WEBVTT - The Self-Mummifying Monk

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<v Speaker 1>Welcome to Stuff to Blow Your Mind from how Stuff

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<v Speaker 1>Works dot com. Hey you welcome to Stuff to Blow

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<v Speaker 1>your Mind. My name is Robert Lamb and I am

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<v Speaker 1>Christian Stager. If you've been listening to our podcast, you

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<v Speaker 1>may have tuned into our episode on Egyptian mummification and

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<v Speaker 1>the long history and evolution of mummification there from a

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<v Speaker 1>purely environmental mummification into this ultra refined mortuary art. Yeah.

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<v Speaker 1>We went over the history of thousands of years of

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<v Speaker 1>how mummification evolved, and during that episode we we said

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<v Speaker 1>to you the audience, Hey, you know, there are lots

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<v Speaker 1>of other forms of mummification out there. We're not going

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<v Speaker 1>to be able to do them justice in this one episode,

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<v Speaker 1>So do you want to hear more? And the answer

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<v Speaker 1>seemed to be yes. Yeah, enough people said yes that

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<v Speaker 1>we went ahead and did what we were going to

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<v Speaker 1>do anyway. Yeah, well, this one's too fascinating to pass

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<v Speaker 1>up to. Yeah, because in this we're getting into um.

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<v Speaker 1>I mean, there's still elements of environmental mummification and funerary mummification,

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<v Speaker 1>but there's this added element of self mummification. So and

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<v Speaker 1>of course when I started researching this, it immediately made

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<v Speaker 1>me think of seppuku, which is another form of suicide

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<v Speaker 1>in this same region in Japan. Uh And this is

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<v Speaker 1>essentially suicide, in fact, so much so that it was

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<v Speaker 1>banned by the Japanese government in the nineteenth century. Yeah,

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<v Speaker 1>I think we can't help withdraw a line between these

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<v Speaker 1>two forms of ultimately highly ritual life self destruction. Yeah.

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<v Speaker 1>In fact, I would go so far as to say

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<v Speaker 1>that this has some elements in common with uh DR Kevorking,

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<v Speaker 1>for instance. I mean, it's on a much longer term scale.

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<v Speaker 1>You're not This takes like ten years, I think right

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<v Speaker 1>to self mummify. Yeah, It's definitely a deliberate act in

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<v Speaker 1>which the individual is accepting death and really speeding along

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<v Speaker 1>to a certain degree, in taking a certain amount of

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<v Speaker 1>command over the process. Yeah. Absolutely. So, Okay, enough enough

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<v Speaker 1>teasing on our part here. What are we talking about here?

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<v Speaker 1>This is the suku shin Botsu of Japan. Yeah. This

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<v Speaker 1>practice lasted from about seven hundred and seventy four Common

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<v Speaker 1>Era until the twentieth century, and aside from nineteen mummified

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<v Speaker 1>members of the twelfth century Fujiwara clan, it constitutes the

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<v Speaker 1>only mummification right in Japanese culture. One of our resources

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<v Speaker 1>for this episode is an excellent piece by Kim Jeremiah

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<v Speaker 1>titled Buried a Lie, The Forgotten practice of self Mummification,

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<v Speaker 1>and he does a great job outlining this practice that

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<v Speaker 1>was carried out by certain Shinn Buddhists who sought to

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<v Speaker 1>serve Miroku Bosatsu, the Bodhisattva of the future who will

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<v Speaker 1>arrive on Earth some five billion, six hundred and seventy

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<v Speaker 1>million years from now. So this is essentially a Buddha

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<v Speaker 1>that will arrive on Earth tremendous amount of time in

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<v Speaker 1>the future. And and so from what I was reading, UH,

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<v Speaker 1>he is said to currently reside in what is called

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<v Speaker 1>Tussida Heaven, which is this place is depicted as flooded

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<v Speaker 1>with rotating light, and this rotating light apparently reveals a

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<v Speaker 1>forty nine story palace uh. And it is a you know,

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<v Speaker 1>as most heavens are a paradise with no sorrow or sin.

