WEBVTT - "The Sopranos" w/ Mary Beth Barone

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<v Speaker 1>If you can hear my voice right now. Got good

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<v Speaker 1>news and I've got bad news. The good news is

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<v Speaker 1>you are still kicking, baby, you are breathing, you are alive.

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<v Speaker 1>The bad news is you're listening to the podcast known

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<v Speaker 1>as Stradio Lab, the podcast that is a podcast about

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<v Speaker 1>being about a podcast. George, anything to add to that

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<v Speaker 1>or I just want to send a sincere apologies to

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<v Speaker 1>all our listeners for everything we've ever said or done.

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<v Speaker 1>I think you know we've definitely made some mistakes in

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<v Speaker 1>our time, um and and today we're repenting for that.

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<v Speaker 1>We are recording right after and I you know, who's

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<v Speaker 1>to say what what order? We released the episode, So

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<v Speaker 1>this is not doxing anyone, and I want to say

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<v Speaker 1>what their name is, But we are recording after an

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<v Speaker 1>episode in which our world was turned upside down in

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<v Speaker 1>the parts of the episode that did not make it

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<v Speaker 1>into the cut. I mean, we are talking people being

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<v Speaker 1>kicked out of zooms. We are talking computers overheating and

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<v Speaker 1>then needing to be I don't know, plugged in not

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<v Speaker 1>plugged in unclear. We are talking about people getting notifications

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<v Speaker 1>not of us have ever seen before. We are talking

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<v Speaker 1>about computers getting a mind of their own. I mean,

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<v Speaker 1>this is some smart house on Disney Channel stuff. You know,

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<v Speaker 1>we set out on this mission just to record our voices.

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<v Speaker 1>When we started this podcast, that seemed like an easy ask,

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<v Speaker 1>how hard can it be? And you know, each time

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<v Speaker 1>it actually turns out to be quite quite hard. It's

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<v Speaker 1>so everyone should have the right to record their own

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<v Speaker 1>voice and then listen back to it, and yet it's

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<v Speaker 1>still a privilege in so many ways. Yeah, and that's

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<v Speaker 1>what we're fighting for. Often there are people I meet

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<v Speaker 1>them and they say, I've never recorded my own voice.

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<v Speaker 1>What am I a narcissist? And I say, that's so sad,

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<v Speaker 1>so sad that you don't have that option to to

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<v Speaker 1>reflect on what you sound like with a special guest

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<v Speaker 1>week after week. Sometimes I think, you know that I

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<v Speaker 1>can't help but see the look on your face as

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<v Speaker 1>if you're receiving a text. Yeah, well, yes, did you

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<v Speaker 1>hear the are you? Did you hear the sound on

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<v Speaker 1>my from my computer? Oh no, I saw the worried

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<v Speaker 1>look on your face. Yeah, well my comuter made a

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<v Speaker 1>sound because it is in fact my friend who I'll

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<v Speaker 1>say it lives internationally. Um, And so we use the

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<v Speaker 1>app What's app and I had it open on my

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<v Speaker 1>laptop and it made a sound. Am I not allowed yet?

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<v Speaker 1>Oh my god? Uh please Mary back just just sucking

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<v Speaker 1>say we're gonna kick you out again, and then we're

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<v Speaker 1>gonna again. I just want to say that Sam wasn't.

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<v Speaker 1>He didn't hear the sound, just as I didn't hear

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<v Speaker 1>the sound. I want to reiterate that it was the

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<v Speaker 1>worried look on your face. That was what he was

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<v Speaker 1>reacting to, and I reacted as well. I didn't say

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<v Speaker 1>anything in the moments I've been introduced yet, but I

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<v Speaker 1>just want to clear that up between the hosts that

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<v Speaker 1>it actually wasn't had nothing to do with sound on

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<v Speaker 1>your computer. Okay, So, George, I I do feel a

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<v Speaker 1>little bit denied. My basic reality was denied because I

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<v Speaker 1>tried to say, no, it's not the sound. It's the

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<v Speaker 1>worried look on your face. And you said, oh, so

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<v Speaker 1>you heard the sound, and I was like, no, it's

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<v Speaker 1>I'm telling you. It was a look on your face

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<v Speaker 1>of concern. And You're like, you're you're confused because it's

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<v Speaker 1>a what's what'sapp sound instead of a text sound, and

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<v Speaker 1>I was like, it's literally your face reading attacks being

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<v Speaker 1>concerned now refused to believe me until our dear, dear

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<v Speaker 1>guest came in and stood up for me. Well, first

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<v Speaker 1>of all, I believe women, and second of all, I

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<v Speaker 1>just want to say that the sound was relevant in

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<v Speaker 1>that the reason I looked concerned. If I'd got in

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<v Speaker 1>the text, it wouldn't have been a sound attached to it,

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<v Speaker 1>so I would have just seen it moved on fine.

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<v Speaker 1>But because I heard the sound, I said, oh my god,

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<v Speaker 1>what SAP is open in my computer? And if I

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<v Speaker 1>don't do something about this, a SAP and continue to

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<v Speaker 1>make sounds. So the sound itself was the reason for

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<v Speaker 1>the concern, not the content of the message. Yeah. No,

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<v Speaker 1>the content of the message was literally that someone I

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<v Speaker 1>am aware of is being vetted for a job and

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<v Speaker 1>he deserves it, love to see it. So it was

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<v Speaker 1>not about the text I was not concerned about. I

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<v Speaker 1>was not concerned about the content. I was concerned about

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<v Speaker 1>the sound. Any other questions, No, Um, I'm totally fine.

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<v Speaker 1>That's a reasonable feeling. I I just you know, I

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<v Speaker 1>think podcasting is it's so important that we listened to

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<v Speaker 1>each other and we you know, respond to what the

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<v Speaker 1>other is saying, and you know, we sort of accept

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<v Speaker 1>each other's realities. And you know, I would, um, just

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<v Speaker 1>really ask of you in the future to respond to

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<v Speaker 1>what I'm telling you. I you are making so little sense.

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<v Speaker 1>I think, I think we are so shaken up from

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<v Speaker 1>the technical difficulties that this has the potential to be

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<v Speaker 1>emotionally unhinged. I mean, can we even get through? I'm

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<v Speaker 1>I on it. First of all, the sound is back,

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<v Speaker 1>but I'm not going to address it because I just

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<v Speaker 1>hope that it leaves. And second of all, I am

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<v Speaker 1>on the verge of something and I don't quite know

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<v Speaker 1>what it is. I would love to, uh trying to

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<v Speaker 1>describe that feeling. Do you I mean, do you ever?

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<v Speaker 1>I guess this is kind of how a lot of

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<v Speaker 1>people have been feeling in these weird times. We are

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<v Speaker 1>simultaneously on the verge, but also the thing we're on

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<v Speaker 1>the verge of is never coming. Yeah, I can relate

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<v Speaker 1>where it's a form of edging. Oh not this in

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<v Speaker 1>I'm sorry, I forget where we landed on it. Um,

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<v Speaker 1>I forget, but yeah, it doesn't matter. We don't have time,

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<v Speaker 1>we don't know. How are you? I'm fine? I'm would

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<v Speaker 1>you get good? Well? I'm fine too. Jesus Christ, Oh

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<v Speaker 1>my god, I actually don't know if we should. I

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<v Speaker 1>don't know if I want to bring a guest into

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<v Speaker 1>this toxic environment. Okay, we have to very quickly, in

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<v Speaker 1>thirty seconds, do therapy so we can get over this. Okay,

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<v Speaker 1>how do you feel? I feel good. I feel like

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<v Speaker 1>I accept what just happened. I think that there was

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<v Speaker 1>a lot of technical difficulties and but I actually do

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<v Speaker 1>think the content of that episode was funny and juicy

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<v Speaker 1>and dare I say good Capital G podcasting Capital P.

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<v Speaker 1>How do you feel? I feel fine. I feel very hot.

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<v Speaker 1>The sun is burning my skin off um, and I

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<v Speaker 1>once again I'm not allowed to turn on my A

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<v Speaker 1>c we. I feel like they was a lot of

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<v Speaker 1>me going back and forth between texting and emailing and

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<v Speaker 1>sending zoom links and making sure our next guest who

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<v Speaker 1>are about to introduce was not pissed at me because

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<v Speaker 1>we had kept making her way longer. And I did

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<v Speaker 1>feel like so much. I felt like I was carrying

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<v Speaker 1>so much on my back. Well, I'm sorry that you

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<v Speaker 1>had to text all those zoom links, um, and I

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<v Speaker 1>appreciate you, you know, checking it up for us. M

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<v Speaker 1>h um. Do you Okay, one more question before we

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<v Speaker 1>bring in our guest, and this I think we'll bring

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<v Speaker 1>us back down to earth. Is this a good podcast?

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<v Speaker 1>It's sort of complaining about the previous episode. Good, Well

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<v Speaker 1>it's good and that we're talking. Yes, yes, the only

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<v Speaker 1>podcast is good because it is. Yeah, Well, I think

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<v Speaker 1>it's time to bring in our guest. Well, I mean,

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<v Speaker 1>please give it up, open your holes. Hey, what the

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<v Speaker 1>fun is up? You know? I feel like I'm coming

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<v Speaker 1>into a bit of a I don't want to see,

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<v Speaker 1>like there's tension that you could cut with a knife.

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<v Speaker 1>But the thing that I think is beautiful about it

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<v Speaker 1>is that it's not aimed at each other, and more importantly,

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<v Speaker 1>it's not aimed at me. So I feel safe coming

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<v Speaker 1>into this because it's not the first time, you know

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<v Speaker 1>what kind of becoming a third and a dynamic where

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<v Speaker 1>it's it's not really about me. And I know that.

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<v Speaker 1>I know that because you guys really scraped the bottom

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<v Speaker 1>of the barrel with guests before you invited me on.

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<v Speaker 1>And I think it's important to note that this podcast

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<v Speaker 1>has been going on for months and this is my

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<v Speaker 1>kind of first time making appearance. Um, no nothing, no shade.

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<v Speaker 1>As they say, but I just did want to kind

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<v Speaker 1>of put that out there that I see you, I

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<v Speaker 1>hear you, um, and I'm excited to dive into Well,

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<v Speaker 1>it's interesting. You know, you are probably one of the

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<v Speaker 1>people I am in communication with the most. I would

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<v Speaker 1>say we text almost daily. In fact, we just finished

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<v Speaker 1>finished working together on a job where we were the

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<v Speaker 1>only not done. Were not done. That's right now the

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<v Speaker 1>job goes on. I mean, I don't know. I put

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<v Speaker 1>in my two weeks I'm leaving for grace, but um,

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<v Speaker 1>we did just finished working on a job or we

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<v Speaker 1>we were two people in a three person team for something.

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<v Speaker 1>We worked very closely together. Um. And yet it is

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<v Speaker 1>true that despite that fact, despite the fact that I

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<v Speaker 1>would say you are objectively one of my best friends

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<v Speaker 1>in comedy and in life, I never even thought to

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<v Speaker 1>ask you to be on this podcast until um August,

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<v Speaker 1>and we started releasing episodes in March. And you know,

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<v Speaker 1>I was hoping I was hoping you would because I

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<v Speaker 1>have been saying no to podcast. I said I'm not

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<v Speaker 1>going to do another one until I do Stradio Lab

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<v Speaker 1>and that's it. Last final I didn't tell you that,

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<v Speaker 1>but I've been telling you. I've been writing a lot

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<v Speaker 1>of emails to that effect, because you know the girlies,

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<v Speaker 1>they come out and they say, we please your a podcast.

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<v Speaker 1>We talked about drags, as we talked about boys, talk

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<v Speaker 1>about relationships and dating. I said, unfortunately, I am right now,

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<v Speaker 1>I'm not participating in podcasts until I get to be

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<v Speaker 1>a guest on my friend George and my friend Sam's

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<v Speaker 1>podcast um Studio Lab. So go subscribe right or view whatever.

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<v Speaker 1>It is just kind of plugging your guys creative hard

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<v Speaker 1>work as well. Um, and in that way, you know,

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<v Speaker 1>I think I've been a better friend than you. But um,

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<v Speaker 1>that's not really what the podcast is about, is it. No. No,

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<v Speaker 1>I do think that's an interesting perspective because I mean,

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<v Speaker 1>you have been getting paid for that, uh, to be

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<v Speaker 1>your friend, No, to promote our podcast. Okay, but it

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<v Speaker 1>wasn't going to bring that up. Well yeah, But I

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<v Speaker 1>mean the thing is, if if you're going to be

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<v Speaker 1>accusing me of things, it should be noted that the

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<v Speaker 1>reason you couldn't do it before it was because we

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<v Speaker 1>can't have employee. We can't have a paid employee of

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<v Speaker 1>the podcast on as a guest. I mean that will

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<v Speaker 1>be wildly unethical. That's like you know, if I worked

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<v Speaker 1>at g Q and then did an issue of the Sexiest, Hottest,

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<v Speaker 1>most disgustingly Handsome Men, and it was the editor in

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<v Speaker 1>chief of the magazine, you know what, And I completely agree.

