1 00:00:01,800 --> 00:00:12,120 Speaker 1: You are now Angela what I call her Yee? 2 00:00:13,280 --> 00:00:14,200 Speaker 2: Hey, what's up? 3 00:00:14,240 --> 00:00:14,600 Speaker 3: Guys? 4 00:00:14,800 --> 00:00:17,720 Speaker 4: It is way Up with Angela Yee on a Monday. 5 00:00:18,160 --> 00:00:20,120 Speaker 4: Hopefully you guys had a great weekend. I hope y'all 6 00:00:20,200 --> 00:00:24,239 Speaker 4: was watching the BT Awards last night and definitely want 7 00:00:24,239 --> 00:00:25,599 Speaker 4: to hear what you guys think about that. You can 8 00:00:25,680 --> 00:00:27,479 Speaker 4: call us up eight hundred and two ninety two fifty 9 00:00:27,520 --> 00:00:29,760 Speaker 4: one fifty. You could leave a message for last word. 10 00:00:29,800 --> 00:00:32,800 Speaker 4: You can hit us up on Instagram, on Twitter, on 11 00:00:32,840 --> 00:00:35,840 Speaker 4: TikTok at Way up with ye. We have a fun 12 00:00:35,840 --> 00:00:38,320 Speaker 4: show for you today. Kim Osario Amlik Bui are going 13 00:00:38,360 --> 00:00:41,680 Speaker 4: to be joining us. They have their documentary it's called 14 00:00:41,720 --> 00:00:43,600 Speaker 4: Tale of the Tape that is out right now. 15 00:00:43,640 --> 00:00:44,360 Speaker 2: You can watch it. 16 00:00:44,240 --> 00:00:47,360 Speaker 4: It's a lot of great information that's so interesting. You'll 17 00:00:47,400 --> 00:00:50,880 Speaker 4: get to hear from DJ's like Kate Caprime, DJ who Kid, 18 00:00:50,960 --> 00:00:54,040 Speaker 4: DJ Drama, all of the things that went down. DJ 19 00:00:54,200 --> 00:00:56,280 Speaker 4: Clue is all over it. If you don't know about 20 00:00:56,320 --> 00:00:59,680 Speaker 4: these mixtapes, man, what an era? That was all right, 21 00:00:59,720 --> 00:01:01,680 Speaker 4: But let's let's get this show started with Shine a 22 00:01:01,760 --> 00:01:04,000 Speaker 4: Light eight hundred and two ninet two fifty one fifty. 23 00:01:04,319 --> 00:01:06,280 Speaker 4: Anybody you want to show some love to call us up. 24 00:01:06,319 --> 00:01:07,000 Speaker 4: Let's shine a light. 25 00:01:07,000 --> 00:01:10,119 Speaker 2: It's way up. We're gonna light the fuck up. I'm shine, 26 00:01:10,720 --> 00:01:11,440 Speaker 2: I'm shine. 27 00:01:12,000 --> 00:01:14,160 Speaker 5: Turn your lights on, y'all turn your light so it 28 00:01:14,240 --> 00:01:16,280 Speaker 5: spreading love to those who are doing greatness. 29 00:01:16,400 --> 00:01:21,199 Speaker 2: Shine the light on them, Shine a light on. It's 30 00:01:21,240 --> 00:01:22,600 Speaker 2: time to shine a light on him. 31 00:01:23,360 --> 00:01:25,880 Speaker 4: What's up this way up at Angela Yee? I'm Angela Yee, 32 00:01:25,959 --> 00:01:27,560 Speaker 4: And you know what time it is. It's time to 33 00:01:27,600 --> 00:01:30,440 Speaker 4: shine a light on this Monday. And I'm just fresh 34 00:01:30,520 --> 00:01:32,560 Speaker 4: off of the road from the BET Awards, But I 35 00:01:32,600 --> 00:01:34,440 Speaker 4: do want to shine a light on DJ Louis v. 36 00:01:34,920 --> 00:01:37,080 Speaker 4: He is our program director as well as a DJ 37 00:01:37,200 --> 00:01:40,560 Speaker 4: and radio personality in Atlanta. But when I first met him, 38 00:01:40,560 --> 00:01:43,680 Speaker 4: it was so long ago. He started his career in Columbia, 39 00:01:43,720 --> 00:01:46,440 Speaker 4: South Carolina. We did so many things with him in 40 00:01:46,560 --> 00:01:49,320 Speaker 4: Charlotte in North Carolina. But I just love to see 41 00:01:49,360 --> 00:01:52,520 Speaker 4: everything that he's been doing, how his career has been blossoming. 42 00:01:52,840 --> 00:01:54,080 Speaker 2: And he's always been cool. 43 00:01:54,080 --> 00:01:55,800 Speaker 4: From when I first started, when I was at the 44 00:01:55,800 --> 00:01:58,320 Speaker 4: breakfast club over here at iHeart to where I am 45 00:01:58,320 --> 00:02:00,880 Speaker 4: now on my new show, Way Up with Ye. He's 46 00:02:00,920 --> 00:02:03,120 Speaker 4: been one of the first people to really go hard 47 00:02:03,160 --> 00:02:06,640 Speaker 4: to make sure that my show was syndicated in Atlanta. 48 00:02:06,240 --> 00:02:07,240 Speaker 2: So I appreciate that. 49 00:02:07,760 --> 00:02:09,960 Speaker 4: But also just for being a great person and rocking 50 00:02:10,040 --> 00:02:12,600 Speaker 4: with me all weekend at the BET Awards. Y'all know 51 00:02:12,680 --> 00:02:14,680 Speaker 4: I work hard, well, he works hard to so I 52 00:02:14,760 --> 00:02:17,480 Speaker 4: respect that. Sh shout out to you, DJ Louis V. Now, 53 00:02:17,480 --> 00:02:19,040 Speaker 4: who do you guys want to shine a light on? 54 00:02:19,120 --> 00:02:21,840 Speaker 4: Eight hundred and two ninety two fifty one fifty lakwan? 