WEBVTT - Mini Crush #28

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<v Speaker 1>Hey, everybody, welcome to Movie Crush, the miniest edition the

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<v Speaker 1>Lila Show. You ever seen The Lili's Pet Shop? Is

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<v Speaker 1>your daughter old enough to watch Lili's Pet Shop? I

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<v Speaker 1>don't know what that is. It's a cartoon about a

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<v Speaker 1>really small pet shop with with cute little cartoon monkeys

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<v Speaker 1>and all sorts of all sorts of animals. It's adorable.

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<v Speaker 1>I'm sure she's old enough in unless there's a porn

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<v Speaker 1>ring in there. No, well, you don't know. You don't

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<v Speaker 1>never really see the back. It's it's hard to say.

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<v Speaker 1>You could read into it. That's what we're doing right now.

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<v Speaker 1>It looks like, Wow, it's good man, it's good. You're good,

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<v Speaker 1>single life man every day. Yeah, I don't. I'm not

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<v Speaker 1>in the tender. I'm doing the bumble because that's for

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<v Speaker 1>young professionals. You hear that, ladies get on bumble, bumble

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<v Speaker 1>it up. You see. One guy on the movie Crush

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<v Speaker 1>page was like, I'm super stoked Noel got dumped. And

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<v Speaker 1>I was like, I don't know what you mean by this, sir,

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<v Speaker 1>and then he said new beginnings, my man, beginnings, So

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<v Speaker 1>he meant in a positive way. He did, but it

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<v Speaker 1>was it was very vague, it required some clarification, and

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<v Speaker 1>it hurt my little feelings for about split second. I

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<v Speaker 1>know everyone, Noel and I are both very sensitive guys,

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<v Speaker 1>and I felt myself backsliding. I was like, I've done

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<v Speaker 1>such good work on myself and then this asshole post

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<v Speaker 1>this ship does this to me. We're very sensitive dudes. Everybody,

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<v Speaker 1>it's good and I like it. So hey everyone, and

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<v Speaker 1>thanks for thanks for tuning in and thank you for

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<v Speaker 1>hanging in there for I'm gonna go ahead and address

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<v Speaker 1>something that's popped up on the Facebook page. I've gotten

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<v Speaker 1>some complaints lately about some of these shows with like

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<v Speaker 1>musicians occasionally where we don't talk movies it first, but

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<v Speaker 1>we talked about music, uh, and then get into the

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<v Speaker 1>movie and uh, hey, you know that's just how they're

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<v Speaker 1>gonna go sometimes. You know, like music, what's your problem? Guy?

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<v Speaker 1>I get it. It's it's off script from the show

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<v Speaker 1>a bit, but you know what that's that's just the

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<v Speaker 1>way it's gonna go sometimes. And I even four warned

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<v Speaker 1>people on the Big Lebowski episode with the wonderful Eric Slick,

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<v Speaker 1>It's like there's about forty minutes of Dr Dogg and

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<v Speaker 1>music talk. So if you're not into that, just skip

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<v Speaker 1>forward two minute forty and people still complained, and I'm like,

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<v Speaker 1>come on, like, come on, I just don't understand the

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<v Speaker 1>complain in general of like get to the point. It's like,

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<v Speaker 1>my favorite podcasts are the parts when they're not getting

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<v Speaker 1>to the point. And if I like listening to the people,

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<v Speaker 1>then I enjoy hearing them banter and be themselves, you know,

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<v Speaker 1>like that r M podcast. Are you talking r EM

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<v Speaker 1>REMI about ten R E M Discussion? Yeah, I mean

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<v Speaker 1>the whole that's a great show. I love it. It's delightful.

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<v Speaker 1>It's so wonderful. Anyway, just thank you for hanging in

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<v Speaker 1>there through those episodes. I think it's really great content

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<v Speaker 1>as far as good music talk as well. Uh and

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<v Speaker 1>if and if you're not into it, um, I'm sorry.

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<v Speaker 1>Maybe for those you should just change all the branding

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<v Speaker 1>of the show and make a new logo and call

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<v Speaker 1>it music Crush. People said, what would you just do

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<v Speaker 1>a music crook show? Does the Holley sound. I'm like, man,

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<v Speaker 1>I don't have time for two passion projects. You know.

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<v Speaker 1>That's tough. Ones ones a lot alright, So segment number one,

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<v Speaker 1>we're gonna dive in with trope time and no, we

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<v Speaker 1>may be able to finish this initial batch of tropes.

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<v Speaker 1>What was the what was the tally? I don't know.

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<v Speaker 1>I didn't count, but this is my goal. Um let

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<v Speaker 1>me see here. Alex Glassnovich or glass Noovic says this,

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<v Speaker 1>don't trust anybody, said by the person who will later

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<v Speaker 1>betray you. Yeah, sort of. There's different variations of that theme, though,

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<v Speaker 1>Well there's that one. And never mind is this Am

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<v Speaker 1>I allowed to spoil Game of Thrones? I don't know,

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<v Speaker 1>Probably not, I guess I won't. There's a there's a

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<v Speaker 1>very important part in that where someone does that very

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<v Speaker 1>thing and then says I did tell you not to

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<v Speaker 1>trust me? Yeah, yeah, alright, was it spoiling it? If

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<v Speaker 1>I don't say who it is, I think that's vague enough.

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<v Speaker 1>Zack Pointer has a couple here in horror movies four

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<v Speaker 1>horror movies where the victim always runs, but the murderer

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<v Speaker 1>catches up just by walking. Of course. Uh, like with

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<v Speaker 1>Halloween especially, it's because Mike Michael Myers is imbued with

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<v Speaker 1>mystical powers. That's true. And you know what, I'm gonna

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<v Speaker 1>bring up Another trope that I hate is when there's

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<v Speaker 1>like and you know Back to the Future as a

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<v Speaker 1>prime example, when there's a car clearly that is outjuiced

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<v Speaker 1>the other car, yet their neck and neck like him

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<v Speaker 1>Back to the future. Even as a kid, I was like,

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<v Speaker 1>this dude's in a DeLorean and he's being chased by

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<v Speaker 1>don't beat up v W van. You know, the Libyans,

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<v Speaker 1>Yet they're right on his tail. I don't know. Maybe

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<v Speaker 1>the the argument is like, well, the van was bigger,

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<v Speaker 1>it's got more horsepower. Not this not true? No horsepower

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<v Speaker 1>and old. I don't know anything about cars, Chuck was

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<v Speaker 1>Delirian a hotshit car? Was that like a fast Well, actually,

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<v Speaker 1>the Delirian was sort of known for being a pretty

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<v Speaker 1>lame car and a bad sports car, but it's still

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<v Speaker 1>faster than a v W Van. Did you see that?

