.240
<v Speaker 1>that mic, you sation shit, you talk about somebody dead, family,

0:30:17.520 --> 0:30:20.960
<v Speaker 1>you know they call it they call it a disrespecting

0:30:20.960 --> 0:30:24.320
<v Speaker 1>the dead. No, you antagonizing somebody's living. I mean somebody

0:30:24.320 --> 0:30:26.520
<v Speaker 1>who loved this nigga that's alive, and they gonna they're

0:30:26.520 --> 0:30:29.080
<v Speaker 1>gonna make you answer for it. I mean, so I

0:30:29.120 --> 0:30:31.560
<v Speaker 1>think social media allow people to do that. But hip

0:30:31.560 --> 0:30:35.000
<v Speaker 1>hop is still gonna make you be accountable for being

0:30:35.000 --> 0:30:38.240
<v Speaker 1>a man. And all gang baging is you know, you know,

0:30:38.400 --> 0:30:40.880
<v Speaker 1>even hip hop, you know, still all street, urban culture.

0:30:40.880 --> 0:30:44.480
<v Speaker 1>It don't matter where you're at, it's all about masculinity. Yeah,

0:30:44.600 --> 0:30:47.760
<v Speaker 1>I mean being accountable. You know. The whole thing with snitching,

0:30:47.840 --> 0:30:50.600
<v Speaker 1>like we always talk about on this podcast, is even

0:30:50.680 --> 0:30:54.120
<v Speaker 1>like with snitching, it's like snitching, ain't somebody that see

0:30:54.120 --> 0:30:56.840
<v Speaker 1>a crime and tell the police. Like I get that,

0:30:56.840 --> 0:30:59.120
<v Speaker 1>that's the gest of what people think. But snitching is

0:30:59.160 --> 0:31:01.080
<v Speaker 1>like you're a criminal. You telling on somebody because you

0:31:01.080 --> 0:31:04.000
<v Speaker 1>don't want to be held accountable for your crime. You

0:31:04.000 --> 0:31:06.400
<v Speaker 1>know what I'm saying. If you're a criminal, you ain't

0:31:06.400 --> 0:31:08.960
<v Speaker 1>supposed to say nothing, nigga because your ass is a criminal.

0:31:09.160 --> 0:31:10.040
<v Speaker 1>Shut the fuck up.

0:31:11.320 --> 0:31:14.840
<v Speaker 2>So I would say that k Dot is a very

0:31:14.880 --> 0:31:18.800
<v Speaker 2>good representation of someone that grew up within that lifestyle,

0:31:18.840 --> 0:31:22.600
<v Speaker 2>and that's why he was able to expose that in

0:31:22.680 --> 0:31:23.840
<v Speaker 2>the battle against.

0:31:25.000 --> 0:31:28.640
<v Speaker 1>Like you got to realize, like, if you really grew

0:31:28.720 --> 0:31:30.760
<v Speaker 1>up like us, you from the gang. Even if you

0:31:30.760 --> 0:31:33.640
<v Speaker 1>don't get put on because all your friends is, you know,

0:31:34.560 --> 0:31:36.560
<v Speaker 1>and k DoD is. Now, I don't know where do

0:31:36.640 --> 0:31:39.240
<v Speaker 1>people get. I think people hear that title good Kid,

0:31:39.320 --> 0:31:41.480
<v Speaker 1>Mad City, and they're not listening to the ship he

0:31:41.600 --> 0:31:44.120
<v Speaker 1>was doing right, you know what I mean. They don't

0:31:44.160 --> 0:31:46.959
<v Speaker 1>listen to the acts that he was partaking in in

0:31:47.000 --> 0:31:51.520
<v Speaker 1>this conversation of that album. So people automatically think like, oh,

0:31:51.640 --> 0:31:55.200
<v Speaker 1>you know what, like a good guy in content. No,

0:31:55.600 --> 0:31:58.520
<v Speaker 1>that Nigga died is some shit. That is a really

0:31:58.640 --> 0:32:01.280
<v Speaker 1>complex person ever since I known him, you know what

0:32:01.280 --> 0:32:03.880
<v Speaker 1>I'm saying, Like, I didn't have to stop not fighting

0:32:03.920 --> 0:32:06.200
<v Speaker 1>multiple tar Sini fight and I did to stop him

0:32:06.200 --> 0:32:08.440
<v Speaker 1>from fighting. He looks like a strong individual. Yeah, Like

0:32:08.480 --> 0:32:11.240
<v Speaker 1>I didn't have to grab Dot on my shoulder, real story, bro,

0:32:11.280 --> 0:32:13.760
<v Speaker 1>I had to drive Kendrick on my shoulder. I had

0:32:13.760 --> 0:32:16.560
<v Speaker 1>to drive so Ali mixed by Ali because it is

0:32:16.640 --> 0:32:19.800
<v Speaker 1>my height. He's six three, two hundred and forty young nigga.

0:32:20.320 --> 0:32:23.440
<v Speaker 1>He's like a bull. And and and we was on

0:32:23.480 --> 0:32:26.000
<v Speaker 1>a tour with Tech nine. Bro, We're on a tourward

0:32:26.000 --> 0:32:31.280
<v Speaker 1>Tech nine. Real story, right, the sound guy he works

0:32:31.320 --> 0:32:34.240
<v Speaker 1>the stage really dope, brother, I mean a white man,

0:32:35.240 --> 0:32:37.880
<v Speaker 1>he was kind of you know, everybody would be drinking

0:32:37.880 --> 0:32:39.760
<v Speaker 1>and turned up too much, you know, and mind you,

0:32:39.760 --> 0:32:42.240
<v Speaker 1>I don't drink. So it's like all this shit going on, right,

0:32:42.480 --> 0:32:47.240
<v Speaker 1>So they arguing about some stupid the dude get mad

0:32:47.440 --> 0:32:52.280
<v Speaker 1>and hit Ali. This man is five ft six, a

0:32:52.440 --> 0:32:56.360
<v Speaker 1>buck forty. Who hit Ali? The sound the sound guy. Okay,

0:32:56.520 --> 0:32:58.800
<v Speaker 1>so he hits mixed by Ali. He hit Ali, right,

0:32:59.360 --> 0:33:02.560
<v Speaker 1>but he Fi. Now, I'm not saying Ali shit, mop

0:33:02.640 --> 0:33:04.600
<v Speaker 1>the floor with Cus because if you hit me, nigga,

0:33:04.600 --> 0:33:06.880
<v Speaker 1>you've grown up to fight. But I'm thinking about us

0:33:06.880 --> 0:33:08.800
<v Speaker 1>staying on this tour. I'm thinking about top is my

0:33:09.000 --> 0:33:11.920
<v Speaker 1>main Like I love top you, I mean top Dog

0:33:12.400 --> 0:33:14.600
<v Speaker 1>TV shout out the dude, but like I love Cuss,

0:33:14.600 --> 0:33:17.000
<v Speaker 1>So like I'm trying to hold the like nigga, I

0:33:17.000 --> 0:33:18.960
<v Speaker 1>don't want these niggas to get kicked off the tour.

0:33:19.760 --> 0:33:23.280
<v Speaker 1>So they're arguing, right, this is a real story. They're arguing,

0:33:23.320 --> 0:33:27.200
<v Speaker 1>so cuz hits Ali. Ali about to eat this motherfucker

0:33:27.240 --> 0:33:30.120
<v Speaker 1>alive because Ali is a big, old, young motherfucker. I'm like, I, Lli,

0:33:30.160 --> 0:33:32.400
<v Speaker 1>don't kill this nigga. Bro y'all need to stay on

0:33:32.440 --> 0:33:34.960
<v Speaker 1>this tour. And this is important. I mean, this is

0:33:35.240 --> 0:33:37.240
<v Speaker 1>this is there. You know we shoot the Michael Jordan

0:33:37.360 --> 0:33:41.040
<v Speaker 1>video on this tour, and the nigga say something that

0:33:41.080 --> 0:33:44.520
<v Speaker 1>Dot and DoD is trying to kill him. So I'm

0:33:44.640 --> 0:33:48.400
<v Speaker 1>pushing Ali back. It's one arm. I grabbed Ot. I

0:33:48.440 --> 0:33:50.880
<v Speaker 1>got Dot on my shoulders. I got Kendrick on my

0:33:50.960 --> 0:33:54.560
<v Speaker 1>shoulders holding him walking them back, like hey, Cus Rock

0:33:54.720 --> 0:33:57.840
<v Speaker 1>helped me. Jay Rock helped me. You know what I'm saying.

0:33:57.880 --> 0:34:01.160
<v Speaker 1>These niggas tripping y'all about to eat this little white man.

0:34:01.200 --> 0:34:03.520
<v Speaker 1>You feel me? Like, yes, I could let them kill him,

0:34:03.560 --> 0:34:06.000
<v Speaker 1>and he probably had it coming even though he was okay,

0:34:06.080 --> 0:34:08.560
<v Speaker 1>But nigga, I'm not gonna let y'all get kicked off

0:34:08.560 --> 0:34:11.799
<v Speaker 1>this tour, right, you know what I'm saying. And so

0:34:11.880 --> 0:34:13.840
<v Speaker 1>I calm him down. I'll leave mad at me. I

0:34:13.920 --> 0:34:15.839
<v Speaker 1>get it, you know, but I knew I was right.

0:34:15.920 --> 0:34:18.080
<v Speaker 1>And even if you don't know today, I'm sure he'll

0:34:18.120 --> 0:34:20.280
<v Speaker 1>think like my black glasses stopped me because he needed

0:34:20.320 --> 0:34:23.480
<v Speaker 1>that experience transformed his career. Same thing with Kendrick. The

0:34:23.800 --> 0:34:26.040
<v Speaker 1>first time a lot of people saw him, you know

0:34:26.000 --> 0:34:27.759
<v Speaker 1>what I mean, it really got to hear him and

0:34:27.760 --> 0:34:30.520
<v Speaker 1>that was a special time. But it was a dude

0:34:30.640 --> 0:34:32.920
<v Speaker 1>named Corey that comes on the bus Corey shout out

0:34:32.960 --> 0:34:34.960
<v Speaker 1>to Corey. He was a tour manager as a white

0:34:35.000 --> 0:34:37.799
<v Speaker 1>boy that worked for Tech. Cool dude. But he gets

0:34:37.840 --> 0:34:39.600
<v Speaker 1>on the toy like, yeah, you know, I leave you

0:34:39.640 --> 0:34:41.160
<v Speaker 1>guys could be off of this tour for you to

0:34:41.160 --> 0:34:43.040
<v Speaker 1>put your fucking hands on him. You know it had

0:34:43.080 --> 0:34:45.520
<v Speaker 1>been over, you know what I mean? And you're you're

0:34:45.560 --> 0:34:47.400
<v Speaker 1>just Jay Rox type man. We don't even need you.

