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Speaker 1: What up, y'all. This is your main man, Memphis Bleak

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Speaker 1: right here.

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Speaker 2: Welcome to rock Solid, a production of iHeart Radio and

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Speaker 2: the Black Effect Network in partnership with my guys over

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Speaker 2: at Drink Champs.

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Speaker 3: Big with the year Memphis.

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Speaker 1: I'm Black Caddy, niggas.

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Speaker 3: Notice the difference, just more pro president.

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Speaker 1: No stones, y'all already know what it is.

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Speaker 2: Your true m Greasy back with another motherfucking edition of

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Speaker 2: Rock Solid. And you know I got my bro with me.

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Speaker 2: It's Brooklyn. You already know. He a legend. He doing

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Speaker 2: what he do respect. We started in the game around

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Speaker 2: the same age. Listen, he hung with my favorite rapper

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Speaker 2: J is my bro, Bud Jay. I love you, no Bis,

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Speaker 2: you know what I'm saying. So I gotta welcome my

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Speaker 2: bro Seeds to the motherfucking building.

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Speaker 3: Your It is my brother, man love.

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Speaker 1: I'm getting low, brother, you know what I'm saying. That's right,

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Speaker 1: the real getting load about that year my man chilling

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Speaker 1: man say, I've seen you out there in Jamaica doing

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Speaker 1: your thing.

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Speaker 4: Man.

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Speaker 1: Yeah, yeah, yeah, I was out there with that with

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Speaker 1: big kids. That's what shocking. Tiana CJ.

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Speaker 3: Yeah, Tyler, you know I never met I never met Big.

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Speaker 1: Kids, get the fuck out.

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Speaker 3: We never met Cjana neverme on we gotta make that happen.

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Speaker 2: Ever, Bro, I'll be seeing you, and I respect how

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Speaker 2: you hold them down.

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Speaker 3: You like the big up.

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Speaker 2: You know that they need the guidance that they need

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Speaker 2: to make sure they're crashing out and wilding out. So

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Speaker 2: I respect from Afar. You know, I never told you,

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Speaker 2: but I'd rather tell you now.

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Speaker 1: It's Adell.

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Speaker 2: I respect how you hold that dad and said that,

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Speaker 2: appreciate what made.

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Speaker 1: You step into that role.

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Speaker 3: To me, it wasn't even like stepping into a role.

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Speaker 3: It was just something that's just like you know, where

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Speaker 3: we come from. It's kind of like mandatory, you know

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Speaker 3: what I mean. You know, when Big passed away, I

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Speaker 3: was about to turn eighteen, you know what I mean.

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Speaker 3: So that wasn't like that was something that was in

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Speaker 3: my head to be like yo, yo, I'm gonna make

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Speaker 3: sure you know I'll do this and do that. It

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Speaker 3: was just something that just comes with the territory, like yo,

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Speaker 3: that's bro. He got two kids out here. She was

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Speaker 3: only like three at that time, I think, and his

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Speaker 3: summer's only like seven months six months wow. So it

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Speaker 3: was like, you know, at the end of the day,

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Speaker 3: I'm like, I want to keep the attachment to big

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Speaker 3: because this is what he left here.

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Speaker 1: That's right outside of his mom, you.

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Speaker 3: Know what I mean. You know it was just Grandmams

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Speaker 3: his family. Yeahs at Peter Mims Wallace too. So that

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Speaker 3: was just something that kind of just came, like it's natural.

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Speaker 3: It's like, you know, I mean, like, gotta be you

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Speaker 3: know what, I gotta be there, boy in here. But

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Speaker 3: look it's a little son. I gotta make sure he

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Speaker 3: got he got to know who. We gotta know who.

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Speaker 3: Junior Mafi is like that. That's right, Me and his daughter,

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Speaker 3: we both leos. He August tenth from August twentieth, you

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Speaker 3: know what I mean.

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Speaker 1: So I got birthdays coming up, many were going out.

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Speaker 3: We're going out the country again.

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Speaker 2: Yeah, that's the season, just finishing. We'll let the Leos

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Speaker 2: do they thing, no doubt.

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Speaker 3: You know what I'm saying.

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Speaker 1: Leo time man, lions Man, lion.

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Speaker 2: Hard baby, Yo, I'm gonna go back in the day.

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Speaker 2: This is before I even I even knew you. I

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Speaker 2: saw you in Marcy. I think this was like ninety five.

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Speaker 2: This is right when y'all my nigga y'all was killing everything,

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Speaker 2: riding through Brooklyn, big land cruisers everywhere, everywhere y'all went,

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Speaker 2: And it was Marsie Day ninety five and y'all pulled

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Speaker 2: up to the hood on murdering no strength, fucking with

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Speaker 2: the homies from the other my bros from the other

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Speaker 2: Turtle Turtle, Yeah, you.

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Speaker 3: Know, they all the black and all of them, my

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Speaker 3: brother Turtle man.

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Speaker 1: And I remember the dollar word out.

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Speaker 2: I remember sitting there being like, damn, this is how

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Speaker 2: it feels when niggas get on. They ain't crushing my

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Speaker 2: g So I just want to know what was your

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Speaker 2: mind state just and the rider.

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Speaker 3: Was on, Bro and the whole Junior Mafia movement man, Like.

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Speaker 1: I mean, you know, for me, it was you know,

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Speaker 1: we didn't expect that, Bro.

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Speaker 3: You know what I'm saying, Come on, you know, we

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Speaker 3: didn't prepare for the way kids in the New generation

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Speaker 3: talking about how they saw their time coming, and you know,

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Speaker 3: they like they knew this was gonna happen, that was

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Speaker 3: gonna happen because everything that they have today today advantage

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Speaker 3: now you know us in our time, Nah, it was

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Speaker 3: a you're stinging cracked rock or you got a wicked

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Speaker 3: jump shot you. That's you know, that's all we There's

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Speaker 3: nothing else we did. We brew, we broke deam you

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Speaker 3: know on the block, right, but that's it. We ain't

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Speaker 3: have cell phones. You had to really use that wyatt

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Speaker 3: and take through your whole house, or you had to

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Speaker 3: wait on that.

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Speaker 1: Get that number and be like, nah, nobody used the phone.

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Speaker 3: I'm waiting on a call and keeping coins in your

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Speaker 3: pocket in case you gotta.

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Speaker 1: Throw a down a corner.

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Speaker 2: That motherfucker sh it that back of the day when

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Speaker 2: he was on the block, manber, you had to keep

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Speaker 2: a calling car just in case your ass went to

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Speaker 2: the book, no doubt, right, fuck that noose was the day,

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Speaker 2: but that it was just, you know, it was it

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Speaker 2: was something we didn't expect me, you know, like you

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Speaker 2: know when big start getting on, we ain't think it's

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Speaker 2: gonna get to that level.

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Speaker 1: You know, we all knew he was dope. You know,

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Speaker 1: the world was spreading around and you know, through the.

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Speaker 3: Bubble and ship, so it's like, okay, once you got

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Speaker 3: a record deal, it was.

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Speaker 1: Like a right smooth you know it.

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Speaker 3: Ship ship dope. You know it's taking us off the streets,

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Speaker 3: you know, I mean, we're going to soundtrack studios now

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Speaker 3: Chunk King and he's doing ship with super Cats, you

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Speaker 3: know what I mean, ever doing you know every d

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Speaker 3: doing ship with uh Mary Jay, the Real Love. So

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Speaker 3: it's like all right cool and then got Ready to

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Speaker 3: Die man like when they dropped that Juicy and that's

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Speaker 3: when I was just.

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Speaker 2: Like, oh ship, I ain't gonna front y'all. Niggas were

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Speaker 2: Brooklyn alive, bro y'all, y'all bought. It was a different

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Speaker 2: time when that Ready to Die drop. It was a

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Speaker 2: different time, my nigga Like, yeah, niggas.

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Speaker 1: That what was one of this ship?

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Speaker 2: Then?

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Speaker 3: Hell yeah, it was on some big on some big

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Speaker 3: level ship like.

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Speaker 2: The West Coast period running everything like like we had

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Speaker 2: our groups that was doing making noise like always give

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Speaker 2: respect to EPMD. They was putting up it was doing then.

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Speaker 3: Who came out before? So you have one too, like

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Speaker 3: it was there West.

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Speaker 2: Coach was fucking putting up numbers like no other. And

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Speaker 2: then when the Bad Boys movement came, y'all niggas just

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Speaker 2: shifted it back to the East and tension. It was

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Speaker 2: like damn, and I knew. I'm like, I know, bro,

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Speaker 2: like I know it feels like I remember we did

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Speaker 2: a show one time when you fuck in Connecticut, and

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Speaker 2: this was when Big, after Big hurt his leg, you

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Speaker 2: pushed them out of the wheelchair and y'all shut it down.

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Speaker 2: And I'm even sitting there like this, like damn my nigga,

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Speaker 2: Like remember this is when Jay was on to come up.

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Speaker 1: So he wasn't really eating.

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Speaker 2: Oh, we were still trying to get there, yall. Niggas

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Speaker 2: was shutting shit down. Man, I was just happy to

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Speaker 2: be there. So I always wanted to ask you, what

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Speaker 2: was it like just even hanging with Big, like a

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Speaker 2: studio session any of that shit.

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Speaker 1: I mean, look at it like this.

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Speaker 3: It's like it's like me asking you how it is

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Speaker 3: like hanging out with Whole or the whole before the

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Speaker 3: holes that people know today, like before he was on, before.

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Speaker 1: He was popping. I'm gonna tell you now it's a

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Speaker 1: line carpet.

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Speaker 2: It's like, nigga, like, yo, let me hold your car,

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Speaker 2: and they just let you a lines carpet and you

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Speaker 2: just that's my life bench. So I could just imagine

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Speaker 2: y'all had the error when it was no cameras, no

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Speaker 2: cell phones, no social media, nothing, and y'all had that eerror.

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Speaker 1: So but yeah, I was fun. Man Bell he was

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Speaker 1: you know, he was a real one.

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Speaker 3: You know what I'm saying. He was real. His whole

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Speaker 3: thing was, you know, if I can get right, I'm

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Speaker 3: gonna try to get anybody else in position. He already

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Speaker 3: did that. He's just what His first album came out

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Speaker 3: in nineteen ninety four, Junior Mafia came out nineteen ninety five.

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Speaker 1: That's like, you know, like, all right, that.

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Speaker 3: Boy, that's just for those albums. You know what I'm saying.

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Speaker 3: The album was on some shit. You're mad. He recognized

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Speaker 3: he he was smart enough to recognize like the growth

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Speaker 3: where he was going, you know what I mean.

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Speaker 1: He was like, Oh, I could really just run this ship.

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Speaker 3: You know what, This little nigga don't rap, and I'm

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Speaker 3: gonna write him some shit. You know what if they

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Speaker 3: buying into my shit, they're gonna definitely buy into this ship.

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Speaker 1: So you never even wanted to be a rapper. Nah,

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Speaker 1: I was cool with.

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Speaker 3: Just hanging bro Like I loved the music though, Like

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Speaker 3: you know, as a young kid, that's all we had,

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Speaker 3: you know what I'm saying, Like we're buying batteries for

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Speaker 3: radios and ship.

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Speaker 1: Yeah, they all day in the basement, like.

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Speaker 3: You know, when they open up the bottom gear, we

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Speaker 3: go down there. Yeah, yeah, you know what I'm saying, basement.

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Speaker 3: So and growing up like that, you just never you know,

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Speaker 3: you're young. You don't never think how other rappers, how

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Speaker 3: they how they So that's you coming from this.

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Speaker 1: You don't think you're gonna make it that far.

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Speaker 3: So to watch him go, to watch us go from

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Speaker 3: doing three hundred people, you know what I'm saying, the

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Speaker 3: five hundred people, you know what I mean? Then Juicy

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Speaker 3: come out, we fifteen hundred people. We're doing theaters now

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Speaker 3: you know they're no more clubs, Big Papa come out now,

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Speaker 3: all right, lot Rena, you know, Rena's just it's the

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Speaker 3: bottom and one more chance, come out now you know

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Speaker 3: it's over. Yeah, we're in the garden there. You know,

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Speaker 3: you move.

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Speaker 1: You just watched the growth, and it's like for us,

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Speaker 1: it's like, you know, we were still us, you know,

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Speaker 1: we still I was out every time. You know what

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Speaker 1: I'm saying, It's like I saw.

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Speaker 2: I always just wanted to know what was your experience,

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Speaker 2: because even just now it just blew my mind that

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Speaker 2: you didn't even want to be a rapper, Big, just

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Speaker 2: like fucking it. You know, I'm a I'm a right

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Speaker 2: for him. Young niggas came out and destroy shit. Yeah yeah,

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Speaker 2: got did it too. That's straight up how he did it.

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Speaker 3: Yeah.

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Speaker 1: Then you got Little Kim came on and just straight monsterdy.

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Speaker 2: Like when you think of rap crews today, a lot

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Speaker 2: of rap crews if they are structured the way bad boy.

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Speaker 2: I ain't gonna say bad boy the way big structured

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Speaker 2: junior man, it's the Hahn Joe, the little homie that's

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Speaker 2: gonna hold it down.

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Speaker 3: And then I got my ride to dot you yeah, lieutenant.

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Speaker 1: Yeah.

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Speaker 2: Strange type of shit, So I know you gotta feel

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Speaker 2: some type of pride to know. Man, it's a lot

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Speaker 2: of junior Mafias out here, man, no doubt put that hell.

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Speaker 3: Yeah, because I mean, and you know, I'm proud for

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Speaker 3: when I'm happy because he did it on that before

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Speaker 3: he was twenty four years old, you know what I mean,

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Speaker 3: that's what bro he was. He was. He was on

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Speaker 3: and something like super early. You know what I'm saying,

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Speaker 3: Like we're just trying to put people in position, and

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Speaker 3: he did, you know, to know after you know, after

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Speaker 3: him passed, you know, and you know, I just came

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Speaker 3: straight from the streets and shot every video for us.

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Speaker 1: Damn without being you know this nigga straight up to

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Speaker 1: block hustling.

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Speaker 3: And he learned. He learned how to just get behind

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Speaker 3: the camera and shoot videos.

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Speaker 1: And he did every video. It's crazy, you know, I

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Speaker 1: never met honey put the fuck out of here.

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Speaker 3: Never, that's never. I all that and whatever, never saw.

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Speaker 3: But that's some Brooklyn ship though, you know, for shipped.

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Speaker 3: That's how ship used to happen. You try to avoid

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Speaker 3: it like that from being but being there. Everybody knows somebody,

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Speaker 3: that knows somebody.

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Speaker 2: That's how yo. That's what I tell niggas. Once you

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Speaker 2: go outside, the world is as small as a dead,

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Speaker 2: small as big. The niggas win the crib.

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Speaker 3: That's it.

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Speaker 1: Especially in that world too.

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Speaker 3: We all do music.

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Speaker 1: It ain't like our whole neighborhood, do it. I remember

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Speaker 1: my first crib I got bro was in Leonia, New Jersey. Right,

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Speaker 1: he was outstading. It's on God.

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Speaker 3: My first night in my crib, I go to the

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Speaker 3: seven eleven on the block.

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Speaker 1: Yeah you know what I'm say.

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Speaker 3: See this.

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Speaker 2: I go in there, Mark deep in the store with

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Speaker 2: all the homies. Remember this is when the drama was in,

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Speaker 2: so I'm like, damn all right, let.

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Speaker 3: Me go see what's up.

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Speaker 2: It wasn't nothing. They showed mad love. I'm getting what

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Speaker 2: I needed to get. I'm leaving, y'all pulled up. I'm like, Yo,

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Speaker 2: this rapper Central. Why not get the fuck out of here.

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Speaker 2: I like these niggas, but I want to live around.

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Speaker 1: These text was like it was like the Many, the

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Speaker 1: mini hood of rappers.

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Speaker 3: Like if you made any amount of money in rap, you.

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Speaker 2: Went over to George Washington and move the tea neck

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Speaker 2: and y'all niggas had the cribs with the elevators in there.

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Speaker 3: Y'all was stunning.

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Speaker 1: He was in Glen Point.

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Speaker 3: I was jealous.

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Speaker 2: Because remember I came to the crib one day with Jay.

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Speaker 2: He was kicking it with Big Me and you went

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Speaker 2: out smoking.

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Speaker 1: But me and you, you was talking. I don't even

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Speaker 1: remember what you said that day, but I'm.

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Speaker 2: Looking like this motherfucker living in the crib with elevators

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Speaker 2: in there.

285
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Speaker 1: They got it's just outside with the and he die

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Speaker 1: with leather and I'm going back to Massy after this something. No,

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Speaker 1: that's crazy.

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Speaker 3: You said that, because I'm like, you know what you

289
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Speaker 3: try to tell people about like stories and ship like that.

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Speaker 1: I'm like, yo, like.

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Speaker 3: Behind Hole really kicked it, yes, like like fucking two

292
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Speaker 3: records like and not that type of ship. But that

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Speaker 3: wasn't only like nah, they like kicked it. And even

294
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Speaker 3: after Big doy Hole still kept a buck like that.

295
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Speaker 3: Me and Kim and the whole team got our crib,

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Speaker 3: the inglewood pull up there all day, pull up the

297
00:12:38,720 --> 00:12:40,800
Speaker 3: pull up there all day, anytime we're doing any events.

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Speaker 3: He coming full into the clips in the Battle of

299
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Speaker 3: the due Wagon like really on some ship like that,

300
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Speaker 3: and people, you know, I don't think he get enough

301
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Speaker 3: of that because I guess he had this like you know, pedestal.

302
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Speaker 3: Now people forget that he was he was a nigga

303
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Speaker 3: for project. He's still not.

304
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Speaker 1: Niggas don't understand like he's billionaire hove to them.

305
00:13:01,559 --> 00:13:04,120
Speaker 2: But when he see me and he around me, that

306
00:13:04,320 --> 00:13:08,720
Speaker 2: nigga is five third and four all he talking major ship.

307
00:13:09,200 --> 00:13:13,079
Speaker 2: Nigga seen me in Vegas and told me you you

308
00:13:13,200 --> 00:13:18,880
Speaker 2: ain't outside. You saw like nigga three blocks from me

309
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Speaker 2: walk You probably flew on that helicopter here and came.

310
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Speaker 3: So I want to be like you didn't like that's

311
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Speaker 3: the love. But no, man, that ship is so like Jay.

312
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Speaker 2: Your big relationship was was different because I remember when

313
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Speaker 2: they did I Love the Dog. Right when they first

314
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Speaker 2: did I Love the Dogs. It was this car washing

315
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Speaker 2: Brooklyn that Jay used to always take the range too.

316
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Speaker 2: It was downtown, right, and it's so ironic. This is

317
00:13:47,320 --> 00:13:49,559
Speaker 2: where he put the Barclazer because it was right there

318
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Speaker 2: on Flatbush Avenue.

319
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Speaker 3: Oh yeah, know what you're talking about, right, yeah, right, yeah,

320
00:13:53,080 --> 00:13:54,319
Speaker 3: it used to be a car washed over there. He

321
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Speaker 3: came and picked me up.

322
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Speaker 2: He's like, Yo, I want you to listen to this

323
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Speaker 2: record and give me your honest opinion and a.

324
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Speaker 3: Nigga, I love the Dog.

325
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Speaker 2: You know you hear his A yo two for five

326
00:14:04,679 --> 00:14:08,559
Speaker 2: yo better Hondred the night I gotta see nigga you.

327
00:14:09,080 --> 00:14:14,000
Speaker 3: I was like, my nigga, Brooklyn Staff, I'm gonna tell

328
00:14:14,000 --> 00:14:16,880
Speaker 3: you something that you're gonna y'all really shooting dice during

329
00:14:16,960 --> 00:14:17,400
Speaker 3: that skip.

330
00:14:19,080 --> 00:14:21,080
Speaker 1: No, we really just did that skip, but you hear

331
00:14:21,160 --> 00:14:22,040
Speaker 1: something even crazier.

332
00:14:22,840 --> 00:14:26,080
Speaker 3: We're going. This is on rock solid. Yeah, everybody thinks

333
00:14:26,120 --> 00:14:27,520
Speaker 3: that was me swing.

334
00:14:27,880 --> 00:14:29,480
Speaker 1: I think I thought that that was not me.

335
00:14:29,640 --> 00:14:32,640
Speaker 3: Bro you die, that's that's Angeltty.

336
00:14:32,720 --> 00:14:36,680
Speaker 1: That's d doe. Yo, you man doing that.

337
00:14:37,120 --> 00:14:39,560
Speaker 3: I guess people think because he said I gotta see yes,

338
00:14:40,080 --> 00:14:42,840
Speaker 3: but it's like, you know, like yeah, I know, I

339
00:14:42,920 --> 00:14:45,000
Speaker 3: know talking about the honey I got it. See like

340
00:14:45,200 --> 00:14:47,680
Speaker 3: some people thinking like Yo, everybody to this day think

341
00:14:47,760 --> 00:14:51,200
Speaker 3: that's me. That is not me, Yo. That's on that intro.

342
00:14:51,320 --> 00:14:53,600
Speaker 3: That's why we were saying. I'm like, yo, but I swear.

343
00:14:55,720 --> 00:15:02,200
Speaker 2: Right now, school ship, Yeah that's me that either became

344
00:15:02,240 --> 00:15:03,200
Speaker 2: a mad rapper again.

345
00:15:04,200 --> 00:15:05,840
Speaker 1: But I can't even do that with nothing. So it's

346
00:15:05,880 --> 00:15:08,440
Speaker 1: like with me, I just like this, keep it a buck.

347
00:15:08,720 --> 00:15:10,800
Speaker 3: Yeah, we just you know what I'm saying.

348
00:15:11,080 --> 00:15:12,760
Speaker 1: He got it on me too. He never did be

349
00:15:12,840 --> 00:15:14,840
Speaker 1: a beat, but he always had that ship.

350
00:15:14,920 --> 00:15:16,480
Speaker 3: You niggas that.

351
00:15:18,120 --> 00:15:25,160
Speaker 1: Show. Yeah, yeah, shout out the buck yo.

352
00:15:25,560 --> 00:15:26,600
Speaker 3: Stevie J. Too.

353
00:15:27,520 --> 00:15:29,880
Speaker 2: I don't want to start no beef right, but you

354
00:15:29,960 --> 00:15:34,160
Speaker 2: know what it wasn't Stevie J. Name hit maker, No,

355
00:15:34,320 --> 00:15:36,160
Speaker 2: he was part of it. He was part of that crudo.

356
00:15:36,320 --> 00:15:38,400
Speaker 2: Oh the whole crew name yeah, yeah, the whole crew

357
00:15:38,480 --> 00:15:40,480
Speaker 2: was hit makers, all of them yo.

358
00:15:41,000 --> 00:15:45,200
Speaker 3: One Jay a wow dude, man, Yo, Stevee J A

359
00:15:45,400 --> 00:15:49,680
Speaker 3: wow dude. I never met stevee J. Neither man, yo,

360
00:15:50,400 --> 00:15:52,720
Speaker 3: because you know why back in our time everything was

361
00:15:52,760 --> 00:15:56,720
Speaker 3: done like you was clicked up somebody back then.

362
00:15:57,000 --> 00:15:59,000
Speaker 1: Then that's when you're like, all right, we see each other.

363
00:15:59,080 --> 00:16:00,680
Speaker 1: It's like, I'm that's my nigga.

364
00:16:00,840 --> 00:16:03,800
Speaker 2: Stevie got is some drama producer that record for whole

365
00:16:04,840 --> 00:16:07,280
Speaker 2: I heard Puffin that was pissed where he was like

366
00:16:07,400 --> 00:16:08,800
Speaker 2: I'm rolling with Rockefeller.

367
00:16:09,120 --> 00:16:10,440
Speaker 3: Them niggas got money.

368
00:16:11,320 --> 00:16:17,440
Speaker 1: Is see, it wasn't that, you know what I mean,

369
00:16:17,560 --> 00:16:20,240
Speaker 1: Like he wasn't you know, he was just so ship.

370
00:16:20,320 --> 00:16:22,680
Speaker 1: He was a production. Yeah, he was on some ship.

371
00:16:22,840 --> 00:16:26,040
Speaker 3: He wont on Saint James and you know, not ship

372
00:16:26,200 --> 00:16:27,880
Speaker 3: like that with us type of ship like no, no,

373
00:16:28,000 --> 00:16:29,040
Speaker 3: But he was one of the you know, he was

374
00:16:29,080 --> 00:16:31,400
Speaker 3: one of the hit men that came in there niggas.

375
00:16:31,440 --> 00:16:33,800
Speaker 3: He's he's still sick with it too, like talent wise

376
00:16:33,840 --> 00:16:37,760
Speaker 3: production man that Stevie j got hits. He made a

377
00:16:37,840 --> 00:16:38,600
Speaker 3: mark in this game.

378
00:16:38,680 --> 00:16:42,240
Speaker 2: Marwanas just gave me super smoke for my last project.

379
00:16:42,840 --> 00:16:43,360
Speaker 3: World Up.

