1 00:00:08,720 --> 00:00:14,400 Speaker 1: And I invited you here. I thought I made myself 2 00:00:14,600 --> 00:00:21,239 Speaker 1: perfectly clear. When you're a guest in my home, you 3 00:00:21,400 --> 00:00:27,200 Speaker 1: gotta come to me empty. And I said, no guests, 4 00:00:27,520 --> 00:00:35,080 Speaker 1: your presences presents, and I already had too much stuff. 5 00:00:35,120 --> 00:00:38,240 Speaker 2: So how do you dare to surbey me? 6 00:00:47,640 --> 00:00:52,040 Speaker 3: Welcome to? I said, no gifts. I'm Bridgard Wineger and 7 00:00:52,159 --> 00:00:55,280 Speaker 3: we're in the backyard. Isn't that a thrill? It's simply 8 00:00:55,680 --> 00:00:59,200 Speaker 3: one hundred degrees. We're in kind of a heat wave, 9 00:01:00,320 --> 00:01:03,360 Speaker 3: so you know this, I've already begun to sweat. This 10 00:01:03,400 --> 00:01:05,440 Speaker 3: isn't the first time I've sweat on this podcast, but 11 00:01:05,480 --> 00:01:08,160 Speaker 3: it's the first time I'm revealing it to you. You 12 00:01:08,160 --> 00:01:11,080 Speaker 3: may hear the birds, which is always exciting. I feel 13 00:01:11,160 --> 00:01:13,840 Speaker 3: like the birds are singing. If you can't hear them, 14 00:01:13,880 --> 00:01:18,040 Speaker 3: maybe turn up the audio on your car stereo, your headphones, 15 00:01:18,120 --> 00:01:20,200 Speaker 3: do whatever you need to do. We've got to get 16 00:01:20,200 --> 00:01:22,279 Speaker 3: into the podcast. We've got to have a nice time. 17 00:01:22,880 --> 00:01:24,600 Speaker 3: I love today's guest. I think you're going to have 18 00:01:24,600 --> 00:01:28,080 Speaker 3: a terrific time listening to the two of us chat. 19 00:01:28,440 --> 00:01:32,080 Speaker 3: It's Cako againa CaCO Hi pressure. Welcome to. I said, 20 00:01:32,120 --> 00:01:32,840 Speaker 3: no gifts. 21 00:01:33,200 --> 00:01:39,760 Speaker 2: I feel very welcome your intro. Relaxed me. I'm listening 22 00:01:39,840 --> 00:01:42,440 Speaker 2: to the Oh that might be maybe I'm just melting 23 00:01:42,840 --> 00:01:44,920 Speaker 2: and I'm confusing it with relaxation. 24 00:01:46,560 --> 00:01:49,680 Speaker 3: There's a very fine line between the two. Yes, just 25 00:01:49,920 --> 00:01:54,320 Speaker 3: slow heat exhaustion. I guess that's the sauna what we're 26 00:01:54,360 --> 00:01:57,480 Speaker 3: talking about this, Yes, saha, we could Let's just imagine 27 00:01:57,600 --> 00:01:58,800 Speaker 3: this is a sauna scenario. 28 00:01:58,960 --> 00:02:04,320 Speaker 2: Oh how and we'll be best of friends by the end, 29 00:02:04,840 --> 00:02:06,360 Speaker 2: which is what happens in Asuana, which he. 30 00:02:06,640 --> 00:02:10,120 Speaker 3: Becomes dear friends in Asaana. That's I think it's just 31 00:02:10,800 --> 00:02:11,600 Speaker 3: an old rule. 32 00:02:12,680 --> 00:02:12,880 Speaker 2: Yeah. 33 00:02:12,880 --> 00:02:15,920 Speaker 3: When we planned this podcast, I thought, I hope it 34 00:02:15,919 --> 00:02:17,920 Speaker 3: doesn't rain, which was a strange thing to think. In 35 00:02:17,960 --> 00:02:21,000 Speaker 3: Los Angeles. The thought I should have had is I 36 00:02:21,000 --> 00:02:23,920 Speaker 3: hope that it's not one hundred and one degrees. But 37 00:02:23,960 --> 00:02:24,360 Speaker 3: here we are. 38 00:02:24,919 --> 00:02:26,079 Speaker 2: This was unexpected. 39 00:02:26,480 --> 00:02:27,560 Speaker 3: How are you doing with the heat? 40 00:02:28,240 --> 00:02:30,960 Speaker 2: You know? I think I fare better than most because 41 00:02:31,000 --> 00:02:34,400 Speaker 2: I grew up in Hawaii, right, So I don't mind 42 00:02:34,480 --> 00:02:38,760 Speaker 2: it as especially when people talk about humidity. I kind 43 00:02:38,760 --> 00:02:39,480 Speaker 2: of love it. 44 00:02:40,800 --> 00:02:43,280 Speaker 3: I grew up in a little bit of a sauna, right, 45 00:02:43,360 --> 00:02:45,760 Speaker 3: So do you prefer a humid heat or a dry heat? 46 00:02:46,240 --> 00:02:48,920 Speaker 2: What? I don't even know if I've experienced what is 47 00:02:48,960 --> 00:02:50,000 Speaker 2: a dry heat? 48 00:02:50,160 --> 00:02:52,919 Speaker 3: I think this is a dry, dry heat. I could 49 00:02:53,000 --> 00:02:54,480 Speaker 3: be wrong. It's kind of a deserty. 50 00:02:55,440 --> 00:02:55,600 Speaker 1: Oh. 51 00:02:55,639 --> 00:02:57,640 Speaker 2: Oh, it's true, true, true, where it feels like it 52 00:02:57,760 --> 00:03:00,480 Speaker 2: just sucks every all the moisture out of you. That makestry. 53 00:03:01,800 --> 00:03:06,600 Speaker 2: I think I like both. I think I like refuse 54 00:03:06,639 --> 00:03:09,600 Speaker 2: to pick a side. I don't. Yeah that you'll find 55 00:03:09,600 --> 00:03:11,720 Speaker 2: that might be true, and that might be the beginning 56 00:03:11,760 --> 00:03:12,320 Speaker 2: of a pattern. 57 00:03:13,520 --> 00:03:15,680 Speaker 3: I'm familiar with that sort of pattern in my own life. 58 00:03:17,120 --> 00:03:20,240 Speaker 3: But I yeah. For me, I think because I grew 59 00:03:20,320 --> 00:03:23,120 Speaker 3: up in a desert state, Utah, and I'm in California, 60 00:03:23,200 --> 00:03:26,960 Speaker 3: desert state, I'm used to a dry heat, whereas you 61 00:03:26,960 --> 00:03:30,360 Speaker 3: know a Hawaii heat is it's a little bit more 62 00:03:30,440 --> 00:03:35,040 Speaker 3: of a thing to work through, you know, the wetness. 63 00:03:35,840 --> 00:03:37,080 Speaker 3: Do you thrive in a Florida? 64 00:03:38,000 --> 00:03:39,160 Speaker 2: Does anyone thrive? 65 00:03:40,240 --> 00:03:42,520 Speaker 3: I know the answer to that as soon as I asked. 66 00:03:42,280 --> 00:03:44,200 Speaker 2: As soon as it left your lips, he went, that 67 00:03:44,400 --> 00:03:48,840 Speaker 2: was a mistake. That question has no I can easily 68 00:03:48,880 --> 00:03:50,120 Speaker 2: pick a side on that picture. 69 00:03:51,400 --> 00:03:54,119 Speaker 3: I think the only person who's ever thrived in Florida 70 00:03:54,280 --> 00:03:59,120 Speaker 3: is Gloria Estephone. Oh, there's a famous Florida Thriver, she 71 00:03:59,240 --> 00:04:02,600 Speaker 3: and the Miami sand Machine. Have you been to Florida? 72 00:04:03,080 --> 00:04:07,040 Speaker 2: I have actually have had some nice experiences there. I 73 00:04:07,080 --> 00:04:10,800 Speaker 2: went there as a high schooler for a drama coal petition. 74 00:04:11,000 --> 00:04:13,640 Speaker 2: Oh but I think way back when I was in 75 00:04:13,680 --> 00:04:18,000 Speaker 2: high school and then my uh, I think we filed 76 00:04:18,440 --> 00:04:22,640 Speaker 2: I've filmed there. It's all a blur now, but yes, 77 00:04:23,360 --> 00:04:27,400 Speaker 2: I mostly all my judgmentalness comes mostly from stories about 78 00:04:27,440 --> 00:04:31,040 Speaker 2: Florida and the crazy things that and sad things that 79 00:04:31,160 --> 00:04:32,000 Speaker 2: have been in Florida, but. 80 00:04:32,200 --> 00:04:34,599 Speaker 3: So many out of that state at this point, A 81 00:04:34,640 --> 00:04:37,720 Speaker 3: little bit somebody, somebody there would be working to hit 82 00:04:37,760 --> 00:04:42,520 Speaker 3: the brakes on some of the horror they yeah, maybe, 83 00:04:42,560 --> 00:04:44,479 Speaker 3: because I'm sure there are nice people though they probably 84 00:04:44,520 --> 00:04:46,039 Speaker 3: feel tracked well. 85 00:04:46,520 --> 00:04:48,640 Speaker 2: And I know my sister lived there for a while, 86 00:04:50,160 --> 00:04:53,000 Speaker 2: but she didn't have a great time. And now she's 87 00:04:53,040 --> 00:04:55,120 Speaker 2: a she went back to Hawaii. Now she's in Virginia, 88 00:04:55,200 --> 00:05:01,000 Speaker 2: which I think I maybe maybe, Uh what does she 89 00:05:01,040 --> 00:05:04,280 Speaker 2: do for work? Well, now she's she's taking a break. 90 00:05:04,320 --> 00:05:06,400 Speaker 2: She used to do bookkeeping, but she just had a 91 00:05:06,400 --> 00:05:09,760 Speaker 2: baby and she just moved and she just got married. 92 00:05:09,960 --> 00:05:12,680 Speaker 2: Everything just happened this past year and so Virginia is 93 00:05:12,720 --> 00:05:14,440 Speaker 2: new and she's just had the baby. 94 00:05:14,520 --> 00:05:16,400 Speaker 3: So have you been to Virginia to visit the baby? 95 00:05:17,279 --> 00:05:17,599 Speaker 1: No? 96 00:05:18,200 --> 00:05:25,400 Speaker 2: And I haven't. I haven't facetimed. Uh oh. I don't 97 00:05:25,440 --> 00:05:27,560 Speaker 2: know why I'm sharing this with you because we have 98 00:05:27,600 --> 00:05:29,520 Speaker 2: a we have a thread and I and it's there's 99 00:05:29,520 --> 00:05:32,720 Speaker 2: a lot of pictures that come through. But my other 100 00:05:32,800 --> 00:05:36,400 Speaker 2: sisters that they always call and FaceTime and and I haven't. 101 00:05:37,200 --> 00:05:42,880 Speaker 2: I haven't done. I don't. Well I probably always have 102 00:05:43,000 --> 00:05:46,800 Speaker 2: been a little bit and I should FaceTime. 103 00:05:46,880 --> 00:05:49,760 Speaker 3: Right, you've got that face I mean with the baby 104 00:05:49,880 --> 00:05:51,440 Speaker 3: is a little bit like what are we doing here? 105 00:05:51,480 --> 00:05:53,400 Speaker 3: I guess you get to see them moving around? Yeah, 106 00:05:53,440 --> 00:05:56,000 Speaker 3: the baby doesn't Yes, it should be done. But you've 107 00:05:56,000 --> 00:06:00,360 Speaker 3: got a plant in the seed with the baby. Otherwise, girl, 108 00:06:01,000 --> 00:06:03,599 Speaker 3: it's a girl. This girl or this baby is going 109 00:06:03,640 --> 00:06:06,600 Speaker 3: to grow to resent you will eventually be you know 110 00:06:07,080 --> 00:06:08,920 Speaker 3: that that rift will only grow. 111 00:06:08,960 --> 00:06:12,320 Speaker 2: With Yeah, that's true space. 112 00:06:12,240 --> 00:06:14,920 Speaker 3: Time and space. Wow. And so you've got what do 113 00:06:14,920 --> 00:06:16,040 Speaker 3: you have two sisters? 114 00:06:16,040 --> 00:06:17,760 Speaker 2: Then I have three younger sisters. 115 00:06:17,920 --> 00:06:18,280 Speaker 3: Wow? 116 00:06:18,400 --> 00:06:18,760 Speaker 2: Yes? 117 00:06:18,839 --> 00:06:21,040 Speaker 3: And are they are any of them so in Hawaii? 118 00:06:21,320 --> 00:06:23,240 Speaker 2: Yes? Two of them are still in Hawaii. 119 00:06:23,600 --> 00:06:25,880 Speaker 3: Okay, And do you get back to Hawaii at all. 120 00:06:25,960 --> 00:06:28,160 Speaker 2: I try that once a year. Which island did you 121 00:06:28,200 --> 00:06:30,040 Speaker 2: grow up on. I grew up in o Wahu, which 122 00:06:30,080 --> 00:06:34,719 Speaker 2: is the island with Waikiki and Honolulu and all the traffic. 123 00:06:34,800 --> 00:06:37,839 Speaker 2: That's it's very much the city is it is. It's like, 124 00:06:37,839 --> 00:06:39,240 Speaker 2: as have you been, I say. 125 00:06:39,160 --> 00:06:41,839 Speaker 3: Only part of I went there in high school. Yeah, 126 00:06:41,880 --> 00:06:46,440 Speaker 3: and it's very It was much more urban than I expected. Yes, 127 00:06:46,680 --> 00:06:49,679 Speaker 3: a lot of city environment basically, but it was wonderful. 128 00:06:49,680 --> 00:06:52,800 Speaker 3: I had a great time good. I also, are you 129 00:06:52,839 --> 00:06:56,200 Speaker 3: familiar with the Polynesian Cultural Center there? 130 00:06:56,360 --> 00:06:59,120 Speaker 2: Oh? Of course you have to go to the Polynesian 131 00:06:59,160 --> 00:07:02,599 Speaker 2: Cultural Center. I love it. It's the only place. I 132 00:07:02,640 --> 00:07:04,560 Speaker 2: have a rule with my husband that I won't go 133 00:07:04,640 --> 00:07:08,800 Speaker 2: anywhere where there is parking for buses because I feel 134 00:07:08,839 --> 00:07:12,160 Speaker 2: like that's too touristy. That's my rule. It's true, though, 135 00:07:12,240 --> 00:07:12,840 Speaker 2: think about it. 136 00:07:13,040 --> 00:07:15,360 Speaker 3: I mean, ever, I mean it's either an elementary school 137 00:07:15,440 --> 00:07:16,560 Speaker 3: or a tourist trap, right. 138 00:07:17,000 --> 00:07:20,040 Speaker 2: But that's my exception, because the Polynesian Cultural Center is 139 00:07:20,360 --> 00:07:23,600 Speaker 2: a tourist trap that I actually love because it's wonderful. 140 00:07:23,880 --> 00:07:26,240 Speaker 3: I had a great time there. Yeah, I mean part 141 00:07:26,280 --> 00:07:28,760 Speaker 3: of the reason I was there is it's own by 142 00:07:28,800 --> 00:07:31,320 Speaker 3: the Mormon Church. Oh yeah, and I grew up Mormon. 143 00:07:31,480 --> 00:07:34,440 Speaker 3: Oh so, I guess like we were just aware of 144 00:07:34,480 --> 00:07:36,240 Speaker 3: it or whatever. But it felt like they did a 145 00:07:36,280 --> 00:07:40,040 Speaker 3: good job celebrating various cultures. And then we had a 146 00:07:40,200 --> 00:07:42,160 Speaker 3: you know, like a pig dinner what have you, and 147 00:07:42,280 --> 00:07:43,400 Speaker 3: drank out of a pineapple. 148 00:07:43,480 --> 00:07:43,640 Speaker 2: Right. 149 00:07:44,280 --> 00:07:46,480 Speaker 3: It seemed like a good time. But I've always been like, 150 00:07:46,480 --> 00:07:49,480 Speaker 3: what do Hawaiians think about the Polynesian Cultural Center? 