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Speaker 1: To that interview. I don't think I ever heard you

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Speaker 1: speak about that.

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Speaker 2: The interview got took down. People want to know what happened?

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Speaker 2: What do you mean it got took down? People were

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Speaker 2: saying that the eighty five South interview with Charleston White

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Speaker 2: was removed from YouTube.

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Speaker 1: What all citizens? One thing I love about America. They

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Speaker 1: give you the right to free speech. I ain't bothering

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Speaker 1: on what I'll say you. I ain't calling no, I

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Speaker 1: ain't no nothing. If I say say jay Z, you're

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Speaker 1: nap ahead up. He can't want to fight me, he Z,

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Speaker 1: what are you doing? You? Sue? I got made with

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Speaker 1: a red bean on it.

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Speaker 2: The eighty five southn interview with Charleston White was removed

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Speaker 2: from YouTube. What you own eighty five South? I think

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Speaker 2: it's interesting you're asking me why.

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Speaker 1: There's a lot of theories behind. People told me the

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Speaker 1: tip called us and made us take it down. It's

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Speaker 1: your time to tell the hundreds of thousands of people

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Speaker 1: that love to watch you. Are you interested in going

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Speaker 1: on tour without DC and Chico?

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Speaker 3: I am.

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Speaker 1: You're on tour.

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Speaker 2: Yeah, but DC can be selling more than you, or

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Speaker 2: Chico can be selling less than Callos. Callos can be

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Speaker 2: selling more than Chico. How does that not affect y'all?

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Speaker 2: How do y'all stay tailor made for the situation with

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Speaker 2: the wilding out thing?

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Speaker 1: I spoke to Chico a few weeks ago. He talked

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Speaker 1: to me about.

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Speaker 2: The like revenue sharing, y'all take a big homie perspective

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Speaker 2: on that.

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Speaker 1: What what what what? What lends itself to that it's

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Speaker 1: only one difference between some description revenue and AD revenue. Right,

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Speaker 1: Even without all that, they still straight. Yeah, but as

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Speaker 1: a business, you have to sit down, like you have

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Speaker 1: people in your offices sitting down trying to figure out

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Speaker 1: how to amplify your app, how to amplify your content.

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Speaker 1: Subscriptions the month, who they know, who watched the TV,

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Speaker 1: who watched the phone, who got it on their computer,

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Speaker 1: on their ippad. But this is one of the biggest

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Speaker 1: companies in the world. So what I'm saying is we

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Speaker 1: don't even understand the scope of this. Sh just want

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Speaker 1: to exactly my man, Lord loans, old loan, new loan. Okay, okay, okay,

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Speaker 1: Ops is up there and stuck that n when it's

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Speaker 1: up there, Man, it's stuck there. Shut up.

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Speaker 1: Let's get back to the show and number six and

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Speaker 1: and they even it ain't even came out yet, it's

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Speaker 1: the first day. They gonna think that this got some

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Speaker 1: big numbers behind it. Ain't got nothing to do with

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Speaker 1: what I'm saying. You just said.

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Speaker 2: I said, the hard numbers, the demographics behind the scenes. Okay,

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Speaker 2: when someone there's value to every viewer, there's an ad

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Speaker 2: company that wants to sell something to every person that

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Speaker 2: clicks on the eighty five South podcast NETg.

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Speaker 1: Hick looking at it in a small I'm looking at it,

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Speaker 1: how Netflix looking at it? They're selling that data. Bro,

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Speaker 1: wait a minute, Netflix the whole cost. Everybody's selling data. Right,

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Speaker 1: I'm trying to get you to even understand what Netflix is.

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Speaker 1: It's a Netflix. This is where you watch all the

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Speaker 1: movies at right. Yeah, you think that it's just they

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Speaker 1: got one Netflix deal. Do you understand they got ads

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Speaker 1: against every movie on this mother point I'm making.

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Speaker 2: This is a trillion dollar compt of course, so I'm

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Speaker 2: telling you that, but taking mind with it being a

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Speaker 2: trillion dollar company, every number counts. That's why on YouTube

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Speaker 2: and things, you can't have fake views and certain things

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Speaker 2: because they oddit in this because they're selling ads against it.

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Speaker 2: So what happens is Netflix is taking that hard data

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Speaker 2: that they're telling you it is useless. And it's unfortunate

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Speaker 2: that you were just hiring the business and thinking this

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Speaker 2: data is useless when this data is so important. You look,

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Speaker 2: you not even hearing with I'm listening, go ahead, you're

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Speaker 2: not hearing with them?

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Speaker 1: How many more? How many more have a Netflix account?

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Speaker 1: First of all? Plenty everybody? Do you think they give

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Speaker 1: a what you're watching on there? Or they want you

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Speaker 1: to have this account? Who the company? Hell yeah, you

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Speaker 1: think they give what you watch? They don't, right, I do.

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Speaker 1: You can have a Netflix account and never watch nothing.

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Speaker 1: You don't watch Netflix every day.

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Speaker 2: I think there's extreme value in what is actually being

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Speaker 2: watched on Netflix. One hundred percent think that the value

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Speaker 2: of Netflix lives in the people that are actually watching.

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Speaker 2: I do think you obscribing them, not because if they

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Speaker 2: gave it, if you watch it or not?

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Speaker 1: Free? No, it's not free. Is twenty dollars a month?

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Speaker 1: Twenty five dollars a month?

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Speaker 2: Yeah, and then debt every month from a being in perspective,

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Speaker 2: So what I'm telling you is it's a game being played.

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Speaker 2: They have a subscription model where people are paying the

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Speaker 2: twenty dollars a month. But if you're telling me that

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Speaker 2: you think that the actual viewership of a company like

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Speaker 2: Netflix is none and void, that's absurd.

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Speaker 3: Bro Okay, all I'm saying years.

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Speaker 1: They sell ads against the viewership of that company, against

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Speaker 1: the click through rate. They don't sell ads just on

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Speaker 1: based on who's signed up. They sell ads versus the

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Speaker 1: click through rate. All right, lord, it's way more complicated

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Speaker 1: than that. I'm okay, tell me, because I'm in it.

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Speaker 1: Tell me I know you in it too. We don't

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Speaker 1: have We will be here all day for me to

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Speaker 1: have to try to break down how these people make

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Speaker 1: all this money off of this. They don't give if

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Speaker 1: you watch this or not. Honestly, the numbers matter to

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Speaker 1: mother who give numbers, the people who trying to buy

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Speaker 1: some space, you know. And that's what I'm saying. And

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Speaker 1: that's only one difference between subscription revenue and ad revenue,

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Speaker 1: right bro, Even even without all that, they still straight. Yeah.

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Speaker 1: But as a business you have to sit down like

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Speaker 1: you have people in your offices sitting down trying to

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Speaker 1: figure out how to amplify your app, how to amplify

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Speaker 1: your content, how to amplify your comedy on all different levels.

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Speaker 1: And you're telling me that these these sections of the

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Speaker 1: business don't matter. I'm telling you the viewership is where

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Speaker 1: they sell. The ads gets the same way that you

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Speaker 1: guys do with your YouTube eighty five South and with

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Speaker 1: your your audio with black effects. You sell ads against

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Speaker 1: that audio in that video. No, man, do you not

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Speaker 1: understand how the world is working right now? Yeah? Netflix

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Speaker 1: is just like Google for the movies. They got every

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Speaker 1: movie in the mother world, every movie you could think of,

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Speaker 1: I would argue, damn without with the exceptions of certain movies.

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Speaker 1: But if you get a brand new Netflix account at

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Speaker 1: your new house and you watch one movie, do you

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Speaker 1: not know that they have enough information about you to

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Speaker 1: put all that you might positively in your lifetime while

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Speaker 1: you have this faction watch. Have you come over my

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Speaker 1: house and I've been watching Rambo and all this or other,

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Speaker 1: It's gonna be some on my Netflix that you don't

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Speaker 1: even know how to get to on your Netflix? Do

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Speaker 1: you not understand that we are literally in the matrix

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Speaker 1: no Netflix numb They don't give if you watch it

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Speaker 1: or not. If you don't have it, you're not gonna

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Speaker 1: wear to watch at this point. That's it.

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Speaker 3: That's all I'm saying.

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Speaker 1: And for you to say, oh no, this is it's

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Speaker 1: not just like, hey, it's not Walmart when you just

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Speaker 1: walk in and they got these mother getting money off

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Speaker 1: on in the site subscriptions, the mother who they know,

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Speaker 1: who watched it on TV, who watched it on their phone,

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Speaker 1: who got it on their computer on their iPad. But

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Speaker 1: this is one of the biggest companies in the world.

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Speaker 1: So what I'm saying is we we don't even understand

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Speaker 1: the scope of this like this is it like this

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Speaker 1: month is huge? It's that. Yeah, it's the new way

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Speaker 1: that we're gonna have to watch movies from here on that.

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Speaker 3: I know that.

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Speaker 1: So they don't give us. They put that, they put that,

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Speaker 1: they snuck that the traterarion with the ads and so

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Speaker 1: they that's that's the thing.

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Speaker 2: That's another generation of revenue. So they have a tier

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Speaker 2: where you can have no ads. They have a tier

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Speaker 2: where you can go you know where, just to see.

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Speaker 1: I'm gonna show you how good they are in business.

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Speaker 1: You actually believe that they losing money? Of course not

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Speaker 1: of course nine you said the red every quest.

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Speaker 2: Yeah that, but I'm telling you because they're playing this

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Speaker 2: subscription game. Well, when the money come in, they put

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Speaker 2: it back out on content because they want to own

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Speaker 2: everything that's on their platform. So they spend the most.

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Speaker 2: Why you think they stole comedy from HBO? First, it

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Speaker 2: was everything that is absurd. That is, you don't think

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Speaker 2: that they bullied the market and took comedy from HBO

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Speaker 2: by offering comics ubsurves amount of money. No Comedy Center

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Speaker 2: and HBO they took it from them. No, okay, what's

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Speaker 2: your argument against that? Because I'm a comedian, Okay, so

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Speaker 2: tell me.

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Speaker 1: Do you know that HBO can come and give me

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Speaker 1: a deal right now and it's still be the I

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Speaker 1: can have an HBO special steal HBO ain't win no

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Speaker 1: right now, I can argue I believe that now. But

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Speaker 1: for a moment, Netflix stole the market from them. Bro.

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Speaker 1: They was they was.

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Speaker 2: They took every comic and gave them high amounts of

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Speaker 2: money to do specials on Netflix.

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Speaker 1: Bro, they turned it down there into a comedian platform.

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Speaker 1: I feel like I'm arguing with my uncle at the

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Speaker 1: house on Thanksgiving. This information is dated, incorrect. Wow, it's

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Speaker 1: not correct. I can't believe said I'm dated. This comment

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Speaker 1: is gonna say he's watch He's gonna say the way

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Speaker 1: that putting it in a box, just Fox, I'm putting

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Speaker 1: it in You made it sound like HBO has turned

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Speaker 1: into Lifetime. HBO is still HBO as far as comedy

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Speaker 1: is concerned.

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Speaker 2: Are you arguing as far as the market share is concerned?

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Speaker 2: The HBO is even existing as it pertains the comedy specials.

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Speaker 1: Yes, give me one HBO comedy special. Bro. You probably

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Speaker 1: don't even realize how many comedies give me one next

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Speaker 1: that are produced by HBO. That's not give me one

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Speaker 1: Netflix com to give you one. You watch Netflix. I'm

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Speaker 1: telling you in the game that Cat Williams did five HBO.

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Speaker 1: I'm talking about present day, bro loan, give you give

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Speaker 1: me a woman. Pull up, pull up, pull up the

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Speaker 1: last special, HBO last time. Can you give me one Netflix?

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Speaker 1: Off the top of your head. You just watched Dave Chappelle,

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Speaker 1: Just do it. Pull it up now. Just I'm saying, dude,

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Speaker 1: you got the phone and you all cameras, HB, pull

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Speaker 1: up the one last watch this.

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Speaker 2: This ain't nothing compared to Netflix, respectfully the HBO bro.

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Speaker 1: Man, you tripping, Yo, you are tripping. I can't believe

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Speaker 1: you think of Netflix comedy and how many Comedy Central

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Speaker 1: special got the same effect as a Netflix. Yes, if

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Speaker 1: you that, it don't matter what platform you do it

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Speaker 1: on as far as and I ain't even talking about

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Speaker 1: the same effect. I'm talking about market share. Let's not

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Speaker 1: move the gold post.

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Speaker 2: I said that as it pertains the comedy specials as

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Speaker 2: a whole, Netflix took the market from HBO in Comedy Central.

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Speaker 1: That's what I said. You said, No, you said, HBO

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Speaker 1: right now is still in the race as it pertains

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Speaker 1: the comedies. He can't look how long it's taking? Well equipped,

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Speaker 1: I got it. He ain't willing. Boy, can a few steps?

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Speaker 1: I forgot hold on, I got you. Don't worry about it.

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Speaker 1: It's no way that you're arguing this though. You arguing

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Speaker 1: me just to argu me. Yo, can you believe this?

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Speaker 1: You can say, hey, yo, bro, can you believe he's

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Speaker 1: arguing this? Or what? Be real? Bro? It's no way

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Speaker 1: you telling me HBO specials. It's like that.

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Speaker 2: It's no way you telling me that Netflix didn't steal

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Speaker 2: the market from HBO.

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Speaker 1: Yes, I will. You can't even name your last HBO special.

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Speaker 1: I'm trying to find I'm shifting through this. I'm just

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Speaker 1: going through the list of comedians because now they got

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Speaker 1: a new wave of comedians. But HBO special is still

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Speaker 1: the most move You must be trying to get one

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Speaker 1: or something. I'm just letting you know it never lost

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Speaker 1: its value. You must got one on the low it Okay.

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Speaker 1: First of all, I hate this. I hate to do this,

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Speaker 1: but do you understand one of the the biggest comedy shows,

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Speaker 1: not special shows in in comedy TVs. The Larry David

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Speaker 1: Kirby Enthusiasm, who produced that HBO. Thank you. That's I'm

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Speaker 1: talking about. When Seinfeld come out and do his specialist.

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Speaker 1: It's some HBO that sitcoms. Okay, No, that's the stand

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Speaker 1: up comedy now, all right, all right, So we're gonna

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Speaker 1: let the comments fight that out because I believe, because

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Speaker 1: I believe that you believe I'm a comedian, and that's

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Speaker 1: what's And I'm letting you know that the HBO special

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Speaker 1: because if HBO wanted to put the money behind our meeting, no,

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Speaker 1: don't do me like that. Lord, I know I'm high level.

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Speaker 1: Don't do that. I have to do it.

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Speaker 3: You know I'm You're not hearing me, You're doing me wrong.

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Speaker 2: And that sauce at the end, man, you know that

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Speaker 2: ain't what we were talking about.

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Speaker 1: If they wanted to the same way in Netflix, if.

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Speaker 2: It's giving the Netflix for kibbles and bits, now that's

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Speaker 2: how they control the market. They went and gave Dave

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Speaker 2: and all these other their big money. And now he's

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Speaker 2: running to try to say, yo, I'm on the same Dave,

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Speaker 2: because they brought the audience there.

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Speaker 1: The whole comedy audience is on Netflix. Nobody's checking for

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Speaker 1: HBO saying that a new comedy specialist out, Yo, you

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Speaker 1: bugging out. You're bugging out, You're bugging out. Okay, no way, long?

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Speaker 3: What else?

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Speaker 1: All right? Who do you.

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Speaker 2: Do you like black comedy over white comedy?

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Speaker 1: That's ridiculous, Absolutely not.

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Speaker 3: I don't.

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Speaker 1: I don't watch a lot of white comedy. You don't.

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Speaker 1: I don't get it. So you do like black comedy

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Speaker 1: over white comedy? Is it? Is that something you can't

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Speaker 1: say or something? No? I just I just never even

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Speaker 1: thought about it. I just well, I don't get a

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Speaker 1: lot of the white people humor, So you enjoy our humor.

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Speaker 1: Sometimes I can live at white people, but not white

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Speaker 1: people comedy, right, sometimes it'll hit me nobody, nobody. Yeah,

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Speaker 1: it's a few that stand out. I got a few

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Speaker 1: white people comedy.

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Speaker 2: Do you think that black comedy translates better than white

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Speaker 2: Who doesn't?

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Speaker 1: Why do you think not? Language barrier? Hmmm, language barrier.

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Speaker 1: I think it does. I don't.

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Speaker 3: It depends on the crowd.

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Speaker 2: I'm just saying from marketshare, like of the market of

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Speaker 2: the of the people that go to comedy shows that

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Speaker 2: the people that sell out tickets is a white comedy.

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Speaker 1: Is white comedy bigger than black comedy? Yeah? Because it's

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Speaker 1: a bigger market. Like that's the case, the entire market

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Speaker 1: that we share.

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Speaker 2: I would say, because it's more like white comic selling,

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Speaker 2: you know what I mean?

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Speaker 1: Yeah, because other races are more accepting of white people,

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Speaker 1: Like they look at black comedy it is like too

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Speaker 1: harsh sometimes.

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Speaker 2: But they also but on the other side people to

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Speaker 2: argue that they look at us for their entertainment and

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Speaker 2: to come laugh at us.

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Speaker 1: Yeah, it has it has certain aspects of that. But

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Speaker 1: it don't matter where you go in the world, it's

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Speaker 1: still gonna be some some white people at the show,

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Speaker 1: whatever the black event is, It's always gonna be a

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Speaker 1: certain group of white people that with it hard. But

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Speaker 1: it ain't never gonna be an overwhelming majority. Into you

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Speaker 1: get to that level where you done had four five

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Speaker 1: and Netflix specials. Now you're selling out where the Yankees

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Speaker 1: play baseball.

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Speaker 3: Lead or some shit.

