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Speaker 1: Hey, everybody, welcome to another episode of I Saw What Did.

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Speaker 1: My name is Millie de Jericho.

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Speaker 2: I'm Daniel Henderson, and we are about.

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Speaker 1: To present to you an offer that you can't not refuse.

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Speaker 1: How much time do you spend on these puns each week?

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Speaker 1: This like zero point two seconds?

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Speaker 2: Actually, they're just off the dome. Yeah.

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Speaker 1: No, I'm going to tell you something. So I actually

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Speaker 1: do some research, some pun research, and I will say

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Speaker 1: that based on the topic, I googled it and was

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Speaker 1: extremely disappointed by the amount of puns that there are

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Speaker 1: out there for this subject that we are about to discuss.

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Speaker 2: I think you need to go into a This is

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Speaker 2: the cottage industry opportunity. You're very good at it, I.

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Speaker 1: Know, and I'm just like, how come y' all can't

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Speaker 1: come up with at least one good Anyway, it was

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Speaker 1: very disappointing, and so I just pulled that out of

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Speaker 1: my ass the last minute because the internet gave me nothing.

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Speaker 2: I love it. I love it. Also, we've already been

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Speaker 2: talking for like a half hour. Our poor long suffering

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Speaker 2: producer is nice enough to ask us at the top

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Speaker 2: of every recording, like, oh, do you guys have anything

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Speaker 2: you want to talk about and he means the show,

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Speaker 2: and we always talk about our lives for like a

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Speaker 2: half hour.

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Speaker 1: I know, he fucking hates Like, yeah, he just came

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Speaker 1: back from Patrinity leave. He's like like he's back, like

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Speaker 1: he had had a long break, and then he has

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Speaker 1: to sit here listening to us talk about people he

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Speaker 1: doesn't even know.

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Speaker 2: He's like, my life is like down to the infinitesimal

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Speaker 2: minute because I'm taking care of a new human. Can

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Speaker 2: you please shut up and let's get to work because

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Speaker 2: I cannot stay after a half hour because I have

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Speaker 2: to go take care of a child. Yeah, and doesn't

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Speaker 2: say any of that. We just know that and keep

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Speaker 2: talking anyway because we're at assholes.

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Speaker 1: Were like, here's our separate but equal existential crises.

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Speaker 2: Here is the.

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Speaker 1: Here's like ten minutes on the state of the entertainment business.

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Speaker 1: And he just sits there and he's just like, I

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Speaker 1: want to die.

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Speaker 2: I mean, we knew he was going to be a

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Speaker 2: good dad before that kid even arrived, because he's so

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Speaker 2: patient with us and so kind. That's so funny.

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Speaker 1: But I did ask him about basketball before I asked

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Speaker 1: him about his home teams, so I prepped him a

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Speaker 1: little bit and then we unloaded.

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Speaker 2: So you know, this is what happens when you stay

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Speaker 2: in the house all day by yourself, and then once

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Speaker 2: a week you get to talk to people you love

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Speaker 2: and you're like, oh, here's everything. I know. I gotta

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Speaker 2: talk to more people. So you guys get a break.

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Speaker 1: But I listen, can we talk about this briefly because

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Speaker 1: I was on So I'm on a group chat with

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Speaker 1: Schalei Wah and our two friends Kim and Jeanine.

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Speaker 2: This is dark.

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Speaker 1: Get ready. As Will Oldham said, I see a darkness. Okay,

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Speaker 1: just throwing that out there.

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Speaker 2: Not Bonnie Prince Billy.

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Speaker 1: It's like drag City dark bitch, Like it's getting bad.

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Speaker 1: So the other day I was telling them that I've

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Speaker 1: been alone so much because I've been working from home.

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Speaker 1: I've just been like in the house and stuff like that.

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Speaker 1: I I do not some days, I do not speak

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Speaker 1: words to another human being. I was like, you know,

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Speaker 1: listening to my headphones and I was playing this playlist

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Speaker 1: or whatever, and I was singing along to all these

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Speaker 1: songs as I was working, and I actually confused that

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Speaker 1: with actual human communication and interaction, and I'm.

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Speaker 2: Like, like, I talked to like ten people today. Oh wait,

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Speaker 2: that was me.

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Speaker 1: No, that was just me singing along to a Spotify playlist.

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Speaker 1: It wasn't actually me having a conversation like is that

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Speaker 1: not so sad?

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Speaker 2: That is incredible, And I'm sure a lot of people

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Speaker 2: probably go through that and just haven't had the chance

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Speaker 2: to admit it. You're cracking open something for them, the

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Speaker 2: way you did with the All Dads Love Madonna. But

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Speaker 2: this is why I'm telling you. When I go see

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Speaker 2: my grandma, this feels just as dark, or possibly darker.

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Speaker 2: Not like we're not in a competitive way, but just

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Speaker 2: in I'm just realizing this way. Sure, Sure, So many

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Speaker 2: times I go see my grandma and she'll say one

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Speaker 2: of two things. She'll ask me why I don't have

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Speaker 2: anything better to do than come see her all the time? Classic,

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Speaker 2: which is just reading me for phil for trying to

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Speaker 2: be a good granddaughter.

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Speaker 1: Classic.

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Speaker 2: And then she'll say sometimes we'll be sitting outside or

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Speaker 2: like if the weather's nice or whatever we're doing, but

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Speaker 2: sometimes she'll just tell me to stop talking. She's like,

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Speaker 2: how about shut up? So don't believe this. Old people

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Speaker 2: are lonely. Shit, they are. They welcome the break when

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Speaker 2: they encounter actual lonely people who cannot shut up. And

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Speaker 2: I'm like, I'm a drag to my ninety one year

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Speaker 2: old grandma. I am a drag to her. She's like,

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Speaker 2: you are pathetic. You visit me too much and you

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Speaker 2: talk too much, and like bitch, she's sometimes the only

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Speaker 2: person I talk to all week. This is dark, I know.

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Speaker 1: And it's like that. And then like sometimes I'm doing

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Speaker 1: the thing where like I'll be on the phone with

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Speaker 1: like my vet being like, can you refill my dog's prescription?

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Speaker 1: And I'm just going bars on like random shit, and

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Speaker 1: I'm just like they did not show up to work

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Speaker 1: today expecting to hear about whatever I have to say,

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Speaker 1: like absolutely, so like crazy, when I like step back

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Speaker 1: and be like, yo, I just talked on the phone

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Speaker 1: with that vet tech for like fifteen minutes about.

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Speaker 2: For like a two minute conversation, and for two minutes,

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Speaker 2: and one of those minutes you should have been on hold,

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Speaker 2: just like waiting for them to fill the prescription. I

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Speaker 2: went to my every time I go to my dentist

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Speaker 2: because I go in usually I go in every three

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Speaker 2: months for a cleaning because my mouth's a nightmare. I

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Speaker 2: go in every three months for a cleaning, and just

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Speaker 2: like Casey, they make the mistake of asking how I am,

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Speaker 2: and it's like they have to add fifteen minutes to

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Speaker 2: every appointment. I just noticed that they add fifteen minutes

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Speaker 2: to every appointment, and it's probably because I won't stop

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Speaker 2: talking the bluffer zone.

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Speaker 1: They're just like, pat it out.

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Speaker 2: Yeah, they're too nice to tell me to shut up,

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Speaker 2: So they just add time to my appointment, knowing that

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Speaker 2: I'm going to come in there and start spitting bars

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Speaker 2: about random shit for twenty fucking minutes.

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Speaker 1: Dude, even my own fucking friends in real life, I'm

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Speaker 1: telling you right now. The other day, so you know,

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Speaker 1: I was basically like I had finished a deadline or something,

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Speaker 1: and I was like, yeah, let's celebrate. I'm going to

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Speaker 1: leave the house. I called my friend Ben, who listens

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Speaker 1: to this podcast. People probably know I love you, Love Ben,

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Speaker 1: of course, who as in love men. And I was like, yo,

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Speaker 1: where are you at?

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Speaker 2: Where are you at?

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Speaker 1: You know that that call of like are you up

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Speaker 1: to no good? Can I join?

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Speaker 2: Crouching under his couch like oh God, can she see me?

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Speaker 1: But he was up at Mary's, which is the bar

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Speaker 1: that he owns, and I was like, yo, I'm coming through.

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Speaker 1: Don't go anywhere. I mean, this is like Tuesday night, right,

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Speaker 1: This is like not an exciting night to be out.

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Speaker 1: It's just like a boring evening. And I come in

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Speaker 1: and I'm just like I'm fucking like like, there's no

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Speaker 1: one in this bar, by the way, and it's not

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Speaker 1: because their bar sucks. It was just a Tuesday night

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Speaker 1: at like eight thirty pm.

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Speaker 2: There's like no one there.

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Speaker 1: And I'm like coming in dancing like fucking usher with

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Speaker 1: my piece up atown down shit, like yeah, what's up?

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Speaker 1: And him and his partner are like what's going on?

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Speaker 1: Like they're just so chill and I was ready to

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Speaker 1: like fucking go crazy. And then they were like I

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Speaker 1: made them have a drink with me. I made them.

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Speaker 1: I knew I made them because they were like looking

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Speaker 1: at their watch and they were.

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Speaker 2: Like, well looking around me, like oh god.

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Speaker 1: I'm really tired. Yeah, man, today just really wipe me out.

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Speaker 1: And I'm like, are we doing tequila? What's going on here?

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Speaker 2: Like? And they're just like you're scratching the walls and

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Speaker 2: crawling up like James McAvoy and split or You're like,

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Speaker 2: let me boulder this fucking flat wall.

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Speaker 1: Real quick, and I'm like, yo, what's up. We go

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Speaker 1: and get noodles after this come on and they're like, yo, bitch,

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Speaker 1: we're going home. We didn't even want this tequila drink anyway.

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Speaker 1: We're here because we feel sorry for you because you've

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Speaker 1: not said words to another human being today.

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Speaker 2: Oh good. I wish there was a video of this.

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Speaker 2: That is fantastic.

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Speaker 1: Oh god, and it's And then I came home and

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Speaker 1: I was like, those poor guys. I just made them.

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Speaker 1: It's like the Casey thing. I was like, Yo, these

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Speaker 1: guys just sit there and let this psychosis just wash

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Speaker 1: over them. They have no choice.

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Speaker 2: They're like, let's just deal. We'll deal with the frenzy.

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Speaker 2: This is a frenzied moment. It's like we're in somebody

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Speaker 2: when like a hostage negotiator is trying to talk someone down,

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Speaker 2: and they're like, we'll just maintain calm and hopefully we'll

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Speaker 2: bring her to our level. Instead of us having to

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Speaker 2: do more tequila shots and get to her level, we'll

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Speaker 2: just keep reminding her that we love her, that she

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Speaker 2: has so much to live for.

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Speaker 1: Oh my god, I know, And it's oh my god.

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Speaker 1: That's that's been like the last eighteen months in a nutshot.

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Speaker 1: There's people just being like, what's going on with her?

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Speaker 1: I guess we're gonna have to drink fucking tequila on

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Speaker 1: a Tuesday night so that she'll be Oh.

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Speaker 2: This is also part of the problem. I'm already a

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Speaker 2: talkative person. Like my nickname as a child was Rona Barrett,

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Speaker 2: who is a seventies gossip columnist.

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Speaker 1: I know, as I know, Okay, don't you tell me Rona?

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Speaker 2: I know, thank you. That was my one of my

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Speaker 2: childhood nicknames. It was growing a fucking bear. I've never

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Speaker 2: been able to shut up, and now it's just heightened

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Speaker 2: to the point where I go to the city, like

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Speaker 2: you try. I've been trying to take myself into New

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Speaker 2: York City like once a week, twice a week to

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Speaker 2: go see friends or just do something by myself and

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Speaker 2: try to get some of this energy out. And I'll

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Speaker 2: be on a street corner at a light and I'll

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Speaker 2: see like someone holding a baby, and then next thing

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Speaker 2: you know, I'm having a full conversation with that fucking

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Speaker 2: baby dude. I mean, I'm like, Yo, what's up? What's

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Speaker 2: that toy all about? Is that that giraffe? What's going on?

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Speaker 2: And the parents are like, okay, I mean that light

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Speaker 2: changes and there are sparks coming out of their heels.

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Speaker 2: They're like, let's get away from this.

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Speaker 1: One over sharing woman run with the scissorhands, having a

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Speaker 1: full conversation.

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Speaker 2: With a baby.

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Speaker 1: Yeah, why the fuck do you think we do this podcast?

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Speaker 1: We're both good, We're both like you know, corn holy owing,

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Speaker 1: verbal diarrheaing, like.

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Speaker 2: And it is a frenzy. It's a mental affliction because

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Speaker 2: we forget everything we say the minute we say it.

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Speaker 2: So we're in this frenzied state all the time when

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Speaker 2: we talk.

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Speaker 1: Oh, like, yeah, we're in a fucking trance, like that's

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Speaker 1: exactly right. And then afterwards we're just like, ah, I

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Speaker 1: don't know.

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Speaker 2: Who are we?

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Speaker 1: What did I just say? I don't know what.

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Speaker 2: Whenever people email and they're like and then you said this,

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Speaker 2: and I'm like, probably, bitch, I was zooming. I don't know,

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Speaker 2: I was high and shit on conversation.

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Speaker 1: Probably yeah, okay. Plus we're so caffeinated, I mean, come on,

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Speaker 1: this is like, this.

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Speaker 2: Is a recipe for disaster.

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Speaker 1: Well listen, speaking of disaster for disaster, perhaps I don't

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Speaker 1: know this could be a disaster. Actually, this this next

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Speaker 1: section we'll see. But like here was the thing. Sometimes

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Speaker 1: we get emails in our inbox that are so good

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Speaker 1: that we have to bring them to the main feed

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Speaker 1: because you know, we usually answer mail on our bonus EPs.

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Speaker 1: But this one in particular is I'm like totally baiting

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Speaker 1: Danielle with this particular email. I know it's I know

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Speaker 1: I'm doing it, and plus it may relate to something

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Speaker 1: we will talk about on the podcast in just a second. However,

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Speaker 1: in the meantime, we have an email from Emma. They

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Speaker 1: sheet pronouns and the email goes like this, Hello Esteve

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Speaker 1: Queen's thank you for the pod and especially for sharing

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Speaker 1: your friendship alongside your knowledge of movies. It's so beautiful

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Speaker 1: to witness and leads to a lot of moments of

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Speaker 1: me laughing right alongside y'all. While alone in my car,

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Speaker 1: I spotted a new pick of ben Affleck looking utterly

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Speaker 1: despondent and wanted to send it through to y'all in

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Speaker 1: case you had yet to see it. And just you know, sidebar,

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Speaker 1: Emma sent attachments. This is how gangster this email is,

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Speaker 1: so there was like four attached. It's the final pick,

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Speaker 1: and the attachments also formulated a visual FMK. So here

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Speaker 1: goes and then the FMK.

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Speaker 2: So, and we're gonna post these photos on social media.

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Speaker 2: Go look at social media today.

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Speaker 1: Oh hell yeah, we are. These photos are fucking golden.

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Speaker 1: And if you're a true Fleckian, you know these photos. Yeah,

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Speaker 1: I mean, this is standard operating procedure for y'all. I

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Speaker 1: haven't seen. There's at least two of these I've never

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Speaker 1: seen before, so this was this is brand new shit

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Speaker 1: to me. Okay, so I know that we're providing a

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Speaker 1: visual reference, but the FMK will be audio only. And

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Speaker 1: so the choices for this week are well, first of all,

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Speaker 1: it's called FMK, so I can't even say this without laughing.

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Speaker 1: FMK raw doggin Ben. So your options are number one,

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Speaker 1: the og the one that made us all shudder and

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Speaker 1: fall in love with him aka cigarette Smokin' Ben. Number

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Speaker 1: two the renaissance Man, contemplative towel clad Ben as you

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Speaker 1: remember the beach picks right, and number three the Duncan

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Speaker 1: caffeinated Ben.

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Speaker 2: Now which ones had you never seen before before? I answer.

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Speaker 1: The two Duncan ones. To be honest, I have not

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Speaker 1: really Yeah, oh yeah, I've not seen. So there's four

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Speaker 1: photographs obviously. The two on the bottom are he's clearly

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Speaker 1: been to a Dunkin Donuts. One is like he's kind

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Speaker 1: of drinking an iced coffee ventsy. I would say, not

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Speaker 1: a venty because Duncan doesn't do venty. I'm sorry that

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Speaker 1: Starbucks like a large iced coffee. And then the other

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Speaker 1: one is him literally like saddled with an entire order

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Speaker 1: for like ten people, including.

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Speaker 2: Much thing about ben Affleck and dunkin Donuts is that

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Speaker 2: he is always juggling Dunkin Donuts. He's held like a laptop,

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Speaker 2: a child, fourteen iced coffees, six boxes of munchkins. He's

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Speaker 2: always juggling. It's never just like it's very rarely. I

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Speaker 2: should say, yeah, just a single drink a single man.

