WEBVTT - Episode 352 w/ George Clinton

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<v Speaker 1>And it's drink chests, motherfucking podcasts. He's a legendary queen's rapper.

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<v Speaker 1>He's segreed is your boy in O R. He's a

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<v Speaker 1>Miami hippop lionem up his dj e FN. Together they

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<v Speaker 1>drink it up with some of the biggest players in

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<v Speaker 1>the most professional unprofessional podcast and your number one sorts

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<v Speaker 1>for drunk back drink chess, motherfuckings, New Year's z It's

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<v Speaker 1>time for drink champs, drink up mother would it could

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<v Speaker 1>be hoping? He is what it me? This is your

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<v Speaker 1>boy in O R. What up is dj e FN?

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<v Speaker 1>And this is what the tip crazy wall yeapp y'awa

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<v Speaker 1>making y'all Come on, drink chaps, Let's come make some

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<v Speaker 1>every now and then. You know, when we do our job.

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<v Speaker 1>If and um we get blessed, this is this is

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<v Speaker 1>probably this is beyond blessed. This is an icon, a legend,

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<v Speaker 1>a tycoon. If you're born in the nineties, you're probably

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<v Speaker 1>your parents probably smashed to his music. You're probably born

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<v Speaker 1>off of his music. And in the eighties, your mom's

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<v Speaker 1>probably got smashed to his music. Let's just say all

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<v Speaker 1>the way to that. If you're a hip hop ear

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<v Speaker 1>the oldest man. When this man walks in the room,

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<v Speaker 1>he pulls a dust off his feet and brush off

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<v Speaker 1>his shoulders. Because I kid you not, from everybody from

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<v Speaker 1>ice Cube to Doctor Dre to Snoop to whoever, you

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<v Speaker 1>actually heard this man's records and thought it was their records,

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<v Speaker 1>and then when you went back and heard they said,

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<v Speaker 1>holy shit, that was the fuck. That was the That's right.

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<v Speaker 1>This man is, like I said, the icon of icons.

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<v Speaker 1>He birthed all of us, all of us at hip hop,

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<v Speaker 1>we owe him. We gotta say salute. And his catalog

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<v Speaker 1>is so crazy. Like when we put the playlist together,

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<v Speaker 1>it just kept calling and going and going, and you

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<v Speaker 1>youngest is out there thinking, y'all a one hit in

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<v Speaker 1>case y'all don't know who I'm talking about, we joke

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<v Speaker 1>out the one the only started out claim, so how

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<v Speaker 1>is everything? How's everything? Man? I like you guys, right,

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<v Speaker 1>that's right. I'm doing good. I'm glad to see we

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<v Speaker 1>had some kind of fact. No, man, I'm glad to

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<v Speaker 1>be still hanging out with you guys. Ye. Man, I'm

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<v Speaker 1>gonna be honest man to um. You know, at first,

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<v Speaker 1>when we started this show, we would just interview our friends,

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<v Speaker 1>you know, people that you know, I'm a hip hop artists,

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<v Speaker 1>just people that you know. And then we started to

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<v Speaker 1>you know, and a few people that we look up to,

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<v Speaker 1>all the people that we've never met. And when I

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<v Speaker 1>go through your disography, when I go through your your

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<v Speaker 1>life story, it's just like, wow, man, you you are

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<v Speaker 1>really really a legend, legend and you out here still smiling,

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<v Speaker 1>still touring. Man, I've been blessing this shit. I started.

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<v Speaker 1>I started back pre motown here. I started back in

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<v Speaker 1>the do wop days, when you you know, you made

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<v Speaker 1>they made records for your dance up closely grind and shit,

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<v Speaker 1>you like the fire and you like that. Ye No,

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<v Speaker 1>it was this slow basement with the links up that

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<v Speaker 1>was the fifties. So I started, you know, back then

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<v Speaker 1>at Frankie Lyman and all of that, you know, and

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<v Speaker 1>we've moved into the motown. They have temptations with my

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<v Speaker 1>Ales and Smoking Robinson, all those those my adles. By

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<v Speaker 1>the time when you had a hit record sixty seven,

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<v Speaker 1>they were peaking. Motown was peaking that Jackson that just

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<v Speaker 1>came to the label, you know what I'm saying. And

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<v Speaker 1>we figured we missed that, so we got one hit

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<v Speaker 1>record out in fifty sixty seven, and you're located wearing Jersey.

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<v Speaker 1>I was in Jersey at the time, Nework, okay, but

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<v Speaker 1>you were born in Arth Carolina, Carolina okay, and went

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<v Speaker 1>to Playing Field of Newark. I was worked in playing Field,

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<v Speaker 1>I was. I did hit. Oh yeah. So in the

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<v Speaker 1>process of the dudes, you know that was playing out.

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<v Speaker 1>Jane Brown say cut your due off. So that ship

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<v Speaker 1>was playing out. Afros was coming in. So we got

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<v Speaker 1>to hit record just in time with a record called

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<v Speaker 1>I Want to Testify. Yeah, that was and like I said,

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<v Speaker 1>we was into the motown thing, but it was peaking.

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<v Speaker 1>It was as soon as we got to hit it

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<v Speaker 1>that time. It was compared you to the Temptations. Yeah,

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<v Speaker 1>we were you know, we weren't tall enough. We were

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<v Speaker 1>so you know, we was cool, but wasn't that cool.

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<v Speaker 1>But we got that hit record, and like I said,

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<v Speaker 1>it was changing. Rolling Stone Beetles and European was coming

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<v Speaker 1>in to the country doing the same music that my

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<v Speaker 1>mother and father liked, you know, the blues, the twisting

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<v Speaker 1>shout from the Ousley Brothers music from the mid fifties

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<v Speaker 1>and stuff forties. They were doing that. So we realized

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<v Speaker 1>that we had to change. We had to change our

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<v Speaker 1>style rate. When we got a hit record and we

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<v Speaker 1>flipped it into the what Jimmy Hendrix was doing with

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<v Speaker 1>the psychedelic you know, the acid. We dropped our share

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<v Speaker 1>of ascids. We got fucked up and the next thing,

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<v Speaker 1>you know, we was in that. We had to get

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<v Speaker 1>to our player. We were just listening to a few

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<v Speaker 1>minutes ago Eddie Hazel did the record Maggot Brain. So

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<v Speaker 1>we were a psychedelic rock band black It's like an

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<v Speaker 1>underground music. We knew we wasn't trying to get forty

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<v Speaker 1>five everyday, hit record forty five every months. Dell me mushrooms.

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<v Speaker 1>I said, it was lsd yah. Mushroom was like mushrooms

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<v Speaker 1>the height of like the Vietnam War, the height of

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<v Speaker 1>the Vietnam War. That that whole movement was about stopping

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<v Speaker 1>that water, you know, the hippies and everybody that was

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<v Speaker 1>tripping and looking for you know, that far out place.

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<v Speaker 1>Well we did that. We were lame as hell, but

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<v Speaker 1>we did that and went crazy with it, you know,

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<v Speaker 1>because we thought we was cool. We did had the

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<v Speaker 1>best asset. You know, we freaked out and like I said,

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<v Speaker 1>we had best get to our player and keyboard player

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<v Speaker 1>in the world, Bernie Warrell keyboard player, classical trained Eddie

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<v Speaker 1>Hazel who was like the next Jimmy Hendricks. And then

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<v Speaker 1>we had I'll dual singing group Billy Bass was all

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<v Speaker 1>of them was under sixteen. Wow wow on the band.

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<v Speaker 1>Our band was like our little brothers. We were like

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<v Speaker 1>twenty nineteen and twenty and they were like fifteen and sixteen.

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<v Speaker 1>So we had a hell of a band that nobody

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<v Speaker 1>else could keep up with. You know, we were doing

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<v Speaker 1>psychedelic music with the black Man. We went back to

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<v Speaker 1>played Apollo Theater and you know, we had changed from

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<v Speaker 1>the suits. They knew us with suits, and we came

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<v Speaker 1>back there with dark cheeks and diapers and nothing. We

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<v Speaker 1>was wearing anything. They got anything need for the handle

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<v Speaker 1>and like I said, were tripping, so we was extra cool.

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<v Speaker 1>So did that come from tripping or was the wardrobe?

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<v Speaker 1>We probably probably would have did it anyway, but we

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<v Speaker 1>were down for whatever it took to make it. But

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<v Speaker 1>just so happened when we made it. The kids was

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<v Speaker 1>in charge, the hippies was in charge of everything. You know,

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<v Speaker 1>that was where you got your education and that and

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<v Speaker 1>we got pretty much educated on the road because we

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<v Speaker 1>played a lot of colleges and ship But let me

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<v Speaker 1>ask you something, right, hip hop started to emerge and

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<v Speaker 1>you started to see like the first people of hip

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<v Speaker 1>hop they started. It felt like they were membericking you. Well,

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<v Speaker 1>you know what you feel. We got it, African member, Yes,

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<v Speaker 1>we got If you know one of our albums called

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<v Speaker 1>Uncle James. If you look at the back of the album,

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<v Speaker 1>it's got all our fans from each city from the

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<v Speaker 1>fan club on Africa. Bimbada name is the first name

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<v Speaker 1>of album. Oh he was like fourteen and fifteen years old. Okay,

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<v Speaker 1>this was this was I mean, holy shit, I didn't

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<v Speaker 1>know Zulu Nation and all of that was like the

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<v Speaker 1>first thing that you know that we saw. You know

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<v Speaker 1>of that and we got familiar with the real early

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<v Speaker 1>in the game. Didn't know what it was gonna be.

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<v Speaker 1>We had a friend from the Bronx. They used to

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<v Speaker 1>sell T shirts for us. He was sixteen and he

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<v Speaker 1>used to be had a boombox on his back and

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<v Speaker 1>he played flashlights and he was selling the flashlights and

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<v Speaker 1>he was rapping to the music. This was doing the

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<v Speaker 1>intermission between Boots sets and outset. He would sell so

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<v Speaker 1>many flashlights from rapping like everybody lightd it and it

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<v Speaker 1>was it was already happening in the Bronx in Brooklyn,

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<v Speaker 1>and and we didn't know and they kind of hiped

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<v Speaker 1>us to it. And from then on we watch Public

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<v Speaker 1>Enemy Rock Kim was my favorite rape from Dave one. Wow,

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<v Speaker 1>I mean all the way through, you know. Um. I

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<v Speaker 1>watched him do his thing and the whole hip hop

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<v Speaker 1>thing was it was like p funk continued. We said, people,

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<v Speaker 1>p fonk was the DNA for hip hop, you know.

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<v Speaker 1>And I got a friend over that, Mark Bass. He

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<v Speaker 1>produced them and him's first seven albums. Oh Wow, I

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<v Speaker 1>produced Yo, I produced him. He produced my son right

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<v Speaker 1>back when they first started Wow, you know. So I

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<v Speaker 1>watched all of it, drede them when we came out

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<v Speaker 1>to LA. They used our name Uncle Jams Army, that

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<v Speaker 1>was the name of the club him in battle Cat

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<v Speaker 1>and all. But they was DJ. They hadn't even had

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<v Speaker 1>NWA yet. So we watched them go from there. They

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<v Speaker 1>world class, world class, Yeah yeah, yeah, watched them, the

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<v Speaker 1>whole LA dream Team and all of that. We was

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<v Speaker 1>raped in with them providing beats. I mean, I made

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<v Speaker 1>an album called Sample. Some of disc and sample some

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<v Speaker 1>of that because I saw it coming and there was

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<v Speaker 1>getting in so much trouble trying to sample and not

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<v Speaker 1>get caught up. Had it we made it available. It's

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<v Speaker 1>still did work. I mean the record companies beat us

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<v Speaker 1>book anyway, but we made it available. We knew that

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<v Speaker 1>we had to be a part of this because this

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<v Speaker 1>was the day a phone. It just changed names and

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<v Speaker 1>so we became part of that and we stayed with Again,

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<v Speaker 1>we did one of our records tweaking with us regul

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<v Speaker 1>when they first started. Now you did one of the

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<v Speaker 1>like me and Earn thought we were smart at one time,

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<v Speaker 1>and we had did we sold one show, but we

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<v Speaker 1>sold it three times right like meaning we had a

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<v Speaker 1>prescription base, we had it on YouTube and then we

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<v Speaker 1>had it on three distributions. Show. But I'm looking and

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<v Speaker 1>I'm like the Parliament and the fer it but the

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<v Speaker 1>same goddamn I was Not only that his band was

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<v Speaker 1>the same people too. The same people that played in

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<v Speaker 1>Bootsie's band was the same people that played I was

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<v Speaker 1>like yo, he sold the same band and the girl

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<v Speaker 1>roof the Bride to fucking stein Parlette was the same

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<v Speaker 1>people again. Boots he played bans on this, he played

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<v Speaker 1>a berner, he played on him. We all were the

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<v Speaker 1>It was sixty was the first sixty people. I'm like Holly,

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<v Speaker 1>sixty people we went when we went out on tour

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<v Speaker 1>with the Mother, just sixty people in the same sixty

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<v Speaker 1>played on everybody else's record. You just be the lead

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<v Speaker 1>this time when we back you up, you be the

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<v Speaker 1>league next time we back you up. Let me let

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<v Speaker 1>me look at the people right now. Ain't nothing new

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<v Speaker 1>under the sun? I mean we do. We We really

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<v Speaker 1>like foot Tank because they got the content they got.

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<v Speaker 1>When when I when actually, that's exactly what I thought

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<v Speaker 1>of the first thing I thought of when I when

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<v Speaker 1>I when I said that, I said, damn got that

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<v Speaker 1>got everybody everybody with each other, because that was my

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<v Speaker 1>next question. When you what the bands wasn't on the

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<v Speaker 1>same record label? No, no, no, we was on all

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<v Speaker 1>the labels. Matter is genius a matter of fact. That's

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<v Speaker 1>what got us in trouble because they looked around and

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<v Speaker 1>we had somebody on every label, and they thought we

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<v Speaker 1>would eventually start our own label and call everybody back

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<v Speaker 1>to the label and you be the motown. We didn't

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<v Speaker 1>want to do that. Everybody was doing all right, where

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<v Speaker 1>you were. We had a bunch of young kids behind us,

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<v Speaker 1>my son and all the other bands that was ready

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<v Speaker 1>to be on our Roger Troutman. A lot of people

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<v Speaker 1>don't know we did more Bounced to the House. Wow,

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<v Speaker 1>that's a that's a p funk record. At the same time,

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<v Speaker 1>Knee Deep one Nation on them. We did Roger. He

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<v Speaker 1>was rogering the human body, you know. And when he

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<v Speaker 1>came up with Roger album, that was the beginning of

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<v Speaker 1>separating the record companies were so scared we was gonna

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<v Speaker 1>become Motown again because you know, Motown took over the

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<v Speaker 1>dance floor. They owned ship right, and that was the

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<v Speaker 1>first black ownership. Yeah, and they did it so seriously

0:13:37.880 --> 0:13:41.160
<v Speaker 1>in the industry. Was never trying to let that happen again. Damn,

0:13:41.240 --> 0:13:44.720
<v Speaker 1>this is so much history. You know, I ain't gonna lie.

0:13:44.760 --> 0:13:46.880
<v Speaker 1>They started drinking. I was. They started trying to split

0:13:47.000 --> 0:13:50.720
<v Speaker 1>us up Club Solder and with a lemon Yeah, all

0:13:50.720 --> 0:13:52.599
<v Speaker 1>the ship. So how do they go about splitting you

0:13:52.600 --> 0:13:55.520
<v Speaker 1>guys up? Like what were they getting? Everybody's here, they

0:13:55.559 --> 0:13:58.000
<v Speaker 1>get they come between you and your friends, right, that's

0:13:58.000 --> 0:14:00.400
<v Speaker 1>how did they separate you? If they Then he said

0:14:00.440 --> 0:14:02.120
<v Speaker 1>he ain't getting paid, you ain't getting paid, you ain't

0:14:02.120 --> 0:14:04.720
<v Speaker 1>getting paid faster, and they'd be in control of the payment,

0:14:05.240 --> 0:14:08.000
<v Speaker 1>right So it ended up if they work getting in

0:14:08.040 --> 0:14:11.960
<v Speaker 1>between you, you end up having a problem getting your

0:14:12.040 --> 0:14:15.160
<v Speaker 1>people together. Right now, we're going through that trying to

0:14:15.240 --> 0:14:18.680
<v Speaker 1>make reacquaint ourself with all our friends to make sure

0:14:18.800 --> 0:14:21.440
<v Speaker 1>they get paid. I'm working with Ben Trump right now,

0:14:21.840 --> 0:14:24.200
<v Speaker 1>you know, trying to get the whole industry thing for

0:14:24.960 --> 0:14:28.520
<v Speaker 1>you know, black musicians and all musicians. Really, I don't

0:14:28.560 --> 0:14:30.600
<v Speaker 1>know if you've seen it, but Chuck d had filed

0:14:30.600 --> 0:14:34.240
<v Speaker 1>the lawsuit against Universal and he actually won its whole

0:14:35.040 --> 0:14:38.040
<v Speaker 1>like actually like because these contracts that were they were

0:14:38.040 --> 0:14:40.720
<v Speaker 1>saying that was being signed back then wasn't legal. They're

0:14:40.800 --> 0:14:43.280
<v Speaker 1>not they you know, they they trying to say that

0:14:43.360 --> 0:14:48.120
<v Speaker 1>they you signed for life, perfect to it throughout the universe,

0:14:48.480 --> 0:14:51.080
<v Speaker 1>thene of that stuff thought. But you have to be

0:14:51.120 --> 0:14:53.560
<v Speaker 1>able to do it from a civil rights standpoint, the

0:14:53.640 --> 0:14:56.600
<v Speaker 1>law standpoint. If you didn't do it in time, you

0:14:56.760 --> 0:14:59.240
<v Speaker 1>got you know, grown out of time. They got all

0:14:59.280 --> 0:15:03.080
<v Speaker 1>those legal things they can we go with your lawyers,

0:15:03.240 --> 0:15:05.240
<v Speaker 1>right so, and you have to worry about your lawder

0:15:05.480 --> 0:15:08.440
<v Speaker 1>getting paid off on under the table and all that.

0:15:08.840 --> 0:15:10.800
<v Speaker 1>So we've been doing this, fighting this for like thirty

0:15:10.840 --> 0:15:14.560
<v Speaker 1>five forty years. Now we got it pretty much under control.

0:15:14.560 --> 0:15:17.680
<v Speaker 1>We're getting our copyrights back because say Ben Trumpet is

0:15:17.720 --> 0:15:22.720
<v Speaker 1>our lawyer, along with some expert music lawyers, and we're

0:15:22.720 --> 0:15:25.600
<v Speaker 1>getting ready to get the news gonna break in a minute.

0:15:25.680 --> 0:15:28.920
<v Speaker 1>You ain't gonna believe the stuff that you hear. You know,

0:15:29.040 --> 0:15:33.640
<v Speaker 1>songs like Humpty Dance, the Humpty Dance and all that

0:15:33.880 --> 0:15:36.400
<v Speaker 1>was out when they were a singing group, before they

0:15:36.440 --> 0:15:40.280
<v Speaker 1>ever rapped, when Tupac was dancing, they were you know,

0:15:40.360 --> 0:15:43.480
<v Speaker 1>we were playing with them. And the song they did

0:15:43.560 --> 0:15:48.320
<v Speaker 1>Humpty Dances, um Let's play House on a Parliament record

0:15:48.840 --> 0:15:52.560
<v Speaker 1>and yeah, Let's play House and it has been sampled

0:15:52.880 --> 0:15:57.040
<v Speaker 1>so many times. And one of the things that happened,

0:15:58.880 --> 0:16:01.680
<v Speaker 1>my son, you know, came up with some of the lyrics,

0:16:01.680 --> 0:16:03.680
<v Speaker 1>so he was one of the writers along with Bootsy

0:16:04.240 --> 0:16:08.600
<v Speaker 1>and Juny. They somebody in the record. Come no, I

0:16:08.640 --> 0:16:10.120
<v Speaker 1>don't even want to call the names now, but you

0:16:10.120 --> 0:16:11.840
<v Speaker 1>will know you can tell them to me. You're here

0:16:11.880 --> 0:16:14.400
<v Speaker 1>it in a minute. You're here in a minute. Change

0:16:14.640 --> 0:16:17.920
<v Speaker 1>from my son's name to my name, because there was

0:16:17.960 --> 0:16:21.200
<v Speaker 1>already stealing my stuff from a forward signature that they

0:16:21.240 --> 0:16:24.520
<v Speaker 1>said that outside that he because if it's under your

0:16:24.600 --> 0:16:27.440
<v Speaker 1>name and they could they could play already did that.

0:16:27.640 --> 0:16:31.000
<v Speaker 1>So they changed it from his name to my name

0:16:31.160 --> 0:16:34.960
<v Speaker 1>and then took it. And this has been thirty five

0:16:35.080 --> 0:16:39.200
<v Speaker 1>forty years as so many samples of that song that

0:16:39.720 --> 0:16:41.520
<v Speaker 1>right now is getting meant to be one of the

0:16:41.520 --> 0:16:46.400
<v Speaker 1>biggest cases in the world. Like I said, Ben Crump,

0:16:46.520 --> 0:16:49.440
<v Speaker 1>and it's gonna be a civil rights thing because it's,

0:16:49.520 --> 0:16:52.280
<v Speaker 1>um you talk about truly come about to a history,

0:16:52.560 --> 0:16:54.240
<v Speaker 1>something you're supposed to be able to pass down to

0:16:54.320 --> 0:16:59.080
<v Speaker 1>your generations generation, generational, generational, and it's planned like that.

0:16:59.320 --> 0:17:02.040
<v Speaker 1>Everybody had to agree to do it, you know. You

0:17:02.080 --> 0:17:05.200
<v Speaker 1>know what I'm saying. All the the record companies had

0:17:05.200 --> 0:17:08.399
<v Speaker 1>to agree. Oh yeah, you sample mind, I won't charge you.

0:17:08.840 --> 0:17:13.199
<v Speaker 1>I stamp for yours, you don't. And the artists get charged, now,

0:17:13.520 --> 0:17:15.680
<v Speaker 1>don't you say an artists And they took money from

0:17:15.680 --> 0:17:18.960
<v Speaker 1>the artists. I mean, I tried to get snooped. We

0:17:19.080 --> 0:17:22.200
<v Speaker 1>was gonna have a um what's it called. We had

0:17:22.320 --> 0:17:25.639
<v Speaker 1>a royalthy statement party. You come to the party and

0:17:25.680 --> 0:17:28.520
<v Speaker 1>bring your royalty statement. Go to this party, bring your

0:17:28.560 --> 0:17:34.800
<v Speaker 1>roalthy statement and we compare royalty statement ship. I was

0:17:34.920 --> 0:17:37.200
<v Speaker 1>you know, I talked too much, you know, so I

0:17:37.320 --> 0:17:40.399
<v Speaker 1>said it out loud before, you know, before we did it.

0:17:40.880 --> 0:17:44.359
<v Speaker 1>And of course they started locking their the hip hoppers,

0:17:44.440 --> 0:17:47.280
<v Speaker 1>they got them locked them, you know in the beginning,

0:17:47.320 --> 0:17:50.000
<v Speaker 1>started making them sign contracts where they couldn't do nothing

0:17:50.000 --> 0:17:52.200
<v Speaker 1>about it. But that's the way we was planning and

0:17:52.280 --> 0:17:54.520
<v Speaker 1>still gonna do it. I was gonna be part of

0:17:54.520 --> 0:17:56.960
<v Speaker 1>the movie and everything else. Got to go to the

0:17:57.040 --> 0:18:00.240
<v Speaker 1>royalty statement party. Bring your roalty statement. We come here

0:18:00.480 --> 0:18:03.119
<v Speaker 1>what you got, paid what you got, and it don't jail.

0:18:04.040 --> 0:18:05.840
<v Speaker 1>I don't think get like three words. He's of my life,

0:18:05.840 --> 0:18:07.479
<v Speaker 1>so I think I'm gonna be I don't think they

0:18:07.640 --> 0:18:11.240
<v Speaker 1>let me in the worried the statement party. But that's crazy. Yeah,

0:18:11.240 --> 0:18:13.439
<v Speaker 1>but that was some of the things you had to

0:18:13.480 --> 0:18:16.719
<v Speaker 1>do to try to make sure you stay tight with

0:18:16.800 --> 0:18:20.200
<v Speaker 1>all the other musicians, because whatever happened where they looked

0:18:20.200 --> 0:18:22.680
<v Speaker 1>like they did it or not, it most like they

0:18:22.720 --> 0:18:24.560
<v Speaker 1>didn't do it, or if they did it, they did

0:18:24.560 --> 0:18:26.840
<v Speaker 1>it out on you know, and they were in trouble,

0:18:27.200 --> 0:18:28.919
<v Speaker 1>you know, like me and him. He had this argument

0:18:28.960 --> 0:18:31.280
<v Speaker 1>on the show where he always always compared what do

0:18:31.359 --> 0:18:34.320
<v Speaker 1>we like more major record label or being independent. He

0:18:34.359 --> 0:18:37.199
<v Speaker 1>always picks independent. I always picked major. But when I

0:18:37.240 --> 0:18:39.440
<v Speaker 1>hear stories like that, it always make me safe. That

0:18:39.480 --> 0:18:43.920
<v Speaker 1>mean it's got to be independent now days because the Internet. Yeah,

0:18:43.960 --> 0:18:46.280
<v Speaker 1>you know, you don't even need them for nothing but

0:18:46.400 --> 0:18:49.440
<v Speaker 1>to promote you or something. And the way they get

0:18:49.480 --> 0:18:51.639
<v Speaker 1>these followers and things on the Internet, you don't need

0:18:51.680 --> 0:18:54.119
<v Speaker 1>them for that. Some of the biggest artists they got

0:18:54.160 --> 0:18:56.439
<v Speaker 1>out there now is from the one that's got millions

0:18:56.440 --> 0:18:58.760
<v Speaker 1>of followers on the internet. They make their record on

0:18:58.800 --> 0:19:03.760
<v Speaker 1>their laptop. No, I mean the labels really didn't played themselves,

0:19:03.920 --> 0:19:06.400
<v Speaker 1>except for the one that's got old catalogs and people

0:19:06.440 --> 0:19:08.880
<v Speaker 1>don't know how to get them back. You can get

0:19:08.920 --> 0:19:13.440
<v Speaker 1>them back. They have copyright recaptures after five years, get

0:19:13.480 --> 0:19:17.000
<v Speaker 1>them back. But we're so such a threat to that,

0:19:17.480 --> 0:19:19.080
<v Speaker 1>right because you get it back. That's that's like a

0:19:19.040 --> 0:19:22.679
<v Speaker 1>one hundred million dollars maybe more. It's like two billion dollars.

0:19:23.560 --> 0:19:27.400
<v Speaker 1>Talking about all of the all of the hip hop,

0:19:27.600 --> 0:19:30.119
<v Speaker 1>you know, say Dre's whole catalogs, Yes, I mean the

0:19:30.200 --> 0:19:33.600
<v Speaker 1>Chronic Yeah, that was almost like the mothership just wrapped

0:19:33.600 --> 0:19:37.760
<v Speaker 1>over every record stoops first, Yeah, that's what I mean,

0:19:38.480 --> 0:19:42.119
<v Speaker 1>Like I said, Um, I did Tupac stuff live. I

0:19:42.119 --> 0:19:45.040
<v Speaker 1>seld we was we was, we was working out, you know,

0:19:45.119 --> 0:19:47.480
<v Speaker 1>to listener to the music, I was like, how much

0:19:47.600 --> 0:19:50.639
<v Speaker 1>money does doctor Dre all them? Like? That's why I was,

0:19:51.680 --> 0:19:56.520
<v Speaker 1>wouldn't you know labels like he's just one of them? Yes,

0:19:56.840 --> 0:20:00.040
<v Speaker 1>you know, but the same with the East Coast. I

0:20:00.160 --> 0:20:06.120
<v Speaker 1>love to say, public enemy rock him, Eric boy, I mean,

0:20:06.680 --> 0:20:08.600
<v Speaker 1>all you know what's crazy about that? Let me let

0:20:08.600 --> 0:20:10.800
<v Speaker 1>me vouch for them and saying I'm pretty sure that

0:20:10.840 --> 0:20:13.520
<v Speaker 1>they said make sure college, make sure he makes sure

0:20:14.280 --> 0:20:16.679
<v Speaker 1>he gets paid. I'm pretty sure they're saying Stop and

0:20:16.720 --> 0:20:19.600
<v Speaker 1>Dre both said that. I went on the Grammys with them,

0:20:19.760 --> 0:20:22.679
<v Speaker 1>you know one time, and I say that right on

0:20:22.720 --> 0:20:25.320
<v Speaker 1>the stage, make sure that you know these writers get paid.

0:20:25.680 --> 0:20:28.040
<v Speaker 1>But it's out of the and you know, you scared

0:20:28.080 --> 0:20:31.600
<v Speaker 1>this hell. They're gonna ground you once you start speaking

0:20:31.640 --> 0:20:33.919
<v Speaker 1>up for some of your lawyer, your manager gonna tell

0:20:33.960 --> 0:20:43.439
<v Speaker 1>you stay out of that. Now. That's overhead now, but

0:20:43.640 --> 0:20:47.320
<v Speaker 1>eventually eventually it's gonna come out. Mean doing that time,

0:20:47.359 --> 0:20:49.800
<v Speaker 1>I was a crackhead, so I wouldn't no attention, right,

0:20:50.000 --> 0:20:52.080
<v Speaker 1>you know, I was doing what we all did you

0:20:52.119 --> 0:20:56.399
<v Speaker 1>know forever treating chemical stuff that was going on. Most

0:20:56.760 --> 0:20:59.879
<v Speaker 1>when you get in this business, you go through that

0:21:00.440 --> 0:21:01.960
<v Speaker 1>and it takes you minute to get out of it.

0:21:02.000 --> 0:21:05.080
<v Speaker 1>I ain't sorry, but ship, you know, I just maintained

0:21:05.119 --> 0:21:09.040
<v Speaker 1>my myself and when I did get a chance to

0:21:09.080 --> 0:21:13.800
<v Speaker 1>get out, got out, started getting the copyrights back. But

0:21:13.960 --> 0:21:16.119
<v Speaker 1>I had several all. I mean, I made sure that

0:21:16.119 --> 0:21:19.439
<v Speaker 1>I kept all the relationships with everybody that I worked with,

0:21:20.000 --> 0:21:23.280
<v Speaker 1>pretty cool with almost everybody, because I knew the ship

0:21:23.400 --> 0:21:26.359
<v Speaker 1>that it was doing wasn't them. You know, It's true,

0:21:26.480 --> 0:21:29.160
<v Speaker 1>you know what I'm saying. And eventually the record companies.

0:21:29.480 --> 0:21:31.280
<v Speaker 1>It's not even the people that work at the record

0:21:31.320 --> 0:21:33.600
<v Speaker 1>companies now because they weren't even all they were based,

0:21:34.080 --> 0:21:37.760
<v Speaker 1>you know, but the company have that money, you know what,

0:21:37.800 --> 0:21:40.920
<v Speaker 1>Like I'm saying, and I was necessary. It's in the billions.

0:21:41.080 --> 0:21:45.160
<v Speaker 1>Because almost every major hip hop artists, you know, along

0:21:45.200 --> 0:21:48.120
<v Speaker 1>with the artists that I produced, like the Red Chili Peppers,

0:21:48.760 --> 0:21:51.879
<v Speaker 1>you know, all that we never got paid for any

0:21:52.119 --> 0:21:56.080
<v Speaker 1>of that on that big side of that. I mean,

0:21:56.720 --> 0:22:00.000
<v Speaker 1>like I said, well, I got something to look forward

0:22:00.040 --> 0:22:02.360
<v Speaker 1>to rate now because I'm having fun. I still do

0:22:02.400 --> 0:22:04.040
<v Speaker 1>it right, We're still in the run. I got my

0:22:04.080 --> 0:22:07.280
<v Speaker 1>grandkids on the road in the band. Band members got

0:22:07.280 --> 0:22:09.240
<v Speaker 1>their kids in there on the road with us. So

0:22:09.280 --> 0:22:10.919
<v Speaker 1>we're still doing it. And I can sit up and

0:22:10.960 --> 0:22:14.640
<v Speaker 1>talk shit because you know, I get money now, and

0:22:14.920 --> 0:22:16.560
<v Speaker 1>if I get the money now, I know what to

0:22:16.600 --> 0:22:18.719
<v Speaker 1>do it. If I got it back then, I might

0:22:18.760 --> 0:22:24.280
<v Speaker 1>not have been it fun, been too much fun, you know.

0:22:24.640 --> 0:22:27.199
<v Speaker 1>But so I can always always look at it, like

0:22:27.200 --> 0:22:29.359
<v Speaker 1>I say, on the bright side of the thing, I

0:22:29.440 --> 0:22:33.119
<v Speaker 1>try to always do that. Fault is the easiest thing

0:22:33.119 --> 0:22:36.879
<v Speaker 1>in the world to find, you know, that's easy, you know,

0:22:37.240 --> 0:22:39.199
<v Speaker 1>And so that's why it's so easy to make. You know,

0:22:39.320 --> 0:22:43.119
<v Speaker 1>hip hop music. You did somebody, he beat up on somebody,

0:22:43.280 --> 0:22:47.040
<v Speaker 1>Find somebody that can talk positive about somebody good and

0:22:47.359 --> 0:22:50.320
<v Speaker 1>get that same vibe. It's too I mean, rock Him

0:22:50.400 --> 0:22:52.120
<v Speaker 1>is one of the ones that I know you can

0:22:52.119 --> 0:22:55.480
<v Speaker 1>didn't member the record he did Friends with Jody Walley.

0:22:55.760 --> 0:22:59.320
<v Speaker 1>He could compliment you asked to death. It's so serious.

0:22:59.359 --> 0:23:02.720
<v Speaker 1>That's hard to That's all because you know, the hip

0:23:02.760 --> 0:23:06.520
<v Speaker 1>hop is based on beating the beating MC chuck MC.

0:23:08.359 --> 0:23:11.439
<v Speaker 1>That's the concept. You know. You learn to do that

0:23:11.480 --> 0:23:14.199
<v Speaker 1>with a battle. I mean, we call it playing a dozens,

0:23:14.200 --> 0:23:16.520
<v Speaker 1>And I was in school. That was if somebody dropped

0:23:16.520 --> 0:23:18.840
<v Speaker 1>the glass of your mama, you know what I mean.

0:23:18.960 --> 0:23:21.760
<v Speaker 1>You got expert at that, you know, and so but

0:23:22.119 --> 0:23:24.880
<v Speaker 1>to be able to do that same vibe on the

0:23:24.920 --> 0:23:29.080
<v Speaker 1>positive side, but you got to have some dialogue in

0:23:29.119 --> 0:23:32.120
<v Speaker 1>your ass. And like I say, rock him. He could

0:23:32.119 --> 0:23:35.160
<v Speaker 1>do that and the akill your ass on this side

0:23:35.160 --> 0:23:37.719
<v Speaker 1>at all. Yeah, nobody wanted with him. No, But let

0:23:37.760 --> 0:23:39.840
<v Speaker 1>me ask you. So one time I had the pleasure

0:23:39.880 --> 0:23:41.960
<v Speaker 1>of me and James Brown, right we were walking on

0:23:41.960 --> 0:23:45.000
<v Speaker 1>the Red cost incredible. He was this is this is

0:23:45.359 --> 0:23:48.560
<v Speaker 1>parrales um. He got his BMI a water or something,

0:23:48.600 --> 0:23:51.399
<v Speaker 1>so he had two speakers and it was me and

0:23:51.440 --> 0:23:53.480
<v Speaker 1>justin timber Lake. How they put us together. I did

0:23:53.560 --> 0:23:56.520
<v Speaker 1>not think that went together at all. Right, but I'm

0:23:56.560 --> 0:23:58.600
<v Speaker 1>walking and I can see James Brown had his like

0:23:58.680 --> 0:24:00.960
<v Speaker 1>nephew with him or something. So I was like, oh shit,

0:24:01.080 --> 0:24:03.320
<v Speaker 1>James Brown and his nephew wants to lean over and

0:24:03.359 --> 0:24:05.320
<v Speaker 1>said to him, you know that's snry, that's a rapper.