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Speaker 2: So so if white comedy is better, just as a whole. Right,

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Speaker 2: So if we say, I wouldn't say better, it's just

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Speaker 2: not better. You got a bigger market, yeah, because I

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Speaker 2: don't want to use those words because it's not that

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Speaker 2: kind of competition.

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Speaker 1: We're talking about marketshare. We're just looking at market share.

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Speaker 2: So if white comedy has more market share than black comedy,

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Speaker 2: what would be the reason behind that is?

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Speaker 1: You just think surely just volume. I just think it

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Speaker 1: what you like? You said, they're accepted more the type

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Speaker 1: of humor that white comedians do. They don't get too

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Speaker 1: graphic about you know what I mean, if some of

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Speaker 1: them do not not like black comedian. Yeah, you know

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Speaker 1: what I'm saying. They can really just talk in a

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Speaker 1: white people kind of way. You know what I'm saying.

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Speaker 1: They don't even really have to use no harsh language

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Speaker 1: for it to really just be like they just can

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Speaker 1: talk the way they talk piece of Yeah, you know

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Speaker 1: what I mean, that's pretty much like as hard is

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Speaker 1: it gonna get like here and there and it ain't

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Speaker 1: never gonna be you know what I mean A whole

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Speaker 1: I was watching, But that's the way we talk, and

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Speaker 1: we're not accepted for that. We get criticized on the

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Speaker 1: way that we communicate amongst a group of us, and

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Speaker 1: and they got the freedom to just beat them a

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Speaker 1: lot of times. You ever watched Dark Side of Comedy on?

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Speaker 1: What is that? I think it's on.

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Speaker 2: I'm watch it on my firestick, but I think it's on,

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Speaker 2: So one of them, you know stations what is it about?

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Speaker 2: Goes behind the scenes and comics and kind of tells

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Speaker 2: kind of the other side of what's driving the jokes

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Speaker 2: and kind of sometimes that life is kind of falling

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Speaker 2: apart when they're at their peak, but they're performing at

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Speaker 2: a high level, you know what I'm saying, Like it

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Speaker 2: did one on Andrew Dice Clay.

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Speaker 1: Yeah, that's it's hard to create good comedy when you

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Speaker 1: ain't bro you don't have no pain. That's where the

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Speaker 1: human comes from that because you gotta keep in mind,

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Speaker 1: we're letting people laugh at us. We really be going

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Speaker 1: through it. But the laughter and the good performances help

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Speaker 1: us deal with it, right, Yeah, And when our biggest

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Speaker 1: failures in life, you can once you can go on

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Speaker 1: stage and feel like you do that shit right, it

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Speaker 1: kind of make it feel better, right, I.

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Speaker 2: Was looking at that, right, And so he wanted them

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Speaker 2: guys to say it a lot of wild shit, you

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Speaker 2: know what I mean. Like, I don't know if you're

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Speaker 2: familiar with him, but he didn't hold back on the

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Speaker 2: mic he was on. He was selling out Madison Square

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Speaker 2: and all that back in the day.

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Speaker 1: But anyway, one of the one of the first comedian

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Speaker 1: rock stars, right, he would wrap do little ribs and

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Speaker 1: ship up there. Yeah, you know what I mean. But

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Speaker 1: if I go, he capitalized on a niche market.

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Speaker 2: Right, but still I still put the black Like, say,

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Speaker 2: if I put him up there, who would cancel him

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Speaker 2: out from the black side as far as value?

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Speaker 1: You know, be nobody to cancel him out because think

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Speaker 1: about it. As good as he was in his heyday,

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Speaker 1: he had Eddie Griffin on the road with him, Like

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Speaker 1: we it's black comedians there, but she is pride castling

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Speaker 1: mount you put it.

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Speaker 3: That's why would you have to I'm.

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Speaker 2: Saying, like comedy period, right, So if we go top

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Speaker 2: ten comedy from their side top.

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Speaker 3: You're asking me, who would be the equivalent?

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Speaker 1: Yeah, because I'm just trying. I mean, it's it's not

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Speaker 1: even a comparison though, because anybody, the only person, like

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Speaker 1: I would say, on the black side who was doing

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Speaker 1: that type of shit would be like, and.

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Speaker 2: They gotta have Eddie Murphy. Oh I forgot about Edding

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Speaker 2: you gee know what I'm saying.

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Speaker 1: Eddie Murphy was the real king of Mother the rock

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Speaker 1: star shit man. He was on a he was on

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Speaker 1: a Kevin Hart run. I forgot him in the eighties. Man, Well,

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Speaker 1: it don't even sound right for to say Eddie Murphy

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Speaker 1: was on Kevin Hart Run. Eddie Murphy was on Eddie

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Speaker 1: Murphy Run one of the runs, like Kevin Hart is

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Speaker 1: having for himself right now? Back then, Bro, this this

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Speaker 1: Eddie Murphy. Don't ever get it fucked up? Like is

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Speaker 1: he to hear him? But then he is him? Yeah?

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Speaker 1: Like him? Yeah, Eddie Murphy wanted to one. Eddie Murphy

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Speaker 1: is him? How many specials he got? H he got

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Speaker 1: a few though I know of too too, I think

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Speaker 1: and they classic yeah, delirious. Wonder would he come back?

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Speaker 1: I don't think. I don't think even I don't even

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Speaker 1: think he even want to. Bro. I feel like Eddie

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Speaker 1: Murphy can go on to it and not have nothing

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Speaker 1: prepared and do a new hour every night if he

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Speaker 1: wants to. It's Eddie Murphy. Yeah, they gonna He's gonna

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Speaker 1: get a thirty minute standing ovation before he say anything. Damn.

401
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Speaker 1: He wanted to want he is him. And the crazy

402
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Speaker 1: part is even if he the ship gonna be good, Bro. Yeah,

403
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Speaker 1: the ship that he just might throw away and never

404
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Speaker 1: do again, that ship gonna be some of the best

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Speaker 1: ship you've ever seen. It's him, and then you know

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Speaker 1: what we like? He gotta laugh that make everybody in

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Speaker 1: a man Erica lab Bro, I didn't even think of

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Speaker 1: Edite when I was thinking about that. I don't know

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Speaker 1: why Eddie Murphy is him though.

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Speaker 2: But then I was thinking about Bill Burr because he

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Speaker 2: one of them guys that Bill Burr.

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Speaker 1: You don't like him. I never I fuck with Frank Murphy.

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Speaker 1: I watched Elvis Family. Bill Burr is hilarious, that Nigga

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Speaker 1: is a fool boy. But then who would you put?

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Speaker 2: Who would we have on our side that we can say,

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Speaker 2: all right, if Bill Burr come out, we can send

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Speaker 2: such and such on the stage after him. What I'm

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Speaker 2: asking you, Bro, I'm talking about for that audience too.

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Speaker 2: I ain't talking about for a black audience now. I'm saying,

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Speaker 2: like interchangeable that night one city, Eddie Murphy on this side,

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Speaker 2: Andrew dice Clay on that side, both of them going crazy.

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Speaker 3: You feel who going first? I don't.

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Speaker 1: That's what I'm saying, Bro. You're trying to have a

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Speaker 1: fucking comedy tournament and you want me to fill anything? Yeah,

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Speaker 1: because you're comedian. So I'm just asking I don't know.

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Speaker 1: I go up after all them niggas. I don't give

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Speaker 1: who it is, so yeah, I go up. They gonna

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Speaker 1: want to see me after that. Yeah, that's how I go. Yeah,

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Speaker 1: they gonna want to see me. You think I'm gonna

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Speaker 1: see it like okay, and then we'll put of course no, no, no,

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Speaker 1: just just me any anybody, any question that you need

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Speaker 1: a comedian.

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Speaker 3: I'm only putting myself in there. That's just.

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Speaker 1: After after all the ship that didn't happen this year.

435
00:23:29,560 --> 00:23:32,040
Speaker 1: I don't even have no opinions on comedians. No more.

436
00:23:32,320 --> 00:23:33,159
Speaker 3: You don't a man.

437
00:23:33,200 --> 00:23:37,040
Speaker 1: You say the wrong ship. Now you're in somebody interview.

438
00:23:39,080 --> 00:23:41,840
Speaker 1: I don't know. Don't ask me why. I'm only talking

439
00:23:41,840 --> 00:23:45,359
Speaker 1: about legends and people on the Mount Rushmore comedy.

440
00:23:45,440 --> 00:23:49,080
Speaker 2: Yeah, but there's a lot of people to be spoken about,

441
00:23:49,480 --> 00:23:51,040
Speaker 2: and they don't need to dug no.

442
00:23:51,040 --> 00:23:53,280
Speaker 1: No. The only people need to be speaking or are

443
00:23:53,320 --> 00:23:56,960
Speaker 1: the people who names. He said, that's it everybody else's opinion.

444
00:23:57,040 --> 00:23:59,760
Speaker 1: You can keep it if you say your name, shut up.

445
00:24:00,040 --> 00:24:04,480
Speaker 1: But what about the dress conversation? You've been on auditions,

446
00:24:04,880 --> 00:24:07,480
Speaker 1: you've been niggas. This is what I'm trying to get

447
00:24:07,520 --> 00:24:10,200
Speaker 1: you to understand them. Niggas who wore them dresses didn't

448
00:24:10,200 --> 00:24:13,160
Speaker 1: nobody to make them wear them. They wanted to do that.

449
00:24:13,720 --> 00:24:17,240
Speaker 1: They read the script. They knew months before they wore

450
00:24:17,280 --> 00:24:19,639
Speaker 1: a dress that they was gonna wear. Ain't nobody sneak

451
00:24:19,680 --> 00:24:25,160
Speaker 1: it up on them? They knew, They knew, they put

452
00:24:25,160 --> 00:24:28,320
Speaker 1: the makeup on, they set around set for hours. They

453
00:24:28,400 --> 00:24:32,000
Speaker 1: knew what the fuck they was doing. That shit fucked up.

454
00:24:32,400 --> 00:24:35,160
Speaker 1: That's what they wanted to if what you're not hearing

455
00:24:35,359 --> 00:24:39,520
Speaker 1: is how many times it was their idea? But is

456
00:24:39,560 --> 00:24:42,879
Speaker 1: it that idea out of force? Nope? Like it's like

457
00:24:43,280 --> 00:24:44,879
Speaker 1: it's like yo, it's like yo.

458
00:24:45,200 --> 00:24:49,280
Speaker 2: I know for a fact, if I come in and say, Yo,

459
00:24:49,359 --> 00:24:52,600
Speaker 2: I got a booking for you, I can slide in.

460
00:24:53,119 --> 00:24:54,560
Speaker 1: Can I get an interview too? Though?

461
00:24:54,720 --> 00:24:56,720
Speaker 2: Nigga want a book you for fifty five hundred? But

462
00:24:56,720 --> 00:24:59,080
Speaker 2: when you're there, you don't mind doing this interview for

463
00:24:59,160 --> 00:25:00,880
Speaker 2: the podcast they got down there.

464
00:25:01,240 --> 00:25:03,720
Speaker 1: Nigga throws shit in, but they leave with the goodsh lo.

465
00:25:03,960 --> 00:25:07,280
Speaker 1: This is a movie, doog I know? But sometimes it's okay,

466
00:25:07,359 --> 00:25:10,439
Speaker 1: let's talk about getting some green lit, because that's the

467
00:25:10,520 --> 00:25:13,879
Speaker 1: process you gotta go through in Hollywood and sometimes black

468
00:25:13,960 --> 00:25:16,440
Speaker 1: men say, Yo, if I put a dress on, maybe

469
00:25:16,480 --> 00:25:20,200
Speaker 1: it gets green lit. Maybe they gets it green these

470
00:25:20,240 --> 00:25:23,240
Speaker 1: a mother fucker's not shooting the movie first. The deal

471
00:25:23,400 --> 00:25:27,160
Speaker 1: is done when they put them dresses on. They had

472
00:25:27,160 --> 00:25:30,480
Speaker 1: to be on set at eight o'clock. At six o'clock

473
00:25:30,760 --> 00:25:33,000
Speaker 1: so they can be in hand makeup to be on

474
00:25:33,080 --> 00:25:36,159
Speaker 1: set that ate. They ate breakfast, They set around in

475
00:25:36,200 --> 00:25:39,159
Speaker 1: the trailer, they read over the script, they punched up

476
00:25:39,160 --> 00:25:42,120
Speaker 1: the lines. They went and got their makeup done again.

477
00:25:43,040 --> 00:25:46,920
Speaker 1: Dangn They knew what the fuck. They had a call sheet.

478
00:25:47,000 --> 00:25:50,320
Speaker 1: They agent called them and said, hey, we got this thing.

479
00:25:50,600 --> 00:25:53,280
Speaker 1: Blah blah blah, this is what they paying. You gotta

480
00:25:53,320 --> 00:25:55,760
Speaker 1: come here. You're gonna be staying. They knew what the

481
00:25:55,760 --> 00:25:56,840
Speaker 1: fuck it was. Thog.

482
00:25:57,480 --> 00:26:01,320
Speaker 2: I agree with that, man, are with that? But so

483
00:26:01,440 --> 00:26:03,960
Speaker 2: you don't have an opinion on the Cat Williams interview.

484
00:26:04,400 --> 00:26:07,560
Speaker 1: Why would I? He said he fucked with me. Yeah,

485
00:26:07,560 --> 00:26:09,840
Speaker 1: but he shook comedy up, you know, and then you

486
00:26:09,840 --> 00:26:13,080
Speaker 1: have a relationship with Cave Williams and with Steve Harvey.

487
00:26:13,320 --> 00:26:15,840
Speaker 1: This is the thing about it. If you got on

488
00:26:15,960 --> 00:26:19,640
Speaker 1: here and you were speaking about the people you had

489
00:26:19,760 --> 00:26:23,280
Speaker 1: your personal experiences with, why would I have an opinion

490
00:26:23,320 --> 00:26:26,760
Speaker 1: about it. I don't know who did you wrong, who

491
00:26:26,800 --> 00:26:28,280
Speaker 1: made you? Know what I'm saying, I'm just saying you

492
00:26:28,359 --> 00:26:30,800
Speaker 1: for an example, I don't know who made you. It's

493
00:26:30,840 --> 00:26:33,160
Speaker 1: people in the podcast world that you might not fuck

494
00:26:33,200 --> 00:26:35,439
Speaker 1: with for your own reasons. And if you got on

495
00:26:35,520 --> 00:26:37,960
Speaker 1: here and you said your reasons for not fucking with him,

496
00:26:38,119 --> 00:26:40,399
Speaker 1: that don't mean I gotta stop fucking with him. That

497
00:26:40,440 --> 00:26:42,919
Speaker 1: don't mean that they that I had the same experience

498
00:26:42,960 --> 00:26:45,840
Speaker 1: with him. That's just your experience. And I think it

499
00:26:45,920 --> 00:26:49,280
Speaker 1: was very personal. Who he had these experiences was and

500
00:26:49,320 --> 00:26:51,439
Speaker 1: he got to tell his side of the story. It

501
00:26:51,680 --> 00:26:56,000
Speaker 1: was whether people believe it or not, that's what he

502
00:26:56,160 --> 00:26:59,320
Speaker 1: saw happened to him. That's what he felt all them years.

503
00:26:59,560 --> 00:27:02,720
Speaker 1: That's what he said. And it wasn't no guessing. He

504
00:27:02,840 --> 00:27:06,040
Speaker 1: said such and such. He said they first and last name.

505
00:27:06,760 --> 00:27:10,080
Speaker 1: He got this problem with these five six people, Well,

506
00:27:10,080 --> 00:27:13,960
Speaker 1: what about who you doing? These one? I like these motherfuckers,

507
00:27:13,960 --> 00:27:16,480
Speaker 1: salute to y'all, but these people I don't fuck with.

508
00:27:16,600 --> 00:27:18,679
Speaker 1: That's it. You know.

509
00:27:18,760 --> 00:27:23,560
Speaker 2: What I'm talking about is the overarching conversations that withdrew

510
00:27:23,640 --> 00:27:28,359
Speaker 2: from the Cat Williams conversation, which was stuff like jokes

511
00:27:28,359 --> 00:27:32,280
Speaker 2: stealing and have you been a victim of dad? What's

512
00:27:32,320 --> 00:27:36,920
Speaker 2: your opinion of jokes stealing? Is that prevalent in comedy?

513
00:27:37,520 --> 00:27:40,240
Speaker 2: And what steps of not being a victim of it?

514
00:27:40,920 --> 00:27:44,560
Speaker 1: People still everywhere? It's Mother still in fresh fries at

515
00:27:44,600 --> 00:27:50,280
Speaker 1: McDonald's right now, they eat nuggets, They sneaking burgers. Motherfuck's

516
00:27:50,280 --> 00:27:53,880
Speaker 1: still not a Walmart in any industry, some shit gonna

517
00:27:53,880 --> 00:27:58,560
Speaker 1: get stole. That's Mother, that store, dope, guns, pistols, card

518
00:27:59,400 --> 00:28:01,680
Speaker 1: No matter what what industry are you in, some shit

519
00:28:01,760 --> 00:28:04,919
Speaker 1: gonna get stolen. I didn't been in the club tonight

520
00:28:05,280 --> 00:28:07,960
Speaker 1: that comedians that ran other comedians out the club for

521
00:28:08,560 --> 00:28:11,439
Speaker 1: doing a joke or saying some shit, or you know,

522
00:28:11,560 --> 00:28:15,520
Speaker 1: I didn't see motherfuckers go on the road and literally

523
00:28:15,680 --> 00:28:20,120
Speaker 1: use somebody else completely whole other shit. It's some comedians

524
00:28:20,200 --> 00:28:23,840
Speaker 1: have fought for that. Some people done got checked. Some

525
00:28:23,880 --> 00:28:26,160
Speaker 1: people do had to walk off and have a conversation

526
00:28:26,400 --> 00:28:29,800
Speaker 1: about it. Do you have to bend your values if

527
00:28:29,800 --> 00:28:32,200
Speaker 1: you're a comedian, like do you have to see things

528
00:28:32,320 --> 00:28:36,359
Speaker 1: like that and be non reactive? No, man, cause you

529
00:28:36,400 --> 00:28:39,240
Speaker 1: never know. Sometimes it be way more than just the joke.

