1
00:00:00,720 --> 00:00:17,520
Speaker 1: I am all in, Want kiss you, I am all

2
00:00:17,600 --> 00:00:21,520
Speaker 1: in with Scott Patterson and I Heart Radio podcast. Everybody's

3
00:00:21,560 --> 00:00:24,680
Speaker 1: Scott Patterson and this is the I Am all in podcast,

4
00:00:25,600 --> 00:00:29,160
Speaker 1: The Heart Radio I Want to Live In Productions, Episode one,

5
00:00:29,320 --> 00:00:33,680
Speaker 1: Season two, Sadie Sadie, Can you believe it? I know

6
00:00:33,800 --> 00:00:37,599
Speaker 1: a little. We're kicking off season two. I'm all excited.

7
00:00:37,640 --> 00:00:42,680
Speaker 1: What an episode? Wow, Richard getting into Dean's grill and

8
00:00:42,920 --> 00:00:48,199
Speaker 1: owning him. It was my god. But but but do

9
00:00:48,240 --> 00:00:51,199
Speaker 1: you get it? Do you understand? I understood him? Okay,

10
00:00:51,280 --> 00:00:56,840
Speaker 1: Riley superstar, newly minted superstar of the ball Club. It

11
00:00:57,040 --> 00:01:00,160
Speaker 1: is time to give your synopsis of this episode. Go

12
00:01:01,000 --> 00:01:04,040
Speaker 1: this is Season two, Episode one, Sadie Sadie or date October.

13
00:01:05,280 --> 00:01:08,000
Speaker 1: Loura accepts max proposal, but when Emily hears about the

14
00:01:08,040 --> 00:01:10,880
Speaker 1: upcoming wedding from Suki, she is hurting angry that Lorela

15
00:01:10,959 --> 00:01:13,920
Speaker 1: did not bother to tell her. Meanwhile, Rory brings Dean

16
00:01:13,959 --> 00:01:16,240
Speaker 1: to dinner at her grandparents house. What a wait? Wait,

17
00:01:16,319 --> 00:01:19,280
Speaker 1: what a way to start out the second season? Do

18
00:01:19,400 --> 00:01:22,280
Speaker 1: they kind of do that? So? Like premiers and finales

19
00:01:22,319 --> 00:01:24,640
Speaker 1: are like guns blazing, like we gotta come out with

20
00:01:24,680 --> 00:01:28,720
Speaker 1: our best stuff. Yeah, I'm well, they've had the whole

21
00:01:28,800 --> 00:01:31,440
Speaker 1: hiatus to come up with the first episode or or

22
00:01:31,480 --> 00:01:37,479
Speaker 1: you know, refine the arc. Danielle Yo, Romo, Romo, what's up?

23
00:01:37,880 --> 00:01:40,680
Speaker 1: I'm not on today, You're not on? And though the

24
00:01:40,800 --> 00:01:46,040
Speaker 1: yacht is moored, moored somewhere, is it doct somewhere? All right?

25
00:01:47,360 --> 00:01:50,640
Speaker 1: And you know, it wasn't so complex and interwoven. It

26
00:01:50,720 --> 00:01:53,440
Speaker 1: was like they really took their you know, their set

27
00:01:53,480 --> 00:01:55,760
Speaker 1: pieces and there were a couple of them, and they

28
00:01:55,760 --> 00:02:00,160
Speaker 1: were there was just enough going on, but it was,

29
00:02:00,280 --> 00:02:04,640
Speaker 1: it was It was really great compact um And you know,

30
00:02:05,600 --> 00:02:09,000
Speaker 1: I don't mind the intricate storylines and all the interwoven stuff.

31
00:02:09,040 --> 00:02:11,880
Speaker 1: That's great, but this was just like so much fun

32
00:02:11,919 --> 00:02:14,880
Speaker 1: to watch. It was really you and Lore and sort

33
00:02:14,919 --> 00:02:19,320
Speaker 1: of the town and that, and then obviously Richard versus

34
00:02:19,360 --> 00:02:22,799
Speaker 1: Dean and then sort of the b storyline seemed to

35
00:02:22,840 --> 00:02:27,640
Speaker 1: be like Lane and her parents sending off. Yeah, I

36
00:02:27,639 --> 00:02:29,440
Speaker 1: mean that was good. That was funny, you know, in

37
00:02:29,520 --> 00:02:32,600
Speaker 1: that huge suitcase that was that was pretty funny. That

38
00:02:32,639 --> 00:02:36,160
Speaker 1: was actually pretty funny. Um, poor kid, poor kid, she's

39
00:02:36,160 --> 00:02:38,560
Speaker 1: getting shipped off to South Korea. But I mean, look,

40
00:02:38,560 --> 00:02:40,520
Speaker 1: it's a chance to travel. You're a teenager. You're going

41
00:02:40,560 --> 00:02:42,720
Speaker 1: to a foreign country, for God's sake, Embrace it. Yeah,

42
00:02:42,760 --> 00:02:44,560
Speaker 1: I think she just was worried if she's ever coming in.

43
00:02:44,880 --> 00:02:48,040
Speaker 1: I understand. Actually, of course she's coming back. Her mother

44
00:02:48,120 --> 00:02:50,280
Speaker 1: is not going to ship her off. You don't miss

45
00:02:50,280 --> 00:02:52,560
Speaker 1: her too much. Okay, So should we start with you

46
00:02:52,639 --> 00:02:54,880
Speaker 1: and Lorelae or should we start with Richard and Dean.

47
00:02:55,080 --> 00:03:00,880
Speaker 1: Let's start with me and Laura Lae? Because that scene, See,

48
00:03:00,919 --> 00:03:03,760
Speaker 1: it's from my perspective and I've never seen it before

49
00:03:03,800 --> 00:03:07,640
Speaker 1: and now I remember shooting it and I didn't realize

50
00:03:07,680 --> 00:03:10,440
Speaker 1: it was just such a great set up for that scene.

51
00:03:10,480 --> 00:03:13,360
Speaker 1: I mean, they really set us up so well for

52
00:03:13,400 --> 00:03:16,119
Speaker 1: that scene of the townspeople following behind Laurel and Roy.

53
00:03:16,200 --> 00:03:20,000
Speaker 1: I mean, what an hysterical image. Um and the Bootsy

54
00:03:20,080 --> 00:03:22,360
Speaker 1: thing when Bootsy interrupted her when she first picked up

55
00:03:22,400 --> 00:03:24,920
Speaker 1: the Bridal magazine. And you know what, that made me

56
00:03:24,960 --> 00:03:28,400
Speaker 1: sad because you know he died recently. Yes, he did

57
00:03:28,440 --> 00:03:33,440
Speaker 1: pass away, He did pass away unfortunately. Yeah. He was great.

58
00:03:34,800 --> 00:03:36,680
Speaker 1: He was a great hang. He was just such a

59
00:03:36,680 --> 00:03:38,960
Speaker 1: great actor and such a great guy. You know, he

60
00:03:39,000 --> 00:03:42,480
Speaker 1: was died in the Wold New Yorker. Um. I think

61
00:03:42,480 --> 00:03:45,680
Speaker 1: he's from Hell's Kitchen or someplace. But he just a

62
00:03:45,720 --> 00:03:48,880
Speaker 1: great guy. He didn't do a lot of episodes, but

63
00:03:48,920 --> 00:03:51,360
Speaker 1: whenever he was there, it was just a ton of fun.

64
00:03:51,680 --> 00:03:56,000
Speaker 1: A real guy, you know, a guy's guy. Yeah, Brian Tarantina, Yeah,

65
00:03:56,320 --> 00:04:00,920
Speaker 1: terrific guy. Rest in peace, buddy, rest in peace. Um

66
00:04:00,920 --> 00:04:02,960
Speaker 1: so yeah, that was It was bitter sweet to see

67
00:04:03,000 --> 00:04:05,800
Speaker 1: him on on the episode because he's gonna such a

68
00:04:05,840 --> 00:04:10,440
Speaker 1: great heart. And it reminded me that he does recur.

69
00:04:11,240 --> 00:04:13,720
Speaker 1: H yeah, not a lot, but he's but he's in.

70
00:04:14,040 --> 00:04:17,599
Speaker 1: He's in. Um, he's in the family. And did anyone

71
00:04:17,720 --> 00:04:19,880
Speaker 1: like I did zoom in to try and see who

72
00:04:19,960 --> 00:04:22,080
Speaker 1: was on the cover of that in Style wedding? No,

73
00:04:22,400 --> 00:04:24,599
Speaker 1: I didn't do that, did you? Did you? Did you? Ladies?

74
00:04:24,600 --> 00:04:28,560
Speaker 1: Did I reveal it? Who's on the car? So? I'm

75
00:04:28,600 --> 00:04:31,880
Speaker 1: pretty sure it was Courtney Thorne Smith from Melrose. I'm

76
00:04:31,920 --> 00:04:34,480
Speaker 1: sure someone will correct me, but I thought it was

77
00:04:34,520 --> 00:04:38,920
Speaker 1: interesting because they used all those real magazines. Uh yeah.

78
00:04:38,960 --> 00:04:42,240
Speaker 1: So anyway, so the ramp up to that scene, wow,

79
00:04:43,000 --> 00:04:48,880
Speaker 1: really set us up for greatness, Patty. Really it's and

80
00:04:48,960 --> 00:04:52,160
Speaker 1: now the town isn't even hiding that they know, you know,

81
00:04:52,760 --> 00:04:55,039
Speaker 1: and Rory isn't hiding it. So Miss Patty says like,

82
00:04:55,080 --> 00:04:58,240
Speaker 1: have you told Luke be gentle? So it's like they're

83
00:04:58,240 --> 00:05:02,600
Speaker 1: really like, uh, you' all like each other. And then

84
00:05:03,040 --> 00:05:07,479
Speaker 1: Rory says, like the whole town knows he's got a

85
00:05:07,520 --> 00:05:11,919
Speaker 1: thing for you, and it's like whoa, yeah, but she

86
00:05:11,960 --> 00:05:14,680
Speaker 1: can't deny it. At this point, they've been in you know,

87
00:05:14,800 --> 00:05:18,680
Speaker 1: delicate situations together where she knows he's about to ask

88
00:05:18,720 --> 00:05:23,000
Speaker 1: her out. She's still trying with that we're just friends. Yeah,

89
00:05:23,040 --> 00:05:25,880
Speaker 1: come on, come on, Well, you know I can't blame her.

90
00:05:25,960 --> 00:05:28,240
Speaker 1: You know you can't. It's a small town. You gotta

91
00:05:28,360 --> 00:05:31,039
Speaker 1: you know, you don't want to you know what where

92
00:05:31,080 --> 00:05:33,800
Speaker 1: you eat if you know what I mean. It was

93
00:05:33,920 --> 00:05:39,840
Speaker 1: almost like Luke had been prepping for that moment because

94
00:05:39,880 --> 00:05:43,520
Speaker 1: he was ready, like I'm going to be cool, I'm

95
00:05:43,560 --> 00:05:46,600
Speaker 1: gonna be supportive, and I'm about to prove to you

96
00:05:46,720 --> 00:05:50,800
Speaker 1: that this is not the right It was, I say,

97
00:05:50,839 --> 00:05:55,120
Speaker 1: a master stroke in psychology. I mean it was just

98
00:05:55,640 --> 00:06:00,640
Speaker 1: what a move. And it's the first time I realized that.

99
00:06:00,920 --> 00:06:05,280
Speaker 1: I mean, it really made Luke and Laureli legit I mean,

100
00:06:05,279 --> 00:06:08,839
Speaker 1: they really legitimized that that that narrative right there with

101
00:06:08,920 --> 00:06:11,520
Speaker 1: that scene. I mean it was like, if you had

102
00:06:11,520 --> 00:06:13,599
Speaker 1: any doubts that this is going to be a theme

103
00:06:14,640 --> 00:06:18,080
Speaker 1: throughout the the entirety of the series, here it is.

104
00:06:18,160 --> 00:06:21,800
Speaker 1: Look at this scene. Then, boy, everybody's anticipating Luke's reaction

105
00:06:21,839 --> 00:06:25,720
Speaker 1: to this and more to the point, how she's going

106
00:06:25,800 --> 00:06:30,599
Speaker 1: to tell him, and oh man, wow, what a great

107
00:06:30,680 --> 00:06:34,440
Speaker 1: it was perfect. It was perfect. He nailed it. Yeah,

108
00:06:34,720 --> 00:06:38,960
Speaker 1: but even better and smarter. Uh, that great little scene

109
00:06:39,000 --> 00:06:41,760
Speaker 1: between Laurel and Rory before she went up You're gonna

110
00:06:41,760 --> 00:06:42,920
Speaker 1: tell them, You're gonna go U until no, I'm i

111
00:06:42,920 --> 00:06:45,280
Speaker 1: gonna tell you know, all that little patter back and forth.

112
00:06:46,040 --> 00:06:48,400
Speaker 1: I mean just yes, I mean even teed it up

113
00:06:48,440 --> 00:06:52,440
Speaker 1: even higher, you know, ramped up the tension even more.

114
00:06:52,440 --> 00:06:54,480
Speaker 1: It was beautiful. We'll get into the detail of that scene.

115
00:06:54,480 --> 00:06:59,200
Speaker 1: But the choreography required for the scene where Rory and

116
00:06:59,240 --> 00:07:02,479
Speaker 1: Lorel are and talking and the entire town starts to

117
00:07:02,520 --> 00:07:05,320
Speaker 1: walk behind them, and then the moment they turn around,

118
00:07:05,720 --> 00:07:09,840
Speaker 1: the entire town turns around, it looks like they're very

119
00:07:09,840 --> 00:07:13,280
Speaker 1: busy talking. I mean, it was like that could not

120
00:07:13,440 --> 00:07:16,680
Speaker 1: have been easy to shoot. I mean, oh my god, no,

121
00:07:16,840 --> 00:07:19,640
Speaker 1: I mean they're all you know, it's all self contained

122
00:07:19,680 --> 00:07:22,160
Speaker 1: set and they lock it down and you know, they

123
00:07:22,200 --> 00:07:24,840
Speaker 1: just get a ton It was so perfect. And the

124
00:07:24,880 --> 00:07:29,680
Speaker 1: flowers everywhere, I mean, just the yellow flowers everywhere. You know. Now,

125
00:07:29,720 --> 00:07:32,520
Speaker 1: I remember shooting that scene and enjoying that scene so

126
00:07:32,600 --> 00:07:36,360
Speaker 1: much to do because he was in a in a

127
00:07:36,480 --> 00:07:41,480
Speaker 1: rare occasion, not uptight and not irritated, and he was

128
00:07:41,600 --> 00:07:44,080
Speaker 1: cool as a cucumber. And you saw a different side

129
00:07:44,080 --> 00:07:47,080
Speaker 1: of Luke who was just like kind of kind of

130
00:07:47,120 --> 00:07:49,880
Speaker 1: playing a role there to to get under her skin

131
00:07:49,920 --> 00:07:53,320
Speaker 1: a little bit because he knew that was his only chance. Right.

132
00:07:53,600 --> 00:07:55,320
Speaker 1: Is that how you saw it? Is that how you

133
00:07:55,400 --> 00:07:58,840
Speaker 1: girls saw? You saw Luke a million person flipping the

134
00:07:58,880 --> 00:08:02,840
Speaker 1: psychology because that's the only chance he has, Riley Danielle,

135
00:08:02,840 --> 00:08:04,760
Speaker 1: Is that how you guys felt? Because that's what I thought.

136
00:08:04,800 --> 00:08:08,560
Speaker 1: I mean, I thought, he is handling this so beautifully,

137
00:08:09,120 --> 00:08:13,240
Speaker 1: he cares, he's trying to be kind, He's like, oh

138
00:08:13,320 --> 00:08:18,040
Speaker 1: that's great, and then he's just like boom boom, boom boom,

139
00:08:18,040 --> 00:08:21,960
Speaker 1: without being like an ass. Sorry, can you say asleep athlete?

