WEBVTT - Incense, Part 2

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<v Speaker 1>Welcome to stuff to blow your mind. Production of my

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<v Speaker 1>heart radio. Hey, are you welcome to stuff to blow

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<v Speaker 1>your mind? My name is Robert Lamb and I'm Joe McCormick.

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<v Speaker 1>In the last episode, the last core episode, we discussed

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<v Speaker 1>the nature of incense and how it factors into the

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<v Speaker 1>mix with other fire based technologies, both as an occasional

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<v Speaker 1>practical measure, but also something linked to sacred rights around

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<v Speaker 1>the world, either as a kind of direct offering to

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<v Speaker 1>divine beings or spirits, or is a means of setting

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<v Speaker 1>aside a sacred space for ritual we've changed the atmosphere

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<v Speaker 1>of this space with incense and now it is an

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<v Speaker 1>appropriate place to do something that is not mundane, that

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<v Speaker 1>is not part of the vulgar world, that is part

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<v Speaker 1>of the sacred world. We also discussed some specific examples

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<v Speaker 1>of dedicated sensors for incense, but we didn't touch on

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<v Speaker 1>one of the most famous Western examples of incense use,

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<v Speaker 1>and that's where we're gonna kick off today with this episode,

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<v Speaker 1>Part Two of Incense, and that's of priests swinging metal

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<v Speaker 1>sensors around on chains, wafting sacred smoke through holy spaces.

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<v Speaker 1>We're gonna be talking about the world of Thuribles. That's right.

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<v Speaker 1>If you've ever watched, uh, you know, maybe a service

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<v Speaker 1>on a particular holy day from from one of the

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<v Speaker 1>sort of the high church denominations, so maybe a Catholic

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<v Speaker 1>service or an eastern Orthodox service, you may have seen

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<v Speaker 1>a member of the clergy walking around carrying some kind

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<v Speaker 1>of cage suspended from chains, and out of that cage

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<v Speaker 1>is wafting wisps of smoke. Now, I was reading about

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<v Speaker 1>the history of Thuribles in a book called the history

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<v Speaker 1>of the Church in art by Rosa Georgi. Uh, this

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<v Speaker 1>was a getty art history publication from two thousand eight

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<v Speaker 1>translated by Brian Phillips, and this is the entry in

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<v Speaker 1>this book on the Thurrible and the incense boat. And

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<v Speaker 1>Georgy here describes the Thurible as, quote, a cup shaped

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<v Speaker 1>container with a lid controlled by four chains. It is

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<v Speaker 1>used with a smaller container in the shape of an

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<v Speaker 1>open boat. Both are made of precious metals. So, going

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<v Speaker 1>back deep into the history of the pre Christian Roman Empire,

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<v Speaker 1>it was customary to sprinkle a room with incense. The

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<v Speaker 1>use of incense was initially controversial in Christian rights, and

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<v Speaker 1>I'll get into more of the reasoning behind that in

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<v Speaker 1>another paper I want to talk about in a minute.

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<v Speaker 1>But this was especially because of its association with Pagan Rituals.

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<v Speaker 1>But eventually incense was widely adopted for church uses, especially

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<v Speaker 1>in the fourth and fifth centuries, uh and this would

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<v Speaker 1>be for uses such as the veneration of the dead

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<v Speaker 1>and the demarcation of special days of worship. Georgie writes

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<v Speaker 1>that the thurible itself has been in use since roughly

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<v Speaker 1>the seventh century and it usually consists of a cup

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<v Speaker 1>shaped container, and you carry that hanging from four chains

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<v Speaker 1>and you swing it around and the Cup has a

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<v Speaker 1>lid with holes of some kind in it. The holes

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<v Speaker 1>are important so that air can get in and so

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<v Speaker 1>that smoke can get out, kind of like the vents

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<v Speaker 1>on a grill, and in the middle of the cup

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<v Speaker 1>there's usually a small container for the burning incense itself.

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<v Speaker 1>If you look at the earliest examples, thuribles tend to

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<v Speaker 1>be simply round or hexagonal boxes, but over time the

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<v Speaker 1>thurible becomes more ornate. Quote in Gothic Times it took

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<v Speaker 1>on architectural forms to symbolize the Church building itself, and

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<v Speaker 1>from the seventeenth century onward it acquired freer forms. Now,

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<v Speaker 1>I think this point about the the innovations of gothic

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<v Speaker 1>times is very interesting. If you look at many historical Thuribles,

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<v Speaker 1>you can often see this architectural Motif, how they might

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<v Speaker 1>resemble the Dome or the spire that would be found

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<v Speaker 1>atop the cathedral that you were carrying them around the

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<v Speaker 1>inside of, all almost like this is a little model

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<v Speaker 1>of our church and the smoke pouring out of it

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<v Speaker 1>and floating up into the air. It's kind of like

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<v Speaker 1>the prayer and the worship floating up out of this

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<v Speaker 1>building to reach God. Yeah, that's that's that's interesting. It is.

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<v Speaker 1>I never thought about it like that before, but it is.

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<v Speaker 1>It's kind of in many cases that you're looking at

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<v Speaker 1>kind of like a little model of a church is

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<v Speaker 1>being swung around inside of a church. Yeah, so there.

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<v Speaker 1>So there's the thurible itself, but then there is also

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<v Speaker 1>an attendant artifact called the NAVICULA, which, confusingly, is also

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<v Speaker 1>the name of a genus of algae that are said

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<v Speaker 1>to resemble boats. I think both these names come from

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<v Speaker 1>the word for boat, uh, and if you look up

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<v Speaker 1>navicula as algae, they really do look like boats. It's

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<v Speaker 1>it's one of the better examples of naming an organism

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<v Speaker 1>after a human made object because it actually does look

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<v Speaker 1>like the thing, unlike many of those. Yeah, it does.

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<v Speaker 1>Now in the church context, the NAVICULA is a little

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<v Speaker 1>spice tray. It's uh, it's a small boat shaped container

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<v Speaker 1>and You keep the incense in there and then, when

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<v Speaker 1>you're running out inside the Thurible, transfer more from the

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<v Speaker 1>NAVICULA to the throuble with the spoon. And Georgie writes

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<v Speaker 1>that the boat shape of the NAVICULA became common in

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<v Speaker 1>the fourteenth and fifteenth centuries because it symbolized the church

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<v Speaker 1>carrying Christians to salvation as if on a boat. And

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<v Speaker 1>she also includes some interesting examples of artwork depicting the

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<v Speaker 1>use of Thuribles in, say, Bible Stories. One is a

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<v Speaker 1>painting by seventeenth century Italian artist named Filippo Abiati, called

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<v Speaker 1>Solomon Making a sacrifice to the idols and rob I've

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<v Speaker 1>included a copy of this painting for you to look

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<v Speaker 1>at here. A few interesting things to note about it.

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<v Speaker 1>So this is based on a passage in first kings

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<v Speaker 1>in the Hebrew Bible. UH, talking about how you know,

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<v Speaker 1>despite the fact that Solomon in some senses was very

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<v Speaker 1>wise and worshiped the god of Israel. It's also kind

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<v Speaker 1>of disparaging. It's like he ran around with some foreign

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<v Speaker 1>idols and it says that, quote, he sacrificed and burnt

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<v Speaker 1>incense at the high places, meaning two idols of of

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<v Speaker 1>other gods, and the painting shows Solomon placing a thurible

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<v Speaker 1>on a table in front of a humanoid idol. It

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<v Speaker 1>looks kind of like a classical Greek statue and I

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<v Speaker 1>thought this was interesting because the painting is correct in

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<v Speaker 1>assuming that the use of incense burning uh took place

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<v Speaker 1>in honoring the gods of many religions going back into

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<v Speaker 1>ancient times and pre dates Christianity. But it's interesting that

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<v Speaker 1>it shows him using a thurrible with a design that

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<v Speaker 1>would have been contemporary and used in Christian churches at

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<v Speaker 1>the time of the painting. Be kind of like if

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<v Speaker 1>you had an illustration of Christ speaking to the masses

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<v Speaker 1>and he's using a megaphone. Yeah, now, leap frogging off

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<v Speaker 1>of this, I actually came across a paper that I

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<v Speaker 1>found totally fascinating, a paper about the role of Aromas

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<v Speaker 1>in the history of Christian theology, but specifically focusing on

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<v Speaker 1>a figure named Saint Ephrem the Syrian, and this was

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<v Speaker 1>a paper by Susan Ashbrook Harvey. I also want to

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<v Speaker 1>give a shout out that I came across it by

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<v Speaker 1>way of reference in a Jay store daily article by

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<v Speaker 1>Livia Ger Shawn. But this, this paper by Susan Ashbrook Harvey,

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<v Speaker 1>was published in the Journal of Theological Studies in Nineteen

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<v Speaker 1>and it's called St from on the scent of salvation.

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<v Speaker 1>Susan Ashbrook Harvey, the scholar who wrote this, as a

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<v Speaker 1>professor of history and religion at Brown University. And this

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<v Speaker 1>is all about this guy known as St Ephrem the Syrian,

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<v Speaker 1>or St Ephraim. He lived in the fourth century, from

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<v Speaker 1>three Oh six to three seventy three, in the eastern

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<v Speaker 1>part of the Roman Empire, and he was a popular

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<v Speaker 1>Christian theologian, but especially a prominent as a popular writer

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<v Speaker 1>of Hymns, a hymnographer. So you may in fact have

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<v Speaker 1>heard hymns where the lyrics were composed by this guy,

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<v Speaker 1>by St e Ram interesting, and I have to fillock

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<v Speaker 1>up which ones we can attribute to him. Generally, I'm

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<v Speaker 1>just used to saying like John Wesley's name and that

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<v Speaker 1>the Western names well I don't know. I don't know

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<v Speaker 1>how much Ephraim you're going to get in English speaking churches.