0:34:47.440 --> 0:34:53.759
<v Speaker 1>And he's talking to Kendrick Lamar, right, so yeah, like

0:34:53.880 --> 0:34:57.160
<v Speaker 1>you know what I'm saying. So being like being like,

0:34:57.239 --> 0:34:59.600
<v Speaker 1>this is a lot of you. You gotta respect the power,

0:34:59.640 --> 0:35:01.760
<v Speaker 1>and I don't. I think people really respect the power.

0:35:01.800 --> 0:35:03.960
<v Speaker 1>I think people inherit the power and then they go

0:35:04.360 --> 0:35:06.879
<v Speaker 1>they get power jump, they just go crazy. Yeah, they

0:35:07.000 --> 0:35:09.160
<v Speaker 1>just they don't know how to deal with having so

0:35:09.239 --> 0:35:12.080
<v Speaker 1>much power over a military. And so you get those

0:35:12.120 --> 0:35:14.920
<v Speaker 1>guys that's bullying people who shouldn't nobody even be talking

0:35:14.960 --> 0:35:18.680
<v Speaker 1>to you know what I'm saying, because I only would

0:35:18.680 --> 0:35:20.440
<v Speaker 1>wake up for a nigga that was a challenge. He

0:35:20.520 --> 0:35:22.879
<v Speaker 1>must have been some nigga. Oh oh he tough. Yeah,

0:35:22.920 --> 0:35:25.440
<v Speaker 1>that's the perfect nigga to get into it with. Right,

0:35:25.560 --> 0:35:28.719
<v Speaker 1>I'm gonna show him real fast who tougher. Yeah, I mean,

0:35:28.719 --> 0:35:31.279
<v Speaker 1>but that's not everybody stands. I mean, some people get

0:35:31.280 --> 0:35:34.640
<v Speaker 1>into these communities and get into these gangs and really

0:35:34.760 --> 0:35:37.520
<v Speaker 1>just want to feel more power for themselves. They're not

0:35:37.560 --> 0:35:41.160
<v Speaker 1>a part of a bigger unit. They really just trying

0:35:41.200 --> 0:35:43.960
<v Speaker 1>to look and earn credibility amongst people that they really

0:35:44.000 --> 0:35:47.640
<v Speaker 1>don't even known. I believe it.

0:35:50.120 --> 0:35:52.200
<v Speaker 2>That's just it's basically just people that just want to

0:35:52.239 --> 0:35:56.319
<v Speaker 2>be accepted. And again, and I think that's drawing back

0:35:56.360 --> 0:35:59.960
<v Speaker 2>to the beginning, that's what Homeboy is trying to do it.

0:36:00.120 --> 0:36:01.799
<v Speaker 2>And but he I got I think he got in

0:36:01.880 --> 0:36:04.279
<v Speaker 2>over his head when he started acting. And that's what

0:36:04.320 --> 0:36:06.000
<v Speaker 2>I was trying to get from you actually the answer,

0:36:06.360 --> 0:36:08.399
<v Speaker 2>At what point do you think he started to try

0:36:08.440 --> 0:36:11.279
<v Speaker 2>to act like he was from the culture, Like what

0:36:11.360 --> 0:36:13.440
<v Speaker 2>things would you say that he was doing that he

0:36:13.560 --> 0:36:16.920
<v Speaker 2>was you think he was trying to perpetrate.

0:36:17.239 --> 0:36:21.080
<v Speaker 1>You know what, bro, if I'm gonna be honest with you, dog,

0:36:22.200 --> 0:36:25.720
<v Speaker 1>let me be honest with you. So like Wayne Bird

0:36:25.800 --> 0:36:28.560
<v Speaker 1>pretty much told us, you know that this dude was coming. Now.

0:36:28.560 --> 0:36:30.440
<v Speaker 1>I remember being in there and he's playing some music

0:36:30.440 --> 0:36:33.239
<v Speaker 1>and this nigga, you know, Drake was amazing like he

0:36:33.320 --> 0:36:36.879
<v Speaker 1>was a unique talent. Bro. He was like incredible dog

0:36:37.000 --> 0:36:40.040
<v Speaker 1>Like you could just tell, like I had been signed

0:36:40.080 --> 0:36:42.200
<v Speaker 1>to this company for a year, had a hit, but

0:36:42.239 --> 0:36:44.120
<v Speaker 1>I knew this dude was gonna be special because he

0:36:44.239 --> 0:36:47.640
<v Speaker 1>was tough. That nigga knew the music like he knew

0:36:47.719 --> 0:36:52.200
<v Speaker 1>the music like like like like nothing you ever saw right,

0:36:52.360 --> 0:36:55.160
<v Speaker 1>And you know when his first project came out, you

0:36:55.200 --> 0:36:56.959
<v Speaker 1>know what I'm saying, it did good. Thank Me letter

0:36:57.080 --> 0:37:01.439
<v Speaker 1>came out did good. I think when I saw take

0:37:01.560 --> 0:37:07.200
<v Speaker 1>when the take Care album came out, and he did

0:37:07.239 --> 0:37:10.680
<v Speaker 1>the model because before before that off of the first CD,

0:37:11.000 --> 0:37:14.399
<v Speaker 1>you know, nothing was the same. And Thank Me Later, No, no, not,

0:37:14.400 --> 0:37:17.880
<v Speaker 1>nothing was the same. Forgive me, what's the mixtape? M

0:37:18.400 --> 0:37:23.840
<v Speaker 1>the first mixtape he released it as an EP. Uh

0:37:24.560 --> 0:37:28.239
<v Speaker 1>fuck uh it had it had best I ever had

0:37:28.280 --> 0:37:32.799
<v Speaker 1>on that. Oh okay, that that first joint like uh,

0:37:33.920 --> 0:37:36.200
<v Speaker 1>so far gone, so far gone, so far gone right,

0:37:36.280 --> 0:37:39.960
<v Speaker 1>so so far gone came out. I think he was fine, right,

0:37:40.000 --> 0:37:43.120
<v Speaker 1>everything was cool, so far gone right? Then Thank Me

0:37:43.200 --> 0:37:46.080
<v Speaker 1>Later came out. What I think happened was by the

0:37:46.120 --> 0:37:48.799
<v Speaker 1>time he got to take Care, which was like would

0:37:48.880 --> 0:37:51.120
<v Speaker 1>be the second or third album that people might call

0:37:51.160 --> 0:37:54.200
<v Speaker 1>it the second, but it's the third. I think that's

0:37:54.200 --> 0:37:57.160
<v Speaker 1>when he started using more writers, right, and then so

0:37:57.440 --> 0:38:01.400
<v Speaker 1>they started projecting ideas then and he started to act

0:38:01.600 --> 0:38:06.319
<v Speaker 1>the ideas. Does that make sense? Yeah? Like so I'll

0:38:06.320 --> 0:38:08.640
<v Speaker 1>never forget seeing the model because before that, I never

0:38:09.120 --> 0:38:12.879
<v Speaker 1>really you know, looked at Drake in no funny way,

0:38:13.000 --> 0:38:15.000
<v Speaker 1>like you know what I'm saying, Like he was just

0:38:15.000 --> 0:38:17.759
<v Speaker 1>a cool kid that was from the TV show that

0:38:17.880 --> 0:38:20.359
<v Speaker 1>really was an amazing artist. Like he was a hell

0:38:20.400 --> 0:38:22.240
<v Speaker 1>of a talent if you look at my Twitter always

0:38:22.640 --> 0:38:24.319
<v Speaker 1>talked about how special of a talent he.

0:38:24.360 --> 0:38:29.840
<v Speaker 2>Was in terms of his technicality of understanding music, seeing

0:38:30.440 --> 0:38:31.320
<v Speaker 2>creating records.

0:38:31.320 --> 0:38:32.719
<v Speaker 1>I didn't even know what the record. He knew what

0:38:32.719 --> 0:38:35.200
<v Speaker 1>the record was when he walked in the door. Shout

0:38:35.239 --> 0:38:36.920
<v Speaker 1>out to forty in his team because they knew a

0:38:36.960 --> 0:38:39.120
<v Speaker 1>lot too. But like he was just a tough guy,

0:38:39.200 --> 0:38:41.440
<v Speaker 1>Like you could tell he was prep for the moment.

0:38:41.520 --> 0:38:43.319
<v Speaker 1>You know, he wasn't no joke, which I'm sure he

0:38:43.360 --> 0:38:46.640
<v Speaker 1>still is. I'm sure he's still stuff like that. He is.

0:38:46.920 --> 0:38:49.760
<v Speaker 1>He's a real animal, bro. He's a record making animal.

0:38:49.800 --> 0:38:49.920
<v Speaker 2>Bro.

0:38:50.000 --> 0:38:52.480
<v Speaker 1>That Nigga is tough and he's not. He's more than

0:38:52.480 --> 0:38:55.840
<v Speaker 1>a qualified him. See that nigga can rap. He's not

0:38:56.000 --> 0:38:58.200
<v Speaker 1>no punk. Like I know, he got writers, but the

0:38:58.280 --> 0:39:01.200
<v Speaker 1>nigga can write. He can write his own sure. But

0:39:01.320 --> 0:39:03.719
<v Speaker 1>I think what happened was as he started getting writers

0:39:04.120 --> 0:39:06.640
<v Speaker 1>right and people started to write, you know, because his

0:39:06.760 --> 0:39:09.120
<v Speaker 1>run is unprecedented because we never seen that in hip

0:39:09.160 --> 0:39:12.440
<v Speaker 1>hop and people use writers. So you know, at this time,

0:39:12.560 --> 0:39:14.919
<v Speaker 1>I still don't know he's using writers. But I'm looking

0:39:14.960 --> 0:39:17.399
<v Speaker 1>at the video for the motto and it's like he's

0:39:17.440 --> 0:39:19.680
<v Speaker 1>doing certain things. He shooting the video with a low

0:39:19.760 --> 0:39:24.160
<v Speaker 1>rider under the Bay Bridge. I'm like, see before that.

