WEBVTT - Questlove Supreme: Eve with Kathy Iandoli

0:00:00.160 --> 0:00:03.040
<v Speaker 1>Quest Love Supreme is a production of iHeartRadio.

0:00:09.440 --> 0:00:13.000
<v Speaker 2>Ladies and gentlemen. Welcome to our cool kid clubhouse, Quest

0:00:13.080 --> 0:00:16.119
<v Speaker 2>Love Supreme. I'm your host, Quest Love. We're giving the

0:00:16.160 --> 0:00:19.640
<v Speaker 2>honor today to celebrate the release of a brand new memoir.

0:00:20.560 --> 0:00:22.759
<v Speaker 2>I will say that guest number one, of course, is

0:00:22.800 --> 0:00:24.760
<v Speaker 2>no stranger to the show.

0:00:25.280 --> 0:00:27.800
<v Speaker 1>If you're also a lifetime vet.

0:00:28.080 --> 0:00:32.520
<v Speaker 2>Of hashtag that site, then indeed our first guest should

0:00:32.560 --> 0:00:33.279
<v Speaker 2>be no stranger.

0:00:33.720 --> 0:00:35.960
<v Speaker 1>She's been on the show before, music historian.

0:00:36.280 --> 0:00:39.000
<v Speaker 3>I'm crying because the last time Kathy was on this

0:00:39.040 --> 0:00:40.440
<v Speaker 3>show she blessed us with Prodigy.

0:00:40.479 --> 0:00:42.120
<v Speaker 4>So I'm just having a moment the last time she

0:00:42.240 --> 0:00:49.000
<v Speaker 4>was here. Hi, Yeah you had I'm sorry. Sorry, Yeah,

0:00:49.120 --> 0:00:49.440
<v Speaker 4>I Love.

0:00:49.520 --> 0:00:51.960
<v Speaker 2>We will never ever get through an introduction without just

0:00:52.040 --> 0:00:54.800
<v Speaker 2>breaking it now for real. I will say this is

0:00:54.800 --> 0:00:59.000
<v Speaker 2>one of my favorite music historians. She's been pinning articles

0:00:59.040 --> 0:01:01.480
<v Speaker 2>and books and peace for the greater part of the

0:01:01.560 --> 0:01:04.759
<v Speaker 2>last two decades. Her books include God Save the Queen,

0:01:05.280 --> 0:01:09.000
<v Speaker 2>The Essential History of Women in Hip Hop. She's also

0:01:09.040 --> 0:01:12.000
<v Speaker 2>released a Baby Girl better is known as Aleiah and

0:01:12.200 --> 0:01:14.840
<v Speaker 2>the last piece that she came on the show with

0:01:15.280 --> 0:01:18.000
<v Speaker 2>back when our brother Prodigy was still with us. On

0:01:18.000 --> 0:01:22.880
<v Speaker 2>this Earthly Plane, the common Sary Kitchen, my infamous prison cookbook.

0:01:23.400 --> 0:01:27.040
<v Speaker 2>Not to be out done, the forthcoming Little Kim Queen

0:01:27.120 --> 0:01:30.480
<v Speaker 2>Bee memoir is also on the way, But of course

0:01:31.280 --> 0:01:35.399
<v Speaker 2>we are here today to celebrate her particular piece. Right

0:01:35.440 --> 0:01:40.560
<v Speaker 2>now with our guest, today, I will say multi platinum legendary,

0:01:40.920 --> 0:01:48.040
<v Speaker 2>Grammy Award winning singer, songwriter, mother, actress, entrepreneur, and MC

0:01:48.800 --> 0:01:52.400
<v Speaker 2>and Westville native currently in London. This is like the

0:01:52.400 --> 0:01:55.240
<v Speaker 2>reverse story of their roots. I had to run away

0:01:55.240 --> 0:01:58.720
<v Speaker 2>from London. Now you're living in London. She's blazed trails

0:01:59.360 --> 0:02:02.080
<v Speaker 2>for a greater part of the late nineties, making hip

0:02:02.080 --> 0:02:06.520
<v Speaker 2>hop history, top of the charts with countless singles and

0:02:06.560 --> 0:02:09.639
<v Speaker 2>her albums, and right now we're here to get into

0:02:10.080 --> 0:02:12.959
<v Speaker 2>her brand new memoir, Who's that Girl?

0:02:13.560 --> 0:02:18.120
<v Speaker 1>Ladies and gentlemen, please welcome Kathy. Okay, I'm not going

0:02:18.120 --> 0:02:20.919
<v Speaker 1>to mess this up. I'm not going to mess this up.

0:02:21.080 --> 0:02:22.640
<v Speaker 4>You can do it from Philly.

0:02:22.680 --> 0:02:25.240
<v Speaker 1>Come on, do it, Ian Doley, correct.

0:02:25.480 --> 0:02:28.120
<v Speaker 5>Dalay, it's only been twenty five years, but Eve comes first.

0:02:28.919 --> 0:02:31.799
<v Speaker 1>I've never I've never called you by your last name.

0:02:33.480 --> 0:02:42.560
<v Speaker 1>The mirror is pronounced and not to be outdone, the legendary.

0:02:42.040 --> 0:02:42.880
<v Speaker 4>Their middle Night.

0:02:44.080 --> 0:02:49.760
<v Speaker 2>No, the legendary, the legendary. I don't even know if

0:02:49.760 --> 0:02:52.480
<v Speaker 2>I can say pootball and squirt. That's too older than referenced.

0:02:52.960 --> 0:02:55.320
<v Speaker 2>Welcome Eve to quest love, supremum, ladies and gentlemen.

0:02:55.400 --> 0:03:00.680
<v Speaker 1>Thank you. How are you guys? Doing good? Great?

0:03:01.040 --> 0:03:04.280
<v Speaker 2>I've not spoken to you since you became I mean

0:03:04.280 --> 0:03:06.680
<v Speaker 2>I've seen you on and off since you became a

0:03:06.720 --> 0:03:07.520
<v Speaker 2>London native.

0:03:07.520 --> 0:03:09.920
<v Speaker 1>But where exactly London do you live right now?

0:03:10.480 --> 0:03:14.160
<v Speaker 6>When? West London? So like near notting Hill area?

0:03:15.320 --> 0:03:15.920
<v Speaker 1>You that near?

0:03:16.760 --> 0:03:17.679
<v Speaker 6>Yeah?

0:03:18.400 --> 0:03:22.760
<v Speaker 1>No? Yeah, yeah? The accident all right.

0:03:23.280 --> 0:03:24.840
<v Speaker 6>I told you some words happened.

0:03:24.880 --> 0:03:26.959
<v Speaker 7>I can't help it, especially now that I have a kid,

0:03:27.680 --> 0:03:31.160
<v Speaker 7>because I say stuff for him so it's consistent.

0:03:30.680 --> 0:03:34.000
<v Speaker 6>And now it's like it's a lot more. Can't help it.

0:03:35.160 --> 0:03:38.520
<v Speaker 1>I missed that cat. How are you? How are you doing?

0:03:38.960 --> 0:03:41.000
<v Speaker 5>I'm living a dream. How are you doing the mire?

0:03:41.760 --> 0:03:42.200
<v Speaker 1>I'm good.

0:03:42.560 --> 0:03:45.840
<v Speaker 2>I'd like to know how the what the genesis or

0:03:46.080 --> 0:03:49.400
<v Speaker 2>at the beginning of this putting this memoir together, because

0:03:49.400 --> 0:03:51.840
<v Speaker 2>I know that as far as I'm concerned. Like when

0:03:51.920 --> 0:03:53.400
<v Speaker 2>I was told to do a memoir, I was like

0:03:53.480 --> 0:03:58.840
<v Speaker 2>resistant because I thought memoirs and autobiographies are stories for

0:03:58.960 --> 0:04:03.960
<v Speaker 2>people that like turns, and people don't necessarily like to

0:04:04.000 --> 0:04:09.160
<v Speaker 2>start reflecting when they're still in the journey of their career.

0:04:09.280 --> 0:04:11.160
<v Speaker 2>So tell me how like this book came to be,

0:04:12.200 --> 0:04:12.760
<v Speaker 2>I would.

0:04:12.520 --> 0:04:16.240
<v Speaker 7>Say, Well, one, me and Kathy just hit it off.

0:04:16.320 --> 0:04:19.400
<v Speaker 7>We kind of were talking on a different project. And

0:04:19.440 --> 0:04:23.440
<v Speaker 7>then once we kind of got into like it was

0:04:23.440 --> 0:04:25.599
<v Speaker 7>supposed to be a thirty minute call that'sned into like

0:04:25.600 --> 0:04:27.320
<v Speaker 7>a two hour call, and it was just.

0:04:27.279 --> 0:04:31.240
<v Speaker 1>Like we can this episode, okay, and.

0:04:31.160 --> 0:04:35.400
<v Speaker 7>Then and then we kind of yeah, it was The

0:04:35.520 --> 0:04:38.400
<v Speaker 7>question was like Kathy asked me kind of like you

0:04:38.400 --> 0:04:39.240
<v Speaker 7>never thought about.

0:04:39.000 --> 0:04:41.680
<v Speaker 6>Doing a book, and I was like, yeah, I kind of.

0:04:41.600 --> 0:04:45.080
<v Speaker 7>Thought about it, and I've been asked before years before,

0:04:45.240 --> 0:04:47.960
<v Speaker 7>and I definitely I said no, like I had said no,

0:04:49.040 --> 0:04:50.000
<v Speaker 7>I wasn't into it.

0:04:51.040 --> 0:04:53.679
<v Speaker 6>But those reasons you pretty much just named.

0:04:54.480 --> 0:04:58.520
<v Speaker 7>But this book, while it is a memoir, it is

0:04:58.560 --> 0:05:03.400
<v Speaker 7>a look back, but it's also we figured a lot of.

0:05:03.360 --> 0:05:05.400
<v Speaker 6>It out on the page as it went through.

0:05:05.640 --> 0:05:07.159
<v Speaker 7>A lot of the things that I talk about in

0:05:07.200 --> 0:05:10.640
<v Speaker 7>the book are pivotal moments in my life of lessons

0:05:10.640 --> 0:05:14.560
<v Speaker 7>that I've learned that kind of helped me get over

0:05:14.640 --> 0:05:18.040
<v Speaker 7>certain things, get to the next place in my career.

0:05:18.560 --> 0:05:20.880
<v Speaker 6>But then the other thing that kind of made me.

0:05:20.839 --> 0:05:27.400
<v Speaker 7>Feel like, yo, I'm really ready to talk about certain

0:05:27.400 --> 0:05:30.600
<v Speaker 7>things was I was definitely ready to be vulnerable, even

0:05:30.600 --> 0:05:32.800
<v Speaker 7>more vulnerable things that I already mentioned in my life,

0:05:32.839 --> 0:05:38.039
<v Speaker 7>whether that was my drinking situation, my fertility situation, and

0:05:38.080 --> 0:05:40.000
<v Speaker 7>there are other things in there. But the other thing

0:05:40.120 --> 0:05:43.440
<v Speaker 7>is having a child. And as cliche as it sounds,

0:05:43.600 --> 0:05:47.359
<v Speaker 7>I feel that much more for a whole, having that

0:05:47.400 --> 0:05:50.600
<v Speaker 7>little piece of me, And it made me feel confident

0:05:50.680 --> 0:05:53.559
<v Speaker 7>to say, like, Okay, while we're reflecting, it's also about

0:05:53.560 --> 0:05:57.840
<v Speaker 7>my future. It's also about, with lack of better term,

0:05:58.760 --> 0:06:01.520
<v Speaker 7>the next chapters of my life as well.

0:06:01.640 --> 0:06:05.520
<v Speaker 3>So did you also go through with Kathy with this

0:06:05.560 --> 0:06:07.400
<v Speaker 3>book is not about in a way.

0:06:08.480 --> 0:06:12.599
<v Speaker 7>Yeah, we definitely talked about it, not being salacious, not

0:06:12.720 --> 0:06:16.000
<v Speaker 7>being like if people are named, it's not so much like,

0:06:16.120 --> 0:06:18.400
<v Speaker 7>oh yeah, it's about them them.

0:06:18.240 --> 0:06:20.600
<v Speaker 6>That everything comes back to.

0:06:21.120 --> 0:06:24.799
<v Speaker 7>What that person meant at that time in my life. Particularly.

0:06:25.080 --> 0:06:28.440
<v Speaker 6>We didn't want to make a book that was like juicy,

0:06:28.839 --> 0:06:29.680
<v Speaker 6>because you didn't want.

0:06:29.600 --> 0:06:32.599
<v Speaker 7>To be boring, but but we didn't want it to

0:06:32.640 --> 0:06:33.560
<v Speaker 7>be like clickbait.

0:06:33.560 --> 0:06:34.960
<v Speaker 6>We didn't want it to be like, oh, you just

0:06:35.040 --> 0:06:38.480
<v Speaker 6>name and names the name names. But don't you think, Kathy,

0:06:38.600 --> 0:06:39.160
<v Speaker 6>what do you think?

0:06:39.480 --> 0:06:42.240
<v Speaker 5>Absolutely? But I think, like, I think the best part

0:06:42.240 --> 0:06:45.320
<v Speaker 5>about it was like, this is the first time for

0:06:45.440 --> 0:06:49.720
<v Speaker 5>me that it's collaborative writing too. So it wasn't like

0:06:49.960 --> 0:06:52.200
<v Speaker 5>me getting a bunch of information I go run away

0:06:52.240 --> 0:06:56.040
<v Speaker 5>and do something like it was. It was funny watching

0:06:56.080 --> 0:06:58.400
<v Speaker 5>like Eve right on the page with the Google dog

0:06:58.520 --> 0:07:00.880
<v Speaker 5>with me, you.

0:07:00.839 --> 0:07:01.560
<v Speaker 7>Know, are.

0:07:03.920 --> 0:07:07.960
<v Speaker 2>No, No, It's just I've had that type of battle

0:07:07.960 --> 0:07:10.720
<v Speaker 2>where I wanted to sort of reduce stuff and they

0:07:10.720 --> 0:07:12.400
<v Speaker 2>were like, no, just give this notes to me, or

0:07:12.440 --> 0:07:14.520
<v Speaker 2>like don't don't touch.

0:07:14.840 --> 0:07:17.240
<v Speaker 1>Don't touch the Google doc. Just give us notes and

0:07:17.280 --> 0:07:19.840
<v Speaker 1>we'll just and wow.

0:07:19.720 --> 0:07:21.760
<v Speaker 3>Okay, we'll talk about deck, Kathy, because you said this

0:07:21.800 --> 0:07:23.640
<v Speaker 3>is the first time, So why was the Eve that

0:07:23.760 --> 0:07:25.160
<v Speaker 3>you kind of trusted in that way?

0:07:26.280 --> 0:07:28.720
<v Speaker 5>Well, Eve trusted me, I mean that's the that's I

0:07:28.760 --> 0:07:32.320
<v Speaker 5>think that's more of the even more so. Yeah, you know,

0:07:33.200 --> 0:07:38.960
<v Speaker 5>but I think with regard to like in collaboration with

0:07:39.600 --> 0:07:42.280
<v Speaker 5>other you know, artists that I've worked with and ones

0:07:42.280 --> 0:07:46.120
<v Speaker 5>for our future projects, you know, like you mentioned Prodigy.

0:07:46.160 --> 0:07:49.720
<v Speaker 5>Prodigy and Eve are both Scorpios and I'm a Pisces,

0:07:49.840 --> 0:07:57.680
<v Speaker 5>so that working relationship is actually like wonderful. But when

0:07:58.120 --> 0:08:00.280
<v Speaker 5>you know, with something like a memoir, because you know,

0:08:00.320 --> 0:08:02.480
<v Speaker 5>p and I didn't do a memoir. You know, there

0:08:02.520 --> 0:08:07.480
<v Speaker 5>was so much of like I didn't take for granted

0:08:07.520 --> 0:08:10.680
<v Speaker 5>the fact that like Eve was being so open, So

0:08:11.320 --> 0:08:13.600
<v Speaker 5>making sure that her hands are on the page too

0:08:13.720 --> 0:08:17.200
<v Speaker 5>is just equally important because this is her life, you know,

0:08:17.880 --> 0:08:22.600
<v Speaker 5>So being able to kind of go and go through

0:08:22.680 --> 0:08:25.280
<v Speaker 5>certain things on the page and just like be like, okay, so.

0:08:26.080 --> 0:08:27.640
<v Speaker 4>Do you want to go there? Do you not want

0:08:27.640 --> 0:08:28.120
<v Speaker 4>to go there?

0:08:28.960 --> 0:08:32.120
<v Speaker 5>You can't. It can't just be me going like off

0:08:32.160 --> 0:08:34.280
<v Speaker 5>into the wild with my lap top and then bring

0:08:34.360 --> 0:08:35.360
<v Speaker 5>him back, you know.

0:08:35.480 --> 0:08:36.040
<v Speaker 4>Results.

0:08:36.160 --> 0:08:40.040
<v Speaker 2>So now that I understand that, probably the most important

0:08:40.040 --> 0:08:44.520
<v Speaker 2>part of storytelling is editing. Like purging is no problem,

0:08:44.600 --> 0:08:47.840
<v Speaker 2>like you know, getting everything out. But I'll say, like

0:08:48.160 --> 0:08:53.160
<v Speaker 2>in any form of creativity, be it music or books

0:08:53.280 --> 0:08:56.440
<v Speaker 2>or whatever, like, what's the process of editing, like like

0:08:56.520 --> 0:08:58.200
<v Speaker 2>in terms of what to let go and what to

0:08:58.559 --> 0:09:03.319
<v Speaker 2>let fall on the floor and how to structure a story?

0:09:03.679 --> 0:09:06.280
<v Speaker 5>No, I think you know, when it comes to you know,

0:09:06.320 --> 0:09:08.000
<v Speaker 5>what are you going to keep and you know for

0:09:08.040 --> 0:09:09.760
<v Speaker 5>yourself and what are you going to give to the world?

0:09:09.800 --> 0:09:11.840
<v Speaker 5>I think it was like kind of like striking that

0:09:11.960 --> 0:09:15.880
<v Speaker 5>balance where it doesn't necessarily have to be I'm only

0:09:15.920 --> 0:09:18.920
<v Speaker 5>reserving all of this for my own personal story and

0:09:18.960 --> 0:09:21.360
<v Speaker 5>the rest I'll tell. Like, I think we split the

0:09:21.400 --> 0:09:23.960
<v Speaker 5>difference a lot, right, You've like where there's like, Okay,

0:09:23.960 --> 0:09:27.000
<v Speaker 5>I'm going to talk about this, but and I'm going

0:09:27.080 --> 0:09:29.920
<v Speaker 5>to process it. That's the one thing about this memoir

0:09:29.920 --> 0:09:33.040
<v Speaker 5>that I have to say is very different from so

0:09:33.160 --> 0:09:37.440
<v Speaker 5>many other memoirs that are out there, is that, like

0:09:38.040 --> 0:09:43.800
<v Speaker 5>it's a lot of Eve processing what happened, which it

0:09:43.880 --> 0:09:45.600
<v Speaker 5>provides like this like deeper look.

0:09:46.080 --> 0:09:47.319
<v Speaker 4>So in the ending.

0:09:47.080 --> 0:09:52.880
<v Speaker 5>Process, having to go back in and see what we're

0:09:52.920 --> 0:09:56.079
<v Speaker 5>able to kind of like take out while still keeping

0:09:56.080 --> 0:09:56.680
<v Speaker 5>the sentiment.

0:09:57.320 --> 0:09:59.960
<v Speaker 6>I think, you know, it was the good part.

0:10:00.280 --> 0:10:02.160
<v Speaker 5>We didn't have a lot of edits from the publisher

0:10:02.280 --> 0:10:04.000
<v Speaker 5>because we kept going in.

0:10:03.920 --> 0:10:08.440
<v Speaker 4>And doing our thing. Yeah, I can only imagine what

0:10:08.520 --> 0:10:09.199
<v Speaker 4>y'all had to cut out.

0:10:09.200 --> 0:10:10.839
<v Speaker 3>As we were getting ready for this interview, I was

0:10:10.880 --> 0:10:12.960
<v Speaker 3>just saying to Jake, I was like, you know, when

0:10:12.960 --> 0:10:15.839
<v Speaker 3>you think about Eve, it's been an interesting long twenty

0:10:15.920 --> 0:10:20.040
<v Speaker 3>years and for you personally but also professionally, Like the

0:10:20.160 --> 0:10:22.600
<v Speaker 3>chapters we were like somebody we were like fetish.

0:10:22.960 --> 0:10:25.120
<v Speaker 4>You know, we were like, oh, the talk, it's just

0:10:25.480 --> 0:10:26.280
<v Speaker 4>so for y'all.

0:10:26.640 --> 0:10:30.600
<v Speaker 3>It had to be amazingly hard to figure out what

0:10:30.679 --> 0:10:31.680
<v Speaker 3>to cut out in that way.

0:10:32.400 --> 0:10:36.160
<v Speaker 7>We definitely got to a point where it was like, Okay,

0:10:37.040 --> 0:10:40.400
<v Speaker 7>what how do we want people to read this book?

0:10:40.440 --> 0:10:41.880
<v Speaker 7>And we got to a point where we were like,

0:10:41.880 --> 0:10:45.600
<v Speaker 7>you know what, And this was Kathy's like brilliant ideas.