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<v Speaker 1>It's and and it's actually illegal to pay podcast guests,

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<v Speaker 1>and that's why no one does it. Well, podcasting is illegal.

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<v Speaker 1>More broadly, that's something no one's talking about, you know, well,

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<v Speaker 1>because you can't talk about it. You can't talk about

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<v Speaker 1>especially can't talk about a podcast. Honey, Well that Double Jeopardy. Yeah, no,

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<v Speaker 1>that's acts exactly what Double Jeopardy is is when you

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<v Speaker 1>talk about how podcasting is illegal on the podcast and yeah,

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<v Speaker 1>here we are. Yeah, and that's why Ashley jud you

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<v Speaker 1>don't see her anymore, honey, now you don't. You know,

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<v Speaker 1>I can see how you would be so upset with um, George.

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<v Speaker 1>I just feel like the sweet spot for getting out

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<v Speaker 1>a podcast is, oh, six months in. You know, there's

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<v Speaker 1>a little fan base, but you know they're not tired

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<v Speaker 1>of't you yet. It's it's actually, you know, sort of

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<v Speaker 1>the peak of a podcast. And so what we're doing

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<v Speaker 1>is actually a huge, huge help to you. And we

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<v Speaker 1>have been planning it all along and you've been paying

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<v Speaker 1>me for six months, which has been nice. So yeah, yeah, yeah,

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<v Speaker 1>I'll be sending you guys, will be sending me a

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<v Speaker 1>W two. Or who's doing the financials. It's clear that

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<v Speaker 1>George is doing the tech, but who's doing the thing.

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<v Speaker 1>I do the tech, and then I do the kind

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<v Speaker 1>of I'll do like retreats, spirituality and things like that. Yeah,

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<v Speaker 1>of course, yeah. I do the finances and I make

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<v Speaker 1>the meals. Sam has a background in Wall Street and

0:12:46.000 --> 0:12:49.680
<v Speaker 1>culinary school. A background in Wall Street. Interesting, grew up

0:12:49.720 --> 0:12:51.520
<v Speaker 1>with a lot of people come from coming from a

0:12:51.520 --> 0:12:55.760
<v Speaker 1>semi background. Well, there are very different there's there's various

0:12:55.760 --> 0:12:59.439
<v Speaker 1>different backgrounds. One can have. It's Wall Street culinary school,

0:13:00.520 --> 0:13:09.160
<v Speaker 1>uhtreats cooking well, cooking, yes, separate from culinary school for sure. Um.

0:13:09.320 --> 0:13:14.800
<v Speaker 1>And then the last one is um. You know, we

0:13:14.840 --> 0:13:17.080
<v Speaker 1>don't talk about that. We don't talk about it. We can't,

0:13:17.160 --> 0:13:19.480
<v Speaker 1>we can't. The last one's secret. It's not really for

0:13:19.559 --> 0:13:21.200
<v Speaker 1>us to say, as like a Greek gay man, a

0:13:21.240 --> 0:13:24.280
<v Speaker 1>white gay man, and a white woman. The last background

0:13:24.320 --> 0:13:26.840
<v Speaker 1>you can come from, it's not really for us to say, no,

0:13:26.960 --> 0:13:29.800
<v Speaker 1>that's so true. Last background is this is it? And

0:13:29.880 --> 0:13:32.480
<v Speaker 1>it's the most important one. And yeah, so I hope

0:13:32.520 --> 0:13:34.600
<v Speaker 1>that you'll dedicate at least one episode, maybe even a

0:13:34.600 --> 0:13:37.199
<v Speaker 1>segment to it in the future, but I won't be involved,

0:13:37.520 --> 0:13:42.040
<v Speaker 1>if that makes sense. Yeah, that that does make sense. Actually, okay, great,

0:13:44.200 --> 0:13:46.959
<v Speaker 1>your background all that to say, I'm having me here.

0:13:47.240 --> 0:13:53.000
<v Speaker 1>My background is uh, well, okay, I hate to say

0:13:53.000 --> 0:13:55.520
<v Speaker 1>a color outside the lines, but I kind of have

0:13:55.600 --> 0:14:01.400
<v Speaker 1>since I was a kid, and my my background i'm baby. Yeah, well,

0:14:01.400 --> 0:14:03.280
<v Speaker 1>you know, it's anything you see your color outside the lines.

0:14:03.600 --> 0:14:07.679
<v Speaker 1>You do these um works of art and they are

0:14:08.280 --> 0:14:12.240
<v Speaker 1>really quite terrible. Yeah, I'm actually there's one right behind me.

0:14:13.040 --> 0:14:17.439
<v Speaker 1>Oh well not beautiful per se, but no, no anything

0:14:17.520 --> 0:14:23.360
<v Speaker 1>ugly yeah ugly. Yeah, not not good? Do you think,

0:14:23.760 --> 0:14:26.240
<v Speaker 1>you know? And in fact, for what you do for

0:14:26.280 --> 0:14:27.960
<v Speaker 1>other people, you know, it could be seen as a

0:14:28.000 --> 0:14:31.040
<v Speaker 1>commentary on like the art world norms. Like you know,

0:14:31.080 --> 0:14:33.800
<v Speaker 1>it's like how people will have a painting but then

0:14:33.840 --> 0:14:36.240
<v Speaker 1>the canvas is slashed, you know, and then it's making

0:14:36.240 --> 0:14:38.600
<v Speaker 1>some kind of commentary with you. It's interesting because it

0:14:38.760 --> 0:14:40.920
<v Speaker 1>really is is saying nothing. I mean, it really is

0:14:41.000 --> 0:14:44.680
<v Speaker 1>just kind of bad bad And in that though, it

0:14:44.720 --> 0:14:48.640
<v Speaker 1>says volumes, right, that's so true. I love how the

0:14:49.000 --> 0:14:51.120
<v Speaker 1>norm is that art is good and so you're sort

0:14:51.160 --> 0:14:53.840
<v Speaker 1>of subverting that by being bad. Yeah, and I'm all

0:14:53.840 --> 0:14:57.200
<v Speaker 1>about being subversive, So I think that that's that's kind

0:14:57.200 --> 0:15:00.480
<v Speaker 1>of what I'm known for. I would saying subverting that's

0:15:00.600 --> 0:15:04.960
<v Speaker 1>very because can I tell you something? Of course, making

0:15:05.040 --> 0:15:08.920
<v Speaker 1>good art, where's the risk in that? No, nowhere making

0:15:09.360 --> 0:15:11.360
<v Speaker 1>art that you know is bad. And this is something

0:15:11.400 --> 0:15:14.560
<v Speaker 1>straight white men have been doing for years, okay, politics,

0:15:16.240 --> 0:15:20.080
<v Speaker 1>So if anyone has any kind of negative comments or

0:15:20.200 --> 0:15:22.240
<v Speaker 1>thoughts or feelings about my art, you know, you can

0:15:22.280 --> 0:15:26.120
<v Speaker 1>just shove it. Yeah. Well, you actually do something interesting,

0:15:26.120 --> 0:15:28.880
<v Speaker 1>which is that you make physical art like paintings, drawings,

0:15:29.120 --> 0:15:32.000
<v Speaker 1>but then you add a comment section, a physical comments

0:15:32.000 --> 0:15:36.920
<v Speaker 1>section where people um in museums are able to to

0:15:37.040 --> 0:15:39.120
<v Speaker 1>write on the wall you know, I hate this, Yeah,

0:15:39.120 --> 0:15:42.560
<v Speaker 1>and they do, they do write that, And to them,

0:15:42.600 --> 0:15:47.440
<v Speaker 1>I say, well, what have you made society? Yeah? And

0:15:47.480 --> 0:15:50.440
<v Speaker 1>often some sometimes you know, those people um actually have

0:15:50.520 --> 0:15:52.160
<v Speaker 1>made it. You know. It's a lot of prominent artists

0:15:52.360 --> 0:15:55.560
<v Speaker 1>push artists. Sure, but like you know, I still think

0:15:55.800 --> 0:15:57.760
<v Speaker 1>that sometimes you need to just hold a mirror up

0:15:57.760 --> 0:16:02.200
<v Speaker 1>to society. Yeah, yeah, absolutely, you've been doing you've been.

0:16:02.560 --> 0:16:05.920
<v Speaker 1>You show up, you show up to places, and you

0:16:05.960 --> 0:16:07.880
<v Speaker 1>bring a mirror, and then the whole point is that

0:16:07.880 --> 0:16:09.960
<v Speaker 1>you're holding a mirror up. And then of course the

0:16:10.000 --> 0:16:13.160
<v Speaker 1>feedback has been that is so literal and so stupid,

0:16:13.280 --> 0:16:16.960
<v Speaker 1>like literally, you know, like this feels so elementary, like

0:16:17.560 --> 0:16:19.600
<v Speaker 1>my five year old could have thought of this. Yeah,

0:16:19.640 --> 0:16:23.840
<v Speaker 1>but again I think, like, um, like, who are you

0:16:23.880 --> 0:16:29.080
<v Speaker 1>to judge? Right, because there's too much there's too much symbolism.

0:16:29.120 --> 0:16:32.600
<v Speaker 1>I think nowadays, sometimes you just need to say this

0:16:32.640 --> 0:16:36.280
<v Speaker 1>is what I like, you know, I said, holding mirror

0:16:36.320 --> 0:16:42.000
<v Speaker 1>up to society. I wasn't being a metaphoric or against metaphor. Yeah,

0:16:42.040 --> 0:16:46.240
<v Speaker 1>I I speak and I speak literally or not at all. Uh,

0:16:46.680 --> 0:16:49.480
<v Speaker 1>That's why I'm That's what I'm constantly saying. Literally. Yeah,

0:16:50.280 --> 0:16:53.200
<v Speaker 1>whenever someone uses a metaphor or assembly, I I've seen you.

0:16:53.200 --> 0:16:59.560
<v Speaker 1>You shut down. You can't. You know. One thing that

0:16:59.600 --> 0:17:01.760
<v Speaker 1>you mentioned and that I think is so important is

0:17:02.040 --> 0:17:04.440
<v Speaker 1>so much of being a great artist these days, it's

0:17:04.440 --> 0:17:08.160
<v Speaker 1>just show up, you know. Yeah, you gotta show up.

0:17:08.240 --> 0:17:12.439
<v Speaker 1>That's I'll say, just to add to that is showing up,

0:17:12.520 --> 0:17:16.680
<v Speaker 1>the leaving, and so you can you can say that

0:17:16.720 --> 0:17:20.360
<v Speaker 1>I'm putting in a hundred. You're showing up and you're

0:17:20.359 --> 0:17:22.719
<v Speaker 1>going home. Because here's the thing, you always show up

0:17:22.720 --> 0:17:27.280
<v Speaker 1>and you always leave. Shure, show me who's show me

0:17:27.280 --> 0:17:28.720
<v Speaker 1>who else is doing that? I'm not doing it like

0:17:28.800 --> 0:17:30.760
<v Speaker 1>they're like the other girls. Know none of the other

0:17:30.800 --> 0:17:33.639
<v Speaker 1>girls are doing that. They will show up and stay,

0:17:33.760 --> 0:17:38.159
<v Speaker 1>or they will never leave. H no, or they will

0:17:38.200 --> 0:17:40.760
<v Speaker 1>not show up at all, which is different than leaving.

0:17:41.080 --> 0:17:47.639
<v Speaker 1>Not showing up at all isn't leaving completely different? So huh,

0:17:48.280 --> 0:17:50.560
<v Speaker 1>just something for the listeners to think. Oh, yeah, I

0:17:50.600 --> 0:17:53.360
<v Speaker 1>mean that already we stopped. Now that would be enough. Yeah,

0:17:53.400 --> 0:17:57.399
<v Speaker 1>that was actually really intelligent. Yes, So what are some

0:17:57.400 --> 0:18:02.120
<v Speaker 1>of the segments you guys do? Okay, well that's okay. Yeah,

0:18:01.840 --> 0:18:04.560
<v Speaker 1>if we want to continue to talk about showing up

0:18:04.640 --> 0:18:07.000
<v Speaker 1>versus leaving, how that kind of all breaks out, I'm

0:18:07.040 --> 0:18:10.000
<v Speaker 1>totally I could talk about that for hours. Really. Yeah,

0:18:10.040 --> 0:18:11.560
<v Speaker 1>I mean we were not ready to go into our

0:18:11.560 --> 0:18:14.080
<v Speaker 1>first segment, but I guess you know, suddenly, because you're

0:18:14.119 --> 0:18:16.280
<v Speaker 1>so good at art criticism and art history, you think

0:18:16.320 --> 0:18:18.280
<v Speaker 1>you can control what we do with our own podcast.