0:39:24.280 --> 0:39:27.200
<v Speaker 1>I don't think he ever tried to be cultural on

0:39:28.040 --> 0:39:30.279
<v Speaker 1>you know, So Far Gone or on Thank Me Later.

0:39:30.320 --> 0:39:32.160
<v Speaker 1>I don't think. I think it was just rap. You know,

0:39:32.200 --> 0:39:35.040
<v Speaker 1>the songs with Eminem and Kanye and them dudes. I

0:39:35.040 --> 0:39:37.480
<v Speaker 1>think it was just rap. He was just getting off

0:39:37.520 --> 0:39:41.280
<v Speaker 1>showing you how talented of a songwriter as a rapper

0:39:41.320 --> 0:39:44.240
<v Speaker 1>he was. And if you think about all of the songs,

0:39:44.320 --> 0:39:47.640
<v Speaker 1>even the songs where you know, to find your loves

0:39:47.760 --> 0:39:50.000
<v Speaker 1>and you just really got a chance to see him.

0:39:50.200 --> 0:39:52.959
<v Speaker 1>But when he got to take care right and it's

0:39:53.600 --> 0:39:57.480
<v Speaker 1>you certain songs, you know, the motto I'm watching him

0:39:57.600 --> 0:40:02.120
<v Speaker 1>slowly start to get into spaces where he's starting to

0:40:02.200 --> 0:40:06.320
<v Speaker 1>dabble into other cultures mm hm. And him and Tiger

0:40:06.360 --> 0:40:07.920
<v Speaker 1>had fell out at that time, and I noticed he

0:40:08.000 --> 0:40:10.680
<v Speaker 1>was saying some shit about Tiger, and I'm like, eh,

0:40:10.760 --> 0:40:13.359
<v Speaker 1>this is funny. And then by the time he got

0:40:13.400 --> 0:40:16.160
<v Speaker 1>to what people would call the third album, which is

0:40:16.200 --> 0:40:19.200
<v Speaker 1>nothing was the same, right, and songs like started from

0:40:19.200 --> 0:40:24.600
<v Speaker 1>the bottom. I think that became a problem. I think

0:40:24.719 --> 0:40:28.320
<v Speaker 1>that became a problem, right. I think when he started

0:40:28.320 --> 0:40:31.360
<v Speaker 1>doing those type of songs, when certain people started writing

0:40:31.400 --> 0:40:35.440
<v Speaker 1>those songs, he started to act the part, so.

0:40:35.760 --> 0:40:39.440
<v Speaker 2>Like why I wouldn't What we say is like a

0:40:39.440 --> 0:40:41.839
<v Speaker 2>six ' nine, like a Tupac situation where I know,

0:40:42.400 --> 0:40:44.799
<v Speaker 2>maybe nobody was writing their stuff, but they started to

0:40:44.840 --> 0:40:45.840
<v Speaker 2>act out in character.

0:40:46.760 --> 0:40:51.200
<v Speaker 1>No, there's is different, right, because Tupockets from Baltimore and

0:40:51.840 --> 0:40:56.040
<v Speaker 1>New York and every ghetto, you know, the fucking Marine City,

0:40:56.120 --> 0:41:00.879
<v Speaker 1>and he's from the ghetto. So you know I heard that,

0:41:01.040 --> 0:41:03.000
<v Speaker 1>you know, the whole thing about Juice where oh yeah,

0:41:03.000 --> 0:41:06.600
<v Speaker 1>he started to act like Bishop. It's like, you know,

0:41:06.680 --> 0:41:08.920
<v Speaker 1>this nigga is still from the ghetto. Yeah, I mean,

0:41:08.960 --> 0:41:12.040
<v Speaker 1>and eventually the ghetto can't come out and it'll be befitting.

0:41:12.520 --> 0:41:14.799
<v Speaker 1>I mean, and I think that's what happened to poc.

0:41:14.880 --> 0:41:17.080
<v Speaker 1>Park was a man and he just stood on this

0:41:17.120 --> 0:41:19.160
<v Speaker 1>shit he was on and you know, just like any

0:41:19.360 --> 0:41:20.759
<v Speaker 1>any of the rest of us, it could cost us

0:41:20.760 --> 0:41:23.120
<v Speaker 1>our life because you know, that's that's what we pay

0:41:23.239 --> 0:41:26.520
<v Speaker 1>with when when shit go too far. Same for six

0:41:26.640 --> 0:41:28.319
<v Speaker 1>nine six. Note as a ghetto kid, he grew up

0:41:28.440 --> 0:41:30.960
<v Speaker 1>in the ghetto, sure you, I mean, and and you

0:41:31.080 --> 0:41:32.800
<v Speaker 1>give him control over me, and he's gonna be a

0:41:32.840 --> 0:41:35.080
<v Speaker 1>ghetto nigga would control you know, a ghetto man would

0:41:35.120 --> 0:41:38.239
<v Speaker 1>control over men. I mean. And he was making a

0:41:38.280 --> 0:41:40.320
<v Speaker 1>lot of bad decisions. But when it was time to

0:41:40.320 --> 0:41:43.560
<v Speaker 1>be held accountable, I think it was actually racism that

0:41:43.600 --> 0:41:45.880
<v Speaker 1>didn't allow people to see he should be held accountable.

0:41:46.200 --> 0:41:48.840
<v Speaker 1>People act like he was around some gang members and

0:41:48.960 --> 0:41:51.239
<v Speaker 1>they you know, they oh, he's he's stupid if they

0:41:51.280 --> 0:41:53.640
<v Speaker 1>listen to him. No, this dude is from around the corner,

0:41:55.200 --> 0:41:57.680
<v Speaker 1>you know. I mean, he's from around the corner. But

0:41:57.800 --> 0:41:59.719
<v Speaker 1>in their mind they saw him as like he yo.

0:42:00.200 --> 0:42:01.960
<v Speaker 1>That's why I think it's like a level of racism

0:42:01.960 --> 0:42:03.920
<v Speaker 1>where oh, no, he's a good kid. He just got

0:42:04.000 --> 0:42:06.520
<v Speaker 1>mixed up with the gang and they were no sir.

0:42:06.880 --> 0:42:09.200
<v Speaker 1>This nigga's a little sline ball from around the corner

0:42:09.200 --> 0:42:12.239
<v Speaker 1>that was already catching cases, fucking with dope, selling dope

0:42:12.280 --> 0:42:15.200
<v Speaker 1>and shit like that. And then he get the power

0:42:15.280 --> 0:42:17.920
<v Speaker 1>of a gang to control because he has the economics

0:42:17.960 --> 0:42:22.600
<v Speaker 1>and and opportunity for people. Sure, so it's different than them.

0:42:23.200 --> 0:42:26.319
<v Speaker 1>Drake is like, he's not from the ghetto, like that

0:42:26.400 --> 0:42:28.759
<v Speaker 1>thing that rules the ghetto. That's not what Drake had,

0:42:28.760 --> 0:42:31.279
<v Speaker 1>because if it was those other situations, he would have

0:42:31.560 --> 0:42:32.520
<v Speaker 1>dealt with him differently.

0:42:33.200 --> 0:42:36.319
<v Speaker 2>Do you think he's surrounded himself with people who are

0:42:36.360 --> 0:42:38.759
<v Speaker 2>from the hoods of Toronto and maybe that's why he

0:42:38.840 --> 0:42:39.560
<v Speaker 2>feels that way.

0:42:39.760 --> 0:42:43.360
<v Speaker 1>Sure, I would imagine. I would imagine, you know, Baka

0:42:43.480 --> 0:42:46.520
<v Speaker 1>and and and all of his guys are our ghetto

0:42:46.560 --> 0:42:49.040
<v Speaker 1>Toronto kids. You know what I mean. And you know.

0:42:49.200 --> 0:42:52.640
<v Speaker 1>But again, that's why I think we have to do

0:42:52.680 --> 0:42:57.480
<v Speaker 1>a much better job of guarding said culture, you know

0:42:57.520 --> 0:43:00.600
<v Speaker 1>what I mean. And it's hard, right because other fuckers

0:43:00.680 --> 0:43:05.799
<v Speaker 1>is poor. The fuckers is poor. Everybody want to take

0:43:05.840 --> 0:43:08.319
<v Speaker 1>care of their family, bro. So it's easy for me

0:43:08.400 --> 0:43:10.480
<v Speaker 1>to say something about Badka. If Baka go out and

0:43:10.520 --> 0:43:12.560
<v Speaker 1>do some dumb shit listen to the cubs because he's

0:43:12.560 --> 0:43:15.560
<v Speaker 1>paying his bills. But think, I remember when you know,

0:43:15.760 --> 0:43:18.600
<v Speaker 1>people being broke you can make the money has been

0:43:18.680 --> 0:43:22.120
<v Speaker 1>used to control people forever. Women give up their most

0:43:22.160 --> 0:43:24.280
<v Speaker 1>prized possession for money, you know what I mean, they body.

0:43:24.360 --> 0:43:28.040
<v Speaker 1>So it's like it's like money is some shit, especially

0:43:28.080 --> 0:43:31.160
<v Speaker 1>when you poor, especially when you come from that fucked

0:43:31.200 --> 0:43:34.080
<v Speaker 1>up shit. I then went to jail for some pimp

0:43:34.120 --> 0:43:35.440
<v Speaker 1>and shit, you know what i mean. So, like you

0:43:35.480 --> 0:43:37.520
<v Speaker 1>can see you've been trying to get some money. Yeah,

0:43:37.600 --> 0:43:39.600
<v Speaker 1>you know what I mean. Same thing Chubbs, all them

0:43:39.640 --> 0:43:41.279
<v Speaker 1>dudes is trying to eat, you know what I mean.