0:24:06.080 --> 0:24:07.920
<v Speaker 1>And James Brown turned and looked at me and said,

0:24:08.160 --> 0:24:18.880
<v Speaker 1>keep sampling my ship. Yeah. We were too like kind

0:24:18.880 --> 0:24:21.240
<v Speaker 1>of like far away to like smack five like we're

0:24:21.280 --> 0:24:25.239
<v Speaker 1>on the So I did nothing, but he was right there.

0:24:25.280 --> 0:24:27.560
<v Speaker 1>I was right David's walking. Yeah. I could tell. His

0:24:27.600 --> 0:24:29.440
<v Speaker 1>nephew was like God, said James Brown. You know I

0:24:29.680 --> 0:24:31.600
<v Speaker 1>hype is a motherfucker. I'm like James Brown. And then

0:24:31.640 --> 0:24:33.920
<v Speaker 1>his nephew over way, he just turned it. He said, hey,

0:24:34.240 --> 0:24:39.119
<v Speaker 1>keep sampling my ship down. Do you gotta feel like that? Always?

0:24:39.200 --> 0:24:44.240
<v Speaker 1>Like I said, we turn yall? Yeah? Really was I Actually,

0:24:44.400 --> 0:24:46.359
<v Speaker 1>like I said, I didn't wait for him. I made

0:24:46.400 --> 0:24:48.760
<v Speaker 1>a record called sample some of the disc and some

0:24:48.880 --> 0:24:51.680
<v Speaker 1>of that Wow. So you know, early on I made

0:24:51.680 --> 0:24:54.560
<v Speaker 1>sure that you couldn't. I moved the drums out the way.

0:24:54.760 --> 0:24:58.240
<v Speaker 1>I moved the worms out the way. I isolated different things,

0:24:58.359 --> 0:25:03.479
<v Speaker 1>different variations, and we five versions of that. Eric Herman

0:25:03.600 --> 0:25:08.200
<v Speaker 1>lived by that nausea too. I mean, we made sure

0:25:08.280 --> 0:25:11.400
<v Speaker 1>we was connected to it. That's the thing with me.

0:25:11.680 --> 0:25:14.200
<v Speaker 1>I'm down with the next new generation. You want to

0:25:14.240 --> 0:25:16.399
<v Speaker 1>get on your nerve, the new music that get on

0:25:16.400 --> 0:25:18.880
<v Speaker 1>your nerve when you think it ain't music, I'm down

0:25:18.960 --> 0:25:21.120
<v Speaker 1>with them. Soon as I hear somebody to get that vibe,

0:25:21.600 --> 0:25:25.600
<v Speaker 1>everybody's agreeing that they ain't shit. I want to know

0:25:25.640 --> 0:25:28.520
<v Speaker 1>what they're doing because that's the next music. You don't

0:25:28.520 --> 0:25:31.080
<v Speaker 1>get that vibe and that you got. They don't pay

0:25:31.080 --> 0:25:33.520
<v Speaker 1>you no attention at all when you had ship. But

0:25:33.640 --> 0:25:37.359
<v Speaker 1>when you get somebody down, everybody agree that you ain't

0:25:37.600 --> 0:25:40.679
<v Speaker 1>was supposed to be happening. I'm like I said what

0:25:40.720 --> 0:25:43.520
<v Speaker 1>they say on your When Cardi B came out, my

0:25:43.560 --> 0:25:46.920
<v Speaker 1>family can tell you I was on not for what

0:25:46.960 --> 0:25:49.240
<v Speaker 1>she was saying. I just know that vibe it was.

0:25:49.440 --> 0:25:52.119
<v Speaker 1>I can tell everybody was doing she ain't. Who has

0:25:52.200 --> 0:25:55.000
<v Speaker 1>he done? Who is? I want to who is she?

0:25:55.920 --> 0:25:58.280
<v Speaker 1>Because you can tell you don't get that series of

0:25:58.720 --> 0:26:02.240
<v Speaker 1>agreement you shouldn't do this or this ain't because it

0:26:02.280 --> 0:26:04.280
<v Speaker 1>ain't that important to most people if you ain't that,

0:26:05.040 --> 0:26:07.240
<v Speaker 1>but they're gonna be the next one. And that's who

0:26:07.280 --> 0:26:10.639
<v Speaker 1>I always picked the right ones that I always I

0:26:10.680 --> 0:26:12.480
<v Speaker 1>got a good record on. Knocked up myself on the

0:26:12.520 --> 0:26:16.720
<v Speaker 1>shoulder for picking who's next. I mean on their first

0:26:16.760 --> 0:26:21.679
<v Speaker 1>Tool three records, I was what's what's the name of Rihanna?

0:26:22.320 --> 0:26:26.639
<v Speaker 1>She did sos? I was all over that record, and

0:26:26.720 --> 0:26:29.240
<v Speaker 1>my grandkids tell me, man, there that record has been

0:26:29.280 --> 0:26:32.160
<v Speaker 1>out just the second time around, But the second time

0:26:32.200 --> 0:26:35.600
<v Speaker 1>around they blew up and she didn't stop. I mean

0:26:35.680 --> 0:26:41.879
<v Speaker 1>those umbrellas, but I knew because her vibe on that

0:26:42.000 --> 0:26:46.080
<v Speaker 1>first record, it had that Moretown theory on it. And

0:26:46.160 --> 0:26:48.520
<v Speaker 1>but it tells me more than it's the person that

0:26:48.840 --> 0:26:52.280
<v Speaker 1>anybody that picked certain things, you can tell them they're

0:26:52.320 --> 0:26:54.639
<v Speaker 1>not just picking this because they they had some thought

0:26:54.680 --> 0:26:57.800
<v Speaker 1>behind it. Now they had some work behind it. The

0:26:57.800 --> 0:27:01.440
<v Speaker 1>ones that worked, like with friends, he worked all day

0:27:01.560 --> 0:27:04.600
<v Speaker 1>every day. You're giving us a French story right now,

0:27:05.359 --> 0:27:08.320
<v Speaker 1>I can. Yeah, let's go, let's go. I mean the

0:27:08.400 --> 0:27:11.120
<v Speaker 1>Prince have you up seven in the morning, just seven

0:27:11.200 --> 0:27:14.000
<v Speaker 1>at night when you're on this tour. He pay you worth,

0:27:14.160 --> 0:27:16.199
<v Speaker 1>He pay you for everybody in Bean and tell you

0:27:16.359 --> 0:27:19.320
<v Speaker 1>he pay you good. But your head's gonna work. You

0:27:19.400 --> 0:27:23.520
<v Speaker 1>on call, you on call when the show is over.

0:27:23.640 --> 0:27:26.240
<v Speaker 1>If you want to go to a party, you're gonna

0:27:26.320 --> 0:27:29.320
<v Speaker 1>because he owned that whole day twenty four hours. Say

0:27:29.359 --> 0:27:31.720
<v Speaker 1>you say that Prince was like they comparing him to

0:27:31.760 --> 0:27:34.440
<v Speaker 1>like Tom Brady, Like even after the show is over,

0:27:34.480 --> 0:27:37.480
<v Speaker 1>Prince still want to Praca, you're gonna do a party

0:27:37.520 --> 0:27:39.840
<v Speaker 1>on practice or something. He called me up to this.

0:27:40.440 --> 0:27:43.359
<v Speaker 1>Everybody got a call that he called you to this

0:27:43.440 --> 0:27:45.640
<v Speaker 1>house and want to talk. He used to call me

0:27:45.960 --> 0:27:48.359
<v Speaker 1>to his house. You know, he wants to talk, he

0:27:48.400 --> 0:27:50.760
<v Speaker 1>wants to pick my brain. But the old house a

0:27:50.800 --> 0:27:54.080
<v Speaker 1>mini in Minnapolis, Minniapolis. We was on Paistey Park, Okay,

0:27:54.160 --> 0:27:56.840
<v Speaker 1>I was on Paistey Park. So he want to talk,

0:27:57.760 --> 0:27:59.800
<v Speaker 1>all right, I mean, I mean, you know, you know

0:27:59.840 --> 0:28:02.679
<v Speaker 1>he and doctor ducted us into the Rock and Roll

0:28:02.680 --> 0:28:05.119
<v Speaker 1>Hall of Fame. Wow, Prince did. But he was he

0:28:05.200 --> 0:28:08.159
<v Speaker 1>used to, like I said, get his money worth. He

0:28:08.200 --> 0:28:10.600
<v Speaker 1>had me up to this house and bend in my

0:28:10.720 --> 0:28:15.200
<v Speaker 1>ear about why it was. And so I was telling

0:28:15.280 --> 0:28:18.880
<v Speaker 1>him everything, and then I realized he was getting too mad.

0:28:18.960 --> 0:28:21.800
<v Speaker 1>He was getting slave on his face and read the

0:28:21.880 --> 0:28:26.640
<v Speaker 1>protested women that you might get away with that ship.

0:28:26.920 --> 0:28:29.360
<v Speaker 1>I ain't gonna be able to get away that I'm

0:28:29.359 --> 0:28:33.000
<v Speaker 1>too old. They know I know better than that, you know.

0:28:33.080 --> 0:28:34.520
<v Speaker 1>And he'd be wanting me to go with him to

0:28:34.560 --> 0:28:37.720
<v Speaker 1>the radio station and curse amount to him. I'm not

0:28:37.840 --> 0:28:41.920
<v Speaker 1>going with you, you know, you know, telling things and

0:28:41.920 --> 0:28:43.800
<v Speaker 1>then I see him doing it. But I've always had

0:28:43.840 --> 0:28:47.480
<v Speaker 1>his back. He always had mine, you know. But he

0:28:47.680 --> 0:28:50.200
<v Speaker 1>was one of those workaholics, just like I said. Again

0:28:50.400 --> 0:28:53.560
<v Speaker 1>and tall Beyonce them when they was Destiny child. They

0:28:53.760 --> 0:28:57.400
<v Speaker 1>worked all day long, every day and anybody that put

0:28:57.400 --> 0:29:01.040
<v Speaker 1>that kind of work in Michael results. Do you want

0:29:01.040 --> 0:29:04.000
<v Speaker 1>to see results when you can do that? You met

0:29:04.040 --> 0:29:08.160
<v Speaker 1>Michael as well, Michael Michael. Them they came to Motown

0:29:08.280 --> 0:29:11.960
<v Speaker 1>doing I want to test about that was Jackson Fire. Yeah, yo, ship.

0:29:12.160 --> 0:29:15.040
<v Speaker 1>We were probably the reason they was win what they

0:29:15.120 --> 0:29:18.360
<v Speaker 1>was winning those that because we were the first black

0:29:18.520 --> 0:29:21.600
<v Speaker 1>group that was looking like that. Besides sliding them came

0:29:21.600 --> 0:29:25.800
<v Speaker 1>out right behind my song slicing them, which is my

0:29:25.800 --> 0:29:29.040
<v Speaker 1>my boy. You know what I'm saying. They came to

0:29:29.440 --> 0:29:32.320
<v Speaker 1>Jackson when they first came to Detroit, they were straight

0:29:32.520 --> 0:29:35.280
<v Speaker 1>Parliament fu del you know. Matter of fact, it did

0:29:35.440 --> 0:29:38.440
<v Speaker 1>one of my songs called I bet you you know

0:29:38.560 --> 0:29:43.760
<v Speaker 1>Wow now we we I made sure whoever the new

0:29:43.840 --> 0:29:47.920
<v Speaker 1>thing is, you know, I'm down with him. I wanted

0:29:48.000 --> 0:29:53.160
<v Speaker 1>the outcast, Dungeon family, goodym mob, organized nors, whatever you

0:29:53.160 --> 0:29:55.800
<v Speaker 1>want to call them. I was there when they always won,

0:29:55.880 --> 0:29:58.760
<v Speaker 1>like Parliament funka Deli. I was working with Dallas, Austin

0:29:58.840 --> 0:30:03.680
<v Speaker 1>and Dark. You know, everybody that becomes along that's doing

0:30:03.760 --> 0:30:06.600
<v Speaker 1>something I try to be a part of or whatever

0:30:06.600 --> 0:30:08.680
<v Speaker 1>it is they're doing. Because it's it's gonna be the

0:30:08.760 --> 0:30:11.160
<v Speaker 1>new ship, you know, and then they get on your nerves.

0:30:11.160 --> 0:30:13.000
<v Speaker 1>You can tell the ones they get on your nerves,

0:30:13.200 --> 0:30:17.240
<v Speaker 1>you'd be like, you'd be like, damn that. But then

0:30:17.920 --> 0:30:19.920
<v Speaker 1>the ship is work. It's the new kids. That's the

0:30:20.160 --> 0:30:22.320
<v Speaker 1>version of it. You just have to be able to

0:30:22.320 --> 0:30:25.000
<v Speaker 1>move yourself out of the way. Okay, that's what And

0:30:25.040 --> 0:30:28.200
<v Speaker 1>then it becomes damn, it's pretty good, and what are

0:30:28.240 --> 0:30:30.160
<v Speaker 1>you getting out of it? Does it reinspire you to

0:30:30.960 --> 0:30:33.880
<v Speaker 1>reinspire you and put you up on what's going on? Joe?

0:30:34.000 --> 0:30:36.200
<v Speaker 1>Joe ass gonna be old and out of it, because

0:30:36.200 --> 0:30:40.000
<v Speaker 1>that's real. That's what you're supposed to be. You're supposed

0:30:40.000 --> 0:30:42.320
<v Speaker 1>to be old. Let the next one take over. But

0:30:42.440 --> 0:30:44.960
<v Speaker 1>some of us don't want to leave, you know. But

0:30:45.040 --> 0:30:46.800
<v Speaker 1>if you don't want to leave, to stay out of

0:30:46.800 --> 0:30:50.400
<v Speaker 1>the way, you know, get down with whatever they're doing.

0:30:50.800 --> 0:30:55.480
<v Speaker 1>I mean, you're a good example, Eminem, he merged no

0:30:55.520 --> 0:30:59.200
<v Speaker 1>matter what rap style comes in, he's still all up

0:30:59.200 --> 0:31:01.760
<v Speaker 1>in their face and you can't get room. And he's

0:31:01.800 --> 0:31:04.680
<v Speaker 1>gonna be like that because he's enthused about hip hop.

0:31:05.440 --> 0:31:09.600
<v Speaker 1>He means that shit right. And so when you like that,

0:31:10.200 --> 0:31:12.840
<v Speaker 1>you can say oh you old school, old school, my ass.

0:31:13.120 --> 0:31:16.760
<v Speaker 1>He'll take your cadence and whoop your hands, you know whatever.

0:31:17.000 --> 0:31:19.680
<v Speaker 1>Could You're gonna have a different cadences, a new generation.

0:31:20.440 --> 0:31:22.760
<v Speaker 1>But and you figure out what what's the theme? What

0:31:22.920 --> 0:31:25.480
<v Speaker 1>they're talking about that? I mean, you get a few

0:31:26.080 --> 0:31:28.560
<v Speaker 1>that's well on. I mean, and that mate, Kendrick is

0:31:28.640 --> 0:31:31.080
<v Speaker 1>my boy. You know what I'm saying. He can talk

0:31:31.120 --> 0:31:33.240
<v Speaker 1>about shit. Ain't nobody's gonna be able to get away with.

0:31:33.880 --> 0:31:37.200
<v Speaker 1>He'd have made that room for himself. Yeah, that's when

0:31:37.200 --> 0:31:41.600
<v Speaker 1>you find that exceptional new one. You know, he's a

0:31:41.600 --> 0:31:44.320
<v Speaker 1>few raid in there that talks about shit and real

0:31:44.400 --> 0:31:48.120
<v Speaker 1>shit that it may not be realpused to even want

0:31:48.120 --> 0:31:51.480
<v Speaker 1>admitted let them talk about to make a record. So

0:31:51.680 --> 0:31:53.680
<v Speaker 1>when I find those kinds of people, I'll pay attention

0:31:53.720 --> 0:31:57.440
<v Speaker 1>to them and find out what story of what where

0:31:57.480 --> 0:32:01.000
<v Speaker 1>I can sneak into that, you know, and we did

0:32:01.080 --> 0:32:03.600
<v Speaker 1>to Pimple Butterfly. I thought I was talking to somebody

0:32:03.600 --> 0:32:07.240
<v Speaker 1>old as me. That's how much he had paid attention.

0:32:07.400 --> 0:32:10.840
<v Speaker 1>I guess to his parents, who was peep on fans

0:32:10.840 --> 0:32:13.400
<v Speaker 1>from you know, from what he was saying. But he

0:32:13.520 --> 0:32:17.240
<v Speaker 1>knew not only that he had theories for what's happening now,

0:32:18.320 --> 0:32:21.560
<v Speaker 1>you know, so everyone's while you get a new good

0:32:21.560 --> 0:32:24.160
<v Speaker 1>one that just blow your brains out, and you have

0:32:24.240 --> 0:32:27.520
<v Speaker 1>to like really give them that space to what they're doing.

0:32:28.120 --> 0:32:32.600
<v Speaker 1>You know, you realize you raised generations like two or

0:32:32.640 --> 0:32:37.800
<v Speaker 1>three they raised me. Yeah, I know, I'm believe me.

0:32:38.000 --> 0:32:41.920
<v Speaker 1>I'm in touch with most of them, you know, but

0:32:42.080 --> 0:32:44.560
<v Speaker 1>they have kids most of the time end up friends

0:32:44.560 --> 0:32:48.800
<v Speaker 1>with their kids, their kids being oh my dad said,

0:32:48.800 --> 0:32:52.240
<v Speaker 1>blah blah blah. Yeah, we was doing and what you're doing,

0:32:53.320 --> 0:32:56.000
<v Speaker 1>you know, because it's gonna be something fresh and like

0:32:56.080 --> 0:33:00.120
<v Speaker 1>a half hour band as our grandkids and kids of

0:33:00.600 --> 0:33:04.720
<v Speaker 1>mine and the other members and the banders. It's ever.

0:33:05.440 --> 0:33:07.280
<v Speaker 1>I mean, I have to setting my ass down and

0:33:07.400 --> 0:33:12.200
<v Speaker 1>direct shit. But they carried the hype and I just

0:33:12.320 --> 0:33:16.000
<v Speaker 1>organized the show. What's your favorite place to perform? Back?

0:33:16.360 --> 0:33:19.920
<v Speaker 1>What's your favorite city or state or country? It changes,

0:33:20.160 --> 0:33:22.960
<v Speaker 1>it changes, yeah, you know it was for a long time.

0:33:23.040 --> 0:33:31.480
<v Speaker 1>It was ansters to him, you know, but now everywhere

0:33:31.520 --> 0:33:34.960
<v Speaker 1>you can get you know, legal weed anywhere. That change

0:33:35.000 --> 0:33:40.600
<v Speaker 1>sometimes of change, but lots of places. We got all

0:33:41.120 --> 0:33:44.040
<v Speaker 1>our fans. We have all kind of fans my age,

0:33:44.080 --> 0:33:47.520
<v Speaker 1>people that knew it from that young kids. It's on TikTok,

0:33:48.120 --> 0:33:50.440
<v Speaker 1>you know, we get them. Also have to look we

0:33:50.480 --> 0:33:52.600
<v Speaker 1>don't have a set list until I won't out to

0:33:52.640 --> 0:33:55.160
<v Speaker 1>look at the audience because I have to see who came.

0:33:55.480 --> 0:33:58.880
<v Speaker 1>That's you know, DJ in the moment, at the moment

0:33:58.960 --> 0:34:01.240
<v Speaker 1>after like that out of town. We could come to

0:34:01.360 --> 0:34:03.560
<v Speaker 1>play the same town on different side of the town,

0:34:03.760 --> 0:34:06.600
<v Speaker 1>and different sets of people will come because you know,

0:34:06.720 --> 0:34:10.040
<v Speaker 1>we know who not to play the loud rock and

0:34:10.160 --> 0:34:13.000
<v Speaker 1>road and get somebody a heart attack, you know, or

0:34:13.160 --> 0:34:16.200
<v Speaker 1>we know not to borce somebody to death by playing

0:34:16.520 --> 0:34:19.319
<v Speaker 1>you know, so nothing type stuff. So we have to

0:34:19.360 --> 0:34:22.880
<v Speaker 1>really look at the audience, you know. And going to

0:34:23.080 --> 0:34:25.680
<v Speaker 1>casinos it is a new problem for us because now

0:34:25.719 --> 0:34:28.279
<v Speaker 1>people that don't usually go to casinos when we play

0:34:28.360 --> 0:34:30.880
<v Speaker 1>that they come, you know, and usually you have to

0:34:30.880 --> 0:34:37.040
<v Speaker 1>have a casino type older crowd before. But yeah, now

0:34:37.120 --> 0:34:39.680
<v Speaker 1>anybody that come there and they be ready to party.

0:34:39.719 --> 0:34:41.919
<v Speaker 1>And then so you got to like whoa how many

0:34:41.920 --> 0:34:43.840
<v Speaker 1>of who came? You know what I'm saying, who we

0:34:43.880 --> 0:34:47.000
<v Speaker 1>got the most of? So after cater to, after cages

0:34:47.120 --> 0:34:50.320
<v Speaker 1>to whoever to be dominant, you know, and then we

0:34:50.440 --> 0:34:55.319
<v Speaker 1>got you know, like Atomic Dog for instance, that's then

0:34:55.440 --> 0:34:57.640
<v Speaker 1>been through all the generations, all the hip hop has

0:34:57.680 --> 0:35:01.319
<v Speaker 1>doesn't use it the song itself ever go anywhere. Yeah,

0:35:01.560 --> 0:35:03.360
<v Speaker 1>we just did a new version of it with the

0:35:03.440 --> 0:35:10.080
<v Speaker 1>Q Dogs. You know what I'm saying. This is coming out. Yeah, yeah,

0:35:10.200 --> 0:35:12.200
<v Speaker 1>you know what I'm saying. We just did a video,

0:35:13.000 --> 0:35:16.040
<v Speaker 1>and I mean it's gonna blow people in mind, the

0:35:16.120 --> 0:35:18.480
<v Speaker 1>new mix of it, the new version of it. Right,

0:35:18.680 --> 0:35:21.560
<v Speaker 1>did the same song two years ago with the um

0:35:22.239 --> 0:35:28.080
<v Speaker 1>what they call the the cartoon what is that, trolls,

0:35:28.760 --> 0:35:32.279
<v Speaker 1>the trolls. Yeah, yeah, the troll did that with the

0:35:32.320 --> 0:35:36.120
<v Speaker 1>troll on the Trolls movie. And so Tommy Dog ain't

0:35:36.120 --> 0:35:38.560
<v Speaker 1>going nowhere, like I said, and it's coming back so

0:35:38.600 --> 0:35:41.080
<v Speaker 1>hard when you see this Q Dog verse never anywhere.

0:35:41.320 --> 0:35:44.080
<v Speaker 1>Let me ask you a person like like my friend

0:35:44.120 --> 0:35:46.239
<v Speaker 1>Louis View was right there, right, he got the red

0:35:46.280 --> 0:35:48.160
<v Speaker 1>shirt arm. He wants to do a record with you,

0:35:48.200 --> 0:35:50.880
<v Speaker 1>He connects with you, and he wants to remake your record.

0:35:51.000 --> 0:35:53.239
<v Speaker 1>How does he go about that? He has to he

0:35:53.320 --> 0:35:59.000
<v Speaker 1>has label cover anybody's cover. Okay, you can cover anybody's Yeah, cover.

0:36:00.000 --> 0:36:02.600
<v Speaker 1>Are you doing this different thing? Yeah? Sapling and covering

0:36:02.640 --> 0:36:05.880
<v Speaker 1>is different things. Okay, the sapling you get permission and

0:36:05.920 --> 0:36:08.000
<v Speaker 1>all it coming. You can cover and do it your

0:36:08.040 --> 0:36:11.279
<v Speaker 1>way with it. Without permission, you just have to pay

0:36:11.400 --> 0:36:14.200
<v Speaker 1>the publisher, right, you know that's the original writer of

0:36:14.239 --> 0:36:16.560
<v Speaker 1>the record. And that's what I'm saying. The writer get paid.

0:36:16.640 --> 0:36:20.960
<v Speaker 1>But you can cover anybody's record, right, Did you realize that, like,

0:36:21.080 --> 0:36:24.240
<v Speaker 1>you know, watching your stories? I watched so many documentaries.

0:36:24.800 --> 0:36:28.160
<v Speaker 1>Did Was there anybody like? All right? Cool? I got

0:36:28.280 --> 0:36:30.720
<v Speaker 1>jerked in the hip hop? Right, so I wanted to

0:36:30.760 --> 0:36:34.520
<v Speaker 1>like give the knowledge to the next younger brother, right? Um?

0:36:34.840 --> 0:36:37.640
<v Speaker 1>Was there nobody there like at that time to tell

0:36:37.680 --> 0:36:40.880
<v Speaker 1>y'all about these contracts and tell y'all about publishing, not

0:36:41.600 --> 0:36:44.400
<v Speaker 1>from the R and B side of it, really, No,

0:36:44.520 --> 0:36:47.520
<v Speaker 1>it was always everybody was always they did it to me.

0:36:47.600 --> 0:36:49.719
<v Speaker 1>I'm gonna do it to the next one. You know,

0:36:49.800 --> 0:36:52.000
<v Speaker 1>that's the one they get getting most people in it.

0:36:52.280 --> 0:36:53.480
<v Speaker 1>You know what I'm saying. It was done to me,

0:36:53.560 --> 0:36:56.000
<v Speaker 1>so I'm gonna get the next one. And they kind

0:36:56.000 --> 0:36:58.560
<v Speaker 1>of set you up and help you do that. If

0:36:58.600 --> 0:37:02.160
<v Speaker 1>you don't pay attention, they'll help you mess up with

0:37:02.160 --> 0:37:05.320
<v Speaker 1>somebody and then blackmail your ass with it. You know,

0:37:05.480 --> 0:37:07.680
<v Speaker 1>since you have to be careful of that No. That

0:37:07.840 --> 0:37:11.000
<v Speaker 1>was my thing is. I came up through Joe Bett,

0:37:11.760 --> 0:37:13.680
<v Speaker 1>and I made him my mind. I'm gonna do whatever

0:37:13.680 --> 0:37:15.399
<v Speaker 1>it take to make it so. I ain't really trying

0:37:15.400 --> 0:37:18.520
<v Speaker 1>to bust nobody. I knew a lot of stuff I

0:37:18.560 --> 0:37:21.000
<v Speaker 1>was doing in the beginning that they were lying into.

0:37:21.280 --> 0:37:23.640
<v Speaker 1>But my thing is just getting out there. I'll stringing

0:37:23.680 --> 0:37:26.040
<v Speaker 1>this shit up later. That's the way most people feel

0:37:26.080 --> 0:37:28.200
<v Speaker 1>about this shit. They'll do it even if they know

0:37:28.239 --> 0:37:30.960
<v Speaker 1>they're doing something wrong. That's exactly what I did. You know,

0:37:31.080 --> 0:37:34.680
<v Speaker 1>to get there free, you're doning for free. Better to

0:37:34.719 --> 0:37:36.640
<v Speaker 1>say you ain't gonna gets you ain't gonna get paid

0:37:36.680 --> 0:37:39.000
<v Speaker 1>for first. That's really what I said, and I was.

0:37:39.160 --> 0:37:40.360
<v Speaker 1>It was all fun. I brought it. I saw my

0:37:40.320 --> 0:37:42.319
<v Speaker 1>first day for five thousand dollars. I knew us five

0:37:42.360 --> 0:37:44.680
<v Speaker 1>thousand dollars, and I signed happen. Oh yeah, I've done it.

0:37:44.920 --> 0:37:47.680
<v Speaker 1>I've done that part. I've done that lots of time.

0:37:47.840 --> 0:37:50.040
<v Speaker 1>No one but my thing. Once I get in there,

0:37:50.080 --> 0:37:51.879
<v Speaker 1>I know how to work my way right to blah

0:37:51.880 --> 0:37:55.040
<v Speaker 1>blah blood. But then there's something that just planed out,

0:37:56.160 --> 0:37:59.200
<v Speaker 1>set you up with The paperworkers are wrong and and

0:37:59.280 --> 0:38:02.879
<v Speaker 1>they changed My was actually changed. She went back into

0:38:03.120 --> 0:38:07.319
<v Speaker 1>that changed the documents. Put it like, Noah, not one time,

0:38:07.360 --> 0:38:10.360
<v Speaker 1>but he's four or five times. I got copies of them,

0:38:10.400 --> 0:38:13.239
<v Speaker 1>so many copies of the change documents. You know, I

0:38:13.320 --> 0:38:16.160
<v Speaker 1>paint too, Like I took some of the documents and

0:38:16.200 --> 0:38:19.120
<v Speaker 1>put it on the painting. That's all. I was doing

0:38:19.200 --> 0:38:22.080
<v Speaker 1>my best to keep this into the public's eye. Wow,

0:38:22.280 --> 0:38:24.919
<v Speaker 1>for as long as I could, you know what I'm saying.

0:38:24.960 --> 0:38:26.919
<v Speaker 1>So I took a lot of the documents and put

0:38:26.960 --> 0:38:29.960
<v Speaker 1>it on the art. That stuff he had. Judge said

0:38:30.000 --> 0:38:33.160
<v Speaker 1>that even though Judge did say that the paperwork was alted,

0:38:33.719 --> 0:38:36.960
<v Speaker 1>was it was alted? It was alted in anything that

0:38:37.000 --> 0:38:40.120
<v Speaker 1>comes out of this paper is null and void. We

0:38:40.239 --> 0:38:44.640
<v Speaker 1>got those kind of papers. Wow, My way was looking

0:38:44.640 --> 0:38:47.160
<v Speaker 1>at me too. Don't make sure you don't say too no. No,

0:38:47.320 --> 0:38:49.480
<v Speaker 1>I got we got we got it, we got it,

0:38:50.160 --> 0:38:53.399
<v Speaker 1>we got it, we got so but it's cool now

0:38:54.680 --> 0:38:56.840
<v Speaker 1>I'm free to telling now I don't bit got suited

0:38:57.200 --> 0:38:59.320
<v Speaker 1>for writing the book about it. Wow, you know what

0:38:59.360 --> 0:39:05.759
<v Speaker 1>I'm saying. Then who sued the whole Yeah, yeah, you

0:39:05.800 --> 0:39:07.279
<v Speaker 1>can get the miss in the book and they got

0:39:07.280 --> 0:39:10.480
<v Speaker 1>the book out. Brothers bo like George, Ain't that punking

0:39:10.560 --> 0:39:13.680
<v Speaker 1>kind of hard on you. I say I was harder

0:39:13.680 --> 0:39:15.799
<v Speaker 1>when I started. I'll be hard when I get through

0:39:17.560 --> 0:39:25.160
<v Speaker 1>damn solo silo. So before we get into this game

0:39:25.200 --> 0:39:28.040
<v Speaker 1>and we played all the times called quick time, um

0:39:28.480 --> 0:39:30.759
<v Speaker 1>yeah yeah, let me ask this question to be given

0:39:30.800 --> 0:39:34.319
<v Speaker 1>the flowers for people that's been living under a rock.

0:39:36.360 --> 0:39:42.400
<v Speaker 1>Described to people what the mothership is. Oh, the mothership

0:39:42.920 --> 0:39:48.719
<v Speaker 1>is out of mythological vehicle that brought us here from

0:39:48.760 --> 0:39:52.200
<v Speaker 1>the planet. Serious, I like serious called the dog store,

0:39:53.160 --> 0:39:58.880
<v Speaker 1>the dog the dog gun people African, when our myth

0:39:59.080 --> 0:40:02.439
<v Speaker 1>is that it came in brought the funk here. Game

0:40:03.080 --> 0:40:07.720
<v Speaker 1>you know the plant? How to dance, how to dance

0:40:08.200 --> 0:40:11.239
<v Speaker 1>underwater and not get wet? How to be able to

0:40:11.320 --> 0:40:15.120
<v Speaker 1>dance between the molecules of water with that thing such

0:40:15.160 --> 0:40:17.799
<v Speaker 1>a rhythm that you can get out of the way

0:40:18.120 --> 0:40:24.200
<v Speaker 1>within water, who between the molecular structure of you know things.

0:40:24.520 --> 0:40:26.880
<v Speaker 1>That's the rhythm it takes to survive in this world.

0:40:28.040 --> 0:40:29.360
<v Speaker 1>To be able to get in and out of the

0:40:29.400 --> 0:40:32.480
<v Speaker 1>bullshit you have to live through. You got to be

0:40:32.520 --> 0:40:36.560
<v Speaker 1>able to swim through You could you could do in

0:40:36.680 --> 0:40:39.399
<v Speaker 1>order to survive here. You can swim through the water

0:40:39.440 --> 0:40:41.879
<v Speaker 1>and not get wet. That's the rhythm it take to

0:40:41.880 --> 0:40:47.400
<v Speaker 1>survive in this world. So the Mothership was that cycho

0:40:47.480 --> 0:40:51.840
<v Speaker 1>alpha disco bato by arcwa douloop. That was that formula

0:40:51.920 --> 0:40:54.600
<v Speaker 1>that you needed to survive. Plus it was the vehicle

0:40:54.640 --> 0:40:57.480
<v Speaker 1>to take you back to where you come from and

0:40:57.560 --> 0:40:59.640
<v Speaker 1>keep the party jumping. So are we in the mother

0:40:59.680 --> 0:41:08.440
<v Speaker 1>ship all the time. You just have to become aware

0:41:08.480 --> 0:41:11.359
<v Speaker 1>of it. Yes, it's always there. I wanted to don't

0:41:11.400 --> 0:41:16.279
<v Speaker 1>work until you got to open your eyes and feel that,

0:41:16.480 --> 0:41:19.279
<v Speaker 1>Oh shit, it's been this way all the time. So

0:41:19.360 --> 0:41:24.080
<v Speaker 1>do I gotta take masculine? I mean, it's everything is evolving.

0:41:24.160 --> 0:41:27.360
<v Speaker 1>Now you can do shrooms as legal now, Yeah, you

0:41:27.400 --> 0:41:30.640
<v Speaker 1>can do a haltful of scroos. I gotta dude you

0:41:30.680 --> 0:41:33.560
<v Speaker 1>who gave me the shroo? I mean? But there's lots

0:41:33.560 --> 0:41:39.040
<v Speaker 1>of way dancing, religion, chanting, managing. There's so many rhythms

0:41:39.080 --> 0:41:41.919
<v Speaker 1>that takes you there. You have to find out which

0:41:41.920 --> 0:41:44.720
<v Speaker 1>one works for you. Okay, some people can do it

0:41:44.920 --> 0:41:50.279
<v Speaker 1>from just gift them camp. Some people, you know, some

0:41:50.320 --> 0:41:53.920
<v Speaker 1>people are just inspired with the word, you know, and

0:41:54.000 --> 0:41:56.080
<v Speaker 1>they may not may not even live like that, but

0:41:56.160 --> 0:41:58.480
<v Speaker 1>then it comes through you. You ain't got nothing to

0:41:58.480 --> 0:42:01.399
<v Speaker 1>do with it. Right clear, your body has the drugs

0:42:01.440 --> 0:42:06.719
<v Speaker 1>in it already, all the dophins, dopamines, no legend, all

0:42:06.760 --> 0:42:09.279
<v Speaker 1>that stuff if you knew how to get it. But

0:42:09.320 --> 0:42:16.759
<v Speaker 1>when your kid got y y'all, mister George GLD, we

0:42:16.760 --> 0:42:18.799
<v Speaker 1>don't know, if you know. Our show is about giving

0:42:18.840 --> 0:42:23.280
<v Speaker 1>people flowers. Our show is about making our legends feel proud,

0:42:23.360 --> 0:42:25.920
<v Speaker 1>making our legends know that they legends. So many times

0:42:25.920 --> 0:42:28.399
<v Speaker 1>in this game, when you got ten, twenty thirty years

0:42:28.440 --> 0:42:30.560
<v Speaker 1>in this game, they want to say that your old school.

