1 00:00:01,760 --> 00:00:04,800 Speaker 1: Hey, discos, need a little more Disgraceland in your life, 2 00:00:05,160 --> 00:00:08,039 Speaker 1: just to touch to get you through. Yeah, me too. 3 00:00:08,760 --> 00:00:12,000 Speaker 1: This is the podcast that comes after the podcast. Welcome 4 00:00:12,000 --> 00:00:30,560 Speaker 1: to Disgraceland, the after Party. Welcome to the Disgraceland bonus episode, 5 00:00:30,640 --> 00:00:33,479 Speaker 1: a little thing we like to call the after party. 6 00:00:33,800 --> 00:00:35,920 Speaker 1: This is the show after the show, the party after 7 00:00:35,920 --> 00:00:37,879 Speaker 1: the party, the bridge to get from one full episode 8 00:00:37,880 --> 00:00:41,280 Speaker 1: of Disgraceland to the other, the backyard to dig into 9 00:00:41,320 --> 00:00:44,600 Speaker 1: the dirt. On this bonus episode, we are talking about 10 00:00:45,000 --> 00:00:49,080 Speaker 1: this week's full episode subject our part two episode on 11 00:00:49,240 --> 00:00:53,120 Speaker 1: the Who. We are previewing the coming Nipsey Hustle rewind 12 00:00:53,159 --> 00:00:57,000 Speaker 1: episode as well as the Bruce Springsteen murder myth Madness 13 00:00:57,080 --> 00:00:59,560 Speaker 1: that's coming your way in the Disgraceland feed next week. 14 00:00:59,600 --> 00:01:02,840 Speaker 1: And you get into your voicemails, text, dms, and as 15 00:01:02,880 --> 00:01:05,440 Speaker 1: always a whole lot of rosie. All right, disc goes. 16 00:01:05,800 --> 00:01:15,760 Speaker 1: Let's get into it, all right, my friends, I am 17 00:01:15,840 --> 00:01:21,240 Speaker 1: here in the microphone. It's June eighteenth. It's Paul McCartney's birthday. 18 00:01:21,400 --> 00:01:25,479 Speaker 1: Paul has gone from at times being my favorite beatle 19 00:01:25,600 --> 00:01:28,600 Speaker 1: to my least favorite beatle, back again to my favorite beatle. 20 00:01:29,400 --> 00:01:34,640 Speaker 1: His album RAM huge part of mine in my wife's relationship. 21 00:01:34,800 --> 00:01:37,200 Speaker 1: It was one of those seminal albums during our first 22 00:01:37,240 --> 00:01:40,760 Speaker 1: few years together. I'm not sure why that kind of 23 00:01:40,760 --> 00:01:43,240 Speaker 1: thing just happens when you're falling in love, you know 24 00:01:43,240 --> 00:01:45,560 Speaker 1: what I mean. You both get sucked into certain records 25 00:01:45,600 --> 00:01:49,040 Speaker 1: and then they become symbolic of your time together. When 26 00:01:49,080 --> 00:01:51,560 Speaker 1: my wife turned thirty, actually I've mentioned this before, but 27 00:01:51,600 --> 00:01:54,440 Speaker 1: it's worth mentioning again, I hired my friend Corn to 28 00:01:54,480 --> 00:01:57,960 Speaker 1: put a band together and perform Ram the whole album 29 00:01:58,200 --> 00:02:00,960 Speaker 1: start to finish for my wife and our friends and 30 00:02:01,000 --> 00:02:04,400 Speaker 1: our family at her birthday party. Was amazing. Corn and 31 00:02:04,440 --> 00:02:07,560 Speaker 1: those guys killed it. Anyways, I love Paul. Who doesn't 32 00:02:07,560 --> 00:02:10,639 Speaker 1: love Paul. I'll always love Paul despite his ranking on 33 00:02:10,720 --> 00:02:14,040 Speaker 1: my favorite beatles at that moment. But if you want 34 00:02:14,080 --> 00:02:16,880 Speaker 1: to hear more about the time that Paul McCartney spent 35 00:02:17,160 --> 00:02:21,160 Speaker 1: in jail in Japan in nineteen eighty inside a Japanese 36 00:02:21,400 --> 00:02:25,280 Speaker 1: prison and how we survived the violent Yaquaza gangs, we 37 00:02:25,320 --> 00:02:27,400 Speaker 1: have an episode for that, all right, Matt'll pull the 38 00:02:27,440 --> 00:02:29,480 Speaker 1: show notes together for you. It's worth listening to. Just 39 00:02:29,480 --> 00:02:31,640 Speaker 1: a crazy story. No one thinks about that when they 40 00:02:31,639 --> 00:02:33,519 Speaker 1: think about Paul McCarty. They don't think that he actually 41 00:02:33,520 --> 00:02:37,960 Speaker 1: spent time in a Japanese prison. Just wild so by 42 00:02:38,040 --> 00:02:41,480 Speaker 1: Now you know that after sly Stone died last week, 43 00:02:41,800 --> 00:02:45,040 Speaker 1: Brian Wilson from the Beach Boys side right around the 44 00:02:45,040 --> 00:02:47,000 Speaker 1: same age. I think Brian was eighty two as well. 45 00:02:47,000 --> 00:02:49,079 Speaker 1: I think they're both eighty two years old. I love 46 00:02:49,120 --> 00:02:52,560 Speaker 1: Brian Wilson. Clearly, a lot of you guys love Brian 47 00:02:52,560 --> 00:02:55,600 Speaker 1: Wilson as well. Love him. I poked fun at Brian 48 00:02:55,720 --> 00:03:00,360 Speaker 1: on Instagram saying that quote Charles Manson's friend's brother died, 49 00:03:00,880 --> 00:03:04,080 Speaker 1: and a lot of you did not like that, So 50 00:03:04,200 --> 00:03:07,880 Speaker 1: I'm sorry. I didn't mean to piss anybody off too soon. 51 00:03:08,320 --> 00:03:09,960 Speaker 1: I get it. I think it's one of those things 52 00:03:09,960 --> 00:03:11,920 Speaker 1: that if I said it here in the after party, 53 00:03:12,160 --> 00:03:15,320 Speaker 1: you guys totally would have got it. But on Instagram 54 00:03:15,400 --> 00:03:18,040 Speaker 1: it pissed a lot of people off, and I took 55 00:03:18,040 --> 00:03:20,639 Speaker 1: it down. I took it down because I don't want 56 00:03:20,639 --> 00:03:23,680 Speaker 1: to rain on anyone's sadness. I get it. I totally 57 00:03:23,720 --> 00:03:26,800 Speaker 1: get it, and Brian's music means a lot to people, 58 00:03:27,280 --> 00:03:31,000 Speaker 1: and that particular joke was ill timed. However, I am irish, 59 00:03:31,080 --> 00:03:32,920 Speaker 1: I am Catholic, I am from New England, and I 60 00:03:32,960 --> 00:03:35,640 Speaker 1: am jen X and I think all those things add 61 00:03:35,720 --> 00:03:37,840 Speaker 1: up to me having a pretty dark sense of humor 62 00:03:37,880 --> 00:03:41,800 Speaker 1: when it comes to death, which is why after deleting 63 00:03:41,800 --> 00:03:44,760 Speaker 1: that Manson post, I later posted that my second favorite 64 00:03:44,760 --> 00:03:47,240 Speaker 1: beach boy tied, and that, of course prompted the question 65 00:03:47,560 --> 00:03:49,800 Speaker 1: who is my favorite beach boy? And I will take 66 00:03:49,880 --> 00:03:52,920 Speaker 1: that secret to my grave, thank you very much. I'm 67 00:03:52,920 --> 00:03:55,240 Speaker 1: just kidding. I'll tell you who it is. It's John Stamos. No, 68 00:03:55,320 --> 00:04:00,320 Speaker 1: it's not anyways, I will tell you this right around 69 00:04:00,320 --> 00:04:02,720 Speaker 1: that time when these posts were going up. This isn't 70 00:04:02,720 --> 00:04:05,080 Speaker 1: an