WEBVTT - I Choose...A Brady Bunch Childhood Dream

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<v Speaker 1>You're listening to I Choose Me with Jenny Garth. Hi, everyone,

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<v Speaker 1>welcome to I Choose Me. This podcast is all about

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<v Speaker 1>the choices we make and where they lead us. I

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<v Speaker 1>have a really fun episode for you today. Something that

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<v Speaker 1>is so great about this podcast is that I get

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<v Speaker 1>to take you listeners with me for fun and interesting conversations.

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<v Speaker 1>And today I choose to live out one of my

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<v Speaker 1>childhood dreams because you guys, I am recording this episode

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<v Speaker 1>at the Brady Bunch House. Yes, that's what I said,

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<v Speaker 1>The Brady Bunch House. My guest today is known for

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<v Speaker 1>playing the beloved Peter Brady and in recent years has

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<v Speaker 1>made appearances on shows like The Masked Singer and A

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<v Speaker 1>Very Brady Renovation. And outside of acting, he's also an

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<v Speaker 1>accomplished entrepreneur. Please welcome Chris Night to the podcast.

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<v Speaker 2>Thank you very much.

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<v Speaker 1>Oh my goodness, this is such an Are you tripping?

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<v Speaker 3>Well, yeah, I tripped here, I'm tripping. Yeah, you'll come

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<v Speaker 3>out of it eventually.

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<v Speaker 2>It's now real.

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<v Speaker 3>So it is a trip, but not as as poignant

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<v Speaker 3>as it was when we first completed it.

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<v Speaker 1>Because we're sitting here in this house that you all

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<v Speaker 1>have redone to look exactly like what was the set?

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<v Speaker 1>Right of the interior.

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<v Speaker 3>Better than the set, as it turns out, because it's real. Now,

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<v Speaker 3>this set was a pretend place.

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<v Speaker 1>You know it is really no how I know. I

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<v Speaker 1>just went to the bathroom in your parents' bathroom.

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<v Speaker 2>And that added toilet.

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<v Speaker 1>It worked.

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<v Speaker 3>Yeah, and they work everywhere because essentially it's a real

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<v Speaker 3>Allison has to have an occupancy permit.

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<v Speaker 1>Okay, well they I occupied.

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<v Speaker 2>It couldn't faithfully replicate that part. No toilets.

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<v Speaker 3>You know why we didn't have a toilet on the

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<v Speaker 3>show on the show because you weren't allowed to show

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<v Speaker 3>a toilet for nine nine o'clock. There was standards and

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<v Speaker 3>practices at the time, and actually that.

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<v Speaker 2>Anybody was going to be wanting to use the toilet.

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<v Speaker 1>The toilet, the toilet itself, It wasn't there.

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<v Speaker 3>There's a tub, there's and there's something missing that's obvious.

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<v Speaker 3>Article in every bathroom in all not that there was.

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<v Speaker 2>But one bathroom that was really featured on the show.

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<v Speaker 1>Wow, when did that change? Do you think because we

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<v Speaker 1>had toilets online? Or you want? Oh, good for you, Yeah,

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<v Speaker 1>we really will.

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<v Speaker 2>We're built of different materials.

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<v Speaker 1>Back in the sixties, they must have decided that toilets

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<v Speaker 1>are okay to show on prime time.

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<v Speaker 3>Is someone read through the manual and said, you know,

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<v Speaker 3>we've got to update this.

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<v Speaker 2>These are real people.

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<v Speaker 3>I don't know, you know, things, times changed things. I mean,

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<v Speaker 3>you know, do my podcast on our show. We're watching

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<v Speaker 3>the show for the first time in fifty years, and

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<v Speaker 3>it innocuous, is the Brady is. There's quite a few

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<v Speaker 3>episodes where we'd have to change some.

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<v Speaker 4>Of the dialogue.

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<v Speaker 1>I want to ask you a question about that. You're

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<v Speaker 1>watching the show from the very beginning. Is that something

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<v Speaker 1>that you had ever done before? Number have you ever

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<v Speaker 1>watched one full episode well when they.

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<v Speaker 2>Were first on on Friday nights in primetime. Other than that, no, so.

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<v Speaker 3>Kind of avoided it, you know, stumbling through the channels

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<v Speaker 3>and there it is. If it's Tevieland or whatnot, I

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<v Speaker 3>wouldn't watch it, you know. I don't watch my own work,

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<v Speaker 3>you know. And though it's you know, somewhere around forty

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<v Speaker 3>years afterward, it was distant enough to be able to

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<v Speaker 3>be watched objectively. I'm an adult and there's nothing there

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<v Speaker 3>for me, you know, as to consume. I didn't think

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<v Speaker 3>but in doing this house in the in the HGTV project,

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<v Speaker 3>it became apparent that so many people over the years

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<v Speaker 3>have driven down the street and taking photos of this

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<v Speaker 3>house that was sort of utilized to become the house,

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<v Speaker 3>and that it could much to my surprise. Yeah, it

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<v Speaker 3>now gives this tenth character an opportunity to exist in perpetuity.

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<v Speaker 3>And Tina, who owns it, has been gracious enough to

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<v Speaker 3>allow well, podcasts like this to occur here, limited productions here,

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<v Speaker 3>and us access to the house. And it's very comforting

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<v Speaker 3>because it really was a special place, and you know,

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<v Speaker 3>it's just it's remarkable that it's still that we were

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<v Speaker 3>able to do it to this kind of detail, or

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<v Speaker 3>that HGTV kept at it so that this detail was

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<v Speaker 3>faithfully reproduced.

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<v Speaker 1>You said that the tripping would pass, but it hasn't

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<v Speaker 1>passed yet.

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<v Speaker 2>I'm staring weeks or months. It's a couple of years now.

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<v Speaker 1>I'm talking to Peter Brady.

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<v Speaker 3>Guys, never left home.

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<v Speaker 1>No, I used to watch your show every day. I

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<v Speaker 1>lived on a farm way on the country and Illinois, Illinois,

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<v Speaker 1>and I would come home down state upstate central central Illinois. Well,

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<v Speaker 1>I would sit right there in front of the big

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<v Speaker 1>TV with the wood around it, and.

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<v Speaker 2>I would watch remote controllers. You have to turn you

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<v Speaker 2>had to actually get up, don't turn that die.

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<v Speaker 1>I sat close enough to turn the dial like this.

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<v Speaker 2>Well, of course we all did.

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<v Speaker 1>That wasn't bad for my eyes.

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<v Speaker 3>Right, I was supposed to, like, you don't watch television

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<v Speaker 3>like that because to do something to your teeth. I know,

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<v Speaker 3>it's a bunch of a bunch of wives tales, you know,

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<v Speaker 3>I think television or rot your brain, you know all.

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<v Speaker 1>That's that's what my mom always said.

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<v Speaker 2>Yeah, they were born in the same era.

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<v Speaker 1>I think I connected with this show on such a

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<v Speaker 1>deep level because I was from a blended family, were you?

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<v Speaker 1>And if I'm not mistaken, I think The Brady Bunch

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<v Speaker 1>was one of the first shows, at least to my recollection,

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<v Speaker 1>that ever really spotlighted a blended family on television.

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<v Speaker 3>Purposefully so because if you look at Sherwood, Sherwood had

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<v Speaker 3>two shows that are.

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<v Speaker 2>You know, wildly popular, Gillian's Island in The Brady Bunch.

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<v Speaker 3>He had a third that only lasted thirteen weeks. But

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<v Speaker 3>oddly I can still remember the theme song from which

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<v Speaker 3>is one of the things that Sherwood is very famous for.

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<v Speaker 2>Theme songs. You can't forget, and that was it's about.

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<v Speaker 3>Time, It's about time, it's about it's not in the

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<v Speaker 3>human race, And all three are the same premise, and

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<v Speaker 3>that is disparate people learning to get along, forced to

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<v Speaker 3>get along.

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<v Speaker 1>So on Gilligan's Island, they were forced because they were

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<v Speaker 1>stuck on the island.

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<v Speaker 2>Yep.

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<v Speaker 3>And it's about time, it's about space less only two

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<v Speaker 3>astronauts stuck in space. I don't know how that would

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<v Speaker 3>have lasted over years, but okay, being forced to get

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<v Speaker 3>along in a very small space. And then the Brady's

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<v Speaker 3>is this idea of new family being zippered together and

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<v Speaker 3>now watching it and getting caught up to where the

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<v Speaker 3>audience has.

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<v Speaker 2>Been with it.

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<v Speaker 3>It's clear what you know, the vision that Surewood had

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<v Speaker 3>on the show in those first two seasons, but those

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<v Speaker 3>you know, first twenty thirty shows are about a family

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<v Speaker 3>that is coming together and not easily being having but

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<v Speaker 3>then learning the benefits of getting along. And then by

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<v Speaker 3>the second or third year there's you know, there's never

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<v Speaker 3>any mention of you're not my sister ever, which probably

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<v Speaker 3>isn't real, but getting to that place is so important

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<v Speaker 3>because that really then is the family. When when when

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<v Speaker 3>It doesn't matter where.

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<v Speaker 2>You're from, that you are my sister.

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<v Speaker 1>It was his and hers and it became ours.

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<v Speaker 3>Well, there was a movie like that, His Heres and Hours,

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<v Speaker 3>His mine and ours.

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<v Speaker 1>Yeah, I was my My family was his hers, and

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<v Speaker 1>I was the Hours. So basically I was Tiger in

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<v Speaker 1>your family?

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<v Speaker 3>Were you part of Were you not the blend? Were

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<v Speaker 3>you the the the biological child was the blend?

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<v Speaker 1>You were the biological child of the two that had

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<v Speaker 1>his and hers, So they came together and then they.

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<v Speaker 3>Had so you were the Yeah, you're the next evolution

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<v Speaker 3>of what we were. You would have been Oliver born

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<v Speaker 3>to Carolyn.

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<v Speaker 1>Forgot about all.

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<v Speaker 3>That's a whole flip on that because he wasn't.

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<v Speaker 2>So he's the inside out version of you.