0:43:41.320 --> 0:43:47.840
<v Speaker 1>So like their situation is I get it, you know

0:43:47.840 --> 0:43:50.720
<v Speaker 1>what I'm saying. I get how you know, But so him,

0:43:50.800 --> 0:43:55.440
<v Speaker 1>it's like, uh, I think it started when people started

0:43:55.440 --> 0:43:58.239
<v Speaker 1>to write the raps, some of the raps, and he

0:43:58.320 --> 0:44:00.479
<v Speaker 1>had to make people believe he could be the raps

0:44:00.520 --> 0:44:03.480
<v Speaker 1>because when he wrote the raps himself, initially they were

0:44:03.520 --> 0:44:06.359
<v Speaker 1>pretty true to form. It was his love for the

0:44:06.920 --> 0:44:08.680
<v Speaker 1>the art of m sing, you know what I'm saying,

0:44:08.840 --> 0:44:12.640
<v Speaker 1>rapping and song making and really just being an outstanding

0:44:12.719 --> 0:44:16.960
<v Speaker 1>talent versus Dick too sure, sure, but that's normal for

0:44:17.000 --> 0:44:20.160
<v Speaker 1>most people that don't come up like we're taught against that.

0:44:20.160 --> 0:44:24.080
<v Speaker 1>That's another street thing. Yeah, I mean we're taught against that,

0:44:25.320 --> 0:44:27.680
<v Speaker 1>but we're taught against it. I don't nobody want to

0:44:27.680 --> 0:44:30.160
<v Speaker 1>be a sucker for love where we're from. Normal people

0:44:30.280 --> 0:44:31.160
<v Speaker 1>want to be a sucker for.

0:44:31.160 --> 0:44:32.960
<v Speaker 2>The Most of the beefs that end up happening are

0:44:32.960 --> 0:44:34.359
<v Speaker 2>always some ship this over a woman.

0:44:34.640 --> 0:44:37.120
<v Speaker 1>Yeah, but again, you know, the teaching don't always fit

0:44:37.160 --> 0:44:43.359
<v Speaker 1>the execution, like right, so it's different. But I think

0:44:43.400 --> 0:44:46.120
<v Speaker 1>when he when somebody started to rifle cause and and

0:44:46.160 --> 0:44:50.400
<v Speaker 1>then somebody started to ritelecuse, and then he started to

0:44:50.480 --> 0:44:53.160
<v Speaker 1>act it out, and then I think he inherited how

0:44:53.200 --> 0:44:55.960
<v Speaker 1>it made him feel like he he he loved how

0:44:56.000 --> 0:44:58.160
<v Speaker 1>it made him feel. I mean, I think it happens

0:44:58.200 --> 0:44:59.839
<v Speaker 1>to a lot a lot of NBA players that come

0:44:59.840 --> 0:45:02.399
<v Speaker 1>in joint gangs. I mean they they you.

0:45:02.360 --> 0:45:04.880
<v Speaker 2>Know, like the idea of throwing up the hood and

0:45:05.040 --> 0:45:07.280
<v Speaker 2>show the pool on camera.

0:45:07.280 --> 0:45:09.640
<v Speaker 1>Being a which is I don't know what's cool about

0:45:10.200 --> 0:45:12.480
<v Speaker 1>I don't know it's cool about it, but it looks cool,

0:45:12.960 --> 0:45:13.640
<v Speaker 1>I guess.

0:45:13.760 --> 0:45:17.240
<v Speaker 2>I mean if I'm looking at it and I'm wondering,

0:45:17.239 --> 0:45:19.080
<v Speaker 2>and I had to wonder why they would do it.

0:45:19.120 --> 0:45:21.759
<v Speaker 2>I would think because they think it looks cool. Because

0:45:21.760 --> 0:45:24.080
<v Speaker 2>you got to think NBA players when we say that,

0:45:24.200 --> 0:45:27.279
<v Speaker 2>like you know, not that they're little kids, but they're

0:45:27.360 --> 0:45:31.160
<v Speaker 2>essentially pretty young guys. Well they're young though, but they're like, yeah,

0:45:31.160 --> 0:45:34.080
<v Speaker 2>they're grown ups, but they're young adults influential. Still, what

0:45:34.120 --> 0:45:36.120
<v Speaker 2>are they like most of them be like twenty two,

0:45:36.320 --> 0:45:38.960
<v Speaker 2>twenty one, you know what I mean. Now, when I

0:45:38.960 --> 0:45:41.120
<v Speaker 2>start seeing them twenty four to twenty five, twenty six

0:45:41.200 --> 0:45:43.359
<v Speaker 2>doing that, that's when I'm just like, all right, that's

0:45:43.440 --> 0:45:46.560
<v Speaker 2>weird as hell. But like twenty one twenty two even

0:45:46.600 --> 0:45:51.040
<v Speaker 2>that's considered really old, right, yeah, and infrastructure, But I

0:45:51.080 --> 0:45:53.160
<v Speaker 2>guess I understand it's still a little bit more at

0:45:53.160 --> 0:45:54.080
<v Speaker 2>that age for me.

0:45:54.920 --> 0:46:00.000
<v Speaker 1>Like, oh yeah, yeah, I think that's what happened because

0:46:00.239 --> 0:46:02.160
<v Speaker 1>and then I think at that point he started buying

0:46:02.160 --> 0:46:05.120
<v Speaker 1>what he was selling. That's what happened.

0:46:05.400 --> 0:46:09.719
<v Speaker 2>So but here's my other thing, like, because you know

0:46:09.760 --> 0:46:12.440
<v Speaker 2>how he brought up in the battle that you know,

0:46:12.880 --> 0:46:15.080
<v Speaker 2>he did the first record with you know, he has

0:46:15.160 --> 0:46:16.080
<v Speaker 2>records with Kendrick.

0:46:16.200 --> 0:46:17.840
<v Speaker 1>You know, so Kendrick's first.

0:46:17.640 --> 0:46:21.680
<v Speaker 2>Early records, he hopped on them and helped because he

0:46:21.719 --> 0:46:25.480
<v Speaker 2>was the bigger artist at the time. So, like, I'm

0:46:25.520 --> 0:46:28.520
<v Speaker 2>wondering you that, you know, Kendrick, I don't know if

0:46:28.520 --> 0:46:31.080
<v Speaker 2>you've talked to him about it, or if you just

0:46:31.080 --> 0:46:33.680
<v Speaker 2>just by knowing him, maybe you might give a guesstimate

0:46:33.760 --> 0:46:36.600
<v Speaker 2>of what his thought process was, Like where did he

0:46:36.680 --> 0:46:39.520
<v Speaker 2>start get getting this resentment from that?

0:46:39.560 --> 0:46:42.759
<v Speaker 1>He could he just realized Cousin was a sucker. That's

0:46:42.800 --> 0:46:44.400
<v Speaker 1>all it was. I used to tell him. He used

0:46:44.400 --> 0:46:45.960
<v Speaker 1>to look at me crazy. He's like, man, you don't

0:46:46.000 --> 0:46:47.520
<v Speaker 1>fuck with the dude you could. I'm like, I don't

0:46:47.520 --> 0:46:50.239
<v Speaker 1>care about that cud like that. You know, all of

0:46:50.280 --> 0:46:52.680
<v Speaker 1>the homies look at me like that, all, especially the

0:46:52.719 --> 0:46:54.640
<v Speaker 1>dudes that's a little younger than me. They all look

0:46:54.680 --> 0:46:57.719
<v Speaker 1>at me like I'm hello, stoic on opportunity. But it's

0:46:57.800 --> 0:47:01.319
<v Speaker 1>like I can't take all opportunity, Like I can't do

0:47:01.400 --> 0:47:06.759
<v Speaker 1>it now. You know, he wanted to. He liked it,

0:47:06.960 --> 0:47:09.200
<v Speaker 1>He liked he liked Drake, you know what I mean.

0:47:09.280 --> 0:47:15.799
<v Speaker 1>But again, it changed, it changed. He changed. He went

0:47:15.840 --> 0:47:19.080
<v Speaker 1>from being his dope talent to like, oh, I'm really

0:47:19.120 --> 0:47:24.000
<v Speaker 1>one of y'all, and it's like, yeah, like no, bro,

0:47:24.080 --> 0:47:24.480
<v Speaker 1>you're not.

0:47:24.840 --> 0:47:27.160
<v Speaker 2>I think that was again I'm going to tie that

0:47:27.280 --> 0:47:31.120
<v Speaker 2>into I think because all them dudes baka forty, you know,

0:47:31.280 --> 0:47:33.520
<v Speaker 2>have they all been there from the very very beginning.

0:47:33.640 --> 0:47:36.160
<v Speaker 1>Not all of them, That's what I'm saying. So forty

0:47:36.320 --> 0:47:37.280
<v Speaker 1>been there from the beginning.

0:47:37.440 --> 0:47:42.319
<v Speaker 2>It's like the Battle Rapper that he's not really a

0:47:42.400 --> 0:47:45.440
<v Speaker 2>street dude like that, like he in the sense of

0:47:45.520 --> 0:47:47.840
<v Speaker 2>like a tough guy, right, but then he gets on

0:47:47.920 --> 0:47:51.680
<v Speaker 2>the stage and talking all this ship and he talking

0:47:51.719 --> 0:47:54.480
<v Speaker 2>big ship now in the Battle Rapper, and if you notice,

0:47:54.480 --> 0:47:58.080
<v Speaker 2>he never talks about himself directly to be tough, like

0:47:58.120 --> 0:47:59.440
<v Speaker 2>I don't know if you ever like you know, I

0:47:59.560 --> 0:48:03.239
<v Speaker 2>like to watch battle So it's like it's always like, yo,

0:48:03.320 --> 0:48:06.400
<v Speaker 2>my man got the boo. So if you did it,

0:48:06.800 --> 0:48:08.680
<v Speaker 2>do this, you come close to me, you know, my

0:48:08.800 --> 0:48:12.640
<v Speaker 2>man got the And it's always I'm tough by association. Sure,

0:48:13.840 --> 0:48:17.000
<v Speaker 2>And I think that's probably what really started happening to him.

0:48:17.040 --> 0:48:21.320
<v Speaker 3>I think so he got around some thugs and start thugging, yeah, basically.

0:48:21.400 --> 0:48:25.080
<v Speaker 3>And and the cold part is it's it's you've seen it.

0:48:25.120 --> 0:48:27.399
<v Speaker 3>I've seen people do it around you when they get

0:48:27.440 --> 0:48:30.840
<v Speaker 3>around you, and they think because they they real crips

0:48:30.880 --> 0:48:35.000
<v Speaker 3>and stuff and yeah, and it's like I've had to

0:48:35.040 --> 0:48:36.879
<v Speaker 3>tell people that I brought around, like, bro, you need

0:48:36.920 --> 0:48:38.239
<v Speaker 3>to relax, like.