excuse because it actually happened after but I did 71 00:04:05,080 --> 00:04:08,080 Speaker 1: suffer a concussion last week. I was away with my 72 00:04:08,160 --> 00:04:13,440 Speaker 1: family when the Brian Wilson news broke and I was 73 00:04:13,480 --> 00:04:16,600 Speaker 1: the victim of a savage Lazy River water park wave 74 00:04:16,640 --> 00:04:19,600 Speaker 1: that totally upended me, smashed the back of my head 75 00:04:19,680 --> 00:04:22,560 Speaker 1: into the cement ground. I'm okay, aside from my over 76 00:04:22,600 --> 00:04:27,359 Speaker 1: appreciation of John Stamos, however, all this bullshitting aside, I 77 00:04:27,520 --> 00:04:32,119 Speaker 1: clearly love Brian Wilson's music, and I set a version 78 00:04:32,160 --> 00:04:35,760 Speaker 1: of this on various social platforms in the past few days. 79 00:04:35,800 --> 00:04:40,440 Speaker 1: But like sly Stone, Brian Wilson was obviously a giant, 80 00:04:40,560 --> 00:04:42,520 Speaker 1: and I don't throw that word around. He was a 81 00:04:42,640 --> 00:04:46,960 Speaker 1: giant in rock and roll history and also a genius, 82 00:04:47,000 --> 00:04:48,720 Speaker 1: and I don't throw that word around either. They were 83 00:04:48,720 --> 00:04:52,160 Speaker 1: both giants. They were both geniuses. I'm supposed to begin 84 00:04:52,240 --> 00:04:56,919 Speaker 1: research next week, actually on Monday, on Buddy Hawley, finally 85 00:04:56,920 --> 00:04:58,799 Speaker 1: going to dig into the Day of the Music died 86 00:04:59,400 --> 00:05:02,600 Speaker 1: story that's been requested from the beginning, and I finally 87 00:05:02,640 --> 00:05:05,320 Speaker 1: found a way to tell it. I think that's different 88 00:05:05,320 --> 00:05:07,560 Speaker 1: from how it's been told in the past. But I'm 89 00:05:07,560 --> 00:05:10,680 Speaker 1: actually thinking of punting on that and telling a Brian 90 00:05:10,720 --> 00:05:15,640 Speaker 1: Wilson story instead, a tight thirty minute Brian Wilson episode. 91 00:05:16,400 --> 00:05:18,760 Speaker 1: We here at Double Elvis produced a full season of 92 00:05:18,760 --> 00:05:21,560 Speaker 1: Brian Wilson for our Blood on the Track series, but 93 00:05:21,600 --> 00:05:24,880 Speaker 1: I didn't write that, I didn't voice it. So I'm 94 00:05:24,880 --> 00:05:26,839 Speaker 1: asking you. I mean, right now, I'm kind of I'm 95 00:05:26,920 --> 00:05:30,200 Speaker 1: leaning towards punting on Buddy and digging into a Brian 96 00:05:30,200 --> 00:05:31,799 Speaker 1: Wilson episode. But I want to hear from you, guys. 97 00:05:32,120 --> 00:05:33,960 Speaker 1: Six one, seven, nine oh six, sixty sixty three eight, 98 00:05:33,960 --> 00:05:35,760 Speaker 1: which would you rather hear? Would you rather hear, and 99 00:05:35,760 --> 00:05:37,400 Speaker 1: these are This is coming up to quick too. This 100 00:05:37,440 --> 00:05:39,800 Speaker 1: will be it's a quick production turnaround, so this will 101 00:05:39,839 --> 00:05:41,440 Speaker 1: be out in the next like four or five weeks 102 00:05:41,440 --> 00:05:44,320 Speaker 1: something like that. Buddy Holly or Brian Wilson. I'm gonna 103 00:05:44,320 --> 00:05:47,640 Speaker 1: do both eventually. But who would you want to hear first? 104 00:05:47,800 --> 00:05:49,839 Speaker 1: All right? So we dropped our episode, our part two 105 00:05:49,880 --> 00:05:53,960 Speaker 1: episode on the Who this week. The Riverfront Colisseum tragedy 106 00:05:54,000 --> 00:05:57,400 Speaker 1: where eleven fans were crushed to death just trying to 107 00:05:57,400 --> 00:06:03,159 Speaker 1: get into a rock show. Brutal and preventable, all right. 108 00:06:04,640 --> 00:06:07,680 Speaker 1: It was rock and roll in nineteen eighty, you know, 109 00:06:07,760 --> 00:06:11,800 Speaker 1: pretty indifferent, pretty deadly. And in the research in the 110 00:06:11,839 --> 00:06:19,039 Speaker 1: production of this episode, somehow I completely missed another live 111 00:06:19,120 --> 00:06:21,919 Speaker 1: music tragedy that happened just a few months ago that 112 00:06:22,040 --> 00:06:25,920 Speaker 1: makes the Riverfront Coliseum Who Debacco look like a twisted 113 00:06:25,960 --> 00:06:28,880 Speaker 1: warm up act. I'm talking about what went down at 114 00:06:28,880 --> 00:06:33,280 Speaker 1: the jet Set nightclub in Santo Domingo in the Dominican Republic, 115 00:06:33,720 --> 00:06:37,840 Speaker 1: just a couple months ago, April eighth, twenty twenty five, 116 00:06:38,640 --> 00:06:42,520 Speaker 1: a full blown building collapsed during a merangue concert, killed 117 00:06:42,560 --> 00:06:46,559 Speaker 1: over two hundred people. Two hundred and thirty six people 118 00:06:46,640 --> 00:06:50,120 Speaker 1: to be exact. The second story of this building just 119 00:06:50,640 --> 00:06:53,680 Speaker 1: gave out. Okay, this wasn't a huge crowd surge like 120 00:06:53,720 --> 00:06:57,640 Speaker 1: in the Who episode. It's just I don't know, just 121 00:06:57,680 --> 00:07:01,880 Speaker 1: the roof just came down on the crowd. It's crazy. 122 00:07:02,920 --> 00:07:04,480 Speaker 1: And yeah, there was a live band playing when it 123 00:07:04,520 --> 00:07:06,919 Speaker 1: happened as well, and the venue was packed for a 124 00:07:06,960 --> 00:07:10,040 Speaker 1: party that night, live Merengue, huge crowd, lots of families. 125 00:07:10,200 --> 00:07:13,120 Speaker 1: According to the early reports, there were cracks in the structure. 126 00:07:13,160 --> 00:07:16,240 Speaker 1: There were complaints that have been filed. This wasn't like 127 00:07:16,240 --> 00:07:20,440 Speaker 1: an act of god. This was just neglect. Jet Set 128 00:07:20,480 --> 00:07:24,920 Speaker 1: apparently was a legendary club in this city, but obviously 129 00:07:24,960 --> 00:07:27,840 Speaker 1: the owners weren't taking care of this, or at least 130 00:07:27,880 --> 00:07:30,440 Speaker 1: that's the word. Okay. When it collapsed, dozens were trapped 131 00:07:30,480 --> 00:07:33,600 Speaker 1: under steel and concrete. It's bad. The details are gory. 132 00:07:33,640 --> 00:07:38,520 Speaker 1: The details are horrible. The survivors are described having to 133 00:07:38,800 --> 00:07:41,520 Speaker 1: crawl over bodies to get out dead bodies. Of course, 134 00:07:42,120 --> 00:07:45,720 Speaker 1: it's just awful. And I didn't hear about this. I 135 00:07:45,760 --> 00:07:47,760 Speaker 1: don't know how I didn't hear about it. I'm pretty 136 00:07:47,760 --> 00:07:52,200 Speaker 1: tuned in. I get notifications from Pitchfork, from Billboard, from 137 00:07:52,280 --> 00:07:55,560 Speaker 1: Rolling Stone, and I don't know how I missed this 138 00:07:56,600 --> 00:07:59,240 Speaker 1: something to be said about you know, which stories get 139 00:07:59,280 --> 00:08:04,200 Speaker 1: to us, which get remembered, which get buried literally sad stuff. 