151 00:07:49,960 --> 00:07:53,840 Speaker 2: Well, this Hawaiian, well I'm not actually a Hawaiian, but 152 00:07:54,440 --> 00:07:59,000 Speaker 2: loves it. I'm sure there are many people there that 153 00:07:59,320 --> 00:08:03,440 Speaker 2: maybe aren't aren't as happy about it. But yeah, it 154 00:08:03,520 --> 00:08:05,680 Speaker 2: is a strange thing that it's set up by the 155 00:08:05,720 --> 00:08:10,120 Speaker 2: Mormon Truth, right, and that's very strong and right influence there. 156 00:08:10,400 --> 00:08:12,560 Speaker 3: Yeah, I uh, and I think it is like kind 157 00:08:12,560 --> 00:08:14,680 Speaker 3: of a destination. I mean, you might know better than 158 00:08:14,720 --> 00:08:17,640 Speaker 3: me being from Hawaii, but and mey just from the 159 00:08:17,680 --> 00:08:19,560 Speaker 3: Mormon perspective. Of course, we had heard of it, but 160 00:08:19,960 --> 00:08:22,120 Speaker 3: you're familiar, you know, it's kind of a tourist trap. 161 00:08:22,200 --> 00:08:25,400 Speaker 3: M okay, what so when how many times have you 162 00:08:25,400 --> 00:08:26,119 Speaker 3: been to this place? 163 00:08:26,840 --> 00:08:27,040 Speaker 1: Oh? 164 00:08:27,160 --> 00:08:30,040 Speaker 2: Well, it's one of those things that if if you're 165 00:08:30,120 --> 00:08:33,199 Speaker 2: taking someone around the Island, right, it's one. Yeah, I don't. 166 00:08:33,200 --> 00:08:36,240 Speaker 2: I don't go by myself kind of the Hollywood Sign exactly. 167 00:08:36,280 --> 00:08:39,120 Speaker 2: Oh my goodness, what are the what are the things that? 168 00:08:39,280 --> 00:08:41,679 Speaker 2: Where do you take people when they come to visit La? 169 00:08:41,720 --> 00:08:44,280 Speaker 2: What do you take people? It's so hard, it's. 170 00:08:44,200 --> 00:08:47,439 Speaker 3: So difficult, right, I mean, I'll take them to the beach, 171 00:08:47,880 --> 00:08:50,880 Speaker 3: maybe out to the Santa Monica peer, we'll drive by 172 00:08:50,880 --> 00:08:54,720 Speaker 3: the Hollywood Sign. None of these things really excite me. 173 00:08:54,800 --> 00:08:56,520 Speaker 3: And then, like, most of the people in my life 174 00:08:56,559 --> 00:08:59,160 Speaker 3: are kind of my sensibility, so I'm like, it probably 175 00:08:59,200 --> 00:09:01,720 Speaker 3: doesn't excite them either, but it's hard to tell because 176 00:09:01,720 --> 00:09:03,680 Speaker 3: they're on vacation and I just find it boring because 177 00:09:03,720 --> 00:09:06,400 Speaker 3: I live here. I mean Griffith Park, but that's just 178 00:09:06,480 --> 00:09:09,559 Speaker 3: kind of a dusty park. Where do you take people? 179 00:09:10,679 --> 00:09:14,360 Speaker 2: That's hard too. I mostly take people to restaurants that 180 00:09:14,400 --> 00:09:15,800 Speaker 2: I like, Yeah. 181 00:09:16,480 --> 00:09:17,720 Speaker 3: What are your restaurant? Go tos? 182 00:09:18,000 --> 00:09:19,920 Speaker 2: Well, we were just talking for a minute as I 183 00:09:19,960 --> 00:09:22,400 Speaker 2: came up. But there's a place called you know me 184 00:09:22,520 --> 00:09:23,120 Speaker 2: hand Roll. 185 00:09:23,360 --> 00:09:24,840 Speaker 3: Oh so that's what it's called. 186 00:09:24,920 --> 00:09:26,920 Speaker 2: Yeah, and you know me hand Roll, And it's right, 187 00:09:27,640 --> 00:09:30,920 Speaker 2: it's near my house and that I crave. 188 00:09:31,080 --> 00:09:33,800 Speaker 3: Now, how that place is pretty new. Yeah, and it 189 00:09:33,840 --> 00:09:38,200 Speaker 3: looks very nice? Is it? Does it feel unaccessible to 190 00:09:38,280 --> 00:09:39,160 Speaker 3: a slob like me? 191 00:09:39,520 --> 00:09:41,680 Speaker 2: Oh? My goodness, are you als? I feel like a 192 00:09:41,720 --> 00:09:45,120 Speaker 2: sub you lie, you're lying. 193 00:09:45,520 --> 00:09:48,679 Speaker 3: I don't know. Every time I look at it, I'm 194 00:09:48,720 --> 00:09:51,840 Speaker 3: like that that looks nicer than I'm used to. I'm 195 00:09:51,880 --> 00:09:55,920 Speaker 3: so cheap, and it's like and it just looks cool 196 00:09:56,000 --> 00:09:58,240 Speaker 3: and kind of nice, and so I'm like, can am 197 00:09:58,240 --> 00:09:59,880 Speaker 3: I allowed to eat hand rolls there? 198 00:10:00,320 --> 00:10:02,800 Speaker 2: Well? The first time I went in there, I will 199 00:10:02,840 --> 00:10:05,520 Speaker 2: admit I did get a little bit of side eye 200 00:10:05,679 --> 00:10:09,440 Speaker 2: from the sushi chef for the amount of time that 201 00:10:09,520 --> 00:10:13,280 Speaker 2: I left my hand roll sitting on the counter. 202 00:10:13,520 --> 00:10:15,000 Speaker 3: I didn't realize there was a time limit. 203 00:10:15,400 --> 00:10:19,520 Speaker 2: There is not, Oh, but I was like, what is 204 00:10:19,559 --> 00:10:24,640 Speaker 2: this vibe I'm getting here about? You know, you're talking no, no, 205 00:10:24,760 --> 00:10:27,800 Speaker 2: no, no no, and you're like, oh, you're my But what 206 00:10:27,880 --> 00:10:32,520 Speaker 2: I realized is that it makes a difference, right, I mean, 207 00:10:32,600 --> 00:10:35,960 Speaker 2: it is the temperature, Yeah, it's the crispiness of the 208 00:10:36,000 --> 00:10:37,000 Speaker 2: seaweed kind of. 209 00:10:37,120 --> 00:10:38,239 Speaker 3: It becomes a soggy. 210 00:10:38,320 --> 00:10:42,680 Speaker 2: Yeah, So it doesn't. So once I absorbed my lesson 211 00:10:43,679 --> 00:10:46,600 Speaker 2: and knew my place, I came back the next time 212 00:10:46,640 --> 00:10:49,800 Speaker 2: and devoted. Oh yes, and then he was so chatty. 213 00:10:50,480 --> 00:10:52,240 Speaker 2: He's just so happy. But then that. 214 00:10:52,200 --> 00:10:53,880 Speaker 3: Becomes a problem because he's chatting with you. 215 00:10:53,960 --> 00:10:54,319 Speaker 2: Now you have. 216 00:10:57,240 --> 00:11:01,080 Speaker 3: Set up for well, yes, difficult difficult things. Well, I mean, 217 00:11:01,120 --> 00:11:04,000 Speaker 3: I guess that does make perfect sense. It's like you 218 00:11:04,120 --> 00:11:07,000 Speaker 3: also wouldn't eat soup. Let soup just sit on the count. 219 00:11:07,200 --> 00:11:10,640 Speaker 2: Yeah, And he didn't say anything, but that's what I'm assuming. 220 00:11:10,640 --> 00:11:12,920 Speaker 2: And these are my assumptions as well. That's why assuming 221 00:11:13,040 --> 00:11:21,959 Speaker 2: was happening everywhere. Always it's my buddy. 222 00:11:20,400 --> 00:11:22,079 Speaker 3: Okay, I need to Okay, So that's one of your 223 00:11:22,080 --> 00:11:24,120 Speaker 3: go tos. What are some other favorite places you like to? 224 00:11:24,520 --> 00:11:27,280 Speaker 2: Oh this is this is a not just in my area, 225 00:11:27,320 --> 00:11:28,840 Speaker 2: but salt and straw always. 226 00:11:28,840 --> 00:11:30,720 Speaker 3: Oh my god, people go crazy. 227 00:11:30,880 --> 00:11:31,199 Speaker 2: I know. 228 00:11:31,480 --> 00:11:33,760 Speaker 3: It's such a fun novelty. Yeah, you know they're going 229 00:11:33,840 --> 00:11:36,320 Speaker 3: to enjoy it. Yeah, unless like the flavor of the 230 00:11:36,360 --> 00:11:39,600 Speaker 3: month is blood, but haven't they done that though they've 231 00:11:39,640 --> 00:11:42,040 Speaker 3: done things. Or it's like the flavor of the month 232 00:11:42,160 --> 00:11:46,560 Speaker 3: is old turkey, and it's like, I don't want my 233 00:11:46,840 --> 00:11:49,120 Speaker 3: treat to be a dare. I want it to be 234 00:11:49,200 --> 00:11:52,960 Speaker 3: a treat, but they have the standby. Do you have a. 235 00:11:52,960 --> 00:11:55,559 Speaker 2: Favorite flavor there, the chocolate brownie. 236 00:11:58,440 --> 00:12:03,280 Speaker 3: The brownie is in that up until this point, we 237 00:12:03,600 --> 00:12:07,280 Speaker 3: absolutely no. I love the brownies and that ice cream 238 00:12:07,360 --> 00:12:10,400 Speaker 3: are better than brownies you can buy like at a bakery. 239 00:12:10,520 --> 00:12:11,840 Speaker 2: They're delicious, They're good. 240 00:12:12,520 --> 00:12:14,680 Speaker 3: Occasionally I get tempted into the flavor of the month 241 00:12:14,760 --> 00:12:16,040 Speaker 3: if it's something that sounds. 242 00:12:15,760 --> 00:12:17,640 Speaker 2: Appealing, but you get to taste. 243 00:12:18,240 --> 00:12:19,880 Speaker 3: There's a lot of sampling, but I try to be 244 00:12:21,120 --> 00:12:23,920 Speaker 3: try to be conscious of how many samples I'm taking. 245 00:12:24,200 --> 00:12:25,720 Speaker 3: I don't want to be you know, you'll see somebody 246 00:12:25,760 --> 00:12:27,679 Speaker 3: try every flavor, and so it's like. 247 00:12:28,080 --> 00:12:30,000 Speaker 2: What number are you? How many? 248 00:12:30,120 --> 00:12:30,360 Speaker 3: Three? 249 00:12:30,480 --> 00:12:31,040 Speaker 2: Three? Yeah? 250 00:12:31,080 --> 00:12:34,040 Speaker 3: Three? And the third one I'm apologizing, What are what 251 00:12:34,080 --> 00:12:35,319 Speaker 3: are you about? 252 00:12:35,400 --> 00:12:36,720 Speaker 2: Three is kind of the limit? 253 00:12:36,960 --> 00:12:40,760 Speaker 3: Three feels crazy to me. Yeah, I already kind of 254 00:12:40,800 --> 00:12:42,760 Speaker 3: knew what I was going to order anyway, and now 255 00:12:42,800 --> 00:12:45,600 Speaker 3: I'm just abusing the system. But you know, they do 256 00:12:45,720 --> 00:12:47,640 Speaker 3: charge a premium, So I'm like, if I can take 257 00:12:47,679 --> 00:12:49,640 Speaker 3: an extra tablespoon of ice cream, I don't think it's 258 00:12:49,679 --> 00:12:52,400 Speaker 3: a big deal. Salt and straw, that's a really good 259 00:12:53,480 --> 00:12:57,400 Speaker 3: visitor tip. Mm, yeah, I'm wondering. Yeah, then, yeah, I 260 00:12:57,400 --> 00:12:59,320 Speaker 3: was telling you, and let me ask you this, have 261 00:12:59,360 --> 00:13:02,040 Speaker 3: you been to words Scoocha. Is that how you pronounce 262 00:13:02,080 --> 00:13:02,920 Speaker 3: that restaurant's name. 263 00:13:03,080 --> 00:13:04,320 Speaker 2: I think it's cool. 264 00:13:05,000 --> 00:13:05,520 Speaker 3: I don't know. 265 00:13:05,559 --> 00:13:10,960 Speaker 2: I don't know, but this is how. This is how 266 00:13:11,080 --> 00:13:15,240 Speaker 2: my husband and I say when we get the vine 267 00:13:15,320 --> 00:13:17,600 Speaker 2: stuff now, which is our favorite beer. 268 00:13:18,679 --> 00:13:19,640 Speaker 3: I guess you just have to leave. 269 00:13:21,920 --> 00:13:22,480 Speaker 2: We don't know. 270 00:13:23,080 --> 00:13:28,200 Speaker 3: That feels like the probably closer to the real, right, Yeah, 271 00:13:28,679 --> 00:13:32,120 Speaker 3: I guess. Uh. I never took German. Did you take 272 00:13:32,200 --> 00:13:33,120 Speaker 3: languages in high school? 273 00:13:33,520 --> 00:13:37,080 Speaker 2: I did? I. I think I took Japanese. This is 274 00:13:37,080 --> 00:13:38,719 Speaker 2: how well it sunk in with me. I think I 275 00:13:38,760 --> 00:13:40,000 Speaker 2: took two years of Japanese. 276 00:13:40,200 --> 00:13:43,800 Speaker 3: I took French and did nothing for me. No, but oh, 277 00:13:43,800 --> 00:13:49,000 Speaker 3: we've got a helicopter that always means trouble. Someone's been injured, 278 00:13:49,080 --> 00:13:52,880 Speaker 3: someone's stolen a car, they're passing over. Hopefully, if we 279 00:13:52,920 --> 00:13:54,800 Speaker 3: got a little bit of that audio, I imagine that 280 00:13:54,800 --> 00:13:57,800 Speaker 3: would provide a thrill for the listener. The listeners looking 281 00:13:57,840 --> 00:13:59,760 Speaker 3: for some sort of action, some sort of thrill. 282 00:14:00,640 --> 00:14:02,240 Speaker 2: And that's real. That's not CGI. 283 00:14:03,679 --> 00:14:07,200 Speaker 3: This is real, the grit that we've kind of lost 284 00:14:07,280 --> 00:14:11,360 Speaker 3: in today's computer based landscape. Have you ever? I was 285 00:14:11,400 --> 00:14:14,199 Speaker 3: thinking about this earlier, actually, as I was driving down 286 00:14:14,640 --> 00:14:16,800 Speaker 3: this hill over here. I was thinking if my life 287 00:14:17,080 --> 00:14:18,839 Speaker 3: were made into a movie and they had to make 288 00:14:18,880 --> 00:14:21,520 Speaker 3: and they're like, we've got to find an action scene 289 00:14:21,800 --> 00:14:23,280 Speaker 3: somewhere in this. I was like, I could not come 290 00:14:23,400 --> 00:14:26,040 Speaker 3: up with a single thing that seems exciting enough for 291 00:14:26,120 --> 00:14:29,040 Speaker 3: an action sequence in a movie. I was like, is there. 292 00:14:29,200 --> 00:14:31,040 Speaker 3: I guess I went down a hill on a sled 293 00:14:31,080 --> 00:14:33,480 Speaker 3: at some point. That doesn't feel like an action you're 294 00:14:33,600 --> 00:14:35,440 Speaker 3: using from your whole life. Yeah. I was like, I 295 00:14:35,520 --> 00:14:37,280 Speaker 3: was digging through my memory and I couldn't think of 296 00:14:37,320 --> 00:14:39,680 Speaker 3: a single thing that was like where someone would be like, 297 00:14:39,720 --> 00:14:43,040 Speaker 3: this is our action sequence. I guess my movie would 298 00:14:43,040 --> 00:14:45,680 Speaker 3: just be a complete bore. Do you have anything that like? 299 00:14:46,040 --> 00:14:50,640 Speaker 3: I guess, but I've never like run away from something, 300 00:14:50,760 --> 00:14:55,040 Speaker 3: I've never escaped. Have you done anything exciting that like 301 00:14:55,160 --> 00:14:57,000 Speaker 3: would be the action sequence of a movie. 