140
00:08:24,440 --> 00:08:26,360
Speaker 1: I wrote a note down when I was watching it,

141
00:08:26,440 --> 00:08:29,239
Speaker 1: and I and I said Luke is being so cool

142
00:08:29,400 --> 00:08:34,560
Speaker 1: and caps like just all caps like you were so cool,

143
00:08:35,160 --> 00:08:38,760
Speaker 1: like calm, cool, collected during that whole thing, which is

144
00:08:38,840 --> 00:08:44,400
Speaker 1: what you had to do for her to go. I

145
00:08:44,400 --> 00:08:47,920
Speaker 1: don't know the answer to anything, put it out in

146
00:08:47,960 --> 00:08:50,600
Speaker 1: her mind, but I you know, I kind of pushed her,

147
00:08:51,000 --> 00:08:53,520
Speaker 1: pushed her into saying yes, pre maybe a little bit

148
00:08:53,520 --> 00:08:56,200
Speaker 1: of a premature yes. I kind of feel like something's

149
00:08:56,200 --> 00:08:58,160
Speaker 1: going to happen. I kind of know. I don't know

150
00:08:58,240 --> 00:09:03,199
Speaker 1: exactly what's going to happen, but I know that's not happening, um,

151
00:09:03,240 --> 00:09:06,839
Speaker 1: and I'm really intrigued to find out how it all dissolves.

152
00:09:07,120 --> 00:09:09,400
Speaker 1: You know, I'm sure it's gonna be really fun to watch,

153
00:09:09,480 --> 00:09:11,480
Speaker 1: but that was really fun to watch, and I'm so

154
00:09:11,559 --> 00:09:13,760
Speaker 1: glad and it's and look, let me I don't mean

155
00:09:13,800 --> 00:09:15,160
Speaker 1: to cut you off, but it's it's one of the

156
00:09:15,240 --> 00:09:18,480
Speaker 1: rare times that I've ever seen And I know a

157
00:09:18,559 --> 00:09:20,560
Speaker 1: lot of people don't care about this, but I'm just

158
00:09:20,559 --> 00:09:23,080
Speaker 1: gonna say it anyway. It's one of the few times

159
00:09:23,080 --> 00:09:26,960
Speaker 1: I've ever kind of enjoyed watching myself in a scene.

160
00:09:28,400 --> 00:09:31,360
Speaker 1: I get it, I would too, because it was because

161
00:09:31,400 --> 00:09:33,200
Speaker 1: it was, like, you know, I was in command, and

162
00:09:33,240 --> 00:09:35,439
Speaker 1: it was just like I wasn't reactive, and I was

163
00:09:35,480 --> 00:09:37,880
Speaker 1: just like kind of kind of pushing the narrative there.

164
00:09:37,880 --> 00:09:40,400
Speaker 1: And and she was the one that was flummixed. And

165
00:09:40,480 --> 00:09:44,200
Speaker 1: isn't she wonderful as the flummixed person. I mean just

166
00:09:44,880 --> 00:09:46,840
Speaker 1: had no idea what was going on, and it was

167
00:09:47,200 --> 00:09:50,280
Speaker 1: just the great reads on her face. It was just fantastic.

168
00:09:51,440 --> 00:09:55,160
Speaker 1: It's so perfect and even rory when she's like, okay, um,

169
00:09:55,160 --> 00:09:56,640
Speaker 1: like you better tell him, Oh, can you get me

170
00:09:56,640 --> 00:10:02,760
Speaker 1: a muffin while you're up there? Okay, we have a

171
00:10:02,760 --> 00:10:06,600
Speaker 1: little surprise for you. Oh good wow. The break so

172
00:10:06,640 --> 00:10:10,080
Speaker 1: you need to like we need to go to commercial, okay, alright, alright,

173
00:10:10,200 --> 00:10:13,280
Speaker 1: get ready. Oh my god. I love surprises. All Right, everybody,

174
00:10:13,280 --> 00:10:16,160
Speaker 1: we're gonna we're gonna take a little break here and

175
00:10:16,160 --> 00:10:18,720
Speaker 1: and when we come back, and there's going to be

176
00:10:18,800 --> 00:10:24,000
Speaker 1: some surprises. I love surprises. Um, all right, kiddos, we'll

177
00:10:24,000 --> 00:10:31,480
Speaker 1: be back after these messages. Yea, all right, everybody, We're back.

178
00:10:31,800 --> 00:10:34,120
Speaker 1: Scott Patterson. I am all in podcast a Heart Radio

179
00:10:34,160 --> 00:10:36,920
Speaker 1: one to Live in Productions, and we've got a surprise.

180
00:10:36,960 --> 00:10:39,400
Speaker 1: The girls have cooked something up there springing in on me.

181
00:10:39,840 --> 00:10:41,880
Speaker 1: I have no idea. What's going on? What is this?

182
00:10:41,960 --> 00:10:46,560
Speaker 1: There's a script scene re enactment? What's going on here? Okay? So,

183
00:10:47,400 --> 00:10:52,480
Speaker 1: because we also felt that this scene was crucial, we

184
00:10:52,480 --> 00:10:57,120
Speaker 1: don't want anyone to how can you know, memory lapses

185
00:10:57,120 --> 00:11:01,199
Speaker 1: where they don't remember the scene exactly. So or Luke

186
00:11:01,800 --> 00:11:07,280
Speaker 1: and Laura Lae two re enact this scene starring Riley

187
00:11:07,320 --> 00:11:12,439
Speaker 1: and Danielle. Oh my god, starring Riley and daniel I'm

188
00:11:12,440 --> 00:11:14,760
Speaker 1: not in the scene. No, You're just gonna have to

189
00:11:14,760 --> 00:11:18,920
Speaker 1: sit back to new Gosh darn, that's awesome. I love this.

190
00:11:20,120 --> 00:11:25,040
Speaker 1: Are everybody? Everybody settled down? Everybody settle Are we right

191
00:11:25,120 --> 00:11:28,400
Speaker 1: over there? All right? Are you really good? Settled place

192
00:11:29,080 --> 00:11:34,079
Speaker 1: and acting? Okay? God? Fine? Hey, fresh coffee will be

193
00:11:34,120 --> 00:11:35,760
Speaker 1: ready in a minute. Unless you want to roll, just

194
00:11:35,840 --> 00:11:37,600
Speaker 1: roll up a dollar bill and go no, no thanks,

195
00:11:37,600 --> 00:11:39,640
Speaker 1: I can wait. What the hell is going on with them? Oh?

196
00:11:39,679 --> 00:11:42,160
Speaker 1: I don't know. Crazy people. Whole town should be medicated

197
00:11:42,200 --> 00:11:43,640
Speaker 1: and put in a red room with the ping pong

198
00:11:43,720 --> 00:11:47,000
Speaker 1: tables and hand puppets. What nothing? I well, I have

199
00:11:47,080 --> 00:11:49,120
Speaker 1: something to tell you, you know, I have something to

200
00:11:49,120 --> 00:11:51,520
Speaker 1: share with you, actually to share with me. Yes, because

201
00:11:51,720 --> 00:11:53,760
Speaker 1: when exciting things happen in your life. You want to

202
00:11:53,760 --> 00:11:55,360
Speaker 1: share them with the people in your life. You think

203
00:11:55,440 --> 00:11:57,440
Speaker 1: you find them exciting, which I think you will. What

204
00:11:57,559 --> 00:12:00,240
Speaker 1: is it, Well, it's very exciting. I've heard. I'm all

205
00:12:00,280 --> 00:12:03,000
Speaker 1: prepared to jump up and down if necessary. Okay, here

206
00:12:03,040 --> 00:12:05,000
Speaker 1: it is. Max has asked me to marry him. Yeah.

207
00:12:05,000 --> 00:12:07,520
Speaker 1: I figured you did. Well, it was obvious. You know

208
00:12:07,760 --> 00:12:09,880
Speaker 1: you two were getting kind of close. He was around

209
00:12:09,880 --> 00:12:12,800
Speaker 1: a lot. Then last night with that life changing thing comment.

210
00:12:12,920 --> 00:12:14,839
Speaker 1: You know, I put two and two together and figured

211
00:12:14,880 --> 00:12:17,000
Speaker 1: it out. Oh congratulations. By the way, I thank you.

212
00:12:17,000 --> 00:12:18,840
Speaker 1: You said a date. No, I haven't answered him yet.

213
00:12:18,840 --> 00:12:20,520
Speaker 1: You're gonna say yes. How do you know? Well, you're

214
00:12:20,559 --> 00:12:22,840
Speaker 1: making a big deal about telling me he proposed. I

215
00:12:22,880 --> 00:12:24,680
Speaker 1: don't think I'm making a big deal, and you wouldn't

216
00:12:24,720 --> 00:12:26,319
Speaker 1: do that if you weren't going to say yes, okay,

217
00:12:26,360 --> 00:12:28,520
Speaker 1: I'm sharing something with you. Sharing is not making a

218
00:12:28,520 --> 00:12:30,959
Speaker 1: big deal. Sharing is a nice gesture. Like when you're

219
00:12:30,960 --> 00:12:32,640
Speaker 1: a kid and you have one of those popsicles and

220
00:12:32,640 --> 00:12:33,920
Speaker 1: you break it into two and the other half of

221
00:12:33,920 --> 00:12:36,640
Speaker 1: the other kid. That is sharing. That is what I'm doing.

222
00:12:36,679 --> 00:12:39,240
Speaker 1: You offered me half a popsicle? Yes, okay, So now

223
00:12:39,280 --> 00:12:41,000
Speaker 1: you know, No, I know. I guess I'll just have

224
00:12:41,000 --> 00:12:43,640
Speaker 1: two blueberry muffins and some coffee coming right up. Okay,

225
00:12:43,720 --> 00:12:45,120
Speaker 1: you know, I think it's good you're doing this. You

226
00:12:45,200 --> 00:12:48,480
Speaker 1: do good me too. I mean, not not that I'm

227
00:12:48,480 --> 00:12:53,719
Speaker 1: definitely doing it, but but if I do, then it

228
00:12:53,760 --> 00:13:02,280
Speaker 1: will be good. Acting is hard. So are you're gonna live? What? Here? Hartford? Here?

229
00:13:02,320 --> 00:13:04,960
Speaker 1: I don't know. We haven't really, we haven't talked about it. Actually,

230
00:13:05,080 --> 00:13:09,880
Speaker 1: prefer it's probably good. Oh yeah, I guess, of course,

231
00:13:09,960 --> 00:13:12,520
Speaker 1: it's a little far from the end. Yeah, but who

232
00:13:12,520 --> 00:13:15,240
Speaker 1: knows how long you'll work after you're married. Excuse me, Oh,

233
00:13:15,400 --> 00:13:17,760
Speaker 1: but you probably already talked about that, right. No, but

234
00:13:17,840 --> 00:13:19,719
Speaker 1: I do think he and my father have to come

235
00:13:19,760 --> 00:13:21,959
Speaker 1: to an agreement. How many goats I'm worth? Hey, I'm

236
00:13:22,000 --> 00:13:25,360
Speaker 1: just talking here. It's great. Really, you're gonna have more kids? Hi? Personal?

237
00:13:25,520 --> 00:13:27,880
Speaker 1: I mean he wants kids right in the world. Yes,

238
00:13:27,960 --> 00:13:30,160
Speaker 1: he wants kids. You haven't talked about that either. Okay.

239
00:13:30,200 --> 00:13:32,439
Speaker 1: You know what we have to not discuss is none

240
00:13:32,440 --> 00:13:34,680
Speaker 1: of your business? Joined checking accounts, Luke. You don't know

241
00:13:34,720 --> 00:13:36,640
Speaker 1: his last name, don't you? I want my popsicle back?

242
00:13:36,679 --> 00:13:39,240
Speaker 1: Find your business? Yes, it is it's my business. Hey.

243
00:13:39,320 --> 00:13:41,640
Speaker 1: Some people go their entire lives without having these kinds

244
00:13:41,640 --> 00:13:44,440
Speaker 1: of conversations. My parents didn't discuss a damn thing. My

245
00:13:44,600 --> 00:13:47,360
Speaker 1: entire childhood worked fine for them. Of course, when my

246
00:13:47,440 --> 00:13:49,160
Speaker 1: mom died, she had to tell my dad where the

247
00:13:49,240 --> 00:13:51,480
Speaker 1: cup on drawer was. Took him ten years to find it,

248
00:13:51,800 --> 00:13:54,040
Speaker 1: used a copy can the whole time. Okay, I don't

249
00:13:54,040 --> 00:13:56,000
Speaker 1: care what anyone says. A cup on can is not

250
00:13:56,120 --> 00:13:57,640
Speaker 1: as good as to keep on drawer? How are those

251
00:13:57,679 --> 00:13:59,439
Speaker 1: muffins coming? But you know what you might like a

252
00:14:00,040 --> 00:14:03,080
Speaker 1: upon can? You never know? Here you go to blueberry muffins.

253
00:14:03,080 --> 00:14:09,840
Speaker 1: Thank you and congratulations. Again, that is hard, tongue twister.

254
00:14:10,200 --> 00:14:13,480
Speaker 1: I don't know how you guys did it. I seriously don't.

255
00:14:13,520 --> 00:14:17,480
Speaker 1: I know your professionals, but that is hard. Acting is hard.

256
00:14:18,480 --> 00:14:23,560
Speaker 1: So hard? Do you say coupon? Weird cue? She said cupon?

257
00:14:24,000 --> 00:14:27,400
Speaker 1: It's coupon, isn't it? Cupan? You can say cupon, You

258
00:14:27,400 --> 00:14:31,480
Speaker 1: can say cupon. I've never heard that said that way,

259
00:14:31,520 --> 00:14:34,960
Speaker 1: but she said it. It It didn't sound off cupon. It

260
00:14:35,080 --> 00:14:37,640
Speaker 1: sounded weird to me, like it's sound a more cultured

261
00:14:38,520 --> 00:14:41,400
Speaker 1: you guys. My entire life, I've said cup on This

262
00:14:41,520 --> 00:14:44,840
Speaker 1: is a this is a debate that will rage Potato Potato,

263
00:14:45,080 --> 00:14:50,800
Speaker 1: same same thing, Scott. What do you think of their performance? Yeah,

264
00:14:50,920 --> 00:14:54,920
Speaker 1: I mean I think it's a good first shot at it.

265
00:14:55,680 --> 00:14:58,920
Speaker 1: But let's you know, look, acting is really hard and

266
00:14:59,080 --> 00:15:01,040
Speaker 1: you can't just pick a up and do it right.

267
00:15:01,160 --> 00:15:06,080
Speaker 1: It's a it requires years. And scene that was on

268
00:15:06,160 --> 00:15:10,880
Speaker 1: television that was spectacular, and they made it what I

269
00:15:10,880 --> 00:15:14,360
Speaker 1: would call mediocre at best. You can try, you can try.

270
00:15:14,400 --> 00:15:18,240
Speaker 1: You want to try it? No, no, no, I'll act

271
00:15:18,360 --> 00:15:24,440
Speaker 1: next week. But I do love that scene. I thought you,

272
00:15:24,840 --> 00:15:28,240
Speaker 1: I thought you both acquitted yourself. You represented yourselves and

273
00:15:28,320 --> 00:15:33,120
Speaker 1: your families with honor. They also like messed up some

274
00:15:33,480 --> 00:15:36,760
Speaker 1: major words where like the word was I do and

275
00:15:36,840 --> 00:15:39,560
Speaker 1: they said I don't, which like destroy the whole meaning

276
00:15:39,600 --> 00:15:41,600
Speaker 1: of everything. But it's all right. They can't take that

277
00:15:41,640 --> 00:15:44,840
Speaker 1: one away from you. Guys. You said yes, and you

278
00:15:44,880 --> 00:15:48,240
Speaker 1: did it. At least you said yes, at least you tried.