0:42:30.600 --> 0:42:32.080
<v Speaker 1>They want to say that your washed up. They want

0:42:32.080 --> 0:42:33.600
<v Speaker 1>to say that they kick you out. And we don't

0:42:33.600 --> 0:42:35.880
<v Speaker 1>believe that over here. Now, we believe when you twenty

0:42:35.920 --> 0:42:38.719
<v Speaker 1>thirty years in the game, you just getting, see you

0:42:38.840 --> 0:42:41.840
<v Speaker 1>just get We want to give you your flowers to

0:42:41.960 --> 0:42:46.239
<v Speaker 1>your face, to your face. You know what I'm saying. Yeah,

0:42:46.560 --> 0:42:49.440
<v Speaker 1>those are flowers. This is this is this is your flowers. Man.

0:42:49.520 --> 0:42:51.640
<v Speaker 1>You know what I mean? They last forever, just from

0:42:51.640 --> 0:42:53.919
<v Speaker 1>the drink chats, you know what I mean. God, damn,

0:42:54.000 --> 0:43:02.000
<v Speaker 1>make some noise it up. What's snoop set? It's like

0:43:02.440 --> 0:43:05.719
<v Speaker 1>it's real roses that are gold plated. Okay, I'm looking

0:43:05.760 --> 0:43:11.320
<v Speaker 1>for Yeah, snoop set it's like it's like a Grammy,

0:43:11.360 --> 0:43:13.239
<v Speaker 1>but it's from your people. You know what I mean.

0:43:13.760 --> 0:43:16.560
<v Speaker 1>You want a lifetime Grammy, didn't you? Huh? You have

0:43:16.680 --> 0:43:24.120
<v Speaker 1>lifetime achievement. Lifetime achievement. Jesus. We've been nominated so many

0:43:24.160 --> 0:43:27.360
<v Speaker 1>times for the you know, the samples and things, but

0:43:27.440 --> 0:43:30.080
<v Speaker 1>they haven't let that as a concept become real yet.

0:43:30.440 --> 0:43:34.320
<v Speaker 1>It'll be pretty soon, you know, because there's so many

0:43:34.680 --> 0:43:37.279
<v Speaker 1>So if a record gets nominated you as if they

0:43:37.320 --> 0:43:41.120
<v Speaker 1>sampled you, you're nominated automatical sometimes and sometimes if you

0:43:41.280 --> 0:43:45.120
<v Speaker 1>if you pay attention to it to be nominated, But

0:43:45.239 --> 0:43:47.040
<v Speaker 1>you have to be up on it yourself, right, because

0:43:47.040 --> 0:43:48.400
<v Speaker 1>you'd be a writer on the record. Yeah, you'd be

0:43:48.560 --> 0:43:52.719
<v Speaker 1>right on it. Yeah you know. Wait, okay, continue, just

0:43:52.760 --> 0:43:56.759
<v Speaker 1>feet that you're spoking blunts? No, no, no, what these are?

0:43:56.880 --> 0:44:05.600
<v Speaker 1>These are? Um you og og hit papers. Okay, say

0:44:05.640 --> 0:44:12.440
<v Speaker 1>you out here, duchess. You look crazy doing it? Yeah

0:44:12.560 --> 0:44:15.880
<v Speaker 1>yeah yeah, yeah, yeah, yeah, yeah that's still yeah. I

0:44:16.760 --> 0:44:20.600
<v Speaker 1>still smoke that shit. Yeah, I'm I'm anging as motherfucker,

0:44:20.840 --> 0:44:22.920
<v Speaker 1>and I know what's wrong for me too. Yeah but

0:44:23.520 --> 0:44:28.040
<v Speaker 1>look this looked apart, so I'm still cool. Okay, Okay, yeah, yeah, yeah,

0:44:28.080 --> 0:44:30.520
<v Speaker 1>I ain't gonna lie what it looked like. Gosher Vegas,

0:44:30.600 --> 0:44:35.440
<v Speaker 1>remember the old school Gorsh Vegas, but the Greenhire Vegas. Yeah, okay,

0:44:35.719 --> 0:44:37.719
<v Speaker 1>black in mouse. Okay, we want to get someone to

0:44:37.760 --> 0:44:39.440
<v Speaker 1>come in. Yeah, you want to get someone from your

0:44:39.440 --> 0:44:43.279
<v Speaker 1>crew to take shot family, one of your grand shot game.

0:44:43.440 --> 0:44:47.080
<v Speaker 1>It's a shot game. So you come on, right. The

0:44:47.120 --> 0:44:49.719
<v Speaker 1>New York had on you look like he ready anyway,

0:44:50.000 --> 0:44:54.640
<v Speaker 1>he was practicing. Yeah, yeah, yeah, oh you're gonna take yeah, yeah,

0:44:55.040 --> 0:44:56.879
<v Speaker 1>you can grab that chair to grab a street chair.

0:44:57.640 --> 0:45:03.120
<v Speaker 1>Yeah yeah, yeah yeah. Now what's your name? Big though

0:45:03.200 --> 0:45:08.920
<v Speaker 1>thirteen and that's that's he's the hype man in the band. Okay, alright, cool,

0:45:09.160 --> 0:45:13.400
<v Speaker 1>well you're gonna be the hype man right now? Are

0:45:13.400 --> 0:45:15.640
<v Speaker 1>we ready? Give him a shot glass? Mister lead, give

0:45:15.680 --> 0:45:18.920
<v Speaker 1>m a shot glass? There you go, you gotta go. Yeah,

0:45:19.320 --> 0:45:23.480
<v Speaker 1>before you start, what are you drinking? Something? White? Right?

0:45:23.480 --> 0:45:28.600
<v Speaker 1>The watermelon? Okay? You mean I want regular? Yeah, I'm regular?

0:45:28.719 --> 0:45:33.799
<v Speaker 1>Okay now so all right, so hold on, hold on, yeah, yeah, no, no, no,

0:45:33.920 --> 0:45:36.319
<v Speaker 1>you ain't gonna bull he a long it's a long game.

0:45:36.400 --> 0:45:38.359
<v Speaker 1>Yeah yeah yeah, yeah yeah yeah, but you gotta keep

0:45:38.400 --> 0:45:41.239
<v Speaker 1>that one. Now, you gotta keep that one. You set

0:45:41.280 --> 0:45:46.279
<v Speaker 1>yourself up man a right, so sure, so we drink

0:45:46.320 --> 0:45:49.360
<v Speaker 1>with you? Did we drink with you? Though? Yeah? You

0:45:49.480 --> 0:45:53.400
<v Speaker 1>back there is good enough? Yeah yeah, yeah yeah but okay,

0:45:53.719 --> 0:45:55.880
<v Speaker 1>so um, by the way, let me just say this

0:45:55.960 --> 0:45:58.920
<v Speaker 1>minute interview, like I'm really in the presence of a

0:45:59.000 --> 0:46:02.640
<v Speaker 1>legend man, really as you came and considers you know

0:46:02.680 --> 0:46:06.360
<v Speaker 1>what I mean, appreciate I really like you know, in

0:46:06.440 --> 0:46:09.880
<v Speaker 1>this game, there's so many people who just you know,

0:46:10.120 --> 0:46:12.160
<v Speaker 1>they don't take the time out and just say I

0:46:12.200 --> 0:46:14.279
<v Speaker 1>appreciate you, you know what I mean, And I just

0:46:14.320 --> 0:46:16.239
<v Speaker 1>wanted to just do that before we get into this game.

0:46:16.320 --> 0:46:18.319
<v Speaker 1>I appreciate you. But I'm about to kill your hype

0:46:18.360 --> 0:46:23.560
<v Speaker 1>man to get that out of the way. So when

0:46:23.640 --> 0:46:31.280
<v Speaker 1>he when he drunk late, okay you're ready, yeah, okay,

0:46:31.280 --> 0:46:33.839
<v Speaker 1>So it's on you. So if you pick both, if

0:46:33.840 --> 0:46:36.400
<v Speaker 1>you be political and you pick both, then he drinks.

0:46:36.600 --> 0:46:38.439
<v Speaker 1>If you pick are we giving you two two names,

0:46:38.560 --> 0:46:41.520
<v Speaker 1>two names or two things? If you pick one, nobody drinks.

0:46:41.840 --> 0:46:44.080
<v Speaker 1>But if you say both, are neither, which would be

0:46:44.080 --> 0:46:46.399
<v Speaker 1>the politically correct answer, we think you're gonna say both

0:46:46.560 --> 0:46:49.400
<v Speaker 1>a lot because we could tell you a politically great bribe.

0:46:49.480 --> 0:46:55.399
<v Speaker 1>So it's not gonna work out for him. We're gonna

0:46:55.400 --> 0:47:00.279
<v Speaker 1>make it. Are you ready? You're ready? DMX or two pop.

0:47:01.239 --> 0:47:10.719
<v Speaker 1>You're right boo that was season. Yeah, I ain't gonna lie.

0:47:10.880 --> 0:47:15.480
<v Speaker 1>I can feel your spirit and go like go like

0:47:15.640 --> 0:47:21.120
<v Speaker 1>go like yeah yeah, yeah, yeah yeah. Going to the

0:47:21.200 --> 0:47:26.279
<v Speaker 1>logo next time, Yeah yeah yeah, yeah, she got you. Okay, Oh,

0:47:26.440 --> 0:47:32.920
<v Speaker 1>this is a good one too, odb or bus markey wow,

0:47:35.320 --> 0:47:42.120
<v Speaker 1>odb Okay, Okay, this one is good. I kind of

0:47:42.120 --> 0:47:47.760
<v Speaker 1>know where you're gonna go. Motile or Epic Records booth

0:47:48.640 --> 0:47:52.440
<v Speaker 1>most I mean it's but epic then cleaned up lately,

0:47:55.280 --> 0:48:01.400
<v Speaker 1>I mean some good Yeah. Yeah, I'm gonna tell you

0:48:01.480 --> 0:48:03.080
<v Speaker 1>why it was so great. You got to see a

0:48:03.120 --> 0:48:05.640
<v Speaker 1>smile when he said they cleaned up lady, like that

0:48:05.680 --> 0:48:12.439
<v Speaker 1>was the sh a long time they got. They got

0:48:12.880 --> 0:48:17.359
<v Speaker 1>slive Michael and all that, lady. Okay, you're ready. We

0:48:17.400 --> 0:48:25.239
<v Speaker 1>went there Rolling Stones or the Beatles, Damn Beetles, God

0:48:25.360 --> 0:48:29.360
<v Speaker 1>damn and you knew them both and the Beatles. The Beatles,

0:48:30.160 --> 0:48:33.239
<v Speaker 1>I mean they're like they're like all we're on the

0:48:33.320 --> 0:48:37.440
<v Speaker 1>charge of me. Beatles is like movetown in my life.

0:48:37.680 --> 0:48:41.400
<v Speaker 1>You know another thing that I paid close attention to

0:48:42.000 --> 0:48:45.920
<v Speaker 1>their history. They were it. Okay, them and Jimmy and

0:48:46.040 --> 0:48:50.520
<v Speaker 1>Riggs Okay, slid Stone okay, all right, then you take

0:48:50.520 --> 0:48:52.880
<v Speaker 1>over out to this one. I thought, say this one. Okay,

0:48:52.960 --> 0:49:02.960
<v Speaker 1>Michael Jackson or Prince both, let's go score hy Man. Okay, no,

0:49:03.040 --> 0:49:10.040
<v Speaker 1>but just say both for the hell of it. No,

0:49:10.160 --> 0:49:13.360
<v Speaker 1>but you know, it's crazy. You're probably one of the

0:49:13.440 --> 0:49:16.720
<v Speaker 1>only five guests because we've ever had that has Michael

0:49:16.800 --> 0:49:21.640
<v Speaker 1>Jackson and Prince stories. Like some of the times, a

0:49:21.760 --> 0:49:24.120
<v Speaker 1>person might have a print story, some of them might

0:49:24.200 --> 0:49:26.960
<v Speaker 1>have a Michael Jackson story. Mainly none of them have

0:49:27.000 --> 0:49:33.160
<v Speaker 1>a Michael Jackson, Prince, Tupac and Biggie story. Nobody's had

0:49:33.160 --> 0:49:35.279
<v Speaker 1>a Beatles story. I don't think we've ever talked about

0:49:35.280 --> 0:49:38.240
<v Speaker 1>the bleeders. Who's the Bleatles? You know what I'm talking about?

0:49:38.640 --> 0:49:43.120
<v Speaker 1>The black Beetles, Nigga. I'm just around. I'm gonna throw

0:49:43.160 --> 0:49:45.880
<v Speaker 1>some extra ones in there, Okay, cool, start out or devoid?

0:49:45.920 --> 0:49:50.160
<v Speaker 1>A funk starts out or devoted? Which one of you

0:49:50.280 --> 0:49:58.480
<v Speaker 1>alters certain certain os? Right? Both? Okay? Shit already, my

0:49:58.480 --> 0:50:03.160
<v Speaker 1>brother I expected sloan to each other. This is true?

0:50:04.239 --> 0:50:08.920
<v Speaker 1>All right, Okay, we got ready ahead, Marvin Gaye or

0:50:08.960 --> 0:50:13.759
<v Speaker 1>Stevie Wonder. Jesus, we're going there, y'all gonna have the

0:50:16.040 --> 0:50:24.640
<v Speaker 1>thing bottle in the Hello, Okay, we might start playing

0:50:24.719 --> 0:50:30.840
<v Speaker 1>your band right after this. Sly Stone or Booty Collins.

0:50:32.000 --> 0:50:41.160
<v Speaker 1>Oh damn slash Stone slast he picked. Okay, let me

0:50:41.239 --> 0:50:49.440
<v Speaker 1>let me add to that. Booty Collars or Jimmy Hendricks Jimmen. Okay, Hey,

0:50:49.520 --> 0:50:52.520
<v Speaker 1>Mini'm gonna I'm gonna say over Booster there. Hey Mini,

0:50:52.760 --> 0:50:56.600
<v Speaker 1>all right, but you'll pick some harm. You're being honest.

0:50:57.640 --> 0:51:05.279
<v Speaker 1>Red Man, I'm at the man. Oh shit, both my

0:51:05.440 --> 0:51:10.960
<v Speaker 1>boy I shout out, man met the man, both of them.

0:51:11.480 --> 0:51:14.920
<v Speaker 1>Oh this is a good one. Rick James or James Brown.

0:51:16.400 --> 0:51:22.000
<v Speaker 1>James Brown, I'm about to take a shot. He picked

0:51:22.040 --> 0:51:28.960
<v Speaker 1>because yeah programmed, Yeah yeah, Now, m damn, my mom

0:51:29.080 --> 0:51:30.600
<v Speaker 1>was gonna get into a speech. But let me kill

0:51:30.600 --> 0:51:32.560
<v Speaker 1>out the next one again, rock him or Big Daddy

0:51:32.640 --> 0:51:37.200
<v Speaker 1>King rock him. Okay, you're liking this right now, You're like,

0:51:37.239 --> 0:51:40.680
<v Speaker 1>all right, that's cool. Okay. If Weana or Beyonce, I'm

0:51:40.680 --> 0:51:42.920
<v Speaker 1>gonna stop saying this question. For the record, we are

0:51:42.960 --> 0:51:47.040
<v Speaker 1>not putting black women against each other anymore. Both we drink,

0:51:47.600 --> 0:51:52.920
<v Speaker 1>but it did work. You're doing it in the next one.

0:51:53.480 --> 0:51:56.120
<v Speaker 1>You see the next one that Lauren Hill or Missy

0:51:59.000 --> 0:52:08.239
<v Speaker 1>damn both my liver anymore? And what's your name? By

0:52:08.280 --> 0:52:10.959
<v Speaker 1>the way, thirteen you said, am I bad? We're gonna

0:52:11.040 --> 0:52:16.719
<v Speaker 1>take thirteen these? I think we already? Yeah, we had

0:52:16.800 --> 0:52:22.120
<v Speaker 1>thirteen right now? All right? Doing that, that's why, and

0:52:22.160 --> 0:52:25.319
<v Speaker 1>that's why we talked slowing down. Okay, you ready. It's

0:52:25.320 --> 0:52:28.160
<v Speaker 1>a good one. It's a good one. Snoop Dog or

0:52:28.200 --> 0:52:35.440
<v Speaker 1>ice Cube man both yo, get drunk? Yo. You know

0:52:35.480 --> 0:52:37.319
<v Speaker 1>what's crazy though. I like the way he's saying both.

0:52:37.360 --> 0:52:44.879
<v Speaker 1>He's just saying a mass move he smooth. Look, yeah,

0:52:47.040 --> 0:52:56.760
<v Speaker 1>I got the next one. Outcast or ug k all right, No, everybody,

0:52:56.800 --> 0:53:03.799
<v Speaker 1>buddy relaxed outcasts o U g k oh you said outcast? Yeah? Okay?

0:53:03.880 --> 0:53:08.439
<v Speaker 1>Public enemy? Who public enemy or n WA the enemy

0:53:08.520 --> 0:53:12.560
<v Speaker 1>or n W botes. Yeah, I ain't gonna I'm gonna

0:53:12.560 --> 0:53:14.080
<v Speaker 1>take a shot to both for that. Even if you

0:53:14.120 --> 0:53:16.480
<v Speaker 1>were the picked one. Yeah, I would have picked one.

0:53:16.520 --> 0:53:19.760
<v Speaker 1>I would have picked one. And they like brothers almost

0:53:19.800 --> 0:53:23.439
<v Speaker 1>like public Enemy of NWA like coach Q left n WA.

0:53:23.520 --> 0:53:31.200
<v Speaker 1>He went right, that's right, okay, House Party Legends, House

0:53:31.320 --> 0:53:43.040
<v Speaker 1>party or harm Nights. He was in house just when

0:53:43.120 --> 0:53:50.800
<v Speaker 1>I grew up love you know that's my era, the

0:53:50.920 --> 0:53:53.759
<v Speaker 1>half a Dashville they was win we used to wear

0:53:54.360 --> 0:53:58.000
<v Speaker 1>in high school? Was that the last Moe Red Fox

0:53:58.160 --> 0:54:02.800
<v Speaker 1>was in? Yeah? Yeah, but so I can come to

0:54:02.880 --> 0:54:05.680
<v Speaker 1>homem and and that one, so um you're going home

0:54:05.760 --> 0:54:09.520
<v Speaker 1>them nice? Yeah? Okay, I skipped the one you want

0:54:09.520 --> 0:54:12.640
<v Speaker 1>to the New House part of I haven't watched it.

0:54:12.640 --> 0:54:17.080
<v Speaker 1>I haven't watched it Lebron's Hot Lense Okay, yeah, I

0:54:17.080 --> 0:54:22.400
<v Speaker 1>ain't seen it. Yeah, and I heard they really filmed

0:54:22.400 --> 0:54:26.359
<v Speaker 1>it at Lebron House. I heard I think production if not, yeah,

0:54:26.360 --> 0:54:28.719
<v Speaker 1>I think so. Yeah, I think he almost so. Yeah,

0:54:28.760 --> 0:54:32.680
<v Speaker 1>that was really agreed. All right, doctor Dre or Eric Serman.

0:54:42.280 --> 0:54:45.960
<v Speaker 1>That's what we got, Erica about to do, new Erica

0:54:46.000 --> 0:54:49.640
<v Speaker 1>about to do all at least your keys Erica. Okay,

0:54:52.360 --> 0:54:53.759
<v Speaker 1>I want to ask what I don't want to ask.

0:54:54.160 --> 0:54:59.200
<v Speaker 1>I want me to ask which the comedian about Erica's instance? Man,

0:54:59.320 --> 0:55:05.160
<v Speaker 1>Now you asked, you just brought up y'all drunk, you

0:55:05.280 --> 0:55:08.200
<v Speaker 1>brought it up. So you have you ever heard of

0:55:08.320 --> 0:55:13.479
<v Speaker 1>Eric about us instance instance or something like that? Yeah,

0:55:14.120 --> 0:55:22.400
<v Speaker 1>I'm smelted, but I was scared to ask as a

0:55:22.520 --> 0:55:24.200
<v Speaker 1>merry man. I don't think I can come to the

0:55:24.280 --> 0:55:26.720
<v Speaker 1>house with Eric about to do instance. I'm just being honest.

0:55:27.000 --> 0:55:29.200
<v Speaker 1>I don't know how to have that conversation. I want

0:55:29.239 --> 0:55:32.759
<v Speaker 1>to support. I want to support a collector's item. If

0:55:32.760 --> 0:55:34.480
<v Speaker 1>you bought it as merchen, I guess you can't open it.

0:55:34.880 --> 0:55:37.200
<v Speaker 1>You can't open it. But at some point I'm gonna

0:55:37.200 --> 0:55:47.879
<v Speaker 1>take a ship and I'll be like, let me like, yeah,

0:55:48.560 --> 0:55:52.640
<v Speaker 1>I had to ask my bad Okay, this is a

0:55:52.719 --> 0:55:57.000
<v Speaker 1>good one. And he Murphy or Richard Pryde, it's a

0:55:57.040 --> 0:56:03.160
<v Speaker 1>good one both the way. So I look, we definitely

0:56:03.160 --> 0:56:05.759
<v Speaker 1>passed thirteen. Now I got it all over here, I

0:56:05.800 --> 0:56:07.959
<v Speaker 1>got it all right. Oh shit, oh shit, I don't

0:56:09.280 --> 0:56:15.120
<v Speaker 1>m hm, holy shit. You got the next one. He

0:56:15.200 --> 0:56:19.320
<v Speaker 1>was responsible for me. Now you get it. Farrell or

0:56:19.400 --> 0:56:35.480
<v Speaker 1>Kanye real podcast or radio radio Today or radio ever ever,

0:56:35.800 --> 0:56:42.680
<v Speaker 1>whatever you want ain't enough radio. I mean radio, Okay,

0:56:42.760 --> 0:56:50.239
<v Speaker 1>I expect that analog or digital analog. I can't replace that.

0:56:50.440 --> 0:56:53.800
<v Speaker 1>That sound, yeah, that you sound? Yeah, yeah, you go.

0:56:55.400 --> 0:57:04.040
<v Speaker 1>Whitney Houston or Aretha Franklin, Ratha okay, Apporcino or Robert Jenniro.

0:57:05.160 --> 0:57:11.920
<v Speaker 1>Oh shit, both got that was it. That's it. We

0:57:12.040 --> 0:57:14.520
<v Speaker 1>got the last, last one, last last one. We got

0:57:14.560 --> 0:57:16.360
<v Speaker 1>one that got one more. It was the last one.

0:57:18.080 --> 0:57:21.360
<v Speaker 1>Everyone thinks this last question is a trick question. Me

0:57:21.520 --> 0:57:23.400
<v Speaker 1>and FM don't think it. We think it's the only

0:57:23.440 --> 0:57:26.920
<v Speaker 1>time you should say both, right, the only time, but

0:57:27.040 --> 0:57:29.480
<v Speaker 1>most of the time if we should say both as

0:57:29.520 --> 0:57:38.040
<v Speaker 1>the last question, it's called loyalty or respect. Respect? You

0:57:38.120 --> 0:57:49.080
<v Speaker 1>want to explain both? Yeah, okay, Why why he just

0:57:49.200 --> 0:57:54.880
<v Speaker 1>preferred without? I don't know, but it just seemed like

0:57:54.920 --> 0:58:01.600
<v Speaker 1>a couple more ground, right, I respect. That got to

0:58:01.600 --> 0:58:07.800
<v Speaker 1>be loyal. The gotta be loyal. You gotta cool. Yeah,

0:58:08.000 --> 0:58:12.880
<v Speaker 1>we cool. I must still take a shot to that anyway,

0:58:12.960 --> 0:58:19.600
<v Speaker 1>And that is the end of the oh my solo wait,

0:58:19.640 --> 0:58:22.760
<v Speaker 1>so that we could get back to see at one time,

0:58:23.080 --> 0:58:25.240
<v Speaker 1>the word funk was a bad word. It was it

0:58:25.360 --> 0:58:28.600
<v Speaker 1>was curse word. Right, Yeah, you got your ass whip

0:58:28.640 --> 0:58:31.840
<v Speaker 1>for saying fun funk. Yeah, I mean lots of words

0:58:32.000 --> 0:58:37.960
<v Speaker 1>like that. I mean, think of um, I mean bitch

0:58:39.120 --> 0:58:42.320
<v Speaker 1>a female dog, right, I mean, but it's been taking

0:58:42.400 --> 0:58:44.960
<v Speaker 1>so far out that I don't think nobody even know

0:58:45.080 --> 0:58:49.160
<v Speaker 1>that the connotation being that, right, you know, it's like

0:58:49.400 --> 0:58:54.000
<v Speaker 1>the Tommy gold dogs coming the dogs. That's one of

0:58:54.120 --> 0:58:58.840
<v Speaker 1>my pet peeves that dogs with POPI man's best friend.

0:58:59.640 --> 0:59:02.600
<v Speaker 1>When you want to give somebody an example, how badge

0:59:02.760 --> 0:59:07.040
<v Speaker 1>treat them treating him like a dog, or the vibe

0:59:07.080 --> 0:59:10.520
<v Speaker 1>you put on somebody say bitch. You know it's like

0:59:11.040 --> 0:59:15.360
<v Speaker 1>so intense I'm doing them a Broadway play right about

0:59:15.440 --> 0:59:19.240
<v Speaker 1>that concept about dogs? How many time we got were

0:59:19.280 --> 0:59:23.480
<v Speaker 1>good good? You can take bathroom breaks, do whatever we want.

0:59:23.560 --> 0:59:28.520
<v Speaker 1>This is a story US Custom Coast Guard dope dog

0:59:29.200 --> 0:59:33.440
<v Speaker 1>nickname bust him. Like most dope sniffing dogs, he's got

0:59:33.520 --> 0:59:37.040
<v Speaker 1>a habit train to have the habit pick up the

0:59:37.160 --> 0:59:39.640
<v Speaker 1>tracks of the traffickers and track them like a rabbit

0:59:40.000 --> 0:59:45.560
<v Speaker 1>up the coastline. K nine Control Substance Retriever Receiver of

0:59:45.680 --> 0:59:48.880
<v Speaker 1>the Golden Nose Award for leading him to the cash,

0:59:49.280 --> 0:59:52.240
<v Speaker 1>cashing in on the stash. Now he's in line for

0:59:52.360 --> 0:59:55.480
<v Speaker 1>his issue of the booty. Never do he do a

0:59:55.560 --> 0:59:58.520
<v Speaker 1>line in the line of duty. He's a dope dohole,

0:59:59.480 --> 1:00:03.280
<v Speaker 1>are you? It's Custom Coast Guard dope dog, keenss of smell,

1:00:03.760 --> 1:00:07.480
<v Speaker 1>tracking the tail tale trails of cardtail dope boots, big

1:00:07.600 --> 1:00:11.720
<v Speaker 1>dope never Graham o Z kilo too low key, gotta

1:00:11.760 --> 1:00:15.520
<v Speaker 1>be tons of p blow bells of lumbo while other

1:00:15.600 --> 1:00:18.640
<v Speaker 1>dogs are sniffing one another's tail. He can track the

1:00:18.680 --> 1:00:21.800
<v Speaker 1>profit from a dope sell straight to the stink account

1:00:22.200 --> 1:00:27.360
<v Speaker 1>big banks banking online, the dirty money not stinking. As

1:00:27.400 --> 1:00:32.080
<v Speaker 1>the wind blows, he followed his nose. Old mac uncle

1:00:32.200 --> 1:00:36.760
<v Speaker 1>had some drugs ciaio, and with those drugs he bought

1:00:36.840 --> 1:00:41.160
<v Speaker 1>some arms cia I own. There was a bang bang

1:00:41.240 --> 1:00:43.720
<v Speaker 1>here in the snorts north there here bang their snort

1:00:43.800 --> 1:00:48.280
<v Speaker 1>banging snorts everywhere. Old mac uncle starts a war ci

1:00:48.520 --> 1:00:51.760
<v Speaker 1>ai oh, and the war on drugs. It's hell on

1:00:51.840 --> 1:00:54.760
<v Speaker 1>a dope dog nose. It smells where the nose goes

1:00:54.840 --> 1:00:57.560
<v Speaker 1>when the does close and the dealer want to hide

1:00:57.640 --> 1:01:01.440
<v Speaker 1>the dope in the booty in the twat didn't they

1:01:01.520 --> 1:01:04.600
<v Speaker 1>squat and make the dogs sniff. They bow the foul

1:01:04.680 --> 1:01:08.680
<v Speaker 1>as they fart in his face. Damn for a shitty

1:01:08.760 --> 1:01:12.720
<v Speaker 1>half A Graham undercovered knarc with a bark, took a

1:01:12.800 --> 1:01:16.720
<v Speaker 1>bite out of crime. Posing as a CNI dog. He

1:01:16.880 --> 1:01:19.680
<v Speaker 1>bit the blind man with the cane mate of corp.

1:01:20.880 --> 1:01:23.960
<v Speaker 1>As sure as the dope boats float, the meatia goes comatose.

1:01:24.320 --> 1:01:29.120
<v Speaker 1>Unrelated over the counter. Overdose now become drug related aiding

1:01:29.200 --> 1:01:32.800
<v Speaker 1>the embedded by a lot of apprehension and indifference. The

1:01:32.880 --> 1:01:36.400
<v Speaker 1>bigger the headache, the bigger the pill. Y'all can take

1:01:36.440 --> 1:01:39.800
<v Speaker 1>your medicine now because you're gonna be ill. When I

1:01:39.920 --> 1:01:45.000
<v Speaker 1>tell you the deal on dope. There's more profit in

1:01:45.160 --> 1:01:55.680
<v Speaker 1>pretending that we're stopping it than selling it. M you

1:01:55.800 --> 1:01:59.640
<v Speaker 1>coming who control of fame, coming the world the pill.

1:02:00.360 --> 1:02:02.160
<v Speaker 1>To be honest, that sh was so crazy. I didn't

1:02:02.160 --> 1:02:08.439
<v Speaker 1>know whether the clapp I say amen at one point.

1:02:09.120 --> 1:02:14.680
<v Speaker 1>Oh shit, that was the play. But the whole thing

1:02:14.840 --> 1:02:19.360
<v Speaker 1>is about dogs and their relation to drugs. You know,

1:02:19.720 --> 1:02:23.560
<v Speaker 1>some dogs they used to test chemicals on for perfume,

1:02:24.160 --> 1:02:26.960
<v Speaker 1>some dogs they use for drugs snipping and you don't

1:02:27.120 --> 1:02:32.080
<v Speaker 1>have to get the dogs. I have it go up

1:02:32.120 --> 1:02:35.400
<v Speaker 1>your nose, you get nah. And that's what that's the

1:02:35.600 --> 1:02:37.920
<v Speaker 1>whole thing. We saw him doing it at this college

1:02:37.920 --> 1:02:40.400
<v Speaker 1>when he was training the dogs, and that's when I

1:02:40.520 --> 1:02:46.080
<v Speaker 1>really damn. And so I've been yeah and like you said,

1:02:46.120 --> 1:02:49.280
<v Speaker 1>every time, and they have to go through that shit

1:02:49.360 --> 1:02:53.520
<v Speaker 1>cold turkey. Yeah. Now, one thing that's amazing, right is

1:02:54.040 --> 1:02:56.320
<v Speaker 1>I'm looking at a good friend of ours in front

1:02:56.320 --> 1:02:59.840
<v Speaker 1>of the show DJ College, DJ Collins. I think he

1:03:00.000 --> 1:03:03.920
<v Speaker 1>just announced that he celebrated his fourteenth album. Sure, we

1:03:03.960 --> 1:03:07.280
<v Speaker 1>don't want to doubt it, but right so I think

1:03:07.440 --> 1:03:13.120
<v Speaker 1>and he's he's opening um a Snipe store and um

1:03:13.200 --> 1:03:16.360
<v Speaker 1>South Beast. So so he's announcing his fourteenth album. So

1:03:16.480 --> 1:03:23.520
<v Speaker 1>I'm searching. And again he blew my fucking mind, y'all

1:03:23.640 --> 1:03:31.280
<v Speaker 1>throughout nineteen albums in nineteen seventy. Oh yeah, over nineteen years.

1:03:31.320 --> 1:03:35.360
<v Speaker 1>And no, no, no, DMX was crazy in the seventies

1:03:35.480 --> 1:03:40.320
<v Speaker 1>or the seventies nineteen, I know that's crazy. Yeah, I

1:03:40.440 --> 1:03:43.000
<v Speaker 1>mean it's more than that problem because we was doing

1:03:43.840 --> 1:03:47.720
<v Speaker 1>and we were doing what to called industrial music, which

1:03:47.800 --> 1:03:52.240
<v Speaker 1>is like punk rock m they because a new wave

1:03:52.400 --> 1:03:55.600
<v Speaker 1>and was that in England? Like was that England? And

1:03:55.840 --> 1:03:57.720
<v Speaker 1>here we did a lot of those that a lot

1:03:57.760 --> 1:04:00.800
<v Speaker 1>of people just now founding out about. You know. It

1:04:00.920 --> 1:04:04.040
<v Speaker 1>was like the Chili Peppers, but a little heavier, a

1:04:04.080 --> 1:04:08.520
<v Speaker 1>little harder really, and they were sampling records they were

1:04:08.600 --> 1:04:11.320
<v Speaker 1>doing like hip hop, sampling it with rock and roll

1:04:11.440 --> 1:04:14.439
<v Speaker 1>band playing with it, you know, with a heavy metal

1:04:14.560 --> 1:04:18.560
<v Speaker 1>like that was a concept that was it something like

1:04:19.000 --> 1:04:22.280
<v Speaker 1>like oh my god, those my boy yea, yeah, me

1:04:22.400 --> 1:04:25.200
<v Speaker 1>to a lot with them too. Nobody not get along

1:04:25.240 --> 1:04:27.520
<v Speaker 1>with you, just just so you know, huh, there's there's

1:04:27.560 --> 1:04:29.280
<v Speaker 1>no one in this world that don't get along with you.

1:04:29.440 --> 1:04:32.760
<v Speaker 1>Oh no, that's the thing we made sure. I tell

1:04:32.800 --> 1:04:36.600
<v Speaker 1>the band that you get along with whoever the fuck

1:04:36.720 --> 1:04:38.760
<v Speaker 1>is on the show, whether we close in the opening,

1:04:39.520 --> 1:04:42.200
<v Speaker 1>you know, because that's everybody want to work with you.

1:04:43.080 --> 1:04:44.920
<v Speaker 1>That's an easy one, you know what I mean, you

1:04:45.000 --> 1:04:46.880
<v Speaker 1>just I figure out would at some of them you

1:04:46.920 --> 1:04:48.840
<v Speaker 1>have to stay out of their way. The ultimate network,

1:04:49.000 --> 1:04:51.040
<v Speaker 1>you know, some of them. Really, what should be even

1:04:51.080 --> 1:04:53.000
<v Speaker 1>say out because something people I don't think I don't

1:04:53.640 --> 1:04:57.600
<v Speaker 1>me right, Um, I'm forty five, right, Um. Somebody gets

1:04:57.600 --> 1:04:59.760
<v Speaker 1>said to me old man. Somebody get said to me young, right,

1:05:00.240 --> 1:05:03.760
<v Speaker 1>but to me for my generation, everyone salutes you everyone. No,

1:05:03.960 --> 1:05:06.600
<v Speaker 1>that's what I'm saying. That's that's gets saluted. You just

1:05:06.640 --> 1:05:10.280
<v Speaker 1>can't held some people's way concern. What do you mean

1:05:10.280 --> 1:05:11.640
<v Speaker 1>you stay out of some people with I mean, some

1:05:11.720 --> 1:05:13.880
<v Speaker 1>people just have their thing that they do. They don't

1:05:13.920 --> 1:05:17.680
<v Speaker 1>want to conform to being friends with nobody none of that.