55 00:02:21,880 --> 00:02:23,080 Speaker 4: Who do you want to shine a light on? 56 00:02:23,680 --> 00:02:24,200 Speaker 3: I want to. 57 00:02:24,160 --> 00:02:28,000 Speaker 6: Shine the light on my girlfriend Deandrew. First day, sweet, 58 00:02:28,200 --> 00:02:29,639 Speaker 6: I hope you have a beautiful day. 59 00:02:30,520 --> 00:02:31,560 Speaker 2: What's your name? DeAndrea? 60 00:02:32,320 --> 00:02:33,359 Speaker 6: Her name is DeAndre? 61 00:02:33,720 --> 00:02:35,359 Speaker 2: Oh, DeAndre? How long you guys been together? 62 00:02:36,360 --> 00:02:38,440 Speaker 7: We've been to you guys for three years? 63 00:02:38,639 --> 00:02:40,440 Speaker 2: Ooh you love your girl? 64 00:02:42,000 --> 00:02:42,160 Speaker 6: Yes? 65 00:02:42,919 --> 00:02:45,079 Speaker 2: I hear from that laugh. What y'all doing for the fourth? 66 00:02:45,840 --> 00:02:46,960 Speaker 3: For the fourth? I don't know. 67 00:02:47,320 --> 00:02:50,040 Speaker 6: Probably jump out, you know, okay. 68 00:02:49,800 --> 00:02:51,040 Speaker 1: You pop out? Jump out? 69 00:02:51,360 --> 00:02:51,760 Speaker 2: All right? 70 00:02:51,800 --> 00:02:53,640 Speaker 4: Well, thank you so much for calling and shout out 71 00:02:53,680 --> 00:02:55,280 Speaker 4: to DeAndre again, shine. 72 00:02:55,040 --> 00:02:56,799 Speaker 6: A light Thank you. 73 00:02:57,160 --> 00:02:58,640 Speaker 2: I love when a man love his girl. 74 00:02:59,080 --> 00:03:01,079 Speaker 4: All right, Well that was light If you couldn't get 75 00:03:01,080 --> 00:03:03,519 Speaker 4: through eight hundred two ninety two fifty one fifty is 76 00:03:03,560 --> 00:03:05,760 Speaker 4: a number. And you know during the show today we 77 00:03:05,840 --> 00:03:08,040 Speaker 4: do have tell Us a Secret. That is your favorite 78 00:03:08,080 --> 00:03:10,480 Speaker 4: segment to get your Monday started. It makes you either 79 00:03:10,560 --> 00:03:13,600 Speaker 4: a feel like I'm not so grimy or b just laugh. 80 00:03:14,040 --> 00:03:17,480 Speaker 4: And we also have my girl Kim Osaria, who executive 81 00:03:17,480 --> 00:03:20,560 Speaker 4: produced Tale of the Tape. It's a documentary that was 82 00:03:20,600 --> 00:03:23,560 Speaker 4: directed and created by Malik Buie and he'll be joining 83 00:03:23,600 --> 00:03:24,200 Speaker 4: us as well. 84 00:03:24,240 --> 00:03:27,079 Speaker 2: It's way up. This is a judgment free zone. Tell 85 00:03:27,160 --> 00:03:27,800 Speaker 2: Us a Secret. 86 00:03:28,600 --> 00:03:31,040 Speaker 4: What's happens way yup with Angela Yee And part of 87 00:03:31,040 --> 00:03:33,400 Speaker 4: the show is not just showing love but also not 88 00:03:33,680 --> 00:03:34,359 Speaker 4: judging you. 89 00:03:34,560 --> 00:03:36,160 Speaker 2: And remember you are anonymous. 90 00:03:36,280 --> 00:03:38,480 Speaker 4: Tell Us a Secret eight hundred two nine two fifty 91 00:03:38,480 --> 00:03:40,440 Speaker 4: one fifty Hello Anonymous color, how are you. 92 00:03:40,920 --> 00:03:43,400 Speaker 2: I'm okay, you want to tell me a secret? Thank you? 93 00:03:43,440 --> 00:03:43,880 Speaker 2: I'm good. 94 00:03:44,680 --> 00:03:44,880 Speaker 1: Yes. 95 00:03:45,640 --> 00:03:47,920 Speaker 3: This is many many moons ago, of course, but I 96 00:03:48,600 --> 00:03:50,520 Speaker 3: moved out of state and you know, met a few 97 00:03:50,560 --> 00:03:53,320 Speaker 3: people and we became friends. One of the people that 98 00:03:53,400 --> 00:03:55,840 Speaker 3: I was acquaintance, one of their friends got into some 99 00:03:56,040 --> 00:03:59,080 Speaker 3: you know, some feat They had no ride, so I 100 00:03:59,280 --> 00:04:02,000 Speaker 3: accompanied them to you know, pick up the friends to 101 00:04:02,040 --> 00:04:04,800 Speaker 3: make sure he was safe and sound, and unfortunately, one 102 00:04:04,840 --> 00:04:08,240 Speaker 3: of the ones that I knew had a weapon on them. Unfortunately, 103 00:04:08,320 --> 00:04:11,000 Speaker 3: we all got caught. And because it was my vehicle, 104 00:04:11,040 --> 00:04:13,400 Speaker 3: of course I took the blame. Because it was my car. 105 00:04:14,120 --> 00:04:17,720 Speaker 3: The person that was a friend of mine didn't take responsibility, 106 00:04:17,839 --> 00:04:20,440 Speaker 3: let me fall for it. So about a year after 107 00:04:20,480 --> 00:04:22,880 Speaker 3: I came out of jail and everything, I became acquainted 108 00:04:22,920 --> 00:04:25,919 Speaker 3: with their family and decided to get revenge. I started 109 00:04:26,000 --> 00:04:28,200 Speaker 3: dating his brother and I ended up putting his brother 110 00:04:28,240 --> 00:04:29,280 Speaker 3: in jail for a long time. 111 00:04:29,480 --> 00:04:33,520 Speaker 4: Oh my gosh. His brother had nothing to do with anything. 