1 00:00:00,640 --> 00:00:04,600 Speaker 1: Coming up at the top of the hour and entertainment news. Well, Steve, 2 00:00:04,640 --> 00:00:07,400 Speaker 1: you've addressed this so called beef between you and the 3 00:00:07,480 --> 00:00:10,719 Speaker 1: late great Ernie mac. We will talk about that about 4 00:00:10,720 --> 00:00:15,560 Speaker 1: how you squash those rumors. And early voting kicked off 5 00:00:15,560 --> 00:00:18,360 Speaker 1: in Michigan in a major way with former First Lady 6 00:00:18,360 --> 00:00:21,920 Speaker 1: Michelle Obama addressing the voters. That's all coming up at 7 00:00:21,920 --> 00:00:25,000 Speaker 1: the top of the hour. But right now it is 8 00:00:25,040 --> 00:00:29,080 Speaker 1: time to ask the CLO our chief Love Officer, Steve Harvey. 9 00:00:29,440 --> 00:00:33,080 Speaker 1: This is from Misha in Scranton. Misha writes, my boyfriend 10 00:00:33,240 --> 00:00:37,280 Speaker 1: was flirting with my friend in my face, and he said. 11 00:00:37,159 --> 00:00:39,080 Speaker 2: I'm making a big deal over nothing. 12 00:00:39,440 --> 00:00:41,560 Speaker 1: At the game, he told her to take her long 13 00:00:41,640 --> 00:00:44,360 Speaker 1: coat off so guys to see what she's working with. 14 00:00:44,760 --> 00:00:47,839 Speaker 1: Was it inappropriate or was he giving her good advice? 15 00:00:48,560 --> 00:00:49,920 Speaker 2: Wow, that's what Misha wanted. 16 00:00:49,920 --> 00:00:52,800 Speaker 3: Well, well, I mean, you sound like two things to me, 17 00:00:55,160 --> 00:01:00,200 Speaker 3: and the advice, it's just you can't give it. That's 18 00:01:00,200 --> 00:01:04,399 Speaker 3: the inappropriate you know, dog. It's it's a lot of 19 00:01:04,440 --> 00:01:07,080 Speaker 3: things you could tell a person to do, but coming 20 00:01:07,120 --> 00:01:10,680 Speaker 3: from you, it ain't it ain't gonna it ain't gonna 21 00:01:10,680 --> 00:01:13,920 Speaker 3: sound good, you know. And sometimes dog. Just because you 22 00:01:13,959 --> 00:01:15,880 Speaker 3: think something, don't mean you should say something. You know 23 00:01:15,920 --> 00:01:19,000 Speaker 3: how many times I had to learn that. Listen, man, you. 24 00:01:18,959 --> 00:01:22,400 Speaker 2: Don't do it very much on the show. You hardly 25 00:01:22,440 --> 00:01:26,880 Speaker 2: ever do it here? Do what ever? Not say what 26 00:01:26,920 --> 00:01:27,560 Speaker 2: you're thinking? 27 00:01:28,280 --> 00:01:33,480 Speaker 3: Well, you know this radio show is different. Yeah, you know. 28 00:01:33,640 --> 00:01:38,040 Speaker 3: I look, part of what makes my brand work is 29 00:01:38,040 --> 00:01:40,080 Speaker 3: the authenticity. 30 00:01:39,240 --> 00:01:40,480 Speaker 2: Factor, right. 31 00:01:40,480 --> 00:01:43,039 Speaker 3: People respect the fact that at least I'm authentic. I'm 32 00:01:43,120 --> 00:01:46,200 Speaker 3: I'm I'm me myself and I you know most of 33 00:01:46,240 --> 00:01:49,840 Speaker 3: the time, you know, yeah, and and and and be 34 00:01:49,960 --> 00:01:52,320 Speaker 3: admittedly a little bit too much at. 35 00:01:52,120 --> 00:01:55,720 Speaker 2: Time, Yes, that's what I'm saying, just a little. 