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<v Speaker 1>He's the cousin though.

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<v Speaker 3>The cousin that wasn't even part of wasn't even on

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<v Speaker 3>the radar screen.

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<v Speaker 1>Oh my god.

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<v Speaker 3>Yeah, I mean a cherub found on the street.

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<v Speaker 1>I think that that's what's so cool, because I know,

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<v Speaker 1>being on a show in the nineties, your show really

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<v Speaker 1>represented the seventies, and being on a show that represented

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<v Speaker 1>the nineties, you're sort of forever frozen in people's minds

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<v Speaker 1>as a certain image, you know, like, I'm sure people

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<v Speaker 1>look at you and stare at you the way I'm

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<v Speaker 1>steering at you right now with that look of like

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<v Speaker 1>I can't believe what I'm seeing. And I know, people

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<v Speaker 1>it's weird. I'm tripping out because I'm I'm experiencing it.

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<v Speaker 1>I'm doing it to you, but I've experienced.

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<v Speaker 3>It as you, so you're doing it to me, but

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<v Speaker 3>seeing yourself do it to me.

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<v Speaker 1>Yes, that's deep.

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<v Speaker 3>Yeah, yeah, I feel like I should have a doctorate

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<v Speaker 3>psychology to.

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<v Speaker 2>Be here, right.

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<v Speaker 1>But how does that? I mean, I know how I've

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<v Speaker 1>dealt with it over the years, and what a role

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<v Speaker 1>my show and the significance of my show played in

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<v Speaker 1>my life. What would what is the significance that the

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<v Speaker 1>Brady Bunch played in your life? Like overall, would you

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<v Speaker 1>say pretty significant?

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<v Speaker 3>I mean, it's pretty much unlike your show's where you

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<v Speaker 3>sort of became an adult, a young adult before the

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<v Speaker 3>intersection of that celebrity, we were kids. I mean those

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<v Speaker 3>formatal years you were ten, tended to the pilot just

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<v Speaker 3>just about eleven, and then eleven twelve in the first season,

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<v Speaker 3>but then ended at sixteen, so you know, kind of

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<v Speaker 3>all that kind.

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<v Speaker 2>Of childhood years.

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<v Speaker 3>Yes, yeah, so you're forming yourself. You know, you're forming

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<v Speaker 3>an idea self.

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<v Speaker 1>Do you think it's a realistic when you're in that bubble,

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<v Speaker 1>do you think that who you're forming is a realistic Well?

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<v Speaker 3>I think in my case it was very helpful because

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<v Speaker 3>it wasn't it offered exactly what the show people watching it,

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<v Speaker 3>But for me it was in three D.

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<v Speaker 2>It was around me.

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<v Speaker 3>I mean it was more than just assumed through the script.

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<v Speaker 3>It was lived in this environment. It's a really wholesome environment.

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<v Speaker 3>And I do laugh at it because it's not exactly

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<v Speaker 3>I wouldn't if I had kids, I would try to

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<v Speaker 3>keep them away from show business until the're eighteen. I

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<v Speaker 3>don't think there's any success of consequence to anybody in

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<v Speaker 3>this industry, you know, as a child, that will help

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<v Speaker 3>as an adult, and the chances of you falling apart

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<v Speaker 3>in the process making that leap.

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<v Speaker 2>Let me do it.

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<v Speaker 3>Either way, you successful as a kid, being successful as

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<v Speaker 3>an adult, you know, is difficult because you're going to

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<v Speaker 3>have to it's a whole different person then, and no

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<v Speaker 3>success leaves you then with what.

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<v Speaker 2>So either way you're kind of setting yourself up.

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<v Speaker 3>And isn't that your parents' job to work, not you,

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<v Speaker 3>because having a childhood.

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<v Speaker 1>Is why did you work as a child.

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<v Speaker 3>Well, because my dad was an actor and he had

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<v Speaker 3>access to getting us agents, and my brother who's a

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<v Speaker 3>year older, thirteen months older, we got an agent at

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<v Speaker 3>the same time. I was seven, he was eight. I

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<v Speaker 3>immediately started working, much to my mom's surprise, because she

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<v Speaker 3>thought he was the outgoing one.

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<v Speaker 2>I was the interviewed one.

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<v Speaker 3>He had no idea what went on inside that room, right,

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<v Speaker 3>because moms don't go in the room with you when

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<v Speaker 3>you're going on your interview, and we didn't go in together.

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<v Speaker 3>You know, we were just so close in age that

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<v Speaker 3>we would be up for the same commercial together. I

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<v Speaker 3>got the first interview, at the third interview and just

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<v Speaker 3>kept working and.

0:11:30.080 --> 0:11:30.560
<v Speaker 2>He never did.

0:11:30.720 --> 0:11:32.840
<v Speaker 3>And she thought he would be the one working because

0:11:32.840 --> 0:11:36.680
<v Speaker 3>of her relationship, you know, with him and his outgoingness

0:11:36.679 --> 0:11:42.719
<v Speaker 3>in my quiet, you know, reserved sort of so and

0:11:42.840 --> 0:11:48.800
<v Speaker 3>self wasn't anything she thought would sell inside of a room,

0:11:48.840 --> 0:11:50.160
<v Speaker 3>and so she was quite surprised.

0:11:50.200 --> 0:11:51.880
<v Speaker 2>I didn't learn about that until I was an adult.

0:11:51.960 --> 0:11:53.559
<v Speaker 1>What was your secret? What'd you do in that room?

0:11:53.600 --> 0:11:54.200
<v Speaker 2>I don't know, I don't know.

0:11:54.240 --> 0:11:56.160
<v Speaker 3>I mean, I think what I did is I is

0:11:56.200 --> 0:12:00.400
<v Speaker 3>I lit up because in my environment it was hard

0:12:00.520 --> 0:12:04.679
<v Speaker 3>to even you know, take a breath. And so this

0:12:04.760 --> 0:12:06.920
<v Speaker 3>is what the Brady's provided, you know, the stuff that

0:12:07.000 --> 0:12:08.360
<v Speaker 3>I wasn't getting.

0:12:09.280 --> 0:12:10.880
<v Speaker 2>Similarly, in that room, I.

0:12:10.920 --> 0:12:15.080
<v Speaker 3>Was getting stuff I wasn't getting because of the environment.

0:12:15.080 --> 0:12:16.800
<v Speaker 3>I had an older brother, you know, pecking order being

0:12:16.800 --> 0:12:20.840
<v Speaker 3>what it was. Who you know, he even laughs at it.

0:12:21.040 --> 0:12:23.719
<v Speaker 3>I was literally trying to kill me when we were

0:12:23.880 --> 0:12:27.400
<v Speaker 3>one and two and and and I guess it's not

0:12:27.679 --> 0:12:31.680
<v Speaker 3>unusual or impossible when when you live in a in

0:12:31.720 --> 0:12:37.680
<v Speaker 3>an environment that is chaotic and and and not not abundant,

0:12:39.640 --> 0:12:42.239
<v Speaker 3>when survival is palpable.

0:12:42.559 --> 0:12:44.840
<v Speaker 2>You know, my dad even said.

0:12:44.640 --> 0:12:46.640
<v Speaker 3>To me at one point, or told my mom when

0:12:46.840 --> 0:12:49.960
<v Speaker 3>because he's an actor, an unemployed actor raising two kids

0:12:49.960 --> 0:12:51.920
<v Speaker 3>in New York City, it was like, you know, there's

0:12:51.920 --> 0:12:54.480
<v Speaker 3>not a we don't have enough milk to feed the kids,

0:12:54.480 --> 0:12:55.720
<v Speaker 3>he said, feed him every other day.

0:12:57.160 --> 0:12:59.080
<v Speaker 2>His environment from the old world. I mean, it's like

0:12:59.160 --> 0:13:02.520
<v Speaker 2>not all, not all your kids lived. That was his.

0:13:02.559 --> 0:13:09.640
<v Speaker 3>Mindset might be. You know, he had a brother, didn't

0:13:09.720 --> 0:13:12.520
<v Speaker 3>that that didn't make it. You know, it's like a

0:13:12.559 --> 0:13:15.520
<v Speaker 3>lot of it's really a jungle law. You know, a

0:13:15.559 --> 0:13:19.000
<v Speaker 3>lot of the Fittest Survival of Fittest.

0:13:18.840 --> 0:13:20.959
<v Speaker 2>And so Brady's is not that.

0:13:21.160 --> 0:13:24.760
<v Speaker 3>Brady's probably was an extension again of that interview, which

0:13:24.800 --> 0:13:27.840
<v Speaker 3>is if somebody's asking me my uh, asking me questions,

0:13:28.559 --> 0:13:31.679
<v Speaker 3>asking me about something that doesn't.

0:13:31.360 --> 0:13:32.080
<v Speaker 2>Happen at home.

0:13:32.760 --> 0:13:34.760
<v Speaker 3>At home, it's that you talk to and you know

0:13:34.840 --> 0:13:38.520
<v Speaker 3>you're just in the way, and and so you kind

0:13:38.520 --> 0:13:40.640
<v Speaker 3>of receid. You know, you don't want to buck that.

0:13:40.760 --> 0:13:42.400
<v Speaker 3>So been an interview all of a sudden you can

0:13:42.400 --> 0:13:44.800
<v Speaker 3>come out. So that's probably where that began. And then

0:13:44.800 --> 0:13:46.560
<v Speaker 3>here I really felt it. I mean, I remember one

0:13:46.600 --> 0:13:53.160
<v Speaker 3>episode Bob redirected and we were very inexpensive show, and

0:13:53.280 --> 0:13:54.960
<v Speaker 3>you got six of us, and so we got a

0:13:55.000 --> 0:13:55.680
<v Speaker 3>director coming in.

0:13:55.760 --> 0:13:56.760
<v Speaker 2>He's going to do.

0:13:56.760 --> 0:13:58.600
<v Speaker 3>This scene with six of us, and you know, maybe

0:13:58.720 --> 0:14:00.680
<v Speaker 3>seven eight of us in the scene. So you three

0:14:00.760 --> 0:14:02.559
<v Speaker 3>stand there, you come up, you stand here, and we'll

0:14:02.559 --> 0:14:05.880
<v Speaker 3>do the scene like the static. So nothing organic about it.