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<v Speaker 1>Comedians and cars getting coffee with hum what's his name,

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<v Speaker 1>sein Feller? He rises to the Delirian, it breaks down. No,

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<v Speaker 1>it's like he's got um I would do to play

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<v Speaker 1>the voice in Ratitui. Oh, Patton, Patton Oswald, And he's

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<v Speaker 1>of course stoked to see the Delirian eyes light up,

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<v Speaker 1>and then it breaks down and they literally have to

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<v Speaker 1>get another car. It's kind of a shitty car. That's

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<v Speaker 1>the dirty secret. Zach has another one too, in horror

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<v Speaker 1>movies where the victim always runs upstairs. Of course, bad

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<v Speaker 1>places to run. Carol Brennan three of four dudes or

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<v Speaker 1>women SloMo walking to give the appearance of being a badass. Yes,

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<v Speaker 1>that has been troped so much it is now sort

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<v Speaker 1>of a joke. Uh, Shannon Lee, folks with disabilities who

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<v Speaker 1>turned out to have supernatural abilities? Is that a thing?

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<v Speaker 1>Trying to think of an example, she said that the DUDDA,

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<v Speaker 1>I don't know what that is either. I have no

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<v Speaker 1>idea what that is. I I think about Mr Glass

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<v Speaker 1>and Unbreakable. Yeah, that sequels coming out. Man, it looks

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<v Speaker 1>pretty cool. But he didn't really have supernatural powers exactly.

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<v Speaker 1>He was just more of a super genius with asshole

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<v Speaker 1>kind of he's a super asshole. Yeah. Ellis Porter says

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<v Speaker 1>hitting someone over the head with an object to instantly

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<v Speaker 1>make them unconscious. Yeah, that's true. That's true. Most of

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<v Speaker 1>the times you get hit and you're just like funk man,

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<v Speaker 1>you cut my head open. But usually that's played for laughs, right.

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<v Speaker 1>We were sort of like the single glass bottle break

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<v Speaker 1>and they're like out. That's true. Tony Gleeson hanging up

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<v Speaker 1>the phone without saying goodbye. I think we mentioned that before.

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<v Speaker 1>A good one, Tony, Kevin Kross the new guy being trained,

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<v Speaker 1>So some plot point can be explained. Oh yeah, for sure.

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<v Speaker 1>Bad exposition in those scenes for sure. David Priest naked

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<v Speaker 1>woman in bed after sex or in the morning, holding

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<v Speaker 1>the sheet neatly hiding her breast. Oh yeah, that's a

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<v Speaker 1>good one. Titilating, Yeah, I mean that's a trope with

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<v Speaker 1>with a good reason behind it is because keeps it pg. Thirteen. Yeah.

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<v Speaker 1>And then a lot of these actors don't want to

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<v Speaker 1>be naked, so that's the solve. You hold the sheet up,

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<v Speaker 1>or they get out of the bed and wrap the

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<v Speaker 1>sheet around them and stuff. Done that, or there's the

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<v Speaker 1>underwear naked backshot but no frontal. Yeah, that's true. Sean Hodge,

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<v Speaker 1>I'm sorry, Scott Hodgson. The jumping through glass and not

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<v Speaker 1>getting cut action movie tripe for sure. Sarah Hard Raider,

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<v Speaker 1>Heart Raider, Good Dame. The twist where the whole team,

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<v Speaker 1>I'm sorry, the whole time the main character is being

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<v Speaker 1>groomed to die or be sacrificed. Yeah, like wicker Man,

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<v Speaker 1>Adam Phillips. The teenagers in the horror movies that you

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<v Speaker 1>could strangle with a cordless phone. I'm not sure what

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<v Speaker 1>that means. Wait say again, the teenagers in the horror

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<v Speaker 1>movies that you could strangle with a chordless phone. I

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<v Speaker 1>don't the only chordless phone. Oh wait, strangle you can't.

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<v Speaker 1>There's no chord You can't strangle anyone with a cordless phone.

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<v Speaker 1>I don't. I don't get that one. That makes no sense.

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<v Speaker 1>I like it for its absurdity, though. Follow up at him. Yep,

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<v Speaker 1>we need to hear about that Dan Turk last minute

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<v Speaker 1>realization of their love at the airports train train station,

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<v Speaker 1>bus station, for sure, maybe with one person hanging out

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<v Speaker 1>of the of the vehicle kind of reaching and I

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<v Speaker 1>really love this person. But obviously you know you can't

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<v Speaker 1>get off the train, and there's there's no reversing that, right,

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<v Speaker 1>can't back up a train. The love is over, Ben Emerson, Um,

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<v Speaker 1>how about movie rain in general? It's either not raining

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<v Speaker 1>or it's a torrential downpour. Yeah, that's true, Ben, It's

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<v Speaker 1>because the way those rain towers work, you can dial

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<v Speaker 1>it back. But it always looks kind of funny to me.

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<v Speaker 1>Or when it's clearly sort of very bright outside. What

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<v Speaker 1>is what are the logistics of these rain towers? Always

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<v Speaker 1>wondered what that looks like. It is like a it's

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<v Speaker 1>a big it's a tall, super tall tripod with an

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<v Speaker 1>extended pole that goes up however high you needed to

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<v Speaker 1>go up, depending on how wide your shot is. I've

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<v Speaker 1>seen him that are like a hundred feet tall. It's

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<v Speaker 1>called a rain tower. And at the top it literally

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<v Speaker 1>just has a around um little sort of sprinkler head

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<v Speaker 1>and you turn it on and it just all goes

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<v Speaker 1>out in a big circle in every direction. And you

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<v Speaker 1>have them set up all over the place. And that's

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<v Speaker 1>why the rain and movies does not look like real

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<v Speaker 1>rain usually because real rain comes down and drops, and

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<v Speaker 1>this comes down in sort of a stream. You know

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<v Speaker 1>what I'm saying. Yep, Vanessa Lopez, nature suddenly goes silent.

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<v Speaker 1>Equals monsters are coming, all right, All that's true because

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<v Speaker 1>all the woodland creatures are scared on your behalf, including

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<v Speaker 1>the cicadas. Yeah, they all go like ship. Benjamin Johnston

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<v Speaker 1>not sure this is a trope, but looking really great

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<v Speaker 1>and put together in the Middle Ages. Yeah, although I

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<v Speaker 1>think that there are some more realistic Middle Ages films now,

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<v Speaker 1>like people are always dirty, right, Oh yeah, just covered

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<v Speaker 1>in ship. Yeah. Have you seen the new Sasha Baron

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<v Speaker 1>Cohen thing. I haven't seen that yet. Well, there's one

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<v Speaker 1>character he plays who's like an inmate who uh he

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<v Speaker 1>paints using exclusively shit and it's a really good set

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<v Speaker 1>dressing or costume detail where his nails are really filthy.

