1 00:00:04,040 --> 00:00:06,320 Speaker 1: All right, here we go today. I got one of 2 00:00:06,320 --> 00:00:10,080 Speaker 1: my homeboys in here, my boys from Agetown down in Houston. 3 00:00:10,480 --> 00:00:14,320 Speaker 1: What's happing, Donner? What's going down? Man? Man? You know what? 4 00:00:14,520 --> 00:00:16,880 Speaker 1: First off, man wanted to say. Man, it's a pleasure 5 00:00:17,079 --> 00:00:18,960 Speaker 1: and honor. Happy you in here. Man, you got one 6 00:00:19,000 --> 00:00:21,840 Speaker 1: of my favorite podcasts. I think people forget that we 7 00:00:21,960 --> 00:00:25,239 Speaker 1: actually fans of podcast too. So I watch y'all you 8 00:00:25,400 --> 00:00:28,400 Speaker 1: pretty religiously, man, have been for the past two years, 9 00:00:29,200 --> 00:00:31,440 Speaker 1: and you're really one of those guys man that really 10 00:00:31,520 --> 00:00:34,199 Speaker 1: kind of put on the city of Agetown, Houston and 11 00:00:34,280 --> 00:00:37,479 Speaker 1: specific You know, yeah, Man, I appreciate it, but I 12 00:00:37,479 --> 00:00:38,720 Speaker 1: mean it's it's the same on Miam. 13 00:00:38,880 --> 00:00:41,519 Speaker 2: I've been watching y'all for for a minute, man, so 14 00:00:41,600 --> 00:00:43,280 Speaker 2: you know this was always cool to link up and 15 00:00:43,280 --> 00:00:44,400 Speaker 2: do this kind of stuff. 16 00:00:44,120 --> 00:00:47,360 Speaker 1: Right for sure? For sure? Now what makes you man? 17 00:00:47,440 --> 00:00:49,879 Speaker 1: Wanted to decide that you just decide one day Man, 18 00:00:49,920 --> 00:00:53,000 Speaker 1: I'm gonna do the podcast. Man, just really just highlight 19 00:00:53,159 --> 00:00:56,160 Speaker 1: my city or how you getting to that? Uh? 20 00:00:56,520 --> 00:00:58,160 Speaker 2: Well, I mean, you know, I got it. I've been 21 00:00:58,200 --> 00:00:59,840 Speaker 2: to a podcast for a minute, man, like I have. 22 00:01:00,080 --> 00:01:03,000 Speaker 2: My first one probably back in twenty ten. You know 23 00:01:03,040 --> 00:01:05,560 Speaker 2: what I mean, but this is back when we had 24 00:01:05,560 --> 00:01:08,240 Speaker 2: to you know, listen to that shit on the like blog. 25 00:01:08,560 --> 00:01:11,040 Speaker 2: It was a blog spot whatever, the little blog with 26 00:01:11,280 --> 00:01:13,640 Speaker 2: you like shit like that, you know what I'm saying. 27 00:01:13,680 --> 00:01:16,120 Speaker 2: It wasn't really like easily accessible. And then even the 28 00:01:16,200 --> 00:01:19,040 Speaker 2: idea of podcast it was so fresh, like you had 29 00:01:19,040 --> 00:01:20,679 Speaker 2: to like offish people to be like I'm gonna listen 30 00:01:20,720 --> 00:01:21,840 Speaker 2: to people I know talk you. 31 00:01:21,880 --> 00:01:24,280 Speaker 1: Know what I'm saying, like all that type. It was 32 00:01:24,280 --> 00:01:25,920 Speaker 1: still cool. But anyway did that then, you know what 33 00:01:25,959 --> 00:01:27,120 Speaker 1: I mean, came back. 34 00:01:28,520 --> 00:01:33,560 Speaker 2: Twenty seventeen round like Thanksgiving time twenty seventeen. 35 00:01:33,600 --> 00:01:34,080 Speaker 1: You know what I'm saying. 36 00:01:34,160 --> 00:01:37,760 Speaker 2: Started off uh what they talk about, which is just 37 00:01:37,760 --> 00:01:39,400 Speaker 2: me and my homeboys. It was more like a Joe 38 00:01:39,400 --> 00:01:41,040 Speaker 2: Budden style type of thing, you know what i mean. 39 00:01:41,080 --> 00:01:43,120 Speaker 2: It was shopping up. It wasn't really interview based, but 40 00:01:43,920 --> 00:01:46,440 Speaker 2: like the Jay Prisch interview came within that time frame 41 00:01:46,480 --> 00:01:50,320 Speaker 2: as well, you know what I'm saying. I remember, Yeah, 42 00:01:50,560 --> 00:01:53,920 Speaker 2: that was like pretty early on and then evolved into 43 00:01:54,080 --> 00:01:57,160 Speaker 2: college downty Houston and it became just me And that's 44 00:01:57,160 --> 00:02:00,440 Speaker 2: when it evolved really into like serious interview and that 45 00:02:00,480 --> 00:02:03,160 Speaker 2: was just me having my background in music Like I 46 00:02:03,160 --> 00:02:05,880 Speaker 2: came up in Houston as a DJ, as a producer, 47 00:02:05,920 --> 00:02:09,720 Speaker 2: so I had those relationships and they're all it was 48 00:02:09,800 --> 00:02:13,359 Speaker 2: fans of you know, Combat Jackson wind up staying, they 49 00:02:13,360 --> 00:02:15,320 Speaker 2: telling the East Coast stories, and my boy be high 50 00:02:15,320 --> 00:02:16,720 Speaker 2: in Atlanta. You know what I'm saying, He telling the 51 00:02:16,720 --> 00:02:19,600 Speaker 2: Atlanta stories. Like, man, we're gonna talk about just apes, 52 00:02:19,600 --> 00:02:22,239 Speaker 2: you know what I'm saying. And so it just really 53 00:02:22,280 --> 00:02:24,280 Speaker 2: started with me just calling people that I had working 54 00:02:24,320 --> 00:02:27,519 Speaker 2: relationships with and you know, it was cool with and 55 00:02:27,560 --> 00:02:29,920 Speaker 2: here we are, you know, five years later, and you 56 00:02:29,919 --> 00:02:31,240 Speaker 2: know it is what it is. 57 00:02:31,880 --> 00:02:34,080 Speaker 1: Man. I want to say, shout out, give a child 58 00:02:34,080 --> 00:02:37,040 Speaker 1: to the homeboy be as the only man. He's definitely 59 00:02:37,080 --> 00:02:38,919 Speaker 1: doing his thing down there. And that's the due thing 60 00:02:39,000 --> 00:02:41,680 Speaker 1: about the South man. Everybody kind of has their own 61 00:02:41,720 --> 00:02:45,120 Speaker 1: little regions that they covered, like b he holding Atlanta down, 62 00:02:45,200 --> 00:02:48,959 Speaker 1: you holding down Houston. You also got the Homeboys screaming 63 00:02:49,000 --> 00:02:52,480 Speaker 1: and holding Atlanta down. So and those are two big cities, man, 64 00:02:52,600 --> 00:02:53,840 Speaker 1: like Houston is used you. 65 00:02:53,840 --> 00:02:55,280 Speaker 2: You don't have to go outside of the city of 66 00:02:55,280 --> 00:02:58,200 Speaker 2: Houston for nothing to nah. 67 00:02:58,919 --> 00:03:02,560 Speaker 1: That's crazy man, that's crazy man. You know what speaking 68 00:03:02,600 --> 00:03:05,080 Speaker 1: of Houston, man, I want to go back some things. Man, 69 00:03:06,240 --> 00:03:08,760 Speaker 1: you don't produce a couple of records too, right, Yeah? 70 00:03:08,800 --> 00:03:13,880 Speaker 1: For sure? Who you don't produce for uh Man, Slim 71 00:03:14,080 --> 00:03:15,800 Speaker 1: zero Pile, uh. 72 00:03:18,520 --> 00:03:23,960 Speaker 2: Man, a little old Propane, you know what I mean? 73 00:03:24,000 --> 00:03:25,000 Speaker 1: I've done stuff. 74 00:03:24,800 --> 00:03:28,840 Speaker 2: With with with fro Fane and Saftwalker, Earthly h. 75 00:03:30,480 --> 00:03:33,840 Speaker 1: Man. I mean it's them probably the people I've done 76 00:03:33,880 --> 00:03:35,400 Speaker 1: the most with, but it's other people up in there 77 00:03:35,400 --> 00:03:41,640 Speaker 1: as well. That's a remixed for Leon Bridges. Gonna knock 78 00:03:41,680 --> 00:03:43,680 Speaker 1: down all the heavy here. That's pretty much. 79 00:03:44,280 --> 00:03:46,760 Speaker 2: Uh. I mean, you know some of them. We got 80 00:03:46,760 --> 00:03:48,080 Speaker 2: a lot of them, man, but you know, you know, 81 00:03:48,080 --> 00:03:49,880 Speaker 2: I've been been blessed to kind of you. 82 00:03:49,840 --> 00:03:54,600 Speaker 1: Know, with a few of them. Hey, I want to 83 00:03:54,600 --> 00:03:57,360 Speaker 1: talk about the deep the whole DJ screw era. Man, 84 00:03:57,400 --> 00:03:59,320 Speaker 1: if you ever get to experience that, man that you 85 00:03:59,360 --> 00:04:03,400 Speaker 1: go to the house everything, nah seeah when that whole 86 00:04:03,440 --> 00:04:05,840 Speaker 1: going to the house ere I was a kid when 87 00:04:05,880 --> 00:04:07,640 Speaker 1: that was going on, you know what I'm saying. I 88 00:04:07,640 --> 00:04:10,480 Speaker 1: figured so my point of view of like the Screw era, 89 00:04:10,560 --> 00:04:12,160 Speaker 1: like I saw it, but I saw it from a 90 00:04:12,280 --> 00:04:16,040 Speaker 1: kid seeing it come together, not being like an adult 91 00:04:16,080 --> 00:04:17,720 Speaker 1: and in that mix. You know what I'm saying, like 92 00:04:17,760 --> 00:04:20,839 Speaker 1: all of them screwed up cats, they at least ten, fifteen, 93 00:04:20,960 --> 00:04:22,479 Speaker 1: twenty years old or something of them, you know what 94 00:04:22,480 --> 00:04:25,240 Speaker 1: I mean. Yeah, I think all them kids, all them 95 00:04:25,240 --> 00:04:29,800 Speaker 1: guys probably around my age man, probably probably around my 96 00:04:29,880 --> 00:04:33,120 Speaker 1: age man, because what year was that screw was popper Man, 97 00:04:33,120 --> 00:04:35,240 Speaker 1: you're talking about me and nineties, you know what I mean, 98 00:04:35,320 --> 00:04:37,440 Speaker 1: up until up until you past two thousand, So you 99 00:04:37,520 --> 00:04:40,760 Speaker 1: talking about like ninety four to two thousand. Yeah, man, 100 00:04:41,279 --> 00:04:44,200 Speaker 1: would you say that that sounds still kind of unrelevant 101 00:04:44,200 --> 00:04:46,320 Speaker 1: in Houston most definitely? 102 00:04:46,520 --> 00:04:48,599 Speaker 2: I think even beyond Houston though, you know what I'm saying, 103 00:04:49,560 --> 00:04:51,680 Speaker 2: it slowed up then you could see that even when 104 00:04:53,400 --> 00:04:55,440 Speaker 2: somebody like Justin Timber, like when we had suit and 105 00:04:55,520 --> 00:04:58,039 Speaker 2: toe like that, it was a part of the song 106 00:04:58,040 --> 00:05:00,000 Speaker 2: where the song slowed down, you know what I'm saying. 107 00:05:00,440 --> 00:05:04,120 Speaker 2: I mean that shit slowed down like that screwed sound 108 00:05:04,279 --> 00:05:07,120 Speaker 2: and went well beyond you know, probably anybody he ever 109 00:05:07,160 --> 00:05:08,760 Speaker 2: thought it was gonna be. And I'm sure probably. 110 00:05:08,680 --> 00:05:12,240 Speaker 1: One percent, one hundred percent. And I think Justin timberlated 111 00:05:12,279 --> 00:05:12,720 Speaker 1: he from the. 112 00:05:12,680 --> 00:05:16,560 Speaker 2: South any he's from, uh yeah, even like Tennessee or 113 00:05:16,600 --> 00:05:17,080 Speaker 2: some ship like that. 114 00:05:17,120 --> 00:05:19,760 Speaker 1: I think next thought, Yeah, that spread all through the South. Man. 115 00:05:19,760 --> 00:05:24,680 Speaker 1: You can hear his influence to three six Mafia. Everybody, 116 00:05:24,720 --> 00:05:26,919 Speaker 1: everybody don't take a bit, a little bit from screw on. 117 00:05:27,360 --> 00:05:29,920 Speaker 1: I think even you're on the West Coast a little bit. 118 00:05:29,920 --> 00:05:32,240 Speaker 1: And then you had guys. Man, everybody was slowing the 119 00:05:32,320 --> 00:05:36,360 Speaker 1: ooge down for a minute. Everybody walk kind of hoods 120 00:05:36,400 --> 00:05:37,919 Speaker 1: down for a minute. That was a big part of 121 00:05:37,920 --> 00:05:38,320 Speaker 1: the game. 122 00:05:38,920 --> 00:05:41,680 Speaker 2: Yeah, yeah, yeah, that that slowed downside here, especially in 123 00:05:41,680 --> 00:05:44,040 Speaker 2: the Ah. Man, I don't think, you know, it evolves, 124 00:05:44,160 --> 00:05:45,839 Speaker 2: you know what I'm saying, Like everything else, like the 125 00:05:45,880 --> 00:05:48,080 Speaker 2: West Coast sound evolved, but you still know that's West 126 00:05:48,080 --> 00:05:49,720 Speaker 2: Coast when you hear you know what I'm saying, Like 127 00:05:50,360 --> 00:05:53,680 Speaker 2: it's like that here, It's still still relevant, you know. 128 00:05:54,040 --> 00:05:56,200 Speaker 1: Yeah, I think, man, You know, me and my homeboy 129 00:05:56,279 --> 00:05:59,479 Speaker 1: Glasses men always talk about the importance of culture. Man. 130 00:06:00,560 --> 00:06:04,640 Speaker 1: Houston definitely has its own culture, like La had this 131 00:06:04,800 --> 00:06:07,840 Speaker 1: own culture, man, and I think it's important that cities 132 00:06:07,920 --> 00:06:10,039 Speaker 1: kind of hold that down. You feel what I'm saying. 133 00:06:11,279 --> 00:06:14,320 Speaker 1: That's why it gets on my nerves, man, when I 134 00:06:14,360 --> 00:06:16,760 Speaker 1: hear it cat from like New York. This ain't no shots, 135 00:06:16,839 --> 00:06:19,480 Speaker 1: no New York cats. But when i'm listening to somebody 136 00:06:19,520 --> 00:06:21,279 Speaker 1: from New York, I want to hear them sound like 137 00:06:21,320 --> 00:06:23,760 Speaker 1: finished New York. You feel what I'm saying, right, I 138 00:06:23,760 --> 00:06:25,680 Speaker 1: won't get them sound like New York. If I'm listening 139 00:06:25,680 --> 00:06:27,800 Speaker 1: to somebody from Houston, I want to be able to 140 00:06:28,720 --> 00:06:30,720 Speaker 1: hear that Houston in them, because I think that's the 141 00:06:30,800 --> 00:06:33,920 Speaker 1: dup thing about hip hop is that you know, hip 142 00:06:33,960 --> 00:06:36,840 Speaker 1: hop or rap to just through our own little journeys. Man, 143 00:06:36,880 --> 00:06:39,200 Speaker 1: to visit these cities, even though we physically ain't there, 144 00:06:39,680 --> 00:06:43,680 Speaker 1: you got to hear about what was going on the continent. Yeah, yeah, yeah. 145 00:06:43,720 --> 00:06:48,680 Speaker 1: It was about their representation. Yeah yeah. So so you 146 00:06:48,760 --> 00:06:50,800 Speaker 1: definitely get to hear what's going on. And I think 147 00:06:50,880 --> 00:06:54,000 Speaker 1: that Houston sound, man, it was just so infectious to 148 00:06:54,080 --> 00:06:56,120 Speaker 1: the rest of the country. Man, it kind of was 149 00:06:56,200 --> 00:06:58,960 Speaker 1: bugged out. Man. I remember when I was in school 150 00:06:59,200 --> 00:07:01,400 Speaker 1: again and I'm older, you know, I'm showing my age, 151 00:07:01,839 --> 00:07:05,240 Speaker 1: boring my home boys. Man qt He was from Orange Mound, Texas, 152 00:07:05,520 --> 00:07:07,760 Speaker 1: and he brought the games to nip Tape down there. 