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<v Speaker 1>I think that some of his hymns are still sung

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<v Speaker 1>in some Orthodox churches. But Anyway, Harvey highlights the fact

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<v Speaker 1>that in many of his Hymns St Ephraim uses a

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<v Speaker 1>very interesting phrase, rhea Dehyuta, which could be translated as

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<v Speaker 1>the fragrance of life. Now, as a bit of background,

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<v Speaker 1>smell and fragrance had an important place in the rituals of,

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<v Speaker 1>according to Harvey, all the major religions of the ancient Mediterranean,

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<v Speaker 1>not just the various pagan cults, but also in Judaism

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<v Speaker 1>and eventually in Christianity, though it seems like the very

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<v Speaker 1>earliest Christianity, the first few centuries of Christianity tended to

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<v Speaker 1>avoid the use of fragrances and incense, but that changed

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<v Speaker 1>over time and would change by Ephraim's time. Uh. Now,

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<v Speaker 1>across all these different distinct religions, the form of many

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<v Speaker 1>sacrificial gifts to God or to the Gods was is

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<v Speaker 1>a burnt offering. You would burn something to make that

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<v Speaker 1>a gift to the Gods and you would expect the

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<v Speaker 1>Gods to reward you in turn with with good favor,

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<v Speaker 1>with blessings of some kind. Uh. This is the classic

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<v Speaker 1>I scratch your back, you scratch my back, relationship between

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<v Speaker 1>between humans and the Gods. And Uh, these burnt offerings

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<v Speaker 1>could include anything from the burnt flesh of an animal

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<v Speaker 1>sacrifice to the burning of incense on a God's altar.

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<v Speaker 1>And it was often, I think this is one of

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<v Speaker 1>the strangest things, it was often explicitly said that the

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<v Speaker 1>smell of the offering in particular was pleasing to the gods.

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<v Speaker 1>And this is not just in Pagan religions. There are

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<v Speaker 1>loads of examples of this in the Hebrew Bible. In fact,

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<v Speaker 1>I even alluded to one example I'm going to site

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<v Speaker 1>in the last part of the series. Uh So, if

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<v Speaker 1>you look to the book of Leviticus, Chapter One, the

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<v Speaker 1>Lord is telling Moses how to perform sacrifices of livestock.

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<v Speaker 1>It says, quote, then the priest shall turn the whole

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<v Speaker 1>is referring to a bull. Shall turn the whole into

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<v Speaker 1>smoke on the altar as a burnt offering, an offering

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<v Speaker 1>by fire of pleasing odor to the Lord. And this

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<v Speaker 1>is not the only reference like this. There are tons

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<v Speaker 1>of references throughout the Bible of smells being pleasing to God.

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<v Speaker 1>Just a few verses later, at the beginning of chapter two,

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<v Speaker 1>we get a specific reference to incense. We learned that

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<v Speaker 1>if somebody makes a grain offering instead of an animal offering. Quote,

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<v Speaker 1>when anyone presents a grain offering to the Lord, the

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<v Speaker 1>offering shall be of choice flower. The worshipers shall pour

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<v Speaker 1>oil on it and put Frankincense on it and bring

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<v Speaker 1>it to Aaron's sons the priests, after taking from it

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<v Speaker 1>a handful of the choice flour and oil, with all

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<v Speaker 1>its frankincense. The priests shall turn this token portion into

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<v Speaker 1>smoke on the altar and offering by fire of pleasing

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<v Speaker 1>odor to the Lord. So over and over again we

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<v Speaker 1>learn that it was believed that the aroma of sacrifice

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<v Speaker 1>itself is what gives the Lord Pleasure. And meanwhile, in

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<v Speaker 1>Roman Pagan cults it was common practice to make a

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<v Speaker 1>burnt offering of some kind. Also could be a burnt

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<v Speaker 1>offering of an animal or an offering of sweet smelling incense.

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<v Speaker 1>In fact, I think incense was often considered sort of

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<v Speaker 1>the baseline sacrifice you could make to the Roman gods.

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<v Speaker 1>It was like, you know, you didn't have an whole animal,

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<v Speaker 1>you could at least get a little chunk of incense

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<v Speaker 1>and burn that. I love the wording in this uh,

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<v Speaker 1>this this quote you read about turning the token portion

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<v Speaker 1>into smoke, and it kind of gets to this, UH,

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<v Speaker 1>something we've touched on with with fire technology before, about

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<v Speaker 1>the the transformation of one thing into the other, the

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<v Speaker 1>sort of alchemical power of of cooking or flame or

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<v Speaker 1>in this case burnt offering. Right. I think that very

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<v Speaker 1>transformation was something that that a lot of ancient theologians

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<v Speaker 1>found kind of transfixing in a way, like they did

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<v Speaker 1>write about it. I think we may get to a

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<v Speaker 1>bit about that in in just a minute here. But

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<v Speaker 1>another thing is it doesn't stop just with the smell

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<v Speaker 1>of burnt offerings, whether that's, you know, the kind of

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<v Speaker 1>barbecue smell of of an animal, or whether that is

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<v Speaker 1>the scent of incense on the altar. Also, in religions

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<v Speaker 1>of the ancient Mediterranean, fragrant holy oils were used to

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<v Speaker 1>anoint new initiates or people specially blessed in some circumstance,

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<v Speaker 1>or maybe the sick or the dying. So the point

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<v Speaker 1>is smells were a deeply rooted part of religious life

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<v Speaker 1>and the experience of the divine for multiple religions with

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<v Speaker 1>otherwise very different beliefs. Now, coming back to St Ephraim,

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<v Speaker 1>specifically of the fourth century and his idea of the

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<v Speaker 1>fragrance of life, harvey notes that. One thing I think

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<v Speaker 1>is worth pointing out. We often when we say the

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<v Speaker 1>word fragrance, that has a positive connotation to it. You know,

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<v Speaker 1>the fragrance of life is necessarily a good smell and,

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<v Speaker 1>as Efraim used it, it does seem to often have

0:12:53.920 --> 0:12:58.120
<v Speaker 1>positive connotations. But actually the word he's using here, Rehau,

0:12:58.360 --> 0:13:00.920
<v Speaker 1>does not mean only pleasant smells. It could mean the

0:13:00.960 --> 0:13:03.080
<v Speaker 1>smell of anything from a chunk of murder to a

0:13:03.080 --> 0:13:06.360
<v Speaker 1>bookcave flowers to a big old tub of spoiled sour cream.

0:13:06.360 --> 0:13:08.280
<v Speaker 1>It would cover it all. So it might be better

0:13:08.320 --> 0:13:10.920
<v Speaker 1>to think of it as smell, even though it's usually

0:13:10.960 --> 0:13:14.280
<v Speaker 1>translated into English as fragrance. It's tough when you're talking

0:13:14.320 --> 0:13:17.319
<v Speaker 1>about English because I I feel, and and this has

0:13:17.400 --> 0:13:21.680
<v Speaker 1>been pointed out, I've seen this pointed out by researchers before,

0:13:22.280 --> 0:13:26.920
<v Speaker 1>that English language, especially it's popular usage today, is not

0:13:27.120 --> 0:13:31.720
<v Speaker 1>great at describing smells and odors like it. Yeah, it's

0:13:31.720 --> 0:13:34.320
<v Speaker 1>one of the reasons whereas so often times you'll hear

0:13:34.960 --> 0:13:38.720
<v Speaker 1>kids talking about food stinking like or smelling like, I

0:13:38.760 --> 0:13:42.520
<v Speaker 1>don't know. They's just that sometimes the vocabulary is lacking there,

0:13:42.520 --> 0:13:45.880
<v Speaker 1>and certainly our usage of the vocabulary to properly describe

0:13:45.920 --> 0:13:50.319
<v Speaker 1>smells as more than just, you know, extremely pleasant or

0:13:50.440 --> 0:13:53.560
<v Speaker 1>or extremely alarming. Yeah, a lot of smell words have

0:13:53.640 --> 0:13:57.640
<v Speaker 1>too much front connotation, loading like they're already even if

0:13:57.679 --> 0:13:59.880
<v Speaker 1>you say the words smell, which is supposed to be neutral,

0:14:00.240 --> 0:14:02.599
<v Speaker 1>I think more often that's going to have a negative connotation,

0:14:02.679 --> 0:14:06.680
<v Speaker 1>I guess. Yeah, fragrance makes you think of flowers or something,

0:14:07.200 --> 0:14:10.679
<v Speaker 1>or perfume. Aroma, I think, often makes me think of,

0:14:10.840 --> 0:14:16.960
<v Speaker 1>I don't know, onions and garlic, like cooking aromatic cooking ingredients. Yeah,

0:14:17.040 --> 0:14:21.240
<v Speaker 1>I'm I'm always annoyed when there's talk of, quote, Stinky Cheeses, like,

0:14:21.280 --> 0:14:24.360
<v Speaker 1>come on, wait, we have other words that we can use.

0:14:24.400 --> 0:14:27.040
<v Speaker 1>So we can say that these these cheeses are pungent, perhaps,

0:14:27.080 --> 0:14:30.760
<v Speaker 1>but but are they stinky? I think you're it's just

0:14:30.920 --> 0:14:34.640
<v Speaker 1>it's just a loaded description. It's pre judging. Yeah, but okay.

0:14:34.640 --> 0:14:37.640
<v Speaker 1>So what's the deal? What? What is the fragrance of life?

0:14:37.680 --> 0:14:40.400
<v Speaker 1>According to St Efrem. Well, Harvey writes about it like this.

0:14:40.800 --> 0:14:44.840
<v Speaker 1>Harvey writes, quote, for from knowledge of God is something

0:14:44.960 --> 0:14:49.880
<v Speaker 1>not only cognitive in origin but also sensory, hence the

0:14:50.080 --> 0:14:55.240
<v Speaker 1>arresting quality of his old factory imagery. Bypassing the mind

0:14:55.320 --> 0:14:59.280
<v Speaker 1>body dichotomy and leaving aside the question of rationality, is

0:14:59.320 --> 0:15:03.720
<v Speaker 1>the basis for establishing truth from finds in sensory experience

0:15:03.760 --> 0:15:08.320
<v Speaker 1>a knowledge about God which cannot be gained any other way.

0:15:08.680 --> 0:15:12.840
<v Speaker 1>So Harvey argues that for Efraim the fragrance of life

0:15:13.200 --> 0:15:15.800
<v Speaker 1>is part of an idea that knowledge can be, quote,

0:15:15.880 --> 0:15:22.360
<v Speaker 1>non cognitive yet genuinely revelatory of divine being, truth and action.