0:14:06.000 --> 0:14:07.480
<v Speaker 3>But he's trying to get done by the end of

0:14:07.520 --> 0:14:08.960
<v Speaker 3>the day, and how else are you going to block

0:14:09.000 --> 0:14:09.360
<v Speaker 3>this thing?

0:14:09.600 --> 0:14:12.080
<v Speaker 2>And then here's Bob read first thing in the morning.

0:14:12.160 --> 0:14:15.760
<v Speaker 2>It's a show that you know, I'm featured in and

0:14:15.800 --> 0:14:18.520
<v Speaker 2>he says, so, how do you see this blocking work?

0:14:18.720 --> 0:14:22.760
<v Speaker 2>How do you see this work? And it was like, wow,

0:14:23.880 --> 0:14:24.480
<v Speaker 2>I'm valued.

0:14:25.040 --> 0:14:27.480
<v Speaker 3>I have an idea, but no one's ever asked me

0:14:27.520 --> 0:14:30.720
<v Speaker 3>my idea to that degree before. And that's where that developed,

0:14:30.760 --> 0:14:33.080
<v Speaker 3>you know, And that probably wouldn't have happened at home

0:14:34.320 --> 0:14:39.040
<v Speaker 3>until I did it for myself at some in some

0:14:39.120 --> 0:14:44.000
<v Speaker 3>rebellious kind of way, and so it shaped me.

0:14:44.400 --> 0:14:46.920
<v Speaker 2>It shaped me, and it gave me an idea of

0:14:46.960 --> 0:14:49.120
<v Speaker 2>how family can be cooperative.

0:14:49.360 --> 0:14:53.480
<v Speaker 3>My mom was dead set against even believing that families could.

0:14:53.240 --> 0:14:57.880
<v Speaker 1>Be really Yeah, so it sounds like, much like myself,

0:14:58.360 --> 0:15:01.600
<v Speaker 1>you found the Brady Bunch sort of like a safe space,

0:15:01.640 --> 0:15:02.320
<v Speaker 1>a sanctuary.

0:15:02.960 --> 0:15:05.280
<v Speaker 3>Yeah, And I didn't know how safe it wasn't until

0:15:06.280 --> 0:15:07.320
<v Speaker 3>you know, it was gone.

0:15:07.360 --> 0:15:08.480
<v Speaker 2>And then when I was an adult.

0:15:08.520 --> 0:15:10.280
<v Speaker 3>At that point, I was sixteen, but I realized that

0:15:10.880 --> 0:15:13.000
<v Speaker 3>the space that I was left in at like at home,

0:15:13.000 --> 0:15:15.400
<v Speaker 3>it's like, I need to escape this so that I

0:15:15.400 --> 0:15:18.640
<v Speaker 3>can go make something closer to that for myself.

0:15:19.840 --> 0:15:22.760
<v Speaker 1>That's that's a really interesting story.

0:15:23.280 --> 0:15:25.720
<v Speaker 3>It's like, and my mom and I we'd have I mean,

0:15:25.760 --> 0:15:28.760
<v Speaker 3>it wasn't like we were close friends when she passed away,

0:15:29.000 --> 0:15:31.200
<v Speaker 3>but because we discussed it all. You know that she

0:15:31.320 --> 0:15:34.520
<v Speaker 3>had different ideas based on her experiences in life and

0:15:34.520 --> 0:15:37.440
<v Speaker 3>the hardships that she was under and the you know,

0:15:37.840 --> 0:15:42.240
<v Speaker 3>the difficulties that were day to day confronting her.

0:15:42.640 --> 0:15:43.960
<v Speaker 2>And she did the best that she could.

0:15:44.360 --> 0:15:49.040
<v Speaker 3>But the result of that was these reverberations were you know,

0:15:49.640 --> 0:15:51.280
<v Speaker 3>a need to create something different.

0:15:51.480 --> 0:15:52.880
<v Speaker 1>Did your mom go to work with you?

0:15:53.400 --> 0:15:56.560
<v Speaker 2>Yeah? Since you were, she gave me every day. And

0:15:56.880 --> 0:16:00.720
<v Speaker 2>I mean, I have a brother seven years younger. I'm eleven.

0:16:01.000 --> 0:16:02.640
<v Speaker 1>Did he come who was? No?

0:16:02.720 --> 0:16:06.600
<v Speaker 2>He's left home with my sister who's three years younger.

0:16:07.240 --> 0:16:09.840
<v Speaker 3>So it's like, you know, she's he's been raised by

0:16:09.840 --> 0:16:10.720
<v Speaker 3>a seven year old.

0:16:11.040 --> 0:16:11.360
<v Speaker 1>Wow.

0:16:11.600 --> 0:16:13.960
<v Speaker 3>Yeah, And I you know, I didn't get to witness that,

0:16:14.120 --> 0:16:16.240
<v Speaker 3>but you know, talking to my sister and you know,

0:16:17.560 --> 0:16:21.200
<v Speaker 3>you know, that's tough. And that's why when when friends say, oh,

0:16:21.240 --> 0:16:23.680
<v Speaker 3>my kid is so cute, he should be in show business,

0:16:24.400 --> 0:16:26.840
<v Speaker 3>And I said, do you realize what would happen if, like, say,

0:16:26.840 --> 0:16:28.160
<v Speaker 3>they live in Ohio and they want to come out

0:16:28.200 --> 0:16:31.880
<v Speaker 3>for pilot season again, a pilot they you know, you're.

0:16:31.800 --> 0:16:36.080
<v Speaker 2>Successful, What about the other kids? Where are you going

0:16:36.160 --> 0:16:38.960
<v Speaker 2>to live? What do you do to the family, and.

0:16:39.080 --> 0:16:42.040
<v Speaker 3>You shouldn't me work for you know, and support your

0:16:42.120 --> 0:16:43.640
<v Speaker 3>kids and then let them do what they want.

0:16:43.680 --> 0:16:44.200
<v Speaker 2>At eighteen.

0:16:50.960 --> 0:16:54.600
<v Speaker 1>I became emancipated when I started working. I think I

0:16:54.640 --> 0:16:55.280
<v Speaker 1>was sixteen.

0:16:55.760 --> 0:16:58.080
<v Speaker 3>So you can't get a massipated earlier than that, right,

0:16:58.120 --> 0:17:00.000
<v Speaker 3>I think sixteen is when you first can be it.

0:17:00.240 --> 0:17:03.080
<v Speaker 1>I believe so. And so you could drive, I could drive.

0:17:03.200 --> 0:17:05.399
<v Speaker 1>I drove myself. I went to work just like an adult,

0:17:05.480 --> 0:17:06.400
<v Speaker 1>like I didn't have my mom.

0:17:06.520 --> 0:17:10.200
<v Speaker 3>Barry got himself emancipated because for a time my mom

0:17:10.320 --> 0:17:12.480
<v Speaker 3>would be on set and his mom wouldn't, and she

0:17:12.520 --> 0:17:15.960
<v Speaker 3>would be his guardian for that day until he got emancipated.

0:17:16.240 --> 0:17:17.760
<v Speaker 3>His mom was there mostly in the first year. I

0:17:17.760 --> 0:17:20.440
<v Speaker 3>think that was the second year, because he didn't really

0:17:20.520 --> 0:17:22.760
<v Speaker 3>need or want his mom around, but he legally was

0:17:23.080 --> 0:17:26.480
<v Speaker 3>needed to have someone there looking, an adult looking after

0:17:26.560 --> 0:17:27.120
<v Speaker 3>him and.

0:17:27.280 --> 0:17:27.920
<v Speaker 2>Till that happened.

0:17:27.960 --> 0:17:29.960
<v Speaker 1>Did they sequester the parents away from the set.

0:17:30.040 --> 0:17:34.160
<v Speaker 3>Oh no, They were very much part of the entire program,

0:17:34.720 --> 0:17:39.200
<v Speaker 3>because True's idea was that we first he wanted you know,

0:17:40.080 --> 0:17:45.159
<v Speaker 3>I don't know how much he actually took in to

0:17:45.320 --> 0:17:49.480
<v Speaker 3>account parents when he was casting us, but I'm sure

0:17:49.480 --> 0:17:54.560
<v Speaker 3>he had some I out for that. He didn't want actors.

0:17:54.920 --> 0:17:57.840
<v Speaker 3>He wanted kids to kid act. So he wanted kids,

0:17:57.840 --> 0:18:04.040
<v Speaker 3>he wanted he wanted people that they were people first,

0:18:04.200 --> 0:18:09.879
<v Speaker 3>person persons first before actors. And I'm sure part of

0:18:09.880 --> 0:18:12.840
<v Speaker 3>that process and looking for that was not just what

0:18:12.960 --> 0:18:15.280
<v Speaker 3>he got from the interview in the room, but somewhere

0:18:15.280 --> 0:18:17.280
<v Speaker 3>along the way there must have been. But it is

0:18:17.359 --> 0:18:19.679
<v Speaker 3>tough because you're not interviewing parents, right, So how do

0:18:19.720 --> 0:18:21.919
<v Speaker 3>you know what you're getting with the parents?

0:18:21.960 --> 0:18:24.960
<v Speaker 2>Are like, So, yeah, that's a tough question. I've really

0:18:25.000 --> 0:18:25.600
<v Speaker 2>not thought about it.

0:18:26.160 --> 0:18:28.439
<v Speaker 3>He couldn't have known too much about how the parents

0:18:28.480 --> 0:18:32.359
<v Speaker 3>worked out, and luckily it worked out. You know, we

0:18:32.480 --> 0:18:36.639
<v Speaker 3>had distinctly different kind of parents like Marine's. She lived

0:18:36.720 --> 0:18:39.280
<v Speaker 3>not too far away, but her mom couldn't drive. Her

0:18:39.359 --> 0:18:42.399
<v Speaker 3>dad was a school teacher, so and she was the youngest.