380
00:16:44,320 --> 00:16:47,120
Speaker 1: He got that smoke. Boy point different man.

381
00:16:47,160 --> 00:16:47,880
Speaker 3: I'm telling you y'all.

382
00:16:47,960 --> 00:16:52,080
Speaker 2: Niggas built the whole regime in this motherfucker like Kim

383
00:16:52,200 --> 00:16:56,040
Speaker 2: than with and that had a glorious marvelous career you

384
00:16:56,240 --> 00:16:57,120
Speaker 2: and yourself done.

385
00:16:57,320 --> 00:17:00,520
Speaker 1: That's another thing. Why you only dropped one I wasn't

386
00:17:00,560 --> 00:17:03,120
Speaker 1: see was like a your album was.

387
00:17:03,200 --> 00:17:06,639
Speaker 3: Crazy my nigga. Like the first album was fly of

388
00:17:06,760 --> 00:17:12,440
Speaker 3: my nigga word. Nobody never asked me that, right, you

389
00:17:12,520 --> 00:17:16,560
Speaker 3: know when I when Big, When Big was here, Big

390
00:17:16,800 --> 00:17:19,240
Speaker 3: was like Jocknam you know he's putting all that ship

391
00:17:19,280 --> 00:17:20,600
Speaker 3: together for you know what I'm saying. I was just

392
00:17:20,840 --> 00:17:24,040
Speaker 3: I was a straight entertainment who he Big? Yeah, So

393
00:17:24,240 --> 00:17:26,160
Speaker 3: sing was like, you know what verse if I write

394
00:17:26,200 --> 00:17:29,280
Speaker 3: to some ship, if you could recite it right with?

395
00:17:29,520 --> 00:17:31,760
Speaker 1: I was like yeah, But I was rocking with him

396
00:17:31,760 --> 00:17:32,840
Speaker 1: a year before that, so.

397
00:17:33,400 --> 00:17:35,240
Speaker 3: He's already schooling me to that, you know, the sort

398
00:17:35,240 --> 00:17:38,760
Speaker 3: of stage presence and sitting around and sitting in interviews

399
00:17:38,800 --> 00:17:42,000
Speaker 3: with him and learning how to you know, talking interviews.

400
00:17:41,600 --> 00:17:43,920
Speaker 1: And answer questions. So you know, I was He like,

401
00:17:44,000 --> 00:17:46,560
Speaker 1: all you need now is okay, if you could pull

402
00:17:46,600 --> 00:17:47,320
Speaker 1: this up, we good.

403
00:17:48,160 --> 00:17:50,000
Speaker 3: And he put me around a bunch of rappers even

404
00:17:50,040 --> 00:17:52,880
Speaker 3: know like the majority of you, the Junior Mafia day Rat.

405
00:17:52,960 --> 00:17:53,440
Speaker 3: You know what I'm saying.

406
00:17:54,040 --> 00:17:54,800
Speaker 1: God bless the dad.

407
00:17:54,840 --> 00:17:58,119
Speaker 3: My boy Chico, Uh, you know you got banged got

408
00:17:58,200 --> 00:18:01,040
Speaker 3: trife all on raps. You know what I mean, y'all

409
00:18:01,040 --> 00:18:04,480
Speaker 3: store the r P Bristown, y'all stole my guy. That

410
00:18:04,640 --> 00:18:05,200
Speaker 3: was my guy.

411
00:18:05,800 --> 00:18:08,760
Speaker 2: Me and Britin was supposed to be me and Bristol

412
00:18:08,920 --> 00:18:11,080
Speaker 2: was supposed to be a group. We had a deal

413
00:18:11,200 --> 00:18:13,480
Speaker 2: on the table and the next thing I know, he like.

414
00:18:13,560 --> 00:18:17,199
Speaker 1: Yo, I'm junior Mafia Like huh, Like he didn't hear

415
00:18:17,359 --> 00:18:24,680
Speaker 1: no more. But that's my brokou nice to tell him.

416
00:18:25,000 --> 00:18:25,919
Speaker 1: Niggas left me for.

417
00:18:29,920 --> 00:18:31,879
Speaker 2: I was happy to see my dog link up with

418
00:18:32,080 --> 00:18:35,480
Speaker 2: family though. Yeah, like he went with niggas we ain't

419
00:18:35,560 --> 00:18:37,600
Speaker 2: fuck with. So it was always loved.

420
00:18:37,640 --> 00:18:39,399
Speaker 1: Man. I was sad to see bro Gold like that.

421
00:18:39,680 --> 00:18:42,400
Speaker 3: You know what I'm saying, Dog that Yeah, that sent

422
00:18:42,520 --> 00:18:45,000
Speaker 3: me back. I just had I was just about to

423
00:18:45,080 --> 00:18:47,280
Speaker 3: move here, no where when he was sick. He was

424
00:18:47,320 --> 00:18:49,800
Speaker 3: sick for a few years. Yeah, I just wasn't saying nothing,

425
00:18:49,960 --> 00:18:51,240
Speaker 3: you know what I mean. And that's how I like,

426
00:18:51,359 --> 00:18:54,320
Speaker 3: that's how niggas isa. He was just staying strong too.

427
00:18:54,400 --> 00:18:57,600
Speaker 3: He was still with Corn Records shooting videos. That was

428
00:18:57,680 --> 00:18:59,760
Speaker 3: like I think that was like a comfort, but you know,

429
00:19:00,000 --> 00:19:03,240
Speaker 3: super laying back, quiet, chill and always down to work.

430
00:19:03,320 --> 00:19:07,480
Speaker 3: That's always bro Pashion was that like, let's go to music. Yeah,

431
00:19:08,000 --> 00:19:10,920
Speaker 3: that nigga go anywhere. That studio could being in the

432
00:19:11,040 --> 00:19:12,520
Speaker 3: basement of Fabrican projects.

433
00:19:12,560 --> 00:19:14,800
Speaker 1: He's gone, You're all right, yo, let's go.

434
00:19:15,040 --> 00:19:18,000
Speaker 2: We were deal on the table bro before I signed

435
00:19:18,040 --> 00:19:21,720
Speaker 2: the Rocketfeller solo who wanted to sign me and bris Style.

436
00:19:21,520 --> 00:19:22,840
Speaker 3: As a group. That's why.

437
00:19:23,600 --> 00:19:26,560
Speaker 2: Yeah, and nobody know that because we never said it.

438
00:19:27,080 --> 00:19:29,560
Speaker 2: Because he did the deal with y'all and then I

439
00:19:29,720 --> 00:19:30,320
Speaker 2: just ended up doing.

440
00:19:30,440 --> 00:19:32,800
Speaker 3: I ain't know Bristin and I ain't know Bristol until

441
00:19:32,960 --> 00:19:36,080
Speaker 3: like like maybe like the beginning of ninety nine, because

442
00:19:36,080 --> 00:19:38,760
Speaker 3: he came around Bang broke him to the house. Man.

443
00:19:38,840 --> 00:19:40,040
Speaker 1: I met him through be High.

444
00:19:40,760 --> 00:19:42,960
Speaker 3: I met him through my manager be High Bee.

445
00:19:43,040 --> 00:19:44,120
Speaker 1: How was outside man?

446
00:19:44,119 --> 00:19:47,160
Speaker 2: I fro, I was a manager that was in street

447
00:19:47,600 --> 00:19:51,040
Speaker 2: that Yo, I go, Fred, you used to know everybody

448
00:19:51,119 --> 00:19:53,240
Speaker 2: be Yo, this is my man, my man from over here.

449
00:19:53,480 --> 00:19:55,359
Speaker 1: I need to link up the niggas that be outside.

450
00:19:56,200 --> 00:20:00,560
Speaker 1: They go anywhere. Everybody over here you need right, You're like, yo,

451
00:20:00,640 --> 00:20:03,520
Speaker 1: how the fuck these people over here? Course gon't go

452
00:20:03,520 --> 00:20:08,639
Speaker 1: to ther Brons were going over here. But back to

453
00:20:08,760 --> 00:20:13,439
Speaker 1: my question, why you only drop one album? So right

454
00:20:13,680 --> 00:20:17,200
Speaker 1: after Big did that, you know, I was like, you

455
00:20:17,240 --> 00:20:18,600
Speaker 1: know what, I got to figure this ship out, you

456
00:20:18,640 --> 00:20:19,160
Speaker 1: know what I'm saying.

457
00:20:19,280 --> 00:20:21,679
Speaker 3: Like, because when he was doing my ship you want

458
00:20:21,720 --> 00:20:23,200
Speaker 3: to do, he wanted to take it over bro for me.

459
00:20:23,280 --> 00:20:25,800
Speaker 3: So I'm like, now I need like what I'm gonna

460
00:20:25,800 --> 00:20:28,040
Speaker 3: do Now he's gonna do my old puppy love album

461
00:20:28,440 --> 00:20:30,159
Speaker 3: or what. I'm like, you know what, I want to

462
00:20:30,160 --> 00:20:32,159
Speaker 3: continue to still do it. Yeah, I gotta do that

463
00:20:32,240 --> 00:20:35,000
Speaker 3: for him. And I'm like and the first time to

464
00:20:35,080 --> 00:20:37,400
Speaker 3: when I when I learned how to jot down ship,

465
00:20:37,520 --> 00:20:40,200
Speaker 3: Kelly Price hit me and she was like, I want

466
00:20:40,200 --> 00:20:43,440
Speaker 3: you to get on my album. And it was like

467
00:20:43,680 --> 00:20:44,639
Speaker 3: and she was like how much you want?

468
00:20:44,720 --> 00:20:45,879
Speaker 1: I was like, nah, I do because she was.

469
00:20:45,840 --> 00:20:46,320
Speaker 3: On a bad boy.

470
00:20:46,520 --> 00:20:47,560
Speaker 1: I said, I'll do it for free for you.

471
00:20:48,240 --> 00:20:48,399
Speaker 3: You know.

472
00:20:48,560 --> 00:20:50,080
Speaker 1: She was like, I want to give you something. I

473
00:20:50,200 --> 00:20:52,040
Speaker 1: was like, I do it for free just when I

474
00:20:52,119 --> 00:20:52,760
Speaker 1: work on my ship.

475
00:20:52,920 --> 00:20:55,840
Speaker 3: Just send me back. And uh, she was like, yo,

476
00:20:55,880 --> 00:20:57,879
Speaker 3: I wanna give you, give you five K. I was

477
00:20:58,320 --> 00:21:01,320
Speaker 3: gonta give me nothing, but and this is ninety eight.

478
00:21:02,240 --> 00:21:02,960
Speaker 1: Is like twenty K.

479
00:21:03,800 --> 00:21:06,040
Speaker 3: You know what I'm saying. K got a real budget in.

480
00:21:06,040 --> 00:21:08,159
Speaker 1: The time so I'm like, all right, that's what you

481
00:21:08,200 --> 00:21:09,000
Speaker 1: want to get me? Cool.

482
00:21:09,480 --> 00:21:11,320
Speaker 3: So now I'm sitting with that at the five, like,

483
00:21:11,800 --> 00:21:15,879
Speaker 3: Who're gonna write this for me? I'm like, Dad, I

484
00:21:16,000 --> 00:21:20,480
Speaker 3: need this five. I got everything he taught me about.

485
00:21:20,680 --> 00:21:23,600
Speaker 3: You wanna know about what you say? It's how you said.

486
00:21:23,720 --> 00:21:25,240
Speaker 1: You know what I'm saying. He was like, you just

487
00:21:25,280 --> 00:21:26,639
Speaker 1: floor like this so you could do it like this.

488
00:21:26,760 --> 00:21:29,480
Speaker 1: So everything he was teaching me, that was my first rhyme.

489
00:21:29,640 --> 00:21:30,080
Speaker 3: I wrote.

490
00:21:30,359 --> 00:21:33,200
Speaker 1: No Way was the Kelly Price fee two eight bars

491
00:21:33,240 --> 00:21:34,840
Speaker 1: and that ship, and I went and played it for

492
00:21:34,920 --> 00:21:38,000
Speaker 1: the whole crib. Kim Money l the first thing they

493
00:21:38,040 --> 00:21:41,199
Speaker 1: always like, you wrote that no Way? Yeah, and they

494
00:21:41,359 --> 00:21:42,479
Speaker 1: was like fire.

495
00:21:43,040 --> 00:21:44,560
Speaker 3: So after that, you know what that what that was?

496
00:21:44,680 --> 00:21:45,480
Speaker 3: That's the battery.

497
00:21:45,600 --> 00:21:47,720
Speaker 1: Yeah, I'm like you the content, Okay, I saw you.

498
00:21:47,800 --> 00:21:48,639
Speaker 1: All I gotta do is this.

499
00:21:49,359 --> 00:21:53,159
Speaker 3: So now when Kim had got a deal, I was like,

500
00:21:53,200 --> 00:21:54,440
Speaker 3: all right, you know, I'm gonna.

501
00:21:54,240 --> 00:21:54,920
Speaker 1: Do this project.

502
00:21:56,040 --> 00:21:58,240
Speaker 3: And then after I did the project, it ain't do

503
00:21:58,280 --> 00:22:00,760
Speaker 3: what it's supposed to do, but you know they're gonna

504
00:22:00,760 --> 00:22:01,600
Speaker 3: stout dude.

505
00:22:01,920 --> 00:22:06,400
Speaker 2: Yeah, niggas like everybody think. Niggas loves everybody. Yeah, numbers

506
00:22:06,480 --> 00:22:09,440
Speaker 2: mean some numbers mean you're gonna make some money. But

507
00:22:09,560 --> 00:22:11,200
Speaker 2: at the end of the dance, a lot of albums

508
00:22:11,240 --> 00:22:13,960
Speaker 2: that did numbers that people don't respect, and it's a

509
00:22:14,040 --> 00:22:17,120
Speaker 2: lot of albums that didn't do numbers that are certified,

510
00:22:17,400 --> 00:22:19,040
Speaker 2: those classics and people like that.

511
00:22:19,160 --> 00:22:21,639
Speaker 1: You can't tell them nothing about me. They say, albums

512
00:22:21,720 --> 00:22:22,760
Speaker 1: like that, keep your job.

513
00:22:22,920 --> 00:22:23,240
Speaker 3: That's right.

514
00:22:23,320 --> 00:22:24,200
Speaker 1: They gonna sound record.

515
00:22:24,280 --> 00:22:27,399
Speaker 3: But if somebody know you could bring them back something

516
00:22:27,480 --> 00:22:29,120
Speaker 3: good and something dope, they're.

517
00:22:28,920 --> 00:22:30,960
Speaker 1: Gonna always better on you if you make good music.

518
00:22:31,119 --> 00:22:33,920
Speaker 2: I bought that album even though your album cover was

519
00:22:33,960 --> 00:22:35,719
Speaker 2: you was seven thirty for that picture.

520
00:22:35,840 --> 00:22:36,720
Speaker 1: I was trying to have fun.

521
00:22:38,080 --> 00:22:41,240
Speaker 3: Nobody, nobody and that was me, yeah, because that was

522
00:22:41,320 --> 00:22:43,920
Speaker 3: all everything that was telling me about He was like

523
00:22:44,400 --> 00:22:46,840
Speaker 3: just wild, Yeah, yeah, you ain't.

524
00:22:46,920 --> 00:22:48,240
Speaker 1: You ain't. I don't want you to be that type

525
00:22:48,280 --> 00:22:49,000
Speaker 1: of nigga.

526
00:22:48,800 --> 00:22:49,359
Speaker 3: On the block.

527
00:22:49,440 --> 00:22:51,800
Speaker 1: And you know, but that's that's what the rap game is.

528
00:22:51,920 --> 00:22:54,200
Speaker 2: A lot of these dudes go off images and try

529
00:22:54,280 --> 00:22:57,520
Speaker 2: to portray something that they not. And that's why one

530
00:22:57,640 --> 00:23:02,760
Speaker 2: thing Hoove always said to me, be yourself. Integrity and

531
00:23:02,920 --> 00:23:07,040
Speaker 2: authenticity is always gonna lie. Because when the lives run out,

532
00:23:07,160 --> 00:23:10,320
Speaker 2: the rhymes run out. And that ship always stuffed.

533
00:23:10,359 --> 00:23:12,320
Speaker 1: That's a lot. That's a fact, you know what I mean,

534
00:23:12,440 --> 00:23:14,680
Speaker 1: when you ain't no more lives to test, right, Yeah,

535
00:23:15,040 --> 00:23:18,440
Speaker 1: we're right about and tell your ship and just be

536
00:23:18,600 --> 00:23:19,640
Speaker 1: you exactly.

537
00:23:19,800 --> 00:23:23,240
Speaker 3: That was me. So after that, after I did my album,

538
00:23:23,400 --> 00:23:25,600
Speaker 3: it's just a lot of things that happened for us

539
00:23:25,720 --> 00:23:28,760
Speaker 3: amongst you you know, amongst the family, you know what

540
00:23:28,800 --> 00:23:31,159
Speaker 3: I mean. I know they know they wanted to do

541
00:23:31,240 --> 00:23:34,479
Speaker 3: another album, and you know, the Hot and seven shit happened,

542
00:23:35,240 --> 00:23:38,880
Speaker 3: you know what I mean, niggas with venue happened. Now

543
00:23:38,960 --> 00:23:41,760
Speaker 3: it's you know we yah, niggas went through some ship.

544
00:23:41,840 --> 00:23:44,200
Speaker 3: You know, It's like a lot of life is still

545
00:23:44,200 --> 00:23:47,480
Speaker 3: because we still we still was a test I'm saying.

546
00:23:47,520 --> 00:23:50,840
Speaker 2: It's like I still had to move and represent the

547
00:23:50,920 --> 00:23:54,200
Speaker 2: legacy at the same time. So I already know that ship.

548
00:23:54,359 --> 00:23:54,760
Speaker 3: This game.

549
00:23:54,840 --> 00:23:56,880
Speaker 2: That's what a lot of people I'll be trying to tell,

550
00:23:57,000 --> 00:23:58,639
Speaker 2: like these new artists when they be trying to get

551
00:23:58,680 --> 00:24:01,080
Speaker 2: on and I'm like, you're fair. This game is not

552
00:24:01,160 --> 00:24:04,080
Speaker 2: a light switch. There's no on and off switch. Once

553
00:24:04,160 --> 00:24:07,520
Speaker 2: it's on, there's no turning it all in. So it's

554
00:24:07,600 --> 00:24:11,000
Speaker 2: either it's either two things. People gonna say to you

555
00:24:11,520 --> 00:24:15,240
Speaker 2: in this business. If you if you kill niggas are like, Yo,

556
00:24:15,320 --> 00:24:19,000
Speaker 2: you a legend, God, I respect you. If you go

557
00:24:19,080 --> 00:24:21,439
Speaker 2: the opposite way, only thing you're gonna here is yo,

558
00:24:21,480 --> 00:24:22,040
Speaker 2: what happened?

559
00:24:22,920 --> 00:24:24,040
Speaker 1: Yo? What happened?

560
00:24:24,760 --> 00:24:24,920
Speaker 3: Yo?

561
00:24:25,040 --> 00:24:31,359
Speaker 2: You was with that y'ah was over there? Happened And

562
00:24:31,720 --> 00:24:34,760
Speaker 2: that's one question I ran from my whole life. I

563
00:24:34,840 --> 00:24:36,000
Speaker 2: never want niggas to ask.

564
00:24:35,960 --> 00:24:36,639
Speaker 3: Me what happened?

565
00:24:36,680 --> 00:24:36,760
Speaker 2: Bro.

566
00:24:37,119 --> 00:24:41,199
Speaker 1: I always tried to make sure I'm gonna stand up

567
00:24:41,400 --> 00:24:41,960
Speaker 1: and hold it.

568
00:24:42,040 --> 00:24:44,359
Speaker 2: Down on my own because I came in like you,

569
00:24:44,920 --> 00:24:47,000
Speaker 2: Jay Roe, come in to age one and two for me.

570
00:24:47,359 --> 00:24:50,240
Speaker 2: So people always think, because I say that that he

571
00:24:50,400 --> 00:24:53,320
Speaker 2: wrote everything, I would not be here. If that was

572
00:24:53,400 --> 00:24:55,320
Speaker 2: the case, count me, I'd have been back on the

573
00:24:55,400 --> 00:24:57,000
Speaker 2: bench and he just did the album.

574
00:24:57,080 --> 00:25:01,280
Speaker 1: Now, yeah, I don't have no time.

575
00:25:01,400 --> 00:25:03,879
Speaker 2: Back then, he was still trying to make sure he

576
00:25:04,119 --> 00:25:07,520
Speaker 2: was on ber level because you don't know, yo, be

577
00:25:07,720 --> 00:25:14,280
Speaker 2: I was j fucking measuristic bro poords like every time

578
00:25:14,440 --> 00:25:18,119
Speaker 2: b I dropped Jay in that studio like this, he

579
00:25:18,560 --> 00:25:22,440
Speaker 2: was the motivator for whole like they was boys.

580
00:25:22,720 --> 00:25:26,639
Speaker 3: But I think they pushed each other many like you

581
00:25:26,720 --> 00:25:29,879
Speaker 3: could be in competitions for the competition gonna bring out

582
00:25:29,880 --> 00:25:30,679
Speaker 3: the best of us, you know.

583
00:25:30,680 --> 00:25:33,840
Speaker 2: What I'm saying, Like, you know, them niggas had plans

584
00:25:33,960 --> 00:25:36,480
Speaker 2: like that Commissioner album, all that ship was.

585
00:25:36,920 --> 00:25:41,000
Speaker 3: People think it was fake. Man, all my shit got everything.

586
00:25:41,160 --> 00:25:43,480
Speaker 3: I felt like that was part for me to to

587
00:25:44,040 --> 00:25:47,879
Speaker 3: bro like it was like all that I did that

588
00:25:48,000 --> 00:25:51,680
Speaker 3: album to fulfill that that mission, you know what I'm saying.

589
00:25:51,880 --> 00:25:53,440
Speaker 3: And I didn't think it was going to I didn't

590
00:25:53,440 --> 00:25:54,600
Speaker 3: think I was gonna be able to do that. I

591
00:25:54,640 --> 00:25:56,920
Speaker 3: didn't think I was gonna be able to of course,

592
00:25:56,960 --> 00:25:59,040
Speaker 3: I was confident, and I didn't think it was gonna

593
00:25:59,040 --> 00:26:01,040
Speaker 3: be something to wear like like you know, niggas like, yo,

594
00:26:01,160 --> 00:26:04,040
Speaker 3: nam bro, your ship was And I'm like, what with that?

595
00:26:04,240 --> 00:26:05,760
Speaker 3: Because I did that ship, you know what I mean? Like,

596
00:26:06,280 --> 00:26:08,600
Speaker 3: and one thing I was always you know, I was

597
00:26:08,680 --> 00:26:11,760
Speaker 3: around it, doog you know, like like you ain't gonna

598
00:26:11,760 --> 00:26:12,800
Speaker 3: never stop making no books.

599
00:26:12,920 --> 00:26:15,639
Speaker 1: You can't make no bullshit music, don't I know? You

600
00:26:15,800 --> 00:26:17,840
Speaker 1: know the ship you're around you you know.

601
00:26:18,040 --> 00:26:20,080
Speaker 3: What it is. It ain't even only that, man.

602
00:26:20,520 --> 00:26:24,080
Speaker 2: What I tell people, I heard two pieces of lights

603
00:26:24,280 --> 00:26:28,359
Speaker 2: about music in my life. One from one of my

604
00:26:28,480 --> 00:26:32,479
Speaker 2: homemianes in the hood always told me only corny niggas

605
00:26:32,520 --> 00:26:35,320
Speaker 2: make corny music. So number one, we ain't a calling.

606
00:26:35,320 --> 00:26:39,159
Speaker 2: It ain't nothing exhibit shit and they arrest my step pops.

607
00:26:39,200 --> 00:26:41,720
Speaker 2: You know, that's only two types of music in the world,

608
00:26:42,440 --> 00:26:46,560
Speaker 2: good and not good. So either you're gonna make something

609
00:26:46,680 --> 00:26:50,159
Speaker 2: good or that shiit just not good. And that's it, bro,

610
00:26:50,359 --> 00:26:51,080
Speaker 2: you know what I'm saying.

611
00:26:51,240 --> 00:26:53,639
Speaker 1: So I knew, I knew, you know, I knew it

612
00:26:53,800 --> 00:26:54,080
Speaker 1: was you know.

613
00:26:54,359 --> 00:26:56,720
Speaker 3: I was like, it's cool, but you know, it's always

614
00:26:56,760 --> 00:26:58,240
Speaker 3: that ship in your mind, you know what I'm saying.

615
00:26:58,760 --> 00:27:01,200
Speaker 3: And I wanted to do another one like right away,

616
00:27:01,400 --> 00:27:02,760
Speaker 3: like you know what I'm saying, But you know all

617
00:27:02,840 --> 00:27:03,480
Speaker 3: that ship, you know.