0:18:19.080 --> 0:18:22.840
<v Speaker 1>Did but did didn't? I I mean, we're not doing

0:18:22.840 --> 0:18:25.439
<v Speaker 1>the first segment right, now, so because I said, if

0:18:25.480 --> 0:18:27.800
<v Speaker 1>you don't want to, we don't have to. I was giving,

0:18:27.840 --> 0:18:31.280
<v Speaker 1>I was extending in all the branch, and that's entrapment. Yeah,

0:18:31.359 --> 0:18:34.840
<v Speaker 1>this is insane already you've done double jeopardy on us

0:18:34.880 --> 0:18:36.720
<v Speaker 1>and entrapment on us. You know what I say to that,

0:18:36.880 --> 0:18:41.560
<v Speaker 1>take take me away? Locked me up? Oh oh, she's

0:18:41.600 --> 0:18:45.119
<v Speaker 1>presenting her risks as if to be Listeners can't see this,

0:18:45.160 --> 0:18:48.399
<v Speaker 1>but she's presenting her risks, which is a cultural symbol

0:18:48.440 --> 0:18:55.040
<v Speaker 1>of being handcuffed. I knew someone in college who, um,

0:18:55.080 --> 0:18:57.040
<v Speaker 1>this is actually terrible. This is not some what I

0:18:57.080 --> 0:18:58.560
<v Speaker 1>was very close to you, but it's a story I

0:18:58.640 --> 0:19:01.600
<v Speaker 1>heard who was dw having on the wrong side of

0:19:01.640 --> 0:19:05.920
<v Speaker 1>the street and like the police pulled her over. Obviously

0:19:05.960 --> 0:19:10.920
<v Speaker 1>she was like intoxicated, right, it wasn't it wasn't that obvious.

0:19:10.960 --> 0:19:14.960
<v Speaker 1>I was like, maybe she's punk, right, So then she

0:19:15.000 --> 0:19:17.560
<v Speaker 1>gets out of the car and literally presents her risks

0:19:17.600 --> 0:19:24.640
<v Speaker 1>and just goes just arrest me. Okay, queen legend I love.

0:19:25.000 --> 0:19:28.800
<v Speaker 1>Turning yourself in is punk rock, that's true. Turning herself

0:19:28.800 --> 0:19:31.160
<v Speaker 1>in is very I mean talk about literal, and that

0:19:31.240 --> 0:19:34.560
<v Speaker 1>woman I want to feel old. That woman is Phoebe Bridgers.

0:19:36.760 --> 0:19:39.159
<v Speaker 1>I mean the amount of I think it's so mature,

0:19:39.400 --> 0:19:42.720
<v Speaker 1>it's so like you know yourself, and that's so important.

0:19:43.040 --> 0:19:46.399
<v Speaker 1>Self aware queen, self aware queen. You know, she's not

0:19:46.440 --> 0:19:48.560
<v Speaker 1>saying I didn't do it, or like am I drunk?

0:19:48.680 --> 0:19:51.199
<v Speaker 1>She's saying, get over, let's not do the song. And

0:19:51.960 --> 0:19:54.159
<v Speaker 1>she said, let's cut the ship, let's go down to

0:19:54.280 --> 0:19:57.639
<v Speaker 1>brass hats. Yes, she said, I'm going to be a

0:19:57.680 --> 0:19:59.600
<v Speaker 1>lawyer someday, and I don't have time for us to

0:19:59.640 --> 0:20:02.680
<v Speaker 1>fuck a round here. I'm in college and I'm friends

0:20:02.680 --> 0:20:07.160
<v Speaker 1>with a friend of George's. Yeah, yeah, exactly, and made

0:20:07.160 --> 0:20:10.560
<v Speaker 1>it into the police report. I mean it started a

0:20:10.600 --> 0:20:15.560
<v Speaker 1>trend of people turning themselves in. It was, yeah, it

0:20:15.600 --> 0:20:17.159
<v Speaker 1>was a movement. And then people would go and they

0:20:17.160 --> 0:20:20.000
<v Speaker 1>would say arrest me, and then the police would be like, listen,

0:20:20.080 --> 0:20:23.439
<v Speaker 1>like you didn't do anything, Like we can't just arrest anyone.

0:20:23.560 --> 0:20:30.400
<v Speaker 1>I mean, you know, yeah, anyway, um um, I guess

0:20:30.440 --> 0:20:33.040
<v Speaker 1>we can do our first segment. Yeah, so, Marybeth. In

0:20:33.040 --> 0:20:38.199
<v Speaker 1>our first segment, it's called straight Shooters and this and

0:20:38.280 --> 0:20:43.320
<v Speaker 1>this is where we uh kind of engauge your relationship

0:20:43.400 --> 0:20:46.640
<v Speaker 1>to and complicity in what's known as straight culture through

0:20:46.680 --> 0:20:49.120
<v Speaker 1>a series of rapid fire questions. Now, of course you've

0:20:49.160 --> 0:20:50.960
<v Speaker 1>listened before, so you know that the one rule is

0:20:51.000 --> 0:20:53.160
<v Speaker 1>that you can't ask any follow up questions or any

0:20:53.160 --> 0:20:55.119
<v Speaker 1>clarification on how the game works, and if you do,

0:20:55.200 --> 0:21:01.119
<v Speaker 1>we will yell at you. Okay, So, Mary Beth, Oh,

0:21:01.280 --> 0:21:03.240
<v Speaker 1>you know what. I'm now realizing one of mine is incomplete,

0:21:03.240 --> 0:21:04.439
<v Speaker 1>so I'll have to think of it on the spot

0:21:04.800 --> 0:21:10.560
<v Speaker 1>Flat Stanley or fat Albert flat Stanley. Okay, Mary Beth,

0:21:10.600 --> 0:21:13.199
<v Speaker 1>I'm also thinking of them on the spot. Um slash

0:21:15.240 --> 0:21:18.920
<v Speaker 1>rapidly no, no I do um, Mary Beth. Um November

0:21:19.080 --> 0:21:25.280
<v Speaker 1>or Manuary November. You're so gay by Katy Perry. Or

0:21:25.400 --> 0:21:28.080
<v Speaker 1>wish you were gay by Billie Eilish. Thank you for

0:21:28.119 --> 0:21:31.960
<v Speaker 1>saying that you're so gay by Katy Perry. Okay, Um,

0:21:32.200 --> 0:21:36.040
<v Speaker 1>the floor is lava or the floor is a gorgeous hardwood.

0:21:36.440 --> 0:21:41.199
<v Speaker 1>The floor is a gorgeous hardwood. Roy g biv or

0:21:42.200 --> 0:21:48.840
<v Speaker 1>Roy Cone v George Severi's I shit you not? I

0:21:48.880 --> 0:21:51.960
<v Speaker 1>was about to do Roy g bib or Roy Orbison.

0:21:52.560 --> 0:21:56.159
<v Speaker 1>Are you fucking kidding? I'm absolutely serious. Well, I'd have

0:21:56.240 --> 0:21:59.879
<v Speaker 1>to stay again, Rigi bib okay, Roy gibib or Royal

0:22:00.119 --> 0:22:05.000
<v Speaker 1>tin stein Stein. I'm out of Roy's but definitely respect

0:22:05.600 --> 0:22:13.200
<v Speaker 1>Um okay, Logan Roy just for the future. Yeah, which one? Okay?

0:22:13.280 --> 0:22:22.240
<v Speaker 1>Rover Shivroy Chivroy. You hate colors? Homophobic, homophobic, just hate

0:22:22.240 --> 0:22:26.640
<v Speaker 1>the Pride flag. It's gramatica. She's a joyant Queens queen.

0:22:27.480 --> 0:22:32.080
<v Speaker 1>Don't get me started. Mary Beth um Ferrari's Lamborghinis or Rigatonis,

0:22:32.960 --> 0:22:44.000
<v Speaker 1>Oh Lamborghinis Marybeth, George Severis or Sam Taggard Chivroy. Wow,

0:22:45.040 --> 0:22:49.439
<v Speaker 1>that's pretty good. That's good. Yeah. Well here here's the thing.

0:22:49.520 --> 0:22:52.280
<v Speaker 1>Don't make me choose. No, it was a drop for sure.

0:22:52.359 --> 0:22:54.159
<v Speaker 1>Yeah right, well that is the premise of the segment.

0:22:54.200 --> 0:22:59.720
<v Speaker 1>But sure, Sorry, I'm just off being subversed again. Okay,

0:22:59.760 --> 0:23:01.640
<v Speaker 1>So we're gonna rate you on a scale of one

0:23:01.680 --> 0:23:05.359
<v Speaker 1>to one thousand doves. And I'm getting very clearly in

0:23:05.400 --> 0:23:10.560
<v Speaker 1>my head that was a clean five. Wows. I think

0:23:10.600 --> 0:23:17.480
<v Speaker 1>that's fair. I think that's really fair. Well great, well great, um,

0:23:17.800 --> 0:23:19.760
<v Speaker 1>did you want me to ask questions about the rating?

0:23:19.840 --> 0:23:22.680
<v Speaker 1>Here's the thing with Roy. Here's the thing about it,

0:23:23.160 --> 0:23:26.919
<v Speaker 1>and this is something I really struggle with. You know,

0:23:27.040 --> 0:23:30.080
<v Speaker 1>everything else is very basic blue red, and then instead

0:23:30.119 --> 0:23:32.880
<v Speaker 1>of saying purple, you say violent. It does not add

0:23:32.960 --> 0:23:34.639
<v Speaker 1>up to me. I think there was that there was

0:23:34.640 --> 0:23:36.760
<v Speaker 1>a gay man involved in that decision. And I don't

0:23:36.760 --> 0:23:38.400
<v Speaker 1>mean any offense by that, but I think we could

0:23:38.400 --> 0:23:40.280
<v Speaker 1>have probably stuck with purple, and then there was probably

0:23:40.280 --> 0:23:43.240
<v Speaker 1>like a gay scientist in the back. Can I contribute

0:23:43.240 --> 0:23:47.400
<v Speaker 1>something exactly? What if I was like, hey, I'm offended

0:23:47.400 --> 0:23:52.120
<v Speaker 1>by that? What if I was really pissed that. Yeah,

0:23:52.160 --> 0:23:54.000
<v Speaker 1>but we don't have time to unpack it. I do

0:23:54.080 --> 0:23:56.040
<v Speaker 1>think though, that you're right, and that you know, writer's

0:23:56.119 --> 0:24:00.040
<v Speaker 1>rooms in science are very um straight male heavy, and

0:24:00.040 --> 0:24:02.639
<v Speaker 1>they're always they're always pitching as well. Yeah, science is

0:24:02.680 --> 0:24:06.679
<v Speaker 1>written by writer's rooms, you know, all old boys club whatever.

0:24:06.800 --> 0:24:09.720
<v Speaker 1>The Roy G BIV room all male, but one of

0:24:09.760 --> 0:24:13.720
<v Speaker 1>them was gay. Absolutely, that pink isn't in the rainbow

0:24:14.080 --> 0:24:17.320
<v Speaker 1>exactly because there's no girls. They're no girls, little girls.

0:24:18.400 --> 0:24:20.160
<v Speaker 1>You know. I do like Roy G BIB better than

0:24:20.359 --> 0:24:23.600
<v Speaker 1>Roy G BIP, though I think Roy g Bip is

0:24:23.640 --> 0:24:27.280
<v Speaker 1>so much funnier and cooler. I have to agree with George,

0:24:27.320 --> 0:24:29.520
<v Speaker 1>so in that way, I do I choose George. Oh

0:24:29.560 --> 0:24:32.600
<v Speaker 1>my god, she's still answering the question damn choosing George,

0:24:32.640 --> 0:24:35.199
<v Speaker 1>but via the avenue of ROYGBIV, which was such a

0:24:35.240 --> 0:24:38.320
<v Speaker 1>prominent figure in the rest of the questions. Roy gi

0:24:38.440 --> 0:24:43.200
<v Speaker 1>Bip to me is is it's Charlie x X. It's yes,

0:24:43.280 --> 0:24:44.960
<v Speaker 1>that's the name of her next album and she is

0:24:45.000 --> 0:24:48.760
<v Speaker 1>making another one iconic. If her album was called roy

0:24:48.840 --> 0:24:50.920
<v Speaker 1>g BIP and the concept was just like a purple

0:24:51.000 --> 0:24:53.720
<v Speaker 1>instead of violet, I mean that actually is really funny.

0:24:53.720 --> 0:24:55.600
<v Speaker 1>If she did that, that that would be genius. If she

0:24:55.680 --> 0:24:59.880
<v Speaker 1>was listening, Charlie, if you're listening, that's free for you. Yeah,

0:25:00.000 --> 0:25:03.840
<v Speaker 1>we won't charge. We will charge for the next album exactly.