153 00:07:07,800 --> 00:07:10,760 Speaker 1: He bought the UGK tape and this is the underground 154 00:07:10,880 --> 00:07:14,560 Speaker 1: UGK tape. Man, it kind of sound the storied a 155 00:07:14,560 --> 00:07:16,800 Speaker 1: little bit when it was just on big time records, man, 156 00:07:19,480 --> 00:07:21,600 Speaker 1: and it was just big. Man, it was big, So 157 00:07:21,680 --> 00:07:24,000 Speaker 1: I got to see all these guys kind of come up. Man, 158 00:07:24,080 --> 00:07:26,440 Speaker 1: it was It was a crazy time to see these 159 00:07:26,560 --> 00:07:30,320 Speaker 1: dudes come from just being kind of local cats become 160 00:07:30,400 --> 00:07:33,760 Speaker 1: up major celebrities and big time stars. Man. I don't 161 00:07:33,760 --> 00:07:36,240 Speaker 1: think it's will ever be another I don't think it's 162 00:07:36,360 --> 00:07:38,480 Speaker 1: ever to be another era like that. Man. The nineties 163 00:07:38,560 --> 00:07:41,040 Speaker 1: was just so dope. Man. You had so much new 164 00:07:41,040 --> 00:07:43,920 Speaker 1: stuff coming out. But then again, a little kid might 165 00:07:43,960 --> 00:07:46,000 Speaker 1: feel the same way today when they grow up. You 166 00:07:46,040 --> 00:07:49,560 Speaker 1: feel what I'm saying, right right right? Yeah, No, I 167 00:07:49,560 --> 00:07:51,640 Speaker 1: mean nineties for sure, man, I don't think you ever 168 00:07:51,880 --> 00:07:54,960 Speaker 1: can touch that. I mean everybody, that was just the 169 00:07:54,960 --> 00:07:55,480 Speaker 1: best time. Bro. 170 00:07:55,480 --> 00:07:58,440 Speaker 2: When you talking about rapping hip hop down like you 171 00:07:58,520 --> 00:08:00,160 Speaker 2: had that, Like you said the East Coast side like 172 00:08:00,160 --> 00:08:02,720 Speaker 2: East Coast man, La sounded like La, the bass sounded 173 00:08:02,760 --> 00:08:03,320 Speaker 2: like the baby. 174 00:08:03,400 --> 00:08:05,760 Speaker 1: You know what I'm saying, East to sound like Houston 175 00:08:05,800 --> 00:08:08,200 Speaker 1: and loud. Yeah. It was just can't get no better 176 00:08:08,240 --> 00:08:11,160 Speaker 1: than that. Yeah, and everything was just real reasonal Like 177 00:08:11,200 --> 00:08:14,480 Speaker 1: I remember hearing all the incarnations of the ghetto boys 178 00:08:14,640 --> 00:08:17,240 Speaker 1: like and listen, I'm talking about going back to when 179 00:08:17,240 --> 00:08:21,000 Speaker 1: I was like sixteen to seventeen, man, bumping the Ghetto Boys. Uh, 180 00:08:21,520 --> 00:08:24,520 Speaker 1: I remember the original Ghetto Boys. You know, Prince johnny 181 00:08:24,520 --> 00:08:27,680 Speaker 1: Ce and them cats. Right, you had Prince johnnie Ce, 182 00:08:28,480 --> 00:08:30,760 Speaker 1: you had Red and Red with one that was in 183 00:08:30,800 --> 00:08:34,840 Speaker 1: the group the whole time. Wasn't it ready Red? Yeah? 184 00:08:34,880 --> 00:08:37,080 Speaker 1: He was up until up until the we came he 185 00:08:37,080 --> 00:08:41,680 Speaker 1: stopped a yeah, yeah, ready Red. Man, I remember bumping 186 00:08:41,720 --> 00:08:44,200 Speaker 1: all that and man, then I remember when Will and 187 00:08:44,240 --> 00:08:48,120 Speaker 1: Scarface kind of came the group listening to the I 188 00:08:48,160 --> 00:08:50,280 Speaker 1: think it was that We Can't Be Stopped album? Was 189 00:08:50,320 --> 00:08:53,800 Speaker 1: that the We Can't Be Stopped at? The one before that? 190 00:08:54,080 --> 00:09:04,640 Speaker 1: The one before that that Hut Trees? But this one 191 00:09:04,679 --> 00:09:07,080 Speaker 1: before that one fav another one before I'm thinking about 192 00:09:07,080 --> 00:09:08,719 Speaker 1: the one where they had their shirt off, look like 193 00:09:08,720 --> 00:09:10,520 Speaker 1: they were just standing on the street corner. What was 194 00:09:10,559 --> 00:09:13,520 Speaker 1: that one? Yeah, nah, that's how we came south. That's 195 00:09:13,520 --> 00:09:16,360 Speaker 1: the that's the first one that who would reading read 196 00:09:16,440 --> 00:09:19,360 Speaker 1: these nikes and all that on there, the love and 197 00:09:19,400 --> 00:09:24,040 Speaker 1: all that other shit. Yeah, which I look at my 198 00:09:25,280 --> 00:09:28,240 Speaker 1: grip on the left, grip it on the other left. 199 00:09:28,320 --> 00:09:31,240 Speaker 1: That's it right there. That was the first time, you know, 200 00:09:31,360 --> 00:09:35,760 Speaker 1: me hearing the Ghetto Boys, right, And I remember even 201 00:09:35,800 --> 00:09:38,679 Speaker 1: before I heard the album, man, it was the Assassin's 202 00:09:38,720 --> 00:09:41,160 Speaker 1: record was going all through Cleveland. That was going up 203 00:09:41,200 --> 00:09:46,679 Speaker 1: at that time. Yeah, and it was going all through Cleveland. Man, 204 00:09:46,720 --> 00:09:48,760 Speaker 1: it was. It was a crazy time, man, because Houston 205 00:09:48,840 --> 00:09:52,760 Speaker 1: catching was really putting ship down their own way. Then 206 00:09:52,800 --> 00:09:54,920 Speaker 1: I heard that motherfucker Gains and Nip. That ship really 207 00:09:54,920 --> 00:09:58,720 Speaker 1: tricked me to fuck out. Yeah, that ship really tricked 208 00:09:58,760 --> 00:10:01,760 Speaker 1: me to fuck out. And the big thing in Houston, 209 00:10:01,840 --> 00:10:03,719 Speaker 1: like as far as the drink and everything, man, there's 210 00:10:03,760 --> 00:10:05,720 Speaker 1: been a couple of people passed away from that man 211 00:10:05,840 --> 00:10:09,360 Speaker 1: as that slowed down in me. Sir, well, I mean 212 00:10:09,480 --> 00:10:12,800 Speaker 1: for one, you know, and it ain't just a youthful 213 00:10:12,840 --> 00:10:14,760 Speaker 1: thing no more. And drinking service walks. 214 00:10:14,600 --> 00:10:17,400 Speaker 2: Well beyond it. Like they got the kid used to 215 00:10:17,440 --> 00:10:19,520 Speaker 2: be kid. They been telling tomorrow put the cup down 216 00:10:19,920 --> 00:10:21,480 Speaker 2: in You think I'm. 217 00:10:21,320 --> 00:10:22,760 Speaker 1: Gonna talk to you bout him day to day? 218 00:10:22,840 --> 00:10:25,599 Speaker 2: Blunts cat the dude, it don't get so cause he 219 00:10:25,679 --> 00:10:28,800 Speaker 2: done bit the big moles, whole swagon, oh that whole ship. 220 00:10:28,880 --> 00:10:31,760 Speaker 1: Yeah yeah yeah, so I mean syrup. I don't know, man, 221 00:10:31,800 --> 00:10:33,240 Speaker 1: you know, people still on it, but it just. 222 00:10:34,720 --> 00:10:37,360 Speaker 2: I mean if you comfor for me, Like it ain't 223 00:10:37,400 --> 00:10:40,200 Speaker 2: really like like that no more, you know what I'm saying, 224 00:10:40,320 --> 00:10:43,240 Speaker 2: Like they stopped making real drink quote unquote you know 225 00:10:43,240 --> 00:10:45,199 Speaker 2: what I'm saying, So like you still got it and 226 00:10:45,280 --> 00:10:47,200 Speaker 2: people still kind of get it in and whatever here 227 00:10:47,240 --> 00:10:50,800 Speaker 2: and there. But like, I don't, I don't think that's something. 228 00:10:51,080 --> 00:10:53,240 Speaker 2: It's like everything like screw it ain't going nowhere, you 229 00:10:53,320 --> 00:10:55,720 Speaker 2: know what I'm saying, Like especially out here bro Serve 230 00:10:56,160 --> 00:11:01,560 Speaker 2: Houston and Serruf goes back like well beyond beyond the eighties. 231 00:11:01,840 --> 00:11:03,679 Speaker 2: You know what I'm saying, Like that's some ship go 232 00:11:03,840 --> 00:11:04,839 Speaker 2: back then, you know what I mean. 233 00:11:05,120 --> 00:11:07,280 Speaker 1: Oh, they've been drinking a long time. Man. They was 234 00:11:07,720 --> 00:11:10,000 Speaker 1: they was drinking back in Cleveland back in the day. 235 00:11:10,120 --> 00:11:12,719 Speaker 1: But they didn't call the drink back and they was 236 00:11:12,840 --> 00:11:14,840 Speaker 1: just on they you know, they was just taking down 237 00:11:14,960 --> 00:11:17,959 Speaker 1: syrved you know. Yeah, yeah, you know people been doing 238 00:11:18,040 --> 00:11:20,400 Speaker 1: that for a minute, man, a pointing in the park stuff, 239 00:11:20,440 --> 00:11:22,760 Speaker 1: you know, to take the flavor to make it taste 240 00:11:22,760 --> 00:11:26,319 Speaker 1: a little big because that shit is nasty. Yeah that's 241 00:11:26,440 --> 00:11:32,960 Speaker 1: uh yeah yeah yeah. It's definitely an epidemic though now 242 00:11:33,040 --> 00:11:36,840 Speaker 1: across the country. Man, Like a serious epidemic because they 243 00:11:36,840 --> 00:11:38,800 Speaker 1: don't let the dudes going to the piels. 244 00:11:38,880 --> 00:11:39,080 Speaker 2: Man. 245 00:11:39,240 --> 00:11:40,959 Speaker 1: Then you know, a couple of cats don't got in 246 00:11:41,040 --> 00:11:42,800 Speaker 1: the arowe from that man. You know, that's what it is, 247 00:11:42,840 --> 00:11:51,000 Speaker 1: is liquiero. Hey, your body of man, take your teeth out. 248 00:11:51,040 --> 00:11:53,240 Speaker 1: All kind of ship man, it's just you know, yeah, 249 00:11:54,160 --> 00:11:56,440 Speaker 1: you know cass man can't use the bathroom, so they 250 00:11:56,480 --> 00:11:59,439 Speaker 1: start deveiling them big ass pop bellies of lean bellies. Man, 251 00:11:59,760 --> 00:12:03,840 Speaker 1: it's crazy, man, it's crazy. I recommend everybody stay from 252 00:12:03,920 --> 00:12:06,120 Speaker 1: that man. The homie from second to None. Man, his 253 00:12:06,240 --> 00:12:08,120 Speaker 1: little brother died from that ship out here, dude from 254 00:12:08,160 --> 00:12:11,760 Speaker 1: out there, no one like, yeah, you stop breathing because 255 00:12:11,760 --> 00:12:14,080 Speaker 1: you know, except to shut down your respiratory system. Bro 256 00:12:16,000 --> 00:12:18,400 Speaker 1: started breathing. It didn't nobody what was wrong, didn't nobody 257 00:12:18,400 --> 00:12:20,680 Speaker 1: because they got those in heilers. Now what are they called, 258 00:12:22,000 --> 00:12:27,360 Speaker 1: not the asthma hills, but the narkans. Yeah. I started 259 00:12:27,440 --> 00:12:28,560 Speaker 1: keeping one of those in the house. 260 00:12:28,679 --> 00:12:28,839 Speaker 2: Man. 261 00:12:29,000 --> 00:12:31,120 Speaker 1: And I don't even indulge in the drink or nothing 262 00:12:31,200 --> 00:12:33,160 Speaker 1: like that, but just that whole peal thing just in 263 00:12:33,280 --> 00:12:37,080 Speaker 1: case that you don't know, man, you had your kids experiment, 264 00:12:37,160 --> 00:12:39,199 Speaker 1: and you don't know kids do experiment. You feel what 265 00:12:39,200 --> 00:12:42,520 Speaker 1: I'm saying. So they was giving them all free. One day, 266 00:12:42,520 --> 00:12:44,760 Speaker 1: I grabbed a couple of them. Mothersfucker's dog because I 267 00:12:44,880 --> 00:12:48,679 Speaker 1: just think, you know, you never know man with it. Yeah, yeah, 268 00:12:48,720 --> 00:12:50,640 Speaker 1: I rather not be caught without it. Man, you don't 269 00:12:50,679 --> 00:12:54,240 Speaker 1: know because like I said, the homie man and his brother, 270 00:12:54,400 --> 00:12:56,120 Speaker 1: wasn't he for knowing that ship like that? He was 271 00:12:56,240 --> 00:12:58,439 Speaker 1: just doing something that night. Man, it just drunk a 272 00:12:58,440 --> 00:12:59,640 Speaker 1: little bit too much of that ship. 273 00:12:59,760 --> 00:12:59,880 Speaker 2: Man. 274 00:13:01,040 --> 00:13:03,360 Speaker 1: It took them out. Man, that's too. 275 00:13:03,480 --> 00:13:04,880 Speaker 2: I mean, it's a part of our culture. I mean, 276 00:13:04,920 --> 00:13:07,280 Speaker 2: we are a lot of us have you know what 277 00:13:07,320 --> 00:13:09,320 Speaker 2: I mean, dabbled with it here and there, but at 278 00:13:09,360 --> 00:13:12,000 Speaker 2: some point in our lives. But yeah, you know that's 279 00:13:12,040 --> 00:13:16,480 Speaker 2: definitely that's definitely not something money. Well, yeah, you don't 280 00:13:16,480 --> 00:13:17,360 Speaker 2: want to do it every day. 281 00:13:17,800 --> 00:13:20,240 Speaker 1: Yeah, y'all only even caught up in that because I'm 282 00:13:20,240 --> 00:13:23,360 Speaker 1: gonna tell you, man, everything is about moderation. I'm thinking. 283 00:13:23,720 --> 00:13:26,079 Speaker 1: You know, in my era, man, I definitely experimented. I 284 00:13:26,240 --> 00:13:29,319 Speaker 1: wasn't messing with no cocaine. It was certain stuff. I 285 00:13:29,440 --> 00:13:31,760 Speaker 1: was scared of. Dog like, I wasn't gonna never fluck 286 00:13:31,800 --> 00:13:33,920 Speaker 1: with no crack. I will never fuck with no cocaine 287 00:13:33,960 --> 00:13:36,280 Speaker 1: because I saw what the deed of the people. Yeah, 288 00:13:36,440 --> 00:13:39,160 Speaker 1: you know, I saw cats. Man, It's like it was 289 00:13:39,679 --> 00:13:41,680 Speaker 1: from that era. Thor why had that with that? Y'all 290 00:13:41,720 --> 00:13:45,040 Speaker 1: had that wet going over y'all era? Man? Oh man, Yeah, man, 291 00:13:45,080 --> 00:13:48,120 Speaker 1: we get that wet what what they called and used 292 00:13:48,160 --> 00:13:51,920 Speaker 1: to fry fry Sharon wet you know what I mean? Yeah, 293 00:13:52,440 --> 00:13:55,319 Speaker 1: that's big here, you know what anywhere? Man, it's a 294 00:13:55,400 --> 00:13:58,280 Speaker 1: black community. Yet, man, Sharon has always been kind of 295 00:13:58,400 --> 00:14:01,240 Speaker 1: like the black you know, the black that was like 296 00:14:01,360 --> 00:14:03,880 Speaker 1: the black hustling the hood that I didn't know nobody 297 00:14:03,960 --> 00:14:06,679 Speaker 1: else that sold Sharon but black people. And it was 298 00:14:06,760 --> 00:14:08,960 Speaker 1: only certain people that had their recipe, you know, because 299 00:14:09,000 --> 00:14:12,079 Speaker 1: you could blow your house up doing that ship. You know, 300 00:14:12,160 --> 00:14:14,560 Speaker 1: it'll been cast, lose all their face and all kinds 301 00:14:14,559 --> 00:14:17,800 Speaker 1: of shit. Man, some crazy stories behind it, Sharan. But 302 00:14:19,520 --> 00:14:21,360 Speaker 1: I saw a ship like that, man, and I saw 303 00:14:21,440 --> 00:14:23,320 Speaker 1: what it died the people, and I was like, fuck that. 304 00:14:23,400 --> 00:14:26,040 Speaker 1: I'm not fucking with that. You know. Of course I 305 00:14:26,200 --> 00:14:28,560 Speaker 1: tried the weed, and you know, I tried to drink 306 00:14:28,600 --> 00:14:31,280 Speaker 1: and I ain't a lot of man tranks feel amazing. Yeah, 307 00:14:31,880 --> 00:14:33,920 Speaker 1: And now you feel like you're the coolest motherfucker in 308 00:14:33,960 --> 00:14:37,760 Speaker 1: your own Yeah. But that's the good about that ship. 309 00:14:37,800 --> 00:14:39,920 Speaker 1: And that's an extensive ass happen. They don't even have 310 00:14:40,080 --> 00:14:42,640 Speaker 1: the what was the original drink they had with the 311 00:14:42,680 --> 00:14:46,920 Speaker 1: permittee an yeah, codin yet the coding and permittezine. I 312 00:14:46,920 --> 00:14:49,400 Speaker 1: don't even think that. I think they got the pie 313 00:14:49,520 --> 00:14:52,000 Speaker 1: right now. The pie and all that other stuff is 314 00:14:52,040 --> 00:14:55,280 Speaker 1: going wrong right now, you know. So it's definitely different. 