0:15:22.920 --> 0:15:25.120
<v Speaker 1>Now that might be like, I don't know. At first

0:15:25.160 --> 0:15:26.720
<v Speaker 1>I was like, what is she talking about? What does

0:15:26.720 --> 0:15:29.960
<v Speaker 1>this mean? But I eventually got through it. She's saying

0:15:29.960 --> 0:15:32.080
<v Speaker 1>that for Fraim, and not just him. There were other

0:15:32.120 --> 0:15:35.560
<v Speaker 1>ancient theologians who thought this way. But for Efraim, like

0:15:35.640 --> 0:15:38.440
<v Speaker 1>you can know God is there because you can sense

0:15:38.560 --> 0:15:42.320
<v Speaker 1>him with your senses. And according to Harvey, this belief

0:15:42.360 --> 0:15:47.040
<v Speaker 1>has interesting relationships to the religious context of asceticism in

0:15:47.120 --> 0:15:51.680
<v Speaker 1>early Syrian Christianity, which was fram's context. So there's a

0:15:51.720 --> 0:15:54.560
<v Speaker 1>section kind of on what you might call the natural

0:15:54.640 --> 0:15:57.720
<v Speaker 1>theology of e Ram. You know sometimes, uh, you'll hear

0:15:57.800 --> 0:16:00.760
<v Speaker 1>various versions of this where people look, will express their

0:16:00.760 --> 0:16:04.520
<v Speaker 1>religious beliefs in terms of viewing the natural world. It's like,

0:16:04.560 --> 0:16:07.880
<v Speaker 1>you know, observe the way the regularity of nature, look

0:16:07.920 --> 0:16:10.480
<v Speaker 1>at the way the tides work, look at the way

0:16:10.520 --> 0:16:12.560
<v Speaker 1>plants grow, look at the way the sun comes up

0:16:12.560 --> 0:16:16.600
<v Speaker 1>and comes down. That just proves that my religious beliefs

0:16:16.600 --> 0:16:19.880
<v Speaker 1>are true. Yeah, sometimes this is very clunkily carried out

0:16:19.880 --> 0:16:22.680
<v Speaker 1>as well, like you'll see a billboard by the highway

0:16:22.640 --> 0:16:24.760
<v Speaker 1>and it's like proof of God and it's a picture

0:16:24.760 --> 0:16:26.720
<v Speaker 1>of a baby, and I'm like, okay, well, it's cute

0:16:26.840 --> 0:16:28.640
<v Speaker 1>and all, but I don't know if that's proof of

0:16:28.680 --> 0:16:32.560
<v Speaker 1>anything other than like two people had a baby. Well, yeah,

0:16:32.600 --> 0:16:35.200
<v Speaker 1>I mean I think it's it's making like it's like

0:16:35.320 --> 0:16:38.200
<v Speaker 1>cutting out a step in the middle. So you look

0:16:38.240 --> 0:16:40.320
<v Speaker 1>at all these things and they are indeed amazing and

0:16:40.360 --> 0:16:42.200
<v Speaker 1>they can fill you with wonder and they can be

0:16:42.240 --> 0:16:44.640
<v Speaker 1>inspiring and make you feel like wow, there's you know,

0:16:44.720 --> 0:16:47.760
<v Speaker 1>there's so much more to life and to existence than

0:16:48.000 --> 0:16:50.880
<v Speaker 1>I often realize when I'm just going about my tedious

0:16:50.880 --> 0:16:54.280
<v Speaker 1>little everyday tasks. And that's all true. And then there's

0:16:54.280 --> 0:16:56.920
<v Speaker 1>a second leap where the person says and therefore the

0:16:56.960 --> 0:16:59.880
<v Speaker 1>fact that there is more means whatever I in particular

0:17:00.000 --> 0:17:03.440
<v Speaker 1>happened to believe is what the more is. And I

0:17:03.480 --> 0:17:05.280
<v Speaker 1>think that's the part that they're kind of skipping over.

0:17:05.560 --> 0:17:09.080
<v Speaker 1>Truth of God confirmed. But but I think one thing

0:17:09.119 --> 0:17:12.760
<v Speaker 1>I find very interesting about about the the the invocation

0:17:12.760 --> 0:17:16.200
<v Speaker 1>of smell, he had the invocation of voters, is that,

0:17:16.920 --> 0:17:18.480
<v Speaker 1>you know, as we've discussed on the show before, like

0:17:18.520 --> 0:17:22.680
<v Speaker 1>there's an immediacy to the way we register smell that

0:17:22.880 --> 0:17:26.919
<v Speaker 1>does often feel like it comes outside of reason and

0:17:26.960 --> 0:17:29.480
<v Speaker 1>it comes outside of memory, and I think that's that's

0:17:29.680 --> 0:17:32.399
<v Speaker 1>very fascinating to think about in this context. Like I

0:17:32.400 --> 0:17:35.359
<v Speaker 1>would say, picture of a baby doesn't really tell you anything,

0:17:35.720 --> 0:17:38.000
<v Speaker 1>but the smell of a baby, I don't know. I

0:17:38.040 --> 0:17:40.400
<v Speaker 1>don't know. That might that might be prooved of God confirmed.

0:17:40.720 --> 0:17:43.639
<v Speaker 1>That's more uh, it's at least more convincing to the brain.

0:17:43.840 --> 0:17:48.800
<v Speaker 1>Like the emotional impact is more powerful than the billboard. Yeah, Um,

0:17:48.840 --> 0:17:51.840
<v Speaker 1>but so what's the deal with Ephraim's natural theology? I mean,

0:17:51.880 --> 0:17:54.400
<v Speaker 1>I think this is the less interesting part of what

0:17:54.440 --> 0:17:56.720
<v Speaker 1>he's trying to say. He's saying like you can sense

0:17:56.760 --> 0:17:59.879
<v Speaker 1>God with nature because like every element of nature is

0:18:00.000 --> 0:18:02.960
<v Speaker 1>in some sense stamped with his seal. An example given

0:18:03.080 --> 0:18:05.480
<v Speaker 1>in the paper that I thought was funny. Harvey talks

0:18:05.480 --> 0:18:08.680
<v Speaker 1>about how Efrem said, you know, birds have to extend

0:18:08.720 --> 0:18:11.240
<v Speaker 1>their wings in order to fly and when they extend

0:18:11.280 --> 0:18:13.640
<v Speaker 1>their wings they make the shape of the cross. There

0:18:13.640 --> 0:18:17.080
<v Speaker 1>you go. There is a lot of Christian theology from

0:18:17.080 --> 0:18:19.280
<v Speaker 1>the early centuries that reads kind of like this. To

0:18:19.359 --> 0:18:21.960
<v Speaker 1>me it's like you're kind of reaching, but I admire

0:18:22.000 --> 0:18:31.400
<v Speaker 1>the effort. Thank thank but anyway. So Efraim believes that

0:18:32.119 --> 0:18:37.000
<v Speaker 1>baptism kind of changes the body, allowing it to acquire

0:18:37.080 --> 0:18:41.679
<v Speaker 1>new senses that can literally directly sense God and the

0:18:41.760 --> 0:18:46.560
<v Speaker 1>divine through sites and sounds and tastes and smells. Uh So,

0:18:46.720 --> 0:18:50.280
<v Speaker 1>to read from Harvey here quote in Efraim's hymns, eating

0:18:50.400 --> 0:18:54.119
<v Speaker 1>and smelling are closely related experiences. So too are the

0:18:54.160 --> 0:18:58.520
<v Speaker 1>concepts bread of life and fragrance of life. Bread of

0:18:58.560 --> 0:19:02.480
<v Speaker 1>life is a is a phrase directly from the Gospels

0:19:02.480 --> 0:19:05.280
<v Speaker 1>in the New Testament, where Jesus says I am the

0:19:05.280 --> 0:19:07.800
<v Speaker 1>bread of life, and this is taken in mass to

0:19:07.920 --> 0:19:10.720
<v Speaker 1>refer to, like the sharing of communion, the eating of

0:19:10.720 --> 0:19:13.919
<v Speaker 1>bread at communion. But anyway, Harvey goes on. When eaten

0:19:14.000 --> 0:19:17.080
<v Speaker 1>as the bread of life, Christ pervades the whole of

0:19:17.119 --> 0:19:21.520
<v Speaker 1>the believer's being. When inhaled, as the fragrance of life,

0:19:21.840 --> 0:19:26.919
<v Speaker 1>Christ again penetrates throughout the believer. EFREM titles Christ, quote

0:19:27.000 --> 0:19:31.879
<v Speaker 1>the Glorious Lily, quote the treasure of perfumes around whom

0:19:31.880 --> 0:19:35.439
<v Speaker 1>the faithful gather, quote that they might inhale and be

0:19:35.560 --> 0:19:39.359
<v Speaker 1>sated and that the power of Christ's deeds might permeate

0:19:39.440 --> 0:19:43.080
<v Speaker 1>their senses. And then harvey goes on with her own writing. Here,

0:19:43.240 --> 0:19:46.760
<v Speaker 1>through the act of breathing the life force itself, Christ's

0:19:46.800 --> 0:19:51.600
<v Speaker 1>presence saturates the believer. Interestingly, it is fragrance rather than

0:19:51.760 --> 0:19:56.000
<v Speaker 1>breath that efrem highlights again and again. His old factory

0:19:56.000 --> 0:20:00.480
<v Speaker 1>imagery is about encounter, not animation. The breath of life

0:20:00.480 --> 0:20:04.880
<v Speaker 1>that Adam received at creation animated his lifeless body. The

0:20:05.119 --> 0:20:09.440
<v Speaker 1>fragrance of Christ inhaled by the believer indicates by its

0:20:09.560 --> 0:20:15.080
<v Speaker 1>smell the action of human slash divine encounter through sensory experience.

0:20:15.600 --> 0:20:18.919
<v Speaker 1>So this probably seems very weird to most people today,

0:20:18.960 --> 0:20:21.800
<v Speaker 1>even to most Christians today, I would guess, the idea

0:20:21.880 --> 0:20:25.800
<v Speaker 1>that you could literally sense the resurrection of Christ directly

0:20:26.119 --> 0:20:29.680
<v Speaker 1>by smelling him. But as weird as that might seem

0:20:29.680 --> 0:20:33.320
<v Speaker 1>to us today, Harvey again emphasizes that Special Aromas were

0:20:34.240 --> 0:20:37.040
<v Speaker 1>a very important part of the rituals of basically every

0:20:37.119 --> 0:20:41.199
<v Speaker 1>religion in the ancient Mediterranean and in ancient literature, divinity

0:20:41.359 --> 0:20:46.040
<v Speaker 1>is often described as having a sweet smell. Harvey writs, quote,

0:20:46.080 --> 0:20:51.879
<v Speaker 1>the Association was not capricious, immaterial, invisible yet tangibly experienced.