0:10:45.600 --> 0:10:48.080
<v Speaker 7>She was like, let's make it more like essays like

0:10:48.160 --> 0:10:52.800
<v Speaker 7>bite size, so that way you get in the juicy

0:10:52.920 --> 0:10:55.280
<v Speaker 7>kind of funk bits that enough that needs to be there,

0:10:55.280 --> 0:10:57.840
<v Speaker 7>that tells the story of if people have been on

0:10:57.840 --> 0:11:00.200
<v Speaker 7>my journey, they're like, oh, yes, I remember that.

0:11:00.280 --> 0:11:01.920
<v Speaker 6>Okay, Okay, that makes sense.

0:11:02.400 --> 0:11:04.600
<v Speaker 7>And it just that's when I think it we figured

0:11:04.640 --> 0:11:06.760
<v Speaker 7>it out once once you said that, Kathy. I think

0:11:06.800 --> 0:11:10.440
<v Speaker 7>that's when it was like, Okay, this makes sense because

0:11:10.480 --> 0:11:11.640
<v Speaker 7>it definitely could have been.

0:11:12.080 --> 0:11:13.000
<v Speaker 6>A lot more.

0:11:14.160 --> 0:11:18.080
<v Speaker 7>I definitely have kept some things to myself that I

0:11:18.080 --> 0:11:22.640
<v Speaker 7>felt like I needed to keep to myself. Well, And

0:11:22.679 --> 0:11:25.360
<v Speaker 7>it's funny because I've been obviously doing interviews for it,

0:11:25.400 --> 0:11:27.240
<v Speaker 7>and this is such a new process with me that

0:11:27.360 --> 0:11:29.840
<v Speaker 7>I feel so raw in a way that I've never

0:11:29.920 --> 0:11:34.600
<v Speaker 7>felt before ever. But having said that, I feel so

0:11:35.320 --> 0:11:39.600
<v Speaker 7>proud and confident of the book that we have done.

0:11:39.760 --> 0:11:41.959
<v Speaker 7>Like I and I called Kathy. I actually called Kathy

0:11:42.200 --> 0:11:44.160
<v Speaker 7>the day that I finished the audio. I called her

0:11:44.240 --> 0:11:46.920
<v Speaker 7>was like, girl, this is a good book. Girl, Like

0:11:47.120 --> 0:11:50.240
<v Speaker 7>thank you, girl, Like it was. I felt proud. I

0:11:50.320 --> 0:11:54.560
<v Speaker 7>felt actually like so proud. So yeah, I look the girl,

0:11:54.840 --> 0:11:55.480
<v Speaker 7>the girl.

0:11:55.520 --> 0:11:56.640
<v Speaker 4>The way the audio book.

0:11:56.920 --> 0:12:00.000
<v Speaker 3>I gotta know, is it like straight read just eat

0:12:00.080 --> 0:12:02.040
<v Speaker 3>reading or are we getting like a little production?

0:12:02.120 --> 0:12:05.360
<v Speaker 4>In my mind, I was like, it's Swiss beast, which

0:12:06.240 --> 0:12:06.600
<v Speaker 4>when I.

0:12:06.600 --> 0:12:08.080
<v Speaker 6>Tell you, I wanted that.

0:12:08.160 --> 0:12:11.360
<v Speaker 7>I wanted a little more like try to get something.

0:12:11.520 --> 0:12:14.560
<v Speaker 7>But the publishers behind of it's still fun, it's still good.

0:12:14.640 --> 0:12:18.600
<v Speaker 7>There's emotion, like you definitely feel parts of it. But yeah,

0:12:18.600 --> 0:12:20.160
<v Speaker 7>I wanted to do a little bit more, but they

0:12:20.640 --> 0:12:22.400
<v Speaker 7>just yeah, she is an actress.

0:12:22.440 --> 0:12:23.480
<v Speaker 4>So I'm still excited.

0:12:23.600 --> 0:12:27.640
<v Speaker 7>You know, you'll feel things, You'll definitely you get emotion

0:12:27.760 --> 0:12:28.160
<v Speaker 7>and things.

0:12:28.200 --> 0:12:31.160
<v Speaker 6>So yeah, hopefully hopefully.

0:12:31.360 --> 0:12:35.040
<v Speaker 2>Okay, So as as a Philadelphia I will ask you

0:12:37.520 --> 0:12:43.079
<v Speaker 2>what are your earliest memories of growing up in Philadelphia?

0:12:43.120 --> 0:12:44.160
<v Speaker 2>You were born in West Philly.

0:12:44.200 --> 0:12:49.280
<v Speaker 7>Correct, Yeah, we'll part down forty sixth Street, the bottom,

0:12:49.920 --> 0:12:51.400
<v Speaker 7>the bottom from the book.

0:12:52.720 --> 0:12:56.880
<v Speaker 2>Of course, I used to grow at the bottom. Then

0:13:00.880 --> 0:13:02.560
<v Speaker 2>my dad was like, where are you walking to?

0:13:02.960 --> 0:13:05.520
<v Speaker 6>No, I'm just.

0:13:05.480 --> 0:13:07.920
<v Speaker 2>Going to forty sixth Street, the bottom. That's how I

0:13:07.960 --> 0:13:09.320
<v Speaker 2>found out what the bottom was.

0:13:10.360 --> 0:13:15.319
<v Speaker 7>You know, I'm from there, so no projects, That's where

0:13:15.360 --> 0:13:20.079
<v Speaker 7>I'm from. Uh yeah, from Mill Creek, So yeah, I mean,

0:13:20.120 --> 0:13:27.000
<v Speaker 7>my earliest earliest memories of Mill Creek is music and noise.

0:13:27.800 --> 0:13:28.599
<v Speaker 6>Kids.

0:13:29.200 --> 0:13:31.320
<v Speaker 7>You know the building I lived in because I was

0:13:31.320 --> 0:13:33.640
<v Speaker 7>born in the building and we moved to the low

0:13:33.960 --> 0:13:39.480
<v Speaker 7>houses outside block parties DJs like you know what I'm saying,

0:13:39.559 --> 0:13:41.840
<v Speaker 7>Like even back then was crazy back in the day,

0:13:41.880 --> 0:13:44.079
<v Speaker 7>and like there used to be food trucks back in

0:13:44.120 --> 0:13:46.880
<v Speaker 7>the day, like that, I remember that in the summertime,

0:13:46.960 --> 0:13:53.000
<v Speaker 7>Like I remember food and music and yeah that those

0:13:53.000 --> 0:13:55.200
<v Speaker 7>are my earliest memories actually of Philly.

0:13:55.840 --> 0:13:56.040
<v Speaker 6>Man.

0:13:56.200 --> 0:14:00.920
<v Speaker 2>Okay, what were your earliest memories of listening to hip

0:14:00.920 --> 0:14:05.600
<v Speaker 2>hop or discovering hip hop and like actually becoming an MC, Like,

0:14:05.600 --> 0:14:07.160
<v Speaker 2>what were your earliest memories of that.

0:14:07.720 --> 0:14:10.120
<v Speaker 7>Earliest memories of hip hop come through my aunt Karen,

0:14:10.160 --> 0:14:12.080
<v Speaker 7>who I talk about in the book, who to me

0:14:12.360 --> 0:14:13.920
<v Speaker 7>was the epitome of hip hop.

0:14:14.040 --> 0:14:14.760
<v Speaker 6>She was you know.

0:14:14.920 --> 0:14:18.600
<v Speaker 7>She loved LL so we always heard music. The radio

0:14:18.720 --> 0:14:21.560
<v Speaker 7>was always on. I loved Queen the Teeth of Salt

0:14:21.560 --> 0:14:24.600
<v Speaker 7>and Pepper that was always on. My dad was a DJ,

0:14:25.040 --> 0:14:28.920
<v Speaker 7>so music was always somewhere around me. Like I started

0:14:28.960 --> 0:14:31.840
<v Speaker 7>writing poems first, and then I joined the choir, and

0:14:31.880 --> 0:14:35.280
<v Speaker 7>then I sang, and then ABC came out.

0:14:35.120 --> 0:14:37.560
<v Speaker 6>And I wanted to rap, and then like, and then.

0:14:37.440 --> 0:14:42.080
<v Speaker 7>I had another back creation and I was like, I

0:14:42.120 --> 0:14:44.240
<v Speaker 7>want to rap, like I want to sing, and I

0:14:44.280 --> 0:14:45.640
<v Speaker 7>want to rap, and I want to dance.

0:14:45.680 --> 0:14:48.320
<v Speaker 6>I want to do everything. And then yeah, and then

0:14:48.320 --> 0:14:49.040
<v Speaker 6>I would have like.

0:14:49.000 --> 0:14:52.080
<v Speaker 7>Little groups like my friends, and I would do all

0:14:52.120 --> 0:14:55.560
<v Speaker 7>the block parties, all the little like talent shows, the

0:14:55.600 --> 0:15:00.120
<v Speaker 7>school talent shows. I was NonStop, Like I was that

0:15:00.200 --> 0:15:01.920
<v Speaker 7>kid that was like I have to do something.

0:15:02.000 --> 0:15:02.800
<v Speaker 6>I gotta be busy.

0:15:03.080 --> 0:15:04.880
<v Speaker 7>So I was always even if I was just singing

0:15:05.000 --> 0:15:07.760
<v Speaker 7>somebody else's song, I was, I was doing a talent show.

0:15:08.360 --> 0:15:11.200
<v Speaker 7>And then when I turned fifteen is when I was like,

0:15:11.240 --> 0:15:12.960
<v Speaker 7>this has to be my life, Like I want to

0:15:12.960 --> 0:15:15.240
<v Speaker 7>be an MC period point blank. I don't want to

0:15:15.280 --> 0:15:16.920
<v Speaker 7>go to I knew I didn't want to go to college.

0:15:17.000 --> 0:15:18.520
<v Speaker 7>I knew I wanted to pursue music.

0:15:20.560 --> 0:15:23.080
<v Speaker 1>Where did you go to high school, Martin Luther King.

0:15:23.600 --> 0:15:26.160
<v Speaker 4>Oh, King's so open.

0:15:25.960 --> 0:15:29.040
<v Speaker 6>Too, on Stanton Avenue.

0:15:29.280 --> 0:15:30.560
<v Speaker 1>That was ar lean on Me School.

0:15:30.680 --> 0:15:32.680
<v Speaker 6>That was the lean on Me School. We talked about

0:15:32.680 --> 0:15:33.440
<v Speaker 6>that in the book.

0:15:33.640 --> 0:15:34.240
<v Speaker 4>We talked about that.

0:15:35.520 --> 0:15:37.080
<v Speaker 1>Three my boys went to the King.

0:15:37.560 --> 0:15:40.480
<v Speaker 4>So that's beautiful man, Martin Luther King alumni, bless him.

0:15:40.480 --> 0:15:40.880
<v Speaker 4>That's my all.

0:15:41.720 --> 0:15:44.960
<v Speaker 1>That's Chris was in lying Martin Luther King was brought up.

0:15:44.960 --> 0:15:47.800
<v Speaker 1>There was some violence going down. Wow, So.

0:15:50.200 --> 0:15:58.080
<v Speaker 2>Somewhere I want to get the white elephant out the

0:15:58.200 --> 0:15:58.920
<v Speaker 2>room right now.

0:16:00.680 --> 0:16:04.080
<v Speaker 1>Look look like like all right, damn it.

0:16:05.400 --> 0:16:09.000
<v Speaker 4>At least, you know, like the whole converse. How already?

0:16:09.400 --> 0:16:11.720
<v Speaker 2>No, no, no, no, you know what, because this is the

0:16:11.800 --> 0:16:16.280
<v Speaker 2>thing I want this to be. Because I listened to

0:16:16.280 --> 0:16:19.880
<v Speaker 2>the music episode, I'm not fall of Banana in the

0:16:19.920 --> 0:16:20.480
<v Speaker 2>tail fight a.

0:16:20.480 --> 0:16:23.800
<v Speaker 3>Third time, beautiful probably version. She probably a beautiful version

0:16:23.840 --> 0:16:24.320
<v Speaker 3>of the story.

0:16:24.600 --> 0:16:25.320
<v Speaker 1>You know what's weird?

0:16:25.720 --> 0:16:31.200
<v Speaker 2>I actually had the last three months I'm talking about

0:16:31.320 --> 0:16:35.160
<v Speaker 2>my therapy sessions. There have been a lot of conversations

0:16:35.200 --> 0:16:42.360
<v Speaker 2>about how I suck at communication. So when breaking this

0:16:42.600 --> 0:16:47.920
<v Speaker 2>down and various exercises I have to do, I now

0:16:48.080 --> 0:16:51.000
<v Speaker 2>realize how what went down between the Roots and the

0:16:51.040 --> 0:16:54.400
<v Speaker 2>Eve went down. Here's the quickest version, because this stove

0:16:54.400 --> 0:16:55.080
<v Speaker 2>Eve's episode.

0:16:55.080 --> 0:16:59.160
<v Speaker 1>This is not the Roots. The therapy that this is

0:16:59.160 --> 0:17:02.040
<v Speaker 1>not the Roots me and a copa version, but this,

0:17:02.680 --> 0:17:04.760
<v Speaker 1>this is the most distinct version that I know of.

0:17:06.640 --> 0:17:07.480
<v Speaker 4>I'm ready for this.

0:17:08.040 --> 0:17:12.360
<v Speaker 1>My version I only knows.

0:17:12.960 --> 0:17:17.040
<v Speaker 2>So this is what I know for things Fall apart

0:17:17.119 --> 0:17:22.680
<v Speaker 2>to be our career defining album. I'm very, very shocked

0:17:23.560 --> 0:17:29.439
<v Speaker 2>at how cohesive it sounds for a unit that pretty

0:17:29.480 --> 0:17:33.439
<v Speaker 2>much piece milled that album together without like communicating with

0:17:33.480 --> 0:17:38.800
<v Speaker 2>each other. So the shortest version of it is that

0:17:38.880 --> 0:17:43.480
<v Speaker 2>there was a period in ninety seven or ninety eight

0:17:44.920 --> 0:17:48.360
<v Speaker 2>in which, by that point we had always recorded everything

0:17:48.400 --> 0:17:54.480
<v Speaker 2>at Sigma Sounds Studios in the former Philly International Classic

0:17:54.520 --> 0:17:57.639
<v Speaker 2>Songs Made Studio Sigma. There is a period that we

0:17:57.680 --> 0:18:01.160
<v Speaker 2>got kicked out of Sigma for about two weeks. Without

0:18:01.160 --> 0:18:04.159
<v Speaker 2>getting too personal to it, We've covered the subject on

0:18:04.240 --> 0:18:09.600
<v Speaker 2>the next album Fromnology concerning our beloved fallen and Soldier

0:18:09.800 --> 0:18:15.480
<v Speaker 2>Malik's struggles with his addictions, and that got us kicked

0:18:15.520 --> 0:18:20.000
<v Speaker 2>out of Sigma for about two weeks. Fifteen of Kindred

0:18:20.800 --> 0:18:25.320
<v Speaker 2>the Family Soul recommended to us that we move operations

0:18:25.359 --> 0:18:28.720
<v Speaker 2>to what we now lovingly called the studio named the

0:18:28.760 --> 0:18:33.520
<v Speaker 2>Studio Larry Gold Studio, which will subsequently be still our

0:18:33.560 --> 0:18:37.480
<v Speaker 2>home technically for the last like two and a half decades.

0:18:38.400 --> 0:18:43.399
<v Speaker 2>Two weeks into recording there, I realized that I don't

0:18:43.560 --> 0:18:48.440
<v Speaker 2>like his boards, and so kind of hat in hand,

0:18:48.520 --> 0:18:51.040
<v Speaker 2>I go to owner Joe Tarci of Sigmund and say, look,

0:18:52.040 --> 0:18:53.800
<v Speaker 2>I know we've been kicked out the studio and banned

0:18:53.800 --> 0:18:56.480
<v Speaker 2>from the studio, but like I was using the you know,

0:18:56.640 --> 0:19:00.399
<v Speaker 2>my dad, if I promise not to bring people here,

0:19:00.400 --> 0:19:02.280
<v Speaker 2>can I still remain here and record?

0:19:03.200 --> 0:19:04.040
<v Speaker 1>He thought about it.

0:19:04.240 --> 0:19:06.719
<v Speaker 2>He granted it, so he lowed me and Scott and

0:19:07.840 --> 0:19:11.160
<v Speaker 2>certain members back into the studio to record. So what

0:19:11.200 --> 0:19:16.320
<v Speaker 2>winds up happening is there becomes a triangle of creations.

0:19:16.400 --> 0:19:19.080
<v Speaker 2>So all the music is recorded at Sigma and then

0:19:19.119 --> 0:19:20.159
<v Speaker 2>we send those tapes.

0:19:20.520 --> 0:19:22.080
<v Speaker 4>This is about you got me just so they know

0:19:22.119 --> 0:19:23.480
<v Speaker 4>what we're doing here. We're setting a right.

0:19:24.119 --> 0:19:28.199
<v Speaker 2>So thus we will record music at our studio and

0:19:28.240 --> 0:19:32.480
<v Speaker 2>then send the tapes to the studio where Tarika Malik

0:19:32.600 --> 0:19:37.000
<v Speaker 2>are and Richard. So basically I will say that every

0:19:37.119 --> 0:19:41.000
<v Speaker 2>song that ever appeared on Things fall apart. I'm hearing

0:19:41.080 --> 0:19:44.680
<v Speaker 2>it as a song for the first time when I'm

0:19:44.720 --> 0:19:49.040
<v Speaker 2>mixing the song, so which is very unusual because normally it's.

0:19:48.880 --> 0:19:51.240
<v Speaker 1>Like, hey, we made it. You know, here's the complete song.

0:19:51.280 --> 0:19:53.840
<v Speaker 2>You want the demo Because of my back and forth

0:19:53.920 --> 0:19:56.600
<v Speaker 2>with DiAngelo and really not even though I was very

0:19:56.680 --> 0:20:00.479
<v Speaker 2>present for this record, I'm also working with D'Angelo. So

0:20:01.600 --> 0:20:04.159
<v Speaker 2>I'm hearing everything for the first time. I'm hearing the

0:20:04.160 --> 0:20:05.840
<v Speaker 2>next movement, like song titles.

0:20:05.920 --> 0:20:08.359
<v Speaker 1>Oh, what's this one? What's the Hawaii song called the

0:20:08.400 --> 0:20:08.960
<v Speaker 1>next movement?

0:20:09.040 --> 0:20:09.159
<v Speaker 8>Uh?

0:20:09.200 --> 0:20:11.800
<v Speaker 1>Okay, cool? Let me here. Oh that's cool. Oh what's

0:20:11.840 --> 0:20:14.360
<v Speaker 1>this called? Oh okay, step into the room.

0:20:14.800 --> 0:20:17.399
<v Speaker 2>Literally, So when we finally got to you Got Me,

0:20:18.320 --> 0:20:21.320
<v Speaker 2>there was a gap in verse two whether there was

0:20:21.359 --> 0:20:26.400
<v Speaker 2>no rhymen from Tarik and I was never told there

0:20:26.440 --> 0:20:28.760
<v Speaker 2>was another guest on it. So there was like a

0:20:28.760 --> 0:20:31.199
<v Speaker 2>twenty minute back and forth like we can't find tarik'sogal,

0:20:31.200 --> 0:20:31.520
<v Speaker 2>where's it?

0:20:31.560 --> 0:20:32.000
<v Speaker 1>Where's it?

0:20:32.600 --> 0:20:35.920
<v Speaker 2>And Rich's like, turn up track eighteen and I turned

0:20:35.960 --> 0:20:39.000
<v Speaker 2>it up and I'm like, wait, who's this. He's like Eve,

0:20:39.200 --> 0:20:42.440
<v Speaker 2>who's Eve. He's like, you know, Eve thed on for

0:20:42.480 --> 0:20:45.080
<v Speaker 2>the jam sessions. I'm one of those members of the roots.

0:20:45.119 --> 0:20:48.600
<v Speaker 2>That's sort of like, just why you look so disappointed,

0:20:48.640 --> 0:20:48.960
<v Speaker 2>like you.

0:20:49.680 --> 0:20:51.000
<v Speaker 4>Disappoint I just wanted you to get to it.

0:20:51.000 --> 0:20:52.320
<v Speaker 3>I want to hear es versions, So were about to

0:20:52.320 --> 0:20:54.439
<v Speaker 3>hear this twice because I know that's a different story,

0:20:54.680 --> 0:20:56.080
<v Speaker 3>but I'm.

0:20:55.520 --> 0:21:00.119
<v Speaker 2>Right, so I'm painting the story now. So as a result, well,

0:21:01.520 --> 0:21:04.080
<v Speaker 2>one you got Me was the very last song, I

0:21:04.119 --> 0:21:06.000
<v Speaker 2>mean very last song, Like we should have turned the

0:21:06.040 --> 0:21:09.679
<v Speaker 2>album in two weeks ago, you know before that was

0:21:09.680 --> 0:21:13.560
<v Speaker 2>the last song worked on the album, meaning I had

0:21:13.600 --> 0:21:17.960
<v Speaker 2>already did credits and all that stuff, Like I literally

0:21:18.000 --> 0:21:22.520
<v Speaker 2>didn't know until the day of mixing that Eve existed.

0:21:23.600 --> 0:21:23.800
<v Speaker 1>You know.

0:21:24.800 --> 0:21:26.840
<v Speaker 2>By the way, I ain't saying nothing new. What you're

0:21:26.880 --> 0:21:30.320
<v Speaker 2>also on was a last minute song added on the

0:21:30.359 --> 0:21:31.080
<v Speaker 2>record as well.