618
00:27:03,680 --> 00:27:06,760
Speaker 1: Everything we just life was life, and you know that's

619
00:27:06,800 --> 00:27:07,120
Speaker 1: the first.

620
00:27:07,119 --> 00:27:09,119
Speaker 3: I'm gonna step back to that first, no matter what,

621
00:27:09,280 --> 00:27:11,000
Speaker 3: because I was because I'm always felt like.

622
00:27:11,359 --> 00:27:14,600
Speaker 1: This wasn't you know yea was this for me, you

623
00:27:14,640 --> 00:27:14,959
Speaker 1: know what I mean.

624
00:27:15,040 --> 00:27:17,040
Speaker 3: And it's like, you know, it's just going on all

625
00:27:17,160 --> 00:27:19,399
Speaker 3: my moms and you know, your family and ship like

626
00:27:19,560 --> 00:27:21,560
Speaker 3: so I just shook for a minute and all that

627
00:27:21,600 --> 00:27:23,920
Speaker 3: shit happened with us. We couldn't really like you know,

628
00:27:24,400 --> 00:27:26,280
Speaker 3: and I was used to working a certain way. I

629
00:27:26,400 --> 00:27:29,040
Speaker 3: was used to, you know, having that at the fam

630
00:27:29,240 --> 00:27:31,880
Speaker 3: the bar. That's how we once all that ship kind

631
00:27:31,920 --> 00:27:34,720
Speaker 3: of like what like this real? I'm like, oh damn,

632
00:27:34,840 --> 00:27:36,639
Speaker 3: you know, what the fuck do I do from there?

633
00:27:36,680 --> 00:27:38,560
Speaker 3: But I was still still you know, I was still

634
00:27:38,600 --> 00:27:40,200
Speaker 3: working and figuring it out. You know what I'm saying.

635
00:27:41,119 --> 00:27:45,399
Speaker 2: It's easy your way, how I feel you right. We

636
00:27:45,600 --> 00:27:48,560
Speaker 2: dealt with a lot of losses and hip hop. You know,

637
00:27:48,680 --> 00:27:51,000
Speaker 2: I watched a lot of a lot of people died that.

638
00:27:51,480 --> 00:27:54,560
Speaker 2: You know, sometimes these young artists. I'll be reading the

639
00:27:54,680 --> 00:27:57,400
Speaker 2: news like such and such died and this person died,

640
00:27:58,640 --> 00:28:01,800
Speaker 2: you know, just listening to they knowing they lifestyle. That

641
00:28:01,880 --> 00:28:03,840
Speaker 2: shit hit you and be like, damn, I feel like

642
00:28:03,920 --> 00:28:07,040
Speaker 2: I know homie like and that should make you feel away.

643
00:28:07,119 --> 00:28:12,840
Speaker 2: But nothing, nothing, nothing, nothing, nothing, nothing touched me like

644
00:28:13,040 --> 00:28:17,159
Speaker 2: b I, bro, I never forget where I was the

645
00:28:17,359 --> 00:28:19,919
Speaker 2: day I heard it, my nigga, I cried like.

646
00:28:20,000 --> 00:28:22,800
Speaker 3: That was my brother some because y'all were my brothers.

647
00:28:22,880 --> 00:28:26,040
Speaker 1: Like I know, we'd be in the studio, we come

648
00:28:26,160 --> 00:28:26,720
Speaker 1: to the crib.

649
00:28:27,160 --> 00:28:30,199
Speaker 2: I remember telling b I at the Apollo show, Yo,

650
00:28:30,320 --> 00:28:32,239
Speaker 2: my nigga, when I get my album budget, I need

651
00:28:32,320 --> 00:28:35,520
Speaker 2: you on my album. And he told me, Yeah, Brooklyn,

652
00:28:36,400 --> 00:28:41,080
Speaker 2: I swear like no doubt on nigga, like yeah, come on, blink,

653
00:28:41,120 --> 00:28:43,440
Speaker 2: I got you. And I was like, oh man, I

654
00:28:43,520 --> 00:28:45,800
Speaker 2: can't wait your host I plan, give me my budget.

655
00:28:46,000 --> 00:28:47,040
Speaker 2: I gotta get my ship off.

656
00:28:47,360 --> 00:28:50,400
Speaker 3: That's program. You know what I'm saying, Like he that

657
00:28:50,520 --> 00:28:52,920
Speaker 3: ship hit we homies lounk like you know what I'm saying,

658
00:28:53,080 --> 00:28:53,960
Speaker 3: like hit.

659
00:28:54,120 --> 00:28:55,880
Speaker 1: Bro, Like I cried my nigga.

660
00:28:55,960 --> 00:28:58,880
Speaker 2: So when like when you saying, yo, I came to

661
00:28:58,960 --> 00:29:01,320
Speaker 2: the home team, like when we were supposed to do

662
00:29:01,440 --> 00:29:04,960
Speaker 2: that getload deal. That ship wasn't about no music to me,

663
00:29:05,120 --> 00:29:09,520
Speaker 2: that shit wasn't about no money. Whatever you wanted to do,

664
00:29:10,440 --> 00:29:13,400
Speaker 2: we would have done. And that's why I never put

665
00:29:13,520 --> 00:29:15,720
Speaker 2: no pressure on you when ship didn't happen, because I,

666
00:29:15,840 --> 00:29:19,480
Speaker 2: like you said, life life, So you know I was

667
00:29:19,520 --> 00:29:21,720
Speaker 2: always on something. When seeds want to fuck with us,

668
00:29:21,760 --> 00:29:23,760
Speaker 2: he's gonna come back in. You know that they always

669
00:29:23,840 --> 00:29:30,320
Speaker 2: open bro that one two yard we did. We fuck

670
00:29:30,360 --> 00:29:33,360
Speaker 2: him on man and what's the other ship? Now do

671
00:29:33,480 --> 00:29:34,120
Speaker 2: it all again?

672
00:29:35,040 --> 00:29:39,320
Speaker 3: On the on the made album. Two features on that

673
00:29:39,440 --> 00:29:41,160
Speaker 3: album didn't come and get me shipped with me? You

674
00:29:41,240 --> 00:29:42,680
Speaker 3: on bleak me yor beans?

675
00:29:42,840 --> 00:29:46,440
Speaker 1: Yeah, yeah, like come on, bro, I mean we was working.

676
00:29:46,640 --> 00:29:47,200
Speaker 3: I was with it.

677
00:29:47,480 --> 00:29:49,560
Speaker 1: That wasn't even like no question what I'm saying. You know.

678
00:29:49,640 --> 00:29:50,360
Speaker 3: I was down with that.

679
00:29:51,000 --> 00:29:53,400
Speaker 2: But I came around when all that ship was going

680
00:29:53,480 --> 00:29:58,120
Speaker 2: and didn't matter. Man with the but it was it

681
00:29:58,280 --> 00:30:00,720
Speaker 2: was going down, but it wasn't going down on our side.

682
00:30:01,160 --> 00:30:05,200
Speaker 3: The other side he was nah, I was cool, but I.

683
00:30:07,760 --> 00:30:08,040
Speaker 2: It was.

684
00:30:08,320 --> 00:30:10,640
Speaker 3: I was just like, yo, remember one time I hit you.

685
00:30:10,720 --> 00:30:13,960
Speaker 1: I'm like, yo, Dang told me, Dang hit my phone.

686
00:30:14,040 --> 00:30:14,160
Speaker 3: Yo.

687
00:30:14,240 --> 00:30:16,160
Speaker 1: It's like, yo, come to the one for Peter Craig video.

688
00:30:16,560 --> 00:30:18,000
Speaker 1: And I just had met thumb star.

689
00:30:18,040 --> 00:30:21,560
Speaker 3: Fucking you know, I went, y'all. So I'm thinking like,

690
00:30:22,280 --> 00:30:24,720
Speaker 3: all right, right, that's all like the team. So if

691
00:30:24,800 --> 00:30:25,480
Speaker 3: niggas hit me.

692
00:30:25,520 --> 00:30:29,080
Speaker 1: I'm like, oh, I'm gonna go pull up you call

693
00:30:29,240 --> 00:30:31,480
Speaker 1: my phone, Yo, who hit you?

694
00:30:31,600 --> 00:30:33,640
Speaker 3: To come up there? Dame told me to come up there.

695
00:30:34,640 --> 00:30:38,520
Speaker 3: Don't go up there yet. I was like, yo, wow,

696
00:30:39,240 --> 00:30:41,800
Speaker 3: I ain't asked you that. I'm like crazy, my man,

697
00:30:42,040 --> 00:30:42,800
Speaker 3: like I fucked you.

698
00:30:44,000 --> 00:30:44,600
Speaker 1: That's how you know.

699
00:30:44,720 --> 00:30:47,440
Speaker 2: It was probably some ship with day Man like back then,

700
00:30:47,680 --> 00:30:50,880
Speaker 2: but it definitely was major, major smoke.

701
00:30:51,320 --> 00:30:54,080
Speaker 1: It was definitely Hall of Brooklyn at that time.

702
00:30:54,400 --> 00:30:58,080
Speaker 3: And that's why that's what so for me coming in,

703
00:30:58,200 --> 00:31:01,080
Speaker 3: you know, from my situation without this is ship that

704
00:31:01,120 --> 00:31:03,400
Speaker 3: I'm just like all right, but nah I was, I

705
00:31:03,520 --> 00:31:04,360
Speaker 3: was I'm team one.

706
00:31:04,600 --> 00:31:06,800
Speaker 1: But that's how that's not the situation represented to me.

707
00:31:06,840 --> 00:31:08,840
Speaker 4: It was through yow yeah, and I'm like, oh yeah,

708
00:31:08,880 --> 00:31:11,960
Speaker 4: of course my nigga is like, oh they hope like

709
00:31:12,320 --> 00:31:18,400
Speaker 4: you cruel niggas g k Yo, let's call nigga I

710
00:31:18,480 --> 00:31:21,040
Speaker 4: would ga k is borderline junior Mafia.

711
00:31:21,720 --> 00:31:24,400
Speaker 3: That's no cousin though I know you know he's been.

712
00:31:24,320 --> 00:31:27,800
Speaker 1: Junior may Joel was even bored. Jeda used to be

713
00:31:27,880 --> 00:31:28,960
Speaker 1: at the shows.

714
00:31:28,600 --> 00:31:31,000
Speaker 2: That y'all know, like come back to the hood, like yeah,

715
00:31:31,080 --> 00:31:32,719
Speaker 2: I was out on the road by cousin and them

716
00:31:32,920 --> 00:31:35,800
Speaker 2: doing this, you know season them they had the joints, Yeah,

717
00:31:35,840 --> 00:31:36,600
Speaker 2: they had the bitches.

718
00:31:36,720 --> 00:31:38,800
Speaker 3: He'd be like, they got they got no bitches and

719
00:31:39,040 --> 00:31:41,360
Speaker 3: we just had all these big you know that nigga

720
00:31:41,400 --> 00:31:42,480
Speaker 3: mouth was crazy.

721
00:31:42,240 --> 00:31:45,120
Speaker 1: Don't know, you know, Jetah Wolf what yo.

722
00:31:45,280 --> 00:31:48,880
Speaker 2: That's why I be I'll be mad that he didn't

723
00:31:48,960 --> 00:31:51,720
Speaker 2: become a streamer, like you're not like the constant not

724
00:31:51,960 --> 00:31:54,080
Speaker 2: and them nigga yelling at he definitely be one of

725
00:31:54,120 --> 00:31:57,600
Speaker 2: those Oh my fucking gud right now if he was

726
00:31:57,760 --> 00:32:04,040
Speaker 2: like that, now like you what, yo, nobody, no one

727
00:32:04,600 --> 00:32:04,960
Speaker 2: got hurt.

728
00:32:05,040 --> 00:32:07,200
Speaker 1: K first one I heard the say big style. He's

729
00:32:07,240 --> 00:32:10,040
Speaker 1: not calling the best start the big style all day.

730
00:32:10,320 --> 00:32:14,560
Speaker 2: He still say that this day. He's not gonna ever change.

731
00:32:14,640 --> 00:32:17,040
Speaker 2: It's big STAVESI cheetah K.

732
00:32:17,400 --> 00:32:19,400
Speaker 3: That's what my favorite records we did with him. Man,

733
00:32:19,440 --> 00:32:21,400
Speaker 3: that's do it all again joint.

734
00:32:21,480 --> 00:32:22,120
Speaker 1: That was my ship.

735
00:32:22,320 --> 00:32:25,200
Speaker 3: Yeah man, gea man, that's my bro here. I ain't

736
00:32:25,200 --> 00:32:25,840
Speaker 3: take that note. Bro.

737
00:32:26,160 --> 00:32:26,680
Speaker 1: It wasn't even that.

738
00:32:26,800 --> 00:32:28,400
Speaker 3: It was just like things was happening and like you

739
00:32:28,520 --> 00:32:30,720
Speaker 3: told me, like yo, bro, this can't be or I

740
00:32:30,800 --> 00:32:31,200
Speaker 3: told you that.

741
00:32:31,320 --> 00:32:33,200
Speaker 1: It was just like it was just ship going on.

742
00:32:33,480 --> 00:32:35,840
Speaker 3: Like you know what I mean. Yeah, yeah, it was

743
00:32:36,120 --> 00:32:38,600
Speaker 3: like I was like, because I was, he was ready

744
00:32:38,680 --> 00:32:41,000
Speaker 3: to go, and then it just kind of like all right,

745
00:32:41,360 --> 00:32:43,200
Speaker 3: you know I've seen those ship going on and you

746
00:32:43,240 --> 00:32:44,360
Speaker 3: know what I mean, it was ship going on with

747
00:32:44,480 --> 00:32:44,719
Speaker 3: me too.

748
00:32:44,880 --> 00:32:47,160
Speaker 2: But then they clipped me too, So those don't I

749
00:32:47,240 --> 00:32:51,000
Speaker 2: said you were safe. I wasn't even safe. They just

750
00:32:51,400 --> 00:32:54,920
Speaker 2: us out, being young, being the gunners, they threw us out,

751
00:32:55,520 --> 00:32:58,440
Speaker 2: put that five three four out. They put gunners, tough,

752
00:32:58,600 --> 00:33:03,600
Speaker 2: what brotherly love. For After that, it was like, listen,

753
00:33:04,880 --> 00:33:08,320
Speaker 2: we got Jay Cole, we got Rihanna, we got y'all.

754
00:33:08,360 --> 00:33:17,880
Speaker 5: Old niggas budgets is closed up. I ain't gonna this business.

755
00:33:19,160 --> 00:33:20,000
Speaker 5: I respect it it.

756
00:33:20,160 --> 00:33:23,080
Speaker 2: Business because I get it to myself, are you old

757
00:33:23,160 --> 00:33:25,640
Speaker 2: and you old and these new young?

758
00:33:25,720 --> 00:33:26,840
Speaker 1: Look at what j Cole did.

759
00:33:26,960 --> 00:33:28,960
Speaker 3: Man, For sure, I'd have moved out the way for

760
00:33:29,120 --> 00:33:32,920
Speaker 3: cold winningly, especially if I already did you know what

761
00:33:32,920 --> 00:33:36,600
Speaker 3: I mean, like, you know, that's right. Thing got how

762
00:33:36,680 --> 00:33:39,920
Speaker 3: we live today. I'm not out here. I'm not out here.

763
00:33:40,080 --> 00:33:42,000
Speaker 3: We're not out here trying to compete with nobody.

764
00:33:42,480 --> 00:33:44,360
Speaker 2: And now I'm gonna want to be the old nigga

765
00:33:44,760 --> 00:33:47,880
Speaker 2: in the young boy what yeah, like yo, I'm cool.

766
00:33:49,120 --> 00:33:51,200
Speaker 2: It'd have been weird, Like think about what we was

767
00:33:51,240 --> 00:33:54,320
Speaker 2: coming up and niggas like Slick Rick or Rock Kim

768
00:33:54,440 --> 00:33:56,640
Speaker 2: and them still was like naw, young nigga, look out, we.

769
00:33:56,720 --> 00:33:59,960
Speaker 3: Got this so damn oh, g let us lit.

770
00:34:00,120 --> 00:34:02,840
Speaker 1: Yeah yeah, yeah, So that's how I feel, no doubt

771
00:34:03,120 --> 00:34:05,680
Speaker 1: if we you know, it's like they let the young

772
00:34:05,720 --> 00:34:06,120
Speaker 1: boys live.

773
00:34:06,200 --> 00:34:07,680
Speaker 3: Niggas, let them live, let them rock.

774
00:34:07,800 --> 00:34:10,680
Speaker 2: Then they'd be critiquing the young boys music like yo,

775
00:34:11,360 --> 00:34:12,560
Speaker 2: let the young boys live.

776
00:34:12,680 --> 00:34:16,399
Speaker 3: They out here wallid let them wow, they getting paid.

777
00:34:16,640 --> 00:34:19,560
Speaker 1: Wow, Let them have fun. We ain't get pimpled to win.

778
00:34:19,880 --> 00:34:22,560
Speaker 3: We we bust our ass files.

779
00:34:22,640 --> 00:34:26,080
Speaker 2: We went to jail if we would out, We went

780
00:34:26,160 --> 00:34:28,640
Speaker 2: to jail. Think about it. We got in the music

781
00:34:29,040 --> 00:34:32,680
Speaker 2: to stop wild, no doubt. These niggas gotten the music

782
00:34:33,000 --> 00:34:34,560
Speaker 2: to go fucking shit.

783
00:34:34,600 --> 00:34:38,799
Speaker 3: Up to a hundred to bug out now yeah, fret,

784
00:34:39,000 --> 00:34:40,320
Speaker 3: but they got that in front of them. You know

785
00:34:40,360 --> 00:34:42,040
Speaker 3: what I'm saying, got tea. We ain't have that in

786
00:34:42,120 --> 00:34:43,759
Speaker 3: front of us, you know what I mean? Like you

787
00:34:43,960 --> 00:34:46,400
Speaker 3: was really straight off based off just your just you

788
00:34:46,560 --> 00:34:49,160
Speaker 3: alone you when you pull up niggas, it's all about you,

789
00:34:49,640 --> 00:34:52,239
Speaker 3: your morals, your integrity, like you know, we had to

790
00:34:52,360 --> 00:34:54,239
Speaker 3: show up, like you know what I mean.

791
00:34:54,400 --> 00:34:56,200
Speaker 1: Like nowadays you ain't got to show up.

792
00:34:56,200 --> 00:34:58,279
Speaker 3: I think you could sit behind these cameras and you

793
00:34:58,360 --> 00:35:00,800
Speaker 3: could do all this ship yell and not crazy and

794
00:35:00,880 --> 00:35:04,640
Speaker 3: go viral. I don't condone it, but I got accepted

795
00:35:04,680 --> 00:35:06,920
Speaker 3: because that's just what we that's what we're already living.

796
00:35:08,920 --> 00:35:11,960
Speaker 1: Indulge myself into what we you know, just because who

797
00:35:12,000 --> 00:35:12,279
Speaker 1: we are.

798
00:35:12,480 --> 00:35:12,640
Speaker 3: Man.

799
00:35:13,000 --> 00:35:15,040
Speaker 2: But let me ask you a question because you know

800
00:35:15,200 --> 00:35:18,520
Speaker 2: I always hold Jay down on stage, and I watched

801
00:35:18,560 --> 00:35:22,400
Speaker 2: you hold Big down to hold Kim dwn, you know

802
00:35:22,440 --> 00:35:22,759
Speaker 2: what I mean?

803
00:35:22,880 --> 00:35:24,920
Speaker 1: Then there I seen you even Well, I'm gonna save

804
00:35:25,040 --> 00:35:25,359
Speaker 1: that one.

805
00:35:25,719 --> 00:35:29,719
Speaker 2: But I can't even really compare it to though, which

806
00:35:29,880 --> 00:35:32,279
Speaker 2: was more fun kill more Big? It's damn there like

807
00:35:32,360 --> 00:35:36,560
Speaker 2: the same, Kim got it super monsters and like it's

808
00:35:36,600 --> 00:35:37,399
Speaker 2: them they like the same.

809
00:35:37,520 --> 00:35:40,839
Speaker 3: But which one you enjoy more? I mean, of course,

810
00:35:41,880 --> 00:35:43,880
Speaker 3: I mean, I mean be of course, because he's the

811
00:35:43,920 --> 00:35:46,319
Speaker 3: start of it, you know, so it sounds me him

812
00:35:46,360 --> 00:35:49,000
Speaker 3: and Kimy. You know, players got to perform, you know,

813
00:35:50,000 --> 00:35:52,040
Speaker 3: and doing it with Kim is just like doing it

814
00:35:52,120 --> 00:35:55,520
Speaker 3: with Big on the female level, so like you know,

815
00:35:55,760 --> 00:35:58,200
Speaker 3: big guy women he got, he got the bitches and

816
00:35:58,239 --> 00:36:01,279
Speaker 3: the nigga. It's more crazy, right, Kim got niggas. Won't

817
00:36:01,320 --> 00:36:04,719
Speaker 3: freak you too, But Kim got the bitch is going crazy,

818
00:36:04,800 --> 00:36:07,879
Speaker 3: you know, they yelling out take it in the buds, yes, yes,

819
00:36:08,080 --> 00:36:09,480
Speaker 3: what crazy? See.

820
00:36:09,560 --> 00:36:13,120
Speaker 2: So it made the freaks coming. Yeah, I fucking love

821
00:36:13,760 --> 00:36:15,759
Speaker 2: you know what I'm saying. It wasn't freaking until little

822
00:36:15,880 --> 00:36:18,920
Speaker 2: Kim came out. Salute to the Queen, for sure, think

823
00:36:19,000 --> 00:36:22,600
Speaker 2: about it. Chicks was dressed like us, rest in pizza leah,

824
00:36:22,719 --> 00:36:25,080
Speaker 2: all of them. Remember they was in Tommy Hill figures

825
00:36:25,239 --> 00:36:28,080
Speaker 2: just like us, and the ads big ass jeans and

826
00:36:28,200 --> 00:36:30,840
Speaker 2: boxes and girls was dressed just like that.

827
00:36:31,400 --> 00:36:35,040
Speaker 3: It wasn't until Cisto him down that album cover it

828
00:36:35,160 --> 00:36:37,440
Speaker 3: with the opening the thongs.

829
00:36:37,040 --> 00:36:41,080
Speaker 2: TNG and Kim took that ship and then now we

830
00:36:41,200 --> 00:36:42,360
Speaker 2: got what we got today.

831
00:36:43,200 --> 00:36:45,080
Speaker 1: All of these women definitely did.

832
00:36:45,440 --> 00:36:49,759
Speaker 3: Even the music you hear today, imprison it's influenced by

833
00:36:50,360 --> 00:36:52,480
Speaker 3: the Queen. They was talking like that back then, Like

834
00:36:52,560 --> 00:36:55,400
Speaker 3: you know what I'm saying, Like female rappers was talking ratchet.

835
00:36:55,160 --> 00:36:57,840
Speaker 1: And crazy back in the days. You know what I'm saying, Like,

836
00:36:57,880 --> 00:37:00,720
Speaker 1: it's no different. You know what I'm saying, Yeah, Foxy,

837
00:37:00,840 --> 00:37:01,080
Speaker 1: you know what.

838
00:37:01,040 --> 00:37:04,640
Speaker 2: I'm saying, Like, Nah, you see that's the wack ship

839
00:37:04,880 --> 00:37:09,920
Speaker 2: about the female side of artists because Kim and Fox

840
00:37:10,480 --> 00:37:16,359
Speaker 2: both put different imprints in music. They compared them. It's

841
00:37:16,480 --> 00:37:19,480
Speaker 2: just like all the women today. Let these women and

842
00:37:19,680 --> 00:37:22,480
Speaker 2: no woman is the same. I know, niggas think we

843
00:37:22,520 --> 00:37:24,640
Speaker 2: done met You ever met two women the same? You

844
00:37:24,719 --> 00:37:25,319
Speaker 2: ever be like there?

845
00:37:25,320 --> 00:37:28,560
Speaker 1: And this was just like this last bit. Ever, so

846
00:37:28,719 --> 00:37:31,080
Speaker 1: how can we compare the rabbles, it's the same.

847
00:37:31,200 --> 00:37:34,120
Speaker 3: Agree I think about that, bro got let everybody have

848
00:37:34,280 --> 00:37:36,040
Speaker 3: they go, Let everybody have their own.

849
00:37:36,200 --> 00:37:40,560
Speaker 2: See niggas imitate other niggas like this niggo want to

850
00:37:40,600 --> 00:37:41,320
Speaker 2: be this nigga.

851
00:37:41,640 --> 00:37:44,480
Speaker 3: Women don't do that. They on their own ship, no doubt.

852
00:37:44,600 --> 00:37:46,279
Speaker 1: And it's like, how could you compare that?

853
00:37:46,560 --> 00:37:47,359
Speaker 3: Like I got ship.

854
00:37:47,600 --> 00:37:49,920
Speaker 1: If you even compare women, you doubt none of them

855
00:37:49,960 --> 00:37:51,719
Speaker 1: are the same. I think people just do it now

856
00:37:51,760 --> 00:37:53,600
Speaker 1: because you know, people just got this hip hop.