0:18:42.160 --> 0:18:44.000
<v Speaker 2>In her family. Her brother's rolders.

0:18:44.000 --> 0:18:47.679
<v Speaker 3>She had one brother whose special needs mom had some

0:18:47.840 --> 0:18:49.960
<v Speaker 3>eye condition tunnel vision or something.

0:18:49.960 --> 0:18:51.959
<v Speaker 2>So you couldn't drive, We drove. We drove them.

0:18:52.000 --> 0:18:54.520
<v Speaker 3>I mean that gave me an extra couple hours every

0:18:54.560 --> 0:18:59.000
<v Speaker 3>day to be like a quasi brother some Marine growing

0:18:59.080 --> 0:18:59.960
<v Speaker 3>up in the back of a car.

0:19:00.280 --> 0:19:03.280
<v Speaker 2>But it worked. I mean, the parents weren't the typical

0:19:03.800 --> 0:19:06.919
<v Speaker 2>None of them were the typical set parents.

0:19:06.960 --> 0:19:10.280
<v Speaker 3>Set parents, or you know, pushy kind of like this.

0:19:10.320 --> 0:19:13.640
<v Speaker 2>Was also at the stage was it was an ensemble.

0:19:13.800 --> 0:19:17.680
<v Speaker 3>Now we're at times it would just it would show

0:19:17.680 --> 0:19:20.520
<v Speaker 3>itself in defense of those things that were important to

0:19:20.640 --> 0:19:24.320
<v Speaker 3>that person, like Eve's hair. She had this incredibly long,

0:19:24.359 --> 0:19:26.720
<v Speaker 3>gorgeous hair, but to keep it like that required a

0:19:26.720 --> 0:19:31.720
<v Speaker 3>lot of brushing. Mom was constantly brushing and brushing because

0:19:31.720 --> 0:19:34.960
<v Speaker 3>it wasn't I mean again, light lightly budgeted. Wasn't like

0:19:35.000 --> 0:19:37.760
<v Speaker 3>we had an abundance of hair and makeup people so

0:19:37.840 --> 0:19:40.720
<v Speaker 3>that they were probably you know, giving it a couple

0:19:40.920 --> 0:19:43.160
<v Speaker 3>couple of strokes before taking care of Florence.

0:19:43.480 --> 0:19:44.240
<v Speaker 2>It was. It was.

0:19:44.359 --> 0:19:47.600
<v Speaker 3>It was Eve's mom constantly on her brushing right up

0:19:47.680 --> 0:19:48.239
<v Speaker 3>until right.

0:19:48.840 --> 0:19:51.439
<v Speaker 1>I have just such a vivid imagination of what that

0:19:51.600 --> 0:19:54.240
<v Speaker 1>was like. But you did, her hair looked amazing. But

0:19:55.040 --> 0:19:56.040
<v Speaker 1>that's why now we.

0:19:56.040 --> 0:19:58.639
<v Speaker 2>Know takes a lot of brushing. Well, thank god for

0:19:58.760 --> 0:20:00.840
<v Speaker 2>mom's right.

0:20:01.000 --> 0:20:04.520
<v Speaker 3>So stage momming is important to some extent.

0:20:04.720 --> 0:20:08.960
<v Speaker 1>Yeah, So do you feel as if you're frozen in

0:20:09.040 --> 0:20:10.440
<v Speaker 1>time when you walk around.

0:20:10.800 --> 0:20:13.840
<v Speaker 3>Today or have a lot of us to reconcile this.

0:20:15.200 --> 0:20:17.439
<v Speaker 3>You know they say about electrons, they don't really have

0:20:17.480 --> 0:20:21.960
<v Speaker 3>a place. They can be in two places at once. Yeah,

0:20:22.000 --> 0:20:26.400
<v Speaker 3>and that is kind of what happens when this occurs.

0:20:26.680 --> 0:20:29.560
<v Speaker 2>Right, we did something long ago, it still exists, it

0:20:29.640 --> 0:20:34.239
<v Speaker 2>still lives, and then I exist now, So I have

0:20:34.280 --> 0:20:35.160
<v Speaker 2>two existences.

0:20:35.440 --> 0:20:37.560
<v Speaker 3>I'm not really frozen in time, but I understand that

0:20:37.800 --> 0:20:41.800
<v Speaker 3>somebody could see me frozen at time. That's what's fun

0:20:41.840 --> 0:20:43.960
<v Speaker 3>about doing the podcast is I go back and learn

0:20:44.000 --> 0:20:47.280
<v Speaker 3>what people have thought about me and why by watching

0:20:47.280 --> 0:20:47.600
<v Speaker 3>the show.

0:20:48.040 --> 0:20:48.840
<v Speaker 2>You know and.

0:20:50.240 --> 0:20:53.240
<v Speaker 3>I'm amazed were both are about how much we were

0:20:53.280 --> 0:20:54.840
<v Speaker 3>gaining from watching.

0:20:54.520 --> 0:20:56.040
<v Speaker 1>It, Right, isn't that the case?

0:20:56.240 --> 0:20:58.439
<v Speaker 3>Yeah, that we always get the same question, right, what

0:20:58.560 --> 0:21:01.600
<v Speaker 3>is your favorite show? But it dawned on me that

0:21:02.119 --> 0:21:05.080
<v Speaker 3>wasn't a question. We were answering it without regarding the

0:21:05.160 --> 0:21:07.800
<v Speaker 3>question as it was being asked. We always said why

0:21:07.920 --> 0:21:10.119
<v Speaker 3>because we have to go to why that would be

0:21:10.160 --> 0:21:14.240
<v Speaker 3>our favorite experience, not necessarily favorite show. So all of

0:21:14.240 --> 0:21:16.880
<v Speaker 3>our answers are about the experiences of doing a show. Well,

0:21:16.880 --> 0:21:19.760
<v Speaker 3>I mean, I'm thinking going in that my favorite shows

0:21:19.800 --> 0:21:23.040
<v Speaker 3>were those when I was older, right, because that's when

0:21:23.080 --> 0:21:27.480
<v Speaker 3>all of a sudden you're more conscious making conscious decisions,

0:21:29.160 --> 0:21:31.159
<v Speaker 3>and I watched the show. The shows are not nearly

0:21:31.200 --> 0:21:33.159
<v Speaker 3>as good as the first couple of years because the

0:21:33.240 --> 0:21:35.280
<v Speaker 3>show had a structure in those first couple of years

0:21:35.440 --> 0:21:38.480
<v Speaker 3>that kind of untethered as the show as we got older,

0:21:38.760 --> 0:21:42.840
<v Speaker 3>because it's power early, if you will. Its real strength

0:21:42.920 --> 0:21:46.880
<v Speaker 3>was in that you know, six to twelve, fourteen year

0:21:46.880 --> 0:21:49.800
<v Speaker 3>old kid realm. As soon as you get fifteen sixteen,

0:21:50.200 --> 0:21:56.160
<v Speaker 3>your issues are not as simple to conclude as they

0:21:56.200 --> 0:21:58.960
<v Speaker 3>are or as they can be. They're not as primary

0:22:00.119 --> 0:22:02.320
<v Speaker 3>like the colors on the show. The issues that we

0:22:02.720 --> 0:22:05.840
<v Speaker 3>dealt with best were very primary issues. I'm you know,

0:22:05.840 --> 0:22:08.320
<v Speaker 3>getting along, telling the truth, you know.

0:22:08.440 --> 0:22:11.720
<v Speaker 2>Just it's it's a parable, modern parable.

0:22:11.400 --> 0:22:14.200
<v Speaker 1>But so simple like for those of us watching it.

0:22:14.280 --> 0:22:16.359
<v Speaker 3>Yes, well life for a kids should be simple. It

0:22:16.400 --> 0:22:19.840
<v Speaker 3>gets more complicated out that front door. Oh yes, so

0:22:20.280 --> 0:22:23.680
<v Speaker 3>the more reasons you know, like you don't, I mean,

0:22:23.680 --> 0:22:28.400
<v Speaker 3>if there's if there's like Vietnam was it was in parallel,

0:22:28.560 --> 0:22:30.440
<v Speaker 3>you know, I was like a year from being drafted

0:22:31.520 --> 0:22:34.240
<v Speaker 3>doing the show, and so there was all that you know,

0:22:35.280 --> 0:22:37.960
<v Speaker 3>tumult you know around us, and we're doing the show

0:22:38.560 --> 0:22:40.120
<v Speaker 3>already felt like it was out of time.

0:22:40.119 --> 0:22:41.160
<v Speaker 2>And if you think about it.

0:22:41.440 --> 0:22:45.000
<v Speaker 3>The Brady's as this kind of family was already a

0:22:45.080 --> 0:22:48.480
<v Speaker 3>throwback in the late sixties to the families of the

0:22:48.560 --> 0:22:50.920
<v Speaker 3>late you know, reminds me of leave It to Beaver,

0:22:51.320 --> 0:22:53.600
<v Speaker 3>you know, as you know, a blended leave it to

0:22:53.640 --> 0:22:56.320
<v Speaker 3>Beaver like family, and that was late fifties, you know,

0:22:56.640 --> 0:22:58.160
<v Speaker 3>and really hasn't been done.

0:22:59.119 --> 0:22:59.879
<v Speaker 2>And I don't know if you can.

0:23:00.119 --> 0:23:02.040
<v Speaker 3>I mean I think that they're like, I don't know

0:23:02.880 --> 0:23:05.240
<v Speaker 3>you can cycle back to that kind of that kind

0:23:05.240 --> 0:23:06.480
<v Speaker 3>of innocence again.

0:23:06.800 --> 0:23:07.760
<v Speaker 2>You will just laugh at it.