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Speaker 1: Now, maybe this is yeah. I'm sure a lot of

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Speaker 1: the Affleckians know what this is about. But like, what

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Speaker 1: is the relationship? How did this begin between ben Affleck

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Speaker 1: and dunkin Donuts? I just have to ask.

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Speaker 2: I don't know specifically, I'm not historically accurate on this,

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Speaker 2: but from my perspective, in my opinion, he is from Boston.

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Speaker 2: You just drink dunkin Donuts there, you can't. They're on

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Speaker 2: every corner. But they from Boston. Is dunk In a

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Speaker 2: Boston They're like a Northeast I think they're Massachusetts. I

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Speaker 2: don't know if it's Boston specific, but they're definitely a

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Speaker 2: Northeast coffee brand. Okay, I should start I.

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Speaker 1: Should have known this as a former employee. I have

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Speaker 1: no idea.

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Speaker 2: I hope they strip you of your four oh one k,

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Speaker 2: yeah K, twenty dollars you invested in that four oh

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Speaker 2: one k when you're fifteen years old. I hope they

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Speaker 2: just snatch it from you. Here's how much I love

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Speaker 2: Dunkin Donuts. I listened there's a business podcast that discusses

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Speaker 2: the origins of business, and I listened to the Dunkin

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Speaker 2: Donuts one.

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Speaker 1: Wow.

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Speaker 2: Wow, I was riveted. Yeah, so I think is because

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Speaker 2: he just is from Boston. It is a Northeast coffee chain.

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Speaker 2: But I will also to say that he is in recovery.

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Speaker 2: And see, if you know people in recovery, or if

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Speaker 2: you yourself are in recovery, you know that there's definitely

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Speaker 2: a correlation between trading substances for sugar. Of course, of course,

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Speaker 2: so I think the coffee drinking is, you know, probably

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Speaker 2: part of that.

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Speaker 1: Yeah. Oh, one hundred percent. Okay, so let's get into

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Speaker 1: this FMK. I mean, you are obviously clearly going first

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Speaker 1: because the horse in this race is very important for you.

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Speaker 2: I thought this would be very easy for me, and

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Speaker 2: if I'm just looking at the words, it's easy. But

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Speaker 2: then when I look at the photos, the photos add

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Speaker 2: so much.

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Speaker 1: I know, it's so much context that we usually never

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Speaker 1: get with the fmks because when normally when people and

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Speaker 1: then this is not to disparage any of y'all who

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Speaker 1: have set fmks so mostly their words, like we never

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Speaker 1: got the photos associated, and so this time it feels,

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Speaker 1: I don't know, there's more steak, and I even feel

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Speaker 1: so much so.

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Speaker 2: And not for nothing. Athletic gives good paparazzi. I know

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Speaker 2: he hates it, but he's so they catch him in

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Speaker 2: such pristinely good moments. Yeah, I know that it's hard

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Speaker 2: to deny.

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Speaker 1: I mean, yeah, this is I mean, I know that

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Speaker 1: he is spiraling in probably all four of these photos,

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Speaker 1: but he looks fantastic in them. Like, I'm very impressed.

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Speaker 2: It's a skill. It's a skill that most of us

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Speaker 2: who are depressives do not actually have. So I'm impressed

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Speaker 2: as well. Yeah, but based on the combination of photos

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Speaker 2: and words. Okay, okay, because they did the work. Emma

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Speaker 2: did the work. Okay, I am going to fuck caffeinated

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Speaker 2: benh Yeah, because he looks fucking terrified in this photo.

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Speaker 2: The energy of this photo is so weird, and so

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Speaker 2: it should not be anything that produces a horniness, but

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Speaker 2: it's just such a weird energy. Like he's his arms

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Speaker 2: are flexed, he's really struggling with these three ice coffees.

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Speaker 2: They look like mediums if you ask me as a

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Speaker 2: Duncan expert. Oh and a box of munchkins with.

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Speaker 1: The straws poking out everywhere. Oh my raw's poking out everywhere.

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Speaker 1: That tray is doing none of the work.

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Speaker 2: That tray. Just skip the trays. People skip the trays.

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Speaker 2: It's like when you get a paper straw, like you're

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Speaker 2: just recycling directly into your mouth. If you get these trays,

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Speaker 2: you're just hoping that they can keep your shit together

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Speaker 2: for two steps. They rarely work. But the face like

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Speaker 2: he looks so terrified, and he also looks a little

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Speaker 2: feral and a little mean, like he he's gonna fucking

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Speaker 2: pop off and throw one of those coffees at somebody,

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Speaker 2: I gotta say it.

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Speaker 1: Like, I know that this photo, I don't know if

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Speaker 1: it's the shadows. Did he looks like he's been in

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Speaker 1: a knife fight. Does he look like his face is slashed?

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Speaker 1: Did he get that slashed?

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Speaker 2: That is a shadow from a leaf?

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Speaker 1: Damn, damn.

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Speaker 2: But I love that interpretation and it adds to the

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Speaker 2: fuck ability of this photo.

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Speaker 1: And he is also wearing a shirt that says isn't

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Speaker 1: believe in Boston. Yes, So it's like this, like glimmer

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Speaker 1: of hope in this like tragically like posed photo where

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Speaker 1: he's being inundated with dunkin Donuts items where he might

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Speaker 1: have gotten his face slashed. This I say, as I

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Speaker 1: see it, I see it for you. I see why

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Speaker 1: you picked it.

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Speaker 2: It's a Renaissance painting. I would genuinely if somebody would

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Speaker 2: like is a great artist and would like to paint

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Speaker 2: this for me, I would commission this as a Renaissance

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Speaker 2: painting and hang it in my house.

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Speaker 1: Oh my god, somebody should I saw you pot at

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Speaker 1: gmail dot com. Come on, fine artists, fine artists come through.

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Speaker 2: And I do have friends in my real life who

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Speaker 2: are fine artists, and they would all challenge me to

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Speaker 2: a fistfight if I asked them to use their skills

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Speaker 2: to draw this or paint this. But this photo is

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Speaker 2: is gorgeous and it's absolutely the fuck, the fuck and

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Speaker 2: the fuck Mary Kill.

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Speaker 1: I agree, there's a lot going on here.

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Speaker 2: I think this. Look at all those coffees. This would

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Speaker 2: be the most energetic fuck of your life.

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Speaker 1: Oh my god.

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Speaker 2: And then you have treats after because there's munchkins. Yes,

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Speaker 2: I mean he looks like he could cry in the

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Speaker 2: middle of it. I don't know what is happening with

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Speaker 2: him emotionally in this photo, but there's a lot of

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Speaker 2: energy here. I love it. I'm always down for the

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Speaker 2: weird lay Yeah, caffeinated beIN Yeah, which means I am

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Speaker 2: going to marry the og cigarette smoking Ben. This is

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Speaker 2: a man who looks like he never wants to talk

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Speaker 2: to anybody again for the rest of his life, which

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Speaker 2: means he will not be in my face. He will

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Speaker 2: be out on that poor smoking cigarettes whenever he needs

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Speaker 2: five minutes to himself, which is constantly. Yeah, this is

400
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Speaker 2: a packa day just to not have to talk to people. Situation.

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Speaker 2: He looks great's his eyes are closed, he looks like

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Speaker 2: he's having a thought that is.

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Speaker 1: Is he wearing like, what are these like shoes? They

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Speaker 1: look like Converse like the one stars or something like.

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Speaker 2: They're probably like seven hundred dollars Italian sneakers, but oh,

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Speaker 2: I know, they're.

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Speaker 1: Probably like Louis Vuitton fucking Summer of twenty fourteen sneakers

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Speaker 1: or some shit.

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Speaker 2: But it's a simple look. It's like a cashmer or

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Speaker 2: old navy sweater. The titties are drooping a little bit,

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Speaker 2: the sleeves are rolled up. It's very marriage energy. It's

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Speaker 2: very married energy. Like, look, I gotta go in there

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Speaker 2: and do some I gotta go in there and unclog

414
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Speaker 2: the fucking garbage disposal, and I will in five minutes.

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Speaker 2: But Jesus Christ, how did my life get to this point?

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Speaker 1: Yeah, and he's standing in front front of yet another

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Speaker 1: haunted Bostonian fucking black door with the knob in the middle,

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Speaker 1: with a door colonial mob, a colonial mob. We love

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Speaker 1: him being depressed in front of a colonial knob.

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Speaker 2: He please call this episode a colonial mob. I can't.

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Speaker 2: I love a door so big that in order to

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Speaker 2: open it properly and stay on the full crim you

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Speaker 2: have to put that fucking thing right in the middle.

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Speaker 2: This is not a hinge a simple hinge situation. This

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Speaker 2: is like a wood join situation from a skilled expert.

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Speaker 2: And he's like his beard is a little bit gray yeh.

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Speaker 2: And he just looks absolutely over it. Oh yeah, another

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Speaker 2: renaissance painting. If you ask me, these.

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Speaker 1: Could all be. To be completely honest with you.

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Speaker 2: I'm marrying that guy. I'm marrying cigarette smoking ben Og.

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Speaker 2: I love again. I love the energy of this, like

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Speaker 2: just fuck off energy. I love it. He's tired. I

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Speaker 2: like it, yeah, which means I'm killing the renaissance man Ben,

434
00:24:39,800 --> 00:24:45,399
Speaker 2: the contemplative towel clad Ben. Because this man looks dangerous

435
00:24:45,400 --> 00:24:53,640
Speaker 2: as fuck. This man could be a serial killer. This

436
00:24:53,720 --> 00:24:57,359
Speaker 2: man could have killed a photographer right after this photo

437
00:24:57,480 --> 00:25:04,280
Speaker 2: was taken. You're standing on a beach alone, sinking into

438
00:25:04,720 --> 00:25:06,919
Speaker 2: the sand as the waves come in, and you're standing

439
00:25:06,920 --> 00:25:11,000
Speaker 2: on the shoreline. You have a blue towel that absolutely

440
00:25:11,000 --> 00:25:15,919
Speaker 2: does not fit around your body. Your tattoos are popping,

441
00:25:16,040 --> 00:25:18,680
Speaker 2: and one of them. This is the photo where we

442
00:25:18,800 --> 00:25:23,760
Speaker 2: all learned that Ben Affleck has a giant, full back

443
00:25:23,920 --> 00:25:30,960
Speaker 2: tattoo of a phoenix, which says so much. And a

444
00:25:31,040 --> 00:25:32,440
Speaker 2: little bit of a sleeve, a little bit of a

445
00:25:32,480 --> 00:25:36,520
Speaker 2: tattoo sleeve and just looks like in the theme of

446
00:25:36,600 --> 00:25:39,719
Speaker 2: our films. Looks like he could have been in Goodfellas,

447
00:25:39,800 --> 00:25:42,560
Speaker 2: like he has popped eyeballs out with a grapefruit spoon.

448
00:25:43,160 --> 00:25:47,000
Speaker 2: Oh yeah, or even worth He's about to just drop

449
00:25:47,119 --> 00:25:50,720
Speaker 2: that towel, walk into the sea, never to be heard

450
00:25:50,760 --> 00:25:54,840
Speaker 2: from again. Yeah, this husband in the long goodbye. This

451
00:25:55,000 --> 00:25:59,920
Speaker 2: is a dangerous photo. I cannot fuck with the energy

452
00:26:00,000 --> 00:26:00,560
Speaker 2: in this photo.

453
00:26:01,000 --> 00:26:04,320
Speaker 1: Yeah, this is very night tide directed by Curtis Harrington.

454
00:26:04,400 --> 00:26:06,840
Speaker 1: This is very haunted, very haunted.

455
00:26:07,840 --> 00:26:11,200
Speaker 2: And again a private moment that he did not know

456
00:26:11,400 --> 00:26:13,800
Speaker 2: was being photographed. So I feel bad even commenting on it.

457
00:26:15,200 --> 00:26:17,800
Speaker 2: But this is all of us in our private moments,

458
00:26:17,880 --> 00:26:20,280
Speaker 2: and it's too real. That's why I got to kill this.

459
00:26:20,960 --> 00:26:24,040
Speaker 2: It's too real. Yeah. Yeah, if you were to walk

460
00:26:24,080 --> 00:26:26,320
Speaker 2: into my house at any point in the day, this

461
00:26:26,480 --> 00:26:28,680
Speaker 2: is what I would be looking like. Yeah yeah, just

462
00:26:28,840 --> 00:26:31,920
Speaker 2: titties out, towel staring into the middle distance.

463
00:26:33,200 --> 00:26:41,040
Speaker 1: Well, this is unbelievable and truly so, because I have

464
00:26:41,240 --> 00:26:46,840
Speaker 1: the exact same list, what what what we see? Completely

465
00:26:46,920 --> 00:26:51,440
Speaker 1: eyed eye on everything. You've just same reasons pretty much

466
00:26:51,720 --> 00:26:55,360
Speaker 1: like I mean, my so there's there's technically, Like I said,

467
00:26:55,359 --> 00:26:58,840
Speaker 1: there's four photos here, three options, right, there's two of

468
00:26:58,960 --> 00:27:01,040
Speaker 1: them that I had, the dunk photos. So there's two

469
00:27:01,119 --> 00:27:06,399
Speaker 1: Duncan photos. I'm gonna use those two as one photo

470
00:27:06,600 --> 00:27:08,840
Speaker 1: because honestly, I don't see any difference. One is that

471
00:27:09,040 --> 00:27:11,320
Speaker 1: his guns are out, and the other is that he's

472
00:27:11,320 --> 00:27:15,040
Speaker 1: wearing a black sweater but he's still holding Duncan. Yes,

473
00:27:15,280 --> 00:27:20,520
Speaker 1: I mean it's giving. It's giving. Like he's about to

474
00:27:20,680 --> 00:27:25,960
Speaker 1: bring all four of these coffees to the bed where

475
00:27:26,119 --> 00:27:34,440
Speaker 1: you will eat munchkins together in your underwear while scrolling TikTok.

476
00:27:35,280 --> 00:27:37,600
Speaker 2: I got you three coffees because I didn't know if

477
00:27:37,600 --> 00:27:41,080
Speaker 2: you wanted the espresso version, the dark ruth a light.

478
00:27:41,280 --> 00:27:41,680
Speaker 2: I didn't know.

479
00:27:42,000 --> 00:27:45,240
Speaker 1: And then he he brings this to the actual bed.

480
00:27:46,640 --> 00:27:50,359
Speaker 1: He removes his fucking mappy slippers that he went out.

481
00:27:50,280 --> 00:27:54,600
Speaker 2: With Adida slides, thank you very much. So no, you

482
00:27:54,840 --> 00:27:56,360
Speaker 2: know he threw on some Adida slides.

483
00:27:56,880 --> 00:28:01,960
Speaker 1: I'm wearing them right now. I'm wear b Adina slides. Beschly,

484
00:28:01,960 --> 00:28:04,240
Speaker 1: I'm not afraid of an Adda slide in the bedroom, please,

485
00:28:04,960 --> 00:28:09,119
Speaker 1: I prefer it. In fact, so he knocks off the

486
00:28:09,480 --> 00:28:12,400
Speaker 1: skanky Adda slides and then y'all sit in the bed

487
00:28:12,600 --> 00:28:14,960
Speaker 1: eating donuts for like two days.

488
00:28:15,480 --> 00:28:17,399
Speaker 2: You gotta get that energy up so that you can

489
00:28:17,560 --> 00:28:18,159
Speaker 2: keep fucking.

490
00:28:18,640 --> 00:28:21,639
Speaker 1: Yeah, listen, this is my dream. This is this is

491
00:28:21,960 --> 00:28:24,520
Speaker 1: what I love. So this is definitely the Dunkin picture

492
00:28:24,680 --> 00:28:25,119
Speaker 1: is the f.

493
00:28:26,200 --> 00:28:28,399
Speaker 2: And he looks very jockish, So I believe that for

494
00:28:28,480 --> 00:28:30,560
Speaker 2: you for the day. Yes, oh, he looks very sporty.

495
00:28:31,080 --> 00:28:33,560
Speaker 1: And then of course I'm marrying the cigarette in front

496
00:28:33,600 --> 00:28:37,920
Speaker 1: of the black doorway picture. I mean, like, I love

497
00:28:38,400 --> 00:28:43,040
Speaker 1: speaking of paparazzi, My favorite thing is a paparazzi shot

498
00:28:43,280 --> 00:28:45,240
Speaker 1: of a celebrity smoke and a cigarette.

499
00:28:45,600 --> 00:28:48,520
Speaker 2: Yeah, the best they I want you to get that shit.

500
00:28:48,960 --> 00:28:52,040
Speaker 1: Yeah, I put that in a fire folder so quickly.