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<v Speaker 1>Oh really yeah, because he's you know, constantly digging in poop.

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<v Speaker 1>That's pretty good. Uh, you know what, We're gonna get

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<v Speaker 1>through a few more and we will not be done

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<v Speaker 1>with trupe time everyone. That's a good news. Chris McCulla

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<v Speaker 1>says when the out takes play during the end credits. Uh,

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<v Speaker 1>that's not a trump Michelle, Michelle, my bell Apa tegu Apola,

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<v Speaker 1>you've done this before, Chuck the same name. Yeah, apolog

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<v Speaker 1>is what I'm gonna say from Michelle. Another one. Credit

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<v Speaker 1>cards will open any door, like a locked door. I

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<v Speaker 1>could break in with a credit card for certain kinds

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<v Speaker 1>of locks. Stack in the day, said Jimmy and Jimmy

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<v Speaker 1>and the lock. Sure you can't do that with the

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<v Speaker 1>dead bolt though. It's just gotta be one of those

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<v Speaker 1>little clickie one. Yeah, like within the house, the little

0:11:00.600 --> 0:11:03.520
<v Speaker 1>clickie on the handle. Yeah, because the ideas you use

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<v Speaker 1>the a little life hack for all you kids out there.

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<v Speaker 1>I want to break in. You got you. You pushed

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<v Speaker 1>the spring loaded thing in with the card and then

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<v Speaker 1>it pops the lock but dead bolt and you're out

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<v Speaker 1>of lock. Yeah, it's funny. Emily and I went to

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<v Speaker 1>see my house I grew up in about a year

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<v Speaker 1>and a half ago, which we did from time to time,

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<v Speaker 1>and it had been it was for sale and it

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<v Speaker 1>was empty and I was like, oh, ship, I want

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<v Speaker 1>to definitely go inside, Jimmy, and it was locked, and

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<v Speaker 1>she was like, oh, well it's locked, we can't get in.

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<v Speaker 1>I went, he said, I broke into this house probably

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<v Speaker 1>thirty times in my life growing up, from forgetting my key.

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<v Speaker 1>And I went in through the garage kitchen window like

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<v Speaker 1>I always did, and it was just as easy as

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<v Speaker 1>it always was, And it was really weird walking around

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<v Speaker 1>my house. I did something very similar with my old school.

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<v Speaker 1>My high school got condemned because if asbestos. Years later,

0:11:57.400 --> 0:12:00.480
<v Speaker 1>I went there and went in and every was covered

0:12:00.480 --> 0:12:02.760
<v Speaker 1>in plastic and there were just these towering stacks of

0:12:02.760 --> 0:12:05.520
<v Speaker 1>like old desks and everything was just covered in dust,

0:12:05.800 --> 0:12:07.360
<v Speaker 1>and there were the sounds of like kind of homeless

0:12:07.400 --> 0:12:09.720
<v Speaker 1>people like sleeping in the bleachers and stuff. It was

0:12:09.880 --> 0:12:13.600
<v Speaker 1>very very eerie, Verie, Yeah, my house is neat. It

0:12:13.640 --> 0:12:15.480
<v Speaker 1>was like a lot of it was unchanged. And there

0:12:15.480 --> 0:12:20.080
<v Speaker 1>were things like wallpaper that just like shocked me back

0:12:20.120 --> 0:12:24.520
<v Speaker 1>to being a twelve year old, like light fixtures and

0:12:25.080 --> 0:12:28.640
<v Speaker 1>in the fifties, in the fifties. Uh. And in in

0:12:28.679 --> 0:12:31.000
<v Speaker 1>my bathroom that I grew up in, on the below

0:12:31.040 --> 0:12:34.000
<v Speaker 1>the sink under you know, at the cabinet under the sink,

0:12:34.120 --> 0:12:36.840
<v Speaker 1>opened the door and there was a little electric toothbrush

0:12:36.840 --> 0:12:39.960
<v Speaker 1>holder that I screwed into the thing, what literally thirty

0:12:40.040 --> 0:12:43.079
<v Speaker 1>years ago, more than that, thirty five years ago. No, yikes,

0:12:43.080 --> 0:12:46.280
<v Speaker 1>that's wow. That's awesome. Yeah. Uh. What it's not cool

0:12:46.400 --> 0:12:48.720
<v Speaker 1>is the fact that three months later they tore the

0:12:48.720 --> 0:12:53.000
<v Speaker 1>house down. I had plans to maybe buy it one

0:12:53.040 --> 0:12:55.560
<v Speaker 1>day and do something with it that would have been cool.

0:12:55.559 --> 0:12:59.760
<v Speaker 1>This was in Dungewood Still Mountains. All right, we're gonna

0:12:59.760 --> 0:13:03.120
<v Speaker 1>finish up here with two more, Jessica Parsons says. The

0:13:03.160 --> 0:13:07.439
<v Speaker 1>male protagonist has to lift an incredibly impossibly heavy object

0:13:07.440 --> 0:13:09.720
<v Speaker 1>in order to save a life. That's a trope. And

0:13:09.720 --> 0:13:14.559
<v Speaker 1>then also could really happen hysterical strength, it's a thing. Uh,

0:13:14.559 --> 0:13:18.080
<v Speaker 1>Shannon Lee. Once again, she makes up for her not

0:13:18.200 --> 0:13:20.800
<v Speaker 1>so great when by saying the call is coming from

0:13:20.800 --> 0:13:24.800
<v Speaker 1>inside the house. All right, more tropes to come, everybody.

0:13:24.800 --> 0:13:36.640
<v Speaker 1>I've still got to three pages of tropes. So we

0:13:36.720 --> 0:13:40.439
<v Speaker 1>will move on now to almost famous. The recent news

0:13:40.480 --> 0:13:44.800
<v Speaker 1>segment where I talk about actors who turned down a role,

0:13:45.679 --> 0:13:48.440
<v Speaker 1>and these are usually famous people already, and sometimes it

0:13:48.480 --> 0:13:52.160
<v Speaker 1>works out and sometimes it doesn't. First, Garrett Headland, I'm

0:13:52.160 --> 0:13:53.800
<v Speaker 1>gonna go ahead and say the great Garrett Headland. I

0:13:53.800 --> 0:13:56.560
<v Speaker 1>think he's pretty great, big fan of his work. He

0:13:56.600 --> 0:14:00.680
<v Speaker 1>turned down Fifty Shades of Gray, the trilogy of the

0:14:00.760 --> 0:14:04.160
<v Speaker 1>Fifty Shades films, because he thought it was too big