530
00:28:41,000 --> 00:28:43,120
Speaker 1: It be niggas who be around you for years, Man,

531
00:28:43,120 --> 00:28:46,840
Speaker 1: who know that your shit? Who the road to the

532
00:28:46,880 --> 00:28:48,800
Speaker 1: show with you? Who done called you? Who done came

533
00:28:48,880 --> 00:28:51,360
Speaker 1: up and dapped you up? Man, that motherfucker aout. I

534
00:28:51,400 --> 00:28:53,760
Speaker 1: love that. And then next thing you know, they doing it.

535
00:28:53,800 --> 00:28:57,280
Speaker 1: You're like, Hey, you don't remember you said that. Man,

536
00:29:00,120 --> 00:29:03,240
Speaker 1: isn't napping every kind of way you seem zen now

537
00:29:03,280 --> 00:29:05,640
Speaker 1: in your life. I didn't have niggas that. I didn't

538
00:29:05,640 --> 00:29:08,520
Speaker 1: have niggas on my show do my joke before I

539
00:29:08,560 --> 00:29:14,360
Speaker 1: went on like on my show, on your own life show. Yeah, man,

540
00:29:14,640 --> 00:29:16,840
Speaker 1: that's why I really stopped. Like I used to just

541
00:29:18,080 --> 00:29:20,600
Speaker 1: use like local features and shit like that, but damn,

542
00:29:20,600 --> 00:29:23,959
Speaker 1: that's what made me stop. They just because it's like, damn,

543
00:29:24,320 --> 00:29:27,400
Speaker 1: even if things stealing from me, they stealing from somebody,

544
00:29:28,080 --> 00:29:29,360
Speaker 1: somebody signature shit.

545
00:29:30,040 --> 00:29:31,400
Speaker 3: You know what I'm saying. It's fucked up.

546
00:29:31,800 --> 00:29:33,760
Speaker 1: But that's just one of them things where it's like

547
00:29:33,840 --> 00:29:37,840
Speaker 1: nothing's new under the sun. And if some comedians feel

548
00:29:37,840 --> 00:29:40,760
Speaker 1: like if you talk about the same topic, you're steal

549
00:29:40,800 --> 00:29:44,360
Speaker 1: in their joke, why is it sensitivity around there? Because

550
00:29:44,400 --> 00:29:47,240
Speaker 1: everybody trying to make it and is it hard to

551
00:29:47,320 --> 00:29:50,880
Speaker 1: craft these jokes? It's not that it's hard to craft.

552
00:29:50,880 --> 00:29:55,160
Speaker 1: It's just some people get lazy. Some people just get

553
00:29:55,200 --> 00:29:57,720
Speaker 1: around certain people and just like, oh I can tweak that,

554
00:29:57,920 --> 00:30:00,160
Speaker 1: or I could flip that to the point where they

555
00:30:00,200 --> 00:30:03,240
Speaker 1: wouldn't be able to recognize it. That's just how the

556
00:30:03,240 --> 00:30:08,000
Speaker 1: shit go. I don't think I can be involved with it.

557
00:30:08,000 --> 00:30:12,160
Speaker 1: It seems like it's doggie dog man. It seems a little.

558
00:30:11,920 --> 00:30:17,160
Speaker 2: Bit like like they're over zealous because people, like you said,

559
00:30:17,200 --> 00:30:19,280
Speaker 2: are trying to get out. But it feels like that

560
00:30:19,400 --> 00:30:21,680
Speaker 2: people are saying, yo, and I talked about my wife

561
00:30:21,680 --> 00:30:23,280
Speaker 2: and kids, and nigga this thing.

562
00:30:23,320 --> 00:30:25,640
Speaker 1: I know you talking about your wife and kid. Hold On.

563
00:30:25,800 --> 00:30:27,479
Speaker 1: I was in the back of the comedy club one

564
00:30:27,600 --> 00:30:30,000
Speaker 1: night and a comedian on stage said, fellas give it

565
00:30:30,080 --> 00:30:30,880
Speaker 1: up for the ladies.

566
00:30:31,960 --> 00:30:32,960
Speaker 3: Comedian in the back.

567
00:30:32,960 --> 00:30:37,080
Speaker 1: Was like, man, this nigga, you're doing my shit. That's

568
00:30:37,120 --> 00:30:41,040
Speaker 1: a true story. Man. I I literally heard them say that.

569
00:30:44,440 --> 00:30:47,280
Speaker 1: But you know, it's think about it. Certain things, like

570
00:30:47,480 --> 00:30:50,640
Speaker 1: certain ways that just like comedians just address people in

571
00:30:50,680 --> 00:30:52,640
Speaker 1: the crowd, you know, just to try to build a

572
00:30:52,720 --> 00:30:55,080
Speaker 1: quick report. But hey, what's up, man, what's your name?

573
00:30:55,640 --> 00:30:56,200
Speaker 3: Where you from?

574
00:30:56,240 --> 00:30:59,200
Speaker 1: My boy? What you do? Some comedians be like, oh,

575
00:30:59,280 --> 00:31:03,400
Speaker 1: this this nigga. This this is literally standard crowd work.

576
00:31:03,480 --> 00:31:05,160
Speaker 1: You get what I'm saying, you don't. You just want

577
00:31:05,280 --> 00:31:08,840
Speaker 1: enough information for this person to build a quick report.

578
00:31:08,880 --> 00:31:11,200
Speaker 1: And you know what I mean, some some comedians to

579
00:31:11,280 --> 00:31:14,719
Speaker 1: look at that like still if you come out and

580
00:31:14,760 --> 00:31:17,200
Speaker 1: be like, what's up Atlanta? You know what I mean?

581
00:31:17,880 --> 00:31:20,360
Speaker 3: This nigga think he he think he got you.

582
00:31:20,400 --> 00:31:31,120
Speaker 1: Know what I'm saying. They do not off the what's up?

583
00:31:31,160 --> 00:31:35,000
Speaker 1: But lauder Man, I've seen it. I've seen hey, not

584
00:31:35,160 --> 00:31:38,480
Speaker 1: off the what's up? A laden mom man. Oh boy,

585
00:31:38,560 --> 00:31:42,640
Speaker 1: that's rough. That's rough right there, off the what's up Atlanta?

586
00:31:42,800 --> 00:31:45,840
Speaker 1: My nigga man doan said? Off man?

587
00:31:45,880 --> 00:31:47,360
Speaker 3: That's fine? What's up Atlanta?

588
00:31:47,400 --> 00:31:47,520
Speaker 1: Bro?

589
00:31:48,080 --> 00:31:48,600
Speaker 3: I'm talking.

590
00:31:48,840 --> 00:31:52,800
Speaker 1: I thank Steve exactly and nigga, I mean, just the

591
00:31:52,880 --> 00:31:56,280
Speaker 1: smallest little shit of trigger comedian man. So I flew

592
00:31:56,360 --> 00:31:57,320
Speaker 1: up here on Delta.

593
00:31:57,440 --> 00:31:59,240
Speaker 3: Oh this nigga, finna do my ship?

594
00:32:00,440 --> 00:32:00,920
Speaker 1: Here you go?

595
00:32:04,040 --> 00:32:07,280
Speaker 2: What is very sens what the what the? What the

596
00:32:07,360 --> 00:32:09,680
Speaker 2: wild and out thing. I spoke to Chico a few

597
00:32:09,720 --> 00:32:15,720
Speaker 2: weeks ago. He talked to me about then like revenue sharing.

598
00:32:16,880 --> 00:32:19,440
Speaker 1: That's a very interesting conversation for me and I thought

599
00:32:19,480 --> 00:32:21,960
Speaker 1: about that as as we had that conversation and we

600
00:32:22,080 --> 00:32:26,200
Speaker 1: talked more about it than the next part. But y'all

601
00:32:26,200 --> 00:32:30,840
Speaker 1: take a big homie perspective on that. What what what? What?

602
00:32:30,840 --> 00:32:40,880
Speaker 1: What lends itself to? That just an urban philosophy. Everybody

603
00:32:40,880 --> 00:32:50,600
Speaker 1: eas be everybody that's it. Sure, there ain't no books,

604
00:32:53,120 --> 00:32:53,360
Speaker 1: you know.

605
00:32:53,600 --> 00:32:56,880
Speaker 2: I think, man, one of the things that separates you

606
00:32:57,040 --> 00:32:59,560
Speaker 2: is because you've been able to build this thing outside

607
00:32:59,600 --> 00:33:03,280
Speaker 2: of that. I think if that didn't happen, you may

608
00:33:03,400 --> 00:33:08,280
Speaker 2: view that a little different. What wilding up No, just

609
00:33:08,280 --> 00:33:11,840
Speaker 2: just sh just the revenue share perspective of it, because

610
00:33:11,840 --> 00:33:14,640
Speaker 2: that's a very interesting thing because you guys bring a

611
00:33:14,680 --> 00:33:17,400
Speaker 2: lot to it. It's already a staple, but you guys

612
00:33:17,400 --> 00:33:22,200
Speaker 2: in particular, you fly and she go bring this to it.

613
00:33:22,400 --> 00:33:26,239
Speaker 2: Like y'all proved y'allself outside of that market, right, And

614
00:33:26,240 --> 00:33:29,880
Speaker 2: that's a value to be set on that that y'all

615
00:33:29,920 --> 00:33:32,920
Speaker 2: go back in there because part of it was built there.

616
00:33:33,000 --> 00:33:36,240
Speaker 2: Y'all go back in there and say, you know what

617
00:33:36,280 --> 00:33:37,760
Speaker 2: I mean, we're gonna keep it real.

618
00:33:38,960 --> 00:33:41,640
Speaker 1: It's just it's just crazy that we all went to

619
00:33:41,720 --> 00:33:46,760
Speaker 1: wilding out with like pretty much the same goal. You know.

620
00:33:46,800 --> 00:33:48,600
Speaker 1: What I'm saying is to try to get to the

621
00:33:48,640 --> 00:33:52,800
Speaker 1: next level, and who would ever think that that's the goal.

622
00:33:53,800 --> 00:33:56,160
Speaker 1: And if we all get to that level, that we

623
00:33:56,240 --> 00:33:59,720
Speaker 1: can still be partners even on that level. Shit, we

624
00:33:59,760 --> 00:34:02,080
Speaker 1: could do this ship together. We do ship. It ain't

625
00:34:02,120 --> 00:34:05,080
Speaker 1: nothing you can't do if we get to this next level.

626
00:34:05,320 --> 00:34:09,200
Speaker 1: So that's pretty much the mindset behind it. Like Nigga,

627
00:34:09,239 --> 00:34:12,960
Speaker 1: we ain't got it, do this, go out here and

628
00:34:13,040 --> 00:34:16,000
Speaker 1: be starts by selling Nigga. If we started it could

629
00:34:16,040 --> 00:34:19,440
Speaker 1: be the rat pack. We can still be We can

630
00:34:19,480 --> 00:34:21,359
Speaker 1: make that shit happen, happen we want to. And then

631
00:34:21,400 --> 00:34:23,520
Speaker 1: once we start putting it together and it just started

632
00:34:23,520 --> 00:34:26,759
Speaker 1: making more and more sense, and then splitting off and

633
00:34:26,800 --> 00:34:29,239
Speaker 1: going to do the solo thing and and still bring

634
00:34:29,320 --> 00:34:32,480
Speaker 1: it bringing something back to this just you know what

635
00:34:32,520 --> 00:34:35,160
Speaker 1: I mean, just scraping that little you know what I mean.

636
00:34:35,520 --> 00:34:36,840
Speaker 3: That's that's what made it go.

637
00:34:37,680 --> 00:34:39,719
Speaker 1: And it sometimes it kills me.

638
00:34:39,800 --> 00:34:43,840
Speaker 2: And back to that conversation about comics, right, and just

639
00:34:43,920 --> 00:34:47,480
Speaker 2: ticket sales and like putting Burr and and Cad up

640
00:34:47,520 --> 00:34:50,400
Speaker 2: there and fucking edit Murphy and all these guys and

641
00:34:50,600 --> 00:34:53,719
Speaker 2: Dice Clay or see, that's it's so many that you

642
00:34:53,760 --> 00:34:58,800
Speaker 2: can damn so like many that's why blacks got so many.

643
00:34:58,840 --> 00:35:01,400
Speaker 2: That's why I would argue that that I comedy translate

644
00:35:01,520 --> 00:35:04,000
Speaker 2: better because we got so many people.

645
00:35:04,040 --> 00:35:06,520
Speaker 1: That sits at the top of that comedy list.

646
00:35:06,560 --> 00:35:11,120
Speaker 2: You got Richard Pride, Eddie Murphy, Martin Lawrence, fucking Burning

647
00:35:11,239 --> 00:35:15,040
Speaker 2: Mad Cat Williams, Steve Harvey for all these people like

648
00:35:15,360 --> 00:35:17,240
Speaker 2: you can go on and on the white side.

649
00:35:17,280 --> 00:35:19,759
Speaker 1: I start to get lost when I go Andrew, you

650
00:35:19,760 --> 00:35:20,920
Speaker 1: gotta keep it.

651
00:35:20,920 --> 00:35:21,359
Speaker 3: It's certain.

652
00:35:21,440 --> 00:35:23,200
Speaker 1: It's so many of them over there, and they so

653
00:35:23,239 --> 00:35:25,720
Speaker 1: big you don't even know. I know I be paying

654
00:35:25,719 --> 00:35:26,399
Speaker 1: attention though.

655
00:35:26,560 --> 00:35:31,120
Speaker 2: And Russell Peters, Yeah, I know him all in Big,

656
00:35:31,560 --> 00:35:36,320
Speaker 2: Tom Shagirl Big, all the Vaughn, Burt Christ and Matt Rife.

657
00:35:36,760 --> 00:35:39,240
Speaker 1: Them guys are huge. Burn Matt Rife was on Wilding

658
00:35:39,280 --> 00:35:43,120
Speaker 1: Out with us for five six seven, we went on tour.

659
00:35:43,320 --> 00:35:47,359
Speaker 1: That's dope. Now he out here taking over ship. That's dope, man,

660
00:35:47,400 --> 00:35:51,680
Speaker 1: that's my mother for I'm proud of him. Dudes like

661
00:35:51,760 --> 00:35:55,719
Speaker 1: Andrew Schultz, Hell, yeah, you see, you got wrung. I

662
00:35:55,800 --> 00:35:58,600
Speaker 1: went over. I did a podcast with Andrew shot back

663
00:35:58,600 --> 00:36:02,160
Speaker 1: in the day at his Mama Them crib. Now look

664
00:36:02,320 --> 00:36:05,120
Speaker 1: now he's one of the biggest stars in America. Hey, Shows,

665
00:36:05,160 --> 00:36:08,440
Speaker 1: I hate your mustache. Though I hate your mustache and

666
00:36:08,480 --> 00:36:12,400
Speaker 1: your haircut, that ship looked historically racist to me. I

667
00:36:12,440 --> 00:36:14,600
Speaker 1: can't wait for you to switch that up. Girl, go

668
00:36:14,719 --> 00:36:18,600
Speaker 1: to you or something. You look like a motherfucking uh

669
00:36:18,960 --> 00:36:22,319
Speaker 1: World War two pilot. Do you think he I think

670
00:36:22,360 --> 00:36:23,400
Speaker 1: he's doing it on purpose.

671
00:36:23,840 --> 00:36:25,840
Speaker 3: I know he is. Yeah, I know he is.

672
00:36:26,000 --> 00:36:28,960
Speaker 1: But so he locked in though he good got with

673
00:36:29,000 --> 00:36:31,840
Speaker 1: the right people. Yeah, he who got the right affiliations.

674
00:36:31,920 --> 00:36:34,239
Speaker 1: Now he out of here. But we knew this ship back.

675
00:36:34,480 --> 00:36:38,399
Speaker 1: But see listen when you got yeah, yeah, Louis c K.

676
00:36:39,000 --> 00:36:40,960
Speaker 1: I don't know Lewis c K. He ain't one of

677
00:36:41,000 --> 00:36:43,640
Speaker 1: my buttlems. You don't know Luis. I don't know him.

678
00:36:43,640 --> 00:36:46,600
Speaker 1: I don't know if he gave white man. But Louis

679
00:36:46,600 --> 00:36:48,600
Speaker 1: c K a big one over there. I know you

680
00:36:48,719 --> 00:36:51,040
Speaker 1: know Louis K. But I'm just tunding about the white

681
00:36:51,160 --> 00:36:53,600
Speaker 1: one of the big one who came up around us

682
00:36:53,640 --> 00:36:57,160
Speaker 1: with the MTV ship like Matt Riffan Andrews show.

683
00:36:57,320 --> 00:36:59,319
Speaker 2: But see what we all show talking about is a

684
00:36:59,320 --> 00:37:04,080
Speaker 2: move of it, a move of the culture. Because we

685
00:37:04,160 --> 00:37:06,600
Speaker 2: also was just speaking it. We gotta watch you names

686
00:37:06,680 --> 00:37:09,160
Speaker 2: were putting in there when we're speaking about Eddie Murphys

687
00:37:09,640 --> 00:37:11,640
Speaker 2: and Andrew Dison. But what I'm trying to get you

688
00:37:11,719 --> 00:37:13,799
Speaker 2: to point, like, what I'm pointing out to you is, though,

689
00:37:13,920 --> 00:37:17,240
Speaker 2: is like Nigga, we got one Kevin Hart, right.

690
00:37:17,200 --> 00:37:21,000
Speaker 1: He the biggest black comedian, right, But on the other.