315 00:14:55,320 --> 00:14:58,520 Speaker 1: But it's still out there though. Yeah, yeah, yeah, they 316 00:14:58,600 --> 00:15:01,560 Speaker 1: still sipping, man. I mean, or was I had a difference, 317 00:15:01,560 --> 00:15:03,440 Speaker 1: still simple, it ain't. It ain't nothing. I don't think 318 00:15:03,480 --> 00:15:07,280 Speaker 1: they'll ever go anywhere. It ain't gonna never go nowhere, man. 319 00:15:08,320 --> 00:15:11,160 Speaker 1: That's you know, like I said, it's ingrained in the 320 00:15:11,240 --> 00:15:13,960 Speaker 1: culture now and not just out of here, man, it's everywhere. 321 00:15:14,600 --> 00:15:16,840 Speaker 1: And I think Lil Wayne, he was just such a 322 00:15:16,960 --> 00:15:19,080 Speaker 1: big influence on the culture. I don't think people I 323 00:15:19,160 --> 00:15:22,400 Speaker 1: think people forget sometimes. Man. Little Wayne was like the 324 00:15:22,520 --> 00:15:25,240 Speaker 1: most influential rapper on the planet that one time everybody 325 00:15:25,360 --> 00:15:29,240 Speaker 1: wanted to be treads out the tattoos on the face, 326 00:15:29,360 --> 00:15:31,640 Speaker 1: all this shit, I mean, tattoos on the face, walking 327 00:15:31,680 --> 00:15:33,840 Speaker 1: around with the double cup. You know what I'm saying, 328 00:15:34,000 --> 00:15:36,440 Speaker 1: I saw cats walking out here, man with double cups 329 00:15:36,480 --> 00:15:39,360 Speaker 1: and dreads and shit. It was like, No, Shane, niggas 330 00:15:39,440 --> 00:15:43,560 Speaker 1: is biting little Wayne unapologetically. I'm talking about niggas that 331 00:15:43,680 --> 00:15:45,800 Speaker 1: in the game, don't you niggas that got deals. I 332 00:15:45,960 --> 00:15:49,920 Speaker 1: was like, man, niggas just swinging off Wayne's nothing. The 333 00:15:50,080 --> 00:15:52,640 Speaker 1: niggas is swinging the Wayne's nuts. Man. Wayne was the 334 00:15:52,720 --> 00:15:55,440 Speaker 1: most influential nigga on the planet. Dog. He had niggas 335 00:15:55,560 --> 00:16:00,880 Speaker 1: throwing everything. It's a pike heard of blood kind of shit. Man, 336 00:16:01,240 --> 00:16:03,360 Speaker 1: Your nigga was turning in the bloods and all kind 337 00:16:03,400 --> 00:16:08,160 Speaker 1: of shit. Man. And you don't really realize how cold 338 00:16:08,240 --> 00:16:10,920 Speaker 1: Wayne heels man until you witness him actually putting that 339 00:16:11,040 --> 00:16:14,640 Speaker 1: work in. You know, I remember Man being in Vegas 340 00:16:14,680 --> 00:16:18,600 Speaker 1: at the Lollipop video shooting my got my artist. I 341 00:16:18,720 --> 00:16:20,920 Speaker 1: managed the Glass Malone and signed the cash money at 342 00:16:20,960 --> 00:16:23,680 Speaker 1: that time, so we was all out of Vegas and 343 00:16:23,960 --> 00:16:26,080 Speaker 1: that night, you know, the td honeis was out there 344 00:16:27,360 --> 00:16:30,800 Speaker 1: and just looking at Wayne Man. They shot the Lollipop 345 00:16:30,960 --> 00:16:33,920 Speaker 1: music video, right, so we at the mlut's house. Man, 346 00:16:33,960 --> 00:16:37,360 Speaker 1: It's like eleven o'clock at night them, right, and they 347 00:16:37,480 --> 00:16:39,520 Speaker 1: just shooting right then you go to two or three 348 00:16:39,560 --> 00:16:41,960 Speaker 1: in the morning, go think, dude, when it cuts a 349 00:16:41,960 --> 00:16:43,720 Speaker 1: couple more records. Then they went out to the strip 350 00:16:43,840 --> 00:16:46,880 Speaker 1: and shot more scenes and they didn't get finished. Dogar 351 00:16:47,080 --> 00:16:49,360 Speaker 1: like one o'clock the next day, and dude was still 352 00:16:49,480 --> 00:16:53,640 Speaker 1: floating around like his work epic is the motherfucker Dog. Yeah, 353 00:16:55,160 --> 00:16:57,480 Speaker 1: his work epic is the motherfucker Dog. I don't it 354 00:16:57,520 --> 00:17:00,760 Speaker 1: ain't too many people like him. Yeah, No, Wayne, especially 355 00:17:00,760 --> 00:17:03,880 Speaker 1: in that era, Bro, you couldn't fuck with Yeah. And 356 00:17:03,960 --> 00:17:06,240 Speaker 1: then he was throwing the mixed shapes. I remember riding 357 00:17:06,359 --> 00:17:09,440 Speaker 1: the bus with Baby and Baby was just an examiner 358 00:17:09,560 --> 00:17:13,399 Speaker 1: Wayne song songs I ain't never heard before again or 359 00:17:13,520 --> 00:17:15,960 Speaker 1: since then. I'm talking about records with Twister and some 360 00:17:16,040 --> 00:17:19,640 Speaker 1: of everybody Ship with Kanye West that's unheard and Bird 361 00:17:19,760 --> 00:17:22,199 Speaker 1: just doing that motherfucker shaming and motherfuckers. I was like, Man, 362 00:17:22,240 --> 00:17:26,960 Speaker 1: this dude got records. Man, this dude got records. Man. 363 00:17:28,480 --> 00:17:31,439 Speaker 1: I know Louisiana being so right next door to us, 364 00:17:31,480 --> 00:17:33,320 Speaker 1: and they sound way different from y'all's. 365 00:17:33,080 --> 00:17:36,440 Speaker 2: Door though Louis Yeah, I mean, but it's a different 366 00:17:36,440 --> 00:17:39,639 Speaker 2: culture though, you know what I'm saying. Like, again, we 367 00:17:39,720 --> 00:17:42,720 Speaker 2: talking about back at that era when yo, your area 368 00:17:42,880 --> 00:17:45,240 Speaker 2: kind of dictated your sound and shit, you know what 369 00:17:45,280 --> 00:17:47,480 Speaker 2: I'm saying. So the ready New Orleans is the way 370 00:17:47,560 --> 00:17:52,000 Speaker 2: they live in that whole lifestyle. It's completely different than Houston, 371 00:17:52,119 --> 00:17:54,920 Speaker 2: you know what I mean? And yeah, for real, somebody 372 00:17:55,040 --> 00:17:58,159 Speaker 2: name music man. Yeah, despite it being so close, I 373 00:17:58,400 --> 00:18:02,639 Speaker 2: know they trip about them. The drink wasn't really that 374 00:18:02,800 --> 00:18:05,119 Speaker 2: big over there. Them dudes was really doing heroin. 375 00:18:05,440 --> 00:18:07,640 Speaker 1: They give it, give it them, boy was a real thing. Yeah, 376 00:18:07,680 --> 00:18:09,879 Speaker 1: they give me the real thing. Yeah, did they do 377 00:18:09,960 --> 00:18:11,960 Speaker 1: the really and the boy was a rig there and 378 00:18:12,040 --> 00:18:14,960 Speaker 1: dog them dudes I'm talking about. They start young too. 379 00:18:14,960 --> 00:18:18,320 Speaker 1: I mean these dudes man. When I'm I was down 380 00:18:18,400 --> 00:18:20,440 Speaker 1: there with glasses and we always make it a point 381 00:18:20,520 --> 00:18:22,159 Speaker 1: to go to the hood. But like where we go 382 00:18:22,240 --> 00:18:23,600 Speaker 1: to the city, we want to go to where the 383 00:18:23,720 --> 00:18:25,440 Speaker 1: coach or is that you feel what I'm saying, We 384 00:18:25,480 --> 00:18:27,640 Speaker 1: want to go to the city, you know. Yeah, Yeah, 385 00:18:28,080 --> 00:18:30,360 Speaker 1: it was little dudes down there. Man. It was nine 386 00:18:30,400 --> 00:18:32,840 Speaker 1: and ten years old down there. Man. Off of that. Man, 387 00:18:33,520 --> 00:18:35,720 Speaker 1: they were loft that they was talk about doo. Little 388 00:18:35,760 --> 00:18:36,600 Speaker 1: dudes and shooters too. 389 00:18:36,680 --> 00:18:36,800 Speaker 2: Man. 390 00:18:36,840 --> 00:18:40,760 Speaker 1: They do anything to get out, man, Yeah, anything to 391 00:18:40,800 --> 00:18:43,520 Speaker 1: get higher that heroine. Man, it is a different drugs man, 392 00:18:43,600 --> 00:18:47,320 Speaker 1: because I don't seen people I've seen people shake, you know, 393 00:18:47,440 --> 00:18:50,800 Speaker 1: successfully shake cracking ship like that in cocaine. You know, 394 00:18:51,480 --> 00:18:53,280 Speaker 1: I don't seen dudes put you know a lot of 395 00:18:53,320 --> 00:18:54,200 Speaker 1: stuff down. Man. 396 00:18:54,720 --> 00:18:56,600 Speaker 2: It seemed like it's impossible to get off the hair 397 00:18:57,800 --> 00:19:01,240 Speaker 2: that one need. Yeah, you never get out put or 398 00:19:01,320 --> 00:19:02,560 Speaker 2: take you out, man, one. 399 00:19:02,480 --> 00:19:05,080 Speaker 1: Of the two. And that's crazy and tripple. Our part 400 00:19:05,160 --> 00:19:09,240 Speaker 1: about that, h man, is that after a while, you 401 00:19:09,359 --> 00:19:12,440 Speaker 1: gotta start taking that ship just to function. It don't 402 00:19:12,440 --> 00:19:14,360 Speaker 1: even get you hid no more after a while. Dog, 403 00:19:14,520 --> 00:19:17,479 Speaker 1: And that's how people overdose because they trying to get 404 00:19:17,560 --> 00:19:19,600 Speaker 1: that that high back and they gotta take more and 405 00:19:19,680 --> 00:19:22,240 Speaker 1: more of it man to wear eventually. Man, they just 406 00:19:22,680 --> 00:19:24,520 Speaker 1: you know what I'm saying, it's ugly, dog, That stuff 407 00:19:24,600 --> 00:19:27,440 Speaker 1: was ugly. And it seemed like everything hit the black 408 00:19:27,520 --> 00:19:31,840 Speaker 1: community hardist man. You ever noticed that? Oh? Nah, most definitely, 409 00:19:32,240 --> 00:19:32,879 Speaker 1: most definitely. 410 00:19:32,960 --> 00:19:36,439 Speaker 2: Man, It's it's uh, it's a trip because I mean 411 00:19:36,480 --> 00:19:38,479 Speaker 2: they are the same drugs, you know what I mean, 412 00:19:38,600 --> 00:19:41,600 Speaker 2: everybody do the same truck. So I's just that, you know, 413 00:19:41,680 --> 00:19:43,800 Speaker 2: the black community seems to be affected the most. That's 414 00:19:43,920 --> 00:19:44,840 Speaker 2: that's always been. 415 00:19:45,880 --> 00:19:47,440 Speaker 1: Man, And I'm gonna tell you that here. Want to 416 00:19:47,480 --> 00:19:50,160 Speaker 1: hit Cleaveland hard too. I remember being a little kid, man, 417 00:19:50,240 --> 00:19:52,280 Speaker 1: walking outside of our apartment that's when we stayed in 418 00:19:52,320 --> 00:19:54,399 Speaker 1: the part of a right and I will go to 419 00:19:54,440 --> 00:19:56,280 Speaker 1: the back and my mama will whoop my ass if 420 00:19:56,359 --> 00:19:59,040 Speaker 1: I didn't have no shoes on, dog, because there would 421 00:19:59,040 --> 00:20:01,920 Speaker 1: be needles every where. Dog, just me those like everywhere, 422 00:20:02,000 --> 00:20:04,280 Speaker 1: it's all on the ground. Man. It was crazy, man. 423 00:20:05,040 --> 00:20:07,760 Speaker 1: And it's just like, damn man, it's like growing up 424 00:20:07,840 --> 00:20:10,440 Speaker 1: in just the city. Dog, it only even have to 425 00:20:10,480 --> 00:20:13,680 Speaker 1: be the city necessarily dogs growing up in poverty. Dog, 426 00:20:14,840 --> 00:20:17,200 Speaker 1: it's a lot of motherfucker potential pitfalls. 427 00:20:17,280 --> 00:20:17,440 Speaker 2: Man. 428 00:20:18,080 --> 00:20:19,960 Speaker 1: Well, what was the so what was the culture like 429 00:20:20,200 --> 00:20:21,560 Speaker 1: in Cleveland? Like growing up? 430 00:20:21,560 --> 00:20:23,440 Speaker 2: You talking about that back then with the airline and 431 00:20:23,480 --> 00:20:25,520 Speaker 2: all that shit, Like what was like how long you 432 00:20:25,600 --> 00:20:27,320 Speaker 2: stayed in over there before you moved away? 433 00:20:28,040 --> 00:20:30,840 Speaker 1: Man? You know what, I was born and raised in Cleveland, Man. 434 00:20:30,880 --> 00:20:33,720 Speaker 1: I didn't come to the West Coast when I was seventeen. Yeah, 435 00:20:34,480 --> 00:20:37,560 Speaker 1: Like the culture in Cleveland, man was I would say, Man, 436 00:20:37,640 --> 00:20:39,520 Speaker 1: even though it was up north, Man, it was more 437 00:20:39,680 --> 00:20:43,600 Speaker 1: like Houston. More like Houston, but like any you know, 438 00:20:43,840 --> 00:20:46,760 Speaker 1: like any made you see like Detroit, you know what, because. 439 00:20:46,960 --> 00:20:49,639 Speaker 2: It's just like like you hear about like East nineteen 440 00:20:49,720 --> 00:20:52,359 Speaker 2: ninety nine, like Bonnem talking about saying, yeah, that's the that's. 441 00:20:52,280 --> 00:20:55,080 Speaker 1: My neighborhood, man, like US one hundred and third, right, 442 00:20:56,359 --> 00:20:58,520 Speaker 1: they was up the way from us. Man. All the 443 00:20:58,640 --> 00:21:01,520 Speaker 1: whole culture around was just real ghetto, like Cleveland is 444 00:21:01,520 --> 00:21:05,760 Speaker 1: a real ghetto ass city. You know, California is hood, 445 00:21:05,840 --> 00:21:07,960 Speaker 1: but it's not ghetto, you feel what I'm saying, Like, 446 00:21:08,119 --> 00:21:11,320 Speaker 1: wats ghetto Like California do got a couple of ghettos, 447 00:21:11,359 --> 00:21:13,359 Speaker 1: like when you start talking about certain parts of South 448 00:21:13,480 --> 00:21:16,800 Speaker 1: Central and wats, but even South Central has nice streets. 449 00:21:16,840 --> 00:21:20,879 Speaker 1: Cleveland was just real ghetto. Like they regentrified. Every centrified 450 00:21:20,920 --> 00:21:23,080 Speaker 1: it a lot right now. Man, But like my old hood, 451 00:21:23,080 --> 00:21:27,240 Speaker 1: we would have like a band apartment apartment buildings, abandoned houses, 452 00:21:28,520 --> 00:21:30,720 Speaker 1: you know, lots where they on tour down apartments just 453 00:21:30,800 --> 00:21:32,720 Speaker 1: cleared out, you know, with the bottles on the ground 454 00:21:32,760 --> 00:21:34,880 Speaker 1: of bricks, and we out there playing football and shit. 455 00:21:35,280 --> 00:21:36,280 Speaker 1: So it was a little different. 456 00:21:36,320 --> 00:21:36,439 Speaker 2: Man. 457 00:21:36,520 --> 00:21:39,080 Speaker 1: Everybody's house is infested with roaches, you feel what I'm saying. 458 00:21:39,080 --> 00:21:42,280 Speaker 1: So it was just real ghetto. It was just real 459 00:21:42,320 --> 00:21:44,359 Speaker 1: ghetto back then, but you didn't know it was ghetto 460 00:21:44,480 --> 00:21:47,679 Speaker 1: because that's what you used to Yep. If you grow 461 00:21:47,760 --> 00:21:50,040 Speaker 1: up singing roches and rats and all that other stuff, 462 00:21:50,119 --> 00:21:52,800 Speaker 1: does which it is? Do it? You know what I'm saying. 463 00:21:53,640 --> 00:21:55,439 Speaker 1: You know, you pick that shit Like I look at 464 00:21:55,520 --> 00:21:58,480 Speaker 1: my keys sometimes, man, new dudes and people like eating leftover. 