302 00:14:59,160 --> 00:15:05,480 Speaker 2: I a sherry kind of of course. Okay, nothing to yourself, right, 303 00:15:06,640 --> 00:15:09,280 Speaker 2: I don't think i've shared this. This is not an 304 00:15:09,280 --> 00:15:15,440 Speaker 2: action car chase type of action. But in high school, 305 00:15:16,240 --> 00:15:21,360 Speaker 2: I was dissatisfied with my home, and so I decided 306 00:15:21,680 --> 00:15:24,760 Speaker 2: that I would This is my idea that I would 307 00:15:24,800 --> 00:15:28,280 Speaker 2: live with my boyfriend who was in high school, so that, 308 00:15:28,680 --> 00:15:31,600 Speaker 2: you know, means his parents, I guess in my high school. 309 00:15:31,400 --> 00:15:32,680 Speaker 3: Brain kind of get adopted. 310 00:15:33,000 --> 00:15:36,400 Speaker 2: Yeah, this is my idea because I was really mad 311 00:15:36,480 --> 00:15:38,880 Speaker 2: and I and I stormed out of my house with 312 00:15:39,080 --> 00:15:45,360 Speaker 2: nothing at at the in the evening, and Hawaii has 313 00:15:45,360 --> 00:15:47,600 Speaker 2: a very good bus system, but I had no money 314 00:15:47,640 --> 00:15:51,560 Speaker 2: on my I literally went to the gas station attendant 315 00:15:51,640 --> 00:15:56,520 Speaker 2: and asked for two quarters to use the bus to 316 00:15:56,600 --> 00:16:00,200 Speaker 2: the other side of the island. To show up this 317 00:16:00,240 --> 00:16:08,120 Speaker 2: is pre cell phone, to show up on my boyfriend's house. Yes, 318 00:16:08,120 --> 00:16:10,520 Speaker 2: oh no, no, no, no, I'm skipping ahead. Goodness gracious, no. 319 00:16:10,920 --> 00:16:13,200 Speaker 2: That night, this is terrible. How am I? Why am I? 320 00:16:13,760 --> 00:16:16,400 Speaker 2: It's not terrible. I slept in the entryway of a 321 00:16:16,480 --> 00:16:20,520 Speaker 2: church under a mat. What the borrowing of the change 322 00:16:20,560 --> 00:16:25,080 Speaker 2: was the next day? So in the next morning, I, yes, 323 00:16:25,920 --> 00:16:29,600 Speaker 2: you're wild. And then, believe it or not, they didn't. 324 00:16:29,840 --> 00:16:32,400 Speaker 2: They didn't like the idea of adopting a child that 325 00:16:32,440 --> 00:16:36,720 Speaker 2: they had never met before. By the way, yeah, another teen. 326 00:16:36,840 --> 00:16:38,960 Speaker 2: They thought that their kids that they had at that 327 00:16:39,040 --> 00:16:43,520 Speaker 2: time were enough. And so I went. I went back 328 00:16:43,520 --> 00:16:47,040 Speaker 2: home and just went. I just went. I just they 329 00:16:47,120 --> 00:16:50,480 Speaker 2: fed me. I had a nice meal, and they went, 330 00:16:50,840 --> 00:16:54,360 Speaker 2: maybe you should go, Maybe you should How about your home? 331 00:16:54,480 --> 00:16:57,240 Speaker 3: How did you pitch this idea to your boyfriend's parents? 332 00:16:58,080 --> 00:17:00,680 Speaker 2: You know what, I here's the thing that if I 333 00:17:00,720 --> 00:17:02,800 Speaker 2: reached back into the recess of my mind, I think 334 00:17:04,359 --> 00:17:07,640 Speaker 2: I showed up. I think I just talked to him 335 00:17:08,119 --> 00:17:12,240 Speaker 2: and then he tried to explain, like why this person 336 00:17:12,400 --> 00:17:14,600 Speaker 2: is here. Oh and this is even worse. So I 337 00:17:14,600 --> 00:17:17,160 Speaker 2: don't know if it's worse. But so my first legal 338 00:17:17,200 --> 00:17:21,159 Speaker 2: name is Christine. His sister's name is Christine. So I 339 00:17:21,200 --> 00:17:23,800 Speaker 2: didn't even get yelled at by my dad. My dad 340 00:17:23,880 --> 00:17:28,480 Speaker 2: called up the house, asked for Christine. His sister gets 341 00:17:28,520 --> 00:17:31,000 Speaker 2: on the phone and supposedly I don't know, but he 342 00:17:31,480 --> 00:17:32,640 Speaker 2: so she gets an air full. 343 00:17:33,119 --> 00:17:34,920 Speaker 3: This is like an episode of Frasier. 344 00:17:36,760 --> 00:17:41,320 Speaker 2: It's not a movie. It's like it is an episode. 345 00:17:41,920 --> 00:17:44,359 Speaker 3: I'm looking for Christine, Christine for you. 346 00:17:45,480 --> 00:17:46,520 Speaker 2: It's ridiculous. 347 00:17:46,840 --> 00:17:49,600 Speaker 3: I love that. But your parents weren't mad at you? 348 00:17:50,520 --> 00:17:55,159 Speaker 2: Well, I mean, you know, it's it was high school. 349 00:17:55,280 --> 00:17:58,440 Speaker 2: There's all kinds of yeah, there was. Oh no, it's 350 00:17:58,600 --> 00:18:02,000 Speaker 2: just a dramatic daughter. There's a lot, there's a lot 351 00:18:02,040 --> 00:18:06,240 Speaker 2: of emotions. Were you an emotional child? High schooler. I've 352 00:18:06,359 --> 00:18:07,600 Speaker 2: probably was. 353 00:18:07,800 --> 00:18:11,119 Speaker 3: I think I was a very repressed high schooler in 354 00:18:11,200 --> 00:18:14,000 Speaker 3: so many ways, so a lot of the emotion got 355 00:18:14,040 --> 00:18:17,680 Speaker 3: just held back completely. Uh, probably still being held back 356 00:18:17,720 --> 00:18:20,280 Speaker 3: in a lot of ways. But uh yeah, I don't 357 00:18:20,280 --> 00:18:23,879 Speaker 3: remember any giant outbursts or like running away from homes 358 00:18:24,000 --> 00:18:28,000 Speaker 3: or you know, like fighting with my parents. But you know, 359 00:18:28,040 --> 00:18:30,399 Speaker 3: maybe I've hidden a you know, I've just forgotten at 360 00:18:30,400 --> 00:18:32,400 Speaker 3: this point. I'm sure I fought with them. 361 00:18:33,160 --> 00:18:34,040 Speaker 2: Are they so Mormon? 362 00:18:34,800 --> 00:18:35,040 Speaker 3: Yes? 363 00:18:35,320 --> 00:18:35,520 Speaker 2: Yeah? 364 00:18:35,680 --> 00:18:38,880 Speaker 3: Is that ever a No, not at all. No, they weren't. 365 00:18:38,920 --> 00:18:41,320 Speaker 2: They didn't did you because you said you were Mormon? 366 00:18:41,840 --> 00:18:43,640 Speaker 3: You grew I was n't. 367 00:18:43,800 --> 00:18:44,159 Speaker 2: Yeah. 368 00:18:44,200 --> 00:18:47,119 Speaker 3: It was like dramatic that part, but it was like 369 00:18:47,520 --> 00:18:51,320 Speaker 3: my exit for Mormonism was slow enough that I think 370 00:18:51,359 --> 00:18:54,439 Speaker 3: they had basically caught on by the time that I 371 00:18:54,440 --> 00:18:57,480 Speaker 3: actually told them, okay then, But then it was another 372 00:18:58,560 --> 00:19:01,000 Speaker 3: six years before I came out to them mm and 373 00:19:01,080 --> 00:19:06,800 Speaker 3: that was probably as dramatic, but not not bad in 374 00:19:06,880 --> 00:19:09,320 Speaker 3: any way. For the most part, they were good about it. 375 00:19:09,880 --> 00:19:13,320 Speaker 3: Some Mormons can really surprise you, And I think it's 376 00:19:13,359 --> 00:19:18,160 Speaker 3: more the more Mormon people are really for the most part, 377 00:19:18,160 --> 00:19:22,000 Speaker 3: wonderful and accept can be accepting and at least evolve. 378 00:19:22,760 --> 00:19:26,639 Speaker 3: The church itself is a different story where it's like 379 00:19:26,680 --> 00:19:30,680 Speaker 3: the organization's not ideal. Their their views on a lot 380 00:19:30,680 --> 00:19:35,840 Speaker 3: of things are Florida s we could say. But yeah, 381 00:19:36,040 --> 00:19:38,720 Speaker 3: so you were a dramatic teen You ran away from 382 00:19:38,720 --> 00:19:41,080 Speaker 3: home for a night, slept under a mat in the 383 00:19:41,200 --> 00:19:44,480 Speaker 3: door of a church. Yeah, so this is very kind 384 00:19:44,480 --> 00:19:46,959 Speaker 3: of cute. Actually it's like a little mouse. 385 00:19:48,760 --> 00:19:51,359 Speaker 2: Okay, I'll let it be cute. I love that it's cute. 386 00:19:53,160 --> 00:19:58,000 Speaker 2: Schoolers do cute ridiculous. I did so many dumb things, 387 00:19:58,040 --> 00:20:00,920 Speaker 2: and I'm so glad that there's no other of all 388 00:20:00,960 --> 00:20:03,200 Speaker 2: of the dumb things. I mean, how do people live 389 00:20:03,280 --> 00:20:03,800 Speaker 2: these days? 390 00:20:03,920 --> 00:20:06,439 Speaker 3: Well, I think that high schoolers are more savvy now, yeah, no, 391 00:20:06,480 --> 00:20:08,600 Speaker 3: I think you're Maybe there's just they know they're in 392 00:20:08,640 --> 00:20:12,199 Speaker 3: a glasshouse. Yeah, as opposed to us living in the 393 00:20:12,240 --> 00:20:14,320 Speaker 3: stone age or what have you, no cell phones or 394 00:20:14,520 --> 00:20:18,239 Speaker 3: limited internet, that kind of thing. I mean, speaking of 395 00:20:19,240 --> 00:20:23,800 Speaker 3: bad behavior, drama and stirring the pot. You agreed to 396 00:20:23,840 --> 00:20:26,080 Speaker 3: be on this podcast a little while ago. I said 397 00:20:26,080 --> 00:20:29,960 Speaker 3: no gifts, and I was so excited. I thought, Keiko's 398 00:20:30,000 --> 00:20:32,480 Speaker 3: gonna come over. We'll sit in the backyard. It'll probably 399 00:20:32,560 --> 00:20:38,919 Speaker 3: be a moderate temperature, neither hot nor cold, nice blue skies. 400 00:20:39,960 --> 00:20:45,160 Speaker 3: And then today things the milk began to curdle. Let's 401 00:20:45,160 --> 00:20:49,840 Speaker 3: say I woke up this morning, everything was fine. Check 402 00:20:49,880 --> 00:20:52,720 Speaker 3: the temperature. It was a solid ninety degrees at probably 403 00:20:52,840 --> 00:20:55,919 Speaker 3: nine thirty in the morning. Temperature continues to climb and 404 00:20:55,960 --> 00:20:58,520 Speaker 3: climb and climb. I know you're coming over. I'm panicking 405 00:20:59,119 --> 00:21:00,840 Speaker 3: the time rolls around for you to show up to 406 00:21:00,880 --> 00:21:04,520 Speaker 3: my house. And you were, i mean, obviously aware that 407 00:21:04,560 --> 00:21:07,119 Speaker 3: the podcast was called. I said, no gifts. There have 408 00:21:07,119 --> 00:21:10,640 Speaker 3: been emails exchanged, et cetera. So I was a little 409 00:21:10,680 --> 00:21:15,879 Speaker 3: surprised in my you know, sweaty discomfort to see you 410 00:21:15,920 --> 00:21:20,399 Speaker 3: coming up the driveway holding a little package. And so 411 00:21:20,440 --> 00:21:23,160 Speaker 3: I'm just going to ask you right now, we're here 412 00:21:23,200 --> 00:21:25,640 Speaker 3: in the moment, there's no zoom to separate us. This 413 00:21:25,720 --> 00:21:29,080 Speaker 3: is Is this a gift for me? 414 00:21:31,480 --> 00:21:31,760 Speaker 2: Yes? 415 00:21:32,640 --> 00:21:39,720 Speaker 3: Okay, okay, So we're here. We've got to get through 416 00:21:39,760 --> 00:21:41,240 Speaker 3: this podcast one way or the other. Do you want 417 00:21:41,240 --> 00:21:42,280 Speaker 3: me to open it here on the show. 418 00:21:42,920 --> 00:21:46,080 Speaker 2: I would love for you to open it now. I 419 00:21:46,119 --> 00:21:48,520 Speaker 2: mean I'm kind of excited about Okay. 420 00:21:48,560 --> 00:21:50,400 Speaker 3: I didn't realize we run your timetable. 421 00:21:51,280 --> 00:21:54,360 Speaker 2: Well, we could wait, but really. 422 00:21:55,840 --> 00:22:00,320 Speaker 3: Okay, look, I'm gonna sure. I'm happy to die time 423 00:22:00,440 --> 00:22:20,640 Speaker 3: maybe just one time, never again. So we're we've yet 424 00:22:20,680 --> 00:22:23,119 Speaker 3: to okay now or there are there two things in here. 425 00:22:24,000 --> 00:22:27,119 Speaker 3: I'm like hurting my eyes so okay. So the first 426 00:22:27,280 --> 00:22:31,359 Speaker 3: is the Oh my god, this is the Wisdom of 427 00:22:31,400 --> 00:22:32,840 Speaker 3: the Is it anagram? 428 00:22:33,160 --> 00:22:33,760 Speaker 2: An aram? 429 00:22:33,840 --> 00:22:38,760 Speaker 3: Anyagram? It's the uh complete guide to psychological and spiritual 430 00:22:38,760 --> 00:22:41,679 Speaker 3: growth for the nine personality types. We're not wait just 431 00:22:41,680 --> 00:22:46,800 Speaker 3: a minute, there's something else happening. They're two pens. So 432 00:22:46,880 --> 00:22:49,960 Speaker 3: I assume this is so thank you an e's uh 433 00:22:50,480 --> 00:22:52,119 Speaker 3: it's kind of a workbook. 434 00:22:52,720 --> 00:22:53,680 Speaker 2: No, it's not. 435 00:22:53,640 --> 00:22:56,600 Speaker 3: Okay, I need to know everything I feel, so uh, 436 00:22:57,080 --> 00:22:59,040 Speaker 3: I'm like, have you heard of it? I've heard of it. 437 00:22:59,040 --> 00:23:02,000 Speaker 3: I've never said any a gramma allowed. Are there these 438 00:23:02,040 --> 00:23:04,480 Speaker 3: words that you'll read online or in books or whatever, 439 00:23:04,600 --> 00:23:07,520 Speaker 3: but never have an opportunity to say so, I've always 440 00:23:07,960 --> 00:23:14,560 Speaker 3: and it's kind of a scary word. I want. It's 441 00:23:14,600 --> 00:23:16,720 Speaker 3: like a test. Yeah, it's like where are we going 442 00:23:16,720 --> 00:23:18,719 Speaker 3: once we get the past? The two ends? It's like 443 00:23:18,720 --> 00:23:21,720 Speaker 3: it could be ah yeah, or it could be eh ah, 444 00:23:22,240 --> 00:23:26,399 Speaker 3: but that anyagram, it's probably what you should just assume 445 00:23:26,840 --> 00:23:27,520 Speaker 3: any A Graham. 