0:25:04.359 --> 0:25:07.080
<v Speaker 1>Isn't it ironic that even though the v was you know,

0:25:07.160 --> 0:25:09.880
<v Speaker 1>the contribution of the one game in in the writer's room,

0:25:10.160 --> 0:25:14.120
<v Speaker 1>roy g BIP is so much gay And I think

0:25:14.119 --> 0:25:19.679
<v Speaker 1>it's because that gay And I can't say that that

0:25:19.840 --> 0:25:23.359
<v Speaker 1>gay had no foresight. Yeah no, but he did have

0:25:23.400 --> 0:25:27.000
<v Speaker 1>forest skin. I would also say that from Europe, I

0:25:27.040 --> 0:25:29.359
<v Speaker 1>would say it's highly possible for that gay in that

0:25:29.480 --> 0:25:32.120
<v Speaker 1>room to be, you know, a little bit self conscious

0:25:32.119 --> 0:25:34.960
<v Speaker 1>of being the only gay scientist. So I bet he

0:25:35.119 --> 0:25:38.120
<v Speaker 1>was like, Okay, how can I like insert like let

0:25:38.119 --> 0:25:40.840
<v Speaker 1>people know I'm gay, Violet, but not let them him

0:25:40.880 --> 0:25:43.000
<v Speaker 1>too gay, and not have it end in roy g

0:25:43.160 --> 0:25:46.719
<v Speaker 1>bip exactly. So it's kind of internalized homophobia. To end

0:25:46.760 --> 0:25:49.800
<v Speaker 1>it in Violet. It is internalized homophobia. And it's like

0:25:50.600 --> 0:25:54.679
<v Speaker 1>and is in his quest to fit in with the boys,

0:25:54.720 --> 0:25:56.960
<v Speaker 1>like be one of the guys, he ended up making

0:25:56.960 --> 0:26:01.600
<v Speaker 1>one of the worst mistakes in scientific history. I have

0:26:01.720 --> 0:26:04.360
<v Speaker 1>to agree. I think Nara has a bigger mistake been

0:26:04.400 --> 0:26:09.520
<v Speaker 1>made than the royg bi versus rogip kind of conversation.

0:26:09.760 --> 0:26:11.760
<v Speaker 1>I haven't heard about that. You you won't hear about that.

0:26:11.760 --> 0:26:13.200
<v Speaker 1>You won't learn about that in school, but you're gonna

0:26:13.280 --> 0:26:16.359
<v Speaker 1>learn about it here, you know what. And here's just

0:26:16.400 --> 0:26:21.439
<v Speaker 1>speaking of colors. The first majority gay writer's room was

0:26:21.480 --> 0:26:24.080
<v Speaker 1>the people who came up with the primary colors instead

0:26:24.119 --> 0:26:27.399
<v Speaker 1>of red white or sorry, red blue and yellow, the

0:26:27.440 --> 0:26:31.880
<v Speaker 1>people that thought of cyan, magenta and yellow. Is that

0:26:31.920 --> 0:26:36.760
<v Speaker 1>real punch up? Huh? They were doing a punch up

0:26:36.760 --> 0:26:39.840
<v Speaker 1>on the original? Yeah, they said this. It was like

0:26:39.880 --> 0:26:41.400
<v Speaker 1>a really you know, it was like one of those

0:26:41.440 --> 0:26:48.240
<v Speaker 1>remakes where um, you know the it's like, um, you

0:26:48.280 --> 0:26:51.720
<v Speaker 1>know Riverdale versus the Archie comics. Yeah, I think they said,

0:26:51.960 --> 0:26:59.680
<v Speaker 1>they said, as Jennifer Lawrence once said, gay rights. Yeah,

0:26:59.760 --> 0:27:03.879
<v Speaker 1>it's definitely representation and it's powerful and it saves a

0:27:03.880 --> 0:27:07.119
<v Speaker 1>lot of kids lives. God, I mean, but now we

0:27:07.160 --> 0:27:16.359
<v Speaker 1>do have an overpopulation problem, not for long because of everything. Um,

0:27:16.480 --> 0:27:19.560
<v Speaker 1>you know, I here's what I think. I think gay

0:27:19.600 --> 0:27:23.359
<v Speaker 1>comedy specifically, we just we just gotta hold like cuts

0:27:23.359 --> 0:27:26.239
<v Speaker 1>every year. Like, I think we just need to have

0:27:26.320 --> 0:27:31.359
<v Speaker 1>cuts money, right. I am the number one proponent of

0:27:31.359 --> 0:27:33.280
<v Speaker 1>this movement, but not just for gays. I think we

0:27:33.320 --> 0:27:36.520
<v Speaker 1>need to have cuts across the board, cut cut, cuts

0:27:36.520 --> 0:27:41.919
<v Speaker 1>across the bar. I think that's genius. I think it's time.

0:27:42.119 --> 0:27:46.080
<v Speaker 1>You know, who gets to decide though, the head of CIA, Well,

0:27:46.119 --> 0:27:48.760
<v Speaker 1>of course, I think. I mean, if we're keeping it

0:27:48.800 --> 0:27:53.520
<v Speaker 1>fair right, Well cool, Um, well now that's figured out.

0:27:54.200 --> 0:27:57.000
<v Speaker 1>Yeah I do. You can you imagine, though, being one

0:27:57.040 --> 0:28:00.119
<v Speaker 1>of the people who's cut, You know I can. I

0:28:00.119 --> 0:28:02.920
<v Speaker 1>don't want to live a full and happy life. It's true. God,

0:28:02.960 --> 0:28:05.560
<v Speaker 1>I wish I was cut. You know, I've dealt with

0:28:05.640 --> 0:28:08.920
<v Speaker 1>loss in this industry, you know, countless times. I can

0:28:08.920 --> 0:28:11.040
<v Speaker 1>deal with getting cut. One year, I'm going to be

0:28:11.240 --> 0:28:13.239
<v Speaker 1>that girl in America's next top model. Who was like,

0:28:13.320 --> 0:28:15.600
<v Speaker 1>this is not for me, and then she left. She

0:28:15.720 --> 0:28:17.879
<v Speaker 1>was like, no, it's just not It's just not for me.

0:28:17.920 --> 0:28:20.159
<v Speaker 1>And I was like, well, don't you think in any job?

0:28:20.240 --> 0:28:25.040
<v Speaker 1>And even she walks out, she's can I just say something?

0:28:25.359 --> 0:28:27.840
<v Speaker 1>She is the number one icon of showing up and

0:28:27.880 --> 0:28:34.320
<v Speaker 1>then leaving. That's true. She's she originated the language. No

0:28:34.359 --> 0:28:37.520
<v Speaker 1>one is doing it like her, nobody is, nobody has

0:28:37.800 --> 0:28:41.640
<v Speaker 1>if every production it's like and then you know, it's like, no,

0:28:41.880 --> 0:28:44.760
<v Speaker 1>you have to keep a clean show up, leave, leave,

0:28:44.880 --> 0:28:49.000
<v Speaker 1>get out. Unbelievable. I mean again, to know yourself, to

0:28:49.360 --> 0:28:52.600
<v Speaker 1>have that self awareness. It's sort of the arrest me, like,

0:28:52.680 --> 0:28:56.200
<v Speaker 1>just I don't want to like, I love that. I wish,

0:28:56.240 --> 0:28:58.040
<v Speaker 1>I wish I could do that. Where is she now?

0:28:58.080 --> 0:29:00.720
<v Speaker 1>I hope she's well, she's probably a c of CIA,

0:29:02.680 --> 0:29:07.320
<v Speaker 1>She's a charge of the cuts. And it doesn't once

0:29:07.360 --> 0:29:10.680
<v Speaker 1>you leave, once you leave this over, yeah, you can't

0:29:10.680 --> 0:29:13.800
<v Speaker 1>come back the next year. No, No, oh you can't. Damn.

0:29:13.880 --> 0:29:17.640
<v Speaker 1>I was gonna audition again for what to be in

0:29:18.600 --> 0:29:27.680
<v Speaker 1>Harold Knight, not Harold Knight at the Yeah, in the

0:29:27.680 --> 0:29:34.480
<v Speaker 1>world of New York stand up comedy. You're George. Remember

0:29:34.520 --> 0:29:37.120
<v Speaker 1>when I texted you of eader scene and I kind

0:29:37.120 --> 0:29:40.240
<v Speaker 1>of took creative liberties with this. I wish I remember

0:29:40.320 --> 0:29:42.560
<v Speaker 1>what the spelling was. The two things we have spelled

0:29:42.600 --> 0:29:47.280
<v Speaker 1>in an insane way our our feedersane and ayahuasca. You

0:29:47.280 --> 0:29:49.840
<v Speaker 1>know you're allowed to not know how to spell whatever

0:29:49.920 --> 0:29:54.360
<v Speaker 1>you want. I have to that's empowerment. You know what.

0:29:54.520 --> 0:29:58.360
<v Speaker 1>I can never spell. I can never my job and

0:29:58.360 --> 0:30:01.680
<v Speaker 1>I always google about seven times the last two years.

0:30:03.080 --> 0:30:08.480
<v Speaker 1>Voice note, Honey, I think I put that pressure on yourself.

0:30:08.840 --> 0:30:10.840
<v Speaker 1>I think it's so funny to write m PEL, but

0:30:10.920 --> 0:30:15.120
<v Speaker 1>I still don't know how to spell it, and that's

0:30:15.120 --> 0:30:19.720
<v Speaker 1>your right, honestly, and I correct is not helping. I

0:30:19.720 --> 0:30:22.080
<v Speaker 1>mean the amount of times you have looked it up

0:30:22.120 --> 0:30:24.360
<v Speaker 1>and then written it down. It does not correct, sees

0:30:24.400 --> 0:30:27.040
<v Speaker 1>what it wants to see. Correct, pretends like I'm not

0:30:27.080 --> 0:30:29.479
<v Speaker 1>even here, like it like pretends like I don't even exist.

0:30:29.640 --> 0:30:33.040
<v Speaker 1>It's crazy, the stuff. It's like, you know what I want?

0:30:33.200 --> 0:30:35.920
<v Speaker 1>Why why don't you make some way? Making this difficult?

0:30:38.760 --> 0:30:45.120
<v Speaker 1>M HM questions will never have answers to, well, well,

0:30:45.800 --> 0:30:51.320
<v Speaker 1>um should we Mary Beth? You're introduce our topic ors. Yeah, Now,

0:30:51.400 --> 0:30:53.280
<v Speaker 1>the other thing that happened I'm actually no, I'm not

0:30:53.320 --> 0:30:54.880
<v Speaker 1>going to say this. I was going to mention our

0:30:54.920 --> 0:30:57.920
<v Speaker 1>previous episode again, but that's we've already staged it looking

0:30:57.960 --> 0:31:01.040
<v Speaker 1>toward the future. We're looking towards the future. We really

0:31:01.080 --> 0:31:03.960
<v Speaker 1>really are. I mean we're not. We're still talking about it,

0:31:04.000 --> 0:31:09.959
<v Speaker 1>but yeah, no, just briefly, um Merribeth, your topic is

0:31:10.320 --> 0:31:17.240
<v Speaker 1>the television series The Sopranos. Tell us about that. I okay,

0:31:17.320 --> 0:31:20.440
<v Speaker 1>so many a straight man has tried to coax me

0:31:20.520 --> 0:31:23.080
<v Speaker 1>into watching The Sopranos, claiming it's the best show ever,

0:31:23.520 --> 0:31:26.480
<v Speaker 1>claiming it's the greatest show. That's that's gray star screens,

0:31:26.520 --> 0:31:31.560
<v Speaker 1>claiming it's some of the best performances of all time. Okay, sorry,

0:31:31.640 --> 0:31:37.240
<v Speaker 1>give us straight straight and he's just agreeing fervently. Well,

0:31:38.240 --> 0:31:40.720
<v Speaker 1>I just think that a show that has men that

0:31:40.760 --> 0:31:44.160
<v Speaker 1>look like that who can sing, I don't even understand

0:31:44.160 --> 0:31:46.240
<v Speaker 1>how it works if you have all sopranos in the

0:31:46.280 --> 0:31:53.080
<v Speaker 1>group of Second of all, what's the big deal? Right?

0:31:53.440 --> 0:31:55.440
<v Speaker 1>First of all, like they have high voices, it's not

0:31:55.480 --> 0:31:58.800
<v Speaker 1>a big deal. Do you think it's homophobic that, like

0:31:59.240 --> 0:32:01.840
<v Speaker 1>it's kind of making fun of them for having high voices?