36 00:01:55,520 --> 00:01:57,559 Speaker 3: Bit too much a time. But he shouldn't have said 37 00:01:57,600 --> 00:01:59,720 Speaker 3: nothing about taking your long coat off so they see 38 00:01:59,760 --> 00:02:02,520 Speaker 3: what you working with. He wasn't flirting with her, not 39 00:02:02,640 --> 00:02:05,080 Speaker 3: in front of you. That was just a suggestion. But 40 00:02:05,080 --> 00:02:08,919 Speaker 3: but you kind of let your quiet mind talk. See Yeah, yeah, 41 00:02:09,000 --> 00:02:11,000 Speaker 3: because what he was thinking was, I don't know why 42 00:02:11,080 --> 00:02:12,760 Speaker 3: she got that long coat. You know, she need' to 43 00:02:12,800 --> 00:02:15,560 Speaker 3: take that coat off. Well, let me put it into 44 00:02:15,639 --> 00:02:18,520 Speaker 3: a phrase that would help other people. Baby, you need 45 00:02:18,560 --> 00:02:20,520 Speaker 3: to take that long coat off so these men out 46 00:02:20,520 --> 00:02:24,440 Speaker 3: here can see what you're working with. God in front 47 00:02:24,440 --> 00:02:26,840 Speaker 3: of your girl. You stupid. Huh? 48 00:02:26,919 --> 00:02:30,400 Speaker 2: Yeah, that was crazy Courril, all right, Moving on to 49 00:02:30,960 --> 00:02:32,240 Speaker 2: Josiah and Tampa. 50 00:02:32,720 --> 00:02:35,760 Speaker 1: Josiah Wright, So I met a real fine girl online. 51 00:02:35,840 --> 00:02:38,000 Speaker 1: She met me at a club. We had a great time, 52 00:02:38,120 --> 00:02:40,480 Speaker 1: and then we had sex. Later I had to pay 53 00:02:40,520 --> 00:02:43,920 Speaker 1: for the sex. My boys clowned me. Am I wrong 54 00:02:44,000 --> 00:02:46,480 Speaker 1: because I'd rather pay for great sex with a fine 55 00:02:46,560 --> 00:02:48,359 Speaker 1: chick instead of having a girlfriend. 56 00:02:48,880 --> 00:02:49,200 Speaker 2: Wow. 57 00:02:49,840 --> 00:02:52,400 Speaker 3: Well, bruh, you don't have that ain't your girlfriend, and 58 00:02:52,520 --> 00:02:55,680 Speaker 3: that ain't just a fine chick. She has a job. 59 00:02:55,960 --> 00:02:59,760 Speaker 3: That's that called something else? And you that's how you 60 00:02:59,800 --> 00:03:02,160 Speaker 3: met online and had a great time at the club 61 00:03:02,200 --> 00:03:04,760 Speaker 3: and had sex and had to pay for it. You didn't. 62 00:03:04,840 --> 00:03:08,920 Speaker 3: You didn't see what this was because that's how they 63 00:03:08,960 --> 00:03:14,239 Speaker 3: do it now. They use social media now really, yeah, man, 64 00:03:14,280 --> 00:03:18,960 Speaker 3: they ain't got to stand outside no more. What is 65 00:03:19,000 --> 00:03:21,000 Speaker 3: that call? If you have to pay for what they 66 00:03:21,040 --> 00:03:27,600 Speaker 3: call it, that's well, Junior's just called prostitution. What hells lord, 67 00:03:27,880 --> 00:03:33,200 Speaker 3: what do they call it? It's the oldest profession dogs 68 00:03:33,400 --> 00:03:36,640 Speaker 3: paying for sex. What they've been calling now, what they've 69 00:03:36,640 --> 00:03:39,800 Speaker 3: been calling it now? What we call it, what we 70 00:03:39,880 --> 00:03:42,040 Speaker 3: have had to call it over the years, is called 71 00:03:42,120 --> 00:03:48,680 Speaker 3: courty and dating. That's what we call. Yeah, it's called 72 00:03:48,720 --> 00:03:53,520 Speaker 3: courting and dating. You don't pay for it eventually, Oh 73 00:03:53,880 --> 00:03:56,200 Speaker 3: it's not free. We will cut this out right here. 74 00:03:56,400 --> 00:04:00,720 Speaker 3: It is not. Yeah, try to get to don't matter what, 75 00:04:02,720 --> 00:04:08,640 Speaker 3: ah dog it come in terms of gas money, you know, rent, rent, 