446 00:23:28,400 --> 00:23:34,480 Speaker 2: It's nine and symbol Greek Greek nine. And I read 447 00:23:34,480 --> 00:23:36,919 Speaker 2: that if you read the book, it's in there. Okay. 448 00:23:36,960 --> 00:23:40,320 Speaker 3: So, I mean, I've obviously heard about the different personality types. 449 00:23:40,359 --> 00:23:42,960 Speaker 3: I'm vaguely familiar. But I want you to just speak 450 00:23:43,000 --> 00:23:45,040 Speaker 3: on this for a moment. So as to why you 451 00:23:45,040 --> 00:23:46,640 Speaker 3: brought this, Oh, sure. 452 00:23:46,600 --> 00:23:51,840 Speaker 2: Well, so it's one of the things that I'm obsessed 453 00:23:51,880 --> 00:23:56,520 Speaker 2: with and I can't stop thinking about what number of 454 00:23:56,560 --> 00:24:00,199 Speaker 2: people are. So that's why I brought it, right, But 455 00:24:00,359 --> 00:24:05,320 Speaker 2: also I have this idea. It didn't quite work, but 456 00:24:05,640 --> 00:24:08,720 Speaker 2: I had this idea that while I was listening to 457 00:24:08,760 --> 00:24:15,240 Speaker 2: you your podcast, I would a doodle on which number 458 00:24:15,320 --> 00:24:21,160 Speaker 2: I thought you were here. Yes, oh my god, it's yeah. 459 00:24:21,200 --> 00:24:22,160 Speaker 2: So if you if you. 460 00:24:22,600 --> 00:24:25,240 Speaker 3: Okay, we're opening it up. Let's see here. Oh, I'm 461 00:24:25,240 --> 00:24:27,840 Speaker 3: seeing some towards the back. Here, let's see. 462 00:24:28,280 --> 00:24:28,880 Speaker 2: You passed it. 463 00:24:29,040 --> 00:24:29,720 Speaker 3: I passed it. 464 00:24:30,160 --> 00:24:31,040 Speaker 2: Oh no, that's some too. 465 00:24:31,280 --> 00:24:34,160 Speaker 3: Wait, oh this is your doodle. These are beautiful. These 466 00:24:34,200 --> 00:24:37,960 Speaker 3: just looks like illustrations in the book. I thought this 467 00:24:38,080 --> 00:24:41,000 Speaker 3: was fully just. I was like, wow, this is a 468 00:24:41,000 --> 00:24:45,879 Speaker 3: fascinating thing for personality types, very flowery. Okay, wait, so 469 00:24:46,280 --> 00:24:49,760 Speaker 3: let's see. Oh my god, this is These are excellent doodles. 470 00:24:49,840 --> 00:24:52,639 Speaker 3: Actually they look almost like fossils or something. So you 471 00:24:52,680 --> 00:24:55,840 Speaker 3: have me and is this the one you've selected for me? 472 00:24:56,080 --> 00:24:59,840 Speaker 2: Well, here's here's the idea that didn't quite work out. 473 00:25:00,680 --> 00:25:02,680 Speaker 2: Is that what I thought is I would I would 474 00:25:02,720 --> 00:25:06,280 Speaker 2: switch around. Okay, So if I thought that you were 475 00:25:06,280 --> 00:25:08,920 Speaker 2: sounding like a three, I would start doodling in the 476 00:25:09,440 --> 00:25:12,600 Speaker 2: area that's the three, the three, And then if you 477 00:25:12,680 --> 00:25:15,439 Speaker 2: said something that maybe, oh no, he's a seven, so 478 00:25:15,440 --> 00:25:18,359 Speaker 2: I'd flip to that area and try to like. So 479 00:25:18,480 --> 00:25:22,439 Speaker 2: the idea was that by the end of listening to 480 00:25:22,440 --> 00:25:25,720 Speaker 2: that podcast, it would be very clear, right like one 481 00:25:26,119 --> 00:25:30,720 Speaker 2: one number would have like way more roodles than another area. 482 00:25:30,760 --> 00:25:32,480 Speaker 2: And it kind of worked out, but I think I 483 00:25:32,520 --> 00:25:35,760 Speaker 2: have to well, I'm gonna probably think more on it 484 00:25:35,800 --> 00:25:37,719 Speaker 2: after today, after talking to you in person and then 485 00:25:37,760 --> 00:25:42,040 Speaker 2: listening to more podcasts. And because I'm obsessed, I can't 486 00:25:42,119 --> 00:25:45,520 Speaker 2: Once I start thinking about like what number a person is, 487 00:25:45,560 --> 00:25:46,280 Speaker 2: I can't stop thinking. 488 00:25:46,359 --> 00:25:48,639 Speaker 3: Yeah, so currently the one I found, Okay, here's another 489 00:25:48,680 --> 00:25:53,320 Speaker 3: that's quite a bit, which is a person number one, 490 00:25:53,400 --> 00:25:56,760 Speaker 3: the reformer. This has got a significant amount of doodling 491 00:25:56,800 --> 00:26:00,200 Speaker 3: here and kind of some shading. Okay, so the reform 492 00:26:00,480 --> 00:26:06,080 Speaker 3: and then we saw number seven, which is the enthusiast, which, okay, 493 00:26:06,119 --> 00:26:07,800 Speaker 3: so I'm kind of, as far as I can tell 494 00:26:07,880 --> 00:26:10,200 Speaker 3: so far, I'm really looking for answers for my life 495 00:26:10,320 --> 00:26:12,760 Speaker 3: right now. Little do you know, I'm just like, oh, 496 00:26:12,800 --> 00:26:17,600 Speaker 3: this is finally, this might get me on track for something. Uh. Oh, 497 00:26:17,680 --> 00:26:19,600 Speaker 3: we've got an investor. Oh and how odd is this? 498 00:26:19,680 --> 00:26:23,919 Speaker 3: While I'm investigating, I come upon number five. You've doodled, 499 00:26:24,000 --> 00:26:28,119 Speaker 3: doodled slightly the investigator number five. H I mean, I 500 00:26:28,119 --> 00:26:30,040 Speaker 3: think this is what what this says is that I'm 501 00:26:30,119 --> 00:26:33,240 Speaker 3: kind of a I'm kind of a jack of all trades. 502 00:26:33,720 --> 00:26:37,159 Speaker 3: I'm offering a little bit of everything to everyone in 503 00:26:37,200 --> 00:26:42,440 Speaker 3: my personality. And uh, but of course this is inconclusive. 504 00:26:42,520 --> 00:26:46,480 Speaker 3: We uh you're still We're now to another. Now I'm 505 00:26:46,640 --> 00:26:49,600 Speaker 3: I'm also part Number eight has a decent amount of 506 00:26:49,640 --> 00:26:54,520 Speaker 3: doodling the challenger. Okay, what do you identify as? 507 00:26:54,760 --> 00:26:58,400 Speaker 2: So I identify as a six, which is a loyalist, and. 508 00:26:58,359 --> 00:27:00,879 Speaker 3: What does that mean in the obvious? 509 00:27:01,160 --> 00:27:03,560 Speaker 2: Sure? So a couple of things about a six is 510 00:27:03,600 --> 00:27:08,000 Speaker 2: that were we run on anxiety a little bit of 511 00:27:08,000 --> 00:27:10,920 Speaker 2: a DeBie Downer. Do you have that friend that's always 512 00:27:10,960 --> 00:27:13,800 Speaker 2: like you, You mentioned an idea to them and then 513 00:27:13,840 --> 00:27:16,720 Speaker 2: they have like a ton of reasons why it won't work. 514 00:27:17,280 --> 00:27:20,200 Speaker 2: That might be a six. Very hard worker, very dedicated, 515 00:27:20,280 --> 00:27:25,600 Speaker 2: very loyal, kind of paranoid, but then gullible in any case, 516 00:27:25,600 --> 00:27:26,720 Speaker 2: that's those are all sixes. 517 00:27:27,280 --> 00:27:29,920 Speaker 3: And why is it labeled the loyalist with you know, 518 00:27:29,960 --> 00:27:34,639 Speaker 3: these other qualities don't really strike me as loyal qualities. 519 00:27:34,280 --> 00:27:37,199 Speaker 2: As part of loyal Yeah, I think the first I 520 00:27:37,240 --> 00:27:39,600 Speaker 2: think one of the main things, because a lot of 521 00:27:41,119 --> 00:27:43,320 Speaker 2: different numbers can be anxious and these types of things, 522 00:27:43,320 --> 00:27:46,880 Speaker 2: and hard worker. I think one of the main things 523 00:27:46,920 --> 00:27:51,320 Speaker 2: about a six is that it's perhaps hard to get 524 00:27:51,720 --> 00:27:56,240 Speaker 2: very close to them, but then once you're behind that wall, 525 00:27:57,320 --> 00:27:58,960 Speaker 2: it's very solid. 526 00:27:59,320 --> 00:28:01,639 Speaker 3: They trapped. You're trapped with that person. 527 00:28:02,840 --> 00:28:09,320 Speaker 2: Yes, very yeah, very loyal, very dedicated to those people. 528 00:28:09,720 --> 00:28:13,119 Speaker 3: Okay, and how long have you been, uh, you know, 529 00:28:13,359 --> 00:28:14,359 Speaker 3: studying all of this. 530 00:28:15,160 --> 00:28:20,320 Speaker 2: Oh, I've been obsessed with this, oh like early two thousands, 531 00:28:20,359 --> 00:28:23,399 Speaker 2: oh so for twenty two years into this thing at 532 00:28:23,440 --> 00:28:23,840 Speaker 2: this point. 533 00:28:24,119 --> 00:28:26,960 Speaker 3: Maybe, I mean, I'm assuming you started on January first, 534 00:28:27,000 --> 00:28:31,159 Speaker 3: two thousand. Yeah, I a bit of time and now 535 00:28:31,560 --> 00:28:32,439 Speaker 3: what got you into it? 536 00:28:32,960 --> 00:28:34,840 Speaker 2: A friend of mine just came over and did one 537 00:28:34,840 --> 00:28:38,120 Speaker 2: of these little salons. Do you do salons? I feel 538 00:28:38,160 --> 00:28:39,960 Speaker 2: like you do the word done a salon. I should 539 00:28:39,960 --> 00:28:43,400 Speaker 2: do a soon, once you know we're all right. We've 540 00:28:43,520 --> 00:28:44,760 Speaker 2: been in this house for two years. 541 00:28:44,800 --> 00:28:48,000 Speaker 3: I've had like currently like you and Annalis being here 542 00:28:48,080 --> 00:28:50,440 Speaker 3: is almost as many people as I've had at one time. 543 00:28:51,240 --> 00:28:54,080 Speaker 3: I get so anxious about having people over, but a 544 00:28:54,120 --> 00:28:55,240 Speaker 3: salon would be terrific. 545 00:28:55,400 --> 00:28:57,240 Speaker 2: So you say anxious, and then I think, oh, maybe 546 00:28:57,280 --> 00:28:57,800 Speaker 2: he's a six. 547 00:28:57,920 --> 00:29:01,760 Speaker 3: I'm a very anxious person, are you? Okayly anxious? It's 548 00:29:01,800 --> 00:29:06,000 Speaker 3: not helped by my caffeine consumption, or my career choice 549 00:29:07,600 --> 00:29:10,200 Speaker 3: or just anything that I've kind of brought into my life. 550 00:29:10,240 --> 00:29:13,760 Speaker 3: But yeah, maybe I am a loyalist. I'm not well, 551 00:29:13,840 --> 00:29:16,440 Speaker 3: maybe I am gullible. I don't know. The only way 552 00:29:16,560 --> 00:29:18,160 Speaker 3: is the only way to find that out is for 553 00:29:18,200 --> 00:29:21,400 Speaker 3: someone to lie to me, someone to deceive or trick, 554 00:29:22,240 --> 00:29:25,280 Speaker 3: and I don't feel like I tricked that often. But 555 00:29:25,360 --> 00:29:27,560 Speaker 3: I don't know what the other options are. Obviously you've 556 00:29:27,640 --> 00:29:31,080 Speaker 3: identified some things. If you had to guess right now, 557 00:29:31,160 --> 00:29:32,040 Speaker 3: what would you say I am? 558 00:29:32,480 --> 00:29:34,520 Speaker 2: If I had to guess now, I'd say seven. That 559 00:29:34,600 --> 00:29:36,400 Speaker 2: was a That was the one that I was leaning 560 00:29:36,400 --> 00:29:39,480 Speaker 2: towards most towards the end, the enthusiast. 561 00:29:39,480 --> 00:29:40,280 Speaker 3: And what does that mean? 562 00:29:40,880 --> 00:29:44,960 Speaker 2: It's someone who see This is why it's difficult, because 563 00:29:44,960 --> 00:29:47,680 Speaker 2: I don't you don't seem a classic number in any 564 00:29:47,720 --> 00:29:50,600 Speaker 2: of them. But the reason why I thought of enthusiast 565 00:29:50,640 --> 00:29:54,040 Speaker 2: is that you have a wide knowledge base. You seem 566 00:29:54,120 --> 00:29:57,200 Speaker 2: to know a lot. You can carry on a conversation 567 00:29:57,280 --> 00:29:58,680 Speaker 2: with a lot of different people. I feel I can 568 00:29:58,720 --> 00:30:00,840 Speaker 2: be able to have a touch tone on something that 569 00:30:01,880 --> 00:30:04,600 Speaker 2: would be interesting to them. Is that is that? Is that? 570 00:30:05,400 --> 00:30:08,800 Speaker 3: Uh? Yeah, I'll accept that. I mean, I don't know 571 00:30:08,800 --> 00:30:13,720 Speaker 3: if it's just uh, I would uh be careful about 572 00:30:13,720 --> 00:30:17,640 Speaker 3: saying that I know much of anything at all. But 573 00:30:17,720 --> 00:30:20,120 Speaker 3: I do feel like I'm at least happy to talk 574 00:30:20,120 --> 00:30:22,840 Speaker 3: about things. I'm curious to hear what people have to 575 00:30:22,920 --> 00:30:27,360 Speaker 3: say about things. Right, very few things, very few topics 576 00:30:27,400 --> 00:30:31,560 Speaker 3: bore me. Mmmm so maybe that maybe that's true. I 577 00:30:31,560 --> 00:30:33,000 Speaker 3: don't know. The enthusiast. 578 00:30:33,200 --> 00:30:34,440 Speaker 2: That sounds very seven. 579 00:30:34,800 --> 00:30:38,920 Speaker 3: Okay, So what's your husband? My husband's A four A 580 00:30:39,040 --> 00:30:39,920 Speaker 3: four which. 581 00:30:39,680 --> 00:30:41,760 Speaker 2: Is which is an individualist? 582 00:30:42,120 --> 00:30:46,560 Speaker 3: Oh and is this kind of a a zodiac style 583 00:30:46,640 --> 00:30:50,080 Speaker 3: thing where it's like personality types can clash or does 584 00:30:50,120 --> 00:30:50,840 Speaker 3: any of that matter? 