279
00:15:48,360 --> 00:15:49,760
Speaker 1: You know, there's a scene in One Flew Over the

280
00:15:49,800 --> 00:15:52,240
Speaker 1: Cuckoo's Nest where Jack Nicholson could not pick up that

281
00:15:53,000 --> 00:15:56,600
Speaker 1: sink and they all left it. Really Yeah, yeah he couldn't,

282
00:15:56,640 --> 00:15:58,120
Speaker 1: you know. He said, I'm gonna pick that thing up

283
00:15:58,120 --> 00:15:59,360
Speaker 1: and I'm gonna break out of here and throw it

284
00:15:59,360 --> 00:16:00,720
Speaker 1: through the window and take out of here and get

285
00:16:00,720 --> 00:16:02,560
Speaker 1: the heck out of here. And he couldn't do it,

286
00:16:02,560 --> 00:16:03,920
Speaker 1: and they all mocked him, and he said, yeah, but

287
00:16:03,960 --> 00:16:06,240
Speaker 1: at least I tried. God damn it. At least I

288
00:16:06,320 --> 00:16:10,120
Speaker 1: did that right. And you guys are both Jack little

289
00:16:10,160 --> 00:16:14,560
Speaker 1: Jack Nicholson's good for you, Scott. This is a pep

290
00:16:14,600 --> 00:16:18,120
Speaker 1: talk I needed today. Thank you. I appreciate you. I

291
00:16:18,200 --> 00:16:20,400
Speaker 1: like being compared to one fluke over the cuckoo's nest

292
00:16:21,640 --> 00:16:24,600
Speaker 1: for the two people still listening after that acting. No,

293
00:16:24,760 --> 00:16:28,200
Speaker 1: come on, it wasn't. It was you guys. You know,

294
00:16:28,440 --> 00:16:31,360
Speaker 1: come on, come on, and that acting is hard. It's hard.

295
00:16:32,600 --> 00:16:36,120
Speaker 1: It's so hard. Oh my god. That is a great scene,

296
00:16:36,720 --> 00:16:39,520
Speaker 1: just not the way they did it right, but a

297
00:16:39,680 --> 00:16:43,520
Speaker 1: great scene, well done, sir. Right. That's like you know,

298
00:16:43,680 --> 00:16:47,840
Speaker 1: putting I don't know, that's like putting a seven year

299
00:16:47,880 --> 00:16:50,160
Speaker 1: old in a race car and saying go to the

300
00:16:50,160 --> 00:16:51,800
Speaker 1: INND five hundred, you know what I mean? How many

301
00:16:51,840 --> 00:16:54,880
Speaker 1: takes would you do on a scene like that? I

302
00:16:54,920 --> 00:16:57,600
Speaker 1: don't know. Uh, Well, you do a master shot and

303
00:16:57,640 --> 00:16:59,240
Speaker 1: you do it until you nail it, and then you

304
00:16:59,320 --> 00:17:01,760
Speaker 1: do moving for the coverage, and then you know, you

305
00:17:01,840 --> 00:17:03,360
Speaker 1: do her side, then you do my side, so you

306
00:17:03,440 --> 00:17:07,760
Speaker 1: end up doing it, you know, at least times. And yeah,

307
00:17:07,800 --> 00:17:09,399
Speaker 1: and on a scene like that, do you have to

308
00:17:09,520 --> 00:17:14,280
Speaker 1: nail it like for that master shot to finish? Oh? Yes,

309
00:17:14,359 --> 00:17:16,760
Speaker 1: you do start to finish. So if somebody messes up

310
00:17:16,800 --> 00:17:20,160
Speaker 1: in the middle, it's wrong. No, the editor needs every

311
00:17:20,240 --> 00:17:22,560
Speaker 1: piece of that master shot. The master shot to the

312
00:17:22,560 --> 00:17:26,359
Speaker 1: audience is a wider shot, right, they do a wide shot,

313
00:17:26,400 --> 00:17:28,399
Speaker 1: a big profile shot, and they do a couple I

314
00:17:28,400 --> 00:17:30,359
Speaker 1: think they do a couple of different angles on the

315
00:17:30,400 --> 00:17:35,680
Speaker 1: master um um. But yeah, you know, you got to

316
00:17:35,720 --> 00:17:37,880
Speaker 1: nail it perfectly on the master before they even punch

317
00:17:37,960 --> 00:17:42,160
Speaker 1: in and and get the get the closer versions. Did

318
00:17:42,160 --> 00:17:45,600
Speaker 1: everybody always do this is like a real industry thing.

319
00:17:45,600 --> 00:17:49,760
Speaker 1: But I've heard did all of you do your own coverage?

320
00:17:49,840 --> 00:17:53,879
Speaker 1: Meaning if Lauren's doing a scene and it's her coverage,

321
00:17:54,200 --> 00:17:58,080
Speaker 1: you stayed and did your part with God? Yes, because

322
00:17:58,119 --> 00:18:01,520
Speaker 1: I think on some shows I've like, some people don't,

323
00:18:01,840 --> 00:18:03,440
Speaker 1: which is sort of is that kind of a considered

324
00:18:03,440 --> 00:18:07,000
Speaker 1: a jerk move if you don't stay with your Yeah,

325
00:18:07,000 --> 00:18:10,280
Speaker 1: it's pretty jerky it is. Yeah, you need to support

326
00:18:10,440 --> 00:18:14,480
Speaker 1: I mean because also the editor needs it because they're

327
00:18:14,480 --> 00:18:16,840
Speaker 1: going to hear dialogue, and you know what, the performance

328
00:18:16,840 --> 00:18:19,480
Speaker 1: has to be as good, if not better, off camera

329
00:18:20,560 --> 00:18:23,560
Speaker 1: as you just did it on camera. So I you know,

330
00:18:23,640 --> 00:18:28,200
Speaker 1: I really tried to give better and more off camera

331
00:18:28,280 --> 00:18:31,280
Speaker 1: because it's it's as important, you know, just because you're

332
00:18:31,320 --> 00:18:34,880
Speaker 1: not at you know, so uh yeah, it's it's kind

333
00:18:34,920 --> 00:18:37,760
Speaker 1: of and if somebody's feeling sick or they're just exhausted

334
00:18:37,800 --> 00:18:39,479
Speaker 1: and you want to give him a break, and the

335
00:18:39,600 --> 00:18:42,359
Speaker 1: editor okays it, and the director okays it, then you

336
00:18:42,359 --> 00:18:45,400
Speaker 1: say yeah, no, no, no worries, and and then you know, um,

337
00:18:46,119 --> 00:18:49,160
Speaker 1: Laurence stand In could would maybe once in what didn't

338
00:18:49,160 --> 00:18:51,439
Speaker 1: happen very often. I mean Lauren was a trooper, you know,

339
00:18:51,560 --> 00:18:53,520
Speaker 1: she she hung in there. And and then what about

340
00:18:53,520 --> 00:18:57,520
Speaker 1: all the backgrounds, So like Rory, you know, alexis in

341
00:18:57,560 --> 00:19:01,720
Speaker 1: the background, and everybody has to nail their parts to everybody, Yes,

342
00:19:02,000 --> 00:19:03,800
Speaker 1: even the extras in the background, they got to nail

343
00:19:03,840 --> 00:19:06,400
Speaker 1: at exactly how they did it at very specific points

344
00:19:06,440 --> 00:19:09,520
Speaker 1: in the scene. It's all got a match, and the town,

345
00:19:10,240 --> 00:19:13,000
Speaker 1: everything's got a match. And there's a person on set

346
00:19:13,359 --> 00:19:15,800
Speaker 1: who keeps you know, the script supervisor takes care of

347
00:19:15,840 --> 00:19:19,280
Speaker 1: all that stuff. And it's a really hard job because

348
00:19:19,400 --> 00:19:21,560
Speaker 1: there have we've had the real we had the reshoot

349
00:19:21,600 --> 00:19:24,280
Speaker 1: scenes sometimes where it was kind of impossible to get

350
00:19:24,320 --> 00:19:27,600
Speaker 1: everything down. But the script supervisor or when they're watching

351
00:19:27,600 --> 00:19:30,960
Speaker 1: it in the in the rushes and the dailies, they'll say, oh,

352
00:19:31,000 --> 00:19:33,160
Speaker 1: that didn't match and that guy walked across and that's

353
00:19:33,160 --> 00:19:35,840
Speaker 1: gonna look awkward because now there's an empty space and

354
00:19:35,880 --> 00:19:37,600
Speaker 1: that when we punch in and he's not there, and

355
00:19:37,600 --> 00:19:40,119
Speaker 1: it's like, oh, that's really distracting. So if it's distracting

356
00:19:40,119 --> 00:19:42,159
Speaker 1: and it takes you out of the reality of what

357
00:19:42,200 --> 00:19:45,960
Speaker 1: they're trying to create, yeah, you gotta shoot it again. Um,

358
00:19:46,119 --> 00:19:48,800
Speaker 1: because it's important. It's everything you know, you can't you

359
00:19:48,840 --> 00:19:52,160
Speaker 1: can't you know, you're you're you're trying to suspend people's disbelief,

360
00:19:53,240 --> 00:19:56,159
Speaker 1: and if they're shocked out of it, you're done. They'll

361
00:19:56,160 --> 00:19:58,360
Speaker 1: turn the channel. You know, they won't trust you. So

362
00:19:58,520 --> 00:20:02,119
Speaker 1: it's it's really really importan. Yeah, wow, yeah, And it

363
00:20:02,240 --> 00:20:05,639
Speaker 1: seems I mean very rarely do I get taken out

364
00:20:05,720 --> 00:20:12,439
Speaker 1: of my mindset when I'm watching. I'm completely honed in

365
00:20:12,520 --> 00:20:15,560
Speaker 1: on YouTube even though I know there, you know, the

366
00:20:15,560 --> 00:20:18,440
Speaker 1: background is happening and you feel like you're in the diner, right.

367
00:20:18,480 --> 00:20:22,840
Speaker 1: That's because everybody knows what they were doing when they

368
00:20:22,840 --> 00:20:25,400
Speaker 1: said this line or that line or that line. Did

369
00:20:25,440 --> 00:20:27,399
Speaker 1: I you know, did I turn on the muff and

370
00:20:27,400 --> 00:20:28,800
Speaker 1: so like a lot of the conversation you have on

371
00:20:28,800 --> 00:20:31,720
Speaker 1: set with the script scripty call them script eh. And

372
00:20:31,720 --> 00:20:33,720
Speaker 1: there were a lot of script supers came through because

373
00:20:33,720 --> 00:20:36,040
Speaker 1: it's a really difficult job. Won't Gil more girls, because

374
00:20:36,040 --> 00:20:37,560
Speaker 1: there was a lot of dialogue, a lot to take

375
00:20:37,560 --> 00:20:40,879
Speaker 1: care of, and people burn out pretty quickly, um and

376
00:20:40,920 --> 00:20:44,719
Speaker 1: say get me the hell of the show. That's too

377
00:20:44,800 --> 00:20:47,840
Speaker 1: much work. Uh uh no. I mean they left for

378
00:20:47,880 --> 00:20:50,760
Speaker 1: other reasons too, but um, you know they come up

379
00:20:50,800 --> 00:20:52,760
Speaker 1: and say, yeah, that didn't match. You gotta turn turn

380
00:20:52,760 --> 00:20:54,879
Speaker 1: a little sooner on that line and then put the

381
00:20:54,960 --> 00:20:58,480
Speaker 1: muffin in. And I could never do that job because

382
00:20:58,520 --> 00:21:00,639
Speaker 1: my brain doesn't work like that where I would be

383
00:21:00,680 --> 00:21:05,320
Speaker 1: able to know that it's exacting. It's just exacting. So

384
00:21:05,480 --> 00:21:07,679
Speaker 1: every time you see a scene that's flowing in the

385
00:21:07,720 --> 00:21:10,640
Speaker 1: diner and it's working perfectly, we've shot the heck out

386
00:21:10,640 --> 00:21:13,520
Speaker 1: of that because the editor demands it. When the editor

387
00:21:13,560 --> 00:21:16,000
Speaker 1: has to put that scene together in the show together,

388
00:21:16,040 --> 00:21:19,040
Speaker 1: they need as much footage as they can possibly have

389
00:21:20,080 --> 00:21:23,280
Speaker 1: to look for the perfect moments and the perfect matching

390
00:21:23,800 --> 00:21:25,800
Speaker 1: stuff that matches. So the more they have, the more

391
00:21:25,880 --> 00:21:28,840
Speaker 1: likely they are going to be to match everything from

392
00:21:29,359 --> 00:21:31,960
Speaker 1: master to close up to close up. Yeah, for you

393
00:21:32,000 --> 00:21:35,080
Speaker 1: as an actor, did you did you? As Luke? Typically

394
00:21:35,440 --> 00:21:39,760
Speaker 1: do your best work the first shot, like the first first,

395
00:21:39,920 --> 00:21:42,120
Speaker 1: first two takes. I'd nail at the first two takes

396
00:21:42,119 --> 00:21:48,639
Speaker 1: and get worse as we went along. Okay, so we

397
00:21:48,680 --> 00:21:51,320
Speaker 1: do have to take a break. But as you were

398
00:21:51,400 --> 00:21:54,280
Speaker 1: saying all of these things and I'm learning about acting,

399
00:21:55,119 --> 00:21:59,480
Speaker 1: what it made me realize is Edward Herman is a

400
00:21:59,560 --> 00:22:04,520
Speaker 1: genius because he scared me in that scene, like he

401
00:22:04,640 --> 00:22:12,200
Speaker 1: was so scary, and he literally is a genius because

402
00:22:12,520 --> 00:22:17,760
Speaker 1: he played it like perfect, very very gifted actor, very

403
00:22:17,760 --> 00:22:23,240
Speaker 1: studied actor, in total command of his his instrument, and uh,

404
00:22:23,560 --> 00:22:27,160
Speaker 1: you know, just yeah, I would like to discuss that.

405
00:22:29,520 --> 00:22:32,119
Speaker 1: All right, Well, you're gonna get your wish, young lady,

406
00:22:33,440 --> 00:22:36,159
Speaker 1: because I'm here for you and I'm gonna explain it

407
00:22:36,200 --> 00:22:39,000
Speaker 1: all all right, We're gonna be back after these words.

408
00:22:39,080 --> 00:22:42,639
Speaker 1: And when we come back, we got some explaining to

409
00:22:42,720 --> 00:22:47,960
Speaker 1: do for the sugar Man on ed Herman Genius and

410
00:22:48,040 --> 00:22:55,200
Speaker 1: we'll be back after these works. Yeah, everybody, we're back.

411
00:22:56,200 --> 00:22:59,560
Speaker 1: Scott Patterson, I am all in podcasts. I heard Radio

412
00:23:00,000 --> 00:23:06,240
Speaker 1: a Living Productions, and Amy has introduced us to the brilliance,

413
00:23:06,400 --> 00:23:09,320
Speaker 1: not that we didn't already know of Mr ed Herman.