112 00:04:33,720 --> 00:04:36,920 Speaker 3: Okay, listen, he took me away from my kids. The 113 00:04:37,040 --> 00:04:39,800 Speaker 3: brother knew about it, didn't tell him. Yo, you know, 114 00:04:40,360 --> 00:04:43,520 Speaker 3: this is a female. It was just, you know, take responsibility. 115 00:04:43,560 --> 00:04:45,280 Speaker 3: They let me, They let me do my thing, a 116 00:04:45,360 --> 00:04:48,360 Speaker 3: waste my kids, So it was right. I told him too, 117 00:04:48,520 --> 00:04:51,560 Speaker 3: you let me rot you will play. How long did 118 00:04:51,600 --> 00:04:53,760 Speaker 3: you go into befog a year? 119 00:04:54,360 --> 00:04:57,000 Speaker 4: Well, I'm sorry that that happened to you, but this 120 00:04:57,040 --> 00:04:59,279 Speaker 4: is all because you also took the responsibility and you 121 00:04:59,279 --> 00:05:00,760 Speaker 4: wouldn't tell whose it was. 122 00:05:01,360 --> 00:05:04,360 Speaker 3: Of course not that's just the rule of the streets anything. 123 00:05:05,000 --> 00:05:07,200 Speaker 3: But I also didn't know that he had the weapon. 124 00:05:07,240 --> 00:05:08,800 Speaker 3: Hence I would have knew, I wouldn't have took him. 125 00:05:09,000 --> 00:05:10,800 Speaker 3: My assumption was we were gonna go pick up the 126 00:05:10,800 --> 00:05:11,480 Speaker 3: friend because. 127 00:05:11,279 --> 00:05:11,960 Speaker 1: He got jumped. 128 00:05:12,080 --> 00:05:15,119 Speaker 2: Yeah, that's messed up. That happened, and it was seven 129 00:05:15,200 --> 00:05:18,120 Speaker 2: of us. Do you believe in karma though, Oh. 130 00:05:18,040 --> 00:05:20,400 Speaker 3: Absolutely believe in karma. That's why his brother did that 131 00:05:20,480 --> 00:05:21,240 Speaker 3: long as dude. 132 00:05:21,360 --> 00:05:24,800 Speaker 2: Yeah, damn. I just felt like the brother didn't do anything. 133 00:05:25,520 --> 00:05:28,080 Speaker 3: Your brother had all the influence on the other brothers 134 00:05:28,080 --> 00:05:30,680 Speaker 3: to tell him. Yo, she went over there. You knew 135 00:05:30,720 --> 00:05:33,159 Speaker 3: you know what I'm saying, and he kept telling him, Nah, 136 00:05:33,279 --> 00:05:36,279 Speaker 3: just be quiet, you know fire. Okay, you decided to 137 00:05:36,320 --> 00:05:38,520 Speaker 3: get involved and tell him to stay quiet so that 138 00:05:38,640 --> 00:05:41,240 Speaker 3: his sentence would be lesser because that was a female. 139 00:05:41,279 --> 00:05:42,680 Speaker 3: That was the first time I got arrested, so I 140 00:05:42,720 --> 00:05:46,280 Speaker 3: wasn't gonnagainst some that much time. Okay supposedly, but they 141 00:05:46,320 --> 00:05:49,479 Speaker 3: still gave me a gear like I I was away 142 00:05:49,560 --> 00:05:50,600 Speaker 3: from my kids. 143 00:05:51,160 --> 00:05:53,880 Speaker 2: Yeah, that's payingful. Well, welcome home first of. 144 00:05:53,800 --> 00:05:56,880 Speaker 3: All, many many many months ago, and asked my leap. 145 00:05:57,279 --> 00:05:58,600 Speaker 2: I'm glad, I'm glad you made it through. 146 00:05:58,640 --> 00:06:01,599 Speaker 4: I'm glad you learned your lessons, but hopefully they don't 147 00:06:01,600 --> 00:06:03,320 Speaker 4: ever try to get revenge on you. 148 00:06:03,400 --> 00:06:05,560 Speaker 3: Trust me. They tried many many times. But I'm a 149 00:06:05,600 --> 00:06:07,279 Speaker 3: good girl. Like I said, I want to do them 150 00:06:07,360 --> 00:06:07,839 Speaker 3: the favor. 151 00:06:08,160 --> 00:06:08,480 Speaker 2: All right. 152 00:06:08,520 --> 00:06:10,480 Speaker 4: Well that was tell us a secret eight hundred two 153 00:06:10,560 --> 00:06:12,760 Speaker 4: ninety two fifty one fifty. In case you couldn't get through, 154 00:06:12,800 --> 00:06:15,320 Speaker 4: you can always still leave a message. And later in 155 00:06:15,360 --> 00:06:18,000 Speaker 4: the show, my girl Kim Osario is going to be 156 00:06:18,080 --> 00:06:20,320 Speaker 4: joining us. You know her as the first woman editor 157 00:06:20,320 --> 00:06:23,200 Speaker 4: in chief of the Source, but she's also a producer, 158 00:06:23,320 --> 00:06:25,840 Speaker 4: she's a writer, she's a lawyer. 159 00:06:25,640 --> 00:06:26,560 Speaker 2: All of the things. 