585 00:30:51,520 --> 00:30:56,120 Speaker 2: I don't think so. I mean, I you know, with 586 00:30:56,200 --> 00:30:59,000 Speaker 2: all of these things, it's it's they're all levels. So 587 00:30:59,200 --> 00:31:01,840 Speaker 2: if someone's a very very healthy any of these numbers, 588 00:31:02,160 --> 00:31:03,800 Speaker 2: it's going to be easier to get along with that 589 00:31:03,840 --> 00:31:07,080 Speaker 2: person than an unhealthy version of any of them. 590 00:31:07,160 --> 00:31:09,160 Speaker 3: What does it mean to be an unhealthy version of that? 591 00:31:10,240 --> 00:31:14,360 Speaker 2: So? For instance, so the personality or how I think 592 00:31:14,400 --> 00:31:19,080 Speaker 2: of personality is is almost the way you first learned 593 00:31:19,120 --> 00:31:22,120 Speaker 2: to deal with problems. So as a child, what were 594 00:31:22,160 --> 00:31:26,000 Speaker 2: your first tools that you went to that you use 595 00:31:26,040 --> 00:31:26,360 Speaker 2: a lot? 596 00:31:26,840 --> 00:31:27,080 Speaker 3: Right? 597 00:31:27,120 --> 00:31:31,560 Speaker 2: And when someone's really maybe not healthy, it's very obvious 598 00:31:31,640 --> 00:31:34,800 Speaker 2: what those tools are because they grip them very hard, 599 00:31:34,960 --> 00:31:37,800 Speaker 2: they're very desperate to use them, and it's you can 600 00:31:37,840 --> 00:31:42,560 Speaker 2: label it very easily. So when someone's very healthy, yes, 601 00:31:42,600 --> 00:31:45,200 Speaker 2: they know those tools that come easy to them, but 602 00:31:45,200 --> 00:31:48,680 Speaker 2: they're able to use other tools. Oh, they're able to 603 00:31:48,680 --> 00:31:53,360 Speaker 2: cope in different ways and don't have to go to 604 00:31:53,440 --> 00:31:54,920 Speaker 2: like a triggered response to anything. 605 00:31:55,240 --> 00:31:59,200 Speaker 3: Right. Yeah, So has any of this gotten you in 606 00:31:59,200 --> 00:32:01,440 Speaker 3: trouble with friends? Family where you're like, I think you're 607 00:32:01,480 --> 00:32:04,080 Speaker 3: a nonhealthy investigator, and you just have to admit it 608 00:32:04,080 --> 00:32:04,640 Speaker 3: to yourself. 609 00:32:07,160 --> 00:32:09,320 Speaker 2: Yeah, I mean, I do think that a part of 610 00:32:10,440 --> 00:32:12,800 Speaker 2: a part of the danger of any of this stuff 611 00:32:13,320 --> 00:32:16,239 Speaker 2: is one using it as an excuse for yourself. Right, 612 00:32:16,600 --> 00:32:19,840 Speaker 2: I can't, I'm such a six. I'm so I'm so anxious. 613 00:32:19,880 --> 00:32:22,480 Speaker 2: I just couldn't. I couldn't do that. I can't, I'm 614 00:32:22,480 --> 00:32:25,560 Speaker 2: a six, you know. Or labeling someone else and not 615 00:32:26,800 --> 00:32:28,840 Speaker 2: you know, putting them in such a tight box, kind 616 00:32:28,840 --> 00:32:32,280 Speaker 2: of weaponizing in no way. Definitely, that little bit of knowledge, 617 00:32:32,440 --> 00:32:34,680 Speaker 2: you know, is so dangerous. 618 00:32:35,560 --> 00:32:38,240 Speaker 3: I mean, that's how I'm going to use this explicitly 619 00:32:38,280 --> 00:32:40,040 Speaker 3: from now on. I'm going to memorize this book and 620 00:32:40,080 --> 00:32:41,760 Speaker 3: just start pointing out everybody. 621 00:32:41,440 --> 00:32:43,400 Speaker 2: Labeling people snap labels. 622 00:32:43,560 --> 00:32:45,880 Speaker 3: I'm going to create an online database of everyone I 623 00:32:45,920 --> 00:32:51,200 Speaker 3: know and really lay it out for people. So for me, 624 00:32:51,360 --> 00:32:55,160 Speaker 3: now I have this book, what is my best path 625 00:32:55,200 --> 00:32:57,560 Speaker 3: forward with this? I should just read through and see 626 00:32:57,600 --> 00:33:01,120 Speaker 3: what reflect on each one and see if it is 627 00:33:01,240 --> 00:33:02,239 Speaker 3: me or what do I do? 628 00:33:02,520 --> 00:33:04,720 Speaker 2: Well? There is I take it back. There is a 629 00:33:04,840 --> 00:33:07,640 Speaker 2: kind of a little bit of a work book aspect 630 00:33:07,680 --> 00:33:10,760 Speaker 2: to it, because at the beginning of each chapter you 631 00:33:10,840 --> 00:33:13,600 Speaker 2: can ask yourself I don't know if it's ten questions 632 00:33:13,720 --> 00:33:16,080 Speaker 2: or something, and you can give it a number. Oh, no, 633 00:33:16,520 --> 00:33:18,560 Speaker 2: by the if you that's like a quick test. So 634 00:33:18,600 --> 00:33:21,280 Speaker 2: you go through all nine and you can say, oh this, 635 00:33:21,720 --> 00:33:24,440 Speaker 2: you know this number. I listed all fives, which is 636 00:33:24,440 --> 00:33:27,080 Speaker 2: the highest, right, uh? And then I'll kind of. 637 00:33:27,080 --> 00:33:30,120 Speaker 3: See my problem with anything that requires like a between 638 00:33:30,160 --> 00:33:34,040 Speaker 3: one and five. Yes, I overthink and cheat where I'm like, 639 00:33:34,040 --> 00:33:36,800 Speaker 3: I think the system wants this from me, right, and 640 00:33:36,880 --> 00:33:38,760 Speaker 3: I think this is what I will. I have such 641 00:33:38,760 --> 00:33:42,160 Speaker 3: a hard time being a blank or just like uh, 642 00:33:42,640 --> 00:33:44,960 Speaker 3: you know, like almost a stream of consciousness where it's 643 00:33:45,000 --> 00:33:46,920 Speaker 3: just like this is the true answer coming straight from 644 00:33:46,960 --> 00:33:48,800 Speaker 3: my brain. It's like it has to overcome all of 645 00:33:48,840 --> 00:33:51,280 Speaker 3: these different walls before it gets to But let's let 646 00:33:51,320 --> 00:33:52,520 Speaker 3: me see if I can find one of these and 647 00:33:52,560 --> 00:33:55,560 Speaker 3: see if I can take rapid fire answer, and we'll 648 00:33:55,560 --> 00:33:58,120 Speaker 3: see if we can discover something about my personality. I'll 649 00:33:58,120 --> 00:34:01,640 Speaker 3: probably uncover some horrible truth and this will just become 650 00:34:01,640 --> 00:34:04,800 Speaker 3: a really dark episode. Let's try the chat. 651 00:34:04,880 --> 00:34:05,600 Speaker 2: Oh I love it. 652 00:34:05,680 --> 00:34:08,759 Speaker 3: Okay, Okay, go ahead, Yes, let's both answer do you 653 00:34:08,800 --> 00:34:11,960 Speaker 3: want to answer sure? Sure? Number one? And do you 654 00:34:11,960 --> 00:34:14,200 Speaker 3: have to answer between? Okay, one not at all true, 655 00:34:14,200 --> 00:34:17,600 Speaker 3: too seldom true, three somewhat true for generally true, and 656 00:34:17,680 --> 00:34:22,440 Speaker 3: five very true. Number one. I am extremely independent and 657 00:34:22,520 --> 00:34:24,680 Speaker 3: don't like having to rely on others for what I 658 00:34:24,719 --> 00:34:29,200 Speaker 3: really need for me. That's number five. Ah four okay, okay. 659 00:34:29,480 --> 00:34:32,640 Speaker 3: Number two, I feel that you have to break some 660 00:34:32,719 --> 00:34:37,000 Speaker 3: eggs to make an omelet. I'm gonna say two yeah, 661 00:34:37,000 --> 00:34:40,040 Speaker 3: one yeah, that's like the idea of causing trouble to 662 00:34:40,080 --> 00:34:43,120 Speaker 3: get what you want feels tough to me. Number three. 663 00:34:43,200 --> 00:34:46,520 Speaker 3: When I care about people, I often begin to think 664 00:34:46,560 --> 00:34:49,000 Speaker 3: of them as my people and feel like I need 665 00:34:49,040 --> 00:34:53,400 Speaker 3: to watch out for their interests. Ooh, I'm gonna say four. 666 00:34:53,760 --> 00:34:57,000 Speaker 2: One. Wow. I mean I care about people, but I 667 00:34:57,080 --> 00:35:00,680 Speaker 2: don't I don't put Yeah. 668 00:35:00,239 --> 00:35:03,600 Speaker 3: The thing about this one that's very untrue for me 669 00:35:03,719 --> 00:35:06,719 Speaker 3: is I cannot imagine in any universe referring to my 670 00:35:06,760 --> 00:35:09,400 Speaker 3: friends as my people. That doesn't feel in line with 671 00:35:09,440 --> 00:35:12,479 Speaker 3: my personality whatsoever. I would feel like an enormous dork. 672 00:35:13,600 --> 00:35:16,319 Speaker 3: Let's do two more, okay. Number four. I know how 673 00:35:16,320 --> 00:35:18,799 Speaker 3: to get results. I know how to reward people and 674 00:35:18,840 --> 00:35:20,960 Speaker 3: how to put pressure on them to get things done. 675 00:35:21,520 --> 00:35:24,880 Speaker 3: I'm gonna say that's I think that's a two for me. 676 00:35:25,040 --> 00:35:26,280 Speaker 3: That feels pushy. 677 00:35:26,680 --> 00:35:27,360 Speaker 2: Yeah, I'm not. 678 00:35:28,160 --> 00:35:33,360 Speaker 3: And the idea of rewarding people for doing things feels bonkers. Okay, 679 00:35:33,480 --> 00:35:36,840 Speaker 3: you said a one, yeah, one, okay. And number five, 680 00:35:37,640 --> 00:35:40,440 Speaker 3: I do not have much sympathy. I do not have 681 00:35:40,520 --> 00:35:44,480 Speaker 3: much sympathy for those who are weak and facilitating or vacillating. 682 00:35:44,520 --> 00:35:49,759 Speaker 3: Excuse me, weakness just invites trouble. This I'm saying number one, 683 00:35:49,840 --> 00:35:51,800 Speaker 3: this is starting to this person's starting to sound like 684 00:35:51,840 --> 00:35:52,600 Speaker 3: a psychotomy. 685 00:35:52,680 --> 00:35:54,880 Speaker 2: Yeah, this is a this is a real low and 686 00:35:54,960 --> 00:36:04,560 Speaker 2: at least is laughing. I'm just mortified. Is this you? No? 687 00:36:04,640 --> 00:36:05,840 Speaker 2: I never want to meet this person? 688 00:36:05,880 --> 00:36:08,960 Speaker 3: Oh oh oh oh gotchalys wants nothing to do with 689 00:36:09,000 --> 00:36:12,080 Speaker 3: the challenger. We've probably all met a challenger at some point, 690 00:36:12,080 --> 00:36:15,840 Speaker 3: but this sort of person seems cruel, Yes. 691 00:36:15,880 --> 00:36:20,400 Speaker 2: At their worst, cruel at their best. A leader, like 692 00:36:20,400 --> 00:36:24,040 Speaker 2: a brave soul that puts themselves in front of weaker 693 00:36:24,480 --> 00:36:26,840 Speaker 2: I shouldn't say weaker, but people who need help, people 694 00:36:26,840 --> 00:36:28,480 Speaker 2: who need need a champion. 695 00:36:28,680 --> 00:36:31,000 Speaker 3: Yeah right, yeah, I guess I'm looking at these things 696 00:36:31,040 --> 00:36:34,480 Speaker 3: as probably because I've dealt with unhealthy challenger four and 697 00:36:34,520 --> 00:36:36,560 Speaker 3: I'm like, oh, that sort of behavior is bad. But 698 00:36:36,640 --> 00:36:39,799 Speaker 3: I guess a healthy challenger you don't even know. They're 699 00:36:39,840 --> 00:36:42,919 Speaker 3: just guiding. Or maybe the three of us are all 700 00:36:42,960 --> 00:36:46,279 Speaker 3: excellent challengers and we just don't know it. There's really 701 00:36:46,360 --> 00:36:48,520 Speaker 3: no saying. Well, that reveals a little bit about both 702 00:36:48,520 --> 00:36:51,920 Speaker 3: of our personalities, basically saying that you can bully us 703 00:36:51,960 --> 00:36:55,600 Speaker 3: into doing whatever you want if you're a challenger, come 704 00:36:55,640 --> 00:36:59,360 Speaker 3: into our lives and manipulate us. Reward, punish. 705 00:37:00,040 --> 00:37:01,440 Speaker 2: But you know why I wrote so much, as so 706 00:37:01,480 --> 00:37:03,680 Speaker 2: many doodles down at first, is that I feel like 707 00:37:03,719 --> 00:37:06,080 Speaker 2: you're someone, at least on this podcast, that that you're 708 00:37:06,080 --> 00:37:10,319 Speaker 2: not afraid of saying a controversial thought though you think so, 709 00:37:10,760 --> 00:37:13,480 Speaker 2: Oh your opinions for sure. 710 00:37:13,840 --> 00:37:16,880 Speaker 3: Okay, I suppose that's Wait did you doodle on the Challenger? 711 00:37:17,000 --> 00:37:18,480 Speaker 2: I did not? 712 00:37:18,880 --> 00:37:22,399 Speaker 3: Oh there is it did? Interesting And again I didn't 713 00:37:22,400 --> 00:37:24,920 Speaker 3: even notice it because it looks like illustrations within the book. 714 00:37:26,400 --> 00:37:30,040 Speaker 3: You need to become an illustrator for Personality Test? 715 00:37:30,080 --> 00:37:31,520 Speaker 2: Oh is that a job? 716 00:37:32,440 --> 00:37:32,640 Speaker 3: Now? 717 00:37:33,160 --> 00:37:33,319 Speaker 1: Oh? 718 00:37:33,320 --> 00:37:35,680 Speaker 3: I would love you should get your own special edition 719 00:37:35,719 --> 00:37:38,560 Speaker 3: of this book. Okay, I'm a little forward in the beginning. 720 00:37:38,640 --> 00:37:40,759 Speaker 3: I'll do a blurb on the back. Oh, I love it. 721 00:37:41,960 --> 00:37:45,560 Speaker 3: That feels like a celib Yes, okay, so you think 722 00:37:45,600 --> 00:37:47,080 Speaker 3: I am partially a challenger? 723 00:37:47,160 --> 00:37:50,480 Speaker 2: Interesting, well do you see that this is my problem? 724 00:37:50,480 --> 00:37:54,720 Speaker 2: I can't stop. Do you find it easy to say 725 00:37:54,760 --> 00:37:56,760 Speaker 2: what it is that you think and back up your opinion? 726 00:37:58,040 --> 00:38:03,399 Speaker 3: I will say on the on a podcast that I host, absolutely, absolutely, 727 00:38:04,200 --> 00:38:06,879 Speaker 3: In my day to day interactions at work, that sort 728 00:38:06,880 --> 00:38:08,720 Speaker 3: of thing a much different. 729 00:38:09,200 --> 00:38:10,160 Speaker 2: Okay. 730 00:38:10,200 --> 00:38:15,560 Speaker 3: I feel like on a podcast, this is my job, 731 00:38:16,080 --> 00:38:18,000 Speaker 3: so I'm like, if I'm not doing this, what am 732 00:38:18,040 --> 00:38:18,399 Speaker 3: I doing? 733 00:38:18,800 --> 00:38:18,920 Speaker 1: Right? 