1 00:00:00,080 --> 00:00:07,080 Speaker 1: M H. Welcome to episode to forty seven, where later 2 00:00:07,120 --> 00:00:10,079 Speaker 1: on we'll talk about famous musicians homes. And you know, 3 00:00:10,119 --> 00:00:11,559 Speaker 1: as I was about to do the story, I saw 4 00:00:11,640 --> 00:00:14,240 Speaker 1: One Country post a whole story about Taylor Swifts multiple 5 00:00:14,320 --> 00:00:16,919 Speaker 1: million dollar homes. They kind of walked through all of 6 00:00:16,920 --> 00:00:19,880 Speaker 1: our houses that she has right now, which is pretty crazy. 7 00:00:19,960 --> 00:00:23,760 Speaker 1: I think it's thirty million dollars in total. So that's 8 00:00:23,760 --> 00:00:25,159 Speaker 1: what Eddie and I talked about in a little bit, 9 00:00:25,239 --> 00:00:27,240 Speaker 1: So you want to hang out for that. But the 10 00:00:27,240 --> 00:00:30,960 Speaker 1: whole site is called one country dot com and they 11 00:00:31,000 --> 00:00:32,800 Speaker 1: say does she live in New York and Los Angeles, 12 00:00:32,880 --> 00:00:37,080 Speaker 1: Nashville or Rhode Island? But the answers all of them, 13 00:00:37,120 --> 00:00:39,240 Speaker 1: and they go through her Nashville place. When she first 14 00:00:39,240 --> 00:00:41,080 Speaker 1: started to make money, she bought a two million dollar 15 00:00:41,159 --> 00:00:43,760 Speaker 1: Nashville place where she knocked out the wall. And I 16 00:00:43,800 --> 00:00:47,760 Speaker 1: know where this place is. It's right next to Music Ro. 17 00:00:47,800 --> 00:00:49,680 Speaker 1: Do you never Taylor lives. I don't know. Well, I 18 00:00:49,680 --> 00:00:51,120 Speaker 1: don't know if she's there that much. But do you 19 00:00:51,159 --> 00:00:54,520 Speaker 1: know where Taylor owns? No, I should say right near 20 00:00:54,560 --> 00:00:57,280 Speaker 1: the radio station. Uh. In Rhode Island, she has a 21 00:00:57,320 --> 00:01:01,200 Speaker 1: twelve thousand square foot beach mansion she paid seventeen point 22 00:01:01,240 --> 00:01:03,720 Speaker 1: seven five million dollars for it, So where she has 23 00:01:03,760 --> 00:01:05,959 Speaker 1: all her summer parties. That's the one like someone broke into, 24 00:01:06,000 --> 00:01:08,600 Speaker 1: isn't it? Is it? I think so? Well, it looks 25 00:01:08,600 --> 00:01:12,000 Speaker 1: like a fortress, but there is a lot of grass 26 00:01:12,000 --> 00:01:14,039 Speaker 1: surrounding it so you could get to it. Like in 27 00:01:14,080 --> 00:01:18,440 Speaker 1: New York. She bought these two apartments and knocked a 28 00:01:18,440 --> 00:01:20,360 Speaker 1: wall out, and then bought a third and knocked another 29 00:01:20,360 --> 00:01:24,920 Speaker 1: wall out, so they have that. They have a twenty 30 00:01:24,959 --> 00:01:28,160 Speaker 1: five million dollar Well I guess it's more than thirty 31 00:01:28,160 --> 00:01:30,800 Speaker 1: million dollars because in two thousand and fifteen she purchased 32 00:01:30,800 --> 00:01:33,680 Speaker 1: the estate of movie mogul Samuel Goldwin for twenty five million. 33 00:01:36,440 --> 00:01:40,360 Speaker 1: So that gives her two homes in Nashville once her parents, 34 00:01:40,840 --> 00:01:43,080 Speaker 1: an awesome apartment in New York, a beach housen Rhode Island, 35 00:01:43,080 --> 00:01:45,120 Speaker 1: and a mansion in California. Yeah, that's way more than 36 00:01:45,160 --> 00:01:50,720 Speaker 1: thirty million dollars. Yeah, thank it for her. So we 37 00:01:50,760 --> 00:01:53,520 Speaker 1: talked about a lot of people that are dead and 38 00:01:53,640 --> 00:01:56,160 Speaker 1: alive in their homes and what's being done with it, etcetera. 39 00:01:56,400 --> 00:01:58,240 Speaker 1: So glad you guys are checking it out. You know, 40 00:01:58,280 --> 00:02:00,040 Speaker 1: on Fridays. If we put one up, we off and 41 00:02:00,120 --> 00:02:01,720 Speaker 1: highlight a lot of the music that came out today. 42 00:02:02,280 --> 00:02:05,840 Speaker 1: Kane Brown shared a new song called Worldwide Beautiful. Here's 43 00:02:05,840 --> 00:02:10,440 Speaker 1: the clip of that you missed every time. If you 44 00:02:10,600 --> 00:02:14,600 Speaker 1: only see him black and white? Tell me you're gonna 45 00:02:14,760 --> 00:02:21,480 Speaker 1: change online your song we had that different from each 46 00:02:27,040 --> 00:02:34,400 Speaker 1: got to see you Beauty and when I looked at 47 00:02:34,560 --> 00:02:37,520 Speaker 1: was the number one song in all formats this morning. 48 00:02:37,520 --> 00:02:38,720 Speaker 1: I want to come on and see where it was 49 00:02:38,760 --> 00:02:40,800 Speaker 1: before we landed. We'll go through some of the other 50 00:02:40,840 --> 00:02:43,920 Speaker 1: new stuff. Brandley Gilbert has a new song out called 51 00:02:44,000 --> 00:02:48,440 Speaker 1: hard Days. Check it out. If you never read, if 52 00:02:48,440 --> 00:02:53,959 Speaker 1: you never read a break living you can take you 53 00:02:54,280 --> 00:02:59,200 Speaker 1: give me new phone? You should shot you be like you. 54 00:03:00,040 --> 00:03:02,919 Speaker 1: Hilo Farr released only Truck in Town. It's a four 55 00:03:03,000 --> 00:03:05,519 Speaker 1: song EP. So we haven't he from Tyler far in 56 00:03:05,560 --> 00:03:07,840 Speaker 1: a little bit. We'll try to get him on an 57 00:03:07,880 --> 00:03:11,399 Speaker 1: episode of next week's Bobby Cast. But here's a song 58 00:03:11,440 --> 00:03:16,120 Speaker 1: called Heaven on Dirt. You span on a clown. The 59 00:03:16,160 --> 00:03:18,720 Speaker 1: way you look in that review, you show making me 60 00:03:18,800 --> 00:03:27,359 Speaker 1: want to maybe show this crazy over her baby. Take 61 00:03:29,800 --> 00:03:33,840 Speaker 1: where you're making these black road streets action. Let's see 62 00:03:34,440 --> 00:03:37,000 Speaker 1: Carly Pierce has a cover of Cowboy Take Me Away. 63 00:03:37,160 --> 00:03:40,080 Speaker 1: I'm assuming this chakes yep. Okay, here you go, cow 64 00:03:40,200 --> 00:03:47,240 Speaker 1: Boy take me aoy love. This girl is high kid, 65 00:03:51,200 --> 00:03:57,800 Speaker 1: Send me Free. Canaan Smith has a new song out 66 00:03:57,880 --> 00:04:01,960 Speaker 1: called Colder than You. So here's some in smitht fat 67 00:04:02,400 --> 00:04:08,520 Speaker 1: he found something colder, kind of has that blue ant 68 00:04:08,560 --> 00:04:14,040 Speaker 1: your color feels. He Gone West relates an acoustic version 69 00:04:14,080 --> 00:04:17,360 Speaker 1: of what could have been Because we left blood. Chi 70 00:04:17,800 --> 00:04:24,320 Speaker 1: said on set finely usability, but it's never said it 71 00:04:24,520 --> 00:04:31,400 Speaker 1: the story that didn't It's like your man and them 72 00:04:31,680 --> 00:04:35,680 Speaker 1: on the bottle fully hands with money on the table 73 00:04:35,800 --> 00:04:39,160 Speaker 1: of child moving down, but I keep coming back a 74 00:04:39,279 --> 00:04:45,880 Speaker 1: game to a kind of bed. So tell me about 75 00:04:45,920 --> 00:04:48,560 Speaker 1: Run the Jewels. So there a hip hop duo and 76 00:04:48,600 --> 00:04:51,760 Speaker 1: they put out a their album early this week. Why 77 00:04:52,520 --> 00:04:54,160 Speaker 1: it's because with everything going on in the world, they 78 00:04:54,200 --> 00:04:56,760 Speaker 1: felt it was kind of about that, so they put 79 00:04:56,800 --> 00:04:59,280 Speaker 1: it out early. It's this two days early albums come 80 00:04:59,279 --> 00:05:01,800 Speaker 1: out on Friday. Yeah, I came out Wednesday. Oh, so 81 00:05:01,880 --> 00:05:03,400 Speaker 1: it's been out a couple of a couple of days. 82 00:05:03,400 --> 00:05:05,559 Speaker 1: That's that's why I was confused. Okay. Run the Jewels 83 00:05:05,600 --> 00:05:09,080 Speaker 1: released the album a couple of days ago, and this 84 00:05:09,279 --> 00:05:12,200 Speaker 1: is called just What the Money sign is the s 85 00:05:12,480 --> 00:05:15,520 Speaker 1: yes with Farrell and Zach del Rocco from Rage against 86 00:05:15,560 --> 00:05:21,960 Speaker 1: the Machine. Here you watch its filter the Proto path, 87 00:05:22,120 --> 00:05:28,920 Speaker 1: you see the Yeah, that's him. He sounds good. Yeah, 88 00:05:29,000 --> 00:05:30,240 Speaker 1: that's what I was surprised by. I was like, day, 89 00:05:30,240 --> 00:05:31,920 Speaker 1: I've never really heard him, Like just heard of Wrap 90 00:05:32,560 --> 00:05:38,919 Speaker 1: and Zach Dellarroco, Like, is he fifty now? Forgets the coolness? 91 00:05:40,040 --> 00:05:43,559 Speaker 1: Like as far as socially conscious music goes, Rage Against 92 00:05:43,600 --> 00:05:47,400 Speaker 1: the Machine was a standard fifty years old, Yeah, and 93 00:05:47,520 --> 00:05:50,120 Speaker 1: sounds contemporary. Yeah, that's what I was surprised. I'm like, well, 94 00:05:50,200 --> 00:05:52,800 Speaker 1: that's that's him. When I was a teenager, we would 95 00:05:52,800 --> 00:05:55,000 Speaker 1: listen to Rage, and you know, they were singing about 96 00:05:55,040 --> 00:05:56,440 Speaker 1: a lot of stuff that had no idea about at 97 00:05:56,440 --> 00:05:59,200 Speaker 1: the time, a lot of social injustice. That was their 98 00:05:59,240 --> 00:06:03,040 Speaker 1: platform for a lot of different areas. But I mean, 99 00:06:03,120 --> 00:06:06,640 Speaker 1: the perfect group to bring in now that was saying 100 00:06:06,720 --> 00:06:09,280 Speaker 1: the same stuff back then, right, But to hear him 101 00:06:09,360 --> 00:06:13,760 Speaker 1: just in that song as a fifty year old hit 102 00:06:13,800 --> 00:06:19,800 Speaker 1: that again, rap about the class. Don't watch its fill 103 00:06:19,839 --> 00:06:25,080 Speaker 1: to the Cotto path. If you see the check seur 104 00:06:26,120 --> 00:06:29,920 Speaker 1: like a track Star, but lap not like by the way, 105 00:06:30,080 --> 00:06:31,400 Speaker 1: if you don't know Rage, if you're a little too 106 00:06:31,440 --> 00:06:36,120 Speaker 1: young for Age, they were for we may pull up 107 00:06:36,120 --> 00:06:39,000 Speaker 1: a few Rage songs. Rage Against the Machine is an 108 00:06:39,000 --> 00:06:42,839 Speaker 1: American rock band from Los Angeles for zag Della Roca. 109 00:06:43,160 --> 00:06:45,479 Speaker 1: You may also know Tom Morello, who was in Rage, 110 00:06:45,520 --> 00:06:47,600 Speaker 1: who also does a lot of other music now, a 111 00:06:47,640 --> 00:06:51,920 Speaker 1: lot of social commentary as well. Their songs express revolutionary 112 00:06:52,000 --> 00:06:56,560 Speaker 1: political views. They're in rap, metal, rap, funk, funk metal, 113 00:06:56,600 --> 00:06:58,880 Speaker 1: alternative metal, new metal, hard rock. If you were to 114 00:06:59,800 --> 00:07:02,520 Speaker 1: you a wonder what do they consider themselves? But all 115 00:07:02,560 --> 00:07:07,520 Speaker 1: the alternative tations played them like crazy and it was 116 00:07:08,720 --> 00:07:15,120 Speaker 1: like hard sounding guitars with kind of hip hop style lyrics. 