160 00:06:26,720 --> 00:06:29,279 Speaker 4: And she has a new documentary that she executive produced 161 00:06:29,480 --> 00:06:32,240 Speaker 4: that was the brainchild of Malik Booie. It's called Tale 162 00:06:32,320 --> 00:06:34,400 Speaker 4: of the Tape, and they're both going to be joining us. 163 00:06:34,400 --> 00:06:37,320 Speaker 4: He directed it. It's all about the history of mixtape, 164 00:06:37,360 --> 00:06:40,719 Speaker 4: some of your favorite DJs and how mixtape DJs have 165 00:06:40,920 --> 00:06:42,920 Speaker 4: evolved and become so much more. 166 00:06:42,960 --> 00:06:46,599 Speaker 5: It's way up, go right everybody since whether it's relationship 167 00:06:46,680 --> 00:06:50,000 Speaker 5: with career advice, Angela's dropping facts, you should know. 168 00:06:50,279 --> 00:06:53,320 Speaker 2: This is asde what's up his way up with Angela Yee. 169 00:06:53,360 --> 00:06:56,080 Speaker 4: I'm Angela Yee and it's time for ask Yee eight 170 00:06:56,200 --> 00:06:58,480 Speaker 4: hundred two nine two fifty one. Fifty is a number, 171 00:06:58,560 --> 00:07:00,000 Speaker 4: and you know, if you don't get through, you can 172 00:07:00,200 --> 00:07:03,000 Speaker 4: always leave a voicemail and will answer your questions that way, 173 00:07:03,160 --> 00:07:04,919 Speaker 4: And we have a voicemail right now. 174 00:07:05,360 --> 00:07:08,839 Speaker 6: I have a general question about my friendship right now, 175 00:07:09,240 --> 00:07:13,120 Speaker 6: since I've been talking with this girl for about three 176 00:07:13,200 --> 00:07:16,840 Speaker 6: years and it's been great, but now recently, like in 177 00:07:16,880 --> 00:07:19,800 Speaker 6: a couple of months, she's been kind of distant or 178 00:07:19,920 --> 00:07:23,520 Speaker 6: very blunt with her answers. And I've seen her with 179 00:07:23,640 --> 00:07:26,600 Speaker 6: like a group of other friends and she's been hanging 180 00:07:26,600 --> 00:07:29,440 Speaker 6: out with them more and talking to me less. So 181 00:07:30,000 --> 00:07:34,400 Speaker 6: I'm thinking, am I getting pushed off without being told? 182 00:07:34,680 --> 00:07:37,600 Speaker 6: Or is it just me being delusional? Or how do 183 00:07:37,600 --> 00:07:38,679 Speaker 6: you like friendship work? 184 00:07:39,040 --> 00:07:41,600 Speaker 2: I really need some help, man, so many questions. 185 00:07:41,640 --> 00:07:44,000 Speaker 4: I mean, it's always hurtful when you feel like you're 186 00:07:44,040 --> 00:07:46,960 Speaker 4: really great friends with somebody and then they go ahead 187 00:07:47,040 --> 00:07:49,040 Speaker 4: and move on to a new group of friends, or 188 00:07:49,360 --> 00:07:52,840 Speaker 4: friendships change and evolve. I'm not sure how long you 189 00:07:52,920 --> 00:07:57,040 Speaker 4: guys have been really really tight, and why she's not 190 00:07:57,080 --> 00:08:00,720 Speaker 4: including you and plans with other people. You know, sometimes 191 00:08:00,800 --> 00:08:04,280 Speaker 4: there's periods where it could be somebody from work, a 192 00:08:04,280 --> 00:08:06,360 Speaker 4: group of friends from school, and you end up hanging 193 00:08:06,360 --> 00:08:09,200 Speaker 4: out with them more because maybe you have more things 194 00:08:09,240 --> 00:08:12,400 Speaker 4: in common, maybe they're planning more things. What I'm confused 195 00:08:12,440 --> 00:08:16,280 Speaker 4: about is why she hasn't tried to integrate you into 196 00:08:16,320 --> 00:08:18,520 Speaker 4: that group of friends. Some people aren't that good at 197 00:08:18,560 --> 00:08:21,240 Speaker 4: mixing their friends together and saying, hey, come out. They 198 00:08:21,240 --> 00:08:23,600 Speaker 4: feel like it has to be either or if you 199 00:08:23,680 --> 00:08:26,280 Speaker 4: guys are really tight, though, the thing you need to 200 00:08:26,320 --> 00:08:29,200 Speaker 4: do is have a conversation and let her know, because 201 00:08:29,560 --> 00:08:32,000 Speaker 4: you're never being paranoid. If you feel a way, how 202 00:08:32,040 --> 00:08:34,880 Speaker 4: you feel is how you feel now. What you need 203 00:08:34,920 --> 00:08:37,000 Speaker 4: to do is tell her, Look, we used to spend 204 00:08:37,000 --> 00:08:38,840 Speaker 4: a lot more time together. We used to hang out more, 205 00:08:38,920 --> 00:08:41,320 Speaker 4: we used to talk, and now I'm kind of feeling 206 00:08:41,480 --> 00:08:44,679 Speaker 4: like our friendship has changed. Is there anything that I 207 00:08:44,720 --> 00:08:47,160 Speaker 4: should be aware of or is this just a natural 208 00:08:47,160 --> 00:08:49,760 Speaker 4: evolution for you where we're just not going to be 209 00:08:49,800 --> 00:08:51,880 Speaker 4: as tight as we once were. I just want to 210 00:08:51,880 --> 00:08:54,560 Speaker 4: make sure I'm not looking at this from the wrong lens, 211 00:08:54,600 --> 00:08:56,679 Speaker 4: because I miss you and I miss my friend. And 212 00:08:56,720 --> 00:08:59,080 Speaker 4: you also could also ask her to do things like 213 00:08:59,120 --> 00:09:00,679 Speaker 4: why not invite her out? 214 00:09:00,720 --> 00:09:02,079 Speaker 2: Are you inviting her places? 