414
00:23:09,520 --> 00:23:11,640
Speaker 1: I mean, what did you think watching that scene? Since

415
00:23:11,680 --> 00:23:15,000
Speaker 1: this is probably like the first time you've really seen it. Well,

416
00:23:15,040 --> 00:23:18,160
Speaker 1: I mean, look, you have to be There's a lot

417
00:23:18,160 --> 00:23:20,040
Speaker 1: of ways to interpret a scene. There's a lot of

418
00:23:20,040 --> 00:23:24,680
Speaker 1: ways to go at Dean, right, um, But he's such

419
00:23:24,720 --> 00:23:27,800
Speaker 1: a courageous actor, such a gifted actor, that he really

420
00:23:28,160 --> 00:23:31,960
Speaker 1: went at him. I mean, he wasn't messing around. He

421
00:23:32,119 --> 00:23:34,800
Speaker 1: brought you know, how many you know he brought a

422
00:23:34,840 --> 00:23:39,119
Speaker 1: couple of decades. A disappointment came up in him and

423
00:23:39,240 --> 00:23:42,320
Speaker 1: directed it at Dean because he was he was really

424
00:23:42,359 --> 00:23:46,239
Speaker 1: just a giant laser eviscerating that young boy wanted to

425
00:23:46,280 --> 00:23:50,600
Speaker 1: eliminate him. I mean, and and talk about and I

426
00:23:50,760 --> 00:23:55,240
Speaker 1: you know, this is how the privileged shame people. It's greats,

427
00:23:55,280 --> 00:23:59,280
Speaker 1: it's you know, connections, it's this and boy did he

428
00:23:59,280 --> 00:24:01,560
Speaker 1: He pulled out all the stops of that kid like

429
00:24:01,680 --> 00:24:04,840
Speaker 1: a start, right from when he didn't shake his hand,

430
00:24:04,960 --> 00:24:07,440
Speaker 1: right from when he came into the like sitting room

431
00:24:07,520 --> 00:24:09,800
Speaker 1: or the library or whatever they call it. He could tell.

432
00:24:10,200 --> 00:24:12,800
Speaker 1: He could tell by the way he was dressed. He

433
00:24:12,840 --> 00:24:16,480
Speaker 1: could tell by the little little leather necklace that Dean

434
00:24:16,600 --> 00:24:19,480
Speaker 1: was wearing with the little stone on it or whatever

435
00:24:19,600 --> 00:24:20,879
Speaker 1: was on it, what was it? What was on the

436
00:24:21,000 --> 00:24:22,879
Speaker 1: what was on the neck was a chain, but I

437
00:24:22,920 --> 00:24:25,720
Speaker 1: definitely maybe it was a chain, very prominent. Maybe it

438
00:24:25,720 --> 00:24:30,920
Speaker 1: was whoever was the stylist, definitely perfect put that on

439
00:24:31,040 --> 00:24:35,399
Speaker 1: him so that Richard, because that's that's a meeting that

440
00:24:35,600 --> 00:24:38,040
Speaker 1: Amy and Dan have with wardrobe, saying, listen, what do

441
00:24:38,119 --> 00:24:41,160
Speaker 1: we put on him? To make sure that Richard sees

442
00:24:41,200 --> 00:24:45,719
Speaker 1: it immediately and makes that judgment and knows exactly what

443
00:24:45,760 --> 00:24:50,360
Speaker 1: he's dealing with. The necklace was a total crucial statement

444
00:24:50,720 --> 00:24:55,200
Speaker 1: because Logan would have worn a suit. Yes, I don't

445
00:24:55,200 --> 00:24:57,080
Speaker 1: know what Jess would have worn. That would have been

446
00:24:57,359 --> 00:25:00,159
Speaker 1: maybe even more of a train wreck than Dean, but

447
00:25:00,280 --> 00:25:03,600
Speaker 1: Logan would have wanted suit. In my mind, during that scene,

448
00:25:03,640 --> 00:25:06,639
Speaker 1: I started to think about Logan and how much Richard

449
00:25:07,000 --> 00:25:12,159
Speaker 1: loved Logan. But the beauty of that scene when it

450
00:25:12,240 --> 00:25:15,480
Speaker 1: when Emily first opened the door, we didn't know who

451
00:25:15,600 --> 00:25:18,880
Speaker 1: Rory was bringing. We didn't even know if she could

452
00:25:18,880 --> 00:25:21,720
Speaker 1: bring somebody. That was all information we got after the fact.

453
00:25:21,760 --> 00:25:25,439
Speaker 1: And there's Dean in it with a button open on

454
00:25:25,600 --> 00:25:31,800
Speaker 1: his inappropriate wardrobe right for that occasion, like the Friday

455
00:25:31,840 --> 00:25:34,800
Speaker 1: night dinner, and he's coming casual, like he's going to

456
00:25:34,880 --> 00:25:37,800
Speaker 1: a rock concert with his with his with his leather

457
00:25:38,200 --> 00:25:42,760
Speaker 1: or steel chain. Yes, it was beautiful and he was

458
00:25:42,880 --> 00:25:45,719
Speaker 1: dressed up, but he was just dressed all wrong for

459
00:25:45,760 --> 00:25:47,439
Speaker 1: the right Because as soon as she opened the door

460
00:25:47,520 --> 00:25:50,000
Speaker 1: I saw Dan, I said, oh, and that's what you're

461
00:25:50,000 --> 00:25:51,960
Speaker 1: supposed to, that's what's supposed to happen. You're like, oh, no,

462
00:25:52,240 --> 00:25:56,439
Speaker 1: he's not dressed right. This is gonna be bad. Really,

463
00:25:57,480 --> 00:26:00,840
Speaker 1: that's so interesting, Rightley Danielle. Did you guys notice the

464
00:26:00,920 --> 00:26:04,760
Speaker 1: necklace immediately too? I thought it was puka shells, and

465
00:26:04,760 --> 00:26:07,520
Speaker 1: I was like, wow, that's really really throwing it back.

466
00:26:08,920 --> 00:26:12,040
Speaker 1: I didn't notice the necklace so much as as much

467
00:26:12,040 --> 00:26:16,280
Speaker 1: as the shirt. Oh, the shirt doesn't match, it's not

468
00:26:16,400 --> 00:26:20,359
Speaker 1: tucked in, and it's it's wrong and it's Saturday night fever.

469
00:26:20,880 --> 00:26:26,159
Speaker 1: But he's so cute, guys. I loved Dean him so much.

470
00:26:26,680 --> 00:26:28,560
Speaker 1: He is as sweet as can be. But it was

471
00:26:28,680 --> 00:26:33,080
Speaker 1: all wrong for the Gilmore's. Even Emily was like, and

472
00:26:33,119 --> 00:26:37,240
Speaker 1: then you could you know through her eyeballs. Laurela used

473
00:26:37,280 --> 00:26:41,040
Speaker 1: eye communication to Emily, like knocking off that funny, like,

474
00:26:41,400 --> 00:26:45,240
Speaker 1: it was so nice of you, mom to invite him, right, Mom,

475
00:26:46,320 --> 00:26:51,000
Speaker 1: that's really good. And then so then and then they

476
00:26:51,040 --> 00:26:53,919
Speaker 1: really win Emily over with the whole want to drink,

477
00:26:54,320 --> 00:26:59,080
Speaker 1: you know, which made it that much funnier when Dean

478
00:26:59,200 --> 00:27:01,119
Speaker 1: leans over to Laura and so should we try the

479
00:27:01,280 --> 00:27:07,560
Speaker 1: beer things? I mean, I was uncomfortable. You're supposed to be,

480
00:27:07,640 --> 00:27:10,919
Speaker 1: You're supposed to be as an audience. They're just setting

481
00:27:10,960 --> 00:27:14,960
Speaker 1: you up for the big overhead smash of Richard Gilmore.

482
00:27:15,440 --> 00:27:20,000
Speaker 1: Did it make you dislike Richard? It's yes and no,

483
00:27:21,440 --> 00:27:24,159
Speaker 1: I get it. It was over the top, but I

484
00:27:24,200 --> 00:27:27,800
Speaker 1: get it. I mean I get where he's coming from. Right.

485
00:27:27,800 --> 00:27:32,360
Speaker 1: He had total PTSD and was basically like not repeat,

486
00:27:32,840 --> 00:27:36,639
Speaker 1: I'm not really exactly and beauty go ahead, no, no,

487
00:27:36,680 --> 00:27:39,160
Speaker 1: go ahead, go ahead, guy. The beauty is that lower

488
00:27:39,240 --> 00:27:44,080
Speaker 1: like understood, And I actually thought, wow, okay, and that

489
00:27:44,240 --> 00:27:50,000
Speaker 1: Emily was not having it so complex. There's so much

490
00:27:50,040 --> 00:27:51,880
Speaker 1: to break down. Okay, keep going because there's so much

491
00:27:51,880 --> 00:27:54,159
Speaker 1: to talk about. Yeah, No, I just to just to

492
00:27:54,200 --> 00:27:59,640
Speaker 1: sum up that scene. Um, hysterically funny, poignant, very dramatic,

493
00:28:00,160 --> 00:28:05,199
Speaker 1: very hard felt. And I mean the stakes were really high, uh,

494
00:28:05,359 --> 00:28:08,600
Speaker 1: for for Richard and Emily. I mean really really high.

495
00:28:08,600 --> 00:28:10,800
Speaker 1: I mean they just know Dean is a nice kid.

496
00:28:11,119 --> 00:28:14,320
Speaker 1: Laurel Laurea and Roy's just a nice kid. They're back together, celebrating,

497
00:28:14,320 --> 00:28:16,840
Speaker 1: and what a perfect setup. You know, he comes back

498
00:28:16,840 --> 00:28:20,560
Speaker 1: into the fold. Everything is jolly, Rory's happy as a clam.

499
00:28:21,720 --> 00:28:24,120
Speaker 1: Laurela is getting married. You know, this kind of a thing,

500
00:28:24,160 --> 00:28:29,920
Speaker 1: and we're gonna talk about that, don't we each each

501
00:28:29,960 --> 00:28:34,879
Speaker 1: of the people in that scene, because I felt Rory's pain, Like,

502
00:28:34,960 --> 00:28:38,360
Speaker 1: oh god, this is so embarrassing for her, This is

503
00:28:38,400 --> 00:28:43,040
Speaker 1: so disappointing for her, and she's you know, getting upset

504
00:28:43,320 --> 00:28:46,160
Speaker 1: and like this is her grandpa that she really has

505
00:28:46,200 --> 00:28:55,000
Speaker 1: grown to idolize. Oh oh yeah. But you know what,

506
00:28:55,120 --> 00:29:00,480
Speaker 1: there's nothing like maturity and age, uh to be able

507
00:29:00,520 --> 00:29:07,040
Speaker 1: to spot bad news. One it shows up. He knew

508
00:29:07,160 --> 00:29:09,640
Speaker 1: right away he could smell it. He knew that that

509
00:29:09,760 --> 00:29:12,520
Speaker 1: kid was trouble, even though that kid wasn't being trouble.

510
00:29:13,480 --> 00:29:16,080
Speaker 1: He's just a sweet, sensitive kid. He's you know, he's

511
00:29:17,040 --> 00:29:19,400
Speaker 1: from out of town. He's not a towny, that kind

512
00:29:19,440 --> 00:29:22,080
Speaker 1: of thing. But Richard could smell it on him, and

513
00:29:22,160 --> 00:29:24,400
Speaker 1: he knew that that kid didn't have the grades to

514
00:29:24,400 --> 00:29:28,400
Speaker 1: hang with her, and he didn't care. He understood life

515
00:29:28,600 --> 00:29:30,760
Speaker 1: from a different point of view. Yes, in the here

516
00:29:30,800 --> 00:29:33,320
Speaker 1: and now, everybody's jolly and happy, and Rory's in love

517
00:29:33,360 --> 00:29:36,880
Speaker 1: and he's in love. But you know, older people think

518
00:29:36,920 --> 00:29:40,400
Speaker 1: about future, and he's protecting his granddaughter. So do you

519
00:29:40,440 --> 00:29:46,320
Speaker 1: think Richard would love Tristan even though Tristan's a juror? Yes,

520
00:29:46,520 --> 00:29:50,280
Speaker 1: he would. Do you know why because in the crucial

521
00:29:50,320 --> 00:29:53,840
Speaker 1: moments when he's at the law firm with the insurance agency,

522
00:29:53,880 --> 00:29:58,440
Speaker 1: he'd be a killer. Yeah. Those people in business are

523
00:29:58,480 --> 00:30:03,840
Speaker 1: tough that you know, they're really tough, and Justin has that.

524
00:30:04,800 --> 00:30:07,560
Speaker 1: You know what's interesting is like these people do not

525
00:30:07,680 --> 00:30:11,320
Speaker 1: hold back their rudeness, because that's the other thing. Like

526
00:30:11,920 --> 00:30:14,240
Speaker 1: he was so blatant about it, and it flashes me

527
00:30:14,320 --> 00:30:18,640
Speaker 1: back to when Christopher's parents and Richard and Emily were

528
00:30:18,680 --> 00:30:21,640
Speaker 1: like going at it like these people don't. It's like,

529
00:30:21,680 --> 00:30:24,040
Speaker 1: I don't know what the word is, but it's so like, wait,

530
00:30:24,080 --> 00:30:29,120
Speaker 1: aren't you supposed to talk after listen? Listen. When you're

531
00:30:29,160 --> 00:30:32,280
Speaker 1: young and you're a student and you're in a top

532
00:30:32,360 --> 00:30:34,680
Speaker 1: notch private school and then you're in the Ivy League,

533
00:30:34,720 --> 00:30:38,920
Speaker 1: you are getting you know, your ears boxed by professors.

534
00:30:38,960 --> 00:30:43,840
Speaker 1: You are getting almost abused by people to work harder,

535
00:30:43,920 --> 00:30:46,720
Speaker 1: be better, be smarter. You're you're not being told how

536
00:30:46,800 --> 00:30:50,800
Speaker 1: wonderful you are. The old the old school way was,

537
00:30:51,200 --> 00:30:55,200
Speaker 1: you're not hacking it, You're stupid, work harder, let's go. Yeah,

538
00:30:55,240 --> 00:30:59,800
Speaker 1: it's like the headmaster at children. Yes there's the Yeah,

539
00:30:59,840 --> 00:31:03,040
Speaker 1: they give no quarter. And that world, I mean, that

540
00:31:03,240 --> 00:31:06,720
Speaker 1: is a super That type of level of academics is

541
00:31:06,880 --> 00:31:11,760
Speaker 1: super competitive and it is cutthroat um and you can't

542
00:31:11,760 --> 00:31:14,400
Speaker 1: make any excuses and you can't screw up, and you

543
00:31:14,480 --> 00:31:17,280
Speaker 1: can't get a bait. It just isn't possible. So that

544
00:31:17,520 --> 00:31:20,560
Speaker 1: the pressure is enormous and people wonder why you know,

545
00:31:20,800 --> 00:31:23,800
Speaker 1: people in the Ivy League sometimes and commit suicide or

546
00:31:24,600 --> 00:31:29,400
Speaker 1: it's because the pressure is enormous to excel um. So

547
00:31:29,480 --> 00:31:31,120
Speaker 1: I get I get what. I get where they're coming from.

548
00:31:31,120 --> 00:31:33,120
Speaker 1: I get where he's coming from. So what do you

549
00:31:33,120 --> 00:31:36,280
Speaker 1: think of the aftermath in that When Laurel lie sits

550
00:31:36,360 --> 00:31:40,680
Speaker 1: Rory down and says, okay, like, let's just talk about

551
00:31:40,680 --> 00:31:43,000
Speaker 1: it for a minute, like, your grandpa loves you more

552
00:31:43,040 --> 00:31:47,240
Speaker 1: than life itself and he's not doing this to you.

553
00:31:47,360 --> 00:31:50,960
Speaker 1: This is all about me. I thought, Wow, Yeah, it's impressed.

554
00:31:51,000 --> 00:31:54,240
Speaker 1: It makes her character all that much all the all

555
00:31:54,280 --> 00:31:59,360
Speaker 1: the more impressive because she's aware of what a disappointment

556
00:31:59,400 --> 00:32:01,640
Speaker 1: she is did that family and all the repercussions and

557
00:32:01,720 --> 00:32:04,400
Speaker 1: all of the ankst that that caused, and she's mature

558
00:32:04,520 --> 00:32:08,800
Speaker 1: enough to not let it affect her daughter. She's protecting

559
00:32:08,840 --> 00:32:11,200
Speaker 1: her daughter from all of that and trying to make

560
00:32:11,200 --> 00:32:13,720
Speaker 1: her realize, Look, this is this is their long game,

561
00:32:14,120 --> 00:32:16,600
Speaker 1: this is how they view it. You've got to understand that.