0:14:04.200 --> 0:14:07.840
<v Speaker 1>of a commitment to do a trilogy. And boy, Garrett Headland,

0:14:08.200 --> 0:14:13.560
<v Speaker 1>you are laughing now because those movies are awful. I

0:14:13.640 --> 0:14:15.480
<v Speaker 1>just don't know how you could go see those movies

0:14:15.520 --> 0:14:18.480
<v Speaker 1>in the theater and hold your head up high. You know, agreed,

0:14:20.160 --> 0:14:22.600
<v Speaker 1>that's cinemax stuff. Man, You do that in your private

0:14:22.640 --> 0:14:26.800
<v Speaker 1>bedtime at night times. Ann Hathaway, I don't think I

0:14:26.840 --> 0:14:28.240
<v Speaker 1>mentioned this one in the last one, but I may

0:14:28.280 --> 0:14:32.480
<v Speaker 1>have Silver Linings playbook. She was going to be the

0:14:32.560 --> 0:14:37.760
<v Speaker 1>Jennifer Lawrence character, and uh, she left over creative differences

0:14:37.760 --> 0:14:40.000
<v Speaker 1>with David R. Russell, the director. Yeah, I heard he's

0:14:40.080 --> 0:14:43.240
<v Speaker 1>kind of a pill. He is, but he's a brilliant pill.

0:14:43.360 --> 0:14:45.400
<v Speaker 1>Yeah sure, So you know who else is kind of

0:14:45.400 --> 0:14:48.600
<v Speaker 1>a pill? I've heard Ann Hathaway. Oh really? Yeah, two

0:14:48.600 --> 0:14:54.520
<v Speaker 1>pills together now rarely works. Two pills in a pill pod. Yeah.

0:14:54.560 --> 0:14:56.520
<v Speaker 1>I think Jennifer Lawrence is pretty awesome in that movie.

0:14:56.560 --> 0:14:59.560
<v Speaker 1>I really like that movie a lot. Yeah, she's she's

0:14:59.800 --> 0:15:01.760
<v Speaker 1>I car In general, I don't know. And it's aw

0:15:01.840 --> 0:15:03.680
<v Speaker 1>Red Sparrow the other day. As you see that, Yeah,

0:15:03.720 --> 0:15:05.720
<v Speaker 1>it looked pretty steamy. You didn't see it, now, I

0:15:05.760 --> 0:15:08.840
<v Speaker 1>didn't see it. It was okay, I'm just gonna give

0:15:08.840 --> 0:15:11.640
<v Speaker 1>it a medium rating. Did you see Mother? I still

0:15:11.680 --> 0:15:14.120
<v Speaker 1>haven't seen it. It's good. I like that people people

0:15:14.120 --> 0:15:18.200
<v Speaker 1>didn't like about I like. Jim Carey was almost Elf

0:15:19.560 --> 0:15:22.240
<v Speaker 1>very early in that project. He came on board to

0:15:22.280 --> 0:15:25.520
<v Speaker 1>play Buddy the Elf, and about ten years later, when

0:15:25.520 --> 0:15:28.040
<v Speaker 1>it finally made it to the big screens, he had

0:15:28.080 --> 0:15:31.240
<v Speaker 1>already done How the Grinch Still Christmas and didn't want

0:15:31.240 --> 0:15:34.960
<v Speaker 1>to be in another Christmas movie. Could you imagine anyone

0:15:35.000 --> 0:15:38.360
<v Speaker 1>other than Will Ferrell? No, no, no, no, and that

0:15:38.440 --> 0:15:40.560
<v Speaker 1>that that that it would have I bet it would

0:15:40.560 --> 0:15:42.960
<v Speaker 1>have been less good with with Jim Carrey. My finger

0:15:43.040 --> 0:15:45.480
<v Speaker 1>has a heartbeat. The delivery is is what makes it?

0:15:45.640 --> 0:15:47.440
<v Speaker 1>Maybe not? I don't know, it's hard to say else.

0:15:47.480 --> 0:15:49.320
<v Speaker 1>One of my favorite Christmas movies. It's a good one. Yeah,

0:15:49.360 --> 0:15:51.120
<v Speaker 1>it's a good one. Look at you? And will you

0:15:51.200 --> 0:15:53.040
<v Speaker 1>not say that one all the time when they're in

0:15:53.080 --> 0:15:56.600
<v Speaker 1>the meeting with Peter Dinklage and he talks about him

0:15:56.600 --> 0:16:00.080
<v Speaker 1>being in short in an elf and finally he he

0:16:00.160 --> 0:16:02.800
<v Speaker 1>jumps up on the table and Will Farrell holds out

0:16:02.840 --> 0:16:04.720
<v Speaker 1>his arms for a hug and goes look at you,

0:16:05.200 --> 0:16:08.520
<v Speaker 1>and of course he runs over and like kicks his ass.

0:16:08.560 --> 0:16:13.760
<v Speaker 1>So great. The great bad movie show Girls, legendary movie

0:16:13.800 --> 0:16:16.920
<v Speaker 1>that Elizabeth Berkeley started and Drew Barrymore almost took the

0:16:17.000 --> 0:16:20.880
<v Speaker 1>lead of. No me. Was that the Elizabeth Berkeley character

0:16:21.280 --> 0:16:23.720
<v Speaker 1>I'm a dancer? I never saw that. I just remember

0:16:23.720 --> 0:16:27.640
<v Speaker 1>that line, I'm a dancer. She turned it down because

0:16:27.680 --> 0:16:31.240
<v Speaker 1>she hated that line. Well, it's wasn't that directed by

0:16:31.320 --> 0:16:35.520
<v Speaker 1>the RoboCop guy Paul Verhoeven. Yeah, wow, how far he fell?

0:16:36.400 --> 0:16:38.760
<v Speaker 1>It was. I got a lot of news. I guess

0:16:38.760 --> 0:16:41.560
<v Speaker 1>it too, because it was like n C seventeen, right, Oh,

0:16:41.600 --> 0:16:43.200
<v Speaker 1>I don't even know. Probably I think that was a

0:16:43.240 --> 0:16:44.560
<v Speaker 1>part of it. And I think I think there was

0:16:44.600 --> 0:16:46.640
<v Speaker 1>a ratings kerfuffle on that. I remember being a kid

0:16:46.640 --> 0:16:49.480
<v Speaker 1>and going a blockbuster and having the parental advisory sticker

0:16:49.520 --> 0:16:51.600
<v Speaker 1>being on that one, which was a cut above just

0:16:51.640 --> 0:16:53.600
<v Speaker 1>an R rating because it said no, I know what

0:16:53.600 --> 0:16:56.960
<v Speaker 1>I said. It said youth restricted viewing. That's what it

0:16:57.040 --> 0:17:02.240
<v Speaker 1>said for some bad similar aided sex with with with