140 00:08:04,520 --> 00:08:06,000 Speaker 1: All right? What else is going on in the world 141 00:08:06,000 --> 00:08:08,320 Speaker 1: of music and true crime? Lots going on in the 142 00:08:08,320 --> 00:08:09,800 Speaker 1: Diddy trial this week, but I'm gonna get to that 143 00:08:09,800 --> 00:08:11,800 Speaker 1: a little bit later in this episode. This week, our 144 00:08:11,800 --> 00:08:14,880 Speaker 1: Rewind episode is on Nipsey Hustle, an artist whose story 145 00:08:15,080 --> 00:08:18,360 Speaker 1: is as you know, as inspiring as it is heartbreaking. 146 00:08:18,600 --> 00:08:21,800 Speaker 1: That episode's coming up next right after this bonus episode. 147 00:08:22,000 --> 00:08:25,080 Speaker 1: Speaking of dark stories, have you seen the trailer for 148 00:08:25,120 --> 00:08:28,280 Speaker 1: the new Bruce Springsteen biopic. It just dropped and it's 149 00:08:28,400 --> 00:08:32,600 Speaker 1: got people talking. I don't love it. I'm getting my 150 00:08:32,600 --> 00:08:34,720 Speaker 1: thoughts together on it. I'll talk more about it in 151 00:08:34,720 --> 00:08:37,400 Speaker 1: the future, but this is perfect timing for us to 152 00:08:37,400 --> 00:08:40,400 Speaker 1: bring back one of our classic Disgraced Land episodes on 153 00:08:40,520 --> 00:08:45,280 Speaker 1: Bruce Springsteen back by popular demand, and that's dropping on Tuesday. Okay, 154 00:08:45,920 --> 00:08:49,040 Speaker 1: And know the Springsteen episode is not the Springsteen story 155 00:08:49,080 --> 00:08:50,720 Speaker 1: that you think you're going to get if you haven't 156 00:08:50,720 --> 00:08:52,920 Speaker 1: heard this. It's not about the East Street band and 157 00:08:52,920 --> 00:08:56,600 Speaker 1: their drama. It's not about Blue collar anthems. It is 158 00:08:56,800 --> 00:09:01,600 Speaker 1: about murder and true crime, specifically the Charlie starkwa the killings, 159 00:09:01,920 --> 00:09:06,040 Speaker 1: the inspiration behind Springsteen's haunting record Nebraska, and this is 160 00:09:06,080 --> 00:09:08,439 Speaker 1: the exact period that the film delivered Me from Nowhere 161 00:09:08,520 --> 00:09:11,880 Speaker 1: deals with. I guarantee you our story is vastly different 162 00:09:12,080 --> 00:09:13,400 Speaker 1: from the story that you're going to see on the 163 00:09:13,400 --> 00:09:16,600 Speaker 1: big screen. Those murders, by the way, those stark Weather murders, 164 00:09:16,640 --> 00:09:19,160 Speaker 1: they happened in June. It's in part why we're bringing 165 00:09:19,200 --> 00:09:22,960 Speaker 1: this episode back right now. True crime, music, mythology, and 166 00:09:23,000 --> 00:09:25,440 Speaker 1: a young couple on a killing spree. This episode a 167 00:09:25,480 --> 00:09:28,760 Speaker 1: Disgraceland has got all the ingredients you need. All right, 168 00:09:29,120 --> 00:09:31,920 Speaker 1: So when you're listening to the Springsteen episode, be thinking 169 00:09:31,960 --> 00:09:36,520 Speaker 1: about songs about murder. Okay. There are a lot of them, 170 00:09:36,559 --> 00:09:41,560 Speaker 1: from Johnny Cash to Eminem to Bob Dylan, the Ghetto Boys. 171 00:09:41,600 --> 00:09:44,679 Speaker 1: There's so many. Okay, I want to know which songwriter 172 00:09:44,960 --> 00:09:48,600 Speaker 1: do you think told a true crime story best in song? 173 00:09:48,679 --> 00:09:51,080 Speaker 1: All right, call me or text me six one seven 174 00:09:51,160 --> 00:09:52,959 Speaker 1: nine oh six six six three eight with your answer. 175 00:09:53,000 --> 00:09:54,199 Speaker 1: This is gonna be the question of the week next 176 00:09:54,200 --> 00:09:57,400 Speaker 1: week or dm me at Disgraceland Pod on the socials, 177 00:09:58,000 --> 00:10:00,680 Speaker 1: I play your message or read your reply and next 178 00:10:00,720 --> 00:10:04,120 Speaker 1: week's after party. All right, I got Atlantic City suck 179 00:10:04,120 --> 00:10:06,199 Speaker 1: in my head now and I can hear my son 180 00:10:06,240 --> 00:10:07,680 Speaker 1: in the background. IM gonna go time to be quiet. 181 00:10:07,679 --> 00:10:10,880 Speaker 1: I'll be back in a flash with your voicemails, your texts, 182 00:10:10,920 --> 00:10:33,240 Speaker 1: and your answers to last week's question of the week. 183 00:10:34,960 --> 00:10:37,360 Speaker 1: All right, we are back. Apple podcast listeners, make sure 184 00:10:37,360 --> 00:10:39,240 Speaker 1: you get those auto downloads turned on so you do 185 00:10:39,360 --> 00:10:43,719 Speaker 1: not miss any episodes of Disgraceland. All right, Psyche to 186 00:10:43,760 --> 00:10:45,400 Speaker 1: be here, Psyche to be here. In the phone booth. 187 00:10:45,400 --> 00:10:47,480 Speaker 1: I'm in the phone booth. You know it's the one 188 00:10:47,720 --> 00:10:50,720 Speaker 1: over across the hall. That one there? Yes, okay, six 189 00:10:50,760 --> 00:10:54,400 Speaker 1: one seven nine oh six six six three eight. That's 190 00:10:54,400 --> 00:10:56,040 Speaker 1: how you get in touch with me. Call me, leave 191 00:10:56,040 --> 00:10:59,120 Speaker 1: me a voicemail, send me a text. Answer the question 192 00:10:59,160 --> 00:11:01,240 Speaker 1: of the week from the last episode on the Who 193 00:11:01,640 --> 00:11:06,560 Speaker 1: Part two. Question was was the Riverfront Coliseum the greatest 194 00:11:06,600 --> 00:11:09,400 Speaker 1: tragedy in rock and roll history? If not, what was? 195 00:11:09,520 --> 00:11:11,640 Speaker 1: Let's check out what the two seven us to say? 196 00:11:12,000 --> 00:11:17,640 Speaker 2: Drake two seven oh todd actually calling from the Nashville area, 197 00:11:18,200 --> 00:11:26,000 Speaker 2: worst tragedy in music history? I will go with the 198 00:11:26,040 --> 00:11:31,240 Speaker 2: Eagles of Death Metal on stage in Paris, and unbelievably 199 00:11:31,400 --> 00:11:36,000 Speaker 2: that was excuse me, that was twenty fifteen. I just 200 00:11:36,080 --> 00:11:38,840 Speaker 2: listened to a podcast with Josh Hamme talking about that 201 00:11:38,960 --> 00:11:42,840 Speaker 2: very thing. Crazy that was a decade ago. I guess 202 00:11:42,880 --> 00:11:46,600 Speaker 2: I'll go with that. But yeah, a lot of terrible things, 203 00:11:46,640 --> 00:11:50,120 Speaker 2: including the who at Riverfront back in the day. I 204 00:11:50,160 --> 00:11:53,960 Speaker 2: actually lived at that time. I was a kid, just 205 00:11:54,000 --> 00:11:55,760 Speaker 2: a little bit south of Cincinnati. 