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<v Speaker 1>The thing that's really interesting here about this particular group

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<v Speaker 1>is uh the Sokushan Budsu practicing. It was in Yamagata,

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<v Speaker 1>and there were members of a specific sect that brought

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<v Speaker 1>together parts of esoteric Buddhism, Taoism, Hinduism, and some kind

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<v Speaker 1>of local spiritual practices. So this is I guess like

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<v Speaker 1>like the version of mysticism, right, like Buddhist mysticism sort of. Yeah, yeah, yeah,

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<v Speaker 1>well we'll discuss you see this um. You know, like

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<v Speaker 1>with any religion, religions don't travel on James. Any culture

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<v Speaker 1>they enter, they end up with absorbing pieces of pre

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<v Speaker 1>existing religions. They emerge with a with cultural values. And

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<v Speaker 1>so as Buddhism UH emerges from India, travels through China

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<v Speaker 1>UH into Japan, it ends up picking up all these

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<v Speaker 1>different elements sort of like how when we talked about

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<v Speaker 1>the serpent and the rainbow in one episode, like the

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<v Speaker 1>Vuodha and culture incorporates aspects of local culture and Haiti

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<v Speaker 1>as well as Catholicism into the mysticism and myth of zombies. Yeah, yeah,

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<v Speaker 1>And I think it's one of the things that makes

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<v Speaker 1>any discussion of a religious worldview fascinating, that ever changing

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<v Speaker 1>nature of it. So these guys in particular thought that

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<v Speaker 1>they could achieve special powers, obviously one of which was

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<v Speaker 1>to live for five billion years and meet this Buddha

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<v Speaker 1>in the future, but other things where they practiced meditating

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<v Speaker 1>in caves or under these really cold waterfalls, and then

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<v Speaker 1>some of them even stabbed out their own eyes and

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<v Speaker 1>performed other forms of mutilation on themselves, uh, in order

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<v Speaker 1>to gain these powers that were part of their beliefs. Yeah,

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<v Speaker 1>there's a there's a huge trend here with a just

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<v Speaker 1>a complete I mean, they were they were aesthetics. They

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<v Speaker 1>were rejecting the physical world, um, showing them in almost

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<v Speaker 1>a contempt for the physical world in their devotion to

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<v Speaker 1>to the spiritual realm. And and you know, there are

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<v Speaker 1>definitely some kind of cool quasi sci fi elements here too,

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<v Speaker 1>because essentially they're they're wanting to put their body into

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<v Speaker 1>a spiritual suspended animation so that they can reach this

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<v Speaker 1>far distant time and place. Yeah. Absolutely, I think you

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<v Speaker 1>should explain that process because it's it's pretty wild. It

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<v Speaker 1>reminds me of that Darren Aronofsky movie The Fountain. Have

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<v Speaker 1>you seen that? Yeah, it reminds me of that this

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<v Speaker 1>idea that like you're not even reincarnated, but like there, uh,

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<v Speaker 1>you will exist in this other state for this long

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<v Speaker 1>long period of time so that you can ultimately achieve transcendence. Yeah. Yeah,

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<v Speaker 1>and I would not be surprised of if he was

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<v Speaker 1>inspired by these Eastern models. Yeah. So, in order to

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<v Speaker 1>reach that five point six billion year point in the

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<v Speaker 1>future and meet the Bodhistotta of the future and and

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<v Speaker 1>serve him um, you have to self mummify as a

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<v Speaker 1>living Buddha, which Jeremiah explains as a as a means

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<v Speaker 1>again to reach this towout sue heaven, which is the

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<v Speaker 1>current residence of the Bodhisatta of the future. So you

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<v Speaker 1>have a What you do is you engage in a

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<v Speaker 1>slow and meditative approach to the death point, and it's

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<v Speaker 1>only then that the monk can self guide their soul

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<v Speaker 1>through the void to a realm of his choosing. And

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<v Speaker 1>this reminds me of of elements of Tibetan Buddhism as well,

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<v Speaker 1>where there's this huge emphasis on what happens immediately following death,

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<v Speaker 1>and you've got to be prepared for that journey between

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<v Speaker 1>this incarnation and the next. And as we learned, there

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<v Speaker 1>is a connection between Chinese and Tibetan Buddhism and this practice.