501
00:28:52,160 --> 00:28:55,160
Speaker 1: I'm like, I don't care who it is, Like, I

502
00:28:55,200 --> 00:28:57,600
Speaker 1: don't care if it's Robert fucking Mitcham. I'm like, if

503
00:28:57,600 --> 00:29:00,440
Speaker 1: there is a paparazzi photo of somebody like outside of

504
00:29:00,480 --> 00:29:03,600
Speaker 1: a fucking restaurant or like a recording studio and they're

505
00:29:03,600 --> 00:29:06,040
Speaker 1: smoking a cigarette and they don't know it, they don't

506
00:29:06,040 --> 00:29:09,560
Speaker 1: know they're being photographed, horned up, I love it.

507
00:29:09,760 --> 00:29:12,720
Speaker 2: That's a marriage that shit could be, that could be

508
00:29:12,840 --> 00:29:15,640
Speaker 2: Smeegel from Fucking Lord of the Rings smoking a cigarette,

509
00:29:16,800 --> 00:29:19,440
Speaker 2: crouching in a river, just smoking a cigarette in a loincloth.

510
00:29:20,200 --> 00:29:23,720
Speaker 2: Oh man, that I am till death do us part,

511
00:29:23,920 --> 00:29:26,400
Speaker 2: essentially is what I think when I see that.

512
00:29:26,480 --> 00:29:28,920
Speaker 1: And then of course I'm killing this beach photo because

513
00:29:28,960 --> 00:29:33,400
Speaker 1: the same thing you said too real, too too in

514
00:29:33,480 --> 00:29:37,000
Speaker 1: a moment, uh feels very sad.

515
00:29:37,440 --> 00:29:40,040
Speaker 2: I feel like if if you fuck that version of Ben,

516
00:29:40,320 --> 00:29:45,000
Speaker 2: there will be tears. There might be smashing of things

517
00:29:45,160 --> 00:29:49,760
Speaker 2: like a vase or something gets broken. Yes, and this

518
00:29:49,960 --> 00:29:54,280
Speaker 2: is definitely You're gonna have the weirdest sex of your life.

519
00:29:54,600 --> 00:29:57,480
Speaker 2: And then they will ghost you. It will be so

520
00:29:57,680 --> 00:30:02,280
Speaker 2: emotional and so intense for and then they will You'll

521
00:30:02,360 --> 00:30:03,120
Speaker 2: never hear from them again.

522
00:30:03,200 --> 00:30:05,040
Speaker 1: Oh yeah, They're like I got too raw with her,

523
00:30:05,280 --> 00:30:08,440
Speaker 1: like I could not, like she saw through me. I

524
00:30:08,520 --> 00:30:10,960
Speaker 1: can never face her again. I'm leaving her.

525
00:30:12,000 --> 00:30:16,640
Speaker 2: That's it so too real. This was unbelievable, Emma, Like

526
00:30:16,800 --> 00:30:18,640
Speaker 2: they knocked it out of the fucking park.

527
00:30:18,920 --> 00:30:21,200
Speaker 1: They knocked it out of the park in an o

528
00:30:21,360 --> 00:30:26,160
Speaker 1: tawny way, like six hundred and fifty feet over the

529
00:30:26,360 --> 00:30:32,840
Speaker 1: fucking wall above the parking lot, down down the hill

530
00:30:32,880 --> 00:30:33,800
Speaker 1: from Dodger Stadium.

531
00:30:33,880 --> 00:30:36,120
Speaker 2: That's how they knocked it out of Fenway and right

532
00:30:36,160 --> 00:30:36,920
Speaker 2: into Southeast.

533
00:30:37,720 --> 00:30:39,680
Speaker 1: I know I shouldn't used the Boston reference. I don't

534
00:30:39,680 --> 00:30:41,600
Speaker 1: know why I'm talking about the Dodge I catch you.

535
00:30:41,880 --> 00:30:45,200
Speaker 1: I'm just saying anyway, this is this is. This was

536
00:30:45,280 --> 00:30:47,760
Speaker 1: so fun and I loved the visual references. We are

537
00:30:47,800 --> 00:30:51,120
Speaker 1: definitely posting them on our Instagram, so check those out

538
00:30:51,680 --> 00:30:53,560
Speaker 1: way in if you want. I saw you did pot

539
00:30:53,600 --> 00:30:54,360
Speaker 1: a gmail dot com.

540
00:30:55,200 --> 00:30:58,560
Speaker 2: And as always, my apologies to Ben Affleck.

541
00:31:02,480 --> 00:31:13,560
Speaker 3: I won't apologize, bitch, speaking of I don't even know

542
00:31:13,600 --> 00:31:19,960
Speaker 3: why a transition, speaking of being unknowable, being unknowable. We

543
00:31:20,080 --> 00:31:22,040
Speaker 3: have a theme this week, folks.

544
00:31:22,480 --> 00:31:26,640
Speaker 1: I guess that's why you're here. Uh what is the theme?

545
00:31:27,280 --> 00:31:30,800
Speaker 2: The theme this week is am I a clown to you?

546
00:31:32,280 --> 00:31:35,160
Speaker 2: Because we wanted to talk about funny mob movies?

547
00:31:36,280 --> 00:31:42,240
Speaker 1: That is absolutely true. I loved these two movies together

548
00:31:42,920 --> 00:31:47,000
Speaker 1: in a way that I don't think has felt this

549
00:31:47,200 --> 00:31:53,200
Speaker 1: good in months on our podcast, Absolute fucking nostalgia. Childhood

550
00:31:53,560 --> 00:31:55,520
Speaker 1: memories came flooding.

551
00:31:55,160 --> 00:31:59,200
Speaker 2: Back completely and I changed my movie at the last minute.

552
00:31:59,280 --> 00:32:00,320
Speaker 1: You did, That's right.

553
00:32:00,440 --> 00:32:03,480
Speaker 2: I'm glad I did. The other movie would have been fine,

554
00:32:03,520 --> 00:32:06,240
Speaker 2: but I'm glad I changed it to my film this week. Yeah,

555
00:32:06,520 --> 00:32:10,080
Speaker 2: for the same reason. It's just instant quotable memories.

556
00:32:10,480 --> 00:32:16,880
Speaker 1: Yeah, obviously a big long tradition of crime comedies, mob

557
00:32:17,000 --> 00:32:19,840
Speaker 1: comedies and stuff. But I feel like these two like

558
00:32:20,240 --> 00:32:24,680
Speaker 1: really are special in a lot of ways. I mean,

559
00:32:24,720 --> 00:32:27,240
Speaker 1: I feel like the actors in all of these films

560
00:32:27,720 --> 00:32:31,760
Speaker 1: are fucking fantastic. Like I have not seen your movie

561
00:32:32,280 --> 00:32:36,640
Speaker 1: probably since childhood, And I mean I will probably mention

562
00:32:36,760 --> 00:32:40,360
Speaker 1: this at some point again, but like there was a

563
00:32:40,640 --> 00:32:45,440
Speaker 1: moment in the eighties where I think that I developed

564
00:32:45,760 --> 00:32:51,760
Speaker 1: this like deep crush on Steve Martin when he's dressed

565
00:32:52,000 --> 00:32:55,920
Speaker 1: like a fifties scumbag, like between this and like Little

566
00:32:55,960 --> 00:33:01,400
Speaker 1: Shop of Horrors, I was like, ah, the like weird pompadour,

567
00:33:01,800 --> 00:33:04,960
Speaker 1: the weird like suits and stuff, and like I was

568
00:33:05,040 --> 00:33:07,920
Speaker 1: just like there's something that like, I mean honestly, like

569
00:33:08,000 --> 00:33:10,040
Speaker 1: I had this like core memory of like being in

570
00:33:10,080 --> 00:33:13,760
Speaker 1: love with Steve Martin as like a scumbag, like a

571
00:33:14,040 --> 00:33:17,320
Speaker 1: late eighties meets fifties sixties scumback.

572
00:33:17,280 --> 00:33:19,520
Speaker 2: You love Steve Martin in a lace front just saying

573
00:33:22,400 --> 00:33:23,640
Speaker 2: that is the Steve Martin for you?

574
00:33:24,120 --> 00:33:26,880
Speaker 1: Will you dye your hair black, Steve, because that's I'm

575
00:33:26,960 --> 00:33:27,360
Speaker 1: all in.

576
00:33:27,600 --> 00:33:31,040
Speaker 2: I'm all in, there's something. I believe it. I believe it.

577
00:33:31,120 --> 00:33:33,160
Speaker 2: Of course you had a crush on the fucking the

578
00:33:33,480 --> 00:33:37,920
Speaker 2: million Dollar Man or whatever, Lee Majors, the tall guy,

579
00:33:38,560 --> 00:33:40,280
Speaker 2: the fall guy. Thank you, you have the crush on

580
00:33:40,360 --> 00:33:46,880
Speaker 2: the fall guy. This is not a stretch for you

581
00:33:47,080 --> 00:33:50,440
Speaker 2: that you would like this weird sharkskin suit wearing gangster.

582
00:33:50,840 --> 00:33:51,800
Speaker 2: Yeah yeah, let me.

583
00:33:51,920 --> 00:33:53,920
Speaker 1: Let me just put it out there. If Steve Martin

584
00:33:54,680 --> 00:33:59,240
Speaker 1: dyes his hair black and puts it in a fifties hairstyle,

585
00:34:00,640 --> 00:34:05,120
Speaker 1: I'm like, hubba, hubba, mmmm, who knows.

586
00:34:05,840 --> 00:34:07,240
Speaker 2: I will call benfl I can see if we can

587
00:34:07,280 --> 00:34:11,560
Speaker 2: make that movie. But I'm like, what's the story, what's

588
00:34:11,560 --> 00:34:13,480
Speaker 2: the story, what's the pitch? I'm like, the story is

589
00:34:14,160 --> 00:34:19,520
Speaker 2: Steve Martin in a black wig and then we just

590
00:34:20,360 --> 00:34:20,839
Speaker 2: ad lib.

591
00:34:21,320 --> 00:34:21,520
Speaker 1: Yeah.

592
00:34:22,600 --> 00:34:25,560
Speaker 2: Uh, your movie. I hadn't seen in for fucking ever,

593
00:34:26,680 --> 00:34:31,920
Speaker 2: and it just made me laugh. Charles Groden in your

594
00:34:32,000 --> 00:34:34,680
Speaker 2: movie is so funny, and I think was what I

595
00:34:34,800 --> 00:34:37,520
Speaker 2: really think back. I think he was the first example

596
00:34:38,600 --> 00:34:43,360
Speaker 2: of like this dry, sarcastic humor that I came to

597
00:34:43,600 --> 00:34:44,640
Speaker 2: love and emulate.

598
00:34:45,800 --> 00:34:48,759
Speaker 1: Listen, I'm gonna I'm gonna say this right now. I

599
00:34:48,920 --> 00:34:50,719
Speaker 1: had plan to talk about this during my movie, but

600
00:34:50,760 --> 00:34:54,239
Speaker 1: I'm just gonna say it up front now. Everyone I

601
00:34:54,320 --> 00:34:58,200
Speaker 1: fuck with on a daily basis absolutely loves Charles Groden.

602
00:34:59,080 --> 00:35:01,040
Speaker 2: I'm glad you' glad you said it so I didn't

603
00:35:01,080 --> 00:35:01,319
Speaker 2: have to.

604
00:35:03,000 --> 00:35:03,160
Speaker 1: Douse.

605
00:35:03,200 --> 00:35:07,360
Speaker 2: I agree. Okay, Well, let's get into these movies. A

606
00:35:07,480 --> 00:35:11,400
Speaker 2: great double feature, Fun Fun Fun. My film was released

607
00:35:11,440 --> 00:35:15,520
Speaker 2: in nineteen ninety. The screenplay is by Nora Efron, the

608
00:35:15,600 --> 00:35:19,840
Speaker 2: director is Herbert Ross, and my movie is My Blue Heaven.

609
00:35:20,000 --> 00:35:22,280
Speaker 2: I just want you to keep your nose clean, capiece.

610
00:35:22,520 --> 00:35:26,480
Speaker 2: You're trying to say capiche. Yeah, well don't do it,

611
00:35:26,560 --> 00:35:28,960
Speaker 2: because it hurts my ears when you do it. Now.

612
00:35:29,840 --> 00:35:32,640
Speaker 2: I'm also going to say at the top that this

613
00:35:32,840 --> 00:35:37,640
Speaker 2: movie is wildly underrated. A great as a comedy. It

614
00:35:37,760 --> 00:35:42,960
Speaker 2: is a such a tight comedy, and even in Nora

615
00:35:43,160 --> 00:35:47,880
Speaker 2: Efron's long and illustrious career, this is a departure, but

616
00:35:48,040 --> 00:35:51,000
Speaker 2: it is still incredibly good.

617
00:35:51,480 --> 00:35:54,040
Speaker 1: Yeah, her stamp is on it. Weirdly enough, I noticed

618
00:35:54,040 --> 00:35:57,960
Speaker 1: that this time around. Yeah, she's in there, even if

619
00:35:57,960 --> 00:35:58,560
Speaker 1: it's against time.

620
00:35:58,640 --> 00:35:59,959
Speaker 2: No, when I was a kid watching this, I didn't

621
00:36:00,080 --> 00:36:01,640
Speaker 2: know that she wrote this edit and who she was,

622
00:36:01,760 --> 00:36:04,000
Speaker 2: but as I watched it as an adult, I'm like,

623
00:36:04,160 --> 00:36:06,759
Speaker 2: of course, this is a Nora Efron movie. That's what

624
00:36:07,400 --> 00:36:11,000
Speaker 2: makes it amazing. Yeah, and she was actually married to

625
00:36:11,440 --> 00:36:15,279
Speaker 2: Her husband was Nicholas Peleggi, who wrote the book Wise Guy,

626
00:36:15,880 --> 00:36:20,120
Speaker 2: which the movie Goodfellas is based on, and he co

627
00:36:20,360 --> 00:36:25,160
Speaker 2: wrote Goodfellas with Martin SCORSESEI so this is weird. And

628
00:36:25,280 --> 00:36:28,920
Speaker 2: this movie came out, I believe, the same year as Goodfellas.

629
00:36:29,520 --> 00:36:32,719
Speaker 2: So this is weirdly an unofficial sequel to Goodfellas because

630
00:36:32,760 --> 00:36:35,520
Speaker 2: it is also based on the life of Henry Hill

631
00:36:35,800 --> 00:36:39,680
Speaker 2: from when he turns state witness and gets sent in

632
00:36:39,719 --> 00:36:40,440
Speaker 2: a witness protection.

633
00:36:40,880 --> 00:36:41,200
Speaker 1: There you go.

634
00:36:42,680 --> 00:36:45,560
Speaker 2: So if you want to have a triple feature, watch

635
00:36:45,960 --> 00:36:50,960
Speaker 2: Millie's movie Goodfellas and then my movie. Yeah, so one

636
00:36:51,000 --> 00:36:52,800
Speaker 2: sense in synopsis? Did I even say that?

637
00:36:52,960 --> 00:36:53,080
Speaker 1: Right?

638
00:36:53,280 --> 00:36:57,000
Speaker 2: I don't even I'm so jacked up right now between

639
00:36:57,120 --> 00:37:02,040
Speaker 2: the affleck talk, watching these two films and the diet coke,

640
00:37:02,160 --> 00:37:04,520
Speaker 2: I'm jacked and the thought that somebody might make a

641
00:37:04,560 --> 00:37:09,480
Speaker 2: renaissance painting. Put it out there, send it to us

642
00:37:09,560 --> 00:37:12,480
Speaker 2: at the po box if you're doing that. But my

643
00:37:12,640 --> 00:37:17,640
Speaker 2: one sentence synopsis. A government witness and former wise Guy

644
00:37:17,920 --> 00:37:20,759
Speaker 2: is relocated from New York City to San Diego and

645
00:37:20,920 --> 00:37:21,879
Speaker 2: all hell breaks loose.

646
00:37:23,000 --> 00:37:25,880
Speaker 1: I haven't heard that all Hell Breaks loose.

647
00:37:25,840 --> 00:37:31,240
Speaker 2: First one in twenty twenty four, and you're absolutely correct.

648
00:37:31,280 --> 00:37:34,120
Speaker 2: Steve Martin's look is fucking amazing. From the first time

649
00:37:34,200 --> 00:37:36,800
Speaker 2: we see him step out of the car, it is

650
00:37:36,920 --> 00:37:40,640
Speaker 2: like right out of Central Casting with the hair and

651
00:37:40,760 --> 00:37:45,400
Speaker 2: the suit and his wife looks again. Just to me,

652
00:37:45,520 --> 00:37:48,320
Speaker 2: this is like an Oscar worthy performance.

653
00:37:48,640 --> 00:37:51,359
Speaker 1: Oh agreed. I have a question for you though, as

654
00:37:51,400 --> 00:37:55,440
Speaker 1: a New Yorker, Yes, what's what's the vibe on the accent?

655
00:37:55,560 --> 00:37:58,680
Speaker 1: Because you know, Steve Martin's from California, so it's a

656
00:37:58,719 --> 00:38:01,880
Speaker 1: stretch for him to play the like New York mob guy. Right.