734 00:38:19,080 --> 00:38:21,400 Speaker 3: But then when I'm around other people, I'm very careful 735 00:38:21,440 --> 00:38:25,160 Speaker 3: about other people's feelings and like wanting everyone to be happy, 736 00:38:25,200 --> 00:38:29,440 Speaker 3: probably to a fault at the time. Oh okay, so 737 00:38:29,480 --> 00:38:31,880 Speaker 3: what what what are we saying here? Is it? Do 738 00:38:31,920 --> 00:38:35,359 Speaker 3: I need to transfer my podcast personality into my real 739 00:38:35,400 --> 00:38:39,560 Speaker 3: life and suddenly I'm making millions of dollars a year, 740 00:38:40,160 --> 00:38:44,480 Speaker 3: I'm Titan of industry and people say Bridge is a 741 00:38:44,560 --> 00:38:46,080 Speaker 3: challenger if we know it? 742 00:38:47,719 --> 00:38:49,640 Speaker 2: Laughing again, I'm sorry. I don't know if this is 743 00:38:49,680 --> 00:38:51,719 Speaker 2: part of the podcast for me to comment every time 744 00:38:51,760 --> 00:38:53,560 Speaker 2: ant at least last, but I just this is. 745 00:38:53,480 --> 00:38:55,520 Speaker 3: The thrill and I'll say it a billion times of 746 00:38:55,600 --> 00:38:58,640 Speaker 3: recording a podcast in person, getting to comment on a 747 00:38:58,680 --> 00:39:02,600 Speaker 3: shared reality. Oh there's nothing I like more. I I'm 748 00:39:02,719 --> 00:39:06,360 Speaker 3: so tired of zoom. So when someone comes to the backyard, 749 00:39:06,400 --> 00:39:11,720 Speaker 3: I think, oh, reality exists, and the listener better be thrilled. 750 00:39:12,080 --> 00:39:16,000 Speaker 3: They better be thrilled. I'll find them and I will 751 00:39:16,000 --> 00:39:18,799 Speaker 3: add them to my database where I will track down 752 00:39:18,840 --> 00:39:23,280 Speaker 3: their personality and shame them. So just be aware of that, listener. Okay, 753 00:39:23,320 --> 00:39:24,479 Speaker 3: so you're a number four. 754 00:39:25,280 --> 00:39:27,799 Speaker 2: I'm a sixth and six husbands before. 755 00:39:27,560 --> 00:39:30,799 Speaker 3: That's right, and I'm all over the place. I can't 756 00:39:30,800 --> 00:39:31,360 Speaker 3: be counted on. 757 00:39:33,880 --> 00:39:36,000 Speaker 2: I'm just like you're an onion. We need to peep 758 00:39:37,200 --> 00:39:38,800 Speaker 2: what is at the root? 759 00:39:39,120 --> 00:39:43,280 Speaker 3: Someone get me a new therapist. Well, this is fascinating. 760 00:39:43,320 --> 00:39:45,640 Speaker 3: I can't I really can't wait to find out. Oh, 761 00:39:45,760 --> 00:39:48,440 Speaker 3: this is just changing to a page on six that 762 00:39:48,480 --> 00:39:52,080 Speaker 3: says daring to follow your heart and it's uh. I 763 00:39:52,080 --> 00:39:53,920 Speaker 3: think that's good advice that we need to dare to 764 00:39:53,960 --> 00:39:55,840 Speaker 3: follow our heart. And it gives you some prompts and 765 00:39:55,880 --> 00:39:58,000 Speaker 3: things like this. Do you still go back to this 766 00:39:58,040 --> 00:39:58,840 Speaker 3: book on occasion? 767 00:39:59,040 --> 00:40:01,080 Speaker 2: I do. I love it. And you know, it's actually 768 00:40:01,239 --> 00:40:04,400 Speaker 2: really great for writers and it's really great for actors 769 00:40:04,400 --> 00:40:04,799 Speaker 2: as well. 770 00:40:04,960 --> 00:40:07,799 Speaker 3: Oh, I bet, how do you use it as an actor. 771 00:40:08,760 --> 00:40:12,759 Speaker 2: Well for an actor. Sometimes for me it's helpful for 772 00:40:12,800 --> 00:40:15,200 Speaker 2: me to know what I think that character's number is, 773 00:40:15,360 --> 00:40:18,280 Speaker 2: if it's the same as mine, if it's different than mine, 774 00:40:18,840 --> 00:40:23,040 Speaker 2: and I can read more about them. You can find 775 00:40:23,040 --> 00:40:25,800 Speaker 2: little nooks and crannies that might not be so obvious, 776 00:40:27,160 --> 00:40:30,399 Speaker 2: you know, for myself, their thought patterns are why they're 777 00:40:30,400 --> 00:40:33,480 Speaker 2: motivated to do certain things. And then for writing, I 778 00:40:33,520 --> 00:40:37,239 Speaker 2: find it's really interesting in a way to keep your 779 00:40:37,360 --> 00:40:40,760 Speaker 2: characters separate, because sometimes your characters kind of will start. 780 00:40:40,520 --> 00:40:45,799 Speaker 3: To bleed together and have different names. Yes, yes, and 781 00:40:45,840 --> 00:40:49,879 Speaker 3: I'll just be like a swamp of characteristics. Right, Yes, 782 00:40:49,960 --> 00:40:51,640 Speaker 3: I know that failing very well, and. 783 00:40:51,560 --> 00:40:54,719 Speaker 2: So I like this because you can kind of try 784 00:40:54,719 --> 00:40:56,840 Speaker 2: to keep their motivations very separate. 785 00:40:56,880 --> 00:41:00,799 Speaker 3: And why yeah, right, somebody should do a show that's 786 00:41:00,880 --> 00:41:03,279 Speaker 3: just all nine personality types. Each character is one of 787 00:41:03,320 --> 00:41:05,920 Speaker 3: the is one of the personality types. And I think 788 00:41:05,920 --> 00:41:08,640 Speaker 3: you're the leader of the group, You're kind of I 789 00:41:08,680 --> 00:41:11,160 Speaker 3: think we're developing a show in the moment here. This 790 00:41:11,200 --> 00:41:11,760 Speaker 3: is again. 791 00:41:13,760 --> 00:41:16,480 Speaker 2: We are working it out. We will be pitching to 792 00:41:16,960 --> 00:41:18,759 Speaker 2: NBC next week. 793 00:41:19,000 --> 00:41:22,520 Speaker 3: Look out this fall on NBC The Personalities. 794 00:41:22,760 --> 00:41:25,200 Speaker 2: Yes, is this I mean that that name right there, 795 00:41:25,280 --> 00:41:27,520 Speaker 2: I'm intrigued. I'm clicking on that. 796 00:41:29,120 --> 00:41:31,399 Speaker 3: Well. I mean, if nothing else, I like to throw 797 00:41:31,440 --> 00:41:33,880 Speaker 3: an idea out on this podcast, not do any of 798 00:41:33,880 --> 00:41:35,600 Speaker 3: the work on it, wait for someone else to do it, 799 00:41:35,640 --> 00:41:38,000 Speaker 3: and then sue. That feels like an easier way to 800 00:41:38,040 --> 00:41:40,160 Speaker 3: money to me. Just throw the idea out there, have 801 00:41:40,239 --> 00:41:42,440 Speaker 3: the audio recording, and then improve you. 802 00:41:42,560 --> 00:41:45,800 Speaker 2: Like, wait a minute, six months from now the personality 803 00:41:46,040 --> 00:41:46,960 Speaker 2: CBS what. 804 00:41:48,760 --> 00:41:52,520 Speaker 3: I will own the new work? Oh boy, well this 805 00:41:52,640 --> 00:41:55,160 Speaker 3: is so exciting. I can't wait to give this a shot. 806 00:41:55,200 --> 00:41:59,000 Speaker 3: And I'm also just thrilled with your illustrations. So if 807 00:41:59,040 --> 00:42:00,439 Speaker 3: you don't mind, I'm going to share some of those 808 00:42:00,440 --> 00:42:02,839 Speaker 3: on Instagram. People need to see. We've got to get 809 00:42:02,840 --> 00:42:06,360 Speaker 3: your illustrating career off the ground. That's something else you 810 00:42:06,360 --> 00:42:10,320 Speaker 3: should be doing. And and then, of course, in addition 811 00:42:10,360 --> 00:42:13,080 Speaker 3: to the work of our television show The Personalities this 812 00:42:13,239 --> 00:42:19,560 Speaker 3: fall maybe on ABC, we've got to go for the 813 00:42:19,600 --> 00:42:22,960 Speaker 3: big four PBS. We can't leave PBS. 814 00:42:23,320 --> 00:42:24,160 Speaker 2: PBS. 815 00:42:24,320 --> 00:42:26,480 Speaker 3: We could develop kind of a show for PBS where 816 00:42:26,480 --> 00:42:29,720 Speaker 3: no one makes any money and the show is forgotten. Yes, 817 00:42:29,920 --> 00:42:33,080 Speaker 3: that feels right. This the front of this cover looks 818 00:42:33,160 --> 00:42:34,239 Speaker 3: very PBS to me. 819 00:42:34,320 --> 00:42:36,600 Speaker 2: It kind of does. It has a little Bob Ross. 820 00:42:36,719 --> 00:42:39,480 Speaker 3: Yes, and you know you're going to be nurtured by 821 00:42:39,520 --> 00:42:44,239 Speaker 3: whatever happens inside it. We love PBS. Okay, I think 822 00:42:44,239 --> 00:42:45,040 Speaker 3: we should play a game. 823 00:42:45,239 --> 00:42:45,560 Speaker 2: Okay. 824 00:42:46,239 --> 00:42:48,160 Speaker 3: Do you want to play a game called Gift Master 825 00:42:48,360 --> 00:42:49,640 Speaker 3: or a game called gift or a curse? 826 00:42:50,440 --> 00:42:51,400 Speaker 2: Gift or a curse? 827 00:42:51,600 --> 00:42:54,120 Speaker 3: Okay? I need a number between one and ten from you. 828 00:42:54,719 --> 00:42:55,120 Speaker 2: Nine. 829 00:42:55,280 --> 00:42:57,439 Speaker 3: Okay, I have to do some light calculating. You can 830 00:42:57,600 --> 00:43:01,040 Speaker 3: you have the mic for a moment? Hey, you can wreck, commend, promote, 831 00:43:01,680 --> 00:43:05,520 Speaker 3: say hello, diagnose somebody's personality, whatever you want. I'll be right. 832 00:43:05,520 --> 00:43:13,160 Speaker 2: Okay, Hello, listeners, I am coming to you live for me, 833 00:43:13,640 --> 00:43:16,640 Speaker 2: not for you. This is not live for you because 834 00:43:16,680 --> 00:43:19,360 Speaker 2: you are not here right now, right now. It's just 835 00:43:19,800 --> 00:43:26,439 Speaker 2: the three of us, us humble, beautiful, brilliant three as 836 00:43:26,480 --> 00:43:29,480 Speaker 2: we sit in that I'm not really actually promoting anything, 837 00:43:29,719 --> 00:43:34,399 Speaker 2: just a stream of consciousness, unlike Bridger, who apparently can 838 00:43:34,800 --> 00:43:43,399 Speaker 2: do it. So you are a challenger a little bit. 839 00:43:43,719 --> 00:43:45,680 Speaker 2: Maybe just it brought it out of me. Reading that 840 00:43:45,800 --> 00:43:48,080 Speaker 2: chapter just awakened the challenge within. 841 00:43:49,600 --> 00:43:53,920 Speaker 3: Hopefully this episode is a woken is a woken A word. 842 00:43:53,920 --> 00:43:58,399 Speaker 2: Is awaken awakens, awakened, I can't be ready waken up. 843 00:43:58,840 --> 00:44:03,040 Speaker 3: Yeah, but that doesn't sound as important, has you know? 844 00:44:03,239 --> 00:44:06,520 Speaker 3: Sparked the Challenger and all of our listeners and hopefully 845 00:44:06,520 --> 00:44:08,640 Speaker 3: they're ready to move into the world and kind of 846 00:44:08,680 --> 00:44:12,000 Speaker 3: take over. But right now is the time for the game. 847 00:44:12,400 --> 00:44:14,719 Speaker 3: This is called gift or a curse. I'm gonna name 848 00:44:14,760 --> 00:44:16,680 Speaker 3: three things. You're gonna tell me if there are a 849 00:44:16,680 --> 00:44:20,319 Speaker 3: gift or a curse and why? Okay, and there are 850 00:44:20,360 --> 00:44:25,320 Speaker 3: correct answers. So you could leave my home today in tears. Okay, 851 00:44:25,400 --> 00:44:28,160 Speaker 3: so just be careful. Okay. Number one, gift your a curse. 852 00:44:28,200 --> 00:44:30,680 Speaker 3: This is from a listener named Aaron, and she has 853 00:44:30,719 --> 00:44:34,520 Speaker 3: suggested gift or a curse tiny sunglasses. 854 00:44:35,520 --> 00:44:42,880 Speaker 2: Ooh, curse tiny sunglasses for what purpose? Oh no, no, no, no, no, no, 855 00:44:43,000 --> 00:44:46,040 Speaker 2: that's that's that's like you don't even have to check 856 00:44:46,080 --> 00:44:51,120 Speaker 2: your Merry Condo book on that one. 857 00:44:51,360 --> 00:44:57,160 Speaker 3: You're absolutely correct. Tiny sunglasses have never they I think 858 00:44:57,200 --> 00:44:59,359 Speaker 3: they have tried to make a comeback and may still 859 00:44:59,400 --> 00:45:00,960 Speaker 3: be trying to make it come back in some way. 860 00:45:01,080 --> 00:45:03,400 Speaker 3: I think in the early thousands people were wearing the 861 00:45:03,440 --> 00:45:06,680 Speaker 3: tiny sunglasses. They vanished for a while and we were 862 00:45:06,719 --> 00:45:10,000 Speaker 3: all in kind of normal size sunglasses. And now I 863 00:45:10,160 --> 00:45:13,360 Speaker 3: believe and this is you know, people come to me 864 00:45:13,440 --> 00:45:17,720 Speaker 3: for trend to Watch twenty twenty two. Of course, tiny 865 00:45:17,719 --> 00:45:20,960 Speaker 3: sunglasses are trying to creep back into the public and 866 00:45:21,520 --> 00:45:24,279 Speaker 3: they make everyone look like a pervert. They make you 867 00:45:24,280 --> 00:45:28,080 Speaker 3: look strange and weird, and there's nothing normal or flattering 868 00:45:28,080 --> 00:45:33,160 Speaker 3: about them. You look wacky, just like a wacky person 869 00:45:33,200 --> 00:45:36,080 Speaker 3: wearing a tiny sunglass. I believe, you know, kind of 870 00:45:36,080 --> 00:45:39,879 Speaker 3: the matrix was popularize them. Oh this kind of thing. 871 00:45:40,800 --> 00:45:44,160 Speaker 3: I'm just saying no to tiny sunglasses. They make you 872 00:45:44,200 --> 00:45:48,080 Speaker 3: look like a little creep. Curse. Okay, so you're off 873 00:45:48,080 --> 00:45:50,680 Speaker 3: to an excellent start. Okay. Number two, this is a 874 00:45:50,680 --> 00:45:54,000 Speaker 3: little This one might well, actually it sounds like it's 875 00:45:54,000 --> 00:45:57,319 Speaker 3: an explanation in and of itself. The listener Sarah has 876 00:45:57,360 --> 00:46:00,759 Speaker 3: suggested gift to a curse. King sized beds that are 877 00:46:00,800 --> 00:46:05,160 Speaker 3: really just two twin mattresses pushed together. Get your curse. 