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<v Speaker 1>Their culture really connected in a way, and we'll get

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<v Speaker 1>to that later, but we wanted to start with these

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<v Speaker 1>guys the and I say guys. They were all men

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<v Speaker 1>the soku shin butsu practice. Now another source, we're looking

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<v Speaker 1>at his mummification in the ancient and new world. This

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<v Speaker 1>is a wonderful resource for anything related to mummies. Will

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<v Speaker 1>include a link up. This is our goat here every

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<v Speaker 1>time we do something about yeah yeah, from Anna Maria

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<v Speaker 1>Rosso and she classifies shing gone self immuni mummification as

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<v Speaker 1>a case of entering a kind of undead suspension in

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<v Speaker 1>which the monk's body is preserved for resurrection upon Mikoru

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<v Speaker 1>Bosatsu's arrival. So they're kind of two different takes. They

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<v Speaker 1>are probably amounting to the same thing. Either you're sticking

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<v Speaker 1>around and tell he comes, or you're preserving your body

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<v Speaker 1>is kind of an anchor for your wandering spirit to

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<v Speaker 1>go and serve him. Now. Yeah, And so the first

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<v Speaker 1>I guess founder of this that practiced this was Kobu Daishi,

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<v Speaker 1>and he was alive from seven seventy four war to

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<v Speaker 1>eight thirty five. And the idea here is that he

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<v Speaker 1>remained in this particular state within the Gogyo mausoleum, and

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<v Speaker 1>monks to this day right still bring food to him

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<v Speaker 1>as he awaits the arrival of their you know this

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<v Speaker 1>this Buddha in heaven essentially. Yeah, there's some wonderful images

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<v Speaker 1>of monks bring into the highly ritualized affair. It's not

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<v Speaker 1>just someone pushing ateria tray under a crypt door or anything.

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<v Speaker 1>It's a it's a it's very ritualized. And they bring

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<v Speaker 1>this fine chest up with with food for him. One

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<v Speaker 1>of the things I read was that supposedly his nails

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<v Speaker 1>and hair continued to grow for years after his death. Uh,

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<v Speaker 1>And monks would go in there when they would feed him,

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<v Speaker 1>they would also give him a trim and redress his body. Uh.

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<v Speaker 1>And then you know, they'd go back another thirty years

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<v Speaker 1>later or whatever, and they'll just be dust. And the

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<v Speaker 1>dust was the rags of the robes essentially, and they

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<v Speaker 1>clear it out and do the whole process all over again.

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<v Speaker 1>But the myth is that his hair and nails kept

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<v Speaker 1>growing and so they had to cut it. Huh. So

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<v Speaker 1>in all of this, um, obviously we need to we

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<v Speaker 1>need to state that we're dealing with the religious interpretations

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<v Speaker 1>and often in supernatural layers, all on top of a

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<v Speaker 1>body's decomposition or lack of decomposition. So as we go

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<v Speaker 1>through all of this, you keep an open mind about it,

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<v Speaker 1>but also you know, don't feel I mean, feel free

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<v Speaker 1>to pick at a little bit with your mind. Yeah,

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<v Speaker 1>and I think, like the Egyptian mummies, there is of

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<v Speaker 1>course the cultural and religious aspect that comes into play

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<v Speaker 1>that you know, promotes this activity. But then there's a

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<v Speaker 1>science behind it to actually achieve mummification in such a

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<v Speaker 1>way that the body doesn't decay. Right, Yeah, because okay,

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<v Speaker 1>so so what's the goal here? The goal is to

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<v Speaker 1>gradually reduce one's physical body to a withered state, just

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<v Speaker 1>like how much of a mummy can I become while

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<v Speaker 1>still alive, while just meditating and trying to re to

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<v Speaker 1>that death point and then to remain dry and for

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<v Speaker 1>the most part incorruptible. So in order to achieve this

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<v Speaker 1>state would be Soko shum bits who first practices a

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<v Speaker 1>starvation diet. Okay, and this consists of just nuts and

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<v Speaker 1>berries and tree bark and roots and uh this phase

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<v Speaker 1>apparently last would last between three and ten years, however

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<v Speaker 1>long it took to whittle that body down to the

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<v Speaker 1>skin and bone state atlasientially starving themselves. Yeah. In fact,

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<v Speaker 1>that diet, did you know, like it was designed specifically

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<v Speaker 1>to strip them of body fat. That's what specifically ate

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<v Speaker 1>those things. And in fact, some of the herbs and

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<v Speaker 1>nuts that were involved in that diet were designed to

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<v Speaker 1>I mean, they didn't have the science of this, but

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<v Speaker 1>they inhibited bacterial growth. So that was part of the

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<v Speaker 1>process here of helping you mummify yourself. Yeah, and I

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<v Speaker 1>guess that could conceivably cut down on decomposition too, because