0:23:07.800 --> 0:23:09.720
<v Speaker 3>And that's why the movies laughed at it, because it's

0:23:09.720 --> 0:23:13.080
<v Speaker 3>like when you're an adult looking back at yourself as

0:23:13.160 --> 0:23:16.040
<v Speaker 3>a child in the ways that you thought, you laugh

0:23:16.080 --> 0:23:19.679
<v Speaker 3>at how simple things were for you, but they're purposefully simple,

0:23:19.760 --> 0:23:22.920
<v Speaker 3>like you know, the the you know, if you're ten

0:23:23.000 --> 0:23:25.080
<v Speaker 3>years old or eleven years old, I'm not sure your

0:23:25.080 --> 0:23:27.200
<v Speaker 3>parents want you watching the news of the war that's

0:23:27.240 --> 0:23:29.760
<v Speaker 3>going on, you know, and the and the body count

0:23:29.800 --> 0:23:31.840
<v Speaker 3>and stuff like that. Keep you in a different space

0:23:31.880 --> 0:23:35.439
<v Speaker 3>because you'll have enough time to deal with that as

0:23:35.840 --> 0:23:36.359
<v Speaker 3>you get older.

0:23:36.480 --> 0:23:38.400
<v Speaker 1>That's the thing with kids these days now, you can't

0:23:38.480 --> 0:23:42.240
<v Speaker 1>keep them from seeing everything all at once everywhere.

0:23:41.800 --> 0:23:46.920
<v Speaker 3>Which is troublesome. Yeah, I don't know how you know. Yeah,

0:23:46.920 --> 0:23:49.800
<v Speaker 3>everything all at once is not necessarily not.

0:23:50.359 --> 0:23:53.119
<v Speaker 1>I did well to just take my Brady Bunch, followed

0:23:53.119 --> 0:23:55.720
<v Speaker 1>by my Happy Days and then my Laverne and Shirley.

0:23:56.000 --> 0:23:57.840
<v Speaker 2>You did it naturally for yourself, yes.

0:23:57.680 --> 0:24:02.160
<v Speaker 1>Yes, Well did you when you left the show? When

0:24:02.200 --> 0:24:05.360
<v Speaker 1>the show was over, how did you feel like? Did

0:24:05.359 --> 0:24:06.440
<v Speaker 1>you feel.

0:24:07.720 --> 0:24:07.960
<v Speaker 2>Well?

0:24:08.080 --> 0:24:08.920
<v Speaker 4>I was.

0:24:12.480 --> 0:24:16.119
<v Speaker 2>Happy, at least initially, because I wanted to go to school.

0:24:16.920 --> 0:24:18.119
<v Speaker 2>I wasn't my idea.

0:24:17.880 --> 0:24:19.920
<v Speaker 3>To be an actor, though I was getting so much

0:24:19.960 --> 0:24:26.960
<v Speaker 3>from it and very much appreciated it. I hadn't decided

0:24:27.000 --> 0:24:28.800
<v Speaker 3>on what I wanted to do with my life.

0:24:29.320 --> 0:24:32.760
<v Speaker 2>And I knew that you're only sixteen right when it

0:24:32.800 --> 0:24:33.120
<v Speaker 2>went off.

0:24:33.160 --> 0:24:35.119
<v Speaker 3>I was, yeah, halfway through eleventh grade, so I was

0:24:35.640 --> 0:24:39.120
<v Speaker 3>just turning yet seventeen. Just about seventeen, I was sixteen.

0:24:39.280 --> 0:24:43.399
<v Speaker 3>You're right, I was sixteen, but high school was only

0:24:43.480 --> 0:24:45.000
<v Speaker 3>I only had a year and a half left of

0:24:45.040 --> 0:24:45.560
<v Speaker 3>high school.

0:24:45.920 --> 0:24:47.600
<v Speaker 2>I hadn't gone to my real high school yet.

0:24:47.800 --> 0:24:49.399
<v Speaker 3>We went to a private school tenth grade so we

0:24:49.400 --> 0:24:51.960
<v Speaker 3>could do the singing, dancing, concert stuff that I didn't

0:24:51.960 --> 0:24:52.560
<v Speaker 3>really want to do.

0:24:52.640 --> 0:24:55.080
<v Speaker 2>But I'm part of this group and being sucked along

0:24:55.119 --> 0:24:55.439
<v Speaker 2>by it.

0:24:55.760 --> 0:24:58.200
<v Speaker 3>And so now the show's going off, and I'm it's

0:24:58.320 --> 0:25:01.720
<v Speaker 3>like the twentieth week in going up to the second

0:25:01.760 --> 0:25:04.320
<v Speaker 3>semester of eleventh grade, and finally I get to go

0:25:04.320 --> 0:25:06.399
<v Speaker 3>to the high school that's right down the street, and

0:25:06.600 --> 0:25:08.199
<v Speaker 3>the friends in the neighborhood they go there, and I

0:25:08.240 --> 0:25:11.320
<v Speaker 3>hadn't gone yet. Brother goes there. I was big into science,

0:25:11.400 --> 0:25:13.800
<v Speaker 3>but there was no science of being taught laps.

0:25:14.119 --> 0:25:16.400
<v Speaker 2>You know, biology and chemistry and physics.

0:25:16.680 --> 0:25:18.639
<v Speaker 3>All the stuff that interested me were stuff that I

0:25:18.640 --> 0:25:21.359
<v Speaker 3>couldn't get unless I went back to my high school.

0:25:21.760 --> 0:25:24.600
<v Speaker 3>And luckily I got just I got out just in

0:25:24.640 --> 0:25:25.760
<v Speaker 3>time to start catching.

0:25:25.560 --> 0:25:26.160
<v Speaker 2>Up on someone else.

0:25:26.200 --> 0:25:27.480
<v Speaker 1>Did anybody ever pick on you?

0:25:28.240 --> 0:25:31.200
<v Speaker 3>Well, that happened, Well, I was. I to seventh grade

0:25:31.520 --> 0:25:34.000
<v Speaker 3>is a new school. The first season the show was.

0:25:34.000 --> 0:25:37.160
<v Speaker 1>Out, you were still in school, Rul I went.

0:25:37.359 --> 0:25:39.639
<v Speaker 3>The only year was tenth grade when we went to private.

0:25:39.680 --> 0:25:41.200
<v Speaker 2>I went. Every we finished.

0:25:41.480 --> 0:25:44.320
<v Speaker 3>We start the day the monday that school got out,

0:25:44.520 --> 0:25:45.679
<v Speaker 3>and we were all in public schools.

0:25:45.680 --> 0:25:49.119
<v Speaker 2>We were on the same system. So they did that

0:25:49.280 --> 0:25:49.760
<v Speaker 2>money that.

0:25:49.680 --> 0:25:52.520
<v Speaker 1>They could keep so they didn't have to work you certainly.

0:25:52.200 --> 0:25:54.480
<v Speaker 3>Now and work they could work us seven hours right,

0:25:54.520 --> 0:25:57.720
<v Speaker 3>they could work us well, let's eight hours seven as

0:25:57.720 --> 0:26:00.520
<v Speaker 3>opposed to just you know four, right, because once the

0:26:00.520 --> 0:26:04.199
<v Speaker 3>school starts. On that day that the school begun, we

0:26:04.200 --> 0:26:07.679
<v Speaker 3>were in our classroom when we weren't you around the

0:26:07.720 --> 0:26:10.040
<v Speaker 3>camera or in front of the cameras. Matter of fact,

0:26:10.040 --> 0:26:12.919
<v Speaker 3>they had to invent rules, like you know, putting us

0:26:12.960 --> 0:26:15.240
<v Speaker 3>into school and taking us out five minutes later is

0:26:15.320 --> 0:26:18.080
<v Speaker 3>useless for school, so you have to leave us there

0:26:18.080 --> 0:26:20.119
<v Speaker 3>for at least I think it was fifteen minutes or

0:26:20.200 --> 0:26:20.919
<v Speaker 3>twenty minutes.

0:26:21.160 --> 0:26:22.640
<v Speaker 2>And then because.

0:26:22.320 --> 0:26:27.720
<v Speaker 3>We'd be featured, our welfare worker was just brilliant, classic

0:26:29.000 --> 0:26:33.800
<v Speaker 3>school marmish, wonderful woman, Francis Whitfield. And she was our

0:26:33.840 --> 0:26:37.720
<v Speaker 3>welfare worker and our teacher. She was accredited up through

0:26:37.760 --> 0:26:40.360
<v Speaker 3>eighth grade, so there was another teacher for us when

0:26:40.400 --> 0:26:44.200
<v Speaker 3>we got beyond eighth grade.

0:26:48.280 --> 0:26:49.879
<v Speaker 1>I want to know, like when you go out in

0:26:49.920 --> 0:26:53.239
<v Speaker 1>public and people stop you, as I'm sure they do

0:26:53.320 --> 0:26:55.720
<v Speaker 1>a million times, what goes through your.

0:26:55.600 --> 0:27:00.000
<v Speaker 3>Mind depends on what just happened, like what their interrupt

0:27:00.400 --> 0:27:05.000
<v Speaker 3>because sometimes I have no hope for humanity, like where

0:27:05.280 --> 0:27:07.440
<v Speaker 3>you have that right though, I'm with my brother who

0:27:07.440 --> 0:27:10.600
<v Speaker 3>we've always had, Like I said, a relationship that's on an.

0:27:10.600 --> 0:27:13.320
<v Speaker 1>Edge, a little competitive, right, and he.

0:27:13.280 --> 0:27:15.439
<v Speaker 3>Oh, I never never closed on that. So we go

0:27:15.480 --> 0:27:17.280
<v Speaker 3>on these same interurgers for two years and I can

0:27:17.560 --> 0:27:18.360
<v Speaker 3>he never worked.

0:27:18.600 --> 0:27:21.119
<v Speaker 1>Oh, that must have really never worked.

0:27:21.200 --> 0:27:23.080
<v Speaker 2>And then finally said, why am I wasting my time?

0:27:23.359 --> 0:27:25.160
<v Speaker 2>Living in Woodland Hills. You had to drive into house.

0:27:25.280 --> 0:27:28.280
<v Speaker 2>I mean that's like an hour two hours, you know,

0:27:28.359 --> 0:27:29.639
<v Speaker 2>and it's like, why am I going on this? I

0:27:29.680 --> 0:27:30.480
<v Speaker 2>don't want to go anywhere.