206 00:11:56,120 --> 00:12:00,240 Speaker 1: Terrible thing, Todd, great call, and yes, what an answer her. 207 00:12:00,320 --> 00:12:05,000 Speaker 1: What a horrible, horrible event. Something I'd like to I've 208 00:12:05,080 --> 00:12:10,599 Speaker 1: long wanted to cover in Disgraceland. But it's uh, I 209 00:12:10,600 --> 00:12:13,679 Speaker 1: don't know, man, it feels like it's it's too soon. 210 00:12:14,120 --> 00:12:17,560 Speaker 1: It just feels too raw, it feels too real, it 211 00:12:17,600 --> 00:12:21,199 Speaker 1: feels too fucking scary. To be perfectly honest, of course, 212 00:12:21,240 --> 00:12:22,880 Speaker 1: too soon. This is coming from the guy who had 213 00:12:22,880 --> 00:12:26,040 Speaker 1: that Brian Wilson comment last week. I don't know. Maybe 214 00:12:26,080 --> 00:12:28,679 Speaker 1: I can get there, get to it now. We'll see horrific, 215 00:12:28,800 --> 00:12:32,760 Speaker 1: horrific event, absolutely tragic, and I feel like your question, 216 00:12:32,920 --> 00:12:36,760 Speaker 1: I'm sorry your answer is is weighted even more heavily 217 00:12:36,880 --> 00:12:38,880 Speaker 1: because you're from the Cincinnati area, so thank you for 218 00:12:38,920 --> 00:12:41,079 Speaker 1: the call to I appreciate that. Let's go to Ben 219 00:12:41,320 --> 00:12:44,640 Speaker 1: in the eight oh three What's Ben Talk? Ben's talking 220 00:12:44,640 --> 00:12:47,640 Speaker 1: about obsession and this is in reference to our recent 221 00:12:47,679 --> 00:12:48,880 Speaker 1: episode on B York. 222 00:12:49,360 --> 00:12:51,320 Speaker 3: Hey Jay, this has been from the eight to three. 223 00:12:51,480 --> 00:12:55,240 Speaker 3: Once again, gott you a little cross referenceation. We're talking 224 00:12:55,240 --> 00:13:00,079 Speaker 3: about ab session in the Hollywood Land Rat Party. You 225 00:13:00,160 --> 00:13:02,520 Speaker 3: mentioned that your son was now beginning to chase that 226 00:13:02,679 --> 00:13:06,120 Speaker 3: bass tone, and like yourself as a guy who used 227 00:13:06,160 --> 00:13:09,240 Speaker 3: to meeting my living with six strings, you know it's 228 00:13:09,280 --> 00:13:12,880 Speaker 3: an ever ending obsession. Every time you think he's just 229 00:13:12,960 --> 00:13:16,560 Speaker 3: about have that tone, something's not quite there. It's like 230 00:13:16,600 --> 00:13:19,520 Speaker 3: a dragging your chasing and he's just about to grab 231 00:13:19,559 --> 00:13:22,160 Speaker 3: it by the tail and moves slightly and you're off 232 00:13:22,640 --> 00:13:26,360 Speaker 3: on an entirely different tone obsession. Having said that, we're 233 00:13:26,360 --> 00:13:30,160 Speaker 3: talking about obsessive song, how about a trio of obsessive songs, 234 00:13:30,640 --> 00:13:33,080 Speaker 3: the first of which was kind of creepy because it 235 00:13:33,120 --> 00:13:36,520 Speaker 3: was about his best friend's wife. Three of my favorite 236 00:13:36,600 --> 00:13:40,120 Speaker 3: Eric Clapton's songs are all about the same woman. One 237 00:13:40,200 --> 00:13:46,040 Speaker 3: Miss Patty Boyd Harrison clapping. He of course famously wrote 238 00:13:46,280 --> 00:13:50,000 Speaker 3: Layla about his best friend's wife. And his belonging for her. 239 00:13:50,720 --> 00:13:54,600 Speaker 3: Layer down the line, he finally gets the girl, and 240 00:13:54,880 --> 00:13:57,120 Speaker 3: with the desire to just write about it in mind, 241 00:13:57,880 --> 00:14:01,880 Speaker 3: he writes Wonderful to Night about it evening with said woman. 242 00:14:02,800 --> 00:14:05,400 Speaker 3: Then later on down the line on the Journyman album, 243 00:14:05,480 --> 00:14:08,800 Speaker 3: after There time has come to an end and they've 244 00:14:08,840 --> 00:14:12,320 Speaker 3: gone there several ways, he wrote the Lovely Old Love, 245 00:14:12,360 --> 00:14:15,520 Speaker 3: which is just a great blues that he performs with 246 00:14:15,600 --> 00:14:20,600 Speaker 3: Robert Craye. On the album, wrote that about longing for 247 00:14:20,800 --> 00:14:25,680 Speaker 3: missing his love or I miss Patty Boyd Harrison Clapton 248 00:14:26,080 --> 00:14:28,240 Speaker 3: very good, Jake. I don't know if that's qualified as 249 00:14:28,280 --> 00:14:31,560 Speaker 3: creepy obsession or not, but there you go, rock a roller. 250 00:14:32,000 --> 00:14:36,880 Speaker 1: Clapton's obsession been with George Harrison's wife with Patty Boyd 251 00:14:37,440 --> 00:14:43,320 Speaker 1: well documented in music history. Yes, there's been creepier recommendations. 252 00:14:43,680 --> 00:14:47,360 Speaker 1: But you're onto something here because this thing never sat 253 00:14:47,440 --> 00:14:50,000 Speaker 1: right with me, and part of it is like coveting 254 00:14:50,040 --> 00:14:55,560 Speaker 1: your best friend's wife. It's just it's very sleazy. I 255 00:14:55,600 --> 00:14:59,680 Speaker 1: don't like it, No one likes it. And Clapton has 256 00:14:59,760 --> 00:15:02,960 Speaker 1: this I don't know what it is. It's those seventies 257 00:15:03,080 --> 00:15:07,840 Speaker 1: years during when this obsession was at its height and 258 00:15:07,920 --> 00:15:12,360 Speaker 1: he was using heroin. He has this bleakness to him, 259 00:15:12,800 --> 00:15:18,680 Speaker 1: this darkness that I find incredibly off putting, not just 260 00:15:19,400 --> 00:15:23,400 Speaker 1: musically but personally. I know I'm in the minority here. 261 00:15:23,400 --> 00:15:28,360 Speaker 1: The Clapton stuff I like is later. It's later than Laila. 262 00:15:28,760 --> 00:15:31,760 Speaker 1: It's kind of like eighties. I know that sounds awful, right, 263 00:15:31,880 --> 00:15:34,720 Speaker 1: like the Color of Money Claptain, like the shit that 264 00:15:34,800 --> 00:15:36,520 Speaker 1: was on MTV when I was a kid that I 265 00:15:36,520 --> 00:15:39,160 Speaker 1: didn't like then. I kind of like that now cause 266 00:15:39,160 --> 00:15:42,320 Speaker 1: you can feel him coming out of that cloud he 267 00:15:42,400 --> 00:15:45,080 Speaker 1: was in and you hit it like wonderful. Tonight is 268 00:15:45,160 --> 00:15:49,520 Speaker 1: probably the beginning of that. Yeah, just totally totally obsessed, 269 00:15:50,240 --> 00:15:53,960 Speaker 1: completely obsessed. I talked about that in the Derek and 270 00:15:54,000 --> 00:15:55,320 Speaker 1: the Dominoes episode. 271 00:15:54,960 --> 00:15:55,640 Speaker 3: A little bit. 272 00:15:55,680 --> 00:15:57,560 Speaker 1: I don't nearly get into it as much as you 273 00:15:57,600 --> 00:15:59,120 Speaker 1: did here, So I appreciate that and giving me the 274 00:15:59,200 --> 00:16:01,680 Speaker 1: opportunity to to unpack it a little bit here, Ben, 275 00:16:01,720 --> 00:16:03,640 Speaker 1: thank you for the call. You know, there's this ongoing 276 00:16:03,680 --> 00:16:05,760 Speaker 1: conversation we're having about should I or should I not 277 00:16:05,880 --> 00:16:08,280 Speaker 1: do a couple of episodes on some hair metal bands. 