117 00:07:18,840 --> 00:07:21,280 Speaker 1: So here's a little Rage, as we should call it. 118 00:07:28,040 --> 00:07:30,880 Speaker 1: So this is really hard sounding sonically with the guitar, 119 00:07:31,600 --> 00:07:33,920 Speaker 1: but then when he starts, it's not scream. Oh, it's 120 00:07:33,960 --> 00:07:37,000 Speaker 1: not even really singing. It's kind of a hip hop 121 00:07:42,040 --> 00:07:47,720 Speaker 1: get shot, shot, shoot shop, and don't call with yo. 122 00:07:51,960 --> 00:07:54,000 Speaker 1: I saw I think maybe a TikTok or on Instagram 123 00:07:54,040 --> 00:07:58,680 Speaker 1: where they were playing old Rage stuff to new young 124 00:07:58,760 --> 00:08:01,200 Speaker 1: people saying hey, this is new music, and they were like, man, 125 00:08:01,240 --> 00:08:04,040 Speaker 1: it's really good. I haven't seen that. Yeah where And 126 00:08:04,120 --> 00:08:05,560 Speaker 1: they were doing over a few different people, but the 127 00:08:05,640 --> 00:08:08,200 Speaker 1: one that that people didn't think sucked was raging against 128 00:08:08,200 --> 00:08:09,920 Speaker 1: the machine. Like they're playing for a bunch of kids. 129 00:08:09,920 --> 00:08:19,920 Speaker 1: They're like, I can get down this cool, dad, there 130 00:08:19,960 --> 00:08:23,520 Speaker 1: you go. Don't don't don't bamp, bamp bamp, don't don't 131 00:08:23,640 --> 00:08:26,440 Speaker 1: don't bamp. Yeah, this is just me as a teenager 132 00:08:26,960 --> 00:08:33,760 Speaker 1: thinking I knew what was up. Yeah, maybe you can 133 00:08:33,800 --> 00:08:37,080 Speaker 1: go back and listen to some classic rock, classic rock 134 00:08:37,240 --> 00:08:40,000 Speaker 1: rap raging against the machines today. But yeah, they were 135 00:08:41,800 --> 00:08:47,240 Speaker 1: um all anti authoritarian. You know, they were considered revolutionary 136 00:08:47,679 --> 00:08:51,120 Speaker 1: back then still now. Almost all the band's songs were 137 00:08:51,200 --> 00:08:58,760 Speaker 1: focused on some sort of social justice, so, you know, 138 00:08:59,080 --> 00:09:01,800 Speaker 1: highly critical of a lot of what the United States 139 00:09:01,920 --> 00:09:04,800 Speaker 1: was doing as far as foreign policies back then, and 140 00:09:04,920 --> 00:09:08,320 Speaker 1: the government a bunch a lot of protests. They would 141 00:09:08,320 --> 00:09:11,240 Speaker 1: show up a protests and play and not let anyone 142 00:09:11,320 --> 00:09:13,439 Speaker 1: know and just set up a stage and it was 143 00:09:13,480 --> 00:09:15,520 Speaker 1: like Holy crab dging in some machine perform to the protest. 144 00:09:16,640 --> 00:09:19,720 Speaker 1: Some of their videos, if I'm remembering, were protest type 145 00:09:19,800 --> 00:09:22,840 Speaker 1: videos in front of you know, government buildings where they 146 00:09:22,880 --> 00:09:24,720 Speaker 1: would have to shoot it quickly, like I think there 147 00:09:24,760 --> 00:09:26,880 Speaker 1: were ten fifteen years ahead of their time, maybe twenty. 148 00:09:28,360 --> 00:09:30,160 Speaker 1: And you kind of hear him in that song. It's 149 00:09:30,200 --> 00:09:34,719 Speaker 1: pretty cool. It's cool man. Yeah. Um, all right, check 150 00:09:34,720 --> 00:09:37,640 Speaker 1: out Reggie's Machine today if you like anything else. I 151 00:09:37,679 --> 00:09:39,959 Speaker 1: need to say, Mike before we get in what's going on. 152 00:09:40,080 --> 00:09:43,520 Speaker 1: We got a conversation with Jillian Jacqueline and then we 153 00:09:43,640 --> 00:09:47,160 Speaker 1: have Eddie and I talking about artists and their homes, 154 00:09:47,760 --> 00:09:49,720 Speaker 1: some still living in them and how ridiculous they are. 155 00:09:49,800 --> 00:09:54,640 Speaker 1: And I say that in a complimentary way. Listen, I'm 156 00:09:54,760 --> 00:09:56,719 Speaker 1: jealous that I don't have Kanye and Kim's house. That 157 00:09:56,720 --> 00:09:58,319 Speaker 1: would be pretty cool. I'm not gonna line. If someone 158 00:09:58,320 --> 00:10:00,240 Speaker 1: else said you can have it right now, I would 159 00:10:00,280 --> 00:10:03,000 Speaker 1: take it and be like, wow, this is amazing. I 160 00:10:03,120 --> 00:10:06,400 Speaker 1: take just the closet. Yeah, so yeah, but they are 161 00:10:06,559 --> 00:10:08,880 Speaker 1: ridiculous for sure. Here you go check it out. Thanks 162 00:10:08,880 --> 00:10:10,480 Speaker 1: for hanging out with us, and I hope you like 163 00:10:10,559 --> 00:10:12,480 Speaker 1: the podcast. Give it a few stars, give a five 164 00:10:12,520 --> 00:10:16,000 Speaker 1: stars if you don't mind, check out movie Mike's movie podcast. 165 00:10:16,320 --> 00:10:18,000 Speaker 1: It's all about movies and not just movies that are 166 00:10:18,080 --> 00:10:21,360 Speaker 1: coming out, like fun facts history in movies, right, Yeah, 167 00:10:21,400 --> 00:10:24,000 Speaker 1: the one I'm working on right now, is um if 168 00:10:24,040 --> 00:10:26,679 Speaker 1: singers really sang in the movies they were in. Oh 169 00:10:26,760 --> 00:10:29,520 Speaker 1: that's interesting. So that's what I'm researching right now. Did 170 00:10:32,640 --> 00:10:36,360 Speaker 1: Ryan Let me think of which one it is? Hold on, Okay, 171 00:10:36,920 --> 00:10:42,160 Speaker 1: it the other one, Ryan Gosling. Did he sing in 172 00:10:42,320 --> 00:10:45,360 Speaker 1: the dance movie La La La. It's ta give me 173 00:10:45,360 --> 00:10:48,040 Speaker 1: a second to get there. Yeah, they both did. They did. 174 00:10:48,360 --> 00:10:51,079 Speaker 1: I know he wasn't the best dancer because he trained 175 00:10:51,120 --> 00:10:54,400 Speaker 1: with Searna, my dance partner. Really, she trained both of 176 00:10:54,480 --> 00:10:57,560 Speaker 1: them for a bunch of that movie, because they did 177 00:10:57,559 --> 00:10:59,400 Speaker 1: a bunch of different styles, and so there were some 178 00:10:59,480 --> 00:11:03,079 Speaker 1: styles that she is specifically wonderful at teaching, and so 179 00:11:03,200 --> 00:11:05,280 Speaker 1: she teached both of them, and she was like, because 180 00:11:05,280 --> 00:11:06,880 Speaker 1: she would talk to me about it, she was like, listen, 181 00:11:06,880 --> 00:11:08,600 Speaker 1: he wasn't very good either, and you know, we got 182 00:11:08,679 --> 00:11:11,040 Speaker 1: him to a point where she was I think pretty good, 183 00:11:11,400 --> 00:11:13,120 Speaker 1: but I don't think he was good when they first started. 184 00:11:13,600 --> 00:11:17,280 Speaker 1: That's cool. Okay, So check it out Movie Mike's Movie Podcast. 185 00:11:17,320 --> 00:11:18,720 Speaker 1: All you have to do a search Movie Mike wherever 186 00:11:18,760 --> 00:11:20,640 Speaker 1: you listen to podcasts. All right, that's the deal. Enjoy 187 00:11:20,640 --> 00:11:31,400 Speaker 1: the podcast. Thanks guys. What's happening, lots of stuff. How 188 00:11:31,480 --> 00:11:34,719 Speaker 1: are you probably about, like you, you know, trying to 189 00:11:34,800 --> 00:11:38,520 Speaker 1: figure it all out. Yeah, there's so much, there's so 190 00:11:38,679 --> 00:11:43,400 Speaker 1: much to read and learn right now. Yeah, well, it's 191 00:11:43,400 --> 00:11:44,679 Speaker 1: gonna talk to you against. I think it's been a 192 00:11:44,720 --> 00:11:48,480 Speaker 1: little busince we've talked. I was listening to your new song. 193 00:11:48,600 --> 00:11:51,160 Speaker 1: Obviously I'm in the fan club, okay, it was one 194 00:11:51,200 --> 00:11:53,280 Speaker 1: of the first members of the Gillian Jacqueline fan club 195 00:11:55,480 --> 00:11:58,280 Speaker 1: that yeah, and so, um, I just kind of wanted 196 00:11:58,280 --> 00:11:59,720 Speaker 1: to get on talking about this song for a little bit, 197 00:11:59,800 --> 00:12:02,040 Speaker 1: catch up with you. And I think it's interesting with 198 00:12:02,120 --> 00:12:04,880 Speaker 1: someone puts out a song and then the times kind 199 00:12:04,880 --> 00:12:07,480 Speaker 1: of build itself around the song, right, Does that? Does 200 00:12:07,520 --> 00:12:12,120 Speaker 1: that make sense very much? Yeah? Um, I feel that 201 00:12:12,240 --> 00:12:16,520 Speaker 1: way about this song for sure. Um. We wrote it 202 00:12:16,800 --> 00:12:20,400 Speaker 1: like at the beginning of May, and we were writing 203 00:12:20,440 --> 00:12:24,280 Speaker 1: it in response to COVID nineteen and the pandemic, and 204 00:12:24,400 --> 00:12:27,040 Speaker 1: how you know, three months in we were starting to 205 00:12:27,120 --> 00:12:31,480 Speaker 1: feel like the uncertainty was kind of growing and everyone 206 00:12:31,640 --> 00:12:33,679 Speaker 1: was just feeling like, how do we go forward and 207 00:12:33,760 --> 00:12:35,240 Speaker 1: what is life's going to look like? And then of 208 00:12:35,320 --> 00:12:39,319 Speaker 1: course this past week, um, all of this happened with 209 00:12:39,520 --> 00:12:43,000 Speaker 1: George Floyd and I had put the song out on Friday, 210 00:12:43,840 --> 00:12:47,240 Speaker 1: and as the song kind of came out in the world, 211 00:12:48,520 --> 00:12:53,240 Speaker 1: this all started kind of happening, And Yeah, I feel 212 00:12:54,840 --> 00:12:58,240 Speaker 1: I feel like it's one of those instances where the 213 00:12:58,400 --> 00:13:00,400 Speaker 1: song and the message of the song is going to 214 00:13:00,520 --> 00:13:02,719 Speaker 1: kind of take on a bigger life. And I think 215 00:13:02,760 --> 00:13:05,079 Speaker 1: when we wrote it, we had this hope that it 216 00:13:05,160 --> 00:13:09,280 Speaker 1: would feel like a very timeless, lasting message. UM. Wherever 217 00:13:09,400 --> 00:13:12,760 Speaker 1: you are, whoever you are, whatever you're going through, um. 218 00:13:13,240 --> 00:13:15,480 Speaker 1: And you know, when we get down to the bottom 219 00:13:15,520 --> 00:13:17,839 Speaker 1: of all of this division that we feel the truth 220 00:13:18,000 --> 00:13:20,560 Speaker 1: is that most people, when you talk to them, they 221 00:13:20,679 --> 00:13:23,240 Speaker 1: just want to like be kind and love their neighbor 222 00:13:23,520 --> 00:13:27,360 Speaker 1: and find unity whatever way that they can. So I 223 00:13:27,520 --> 00:13:30,439 Speaker 1: really do hope that that's what this song's message is 224 00:13:30,559 --> 00:13:32,719 Speaker 1: and what people here when they listen to it. I 225 00:13:32,840 --> 00:13:34,080 Speaker 1: want to play a little bit of it right now. 226 00:13:34,800 --> 00:13:38,079 Speaker 1: Here is Wait for the Light by Jillian Jacqueline. Let's 227 00:13:38,080 --> 00:13:39,400 Speaker 1: all sit in peace for a second. I hear the 228 00:13:39,440 --> 00:13:46,400 Speaker 1: song here we go it is you feel see to 229 00:13:46,880 --> 00:13:55,800 Speaker 1: funding we wadful of love is better bla A Billion 230 00:13:56,080 --> 00:13:58,880 Speaker 1: Stories unfolded. Tell me about when you guys hopped into 231 00:13:58,880 --> 00:14:01,120 Speaker 1: the room write the song like you guys who it's 232 00:14:01,200 --> 00:14:06,400 Speaker 1: you your brother and it's all you Tofer and your husband, 233 00:14:06,400 --> 00:14:09,480 Speaker 1: who's Tofor's brother. It's it's it's a whole thing. Yeah, yeah, 234 00:14:11,120 --> 00:14:14,000 Speaker 1: you know about it. It's yeah. So Tofer is my producer, 235 00:14:14,559 --> 00:14:18,439 Speaker 1: um and he I am married to his brother. So, UM, 236 00:14:18,640 --> 00:14:21,880 Speaker 1: we're all kind of working together on my record right now. 237 00:14:22,120 --> 00:14:25,440 Speaker 1: And we just decided to because my record kind of 238 00:14:25,520 --> 00:14:28,040 Speaker 1: got put on hold with the pandemic stuff. We thought, 239 00:14:28,160 --> 00:14:30,480 Speaker 1: why don't we just try to write something new and 240 00:14:30,640 --> 00:14:34,600 Speaker 1: see what comes out. And we sat around their grandmother's piano, 241 00:14:35,000 --> 00:14:39,400 Speaker 1: UM in my living room, and we just tried to 242 00:14:40,240 --> 00:14:44,400 Speaker 1: um be as simple and basic as we possibly could 243 00:14:44,440 --> 00:14:47,760 Speaker 1: about what is true about humanity? Um, what is really 244 00:14:47,840 --> 00:14:50,720 Speaker 1: there when you take the politics and the issues and 245 00:14:51,480 --> 00:14:54,360 Speaker 1: um everything away, Like what is it that makes us 246 00:14:54,400 --> 00:14:57,680 Speaker 1: special and unique? And I think it's our resiliency, Like 247 00:14:57,800 --> 00:15:00,560 Speaker 1: despite all odds, I feel like humans always find a 248 00:15:00,640 --> 00:15:05,360 Speaker 1: way too to rise up again and to find the 249 00:15:05,480 --> 00:15:09,680 Speaker 1: good even when there's like overwhelming amounts of bad. Um. 250 00:15:10,160 --> 00:15:12,320 Speaker 1: So that was that was my hope with this song. 251 00:15:12,440 --> 00:15:15,720 Speaker 1: And I think, um, I think waiting for the light 252 00:15:15,960 --> 00:15:19,400 Speaker 1: right now, for me, it just means that we don't 253 00:15:19,440 --> 00:15:21,960 Speaker 1: have the answers. You know, we don't know how to 254 00:15:22,040 --> 00:15:26,160 Speaker 1: fix things quickly overnight. Um, as we know with this 255 00:15:26,480 --> 00:15:28,720 Speaker 1: everything that's going on right now, it takes time to 256 00:15:28,840 --> 00:15:32,800 Speaker 1: make real change and to change people's hearts and minds, 257 00:15:32,920 --> 00:15:35,640 Speaker 1: and so you know, it's not always about just like 258 00:15:36,480 --> 00:15:38,960 Speaker 1: you know, flipping a switch and things getting better. Sometimes 259 00:15:39,000 --> 00:15:41,280 Speaker 1: you just have to know that you have to wait 260 00:15:41,360 --> 00:15:43,680 Speaker 1: with people through the darkness and be there for them 261 00:15:43,920 --> 00:15:46,120 Speaker 1: and remind them that it's going to get better, even 262 00:15:46,160 --> 00:15:48,680 Speaker 1: when you don't know how or when. So that was 263 00:15:48,840 --> 00:15:51,520 Speaker 1: my hope with with the lyrics of the song. So 264 00:15:51,600 --> 00:15:53,600 Speaker 1: you're not planning to put this on the upcoming album? 265 00:15:53,680 --> 00:15:56,680 Speaker 1: Was that right? I'm not planning to put it on 266 00:15:56,760 --> 00:15:59,200 Speaker 1: the upcoming album. I kind of just wanted it to 267 00:15:59,320 --> 00:16:03,120 Speaker 1: be a stand loan song. Um, yeah, I think that 268 00:16:03,240 --> 00:16:06,120 Speaker 1: it it'll just kind of be its own thing. If 269 00:16:06,160 --> 00:16:08,240 Speaker 1: someone said, hey, fifteen seconds, tell me what this song 270 00:16:08,320 --> 00:16:10,120 Speaker 1: means to you right now with everything happening, what would 271 00:16:10,120 --> 00:16:13,720 Speaker 1: you say? I would say, Um, there is so much 272 00:16:13,800 --> 00:16:17,040 Speaker 1: beauty even when there is so much pain, And I 273 00:16:17,120 --> 00:16:21,360 Speaker 1: think it's our jobs as humans to continue to look 274 00:16:21,400 --> 00:16:25,400 Speaker 1: in each other's eyes and find the good and find 275 00:16:25,440 --> 00:16:28,720 Speaker 1: the innocence and find the piece what I'm gonna use 276 00:16:28,760 --> 00:16:30,320 Speaker 1: that force for the radio show because I'm gonna play 277 00:16:30,320 --> 00:16:33,640 Speaker 1: this on the air tomorrow and you know, oh my god, yeah, 278 00:16:33,800 --> 00:16:36,040 Speaker 1: I've also added it to the count Hey, Mike, didn't 279 00:16:36,040 --> 00:16:37,840 Speaker 1: we put her as the feature artist? Does she know 280 00:16:37,960 --> 00:16:39,680 Speaker 1: this yet? She doesn't know? Oh, she doesn't know it. 281 00:16:40,240 --> 00:16:42,440 Speaker 1: So we do the national countdown. You're gonna be the 282 00:16:43,320 --> 00:16:45,840 Speaker 1: spotlight artist of the week. We've also, you know, our 283 00:16:45,880 --> 00:16:47,440 Speaker 1: programed the Women Show. You're gonna be in that show, 284 00:16:47,440 --> 00:16:50,720 Speaker 1: and then we're gonna play this on the radio show tomorrow. Well, 285 00:16:50,760 --> 00:16:52,520 Speaker 1: it's not a joke. What a terrible joke would that be? 286 00:16:52,760 --> 00:16:54,280 Speaker 1: That would be the worst joke if I was like, 287 00:16:55,840 --> 00:16:59,400 Speaker 1: I'm you know, I am your biggest fan, and I 288 00:16:59,520 --> 00:17:01,720 Speaker 1: love what you stand for as a person, not not 289 00:17:01,880 --> 00:17:04,800 Speaker 1: even just in this situation, obviously in this situation, but 290 00:17:05,800 --> 00:17:07,639 Speaker 1: I think I say, you're a grill for your wedding. 291 00:17:07,720 --> 00:17:11,080 Speaker 1: That's how part of you. Your messages to me. Oh, 292 00:17:11,680 --> 00:17:14,640 Speaker 1: it's a really nice drill too, Like, wow, the best 293 00:17:14,760 --> 00:17:17,280 Speaker 1: drill ever I got online. I picked it out myself. 294 00:17:17,480 --> 00:17:19,840 Speaker 1: But that's my point. It's like, I really like appreciate 295 00:17:19,960 --> 00:17:22,960 Speaker 1: you as an artist and aside from you as a person. 296 00:17:24,080 --> 00:17:27,520 Speaker 1: M hmm, thank you so much. Honestly, it means so much. 297 00:17:27,640 --> 00:17:30,800 Speaker 1: I'm like gonna cry. Thank you. Let me ask you 298 00:17:30,920 --> 00:17:32,639 Speaker 1: because you've been married for a year now, since we 299 00:17:32,720 --> 00:17:36,200 Speaker 1: brought up the wedding. Um, you just celebrated the university 300 00:17:36,240 --> 00:17:41,160 Speaker 1: in April. How's that. How's that year of matrimony been. Um, 301 00:17:41,359 --> 00:17:44,200 Speaker 1: it's been a great first year. Um. As you know, 302 00:17:44,720 --> 00:17:47,800 Speaker 1: there's been a lot of crazy stuff happening. So I 303 00:17:47,880 --> 00:17:49,960 Speaker 1: think we both are have a really great sense of 304 00:17:50,040 --> 00:17:52,560 Speaker 1: humor that this is quite possibly the hardest first year 305 00:17:52,560 --> 00:17:56,240 Speaker 1: of marriage that ever existed. Um. Living through a pandemic 306 00:17:56,880 --> 00:17:59,920 Speaker 1: was interesting. Um. But you know, I wouldn't want to 307 00:18:00,320 --> 00:18:02,760 Speaker 1: be doing this with anyone else. He's my guitar player 308 00:18:02,840 --> 00:18:05,159 Speaker 1: on the road. So UM. We make a lot of 309 00:18:05,240 --> 00:18:08,399 Speaker 1: music at home in the studio and it's it's kind 310 00:18:08,400 --> 00:18:10,800 Speaker 1: of been our way of getting through all this. So UM. 311 00:18:11,160 --> 00:18:15,240 Speaker 1: So far, year one marriage is good. Uh, We'll see, 312 00:18:15,359 --> 00:18:17,200 Speaker 1: we'll see how year two goes. I'm hoping it gets 313 00:18:17,200 --> 00:18:20,600 Speaker 1: a little bit easier in the world in general. Were 