0:21:31.440 --> 0:21:34.000
<v Speaker 4>She's doing backgrounds okay, okay, right.

0:21:34.440 --> 0:21:37.800
<v Speaker 2>Even the morning of shooting the video, because Kilo was like, wait,

0:21:37.880 --> 0:21:40.680
<v Speaker 2>why not invited to the video, And I was like, well,

0:21:40.960 --> 0:21:43.119
<v Speaker 2>I don't know, Like I thought you guys invited her. No,

0:21:43.359 --> 0:21:45.520
<v Speaker 2>I thought you invited her, Well rich did we No,

0:21:45.560 --> 0:21:52.480
<v Speaker 2>we didn'tvite It was so we were just extremely in

0:21:52.680 --> 0:21:59.600
<v Speaker 2>considerate and so insular and so noncommunicative with each other.

0:22:00.680 --> 0:22:04.400
<v Speaker 1>That things like that always filled on the sidelines.

0:22:04.440 --> 0:22:05.800
<v Speaker 2>But I never wanted you to think it was a

0:22:05.840 --> 0:22:09.360
<v Speaker 2>thing where it's like, let me erase her out of history.

0:22:09.560 --> 0:22:12.560
<v Speaker 7>No, I didn't think of it so much like that.

0:22:13.480 --> 0:22:15.919
<v Speaker 7>Everything you're saying makes complete sense.

0:22:15.960 --> 0:22:18.600
<v Speaker 6>I totally understand. I didn't think of it like that.

0:22:18.920 --> 0:22:21.280
<v Speaker 7>What I took it as is like, here is this

0:22:21.359 --> 0:22:23.920
<v Speaker 7>girl who's I wasn't signed at the time. Nobody did

0:22:24.000 --> 0:22:27.360
<v Speaker 7>know who I was at that time, so I kind

0:22:27.359 --> 0:22:29.960
<v Speaker 7>of took it as well, you know you you guys

0:22:29.960 --> 0:22:32.320
<v Speaker 7>were like this was a huge record.

0:22:32.359 --> 0:22:36.879
<v Speaker 6>Then Eric got on it. So it did feel like,

0:22:37.040 --> 0:22:40.239
<v Speaker 6>oh shit, because someone said somewhere.

0:22:40.119 --> 0:22:42.680
<v Speaker 7>Sent to the person that I was hanging out with,

0:22:42.920 --> 0:22:44.359
<v Speaker 7>the girl who was kind of like helping me out

0:22:44.400 --> 0:22:46.120
<v Speaker 7>New York. I lived in New York at the time,

0:22:46.680 --> 0:22:49.760
<v Speaker 7>got an address, but nothing was at this address, so

0:22:49.800 --> 0:22:53.040
<v Speaker 7>I don't know who how and it became a miscommunication.

0:22:53.359 --> 0:22:58.199
<v Speaker 7>Possibly what all that you're saying makes complete sense. But

0:22:58.320 --> 0:23:01.080
<v Speaker 7>I definitely felt like, damn, they lied about the andres.

0:23:06.200 --> 0:23:07.959
<v Speaker 4>You guy haven't got dressed for the video and they

0:23:07.960 --> 0:23:09.320
<v Speaker 4>sent you the wrong address.

0:23:09.560 --> 0:23:13.920
<v Speaker 6>Yes, I like yes, it felt like it was like, oh, that's.

0:23:13.760 --> 0:23:18.920
<v Speaker 4>Not we deserve a redo is it's too late.

0:23:19.240 --> 0:23:19.920
<v Speaker 1>Well let's go back.

0:23:22.000 --> 0:23:24.040
<v Speaker 7>All of that has to happen, like the story has

0:23:24.080 --> 0:23:27.640
<v Speaker 7>been told. But we've performed together since then, we've seen

0:23:27.680 --> 0:23:28.160
<v Speaker 7>each other since.

0:23:28.440 --> 0:23:30.440
<v Speaker 4>It was like, y'all done, you got me together.

0:23:31.640 --> 0:23:34.280
<v Speaker 6>We did it. It was a long time ago.

0:23:34.600 --> 0:23:34.920
<v Speaker 4>We did it.

0:23:35.359 --> 0:23:37.080
<v Speaker 2>We did it like three times. We did it once

0:23:37.200 --> 0:23:39.080
<v Speaker 2>at Electric Factory once I.

0:23:39.080 --> 0:23:41.359
<v Speaker 4>Remember for the party.

0:23:41.720 --> 0:23:43.320
<v Speaker 1>Yeah, I think we did it once, like when that

0:23:43.680 --> 0:23:44.080
<v Speaker 1>came out.

0:23:44.320 --> 0:23:45.040
<v Speaker 6>We've done it.

0:23:45.560 --> 0:23:48.080
<v Speaker 7>But it's like, you know, it's one of those things

0:23:48.119 --> 0:23:51.679
<v Speaker 7>because it's like it's such weirdly because I was in

0:23:51.760 --> 0:23:54.080
<v Speaker 7>such a holding pattern at that time.

0:23:53.960 --> 0:23:54.600
<v Speaker 6>In my career.

0:23:54.640 --> 0:23:58.560
<v Speaker 7>I was like this unknown butt signed but no budget,

0:23:58.600 --> 0:23:59.600
<v Speaker 7>no nothing yet.

0:24:00.119 --> 0:24:02.600
<v Speaker 6>But I was signed and I was working on music.

0:24:02.640 --> 0:24:05.520
<v Speaker 7>It was such a weird place either. I was kind

0:24:05.520 --> 0:24:08.200
<v Speaker 7>of in purgatory ishu for a minute as well.

0:24:08.320 --> 0:24:11.600
<v Speaker 3>So like, yeah, and it's the story Eve, because the

0:24:11.680 --> 0:24:14.400
<v Speaker 3>urban legend that I always heard was that Kilo Sanders

0:24:14.560 --> 0:24:17.560
<v Speaker 3>was the one that introduced you to that process of

0:24:17.560 --> 0:24:18.160
<v Speaker 3>that song.

0:24:18.480 --> 0:24:21.399
<v Speaker 4>But what how did you become the Eve? And you

0:24:21.440 --> 0:24:23.280
<v Speaker 4>got me? How did you?

0:24:23.280 --> 0:24:23.480
<v Speaker 3>You know?

0:24:23.520 --> 0:24:24.000
<v Speaker 6>What's funny?

0:24:24.000 --> 0:24:26.520
<v Speaker 7>I don't remember who said come through to the studio,

0:24:26.600 --> 0:24:27.720
<v Speaker 7>cause I used to kind of.

0:24:27.840 --> 0:24:29.879
<v Speaker 6>Just be around. I don't know if it was Scott

0:24:30.400 --> 0:24:31.080
<v Speaker 6>or was it Keith.

0:24:31.200 --> 0:24:34.800
<v Speaker 7>I don't really remember how it kind of happened because

0:24:34.880 --> 0:24:37.360
<v Speaker 7>I used to come through to the studio, so.

0:24:37.400 --> 0:24:40.359
<v Speaker 6>I don't know who. You know what I'm saying, like

0:24:40.400 --> 0:24:42.640
<v Speaker 6>it was kind of almost like oh shit. It might

0:24:42.680 --> 0:24:45.720
<v Speaker 6>have even been like oh shit, oh even be dope

0:24:45.800 --> 0:24:48.439
<v Speaker 6>on this. I don't know who how it. I don't remember.

0:24:48.480 --> 0:24:50.240
<v Speaker 3>I asked you all the question because at the time,

0:24:50.600 --> 0:24:53.600
<v Speaker 3>for y'all, I'm watching your careers as a radio personality

0:24:53.640 --> 0:24:57.480
<v Speaker 3>in Philadelphia, right, And what's interesting is for most of

0:24:57.600 --> 0:24:59.320
<v Speaker 3>us who were there, we understood that, like the first

0:24:59.359 --> 0:25:03.280
<v Speaker 3>time we really her Eve commercially was on You Got Me. However,

0:25:03.400 --> 0:25:06.000
<v Speaker 3>being a Philadelphia radio personality, it was interesting to see

0:25:06.040 --> 0:25:09.960
<v Speaker 3>your careers grow, right. So for the roots, y'all became

0:25:10.040 --> 0:25:13.199
<v Speaker 3>international every other city but Philly, And it was interesting

0:25:13.240 --> 0:25:15.760
<v Speaker 3>because for Eve, not only did you do all that,

0:25:15.800 --> 0:25:19.760
<v Speaker 3>but you also became like a Philadelphia hero in that. Yeah,

0:25:20.040 --> 0:25:22.240
<v Speaker 3>And I always wonder what that was like for y'all

0:25:22.440 --> 0:25:25.000
<v Speaker 3>going those directions.

0:25:24.560 --> 0:25:27.000
<v Speaker 7>Maybe because I was still so close to Philly being

0:25:27.040 --> 0:25:30.080
<v Speaker 7>in New York, like my career was still just kind of.

0:25:30.160 --> 0:25:32.160
<v Speaker 7>So I was with the Rough Riders, I was in

0:25:32.400 --> 0:25:34.720
<v Speaker 7>Harlem or Yunkers most of the time, So I was

0:25:34.760 --> 0:25:37.840
<v Speaker 7>so close to Philly for the first beginning of my

0:25:37.920 --> 0:25:41.800
<v Speaker 7>first probably two years of my career really, and when

0:25:41.840 --> 0:25:42.280
<v Speaker 7>you went.

0:25:42.200 --> 0:25:44.080
<v Speaker 3>Around I would tell people like, your mom would fill in.

0:25:44.119 --> 0:25:45.880
<v Speaker 3>She would be she would show up at a community

0:25:45.920 --> 0:25:46.800
<v Speaker 3>events and stuff.

0:25:47.160 --> 0:25:50.880
<v Speaker 6>Literally literally my mom was like always there. So like, yeah,

0:25:50.920 --> 0:25:52.000
<v Speaker 6>maybe that's what it was.

0:25:52.440 --> 0:25:56.000
<v Speaker 7>Because I didn't really go international at all, probably until

0:25:56.320 --> 0:25:57.680
<v Speaker 7>mid second album.

0:25:57.920 --> 0:26:00.840
<v Speaker 6>My goodness, Yeah, how about for.

0:26:00.800 --> 0:26:03.240
<v Speaker 2>You and me or what was that we had to

0:26:03.359 --> 0:26:09.040
<v Speaker 2>leave Philadelphia to move to London. I mean at that time,

0:26:09.119 --> 0:26:12.560
<v Speaker 2>the only example I knew of was Jimmy HENDRICKX, and

0:26:12.600 --> 0:26:15.080
<v Speaker 2>it was like he couldn't get arrested.

0:26:15.080 --> 0:26:16.360
<v Speaker 1>Well, it's not that he couldn't.

0:26:16.040 --> 0:26:18.880
<v Speaker 2>Get arrested in the United States, but I don't think

0:26:19.000 --> 0:26:22.800
<v Speaker 2>the United States was necessarily ready for a primitive exotic.

0:26:23.359 --> 0:26:25.400
<v Speaker 3>Has you been watching Age Rise, because at the time

0:26:25.480 --> 0:26:27.399
<v Speaker 3>she's got like two three radio hits, you know what

0:26:27.480 --> 0:26:29.720
<v Speaker 3>I mean and whatnot, And so that's what I just thought.

0:26:29.720 --> 0:26:31.680
<v Speaker 4>It was interesting in that way that.

0:26:32.000 --> 0:26:33.960
<v Speaker 1>Yeah, in my mind, I was like, yeah, this is

0:26:34.359 --> 0:26:34.960
<v Speaker 1>about right.

0:26:35.320 --> 0:26:37.760
<v Speaker 2>The last part of this story was when we did

0:26:37.920 --> 0:26:42.280
<v Speaker 2>Woodstock three, X was mad as shit.

0:26:43.359 --> 0:26:45.240
<v Speaker 1>We shared a backstage.

0:26:44.680 --> 0:26:49.960
<v Speaker 2>With X and DMX the roots and whole James Brown

0:26:50.000 --> 0:26:54.200
<v Speaker 2>like Jamaariquai. Everybody's like on Woodstock three And we walk

0:26:54.280 --> 0:26:59.120
<v Speaker 2>in and you know, like the talking that you get

0:26:59.200 --> 0:27:01.119
<v Speaker 2>right before you get a wood with him from your pops,

0:27:01.800 --> 0:27:04.440
<v Speaker 2>when black men start talking with the back of their

0:27:04.440 --> 0:27:06.200
<v Speaker 2>head on on the left palm.

0:27:07.200 --> 0:27:10.560
<v Speaker 1>I got as, why y'all do even dirty like that?

0:27:11.080 --> 0:27:11.159
<v Speaker 3>No?

0:27:11.440 --> 0:27:12.320
<v Speaker 6>Did he for real?

0:27:12.680 --> 0:27:12.880
<v Speaker 8>Oh?

0:27:12.960 --> 0:27:15.840
<v Speaker 1>Dog? He read us the right act. Yo.

0:27:15.520 --> 0:27:21.639
<v Speaker 6>I love that so much.

0:27:23.040 --> 0:27:24.119
<v Speaker 4>I love that song.

0:27:28.680 --> 0:27:29.400
<v Speaker 1>I love.

0:27:30.680 --> 0:27:34.080
<v Speaker 6>That's the act man, Please.

0:27:33.800 --> 0:27:35.000
<v Speaker 4>Tell us a story.

0:27:36.640 --> 0:27:38.879
<v Speaker 2>He read us the right act about that, And I

0:27:38.920 --> 0:27:40.680
<v Speaker 2>was like, all right, I gotta make this right.

0:27:41.040 --> 0:27:45.240
<v Speaker 4>That's beautiful. Wow, And what did y'all say? What y'all say?

0:27:45.320 --> 0:27:48.080
<v Speaker 6>Okay?

0:27:48.440 --> 0:27:52.080
<v Speaker 1>I think at the time, I was like, well, dude,

0:27:52.080 --> 0:27:54.119
<v Speaker 1>she's like the biggest things in sliced bread.

0:27:54.200 --> 0:27:57.479
<v Speaker 2>Like she wasn't gonna blow up on us, Like if

0:27:57.520 --> 0:28:01.119
<v Speaker 2>anything we needed her then that like she got the

0:28:01.200 --> 0:28:04.600
<v Speaker 2>last word because simply because even with the jail story

0:28:04.640 --> 0:28:07.840
<v Speaker 2>and then Erica like you got me was a mess

0:28:07.880 --> 0:28:08.639
<v Speaker 2>all over the place.

0:28:08.680 --> 0:28:09.880
<v Speaker 1>There was the Erica jail thing.

0:28:10.920 --> 0:28:14.280
<v Speaker 2>There was your situation, like it was so many small

0:28:14.320 --> 0:28:17.520
<v Speaker 2>compartments that have It was almost like, yeah, we deserve

0:28:17.560 --> 0:28:19.959
<v Speaker 2>this screaming all right, let it, let's let us hear

0:28:19.960 --> 0:28:22.800
<v Speaker 2>it X. So we just took it. I mean, of

0:28:22.840 --> 0:28:24.919
<v Speaker 2>course we got Colt later, but he was mad as

0:28:25.320 --> 0:28:30.520
<v Speaker 2>shit that day. But no, dude, I've always, always, always, always.

0:28:30.280 --> 0:28:31.120
<v Speaker 1>Been been proud of her.

0:28:31.359 --> 0:28:33.760
<v Speaker 2>This is what I didn't know. So even when I'm

0:28:33.800 --> 0:28:37.159
<v Speaker 2>asking Rich who is this person? He brought up to

0:28:37.200 --> 0:28:40.840
<v Speaker 2>me that you were part of what we now know

0:28:41.200 --> 0:28:43.880
<v Speaker 2>as the Black Lily Jam sessions, that you were coming

0:28:43.880 --> 0:28:48.480
<v Speaker 2>to the jam sessions.

0:28:46.480 --> 0:28:49.120
<v Speaker 6>To be there all the time at a Meer's house.

0:28:49.840 --> 0:28:52.520
<v Speaker 6>I mean not all yeah, I mean not all the time.

0:28:52.720 --> 0:28:55.800
<v Speaker 7>I was there, Like I used to just be around

0:28:55.840 --> 0:28:57.560
<v Speaker 7>and I think it was like one of those things

0:28:57.560 --> 0:28:58.960
<v Speaker 7>where people knew.

0:28:58.760 --> 0:29:02.720
<v Speaker 6>What I did, but maybe you know, it was everybody

0:29:02.840 --> 0:29:04.480
<v Speaker 6>hung out you. It became one of.

0:29:04.480 --> 0:29:07.360
<v Speaker 7>Those things like because it just was I was just

0:29:07.400 --> 0:29:08.720
<v Speaker 7>an artist hanging out.

0:29:08.840 --> 0:29:11.760
<v Speaker 6>It wasn't you know how you know how it gets like.

0:29:12.040 --> 0:29:14.280
<v Speaker 4>But it's very Philly. Though it's not special, it was

0:29:14.320 --> 0:29:15.240
<v Speaker 4>still a special time.

0:29:15.880 --> 0:29:19.120
<v Speaker 2>The stroller broke the camel's back for me was when

0:29:19.480 --> 0:29:24.560
<v Speaker 2>ten year old Jasmine Sullivan was just hanging in the

0:29:24.600 --> 0:29:27.840
<v Speaker 2>living room. By week five, I mean you've heard the

0:29:27.880 --> 0:29:30.760
<v Speaker 2>stories a mirror call of cops on his own party.

0:29:32.360 --> 0:29:34.680
<v Speaker 1>I wouldn't show up like by week.

0:29:34.600 --> 0:29:37.040
<v Speaker 4>Five, ip a mere bad cop.

0:29:37.640 --> 0:29:39.320
<v Speaker 1>Yeah, like it was my crib.

0:29:39.400 --> 0:29:41.880
<v Speaker 2>Like the next day, no one's around to pick up

0:29:41.880 --> 0:29:46.400
<v Speaker 2>beer bottles and beatis on my rug.

0:29:47.040 --> 0:29:49.160
<v Speaker 6>Oh not a beaty.

0:29:49.280 --> 0:29:56.240
<v Speaker 8>It was the nineties, Yo, got nostalgic for Beaties. Shit emotional.

0:29:56.840 --> 0:30:00.520
<v Speaker 2>So by week five I have been protesting my own

0:30:00.640 --> 0:30:05.320
<v Speaker 2>jam sessions. And by week five, yeah, like I apparently

0:30:05.320 --> 0:30:07.080
<v Speaker 2>missed John Legend being in my crib.

0:30:07.160 --> 0:30:11.480
<v Speaker 1>I missed Bean's freeway. Chris and Nef.

0:30:12.760 --> 0:30:15.520
<v Speaker 2>Well blow was hard to miss because he I mean

0:30:15.520 --> 0:30:20.320
<v Speaker 2>he was like yodling back in nineteen ninety seven when

0:30:20.400 --> 0:30:24.720
<v Speaker 2>nobody was doing primitive yodel noises in jam sessions. But

0:30:25.760 --> 0:30:28.000
<v Speaker 2>I mean pretty much, I would say that I was

0:30:28.320 --> 0:30:33.960
<v Speaker 2>disconnected to the jam sessions in my own living room

0:30:34.200 --> 0:30:36.840
<v Speaker 2>until it moved to the five spot, of which it

0:30:36.920 --> 0:30:37.760
<v Speaker 2>was out of my house.

0:30:37.960 --> 0:30:40.040
<v Speaker 4>So and Eve was gone by then, and she was

0:30:40.080 --> 0:30:41.880
<v Speaker 4>Soren literally.

0:30:42.360 --> 0:30:46.360
<v Speaker 2>But what I want to know is okay, because you

0:30:46.440 --> 0:30:51.080
<v Speaker 2>got me isn't your first debut A year before you

0:30:51.160 --> 0:30:54.440
<v Speaker 2>were on the board soundtrack as Eve of Destruction. So

0:30:54.520 --> 0:30:59.719
<v Speaker 2>can you tell the story of how your brief journey

0:30:59.760 --> 0:31:02.000
<v Speaker 2>I gets guess with Doctor Dre first before you want

0:31:02.000 --> 0:31:02.800
<v Speaker 2>the Rough Riders.

0:31:03.240 --> 0:31:05.960
<v Speaker 6>Yeah, so Dre was.

0:31:06.600 --> 0:31:10.600
<v Speaker 7>I mean, Aftermath was my first record deal and that

0:31:10.840 --> 0:31:12.640
<v Speaker 7>song was a demo.

0:31:12.880 --> 0:31:14.800
<v Speaker 6>It was one of the demo songs I did for Dre.

0:31:15.480 --> 0:31:19.360
<v Speaker 7>I basically met Mike Lynn like during the week, like

0:31:19.840 --> 0:31:22.520
<v Speaker 7>my homeboys. That was my managers at the time, drug

0:31:22.560 --> 0:31:23.959
<v Speaker 7>dealer slash Managers.

0:31:24.680 --> 0:31:28.000
<v Speaker 6>Was like, Yo, come through, Mike Linn's coming to my house.

0:31:28.120 --> 0:31:30.560
<v Speaker 7>But you know, I've told this to him many times,

0:31:30.560 --> 0:31:32.920
<v Speaker 7>but you know, pretend to be the wee girl because

0:31:32.920 --> 0:31:34.000
<v Speaker 7>he thought I was selling some weed.

0:31:35.160 --> 0:31:38.280
<v Speaker 6>And then so I was like okay. And then I

0:31:38.320 --> 0:31:39.160
<v Speaker 6>get to the house.