278 00:16:08,280 --> 00:16:09,200 Speaker 1: Here's the six four. 279 00:16:09,120 --> 00:16:12,920 Speaker 4: Six here, J This is Karen in the sixty four six. Again, 280 00:16:14,040 --> 00:16:21,040 Speaker 4: I'm really late responding to the hair band call for votes, 281 00:16:21,280 --> 00:16:25,440 Speaker 4: and I don't like hair metal myself, but I think 282 00:16:25,480 --> 00:16:28,680 Speaker 4: i'd have to go with Poison. They fucking suck, but 283 00:16:28,760 --> 00:16:31,440 Speaker 4: they're also just so bad that I really kind of 284 00:16:31,440 --> 00:16:34,440 Speaker 4: want to hear that episode. I probably hate listen and 285 00:16:34,520 --> 00:16:38,880 Speaker 4: laugh my ass off. So yeah, Poison, thanks man, rockn ROLLA. 286 00:16:39,080 --> 00:16:42,440 Speaker 1: Karen love it, and I love the attitude you bring 287 00:16:42,520 --> 00:16:46,160 Speaker 1: into this potential episode. The only way I could do it. Yeah, 288 00:16:46,200 --> 00:16:48,320 Speaker 1: you're right, it's kind of got to be Poison, right, 289 00:16:48,520 --> 00:16:51,760 Speaker 1: it can't be Cinderella. It can't be skied Roll. Cinderella's 290 00:16:51,760 --> 00:16:53,560 Speaker 1: not big enough skid Row. I feel like they've got 291 00:16:53,560 --> 00:16:56,240 Speaker 1: to take themselves too serious. Seriously. They're like almost good, 292 00:16:56,520 --> 00:17:00,560 Speaker 1: you know what I mean, They're almost a good band, Poison. 293 00:17:00,800 --> 00:17:06,160 Speaker 1: I feel like Poison a highly comical b. C. C. Deville, 294 00:17:06,200 --> 00:17:09,720 Speaker 1: like I talked about before, he was along for the ride, 295 00:17:09,720 --> 00:17:11,960 Speaker 1: but he has his sense of humor that I think 296 00:17:12,040 --> 00:17:14,360 Speaker 1: is fun and we could play with. And I do 297 00:17:14,400 --> 00:17:19,880 Speaker 1: think Poison songs I do think as a weird take, 298 00:17:20,400 --> 00:17:23,920 Speaker 1: but if they were recorded by another band with different production, 299 00:17:25,480 --> 00:17:28,520 Speaker 1: that could actually be great songs. Some of them. Of course, 300 00:17:28,960 --> 00:17:30,760 Speaker 1: I don't know much beyond the singles, but I like 301 00:17:30,840 --> 00:17:34,720 Speaker 1: this idea. We'll see. I'm coming around to it. Thank you, Karen. Okay, 302 00:17:34,720 --> 00:17:36,359 Speaker 1: I gotta clean something up. I heard. I got a 303 00:17:36,359 --> 00:17:39,520 Speaker 1: text from a DM, actually from my friend Gavin van 304 00:17:39,600 --> 00:17:44,680 Speaker 1: Vlack from the great New York hardcore band Burn. He's 305 00:17:44,720 --> 00:17:46,040 Speaker 1: been in a ton of bands, but that's the one 306 00:17:46,080 --> 00:17:49,480 Speaker 1: he's most known for. Great guy, known him for years, 307 00:17:49,520 --> 00:17:52,359 Speaker 1: and he pointed out that I made a mistake in 308 00:17:52,400 --> 00:17:56,480 Speaker 1: a recent after party episode where I believe I believe 309 00:17:56,520 --> 00:17:58,000 Speaker 1: it was in the context of talking about Sick of 310 00:17:58,040 --> 00:18:01,920 Speaker 1: it All. I incorrect stated that Sick of It All 311 00:18:02,880 --> 00:18:06,720 Speaker 1: was on the hardcore compilation where the Wild Things Are, 312 00:18:07,680 --> 00:18:10,119 Speaker 1: which is wrong. They're not on that compilation. And I 313 00:18:10,200 --> 00:18:12,679 Speaker 1: think I even took it a step further and I 314 00:18:12,720 --> 00:18:16,440 Speaker 1: said that that comp came out on Revelation Records, did 315 00:18:16,440 --> 00:18:19,880 Speaker 1: not came out on Blackout Records, and the Revelation one 316 00:18:19,920 --> 00:18:21,560 Speaker 1: came out prior, and that one was called The Way 317 00:18:21,600 --> 00:18:23,400 Speaker 1: It Is. And I know all this and I can't 318 00:18:23,400 --> 00:18:27,119 Speaker 1: believe I fucked it up. It happens. I apologize. Thanks 319 00:18:27,119 --> 00:18:30,680 Speaker 1: for the DM Gavin. Appreciate you at disgracelam pod. Any 320 00:18:30,720 --> 00:18:32,160 Speaker 1: of you guys want to hit me up on DM's 321 00:18:32,840 --> 00:18:36,160 Speaker 1: STP on Instagram. Hit me up said, hey, man, where'd 322 00:18:36,200 --> 00:18:39,600 Speaker 1: you get those threads in reference to uh you know 323 00:18:39,640 --> 00:18:41,880 Speaker 1: a little little patio where I was rocking in one 324 00:18:41,880 --> 00:18:45,360 Speaker 1: of my stories. And the answer STP is Dandy Delmar. 325 00:18:45,720 --> 00:18:48,080 Speaker 1: That's the name of the brand. Great brand. Go to 326 00:18:48,200 --> 00:18:51,840 Speaker 1: Dandy Delmar dot com. Not a sponsorship. This is unpaid, 327 00:18:52,240 --> 00:18:56,320 Speaker 1: just answering the questions man, Dandydlmar dot com. You look 328 00:18:56,440 --> 00:19:00,720 Speaker 1: like you're hanging out at Frank Sinatra's Palm Springs home 329 00:19:01,320 --> 00:19:04,320 Speaker 1: out there in the desert where all the bad things happened. Okay, 330 00:19:05,480 --> 00:19:07,640 Speaker 1: six one seven nine, I was six six six three eight. 331 00:19:08,200 --> 00:19:10,600 Speaker 1: A lot of people writing in about the Astro World 332 00:19:10,640 --> 00:19:14,600 Speaker 1: tragedy and how that is worse than the Riverfront Colisseum tragedy. 333 00:19:15,119 --> 00:19:17,960 Speaker 1: Tough to compare them, but they're both awful. A lot 334 00:19:17,960 --> 00:19:19,840 Speaker 1: of people like Jesse and the six one nine, Hey, 335 00:19:19,880 --> 00:19:23,200 Speaker 1: you gotta be by Desray is the song you were humming, Jake? 336 00:19:23,320 --> 00:19:25,720 Speaker 1: That's it. Thank you for all your stories you put together. 