1:05:17.960 --> 1:05:19.959
<v Speaker 1>Like Patty the Bell gets out here in the same seat,

1:05:19.960 --> 1:05:22.000
<v Speaker 1>and Patty the Bell said it was one artist that

1:05:22.080 --> 1:05:25.040
<v Speaker 1>she couldn't stand. Not I read the franklin. I don't

1:05:25.080 --> 1:05:26.760
<v Speaker 1>read the franklin. She was just saying that there was

1:05:26.800 --> 1:05:29.120
<v Speaker 1>one artist that she couldn't stand and it was a

1:05:29.200 --> 1:05:31.880
<v Speaker 1>younger artist. It was a younger artist, and and she

1:05:32.080 --> 1:05:34.560
<v Speaker 1>just like avoided her. And oh yeah, not like you

1:05:34.600 --> 1:05:38.080
<v Speaker 1>can avoid some people that could keep keep. You have

1:05:38.160 --> 1:05:40.479
<v Speaker 1>to void some people. You gotta be able to read people.

1:05:40.600 --> 1:05:42.840
<v Speaker 1>That's what it did. You go and they end up

1:05:42.920 --> 1:05:45.320
<v Speaker 1>liking you too, because they know they ain't got new

1:05:46.720 --> 1:05:50.120
<v Speaker 1>no problem with you, you know. But you said Patty,

1:05:50.120 --> 1:05:52.360
<v Speaker 1>I saw Patty thing. I used to do Patty and

1:05:52.440 --> 1:05:55.840
<v Speaker 1>knownans both. I used to do their hair really when

1:05:55.920 --> 1:06:00.680
<v Speaker 1>they were like Patty LaBelle and the Blue Bell, that's

1:06:00.680 --> 1:06:03.160
<v Speaker 1>what they were called. I sold my heart to the

1:06:03.280 --> 1:06:07.560
<v Speaker 1>junk Man in nineteen fifty nine, sixty sixty, nineteen sixty.

1:06:08.640 --> 1:06:11.560
<v Speaker 1>I used to do their head, patting head, little waves

1:06:11.600 --> 1:06:13.960
<v Speaker 1>in the head. No, I didn't know his head as

1:06:14.040 --> 1:06:19.160
<v Speaker 1>late as the ninety seven I did in Paris just

1:06:19.400 --> 1:06:22.720
<v Speaker 1>for Sills is literally had my body right now. Yeah.

1:06:22.720 --> 1:06:24.200
<v Speaker 1>I used to do but we didn't have a barber shop.

1:06:24.240 --> 1:06:27.080
<v Speaker 1>We did stars here. Everybody came through Jersey, So not

1:06:27.200 --> 1:06:32.920
<v Speaker 1>just Plainfield or fifteen miles from Plainfield. I mean everybody

1:06:33.000 --> 1:06:35.760
<v Speaker 1>came through New York. In New York, worked in New

1:06:35.880 --> 1:06:39.320
<v Speaker 1>York at Playboys on Seventh Avenue, one hundred twenty fifth Street,

1:06:39.520 --> 1:06:42.920
<v Speaker 1>So you did all kind of stars here. I mean then,

1:06:43.520 --> 1:06:47.200
<v Speaker 1>I mean Dionne. You know her husband Bill Elliott, the drummer,

1:06:48.040 --> 1:06:51.120
<v Speaker 1>used to do his heir. I mean all kind of star.

1:06:51.160 --> 1:06:52.760
<v Speaker 1>I can Dame drop all day when he comes to

1:06:53.040 --> 1:06:55.400
<v Speaker 1>the head taking a shot just cause I got my shot.

1:06:55.680 --> 1:06:57.560
<v Speaker 1>I'm taking a shot just because we're taking a hair shot.

1:06:57.680 --> 1:06:59.560
<v Speaker 1>You know, listen, I ain't gonna lie, don't. I don't

1:06:59.720 --> 1:07:01.880
<v Speaker 1>like I think since Patti of the Bell has been here,

1:07:01.880 --> 1:07:04.160
<v Speaker 1>I don't think I've ever had chills like this. And

1:07:04.240 --> 1:07:08.000
<v Speaker 1>I got like deeper chills because I'm learning shit that

1:07:08.080 --> 1:07:10.440
<v Speaker 1>I like. I thought I knew everything about you, and

1:07:10.520 --> 1:07:13.240
<v Speaker 1>it's like, I don't like it just keeps growing and

1:07:13.360 --> 1:07:16.040
<v Speaker 1>growing and you didn't talk. I'll be thinking of shit

1:07:16.160 --> 1:07:20.040
<v Speaker 1>that I feeling. Got stuff. I mean for these kind

1:07:20.080 --> 1:07:24.400
<v Speaker 1>of shows. Shit. But let me ask, let me let

1:07:24.440 --> 1:07:27.560
<v Speaker 1>me do a left field question. I got it's just

1:07:27.640 --> 1:07:30.240
<v Speaker 1>left field question. Um, how about a little Richard you

1:07:30.320 --> 1:07:33.640
<v Speaker 1>ever met a little Richard? Le met a little Richard

1:07:34.160 --> 1:07:38.800
<v Speaker 1>at the Rock and Roll Hall of Fame myself, Eddie

1:07:39.160 --> 1:07:43.480
<v Speaker 1>in the OJS. Who else? Wait? Wait talking about hold on?

1:07:45.200 --> 1:07:50.920
<v Speaker 1>Hold on, hold on, guys, Oh god, hold let me

1:07:50.960 --> 1:07:52.920
<v Speaker 1>just let me just tell you the frost just now.

1:07:54.160 --> 1:07:56.840
<v Speaker 1>I just said, did you haven't met Richard? It's like, yeah,

1:07:57.640 --> 1:08:01.600
<v Speaker 1>the hold of who the fuck? Ain't like that? Because

1:08:01.600 --> 1:08:03.680
<v Speaker 1>I remember that was one of the first places that

1:08:03.840 --> 1:08:05.640
<v Speaker 1>I've met him and talked to him. I knew him

1:08:05.640 --> 1:08:08.960
<v Speaker 1>over the years, but we was on something Cleveland, right

1:08:09.040 --> 1:08:13.200
<v Speaker 1>in Cleveland, and they were just getting it together. A

1:08:13.360 --> 1:08:15.880
<v Speaker 1>couple of years after they got together and we had

1:08:15.920 --> 1:08:18.720
<v Speaker 1>to go. Then I gave some kind of one of

1:08:18.800 --> 1:08:24.000
<v Speaker 1>my costumes or something myself, him, Eddie, and there's somebody

1:08:24.160 --> 1:08:27.400
<v Speaker 1>else I just can't remember who it was, but another

1:08:27.520 --> 1:08:32.960
<v Speaker 1>one of the older guys from that era. Oh yeah, yeah,

1:08:33.160 --> 1:08:37.439
<v Speaker 1>a little Richard. That was. That was little Richard jereddy

1:08:37.680 --> 1:08:43.720
<v Speaker 1>Lewis Elvis Presley that I started the group. And you're

1:08:43.720 --> 1:08:45.800
<v Speaker 1>telling me you did a show with Elvis. No, No,

1:08:45.800 --> 1:08:47.960
<v Speaker 1>I didn't do the show with Elvis, but I tried.

1:08:48.000 --> 1:08:50.360
<v Speaker 1>I tried to write songs from him. What's your take

1:08:50.400 --> 1:08:53.120
<v Speaker 1>on Elvis. You know, there's all this mixtapes. Some people

1:08:53.120 --> 1:08:55.120
<v Speaker 1>would be like, he stole our ship. No, I mean,

1:08:55.200 --> 1:08:57.240
<v Speaker 1>did you want people to do your ship? You want

1:08:57.280 --> 1:08:59.360
<v Speaker 1>people to cover your records. I mean that's what song

1:08:59.439 --> 1:09:01.800
<v Speaker 1>writing this for. You want somebody else to do it.

1:09:02.040 --> 1:09:03.559
<v Speaker 1>Then he might have did it too soon. He got

1:09:03.680 --> 1:09:06.240
<v Speaker 1>more publicity than you. But that's the game you're in,

1:09:06.840 --> 1:09:10.400
<v Speaker 1>you know. Yeah, I mean, here's just it was just

1:09:10.600 --> 1:09:13.759
<v Speaker 1>what was happening. And a lot of pop stations wouldn't

1:09:13.760 --> 1:09:15.760
<v Speaker 1>play R and B versions of it, but they play

1:09:16.760 --> 1:09:22.639
<v Speaker 1>the Patty um Elvis is was pat Boom. He did

1:09:22.720 --> 1:09:25.560
<v Speaker 1>a lot of our stung at the same time, the

1:09:25.640 --> 1:09:28.280
<v Speaker 1>black artist would have him out. Now that hurts you feeling.

1:09:29.160 --> 1:09:32.600
<v Speaker 1>Wait wait I'm saying I mean that's really wouldn't it

1:09:32.640 --> 1:09:36.360
<v Speaker 1>be just straight racist at that point? All this is racist?

1:09:36.800 --> 1:09:44.360
<v Speaker 1>I mean, homes Over sounds like, I mean, the whole

1:09:44.479 --> 1:09:47.479
<v Speaker 1>systems is that. I mean, we're still trying to evolve

1:09:47.560 --> 1:09:51.280
<v Speaker 1>out that. But everything has been that trying to you know,

1:09:51.600 --> 1:09:54.280
<v Speaker 1>even and I come on out of it and evolve

1:09:54.360 --> 1:09:57.680
<v Speaker 1>into we're fighting for them. But yeah, that's what it was.

1:09:58.120 --> 1:10:00.719
<v Speaker 1>I mean that, but you know, it was just it's normal.

1:10:01.080 --> 1:10:04.080
<v Speaker 1>Then it's normal then, but it's not as bad as

1:10:04.120 --> 1:10:06.080
<v Speaker 1>it was. Then. As soon as you got to hit

1:10:06.080 --> 1:10:09.519
<v Speaker 1>the record, the pop stations can find somebody to do

1:10:09.640 --> 1:10:13.479
<v Speaker 1>it and they play theirs. Now that that really going

1:10:13.560 --> 1:10:15.840
<v Speaker 1>to you said, as soon as you had to hit record,

1:10:15.880 --> 1:10:19.000
<v Speaker 1>the pop stations will get but they wouldn't. Somebody would

1:10:19.320 --> 1:10:23.800
<v Speaker 1>could cover, and they played their version first because that

1:10:23.920 --> 1:10:25.720
<v Speaker 1>was the way they knew could work in that And

1:10:26.120 --> 1:10:28.519
<v Speaker 1>and let me just let say the act that's what

1:10:28.600 --> 1:10:31.360
<v Speaker 1>Elvis was doing. But yeah, I mean that they were

1:10:31.400 --> 1:10:34.720
<v Speaker 1>the first d like when some of the first song, Yeah,

1:10:34.760 --> 1:10:38.040
<v Speaker 1>that's what he was doing. Wow, be done in New York.

1:10:38.840 --> 1:10:41.599
<v Speaker 1>Murray the Kay who was out of Brooklyn. He used

1:10:41.600 --> 1:10:44.840
<v Speaker 1>to have shows with everybody on it and be RMB

1:10:45.120 --> 1:10:48.840
<v Speaker 1>things black and white and pop and everything. Before the

1:10:48.960 --> 1:10:52.800
<v Speaker 1>stations broke themselves up into playing R and B pop,

1:10:53.200 --> 1:10:56.439
<v Speaker 1>everybody's tried to get their own niche that's when it's

1:10:56.439 --> 1:10:59.519
<v Speaker 1>separated into the real hard thing where you have to

1:10:59.600 --> 1:11:02.640
<v Speaker 1>cross over to get to the pop station and get

1:11:02.680 --> 1:11:05.479
<v Speaker 1>a hit regular. But still was in the hood only

1:11:06.120 --> 1:11:09.360
<v Speaker 1>you know, you had to go through that until the

1:11:09.560 --> 1:11:12.519
<v Speaker 1>underground stations, which was the FM stations at the time,

1:11:12.920 --> 1:11:18.439
<v Speaker 1>what WAYM was the main AM was and FM was

1:11:18.760 --> 1:11:21.519
<v Speaker 1>nobody was on FM but sucking up our whole childhood

1:11:21.600 --> 1:11:28.719
<v Speaker 1>right now. I mean just like jazz was jazz, gospel, rock,

1:11:29.680 --> 1:11:32.720
<v Speaker 1>heavy I mean not heavy mail, but rock underground, not

1:11:32.880 --> 1:11:34.800
<v Speaker 1>you ever just pop rock. They couldn't get on the

1:11:34.960 --> 1:11:37.640
<v Speaker 1>on the on the underground station. They were the only

1:11:37.720 --> 1:11:41.680
<v Speaker 1>ones that liked Fmcuse FM is bigger FM, bigger thing.

1:11:41.800 --> 1:11:45.560
<v Speaker 1>Big AM was the hood you right a Crosstown the

1:11:45.680 --> 1:11:48.840
<v Speaker 1>station change on you as soon as you get across town.

1:11:49.160 --> 1:11:56.960
<v Speaker 1>And another and then seventies, I mean FM started to

1:11:57.000 --> 1:11:59.439
<v Speaker 1>become BLS. Prob was one of the first in New

1:11:59.520 --> 1:12:03.439
<v Speaker 1>York to start becoming playing regular which is the first

1:12:03.640 --> 1:12:06.680
<v Speaker 1>I think had the hip hop show. Yeah, I mean

1:12:07.120 --> 1:12:09.840
<v Speaker 1>w w r L was the other stations the magic

1:12:09.960 --> 1:12:12.520
<v Speaker 1>it played. It was the pop version. But when BLS

1:12:12.600 --> 1:12:14.840
<v Speaker 1>come out, it was the peg station and plus they

1:12:14.920 --> 1:12:18.439
<v Speaker 1>sounded better. It was in stereo. AM wasn't in stereo,

1:12:19.560 --> 1:12:23.120
<v Speaker 1>you know, wow, you AM was just two speakers playing

1:12:23.160 --> 1:12:25.320
<v Speaker 1>the same thing. So was it just because AM was

1:12:25.360 --> 1:12:27.360
<v Speaker 1>always just first and then FM was the new thing

1:12:27.400 --> 1:12:31.120
<v Speaker 1>that was Both AM stations had an FM station. They

1:12:31.240 --> 1:12:33.400
<v Speaker 1>had both of them, but nobody just listened to them.

1:12:33.520 --> 1:12:37.400
<v Speaker 1>Nobody had no stereo radio since it was what they

1:12:37.479 --> 1:12:40.240
<v Speaker 1>were listening one. It wasn't ready for FM. Ye, I

1:12:40.320 --> 1:12:42.920
<v Speaker 1>mean they would big a station, but you didn't get

1:12:42.960 --> 1:12:47.680
<v Speaker 1>that that stereo with the music travelical right, And that

1:12:47.800 --> 1:12:52.360
<v Speaker 1>became popular when Jimmy Hendricks came out, the Beatles came

1:12:52.400 --> 1:12:54.200
<v Speaker 1>out and all those people that started playing with it,

1:12:54.360 --> 1:12:56.280
<v Speaker 1>mixing it like mixing it like then when you started

1:12:56.360 --> 1:13:00.840
<v Speaker 1>hitting ship running around, and then film became saw it

1:13:00.960 --> 1:13:06.000
<v Speaker 1>becoming popular in the seventies. Wow, I mean groups like

1:13:06.120 --> 1:13:09.400
<v Speaker 1>James Brown. To us, it was always AM. It was

1:13:09.400 --> 1:13:11.400
<v Speaker 1>straight a M. You know, that's why I was such

1:13:11.520 --> 1:13:14.599
<v Speaker 1>good dance music. You know James Brown's song we should

1:13:14.600 --> 1:13:17.880
<v Speaker 1>call him two for nineteen seven because it was that tight,

1:13:18.640 --> 1:13:21.360
<v Speaker 1>you know, real tight dance music. You know you didn't

1:13:21.400 --> 1:13:23.320
<v Speaker 1>want to You couldn't listen to the album of that,

1:13:23.720 --> 1:13:25.880
<v Speaker 1>not even it's hard to do that. Our first records

1:13:26.120 --> 1:13:28.360
<v Speaker 1>you get on your nerve all that banging, But when

1:13:28.479 --> 1:13:30.240
<v Speaker 1>FM come in you can get the colors of the

1:13:30.920 --> 1:13:34.280
<v Speaker 1>stereo and stuff. Then you actually appreciate it. Let me

1:13:34.360 --> 1:13:36.600
<v Speaker 1>let me ask you real quick, is there something to

1:13:36.680 --> 1:13:39.439
<v Speaker 1>the idea that They said that a lot of music

1:13:39.560 --> 1:13:43.839
<v Speaker 1>popped off in the seventies, late sixties, in early seventies

1:13:44.080 --> 1:13:46.439
<v Speaker 1>because of the soldiers coming back from Vietnam. What they

1:13:46.479 --> 1:13:48.800
<v Speaker 1>were listening, that's what That's what we played too. When

1:13:48.840 --> 1:13:52.439
<v Speaker 1>we did Maggot Brain Free your Mind. You asked for

1:13:52.560 --> 1:13:55.960
<v Speaker 1>following America, he's just young. Those were the songs that

1:13:56.080 --> 1:13:59.080
<v Speaker 1>the soldiers came back sin that helped them through through

1:13:59.400 --> 1:14:01.519
<v Speaker 1>through the people we were playing to the war. I mean,

1:14:01.640 --> 1:14:04.800
<v Speaker 1>we was getting that from the rocks groups, you know

1:14:04.920 --> 1:14:07.960
<v Speaker 1>who from Europe who was talking about that stuff. So

1:14:08.160 --> 1:14:10.960
<v Speaker 1>we peeped that and we were able to do it.

1:14:11.400 --> 1:14:17.960
<v Speaker 1>America said jump provocative type concept like biological speculation, you know,

1:14:18.120 --> 1:14:20.639
<v Speaker 1>stuff like that. I was saying stuff that I knew

1:14:20.640 --> 1:14:24.240
<v Speaker 1>it was political or social. You're not not trying to

1:14:24.280 --> 1:14:28.280
<v Speaker 1>be no preacher. I always avoided that. You know, people

1:14:28.320 --> 1:14:30.240
<v Speaker 1>want to. We did it just to bring it up

1:14:30.280 --> 1:14:32.840
<v Speaker 1>to make you think it was like more like what

1:14:33.120 --> 1:14:36.920
<v Speaker 1>is because we say some absurd things that I wasn't into,

1:14:37.320 --> 1:14:40.880
<v Speaker 1>but just I know that people are into. But we

1:14:41.040 --> 1:14:45.479
<v Speaker 1>do it just because for the shot value. Just so

1:14:46.479 --> 1:14:49.040
<v Speaker 1>what if this was the case. But there's somebody that's

1:14:49.040 --> 1:14:52.320
<v Speaker 1>saying this, so we would mirror what the street is saying.

1:14:52.520 --> 1:14:56.000
<v Speaker 1>That's what art do. Aren't usually mirror what the society

1:14:56.160 --> 1:14:59.439
<v Speaker 1>is talking about what they're doing, And you ain't the artist.

1:14:59.520 --> 1:15:01.720
<v Speaker 1>It's just this is what we see, this is what

1:15:01.840 --> 1:15:05.080
<v Speaker 1>we're reported them. That's hip hop came along and it

1:15:05.160 --> 1:15:08.000
<v Speaker 1>was doing the same thing with the same concept of

1:15:08.080 --> 1:15:13.519
<v Speaker 1>playing the dozens. It's that it doesn't into news. That's

1:15:13.560 --> 1:15:17.400
<v Speaker 1>what I mean. Even say in WA I was I

1:15:17.560 --> 1:15:20.120
<v Speaker 1>was sold on New York Rep. I wasn't Compton. I wasn't.

1:15:20.720 --> 1:15:24.320
<v Speaker 1>But I wasn't even into the West Coast being you know,

1:15:24.600 --> 1:15:27.439
<v Speaker 1>hardcore gangster rep. That didn't to me. It was like that.

1:15:27.520 --> 1:15:29.439
<v Speaker 1>But they was into you being hard hook Yeah, but

1:15:29.920 --> 1:15:31.640
<v Speaker 1>they headed out of you. They had grass in the

1:15:31.720 --> 1:15:34.160
<v Speaker 1>front yard and both parents home. Yeah, I'm from the

1:15:34.320 --> 1:15:37.960
<v Speaker 1>church with concrete everything. He had to be in the

1:15:38.080 --> 1:15:43.560
<v Speaker 1>projects to be that kind of so vividly to me,

1:15:43.720 --> 1:15:46.840
<v Speaker 1>that's what that changed. The truth. They was telling the

1:15:46.920 --> 1:15:50.040
<v Speaker 1>news of what was going on, and I thought, Compton,

1:15:50.080 --> 1:15:52.960
<v Speaker 1>I'm like that, say, no, ghetto, this isn't a cute

1:15:53.000 --> 1:15:56.200
<v Speaker 1>to me. I'm New York and the projects on frist

1:15:56.200 --> 1:15:59.439
<v Speaker 1>Street and New Ork Fort Green projects in Brook. Yeah,

1:15:59.560 --> 1:16:02.519
<v Speaker 1>that was hard, hard copy square more but sure enough

1:16:02.600 --> 1:16:06.280
<v Speaker 1>that it was like was popping off. And to me,

1:16:06.800 --> 1:16:09.280
<v Speaker 1>I was beginning to be more afraid of being there,

1:16:10.160 --> 1:16:12.800
<v Speaker 1>you know, because I ain't no more than somebody shooting

1:16:12.800 --> 1:16:15.960
<v Speaker 1>at you and too scared to you know, just just

1:16:16.080 --> 1:16:18.599
<v Speaker 1>shoot them. And that's the way it was. They weren't

1:16:18.600 --> 1:16:23.320
<v Speaker 1>nobody wouldn't verstly being gangsters. That was just what was happening.

1:16:23.880 --> 1:16:27.360
<v Speaker 1>And New York it was almost over by the time

1:16:27.439 --> 1:16:29.920
<v Speaker 1>it was happening that that police are tell you, man,

1:16:29.960 --> 1:16:32.040
<v Speaker 1>don't make don't blow my job. Man, come on to

1:16:32.120 --> 1:16:33.880
<v Speaker 1>take that. I know, you get lost your job and

1:16:33.960 --> 1:16:37.720
<v Speaker 1>problemlah blah, you know, but they get your break. It

1:16:37.920 --> 1:16:40.920
<v Speaker 1>was hard as hell in la you wouldn't get no breaks.

1:16:41.360 --> 1:16:45.600
<v Speaker 1>Yeah right, but um so let me ask you. You

1:16:45.640 --> 1:16:48.479
<v Speaker 1>went you went fishing one time in the Bahamas and

1:16:48.560 --> 1:16:52.519
<v Speaker 1>you saw aliens. I'm going fishing lots of time. Nobody

1:16:53.240 --> 1:17:00.400
<v Speaker 1>ain't seen the aliens has seen U. Well, ufo, how

1:17:00.640 --> 1:17:02.320
<v Speaker 1>how to put it me? Neither? I mean right now

1:17:02.400 --> 1:17:09.200
<v Speaker 1>it's the government is saying this crest. I'm so convinced

1:17:09.240 --> 1:17:13.120
<v Speaker 1>of that. I'm okay with the crazies down any day

1:17:13.240 --> 1:17:15.120
<v Speaker 1>now I'm ready for that to jump off. That would

1:17:15.120 --> 1:17:17.640
<v Speaker 1>not surprise me. But I'm saying, what happened. He's time

1:17:17.640 --> 1:17:22.160
<v Speaker 1>about boots. And I was riding in Toronto and we

1:17:22.280 --> 1:17:26.439
<v Speaker 1>saw like a laser been dead the middle of the day,

1:17:26.640 --> 1:17:29.439
<v Speaker 1>nice right laser in the daylight. That's a weird look,

1:17:29.520 --> 1:17:34.160
<v Speaker 1>that's thing right. Yes, we saw it hit the ground

1:17:34.240 --> 1:17:36.280
<v Speaker 1>by them, a couple of blocks in front of us.

1:17:36.640 --> 1:17:39.040
<v Speaker 1>We got there, didn't see. I said, what was that?

1:17:39.120 --> 1:17:42.160
<v Speaker 1>He said, I don't know. So we drove another three minutes.

1:17:42.680 --> 1:17:46.200
<v Speaker 1>The same thing came down through. Now we're off the highway.

1:17:46.240 --> 1:17:48.920
<v Speaker 1>We're on us a secondary street. Come right down through

1:17:48.920 --> 1:17:51.760
<v Speaker 1>the trees, two blocks in front of us. We see

1:17:51.760 --> 1:17:53.160
<v Speaker 1>it right out of the sky and right through the

1:17:53.200 --> 1:17:55.400
<v Speaker 1>trees and hit when he hit the ground and looked

1:17:55.439 --> 1:18:00.360
<v Speaker 1>like electricity splatting is popping. Okay, we see that landing

1:18:00.439 --> 1:18:02.200
<v Speaker 1>on the same side of the street we were on.

1:18:03.240 --> 1:18:06.040
<v Speaker 1>Next one landing in the same block. Now in the

1:18:06.120 --> 1:18:09.280
<v Speaker 1>same on the other side of the street. And I

1:18:09.439 --> 1:18:11.920
<v Speaker 1>reached to the radio, you know, to turn down to look.

1:18:12.240 --> 1:18:14.840
<v Speaker 1>And then the third one hit the car on the

1:18:14.960 --> 1:18:18.600
<v Speaker 1>passenger side. It beat it up like you know, like

1:18:19.080 --> 1:18:26.240
<v Speaker 1>mercury and or thermometer, you know what they look and

1:18:27.040 --> 1:18:31.240
<v Speaker 1>just dribble over the side of the car. Yes, Now,

1:18:31.960 --> 1:18:34.400
<v Speaker 1>this is only like three minutes from where we just

1:18:34.560 --> 1:18:38.120
<v Speaker 1>seen the lazer. I mean when it looked like a

1:18:38.160 --> 1:18:45.080
<v Speaker 1>laser when we hit the car. Our attention for like years,

1:18:45.120 --> 1:18:47.720
<v Speaker 1>I didn't think about this for years, was on the

1:18:47.840 --> 1:18:51.160
<v Speaker 1>fact that the street lights were going down. They were

1:18:51.240 --> 1:18:54.120
<v Speaker 1>demon they were demmon. They you know, it was like

1:18:54.280 --> 1:18:56.840
<v Speaker 1>the street lights was home and they were going off.

1:18:57.320 --> 1:19:02.439
<v Speaker 1>The car lights was doing. That was demming. You could

1:19:02.439 --> 1:19:05.280
<v Speaker 1>see way down two blocks in front of the lights

1:19:05.320 --> 1:19:07.519
<v Speaker 1>going out and boots you driving say what is it?

1:19:07.680 --> 1:19:12.040
<v Speaker 1>I don't get the funk out of here. We get

1:19:12.479 --> 1:19:15.160
<v Speaker 1>three blocks and this and looked the left. You can

1:19:15.200 --> 1:19:18.799
<v Speaker 1>see street lights on and it looked like traffic was moving.

1:19:20.000 --> 1:19:25.760
<v Speaker 1>We get to the house, parks in the driveway and

1:19:26.160 --> 1:19:28.439
<v Speaker 1>don't say shit. We said that for like three minutes

1:19:29.080 --> 1:19:33.320
<v Speaker 1>and my daughter walks out, Wow, y'all look like y'all

1:19:33.320 --> 1:19:37.600
<v Speaker 1>seen the ghost. And he said, she said, you know,

1:19:37.720 --> 1:19:40.639
<v Speaker 1>give me a hug. I'm going to bed now. Remember

1:19:42.520 --> 1:19:44.080
<v Speaker 1>I told you the weirdest thing about seeing it the

1:19:44.160 --> 1:19:47.200
<v Speaker 1>first time, that was in daylight. Right, this is only

1:19:47.320 --> 1:19:49.960
<v Speaker 1>like five minutes away from when that Now it's dark.

1:19:50.160 --> 1:19:53.640
<v Speaker 1>Now it's dark and she's going to bed. I mean

1:19:53.680 --> 1:19:57.560
<v Speaker 1>it's seven o'clock. We didn't not think about that for

1:19:57.640 --> 1:20:00.960
<v Speaker 1>at least ten years. You gotta duct it. We did

1:20:01.120 --> 1:20:04.240
<v Speaker 1>not think about the fact that that time discrepancy from

1:20:04.280 --> 1:20:06.840
<v Speaker 1>the first time he saw it to the street lights

1:20:06.880 --> 1:20:08.720
<v Speaker 1>going out to we're going to be I had the

1:20:08.760 --> 1:20:11.559
<v Speaker 1>car boots. I'm on the road years later and said,

1:20:11.800 --> 1:20:14.160
<v Speaker 1>when I thought about it like that, I said, what

1:20:14.439 --> 1:20:17.400
<v Speaker 1>what time did we get to Toronto? He said ten

1:20:17.560 --> 1:20:20.439
<v Speaker 1>or so in the morning. I said, great, Um, when

1:20:20.439 --> 1:20:23.960
<v Speaker 1>we saw the light the first time that it was daylight?

1:20:24.840 --> 1:20:27.000
<v Speaker 1>I said it was daylight, right? He said, yeah, it

1:20:27.120 --> 1:20:29.240
<v Speaker 1>was daylight. It was weird. That's what made it weird.

1:20:29.840 --> 1:20:33.360
<v Speaker 1>That was in daylight. There's only three blocks from there

1:20:33.960 --> 1:20:38.040
<v Speaker 1>to where the light hit the car. I say, why

1:20:38.200 --> 1:20:41.840
<v Speaker 1>was the street lights going out? And why? And why

1:20:41.960 --> 1:20:47.840
<v Speaker 1>was was Rolla going to bed at seven and night?

1:20:48.360 --> 1:20:52.559
<v Speaker 1>Is it? Man? Fuck you? What happened to that time?

1:20:54.400 --> 1:20:57.760
<v Speaker 1>We never thought about that? Just classic abduction story. And

1:20:57.920 --> 1:21:02.240
<v Speaker 1>I gotta ask was there any rugs involved? No? No.

1:21:03.840 --> 1:21:06.680
<v Speaker 1>The thing is we had just come from Detroit from

1:21:06.720 --> 1:21:09.600
<v Speaker 1>the studio had to come to custom because you know

1:21:09.720 --> 1:21:15.000
<v Speaker 1>Detroit and um Canada, right yea yeah, customer a format,

1:21:15.120 --> 1:21:16.960
<v Speaker 1>so we had to come to custom. We ain't come

1:21:17.040 --> 1:21:19.080
<v Speaker 1>through the custom and no drugs yet the fact I

1:21:19.120 --> 1:21:20.800
<v Speaker 1>had to go look for something. After that, You're like,

1:21:22.080 --> 1:21:25.320
<v Speaker 1>that should sucked up so much. I respect that. That's

1:21:25.600 --> 1:21:30.200
<v Speaker 1>that's that, and that was Oh yeah that I believed

1:21:30.240 --> 1:21:33.439
<v Speaker 1>in that. Anyway, I'm gonna start trek freak to all

1:21:33.479 --> 1:21:36.559
<v Speaker 1>of that. I'm believing any you believe in ghost to, right,

1:21:36.600 --> 1:21:39.760
<v Speaker 1>you believe in aliens. I believe in ghost to and

1:21:39.880 --> 1:21:42.439
<v Speaker 1>I believe I mean one of them ships, one of

1:21:42.479 --> 1:21:44.600
<v Speaker 1>them sits. I mean I'm interested. I'm interested in it.

1:21:45.439 --> 1:21:48.120
<v Speaker 1>Wow man. Yeah, But like I said, so, you know,

1:21:48.240 --> 1:21:50.559
<v Speaker 1>remember the time you was fishing and you saw aliens

1:21:50.600 --> 1:21:54.040
<v Speaker 1>and Bahamas. I remembers nor I seen the story where

1:21:54.080 --> 1:21:59.960
<v Speaker 1>you're describing where you was fishing. You've been seeing eliots

1:22:00.040 --> 1:22:03.479
<v Speaker 1>a lot. He hadn't seen the aliens though he's seen

1:22:03.720 --> 1:22:07.439
<v Speaker 1>he's seen like that situation. Well, they didn't get to

1:22:07.479 --> 1:22:10.000
<v Speaker 1>see who was doing. He didn't see Homie and that

1:22:10.720 --> 1:22:15.760
<v Speaker 1>believe that he believed that ship. Hell yeah. So right

1:22:15.800 --> 1:22:17.760
<v Speaker 1>now with the government saying all this stuff. They're saying

1:22:17.800 --> 1:22:20.200
<v Speaker 1>that must be wild after you've seen something like that

1:22:20.280 --> 1:22:23.760
<v Speaker 1>in the past. I'm just waiting. Didn't convince of that ship.

1:22:24.000 --> 1:22:27.240
<v Speaker 1>You know, you know Puerto Rico, they say got the

1:22:27.280 --> 1:22:30.640
<v Speaker 1>biggest alien shit going on. I'm not lot they got.

1:22:30.720 --> 1:22:32.320
<v Speaker 1>They got a one coming out the water. They got

1:22:32.400 --> 1:22:39.320
<v Speaker 1>a big thing. No, bro is not real, man, he

1:22:41.040 --> 1:22:49.519
<v Speaker 1>is you when you get too drunk. Maybe maybe No, No,

1:22:49.960 --> 1:22:52.400
<v Speaker 1>I want to actually want to go. I couldn't even

1:22:52.600 --> 1:22:54.040
<v Speaker 1>I was trying to go through a bunch of the

1:22:54.120 --> 1:22:58.519
<v Speaker 1>records as sampled sampled you guys, und records they sampled you.

1:23:00.640 --> 1:23:05.360
<v Speaker 1>Is that it's like it's more by now twenty six

1:23:05.479 --> 1:23:08.519
<v Speaker 1>or twenty seven. But let's just say some of some

1:23:08.680 --> 1:23:10.400
<v Speaker 1>of the songs in hip hop and this is just

1:23:10.520 --> 1:23:14.320
<v Speaker 1>some This doesn't even scratch the surface. Me myself an idea.

1:23:14.400 --> 1:23:19.200
<v Speaker 1>I saw two versions of it. Dre Day Dre Who

1:23:19.280 --> 1:23:23.479
<v Speaker 1>am I snooped? Come on, come on, tentent dre Day

1:23:23.560 --> 1:23:28.479
<v Speaker 1>Dre day tent. I mean I'm probably the worst one day.

1:23:28.560 --> 1:23:33.599
<v Speaker 1>That was not good. No, it was better than your rendition. Okay,

1:23:33.640 --> 1:23:35.960
<v Speaker 1>we'll get back to that. How to Survive in South

1:23:36.040 --> 1:23:42.519
<v Speaker 1>Central ice Qua Classic gold Digger EPMD, Stranded on Death Road,

1:23:42.680 --> 1:23:49.599
<v Speaker 1>dre Funking lesson x Clan. You got Strata Compton, which

1:23:49.600 --> 1:23:52.560
<v Speaker 1>I said earlier n W, which is crazy. I know

1:23:52.680 --> 1:23:54.680
<v Speaker 1>you got sold Eric B and rock Him. We had

1:23:54.720 --> 1:23:59.040
<v Speaker 1>twelve songs in the on that album straight of a

1:23:59.080 --> 1:24:02.120
<v Speaker 1>couple of the movie be oh in the movie twelve,

1:24:07.920 --> 1:24:09.880
<v Speaker 1>A couple more, A couple more you got, uh, I said,

1:24:10.080 --> 1:24:12.519
<v Speaker 1>I know you got sold very being rock Camp, Blue Cheese,

1:24:12.600 --> 1:24:18.000
<v Speaker 1>Umc's Static by Jay Rue, the Damager Teacher, Teacher Slick Rick.

1:24:18.080 --> 1:24:19.760
<v Speaker 1>And I mean I could keep going, to be honest,

1:24:19.800 --> 1:24:22.000
<v Speaker 1>you keep going, keep going. No, No, I stopped. I stopped.