215 00:09:02,559 --> 00:09:04,960 Speaker 4: And she's brushing you off for saying no, or not 216 00:09:05,040 --> 00:09:08,000 Speaker 4: answering your calls, because sometimes maybe it's time for you 217 00:09:08,040 --> 00:09:10,160 Speaker 4: to step up and make a little effort. It could 218 00:09:10,160 --> 00:09:12,439 Speaker 4: be a variety of things, but the only way you're 219 00:09:12,480 --> 00:09:14,960 Speaker 4: gonna find out is if you talk to her and 220 00:09:15,120 --> 00:09:17,360 Speaker 4: ask her. And I think that is the best thing 221 00:09:17,440 --> 00:09:20,319 Speaker 4: to do, because you know, regardless one way or another, 222 00:09:20,320 --> 00:09:23,920 Speaker 4: your friendship has changed. Whether it's permanent or temporary, we 223 00:09:24,000 --> 00:09:25,920 Speaker 4: don't know that yet. But what you do know is 224 00:09:25,920 --> 00:09:28,280 Speaker 4: that your feelings are hurt and that is okay, and 225 00:09:28,400 --> 00:09:31,040 Speaker 4: real friendships you can express how you feel about things. 226 00:09:31,480 --> 00:09:31,880 Speaker 2: All right. 227 00:09:31,920 --> 00:09:34,000 Speaker 4: Well that was ask Ye eight hundred and two ninety 228 00:09:34,000 --> 00:09:35,880 Speaker 4: two fifty one to fifty in case you couldn't get through. 229 00:09:35,920 --> 00:09:37,880 Speaker 4: Of course, we always want to take your questions and 230 00:09:37,920 --> 00:09:40,960 Speaker 4: help you out. And when we come back, Kim Osorio 231 00:09:41,120 --> 00:09:44,120 Speaker 4: and Malik Buuie will be here discussing the documentary Tale 232 00:09:44,160 --> 00:09:48,360 Speaker 4: of the Tape, all about the mixtape DJ It's way up, Yeah, 233 00:09:48,520 --> 00:09:49,000 Speaker 4: what's happy? 234 00:09:49,120 --> 00:09:49,720 Speaker 1: You want to know? 235 00:09:49,800 --> 00:09:50,199 Speaker 3: My name? 236 00:09:50,520 --> 00:09:51,800 Speaker 5: Way up with Angela ye? 237 00:09:51,920 --> 00:09:52,960 Speaker 3: Turn me on. 238 00:09:54,559 --> 00:09:56,640 Speaker 2: What's up? It's way up with Angela yee. 239 00:09:56,679 --> 00:09:59,719 Speaker 4: And it's so nice to meet you, Kim Osorry, nice 240 00:09:59,720 --> 00:10:02,800 Speaker 4: to meet you. Malik Boui is here. Nice to meet 241 00:10:02,840 --> 00:10:05,320 Speaker 4: you as well. No, I actually know both of them. 242 00:10:05,520 --> 00:10:09,120 Speaker 4: Both of you are journalists but also in this TV 243 00:10:09,240 --> 00:10:14,440 Speaker 4: world producing, directing all of that. So you also both 244 00:10:14,480 --> 00:10:17,559 Speaker 4: had this tail of the tape documentary that you worked down. 245 00:10:17,760 --> 00:10:20,200 Speaker 2: Malik, this was your baby first, right, yes. 246 00:10:20,080 --> 00:10:23,000 Speaker 7: More baby first, well over ten twelve years ago. 247 00:10:23,320 --> 00:10:25,960 Speaker 4: I like when people do documentaries over a period of time. 248 00:10:26,320 --> 00:10:29,559 Speaker 4: But you had never before seen footage from back actually 249 00:10:29,760 --> 00:10:31,440 Speaker 4: a decade ago or more. 250 00:10:31,640 --> 00:10:34,280 Speaker 7: Yeah, yeah, you know. I filmed ninety percent of it, 251 00:10:34,360 --> 00:10:37,120 Speaker 7: the Kendrick stuff, the j Cole stuff, Future, the first 252 00:10:37,160 --> 00:10:38,480 Speaker 7: time he did an interview. 253 00:10:38,160 --> 00:10:38,800 Speaker 2: All at now. 254 00:10:38,840 --> 00:10:41,960 Speaker 4: When you were filming those interviews, they were just interviews, 255 00:10:41,960 --> 00:10:43,640 Speaker 4: like footage you were getting or did you know what 256 00:10:43,679 --> 00:10:45,120 Speaker 4: it was eventually going to be for? 257 00:10:45,360 --> 00:10:47,560 Speaker 7: At that point, I knew that I wanted to do 258 00:10:47,600 --> 00:10:50,880 Speaker 7: a documentary on mixtape and mixtape culture. When I did 259 00:10:50,920 --> 00:10:53,920 Speaker 7: the Kendrick shoot, he was in Atlanta just kind of 260 00:10:53,960 --> 00:10:58,360 Speaker 7: doing promo for his mixtape Section eighty. He was a 261 00:10:58,360 --> 00:11:01,880 Speaker 7: co headliner, him and dom Kin We're headlined together, Big 262 00:11:01,880 --> 00:11:05,000 Speaker 7: Sean two Chain side of Prince were openers, Oh Wow, 263 00:11:05,040 --> 00:11:07,480 Speaker 7: and DJ Drama was on the Marquee. 