657
00:38:02,480 --> 00:38:04,560
Speaker 2: Oh yeah, but it's I mean, it's over the top,

658
00:38:04,840 --> 00:38:06,759
Speaker 2: but it's not too far off the mark.

659
00:38:07,000 --> 00:38:10,160
Speaker 1: Yeah. I like that it's bad to be honest. I

660
00:38:10,239 --> 00:38:13,040
Speaker 1: like that he's like, try it harder than usual.

661
00:38:13,000 --> 00:38:15,560
Speaker 2: So it feels more real when he's sitting around with

662
00:38:15,600 --> 00:38:19,279
Speaker 2: his friends chatting. Yeah, sure, sure for real, but it's

663
00:38:19,360 --> 00:38:21,719
Speaker 2: but it's it's meant to be comically bad. So he

664
00:38:21,800 --> 00:38:23,600
Speaker 2: does a good job of making it like a comically

665
00:38:23,719 --> 00:38:27,520
Speaker 2: over the top Brooklyn accent, and I love it.

666
00:38:28,000 --> 00:38:30,560
Speaker 1: And also he uses this term so like he's supposed

667
00:38:30,600 --> 00:38:33,600
Speaker 1: to be Italian or something, right, And that's like a

668
00:38:33,680 --> 00:38:35,279
Speaker 1: running gag in the film is that you know he

669
00:38:35,320 --> 00:38:37,880
Speaker 1: wants Italian food all the time, and he uses he

670
00:38:38,000 --> 00:38:42,680
Speaker 1: actually talks about schoongeli, which is yeah, it's a conk right,

671
00:38:42,800 --> 00:38:46,000
Speaker 1: it's they use it a lot in the food of

672
00:38:46,200 --> 00:38:50,520
Speaker 1: my people, Southern Italians, and I actually call my dog

673
00:38:50,640 --> 00:38:56,080
Speaker 1: that schoon. So when he said it this time.

674
00:38:56,000 --> 00:38:58,680
Speaker 2: I was like, yeah, So if it go up to

675
00:38:58,719 --> 00:39:00,759
Speaker 2: the TV and she's like, what do you want, Martin.

676
00:39:00,760 --> 00:39:02,960
Speaker 1: She's like, give me, give me a treat. No, And

677
00:39:03,120 --> 00:39:04,680
Speaker 1: it was it was cute, and I was like that

678
00:39:04,880 --> 00:39:07,080
Speaker 1: to me, I was like, okay, he got me. I

679
00:39:07,200 --> 00:39:12,560
Speaker 1: love I love all of this fucking spongelie Italian Italian

680
00:39:12,960 --> 00:39:13,520
Speaker 1: food talk.

681
00:39:13,600 --> 00:39:17,480
Speaker 2: It's great. Well, there's a lot of it because Vinnie

682
00:39:17,560 --> 00:39:23,400
Speaker 2: is relocated, like I said, to this very very sunny, bright,

683
00:39:24,200 --> 00:39:30,000
Speaker 2: cookie cutter house style neighborhood in California, and his wife

684
00:39:30,080 --> 00:39:32,600
Speaker 2: leaves immediately. She's like, yo, I didn't do shit. I'm

685
00:39:32,600 --> 00:39:34,120
Speaker 2: out of here. I'm going back to New York. I

686
00:39:34,239 --> 00:39:36,240
Speaker 2: only stayed with you so you can get the spousal

687
00:39:36,280 --> 00:39:38,759
Speaker 2: allowance that will allow you to have this house. But

688
00:39:38,920 --> 00:39:41,239
Speaker 2: I'm going back to New York. But in that first

689
00:39:41,280 --> 00:39:43,279
Speaker 2: scene where they're talking and walking through the house and

690
00:39:43,400 --> 00:39:45,239
Speaker 2: kind of like seeing their new digs, even though she

691
00:39:45,400 --> 00:39:49,880
Speaker 2: is immediately leaving, she says something so funny that I

692
00:39:49,960 --> 00:39:56,480
Speaker 2: have been repeating it for thirty years whenever possible or

693
00:39:56,520 --> 00:39:59,640
Speaker 2: whenever it comes up. Because at one point she's trying

694
00:39:59,680 --> 00:40:01,880
Speaker 2: to leave get a cab and she goes, what the

695
00:40:01,960 --> 00:40:07,480
Speaker 2: frig is the address here? And I say that all

696
00:40:07,520 --> 00:40:09,239
Speaker 2: the time to the point where I forgot it was

697
00:40:09,320 --> 00:40:11,920
Speaker 2: from this movie. That's so funny, What the frig is

698
00:40:11,960 --> 00:40:15,799
Speaker 2: the address here? So she's out, and then we also

699
00:40:15,880 --> 00:40:18,680
Speaker 2: get to end this opening scene meet Barney Cooper Smith

700
00:40:18,719 --> 00:40:23,840
Speaker 2: played by Rick moranis and he plays a boring FBI agent.

701
00:40:24,600 --> 00:40:27,440
Speaker 2: I mean, this man stands for the star spangled banner

702
00:40:27,640 --> 00:40:30,560
Speaker 2: even when he's alone in his office and he knows

703
00:40:30,600 --> 00:40:33,040
Speaker 2: he's boring. He wants more action, he wants a windbreaker

704
00:40:33,120 --> 00:40:36,200
Speaker 2: and a steak out like he wants something. But he's

705
00:40:36,280 --> 00:40:38,400
Speaker 2: transporting criminals and that's kind of what he's doing. And

706
00:40:38,480 --> 00:40:43,880
Speaker 2: he's yearning for more right from Jump Right, and his

707
00:40:44,080 --> 00:40:47,239
Speaker 2: wife also leaves him. His wife is a sports psychologist

708
00:40:47,320 --> 00:40:50,080
Speaker 2: who is absolutely having an affair with one of her patients.

709
00:40:50,760 --> 00:40:54,480
Speaker 2: And he comes home after dropping off Vinnie and she's like, uh,

710
00:40:54,920 --> 00:40:57,080
Speaker 2: he's going to Wichita because he's getting moved down to

711
00:40:57,120 --> 00:40:59,840
Speaker 2: the miners, and I'm going with him because you're no

712
00:40:59,920 --> 00:41:02,080
Speaker 2: fun and I don't like the way you eat pancakes.

713
00:41:03,280 --> 00:41:07,759
Speaker 1: And he's twenty six, which is an extra barb through

714
00:41:07,800 --> 00:41:12,200
Speaker 1: the heart, and when he would Barnie actually says, he's like,

715
00:41:12,239 --> 00:41:12,800
Speaker 1: how old are you?

716
00:41:12,880 --> 00:41:14,880
Speaker 2: And he's like, you're like a child, Like what the fuck?

717
00:41:15,280 --> 00:41:18,600
Speaker 2: But she goes, she goes. So both of these dudes,

718
00:41:18,680 --> 00:41:23,879
Speaker 2: Barney and Vinnie, are suddenly single. They're complete opposites, which

719
00:41:23,960 --> 00:41:27,080
Speaker 2: is a great premise for a film, and as the

720
00:41:27,120 --> 00:41:28,800
Speaker 2: movie goes out, you start to realize that Vinnie is

721
00:41:28,880 --> 00:41:32,120
Speaker 2: rubbing off on Barney, but Barney absolutely does not rub

722
00:41:32,200 --> 00:41:37,280
Speaker 2: off on Vinnie, like there's no way, and Vinnie cannot

723
00:41:37,320 --> 00:41:40,279
Speaker 2: get rid of his criminal ways, so some of the

724
00:41:40,400 --> 00:41:44,800
Speaker 2: funniest scenes are him just trying to adjust to a

725
00:41:44,920 --> 00:41:48,560
Speaker 2: life without crime to the point where he can't do it,

726
00:41:48,640 --> 00:41:50,759
Speaker 2: so he just has to reintroduce crime into his life.

727
00:41:51,840 --> 00:41:54,480
Speaker 2: He goes to the grocery store and he finds a

728
00:41:54,560 --> 00:41:57,000
Speaker 2: price gun laying around and just marks all the stakes

729
00:41:57,040 --> 00:41:58,200
Speaker 2: down to thirty nine cents.

730
00:42:00,040 --> 00:42:00,600
Speaker 1: Those days.

731
00:42:02,800 --> 00:42:06,239
Speaker 2: I love a grocery store scam. I'm too expensive. I

732
00:42:06,280 --> 00:42:06,800
Speaker 2: love a scam.

733
00:42:07,080 --> 00:42:08,000
Speaker 1: It's too easy.

734
00:42:08,120 --> 00:42:12,120
Speaker 2: Back then, it way too easy because you price guns

735
00:42:12,160 --> 00:42:15,640
Speaker 2: were not hard to figure out. You just moved the number,

736
00:42:15,760 --> 00:42:17,760
Speaker 2: you rolled the numbers. You could do anything.

737
00:42:18,280 --> 00:42:21,759
Speaker 1: Oh yeah, and there's no CCTV or whatever. It was

738
00:42:21,880 --> 00:42:25,200
Speaker 1: like it was such a bonanza back then for grifting.

739
00:42:25,680 --> 00:42:31,360
Speaker 2: There weren't even bar codes. Yeah, it was a grift paradise.

740
00:42:32,600 --> 00:42:34,520
Speaker 2: And this this, by the way, is a grocery store

741
00:42:34,600 --> 00:42:36,920
Speaker 2: that has not seen a one hundred dollars bill and

742
00:42:37,080 --> 00:42:41,000
Speaker 2: does not know what arugula is like. They are primed

743
00:42:41,160 --> 00:42:43,160
Speaker 2: to get ripped to the fuck off by someone like

744
00:42:43,239 --> 00:42:55,000
Speaker 2: Minnie love so much it's a vegetable. But Minnie is

745
00:42:55,120 --> 00:42:59,080
Speaker 2: also a pathological liar, and the stories he tells in

746
00:42:59,200 --> 00:43:02,320
Speaker 2: this movie are some of the funniest fucking scenes. So

747
00:43:02,520 --> 00:43:04,680
Speaker 2: he gets arrested at one point and he's telling the

748
00:43:04,719 --> 00:43:07,759
Speaker 2: story because he stole a car Grand theft Auto and

749
00:43:08,040 --> 00:43:10,520
Speaker 2: he's telling the story about how he learned how to

750
00:43:10,800 --> 00:43:15,239
Speaker 2: jumpstart cars by being in the Army Corps of Engineers,

751
00:43:15,280 --> 00:43:18,719
Speaker 2: and I used to jumpstart ambulances and they're like yeah,

752
00:43:18,800 --> 00:43:20,960
Speaker 2: but there was also a bunch of stolen liquor in

753
00:43:21,000 --> 00:43:22,520
Speaker 2: the back of the car, and he's like, oh, one

754
00:43:22,560 --> 00:43:25,359
Speaker 2: of the odds and I accidentally stole the wrong car

755
00:43:25,480 --> 00:43:27,520
Speaker 2: of a guy who stole all this liquor, Like, he's

756
00:43:27,600 --> 00:43:30,320
Speaker 2: just such a fucking liar. One of the funniest scenes

757
00:43:30,320 --> 00:43:32,080
Speaker 2: to me in this film, which is something else I

758
00:43:32,239 --> 00:43:36,000
Speaker 2: also quote usually to myself a lot. He's having this

759
00:43:36,120 --> 00:43:39,640
Speaker 2: back and forth with one of the characters and they're

760
00:43:39,680 --> 00:43:45,520
Speaker 2: talking about how the Constitution includes this clause and he's like, yeah,

761
00:43:45,640 --> 00:43:47,200
Speaker 2: that was made for me, and she's like, it's not

762
00:43:47,360 --> 00:43:50,240
Speaker 2: made for you. And he's like, I am the worst

763
00:43:50,320 --> 00:43:54,840
Speaker 2: case scenario of Thomas Jefferson's dreams. And it lays me

764
00:43:54,960 --> 00:43:57,239
Speaker 2: the fuck out every time. Have you paid if you've

765
00:43:57,280 --> 00:43:58,879
Speaker 2: only seen this movie as a kid and you haven't

766
00:43:58,880 --> 00:44:01,400
Speaker 2: watched it as an adult, pay attention to the language

767
00:44:01,440 --> 00:44:03,440
Speaker 2: and the jokes. It is so fast and it is

768
00:44:03,520 --> 00:44:07,520
Speaker 2: like joke per mintent hilarious. I'm the worst case scenario

769
00:44:07,560 --> 00:44:12,080
Speaker 2: of Thomas Jefferson's dreams. So thenn he gets arrested for

770
00:44:12,120 --> 00:44:15,040
Speaker 2: stealing a car, and that's how we meet Hannah. And

771
00:44:15,320 --> 00:44:19,560
Speaker 2: Hannah is the district attorney played by the goat Joan Cusack.

772
00:44:20,480 --> 00:44:21,960
Speaker 2: God love her.

773
00:44:22,520 --> 00:44:24,680
Speaker 1: She is a hero of the pod.

774
00:44:25,200 --> 00:44:27,960
Speaker 2: We talked about her all the time, heroic as of

775
00:44:28,040 --> 00:44:30,280
Speaker 2: the time of this recording. Nothing crazy.

776
00:44:31,520 --> 00:44:36,919
Speaker 1: Oh my god, if Joan Cusack popped off, I would

777
00:44:37,160 --> 00:44:42,080
Speaker 1: have to self immolate. I cannot handle it. Like if

778
00:44:42,160 --> 00:44:44,799
Speaker 1: she like popped off, like if she just like went

779
00:44:44,880 --> 00:44:49,920
Speaker 1: on some rant about like immigration assumption, I would have

780
00:44:50,160 --> 00:44:54,120
Speaker 1: to walk into the ocean like the guy from the

781
00:44:54,200 --> 00:44:54,840
Speaker 1: Law and goodbye.

782
00:44:55,320 --> 00:44:58,120
Speaker 2: Oh my god. Couldn't handle it. Couldn't handle it. She's

783
00:44:58,160 --> 00:45:02,480
Speaker 2: the best, Oh my god. And she's amazing in this movie.

784
00:45:02,600 --> 00:45:05,600
Speaker 2: She's just such again that kind of dry comic humor

785
00:45:05,680 --> 00:45:10,480
Speaker 2: delivery that I love. And this is also how Barney

786
00:45:10,520 --> 00:45:14,640
Speaker 2: meets Hannah because Vinnie gets arrested and Hannah's going through

787
00:45:14,640 --> 00:45:16,840
Speaker 2: a lot in her personal life. She's, you know, recently divorced.

788
00:45:16,880 --> 00:45:18,839
Speaker 2: She has two boys, one of which is played by

789
00:45:19,000 --> 00:45:23,880
Speaker 2: a very baby Jesse Bradford, Oh my goodness, and her

790
00:45:24,000 --> 00:45:26,640
Speaker 2: ex who's played by Daniel Stern kind of still walks

791
00:45:26,680 --> 00:45:29,560
Speaker 2: into her house like he still owns it, he still

792
00:45:29,600 --> 00:45:32,960
Speaker 2: lives there. She accidentally kills one of her kid's turtles

793
00:45:33,000 --> 00:45:35,279
Speaker 2: by running it through the garbage disposal, like she's got

794
00:45:35,320 --> 00:45:39,360
Speaker 2: a lot going on, Hannah, and Vinnie is obsessed with

795
00:45:39,480 --> 00:45:41,680
Speaker 2: how tragic her shoes are, which is one of the

796
00:45:41,719 --> 00:45:46,240
Speaker 2: funniest running jokes of this. So Barney comes to basically

797
00:45:46,440 --> 00:45:48,759
Speaker 2: break Vinnie out, and he's like, look, you can't arrest him.

798
00:45:48,800 --> 00:45:52,279
Speaker 2: He's a very important witness in a criminal trial and

799
00:45:52,760 --> 00:45:56,239
Speaker 2: nothing can happen to him until he testifies. And Vinnie's like, hey,

800
00:45:56,880 --> 00:45:58,480
Speaker 2: I want to match make here. You guys would be

801
00:45:58,520 --> 00:46:00,399
Speaker 2: good together, and they try to hook up and he's

802
00:46:00,400 --> 00:46:02,680
Speaker 2: like no, like, let's just get through this. You testify

803
00:46:02,960 --> 00:46:05,759
Speaker 2: at these trials and we'll be good. Barney and his

804
00:46:05,920 --> 00:46:09,160
Speaker 2: partner Kirby decide to go undercover at some point because

805
00:46:09,160 --> 00:46:11,680
Speaker 2: they're just dying for action. So they put themselves under cover,

806
00:46:12,480 --> 00:46:18,279
Speaker 2: and Kirby, who's played by again eighties, who's played by

807
00:46:18,440 --> 00:46:21,640
Speaker 2: Bill Irwin, who was in so many movies and was

808
00:46:21,719 --> 00:46:24,840
Speaker 2: just like he was a man who appeared to be

809
00:46:24,960 --> 00:46:27,440
Speaker 2: made out of rubber. Before Jim Carrey came on the scene.