465 00:21:58,600 --> 00:22:02,720 Speaker 1: So I was like, man, y'all, I'm gonna fall off. Man, 466 00:22:02,800 --> 00:22:05,280 Speaker 1: y'all ain't gonna make the dog I'm worried about y'all. Man, 467 00:22:05,359 --> 00:22:08,159 Speaker 1: y'all got it good man. Now I'm gonna eat that 468 00:22:08,440 --> 00:22:10,840 Speaker 1: over the doll they you know's got their mama like this, 469 00:22:10,960 --> 00:22:15,639 Speaker 1: a bare around his mus it like these kids. You 470 00:22:15,720 --> 00:22:17,720 Speaker 1: know you want the best for your kids. Man. But 471 00:22:17,920 --> 00:22:20,520 Speaker 1: I wouldn't trade my experience nothing in the world, man, 472 00:22:20,600 --> 00:22:25,399 Speaker 1: because it made me become first, appreciate it, more appreciative 473 00:22:25,440 --> 00:22:27,920 Speaker 1: of the blessings that I do have, not that I'm 474 00:22:27,920 --> 00:22:31,199 Speaker 1: able to provide for them right now. And I can 475 00:22:31,280 --> 00:22:33,960 Speaker 1: survive anything. Dog. So if I fell off dog, it 476 00:22:33,960 --> 00:22:35,480 Speaker 1: would have beaten ane. I ain't gonna jump off no 477 00:22:35,600 --> 00:22:38,080 Speaker 1: building because I don't been there before, and I know 478 00:22:38,119 --> 00:22:41,320 Speaker 1: how to fight up out of it. You know, probably 479 00:22:41,320 --> 00:22:43,240 Speaker 1: the same thing with your daughter. So I think we 480 00:22:43,440 --> 00:22:47,680 Speaker 1: all man, to varying degrees, man come up under that 481 00:22:48,040 --> 00:22:50,480 Speaker 1: same kind of like umbrella. You know, whether you in 482 00:22:50,600 --> 00:22:53,520 Speaker 1: New York, doll was Houston. You know the ghettle boy 483 00:22:53,600 --> 00:22:57,520 Speaker 1: saying the best the world is a ghetto, dog the 484 00:22:57,600 --> 00:23:01,440 Speaker 1: world is a ghetto? What part of Houston? U round? 485 00:23:02,560 --> 00:23:04,520 Speaker 1: I'm on the South Chide? Man from Baron Clark. 486 00:23:04,840 --> 00:23:06,760 Speaker 2: So like that boy three two on one day, hear 487 00:23:06,840 --> 00:23:09,080 Speaker 2: he say barring me and harm Clark next to the 488 00:23:09,160 --> 00:23:11,560 Speaker 2: coming Kirk on the a g K. You know what 489 00:23:11,560 --> 00:23:14,320 Speaker 2: I'm saying, I'm here. I'm here to that for Big 490 00:23:14,400 --> 00:23:18,560 Speaker 2: Meal from two Yeah, big Melloh yeah, Big Steve, Yeah, Benchean, 491 00:23:18,880 --> 00:23:19,480 Speaker 2: you know what I'm saying. 492 00:23:20,400 --> 00:23:23,440 Speaker 1: Oh, it's a few of us out here, man. Yeah, 493 00:23:24,560 --> 00:23:27,520 Speaker 1: give me a dude. I know my boys at played ball. 494 00:23:27,600 --> 00:23:32,359 Speaker 1: What's my the dude to start the Rick Shot records? Uh? 495 00:23:32,640 --> 00:23:36,880 Speaker 1: That started Rick Shot? No? What's his name? No deal 496 00:23:37,000 --> 00:23:40,440 Speaker 1: Direct d Rict de Rick. Yeah. 497 00:23:40,680 --> 00:23:42,399 Speaker 2: I don't know if Direct playing football. I know he 498 00:23:42,480 --> 00:23:44,639 Speaker 2: went to uh he went to SA. I really went 499 00:23:44,680 --> 00:23:47,439 Speaker 2: to Steve's speaking that Foster. Yeah, I don't know if 500 00:23:47,480 --> 00:23:50,240 Speaker 2: he my boys knew him, no, because they was talking 501 00:23:50,320 --> 00:23:53,000 Speaker 2: about him when I was at New Mexican State, Dog, 502 00:23:53,080 --> 00:23:55,240 Speaker 2: they was talking about their boys starting to record coming. 503 00:23:55,320 --> 00:23:56,920 Speaker 2: It was crazy, Dog, because I saw a lot of 504 00:23:57,000 --> 00:24:00,240 Speaker 2: that stuff, just kind of like shoot, you know, he'd 505 00:24:00,240 --> 00:24:01,960 Speaker 2: be like, damn man. I remember they was playing the 506 00:24:02,000 --> 00:24:04,040 Speaker 2: bootlegs down and all them dudes got big. 507 00:24:04,760 --> 00:24:07,119 Speaker 1: Yeah. Yeah. So you so he went to schools to 508 00:24:07,160 --> 00:24:09,560 Speaker 1: be with that new direct oh man, Yeah, I went 509 00:24:09,640 --> 00:24:10,600 Speaker 1: to do Mesica Stakers. 510 00:24:10,600 --> 00:24:10,719 Speaker 2: There. 511 00:24:10,920 --> 00:24:12,840 Speaker 1: We had a whole bunch of cats when Steven F. 512 00:24:12,880 --> 00:24:16,159 Speaker 1: Austin had dropped their football program, a whole bunch of 513 00:24:16,240 --> 00:24:18,800 Speaker 1: cats from Steven F. Austin that came into school. I 514 00:24:18,880 --> 00:24:21,240 Speaker 1: came out of with jayc out here right. So we 515 00:24:21,440 --> 00:24:24,000 Speaker 1: all went to New Minstal State University, which is maybe 516 00:24:24,160 --> 00:24:27,399 Speaker 1: fifteen minutes from thirty minutes fail past with Texas, So 517 00:24:27,520 --> 00:24:29,280 Speaker 1: it was a whole bunch of Texas Cats. We had 518 00:24:29,280 --> 00:24:32,320 Speaker 1: a large gen flux of Man, we didn't have a 519 00:24:32,400 --> 00:24:34,880 Speaker 1: whole bunch of Houston Cats. We did have Houston Cats 520 00:24:34,920 --> 00:24:37,399 Speaker 1: on the team, but everybody either came from Dallas or 521 00:24:37,440 --> 00:24:40,680 Speaker 1: a pass on. So it was a whole bunch of 522 00:24:40,800 --> 00:24:42,600 Speaker 1: cats that kind of light came up out of the 523 00:24:43,760 --> 00:24:45,760 Speaker 1: out of Stephen at Foston because you know, our football 524 00:24:45,800 --> 00:24:48,040 Speaker 1: program sorry the mother for the doll at the time, 525 00:24:48,400 --> 00:24:50,119 Speaker 1: so they was trying to dig quick stitches. They was 526 00:24:50,160 --> 00:24:53,119 Speaker 1: getting dudes that had experienced either the JC or the 527 00:24:53,240 --> 00:24:55,920 Speaker 1: program that don't shut down, or a dude transferring you know, 528 00:24:57,560 --> 00:24:59,560 Speaker 1: go chess and he won. You know, we wanted ug 529 00:24:59,600 --> 00:25:02,120 Speaker 1: when I was there, But there was a whole bunch 530 00:25:02,119 --> 00:25:03,040 Speaker 1: of dudes from Dallas. 531 00:25:03,160 --> 00:25:03,280 Speaker 2: Man. 532 00:25:03,400 --> 00:25:05,600 Speaker 1: And that's the thing I like about Texas period. Texas 533 00:25:05,600 --> 00:25:09,040 Speaker 1: has got thing on culture. Man, the brothers in Dallas 534 00:25:09,080 --> 00:25:11,800 Speaker 1: wearing their shags. I was laughing like a motherfuckers. You know, 535 00:25:12,040 --> 00:25:14,120 Speaker 1: we bore shags in Cleveland. But that was like back 536 00:25:14,160 --> 00:25:18,600 Speaker 1: in the seventies. Yeah, yeah, yeah, no, the boy, the 537 00:25:18,760 --> 00:25:21,080 Speaker 1: boy still might be rocking shag there. Oh man, I 538 00:25:21,160 --> 00:25:23,200 Speaker 1: think that he was. But you know what's funny, Man, 539 00:25:23,760 --> 00:25:26,439 Speaker 1: in California in the eighties, I came out here, man, 540 00:25:26,520 --> 00:25:29,560 Speaker 1: it was gang bang Central. Dudes was wearing shags on 541 00:25:29,680 --> 00:25:33,280 Speaker 1: here too. Yeah, but in the eighties. My old man 542 00:25:33,359 --> 00:25:33,639 Speaker 1: had one. 543 00:25:33,680 --> 00:25:35,200 Speaker 2: In the eighties, though, I see, I know that shit 544 00:25:35,240 --> 00:25:36,840 Speaker 2: from the eighties, you know what I'm saying. My old 545 00:25:36,920 --> 00:25:40,320 Speaker 2: dad when I was a little kid. Yeah, yeah, for real. 546 00:25:40,359 --> 00:25:42,480 Speaker 2: All the shagg he was was the black man's mullet. 547 00:25:44,680 --> 00:25:46,639 Speaker 2: You know what I'm saying. All the shag is a 548 00:25:46,680 --> 00:25:49,960 Speaker 2: black man's mullet. He had the homie Man, the homie 549 00:25:50,000 --> 00:25:52,560 Speaker 2: said the man. The homies came up dif from Dallas. Man, 550 00:25:53,400 --> 00:25:56,520 Speaker 2: all of them dudes had shags. Man Gold's named Mama. 551 00:25:57,280 --> 00:25:59,480 Speaker 1: Yeah, my old man had to go with the shag. Yeah, 552 00:25:59,600 --> 00:26:06,719 Speaker 1: nigga you know yeah, yeah yeah. Who who popping in Houston? 553 00:26:06,840 --> 00:26:06,959 Speaker 2: Now? 554 00:26:07,119 --> 00:26:09,479 Speaker 1: Dog? Who the knicks up become a dude in Houston 555 00:26:09,560 --> 00:26:11,120 Speaker 1: right now? It's on the streets. I ain't talking about 556 00:26:11,119 --> 00:26:13,640 Speaker 1: the dude the sign. I'm talking about somebody's just making 557 00:26:13,680 --> 00:26:15,959 Speaker 1: their way on some independent ship. Man. It's a cat 558 00:26:16,040 --> 00:26:20,600 Speaker 1: nam Quiet Money. That cat name Quiet Money. That man, 559 00:26:20,680 --> 00:26:24,560 Speaker 1: he's a he was like making some words. Man. 560 00:26:25,200 --> 00:26:27,960 Speaker 2: Hey, he got like he got like a traditional h 561 00:26:28,080 --> 00:26:31,000 Speaker 2: Time sound like he outside you know what I mean. 562 00:26:31,040 --> 00:26:33,320 Speaker 2: He got the bill fade and ship like these warre 563 00:26:33,400 --> 00:26:35,040 Speaker 2: the nineties and ship. You know what I'm saying. Like 564 00:26:35,960 --> 00:26:38,600 Speaker 2: he's just he's just the whole Houston culture. He just 565 00:26:38,640 --> 00:26:41,320 Speaker 2: embodies that whole things got in Quiet Money. That man, 566 00:26:41,400 --> 00:26:44,280 Speaker 2: Get to understand Quiet money. I didn't case the last 567 00:26:44,359 --> 00:26:49,680 Speaker 2: name that that d o T call quiet money Dot. Yeah, yeah, 568 00:26:49,840 --> 00:26:51,879 Speaker 2: that's a hard man. Houston catch come up with some 569 00:26:52,000 --> 00:26:56,760 Speaker 2: of the coldest names though, yeah, quiet money Dot. They 570 00:26:57,080 --> 00:26:59,800 Speaker 2: got some original names, you know, even Mike Jones. I'm 571 00:26:59,800 --> 00:27:02,399 Speaker 2: a Mike Jones blew up man. Mike Jones big than 572 00:27:02,560 --> 00:27:06,399 Speaker 2: motherfucker dog. Yeah, yeah, Mike Jones and he blew up 573 00:27:06,440 --> 00:27:09,920 Speaker 2: quick man. Like Mike Jones. I remember him like like 574 00:27:10,080 --> 00:27:11,840 Speaker 2: hearing about him, and then it was just like not 575 00:27:11,960 --> 00:27:13,119 Speaker 2: long after I heard anybody him. 576 00:27:13,160 --> 00:27:16,960 Speaker 1: It was you know, it was a big deal. So yeah, yeah, 577 00:27:17,160 --> 00:27:20,840 Speaker 1: I remember, man, Mike Jones. Man, I remember hearing the 578 00:27:20,920 --> 00:27:22,840 Speaker 1: cat out here. Man, I was confidence. I heard a 579 00:27:22,960 --> 00:27:26,560 Speaker 1: dude banging the screwed down verse in his tape. That 580 00:27:26,720 --> 00:27:28,640 Speaker 1: was kind of the first time I heard my who 581 00:27:28,680 --> 00:27:30,320 Speaker 1: what thatck? You listening to? Dog? He was like it 582 00:27:30,400 --> 00:27:33,600 Speaker 1: was Mike Jones. You know, he had a lot of. 583 00:27:33,600 --> 00:27:35,440 Speaker 2: People in the city mad to him to seem like 584 00:27:35,560 --> 00:27:39,959 Speaker 2: though Mike Jones, Oh, I mean I don't know, man. 585 00:27:40,000 --> 00:27:42,879 Speaker 2: You know, Mike Jones did his thing man. Sometimes you 586 00:27:42,920 --> 00:27:45,960 Speaker 2: know he was he was really successful, and you know sometimes. 587 00:27:47,000 --> 00:27:48,960 Speaker 1: That's what comes with it. Man. You would have hate, 588 00:27:50,720 --> 00:27:53,200 Speaker 1: you know, with success. I tell everybody, if you get successful, 589 00:27:53,240 --> 00:27:55,000 Speaker 1: you but it dick your squabble game together. If you 590 00:27:55,000 --> 00:27:57,440 Speaker 1: don't know the squabble because you would have to fight somebody. 591 00:27:58,240 --> 00:28:01,520 Speaker 1: You had to fight somebody. Bodyguard can't keep everybody away, dog, 592 00:28:03,560 --> 00:28:06,160 Speaker 1: they can keep everybody away. Quiet money down. I want 593 00:28:06,200 --> 00:28:07,879 Speaker 1: to hear him who he sounded like? Who do you 594 00:28:07,920 --> 00:28:12,000 Speaker 1: think he sounds like? Sounded like, uh see a new 595 00:28:12,080 --> 00:28:15,000 Speaker 1: star faces? Like what is he on? Nah? 596 00:28:15,040 --> 00:28:19,320 Speaker 2: It's like like typical, like Htown, like south Side music 597 00:28:19,400 --> 00:28:22,480 Speaker 2: in the night, so like fat pat Key Key that 598 00:28:22,640 --> 00:28:24,800 Speaker 2: type of shit, you know what I'm saying, Like more 599 00:28:24,840 --> 00:28:26,159 Speaker 2: of that type of you know. 600 00:28:26,560 --> 00:28:29,800 Speaker 1: Fat pat was hard than the motherfucker dog. It seemed like, 601 00:28:29,960 --> 00:28:32,879 Speaker 1: man for a minute, everybody in Houston with tyme no 602 00:28:33,080 --> 00:28:36,359 Speaker 1: dog can't get big and they just done. Yeah we 603 00:28:36,520 --> 00:28:38,520 Speaker 1: lock band. You know, I don't. 604 00:28:39,000 --> 00:28:40,800 Speaker 2: I could be wrong, you know what I mean, But 605 00:28:40,840 --> 00:28:47,200 Speaker 2: I would say Houston probably lost the most artists when 606 00:28:47,240 --> 00:28:51,160 Speaker 2: it comes to like influence and lost on at the 607 00:28:51,280 --> 00:28:54,000 Speaker 2: time like before it really like went down, so like 608 00:28:54,720 --> 00:28:56,840 Speaker 2: screw never really got to see his real influence. You 609 00:28:56,840 --> 00:28:59,040 Speaker 2: know what I'm saying, Big Mo a little bit, but 610 00:28:59,160 --> 00:29:01,560 Speaker 2: not really see what Twin years later, it looks like 611 00:29:01,640 --> 00:29:03,760 Speaker 2: you know what I'm saying, at his debut album with that, 612 00:29:03,960 --> 00:29:05,440 Speaker 2: you know that fat pack. You know, he didn't Eve 613 00:29:05,440 --> 00:29:08,520 Speaker 2: get to see his baby out and come out, you know, 614 00:29:08,640 --> 00:29:11,080 Speaker 2: Big Hawker's brother. You know what I'm saying, Like the 615 00:29:11,200 --> 00:29:13,320 Speaker 2: listen go on and on, you know, three two. You 616 00:29:13,360 --> 00:29:15,160 Speaker 2: know what I'm saying, he didn't he got to see it, 617 00:29:15,240 --> 00:29:16,920 Speaker 2: but he didn't get He didn't say to get into 618 00:29:16,920 --> 00:29:17,520 Speaker 2: his chest too. 619 00:29:18,160 --> 00:29:19,960 Speaker 1: I mean, I'm gonna tell you not to clinch you 620 00:29:20,080 --> 00:29:24,320 Speaker 1: off door. Three two is very influential, man. I think 621 00:29:24,400 --> 00:29:27,040 Speaker 1: with three two you probably wouldn't have Snoop Dog, not 622 00:29:27,120 --> 00:29:30,560 Speaker 1: the way he is. Yeah, Snoop got a lot of 623 00:29:30,680 --> 00:29:33,240 Speaker 1: game from on three two. Man, snoopill probably tell you 624 00:29:33,320 --> 00:29:35,200 Speaker 1: that I ain't saying that in no way to put Snoop. 