0:20:52.320 --> 0:20:57.160
<v Speaker 1>Scent provided a fitting metaphor for divinity that exceeded physicality

0:20:57.240 --> 0:21:02.240
<v Speaker 1>or comprehension. Scent conveyed s rather than substance. It could

0:21:02.240 --> 0:21:06.440
<v Speaker 1>not be contained or circumscribed. Circumscribed it had the powered

0:21:06.480 --> 0:21:11.159
<v Speaker 1>across boundaries. The experience of it could not be voluntarily controlled,

0:21:11.520 --> 0:21:15.639
<v Speaker 1>since was affective yet ineffable. Wow, that's that's neat that.

0:21:15.720 --> 0:21:18.400
<v Speaker 1>This reminds me of the bit we're discussing the last

0:21:18.440 --> 0:21:23.040
<v Speaker 1>episode about the presence of the the imperial Chinese court

0:21:23.280 --> 0:21:26.040
<v Speaker 1>and in the presence of the emperor, who again has

0:21:26.080 --> 0:21:29.240
<v Speaker 1>divine connotations. And you can compare that to various traditions

0:21:29.240 --> 0:21:32.439
<v Speaker 1>of divine kings and cultures around the world, but the

0:21:32.480 --> 0:21:35.160
<v Speaker 1>idea that this, this would be a presence that had

0:21:35.160 --> 0:21:40.240
<v Speaker 1>its own unique olfactory reality and that by by smelling that,

0:21:40.280 --> 0:21:43.400
<v Speaker 1>you're smelling the divine as well. Yeah, exactly. And and

0:21:43.680 --> 0:21:46.440
<v Speaker 1>she goes on to include many examples of the way

0:21:46.640 --> 0:21:51.760
<v Speaker 1>from Uh reimagined like existing pre existing Bible stories, as

0:21:51.920 --> 0:21:55.159
<v Speaker 1>essentially being about smell, like when St Ephraim describes the

0:21:55.160 --> 0:21:57.600
<v Speaker 1>story of the first pentecost in the book of acts.

0:21:57.960 --> 0:22:00.720
<v Speaker 1>This is a story where, after the death of Jesus,

0:22:00.800 --> 0:22:03.320
<v Speaker 1>the apostles are said to be they're said to suddenly

0:22:03.400 --> 0:22:05.560
<v Speaker 1>be filled with the Holy Spirit and they begin to

0:22:05.560 --> 0:22:08.720
<v Speaker 1>speak in tongues to the multitudes. Ef Him writing about

0:22:08.800 --> 0:22:12.199
<v Speaker 1>this in him writes again in translation quote. When the

0:22:12.240 --> 0:22:15.840
<v Speaker 1>blessed apostles were gathered together, the place shook and the

0:22:15.960 --> 0:22:21.480
<v Speaker 1>scent of Paradise, having recognized its home, poured forth its perfumes.

0:22:22.000 --> 0:22:24.600
<v Speaker 1>So the infilling of the Holy Spirit is like the

0:22:24.640 --> 0:22:29.199
<v Speaker 1>pouring of a perfume. You can literally smell it. So

0:22:29.359 --> 0:22:32.040
<v Speaker 1>Harvey summarizes at the end of this section. Quote. For Efraim,

0:22:32.119 --> 0:22:37.560
<v Speaker 1>Olfactory Experience Mirror sacramental reality. To Smell God is to

0:22:37.760 --> 0:22:42.040
<v Speaker 1>know God as a transcendent yet transforming experience, a presence

0:22:42.080 --> 0:22:47.080
<v Speaker 1>actively known through bodily experience. Okay, so so that's section

0:22:47.119 --> 0:22:49.240
<v Speaker 1>one of this paper, the one that I think actually

0:22:49.240 --> 0:22:51.280
<v Speaker 1>I found the most interesting. This is about how Efraim

0:22:51.320 --> 0:22:55.320
<v Speaker 1>believes smell can literally directly reveal the presence of God.

0:22:55.400 --> 0:22:58.240
<v Speaker 1>God has a smell, you can smell him and that's

0:22:58.240 --> 0:23:01.119
<v Speaker 1>how you know he's there. But it also sort of

0:23:01.119 --> 0:23:03.919
<v Speaker 1>goes the other way. Harvey after this as a section

0:23:04.080 --> 0:23:07.920
<v Speaker 1>on how Efraim believed humans can use smells to commune

0:23:07.920 --> 0:23:11.240
<v Speaker 1>with God. And yet again, this is not uh, this

0:23:11.320 --> 0:23:13.919
<v Speaker 1>is not unique to Ephraim. I mean this is widespread.

0:23:13.960 --> 0:23:17.360
<v Speaker 1>We talked about all the examples of humans using various

0:23:17.400 --> 0:23:20.200
<v Speaker 1>smells to give something to God, to give a sacrifice

0:23:20.240 --> 0:23:22.720
<v Speaker 1>or a gift to God or to communicate with God.

0:23:23.359 --> 0:23:25.920
<v Speaker 1>And here's where there's a little bit of interesting uh

0:23:26.280 --> 0:23:30.400
<v Speaker 1>tension in the Christian history of the use of smells. So, uh,

0:23:30.480 --> 0:23:33.800
<v Speaker 1>Ephraim was living in the fourth century, in the three hundreds,

0:23:33.840 --> 0:23:36.600
<v Speaker 1>and this comes at a turning point for the use

0:23:36.640 --> 0:23:41.480
<v Speaker 1>of incense in Christian worship. Before this period, Christians mostly

0:23:41.560 --> 0:23:44.920
<v Speaker 1>avoided the use of incense. UH, setting themselves apart from

0:23:44.960 --> 0:23:48.000
<v Speaker 1>basically every other religion in the empire, and the Early

0:23:48.040 --> 0:23:50.920
<v Speaker 1>Avoidance of Incense May in fact have been a kind

0:23:50.960 --> 0:23:54.960
<v Speaker 1>of intentional segregating maneuver. It's saying like no, we're different

0:23:55.000 --> 0:23:57.280
<v Speaker 1>from all these other religions because we don't do that

0:23:57.400 --> 0:24:01.440
<v Speaker 1>kind of thing. Another problem for the of Incense and Christianity,

0:24:01.560 --> 0:24:06.560
<v Speaker 1>especially in the third century, arose because the burnt offering

0:24:06.600 --> 0:24:12.400
<v Speaker 1>of incense was a was a standard ritual of worship

0:24:12.440 --> 0:24:15.639
<v Speaker 1>of the Roman gods, who the Christians considered the pagan gods,

0:24:16.040 --> 0:24:20.080
<v Speaker 1>and especially of emperor reverence, the reverence for the Roman Emperor.

0:24:20.560 --> 0:24:22.240
<v Speaker 1>So we've talked about this on the show before. There's

0:24:22.320 --> 0:24:24.600
<v Speaker 1>there's a bit of a misperception that it was like

0:24:25.119 --> 0:24:28.960
<v Speaker 1>consistently illegal to be a Christian in the Roman Empire

0:24:29.080 --> 0:24:31.919
<v Speaker 1>before Constantine, and that's not true at all. Like, for

0:24:31.960 --> 0:24:34.359
<v Speaker 1>the most part, Roman authorities really did not care what

0:24:34.440 --> 0:24:37.560
<v Speaker 1>religion you were what God you worshiped. But there were

0:24:38.080 --> 0:24:42.800
<v Speaker 1>brutal persecutions of Christians in periodic outbreaks in the Roman Empire,

0:24:43.000 --> 0:24:47.200
<v Speaker 1>not for their positive belief in Christianity but for their

0:24:47.320 --> 0:24:52.040
<v Speaker 1>refusal to participate in the imperial cult. So this could

0:24:52.040 --> 0:24:54.440
<v Speaker 1>take the form of a kind of loyalty test. This

0:24:54.480 --> 0:24:57.320
<v Speaker 1>was especially bad under the emperor deseus at the beginning

0:24:57.359 --> 0:25:00.840
<v Speaker 1>of the third century. So a Roman Authority might like

0:25:00.880 --> 0:25:04.080
<v Speaker 1>grab some Christians and, you know, bring them in and say, okay,

0:25:04.160 --> 0:25:07.080
<v Speaker 1>we hear you're you're not showing proper fealty to the

0:25:07.160 --> 0:25:09.760
<v Speaker 1>Roman gods and to the emperor. All we need you

0:25:09.800 --> 0:25:11.920
<v Speaker 1>to do is do a little burnt offering, burn some

0:25:12.119 --> 0:25:15.000
<v Speaker 1>incense for the emperor, for the Roman Gods, and then

0:25:15.160 --> 0:25:17.920
<v Speaker 1>you're you'll be fine. Sometimes they would do it, which

0:25:18.000 --> 0:25:20.320
<v Speaker 1>Christians saw when, you know, when some of them did that,

0:25:20.359 --> 0:25:22.119
<v Speaker 1>they saw that as a big betrayal. Some of them

0:25:22.160 --> 0:25:24.320
<v Speaker 1>wouldn't do it, and then they might be they might

0:25:24.400 --> 0:25:27.960
<v Speaker 1>face really harsh penalties, including being put to death. It's

0:25:27.960 --> 0:25:32.320
<v Speaker 1>worth noting that Roman Pagans viewed the UH. Their refusal

0:25:32.440 --> 0:25:36.000
<v Speaker 1>sometimes to do the offering incance of incence is really confusing,

0:25:36.080 --> 0:25:39.000
<v Speaker 1>like why not just do it? What's the problem? Yeah,

0:25:39.000 --> 0:25:41.679
<v Speaker 1>like it's it might seem a strange hill too, in

0:25:41.760 --> 0:25:44.640
<v Speaker 1>some cases literally die on. But you can certainly see

0:25:44.640 --> 0:25:47.440
<v Speaker 1>how if Christians in the third century are encountering these

0:25:47.480 --> 0:25:51.560
<v Speaker 1>situations where, like they you know, the burning of Incense,

0:25:51.600 --> 0:25:54.760
<v Speaker 1>of an incense offering is what the Romans are trying

0:25:54.800 --> 0:25:57.000
<v Speaker 1>to force you to do or you die, and it

0:25:57.160 --> 0:25:59.160
<v Speaker 1>is the thing that some of you did in order

0:25:59.200 --> 0:26:02.359
<v Speaker 1>to avoid death, but in a way that now makes you, uh,

0:26:02.560 --> 0:26:06.160
<v Speaker 1>shamed and excluded from the Christian community. You can understand

0:26:06.160 --> 0:26:08.960
<v Speaker 1>why they might not think burning in since was cool. Yeah,

0:26:09.000 --> 0:26:11.480
<v Speaker 1>and I mean and certainly you can get into various

0:26:11.480 --> 0:26:14.840
<v Speaker 1>histories of different like fringe groups and uh and belief