0:27:30.560 --> 0:27:32.560
<v Speaker 3>So he didn't have to at that point, I'm now

0:27:32.640 --> 0:27:35.240
<v Speaker 3>doing you know, by that point, just about doing the

0:27:35.240 --> 0:27:35.760
<v Speaker 3>Brady button.

0:27:35.760 --> 0:27:37.960
<v Speaker 1>Okay. So you're at lunch with your brother now as

0:27:38.000 --> 0:27:40.119
<v Speaker 1>grown man, and someone comes up to you and says.

0:27:39.880 --> 0:27:43.080
<v Speaker 3>Well, this is this is the thing about humanity my

0:27:43.160 --> 0:27:47.320
<v Speaker 3>brother and I. So somebody recognizes me. This is some

0:27:47.400 --> 0:27:50.199
<v Speaker 3>years ago, ten years ago, and then turns in are

0:27:50.240 --> 0:27:50.840
<v Speaker 3>you somebody?

0:27:52.240 --> 0:27:54.600
<v Speaker 2>And it's like, I don't even want to look him

0:27:54.600 --> 0:27:56.760
<v Speaker 2>in the eye right now. I didn't do it. It's

0:27:56.800 --> 0:27:59.600
<v Speaker 2>not my fault. I'm not I'm not going to you know, And.

0:27:59.520 --> 0:28:01.520
<v Speaker 3>It's like, hey, you know, what do you say to

0:28:01.560 --> 0:28:02.120
<v Speaker 3>this person?

0:28:02.240 --> 0:28:03.920
<v Speaker 2>You know? And what do you say to your brother?

0:28:03.960 --> 0:28:06.119
<v Speaker 3>You're not gonna say any of your brother because hopefully,

0:28:06.320 --> 0:28:07.200
<v Speaker 3>you know, he'll.

0:28:07.240 --> 0:28:08.400
<v Speaker 1>You know, handle it.

0:28:08.720 --> 0:28:14.040
<v Speaker 2>Yeah, And it's just like I'm not But I knew

0:28:14.080 --> 0:28:16.240
<v Speaker 2>at a young age too. Why are people asking for autographs?

0:28:16.359 --> 0:28:17.600
<v Speaker 2>What are they gonna do with that?

0:28:18.320 --> 0:28:21.960
<v Speaker 3>They're gonna he's gonna draw and it's gonna disappear forever

0:28:22.000 --> 0:28:27.480
<v Speaker 3>and there it's a handshake. It's their way of interacting

0:28:28.000 --> 0:28:29.679
<v Speaker 3>before cell phones, it was.

0:28:29.800 --> 0:28:32.600
<v Speaker 2>It's a way up. But they don't know that.

0:28:32.720 --> 0:28:37.560
<v Speaker 3>They're wanting to just say you've intersected my life positively,

0:28:37.720 --> 0:28:38.560
<v Speaker 3>or I liked your work.

0:28:38.800 --> 0:28:40.360
<v Speaker 2>Can I can I just say hi, thank you?

0:28:41.240 --> 0:28:44.600
<v Speaker 3>It takes a real adult to do that, but until

0:28:44.800 --> 0:28:47.240
<v Speaker 3>not everybody ever gets to be a real adult to

0:28:47.280 --> 0:28:49.560
<v Speaker 3>handle it that way. So mostly it's just doing what

0:28:49.600 --> 0:28:52.000
<v Speaker 3>somebody else has done, which is asking for an autograph.

0:28:52.320 --> 0:28:58.400
<v Speaker 3>But you know, it's really just to interact. When I

0:28:58.440 --> 0:29:01.160
<v Speaker 3>figured that out self, want to make it so much better.

0:29:01.200 --> 0:29:04.040
<v Speaker 3>Just take the selfie because now I'm a life size collectible.

0:29:04.240 --> 0:29:06.400
<v Speaker 1>It doesn't bug you. You're a life size collectible.

0:29:06.480 --> 0:29:06.720
<v Speaker 2>Yeah.

0:29:06.760 --> 0:29:09.920
<v Speaker 3>I love that, And it's so much easier. I don't

0:29:09.920 --> 0:29:12.680
<v Speaker 3>sit down and write terrible handwriting, you know, and what's

0:29:12.680 --> 0:29:13.000
<v Speaker 3>your name?

0:29:13.040 --> 0:29:13.840
<v Speaker 2>And how do I spell?

0:29:13.920 --> 0:29:16.560
<v Speaker 1>That it's like it seems though, that you have such

0:29:16.600 --> 0:29:19.840
<v Speaker 1>a deep appreciation for the show and its significance in

0:29:20.320 --> 0:29:23.000
<v Speaker 1>television history and in so many people's lives.

0:29:23.760 --> 0:29:24.400
<v Speaker 2>I know this.

0:29:24.480 --> 0:29:28.520
<v Speaker 3>I know I had a really contentious relationship with my

0:29:28.600 --> 0:29:32.760
<v Speaker 3>mom growing up that predated The Brady Bunch, and you know,

0:29:32.800 --> 0:29:35.240
<v Speaker 3>and we worked that out as adults, so we had

0:29:35.280 --> 0:29:38.600
<v Speaker 3>we had little problem as adults. We were a family

0:29:38.640 --> 0:29:43.080
<v Speaker 3>that shared exactly how we were feeling, which has a

0:29:43.080 --> 0:29:47.000
<v Speaker 3>good side and it can have a bad side. Chaotic

0:29:47.240 --> 0:29:57.000
<v Speaker 3>and independent, uh, can be desperate, loud. Yeah, So that

0:29:57.080 --> 0:30:01.840
<v Speaker 3>relationship wasn't something I thought was healthy, but I felt

0:30:02.000 --> 0:30:04.440
<v Speaker 3>what whatever we were doing here was it was a

0:30:04.480 --> 0:30:08.000
<v Speaker 3>depiction of it and it set me up to realize that,

0:30:08.120 --> 0:30:11.840
<v Speaker 3>you know, there are good things that can come from this.

0:30:12.000 --> 0:30:14.480
<v Speaker 3>Although we were derided in the press, I mean, as

0:30:14.520 --> 0:30:18.680
<v Speaker 3>a show reviewed, we're banw and you know, just.

0:30:18.560 --> 0:30:19.440
<v Speaker 2>Because that's what we were.

0:30:19.640 --> 0:30:22.880
<v Speaker 3>There wasn't anybody reviewing from the point of view that

0:30:22.920 --> 0:30:24.959
<v Speaker 3>the show was trying to deliver on because there was

0:30:25.120 --> 0:30:29.840
<v Speaker 3>no children's programming per se. I mean, there was Disney,

0:30:29.880 --> 0:30:32.600
<v Speaker 3>but people didn't look at if Disney wasn't really trying

0:30:32.600 --> 0:30:36.200
<v Speaker 3>to provide entertainment for children at that but there wasn't.

0:30:36.320 --> 0:30:39.960
<v Speaker 3>They didn't review children's programming separately. Then you reviewed any

0:30:40.000 --> 0:30:42.880
<v Speaker 3>other kind of art, and with the same reviewer. It'd

0:30:42.880 --> 0:30:45.040
<v Speaker 3>be doing theater and doing television, and so we were

0:30:45.160 --> 0:30:47.200
<v Speaker 3>kind of like, what the hell is this doing on television?

0:30:47.240 --> 0:30:51.120
<v Speaker 2>This is you know, television itself was derided as being

0:30:51.280 --> 0:30:55.920
<v Speaker 2>a entertainment below art, art.

0:30:56.000 --> 0:31:00.680
<v Speaker 1>Form below keyword. So later in life you pivoted to

0:31:01.240 --> 0:31:02.640
<v Speaker 1>business entrepreneurship.

0:31:02.720 --> 0:31:04.080
<v Speaker 2>I pivoted right in high school.

0:31:04.160 --> 0:31:06.120
<v Speaker 3>When I left and went into high school, it was like,

0:31:06.200 --> 0:31:08.719
<v Speaker 3>that's this is it, you know, because I was happy,

0:31:08.920 --> 0:31:11.920
<v Speaker 3>you know, just I got my I was getting my sciences,

0:31:11.960 --> 0:31:14.280
<v Speaker 3>and I'm now going to figure out what i want.

0:31:14.160 --> 0:31:16.280
<v Speaker 2>To do with the rest of my life. And I

0:31:16.280 --> 0:31:18.000
<v Speaker 2>didn't know that I had a learning disable.

0:31:18.280 --> 0:31:21.680
<v Speaker 3>I was learning disabled, you know, kind of got buried

0:31:21.720 --> 0:31:24.600
<v Speaker 3>in all that other stuff they had. This dyslexia and

0:31:24.640 --> 0:31:26.760
<v Speaker 3>I had would turn out to be add but I

0:31:26.800 --> 0:31:29.400
<v Speaker 3>had a real difficult time with the subjects I didn't

0:31:29.440 --> 0:31:31.640
<v Speaker 3>care about, you know, And I then went off to

0:31:31.720 --> 0:31:34.920
<v Speaker 3>UCLA and realized that I was going to get buried.

0:31:35.120 --> 0:31:36.680
<v Speaker 3>I had no problem in any of the sciences, but

0:31:36.720 --> 0:31:39.000
<v Speaker 3>as soon as I went into litt in English and

0:31:39.000 --> 0:31:39.640
<v Speaker 3>then asked.

0:31:39.400 --> 0:31:40.680
<v Speaker 2>I was going to get buried, and it's like, how

0:31:40.720 --> 0:31:41.440
<v Speaker 2>am I going to finish this?

0:31:41.480 --> 0:31:41.640
<v Speaker 4>And that?

0:31:41.760 --> 0:31:44.840
<v Speaker 3>Right at that same time, here comes the entertainment industry

0:31:44.920 --> 0:31:47.479
<v Speaker 3>back asking me to do something I don't want to do,

0:31:47.520 --> 0:31:48.240
<v Speaker 3>which is music.

0:31:48.440 --> 0:31:49.880
<v Speaker 2>But I said yes to it, and that was.