314 00:18:20,640 --> 00:18:25,080 Speaker 1: you guys living together before you got married, Yes, Okay, 315 00:18:25,160 --> 00:18:27,440 Speaker 1: here's my question. I'm living with my girlfriend now, and 316 00:18:28,040 --> 00:18:29,840 Speaker 1: hit me with some advice because I've never lived with 317 00:18:29,920 --> 00:18:34,080 Speaker 1: a girlfriend before. Okay, so go and lay me out 318 00:18:34,119 --> 00:18:41,400 Speaker 1: a few tips. Well, I I usually, Um, I would 319 00:18:41,480 --> 00:18:45,880 Speaker 1: just say, learn when to leave the house, learn when, 320 00:18:46,840 --> 00:18:49,760 Speaker 1: learn when that person just needs some space, and learn 321 00:18:49,840 --> 00:18:52,400 Speaker 1: when you need some space. UM. I'm sure you guys 322 00:18:52,440 --> 00:18:54,280 Speaker 1: are still in that honeymoon phase where like you just 323 00:18:54,440 --> 00:18:58,399 Speaker 1: literally want to be together, um, so much fun. But 324 00:18:58,800 --> 00:19:00,679 Speaker 1: I will say that is once in the first year 325 00:19:00,720 --> 00:19:04,040 Speaker 1: of marriage, we love hanging out together. But we've been 326 00:19:04,080 --> 00:19:07,880 Speaker 1: together a lot and so I've gotten used to kind 327 00:19:07,880 --> 00:19:10,360 Speaker 1: of just knowing. Okay, I think now is my time 328 00:19:10,400 --> 00:19:12,159 Speaker 1: to like run to the grocery store or just like 329 00:19:12,280 --> 00:19:15,800 Speaker 1: give this person fifteen or twenty minutes and just like 330 00:19:15,880 --> 00:19:18,679 Speaker 1: alone time. So that is my number one tip right now. 331 00:19:19,440 --> 00:19:21,359 Speaker 1: Did you think I was going to be judgmental of 332 00:19:21,440 --> 00:19:23,240 Speaker 1: you when I asked that question because you answered with 333 00:19:23,280 --> 00:19:28,360 Speaker 1: it yet like years that was like, um, for all 334 00:19:28,440 --> 00:19:31,520 Speaker 1: of those parents that just you know, want their kids 335 00:19:31,600 --> 00:19:34,120 Speaker 1: to wait. I was like just letting you guys know, yes, 336 00:19:34,280 --> 00:19:36,920 Speaker 1: we we did move in together. Um, But actually I 337 00:19:37,000 --> 00:19:40,480 Speaker 1: feel like it's really important. I think that knowing those 338 00:19:40,560 --> 00:19:44,720 Speaker 1: weird little quirks about somebody, um, like if they leave 339 00:19:44,840 --> 00:19:47,960 Speaker 1: the cap off of the toothpaste when they brush their teeth, 340 00:19:48,080 --> 00:19:51,280 Speaker 1: and if it's going to drive you crazy, um, stuff 341 00:19:51,359 --> 00:19:53,399 Speaker 1: like that. I think it's important to learn before you 342 00:19:53,440 --> 00:19:55,480 Speaker 1: get married, which I'm sure you guys are learning about 343 00:19:55,520 --> 00:19:58,800 Speaker 1: each other right now. Well, we learned a lot about 344 00:19:58,800 --> 00:20:01,920 Speaker 1: each other because we were quarantine kind of accidentally. You know. 345 00:20:02,080 --> 00:20:04,959 Speaker 1: She came with a small suitcase and she was going 346 00:20:05,000 --> 00:20:07,080 Speaker 1: to be here for a week, and then that turned 347 00:20:07,080 --> 00:20:09,240 Speaker 1: into three months. And I'm so grateful that it did. 348 00:20:09,680 --> 00:20:12,439 Speaker 1: But you learn a lot about someone whenever you're together 349 00:20:12,520 --> 00:20:17,600 Speaker 1: and can't leave the house. We didn't leave the house. Yeah, wow, Okay, 350 00:20:17,920 --> 00:20:22,840 Speaker 1: so that was not planned. But luckily you're incredibly compatible, 351 00:20:22,920 --> 00:20:25,840 Speaker 1: I'm guessing. Yeah. I'm very grateful that we were stuck together. Obviously, 352 00:20:25,880 --> 00:20:28,720 Speaker 1: I'm not grateful for for Corona, but I'm very grateful 353 00:20:28,760 --> 00:20:32,879 Speaker 1: for when that happened, that some wonderful things happened in 354 00:20:33,000 --> 00:20:35,920 Speaker 1: my life because of it. Mm hmmm, Oh my god, 355 00:20:36,040 --> 00:20:38,040 Speaker 1: that's beautiful. I think it was meant to be. I 356 00:20:38,119 --> 00:20:41,480 Speaker 1: think God had a plan. You know. I'll take it. 357 00:20:41,960 --> 00:20:43,879 Speaker 1: I will I'll take it. Hey, let me ask you this. 358 00:20:44,000 --> 00:20:51,120 Speaker 1: Do you still plan post Corona to go to thrift stores? Yes? 359 00:20:51,440 --> 00:20:55,680 Speaker 1: I planned to go everywhere after Corona. But I wonder 360 00:20:55,720 --> 00:20:57,919 Speaker 1: because thrift stores have been touched so much, it's got 361 00:20:58,000 --> 00:21:01,160 Speaker 1: people germs all over everything. Well that affect your thrift 362 00:21:01,200 --> 00:21:06,240 Speaker 1: shot thrift store shopping at all? Never? No, I I 363 00:21:06,520 --> 00:21:09,639 Speaker 1: love used close too much. I love things that have 364 00:21:09,680 --> 00:21:11,600 Speaker 1: a story to tell, so I will definitely be going 365 00:21:11,640 --> 00:21:13,960 Speaker 1: back to different stores. I saw you and Michelle Branch 366 00:21:14,000 --> 00:21:17,359 Speaker 1: follow each other on Instagram? Do you know her? I 367 00:21:17,840 --> 00:21:20,040 Speaker 1: love Michelle Branch. I'm a huge fan. We did a 368 00:21:20,160 --> 00:21:25,000 Speaker 1: festival UM in South Dakota together a few years ago 369 00:21:25,160 --> 00:21:28,160 Speaker 1: and we got to hang out UM and now we're 370 00:21:28,200 --> 00:21:30,480 Speaker 1: mostly just social media friends. But I hope at some 371 00:21:30,600 --> 00:21:33,480 Speaker 1: point I can see her in person again. Yes, she lives, Yeah, 372 00:21:33,520 --> 00:21:38,399 Speaker 1: she lives in town. She does. Yeah. H what a 373 00:21:38,840 --> 00:21:41,840 Speaker 1: collab that would be because I love Michelle Branch too. 374 00:21:42,040 --> 00:21:44,080 Speaker 1: What a colab. Maybe I should get on that if 375 00:21:44,119 --> 00:21:46,520 Speaker 1: I started. I love that you're putting that out into 376 00:21:46,560 --> 00:21:49,480 Speaker 1: the universe. Yeah yeah, I mean, listen, I have a 377 00:21:49,600 --> 00:21:51,600 Speaker 1: little bit of pressure. I can I can play. I 378 00:21:51,680 --> 00:21:53,600 Speaker 1: have a big voice, you know. I I'll just throw 379 00:21:53,640 --> 00:21:55,960 Speaker 1: it out there, but I would love that. Okay, listen, 380 00:21:56,480 --> 00:21:59,560 Speaker 1: you're here with us now. You can follow Jillian at 381 00:21:59,680 --> 00:22:02,080 Speaker 1: Jilly and Jacqueline and Instagram. She has this new song 382 00:22:02,160 --> 00:22:05,600 Speaker 1: wait for the Light, which is fantastic. Um just telling 383 00:22:05,680 --> 00:22:07,080 Speaker 1: the story about it. It's not going to be on 384 00:22:07,160 --> 00:22:09,160 Speaker 1: the new record, which I actually think is better because 385 00:22:09,200 --> 00:22:13,560 Speaker 1: that means a new record, we have more songs on it. Yes, 386 00:22:13,920 --> 00:22:17,480 Speaker 1: what's the deal with the record? When's it coming out now? Well, 387 00:22:17,640 --> 00:22:21,880 Speaker 1: we're trying to figure that out. Plans got rearranged when 388 00:22:22,080 --> 00:22:25,760 Speaker 1: the pandemic happened, but most of the record is pretty 389 00:22:25,840 --> 00:22:28,080 Speaker 1: much done, and so I think I'm just going to 390 00:22:28,200 --> 00:22:31,080 Speaker 1: try to play it by ere in this new this 391 00:22:31,240 --> 00:22:33,840 Speaker 1: new climate, and see see what we can do, because 392 00:22:33,880 --> 00:22:36,200 Speaker 1: I really do want to just start releasing music and 393 00:22:36,960 --> 00:22:39,600 Speaker 1: I'm excited, so excited for people to hear these songs. 394 00:22:39,680 --> 00:22:43,200 Speaker 1: There's a lot of love on these songs because I 395 00:22:43,320 --> 00:22:47,280 Speaker 1: wrote many of them about my husband. So yeah, I'm excited. 396 00:22:47,680 --> 00:22:49,800 Speaker 1: Do you feel weird to play songs you wrote about 397 00:22:49,920 --> 00:22:53,920 Speaker 1: him to him the first time? No? I am I 398 00:22:54,040 --> 00:22:56,960 Speaker 1: am a very I'm a pisces. I'm just a very 399 00:22:57,040 --> 00:23:00,680 Speaker 1: emotional like heart on my sleeve kind of person. That's 400 00:23:00,760 --> 00:23:02,800 Speaker 1: my favorite thing. I'm like, hey, I wrote a song 401 00:23:02,840 --> 00:23:04,240 Speaker 1: about you today. Do you want to hear it? And 402 00:23:04,280 --> 00:23:06,919 Speaker 1: then I like cry as we're listening to it because 403 00:23:07,000 --> 00:23:12,080 Speaker 1: I'm just that person. And how does he react? Um? 404 00:23:12,680 --> 00:23:15,000 Speaker 1: He loves it. I mean it's very flattering, I think 405 00:23:15,119 --> 00:23:17,800 Speaker 1: to like. I always say he's like my muse because 406 00:23:18,320 --> 00:23:20,880 Speaker 1: I feel like I just am always aspired to write 407 00:23:20,920 --> 00:23:23,119 Speaker 1: songs about what it feels like when you find the 408 00:23:23,240 --> 00:23:26,159 Speaker 1: one interesting. You know what I like about your husband 409 00:23:26,359 --> 00:23:28,720 Speaker 1: was my favorite thing about you because I was you know, 410 00:23:28,760 --> 00:23:30,960 Speaker 1: we spent a little time together on the road. We 411 00:23:31,560 --> 00:23:33,959 Speaker 1: toured together for a while. My favorite thing about him 412 00:23:35,280 --> 00:23:37,200 Speaker 1: is that he plays a guitar left handed, just like me. 413 00:23:39,320 --> 00:23:43,119 Speaker 1: That's right, You guys are left because yeah, because and 414 00:23:43,160 --> 00:23:44,920 Speaker 1: I like him a lot. I like Brian a lot. 415 00:23:45,240 --> 00:23:47,280 Speaker 1: But I know where I go do they have a 416 00:23:47,359 --> 00:23:49,320 Speaker 1: left handed guitar? Ever? In my life, if I go 417 00:23:49,440 --> 00:23:51,200 Speaker 1: to a place and everybody's passing on a guitar playing 418 00:23:51,240 --> 00:23:53,520 Speaker 1: fun songs, I just have to sit there. But with 419 00:23:53,600 --> 00:23:55,399 Speaker 1: Brian arown and I could always be him. Let me 420 00:23:55,480 --> 00:23:59,040 Speaker 1: see that, man, That's very true. You guys have to 421 00:23:59,160 --> 00:24:01,960 Speaker 1: hang and place some up candied guitars together. Sometimes that's 422 00:24:01,960 --> 00:24:04,119 Speaker 1: why we get together. Hey, man me, Bobby, you want 423 00:24:04,160 --> 00:24:07,720 Speaker 1: to play some Lefty sometime. Hey listen, Jillian, Um listen. 