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<v Speaker 1>so much of the decomposition, as we've discussed in the

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<v Speaker 1>previous momification episode, is coming from within. So keep that

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<v Speaker 1>in mind as well. You're dealing with early people that

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<v Speaker 1>are looking at a corpses decomposition, they're often thinking of

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<v Speaker 1>it as an externalized decomposition, the elements making the body decompose,

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<v Speaker 1>when really it's most of the decomposition is occurring within,

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<v Speaker 1>as the body begins to fall apart of the bacteria

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<v Speaker 1>feeds on everything. Yeah. And as part of that too,

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<v Speaker 1>they weren't even allowed to eat specific things as part

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<v Speaker 1>of their diet too, so like cereal, wheat, rice, foxtail, millet,

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<v Speaker 1>proso millet, and soybeans were all things they had to

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<v Speaker 1>stay away from because of you know, it would promote

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<v Speaker 1>bacterial growth. Now, Atlas Obscura also has a has a

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<v Speaker 1>page about self mumification, and they mentioned that the poisonous

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<v Speaker 1>sap from the rushi tree uh was also used to

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<v Speaker 1>the monks consumed this to purge their bodily fluids and

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<v Speaker 1>and supposedly repel scavenging parasites. Yeah, and this is brutal,

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<v Speaker 1>Like the several accounts that I read of this, I mean,

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<v Speaker 1>purge bodily fluids is accurate, but I mean it was

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<v Speaker 1>violent vomiting uh. And but they did it, you know,

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<v Speaker 1>for this reason. It was part of the sacrifice of

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<v Speaker 1>being able to make this journey through time. And in fact,

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<v Speaker 1>here's another interesting tidbit that I read. They did X

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<v Speaker 1>rays of some of these monks uh and they found

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<v Speaker 1>that there were river stones in their guts. So apparently

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<v Speaker 1>they ate those two. I don't know what the promotion

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<v Speaker 1>would be like what you know, how that would affect

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<v Speaker 1>the mommification process. But they were filling their stomachs with stones.

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<v Speaker 1>And it goes without saying, if anyone out there is

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<v Speaker 1>looking to lose weight, um, please don't try this diet.

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<v Speaker 1>Please don't try the self modification diet. Although I could

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<v Speaker 1>see that being the next big thing. Yes, Okay, so

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<v Speaker 1>you're finally reduced to the state of walking or maybe

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<v Speaker 1>just sitting here. I wonder if they could even walk.

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<v Speaker 1>I would imagine the other monks maybe had to help

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<v Speaker 1>them get from place to pull, because they have to

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<v Speaker 1>be pretty frail at this point. UM. So at this

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<v Speaker 1>point they be You're buried alive with a little help

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<v Speaker 1>from your friends, obviously, um for three years, with only

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<v Speaker 1>bamboo breathing tubes to sustain you down there in the darkness,

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<v Speaker 1>and here you meditate, you recite sutras, and you periodically

0:13:12.880 --> 0:13:15.720
<v Speaker 1>ring a bell um to let everyone know that you're

0:13:15.760 --> 0:13:18.760
<v Speaker 1>still down there, still meditating, until eventually you're gonna die

0:13:18.840 --> 0:13:22.439
<v Speaker 1>from dehydration. Yeah. So the idea here is that they're

0:13:22.440 --> 0:13:25.320
<v Speaker 1>when they're buried alive, they're buried alive in the lotus position.

0:13:25.640 --> 0:13:27.760
<v Speaker 1>So I think that the box or whatever they're in

0:13:27.880 --> 0:13:30.680
<v Speaker 1>is designed to fit their bodies in the lotus position.

0:13:31.200 --> 0:13:33.679
<v Speaker 1>And then when you stop ringing that bell, I think

0:13:33.720 --> 0:13:35.960
<v Speaker 1>that you ring the bell once a day basically to

0:13:36.000 --> 0:13:39.600
<v Speaker 1>say like, hey, I'm still moving down here. And when

0:13:39.640 --> 0:13:42.200
<v Speaker 1>it stops, that's when they take the tube out. Uh.