0:26:14.880 --> 0:26:19.240
<v Speaker 1>systems that that have set themselves outside of the rest

0:26:19.280 --> 0:26:22.840
<v Speaker 1>of a given culture, and you often enforce those barriers

0:26:22.880 --> 0:26:25.919
<v Speaker 1>by having prohibitions like this in place. Like that, we

0:26:25.960 --> 0:26:27.920
<v Speaker 1>are not going to do the thing that everyone else

0:26:28.000 --> 0:26:31.119
<v Speaker 1>is doing because we are set apart. However, it seems

0:26:31.160 --> 0:26:33.840
<v Speaker 1>like all this changed in the fourth century. So in

0:26:33.880 --> 0:26:37.280
<v Speaker 1>the fourth century, for one thing, you get the Emperor Constantine,

0:26:37.320 --> 0:26:40.800
<v Speaker 1>the first Christian emperor, and this is a period of

0:26:40.840 --> 0:26:44.760
<v Speaker 1>big transition, roughly when Christianity goes from a a sort

0:26:44.800 --> 0:26:50.359
<v Speaker 1>of reviled, large minority religion to suddenly a culturally and

0:26:50.440 --> 0:26:55.119
<v Speaker 1>politically dominant and in vogue religion. And this is concurrent

0:26:55.160 --> 0:26:59.200
<v Speaker 1>with what Harvey Calls A, quote, broader embellishment of Christian

0:26:59.240 --> 0:27:02.399
<v Speaker 1>ceremonial I think this means a sort of in meshing

0:27:02.440 --> 0:27:05.639
<v Speaker 1>of Christian belief with the more mainstream esthetic elements of

0:27:05.680 --> 0:27:09.360
<v Speaker 1>just religion generally as understood in the Roman Empire. So

0:27:09.480 --> 0:27:11.960
<v Speaker 1>this is where you get the kind of mixing of

0:27:12.000 --> 0:27:16.680
<v Speaker 1>the superficial trappings of Roman religion with the core theological

0:27:16.720 --> 0:27:20.560
<v Speaker 1>beliefs of Christianity. And by the fifth century the change

0:27:20.560 --> 0:27:22.800
<v Speaker 1>seems to have been complete and the use of incense

0:27:22.880 --> 0:27:25.879
<v Speaker 1>was just normative for pretty much all Christian worship. So

0:27:26.000 --> 0:27:28.440
<v Speaker 1>e from is writing in the Fourth Century when incense

0:27:28.520 --> 0:27:31.800
<v Speaker 1>usage in Christianity is becoming more popular, and he uses

0:27:31.840 --> 0:27:36.880
<v Speaker 1>incense imagery a lot. UH, from is careful to distinguish

0:27:37.000 --> 0:27:41.000
<v Speaker 1>between incense used in what he calls True Religion, which

0:27:41.080 --> 0:27:45.080
<v Speaker 1>of course for him was Christianity and Judaism, and false religion,

0:27:45.119 --> 0:27:48.760
<v Speaker 1>which for him was everything else. He refers to the

0:27:48.800 --> 0:27:54.479
<v Speaker 1>instance offerings of Pagan's interestingly, as quote, foul, gloomy in

0:27:54.520 --> 0:27:58.760
<v Speaker 1>their vapor and loathsome in their odor. And yet uh,

0:27:58.800 --> 0:28:00.919
<v Speaker 1>and yet, he says, of course, in sence burning is

0:28:00.960 --> 0:28:03.480
<v Speaker 1>great in what he thought were the true religions. And

0:28:03.560 --> 0:28:06.640
<v Speaker 1>when incense has a sweet smell, this is because, according

0:28:06.640 --> 0:28:10.760
<v Speaker 1>to Ephrom, Christ intervenes to make it smell good. That

0:28:10.960 --> 0:28:14.959
<v Speaker 1>that raises questions. But and he repeatedly uses the image

0:28:14.960 --> 0:28:17.440
<v Speaker 1>of a sensor or Thurible, like we were talking about before,

0:28:17.480 --> 0:28:21.680
<v Speaker 1>as a metaphor for the worship of Christians. To quote

0:28:21.680 --> 0:28:24.480
<v Speaker 1>one of his hymns, he says, come, let us make

0:28:24.480 --> 0:28:28.360
<v Speaker 1>our love a great common sensor. Let us offer up

0:28:28.359 --> 0:28:31.320
<v Speaker 1>our songs and prayers like incense to the one who

0:28:31.359 --> 0:28:34.959
<v Speaker 1>made his cross a sensor to the divinity and offered

0:28:35.040 --> 0:28:38.320
<v Speaker 1>his blood on behalf of us all. So the sensor

0:28:38.480 --> 0:28:41.520
<v Speaker 1>is doing a lot of work in this kind of imagery.

0:28:41.840 --> 0:28:45.800
<v Speaker 1>So are he's saying our love of the divine is

0:28:45.840 --> 0:28:48.600
<v Speaker 1>a sensor that you know, and that kind of fits

0:28:48.600 --> 0:28:51.040
<v Speaker 1>with the church imagery right like that. The you might

0:28:51.120 --> 0:28:54.960
<v Speaker 1>carry a sensor that looks like the church you're in,

0:28:55.120 --> 0:28:57.320
<v Speaker 1>and of course the church is often a metonym for

0:28:57.440 --> 0:29:00.160
<v Speaker 1>the church community. So it's like the church in a

0:29:00.240 --> 0:29:02.880
<v Speaker 1>sense is a sensor and the smoke coming out of

0:29:02.880 --> 0:29:04.680
<v Speaker 1>it as the prayers and the faith and all that.

0:29:05.520 --> 0:29:08.760
<v Speaker 1>But then he also says that Jesus made his cross

0:29:08.880 --> 0:29:12.600
<v Speaker 1>a sensor. Uh, I think I've lost track of what

0:29:12.680 --> 0:29:15.040
<v Speaker 1>the image is doing there, but clearly he's really into

0:29:15.080 --> 0:29:19.600
<v Speaker 1>the idea of of like of faith and love as smells. Yeah,

0:29:19.640 --> 0:29:23.680
<v Speaker 1>so we're needed at least and symbolic religious technology at

0:29:23.680 --> 0:29:27.560
<v Speaker 1>this point. Right now there's all this stuff about theological tension,

0:29:27.600 --> 0:29:31.000
<v Speaker 1>about like whether the burning of incense should be thought of,

0:29:31.040 --> 0:29:33.479
<v Speaker 1>as you know, honoring of God or not, because some

0:29:33.600 --> 0:29:37.120
<v Speaker 1>Christian theologians would say, wait a minute now, uh, we're

0:29:37.120 --> 0:29:39.840
<v Speaker 1>not supposed to be sacrificing to God anymore. Christ was

0:29:39.920 --> 0:29:42.560
<v Speaker 1>the sacrifice, so that's not part of our religion anymore.

0:29:42.920 --> 0:29:46.080
<v Speaker 1>But I guess they were just overruled because like it,

0:29:46.080 --> 0:29:48.600
<v Speaker 1>it became part of what most of the Church did.

0:29:49.720 --> 0:29:52.840
<v Speaker 1>And then, finally, the last thing in Harvey's paper here

0:29:52.880 --> 0:29:56.320
<v Speaker 1>is this whole idea of Ephraim and these other theologians

0:29:56.360 --> 0:30:00.080
<v Speaker 1>talking about smells as having come some kind of saving

0:30:00.160 --> 0:30:05.640
<v Speaker 1>or animating power, like creating stories in which the the

0:30:06.040 --> 0:30:10.560
<v Speaker 1>salvation of Christ, is itself an animating smell. So like

0:30:10.600 --> 0:30:14.320
<v Speaker 1>when the when a Christian dies, according to these theologians, uh,

0:30:14.320 --> 0:30:16.600
<v Speaker 1>you know, the body dies, but then upon the second

0:30:16.600 --> 0:30:20.000
<v Speaker 1>coming of Christ, quote, the wondrous odor of that treasury

0:30:20.080 --> 0:30:23.480
<v Speaker 1>of life flies into the body. So the idea of

0:30:23.520 --> 0:30:28.120
<v Speaker 1>the resurrection is that life returns because animating smells are

0:30:28.280 --> 0:30:31.840
<v Speaker 1>are are sort of injected into the dead body by

0:30:31.920 --> 0:30:34.959
<v Speaker 1>Christ or or by the Holy Spirit. Uh. And this

0:30:35.000 --> 0:30:36.960
<v Speaker 1>goes along with all kinds of stuff. Ef Firm writes

0:30:36.960 --> 0:30:39.000
<v Speaker 1>about how like when you go to heaven, you don't

0:30:39.000 --> 0:30:40.920
<v Speaker 1>actually need to eat bread in heaven, you know you're

0:30:40.920 --> 0:30:43.160
<v Speaker 1>not gonna be hungry because instead of bread there is

0:30:43.200 --> 0:30:46.880
<v Speaker 1>the very fragrance of paradise. You will live on smells alone.

0:30:47.400 --> 0:30:49.280
<v Speaker 1>I mean it's enough to make you wonder if he

0:30:49.440 --> 0:30:53.600
<v Speaker 1>was a super smeller, if he yeah, it had just

0:30:53.840 --> 0:30:57.760
<v Speaker 1>like heightened sense of smell compared to average people. And that,

0:30:58.120 --> 0:31:00.200
<v Speaker 1>I mean that alone wouldn't account for all of this,

0:31:00.320 --> 0:31:05.400
<v Speaker 1>but perhaps that's sort of uh, played into this. Just

0:31:05.400 --> 0:31:09.320
<v Speaker 1>just hyper obsession with sacred smells. I was wondering about

0:31:09.360 --> 0:31:12.360
<v Speaker 1>that very thing. One this is the very last thing

0:31:12.360 --> 0:31:14.480
<v Speaker 1>I want to mention from this paper, but I thought

0:31:14.560 --> 0:31:19.920
<v Speaker 1>this was interesting too. Uh. So, Harvey described Syriac Christian traditions.

0:31:19.960 --> 0:31:22.760
<v Speaker 1>That's and this is related to from two that said

0:31:22.760 --> 0:31:24.760
<v Speaker 1>that when Adam and Eve were expelled from the Garden

0:31:24.760 --> 0:31:26.680
<v Speaker 1>of Eden, you know the Garden of Eden story, they

0:31:26.720 --> 0:31:28.560
<v Speaker 1>eat the fruit. No, they weren't supposed to do that.