0:31:39.000 --> 0:31:41.920
<v Speaker 7>And we put on music immediately and I start rapping,

0:31:42.160 --> 0:31:44.240
<v Speaker 7>and He's like, what the fuck is going on?

0:31:44.320 --> 0:31:45.680
<v Speaker 6>Why is we girl rapping?

0:31:47.000 --> 0:31:49.440
<v Speaker 7>But then he listens and they like they quickly talked

0:31:49.440 --> 0:31:50.760
<v Speaker 7>to him like, yo, I know you ain't want to

0:31:50.760 --> 0:31:52.840
<v Speaker 7>hand nobody else, but I'm telling you need to hear her.

0:31:53.160 --> 0:31:54.960
<v Speaker 7>And he was like, all right, fuck it you Yeah,

0:31:55.680 --> 0:31:58.480
<v Speaker 7>and I start rapping and he calls Dre right there like, yo,

0:31:58.560 --> 0:32:01.440
<v Speaker 7>I think we found our girl. And that weekend I

0:32:01.480 --> 0:32:09.040
<v Speaker 7>got flown to La to demo with Melman and that

0:32:09.280 --> 0:32:11.960
<v Speaker 7>song even Destruction. He took it and put it on

0:32:12.000 --> 0:32:15.720
<v Speaker 7>the board soundtrack, which was like, how is this happening?

0:32:15.840 --> 0:32:20.480
<v Speaker 7>Like I was like, first demo, first professional, real demo.

0:32:20.520 --> 0:32:22.080
<v Speaker 7>I did demos all the time, but like, you know,

0:32:22.200 --> 0:32:25.840
<v Speaker 7>first one that's ships on the line, and for that

0:32:26.000 --> 0:32:28.640
<v Speaker 7>to be put on the soundtrack was crazy.

0:32:29.120 --> 0:32:32.040
<v Speaker 2>Okay, So the one thing I'm obsessed with now that

0:32:32.360 --> 0:32:38.000
<v Speaker 2>I'm older, Yeah, it is the amazement when artists don't

0:32:38.080 --> 0:32:41.000
<v Speaker 2>get in their own way or figure out how to

0:32:41.000 --> 0:32:42.640
<v Speaker 2>mess it up when they get an opportunity.

0:32:43.160 --> 0:32:46.480
<v Speaker 7>I did mess it up, though, I messed it up,

0:32:47.040 --> 0:32:52.040
<v Speaker 7>and so no, so this is why I'm I'm gonna

0:32:52.080 --> 0:32:55.520
<v Speaker 7>tell you why I'm here. Messed up and got dropped

0:32:55.720 --> 0:33:01.040
<v Speaker 7>and got humbled, and then I had another chance and that's.

0:33:00.880 --> 0:33:02.080
<v Speaker 6>How I got signed to Rough Riders.

0:33:02.160 --> 0:33:04.360
<v Speaker 7>So the eight months that I was in LA with Dre,

0:33:05.400 --> 0:33:08.400
<v Speaker 7>I was Philly feisty and was showing up to sessions

0:33:08.440 --> 0:33:10.720
<v Speaker 7>I wasn't supposed to be at Like when am I recording?

0:33:10.840 --> 0:33:13.240
<v Speaker 6>You got me all the way out and I was

0:33:13.280 --> 0:33:14.360
<v Speaker 6>being super.

0:33:16.760 --> 0:33:17.960
<v Speaker 4>All day, all day.

0:33:18.440 --> 0:33:20.800
<v Speaker 7>You got me all the way out in LA like

0:33:21.040 --> 0:33:23.200
<v Speaker 7>I thought I was supposed to be recorded like I

0:33:23.240 --> 0:33:27.040
<v Speaker 7>was super Philly, and then I got dropped because he

0:33:27.240 --> 0:33:30.880
<v Speaker 7>was like I can't deal with this, like what's happening?

0:33:32.080 --> 0:33:35.080
<v Speaker 6>So I got sick Philly. After I had a big

0:33:35.080 --> 0:33:37.560
<v Speaker 6>going away party, after I've been living.

0:33:37.280 --> 0:33:41.040
<v Speaker 7>In a condo, living my you know, had a bank account,

0:33:41.080 --> 0:33:44.400
<v Speaker 7>everything back in my mom's house, had to catch the

0:33:44.440 --> 0:33:47.440
<v Speaker 7>bus again, all of that, and at that time I

0:33:47.520 --> 0:33:51.080
<v Speaker 7>decided I need I wanted to drop the destruction because

0:33:51.120 --> 0:33:53.520
<v Speaker 7>I had to talk with myself like if I ever

0:33:53.560 --> 0:33:56.240
<v Speaker 7>get this opportunity again, who is it I want to

0:33:56.280 --> 0:33:58.600
<v Speaker 7>be as an artist? Who do I want to show

0:33:58.600 --> 0:34:00.480
<v Speaker 7>the world? And I was like, I just want I want.

0:34:00.280 --> 0:34:00.680
<v Speaker 6>To be Eve.

0:34:01.200 --> 0:34:03.240
<v Speaker 7>And then I got the phone call to go to

0:34:03.320 --> 0:34:05.640
<v Speaker 7>Yonkers and I was like, Okay, this is it, this

0:34:06.080 --> 0:34:06.480
<v Speaker 7>is it.

0:34:06.600 --> 0:34:08.520
<v Speaker 4>I gotta run because the moment from them that felt

0:34:08.560 --> 0:34:09.719
<v Speaker 4>like this was it one.

0:34:10.560 --> 0:34:12.480
<v Speaker 7>And it's funny because I talk about Jimmy Ivy in

0:34:12.520 --> 0:34:15.839
<v Speaker 7>the book, but he was the person that was like

0:34:16.360 --> 0:34:17.400
<v Speaker 7>and he could have dropped me.

0:34:17.520 --> 0:34:19.720
<v Speaker 6>I was obviously after math in a scope.

0:34:20.440 --> 0:34:22.920
<v Speaker 7>Jimmy could have been like, oh cool, like you dropping

0:34:22.960 --> 0:34:25.080
<v Speaker 7>this girl, we don't need her anymore.

0:34:25.280 --> 0:34:26.360
<v Speaker 6>He decided to keep me.

0:34:26.800 --> 0:34:28.520
<v Speaker 7>Jimmy was the one that decided to keep me and

0:34:28.640 --> 0:34:30.120
<v Speaker 7>was like, I think rough Riders would be a good

0:34:30.120 --> 0:34:33.480
<v Speaker 7>fit for you. And that's when I got the call

0:34:33.560 --> 0:34:36.360
<v Speaker 7>from management again, Like yo, Jimmy called and said, you

0:34:36.440 --> 0:34:36.839
<v Speaker 7>need to go.

0:34:37.360 --> 0:34:40.120
<v Speaker 6>You need to go to Yonkers to meet rough Riders.

0:34:39.760 --> 0:34:42.239
<v Speaker 7>Which I had already known of the rough riders, Like

0:34:42.280 --> 0:34:46.240
<v Speaker 7>I met X when I was signed to Dre already,

0:34:46.320 --> 0:34:47.719
<v Speaker 7>so I used to kind of hang out with him

0:34:47.719 --> 0:34:50.880
<v Speaker 7>when he would come to La Melman actually introduced me,

0:34:50.920 --> 0:34:52.680
<v Speaker 7>so we'd be in the same you know, at the

0:34:52.680 --> 0:34:54.320
<v Speaker 7>same places and whatever.

0:34:54.440 --> 0:34:56.319
<v Speaker 6>When X had a show, I would go, so they

0:34:56.400 --> 0:34:57.359
<v Speaker 6>knew me kind of.

0:35:00.120 --> 0:35:01.680
<v Speaker 4>They also are a Philly crew as well.

0:35:01.719 --> 0:35:03.719
<v Speaker 3>I always got confused with that with the bikers, like

0:35:03.760 --> 0:35:05.880
<v Speaker 3>it was a it was a whole Philly it's.

0:35:05.719 --> 0:35:08.000
<v Speaker 6>A whole national thing, so like, yeah, you know how

0:35:08.040 --> 0:35:11.120
<v Speaker 6>Philly is Philly loved. So there was a huge.

0:35:10.880 --> 0:35:14.239
<v Speaker 7>Rough rider like set of people in Philly for sure

0:35:14.520 --> 0:35:17.000
<v Speaker 7>that repped rough riders more for riding than they did

0:35:17.080 --> 0:35:21.239
<v Speaker 7>for music, right, Okay, so yeah, so yeah, once I

0:35:21.280 --> 0:35:22.959
<v Speaker 7>got once I got that call and I was like, Okay,

0:35:22.960 --> 0:35:25.640
<v Speaker 7>we're going up here. I have to make this happen,

0:35:25.800 --> 0:35:29.120
<v Speaker 7>like I have to make this happen. This is this

0:35:29.200 --> 0:35:31.280
<v Speaker 7>is the moment, This is the moment.

0:35:31.600 --> 0:35:33.480
<v Speaker 3>Was there a song moment that when you was working

0:35:33.480 --> 0:35:35.640
<v Speaker 3>on something and you was like this shit just clicks

0:35:35.680 --> 0:35:37.200
<v Speaker 3>like it's this isn't it?

0:35:37.280 --> 0:35:41.120
<v Speaker 7>Like it wasn't so much that you know. With Rough

0:35:41.160 --> 0:35:44.359
<v Speaker 7>Riders they treated us like it. And I've said this before,

0:35:44.400 --> 0:35:46.319
<v Speaker 7>but they treat it was like a boot camp. So

0:35:46.360 --> 0:35:48.600
<v Speaker 7>when I finally got signed of Rough Riders, they would

0:35:48.640 --> 0:35:51.880
<v Speaker 7>have us in different rooms. Like some artists, they'd be like,

0:35:51.960 --> 0:35:54.399
<v Speaker 7>you same beat, we're all writing on the same beat,

0:35:54.480 --> 0:35:54.759
<v Speaker 7>but we.

0:35:54.719 --> 0:35:56.560
<v Speaker 6>Would be in separate rooms.

0:35:56.960 --> 0:36:00.480
<v Speaker 7>Thetel w Yeah and D or why would come and

0:36:00.520 --> 0:36:02.319
<v Speaker 7>be like let me hear what you got, Let me

0:36:02.360 --> 0:36:05.360
<v Speaker 7>hear what you got and see whosever fucking verse was hottest,

0:36:05.440 --> 0:36:07.920
<v Speaker 7>would get on the beat or whatever. So it was constant,

0:36:08.080 --> 0:36:11.520
<v Speaker 7>like you know, it was. It was where I learned

0:36:11.560 --> 0:36:14.520
<v Speaker 7>how to write actual, an actual song, because I'm a

0:36:14.520 --> 0:36:15.200
<v Speaker 7>battle rapper.

0:36:15.239 --> 0:36:16.759
<v Speaker 6>That's how I used it. I was bars. I was

0:36:16.800 --> 0:36:20.160
<v Speaker 6>sixteen twenty four bars in ciphers. That was who I was.

0:36:20.239 --> 0:36:21.439
<v Speaker 6>I didn't know how to make a song.

0:36:21.480 --> 0:36:23.960
<v Speaker 7>I didn't really I knew what a hook was, but

0:36:24.040 --> 0:36:26.200
<v Speaker 7>I didn't know how to do that myself.

0:36:31.320 --> 0:36:33.400
<v Speaker 1>So in those eight months, did you work with Dre

0:36:33.640 --> 0:36:34.560
<v Speaker 1>at all personally?

0:36:35.360 --> 0:36:38.000
<v Speaker 6>Maybe? Like once I I worked with a lot of

0:36:38.000 --> 0:36:40.399
<v Speaker 6>different other producers. It really didn't work with.

0:36:40.480 --> 0:36:43.799
<v Speaker 1>Everyone unders like Mike Alexandro or.

0:36:44.200 --> 0:36:45.240
<v Speaker 6>Yes, exactly.

0:36:46.000 --> 0:36:51.080
<v Speaker 7>But even then within that time, at that time, at Aftermath.

0:36:50.560 --> 0:36:52.720
<v Speaker 6>There were no real A and rs.

0:36:53.360 --> 0:36:56.520
<v Speaker 7>Really, I think Dre was great at and especially because

0:36:56.520 --> 0:36:59.200
<v Speaker 7>you know he's a producer or artist. But I think

0:36:59.239 --> 0:37:01.920
<v Speaker 7>it was an and that's why when Eminem got signed

0:37:01.960 --> 0:37:02.640
<v Speaker 7>it was easy.

0:37:02.800 --> 0:37:04.919
<v Speaker 6>That was easy because Eminem came fully.

0:37:04.600 --> 0:37:06.600
<v Speaker 7>Formed in a way, if that makes sense, you know

0:37:06.680 --> 0:37:09.520
<v Speaker 7>what I'm saying. I think whenever they needed to figure

0:37:09.600 --> 0:37:13.319
<v Speaker 7>out how to place someone or how to direct them,

0:37:13.360 --> 0:37:14.880
<v Speaker 7>it just didn't work out.

0:37:15.160 --> 0:37:19.719
<v Speaker 2>When you get to Rough Riders, because you've done like

0:37:19.760 --> 0:37:23.680
<v Speaker 2>your most powerful work with with Swisz's what's the working

0:37:23.719 --> 0:37:28.760
<v Speaker 2>relationship with how you and Swizz make songs together.

0:37:29.640 --> 0:37:30.560
<v Speaker 6>Swiss is great.

0:37:30.560 --> 0:37:33.160
<v Speaker 7>I always call him a bouncing ball because Swiss is

0:37:33.280 --> 0:37:37.120
<v Speaker 7>like energy and you just it is so infectious. So

0:37:37.200 --> 0:37:40.680
<v Speaker 7>we sometimes would bang out like three four songs a day,

0:37:40.880 --> 0:37:43.439
<v Speaker 7>like just like and some of that shit was cool,

0:37:43.560 --> 0:37:45.600
<v Speaker 7>some of it wasn't. Some of it was piece, you know,

0:37:45.680 --> 0:37:47.319
<v Speaker 7>it was little piece. Maybe it's a hook over here,

0:37:47.400 --> 0:37:49.520
<v Speaker 7>but he's a verse KND or maybe we take this whatever,

0:37:50.120 --> 0:37:54.520
<v Speaker 7>but we because we and even though Swiss was family,

0:37:54.560 --> 0:37:56.560
<v Speaker 7>because I always say I'm the adopted kid of the

0:37:56.640 --> 0:37:59.960
<v Speaker 7>rough Riders, because everybody else I are are either actual

0:38:00.080 --> 0:38:03.040
<v Speaker 7>blood family or like from the young from Yonkers, from

0:38:03.200 --> 0:38:06.960
<v Speaker 7>Harlem or whatever they know. But with me and Swiss,

0:38:07.120 --> 0:38:12.200
<v Speaker 7>we both had something to prove, same age, same position basically,

0:38:13.760 --> 0:38:17.919
<v Speaker 7>so we just clicked and energetically we just got each other.

0:38:17.960 --> 0:38:22.319
<v Speaker 7>And it's it's the same to this day, like you know, yeah,

0:38:22.320 --> 0:38:23.239
<v Speaker 7>we just get each other.

0:38:23.480 --> 0:38:28.160
<v Speaker 4>And to this day y'all in the studio, I know.

0:38:29.600 --> 0:38:31.399
<v Speaker 6>That was good. That was good.

0:38:33.440 --> 0:38:38.480
<v Speaker 7>No, you know, we both know what we gravitate towards,

0:38:38.560 --> 0:38:40.960
<v Speaker 7>like sound wise or whatever. Because well sometimes it has

0:38:41.000 --> 0:38:43.760
<v Speaker 7>it's been a while now, I will say, but sometimes

0:38:43.800 --> 0:38:45.839
<v Speaker 7>we'll send the song or send the beat, or he'll

0:38:45.880 --> 0:38:46.600
<v Speaker 7>send me something and.

0:38:46.600 --> 0:38:48.480
<v Speaker 6>Be like, oh, you know, you might like this whatever.

0:38:50.400 --> 0:38:51.480
<v Speaker 6>It's been a while for that.

0:38:51.560 --> 0:38:54.440
<v Speaker 7>But but yeah, now we just I feel like we

0:38:54.600 --> 0:38:58.160
<v Speaker 7>both knew we had something to prove, but we also

0:38:58.520 --> 0:39:02.319
<v Speaker 7>wanted the same We wanted to be like at the

0:39:02.360 --> 0:39:04.200
<v Speaker 7>top of the pecking order.

0:39:04.239 --> 0:39:04.640
<v Speaker 4>In a way.

0:39:04.920 --> 0:39:07.000
<v Speaker 7>They never played us against each other, they never put

0:39:07.360 --> 0:39:10.799
<v Speaker 7>us against each other, but you felt it within the

0:39:10.840 --> 0:39:13.640
<v Speaker 7>crew it was healthy competition and you wanted to be

0:39:13.719 --> 0:39:16.000
<v Speaker 7>that next one that was called to get on the

0:39:16.080 --> 0:39:18.720
<v Speaker 7>verse or called to make the beat. So we both

0:39:18.760 --> 0:39:20.799
<v Speaker 7>had that same like, Noah, we gotta make this happen.

0:39:20.840 --> 0:39:22.360
<v Speaker 7>Let's let's let's fucking do it.

0:39:22.440 --> 0:39:25.640
<v Speaker 6>Let's do it. So yeah, as.

0:39:25.560 --> 0:39:27.279
<v Speaker 3>When you figured out the hook thing, because you said

0:39:27.360 --> 0:39:29.040
<v Speaker 3>that if you didn't know how to do hooks, but

0:39:29.080 --> 0:39:30.960
<v Speaker 3>then you know, you became good at this.

0:39:32.560 --> 0:39:36.759
<v Speaker 6>Darn Darren. Darren helped me with that, Darrande Darren and

0:39:36.800 --> 0:39:38.399
<v Speaker 6>why I think just being in.

0:39:38.320 --> 0:39:41.919
<v Speaker 7>The studio and as we got closer to like when

0:39:41.960 --> 0:39:44.880
<v Speaker 7>we really figured out like Okay, when I was picked,

0:39:44.920 --> 0:39:47.719
<v Speaker 7>I was say, after the rough Rider's anthem and they

0:39:47.719 --> 0:39:50.759
<v Speaker 7>were like, your next to do the album. Then it

0:39:50.800 --> 0:39:53.600
<v Speaker 7>became like, all right, you need to and he already

0:39:53.640 --> 0:39:54.799
<v Speaker 7>was doing this anyway, like.

0:39:55.760 --> 0:39:56.560
<v Speaker 6>You don't how pheelly people.

0:39:56.600 --> 0:39:59.520
<v Speaker 7>We talked fast sometimes so he used to just be like,

0:39:59.560 --> 0:40:01.520
<v Speaker 7>you need to back a little bit more. Now end

0:40:01.520 --> 0:40:04.160
<v Speaker 7>it here, do eight bars over here? Do this over here?

0:40:04.280 --> 0:40:05.840
<v Speaker 7>Like so it took it.

0:40:06.239 --> 0:40:10.600
<v Speaker 6>You know, it was just I guess coaching really was coaching.

0:40:10.840 --> 0:40:14.040
<v Speaker 2>Yeah, I'll say probably with the song on your debut

0:40:14.520 --> 0:40:19.839
<v Speaker 2>that resonated with your fan base, of course, his Love

0:40:19.920 --> 0:40:23.759
<v Speaker 2>is Blind. Can you talk about just the genesis of

0:40:23.800 --> 0:40:27.319
<v Speaker 2>how that song came to be in the process behind it?

0:40:27.880 --> 0:40:29.719
<v Speaker 6>Yeah, I wrote that.

0:40:30.120 --> 0:40:32.200
<v Speaker 7>I wrote it as a poem when I was sixteen

0:40:32.880 --> 0:40:36.480
<v Speaker 7>because my friend at the time, she was seventeen, she

0:40:36.560 --> 0:40:38.880
<v Speaker 7>was dating this dude he might have been like, I

0:40:38.880 --> 0:40:42.400
<v Speaker 7>don't know, twenty eight thirty something. He used to keep

0:40:42.440 --> 0:40:44.400
<v Speaker 7>her in an apartment like all that kind of stuff.

0:40:44.440 --> 0:40:46.560
<v Speaker 7>He used to beat her and he was married like

0:40:46.600 --> 0:40:48.960
<v Speaker 7>all of that. And sometimes she would come to my house.

0:40:49.040 --> 0:40:51.080
<v Speaker 7>She have a black eye, or she has like some

0:40:51.120 --> 0:40:54.319
<v Speaker 7>bruises on or whatever. And then she got pregnant for him,

0:40:54.920 --> 0:40:56.359
<v Speaker 7>had his baby. He wasn't there.

0:40:56.440 --> 0:40:56.640
<v Speaker 8>I was.

0:40:56.920 --> 0:40:59.200
<v Speaker 7>I held the baby first. I was there while she

0:40:59.239 --> 0:41:03.520
<v Speaker 7>got the epidural. I'm sixteen, she's seventeen. Like I wrote,

0:41:03.920 --> 0:41:07.920
<v Speaker 7>the first two verses of love is Blind is the

0:41:08.120 --> 0:41:10.240
<v Speaker 7>is the poem, and then when we when I decided

0:41:10.280 --> 0:41:12.080
<v Speaker 7>to turn it into a song, I just added that

0:41:12.120 --> 0:41:16.359
<v Speaker 7>third verse for obviously dramatics.

0:41:15.760 --> 0:41:17.320
<v Speaker 6>Because obviously didn't kill anybody.