0:13:42.240 --> 0:13:45.160
<v Speaker 1>And they sealed the tomb uh, and there's a thing

0:13:45.200 --> 0:13:47.920
<v Speaker 1>here too, that the number three is very important to

0:13:47.960 --> 0:13:51.760
<v Speaker 1>this ritual. They did things in threes, uh, and it

0:13:51.880 --> 0:13:54.640
<v Speaker 1>was particular to the Buddhist priesthood. The reason why is

0:13:54.679 --> 0:13:58.760
<v Speaker 1>that apparently there's three jewels in Buddhism, the Buddha, the Sanga,

0:13:58.800 --> 0:14:01.679
<v Speaker 1>and the Dharma. And then there's the three great secrets

0:14:01.760 --> 0:14:04.400
<v Speaker 1>of secret of the body, which are moodras, which we

0:14:04.640 --> 0:14:08.600
<v Speaker 1>know over here as you know yoga practice basically. And

0:14:08.600 --> 0:14:11.400
<v Speaker 1>then there's a secret of speech mantras, and the secret

0:14:11.400 --> 0:14:14.000
<v Speaker 1>of the mind which is meditation. So that's why they

0:14:14.040 --> 0:14:17.719
<v Speaker 1>wait for three years before they pull them back up.

0:14:18.040 --> 0:14:19.920
<v Speaker 1>And so when they do pull them up, the first

0:14:19.920 --> 0:14:22.480
<v Speaker 1>thing you check is that could be corruption level of

0:14:22.560 --> 0:14:26.120
<v Speaker 1>the body. If it's uncorrupted, then the then hey, success

0:14:26.200 --> 0:14:29.840
<v Speaker 1>self mummification has taken place. You dress uh the monkey

0:14:29.880 --> 0:14:33.240
<v Speaker 1>in robes and put them on display for veneration. If

0:14:33.280 --> 0:14:36.600
<v Speaker 1>the body's rotted, however, you're going to perform an exorcism

0:14:36.640 --> 0:14:40.400
<v Speaker 1>and bury the corpse. Yeah. That two extremes. One is

0:14:40.800 --> 0:14:44.240
<v Speaker 1>you're venerated forever. The other is this is a hideous,

0:14:44.280 --> 0:14:47.840
<v Speaker 1>disgusting thing. We have to exercise it like you don't

0:14:47.880 --> 0:14:51.520
<v Speaker 1>exercise just a regular dead body. Right, but this this

0:14:51.600 --> 0:14:55.000
<v Speaker 1>process went wrong, and it's you know, within that practice,

0:14:55.040 --> 0:14:56.920
<v Speaker 1>I can sort of understand how they would they would

0:14:56.920 --> 0:15:00.360
<v Speaker 1>see it as being the opposite of holy. Yeah, is

0:15:00.400 --> 0:15:05.280
<v Speaker 1>well discuss later. You see this this interesting um dichotomy here,

0:15:05.320 --> 0:15:08.120
<v Speaker 1>where on one hand, there's still very much this idea

0:15:08.160 --> 0:15:11.040
<v Speaker 1>that a corpse is a thing that is not it's

0:15:11.040 --> 0:15:13.520
<v Speaker 1>not pleasant, it's not to really be dealt with, you Bury,

0:15:13.560 --> 0:15:15.680
<v Speaker 1>I can get rid of it, except if it's the

0:15:15.720 --> 0:15:19.080
<v Speaker 1>body of a very special individual. Is that if the

0:15:19.080 --> 0:15:24.000
<v Speaker 1>body itself is in this strange, undeath uncorrupted state, and

0:15:24.040 --> 0:15:28.200
<v Speaker 1>then it is an object of veneration. Yeah, And I

0:15:28.240 --> 0:15:30.080
<v Speaker 1>want to add here they had a couple of little

0:15:30.120 --> 0:15:32.680
<v Speaker 1>cheats that they were here too. After they pulled the

0:15:32.720 --> 0:15:35.120
<v Speaker 1>bodies out. It's true that, you know, if the body

0:15:35.160 --> 0:15:38.520
<v Speaker 1>itself hadn't decayed, that that was when they venerated them.