1:24:22.040 --> 1:24:23.560
<v Speaker 1>I was writing them all. I was like, this is

1:24:23.720 --> 1:24:25.160
<v Speaker 1>I was going through records that I love, and I

1:24:25.240 --> 1:24:27.200
<v Speaker 1>was like, oh man, oh man. I started writing him

1:24:27.720 --> 1:24:29.840
<v Speaker 1>that that that is um And I mean, and he's

1:24:29.840 --> 1:24:32.640
<v Speaker 1>recorded records with Cube and Poking. I'm sure there's a

1:24:32.680 --> 1:24:35.800
<v Speaker 1>lot more than that. But him Brown, we did a

1:24:36.000 --> 1:24:38.599
<v Speaker 1>lot together. You did. We did In a matter of fact,

1:24:38.600 --> 1:24:42.200
<v Speaker 1>we did an album together, Chilling Up the Pee. It

1:24:42.280 --> 1:24:44.880
<v Speaker 1>was like when they last one, were you close with shock? Yeah?

1:24:45.200 --> 1:24:47.200
<v Speaker 1>And it's crazy because he him he was in Tampa

1:24:47.320 --> 1:24:49.640
<v Speaker 1>and you live in Tallahassee. Now we did a lot

1:24:49.720 --> 1:24:53.280
<v Speaker 1>of stuff together him, him and Pee Wee did stuff

1:24:53.320 --> 1:24:56.760
<v Speaker 1>on our records too. He was really tired. You know.

1:24:57.240 --> 1:24:59.759
<v Speaker 1>It sucks the same one they were. They were crapping,

1:25:00.200 --> 1:25:04.719
<v Speaker 1>they had a singing group. He said, And you remember

1:25:04.760 --> 1:25:06.920
<v Speaker 1>the name of that man? No, I don't. I don't.

1:25:07.880 --> 1:25:11.000
<v Speaker 1>I do remember that pop was standing stuff? Yeah, yeah,

1:25:11.000 --> 1:25:14.160
<v Speaker 1>I do remember. Was he a good jazzer? Huh? Was

1:25:14.240 --> 1:25:18.760
<v Speaker 1>he a good jazzer? Part that area? Yeah, the flytop

1:25:19.040 --> 1:25:21.760
<v Speaker 1>it's gonna be Yeah, Well, what was your take since

1:25:21.800 --> 1:25:24.280
<v Speaker 1>you knew him from back then to till later on?

1:25:25.240 --> 1:25:29.519
<v Speaker 1>It was intelligent dude, that and I mean, and they

1:25:29.560 --> 1:25:35.040
<v Speaker 1>had such good, good material as Digital Underground, you know

1:25:35.200 --> 1:25:38.479
<v Speaker 1>that it was. It was created, very creative, and he

1:25:38.640 --> 1:25:42.040
<v Speaker 1>was right for the time, whatever that time was. He

1:25:42.280 --> 1:25:45.320
<v Speaker 1>was the one that that that thing came through and

1:25:45.520 --> 1:25:50.360
<v Speaker 1>whatever it was. He had to write temptful for whatever

1:25:50.400 --> 1:25:52.559
<v Speaker 1>it was, you know, because I just tell them, men,

1:25:52.840 --> 1:25:56.599
<v Speaker 1>be careful, man, he's police. They gonna get you there.

1:25:56.760 --> 1:25:58.439
<v Speaker 1>You can't just shoot him in the booty and get

1:25:58.479 --> 1:26:01.000
<v Speaker 1>away from after he shot, though you got out of it.

1:26:01.200 --> 1:26:06.120
<v Speaker 1>I'd be looking over my shoulders now own. And that's

1:26:06.160 --> 1:26:08.200
<v Speaker 1>when he got in trout with the girl and you

1:26:08.280 --> 1:26:12.320
<v Speaker 1>know everything. It was just scary but m and it

1:26:12.400 --> 1:26:14.479
<v Speaker 1>had it fast too, because people it seems like a

1:26:14.560 --> 1:26:16.560
<v Speaker 1>long time, but it all happened pretty fast, you know.

1:26:16.680 --> 1:26:20.479
<v Speaker 1>But that era, I didn't trust nothing, you know, the

1:26:20.640 --> 1:26:24.120
<v Speaker 1>government or what was going on, because I know they

1:26:24.200 --> 1:26:26.639
<v Speaker 1>was trying to get rid of hip hop was more

1:26:26.680 --> 1:26:30.080
<v Speaker 1>of a danger getting along, you know, like if East

1:26:30.120 --> 1:26:32.519
<v Speaker 1>Coast and West Coast would have got together, that was

1:26:32.560 --> 1:26:36.920
<v Speaker 1>a dangerous thing for the country. The authority was concerned,

1:26:37.400 --> 1:26:39.559
<v Speaker 1>and I thought a lot of people are gonna get

1:26:39.560 --> 1:26:43.080
<v Speaker 1>played with that one. I was really worried about. Are

1:26:43.160 --> 1:26:46.559
<v Speaker 1>you with East Coast? What I mean, that wasn't a concept.

1:26:46.640 --> 1:26:49.080
<v Speaker 1>It wasn't a thing, you know. To me, everybody's got

1:26:49.160 --> 1:26:51.720
<v Speaker 1>to be together, right And the thing about you is

1:26:53.200 --> 1:26:57.120
<v Speaker 1>your music is so bright and so so universal. I

1:26:57.200 --> 1:27:01.240
<v Speaker 1>don't think I think you're one of those guys that

1:27:01.280 --> 1:27:05.160
<v Speaker 1>people think you're from out of the planet. Oh you

1:27:05.200 --> 1:27:07.400
<v Speaker 1>know what, my man used to my band, just trying

1:27:07.400 --> 1:27:10.120
<v Speaker 1>to get me to be a preacher. But that was

1:27:10.160 --> 1:27:13.920
<v Speaker 1>the asset that was I read a few books that

1:27:14.040 --> 1:27:18.960
<v Speaker 1>had some positive ship in it, and that ship, what

1:27:19.439 --> 1:27:22.519
<v Speaker 1>did you replease do you remember. I mean I look

1:27:22.560 --> 1:27:25.120
<v Speaker 1>at them now, they were just like shit you get

1:27:25.200 --> 1:27:29.439
<v Speaker 1>on a magic store something you know that had that

1:27:29.600 --> 1:27:35.360
<v Speaker 1>positive everybody uses it. Every organization was used as certain prisons,

1:27:35.400 --> 1:27:39.440
<v Speaker 1>and and they worked any real but nobody really like affirmations.

1:27:39.439 --> 1:27:44.320
<v Speaker 1>And but I was on ascid and I believe it,

1:27:45.200 --> 1:27:49.800
<v Speaker 1>and and to me it actually worked now that I see,

1:27:50.080 --> 1:27:53.120
<v Speaker 1>I avoided a lot of shit, but not being upset

1:27:53.200 --> 1:27:56.040
<v Speaker 1>that shit because the actually I was able to like

1:27:56.240 --> 1:28:00.240
<v Speaker 1>write that's I ain't got nothing in any about me.

1:28:00.680 --> 1:28:02.640
<v Speaker 1>I mean, I knew how to skate around it, and

1:28:03.360 --> 1:28:06.080
<v Speaker 1>I pick out the best size of shit, and somebody

1:28:06.080 --> 1:28:08.920
<v Speaker 1>I can always fund the positive side of it and

1:28:09.040 --> 1:28:10.640
<v Speaker 1>the rest of it. I don't need that ship. If

1:28:10.680 --> 1:28:12.600
<v Speaker 1>I ain't got to it, don't bother me that they

1:28:12.720 --> 1:28:14.880
<v Speaker 1>do it. I just stay have that part, and I

1:28:14.960 --> 1:28:17.840
<v Speaker 1>get the part that I need special musician. You can't

1:28:17.880 --> 1:28:20.880
<v Speaker 1>do the wrong. If you're great, I want to music

1:28:20.960 --> 1:28:23.360
<v Speaker 1>to the other bullshit. I ain't got to sleep with you.

1:28:24.080 --> 1:28:25.680
<v Speaker 1>So the ego and all of that, you're like, as

1:28:25.720 --> 1:28:27.840
<v Speaker 1>long as you bread as time as you can play half.

1:28:28.280 --> 1:28:30.799
<v Speaker 1>You need an ego to do this business. You absolutely

1:28:30.840 --> 1:28:32.200
<v Speaker 1>needn't to be an artist and any of you just

1:28:32.360 --> 1:28:34.759
<v Speaker 1>have to know how to rule that motherfuck and manage

1:28:34.800 --> 1:28:36.479
<v Speaker 1>it and you go. It'll work without you if you

1:28:36.520 --> 1:28:38.040
<v Speaker 1>don't let it. The egos the only thing that gives

1:28:38.080 --> 1:28:40.200
<v Speaker 1>you the confidence to the forward to go out in

1:28:40.240 --> 1:28:43.320
<v Speaker 1>front of people. Yeah, you just have to. I'm a ham,

1:28:44.360 --> 1:28:46.880
<v Speaker 1>you know. Put as simple as that. I'm a ham,

1:28:47.040 --> 1:28:49.240
<v Speaker 1>So I know how. I'll take pictures all day. I

1:28:49.320 --> 1:28:52.360
<v Speaker 1>can show off like a muff on stage, but I

1:28:52.560 --> 1:28:55.360
<v Speaker 1>know better than that ship believing that I'm all that.

1:28:55.920 --> 1:28:57.840
<v Speaker 1>When I feel like I need to say that, I

1:28:58.000 --> 1:29:00.760
<v Speaker 1>go in the bathroom. You're a bad the fucker you.

1:29:00.920 --> 1:29:06.960
<v Speaker 1>This isn't flushed the toilet. That ship when you come out,

1:29:07.439 --> 1:29:15.479
<v Speaker 1>when you come out, there's gonna be somethuther tell you

1:29:15.600 --> 1:29:18.640
<v Speaker 1>ain't shit, you know, and you got to deal with it.

1:29:19.160 --> 1:29:25.760
<v Speaker 1>Give you your feelings hurt right? Nah? Nah? You know

1:29:26.160 --> 1:29:28.760
<v Speaker 1>you know what. Like I said, you know, when we

1:29:28.920 --> 1:29:31.800
<v Speaker 1>locked this interview down, I just kept researching you, research you.

1:29:32.200 --> 1:29:36.559
<v Speaker 1>And the one thing that I noticed is artists throughout

1:29:36.600 --> 1:29:40.519
<v Speaker 1>the years sometimes they smile get demo and they don't.

1:29:40.720 --> 1:29:43.760
<v Speaker 1>They don't they smile, doesn't seem the same. One thing

1:29:43.800 --> 1:29:47.120
<v Speaker 1>about you is your smile got brighter man when pandemic

1:29:47.240 --> 1:29:50.240
<v Speaker 1>came down. You know, I've been like the Payton. I've

1:29:50.280 --> 1:29:52.840
<v Speaker 1>been doing that for you know, Douln for a long time.

1:29:53.320 --> 1:29:56.760
<v Speaker 1>The pandemic came out, we need nothing to do. My

1:29:56.880 --> 1:30:00.040
<v Speaker 1>way bought me a bunch of canvases I got I

1:30:00.080 --> 1:30:03.160
<v Speaker 1>didn't in the house, and I started painting. I've been

1:30:03.240 --> 1:30:06.760
<v Speaker 1>doing so good with selling art lately. I mean, that's

1:30:06.800 --> 1:30:08.719
<v Speaker 1>your art, right, We just did that a few minutes

1:30:08.720 --> 1:30:13.000
<v Speaker 1>ago for you. I'm taking that home, Jonah, Jonah, how

1:30:13.000 --> 1:30:17.760
<v Speaker 1>are you jacking all of us? But that's what that's

1:30:18.040 --> 1:30:20.840
<v Speaker 1>that's what I mean. And that's like I didn't even

1:30:20.880 --> 1:30:23.160
<v Speaker 1>repeat that. I thought that was like somebody writing graffiti,

1:30:23.160 --> 1:30:26.280
<v Speaker 1>because you know he was doing graffiti. You know, you know,

1:30:26.360 --> 1:30:28.560
<v Speaker 1>we racist and shit. So like I thought, it's a

1:30:28.600 --> 1:30:31.479
<v Speaker 1>Spanish guy just here, just wrong, it was. It wasn't

1:30:31.479 --> 1:30:35.519
<v Speaker 1>a Spanish guy as well. Oh that guy right there

1:30:35.760 --> 1:30:38.360
<v Speaker 1>all right, he's around him in Miami. He painted up

1:30:39.240 --> 1:30:40.720
<v Speaker 1>so you're told him to do this and he just

1:30:40.840 --> 1:30:45.040
<v Speaker 1>did it. He been he was doing down. So this

1:30:45.240 --> 1:30:49.759
<v Speaker 1>is the funk is we got full fact art bullies

1:30:51.000 --> 1:30:53.719
<v Speaker 1>Jonah myself and just got to do an album covers

1:30:53.760 --> 1:30:58.320
<v Speaker 1>over to Lord bullies. We've been doing this since art

1:30:58.360 --> 1:31:01.680
<v Speaker 1>Basils started around and were right, she had us down here.

1:31:01.840 --> 1:31:04.920
<v Speaker 1>You were coming here before when we was a tourist trap. Yeah,

1:31:04.920 --> 1:31:07.160
<v Speaker 1>because that's when we was. I I should have a

1:31:07.240 --> 1:31:10.160
<v Speaker 1>boot right over in the marina because because this was

1:31:10.280 --> 1:31:13.200
<v Speaker 1>this was a dirt back That's why the graffiti rights

1:31:13.200 --> 1:31:14.840
<v Speaker 1>were out here, because the cops was in coming. Was

1:31:14.880 --> 1:31:16.439
<v Speaker 1>one of the first one that had us down there

1:31:16.479 --> 1:31:20.200
<v Speaker 1>doing that. Because Alice's still running, running, running out of here.

1:31:20.960 --> 1:31:22.840
<v Speaker 1>Now I come back, then look at the whole city.

1:31:23.000 --> 1:31:28.479
<v Speaker 1>Is graffiti outed out with duck tourists. Yeah, yeah, art bullies.

1:31:29.760 --> 1:31:32.519
<v Speaker 1>But so that's one of the things too that stood

1:31:32.520 --> 1:31:35.120
<v Speaker 1>out to me about these albums that you were putting out.

1:31:35.520 --> 1:31:39.800
<v Speaker 1>It was a black superhero kind of themes theme. Like

1:31:39.920 --> 1:31:42.439
<v Speaker 1>it was like and I think I remember you hearing

1:31:42.880 --> 1:31:46.040
<v Speaker 1>hearing you say something, say something about those obviously the

1:31:46.120 --> 1:31:49.160
<v Speaker 1>seventies at least when I go on research, and I think,

1:31:49.200 --> 1:31:51.760
<v Speaker 1>I mean he said, you know, the artists might die,

1:31:51.800 --> 1:31:55.040
<v Speaker 1>but the character would never die. Characters never, never one

1:31:55.040 --> 1:31:58.080
<v Speaker 1>of my characters. Never the Mickey Mouse and all that

1:31:58.400 --> 1:32:01.840
<v Speaker 1>be round forever. Yeah, but you realize that's out here.

1:32:03.760 --> 1:32:06.040
<v Speaker 1>You won't even realize that. Yeah, yeah, that's where I

1:32:06.120 --> 1:32:08.880
<v Speaker 1>look at it. I try to do my characters like that,

1:32:09.120 --> 1:32:12.559
<v Speaker 1>like play a Tommy Dog. We gotta we gotta thing

1:32:12.680 --> 1:32:15.320
<v Speaker 1>that with the Q Dogs that's coming out. There's coming

1:32:15.360 --> 1:32:18.680
<v Speaker 1>at any minute now is the que Dogs version of

1:32:18.800 --> 1:32:22.000
<v Speaker 1>a Tommy Dog. That's gonna blown by the dog. And

1:32:22.439 --> 1:32:24.840
<v Speaker 1>I mean, for real, for real, you're gonna I mean,

1:32:24.920 --> 1:32:28.600
<v Speaker 1>you're gonna see some political I mean, the QUS be

1:32:28.760 --> 1:32:32.400
<v Speaker 1>stomping on it. But we keep the characters alive, you

1:32:32.520 --> 1:32:35.000
<v Speaker 1>know that. But but but but let me just reivate

1:32:35.080 --> 1:32:37.840
<v Speaker 1>what I'm trying to say. It was the black superhero

1:32:38.000 --> 1:32:40.000
<v Speaker 1>characters that we had never seen, but you see a

1:32:40.040 --> 1:32:42.160
<v Speaker 1>lot of them now. Yeah, now you know I mean

1:32:42.320 --> 1:32:46.680
<v Speaker 1>since Wander Conda Conda, Yes, since that that came out,

1:32:46.760 --> 1:32:49.600
<v Speaker 1>and that all these Hancock, let's just start all of that.

1:32:50.240 --> 1:32:52.760
<v Speaker 1>Reggie Hutton, we was working with him when he first

1:32:52.800 --> 1:32:55.400
<v Speaker 1>got out of college. He's been playing on doing pe

1:32:55.560 --> 1:32:58.120
<v Speaker 1>funk and now Eddie Murphy is getting ready to do me.

1:32:58.800 --> 1:33:01.240
<v Speaker 1>He's playing me weird college wait wait wait wait wait

1:33:01.280 --> 1:33:03.280
<v Speaker 1>wait wait wait wait wait wait wait wait wait wait

1:33:03.479 --> 1:33:09.479
<v Speaker 1>me right now in this coming out all over the thing.

1:33:09.600 --> 1:33:14.280
<v Speaker 1>And okay, so Eddie Murphy playing played me in the

1:33:14.439 --> 1:33:18.280
<v Speaker 1>new and one coming out. Chris Kleifand is playing me

1:33:18.479 --> 1:33:20.920
<v Speaker 1>right now. They got the one called Spinning Gold, which

1:33:21.000 --> 1:33:24.640
<v Speaker 1>is about Castle Blanca. You know, Donna Summer's Kiss in

1:33:24.800 --> 1:33:28.080
<v Speaker 1>Parliament and all that. The Neil Bogard that'll be out

1:33:28.160 --> 1:33:33.880
<v Speaker 1>in two or three weeks Spinning Gold, and that's that's

1:33:34.160 --> 1:33:36.240
<v Speaker 1>wizards playing myself. He did a pretty good job. I

1:33:36.320 --> 1:33:39.479
<v Speaker 1>saw that. Why and once you're smoking weed back then

1:33:40.200 --> 1:33:44.160
<v Speaker 1>smoking we I mean I did WoT life. Now we

1:33:44.280 --> 1:33:48.519
<v Speaker 1>went smoking weed back because I'm wondering where this wiz

1:33:48.640 --> 1:33:50.680
<v Speaker 1>go to smoke? Now we were doing, we were doing.

1:33:50.840 --> 1:33:56.760
<v Speaker 1>It was cool. Then it was the Bogle bottles, you know,

1:33:56.880 --> 1:33:58.720
<v Speaker 1>running the neck with the change. Wait, I'm time, I've

1:33:58.720 --> 1:34:00.880
<v Speaker 1>never heard this one time on up you have bottles

1:34:00.920 --> 1:34:05.240
<v Speaker 1>around already know about it. I mean that was the

1:34:05.280 --> 1:34:08.240
<v Speaker 1>Hollywood that hold on. You had necklaces full of class

1:34:08.400 --> 1:34:13.120
<v Speaker 1>with little bottles. Didn't even it wasn't even legal. It

1:34:13.280 --> 1:34:16.320
<v Speaker 1>was never heard a necklace for the coal gate Cuban links. Yes,

1:34:19.040 --> 1:34:25.920
<v Speaker 1>that's like that, you know, And then you know it

1:34:26.040 --> 1:34:29.240
<v Speaker 1>got so wild and pretty soon, didn't everybody doing lines

1:34:29.360 --> 1:34:33.080
<v Speaker 1>and that became later on. It was. It was so

1:34:33.640 --> 1:34:37.519
<v Speaker 1>it started out nettle spoons and ship you know, and

1:34:37.640 --> 1:34:41.120
<v Speaker 1>then people went crazy and started over doing because no

1:34:41.200 --> 1:34:44.160
<v Speaker 1>one knew what cocaine was. Back then you knew what

1:34:44.200 --> 1:34:47.720
<v Speaker 1>you didn't. Marijuana was not in the hood. D some

1:34:47.880 --> 1:34:50.439
<v Speaker 1>people did, people with money did. And then I feel

1:34:50.439 --> 1:34:52.240
<v Speaker 1>like the people around they were like there was some

1:34:52.320 --> 1:34:55.519
<v Speaker 1>money thing. They moved their hands like this. It was like, yeah,

1:34:55.600 --> 1:34:58.519
<v Speaker 1>it was like upper society was doing it. Yeah, you know,

1:34:58.680 --> 1:35:05.680
<v Speaker 1>like you see no classical people when they look, yeah,

1:35:05.720 --> 1:35:09.240
<v Speaker 1>that was money thing. Yeah. When they made it where

1:35:09.240 --> 1:35:10.800
<v Speaker 1>it get in the streets and when they hit to

1:35:10.840 --> 1:35:13.800
<v Speaker 1>the hood, the hood fucked it up. Had to cook

1:35:13.840 --> 1:35:17.120
<v Speaker 1>it cook put water hood with Old Bay on that

1:35:17.240 --> 1:35:21.320
<v Speaker 1>ship the hood them but the Old Bay and barbecue sauce.

1:35:22.880 --> 1:35:25.719
<v Speaker 1>I had a robe on with a box of bacon

1:35:25.760 --> 1:35:29.639
<v Speaker 1>soda on it. That was That was the like the emblem.

1:35:30.080 --> 1:35:33.840
<v Speaker 1>You know, I don't know what I was angling. You

1:35:33.920 --> 1:35:38.360
<v Speaker 1>got me because you because I hadn't had a Newport.

1:35:39.040 --> 1:35:45.800
<v Speaker 1>I diamond out Newport the whole box of bacon. You win,

1:35:50.960 --> 1:35:55.439
<v Speaker 1>you winning. It was about it's called getting fucked up

1:35:56.200 --> 1:35:58.160
<v Speaker 1>and when you when you get fucked up, you do

1:35:58.320 --> 1:36:01.280
<v Speaker 1>fucked up ship, And that's all it was. Everybody was

1:36:01.360 --> 1:36:04.080
<v Speaker 1>out there who could get fucked up? And who could

1:36:04.120 --> 1:36:07.160
<v Speaker 1>do it? Dude? You know whatever the styling is. Yeah,

1:36:07.560 --> 1:36:10.800
<v Speaker 1>it was looking back at it was stupid, but I

1:36:10.920 --> 1:36:12.760
<v Speaker 1>got out of it coming. I'm gonna tell you my

1:36:13.640 --> 1:36:15.640
<v Speaker 1>one of my first not one of my first, was

1:36:15.680 --> 1:36:18.040
<v Speaker 1>just one of the first times I realized that Hollywood

1:36:18.520 --> 1:36:21.320
<v Speaker 1>is different from New York. Was, Um, I had a

1:36:21.360 --> 1:36:25.200
<v Speaker 1>packet of cigarettes, and I from a pack of cigarettes.

1:36:25.240 --> 1:36:29.559
<v Speaker 1>I went to a Hollywood uh uh, just a Hollywood party,

1:36:29.640 --> 1:36:32.360
<v Speaker 1>right networking thing. Yeah, this is a Hollywood party and

1:36:32.400 --> 1:36:33.800
<v Speaker 1>I had a packet of cigarette. I put a pack

1:36:33.800 --> 1:36:36.160
<v Speaker 1>of cigarettes and a white dude came into me and said, hey, man,

1:36:36.160 --> 1:36:39.200
<v Speaker 1>I give you an eight ball for that. Yeah, he said,

1:36:39.479 --> 1:36:47.400
<v Speaker 1>theready what I've seen that, But he wanted a whole cigarette.

1:36:48.000 --> 1:36:50.320
<v Speaker 1>He wanted a cigarette battle of money. Yeah, yeah, and

1:36:50.400 --> 1:36:52.880
<v Speaker 1>he wanted the whole eight more. Goddamn, we're looking good.

1:36:53.080 --> 1:36:56.400
<v Speaker 1>Come on, let's over some toploers in there. Got work, brother,

1:36:56.600 --> 1:36:58.200
<v Speaker 1>you know, we flyout him in from perud it's the

1:36:58.280 --> 1:37:01.400
<v Speaker 1>row planks, oh man, peru just but we just flamm

1:37:01.439 --> 1:37:07.919
<v Speaker 1>in from listening America, the role Peru. I like Perui

1:37:07.960 --> 1:37:12.080
<v Speaker 1>and a week and did he did run and he

1:37:12.240 --> 1:37:13.920
<v Speaker 1>just he just comes to here the role Bluss and

1:37:14.000 --> 1:37:20.800
<v Speaker 1>wrestle pigeons here mingo pigeons. And that's our brother Boris

1:37:20.880 --> 1:37:22.960
<v Speaker 1>right there, beats in the hood. He's a producer. Boys

1:37:23.200 --> 1:37:28.840
<v Speaker 1>came in with that guy Dad. So so what is

1:37:28.880 --> 1:37:30.559
<v Speaker 1>your favorite part of the game. Is it to make

1:37:30.600 --> 1:37:37.040
<v Speaker 1>the record or perform the record? Wow? Probably performing it?

1:37:37.160 --> 1:37:40.360
<v Speaker 1>But when when I get a chance to make it

1:37:41.120 --> 1:37:44.720
<v Speaker 1>under the conditions, I like to make it in I

1:37:44.920 --> 1:37:48.120
<v Speaker 1>enjoyed the hell out of that because lie to crazy,

1:37:49.200 --> 1:37:52.920
<v Speaker 1>try kind of crazy shit a different ways. So I

1:37:53.040 --> 1:37:55.760
<v Speaker 1>like making it too, but I like performing it. Yes,

1:37:55.880 --> 1:37:58.679
<v Speaker 1>that once you know we get on the stages, that's

1:37:58.800 --> 1:38:02.080
<v Speaker 1>second heaven for me. But but you said you prefer

1:38:02.200 --> 1:38:05.240
<v Speaker 1>analog over digital, right, But now, with all the things

1:38:05.320 --> 1:38:07.600
<v Speaker 1>you could do with digital when you are recording, is

1:38:07.640 --> 1:38:10.440
<v Speaker 1>there anything about digital you love that you could manipulate

1:38:10.560 --> 1:38:12.720
<v Speaker 1>and do all these different sounds easier than you could

1:38:12.800 --> 1:38:16.360
<v Speaker 1>with analog. Well, yeah, you didn't do a lot of stuff,

1:38:16.960 --> 1:38:19.760
<v Speaker 1>just faster and stuff like that. I mean yeah, and

1:38:19.880 --> 1:38:22.760
<v Speaker 1>then the editing stuff that you can do, I mean,

1:38:22.800 --> 1:38:25.040
<v Speaker 1>you just gotta cut t look at the scope and

1:38:25.200 --> 1:38:28.720
<v Speaker 1>do it. That's that's not even fair. We had to,

1:38:28.840 --> 1:38:33.080
<v Speaker 1>like and you literally had to cut tape, tape, little

1:38:33.080 --> 1:38:36.000
<v Speaker 1>pieces of tape with We had tape all around a

1:38:36.160 --> 1:38:39.640
<v Speaker 1>beat everywhere. And if you put it upside down and

1:38:39.800 --> 1:38:42.519
<v Speaker 1>put it back in the room, it's backwards. For a second,

1:38:42.800 --> 1:38:45.040
<v Speaker 1>do you take it out and turn it over? We

1:38:45.200 --> 1:38:48.120
<v Speaker 1>had tape, We had to cut up everything. Now you

1:38:48.200 --> 1:38:50.280
<v Speaker 1>just look at the scope and the engineer I got

1:38:50.400 --> 1:38:52.400
<v Speaker 1>now he don't even have You don't have to listen

1:38:52.479 --> 1:38:55.120
<v Speaker 1>at it. He can give me an ed all for

1:38:55.200 --> 1:38:59.479
<v Speaker 1>a word just about the scope respect. So that's that's

1:38:59.520 --> 1:39:02.720
<v Speaker 1>the easy. But the feeling of him right now, the

1:39:02.800 --> 1:39:06.680
<v Speaker 1>analog feeling up two inch skate, there's a whole nother thing.

1:39:06.760 --> 1:39:09.760
<v Speaker 1>And it's heavy as a motherfucker. Yeah, even especially when

1:39:09.840 --> 1:39:11.920
<v Speaker 1>they sampled it, if they sampled it off a record

1:39:12.680 --> 1:39:15.439
<v Speaker 1>as opposed to the tape, Yeah, that's shit. It's hot.

1:39:15.560 --> 1:39:18.600
<v Speaker 1>I mean when you listen back you sample something like

1:39:18.800 --> 1:39:22.639
<v Speaker 1>listening to a run DMC, that was some hot shit.

1:39:22.840 --> 1:39:26.439
<v Speaker 1>I mean you know that damn the bottom on it.

1:39:26.560 --> 1:39:28.080
<v Speaker 1>And if they put an eight or eight on that,

1:39:28.960 --> 1:39:32.040
<v Speaker 1>it ain't the same as nowadays they do. It still

1:39:32.240 --> 1:39:34.160
<v Speaker 1>feel good. It's a whole other thing. Did you ever

1:39:34.240 --> 1:39:37.240
<v Speaker 1>hear there's um a quote h DJ Quick? I think

1:39:37.240 --> 1:39:40.880
<v Speaker 1>he was on ty Lib's and Quick said something about

1:39:40.920 --> 1:39:44.040
<v Speaker 1>he felt that recording analog and on and on tape

1:39:44.520 --> 1:39:48.320
<v Speaker 1>that the because of the magnetism that's one on there,

1:39:48.360 --> 1:39:50.960
<v Speaker 1>that it's it's capturing the energy in the room. I

1:39:51.040 --> 1:39:54.519
<v Speaker 1>believe so, yeah, and I and I believe that. Yeah,

1:39:54.520 --> 1:39:57.360
<v Speaker 1>there's a there's a thing they actually you can actually

1:39:58.200 --> 1:40:02.639
<v Speaker 1>record the sound of an EMP studio. We just record

1:40:02.720 --> 1:40:06.000
<v Speaker 1>the which is ecstatic, that's just the studio, and put

1:40:06.080 --> 1:40:08.439
<v Speaker 1>that on a track and have a track of just

1:40:08.760 --> 1:40:12.960
<v Speaker 1>that empty studio in there, and record the drums somewhere

1:40:13.000 --> 1:40:16.479
<v Speaker 1>else for them. When you mix it, mix them together,

1:40:16.880 --> 1:40:18.920
<v Speaker 1>it sound like the drummers is played at this studio

1:40:20.280 --> 1:40:24.599
<v Speaker 1>in a certain studio. Certain studio studios have their own

1:40:25.200 --> 1:40:27.840
<v Speaker 1>you know, ambient sound. Just putting mics up in the

1:40:27.960 --> 1:40:32.400
<v Speaker 1>studio and record the studio niked studio, and then go

1:40:32.520 --> 1:40:36.880
<v Speaker 1>and put anybody anywhere else. It's cheating you. I recorded

1:40:36.920 --> 1:40:39.439
<v Speaker 1>this a united sound because the studio have a sound

1:40:39.520 --> 1:40:43.000
<v Speaker 1>of its own, right, I mean, And it worked almost

1:40:43.280 --> 1:40:46.000
<v Speaker 1>I can tell any record. I can't tell any record,

1:40:46.040 --> 1:40:48.400
<v Speaker 1>but I can pretty much get when somebody was recorded

1:40:48.439 --> 1:40:52.120
<v Speaker 1>at this studio. I just know that vibe, you know,

1:40:52.400 --> 1:40:55.120
<v Speaker 1>the ambience, and you could be like this record that

1:40:55.240 --> 1:40:57.840
<v Speaker 1>record plan. Yeah. I used to be able to do that. Yeah,

1:40:57.880 --> 1:41:02.280
<v Speaker 1>record plant was easy. Yeah yeah, yeah I lost that ship. Yeah,

1:41:02.840 --> 1:41:06.599
<v Speaker 1>because I think everything is digital. Yeah, that's the digital Yeah. Yeah.

1:41:07.120 --> 1:41:08.519
<v Speaker 1>I used to be like, this is hit Factory, this

1:41:08.600 --> 1:41:14.200
<v Speaker 1>is Criteria. We mixed Stomic Dog and Criteria Criteria here

1:41:14.200 --> 1:41:17.280
<v Speaker 1>in Miami. I say, you know that's how you know

1:41:17.360 --> 1:41:22.840
<v Speaker 1>you're legend that before factory. Yeah yeah, it was Criteria that. Yeah,

1:41:22.920 --> 1:41:25.680
<v Speaker 1>we recorded when you it was Criterias. Let thank you

1:41:25.680 --> 1:41:27.720
<v Speaker 1>for making me feel old. I respect you were the

1:41:27.760 --> 1:41:35.840
<v Speaker 1>same name. Two wow, a little Nantes bgs that during

1:41:35.920 --> 1:41:40.400
<v Speaker 1>that time. So the bjs were recording there, yeahs just

1:41:40.479 --> 1:41:42.599
<v Speaker 1>living there. I mean they live out here, were living

1:41:42.640 --> 1:41:44.400
<v Speaker 1>in that studio at the time. They didn't have their

1:41:44.439 --> 1:41:48.639
<v Speaker 1>own place then Betty Right, Oh, they were literally living there. Yeah,

1:41:49.520 --> 1:41:59.160
<v Speaker 1>Betty Right was right. Yeah, husband, wow, Yeah, this is

1:42:00.120 --> 1:42:02.479
<v Speaker 1>Criteria is like it's in It's it's not like in

1:42:02.560 --> 1:42:05.400
<v Speaker 1>the hood street. Oh no, no, it's it's never been

1:42:05.400 --> 1:42:07.840
<v Speaker 1>I don't think that's ever been a nice area. It's

1:42:07.880 --> 1:42:10.599
<v Speaker 1>been an industrial area. It was. Yeah, it was deep

1:42:10.640 --> 1:42:12.920
<v Speaker 1>back there. Yeah yeah, oh yeah, back then I could

1:42:12.920 --> 1:42:17.000
<v Speaker 1>imagine it's a little class here. Yeah. That was. That's

1:42:17.040 --> 1:42:21.439
<v Speaker 1>when Miami vice was out, yea cocaine everything that was. Yeah,

1:42:21.880 --> 1:42:24.759
<v Speaker 1>that was that was That was that time. The eighties

1:42:24.880 --> 1:42:28.439
<v Speaker 1>was crazy and that like that time. I said, you

1:42:28.560 --> 1:42:32.400
<v Speaker 1>still have the little necklace. No, your necklace got bigger

1:42:32.400 --> 1:42:35.400
<v Speaker 1>than I used to live into Sheridan Poy Ambassador. I

1:42:35.520 --> 1:42:38.800
<v Speaker 1>think it might call it in a commonial now pull

1:42:38.880 --> 1:42:42.920
<v Speaker 1>you bake downtown. Yeah, yeah, it's still that. I used

1:42:42.960 --> 1:42:47.880
<v Speaker 1>to live there. Uh huh. George Bush Senior used to live.

1:42:48.400 --> 1:42:52.120
<v Speaker 1>He was a CIA director and even CIA. Yeah, he

1:42:52.760 --> 1:42:55.760
<v Speaker 1>he used to living in Now he was living with

1:42:55.840 --> 1:42:59.639
<v Speaker 1>the I forget what I'm talking to y'all. We don't live.