337 00:19:25,800 --> 00:19:27,480 Speaker 1: Last week. I had an ear warm I couldn't figure 338 00:19:27,480 --> 00:19:29,399 Speaker 1: it out on the uh on the old after Party 339 00:19:29,440 --> 00:19:32,840 Speaker 1: here and I just I don't know. Something something came 340 00:19:32,880 --> 00:19:35,200 Speaker 1: over me again. Back to my friend Gavin, he said, 341 00:19:35,640 --> 00:19:38,679 Speaker 1: you started scatting that song, and he's right. I was 342 00:19:38,680 --> 00:19:44,120 Speaker 1: scatting Dezray six' five one, right saying, hey love The Rap. 343 00:19:44,200 --> 00:19:46,199 Speaker 1: PARTY i appreciate what you're putting out. There as far 344 00:19:46,200 --> 00:19:49,919 Speaker 1: As john The, Legend belushi and my exposure to is. 345 00:19:49,960 --> 00:19:52,600 Speaker 1: Awesomeness it was Definitely Animal. House i'm not gonna finish, this, 346 00:19:52,640 --> 00:19:55,600 Speaker 1: okay because this is a great. Text i'm just gonna 347 00:19:55,680 --> 00:19:57,840 Speaker 1: use it to point out the fact that there's another 348 00:19:57,920 --> 00:19:59,960 Speaker 1: whole bonus episode we get going on called The Rap 349 00:20:00,080 --> 00:20:02,000 Speaker 1: party in the Hollywood land. Feed it's not just, me 350 00:20:02,040 --> 00:20:03,840 Speaker 1: it's me and my Guy. Zeth head on over. There 351 00:20:03,920 --> 00:20:05,840 Speaker 1: check that. Out make sure you're subscribed to Hollywood land 352 00:20:06,400 --> 00:20:08,080 Speaker 1: eight o' eight, right say hey for the question of the, 353 00:20:08,119 --> 00:20:10,600 Speaker 1: week which would also make an interesting episode is that 354 00:20:10,680 --> 00:20:13,520 Speaker 1: Of Dave navarro and what happened to his. Mom won't 355 00:20:13,520 --> 00:20:15,600 Speaker 1: go into the, details AS i figured you deliver it 356 00:20:15,600 --> 00:20:18,040 Speaker 1: better THAN. I to those who don't know the, story 357 00:20:18,080 --> 00:20:19,919 Speaker 1: well eight o eight, LISTEN i did go into the. 358 00:20:19,960 --> 00:20:22,320 Speaker 1: Details we have a whole episode On jane's addiction and 359 00:20:22,320 --> 00:20:25,240 Speaker 1: it's basically A Dave navarro episode that is in our. 360 00:20:25,320 --> 00:20:27,399 Speaker 1: Archive get on at eight oh. Eight it's. There it's 361 00:20:27,440 --> 00:20:29,960 Speaker 1: waiting for. You listen to. It get back to. Me 362 00:20:30,040 --> 00:20:31,400 Speaker 1: let me know what you. Think six one seven nine 363 00:20:31,400 --> 00:20:32,960 Speaker 1: oh six six six three. Eight you guys want to 364 00:20:32,960 --> 00:20:34,040 Speaker 1: send me a, VOICEMAIL i want to send me a 365 00:20:34,080 --> 00:20:36,800 Speaker 1: text about anything at. ALL i am, HERE i am. 366 00:20:36,840 --> 00:20:40,960 Speaker 1: WAITING i got. You i'm also available at disgrace lampod On, Instagram, 367 00:20:41,000 --> 00:20:44,000 Speaker 1: facebook AND. X you want to chat with me over. There, Listen, Okay, 368 00:20:44,040 --> 00:20:47,280 Speaker 1: matt queue up the Buzzer beater sports rant. Time, uh 369 00:20:47,440 --> 00:20:50,920 Speaker 1: this is this is this is The disgraceland sports minute 370 00:20:51,000 --> 00:20:53,239 Speaker 1: and under thirty. Seconds, OKAY i know that doesn't make, 371 00:20:53,280 --> 00:20:54,480 Speaker 1: sense but just give me a little give me a 372 00:20:54,480 --> 00:20:58,119 Speaker 1: little buzzer. LISTEN i believe it was last, week just last, 373 00:20:58,119 --> 00:21:01,960 Speaker 1: WEEK i said Trade Raffie. Devers DIDN'T i say? THAT 374 00:21:02,160 --> 00:21:04,960 Speaker 1: i said, that and look what. Happened they fucking traded. 375 00:21:05,040 --> 00:21:08,280 Speaker 1: Him it's. AMAZING i love. This i'm like the only 376 00:21:08,320 --> 00:21:10,480 Speaker 1: Guy i'm on an. ISLAND i love that they traded, 377 00:21:10,560 --> 00:21:12,480 Speaker 1: him even the people that didn't like his attitude and 378 00:21:12,520 --> 00:21:16,840 Speaker 1: wanted him. Gone they're kind of couching that. Attitude they're 379 00:21:16,920 --> 00:21:19,480 Speaker 1: couching their take and they're, saying, well The Red, sox you, 380 00:21:19,520 --> 00:21:20,879 Speaker 1: know they should have got. More they should have got 381 00:21:21,000 --> 00:21:23,000 Speaker 1: more back. In, yeah, okay maybe maybe they should have got. 382 00:21:23,040 --> 00:21:24,760 Speaker 1: More they got like a bag of, balls. Basically but 383 00:21:24,840 --> 00:21:27,359 Speaker 1: this guy was as a, player as a, teammate not a. 384 00:21:27,359 --> 00:21:30,680 Speaker 1: Person was. Rotten. Okay of, course now that he's, gone 385 00:21:30,720 --> 00:21:33,160 Speaker 1: there's more coming out because the team wants to justify their. 386 00:21:33,200 --> 00:21:36,680 Speaker 1: Decision but you could TELL i lived Through Carl. Everett. 387 00:21:36,680 --> 00:21:40,040 Speaker 1: OKAY i know bad ball players who fuck up team 388 00:21:40,119 --> 00:21:42,920 Speaker 1: chemistry on The Red sox WHEN i see. It and 389 00:21:42,960 --> 00:21:46,560 Speaker 1: this guy was no damn good for ten, years for ten. 390 00:21:46,760 --> 00:21:49,080 Speaker 1: Years if we had the guy for two, years three, 391 00:21:49,160 --> 00:21:52,959 Speaker 1: years four, years, FIVE i can even six. Ten no frickin, 392 00:21:53,400 --> 00:21:57,119 Speaker 1: way see You now they're one and one since we 393 00:21:57,240 --> 00:21:59,480 Speaker 1: let him, go we'll see what. Happens BUT i got 394 00:21:59,480 --> 00:22:00,840 Speaker 1: a feeling this socks are going to be in a 395 00:22:00,920 --> 00:22:03,919 Speaker 1: much better. Shape do you hear? That my dog just 396 00:22:04,000 --> 00:22:10,560 Speaker 1: barked in? Agreement all, Right, matt let me back out 397 00:22:10,600 --> 00:22:12,080 Speaker 1: to this shit. 398 00:22:19,480 --> 00:22:19,600 Speaker 3: All. 399 00:22:19,680 --> 00:22:22,080 Speaker 1: Right time for your Weekly Hollywood Lamb, minute brought to 400 00:22:22,080 --> 00:22:24,159 Speaker 1: you by The Hollywood lamb podcast case you missed, it 401 00:22:24,200 --> 00:22:27,160 Speaker 1: our recent full episode went live this Past, Monday june, 402 00:22:27,240 --> 00:22:31,480 Speaker 1: sixteenth diving Into Bruce. LEE i, mean you can't get 403 00:22:31,440 --> 00:22:33,600 Speaker 1: a much bigger of an icon Than Bruce. Lee all, 404 00:22:33,720 --> 00:22:36,360 Speaker 1: right and just This, Wednesday zeth AND i we get 405 00:22:36,359 --> 00:22:39,480 Speaker 1: into in the Latest Rap party bonus. Episode we're cracking 406 00:22:39,520 --> 00:22:42,800 Speaker 1: wise About Bruce, Lee Cliff, booth all of Our Bruce 407 00:22:42,880 --> 00:22:47,320 Speaker 1: lee affiliated. Obsessions we take your, calls you, text YOUR, 408 00:22:47,400 --> 00:22:50,280 Speaker 1: dms email shout. Outs one hundred percent more listener, love 409 00:22:50,480 --> 00:22:52,840 Speaker 1: more chances for your voice to make the cutover in 410 00:22:52,880 --> 00:22:54,959 Speaker 1: the Wrap. Party but if you want it on, that 411 00:22:55,000 --> 00:22:57,440 Speaker 1: you want to in. On our obsessions in the film 412 00:22:57,480 --> 00:23:00,640 Speaker 1: world are half baked and fully. Baked, rex you got 413 00:23:00,640 --> 00:23:02,240 Speaker 1: to listen to The Rap party to do. That you 414 00:23:02,240 --> 00:23:04,960 Speaker 1: get a subscribe To Hollywood land On