810
00:46:27,840 --> 00:46:30,600
Speaker 2: Jim Carrey really crushed Bill Erwin's career.

811
00:46:31,560 --> 00:46:32,560
Speaker 1: Fuck you, Jim.

812
00:46:33,520 --> 00:46:36,680
Speaker 2: But Bill Irwin is like always dancing and moving and

813
00:46:36,880 --> 00:46:40,360
Speaker 2: he's very physical, physical comedian. So they go on this

814
00:46:40,480 --> 00:46:45,040
Speaker 2: steakout that they have arranged, and of course the person

815
00:46:45,120 --> 00:46:48,239
Speaker 2: that they're busting, who is this guy looking to sell

816
00:46:48,640 --> 00:46:52,759
Speaker 2: or looking to buy stolen credit cards is Vinny. Of

817
00:46:52,880 --> 00:46:54,600
Speaker 2: course it is so like, fuck you fucked up our

818
00:46:54,640 --> 00:46:59,120
Speaker 2: steak out, but the shit Vinny then follows Hannah. Hey,

819
00:46:59,120 --> 00:47:01,360
Speaker 2: they're in this like strip, and Vinnie follows Hannah to

820
00:47:01,440 --> 00:47:03,360
Speaker 2: a pet store where she's trying to replace the turtle,

821
00:47:04,000 --> 00:47:08,640
Speaker 2: and this is where he meets Billy Sparrow. And Billy

822
00:47:08,800 --> 00:47:11,680
Speaker 2: Sparrow is played by William Hickey, who you all would

823
00:47:11,719 --> 00:47:14,840
Speaker 2: recognize if even if you don't know his name, and he,

824
00:47:15,360 --> 00:47:18,120
Speaker 2: as it turns out, is also a former Wise Guy

825
00:47:19,040 --> 00:47:23,279
Speaker 2: that Vinnie knew in New York. So Billy's like, look,

826
00:47:23,800 --> 00:47:25,880
Speaker 2: because Vinnie's like, I'm dying here, like I can't get

827
00:47:25,920 --> 00:47:28,360
Speaker 2: good food, I don't know what I'm doing here. I

828
00:47:28,440 --> 00:47:31,800
Speaker 2: keep getting arrested or almost arrested, and Billy's like, you

829
00:47:31,840 --> 00:47:34,759
Speaker 2: know what, You're not alone? Here, and he tells them

830
00:47:34,960 --> 00:47:37,560
Speaker 2: that the town that they're in is basically full of

831
00:47:37,719 --> 00:47:41,560
Speaker 2: confidential informants and friends. So they go out to dinner.

832
00:47:42,320 --> 00:47:44,800
Speaker 2: It's such a funny scene because they're all talking about like,

833
00:47:44,840 --> 00:47:46,480
Speaker 2: oh god, I drove like fifty miles to try to

834
00:47:46,480 --> 00:47:49,960
Speaker 2: get some Marinara sauce. How was it disgusting? They are

835
00:47:50,280 --> 00:47:55,640
Speaker 2: just all in this place together, which I think would

836
00:47:55,680 --> 00:47:58,000
Speaker 2: happen more often than not, Like, how do I don't know.

837
00:47:58,040 --> 00:48:00,200
Speaker 2: I think the witness protection program is probably pretty an

838
00:48:00,280 --> 00:48:02,560
Speaker 2: intricate system, but it would have to be so that

839
00:48:02,640 --> 00:48:04,759
Speaker 2: you don't have people in the same town in the

840
00:48:04,800 --> 00:48:05,400
Speaker 2: same cities.

841
00:48:06,280 --> 00:48:08,279
Speaker 1: Oh yeah. I often think that the town that my

842
00:48:08,440 --> 00:48:12,080
Speaker 1: parents live in is a perfect witness protection place for

843
00:48:12,200 --> 00:48:14,759
Speaker 1: the same reasons as this movie. People don't see one

844
00:48:14,840 --> 00:48:18,080
Speaker 1: hundred dollars bills very often. You can't get fucking Marinera

845
00:48:18,239 --> 00:48:22,719
Speaker 1: or Rugola right readily. You got to put him in

846
00:48:22,760 --> 00:48:25,120
Speaker 1: the most boring milk toast place.

847
00:48:26,280 --> 00:48:28,640
Speaker 2: Absolutely. I think the next time you go visit your parents,

848
00:48:28,760 --> 00:48:32,520
Speaker 2: there should be some reconnaissance. It's trying to start asking

849
00:48:32,600 --> 00:48:34,279
Speaker 2: some of those neighbors if they've ever been in the

850
00:48:34,360 --> 00:48:35,080
Speaker 2: fucking mafia.

851
00:48:35,400 --> 00:48:37,000
Speaker 1: I know, there's a reason why there's a lot of

852
00:48:37,040 --> 00:48:40,680
Speaker 1: rental properties in my parents' neighborhood. People stand for only

853
00:48:40,719 --> 00:48:43,000
Speaker 1: a couple of years. I wonder, makes me wonder.

854
00:48:43,880 --> 00:48:48,120
Speaker 2: Okay, we cracked the case. We cracked the case. So

855
00:48:48,239 --> 00:48:51,080
Speaker 2: Vinnie's like, yeah, this sucks, but they're paying us. And

856
00:48:51,400 --> 00:48:56,080
Speaker 2: this is when he learns that informants are only paid

857
00:48:56,280 --> 00:48:59,560
Speaker 2: until they testify, and he's like, well, fuck it, I

858
00:48:59,640 --> 00:49:02,239
Speaker 2: have no there's no other skill set, and there's enough

859
00:49:02,320 --> 00:49:05,080
Speaker 2: of us here to start a crime wave. So they

860
00:49:05,200 --> 00:49:09,759
Speaker 2: fucking do. And it's just absolutely hilarious to watch them

861
00:49:09,840 --> 00:49:14,680
Speaker 2: running these small town crime rings and trying to get

862
00:49:14,760 --> 00:49:17,799
Speaker 2: back into the life from this gorgeous place. Vinnie does

863
00:49:17,840 --> 00:49:20,239
Speaker 2: eventually have to go back to New York for the

864
00:49:20,400 --> 00:49:23,399
Speaker 2: provolone A trial, which I also did not realize until

865
00:49:23,480 --> 00:49:26,000
Speaker 2: I was an adult. The cheese trial.

866
00:49:29,640 --> 00:49:31,880
Speaker 1: Challenge jokes and Vinni is.

867
00:49:31,920 --> 00:49:34,920
Speaker 2: Supposed to lay low, but when they arrive, his whole

868
00:49:35,360 --> 00:49:38,160
Speaker 2: family is at the airport. And the funniest part of

869
00:49:38,239 --> 00:49:41,680
Speaker 2: this scene to me has always been a woman in

870
00:49:41,760 --> 00:49:44,480
Speaker 2: the background holding a sign that says, there is a

871
00:49:44,680 --> 00:49:47,920
Speaker 2: Veal Rolatini in your future. It's like, what a welcome

872
00:49:48,239 --> 00:49:51,080
Speaker 2: ah even if you don't eat Veal like just someone

873
00:49:51,360 --> 00:49:53,960
Speaker 2: being like, there is a Jersey Mike sub in your future.

874
00:49:55,200 --> 00:49:58,879
Speaker 1: Can somebody next time I come home from a plane trip,

875
00:49:59,120 --> 00:50:01,680
Speaker 1: will somebody meet me and baggage claim with that sign?

876
00:50:02,480 --> 00:50:05,279
Speaker 1: If you're If that person is you, email us at

877
00:50:05,320 --> 00:50:06,879
Speaker 1: I saw what you did pot at gmail dot com.

878
00:50:07,600 --> 00:50:09,919
Speaker 1: I would. I would. That would make my fucking life

879
00:50:10,040 --> 00:50:10,840
Speaker 1: if someone did that.

880
00:50:11,560 --> 00:50:13,440
Speaker 2: Listen, I will do that for you. Do not invite

881
00:50:13,480 --> 00:50:14,800
Speaker 2: strangers to meet you at the airport.

882
00:50:16,840 --> 00:50:18,000
Speaker 1: Thank you, girl, appreciate that.

883
00:50:18,480 --> 00:50:22,479
Speaker 2: That's a first class ticket to Murderville. There's a Veal

884
00:50:22,560 --> 00:50:26,640
Speaker 2: roll in your future. It's the best sign I wanted.

885
00:50:26,800 --> 00:50:29,560
Speaker 1: I want a fine artist to render that for me

886
00:50:30,120 --> 00:50:33,040
Speaker 1: when I could put that in my my formal dining room.

887
00:50:34,160 --> 00:50:36,160
Speaker 2: We're commissioning a lot of art this episode. We are

888
00:50:36,680 --> 00:50:41,680
Speaker 2: our lives will be full of beautiful art. I also

889
00:50:41,760 --> 00:50:43,800
Speaker 2: want that there's a Veal roll Latini in your future

890
00:50:44,480 --> 00:50:46,360
Speaker 2: sign for my kitchen. I hope that it gets so

891
00:50:46,480 --> 00:50:50,560
Speaker 2: popular it replaces Live Left Love. That is our version

892
00:50:50,680 --> 00:50:56,280
Speaker 2: of that's our version of Live Left Love. So Vinny's

893
00:50:56,360 --> 00:50:59,399
Speaker 2: mother is at the airport and he's like, oh, he's

894
00:50:59,440 --> 00:51:01,799
Speaker 2: begging Bart to take the handcuffs off, so he has

895
00:51:02,000 --> 00:51:04,760
Speaker 2: like a criminal in front of his mother, and Barney

896
00:51:04,960 --> 00:51:08,000
Speaker 2: relents and he takes off the handcuffs and Vinnie totally escapes,

897
00:51:08,040 --> 00:51:09,319
Speaker 2: like the whole family planned it so that he can

898
00:51:09,360 --> 00:51:12,440
Speaker 2: get out of there. So after this, there's definitely I

899
00:51:12,440 --> 00:51:14,359
Speaker 2: won't ruin the movie. I won't talk about the ending,

900
00:51:14,880 --> 00:51:19,319
Speaker 2: but there are so many funny fucking scenes where yes,

901
00:51:19,480 --> 00:51:23,320
Speaker 2: Vinnie and Barney do eventually reconnect. Barney finds him almost immediately,

902
00:51:23,920 --> 00:51:25,960
Speaker 2: and he makes Barney buy this new suit, and then

903
00:51:26,000 --> 00:51:28,359
Speaker 2: there's just this really like this funny scene where they're

904
00:51:28,360 --> 00:51:30,640
Speaker 2: going out and dancing and he tries to, you know,

905
00:51:30,760 --> 00:51:35,280
Speaker 2: teaches Barney the merengue. I love, love, love the image

906
00:51:35,320 --> 00:51:39,080
Speaker 2: of Steve Martin mowing a lawn in a shark skin suit.

907
00:51:39,400 --> 00:51:40,160
Speaker 1: Huh Yeah.

908
00:51:41,440 --> 00:51:43,959
Speaker 2: When they're on the plane, he's reading a book called

909
00:51:44,080 --> 00:51:47,120
Speaker 2: I Wrote a Book and you can too. It's like

910
00:51:47,280 --> 00:51:52,319
Speaker 2: just these little jokes. One of the funniest scenes, she's

911
00:51:52,360 --> 00:51:54,760
Speaker 2: not in the movie very very long, but he meets

912
00:51:55,400 --> 00:51:58,759
Speaker 2: Carol Caine in the grocery store and Carol Kane is

913
00:51:58,760 --> 00:52:03,239
Speaker 2: playing a character called schal Dean and they immediately run

914
00:52:03,320 --> 00:52:05,759
Speaker 2: off and get married. But they're meeting in the grocery store.

915
00:52:05,800 --> 00:52:09,680
Speaker 2: Is so fucking hilarious. And then there's also a point

916
00:52:09,800 --> 00:52:11,800
Speaker 2: towards the end of the film where you get to

917
00:52:11,840 --> 00:52:16,520
Speaker 2: see the Little League uniforms, and the Little League uniforms

918
00:52:16,880 --> 00:52:19,919
Speaker 2: at the end of the movie are I wish somebody

919
00:52:19,960 --> 00:52:22,600
Speaker 2: would recreate them and make them run way ready. I

920
00:52:22,600 --> 00:52:26,880
Speaker 2: would wear one every day. They're adorable. So there is

921
00:52:26,960 --> 00:52:29,280
Speaker 2: a theme running or you know, there's again a plot

922
00:52:29,360 --> 00:52:32,080
Speaker 2: running through the film about you know, when when he

923
00:52:32,160 --> 00:52:34,320
Speaker 2: gets back to California, he starts to collect money for

924
00:52:34,360 --> 00:52:37,160
Speaker 2: the Little League because Hannah's sons and Barney and everyone

925
00:52:37,239 --> 00:52:40,719
Speaker 2: loves baseball in this movie, and all hell breaks loose

926
00:52:40,760 --> 00:52:43,520
Speaker 2: when Barney and Hannah have to decide if he's doing

927
00:52:43,600 --> 00:52:45,520
Speaker 2: this for real or if he's doing this as part

928
00:52:45,560 --> 00:52:52,040
Speaker 2: of a con. So again, un to me, underrated comic classic. Yeah,

929
00:52:52,160 --> 00:52:57,120
Speaker 2: absolutely hilarious. The rare late eighties early nineties movie that

930
00:52:57,760 --> 00:53:04,520
Speaker 2: is not problematic. Yeah, just funny, well written, hilarious. I

931
00:53:05,120 --> 00:53:10,200
Speaker 2: truly enjoyed this rewatch more than I could even say.

932
00:53:10,680 --> 00:53:16,800
Speaker 1: Listen, this type of movie is like the womb for me.

933
00:53:17,000 --> 00:53:20,960
Speaker 1: It's like the cozy place that I crawl into whenever

934
00:53:21,080 --> 00:53:23,799
Speaker 1: things get really tense and awful in the real world.

935
00:53:24,080 --> 00:53:27,960
Speaker 1: I'm like, is there more of a comfort film for

936
00:53:28,080 --> 00:53:33,360
Speaker 1: me that it's like a noor Efron script meets like

937
00:53:33,760 --> 00:53:37,120
Speaker 1: Fats Domino songs, any kind of like fifties and sixties

938
00:53:37,200 --> 00:53:42,120
Speaker 1: like Boomer Nostalgia's soundtrack stuff, Steve Martin in a dyed

939
00:53:42,200 --> 00:53:45,880
Speaker 1: black lace front wig. Rick moranis is there? Like this

940
00:53:46,719 --> 00:53:51,759
Speaker 1: entire movie is like a perfect encapsulation of what I'm

941
00:53:51,880 --> 00:53:53,880
Speaker 1: comforted by from my childhood.

942
00:53:53,960 --> 00:54:01,879
Speaker 2: Completely. I always talk about your movie, which also gives

943
00:54:01,920 --> 00:54:02,840
Speaker 2: me the same feeling.

944
00:54:02,680 --> 00:54:07,640
Speaker 1: Oh, same feeling. Is it not so bizarre? How both

945
00:54:07,680 --> 00:54:10,840
Speaker 1: these movies are like? Ugh, I just want to escape

946
00:54:10,920 --> 00:54:12,840
Speaker 1: into midnight.

947
00:54:12,560 --> 00:54:18,520
Speaker 2: Run these movies. Your movie is the most cursing I

948
00:54:18,600 --> 00:54:22,320
Speaker 2: heard outside of my household as a child, because my

949
00:54:22,400 --> 00:54:26,240
Speaker 2: family cursed and my grandmother especially curves like a motherfucker.

950
00:54:26,600 --> 00:54:28,719
Speaker 2: This movie I think was so endearing to so many

951
00:54:28,800 --> 00:54:31,560
Speaker 2: of us as kids because it had so it was

952
00:54:32,080 --> 00:54:33,840
Speaker 2: beat for beat, more curses than we'd ever heard in

953
00:54:33,880 --> 00:54:34,759
Speaker 2: our life up to that point.

954
00:54:34,880 --> 00:54:39,040
Speaker 1: Oh my god, it is miraculous in that regard. My

955
00:54:39,200 --> 00:54:41,359
Speaker 1: movie is from nineteen eighty eight. It was written by

956
00:54:41,400 --> 00:54:43,920
Speaker 1: George Gallo. It was directed by Martin Brest and it's

957
00:54:44,000 --> 00:54:45,600
Speaker 1: called Midnight Run.

958
00:54:46,040 --> 00:54:48,520
Speaker 2: The campfly also suffered macrophobia.

959
00:54:49,440 --> 00:54:51,279
Speaker 1: I'll tell you what, if you don't cooperate, you're gonna

960
00:54:51,280 --> 00:54:55,839
Speaker 1: suffer from fish tophobia. Okay, let's chop it up.

961
00:54:55,960 --> 00:54:57,480
Speaker 2: You ready, I'm ready?