857
00:37:53,719 --> 00:37:55,560
Speaker 3: You got it. You got all this stuff in front

858
00:37:55,600 --> 00:37:57,440
Speaker 3: of you for you to view your opinion. Man, and

859
00:37:57,920 --> 00:37:59,440
Speaker 3: you can have a moment with that, you know what

860
00:37:59,440 --> 00:38:02,080
Speaker 3: I'm saying. You know, let's really be realistic though, like

861
00:38:02,160 --> 00:38:04,359
Speaker 3: in our time, nobody sounded the same.

862
00:38:04,760 --> 00:38:08,960
Speaker 1: No, you know, runner say, sound like meth you know

863
00:38:09,000 --> 00:38:09,279
Speaker 1: what I mean?

864
00:38:09,400 --> 00:38:13,279
Speaker 3: Rightman, ain't sound like Rayquan. Nobody sound like they sound

865
00:38:13,400 --> 00:38:15,760
Speaker 3: like bleak, you know what I mean? Like nobody sounded

866
00:38:15,800 --> 00:38:18,320
Speaker 3: the same. Tribe didn't sound like food snickings, you know

867
00:38:18,360 --> 00:38:22,120
Speaker 3: what I'm saying. Like everybody was, but that's what they

868
00:38:22,239 --> 00:38:24,000
Speaker 3: hip hop, right Like? You know, we can go from

869
00:38:24,080 --> 00:38:26,320
Speaker 3: listen to some real n w A type ship and

870
00:38:26,400 --> 00:38:29,080
Speaker 3: be on some Benita Apple Bomb ship two hours later.

871
00:38:29,200 --> 00:38:29,759
Speaker 1: You know what I'm saying.

872
00:38:29,960 --> 00:38:31,520
Speaker 3: You can be on some Coojie rap shit to be

873
00:38:31,560 --> 00:38:32,759
Speaker 3: able some makeing music with your.

874
00:38:32,680 --> 00:38:34,479
Speaker 1: Mouth biz like Joe Ship.

875
00:38:34,600 --> 00:38:39,120
Speaker 3: Everybody was different back to the real time, but nobody

876
00:38:39,320 --> 00:38:40,000
Speaker 3: sound the same.

877
00:38:40,360 --> 00:38:43,160
Speaker 1: Listen to music today, it's the same rhythm. It's the

878
00:38:43,280 --> 00:38:46,440
Speaker 1: same to me, I tell it, And we appreciate the

879
00:38:46,480 --> 00:38:47,120
Speaker 1: ones that's.

880
00:38:46,960 --> 00:38:50,359
Speaker 3: Doing that, that's really doing something different, that's making universal music.

881
00:38:50,560 --> 00:38:54,120
Speaker 1: To me, it's all the same.

882
00:38:55,239 --> 00:38:59,280
Speaker 2: But if they cutting that check fucking remix, the remix

883
00:38:59,400 --> 00:39:00,920
Speaker 2: to the remix, nigga.

884
00:39:02,120 --> 00:39:04,440
Speaker 3: All that shit. When I'm nice and right and I'm

885
00:39:04,480 --> 00:39:08,239
Speaker 3: in that environment and I love all that shit. I'm

886
00:39:08,239 --> 00:39:11,200
Speaker 3: a musician. I love all common music. I'm not here

887
00:39:11,280 --> 00:39:12,799
Speaker 3: to say, oh, this shit is this, and this shit

888
00:39:12,920 --> 00:39:15,279
Speaker 3: is that. Listen, man, if it's getting you out the

889
00:39:15,320 --> 00:39:18,800
Speaker 3: neighborhood and feeding your family and taking care of your people's,

890
00:39:19,239 --> 00:39:21,600
Speaker 3: I don't ear what you're doing. You ain't robbing nobody,

891
00:39:22,160 --> 00:39:24,239
Speaker 3: You ain't you ain't you ain't you know pulling folks O.

892
00:39:24,400 --> 00:39:27,359
Speaker 3: You ain't doing no corny shit. Nah, that's how you're

893
00:39:27,360 --> 00:39:29,800
Speaker 3: gonna eat eat. It might not be my type of

894
00:39:30,040 --> 00:39:32,760
Speaker 3: taste of ship. But fuck that. You're doing something positive,

895
00:39:32,840 --> 00:39:34,719
Speaker 3: doing something right. You're getting some legal money and lots

896
00:39:34,760 --> 00:39:37,359
Speaker 3: of money through your ship bro eat yo.

897
00:39:37,680 --> 00:39:40,319
Speaker 2: So one thing I wanted to ask you to man

898
00:39:40,719 --> 00:39:44,000
Speaker 2: to crush on your record, that record you had mad smoke.

899
00:39:44,520 --> 00:39:47,160
Speaker 3: Everybody just coming out saying they wrote that. I don't

900
00:39:47,200 --> 00:39:49,200
Speaker 3: know who wrote it, yo, That's what I'm saying.

901
00:39:52,440 --> 00:39:53,360
Speaker 1: I think I wrote it.

902
00:39:54,880 --> 00:39:57,240
Speaker 3: Everybody who wrote that, I don't know who wrote the records.

903
00:39:57,239 --> 00:39:59,360
Speaker 3: Till somebody says something, they ain't got to say it.

904
00:40:00,160 --> 00:40:02,640
Speaker 1: I ain't write it. And I've been very vocal and

905
00:40:02,760 --> 00:40:05,000
Speaker 1: I just about me. I ain't started writing rounds till

906
00:40:05,080 --> 00:40:06,680
Speaker 1: nineteen ninety nine, you know what I'm saying.

907
00:40:06,800 --> 00:40:09,600
Speaker 3: Like, really, when I had to write my album, that's

908
00:40:09,680 --> 00:40:10,920
Speaker 3: when I started to write rohunds.

909
00:40:10,960 --> 00:40:12,440
Speaker 1: And I was still having people help us.

910
00:40:12,440 --> 00:40:14,200
Speaker 3: I had a bunch of I had an ill team

911
00:40:14,280 --> 00:40:16,839
Speaker 3: behind me helping me drop shit down too. But that's

912
00:40:16,880 --> 00:40:18,880
Speaker 3: when I got comfortable with writing songs, you know what

913
00:40:18,880 --> 00:40:21,279
Speaker 3: I'm saying, Like, you know my mom, the first I

914
00:40:21,360 --> 00:40:23,520
Speaker 3: did it all out? Who people say is my best verse?

915
00:40:23,640 --> 00:40:25,440
Speaker 3: I did that though, don't it whooah?

916
00:40:29,440 --> 00:40:33,200
Speaker 2: They said the joint with you j I think it

917
00:40:33,360 --> 00:40:36,120
Speaker 2: was you J Puff and somebody else. They said you

918
00:40:36,200 --> 00:40:38,840
Speaker 2: smoked anybody on that joint too, for I think for

919
00:40:38,960 --> 00:40:40,440
Speaker 2: the for the fami or.

920
00:40:42,360 --> 00:40:44,439
Speaker 1: Oh we gotta look at that little hold on, hold

921
00:40:44,440 --> 00:40:44,959
Speaker 1: on little all.

922
00:40:44,880 --> 00:40:46,600
Speaker 3: The shit I did, all the shit I did with us,

923
00:40:47,160 --> 00:40:50,359
Speaker 3: I did all that to rock my fear. Oh man,

924
00:40:50,719 --> 00:40:54,319
Speaker 3: that was you killed doing all again. You destroyed that too.

925
00:40:54,400 --> 00:40:54,960
Speaker 1: Come get me.

926
00:40:56,120 --> 00:40:58,040
Speaker 3: You know the game record I did with State P.

927
00:40:58,320 --> 00:40:59,880
Speaker 3: Like that's when I was you know in my you know,

928
00:41:00,760 --> 00:41:02,840
Speaker 3: I was, I was. I was really comfortable in the format.

929
00:41:02,920 --> 00:41:06,400
Speaker 3: I was like, all right, everything you did come around

930
00:41:06,400 --> 00:41:11,080
Speaker 3: when it was bad drop because it was doing going

931
00:41:11,200 --> 00:41:14,000
Speaker 3: down And I'm like, yo, who called you to go

932
00:41:14,120 --> 00:41:17,399
Speaker 3: to that store? Like? Nah it was with beatings to them?

933
00:41:17,640 --> 00:41:19,719
Speaker 3: You know that was these niggas over there, Yo.

934
00:41:19,760 --> 00:41:21,520
Speaker 1: It used to it was wicked.

935
00:41:21,560 --> 00:41:22,879
Speaker 3: If that's the type of ship.

936
00:41:22,920 --> 00:41:25,800
Speaker 1: I was like, all right, bro, you know, I just

937
00:41:25,840 --> 00:41:28,719
Speaker 1: thinking anything all smooth up here? Like it was like

938
00:41:28,800 --> 00:41:32,200
Speaker 1: it wasn't no ship, like nobody wasn't fighting did but

939
00:41:32,360 --> 00:41:33,080
Speaker 1: it was ship.

940
00:41:33,280 --> 00:41:35,040
Speaker 3: It was. I felt that.

941
00:41:35,480 --> 00:41:38,120
Speaker 1: I was like, all right, but just let me know.

942
00:41:38,280 --> 00:41:40,360
Speaker 3: You want me to pull up, I'll pull up and

943
00:41:40,480 --> 00:41:43,200
Speaker 3: then you know, cracking me, They hit me, they want

944
00:41:43,239 --> 00:41:45,000
Speaker 3: to come to the block, and I'm like, all right,

945
00:41:45,080 --> 00:41:47,960
Speaker 3: we're all feel He's you know this not knowing to

946
00:41:48,400 --> 00:41:50,160
Speaker 3: and I shouldn't know that at that time, you know

947
00:41:50,200 --> 00:41:50,560
Speaker 3: what I'm saying.

948
00:41:50,680 --> 00:41:52,640
Speaker 2: But it wasn't no smoke with so I was doing

949
00:41:52,760 --> 00:41:55,680
Speaker 2: just now. There wasn't no smoke with them. It's just

950
00:41:56,680 --> 00:41:58,760
Speaker 2: they they was playing a little bit of both sides.

951
00:41:59,680 --> 00:42:00,439
Speaker 1: You know what I'm saying.

952
00:42:00,440 --> 00:42:02,719
Speaker 2: It was it was smoked with the set and they

953
00:42:02,920 --> 00:42:05,520
Speaker 2: was down with both. It's like, nah, nigganna pick a

954
00:42:05,640 --> 00:42:08,600
Speaker 2: side cut, you know what I mean. But now looking back,

955
00:42:08,680 --> 00:42:10,840
Speaker 2: it's like I had fuck it, get your money. We

956
00:42:11,080 --> 00:42:14,280
Speaker 2: was all on some bullshit. WestEd the opportunity and wasted

957
00:42:15,080 --> 00:42:20,239
Speaker 2: major bread back then, Nigga just by egos, Like do

958
00:42:20,400 --> 00:42:23,120
Speaker 2: you look back and say to yourself, damn, I wish

959
00:42:23,200 --> 00:42:25,480
Speaker 2: I could have had this different, but we to win

960
00:42:25,520 --> 00:42:28,719
Speaker 2: about this situation different anything you wish you would have

961
00:42:28,880 --> 00:42:30,160
Speaker 2: went about different in life.

962
00:42:30,280 --> 00:42:33,360
Speaker 3: I just wish I would have focused on them. I

963
00:42:33,480 --> 00:42:36,400
Speaker 3: wish I would have just focused more on music, you

964
00:42:36,440 --> 00:42:38,040
Speaker 3: know what I'm saying, Like I really did. I wish

965
00:42:38,120 --> 00:42:41,120
Speaker 3: I you know, just would have been more focused on that,

966
00:42:41,480 --> 00:42:45,479
Speaker 3: like you know, you know me, It's like I needed

967
00:42:45,520 --> 00:42:47,680
Speaker 3: a certain situation. You know, I didn't. I didn't feel

968
00:42:47,719 --> 00:42:49,440
Speaker 3: good if it was just me doing it by myself.

969
00:42:49,600 --> 00:42:51,920
Speaker 3: Like you know, I was loving having the bristyles and

970
00:42:52,680 --> 00:42:55,439
Speaker 3: bangs and you know Cameron, you know when I'm working

971
00:42:55,520 --> 00:42:58,439
Speaker 3: on something, you know, you just got you know that anybody? Yeah,

972
00:42:58,480 --> 00:42:59,800
Speaker 3: you know what I mean. So when that kind of

973
00:43:00,200 --> 00:43:02,279
Speaker 3: it was just kind of like you know what I mean.

974
00:43:02,320 --> 00:43:04,120
Speaker 3: Then when I got with y'all, it's.

975
00:43:04,080 --> 00:43:06,560
Speaker 1: Like that ship started to because I love it dog,

976
00:43:06,600 --> 00:43:06,719
Speaker 1: you know.

977
00:43:06,760 --> 00:43:08,520
Speaker 3: I mean I didn't. I didn't grow up wanting to

978
00:43:08,600 --> 00:43:10,719
Speaker 3: do it, but you know that's that ship in our life,

979
00:43:10,719 --> 00:43:13,239
Speaker 3: you know what I'm saying. And I never wanted to

980
00:43:13,320 --> 00:43:15,480
Speaker 3: stop doing that because I just feel like, like you know,

981
00:43:15,960 --> 00:43:17,960
Speaker 3: I fight. I ain't still give niggas my best even

982
00:43:18,000 --> 00:43:19,200
Speaker 3: to this day, you know what I mean, Because I'm like,

983
00:43:19,400 --> 00:43:21,440
Speaker 3: I love I love music so much, you know what

984
00:43:21,440 --> 00:43:23,800
Speaker 3: I'm saying. I'm like, I'm sitting on I just dropped

985
00:43:23,800 --> 00:43:26,560
Speaker 3: a little throw back project. Yeah, like but just records.

986
00:43:26,640 --> 00:43:29,239
Speaker 3: I did, you know, like the ship to come and

987
00:43:29,280 --> 00:43:31,360
Speaker 3: get me, ship that niggas ain't here, like that, but

988
00:43:31,560 --> 00:43:34,200
Speaker 3: don't stop you. You still got more to give, man,

989
00:43:34,400 --> 00:43:35,600
Speaker 3: You've got the game to give.

990
00:43:35,719 --> 00:43:35,839
Speaker 2: Man.

991
00:43:35,880 --> 00:43:37,279
Speaker 1: You know you live through an era.

992
00:43:37,840 --> 00:43:42,040
Speaker 2: Come on, bro, Like fuck the Beef ship, right, everybody

993
00:43:42,120 --> 00:43:43,520
Speaker 2: that heard the stories of the Beef.

994
00:43:44,160 --> 00:43:47,359
Speaker 3: I never met Tupac. I never saw him ever.

995
00:43:47,760 --> 00:43:50,680
Speaker 2: Like I remember being the jaying and with the Freakbeak

996
00:43:50,760 --> 00:43:53,480
Speaker 2: in Atlanta and they was like, nah, Bleek, you can't go,

997
00:43:53,680 --> 00:43:54,279
Speaker 2: you're too young.

998
00:43:54,760 --> 00:43:56,839
Speaker 3: And Pac was out there. That's all everybody kept saying.

999
00:43:56,880 --> 00:43:58,800
Speaker 3: You know, Pot was in the ag. This ship was crazy,

1000
00:43:59,160 --> 00:44:01,279
Speaker 3: Like was it?

1001
00:44:01,880 --> 00:44:05,239
Speaker 2: What was the times like before the drama whippop? Like

1002
00:44:06,440 --> 00:44:08,800
Speaker 2: you know what I mean, everybody heard the drama. Nobody

1003
00:44:08,920 --> 00:44:11,120
Speaker 2: heard what it was like before the beat.

1004
00:44:11,320 --> 00:44:12,959
Speaker 1: Yeah, I mean, shit was cool.

1005
00:44:13,040 --> 00:44:16,240
Speaker 3: It was. It was Nigga was He was like fam

1006
00:44:16,480 --> 00:44:18,640
Speaker 3: you know what I'm saying, Like, nah, coming, you know,

1007
00:44:18,760 --> 00:44:21,200
Speaker 3: come to hang out on the block with us at times, Yep,

1008
00:44:21,239 --> 00:44:22,920
Speaker 3: you know what I'm saying, Like, you know, we were

1009
00:44:22,960 --> 00:44:24,840
Speaker 3: in the studio going to fuck with him. Him and

1010
00:44:25,800 --> 00:44:28,040
Speaker 3: Big they doing records the running from the police, like

1011
00:44:28,200 --> 00:44:30,520
Speaker 3: you know, they both was on that heavy D remix.

1012
00:44:30,600 --> 00:44:32,520
Speaker 3: You know what I'm saying, Like, let's get it on shit.

1013
00:44:32,680 --> 00:44:34,799
Speaker 3: Like I mean, it's like we was really like we're

1014
00:44:34,840 --> 00:44:36,640
Speaker 3: fucking with homie. So it was like regular shit, like

1015
00:44:36,640 --> 00:44:38,239
Speaker 3: you know what I mean, Like you know, we were

1016
00:44:38,280 --> 00:44:40,160
Speaker 3: still who he was. Do we want rappers niggas? So

1017
00:44:40,280 --> 00:44:42,960
Speaker 3: just imagine how our energy didn't like you know, we

1018
00:44:43,200 --> 00:44:46,200
Speaker 3: and it was crazy. But that's him even somebody before us.

1019
00:44:46,280 --> 00:44:49,800
Speaker 3: So it's like like that's crazy, that's Tupac niggas. This

1020
00:44:49,880 --> 00:44:51,719
Speaker 3: nigga sitting on foot and street right there with us,

1021
00:44:51,880 --> 00:44:52,640
Speaker 3: Like yo.

1022
00:44:52,680 --> 00:44:55,280
Speaker 1: It's crazy niggas. Add Tupac ball full.

1023
00:44:55,160 --> 00:44:57,640
Speaker 3: The street on footing in Saint James Broke chilling with

1024
00:44:57,760 --> 00:45:01,560
Speaker 3: a Bad Boys shirt on too. Yeah, for real, you

1025
00:45:01,640 --> 00:45:03,279
Speaker 3: see that picture that go off that BC all the

1026
00:45:03,360 --> 00:45:05,359
Speaker 3: round with all of us in the picture and ship

1027
00:45:05,520 --> 00:45:07,160
Speaker 3: need him God bless her that stretch.

1028
00:45:07,960 --> 00:45:10,719
Speaker 1: Like, but him and Big was d they they was

1029
00:45:10,800 --> 00:45:12,080
Speaker 1: bros like for real, forharal.

1030
00:45:12,160 --> 00:45:14,680
Speaker 3: They kicked it. They respected each other like you know

1031
00:45:14,840 --> 00:45:18,239
Speaker 3: pop perspective, Big Big respected him. They were just young,

1032
00:45:18,360 --> 00:45:22,960
Speaker 3: and you know, outside forces came in and I the

1033
00:45:23,040 --> 00:45:26,120
Speaker 3: whole situation. I ain't gonna lie blame.

1034
00:45:26,440 --> 00:45:31,799
Speaker 2: It wasn't social media, but the media media, the major part,

1035
00:45:32,120 --> 00:45:33,080
Speaker 2: the magazines.

1036
00:45:33,640 --> 00:45:36,480
Speaker 3: They pushed that narrative both East Coast and west. Like

1037
00:45:36,600 --> 00:45:39,800
Speaker 3: you said, bro a super problem that was an issue

1038
00:45:39,840 --> 00:45:40,480
Speaker 3: with two people.

1039
00:45:40,640 --> 00:45:42,560
Speaker 1: Yeah, it wasn't the whole coast thing.

1040
00:45:42,640 --> 00:45:47,200
Speaker 2: And that's what's so crazy that before the drama with

1041
00:45:47,480 --> 00:45:51,439
Speaker 2: with with Popping Big, going to La felt like going

1042
00:45:51,520 --> 00:45:52,560
Speaker 2: to London, my nigga.

1043
00:45:52,600 --> 00:45:54,840
Speaker 1: They used to treat them. Women used to act like we.

1044
00:45:55,000 --> 00:45:59,840
Speaker 3: Was alien that nigga. I fucking him, I fucking love you,

1045
00:46:00,440 --> 00:46:02,160
Speaker 3: and I used to be like we love y'all too.

1046
00:46:02,800 --> 00:46:07,560
Speaker 2: And then after the drama, my nigga, I remember going

1047
00:46:07,640 --> 00:46:10,759
Speaker 2: to Fat Burger. Bro Yo, listen or some g shit.

1048
00:46:11,200 --> 00:46:13,759
Speaker 2: This is before I was known to when that was

1049
00:46:13,840 --> 00:46:18,360
Speaker 2: next to the hotel. From the hotel, the Omnio something, I'm.

1050
00:46:18,960 --> 00:46:21,680
Speaker 3: No hold on, keep talking, it's come to my mind, yo,

1051
00:46:22,120 --> 00:46:23,640
Speaker 3: the fat Burger right across the street.

1052
00:46:23,719 --> 00:46:26,040
Speaker 1: I walk outside the hotel going to the fat Burger.

1053
00:46:26,160 --> 00:46:29,960
Speaker 2: I not let me get some to eat. Oh, my nigga.

1054
00:46:30,040 --> 00:46:32,920
Speaker 2: Niggas came and laid down the whole parking lot. It

1055
00:46:33,040 --> 00:46:36,000
Speaker 2: was mad niggas in the parking lot, chilling, smoking, drinking.

1056
00:46:36,480 --> 00:46:39,120
Speaker 2: I come out the fat Burger. They got like five niggas,

1057
00:46:39,200 --> 00:46:43,319
Speaker 2: laid down. Niggas mass sore just booking these niggas.

1058
00:46:43,600 --> 00:46:45,480
Speaker 3: And I'm like, yo, what the fuck you see that

1059
00:46:45,520 --> 00:46:46,600
Speaker 3: ship from the window on there.

1060
00:46:46,760 --> 00:46:49,480
Speaker 2: And then depth Jam used to have security for us,

1061
00:46:49,560 --> 00:46:51,520
Speaker 2: like because at times we used to pull up, they

1062
00:46:51,560 --> 00:46:53,840
Speaker 2: didn't have security. Used to be go, have to do

1063
00:46:54,000 --> 00:46:56,440
Speaker 2: your thing. Then you lay in the security at the

1064
00:46:56,520 --> 00:46:58,960
Speaker 2: airport for you it's like, whoa, what the fuck?

1065
00:47:01,200 --> 00:47:03,920
Speaker 3: Like we're over here now, you know, it's a little different.

1066
00:47:04,320 --> 00:47:07,600
Speaker 3: And then you're Hollywood, you're thinking ships sweet, like, nah, nigga,

1067
00:47:07,640 --> 00:47:10,359
Speaker 3: this is it's a you know, it's it's a gang.

1068
00:47:10,520 --> 00:47:14,359
Speaker 1: It's a gang bro, but it's love.

1069
00:47:14,600 --> 00:47:17,520
Speaker 3: You know, it is fun and you know the atmosphere

1070
00:47:17,560 --> 00:47:19,560
Speaker 3: you know when you ride down Sunset, you ride down

1071
00:47:20,400 --> 00:47:24,120
Speaker 3: the strip, the buns, you know, you get you say,

1072
00:47:24,320 --> 00:47:26,040
Speaker 3: this ship is I like that way?

1073
00:47:26,160 --> 00:47:26,439
Speaker 1: This ship.

1074
00:47:26,800 --> 00:47:28,400
Speaker 3: That's why Big wanted to be there, you know, you

1075
00:47:28,480 --> 00:47:30,400
Speaker 3: want like it was a vow for him, you know

1076
00:47:30,440 --> 00:47:32,000
Speaker 3: what I'm saying. He wanted to be there, you know,

1077
00:47:32,239 --> 00:47:34,759
Speaker 3: like you know at that time, and that's what that

1078
00:47:34,920 --> 00:47:37,680
Speaker 3: was his spot. That was his comfort, smoking that good

1079
00:47:37,719 --> 00:47:40,120
Speaker 3: ass ship like we had Branson back home, you know

1080
00:47:40,120 --> 00:47:40,520
Speaker 3: what I'm saying.

1081
00:47:40,560 --> 00:47:42,320
Speaker 1: But he like, when you here, you could get that

1082
00:47:42,440 --> 00:47:44,480
Speaker 1: ship from anybody you know that got some good ship.

1083
00:47:44,600 --> 00:47:45,080
Speaker 1: And you know that.

1084
00:47:47,040 --> 00:47:49,279
Speaker 3: Still to this day this day, that's the best ship

1085
00:47:49,360 --> 00:47:51,040
Speaker 3: in the States outside niggas.

1086
00:47:51,320 --> 00:47:53,480
Speaker 2: Every year, all my West Coast niggas, I tell the

1087
00:47:53,560 --> 00:47:55,480
Speaker 2: niggas that niggas is spoil.