0:32:02.160 --> 0:32:04.040
<v Speaker 1>Not only do I think it's homophobics that it's making

0:32:04.040 --> 0:32:05.600
<v Speaker 1>fun of them for having my voices. I think it's

0:32:05.600 --> 0:32:09.000
<v Speaker 1>homophobic that, from what I understand, there's no gay actors

0:32:09.000 --> 0:32:11.720
<v Speaker 1>in the whole thing. No, no, yeah, it's it's crazy

0:32:11.760 --> 0:32:15.680
<v Speaker 1>they went and found straight men who are sopranos where

0:32:15.760 --> 0:32:19.560
<v Speaker 1>they find them. I'm not buying it. I find the

0:32:19.560 --> 0:32:22.280
<v Speaker 1>plot to be so compelling because you know, it's this

0:32:22.360 --> 0:32:26.719
<v Speaker 1>group of sopranos and they're like all this one style

0:32:26.800 --> 0:32:29.440
<v Speaker 1>of singer, and like they still make it to regionals

0:32:29.480 --> 0:32:32.880
<v Speaker 1>despite all the odds. Not that I'm going to watch it,

0:32:32.960 --> 0:32:36.240
<v Speaker 1>but yeah, well no, it's known that they make they

0:32:36.280 --> 0:32:39.480
<v Speaker 1>make it to regionals every season finale except the final

0:32:39.560 --> 0:32:43.160
<v Speaker 1>one when you know they don't. Sorry spoiler, but that's

0:32:43.160 --> 0:32:45.800
<v Speaker 1>how it ends. Soiler, I also think in the way

0:32:45.840 --> 0:32:47.920
<v Speaker 1>that and from what I understand, because I've never seen

0:32:47.960 --> 0:32:50.240
<v Speaker 1>it once again, never watched even a single minute of it,

0:32:50.640 --> 0:32:52.920
<v Speaker 1>but from from what I've heard, they killed Tony in

0:32:52.960 --> 0:32:56.320
<v Speaker 1>the end, and then that actor died and that just

0:32:56.400 --> 0:32:59.360
<v Speaker 1>felt like a little on those to me. Yeah, and

0:32:59.400 --> 0:33:02.960
<v Speaker 1>you like flitteral as I am. It just felt like

0:33:03.040 --> 0:33:06.520
<v Speaker 1>he went for cheap laughs, right, you shouldn't have died.

0:33:06.560 --> 0:33:08.960
<v Speaker 1>I think that was a weird decision when he I

0:33:08.960 --> 0:33:11.080
<v Speaker 1>think it's so messed up when people choose to die.

0:33:11.120 --> 0:33:15.280
<v Speaker 1>It's like just stay. I get why in some respects,

0:33:15.280 --> 0:33:17.240
<v Speaker 1>But if your character on a show that you're most

0:33:17.280 --> 0:33:19.480
<v Speaker 1>famous for has just died, and you've just done a

0:33:19.560 --> 0:33:22.160
<v Speaker 1>movie with Julia Louis Dreyfuss, I don't even know that

0:33:22.200 --> 0:33:24.320
<v Speaker 1>if it had come out yet, feels like, you know,

0:33:24.440 --> 0:33:26.240
<v Speaker 1>you could have been there for the press tour just

0:33:26.280 --> 0:33:28.920
<v Speaker 1>because you've had your kind of career defining moment. Julia

0:33:28.960 --> 0:33:32.160
<v Speaker 1>Louis Dreyfuss famously hasn't, so you know, she's never been

0:33:32.160 --> 0:33:34.040
<v Speaker 1>in a hit TV show, and she could have probably

0:33:34.080 --> 0:33:39.280
<v Speaker 1>really used Okay, she probably could have been controversial statement.

0:33:39.400 --> 0:33:42.440
<v Speaker 1>She's never been in a single let alone too. She's

0:33:42.440 --> 0:33:44.280
<v Speaker 1>definitely never been in a single hit TV show, So

0:33:44.480 --> 0:33:46.200
<v Speaker 1>I just think she maybe could have used that movie

0:33:46.240 --> 0:33:49.040
<v Speaker 1>to kind of propel see. You know, It's it's interesting

0:33:49.080 --> 0:33:52.160
<v Speaker 1>because I was so on board. It's one of those

0:33:52.160 --> 0:33:54.400
<v Speaker 1>things I think is happening where you are talking to

0:33:54.480 --> 0:33:57.560
<v Speaker 1>someone and they and they make increasingly unhinged claims and

0:33:57.600 --> 0:33:59.680
<v Speaker 1>you and you are playing a lie and you're saying,

0:34:00.320 --> 0:34:03.800
<v Speaker 1>maybe this will start making sense and then you realize, no,

0:34:04.240 --> 0:34:09.239
<v Speaker 1>this person's batshit insane. You're talking about Sam. Um. I

0:34:09.280 --> 0:34:14.160
<v Speaker 1>don't think that's where he was going. Actually, George, am

0:34:14.160 --> 0:34:17.000
<v Speaker 1>I talking about Sam. Here's what I will say. Here

0:34:17.120 --> 0:34:20.359
<v Speaker 1>is what I will say. I think you know, Mary Beth,

0:34:20.400 --> 0:34:22.320
<v Speaker 1>I think what you're saying is that you think James

0:34:22.320 --> 0:34:24.960
<v Speaker 1>Gandolfini should come back to life because it was rude

0:34:25.360 --> 0:34:29.399
<v Speaker 1>for him to die before Julia Louis Drive has had

0:34:29.440 --> 0:34:33.799
<v Speaker 1>her moment, and I think we want the same thing,

0:34:33.920 --> 0:34:37.000
<v Speaker 1>but for different reasons. I have made it very clear

0:34:37.239 --> 0:34:41.160
<v Speaker 1>in my work that I also think James Gandolfini should

0:34:41.320 --> 0:34:44.400
<v Speaker 1>rise from the grave, but only for the sole purpose

0:34:44.560 --> 0:34:48.279
<v Speaker 1>of having sex with me. I mean this man to

0:34:48.480 --> 0:34:58.320
<v Speaker 1>be reborn as his current age, and um the current age. Okay,

0:34:58.480 --> 0:35:03.640
<v Speaker 1>here's the thing. I there is an inconsistency here. If

0:35:03.719 --> 0:35:06.480
<v Speaker 1>we are so into the idea of showing up and

0:35:06.480 --> 0:35:10.279
<v Speaker 1>then leaving, isn't dying the ultimate leaving? Why are we

0:35:10.320 --> 0:35:12.520
<v Speaker 1>against that? But I guess it's a matter of knowing

0:35:12.560 --> 0:35:14.600
<v Speaker 1>the right time. I agree, and I think it wasn't

0:35:14.600 --> 0:35:18.560
<v Speaker 1>the right time. Yea, So living is showing up. But

0:35:18.640 --> 0:35:22.440
<v Speaker 1>thank you for there's always so angry at people for

0:35:22.800 --> 0:35:26.759
<v Speaker 1>um passing away. She never thinks it's the right time.

0:35:26.840 --> 0:35:33.319
<v Speaker 1>She always comments on obituaries and says boom wow. Okay, Um,

0:35:33.360 --> 0:35:36.359
<v Speaker 1>it just feels selfish to me, and I think, you know,

0:35:36.520 --> 0:35:38.600
<v Speaker 1>if you have more to do and more to say,

0:35:39.120 --> 0:35:43.200
<v Speaker 1>kind of robbing the world of that is inherently um yeah.

0:35:43.280 --> 0:35:46.040
<v Speaker 1>Just it's not something I support. And I think that

0:35:46.160 --> 0:35:48.200
<v Speaker 1>if he's you know, if he were alive today, I

0:35:48.200 --> 0:35:51.800
<v Speaker 1>would tell him that as well. Yeah, guys, what's your favorite?

0:35:52.200 --> 0:35:55.000
<v Speaker 1>I know we all haven't seen the show, but you know,

0:35:55.120 --> 0:36:00.320
<v Speaker 1>we all listened to the cast recording soundtrack? What's your favorite?

0:36:00.320 --> 0:36:03.400
<v Speaker 1>Mash up from the Sopranos cast recording soundtrack? Okay, I

0:36:03.440 --> 0:36:08.000
<v Speaker 1>love when they did Let's have a Kiki, Yes, when

0:36:09.440 --> 0:36:15.760
<v Speaker 1>Tony like Tony's like big moment in that nh huh

0:36:16.480 --> 0:36:18.560
<v Speaker 1>see for me and I don't want to I don't

0:36:18.560 --> 0:36:21.000
<v Speaker 1>want it to seem like I'm copying, But for me,

0:36:21.080 --> 0:36:23.719
<v Speaker 1>it was when they did um, Kiki, do you love me?

0:36:23.800 --> 0:36:28.720
<v Speaker 1>Are you writing? Oh? They kind of did a soprano

0:36:28.840 --> 0:36:31.879
<v Speaker 1>version of that. I thought Pauli Walnut's voice was really

0:36:31.920 --> 0:36:37.799
<v Speaker 1>cool in that one. I think when Michael Imperioli did Valerie.

0:36:40.400 --> 0:36:44.759
<v Speaker 1>I I thought that was so and you know he

0:36:44.920 --> 0:36:50.520
<v Speaker 1>was listen. He wasn't the best singer, no but that,

0:36:50.960 --> 0:36:53.200
<v Speaker 1>but he said, he said, I'm going to step up

0:36:53.400 --> 0:36:55.759
<v Speaker 1>to the plate and I'm going to sing the ship

0:36:55.880 --> 0:37:03.400
<v Speaker 1>out of Valerie. And he did it. Sam. How about you? Um?

0:37:03.440 --> 0:37:06.319
<v Speaker 1>I happened to remember, you know, I've always been sort

0:37:06.320 --> 0:37:11.719
<v Speaker 1>of more alternative. Um, I remember a rendition of Beck's

0:37:12.080 --> 0:37:15.759
<v Speaker 1>I'm a Loser Baby that you know, it just really

0:37:15.800 --> 0:37:17.840
<v Speaker 1>spoke to me at that time in my life. And

0:37:17.880 --> 0:37:20.520
<v Speaker 1>they mashed it up with radio heads creep, so it's

0:37:20.640 --> 0:37:24.759
<v Speaker 1>I'm a loser. What is the Beck one? I'm a

0:37:24.760 --> 0:37:28.040
<v Speaker 1>loser Baby, and then it's I'm a I'm a weird

0:37:28.200 --> 0:37:31.279
<v Speaker 1>I'm a weirdo. What the hell am I doing here? Exactly?

0:37:31.320 --> 0:37:34.840
<v Speaker 1>And I think that gave kind of Jamie Lynn Siegler,

0:37:35.239 --> 0:37:38.200
<v Speaker 1>who you may know from HBO's Entourage. She did a

0:37:38.239 --> 0:37:42.839
<v Speaker 1>turtle in one season. Excuse me, Uh. She hadn't really

0:37:42.880 --> 0:37:45.319
<v Speaker 1>had her time to shine yet. And even though she

0:37:45.480 --> 0:37:48.799
<v Speaker 1>technically I don't think her vocal range fell into soprano,

0:37:52.960 --> 0:37:57.040
<v Speaker 1>so it was all the everyone else was a soprano.

0:37:57.120 --> 0:37:59.359
<v Speaker 1>And then it was really controversial when they hired her,

0:38:00.040 --> 0:38:01.759
<v Speaker 1>especially because you know, she started on that show as

0:38:01.800 --> 0:38:04.320
<v Speaker 1>a teen and she has had been a tenor since

0:38:04.800 --> 0:38:09.520
<v Speaker 1>she was a child. Yeah. Um, and people said, she

0:38:09.600 --> 0:38:14.440
<v Speaker 1>doesn't belong like this, it doesn't make any sense. So

0:38:14.480 --> 0:38:16.120
<v Speaker 1>in that way, it was a little meta because she

0:38:16.160 --> 0:38:18.279
<v Speaker 1>says that I don't belong here, and you think, well,

0:38:18.320 --> 0:38:21.080
<v Speaker 1>you don't actually, because right, and it was, you know,

0:38:21.200 --> 0:38:23.840
<v Speaker 1>sung with a tenor like, oh, I don't plong here,

0:38:24.040 --> 0:38:29.960
<v Speaker 1>and you know, imagine Jamie Lynn Sigler doing that. I can't,

0:38:29.600 --> 0:38:33.399
<v Speaker 1>I can't until I hear it, you know what I mean? Well,

0:38:33.440 --> 0:38:35.360
<v Speaker 1>that was I just played what you just heard. That

0:38:35.440 --> 0:38:40.360
<v Speaker 1>was the cast recording. Okay, right, right, absolutely, of course,

0:38:40.440 --> 0:38:45.360
<v Speaker 1>of course. Um, okay, here's the question. Do you guys

0:38:45.440 --> 0:38:57.040
<v Speaker 1>believe in the Sopranos curse? Oh? Oh, Sam, remind me,

0:38:57.160 --> 0:39:08.000
<v Speaker 1>remind me too much, remind me. I mean, you can't,

0:39:10.360 --> 0:39:22.040
<v Speaker 1>it's too bad. Here's the thing about the Sopranos. I

0:39:22.200 --> 0:39:30.000
<v Speaker 1>think that there's never been a show like it, and

0:39:30.040 --> 0:39:31.719
<v Speaker 1>I'm saying that as someone who has never seen it.