0:31:28.560 --> 0:31:32.360
<v Speaker 1>They get kicked out. In these Syrian Christian traditions, they

0:31:32.360 --> 0:31:37.000
<v Speaker 1>say it was because the serpent had breathed on Adam

0:31:37.040 --> 0:31:41.080
<v Speaker 1>and Adam became mortal. And quote, Eden could not tolerate

0:31:41.240 --> 0:31:45.240
<v Speaker 1>the stench of mortality. So He after the serpent breathed

0:31:45.280 --> 0:31:48.760
<v Speaker 1>on him, he stunk, he stunk of death, so the

0:31:48.760 --> 0:31:51.880
<v Speaker 1>garden had to vomit him out, and then it was

0:31:52.000 --> 0:31:56.280
<v Speaker 1>the fragrance of life supplied by Christ that reversed this

0:31:56.440 --> 0:32:00.000
<v Speaker 1>curse and frightened away death itself. So it's a parallel

0:32:00.080 --> 0:32:03.400
<v Speaker 1>to the garden. Uh, it said that the grave could

0:32:03.440 --> 0:32:07.440
<v Speaker 1>not tolerate the smell of life, and thus it's spit

0:32:07.640 --> 0:32:11.400
<v Speaker 1>Christ out and he was resurrected. Oh Wow. You know,

0:32:11.480 --> 0:32:13.320
<v Speaker 1>I can't help but wonder. You know, Terry Jones of

0:32:13.360 --> 0:32:16.280
<v Speaker 1>Monty Python was a pretty bright fell lane and very

0:32:16.280 --> 0:32:19.480
<v Speaker 1>well read, especially when it came to medieval topics. I

0:32:19.520 --> 0:32:21.360
<v Speaker 1>wonder if that any of this played into the bog

0:32:21.400 --> 0:32:24.520
<v Speaker 1>of eternal stench and labyrinth, because this is, you know,

0:32:24.600 --> 0:32:27.120
<v Speaker 1>this idea that if Jareth, the ruler of the realm

0:32:27.200 --> 0:32:30.080
<v Speaker 1>or to cast you out, you would be cast into

0:32:30.120 --> 0:32:32.800
<v Speaker 1>the bog of eternal stench. And of course, if anything

0:32:32.840 --> 0:32:35.400
<v Speaker 1>in the in the bog there touches you, you will

0:32:35.400 --> 0:32:38.959
<v Speaker 1>smell bad for the rest of your life. Uh So,

0:32:39.080 --> 0:32:41.120
<v Speaker 1>I don't know. I wonder if there's any connection there.

0:32:41.120 --> 0:32:43.360
<v Speaker 1>Maybe not, maybe it's that, but I wouldn't put it

0:32:43.360 --> 0:32:46.440
<v Speaker 1>past Terry Jones. But that's interesting. I didn't make that connection,

0:32:46.480 --> 0:32:49.720
<v Speaker 1>but it is interesting how it's reimagining these theological beliefs

0:32:49.720 --> 0:32:54.360
<v Speaker 1>in terms of, you know, just understanding our basic physiology that,

0:32:54.520 --> 0:32:58.840
<v Speaker 1>like smell, is clearly a sense that is very crucial

0:32:58.920 --> 0:33:02.800
<v Speaker 1>to our discussed reaction and that, like bad smells, can

0:33:02.880 --> 0:33:06.320
<v Speaker 1>easily cause the like the emitic function, you know, the

0:33:06.360 --> 0:33:09.640
<v Speaker 1>desire to vomit and, uh, I don't know where I'm

0:33:09.680 --> 0:33:11.800
<v Speaker 1>going with that, but it makes sense to me. I

0:33:12.560 --> 0:33:16.560
<v Speaker 1>also was wondering. I mean obviously different types of sensory

0:33:16.600 --> 0:33:22.479
<v Speaker 1>hallucinations exist and olfactory hallucinations also exist. Um, but I

0:33:22.480 --> 0:33:24.760
<v Speaker 1>feel like most of the time when I've read about

0:33:25.200 --> 0:33:29.280
<v Speaker 1>olfactory hallucinations, they tend to be negative as opposed to positive.

0:33:29.320 --> 0:33:30.880
<v Speaker 1>They tend to be bad smells, they tend to be

0:33:31.160 --> 0:33:35.200
<v Speaker 1>situations where, instead of smelling flowers, you smell, you know,

0:33:35.480 --> 0:33:39.000
<v Speaker 1>rot as opposed to the reverse or something, or smelling.

0:33:39.560 --> 0:33:42.440
<v Speaker 1>I said it may be the case that exists, but

0:33:42.480 --> 0:33:46.720
<v Speaker 1>I don't think I've read anything about hallucinated pleasant smells.

0:33:47.320 --> 0:33:50.920
<v Speaker 1>But if such a thing did exist, I guess it

0:33:50.920 --> 0:33:53.520
<v Speaker 1>wouldn't be beyond the realm of possibility you could have

0:33:54.800 --> 0:34:05.880
<v Speaker 1>positive olfactory hallucinations induced by religious experience. Than this kind

0:34:05.880 --> 0:34:08.400
<v Speaker 1>of ties into the next thing I wanted to mention,

0:34:09.000 --> 0:34:14.080
<v Speaker 1>which is a scientific study about the connection between a

0:34:14.200 --> 0:34:20.760
<v Speaker 1>commonly used smell in religious rituals, specifically Frankincense, and pharmacological

0:34:20.760 --> 0:34:23.440
<v Speaker 1>effects in the brain. So this is a study that

0:34:23.480 --> 0:34:25.600
<v Speaker 1>was published in the F A S Eb Journal in

0:34:25.680 --> 0:34:30.680
<v Speaker 1>two thousand eight by Aria Musiaf at all, and it's

0:34:30.680 --> 0:34:36.520
<v Speaker 1>called Incensial Acetate, an incense component ellicit psychoactivity by activating

0:34:36.760 --> 0:34:40.680
<v Speaker 1>trpv three channels in the brain. Okay, so we know

0:34:40.880 --> 0:34:44.680
<v Speaker 1>Frankincense and other incense, you know aromatic smells have been

0:34:44.760 --> 0:34:48.680
<v Speaker 1>used in religious rituals going way back. But this is

0:34:48.719 --> 0:34:52.600
<v Speaker 1>an interesting finding that the smoke of Buzzwellia Resin again

0:34:52.760 --> 0:34:56.399
<v Speaker 1>frankincense may not only affect us by habit or by

0:34:56.520 --> 0:35:01.560
<v Speaker 1>learned cognitive association, there may actually be a armacological mechanistic

0:35:01.600 --> 0:35:05.000
<v Speaker 1>effect on the brain as well. Uh, so the authors

0:35:05.040 --> 0:35:07.280
<v Speaker 1>begin by observing you know that people have been burning

0:35:07.320 --> 0:35:11.560
<v Speaker 1>Boswellia resin going back to ancient times for ceremonies of

0:35:11.600 --> 0:35:14.640
<v Speaker 1>all different sorts, and that the smell is often said

0:35:14.680 --> 0:35:19.600
<v Speaker 1>to help people feel spiritual exaltation. This study was designed

0:35:19.600 --> 0:35:23.680
<v Speaker 1>to investigate the neurological and behavioral effects of an organic

0:35:23.719 --> 0:35:28.640
<v Speaker 1>compound called Incenseil Acetate, which is found in some types

0:35:28.719 --> 0:35:32.359
<v Speaker 1>of Frankincense. INSENSEIL ACETATE has had already been shown at

0:35:32.360 --> 0:35:35.719
<v Speaker 1>the time of this study to have some anti inflammatory effects,

0:35:35.760 --> 0:35:37.759
<v Speaker 1>and the authors here we're looking at the effects on

0:35:37.800 --> 0:35:42.680
<v Speaker 1>the central nervous system. One key discovery seems to be

0:35:43.400 --> 0:35:48.560
<v Speaker 1>that Incenseil Acetate is a potent agonist or activator for

0:35:48.719 --> 0:35:54.120
<v Speaker 1>something called the transient receptor potential Valenoid, or TRP v

0:35:54.920 --> 0:35:59.840
<v Speaker 1>three ion channel. Now, the TRP v channels are typically

0:36:00.080 --> 0:36:04.239
<v Speaker 1>used by the skin and other tissues to detect temperature

0:36:04.320 --> 0:36:08.840
<v Speaker 1>changes and warmth, as well as chemical changes that simulate warmth.

0:36:08.920 --> 0:36:11.560
<v Speaker 1>One example is that this is a different one, but

0:36:12.120 --> 0:36:15.319
<v Speaker 1>spicy foods are known to work, at least in part,

0:36:15.360 --> 0:36:20.360
<v Speaker 1>by stimulating the TRP V one channel, which is naturally

0:36:20.440 --> 0:36:24.160
<v Speaker 1>used to detect burning sensations and pain via heat via

0:36:24.280 --> 0:36:27.160
<v Speaker 1>real heat. But you eat some spicy food, the CAPSAS

0:36:27.160 --> 0:36:30.240
<v Speaker 1>and in the spite in the hot peppers will activate

0:36:30.239 --> 0:36:34.359
<v Speaker 1>those trpv one channels and create the the false sensation

0:36:34.520 --> 0:36:37.800
<v Speaker 1>of burning or heat in the mouth. Meanwhile, the authors

0:36:37.840 --> 0:36:41.200
<v Speaker 1>of this study point out that the TRPV three channel

0:36:41.320 --> 0:36:46.400
<v Speaker 1>specifically appears specialized to detect temperatures with a threshold in

0:36:46.440 --> 0:36:49.120
<v Speaker 1>the range of thirty one to thirty nine degrees Celsius,

0:36:49.160 --> 0:36:52.279
<v Speaker 1>which is about eighty eight to one oh two degrees Fahrenheit,

0:36:52.440 --> 0:36:57.320
<v Speaker 1>or roughly the range of human body temperature. And so generally,

0:36:57.360 --> 0:37:00.279
<v Speaker 1>when this ion channel is activated, it is Experien Riens

0:37:00.400 --> 0:37:03.239
<v Speaker 1>by the brain as the feeling of warmth on the

0:37:03.280 --> 0:37:06.680
<v Speaker 1>skin or in the mouth, wherever the wherever it's activated.

0:37:07.680 --> 0:37:11.000
<v Speaker 1>So these trpv three channels are expressed in places like

0:37:11.000 --> 0:37:13.240
<v Speaker 1>the skin, in the mouth, the mouth cavity, of course,

0:37:13.280 --> 0:37:18.040
<v Speaker 1>but strangely they are also expressed in the brain tissue itself.