1:43:02.000 --> 1:43:07.559
<v Speaker 1>Yeah know we never had to, Joge, we seen your story, Jesus. No, no, yeah,

1:43:07.560 --> 1:43:09.160
<v Speaker 1>we used to live. I used to live there and

1:43:09.400 --> 1:43:13.080
<v Speaker 1>go fishing from there. All of them. I didn't even know. George,

1:43:13.400 --> 1:43:19.479
<v Speaker 1>You're listmust have been seven and eight. I bought a

1:43:19.560 --> 1:43:21.400
<v Speaker 1>seventy seven just so you know. So I was there

1:43:21.439 --> 1:43:27.040
<v Speaker 1>with y'all. My mind. Hold. Yeah, that's when the Maam

1:43:27.080 --> 1:43:30.599
<v Speaker 1>and Marina was right at the park there. Yeah. Yeah,

1:43:31.000 --> 1:43:35.360
<v Speaker 1>you really like like fishing, like Boots and the everytime

1:43:35.400 --> 1:43:37.320
<v Speaker 1>we get a hit record. We was down there and

1:43:37.439 --> 1:43:39.960
<v Speaker 1>we go over to Beminy. We take the boat over

1:43:40.040 --> 1:43:44.519
<v Speaker 1>to Beminy. Aliens huh and see aliens? See aliens. You

1:43:44.720 --> 1:43:46.479
<v Speaker 1>heard about the Beminy. What is it the in the

1:43:46.560 --> 1:43:50.320
<v Speaker 1>water they got the stones you heard about that they

1:43:50.360 --> 1:43:52.400
<v Speaker 1>got these stones that they say they think it's like

1:43:52.560 --> 1:43:54.840
<v Speaker 1>part of Atlantis or something. Oh yeah, yeah, yeah, yeah,

1:43:55.000 --> 1:43:57.840
<v Speaker 1>oh yeah, talk about yeah, yeah, yeah, we're talking about

1:43:59.160 --> 1:44:01.680
<v Speaker 1>Matt Randall. Nah. I mean, I ain't gonnat. I want

1:44:01.720 --> 1:44:06.920
<v Speaker 1>to see some aliens in bening Me. I want to

1:44:06.960 --> 1:44:10.479
<v Speaker 1>go again, like I love Bahamas. Bahama is a beautiful place. Yeah,

1:44:10.840 --> 1:44:13.759
<v Speaker 1>it's a beautiful place. Y'a'll been going to the Bahamas

1:44:13.840 --> 1:44:18.120
<v Speaker 1>for years. I ain't too much conk konk fritis. I'll

1:44:18.120 --> 1:44:22.560
<v Speaker 1>be eating conferences of coming out of my ears. And

1:44:22.720 --> 1:44:24.400
<v Speaker 1>the first day I got a chance to get some

1:44:25.240 --> 1:44:29.320
<v Speaker 1>some soul food. They gave me a Bahama mama a

1:44:29.439 --> 1:44:32.160
<v Speaker 1>drink and now it was hot and I thought it

1:44:32.280 --> 1:44:36.799
<v Speaker 1>was you know, kool laid okay, and it's hot outside,

1:44:36.800 --> 1:44:39.320
<v Speaker 1>you gonna feel that. I thought they had taken two

1:44:39.400 --> 1:44:46.120
<v Speaker 1>times a yellow sunshine. That ship had your head, I

1:44:46.200 --> 1:44:48.360
<v Speaker 1>mean everything, and that we was at I dinner with

1:44:48.439 --> 1:44:54.639
<v Speaker 1>the president I was president of. They said we got

1:44:54.840 --> 1:44:57.639
<v Speaker 1>one because I was like, take me home, y'all. Don't

1:44:57.680 --> 1:45:00.439
<v Speaker 1>think I'm gonna make it. But here now loud to

1:45:00.479 --> 1:45:03.920
<v Speaker 1>everybody to table, I think we got one. They had

1:45:03.960 --> 1:45:05.800
<v Speaker 1>to take me home. I missed dinner with all the

1:45:05.880 --> 1:45:10.960
<v Speaker 1>good president of All right, cool, and you said yellow message?

1:45:11.600 --> 1:45:18.479
<v Speaker 1>Was that yellow? But no, that was LSD twenty five

1:45:19.640 --> 1:45:24.759
<v Speaker 1>D twenty five. I took you know, it's real twenty

1:45:24.800 --> 1:45:32.280
<v Speaker 1>five surgic death, allumie, what like sergic def thalamie. That's

1:45:32.280 --> 1:45:38.040
<v Speaker 1>a hell of science. Oh, I didn't really listen, real thing.

1:45:38.040 --> 1:45:41.519
<v Speaker 1>It was just a nigga named LSD. They named that

1:45:44.720 --> 1:45:47.639
<v Speaker 1>doing that. And we was in Boston at the time.

1:45:47.760 --> 1:45:51.439
<v Speaker 1>That did Timothy Leary Bobby Brown sampled you too, right?

1:45:51.520 --> 1:45:55.920
<v Speaker 1>Oh yeah, yeah, yeah, yeah, I did live things with them. Okay, yeah,

1:45:56.320 --> 1:45:58.320
<v Speaker 1>they went on too with us. They first too, he

1:45:58.479 --> 1:46:01.920
<v Speaker 1>knowing Bobby Brown book, he fried chicken with cocaine. I

1:46:02.000 --> 1:46:07.680
<v Speaker 1>can dig it. I think I think that story was

1:46:07.760 --> 1:46:12.560
<v Speaker 1>messed up. Brot said it. He admitted he changed the story. No, no,

1:46:12.720 --> 1:46:19.599
<v Speaker 1>he said he didn't say purposely cooked. No, he thought

1:46:19.600 --> 1:46:21.479
<v Speaker 1>it was. I never said it was on purpose, no, no,

1:46:21.560 --> 1:46:23.760
<v Speaker 1>but I just said he fried cocaine. No, no, he

1:46:23.800 --> 1:46:25.920
<v Speaker 1>thought it was flower though. Yeah, yeah, yeah, yeah, Oh

1:46:26.040 --> 1:46:29.120
<v Speaker 1>I never I know that. But it's the way we've

1:46:29.160 --> 1:46:32.479
<v Speaker 1>always said the story. He's like, oh yeah, yeah, let's go,

1:46:32.960 --> 1:46:37.200
<v Speaker 1>let's go, let's go. Yeah, let's let's You ain't never

1:46:37.240 --> 1:46:40.519
<v Speaker 1>fried no chicken. You ain't never fried no chicken with cocaine. No, no, no,

1:46:40.640 --> 1:46:42.439
<v Speaker 1>but I've seen it done. Never seen you just seen

1:46:42.479 --> 1:46:47.280
<v Speaker 1>it done. I've seen. But I'm saying we would. We

1:46:47.400 --> 1:46:49.360
<v Speaker 1>were at the time, like I said, we were in

1:46:49.479 --> 1:46:53.880
<v Speaker 1>the Boston area when Timothy learing them discovered the LSD thing,

1:46:54.000 --> 1:46:57.000
<v Speaker 1>when that that whole thing, when the FBI was searching

1:46:57.080 --> 1:47:01.439
<v Speaker 1>for him doing the seventies. Yes, we were in Boston

1:47:01.880 --> 1:47:04.400
<v Speaker 1>during that time because when that was in the university, right,

1:47:04.439 --> 1:47:07.240
<v Speaker 1>the university. Yeah, matter of fact, that's what we got

1:47:07.280 --> 1:47:10.040
<v Speaker 1>the answer from those same kids when you could actually

1:47:10.439 --> 1:47:13.240
<v Speaker 1>they pay you sixty dollars to take it and watch

1:47:13.320 --> 1:47:16.599
<v Speaker 1>it for four hours because they were express you've never

1:47:16.640 --> 1:47:22.200
<v Speaker 1>seen a movie. It was doing that with LSD. Yeah,

1:47:22.360 --> 1:47:24.080
<v Speaker 1>that's what that's what it was at and we was

1:47:24.479 --> 1:47:27.560
<v Speaker 1>we had just gotten into Boston like that. No, that

1:47:27.640 --> 1:47:30.639
<v Speaker 1>was sixty eight. That's right, sixty eight. Oh my god,

1:47:31.240 --> 1:47:36.160
<v Speaker 1>and so led Zeppelin and in those groups came through

1:47:36.200 --> 1:47:38.960
<v Speaker 1>the sixty eight that was the really the psychedelicy and

1:47:39.000 --> 1:47:43.200
<v Speaker 1>they got put onto it here right, wow, that changed music.

1:47:43.320 --> 1:47:47.320
<v Speaker 1>That was my experience with acid and that whole time

1:47:48.080 --> 1:47:51.640
<v Speaker 1>LSDA asked the same thing. Yeah, yeah, yeah right, they

1:47:51.720 --> 1:47:54.040
<v Speaker 1>and cousins. A matter of fact, the guy came to

1:47:54.240 --> 1:47:58.160
<v Speaker 1>miammy what was one of the other professors, and he

1:47:58.320 --> 1:48:02.120
<v Speaker 1>had to show here the Yeah, the show remember Flipper, Yeah,

1:48:02.520 --> 1:48:08.000
<v Speaker 1>the dolphin. The guy that did that had that show

1:48:08.800 --> 1:48:12.920
<v Speaker 1>that was that was an undercover show for the scientists. Wait,

1:48:12.960 --> 1:48:15.600
<v Speaker 1>the show was undercovered? Was undercover? That show was a

1:48:15.720 --> 1:48:21.519
<v Speaker 1>cover for them doing dolphin studies on with them LD No, No,

1:48:21.680 --> 1:48:24.479
<v Speaker 1>the the same guy that did the LSD in New York.

1:48:24.920 --> 1:48:28.479
<v Speaker 1>Guys came here and had that show Flippers, and it

1:48:28.680 --> 1:48:33.320
<v Speaker 1>was covered checking on the end of that. The Flipper

1:48:33.680 --> 1:48:36.640
<v Speaker 1>was a cover for them studying dolphins and using them

1:48:36.680 --> 1:48:39.320
<v Speaker 1>in the until they started using them in the government

1:48:39.479 --> 1:48:42.080
<v Speaker 1>during the war. Oh, because they were doing the bomb thing.

1:48:43.040 --> 1:48:45.160
<v Speaker 1>That's when he quit. That's when he let them lose.

1:48:45.520 --> 1:48:49.160
<v Speaker 1>Spit right down to the separate tim I mean the sequarium. Yeah. Wow,

1:48:49.360 --> 1:48:51.960
<v Speaker 1>didn't get a dolphins, Alice d huh might as well.

1:48:52.720 --> 1:48:55.400
<v Speaker 1>I'm sure they did. Yeah, they probably did. The dude

1:48:55.479 --> 1:48:58.479
<v Speaker 1>named John C. Lily. Check him out, John C. Lily.

1:48:58.640 --> 1:49:03.080
<v Speaker 1>And that's how Flippery Flipper started talking about makes sense

1:49:05.960 --> 1:49:09.840
<v Speaker 1>up Flipper came out of the water. That was just

1:49:09.960 --> 1:49:12.479
<v Speaker 1>a cover that all that stuff that crazy. The real

1:49:12.560 --> 1:49:15.280
<v Speaker 1>story was he was training the dolphins to put the

1:49:15.360 --> 1:49:18.240
<v Speaker 1>bombs on them, right, and he let them loose. That

1:49:18.439 --> 1:49:20.920
<v Speaker 1>was the big scandal. Why he found out that the

1:49:21.040 --> 1:49:25.240
<v Speaker 1>government was doing that. He turned them loose. Now Atomic

1:49:26.120 --> 1:49:33.559
<v Speaker 1>Atomic Dog UM took out Billy Jean number one, Michael Jackson,

1:49:33.640 --> 1:49:37.439
<v Speaker 1>Billy anybody listening In case people don't know, Billy Jean

1:49:37.640 --> 1:49:40.560
<v Speaker 1>is not my lover. It's not the girl says that

1:49:40.840 --> 1:49:45.280
<v Speaker 1>I am the one. Yeah, but it's not my son.

1:49:45.760 --> 1:49:49.280
<v Speaker 1>You took that shit out, Yeah, Tommy dog. But you

1:49:49.360 --> 1:49:53.280
<v Speaker 1>know at the time that UM was that MTV. Yeah,

1:49:54.040 --> 1:49:57.160
<v Speaker 1>it couldn't. They wouldn't put it on MTV. It wouldn't

1:49:57.200 --> 1:50:00.080
<v Speaker 1>put yours on him, right, but they got the the

1:50:00.240 --> 1:50:02.439
<v Speaker 1>gene on that that was he was pop lockers when

1:50:03.080 --> 1:50:07.160
<v Speaker 1>got you know? And then Prince got on there every

1:50:07.200 --> 1:50:10.960
<v Speaker 1>time after that, right, and then you you came and

1:50:11.080 --> 1:50:15.599
<v Speaker 1>took it and had the number one position yet without MTV,

1:50:15.960 --> 1:50:20.599
<v Speaker 1>without MTV. Wait, that's that's that's what I need. Yeah,

1:50:20.880 --> 1:50:23.479
<v Speaker 1>you didn't need MTV. Oh no, we didn't need I mean,

1:50:23.600 --> 1:50:26.080
<v Speaker 1>it's still and the record company told us it's not

1:50:26.240 --> 1:50:34.720
<v Speaker 1>going pop. Did Michael coolly and be like, it's beef nigga? No? Mean, yes,

1:50:35.040 --> 1:50:37.040
<v Speaker 1>the toy. I was doing the radio show with the toy.

1:50:38.040 --> 1:50:40.840
<v Speaker 1>He called up and say, what is this hair doing?

1:50:42.920 --> 1:50:44.920
<v Speaker 1>What is this hair doing? You know? Because that's what

1:50:45.000 --> 1:50:48.080
<v Speaker 1>I just got, the colored braids? And right he had

1:50:48.160 --> 1:50:52.000
<v Speaker 1>heard about it, he said, I mean with George Clinton,

1:50:52.080 --> 1:50:55.320
<v Speaker 1>you know black, what is his hair doing? I heard

1:50:55.360 --> 1:50:58.600
<v Speaker 1>about it? Right? Oh my god? And what made you

1:50:58.720 --> 1:51:07.760
<v Speaker 1>say I'm taking the hair off? I'm eighty years old, goddamn,

1:51:08.760 --> 1:51:12.719
<v Speaker 1>ain't no matter that Just start phone out by itself.

1:51:15.400 --> 1:51:18.240
<v Speaker 1>Do you see yourself as a rock star that you are?

1:51:20.760 --> 1:51:23.560
<v Speaker 1>I know, you know I know that I am, But

1:51:23.680 --> 1:51:26.160
<v Speaker 1>I don't like to like I said, look at it

1:51:26.280 --> 1:51:28.120
<v Speaker 1>like that. I got plenty of times to do that later.

1:51:28.840 --> 1:51:30.720
<v Speaker 1>You know, when you started looking at it, you can

1:51:30.800 --> 1:51:33.560
<v Speaker 1>get satisfied. I mean, not the egotistical. I mean just

1:51:33.680 --> 1:51:36.840
<v Speaker 1>actually paying attention to I know. I mean I can't

1:51:37.120 --> 1:51:38.920
<v Speaker 1>know what I've done. I know all of the history,

1:51:39.600 --> 1:51:42.479
<v Speaker 1>but you know, you know you started dwelling that seasons

1:51:42.520 --> 1:51:44.920
<v Speaker 1>to get lazy right now. I mean, I don't like

1:51:45.000 --> 1:51:47.080
<v Speaker 1>to get like I ain't done eighty years old. I

1:51:47.160 --> 1:51:49.519
<v Speaker 1>need an excuse to stay down. And if I start

1:51:49.640 --> 1:51:53.960
<v Speaker 1>doing that, you know, I mean, everyone's want bench on

1:51:54.600 --> 1:51:57.280
<v Speaker 1>YouTube and look at some of these shows. My wife

1:51:57.360 --> 1:51:58.880
<v Speaker 1>doing a lot of the filming and stuff. So I

1:51:58.920 --> 1:52:01.600
<v Speaker 1>actually have to look at them a lot lately. But

1:52:01.720 --> 1:52:03.679
<v Speaker 1>you can get off into that and shit, I ain't

1:52:03.720 --> 1:52:07.400
<v Speaker 1>moving another job, but I don't want to. I want

1:52:07.400 --> 1:52:10.040
<v Speaker 1>to something to provoke me and let me TRYA has

1:52:10.080 --> 1:52:12.720
<v Speaker 1>to do it again, you know, And that's what we're doing.

1:52:12.840 --> 1:52:17.519
<v Speaker 1>We actually having fun doing tours now with the especially

1:52:17.520 --> 1:52:21.920
<v Speaker 1>with the new the younger band. Have to keep ship's family.

1:52:22.000 --> 1:52:24.599
<v Speaker 1>That's what's family amazing. That's the other thing you get

1:52:24.600 --> 1:52:27.840
<v Speaker 1>to transferred to ship to them for them to keep

1:52:27.960 --> 1:52:30.720
<v Speaker 1>doing it. That is generational wealth. What you're doing. Yeah,

1:52:30.840 --> 1:52:33.280
<v Speaker 1>that's what I'm trying to make sure it is recognized.

1:52:33.680 --> 1:52:37.120
<v Speaker 1>Like I said with Ben Crump, Ben ahead of our

1:52:37.200 --> 1:52:41.400
<v Speaker 1>foundation of protect your legacy. That's what we're doing for

1:52:41.880 --> 1:52:45.120
<v Speaker 1>all other artists, showing how to protect their legacy. And

1:52:45.320 --> 1:52:49.720
<v Speaker 1>there is a thing called family, you know wealth. I mean,

1:52:49.800 --> 1:52:52.640
<v Speaker 1>if you do it from that point, they can't use

1:52:52.720 --> 1:52:57.840
<v Speaker 1>that legal term that is past um, statue of limitation

1:52:57.960 --> 1:53:00.320
<v Speaker 1>and all that legal term that you can't. I'm gonna

1:53:00.320 --> 1:53:04.800
<v Speaker 1>get your shit right. You can, Yeah, you can, you can,

1:53:05.160 --> 1:53:08.040
<v Speaker 1>you should and you should right and so and and

1:53:08.280 --> 1:53:10.920
<v Speaker 1>um and the thing is to do it, do it

1:53:11.000 --> 1:53:13.200
<v Speaker 1>and you know not, ain't mad and now about it.

1:53:14.320 --> 1:53:17.280
<v Speaker 1>Just do it right. And that's what's happening right now.

1:53:17.840 --> 1:53:22.800
<v Speaker 1>That's an inspiration for me actually fighting and getting the

1:53:22.880 --> 1:53:27.120
<v Speaker 1>copyration back. While I'm painting. I had all that, all

1:53:27.200 --> 1:53:29.760
<v Speaker 1>that shit on the internet. People love that kind of

1:53:29.840 --> 1:53:33.040
<v Speaker 1>content and they're seeing you on the internet. I'm in

1:53:33.120 --> 1:53:35.000
<v Speaker 1>the guarden. My wives got a garden. I'm out there

1:53:35.040 --> 1:53:38.760
<v Speaker 1>picking potatoes and shit. People love that kind of shit

1:53:38.880 --> 1:53:42.840
<v Speaker 1>to see the old fuck out there doing. Let you know.

1:53:43.479 --> 1:53:48.400
<v Speaker 1>Let so I had all that with the old songs

1:53:48.439 --> 1:53:50.840
<v Speaker 1>that I got back that they never heard. I'll be

1:53:50.920 --> 1:53:52.640
<v Speaker 1>playing when I came in and her jump playing that

1:53:53.080 --> 1:53:56.840
<v Speaker 1>that old shit. I was like, damn, I worked the

1:53:56.920 --> 1:53:59.840
<v Speaker 1>record that's be put year, just gonna do. People don't

1:53:59.840 --> 1:54:02.280
<v Speaker 1>even know about when they hear him now, like when

1:54:02.360 --> 1:54:06.240
<v Speaker 1>did that come out? It came out, you just missed it.

1:54:06.320 --> 1:54:09.320
<v Speaker 1>But they're still here. So I like participating in the

1:54:09.400 --> 1:54:12.160
<v Speaker 1>all the social media shit. You know, that's just like

1:54:12.280 --> 1:54:14.799
<v Speaker 1>going to the radio station. So you fuck with TikTok

1:54:15.320 --> 1:54:17.960
<v Speaker 1>im fuck with all of them. I'm fok with TikTok

1:54:18.000 --> 1:54:19.760
<v Speaker 1>I fuck with all of them there. I can't see

1:54:20.120 --> 1:54:23.000
<v Speaker 1>you know what I'm sucking the ain't trying to get

1:54:23.080 --> 1:54:25.280
<v Speaker 1>commercial with him. I like to play with him because

1:54:25.320 --> 1:54:28.400
<v Speaker 1>it's just the kitty shit. The old motherfucker's getting there

1:54:28.479 --> 1:54:31.240
<v Speaker 1>trying to make money. Yeah, no, you gotta um you

1:54:31.439 --> 1:54:35.320
<v Speaker 1>fu with Twitter? Yeah right, Twitter the most it's negative

1:54:35.400 --> 1:54:37.520
<v Speaker 1>best place in them. I don't I don't actually get

1:54:37.560 --> 1:54:40.960
<v Speaker 1>on I don't get on Twitter, and Facebook is when

1:54:40.960 --> 1:54:42.960
<v Speaker 1>I don't get No, No, don't get on that fund

1:54:43.000 --> 1:54:45.000
<v Speaker 1>See Instagram, you gotta show you a picture. I don't

1:54:45.040 --> 1:54:47.320
<v Speaker 1>really like it. Yeah, Facebook, you gotta show you a picture.

1:54:47.320 --> 1:54:49.120
<v Speaker 1>I don't really like yeah, Instagram much just going there

1:54:49.160 --> 1:54:51.480
<v Speaker 1>and talk shit. I got no haircut. I'm just saying,

1:54:51.680 --> 1:54:53.760
<v Speaker 1>I'm just on the bathroom. I'm like, what's up on

1:54:53.800 --> 1:54:56.640
<v Speaker 1>the fucking no no no on Twitter? Twitter? And then

1:54:56.960 --> 1:54:59.680
<v Speaker 1>someone be on here like you, Kamala, ain't brush your

1:54:59.800 --> 1:55:01.520
<v Speaker 1>hair and he's like, what a minute you just told

1:55:01.560 --> 1:55:03.920
<v Speaker 1>about the vice president? Like how are you talking about

1:55:03.920 --> 1:55:05.960
<v Speaker 1>the vice president? God damn it? And then you just

1:55:06.800 --> 1:55:10.320
<v Speaker 1>get in. I don't have no conversation, no politics, no

1:55:10.480 --> 1:55:12.440
<v Speaker 1>politics for you. I watch them all deep, but I

1:55:12.440 --> 1:55:14.840
<v Speaker 1>don't I don't get out here and talk about him. Yes,

1:55:15.080 --> 1:55:17.240
<v Speaker 1>you know, because that's that's another kind of thing right now,

1:55:17.280 --> 1:55:19.520
<v Speaker 1>because Joe I watched the hell of him. Because Joe Biden,

1:55:19.560 --> 1:55:21.560
<v Speaker 1>I'm not sure if he here all there, he's my boy,

1:55:21.800 --> 1:55:26.880
<v Speaker 1>he your boy eman. Camel ain't nothing, ain't I'm gonna

1:55:27.120 --> 1:55:29.680
<v Speaker 1>great choice, you know, I don't even like you're like

1:55:29.800 --> 1:55:32.160
<v Speaker 1>no other there's no other choices now, that's right, right,

1:55:32.400 --> 1:55:34.440
<v Speaker 1>I'm gonna just say one thing. The other day, they

1:55:34.640 --> 1:55:37.160
<v Speaker 1>walked Joe Biden out and he just can't walk against you.

1:55:37.280 --> 1:55:45.640
<v Speaker 1>He see, No, you gotta gott another you know it now,

1:55:45.680 --> 1:55:48.200
<v Speaker 1>there's a lot of things like you saw Joe Joe

1:55:48.240 --> 1:55:51.360
<v Speaker 1>Biden's wife kiss coming out. I don't know that. I

1:55:51.400 --> 1:55:55.120
<v Speaker 1>don't know if that's favor real. That ship was weird. Yeah,

1:55:58.200 --> 1:56:01.240
<v Speaker 1>kind of partners to happen about. I'm used to. I'm

1:56:01.360 --> 1:56:05.680
<v Speaker 1>used to French Italian They're gonna help me kill you.

1:56:06.080 --> 1:56:12.480
<v Speaker 1>But they're neither French nor Italian. They're not French. People

1:56:12.560 --> 1:56:15.680
<v Speaker 1>do that. They ain't no, bis no, I ain't gonna.

1:56:15.840 --> 1:56:17.800
<v Speaker 1>I did, I'll kill you not. I've been places where

1:56:17.800 --> 1:56:20.360
<v Speaker 1>I've seen two men kiss and then and then they're

1:56:20.360 --> 1:56:24.720
<v Speaker 1>like like the Italians, will will do wherever you go.

1:56:24.880 --> 1:56:28.600
<v Speaker 1>There's things that people do that's so different getting lost.

1:56:28.880 --> 1:56:32.840
<v Speaker 1>I mean, did you try to eat some beef in India? Oh? Yeah,

1:56:33.320 --> 1:56:38.320
<v Speaker 1>that's as bad as you dog here. You know, so

1:56:38.760 --> 1:56:41.920
<v Speaker 1>just depending on where you at, you know, and after

1:56:42.000 --> 1:56:46.720
<v Speaker 1>world it's like, damn, I guess they eat everything. That's yeah,

1:56:46.760 --> 1:56:50.040
<v Speaker 1>I guess the Washington DC this because everybody's talking actually

1:56:50.480 --> 1:56:53.120
<v Speaker 1>to you know, get over that at certain things because

1:56:53.120 --> 1:56:57.080
<v Speaker 1>we've been so programmed. But I realized, if you starting

1:56:57.160 --> 1:57:01.960
<v Speaker 1>and hungly, you do all that. You absolutely you know,

1:57:02.840 --> 1:57:08.960
<v Speaker 1>some people think they're starving before they starving right, Oh

1:57:09.680 --> 1:57:13.720
<v Speaker 1>enough yet ship, We're not done yet. Hold all right,

1:57:13.840 --> 1:57:17.400
<v Speaker 1>jus my wife calling me right now. Okay, this is

1:57:17.480 --> 1:57:19.360
<v Speaker 1>this is this is something to be touched on earlier.

1:57:19.680 --> 1:57:22.160
<v Speaker 1>But I got this in my notes. When you did

1:57:22.240 --> 1:57:26.640
<v Speaker 1>flash lights, they actually be performed with flashing lights, and

1:57:28.480 --> 1:57:32.080
<v Speaker 1>the concerts, the people, yeah, the people, Oh my god, yeah,

1:57:32.640 --> 1:57:35.600
<v Speaker 1>because this is this looks like thousand lightning because because

1:57:35.680 --> 1:57:38.120
<v Speaker 1>now when hip hop say, put up a light up,

1:57:38.240 --> 1:57:40.120
<v Speaker 1>they put up a light up. So you're telling me

1:57:40.160 --> 1:57:43.840
<v Speaker 1>you would be this flashlights. Let me get your props.

1:57:43.920 --> 1:57:46.680
<v Speaker 1>Let me just get your guys. You know how when

1:57:46.720 --> 1:57:50.240
<v Speaker 1>you say put your phones upright, put your lighters upright.

1:57:50.320 --> 1:57:55.520
<v Speaker 1>Put so you're a record people. They gotta remember flash

1:57:55.600 --> 1:57:58.680
<v Speaker 1>legs like eighteen pounds back then, and they had D

1:57:58.880 --> 1:58:02.160
<v Speaker 1>batteries and kill a nigga a couple of D batteries,

1:58:02.200 --> 1:58:06.400
<v Speaker 1>so literally, you hit a nigga with bio the savers

1:58:06.440 --> 1:58:07.960
<v Speaker 1>to that, I mean, and they had the springs. That

1:58:08.080 --> 1:58:12.600
<v Speaker 1>was eighteen It was a lightsabers, lifesavers that Star Wars

1:58:12.680 --> 1:58:16.320
<v Speaker 1>came out right when we put Mothership out. Star Wars

1:58:16.400 --> 1:58:19.440
<v Speaker 1>came out the same year, a couple of months later,

1:58:19.640 --> 1:58:22.680
<v Speaker 1>and you start performing this. These motherfuckers out there with flashlights,

1:58:22.760 --> 1:58:29.840
<v Speaker 1>flashlight coliseums and the stadiums. Ninety thousand people and ship. Wow,

1:58:30.440 --> 1:58:35.080
<v Speaker 1>ninety thousand people. You said you saw ninety thousand Afric

1:58:35.280 --> 1:58:38.920
<v Speaker 1>Chicago Soldiers Field, there was seventy five thousand half frus.

1:58:40.040 --> 1:58:43.680
<v Speaker 1>Come on, we got humble artists and humble artists three,

1:58:43.960 --> 1:58:50.080
<v Speaker 1>let's all make but no, we got a humble artist today.

1:58:50.280 --> 1:58:52.840
<v Speaker 1>We have to humble. Think that twenty thousand. Oh you

1:58:52.920 --> 1:58:56.480
<v Speaker 1>got ten thousands doing ninety thousands. Yeah, you got ninety

1:58:56.520 --> 1:59:00.560
<v Speaker 1>thousand people in aut with flashlights with killed me. They

1:59:00.640 --> 1:59:03.560
<v Speaker 1>brought a flashlight. It's basically like holding the dof We

1:59:03.680 --> 1:59:06.320
<v Speaker 1>sold him to eighteen pounds. We sold him we had,

1:59:06.440 --> 1:59:09.600
<v Speaker 1>I mean wed. That was merch. That was very holy

1:59:09.720 --> 1:59:15.160
<v Speaker 1>shit merch. Oh my god. Oh matter of fact, the

1:59:15.320 --> 1:59:19.800
<v Speaker 1>merchant you know Prince movie. Um, I would have got

1:59:19.920 --> 1:59:23.720
<v Speaker 1>on the club Billy Billy Sparks things. So that was

1:59:23.800 --> 1:59:26.320
<v Speaker 1>the guy that sold the space, sold the flash like

1:59:26.640 --> 1:59:29.720
<v Speaker 1>Billy Sparks flashlights that it was following a flashlights. He

1:59:29.840 --> 1:59:32.080
<v Speaker 1>was the one that was doing the merch that time

1:59:32.160 --> 1:59:36.160
<v Speaker 1>before he got with Prince. We have a Prince band

1:59:36.360 --> 1:59:39.240
<v Speaker 1>was with us on. You know, merch people went to

1:59:39.320 --> 1:59:43.480
<v Speaker 1>work for him. This is so crazy. Did you speak

1:59:43.480 --> 1:59:44.920
<v Speaker 1>the day I sold? You know? Did I sold? Just

1:59:45.040 --> 1:59:48.280
<v Speaker 1>recently got back the hold. Yeah, we're working at it. Okay,

1:59:48.360 --> 1:59:50.840
<v Speaker 1>are you spoke to the god? They a matter of fact,

1:59:50.880 --> 1:59:53.680
<v Speaker 1>they were one of the first ones. That's that when

1:59:53.720 --> 1:59:56.320
<v Speaker 1>they sampled, that was the beginning. They say that, right,

1:59:56.760 --> 2:00:00.880
<v Speaker 1>Tommy Boy paid us them, Digital Man them in digit

2:00:00.960 --> 2:00:03.920
<v Speaker 1>on the ground because because digital only was on Tommy,

2:00:04.080 --> 2:00:06.760
<v Speaker 1>then tom Me too. Those are the two that paid

2:00:06.880 --> 2:00:10.280
<v Speaker 1>us the first time that they were sampled. We didn't

2:00:10.320 --> 2:00:12.720
<v Speaker 1>know what people were doing using rec We know how

2:00:12.720 --> 2:00:14.840
<v Speaker 1>you supposed to get paid and what the label paid you.

2:00:14.960 --> 2:00:17.240
<v Speaker 1>But then Daylight got screwed on their royal. They got

2:00:17.280 --> 2:00:21.280
<v Speaker 1>screwed later on. It was a good thing we both

2:00:21.360 --> 2:00:24.600
<v Speaker 1>got and the dot paid us the first time. But

2:00:24.760 --> 2:00:27.080
<v Speaker 1>by the time they got screwed, we both got screwed together.

2:00:27.160 --> 2:00:28.920
<v Speaker 1>I'm saying it was due for everybody, So yeah, they

2:00:28.960 --> 2:00:31.760
<v Speaker 1>knew it was able to pay you. The hip hop artists.

2:00:31.840 --> 2:00:34.440
<v Speaker 1>It was all new in that situation. Nobody knew how

2:00:34.520 --> 2:00:37.080
<v Speaker 1>to pay. But and then they actually but they charged

2:00:37.120 --> 2:00:39.840
<v Speaker 1>the artists. They told him they was paying us. They

2:00:39.920 --> 2:00:42.440
<v Speaker 1>were taking out of their royalties. Told them that they

2:00:42.480 --> 2:00:44.080
<v Speaker 1>gave it to us. That's why I told Snoop, that's

2:00:44.080 --> 2:00:47.400
<v Speaker 1>why they didn't get student the royalty statement party. If

2:00:47.400 --> 2:00:49.280
<v Speaker 1>they took it out of the royalty, they didn't give

2:00:49.320 --> 2:00:52.040
<v Speaker 1>it to me. It should be on my royalty. So

2:00:53.440 --> 2:00:56.160
<v Speaker 1>you see what I'm saying. Yeah, no, she shouldn't be

2:00:56.200 --> 2:00:59.560
<v Speaker 1>taken out of the artist's royalty. They did well. I mean,

2:00:59.600 --> 2:01:02.400
<v Speaker 1>it's all the publish not just the publishing. The fact

2:01:02.480 --> 2:01:05.600
<v Speaker 1>that you sampled the record, right, that's another thing. Now

2:01:05.720 --> 2:01:09.200
<v Speaker 1>your master have another master in it. It's not the publishing,

2:01:09.480 --> 2:01:12.040
<v Speaker 1>but it's the publishing. It's part of the writing credit

2:01:12.320 --> 2:01:15.640
<v Speaker 1>and the ownership of the master the record itself. The

2:01:15.760 --> 2:01:18.160
<v Speaker 1>writers get their part of them, but the person that

2:01:18.440 --> 2:01:21.360
<v Speaker 1>sang the song or played. But you see, this is

2:01:21.400 --> 2:01:23.920
<v Speaker 1>why people like you and a lot of people need

2:01:24.000 --> 2:01:27.520
<v Speaker 1>to learn more about this because it's so complicated. I

2:01:27.600 --> 2:01:30.360
<v Speaker 1>had a lawyer one time that he told me that

2:01:30.560 --> 2:01:35.000
<v Speaker 1>the people that created the mathematical equation for publishing were

2:01:35.200 --> 2:01:37.240
<v Speaker 1>rocket scientists, And I don't know if he was joking.

2:01:38.040 --> 2:01:39.800
<v Speaker 1>They're the same one that did the same one that

2:01:39.920 --> 2:01:45.120
<v Speaker 1>did um share cropping. You know what the farm Land. Right,

2:01:45.320 --> 2:01:48.080
<v Speaker 1>it's the same theory as that ship, which is all

2:01:48.240 --> 2:01:50.600
<v Speaker 1>they loan you some money and you never pay them back.

2:01:51.000 --> 2:01:54.960
<v Speaker 1>Everything that you give them is against some advanced shit

2:01:55.600 --> 2:01:58.200
<v Speaker 1>you know, which you'll never see back. And you and

2:01:58.280 --> 2:02:00.640
<v Speaker 1>of course you're a fortune to get lawyers to play

2:02:00.720 --> 2:02:02.600
<v Speaker 1>with him on that. You will always be Now you

2:02:02.640 --> 2:02:04.720
<v Speaker 1>can get it back because of the thirty five years,

2:02:06.000 --> 2:02:08.600
<v Speaker 1>and they'll still beat you. If you don't know what

2:02:08.720 --> 2:02:10.440
<v Speaker 1>you do, go ahead and do it. But you can

2:02:10.520 --> 2:02:13.280
<v Speaker 1>get on YouTube now and if all that shit, all

2:02:13.320 --> 2:02:16.160
<v Speaker 1>that information is there. But like I said, we're doing

2:02:16.160 --> 2:02:20.120
<v Speaker 1>a thing called protect our Legacy, and we're gonna have

2:02:21.000 --> 2:02:24.480
<v Speaker 1>announced every year. We're gonna announce it. We're gonna announce

2:02:24.560 --> 2:02:27.400
<v Speaker 1>every year whose song is due back to him? Because

2:02:27.480 --> 2:02:30.360
<v Speaker 1>every year fire, somebody's song is due back to them

2:02:30.880 --> 2:02:36.280
<v Speaker 1>or album. We're gonna find out fire. What about the

2:02:36.360 --> 2:02:39.040
<v Speaker 1>pieces of the songs, like you're saying, the right samples

2:02:39.120 --> 2:02:40.800
<v Speaker 1>up the song? Yeah, all of that, all of that

2:02:40.960 --> 2:02:43.240
<v Speaker 1>come back. Like I think that needs to be simplified

2:02:43.280 --> 2:02:45.680
<v Speaker 1>for people. Oh yeah, dude, because they need to tell you.