76 00:04:08,840 --> 00:04:13,560 Speaker 3: you know, to school money for the kids, what fine 77 00:04:13,680 --> 00:04:17,160 Speaker 3: school supplies. All. This is the way you pay for it, 78 00:04:17,600 --> 00:04:20,120 Speaker 3: you know, getting their hair done, you know, helping with 79 00:04:20,160 --> 00:04:28,400 Speaker 3: their bills, you know, wining, dining. You indirectly have been 80 00:04:28,440 --> 00:04:31,279 Speaker 3: participating in this for years. You just didn't call it 81 00:04:31,320 --> 00:04:34,280 Speaker 3: that because because because like a decent woman, don't don't 82 00:04:34,279 --> 00:04:36,160 Speaker 3: ever say you gonna have to give me this if 83 00:04:36,200 --> 00:04:38,640 Speaker 3: you want that. We just know that's what it is. 84 00:04:39,200 --> 00:04:39,920 Speaker 2: Moving on. 85 00:04:44,560 --> 00:04:49,720 Speaker 1: In Montgomery, Donna says, when I hug Pastor after church, 86 00:04:49,800 --> 00:04:53,040 Speaker 1: he likes to squeeze the sharman. He stopped doing it, 87 00:04:53,120 --> 00:04:55,520 Speaker 1: and I can barely get a hug now. So I 88 00:04:55,560 --> 00:04:58,200 Speaker 1: asked him what's wrong. He said, he's tired of me 89 00:04:58,240 --> 00:05:01,920 Speaker 1: stringing him along along? He's married. How can he say 90 00:05:01,960 --> 00:05:02,440 Speaker 1: that to me? 91 00:05:03,160 --> 00:05:05,640 Speaker 3: It is going just because he did? What you mean, 92 00:05:05,720 --> 00:05:08,040 Speaker 3: how can you say that to him? You know what's 93 00:05:08,080 --> 00:05:11,840 Speaker 3: going on, whitman, little girl. First of all, when you 94 00:05:11,920 --> 00:05:15,760 Speaker 3: hug the pastor he squeezes to Sharmi. Now you can 95 00:05:15,800 --> 00:05:18,039 Speaker 3: barely get a hug. Now you want to know what's 96 00:05:18,080 --> 00:05:21,440 Speaker 3: wrong cause you was looking forward to the shaman squeeze 97 00:05:21,720 --> 00:05:24,280 Speaker 3: because you know what's up? Now he do thene told 98 00:05:24,400 --> 00:05:28,240 Speaker 3: you tired of you stringing him along. He threw it 99 00:05:28,320 --> 00:05:30,919 Speaker 3: to Sharmi squeeze you. You didn't get it. He don't squeeze 100 00:05:30,960 --> 00:05:35,320 Speaker 3: everybody's Sharmi. So now now you now you know what. 101 00:05:35,440 --> 00:05:40,640 Speaker 3: Stop playing like you didn't know. You grown if every 102 00:05:40,680 --> 00:05:44,159 Speaker 3: time you hugged that man, that's what you get. If 103 00:05:44,160 --> 00:05:46,880 Speaker 3: you don't like what you get, then you quit hugging 104 00:05:46,920 --> 00:05:48,680 Speaker 3: the man. See you ain't got to stand in the 105 00:05:48,760 --> 00:05:51,760 Speaker 3: hug the past the line. But once you standing there, 106 00:05:51,800 --> 00:05:54,640 Speaker 3: he assuming, Oh you back again? Huh? I did it 107 00:05:54,800 --> 00:05:57,040 Speaker 3: last time? Let me see what's up. He's a human being, 108 00:05:57,839 --> 00:05:58,280 Speaker 3: all right. 109 00:05:58,480 --> 00:06:00,680 Speaker 2: So now you know he's married. 110 00:06:00,720 --> 00:06:03,200 Speaker 3: How can he say that? He said? How can he 111 00:06:03,279 --> 00:06:06,040 Speaker 3: say it just like he did married. 112 00:06:07,200 --> 00:06:12,680 Speaker 2: Laurel? Where is this must be the jackpoint? Did he jackpot? 113 00:06:12,760 --> 00:06:14,400 Speaker 2: Join of Jerusalem? 