0:15:38.560 --> 0:15:40.760
<v Speaker 1>But after they pulled it out, if it hadn't decayed,

0:15:41.160 --> 0:15:44.120
<v Speaker 1>they would preserve it by adding incense to the body,

0:15:44.160 --> 0:15:46.520
<v Speaker 1>and then they would um dry it out over a

0:15:46.600 --> 0:15:50.880
<v Speaker 1>charcoal fire. Yeah. And this is this kind of gets

0:15:50.880 --> 0:15:54.120
<v Speaker 1>back to the original idea from our Egyptian Amumies episode,

0:15:54.120 --> 0:15:57.400
<v Speaker 1>where you have mummification begin as environmental process, and when

0:15:57.440 --> 0:16:02.440
<v Speaker 1>the environmental process fails due to different environmental circumstances such

0:16:02.440 --> 0:16:05.880
<v Speaker 1>as more elaborate tombs so that are being used, then

0:16:05.920 --> 0:16:11.200
<v Speaker 1>you have to begin employing mummification techniques, uh to to

0:16:11.400 --> 0:16:14.360
<v Speaker 1>fake what you're not achieving naturally. And so we see

0:16:14.360 --> 0:16:15.560
<v Speaker 1>a bit of that here. It's like, Okay, if it

0:16:15.600 --> 0:16:18.400
<v Speaker 1>has corrupted or it looks like it's corrupting a little bit,

0:16:18.480 --> 0:16:20.640
<v Speaker 1>what are some cheats we can apply to get it

0:16:20.720 --> 0:16:24.040
<v Speaker 1>back into that that desired zone. Yeah, in the same

0:16:24.040 --> 0:16:27.480
<v Speaker 1>way that the Egyptians started off by burying their bodies

0:16:27.480 --> 0:16:30.520
<v Speaker 1>in the dry sands, and that would help to prevent

0:16:30.560 --> 0:16:35.080
<v Speaker 1>them from decaying. They're in Japan just using charcoal, fire

0:16:35.160 --> 0:16:38.320
<v Speaker 1>and smoke basically to achieve the same thing. Less than

0:16:38.480 --> 0:16:42.320
<v Speaker 1>thirty Japanese monks are known to have completed this grueling

0:16:42.400 --> 0:16:44.200
<v Speaker 1>journey to the death point. And of course we have

0:16:44.240 --> 0:16:47.760
<v Speaker 1>no idea if they found the Boodhystot buddhistop of the future,

0:16:47.960 --> 0:16:51.040
<v Speaker 1>or if they're going to at some point the distant future. Yeah,

0:16:51.080 --> 0:16:53.800
<v Speaker 1>I mean that's still to come. Yeah, five billion years,

0:16:53.800 --> 0:16:57.360
<v Speaker 1>that's the way is off. But the Japanese government, like

0:16:57.400 --> 0:16:59.480
<v Speaker 1>I said at the top. They did not like this,

0:17:00.200 --> 0:17:02.600
<v Speaker 1>and as of the nineteenth century it is illegal to

0:17:02.640 --> 0:17:05.719
<v Speaker 1>do that, though some of these monks did continue this

0:17:05.760 --> 0:17:08.240
<v Speaker 1>practice and into the twentieth century. I think, like the

0:17:08.280 --> 0:17:12.400
<v Speaker 1>early nineteen hundreds, they were a monks doing this um

0:17:12.440 --> 0:17:16.560
<v Speaker 1>the majority of which happened at a temple on Mount

0:17:16.600 --> 0:17:20.359
<v Speaker 1>you don't know called da Nichi bu uh and they're

0:17:20.400 --> 0:17:23.800
<v Speaker 1>basically there's an idea that there's a local spring there

0:17:23.880 --> 0:17:26.600
<v Speaker 1>that high has high levels of arsenic in it, so

0:17:26.640 --> 0:17:29.000
<v Speaker 1>they think that has something to do as well with

0:17:29.040 --> 0:17:32.480
<v Speaker 1>the mummification process, that somehow arsenic is contributing to those

0:17:33.359 --> 0:17:36.400
<v Speaker 1>uh in The area around there is where they conducted

0:17:36.440 --> 0:17:41.159
<v Speaker 1>their exercises UH. And in Japanese the area is called

0:17:41.760 --> 0:17:45.280
<v Speaker 1>sennen Zawa and that translates into the mountain stream of

0:17:45.280 --> 0:17:49.440
<v Speaker 1>otherworldly men or swamp of wizards or swamp of immortals,

0:17:49.440 --> 0:17:52.040
<v Speaker 1>which I like. I liked both of those quite a bit.