0:41:18.040 --> 0:41:23.040
<v Speaker 7>But then when that beat in the hook, I just

0:41:23.080 --> 0:41:25.440
<v Speaker 7>wanted to keep it super simple, like love is blind

0:41:25.640 --> 0:41:26.520
<v Speaker 7>and it'll take go.

0:41:26.600 --> 0:41:27.440
<v Speaker 6>Like it's so simple.

0:41:27.480 --> 0:41:30.640
<v Speaker 7>But it really was how I felt like she really

0:41:30.680 --> 0:41:33.480
<v Speaker 7>did love this dude, like we were so young, Like.

0:41:35.320 --> 0:41:36.759
<v Speaker 4>Eve has always been forth right.

0:41:36.920 --> 0:41:39.319
<v Speaker 3>Because I just saw a clip of y'all from Forever Ago,

0:41:39.320 --> 0:41:42.279
<v Speaker 3>if you Andrea that was her name, and her on

0:41:42.320 --> 0:41:44.160
<v Speaker 3>stage and y'all talking about that. Do y'all keep in

0:41:44.160 --> 0:41:45.319
<v Speaker 3>communication at all?

0:41:45.520 --> 0:41:47.680
<v Speaker 6>Or oh, I haven't spoken to her in years.

0:41:47.719 --> 0:41:50.960
<v Speaker 7>We kept in touch for a while, like once I

0:41:51.080 --> 0:41:55.839
<v Speaker 7>kind of got into the industry, and then even once

0:41:55.920 --> 0:41:58.200
<v Speaker 7>I was on the road, she moved in with my mom,

0:41:58.280 --> 0:42:03.040
<v Speaker 7>she with her kid, like you know, she we tried too.

0:42:02.880 --> 0:42:07.960
<v Speaker 6>And then things just fell apart. Sadly, I feel like

0:42:08.200 --> 0:42:10.920
<v Speaker 6>life be life. And also it was one of those

0:42:10.920 --> 0:42:12.719
<v Speaker 6>things too when I talk about this in the book.

0:42:12.520 --> 0:42:15.960
<v Speaker 7>That I tried to take all of my friends on

0:42:16.120 --> 0:42:18.520
<v Speaker 7>tour because I felt like I didn't want them to

0:42:18.560 --> 0:42:27.120
<v Speaker 7>think that I was changing, And God I'd recommend not doing.

0:42:26.840 --> 0:42:29.040
<v Speaker 4>That to get them jobs.

0:42:29.200 --> 0:42:29.600
<v Speaker 1>They got to.

0:42:30.000 --> 0:42:32.200
<v Speaker 7>I gave them jobs, but they didn't do them they

0:42:32.360 --> 0:42:35.040
<v Speaker 7>I gave them. I remember about this in the book

0:42:35.040 --> 0:42:39.520
<v Speaker 7>as well. I for my friends they who had the baby, Andrea,

0:42:39.640 --> 0:42:42.040
<v Speaker 7>I gave her a bit more because she as a kid.

0:42:42.080 --> 0:42:44.320
<v Speaker 7>And then but she told one of the other people

0:42:44.360 --> 0:42:47.480
<v Speaker 7>and then they was like, well why sheet like it

0:42:47.600 --> 0:42:53.799
<v Speaker 7>just became a thing. Yeah, I don't recommend doing that.

0:42:54.280 --> 0:42:56.919
<v Speaker 3>We haven't talked about this, but it feels like rough

0:42:57.000 --> 0:43:00.680
<v Speaker 3>Riders was a nice comforting place. But you have always

0:43:00.680 --> 0:43:03.000
<v Speaker 3>been the woman in a male place. And I know

0:43:03.040 --> 0:43:04.800
<v Speaker 3>you talk about this in the in the book a lot,

0:43:05.080 --> 0:43:07.720
<v Speaker 3>but can you talk about like protection in that way

0:43:07.880 --> 0:43:11.600
<v Speaker 3>or armor? Like were you protected or did you have

0:43:11.680 --> 0:43:14.759
<v Speaker 3>heavy armor on yourself? Can you were there's situations when

0:43:15.640 --> 0:43:17.480
<v Speaker 3>you couldn't use either one. I mean, you know, can

0:43:17.480 --> 0:43:18.239
<v Speaker 3>you just talk about it.

0:43:18.360 --> 0:43:20.160
<v Speaker 6>I definitely was protected.

0:43:20.520 --> 0:43:24.200
<v Speaker 7>I feel so lucky, thankful, grateful that I was in

0:43:24.239 --> 0:43:27.480
<v Speaker 7>the crew that I was in because they protected me,

0:43:27.600 --> 0:43:32.759
<v Speaker 7>respected me, and celebrated me for sure. So I think

0:43:32.760 --> 0:43:36.279
<v Speaker 7>I was lucky in that way. But outside of that,

0:43:38.360 --> 0:43:41.400
<v Speaker 7>I'm just trying to figure my life out, Like I'm this.

0:43:41.880 --> 0:43:45.000
<v Speaker 7>You know, I'm young, I got money. Now I'm famous

0:43:45.040 --> 0:43:46.800
<v Speaker 7>like I want to be. But don't nobody tell you

0:43:46.840 --> 0:43:49.800
<v Speaker 7>about fame. I'm drinking, I'm smoking weed. I'm trying to

0:43:49.880 --> 0:43:52.399
<v Speaker 7>keep up with my friends. I gotta perform. I gotta

0:43:52.400 --> 0:43:57.760
<v Speaker 7>make decisions that like it was so much at one time,

0:43:57.920 --> 0:44:02.120
<v Speaker 7>and it happened so fat, everything happened so fast, and

0:44:02.160 --> 0:44:04.759
<v Speaker 7>then you're exhausted, like I was exhausted in a way

0:44:04.760 --> 0:44:06.560
<v Speaker 7>that I never even knew what that was.

0:44:06.520 --> 0:44:10.680
<v Speaker 6>Like, I don't so I think in a lot of ways,

0:44:10.719 --> 0:44:11.600
<v Speaker 6>the armor that I.

0:44:11.600 --> 0:44:15.840
<v Speaker 7>Did have for myself personally just got broken down and

0:44:15.880 --> 0:44:16.480
<v Speaker 7>chipped away.

0:44:17.120 --> 0:44:19.759
<v Speaker 6>You know, I had a breakdown. I had to quit

0:44:19.840 --> 0:44:20.520
<v Speaker 6>my first.

0:44:20.280 --> 0:44:24.000
<v Speaker 7>Tour, right you know, I had a lot of stuff

0:44:24.000 --> 0:44:26.520
<v Speaker 7>that went on, and it took me a long time

0:44:26.600 --> 0:44:30.239
<v Speaker 7>to come back to a sanity and a happiness, which

0:44:30.280 --> 0:44:32.200
<v Speaker 7>is what I prayed for when I have my breakdown,

0:44:32.239 --> 0:44:34.560
<v Speaker 7>Like I was like, I don't give a fuck about fame.

0:44:34.800 --> 0:44:36.919
<v Speaker 7>If I can get my sanity and my happiness back,

0:44:37.560 --> 0:44:38.520
<v Speaker 7>I can do anything.

0:44:38.920 --> 0:44:39.480
<v Speaker 4>Yeah, Because I.

0:44:39.400 --> 0:44:41.680
<v Speaker 3>Hope y'all make clear in this book that Eve was

0:44:41.719 --> 0:44:44.160
<v Speaker 3>a first and a lot, so therefore she didn't have

0:44:44.239 --> 0:44:46.080
<v Speaker 3>a lot of peers that could be like.

0:44:46.080 --> 0:44:47.640
<v Speaker 4>Hey do this. I mean you were the first.

0:44:47.680 --> 0:44:49.359
<v Speaker 3>I felt like you were the first female even see

0:44:49.400 --> 0:44:51.560
<v Speaker 3>to have a successful clothing line, the first to have

0:44:51.600 --> 0:44:54.200
<v Speaker 3>a TV show, like all these first So now it's

0:44:54.239 --> 0:44:58.040
<v Speaker 3>easier for everybody else because Eve kind of opening door.

0:44:58.840 --> 0:45:03.359
<v Speaker 1>Was there ever a network with your peers at the.

0:45:03.320 --> 0:45:08.400
<v Speaker 2>Time, Like, were you ever close to Kim or Fox

0:45:08.520 --> 0:45:11.279
<v Speaker 2>or Lauren where you just talk about things or were

0:45:11.280 --> 0:45:14.680
<v Speaker 2>you kind of in this thing isolated? Is commonality of

0:45:14.880 --> 0:45:18.799
<v Speaker 2>just being a woman enough to form a bond or.

0:45:19.600 --> 0:45:20.440
<v Speaker 6>That's a good question.

0:45:20.760 --> 0:45:23.040
<v Speaker 7>I when I got signed, I thought it was this

0:45:23.160 --> 0:45:25.960
<v Speaker 7>big sisterhood, so like I was such a nerd. I

0:45:26.000 --> 0:45:27.840
<v Speaker 7>used to run up to everybody and be like, girls,

0:45:27.880 --> 0:45:28.359
<v Speaker 7>how much girl?

0:45:28.400 --> 0:45:29.680
<v Speaker 5>A girl?

0:45:29.640 --> 0:45:31.200
<v Speaker 7>I want you to get on the hot girl like and

0:45:31.200 --> 0:45:33.360
<v Speaker 7>they would be looking at me like this fucking nerd,

0:45:33.560 --> 0:45:34.680
<v Speaker 7>Like who the fuck.

0:45:36.400 --> 0:45:37.279
<v Speaker 6>The fuck is this?

0:45:37.360 --> 0:45:39.279
<v Speaker 7>Like we talked about this, Kathy. The first time I

0:45:39.320 --> 0:45:41.399
<v Speaker 7>met Kim, I was like, grow me and my friends

0:45:41.400 --> 0:45:42.840
<v Speaker 7>who just smoking to you all the time, And I

0:45:42.880 --> 0:45:45.040
<v Speaker 7>had you beg like a girl and she.

0:45:45.080 --> 0:45:48.320
<v Speaker 6>Was just like wow, like it was a lie.

0:45:48.480 --> 0:45:52.319
<v Speaker 7>It was overwhelming, Like and I learned it took me

0:45:52.360 --> 0:45:55.640
<v Speaker 7>a minute to learn, like, oh, it's really not like that.

0:45:55.640 --> 0:45:58.400
<v Speaker 6>There's not a sisterhood here. And I do think a

0:45:58.440 --> 0:46:02.319
<v Speaker 6>lot of it was people, the industry, crews, whatever, was

0:46:02.440 --> 0:46:06.080
<v Speaker 6>pitting each other against each other because why can't we

0:46:06.160 --> 0:46:08.080
<v Speaker 6>get along, Why can't we hang out?

0:46:08.160 --> 0:46:12.359
<v Speaker 7>Why it's only us little minority we should be hanging out.

0:46:12.560 --> 0:46:15.840
<v Speaker 7>That's not to say, Listen, I love Missy, I love Trina.

0:46:16.080 --> 0:46:20.360
<v Speaker 7>They immediately they are have always been. You know, my

0:46:20.440 --> 0:46:21.719
<v Speaker 7>people always have been.

0:46:21.840 --> 0:46:22.080
<v Speaker 6>Kim.

0:46:22.160 --> 0:46:25.600
<v Speaker 7>I loved we had a situation. I love her to death,

0:46:25.680 --> 0:46:28.279
<v Speaker 7>not like but it was more of a misunderstanding. It

0:46:28.280 --> 0:46:30.719
<v Speaker 7>wasn't even color us, you know what I'm saying. So

0:46:30.840 --> 0:46:32.400
<v Speaker 7>I think sometimes there's this time.

0:46:32.239 --> 0:46:34.400
<v Speaker 3>They don't want y'all to compare paychecks and things like that.

0:46:34.480 --> 0:46:36.360
<v Speaker 3>That too, and budgets and things.

0:46:37.880 --> 0:46:40.239
<v Speaker 7>But yeah, I don't know, Kathy, you can speak to

0:46:40.280 --> 0:46:43.280
<v Speaker 7>this too, But I just feel like, you know, it's

0:46:43.719 --> 0:46:44.480
<v Speaker 7>it's sad.

0:46:44.719 --> 0:46:46.399
<v Speaker 6>Why why can't we hang out?

0:46:47.040 --> 0:46:47.279
<v Speaker 1>Shit?

0:46:48.840 --> 0:46:51.000
<v Speaker 4>What you say, Pathy, you did the research.

0:46:52.000 --> 0:46:55.479
<v Speaker 5>I mean, it's the first lady trop right, So it's

0:46:55.520 --> 0:46:58.040
<v Speaker 5>like this idea that like, mentally it's always like I'm

0:46:58.040 --> 0:47:03.000
<v Speaker 5>the first lady of this crew. So I mean because

0:47:03.040 --> 0:47:06.160
<v Speaker 5>that media coach all the new girls and I see

0:47:06.200 --> 0:47:08.960
<v Speaker 5>that they don't have a crew where they're singled out

0:47:09.480 --> 0:47:10.520
<v Speaker 5>and they're.

0:47:10.120 --> 0:47:12.200
<v Speaker 4>All hanging out now they are.

0:47:12.360 --> 0:47:13.680
<v Speaker 1>Yeah, it's amazing.

0:47:14.600 --> 0:47:17.440
<v Speaker 5>Yeah, it's interesting to see.

0:47:17.560 --> 0:47:19.600
<v Speaker 4>It's interesting. I like to see. I see Megan with

0:47:19.719 --> 0:47:21.120
<v Speaker 4>Glow and I'm like, oh, I love it. You know,

0:47:21.160 --> 0:47:22.719
<v Speaker 4>it's beautiful. I just yeah.

0:47:22.840 --> 0:47:25.880
<v Speaker 3>But it's also it had it was an evolution because

0:47:25.920 --> 0:47:27.800
<v Speaker 3>also it was a time when they felt like female

0:47:27.920 --> 0:47:30.960
<v Speaker 3>MC needed a male crew, and so these girls have

0:47:31.000 --> 0:47:31.399
<v Speaker 3>to know.

0:47:31.320 --> 0:47:34.160
<v Speaker 7>That it's true that it did. It was the co sign,

0:47:34.680 --> 0:47:36.200
<v Speaker 7>it was the co sign back in the day.

0:47:36.200 --> 0:47:36.680
<v Speaker 6>It's true.

0:47:36.880 --> 0:47:37.800
<v Speaker 4>Yeah, Now, how.

0:47:37.640 --> 0:47:41.279
<v Speaker 2>Did you feel about Let There Be Eve? Breaking the

0:47:41.320 --> 0:47:45.239
<v Speaker 2>barriers that it did? It not only broke barriers just

0:47:45.320 --> 0:47:48.880
<v Speaker 2>for women in hip hop, but just hip hop in general.

0:47:49.280 --> 0:47:53.560
<v Speaker 2>Like a number one album is number one album, no

0:47:53.600 --> 0:47:56.560
<v Speaker 2>matter how you slicense a victory for you know, the

0:47:56.760 --> 0:48:02.560
<v Speaker 2>art form itself. But going into making Scorpion, what was

0:48:02.600 --> 0:48:07.160
<v Speaker 2>your mental state at least as far as your creative process,

0:48:07.560 --> 0:48:11.879
<v Speaker 2>the feeling of pressure and keeping that momentum going.

0:48:12.800 --> 0:48:16.440
<v Speaker 7>Yeah, I definitely definitely felt the pressure. I definitely felt

0:48:16.480 --> 0:48:20.200
<v Speaker 7>that people were like, can she do it again. Can

0:48:20.200 --> 0:48:23.080
<v Speaker 7>it Is it gonna be as good like that sophomore

0:48:23.120 --> 0:48:26.080
<v Speaker 7>curse or whatever? That is something I definitely thought about.

0:48:27.000 --> 0:48:30.719
<v Speaker 7>But that being said, I definitely felt like I wanted to,

0:48:31.760 --> 0:48:35.839
<v Speaker 7>I don't know, expand a little bit more, maybe do

0:48:35.920 --> 0:48:38.880
<v Speaker 7>something slightly different. I always feel like it was weird

0:48:38.920 --> 0:48:42.080
<v Speaker 7>because I didn't have the same I always feel like

0:48:42.160 --> 0:48:44.480
<v Speaker 7>my first album is the album I wrote. I've been

0:48:44.480 --> 0:48:47.000
<v Speaker 7>writing that my whole life, and then you get in

0:48:47.040 --> 0:48:48.440
<v Speaker 7>the business and they're like you need to hurry up

0:48:48.440 --> 0:48:51.040
<v Speaker 7>and put out another album. You're like, shit, I got

0:48:51.040 --> 0:48:54.600
<v Speaker 7>two months, but I've been working on this one piece

0:48:54.640 --> 0:48:57.000
<v Speaker 7>of thing forever, you know what I mean, Like I've

0:48:57.000 --> 0:48:58.120
<v Speaker 7>been waiting to show the world.

0:48:58.160 --> 0:48:58.879
<v Speaker 6>There's one thing.

0:49:00.000 --> 0:49:03.280
<v Speaker 7>The only cohesiveness I really had about the second album,

0:49:03.280 --> 0:49:05.520
<v Speaker 7>like Scorpion, was like I want everything to be read,

0:49:05.600 --> 0:49:08.520
<v Speaker 7>I want red hair like that was the only kind

0:49:08.520 --> 0:49:11.200
<v Speaker 7>of things I could kind of control and think about.

0:49:11.480 --> 0:49:13.920
<v Speaker 7>And the song kind of just did you know. It

0:49:13.960 --> 0:49:15.600
<v Speaker 7>was the first time I really traveled.

0:49:15.680 --> 0:49:17.600
<v Speaker 6>We did it. We did the whole album in Miami.

0:49:17.719 --> 0:49:22.480
<v Speaker 7>The whole crew came down, so it was kind of

0:49:22.640 --> 0:49:25.760
<v Speaker 7>just being in the studio to see what what would strike,

0:49:25.960 --> 0:49:29.239
<v Speaker 7>what would happen, and then I had to fly to

0:49:29.360 --> 0:49:32.520
<v Speaker 7>La with Dre do Blow your Mind, which was great.

0:49:32.560 --> 0:49:35.640
<v Speaker 1>With Scott Storch, was that the last song you worked.

0:49:35.440 --> 0:49:39.320
<v Speaker 7>On wasn't the last, but probably close to last. I

0:49:39.360 --> 0:49:40.960
<v Speaker 7>don't know if it was the last last, but it

0:49:41.000 --> 0:49:41.960
<v Speaker 7>was probably close.

0:49:41.800 --> 0:49:45.239
<v Speaker 4>To last for y'all. I loved that for y'all.

0:49:45.239 --> 0:49:47.200
<v Speaker 3>How y'all intermingled like that, Like I just the Scott

0:49:47.239 --> 0:49:50.080
<v Speaker 3>moment just came me, like, oh yeah, Scott, Scott roots Sorry.

0:49:50.280 --> 0:49:50.920
<v Speaker 4>I was like, that's do.

0:49:52.280 --> 0:49:55.840
<v Speaker 2>But also yeah, I always find the bigger songs that

0:49:55.880 --> 0:49:58.440
<v Speaker 2>the last ones down the line. There's one song in

0:49:58.440 --> 0:50:01.280
<v Speaker 2>particular always wanted to know about. You have Tina Marie

0:50:01.440 --> 0:50:04.480
<v Speaker 2>on your album. She did Life is so Hard, I think.

0:50:07.400 --> 0:50:11.239
<v Speaker 7>On my album Wow, I just was like that would

0:50:11.239 --> 0:50:13.120
<v Speaker 7>be It was a dream come true to me because

0:50:13.160 --> 0:50:15.400
<v Speaker 7>I like me and my friends used to listen to her.

0:50:15.520 --> 0:50:18.400
<v Speaker 6>You know who didn't. But I feel like Philly loved

0:50:18.440 --> 0:50:20.239
<v Speaker 6>Tina Marie. I don't know, like I.

0:50:20.200 --> 0:50:22.360
<v Speaker 7>Guess everywhere I did, but I feel like she was

0:50:22.400 --> 0:50:26.040
<v Speaker 7>a part of my music growing up as well, and

0:50:26.120 --> 0:50:26.959
<v Speaker 7>I had to have.

0:50:26.920 --> 0:50:31.080
<v Speaker 6>Her on that album. I didn't get a chance to

0:50:31.120 --> 0:50:32.840
<v Speaker 6>work with her though we talked. I think we talked

0:50:32.840 --> 0:50:33.600
<v Speaker 6>on the phone or something.

0:50:33.800 --> 0:50:40.960
<v Speaker 7>He didn't her studio because it was signed to.

0:50:39.320 --> 0:50:40.279
<v Speaker 1>Cash Money at the time.

0:50:40.320 --> 0:50:41.680
<v Speaker 4>That's right, that was the last thing.

0:50:42.360 --> 0:50:47.080
<v Speaker 6>But yeah, I just was so like thankful, grateful legend.

0:50:47.520 --> 0:50:56.399
<v Speaker 2>Like, yeah, most people in the hip hop realm will

0:50:56.560 --> 0:51:01.279
<v Speaker 2>start to pivot maybe ten years after their career starts,

0:51:01.680 --> 0:51:06.080
<v Speaker 2>but you pretty much started pivoting really by album one

0:51:06.160 --> 0:51:06.799
<v Speaker 2>by album too.

0:51:06.960 --> 0:51:07.440
<v Speaker 3>You know, you.