2:02:45.960 --> 2:02:48.800
<v Speaker 1>They need to tell you when it's done, you know,

2:02:48.880 --> 2:02:51.560
<v Speaker 1>like the copyright place to tell you somebody just use

2:02:51.600 --> 2:02:54.200
<v Speaker 1>your song, they just sound they stick can do that,

2:02:54.400 --> 2:02:56.440
<v Speaker 1>but they don't want to do that. They're gonna do

2:02:56.520 --> 2:03:00.560
<v Speaker 1>it once he make it a um um rights thing,

2:03:00.680 --> 2:03:04.000
<v Speaker 1>which is what's gonna be. You know that's gonna happen

2:03:04.080 --> 2:03:06.840
<v Speaker 1>and everybody because there's a lot of hip hop money

2:03:06.880 --> 2:03:10.040
<v Speaker 1>out there that I think we need more sampling and

2:03:10.160 --> 2:03:12.120
<v Speaker 1>hip hop because I think that was they scared to

2:03:12.160 --> 2:03:14.360
<v Speaker 1>do it because they got suits. I made hip hop

2:03:14.480 --> 2:03:16.560
<v Speaker 1>that gave the soul to hip hop. Yeah it was,

2:03:17.280 --> 2:03:19.480
<v Speaker 1>and when you took it out, it changed hip hop. Yeah,

2:03:19.480 --> 2:03:22.800
<v Speaker 1>it's scared. When they got scared to sample stuff that

2:03:23.040 --> 2:03:26.480
<v Speaker 1>changed everything. And in fact, that's scared effect that many

2:03:26.560 --> 2:03:30.040
<v Speaker 1>people make vinyl records too, as I'm doing. Ain't many

2:03:30.080 --> 2:03:33.600
<v Speaker 1>records or scratch. We got to start making records just

2:03:33.680 --> 2:03:36.520
<v Speaker 1>so you can scratch them. I'm gonna tell you the

2:03:36.600 --> 2:03:42.800
<v Speaker 1>first time I actually besides me, you know um question

2:03:42.880 --> 2:03:47.200
<v Speaker 1>in my contract, The first time I ever and it

2:03:47.320 --> 2:03:49.480
<v Speaker 1>was what wasn't called the order. It's first time I

2:03:49.600 --> 2:03:52.440
<v Speaker 1>ever see my record label. It was something going on

2:03:52.560 --> 2:03:55.520
<v Speaker 1>that was wasn't right was. I looked at it and

2:03:55.640 --> 2:04:00.400
<v Speaker 1>they spent eight hundred thousand overseas budget. Back then, we

2:04:00.480 --> 2:04:04.000
<v Speaker 1>didn't have an Instagram, we didn't have a Twitter. Eight

2:04:04.840 --> 2:04:07.240
<v Speaker 1>hundred thousand, that's what they told me. They told me

2:04:07.280 --> 2:04:09.760
<v Speaker 1>they spent eight hundred thousand because they made my record

2:04:10.080 --> 2:04:13.520
<v Speaker 1>go number one in Europe and everywhere else. So they

2:04:13.560 --> 2:04:16.600
<v Speaker 1>said that they spent this the marketing budget, the marketing budget,

2:04:16.840 --> 2:04:21.360
<v Speaker 1>that that's where they always So back then I knew

2:04:21.440 --> 2:04:23.520
<v Speaker 1>this something was wrong about this. I was like, wait

2:04:23.560 --> 2:04:27.960
<v Speaker 1>a minute, his death jam, this is timmy Boy, this

2:04:28.040 --> 2:04:32.160
<v Speaker 1>is timming Boy. Yeah, yeah, so um well, it wasn't him,

2:04:32.400 --> 2:04:34.880
<v Speaker 1>it was the Penalty At the time, let's just say

2:04:34.880 --> 2:04:36.840
<v Speaker 1>it was. It was one of them. It was doomed

2:04:36.840 --> 2:04:39.040
<v Speaker 1>together when they was together, Penalty and Time Boy. And

2:04:39.120 --> 2:04:40.800
<v Speaker 1>I was asking them. I was like, can you show

2:04:40.880 --> 2:04:46.080
<v Speaker 1>me proof that you spent this money in Amsterdam? He

2:04:46.240 --> 2:04:49.440
<v Speaker 1>showed me this money, he spent this money in Japan

2:04:50.000 --> 2:04:52.800
<v Speaker 1>and such such. Back then we didn't have an Instagram,

2:04:53.240 --> 2:04:56.720
<v Speaker 1>so whenever they showed me it was sufficient proof. Today yeah,

2:04:56.800 --> 2:04:59.760
<v Speaker 1>and you couldn't. It's no, couldn't argue the proof. It's

2:05:00.000 --> 2:05:01.960
<v Speaker 1>the only way they could have been spending that money there,

2:05:02.360 --> 2:05:04.720
<v Speaker 1>but we couldn't. So that's the one thing I will

2:05:04.800 --> 2:05:08.480
<v Speaker 1>give to social media Instagram, TikTok is. They can't do

2:05:08.640 --> 2:05:10.480
<v Speaker 1>that no more. They can't say to me, Yo, I

2:05:10.560 --> 2:05:14.360
<v Speaker 1>just spent one hundred and fifty thousand in Japan and Tokyo,

2:05:15.000 --> 2:05:17.040
<v Speaker 1>and I got somebody in Tokyo that I could hit

2:05:17.120 --> 2:05:19.640
<v Speaker 1>on Instagram or Twitter and say, did you see that poster?

2:05:20.160 --> 2:05:23.080
<v Speaker 1>You know what I mean? And that's the one that's

2:05:23.120 --> 2:05:25.200
<v Speaker 1>the one thing. So um. That was the one time

2:05:25.280 --> 2:05:27.880
<v Speaker 1>that I actually started to see like, holy shit, these

2:05:27.880 --> 2:05:30.680
<v Speaker 1>people are I don't want to say lying, but let

2:05:30.760 --> 2:05:33.680
<v Speaker 1>me just be honest. They were lying. They were lying.

2:05:33.760 --> 2:05:36.600
<v Speaker 1>There was not no other way to say it. And

2:05:36.760 --> 2:05:41.320
<v Speaker 1>I'll never recoup that album. Yeah, it's hard. It's hard

2:05:41.400 --> 2:05:44.880
<v Speaker 1>to recoup. Let mean, you can't even recoup. You can

2:05:44.920 --> 2:05:49.080
<v Speaker 1>go bankrupt and they still tell you you're unstill, oh yeah,

2:05:49.800 --> 2:05:52.160
<v Speaker 1>bankrupt supposed to wipe that shit out right, yes, right,

2:05:52.360 --> 2:05:55.800
<v Speaker 1>But if you paying attention, they still charge you ten

2:05:55.920 --> 2:05:59.280
<v Speaker 1>years later you're unrecoup I mean, is it far fet

2:05:59.440 --> 2:06:01.440
<v Speaker 1>to say if you look at the history of record

2:06:01.520 --> 2:06:04.760
<v Speaker 1>labels in the music industry, it's a racket. It was

2:06:04.800 --> 2:06:07.280
<v Speaker 1>always a racket. It was always a racket. It's actually

2:06:07.560 --> 2:06:11.640
<v Speaker 1>better now, I mean, it's actually because corporate America got involved.

2:06:11.680 --> 2:06:16.480
<v Speaker 1>In the beginning, it was cracket. It was underworld ship, right,

2:06:16.880 --> 2:06:19.280
<v Speaker 1>And using the word master was even fun up to

2:06:19.480 --> 2:06:22.720
<v Speaker 1>using the word master master the master record. No, no,

2:06:22.960 --> 2:06:26.400
<v Speaker 1>using the word master for the for the master that

2:06:26.560 --> 2:06:32.680
<v Speaker 1>was even like a master record, that the first the original,

2:06:32.800 --> 2:06:37.600
<v Speaker 1>the original record. No, no, no, you're taking that somewhere. Yeah,

2:06:38.120 --> 2:06:45.760
<v Speaker 1>it's master master. You're right, you're right, you're right, my fault, right,

2:06:46.320 --> 2:06:49.760
<v Speaker 1>you're right, it's going too far, my bad movies, my

2:06:49.880 --> 2:06:55.680
<v Speaker 1>bass alcohol. But I think we're reaping. The industry is

2:06:55.720 --> 2:06:57.840
<v Speaker 1>reaping the I don't want to see the benefit. It's

2:06:57.840 --> 2:07:00.560
<v Speaker 1>reaping the history of what it was. It was always

2:07:00.560 --> 2:07:03.080
<v Speaker 1>a racket, it was. It was the world racket. They

2:07:03.160 --> 2:07:06.440
<v Speaker 1>called a cash cow. It was so you know street

2:07:06.640 --> 2:07:08.400
<v Speaker 1>you know, you made the records on the street, you

2:07:08.440 --> 2:07:10.200
<v Speaker 1>and they sold them. You got some of you so

2:07:10.360 --> 2:07:12.880
<v Speaker 1>them to the stores. It was a hustle, you know.

2:07:13.120 --> 2:07:16.000
<v Speaker 1>And they just made it, learn to make it civilized

2:07:16.040 --> 2:07:18.960
<v Speaker 1>and a business. And it's getting to be that, believe me,

2:07:19.200 --> 2:07:21.480
<v Speaker 1>because you look around and see yall they talk about

2:07:21.520 --> 2:07:25.480
<v Speaker 1>billionaires were you weren't even a thousand there my day

2:07:26.000 --> 2:07:28.360
<v Speaker 1>a millionaire was out of the reach. But now you're

2:07:28.360 --> 2:07:32.040
<v Speaker 1>talking about billionaires, So it's going somewhere. The artists aren't

2:07:32.040 --> 2:07:35.360
<v Speaker 1>becoming billionaires, are not in the music side of it,

2:07:36.680 --> 2:07:40.320
<v Speaker 1>whether they're doing. They becoming billionaires not necessarily just off

2:07:40.360 --> 2:07:43.320
<v Speaker 1>the music, off of the entire thing around them. They

2:07:43.440 --> 2:07:49.160
<v Speaker 1>whole brand, like Marianna Beyonce Jay, they had to branch out.

2:07:49.240 --> 2:07:50.880
<v Speaker 1>I'm just saying, no, you have to branch out. They

2:07:50.960 --> 2:07:53.040
<v Speaker 1>get it, but it gives you the opportunity to brand,

2:07:53.080 --> 2:07:54.640
<v Speaker 1>you know, the opportunity is that. I'm just saying that

2:07:54.760 --> 2:07:58.480
<v Speaker 1>that infrastructure that started the music industry still comes from

2:07:58.520 --> 2:08:02.200
<v Speaker 1>that shady place and it's still shaking it off today. Yeah.

2:08:02.240 --> 2:08:04.920
<v Speaker 1>But like I said that thirty five years of getting

2:08:04.920 --> 2:08:08.400
<v Speaker 1>your master's back or getting your copyrights back, that's a

2:08:08.560 --> 2:08:11.720
<v Speaker 1>Johnny step. That mean that means you can actually go

2:08:11.920 --> 2:08:14.320
<v Speaker 1>in there and get your thing and you can get

2:08:14.360 --> 2:08:18.400
<v Speaker 1>paid for the licensing of that from now on. They

2:08:18.440 --> 2:08:20.760
<v Speaker 1>didn't have that before. You didn't get it back, you

2:08:20.840 --> 2:08:24.840
<v Speaker 1>said forever into perpetuity and all that kind of shit.

2:08:26.000 --> 2:08:29.160
<v Speaker 1>Now you can actually get it back, but you got

2:08:29.200 --> 2:08:32.360
<v Speaker 1>to know how to work it. What was publishing when

2:08:32.400 --> 2:08:36.160
<v Speaker 1>you first started, like it was publishing already established. Yeah,

2:08:36.480 --> 2:08:39.280
<v Speaker 1>I mean Joe Bett was the best, biggest publishing in

2:08:39.280 --> 2:08:43.280
<v Speaker 1>the world. That Motown. All those songs that came through Motown,

2:08:43.680 --> 2:08:47.000
<v Speaker 1>they were like the biggest. Columbia was the second, you know,

2:08:47.520 --> 2:08:52.920
<v Speaker 1>screen Gym the second biggest worldwide published. They didn't movies

2:08:53.080 --> 2:08:56.560
<v Speaker 1>and soundtracks, so there was always a structure there for

2:08:57.000 --> 2:09:01.240
<v Speaker 1>pop music, classical music and stuff us that rock and

2:09:01.400 --> 2:09:04.960
<v Speaker 1>roll was like hip hop. It was a street thing.

2:09:05.000 --> 2:09:07.520
<v Speaker 1>For people that don't understand. Rock and roll wasn't a

2:09:07.640 --> 2:09:10.640
<v Speaker 1>white genre originally, not at first, not at first, but

2:09:11.200 --> 2:09:13.800
<v Speaker 1>Richie invented that ship right because people know, people think

2:09:13.800 --> 2:09:15.400
<v Speaker 1>of rock and roll. I think of these like heavy

2:09:15.440 --> 2:09:17.360
<v Speaker 1>metal bands or something. No, no, no, no, no, that's

2:09:17.720 --> 2:09:22.280
<v Speaker 1>that's rock. The rock and roll now, I mean, Jered

2:09:22.320 --> 2:09:24.920
<v Speaker 1>y Lewis was my favorite when it comes to rock

2:09:25.000 --> 2:09:28.600
<v Speaker 1>and roll version of that white version of that. Elvis

2:09:28.720 --> 2:09:31.320
<v Speaker 1>was cool because he made it, and you gotta get

2:09:31.400 --> 2:09:34.840
<v Speaker 1>people prop that made it worked for him. But jeredy Lewis,

2:09:35.440 --> 2:09:37.520
<v Speaker 1>he came to the pollo. Thie didn't turn it out.

2:09:38.400 --> 2:09:41.960
<v Speaker 1>You know, he focused like damn this mom. You know

2:09:42.200 --> 2:09:45.680
<v Speaker 1>he was he was that he had a real vibe

2:09:45.720 --> 2:09:48.400
<v Speaker 1>in this that he was a crazy motherfucking called himself

2:09:49.400 --> 2:09:51.840
<v Speaker 1>with the killer. I mean, he's he had a hell

2:09:51.880 --> 2:09:54.720
<v Speaker 1>of a story, you know. But he was all of

2:09:54.800 --> 2:09:57.560
<v Speaker 1>that rock and roll thing for me from the fifties,

2:09:58.240 --> 2:10:00.280
<v Speaker 1>you know, and then you got a lot of went

2:10:00.360 --> 2:10:02.600
<v Speaker 1>after that, the pop side of it. Like I said,

2:10:02.640 --> 2:10:06.200
<v Speaker 1>it's gonna be the Beatles once they got Really that's

2:10:06.280 --> 2:10:08.800
<v Speaker 1>how people get asking me a Beatles story for you, huh,

2:10:08.960 --> 2:10:11.600
<v Speaker 1>A Beatles story from you? All the Beatles, like I said,

2:10:11.680 --> 2:10:20.160
<v Speaker 1>that was just just like John Lennon Paul No, No,

2:10:20.280 --> 2:10:22.040
<v Speaker 1>I've never met him, because I said, I mean I

2:10:22.080 --> 2:10:24.720
<v Speaker 1>met George Harrison. I met him. You know. They all

2:10:24.840 --> 2:10:29.040
<v Speaker 1>were their own entity and whatever that was that took

2:10:29.320 --> 2:10:32.960
<v Speaker 1>rock and roll to another. But they weren't even rock

2:10:33.000 --> 2:10:36.160
<v Speaker 1>and roll originally, but they were basically they weren't until

2:10:36.240 --> 2:10:39.720
<v Speaker 1>the George Martin started producing them and putting all those

2:10:40.120 --> 2:10:44.080
<v Speaker 1>classical strings and things behind them. Then they became something

2:10:44.200 --> 2:10:46.960
<v Speaker 1>other than a rock and roll. Their first records, they

2:10:47.680 --> 2:10:50.640
<v Speaker 1>records without all the strings and things. It's basically rock

2:10:50.680 --> 2:10:53.600
<v Speaker 1>and roll, simple rock and roll at that when they

2:10:53.640 --> 2:10:55.280
<v Speaker 1>were suited up there, they were rock and roll though

2:10:55.360 --> 2:10:58.600
<v Speaker 1>they was there. But but then George Jorge Martin actually

2:10:58.840 --> 2:11:02.960
<v Speaker 1>performed put simping stuff there. Over their music, they became

2:11:03.000 --> 2:11:06.000
<v Speaker 1>more eclectic, very e classic, I mean to the point

2:11:06.000 --> 2:11:09.800
<v Speaker 1>of almost jazz, because the classic it was symphony, you

2:11:09.880 --> 2:11:11.360
<v Speaker 1>know what I'm saying. But it was still rock and roll,

2:11:12.000 --> 2:11:15.080
<v Speaker 1>and they had all the elements of what rock starring

2:11:15.360 --> 2:11:19.400
<v Speaker 1>was and they had different styles of real good music.

2:11:19.720 --> 2:11:23.879
<v Speaker 1>Whenever somebody else did their songs, it really when Aretha

2:11:24.040 --> 2:11:28.920
<v Speaker 1>would do Yesterday, Ray Charles would do Yesterday, their song

2:11:29.080 --> 2:11:32.920
<v Speaker 1>was conducive to serious R and B singers, right and

2:11:33.000 --> 2:11:36.040
<v Speaker 1>you can their song worked very well. But they were

2:11:36.120 --> 2:11:38.960
<v Speaker 1>the ones that just gave it all that class and

2:11:39.040 --> 2:11:41.520
<v Speaker 1>it was something to shoot for. And that's what we did.

2:11:41.760 --> 2:11:44.480
<v Speaker 1>We did not want to be a regular band. We

2:11:44.640 --> 2:11:48.080
<v Speaker 1>wanted to be a thing, an extraordinary band. We call

2:11:48.160 --> 2:11:52.320
<v Speaker 1>it polo Funkadelic, mint thing. We could be anything we

2:11:52.400 --> 2:11:55.560
<v Speaker 1>wanted to. We have to get morph into whatever you want.

2:11:56.720 --> 2:11:59.320
<v Speaker 1>Nobody wouldn't say that, ain't your bad. You were on genre.

2:11:59.640 --> 2:12:01.680
<v Speaker 1>We didn't want to be in a bad You wanted

2:12:01.680 --> 2:12:04.920
<v Speaker 1>to be like Sunrin just do music and people say

2:12:04.960 --> 2:12:08.400
<v Speaker 1>that that's weird. But when you do get one, let's

2:12:08.440 --> 2:12:11.280
<v Speaker 1>be like, oh, it stands by itself like a Tommy dog.

2:12:11.400 --> 2:12:15.200
<v Speaker 1>There's nothing. We couldn't even do another Tommy doll. Nobody

2:12:15.280 --> 2:12:17.600
<v Speaker 1>can't you know, that's that's never gonna happen. I was

2:12:17.600 --> 2:12:20.080
<v Speaker 1>just one of those stories, you know, where I walked in.

2:12:20.200 --> 2:12:23.720
<v Speaker 1>I thought that, you know, highs hell. I thought they

2:12:23.760 --> 2:12:27.760
<v Speaker 1>were recording without me, and ran into the studio, told

2:12:27.760 --> 2:12:30.520
<v Speaker 1>everybody let me sing, and they had to tape on backwards.

2:12:31.880 --> 2:12:35.160
<v Speaker 1>So I sang to the tape this backwards. It's like, oh,

2:12:36.440 --> 2:12:38.560
<v Speaker 1>and once I did it, it was too late. They

2:12:38.640 --> 2:12:40.600
<v Speaker 1>had to finish it that way. They had to put

2:12:40.640 --> 2:12:45.000
<v Speaker 1>the rest of the instruments on. So no, that was

2:12:45.080 --> 2:12:47.240
<v Speaker 1>in Detroit. So when you heard it that way, would

2:12:47.240 --> 2:12:49.680
<v Speaker 1>you say, yeah, this is gat That's why I'm talking

2:12:49.720 --> 2:12:52.480
<v Speaker 1>so long. This is a story on famous dogs. I'm

2:12:52.480 --> 2:12:55.240
<v Speaker 1>trying to figure out what kids. Then I'm trying and

2:12:55.360 --> 2:12:59.200
<v Speaker 1>I don't force my way in the studio, so everybody's

2:12:59.200 --> 2:13:01.240
<v Speaker 1>like like they're looking right there. I'm looking right through

2:13:01.240 --> 2:13:03.280
<v Speaker 1>the glass. They all looking at me, and I'm trying

2:13:03.280 --> 2:13:06.680
<v Speaker 1>to figure out what fucking kids and ain't got no key,

2:13:06.760 --> 2:13:09.440
<v Speaker 1>so I'm trying to kill time. This is the story

2:13:09.480 --> 2:13:15.360
<v Speaker 1>of famous dogs. I'm sure you're trying to sort the

2:13:15.440 --> 2:13:18.920
<v Speaker 1>from sorry, but this is the main my head with

2:13:19.120 --> 2:13:22.040
<v Speaker 1>the clap, I mean, all of that was just ad

2:13:22.240 --> 2:13:25.200
<v Speaker 1>lived into what wasn't gonna gonna Well, I must I

2:13:25.320 --> 2:13:29.000
<v Speaker 1>feel like that, moll must I chase the cat nothing

2:13:29.040 --> 2:13:33.400
<v Speaker 1>mother dog and me ain't told as fuck that's not

2:13:33.560 --> 2:13:37.000
<v Speaker 1>committing to a key. And then do the dog kids?

2:13:37.040 --> 2:13:40.560
<v Speaker 1>Did I realize, damn this making sense to the dog catcher?

2:13:40.960 --> 2:13:43.880
<v Speaker 1>And I saw everybody start laughing. And once you know

2:13:44.160 --> 2:13:47.320
<v Speaker 1>I drove you, you're seeing people laughing your ego arow,

2:13:47.400 --> 2:13:53.879
<v Speaker 1>you didn't drove you. I got this mother hippi yo yippy.

2:14:04.760 --> 2:14:10.160
<v Speaker 1>Why that's an incredible that is the real. Because everybody's

2:14:10.160 --> 2:14:12.560
<v Speaker 1>looking at it. They told me we're waiting on you

2:14:13.400 --> 2:14:15.960
<v Speaker 1>because we we we know we got to wreck it

2:14:16.040 --> 2:14:20.600
<v Speaker 1>on backwards. But now they have to go back in

2:14:20.840 --> 2:14:23.560
<v Speaker 1>and put the drums on it. Gall invented something brand new,

2:14:23.840 --> 2:14:30.280
<v Speaker 1>brand new, brand new. Wow do you I know we

2:14:30.360 --> 2:14:34.280
<v Speaker 1>spoke about this earlier and I think he he uh.

2:14:35.560 --> 2:14:38.600
<v Speaker 1>I asked you and I'm gonna just reiterate it in

2:14:38.680 --> 2:14:41.800
<v Speaker 1>a different way. But didn't know how much important you

2:14:41.920 --> 2:14:48.680
<v Speaker 1>are to this culture. I don't know that I taking away. No, No,

2:14:48.840 --> 2:14:51.840
<v Speaker 1>but I believe me. I do know. That's why I was, like,

2:14:52.240 --> 2:14:55.800
<v Speaker 1>we've been I can say that kind of stuff. You

2:14:55.920 --> 2:15:00.600
<v Speaker 1>need somebody like that to say that culturally, U civil

2:15:00.720 --> 2:15:04.400
<v Speaker 1>rights in that. Otherwise we're just talking shit. You know,

2:15:04.520 --> 2:15:07.400
<v Speaker 1>we're just kicking it and talking shit. But to say

2:15:07.400 --> 2:15:10.480
<v Speaker 1>it like that, you need somebody to put it on

2:15:10.640 --> 2:15:13.400
<v Speaker 1>that kind of light that. I mean. I was at

2:15:13.440 --> 2:15:15.760
<v Speaker 1>the college today, I was, what is the coach? They

2:15:16.000 --> 2:15:19.200
<v Speaker 1>just being Crump college. They just changed the name of

2:15:19.320 --> 2:15:22.920
<v Speaker 1>quot Ben Crumb. We're out here, yeah, and it's and Nehew, right,

2:15:22.960 --> 2:15:25.920
<v Speaker 1>his nephew is a nephew is here. His nephew is here. Oh,

2:15:26.120 --> 2:15:29.440
<v Speaker 1>where's it that? Whe's the college that Saint Thomas? Yeah,

2:15:29.480 --> 2:15:33.640
<v Speaker 1>Saint Thomas. Okay, so that's what That's what I'm doing,

2:15:34.320 --> 2:15:37.080
<v Speaker 1>not to to that's fine, to live up to that

2:15:37.280 --> 2:15:40.120
<v Speaker 1>kind of shit. That's them. You know, I'm too lazy

2:15:40.200 --> 2:15:42.800
<v Speaker 1>to do. I don't know. Don't try to preach. I

2:15:42.880 --> 2:15:44.800
<v Speaker 1>can talk shit all day. No, but you know what,

2:15:45.000 --> 2:15:48.440
<v Speaker 1>but you know what, um our culture um part of

2:15:48.480 --> 2:15:50.480
<v Speaker 1>the reason. And I'm sorry to get so deep right

2:15:51.200 --> 2:15:53.440
<v Speaker 1>part of shit? How about another one? I thought I

2:15:53.560 --> 2:15:58.200
<v Speaker 1>just drink one shit together, buddy. So but part of

2:15:58.280 --> 2:16:01.760
<v Speaker 1>that reason, Um, I watched recently, I think Dave Chappelle

2:16:02.240 --> 2:16:06.760
<v Speaker 1>and these people go back to Ghana, right, and they went,

2:16:07.560 --> 2:16:11.680
<v Speaker 1>you want to use the bathroom? Okay? Oh but um

2:16:11.760 --> 2:16:15.400
<v Speaker 1>they went back to Ghana and then they start saying

2:16:15.440 --> 2:16:18.880
<v Speaker 1>all this, these things, and what you don't realize is

2:16:18.920 --> 2:16:21.960
<v Speaker 1>that a lot of us they started to think that

2:16:22.440 --> 2:16:25.800
<v Speaker 1>we started in this country as slaves. They didn't realize

2:16:25.840 --> 2:16:28.360
<v Speaker 1>that we were kings and queens. And this is this

2:16:28.480 --> 2:16:32.040
<v Speaker 1>place in Ghana is teaching right. So I saw this

2:16:32.480 --> 2:16:34.480
<v Speaker 1>say that, and I say, damn, you know what if

2:16:34.520 --> 2:16:37.400
<v Speaker 1>we don't notice, if we don't know that we didn't

2:16:37.400 --> 2:16:39.880
<v Speaker 1>started as slaves, we started as kings and queens. If

2:16:39.920 --> 2:16:45.280
<v Speaker 1>we don't know this, um, others won't know that neither.

2:16:45.560 --> 2:16:47.520
<v Speaker 1>So I say that to say this, I just want

2:16:47.560 --> 2:16:50.680
<v Speaker 1>you to know, like as a hip hopper, I've made

2:16:52.040 --> 2:16:57.120
<v Speaker 1>my career through hip hop. Um, I've made my life.

2:16:57.760 --> 2:17:00.800
<v Speaker 1>I was able to save people through it, Pop. But

2:17:00.920 --> 2:17:04.320
<v Speaker 1>if it wasn't for you, and it wasn't for people

2:17:05.080 --> 2:17:10.400
<v Speaker 1>prior to me recognizing who you are, then I don't

2:17:10.440 --> 2:17:12.760
<v Speaker 1>think a lot of us will be here today. Wow.

2:17:14.640 --> 2:17:19.879
<v Speaker 1>And that's it's girl shit like I knew. I knew exactly,

2:17:19.920 --> 2:17:22.080
<v Speaker 1>but you know, I was studying you for months because

2:17:22.080 --> 2:17:24.640
<v Speaker 1>it's once once we started and I was like damn,

2:17:25.200 --> 2:17:29.000
<v Speaker 1>damn and damn. I never stopped saying damn. Every time

2:17:29.080 --> 2:17:32.880
<v Speaker 1>I'll discovered something, something new, and I was just like wow.

2:17:33.160 --> 2:17:35.600
<v Speaker 1>And it's like the thing about it is, we want

2:17:35.640 --> 2:17:38.520
<v Speaker 1>to give you your flowers. We want to continue to

2:17:39.240 --> 2:17:42.000
<v Speaker 1>salute you and to tell you you know you're doing great,

2:17:42.080 --> 2:17:44.880
<v Speaker 1>and to tell you that you're fighting a great fight

2:17:45.040 --> 2:17:48.760
<v Speaker 1>because we're not worried about it. If anybody else does

2:17:48.879 --> 2:17:50.600
<v Speaker 1>or don't be worried about it if we do it

2:17:50.760 --> 2:17:53.480
<v Speaker 1>due and this is the reason why we have to

2:17:53.560 --> 2:17:55.440
<v Speaker 1>do this, and we have to look at you face

2:17:55.520 --> 2:17:57.720
<v Speaker 1>to face, man and man out of eye, and look

2:17:57.720 --> 2:18:00.720
<v Speaker 1>at your beautiful family and say, we appreciate you. You

2:18:00.760 --> 2:18:03.440
<v Speaker 1>appreciate what you do. We appreciate you continue to do it.

2:18:03.720 --> 2:18:07.160
<v Speaker 1>You appreciate your smile getting brighter. You're a smile getting

2:18:07.200 --> 2:18:13.680
<v Speaker 1>brighter because because so many I've been through what you

2:18:13.920 --> 2:18:15.920
<v Speaker 1>you've been through, so and so many people have been

2:18:15.959 --> 2:18:17.640
<v Speaker 1>through what you you've been through, and you know what

2:18:17.800 --> 2:18:21.080
<v Speaker 1>they become. They become bitter people, and you ain't better.

2:18:21.240 --> 2:18:24.040
<v Speaker 1>You're sitting here with a smile this whole time, and

2:18:25.120 --> 2:18:26.959
<v Speaker 1>this whole that I when I say this whole time,

2:18:26.959 --> 2:18:28.600
<v Speaker 1>I don't mean this whole time here. I mean this

2:18:28.720 --> 2:18:31.480
<v Speaker 1>whole time in life. And I watched you with your

2:18:31.600 --> 2:18:33.040
<v Speaker 1>recent performance. I don't know. I think it was in

2:18:33.120 --> 2:18:35.520
<v Speaker 1>New Orleans, I'm not I'm not sure. And you had

2:18:35.560 --> 2:18:37.800
<v Speaker 1>on a red shirt and I'm just in a red

2:18:37.879 --> 2:18:40.160
<v Speaker 1>suit and you sitting there and I'm just looking. I'm

2:18:40.200 --> 2:18:44.920
<v Speaker 1>like that man, smile got brighter, it got better, and

2:18:45.280 --> 2:18:47.600
<v Speaker 1>my weapon I learned that ship worked a long time ago.

2:18:50.120 --> 2:18:54.400
<v Speaker 1>I got a permanent crease. No but to me, let me,

2:18:54.440 --> 2:18:56.320
<v Speaker 1>let me just say, it's an outside of that's looking in.

2:18:56.840 --> 2:18:59.280
<v Speaker 1>I'm just saying, you know, that's what I strive to be.

2:18:59.440 --> 2:19:02.000
<v Speaker 1>You know, like as as at a time, I'm gonna

2:19:02.000 --> 2:19:04.600
<v Speaker 1>be honest with you. You know, I've been doing rap

2:19:04.840 --> 2:19:07.240
<v Speaker 1>for twenty five years, but it's been time where I

2:19:07.320 --> 2:19:09.240
<v Speaker 1>got on stage and I just did not want to

2:19:09.280 --> 2:19:12.640
<v Speaker 1>be there. Like I gave a horrible show. I did

2:19:12.720 --> 2:19:15.240
<v Speaker 1>not participate with the people. The people start putting out

2:19:15.280 --> 2:19:18.920
<v Speaker 1>their phones and I was just like I just did

2:19:19.040 --> 2:19:21.600
<v Speaker 1>not want to be there because I didn't have the

2:19:21.680 --> 2:19:24.440
<v Speaker 1>same amount of love that I had when I first

2:19:24.480 --> 2:19:29.439
<v Speaker 1>started get jaded. Of course, of the transition, the transition

2:19:29.480 --> 2:19:32.320
<v Speaker 1>that went from YO, look at me, motherfucker, to now

2:19:32.400 --> 2:19:34.280
<v Speaker 1>it's like I just feeling you because I want to

2:19:34.280 --> 2:19:36.600
<v Speaker 1>show my girlfriend, or I'm just feeling you because I

2:19:36.680 --> 2:19:39.760
<v Speaker 1>want to show my homeboy. Yeah, you started analyzing it

2:19:40.360 --> 2:19:43.680
<v Speaker 1>and figuring out what people do. Ye always danger, I

2:19:43.760 --> 2:19:46.520
<v Speaker 1>used to tell people in the audience, They've been looking

2:19:46.560 --> 2:19:49.920
<v Speaker 1>at us trying to analyze what all these niggas doing

2:19:50.000 --> 2:19:56.360
<v Speaker 1>up here. You can't even count us. You can't analyst

2:19:56.720 --> 2:20:00.520
<v Speaker 1>because we're doing everything to be unanalyzed. Were doing this

2:20:00.680 --> 2:20:03.879
<v Speaker 1>on purpose. You can't even count us. So you pay

2:20:04.000 --> 2:20:07.160
<v Speaker 1>money to come to see the show. Y'all enjoy this show,

2:20:07.640 --> 2:20:12.000
<v Speaker 1>and you know, and because the people leaving up there,

2:20:12.240 --> 2:20:14.840
<v Speaker 1>they'll come to the show coming in. Man, this ain't

2:20:14.879 --> 2:20:17.720
<v Speaker 1>gonna be shit. I mean there's certain attitude, certain people

2:20:18.879 --> 2:20:21.760
<v Speaker 1>normal not even thinking about it. This I'm going you know,

2:20:21.840 --> 2:20:23.760
<v Speaker 1>but this ain't gonna But if you call them out

2:20:23.800 --> 2:20:27.080
<v Speaker 1>on it, hey, you can analyze. You wanted you're gonna

2:20:27.080 --> 2:20:29.640
<v Speaker 1>miss the show. Once they realize that, then they lay oh,

2:20:29.760 --> 2:20:32.360
<v Speaker 1>try to pay attention to this motherfucker, and then they

2:20:32.480 --> 2:20:35.040
<v Speaker 1>end up Damn, they here with us. When we get

2:20:35.080 --> 2:20:37.320
<v Speaker 1>ready to leave, they're in the parking lot because most

2:20:37.360 --> 2:20:39.720
<v Speaker 1>people thinking about let me get to the parking lot

2:20:40.040 --> 2:20:41.920
<v Speaker 1>before the other people get there so I can get

2:20:41.920 --> 2:20:44.560
<v Speaker 1>out there, don't get stuck in the traffic. We make

2:20:44.600 --> 2:20:47.680
<v Speaker 1>them stay till the last minute trying to figure out

2:20:47.680 --> 2:20:50.280
<v Speaker 1>what the book else they gonna do. God, I call

2:20:50.360 --> 2:20:52.640
<v Speaker 1>them out on it. That way you can actually be

2:20:53.040 --> 2:20:55.800
<v Speaker 1>loosening up to have fun as opposed to trying to

2:20:55.800 --> 2:20:58.800
<v Speaker 1>analyze what the days about to that? Did you pay

2:20:58.920 --> 2:21:02.440
<v Speaker 1>money to see this show? Getting baid s like that?