1088
00:47:55,560 --> 00:47:55,600
Speaker 3: You.

1089
00:47:56,600 --> 00:48:00,440
Speaker 2: Niggas grew up with the super gas all day. We

1090
00:48:00,640 --> 00:48:03,440
Speaker 2: had to scrounge. Niggas used to gash you up that

1091
00:48:03,640 --> 00:48:04,480
Speaker 2: it was the gas.

1092
00:48:04,960 --> 00:48:05,120
Speaker 3: Yo.

1093
00:48:05,280 --> 00:48:06,280
Speaker 1: We had to have chocolate.

1094
00:48:06,760 --> 00:48:09,839
Speaker 2: Think about it. They fucked up the O. G. Cush

1095
00:48:10,040 --> 00:48:11,920
Speaker 2: name on the East Coast for a minute.

1096
00:48:12,200 --> 00:48:13,680
Speaker 1: He just came back.

1097
00:48:14,239 --> 00:48:16,239
Speaker 2: You would tell niggas a couple of years ago you

1098
00:48:16,360 --> 00:48:19,440
Speaker 2: got some cush niggas like that's bullshit.

1099
00:48:19,840 --> 00:48:22,160
Speaker 3: We were stuck on side with these over like twenty

1100
00:48:22,280 --> 00:48:26,800
Speaker 3: years for sure, dug The West always had outside of

1101
00:48:27,200 --> 00:48:30,640
Speaker 3: outside of like in the you know, in the States, Yeah,

1102
00:48:31,000 --> 00:48:33,279
Speaker 3: like crazy California, just the West coast period. I don't

1103
00:48:33,280 --> 00:48:37,800
Speaker 3: give a fucking be like Portland, Denver, Seattle anytime to debate.

1104
00:48:38,200 --> 00:48:40,120
Speaker 3: You touched some bod over there. You know, I don't

1105
00:48:40,120 --> 00:48:42,879
Speaker 3: give you given a long bread. It's gonna be some ship. Yeah,

1106
00:48:42,920 --> 00:48:47,360
Speaker 3: they bad weed is good. Weed's no bad weed on

1107
00:48:47,440 --> 00:48:50,759
Speaker 3: the West. We still got bad weed. We're gonna get

1108
00:48:50,760 --> 00:48:52,080
Speaker 3: that right. We're gonna get that right.

1109
00:48:52,360 --> 00:48:56,600
Speaker 2: When Big said the ship, I swear right, I always

1110
00:48:56,640 --> 00:48:58,480
Speaker 2: said he shipped on me.

1111
00:48:59,080 --> 00:49:02,799
Speaker 3: He's like thieves out You's like.

1112
00:49:02,920 --> 00:49:05,560
Speaker 2: Damn, he shipped it on me because we was just

1113
00:49:05,680 --> 00:49:08,560
Speaker 2: smoking the all at the apollo. Right, I'm telling you

1114
00:49:09,200 --> 00:49:13,600
Speaker 2: and my ship, you're not when to see burning, be steaming,

1115
00:49:13,719 --> 00:49:16,080
Speaker 2: crazy or stinking. He's like, nah, little bro, I don't

1116
00:49:16,120 --> 00:49:19,000
Speaker 2: want that game by l beat. So they like, you know,

1117
00:49:19,239 --> 00:49:22,160
Speaker 2: month later he niggas meaning the seeds.

1118
00:49:21,880 --> 00:49:25,040
Speaker 3: Out there week like damn, niggas ship it on me?

1119
00:49:25,239 --> 00:49:32,960
Speaker 3: Cut yo. So another question I wanted to ask a skip.

1120
00:49:33,200 --> 00:49:35,920
Speaker 2: We spoke about it on drink chaps and get the

1121
00:49:36,120 --> 00:49:38,880
Speaker 2: answer where Big saying or seeds no?

1122
00:49:39,239 --> 00:49:41,399
Speaker 1: Or did jo hoes go to his No? First man,

1123
00:49:41,520 --> 00:49:44,520
Speaker 1: keep it one hundred with you. He was all of them.

1124
00:49:44,680 --> 00:49:46,080
Speaker 1: He was cat some of us.

1125
00:49:46,239 --> 00:49:48,560
Speaker 3: Yea. They weren't even mine though.

1126
00:49:48,880 --> 00:49:51,759
Speaker 1: No, they straight say.

1127
00:49:51,800 --> 00:49:54,960
Speaker 3: The straight for the streets was not hours. You know

1128
00:49:55,840 --> 00:49:59,799
Speaker 3: I was, yo. Look it was a bout before me, right, Yes,

1129
00:50:00,080 --> 00:50:04,520
Speaker 3: so I was the magnet. You know you was sure, yo, ma,

1130
00:50:05,239 --> 00:50:07,280
Speaker 3: it was deficient. I was wanted to be big popa

1131
00:50:07,440 --> 00:50:11,399
Speaker 3: you dude, all right, but look listen before we get there,

1132
00:50:12,200 --> 00:50:15,759
Speaker 3: you're gonna yo all right. Once we do that, I'm

1133
00:50:15,760 --> 00:50:22,200
Speaker 3: gonna like yo yo fapa she she ready all right? Yeah,

1134
00:50:22,480 --> 00:50:25,920
Speaker 3: so like shop like that come from you know on

1135
00:50:26,239 --> 00:50:26,840
Speaker 3: our team.

1136
00:50:27,480 --> 00:50:30,440
Speaker 2: No, it was shocks on our team. Wasn't no did

1137
00:50:30,600 --> 00:50:34,440
Speaker 2: nothing for nobody. Niggas was taking yours. I remember the

1138
00:50:34,640 --> 00:50:38,000
Speaker 2: first time being on the road, right, Niggas is mad,

1139
00:50:38,760 --> 00:50:41,160
Speaker 2: but I just gotta let the big homie know you.

1140
00:50:41,239 --> 00:50:43,000
Speaker 3: Talk a little bit, but that's your past. We talked

1141
00:50:43,000 --> 00:50:46,319
Speaker 3: about the past. We're not said, let's say y'all, we're

1142
00:50:46,400 --> 00:50:48,520
Speaker 3: talking about ship. That's we did.

1143
00:50:48,719 --> 00:50:50,239
Speaker 1: I was like, this is not now ya.

1144
00:50:50,280 --> 00:50:53,800
Speaker 2: I was like fifteen, right, my first time probably third

1145
00:50:53,920 --> 00:50:58,279
Speaker 2: time on the road with Big Jay Dame everybody.

1146
00:50:58,400 --> 00:51:00,560
Speaker 3: So we in the club, I would know what's city win.

1147
00:51:01,239 --> 00:51:03,520
Speaker 2: But I know Niggas is telling me, yo, you get

1148
00:51:03,600 --> 00:51:06,480
Speaker 2: some girls just telling what hotel you at they meet

1149
00:51:06,520 --> 00:51:07,000
Speaker 2: you over there?

1150
00:51:07,040 --> 00:51:07,399
Speaker 3: You good.

1151
00:51:07,480 --> 00:51:09,480
Speaker 2: So I'm like, girls gonna meet us at the hotel.

1152
00:51:09,600 --> 00:51:11,760
Speaker 2: Niggas like, yeah, just tell them where you're staying.

1153
00:51:11,840 --> 00:51:12,879
Speaker 1: So mind you. I'm new.

1154
00:51:13,120 --> 00:51:16,320
Speaker 2: I'm like, get a girl go to the hotel like nigga.

1155
00:51:16,360 --> 00:51:18,640
Speaker 2: I just was kissing in the hallway for three hours.

1156
00:51:19,840 --> 00:51:22,520
Speaker 3: This shit not gonna happen fuck to me.

1157
00:51:23,280 --> 00:51:26,360
Speaker 2: So then boom, I'm moving around the club, meet this

1158
00:51:26,560 --> 00:51:28,560
Speaker 2: girl and she like, Yo, where you stay?

1159
00:51:28,680 --> 00:51:29,360
Speaker 3: She asks me.

1160
00:51:30,160 --> 00:51:32,680
Speaker 2: I'm like, yo, we over had such and such, you

1161
00:51:32,719 --> 00:51:35,200
Speaker 2: know what I mean? She like, you got your own room?

1162
00:51:35,320 --> 00:51:38,040
Speaker 2: So I'm not allowed. I'm like, oh she wanted she

1163
00:51:38,239 --> 00:51:41,120
Speaker 2: hold me in. So I'm like, yeah, but I don't

1164
00:51:41,160 --> 00:51:43,400
Speaker 2: know where the hotel at. Let me go get the

1165
00:51:43,520 --> 00:51:46,239
Speaker 2: address and I'm gonna tell you exactly what hotel we at.

1166
00:51:46,960 --> 00:51:49,839
Speaker 2: I go tell bigs y know where we staying at?

1167
00:51:50,000 --> 00:51:52,279
Speaker 2: He like why, I'm like, I got this joint. She

1168
00:51:52,400 --> 00:51:53,720
Speaker 2: ready to come back to the hotel.

1169
00:51:54,200 --> 00:51:58,440
Speaker 1: He like who? So my young dumb ass shows her

1170
00:51:58,960 --> 00:51:59,719
Speaker 1: her right there.

1171
00:52:00,440 --> 00:52:00,600
Speaker 2: You know.

1172
00:52:00,760 --> 00:52:03,759
Speaker 3: He went and took up man.

1173
00:52:04,280 --> 00:52:06,960
Speaker 1: Yeah see see how happened to you?

1174
00:52:07,360 --> 00:52:10,239
Speaker 3: Yo? Yo yo?

1175
00:52:10,760 --> 00:52:13,800
Speaker 1: So that's what I had to do. That you was

1176
00:52:13,880 --> 00:52:14,520
Speaker 1: out there.

1177
00:52:15,360 --> 00:52:19,960
Speaker 3: Bringing them to the They was, but Poppa wasn't as

1178
00:52:20,040 --> 00:52:22,360
Speaker 3: vicious as big as at that chime, but he would.

1179
00:52:22,480 --> 00:52:24,200
Speaker 1: They would, they would just do what they do.

1180
00:52:24,360 --> 00:52:28,680
Speaker 3: It was it wasn't him, it was her. She went like,

1181
00:52:28,800 --> 00:52:32,880
Speaker 3: all right, damn, I just knew the power. Yeah, night,

1182
00:52:33,160 --> 00:52:35,600
Speaker 3: all right, I know she won't poppa before anything. Yo,

1183
00:52:35,800 --> 00:52:39,919
Speaker 3: Ma whole? Well are you fun? Oh? He ham fun,

1184
00:52:40,239 --> 00:52:40,680
Speaker 3: You're fun.

1185
00:52:42,000 --> 00:52:45,799
Speaker 2: I ain't gonna lie hoo. Was mad whack on the road. Hoo,

1186
00:52:45,920 --> 00:52:46,960
Speaker 2: they hang out with us.

1187
00:52:47,840 --> 00:52:51,040
Speaker 1: Send he should send me ship down to I could

1188
00:52:51,040 --> 00:52:52,560
Speaker 1: be in. I could be in the room chilling.

1189
00:52:52,600 --> 00:52:54,839
Speaker 3: Bro, I'm gonna keep it real. He give me that call,

1190
00:52:54,920 --> 00:52:57,759
Speaker 3: that phone ringing that hotel? Yo.

1191
00:52:58,480 --> 00:53:02,080
Speaker 1: So he had to say, Yo, now why you call him?

1192
00:53:02,120 --> 00:53:04,279
Speaker 1: And I just sent something upstairs? It could be not nine.

1193
00:53:04,520 --> 00:53:06,480
Speaker 1: It's nothing that came from me. Just some shit he

1194
00:53:06,560 --> 00:53:07,400
Speaker 1: got whatever.

1195
00:53:07,920 --> 00:53:10,839
Speaker 3: I know. I go roll him up, five blunts, take

1196
00:53:10,920 --> 00:53:12,480
Speaker 3: him a joke. Here you go, Bro, you're good.

1197
00:53:12,840 --> 00:53:14,239
Speaker 1: I'll be downstairs playing the game.

1198
00:53:14,560 --> 00:53:21,759
Speaker 3: If that phone ran yo, I oh, hope, wasn't he

1199
00:53:22,239 --> 00:53:24,280
Speaker 3: come on, I got to kill I got everything.

1200
00:53:24,600 --> 00:53:26,800
Speaker 2: Hope wasn't partying with us that nigga. I'm telling you

1201
00:53:26,840 --> 00:53:29,759
Speaker 2: you listening to them raps. He said it, y'all on

1202
00:53:29,880 --> 00:53:32,560
Speaker 2: the road one hundred hours. I fly over your bus.

1203
00:53:32,880 --> 00:53:34,120
Speaker 2: He was talking about us.

1204
00:53:35,719 --> 00:53:35,959
Speaker 3: Show.

1205
00:53:37,000 --> 00:53:40,880
Speaker 2: He jumped on the plane. Gone, we stuck at the hotel.

1206
00:53:41,000 --> 00:53:43,320
Speaker 2: We gotta wake up, get on the bus. He already

1207
00:53:43,400 --> 00:53:45,600
Speaker 2: in the next city ship.

1208
00:53:46,000 --> 00:53:48,840
Speaker 1: Yeah good and get situated and we.

1209
00:53:48,920 --> 00:53:53,520
Speaker 2: Thinking we had fun pulling up tired, still drunk from

1210
00:53:53,640 --> 00:53:57,480
Speaker 2: last night. Hope wasn't nine, but nigga. The other niggas,

1211
00:53:57,719 --> 00:53:59,960
Speaker 2: I ain't gonna say no names a lot of them niggas.

1212
00:54:00,080 --> 00:54:01,840
Speaker 3: Oh, they used to snipe.

1213
00:54:02,400 --> 00:54:03,680
Speaker 1: You bring some back.

1214
00:54:04,480 --> 00:54:06,840
Speaker 3: It's like, it's just different now we snip. I was

1215
00:54:06,880 --> 00:54:08,560
Speaker 3: put a group of nine people. You know what I mean?

1216
00:54:08,680 --> 00:54:11,560
Speaker 3: It was snip. Yeah, niggas is going to remember listen

1217
00:54:11,840 --> 00:54:13,960
Speaker 3: and I'm not. They don't know what they want to do.

1218
00:54:14,080 --> 00:54:18,960
Speaker 3: Are you cool and cooling us? We was the young niggas.

1219
00:54:19,040 --> 00:54:21,719
Speaker 2: Yeah, this is old old again because I remember, Hope,

1220
00:54:21,719 --> 00:54:23,960
Speaker 2: you used to have to pay a band to get

1221
00:54:24,000 --> 00:54:25,880
Speaker 2: me in the club because I wasn't eighteen.

1222
00:54:26,200 --> 00:54:27,200
Speaker 3: Niggas like he's sixteen.

1223
00:54:27,280 --> 00:54:31,000
Speaker 1: No thousand dollars for him now he was the only Yeah, listen,

1224
00:54:31,280 --> 00:54:35,960
Speaker 1: don't be along. Don't think I was outside. They grown ups.

1225
00:54:36,120 --> 00:54:39,520
Speaker 1: He was adults because I was twenty one and over

1226
00:54:39,560 --> 00:54:40,040
Speaker 1: the club.

1227
00:54:40,400 --> 00:54:42,400
Speaker 3: They used to have to pay a thousand dollars at

1228
00:54:42,480 --> 00:54:43,600
Speaker 3: every club to get me in.

1229
00:54:44,200 --> 00:54:44,400
Speaker 2: I was.

1230
00:54:45,520 --> 00:54:47,640
Speaker 1: They'll be like, nah, don't let him in. Je like

1231
00:54:47,680 --> 00:54:49,120
Speaker 1: I'll give you a thousand dollar of stop bucket.

1232
00:54:49,120 --> 00:54:51,000
Speaker 3: They be like he good, or you had to come

1233
00:54:51,080 --> 00:54:51,920
Speaker 3: in you on a record.

1234
00:54:52,040 --> 00:54:54,000
Speaker 1: Yeah, but they still used to be like, nah, you know,

1235
00:54:54,239 --> 00:54:57,560
Speaker 1: used to show love Maria Davis Bad Wednesday.

1236
00:54:57,960 --> 00:55:01,200
Speaker 2: Yeah, Yo, Maria Davis used to have Yeah, I know

1237
00:55:01,280 --> 00:55:04,319
Speaker 2: you you did Maria Davis a few nights you did yo.

1238
00:55:04,480 --> 00:55:06,360
Speaker 3: When we used to that Vertigo, I did that a

1239
00:55:06,400 --> 00:55:10,120
Speaker 3: few times. But the tunnel always like they ain't never really,

1240
00:55:10,239 --> 00:55:12,920
Speaker 3: you know, I never had an issue going in the tunnel. Yeah. No,

1241
00:55:13,000 --> 00:55:15,600
Speaker 3: the turn away kid, they ain't get the check out

1242
00:55:15,680 --> 00:55:17,080
Speaker 3: he had man logan.

1243
00:55:17,160 --> 00:55:18,720
Speaker 1: I was spending money in the tunnel.

1244
00:55:19,120 --> 00:55:21,480
Speaker 3: You was in there, you had remember you had nails.

1245
00:55:21,560 --> 00:55:24,920
Speaker 3: Downtown was on Fourteenth Street, the Grand, the Muse and

1246
00:55:25,480 --> 00:55:27,479
Speaker 3: you know what I mean. So it never was really

1247
00:55:27,719 --> 00:55:29,719
Speaker 3: until you start to travel and go out of town.

1248
00:55:29,920 --> 00:55:31,759
Speaker 2: I didn't have to go to the Mute. So now

1249
00:55:31,840 --> 00:55:34,880
Speaker 2: I was too young hoping the used to leave me.

1250
00:55:35,640 --> 00:55:38,840
Speaker 2: It's be like, no we out, Yeah, that's crazy, was it?

1251
00:55:39,160 --> 00:55:43,040
Speaker 2: If it wasn't, no performance clippers was out SaaS like

1252
00:55:43,120 --> 00:55:45,399
Speaker 2: I believe you in the hood. You good, don't worry

1253
00:55:45,440 --> 00:55:46,719
Speaker 2: about it. I call you when it's time. To do

1254
00:55:46,800 --> 00:55:47,400
Speaker 2: coming age.

1255
00:55:48,600 --> 00:55:49,640
Speaker 1: But y'all was right here.

1256
00:55:49,840 --> 00:55:53,719
Speaker 3: But Yo, so when you y'all wasn't that far from us,

1257
00:55:53,880 --> 00:55:56,680
Speaker 3: Like when who came out first? I know Big came

1258
00:55:56,719 --> 00:55:59,160
Speaker 3: out ninety four, when the old they came out ninety six.

1259
00:56:00,040 --> 00:56:01,839
Speaker 3: Ye Usual Down came out ninety six six.

1260
00:56:02,080 --> 00:56:04,120
Speaker 1: Yes, y'all was already rolling.

1261
00:56:04,280 --> 00:56:08,160
Speaker 3: That's what I'm saying. Y'all was already rolling. But I

1262
00:56:08,239 --> 00:56:10,759
Speaker 3: never even thought about that. I'm because I always thought

1263
00:56:10,800 --> 00:56:14,160
Speaker 3: whole album was around the same time. Like, nah, I

1264
00:56:14,239 --> 00:56:17,640
Speaker 3: thought that it was yall came out around that time. No,

1265
00:56:18,520 --> 00:56:19,440
Speaker 3: I think nas was.

1266
00:56:19,640 --> 00:56:20,080
Speaker 1: I think.

1267
00:56:22,320 --> 00:56:26,080
Speaker 2: Ninety four, that ninety four year was y'all nods Wu

1268
00:56:26,239 --> 00:56:28,080
Speaker 2: Tang ninety the fact.

1269
00:56:28,200 --> 00:56:30,560
Speaker 1: Now I'm thinking about the Ain't No Nigga video? Yeah,

1270
00:56:30,920 --> 00:56:34,879
Speaker 1: we we fell out here come to the video. Yeah,

1271
00:56:35,080 --> 00:56:39,279
Speaker 1: I think that was ninety five. That was in ninety five.

1272
00:56:39,400 --> 00:56:41,440
Speaker 3: I'm thinking about that, and Big was on that album.

1273
00:56:41,480 --> 00:56:43,680
Speaker 3: I'm like, all right, so yeah that was something that

1274
00:56:43,800 --> 00:56:45,840
Speaker 3: was physical. Why you know Big was present. But I

1275
00:56:45,880 --> 00:56:47,600
Speaker 3: always thought that whole album came.

1276
00:56:47,520 --> 00:56:51,800
Speaker 1: Out, No, ninety six, my nigga, My shit ain't dropped

1277
00:56:51,800 --> 00:56:52,480
Speaker 1: in ninety nine.

1278
00:56:52,560 --> 00:56:55,080
Speaker 2: Think you already got just shipped out five years before

1279
00:56:55,120 --> 00:56:56,440
Speaker 2: I even got started.

1280
00:56:56,960 --> 00:57:00,360
Speaker 3: So think about the love I thought I got on

1281
00:57:00,480 --> 00:57:05,160
Speaker 3: the road. This nigga was getting jodasy love.

1282
00:57:11,520 --> 00:57:15,440
Speaker 1: God, you got the joonasy love.

1283
00:57:15,360 --> 00:57:15,840
Speaker 3: My nigga.

1284
00:57:15,920 --> 00:57:18,320
Speaker 2: You was out there with Tavin Cambre and the Niggas,

1285
00:57:18,720 --> 00:57:20,640
Speaker 2: niggas the sensions in their heir.

1286
00:57:21,520 --> 00:57:24,360
Speaker 3: I got it when it was real and it was authentic. Man. Yeah, man,

1287
00:57:24,600 --> 00:57:27,480
Speaker 3: that ship going on right now. No, you was around

1288
00:57:27,680 --> 00:57:31,480
Speaker 3: hard asses. You was it. W was all pat It

1289
00:57:31,600 --> 00:57:35,520
Speaker 3: was all authentic to all real ass, real real women,

1290
00:57:36,200 --> 00:57:37,240
Speaker 3: was real men. It was.

1291
00:57:37,400 --> 00:57:39,560
Speaker 1: It was real ship going on. But you were still there.

1292
00:57:39,640 --> 00:57:40,920
Speaker 3: You wasn't. You wasn't far back.

1293
00:57:41,480 --> 00:57:42,240
Speaker 1: I was far back.

1294
00:57:42,400 --> 00:57:45,080
Speaker 3: Fuck three, yeah three, you weren't that far.

1295
00:57:45,400 --> 00:57:48,280
Speaker 1: I never was around Patra. Patrick was bad.

1296
00:57:48,400 --> 00:57:50,600
Speaker 3: She was like one of the baddest fucking brown share

1297
00:57:50,680 --> 00:57:51,560
Speaker 3: women in the world.

1298
00:57:52,080 --> 00:57:54,439
Speaker 1: So I'm trying to tell you I wasn't.

1299
00:57:54,840 --> 00:57:55,720
Speaker 3: I didn't look like that.

1300
00:57:55,920 --> 00:57:58,160
Speaker 1: This is what I'm saying, my nigga. You was around

1301
00:57:58,640 --> 00:57:59,400
Speaker 1: super Cat.

1302
00:58:00,120 --> 00:58:02,680
Speaker 3: Come on, cup, Dolly Dolly, my bay.

1303
00:58:02,760 --> 00:58:06,480
Speaker 2: I was in the house party. You was really with him.

1304
00:58:07,280 --> 00:58:10,520
Speaker 2: In fact, he was with Shopper Trailer Little.

1305
00:58:11,120 --> 00:58:12,320
Speaker 3: Has Shot the heavy d.

1306
00:58:12,760 --> 00:58:12,960
Speaker 1: Yeah.

1307
00:58:13,080 --> 00:58:16,240
Speaker 3: God, bless God. Blessed no like that that type of error.

1308
00:58:16,240 --> 00:58:16,800
Speaker 1: You know what I'm saying.

1309
00:58:17,360 --> 00:58:20,440
Speaker 3: My favorite rapper outside of b I was Grand Pooper

1310
00:58:20,560 --> 00:58:24,080
Speaker 3: bro oh Yo still is now. Grand Pooler was still

1311
00:58:26,440 --> 00:58:29,000
Speaker 3: dressing like him with the jam Sport Johnny hill Finger.

1312
00:58:29,680 --> 00:58:32,920
Speaker 2: Grandpool was on that ship. Yeah, y'all clipped him on

1313
00:58:32,960 --> 00:58:35,439
Speaker 2: the remix though. And when he was on that Mary

1314
00:58:35,520 --> 00:58:37,280
Speaker 2: J record first and then big put.

1315
00:58:37,200 --> 00:58:41,080
Speaker 3: His verse and his verse wasn't boom. We were just listen, man,

1316
00:58:41,560 --> 00:58:44,080
Speaker 3: that was bad Boys recordad Niggas pumped Daddy.

1317
00:58:45,480 --> 00:58:48,520
Speaker 1: Bigga was just shined. They ain't calling shots like that.

1318
00:58:49,640 --> 00:58:50,240
Speaker 3: The word that.