0:51:07.440 --> 0:51:17.400
<v Speaker 2>Were already doing acting and sort of expanding, doing shows

0:51:17.440 --> 0:51:21.040
<v Speaker 2>and whatnot. Can you just talk about in general the

0:51:21.160 --> 0:51:24.800
<v Speaker 2>feeling of I guess when the world is your oyster.

0:51:25.400 --> 0:51:28.480
<v Speaker 2>And I'm asking this in terms of I'm kind of

0:51:28.480 --> 0:51:35.080
<v Speaker 2>studying people who get these opportunities and again self sabotages,

0:51:35.320 --> 0:51:38.080
<v Speaker 2>kind of an obsession of mind and watching other artists operate,

0:51:38.920 --> 0:51:44.160
<v Speaker 2>but getting these opportunities, you know, doing the barbershop series

0:51:44.360 --> 0:51:48.600
<v Speaker 2>or getting your own sitcom like at this time, is just.

0:51:48.600 --> 0:51:50.480
<v Speaker 3>Acting a mirror she did. I don't remember her acting

0:51:50.520 --> 0:51:53.120
<v Speaker 3>before she had her own show, like Don't.

0:51:52.880 --> 0:51:56.520
<v Speaker 1>Do You No? Were you in the woods I don't

0:51:56.560 --> 0:51:58.879
<v Speaker 1>know when The Woodsman came, but.

0:51:58.840 --> 0:52:01.040
<v Speaker 6>The Woodsman was aft of the show I believe.

0:52:01.360 --> 0:52:02.719
<v Speaker 1>Okay, Okay, I.

0:52:02.640 --> 0:52:05.760
<v Speaker 5>Should know these things, but I'm pretty sure seeding treble

0:52:05.880 --> 0:52:07.880
<v Speaker 5>X and Barbershop at the same time.

0:52:08.920 --> 0:52:12.000
<v Speaker 6>Maybe during the same time.

0:52:11.880 --> 0:52:19.200
<v Speaker 5>As as the Eve Show two thousand and six, Yes, yes,

0:52:19.320 --> 0:52:20.279
<v Speaker 5>and and s.

0:52:22.160 --> 0:52:25.279
<v Speaker 7>I guess yeah, but Barbershop, I feel like it was

0:52:25.280 --> 0:52:26.680
<v Speaker 7>wasn't that after No, it wasn't.

0:52:27.120 --> 0:52:28.879
<v Speaker 4>It wasn't after Eve. It was the same time.

0:52:29.280 --> 0:52:30.120
<v Speaker 6>Yeah, it wasn't.

0:52:30.480 --> 0:52:33.319
<v Speaker 7>So yeah, I guess it's all co mingles. I will

0:52:33.360 --> 0:52:37.080
<v Speaker 7>say that that was Troy Carter's.

0:52:36.880 --> 0:52:37.960
<v Speaker 4>Thank you for saying his name.

0:52:38.719 --> 0:52:40.600
<v Speaker 7>Yeah, I knew, you know, I've known Troy's It was

0:52:40.600 --> 0:52:45.720
<v Speaker 7>like fifteen and then he became my manager. Mark Byers

0:52:45.760 --> 0:52:48.200
<v Speaker 7>was my manager first, and then Troy his.

0:52:48.200 --> 0:52:54.640
<v Speaker 3>Name Lord Jesus and Troy.

0:52:54.800 --> 0:52:59.240
<v Speaker 7>You know, Troy came from the Overbrook will Smith camp.

0:53:00.200 --> 0:53:04.280
<v Speaker 7>That for him, that blueprint was very easy of like music,

0:53:04.800 --> 0:53:09.480
<v Speaker 7>we're going to act if you want longevity. So I

0:53:09.520 --> 0:53:11.440
<v Speaker 7>was kind of like, okay, cool. I was kind of

0:53:11.520 --> 0:53:14.520
<v Speaker 7>just like, let me see how it goes. And at

0:53:14.520 --> 0:53:17.200
<v Speaker 7>first I was actually opposed to acting because I was like,

0:53:17.840 --> 0:53:20.839
<v Speaker 7>I make music, I don't really want to acting.

0:53:21.280 --> 0:53:25.239
<v Speaker 2>I was going to say, most people will figure out

0:53:25.239 --> 0:53:30.000
<v Speaker 2>a billion excuses to not do it. Yeah, going down

0:53:30.000 --> 0:53:32.080
<v Speaker 2>to San Francisco Hill with no breaks like.

0:53:33.600 --> 0:53:36.319
<v Speaker 7>I did try and you know what happened. This is

0:53:36.360 --> 0:53:40.319
<v Speaker 7>why Troy was good. He was like, look, why don't

0:53:40.320 --> 0:53:44.760
<v Speaker 7>you meet with an acting coach. If you hate the process,

0:53:44.840 --> 0:53:47.160
<v Speaker 7>I will never bring it up again. And my acting

0:53:47.200 --> 0:53:50.480
<v Speaker 7>coach was Tracy Moore Marrable, who is amazing and at

0:53:50.520 --> 0:53:53.640
<v Speaker 7>the time, yeah, she had been working with pretty much

0:53:53.680 --> 0:53:55.920
<v Speaker 7>every rapper that was about to that was starting to act.

0:53:56.160 --> 0:53:58.080
<v Speaker 7>She was like, it was like she was doing bust

0:53:58.120 --> 0:54:02.000
<v Speaker 7>the Ludicris like everybody. And I met her and she

0:54:02.120 --> 0:54:04.239
<v Speaker 7>literally said to me because I was like, well, I

0:54:04.239 --> 0:54:05.759
<v Speaker 7>don't know if it's for me, blah blahlah, and she

0:54:05.840 --> 0:54:07.280
<v Speaker 7>was like, you know, every time you do a video

0:54:07.360 --> 0:54:10.760
<v Speaker 7>yet basically acting, and I was like dune.

0:54:11.080 --> 0:54:11.480
<v Speaker 6>And I was like.

0:54:15.120 --> 0:54:18.920
<v Speaker 7>And that just like opened my my whole brain up

0:54:18.960 --> 0:54:22.759
<v Speaker 7>to accepting, like, all right, well let me try, you know,

0:54:23.200 --> 0:54:25.440
<v Speaker 7>and I am very much that person though in my

0:54:26.280 --> 0:54:29.600
<v Speaker 7>personality I am a very much like let me see,

0:54:30.040 --> 0:54:32.400
<v Speaker 7>let me just see, I am that person. So she

0:54:32.600 --> 0:54:33.480
<v Speaker 7>opened that part up.

0:54:33.960 --> 0:54:36.600
<v Speaker 1>What was the first the Barbershop Triple X.

0:54:36.960 --> 0:54:40.080
<v Speaker 7>So Barbershop was the first official role I got that

0:54:40.160 --> 0:54:43.440
<v Speaker 7>I read for Triple X came by mistake because the

0:54:43.560 --> 0:54:45.400
<v Speaker 7>rapper that was supposed to do it, and I believe

0:54:45.440 --> 0:54:49.240
<v Speaker 7>it was Ludacrous. I think he got sick of something

0:54:49.360 --> 0:54:52.000
<v Speaker 7>and I happened to be in La at that time

0:54:52.520 --> 0:54:55.040
<v Speaker 7>and we got a call. Troy got a call like,

0:54:56.120 --> 0:54:57.799
<v Speaker 7>but she want to come do this movie like and

0:54:57.800 --> 0:54:59.040
<v Speaker 7>I was like, yeah, well fuck it.

0:54:59.280 --> 0:55:03.880
<v Speaker 6>So that was first movie, but official role was Barbershop Terry.

0:55:04.760 --> 0:55:06.520
<v Speaker 3>I love how everything happened for a reason because Luda

0:55:06.560 --> 0:55:08.200
<v Speaker 3>wasn'tupposed to be in that movie with him.

0:55:08.280 --> 0:55:10.000
<v Speaker 4>He was supposed to Ben Diesel. He's supposed to being

0:55:10.040 --> 0:55:10.880
<v Speaker 4>fast and furious.

0:55:12.160 --> 0:55:14.000
<v Speaker 6>Yeah, I think it was Luda. I'm pretty sure it

0:55:14.040 --> 0:55:16.520
<v Speaker 6>was Luda. Pretty sure. Do we say that in the book?

0:55:16.840 --> 0:55:19.759
<v Speaker 6>I can't remember. I don't know if we said I

0:55:19.800 --> 0:55:21.719
<v Speaker 6>say his name. I don't think I see his name,

0:55:21.840 --> 0:55:23.400
<v Speaker 6>but I'm pretty sure it was him. I'm pretty sure.

0:55:23.440 --> 0:55:25.239
<v Speaker 6>I'm not one hundred percent, but yeah maybe.

0:55:25.560 --> 0:55:27.000
<v Speaker 3>By the way, I just want to also mention for

0:55:27.000 --> 0:55:29.160
<v Speaker 3>the people listening, like the beautiful parallel of you and

0:55:29.239 --> 0:55:31.680
<v Speaker 3>Tory Carter's career and how we wouldn't have not only

0:55:31.719 --> 0:55:33.880
<v Speaker 3>just you, but a person named Lady gat Gay.

0:55:34.280 --> 0:55:37.560
<v Speaker 7>Like we don't speak often. We had a moment where

0:55:37.600 --> 0:55:38.800
<v Speaker 7>we when we kind.

0:55:38.600 --> 0:55:39.520
<v Speaker 6>Of split ways.

0:55:39.600 --> 0:55:44.040
<v Speaker 7>That was probably one of my hardest relationship breakups because.

0:55:43.800 --> 0:55:45.200
<v Speaker 6>We have been together for a long time and he

0:55:45.280 --> 0:55:46.120
<v Speaker 6>did a lot for me.

0:55:46.760 --> 0:55:49.479
<v Speaker 7>Both we every birth because we're both scorpios as well,

0:55:49.560 --> 0:55:52.879
<v Speaker 7>so we do happy birthdays every year to each other.

0:55:53.040 --> 0:55:54.839
<v Speaker 6>And when I see you know, I've run into him

0:55:54.840 --> 0:55:56.640
<v Speaker 6>over the years and it's all love always.

0:55:56.680 --> 0:55:59.120
<v Speaker 4>He's amazing our black Bill Gates of such.

0:55:59.360 --> 0:56:05.560
<v Speaker 2>Okay, what would you say is the most important lesson

0:56:06.600 --> 0:56:10.600
<v Speaker 2>that you've learned? And not meaning like, if you could

0:56:10.640 --> 0:56:13.600
<v Speaker 2>do something over again, would you or are you fine

0:56:13.600 --> 0:56:15.680
<v Speaker 2>with the journey that you're on right now, this very.

0:56:15.560 --> 0:56:18.760
<v Speaker 1>Path that you've taken, if you could go back in time.

0:56:19.320 --> 0:56:22.160
<v Speaker 2>What's the one bit of advice that you wish you

0:56:22.200 --> 0:56:24.920
<v Speaker 2>could dole to your young adult self.

0:56:26.360 --> 0:56:34.560
<v Speaker 7>Probably to truly, truly, truly trust your gut. I got

0:56:34.560 --> 0:56:36.719
<v Speaker 7>to a point there was a few years in my

0:56:37.239 --> 0:56:41.600
<v Speaker 7>like where I just did not trust myself or trust

0:56:41.880 --> 0:56:45.480
<v Speaker 7>any of the decisions that I was making. For some reason,

0:56:46.400 --> 0:56:49.359
<v Speaker 7>I just didn't trust my gut. I couldn't feel my gut.

0:56:49.440 --> 0:56:50.840
<v Speaker 7>And I think it had a lot to do with

0:56:50.920 --> 0:56:54.799
<v Speaker 7>my anxiety and I was drinking, so yeah, a lot

0:56:54.840 --> 0:56:58.279
<v Speaker 7>of that. I definitely would not have numbed myself as

0:56:58.320 --> 0:56:59.840
<v Speaker 7>much as I tried to numb myself.

0:57:00.120 --> 0:57:01.719
<v Speaker 6>That probably would be the biggest thing.

0:57:02.360 --> 0:57:05.399
<v Speaker 7>But there's so many, you know, as artists, and when

0:57:05.640 --> 0:57:08.720
<v Speaker 7>you just you feel so much, you see so much,

0:57:09.040 --> 0:57:12.600
<v Speaker 7>and I think that I was just trying, I don't know,

0:57:12.680 --> 0:57:13.760
<v Speaker 7>to try to stay grounded.

0:57:14.280 --> 0:57:16.680
<v Speaker 6>But all that shit is learning as well, you know

0:57:16.720 --> 0:57:17.240
<v Speaker 6>what I'm saying.

0:57:17.920 --> 0:57:19.600
<v Speaker 2>I mean now we kind of live in an era

0:57:19.720 --> 0:57:24.280
<v Speaker 2>in which artists are really transparent about their mental health

0:57:24.320 --> 0:57:27.840
<v Speaker 2>recovery and actively participating in be it therapy or life

0:57:27.880 --> 0:57:30.560
<v Speaker 2>coaching or that sort of thing at times, Like, did

0:57:30.600 --> 0:57:34.280
<v Speaker 2>you ever like actively go to therapy or that sort

0:57:34.320 --> 0:57:34.800
<v Speaker 2>of thing too?

0:57:35.160 --> 0:57:40.040
<v Speaker 7>I did. I love healing, like healing work, so whether

0:57:40.080 --> 0:57:45.680
<v Speaker 7>that's like crystals or meditation or literally seeing a healer,

0:57:45.760 --> 0:57:47.560
<v Speaker 7>a shaman and things like that, I'm into all that

0:57:47.640 --> 0:57:48.200
<v Speaker 7>kind of stuff.

0:57:49.080 --> 0:57:50.720
<v Speaker 6>Talk therapy. I did try.

0:57:51.480 --> 0:57:55.840
<v Speaker 7>I wasn't good at it because I didn't feel like

0:57:56.160 --> 0:57:59.320
<v Speaker 7>telling the whole truth and nothing but the truth, because

0:57:59.360 --> 0:58:03.040
<v Speaker 7>I wasn't in touch with those feelings right and want

0:58:03.120 --> 0:58:06.200
<v Speaker 7>to really feel those feelings. So talk therapy mean shit

0:58:06.560 --> 0:58:08.120
<v Speaker 7>when you're not really showing up.

0:58:08.760 --> 0:58:12.919
<v Speaker 1>So when did you allow yourself to be vulnerable only

0:58:12.920 --> 0:58:13.320
<v Speaker 1>when I.

0:58:13.240 --> 0:58:16.720
<v Speaker 7>Was really drinking or if I was like taking Mollie

0:58:17.120 --> 0:58:17.840
<v Speaker 7>and then I'd be.

0:58:17.840 --> 0:58:19.680
<v Speaker 6>Like on the world.

0:58:19.720 --> 0:58:21.560
<v Speaker 7>And then let me tell you how I got to

0:58:21.840 --> 0:58:24.000
<v Speaker 7>because I also was one of those people who never cried.

0:58:24.320 --> 0:58:25.760
<v Speaker 6>I didn't cry.

0:58:25.960 --> 0:58:29.080
<v Speaker 7>I didn't then I'm serious, I didn't cry.

0:58:29.200 --> 0:58:32.000
<v Speaker 6>Really, I'm in one of my besties, E Lefty.

0:58:32.120 --> 0:58:34.280
<v Speaker 7>Shout out to E Lefty was I remember one time

0:58:34.320 --> 0:58:35.840
<v Speaker 7>she got big boots one day she.

0:58:35.840 --> 0:58:37.160
<v Speaker 6>Was like, girl, please you need a hug.

0:58:37.160 --> 0:58:40.040
<v Speaker 7>Please put your head, you need you need a hand

0:58:40.080 --> 0:58:42.760
<v Speaker 7>in your hand on my bosom. And it's okay, a hug.

0:58:43.040 --> 0:58:45.200
<v Speaker 7>She's like, it's okay, you're my friend. Like we can

0:58:45.280 --> 0:58:47.120
<v Speaker 7>hug it. Like I just didn't grow up in a

0:58:47.160 --> 0:58:51.200
<v Speaker 7>family of touchy lovey so it took me years. But

0:58:51.320 --> 0:58:53.000
<v Speaker 7>even you know, and I talk about this in the book,

0:58:53.040 --> 0:58:55.080
<v Speaker 7>I also grew up in a family that I didn't

0:58:55.120 --> 0:58:58.000
<v Speaker 7>really know how to communicate, going back to communication, whether

0:58:58.080 --> 0:58:59.080
<v Speaker 7>it was good or bad.

0:58:59.520 --> 0:59:01.000
<v Speaker 6>So he didn't say I love you.

0:59:01.000 --> 0:59:03.240
<v Speaker 7>You kind of knew it, but we also really didn't

0:59:03.240 --> 0:59:05.760
<v Speaker 7>scream or argue it kind of was just quiet or

0:59:05.760 --> 0:59:06.960
<v Speaker 7>crazy in the house.

0:59:07.480 --> 0:59:09.439
<v Speaker 8>Do you find yourself counteracting that with your own child,

0:59:10.200 --> 0:59:12.000
<v Speaker 8>as in, like if you grew up in a colder family,

0:59:12.080 --> 0:59:13.040
<v Speaker 8>do you find yourself.

0:59:12.720 --> 0:59:16.680
<v Speaker 7>Being over Oh I am the smotheriest mother of like

0:59:16.760 --> 0:59:18.640
<v Speaker 7>he's too half and he's already like mama.

0:59:21.720 --> 0:59:23.840
<v Speaker 4>That's very important to Bill's point too.

0:59:23.880 --> 0:59:26.160
<v Speaker 3>I was wondering how you incorporate all of this history

0:59:26.200 --> 0:59:28.520
<v Speaker 3>and stuff into this new life that you live in

0:59:28.560 --> 0:59:31.320
<v Speaker 3>a whole nother country. Like I'm thinking, do your step

0:59:31.400 --> 0:59:35.320
<v Speaker 3>kids even understand the legacy of who you are? And

0:59:35.360 --> 0:59:38.600
<v Speaker 3>then the philliness, like how because I know even with

0:59:38.640 --> 0:59:39.480
<v Speaker 3>your son, like how do.

0:59:39.480 --> 0:59:44.640
<v Speaker 8>You still that phi British? Really impressive just to sen

0:59:44.720 --> 0:59:46.200
<v Speaker 8>to you talk like all of a sudden we're in

0:59:46.480 --> 0:59:48.520
<v Speaker 8>I know, I have a lot.

0:59:49.440 --> 0:59:52.120
<v Speaker 7>It's funny because my son he definitely has a twain

0:59:52.960 --> 0:59:54.960
<v Speaker 7>on top of like British words.

0:59:55.120 --> 0:59:56.360
<v Speaker 6>He definitely says.

0:59:56.080 --> 1:00:00.080
<v Speaker 7>Stuff and a twang that is like that's definitely philly.

0:59:59.880 --> 1:00:03.680
<v Speaker 6>H But you know, having kids, I will say, is

1:00:03.960 --> 1:00:05.480
<v Speaker 6>huge for me.

1:00:06.040 --> 1:00:08.520
<v Speaker 7>Because even though again I didn't grow up in a

1:00:08.560 --> 1:00:11.520
<v Speaker 7>house that I said I love you or we argued

1:00:11.800 --> 1:00:14.480
<v Speaker 7>when it did blow up, there was screaming. I don't

1:00:14.520 --> 1:00:16.640
<v Speaker 7>want to be a screaming mom, but I want to

1:00:16.680 --> 1:00:22.400
<v Speaker 7>be a tough mom because I'm not into that, you know, soft.

1:00:22.760 --> 1:00:24.640
<v Speaker 6>It's just not I know, it's not gonna help with

1:00:24.680 --> 1:00:25.040
<v Speaker 6>my kid.

1:00:25.200 --> 1:00:29.360
<v Speaker 7>Is that being a best friend?

1:00:29.960 --> 1:00:32.360
<v Speaker 6>You know? So I'm trying to figure that out. I'm

1:00:32.360 --> 1:00:33.800
<v Speaker 6>trying to figure out how to.

1:00:34.600 --> 1:00:36.720
<v Speaker 3>Oh there's a nice medal in there, Like, I mean,

1:00:36.840 --> 1:00:39.200
<v Speaker 3>I'm scared of my mother, but she my best friend.

1:00:39.440 --> 1:00:41.600
<v Speaker 7>You know, And so I'm trying I want that because

1:00:41.760 --> 1:00:43.800
<v Speaker 7>the other thing was I was so terrified of my

1:00:43.880 --> 1:00:45.480
<v Speaker 7>mom I wouldn't come tell her anything.

1:00:45.520 --> 1:00:48.280
<v Speaker 6>So I don't want that either. It's a it's a

1:00:48.320 --> 1:00:48.960
<v Speaker 6>constant thing.

1:00:49.000 --> 1:00:52.160
<v Speaker 7>I talk about this now in therapy of how I

1:00:52.200 --> 1:00:54.400
<v Speaker 7>want to be and how I want to be for him.

1:00:54.440 --> 1:00:57.360
<v Speaker 6>And you know, Philly is always here, like you could

1:00:57.360 --> 1:01:00.720
<v Speaker 6>take our handy, but you can't take the I mean, yeah.

1:01:00.560 --> 1:01:01.680
<v Speaker 4>I was like, does he here it is? I need

1:01:01.800 --> 1:01:02.320
<v Speaker 4>him to hear it.

1:01:02.440 --> 1:01:02.800
<v Speaker 6>Sometime.

1:01:03.560 --> 1:01:06.880
<v Speaker 7>We don't play that game at Tall. We're not having it.

1:01:07.000 --> 1:01:10.120
<v Speaker 7>We're not having it. And I'm still scared of my mom.