Apple, Podcasts, spotify 415 00:23:05,119 --> 00:23:08,320 Speaker 1: wherever you get your. Podcast next week is our episode 416 00:23:08,359 --> 00:23:10,920 Speaker 1: on The Wonderland. Murders you are not going to want 417 00:23:10,920 --> 00:23:13,040 Speaker 1: to miss, that especially for You Boogie knights, fans all, 418 00:23:13,160 --> 00:23:16,440 Speaker 1: right subscribe To Hollywood. Land matt cut up a little 419 00:23:16,600 --> 00:23:18,080 Speaker 1: given a little bit of The Rap party right. Here 420 00:23:18,160 --> 00:23:18,560 Speaker 1: thank you. 421 00:23:20,320 --> 00:23:23,000 Speaker 5: Thought About Stanley kubrick the great director who passed away 422 00:23:23,000 --> 00:23:26,800 Speaker 5: in nineteen ninety, nine just months before his final, Film 423 00:23:26,840 --> 00:23:29,560 Speaker 5: As White shut came. Out, you've of course you've seen that. 424 00:23:29,600 --> 00:23:31,679 Speaker 1: Movie of, Course i've seen that movie a. Little my 425 00:23:31,760 --> 00:23:34,639 Speaker 1: favorite little, know like recent thing about that movie is 426 00:23:34,680 --> 00:23:37,520 Speaker 1: that the guy who plays the piano, player who's the 427 00:23:37,640 --> 00:23:40,360 Speaker 1: character Name i'm forgetting And i'm even forgetting the guy's real, 428 00:23:40,440 --> 00:23:45,800 Speaker 1: Name Nick. Nightingale Uh Nick. Nightingale, great great grab you 429 00:23:45,920 --> 00:23:46,320 Speaker 1: just had. 430 00:23:46,320 --> 00:23:49,440 Speaker 5: That it is To Todd, fields the. 431 00:23:49,480 --> 00:23:52,680 Speaker 1: Director, yeah that's my. Point Todd, fields the guy who Made, 432 00:23:52,920 --> 00:23:56,280 Speaker 1: tar the, incredible incredible movie from the last couple of. 433 00:23:56,320 --> 00:23:59,919 Speaker 1: Years forget about. It just. Amazing so. Yeah, also The. 434 00:24:00,480 --> 00:24:04,119 Speaker 5: Which as A manor is probably one, of if not 435 00:24:04,240 --> 00:24:07,240 Speaker 5: the most credible main movie as far as people and 436 00:24:07,280 --> 00:24:10,520 Speaker 5: the way they talk and. Whatever so, anyway just for 437 00:24:10,600 --> 00:24:11,280 Speaker 5: what it's, Worth. 438 00:24:11,160 --> 00:24:13,480 Speaker 1: Yeah oh, MAN i want to be a. MANOR i 439 00:24:13,480 --> 00:24:15,640 Speaker 1: want to be a manor so bad you don't even. 440 00:24:15,720 --> 00:24:17,000 Speaker 1: Know i'm going to go watch. 441 00:24:17,080 --> 00:24:18,679 Speaker 2: It all. 442 00:24:18,800 --> 00:24:21,320 Speaker 1: Right that is the rap party From Hollywood land that 443 00:24:21,400 --> 00:24:25,440 Speaker 1: is in The Hollywood Land. Feed you get a subscribe over, 444 00:24:25,440 --> 00:24:28,560 Speaker 1: there all, right disgracelampod at gmail dot. Com you want 445 00:24:28,560 --> 00:24:31,320 Speaker 1: to hit me up on. Email Frank barry writes in show, Request, 446 00:24:31,440 --> 00:24:33,359 Speaker 1: jake do you think there's enough information out there to 447 00:24:33,400 --> 00:24:36,439 Speaker 1: do a show About Sunset strip And hollywood from the nineteen? 448 00:24:36,440 --> 00:24:43,159 Speaker 1: EIGHTIES h, YEAH i, Do, frank and specifically just on 449 00:24:43,200 --> 00:24:45,000 Speaker 1: The Sunset. STRIP i don't. Know maybe we'll get into 450 00:24:45,000 --> 00:24:46,280 Speaker 1: a bunch of it in The poison. Episode we've got 451 00:24:46,320 --> 00:24:48,080 Speaker 1: A nikki six episode coming up in a couple of 452 00:24:48,119 --> 00:24:52,240 Speaker 1: weeks here as, well gets heavily into The Sunset strip. 453 00:24:52,320 --> 00:24:55,720 Speaker 1: Vibes But i'd like to do it through the point 454 00:24:55,760 --> 00:24:58,959 Speaker 1: of view of an, artist and we've already done that 455 00:24:59,000 --> 00:25:00,879 Speaker 1: and we'll continue to do it in the. Future but 456 00:25:00,960 --> 00:25:03,720 Speaker 1: if you have another take more specific To Sunset, strip 457 00:25:03,800 --> 00:25:05,480 Speaker 1: hit me, up get back at me and let me. 458 00:25:05,560 --> 00:25:10,720 Speaker 1: Know over On Apple, Podcasts CHRIS r zero one eight 459 00:25:10,720 --> 00:25:13,600 Speaker 1: eight zero. RIGHTS i will preface this review on WHY 460 00:25:13,680 --> 00:25:18,520 Speaker 1: i dislike podcasts in. General most podcasts lack, focus tend 461 00:25:18,560 --> 00:25:20,359 Speaker 1: to be long and self, indulgent and there is a 462 00:25:20,400 --> 00:25:23,640 Speaker 1: need to be self. Edited the production quality is generally 463 00:25:23,680 --> 00:25:26,560 Speaker 1: poor and not researched. Well so why DO i Give 464 00:25:26,560 --> 00:25:30,680 Speaker 1: disgraceland five? Stars From jake's painstaking, research his ability to 465 00:25:30,720 --> 00:25:32,840 Speaker 1: focus on the story of the week in a conscientious 466 00:25:32,920 --> 00:25:35,760 Speaker 1: manner that leaves you wanting. More he cares more about 467 00:25:35,760 --> 00:25:39,520 Speaker 1: creating content for his audience than his own. Ears speaking At, 468 00:25:39,560 --> 00:25:42,720 Speaker 1: ears the production quality is without peer in the podcasting. 469 00:25:42,800 --> 00:25:45,239 Speaker 1: Universe if you think you knew the, story time has 470 00:25:45,280 --> 00:25:47,040 Speaker 1: a way of revealing the rest of, it And jake 471 00:25:47,119 --> 00:25:49,879 Speaker 1: is the one to deliver it truly entertaining and. Informative, 472 00:25:50,119 --> 00:25:52,880 Speaker 1: Chris thank you so. Much get in, Touch. Chris i'd 473 00:25:52,920 --> 00:25:54,720 Speaker 1: like to get something special in the, mail and if 474 00:25:54,760 --> 00:25:56,160 Speaker 1: any of you guys want to leave a review over 475 00:25:56,200 --> 00:25:59,640 Speaker 1: On Apple podcasts or On, spotify get hooked up with something, 476 00:25:59,640 --> 00:26:03,359 Speaker 1: special be my. Guest some clown whose NAME i shall not, 477 00:26:03,480 --> 00:26:07,880 Speaker 1: repeat rites over On. Spotify he's just re uploading old, 478 00:26:07,920 --> 00:26:10,520 Speaker 1: episodes AND i take offense to. That whoever you, are 479 00:26:10,600 --> 00:26:13,199 Speaker 1: whose NAME i won't, Mention i've already forgot about, you 480 00:26:13,200 --> 00:26:16,280 Speaker 1: by the, Way BUT i bring this up because it's a. 481 00:26:16,320 --> 00:26:20,080 Speaker 1: Bullshit we do at least, one sometimes, two sometimes three 482 00:26:20,160 --> 00:26:23,800 Speaker 1: new episodes a, week and we resurface our archive episodes 483 00:26:24,200 --> 00:26:28,600 Speaker 1: because people need to know what's in the. Archive we 484 00:26:28,640 --> 00:26:30,600 Speaker 1: have over two hundred and thirty plus. Episodes is it 