962
00:54:57,560 --> 00:54:59,080
Speaker 1: Okay. First of all, I want to talk about Martin

963
00:54:59,080 --> 00:55:03,480
Speaker 1: Breast because I actually I think his career is really interesting.

964
00:55:03,640 --> 00:55:07,880
Speaker 1: So Martin Brest, the director of Midnight Run, directed a

965
00:55:07,920 --> 00:55:11,439
Speaker 1: handful of movies in the seventies, eighties, and nineties. Yeah,

966
00:55:12,080 --> 00:55:17,759
Speaker 1: he directed both Beverly Hills Cop and Spies Like Us,

967
00:55:18,080 --> 00:55:20,080
Speaker 1: which were two of my favorite movies when I was

968
00:55:20,120 --> 00:55:24,920
Speaker 1: a kid. Damn okay, obviously, the former being a total

969
00:55:25,719 --> 00:55:29,520
Speaker 1: smash sensation that made Eddie Murphy a fucking huge star.

970
00:55:30,680 --> 00:55:36,040
Speaker 1: But in two thousand and three, Martin Brest left Hollywood

971
00:55:36,400 --> 00:55:39,720
Speaker 1: and never made another movie again as of this recording,

972
00:55:40,920 --> 00:55:46,600
Speaker 1: which was entirely because he wrote and directed a movie called.

973
00:55:46,880 --> 00:55:50,719
Speaker 2: Geee Shut the fucking Front Door.

974
00:55:51,760 --> 00:55:54,800
Speaker 1: Absolutely So, now the front part of this podcast with

975
00:55:54,880 --> 00:55:58,240
Speaker 1: Ben Affleck makes total sense because Martin Brest directed Gelie

976
00:55:58,760 --> 00:56:02,040
Speaker 1: and then like left the business because of it. She

977
00:56:02,600 --> 00:56:07,920
Speaker 1: killed his career pretty much I mean, he listen, I've

978
00:56:08,000 --> 00:56:10,640
Speaker 1: never seen it. I don't know, have you seen? Okay,

979
00:56:11,480 --> 00:56:14,000
Speaker 1: we might have to for the podcast, just because I'm

980
00:56:14,080 --> 00:56:17,719
Speaker 1: so genuinely curious about it. And actually it's a mob movie,

981
00:56:17,800 --> 00:56:19,640
Speaker 1: so we could have done it for this theme. I

982
00:56:19,680 --> 00:56:22,480
Speaker 1: don't know why we didn't, but that movie is one

983
00:56:22,520 --> 00:56:27,560
Speaker 1: of the most classic, storied box office bombs, right, even

984
00:56:27,600 --> 00:56:30,239
Speaker 1: though I think if you peel back the layers of

985
00:56:30,320 --> 00:56:35,880
Speaker 1: it you'll figure out that essentially the studio ruined the

986
00:56:35,920 --> 00:56:37,880
Speaker 1: film for Martin Brest. I mean he wrote it, like,

987
00:56:38,520 --> 00:56:40,560
Speaker 1: he wrote it and directed it, but they reshot it,

988
00:56:40,640 --> 00:56:42,680
Speaker 1: they rewrote it, so you know, basically it was in

989
00:56:42,760 --> 00:56:44,560
Speaker 1: his film at the end of the day they released it,

990
00:56:45,080 --> 00:56:49,040
Speaker 1: and it was fucking dragged forever and ever and ever

991
00:56:49,239 --> 00:56:51,680
Speaker 1: still to this day. I think people talk about Gelie right.

992
00:56:51,719 --> 00:56:56,480
Speaker 2: Oh yeah, yeah, But how upset do you think Martin

993
00:56:56,560 --> 00:57:00,359
Speaker 2: Brest was to see Ben Affleck and Jen for Loupe

994
00:57:00,360 --> 00:57:01,880
Speaker 2: has get back together and get married.

995
00:57:02,239 --> 00:57:07,040
Speaker 1: You know, it's interesting. He's probably like, oh, man, now

996
00:57:07,080 --> 00:57:09,640
Speaker 1: they're going to bring up Julie again because they're back together.

997
00:57:10,920 --> 00:57:13,640
Speaker 2: Also, they won they won it life and his career

998
00:57:13,719 --> 00:57:18,400
Speaker 2: is demolished. I'd be at that wedding, throw in rotten eggs.

999
00:57:19,160 --> 00:57:22,360
Speaker 1: If I were him, Well, you know what, Like it's

1000
00:57:22,440 --> 00:57:23,919
Speaker 1: not like, at the end of the day, it doesn't

1001
00:57:23,920 --> 00:57:26,320
Speaker 1: feel like their fault. It feels like the studio's fault

1002
00:57:26,320 --> 00:57:30,400
Speaker 1: that they fucking ruined like a I guess, a perfectly

1003
00:57:30,680 --> 00:57:31,600
Speaker 1: bulletproof idea.

1004
00:57:32,080 --> 00:57:32,520
Speaker 2: Who knows.

1005
00:57:33,080 --> 00:57:35,440
Speaker 1: But the interesting thing about Martin Breuss is that he

1006
00:57:36,280 --> 00:57:41,440
Speaker 1: didn't even appear publicly until twenty twenty one. I think

1007
00:57:41,480 --> 00:57:43,880
Speaker 1: it was which I feel like I remember this happening

1008
00:57:43,960 --> 00:57:48,480
Speaker 1: because essentially in LA they showed a double feature of

1009
00:57:49,160 --> 00:57:53,240
Speaker 1: Midnight Run and Beverly Hills Cop and Paul Thomas Anderson

1010
00:57:53,320 --> 00:57:56,600
Speaker 1: hosted it and he interviewed Martin Brest and apparently this

1011
00:57:56,880 --> 00:57:58,480
Speaker 1: was the first time that he had done anything public

1012
00:57:59,160 --> 00:58:00,360
Speaker 1: since Jillie something.

1013
00:58:01,080 --> 00:58:03,640
Speaker 2: What this Okay, Jillie, we have had to do on

1014
00:58:03,680 --> 00:58:05,760
Speaker 2: the pod because this movie turned him into Howard Hughes.

1015
00:58:06,320 --> 00:58:09,640
Speaker 1: Yeah, it's like a Salinger meets Howard Hughes scenario. I mean,

1016
00:58:09,640 --> 00:58:13,560
Speaker 1: I don't really know, damn, Like, I do you want

1017
00:58:13,560 --> 00:58:15,040
Speaker 1: to be on the pod? Martin? I saw you did

1018
00:58:15,080 --> 00:58:17,320
Speaker 1: pod atgmail dot com. I can see that, like I

1019
00:58:17,400 --> 00:58:21,680
Speaker 1: can see I mean, because that movie became such almost

1020
00:58:21,720 --> 00:58:25,040
Speaker 1: like a catchphrase for like bad movies. In a way,

1021
00:58:26,520 --> 00:58:29,600
Speaker 1: I would probably do the same shit, let's get serious.

1022
00:58:29,840 --> 00:58:30,960
Speaker 2: I'd be like disappear.

1023
00:58:31,440 --> 00:58:34,760
Speaker 1: Hell yeah, I'm like, y'all don't know me, Like I'm

1024
00:58:34,800 --> 00:58:38,720
Speaker 1: moving to the Witness Protection Program city in Florida, and

1025
00:58:39,840 --> 00:58:43,000
Speaker 1: that's it, you know, So I don't know I But

1026
00:58:43,920 --> 00:58:47,000
Speaker 1: all this is to say, I mean, he made I mean,

1027
00:58:47,080 --> 00:58:50,920
Speaker 1: Midnight Run is a classic, so it's almost like like

1028
00:58:51,720 --> 00:58:54,480
Speaker 1: not to suggest that we tell him how to feel

1029
00:58:54,720 --> 00:58:56,800
Speaker 1: or anything. But I mean, okay, I know Gelie happened,

1030
00:58:56,840 --> 00:58:59,400
Speaker 1: but like you also made Midnight Run and Beverly Hills

1031
00:58:59,440 --> 00:59:04,080
Speaker 1: Cop and those are fucking amazing pieces of art. So

1032
00:59:04,840 --> 00:59:09,200
Speaker 1: fuck the haters. Fuck the haters, Martin all Right. One

1033
00:59:09,280 --> 00:59:10,919
Speaker 1: sentenced synopsis of Midnight Run.

1034
00:59:11,640 --> 00:59:12,040
Speaker 2: Here we Go.

1035
00:59:12,840 --> 00:59:18,320
Speaker 1: A former cop turn fugitive recovery agent looking to leave

1036
00:59:18,360 --> 00:59:21,840
Speaker 1: the business for good, takes on one last job for

1037
00:59:22,000 --> 00:59:25,560
Speaker 1: a big payday, but it requires him to travel across

1038
00:59:25,640 --> 00:59:30,280
Speaker 1: the country with a wadded mob accountant, where they are

1039
00:59:30,320 --> 00:59:33,880
Speaker 1: also trailed by criminal goons, competing bounty hunters, and the FBI.

1040
00:59:34,880 --> 00:59:36,760
Speaker 2: That was a run on. I will just I know,

1041
00:59:36,920 --> 00:59:40,440
Speaker 2: I know, I know my academic my teacher kicked in,

1042
00:59:40,960 --> 00:59:44,880
Speaker 2: I know, my girl a semi colon. But it's also accurate. Yeah,

1043
00:59:44,920 --> 00:59:45,160
Speaker 2: I know.

1044
00:59:45,640 --> 00:59:48,160
Speaker 1: I was really pushing it with that one.

1045
00:59:48,280 --> 00:59:51,320
Speaker 2: It was dense but accurate and wonderful.

1046
00:59:51,520 --> 00:59:56,960
Speaker 1: Okay, as aug as it's accurate, the grammar is forgivable. Okay.

1047
00:59:57,240 --> 00:59:59,479
Speaker 2: This is a dense movie. It's a very dense movie.

1048
00:59:59,720 --> 01:00:02,560
Speaker 1: Well dense in terms of the casting, first and foremost,

1049
01:00:02,600 --> 01:00:05,440
Speaker 1: because it is fucking the best. The casting in Midnight

1050
01:00:05,560 --> 01:00:07,640
Speaker 1: Run is one of my favorite things about the movie.

1051
01:00:08,000 --> 01:00:11,000
Speaker 1: It's like every freaking character actor I've ever loved is

1052
01:00:11,080 --> 01:00:16,160
Speaker 1: in this film. So you've got the principles of the film.

1053
01:00:17,240 --> 01:00:20,200
Speaker 1: Robert de Niro as the bounty hunter Jack Walsh, and

1054
01:00:20,320 --> 01:00:23,720
Speaker 1: I have to say, horny alert.

1055
01:00:24,280 --> 01:00:26,280
Speaker 2: I already know, I already know what you're gonna say,

1056
01:00:26,640 --> 01:00:31,960
Speaker 2: and absolutely trust me, this version of de Niro is

1057
01:00:32,080 --> 01:00:36,720
Speaker 2: the hottest version of DeNiro. Midnight Run de Niro all

1058
01:00:36,800 --> 01:00:38,960
Speaker 2: day long. H Literally, the.

1059
01:00:39,000 --> 01:00:41,480
Speaker 1: Next sentence I have in my notes is this the

1060
01:00:41,600 --> 01:00:43,880
Speaker 1: hottest DeNiro has ever been in a movie.

1061
01:00:45,920 --> 01:00:51,040
Speaker 2: Absolutely, the hottest version of de Niro his entire life

1062
01:00:51,680 --> 01:00:54,160
Speaker 2: start to finish right in the middle this movie.

1063
01:00:54,520 --> 01:00:56,000
Speaker 1: When I saw this for the first time, I was

1064
01:00:56,080 --> 01:01:01,720
Speaker 1: fucking shocked. I was like, wow, like this couldn't Like

1065
01:01:02,320 --> 01:01:05,640
Speaker 1: he has never been hotter. It's like this perfect moment

1066
01:01:05,720 --> 01:01:09,160
Speaker 1: in time where he's not like Travis Bickle, but he's

1067
01:01:09,200 --> 01:01:11,760
Speaker 1: also not like Meet the Fockers. It's like this fucking

1068
01:01:11,880 --> 01:01:14,640
Speaker 1: perfect moment for him, and I'm like, he's never been hotter, period,

1069
01:01:14,720 --> 01:01:15,200
Speaker 1: point blank.

1070
01:01:15,920 --> 01:01:19,960
Speaker 2: He is like New York City art dirt bag elevated

1071
01:01:20,640 --> 01:01:23,880
Speaker 2: a little bit, like if he did not ever make

1072
01:01:23,880 --> 01:01:26,560
Speaker 2: another movie after this and just stayed in his studio

1073
01:01:26,680 --> 01:01:29,920
Speaker 2: painting hot fire wonderful.

1074
01:01:30,560 --> 01:01:30,880
Speaker 1: Damn.

1075
01:01:31,560 --> 01:01:36,760
Speaker 2: He's a little bit gray. Yeah, he's a little bit older, yes,

1076
01:01:37,520 --> 01:01:40,840
Speaker 2: but like you said, not Meet the Fockers. And he

1077
01:01:41,160 --> 01:01:45,000
Speaker 2: is fucking filthy by the end of this movie. Woof,

1078
01:01:45,520 --> 01:01:49,920
Speaker 2: like literally dirty filthy, And it adds like having some

1079
01:01:50,120 --> 01:01:52,760
Speaker 2: dirt in the crags adds to the hot place.

1080
01:01:53,200 --> 01:01:54,840
Speaker 1: Girl, Who the fuck are you talking to? You know?

1081
01:01:55,000 --> 01:01:58,280
Speaker 1: I love this look. I this is his hot boy era.

1082
01:01:58,480 --> 01:01:59,280
Speaker 1: I don't give a fuck.

1083
01:01:59,680 --> 01:02:01,600
Speaker 2: I will die on this hill. I will fight all

1084
01:02:01,680 --> 01:02:06,240
Speaker 2: of you. Read by anyone bull who motherfucker Midnight runs?

1085
01:02:06,400 --> 01:02:09,720
Speaker 1: Niro can jet it get it?

1086
01:02:10,400 --> 01:02:13,200
Speaker 2: Midnight Run? DeNiro cannot Kevin klein Off the top spot

1087
01:02:13,280 --> 01:02:20,120
Speaker 2: from Wow. Dude, Wow. Big words, big words, big words.

1088
01:02:20,600 --> 01:02:22,120
Speaker 2: And you know what, I'm not going to make them compete.

1089
01:02:22,120 --> 01:02:23,960
Speaker 2: I'm going to keep them up there together and make

1090
01:02:24,000 --> 01:02:29,160
Speaker 2: them kiss like little ken dolls. But truly, one of

1091
01:02:29,200 --> 01:02:31,160
Speaker 2: the first thoughts I had when I turned this on,

1092
01:02:31,280 --> 01:02:34,120
Speaker 2: I completely forgot this is the hottest DeNiro.

1093
01:02:34,440 --> 01:02:37,080
Speaker 1: Yes and it. I just have to say, we'll probably

1094
01:02:37,160 --> 01:02:39,560
Speaker 1: cut this, but the fact that he only dates brown women,

1095
01:02:39,640 --> 01:02:40,960
Speaker 1: to me, is the best.

1096
01:02:41,640 --> 01:02:44,480
Speaker 2: We've talked about it before. The man's got good taste,

1097
01:02:45,440 --> 01:02:49,360
Speaker 2: impeccable fucking taste. Now, he also did have a baby recently,

1098
01:02:49,480 --> 01:02:50,480
Speaker 2: which is a bad move.

1099
01:02:50,600 --> 01:02:52,920
Speaker 1: Oh, hit it, pa, cheetah both. I'm like, y'all are

1100
01:02:53,040 --> 01:02:55,400
Speaker 1: like seventy eighty. Y'all are trying to knock out some kids.

1101
01:02:55,960 --> 01:02:58,840
Speaker 2: Put away, put it away. It's ton to put it away. Yeah,

1102
01:02:58,880 --> 01:03:01,120
Speaker 2: oh yeah, I mean we can't put something over it.

1103
01:03:02,240 --> 01:03:04,920
Speaker 2: Like it's time. We know you did not come from

1104
01:03:04,960 --> 01:03:08,320
Speaker 2: the era of condoms as we did, but it's time

1105
01:03:08,400 --> 01:03:09,439
Speaker 2: to find alternatives.

1106
01:03:09,760 --> 01:03:11,520
Speaker 1: Yo, It's fine, it's time to go and get that

1107
01:03:11,640 --> 01:03:14,200
Speaker 1: fucking vasectomy. Put the bag of peas on the dick

1108
01:03:14,360 --> 01:03:18,400
Speaker 1: like that's it. Like you're you spent like you cannot

1109
01:03:18,400 --> 01:03:20,200
Speaker 1: have any more children. What are you gonna do?

1110
01:03:20,400 --> 01:03:20,640
Speaker 2: Dude?