1:01:10.160 --> 1:01:12.000
<v Speaker 7>I'm forty five Dolay games.

1:01:12.320 --> 1:01:16.160
<v Speaker 3>Yeah, don't play no game your mama.

1:01:16.200 --> 1:01:17.560
<v Speaker 4>Tall so I was scared of her too.

1:01:17.760 --> 1:01:19.760
<v Speaker 6>You know what I'm saying. She five nine.

1:01:20.040 --> 1:01:24.760
<v Speaker 2>Okay, what I really admire about your journey is you

1:01:25.160 --> 1:01:31.200
<v Speaker 2>allowing loving in a way, because I think it's major

1:01:31.360 --> 1:01:34.720
<v Speaker 2>if you leave your home base to start all over

1:01:34.760 --> 1:01:40.120
<v Speaker 2>again far away from which you came. And probably one

1:01:40.120 --> 1:01:43.760
<v Speaker 2>of my biggest faults is a lot of decisions I

1:01:43.880 --> 1:01:45.760
<v Speaker 2>make are based on.

1:01:47.200 --> 1:01:47.920
<v Speaker 1>Other people.

1:01:48.640 --> 1:01:51.400
<v Speaker 2>In other words, like I would like to move that

1:01:51.440 --> 1:01:53.360
<v Speaker 2>D D D D, but now I can't because I

1:01:53.400 --> 1:01:55.360
<v Speaker 2>got to be here with da da da da, I

1:01:55.400 --> 1:01:58.440
<v Speaker 2>got to be in proximity of It's almost like I

1:01:58.520 --> 1:02:02.000
<v Speaker 2>put myself eighth or nine life on the list.

1:02:02.960 --> 1:02:08.800
<v Speaker 1>How easy or hard was it to really make this

1:02:08.960 --> 1:02:10.120
<v Speaker 1>decision where you're.

1:02:11.600 --> 1:02:16.720
<v Speaker 2>Walking away actively recording, walking away from uh, from the talk,

1:02:17.840 --> 1:02:22.240
<v Speaker 2>from acting all those things to find love, to put

1:02:22.280 --> 1:02:27.640
<v Speaker 2>your family first, to that sort of thing and put

1:02:27.720 --> 1:02:30.240
<v Speaker 2>your family first. Like I really want to ask you,

1:02:30.320 --> 1:02:30.920
<v Speaker 2>what is that like?

1:02:31.120 --> 1:02:33.920
<v Speaker 4>Because it took me.

1:02:34.000 --> 1:02:39.320
<v Speaker 7>A long time to respect my feelings, to respect the

1:02:39.440 --> 1:02:44.200
<v Speaker 7>things that I really want that actually bring me actual

1:02:44.440 --> 1:02:49.760
<v Speaker 7>happiness without feeling guilty, because we can make ourselves feel

1:02:49.880 --> 1:02:53.200
<v Speaker 7>so fucking guilty about things. And I would say being

1:02:53.280 --> 1:02:57.480
<v Speaker 7>in the industry breathe that fucking guilt as well, because

1:02:57.560 --> 1:03:01.400
<v Speaker 7>sometimes you have a manager or an agent or somebody

1:03:01.400 --> 1:03:03.160
<v Speaker 7>that's like, you can't say no to this opportunity, Yo,

1:03:03.280 --> 1:03:04.800
<v Speaker 7>if you don't do this right here, then we're gonna

1:03:04.800 --> 1:03:08.280
<v Speaker 7>fuck up this over here and then this like and

1:03:08.400 --> 1:03:12.440
<v Speaker 7>I think, you know, once I kind of drop myself

1:03:12.600 --> 1:03:15.720
<v Speaker 7>through and understanding what my anxiety was.

1:03:16.320 --> 1:03:18.920
<v Speaker 6>Why is this anxiety? Why am I trying to number myself?

1:03:19.000 --> 1:03:21.200
<v Speaker 7>Why am I so I got all this shit going on,

1:03:21.360 --> 1:03:24.080
<v Speaker 7>but I'm still not very happy. I feel lonely, I'm

1:03:24.760 --> 1:03:25.840
<v Speaker 7>Why am I drinking so much?

1:03:25.880 --> 1:03:29.200
<v Speaker 6>Why am I? All those questions kind of came down to, like,

1:03:29.480 --> 1:03:30.480
<v Speaker 6>what is it that you want?

1:03:31.520 --> 1:03:34.160
<v Speaker 4>What do you want? What is it that you want?

1:03:35.200 --> 1:03:38.280
<v Speaker 7>That shit's hard, It's still hard. It's hard, and now

1:03:38.320 --> 1:03:40.640
<v Speaker 7>that I have a kid, it's even harder to be away.

1:03:40.680 --> 1:03:42.840
<v Speaker 7>I wish my mom was around the corner. That shit

1:03:42.960 --> 1:03:43.480
<v Speaker 7>is hard.

1:03:44.440 --> 1:03:44.600
<v Speaker 2>You know.

1:03:44.960 --> 1:03:46.560
<v Speaker 6>I never thought about it before then.

1:03:46.440 --> 1:03:49.840
<v Speaker 7>Because I was so okay with being like, all right,

1:03:49.840 --> 1:03:53.560
<v Speaker 7>I'm out, I'm fucking it, I'm out. When it comes

1:03:53.640 --> 1:03:57.040
<v Speaker 7>to being at home the Philly, I will say, when

1:03:57.080 --> 1:04:01.840
<v Speaker 7>it comes to business opportunity, yeah, that definitely took a

1:04:01.960 --> 1:04:05.200
<v Speaker 7>little bit longer, but like walking away from the talk,

1:04:05.240 --> 1:04:09.440
<v Speaker 7>for instance, was the major decision for that was we

1:04:09.600 --> 1:04:12.760
<v Speaker 7>had we were in the midst of that, the whole pandemic.

1:04:13.960 --> 1:04:16.200
<v Speaker 7>But then I was getting older and I was like,

1:04:16.280 --> 1:04:18.960
<v Speaker 7>I want a kid and I can't have we I mean,

1:04:19.000 --> 1:04:22.040
<v Speaker 7>it's just impossible to try to have a kid when

1:04:22.240 --> 1:04:24.080
<v Speaker 7>I'm in la most of the time and he's in

1:04:24.120 --> 1:04:25.720
<v Speaker 7>London most of the time, and I'm only flying in

1:04:25.800 --> 1:04:28.880
<v Speaker 7>two weeks out of the freaking you know, every two weeks.

1:04:29.800 --> 1:04:31.560
<v Speaker 6>So that made that decision.

1:04:31.720 --> 1:04:34.400
<v Speaker 7>While it was hard, because I actually really enjoyed it

1:04:34.600 --> 1:04:37.160
<v Speaker 7>was such a crazy thing to say, Like I talk

1:04:37.200 --> 1:04:40.320
<v Speaker 7>about this in the book, I appreciated that opportunity.

1:04:40.800 --> 1:04:43.440
<v Speaker 6>I needed that opportunity, but it did it served the

1:04:43.480 --> 1:04:44.360
<v Speaker 6>purpose that.

1:04:44.480 --> 1:04:47.160
<v Speaker 4>Is, your voice was needed, like as a person who.

1:04:47.040 --> 1:04:50.240
<v Speaker 6>Watched like and it also helped me, like it was

1:04:50.320 --> 1:04:51.920
<v Speaker 6>the first time that I was I was.

1:04:52.000 --> 1:04:57.960
<v Speaker 7>Vocally vulnerable, if you were pay into vulnerability, because I

1:04:58.040 --> 1:04:59.959
<v Speaker 7>can't sit at the same poet not really talk about

1:05:00.240 --> 1:05:01.840
<v Speaker 7>myself and talk about things that are going on.

1:05:02.040 --> 1:05:04.280
<v Speaker 6>So I do think it helped me in a lot

1:05:04.400 --> 1:05:08.680
<v Speaker 6>of ways and with issues I had with myself, with Queens.

1:05:09.320 --> 1:05:12.160
<v Speaker 7>Queens was when I watched it back, it was such

1:05:12.200 --> 1:05:14.400
<v Speaker 7>a great It is such a great show, but it

1:05:14.560 --> 1:05:18.400
<v Speaker 7>was such a hard shoot, and it was the first

1:05:18.480 --> 1:05:22.040
<v Speaker 7>time that I had had I talk about anxiety, like

1:05:22.120 --> 1:05:25.320
<v Speaker 7>I was at anxiety master level, Like and I was pregnant,

1:05:26.040 --> 1:05:28.520
<v Speaker 7>and I was like, you know, here is I going

1:05:28.560 --> 1:05:30.720
<v Speaker 7>through all this fertility stuff And I'm like, here is

1:05:30.760 --> 1:05:33.400
<v Speaker 7>I'm now working my ass off. Am I gonna mess

1:05:33.480 --> 1:05:35.520
<v Speaker 7>the situation up? Am I gonna mess the baby? I

1:05:35.640 --> 1:05:37.600
<v Speaker 7>was always at the doctor. I was like, it was

1:05:37.720 --> 1:05:39.800
<v Speaker 7>so many things going on that I was just like,

1:05:41.000 --> 1:05:42.400
<v Speaker 7>I don't want to have this kid and be on

1:05:42.440 --> 1:05:43.680
<v Speaker 7>a set for sixteen hours.

1:05:44.080 --> 1:05:47.040
<v Speaker 6>I'm an older mom, Like, I don't want to miss

1:05:47.120 --> 1:05:48.840
<v Speaker 6>that shit. I just don't.

1:05:49.720 --> 1:05:52.880
<v Speaker 7>So now my driving force of all things are like

1:05:53.480 --> 1:05:55.120
<v Speaker 7>can I bring him with me if it's gonna be

1:05:55.160 --> 1:05:57.600
<v Speaker 7>a while or if I'm only if I'm away it's two.

1:05:57.560 --> 1:05:59.720
<v Speaker 6>Or three days, Like I don't play when it comes

1:05:59.720 --> 1:05:59.880
<v Speaker 6>to that.

1:06:00.400 --> 1:06:02.480
<v Speaker 3>There was a community of women who watched you and

1:06:02.600 --> 1:06:04.200
<v Speaker 3>Queen and knew what you were kind of going through.

1:06:04.160 --> 1:06:04.919
<v Speaker 4>And saw you leave.

1:06:05.320 --> 1:06:08.000
<v Speaker 3>That was like she felt it like she is of

1:06:08.000 --> 1:06:10.480
<v Speaker 3>a certain age, she is making a fucking decision and

1:06:10.960 --> 1:06:13.360
<v Speaker 3>she's picking her joy and we're that's fine.

1:06:14.040 --> 1:06:14.520
<v Speaker 4>You felt it.

1:06:16.400 --> 1:06:18.440
<v Speaker 6>I had to and I had to put it and

1:06:18.520 --> 1:06:22.520
<v Speaker 6>it's hard. But fuck me, man, when am I gonna

1:06:22.520 --> 1:06:23.320
<v Speaker 6>do it? If I ain't gonna do.

1:06:23.360 --> 1:06:26.160
<v Speaker 4>Admire you because you did it like you did it.

1:06:31.360 --> 1:06:32.880
<v Speaker 1>For your professional career.

1:06:33.800 --> 1:06:37.200
<v Speaker 2>What were like three pinch me moments like oh shit,

1:06:37.280 --> 1:06:40.840
<v Speaker 2>this is actually happening like for you. I don't know

1:06:40.840 --> 1:06:44.120
<v Speaker 2>if it's meeting someone or or yeah nah.

1:06:44.680 --> 1:06:49.520
<v Speaker 7>One is Prince period first point? Like one, I mean,

1:06:49.560 --> 1:06:52.760
<v Speaker 7>it's it's like one number one. But an umbrella of

1:06:52.880 --> 1:06:55.720
<v Speaker 7>Prince being that he knew who I was, that I

1:06:55.800 --> 1:06:57.600
<v Speaker 7>got to have conversations with him, that I got to

1:06:57.640 --> 1:06:59.280
<v Speaker 7>be on stage with him and perform with him, that

1:06:59.320 --> 1:07:02.200
<v Speaker 7>I got to see him so Prince.

1:07:05.480 --> 1:07:09.800
<v Speaker 6>The Grammy, of course for my mom to see, because

1:07:09.920 --> 1:07:10.240
<v Speaker 6>that was.

1:07:10.240 --> 1:07:12.440
<v Speaker 7>A big deal for me, that my mom got to

1:07:12.440 --> 1:07:14.640
<v Speaker 7>see that I'm gonna be all right because I was

1:07:14.760 --> 1:07:16.000
<v Speaker 7>like great in school.

1:07:18.280 --> 1:07:22.920
<v Speaker 6>And none of yeah, three, I don't know, you know.

1:07:23.040 --> 1:07:23.240
<v Speaker 1>Three.

1:07:23.360 --> 1:07:26.200
<v Speaker 7>It's hard to just pick a few because I do

1:07:26.640 --> 1:07:31.200
<v Speaker 7>feel that I've been so I am so grateful and

1:07:31.440 --> 1:07:34.880
<v Speaker 7>so I won't say so I love I like the

1:07:34.920 --> 1:07:36.959
<v Speaker 7>word lucky, but I don't like that word lucky, because

1:07:37.000 --> 1:07:37.960
<v Speaker 7>I do believe.

1:07:44.000 --> 1:07:44.800
<v Speaker 6>Lucky's a good.

1:07:44.680 --> 1:07:46.080
<v Speaker 4>Word is blessed.

1:07:46.080 --> 1:07:53.440
<v Speaker 6>It's like a nice Yes, I've been super blessed career.

1:07:53.520 --> 1:07:55.520
<v Speaker 7>How I mean ship, I'm on a single right now

1:07:55.600 --> 1:07:57.320
<v Speaker 7>with sha Ka Khan and see it and it's called

1:07:58.320 --> 1:08:02.400
<v Speaker 7>so like I'm you'll having moments like when the fuck

1:08:02.520 --> 1:08:04.520
<v Speaker 7>would I ever think that I'd be on a song

1:08:04.600 --> 1:08:08.000
<v Speaker 7>with kun like I mean now, if I get to

1:08:08.800 --> 1:08:11.240
<v Speaker 7>meet her and do the song in person, as I'm

1:08:11.280 --> 1:08:13.280
<v Speaker 7>putting this in the universe, even just to meet her,

1:08:13.320 --> 1:08:14.560
<v Speaker 7>I don't even care. I just want to sit and

1:08:14.600 --> 1:08:16.040
<v Speaker 7>talk to her. I've met her before, but I'm not

1:08:16.240 --> 1:08:17.640
<v Speaker 7>like sat and spoke spoken with her.

1:08:18.280 --> 1:08:20.360
<v Speaker 2>So that would be you and her, damn near the

1:08:20.400 --> 1:08:22.960
<v Speaker 2>same person and on the same journey and the same

1:08:24.280 --> 1:08:27.040
<v Speaker 2>I absolutely encourage it. Yes, she's been on the show, Yes,

1:08:28.320 --> 1:08:30.080
<v Speaker 2>meditating her Crystal room right now.

1:08:30.320 --> 1:08:30.920
<v Speaker 1>I bet I.

1:08:32.720 --> 1:08:37.040
<v Speaker 6>Remember I said, Kathy like bro she came up on

1:08:37.120 --> 1:08:39.719
<v Speaker 6>my f y p like and meditate.

1:08:39.840 --> 1:08:43.600
<v Speaker 4>I didn't know she was on her meditation John that

1:08:43.680 --> 1:08:44.280
<v Speaker 4>that's good for her.

1:08:44.560 --> 1:08:47.080
<v Speaker 6>Yes, And it was a beautiful like was it a

1:08:47.160 --> 1:08:47.599
<v Speaker 6>new moon?

1:08:48.400 --> 1:08:48.559
<v Speaker 5>Yeah?

1:08:48.680 --> 1:08:50.400
<v Speaker 6>Yeah, it was the Lion was the.

1:08:50.400 --> 1:08:55.320
<v Speaker 1>Lion, the Lion's Gate one of them three weeks ago, right, Yes, yeah,

1:08:55.320 --> 1:08:55.680
<v Speaker 1>I saw it.

1:08:56.240 --> 1:08:58.439
<v Speaker 6>Because me and Kathy loved the woo woo, so we

1:08:58.560 --> 1:08:59.640
<v Speaker 6>were very excited about that.

1:08:59.680 --> 1:09:01.720
<v Speaker 2>It was a she gave I mean, she gave me

1:09:01.840 --> 1:09:08.320
<v Speaker 2>Crystal and I it's somewhere, it's somewhere.

1:09:10.880 --> 1:09:11.880
<v Speaker 4>I don't want to act again.

1:09:13.200 --> 1:09:16.920
<v Speaker 6>Yes, if the yes, yes, I will say yes. But

1:09:17.080 --> 1:09:17.840
<v Speaker 6>also create.

1:09:17.880 --> 1:09:22.559
<v Speaker 7>I want to be on the more creative side, directing well,

1:09:22.800 --> 1:09:27.120
<v Speaker 7>if not directing, definitely except producing and create and creating

1:09:28.479 --> 1:09:29.320
<v Speaker 7>me and Kathy.

1:09:31.000 --> 1:09:33.320
<v Speaker 1>So are you okay?

1:09:33.439 --> 1:09:35.000
<v Speaker 6>Okay, exciting things.

1:09:34.800 --> 1:09:38.480
<v Speaker 1>But yeah, I was going to say, what does creativity

1:09:38.600 --> 1:09:39.400
<v Speaker 1>mean for you now?

1:09:39.760 --> 1:09:42.719
<v Speaker 2>Like is there a season as in, like, okay, the summer,

1:09:43.400 --> 1:09:45.800
<v Speaker 2>I'll do eight weeks devoted to you because I know

1:09:46.000 --> 1:09:48.280
<v Speaker 2>you get a lot of offers.

1:09:48.320 --> 1:09:49.680
<v Speaker 1>Can you do this? Can you do this? Can you

1:09:49.760 --> 1:09:49.920
<v Speaker 1>do this?

1:09:50.040 --> 1:09:53.120
<v Speaker 6>And it has to be I am still figuring it out.

1:09:53.360 --> 1:09:55.480
<v Speaker 6>I need to be more creative.

1:09:56.160 --> 1:09:56.479
<v Speaker 4>I'm not.

1:09:57.360 --> 1:09:59.160
<v Speaker 6>I don't write as much as I used to.

1:09:59.520 --> 1:10:02.920
<v Speaker 7>I think i'm project for project, which is fine, but

1:10:03.080 --> 1:10:05.719
<v Speaker 7>I don't I'm not doing anything that's serving my soul.

1:10:06.960 --> 1:10:09.920
<v Speaker 6>M Okay, I need to do a bit more of that,

1:10:10.360 --> 1:10:14.240
<v Speaker 6>and that is my next hope. That's what I want

1:10:14.280 --> 1:10:17.880
<v Speaker 6>to get into. I'm not doing anything that's serving that

1:10:18.080 --> 1:10:21.719
<v Speaker 6>part daily. If that makes sense or more consistent.

1:10:22.680 --> 1:10:24.840
<v Speaker 4>Yeah, I'll look forward to it, whatever it is.

1:10:25.080 --> 1:10:27.479
<v Speaker 2>Whatever I was about to say, Now that you live

1:10:27.560 --> 1:10:30.439
<v Speaker 2>in London, I wish you would cross paths with the

1:10:31.800 --> 1:10:35.639
<v Speaker 2>this cat named Inflow, who he is the one Inflow

1:10:35.720 --> 1:10:39.880
<v Speaker 2>is the only person that makes like when he comes

1:10:39.920 --> 1:10:43.120
<v Speaker 2>to La Jimmy jam and Terry Lewis asked to be

1:10:43.240 --> 1:10:48.960
<v Speaker 2>his interns. Like Inflow of course is the brainchild behind

1:10:49.000 --> 1:10:49.679
<v Speaker 2>the group Salt.

1:10:50.560 --> 1:10:52.400
<v Speaker 4>Oh they're awesome Jesus.

1:10:52.520 --> 1:10:52.720
<v Speaker 1>Yeah.

1:10:52.800 --> 1:10:55.200
<v Speaker 2>But also like for me, one of my favorite MC's

1:10:55.240 --> 1:10:57.439
<v Speaker 2>right now is London MS Little Sims.

1:10:58.160 --> 1:10:59.200
<v Speaker 6>Little Sims.

1:11:00.520 --> 1:11:02.320
<v Speaker 1>Right, she's just out of my mind. Of course.

1:11:02.360 --> 1:11:05.519
<v Speaker 2>His wife is clear soul and everything like right now,

1:11:05.720 --> 1:11:09.839
<v Speaker 2>just the epicenter of the creativity that gives me Goosebomum

1:11:10.439 --> 1:11:11.439
<v Speaker 2>lives in London right now.

1:11:11.760 --> 1:11:18.480
<v Speaker 1>So I agree with that. Hopefully you guys don't crosspaths

1:11:18.880 --> 1:11:21.640
<v Speaker 1>you and Little Sims together, Jesus, I would love that.

1:11:22.680 --> 1:11:25.760
<v Speaker 6>I saw her last year actually at the Brits on

1:11:25.800 --> 1:11:29.080
<v Speaker 6>the red carpet and I was like she's so dope.

1:11:30.600 --> 1:11:33.360
<v Speaker 2>How is it when people geek out on you the

1:11:33.439 --> 1:11:36.200
<v Speaker 2>same way that you were geek out on little Kim

1:11:36.280 --> 1:11:36.599
<v Speaker 2>or whatever?