625 00:29:36,560 --> 00:29:38,400 Speaker 2: When he passed away, he said, want this to Moe 626 00:29:38,400 --> 00:29:40,120 Speaker 2: who told me you know I love him, you know, 627 00:29:40,200 --> 00:29:43,040 Speaker 2: back in ninety one and hit so you know, but yeah, 628 00:29:43,040 --> 00:29:44,760 Speaker 2: I mean he got you know if you listen to it, 629 00:29:44,880 --> 00:29:46,920 Speaker 2: and you know like three two he listened to from 630 00:29:46,960 --> 00:29:48,720 Speaker 2: early three two and then you go listen to Snoop 631 00:29:48,800 --> 00:29:50,960 Speaker 2: how he first came out. You can hear all that 632 00:29:51,120 --> 00:29:53,239 Speaker 2: really over. We don't love him, hose big baby, all 633 00:29:53,320 --> 00:29:54,720 Speaker 2: that type of shit. You know what I'm saying, Like 634 00:29:55,800 --> 00:29:58,080 Speaker 2: even even down like these nuts like these was just 635 00:29:58,160 --> 00:30:00,320 Speaker 2: like things that he was known for doing. And back 636 00:30:00,320 --> 00:30:02,240 Speaker 2: in Missouri City, most city, you know what I'm saying, 637 00:30:03,160 --> 00:30:03,960 Speaker 2: our school and ship. 638 00:30:04,080 --> 00:30:08,120 Speaker 1: So yeah, he's the influencial care. I remember talking only 639 00:30:08,200 --> 00:30:10,920 Speaker 1: Big mic Man and he was telling me about the 640 00:30:11,080 --> 00:30:13,080 Speaker 1: time on Differ for a Records. I was like, damn 641 00:30:13,120 --> 00:30:15,600 Speaker 1: that been cold man. Can you amaze that the conviction 642 00:30:15,960 --> 00:30:19,440 Speaker 1: came out on their fro with Doctor Trey's Beach Dog. Yeah, that. 643 00:30:21,040 --> 00:30:24,120 Speaker 2: That would have been crazy man, definitely real crazy man 644 00:30:24,440 --> 00:30:26,400 Speaker 2: talking about something different right now? You know what I'm saying, 645 00:30:26,520 --> 00:30:28,800 Speaker 2: Like I would say, she might be a whole lot 646 00:30:28,840 --> 00:30:29,640 Speaker 2: different right now, so. 647 00:30:30,240 --> 00:30:31,880 Speaker 1: It would be a whole lot different. You know what. 648 00:30:32,160 --> 00:30:35,360 Speaker 1: Texas and Kelly always had a connection, no Dog, Yeah, 649 00:30:35,440 --> 00:30:39,320 Speaker 1: because everybody got couzins from the song Doog. Yeah. Yeah, 650 00:30:39,600 --> 00:30:40,720 Speaker 1: even just suddenly I. 651 00:30:40,800 --> 00:30:45,840 Speaker 2: Think I think like sonically, you know, musically, Houston sound, 652 00:30:46,000 --> 00:30:49,120 Speaker 2: Texas sound and the Kelly signed LA sign even with 653 00:30:49,240 --> 00:30:49,520 Speaker 2: the Bay. 654 00:30:49,600 --> 00:30:52,360 Speaker 1: You know what I'm saying with this la Orterer Bank, Houston. 655 00:30:53,240 --> 00:30:56,320 Speaker 2: It's just a suffusion with within that or appreciation rather 656 00:30:56,400 --> 00:30:58,600 Speaker 2: on both ends, you know what I'm saying, Like, Yeah, 657 00:30:58,840 --> 00:31:01,160 Speaker 2: always kind of been that going to screw like, well 658 00:31:01,200 --> 00:31:03,160 Speaker 2: that's how I here, That's how we got on so much, 659 00:31:03,680 --> 00:31:06,280 Speaker 2: you know, m C eight and fucking you know, uh 660 00:31:07,120 --> 00:31:09,640 Speaker 2: Eat forty and be Legit and god damn, you know, 661 00:31:10,600 --> 00:31:14,760 Speaker 2: uh compass, most wanted everything going on in La and Bay. 662 00:31:14,600 --> 00:31:18,960 Speaker 1: And all that ship like it's always next yes, real 663 00:31:19,960 --> 00:31:22,000 Speaker 1: if you know what I wonder man, because you know 664 00:31:22,120 --> 00:31:25,080 Speaker 1: what ay do kind of got comforts most want of 665 00:31:25,160 --> 00:31:27,800 Speaker 1: Dia definitely had that sign I steep going down h 666 00:31:27,920 --> 00:31:34,440 Speaker 1: time because they still slowly laid back, you know they right, Yeah, 667 00:31:34,440 --> 00:31:35,240 Speaker 1: I was on screw tax. 668 00:31:35,320 --> 00:31:37,160 Speaker 2: You ever got some time to go back and or 669 00:31:37,280 --> 00:31:40,320 Speaker 2: just pull up this DJ screw track list like it's 670 00:31:40,360 --> 00:31:42,760 Speaker 2: gonna look like a bunch of real deep l a shit, 671 00:31:42,840 --> 00:31:46,240 Speaker 2: a bunch of deep as ship like that's just always 672 00:31:46,360 --> 00:31:48,040 Speaker 2: been infused, you know what I mean as far as 673 00:31:48,120 --> 00:31:51,040 Speaker 2: us over in tastes. I always had an appreciation you 674 00:31:51,160 --> 00:31:53,440 Speaker 2: know what screw Definitely. I remember I heard a Mac 675 00:31:53,520 --> 00:31:56,120 Speaker 2: Tin song he had shot the screws. This sounded hard too. 676 00:31:56,440 --> 00:31:59,440 Speaker 2: He gave a sound like I'm gonna tell you, I 677 00:31:59,720 --> 00:32:01,880 Speaker 2: like the Frew version of high with the blinks the 678 00:32:01,920 --> 00:32:02,320 Speaker 2: better and not. 679 00:32:02,480 --> 00:32:09,000 Speaker 1: Like the other one, like something that. Yeah, because I 680 00:32:09,120 --> 00:32:11,280 Speaker 1: remember that was the time man, that you know, we 681 00:32:11,320 --> 00:32:13,360 Speaker 1: could see you would go buy a record based on 682 00:32:13,440 --> 00:32:16,200 Speaker 1: what you saw a murder dog or adding the source. 683 00:32:16,200 --> 00:32:18,520 Speaker 1: You know what I'm saying, because you didn't know. You know, 684 00:32:18,640 --> 00:32:20,920 Speaker 1: it wasn't really know. The internet wasn't popping like that. 685 00:32:21,080 --> 00:32:23,440 Speaker 1: It wasn't no internet, you feel what I'm saying. Then 686 00:32:23,560 --> 00:32:25,520 Speaker 1: wasn't ready to hear the music, so you either saw 687 00:32:25,680 --> 00:32:27,640 Speaker 1: adding the murder dog or the source. He said, I'm 688 00:32:27,640 --> 00:32:29,960 Speaker 1: gonna go get this. That's how I thought Master P's 689 00:32:30,000 --> 00:32:35,640 Speaker 1: first album Dog yeah, from the fucking a Dog. I 690 00:32:35,680 --> 00:32:37,480 Speaker 1: ain't gonna lie. When I first heard master P, I 691 00:32:37,640 --> 00:32:41,280 Speaker 1: was like, this is horrible, no shit. When I first 692 00:32:41,320 --> 00:32:43,640 Speaker 1: heard it, like the Ghettle trying to kill me, Yeah, 693 00:32:44,280 --> 00:32:49,800 Speaker 1: that first one, but that's the P had up five. Yeah, 694 00:32:50,360 --> 00:32:52,680 Speaker 1: it was like a certain vibe. And I think when 695 00:32:52,720 --> 00:32:54,840 Speaker 1: he got with the beats by the Pound Cats, man, 696 00:32:55,160 --> 00:32:58,840 Speaker 1: you know, when they put that music on this for real? Yeah, yeah, 697 00:32:58,920 --> 00:33:01,120 Speaker 1: then it started to kind of make since and then 698 00:33:01,200 --> 00:33:03,160 Speaker 1: I then I figured out. I said, well, this dude 699 00:33:03,160 --> 00:33:05,480 Speaker 1: ain't even really from he's not from the base, because 700 00:33:05,520 --> 00:33:07,240 Speaker 1: that was the first time I earned he was representing 701 00:33:07,280 --> 00:33:09,400 Speaker 1: the base. He was lifting up there, and I say, 702 00:33:09,480 --> 00:33:12,440 Speaker 1: he's a Louisiana cat, and uh, then I started kind 703 00:33:12,480 --> 00:33:14,200 Speaker 1: of like, you know, kind of cheering for him. You 704 00:33:14,240 --> 00:33:17,160 Speaker 1: know what I'm saying. Yeah, he was the underdog. You 705 00:33:17,200 --> 00:33:19,160 Speaker 1: know what I'm saying. You started, I didn't treat while 706 00:33:19,160 --> 00:33:21,040 Speaker 1: he fuck with master p the day, But I ain't lied. 707 00:33:21,080 --> 00:33:23,760 Speaker 1: When I first heard massuped dog, I was like, this 708 00:33:23,920 --> 00:33:29,280 Speaker 1: dude cannot rap, man. But then that's I figured out 709 00:33:29,320 --> 00:33:32,600 Speaker 1: there all that rapping and being the best fit of man, 710 00:33:32,640 --> 00:33:34,440 Speaker 1: No misssarily mean you're gonna be successful. 711 00:33:35,080 --> 00:33:38,720 Speaker 2: Yeah, you know what I mean. It ain't well I 712 00:33:38,920 --> 00:33:40,600 Speaker 2: can't say that. I mean, I fuck with too short, 713 00:33:40,640 --> 00:33:42,960 Speaker 2: but no shot got a really just it's just game, 714 00:33:43,080 --> 00:33:45,000 Speaker 2: you know what I mean. Like it ain't nothing, it 715 00:33:45,080 --> 00:33:47,440 Speaker 2: ain't nothing too complex. But he wanted to cold to steal, 716 00:33:47,480 --> 00:33:49,640 Speaker 2: you know what I mean, Like it's niggas that I 717 00:33:49,640 --> 00:33:51,960 Speaker 2: don't know. I feel like, I mean, of course I 718 00:33:52,000 --> 00:33:57,560 Speaker 2: think this hard. Yeah, yeah, this dudees just on the 719 00:33:57,680 --> 00:33:59,840 Speaker 2: basic ship. This dupe as a motherfucking dog. Gun. 720 00:34:00,280 --> 00:34:02,160 Speaker 1: I'm gonna tell you though, Houston got one of the 721 00:34:02,240 --> 00:34:06,280 Speaker 1: coach k Reno was hard dog, Oh yeah, and underrated. 722 00:34:06,320 --> 00:34:08,800 Speaker 1: When I was slept on underrated like the motherfucker. I 723 00:34:08,880 --> 00:34:11,239 Speaker 1: was talking to my boy Crooked King Crooked about him, 724 00:34:11,280 --> 00:34:13,480 Speaker 1: and I was telling him, I said, man, it's a 725 00:34:13,600 --> 00:34:19,879 Speaker 1: calf from Houston. Dog. That fitted be crazy, huh, say Croocket, Yeah, yeah, 726 00:34:19,960 --> 00:34:24,239 Speaker 1: King Crook them to on the record would be crazy. Man. 727 00:34:25,160 --> 00:34:26,839 Speaker 1: You know what, man, we should have tried to set 728 00:34:26,880 --> 00:34:30,880 Speaker 1: that up. That'd be hard man. Because because Krino was 729 00:34:30,960 --> 00:34:33,600 Speaker 1: still with him, and I'm gonna tell you, ka Reno, 730 00:34:33,920 --> 00:34:36,360 Speaker 1: I listened to his eyeurs Man, Katerino be coming with 731 00:34:36,480 --> 00:34:39,360 Speaker 1: some subject matter sometimes that he's He's probably one of 732 00:34:39,400 --> 00:34:41,919 Speaker 1: the more creative motherfuckers I don't ever heard in my life. 733 00:34:43,080 --> 00:34:45,560 Speaker 1: He's probably the most creative rap robber heard. Dog. This 734 00:34:45,719 --> 00:34:47,680 Speaker 1: dude had a song. Man the way he was talking 735 00:34:47,719 --> 00:34:50,840 Speaker 1: about like the mind inside of the mind, inside of 736 00:34:50,920 --> 00:34:53,399 Speaker 1: the mine. Man, he was saying some ship. I said, man, 737 00:34:53,880 --> 00:34:56,359 Speaker 1: this dude, you smoke a good joint. Listen to him, 738 00:34:56,440 --> 00:34:58,200 Speaker 1: Dog like kind of fucked you up a little bit. 739 00:34:58,800 --> 00:35:01,680 Speaker 1: And yeah, because he definitely go out of you thinking. Man, 740 00:35:02,960 --> 00:35:05,160 Speaker 1: he definitely go out of you thinking. So look, man, 741 00:35:05,239 --> 00:35:08,240 Speaker 1: me ask you this doney you was talking about earlier 742 00:35:08,320 --> 00:35:10,719 Speaker 1: on Man, you started out with some mother cats, as 743 00:35:10,800 --> 00:35:12,680 Speaker 1: you know you fought. It's really sure. I started this 744 00:35:12,760 --> 00:35:15,319 Speaker 1: started off one way and had to turn another. It's 745 00:35:15,360 --> 00:35:16,840 Speaker 1: hard working with motherfuckers, ain't it. 746 00:35:17,760 --> 00:35:19,560 Speaker 2: It's tough, But you know, at the same time, with 747 00:35:19,680 --> 00:35:21,920 Speaker 2: my situation, it was more so when we went into it. 748 00:35:22,120 --> 00:35:24,400 Speaker 2: It was me asking my own boys just jump down 749 00:35:24,440 --> 00:35:27,320 Speaker 2: with the damn and everybody kind of knew, like, this 750 00:35:27,480 --> 00:35:29,239 Speaker 2: was some shit I really want to do type shit. 751 00:35:29,239 --> 00:35:30,640 Speaker 1: You know what I'm saying. I always do that. 752 00:35:30,800 --> 00:35:32,960 Speaker 2: So when the kind of went the way when, of 753 00:35:33,040 --> 00:35:34,719 Speaker 2: course you want your people stay down, but it was 754 00:35:34,840 --> 00:35:37,760 Speaker 2: kind of like, it's cool, you know what I mean whatever, 755 00:35:38,000 --> 00:35:38,640 Speaker 2: you know what I mean. 756 00:35:38,520 --> 00:35:39,080 Speaker 1: But yeah, you do. 757 00:35:39,239 --> 00:35:40,960 Speaker 2: We won't want that shit to work, bro, when you 758 00:35:41,040 --> 00:35:42,640 Speaker 2: started out, you want that shit to go the way 759 00:35:43,480 --> 00:35:44,160 Speaker 2: that you playing it. 760 00:35:45,360 --> 00:35:48,040 Speaker 1: That wise man ain't is kind of like the perfect 761 00:35:48,120 --> 00:35:50,759 Speaker 1: partner only thing with eight man, I ain't gonna get 762 00:35:50,760 --> 00:35:52,520 Speaker 1: eight to come and do the whole bunch of episodes. 763 00:35:52,560 --> 00:35:55,719 Speaker 1: That's just not him. He's the one week type of dude. 764 00:35:55,760 --> 00:35:57,799 Speaker 1: While me, I like doing this shit every day. If 765 00:35:57,840 --> 00:36:00,120 Speaker 1: I could do this shit every day, I would I 766 00:36:00,200 --> 00:36:02,440 Speaker 1: just inter rested talking to different people. You feel what 767 00:36:02,480 --> 00:36:06,640 Speaker 1: I'm saying, right, you feel what I'm saying. It's definitely interrupted. 768 00:36:06,640 --> 00:36:09,120 Speaker 1: And I saw you recently got an award down there 769 00:36:09,120 --> 00:36:10,919 Speaker 1: in the city. Man, that was some dope ass ship 770 00:36:13,360 --> 00:36:15,879 Speaker 1: or the day thing when I got my day. Yeah 771 00:36:15,880 --> 00:36:18,359 Speaker 1: you got you, Yeah, you got you down in ut Yeah. Yeah, 772 00:36:18,400 --> 00:36:21,560 Speaker 1: that was uh yeah, yeah that was last year man. Yeah, 773 00:36:21,640 --> 00:36:25,680 Speaker 1: October ten ten. That's uh down in easton day in Houston. Man, 774 00:36:25,840 --> 00:36:27,640 Speaker 1: So you know that shot. 775 00:36:27,719 --> 00:36:27,839 Speaker 2: Man. 776 00:36:27,920 --> 00:36:31,560 Speaker 1: You know what, Man, you said it's October every October yeah, 777 00:36:31,640 --> 00:36:33,239 Speaker 1: ten ten, Yeah, October tenth. Yeah. 778 00:36:33,760 --> 00:36:33,920 Speaker 3: Man. 779 00:36:33,960 --> 00:36:35,759 Speaker 1: You know what, man, Next year, man, you might have 780 00:36:35,840 --> 00:36:38,080 Speaker 1: to have a big ass day for that ship. Dog. 781 00:36:38,560 --> 00:36:41,759 Speaker 1: We might have to come do some tit dog bringing 782 00:36:41,800 --> 00:36:44,279 Speaker 1: eight down there. Man, we do some pit. I'm with that. 783 00:36:44,360 --> 00:36:46,279 Speaker 2: I won't put something together for sure. I'm definitely gonna 784 00:36:46,280 --> 00:36:49,359 Speaker 2: do something next year. That's the thing about Houston. It's dope. 785 00:36:49,480 --> 00:36:49,640 Speaker 4: Man. 786 00:36:50,040 --> 00:36:53,279 Speaker 1: It seemed like hosts and honors. They they motherfucker's dog 787 00:36:53,400 --> 00:36:57,759 Speaker 1: like anybody's from Eustland is doing something Houston Honors. Yeah, 788 00:36:58,200 --> 00:36:59,960 Speaker 1: I mean that that is a good thing about us. Great. 