0:17:02.480 --> 0:17:05.879
<v Speaker 1>um guy from Twin Peaks, isn't it. I don't know

0:17:05.920 --> 0:17:10.840
<v Speaker 1>which guy? You know, agent agent Cooper. Oh that's right, yeah, yeah, yeah,

0:17:10.880 --> 0:17:16.679
<v Speaker 1>what's his name? Kyle, Kyle Mclocklin m um. Let me

0:17:16.720 --> 0:17:19.080
<v Speaker 1>see here. Drew Barrymore is uncomfortable with the nudity, the

0:17:19.119 --> 0:17:23.840
<v Speaker 1>amount of nudity, jaw rule, too fast, too furious. He

0:17:23.920 --> 0:17:27.320
<v Speaker 1>was supposed to. Uh, he had a brief appearance and

0:17:27.320 --> 0:17:29.600
<v Speaker 1>Fast and Furious, but he's gonna have a larger part

0:17:29.600 --> 0:17:33.840
<v Speaker 1>in the sequel, but apparently just blew off John Singleton,

0:17:34.160 --> 0:17:39.600
<v Speaker 1>the director, and the part went to Ludicrous. And here's

0:17:39.640 --> 0:17:42.879
<v Speaker 1>a quick funny story about Ludicrous. He's in Atlanta and

0:17:42.880 --> 0:17:46.240
<v Speaker 1>from Atlanta, and people around me know him, and we

0:17:46.240 --> 0:17:48.879
<v Speaker 1>were asking about him podcasting and doing something and we're like,

0:17:48.920 --> 0:17:52.639
<v Speaker 1>what is Ludicrous doing now? And his manager answered, he

0:17:52.760 --> 0:17:56.399
<v Speaker 1>makes Fast and Furious movies. That's what ludicrous job is.

0:17:56.680 --> 0:17:59.159
<v Speaker 1>I had no idea John Singleton had anything to do

0:17:59.200 --> 0:18:02.080
<v Speaker 1>with The Fast and Fear his franchise. Did he directs

0:18:02.080 --> 0:18:05.480
<v Speaker 1>the first couple? Yeah? I guess yeah. Interesting, Yeah, I

0:18:05.520 --> 0:18:08.399
<v Speaker 1>look at it looks like he did one and six.

0:18:08.560 --> 0:18:11.480
<v Speaker 1>Maybe anyway, it doesn't matter. But I just had no idea.

0:18:11.520 --> 0:18:13.239
<v Speaker 1>I didn't see that, didn't see there's a connection there

0:18:13.240 --> 0:18:15.359
<v Speaker 1>at all. I just know him from like, you know,

0:18:15.400 --> 0:18:18.600
<v Speaker 1>what is it baby boy and Boys in the Hood? Yeah,

0:18:18.640 --> 0:18:21.120
<v Speaker 1>Boys in the Hood? Man, that was his first movie, breakout.

0:18:21.760 --> 0:18:24.760
<v Speaker 1>Uh no, will you remember a Million Dollar Baby? Yeah?

0:18:24.880 --> 0:18:28.399
<v Speaker 1>With the boxing the boxing picture, Yeah, the boxing picture

0:18:28.600 --> 0:18:33.520
<v Speaker 1>with uh oh? Why am I just blanking on every name?

0:18:33.560 --> 0:18:36.840
<v Speaker 1>His name is Clint Eastwood, Chuck Hilary Swaine, Okay, Clinteathwood,

0:18:37.000 --> 0:18:40.280
<v Speaker 1>Clint Eastwood, and Morgan Freeman. Uh. Sandra Bullock almost played

0:18:40.280 --> 0:18:43.359
<v Speaker 1>the part of Maggie, but there were scheduling conflicts and

0:18:43.440 --> 0:18:46.200
<v Speaker 1>she had to drop out to film MS Congeniality too,

0:18:47.240 --> 0:18:49.640
<v Speaker 1>instead of winning an Oscar for a million dollar baby,

0:18:50.080 --> 0:18:52.360
<v Speaker 1>which she might have done. What are you saying, Miss

0:18:52.400 --> 0:18:56.280
<v Speaker 1>Congeniality is not like an Oscar caliber performance? It was not? Okay,

0:18:56.560 --> 0:19:00.160
<v Speaker 1>that's fair? The hangover the part of Heather Graham as

0:19:00.200 --> 0:19:03.560
<v Speaker 1>a jade the stripper? Can you say stripper? Or is that?

0:19:03.760 --> 0:19:06.000
<v Speaker 1>I think it's fine. I don't even know these days

0:19:06.000 --> 0:19:08.679
<v Speaker 1>at all. You know, you're not supposed to say what hooker? No,

0:19:08.800 --> 0:19:12.480
<v Speaker 1>you say sex workers? Don't you say prostitute? Really, we've

0:19:12.480 --> 0:19:14.080
<v Speaker 1>been taken to task on stuff. You should know. You

0:19:14.160 --> 0:19:17.199
<v Speaker 1>know what I found out on ridiculous history. Not supposed

0:19:17.240 --> 0:19:21.120
<v Speaker 1>to say homosexual. Everyone I've said this too has been

0:19:21.160 --> 0:19:24.320
<v Speaker 1>a little bit shocked. Really, Yeah, just just just to like, guy, wow,

0:19:24.960 --> 0:19:27.320
<v Speaker 1>that's a thing. I get it. So what did they say?

0:19:27.720 --> 0:19:30.080
<v Speaker 1>You say l B G t Q or queer um

0:19:30.200 --> 0:19:33.360
<v Speaker 1>or lesbian or gay, But you don't say homosexual because

0:19:33.400 --> 0:19:37.320
<v Speaker 1>it has connotations of like the homosexual plague, you know that,

0:19:37.359 --> 0:19:40.080
<v Speaker 1>like avangelicals might say, or the idea that it was

0:19:40.080 --> 0:19:43.800
<v Speaker 1>a disease or a psychiatric condition. You know that makes sense. Yeah,

0:19:43.840 --> 0:19:45.440
<v Speaker 1>but we we said it on an episode of Stuffy

0:19:45.440 --> 0:19:47.320
<v Speaker 1>Don't want you to Know, and a very kind listener

0:19:47.359 --> 0:19:49.520
<v Speaker 1>did not shred us, but rode in and said, hey, guys,

0:19:49.760 --> 0:19:52.399
<v Speaker 1>let's check out this media section on glad. It's a

0:19:52.480 --> 0:19:55.000
<v Speaker 1>term to avoid now, you know. The more you know. Yeah, still,

0:19:55.000 --> 0:19:57.080
<v Speaker 1>if you should know, fans are always pretty good about

0:19:57.080 --> 0:19:59.679
<v Speaker 1>being kind and saying, hey, listen you lets try to

0:19:59.760 --> 0:20:01.720
<v Speaker 1>use the right words. It's hard these days because new

0:20:01.720 --> 0:20:04.280
<v Speaker 1>words are being updated all the time. Uh. And it's

0:20:04.280 --> 0:20:06.800
<v Speaker 1>always nice to get a kind message, and we always

0:20:06.840 --> 0:20:09.240
<v Speaker 1>respond in kind and say, hey, listen, thanks for letting

0:20:09.320 --> 0:20:12.400
<v Speaker 1>us know. We'll do our best to change that same.