1111
01:03:20,920 --> 01:03:23,760
Speaker 1: Like you won't even see them graduate high school? Bro, Like,

1112
01:03:23,840 --> 01:03:30,120
Speaker 1: come on, let's get serious anyway, that's like a whole

1113
01:03:30,480 --> 01:03:33,040
Speaker 1: that could be its own podcast episode, right.

1114
01:03:35,800 --> 01:03:38,240
Speaker 2: I stopped breathing at put a bag of peace on

1115
01:03:38,320 --> 01:03:40,880
Speaker 2: the dick. And you're not even gonna see those kids

1116
01:03:41,040 --> 01:03:45,720
Speaker 2: graduate from my high school? Bro? Lead me out what

1117
01:03:45,880 --> 01:03:46,280
Speaker 2: fell off?

1118
01:03:46,640 --> 01:03:51,080
Speaker 1: Yeah, dude, I saw. Anytime I see a news item

1119
01:03:51,200 --> 01:03:54,920
Speaker 1: about some like old actor having a kid with like

1120
01:03:55,000 --> 01:03:56,400
Speaker 1: a thirty something, I'm like.

1121
01:03:56,560 --> 01:03:59,720
Speaker 2: Yo, come on, like, like, I never want to be

1122
01:03:59,760 --> 01:04:04,439
Speaker 2: in the in the position to police anybody's reproductive life

1123
01:04:04,880 --> 01:04:06,760
Speaker 2: unless you are a seventy year old white man.

1124
01:04:10,160 --> 01:04:16,320
Speaker 1: Unless you were Surpaco, then then your then we believe

1125
01:04:16,400 --> 01:04:17,160
Speaker 1: in freedom.

1126
01:04:17,680 --> 01:04:21,760
Speaker 2: If you were, if you drove a nineteen seventy three

1127
01:04:22,120 --> 01:04:25,720
Speaker 2: Oldsmobile off the lot, you gotta stop having kids in

1128
01:04:25,760 --> 01:04:35,280
Speaker 2: twenty twenty four with the A track and all of

1129
01:04:35,360 --> 01:04:40,520
Speaker 2: whipped the fucking A track. If cassettes, if the invention

1130
01:04:40,640 --> 01:04:43,920
Speaker 2: of cassettes happened in your lifetime, stop having children.

1131
01:04:46,960 --> 01:04:52,440
Speaker 1: Holy shit, man, I can't recover from that. I'm crying.

1132
01:04:52,560 --> 01:04:54,960
Speaker 1: I'm crying again on this goddamn podcast.

1133
01:04:55,680 --> 01:04:57,040
Speaker 2: It's a hot one. It's a hot one. Today. We

1134
01:04:57,120 --> 01:04:59,680
Speaker 2: had a lot of thoughts, a lot of fucking opinions today.

1135
01:05:00,440 --> 01:05:05,680
Speaker 1: So end of horny Rant. We have racket the horny

1136
01:05:05,840 --> 01:05:08,800
Speaker 1: rant on the podcast because it happens so often.

1137
01:05:09,560 --> 01:05:12,000
Speaker 2: Look, it's it's summer. I make no apologies.

1138
01:05:12,480 --> 01:05:15,320
Speaker 1: Listen, you know my feelings on this.

1139
01:05:15,560 --> 01:05:21,480
Speaker 2: We came from Horney spring right into Dirtbag June welcome,

1140
01:05:22,160 --> 01:05:23,040
Speaker 2: So okay.

1141
01:05:23,120 --> 01:05:28,880
Speaker 1: So opposite Jack Walsh, the DeNiro character is Jonathan the

1142
01:05:29,120 --> 01:05:33,440
Speaker 1: Duke Marducas, who was played by the King Charles Groden.

1143
01:05:33,560 --> 01:05:37,600
Speaker 1: We've already talked about him. Love Charles Grodon so much

1144
01:05:38,120 --> 01:05:41,920
Speaker 1: as we've established. I think personally the pairing of de

1145
01:05:42,040 --> 01:05:45,080
Speaker 1: Niro and Charles Croden in this movie is what makes

1146
01:05:45,120 --> 01:05:49,440
Speaker 1: it special because to me, both of them seem unlikely

1147
01:05:49,680 --> 01:05:52,040
Speaker 1: to be in this like kind of buddy crime comedy

1148
01:05:52,120 --> 01:05:56,720
Speaker 1: thing exactly. And Charles Croden is the King, I mean,

1149
01:05:56,800 --> 01:06:00,720
Speaker 1: he balances the Jack Walsh character so much because he's

1150
01:06:00,840 --> 01:06:03,960
Speaker 1: just Charles Croden is so dead pan and square that

1151
01:06:04,080 --> 01:06:07,400
Speaker 1: it just works, like the whole thing works because of

1152
01:06:07,520 --> 01:06:12,240
Speaker 1: de Niro and Charles Crowden. But could not agree more so,

1153
01:06:12,320 --> 01:06:14,720
Speaker 1: but the other actors in this film some of my

1154
01:06:15,000 --> 01:06:17,840
Speaker 1: favorite all time character actors. I mean, you've got Yafaed Cooto,

1155
01:06:18,240 --> 01:06:22,800
Speaker 1: who plays like the head of the FBI Division Special

1156
01:06:22,840 --> 01:06:25,440
Speaker 1: Asian Alonso Mosley is his name, which.

1157
01:06:25,240 --> 01:06:30,760
Speaker 2: Okay, but I just have to stop before a second

1158
01:06:30,800 --> 01:06:35,560
Speaker 2: here and say, Yaffat Koto is so fucking funny in

1159
01:06:35,640 --> 01:06:37,440
Speaker 2: this movie. And if you only know him from like

1160
01:06:37,640 --> 01:06:41,400
Speaker 2: dramatic roles or his action roles, which I did as

1161
01:06:41,400 --> 01:06:42,880
Speaker 2: a child. When I first saw this movie, i'd only

1162
01:06:42,960 --> 01:06:44,840
Speaker 2: seen him in like certain like Running Man and stuff

1163
01:06:44,840 --> 01:06:49,360
Speaker 2: like that, he is so he's also like Growden level

1164
01:06:50,040 --> 01:06:53,640
Speaker 2: dry funny. Oh yeah, I'm so witty. So he plays

1165
01:06:53,720 --> 01:06:55,880
Speaker 2: his character to a fucking tee. There's one point where

1166
01:06:55,920 --> 01:06:57,480
Speaker 2: he's like, I think I'm having a heart attack, Like

1167
01:06:57,520 --> 01:06:59,240
Speaker 2: he kind of is out of character a little bit,

1168
01:06:59,320 --> 01:07:00,960
Speaker 2: or his characters a little bit, and he's like, I

1169
01:07:00,960 --> 01:07:02,800
Speaker 2: think I'm having a heart attack. I'm having it is.

1170
01:07:02,960 --> 01:07:05,800
Speaker 2: So he's wonderful, wonderful in this movie.

1171
01:07:06,280 --> 01:07:08,200
Speaker 1: And the running gag, which we'll talk about in just

1172
01:07:08,240 --> 01:07:11,479
Speaker 1: a second. The running gag is that basically Jack Walsh,

1173
01:07:11,560 --> 01:07:14,680
Speaker 1: the de Niro character, steals his FBI badge, and then

1174
01:07:14,760 --> 01:07:19,840
Speaker 1: it's just presenting himself as a special agent Alonzo Moseley.

1175
01:07:20,240 --> 01:07:22,840
Speaker 1: So people are getting confused all the time. They're like, yo,

1176
01:07:22,960 --> 01:07:25,400
Speaker 1: your name is Alonso Moseley, but so is this guy's.

1177
01:07:25,600 --> 01:07:28,040
Speaker 1: And he gets so fucking pissed, like yaff and Cooto

1178
01:07:28,120 --> 01:07:29,919
Speaker 1: gets so mad about it, and it makes me laugh

1179
01:07:30,800 --> 01:07:35,800
Speaker 1: the entire time. Also, not for fucking nothing, but you've

1180
01:07:35,840 --> 01:07:42,440
Speaker 1: got Dennis Farina as the mob boss Jimmy Serrano wearing

1181
01:07:42,480 --> 01:07:45,160
Speaker 1: the Coucie sweaters or whatever, like he's got he's wearing

1182
01:07:45,200 --> 01:07:49,560
Speaker 1: the like Cliff Huxtable fucking leather patches on the on

1183
01:07:49,720 --> 01:07:51,040
Speaker 1: the sweater.

1184
01:07:52,080 --> 01:07:56,760
Speaker 2: Like why he's He's Dennis Farina And he's Dennis Farina

1185
01:07:56,840 --> 01:07:58,760
Speaker 2: in every fucking role he's ever done.

1186
01:08:00,120 --> 01:08:02,680
Speaker 1: He's not like entirely gray at this moment. So he

1187
01:08:02,760 --> 01:08:07,880
Speaker 1: still got the power mustache. I mean, I love Dennis Friedo,

1188
01:08:07,960 --> 01:08:08,520
Speaker 1: what the fuck?

1189
01:08:09,120 --> 01:08:11,760
Speaker 2: I love him? He's so he's so he again is

1190
01:08:11,840 --> 01:08:14,480
Speaker 2: so funny and in so many movies from our childhood

1191
01:08:15,160 --> 01:08:19,600
Speaker 2: played these like straight up you know, mobster dudes. But

1192
01:08:19,960 --> 01:08:22,160
Speaker 2: he was always in comedy, like he just was so

1193
01:08:22,479 --> 01:08:27,160
Speaker 2: funny at not making the role too like over the

1194
01:08:27,240 --> 01:08:30,560
Speaker 2: top clown ish. He was still very terrifying in a

1195
01:08:30,600 --> 01:08:34,240
Speaker 2: lot of these roles, but just always a good laugh.

1196
01:08:35,520 --> 01:08:40,160
Speaker 1: Yeah, and then fucking kaboosting up the fucking Italian guy

1197
01:08:40,240 --> 01:08:43,880
Speaker 1: trained Joey Pants. Joey Pants is in this movie.

1198
01:08:44,600 --> 01:08:49,639
Speaker 2: Joe Penteliano is struggling in this film with that look.

1199
01:08:51,320 --> 01:08:55,519
Speaker 2: I did not think that he leveled up at any

1200
01:08:55,600 --> 01:08:56,880
Speaker 2: point in his life. I did not think he had

1201
01:08:56,920 --> 01:08:59,479
Speaker 2: a glow up. But then you remember this movie and

1202
01:08:59,520 --> 01:09:02,479
Speaker 2: you're like, no, there was a glow up, yo, Like

1203
01:09:03,080 --> 01:09:03,720
Speaker 2: just as big of.

1204
01:09:03,760 --> 01:09:06,519
Speaker 1: A slime ball as he was, and bound by the

1205
01:09:06,560 --> 01:09:13,240
Speaker 1: way like he he plays that fucking slimeball mob underworld

1206
01:09:13,360 --> 01:09:14,880
Speaker 1: related type of.

1207
01:09:14,880 --> 01:09:19,200
Speaker 2: Guy so well the Sopranos. Yes, oh god, he's so

1208
01:09:19,439 --> 01:09:21,760
Speaker 2: good at that. But he absolutely had a glow up

1209
01:09:21,760 --> 01:09:24,679
Speaker 2: because this was some riff raff from Rocky Horror hair

1210
01:09:26,439 --> 01:09:30,439
Speaker 2: so gross, But he looks he fits the part like

1211
01:09:30,520 --> 01:09:35,000
Speaker 2: it's very good set dressing and it's good costuming because

1212
01:09:35,000 --> 01:09:36,559
Speaker 2: it fits the part of the slime ball.

1213
01:09:37,000 --> 01:09:40,360
Speaker 1: Yes, yes, So like I mean, have I have I

1214
01:09:41,000 --> 01:09:42,720
Speaker 1: given you too many heavy hitters so far?

1215
01:09:42,920 --> 01:09:42,960
Speaker 2: No?

1216
01:09:43,479 --> 01:09:46,439
Speaker 1: I mean Philip Baker Hall isn't this fucking movie. He's

1217
01:09:46,520 --> 01:09:49,960
Speaker 1: like he's like playing like a CONSIGLIERI for Jimmy, who

1218
01:09:50,080 --> 01:09:54,240
Speaker 1: is the Dennis Farina character he pops in. Man, You've

1219
01:09:54,280 --> 01:09:59,040
Speaker 1: got John Ashton who plays Marvin Drfler, who's kind of

1220
01:09:59,080 --> 01:10:02,719
Speaker 1: this like uh competing bounty hunter that is like trying

1221
01:10:02,880 --> 01:10:07,280
Speaker 1: to like take the job away from Jack Walsh. Tom

1222
01:10:07,400 --> 01:10:11,120
Speaker 1: Irwin plays one of the yaff at Coto's like you know,

1223
01:10:11,400 --> 01:10:14,120
Speaker 1: FBI underlinks. So you've got the dad from my soul

1224
01:10:14,200 --> 01:10:17,120
Speaker 1: called Life and the dad from some kind of wonderful

1225
01:10:17,240 --> 01:10:21,320
Speaker 1: in the same fucking movie. I mean genius, Okay, I

1226
01:10:22,640 --> 01:10:27,840
Speaker 1: mean it's nothing but hits also unrelated to the cast.

1227
01:10:27,920 --> 01:10:29,559
Speaker 1: But I would be remiss if I did not mention

1228
01:10:29,680 --> 01:10:33,040
Speaker 1: that the music for this film was done by Danny Elfman.

1229
01:10:33,520 --> 01:10:37,880
Speaker 1: You know who he is. And I have to say, hmmm,

1230
01:10:38,960 --> 01:10:43,519
Speaker 1: it's one of the rare misses for me, and he

1231
01:10:43,640 --> 01:10:47,600
Speaker 1: doesn't miss often. But I didn't like the music very

1232
01:10:47,680 --> 01:10:49,759
Speaker 1: much for this film. That's just personal opinion.

1233
01:10:50,160 --> 01:10:53,040
Speaker 2: No, I can get there. It's incongruous with what's happening

1234
01:10:54,280 --> 01:10:54,920
Speaker 2: most of the time.

1235
01:10:55,280 --> 01:10:58,080
Speaker 1: It's to me, it's a bit like too mad cap.

1236
01:10:58,680 --> 01:11:01,439
Speaker 2: Yeah, do you know what I mean? Yeah?

1237
01:11:01,600 --> 01:11:04,759
Speaker 1: And I mean this movie is obviously funny and weird,

1238
01:11:04,840 --> 01:11:06,599
Speaker 1: but it's like, does it have to be that weird?

1239
01:11:06,600 --> 01:11:06,920
Speaker 2: I don't know.

1240
01:11:07,000 --> 01:11:11,920
Speaker 1: It just felt not great and again very rare that

1241
01:11:12,080 --> 01:11:15,599
Speaker 1: Danny Elfman would miss anyway. So like, I'm just gonna

1242
01:11:15,640 --> 01:11:18,960
Speaker 1: go through simple plot beats. So like Jack Walsh de Niro,

1243
01:11:19,760 --> 01:11:23,040
Speaker 1: He's hired by Eddie Musconi, who is the Joey Pan's character.

1244
01:11:23,760 --> 01:11:27,679
Speaker 1: He's a bail bondsman, and he basically goes to Jack

1245
01:11:27,760 --> 01:11:29,400
Speaker 1: Walsh and says, hey, you got to track down this

1246
01:11:29,479 --> 01:11:32,639
Speaker 1: guy named the Duke, who you know, was an accountant

1247
01:11:32,640 --> 01:11:35,719
Speaker 1: for the mob, obviously played by Charles Grodin, and Walsh

1248
01:11:35,840 --> 01:11:37,439
Speaker 1: is like, all right, I'm trying to get out of

1249
01:11:37,479 --> 01:11:39,880
Speaker 1: this business. I'm tired of dealing with low life. Here's

1250
01:11:39,920 --> 01:11:41,280
Speaker 1: the thing. If you want me to do this job,

1251
01:11:41,840 --> 01:11:43,639
Speaker 1: you got to pay me like one hundred thousand dollars.

1252
01:11:44,200 --> 01:11:48,639
Speaker 1: And Joey Pant's like no, but okay, you have five days.

1253
01:11:48,800 --> 01:11:50,960
Speaker 1: So bring back this guy, the Duke in five days

1254
01:11:50,960 --> 01:11:52,840
Speaker 1: and I'll give you one hundred grand. And so he

1255
01:11:52,960 --> 01:11:55,439
Speaker 1: basically flies across the country. You know they're in La

1256
01:11:56,000 --> 01:11:59,000
Speaker 1: Jack Walsh flies across the country to track down the Duke,

1257
01:11:59,040 --> 01:12:01,320
Speaker 1: and he does so pretty easily. Actually like it. That

1258
01:12:01,479 --> 01:12:03,280
Speaker 1: part of it is like very quick because go I

1259
01:12:03,320 --> 01:12:06,160
Speaker 1: found you. Okay, great, Now you're being handcuffed and I'm

1260
01:12:06,200 --> 01:12:09,040
Speaker 1: taking you on a plane to LA where You're gonna

1261
01:12:09,040 --> 01:12:10,840
Speaker 1: be arrested or at least killed.