562
00:32:17,240 --> 00:32:21,080
Speaker 1: And I think in a way, Um, Laurel I was

563
00:32:21,120 --> 00:32:24,480
Speaker 1: comforted by that. I didn't see I didn't see Laurel

564
00:32:24,480 --> 00:32:27,440
Speaker 1: I objecting to at all to what Richard was doing,

565
00:32:27,480 --> 00:32:31,280
Speaker 1: because I think Laurel I probably felt an inkling that

566
00:32:31,320 --> 00:32:35,920
Speaker 1: he was doing the right thing. Two Dean right, like

567
00:32:36,040 --> 00:32:39,040
Speaker 1: why could why why didn't why couldn't my dad have

568
00:32:39,160 --> 00:32:42,600
Speaker 1: been like that with me? Right, because otherwise Laurel I

569
00:32:42,640 --> 00:32:45,479
Speaker 1: would have stormed out of there. She sat there, She

570
00:32:45,640 --> 00:32:50,640
Speaker 1: sat there, so she she maybe agreed a little bit

571
00:32:50,680 --> 00:32:54,040
Speaker 1: like you know, this guy isn't wrong. It reminded me

572
00:32:54,080 --> 00:33:01,240
Speaker 1: too of when in when Laurel I as to Rory,

573
00:33:01,440 --> 00:33:06,400
Speaker 1: I have a problem with letting people in our relationships.

574
00:33:06,440 --> 00:33:08,960
Speaker 1: I don't want you to have it because I have it,

575
00:33:09,640 --> 00:33:14,080
Speaker 1: Like I'm realizing, Laura Lae has very clear self awareness

576
00:33:14,400 --> 00:33:20,200
Speaker 1: and almost like gets it, which is cool. She's extremely intelligent.

577
00:33:20,400 --> 00:33:25,520
Speaker 1: She's extremely intelligent, and um, I mean it was just

578
00:33:25,760 --> 00:33:30,600
Speaker 1: a wonderful parenting moment. Again, yet another wonderful parenting moment

579
00:33:30,640 --> 00:33:34,040
Speaker 1: for Laura. Yes, she still moral life, stayed very calm,

580
00:33:34,160 --> 00:33:37,040
Speaker 1: which I think helped the situation. She was very funny

581
00:33:37,040 --> 00:33:39,040
Speaker 1: when she says to Emily like, wait, wasn't supposed to

582
00:33:39,040 --> 00:33:43,880
Speaker 1: be us, you know it was just a Dean well

583
00:33:44,160 --> 00:33:48,440
Speaker 1: welcome to being a Gilmore girl, kind of like diffusing

584
00:33:49,080 --> 00:33:51,720
Speaker 1: it a bit, yeah, by saying like this is how

585
00:33:51,760 --> 00:33:54,280
Speaker 1: it goes, and like it's all going to be all good,

586
00:33:54,400 --> 00:33:57,080
Speaker 1: tough enough, Buttercup, this is what it's like. And then

587
00:33:57,080 --> 00:33:58,720
Speaker 1: what did you think of Emily when she goes into

588
00:33:58,800 --> 00:34:01,480
Speaker 1: Richard's office and says, you will call. I think it

589
00:34:01,560 --> 00:34:05,760
Speaker 1: was a beautiful moment, beautifully acted. And I think the

590
00:34:05,840 --> 00:34:08,880
Speaker 1: thing that really stayed with me was after she closed

591
00:34:08,880 --> 00:34:10,920
Speaker 1: the door and she was by herself in the hallway

592
00:34:11,960 --> 00:34:17,560
Speaker 1: experiencing that deep pain. Um. She is such a wonderful actress.

593
00:34:18,000 --> 00:34:21,839
Speaker 1: She can communicate that pain in a look and I mean,

594
00:34:21,880 --> 00:34:24,160
Speaker 1: it's all she's all feeling it. But oh, I felt

595
00:34:24,200 --> 00:34:27,200
Speaker 1: so bad for her. I felt her pain me too,

596
00:34:27,280 --> 00:34:32,239
Speaker 1: because you realize Emily doesn't like that. She doesn't have

597
00:34:32,320 --> 00:34:35,040
Speaker 1: a good relationship with lor She's not like one of

598
00:34:35,040 --> 00:34:37,120
Speaker 1: those moms like, oh that's just how it is, Like

599
00:34:37,280 --> 00:34:40,680
Speaker 1: it pains her. Yeah, as sarcastic as she is with

600
00:34:40,719 --> 00:34:44,080
Speaker 1: her own daughter, there's still hope. I think there's still

601
00:34:44,160 --> 00:34:47,160
Speaker 1: hope that there can be some normalcy in a a

602
00:34:47,160 --> 00:34:51,279
Speaker 1: little bit of detent, you know. Um. I just yeah,

603
00:34:51,440 --> 00:34:54,640
Speaker 1: very poignant scene with Emily and Richard. And you will

604
00:34:54,680 --> 00:34:57,359
Speaker 1: do this and you will apologize and this is why.

605
00:34:57,440 --> 00:35:01,920
Speaker 1: And she was right, it is Richard cross the line. Richard,

606
00:35:02,600 --> 00:35:05,480
Speaker 1: even though we get it, he went too far. And

607
00:35:05,520 --> 00:35:07,319
Speaker 1: it's like, you just can't do that. To a kid,

608
00:35:08,200 --> 00:35:11,080
Speaker 1: some kid that's over at your house for dinner. I

609
00:35:11,120 --> 00:35:13,799
Speaker 1: don't know. I don't know. And you know, it's hard

610
00:35:13,840 --> 00:35:17,719
Speaker 1: for me to criticize Richard for that. It's hard. I look,

611
00:35:18,080 --> 00:35:22,600
Speaker 1: I've come on, when your kids a teen and he

612
00:35:22,640 --> 00:35:25,200
Speaker 1: has a girl over, you're never going to do that.

613
00:35:25,600 --> 00:35:27,279
Speaker 1: I'll blow her. I'll blow her out of the water

614
00:35:27,920 --> 00:35:30,520
Speaker 1: if she's if she's not the right girl. It's one

615
00:35:30,560 --> 00:35:35,239
Speaker 1: thing to say it too like your child, but then

616
00:35:35,320 --> 00:35:37,920
Speaker 1: to say at dinner in front of an audience with

617
00:35:37,960 --> 00:35:41,600
Speaker 1: your child significant other than there, that's where it killed, right,

618
00:35:41,719 --> 00:35:46,200
Speaker 1: the sweet little boy. And I thought Dean Jared played

619
00:35:46,239 --> 00:35:51,400
Speaker 1: that so well too, because he stayed calm, He tried

620
00:35:51,400 --> 00:35:54,640
Speaker 1: to be polite, he tried to answer the questions. And

621
00:35:54,680 --> 00:35:57,480
Speaker 1: the sad part is you know that he's questioning like, yeah,

622
00:35:57,600 --> 00:36:00,319
Speaker 1: I'm not good enough for her. I think he's yeah,

623
00:36:00,320 --> 00:36:02,560
Speaker 1: the thing he's being to realize it. But I think

624
00:36:02,680 --> 00:36:05,000
Speaker 1: the most interesting part of this is what wasn't said.

625
00:36:05,040 --> 00:36:07,760
Speaker 1: And Laurea I did not say a thing because really

626
00:36:08,360 --> 00:36:11,120
Speaker 1: it was like Dad, knock it off, because it's it's

627
00:36:11,200 --> 00:36:13,360
Speaker 1: it's so easy for her to talk that way to Emily.

628
00:36:13,960 --> 00:36:16,000
Speaker 1: But he brought her own father, Dad, knock it off.

629
00:36:16,040 --> 00:36:18,920
Speaker 1: Don't talk to him that way. Okay, we're leaving. That's enough, Dad,

630
00:36:19,000 --> 00:36:26,520
Speaker 1: knock it up. So that was supposed to be. Yeah,

631
00:36:26,920 --> 00:36:30,759
Speaker 1: she agrees, Laurel I agrees, yeah, because in the conversation

632
00:36:30,840 --> 00:36:33,280
Speaker 1: she had with Rory, you know, she says he's worried

633
00:36:33,680 --> 00:36:36,040
Speaker 1: you'll repeat my mistakes, and she says, I'm not going

634
00:36:36,080 --> 00:36:39,040
Speaker 1: to get pregnant, so they're maybe you're right, and that

635
00:36:39,120 --> 00:36:42,560
Speaker 1: there was some element of like Flora, I sing to herself, well,

636
00:36:42,560 --> 00:36:44,279
Speaker 1: I'm happy I didn't have to do it. Well she

637
00:36:44,320 --> 00:36:46,799
Speaker 1: said it was yeah, yeah, right, and and and she's like,

638
00:36:46,840 --> 00:36:48,919
Speaker 1: she said, it's a hundred how does that happen? Mom?

639
00:36:48,920 --> 00:36:50,840
Speaker 1: While it's a hundred years of inbreeding will get you

640
00:36:51,040 --> 00:36:54,560
Speaker 1: right there. Their standards are very high, and you know

641
00:36:54,719 --> 00:36:56,520
Speaker 1: this kind of thing, and they're not kidding they are.

642
00:36:57,719 --> 00:37:01,520
Speaker 1: They're impossibly high. I mean, yeah, if you're not of

643
00:37:02,000 --> 00:37:05,360
Speaker 1: you know, royal blood, forget it, forget it. They're not

644
00:37:05,360 --> 00:37:11,839
Speaker 1: going to let anybody else in no way. Logan yea,

645
00:37:12,160 --> 00:37:15,600
Speaker 1: why I love stop it, stop it right now, stop

646
00:37:15,640 --> 00:37:20,200
Speaker 1: it counting down the day, stop it, knock it off.

647
00:37:21,120 --> 00:37:23,279
Speaker 1: Did anybody else feel disappointed that we didn't get to

648
00:37:23,320 --> 00:37:26,480
Speaker 1: see the homemade twinkies a little, but we did, yeah,

649
00:37:26,520 --> 00:37:29,719
Speaker 1: a little. I'm actually yeah, I was left hungry. I

650
00:37:29,800 --> 00:37:36,800
Speaker 1: was salivating again, another another evidence of brilliance of the show.

651
00:37:36,880 --> 00:37:41,920
Speaker 1: It left you salivating for twinkies after all that drama. Somehow,

652
00:37:41,920 --> 00:37:48,560
Speaker 1: of course Lorela had twinkies in the plastic. How many

653
00:37:48,600 --> 00:37:51,920
Speaker 1: are they gonna eat? Jesus, how do they stay so thin?

654
00:37:52,239 --> 00:37:55,239
Speaker 1: It's amazing? I mean, my god, Yeah, there were at

655
00:37:55,320 --> 00:38:00,560
Speaker 1: least ten, and the beef ERNI there because it was

656
00:38:00,600 --> 00:38:06,000
Speaker 1: so cute that like they made what Rory wanted. Let's

657
00:38:06,000 --> 00:38:09,839
Speaker 1: get into Max and let's get into Should we take

658
00:38:09,880 --> 00:38:12,439
Speaker 1: a break and come back? Yeah, all right, everybody, listen,

659
00:38:12,440 --> 00:38:14,200
Speaker 1: We're gonna take a little break. We we gotta take

660
00:38:14,239 --> 00:38:16,400
Speaker 1: we gotta, we gotta towel off. We got sweaty hair,

661
00:38:16,600 --> 00:38:18,759
Speaker 1: and we gotta take a break or get some gatorade going.

662
00:38:19,360 --> 00:38:21,520
Speaker 1: We'll be back after we towel off. All right, kids,

663
00:38:21,520 --> 00:38:30,080
Speaker 1: by Yeah, all right, We're back. Scott Patterson, I am

664
00:38:30,120 --> 00:38:32,400
Speaker 1: all in podcast. I Heart Radio, one of leven productions

665
00:38:32,400 --> 00:38:36,120
Speaker 1: we were going to talk about in episode one season

666
00:38:36,120 --> 00:38:41,120
Speaker 1: to Sadie, Sadie, Max and Lorala engagement big news flash,

667
00:38:41,239 --> 00:38:47,480
Speaker 1: big deal. Wow, thoughts, I was fine with that. What

668
00:38:47,560 --> 00:38:49,160
Speaker 1: did you think of that scene when they're out there

669
00:38:49,200 --> 00:38:51,040
Speaker 1: on the bench and he gives the ring and the

670
00:38:51,360 --> 00:38:53,959
Speaker 1: So it was a very nice scene. They were both

671
00:38:54,040 --> 00:38:57,200
Speaker 1: They were both very cute and adorable and very likable,

672
00:38:57,320 --> 00:39:04,759
Speaker 1: and I'm glad that they're happy. I actually thought that

673
00:39:04,840 --> 00:39:08,120
Speaker 1: the scene where he handed the ring wasn't cheesy. It

674
00:39:08,200 --> 00:39:12,160
Speaker 1: was kind of cool. Listen. I didn't make my play.

675
00:39:12,280 --> 00:39:15,160
Speaker 1: I have no right to feel any other way. I

676
00:39:15,239 --> 00:39:20,319
Speaker 1: did not make my move if I you know, look,

677
00:39:20,360 --> 00:39:23,040
Speaker 1: I'm supposed to be some old school guy. That character

678
00:39:23,160 --> 00:39:24,840
Speaker 1: Luke is supposed to be this old school guy. He

679
00:39:24,840 --> 00:39:28,720
Speaker 1: didn't make a move. He allowed people to interrupt him,

680
00:39:28,760 --> 00:39:31,120
Speaker 1: you know. He he wasn't aggressive in us. He didn't

681
00:39:31,160 --> 00:39:34,920
Speaker 1: get the girl. Yeah, I mean, I I like Max.

682
00:39:35,239 --> 00:39:38,600
Speaker 1: I like Max. I you know what it is. I

683
00:39:38,640 --> 00:39:43,880
Speaker 1: guess it doesn't feel like Laurel loves Max, that she

684
00:39:43,960 --> 00:39:47,280
Speaker 1: can't live without Max, that Max is her soul mate.

685
00:39:48,800 --> 00:39:52,560
Speaker 1: She likes Max fine, she seems perfectly I agree. I agree.

686
00:39:52,719 --> 00:39:55,080
Speaker 1: I think they're they're They're a lot alike. There's a

687
00:39:55,120 --> 00:39:58,960
Speaker 1: lot of similarities there, but it doesn't feel like it's

688
00:40:00,200 --> 00:40:03,919
Speaker 1: and all be all deep passion. How can she marry

689
00:40:03,920 --> 00:40:06,279
Speaker 1: a guy that the town doesn't even know, like miss

690
00:40:06,280 --> 00:40:08,319
Speaker 1: Patty eating? Like is he a nice man? Is very

691
00:40:08,400 --> 00:40:10,960
Speaker 1: nice man? What? What what planet are we on? Like?

692
00:40:11,000 --> 00:40:13,160
Speaker 1: How could how could she marry someone that they don't

693
00:40:13,160 --> 00:40:16,759
Speaker 1: all know? She doesn't know either though kind of you

694
00:40:16,800 --> 00:40:18,359
Speaker 1: know what I mean? Like Luke was in my head

695
00:40:18,400 --> 00:40:21,239
Speaker 1: that entire episode after where are you going to live?

696
00:40:21,239 --> 00:40:23,160
Speaker 1: Are you going to have kids? And she couldn't answer

697
00:40:23,200 --> 00:40:26,120
Speaker 1: those questions. So like they love each other and they're

698
00:40:26,160 --> 00:40:29,560
Speaker 1: so cute, but the whole time I was like, Luke's right,

699
00:40:29,880 --> 00:40:33,400
Speaker 1: like they don't they don't actually match up, you know,

700
00:40:33,800 --> 00:40:36,640
Speaker 1: I don't. They don't know each other. It really it

701
00:40:36,760 --> 00:40:39,839
Speaker 1: really shows that Luke has given this a great deal

702
00:40:39,880 --> 00:40:46,960
Speaker 1: of thought in his downtime alone in his room above

703
00:40:47,040 --> 00:40:51,480
Speaker 1: the diner, and you know, he was probably tossing and turning,

704
00:40:51,480 --> 00:40:54,759
Speaker 1: couldn't sleep. And why am I not more bothered by this?