424 00:24:07,960 --> 00:24:10,399 Speaker 1: I love everything about you, love your music, you as 425 00:24:10,440 --> 00:24:13,080 Speaker 1: a person. I'm just the biggest fan separately of both 426 00:24:13,160 --> 00:24:16,320 Speaker 1: of them. I'm very thankful that you exist and you 427 00:24:16,440 --> 00:24:18,080 Speaker 1: do wear your heart on your sleeve and in your 428 00:24:18,160 --> 00:24:21,159 Speaker 1: voice and in your music. So I'll encourage people to 429 00:24:21,840 --> 00:24:24,879 Speaker 1: stream Wait for the Light if you still download songs downloaded. 430 00:24:25,720 --> 00:24:29,080 Speaker 1: She is just a good old pure soul. Anything else 431 00:24:29,080 --> 00:24:33,040 Speaker 1: you'd like to say, Jillian, thank you, Bobby, thank you 432 00:24:33,240 --> 00:24:35,400 Speaker 1: so much. This means a lot. It was so good 433 00:24:35,440 --> 00:24:38,160 Speaker 1: to talk to you again. And I just really appreciate 434 00:24:38,320 --> 00:24:40,920 Speaker 1: you wanting people to hear this message of the song. 435 00:24:41,119 --> 00:24:44,040 Speaker 1: Oh thank you. All right, there she is Jillian Jacqueline. Bye, Jillian, 436 00:24:44,080 --> 00:24:54,119 Speaker 1: talk to you soon. Bye bye. So I have this 437 00:24:54,160 --> 00:24:58,560 Speaker 1: whole thing pulled up about celebrity musician artist houses. I've 438 00:24:58,560 --> 00:25:00,760 Speaker 1: never been to Graceland and that's kind of where the started. 439 00:25:00,960 --> 00:25:04,320 Speaker 1: You have, dude, you would love it and it's reopened again. 440 00:25:05,520 --> 00:25:09,280 Speaker 1: Who with Corona? Because I could easily drive over there 441 00:25:09,440 --> 00:25:11,920 Speaker 1: three hours away. And we drove, we drove, did it? 442 00:25:11,960 --> 00:25:14,240 Speaker 1: We were going Caitlin and I went to Arkansas. We 443 00:25:14,359 --> 00:25:16,480 Speaker 1: drove right by there, but it wasn't open yet. And 444 00:25:16,520 --> 00:25:18,399 Speaker 1: so I started thinking about all these famous places that 445 00:25:18,480 --> 00:25:19,920 Speaker 1: artists have left. Have a list of them, but we'll 446 00:25:19,920 --> 00:25:25,199 Speaker 1: start with Graceland. Graceland. Yeah, how do you say that? Graceland, Graceland, Graceland. Right, 447 00:25:25,240 --> 00:25:28,720 Speaker 1: That's how I've always said it. So Elvis Presley's iconic 448 00:25:28,800 --> 00:25:31,159 Speaker 1: mansion is second only to the White House as the 449 00:25:31,200 --> 00:25:34,960 Speaker 1: most visited home in American It's an emblem to the 450 00:25:35,119 --> 00:25:38,280 Speaker 1: King's celebrity. What's this place like inside? Okay, so the 451 00:25:38,400 --> 00:25:40,720 Speaker 1: first initial reaction when you walk up and you're like, 452 00:25:40,840 --> 00:25:42,800 Speaker 1: this place is not big at all. Like the house 453 00:25:42,880 --> 00:25:46,320 Speaker 1: itself is not very big. It's not I think maybe 454 00:25:46,320 --> 00:25:48,520 Speaker 1: at that time in the seventies or whatever, it was huge, 455 00:25:48,960 --> 00:25:51,440 Speaker 1: but it's not that big. And inside they kept it 456 00:25:51,480 --> 00:25:54,919 Speaker 1: exactly how Elvis had it, which is like shaggy carpet. Uh, 457 00:25:55,080 --> 00:25:57,440 Speaker 1: it's a very the kitchen, you know, you would look 458 00:25:57,440 --> 00:25:59,040 Speaker 1: at it and be like, oh my gosh, this looks 459 00:25:59,080 --> 00:26:00,520 Speaker 1: like a house straight from the seven, because that's what 460 00:26:00,560 --> 00:26:03,400 Speaker 1: it is. But it's cool, man, about the jungle room. 461 00:26:04,119 --> 00:26:06,959 Speaker 1: It's small. I'm telling you every room that you mean, 462 00:26:07,080 --> 00:26:09,879 Speaker 1: maybe even googled and seen pictures of it's tiny. The 463 00:26:09,960 --> 00:26:12,960 Speaker 1: jungle room is small, maybe three pieces of furniture in there, 464 00:26:13,040 --> 00:26:16,480 Speaker 1: but it is very shagged out. So it says Graceland 465 00:26:16,560 --> 00:26:19,959 Speaker 1: is seventeen thousand square feet, has twenty three rooms, including 466 00:26:20,000 --> 00:26:22,080 Speaker 1: eight bedrooms and bathrooms. How is that small because you 467 00:26:22,160 --> 00:26:24,879 Speaker 1: can't go upstairs. You can't. I mean, then you go 468 00:26:24,960 --> 00:26:27,479 Speaker 1: to that, you go, you walk in, and then there's 469 00:26:28,320 --> 00:26:30,600 Speaker 1: I think what makes it bigger than it looks is 470 00:26:30,640 --> 00:26:32,920 Speaker 1: there's a basement or like a lower level that you 471 00:26:33,000 --> 00:26:36,240 Speaker 1: can see. But overall, did you see that you think Elvis, 472 00:26:36,359 --> 00:26:38,320 Speaker 1: the king of rock and roll, you would have a huge, 473 00:26:38,440 --> 00:26:41,159 Speaker 1: huge house. It's not that big. But again they're all 474 00:26:41,160 --> 00:26:42,639 Speaker 1: the drums. You can't go to that. He got to 475 00:26:42,680 --> 00:26:44,840 Speaker 1: live in upstairs, right, That's what I'm saying. So it's 476 00:26:44,840 --> 00:26:49,600 Speaker 1: still big then square feet rooms. Maybe they're talking about 477 00:26:49,640 --> 00:26:51,480 Speaker 1: the racket court and everything on the side too. But 478 00:26:51,720 --> 00:26:54,320 Speaker 1: my recollection of it was like, Wow, there's a lot 479 00:26:54,359 --> 00:26:56,440 Speaker 1: smaller than I thought, and I would like it. You 480 00:26:56,600 --> 00:26:59,240 Speaker 1: would love it because not only is it the house, 481 00:27:00,359 --> 00:27:03,200 Speaker 1: every room too, has a little story to it, you know, 482 00:27:03,440 --> 00:27:06,440 Speaker 1: like that you go into like the living area and 483 00:27:06,600 --> 00:27:08,520 Speaker 1: the stairs are right there. He had old chocolate pie 484 00:27:08,560 --> 00:27:10,560 Speaker 1: over here. Baby. They would say stuff like that, like 485 00:27:10,840 --> 00:27:12,720 Speaker 1: um a Priscilla, you know there would be like a 486 00:27:12,800 --> 00:27:15,560 Speaker 1: voice of Priscilla Plane and saying I just remember, you know. 487 00:27:15,800 --> 00:27:18,359 Speaker 1: Like we'd have friends come in town, and I would 488 00:27:18,359 --> 00:27:20,680 Speaker 1: tell him like, hey, Elvis, the friends are downstairs, time 489 00:27:20,720 --> 00:27:22,760 Speaker 1: to come down now. And you'd want to be upstairs 490 00:27:22,800 --> 00:27:24,840 Speaker 1: and not hang out with anyone. But then you would 491 00:27:24,840 --> 00:27:28,160 Speaker 1: slowly hear the jewels start rattling any here. He come 492 00:27:28,280 --> 00:27:31,719 Speaker 1: slowly down the stairs, so with all his jewels. George 493 00:27:31,760 --> 00:27:34,680 Speaker 1: straight San Antonio estate is for sale right now for 494 00:27:34,760 --> 00:27:38,200 Speaker 1: eight point nine million dollars. The eight thousand square foot 495 00:27:38,280 --> 00:27:41,399 Speaker 1: custom Adobe mansion is on a hilltop sits on twelve 496 00:27:41,440 --> 00:27:45,600 Speaker 1: acres of land. After some price of judgment adjustments, you 497 00:27:45,640 --> 00:27:47,600 Speaker 1: can now get up for right below nine million dollars. 498 00:27:48,880 --> 00:27:54,760 Speaker 1: A guesthouse, an infinity pool, spaw sanna, fourteen hands sculpted fireplaces, 499 00:27:55,359 --> 00:27:59,320 Speaker 1: custom stained glass windows. Not surprisingly, it took two years 500 00:27:59,359 --> 00:28:02,760 Speaker 1: to construct. It's funny, you know, when you live in 501 00:28:02,880 --> 00:28:05,800 Speaker 1: a town where celebrity lives in everyone knows where that 502 00:28:05,920 --> 00:28:09,159 Speaker 1: house is, apparently, but like, I don't know where that is. 503 00:28:09,400 --> 00:28:11,240 Speaker 1: But my parents would always just say, because my parents 504 00:28:11,320 --> 00:28:13,240 Speaker 1: live in Santonio, and they're always like, oh, yeah, George 505 00:28:13,240 --> 00:28:15,399 Speaker 1: Strait's houses is right up there, but was it? I 506 00:28:15,480 --> 00:28:17,359 Speaker 1: don't know. I never knew where it was. When I 507 00:28:17,680 --> 00:28:20,840 Speaker 1: grew up in Arkansas, everyone said Tom Patty's got a 508 00:28:20,880 --> 00:28:25,120 Speaker 1: house Hosprings Village. I don't even think he ever did. 509 00:28:25,920 --> 00:28:28,960 Speaker 1: That's funny, but people love to make crap crap up 510 00:28:29,080 --> 00:28:30,840 Speaker 1: like that, like, oh, yeah, the house is right down 511 00:28:30,880 --> 00:28:33,520 Speaker 1: that road. Johnny Cash's childhood home. Have you ever been there? 