485 00:26:30,720 --> 00:26:33,320 Speaker 1: so wrong to repurpose. Them do you get mad at 486 00:26:33,320 --> 00:26:36,280 Speaker 1: your favorite television show when they show a? Rerun does 487 00:26:36,280 --> 00:26:38,040 Speaker 1: that happen? ANYMORE i don't, Know probably, Not but you 488 00:26:38,080 --> 00:26:41,600 Speaker 1: know What i'm, saying more is better than not at. 489 00:26:41,600 --> 00:26:44,400 Speaker 1: All that's my. Thinking it's there for. You and AS 490 00:26:44,440 --> 00:26:49,159 Speaker 1: i just demonstrated from this, message someone Recommending Dave navarro 491 00:26:49,280 --> 00:26:51,640 Speaker 1: episode when we have one. Already you know What i'm, 492 00:26:51,640 --> 00:26:54,080 Speaker 1: saying there's a reason for. It, okay don't be a. 493 00:26:54,119 --> 00:26:56,440 Speaker 1: HATER i mean be a hater if you. WANT i don't. 494 00:26:56,480 --> 00:26:59,480 Speaker 1: CARE i don't think about. You lgp over On. Spotify 495 00:26:59,520 --> 00:27:02,480 Speaker 1: right's very beautifully. Done amy means so much to, Me 496 00:27:02,560 --> 00:27:04,199 Speaker 1: thank you very. Much and that was in reference to 497 00:27:04,280 --> 00:27:07,400 Speaker 1: The Amy winehouse episode that we rewound last week Last. 498 00:27:07,440 --> 00:27:09,720 Speaker 1: Friday check that out if you have not heard, it 499 00:27:09,840 --> 00:27:11,760 Speaker 1: or you just want to rerun, it rewind, it rewind 500 00:27:11,800 --> 00:27:13,920 Speaker 1: it with, us go for. It nothing wrong with. That 501 00:27:14,119 --> 00:27:16,800 Speaker 1: speaking of, wind and we are winding down, here gonna 502 00:27:16,800 --> 00:27:19,520 Speaker 1: get out of. Here unless you're An All Access remember 503 00:27:19,520 --> 00:27:21,480 Speaker 1: you're An All access member five bucks a. Month you 504 00:27:21,520 --> 00:27:23,200 Speaker 1: get a little bit more of this bonus. Episode i'm 505 00:27:23,200 --> 00:27:25,920 Speaker 1: about to get into something, heavy something big to Our 506 00:27:25,960 --> 00:27:28,520 Speaker 1: All access peeps in just a. Moment if you want 507 00:27:28,520 --> 00:27:31,800 Speaker 1: to be an all access Member disgrace slampod dot com 508 00:27:31,840 --> 00:27:34,200 Speaker 1: slash membership five bucks a, month you get a little 509 00:27:34,200 --> 00:27:37,760 Speaker 1: bit extra of the bonus, episode you get one, new fully, 510 00:27:37,800 --> 00:27:41,840 Speaker 1: scripted sound designed exclusive episode per, month and you get 511 00:27:41,840 --> 00:27:58,760 Speaker 1: it all ad. Free all, right we are. Back we 512 00:27:58,880 --> 00:28:03,600 Speaker 1: name checked a lot of, artists a lot of. Artists paul, 513 00:28:03,680 --> 00:28:06,879 Speaker 1: McCartney Dan, varro a couple OTHERS i can't, remember But 514 00:28:06,960 --> 00:28:11,280 Speaker 1: matt will have the archive artists that we've. Mentioned he'll 515 00:28:11,280 --> 00:28:13,600 Speaker 1: have that information for you in the show. Notes if 516 00:28:13,600 --> 00:28:16,879 Speaker 1: you're interested in listening to those, episodes you can do 517 00:28:16,960 --> 00:28:19,320 Speaker 1: so quite. EASILY i gotta get out of. Here thank 518 00:28:19,359 --> 00:28:22,040 Speaker 1: you guys for hanging. Out appreciate. You let's recap real, 519 00:28:22,119 --> 00:28:24,040 Speaker 1: quick all right right now in Your disgrace san, feed 520 00:28:24,080 --> 00:28:26,919 Speaker 1: we got a part two episode on The who and 521 00:28:26,960 --> 00:28:30,399 Speaker 1: The tragedy At riverfront call cum number two coming. Next 522 00:28:30,440 --> 00:28:34,160 Speaker 1: our rewind episode On Nipsey. Hustle Next. Tuesday we're bringing 523 00:28:34,200 --> 00:28:37,160 Speaker 1: back Our Bruce springsteen episode diving into the Blood Soak 524 00:28:37,280 --> 00:28:41,040 Speaker 1: ballads Of. Nebraska just as this trailer On Deliver me 525 00:28:41,120 --> 00:28:45,080 Speaker 1: From nowhere launches for over in The Hollywood Land. Feed right, 526 00:28:45,080 --> 00:28:47,040 Speaker 1: now we got our full episode On Bruce lee and 527 00:28:47,200 --> 00:28:49,720 Speaker 1: Every wednesday we're releasing Our Rap party, episodes so don't 528 00:28:49,760 --> 00:28:52,760 Speaker 1: sleep on. Those number. Five in the exclusive members section 529 00:28:52,960 --> 00:28:57,200 Speaker 1: of this week's bonus, episode we talked about an amazing 530 00:28:57,280 --> 00:29:00,840 Speaker 1: music documentary and an incredible project THAT i am really 531 00:29:00,880 --> 00:29:03,280 Speaker 1: stoked to be working on right. Now hope you guys 532 00:29:03,320 --> 00:29:05,880 Speaker 1: can check that. Out go to disgracelampod dot com slash 533 00:29:05,960 --> 00:29:08,000 Speaker 1: membership number. Six as, always hit me up with your 534 00:29:08,040 --> 00:29:10,280 Speaker 1: voicemails TEXT dm six one seven nine was six six 535 00:29:10,360 --> 00:29:13,400 Speaker 1: sixty three eight at Disgracelam pod on the. Socials and, 536 00:29:13,400 --> 00:29:15,320 Speaker 1: remember no one cares about preserving the true spirit of 537 00:29:15,360 --> 00:29:18,000 Speaker 1: rock and roll more than you, do and that is a, 538 00:29:18,400 --> 00:29:22,040 Speaker 1: disgrace all. Right On december, third nineteen seventy, nine you 539 00:29:22,040 --> 00:29:24,200 Speaker 1: guys know, this eleven fans were killed at A who 540 00:29:24,240 --> 00:29:29,120 Speaker 1: concert In, cincinnati a tragedy shaped the band unfortunately changed 541 00:29:29,240 --> 00:29:32,520 Speaker 1: live music. Forever here's what the country was listening to that, 542 00:29:32,560 --> 00:30:02,240 Speaker 1: week according to The Billboard hot one hundred number One 543 00:30:02,760 --> 00:30:08,880 Speaker 1: Babe sticks last week two peak position one weeks on chart, 544 00:30:09,360 --> 00:30:14,280 Speaker 1: ten number, Two No More, Tears enough Is enough last 545 00:30:14,320 --> 00:30:20,000 Speaker 1: week one peak position one weeks On chart eight number. 546 00:30:20,000 --> 00:30:24,560 Speaker 1: Three still sued by The commodore's last week three's peak 547 00:30:24,600 --> 00:30:30,160 Speaker 1: position chart wanted weeks on chart number. Four please don't 548 00:30:30,280 --> 00:30:35,320 Speaker 1: Go casey in The sunshine last week for peak position 549 00:30:35,840 --> 00:30:40,160 Speaker 1: for weeks on chart number sixty, eight number. Five escape 550 00:30:40,480 --> 00:30:45,240 Speaker 1: The Pina colada Song Blubert, holmes last week's last six peak. 551 00:30:45,240 --> 00:31:00,480 Speaker 6: Position quit talking and start. Mixing cut. 552 00:31:00,520 --> 00:31:00,720 Speaker 5: It