705
00:40:54,880 --> 00:40:56,960
Speaker 1: I mean I'm bothered by this and it's inevitable and

706
00:40:57,000 --> 00:40:58,600
Speaker 1: why don't you make a move? But wait a minute,

707
00:40:59,600 --> 00:41:03,759
Speaker 1: what about these very logical questions, these very practical questions

708
00:41:03,760 --> 00:41:06,520
Speaker 1: that are yet to be answered, Right, she's not gonna

709
00:41:06,840 --> 00:41:08,400
Speaker 1: this isn't gonna work out because A, B and C

710
00:41:08,560 --> 00:41:11,799
Speaker 1: figured it out. Then he wants to sleep, yeah, because

711
00:41:11,840 --> 00:41:15,040
Speaker 1: he's like, this is not happening. No, it's not happening yea.

712
00:41:15,960 --> 00:41:18,760
Speaker 1: And so he had that calm demeanor of a person

713
00:41:18,800 --> 00:41:23,000
Speaker 1: who knows that it ain't gonna happen. We should re

714
00:41:23,200 --> 00:41:26,439
Speaker 1: establish that when we created this show, and everyone makes

715
00:41:26,440 --> 00:41:28,960
Speaker 1: fun of us for this, but we wanted one person

716
00:41:29,000 --> 00:41:31,480
Speaker 1: who had never seen it. So that's why we have

717
00:41:31,640 --> 00:41:36,359
Speaker 1: Danielle because I have seen it a million times and

718
00:41:36,400 --> 00:41:39,399
Speaker 1: Scott was in it, so he knows what's going to happen. Yeah,

719
00:41:39,400 --> 00:41:42,160
Speaker 1: but I don't. I don't really remember what happens. I

720
00:41:42,200 --> 00:41:45,520
Speaker 1: do not remember any of these not really, alright, alright,

721
00:41:45,920 --> 00:41:48,240
Speaker 1: I mean I'm like, and I'm I'm closer to Danielle

722
00:41:48,239 --> 00:41:50,640
Speaker 1: than anything because I just I have no clue. I

723
00:41:50,680 --> 00:41:53,160
Speaker 1: watched these episodes and I'm like, oh, this is fantastic.

724
00:41:53,160 --> 00:41:58,600
Speaker 1: I don't remember this, you're marr Yeah, well I know that. Yeah, right, Okay,

725
00:41:58,640 --> 00:42:02,200
Speaker 1: So Danielle, you have not seen anything ahead of this,

726
00:42:02,680 --> 00:42:06,120
Speaker 1: So I want to know what do you predict for

727
00:42:06,320 --> 00:42:09,640
Speaker 1: lore La and Max? What do you think is going

728
00:42:09,680 --> 00:42:14,719
Speaker 1: to happen. I can't get this, like I can't say like, oh,

729
00:42:14,800 --> 00:42:16,800
Speaker 1: he's been cheat on her, Like I don't think that's

730
00:42:16,800 --> 00:42:18,799
Speaker 1: going to happen. But I do know that they're not

731
00:42:19,200 --> 00:42:24,080
Speaker 1: going to end up together, like that's pretty obvious right now.

732
00:42:24,920 --> 00:42:27,560
Speaker 1: And seeing with Dean Dean and Rory too, I'm like, oh,

733
00:42:27,760 --> 00:42:31,399
Speaker 1: I love Dean, but it's not gonna work out. Just yeah,

734
00:42:31,840 --> 00:42:38,160
Speaker 1: in a show like this, the unpredictable nature of this show. Uh,

735
00:42:38,200 --> 00:42:40,880
Speaker 1: when things are going really well, that's a warning sign

736
00:42:41,160 --> 00:42:44,239
Speaker 1: that things are about to go really badly. So the

737
00:42:44,280 --> 00:42:46,719
Speaker 1: better they get, the more, the more la la la

738
00:42:46,840 --> 00:42:49,560
Speaker 1: music and daisies around and everybody's in love and happy,

739
00:42:50,040 --> 00:42:52,840
Speaker 1: it's not gonna end well. Do you think Max and

740
00:42:52,920 --> 00:42:57,560
Speaker 1: Lorelei will get married? You're asking me, No, I want

741
00:42:57,600 --> 00:42:59,480
Speaker 1: to ask you, Scott, but I think that you know.

742
00:43:00,280 --> 00:43:02,480
Speaker 1: I don't. I actually don't know. I don't. I don't

743
00:43:02,480 --> 00:43:05,280
Speaker 1: know if they do or not. What do you think, Daniel?

744
00:43:05,800 --> 00:43:08,080
Speaker 1: I don't think they'll actually get married. I think she'll

745
00:43:08,120 --> 00:43:14,839
Speaker 1: be like runaway bride? Is that what happened that, Hanny?

746
00:43:15,280 --> 00:43:18,280
Speaker 1: I don't know. I don't. Yeah, I have no idea,

747
00:43:19,200 --> 00:43:21,560
Speaker 1: but I do think it's interesting to see what y'all

748
00:43:21,560 --> 00:43:24,279
Speaker 1: predict because I know what it's gonna happen. Yeah, I

749
00:43:24,280 --> 00:43:27,600
Speaker 1: can't even chime in on this. I don't know the details.

750
00:43:27,600 --> 00:43:29,799
Speaker 1: I just know it's not gonna happen. But I don't

751
00:43:29,840 --> 00:43:31,759
Speaker 1: know if it happens and then it goes bed or

752
00:43:31,800 --> 00:43:33,960
Speaker 1: it just never gets to the altar. I have no idea.

753
00:43:34,040 --> 00:43:37,759
Speaker 1: So I'm I'm dying to watch the next couple. I

754
00:43:37,800 --> 00:43:40,560
Speaker 1: want to binge this show, and I can't. It's so frustrating.

755
00:43:40,560 --> 00:43:42,640
Speaker 1: You don't even know how frustrating this podcast would be.

756
00:43:42,680 --> 00:43:47,720
Speaker 1: I can only watch one episode a week. It sucks.

757
00:43:48,000 --> 00:43:50,440
Speaker 1: So you can figure out what happens. I want to

758
00:43:50,480 --> 00:43:54,480
Speaker 1: watch like ten episodes man at the same time, anat popcorn.

759
00:43:55,760 --> 00:43:59,480
Speaker 1: That's that's too good. That's frustrating. Yeah, everyone makes fun

760
00:43:59,480 --> 00:44:01,400
Speaker 1: of it. That have Daniel who has never seen it.

761
00:44:01,440 --> 00:44:03,440
Speaker 1: But I still stand strong on the fact that it

762
00:44:03,560 --> 00:44:07,680
Speaker 1: was good to have one person. Yeah the person. Look,

763
00:44:07,719 --> 00:44:09,800
Speaker 1: there's gonna be a percentage of people they're going to

764
00:44:09,880 --> 00:44:12,200
Speaker 1: have a problem with anything we do. Don't worry about it.

765
00:44:12,560 --> 00:44:15,560
Speaker 1: To the one person listening that hasn't seen it. I

766
00:44:15,600 --> 00:44:20,799
Speaker 1: am here for you person. We need Dan, Yeah, we

767
00:44:20,880 --> 00:44:26,720
Speaker 1: need that support that relatability. Right, speaking of things, people

768
00:44:26,800 --> 00:44:33,920
Speaker 1: love Riley, it sun for Riley. I will follow that

769
00:44:34,000 --> 00:44:38,000
Speaker 1: introduction because my mom loves me and a few other people,

770
00:44:38,160 --> 00:44:42,640
Speaker 1: so it's okay. I know people love me. I love myself.

771
00:44:42,680 --> 00:44:48,879
Speaker 1: Sometimes we love you because you are a superstar. You

772
00:44:48,920 --> 00:44:53,200
Speaker 1: are a superstar. Got before we do this, we forgot

773
00:44:53,239 --> 00:44:56,840
Speaker 1: to announce the next person that's doing friends Giving with you.

774
00:44:57,520 --> 00:45:00,440
Speaker 1: Can I can I say? I want to Hey, I

775
00:45:00,520 --> 00:45:07,960
Speaker 1: want to say. It's going to be Grantly Phillips, Ladies

776
00:45:07,960 --> 00:45:15,400
Speaker 1: and gentlemen, Grant Lee Phillips, the incredibly talented singer songwriter,

777
00:45:15,760 --> 00:45:20,320
Speaker 1: Grantly Phillips, the town Troubadour. And here's an extra little

778
00:45:20,400 --> 00:45:26,120
Speaker 1: added bonus for everybody. He is going to perform some

779
00:45:26,120 --> 00:45:32,000
Speaker 1: some music and he's Janius Juniors. How do I get tickets?

780
00:45:32,040 --> 00:45:34,600
Speaker 1: How do you get tickets? Amy, you don't know how

781
00:45:34,640 --> 00:45:37,799
Speaker 1: to get tickets? You go to looped live dot com

782
00:45:38,120 --> 00:45:41,320
Speaker 1: l O O P E D l I v E

783
00:45:42,080 --> 00:45:45,719
Speaker 1: dot com looped live dot com and you can get

784
00:45:45,719 --> 00:45:48,040
Speaker 1: your tickets there. You get a fifteen dollar general mission.

785
00:45:48,120 --> 00:45:50,080
Speaker 1: You get a twenty five dollar v I P which

786
00:45:50,120 --> 00:45:51,680
Speaker 1: means you get to do Q and A with me

787
00:45:52,320 --> 00:45:55,920
Speaker 1: and Grant and Emily Corona and we have other guests

788
00:45:55,960 --> 00:45:59,360
Speaker 1: that we haven't mentioned yet, but we will. Is the

789
00:45:59,400 --> 00:46:02,120
Speaker 1: money going to a good call? Oh my goodness, my

790
00:46:02,239 --> 00:46:04,080
Speaker 1: two that are near and dear to my heart. St.

791
00:46:04,160 --> 00:46:07,399
Speaker 1: Jude's Children's Hospital and Baby to Baby. So we're gonna

792
00:46:07,400 --> 00:46:11,480
Speaker 1: help people. So looped live dot com. I am All

793
00:46:11,520 --> 00:46:15,800
Speaker 1: in Friends Giving November eleven, five pm Pacific, eight pm

794
00:46:15,960 --> 00:46:21,960
Speaker 1: Eastern Time. Looped Live dot com. Get your tickets. Yeah,

795
00:46:25,520 --> 00:46:27,759
Speaker 1: I'm Riley and this is your pop culture. So first

796
00:46:27,800 --> 00:46:29,439
Speaker 1: we have Laura Lee and r are you talking about

797
00:46:29,440 --> 00:46:32,400
Speaker 1: the potential wedding? And while they're walking around stars Hollow,

798
00:46:32,480 --> 00:46:35,040
Speaker 1: Laura Lie says, you know how on All in the

799
00:46:35,080 --> 00:46:38,399
Speaker 1: Family with Edith and would be yapping and about something

800
00:46:38,400 --> 00:46:40,239
Speaker 1: and Archie would pretend to make a noose and hang

801
00:46:40,320 --> 00:46:42,400
Speaker 1: himself and shoot himself in the head. While in the

802
00:46:42,440 --> 00:46:45,480
Speaker 1: Family is an American sitcom television series on CBS that

803
00:46:45,560 --> 00:46:49,680
Speaker 1: ran for nine seasons from nine nine. The show was

804
00:46:49,880 --> 00:46:52,920
Speaker 1: honored on a thirty three cent stamp by the USPS

805
00:46:53,000 --> 00:46:55,959
Speaker 1: and Sally Struthers, who plays Babette, co starred in All

806
00:46:56,000 --> 00:46:58,760
Speaker 1: in the Family. Do you guys know this show? Amy?

807
00:46:58,800 --> 00:47:00,279
Speaker 1: Do you know, All in the Family, to and l

808
00:47:00,400 --> 00:47:02,960
Speaker 1: you know, All in the Families. So you're too young,

809
00:47:03,080 --> 00:47:08,400
Speaker 1: I do do Let's let's hear your Edith imitation? Do

810
00:47:09,120 --> 00:47:11,480
Speaker 1: come on, do an impression. Come on, you're on the spot.

811
00:47:11,520 --> 00:47:13,160
Speaker 1: I'm putting you on the spot. You gotta do an impression.

812
00:47:13,200 --> 00:47:18,680
Speaker 1: Come on, do it? You know? Okay, that's good, you

813
00:47:18,840 --> 00:47:23,440
Speaker 1: did good, Auchy you Dennis ready, there you go, come on,

814
00:47:23,520 --> 00:47:26,239
Speaker 1: can you can do it? I think it's funny that

815
00:47:26,360 --> 00:47:28,640
Speaker 1: they do a pop culture reference to All in the

816
00:47:28,680 --> 00:47:32,600
Speaker 1: Family on a show that Sally Struthers is on. Well,

817
00:47:32,600 --> 00:47:34,520
Speaker 1: I mean, it was just it was just, you know,

818
00:47:34,600 --> 00:47:37,920
Speaker 1: the the greatest sitcom in the history of television. Problem

819
00:47:38,920 --> 00:47:43,680
Speaker 1: Edith impression? Go ahead? I can do based off your impression?

820
00:47:43,719 --> 00:47:53,080
Speaker 1: Maybe go ahead? Go ahead? Achi. That sounded like like

821
00:47:53,360 --> 00:47:55,759
Speaker 1: a hundred and fifty year old woman. I would have

822
00:47:55,800 --> 00:47:57,640
Speaker 1: liked to hear Riley sing the All in the Family

823
00:47:57,680 --> 00:48:01,160
Speaker 1: theme song a little bit. Oh yeah. It was a

824
00:48:01,239 --> 00:48:05,200
Speaker 1: thing in the seventies. It was a huge Norman Lear,

825
00:48:05,480 --> 00:48:09,560
Speaker 1: huge sitcom for its time. It was it was groundbreaking

826
00:48:09,760 --> 00:48:12,799
Speaker 1: television because it got very very political and they were

827
00:48:12,840 --> 00:48:17,680
Speaker 1: into big issues. Uh every single episode. My favorite Rob

828
00:48:17,719 --> 00:48:22,520
Speaker 1: Reiner and Rob Reiner. Rob Reiner was Mike Mike Stivick. Yeah,

829
00:48:22,560 --> 00:48:28,000
Speaker 1: so Sally Struther played the daughter and then she married Rob. Yeah,

830
00:48:28,040 --> 00:48:30,359
Speaker 1: it's off the charts and then it spun off like

831
00:48:30,440 --> 00:48:37,799
Speaker 1: a million television shows like The Jefferson the other shows. Yeah,

832
00:48:37,800 --> 00:48:42,040
Speaker 1: that's a fantastic show. Anyway, go ahead, Sorry, Riley, that

833
00:48:42,200 --> 00:48:50,440
Speaker 1: was wow, that's pretty good. You nailed it good at all.

834
00:48:50,560 --> 00:48:54,960
Speaker 1: That's uh. Laura I talks to Suki in the kitchen

835
00:48:55,000 --> 00:48:57,320
Speaker 1: of the Independence In after Laura I says she's engaged,

836
00:48:57,320 --> 00:48:59,760
Speaker 1: and Suki says, who's catering? And Laura LI says. Bobby Flay.

837
00:49:00,120 --> 00:49:04,800
Speaker 1: Bobby Flays an American celebrity, chef, restaurateur, and reality television personality.