1319
00:58:53,120 --> 00:58:56,440
Speaker 2: Mary record with Grandpooper used to be playing like Russia

1320
00:58:56,560 --> 00:58:58,920
Speaker 2: was on all raw G takes and that was our

1321
00:58:59,000 --> 00:58:59,760
Speaker 2: ship that album.

1322
00:59:00,440 --> 00:59:01,280
Speaker 1: That ship was Biggie.

1323
00:59:01,320 --> 00:59:07,080
Speaker 3: Your did like Nigga from last Nigga verses crazy on

1324
00:59:07,160 --> 00:59:09,720
Speaker 3: that he was finished, you know see, and I ever

1325
00:59:09,880 --> 00:59:12,440
Speaker 3: like you know, especially b I. B I was a

1326
00:59:12,520 --> 00:59:15,520
Speaker 3: hip hop nigga. So we we listened to everybody like,

1327
00:59:15,680 --> 00:59:17,400
Speaker 3: you know, you ain't have to just be hardcore, just

1328
00:59:17,480 --> 00:59:20,720
Speaker 3: be from Brooklyn. We was tapped in with I was

1329
00:59:20,880 --> 00:59:22,600
Speaker 3: I was star faced out, you know what I mean?

1330
00:59:24,480 --> 00:59:25,200
Speaker 1: Yeah, you know what I mean.

1331
00:59:26,640 --> 00:59:29,560
Speaker 2: That was the record, I understood what Vune thugs was

1332
00:59:29,600 --> 00:59:31,480
Speaker 2: saying because I ain't know what they were saying till

1333
00:59:31,520 --> 00:59:34,000
Speaker 2: they did that. And then they did first of the muck.

1334
00:59:35,040 --> 00:59:38,720
Speaker 2: I got y'all, y'all nigga, y'all fucking fiends. You know

1335
00:59:38,800 --> 00:59:40,280
Speaker 2: what there it's the first of the month.

1336
00:59:40,840 --> 00:59:41,520
Speaker 3: That was my ship.

1337
00:59:41,640 --> 00:59:41,720
Speaker 5: You know.

1338
00:59:41,800 --> 00:59:45,000
Speaker 1: I used to play that ship to the fucking tape pot.

1339
00:59:45,960 --> 00:59:49,320
Speaker 3: That was my ship. Just stay style of the niggas

1340
00:59:49,400 --> 00:59:51,960
Speaker 3: was different. And when he did that in that session,

1341
00:59:52,080 --> 00:59:54,400
Speaker 3: he was there for that. When they when they was

1342
00:59:55,080 --> 00:59:58,080
Speaker 3: theygain't do his verse at the original session we did

1343
00:59:58,120 --> 01:00:00,160
Speaker 3: in l A. I don't know if you should at

1344
01:00:00,240 --> 01:00:03,000
Speaker 3: that picture with all of us in there. Yeah, yeah,

1345
01:00:03,000 --> 01:00:04,800
Speaker 3: I was in there and ship my niggas came in

1346
01:00:04,920 --> 01:00:08,480
Speaker 3: there with fucking you know, the shovel ship like victory

1347
01:00:08,600 --> 01:00:10,920
Speaker 3: ship you put boxes on. They came in like two

1348
01:00:11,000 --> 01:00:14,040
Speaker 3: bottles fill with hennessy. Dude, no way, like sixteen the

1349
01:00:14,120 --> 01:00:15,480
Speaker 3: more out the niggas, about twenty of.

1350
01:00:15,520 --> 01:00:19,040
Speaker 1: Them, and it was just me d Rock Big Stevie.

1351
01:00:19,600 --> 01:00:23,560
Speaker 3: It's just like working as niggas coming there o Cleveland

1352
01:00:23,920 --> 01:00:27,160
Speaker 3: East ninety nine and that motherfucker and uh, we just

1353
01:00:27,240 --> 01:00:29,360
Speaker 3: got high in there and they did their ship and

1354
01:00:29,400 --> 01:00:31,600
Speaker 3: Big was like, I'm gonna take my ship back home.

1355
01:00:31,920 --> 01:00:33,640
Speaker 1: Like I know, I don't think he knew what he

1356
01:00:33,760 --> 01:00:36,040
Speaker 1: wanted to do. Heeople say, Y'm gonna take this ship

1357
01:00:36,080 --> 01:00:36,840
Speaker 1: back back home.

1358
01:00:36,880 --> 01:00:38,640
Speaker 3: And when we got the Daddy's house like a week later,

1359
01:00:39,960 --> 01:00:41,920
Speaker 3: that's the first time he ever told the niggas like, yo,

1360
01:00:42,040 --> 01:00:42,919
Speaker 3: step out real quick.

1361
01:00:44,160 --> 01:00:44,200
Speaker 2: No.

1362
01:00:44,320 --> 01:00:45,400
Speaker 3: I used to have the you know, used to be

1363
01:00:45,440 --> 01:00:47,640
Speaker 3: in the studio room and you could see in the room. Yeah,

1364
01:00:47,880 --> 01:00:49,600
Speaker 3: he didn't want to look at himbody, but he's like, Yo,

1365
01:00:49,680 --> 01:00:51,160
Speaker 3: everybody cleared up real quick.

1366
01:00:51,400 --> 01:00:53,160
Speaker 1: No what Yeah, y'all want.

1367
01:00:53,120 --> 01:00:55,000
Speaker 3: Y'all to hit his ship and just and then I

1368
01:00:55,120 --> 01:00:57,520
Speaker 3: came back in when he's like, Yo, it wasn't that

1369
01:00:57,640 --> 01:01:01,280
Speaker 3: long either, half an hour. I know that you come

1370
01:01:01,320 --> 01:01:01,520
Speaker 3: back in.

1371
01:01:02,200 --> 01:01:05,320
Speaker 2: I know that making that motherfucking Life After Death album

1372
01:01:05,520 --> 01:01:08,440
Speaker 2: was insane, though, Bro, And that's still one of the

1373
01:01:08,520 --> 01:01:10,400
Speaker 2: best albums ever ever created.

1374
01:01:10,480 --> 01:01:13,880
Speaker 3: Bro's my it's my favorite double album, yo. And I'm

1375
01:01:13,920 --> 01:01:15,520
Speaker 3: not being biased, no, straight up.

1376
01:01:15,640 --> 01:01:18,480
Speaker 2: Sometimes I look at because I was one of the

1377
01:01:18,560 --> 01:01:20,880
Speaker 2: niggas telling Jay yo, do the double album. Do the

1378
01:01:20,960 --> 01:01:23,400
Speaker 2: double album. Then when he dropped it, he was like, yo,

1379
01:01:23,520 --> 01:01:27,040
Speaker 2: double that's just too much music. It's just too much music.

1380
01:01:27,640 --> 01:01:31,320
Speaker 2: And when you listen to certain people double albums, it

1381
01:01:31,480 --> 01:01:35,560
Speaker 2: does feel like that. It's only two double albums that

1382
01:01:35,760 --> 01:01:39,680
Speaker 2: don't feel like it's too much music. It's Life after Death.

1383
01:01:40,080 --> 01:01:42,560
Speaker 2: It all lies on me for sure, that's all right,

1384
01:01:43,760 --> 01:01:47,000
Speaker 2: I agree, but that's crazy. The only two double albums

1385
01:01:47,080 --> 01:01:50,200
Speaker 2: that you could really listen to froug the best, especially

1386
01:01:50,320 --> 01:01:52,000
Speaker 2: now too, you know, and this day and age, like

1387
01:01:52,160 --> 01:01:53,200
Speaker 2: I don't want to touch nothing.

1388
01:01:53,280 --> 01:01:54,920
Speaker 1: You know, you just want to if you want to

1389
01:01:54,960 --> 01:01:55,240
Speaker 1: take that.

1390
01:01:55,400 --> 01:01:56,960
Speaker 3: Ride, you just throw that on it.

1391
01:01:57,000 --> 01:01:58,520
Speaker 1: You ain't you ain't skipping any los or nothing.

1392
01:01:58,560 --> 01:02:01,400
Speaker 3: Just gonna let it straight, I'm saying, you know, like

1393
01:02:01,520 --> 01:02:03,760
Speaker 3: you just let it go, like you know, and yeah,

1394
01:02:03,880 --> 01:02:05,680
Speaker 3: those are those are my two?

1395
01:02:06,200 --> 01:02:07,479
Speaker 1: And what's the double album?

1396
01:02:07,520 --> 01:02:09,160
Speaker 3: Hop there? Because I was like that ship.

1397
01:02:11,280 --> 01:02:14,280
Speaker 2: Like, no, the album is fired to me? That the

1398
01:02:14,480 --> 01:02:17,200
Speaker 2: numbers he just told me, yo, it's too much music.

1399
01:02:17,280 --> 01:02:18,880
Speaker 2: I don't know why he said that. It wasn't too

1400
01:02:18,960 --> 01:02:21,600
Speaker 2: much music to me. It's up there, but it's.

1401
01:02:21,480 --> 01:02:24,280
Speaker 1: Not a lot of double albums that you could listen to.

1402
01:02:25,160 --> 01:02:28,360
Speaker 3: Roger Delaware from New York Life After Death for me

1403
01:02:28,520 --> 01:02:30,320
Speaker 3: right one hundred we don't want to touch nothing that's

1404
01:02:30,320 --> 01:02:33,280
Speaker 3: just rotter this y'all. You know, like you know one

1405
01:02:33,360 --> 01:02:40,200
Speaker 3: hundred percent when it comes to like best spinners.

1406
01:02:40,280 --> 01:02:44,520
Speaker 2: To me, I always said, like there's certain cadences, Like

1407
01:02:44,680 --> 01:02:47,000
Speaker 2: you know, I always mean Freeway.

1408
01:02:46,640 --> 01:02:47,800
Speaker 3: At one of the best cadence.

1409
01:02:47,840 --> 01:02:50,880
Speaker 2: No doubt he front down, But I still feel like

1410
01:02:51,840 --> 01:02:55,720
Speaker 2: no one to this day top b I be I

1411
01:02:55,960 --> 01:03:00,439
Speaker 2: made every word bomb. He would saying rhyme where then

1412
01:03:00,480 --> 01:03:03,880
Speaker 2: there every word run. Then they'd be like god damn.

1413
01:03:05,520 --> 01:03:07,840
Speaker 2: So I know that had to be phenomenal just to

1414
01:03:07,920 --> 01:03:09,960
Speaker 2: see him sitting there doing it because him and Jay

1415
01:03:10,120 --> 01:03:12,480
Speaker 2: was on the same shit not writing it down, Odell

1416
01:03:12,760 --> 01:03:14,840
Speaker 2: and you just sitting there soaking up all the game.

1417
01:03:15,200 --> 01:03:18,720
Speaker 3: I mean, like, you know, when I be talking about

1418
01:03:18,760 --> 01:03:20,680
Speaker 3: it now, people be you know, I don't know if

1419
01:03:20,680 --> 01:03:22,760
Speaker 3: people be tripping like because they think I'd be biased

1420
01:03:22,760 --> 01:03:24,920
Speaker 3: about it. I'm believe just a hip hop nigga, you

1421
01:03:24,960 --> 01:03:26,920
Speaker 3: know what I'm saying. Growing up in that shit, I

1422
01:03:27,040 --> 01:03:28,800
Speaker 3: get props from props this dude, Like you know what

1423
01:03:28,800 --> 01:03:30,880
Speaker 3: I'm saying. But I'm like, I used to always think

1424
01:03:30,920 --> 01:03:32,640
Speaker 3: outside the box when it came to big and I

1425
01:03:32,720 --> 01:03:35,480
Speaker 3: just felt like out of all the artists. And I'm

1426
01:03:35,520 --> 01:03:37,240
Speaker 3: not saying that because he's my man. I just felt like,

1427
01:03:37,320 --> 01:03:41,280
Speaker 3: out of all the rappers and musicians, I felt like

1428
01:03:41,960 --> 01:03:46,320
Speaker 3: he was like my most well rounded rapper because I

1429
01:03:46,560 --> 01:03:49,320
Speaker 3: just so if you want to break down everything, just

1430
01:03:49,560 --> 01:03:53,320
Speaker 3: like Clows, I just felt like he had that concepts.

1431
01:03:53,600 --> 01:03:56,720
Speaker 3: He had that he had that content you just want to,

1432
01:03:56,760 --> 01:03:59,840
Speaker 3: you know, a certain subject and storyteller. He had that

1433
01:04:00,640 --> 01:04:04,640
Speaker 3: metaphors Like I'm like, well, if you want to if

1434
01:04:04,680 --> 01:04:06,840
Speaker 3: I wanted to judge a rapper, some rappers were just

1435
01:04:06,960 --> 01:04:09,880
Speaker 3: in one. They were just on in one. In one's

1436
01:04:09,920 --> 01:04:14,840
Speaker 3: face he was he bones face. I'm saying, be in

1437
01:04:14,920 --> 01:04:16,600
Speaker 3: the Charlie's face with a lot of a lot of

1438
01:04:16,680 --> 01:04:20,240
Speaker 3: hitch delivers. Just hit your here rhythm and I'm gonna

1439
01:04:20,840 --> 01:04:23,080
Speaker 3: I listened to it. That's how I studying, you know.

1440
01:04:23,840 --> 01:04:26,240
Speaker 3: I watched him listening to LLL slick Rick. You know,

1441
01:04:26,400 --> 01:04:28,400
Speaker 3: came was his favorite rapper. So when you hit him

1442
01:04:28,440 --> 01:04:31,920
Speaker 3: getting on those different type of frequencies on levels, I'm like,

1443
01:04:32,280 --> 01:04:34,120
Speaker 3: I just felt like it was nobody complete it in

1444
01:04:34,280 --> 01:04:36,880
Speaker 3: that way like him, you know what I mean. Once

1445
01:04:37,000 --> 01:04:39,760
Speaker 3: to him and I always and I said this one

1446
01:04:39,800 --> 01:04:40,560
Speaker 3: time on the internet.

1447
01:04:41,000 --> 01:04:41,320
Speaker 1: He was.

1448
01:04:41,520 --> 01:04:45,440
Speaker 3: He said, Ho, they was both better rapper and they

1449
01:04:45,560 --> 01:04:46,320
Speaker 3: both was chasing.

1450
01:04:46,400 --> 01:04:48,840
Speaker 1: I was to argue him about that. Yo, tell me

1451
01:04:48,960 --> 01:04:50,480
Speaker 1: they was chasing each other.

1452
01:04:50,680 --> 01:04:53,480
Speaker 3: But he's a his mind is different because he's a writer.

1453
01:04:53,680 --> 01:04:57,160
Speaker 3: He's a he's an artist. See he he understands everything

1454
01:04:57,240 --> 01:05:00,280
Speaker 3: that moments said. He like, Yo, Bro's not saying shit,

1455
01:05:00,440 --> 01:05:02,320
Speaker 3: he's keeping the bo I'm like, you really think so

1456
01:05:02,480 --> 01:05:05,360
Speaker 3: he's like, yo, brother, you know. And I always think

1457
01:05:05,400 --> 01:05:07,640
Speaker 3: about the line niggas take a freeze off my knee,

1458
01:05:07,680 --> 01:05:10,160
Speaker 3: cap nigga believe that biggas to bug off that line.

1459
01:05:10,200 --> 01:05:13,880
Speaker 3: I'm like, okay, let me start listening to you know

1460
01:05:13,920 --> 01:05:16,600
Speaker 3: what I'm saying, Like, but that's too artists like you know,

1461
01:05:16,840 --> 01:05:19,240
Speaker 3: I just thought they both was like the old.

1462
01:05:19,240 --> 01:05:20,120
Speaker 1: Each other was different.

1463
01:05:20,160 --> 01:05:20,680
Speaker 3: You know what I'm saying.

1464
01:05:20,720 --> 01:05:23,000
Speaker 2: It was like each other top n They was on

1465
01:05:23,120 --> 01:05:26,000
Speaker 2: each other like they want to woo each other as friends,

1466
01:05:26,040 --> 01:05:29,640
Speaker 2: you know, saying like that Brooklyn Finus record was them

1467
01:05:29,720 --> 01:05:33,200
Speaker 2: bad with They was going at it like let's do this,

1468
01:05:33,480 --> 01:05:34,360
Speaker 2: like what now.

1469
01:05:34,560 --> 01:05:37,000
Speaker 3: I'm gonna kill you? No, I'm a murder you. Nope.

1470
01:05:37,440 --> 01:05:39,120
Speaker 3: It was on and then they find a way to

1471
01:05:39,160 --> 01:05:41,840
Speaker 3: make their ship too linger together yeah, say they doing

1472
01:05:41,920 --> 01:05:44,480
Speaker 3: little aders with each other. You know what I'm saying, Like,

1473
01:05:44,480 --> 01:05:45,880
Speaker 3: all right, we're gonna make this ship right.

1474
01:05:45,920 --> 01:05:48,880
Speaker 1: But that's why that record is that record, because you like.

1475
01:05:49,560 --> 01:05:51,640
Speaker 3: The niggas wasn't playing. They wasn't sitting in there like

1476
01:05:52,160 --> 01:05:54,680
Speaker 3: tapping bottles together. And ship oh was in one corner

1477
01:05:55,560 --> 01:05:58,200
Speaker 3: like niggas in one corner, you know. But we still

1478
01:05:58,440 --> 01:06:00,720
Speaker 3: they still like talking everything. I went in and then

1479
01:06:01,240 --> 01:06:03,120
Speaker 3: you leave for a little while, you come back and

1480
01:06:03,640 --> 01:06:07,040
Speaker 3: that's what you got. Like, you know, like that story.

1481
01:06:07,120 --> 01:06:09,080
Speaker 2: I've seen the story where Beans was on the net

1482
01:06:09,120 --> 01:06:11,400
Speaker 2: where he was like, yeah, Jay wear a big chain.

1483
01:06:11,760 --> 01:06:14,840
Speaker 3: When he gained the album mode it's one hundred percent fat.

1484
01:06:15,360 --> 01:06:17,520
Speaker 1: He gave him to come to the crib and he

1485
01:06:17,640 --> 01:06:19,280
Speaker 1: put the Jesus Peace come here.

1486
01:06:19,360 --> 01:06:21,560
Speaker 3: See he used to come there to the club the rock.

1487
01:06:21,640 --> 01:06:24,240
Speaker 1: Let me get that about to go work on this album.

1488
01:06:24,440 --> 01:06:27,680
Speaker 3: Yeah, and we know when he done when he called

1489
01:06:27,720 --> 01:06:30,640
Speaker 3: us back to come get it. Yep. I heard every

1490
01:06:31,640 --> 01:06:34,760
Speaker 3: after the second album. I heard every whole album exclusively.

1491
01:06:35,480 --> 01:06:36,080
Speaker 1: That's a fact.

1492
01:06:36,360 --> 01:06:39,480
Speaker 3: He's like we got that first hand. The team like yo,

1493
01:06:39,560 --> 01:06:41,880
Speaker 3: y'all just pull up, Yeah, don't come to well, he'll

1494
01:06:41,920 --> 01:06:42,120
Speaker 3: come to.

1495
01:06:42,160 --> 01:06:44,640
Speaker 6: The crib, Yo, shut it up and speakers out the

1496
01:06:44,800 --> 01:06:47,480
Speaker 6: CD error you tell that ship in I don't think

1497
01:06:47,640 --> 01:06:50,640
Speaker 6: Jay ever built that bond with another rapper like he

1498
01:06:50,760 --> 01:06:53,360
Speaker 6: had with you know what I'm saying, like, fuck with

1499
01:06:53,440 --> 01:06:54,600
Speaker 6: a lot of rappers.

1500
01:06:54,280 --> 01:06:56,880
Speaker 2: Where it's a lot of niggas were cool fam all that,

1501
01:06:57,040 --> 01:06:58,360
Speaker 2: but Big was the.

1502
01:06:58,440 --> 01:07:02,280
Speaker 3: Bro man because they really vonded. They like people.

1503
01:07:02,760 --> 01:07:03,280
Speaker 1: Y'alls know that.

1504
01:07:03,360 --> 01:07:06,080
Speaker 2: You know what I'm saying, family, not Big, y'all the

1505
01:07:06,200 --> 01:07:09,640
Speaker 2: whole I feel like, y'all, the family always been bro

1506
01:07:09,760 --> 01:07:10,640
Speaker 2: and I just wanted.

1507
01:07:10,560 --> 01:07:11,080
Speaker 3: You to know that.

1508
01:07:11,600 --> 01:07:15,040
Speaker 2: So like, in fact, Bro, what's what could people expect

1509
01:07:15,160 --> 01:07:17,480
Speaker 2: from season Leo going forward?

1510
01:07:17,600 --> 01:07:17,920
Speaker 3: My ge?

1511
01:07:18,040 --> 01:07:19,160
Speaker 1: What what we got cooking?

1512
01:07:20,080 --> 01:07:23,320
Speaker 3: Well? I got I'm working on this documentary called from

1513
01:07:23,360 --> 01:07:26,640
Speaker 3: a Young Jee's Perspective, you know, just really just based

1514
01:07:26,680 --> 01:07:30,720
Speaker 3: on everything that you know, from the day I got

1515
01:07:31,000 --> 01:07:33,520
Speaker 3: introduced into music into where I'm at right now in

1516
01:07:33,600 --> 01:07:35,800
Speaker 3: this present state of mind, and it's called from a

1517
01:07:35,840 --> 01:07:38,040
Speaker 3: Young Je's perspective, just you know, his young nigga really

1518
01:07:38,120 --> 01:07:41,080
Speaker 3: coming up in this ship and you know I'm still here.

1519
01:07:41,400 --> 01:07:46,640
Speaker 3: I ain't turned into a crackhead. Yeah, but you know

1520
01:07:46,680 --> 01:07:48,560
Speaker 3: what I'm saying, Like and I want to, you know,

1521
01:07:49,000 --> 01:07:51,120
Speaker 3: put that story out there so anybody else that's trying

1522
01:07:51,160 --> 01:07:53,040
Speaker 3: to you know, that's going through the type of ship

1523
01:07:53,080 --> 01:07:55,760
Speaker 3: to understand you know, what's what. And I'm working on

1524
01:07:55,880 --> 01:07:58,640
Speaker 3: this album. I got called the hardest city. You know.

1525
01:07:58,720 --> 01:08:00,560
Speaker 3: Big was the King of New York always called me

1526
01:08:00,640 --> 01:08:03,120
Speaker 3: his heart. So I'm the heart of the city. Damn man,

1527
01:08:03,160 --> 01:08:04,320
Speaker 3: I'm working on that project.

1528
01:08:04,440 --> 01:08:07,080
Speaker 2: And anything you need from BLI Moore, Man, you're not

1529
01:08:07,840 --> 01:08:10,760
Speaker 2: we gon do Niggavember.

1530
01:08:10,840 --> 01:08:13,440
Speaker 1: You need more, even if you just need a friendly

1531
01:08:14,360 --> 01:08:16,200
Speaker 1: just to be like, yo, what you think, We're gonna

1532
01:08:16,200 --> 01:08:17,559
Speaker 1: put it on the podcast right now.

1533
01:08:17,600 --> 01:08:21,760
Speaker 3: I'll put it out there right I'm seven records, you

1534
01:08:21,880 --> 01:08:25,000
Speaker 3: seventh come. We always wanted we upposed this so because

1535
01:08:25,000 --> 01:08:29,560
Speaker 3: they only looked at like that's that's whole, like this

1536
01:08:29,760 --> 01:08:31,800
Speaker 3: is what birth that's and I'm like, all right, I

1537
01:08:31,960 --> 01:08:34,040
Speaker 3: think that's something we need to you know, we still

1538
01:08:34,080 --> 01:08:34,400
Speaker 3: need to do.

1539
01:08:34,560 --> 01:08:36,920
Speaker 1: So I'm come on, man, let's put that. Because I

1540
01:08:36,960 --> 01:08:38,479
Speaker 1: didn't hit you one time. I was like, yo, bro,

1541
01:08:38,880 --> 01:08:40,600
Speaker 1: and I wasn't to this joint. He was like, I

1542
01:08:40,640 --> 01:08:42,360
Speaker 1: ain't really funk with the music right now.

1543
01:08:43,760 --> 01:08:46,519
Speaker 3: I was like, yeah, no doubt. And then they gassed me,

1544
01:08:46,880 --> 01:08:50,880
Speaker 3: my man, chief you gassed him? Yeah, he gots and

1545
01:08:51,160 --> 01:08:54,120
Speaker 3: I know, see all right, you gotta call him.

1546
01:08:54,160 --> 01:08:56,080
Speaker 1: Because so you know right there, I was like.

1547
01:08:56,120 --> 01:08:58,320
Speaker 3: Yo, bro, I was up, that's like, I want to

1548
01:08:58,320 --> 01:08:59,960
Speaker 3: work on some She's like, yeo Lee, I ain't really

1549
01:09:00,040 --> 01:09:02,160
Speaker 3: fuck with that shiit seez I ain't wa. I'm like, bro,

1550
01:09:02,840 --> 01:09:04,560
Speaker 3: But I was like, I respect it, I get it.