114 00:06:16,600 --> 00:06:20,720 Speaker 3: We don't do that at the JP, Joe, you're gonna 115 00:06:20,720 --> 00:06:21,120 Speaker 3: stop that. 116 00:06:23,320 --> 00:06:26,159 Speaker 1: This last one, Steve is from Amber and Little Rock. 117 00:06:26,760 --> 00:06:30,000 Speaker 1: Amber writes, my coworker dated a guy that is interested 118 00:06:30,160 --> 00:06:32,640 Speaker 1: in me, so I told her that I was going 119 00:06:32,680 --> 00:06:35,839 Speaker 1: out with him. He canceled our date when he found 120 00:06:35,880 --> 00:06:39,200 Speaker 1: out that I told her. Does that mean he's still 121 00:06:39,240 --> 00:06:42,520 Speaker 1: messing around with her? Or was he mad that I 122 00:06:42,640 --> 00:06:43,719 Speaker 1: told his business? 123 00:06:44,560 --> 00:06:48,760 Speaker 3: Well, first of all, he don't want no mess, and 124 00:06:48,800 --> 00:06:51,080 Speaker 3: you already real going to start something, so he going 125 00:06:51,160 --> 00:06:54,159 Speaker 3: wait and hold up? So what else you're gonna tell? No, 126 00:06:54,360 --> 00:06:56,760 Speaker 3: I'm gonna skip on this. I'm gonna pass on this, 127 00:06:58,040 --> 00:06:58,240 Speaker 3: you know. 128 00:06:58,400 --> 00:07:00,520 Speaker 2: So is he still messing with the other girl? 129 00:07:01,320 --> 00:07:01,360 Speaker 1: No? 130 00:07:01,600 --> 00:07:04,200 Speaker 3: What what I got to do with it? Whether he 131 00:07:04,320 --> 00:07:06,560 Speaker 3: messing with her or not, he not finna mess with you, 132 00:07:06,600 --> 00:07:09,760 Speaker 3: because obviously he to if he is still messing with 133 00:07:09,800 --> 00:07:13,640 Speaker 3: her now he found out. Y'all cool now he out, 134 00:07:14,760 --> 00:07:20,000 Speaker 3: So hats off to him. Great mood, brother, Smart, distance yourself, 135 00:07:21,320 --> 00:07:24,360 Speaker 3: but also understand where you stand. You ain't worth the risk. 136 00:07:24,720 --> 00:07:26,160 Speaker 3: So let's understand that too. 137 00:07:26,240 --> 00:07:29,400 Speaker 2: Now man, this is all going down at work too. 138 00:07:30,800 --> 00:07:33,360 Speaker 3: You know, let's understand that you are not worth the risk. 139 00:07:34,200 --> 00:07:36,240 Speaker 3: He not fin to risk this for you, so well, 140 00:07:36,400 --> 00:07:38,280 Speaker 3: you was just fit to be a little you know, 141 00:07:39,600 --> 00:07:46,920 Speaker 3: corn salad cold slow. Yeah, you was. You was just 142 00:07:46,960 --> 00:07:49,320 Speaker 3: fitting to be that you cut out everything for the 143 00:07:49,400 --> 00:07:52,800 Speaker 3: main You ever notice when your appetizer come you know, 144 00:07:52,880 --> 00:07:55,720 Speaker 3: as soon as the main plate hits your table, you 145 00:07:55,840 --> 00:07:58,120 Speaker 3: really kind of threw it the appetize. 146 00:07:58,960 --> 00:07:59,880 Speaker 2: Yeah, you have to do. 147 00:08:01,120 --> 00:08:05,200 Speaker 3: Yeah, that's how it works, ladies. All right, when the 148 00:08:05,280 --> 00:08:07,680 Speaker 3: main course come up, we don't want to appetize it. 149 00:08:08,000 --> 00:08:09,240 Speaker 2: All right, thank you, Clo. 150 00:08:09,560 --> 00:08:11,520 Speaker 1: Coming up at the top of the hour, we'll have 151 00:08:11,600 --> 00:08:17,040 Speaker 1: some entertainment news for you right use you you're listening 152 00:08:18,160 --> 00:08:19,160 Speaker 1: Hard Morning Show