691
00:37:20,880 --> 00:37:23,359
Speaker 2: Side he could be ten Kevin Heart. But we got

692
00:37:23,440 --> 00:37:27,279
Speaker 2: Dave Schappelle, we got Kevin Dad. I'm saying is yeah,

693
00:37:27,360 --> 00:37:30,239
Speaker 2: that's but I don't think none of them Nigga's selling

694
00:37:30,320 --> 00:37:30,759
Speaker 2: out like.

695
00:37:30,680 --> 00:37:33,399
Speaker 1: The next generation, like all these motherfuckers you.

696
00:37:33,440 --> 00:37:36,000
Speaker 2: Name, yeah, they coming up. Who our next generation? Of

697
00:37:36,040 --> 00:37:40,120
Speaker 2: course y'all already smoking shit? What generation you think y'all live?

698
00:37:40,400 --> 00:37:41,040
Speaker 1: I don't know.

699
00:37:42,600 --> 00:37:43,160
Speaker 3: I don't know.

700
00:37:43,719 --> 00:37:46,600
Speaker 1: I just I don't. I don't have a whole lot

701
00:37:46,640 --> 00:37:49,800
Speaker 1: of Like I just look at the people who was

702
00:37:49,840 --> 00:37:55,440
Speaker 1: in my classic comedians like Little Real and Damn Fool

703
00:37:55,600 --> 00:38:00,759
Speaker 1: and like Tiffany Hannish and Ron g and and at

704
00:38:00,840 --> 00:38:05,120
Speaker 1: least Deacon all of them, and Billy Surrels and Delay

705
00:38:05,200 --> 00:38:09,000
Speaker 1: and like you know, like and Clayton and watching. It's

706
00:38:09,040 --> 00:38:12,800
Speaker 1: a lot of those comedians that's like in my class,

707
00:38:14,040 --> 00:38:16,080
Speaker 1: Like who was a rent? Who was young Gunners? When

708
00:38:16,120 --> 00:38:18,640
Speaker 1: I started? You get what I'm saying, right, Like I

709
00:38:18,680 --> 00:38:23,600
Speaker 1: remember like Clayton Thomas and and Nate Jackson, like them,

710
00:38:23,640 --> 00:38:26,160
Speaker 1: all the dudes, who are who's the biggest side of

711
00:38:26,160 --> 00:38:29,200
Speaker 1: that class? Did I would probably out of our out

712
00:38:29,200 --> 00:38:31,560
Speaker 1: of classes, I don't know, maybe a little real he

713
00:38:31,640 --> 00:38:35,680
Speaker 1: did the most movies and ship like that on that side. Yeah,

714
00:38:35,920 --> 00:38:38,920
Speaker 1: Carlos Miller, Yeah, that's what I'm thinking. It's all I

715
00:38:38,960 --> 00:38:41,359
Speaker 1: feel like, I don't know. But when I look at

716
00:38:41,360 --> 00:38:43,319
Speaker 1: my peers, it's just I don't even look at it,

717
00:38:43,400 --> 00:38:47,000
Speaker 1: like who the most famous show got the most success.

718
00:38:47,360 --> 00:38:50,719
Speaker 1: I just see people who just making moves, who just

719
00:38:51,120 --> 00:38:53,240
Speaker 1: like our whole goal was to get into the game

720
00:38:53,520 --> 00:38:55,959
Speaker 1: and stay in here, but we do at some point,

721
00:38:56,080 --> 00:38:57,839
Speaker 1: if you you know what I'm saying, we would have

722
00:38:57,880 --> 00:39:01,200
Speaker 1: still stayed in It's like, Nigga, this this the whole experience.

723
00:39:01,239 --> 00:39:03,160
Speaker 3: Everything at this point is extra.

724
00:39:03,440 --> 00:39:06,080
Speaker 2: But at some point, if you're leading this, it's your

725
00:39:06,120 --> 00:39:10,959
Speaker 2: responsibility now to pave the way and position this thing.

726
00:39:11,520 --> 00:39:14,239
Speaker 2: You see what I'm saying, So like, would you say, heart,

727
00:39:14,400 --> 00:39:16,080
Speaker 2: them are the class before you?

728
00:39:16,440 --> 00:39:20,080
Speaker 1: Yeah? Okay, we after them? Okay, Okay, you get what

729
00:39:20,160 --> 00:39:23,200
Speaker 1: I'm saying. If you look at where he is now

730
00:39:23,800 --> 00:39:25,879
Speaker 1: he been putting his he put his time in.

731
00:39:26,040 --> 00:39:28,920
Speaker 3: Yeah, I don't know. It's what how long you been

732
00:39:28,960 --> 00:39:29,720
Speaker 3: doing comedy?

733
00:39:29,840 --> 00:39:30,000
Speaker 1: Right?

734
00:39:30,120 --> 00:39:32,799
Speaker 3: Like what maybe twenty five years or so?

735
00:39:33,160 --> 00:39:37,200
Speaker 1: So at this point, yeah, I've only been doing eighteen

736
00:39:37,320 --> 00:39:40,279
Speaker 1: at least. Hell that ain't that was just ninety nine.

737
00:39:40,320 --> 00:39:44,440
Speaker 1: If you think about it, he might have been doing

738
00:39:44,760 --> 00:39:47,600
Speaker 1: twenty eight probably close to thirty at this point. Man,

739
00:39:47,640 --> 00:39:51,920
Speaker 1: you damn it just fucked me up. Twenty five years

740
00:39:51,960 --> 00:39:55,040
Speaker 1: ain't nothing no more. Yeah, he probably been doing comedy

741
00:39:55,120 --> 00:39:57,359
Speaker 1: since it was what seventeen eighteen years old?

742
00:39:57,480 --> 00:40:00,719
Speaker 2: Yeah, but when we look at Sholts, he moves inventory,

743
00:40:01,400 --> 00:40:04,440
Speaker 2: you see what I mean? Like shows literally moves inventory

744
00:40:04,520 --> 00:40:08,200
Speaker 2: like y'all do, and and he moves Madison Square going

745
00:40:08,280 --> 00:40:09,960
Speaker 2: two or three nights at a time.

746
00:40:10,320 --> 00:40:12,640
Speaker 1: Yeah, for comedy. He knows how to market that. He

747
00:40:12,760 --> 00:40:15,040
Speaker 1: been building that shit for the billion years though.

748
00:40:15,280 --> 00:40:17,640
Speaker 2: But here's my here's my conversation I want to have

749
00:40:17,800 --> 00:40:21,360
Speaker 2: with you because I look at the comedy saying I

750
00:40:21,360 --> 00:40:24,120
Speaker 2: look at them, I say, all right, they may be

751
00:40:24,239 --> 00:40:27,600
Speaker 2: bigger by value, selling out more. You know, we may

752
00:40:27,680 --> 00:40:30,480
Speaker 2: got them a couple ones that's doing them numbers. But

753
00:40:30,600 --> 00:40:34,040
Speaker 2: like you said, it's a list of those as and

754
00:40:34,120 --> 00:40:36,879
Speaker 2: the list of them get you know, when we get

755
00:40:36,880 --> 00:40:41,520
Speaker 2: one no exactly, Now a new question becomes why is

756
00:40:41,520 --> 00:40:44,240
Speaker 2: that the case? And so I try to think about

757
00:40:44,320 --> 00:40:50,240
Speaker 2: podcasting because most of the big comics have a podcast.

758
00:40:50,560 --> 00:40:53,600
Speaker 2: When I look at black podcasting, y'all run the space

759
00:40:53,719 --> 00:40:54,719
Speaker 2: you in the read.

760
00:40:54,920 --> 00:40:57,759
Speaker 1: It's the same reason why you can look up who

761
00:40:57,880 --> 00:41:03,000
Speaker 1: the number one podcasts on Apple Music, it'd be Whitney

762
00:41:03,000 --> 00:41:07,400
Speaker 1: and Britney, Connecticut, white girls who getting five hundred million

763
00:41:07,719 --> 00:41:11,840
Speaker 1: listeners a month. They got uh three hundred thousand dollars

764
00:41:11,840 --> 00:41:14,719
Speaker 1: worth of ads in the same way. That type of

765
00:41:14,760 --> 00:41:17,000
Speaker 1: shit happens, that happens in every industry.

766
00:41:17,280 --> 00:41:21,480
Speaker 2: Or is it not enough quality comedy podcast that because

767
00:41:21,520 --> 00:41:24,799
Speaker 2: podcasts have proven if we look at the other side

768
00:41:24,840 --> 00:41:27,319
Speaker 2: of the market, which is the Joe Rogan's fear and

769
00:41:27,400 --> 00:41:30,240
Speaker 2: all of those guys burd crashing to Tom theo.

770
00:41:30,600 --> 00:41:31,560
Speaker 3: See, that's what I'm saying.

771
00:41:31,600 --> 00:41:33,799
Speaker 1: If you were gonna you would like to do comparisons

772
00:41:33,840 --> 00:41:35,640
Speaker 1: like we don't have no we learned well we would

773
00:41:35,680 --> 00:41:37,640
Speaker 1: only the only person that we can have that can

774
00:41:37,680 --> 00:41:40,719
Speaker 1: compete in the media space, not just podcasts, would be

775
00:41:40,880 --> 00:41:44,600
Speaker 1: have to It would have to be somebody like Steve Harvey, right, right,

776
00:41:44,640 --> 00:41:47,520
Speaker 1: But but but they smiley like, that's that's the You're right,

777
00:41:48,200 --> 00:41:51,080
Speaker 1: Ricky can't do it. Steve can do it.

778
00:41:51,239 --> 00:41:55,000
Speaker 2: Steve might be the one, Steve Kevin, those guys if

779
00:41:55,040 --> 00:41:56,520
Speaker 2: they really wanted to take it there.

780
00:41:56,800 --> 00:41:58,839
Speaker 1: But it's rough. But this is do you see how

781
00:41:58,880 --> 00:42:01,759
Speaker 1: short the list of committee.

782
00:42:01,840 --> 00:42:03,560
Speaker 2: What I'm saying, here's the game I'm trying to say,

783
00:42:03,640 --> 00:42:07,920
Speaker 2: and I'm trying to have this conversation. I'm learning by

784
00:42:08,080 --> 00:42:10,920
Speaker 2: and I'm not comparison. I'm studying, and it's important to

785
00:42:10,920 --> 00:42:13,440
Speaker 2: study the market. This is how you take over the market.

786
00:42:13,719 --> 00:42:16,880
Speaker 1: But as I studied that that that what they're doing,

787
00:42:17,000 --> 00:42:20,640
Speaker 1: it looks like podcasting is a driver of tickets. Then

788
00:42:20,640 --> 00:42:21,359
Speaker 1: when I look at.

789
00:42:21,320 --> 00:42:24,040
Speaker 2: Y'all with eighty five South, y'all tickets are doing well.

790
00:42:24,080 --> 00:42:27,640
Speaker 2: All across the world podcast doing well, there's a correlation.

791
00:42:27,800 --> 00:42:31,120
Speaker 2: May not be causation, but it's a correlation. But I

792
00:42:31,200 --> 00:42:33,520
Speaker 2: know for a fact that Rogan them are saying that

793
00:42:33,560 --> 00:42:36,520
Speaker 2: when I put a comic here, and this is eight

794
00:42:36,640 --> 00:42:38,800
Speaker 2: years ago, seven years ago, they were saying this, it

795
00:42:38,880 --> 00:42:42,040
Speaker 2: affixed the ticket sales. What that tells me is that

796
00:42:42,160 --> 00:42:45,200
Speaker 2: podcasting is a driver of ticket sales for comedy.

797
00:42:45,680 --> 00:42:48,840
Speaker 1: Well, now, what podcasting does is it introduced like especially

798
00:42:48,880 --> 00:42:52,520
Speaker 1: if you're doing it consistently, it just is introducing you

799
00:42:52,600 --> 00:42:54,479
Speaker 1: to people who ain't fucked with you yet.

800
00:42:54,640 --> 00:42:58,160
Speaker 2: So why does black part comedy podcasting really not have

801
00:42:58,239 --> 00:43:00,960
Speaker 2: a presence? Because while we say they sell out like that,

802
00:43:01,200 --> 00:43:03,799
Speaker 2: I can also name two bears one Cave which is

803
00:43:03,840 --> 00:43:06,279
Speaker 2: Tom and Bird Christ and I can name the theo

804
00:43:06,400 --> 00:43:09,520
Speaker 2: Von podcast. I can name the now we.

805
00:43:09,440 --> 00:43:11,759
Speaker 1: Do have them because we got Daisy Banks with a

806
00:43:11,880 --> 00:43:13,200
Speaker 1: pretty big podcast.

807
00:43:13,480 --> 00:43:14,520
Speaker 3: He got a podcast.

808
00:43:14,680 --> 00:43:17,800
Speaker 1: No, you don't have a podcast? Gets who's at Marco?

809
00:43:17,920 --> 00:43:21,520
Speaker 1: Who's the nigga with the podcast.

810
00:43:20,480 --> 00:43:22,600
Speaker 3: That's not necessarily at Marco?

811
00:43:22,760 --> 00:43:23,279
Speaker 1: Is that a part?

812
00:43:23,680 --> 00:43:25,560
Speaker 3: Yeah, I guess you would call it that.

813
00:43:25,640 --> 00:43:27,799
Speaker 1: But does that help with tickets like it does on

814
00:43:27,840 --> 00:43:30,279
Speaker 1: the other side, You know, I don't know if it

815
00:43:30,600 --> 00:43:33,040
Speaker 1: I don't know if it translates the tickets, I don't know.

816
00:43:33,080 --> 00:43:36,839
Speaker 1: I think you just have to be constant, like consistent

817
00:43:36,960 --> 00:43:39,880
Speaker 1: with it online so you can keep building these different

818
00:43:39,920 --> 00:43:43,240
Speaker 1: markets up and people and build the need of people

819
00:43:43,280 --> 00:43:46,400
Speaker 1: want to see you. Do you think the part domand

820
00:43:46,640 --> 00:43:48,000
Speaker 1: do affect the ticket seal?

821
00:43:48,560 --> 00:43:49,319
Speaker 3: Does it affect it?

822
00:43:49,360 --> 00:43:53,520
Speaker 1: Of course it does because people have been watching our

823
00:43:53,640 --> 00:43:57,239
Speaker 1: podcast and then watching nine live shows and then like,

824
00:43:57,320 --> 00:44:00,160
Speaker 1: oh I fucked with one of these, so hot, lord,

825
00:44:00,239 --> 00:44:03,319
Speaker 1: I gotta come to support the live show. Or it's

826
00:44:03,320 --> 00:44:06,160
Speaker 1: still people who are fans of the podcasts who ain't

827
00:44:06,200 --> 00:44:08,080
Speaker 1: had the chance to come to a live show yet,

828
00:44:08,120 --> 00:44:10,680
Speaker 1: but they've been hearing about it, or they have come.

829
00:44:10,760 --> 00:44:13,440
Speaker 1: They've been coming since we first started, and they've been

830
00:44:13,520 --> 00:44:15,480
Speaker 1: watching since we was in a little club, and now

831
00:44:15,520 --> 00:44:18,160
Speaker 1: the last time we was there, we was in the arena,

832
00:44:18,239 --> 00:44:21,120
Speaker 1: and now they like, I never missed one because I

833
00:44:21,200 --> 00:44:22,640
Speaker 1: seen it from the insect. Right.

834
00:44:23,600 --> 00:44:26,480
Speaker 2: It's always been like if, y'all, but we got black

835
00:44:26,560 --> 00:44:28,680
Speaker 2: comedy podcasts. I don't want to say we don't like

836
00:44:28,760 --> 00:44:29,480
Speaker 2: it's got a lot.

837
00:44:29,560 --> 00:44:30,800
Speaker 3: It just takes a while before that.

838
00:44:30,880 --> 00:44:33,640
Speaker 1: But y'all, I have a presence in the market. We've

839
00:44:33,640 --> 00:44:36,560
Speaker 1: been doing it for nine years though, it just take

840
00:44:36,600 --> 00:44:40,200
Speaker 1: a while for it to catch on. Yeah, it's probably

841
00:44:40,239 --> 00:44:44,560
Speaker 1: so many good podcasts out there that got that's done

842
00:44:44,560 --> 00:44:47,600
Speaker 1: by black people that we ain't found yet. And it's

843
00:44:47,600 --> 00:44:49,759
Speaker 1: some ship that we would never think that we would enjoy.

844
00:44:49,800 --> 00:44:52,120
Speaker 1: It's a black dude and his wife somewhere got a

845
00:44:52,200 --> 00:44:56,719
Speaker 1: show about cooking and being a good married couple. That

846
00:44:56,719 --> 00:44:59,520
Speaker 1: that's gonna be our favorite shit. Look at Tapatha Brown

847
00:45:00,200 --> 00:45:02,799
Speaker 1: as facts. That lady make me happy. I don't know

848
00:45:02,840 --> 00:45:05,080
Speaker 1: what it is about that lady, but when I see

849
00:45:05,080 --> 00:45:09,080
Speaker 1: that lady on my timeline, I feel like that auntie,

850
00:45:09,600 --> 00:45:12,880
Speaker 1: like I give her the same respect. I'd be listening.

851
00:45:12,880 --> 00:45:15,759
Speaker 1: She'd be like, hey, damn, and that's your be Like,

852
00:45:15,800 --> 00:45:17,880
Speaker 1: I fuck with it, and I love to see her like

853
00:45:18,120 --> 00:45:23,000
Speaker 1: just take off. I love it. And that's what I'm saying.

854
00:45:23,040 --> 00:45:26,680
Speaker 1: We we there's so many of us that are built

855
00:45:26,760 --> 00:45:28,919
Speaker 1: like that that the world need to see. That's why

856
00:45:28,920 --> 00:45:31,160
Speaker 1: you get to see all these tiktoks and like the

857
00:45:31,200 --> 00:45:33,640
Speaker 1: old g's and the uncles talking shit at the gas stage.