0:20:13.080 --> 0:20:16.240
<v Speaker 1>So anyway, the role of Jade the Clothes take Her

0:20:16.280 --> 0:20:22.680
<v Speaker 1>Offer in The Hangover almost went to Lindsay Lohan. Interesting,

0:20:22.840 --> 0:20:25.240
<v Speaker 1>huge movie that would have been for her. Yeah, but

0:20:25.240 --> 0:20:27.240
<v Speaker 1>you guys, I don't even think of Heather Graham as

0:20:27.280 --> 0:20:29.240
<v Speaker 1>having been in that movie. I don't know why. She

0:20:29.320 --> 0:20:32.760
<v Speaker 1>was great wh Yeah and the first one, Yeah, she

0:20:32.920 --> 0:20:35.280
<v Speaker 1>was Jade the Clothes Taker Offer. I just don't remember.

0:20:35.520 --> 0:20:37.879
<v Speaker 1>I just don't remember. I like that first Hangover that

0:20:37.920 --> 0:20:40.119
<v Speaker 1>was really home. I like I like Mike Tyson, Remember

0:20:40.119 --> 0:20:43.639
<v Speaker 1>Mike Tyson. Pretty good, pretty well? Um, I have a

0:20:43.680 --> 0:20:45.919
<v Speaker 1>big Heather grahampin Oh I Am too, I love I

0:20:45.920 --> 0:20:48.880
<v Speaker 1>Love roller Girl And she was great in Scrubs, drug Store,

0:20:48.880 --> 0:20:51.199
<v Speaker 1>Cowboy O. Always Sorry, I forgot that. That's the classic

0:20:51.240 --> 0:20:56.679
<v Speaker 1>classic Graham role. Sarah Michelle Giller or gill Ore was

0:20:56.840 --> 0:21:04.399
<v Speaker 1>almost share and Clueless before Alicia's Silverstone took the part. Uh,

0:21:04.440 --> 0:21:06.760
<v Speaker 1>and she had to turn it down because she was

0:21:06.800 --> 0:21:09.720
<v Speaker 1>on All My Children, the soap opera. Clueless went on

0:21:09.800 --> 0:21:12.760
<v Speaker 1>to be a massive hit. Then Alicia Silverstone kind of

0:21:12.760 --> 0:21:14.639
<v Speaker 1>disappeared as well. Yeah, I think she was. It was

0:21:14.640 --> 0:21:16.400
<v Speaker 1>it my choice. Do you think I feel like she

0:21:16.800 --> 0:21:19.000
<v Speaker 1>maybe just because she went on to be in Buffy,

0:21:19.640 --> 0:21:24.159
<v Speaker 1>Oh Alicia Silverstone. Uh, I don't know. She was in

0:21:24.200 --> 0:21:26.520
<v Speaker 1>a couple of like stinkers, like she was in The Crush,

0:21:26.840 --> 0:21:29.280
<v Speaker 1>The Crush with Carrie Elwis or she was like the

0:21:29.280 --> 0:21:32.720
<v Speaker 1>stalker crazy girl. Yeah. Here's the hint, though, if you

0:21:32.760 --> 0:21:36.480
<v Speaker 1>want to make a great movie, don't cast Carrie Ellis

0:21:36.520 --> 0:21:40.320
<v Speaker 1>as your lead mail Really it's not great. He was

0:21:40.359 --> 0:21:44.280
<v Speaker 1>in the first Saw movie. Yeah, that wasn't great. That's fair.

0:21:44.840 --> 0:21:47.159
<v Speaker 1>What do you like the Princess Bride? I liked it.

0:21:47.240 --> 0:21:48.800
<v Speaker 1>He was okay in that he was okay, and that

0:21:48.800 --> 0:21:50.320
<v Speaker 1>that's where are people that are gonna come at you.

0:21:50.359 --> 0:21:52.680
<v Speaker 1>The internet is going to swarm you. Child think he's

0:21:52.680 --> 0:21:55.480
<v Speaker 1>great though. Uh. And then, but like I said, Sarah

0:21:55.520 --> 0:21:58.760
<v Speaker 1>Michelle Gilar went on to be in Buffy, so she

0:21:58.920 --> 0:22:01.760
<v Speaker 1>was doing just fine. She's loaded for the rest of

0:22:01.760 --> 0:22:03.840
<v Speaker 1>her life. It's fine. I kind of didn't know who

0:22:03.840 --> 0:22:05.600
<v Speaker 1>you're talking about because of the way you're pronouncing it

0:22:07.280 --> 0:22:09.000
<v Speaker 1>is how I've always heard it. But I'm sure I

0:22:09.000 --> 0:22:11.080
<v Speaker 1>can say however you want. I've heard glare, but I

0:22:11.359 --> 0:22:13.520
<v Speaker 1>just pronounced it both ways. Okay, you just weren't paying

0:22:13.520 --> 0:22:15.320
<v Speaker 1>it to That's that that that's part of it to chuck.

0:22:22.600 --> 0:22:24.800
<v Speaker 1>All right, and we're gonna move on finally to comic Card,

0:22:25.560 --> 0:22:29.160
<v Speaker 1>where we take your questions. Uh. And I'm still reading

0:22:29.160 --> 0:22:31.879
<v Speaker 1>from that original batch, so hang in there. If you

0:22:31.880 --> 0:22:37.560
<v Speaker 1>haven't had your question answered, Uh, let me see. Alison

0:22:37.560 --> 0:22:40.600
<v Speaker 1>Gallagher says, what actor or actress have you met that

0:22:40.720 --> 0:22:48.040
<v Speaker 1>was completely different than you expected? Mm hmm. I don't know,

0:22:49.800 --> 0:22:52.399
<v Speaker 1>because it would either be boy I thought they were

0:22:52.400 --> 0:22:54.119
<v Speaker 1>gonna be really nice and they were an asshole, or

0:22:54.480 --> 0:22:56.640
<v Speaker 1>they play such jerks. But they were really so nice.