1:11:37.280 --> 1:11:38.080
<v Speaker 4>It is funny.

1:11:38.280 --> 1:11:41.640
<v Speaker 6>It's really funny because what's funny out here too is

1:11:41.680 --> 1:11:44.920
<v Speaker 6>like people be like, wait, you fucking live here? You

1:11:45.000 --> 1:11:45.920
<v Speaker 6>know how that British?

1:11:46.120 --> 1:11:50.080
<v Speaker 1>Like are they still to register that?

1:11:50.760 --> 1:11:50.800
<v Speaker 3>Know?

1:11:51.080 --> 1:11:51.479
<v Speaker 4>Some people?

1:11:51.479 --> 1:11:54.000
<v Speaker 7>Because I keep it, I'm chill, like it's home. So

1:11:54.200 --> 1:11:57.040
<v Speaker 7>like if people see me out or like where I live.

1:11:57.280 --> 1:12:00.280
<v Speaker 7>I live close to like Portobellos, so like a global road.

1:12:00.400 --> 1:12:04.160
<v Speaker 7>Anybody knows about London, like you know, the Rostas be

1:12:04.320 --> 1:12:05.360
<v Speaker 7>or the Jamaicans bee.

1:12:08.479 --> 1:12:10.760
<v Speaker 6>Like you know, it's like because they now have seen

1:12:10.840 --> 1:12:15.320
<v Speaker 6>me in the neighborhood so much. Like but yeah, like

1:12:15.439 --> 1:12:17.240
<v Speaker 6>it's all I love it. I love it.

1:12:17.240 --> 1:12:20.680
<v Speaker 3>It's been before you get off this call, somebody asked me.

1:12:20.720 --> 1:12:23.759
<v Speaker 3>I have to ask you, hip hop wise, is anybody

1:12:23.840 --> 1:12:24.760
<v Speaker 3>moving you these days?

1:12:25.800 --> 1:12:27.160
<v Speaker 1>Then be nobody.

1:12:28.320 --> 1:12:30.840
<v Speaker 6>I feel back the music I'm listening to, like the

1:12:30.920 --> 1:12:32.400
<v Speaker 6>things I listen to is not hip hop.

1:12:32.720 --> 1:12:35.920
<v Speaker 4>That's okay, then give it to us because I go

1:12:36.160 --> 1:12:36.600
<v Speaker 4>back to.

1:12:36.720 --> 1:12:40.400
<v Speaker 6>Like Kendrick, I go back to like I listened Nipsy.

1:12:40.479 --> 1:12:42.439
<v Speaker 6>If I want a little hip hop rush, Like, I

1:12:42.600 --> 1:12:44.880
<v Speaker 6>go listen to the other stuff.

1:12:45.400 --> 1:12:47.479
<v Speaker 4>But I listened to.

1:12:49.160 --> 1:12:51.760
<v Speaker 6>I listened to a lot of I'm a piano, I'm

1:12:51.800 --> 1:12:53.280
<v Speaker 6>a piano afrobeats.

1:12:56.240 --> 1:13:00.559
<v Speaker 7>Oh my god, I mean Ray I murdered that album.

1:13:00.800 --> 1:13:02.720
<v Speaker 7>Ray is a British artist here who is so.

1:13:03.040 --> 1:13:07.120
<v Speaker 6>Insane, shaking and agreeans. Okay, let me raise album.

1:13:07.920 --> 1:13:08.200
<v Speaker 1>All right.

1:13:09.240 --> 1:13:10.760
<v Speaker 6>It's an ARM B you know what.

1:13:10.800 --> 1:13:11.160
<v Speaker 2>I love it.

1:13:11.160 --> 1:13:14.000
<v Speaker 7>I'm gonna tell you it's an ARM and B soul.

1:13:14.080 --> 1:13:16.519
<v Speaker 7>She mixed a lot together, but lyrically it's.

1:13:16.360 --> 1:13:19.639
<v Speaker 6>A hip hop album. You agree with that Kathy like lyrics.

1:13:20.320 --> 1:13:26.679
<v Speaker 2>It's like, oh absolutely, she came to snl uh last

1:13:26.760 --> 1:13:28.000
<v Speaker 2>year and like destroyed us.

1:13:29.560 --> 1:13:33.599
<v Speaker 6>So she I murdered that? And then what else am

1:13:33.600 --> 1:13:34.120
<v Speaker 6>I listening to?

1:13:35.360 --> 1:13:38.479
<v Speaker 7>I mean I listened to a lot of softul geo

1:13:39.479 --> 1:13:44.479
<v Speaker 7>chill music meditation to keep my anxiety down.

1:13:44.720 --> 1:13:45.000
<v Speaker 3>You know what?

1:13:45.600 --> 1:13:49.960
<v Speaker 2>All right, when this is over, even Kathy whatever, give

1:13:50.040 --> 1:13:52.400
<v Speaker 2>me your and don't get mad like, and I promise

1:13:52.439 --> 1:13:53.960
<v Speaker 2>I'll put you on the subscription list.

1:13:55.040 --> 1:13:57.519
<v Speaker 1>I all right, stop with.

1:13:57.600 --> 1:14:01.280
<v Speaker 5>The you gonna put it on the you're getting the

1:14:01.320 --> 1:14:03.000
<v Speaker 5>coveted uh, you're getting your.

1:14:05.920 --> 1:14:07.960
<v Speaker 1>I do this monthly for people, all right?

1:14:09.080 --> 1:14:12.200
<v Speaker 6>I will add you like we're together. We're together.

1:14:12.960 --> 1:14:20.320
<v Speaker 1>Yes, yes, I'll put the R thread into the list.

1:14:20.920 --> 1:14:27.880
<v Speaker 1>I got a little bit. Please wait, you know some

1:14:28.120 --> 1:14:30.280
<v Speaker 1>way this one question I've been dying to ask you.

1:14:30.960 --> 1:14:35.120
<v Speaker 2>So, what happens when you have a catalog is rich

1:14:36.280 --> 1:14:40.200
<v Speaker 2>and it's varied, But somehow when history, when the smoke clears,

1:14:40.920 --> 1:14:42.840
<v Speaker 2>and all the hits and all the achievements are done,

1:14:44.040 --> 1:14:48.160
<v Speaker 2>what happens when someone picks the most unlikely song to

1:14:48.280 --> 1:14:51.760
<v Speaker 2>define your career? For birth, Win and Fire its September

1:14:52.240 --> 1:14:55.760
<v Speaker 2>for runm C. It's tricky. I was weird of all

1:14:55.760 --> 1:14:59.680
<v Speaker 2>the iconic songs from run DMC. For some reason, It's

1:14:59.760 --> 1:15:07.720
<v Speaker 2>true has managed to outlast everything. I believe, more than

1:15:08.800 --> 1:15:11.960
<v Speaker 2>any even blow your mind or who's that? For some reason,

1:15:13.640 --> 1:15:24.559
<v Speaker 2>tambourine using tambourine is refusing to go away. It's actually

1:15:25.439 --> 1:15:29.000
<v Speaker 2>it's still. It is still in my playlist like I've

1:15:29.120 --> 1:15:32.759
<v Speaker 2>not dropped it. I love that in my sort of default,

1:15:32.800 --> 1:15:35.160
<v Speaker 2>like my twenty to thirty songs that will always be

1:15:35.479 --> 1:15:39.120
<v Speaker 2>in inm I join, I love that. Thirty years ago,

1:15:39.760 --> 1:15:42.640
<v Speaker 2>if I were to play the intro to Troy by

1:15:42.680 --> 1:15:47.000
<v Speaker 2>Peter Rock and Seal Smooth, the place like you've hear

1:15:47.040 --> 1:15:54.240
<v Speaker 2>the ones. For some reason, the screams for tambourine gets

1:15:54.360 --> 1:15:57.560
<v Speaker 2>louder by the year. Is there something I don't know?

1:15:58.320 --> 1:15:59.759
<v Speaker 1>Did it become a TikTok sensation?

1:16:00.360 --> 1:16:00.400
<v Speaker 5>Like?

1:16:00.800 --> 1:16:03.719
<v Speaker 1>Is there a comeback for tambourine that I don't know about?

1:16:03.800 --> 1:16:11.080
<v Speaker 5>Because it's the song of Peloton, I don't know it's

1:16:11.080 --> 1:16:12.000
<v Speaker 5>the Peloton song.

1:16:12.120 --> 1:16:14.519
<v Speaker 6>I forgot about that. I forgot they did use it

1:16:14.600 --> 1:16:14.840
<v Speaker 6>for that.

1:16:15.400 --> 1:16:16.840
<v Speaker 4>About that check. Don't forget about that.

1:16:17.680 --> 1:16:20.280
<v Speaker 6>No, but I was thinking, wait what I forgot?

1:16:20.360 --> 1:16:22.880
<v Speaker 4>But I did indeed.

1:16:24.280 --> 1:16:29.439
<v Speaker 2>Blast blessings as a person who has a Peloton ass

1:16:29.520 --> 1:16:30.200
<v Speaker 2>clothes hanger.

1:16:31.040 --> 1:16:32.440
<v Speaker 6>Same same.

1:16:34.280 --> 1:16:36.080
<v Speaker 1>They send me a bike if you have to get

1:16:36.120 --> 1:16:37.040
<v Speaker 1>on that joint.

1:16:37.120 --> 1:16:39.080
<v Speaker 4>Damn not in COVID.

1:16:39.720 --> 1:16:42.200
<v Speaker 1>I literally was thinking that Peloton for four years.

1:16:42.280 --> 1:16:42.400
<v Speaker 5>Yo.

1:16:42.600 --> 1:16:45.120
<v Speaker 1>I'm not sad on it, but every last outfit of

1:16:45.160 --> 1:16:51.560
<v Speaker 1>mine just hangs over it. So it's good for that. Yeah. No,

1:16:51.720 --> 1:16:54.160
<v Speaker 1>it's a great song, but it's.

1:16:57.680 --> 1:16:58.639
<v Speaker 4>A gred bike, don't.

1:17:00.120 --> 1:17:01.920
<v Speaker 1>Yes, I love Peloton. By the way, you want to

1:17:02.040 --> 1:17:04.719
<v Speaker 1>free pelotime, I just don't.

1:17:04.560 --> 1:17:05.880
<v Speaker 4>Want them to take it. You know, I'm just saying

1:17:05.880 --> 1:17:07.200
<v Speaker 4>they pay anything, you know what I'm saying.

1:17:08.320 --> 1:17:11.560
<v Speaker 2>I know, but no, no, I'm just saying that for me,

1:17:12.360 --> 1:17:15.800
<v Speaker 2>the fact that I get screams on that song, Like

1:17:15.960 --> 1:17:18.640
<v Speaker 2>I judge if a song is working if immediately when

1:17:18.680 --> 1:17:23.439
<v Speaker 2>it comes on people scream, and I feel like that

1:17:23.640 --> 1:17:24.439
<v Speaker 2>song might be.

1:17:25.439 --> 1:17:25.479
<v Speaker 6>No.

1:17:25.640 --> 1:17:29.080
<v Speaker 7>It's funny about that song though, because that's when I

1:17:29.200 --> 1:17:31.280
<v Speaker 7>was having kind of like issues at the label and

1:17:31.520 --> 1:17:34.400
<v Speaker 7>they were just like, this song is one They said

1:17:34.439 --> 1:17:36.920
<v Speaker 7>it was tupop that urban radio was never gonna like it,

1:17:37.280 --> 1:17:39.920
<v Speaker 7>so they didn't put anything behind it. They didn't work

1:17:40.000 --> 1:17:43.560
<v Speaker 7>it at all because they immediately were like and that

1:17:43.800 --> 1:17:47.080
<v Speaker 7>song did its own thing, and Urban radio actually took

1:17:47.160 --> 1:17:51.120
<v Speaker 7>it before any top forty anything and it just did

1:17:51.200 --> 1:17:51.720
<v Speaker 7>its own thing.

1:17:51.920 --> 1:17:53.479
<v Speaker 6>It was a record. They were like, this is never

1:17:53.560 --> 1:17:56.920
<v Speaker 6>gonna this is not gonna take off. Like so that's

1:17:57.000 --> 1:17:58.840
<v Speaker 6>kind of dope. I'm kind of not mad.

1:17:58.880 --> 1:18:00.880
<v Speaker 4>It was because of that touch of they've been hating

1:18:00.960 --> 1:18:01.600
<v Speaker 4>on DC for you.

1:18:02.320 --> 1:18:03.920
<v Speaker 6>It might be actually though.

1:18:03.960 --> 1:18:06.800
<v Speaker 4>For real, people don't know about the co wow.

1:18:06.920 --> 1:18:10.680
<v Speaker 1>Maybe that's this is our one thing story right right

1:18:10.760 --> 1:18:14.320
<v Speaker 1>right right story right? So kat?

1:18:15.880 --> 1:18:18.559
<v Speaker 2>Uh, you know, Kat, and we said this last time,

1:18:18.880 --> 1:18:21.080
<v Speaker 2>you actually have to come on do a proper show.

1:18:21.600 --> 1:18:24.720
<v Speaker 1>Yeah, so I can unlock.

1:18:24.400 --> 1:18:28.200
<v Speaker 2>Your your storytelling, But just before we go in your mind,

1:18:28.320 --> 1:18:31.720
<v Speaker 2>is it like I have to elevate the story of

1:18:32.360 --> 1:18:34.240
<v Speaker 2>people that might get forgotten about in.

1:18:34.360 --> 1:18:34.920
<v Speaker 1>History, and.

1:18:36.600 --> 1:18:39.960
<v Speaker 5>With my collaborators, right outside of the books I read

1:18:40.000 --> 1:18:43.920
<v Speaker 5>on my own, I think there's a whole career, a

1:18:43.960 --> 1:18:48.760
<v Speaker 5>whole body of work that is completely separate from a book.

1:18:49.400 --> 1:18:52.120
<v Speaker 5>So the thing that I said to Eve was like,

1:18:53.200 --> 1:18:56.840
<v Speaker 5>where do you want this to go next? Remember? And

1:18:57.000 --> 1:19:01.519
<v Speaker 5>she said, I don't know. Biopic head talks like all

1:19:01.560 --> 1:19:04.920
<v Speaker 5>of those things. So there's a difference between like I

1:19:05.479 --> 1:19:07.080
<v Speaker 5>want this book to live on the shelf and then

1:19:07.360 --> 1:19:11.360
<v Speaker 5>that becomes the book in addition to the clothing line

1:19:11.840 --> 1:19:15.040
<v Speaker 5>or the fragrance line. Some a lot of celebrities, as

1:19:15.080 --> 1:19:19.560
<v Speaker 5>you know, view a book as an accessory, right like

1:19:19.800 --> 1:19:23.160
<v Speaker 5>Eve viewed it as an extension of who she was.

1:19:23.800 --> 1:19:27.519
<v Speaker 5>So going into the project, it's with that intent to

1:19:27.640 --> 1:19:30.280
<v Speaker 5>reach multiple audiences the way her music has, you know

1:19:30.320 --> 1:19:33.080
<v Speaker 5>what I mean, because it could be that thing. I mean,

1:19:33.200 --> 1:19:36.360
<v Speaker 5>we see celebrities all the time, like by my book,

1:19:36.400 --> 1:19:39.240
<v Speaker 5>by my book, and then also by my shirt, But

1:19:39.360 --> 1:19:42.040
<v Speaker 5>that wasn't like really what this memoir is.

1:19:42.520 --> 1:19:44.280
<v Speaker 3>Especially since it's so much history, since she's made so

1:19:44.400 --> 1:19:46.880
<v Speaker 3>much history. I see the whole ted talk thing and like, yeah,

1:19:47.120 --> 1:19:48.320
<v Speaker 3>this is a guide in a way too.

1:19:49.160 --> 1:19:51.439
<v Speaker 5>But also there's more books, right, Like there's more books

1:19:51.479 --> 1:19:51.760
<v Speaker 5>to come.

1:19:51.920 --> 1:19:52.720
<v Speaker 4>Like now, it's like.

1:19:54.240 --> 1:19:57.160
<v Speaker 5>He's a career author, so it's I think it's very different.

1:19:56.920 --> 1:19:58.040
<v Speaker 1>From Yeah, I.

1:20:01.360 --> 1:20:01.960
<v Speaker 6>Look at the part.

1:20:02.680 --> 1:20:04.960
<v Speaker 2>Yeah, I was gonna say, are there more stories coming

1:20:05.040 --> 1:20:06.839
<v Speaker 2>from me? As far as books are concerned.

1:20:08.000 --> 1:20:12.719
<v Speaker 7>I think the next thing will Yes, there are more stories,

1:20:12.800 --> 1:20:18.320
<v Speaker 7>but more more along the lines of self exploration, exploration

1:20:18.520 --> 1:20:21.439
<v Speaker 7>and modalities that I use to help me get to

1:20:21.560 --> 1:20:22.280
<v Speaker 7>certain places.

1:20:22.400 --> 1:20:23.240
<v Speaker 6>If that makes sense.

1:20:24.000 --> 1:20:28.040
<v Speaker 4>It sounds like we're using songs in history. Okay, I go, okay, Okay,

1:20:28.040 --> 1:20:29.200
<v Speaker 4>I'm trying to put the puzzle again.

1:20:29.320 --> 1:20:33.200
<v Speaker 8>There's lots of code talk spread.

1:20:35.280 --> 1:20:35.519
<v Speaker 4>For me.

1:20:36.600 --> 1:20:36.800
<v Speaker 6>Yeah.

1:20:37.080 --> 1:20:40.120
<v Speaker 2>For once, I thank you for taking time out to

1:20:40.439 --> 1:20:43.120
<v Speaker 2>speak with us. I thank you for your journey and

1:20:43.200 --> 1:20:46.200
<v Speaker 2>your conversation and your growth and your book.

1:20:46.520 --> 1:20:49.160
<v Speaker 1>Kathy, I thank you, And I'm serious.

1:20:49.240 --> 1:20:54.599
<v Speaker 2>Let's let's let's let's give Kathy three thousand, yes, her

1:20:54.960 --> 1:21:00.880
<v Speaker 2>own episode and her flowers, so talking about it, we

1:21:01.000 --> 1:21:03.639
<v Speaker 2>gotta do this, but no, on the real I'm really

1:21:03.720 --> 1:21:08.080
<v Speaker 2>proud of you and I'm glad that you blessed us

1:21:08.720 --> 1:21:11.400
<v Speaker 2>with your art and your gift, and I really appreciate

1:21:12.000 --> 1:21:15.160
<v Speaker 2>and sad to say this like our first real extended

1:21:15.200 --> 1:21:17.760
<v Speaker 2>conversation since we've known each other.

1:21:18.280 --> 1:21:22.800
<v Speaker 1>It was nice to meet you, Eve, But you know what.

1:21:23.400 --> 1:21:27.639
<v Speaker 7>It's okay because it's everything's meant everything as and when,

1:21:28.280 --> 1:21:31.839
<v Speaker 7>and this was perfect, perfect time, and I'm grateful and thankful,

1:21:31.920 --> 1:21:32.320
<v Speaker 7>so thank you.

1:21:32.960 --> 1:21:35.760
<v Speaker 2>I love this version of you prioritizing your your your

1:21:35.840 --> 1:21:39.280
<v Speaker 2>mental health and and and your family and and and

1:21:39.439 --> 1:21:45.240
<v Speaker 2>yourself first. And you know, uh, everyone out there please

1:21:45.439 --> 1:21:49.280
<v Speaker 2>uh support Eve and all of her endeavors.

1:21:49.960 --> 1:21:50.719
<v Speaker 4>Who's that girl?

1:21:51.360 --> 1:21:56.400
<v Speaker 1>Yes, everywhere.

1:21:57.720 --> 1:22:03.800
<v Speaker 2>James James giving James anyway on behalf of Steve and

1:22:04.160 --> 1:22:07.479
<v Speaker 2>James and I'm paid, Bill and Kaffy and.

1:22:09.040 --> 1:22:12.559
<v Speaker 1>Layah Kat and he thank you very much this Quest Love.

1:22:12.600 --> 1:22:14.000
<v Speaker 1>We will see you on the next go round, you know,

1:22:14.360 --> 1:22:14.600
<v Speaker 1>see you.

1:22:17.400 --> 1:22:19.719
<v Speaker 8>Thank you for listening to Quest Love Supreme. This podcast

1:22:19.840 --> 1:22:23.639
<v Speaker 8>is hosted by Mere quest Love, Thompson, Liah Saint, Clair Sugar,

1:22:23.720 --> 1:22:27.679
<v Speaker 8>Steve Mandela, myself, I'm paid, Phil Schirman. The executive producers

1:22:27.720 --> 1:22:31.160
<v Speaker 8>are Mere just walking into the goddamn room. Thompson, Sean

1:22:31.280 --> 1:22:34.920
<v Speaker 8>g and Brian Calhoun produced by Brittany Benjamin, Jake Payne,

1:22:35.000 --> 1:22:38.559
<v Speaker 8>and Liah Sinclair. Edited by Alex Conroy, I Know Alex Conwen.

1:22:39.000 --> 1:22:41.000
<v Speaker 8>Produced for iHeart by Noel Brown.

1:22:51.439 --> 1:22:59.120
<v Speaker 1>Quest Love Supreme is a production of iHeart Radio. For

1:22:59.280 --> 1:23:03.480
<v Speaker 1>more podcasts or iHeartRadio, visit the iHeartRadio app, Apple Podcasts,

1:23:03.960 --> 1:23:05.639
<v Speaker 1>or wherever you listen to your favorite shows.