858
00:45:33,640 --> 00:45:35,680
Speaker 1: I love that you get what I'm saying. But think

859
00:45:35,719 --> 00:45:39,360
Speaker 1: about if these motherfuckers knew how to work social media,

860
00:45:39,440 --> 00:45:43,279
Speaker 1: they'll be on you give it one, every one of them.

861
00:45:43,400 --> 00:45:47,120
Speaker 1: Do you understand that Charleston White break the Internet every day? Yeah?

862
00:45:47,160 --> 00:45:49,919
Speaker 1: But do you understand every hood got her? Everyone got

863
00:45:49,920 --> 00:45:53,120
Speaker 1: five or six of them. Everyone They got more outrageous

864
00:45:53,160 --> 00:45:57,279
Speaker 1: opinions than your one. What happened to that interview? I

865
00:45:57,320 --> 00:46:00,080
Speaker 1: don't think I ever heard you speak about that that

866
00:46:00,160 --> 00:46:02,920
Speaker 1: interview got took down. People want to know what happened?

867
00:46:03,680 --> 00:46:05,360
Speaker 3: What do you mean it got took down?

868
00:46:05,560 --> 00:46:07,920
Speaker 2: People were saying that the eighty five southn interview with

869
00:46:08,040 --> 00:46:14,080
Speaker 2: Charleston White was removed from YouTube. Why you own eighty

870
00:46:14,120 --> 00:46:16,759
Speaker 2: five South? I think it's interesting you're asking me why.

871
00:46:16,880 --> 00:46:18,720
Speaker 2: I'm just saying why that happened?

872
00:46:20,080 --> 00:46:22,240
Speaker 1: It's your time to tell her the hundreds of thousands

873
00:46:22,280 --> 00:46:24,680
Speaker 1: of people that love to watch you. Oh, I don't know.

874
00:46:24,960 --> 00:46:27,960
Speaker 1: I don't explain myself to nobody. I don't know what

875
00:46:28,080 --> 00:46:32,239
Speaker 1: happened you sometimes, hey, sometimes happened. You ain't never looked

876
00:46:32,280 --> 00:46:35,799
Speaker 1: on YouTube and you saw some contentness, They ain't never

877
00:46:35,840 --> 00:46:37,600
Speaker 1: took none of your shit down and didn't tell you

878
00:46:37,600 --> 00:46:45,279
Speaker 1: what that boy cooking y'all. I'm just asking, haven't they

879
00:46:45,280 --> 00:46:48,240
Speaker 1: took some of your shit down before? That boy cooking? Y'all?

880
00:46:48,280 --> 00:46:50,279
Speaker 1: Just how shit go? You know? I loved him when

881
00:46:50,320 --> 00:46:54,080
Speaker 1: a nigga cook, I ain't a liing. I don't know.

882
00:46:55,040 --> 00:46:56,319
Speaker 3: Must have said the wrong shit.

883
00:46:56,440 --> 00:47:03,000
Speaker 1: I don't know. I guess you know how people steal

884
00:47:03,000 --> 00:47:05,600
Speaker 1: your content and then try to report yours. What if

885
00:47:05,600 --> 00:47:06,120
Speaker 1: that happened?

886
00:47:07,080 --> 00:47:08,320
Speaker 3: That ain't never happened to you.

887
00:47:08,400 --> 00:47:11,040
Speaker 1: Yeah, done happening. Now. If I go on YouTube right now,

888
00:47:11,040 --> 00:47:14,400
Speaker 1: it's a nigga saying that he owned the content, right.

889
00:47:15,400 --> 00:47:18,640
Speaker 1: I mean, I see the interview pop up on my

890
00:47:18,719 --> 00:47:21,080
Speaker 1: YouTube something. I don't see it pop up on my

891
00:47:21,160 --> 00:47:21,759
Speaker 1: page though.

892
00:47:22,640 --> 00:47:25,200
Speaker 3: Uh oh, I don't know.

893
00:47:26,080 --> 00:47:28,439
Speaker 1: There's a lot of theories behind that shit. People told

894
00:47:28,480 --> 00:47:30,640
Speaker 1: me the tip called us and made us take it down.

895
00:47:30,800 --> 00:47:33,240
Speaker 1: Ain't nobody that did no shit like that? Stop making

896
00:47:33,320 --> 00:47:39,640
Speaker 1: up shit. I don't run YouTube. I don't know what

897
00:47:39,719 --> 00:47:43,000
Speaker 1: you shit. They might flag me smoking this blood. I

898
00:47:43,000 --> 00:47:48,160
Speaker 1: don't know what it could be anything, but that's the game. Baby,

899
00:47:50,160 --> 00:47:51,720
Speaker 1: it happened. Got to respect it.

900
00:47:51,719 --> 00:47:52,200
Speaker 3: It ain't me.

901
00:47:52,640 --> 00:47:55,400
Speaker 1: Didn't they delete a whole bunch of Charleston White content

902
00:47:55,440 --> 00:47:59,000
Speaker 1: off YouTube? I don't know they did at one point?

903
00:47:59,800 --> 00:48:03,560
Speaker 1: You come on, man, they did, now you know, I

904
00:48:03,600 --> 00:48:06,040
Speaker 1: mean when all his social media pages and ship got

905
00:48:06,040 --> 00:48:08,319
Speaker 1: banned and they do remember them. You don't remember that,

906
00:48:08,480 --> 00:48:10,360
Speaker 1: So what make you think I had something to do

907
00:48:10,440 --> 00:48:16,880
Speaker 1: with it? He said, thank you, thank you. Yeah. But

908
00:48:18,120 --> 00:48:21,160
Speaker 1: sometimes the content world get crazy, man, I mean, I

909
00:48:21,200 --> 00:48:23,360
Speaker 1: know it does. I just don't feel like I should

910
00:48:23,400 --> 00:48:25,319
Speaker 1: have to explain it. It's so many things that could

911
00:48:25,320 --> 00:48:27,800
Speaker 1: have happened. He had somebody sitting right there that recorded

912
00:48:27,840 --> 00:48:31,080
Speaker 1: the whole show on the live stream as we were

913
00:48:31,120 --> 00:48:34,279
Speaker 1: doing it. They put it on their page and then

914
00:48:34,320 --> 00:48:36,400
Speaker 1: try to report my page and they say they got

915
00:48:36,440 --> 00:48:41,400
Speaker 1: to what's gonna happen? You don't know this. I'm not

916
00:48:41,440 --> 00:48:44,000
Speaker 1: on here to teach all this media. Ship I don't know.

917
00:48:44,719 --> 00:48:48,160
Speaker 1: Ain't nobody did nothing. It wasn't what y'all thought it was.

918
00:48:48,440 --> 00:48:50,080
Speaker 1: It wouldn't have shit to do with me, like we

919
00:48:50,239 --> 00:48:52,440
Speaker 1: just got in my feelings and deleted. Come on, man,

920
00:48:52,920 --> 00:48:55,200
Speaker 1: make it makes sense. And you still say his name,

921
00:48:55,280 --> 00:49:02,399
Speaker 1: You still say like, I don't have no beef. Did

922
00:49:02,560 --> 00:49:06,680
Speaker 1: nothing happen. Ain't nobody said nothing about no ship like that.

923
00:49:06,920 --> 00:49:09,319
Speaker 1: I can't even believe you and ship like that? Well,

924
00:49:09,360 --> 00:49:11,879
Speaker 1: you know I had that. Who almos be upset that

925
00:49:11,880 --> 00:49:14,239
Speaker 1: motherfucker had me? As if I got that? Why would

926
00:49:14,280 --> 00:49:16,640
Speaker 1: I now ask that that forgot me? And you? You?

927
00:49:16,800 --> 00:49:19,560
Speaker 2: You you a shot call on this side? You know

928
00:49:19,600 --> 00:49:22,239
Speaker 2: what I'm saying? Why would I not ask that? That's important?

929
00:49:23,320 --> 00:49:26,120
Speaker 1: Got the app? Bro? If you go on the app,

930
00:49:29,120 --> 00:49:31,920
Speaker 1: you could pull up whatever eighty five South Show content

931
00:49:32,000 --> 00:49:32,359
Speaker 1: you want.

932
00:49:32,480 --> 00:49:34,920
Speaker 3: It's on now. It's on the app.

933
00:49:35,040 --> 00:49:37,040
Speaker 1: If you get an app, okay, you just pull up

934
00:49:37,160 --> 00:49:40,640
Speaker 1: whatever content you want to watch. It's just all you

935
00:49:40,680 --> 00:49:43,600
Speaker 1: gotta do is just take a little research. Just do

936
00:49:43,680 --> 00:49:47,040
Speaker 1: a little research, right, I mean they go right there

937
00:49:47,080 --> 00:49:50,600
Speaker 1: on the app, sitting right there, right there on the app.

938
00:49:51,200 --> 00:49:54,719
Speaker 1: So what that tell you? Sitting right there, get that app?

939
00:49:55,440 --> 00:49:59,839
Speaker 1: Get down channel eighty five eighty five, just like that.

940
00:50:00,040 --> 00:50:03,720
Speaker 1: You saw it on the air, you saw it on the app. Okay,

941
00:50:03,800 --> 00:50:05,880
Speaker 1: it ain't in no private section or nothing.

942
00:50:05,920 --> 00:50:07,759
Speaker 3: It's right there right up.

943
00:50:09,040 --> 00:50:11,440
Speaker 2: So and I think sometimes he'd be willing to ask

944
00:50:11,480 --> 00:50:15,319
Speaker 2: for clarification without just asking who Charleston, Like, I think

945
00:50:15,360 --> 00:50:17,120
Speaker 2: that was his way of trying to get you out

946
00:50:17,120 --> 00:50:19,600
Speaker 2: at like what happened? Like you know what I mean,

947
00:50:19,719 --> 00:50:22,600
Speaker 2: what happened because he you know, there was people pushing

948
00:50:22,600 --> 00:50:25,040
Speaker 2: out saying that like them nigga got a phone call

949
00:50:25,080 --> 00:50:25,600
Speaker 2: because he was.

950
00:50:26,400 --> 00:50:29,240
Speaker 1: Type ship telling my tip son or something. You remember

951
00:50:29,239 --> 00:50:31,960
Speaker 1: that ship Marco took his ship down. It wasn't just y'all.

952
00:50:31,960 --> 00:50:37,160
Speaker 1: So it felt like but you said YouTube said who

953
00:50:37,239 --> 00:50:38,960
Speaker 1: is YouTube? I don't know.

954
00:50:39,160 --> 00:50:40,000
Speaker 3: I don't know if that.

955
00:50:40,320 --> 00:50:42,640
Speaker 1: I'm just saying, plenty of shit happen. You don't know

956
00:50:42,760 --> 00:50:45,320
Speaker 1: what happen. I know it is in the app.

957
00:50:45,800 --> 00:50:47,240
Speaker 3: It is up there.

958
00:50:47,320 --> 00:50:51,440
Speaker 1: It's up there. Know what the fuck happened. That's not

959
00:50:51,600 --> 00:50:57,080
Speaker 1: my department. Shit, But for you still champion them, so

960
00:50:57,120 --> 00:51:02,439
Speaker 1: that ain't nothing. Yeah, that's what why was some media? Yeah, man,

961
00:51:03,040 --> 00:51:03,760
Speaker 1: ain't what I'm saying.

962
00:51:04,000 --> 00:51:06,840
Speaker 2: Yeah, And I know you're consumer of this ship, so

963
00:51:06,960 --> 00:51:09,480
Speaker 2: I know you what I know, when you enjoy something,

964
00:51:09,480 --> 00:51:12,640
Speaker 2: you really don't put your you don't put your time

965
00:51:12,680 --> 00:51:14,040
Speaker 2: in like studying it.

966
00:51:14,200 --> 00:51:16,160
Speaker 1: You know what I mean to enjoy it? You know

967
00:51:16,160 --> 00:51:16,560
Speaker 1: what I mean?

968
00:51:16,680 --> 00:51:19,480
Speaker 2: Like you really you know, dude, you know kind of

969
00:51:19,520 --> 00:51:24,600
Speaker 2: what he beyond. You know what I'm saying. I think

970
00:51:24,600 --> 00:51:26,520
Speaker 2: I'm gonna do a live show with him at some

971
00:51:26,600 --> 00:51:29,319
Speaker 2: point like I did with War. You can come out, man,

972
00:51:30,000 --> 00:51:32,480
Speaker 2: do it as what come out when you come after that?

973
00:51:32,640 --> 00:51:34,279
Speaker 3: Yeah, I come to some shit like that.

974
00:51:34,360 --> 00:51:37,160
Speaker 1: Broh. I still watch a lot of Chance to White shit.

975
00:51:37,200 --> 00:51:38,360
Speaker 3: They be hilarious to me.

976
00:51:38,719 --> 00:51:41,279
Speaker 2: Yeah, I'm forget you to come out front Road, you

977
00:51:41,320 --> 00:51:42,200
Speaker 2: and your family whoever.

978
00:51:42,200 --> 00:51:44,040
Speaker 1: That ain't That's why I'll be saying from where I

979
00:51:44,120 --> 00:51:46,839
Speaker 1: come from, bro, that ain't no nigga. You can stay

980
00:51:46,880 --> 00:51:50,080
Speaker 1: mad at bro, that's just crazy air. God damn you

981
00:51:50,080 --> 00:51:52,920
Speaker 1: know what, depending on your feeling, that's your uncle, your cousin,

982
00:51:53,000 --> 00:51:56,080
Speaker 1: bro who say some wild shit. You cut him off

983
00:51:56,120 --> 00:51:58,719
Speaker 1: for a minute and you see it. You can't stay

984
00:51:58,760 --> 00:51:59,839
Speaker 1: mad at that nigga man.

985
00:52:00,160 --> 00:52:03,160
Speaker 2: But from a being in perspective, it's a totally different game.

986
00:52:03,520 --> 00:52:05,160
Speaker 1: I want to talk to you about. I want to

987
00:52:05,200 --> 00:52:08,280
Speaker 1: talk to you about that business business business, benness.

988
00:52:08,320 --> 00:52:10,239
Speaker 2: I want to talk to you about that time in

989
00:52:10,320 --> 00:52:14,480
Speaker 2: comedy where Ricky Smiley and Arna's j had a special

990
00:52:14,560 --> 00:52:15,440
Speaker 2: needs character.

991
00:52:16,360 --> 00:52:20,880
Speaker 1: What do you think that should come back now? But

992
00:52:21,000 --> 00:52:23,760
Speaker 1: do you understand I have performed all over the world

993
00:52:24,880 --> 00:52:30,000
Speaker 1: for people who have quote unquote disabilities or lost limbs

994
00:52:30,120 --> 00:52:32,360
Speaker 1: or you know what I mean, So it might not

995
00:52:32,400 --> 00:52:33,160
Speaker 1: be acceptable.

996
00:52:33,320 --> 00:52:33,480
Speaker 3: Now.

997
00:52:33,520 --> 00:52:38,480
Speaker 1: What I'm saying is there's a way to make fun

998
00:52:39,440 --> 00:52:45,040
Speaker 1: not of somebody, but to make fun of a situation,

999
00:52:45,400 --> 00:52:49,400
Speaker 1: to find a human some shit without offending people.

1000
00:52:49,840 --> 00:52:50,680
Speaker 3: You get what I'm saying.

1001
00:52:50,840 --> 00:52:55,239
Speaker 1: I enjoyed Arna's J and and Little Darryl right, And

1002
00:52:55,320 --> 00:52:58,680
Speaker 1: there are people who are in those similar situations who

1003
00:52:59,200 --> 00:53:02,440
Speaker 1: also enjoy that. Cause It's like if you go with

1004
00:53:02,480 --> 00:53:06,319
Speaker 1: the Ricky Smiley page and you see the type of

1005
00:53:06,360 --> 00:53:08,840
Speaker 1: work that he does with the kids and people with

1006
00:53:08,920 --> 00:53:11,080
Speaker 1: special needs and shit like that. He do this shit

1007
00:53:11,200 --> 00:53:14,919
Speaker 1: on the regular, so it's not like he's saying, hey,

1008
00:53:15,440 --> 00:53:17,400
Speaker 1: I'm making fun of these people. Hey, this is what

1009
00:53:17,480 --> 00:53:20,160
Speaker 1: I saw. This is how my cousin be. And then

1010
00:53:20,360 --> 00:53:21,839
Speaker 1: you can go to your page and you can see

1011
00:53:21,840 --> 00:53:24,919
Speaker 1: your real cousin on there and get that good damn faith.

1012
00:53:25,560 --> 00:53:27,799
Speaker 2: It hit way man that when I were coming up,

1013
00:53:28,440 --> 00:53:33,040
Speaker 2: that I thoroughly enjoyed that comedy, like just to see

1014
00:53:33,560 --> 00:53:36,800
Speaker 2: Ricky Smiley even though he would just pop into it

1015
00:53:36,920 --> 00:53:39,719
Speaker 2: sometime and then like Arn's Jay is just popping to

1016
00:53:39,880 --> 00:53:42,680
Speaker 2: his brother whoever. He would act like his brother riding

1017
00:53:42,920 --> 00:53:45,239
Speaker 2: and walk across the stage and shit, And I was

1018
00:53:45,360 --> 00:53:48,440
Speaker 2: just every single time that shit would be funny. But

1019
00:53:48,520 --> 00:53:52,680
Speaker 2: it's like nowadays, I'm not sure if that if that's

1020
00:53:53,640 --> 00:53:56,399
Speaker 2: or is that being done That probably is being done

1021
00:53:56,400 --> 00:53:57,879
Speaker 2: in the comedy club a way.