0:22:57.200 --> 0:23:01.679
<v Speaker 1>I'll give you one. Um, Michael ian Black I've met before,

0:23:01.800 --> 0:23:04.679
<v Speaker 1>and he's a really genuinely nice guy. And he's so

0:23:04.720 --> 0:23:08.040
<v Speaker 1>good at playing sort of smug jerks that I think

0:23:08.040 --> 0:23:10.520
<v Speaker 1>people might think he's like that, But in my brief

0:23:10.560 --> 0:23:16.800
<v Speaker 1>experience with him, Um, he's a nice dude. So that's mine.

0:23:18.160 --> 0:23:26.719
<v Speaker 1>Kevin Bokar da Bocard Either way, favorite decade for movies, Uh, Kevin.

0:23:28.520 --> 0:23:30.800
<v Speaker 1>To me, it's a very tough toss up. And I

0:23:30.840 --> 0:23:32.560
<v Speaker 1>even put this on as a pole in the next

0:23:32.560 --> 0:23:37.240
<v Speaker 1>episode of seventies or eighties. Um, the eighties I think

0:23:37.320 --> 0:23:39.400
<v Speaker 1>is known for Like the seventies, I think is known

0:23:39.400 --> 0:23:43.679
<v Speaker 1>for more pure filmmaking and like classics, and the eighties

0:23:43.720 --> 0:23:45.720
<v Speaker 1>maybe known for a little more kitchy stuff. But the

0:23:45.720 --> 0:23:48.639
<v Speaker 1>eighties has some great great film you mean, like picking

0:23:48.640 --> 0:23:52.159
<v Speaker 1>a single decade. Yeah, it's tough. Wow, Yeah, I no, No,

0:23:52.280 --> 0:23:54.199
<v Speaker 1>I can't do it. I'm gonna go with seventies. Seventies

0:23:54.200 --> 0:23:58.760
<v Speaker 1>a good I'll just say it, Uh, Louis or Louis Martinez,

0:23:58.760 --> 0:24:01.600
<v Speaker 1>don't know you pronounce it Louis or Louis. Is there

0:24:01.640 --> 0:24:03.760
<v Speaker 1>any movie that you considered bad that you would want

0:24:03.760 --> 0:24:08.520
<v Speaker 1>to see a remake of Oh, do you have one

0:24:09.720 --> 0:24:13.240
<v Speaker 1>movie that I considered bad? Yeah, I would love to

0:24:13.280 --> 0:24:16.639
<v Speaker 1>see a remake of Manno's The Hands of Faith, the

0:24:16.720 --> 0:24:20.879
<v Speaker 1>Mystery Science Theater movie. You know it's so bad, but

0:24:20.960 --> 0:24:23.520
<v Speaker 1>with a commentary it's good. But I would love to

0:24:23.560 --> 0:24:27.639
<v Speaker 1>see it just like really elevated, you know, elevate that material. Yeah, alright,

0:24:27.680 --> 0:24:29.760
<v Speaker 1>make a really kick ass version of a bad movie.

0:24:30.200 --> 0:24:33.159
<v Speaker 1>I'm gonna say, and this is a caveat here. I

0:24:33.200 --> 0:24:35.200
<v Speaker 1>don't think it was a bad movie. The original Flash

0:24:35.240 --> 0:24:38.199
<v Speaker 1>Gordon from the eighties. I really enjoyed. It's still one

0:24:38.240 --> 0:24:41.520
<v Speaker 1>of my favorite sort of kitchy eighties sci fi films.

0:24:41.840 --> 0:24:44.080
<v Speaker 1>But I think you could do a really really cool

0:24:44.119 --> 0:24:47.840
<v Speaker 1>Flash Gordon movie now, that would be awesome. Um. Not

0:24:47.960 --> 0:24:51.560
<v Speaker 1>to knock that one again. Love the Ridge, um, but

0:24:51.680 --> 0:24:54.680
<v Speaker 1>it is very dated, to say the least. It's that

0:24:54.800 --> 0:24:57.280
<v Speaker 1>the one with ming the Merciless. Yes, and it's got

0:24:57.280 --> 0:24:59.639
<v Speaker 1>a queen soundtrack, a lot of queen music on the

0:24:59.640 --> 0:25:08.560
<v Speaker 1>soundtra it's if you ever Tenacious D's Yes, uh number four,

0:25:08.680 --> 0:25:11.639
<v Speaker 1>Rob Dickinson. Is there any movie or TV score recommendations

0:25:12.600 --> 0:25:15.680
<v Speaker 1>to add to my Spotify playlist? Well? I love the

0:25:15.680 --> 0:25:18.639
<v Speaker 1>score to Miller's Crossing. I love the score to the Godfather.

0:25:19.480 --> 0:25:22.600
<v Speaker 1>I love the soundtracks to all of Wes Anderson's films.

0:25:23.119 --> 0:25:28.199
<v Speaker 1>I love the soundtrack to Magnolia and Boogie Nights and

0:25:28.240 --> 0:25:35.879
<v Speaker 1>those New Guardians movies have great soundtracks. What else you got? Oh? Um?

0:25:36.000 --> 0:25:37.760
<v Speaker 1>But the first CD I ever got was the Wayne's

0:25:37.760 --> 0:25:40.760
<v Speaker 1>World soundtrack. Um. A lot of good classics, a lot

0:25:40.800 --> 0:25:42.560
<v Speaker 1>of good classic crock on their first place I ever

0:25:42.600 --> 0:25:46.040
<v Speaker 1>heard Dinosaur Jr. Um. What was the song I was on? There?

0:25:46.040 --> 0:25:48.359
<v Speaker 1>Out there? You know, my brother worked on Wayne's World two.

0:25:48.600 --> 0:25:51.000
<v Speaker 1>I like Wayne's World two as well, not quite, not

0:25:51.080 --> 0:25:56.080
<v Speaker 1>quite as good as the first one, but still. Uh. Finally,

0:25:56.200 --> 0:26:03.400
<v Speaker 1>Rachel O'Reilly all time favorite canine sidekick? Oh boy, favorite

0:26:03.640 --> 0:26:08.040
<v Speaker 1>canine sidekick. Well, I don't see a lot of dog

0:26:08.119 --> 0:26:11.119
<v Speaker 1>movies now that I'm scrolling through a list of dog movies.

0:26:13.000 --> 0:26:17.840
<v Speaker 1>So I'm gonna say, Coojio, that's not a sidekick. He's

0:26:17.880 --> 0:26:21.160
<v Speaker 1>the antagonist. He's the villain, all right. What's a sidekick? Geez?