1262
01:12:11,400 --> 01:12:13,160
Speaker 2: Oh I was just gonna say, he used the oldest

1263
01:12:13,200 --> 01:12:16,760
Speaker 2: of old tech to find this dude. Yeah. Yeah, it's

1264
01:12:16,800 --> 01:12:18,439
Speaker 2: amazing that he fucking found this dude.

1265
01:12:18,960 --> 01:12:21,400
Speaker 1: Yeah no, no, it's the old tech in this movie

1266
01:12:21,640 --> 01:12:27,080
Speaker 1: is gonna break your fucking brain as per usual. But basically,

1267
01:12:27,200 --> 01:12:29,120
Speaker 1: they get on the plane to fly back and the

1268
01:12:29,240 --> 01:12:31,320
Speaker 1: duke like flips out. It's like, I can't fly. I

1269
01:12:31,400 --> 01:12:34,679
Speaker 1: can't fly. So this sets they have to deboard the plane,

1270
01:12:35,040 --> 01:12:37,080
Speaker 1: and then the sets in motion essentially the rest of

1271
01:12:37,080 --> 01:12:39,560
Speaker 1: the film, which is that they use. I mean, the

1272
01:12:39,720 --> 01:12:42,960
Speaker 1: movie is essentially a road movie mixed with like a

1273
01:12:43,080 --> 01:12:47,720
Speaker 1: crime comedy mob comedy. Right, So, because they're unable to fly,

1274
01:12:48,240 --> 01:12:50,880
Speaker 1: they managed to get into like every single kind of

1275
01:12:51,000 --> 01:12:53,960
Speaker 1: vehicle you can possibly imagine from this point. So it's

1276
01:12:54,040 --> 01:12:58,960
Speaker 1: like a train, a bus, a car, a jeep that

1277
01:12:59,160 --> 01:13:03,040
Speaker 1: fucking north by northwest crop duster plane at one point,

1278
01:13:03,520 --> 01:13:06,439
Speaker 1: anything with movement that you can possibly imagine they are

1279
01:13:07,400 --> 01:13:13,320
Speaker 1: passengers in Yeah, meanwhile this is happening. They're making their

1280
01:13:13,360 --> 01:13:16,080
Speaker 1: way back to the West coast. Yeahfat Coto and his boys,

1281
01:13:16,160 --> 01:13:18,880
Speaker 1: his FBI boys are on the trail obviously because they

1282
01:13:19,000 --> 01:13:22,240
Speaker 1: want to capture the duke for themselves, because they're trying

1283
01:13:22,280 --> 01:13:24,800
Speaker 1: to nab Jimmy Serrano, who is his boss, played by

1284
01:13:24,840 --> 01:13:30,720
Speaker 1: Dennis fucking Farina the King. So they're chasing them. Then

1285
01:13:30,760 --> 01:13:34,839
Speaker 1: you've got obviously Jimmy's henchman, you know, smattering of Italian

1286
01:13:34,920 --> 01:13:37,479
Speaker 1: character actors who have been in so many mob movies

1287
01:13:37,600 --> 01:13:41,280
Speaker 1: it's amazing. And then you also have this Marvin Drfler character,

1288
01:13:42,439 --> 01:13:45,479
Speaker 1: John Ashton character, who is like a fellow bounty hunter.

1289
01:13:45,560 --> 01:13:48,120
Speaker 1: He's kind of popping up trying to get the duke

1290
01:13:48,160 --> 01:13:51,479
Speaker 1: for himself so he can get paid. And it's just like,

1291
01:13:52,160 --> 01:13:55,240
Speaker 1: so there's competing factors. These guys can't catch a fucking

1292
01:13:55,280 --> 01:13:57,840
Speaker 1: break to save their lives. They're rolling around in dirt,

1293
01:13:57,960 --> 01:14:02,000
Speaker 1: they fall into rivers like it's like they're they're at

1294
01:14:02,040 --> 01:14:04,240
Speaker 1: one point become like box car travelers.

1295
01:14:04,320 --> 01:14:04,840
Speaker 2: It's just like.

1296
01:14:06,320 --> 01:14:08,680
Speaker 1: The thing about it is that so you've got this

1297
01:14:08,880 --> 01:14:12,599
Speaker 1: kind of opposites attract scenario just like in your film

1298
01:14:12,640 --> 01:14:17,200
Speaker 1: where you've got the Duke Charles Crowden, who was an accountant,

1299
01:14:17,600 --> 01:14:21,000
Speaker 1: so like he's an accountant, so he must be a

1300
01:14:21,080 --> 01:14:21,639
Speaker 1: total square.

1301
01:14:21,880 --> 01:14:22,200
Speaker 2: He is.

1302
01:14:22,880 --> 01:14:26,240
Speaker 1: And then you've got Jack, who again this like keet

1303
01:14:26,320 --> 01:14:31,960
Speaker 1: up hot DeNiro chain smoking, cussing up a storm, like

1304
01:14:33,080 --> 01:14:36,240
Speaker 1: you know, weapons all all day and all night. So

1305
01:14:36,360 --> 01:14:39,880
Speaker 1: they're just kind of like two polar opposite types of personalities. However,

1306
01:14:40,760 --> 01:14:44,360
Speaker 1: and this is where the movie gets its heart, okay,

1307
01:14:45,160 --> 01:14:50,599
Speaker 1: is that they slowly realize that they're actually pretty similar,

1308
01:14:51,360 --> 01:14:54,600
Speaker 1: right because they're kind of older, they've been in the

1309
01:14:54,760 --> 01:14:58,240
Speaker 1: game quote unquote for a long time. They have families.

1310
01:14:58,720 --> 01:15:01,639
Speaker 1: You know, Jack is very much estranged from his ex

1311
01:15:01,720 --> 01:15:05,320
Speaker 1: wife and his teenage daughter who she is remarried and

1312
01:15:06,120 --> 01:15:09,599
Speaker 1: she remarried a cop, and like it's like no bueno

1313
01:15:09,760 --> 01:15:13,720
Speaker 1: for him with this family unfortunately. But they also like

1314
01:15:13,880 --> 01:15:16,040
Speaker 1: don't want to be involved with the low lifes in

1315
01:15:16,080 --> 01:15:19,160
Speaker 1: the mob bosses. They want better things because they're getting

1316
01:15:19,200 --> 01:15:21,120
Speaker 1: older and they're just like, I can't hack it anymore.

1317
01:15:21,600 --> 01:15:24,479
Speaker 2: So that's the reason why Duke, why the Duke is

1318
01:15:24,520 --> 01:15:27,120
Speaker 2: being chased to begin with, because he's stole fifteen million

1319
01:15:27,240 --> 01:15:30,919
Speaker 2: dollars from Serrano, but he gave it to charity, right exactly.

1320
01:15:31,560 --> 01:15:34,160
Speaker 1: So it's that's the kind of thing that kind of,

1321
01:15:34,760 --> 01:15:36,680
Speaker 1: I guess balances the film in a way is that

1322
01:15:36,800 --> 01:15:40,360
Speaker 1: you realize that, you know, both Jack and the Duke

1323
01:15:40,400 --> 01:15:44,800
Speaker 1: are like not totally batties, Like they're just like guys

1324
01:15:44,840 --> 01:15:46,920
Speaker 1: that are in a situation. They're just trying to survive.

1325
01:15:47,040 --> 01:15:49,880
Speaker 1: They want to move on right, And at multiple points

1326
01:15:49,920 --> 01:15:54,960
Speaker 1: they're handcuffed together, which is that classic crime comedy premise.

1327
01:15:55,800 --> 01:15:58,080
Speaker 1: So they build a bond, and then by the end

1328
01:15:58,120 --> 01:16:00,920
Speaker 1: of the film, that bond kind of works itself out

1329
01:16:01,000 --> 01:16:04,240
Speaker 1: in a very surprising way, I actually think, and it does.

1330
01:16:04,600 --> 01:16:07,120
Speaker 1: I won't give away the ending, but it's like very nice.

1331
01:16:07,960 --> 01:16:10,280
Speaker 2: Yeah, it feels good. It feels like the right ending,

1332
01:16:10,320 --> 01:16:12,240
Speaker 2: which is very rare for a lot of movies, but

1333
01:16:12,400 --> 01:16:15,960
Speaker 2: especially really good comedies, where it's like, no, that that

1334
01:16:16,120 --> 01:16:18,519
Speaker 2: was the right ending. I felt something good there.

1335
01:16:18,920 --> 01:16:23,280
Speaker 1: Totally totally agree. But this movie, I mean, honestly, like,

1336
01:16:23,360 --> 01:16:26,000
Speaker 1: if you've never seen Midnight Run, you gotta run to

1337
01:16:26,120 --> 01:16:30,320
Speaker 1: see it because it's fantastic. It's all nostalgia for me basically,

1338
01:16:30,439 --> 01:16:32,599
Speaker 1: Like I mean, it's a great film. Like I said

1339
01:16:32,640 --> 01:16:37,960
Speaker 1: that casting is impeccable, it's funny, it's tender at moments,

1340
01:16:38,040 --> 01:16:40,280
Speaker 1: but it's like for me, it is the womb. It's

1341
01:16:40,320 --> 01:16:42,240
Speaker 1: that feeling of like, oh my God, like it's something

1342
01:16:42,280 --> 01:16:45,320
Speaker 1: from my childhood. Like even though you know there were

1343
01:16:45,360 --> 01:16:48,040
Speaker 1: may be some some misses in the film plot wise

1344
01:16:48,160 --> 01:16:50,040
Speaker 1: or something, or it might be like a little tiny

1345
01:16:50,120 --> 01:16:52,559
Speaker 1: bit too long. I don't know. I've heard complaints about

1346
01:16:52,600 --> 01:16:56,840
Speaker 1: that too, it's still like is I bought the movie

1347
01:16:56,960 --> 01:16:58,479
Speaker 1: because I was like I want to watch it again

1348
01:16:58,520 --> 01:17:02,200
Speaker 1: and again and like, yeah, this this movie will take

1349
01:17:02,200 --> 01:17:05,160
Speaker 1: you back to like a day where I mean the

1350
01:17:05,280 --> 01:17:09,679
Speaker 1: nostalgia factor. It's like you could smoke at a rental

1351
01:17:09,760 --> 01:17:13,760
Speaker 1: car counter. You could smoke on planes essentially. You could

1352
01:17:13,760 --> 01:17:15,880
Speaker 1: bring a pair of scissors onto a plane.

1353
01:17:16,880 --> 01:17:18,160
Speaker 2: You could walk up to the gate.

1354
01:17:19,120 --> 01:17:20,760
Speaker 1: Yeah, you could walk up to the gate. There's no

1355
01:17:21,000 --> 01:17:25,040
Speaker 1: there's no holding back. You could take incoming personal calls

1356
01:17:25,200 --> 01:17:30,160
Speaker 1: at a Chinese restaurant, like you just use the Chinese

1357
01:17:30,200 --> 01:17:35,240
Speaker 1: restaurant's phone as your personal landline. You could forge an

1358
01:17:35,360 --> 01:17:37,920
Speaker 1: FBI badge by just literally going to a photo booth,

1359
01:17:37,960 --> 01:17:39,920
Speaker 1: taking your photo and then pasting it on top of

1360
01:17:40,000 --> 01:17:43,320
Speaker 1: somebody else's photo, and people believe you and allow you

1361
01:17:43,439 --> 01:17:44,320
Speaker 1: to like arrest people.

1362
01:17:45,960 --> 01:17:48,240
Speaker 2: God, it was so low rent. It was so low

1363
01:17:48,320 --> 01:17:49,200
Speaker 2: rent back in the day.

1364
01:17:50,000 --> 01:17:52,400
Speaker 1: It's a lot of beautiful low rent days.

1365
01:17:53,439 --> 01:17:55,879
Speaker 2: Rent crime, which could also be the title of this episode.

1366
01:17:56,040 --> 01:18:00,599
Speaker 1: That's true. But listen, both these movies this week really

1367
01:18:00,960 --> 01:18:02,479
Speaker 1: really made me so happy.

1368
01:18:03,560 --> 01:18:05,640
Speaker 2: Me too. It was a great double feature. It was

1369
01:18:05,680 --> 01:18:09,240
Speaker 2: great to go back and watch both of these. But

1370
01:18:09,400 --> 01:18:13,559
Speaker 2: I also believe that if you've never seen either before,

1371
01:18:13,720 --> 01:18:17,760
Speaker 2: they will be just as accessible and funny. I was

1372
01:18:17,800 --> 01:18:19,960
Speaker 2: telling my my nephew was asking for movie recommendations, and

1373
01:18:20,000 --> 01:18:21,439
Speaker 2: I was like, oh, you should watch my night Run

1374
01:18:21,479 --> 01:18:23,360
Speaker 2: and loved it. Yeah.

1375
01:18:23,600 --> 01:18:26,760
Speaker 1: Oh, it's so so wonderful. This week really really really

1376
01:18:26,880 --> 01:18:30,720
Speaker 1: really hit. I love it. Okay, So, if you want

1377
01:18:30,760 --> 01:18:32,760
Speaker 1: to email us, we are at I Saw You did

1378
01:18:32,800 --> 01:18:35,360
Speaker 1: pot at gmail dot com. We also have a peel

1379
01:18:35,400 --> 01:18:37,799
Speaker 1: box if you want to send us letters, We're here.

1380
01:18:37,720 --> 01:18:45,560
Speaker 2: For you or Renaissance paintings of ben Affleck and you

1381
01:18:45,600 --> 01:18:47,360
Speaker 2: can find that address on our link tree, which is

1382
01:18:47,400 --> 01:18:49,640
Speaker 2: in our social media and you can find us on

1383
01:18:49,720 --> 01:18:52,719
Speaker 2: all of our social media at I Saw Pod on Instagram,

1384
01:18:52,760 --> 01:18:55,200
Speaker 2: Blue Sky, Twitter, and you can also leave us a

1385
01:18:55,240 --> 01:18:56,960
Speaker 2: voicemail to play on the show. All you have to

1386
01:18:56,960 --> 01:18:59,080
Speaker 2: do is record a memo a voice memo on your

1387
01:18:59,120 --> 01:19:00,880
Speaker 2: phone and email it to you. I saw it, you

1388
01:19:00,920 --> 01:19:03,400
Speaker 2: did pot at gmail dot com. Please make it sixty

1389
01:19:03,479 --> 01:19:06,280
Speaker 2: seconds or less and please record it in a quiet space.

1390
01:19:06,640 --> 01:19:08,920
Speaker 1: That's right. We also have merse for you if you

1391
01:19:09,000 --> 01:19:12,960
Speaker 1: want it, go to exactly Right store dot com, and.

1392
01:19:13,080 --> 01:19:15,679
Speaker 2: Our bonus episodes drop on the main feed every third

1393
01:19:15,760 --> 01:19:17,120
Speaker 2: Thursday of the month.

1394
01:19:18,600 --> 01:19:21,960
Speaker 1: Oh man, Danielle, this next episode.

1395
01:19:23,800 --> 01:19:28,439
Speaker 2: A toy forgot, we toti forgot.

1396
01:19:28,479 --> 01:19:32,400
Speaker 1: We picked these just a little hit. Look at the calendar,

1397
01:19:32,560 --> 01:19:37,000
Speaker 1: is all I'm saying. Your films for the next episode

1398
01:19:37,280 --> 01:19:41,800
Speaker 1: are the Royal tenebombs from two thousand and one, and

1399
01:19:42,040 --> 01:19:46,439
Speaker 1: there will be blood from two thousand and seven. Good Man,

1400
01:19:47,320 --> 01:19:48,519
Speaker 1: I cannot fucking wait for.

1401
01:19:48,560 --> 01:19:54,280
Speaker 2: That strap it strap in. You know we go hoad, So.

1402
01:19:56,160 --> 01:20:00,920
Speaker 1: Listen, Danielle. As always, I have to say a fucking pleasure.

1403
01:20:00,720 --> 01:20:05,840
Speaker 2: To this podcast with you, absolute pleasure, the best. Ay,

1404
01:20:05,920 --> 01:20:15,080
Speaker 2: Bye it bye. This has been an exactly right production.

1405
01:20:15,400 --> 01:20:18,720
Speaker 2: Our senior producer is Casey O'Brien. Episode mixing and theme

1406
01:20:18,800 --> 01:20:22,639
Speaker 2: music by Tom Bryfogel, artwork by Garrett Ross. Our executive

1407
01:20:22,680 --> 01:20:25,759
Speaker 2: producers are Georgia Hartstart Caring, kil Gareff, and Daniel Kramer.

1408
01:20:26,120 --> 01:20:28,439
Speaker 2: You can follow us on Instagram and Twitter at I

1409
01:20:28,560 --> 01:20:31,280
Speaker 2: Saw pod, and you can email us at I Saw

1410
01:20:31,320 --> 01:20:32,759
Speaker 2: What You Did Pod at gmail