0:39:32.400 --> 0:39:39.000
<v Speaker 1>Absolutely absolutely. I mean, it made musicals acceptable for straight men.

0:39:40.120 --> 0:39:42.480
<v Speaker 1>It did what Glee was, but but Glee had to

0:39:42.560 --> 0:39:45.359
<v Speaker 1>walk so that the Sopranos could have run exactly even

0:39:45.360 --> 0:39:47.759
<v Speaker 1>though and don't you know people are like writing in

0:39:47.760 --> 0:39:51.080
<v Speaker 1>about the timing. Don't worry about it. People are always

0:39:51.120 --> 0:39:52.920
<v Speaker 1>writing and trying to fact check us. It's like, yeah,

0:39:52.960 --> 0:39:55.520
<v Speaker 1>it's like no, you can like you can first walk

0:39:55.560 --> 0:39:58.640
<v Speaker 1>then run like you can run then walk like absolutely.

0:39:59.719 --> 0:40:04.200
<v Speaker 1>But I question to you is what's the curse? Mm hmm.

0:40:07.160 --> 0:40:14.280
<v Speaker 1>The curse The Sopranos curse is that after the series

0:40:14.360 --> 0:40:19.000
<v Speaker 1>was over, all of them were relegated to supporting roles

0:40:19.000 --> 0:40:24.040
<v Speaker 1>except for Edie Falco. Okay, but she earned her stripes.

0:40:24.280 --> 0:40:27.520
<v Speaker 1>I'd say, oh yeah, I mean she's the one who

0:40:27.600 --> 0:40:30.560
<v Speaker 1>got Nurse Jackie. James Candelfini was up for that. He

0:40:30.600 --> 0:40:32.279
<v Speaker 1>was going to be a Nurse Jackie and they said,

0:40:32.440 --> 0:40:35.319
<v Speaker 1>they said sorry when they were casting that, it was

0:40:35.480 --> 0:40:40.600
<v Speaker 1>they were only casting cast members of the Sopranos, So

0:40:40.600 --> 0:40:42.200
<v Speaker 1>it was either going to be a Nurse Jackie like

0:40:42.239 --> 0:40:46.120
<v Speaker 1>with Michael Imperioli or James Gendelfeni or Jamie lynd Sigler

0:40:46.280 --> 0:40:49.399
<v Speaker 1>like and it and it was Eadie. And that's why

0:40:49.560 --> 0:40:53.040
<v Speaker 1>actually James had to do that movie with unknown at

0:40:53.080 --> 0:40:56.479
<v Speaker 1>the time, actress Julia Louis Dreyfuss. Yeah, because he still

0:40:56.520 --> 0:40:58.960
<v Speaker 1>hasn't ever been in the show. I said, never been

0:40:59.000 --> 0:41:02.600
<v Speaker 1>a hit show. She's honestly had like you know, under

0:41:02.600 --> 0:41:04.680
<v Speaker 1>fives on a couple of shows. She's just never been

0:41:04.719 --> 0:41:06.759
<v Speaker 1>like a main character on a hit show. Yeah. She

0:41:06.880 --> 0:41:09.759
<v Speaker 1>was on a forgotten show called Seinfeld that people now

0:41:09.800 --> 0:41:12.719
<v Speaker 1>I guess are watching because there's like bootleg DVDs of it. Yeah,

0:41:12.760 --> 0:41:14.839
<v Speaker 1>but it's not in any streaming platforms. And no one

0:41:14.880 --> 0:41:18.319
<v Speaker 1>from that show really went on to do anything. No, no, Yeah,

0:41:19.120 --> 0:41:21.560
<v Speaker 1>it's a really sad story. It's really there's there's a

0:41:21.600 --> 0:41:24.720
<v Speaker 1>Seinfeld curse. But we're not going to get into that.

0:41:27.360 --> 0:41:31.560
<v Speaker 1>Well interesting, god, you know you you rules can be

0:41:31.600 --> 0:41:34.360
<v Speaker 1>broken so easily. Yeah, I think that's what that's a

0:41:34.440 --> 0:41:38.680
<v Speaker 1>message of the soprano because because they said we can't

0:41:38.719 --> 0:41:40.839
<v Speaker 1>have a singing group with all sopranos, and they said,

0:41:40.960 --> 0:41:43.239
<v Speaker 1>watched me, thank you. Oh my god. Now I feel

0:41:43.280 --> 0:41:47.640
<v Speaker 1>like I'm staying against me and they all, but they

0:41:47.680 --> 0:41:56.000
<v Speaker 1>managed to harmonize. I actually have I have a gay

0:41:56.040 --> 0:41:58.719
<v Speaker 1>friend watching it right now, and that's what I was

0:41:58.719 --> 0:42:01.680
<v Speaker 1>going to star. He's says, He says, if I'm being real,

0:42:02.200 --> 0:42:06.640
<v Speaker 1>it's incredibly boring. Okay, that's interesting because I have been

0:42:06.800 --> 0:42:11.319
<v Speaker 1>so this is a show that my uh boyfriend and

0:42:11.360 --> 0:42:14.680
<v Speaker 1>I have been meaning to start watching together, and I

0:42:14.719 --> 0:42:16.920
<v Speaker 1>think it's like a good activity to do in a couple.

0:42:17.160 --> 0:42:19.720
<v Speaker 1>No offense to all the single ladies out there listening,

0:42:20.120 --> 0:42:24.319
<v Speaker 1>but unfortunately we're not allowed. No, I actually don't care

0:42:24.320 --> 0:42:28.799
<v Speaker 1>about offending those, um but it's actually you better get

0:42:28.800 --> 0:42:35.120
<v Speaker 1>a man. It's interesting people think. You know, there are

0:42:35.160 --> 0:42:37.400
<v Speaker 1>people that are that think they're that they are not

0:42:37.400 --> 0:42:41.480
<v Speaker 1>watching the Sopranos because they're empowered. It's like, if you could,

0:42:41.760 --> 0:42:53.600
<v Speaker 1>you would, Yeah, yeah, it's all these also spinsters are

0:42:54.200 --> 0:42:59.480
<v Speaker 1>not watching. So many of these women they think, oh,

0:42:59.520 --> 0:43:01.279
<v Speaker 1>you know, I can have it all. I can have

0:43:01.320 --> 0:43:02.960
<v Speaker 1>a career. It's like, no, all you want to do

0:43:03.000 --> 0:43:08.040
<v Speaker 1>is watch the Sopranos. Stupid, but you can't because you

0:43:08.200 --> 0:43:12.560
<v Speaker 1>don't have a damn man in your life. Like ring

0:43:12.640 --> 0:43:17.840
<v Speaker 1>on that finger and watch the Sopranos. So it's always

0:43:17.880 --> 0:43:19.719
<v Speaker 1>inspiring when you go to a wedding and then you

0:43:19.719 --> 0:43:22.120
<v Speaker 1>know people are doing the toast and the bride speaks

0:43:22.120 --> 0:43:26.240
<v Speaker 1>and through tears she goes, I can finally watch the Sopranos,

0:43:27.080 --> 0:43:29.120
<v Speaker 1>and it's what's more touching for me is when the

0:43:29.239 --> 0:43:33.239
<v Speaker 1>dad gets up and I never thought it would happen

0:43:33.320 --> 0:43:38.040
<v Speaker 1>for my daughter, but now she gets to watch it's

0:43:38.960 --> 0:43:44.680
<v Speaker 1>Home Box Offices show, It's and you know what this

0:43:45.080 --> 0:43:47.640
<v Speaker 1>I'll cup up to the fact that it is kind

0:43:47.640 --> 0:43:51.040
<v Speaker 1>of gay privilege that I I Am allowed to watch

0:43:51.080 --> 0:43:54.560
<v Speaker 1>it just through having a boyfriend. And we don't need

0:43:54.640 --> 0:43:56.960
<v Speaker 1>to be legally married. But for straight people, you do

0:43:57.040 --> 0:43:59.399
<v Speaker 1>need to be legally married before you can log into

0:43:59.440 --> 0:44:01.560
<v Speaker 1>I mean, you can get to HBO, but when you

0:44:01.600 --> 0:44:05.600
<v Speaker 1>click the sopranos, they you have to present the marriage. Yeah,

0:44:05.960 --> 0:44:07.680
<v Speaker 1>it says if you click on it in your single,

0:44:07.719 --> 0:44:12.239
<v Speaker 1>it says, did you mean HBO's Girls. Right, you're kind

0:44:12.239 --> 0:44:14.560
<v Speaker 1>of prompted, you're redirected. It says four or four and

0:44:14.880 --> 0:44:17.319
<v Speaker 1>then it says, if this page takes more of those

0:44:17.400 --> 0:44:19.280
<v Speaker 1>things alone, so you click the button and then it's

0:44:19.320 --> 0:44:23.600
<v Speaker 1>actually it's actually HBO's Girls by Lena Danaman, Judd Apatow. Yeah,

0:44:24.040 --> 0:44:29.200
<v Speaker 1>thank you for including Judd Apatow and Jenny Connor, and

0:44:29.200 --> 0:44:31.840
<v Speaker 1>then and Jenny Connor as well, and less we forget

0:44:31.840 --> 0:44:34.839
<v Speaker 1>Alison Williams, you know, Jemima Kirk and then the one

0:44:34.880 --> 0:44:36.560
<v Speaker 1>that plays yell. At this point, we're just listening to

0:44:36.560 --> 0:44:39.320
<v Speaker 1>the cast, but you know, they all had a part

0:44:39.560 --> 0:44:42.759
<v Speaker 1>in making the story come to life. That's I mean, yes,

0:44:42.800 --> 0:44:44.000
<v Speaker 1>but I think we're trying to keep it sort of

0:44:44.000 --> 0:44:47.319
<v Speaker 1>in the executive producer realm Oh, I'm sorry. I thought

0:44:47.320 --> 0:44:50.400
<v Speaker 1>this was a free space to talk about creative projects. Marybeth,

0:44:50.440 --> 0:44:54.680
<v Speaker 1>Do you think diversity matters more on screen or off screen? Oh?

0:44:54.680 --> 0:44:57.640
<v Speaker 1>My gosh, and you can't have both, by the way,

0:44:58.920 --> 0:45:01.879
<v Speaker 1>it's a binary, you know. Then I think I'm gonna

0:45:01.880 --> 0:45:04.960
<v Speaker 1>I'm gonna have to say on screen because as we've

0:45:04.960 --> 0:45:08.480
<v Speaker 1>seen with James Gandelfini, art imitates life, so I'll make

0:45:08.560 --> 0:45:12.279
<v Speaker 1>that choice for the community. Or sorry, life imitates arts,

0:45:12.320 --> 0:45:14.640
<v Speaker 1>so I'll make that choice for the community to say

0:45:14.680 --> 0:45:16.919
<v Speaker 1>on screen. And then I think, like it trickled down,

0:45:17.120 --> 0:45:21.439
<v Speaker 1>it will happen. There you have it. Marybeth Browne thinks

0:45:21.480 --> 0:45:24.680
<v Speaker 1>all stories should be written by straight white men played

0:45:24.680 --> 0:45:29.200
<v Speaker 1>by people of color. Yeah, it feels very almost exploitative.

0:45:30.120 --> 0:45:31.840
<v Speaker 1>When you said off screen, I thought you meant like

0:45:31.920 --> 0:45:34.759
<v Speaker 1>in an office, like like in everyday life, like on

0:45:34.800 --> 0:45:38.120
<v Speaker 1>the bus. Oh, I don't think there are any jobs

0:45:38.120 --> 0:45:44.680
<v Speaker 1>that are not on camera. Well, then we agree to disagree.

0:45:45.440 --> 0:45:48.880
<v Speaker 1>Are there offices that are like not being filmed? I

0:45:48.920 --> 0:45:50.560
<v Speaker 1>don't know that I've been to one, but I've heard

0:45:50.560 --> 0:45:54.319
<v Speaker 1>about them. Yeah, yeah, maybe if you're like a like

0:45:54.400 --> 0:46:00.319
<v Speaker 1>a like a dentist. No, they filmed those for TLC. Oh,

0:46:00.320 --> 0:46:05.600
<v Speaker 1>that's right. Yeah, my American Denta and and and the

0:46:05.640 --> 0:46:12.080
<v Speaker 1>spinoff nine Dentist Fiance. That one is really pretty boring.

0:46:12.239 --> 0:46:15.160
<v Speaker 1>It's extremely specific, and it's like, I don't know that

0:46:15.200 --> 0:46:18.399
<v Speaker 1>this needed to be made, but but then here we are.

0:46:19.200 --> 0:46:22.240
<v Speaker 1>People are you know people? It's it's giving jobs to people,

0:46:22.400 --> 0:46:25.200
<v Speaker 1>mostly straight white men, because you're in charge of the network.