838
00:49:04,800 --> 00:49:07,680
Speaker 1: Bobby Flay recently exited the Food Network after twenty seven

839
00:49:07,760 --> 00:49:10,840
Speaker 1: years and his cat Nacho Flay is famous on Instagram

840
00:49:10,880 --> 00:49:13,400
Speaker 1: with two hund followers, and he learned to cook at

841
00:49:13,440 --> 00:49:17,399
Speaker 1: a young age while using a bag easy bake oven. Yeah,

842
00:49:17,440 --> 00:49:21,040
Speaker 1: Bobby Flay wanted a hundred mill, just a couple of pennies.

843
00:49:21,200 --> 00:49:24,160
Speaker 1: He wanted a hundred mill because the other guy got

844
00:49:24,160 --> 00:49:27,919
Speaker 1: eighty or something. Who's the other guy? Guy Fierry got eight.

845
00:49:28,800 --> 00:49:32,600
Speaker 1: He wanted a hundred mills. I wonder whether he'll go, Well,

846
00:49:32,600 --> 00:49:36,399
Speaker 1: he'll go somewhere and get the money. Yeah, A couple

847
00:49:36,440 --> 00:49:41,959
Speaker 1: of cooking Channel Listen, I'm off, I'm off for talent

848
00:49:41,960 --> 00:49:45,040
Speaker 1: getting as much as they can get. It's good for them,

849
00:49:45,040 --> 00:49:47,040
Speaker 1: good for them. Dean and Roy talked about breaking up

850
00:49:47,120 --> 00:49:50,000
Speaker 1: is not for them. Rory says, oh, sure, Share Greg Allman,

851
00:49:50,120 --> 00:49:52,800
Speaker 1: but they give it a big thumbs up. Share is

852
00:49:52,800 --> 00:49:55,319
Speaker 1: an American singer, actress, and television personality who is often

853
00:49:55,320 --> 00:49:57,719
Speaker 1: referred to as the Goddess of pop. Greg Allman was

854
00:49:57,800 --> 00:50:01,279
Speaker 1: the late legendary rocker of Almond Brothers Aime and He

855
00:50:01,560 --> 00:50:04,000
Speaker 1: and Sharon were married for four days after she finalized

856
00:50:04,000 --> 00:50:06,680
Speaker 1: her divorce from Sonny, but she filed for divorce from

857
00:50:06,719 --> 00:50:09,760
Speaker 1: him at nine days after later due to his drug problems.

858
00:50:10,200 --> 00:50:13,879
Speaker 1: Sharon Greg have one child together, Elijah Blue Alman. How

859
00:50:13,920 --> 00:50:16,600
Speaker 1: did it? But I mean it wasn't she aware of

860
00:50:16,640 --> 00:50:19,760
Speaker 1: his drug problems before that? And then all of what

861
00:50:19,760 --> 00:50:21,319
Speaker 1: what do you think? He just was like sober and

862
00:50:21,400 --> 00:50:23,120
Speaker 1: hiding it until they got married, and then all of

863
00:50:23,120 --> 00:50:25,960
Speaker 1: a sudden he's just like started using again. Oh, I

864
00:50:26,000 --> 00:50:28,440
Speaker 1: have to divorce you now, what's going on there? I

865
00:50:28,480 --> 00:50:31,080
Speaker 1: have many questions about that relations show. A huge fan

866
00:50:32,000 --> 00:50:36,719
Speaker 1: of both of them, but especially Greg Alman. Share. Yeah,

867
00:50:37,719 --> 00:50:45,960
Speaker 1: you gotta love Share, but you do a share impression. Riley? Yeah, nice, nice,

868
00:50:46,760 --> 00:50:51,000
Speaker 1: It's not bad, but it's comedic too. It's like she

869
00:50:51,080 --> 00:50:53,440
Speaker 1: kind of nails it, but there's like this comedic twist

870
00:50:53,480 --> 00:50:56,200
Speaker 1: to it. Do it again. That's that voice. That throaty

871
00:50:56,280 --> 00:50:59,919
Speaker 1: thing you do is really funny. You're you're just you're

872
00:51:00,040 --> 00:51:04,080
Speaker 1: superstar status. It is just just you're sealing it. Go ahead.

873
00:51:06,320 --> 00:51:13,279
Speaker 1: Never it got better. When I closed my eyes, it

874
00:51:13,320 --> 00:51:15,520
Speaker 1: was a lot better. God. That was God. Since I'm

875
00:51:15,560 --> 00:51:19,960
Speaker 1: not looking myself in the zoom, we're getting the Will

876
00:51:20,040 --> 00:51:24,080
Speaker 1: and Grace episode where Shawn Hayes impression. I just thought, yeah,

877
00:51:24,120 --> 00:51:29,400
Speaker 1: and the voice went down. We'll go down right, the

878
00:51:29,480 --> 00:51:35,240
Speaker 1: voice would go down. Oh that was that was hister.

879
00:51:36,800 --> 00:51:38,439
Speaker 1: I did that. I did an episode of that show.

880
00:51:38,480 --> 00:51:41,239
Speaker 1: He was he was a lovely guy. I did. I was.

881
00:51:41,640 --> 00:51:46,960
Speaker 1: I was. It was the episode called dos Boob. Was

882
00:51:47,000 --> 00:51:51,440
Speaker 1: this before Gilmore or oh no before yeah? Yeah, yeah,

883
00:51:51,520 --> 00:51:53,839
Speaker 1: I've done a Seinfeld and then I did a Will

884
00:51:53,880 --> 00:51:56,560
Speaker 1: and Grace and I was it was. I was an

885
00:51:56,600 --> 00:51:58,920
Speaker 1: artist and all, I guess an ex boyfriend or somebody

886
00:51:58,960 --> 00:52:03,720
Speaker 1: that she had a crush on or something. Yes, yeah,

887
00:52:03,760 --> 00:52:07,240
Speaker 1: and so she thought, oh, my character liked busty women.

888
00:52:07,400 --> 00:52:10,800
Speaker 1: She remembers that about me from it was either college

889
00:52:10,920 --> 00:52:13,560
Speaker 1: or whatever it was, and here I am the successful

890
00:52:13,640 --> 00:52:16,600
Speaker 1: artist in my show. I think it was something like that.

891
00:52:17,040 --> 00:52:19,160
Speaker 1: And so she got a fake she got a water

892
00:52:19,239 --> 00:52:23,960
Speaker 1: bra to enhance herself, and it popped and it started

893
00:52:23,960 --> 00:52:26,279
Speaker 1: spraying water all over the paintings and stuff. Yeah. So

894
00:52:26,960 --> 00:52:29,320
Speaker 1: one Saturday, I'm going to have to watch Saw five.

895
00:52:29,719 --> 00:52:33,239
Speaker 1: I love Saw movies. Two. Yes, I'm obsessed with the

896
00:52:33,239 --> 00:52:35,640
Speaker 1: Saw movies. Scariest movies I've ever seen in my whole life.

897
00:52:35,880 --> 00:52:39,719
Speaker 1: One is hands down the scares. I'll watched the Seinfeld.

898
00:52:39,880 --> 00:52:43,399
Speaker 1: What about the Exorcist? You haven't seen the Exorcist? Have

899
00:52:44,640 --> 00:52:48,719
Speaker 1: you thought Saul was scarier than the Exorcist. The Exorcist

900
00:52:48,760 --> 00:52:51,840
Speaker 1: seemed more like it's not going to happen, whereas Saw

901
00:52:52,080 --> 00:52:54,359
Speaker 1: was like, this is totally going to happen. This could

902
00:52:54,360 --> 00:52:57,239
Speaker 1: totally happen. It seems so real, and then is the

903
00:52:57,320 --> 00:53:00,040
Speaker 1: event off to find the event again? I could watch it.

904
00:53:00,040 --> 00:53:01,600
Speaker 1: It's not scary, No, I know the event was good.

905
00:53:01,640 --> 00:53:05,800
Speaker 1: I'm just trying to have Scott Patterson Saturday. Okay, spend

906
00:53:05,840 --> 00:53:12,839
Speaker 1: your time as you will. Okay, Sash wallows wallow. Why

907
00:53:12,840 --> 00:53:16,600
Speaker 1: are you wallowing? You're wallowing? It could be when I'm wallowing.

908
00:53:16,680 --> 00:53:20,960
Speaker 1: Hopefully I'm not wallowing them. Wasn't enough wallowing in my life? No,

909
00:53:21,080 --> 00:53:24,279
Speaker 1: we're just talking about because remember when Rory used your wallow? Yeah,

910
00:53:24,280 --> 00:53:26,440
Speaker 1: but why are you wallowing? I'm not right. I think

911
00:53:26,560 --> 00:53:28,520
Speaker 1: Riley was just saying, like, if I needed a wallow,

912
00:53:28,560 --> 00:53:32,040
Speaker 1: that's my playlist as opposed to the notebook. All right,

913
00:53:32,239 --> 00:53:36,240
Speaker 1: you know. But anyway, so Sean Hayes was just spectacular

914
00:53:36,600 --> 00:53:40,160
Speaker 1: on that set. They were great. They were That's a

915
00:53:40,200 --> 00:53:42,560
Speaker 1: great cast of people right there. That was a really

916
00:53:42,560 --> 00:53:45,920
Speaker 1: fun show to work on. Okay, Riley, god right, Sorry

917
00:53:45,960 --> 00:53:51,919
Speaker 1: we're getting off the track here. I like the track here, Okay. Laura,

918
00:53:52,000 --> 00:53:53,799
Speaker 1: I talked with Rory in the kitchen about the art

919
00:53:53,840 --> 00:53:57,320
Speaker 1: deco ring. Laura Lisa supposedly ripped off of Zelda Fitzgerald

920
00:53:57,400 --> 00:54:00,319
Speaker 1: Cold dead Hand. Zelda Fitzgerald was an American social light

921
00:54:00,400 --> 00:54:02,960
Speaker 1: novelist and painter. The Eagles wrote their song Witchy Woman

922
00:54:03,080 --> 00:54:06,480
Speaker 1: after being inspired by Zelda's biography. Zelda's husband was F.

923
00:54:06,600 --> 00:54:09,279
Speaker 1: Scott Fitzgerald, who wrote the wrote The Great Cat Spy,

924
00:54:09,520 --> 00:54:14,080
Speaker 1: the greatest writer of prose that ever lived. In my opinion,

925
00:54:14,560 --> 00:54:18,160
Speaker 1: Leo DiCaprio version of The Great Gatsby is not good.

926
00:54:18,400 --> 00:54:21,000
Speaker 1: I weirdly watched it the other day. The Toby Maguire

927
00:54:21,160 --> 00:54:25,360
Speaker 1: Leo the Robert Redford thumbs up. Dean says he's not

928
00:54:25,400 --> 00:54:27,120
Speaker 1: that great at math when he's at Friday night dinner.

929
00:54:27,200 --> 00:54:30,160
Speaker 1: Lorelai says, yeah, except who really, who is really except

930
00:54:30,200 --> 00:54:32,840
Speaker 1: for mathematicians or blackjack dealers or I guess Stephen Hawking

931
00:54:32,840 --> 00:54:36,240
Speaker 1: doesn't suck. Stephen Hawking is was a physicist and author.

932
00:54:36,360 --> 00:54:39,080
Speaker 1: He was diagnosed with an early onset, slow progressing form

933
00:54:39,120 --> 00:54:41,759
Speaker 1: of the motor Z motor disease that paralyzed him for

934
00:54:41,880 --> 00:54:44,520
Speaker 1: over decades. The doctor told him that he would die

935
00:54:44,600 --> 00:54:46,759
Speaker 1: at a young age, but he lived for fifty five

936
00:54:46,840 --> 00:54:49,239
Speaker 1: more years than what the doctors expected. And he was

937
00:54:49,280 --> 00:54:51,880
Speaker 1: known to be a wild wheelchair driver, and there is

938
00:54:52,000 --> 00:54:57,280
Speaker 1: rumor that he once ran over Prince Charles Toes. Ryan

939
00:54:57,400 --> 00:54:59,680
Speaker 1: Lane are hanging out at Lane's house and Lane keeps

940
00:54:59,680 --> 00:55:01,960
Speaker 1: talking about heading over to Korea with a one way ticket,

941
00:55:02,360 --> 00:55:05,040
Speaker 1: Lane says it's going to it's going to just be

942
00:55:05,080 --> 00:55:07,160
Speaker 1: like Sally Field movie where their husband took her them

943
00:55:07,160 --> 00:55:09,920
Speaker 1: to Iran and wouldn't let them back in accept it.

944
00:55:10,080 --> 00:55:12,640
Speaker 1: I won't have to keep my head covered. So the

945
00:55:12,640 --> 00:55:14,640
Speaker 1: movie they were referring to was Not Without My Daughter,

946
00:55:14,680 --> 00:55:18,000
Speaker 1: American drama film based on the book series or the

947
00:55:18,000 --> 00:55:20,720
Speaker 1: book with the same name. Sally Field is an American

948
00:55:20,719 --> 00:55:23,120
Speaker 1: actress and director. She portrayed the role of Betty in

949
00:55:23,160 --> 00:55:26,240
Speaker 1: this film. She was infamous for Oscar and running speech

950
00:55:26,560 --> 00:55:29,000
Speaker 1: where she said you like me, you really like me.

951
00:55:29,480 --> 00:55:33,439
Speaker 1: Sally also starred as sister bert Row in The Flying Nun.

952
00:55:34,160 --> 00:55:37,560
Speaker 1: Uh huh. She was the Flying Nun. She was Norma

953
00:55:37,640 --> 00:55:41,160
Speaker 1: Ray too. Oh yeah, she was Norma Ray. She was

954
00:55:41,239 --> 00:55:43,239
Speaker 1: badass norm right. Didn't she win an oscar for that?

955
00:55:44,040 --> 00:55:49,400
Speaker 1: Also was The Mom and Mrs Doubtfire Yea Laura Lee

956
00:55:49,480 --> 00:55:51,480
Speaker 1: and Suki talking the kitchen at the Independence in and

957
00:55:51,520 --> 00:55:55,040
Speaker 1: Suki says, Laura, I will be a Sadie. The references

958
00:55:55,120 --> 00:55:57,680
Speaker 1: from Funny Girl. Loria says funny Girl and they go

959
00:55:57,719 --> 00:56:01,600
Speaker 1: back and forth. Funny Girls In nineteen six American musical

960
00:56:01,640 --> 00:56:04,640
Speaker 1: comedy drama Barbara Streisan and Omar Sharif had an affair

961
00:56:04,800 --> 00:56:07,960
Speaker 1: that lasted for the duration of the production. Barbara vetoed

962
00:56:08,000 --> 00:56:10,839
Speaker 1: Frank Sinatra being cast for the film because he didn't

963
00:56:10,920 --> 00:56:14,200
Speaker 1: like him. She didn't like him personally. Really, that is

964
00:56:14,239 --> 00:56:17,600
Speaker 1: an interesting factoid. Huh. I did not know that, because

965
00:56:17,760 --> 00:56:20,520
Speaker 1: Frank Frank Sinatra was very aggressive about getting roles that

966
00:56:20,600 --> 00:56:25,279
Speaker 1: he wanted. Oh god, yeah, I mean yeah, yeah, his

967
00:56:25,360 --> 00:56:28,600
Speaker 1: singing career was over and he was trying to make

968
00:56:28,680 --> 00:56:31,800
Speaker 1: comeback in Hollywood and it worked. He was then he

969
00:56:31,840 --> 00:56:35,200
Speaker 1: got cast, he got casting from here to Eternity and

970
00:56:35,280 --> 00:56:37,719
Speaker 1: started making a comeback, and then the singing came back

971
00:56:37,880 --> 00:56:39,680
Speaker 1: after that. But he was broke for a while and

972
00:56:39,760 --> 00:56:42,719
Speaker 1: he was just like, yes Sinatra. Yeah, he was a

973
00:56:42,800 --> 00:56:45,680
Speaker 1: huge star for Old Blue Eyes. He was down and

974
00:56:45,760 --> 00:56:47,759
Speaker 1: out in Hollywood, man, and he and he and he

975
00:56:47,840 --> 00:56:52,719
Speaker 1: aggressively went after the rolling from here in Eternity. Yeah.