0:31:49.880 --> 0:31:52.720
<v Speaker 3>The Variety Show because I realized as well, half my

0:31:52.760 --> 0:31:56.680
<v Speaker 3>friends at UCLA we're North campus, you know, studying theater

0:31:56.760 --> 0:32:00.280
<v Speaker 3>and cinema, and it's like I'm and I'm just dropping that,

0:32:00.400 --> 0:32:04.440
<v Speaker 3>and whatever whatever advantage I had in that industry, I'm

0:32:04.480 --> 0:32:08.000
<v Speaker 3>just disregarding as perhaps I need to leverage that, maybe

0:32:08.040 --> 0:32:09.920
<v Speaker 3>I need to look at that again. So I use

0:32:10.000 --> 0:32:11.920
<v Speaker 3>that as the entree to get back into it, and

0:32:12.000 --> 0:32:13.479
<v Speaker 3>that would last for a number of years, and then

0:32:13.560 --> 0:32:17.040
<v Speaker 3>I found myself just drifting into into the realm of

0:32:17.080 --> 0:32:18.280
<v Speaker 3>computers when you know.

0:32:18.320 --> 0:32:19.560
<v Speaker 2>Just naturally just got.

0:32:21.720 --> 0:32:24.200
<v Speaker 3>Attracted to him and ended up in a career in

0:32:24.240 --> 0:32:26.120
<v Speaker 3>the computer industry for twenty five years.

0:32:26.200 --> 0:32:28.880
<v Speaker 1>So when the cast came back together to do the

0:32:28.920 --> 0:32:33.920
<v Speaker 1>renovation show for the house on HDTV, how was that?

0:32:34.000 --> 0:32:35.680
<v Speaker 1>Would you? Was that a good?

0:32:36.080 --> 0:32:37.600
<v Speaker 2>Yeah? Well, well look at it was come.

0:32:37.400 --> 0:32:38.960
<v Speaker 1>Back together the gang was back together.

0:32:39.080 --> 0:32:41.800
<v Speaker 3>It was just odd the way that it all came We,

0:32:42.120 --> 0:32:47.600
<v Speaker 3>like everybody Lancepass included, read that the house was for sale,

0:32:48.080 --> 0:32:52.120
<v Speaker 3>it was in the USA today, and then a few

0:32:52.160 --> 0:32:57.280
<v Speaker 3>days later, agents are getting contacted about this house that

0:32:57.480 --> 0:32:59.680
<v Speaker 3>HGTV or Discovery body.

0:33:00.000 --> 0:33:01.680
<v Speaker 2>I wanted to know if we could meet with them.

0:33:01.920 --> 0:33:03.920
<v Speaker 2>It's like, okay, we had no idea really what this

0:33:04.040 --> 0:33:04.360
<v Speaker 2>was about.

0:33:04.400 --> 0:33:06.480
<v Speaker 3>What it was for them to tell us that they

0:33:06.480 --> 0:33:09.320
<v Speaker 3>had bought the house and that they were looking at

0:33:09.960 --> 0:33:13.480
<v Speaker 3>doing something with it, and then we told them about.

0:33:13.240 --> 0:33:14.800
<v Speaker 2>The history of the house and they didn't even know.

0:33:14.840 --> 0:33:15.600
<v Speaker 2>They had no idea.

0:33:15.640 --> 0:33:17.360
<v Speaker 3>It was just because it came up on the market

0:33:18.080 --> 0:33:22.040
<v Speaker 3>and somebody was reading it during a production meeting or

0:33:22.080 --> 0:33:25.120
<v Speaker 3>some development meeting. We should buy the Brainy House, and

0:33:25.160 --> 0:33:27.760
<v Speaker 3>then somebody said, yeah, we should, And within two days.

0:33:27.640 --> 0:33:30.040
<v Speaker 2>They're making it off our house. They didn't know it's

0:33:30.040 --> 0:33:33.520
<v Speaker 2>the fiftieth anniversary. It all came to just kind of

0:33:33.560 --> 0:33:33.960
<v Speaker 2>came together.

0:33:33.960 --> 0:33:35.680
<v Speaker 3>It's like, well, that's a present to us, you know,

0:33:35.720 --> 0:33:37.240
<v Speaker 3>if they're going to have us involved, I don't know

0:33:37.280 --> 0:33:39.240
<v Speaker 3>what it's going to be, but hey, you know, making

0:33:39.280 --> 0:33:41.840
<v Speaker 3>that doing something at the house is like a way

0:33:41.880 --> 0:33:42.800
<v Speaker 3>to acknowledge the.

0:33:43.480 --> 0:33:45.880
<v Speaker 2>Fiftieth anniversary, and it turned out to be much.

0:33:45.760 --> 0:33:48.000
<v Speaker 3>More than that, and in a way to you know,

0:33:48.120 --> 0:33:49.720
<v Speaker 3>resurrect this eleventh cast member.

0:33:49.960 --> 0:33:52.640
<v Speaker 1>Right, I love that. Well, speaking of the eleventh cast member,

0:33:52.960 --> 0:33:55.280
<v Speaker 1>we've got to bring in Dina Treyhan, who is the

0:33:55.320 --> 0:33:57.800
<v Speaker 1>owner of this beautiful, iconic home.

0:33:58.960 --> 0:33:59.120
<v Speaker 3>Hi.

0:33:59.480 --> 0:34:00.080
<v Speaker 1>How are you?

0:34:00.000 --> 0:34:01.959
<v Speaker 4>I'm well? Thank you? How are you?

0:34:02.680 --> 0:34:04.880
<v Speaker 1>I'm good? I need to know why you bought this house.

0:34:04.880 --> 0:34:05.920
<v Speaker 1>Were you a fan of the show?

0:34:06.520 --> 0:34:09.680
<v Speaker 4>Well, I watched it every day after school, yes, growing up.

0:34:10.040 --> 0:34:12.200
<v Speaker 4>So when I heard the house was for sale, I

0:34:12.280 --> 0:34:14.960
<v Speaker 4>just knew I had to buy it. I did not

0:34:15.160 --> 0:34:18.200
<v Speaker 4>know why. I knew I wanted nothing to happen to it.

0:34:18.239 --> 0:34:20.280
<v Speaker 4>I didn't want it to get torn down or anything

0:34:20.360 --> 0:34:22.880
<v Speaker 4>like that. What I didn't know is what I was

0:34:22.920 --> 0:34:23.799
<v Speaker 4>going to do with it.

0:34:24.200 --> 0:34:24.879
<v Speaker 1>HGTV.

0:34:25.120 --> 0:34:28.120
<v Speaker 4>I bought it from them, so they had already done

0:34:28.160 --> 0:34:32.120
<v Speaker 4>the addition and made it just like the show. So

0:34:32.160 --> 0:34:34.280
<v Speaker 4>what I did, I just added a bunch of things.

0:34:34.320 --> 0:34:38.000
<v Speaker 4>I've added over three hundred things I've lost count from

0:34:38.040 --> 0:34:39.560
<v Speaker 4>the show, like Kitty carry all.

0:34:39.719 --> 0:34:41.840
<v Speaker 1>I saw her upstairs, she's sleeping.

0:34:41.640 --> 0:34:45.200
<v Speaker 4>Right, and the cars, and you know, so I did

0:34:45.880 --> 0:34:47.640
<v Speaker 4>I did a lot that way, and I turned the

0:34:47.719 --> 0:34:50.280
<v Speaker 4>garage into the car port just like they had without

0:34:50.320 --> 0:34:52.480
<v Speaker 4>a permit. So I got a violation.

0:34:53.760 --> 0:34:58.680
<v Speaker 1>Oh no, that didn't make the news good.

0:35:00.160 --> 0:35:04.719
<v Speaker 3>So what Tina has would to all of us. Obviously,

0:35:04.800 --> 0:35:07.000
<v Speaker 3>it's a museum, it's a you can't make it.

0:35:07.640 --> 0:35:07.839
<v Speaker 2>No.

0:35:08.320 --> 0:35:10.200
<v Speaker 1>First of all, I heard a rumor that you have

0:35:10.239 --> 0:35:12.200
<v Speaker 1>slept in this home. Have you slept over?

0:35:12.280 --> 0:35:14.480
<v Speaker 4>I have a few of my friends have come out

0:35:14.480 --> 0:35:16.280
<v Speaker 4>to LA and they wanted to sleep in the house.

0:35:17.520 --> 0:35:18.560
<v Speaker 1>Whose room did you sleep?

0:35:19.200 --> 0:35:21.520
<v Speaker 4>Well? They slept in Carol and Mike's and I slept

0:35:21.560 --> 0:35:22.319
<v Speaker 4>in the girls room.

0:35:22.800 --> 0:35:23.520
<v Speaker 3>Oh my god.

0:35:24.600 --> 0:35:26.200
<v Speaker 1>Can I have a sleepover with you?

0:35:26.280 --> 0:35:26.920
<v Speaker 4>Absolutely?

0:35:27.120 --> 0:35:30.759
<v Speaker 1>Amy, and I will be right over You. Guys are

0:35:30.760 --> 0:35:33.680
<v Speaker 1>having a really incredible event here, so can you tell

0:35:33.680 --> 0:35:34.200
<v Speaker 1>me about that.

0:35:34.520 --> 0:35:38.080
<v Speaker 4>Yes, we partnered with No Kid Hungry and we're doing

0:35:38.080 --> 0:35:41.440
<v Speaker 4>a sweepstakes where five people and they each get to

0:35:41.480 --> 0:35:45.839
<v Speaker 4>bring a guest get round trip airfare, hotels, ground transportation

0:35:45.960 --> 0:35:49.680
<v Speaker 4>and meals. And but what's going on at the house.

0:35:49.840 --> 0:35:52.600
<v Speaker 4>It's we're calling it the Brady Brunch, So you have

0:35:52.719 --> 0:35:56.520
<v Speaker 4>brunch with Brady cast members. And yes, we are serving

0:35:56.560 --> 0:35:58.120
<v Speaker 4>also pork chops and apple sauce.

0:35:58.800 --> 0:35:59.680
<v Speaker 2>Wi.

0:36:00.800 --> 0:36:02.400
<v Speaker 4>Yeah, buy someone dressed like Alice.