264 00:11:06,920 --> 00:11:08,160 Speaker 2: And Look and tail of the tape. 265 00:11:08,160 --> 00:11:10,800 Speaker 4: It's all about the importance of mixtapes and how mixtapes 266 00:11:10,920 --> 00:11:15,640 Speaker 4: really helped create so many other offspring, so many offshoots 267 00:11:15,640 --> 00:11:15,840 Speaker 4: of it. 268 00:11:16,080 --> 00:11:19,920 Speaker 8: The DJs have served such an important part of hip hop. 269 00:11:20,200 --> 00:11:23,040 Speaker 2: My girl Kima Sario is here and Malik Buie is here. 270 00:11:23,080 --> 00:11:25,559 Speaker 4: We're talking about the documentary tail of the tape that's 271 00:11:25,559 --> 00:11:28,880 Speaker 4: available now. But even as far as getting the exclusives, 272 00:11:28,880 --> 00:11:30,640 Speaker 4: that was such a big deal. And I saw you 273 00:11:30,720 --> 00:11:34,000 Speaker 4: guys had Clue on there. DJ Clue to me, like 274 00:11:34,080 --> 00:11:36,680 Speaker 4: coming up, DJ Clue had some of the I remember 275 00:11:36,720 --> 00:11:39,640 Speaker 4: the Springtime stick up. I think it was called We 276 00:11:39,679 --> 00:11:42,400 Speaker 4: all have those mixtapes from our era that were like 277 00:11:42,679 --> 00:11:45,120 Speaker 4: reminds us of a period of time where we were 278 00:11:45,200 --> 00:11:48,680 Speaker 4: rocking that mixtape the whole Summer Clue, And we talked 279 00:11:48,720 --> 00:11:52,040 Speaker 4: about how exclusive became a thing. Yeah, you know, at 280 00:11:52,080 --> 00:11:54,440 Speaker 4: first it was like okay, you know, putting together a 281 00:11:54,480 --> 00:11:57,840 Speaker 4: mixtape and then getting these big artists and getting things 282 00:11:57,960 --> 00:12:01,280 Speaker 4: first and stuff that wasn't even like Who's Shatcha? They 283 00:12:01,320 --> 00:12:04,680 Speaker 4: talk about the biggie who Shatcha? And sometimes artists would 284 00:12:04,679 --> 00:12:07,600 Speaker 4: get really mad that you would get that exclusive from them, 285 00:12:07,600 --> 00:12:09,720 Speaker 4: Like how did you get that, but then it turned 286 00:12:09,760 --> 00:12:12,000 Speaker 4: into Okay, we're going to have like all it was 287 00:12:12,000 --> 00:12:14,200 Speaker 4: like an album of exclusives. 288 00:12:14,280 --> 00:12:16,640 Speaker 8: It evolved over the years, right all the way up 289 00:12:16,679 --> 00:12:19,000 Speaker 8: until when you get to the fifty cent era with 290 00:12:19,040 --> 00:12:21,679 Speaker 8: what he did with his mixtape, right, that really changed 291 00:12:21,760 --> 00:12:26,480 Speaker 8: the way artists promoted themselves and put themselves out there, 292 00:12:26,720 --> 00:12:29,480 Speaker 8: predating whatever the label wanted to do. So I think 293 00:12:29,559 --> 00:12:32,400 Speaker 8: like we kind of were telling the story of mixtape 294 00:12:32,400 --> 00:12:35,800 Speaker 8: culture from the exception to where it is today when 295 00:12:35,840 --> 00:12:39,000 Speaker 8: you get to streaming and playlists and that has become 296 00:12:39,040 --> 00:12:39,760 Speaker 8: the new mixtape. 297 00:12:39,880 --> 00:12:43,640 Speaker 4: But even thinking about how technology was so different back then, 298 00:12:43,800 --> 00:12:45,720 Speaker 4: so if you wanted to make a mixtape and sell it, 299 00:12:46,160 --> 00:12:50,120 Speaker 4: you actually had to physically like make copies of a tape, 300 00:12:50,520 --> 00:12:51,240 Speaker 4: a cassette tape. 301 00:12:51,320 --> 00:12:53,640 Speaker 7: Yeah, Bushi B talks about that. You know, he was 302 00:12:53,679 --> 00:12:57,040 Speaker 7: at the rooftop selling his mixtape, so he would record 303 00:12:57,080 --> 00:13:01,160 Speaker 7: his set on one week and then the next seven 304 00:13:01,240 --> 00:13:04,080 Speaker 7: days before he gets back there, he's literally duplicating it 305 00:13:04,160 --> 00:13:06,680 Speaker 7: one by one with a machine and going back and 306 00:13:06,679 --> 00:13:08,800 Speaker 7: selling them. And then you know, you fast forward to 307 00:13:08,840 --> 00:13:12,400 Speaker 7: Clue Envy, who didn't have like ten machines and DVD 308 00:13:13,840 --> 00:13:16,760 Speaker 7: DVD duplicators and you know they figured out a real 309 00:13:16,880 --> 00:13:18,880 Speaker 7: distribution system for it, all right. 