0:26:21.359 --> 0:26:25.800
<v Speaker 1>You know, like a familiar, like a familiar like yeah, exactly,

0:26:26.200 --> 0:26:28.560
<v Speaker 1>you know Turner, there's Turner. You got your Turner, then

0:26:28.600 --> 0:26:30.600
<v Speaker 1>you got your hooch. Al right, I'll go with but

0:26:30.720 --> 0:26:33.199
<v Speaker 1>a canine though, like I would, I would narrow it

0:26:33.280 --> 0:26:37.800
<v Speaker 1>more to animal sidekick every which way, but loose monkey

0:26:37.840 --> 0:26:42.199
<v Speaker 1>in that one? Eastwood? Is that Eastwood? Totally? Yeah? It

0:26:42.280 --> 0:26:45.679
<v Speaker 1>isn't there turn Clyde. Isn't there one with um uh

0:26:45.880 --> 0:26:48.040
<v Speaker 1>what's his name? Burt Reynolds where he's got a creature

0:26:48.080 --> 0:26:51.480
<v Speaker 1>as well? Did I make that up? Uh? Maybe? I

0:26:51.520 --> 0:26:53.200
<v Speaker 1>don't know. It doesn't matter. I can't think of one.

0:26:53.320 --> 0:26:55.000
<v Speaker 1>Doesn't matter. All right, That's all I got this week.

0:26:55.080 --> 0:26:58.480
<v Speaker 1>No you got anything else? No I don't. I don't.

0:26:59.119 --> 0:27:03.040
<v Speaker 1>All right, everybody you're home work this week? Is? Uh?

0:27:03.200 --> 0:27:06.680
<v Speaker 1>Why the kid he's getting fan? Dude? Have you noticed you?

0:27:06.680 --> 0:27:09.000
<v Speaker 1>You mentioned it? It's making me a little nervous. Now

0:27:09.040 --> 0:27:11.240
<v Speaker 1>It'll be okay, man, I run out of people. Uh

0:27:11.280 --> 0:27:12.960
<v Speaker 1>And if that because I'm not like I don't want

0:27:12.960 --> 0:27:15.560
<v Speaker 1>to record these remotely and there's just been a dearth

0:27:15.560 --> 0:27:18.040
<v Speaker 1>of people coming through Atlanta. And if that happens, we're

0:27:18.040 --> 0:27:19.800
<v Speaker 1>just gonna get you in here and get Emily and

0:27:19.800 --> 0:27:22.879
<v Speaker 1>get my brother and just sort of uh stock it up.

0:27:22.960 --> 0:27:28.480
<v Speaker 1>Get Josh. Josh is famous these easy gets. I'll do

0:27:28.480 --> 0:27:31.919
<v Speaker 1>whatever you want. Chuck you all right, Casey Wilson on

0:27:32.000 --> 0:27:36.600
<v Speaker 1>Clue Everybody, Casey Wilson. This was one of those really

0:27:36.640 --> 0:27:39.880
<v Speaker 1>neat things where she got in touch with me, which

0:27:39.920 --> 0:27:43.520
<v Speaker 1>I've long put out the call to actors coming through Atlanta,

0:27:43.800 --> 0:27:47.160
<v Speaker 1>and uh, Casey was coming through. She's like, hey, dude,

0:27:47.480 --> 0:27:50.360
<v Speaker 1>got your information from Janet Varney and I'm a big

0:27:50.400 --> 0:27:52.399
<v Speaker 1>stuff you should know listener and I would love to

0:27:52.400 --> 0:27:54.520
<v Speaker 1>come in and be on movie Crush. And actually I

0:27:54.520 --> 0:27:56.000
<v Speaker 1>don't think she said I'd love to come and be

0:27:56.040 --> 0:27:58.399
<v Speaker 1>on movie Crush. I think she just said I'm a

0:27:58.400 --> 0:28:00.280
<v Speaker 1>big stuff you should know fan, and you know you're

0:28:00.280 --> 0:28:02.359
<v Speaker 1>in Atlanta and you want to like get coffee or

0:28:02.359 --> 0:28:04.760
<v Speaker 1>can I come by the office, And I selfishly said

0:28:04.760 --> 0:28:06.600
<v Speaker 1>I would love to get you a movie crush And

0:28:06.640 --> 0:28:09.439
<v Speaker 1>she the next day was in here. And you know

0:28:09.600 --> 0:28:15.480
<v Speaker 1>Casey from movies like Gone Girl and Bride Wars and

0:28:15.920 --> 0:28:18.480
<v Speaker 1>the great TV show Happy Endings and Marry Me that

0:28:18.560 --> 0:28:21.120
<v Speaker 1>she did with Kim Marino, who I talked to her about,

0:28:21.160 --> 0:28:23.720
<v Speaker 1>and she was on Saturday Night Live, my first SNL

0:28:24.119 --> 0:28:26.439
<v Speaker 1>cast member, and she was happy to talk about that

0:28:26.480 --> 0:28:29.800
<v Speaker 1>as well. So Casey was just lovely and smart and

0:28:29.840 --> 0:28:32.440
<v Speaker 1>fun and funny and she is best friends with Paul

0:28:32.480 --> 0:28:35.680
<v Speaker 1>Shear's wife, and so she and Diane Raphael yep, they're

0:28:35.720 --> 0:28:38.920
<v Speaker 1>best buds. They're like college roommates and started out doing

0:28:38.960 --> 0:28:42.000
<v Speaker 1>improv together. So it's kind of coming full circle. So

0:28:42.160 --> 0:28:46.520
<v Speaker 1>I'm closing closing in on on June to be on

0:28:46.600 --> 0:28:48.840
<v Speaker 1>the show. Hopefully that will happen because she's great too.

0:28:48.960 --> 0:28:51.120
<v Speaker 1>She think she's around here, she's on that Frankie and

0:28:51.120 --> 0:28:53.160
<v Speaker 1>Gray show. They shoot that around here? Is that an ally?

0:28:54.720 --> 0:28:56.920
<v Speaker 1>She's a mom, she's busy. Yeah, I'll get her on

0:28:56.960 --> 0:29:00.120
<v Speaker 1>there at some point though. But Casey was wonderful and

0:29:00.200 --> 0:29:02.880
<v Speaker 1>just so generous with her time, and we talked about

0:29:03.000 --> 0:29:06.640
<v Speaker 1>Clue everyone, one of my favorite movies, and we had

0:29:06.680 --> 0:29:09.160
<v Speaker 1>such a good time talking about Clue. So that's your

0:29:09.160 --> 0:29:11.240
<v Speaker 1>homework for this week. Watched The Great Great Who Done

0:29:11.280 --> 0:29:14.479
<v Speaker 1>It from the nineteen eighties. And that's it and we'll

0:29:14.520 --> 0:29:16.680
<v Speaker 1>see you next time. Thanks for tuning into the Mini

0:29:17.000 --> 0:29:29.080
<v Speaker 1>Mini Mini Crutch. Goodbye,