0:37:18.680 --> 0:37:20.880
<v Speaker 1>And since the body is supposed to always keep the

0:37:20.920 --> 0:37:24.279
<v Speaker 1>brain at a relatively constant temperature, it doesn't really make

0:37:24.320 --> 0:37:28.480
<v Speaker 1>sense for the brain tissue to be sensitive to temperature changes.

0:37:29.040 --> 0:37:32.560
<v Speaker 1>So what is the TRPV three channel doing in there?

0:37:32.640 --> 0:37:35.160
<v Speaker 1>What's it? Why is it in the brain tissue? At

0:37:35.160 --> 0:37:37.760
<v Speaker 1>the time of this study the answer to the question

0:37:37.920 --> 0:37:40.439
<v Speaker 1>was unknown and I don't know whether there's been much

0:37:40.480 --> 0:37:43.480
<v Speaker 1>development on that since then, but this study itself might

0:37:43.520 --> 0:37:46.520
<v Speaker 1>help provide at least one small clue, and it goes

0:37:46.600 --> 0:37:49.560
<v Speaker 1>like this. So you've got this compound, instance all Acetate,

0:37:49.640 --> 0:37:52.560
<v Speaker 1>found in frank instance, and it is shown in this

0:37:52.680 --> 0:37:56.520
<v Speaker 1>study to be an agonist or activator for the TRP

0:37:56.680 --> 0:38:00.120
<v Speaker 1>v Three Channel. It's activating these receptors that trigger are

0:38:00.120 --> 0:38:03.640
<v Speaker 1>a feeling of warmth, as well as perhaps having other

0:38:03.800 --> 0:38:07.560
<v Speaker 1>unknown effects within the brain. Could we look at behavior

0:38:07.640 --> 0:38:11.359
<v Speaker 1>of animals that are stimulated with this compound in order

0:38:11.360 --> 0:38:13.520
<v Speaker 1>to see what those effects might be? Well, what do

0:38:13.560 --> 0:38:15.440
<v Speaker 1>you know? They did that and yes, there are some

0:38:15.560 --> 0:38:20.200
<v Speaker 1>effects in wild type mice. They found that Incenseil Acetate

0:38:20.600 --> 0:38:24.920
<v Speaker 1>was shown to reduce anxiety and depression. Quote, at fifty

0:38:24.920 --> 0:38:29.920
<v Speaker 1>milligrams per kilogram, I exerted a potent anxiolytic like effect,

0:38:30.120 --> 0:38:34.480
<v Speaker 1>meeting anxiety quelling causing mice to spend significantly more time

0:38:34.640 --> 0:38:39.560
<v Speaker 1>in the aversive open arms of an elevated plus maze. Uh. Now,

0:38:39.640 --> 0:38:42.160
<v Speaker 1>rob we've talked about the elevated plus maze test on

0:38:42.200 --> 0:38:45.279
<v Speaker 1>the show before. That's a test commonly used to try

0:38:45.280 --> 0:38:49.800
<v Speaker 1>to investigate Um anxiety, or the lack thereof in animals,

0:38:49.800 --> 0:38:52.120
<v Speaker 1>where they're placed in a condition where they, you know,

0:38:52.160 --> 0:38:55.200
<v Speaker 1>they can explore different parts of of of a simple

0:38:55.239 --> 0:38:59.840
<v Speaker 1>cross shaped maze. Some parts of that maze are are covered,

0:39:00.000 --> 0:39:03.160
<v Speaker 1>they're sheltered, so they create a feeling of safety or

0:39:03.160 --> 0:39:06.440
<v Speaker 1>shelter for the animal. Other parts are uncovered and so

0:39:06.719 --> 0:39:10.600
<v Speaker 1>generally when an animal spends more time exploring the uncovered parts,

0:39:10.680 --> 0:39:13.520
<v Speaker 1>they are showing less anxiety. You know, they're less worried

0:39:13.560 --> 0:39:15.440
<v Speaker 1>about what's going to happen to them and they're more

0:39:15.520 --> 0:39:19.560
<v Speaker 1>willing to engage in full exploratory behaviors without the without

0:39:19.560 --> 0:39:22.959
<v Speaker 1>worries about harm. Uh, and this is used to test

0:39:23.520 --> 0:39:27.000
<v Speaker 1>various kinds of anxiety drugs that are designed to reduce anxiety.

0:39:27.040 --> 0:39:30.919
<v Speaker 1>But it appears that Frankinsense also will call, at least

0:39:30.960 --> 0:39:34.160
<v Speaker 1>at this dose, will cause mice to have less anxiety

0:39:34.239 --> 0:39:38.799
<v Speaker 1>about these uncovered, exposed spaces. And they also showed in

0:39:38.880 --> 0:39:43.120
<v Speaker 1>some different tests that the compound had antidepressant effects on

0:39:43.239 --> 0:39:46.680
<v Speaker 1>swimming tests and mice. And they double checked this mechanism

0:39:47.200 --> 0:39:50.040
<v Speaker 1>by trying to reproduce these results on mice that had

0:39:50.080 --> 0:39:53.919
<v Speaker 1>been genetically altered to have their trpv three receptors knocked out,

0:39:54.520 --> 0:39:57.160
<v Speaker 1>and the frankinstance compound had no effect on those. So

0:39:57.200 --> 0:40:01.480
<v Speaker 1>it looks like it is indeed working via trpv three. Now,

0:40:01.640 --> 0:40:04.439
<v Speaker 1>the study was in mice and the same thing might

0:40:04.440 --> 0:40:06.879
<v Speaker 1>not hold true for humans, or it might not hold

0:40:06.920 --> 0:40:10.040
<v Speaker 1>true at the doses one would be likely to receive

0:40:10.160 --> 0:40:12.920
<v Speaker 1>just from being in a room that is, you know,

0:40:13.040 --> 0:40:16.359
<v Speaker 1>lightly smoked with Frankinsense. But it does at least raise

0:40:16.480 --> 0:40:21.360
<v Speaker 1>this interesting question. Is Frankinsense in particular selected for religious

0:40:21.480 --> 0:40:24.720
<v Speaker 1>rituals not only because of tradition and the pleasant smell,

0:40:25.360 --> 0:40:29.600
<v Speaker 1>but because of some kind of possible downstream pharmacological effects

0:40:29.680 --> 0:40:34.000
<v Speaker 1>associated with activation of the TRPV three channel? And these

0:40:34.040 --> 0:40:37.439
<v Speaker 1>these again, could include sensations of warmth as well as

0:40:37.520 --> 0:40:43.560
<v Speaker 1>regulation of emotional states, particularly anxiety and depression. This is fascinating.

0:40:43.960 --> 0:40:46.879
<v Speaker 1>So yeah, I mean, on one level, potentially good news

0:40:46.920 --> 0:40:49.799
<v Speaker 1>for the church mice in general. Yeah, with nothing else,

0:40:49.880 --> 0:40:55.040
<v Speaker 1>but but yeah, like trying to imagine, like how this

0:40:55.360 --> 0:40:59.800
<v Speaker 1>could feed into ideas and rituals revolving around frankinsense. I

0:40:59.800 --> 0:41:04.040
<v Speaker 1>mean again, obviously church members at large or not huffing

0:41:04.040 --> 0:41:08.120
<v Speaker 1>Frankincense uh in in in their worship. And also we're

0:41:08.160 --> 0:41:10.960
<v Speaker 1>talking about we're often talking about rather large spaces with

0:41:11.360 --> 0:41:14.400
<v Speaker 1>just kind of wafting about. But if at some point

0:41:14.840 --> 0:41:18.440
<v Speaker 1>somebody in a position of sort of spiritual, theolotological power,

0:41:19.120 --> 0:41:22.879
<v Speaker 1>uh had been in a more confined space with this

0:41:23.400 --> 0:41:28.319
<v Speaker 1>and had experienced some of these Um sensations whilst uh,

0:41:28.960 --> 0:41:33.960
<v Speaker 1>you know, breathing in some frankincense saturated air, you could

0:41:33.960 --> 0:41:37.319
<v Speaker 1>see how that might lead into uh emphasises that are

0:41:37.360 --> 0:41:42.960
<v Speaker 1>placed on on Frankincense moving forward. This absolutely got me

0:41:43.040 --> 0:41:46.080
<v Speaker 1>wondering about formative experience in which I wonder if one

0:41:46.200 --> 0:41:49.479
<v Speaker 1>St Ephraim maybe got into a little hot box room,

0:41:49.640 --> 0:41:52.279
<v Speaker 1>got very, you know, a confined space, and went hard

0:41:52.320 --> 0:41:56.040
<v Speaker 1>on the Frankincense and that did something to him. Yeah,

0:41:56.280 --> 0:41:58.880
<v Speaker 1>he emerges believing that he can not only metaphorically but

0:41:59.000 --> 0:42:01.839
<v Speaker 1>literally smell the presence of God. Yeah, this is this

0:42:01.920 --> 0:42:05.080
<v Speaker 1>is fascinating. I guess I'd love to hear from frankinsince

0:42:05.160 --> 0:42:08.560
<v Speaker 1>enthusiasts out there, UM, and also, I guess in general,

0:42:09.080 --> 0:42:12.080
<v Speaker 1>it would be interesting to hear from people whose religious

0:42:12.120 --> 0:42:17.800
<v Speaker 1>practices do have a a dedicated incense or specific odor

0:42:17.920 --> 0:42:22.719
<v Speaker 1>like like. Certainly I can think of like Asheram type environments.

0:42:22.719 --> 0:42:25.520
<v Speaker 1>I've been in uh you know where there is there's

0:42:25.560 --> 0:42:28.440
<v Speaker 1>incense burned and I don't even know what specific incense

0:42:28.440 --> 0:42:31.200
<v Speaker 1>would be, but it does contribute to that space. But

0:42:31.280 --> 0:42:33.759
<v Speaker 1>I think back on growing up in a like a

0:42:33.840 --> 0:42:37.359
<v Speaker 1>Protestant church environment and I don't I would be hard

0:42:37.400 --> 0:42:40.439
<v Speaker 1>pressed to say what the smell, but the odor of

0:42:40.440 --> 0:42:43.480
<v Speaker 1>the sacred spaces was. You know, it was just like

0:42:43.800 --> 0:42:47.000
<v Speaker 1>what vacuumed carpet, freshly vacuum carpet maybe something like that,

0:42:47.120 --> 0:42:52.880
<v Speaker 1>something very neutral and almost invisible, air conditioning perhaps, or Um,

0:42:52.920 --> 0:42:54.960
<v Speaker 1>I guess, kind of the wood of the pews, that

0:42:55.080 --> 0:42:57.960
<v Speaker 1>sort of thing. But nothing. It's like that is like

0:42:58.040 --> 0:43:02.600
<v Speaker 1>literally piped in or literally burnt and created in the space.