310 00:13:18,960 --> 00:13:21,280 Speaker 4: Kim Osario is here, Malik Booey is here. I know 311 00:13:21,320 --> 00:13:23,679 Speaker 4: they got some good DJ mixtape stories. We have more 312 00:13:23,720 --> 00:13:25,880 Speaker 4: with them when we come back talking about the documentary 313 00:13:26,120 --> 00:13:28,880 Speaker 4: Tale of the Tape this, Yeah, yeah. 314 00:13:28,960 --> 00:13:31,160 Speaker 5: More Way Up with Angela on them. 315 00:13:32,600 --> 00:13:36,040 Speaker 2: What it is? What's up his Way Up with Angela Yee. 316 00:13:36,040 --> 00:13:39,000 Speaker 4: I'm Angela Yee And Kim Osario is here, Malik Booie 317 00:13:39,080 --> 00:13:42,199 Speaker 4: is here. Kim Osario executive produced Tail of the Tape 318 00:13:42,200 --> 00:13:45,160 Speaker 4: and that is Malik Booie's baby. He directed this and 319 00:13:45,240 --> 00:13:47,080 Speaker 4: he filmed a lot of this over the past ten 320 00:13:47,120 --> 00:13:49,960 Speaker 4: to twelve years now. I remember when this whole mixtape 321 00:13:49,960 --> 00:13:53,079 Speaker 4: era had to come to an end for legal issues 322 00:13:53,120 --> 00:13:56,800 Speaker 4: and DJ drama was definitely at the center of it. 323 00:13:56,920 --> 00:13:58,400 Speaker 2: And that gets addressed here too. 324 00:13:58,559 --> 00:14:03,640 Speaker 4: So explain why mixtapes actually ended up becoming it was 325 00:14:03,679 --> 00:14:05,559 Speaker 4: a lead like you could do that, but you had 326 00:14:05,640 --> 00:14:07,680 Speaker 4: it was it became too of a burden. 327 00:14:08,240 --> 00:14:10,600 Speaker 8: Well, when you think about the clearance of the music, 328 00:14:10,880 --> 00:14:14,120 Speaker 8: that's where it becomes an issue because you're selling the 329 00:14:14,280 --> 00:14:17,080 Speaker 8: music and who's profiting off of that and the artist 330 00:14:17,120 --> 00:14:21,040 Speaker 8: isn't profiting, So it's there's all this legality involved in it, 331 00:14:21,080 --> 00:14:24,320 Speaker 8: which is why remember when they used to put the 332 00:14:25,000 --> 00:14:27,200 Speaker 8: like they would say it was here, it's for promotional 333 00:14:27,280 --> 00:14:27,960 Speaker 8: use only. 334 00:14:27,880 --> 00:14:30,880 Speaker 2: Right, say that the right for promotional use only. 335 00:14:31,080 --> 00:14:32,720 Speaker 8: But give me twenty dollars. 336 00:14:33,200 --> 00:14:34,000 Speaker 2: You know what I'm saying? 337 00:14:34,600 --> 00:14:40,840 Speaker 8: You know so? Yeah, exactly so. And look, we're hustlers, 338 00:14:40,840 --> 00:14:43,040 Speaker 8: and I think in hip hop we gotta figure out 339 00:14:43,040 --> 00:14:46,920 Speaker 8: a way because somebody's always eating off of the are creative. 340 00:14:47,120 --> 00:14:49,960 Speaker 4: My girl Kima Sariu is here and Malik Buoi is here. 341 00:14:49,960 --> 00:14:52,440 Speaker 4: We're talking about the documentary tail of the tape that's 342 00:14:52,440 --> 00:14:55,080 Speaker 4: available now, but let's talk about the legal drama because 343 00:14:55,080 --> 00:14:59,400 Speaker 4: then DJ Drama his studio got rated and he had 344 00:14:59,400 --> 00:15:02,200 Speaker 4: no idea that he was even doing anything wrong according 345 00:15:02,240 --> 00:15:03,160 Speaker 4: to him, right. 346 00:15:03,720 --> 00:15:07,200 Speaker 7: I think also it's like you have corporations with the 347 00:15:07,920 --> 00:15:10,320 Speaker 7: departments aren't talking to each other, right, Because at the 348 00:15:10,400 --> 00:15:12,400 Speaker 7: end of the day, a lot of these big tapes 349 00:15:12,440 --> 00:15:14,960 Speaker 7: that he were doing, some of them were promotion for 350 00:15:15,120 --> 00:15:17,640 Speaker 7: the actual label. So you have part of the label 351 00:15:17,680 --> 00:15:21,480 Speaker 7: that's like, here's this music for us, and then you 352 00:15:21,560 --> 00:15:25,120 Speaker 7: have another part that's like, hey, what's going on over here, 353 00:15:25,400 --> 00:15:26,840 Speaker 7: you know, and he was just really caught up in 354 00:15:26,880 --> 00:15:29,240 Speaker 7: a technicality and for them to try to for them 355 00:15:29,280 --> 00:15:32,280 Speaker 7: to come to his studio with guns drawn and use 356 00:15:32,360 --> 00:15:36,240 Speaker 7: such brute force like over CDs and DVDs was crazy. 