0:46:26.800 --> 0:46:29.279
<v Speaker 1>If I was in charge of the network, things would

0:46:29.280 --> 0:46:33.960
<v Speaker 1>be a lot different. How would you change TLC if

0:46:34.000 --> 0:46:36.279
<v Speaker 1>you were in charge of it? Yeah, from the inside out,

0:46:38.760 --> 0:46:42.560
<v Speaker 1>which well I was obviously you beat me to it,

0:46:42.600 --> 0:46:44.359
<v Speaker 1>but I was gonna say, I just feel like, if

0:46:44.360 --> 0:46:46.600
<v Speaker 1>you're going to make a show about an Italian family,

0:46:46.960 --> 0:46:50.399
<v Speaker 1>there's just richer stories to be mine within that, Like,

0:46:50.480 --> 0:46:52.400
<v Speaker 1>you know what I'm not seeing on TV. I'm not

0:46:52.440 --> 0:46:56.399
<v Speaker 1>seeing like a gang crime drama, mafia type story, which

0:46:56.920 --> 0:47:00.480
<v Speaker 1>I feel like, you know, they're always singing, they're always

0:47:00.480 --> 0:47:03.719
<v Speaker 1>on the stage, they're always being flamboyant, no offense, and

0:47:03.840 --> 0:47:06.400
<v Speaker 1>I just think to co opt a culture like that,

0:47:06.480 --> 0:47:08.440
<v Speaker 1>I've never met an Italian like that, and I think

0:47:08.520 --> 0:47:11.680
<v Speaker 1>it's just not reflective of the Italian American experience in

0:47:11.719 --> 0:47:14.480
<v Speaker 1>New York. And so I just think if I were

0:47:14.480 --> 0:47:16.760
<v Speaker 1>to go in and pitch sopranos like I just think,

0:47:16.800 --> 0:47:20.239
<v Speaker 1>and I was also the ahead of the network. Um,

0:47:20.400 --> 0:47:27.920
<v Speaker 1>so you're pitching to yourself. Yeah, you're pitching sopranos to

0:47:28.000 --> 0:47:33.239
<v Speaker 1>yourself for TLC. Yeah, I'm just saying it would look different. Okay,

0:47:33.800 --> 0:47:36.120
<v Speaker 1>So here's the thing. And I've never listened, I've never

0:47:36.120 --> 0:47:39.319
<v Speaker 1>met an Italian American, but I in my mind, you know,

0:47:39.440 --> 0:47:42.480
<v Speaker 1>I've grown up seeing these images like I've grown up,

0:47:42.600 --> 0:47:47.400
<v Speaker 1>and they're always singers. You know, it's like it's like

0:47:47.680 --> 0:47:50.120
<v Speaker 1>it can't be really, I just cannot It's not rooted

0:47:50.120 --> 0:47:53.360
<v Speaker 1>in truth. It's not there. I'm sure, just like any community,

0:47:53.360 --> 0:47:56.480
<v Speaker 1>there's diversity within the Italian American community, like not all

0:47:56.520 --> 0:48:01.160
<v Speaker 1>of them, the singers. There's more than sopranos at least started,

0:48:01.280 --> 0:48:04.120
<v Speaker 1>yes exactly. I mean, okay, fine, make the most singers

0:48:04.360 --> 0:48:10.839
<v Speaker 1>throw in an alto, of course, but then you get

0:48:10.880 --> 0:48:13.080
<v Speaker 1>into the question of like, is this tokenism to have

0:48:13.239 --> 0:48:15.480
<v Speaker 1>just one? I mean that's Jamie Lee Sigler dealt with

0:48:15.560 --> 0:48:22.560
<v Speaker 1>us throughout the series being the only tenor yeah, I

0:48:22.560 --> 0:48:25.840
<v Speaker 1>mean these are important questions, you know. Yeah, no, and

0:48:25.960 --> 0:48:29.279
<v Speaker 1>the answers are actually not important. Yeah, it's I think

0:48:29.280 --> 0:48:32.080
<v Speaker 1>it's and I've always said this, it's more important to

0:48:32.120 --> 0:48:34.560
<v Speaker 1>ask the question, I think, than to get the answer. Yeah.

0:48:34.640 --> 0:48:38.160
<v Speaker 1>Sometimes getting answers can be actively harmful. I agree. You

0:48:38.200 --> 0:48:40.680
<v Speaker 1>have to close your ears. It's just the question. It's

0:48:40.719 --> 0:48:43.759
<v Speaker 1>like Schrodinger's tat, you know, like exactly, it's exactly the

0:48:43.840 --> 0:48:46.319
<v Speaker 1>open box. We don't want the answer, We just want

0:48:46.320 --> 0:48:50.840
<v Speaker 1>to outpose the question and say my work is done exactly.

0:48:50.880 --> 0:49:04.080
<v Speaker 1>Italian American representation is just like Schrodinger's cat. Shrodinger's cat. Well,

0:49:05.040 --> 0:49:12.759
<v Speaker 1>oh my god, um wow. I have to say, it

0:49:12.800 --> 0:49:17.319
<v Speaker 1>feels like we've covered most of culture. Yeah, I think.

0:49:17.360 --> 0:49:20.000
<v Speaker 1>You know. When I came on here, I thought I

0:49:20.000 --> 0:49:23.000
<v Speaker 1>will uncover a few will turn over a few stones.

0:49:23.360 --> 0:49:26.080
<v Speaker 1>I didn't think we'd get this deep. And I have

0:49:26.200 --> 0:49:28.760
<v Speaker 1>to say I'm happy, and honestly I think the listeners

0:49:28.760 --> 0:49:32.040
<v Speaker 1>will be as well. Yeah, I hope so, I think

0:49:32.080 --> 0:49:38.640
<v Speaker 1>they will be um and and Sam having said all that,

0:49:38.760 --> 0:49:42.640
<v Speaker 1>enjoy what finishing watching sopranos? Yeah? Sam, I mean, now

0:49:42.680 --> 0:49:46.040
<v Speaker 1>you know that at the end they don't win regionals

0:49:46.520 --> 0:49:55.319
<v Speaker 1>and then James Gendelfini dies of sadness. I did hear

0:49:55.520 --> 0:49:58.200
<v Speaker 1>that he was actually like a huge diva on set,

0:49:58.280 --> 0:50:02.360
<v Speaker 1>so it's actually probably good that. Yeah listen, Okay, I

0:50:02.400 --> 0:50:06.000
<v Speaker 1>didn't want to get into this, but James candel Foenie

0:50:06.000 --> 0:50:09.000
<v Speaker 1>in real life is not a soprano. He's doing soprano face.

0:50:12.239 --> 0:50:18.120
<v Speaker 1>Are you fucking kidding me? James Candelfenie when he speaks

0:50:18.400 --> 0:50:22.560
<v Speaker 1>literally sounds like kind of you know what kind of

0:50:22.600 --> 0:50:25.799
<v Speaker 1>the average um you know when you think of like

0:50:25.840 --> 0:50:30.840
<v Speaker 1>a man of his height, stature, background, like, he sounds

0:50:30.880 --> 0:50:33.560
<v Speaker 1>exactly like you would think he would sound. And then

0:50:34.440 --> 0:50:39.439
<v Speaker 1>he for his audition. He walked in and even even

0:50:39.520 --> 0:50:41.919
<v Speaker 1>before he was like doing the audition part, he would

0:50:41.960 --> 0:50:45.279
<v Speaker 1>speak in a soprano voice so they would think it

0:50:45.400 --> 0:50:49.239
<v Speaker 1>was natural. And then he sure enough went through the

0:50:49.360 --> 0:50:52.319
<v Speaker 1>entire process that the entire show. There was even an

0:50:52.360 --> 0:50:54.839
<v Speaker 1>expose about it, but no one cared. It wasn't at

0:50:54.840 --> 0:50:57.959
<v Speaker 1>the time, it wasn't considered controversial. I mean, people said,

0:50:58.000 --> 0:51:01.000
<v Speaker 1>you know, it's it's voice blind, asking like anyone can

0:51:01.040 --> 0:51:05.280
<v Speaker 1>be a soprano. That's just not that's just objectively untrue.

0:51:05.800 --> 0:51:08.200
<v Speaker 1>And I think that that shed is kind of a

0:51:08.320 --> 0:51:10.520
<v Speaker 1>light on the show. That's it's just a lot more

0:51:10.560 --> 0:51:13.640
<v Speaker 1>problematic than people say. And that was kind of my

0:51:13.680 --> 0:51:15.680
<v Speaker 1>goal coming on here, was just talking about that. And

0:51:15.680 --> 0:51:18.440
<v Speaker 1>then now I'm learning things that I even I didn't know. Well,

0:51:18.440 --> 0:51:22.360
<v Speaker 1>it's a reckoning that's overdue, and it's it's a weird

0:51:22.360 --> 0:51:24.560
<v Speaker 1>conversation to have because, as you said, you don't want

0:51:24.560 --> 0:51:29.320
<v Speaker 1>to kick people while they're down, um in the ground,

0:51:29.680 --> 0:51:34.160
<v Speaker 1>he's literally dead. Yeah, um, but you know, I mean

0:51:34.560 --> 0:51:38.279
<v Speaker 1>it was tough and uh, how do you feel do

0:51:38.320 --> 0:51:40.480
<v Speaker 1>you feel like a weight it's been lifted? Well, yeah,

0:51:40.520 --> 0:51:42.319
<v Speaker 1>I mean I I you know, here's what I'll say.

0:51:42.400 --> 0:51:46.520
<v Speaker 1>Then he it was so interesting because then he did

0:51:46.560 --> 0:51:48.759
<v Speaker 1>all these other films where he wasn't speaking in a

0:51:48.760 --> 0:51:53.200
<v Speaker 1>soprano voice, and people said lauded him for being so

0:51:53.320 --> 0:51:56.160
<v Speaker 1>good at doing the other voices, but in fact, that

0:51:56.239 --> 0:52:05.160
<v Speaker 1>was his real voice. I'm mean, I'm they couldn't just

0:52:05.200 --> 0:52:09.040
<v Speaker 1>find a soprano, you know what I mean. I'm so shocked.

0:52:09.160 --> 0:52:12.520
<v Speaker 1>You know, it's because he's kind of doing like when

0:52:12.560 --> 0:52:14.160
<v Speaker 1>you put it like that, you see how he's kind

0:52:14.200 --> 0:52:17.280
<v Speaker 1>of a caricature of us. Exactly, he's doing like a stereotype.

0:52:17.520 --> 0:52:19.879
<v Speaker 1>This is like when I found out that the guy

0:52:19.880 --> 0:52:23.760
<v Speaker 1>that isn't Jesse Tyler Ferguson in Modern Family is st

0:52:25.040 --> 0:52:31.160
<v Speaker 1>It's exactly like that. There are no differences, and it's

0:52:31.200 --> 0:52:34.640
<v Speaker 1>just kind of upsetting. But it's tough because he is

0:52:34.680 --> 0:52:41.000
<v Speaker 1>good in the role both yea, and so he can

0:52:41.080 --> 0:52:44.960
<v Speaker 1>hit a note. Um, do you think that guy? I

0:52:44.960 --> 0:52:47.239
<v Speaker 1>think the guy from Modern Family should change his name

0:52:47.400 --> 0:52:52.680
<v Speaker 1>to forever to the guy from Modern Family that isn't Jesse. H.

0:52:53.360 --> 0:52:56.200
<v Speaker 1>I think it would just be easier. Actually, I agree,

0:52:56.239 --> 0:53:00.120
<v Speaker 1>because that's kind of that's his moniker anyway, Yeah, what

0:53:00.160 --> 0:53:02.120
<v Speaker 1>I know him. That's his character's name. It should be

0:53:02.160 --> 0:53:07.120
<v Speaker 1>his name. Yeah. God, Modern Family, Is that show still on?

0:53:07.640 --> 0:53:12.640
<v Speaker 1>I think they're rebooting it with a different family, but

0:53:12.760 --> 0:53:16.840
<v Speaker 1>is it's still modern? No, it's postmder Family, post modern Family,

0:53:16.960 --> 0:53:19.719
<v Speaker 1>and it's also going to get a post comedy, so

0:53:19.880 --> 0:53:22.080
<v Speaker 1>it's kind of just like they're getting, you know, post

0:53:22.120 --> 0:53:24.320
<v Speaker 1>on top of post, but it will be a show

0:53:24.400 --> 0:53:31.279
<v Speaker 1>on even and it's actually absolutely again literally literal, So

0:53:31.360 --> 0:53:35.280
<v Speaker 1>in that way, I will be watching. Oh yeah, well

0:53:35.400 --> 0:53:39.080
<v Speaker 1>just like um, Meryl Streeps The Post, I will be watching.