878 00:46:07,000 --> 00:46:10,640 Speaker 2: I was gonna say, curse, no, come on, I'm a 879 00:46:10,719 --> 00:46:12,839 Speaker 2: I'm a romantic, get hurt. I was going to try 880 00:46:12,880 --> 00:46:15,600 Speaker 2: to justify that it might be okay because you could, 881 00:46:15,640 --> 00:46:17,200 Speaker 2: you know, you have your own side of the bed 882 00:46:17,239 --> 00:46:20,680 Speaker 2: and whatnot. But I'm a cuddler, and you don't want 883 00:46:20,680 --> 00:46:25,480 Speaker 2: to be in that little divot. I have to I 884 00:46:25,520 --> 00:46:27,239 Speaker 2: hate to be two curses in a row, but I 885 00:46:27,280 --> 00:46:28,799 Speaker 2: have to go with curse on that. 886 00:46:29,920 --> 00:46:37,440 Speaker 3: Okaykh answer, Oh no, no, don't do it. More people 887 00:46:37,480 --> 00:46:40,040 Speaker 3: need to know about this. I think you know. I 888 00:46:40,120 --> 00:46:42,400 Speaker 3: learned of these a little while ago, of this technique 889 00:46:42,760 --> 00:46:46,360 Speaker 3: of forcing two twin beds together to create one large bed, 890 00:46:46,400 --> 00:46:49,840 Speaker 3: and I absolutely support this. I mean, it's kind of 891 00:46:49,920 --> 00:46:52,600 Speaker 3: a convertible of beds. It's the transformer of beds. You've 892 00:46:52,600 --> 00:46:56,239 Speaker 3: got a king bed. Maybe at some point, you know, divorce, 893 00:46:56,680 --> 00:46:58,279 Speaker 3: you each get to take half the bed. 894 00:46:59,480 --> 00:47:00,800 Speaker 2: But what's is this the frame? 895 00:47:01,440 --> 00:47:02,480 Speaker 3: It's a king frame. 896 00:47:02,920 --> 00:47:04,759 Speaker 2: Well, what are you gonna saw? 897 00:47:05,200 --> 00:47:08,279 Speaker 3: Has to be burned in the divorce. I think that's 898 00:47:08,320 --> 00:47:11,080 Speaker 3: what should happen in divorce is everything that can be 899 00:47:11,080 --> 00:47:15,120 Speaker 3: split without actually breaking it should be given to one 900 00:47:15,160 --> 00:47:16,840 Speaker 3: side or the other. Everything else should be put in 901 00:47:16,880 --> 00:47:20,000 Speaker 3: a boton fire. I think that's uh. I'm willing to 902 00:47:20,239 --> 00:47:23,279 Speaker 3: launch that business. Let me know. If you need the 903 00:47:23,440 --> 00:47:26,040 Speaker 3: things that neither of you can agree on in the divorce, 904 00:47:26,040 --> 00:47:27,600 Speaker 3: I'll burn them for you. 905 00:47:27,640 --> 00:47:31,080 Speaker 2: In all seriousness, Yes, wouldn't that actually be a good business? 906 00:47:31,120 --> 00:47:31,800 Speaker 2: Could that actually? 907 00:47:32,040 --> 00:47:33,680 Speaker 3: Probably? I feel like it would catch on. 908 00:47:33,719 --> 00:47:36,040 Speaker 2: I feel like, I mean people throw axes at a bar, 909 00:47:36,480 --> 00:47:39,480 Speaker 2: you know. It feels like the same like visberal something. 910 00:47:39,719 --> 00:47:42,919 Speaker 3: You'd bring the things from your broken relationship and burn 911 00:47:42,960 --> 00:47:46,160 Speaker 3: them some kind of like I think this is great. 912 00:47:46,280 --> 00:47:47,680 Speaker 2: I don't know, there's mighty something. 913 00:47:47,719 --> 00:47:50,239 Speaker 3: I think that. And you know, you rent a warehouse space. 914 00:47:50,040 --> 00:47:53,960 Speaker 2: Or purchasing right and decorate it really funky and fun alcohol. 915 00:47:54,440 --> 00:47:58,040 Speaker 3: We send the movers to your your home or whatever 916 00:47:58,160 --> 00:48:00,400 Speaker 3: where the things need to be picked up, and you 917 00:48:00,400 --> 00:48:02,160 Speaker 3: get in the back with them. They bring you to 918 00:48:02,200 --> 00:48:04,600 Speaker 3: our warehouse and you get to burn them. Yeah, that 919 00:48:04,719 --> 00:48:05,600 Speaker 3: actually feels like. 920 00:48:05,600 --> 00:48:08,279 Speaker 2: It feels like it might something about that much. 921 00:48:08,320 --> 00:48:13,120 Speaker 3: There's something there which again I will be putting no effort. Yeah, 922 00:48:13,200 --> 00:48:15,759 Speaker 3: I'm happy to hopefully, like a year down the line, 923 00:48:15,880 --> 00:48:18,160 Speaker 3: somebody will be pitching that on Shark Tank. I'll pause 924 00:48:18,200 --> 00:48:20,680 Speaker 3: it and get my lawyer on the line. But yeah, 925 00:48:20,760 --> 00:48:22,640 Speaker 3: I think the king sized beds that are really just 926 00:48:22,680 --> 00:48:26,239 Speaker 3: two twin beds gift. I assume that it's a money 927 00:48:26,280 --> 00:48:30,799 Speaker 3: saving technique, which is great, and uh, it's also a 928 00:48:30,800 --> 00:48:33,239 Speaker 3: fun surprise. You've been sleeping on this king sized bed 929 00:48:33,280 --> 00:48:35,000 Speaker 3: for months and then you find out it's two twins. 930 00:48:35,040 --> 00:48:39,680 Speaker 3: You've been betrayed by your furniture. What a trill? Okay, finally, gift, 931 00:48:39,680 --> 00:48:45,319 Speaker 3: you're a curse, an unexpected windfall. So just you know, 932 00:48:45,440 --> 00:48:46,799 Speaker 3: a bunch of money coming to you. 933 00:48:47,200 --> 00:48:47,560 Speaker 2: Gift? 934 00:48:48,400 --> 00:48:48,680 Speaker 3: Why? 935 00:48:50,360 --> 00:48:55,000 Speaker 2: Oh you seem like it's not a wind it's not 936 00:48:55,080 --> 00:48:55,719 Speaker 2: a good thing. 937 00:48:56,000 --> 00:48:57,719 Speaker 3: I'm giving nothing away here I need to. 938 00:48:57,760 --> 00:49:05,440 Speaker 2: You're giving everything away? Bridger? Why why do you say? 939 00:49:05,600 --> 00:49:11,040 Speaker 2: Why do you say gift AGAINA why explain yourself? Let's see. 940 00:49:11,400 --> 00:49:13,080 Speaker 2: Do you like my Bridger voice? I don't know it's 941 00:49:13,120 --> 00:49:15,200 Speaker 2: being to it. It sounds nothing like you. 942 00:49:15,280 --> 00:49:17,240 Speaker 3: It's kind of a Batman village. 943 00:49:17,280 --> 00:49:24,680 Speaker 2: This is because you know money you could put it towards, uh, 944 00:49:24,840 --> 00:49:28,520 Speaker 2: things you want want to put it towards, and such 945 00:49:28,600 --> 00:49:31,560 Speaker 2: and such. I have to hear what you're thinking. What 946 00:49:31,600 --> 00:49:32,120 Speaker 2: are you thinking? 947 00:49:32,440 --> 00:49:35,279 Speaker 3: It's a curse. It's a curse. It's unexpected and the 948 00:49:35,320 --> 00:49:37,759 Speaker 3: money you're not going to know what to do with it. 949 00:49:37,800 --> 00:49:39,480 Speaker 3: So you know, I know what to do with it. 950 00:49:40,880 --> 00:49:43,960 Speaker 3: That's what everyone thinks when the unexpected windfall appears in 951 00:49:43,960 --> 00:49:44,319 Speaker 3: their lives. 952 00:49:44,480 --> 00:49:46,879 Speaker 2: Will you say windfall? How much? Are you talking. I'm 953 00:49:46,920 --> 00:49:52,160 Speaker 2: talking four hundred million dollars unexpected. I understood your meaning windfall. 954 00:49:52,239 --> 00:49:56,959 Speaker 2: We were on two different nothings. No, but I would 955 00:49:57,040 --> 00:50:02,399 Speaker 2: you know, in the hundreds of thousand, Okay, I would 956 00:50:02,480 --> 00:50:06,239 Speaker 2: would be lovely and munchie, four hundred million, I do. 957 00:50:06,440 --> 00:50:08,799 Speaker 2: There's like too too much pressure and there are too 958 00:50:08,800 --> 00:50:11,640 Speaker 2: many people that know about it. 959 00:50:10,280 --> 00:50:14,160 Speaker 3: And a curse. Yeah, suddenly you've got a target on 960 00:50:14,200 --> 00:50:17,319 Speaker 3: your back wherever you go. You're like all of your 961 00:50:17,320 --> 00:50:21,279 Speaker 3: bad habits can suddenly be supported with endless money. You're 962 00:50:21,280 --> 00:50:26,200 Speaker 3: buying Tacki mansions all over America. You know, I think 963 00:50:26,239 --> 00:50:31,080 Speaker 3: that an unexpected windfall, well, rather I know is a curse. 964 00:50:31,800 --> 00:50:34,879 Speaker 3: And unfortunately you only got one correct. Oh No, yeah 965 00:50:35,000 --> 00:50:35,279 Speaker 3: I was. 966 00:50:35,400 --> 00:50:38,040 Speaker 2: I wasn't careful and I wasn't keeping reckless. 967 00:50:38,440 --> 00:50:41,399 Speaker 3: I'll say you were absolutely reckless. You were just kind 968 00:50:41,400 --> 00:50:43,200 Speaker 3: of all over the road on this game. And it's 969 00:50:43,880 --> 00:50:46,480 Speaker 3: a shame to see it happen, but you gave it 970 00:50:46,480 --> 00:50:49,800 Speaker 3: your best efforts. Now, this is the last part of 971 00:50:49,840 --> 00:50:52,440 Speaker 3: the podcast. This is called I said no emails, people 972 00:50:52,440 --> 00:50:55,640 Speaker 3: write in two I said no gifts at gmail dot com. 973 00:50:55,960 --> 00:50:58,480 Speaker 3: I'm gonna be very honest my listeners are desperate people. 974 00:50:59,680 --> 00:51:02,880 Speaker 3: They've all got some different situation in their life that 975 00:51:02,920 --> 00:51:05,360 Speaker 3: they couldn't just solve on their own. I don't know 976 00:51:05,360 --> 00:51:07,440 Speaker 3: what personality type that is where you just put your 977 00:51:07,440 --> 00:51:12,399 Speaker 3: burden on strangers or podcast hosts. But would you help 978 00:51:12,400 --> 00:51:13,200 Speaker 3: me answer a question? 979 00:51:13,440 --> 00:51:13,960 Speaker 2: Of course? 980 00:51:14,239 --> 00:51:18,839 Speaker 3: Okay, this says Highbridger. They don't address you, which I 981 00:51:18,880 --> 00:51:22,239 Speaker 3: always find extremely rude. The least you could do is 982 00:51:22,400 --> 00:51:26,719 Speaker 3: a Highbridger and guest. But look, we'll take what we 983 00:51:26,719 --> 00:51:28,839 Speaker 3: can get. And then, of course, and now I feel 984 00:51:28,840 --> 00:51:31,160 Speaker 3: bad because the first sentence is loving the podcast. 985 00:51:31,480 --> 00:51:32,120 Speaker 2: What a shame. 986 00:51:33,400 --> 00:51:36,000 Speaker 3: I take it back. I love the way you started 987 00:51:36,000 --> 00:51:39,080 Speaker 3: this letter. Person. I am twenty six years old and 988 00:51:39,200 --> 00:51:41,040 Speaker 3: just moved to a new city because they went through 989 00:51:41,040 --> 00:51:44,080 Speaker 3: a quarter life crisis and needed a fresh start, so 990 00:51:44,280 --> 00:51:47,920 Speaker 3: I moved across the country, you know, normal stuff. Anyway, 991 00:51:48,120 --> 00:51:50,200 Speaker 3: I am making new friends who invite me out for 992 00:51:50,280 --> 00:51:52,600 Speaker 3: happy hour and such, but I still don't know them 993 00:51:52,640 --> 00:51:55,520 Speaker 3: that well. They invite me for birthday dinners and gatherings. 994 00:51:55,520 --> 00:51:57,480 Speaker 3: And I was wondering if you could help me with 995 00:51:57,719 --> 00:52:01,480 Speaker 3: default gifts right now. My defaults are are candles, wine 996 00:52:02,040 --> 00:52:05,480 Speaker 3: mugs or wineglasses, or plants. If I know the recipient 997 00:52:05,520 --> 00:52:08,400 Speaker 3: can take care of them. What are some suggestions you 998 00:52:08,560 --> 00:52:11,280 Speaker 3: have for me to add to this default gift collection? 999 00:52:11,680 --> 00:52:15,160 Speaker 3: Thank you. That's from Claire. And she's apparently now in 1000 00:52:15,239 --> 00:52:17,840 Speaker 3: New Orleans, so I don't know where. Maybe she was 1001 00:52:18,200 --> 00:52:22,400 Speaker 3: in Arizona before we'll assume Arizona. Claire formerly of Arizona, 1002 00:52:22,480 --> 00:52:26,480 Speaker 3: now of New Orleans is meeting new people and apparently 1003 00:52:26,520 --> 00:52:29,719 Speaker 3: giving a lot of gifts away, which feels like she's 1004 00:52:29,760 --> 00:52:34,040 Speaker 3: coming on very strong. Claire, I feel like I don't know. 1005 00:52:34,160 --> 00:52:36,200 Speaker 3: I by the time I've read this letter, you may 1006 00:52:36,239 --> 00:52:39,080 Speaker 3: have completely alienated yourself from all of New Orleans by 1007 00:52:39,120 --> 00:52:43,160 Speaker 3: begging them to be your friend. With candles, wine, wineglass smugs. 1008 00:52:43,280 --> 00:52:45,759 Speaker 2: That was a lot. That was a long list. Yeah, 1009 00:52:45,760 --> 00:52:49,840 Speaker 2: that's all the birthdays. It's how many birthdays? Because I 1010 00:52:49,880 --> 00:52:52,160 Speaker 2: do know that when you're when a birthday party makes 1011 00:52:52,160 --> 00:52:54,879 Speaker 2: sense to bring a gift, right, But how many birth 1012 00:52:54,960 --> 00:52:56,840 Speaker 2: how many people had birthdays in the time that she 1013 00:52:56,920 --> 00:52:57,719 Speaker 2: was there, right? 1014 00:52:58,239 --> 00:53:00,399 Speaker 3: And then it seems like this is all pretty new, 1015 00:53:00,600 --> 00:53:03,279 Speaker 3: and suddenly she knows enough people that she's going to 1016 00:53:03,560 --> 00:53:08,560 Speaker 3: birthdays where she feels close enough to bring gifts. Claire 1017 00:53:08,600 --> 00:53:11,799 Speaker 3: seems dangerous to me. Claire seems like a I mean, 1018 00:53:12,400 --> 00:53:16,200 Speaker 3: we've we've had drifters right into this podcast before, but 1019 00:53:16,440 --> 00:53:20,239 Speaker 3: Claire is textbook Like she was in Arizona. She had 1020 00:53:20,280 --> 00:53:21,040 Speaker 3: to get out fast. 1021 00:53:22,280 --> 00:53:23,120 Speaker 2: Is the dry heat? 1022 00:53:23,480 --> 00:53:26,040 Speaker 3: Yeah, the dry heat drove her, drove her out of 1023 00:53:26,080 --> 00:53:29,920 Speaker 3: her mind, and she fled to the Big Easy and 1024 00:53:30,120 --> 00:53:33,200 Speaker 3: there she started every person she met. She basically was 1025 00:53:33,200 --> 00:53:35,080 Speaker 3: carrying Santa's bag around with her. 1026 00:53:36,560 --> 00:53:36,840 Speaker 2: Heavy. 