0:48:38.160 --> 0:48:41.840
<v Speaker 2>You you know, I won't mention no names. But remember

0:48:41.880 --> 0:48:44.480
<v Speaker 2>one time when we were in the studio and you know,

0:48:44.560 --> 0:48:46.840
<v Speaker 2>I won't mention one name. G Baan was there and

0:48:46.880 --> 0:48:50.720
<v Speaker 2>someone kept calling him cuz he was like, hey, I'm

0:48:50.800 --> 0:48:51.200
<v Speaker 2>I'm you.

0:48:51.160 --> 0:48:52.759
<v Speaker 1>Know, yeah, you know.

0:48:52.840 --> 0:48:55.440
<v Speaker 2>He had to tell him and it was like, you're

0:48:55.480 --> 0:48:59.000
<v Speaker 2>not really don't Why are you cousin and doing all that?

0:48:59.239 --> 0:49:01.040
<v Speaker 2>Like you know, if you if you don't really like

0:49:01.120 --> 0:49:02.239
<v Speaker 2>that's don't do that.

0:49:03.760 --> 0:49:06.120
<v Speaker 1>People do that though. It's kind of weird. It's a

0:49:06.160 --> 0:49:08.600
<v Speaker 1>tough out, Bro, it's a tough out for sure.

0:49:08.960 --> 0:49:11.839
<v Speaker 2>I'm glad this humbled his ass. He needs to relax, though, man,

0:49:11.880 --> 0:49:16.359
<v Speaker 2>because he hit the scorpio in him. I think is

0:49:16.600 --> 0:49:19.520
<v Speaker 2>like the ego he wants. He wants to get back.

0:49:20.000 --> 0:49:24.640
<v Speaker 2>But I don't even think as an MC. I don't

0:49:24.680 --> 0:49:29.960
<v Speaker 2>think he he can outthink Kendrick after watching what I've seen,

0:49:30.600 --> 0:49:32.560
<v Speaker 2>like he I think he could do better if they

0:49:32.640 --> 0:49:36.600
<v Speaker 2>did a round two because he's a student, so he's

0:49:36.680 --> 0:49:41.480
<v Speaker 2>watched what Kendrick has done so it's a possibility he

0:49:41.520 --> 0:49:44.719
<v Speaker 2>could do better. I just don't know if he would

0:49:44.719 --> 0:49:47.640
<v Speaker 2>pick the right angle, because the angle he picked is terrible.

0:49:47.680 --> 0:49:52.520
<v Speaker 2>That's why Kendrick ate his ass up. Kendrick let him

0:49:52.520 --> 0:49:56.640
<v Speaker 2>pick his own poison and then kicked his ass.

0:49:58.840 --> 0:50:03.560
<v Speaker 1>Hip hop leaves would co don't lead with music, And

0:50:03.640 --> 0:50:06.560
<v Speaker 1>that's the hardest part to digest about it. It's about

0:50:06.560 --> 0:50:10.320
<v Speaker 1>the style of stuff. It ain't about just the talent

0:50:10.480 --> 0:50:13.200
<v Speaker 1>or execution. It's about this is what I talked to

0:50:13.200 --> 0:50:17.280
<v Speaker 1>you about. It's like hip hop leads with you know, culture,

0:50:18.600 --> 0:50:20.239
<v Speaker 1>you know what I mean. And it was always gonna

0:50:20.239 --> 0:50:23.279
<v Speaker 1>be a tough battle for Drake because Drake can't just

0:50:23.320 --> 0:50:25.439
<v Speaker 1>be a Jewish kid. The culture that he could lean

0:50:25.480 --> 0:50:27.279
<v Speaker 1>on the most, he just can't, you know what I mean.

0:50:27.760 --> 0:50:30.360
<v Speaker 1>It's not gonna work. I don't think he did himself

0:50:30.400 --> 0:50:32.520
<v Speaker 1>any justice by not going to his strength, which is

0:50:32.560 --> 0:50:35.760
<v Speaker 1>he's a great record writer and he knows how to

0:50:35.960 --> 0:50:38.680
<v Speaker 1>make a great record. So you do these other songs

0:50:38.680 --> 0:50:41.040
<v Speaker 1>and they're not great records. I mean, you got one

0:50:41.120 --> 0:50:44.359
<v Speaker 1>great record which is probably a push up song, and

0:50:44.400 --> 0:50:47.120
<v Speaker 1>it's like you abandon that. You don't like your pride

0:50:47.160 --> 0:50:49.120
<v Speaker 1>and joy since you've been in the business as hooks.

0:50:49.880 --> 0:50:51.920
<v Speaker 1>That's not to say there's not a lot of people

0:50:51.920 --> 0:50:54.600
<v Speaker 1>who like hip hop that don't like your bars, like

0:50:54.680 --> 0:50:58.160
<v Speaker 1>niggas like CAUs bars. The nigga's tough. But your pride

0:50:58.160 --> 0:51:01.560
<v Speaker 1>and joy that makes you special versus every other MC

0:51:01.760 --> 0:51:03.960
<v Speaker 1>that's ever came through the doors. Your ability to do

0:51:04.040 --> 0:51:06.360
<v Speaker 1>your course and know what a good course is and

0:51:06.480 --> 0:51:10.359
<v Speaker 1>execute it hook like you was a hook master, like

0:51:10.480 --> 0:51:12.840
<v Speaker 1>not just a dobe MC, but you could make a hook.

0:51:13.080 --> 0:51:15.399
<v Speaker 1>So why out of four or five songs wouldre only be.

0:51:15.360 --> 0:51:21.600
<v Speaker 2>One hook Because egoistically, he wanted to show, this is

0:51:21.640 --> 0:51:25.720
<v Speaker 2>my opinion, he wanted to show I can out rap Kendrick.

0:51:27.160 --> 0:51:28.680
<v Speaker 1>I'm better than you at rapping.

0:51:28.760 --> 0:51:31.760
<v Speaker 2>You're not as good as you think you are, which again,

0:51:31.840 --> 0:51:33.879
<v Speaker 2>like I tell some of the homies, I commend him

0:51:33.880 --> 0:51:37.080
<v Speaker 2>for that because he took I mean, you lost, but

0:51:37.560 --> 0:51:40.480
<v Speaker 2>you took a stand because you said I'm gonna I'm

0:51:40.520 --> 0:51:43.080
<v Speaker 2>gonna beat you at what you think you're better than

0:51:43.120 --> 0:51:46.080
<v Speaker 2>me at and it just didn't work out. And then

0:51:46.760 --> 0:51:50.279
<v Speaker 2>after you lost that battle, he beats.

0:51:50.000 --> 0:51:52.760
<v Speaker 1>You at what you're good at. Well. Remember he started

0:51:52.800 --> 0:51:57.560
<v Speaker 1>with a great record. I was number one, No. Kendrick,

0:51:57.719 --> 0:52:00.680
<v Speaker 1>you know, with future and and and oh yeah, but

0:52:00.719 --> 0:52:03.440
<v Speaker 1>that was just a verse. No, but that that's important

0:52:03.440 --> 0:52:06.400
<v Speaker 1>because that's the first disc that started the battle. Sure,

0:52:06.920 --> 0:52:08.560
<v Speaker 1>you know what I mean. And and the problem is

0:52:08.600 --> 0:52:11.080
<v Speaker 1>that was a number one song. That was a great record,

0:52:12.239 --> 0:52:13.880
<v Speaker 1>you know what I'm saying. So why not come with

0:52:13.920 --> 0:52:16.319
<v Speaker 1>a hit record to rival once you did? He came

0:52:16.360 --> 0:52:19.719
<v Speaker 1>with pushups and it was like he got actor it.

0:52:19.760 --> 0:52:21.680
<v Speaker 1>He kind of killed the momentum when he did that

0:52:21.719 --> 0:52:25.640
<v Speaker 1>goofy Ai song with the tupocet snoopid. That is done.

0:52:25.719 --> 0:52:28.719
<v Speaker 1>But again that's that cornball coming out. Sure, and not

0:52:28.920 --> 0:52:33.080
<v Speaker 1>understanding you know, cultural you know, cultural cachet at that

0:52:33.120 --> 0:52:36.239
<v Speaker 1>point to care about relevance, like like what makes sense?

0:52:36.280 --> 0:52:39.120
<v Speaker 1>What's cool? He didn't care about that. No, he thought

0:52:39.160 --> 0:52:43.399
<v Speaker 1>that was So again that's the cornball coming out. Yep. Well,

0:52:44.000 --> 0:52:47.680
<v Speaker 1>because nobody culturally that came from this would think to themselves,

0:52:47.800 --> 0:52:50.720
<v Speaker 1>oh that's cool. None of us would think that. Sure,

0:52:51.000 --> 0:52:54.280
<v Speaker 1>but because he doesn't know, but he thought it was creative,

0:52:54.880 --> 0:52:58.080
<v Speaker 1>I would think, but it's corny. And see, you gotta

0:52:58.200 --> 0:53:00.160
<v Speaker 1>just know this and this is the point of being

0:53:00.320 --> 0:53:03.640
<v Speaker 1>truly the culture, your natural feel for it you'd be like,

0:53:03.719 --> 0:53:07.479
<v Speaker 1>that's corny. And don't get me wrong, sometimes you push,

0:53:07.560 --> 0:53:11.280
<v Speaker 1>but that's corny, you know what I'm saying. And that's

0:53:11.280 --> 0:53:13.520
<v Speaker 1>something like if I was around, because I'm like, hey cut,

0:53:13.520 --> 0:53:16.680
<v Speaker 1>that's corny. Don't put that out, you know what I mean. Now,

0:53:16.719 --> 0:53:19.520
<v Speaker 1>I don't know what Baka or Chubbs or forty them

0:53:19.560 --> 0:53:21.200
<v Speaker 1>was saying, but they should have said, hey cut, that's corny,

0:53:21.200 --> 0:53:24.400
<v Speaker 1>don't put that out. Yeah. So I think in his

0:53:24.520 --> 0:53:27.319
<v Speaker 1>situation is he didn't lean to his strengths in a

0:53:27.320 --> 0:53:30.040
<v Speaker 1>battle that he was already most likely gonna lose because

0:53:30.080 --> 0:53:32.359
<v Speaker 1>he didn't have the cultural cachet in the match the

0:53:32.360 --> 0:53:35.520
<v Speaker 1>next MC who is just as talented, who's probably just

0:53:35.560 --> 0:53:38.680
<v Speaker 1>as great of a writer, who's probably just as talented,

0:53:39.640 --> 0:53:42.040
<v Speaker 1>you know what I'm saying, Like he's for sure your

0:53:42.200 --> 0:53:45.880
<v Speaker 1>match with talent. He don't have one hundred ghostwriters demo

0:53:46.000 --> 0:53:49.359
<v Speaker 1>in songs, Like, he's just as talented as you are

0:53:49.520 --> 0:53:52.120
<v Speaker 1>as a writer, as an MC and as a songwriter.