1022
00:53:58,000 --> 00:54:00,399
Speaker 1: Like I said, as long as it's not malicious, right,

1023
00:54:00,800 --> 00:54:04,000
Speaker 1: it's ways to make a joke about anything and make

1024
00:54:04,040 --> 00:54:07,400
Speaker 1: it funny, as long as you're not making it personal

1025
00:54:07,520 --> 00:54:11,480
Speaker 1: enough where it can hurt nobody feelings. That's the that's

1026
00:54:11,480 --> 00:54:15,400
Speaker 1: the different, that's what makes a comedian great. To be

1027
00:54:15,440 --> 00:54:18,279
Speaker 1: a lie though to say ship without saying it, or

1028
00:54:18,320 --> 00:54:21,759
Speaker 1: to be able to joke about things that's not you

1029
00:54:21,800 --> 00:54:24,799
Speaker 1: know that people don't want to be joked about. Like

1030
00:54:24,840 --> 00:54:26,600
Speaker 1: if you go back and listen to the old Robin

1031
00:54:26,640 --> 00:54:31,879
Speaker 1: Harris ship, he had Debo tiny in the audience, and

1032
00:54:31,960 --> 00:54:35,000
Speaker 1: you know he was done for whooping niggas ass for

1033
00:54:35,160 --> 00:54:38,480
Speaker 1: talking about his eye. And Robin Harris was you know,

1034
00:54:38,560 --> 00:54:40,480
Speaker 1: he had built such a rapport with him from him

1035
00:54:40,480 --> 00:54:43,120
Speaker 1: coming to the club every week that he let him

1036
00:54:43,120 --> 00:54:45,280
Speaker 1: get you know what I'm saying. He still played the character,

1037
00:54:45,320 --> 00:54:47,600
Speaker 1: but he wasn't gonna really do nothing. If you go

1038
00:54:47,640 --> 00:54:49,880
Speaker 1: back and see it, because it's they got it recorded

1039
00:54:49,920 --> 00:54:53,400
Speaker 1: on an old Robin Harres ship where he was doing

1040
00:54:53,440 --> 00:54:56,040
Speaker 1: his ship, Debo used to come to the club and

1041
00:54:56,040 --> 00:54:59,960
Speaker 1: fuck with him. See that. That's the That's the key thing, man,

1042
00:55:01,280 --> 00:55:04,080
Speaker 1: because I haven't seen people get upset at comedy clubs

1043
00:55:04,120 --> 00:55:07,840
Speaker 1: about like I'm talking about, like fighting mad and actually

1044
00:55:07,840 --> 00:55:10,600
Speaker 1: having fights and brawls and shut the whole club down.

1045
00:55:10,880 --> 00:55:11,719
Speaker 3: I remember one night.

1046
00:55:11,760 --> 00:55:13,839
Speaker 1: I ain't gonna say who the comedian was because it's

1047
00:55:13,920 --> 00:55:17,600
Speaker 1: just it's crazy, but I was at the spot one

1048
00:55:17,719 --> 00:55:20,480
Speaker 1: night and it was this Albano dude in there and

1049
00:55:20,880 --> 00:55:22,879
Speaker 1: the comedian was fucking with him. He wasn't even really

1050
00:55:22,880 --> 00:55:25,440
Speaker 1: getting no laughs for the ship that he was saying.

1051
00:55:25,560 --> 00:55:31,279
Speaker 1: But the dude, like god so mad, he was spurious though,

1052
00:55:31,520 --> 00:55:34,440
Speaker 1: he went like stormed out the club and he was

1053
00:55:34,520 --> 00:55:36,760
Speaker 1: just like sitting in the car like I walked outside.

1054
00:55:36,800 --> 00:55:38,960
Speaker 1: He was sitting in the car like literally beating the

1055
00:55:39,000 --> 00:55:41,000
Speaker 1: ship out of the steering wheel like he was going

1056
00:55:41,120 --> 00:55:45,560
Speaker 1: but sirk. His people had to go get him. Bron God, Yeah,

1057
00:55:45,680 --> 00:55:47,600
Speaker 1: did you ever have a heckler you had to deal

1058
00:55:47,640 --> 00:55:49,759
Speaker 1: with Hill? Yeah, I done had some of the worst

1059
00:55:49,800 --> 00:55:52,560
Speaker 1: heckless man. Give me one of them, just a terrible,

1060
00:55:53,080 --> 00:55:58,239
Speaker 1: worst heckless man like you wanted, like a heckless story.

1061
00:55:58,320 --> 00:56:00,280
Speaker 1: Like I don't know if you're familiar with it Atlanta

1062
00:56:00,320 --> 00:56:03,319
Speaker 1: comedy scene, but Bro with jet now was kind of

1063
00:56:03,320 --> 00:56:06,840
Speaker 1: explaining it to me. The worst heckler in Atlanta comedy

1064
00:56:07,040 --> 00:56:12,480
Speaker 1: history and my generation of comedy probably Little Baller, Little Baller,

1065
00:56:13,160 --> 00:56:17,000
Speaker 1: and god damn Rico little Baller my partner though, Okay,

1066
00:56:17,280 --> 00:56:20,080
Speaker 1: but that's just his thing. He's always heck the hell

1067
00:56:20,120 --> 00:56:22,840
Speaker 1: out of comedy. Sco Bubble was at mother fucking resting

1068
00:56:22,880 --> 00:56:26,120
Speaker 1: piece of score, Bobber but man some of the worst

1069
00:56:26,120 --> 00:56:31,960
Speaker 1: hecklers is comedians worst heckless comedian bro Corey Hogan would

1070
00:56:32,000 --> 00:56:34,120
Speaker 1: be in the club like if a comedian on stage,

1071
00:56:34,160 --> 00:56:37,320
Speaker 1: and Obama you always have Coury like Corey Hogan and

1072
00:56:37,400 --> 00:56:39,879
Speaker 1: Jeff b. They used to be notorious for like, Man,

1073
00:56:40,000 --> 00:56:42,560
Speaker 1: get your garbage jass out of here, or you're in here,

1074
00:56:42,640 --> 00:56:50,360
Speaker 1: Cory go dirty South rest in peace. She used to

1075
00:56:50,440 --> 00:56:55,280
Speaker 1: always say, get these hilarious saying niggas off the stage.

1076
00:56:55,960 --> 00:56:59,800
Speaker 1: Oh goodness, so many classic knights. Bro. I'm glad I

1077
00:56:59,800 --> 00:57:02,160
Speaker 1: got to actually come up in that era of comedy

1078
00:57:02,200 --> 00:57:07,600
Speaker 1: around that it's quite bt comedians, no, but in Atlanta,

1079
00:57:07,719 --> 00:57:10,520
Speaker 1: it's just that's a hug. So all the comedians that

1080
00:57:10,640 --> 00:57:13,200
Speaker 1: come through the city back in those days and just

1081
00:57:13,239 --> 00:57:15,600
Speaker 1: do all the rooms, and do all the clubs and

1082
00:57:15,640 --> 00:57:18,040
Speaker 1: do and just be here for a week or two,

1083
00:57:18,200 --> 00:57:20,760
Speaker 1: just running through all the spots man doing everything from

1084
00:57:20,840 --> 00:57:23,200
Speaker 1: the poetry spot to the you know what I mean,

1085
00:57:23,280 --> 00:57:27,240
Speaker 1: uptown comedy corner. So it was always people in and out. Yeah.

1086
00:57:27,560 --> 00:57:30,840
Speaker 1: Do you think what's the next phase for eighty five

1087
00:57:30,880 --> 00:57:36,200
Speaker 1: Sounds movies. We're gonna We're gonna really need to do

1088
00:57:36,240 --> 00:57:38,560
Speaker 1: a part two of the Netflix Ship. That needs to

1089
00:57:38,640 --> 00:57:41,920
Speaker 1: We need to follow up, right, definitely need to follow up.

1090
00:57:41,960 --> 00:57:45,440
Speaker 1: We need a movie, We need a cartoon or something.

1091
00:57:45,760 --> 00:57:48,840
Speaker 1: We need some cartoons. I want, I want you to do.

1092
00:57:48,920 --> 00:57:51,680
Speaker 1: I want to be involved with this needy, fast South

1093
00:57:51,720 --> 00:57:55,760
Speaker 1: comedy club, a comedy club. We might do that later

1094
00:57:55,840 --> 00:57:56,600
Speaker 1: on down the line.

1095
00:57:56,640 --> 00:58:02,040
Speaker 2: I think, yeah, I think I think that that the

1096
00:58:02,200 --> 00:58:07,000
Speaker 2: hub that you speak about, you guys, can now be

1097
00:58:07,160 --> 00:58:09,040
Speaker 2: that hub. You know what I'm saying, Like, if there's

1098
00:58:09,080 --> 00:58:12,400
Speaker 2: a even this this building can act as that. You

1099
00:58:12,400 --> 00:58:14,520
Speaker 2: know what I'm saying. But I'm saying not this building,

1100
00:58:15,120 --> 00:58:18,360
Speaker 2: well not this building, but whatever. But I'm just saying,

1101
00:58:18,400 --> 00:58:20,480
Speaker 2: at some point, I feel as though that y'all can

1102
00:58:20,560 --> 00:58:26,240
Speaker 2: be like the place that like shoot the poolball out

1103
00:58:26,680 --> 00:58:29,160
Speaker 2: right or the place that the poolball is shot out of,

1104
00:58:29,840 --> 00:58:30,800
Speaker 2: and that's legacy.

1105
00:58:31,160 --> 00:58:33,120
Speaker 1: Yeah, you know what I mean. So, but you know

1106
00:58:33,160 --> 00:58:35,040
Speaker 1: how to keep it mind. We're still active in the game,

1107
00:58:36,560 --> 00:58:39,000
Speaker 1: spreading our legs out. This is only the phase one

1108
00:58:39,000 --> 00:58:41,480
Speaker 1: of us, right, you know what I mean? Some people

1109
00:58:41,520 --> 00:58:43,000
Speaker 1: look at it and be like, it can't still be

1110
00:58:43,040 --> 00:58:43,560
Speaker 1: phase one.

1111
00:58:43,640 --> 00:58:45,919
Speaker 3: Yes it is. We ain't maxed out phase one yet.

1112
00:58:46,000 --> 00:58:50,080
Speaker 1: So once we get you know, established, well, we want

1113
00:58:50,120 --> 00:58:51,880
Speaker 1: to take our brand to and then.

1114
00:58:51,880 --> 00:58:53,360
Speaker 3: Maybe we'll do some shit like that.

1115
00:58:53,520 --> 00:58:57,280
Speaker 1: But how long have you still opportunities? Right?

1116
00:58:57,320 --> 00:59:00,280
Speaker 2: How long have you been on wilden Out? I've been

1117
00:59:00,280 --> 00:59:02,120
Speaker 2: on it since they brought it back? How long is

1118
00:59:02,120 --> 00:59:03,000
Speaker 2: that many years?

1119
00:59:04,160 --> 00:59:07,160
Speaker 1: That was what ten eleven years?

1120
00:59:07,320 --> 00:59:07,680
Speaker 3: Damn?

1121
00:59:08,240 --> 00:59:11,760
Speaker 1: Yeah? But hell that's like I think I did probably

1122
00:59:11,840 --> 00:59:17,280
Speaker 1: seventeen eighteen season goodness something like that. That's a long run.

1123
00:59:18,280 --> 00:59:21,480
Speaker 2: And that's what what and that's it's always Viacom, but

1124
00:59:21,920 --> 00:59:26,040
Speaker 2: it's moved station like MTV, MTV two, stuff like that as.

1125
00:59:25,840 --> 00:59:30,959
Speaker 1: You Yeah, Comedy Central Central, Yeah, it's Viacom, so they'll

1126
00:59:31,000 --> 00:59:33,120
Speaker 1: play that ship on all them channel. Yeah, but you

1127
00:59:33,160 --> 00:59:35,920
Speaker 1: know it went from MTV two to MTV. Shout out

1128
00:59:35,960 --> 00:59:40,800
Speaker 1: to them, folks, man, they shut We have a very uh,

1129
00:59:41,840 --> 00:59:45,680
Speaker 1: crazy ass relationship because as much as they don't fuck

1130
00:59:45,760 --> 00:59:50,080
Speaker 1: with me, they do right. So yeah, do you think

1131
00:59:52,960 --> 00:59:55,400
Speaker 1: why why do you think or do you think that

1132
00:59:55,520 --> 00:59:58,160
Speaker 1: the role that you play on wild now it can

1133
00:59:58,200 --> 01:00:01,720
Speaker 1: translate to other roles? For I come, who knows business

1134
01:00:01,760 --> 01:00:04,760
Speaker 1: is business? Have they?

1135
01:00:04,800 --> 01:00:07,880
Speaker 2: Have you ever been asked to audition for something through them?

1136
01:00:07,920 --> 01:00:09,840
Speaker 2: Because I mean, if you you you have a worker

1137
01:00:09,880 --> 01:00:13,080
Speaker 2: relationship with them, it may be through Nick Cannon's company

1138
01:00:13,160 --> 01:00:16,120
Speaker 2: or whoever's company, but it's like, and.

1139
01:00:16,120 --> 01:00:18,720
Speaker 1: I think I don't know if it's necessarily one of

1140
01:00:18,760 --> 01:00:22,360
Speaker 1: those things where to be like an audition. So unless

1141
01:00:22,400 --> 01:00:25,360
Speaker 1: it was something that they weren't famil they know pretty

1142
01:00:25,440 --> 01:00:27,680
Speaker 1: much what I do. They got all this take out,

1143
01:00:27,720 --> 01:00:30,360
Speaker 1: hours and hours of tape on me, right, They've seen

1144
01:00:30,400 --> 01:00:32,840
Speaker 1: me do shit. They know where my weapons are for

1145
01:00:32,880 --> 01:00:34,840
Speaker 1: the most part, as much as you can use them

1146
01:00:34,880 --> 01:00:35,200
Speaker 1: on there.

1147
01:00:35,320 --> 01:00:35,919
Speaker 3: You know what I'm saying.

1148
01:00:36,040 --> 01:00:39,160
Speaker 2: But you're interested in acting outside of being in a

1149
01:00:39,200 --> 01:00:41,760
Speaker 2: comedy role, yeah, I.

1150
01:00:41,760 --> 01:00:44,600
Speaker 1: Think that's the best ship for comedians. Comedians be the

1151
01:00:44,640 --> 01:00:47,880
Speaker 1: best actors, so they would we can do anything right

1152
01:00:48,080 --> 01:00:50,440
Speaker 1: like you would probably see. I think my breakout roll

1153
01:00:50,520 --> 01:00:52,000
Speaker 1: gonna be some shit. Ain't got nothing to do with

1154
01:00:52,080 --> 01:00:57,000
Speaker 1: comedy though, that's easy. But but I don't want to

1155
01:00:57,000 --> 01:01:01,320
Speaker 1: be a villain. Yeah, fire seasons of one of them

1156
01:01:01,640 --> 01:01:04,760
Speaker 1: drug Dealer series or something, just being a terrible motherfucker

1157
01:01:04,800 --> 01:01:07,040
Speaker 1: on the Yeah, I've been talking it up. I done

1158
01:01:07,080 --> 01:01:10,200
Speaker 1: had a few little auditions that almost hit right. I'm

1159
01:01:10,480 --> 01:01:12,720
Speaker 1: I'm on there. Yeah, And so that's what I'm saying.

1160
01:01:13,120 --> 01:01:17,720
Speaker 2: But the key is your weapons as a comedian, even

1161
01:01:17,760 --> 01:01:19,400
Speaker 2: though they would know you that you would have to

1162
01:01:19,440 --> 01:01:21,320
Speaker 2: come in and show them some kind of.

1163
01:01:22,800 --> 01:01:26,160
Speaker 1: There'll be an audition process for yeah, most definitely, Yeah,

1164
01:01:26,160 --> 01:01:28,320
Speaker 1: most definitely. But you know once you get through the

1165
01:01:28,320 --> 01:01:31,480
Speaker 1: initial process, but it's gonna be somebody who's been been

1166
01:01:31,520 --> 01:01:33,920
Speaker 1: watching this ship for a minute, who ain't who already

1167
01:01:33,960 --> 01:01:35,080
Speaker 1: know exactly where I'm.

1168
01:01:34,960 --> 01:01:35,760
Speaker 3: Supposed to be at.

1169
01:01:35,960 --> 01:01:37,920
Speaker 1: Do you think, I'm sure you can't. Some shit is

1170
01:01:38,000 --> 01:01:41,760
Speaker 1: just you can't even get ready for. Just do it. Yeah,

1171
01:01:42,160 --> 01:01:45,600
Speaker 1: have you audition for anything before? Audition for a lot

1172
01:01:45,680 --> 01:01:50,920
Speaker 1: of things? What was that like? It's kind of stressful, Yeah,

1173
01:01:50,960 --> 01:01:54,080
Speaker 1: because some like you get used to the process of

1174
01:01:56,800 --> 01:02:00,680
Speaker 1: being placed or being picked, and then when you have

1175
01:02:00,800 --> 01:02:03,200
Speaker 1: to audition, you don't feel like you got you feel

1176
01:02:03,200 --> 01:02:08,400
Speaker 1: like you're being picked. Right. Sometimes you can be like

1177
01:02:08,480 --> 01:02:10,640
Speaker 1: Bigger Ship. Of course they want you to audition. They

1178
01:02:10,720 --> 01:02:12,720
Speaker 1: finna put a whole bunch of money back right right right,

1179
01:02:12,720 --> 01:02:15,280
Speaker 1: they got it. But it's still a weird. But some

1180
01:02:15,360 --> 01:02:18,320
Speaker 1: ship they really just know that you that they want

1181
01:02:18,400 --> 01:02:21,080
Speaker 1: you for specifically, And I think those are some of

1182
01:02:21,120 --> 01:02:25,120
Speaker 1: the better opportunities for actors when you picked based off

1183
01:02:25,760 --> 01:02:28,640
Speaker 1: who they are, those are doing what you are already, yeah,

1184
01:02:28,680 --> 01:02:31,600
Speaker 1: because those auditions can get weird, like, but then you

1185
01:02:31,760 --> 01:02:33,920
Speaker 1: end up and sometimes you'll try to end up in

1186
01:02:34,000 --> 01:02:37,640
Speaker 1: some ship that you wasn't even the right choice for you. Ever,

1187
01:02:37,720 --> 01:02:39,480
Speaker 1: hear about who was supposed to be who in the

1188
01:02:39,560 --> 01:02:41,840
Speaker 1: movie and you be like, what, how the fun was

1189
01:02:41,880 --> 01:02:44,880
Speaker 1: that gonna work? Right? Yeah? Yeah, I don't like that.