2:21:02.520 --> 2:21:08.920
<v Speaker 1>Then the good time a good time. In that way,

2:21:09.520 --> 2:21:11.240
<v Speaker 1>we all end up having to be even at the

2:21:11.320 --> 2:21:14.680
<v Speaker 1>same time and to talk a lot. Damn. You know

2:21:14.840 --> 2:21:21.960
<v Speaker 1>you ever heard of versus versus versus versus? Yeah, I

2:21:22.080 --> 2:21:26.040
<v Speaker 1>don't know who to do it with. He wou want smoke.

2:21:26.400 --> 2:21:28.720
<v Speaker 1>It sounds like you want smoke. You're like, who who

2:21:28.800 --> 2:21:31.960
<v Speaker 1>want it? That's what I interpreted it. He can do it,

2:21:32.600 --> 2:21:35.960
<v Speaker 1>he can do it against himself. He looked at me,

2:21:36.120 --> 2:21:40.440
<v Speaker 1>like what against We started to do that? We started

2:21:40.480 --> 2:21:43.320
<v Speaker 1>to do that? Well, who swiss beast? Called. You know,

2:21:43.480 --> 2:21:45.840
<v Speaker 1>we talked. We talked with them. We wanted to dude

2:21:46.760 --> 2:21:51.800
<v Speaker 1>people Parliament funka deli and versus George Clinton and the

2:21:51.879 --> 2:21:57.720
<v Speaker 1>people that sampled us, the people me and the people

2:21:57.760 --> 2:22:02.480
<v Speaker 1>that sampled us against Parliament funk and everything would be wow.

2:22:03.480 --> 2:22:09.320
<v Speaker 1>I wasn't ready anybody I could, I could do that

2:22:09.480 --> 2:22:12.120
<v Speaker 1>with and get them in it. So that way to be.

2:22:13.120 --> 2:22:15.800
<v Speaker 1>But we guys, playing list set up? Can we get

2:22:15.800 --> 2:22:18.600
<v Speaker 1>his playing playlist? That's want to do five seconds of

2:22:18.760 --> 2:22:22.240
<v Speaker 1>his first fifteen records of his playlist police. I just

2:22:22.280 --> 2:22:24.280
<v Speaker 1>wanted to let you know you're smoking. Everybody money's on you,

2:22:25.480 --> 2:22:28.879
<v Speaker 1>just in case anybody wanted to versus, Well, my money's listen.

2:22:28.959 --> 2:22:31.119
<v Speaker 1>While we set that up, I'll be revistive. I didn't

2:22:31.160 --> 2:22:33.720
<v Speaker 1>ask you this, so I'm que and American. I want

2:22:33.760 --> 2:22:43.760
<v Speaker 1>to know any Latin Cuban scoan. So there was influences.

2:22:45.480 --> 2:22:47.480
<v Speaker 1>That was the number one R and B song in

2:22:47.640 --> 2:22:56.960
<v Speaker 1>New York, New Jersey in eighteen fifty six, Take You

2:22:57.000 --> 2:22:58.960
<v Speaker 1>Gotta Set Up and in the B side of it

2:22:59.360 --> 2:23:03.720
<v Speaker 1>with your Come You that was the B side of it.

2:23:04.280 --> 2:23:06.040
<v Speaker 1>That was the B side of B side of the

2:23:06.160 --> 2:23:11.640
<v Speaker 1>nineteen fifty six Wow our cast right outcast sample this,

2:23:13.080 --> 2:23:16.680
<v Speaker 1>our cast, sample this, A lot of people sample this

2:23:17.280 --> 2:23:34.160
<v Speaker 1>wasn't just outcast her that. I'm just no no okay,

2:23:36.520 --> 2:23:42.600
<v Speaker 1>don qute dog. You got the snoop dog record right there.

2:23:46.000 --> 2:23:47.879
<v Speaker 1>I'll take a shout. You want a shot, He'll take

2:23:47.879 --> 2:24:05.880
<v Speaker 1>a shot. Qute dog. Shot that you get the stupe.

2:24:11.879 --> 2:24:14.280
<v Speaker 1>Let me get you a shot. Turn up, turned up

2:24:14.440 --> 2:24:16.640
<v Speaker 1>and be getting my shot. Get it down, turn it up.

2:24:16.720 --> 2:24:20.320
<v Speaker 1>You gotta get my shot. Shot too, yo yo, cleared up.

2:24:20.959 --> 2:24:23.080
<v Speaker 1>We gotta get him my shot real quick. He got

2:24:23.160 --> 2:24:24.760
<v Speaker 1>you deserved this one, and give me your shot. I

2:24:24.840 --> 2:24:28.680
<v Speaker 1>got I didn't shot on all right, let's go king

2:24:29.040 --> 2:24:39.960
<v Speaker 1>all right, father, let me get a shot. We finished

2:24:40.000 --> 2:24:44.560
<v Speaker 1>the Mama water Baby, take them on. We finished it.

2:24:44.800 --> 2:24:49.520
<v Speaker 1>The Corona Corona virmus. This is this. Don't look chilled

2:24:49.560 --> 2:25:03.920
<v Speaker 1>at all? Ready? You ready to excellent? Who that was? Terry? Look?

2:25:06.800 --> 2:25:14.920
<v Speaker 1>I knew? Yeah? Bragle love Yeah, next work, gonna'll be

2:25:15.000 --> 2:25:17.879
<v Speaker 1>wilding out in this movie. Can we have a little fun?

2:25:18.040 --> 2:25:22.280
<v Speaker 1>We have a little fun. Oh remember the celebration, George,

2:25:22.360 --> 2:25:27.560
<v Speaker 1>celebrate you and he gonna sooke India, y'all versus I

2:25:27.720 --> 2:25:37.800
<v Speaker 1>got my money on George, what's your In my mind,

2:25:37.879 --> 2:25:39.920
<v Speaker 1>the reason why y'all kind of funck is y'all got

2:25:40.000 --> 2:26:09.840
<v Speaker 1>an ugly funk face shot. We didn't want one shot.

2:26:09.920 --> 2:26:13.240
<v Speaker 1>Let's go. I was like, I was, you want my majuana, bro,

2:26:13.480 --> 2:26:20.320
<v Speaker 1>you want some majuana, bro, I'm seen in your faced. Dude, dude,

2:26:24.320 --> 2:26:29.800
<v Speaker 1>come oh, come on man, God damn ya. I didn't

2:26:29.840 --> 2:26:33.080
<v Speaker 1>think he was gonna do that. Look, she got you too.

2:26:33.240 --> 2:26:35.000
<v Speaker 1>You got too. You know you gotta do too. You

2:26:35.080 --> 2:26:38.800
<v Speaker 1>gotta do black and white. It don't matter if you

2:26:38.920 --> 2:26:47.560
<v Speaker 1>black solo at the time. Yeah, yeah, yeah, yeah, cheers, cheers, cheers. Yeah,

2:26:47.600 --> 2:26:50.400
<v Speaker 1>you do that with him first. I'm white, I'm white,

2:26:50.440 --> 2:26:54.160
<v Speaker 1>I'm white. What's that? Mama wanna from the Midican Republic?

2:26:54.440 --> 2:26:56.440
<v Speaker 1>They make that in the kitchen and kids do No, No,

2:26:56.520 --> 2:27:03.880
<v Speaker 1>that's nothing. You got nothing over there? What damn what

2:27:04.040 --> 2:27:20.200
<v Speaker 1>do Yeah? Yeah? Mh damn god, damn it. Oh shit, No,

2:27:20.520 --> 2:27:28.560
<v Speaker 1>he got no no yeah hers who who he can't follow?

2:27:28.840 --> 2:27:32.640
<v Speaker 1>It's a little follow my drink. Yeah, yeah, yeah. You

2:27:32.760 --> 2:27:34.840
<v Speaker 1>know we got to do version of Tommy Dog coming

2:27:34.840 --> 2:27:39.039
<v Speaker 1>out right, Yes, dog, we already know we established staff.

2:27:39.240 --> 2:27:43.879
<v Speaker 1>Real video is done. Oh my god, oh god, oh

2:27:44.000 --> 2:27:47.800
<v Speaker 1>here we go. Oh that everybody that's that day I

2:27:47.920 --> 2:27:51.440
<v Speaker 1>saw right there. No, that's underground version and did you

2:27:51.520 --> 2:27:56.120
<v Speaker 1>under us? Oh there's a remake. It's a rebig thing. No,

2:27:56.200 --> 2:28:03.520
<v Speaker 1>I'm cool happening. I'm just hearing DAYL I saw my yo.

2:28:03.640 --> 2:28:06.480
<v Speaker 1>But when did you don't came out to Sam on

2:28:06.560 --> 2:28:10.200
<v Speaker 1>this too, to box Sam with the did you goes? Oh, yeah,

2:28:15.400 --> 2:28:18.240
<v Speaker 1>what's do what you like? Calls assens, I realize do

2:28:18.360 --> 2:28:22.240
<v Speaker 1>what you like? Yeah. That was one of the longest

2:28:22.320 --> 2:28:26.280
<v Speaker 1>hip hop records ever. It was so dope, need deep clean,

2:28:26.800 --> 2:28:34.400
<v Speaker 1>long man. One more to do, one more and this

2:28:34.520 --> 2:28:38.880
<v Speaker 1>one more shot, one more shots. It's direction. Hey, you

2:28:38.920 --> 2:28:48.440
<v Speaker 1>ain't been saying don't do that? Just lives you shot

2:28:48.480 --> 2:28:55.040
<v Speaker 1>at the man? There he goes, I'm doing sad. Yeah. Yeah,

2:28:55.720 --> 2:29:15.720
<v Speaker 1>look cheers, not cheerous, serious, appreciate you and keeping so much. Okay, okay,

2:29:17.320 --> 2:29:23.440
<v Speaker 1>thank you citizens of the universe. Recording. Ain't experien to

2:29:23.480 --> 2:29:27.240
<v Speaker 1>clean to hearing me, hadn't on the mother I am

2:29:27.360 --> 2:29:31.800
<v Speaker 1>the Mothership connected getting down and three D and you're

2:29:31.800 --> 2:29:35.240
<v Speaker 1>like bang your boys and so like contic you need nobody.

2:29:35.280 --> 2:29:40.040
<v Speaker 1>Ain't nobody who needing the boy down? You have shot act.

2:29:40.120 --> 2:29:46.480
<v Speaker 1>I'm ready hold on it. Listen, I'm gonna take this

2:29:46.520 --> 2:29:48.320
<v Speaker 1>shot with you and not you gonna ask you two

2:29:48.400 --> 2:29:50.680
<v Speaker 1>more questions to be gonna wrap it up. But hold on, hold,

2:29:50.800 --> 2:29:57.400
<v Speaker 1>let's do it together. Look, I always asked peas raising up,

2:29:57.600 --> 2:30:03.600
<v Speaker 1>raising up with Joan, Okay, I always gets that makes

2:30:03.600 --> 2:30:14.480
<v Speaker 1>me know. I always ask people it's beautiful, damn our bully,

2:30:15.280 --> 2:30:21.440
<v Speaker 1>our bully. So mister George, right, mister George Clint and

2:30:21.520 --> 2:30:27.240
<v Speaker 1>so my grandkids. Grand mister, I ain't gone. I look

2:30:27.360 --> 2:30:29.280
<v Speaker 1>up to you, so I gotta I gotta address you

2:30:29.400 --> 2:30:35.920
<v Speaker 1>as such. But I always ask people in the midst

2:30:35.959 --> 2:30:40.920
<v Speaker 1>of making history, do you know you making history? Oh yeah,

2:30:41.520 --> 2:30:43.760
<v Speaker 1>you knew? Oh yeah, I'm not hearing that. I mean

2:30:43.800 --> 2:30:46.160
<v Speaker 1>a lot of shit just because I can, I do it,

2:30:46.240 --> 2:30:48.880
<v Speaker 1>and then knowing that sooner or later somebody's gonna peep it.

2:30:49.280 --> 2:30:52.280
<v Speaker 1>So a lot of stuff it's playing in there now.

2:30:53.120 --> 2:30:55.760
<v Speaker 1>I got the platform and I know that. But you're saying,

2:30:55.800 --> 2:30:58.959
<v Speaker 1>when you did we did this crazy music, you knew

2:30:59.200 --> 2:31:03.280
<v Speaker 1>I just gonna lie. I knew that. Yeah, if the

2:31:03.440 --> 2:31:07.880
<v Speaker 1>Motown and what they've done in music and Beatles and

2:31:08.000 --> 2:31:11.360
<v Speaker 1>what they've done, I knew that. Getting me a spaceship,

2:31:11.480 --> 2:31:13.800
<v Speaker 1>get me up and that I was gonna make a

2:31:14.280 --> 2:31:18.000
<v Speaker 1>serious imprint. I knew that, you know, it just couldn't

2:31:18.000 --> 2:31:21.600
<v Speaker 1>be commercial straight commerce had to do it the way

2:31:21.680 --> 2:31:23.920
<v Speaker 1>I do it, and and it was. We were able

2:31:23.959 --> 2:31:26.440
<v Speaker 1>to do it that way and actually have a reason

2:31:26.600 --> 2:31:29.760
<v Speaker 1>for doing it, being able to explain our point of view.

2:31:30.120 --> 2:31:32.800
<v Speaker 1>We had to do our own pr so we can

2:31:32.879 --> 2:31:36.280
<v Speaker 1>put our interpretation on what we were doing. We couldn't

2:31:36.360 --> 2:31:38.840
<v Speaker 1>leave it up to the radio station on the media

2:31:39.000 --> 2:31:41.279
<v Speaker 1>to do it. We would do it and set it ourselves.

2:31:41.320 --> 2:31:46.240
<v Speaker 1>On the album covers, we talked about the people on fans,

2:31:46.720 --> 2:31:50.720
<v Speaker 1>so we pretty much colored and directed what people thought

2:31:50.720 --> 2:31:53.440
<v Speaker 1>about us. You know, over the years we know that

2:31:53.560 --> 2:31:56.760
<v Speaker 1>that's important. That's why I say TikTok, and I know

2:31:56.840 --> 2:31:59.480
<v Speaker 1>how to get on there and get in with who's

2:31:59.520 --> 2:32:02.520
<v Speaker 1>ever run and ship and be down with them and

2:32:02.720 --> 2:32:05.040
<v Speaker 1>you be accepted as that. So basically you say you

2:32:05.160 --> 2:32:07.360
<v Speaker 1>knew your legacy. Yeah, I was planning now, but you

2:32:07.400 --> 2:32:09.480
<v Speaker 1>couldn't understand where it was gonna No, I didn't know

2:32:09.520 --> 2:32:12.640
<v Speaker 1>where when you was gonna fall? Will I be here?

2:32:12.840 --> 2:32:15.640
<v Speaker 1>Not right? I knew that I set up plans. I

2:32:15.720 --> 2:32:19.959
<v Speaker 1>mean the copyright, the paperwork for the lawsuits. I left

2:32:20.000 --> 2:32:23.160
<v Speaker 1>them all over this country with different people. That's gonna

2:32:23.160 --> 2:32:28.880
<v Speaker 1>be able to bring them out influentially, influentially like the style, yeah,

2:32:29.000 --> 2:32:31.880
<v Speaker 1>oh yeah, nature. He's so outside of the box, like

2:32:32.000 --> 2:32:34.200
<v Speaker 1>I think, I don't know. Don't quote me on this,

2:32:34.320 --> 2:32:38.040
<v Speaker 1>but I feel like going back from Africa Bombada and

2:32:38.240 --> 2:32:41.640
<v Speaker 1>moving on Andre three thousand. When he started dressing the

2:32:41.680 --> 2:32:44.879
<v Speaker 1>way he was dressing, it was all linked balls. Whenever

2:32:44.920 --> 2:32:48.080
<v Speaker 1>I find somebody that's actually you free people people in

2:32:48.200 --> 2:32:50.880
<v Speaker 1>us and do it, I'm gonna get with them so

2:32:51.080 --> 2:32:53.520
<v Speaker 1>they get They get it by being hanging with me.

2:32:53.760 --> 2:32:56.080
<v Speaker 1>I get if I've been hanging with them, right, you

2:32:56.200 --> 2:32:59.560
<v Speaker 1>know pretty they all tell the same story. It's cool, dude,

2:32:59.600 --> 2:33:02.800
<v Speaker 1>he's right when they when Kendrick believe me, I knew

2:33:03.440 --> 2:33:07.840
<v Speaker 1>my grandkids told me and like this show. When they

2:33:07.920 --> 2:33:15.720
<v Speaker 1>told me we would love granddad, granddad. Do this show

2:33:16.200 --> 2:33:23.880
<v Speaker 1>that you you like doing this show? Granddaughter? They keep

2:33:23.959 --> 2:33:31.480
<v Speaker 1>me up. It makes she's going there with Kendrick. She said,

2:33:31.600 --> 2:33:33.720
<v Speaker 1>oh you like him, you like him? He talked like

2:33:34.320 --> 2:33:36.520
<v Speaker 1>and when he came it was I always got some

2:33:37.000 --> 2:33:40.080
<v Speaker 1>one that got a little smaller. Grandkids they got me

2:33:40.160 --> 2:33:45.720
<v Speaker 1>up on all of the hip Hop, the Trap, the

2:33:45.840 --> 2:33:50.560
<v Speaker 1>Atlanta Cruise, all the new people, the Megoes and everybody,

2:33:50.680 --> 2:33:53.480
<v Speaker 1>all of them. I stay up on it coast. They

2:33:53.959 --> 2:33:56.760
<v Speaker 1>let them influence me and tell me who's doing what.

2:33:57.280 --> 2:34:00.240
<v Speaker 1>And they had me on TikTok doing you know, oh

2:34:00.280 --> 2:34:02.560
<v Speaker 1>I know it did this is hey. I knew just

2:34:02.680 --> 2:34:06.760
<v Speaker 1>the kid. I knew the kids doing that. And you

2:34:06.800 --> 2:34:08.920
<v Speaker 1>can see the old folks getting in there now trying

2:34:08.920 --> 2:34:13.199
<v Speaker 1>to you know that that's the new place to hang out. Yeah,

2:34:13.440 --> 2:34:17.680
<v Speaker 1>you know, and so yeah, I get with whoever's happening.

2:34:18.160 --> 2:34:20.160
<v Speaker 1>That works for me, just like it works for them.

2:34:20.520 --> 2:34:22.080
<v Speaker 1>They called me to be on that record, I called

2:34:22.160 --> 2:34:24.720
<v Speaker 1>them back. That's my only thing by doing one with you?

2:34:24.879 --> 2:34:27.920
<v Speaker 1>You doing with me? Right? Kenrid did the record with

2:34:28.080 --> 2:34:31.320
<v Speaker 1>me and you know, and he didn't realize that I

2:34:31.400 --> 2:34:34.080
<v Speaker 1>could put that to use like he could. I got

2:34:34.200 --> 2:34:37.320
<v Speaker 1>him doing videos with me, getting all the way down

2:34:37.680 --> 2:34:39.320
<v Speaker 1>when when I did it when him was you know,

2:34:39.480 --> 2:34:41.760
<v Speaker 1>I was a feature. I was in there with him,

2:34:42.080 --> 2:34:43.800
<v Speaker 1>but I got more out of it than he did.

2:34:44.920 --> 2:34:49.359
<v Speaker 1>Is it fair to call that equity and legacy? Yeah, definitely,

2:34:49.440 --> 2:34:52.640
<v Speaker 1>equity and legacy. I mean there is equity and legacy.

2:34:53.280 --> 2:34:57.440
<v Speaker 1>You keep that legacy going and the family together so

2:34:57.600 --> 2:35:02.240
<v Speaker 1>they be able to I didn't be friends with each other.

2:35:02.440 --> 2:35:05.760
<v Speaker 1>All of that. You's got to be managed before it happened,

2:35:06.000 --> 2:35:07.600
<v Speaker 1>because if you don't do it before it happened, if

2:35:07.600 --> 2:35:10.480
<v Speaker 1>you ain't got a wheel and all that shit together,

2:35:10.920 --> 2:35:14.320
<v Speaker 1>you can leave everybody but the instincts of trying to

2:35:14.400 --> 2:35:17.000
<v Speaker 1>get over. But I'm not even talking about financially or

2:35:17.080 --> 2:35:19.520
<v Speaker 1>even like like you know, like in the way you're talking.

2:35:19.520 --> 2:35:21.080
<v Speaker 1>I'm talking about in the way that the artists are

2:35:21.120 --> 2:35:23.840
<v Speaker 1>working with you. Oh yeah, it's equity and legacy like

2:35:24.040 --> 2:35:27.560
<v Speaker 1>these artists. Nah, they love you. You're acting who you are.

2:35:27.760 --> 2:35:30.920
<v Speaker 1>Oh yes, it's why they are. I mean, there nothing

2:35:31.000 --> 2:35:32.640
<v Speaker 1>they can't ask me. They can call me and say

2:35:33.080 --> 2:35:36.280
<v Speaker 1>you do this, and I'm down for doing it. I

2:35:36.320 --> 2:35:38.680
<v Speaker 1>can see you a positive reason for me doing it

2:35:39.000 --> 2:35:42.240
<v Speaker 1>even if we ain't got talking about money, because first thing,

2:35:42.360 --> 2:35:46.039
<v Speaker 1>most people, how much you wanta get, we can figure

2:35:46.040 --> 2:35:49.680
<v Speaker 1>out somebody you got a shot. I'm gonna be on

2:35:49.879 --> 2:35:52.760
<v Speaker 1>all that all I got to if I'll be seeing

2:35:52.840 --> 2:35:56.440
<v Speaker 1>I'm gonna get mine. You just let me just reiterate

2:35:56.480 --> 2:35:59.640
<v Speaker 1>what you mean to us, like there is no matter,

2:35:59.720 --> 2:36:05.520
<v Speaker 1>there's no The thing is when artists from our generation

2:36:05.720 --> 2:36:10.119
<v Speaker 1>or generation prior to us or after us. It's an honor. Yeah,

2:36:10.360 --> 2:36:14.080
<v Speaker 1>it's an honor. No, No, it's really is I No, No,

2:36:14.160 --> 2:36:17.520
<v Speaker 1>it's really is an honor. It's not someone someone you know.

2:36:18.280 --> 2:36:20.199
<v Speaker 1>You know, I don't know if you know I cloud around.

2:36:20.200 --> 2:36:22.280
<v Speaker 1>I play around just the only time it was one

2:36:22.280 --> 2:36:24.840
<v Speaker 1>of them. I'm not playing around? Is it's an honor

2:36:24.959 --> 2:36:30.600
<v Speaker 1>to be in your presence for um our generation to

2:36:31.040 --> 2:36:33.440
<v Speaker 1>sit back and say, because you know, just just me

2:36:34.480 --> 2:36:37.280
<v Speaker 1>playing the records and just sitting around and me looking

2:36:37.320 --> 2:36:40.920
<v Speaker 1>at certain people who's younger than thirty reaction and saying,

2:36:40.959 --> 2:36:45.760
<v Speaker 1>that's Snoop Doggs record, Like, no, it's not, it's a

2:36:46.920 --> 2:36:50.480
<v Speaker 1>that's dr J record. No funny when you're when you're

2:36:50.520 --> 2:36:54.279
<v Speaker 1>like your great grandkids and say, oh you're playing snod

2:36:54.400 --> 2:36:58.040
<v Speaker 1>how you playing? You know it's money. You don't even

2:36:58.080 --> 2:37:02.080
<v Speaker 1>have to defend. You like learned that learning. Why do

2:37:02.120 --> 2:37:03.920
<v Speaker 1>you let me keep thinking? Why you let me keep

2:37:03.959 --> 2:37:10.600
<v Speaker 1>thinking of beautiful people? No? Because you know, hey not

2:37:11.240 --> 2:37:16.600
<v Speaker 1>and you snow how you sitting back and most people,

2:37:17.800 --> 2:37:20.280
<v Speaker 1>you know, they think that record again with him when

2:37:20.320 --> 2:37:23.560
<v Speaker 1>he took over death death okay, And you don't have

2:37:23.640 --> 2:37:26.280
<v Speaker 1>to read. They have to read the spam. Yeah, yeah, yeah,

2:37:27.280 --> 2:37:30.280
<v Speaker 1>that whole thing. I went back and redid it. But

2:37:30.600 --> 2:37:34.200
<v Speaker 1>you know, for him and hey, when you ready for

2:37:34.280 --> 2:37:37.520
<v Speaker 1>me to come in, you know, call me him most

2:37:37.600 --> 2:37:40.560
<v Speaker 1>cube Qube did the last album with me, him and

2:37:40.800 --> 2:37:44.480
<v Speaker 1>Kim ricks on the same song. Wow. Well you know

2:37:45.480 --> 2:37:49.160
<v Speaker 1>we want you to know why because your legends, legend,

2:37:49.680 --> 2:37:55.240
<v Speaker 1>your icons, icon, you're tycoon's tycoon. You're a person that

2:37:55.400 --> 2:37:58.800
<v Speaker 1>has to be you know, saluted every single which way

2:37:59.440 --> 2:38:03.360
<v Speaker 1>of it. So excited man, um, I couldn't believe you

2:38:03.440 --> 2:38:04.800
<v Speaker 1>know what I mean? Like when I get people like

2:38:04.879 --> 2:38:08.000
<v Speaker 1>you and Paddy LaBelle like like it's it's like it's

2:38:08.200 --> 2:38:11.440
<v Speaker 1>it's chills in my body because everybody else too, I

2:38:11.560 --> 2:38:13.879
<v Speaker 1>kind of get flowers to at some point I compete

2:38:13.920 --> 2:38:17.600
<v Speaker 1>it with them in music. So it's like, ah, but

2:38:17.840 --> 2:38:20.600
<v Speaker 1>I ain't compete with you. I ain't compete with you.

2:38:20.760 --> 2:38:23.960
<v Speaker 1>Cannot compete and I cannot compete dispect you. No, I

2:38:24.040 --> 2:38:26.600
<v Speaker 1>cannot compete with him. I cannot compete. And what I'm

2:38:26.640 --> 2:38:34.680
<v Speaker 1>saying is everybody you know, uh deserves day flowers. And

2:38:34.800 --> 2:38:39.280
<v Speaker 1>I'm telling you you deserve a garden man. You know

2:38:39.320 --> 2:38:43.120
<v Speaker 1>what I mean? You deserve a garden I loved. Give

2:38:43.160 --> 2:38:48.320
<v Speaker 1>me some more of that greene. You got some hold

2:38:48.320 --> 2:39:07.480
<v Speaker 1>on you talking like keep on man, drink okay, but

2:39:07.840 --> 2:39:12.240
<v Speaker 1>na for real? Um. You know when me and if

2:39:12.840 --> 2:39:15.360
<v Speaker 1>Um we got together and we was like, man, we

2:39:15.560 --> 2:39:19.520
<v Speaker 1>really want to make sure our legends is appreciated. Our

2:39:19.680 --> 2:39:26.080
<v Speaker 1>legends are I don't know what. We just wanted to

2:39:26.160 --> 2:39:28.720
<v Speaker 1>celebrate the cool. We want to celebrate it. Oh, Man

2:39:30.040 --> 2:39:33.000
<v Speaker 1>to call me, No, Man, definitely, We're gonna call you again,

2:39:33.320 --> 2:39:35.000
<v Speaker 1>call me again because we want you. We want you

2:39:35.000 --> 2:39:43.440
<v Speaker 1>to do your own podcast. Goddamn y yeah, yeah, And

2:39:43.640 --> 2:39:48.000
<v Speaker 1>we want you to know you are a beacon. I

2:39:48.120 --> 2:39:50.200
<v Speaker 1>want you to know we got your back. You know,

2:39:50.520 --> 2:39:53.280
<v Speaker 1>me just digging into your story and me knowing your story,

2:39:53.360 --> 2:39:55.360
<v Speaker 1>but me thinking I knew your story, and then me

2:39:55.680 --> 2:39:57.800
<v Speaker 1>you know when we when we booked you, just just

2:39:57.920 --> 2:40:00.800
<v Speaker 1>digging in. It's just like wow, It's kind of crazy

2:40:00.840 --> 2:40:04.920
<v Speaker 1>because your story is my story. It's just thirty years later.

2:40:05.360 --> 2:40:06.880
<v Speaker 1>For how the fuck do we and you have the

2:40:06.920 --> 2:40:10.840
<v Speaker 1>same story thirty years later? That means the same system

2:40:11.040 --> 2:40:14.720
<v Speaker 1>was in effect from then. The record hasn't changed, you

2:40:14.720 --> 2:40:17.160
<v Speaker 1>know what I'm saying. So when I'm sitting there because

2:40:17.240 --> 2:40:19.760
<v Speaker 1>because to be honest with you, I'm not supposed to

2:40:19.760 --> 2:40:22.720
<v Speaker 1>identify with your story your your story. My story is

2:40:22.720 --> 2:40:25.800
<v Speaker 1>supposed to be better than yours because and then when

2:40:26.000 --> 2:40:28.320
<v Speaker 1>we have the same exact story, it's just like fuck,

2:40:29.240 --> 2:40:32.360
<v Speaker 1>this system might not change unless we say it. You

2:40:32.480 --> 2:40:35.840
<v Speaker 1>have to say it you get into existence. Yes, so

2:40:36.000 --> 2:40:39.160
<v Speaker 1>I want to say to you, you know, face to face,

2:40:39.280 --> 2:40:43.039
<v Speaker 1>man and man, we appreciate you. We got your back.

2:40:44.200 --> 2:40:46.840
<v Speaker 1>Whenever you want to come and talk some shit. This

2:40:47.040 --> 2:40:49.440
<v Speaker 1>ain't no other podcast on all the platform in the world.

2:40:49.440 --> 2:40:53.560
<v Speaker 1>You can smoke some weed, you bring your grandchildren, you

2:40:53.640 --> 2:41:04.959
<v Speaker 1>bring the whole band. Welcome. We're gonnacome because you're gonna

2:41:04.959 --> 2:41:07.640
<v Speaker 1>get that new copy of Atomic that absolutely, but truly

2:41:07.760 --> 2:41:11.160
<v Speaker 1>and honestly, truly and honestly we want you to understand

2:41:11.200 --> 2:41:14.280
<v Speaker 1>those flowers and the green flowers as well. But we

2:41:14.360 --> 2:41:21.480
<v Speaker 1>want you to understand that you are beacon in our community.

2:41:22.240 --> 2:41:24.560
<v Speaker 1>And in case we don't, we talk about you so

2:41:24.720 --> 2:41:27.520
<v Speaker 1>gracefully when you're not around. Let's talk about you so

2:41:27.640 --> 2:41:38.680
<v Speaker 1>gracefully when you are around. Appreciate you, appreciate slut And

2:41:38.760 --> 2:41:40.920
<v Speaker 1>if you're ever having a bad day or if you're

2:41:40.959 --> 2:41:42.720
<v Speaker 1>ever having an awkward day, or if you're having an

2:41:42.840 --> 2:41:46.879
<v Speaker 1>off day, just look at yourself in the mirror and say,

2:41:47.000 --> 2:41:51.840
<v Speaker 1>hip hop wouldn't be hip hop without me. Absolutely, remember

2:41:52.280 --> 2:41:58.760
<v Speaker 1>remember that that was hard? Did I kill that? Yeah? No, no, no, no,

2:41:58.920 --> 2:42:01.040
<v Speaker 1>no no no. But by the way, because I'm in

2:42:01.320 --> 2:42:04.160
<v Speaker 1>it with a joke, but I'm not joking. Honestly, that

2:42:04.360 --> 2:42:06.920
<v Speaker 1>was not a joke at all. When I really listened

2:42:06.920 --> 2:42:09.400
<v Speaker 1>to your catalogue and its entirety. And I don't use

2:42:09.480 --> 2:42:12.840
<v Speaker 1>big words, but just bear with me. Entirety is a

2:42:12.920 --> 2:42:17.400
<v Speaker 1>big word for me. I'm listening to your catalogue, entire team,

2:42:17.400 --> 2:42:20.160
<v Speaker 1>I'm thinking, oh shit, this motherfucker gave birth to the

2:42:20.240 --> 2:42:24.080
<v Speaker 1>West Coast. And then quickly reminded me there's no all

2:42:24.160 --> 2:42:27.200
<v Speaker 1>of hip hop, not just the West Coast mother Flipper.

2:42:27.879 --> 2:42:31.320
<v Speaker 1>We were talking about Flipper earlier, right, So it actually

2:42:31.360 --> 2:42:34.680
<v Speaker 1>started on the East Coast. Yeah, it really did. Yeah,

2:42:34.680 --> 2:42:37.520
<v Speaker 1>I mean were there with it. Like I said, Sam,

2:42:37.720 --> 2:42:42.320
<v Speaker 1>start bothering them. It was real early, early, early, early

2:42:42.440 --> 2:42:44.800
<v Speaker 1>early hip hop at seventy eight, when we could see

2:42:44.840 --> 2:42:48.720
<v Speaker 1>the influence from their dress. Cold. But I just want

2:42:48.760 --> 2:42:51.119
<v Speaker 1>you to know how much you appreciate it. We want

2:42:51.120 --> 2:42:53.360
<v Speaker 1>you to know that's what we do over here and

2:42:54.600 --> 2:42:57.400
<v Speaker 1>every day of your life. Just in case you ever

2:42:57.680 --> 2:42:59.200
<v Speaker 1>like I said it again, but I'm gonna say it

2:42:59.640 --> 2:43:02.320
<v Speaker 1>just to reiterate what I said. If you ever having

2:43:02.360 --> 2:43:04.200
<v Speaker 1>a bad day, you just look at yourself in the

2:43:04.280 --> 2:43:11.120
<v Speaker 1>mirror and say, a hot nigga right now sampled me.

2:43:13.240 --> 2:43:16.080
<v Speaker 1>They needed me to move forward. Yeah, I'll do it.

2:43:16.120 --> 2:43:19.560
<v Speaker 1>As long as I'm in the bathroom. We're gonna take

2:43:19.600 --> 2:43:30.080
<v Speaker 1>a bit. It's only two times I had goosebumps. It's

2:43:30.160 --> 2:43:36.240
<v Speaker 1>him in. Drink Champs is a Drink Champs LLC production

2:43:36.520 --> 2:43:41.520
<v Speaker 1>and association with Interval Presents hosts and executive producers n

2:43:41.560 --> 2:43:45.560
<v Speaker 1>O r E and dj e FN from Interval Presents

2:43:45.760 --> 2:43:50.240
<v Speaker 1>executive producers Alan Coy and Jake Kleinberg. Listen to Drink

2:43:50.320 --> 2:43:55.440
<v Speaker 1>Champs on Apple Podcast, Amazon Music, Spotify, Stitcher, or wherever

2:43:55.560 --> 2:43:59.720
<v Speaker 1>you get your podcasts. Thanks for joining us for another

2:44:00.000 --> 2:44:02.640
<v Speaker 1>pisode of Drink Champs hosted by Yours truly, dj e

2:44:02.760 --> 2:44:05.160
<v Speaker 1>FN and n O r E. Please make sure to

2:44:05.200 --> 2:44:07.720
<v Speaker 1>follow us on all our socials. Let's at Drink Champs

2:44:07.760 --> 2:44:12.439
<v Speaker 1>across all platforms at the Real noriegon Ig at Noriaga

2:44:12.480 --> 2:44:16.119
<v Speaker 1>on Twitter, Mine is at Who's crazy on ig at

2:44:16.280 --> 2:44:19.200
<v Speaker 1>dj e FN on Twitter, and most importantly, stay up

2:44:19.240 --> 2:44:22.400
<v Speaker 1>to date with the latest releases, news and merch by

2:44:22.440 --> 2:44:24.160
<v Speaker 1>going to drink Champs dot com