357 00:15:36,440 --> 00:15:40,200 Speaker 2: Sorry, I mean we love hearing this time. 358 00:15:41,640 --> 00:15:46,880 Speaker 8: You don't want no drama. You know, they come for you. 359 00:15:47,000 --> 00:15:47,520 Speaker 2: I know they do. 360 00:15:48,080 --> 00:15:50,720 Speaker 4: And who Kid And I remember Who Kid always talks 361 00:15:50,720 --> 00:15:55,320 Speaker 4: about the time that he got stuffed in the trunk. Yes, 362 00:15:56,320 --> 00:15:58,760 Speaker 4: but I can't remember what's that over some mixtape stuff too. 363 00:15:59,040 --> 00:16:01,920 Speaker 7: Yeah, I believe it was over something with Big Punt. 364 00:16:02,360 --> 00:16:03,440 Speaker 2: I mean, it was not a game. 365 00:16:03,680 --> 00:16:05,840 Speaker 8: What a Terror Squad wasn't to be played with. Still, 366 00:16:08,040 --> 00:16:09,840 Speaker 8: I remember being in the clubs back then. 367 00:16:09,920 --> 00:16:13,480 Speaker 2: I'm like, okay, go there here, gotta go. Something's about 368 00:16:13,480 --> 00:16:14,000 Speaker 2: to have out. 369 00:16:14,120 --> 00:16:16,320 Speaker 8: Like I love Terror Squad right, like from all the 370 00:16:16,320 --> 00:16:19,600 Speaker 8: way back then. But I remember I would see them 371 00:16:19,600 --> 00:16:22,440 Speaker 8: in action, I'd be like, Okay, they're really about what 372 00:16:22,480 --> 00:16:22,840 Speaker 8: they say. 373 00:16:22,920 --> 00:16:23,880 Speaker 2: Let me exits. 374 00:16:24,640 --> 00:16:26,680 Speaker 4: How was it getting this picked up? Because it is 375 00:16:26,680 --> 00:16:27,680 Speaker 4: available on Prime. 376 00:16:28,080 --> 00:16:32,600 Speaker 7: Yeah, it's available on Amazon, prom Verizon, Files on Demand, 377 00:16:32,760 --> 00:16:35,160 Speaker 7: and Spectrum. You can go to tailor to tapefilm dot 378 00:16:35,200 --> 00:16:37,640 Speaker 7: com and click on the links for there, just you know, 379 00:16:37,920 --> 00:16:39,000 Speaker 7: search on your subscriber. 380 00:16:39,120 --> 00:16:41,720 Speaker 4: All right, well, listen, thank you all very much for 381 00:16:41,800 --> 00:16:42,720 Speaker 4: joining us today. 382 00:16:43,000 --> 00:16:45,040 Speaker 2: Cam My co host, I appreciate you for. 383 00:16:45,000 --> 00:16:48,440 Speaker 4: Showing up, Malik, but we always love what you do 384 00:16:48,480 --> 00:16:51,360 Speaker 4: behind the scenes, making everybody feel comfortable and working so hard. 385 00:16:51,400 --> 00:16:54,680 Speaker 4: And your company is Red Summer TV. Yes, other things 386 00:16:54,680 --> 00:16:57,000 Speaker 4: that you're working on, so we know, I. 387 00:16:56,920 --> 00:16:59,280 Speaker 7: Mean, we're going to do part two for this. We 388 00:16:59,360 --> 00:17:01,600 Speaker 7: have a lot of projects that we're working on in 389 00:17:01,760 --> 00:17:04,320 Speaker 7: a podcast series called Don't Sell Grandma's House. 390 00:17:04,640 --> 00:17:06,080 Speaker 2: Oh okay, I like it. 391 00:17:06,040 --> 00:17:09,160 Speaker 7: Gentrification and what it does to black families. 392 00:17:09,320 --> 00:17:10,320 Speaker 2: Thank you guys so much. 393 00:17:10,560 --> 00:17:11,159 Speaker 7: Thank you. 394 00:17:11,160 --> 00:17:13,359 Speaker 4: You can watch the full interview on my YouTube channel 395 00:17:13,400 --> 00:17:15,119 Speaker 4: Way Up with You And when we come back, you 396 00:17:15,160 --> 00:17:16,320 Speaker 4: guys have the last. 397 00:17:16,040 --> 00:17:19,880 Speaker 5: Word the phone tapping in to get your voice heard. 398 00:17:19,960 --> 00:17:21,080 Speaker 4: What the word is? 399 00:17:21,840 --> 00:17:24,240 Speaker 2: Is the last word on Way Up with Angela Ye. 400 00:17:24,440 --> 00:17:24,880 Speaker 2: What's up? 401 00:17:24,880 --> 00:17:27,239 Speaker 4: Its Way Up with Angela Yee. I'm Angela Yee and 402 00:17:27,560 --> 00:17:31,600 Speaker 4: just full transparency. It is a Holida day week, all right, 403 00:17:31,680 --> 00:17:35,320 Speaker 4: and listen. Fourth of July is on Thursday. I saw 404 00:17:35,320 --> 00:17:37,119 Speaker 4: in the news they were saying that this is going 405 00:17:37,200 --> 00:17:39,720 Speaker 4: to be one of the biggest travel times of the 406 00:17:39,800 --> 00:17:42,920 Speaker 4: year so far, but I'm sure once Thanksgiving hits and 407 00:17:42,960 --> 00:17:45,800 Speaker 4: once Christmas hits, that's what it's really going to be. 408 00:17:46,080 --> 00:17:48,960 Speaker 4: So you guys, wherever you're going, be safe, be careful, 409 00:17:49,160 --> 00:17:51,480 Speaker 4: enjoy yourself, don't play with no fireworks when you're not 410 00:17:51,520 --> 00:17:54,359 Speaker 4: supposed to, and we'll see y'all tomorrow. 411 00:17:54,400 --> 00:17:58,480 Speaker 2: It's way up, going way up with Angela yee