0:36:02.800 --> 0:36:04.759
<v Speaker 1>Oh my gosh, are you going to be here?

0:36:04.760 --> 0:36:07.279
<v Speaker 2>I didn't know about the Alice part. I yes, I

0:36:07.320 --> 0:36:07.839
<v Speaker 2>plan to be here.

0:36:07.880 --> 0:36:09.719
<v Speaker 3>So we don't know the date that it's going to be,

0:36:09.800 --> 0:36:14.880
<v Speaker 3>but it's based on professional availability. I will work, however,

0:36:15.239 --> 0:36:17.600
<v Speaker 3>I as hard as I can to make certain that

0:36:17.640 --> 0:36:19.520
<v Speaker 3>I am one of those. I am local so I

0:36:19.520 --> 0:36:21.840
<v Speaker 3>don't have to be flown out. I know that Barry

0:36:21.880 --> 0:36:23.759
<v Speaker 3>has shown interest in Ev has shown interest in Mike

0:36:23.800 --> 0:36:26.440
<v Speaker 3>has shown interest, and whether or not they can be

0:36:26.480 --> 0:36:29.480
<v Speaker 3>here on the date that is selected will have to

0:36:29.480 --> 0:36:30.040
<v Speaker 3>be determined.

0:36:30.080 --> 0:36:31.719
<v Speaker 2>But they'll be a Brady.

0:36:31.360 --> 0:36:34.680
<v Speaker 3>Here, a Brady at least you at least.

0:36:34.760 --> 0:36:36.600
<v Speaker 1>Okay, that's enough for me.

0:36:37.040 --> 0:36:39.600
<v Speaker 3>Well, and I'll take I'll bring my version of Tiger.

0:36:40.719 --> 0:36:43.200
<v Speaker 1>Before I let both of you go, I'd like to

0:36:43.239 --> 0:36:45.520
<v Speaker 1>ask you both, what was your last I choose me moment?

0:36:45.800 --> 0:36:47.440
<v Speaker 1>What was the last time you choose yourself?

0:36:49.040 --> 0:36:49.680
<v Speaker 2>It's endless.

0:36:49.760 --> 0:36:52.239
<v Speaker 3>I choose me all the time. I think more important

0:36:52.800 --> 0:36:56.239
<v Speaker 3>for me is my first I choose me. And that's

0:36:56.280 --> 0:36:58.960
<v Speaker 3>when we were doing the singing and dancing. We were

0:36:59.000 --> 0:37:02.560
<v Speaker 3>literally doing concerts for our albums, and I hated it

0:37:02.600 --> 0:37:06.239
<v Speaker 3>and I couldn't sink, and I thought we shouldn't be

0:37:06.239 --> 0:37:09.560
<v Speaker 3>doing it, or this one shouldn't be doing it. And

0:37:09.600 --> 0:37:12.279
<v Speaker 3>I'm my mom was like the business manager of the

0:37:12.320 --> 0:37:15.080
<v Speaker 3>be She was kind of the the she put it together,

0:37:15.200 --> 0:37:15.560
<v Speaker 3>It's like.

0:37:16.560 --> 0:37:18.480
<v Speaker 2>You and I'm not doing I got no.

0:37:18.560 --> 0:37:21.080
<v Speaker 3>Musical I should be kept as far away from a

0:37:21.160 --> 0:37:22.240
<v Speaker 3>microphone as possible.

0:37:22.920 --> 0:37:24.520
<v Speaker 2>And I just covetched a lot.

0:37:25.160 --> 0:37:26.680
<v Speaker 3>And she finally said, well, if you don't want to

0:37:26.719 --> 0:37:27.759
<v Speaker 3>do it, you should quit.

0:37:28.040 --> 0:37:31.680
<v Speaker 2>I go, I will so well. You got to write

0:37:31.680 --> 0:37:34.359
<v Speaker 2>a letter of raggedy. I wrote two sentences. I quit.

0:37:35.320 --> 0:37:37.839
<v Speaker 3>And that was the beginning of me doing things for

0:37:37.920 --> 0:37:41.600
<v Speaker 3>me because I didn't this industry. You end up getting

0:37:41.600 --> 0:37:44.040
<v Speaker 3>caught up and doing stuff that others make me feel

0:37:44.040 --> 0:37:48.680
<v Speaker 3>you have to do. And I realized, no, no, if

0:37:48.719 --> 0:37:49.920
<v Speaker 3>you're gonna you got to.

0:37:49.920 --> 0:37:50.759
<v Speaker 2>Do what's right for you.

0:37:51.719 --> 0:37:52.839
<v Speaker 1>I love that so much.

0:37:54.080 --> 0:37:56.080
<v Speaker 2>That was it. That was at seven sixteen.

0:37:56.640 --> 0:37:59.839
<v Speaker 1>That's so early. That's great. Good for you. So, Tina,

0:38:00.000 --> 0:38:01.720
<v Speaker 1>what was your last I Choose me moment?

0:38:02.080 --> 0:38:04.920
<v Speaker 4>My last I choose me moment was when I bought

0:38:05.080 --> 0:38:09.480
<v Speaker 4>this house because so many people were like, what are

0:38:09.480 --> 0:38:11.399
<v Speaker 4>you going to do with it? Why are you buying

0:38:11.440 --> 0:38:15.200
<v Speaker 4>the house? And some days I did question, wait, why

0:38:15.200 --> 0:38:18.279
<v Speaker 4>am I buying the house? But I chose me, and

0:38:18.320 --> 0:38:19.080
<v Speaker 4>I bought the house.

0:38:19.560 --> 0:38:22.399
<v Speaker 3>And didn't you get a response recently from somebody who

0:38:22.880 --> 0:38:25.080
<v Speaker 3>saw that you were running the sweepstakes and they had

0:38:25.080 --> 0:38:27.320
<v Speaker 3>something positive to say to you. Some member of the family.

0:38:28.239 --> 0:38:33.360
<v Speaker 4>Yes, oh my gosh, yes, my daughter's father, his mother.

0:38:33.760 --> 0:38:35.600
<v Speaker 1>That's getting your ex mother in law.

0:38:35.840 --> 0:38:39.480
<v Speaker 4>Yes, yes, yes, sorry, she was one of the people

0:38:39.640 --> 0:38:41.040
<v Speaker 4>that thought I was nuts.

0:38:41.440 --> 0:38:44.360
<v Speaker 1>As the mother in law did exactly.

0:38:44.760 --> 0:38:47.160
<v Speaker 4>So after she saw the Today Show, she sent me

0:38:47.719 --> 0:38:50.640
<v Speaker 4>and I have two very nice text messages that said,

0:38:51.360 --> 0:38:53.680
<v Speaker 4>oh my gosh, I thought you were nuts, and now

0:38:53.719 --> 0:38:55.560
<v Speaker 4>I see all the good you're doing because we've done

0:38:55.600 --> 0:38:58.600
<v Speaker 4>other charity things here at the house. So she was

0:38:58.760 --> 0:39:01.640
<v Speaker 4>proud of me, she said, was a big deal.

0:39:02.000 --> 0:39:04.000
<v Speaker 1>You chose you in buying the house, but really it

0:39:04.040 --> 0:39:06.520
<v Speaker 1>was a choice for other people too. Yes, how do

0:39:06.640 --> 0:39:08.680
<v Speaker 1>people get in on this sweepstakes?

0:39:09.040 --> 0:39:13.440
<v Speaker 4>Oh so you enter at the Brady Experience dot com.

0:39:13.880 --> 0:39:17.120
<v Speaker 1>Okay, you heard it, hear people straight from the Brady House.

0:39:17.560 --> 0:39:19.680
<v Speaker 1>You can come here too. Thank you for being You

0:39:21.160 --> 0:39:23.719
<v Speaker 1>can have your own just like it. It is a

0:39:23.760 --> 0:39:29.080
<v Speaker 1>trip that was fun, getting to live out one of

0:39:29.120 --> 0:39:32.320
<v Speaker 1>my childhood dreams today, Oh my gosh. I want to

0:39:32.320 --> 0:39:34.040
<v Speaker 1>thank Chris and Tina for being a part of it,

0:39:34.640 --> 0:39:37.200
<v Speaker 1>and we'll be sure to put all of the info

0:39:37.280 --> 0:39:40.279
<v Speaker 1>in our show notes for how to enter that incredible

0:39:40.520 --> 0:39:43.480
<v Speaker 1>brunch they are hosting. I think I'm going to enter myself.

0:39:44.120 --> 0:39:46.560
<v Speaker 1>As we continue to choose ourselves each week, I want

0:39:46.560 --> 0:39:50.240
<v Speaker 1>to encourage you this week to tap into your own

0:39:50.560 --> 0:39:53.879
<v Speaker 1>childhood feel good memories. What did you love as a kid,

0:39:54.200 --> 0:39:57.719
<v Speaker 1>A certain kind of food or a song, a type

0:39:57.719 --> 0:40:01.239
<v Speaker 1>of music, a specific board game. There are things from

0:40:01.280 --> 0:40:04.439
<v Speaker 1>our childhoods that still bring us joy to this day

0:40:04.480 --> 0:40:08.120
<v Speaker 1>as adults, and sometimes it's fun to act like a kid.

0:40:08.200 --> 0:40:11.080
<v Speaker 1>So this week, take some time to relive your own

0:40:11.160 --> 0:40:13.719
<v Speaker 1>childhood memories for a little bit and see how much

0:40:13.719 --> 0:40:16.200
<v Speaker 1>fun you have doing it. Thanks for listening to I

0:40:16.320 --> 0:40:18.680
<v Speaker 1>Choose Me. You can check out all of our social

0:40:18.719 --> 0:40:20.840
<v Speaker 1>links in our show notes. Make sure to rate and

0:40:20.920 --> 0:40:24.239
<v Speaker 1>review the podcast, and use the hashtag I Choose Me

0:40:24.400 --> 0:40:26.839
<v Speaker 1>anytime you feel like it. I'll be right here next week.

0:40:26.880 --> 0:40:28.839
<v Speaker 1>I hope you choose to be here too.