1551
01:09:04,640 --> 01:09:07,880
Speaker 2: I'm like, I was not no doubt my my Like

1552
01:09:08,000 --> 01:09:12,280
Speaker 2: I feel like music, I don't do it just because

1553
01:09:12,320 --> 01:09:15,680
Speaker 2: I know how I have to really feel it, be

1554
01:09:15,800 --> 01:09:17,240
Speaker 2: in the mood and the zone.

1555
01:09:17,760 --> 01:09:19,679
Speaker 3: And it's been years since.

1556
01:09:19,560 --> 01:09:20,200
Speaker 1: I felt it.

1557
01:09:20,479 --> 01:09:23,840
Speaker 3: Like Yo, I was just like, I ain't have nothing.

1558
01:09:23,920 --> 01:09:26,680
Speaker 2: Really I wanted to say so like I said a lot,

1559
01:09:27,280 --> 01:09:30,720
Speaker 2: and then watching where things going now and the conversations

1560
01:09:30,760 --> 01:09:33,160
Speaker 2: with me and my bro, it just felt like, nah,

1561
01:09:33,400 --> 01:09:35,519
Speaker 2: it is shit I could say, because these young boys

1562
01:09:35,600 --> 01:09:36,760
Speaker 2: need to hear no doubt.

1563
01:09:36,880 --> 01:09:38,840
Speaker 1: That is like at the end of the tunnel that

1564
01:09:39,000 --> 01:09:41,680
Speaker 1: we ain't thugging forever. And that's why I want to

1565
01:09:41,720 --> 01:09:44,160
Speaker 1: we become businessmen at the end of the day. You

1566
01:09:44,240 --> 01:09:44,800
Speaker 1: know what I'm saying.

1567
01:09:44,960 --> 01:09:48,840
Speaker 2: We sitting here, we're doing this, We're talking about Doctormnary's Like,

1568
01:09:48,960 --> 01:09:52,120
Speaker 2: I just seen you on tour doing a notorious big tour.

1569
01:09:52,200 --> 01:09:54,479
Speaker 3: You was over sin Yeah, well Frank white Man, Yeah

1570
01:09:54,520 --> 01:09:56,760
Speaker 3: with the Frank white Experience bands, going out there rocking

1571
01:09:56,840 --> 01:09:59,479
Speaker 3: with the band, you know, getting them, you know, getting

1572
01:09:59,520 --> 01:10:01,880
Speaker 3: them such a to you know, feeling how the world

1573
01:10:01,920 --> 01:10:03,400
Speaker 3: feel because they're just a band that go out and

1574
01:10:03,479 --> 01:10:05,760
Speaker 3: do biggie stuff, you know. I mean, you know, they

1575
01:10:05,920 --> 01:10:09,240
Speaker 3: was you know, the state, the management, everybody, you know,

1576
01:10:09,400 --> 01:10:10,920
Speaker 3: co signed it and they was fucking with it. I

1577
01:10:11,000 --> 01:10:12,559
Speaker 3: was like, come on, man, I'm gonna say I get

1578
01:10:12,600 --> 01:10:15,200
Speaker 3: y'all overseas and they been We went over there for

1579
01:10:15,280 --> 01:10:16,880
Speaker 3: a whole month, you know what I mean. I'm trying

1580
01:10:16,880 --> 01:10:18,439
Speaker 3: to work on the project with them to just doing

1581
01:10:18,479 --> 01:10:21,600
Speaker 3: a live album. Like remember how Whole did MTV on

1582
01:10:21,720 --> 01:10:24,080
Speaker 3: plug It was a show on MTV and he put

1583
01:10:24,120 --> 01:10:25,920
Speaker 3: that ship out on the CD, like all right, right,

1584
01:10:26,280 --> 01:10:28,040
Speaker 3: just show you know. That's like, I just want to

1585
01:10:28,080 --> 01:10:29,679
Speaker 3: do that type of shit now. So, like you said,

1586
01:10:29,880 --> 01:10:31,680
Speaker 3: you did it because you still love the ship a

1587
01:10:31,720 --> 01:10:33,920
Speaker 3: little bro. It's something that sparked you to make you like.

1588
01:10:34,600 --> 01:10:37,040
Speaker 1: That right there. When I seen that, I'm like, y'all thought,

1589
01:10:37,120 --> 01:10:38,640
Speaker 1: I think y'all was in London.

1590
01:10:38,600 --> 01:10:40,640
Speaker 2: And you posted and I'm like, damn, listen to go

1591
01:10:40,680 --> 01:10:43,800
Speaker 2: on tour with the Frank White Band performing all their

1592
01:10:43,840 --> 01:10:46,200
Speaker 2: hits and not just seen. It was a packed house

1593
01:10:46,280 --> 01:10:48,320
Speaker 2: to love. I'm like, it's fire and with.

1594
01:10:48,400 --> 01:10:50,360
Speaker 3: A band too, just the whole that, the whole show

1595
01:10:50,439 --> 01:10:52,200
Speaker 3: is with a lot of live music broke.

1596
01:10:52,400 --> 01:10:56,200
Speaker 1: Everybody got the talent to perform with a live band.

1597
01:10:56,280 --> 01:10:57,240
Speaker 3: Man, you kid more.

1598
01:10:57,479 --> 01:11:01,439
Speaker 2: Some of these guys still performing with the motherfucking not

1599
01:11:01,640 --> 01:11:05,280
Speaker 2: the vocal track the MB three. They playing with the

1600
01:11:05,400 --> 01:11:09,720
Speaker 2: Stoodies and they ain't just got the TV track, they

1601
01:11:09,800 --> 01:11:13,320
Speaker 2: got the original Apple Nigga, go to iTunes, play it

1602
01:11:13,439 --> 01:11:14,479
Speaker 2: and I'm gonna perform it.

1603
01:11:15,160 --> 01:11:17,400
Speaker 3: The Locks that see the Locks, the Spider, the Locks,

1604
01:11:17,600 --> 01:11:20,519
Speaker 3: the show niggas like when they did versus like, Nah, nigga,

1605
01:11:20,560 --> 01:11:22,000
Speaker 3: you better wrap to your instrumentals.

1606
01:11:22,800 --> 01:11:23,200
Speaker 1: Get real.

1607
01:11:23,439 --> 01:11:27,280
Speaker 3: That's they really they really put it back in that perspective.

1608
01:11:27,560 --> 01:11:29,519
Speaker 3: You know, this is how we because it's like they

1609
01:11:29,640 --> 01:11:32,839
Speaker 3: had that players that had TV tracks and that's it. Hooks.

1610
01:11:33,520 --> 01:11:35,680
Speaker 3: You may have some Adams in there that they might

1611
01:11:35,880 --> 01:11:37,200
Speaker 3: do it, but you're your own.

1612
01:11:37,320 --> 01:11:39,360
Speaker 2: You might be doing a show like that. Yeah, you

1613
01:11:39,760 --> 01:11:44,000
Speaker 2: got to say the round. Your talent had to be talent,

1614
01:11:44,560 --> 01:11:47,640
Speaker 2: can't be studio yo. The way ship going now, I

1615
01:11:47,960 --> 01:11:51,760
Speaker 2: know Milli Vanilli like you motherfuckers, they would have been

1616
01:11:51,840 --> 01:11:56,920
Speaker 2: lit you y'all played with me. They should drop an

1617
01:11:56,960 --> 01:12:01,519
Speaker 2: album back like Nigga we back. Fuck it Vanilla. You

1618
01:12:01,640 --> 01:12:05,240
Speaker 2: know it's untrue and the record skip. All they needed

1619
01:12:05,400 --> 01:12:07,680
Speaker 2: was a fucking look it's MP three Now they ain't

1620
01:12:07,720 --> 01:12:11,960
Speaker 2: not worry about nothing skipping and everybody Milli Vanilli's.

1621
01:12:11,520 --> 01:12:14,719
Speaker 3: This way is the vocals, all the tune. Niggas ai

1622
01:12:15,360 --> 01:12:19,120
Speaker 3: straight up like I know them. Niggas is like you,

1623
01:12:19,680 --> 01:12:21,439
Speaker 3: we had none of that. We had none of that.

1624
01:12:21,640 --> 01:12:23,760
Speaker 3: So you know what I mean. You have to be talented, bro,

1625
01:12:24,080 --> 01:12:25,639
Speaker 3: And I don't want people to think like I ain't

1626
01:12:25,680 --> 01:12:27,960
Speaker 3: never been. I love the music today.

1627
01:12:27,760 --> 01:12:28,599
Speaker 1: Like I don't trip.

1628
01:12:28,640 --> 01:12:28,960
Speaker 3: I love it.

1629
01:12:29,439 --> 01:12:35,000
Speaker 2: Yeah, they talented because they clean the music, but perform

1630
01:12:35,400 --> 01:12:39,360
Speaker 2: what you create. Doubt or what they used to say

1631
01:12:39,439 --> 01:12:43,280
Speaker 2: back in that day. Man, you're a studio rapper and

1632
01:12:43,400 --> 01:12:45,400
Speaker 2: you don't want that. No, you don't want it to

1633
01:12:45,600 --> 01:12:48,040
Speaker 2: it went down. Yeah, you couldn't even talk to niggas

1634
01:12:48,040 --> 01:12:50,280
Speaker 2: like that. They called you a studio rapper.

1635
01:12:50,320 --> 01:12:50,840
Speaker 3: That mad you.

1636
01:12:51,000 --> 01:12:54,760
Speaker 2: They get busy outside the studio. I mean, your shit

1637
01:12:54,920 --> 01:12:58,559
Speaker 2: is all engineered and that's it, And I just.

1638
01:12:58,600 --> 01:13:01,760
Speaker 3: Think that's why we're we're you know, our culture from

1639
01:13:01,800 --> 01:13:04,040
Speaker 3: the nineties is elevated.

1640
01:13:04,160 --> 01:13:05,559
Speaker 1: Like since COVID happened.

1641
01:13:05,960 --> 01:13:07,880
Speaker 3: As bad as COVID took a lot of lives and

1642
01:13:08,360 --> 01:13:12,400
Speaker 3: a lot of stuff happened from that, COVID really rejuvenated,

1643
01:13:12,479 --> 01:13:16,200
Speaker 3: like music for real, Like if you think about from

1644
01:13:16,240 --> 01:13:20,799
Speaker 3: that point on, ain't nobody been selling out and create energy.

1645
01:13:20,920 --> 01:13:24,599
Speaker 3: But bust the you know, the fifty tours, the Wou Tang,

1646
01:13:24,680 --> 01:13:27,840
Speaker 3: the two Toes, Nahs, SWV.

1647
01:13:27,640 --> 01:13:28,920
Speaker 1: Escape Yo Bro now.

1648
01:13:30,479 --> 01:13:34,559
Speaker 2: A residency with an orchestra, Jezy on tour with the orchestra.

1649
01:13:34,720 --> 01:13:37,040
Speaker 1: You know what I'm saying. Like that took us.

1650
01:13:37,360 --> 01:13:40,680
Speaker 3: It made people, I think, just appreciate go back to say, hey,

1651
01:13:41,120 --> 01:13:43,080
Speaker 3: this is a dope time in my life. It ain't

1652
01:13:43,160 --> 01:13:44,840
Speaker 3: just the music. It was a dope time in my

1653
01:13:44,920 --> 01:13:47,120
Speaker 3: life because you know, the generation to they just got

1654
01:13:47,240 --> 01:13:49,760
Speaker 3: to get it together and make your shit safe and

1655
01:13:50,200 --> 01:13:52,479
Speaker 3: create that atmosphere. You could wrap about anything. It could

1656
01:13:52,479 --> 01:13:54,280
Speaker 3: be the most drillingus shit ever, but when somebody come

1657
01:13:54,400 --> 01:13:57,320
Speaker 3: to see you, make sure it's the safest place you

1658
01:13:57,320 --> 01:13:58,760
Speaker 3: know what I'm saying. Whenever that shit you're talking on

1659
01:13:58,880 --> 01:14:01,680
Speaker 3: these records, listen, But nigga, like when it's time for

1660
01:14:01,720 --> 01:14:05,120
Speaker 3: people to come see you, you know, gonna make sure

1661
01:14:05,280 --> 01:14:07,519
Speaker 3: that's that that environment was, you know what I mean,

1662
01:14:07,960 --> 01:14:10,160
Speaker 3: make sure it's right because you don't want to knock it.

1663
01:14:10,240 --> 01:14:12,200
Speaker 1: That's how they're coming up, you know, drill music. It's

1664
01:14:12,280 --> 01:14:13,920
Speaker 1: like n w A was in our time.

1665
01:14:14,439 --> 01:14:17,519
Speaker 2: Police w A still wanted that big. They still wanted

1666
01:14:17,560 --> 01:14:22,519
Speaker 2: some bitches. They still had the biggas don't want no trap.

1667
01:14:23,080 --> 01:14:24,880
Speaker 2: You niggas just warn a trap.

1668
01:14:26,080 --> 01:14:26,439
Speaker 3: That's it.

1669
01:14:26,680 --> 01:14:30,120
Speaker 1: They just outside they want to show you. Listen, we drippy.

1670
01:14:30,520 --> 01:14:34,400
Speaker 1: I got the car, I got the f N and

1671
01:14:34,640 --> 01:14:36,240
Speaker 1: I'm smoking a nigga right now.

1672
01:14:36,360 --> 01:14:39,000
Speaker 3: Cut with the bitches. That's the one thing I'm like,

1673
01:14:40,080 --> 01:14:41,519
Speaker 3: are you smoking the no.

1674
01:14:41,560 --> 01:14:44,360
Speaker 2: Bitches in the middle or that bitches don't want to

1675
01:14:44,400 --> 01:14:48,200
Speaker 2: smoke nigga in fact, just don't want to think about it.

1676
01:14:48,400 --> 01:14:51,840
Speaker 3: If the bitches want to smoke, niggas got quick. I'm done.

1677
01:14:52,280 --> 01:14:55,439
Speaker 2: I got to tell my son he moving overseas because

1678
01:14:55,479 --> 01:14:57,800
Speaker 2: if he ever bring a bitch to quit talking about yea,

1679
01:14:57,840 --> 01:15:01,040
Speaker 2: we're smoking on a little homie Like I.

1680
01:15:01,160 --> 01:15:04,320
Speaker 3: Never got that, like like where we like where we

1681
01:15:04,439 --> 01:15:08,600
Speaker 3: get to that at Like, come on, you're smoking. The

1682
01:15:08,680 --> 01:15:11,080
Speaker 3: girl talking about you's smoking on what I'm saying like

1683
01:15:11,360 --> 01:15:12,719
Speaker 3: smoking on my it's.

1684
01:15:12,680 --> 01:15:17,160
Speaker 1: No your shill, chill shit wild.

1685
01:15:21,000 --> 01:15:25,000
Speaker 2: Dog, I'm smoking. If the girls start talking like that,

1686
01:15:25,320 --> 01:15:29,720
Speaker 2: I quit. But these niggas, man, they gave money. They

1687
01:15:29,920 --> 01:15:32,040
Speaker 2: just saying, damn, I don't think they having fun.

1688
01:15:32,760 --> 01:15:36,760
Speaker 3: They they not to pull up. You definitely have no fun,

1689
01:15:36,840 --> 01:15:39,479
Speaker 3: but ches to pull up while you're telling the opt

1690
01:15:39,600 --> 01:15:44,120
Speaker 3: pull up and you looking on the ground at the

1691
01:15:44,400 --> 01:15:45,599
Speaker 3: very moment you're there.

1692
01:15:45,520 --> 01:15:48,439
Speaker 1: Yo, listen, what they doing now was equivalent to what

1693
01:15:48,560 --> 01:15:49,639
Speaker 1: we did at the shows.

1694
01:15:49,880 --> 01:15:52,280
Speaker 3: But we did for the bitches. We used to drop

1695
01:15:52,400 --> 01:15:55,400
Speaker 3: the law. You know, niggas be like yo, y'all bugget

1696
01:15:55,479 --> 01:15:56,960
Speaker 3: dropping the low nigga.

1697
01:15:57,000 --> 01:15:59,360
Speaker 1: We used to be on stage after.

1698
01:15:59,280 --> 01:16:04,519
Speaker 3: Party right there. Remember, but you gotta remember that up here.

1699
01:16:04,920 --> 01:16:07,920
Speaker 3: It ain't no it ain't no no navigation, it's no sitting,

1700
01:16:07,960 --> 01:16:08,599
Speaker 3: no location.

1701
01:16:09,160 --> 01:16:10,559
Speaker 1: Oh he said the holiday inn.

1702
01:16:10,720 --> 01:16:14,960
Speaker 3: Yeah, world said, okay, yo, niggas would be out.

1703
01:16:15,040 --> 01:16:17,600
Speaker 1: It's a show. It's a random it's everybody that was

1704
01:16:17,640 --> 01:16:18,120
Speaker 1: at the show.

1705
01:16:18,240 --> 01:16:20,280
Speaker 2: Yeah, it was no way to walk through the crowd.

1706
01:16:20,360 --> 01:16:23,040
Speaker 2: And tell all the girls yo, having a party of it.

1707
01:16:23,160 --> 01:16:24,679
Speaker 2: So niggas would be like, Yo.

1708
01:16:25,000 --> 01:16:27,840
Speaker 1: Tell them where we stay to be the first thing

1709
01:16:27,960 --> 01:16:28,959
Speaker 1: that she was the last.

1710
01:16:30,240 --> 01:16:33,080
Speaker 3: The holiday, Yo, we over here. We stayed over here, yo,

1711
01:16:33,200 --> 01:16:35,160
Speaker 3: and the love and we were staying at hotels like

1712
01:16:35,240 --> 01:16:36,200
Speaker 3: that too. Holiday in.

1713
01:16:39,280 --> 01:16:44,040
Speaker 1: The the it's just outside where like the doors when

1714
01:16:44,080 --> 01:16:46,240
Speaker 1: you walk out, it's just that little Yeah.

1715
01:16:46,280 --> 01:16:49,040
Speaker 3: Ship was a ship like that popping yo.

1716
01:16:49,160 --> 01:16:50,320
Speaker 1: Ship was my y'all.

1717
01:16:50,360 --> 01:16:52,559
Speaker 3: Niggas got it good now ya can y'all can wait

1718
01:16:52,800 --> 01:16:54,800
Speaker 3: and Oberger come pick you up a lift.

1719
01:16:54,880 --> 01:16:59,839
Speaker 2: It wasn't that niggas staying there ricks the four season

1720
01:17:00,520 --> 01:17:04,360
Speaker 2: with the sweet Yeah your road yo, listen, let me

1721
01:17:04,439 --> 01:17:05,120
Speaker 2: ask you a question.

1722
01:17:05,200 --> 01:17:06,320
Speaker 3: The only thing, let me say, this is the only

1723
01:17:06,400 --> 01:17:09,240
Speaker 3: thing though, that we didn't have back in them times.

1724
01:17:09,479 --> 01:17:13,080
Speaker 3: We could smoke anywhere anywhere. We just as in the

1725
01:17:13,120 --> 01:17:16,960
Speaker 3: hotel room. Yeah, were in the hotel we already dawn

1726
01:17:17,240 --> 01:17:19,599
Speaker 3: crazy you smoking the old hallway out.

1727
01:17:20,200 --> 01:17:22,120
Speaker 1: Yeah, we used to blow it down everywhere.

1728
01:17:22,280 --> 01:17:24,840
Speaker 3: Think about like, that's the only thing now is they

1729
01:17:25,360 --> 01:17:27,920
Speaker 3: was illegal that that was legal and you can't you

1730
01:17:28,000 --> 01:17:30,320
Speaker 3: can't do it. Yeah, it was illegal. It's it, but

1731
01:17:30,400 --> 01:17:31,559
Speaker 3: you're safe in the hotel.

1732
01:17:31,760 --> 01:17:32,800
Speaker 1: Yeah we were safe.

1733
01:17:32,840 --> 01:17:35,720
Speaker 2: You're smoking the rules, nigga, or they're doings. Come kick

1734
01:17:35,800 --> 01:17:38,200
Speaker 2: you out and you go to the next hotel do

1735
01:17:38,320 --> 01:17:40,200
Speaker 2: the same thing all over again. Or you're on the

1736
01:17:40,240 --> 01:17:42,600
Speaker 2: smoking floor. But you could show you'll be like yo,

1737
01:17:42,720 --> 01:17:45,240
Speaker 2: put me on the smoking floor and then was over

1738
01:17:46,640 --> 01:17:46,960
Speaker 2: like that.

1739
01:17:48,600 --> 01:17:51,160
Speaker 3: Your size and ship going off every other hour. You

1740
01:17:51,240 --> 01:17:55,080
Speaker 3: got the whole I forgot about the smoking floor.

1741
01:17:55,600 --> 01:17:59,280
Speaker 1: You really like that, bitchy like, we just smoke up here.

1742
01:17:59,400 --> 01:18:03,080
Speaker 3: Now you walking through the lobby with Yeah, you go

1743
01:18:03,200 --> 01:18:06,559
Speaker 3: in this room, yo, Niggas over here, yo, and they

1744
01:18:06,600 --> 01:18:09,280
Speaker 3: don't fuck with you. Police are gonna come like you got.

1745
01:18:09,400 --> 01:18:11,120
Speaker 1: Just get rid of the weeds. Put that ship out

1746
01:18:11,160 --> 01:18:14,880
Speaker 1: and it's not these girls are like this. Niggas go

1747
01:18:14,960 --> 01:18:15,760
Speaker 1: to see like this.

1748
01:18:19,040 --> 01:18:20,720
Speaker 3: I start getting on my Chris Brown ship.

1749
01:18:20,800 --> 01:18:23,599
Speaker 1: They're taking phones. Man, Yo, I don't live in that seat.

1750
01:18:23,760 --> 01:18:25,040
Speaker 1: That's why we passed that.

1751
01:18:25,320 --> 01:18:26,320
Speaker 3: Yeah, yeah, we passed.

1752
01:18:26,439 --> 01:18:29,680
Speaker 1: Why we don't know because we're just talking ship when

1753
01:18:29,720 --> 01:18:31,320
Speaker 1: we was when we was like in the time.

1754
01:18:31,479 --> 01:18:33,560
Speaker 2: You see, the game is fucked up. That's why I

1755
01:18:33,560 --> 01:18:36,040
Speaker 2: had to tag out, like you're not the wrestlers.

1756
01:18:38,920 --> 01:18:39,880
Speaker 3: Had to tag out.

1757
01:18:40,479 --> 01:18:41,680
Speaker 1: Don't be tagged out.

1758
01:18:41,760 --> 01:18:44,040
Speaker 3: Listen me up, baby up out.

1759
01:18:44,360 --> 01:18:45,880
Speaker 1: Nah, I mean it's men fus to be out, you

1760
01:18:45,920 --> 01:18:46,240
Speaker 1: know what I mean.

1761
01:18:46,600 --> 01:18:49,000
Speaker 3: Now we're done, we getting old man, Yeah, we like

1762
01:18:49,560 --> 01:18:50,880
Speaker 3: you know what you know we're getting you know what

1763
01:18:51,000 --> 01:18:52,960
Speaker 3: all means to me? Out living dummies.

1764
01:18:53,320 --> 01:18:55,639
Speaker 2: That's a fact you know that don't even be sometimes

1765
01:18:55,680 --> 01:18:59,599
Speaker 2: out like like you're going.

1766
01:19:00,040 --> 01:19:03,200
Speaker 3: Yeah, yeah, this is called vintage game.

1767
01:19:03,600 --> 01:19:04,280
Speaker 1: I'm seasoned.

1768
01:19:04,560 --> 01:19:07,040
Speaker 3: Yeah, I'm not steak in the fridge that's been in.

1769
01:19:07,040 --> 01:19:09,320
Speaker 1: The French for two days. Yeah, that pulled me out.

1770
01:19:09,360 --> 01:19:11,320
Speaker 3: I'm nice in seasons. You throw me on the grill,

1771
01:19:11,640 --> 01:19:14,360
Speaker 3: you could put me in the oven, put me anywhere.

1772
01:19:14,360 --> 01:19:16,639
Speaker 3: I'm gonna come out right out.

1773
01:19:16,920 --> 01:19:18,880
Speaker 2: Out of all the places you travel, what's up of

1774
01:19:18,920 --> 01:19:20,400
Speaker 2: your top vacation spots?

1775
01:19:21,840 --> 01:19:22,080
Speaker 3: Church?

1776
01:19:22,160 --> 01:19:24,840
Speaker 1: Till you told me what happened today in turn? Yo, Chill, chill,

1777
01:19:24,920 --> 01:19:29,719
Speaker 1: that's just yo. That gay doesn't church.

1778
01:19:29,760 --> 01:19:34,479
Speaker 3: And Kekos that's her first ye Jamaica, the history and

1779
01:19:34,560 --> 01:19:35,760
Speaker 3: the love, you know what I mean. I was just

1780
01:19:35,840 --> 01:19:36,720
Speaker 3: there like a week ago.