789 00:37:00,120 --> 00:37:03,080 Speaker 2: Know we you know, I can speak for myself for sure. 790 00:37:03,120 --> 00:37:05,439 Speaker 2: I definitely don't be wouldn't expecting you know, a couple 791 00:37:05,440 --> 00:37:07,879 Speaker 2: of things that have happened. But yeah, man, the city 792 00:37:07,960 --> 00:37:09,279 Speaker 2: does a great job for Shawn Love. 793 00:37:09,920 --> 00:37:13,640 Speaker 1: Yeah when you did your when you got you on day, man, 794 00:37:14,000 --> 00:37:15,960 Speaker 1: what was your mama? And I'm saying, man, is everybody 795 00:37:16,040 --> 00:37:19,239 Speaker 1: was everybody in your family gets tripping out gun. Yeah 796 00:37:19,239 --> 00:37:21,080 Speaker 1: they were happy, you know what I'm saying, Like my 797 00:37:21,239 --> 00:37:21,759 Speaker 1: family ain't. 798 00:37:21,880 --> 00:37:23,760 Speaker 2: I mean, like none of us is like super emotional, 799 00:37:23,840 --> 00:37:26,920 Speaker 2: you know, so nobody got like super emotional about it. 800 00:37:26,960 --> 00:37:29,160 Speaker 2: But I mean everybody was proud, you know what I'm saying, 801 00:37:29,280 --> 00:37:32,480 Speaker 2: thankful it because you know, it all laid back, like 802 00:37:32,600 --> 00:37:35,359 Speaker 2: you for the most for yet man. 803 00:37:35,440 --> 00:37:38,359 Speaker 1: But that's everybody in Texas, Man, Texas the most non 804 00:37:38,440 --> 00:37:42,520 Speaker 1: emotional showing people beat some of this ship going already. 805 00:37:42,640 --> 00:37:46,800 Speaker 1: They say all it, man, we just want the meiggas 806 00:37:46,840 --> 00:37:49,600 Speaker 1: that was already. Thank God. When you go saying a 807 00:37:49,640 --> 00:37:52,879 Speaker 1: whole bunch of shit, they just be chilling. Yeah. Yeah, 808 00:37:53,280 --> 00:37:55,399 Speaker 1: so you know, I mean they they thought it would 809 00:37:55,520 --> 00:37:57,080 Speaker 1: they thought it was cool and all that, But I mean, 810 00:37:57,120 --> 00:38:03,080 Speaker 1: you know, did this do? Man? I always think about, man, 811 00:38:03,200 --> 00:38:05,440 Speaker 1: what the end of gangs the chronicles look like, if 812 00:38:05,480 --> 00:38:07,640 Speaker 1: it's ever at the end, Because what I would like 813 00:38:07,680 --> 00:38:09,600 Speaker 1: to see going with this, I would like to see 814 00:38:09,680 --> 00:38:13,200 Speaker 1: this really transferring to somebody else doing it for another 815 00:38:13,440 --> 00:38:15,440 Speaker 1: you know, five or ten years or whatever it is, 816 00:38:15,600 --> 00:38:18,400 Speaker 1: and somebody passed it on and just like so you 817 00:38:18,560 --> 00:38:22,000 Speaker 1: have this big ass discography one day maybe thirty forty 818 00:38:22,080 --> 00:38:24,480 Speaker 1: years now. Just but if somebody could actually go back 819 00:38:24,480 --> 00:38:27,000 Speaker 1: to the beginning and hear it hout something, that would 820 00:38:27,040 --> 00:38:30,680 Speaker 1: be a cold lass story, wouldn't it. Man? Sure, that's 821 00:38:30,680 --> 00:38:32,680 Speaker 1: what I see this as, man, as a time capsule 822 00:38:32,760 --> 00:38:36,080 Speaker 1: for culture. Yeah yeah, man, you had Yes, I said 823 00:38:36,160 --> 00:38:37,200 Speaker 1: something really I ain't. 824 00:38:37,280 --> 00:38:37,400 Speaker 3: Uh. 825 00:38:38,200 --> 00:38:40,920 Speaker 1: I meant to ask you, bro, like will you transition? 826 00:38:40,960 --> 00:38:42,439 Speaker 2: Because you know, like you say, y'all had a group 827 00:38:42,480 --> 00:38:43,960 Speaker 2: you know what I'm saying at one point then y'all 828 00:38:44,080 --> 00:38:45,000 Speaker 2: y'all had a transition? 829 00:38:45,200 --> 00:38:47,120 Speaker 1: Like how was that shit for y'all? Is? 830 00:38:47,160 --> 00:38:48,719 Speaker 2: I mean y'all say kind of got a little big 831 00:38:48,880 --> 00:38:51,319 Speaker 2: you know, Oh man, that shit got man? You keep 832 00:38:51,320 --> 00:38:53,879 Speaker 2: the real shit got met? You got a little mess? 833 00:38:54,000 --> 00:38:57,640 Speaker 1: Yeuh yeah? Was here? I tell you what a appo? 834 00:38:58,239 --> 00:39:01,640 Speaker 1: What it was? Dog? It was big. I ain't gonna 835 00:39:01,640 --> 00:39:04,120 Speaker 1: say it was difficult. Dog. It was a lot going on, right. 836 00:39:06,320 --> 00:39:08,520 Speaker 1: First of all, Man, we always knew and I don't 837 00:39:08,520 --> 00:39:10,440 Speaker 1: want to say this dude's names. When you say his name, 838 00:39:10,480 --> 00:39:12,520 Speaker 1: he like candy man, Dog, he go take it as 839 00:39:12,520 --> 00:39:14,959 Speaker 1: addition to start firing shots. You know, I don't flay 840 00:39:15,040 --> 00:39:19,160 Speaker 1: in his mouth. But uh, what happened was Dog. We 841 00:39:19,280 --> 00:39:20,759 Speaker 1: had a cat that was only on the show for 842 00:39:20,840 --> 00:39:22,879 Speaker 1: three months, Dog because he had to go do some time, 843 00:39:23,120 --> 00:39:26,440 Speaker 1: so he was only three months. We had two other cats. 844 00:39:27,760 --> 00:39:31,279 Speaker 1: One of the dudes just stopped showing up, you know, 845 00:39:31,360 --> 00:39:34,560 Speaker 1: the whole COVID thing happened. He wouldn't responding to text message. 846 00:39:34,600 --> 00:39:36,640 Speaker 1: So when that happened, you assumed that somebody just ain't 847 00:39:36,640 --> 00:39:39,480 Speaker 1: interested in doing it no more, right, Right, So I 848 00:39:39,600 --> 00:39:42,080 Speaker 1: had to jump in. I never had no intentions on 849 00:39:42,200 --> 00:39:44,759 Speaker 1: being on the show, right. My whole thing, I was 850 00:39:44,840 --> 00:39:47,120 Speaker 1: going to do something else. I was doing something else. 851 00:39:47,480 --> 00:39:51,120 Speaker 1: My step was always geared more towards hip hop, more 852 00:39:51,200 --> 00:39:52,520 Speaker 1: towards the rap side of shit. 853 00:39:52,640 --> 00:39:52,799 Speaker 2: Right. 854 00:39:53,560 --> 00:39:56,000 Speaker 1: And I'd even told them guys that just sitting up 855 00:39:56,000 --> 00:39:58,640 Speaker 1: there telling about death row is not gonna be sustainable. 856 00:39:58,719 --> 00:40:01,320 Speaker 1: It'd be a good thing the pop stuff off with. 857 00:40:01,480 --> 00:40:05,120 Speaker 1: But that story has ending, nog Yeah, it's ending. We 858 00:40:05,200 --> 00:40:07,080 Speaker 1: all know how that ended. So I didn't want to 859 00:40:07,120 --> 00:40:09,560 Speaker 1: do nothing that was gonna be really just closed looped 860 00:40:09,680 --> 00:40:13,680 Speaker 1: like that. Right, So when me and Buddy started doing 861 00:40:13,719 --> 00:40:16,359 Speaker 1: the show, right, we kept on going. We just kept 862 00:40:16,400 --> 00:40:19,080 Speaker 1: on going, and I eventually started changing kind of like 863 00:40:19,160 --> 00:40:20,920 Speaker 1: the ration of the show because I was on there. 864 00:40:20,920 --> 00:40:23,080 Speaker 1: We couldn't it couldn't be the same thing. I'm not 865 00:40:23,200 --> 00:40:26,840 Speaker 1: no gag banker, right, I wasn't a member of law enforcement. 866 00:40:26,880 --> 00:40:29,080 Speaker 1: That that was just not me. Right. I did my 867 00:40:29,239 --> 00:40:31,759 Speaker 1: thing and stuff, but I just not know. I'm not 868 00:40:31,920 --> 00:40:33,759 Speaker 1: no hell of a street cat like that, you know 869 00:40:33,800 --> 00:40:35,320 Speaker 1: what I mean. I'm just that's not what I do. 870 00:40:35,600 --> 00:40:37,840 Speaker 1: You know what I'm saying. I don't have no interest 871 00:40:37,880 --> 00:40:39,800 Speaker 1: in going to jail. I don't have no interest in 872 00:40:39,960 --> 00:40:41,920 Speaker 1: doing none of that shit. Don't get a twisted I 873 00:40:41,960 --> 00:40:44,160 Speaker 1: will shoot the shit out of the motherfucker. I'm like, 874 00:40:44,880 --> 00:40:46,240 Speaker 1: you know what I mean. I'm a like and carrier. 875 00:40:46,320 --> 00:40:50,239 Speaker 1: I'm not always looking for bullshit. So when that stuff happened, Man, 876 00:40:51,520 --> 00:40:56,239 Speaker 1: what it showed me, Donnie was one nobody would never 877 00:40:56,360 --> 00:41:01,239 Speaker 1: be as passionate about your vision as you are. Two 878 00:41:01,520 --> 00:41:04,480 Speaker 1: to make sure and thank god, I have my paperwork 879 00:41:04,520 --> 00:41:07,320 Speaker 1: and shit together, dog, I tell everybody with this, you 880 00:41:07,400 --> 00:41:09,919 Speaker 1: know what, this is a perfect seguey man. My sister 881 00:41:09,960 --> 00:41:13,160 Speaker 1: in law, she has a thing man called the contract 882 00:41:13,239 --> 00:41:15,719 Speaker 1: boar right. She's in the turney to where she do 883 00:41:15,840 --> 00:41:19,600 Speaker 1: these contracts that's readily made. Man like in the water 884 00:41:19,719 --> 00:41:21,560 Speaker 1: is tight. They air tight. You feel what I'm saying, 885 00:41:22,239 --> 00:41:24,520 Speaker 1: the air tight. And I think, man, whenever you in 886 00:41:24,600 --> 00:41:26,959 Speaker 1: this thing that we're doing, man, you have to add 887 00:41:27,640 --> 00:41:32,720 Speaker 1: your paperwork together if you have a partnership with somebody, 888 00:41:32,760 --> 00:41:34,680 Speaker 1: because I'm gonna tell you everything is cool or to 889 00:41:34,760 --> 00:41:41,640 Speaker 1: money get involved. Yeah. And once money get involved, oh man, 890 00:41:41,680 --> 00:41:45,239 Speaker 1: that's when a bullshit start. That's when bullshit starts to 891 00:41:45,360 --> 00:41:48,040 Speaker 1: all that. Oh we cool, dog, and this is your 892 00:41:48,120 --> 00:41:50,400 Speaker 1: thing because people start thinking they own some shit. What 893 00:41:50,480 --> 00:41:53,480 Speaker 1: you done. I'm gonna tell you, nobody is ever go work. 894 00:41:53,880 --> 00:41:56,880 Speaker 1: Nobody's over ever coming there and work for Donning Houston 895 00:41:56,960 --> 00:42:01,759 Speaker 1: podcast like you do. No. In fact, she's so I 896 00:42:01,840 --> 00:42:04,000 Speaker 1: looked at it like this. I was flitting stuff down 897 00:42:04,040 --> 00:42:05,759 Speaker 1: the middle with them cats. I was the one that 898 00:42:05,840 --> 00:42:09,279 Speaker 1: had the Uplottle episode sometimes two and three in the morning. 899 00:42:09,360 --> 00:42:11,480 Speaker 1: I'm trying to fix some shit. Dog, I'm trying to 900 00:42:12,080 --> 00:42:14,080 Speaker 1: do this, and then I'm trying to, you know, do 901 00:42:14,239 --> 00:42:17,040 Speaker 1: some other stuff. Man. It's like, man, everybody, and then 902 00:42:17,200 --> 00:42:22,200 Speaker 1: everybody starts to feeling tighter. Everybody has this sensitive entitlement 903 00:42:22,320 --> 00:42:26,080 Speaker 1: that they should be. They would actually make you feel 904 00:42:26,120 --> 00:42:30,560 Speaker 1: like you're working for them. Dog, Yeah, yeah, everybody. Then 905 00:42:30,640 --> 00:42:33,440 Speaker 1: once we got the deal, Dog, it was like something 906 00:42:33,480 --> 00:42:36,279 Speaker 1: that should have been a bleasant dog. First of all, 907 00:42:36,320 --> 00:42:39,479 Speaker 1: the dude that left we hear from now we gotta 908 00:42:39,560 --> 00:42:42,520 Speaker 1: deals down there. A year later he pops up talk 909 00:42:42,520 --> 00:42:45,400 Speaker 1: about how come I wasn't included I should be getting this. 910 00:42:45,560 --> 00:42:48,239 Speaker 1: Everybody called the nigga that went to jail three months 911 00:42:48,280 --> 00:42:51,000 Speaker 1: thought he was old son. You feel what I'm saying like, Dog, 912 00:42:51,120 --> 00:42:56,600 Speaker 1: you live, You've been gone again already, Dog, and the 913 00:42:56,680 --> 00:42:59,279 Speaker 1: cold thing anybody I get it, dude. Man, when he 914 00:42:59,400 --> 00:43:02,120 Speaker 1: was locked up, it still turned out to be every 915 00:43:02,200 --> 00:43:04,919 Speaker 1: asshole in the world. Dog. I'm gonna tell you, Dog, 916 00:43:05,400 --> 00:43:08,440 Speaker 1: but this podcast shit don't got messy as a motherfucker dog. 917 00:43:08,560 --> 00:43:14,799 Speaker 1: You got motherfucker's dog that don't mind going online line now, 918 00:43:15,000 --> 00:43:17,000 Speaker 1: just imagine me and you wanna hear to talk and 919 00:43:17,040 --> 00:43:20,759 Speaker 1: we chopped up. Sometimes just imagine you you know you're home, 920 00:43:20,840 --> 00:43:22,480 Speaker 1: will hit you and saying, man, who is this nigga 921 00:43:22,520 --> 00:43:24,600 Speaker 1: still talking about you in California? And I'm only just 922 00:43:24,640 --> 00:43:27,439 Speaker 1: saying yeah, Me and Donny Houston. Man, I was down 923 00:43:27,480 --> 00:43:29,760 Speaker 1: there and checks this man and I saw the nigga 924 00:43:29,760 --> 00:43:31,320 Speaker 1: and he said, somebody don't like him the show. So 925 00:43:31,400 --> 00:43:34,960 Speaker 1: I slapped him, slapped his glasses off. Then I made 926 00:43:35,000 --> 00:43:36,680 Speaker 1: him sit down and I made him do this. You 927 00:43:36,800 --> 00:43:39,359 Speaker 1: gonna be looking like, man, there's something wrong with this dude. 928 00:43:39,800 --> 00:43:41,680 Speaker 1: R He park know how to react to that. You 929 00:43:41,800 --> 00:43:44,000 Speaker 1: because you be like that did not happen. Man, I 930 00:43:44,040 --> 00:43:46,520 Speaker 1: don't see niggas say it, damn kidnap me online and 931 00:43:46,560 --> 00:43:48,800 Speaker 1: all kinds of shit. Shit that just didn't happen on 932 00:43:48,960 --> 00:43:52,719 Speaker 1: nigga what you might have. I had a conversation with 933 00:43:52,840 --> 00:43:55,759 Speaker 1: this nigga and he went out talking about but what 934 00:43:55,920 --> 00:43:58,640 Speaker 1: it was he was trying to make a name for itself. Well, 935 00:43:58,680 --> 00:44:01,600 Speaker 1: don't nobody had talent, bro. That's what they have to 936 00:44:01,680 --> 00:44:04,760 Speaker 1: do is tell lies. And their whole thing is based 937 00:44:04,840 --> 00:44:06,840 Speaker 1: on a lie. Everything and the thing you know, the 938 00:44:06,960 --> 00:44:09,719 Speaker 1: more you do that shit, the worse he gets because 939 00:44:09,760 --> 00:44:12,319 Speaker 1: you gotta you gotta one up yourself another one. See, 940 00:44:13,280 --> 00:44:17,560 Speaker 1: people try to confuse what Charleston White does. They try 941 00:44:17,640 --> 00:44:19,719 Speaker 1: to they try to do, They try to do like 942 00:44:19,880 --> 00:44:21,960 Speaker 1: Charleston is doing. But what they don't realize is that 943 00:44:22,960 --> 00:44:25,759 Speaker 1: Charleston has a lot of intelligence behind the ship that 944 00:44:25,840 --> 00:44:28,200 Speaker 1: he's doing. If you really sit down and listen to 945 00:44:28,280 --> 00:44:31,520 Speaker 1: that man, you know, you may not like his methods 946 00:44:31,520 --> 00:44:33,520 Speaker 1: all the time, but he be saying some real shit, 947 00:44:33,640 --> 00:44:35,360 Speaker 1: but the least to meet the service when you like 948 00:44:35,480 --> 00:44:38,359 Speaker 1: kind of start digging, He's saying some real shit. Yeah, 949 00:44:39,239 --> 00:44:41,600 Speaker 1: he's saying, you might not like how you delivering the dog, 950 00:44:41,719 --> 00:44:43,800 Speaker 1: but it is. But if he was delivering in the 951 00:44:43,920 --> 00:44:48,240 Speaker 1: nice way, wouldn't nobody be paying attention to him. Wouldn't 952 00:44:48,239 --> 00:44:50,279 Speaker 1: nobody be paying attention to him? So he giving these 953 00:44:50,360 --> 00:44:54,080 Speaker 1: niggas what they want, how they need to hear. He's 954 00:44:54,160 --> 00:44:56,719 Speaker 1: on that nigga frequency. You feel what I'm saying right, 955 00:44:57,080 --> 00:44:59,840 Speaker 1: Because I'm gonna tell you black folks and niggas that 956 00:45:00,360 --> 00:45:05,120 Speaker 1: got two different frequencies dog that they a nigga wants 957 00:45:05,120 --> 00:45:06,600 Speaker 1: you to treat them bad. You can never treat a 958 00:45:06,680 --> 00:45:09,759 Speaker 1: nigga fair because it ain't will never be enough, you 959 00:45:09,800 --> 00:45:13,239 Speaker 1: can use. They have enough for nigga, never enough for 960 00:45:13,280 --> 00:45:15,960 Speaker 1: a nigga black man, he's gonna say thank you, He's 961 00:45:15,960 --> 00:45:17,120 Speaker 1: gonna be appreciative of it. 962 00:45:17,280 --> 00:45:17,440 Speaker 2: Right. 