1027 00:53:36,960 --> 00:53:40,320 Speaker 3: Mugs are extremely heavy, fragile. She probably had broken wine 1028 00:53:40,320 --> 00:53:44,480 Speaker 3: glasses in this bag. She's dangerous. I've already said that, 1029 00:53:44,520 --> 00:53:47,000 Speaker 3: but now she's I guess also physically dangerous with this 1030 00:53:47,040 --> 00:53:50,719 Speaker 3: broken glass, dead plants, et cetera. But what's something What's 1031 00:53:50,719 --> 00:53:52,799 Speaker 3: something else she can throw in her bag if she 1032 00:53:53,200 --> 00:53:57,080 Speaker 3: if by the small chance that she isn't person non 1033 00:53:57,120 --> 00:54:00,000 Speaker 3: grata in New Orleans. 1034 00:54:00,080 --> 00:54:01,160 Speaker 2: Fancy soap. 1035 00:54:05,480 --> 00:54:08,760 Speaker 3: I love that, like bars soap, bottled soap. 1036 00:54:09,200 --> 00:54:12,600 Speaker 2: Powder soap is a and I I don't know, And 1037 00:54:12,640 --> 00:54:14,520 Speaker 2: I wish I knew the name because then I could 1038 00:54:14,560 --> 00:54:16,600 Speaker 2: maybe they'll give you something free for mentioning them. But 1039 00:54:16,760 --> 00:54:22,480 Speaker 2: right next to that Vus is a fancy soap place. 1040 00:54:22,520 --> 00:54:25,080 Speaker 2: It has a bottled soap for forty dollars. 1041 00:54:25,160 --> 00:54:28,000 Speaker 3: Oh, it's a place like across the street. Yeah, what 1042 00:54:28,160 --> 00:54:28,520 Speaker 3: is that place? 1043 00:54:28,600 --> 00:54:28,759 Speaker 1: Yeah? 1044 00:54:28,800 --> 00:54:31,120 Speaker 2: What is that place called? It's something? 1045 00:54:31,280 --> 00:54:34,520 Speaker 3: Does it start with an R? No? Oh, I would 1046 00:54:34,600 --> 00:54:38,359 Speaker 3: love to know. We've got to name it fancy. They 1047 00:54:38,400 --> 00:54:42,880 Speaker 3: sell like colognes, perfumes, sense and they'll like mix it 1048 00:54:42,920 --> 00:54:43,440 Speaker 3: there for you. 1049 00:54:43,560 --> 00:54:44,640 Speaker 2: Is that we can? Yes? 1050 00:54:45,360 --> 00:54:48,600 Speaker 3: Oh, forty dollars for a bottle of soap? How picks 1051 00:54:48,640 --> 00:54:49,080 Speaker 3: the bottle? 1052 00:54:49,960 --> 00:54:51,720 Speaker 2: I think it's a normal sized bottle. 1053 00:54:54,280 --> 00:54:58,560 Speaker 3: That is so expensive, isn't it? I mean, but again, 1054 00:54:58,600 --> 00:55:04,200 Speaker 3: Claire didn't set a a budget. I've heard of some candles. 1055 00:55:04,200 --> 00:55:05,960 Speaker 3: I don't know what kind of candlebuy er clear is, 1056 00:55:06,560 --> 00:55:08,240 Speaker 3: but can get very expensive. 1057 00:55:08,280 --> 00:55:10,680 Speaker 2: You ever heard these crazy prices for these. 1058 00:55:10,840 --> 00:55:14,040 Speaker 3: People are spending hundreds of dollars on a candle, and 1059 00:55:14,160 --> 00:55:16,120 Speaker 3: I don't I do think don't understand it? Do you 1060 00:55:16,120 --> 00:55:19,200 Speaker 3: think this is an Emperor's New clothes situation where it's 1061 00:55:19,239 --> 00:55:22,880 Speaker 3: like what we're imagining. It's better than the Yankee candle 1062 00:55:22,960 --> 00:55:27,760 Speaker 3: or what have you. But it's ultimately right, I guess. 1063 00:55:27,840 --> 00:55:31,719 Speaker 3: I'm sure they smell nice, But what price do we 1064 00:55:31,719 --> 00:55:34,520 Speaker 3: put on our sense? I think that's the big question today. 1065 00:55:34,960 --> 00:55:38,279 Speaker 3: And hundreds of dollars for a candle forty dollars for 1066 00:55:38,320 --> 00:55:42,919 Speaker 3: a bottle of soap feels unfair. Yeah, I will say 1067 00:55:42,920 --> 00:55:46,040 Speaker 3: that place that you go to or that you suggest 1068 00:55:46,040 --> 00:55:48,040 Speaker 3: the soap, you can go and get like a sample 1069 00:55:48,080 --> 00:55:51,360 Speaker 3: bottle for cheaper. Ooh, it's like it's probably an ounce 1070 00:55:51,480 --> 00:55:55,799 Speaker 3: for twenty dollars. Okay, that can't possibly be true. That 1071 00:55:56,600 --> 00:55:58,560 Speaker 3: is not true. Now this has just become a kind 1072 00:55:58,600 --> 00:56:01,839 Speaker 3: of a disinformation podcast. I'm I'm kind of the Joe 1073 00:56:01,920 --> 00:56:04,880 Speaker 3: Rogan of sense at this point. I'm just spreading lies 1074 00:56:05,040 --> 00:56:06,600 Speaker 3: about it. 1075 00:56:08,080 --> 00:56:09,279 Speaker 2: Yes, that is it. 1076 00:56:09,320 --> 00:56:12,080 Speaker 3: I think the place with the Yes, they used to 1077 00:56:12,120 --> 00:56:15,960 Speaker 3: have like hand stuff you outside the store even that 1078 00:56:16,000 --> 00:56:18,960 Speaker 3: you could use. It's those beautiful kind of medicinal bottles. 1079 00:56:19,320 --> 00:56:23,080 Speaker 2: Yes, and they have a sink inside where you can 1080 00:56:23,400 --> 00:56:28,239 Speaker 2: wash your hands. I love them to practice ASoP. 1081 00:56:28,440 --> 00:56:31,400 Speaker 3: That's an excellent news. Very close to our gift to 1082 00:56:32,080 --> 00:56:35,200 Speaker 3: give people, uh photos of yourself. That's a nice thing 1083 00:56:35,200 --> 00:56:37,080 Speaker 3: for a new friend because they forget with your name 1084 00:56:37,120 --> 00:56:40,520 Speaker 3: on it like a little That's a decent default gift. 1085 00:56:40,600 --> 00:56:44,560 Speaker 3: Everyone loves a live animal, you know, just take around 1086 00:56:44,600 --> 00:56:46,399 Speaker 3: like kind of a pack of dogs that you can 1087 00:56:46,440 --> 00:56:49,520 Speaker 3: give to strangers as you meet them. These don't feel 1088 00:56:49,560 --> 00:56:55,319 Speaker 3: like easy, doable, default gifts that as a new person 1089 00:56:55,400 --> 00:56:57,719 Speaker 3: from New Orleans are going to help you ease your 1090 00:56:57,719 --> 00:57:00,920 Speaker 3: way into the city. Everyone loves a ben that's, you know, 1091 00:57:01,080 --> 00:57:03,440 Speaker 3: kind of a New Orleans type snack. Maybe have one 1092 00:57:03,440 --> 00:57:06,600 Speaker 3: of those in your purse to give away. But that 1093 00:57:06,680 --> 00:57:10,080 Speaker 3: all feels right for and forgive me listener, what was 1094 00:57:10,120 --> 00:57:13,840 Speaker 3: your name? Claire? Claire from Arizona, now of New Orleans. 1095 00:57:15,680 --> 00:57:18,840 Speaker 3: I think we've answered her question perfectly. I mean, yes, again, 1096 00:57:18,920 --> 00:57:20,640 Speaker 3: we don't know if Claire is alive or dead at 1097 00:57:20,640 --> 00:57:25,120 Speaker 3: this point. She obviously lives kind of a wild life 1098 00:57:25,240 --> 00:57:30,160 Speaker 3: and she's probably got a lot of enemies, but at 1099 00:57:30,240 --> 00:57:33,120 Speaker 3: least now she has a few extra suggestions as far 1100 00:57:33,200 --> 00:57:37,320 Speaker 3: as giving things away. I've just ad a place in 1101 00:57:37,400 --> 00:57:39,640 Speaker 3: Palm Springs recently. We went in. They said you could, 1102 00:57:39,680 --> 00:57:43,760 Speaker 3: they would let you. They would like use your hand 1103 00:57:43,800 --> 00:57:46,520 Speaker 3: scrub or whatever. That a sink. The woman there could 1104 00:57:46,600 --> 00:57:50,280 Speaker 3: not have been more on cocaine. I mean, I've never 1105 00:57:50,320 --> 00:57:54,200 Speaker 3: seen anything like this before. It was the retail employee 1106 00:57:54,240 --> 00:57:58,240 Speaker 3: from another dimension. She and she wanted desperate for us 1107 00:57:58,280 --> 00:57:59,880 Speaker 3: to buy that body scrub. But I think it was 1108 00:58:00,080 --> 00:58:03,520 Speaker 3: or the drugs speaking. She had a very cocaine outfit 1109 00:58:03,600 --> 00:58:07,800 Speaker 3: all white, and did give me a decent hand scrub, 1110 00:58:08,440 --> 00:58:11,400 Speaker 3: but ultimately it was a jarring experience. So I just 1111 00:58:11,440 --> 00:58:12,680 Speaker 3: want people to be aware of. 1112 00:58:12,640 --> 00:58:18,400 Speaker 2: That she actually scrubbed your hands, scrubbed my hands, oh huh, 1113 00:58:18,440 --> 00:58:21,560 Speaker 2: coke surging through her body, and then we left without 1114 00:58:21,600 --> 00:58:21,960 Speaker 2: buying it. 1115 00:58:22,000 --> 00:58:24,200 Speaker 3: Of course, I'm not buying the hand scrub. I just 1116 00:58:24,240 --> 00:58:28,960 Speaker 3: wanted my hands to be scrubbed. It was a fascinating experience. 1117 00:58:29,000 --> 00:58:33,400 Speaker 3: So anytime somebody offers a free hand scrub, I say 1118 00:58:33,400 --> 00:58:35,600 Speaker 3: take them up on it. You never know where the 1119 00:58:35,680 --> 00:58:39,080 Speaker 3: road will lead once you agree to a free hand scrub. Kaiko, 1120 00:58:39,200 --> 00:58:43,280 Speaker 3: we answered Claire's question perfectly. I'm sure she's satisfied or 1121 00:58:43,320 --> 00:58:50,720 Speaker 3: dead satisfied, wanted satisfied or did um? Look, this is 1122 00:58:50,760 --> 00:58:53,000 Speaker 3: the end of the podcast. I now have my personality test. 1123 00:58:53,080 --> 00:58:54,800 Speaker 3: This is probably going to send me into a spiral 1124 00:58:55,000 --> 00:58:57,040 Speaker 3: that will last for twenty years of me trying to 1125 00:58:57,080 --> 00:59:00,560 Speaker 3: discover who I am. I hope that you'll continue to 1126 00:59:01,800 --> 00:59:05,800 Speaker 3: kind of hypothesize about what I am. If you come 1127 00:59:05,800 --> 00:59:09,960 Speaker 3: to any more conclusions, I need to hear them. And meanwhile, 1128 00:59:10,000 --> 00:59:12,240 Speaker 3: I'll be trying. I'll be searching for my own answers. 1129 00:59:12,920 --> 00:59:15,040 Speaker 3: I'm so thrilled. Thank you for being here, Oh, thank 1130 00:59:15,080 --> 00:59:19,360 Speaker 3: you for having me a wonderful time. Is now listener again? 1131 00:59:20,240 --> 00:59:22,560 Speaker 3: You know this is usually the end of the podcast 1132 00:59:22,840 --> 00:59:26,680 Speaker 3: where we stop talking to the guests and you listen 1133 00:59:26,720 --> 00:59:29,600 Speaker 3: to me for a few seconds and then you select 1134 00:59:29,600 --> 00:59:33,120 Speaker 3: some other audio or finally, like let go of the 1135 00:59:33,160 --> 00:59:35,520 Speaker 3: steering wheel you've been gripping for the last hour and 1136 00:59:35,600 --> 00:59:40,880 Speaker 3: go into work. So now I'm just going to send 1137 00:59:40,920 --> 00:59:43,240 Speaker 3: you on your way. I hope you have a terrific day, 1138 00:59:43,760 --> 00:59:46,600 Speaker 3: and I hope you tune in again soon. If you don't, 1139 00:59:46,800 --> 00:59:49,480 Speaker 3: we're gonna lose touch. And then I'm going to be 1140 00:59:49,560 --> 00:59:53,120 Speaker 3: the distant aunt that we talked about earlier in this podcast, 1141 00:59:53,120 --> 00:59:54,640 Speaker 3: and that's the last thing I want to be to 1142 00:59:54,720 --> 01:00:02,280 Speaker 3: you have a wonderful day. I said, No Gifts is 1143 01:00:02,280 --> 01:00:05,680 Speaker 3: an exactly right production. It's produced by our dear friend 1144 01:00:05,760 --> 01:00:09,840 Speaker 3: Analise Nelson, and it's beautifully mixed by John Bradley. The 1145 01:00:09,840 --> 01:00:13,920 Speaker 3: theme song, of course, could only come from miracle worker 1146 01:00:14,000 --> 01:00:17,760 Speaker 3: Amy Mann. You must follow the show on Instagram. At 1147 01:00:17,800 --> 01:00:20,160 Speaker 3: I said no Gifts, I don't want to hear any excuses. 1148 01:00:20,440 --> 01:00:22,200 Speaker 3: That's where you get to see pictures of all these 1149 01:00:22,240 --> 01:00:24,360 Speaker 3: gorgeous gifts I'm getting And don't you want to see 1150 01:00:24,360 --> 01:00:25,320 Speaker 3: pictures of the gifts? 1151 01:00:25,840 --> 01:00:26,000 Speaker 2: Now? 1152 01:00:26,040 --> 01:00:29,200 Speaker 3: Make sure to listen, follow, and most important, they leave 1153 01:00:29,240 --> 01:00:33,880 Speaker 3: a heartfelt review on Amazon Music, Apple Podcasts or wherever 1154 01:00:33,920 --> 01:00:37,720 Speaker 3: you get your podcasts, and don't forget. You can listen 1155 01:00:37,760 --> 01:00:41,320 Speaker 3: to new episodes one week early on Amazon Music or 1156 01:00:41,480 --> 01:00:44,600 Speaker 3: early and ad free by subscribing to Wondery Plus. In 1157 01:00:44,680 --> 01:00:49,960 Speaker 3: the Wondery app, he line why did you hear? 1158 01:00:52,320 --> 01:00:57,440 Speaker 1: Funa man? Myself perfectly clear, but you're I guessed, Tom. 1159 01:01:00,440 --> 01:01:06,480 Speaker 1: You gotta come to me empty? And I said, no, guests, 1160 01:01:06,800 --> 01:01:12,680 Speaker 1: your own presence is presents en. I already had too 1161 01:01:12,880 --> 01:01:17,480 Speaker 1: much stuff, So how do you dare to surbey me