0:53:52.719 --> 0:53:55.640
<v Speaker 1>He didn't believe that though, because he started to buy

0:53:55.719 --> 0:53:58.560
<v Speaker 1>the shit he was selling. He forgot that he had riders,

0:53:58.600 --> 0:54:00.439
<v Speaker 1>he forgot he had help. He like, oh I'm good,

0:54:00.480 --> 0:54:02.759
<v Speaker 1>I really never needed Yes she did. You did need

0:54:02.800 --> 0:54:04.560
<v Speaker 1>to help with these riders. That's the only way you

0:54:04.560 --> 0:54:07.080
<v Speaker 1>could put together this much music and it still stay

0:54:07.120 --> 0:54:10.239
<v Speaker 1>on course. To give this many variety of thoughts. Jay

0:54:10.320 --> 0:54:12.000
<v Speaker 1>Z couldn't do it this long. Jay Z had to

0:54:12.000 --> 0:54:14.360
<v Speaker 1>take a break. This nigga ain't took a break in

0:54:14.440 --> 0:54:19.560
<v Speaker 1>fourteen fifteen years. Yeah, he just got put on time out.

0:54:19.840 --> 0:54:22.680
<v Speaker 1>He hadn't took a break before that. That motherfucker had Yo.

0:54:22.960 --> 0:54:27.359
<v Speaker 1>That is crazy for me, Like that was crazy bro.

0:54:27.560 --> 0:54:31.719
<v Speaker 1>So it's like, yeah, he was always gonna be in deep.

0:54:31.800 --> 0:54:34.520
<v Speaker 1>I told niggas I tweeted it. I knew they saw it.

0:54:34.560 --> 0:54:37.040
<v Speaker 1>I knew his homie saw it. Like, broh, that's a

0:54:37.080 --> 0:54:39.200
<v Speaker 1>bad battle. I wouldn't take that battle. I would let

0:54:39.280 --> 0:54:41.160
<v Speaker 1>Cuz get that song off and I would fight it

0:54:41.160 --> 0:54:44.120
<v Speaker 1>on my own. You know this is the mind I have.

0:54:44.280 --> 0:54:46.040
<v Speaker 1>I would fight that when I'm ready to fight it.

0:54:46.360 --> 0:54:50.480
<v Speaker 1>I wouldn't have let the song of Future Metro and

0:54:50.600 --> 0:54:52.480
<v Speaker 1>Kendrick come out and then I responded to that song.

0:54:52.520 --> 0:54:54.440
<v Speaker 1>I'd have let that go by and wait till the

0:54:54.480 --> 0:54:57.520
<v Speaker 1>album and drop some shit on cuz you know what

0:54:57.560 --> 0:54:59.840
<v Speaker 1>I'm saying. I would not have tried to just initiate

0:54:59.840 --> 0:55:02.920
<v Speaker 1>the battle and and you know, or or try to

0:55:03.000 --> 0:55:06.640
<v Speaker 1>let him dictate when we start to fight. It's like boxing,

0:55:06.719 --> 0:55:08.800
<v Speaker 1>like sometimes you move around the ring and then you

0:55:08.800 --> 0:55:12.280
<v Speaker 1>you dictate to fight yourself. Yeah, and he didn't allow

0:55:12.320 --> 0:55:15.360
<v Speaker 1>the he didn't dictate the fight. He got caught with

0:55:15.400 --> 0:55:18.239
<v Speaker 1>a really great punch from the first song, you know

0:55:18.280 --> 0:55:20.200
<v Speaker 1>what I'm saying. Like that, you got caught with a

0:55:20.239 --> 0:55:22.560
<v Speaker 1>great punch, you know what I'm saying. And then you

0:55:22.640 --> 0:55:23.560
<v Speaker 1>just came in there fighting.

0:55:23.640 --> 0:55:28.640
<v Speaker 2>Wow, this is kind of like uh bargas Trindon Dad.

0:55:30.600 --> 0:55:33.800
<v Speaker 1>Okay, Yeah, where he was more mad. You got punched

0:55:33.800 --> 0:55:35.960
<v Speaker 1>and you walked yourself into something that got you knocked out.

0:55:37.000 --> 0:55:39.120
<v Speaker 1>You can't do it. And that's where to me, like

0:55:40.840 --> 0:55:43.279
<v Speaker 1>and no world would he beat this boy, And no

0:55:43.400 --> 0:55:47.120
<v Speaker 1>world would he beat Kendrick Because it's like Kendrick is

0:55:47.160 --> 0:55:50.000
<v Speaker 1>as good as you are as a writer, as a talent,

0:55:50.920 --> 0:55:52.719
<v Speaker 1>you know what I'm saying. He's just as good as

0:55:52.719 --> 0:55:54.919
<v Speaker 1>you are as all of these things. And he has

0:55:55.000 --> 0:55:58.759
<v Speaker 1>cultural cachet. He understands culture in a way that a

0:55:58.760 --> 0:56:01.320
<v Speaker 1>lot of people don't. He was able to do a

0:56:01.360 --> 0:56:02.440
<v Speaker 1>lot of things without it.

0:56:03.239 --> 0:56:06.960
<v Speaker 2>That's that's why and you could tell that he didn't

0:56:07.200 --> 0:56:10.120
<v Speaker 2>understand that because he thought, oh, you know, because I've

0:56:10.120 --> 0:56:12.680
<v Speaker 2>done records with YG, I'm gonna name these people.

0:56:12.400 --> 0:56:15.719
<v Speaker 1>And those people are like, what the fuck? Don't name me?

0:56:16.600 --> 0:56:19.359
<v Speaker 2>Because he he he literally was trying to say like, oh,

0:56:19.400 --> 0:56:19.759
<v Speaker 2>you don't.

0:56:19.800 --> 0:56:20.640
<v Speaker 1>You didn't gang bang.

0:56:20.760 --> 0:56:22.440
<v Speaker 2>I know guys are really gang bang, and that's what

0:56:22.560 --> 0:56:25.760
<v Speaker 2>I don't know these guys, right, But he thinks because

0:56:26.040 --> 0:56:27.480
<v Speaker 2>that's and that, and that goes back to what I'm

0:56:27.520 --> 0:56:29.680
<v Speaker 2>telling you. I'm telling you he started thinking this because

0:56:29.680 --> 0:56:32.600
<v Speaker 2>he gets around people like you think, because you've done

0:56:32.640 --> 0:56:34.960
<v Speaker 2>a record and you did some videos of YG, that's

0:56:35.000 --> 0:56:35.400
<v Speaker 2>your homie.

0:56:35.400 --> 0:56:37.879
<v Speaker 1>That's not your homie, bro. But because there's no other

0:56:37.960 --> 0:56:41.120
<v Speaker 1>way to build a bond besides that. But again, a

0:56:41.160 --> 0:56:43.040
<v Speaker 1>lot of people feel like they can buy people.

0:56:44.400 --> 0:56:47.200
<v Speaker 2>I think a genuine bond is a genuine bond, and

0:56:47.239 --> 0:56:49.479
<v Speaker 2>that's what people. That's what he needs to at least

0:56:49.480 --> 0:56:50.040
<v Speaker 2>at some point.

0:56:50.160 --> 0:56:52.560
<v Speaker 1>I think I think he understands a genuine bond. I

0:56:52.560 --> 0:56:56.600
<v Speaker 1>don't think that's the issue. I think his situation is

0:56:56.640 --> 0:57:05.080
<v Speaker 1>he gotta understand culture matters. Mm hmm, it matters. Culture matters.

0:57:06.440 --> 0:57:09.200
<v Speaker 1>That shitt matter, bro. Way like this shit we call

0:57:09.239 --> 0:57:13.000
<v Speaker 1>street urban culture matters, and if you don't really give

0:57:13.000 --> 0:57:15.080
<v Speaker 1>it credence, if you think it's something that you could

0:57:15.160 --> 0:57:18.439
<v Speaker 1>just play with and fuck over and oh, don't mean much,

0:57:18.560 --> 0:57:21.840
<v Speaker 1>or it's a myth, or all this dumbass that everybody's saying,

0:57:21.880 --> 0:57:24.360
<v Speaker 1>because it's like you're gonna come up on the short

0:57:24.440 --> 0:57:27.800
<v Speaker 1>end of the stick with this shit, and you're starting

0:57:27.840 --> 0:57:28.320
<v Speaker 1>to see it.

0:57:28.440 --> 0:57:31.080
<v Speaker 2>You know, not to switch it, but I'm starting to

0:57:31.080 --> 0:57:33.920
<v Speaker 2>see it now even with like you know, I mean,

0:57:33.960 --> 0:57:36.440
<v Speaker 2>you've been talking about this for almost ten years now,

0:57:36.520 --> 0:57:41.520
<v Speaker 2>with Mexicans and hip hop, and now you're starting to

0:57:41.560 --> 0:57:44.840
<v Speaker 2>see a lot of these guys now they're wearing the

0:57:44.920 --> 0:57:49.480
<v Speaker 2>hats Aboutchuco hats. Guys I've never seen wear those kind

0:57:49.520 --> 0:57:52.760
<v Speaker 2>of hats before in there in my life. And I'm

0:57:52.800 --> 0:57:55.520
<v Speaker 2>not saying I'm the guy that made them look at that,

0:57:55.600 --> 0:57:57.480
<v Speaker 2>but I know that there's guys that have a lot

0:57:57.520 --> 0:58:00.760
<v Speaker 2>more views than me that still see what I do,

0:58:01.680 --> 0:58:05.080
<v Speaker 2>and because they have more followers, they're doing it. But

0:58:05.120 --> 0:58:07.640
<v Speaker 2>what I noticed that they're noticing is what I'm doing.