512 00:28:34,240 --> 00:28:37,879 Speaker 1: The Diets Colony in Arkansas, UM was a nineteen thirties 513 00:28:38,080 --> 00:28:40,720 Speaker 1: New Deal initiative to help poor families after the Great Depressions, 514 00:28:40,760 --> 00:28:42,440 Speaker 1: So they were his family was some of the ones 515 00:28:42,480 --> 00:28:45,680 Speaker 1: who benefited from that, And you can go. It's small, 516 00:28:46,360 --> 00:28:49,920 Speaker 1: it's one story farmstead, but that's I have a lot 517 00:28:49,960 --> 00:28:51,720 Speaker 1: of friends in Arkansas. They don't go because it's a 518 00:28:51,760 --> 00:28:53,880 Speaker 1: tourist thing to do, but they're like, you know, Johnny 519 00:28:53,880 --> 00:28:56,080 Speaker 1: Cash is when they first moved because they were in 520 00:28:56,200 --> 00:29:03,480 Speaker 1: Southeast Arkansas, I believe, and then and moved to where 521 00:29:03,560 --> 00:29:06,400 Speaker 1: they are now, but it's it's just go see it. 522 00:29:06,520 --> 00:29:10,040 Speaker 1: It's like Thomas Jefferson's place in Philadelphia. It's tiny. Yeah, 523 00:29:10,200 --> 00:29:11,959 Speaker 1: it's like Thomas Jefferson lived here, and it was it's 524 00:29:12,000 --> 00:29:15,479 Speaker 1: like one room. Now. I've been to the Nashville Johnny 525 00:29:15,520 --> 00:29:18,040 Speaker 1: and June house, which is not really there anymore. It's 526 00:29:18,040 --> 00:29:20,680 Speaker 1: still it's still it was for sale recently. Again, it 527 00:29:20,800 --> 00:29:23,760 Speaker 1: wasn't really like how recent, like a year maybe, Okay, 528 00:29:23,880 --> 00:29:26,160 Speaker 1: So so when I went, it's in Hendersonville, which is 529 00:29:26,200 --> 00:29:29,160 Speaker 1: probably about forty five minutes from here or thirty minutes 530 00:29:29,200 --> 00:29:32,080 Speaker 1: from here. And uh, and I guess what happened was 531 00:29:32,280 --> 00:29:36,440 Speaker 1: after Johnny died and June died, that is it. Gibbs, 532 00:29:37,240 --> 00:29:40,560 Speaker 1: who's the b G guy, Barry GiB Barry Gibb bought 533 00:29:40,640 --> 00:29:43,320 Speaker 1: it and then while he owned it, there was some 534 00:29:43,440 --> 00:29:45,600 Speaker 1: electrical problem or whatever in the house and the house 535 00:29:45,680 --> 00:29:48,560 Speaker 1: burned to the ground and so and it never got fixed. 536 00:29:48,880 --> 00:29:51,280 Speaker 1: They left it like that. So you can go dry 537 00:29:51,320 --> 00:29:53,240 Speaker 1: by today and the house is still there, but I 538 00:29:53,280 --> 00:29:56,520 Speaker 1: mean it's burnt and really half walls are up. There's 539 00:29:56,560 --> 00:29:59,040 Speaker 1: maybe a swimming pool, a slide by the swimming pool 540 00:29:59,160 --> 00:30:00,920 Speaker 1: left hey, like when you see what's up with that 541 00:30:01,000 --> 00:30:05,080 Speaker 1: Johnny Cash house. I know Johnny Cat Knoxville owned it 542 00:30:05,120 --> 00:30:08,800 Speaker 1: at one point. Interesting how he sold it after that? 543 00:30:08,920 --> 00:30:11,800 Speaker 1: I remember that is its still up for sale? It's 544 00:30:11,880 --> 00:30:15,240 Speaker 1: I feel like someone that I was talking to it 545 00:30:15,320 --> 00:30:18,960 Speaker 1: was just looking at or just bought it. Really, It's crazy, dude, 546 00:30:19,120 --> 00:30:21,760 Speaker 1: the access you have to it. It's not like Graceland. 547 00:30:21,920 --> 00:30:24,640 Speaker 1: In Graceland, you the house is far from the road. 548 00:30:24,760 --> 00:30:26,680 Speaker 1: You can see it, but it's far. This house you 549 00:30:26,760 --> 00:30:29,719 Speaker 1: can literally drive right next to it. And there's Johnny's house. Oh, 550 00:30:29,720 --> 00:30:31,240 Speaker 1: you can drive right out right by the lake. I 551 00:30:31,440 --> 00:30:34,360 Speaker 1: was with the driver because if when I do some 552 00:30:34,440 --> 00:30:35,760 Speaker 1: of these TV shows, I think the c m A 553 00:30:35,800 --> 00:30:39,240 Speaker 1: Awards last November, a driver picked me up. And so 554 00:30:39,480 --> 00:30:41,560 Speaker 1: because they want to make sure it's not as much 555 00:30:41,600 --> 00:30:42,880 Speaker 1: fancy as it is, they need to make sure you're 556 00:30:42,880 --> 00:30:45,000 Speaker 1: gonna get thrown time, So they will send a driver 557 00:30:45,120 --> 00:30:47,280 Speaker 1: to get you to make sure you're in the right 558 00:30:47,320 --> 00:30:48,880 Speaker 1: spot because you have a time you have to be 559 00:30:49,000 --> 00:30:51,080 Speaker 1: on stage and if you're not there, they're screwed. And 560 00:30:51,120 --> 00:30:52,480 Speaker 1: so driver pick me up and he goes, hey, man, 561 00:30:52,640 --> 00:30:55,840 Speaker 1: listen to the show a lot. He goes, man, it's crazy. 562 00:30:56,000 --> 00:30:57,760 Speaker 1: He said, he's talking about where I live now, and 563 00:30:57,840 --> 00:30:59,760 Speaker 1: he goes, you know many pearlis live all over here, 564 00:31:00,000 --> 00:31:00,960 Speaker 1: and I was like, yeah, he goes, and you know 565 00:31:01,000 --> 00:31:02,320 Speaker 1: what I used to do these I used to drive 566 00:31:02,400 --> 00:31:04,440 Speaker 1: the tours and we would go to all these celebrities 567 00:31:04,480 --> 00:31:06,400 Speaker 1: houses he goes. Nowadays, we can never get away with 568 00:31:06,440 --> 00:31:09,280 Speaker 1: that because people don't want you driving by show people 569 00:31:09,320 --> 00:31:11,080 Speaker 1: in the houses because it get robbed. Yeah, I know 570 00:31:11,120 --> 00:31:13,080 Speaker 1: it's different back then, I think who I read it well? 571 00:31:13,240 --> 00:31:15,320 Speaker 1: And that country music documentary they were talking about Pierce 572 00:31:15,400 --> 00:31:18,400 Speaker 1: Webb and how he had his guitar shape pool and 573 00:31:18,440 --> 00:31:20,280 Speaker 1: he would have busses go by and he would sell 574 00:31:21,120 --> 00:31:23,360 Speaker 1: jars of the pool water for a dollar to all 575 00:31:23,400 --> 00:31:25,360 Speaker 1: the tours. You can't do that today. Can you imagine 576 00:31:25,360 --> 00:31:29,000 Speaker 1: if Keith Urvan did that? I might Mike, what do 577 00:31:29,040 --> 00:31:30,920 Speaker 1: you find about Johnny Cash House? Looks like it burned 578 00:31:30,960 --> 00:31:32,960 Speaker 1: down in two thousand seven, not all the way and 579 00:31:33,000 --> 00:31:35,600 Speaker 1: then it was for sale last year? Okay? How much 580 00:31:35,680 --> 00:31:38,520 Speaker 1: was it for sale? For four million? I thought I 581 00:31:38,560 --> 00:31:40,160 Speaker 1: saw it up for sale and did someone by it. 582 00:31:40,800 --> 00:31:44,040 Speaker 1: I don't see that anyone bought it. It's still listed. Wow, 583 00:31:44,240 --> 00:31:47,680 Speaker 1: you want to go Halves No, no, I mean as 584 00:31:47,720 --> 00:31:49,640 Speaker 1: part of the appill At house there was Johnny Cash 585 00:31:49,760 --> 00:31:51,600 Speaker 1: is for the four million or you actually get a 586 00:31:51,640 --> 00:31:55,200 Speaker 1: pretty good spot out that it's Johnny's house because right 587 00:31:55,240 --> 00:31:57,400 Speaker 1: across the street is you know, old farmer Bill with 588 00:31:57,480 --> 00:31:59,240 Speaker 1: his tractors to the front and a car on wheel 589 00:31:59,400 --> 00:32:02,280 Speaker 1: on a brick. Well, it's not but for four million dollars, 590 00:32:02,320 --> 00:32:04,640 Speaker 1: it's not a great neighborhood. Man, It's crazy. There's even 591 00:32:04,680 --> 00:32:06,600 Speaker 1: like maybe a little cemetery next to it, you know, 592 00:32:06,680 --> 00:32:10,160 Speaker 1: it's it's not It's just a road with six or 593 00:32:10,200 --> 00:32:11,960 Speaker 1: seven houses on it and it's just by the lake. 594 00:32:12,000 --> 00:32:15,760 Speaker 1: It's it is waterfront. It's about it. Number fifty six 595 00:32:15,840 --> 00:32:19,480 Speaker 1: Hope Road. Does that address? Is it Bill Clinton? No? 596 00:32:19,840 --> 00:32:23,640 Speaker 1: Bob Marley Nice? Number fifty six Hope Road was bought 597 00:32:23,640 --> 00:32:27,080 Speaker 1: by reggae superstar Bob Marley in nineteen seventy five. As 598 00:32:27,160 --> 00:32:30,720 Speaker 1: well as housing the Tough Gong Studios, the nineteenth century 599 00:32:30,760 --> 00:32:34,959 Speaker 1: colonial property in Kingston was the site of the attempt 600 00:32:35,000 --> 00:32:38,720 Speaker 1: on Marley's life in nineteen seventy six. It's now Bob 601 00:32:38,800 --> 00:32:40,960 Speaker 1: Marley Museum. Wow, that's so you can go up to 602 00:32:41,000 --> 00:32:43,200 Speaker 1: that home where he used to live and check it out. 603 00:32:43,200 --> 00:32:45,320 Speaker 1: They don't act like a super fancy or anything, but 604 00:32:45,400 --> 00:32:47,760 Speaker 1: the area is not very fancy. Even Kingston, Jamaica is 605 00:32:48,200 --> 00:32:51,600 Speaker 1: It's That's what that is still dangerous. No, never, I 606 00:32:51,680 --> 00:32:54,200 Speaker 1: read a lot about it. Tom Petty's mansion was just 607 00:32:54,280 --> 00:32:58,520 Speaker 1: purchased by Selena Gomez. What if it was village? It's not. 608 00:32:59,080 --> 00:33:02,880 Speaker 1: Now Selena lives Hot Springs Village. Selena Gomez has purchased 609 00:33:02,920 --> 00:33:06,640 Speaker 1: the Encino, California mansion previously owned by Tom Petty. The 610 00:33:06,720 --> 00:33:09,040 Speaker 1: home was sold last month four point nine million. At 611 00:33:09,080 --> 00:33:12,040 Speaker 1: the time of the sale, the buyer's identity remained a mystery. 