1190
01:02:45,880 --> 01:02:48,280
Speaker 1: I don't like when niggas do that. Sometimes you just

1191
01:02:48,280 --> 01:02:50,320
Speaker 1: look up and like, man, I'm glad that shit ain't

1192
01:02:50,360 --> 01:02:52,520
Speaker 1: work the fuck. But yeah, it's so.

1193
01:02:52,880 --> 01:02:56,240
Speaker 2: But I think the process of audition and it's weird,

1194
01:02:56,400 --> 01:02:57,080
Speaker 2: Like it's like.

1195
01:02:56,920 --> 01:03:00,760
Speaker 1: Like thinking the niggas who tried to be in Ray Man.

1196
01:03:00,920 --> 01:03:03,400
Speaker 1: Can you imagine being a nigga who was right there

1197
01:03:03,400 --> 01:03:07,720
Speaker 1: behind Jamie Fox and Ray No, nobody else could have

1198
01:03:07,720 --> 01:03:11,360
Speaker 1: did that. Yeah, it's over with. He smoked that, right.

1199
01:03:11,520 --> 01:03:13,040
Speaker 3: You think, Jamie, we need you to come in for

1200
01:03:13,120 --> 01:03:14,040
Speaker 3: one more audition.

1201
01:03:15,640 --> 01:03:17,600
Speaker 2: You think here, you think he'll be a that his

1202
01:03:17,720 --> 01:03:22,040
Speaker 2: acting skills were affected by what happened to him, You

1203
01:03:22,120 --> 01:03:24,080
Speaker 2: know what about his comedian skills?

1204
01:03:24,200 --> 01:03:28,320
Speaker 1: No, bro, no, we ain't even mention his name, Jamie Fox,

1205
01:03:28,440 --> 01:03:32,440
Speaker 1: because he is he He is in there, that nigga

1206
01:03:32,480 --> 01:03:34,440
Speaker 1: over there, and like in the Hall of Fame. That

1207
01:03:34,520 --> 01:03:36,880
Speaker 1: nigga kind of got like his own little hallway swoop,

1208
01:03:37,520 --> 01:03:39,640
Speaker 1: like if he was walking through a comedy museum like

1209
01:03:39,680 --> 01:03:41,320
Speaker 1: that nigga got his own little swoop.

1210
01:03:41,360 --> 01:03:45,440
Speaker 3: It's just him. That motherfucker's amazing, bro.

1211
01:03:45,520 --> 01:03:49,360
Speaker 2: That nigga motherfucker bro for real saying and every act

1212
01:03:49,960 --> 01:03:54,560
Speaker 2: that boy smoked everything, and he went and conquered Hollywood.

1213
01:03:55,760 --> 01:03:59,440
Speaker 1: But he put the dress on and just go to

1214
01:03:59,480 --> 01:04:05,040
Speaker 1: show you even when he did that, he was what

1215
01:04:06,640 --> 01:04:09,840
Speaker 1: still one of the funniest motherfuckers. Yeah, but why is

1216
01:04:09,880 --> 01:04:12,520
Speaker 1: that repetitive putting a dress on? I heard one of

1217
01:04:12,560 --> 01:04:15,000
Speaker 1: them niggas tell you, because if you just want to

1218
01:04:15,040 --> 01:04:19,240
Speaker 1: get technical of it, it's it's a layer of comedy,

1219
01:04:20,560 --> 01:04:25,960
Speaker 1: you think. So, yes, the Flip Wilson, Yeah, but why

1220
01:04:25,960 --> 01:04:27,840
Speaker 1: do we still that's what? What year was that?

1221
01:04:28,760 --> 01:04:30,160
Speaker 3: Shit? This is the seventies.

1222
01:04:30,640 --> 01:04:33,680
Speaker 1: We in twenty twenty four, and w don't use.

1223
01:04:33,560 --> 01:04:37,160
Speaker 3: No joke from the seventies. Shire They all from the seventies.

1224
01:04:37,640 --> 01:04:41,720
Speaker 1: We use concepts from the seventies. I'm not defending the

1225
01:04:41,760 --> 01:04:46,440
Speaker 1: ship either way. All I'm saying is, man, it is

1226
01:04:46,480 --> 01:04:47,960
Speaker 1: what the f That's what my mama say.

1227
01:04:48,040 --> 01:04:48,960
Speaker 3: People who did it.

1228
01:04:49,040 --> 01:04:50,800
Speaker 1: She don't want me to wear no dress, of course,

1229
01:04:50,840 --> 01:04:54,040
Speaker 1: but she like Lord, I highly doubt they would come

1230
01:04:54,080 --> 01:04:55,800
Speaker 1: in and ask you to put the dress on. Yeah,

1231
01:04:55,840 --> 01:04:58,320
Speaker 1: of course not. I don't even know who created this

1232
01:04:58,440 --> 01:05:02,920
Speaker 1: monster of whoever the fuck they think is handing out

1233
01:05:03,000 --> 01:05:06,000
Speaker 1: dresses in everybody's side. Man, you know what the fuck

1234
01:05:06,200 --> 01:05:08,400
Speaker 1: going on. They know who they want for that shit.

1235
01:05:09,240 --> 01:05:11,200
Speaker 1: Now if these people don't, if they came to you

1236
01:05:11,360 --> 01:05:12,920
Speaker 1: right now and say we got a road for you

1237
01:05:13,000 --> 01:05:16,320
Speaker 1: in a dress, I can't do it. Yeah, I even

1238
01:05:16,320 --> 01:05:19,080
Speaker 1: went this long without it. I know it's something else

1239
01:05:19,120 --> 01:05:21,920
Speaker 1: coming for me. So that means that, that means that

1240
01:05:22,080 --> 01:05:26,400
Speaker 1: let me know that the motherfuckers who make movies got

1241
01:05:26,440 --> 01:05:29,040
Speaker 1: my numbers some kind of way. Now, the wrong motherfucker's

1242
01:05:29,080 --> 01:05:31,840
Speaker 1: got my number. But now I know that the motherfuckers

1243
01:05:31,840 --> 01:05:34,320
Speaker 1: who're making movies just getting my numbers some kind of way.

1244
01:05:34,560 --> 01:05:35,640
Speaker 1: All I gotta do is wait.

1245
01:05:35,560 --> 01:05:39,480
Speaker 2: This shit out, forget what this how crazy the game is.

1246
01:05:39,560 --> 01:05:44,520
Speaker 2: I was reading the article that the guy allegedly because

1247
01:05:44,560 --> 01:05:48,080
Speaker 2: Pat McAfee is going through something with ESPN, so allegedly

1248
01:05:48,280 --> 01:05:53,440
Speaker 2: the executive over at ESPN would tell Stuart Scott that

1249
01:05:53,600 --> 01:05:57,960
Speaker 2: he cannot say boo yard. He he doesn't think that

1250
01:05:58,040 --> 01:06:01,480
Speaker 2: the translations well right, he would, he would. Now, what

1251
01:06:01,520 --> 01:06:03,280
Speaker 2: I'm trying to get you to understand is it be

1252
01:06:03,440 --> 01:06:04,960
Speaker 2: unreasonable expectations.

1253
01:06:05,000 --> 01:06:07,880
Speaker 1: There's another dude, Jeff van Gundy. He used to call

1254
01:06:07,920 --> 01:06:08,560
Speaker 1: the games.

1255
01:06:08,920 --> 01:06:11,760
Speaker 2: The man told him that when they flash on you,

1256
01:06:11,840 --> 01:06:14,640
Speaker 2: I need to see allegedly, I need to see your

1257
01:06:14,680 --> 01:06:18,320
Speaker 2: hands together on camera. I don't like when your hands

1258
01:06:18,320 --> 01:06:21,760
Speaker 2: are you know, out Then he told him cut his mustache.

1259
01:06:22,440 --> 01:06:24,280
Speaker 1: What is happening at ESPN.

1260
01:06:24,600 --> 01:06:27,600
Speaker 2: So what I'm saying is I don't think it'll start

1261
01:06:27,880 --> 01:06:31,680
Speaker 2: at the dress. I think they try they bring unreasonable

1262
01:06:31,720 --> 01:06:35,080
Speaker 2: shit to see if you're being like, hey, cut your mustard,

1263
01:06:35,200 --> 01:06:36,440
Speaker 2: that right, all that right there?

1264
01:06:36,600 --> 01:06:37,840
Speaker 1: Cut all that now.

1265
01:06:38,000 --> 01:06:41,280
Speaker 2: Sometimes that's a role that's happened, That's what I'm saying.

1266
01:06:41,600 --> 01:06:45,280
Speaker 2: But sometimes I think they blur those lines where it's

1267
01:06:45,320 --> 01:06:46,959
Speaker 2: like is this still for the role?

1268
01:06:47,320 --> 01:06:51,320
Speaker 1: It's like, is we still in some is this? Hey? Man?

1269
01:06:51,360 --> 01:06:53,280
Speaker 1: This is what I'm trying to get you to understand

1270
01:06:53,560 --> 01:06:58,000
Speaker 1: is when when those people go in there and they

1271
01:06:58,080 --> 01:07:03,280
Speaker 1: do that shit that embarrassing or condescension, whatever the fuck

1272
01:07:03,320 --> 01:07:06,200
Speaker 1: is it weird, whatever it is they doing, they know

1273
01:07:06,240 --> 01:07:09,160
Speaker 1: what the fuck they're doing, and they agreed to that.

1274
01:07:09,720 --> 01:07:13,080
Speaker 1: They're not sneaking that ship up on nobody but for opportunity.

1275
01:07:13,080 --> 01:07:16,720
Speaker 1: A nigga get nigga. Sometime nigga go for shit for opportunity.

1276
01:07:16,760 --> 01:07:19,520
Speaker 1: But think about how freaking this fucking game is now,

1277
01:07:20,560 --> 01:07:24,200
Speaker 1: thinking how crazy the world is. They literally got niggas

1278
01:07:24,240 --> 01:07:27,040
Speaker 1: out here who addresses every day, and they act us too,

1279
01:07:27,200 --> 01:07:29,240
Speaker 1: and they don't give no fuck about that shit.

1280
01:07:29,800 --> 01:07:33,720
Speaker 3: You think they ain't gonna call them first? They not.

1281
01:07:34,240 --> 01:07:38,720
Speaker 1: They're not finna go the comedian word, smoking weed and

1282
01:07:38,720 --> 01:07:39,600
Speaker 1: feeling on big.

1283
01:07:39,440 --> 01:07:41,040
Speaker 3: Titties and ask me to do that ship.

1284
01:07:41,120 --> 01:07:43,560
Speaker 1: They ain't. That's not what they want me. Fuck, I

1285
01:07:43,640 --> 01:07:46,440
Speaker 1: know that ain't what they want me to do. Ain't no,

1286
01:07:46,560 --> 01:07:49,080
Speaker 1: ain't nobody over there trying to fuck me. I ain't

1287
01:07:49,120 --> 01:07:52,600
Speaker 1: worried about that. I'm gonna come in do my if

1288
01:07:52,600 --> 01:07:54,840
Speaker 1: they want me here for what there too, i'ma do

1289
01:07:54,920 --> 01:07:59,040
Speaker 1: my freeze. Motherfucker. Hey, good job, Colors. Gonna get the

1290
01:07:59,040 --> 01:08:00,720
Speaker 1: fuck out of here so we get back to the

1291
01:08:00,760 --> 01:08:03,240
Speaker 1: weird shit we was doing before you came over here.

1292
01:08:03,280 --> 01:08:06,000
Speaker 1: They don't want me around for no long time. They

1293
01:08:06,200 --> 01:08:11,720
Speaker 1: because the weird ship gotta get done. That's what they do. You, hey, man,

1294
01:08:11,760 --> 01:08:14,400
Speaker 1: when they call you for your movie role and they say,

1295
01:08:14,440 --> 01:08:16,439
Speaker 1: all right, you're gonna be on set for two days.

1296
01:08:16,560 --> 01:08:18,720
Speaker 1: You're playing the bank security guard. All you gotta do

1297
01:08:18,840 --> 01:08:21,519
Speaker 1: is this, this and this situ all you phenomenal? Baby?

1298
01:08:21,760 --> 01:08:23,960
Speaker 1: You don't know what the fuck else scenes they shot

1299
01:08:24,000 --> 01:08:30,559
Speaker 1: when you left. That's true, that's true. This whole movie

1300
01:08:30,640 --> 01:08:35,400
Speaker 1: might be about niggas. Interesting, damn man, what what happened

1301
01:08:35,439 --> 01:08:36,559
Speaker 1: with you know? What?

1302
01:08:37,280 --> 01:08:37,920
Speaker 3: Do you see it?

1303
01:08:38,760 --> 01:08:41,960
Speaker 1: Your scene was great, though, right after that niggas went

1304
01:08:42,000 --> 01:08:42,880
Speaker 1: to the ballet.

1305
01:08:42,640 --> 01:08:43,559
Speaker 3: And turned into a squad.

1306
01:08:43,640 --> 01:08:45,679
Speaker 1: You don't know what the fuck happened after your scene.

1307
01:08:45,760 --> 01:08:49,679
Speaker 3: That's true, That's what I'm saying.

1308
01:08:49,720 --> 01:08:52,760
Speaker 1: Bro. So even if you don't fucking around and do

1309
01:08:52,840 --> 01:08:55,360
Speaker 1: no ship like that, you don't know what the fuck

1310
01:08:55,400 --> 01:09:04,200
Speaker 1: else is gonna be in the movie. Nah, I'm listening

1311
01:09:04,240 --> 01:09:05,559
Speaker 1: to you though, right.

1312
01:09:05,640 --> 01:09:08,360
Speaker 2: That makes sense because you don't They don't tell, especially

1313
01:09:08,479 --> 01:09:10,479
Speaker 2: somebody that's coming in for those kind of roles. They

1314
01:09:10,479 --> 01:09:12,880
Speaker 2: don't really share that kind of information what all of

1315
01:09:12,920 --> 01:09:15,599
Speaker 2: this is about. You may know your role, your name,

1316
01:09:15,720 --> 01:09:18,640
Speaker 2: your lines, but you don't have any control over the

1317
01:09:18,640 --> 01:09:22,120
Speaker 2: final editor. Those things you damn sure don't.

1318
01:09:22,479 --> 01:09:27,120
Speaker 1: Yeah, that's crazy, man. I talked to you about this

1319
01:09:27,200 --> 01:09:28,800
Speaker 1: and then what closed this out? Man?

1320
01:09:28,880 --> 01:09:33,400
Speaker 2: I think, uh, did you listening to young Dolph? Most

1321
01:09:33,400 --> 01:09:36,759
Speaker 2: definitely who that's one of your favorite?

1322
01:09:36,920 --> 01:09:39,360
Speaker 1: Or yeah, Dolph is definitely up there because you know

1323
01:09:39,439 --> 01:09:42,240
Speaker 1: Memphis right there from my hometown, Mississippi. I have been

1324
01:09:42,240 --> 01:09:44,400
Speaker 1: on Dolph since he really first came out because he

1325
01:09:44,479 --> 01:09:47,320
Speaker 1: used to always come and you know, do all all.

1326
01:09:47,120 --> 01:09:50,240
Speaker 3: His local shows and shit was in North Mississippi.

1327
01:09:50,000 --> 01:09:52,960
Speaker 2: Right yes, I think his independent ground. Who did you

1328
01:09:53,640 --> 01:09:56,680
Speaker 2: grab your grind from? Like you, I'm gonna hustle this

1329
01:09:56,800 --> 01:09:59,559
Speaker 2: out because you could have got stuck over there on

1330
01:09:59,600 --> 01:10:02,680
Speaker 2: their tea TV world in that wild and out circuit.

1331
01:10:02,360 --> 01:10:04,639
Speaker 1: You could have got I wouldn't mind. I wouldn't mind it.

1332
01:10:05,479 --> 01:10:08,080
Speaker 1: TV is a great job. But damn, br you done

1333
01:10:08,120 --> 01:10:10,400
Speaker 1: built this beautiful thing? Why would you say?

1334
01:10:11,400 --> 01:10:13,120
Speaker 3: Because I know how to balance both.

1335
01:10:14,000 --> 01:10:17,160
Speaker 2: That's a beautiful to have that kind of perspective on life.

1336
01:10:17,479 --> 01:10:20,960
Speaker 2: I think greed causes us to react different. It causes

1337
01:10:21,080 --> 01:10:23,599
Speaker 2: like me to say, damn, bro, with all you gain,

1338
01:10:24,280 --> 01:10:26,439
Speaker 2: you can look back and say if I never got

1339
01:10:26,520 --> 01:10:29,720
Speaker 2: none of that, I'll be fine just over there, you

1340
01:10:29,720 --> 01:10:30,160
Speaker 2: know what I mean?

1341
01:10:30,760 --> 01:10:33,840
Speaker 1: I say I got the spirit someon go ahead, because

1342
01:10:33,840 --> 01:10:37,320
Speaker 1: it's like this was still gonna happen eventually. Like I

1343
01:10:37,439 --> 01:10:40,160
Speaker 1: was still like even if I was on TV with

1344
01:10:40,360 --> 01:10:43,479
Speaker 1: a regular hustling, I'm stacking that bread you get.

1345
01:10:43,640 --> 01:10:45,400
Speaker 3: I'm like a good I'm a regular.

1346
01:10:46,320 --> 01:10:49,360
Speaker 1: I'm talking about the whole contract negotiated for the next

1347
01:10:49,360 --> 01:10:51,760
Speaker 1: five six seasons. And they don't rot your boy some bit.