1781
01:19:37,200 --> 01:19:38,320
Speaker 1: I didn't know big with the.

1782
01:19:39,960 --> 01:19:43,400
Speaker 3: Jamaican that should blew my mind. And I'm not big

1783
01:19:43,479 --> 01:19:47,960
Speaker 3: cousin people, but that family together, we grew up out

1784
01:19:48,000 --> 01:19:51,800
Speaker 3: of your family. Yeah, exactly. We family by hood. Yeah,

1785
01:19:52,960 --> 01:19:55,160
Speaker 3: I got a lot of hood cousins. Yeah, but I

1786
01:19:55,280 --> 01:19:57,120
Speaker 3: be wanting to tell people like but just in a

1787
01:19:57,160 --> 01:19:59,679
Speaker 3: real standpoint, you know, blood don't always make your family.

1788
01:20:00,880 --> 01:20:03,120
Speaker 3: That's bro since I was seven years old. Yeah, but

1789
01:20:03,200 --> 01:20:06,240
Speaker 3: he's a full blown Jamaican. I'm not. But he raised

1790
01:20:06,240 --> 01:20:09,160
Speaker 3: me since I was eleven. So yeah, that's the thing

1791
01:20:09,880 --> 01:20:13,000
Speaker 3: that's family, you know what I'm saying. So Jamaica and

1792
01:20:13,240 --> 01:20:16,479
Speaker 3: uh shit my third place to my Allen or like

1793
01:20:16,560 --> 01:20:19,280
Speaker 3: off the country or wherever you with your time cut.

1794
01:20:21,840 --> 01:20:31,320
Speaker 1: Uh out shot him too. I'll probably say, uh ohit

1795
01:20:31,439 --> 01:20:32,360
Speaker 1: Amsterdam too.

1796
01:20:32,720 --> 01:20:35,680
Speaker 3: Ooh, nobody's never Amsterdam.

1797
01:20:35,800 --> 01:20:36,400
Speaker 1: That's low key.

1798
01:20:36,520 --> 01:20:40,040
Speaker 3: That's my spots where I'm moving to. I'm retired Ampstead, Nah,

1799
01:20:40,080 --> 01:20:42,160
Speaker 3: I'll here. I'll fuck with you, you fuck with Amsterdam.

1800
01:20:42,280 --> 01:20:44,760
Speaker 2: I'm retired at Amsterdam when the soul set is done

1801
01:20:44,800 --> 01:20:47,879
Speaker 2: and I'm done doing a retiring in Ampstdam.

1802
01:20:47,880 --> 01:20:50,879
Speaker 3: Amsterdam is like I fox with the vibe there, lobbist

1803
01:20:51,000 --> 01:20:52,480
Speaker 3: chill Amsterdam.

1804
01:20:52,640 --> 01:20:56,760
Speaker 1: Remind me, what if you ever watched a.

1805
01:20:56,880 --> 01:21:01,200
Speaker 2: Van Vaya movie right that shit like trans Yeah, I

1806
01:21:01,280 --> 01:21:06,960
Speaker 2: don't sweat to God becausembers can't come out to go there.

1807
01:21:07,320 --> 01:21:12,320
Speaker 2: So remember in the daytime, Amsterdam is tourist out. You

1808
01:21:12,439 --> 01:21:15,560
Speaker 2: see anybody like this pictures.

1809
01:21:15,240 --> 01:21:17,360
Speaker 1: For that all over smoking walking around.

1810
01:21:17,720 --> 01:21:22,160
Speaker 2: When the sun go down, the gooons come out down.

1811
01:21:22,240 --> 01:21:24,920
Speaker 2: They out there like this, Yeah blood mine up, Hey,

1812
01:21:25,040 --> 01:21:26,679
Speaker 2: bro bro up, you need.

1813
01:21:26,640 --> 01:21:29,760
Speaker 3: What bro brot me?

1814
01:21:29,840 --> 01:21:33,800
Speaker 1: These niggas come from, say that ship, Like, that's my spot.

1815
01:21:33,880 --> 01:21:35,800
Speaker 3: And I've been to like all parts, Like it's like

1816
01:21:35,840 --> 01:21:38,120
Speaker 3: a few parts I can't pronounce, like our man something

1817
01:21:38,200 --> 01:21:39,080
Speaker 3: like that. I was just dire.

1818
01:21:39,120 --> 01:21:40,360
Speaker 1: We were just did with the front white man.

1819
01:21:40,479 --> 01:21:42,920
Speaker 3: So I'm like, that's a vibe out there because it's

1820
01:21:42,960 --> 01:21:43,360
Speaker 3: twenty you.

1821
01:21:43,360 --> 01:21:48,280
Speaker 2: Know my savings the Bulldog, Yeah, the Bulldog, because you

1822
01:21:48,360 --> 01:21:51,160
Speaker 2: know that's the only spot you could smoke and drinking.

1823
01:21:51,560 --> 01:21:54,080
Speaker 3: I never I went there, and that I went there

1824
01:21:54,120 --> 01:21:54,679
Speaker 3: when I was there.

1825
01:21:54,600 --> 01:21:55,880
Speaker 1: At this that I came.

1826
01:21:56,080 --> 01:21:59,200
Speaker 2: You know, Amsterdam is were like they zoning lords with

1827
01:21:59,280 --> 01:22:01,479
Speaker 2: the smoking in the lake. You can't do it every

1828
01:22:01,600 --> 01:22:04,320
Speaker 2: yeah you do one or the other, yes, but that's

1829
01:22:04,400 --> 01:22:07,880
Speaker 2: the only spot where you get and order some food,

1830
01:22:08,720 --> 01:22:09,960
Speaker 2: having the videos popping.

1831
01:22:10,040 --> 01:22:10,679
Speaker 3: That's my spot.

1832
01:22:11,880 --> 01:22:13,040
Speaker 1: It's a hip hop vibe there.

1833
01:22:13,080 --> 01:22:16,280
Speaker 3: So with them, excuse me, that's my spot and I

1834
01:22:16,320 --> 01:22:18,559
Speaker 3: can take all of my you know my relatives there

1835
01:22:19,120 --> 01:22:21,800
Speaker 3: you're single and you know they got issues. Take them

1836
01:22:21,800 --> 01:22:24,840
Speaker 3: to the red light man, yo, Yo, going there though

1837
01:22:24,880 --> 01:22:26,720
Speaker 3: for hour, going this little I'm going to.

1838
01:22:28,439 --> 01:22:29,120
Speaker 1: Get now, go ahead.

1839
01:22:29,320 --> 01:22:30,040
Speaker 3: Caught me what you're done.

1840
01:22:30,320 --> 01:22:31,120
Speaker 1: I took my wife there.

1841
01:22:31,200 --> 01:22:32,080
Speaker 3: Put your life together.

1842
01:22:32,360 --> 01:22:34,680
Speaker 1: You can't do that with everybody. I took one of

1843
01:22:34,760 --> 01:22:37,360
Speaker 1: the homies the Amsterdam. It was like that, do your thing.

1844
01:22:37,880 --> 01:22:39,800
Speaker 2: I had to leave the nigga there. He was in

1845
01:22:39,920 --> 01:22:42,040
Speaker 2: there too long. It was like, yo, fam, that's was

1846
01:22:42,120 --> 01:22:45,200
Speaker 2: to be the quickie like we bugging.

1847
01:22:45,960 --> 01:22:47,800
Speaker 3: I had to leave them, yo. With the prices going

1848
01:22:47,840 --> 01:22:50,120
Speaker 3: back to the old chap. Price is right out there though.

1849
01:22:50,280 --> 01:22:52,880
Speaker 3: That's why Nigga and Nigga be in there in there

1850
01:22:52,960 --> 01:22:53,439
Speaker 3: all day.

1851
01:22:53,560 --> 01:22:55,280
Speaker 1: Don't took white feet their hams today.

1852
01:22:57,280 --> 01:23:00,800
Speaker 3: Took on the strip, just just the whole shipfe You

1853
01:23:00,880 --> 01:23:03,400
Speaker 3: gotta know, gotta know, yeah, ain't nothing wrong with that.

1854
01:23:03,479 --> 01:23:08,280
Speaker 2: Selling trap everywhere, yo, But out there that ship like

1855
01:23:08,640 --> 01:23:11,360
Speaker 2: shopping in the sleeper Storeyah. She had to know that

1856
01:23:11,479 --> 01:23:13,679
Speaker 2: ship like this, so you can pick out the rugs

1857
01:23:14,160 --> 01:23:15,320
Speaker 2: you want them, flats with.

1858
01:23:15,479 --> 01:23:20,639
Speaker 3: These reds, all types of ship. He designed the other

1859
01:23:20,680 --> 01:23:22,360
Speaker 3: ways too. You know you're going the little building ones

1860
01:23:22,439 --> 01:23:25,080
Speaker 3: too at the hotel. They got their billboards out there

1861
01:23:25,120 --> 01:23:27,360
Speaker 3: and everything like. That's just different. But going to see

1862
01:23:27,439 --> 01:23:30,840
Speaker 3: three thirty three today, yo? Yeah she did today? Yeah,

1863
01:23:31,160 --> 01:23:32,840
Speaker 3: three thirty three Yo.

1864
01:23:33,080 --> 01:23:36,960
Speaker 2: Amsterdam might go from for half a man too, Yeah, Amsterdam,

1865
01:23:37,600 --> 01:23:40,840
Speaker 2: American job going, but you know enough half a.

1866
01:23:40,880 --> 01:23:42,559
Speaker 1: Man in the American money you're gonna get right.

1867
01:23:42,800 --> 01:23:44,360
Speaker 3: You imagine nigga going in for the first time.

1868
01:23:44,400 --> 01:23:46,080
Speaker 1: You gotta gotta flicky on them.

1869
01:23:46,160 --> 01:23:48,759
Speaker 3: But he going in the rooms. I want to Maria

1870
01:23:48,760 --> 01:23:49,080
Speaker 3: and ship.

1871
01:23:49,400 --> 01:23:51,280
Speaker 1: Yeah, he going to ship on the bridge.

1872
01:23:51,400 --> 01:23:51,599
Speaker 3: Ship.

1873
01:23:52,040 --> 01:23:55,040
Speaker 1: You don't want sam too, man, Yeah, you're gonna walk

1874
01:23:55,080 --> 01:23:59,160
Speaker 1: out there to damn. Yeah, we're crazy and he don't go.

1875
01:23:59,320 --> 01:24:02,600
Speaker 1: We set tomorrow too. You don't want another spot this.

1876
01:24:03,040 --> 01:24:03,800
Speaker 1: Don't niggas go there.

1877
01:24:03,800 --> 01:24:04,639
Speaker 3: They don't want to come back.

1878
01:24:05,320 --> 01:24:08,560
Speaker 2: Amsterdam fucked me up. First job going, but you know

1879
01:24:08,720 --> 01:24:11,200
Speaker 2: where really flucked me up. You ever been to New

1880
01:24:11,320 --> 01:24:12,639
Speaker 2: Orleans during Marty Grau.

1881
01:24:13,160 --> 01:24:16,599
Speaker 3: Yeah, I ain't entering a while, but yeah, oh yeah,

1882
01:24:16,680 --> 01:24:18,800
Speaker 3: different too from when the last time you was there

1883
01:24:18,880 --> 01:24:19,280
Speaker 3: last year?

1884
01:24:19,439 --> 01:24:23,680
Speaker 2: No, listen, only been to Marty Gras one time was

1885
01:24:23,760 --> 01:24:26,680
Speaker 2: the last time they had this music conference called the

1886
01:24:26,760 --> 01:24:29,360
Speaker 2: Gavin which was like nineteen ninety five.

1887
01:24:29,560 --> 01:24:32,600
Speaker 1: Bro, Nah, you ain't in a sense I've been to

1888
01:24:32,680 --> 01:24:33,280
Speaker 1: New Orleans.

1889
01:24:33,400 --> 01:24:36,800
Speaker 2: She's not during Marty Gras okay, but listen that ship

1890
01:24:37,120 --> 01:24:38,200
Speaker 2: that should changed my life.

1891
01:24:38,240 --> 01:24:38,320
Speaker 3: Bro.

1892
01:24:38,520 --> 01:24:40,479
Speaker 1: Like I remember being out there during that and.

1893
01:24:40,520 --> 01:24:44,760
Speaker 2: The bead like beads they showing you. Then it's like

1894
01:24:44,960 --> 01:24:48,080
Speaker 2: what it is? How much the beads? The beads is

1895
01:24:48,120 --> 01:24:52,679
Speaker 2: a dollar? Let me get a hunder those real quick.

1896
01:24:52,720 --> 01:24:57,680
Speaker 2: Here go crazy fits blacks like this is crazy or

1897
01:24:57,880 --> 01:24:59,519
Speaker 2: like time go crazy.

1898
01:25:01,080 --> 01:25:06,040
Speaker 3: I'm going crazy. I'm going crazy, that's a fact, yo, crazy.

1899
01:25:06,160 --> 01:25:07,160
Speaker 3: But you having fun though?

1900
01:25:07,200 --> 01:25:10,240
Speaker 1: But that that was, but that that fun was different

1901
01:25:10,360 --> 01:25:12,160
Speaker 1: than that today.

1902
01:25:12,400 --> 01:25:17,439
Speaker 3: Yes, MARTI grow today yo, bro yo, Yo freaking nigga

1903
01:25:17,560 --> 01:25:21,439
Speaker 3: took my nigga. This generation won't be ready for a

1904
01:25:21,520 --> 01:25:22,720
Speaker 3: highway to be shut down.

1905
01:25:23,160 --> 01:25:24,960
Speaker 1: Hell no, they're shooting that ship up.

1906
01:25:25,479 --> 01:25:26,920
Speaker 3: How can I be down there? Used to be out

1907
01:25:26,960 --> 01:25:30,519
Speaker 3: here yet, Oh my Jack the rapper when we come

1908
01:25:30,560 --> 01:25:34,200
Speaker 3: out here on mister Lee, Man, mister Lee, the fucking

1909
01:25:34,320 --> 01:25:39,480
Speaker 3: word big yo, Lo call local, that's my man, mister Mann.

1910
01:25:40,360 --> 01:25:42,439
Speaker 1: He still be trying to talk English, but he's yokes.

1911
01:25:42,520 --> 01:25:44,240
Speaker 1: He can't get the spinnish linger awful.

1912
01:25:46,280 --> 01:25:48,880
Speaker 3: They used to have byam be upside down?

1913
01:25:49,080 --> 01:25:50,679
Speaker 1: By gee, how can I be down?

1914
01:25:50,800 --> 01:25:51,439
Speaker 3: Type of weekend.

1915
01:25:51,520 --> 01:25:54,040
Speaker 2: Can't even have those type events today niggas will be

1916
01:25:54,080 --> 01:25:55,560
Speaker 2: trying to put everybody.

1917
01:25:55,320 --> 01:25:55,840
Speaker 1: In the pack.

1918
01:25:56,120 --> 01:25:59,200
Speaker 3: Zoe weekend, Member Mornings weekend that used to be out here,

1919
01:25:59,439 --> 01:26:02,280
Speaker 3: Oh niggas, Oh weekend used to be. That was the

1920
01:26:02,400 --> 01:26:03,880
Speaker 3: more calm ship to do out here.

1921
01:26:04,000 --> 01:26:04,320
Speaker 1: They like.

1922
01:26:04,720 --> 01:26:06,960
Speaker 3: It wasn't like Jack the rapper, I cannot be down.

1923
01:26:07,000 --> 01:26:10,679
Speaker 3: It's more smooth. All the NBA, all the NBA shout

1924
01:26:10,680 --> 01:26:11,479
Speaker 3: out here is like like.

1925
01:26:11,640 --> 01:26:15,759
Speaker 1: Like cool, calm shit going on, y'all. Niggas was outside seas, That's.

1926
01:26:15,640 --> 01:26:17,800
Speaker 3: What I mean. It was in that type of ever, yeah,

1927
01:26:18,400 --> 01:26:22,880
Speaker 3: really applying that pressure and Rolex m they used to

1928
01:26:22,880 --> 01:26:23,760
Speaker 3: have to pull up over here.

1929
01:26:24,040 --> 01:26:27,200
Speaker 1: That's with Uncle Luoma Roland.

1930
01:26:27,360 --> 01:26:29,360
Speaker 3: This one was not. This one was not but booty

1931
01:26:29,400 --> 01:26:32,000
Speaker 3: shaking ship out yo, Like no, that's that's what we

1932
01:26:32,080 --> 01:26:34,360
Speaker 3: were doing. Unless you knew, like the rap rap ship

1933
01:26:34,479 --> 01:26:34,960
Speaker 3: that if.

1934
01:26:34,880 --> 01:26:37,760
Speaker 2: You have actually going on the club in Miami, you

1935
01:26:37,920 --> 01:26:39,000
Speaker 2: never really been those shit.

1936
01:26:39,080 --> 01:26:40,040
Speaker 1: You ain't been the one yet.

1937
01:26:40,200 --> 01:26:42,640
Speaker 3: Miami was like one of the corn man like that

1938
01:26:42,840 --> 01:26:45,920
Speaker 3: pole that's a that's a bitty yeah, niggas.

1939
01:26:46,000 --> 01:26:47,080
Speaker 1: When I came out here.

1940
01:26:47,080 --> 01:26:47,360
Speaker 2: They was.

1941
01:26:47,400 --> 01:26:49,679
Speaker 1: They was coming from ship from the fifth floor.

1942
01:26:50,600 --> 01:26:54,080
Speaker 3: I'm like, Yo, this shit crazy. Y'all was in Miami

1943
01:26:54,240 --> 01:26:55,680
Speaker 3: early y'all was out here.

1944
01:26:55,760 --> 01:26:57,599
Speaker 1: It was still something that fetti out.

1945
01:26:57,439 --> 01:26:59,800
Speaker 3: Of June Brown Man shout to Uncle Luke Man and

1946
01:27:00,040 --> 01:27:02,920
Speaker 3: nothing like that, Dudu Brown era a miaomo and I

1947
01:27:03,040 --> 01:27:06,000
Speaker 3: live here in Miami, now see I the ain't nothing

1948
01:27:06,120 --> 01:27:09,960
Speaker 3: like that, Dudoo Brown. Yeah, I miss era in Miami, Florida.

1949
01:27:10,040 --> 01:27:12,479
Speaker 1: I got I got the trick Daddy slipping slide era.

1950
01:27:13,000 --> 01:27:13,920
Speaker 1: That was a good er to know.

1951
01:27:14,560 --> 01:27:18,599
Speaker 3: I was a great ever too because it was still crazy. Yeah.

1952
01:27:19,000 --> 01:27:22,080
Speaker 2: Yeah, you know that ship was still the era Luke

1953
01:27:22,240 --> 01:27:25,120
Speaker 2: shows Man, Come on, man, that's all it was to

1954
01:27:25,240 --> 01:27:26,519
Speaker 2: go to in that era.

1955
01:27:26,680 --> 01:27:30,000
Speaker 3: Coming up, dude, Luke, No one could do with Luke

1956
01:27:30,080 --> 01:27:34,000
Speaker 3: Big Today. Your ass going under the jazz shouting Uncle

1957
01:27:34,080 --> 01:27:36,000
Speaker 3: Luke shout to the whole Miami though.

1958
01:27:36,160 --> 01:27:39,800
Speaker 1: Trick yeah them type of errors. Club amnesias, the cameos,

1959
01:27:40,479 --> 01:27:40,680
Speaker 1: you know.

1960
01:27:41,000 --> 01:27:44,080
Speaker 2: And you have the club space and you know your

1961
01:27:44,200 --> 01:27:48,640
Speaker 2: cameo being here, fat hell yeah, cameo being here forever.

1962
01:27:49,160 --> 01:27:51,840
Speaker 2: A lot of movies been made a cameo by day.

1963
01:27:52,400 --> 01:27:57,000
Speaker 2: But I don't know anything New Man any towards coming up?

1964
01:27:59,120 --> 01:28:00,360
Speaker 1: Uh No, so far.

1965
01:28:00,560 --> 01:28:04,400
Speaker 3: I just got the Hardest City coming out, Young Gee's

1966
01:28:04,439 --> 01:28:08,080
Speaker 3: Perspective documentary. Don't forget that Young Might. Uh. You know

1967
01:28:09,120 --> 01:28:10,640
Speaker 3: I've been I've been getting a question to do a

1968
01:28:10,680 --> 01:28:12,800
Speaker 3: book for a while, but I really just want to

1969
01:28:12,800 --> 01:28:14,599
Speaker 3: focus on the you know, I really want to put out.

1970
01:28:14,520 --> 01:28:15,080
Speaker 1: Some more music.

1971
01:28:15,080 --> 01:28:16,519
Speaker 3: And I've been sitting on a lot of music too.

1972
01:28:16,640 --> 01:28:17,280
Speaker 1: Son.

1973
01:28:17,320 --> 01:28:19,160
Speaker 3: You know, most of his project is almost done. I'm

1974
01:28:19,160 --> 01:28:21,280
Speaker 3: about to send him a seven clip let's go. But

1975
01:28:21,640 --> 01:28:23,400
Speaker 3: I already got a bunch of shit done with a

1976
01:28:23,439 --> 01:28:25,040
Speaker 3: bunch of features and you know what I mean. But

1977
01:28:25,400 --> 01:28:27,160
Speaker 3: that's more what I'm focusing on right now, you know

1978
01:28:27,200 --> 01:28:29,760
Speaker 3: what I mean. So like that's two like main things.

1979
01:28:29,840 --> 01:28:31,280
Speaker 3: Of course, you know we're gonna I'm gonna stay on

1980
01:28:31,320 --> 01:28:33,160
Speaker 3: the road, you know what I'm saying. Uh, And this

1981
01:28:33,360 --> 01:28:34,920
Speaker 3: is your home, my nigga, No doubt.

1982
01:28:36,400 --> 01:28:38,080
Speaker 1: You got to block solid this, ain't.

1983
01:28:38,400 --> 01:28:38,560
Speaker 3: You know?

1984
01:28:39,120 --> 01:28:41,559
Speaker 1: They never let us the young niggas get out, no doubt.

1985
01:28:42,400 --> 01:28:46,040
Speaker 1: Just the young to the big is our voice.

1986
01:28:46,680 --> 01:28:49,479
Speaker 2: My voice is your voice. I appreciate anytime you want to.

1987
01:28:49,520 --> 01:28:50,760
Speaker 2: I don't give a fuck if you want to tell

1988
01:28:50,840 --> 01:28:53,200
Speaker 2: niggas vote. If you want to tell niggas go give

1989
01:28:53,280 --> 01:28:55,160
Speaker 2: their heart check whatever you want to say.

1990
01:28:55,600 --> 01:29:00,559
Speaker 3: This job Rockefeller, you know, rock solid. You know what, man,

1991
01:29:00,600 --> 01:29:03,560
Speaker 3: I've been going again. We've been We've been like this.

1992
01:29:04,080 --> 01:29:06,640
Speaker 3: We've been in connection for a long time. So it

1993
01:29:06,760 --> 01:29:08,800
Speaker 3: was the only right we did this. Everybody been asking

1994
01:29:08,880 --> 01:29:11,600
Speaker 3: for me and so I gotta start being like I

1995
01:29:11,640 --> 01:29:13,200
Speaker 3: gotta start being a co host on it. Just come

1996
01:29:13,240 --> 01:29:15,840
Speaker 3: crashing ship, That's what I'm telling who you got today,

1997
01:29:16,000 --> 01:29:17,639
Speaker 3: I'm coming to crash. You know what I'm saying.

1998
01:29:18,040 --> 01:29:19,360
Speaker 1: But we put it together.

1999
01:29:19,439 --> 01:29:23,160
Speaker 3: But everything you're doing, Bro, I'm proud of you. You doing,

2000
01:29:23,560 --> 01:29:26,920
Speaker 3: still working, still striving, still rocking, still brand you know

2001
01:29:26,960 --> 01:29:28,920
Speaker 3: what you're doing, your ship. So save my feet.

2002
01:29:29,680 --> 01:29:30,200
Speaker 1: You know what I'm saying.

2003
01:29:30,280 --> 01:29:33,640
Speaker 3: Forget it. They appreciate you, but brother, you know it.

2004
01:29:34,160 --> 01:29:35,120
Speaker 3: Do save for life.

2005
01:29:35,200 --> 01:29:37,160
Speaker 1: Baby out, baby rock solid. Yeh.

2006
01:29:41,240 --> 01:29:45,160
Speaker 2: For more podcasts from iHeart Radio, visit iHeart Radio app,

2007
01:29:45,439 --> 01:29:48,479
Speaker 2: Apple Podcasts, or wherever you listen to your favorite shows

2008
01:29:48,520 --> 01:29:51,040
Speaker 2: at and you can follow me on any social media

2009
01:29:51,160 --> 01:29:53,280
Speaker 2: platform under the name Memphis Bleak.

2010
01:29:53,439 --> 01:29:55,559
Speaker 1: You see anybody fraud and flagging