612 00:33:12,120 --> 00:33:14,360 Speaker 1: Now it appears that Selena Gomez is gonna be moving in. 613 00:33:14,920 --> 00:33:18,200 Speaker 1: The spacious three story home feature six bedrooms, eight full bathrooms, 614 00:33:18,280 --> 00:33:20,800 Speaker 1: two and a half bats. It's many highlights include a 615 00:33:20,800 --> 00:33:24,320 Speaker 1: recording studio, stone fireplace, yoga studio, spiral staircase, game room, 616 00:33:24,360 --> 00:33:28,800 Speaker 1: wine cellar, jim massage room. Outdoor amenities include a cabana, 617 00:33:29,840 --> 00:33:34,600 Speaker 1: say it outdoor bar, a fire pit, multiple decks, pool spall, 618 00:33:34,960 --> 00:33:39,080 Speaker 1: cascading waterfall. Tom Petty had the house custom built after 619 00:33:39,120 --> 00:33:41,200 Speaker 1: an arsonist de stored his previous home home at the 620 00:33:41,280 --> 00:33:45,040 Speaker 1: exact same site. Wow this song I Won't Back Down 621 00:33:45,480 --> 00:33:48,400 Speaker 1: is about the person burning that first house down. The 622 00:33:48,480 --> 00:33:51,800 Speaker 1: traumatic experience would inspire his nine nine hit I Won't 623 00:33:51,840 --> 00:33:55,040 Speaker 1: Back Down. The iconic singer lived in his first home 624 00:33:55,080 --> 00:33:57,800 Speaker 1: with his wife Jane until they're divorced. He then moved 625 00:33:57,840 --> 00:34:00,920 Speaker 1: they rebuilt on the same property. Crazy, I didn't know 626 00:34:01,000 --> 00:34:05,640 Speaker 1: that about that song. You can burn my house down, 627 00:34:05,720 --> 00:34:09,440 Speaker 1: Selina will buy it and we won't back down. Does 628 00:34:09,560 --> 00:34:13,799 Speaker 1: he say something about burning? Yeah, I was. I thought 629 00:34:13,840 --> 00:34:17,040 Speaker 1: I remembered that. But now Kurt Cobain and Courtney loves 630 00:34:17,200 --> 00:34:19,560 Speaker 1: former home on sale for seven point five million dollars 631 00:34:19,880 --> 00:34:21,840 Speaker 1: where I think so, and I think that would be 632 00:34:22,040 --> 00:34:26,400 Speaker 1: like a really historic site. The former Seattle home of 633 00:34:26,480 --> 00:34:28,960 Speaker 1: Kurt and Courtney have been put up for sale by 634 00:34:28,960 --> 00:34:31,920 Speaker 1: the most recent owners for seven point five million dollars quote. 635 00:34:31,920 --> 00:34:34,680 Speaker 1: A perfectly maintained home of extraordinary presence, situated up on 636 00:34:34,719 --> 00:34:37,879 Speaker 1: a beautiful park like lot in the heart of Denny 637 00:34:37,960 --> 00:34:40,800 Speaker 1: Blaine built a nineteen o two. You can see exterior 638 00:34:40,840 --> 00:34:44,120 Speaker 1: shots of the house, the interior shots are not made available. 639 00:34:45,480 --> 00:34:48,600 Speaker 1: Four bedrooms, four bathrooms, a wine cellar. They lived there 640 00:34:48,680 --> 00:34:50,880 Speaker 1: only briefly after purchasing it in early ninety four. In 641 00:34:50,920 --> 00:34:54,160 Speaker 1: the same year he died by suicide in the Greenhouse. 642 00:34:54,719 --> 00:34:56,880 Speaker 1: Love had the Greenhouse demolished before selling the home. In 643 00:34:58,280 --> 00:35:00,879 Speaker 1: It's Not There, I was watching Man on the Moon 644 00:35:02,280 --> 00:35:04,239 Speaker 1: and Courtney Love is in Man on the Moon does 645 00:35:04,239 --> 00:35:06,680 Speaker 1: a great job in that movie. So Courtney Love and 646 00:35:07,719 --> 00:35:09,799 Speaker 1: so that movie is about Andy Kaufman. But Courtney Love 647 00:35:09,840 --> 00:35:13,839 Speaker 1: plays Andy Kaufman's wife. But Corney Love was lead sing 648 00:35:13,880 --> 00:35:15,640 Speaker 1: her whole who was married to Kurt Cobain when he 649 00:35:15,719 --> 00:35:18,279 Speaker 1: killed himself. So we're connecting all these dots back. But 650 00:35:18,440 --> 00:35:21,120 Speaker 1: Caitlin was like, I don't know. Corney Love is eight. 651 00:35:22,000 --> 00:35:23,440 Speaker 1: And I was like, well she was married to Kurt 652 00:35:23,480 --> 00:35:26,440 Speaker 1: Cobain and she was like huh. I was like Nirvana. 653 00:35:27,280 --> 00:35:32,080 Speaker 1: She Caitlin was born in ninety three. Wow, when did 654 00:35:32,160 --> 00:35:36,600 Speaker 1: he die? Fo? Wow, that's crazy. So when I was, 655 00:35:36,800 --> 00:35:38,919 Speaker 1: you know, I'm just part of our life. I'm twelve 656 00:35:39,000 --> 00:35:41,520 Speaker 1: years older than her, but I mean I was about 657 00:35:41,520 --> 00:35:43,880 Speaker 1: to be a teenager when this crap happened. Maybe I 658 00:35:44,000 --> 00:35:47,000 Speaker 1: was right at a teenager, But for her, she was like, 659 00:35:47,000 --> 00:35:49,840 Speaker 1: I don't even Corney Love is that's crazy. Why And 660 00:35:49,920 --> 00:35:51,879 Speaker 1: if you think about it, I guess after his death 661 00:35:52,000 --> 00:35:54,000 Speaker 1: she did do a few things, but I mean, she 662 00:35:54,120 --> 00:35:56,640 Speaker 1: wasn't that famous where people would she was the most 663 00:35:56,680 --> 00:36:01,680 Speaker 1: famous for being Kurt Cobain's but she was also you 664 00:36:01,719 --> 00:36:03,600 Speaker 1: have the band hole. But I'm saying she also was 665 00:36:03,680 --> 00:36:06,560 Speaker 1: in the movie about the guy who did Hustler, Larry Flint, 666 00:36:06,600 --> 00:36:08,760 Speaker 1: The People Versu. Larry Flint was great in that. Woody 667 00:36:08,760 --> 00:36:12,080 Speaker 1: Harrelson played Larry Flint. Did you ever watched that great movie? 668 00:36:12,120 --> 00:36:15,280 Speaker 1: And she was great in it? Is that People America 669 00:36:15,400 --> 00:36:18,560 Speaker 1: Versu or People America whatever it is. Yeah, that's a 670 00:36:18,560 --> 00:36:21,640 Speaker 1: really good movie. Jay Z and Beyonce they have a 671 00:36:21,680 --> 00:36:25,399 Speaker 1: house or they eight eight million dollars. They still live there. 672 00:36:25,480 --> 00:36:28,400 Speaker 1: With an original lasking price of a hundred thirty five million, 673 00:36:28,520 --> 00:36:30,520 Speaker 1: jay Z and Beyonce got this two acre bell Air 674 00:36:30,640 --> 00:36:33,560 Speaker 1: compound for a deal eighty eight million dollars. The property 675 00:36:33,640 --> 00:36:36,959 Speaker 1: is six separate structures, including a thirty thousand square foot 676 00:36:37,040 --> 00:36:41,160 Speaker 1: main house, gaming entertainment building, a fifteen car garage. That 677 00:36:41,280 --> 00:36:45,759 Speaker 1: fifteen car garage is crazy. I think the four car 678 00:36:45,800 --> 00:36:49,120 Speaker 1: garages are nuts. You mentioned fifteen cars. Fifteen car Oh, 679 00:36:49,239 --> 00:36:51,840 Speaker 1: Michael Jordan's house is it up here? It's not on 680 00:36:51,920 --> 00:36:53,719 Speaker 1: this I was. They can't sell it he's trying to 681 00:36:53,760 --> 00:36:56,080 Speaker 1: sell it. The price has been all kind. I think 682 00:36:56,120 --> 00:37:00,160 Speaker 1: now it's a twenty three million, and it was way, way, 683 00:37:00,160 --> 00:37:01,480 Speaker 1: way more expensive than that. Who knows, they may have 684 00:37:01,560 --> 00:37:03,239 Speaker 1: dropped it was a twenty million for a while. He's 685 00:37:03,239 --> 00:37:05,640 Speaker 1: twenty three. But he has like, oh, is that was 686 00:37:05,719 --> 00:37:10,200 Speaker 1: that coincidence? Or I think they marked on purpose. They're 687 00:37:10,200 --> 00:37:11,560 Speaker 1: like and great and we'll make a lot of money 688 00:37:11,600 --> 00:37:13,200 Speaker 1: from it. To Mike, what are you saying about Michael 689 00:37:13,239 --> 00:37:16,040 Speaker 1: Jordan's house? I see fourteen point nine millions. I've dropped 690 00:37:16,080 --> 00:37:17,840 Speaker 1: it since then. They're like, guys, the twenty three is 691 00:37:17,840 --> 00:37:19,759 Speaker 1: not gonna work. I know it's nice and clever, but 692 00:37:20,960 --> 00:37:22,800 Speaker 1: but he has can you say many garages? Because I 693 00:37:22,800 --> 00:37:25,200 Speaker 1: remember hearing that car garage and I was like, who 694 00:37:25,440 --> 00:37:29,200 Speaker 1: have many cars with fifty six thousand square feet? And 695 00:37:29,280 --> 00:37:33,040 Speaker 1: how many car garages? Let me see? Well in the documentary, 696 00:37:33,400 --> 00:37:35,760 Speaker 1: I don't think you see him driving the same car twice. 697 00:37:35,840 --> 00:37:38,759 Speaker 1: You know, in the recent Michael Jordan documentary they show 698 00:37:38,880 --> 00:37:41,360 Speaker 1: him driving a lot and it's from like I wouldn't 699 00:37:41,440 --> 00:37:43,640 Speaker 1: want to have to choose all the time. Yeah, I 700 00:37:43,719 --> 00:37:45,680 Speaker 1: feel like he liked it's like Netflix or a ton 701 00:37:45,719 --> 00:37:47,200 Speaker 1: of good shows on, But I'll just go scroll through 702 00:37:47,200 --> 00:37:48,799 Speaker 1: all the front and never look at anything because there's 703 00:37:48,800 --> 00:37:51,080 Speaker 1: so many options. So if you can buy any car, 704 00:37:51,200 --> 00:37:53,360 Speaker 1: do you think these people like you? Obviously they have 705 00:37:53,480 --> 00:37:55,040 Speaker 1: the real nice ones, But do you think they ever 706 00:37:55,160 --> 00:37:57,200 Speaker 1: want to just get a regular one just to feel regular? 707 00:37:57,280 --> 00:37:59,680 Speaker 1: Sometimes like I'm gonna go with a Toyota camera today, 708 00:38:01,560 --> 00:38:05,040 Speaker 1: never just to feel regular. Probably not probably spent enough 709 00:38:05,080 --> 00:38:07,520 Speaker 1: time in like a Toyota camera their whole life. We 710 00:38:07,760 --> 00:38:11,120 Speaker 1: see Mike has nine bedrooms, fifteen full bats and a 711 00:38:11,200 --> 00:38:16,080 Speaker 1: fourteen cargooge gosh, and that's not and you you park 712 00:38:16,160 --> 00:38:18,239 Speaker 1: some of the driveway too. Yeah, I'm sure not all 713 00:38:18,320 --> 00:38:20,480 Speaker 1: I'm fit in the garage. This jay Z and Beyonce 714 00:38:20,560 --> 00:38:22,880 Speaker 1: house for radiant million has a smart house. It has 715 00:38:22,920 --> 00:38:27,000 Speaker 1: a hell of had bulletproof windows in house, spa fitness center, 716 00:38:27,040 --> 00:38:32,279 Speaker 1: a custom staircase, forty ceilings, and sliding glass walls that 717 00:38:32,320 --> 00:38:34,840 Speaker 1: can completely receipt to open the interior to a huge patio. Online. 