1348
01:10:52,120 --> 01:10:53,880
Speaker 1: You think I wouldn't have no ship like this to

1349
01:10:53,920 --> 01:10:58,600
Speaker 1: come back to Atlanta too. He maybe even bigger or

1350
01:10:58,640 --> 01:11:02,840
Speaker 1: be building on some ship like this most definitely. What

1351
01:11:02,880 --> 01:11:05,479
Speaker 1: does it mean to be a regular? I mean that

1352
01:11:05,720 --> 01:11:08,040
Speaker 1: you you wanted the people who want them on the

1353
01:11:08,080 --> 01:11:09,040
Speaker 1: flyer for the show.

1354
01:11:09,400 --> 01:11:14,679
Speaker 3: When they advertise the show, it's you, Edie Murphy, Nick Noted,

1355
01:11:15,120 --> 01:11:16,760
Speaker 3: and Chris Rock. It's just y'all three on.

1356
01:11:17,120 --> 01:11:19,320
Speaker 1: Y'all got the big picture on it, right, not some

1357
01:11:19,439 --> 01:11:22,040
Speaker 1: nigga who name in the credit, Like, right, nigga, you

1358
01:11:22,080 --> 01:11:26,080
Speaker 1: ghost on Power? Yeah you you Tariq, You were regular.

1359
01:11:26,200 --> 01:11:28,759
Speaker 1: You got a whole you about to do five seasons

1360
01:11:28,760 --> 01:11:31,679
Speaker 1: of it? Yeah, they ain't paying you per episode, Nigga,

1361
01:11:31,720 --> 01:11:35,320
Speaker 1: your contract, You're finna get paid for three seasons.

1362
01:11:34,880 --> 01:11:39,280
Speaker 2: Right, Yeah, gonna get you straight you all you out

1363
01:11:39,320 --> 01:11:39,639
Speaker 2: the wait?

1364
01:11:39,720 --> 01:11:42,439
Speaker 3: Yeah yeah, don't get me out of the way.

1365
01:11:42,560 --> 01:11:44,720
Speaker 1: Yeah yeah, yeah, yeah yeah. I can respect that. The

1366
01:11:44,800 --> 01:11:47,800
Speaker 1: folks came with blah blah blah, then they wanted and

1367
01:11:47,840 --> 01:11:50,760
Speaker 1: then ship I can respect like when you got when

1368
01:11:50,840 --> 01:11:53,639
Speaker 1: you got? Not the motherfucker who being Tyler period movies

1369
01:11:53,760 --> 01:11:56,439
Speaker 1: like his people, the ones who about to be on

1370
01:11:56,560 --> 01:12:00,240
Speaker 1: three four fist six shows this year they finished check

1371
01:12:00,320 --> 01:12:04,960
Speaker 1: to check them. They need a whole situation, right them?

1372
01:12:05,000 --> 01:12:08,599
Speaker 2: The one an exclusive exclusive right did you when you

1373
01:12:08,680 --> 01:12:09,639
Speaker 2: started eighty five?

1374
01:12:09,720 --> 01:12:11,840
Speaker 1: Who was it was? Was it ever? Was it? This

1375
01:12:11,920 --> 01:12:16,120
Speaker 1: group you got now? Who was here at the inception?

1376
01:12:16,400 --> 01:12:20,960
Speaker 1: Like comedians? Me and d C? Y'all too? Yeah, so

1377
01:12:21,040 --> 01:12:24,400
Speaker 1: it's always been y'all. Are you can you? So?

1378
01:12:24,560 --> 01:12:26,760
Speaker 2: Are you interested in going on tour without d C

1379
01:12:26,920 --> 01:12:32,080
Speaker 2: and Chico? I am you on tour? Yeah, I already

1380
01:12:32,120 --> 01:12:33,760
Speaker 2: do that. We all love.

1381
01:12:34,479 --> 01:12:40,439
Speaker 1: But how do y'all maintain the camaraderie when like d C?

1382
01:12:40,640 --> 01:12:43,120
Speaker 3: We always we've been doing that from the beginning though.

1383
01:12:43,160 --> 01:12:45,679
Speaker 2: But DC can be selling more than you, or Chico

1384
01:12:45,760 --> 01:12:49,080
Speaker 2: can be selling less than Callos. Calos can be selling

1385
01:12:49,120 --> 01:12:52,479
Speaker 2: more than Chico. How does it not affect y'all? How

1386
01:12:52,479 --> 01:12:56,400
Speaker 2: do y'all stay tailor made for the situation and something

1387
01:12:56,439 --> 01:12:56,800
Speaker 2: like that.

1388
01:12:56,720 --> 01:13:00,080
Speaker 1: Because that's not even how this is work. You know

1389
01:13:00,080 --> 01:13:02,639
Speaker 1: what I'm saying, Like, that's I don't even know how

1390
01:13:02,720 --> 01:13:05,800
Speaker 1: you answer that, because that's never been there the case.

1391
01:13:06,240 --> 01:13:09,960
Speaker 2: Well, because I've seen so many groups, like if we

1392
01:13:09,960 --> 01:13:13,519
Speaker 2: we grew up in hip hop, we very rarely I

1393
01:13:13,520 --> 01:13:15,320
Speaker 2: don't know one group we saw make it to the

1394
01:13:15,439 --> 01:13:17,040
Speaker 2: end without breaking up at one point.

1395
01:13:17,080 --> 01:13:19,240
Speaker 1: That's why I celebrate y'all so much. But that's what

1396
01:13:19,280 --> 01:13:21,920
Speaker 1: I'm saying that it never can be that I hold God.

1397
01:13:22,080 --> 01:13:25,519
Speaker 1: When we started this, we I have a show on Friday,

1398
01:13:25,680 --> 01:13:28,320
Speaker 1: Chico got show on Friday, DC got to show on Friday.

1399
01:13:28,520 --> 01:13:30,280
Speaker 3: I'm in Chicago here and Detroit Hill.

1400
01:13:30,560 --> 01:13:34,000
Speaker 1: But Sunday we got a show. We're gonna all come

1401
01:13:34,040 --> 01:13:36,919
Speaker 1: from where we came from to come together exactly.

1402
01:13:36,960 --> 01:13:39,679
Speaker 2: But at some point, what if they they they may

1403
01:13:39,760 --> 01:13:41,840
Speaker 2: have to and and you guys gotta be prepared to

1404
01:13:41,880 --> 01:13:44,880
Speaker 2: have their conversation at some point if that happens. But

1405
01:13:45,080 --> 01:13:47,080
Speaker 2: that may be a plucking of one of y'all out

1406
01:13:47,080 --> 01:13:49,439
Speaker 2: of that so he may be a little more busier

1407
01:13:49,520 --> 01:13:52,200
Speaker 2: than the other two. And you gotta be that that

1408
01:13:52,360 --> 01:13:55,320
Speaker 2: they can't affect the relationship. And although that.

1409
01:13:55,439 --> 01:13:57,040
Speaker 1: Sounds easy, it is.

1410
01:13:57,080 --> 01:13:59,920
Speaker 2: We grew up in hip hop when we saw each

1411
01:14:00,120 --> 01:14:03,479
Speaker 2: in every one of the groups fall victim to some

1412
01:14:03,640 --> 01:14:04,040
Speaker 2: kind of.

1413
01:14:05,840 --> 01:14:09,519
Speaker 1: Hate inception. You see what I'm saying, or comparison. We

1414
01:14:09,520 --> 01:14:14,040
Speaker 1: was already in ourselves before that. We didn't have I mean,

1415
01:14:14,080 --> 01:14:16,559
Speaker 1: what would what would be the cause of the breakup?

1416
01:14:17,120 --> 01:14:17,839
Speaker 1: Not a breakup.

1417
01:14:18,080 --> 01:14:20,000
Speaker 2: I don't even want to say a breakup because now

1418
01:14:20,120 --> 01:14:23,760
Speaker 2: it's just the resentment of the feelings of resentment, right,

1419
01:14:23,840 --> 01:14:26,880
Speaker 2: because again, we're human beings. We've saw in hip hop,

1420
01:14:27,160 --> 01:14:31,080
Speaker 2: g units broke up like murder inks broke everything that

1421
01:14:31,120 --> 01:14:32,440
Speaker 2: We've saw every.

1422
01:14:32,200 --> 01:14:34,880
Speaker 1: Group, name me, a group that took three six broke up.

1423
01:14:35,400 --> 01:14:38,479
Speaker 2: Everybody's broken up at some point, and we've looked at

1424
01:14:38,560 --> 01:14:41,879
Speaker 2: them in that g units broke up. Fucking the locks

1425
01:14:41,920 --> 01:14:44,840
Speaker 2: have fell out before, Like you see what I'm saying.

1426
01:14:44,880 --> 01:14:48,360
Speaker 2: It's like we've looked at these situations and said, damn, man,

1427
01:14:48,680 --> 01:14:51,559
Speaker 2: how do we stick together? That's why I celebrate y'all

1428
01:14:51,600 --> 01:14:53,640
Speaker 2: on platforms. Y'all don't even know about.

1429
01:14:53,600 --> 01:14:55,840
Speaker 1: We gonna well. I mean, I don't even even know.

1430
01:14:55,960 --> 01:14:58,200
Speaker 2: I'd be like, yo, them dudes, they are able to

1431
01:14:58,200 --> 01:15:01,879
Speaker 2: get money together, get money set, push it together together,

1432
01:15:02,200 --> 01:15:04,000
Speaker 2: get How do they do that?

1433
01:15:04,000 --> 01:15:06,320
Speaker 1: That's love? I can appreciate that. That's what it is.

1434
01:15:06,320 --> 01:15:08,719
Speaker 1: Is that, bro, we really, first of all, were fans

1435
01:15:08,720 --> 01:15:10,880
Speaker 1: of each other. Right then we done been through so

1436
01:15:11,000 --> 01:15:15,120
Speaker 1: much shit together. It's like we real live family, you

1437
01:15:15,240 --> 01:15:17,920
Speaker 1: know what I'm saying, bro Like, and then we're all

1438
01:15:18,240 --> 01:15:21,960
Speaker 1: men of faith. Ain't nobody trying to do nothing to nobody.

1439
01:15:22,920 --> 01:15:26,679
Speaker 1: Ain't nobody trying to faith like I want I want

1440
01:15:26,720 --> 01:15:28,720
Speaker 1: for my brother, what I want for myself.

1441
01:15:29,600 --> 01:15:30,160
Speaker 3: That's it.

1442
01:15:31,040 --> 01:15:34,960
Speaker 1: I would I would celebrate Chico in d C the

1443
01:15:35,000 --> 01:15:37,920
Speaker 1: same way. But they success is I'm a fan of

1444
01:15:37,960 --> 01:15:40,320
Speaker 1: your success. This the ship that we sit around and

1445
01:15:40,360 --> 01:15:43,800
Speaker 1: talk about this moment, your moment, what your moment looked

1446
01:15:43,800 --> 01:15:46,519
Speaker 1: like for you. Ah, that's when you okay, So when

1447
01:15:46,520 --> 01:15:49,160
Speaker 1: you get to this point, then with okay, that's a

1448
01:15:49,280 --> 01:15:53,200
Speaker 1: gold all right, bet Oh nigga, this was Oh my boy,

1449
01:15:53,479 --> 01:15:55,920
Speaker 1: my nigga, I'm so well, you're a non believed like

1450
01:15:55,960 --> 01:15:59,120
Speaker 1: because it's like, by the time the world hit this ship,

1451
01:15:59,320 --> 01:16:03,240
Speaker 1: we already un disgusted, right, we already celebrated for each other.

1452
01:16:03,720 --> 01:16:06,040
Speaker 3: Who you think I'm gonna call first? With the good news.

1453
01:16:06,360 --> 01:16:09,040
Speaker 1: When them people call me with the five six season,

1454
01:16:09,439 --> 01:16:11,880
Speaker 1: Oh my nigga, guess what? Yeah, they just hit me

1455
01:16:12,160 --> 01:16:14,559
Speaker 1: you I'm finna do this. Who you think finished?

1456
01:16:14,600 --> 01:16:16,920
Speaker 2: Come on, man, But it's important to tell the youngsters that,

1457
01:16:17,000 --> 01:16:20,599
Speaker 2: because they've witnessed in our same culture, all of these

1458
01:16:20,640 --> 01:16:23,479
Speaker 2: groups not be able to maintain at y'all level.

1459
01:16:23,520 --> 01:16:23,640
Speaker 1: Bro.

1460
01:16:24,200 --> 01:16:25,840
Speaker 2: I don't know if you. I don't know if you

1461
01:16:25,920 --> 01:16:28,519
Speaker 2: really understand that. But you're a fan of hip hop

1462
01:16:28,680 --> 01:16:31,920
Speaker 2: and somebody google it, namely one group they stayed out.

1463
01:16:32,000 --> 01:16:35,920
Speaker 1: Look at all, look at the aftermath of this, Mason

1464
01:16:36,000 --> 01:16:39,040
Speaker 1: Cameron having the time of their life. You know why.

1465
01:16:39,479 --> 01:16:42,160
Speaker 1: It's just like in life when Ray and Ray and

1466
01:16:42,200 --> 01:16:46,920
Speaker 1: claud started back talking, they fell out over some ship

1467
01:16:47,040 --> 01:16:50,280
Speaker 1: that they could have been fixed. Right, It wasn't never

1468
01:16:50,320 --> 01:16:51,800
Speaker 1: that they couldn't talk about it, right.

1469
01:16:52,080 --> 01:16:53,599
Speaker 3: Who's to state they ain't been talking?

1470
01:16:53,800 --> 01:16:54,040
Speaker 1: Right?

1471
01:16:54,439 --> 01:16:55,400
Speaker 3: You think the first.

1472
01:16:55,200 --> 01:16:56,960
Speaker 1: Time they link back up was on camera.

1473
01:16:57,120 --> 01:17:04,080
Speaker 2: It don't work like that never now, No, But I,

1474
01:17:04,640 --> 01:17:07,000
Speaker 2: like I said, I celebrate y'all every time I'm in

1475
01:17:07,200 --> 01:17:07,759
Speaker 2: other rooms.

1476
01:17:07,760 --> 01:17:10,960
Speaker 1: I'm like, yo, those brothers. Every group didn't break up?

1477
01:17:11,560 --> 01:17:15,000
Speaker 1: Who all the groups didn't break anyone? See, there's a

1478
01:17:15,000 --> 01:17:18,320
Speaker 1: lot of groups that didn't break up. That's what it's.

1479
01:17:18,360 --> 01:17:22,640
Speaker 1: Some of them old mother fucker niggas in the whispers

1480
01:17:22,640 --> 01:17:26,000
Speaker 1: twin brothers. But I'm talking about you can't break up

1481
01:17:26,120 --> 01:17:29,559
Speaker 1: with your twin brother the brothers and still brothers.

1482
01:17:29,640 --> 01:17:32,400
Speaker 2: Yeah, you can break up with your brother though this

1483
01:17:32,560 --> 01:17:33,960
Speaker 2: money and fame or make a nigga.

1484
01:17:34,120 --> 01:17:37,200
Speaker 1: It'll fuck over a nigga. Man, we done saw it.

1485
01:17:37,400 --> 01:17:39,479
Speaker 2: Too many people done got involved with it and it

1486
01:17:39,560 --> 01:17:40,439
Speaker 2: scrambles them.

1487
01:17:40,560 --> 01:17:41,759
Speaker 1: Yeah, you know what I'm saying.

1488
01:17:41,760 --> 01:17:42,960
Speaker 3: So that's part of it.

1489
01:17:43,360 --> 01:17:46,280
Speaker 2: That's what I'm saying. But y'all, one thing that all

1490
01:17:46,280 --> 01:17:48,200
Speaker 2: the other ship you said, I can throw out the

1491
01:17:48,240 --> 01:17:50,920
Speaker 2: window if I'm not paying attention.

1492
01:17:50,560 --> 01:17:51,760
Speaker 3: To think about it.

1493
01:17:51,760 --> 01:17:54,799
Speaker 1: It's people who have who don't have all the money

1494
01:17:54,800 --> 01:17:58,439
Speaker 1: and the famous success, and they have stories that's even

1495
01:17:58,640 --> 01:18:02,559
Speaker 1: more crazier than people. The only difference is people give

1496
01:18:02,600 --> 01:18:05,160
Speaker 1: a fuck about every little thing that you do highlighted

1497
01:18:05,720 --> 01:18:08,599
Speaker 1: or the perception because people just see you doing what

1498
01:18:08,680 --> 01:18:12,080
Speaker 1: you do and start building right a perception of you

1499
01:18:12,200 --> 01:18:14,400
Speaker 1: or who they think you are. So the moment that

1500
01:18:14,520 --> 01:18:17,040
Speaker 1: you step outside of them, and oh man, I knew

1501
01:18:17,080 --> 01:18:19,400
Speaker 1: this nigga was lame. His help? Why you do that,

1502
01:18:19,640 --> 01:18:20,639
Speaker 1: Why you big up.

1503
01:18:22,640 --> 01:18:25,000
Speaker 3: Like Nigga. That's what he always wanted. I guess, I

1504
01:18:25,000 --> 01:18:26,240
Speaker 3: guess you got to He to get.

1505
01:18:26,080 --> 01:18:28,360
Speaker 1: To that level and go to that phase and whatever.

1506
01:18:28,400 --> 01:18:30,519
Speaker 1: It is. His business. You can't live your life through

1507
01:18:30,560 --> 01:18:33,759
Speaker 1: nobody else. It is what it is. Man. I appreciate

1508
01:18:33,840 --> 01:18:36,599
Speaker 1: you coming by. Man, it's up there. It's really love. Man.

1509
01:18:36,640 --> 01:18:39,519
Speaker 1: It's up that podcast Big Loan. Y'all gonna get to

1510
01:18:39,560 --> 01:18:41,519
Speaker 1: do something with that information. Skip