0:53:39.440 --> 0:53:43.880
<v Speaker 1>I will Okay, you know Meryl Streeps the Post that

0:53:43.920 --> 0:53:49.600
<v Speaker 1>was about the post office. Yeah, she played she played

0:53:49.600 --> 0:53:56.000
<v Speaker 1>an envelope, believed and had a dream. She was praised

0:53:56.000 --> 0:53:59.520
<v Speaker 1>for that performance too, wasn't It's like anyone complaint, Sorry,

0:53:59.520 --> 0:54:02.319
<v Speaker 1>no offense, but like I could play an envelope. It

0:54:02.360 --> 0:54:05.480
<v Speaker 1>really was like, Okay, you're just gobbling up literally whatever

0:54:05.520 --> 0:54:08.239
<v Speaker 1>Meryll throws at you, Like she's literally an envelope and

0:54:08.239 --> 0:54:11.040
<v Speaker 1>you're loving it. Like, get over it. Do you think

0:54:11.120 --> 0:54:13.879
<v Speaker 1>she ever got over being passed for the main role

0:54:14.239 --> 0:54:17.160
<v Speaker 1>the James Gandel Fenie role in the Sopranos. You know,

0:54:17.360 --> 0:54:20.479
<v Speaker 1>I think that's something that she refuses to talk about

0:54:20.480 --> 0:54:25.960
<v Speaker 1>in interviews, which makes me think she probably was pretty upset. Yeah,

0:54:26.480 --> 0:54:29.399
<v Speaker 1>she deserves to be a patriarch of a family, if

0:54:29.400 --> 0:54:32.480
<v Speaker 1>ever they're were deserving person, you know, for that role.

0:54:32.520 --> 0:54:36.120
<v Speaker 1>So I think my heart goes out to her. Heaven

0:54:36.640 --> 0:54:40.600
<v Speaker 1>knows she needed the work, but my heart is always

0:54:40.600 --> 0:54:44.560
<v Speaker 1>going out to Meryl Streep. I have to say this

0:54:44.600 --> 0:54:47.759
<v Speaker 1>is controversial, but I feel like we should quote while

0:54:47.760 --> 0:54:52.480
<v Speaker 1>we're ahead into our final segment. I love that. It's incredible, right,

0:54:52.880 --> 0:54:57.600
<v Speaker 1>I'm also very aware of certain time issues. Listen, don't

0:54:57.640 --> 0:54:59.160
<v Speaker 1>do anything on my behalf. But if we're going to

0:54:59.200 --> 0:55:01.040
<v Speaker 1>get into the final set, just let me know because

0:55:01.040 --> 0:55:06.040
<v Speaker 1>I'll buckle up. Okay, I'm ready for the final segment.

0:55:06.080 --> 0:55:12.600
<v Speaker 1>I guess I don't like have one. I think I

0:55:12.640 --> 0:55:16.200
<v Speaker 1>do have one. Um, Mary, Beth, I don't know if

0:55:16.200 --> 0:55:18.480
<v Speaker 1>you need some listeners. I was gonna explain what the

0:55:18.480 --> 0:55:20.000
<v Speaker 1>final segment is. Do I have to or just she

0:55:20.040 --> 0:55:23.160
<v Speaker 1>already know. I think she knows. She says she doesn't know.

0:55:24.080 --> 0:55:28.560
<v Speaker 1>I think that she knows, Mary about the final segment.

0:55:28.680 --> 0:55:30.560
<v Speaker 1>Shout outs. You give a shout out to anything, and

0:55:30.719 --> 0:55:32.480
<v Speaker 1>you know, in the in the voice of sort of

0:55:33.280 --> 0:55:36.160
<v Speaker 1>a teen at at t r L in two thousand two,

0:55:36.200 --> 0:55:38.680
<v Speaker 1>just shouting out your squad. Here's the thing with this

0:55:38.719 --> 0:55:42.160
<v Speaker 1>segment is that it's very I mean, you like literal stuff.

0:55:42.239 --> 0:55:45.400
<v Speaker 1>I think the idea of radio shoutouts being straight culture

0:55:45.440 --> 0:55:47.200
<v Speaker 1>is very literal. It is one of the first things

0:55:47.239 --> 0:55:49.320
<v Speaker 1>we thought of when we were in septualizing this podcast,

0:55:49.560 --> 0:55:51.840
<v Speaker 1>and as the rest of the podcast has grown and

0:55:52.000 --> 0:55:56.520
<v Speaker 1>unexpected and avant Garde directions. This segment has stayed the same,

0:55:57.200 --> 0:55:59.520
<v Speaker 1>and I have remained bad at it, you know, and

0:55:59.640 --> 0:56:04.319
<v Speaker 1>some times George actively sabotages this segment in order to

0:56:04.320 --> 0:56:08.080
<v Speaker 1>make me look bad. Uh see last episode. Yeah, I

0:56:08.120 --> 0:56:10.200
<v Speaker 1>make myself look bad in order to make Sam look

0:56:10.239 --> 0:56:12.840
<v Speaker 1>bad because you know, he's trying to use as evidence.

0:56:12.840 --> 0:56:14.480
<v Speaker 1>He's trying to be like, see, I don't like it,

0:56:14.600 --> 0:56:16.359
<v Speaker 1>like see, it doesn't work, and I'm like, it doesn't

0:56:16.360 --> 0:56:23.520
<v Speaker 1>work your maybe you go first, I'll go second, George third. Okay, Yeah,

0:56:23.640 --> 0:56:32.400
<v Speaker 1>let's see what you have ready, sam My freaking god? Um, okay,

0:56:33.160 --> 0:56:35.040
<v Speaker 1>what's up the listeners. I just want to give a

0:56:35.120 --> 0:56:39.560
<v Speaker 1>quick shout out to everybody at jacobrif speech speech last weekend. Um,

0:56:39.600 --> 0:56:42.680
<v Speaker 1>everyone I ever knew was there, and oh baby, did

0:56:42.719 --> 0:56:46.200
<v Speaker 1>it feel bad and against the rules. I really don't

0:56:46.239 --> 0:56:47.840
<v Speaker 1>think we were all supposed to be there at the

0:56:47.880 --> 0:56:50.799
<v Speaker 1>same time on the same day, and yet we were.

0:56:51.000 --> 0:56:53.200
<v Speaker 1>I didn't know what to do in that situation and

0:56:53.239 --> 0:56:56.120
<v Speaker 1>I just had to be there. It was fun, But

0:56:56.239 --> 0:56:59.360
<v Speaker 1>I have post sex guilt even though I didn't have sex,

0:56:59.440 --> 0:57:01.799
<v Speaker 1>if that makes the sense. It really feels like I

0:57:01.840 --> 0:57:04.439
<v Speaker 1>did something bad. But I swear to god, I'm trying

0:57:04.520 --> 0:57:06.279
<v Speaker 1>to be good and I want to be good, and

0:57:06.320 --> 0:57:08.839
<v Speaker 1>I'm wearing a mask and I'm doing everything, and this

0:57:08.880 --> 0:57:11.920
<v Speaker 1>is a confession. I don't know. The beach was too crowded.

0:57:12.080 --> 0:57:14.840
<v Speaker 1>We really should not be going to such a crowded beach.

0:57:14.960 --> 0:57:17.200
<v Speaker 1>And should I cut this and redo it? I don't

0:57:17.200 --> 0:57:21.560
<v Speaker 1>know x X I Sam, what's up listeners? First of all,

0:57:21.600 --> 0:57:23.760
<v Speaker 1>I just want to condemn everything my co host Sam

0:57:23.760 --> 0:57:27.120
<v Speaker 1>Tagger just said and say that I have never met

0:57:27.200 --> 0:57:31.240
<v Speaker 1>him and don't know him, and uh, this podcast generally

0:57:31.320 --> 0:57:33.680
<v Speaker 1>so far has been edited together by producer that we

0:57:33.840 --> 0:57:36.760
<v Speaker 1>don't work with in person, and so if you've enjoyed it,

0:57:36.800 --> 0:57:38.800
<v Speaker 1>that's great. If not, you know, it's not my fault.

0:57:38.880 --> 0:57:42.320
<v Speaker 1>And once again, I condemn everything Sam just said. Hi, Personally,

0:57:42.360 --> 0:57:45.400
<v Speaker 1>I'm pro science. And second of all, I want to

0:57:45.440 --> 0:57:49.320
<v Speaker 1>give a quick shout out to generational discourse people saying

0:57:49.360 --> 0:57:52.640
<v Speaker 1>things like boomers and Gen X and millennials. I think

0:57:52.640 --> 0:57:55.600
<v Speaker 1>it is so deeply intelligent to analyze society that way,

0:57:55.640 --> 0:57:57.800
<v Speaker 1>and every time people do that, I say, Wow, you

0:57:57.920 --> 0:58:00.880
<v Speaker 1>really made an incredible point there and definitely should get

0:58:00.880 --> 0:58:04.480
<v Speaker 1>a peep in sociology. I think more people that are

0:58:04.480 --> 0:58:08.480
<v Speaker 1>adults who read books should make arguments about boomers and

0:58:08.560 --> 0:58:12.520
<v Speaker 1>Gen X and millennials. It brings me so much joy

0:58:12.680 --> 0:58:17.920
<v Speaker 1>that people get paid to write absolute about generations, and

0:58:18.000 --> 0:58:20.640
<v Speaker 1>so thank you so much. And special shout out to

0:58:20.720 --> 0:58:23.600
<v Speaker 1>the person who wrote a recent thing that really set

0:58:23.640 --> 0:58:26.400
<v Speaker 1>me off. I'm not gonna say your name because you

0:58:26.480 --> 0:58:30.680
<v Speaker 1>follow me on Twitter and that is on you. Quick

0:58:30.720 --> 0:58:35.520
<v Speaker 1>shout out to George Georgie George Um for saying it

0:58:35.680 --> 0:58:40.440
<v Speaker 1>is hacked to write about generations when in fact we

0:58:40.480 --> 0:58:44.560
<v Speaker 1>have a podcast about what is quote unquote straight as

0:58:44.600 --> 0:58:49.120
<v Speaker 1>if that isn't the hackiest thing in the world. Okay, listeners.

0:58:49.200 --> 0:58:51.800
<v Speaker 1>Mary Bethier just wanted to give a quick shout out

0:58:51.880 --> 0:58:54.440
<v Speaker 1>to Carson Daly. A lot of people don't remember this

0:58:54.480 --> 0:58:56.840
<v Speaker 1>the Carson Daily and Career culture when he painted two

0:58:56.840 --> 0:58:58.560
<v Speaker 1>of his nail's black and for that we kind of

0:58:58.560 --> 0:59:01.120
<v Speaker 1>owe you the world. I also want to say that

0:59:01.160 --> 0:59:05.520
<v Speaker 1>your performance in Josie and the Pussycats was fantastic and

0:59:05.680 --> 0:59:08.200
<v Speaker 1>alum those signs. Also shout out to Nicole from the

0:59:08.200 --> 0:59:14.520
<v Speaker 1>Pussycat Dolls. I was singing, do you understanding? I was

0:59:14.600 --> 0:59:18.080
<v Speaker 1>no because I was singing. Do you understand what I'm saying, oh,

0:59:18.160 --> 0:59:22.200
<v Speaker 1>I hope I don't get in trouble for this. I

0:59:22.240 --> 0:59:25.520
<v Speaker 1>was in the middle because I was singing, Okay, I

0:59:25.560 --> 0:59:28.440
<v Speaker 1>have a great, uh, great rest of your day to

0:59:28.920 --> 0:59:33.320
<v Speaker 1>Nicole and Carson. I'm gonna I'm gonna edit in the

0:59:33.360 --> 0:59:35.880
<v Speaker 1>clip that Marybeth is referencing at the end of the episode,

0:59:35.920 --> 0:59:40.280
<v Speaker 1>give people the bibliography. Yeah, okay, Mary Beth, thank you

0:59:40.320 --> 0:59:46.280
<v Speaker 1>for doing the episode. That was incredible. People don't even

0:59:46.280 --> 0:59:50.880
<v Speaker 1>know the story. They have no idea. I was in

0:59:50.960 --> 0:59:54.080
<v Speaker 1>center because I was singing. I was the one singing,

0:59:57.640 --> 1:00:00.080
<v Speaker 1>oh man, oh man. I hope I don't get in

1:00:00.200 --> 1:00:04.360
<v Speaker 1>trouble for the stuff that I say, because I never

1:00:04.400 --> 1:00:06.920
<v Speaker 1>really talked about it, but I'll never forget. I finished

1:00:07.040 --> 1:00:12.160
<v Speaker 1>the album pc D and Ron and I brought the

1:00:12.200 --> 1:00:16.680
<v Speaker 1>girls into the studio and we played it for them,

1:00:16.680 --> 1:00:18.560
<v Speaker 1>and it was the first time they've ever heard the music.

1:00:21.400 --> 1:00:24.960
<v Speaker 1>Do you understand what I'm saying. We played the album

1:00:25.000 --> 1:00:27.480
<v Speaker 1>for the Pussycat Dolls, so the first time they ever

1:00:27.520 --> 1:00:28.240
<v Speaker 1>heard the songs.