0:43:03.000 --> 0:43:05.080
<v Speaker 1>I feel like I've been in some Protestant churches that

0:43:05.160 --> 0:43:07.560
<v Speaker 1>almost had new car smell. I don't know how to

0:43:07.600 --> 0:43:11.160
<v Speaker 1>explain what that is. New Car smell is interesting to

0:43:11.160 --> 0:43:13.919
<v Speaker 1>think of in terms of like religious experience, at least

0:43:13.920 --> 0:43:18.000
<v Speaker 1>within the uh the sort of pseudo religious experience in

0:43:18.000 --> 0:43:23.399
<v Speaker 1>the secular capitalist world of consumerist worship of the automobile.

0:43:24.360 --> 0:43:27.480
<v Speaker 1>I guess sometimes there is that new church smell sometimes

0:43:27.480 --> 0:43:30.759
<v Speaker 1>that you do encounter that right where it's just like

0:43:30.800 --> 0:43:33.680
<v Speaker 1>the new construction smell, new paint, that sort of thing. Yeah,

0:43:34.040 --> 0:43:37.359
<v Speaker 1>now one one last thing I wanted to touch on here. UH,

0:43:37.920 --> 0:43:41.239
<v Speaker 1>would be remiss if we were talking about Thuribles and

0:43:41.320 --> 0:43:46.439
<v Speaker 1>we did not mention the UH, the the Botea fumeriou.

0:43:46.640 --> 0:43:50.760
<v Speaker 1>This is the largest of all thuribles. It is found

0:43:50.800 --> 0:43:57.440
<v Speaker 1>in Spain's Santiago de Compostela Cathedral, and this is literally translated.

0:43:57.480 --> 0:44:01.120
<v Speaker 1>It is the smoke expeller. It is a rate. Uh.

0:44:01.320 --> 0:44:04.480
<v Speaker 1>Is a huge eight M or hundred and seventy six

0:44:04.520 --> 0:44:08.400
<v Speaker 1>pound thurible. That's stay. If it's it's standing upright on

0:44:08.440 --> 0:44:12.719
<v Speaker 1>the ground. It would stand one point uh, six meters,

0:44:12.920 --> 0:44:15.239
<v Speaker 1>or five ft two in height. So it's like the

0:44:15.320 --> 0:44:19.520
<v Speaker 1>size of a person. Is this the height of a person?

0:44:20.040 --> 0:44:24.160
<v Speaker 1>And Uh, and therefore it's too large for one individual

0:44:24.239 --> 0:44:27.760
<v Speaker 1>to swing. No, instead it swings from a pulley system

0:44:27.800 --> 0:44:31.879
<v Speaker 1>on the ceiling like a great pendulum through the space here,

0:44:32.160 --> 0:44:34.200
<v Speaker 1>and you can look up videos of it and it's

0:44:34.440 --> 0:44:39.520
<v Speaker 1>it's pretty intimidating. It's this silver finished, brass, bronze comet

0:44:40.080 --> 0:44:42.440
<v Speaker 1>burning its way back and forth through the church. You

0:44:42.480 --> 0:44:45.080
<v Speaker 1>can imagine like if someone were to walk in front

0:44:45.120 --> 0:44:50.040
<v Speaker 1>of this and they would just be completely walloped. Um,

0:44:50.080 --> 0:44:52.759
<v Speaker 1>it's UH, yeah, it's it's pretty amazing. It's I think

0:44:52.840 --> 0:44:56.320
<v Speaker 1>the current one only goes back a hundred, seventy one years,

0:44:56.640 --> 0:44:58.879
<v Speaker 1>but the use of the pulley system and the use

0:44:58.920 --> 0:45:01.760
<v Speaker 1>of a large thurible in this church goes back centuries,

0:45:01.760 --> 0:45:05.560
<v Speaker 1>to I think the fourteen hundreds, and there have been

0:45:05.560 --> 0:45:08.239
<v Speaker 1>some notable accidents over the years. Every now and then

0:45:08.280 --> 0:45:10.879
<v Speaker 1>you know something's gonna go awry. I think in six

0:45:11.440 --> 0:45:13.560
<v Speaker 1>two and it allegedly flew out of a window, but

0:45:13.640 --> 0:45:17.839
<v Speaker 1>nobody was hurt. Um, this is I mean, I love

0:45:17.920 --> 0:45:20.720
<v Speaker 1>this thing, but also I just got sad thinking about

0:45:20.719 --> 0:45:23.960
<v Speaker 1>how I'm positive that Dan Brown has written a novel

0:45:24.000 --> 0:45:27.920
<v Speaker 1>in which someone is murdered with this object. It just

0:45:28.040 --> 0:45:29.960
<v Speaker 1>has to be. Yeah, it seems like that would be

0:45:30.000 --> 0:45:33.440
<v Speaker 1>an irresistible scene for for a novel like that. Like

0:45:33.480 --> 0:45:35.480
<v Speaker 1>maybe that's how you you do in your villain, or

0:45:35.480 --> 0:45:38.319
<v Speaker 1>maybe that's the sort of James Bond esque scheme that

0:45:38.360 --> 0:45:42.120
<v Speaker 1>your villain has to take out, uh, your your hero.

0:45:42.560 --> 0:45:44.279
<v Speaker 1>What would be the plot to be like? Oh, no,

0:45:44.640 --> 0:45:47.360
<v Speaker 1>the Dalai Lama has been crushed to death by a

0:45:47.440 --> 0:45:50.759
<v Speaker 1>giant Thurible and it's up to our symbologist, who only

0:45:50.760 --> 0:45:53.719
<v Speaker 1>as twenty four hours, to catch the killer before the

0:45:53.800 --> 0:45:56.439
<v Speaker 1>volcano erupts. That I don't know. I guess it would

0:45:56.440 --> 0:45:59.919
<v Speaker 1>also be irresistible because I think in Bertaccos fucos pendle

0:46:00.040 --> 0:46:03.640
<v Speaker 1>Um somebody ends up hanging from the pendulum or something.

0:46:03.640 --> 0:46:05.359
<v Speaker 1>It's been a very long tent since I read that one.

0:46:06.040 --> 0:46:08.000
<v Speaker 1>So it would make sense give, you know, all this

0:46:08.080 --> 0:46:10.200
<v Speaker 1>Dan Brown stuff, since the sort of sense to sort

0:46:10.200 --> 0:46:12.600
<v Speaker 1>of come in the wake of Umberto Eco. It would

0:46:12.640 --> 0:46:15.440
<v Speaker 1>make sense that that it would go in that direction.

0:46:15.880 --> 0:46:21.360
<v Speaker 1>Now I actually was researching another angle on sensors for incense,

0:46:21.560 --> 0:46:24.280
<v Speaker 1>and it turned out to be a pretty exciting area

0:46:24.320 --> 0:46:30.240
<v Speaker 1>of religious technology bleeding into the history of technology in general.

0:46:30.680 --> 0:46:33.319
<v Speaker 1>So I'm gonna set that aside. We'll come back to that.

0:46:33.400 --> 0:46:36.120
<v Speaker 1>So if you haven't had enough incense yet, don't worry.

0:46:36.440 --> 0:46:39.719
<v Speaker 1>There's going to essentially be more incense content coming out,

0:46:39.880 --> 0:46:42.440
<v Speaker 1>but instead of it being incense part three, it's going

0:46:42.480 --> 0:46:45.800
<v Speaker 1>to be a separate discussion. That just involved since, since

0:46:47.160 --> 0:46:50.440
<v Speaker 1>now we didn't touch on anywhere near all the various

0:46:50.480 --> 0:46:54.600
<v Speaker 1>incense traditions from cultures around the world. They're marvelous examples

0:46:54.640 --> 0:46:57.360
<v Speaker 1>that I know I was running across from parts of Africa,

0:46:57.480 --> 0:47:00.000
<v Speaker 1>Mezzo in South America, the Middle East and much more

0:47:00.000 --> 0:47:02.920
<v Speaker 1>are so please you're right in if there's a specific

0:47:02.920 --> 0:47:05.279
<v Speaker 1>example you'd like to highlight, something that's part of your

0:47:05.320 --> 0:47:08.200
<v Speaker 1>practice or culture, because we'd love to hear from you all.

0:47:08.800 --> 0:47:10.640
<v Speaker 1>In the meantime, if you would like to check out

0:47:10.640 --> 0:47:12.600
<v Speaker 1>other episodes of stuff to blow your mind, our core

0:47:12.640 --> 0:47:15.080
<v Speaker 1>episodes published on Tuesdays and Thursdays and the stuff to

0:47:15.120 --> 0:47:17.840
<v Speaker 1>blow your mind podcast feed, you can find that wherever

0:47:17.880 --> 0:47:22.319
<v Speaker 1>you get your podcast episodes. On Monday's we do listen mail.

0:47:22.680 --> 0:47:25.840
<v Speaker 1>On Wednesdays we do an artifact or monster fact, and

0:47:25.880 --> 0:47:27.880
<v Speaker 1>this week's, by the way, in case you missed it,

0:47:27.920 --> 0:47:30.319
<v Speaker 1>is incense themed, so go back and listen to that

0:47:30.360 --> 0:47:32.400
<v Speaker 1>one if you missed it. And on Fridays we do

0:47:32.480 --> 0:47:34.560
<v Speaker 1>weird how cinema. That's our time to set aside most

0:47:34.560 --> 0:47:38.120
<v Speaker 1>serious concerns and just talk about a weird film, huge things,

0:47:38.160 --> 0:47:41.600
<v Speaker 1>as always, to our excellent audio producer, Seth Nicholas Johnson.

0:47:41.920 --> 0:47:43.680
<v Speaker 1>If you would like to get in touch with us

0:47:43.680 --> 0:47:46.360
<v Speaker 1>with feedback on this episode or any other, to suggest

0:47:46.400 --> 0:47:48.359
<v Speaker 1>a topic for the future or just to say hello,

0:47:48.719 --> 0:47:51.319
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0:47:51.360 --> 0:48:01.120
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0:48:01.120 --> 0:48:03.840
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0:48:03.880 --> 0:48:06.800
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