0:58:08.440 --> 0:58:10.680
<v Speaker 2>The thing that they don't have is a secret weapon,

0:58:10.920 --> 0:58:13.720
<v Speaker 2>is that I have a friend that knows the industry

0:58:13.720 --> 0:58:16.640
<v Speaker 2>even way more than probably anybody they know. So while

0:58:16.640 --> 0:58:19.200
<v Speaker 2>they're trying to do the look, they're not doing the music.

0:58:19.560 --> 0:58:23.320
<v Speaker 2>Now the guys that are doing the music to match, well,

0:58:23.360 --> 0:58:26.200
<v Speaker 2>there isn't any that's why, well, no, there isn't any

0:58:26.240 --> 0:58:27.600
<v Speaker 2>That's why they're not at that level.

0:58:27.800 --> 0:58:31.080
<v Speaker 1>Well, it's a combination of a few things, right, having

0:58:31.120 --> 0:58:34.200
<v Speaker 1>the cultural cachet, you know, understanding it, and then being

0:58:34.240 --> 0:58:39.240
<v Speaker 1>relevant with then said conversations, right, and then really delivering

0:58:39.240 --> 0:58:42.720
<v Speaker 1>a great record in that fold. Because you do have

0:58:42.760 --> 0:58:46.360
<v Speaker 1>people that deliver great records that lack cultural cachet, I mean,

0:58:46.400 --> 0:58:48.880
<v Speaker 1>then they can figure out. Genesis is a prime example

0:58:48.880 --> 0:58:51.840
<v Speaker 1>of somebody who delivered great records before he actually figured

0:58:51.840 --> 0:58:54.720
<v Speaker 1>out culturally how you want to be represented. So you

0:58:54.840 --> 0:58:56.800
<v Speaker 1>watch one part of his career where he delivers these

0:58:56.840 --> 0:59:00.520
<v Speaker 1>really big kind of parody records of lifestyle the streets,

0:59:00.560 --> 0:59:05.120
<v Speaker 1>right Coco, oh yeah, yeah, cut it whatever, And then

0:59:05.200 --> 0:59:07.000
<v Speaker 1>you look at this version now where now it's just

0:59:07.080 --> 0:59:11.200
<v Speaker 1>cultural cache of him just being you know, him representing crips.

0:59:11.720 --> 0:59:14.040
<v Speaker 1>He don't have the same big records, but there's still

0:59:14.040 --> 0:59:19.720
<v Speaker 1>a level of of relevance that he has because he's

0:59:19.800 --> 0:59:22.560
<v Speaker 1>carrying culture m I mean he will see it in

0:59:22.560 --> 0:59:24.640
<v Speaker 1>the culture. Nipp is somebody who really didn't have a

0:59:24.640 --> 0:59:27.240
<v Speaker 1>ton of records, I mean really none, but he had

0:59:27.280 --> 0:59:31.040
<v Speaker 1>this cultural cash. The cultural stash was on one hundred

0:59:31.160 --> 0:59:33.560
<v Speaker 1>on the scale of one to one hundred. So and

0:59:34.160 --> 0:59:38.560
<v Speaker 1>I think matter Dom is such a special talent man.

0:59:38.520 --> 0:59:42.280
<v Speaker 2>Like, but he carries culture. He just carries the culture

0:59:42.360 --> 0:59:45.360
<v Speaker 2>that he represents, which is west almost like West La

0:59:45.520 --> 0:59:47.200
<v Speaker 2>West Side. No.

0:59:49.520 --> 0:59:52.760
<v Speaker 1>Yeah, yeah, Dom is definitely like a beach kid. That's

0:59:52.800 --> 0:59:53.280
<v Speaker 1>what I'm saying.

0:59:53.480 --> 0:59:55.680
<v Speaker 2>I see Dom when I see Dom, alright, listen to

0:59:55.720 --> 0:59:57.440
<v Speaker 2>Dom like I get it now. When we used to

0:59:57.440 --> 0:59:59.600
<v Speaker 2>say we remember, you used to tell me like your

0:59:59.640 --> 1:00:02.520
<v Speaker 2>record should feel like where you're from. Like when you

1:00:02.560 --> 1:00:04.880
<v Speaker 2>hear his stuff, I feel like I'm at Venice Beach.

1:00:04.920 --> 1:00:06.400
<v Speaker 2>I feel like I'm in Santa Monica.

1:00:06.680 --> 1:00:09.040
<v Speaker 1>Same thing, same thing for our future. They like when

1:00:09.080 --> 1:00:11.520
<v Speaker 1>you listen to them, the dudes sound like little idiot

1:00:11.560 --> 1:00:14.800
<v Speaker 1>skateboard kids. Yeah, you know, just enjoying life, you know,

1:00:15.240 --> 1:00:18.360
<v Speaker 1>fucking around. And I think that's what makes hip hop,

1:00:18.400 --> 1:00:21.120
<v Speaker 1>you know, that's how you can break consistency. It's hard

1:00:21.120 --> 1:00:23.600
<v Speaker 1>to break consistency. Without it, you can look up and

1:00:23.640 --> 1:00:26.520
<v Speaker 1>get a song or even get a hit album. I mean,

1:00:26.520 --> 1:00:29.040
<v Speaker 1>but it's another thing to repeat it. Like, it's the

1:00:29.080 --> 1:00:31.160
<v Speaker 1>reason why Snoop is a fifty four year old man

1:00:31.200 --> 1:00:34.600
<v Speaker 1>that's still a crypt You don't need cripping no more.

1:00:36.000 --> 1:00:40.080
<v Speaker 1>He understands the cultural cachet of representing and decided he's

1:00:40.120 --> 1:00:43.280
<v Speaker 1>going to represent. Well what else would you guys do? Though?

1:00:43.320 --> 1:00:45.160
<v Speaker 1>Like that's what I don't get like that.

1:00:45.160 --> 1:00:47.720
<v Speaker 2>That's like people that say, like when you know that

1:00:47.800 --> 1:00:50.440
<v Speaker 2>one picture where they showed Alan iverson and the said

1:00:51.240 --> 1:00:53.240
<v Speaker 2>people are saying, oh, he's trying to dress like a

1:00:53.320 --> 1:00:57.600
<v Speaker 2>kid swear and throwback jerseys and Nike wristbands, Jordan headbands,

1:00:57.640 --> 1:01:00.960
<v Speaker 2>and people are like, he's always dressed way what the

1:01:00.960 --> 1:01:03.040
<v Speaker 2>hell is he was? He supposed to put on slacks

1:01:03.120 --> 1:01:06.320
<v Speaker 2>and a button up shirt. And you know what I mean,

1:01:06.440 --> 1:01:10.640
<v Speaker 2>because there's so when you say Snoop is a fifty like,

1:01:10.840 --> 1:01:12.200
<v Speaker 2>I wouldn't expect nothing else.

1:01:12.400 --> 1:01:15.160
<v Speaker 1>That's how I feel. But again people think of it differently.

1:01:15.200 --> 1:01:19.560
<v Speaker 1>They think they think these are phases. That's what it is.

1:01:19.640 --> 1:01:22.040
<v Speaker 1>I mean, when you don't understand culture, you look at

1:01:22.040 --> 1:01:25.480
<v Speaker 1>certain things like a phase. Like imagine a black person

1:01:25.520 --> 1:01:27.720
<v Speaker 1>that goes to a face where he's just eating soul food. No,

1:01:27.960 --> 1:01:30.800
<v Speaker 1>it's more of a it's more of an identity of

1:01:30.840 --> 1:01:33.320
<v Speaker 1>who you are and what your people been through. So

1:01:33.680 --> 1:01:35.560
<v Speaker 1>even when you start to get healthy, you're still going

1:01:35.640 --> 1:01:37.880
<v Speaker 1>to indulge in some soul food every once in a

1:01:37.920 --> 1:01:40.840
<v Speaker 1>while to remind yourself where you know, the people you

1:01:40.880 --> 1:01:44.600
<v Speaker 1>fuck with came from. So it's a big thing. That

1:01:44.720 --> 1:01:48.960
<v Speaker 1>makes sense, That makes sense. It's a huge thing, bro,

1:01:49.000 --> 1:01:51.720
<v Speaker 1>It's a huge, big wormhole, ye.

1:01:54.000 --> 1:01:57.200
<v Speaker 2>For Drake and Kendrick, because you know, I didn't want

1:01:57.200 --> 1:01:59.080
<v Speaker 2>to make I didn't want to I didn't know where

1:01:59.120 --> 1:02:00.480
<v Speaker 2>we were going with it, but I didn't want to

1:02:00.480 --> 1:02:03.000
<v Speaker 2>make it all about you know, the battle, but more

1:02:03.120 --> 1:02:08.400
<v Speaker 2>so about that the ideas of whol both these guys

1:02:08.400 --> 1:02:09.760
<v Speaker 2>are as individuals.

1:02:11.000 --> 1:02:15.560
<v Speaker 1>I mean, that's heavy. It definitely made for a different

1:02:15.600 --> 1:02:18.520
<v Speaker 1>type of exchange, something we never seen before. Yeah, you

1:02:18.560 --> 1:02:22.160
<v Speaker 1>know what I mean. But Drake paid with Drake paid

1:02:22.440 --> 1:02:25.080
<v Speaker 1>forward with his life. You know, it's his cultural life

1:02:25.120 --> 1:02:28.800
<v Speaker 1>because now culturally he's dead. That's not to say that Drake,

1:02:28.840 --> 1:02:31.320
<v Speaker 1>he's such an outstanding talent and all of that. You know,

1:02:31.320 --> 1:02:33.520
<v Speaker 1>I'm sure he'll get some records. You know, he got

1:02:33.560 --> 1:02:37.560
<v Speaker 1>a couple decent ones now, but he'll never be viewed

1:02:37.720 --> 1:02:42.000
<v Speaker 1>as cool to me anymore. That's the problem. M He like,

1:02:42.960 --> 1:02:43.440
<v Speaker 1>that's weird.

1:02:43.480 --> 1:02:45.200
<v Speaker 2>People really did view him as cool.

1:02:45.320 --> 1:02:47.840
<v Speaker 1>Yeah, oh yeah, I never viewed him. So he got

1:02:47.880 --> 1:02:50.080
<v Speaker 1>into a space to where he was viewed as cool.