963 00:45:18,800 --> 00:45:23,920 Speaker 1: A nigga expects something for nothing just because he shows up. 964 00:45:23,960 --> 00:45:27,279 Speaker 1: He expects to get the same sing you might be 965 00:45:27,440 --> 00:45:29,800 Speaker 1: doing way more than he do. The niggs expect that 966 00:45:29,880 --> 00:45:33,480 Speaker 1: he's supposed to get the same ship that you get, right, man, 967 00:45:34,560 --> 00:45:40,440 Speaker 1: what the nigga Niggas love bullshit? Niggas love bullshit. Niggas 968 00:45:40,520 --> 00:45:42,560 Speaker 1: niggas and flies. You ever heard that express and you're, oh, 969 00:45:42,680 --> 00:45:46,279 Speaker 1: he'll take some niggas a fly. That's what I'm saying. 970 00:45:46,640 --> 00:45:49,440 Speaker 1: The niggas love bullshit. So when you give niggas what 971 00:45:49,520 --> 00:45:51,400 Speaker 1: they want the way they want to. First of all, 972 00:45:51,480 --> 00:45:54,439 Speaker 1: niggas want to be treated bad. I've seen these white 973 00:45:54,520 --> 00:45:56,960 Speaker 1: folks do niggas bad and never say nothing, but a 974 00:45:57,040 --> 00:45:59,520 Speaker 1: niggall treat them fair, a black man and treat them fair. 975 00:46:00,719 --> 00:46:02,680 Speaker 1: They think that niggas soft because he treating them right, 976 00:46:02,680 --> 00:46:04,960 Speaker 1: so they will try to take advantage to him. I'm 977 00:46:04,960 --> 00:46:07,560 Speaker 1: gonna tell you, man, I used to conduct social experience 978 00:46:07,680 --> 00:46:12,680 Speaker 1: experiments sometimes man hit us. When I was m I 979 00:46:12,840 --> 00:46:15,000 Speaker 1: was playing with a bag at one time, right, I 980 00:46:15,080 --> 00:46:16,799 Speaker 1: had you know, I had a nice little money change. 981 00:46:16,840 --> 00:46:19,359 Speaker 1: Though I was making some good money, I had kind 982 00:46:19,400 --> 00:46:21,360 Speaker 1: of like my own distribution to set up Doug. I 983 00:46:21,520 --> 00:46:24,000 Speaker 1: was distributing a lot of different Cats albums overseas to 984 00:46:24,120 --> 00:46:27,840 Speaker 1: Japan and Houston, so I built up in nice little catalogs. 985 00:46:27,880 --> 00:46:31,719 Speaker 1: I was playing with a check. I remember running into 986 00:46:31,800 --> 00:46:33,719 Speaker 1: these casts. Man, I ain't gonna say their names, but 987 00:46:35,320 --> 00:46:37,200 Speaker 1: I went over there. I paid for studio time. That's 988 00:46:37,200 --> 00:46:39,160 Speaker 1: how I am. If I ever come to Houston, I 989 00:46:39,200 --> 00:46:42,080 Speaker 1: ain't gonna never be the tight Donny man. Man, he's 990 00:46:42,080 --> 00:46:44,040 Speaker 1: gone the time. Man, I got this interview man with 991 00:46:44,080 --> 00:46:48,000 Speaker 1: Willie D. Can I use your studio? I'm going to 992 00:46:48,160 --> 00:46:50,320 Speaker 1: rinse your studio from you dogs like I would go 993 00:46:50,480 --> 00:46:53,000 Speaker 1: any other any other business man. Because guess what you 994 00:46:53,239 --> 00:46:55,480 Speaker 1: you going to that studio for free? Do you? Yeah? 995 00:46:56,719 --> 00:46:58,960 Speaker 1: You know it? You gotta you gotta, you gotta pay 996 00:46:59,040 --> 00:47:01,759 Speaker 1: rent any month, right, what's different? You got bills in 997 00:47:01,840 --> 00:47:03,919 Speaker 1: that month for you got a LITERC bill, lectric bill? Play? 998 00:47:04,000 --> 00:47:06,400 Speaker 1: How's your rat pussy too? Because you running equipment? Right, 999 00:47:07,719 --> 00:47:10,000 Speaker 1: I am going to pay you. I'm going to ask you. 1000 00:47:10,080 --> 00:47:11,640 Speaker 1: I'm not gonna tell you what I want to give you. 1001 00:47:11,719 --> 00:47:14,560 Speaker 1: I'm gonna ask you, Hey, donna, I want to wrench 1002 00:47:14,600 --> 00:47:16,600 Speaker 1: your studio from your dogs for about two hour or 1003 00:47:16,640 --> 00:47:19,200 Speaker 1: how much is gonna cost me if you come back 1004 00:47:19,200 --> 00:47:21,120 Speaker 1: and tell me five hundred dollars, I'm not gonna be 1005 00:47:21,280 --> 00:47:23,799 Speaker 1: like damn man inside and say, man on to one, 1006 00:47:24,239 --> 00:47:27,200 Speaker 1: that's what you charged for your shit. Dog. I am 1007 00:47:27,239 --> 00:47:29,560 Speaker 1: a black man. If I can't if thank it, I'm 1008 00:47:29,560 --> 00:47:31,560 Speaker 1: gonna say, okay, man, thank you, I appreciate it. Or 1009 00:47:31,560 --> 00:47:33,719 Speaker 1: if I'm paid, I'm gonna keep your money. I'm gonna 1010 00:47:33,760 --> 00:47:35,440 Speaker 1: follow your rules there and do it. Then get on 1011 00:47:35,560 --> 00:47:38,640 Speaker 1: and say thank you, I appreciate it, bro, and going 1012 00:47:38,719 --> 00:47:43,080 Speaker 1: about my business. Right, nigga has ideality just because he 1013 00:47:43,239 --> 00:47:46,719 Speaker 1: knows you, oh man, he's supposed that nigga try to 1014 00:47:46,840 --> 00:47:49,680 Speaker 1: charge me for that shit. So I remember with these 1015 00:47:49,719 --> 00:47:53,799 Speaker 1: particular cash dog, they started kind of trying to take 1016 00:47:53,840 --> 00:47:56,239 Speaker 1: advantage of a nigga, right, and they wasn't asking for 1017 00:47:56,360 --> 00:47:59,000 Speaker 1: the real money. It was like thirty forty dollars here, 1018 00:47:59,160 --> 00:48:01,560 Speaker 1: you know, thirty here. They was just trying to get 1019 00:48:01,640 --> 00:48:04,000 Speaker 1: some money man, and I'm gonna tell you what it does, man. 1020 00:48:05,440 --> 00:48:12,040 Speaker 1: Nigga threadog fucks up opportunity, Yeah, because niggas are opportunists, 1021 00:48:13,120 --> 00:48:15,560 Speaker 1: but not an opportunitist in the right way. Right. If 1022 00:48:15,600 --> 00:48:19,600 Speaker 1: a nigga can take advantage of somebody, dog, they about 1023 00:48:19,600 --> 00:48:21,719 Speaker 1: that shit, Nigga, don't think twice about that shit. They 1024 00:48:21,800 --> 00:48:23,120 Speaker 1: nin't gonna think twice about it. 1025 00:48:23,239 --> 00:48:23,319 Speaker 4: Bro. 1026 00:48:23,800 --> 00:48:25,719 Speaker 1: They just go fuck you over if they can. And 1027 00:48:25,880 --> 00:48:28,160 Speaker 1: I've seen dudes just play themselves with me. So I'll 1028 00:48:28,520 --> 00:48:30,879 Speaker 1: listen to a nigga and I'll be in my mind 1029 00:48:31,000 --> 00:48:34,080 Speaker 1: like this, man, think I'm booboo the fool the whole time. 1030 00:48:34,120 --> 00:48:36,239 Speaker 1: I'm just checking them out because I may have some 1031 00:48:36,440 --> 00:48:39,040 Speaker 1: bigger in mind for them, but I'm giving them an 1032 00:48:39,040 --> 00:48:40,960 Speaker 1: honest tests right now. You feel what I'm saying to 1033 00:48:40,960 --> 00:48:43,760 Speaker 1: see how they go. Let's see how they have this situation. 1034 00:48:45,600 --> 00:48:48,319 Speaker 1: I'm gonna see you know. But niggas, man, it's hard 1035 00:48:48,360 --> 00:48:51,200 Speaker 1: to work with niggas. It's easy to work with black people. Yeah, 1036 00:48:52,120 --> 00:48:54,200 Speaker 1: it's easy to work with black people. One thing that 1037 00:48:54,680 --> 00:48:56,640 Speaker 1: showed me, man, is that how you start off it 1038 00:48:56,680 --> 00:48:59,040 Speaker 1: is how you finished. So I ham them shit a 1039 00:48:59,080 --> 00:49:01,200 Speaker 1: whole different way now. But and I'm gonna tell you 1040 00:49:01,360 --> 00:49:03,279 Speaker 1: it kind of made me, man, it kind of made 1041 00:49:03,320 --> 00:49:07,040 Speaker 1: me an animal to a certain extent because I do 1042 00:49:07,200 --> 00:49:09,399 Speaker 1: not give two fucks. Man, I'm gonna do this ship 1043 00:49:09,480 --> 00:49:11,839 Speaker 1: the way I it's gonna be the way I need 1044 00:49:11,920 --> 00:49:13,560 Speaker 1: to be. It's the way I want it to be. 1045 00:49:14,239 --> 00:49:15,759 Speaker 1: If you're not doing what you're supposed to do, I'm 1046 00:49:15,760 --> 00:49:19,239 Speaker 1: gonna tell you, hey, man, you're fucking up. You're fucking up, 1047 00:49:19,280 --> 00:49:20,879 Speaker 1: and I'm not gonna argue with you. I don't argue 1048 00:49:20,920 --> 00:49:25,680 Speaker 1: with niggas. Donald Yeah, like, hey man, this is what 1049 00:49:25,800 --> 00:49:27,480 Speaker 1: it is, This what I need. If it ain't that 1050 00:49:27,640 --> 00:49:30,919 Speaker 1: all right, cool, I ain't finishing. I ain't going yeah 1051 00:49:30,960 --> 00:49:32,960 Speaker 1: because me and then then I'm not gonna talk bad 1052 00:49:33,000 --> 00:49:37,440 Speaker 1: about nobody. Yeah, I'm gonna tell you, I don't believe 1053 00:49:37,520 --> 00:49:39,640 Speaker 1: in that. Man. If something don't work out, we just 1054 00:49:39,719 --> 00:49:42,239 Speaker 1: don't work out. But that don't mean we can't do 1055 00:49:42,400 --> 00:49:45,520 Speaker 1: business down the line somehow. But when you get finished 1056 00:49:45,560 --> 00:49:49,680 Speaker 1: cussin cats out of getting personal, dog, this ship ain't personal, bro, Yeah, 1057 00:49:50,320 --> 00:49:52,759 Speaker 1: it ain't nothing personal about this ship, thog. What we're doing, 1058 00:49:52,840 --> 00:49:56,520 Speaker 1: we just interviewing motherfucker talking and it ain't that serious though. 1059 00:49:56,560 --> 00:49:59,560 Speaker 1: But it's not my whole life. I don't live on this, motherfucker. 1060 00:49:59,560 --> 00:50:02,400 Speaker 1: I got up the shit that I do, just like 1061 00:50:02,480 --> 00:50:04,759 Speaker 1: how you got other things that you do. And that 1062 00:50:04,960 --> 00:50:08,959 Speaker 1: was one of the things with them, catch the whole 1063 00:50:10,160 --> 00:50:12,520 Speaker 1: first of all. The whole time we was doing against 1064 00:50:12,520 --> 00:50:14,799 Speaker 1: the prime because I was still working as an executive. Dog. 1065 00:50:14,840 --> 00:50:17,000 Speaker 1: I was working as an executive for a company right 1066 00:50:18,320 --> 00:50:20,359 Speaker 1: making a buck fifty a year. Dog, I have other 1067 00:50:20,480 --> 00:50:22,320 Speaker 1: stuff that I do outside of this. This is not 1068 00:50:22,560 --> 00:50:25,680 Speaker 1: my only source of income. So people to see you 1069 00:50:26,280 --> 00:50:29,960 Speaker 1: doing things and they just assume that he's stealing the 1070 00:50:30,040 --> 00:50:32,000 Speaker 1: money from me. If you go buy a new pair 1071 00:50:32,040 --> 00:50:34,359 Speaker 1: of shoes, oh man, he probably I'll come. I don't 1072 00:50:34,400 --> 00:50:36,719 Speaker 1: have a new pair. Man Manage your money, I can't. 1073 00:50:36,719 --> 00:50:38,360 Speaker 1: I don't take no other manage your money. Bring you 1074 00:50:38,440 --> 00:50:40,880 Speaker 1: go do what you want to. And I feel like this, 1075 00:50:41,000 --> 00:50:42,600 Speaker 1: you're only doing this shit for in our week. You 1076 00:50:42,680 --> 00:50:45,720 Speaker 1: better have some other shit you're doing. RAS love fucking 1077 00:50:45,760 --> 00:50:47,920 Speaker 1: on eight, dog, I love fucking with MCX. You know 1078 00:50:48,040 --> 00:50:51,160 Speaker 1: why as his own money, he got other shit that 1079 00:50:51,200 --> 00:50:53,440 Speaker 1: he do. Dog, this is not his only source income, 1080 00:50:53,920 --> 00:50:56,920 Speaker 1: So he's not He's not behind me like this, and 1081 00:50:56,960 --> 00:50:59,440 Speaker 1: I'm not behind him like that. It is the perfect marriage, Dog, 1082 00:51:00,000 --> 00:51:02,840 Speaker 1: it's a perfect relationship. I don't even fun with the 1083 00:51:03,040 --> 00:51:05,239 Speaker 1: every day dog. Eight is my nigga. We cool and 1084 00:51:05,320 --> 00:51:07,120 Speaker 1: shit like that, but we don't talk all the time. 1085 00:51:07,400 --> 00:51:09,320 Speaker 1: When you got to show with somebody, you can't be 1086 00:51:09,400 --> 00:51:11,359 Speaker 1: sitting up the falling all them. He might be giving 1087 00:51:11,360 --> 00:51:14,759 Speaker 1: away to the episode. You know, we get on the 1088 00:51:14,840 --> 00:51:17,239 Speaker 1: show dollar we you know, we talk here and there, 1089 00:51:17,520 --> 00:51:19,439 Speaker 1: but when we do cover, it's never about this ship. 1090 00:51:19,520 --> 00:51:21,360 Speaker 1: Me and eight. We talking about football and all that 1091 00:51:21,480 --> 00:51:23,680 Speaker 1: ship though we don't talk about Man, you see that 1092 00:51:23,760 --> 00:51:26,839 Speaker 1: nigga online. This nigga's Nixon and all that. That shit 1093 00:51:26,920 --> 00:51:29,160 Speaker 1: has not made this way down to Houston. Thank god 1094 00:51:29,920 --> 00:51:34,759 Speaker 1: that they're mess Yeah, shit hasn't no, ain't no not 1095 00:51:34,840 --> 00:51:37,600 Speaker 1: everything ain't telling me now Now, I don't think that 1096 00:51:37,680 --> 00:51:40,120 Speaker 1: ship with flying touches though, Dog, I don't see this 1097 00:51:40,200 --> 00:51:43,879 Speaker 1: ship is going on, wouldn't fly in Cleveland either. Yeah, 1098 00:51:44,480 --> 00:51:47,920 Speaker 1: because you know why, Houston. Houston is a huge shitty 1099 00:51:48,640 --> 00:51:51,920 Speaker 1: but Houston still has that small town ful field to 1100 00:51:51,960 --> 00:51:55,480 Speaker 1: wear its smile. Yeah, you're gonna run to somebody, you 1101 00:51:55,560 --> 00:51:57,759 Speaker 1: feel what I'm saying. That l a dog is so 1102 00:51:58,000 --> 00:52:00,439 Speaker 1: mother fulling spread out. You might not ever see your nigga. 