718 00:38:35,280 --> 00:38:37,520 Speaker 1: I want to hate on these people having these houses, 719 00:38:37,560 --> 00:38:39,320 Speaker 1: but God, how awesome would it be to have a 720 00:38:39,360 --> 00:38:42,239 Speaker 1: house like that? Yeah, I feel like that's exactly what 721 00:38:42,320 --> 00:38:44,400 Speaker 1: I would want, what I've always thought to like, if 722 00:38:44,440 --> 00:38:46,600 Speaker 1: I could have any house, I would like to put 723 00:38:46,640 --> 00:38:49,560 Speaker 1: a part three golf hole in it. A hole, yeah, 724 00:38:49,680 --> 00:38:51,279 Speaker 1: just in the backyard, like a nice hole, and just 725 00:38:51,360 --> 00:38:53,440 Speaker 1: play golf out there that same hole every day, and 726 00:38:53,560 --> 00:38:55,800 Speaker 1: maybe even at night. Put some lights on it, have 727 00:38:55,920 --> 00:38:57,640 Speaker 1: a light coming out of the hole so my friends 728 00:38:57,680 --> 00:38:59,640 Speaker 1: can come over and we can play like competition hole 729 00:38:59,680 --> 00:39:03,000 Speaker 1: in one. That green would be so expensive just just 730 00:39:03,520 --> 00:39:05,359 Speaker 1: you were maintaining the green. Haven't worked on a golf 731 00:39:05,400 --> 00:39:09,560 Speaker 1: course for a while. That's that's really expensive, Kanye West 732 00:39:09,600 --> 00:39:14,799 Speaker 1: to Kim Kardashian. They reportedly purchased this house for twenty 733 00:39:14,840 --> 00:39:18,279 Speaker 1: million bucks, but now it's worth sixty million. The three story, 734 00:39:18,360 --> 00:39:20,600 Speaker 1: five bedroom house covers five thousand square feet. They worked 735 00:39:20,640 --> 00:39:22,680 Speaker 1: at the it's all fancy, but they have a sixty 736 00:39:22,719 --> 00:39:26,439 Speaker 1: million dollar house. Hey, bones, would you rather have these 737 00:39:26,520 --> 00:39:30,880 Speaker 1: houses remain private, like especially some of these um the 738 00:39:31,000 --> 00:39:34,480 Speaker 1: dead celebrities like Tom Petty and and uh Johnny Cash, 739 00:39:34,560 --> 00:39:36,279 Speaker 1: Elvis all that order. Would you rather have them all 740 00:39:36,360 --> 00:39:39,400 Speaker 1: turn into like museums so we can all see it? 741 00:39:39,960 --> 00:39:41,880 Speaker 1: Or is it cool to just know the kind of 742 00:39:41,920 --> 00:39:44,440 Speaker 1: house they had, but then somebody can buy it? Big 743 00:39:44,520 --> 00:39:49,600 Speaker 1: free market guy, big capitalist I don't care. I don't 744 00:39:49,640 --> 00:39:51,480 Speaker 1: have a problem with it either way. Yeah, I think 745 00:39:51,520 --> 00:39:53,320 Speaker 1: it's cool to see it. But if someone wants to 746 00:39:53,320 --> 00:39:55,879 Speaker 1: preserve and can make some money, you know, if someone 747 00:39:55,920 --> 00:39:58,799 Speaker 1: wants to buy, Let's say, God forbid Kim McCanne died 748 00:39:58,800 --> 00:40:00,759 Speaker 1: in a plane crash, and they're like, we're gonna keep 749 00:40:00,760 --> 00:40:01,719 Speaker 1: it just as it is. We're gonna buy it as 750 00:40:01,719 --> 00:40:03,000 Speaker 1: it is, and we're gonna charge people to come look 751 00:40:03,000 --> 00:40:05,000 Speaker 1: at it. Did you make some money off of it? 752 00:40:05,960 --> 00:40:07,600 Speaker 1: You want to change it yourself. I don't really have 753 00:40:07,640 --> 00:40:10,040 Speaker 1: a preference. I think I don't think we owe the 754 00:40:10,200 --> 00:40:13,880 Speaker 1: artist to keep their house the way it was. What 755 00:40:14,040 --> 00:40:16,040 Speaker 1: is what is your preference? I do like the museum 756 00:40:16,080 --> 00:40:18,879 Speaker 1: obviously for selfish reasons. We can see it, but again 757 00:40:18,960 --> 00:40:20,840 Speaker 1: that's for money, Like they're not build a museum for charity. 758 00:40:21,719 --> 00:40:23,960 Speaker 1: But at the same time, if if money wasn't an 759 00:40:23,960 --> 00:40:25,680 Speaker 1: issue and I had all the money in the world, 760 00:40:25,680 --> 00:40:28,680 Speaker 1: I would love to buy their house. Would you gut 761 00:40:28,760 --> 00:40:30,360 Speaker 1: it and do a new one or just living it 762 00:40:30,440 --> 00:40:32,360 Speaker 1: like they keep it the exact way they kept it. 763 00:40:32,760 --> 00:40:34,800 Speaker 1: Like a while back, somebody came in the studio I 764 00:40:34,840 --> 00:40:37,400 Speaker 1: think it was Thompson Square and they were talking about 765 00:40:37,480 --> 00:40:41,040 Speaker 1: doing a music video in Patsy Klient's house. You remember this, like, 766 00:40:41,560 --> 00:40:43,680 Speaker 1: and they were saying, that's definitely history and a cool 767 00:40:43,680 --> 00:40:46,560 Speaker 1: feeling about that. It's cool because they left the house 768 00:40:46,640 --> 00:40:50,759 Speaker 1: exactly how Patsy left it, and that's I mean, that's cool. Well, 769 00:40:50,800 --> 00:40:54,680 Speaker 1: it's also cool to go play the Ryman because they've 770 00:40:54,760 --> 00:40:56,359 Speaker 1: left it the way. Well, you're just on a stage. 771 00:40:56,400 --> 00:40:58,120 Speaker 1: A lot of folks have been on that. You're like, wow, 772 00:40:58,239 --> 00:40:59,920 Speaker 1: there's been some really great people stand in the same 773 00:41:00,040 --> 00:41:02,080 Speaker 1: spot that I've stood. Yeah, but but if you look 774 00:41:02,120 --> 00:41:04,800 Speaker 1: at pictures of the right of of you know, Johnny 775 00:41:04,920 --> 00:41:07,160 Speaker 1: playing the Rhyman or any of these old country legends, 776 00:41:07,320 --> 00:41:09,800 Speaker 1: it looks the exact same. They have that picture of 777 00:41:10,160 --> 00:41:12,160 Speaker 1: their backs, you know, and you get to see the audience. 778 00:41:12,320 --> 00:41:14,000 Speaker 1: It's the same as if we went over there today 779 00:41:14,080 --> 00:41:15,960 Speaker 1: and that's they kept it the same. If it look 780 00:41:16,040 --> 00:41:18,200 Speaker 1: completely different, I don't think we'd feel the same way. 781 00:41:18,239 --> 00:41:19,800 Speaker 1: Probably a little bit though, because you're like, well, in 782 00:41:19,840 --> 00:41:23,680 Speaker 1: the same spot on earth, you know, the foots touching, 783 00:41:23,719 --> 00:41:25,759 Speaker 1: where's his foot touched? Just like you know on the 784 00:41:25,800 --> 00:41:28,000 Speaker 1: earth this building stood here, we're in the same like 785 00:41:28,560 --> 00:41:31,399 Speaker 1: spot that they played you just the air, the aura, 786 00:41:31,719 --> 00:41:34,360 Speaker 1: you know, the Grand Ole Opry. It's a different building 787 00:41:34,640 --> 00:41:37,080 Speaker 1: they built, you know, opera land out in the seventies, 788 00:41:37,640 --> 00:41:39,920 Speaker 1: but they cut that square out and it's the same 789 00:41:40,000 --> 00:41:42,640 Speaker 1: square that the artist stands on circle. Sorry, circle, I'm 790 00:41:42,640 --> 00:41:46,560 Speaker 1: not I'm only there every week right right, and you're 791 00:41:46,560 --> 00:41:51,560 Speaker 1: probably standing on the circle. Yeah, square, Um, the Rhyman 792 00:41:51,640 --> 00:41:54,920 Speaker 1: stage like a square. Yeah. But I remember talking to 793 00:41:55,239 --> 00:41:58,600 Speaker 1: um Wade Box, remember when we met. Wade Box played 794 00:41:58,640 --> 00:42:00,920 Speaker 1: that thing and I was telling him about the Opery 795 00:42:01,000 --> 00:42:04,239 Speaker 1: circle and his funny story. He said, Man, that's exactly 796 00:42:04,400 --> 00:42:06,759 Speaker 1: what I wanted them to do at Yankee Stadium with 797 00:42:06,840 --> 00:42:09,960 Speaker 1: the old home plate. It's like, why can't we take 798 00:42:10,040 --> 00:42:12,120 Speaker 1: a piece of that dirt where that's where that home 799 00:42:12,160 --> 00:42:14,160 Speaker 1: plate is and then move it to the new stadium. 800 00:42:14,200 --> 00:42:16,400 Speaker 1: And he said eventually they did. Yeah, they've done that 801 00:42:16,400 --> 00:42:19,440 Speaker 1: in a few places too. Um, is that so nerdy 802 00:42:19,480 --> 00:42:21,879 Speaker 1: of us that you want to stay in that same place? 803 00:42:21,960 --> 00:42:25,960 Speaker 1: Baseball is very traditionalist sport. I think maybe Mike, you 804 00:42:26,040 --> 00:42:31,160 Speaker 1: may fact check this. In Cleveland or maybe St. Louis, 805 00:42:31,880 --> 00:42:34,360 Speaker 1: they just they did home plate in the same place, 806 00:42:34,560 --> 00:42:36,680 Speaker 1: and they just moved because they had to rebuild the stadium. 807 00:42:37,360 --> 00:42:39,800 Speaker 1: They just rebuilt the stadium a different direction. That is 808 00:42:40,000 --> 00:42:42,239 Speaker 1: very cool to me that you want to keep it 809 00:42:42,360 --> 00:42:44,640 Speaker 1: the same, just a little piece of it, keep it 810 00:42:44,719 --> 00:42:47,440 Speaker 1: the same. Apologize for calling the opera square. I'm an idiot. 811 00:42:47,480 --> 00:42:50,279 Speaker 1: I'm tired you are. It's okay, man, it's okay. I 812 00:42:50,280 --> 00:42:55,600 Speaker 1: wouldn't have let you keep that to myself. Uh, Mike, 813 00:42:55,640 --> 00:42:58,279 Speaker 1: what do you see? Do you see the anything about that? Yeah? 814 00:42:58,280 --> 00:43:00,440 Speaker 1: I probably made it up, all right. I did see 815 00:43:00,480 --> 00:43:03,640 Speaker 1: that Johnny Cash's house was bought really for three point 816 00:43:03,719 --> 00:43:08,360 Speaker 1: two dang sy some local hedge fund owner and his wife, 817 00:43:09,320 --> 00:43:12,480 Speaker 1: um Eddie telling me about the Podcastrong Sore Losers podcasts. 818 00:43:12,520 --> 00:43:15,960 Speaker 1: It's a guys guy podcast. Definitely have the the guy's 819 00:43:16,000 --> 00:43:18,839 Speaker 1: guy dude on it. Raimundo, Lunchbox and me. We talked 820 00:43:18,880 --> 00:43:22,000 Speaker 1: mostly sports, but we're just, you know, three friends, and 821 00:43:22,080 --> 00:43:25,920 Speaker 1: we do have lived really different lives. So it's fun 822 00:43:25,960 --> 00:43:27,520 Speaker 1: to kind of have us all together and tell our 823 00:43:27,560 --> 00:43:30,680 Speaker 1: stories and talk about what we do every day. All right, 824 00:43:30,719 --> 00:43:33,200 Speaker 1: there you go, Thank you guys, check out Sore Losers, 825 00:43:33,840 --> 00:43:35,160 Speaker 1: Thanks for hanging with us. Here are we end in 826 00:43:35,200 --> 00:43:38,359 Speaker 1: the podcast here? Mike? Ah? Yeah, yeah, all right, there 827 00:43:38,440 --> 00:43:41,040 Speaker 1: you go that's a rap. Goodbye,