1:02:50.840 --> 1:02:53.280
<v Speaker 1>And see that's what his fight was. He you know,

1:02:53.560 --> 1:02:54.960
<v Speaker 1>his fight was to be cool.

1:02:55.120 --> 1:02:57.960
<v Speaker 2>So then this really exposed out on so many levels.

1:02:58.000 --> 1:03:02.360
<v Speaker 2>Because I know you're probably I didn't necessarily listen to

1:03:02.440 --> 1:03:05.880
<v Speaker 2>the AI record and say this is corny. You're obviously

1:03:05.920 --> 1:03:09.600
<v Speaker 2>you did right off of friends heard cool like me.

1:03:09.760 --> 1:03:11.640
<v Speaker 2>I listened to it and I was like, it's kind

1:03:11.640 --> 1:03:13.240
<v Speaker 2>of weird, Like why do he do that? I didn't

1:03:13.240 --> 1:03:15.680
<v Speaker 2>think it was whack. I just didn't know what he

1:03:15.840 --> 1:03:18.680
<v Speaker 2>was like, like, I get him, but why why would

1:03:18.720 --> 1:03:20.080
<v Speaker 2>you do this like that?

1:03:20.200 --> 1:03:21.160
<v Speaker 1>That's how I looked at it.

1:03:21.680 --> 1:03:26.360
<v Speaker 2>What got me at super corny was when k Dot

1:03:26.520 --> 1:03:29.400
<v Speaker 2>dropped and remember I told you, I said, do you

1:03:29.440 --> 1:03:32.080
<v Speaker 2>know this fool listen to k Dot's record and went

1:03:32.160 --> 1:03:34.080
<v Speaker 2>and put ten things I hate about you on his

1:03:34.200 --> 1:03:36.960
<v Speaker 2>timeline When she said I hate the way you make

1:03:37.040 --> 1:03:39.800
<v Speaker 2>me like you you don't know was super corny.

1:03:40.120 --> 1:03:43.800
<v Speaker 1>But that's also also you're talking to somebody again who

1:03:44.640 --> 1:03:48.200
<v Speaker 1>didn't grow up in the culture to understand what happened.

1:03:50.920 --> 1:03:56.160
<v Speaker 1>I mean, he don't get what's not cool. And and

1:03:56.160 --> 1:03:58.439
<v Speaker 1>and there is an audience of people you know who

1:03:58.480 --> 1:04:00.840
<v Speaker 1>really don't care. They just like he's really and successful,

1:04:00.880 --> 1:04:03.520
<v Speaker 1>so whatever he does is cool. But to the people

1:04:03.640 --> 1:04:06.640
<v Speaker 1>that you know at the cornerstone of it, bro, we

1:04:06.760 --> 1:04:09.720
<v Speaker 1>know that shit not cool, and we gonna look at

1:04:09.720 --> 1:04:12.880
<v Speaker 1>you like you're not cool, and eventually it'll catch on

1:04:12.960 --> 1:04:15.680
<v Speaker 1>to them everything that mattered in the street. There's this

1:04:15.800 --> 1:04:18.200
<v Speaker 1>belief that like what happened with Gunner right where he

1:04:18.280 --> 1:04:20.200
<v Speaker 1>told in that situation where he took a plea in

1:04:20.200 --> 1:04:24.440
<v Speaker 1>a kind of blu thug under the bus, right, people like, oh, well,

1:04:24.480 --> 1:04:26.280
<v Speaker 1>he came out and he sold so many records. He

1:04:26.320 --> 1:04:28.440
<v Speaker 1>had a hit record right after that. People don't care

1:04:28.480 --> 1:04:32.120
<v Speaker 1>about snitching, Yes they do. What happens is it'll slow down.

1:04:32.160 --> 1:04:33.760
<v Speaker 1>Remember like I told you with six nine, them like

1:04:33.800 --> 1:04:35.880
<v Speaker 1>this is gonna slow down, yeah, because we just you're

1:04:35.920 --> 1:04:38.880
<v Speaker 1>not cool. No more. You you're not cool. Like you'll

1:04:38.960 --> 1:04:40.760
<v Speaker 1>be hot at the moment and people will be saying

1:04:40.800 --> 1:04:43.760
<v Speaker 1>your name and they'll feel like they're having their rebelliousness

1:04:43.840 --> 1:04:46.400
<v Speaker 1>against the streets. Oh you know this person right here?

1:04:46.440 --> 1:04:48.880
<v Speaker 1>I like them. They're you know they didn't care. You

1:04:48.920 --> 1:04:51.200
<v Speaker 1>know they should have told And then you know what

1:04:51.240 --> 1:04:55.040
<v Speaker 1>happened to even the most squares motherfucker, They realize you

1:04:55.120 --> 1:04:58.320
<v Speaker 1>a whole ass nigga too. They're like, you know what,

1:04:58.880 --> 1:05:03.080
<v Speaker 1>you really not and slowly d windows dwindos dwindos to

1:05:03.120 --> 1:05:05.680
<v Speaker 1>where you can't even get nothing off no more, and

1:05:05.760 --> 1:05:08.800
<v Speaker 1>you ruin your existence from even like we're gunner bro,

1:05:08.920 --> 1:05:11.200
<v Speaker 1>like like your kids is gonna call you a rap bro.

1:05:12.600 --> 1:05:15.080
<v Speaker 1>You're you're not gonna be able to take this off, right,

1:05:16.080 --> 1:05:18.600
<v Speaker 1>You're not gonna be able to remove this. I can't

1:05:18.600 --> 1:05:21.440
<v Speaker 1>go We're gonna call your kids rat like your dad

1:05:21.520 --> 1:05:23.880
<v Speaker 1>is a rat, you know what I'm saying, Like your dad,

1:05:24.960 --> 1:05:27.640
<v Speaker 1>Like this is not going to go anywhere. And that's

1:05:27.680 --> 1:05:31.080
<v Speaker 1>what I think, Like Troy Avenem just came home, right,

1:05:31.080 --> 1:05:33.600
<v Speaker 1>and it's like you could say all this, but niggas

1:05:33.680 --> 1:05:36.200
<v Speaker 1>is gonna always look at you this way. Right, This

1:05:36.280 --> 1:05:39.160
<v Speaker 1>is a permanent stain. And I don't care the police,

1:05:40.000 --> 1:05:43.480
<v Speaker 1>not even just like you know the ghetto, the police. Girl,

1:05:43.600 --> 1:05:45.480
<v Speaker 1>if you get into it with a girl, Troy, get

1:05:45.480 --> 1:05:46.760
<v Speaker 1>into it with a girl, girl gonna be like you

1:05:46.880 --> 1:05:50.920
<v Speaker 1>was a snitch anyway, Like this is going to stain

1:05:51.000 --> 1:05:52.200
<v Speaker 1>you for the rest of your life.

1:05:52.520 --> 1:05:56.720
<v Speaker 2>But as somebody who's like you know, from the streets

1:05:56.720 --> 1:05:59.880
<v Speaker 2>and did that, you should also reiterate or you know,

1:06:00.600 --> 1:06:04.000
<v Speaker 2>make it a point to say, gee, on this podcast

1:06:04.280 --> 1:06:05.840
<v Speaker 2>you have pee a lot of people that listen to

1:06:05.880 --> 1:06:08.960
<v Speaker 2>it that I think sometimes even within the streets, some

1:06:08.960 --> 1:06:11.400
<v Speaker 2>people are not that smart because they'll say, oh, he's

1:06:11.440 --> 1:06:13.840
<v Speaker 2>a rat, as if that makes that person a punk.

1:06:14.560 --> 1:06:17.480
<v Speaker 2>A rat will smoke you just like anybody else. And

1:06:17.560 --> 1:06:19.840
<v Speaker 2>that's what people need to realize, Like, I get what

1:06:19.880 --> 1:06:22.400
<v Speaker 2>you're saying, I mean what they are.

1:06:22.640 --> 1:06:25.720
<v Speaker 1>You know, a rat can bite you and shit, I

1:06:25.840 --> 1:06:29.520
<v Speaker 1>don't kill shit. So if you go present the line

1:06:29.560 --> 1:06:31.640
<v Speaker 1>on somebody playing with him, you better be ready to

1:06:31.680 --> 1:06:34.080
<v Speaker 1>hold him accountable for real, because they can, you know,

1:06:34.160 --> 1:06:37.160
<v Speaker 1>some of the craziest people. I'm not I'm not. I

1:06:37.160 --> 1:06:40.080
<v Speaker 1>don't think people should go around and shaming him. That's

1:06:40.120 --> 1:06:43.280
<v Speaker 1>not the goal. Like I think they shame themselves. I

1:06:43.400 --> 1:06:45.959
<v Speaker 1>just dislike that they acting like that, and I would

1:06:46.040 --> 1:06:48.480
<v Speaker 1>rather them explain to me, how did you shame yourself?

1:06:48.480 --> 1:06:51.040
<v Speaker 1>Why'd you think it's okay? Then to make it feel

1:06:51.080 --> 1:06:53.680
<v Speaker 1>like like we're crazy. Like you didn't shame yourself, right,

1:06:53.880 --> 1:06:55.640
<v Speaker 1>so something you was pressing this whole time and you

1:06:55.680 --> 1:06:57.160
<v Speaker 1>wake up one day. Now it is different when you

1:06:57.240 --> 1:06:59.520
<v Speaker 1>at when you want a motherfucker, you know, when you

1:06:59.560 --> 1:07:00.080
<v Speaker 1>want are.

1:07:01.320 --> 1:07:04.520
<v Speaker 2>It's like the Homeboy Jazzo says, man, it's a really

1:07:04.600 --> 1:07:06.439
<v Speaker 2>dope line. I'm sure I don't know if he heard

1:07:06.440 --> 1:07:15.960
<v Speaker 2>it somewhereere it is. It's not on you, it's in you, right.

1:07:14.880 --> 1:07:17.520
<v Speaker 1>But looking out for tuning in to the No Sellers podcast.

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<v Speaker 1>Please do us a favorite, subscribe, rate, commentist share. This

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<v Speaker 1>episode was recorded right here on the West Coast of

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<v Speaker 1>the USA and produced by the Black Effect Podcast Network

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<v Speaker 1>and Notheart Radio. Yeah