1103 00:52:00,440 --> 00:52:02,960 Speaker 1: I could talk. That's why I killed me. When niggas 1104 00:52:02,960 --> 00:52:04,960 Speaker 1: say they put a chick in. Man, you could fly 1105 00:52:05,239 --> 00:52:07,719 Speaker 1: here and be talking shit to a motherfucker right up 1106 00:52:07,760 --> 00:52:10,000 Speaker 1: in the living room, right right right from a hotel 1107 00:52:10,920 --> 00:52:13,960 Speaker 1: downtown La somewhere. The motherfucker would never know where you're at. Dog. 1108 00:52:15,960 --> 00:52:18,360 Speaker 1: Motherfucker's that like there the mafia or something, or he 1109 00:52:18,440 --> 00:52:20,160 Speaker 1: put a chick in with me. But I see the 1110 00:52:20,200 --> 00:52:22,000 Speaker 1: niggas saying that shit. I'll be telling om Man, come on, 1111 00:52:22,080 --> 00:52:25,440 Speaker 1: all that nigga even know you're her dog. Yeah, I 1112 00:52:25,560 --> 00:52:28,080 Speaker 1: you gonna know unless you go around the specific town 1113 00:52:28,120 --> 00:52:30,239 Speaker 1: the way you know he hanging out at, Man, because 1114 00:52:30,239 --> 00:52:32,880 Speaker 1: I'm gonna take you. These niggas is like these niggas 1115 00:52:33,040 --> 00:52:35,920 Speaker 1: like volches all your dog, they kind of, but they 1116 00:52:36,600 --> 00:52:39,280 Speaker 1: they certain area, most of them niggas. Now, the niggas 1117 00:52:39,280 --> 00:52:43,480 Speaker 1: that don't be talking shit, then motherfucker's travel. Then the 1118 00:52:43,560 --> 00:52:45,800 Speaker 1: motherfuckers you worry about, don't worry about the motherfucker that 1119 00:52:45,840 --> 00:52:48,759 Speaker 1: ain't saying don't worry about the motherfucker. This making all 1120 00:52:48,840 --> 00:52:53,239 Speaker 1: them both online talk about chests are puffed out, all 1121 00:52:53,280 --> 00:52:55,600 Speaker 1: that shit. Don't worry about him cause ain't an bust break. 1122 00:52:55,719 --> 00:52:58,799 Speaker 1: Worry about the dude who ain't saying nothing. Yeah, yeah, 1123 00:52:59,280 --> 00:53:02,480 Speaker 1: you know what I'm saying. So what's next on the 1124 00:53:02,600 --> 00:53:06,279 Speaker 1: What's next on the gender man for Donny Houston? Man, Well, 1125 00:53:06,280 --> 00:53:10,520 Speaker 1: you know we're going to New York. Man, So trying 1126 00:53:10,520 --> 00:53:17,239 Speaker 1: to get back to driving some music? Is that? Yeah? 1127 00:53:17,520 --> 00:53:19,200 Speaker 1: So you so you got some more music you want 1128 00:53:19,200 --> 00:53:19,560 Speaker 1: to put out? 1129 00:53:20,080 --> 00:53:22,480 Speaker 2: Yeh Man probably started getting back to driving music, man 1130 00:53:23,080 --> 00:53:24,920 Speaker 2: was I really kind of just stepped away from all 1131 00:53:25,040 --> 00:53:27,360 Speaker 2: that even with DJ and I got back to DJing 1132 00:53:27,440 --> 00:53:29,680 Speaker 2: towards the letter I did. 1133 00:53:30,640 --> 00:53:31,359 Speaker 1: I needed too. 1134 00:53:31,480 --> 00:53:31,640 Speaker 2: Dog. 1135 00:53:31,760 --> 00:53:34,400 Speaker 1: I got a girl, Man that got me really excited. 1136 00:53:34,760 --> 00:53:38,080 Speaker 1: Dog that I'm fucking with now man And actually I'm 1137 00:53:38,120 --> 00:53:40,359 Speaker 1: working on some ship that's real big for her. Dog. 1138 00:53:40,719 --> 00:53:43,160 Speaker 1: We just cut some records, Dog and she dope as hell. 1139 00:53:43,280 --> 00:53:47,080 Speaker 1: Dog Like I'm gonna tell you now, Dog a little 1140 00:53:47,160 --> 00:53:51,080 Speaker 1: really and all of them proud this girl be come 1141 00:53:51,160 --> 00:53:53,520 Speaker 1: with what I'm doing with my mom what big court. 1142 00:53:53,840 --> 00:53:56,040 Speaker 1: I mean, I'm kind of collaborating man on them, kind 1143 00:53:56,080 --> 00:53:58,200 Speaker 1: of like the management tip whatever. Play with a couple 1144 00:53:58,239 --> 00:54:00,279 Speaker 1: of these joints real quick, because you a d So 1145 00:54:00,320 --> 00:54:04,800 Speaker 1: I'm gonna see what you're thinking about all right, so 1146 00:54:04,840 --> 00:54:06,640 Speaker 1: I ever see what you're thinking about it, so I 1147 00:54:06,680 --> 00:54:08,680 Speaker 1: can get your You're gonna give me your honest opinion. 1148 00:54:08,760 --> 00:54:17,600 Speaker 1: I know, please some of this, man, hold on, see 1149 00:54:17,600 --> 00:54:22,839 Speaker 1: what you think about this? Uh, see what you think 1150 00:54:22,880 --> 00:54:25,120 Speaker 1: about this? Donny. I know you're gonna keep the rear. 1151 00:54:25,600 --> 00:54:27,640 Speaker 1: And I let the people out there hearing me, y'all 1152 00:54:27,680 --> 00:54:29,520 Speaker 1: telling me what y'all think about this? All right? If 1153 00:54:29,520 --> 00:54:31,359 Speaker 1: I can ever find them, if I can never find 1154 00:54:31,400 --> 00:54:52,160 Speaker 1: a thing, let me see, then I'm telling me how 1155 00:54:52,320 --> 00:55:00,440 Speaker 1: raised this ship? Hold on? Hold on, bro, maybe I 1156 00:55:00,520 --> 00:55:02,279 Speaker 1: can't fold on. Let me see. I know I got 1157 00:55:02,320 --> 00:55:05,719 Speaker 1: the motherfucking here somewhere. Y'all bear with me, because that's 1158 00:55:05,800 --> 00:55:13,279 Speaker 1: just damn I can't find it, man, I email it 1159 00:55:13,320 --> 00:55:16,840 Speaker 1: to you. Go on. See know what I'm gonna do. 1160 00:55:17,360 --> 00:55:28,719 Speaker 1: Hold my boys name, Okay, hear me. 1161 00:55:34,360 --> 00:55:46,200 Speaker 4: This gotta leak hears every morning when they go to school, 1162 00:55:46,520 --> 00:55:48,960 Speaker 4: knowing that they hurt, seeing that cast. 1163 00:55:49,960 --> 00:55:50,799 Speaker 5: We're gonna get through. 1164 00:55:50,840 --> 00:55:51,920 Speaker 1: What by you here? 1165 00:55:53,640 --> 00:55:56,360 Speaker 5: When your kids to get to say, hey, you got 1166 00:55:56,560 --> 00:55:57,360 Speaker 5: something like me? 1167 00:55:57,520 --> 00:55:59,399 Speaker 4: See the day down? 1168 00:55:59,480 --> 00:56:01,200 Speaker 3: So didn't you tell me this? 1169 00:56:01,440 --> 00:56:04,799 Speaker 4: But the baby that's blocked three through your geeks were 1170 00:56:04,800 --> 00:56:07,680 Speaker 4: getting knocked to say, and you got my money, k 1171 00:56:07,880 --> 00:56:08,279 Speaker 4: c ak. 1172 00:56:12,800 --> 00:56:17,920 Speaker 1: Look we the fu fighting. He well, we were. 1173 00:56:19,880 --> 00:56:23,040 Speaker 5: To follow like nigga, then I can followed back and. 1174 00:56:23,080 --> 00:56:27,600 Speaker 3: Taking that even the hated he hurt me with the 1175 00:56:27,640 --> 00:56:30,399 Speaker 3: ship that she could have the bitches and the mick 1176 00:56:30,520 --> 00:56:33,359 Speaker 3: and your niggas feel the first and the dress made 1177 00:56:33,400 --> 00:56:38,200 Speaker 3: him leap. Why not come but you bet not happen. 1178 00:56:38,320 --> 00:56:41,040 Speaker 4: Run out moms. 1179 00:56:42,280 --> 00:56:44,080 Speaker 1: She only listened because she want to wait. 1180 00:56:45,280 --> 00:56:48,120 Speaker 4: Weeking up saying and you got. 1181 00:56:48,520 --> 00:56:51,399 Speaker 1: Real man, she's some mills man. When she talks us rare, 1182 00:56:51,480 --> 00:56:54,120 Speaker 1: she know that she got some. But see then I'm 1183 00:56:54,120 --> 00:56:55,960 Speaker 1: gonna show you. We go from that that this right 1184 00:56:56,040 --> 00:57:04,200 Speaker 1: here right yeah wow buddy, the me dcur hold go 1185 00:57:04,480 --> 00:57:06,920 Speaker 1: for I'm recruding for the. 1186 00:57:08,880 --> 00:57:11,400 Speaker 5: Which is then the air brich nicked start quick like 1187 00:57:11,600 --> 00:57:15,080 Speaker 5: we set Nicko stom fick ship, big big fires, pat 1188 00:57:15,200 --> 00:57:33,760 Speaker 5: meat shaped back juding with the nigga skin hu air 1189 00:57:33,880 --> 00:57:37,600 Speaker 5: that be cause mer what eating a hut little jim 1190 00:57:38,440 --> 00:57:39,080 Speaker 5: mixed on the. 1191 00:57:39,160 --> 00:57:42,720 Speaker 3: Neck mirror, narrow sauce beach after house breaking, cruise to 1192 00:57:42,840 --> 00:57:44,600 Speaker 3: a house, preach I'm a boss. 1193 00:57:45,320 --> 00:57:49,360 Speaker 5: Cut thick booms, honey night for I'm pretty I know 1194 00:57:49,440 --> 00:57:53,160 Speaker 5: this group and the nigger got open nigga that niked. 1195 00:57:53,200 --> 00:57:57,440 Speaker 5: Second he got bad paper work, pepper to which it 1196 00:57:57,520 --> 00:57:58,840 Speaker 5: not what you y? 1197 00:57:59,440 --> 00:58:00,160 Speaker 1: I wonder what. 1198 00:58:02,320 --> 00:58:02,880 Speaker 4: Appreciated? 1199 00:58:04,440 --> 00:58:06,720 Speaker 1: Man, she gonna be one of the ones down and 1200 00:58:06,760 --> 00:58:12,000 Speaker 1: I'm telling you, dog, oh yeah, she is gonna be 1201 00:58:12,080 --> 00:58:13,760 Speaker 1: one of the ones. Bro. What you think about her? 1202 00:58:14,160 --> 00:58:17,439 Speaker 1: She from She from out there? Man, she's from Kansas City, 1203 00:58:18,160 --> 00:58:21,000 Speaker 1: No shit, how you link over there? Man, I've been 1204 00:58:21,120 --> 00:58:24,360 Speaker 1: knowing about her for a minute, right, And I just 1205 00:58:24,520 --> 00:58:26,360 Speaker 1: happened to ask the hommi one did the hommy big 1206 00:58:26,440 --> 00:58:27,880 Speaker 1: quarter because he from Kansas City? 1207 00:58:28,040 --> 00:58:28,160 Speaker 2: Right? 1208 00:58:30,160 --> 00:58:33,240 Speaker 1: Yeah? Yeah? So me and him talking right, and I'm like, man, 1209 00:58:33,280 --> 00:58:36,320 Speaker 1: whatever happened this Sunday? Like she's still around? What we want? 1210 00:58:36,560 --> 00:58:38,200 Speaker 1: So me and him get to talking. I'm like, dog, 1211 00:58:38,320 --> 00:58:40,160 Speaker 1: she hard as a motherfucker dog. We need to be 1212 00:58:40,280 --> 00:58:42,600 Speaker 1: doing something for her. So there go, man. You know 1213 00:58:43,240 --> 00:58:45,320 Speaker 1: we don't put her down there. Man, she went down there. 1214 00:58:45,400 --> 00:58:45,520 Speaker 2: Man. 1215 00:58:45,680 --> 00:58:48,320 Speaker 1: Corter flogged with the homie Black and Mob. Man, he 1216 00:58:48,480 --> 00:58:50,520 Speaker 1: knocked out. He produced some tracks girl, you know Black 1217 00:58:50,560 --> 00:58:54,440 Speaker 1: and Mob. Yeah he did those right there. Man. We 1218 00:58:54,560 --> 00:58:56,440 Speaker 1: about to put her in the studio with EP. Just 1219 00:58:56,480 --> 00:58:59,120 Speaker 1: getting her ship together, you know, what I'm saying getting 1220 00:58:59,120 --> 00:59:01,160 Speaker 1: her ship together, man. And we're talking to a few 1221 00:59:01,240 --> 00:59:04,600 Speaker 1: cash right now about some situations, but them situations don't occur. 1222 00:59:05,440 --> 00:59:07,720 Speaker 1: You know. I feel like we can do that ourselves, 1223 00:59:07,760 --> 00:59:12,920 Speaker 1: you know. Yeah, and I didn't. Yeah, the women is 1224 00:59:12,960 --> 00:59:17,520 Speaker 1: real winning right now on the cool so said no man, Yeah, 1225 00:59:17,800 --> 00:59:20,320 Speaker 1: you know, hopefully we get one of them done. You 1226 00:59:20,480 --> 00:59:22,760 Speaker 1: some tracks. Man, you know what I'm saying. That's a 1227 00:59:22,840 --> 00:59:25,360 Speaker 1: bad that's bad. We can do that because you know, 1228 00:59:25,480 --> 00:59:28,000 Speaker 1: her being from KC. Dog is so much shit, man, 1229 00:59:28,040 --> 00:59:31,600 Speaker 1: I do. And then not only is she is, not 1230 00:59:31,760 --> 00:59:34,920 Speaker 1: only is she she's a good looking ship, right, but 1231 00:59:35,080 --> 00:59:39,000 Speaker 1: she got deck to her ship too. Yeah, she ain't know. 1232 00:59:39,160 --> 00:59:40,640 Speaker 1: They just don't know. You feel what I'm saying. She 1233 00:59:40,680 --> 00:59:44,560 Speaker 1: could rap, yeah, yeah, and she talked that street ship, 1234 00:59:44,600 --> 00:59:45,920 Speaker 1: you know what I mean, Like like she can go 1235 00:59:46,040 --> 00:59:53,720 Speaker 1: do a song with scarface. She could do a soft 1236 00:59:53,800 --> 00:59:59,440 Speaker 1: scarface you know. Yeah, she are the motherfucker dog. She dope. 1237 00:59:59,520 --> 00:59:59,680 Speaker 4: Man. 1238 01:00:00,240 --> 01:00:02,000 Speaker 1: But man, I ain't gonna hold you up no more 1239 01:00:02,040 --> 01:00:04,160 Speaker 1: because I know you moving and shaking down that mother 1240 01:00:04,240 --> 01:00:08,320 Speaker 1: flucker dog. Yeah, we can regulates this weekend man, So 1241 01:00:08,480 --> 01:00:12,280 Speaker 1: ship Hell yeah, man, y'all made sure Donnie what they 1242 01:00:12,600 --> 01:00:16,000 Speaker 1: the new premieres of your podcast premiere you say, one 1243 01:00:16,080 --> 01:00:19,680 Speaker 1: day premiere? Yeah, what day of the week, ah, Man, 1244 01:00:19,880 --> 01:00:24,120 Speaker 1: usually Monday's. Man, Man, y'all make sure man, y'all for 1245 01:00:24,280 --> 01:00:27,000 Speaker 1: only for real, only for reala for REALA. Go check 1246 01:00:27,080 --> 01:00:28,560 Speaker 1: my man's podcast out. 1247 01:00:28,680 --> 01:00:28,800 Speaker 2: Man. 1248 01:00:28,880 --> 01:00:30,520 Speaker 1: It's really really dope. Man. 1249 01:00:30,880 --> 01:00:35,000 Speaker 2: What's the damn your YouTube channel? Donny Easton TVU, Donning 1250 01:00:35,040 --> 01:00:36,800 Speaker 2: Houston TV, going down Houston TV. 1251 01:00:36,920 --> 01:00:39,280 Speaker 1: Subscribe to that ship. Actually, I'm gonna put a link 1252 01:00:39,320 --> 01:00:40,720 Speaker 1: to the audio we got. We get a lot of 1253 01:00:40,760 --> 01:00:43,400 Speaker 1: audio listeners too, Bro. I'm gonna put the link to 1254 01:00:43,440 --> 01:00:45,880 Speaker 1: your podcast audio and to the video on there. 1255 01:00:45,960 --> 01:00:46,080 Speaker 4: Man. 1256 01:00:46,160 --> 01:00:48,640 Speaker 1: So looking the description, man, and y'all go check out 1257 01:00:48,680 --> 01:00:50,560 Speaker 1: the homie Donnie Houston and we out here.