976
00:56:52,760 --> 00:56:55,600
Speaker 1: That's actually a hint before my time. Yeah, yeah, but

977
00:56:55,880 --> 00:56:58,640
Speaker 1: mine too. But I mean, I you know, I read

978
00:56:58,760 --> 00:57:02,719
Speaker 1: sometimes anyway. Um I don't wallow and have ten houses,

979
00:57:02,800 --> 00:57:07,160
Speaker 1: and you know I read sometimes, so um So anyway,

980
00:57:07,200 --> 00:57:08,719
Speaker 1: what were you saying. That's an interesting fact to it.

981
00:57:08,760 --> 00:57:11,320
Speaker 1: I had no idea. God Omar Sharif was so great

982
00:57:11,360 --> 00:57:16,280
Speaker 1: in that role. The segment doesn't suck. Riley, you like me,

983
00:57:16,320 --> 00:57:19,400
Speaker 1: you really like there? You go, Sally there, that's it.

984
00:57:19,600 --> 00:57:25,479
Speaker 1: Give it to arm, give it to yeah. Yeah, last

985
00:57:25,520 --> 00:57:28,000
Speaker 1: one they threw down the gauntlet. Now you're showing them

986
00:57:28,040 --> 00:57:30,800
Speaker 1: what a superstar can do. This is why you got

987
00:57:30,840 --> 00:57:33,000
Speaker 1: the job. We saw it in you. We're bringing it

988
00:57:33,080 --> 00:57:41,439
Speaker 1: home with a banger, Max talking to Rory. Banger? What

989
00:57:41,640 --> 00:57:46,480
Speaker 1: the kids say the banger? Okay? Max is talking to

990
00:57:46,560 --> 00:57:49,480
Speaker 1: Rory on the phone, and Laurel starts barking when she

991
00:57:49,560 --> 00:57:51,440
Speaker 1: hears the ring that she likes and Max has put

992
00:57:51,920 --> 00:57:54,560
Speaker 1: on the phone. Please does a good scene. Couo is

993
00:57:55,440 --> 00:57:59,000
Speaker 1: three American horn phil based on Stephen King's novel The

994
00:57:59,080 --> 00:58:01,800
Speaker 1: Dogs in the nineteen three film would have their tails

995
00:58:01,800 --> 00:58:04,440
Speaker 1: tied down because the dogs would be enjoying themselves so

996
00:58:04,520 --> 00:58:07,040
Speaker 1: much that they would wag their tails to make the

997
00:58:07,080 --> 00:58:10,280
Speaker 1: dogs attack the car. Animal trainers put dogs favorite toys

998
00:58:10,400 --> 00:58:12,400
Speaker 1: in the car so the dogs would try to get them,

999
00:58:12,520 --> 00:58:15,080
Speaker 1: and the foam around Kujo's mouth was made from a

1000
00:58:15,120 --> 00:58:19,960
Speaker 1: concoction of egg whites and sugar. M nice and that's

1001
00:58:19,960 --> 00:58:25,320
Speaker 1: your pop culture. Nice research on you on you very

1002
00:58:25,320 --> 00:58:29,480
Speaker 1: well done. So my favorite lines I had to go,

1003
00:58:30,040 --> 00:58:32,840
Speaker 1: I have like twenty from this episode, but of course

1004
00:58:32,920 --> 00:58:34,880
Speaker 1: the old will you get me a muffin when you're

1005
00:58:34,920 --> 00:58:38,360
Speaker 1: up there already said, I freaking love when you said

1006
00:58:38,360 --> 00:58:40,720
Speaker 1: I'm all prepared to jump up and down if necessary

1007
00:58:42,400 --> 00:58:45,480
Speaker 1: of us. That entire scene was like, that's not the

1008
00:58:45,520 --> 00:58:49,040
Speaker 1: line so much, it's the delivery of the line. And

1009
00:58:49,280 --> 00:58:51,920
Speaker 1: you know, I still like when this is not a

1010
00:58:51,920 --> 00:58:53,680
Speaker 1: favorite line per se, but I thought it was an

1011
00:58:53,720 --> 00:58:56,200
Speaker 1: important scene when Miss Patty says, have you told Luke

1012
00:58:56,640 --> 00:58:59,600
Speaker 1: be gentle? Because it just it was like, oh wow,

1013
00:59:00,600 --> 00:59:04,720
Speaker 1: h Danielle Europe. Okay, I have four, but I'm gonna

1014
00:59:04,760 --> 00:59:10,640
Speaker 1: just say two. So the first one the first of it. Okay,

1015
00:59:10,640 --> 00:59:14,000
Speaker 1: you're gonna get all horror two hours long, too long already.

1016
00:59:15,360 --> 00:59:17,720
Speaker 1: So the first one is from Emily when she goes Antonia,

1017
00:59:17,840 --> 00:59:21,720
Speaker 1: please bring out the twinkies because a servant literally brought

1018
00:59:21,720 --> 00:59:25,280
Speaker 1: out twinkies. So good. The second one is from Dean

1019
00:59:25,440 --> 00:59:33,120
Speaker 1: when he goes Beer's bad bad, so good. Okay. Third

1020
00:59:33,160 --> 00:59:35,840
Speaker 1: one is from Richard. His head is shaped like a football.

1021
00:59:35,880 --> 00:59:37,760
Speaker 1: If he fell asleep in the car, someone would try

1022
00:59:37,760 --> 00:59:44,560
Speaker 1: to punt him so good. And then my last one is, um,

1023
00:59:44,600 --> 00:59:47,919
Speaker 1: when Laura La was looking at the wedding magazines that

1024
00:59:48,640 --> 00:59:51,200
Speaker 1: I was trying to get that guy's name, the guy

1025
00:59:51,240 --> 00:59:54,920
Speaker 1: that was working Boots Bootsy. That's why I thought I heard,

1026
00:59:54,920 --> 00:59:57,880
Speaker 1: but I didn't know. Um so Bootsy. Um. He goes,

1027
00:59:57,960 --> 01:00:00,240
Speaker 1: are you a Leo, and Laura La goes no, and

1028
01:00:00,240 --> 01:00:03,120
Speaker 1: then he goes, thank god, those guys are getting screwed

1029
01:00:03,160 --> 01:00:07,960
Speaker 1: this week, Riley. My line is from Laura Lee and

1030
01:00:08,000 --> 01:00:11,040
Speaker 1: she's freaking out when they're standing outside of Emily and

1031
01:00:11,080 --> 01:00:13,360
Speaker 1: Richards and she pushes the doorbell. She goes, oh look,

1032
01:00:13,440 --> 01:00:18,480
Speaker 1: doorbell ding dong? Pretty sound? Where was this outside of

1033
01:00:18,520 --> 01:00:20,720
Speaker 1: Emily and Richards? You know, she's freaking out before going

1034
01:00:20,760 --> 01:00:23,760
Speaker 1: into dinner, and Rory is trying to talk to her

1035
01:00:23,760 --> 01:00:25,880
Speaker 1: and she's just all overplace it and she says, oh look,

1036
01:00:25,960 --> 01:00:29,680
Speaker 1: doorbell ding dong. Pretty That wasn't this episode. I didn't

1037
01:00:29,720 --> 01:00:34,160
Speaker 1: catch that. You she was deflecting because Rory was like

1038
01:00:34,320 --> 01:00:37,320
Speaker 1: asking her all the questions. Yeah, I got you right.

1039
01:00:37,480 --> 01:00:43,120
Speaker 1: She was still she was disturbed by what Luke's reaction serious.

1040
01:00:43,160 --> 01:00:45,840
Speaker 1: I don't know. Um, okay, So my favorite line is

1041
01:00:45,920 --> 01:00:49,919
Speaker 1: Rory um, when she just said I'll have a beer.

1042
01:00:50,400 --> 01:00:53,080
Speaker 1: I thought it was perfect set up for that joke,

1043
01:00:53,560 --> 01:00:58,080
Speaker 1: I'll have a beer. I know, it's still good. When

1044
01:00:58,120 --> 01:01:00,280
Speaker 1: Dean said she would do the beer thing again, you know,

1045
01:01:00,960 --> 01:01:04,920
Speaker 1: it's like it's like they do jokes so well. I

1046
01:01:04,920 --> 01:01:08,440
Speaker 1: mean it's like it's really it's like, you know sometimes

1047
01:01:08,480 --> 01:01:12,200
Speaker 1: that that show just becomes a stand up routine. And

1048
01:01:12,360 --> 01:01:15,280
Speaker 1: I so love that about it. I so love because

1049
01:01:15,320 --> 01:01:17,440
Speaker 1: you get that good set up and then there's the

1050
01:01:17,520 --> 01:01:20,480
Speaker 1: joke boom. It's good. It's good joke telling. You know,

1051
01:01:20,520 --> 01:01:23,400
Speaker 1: we didn't even mention Melissa McCarthy in this episode and

1052
01:01:23,440 --> 01:01:27,840
Speaker 1: how great she was. Oh several times. I mean she

1053
01:01:28,120 --> 01:01:29,800
Speaker 1: burned her had she put her hand on the burner,

1054
01:01:29,880 --> 01:01:33,280
Speaker 1: she cut herself, they wrapped her. When she's talking to Emily,

1055
01:01:33,400 --> 01:01:37,200
Speaker 1: she did it again. Oh that was classic. And then

1056
01:01:37,240 --> 01:01:39,360
Speaker 1: she just threw the phone in the sink and she

1057
01:01:39,840 --> 01:01:44,880
Speaker 1: it was great. Melissa McCarthy took us on an emotional

1058
01:01:45,000 --> 01:01:47,760
Speaker 1: journey getting the good news from Laura la that she's

1059
01:01:47,760 --> 01:01:50,960
Speaker 1: getting it also makes you realize how amazing Lauren Graham is.

1060
01:01:51,520 --> 01:01:58,480
Speaker 1: That Melissa McCarthy you forget because Lauren Graham is so amazing. No,

1061
01:01:58,680 --> 01:02:01,400
Speaker 1: I don't know. I listen and I agree with you,

1062
01:02:01,560 --> 01:02:03,720
Speaker 1: but I don't agree with you. I I don't. I didn't.

1063
01:02:03,880 --> 01:02:06,000
Speaker 1: I didn't forget Suki. I'm the one that just brought

1064
01:02:06,040 --> 01:02:09,760
Speaker 1: her up. You guys forgot her. I totally forgot. I'm

1065
01:02:09,800 --> 01:02:12,480
Speaker 1: obsessed with Laura. Lie. Also, what did you think of

1066
01:02:12,560 --> 01:02:15,160
Speaker 1: Laura with the glasses in this episode? Yeah, she looks

1067
01:02:15,200 --> 01:02:18,360
Speaker 1: good glasses. Um, But you know the reason, you know,

1068
01:02:18,440 --> 01:02:21,440
Speaker 1: it's it's like Keiko, and and and Melissa didn't have

1069
01:02:21,760 --> 01:02:25,320
Speaker 1: major story arcs in this episode, which is why you know,

1070
01:02:25,360 --> 01:02:28,240
Speaker 1: we we spent all the time on the major story arcs.

1071
01:02:28,240 --> 01:02:34,040
Speaker 1: But you know that the performances, Wow, Melissa just hitting

1072
01:02:34,080 --> 01:02:37,920
Speaker 1: it out of the park, just wonderful, and even Michelle,

1073
01:02:38,040 --> 01:02:43,280
Speaker 1: even Michelle, even this little stuff, it's all such high quality.

1074
01:02:43,920 --> 01:02:46,440
Speaker 1: It's like the major story arcs aren't good enough. Here.

1075
01:02:46,520 --> 01:02:48,840
Speaker 1: Here's more brilliance here over here than you're going to

1076
01:02:48,920 --> 01:02:51,000
Speaker 1: forget about it. But you know, it's like it's still great.

1077
01:02:51,760 --> 01:02:54,200
Speaker 1: There's a lot to love here, a lot to love here.

1078
01:02:54,280 --> 01:02:57,560
Speaker 1: So great episode. So what else? What else do we

1079
01:02:57,600 --> 01:03:01,920
Speaker 1: have to cover here? See you next week? Done the

1080
01:03:01,920 --> 01:03:06,040
Speaker 1: next episode? Season two Season two Episodes two Hammers and

1081
01:03:06,120 --> 01:03:11,280
Speaker 1: vales and we will be We'll be back next time, y'all.

1082
01:03:12,000 --> 01:03:16,560
Speaker 1: We're gonna have a special surprise guest and uh oh yeah,

1083
01:03:16,600 --> 01:03:20,120
Speaker 1: hey guys, Uh god, I'm gonna be in Houston. Do

1084
01:03:20,200 --> 01:03:21,760
Speaker 1: you want to come down and see me at the

1085
01:03:21,920 --> 01:03:27,240
Speaker 1: Bayou City Comic Con November nine, Houston. Go to I

1086
01:03:27,240 --> 01:03:29,640
Speaker 1: guess Bayou City Comic Con and dot com and get

1087
01:03:29,640 --> 01:03:33,640
Speaker 1: tickets and uh, you know, New York Comic Con was huge.

1088
01:03:33,680 --> 01:03:36,920
Speaker 1: It was so much fun. Oh my god. You know,

1089
01:03:36,960 --> 01:03:39,520
Speaker 1: they have three point three million square feet there of

1090
01:03:39,560 --> 01:03:43,040
Speaker 1: convention space and it was filled to the brim. Yeah,

1091
01:03:43,560 --> 01:03:45,320
Speaker 1: and it was great being back in the old town,

1092
01:03:45,360 --> 01:03:48,080
Speaker 1: my old stomping grounds. Man. I hope that place comes back.

1093
01:03:48,120 --> 01:03:51,800
Speaker 1: It's starting to look like it's coming back a little bit. Yeah, yeah,

1094
01:03:51,960 --> 01:03:54,360
Speaker 1: I'm encouraged. So if you if you're planning to go

1095
01:03:54,360 --> 01:03:57,360
Speaker 1: to the Big Apple, you know, it's it's it's coming

1096
01:03:57,360 --> 01:04:00,440
Speaker 1: back to life a little bit. It's nice to see anyway. Guys. Uh,

1097
01:04:00,760 --> 01:04:04,120
Speaker 1: thanks for download, thanks for listening in. Y'all are the

1098
01:04:04,160 --> 01:04:07,160
Speaker 1: best fans on the planet. You know it, we know it.

1099
01:04:07,360 --> 01:04:11,360
Speaker 1: We love you, we always will you know. Thanks for

1100
01:04:11,400 --> 01:04:15,400
Speaker 1: tuning in. I'm Scott Patterson and this is the I'm

1101
01:04:15,400 --> 01:04:17,960
Speaker 1: All In Podcast, I Heart Radio one to leven Productions,

1102
01:04:18,000 --> 01:04:50,720
Speaker 1: and we will see you next time. Be safe, everybody, Hey, everybody,

1103
01:04:50,720 --> 01:04:54,040
Speaker 1: and don't forget Follow us on Instagram at i Am

1104
01:04:54,120 --> 01:04:58,080
Speaker 1: All In Podcast and email us at Gilmore at I

1105
01:04:58,280 --> 01:05:01,480
Speaker 1: heart radio dot com. Oh you get more fans. If

1106
01:05:01,480 --> 01:05:03,480
Speaker 1: you're looking for the best cup of coffee in the world,

1107
01:05:03,520 --> 01:05:07,479
Speaker 1: go to my website for my company, scott EP dot com,

1108
01:05:07,600 --> 01:05:09,760
Speaker 1: s C O T T y P dot com, scott

1109
01:05:09,760 --> 01:05:22,760
Speaker 1: ep dot com Grade one Specialty Coffee. Yeah.