0:17:52.080 --> 0:17:56.600
<v Speaker 1>The swamps swamp of wizards. Yeah, uh, you can still

0:17:56.800 --> 0:18:02.199
<v Speaker 1>visit sixteen of these uh soku shinbutsus of the twenty

0:18:02.240 --> 0:18:05.240
<v Speaker 1>eight that remain, there were thirty that no were known

0:18:05.240 --> 0:18:06.760
<v Speaker 1>to have completed it. But I think that some of

0:18:06.760 --> 0:18:08.960
<v Speaker 1>them are off limits, you know, for obvious reasons. They're

0:18:08.960 --> 0:18:12.240
<v Speaker 1>probably pretty fragile, but in various locations around Japan you

0:18:12.280 --> 0:18:16.359
<v Speaker 1>can visit these. Uh. The hundreds of people are thought

0:18:16.359 --> 0:18:19.160
<v Speaker 1>to have attempted this, so that, you know, getting back

0:18:19.200 --> 0:18:21.960
<v Speaker 1>to that those exorcisms there, that means there were hundreds

0:18:22.000 --> 0:18:26.080
<v Speaker 1>of these exorcisms of these bodies that did decay. Yeah.

0:18:26.080 --> 0:18:29.639
<v Speaker 1>And also it's such a grueling endeavor to undertake. I

0:18:29.640 --> 0:18:33.320
<v Speaker 1>can't I can't imagine everyone who started out on this path,

0:18:33.680 --> 0:18:36.919
<v Speaker 1>had the had the afforded to do actually make it

0:18:36.960 --> 0:18:40.480
<v Speaker 1>to that death point in the original prescribed way. Yeah,

0:18:40.560 --> 0:18:44.240
<v Speaker 1>I agree, And I want to add two stories about

0:18:44.640 --> 0:18:46.800
<v Speaker 1>two of these monks that I think put it into

0:18:46.840 --> 0:18:49.040
<v Speaker 1>a little bit of perspective here. And this isn't to

0:18:49.040 --> 0:18:51.400
<v Speaker 1>say that all of the hundreds of monks that attempted

0:18:51.440 --> 0:18:54.600
<v Speaker 1>this had these kinds of background. But the most famous

0:18:54.680 --> 0:18:57.640
<v Speaker 1>of which, uh, that you can I think still visit

0:18:57.760 --> 0:19:03.119
<v Speaker 1>is Daijuku Bosatsu Shinyo Kai Shonen uh. And he mummified

0:19:03.200 --> 0:19:06.600
<v Speaker 1>himself at the age of nineties six in seventeen three,

0:19:06.680 --> 0:19:09.359
<v Speaker 1>and he's at that mount uh you don't know temple.

0:19:09.720 --> 0:19:12.280
<v Speaker 1>He was a farmer. And the story goes that he

0:19:12.359 --> 0:19:14.400
<v Speaker 1>was a farmer. He was walking along the road one

0:19:14.480 --> 0:19:18.119
<v Speaker 1>day and a samurai bumped into him, and the samurai

0:19:18.200 --> 0:19:21.960
<v Speaker 1>took offense to this and started to fight, essentially drew

0:19:22.080 --> 0:19:25.560
<v Speaker 1>sword and started to fight, and this farmer only had

0:19:25.560 --> 0:19:28.800
<v Speaker 1>a walking stick and somehow defeats the samurai and kills

0:19:28.880 --> 0:19:34.040
<v Speaker 1>him in battle. Uh. But killing a samurai was illegal then, uh,

0:19:34.080 --> 0:19:36.639
<v Speaker 1>And the punishment was death. So he didn't want to

0:19:36.680 --> 0:19:39.560
<v Speaker 1>die for defending himself on the road, so he fled

0:19:39.600 --> 0:19:43.119
<v Speaker 1>to this temple and took up the religious you know

0:19:43.520 --> 0:19:48.359
<v Speaker 1>practice in the name Shinyo Kai. So that's what led

0:19:48.400 --> 0:19:52.240
<v Speaker 1>to his eventual you know, immersion into this culture and

0:19:52.280 --> 0:19:55.720
<v Speaker 1>then leading on to the self mummification practice. But I

0:19:55.720 --> 0:19:58.439
<v Speaker 1>gotta say, like, if I got to ninety six, you know,

0:19:58.680 --> 0:20:02.240
<v Speaker 1>I'd give it a shot. Why not? I mean, you

0:20:02.280 --> 0:20:04.200
<v Speaker 1>can you can only be in control of so many

0:20:04.200 --> 0:20:06.240
<v Speaker 1>different things at that point. Why not be in control

0:20:06.320 --> 0:20:08.960
<v Speaker 1>of your your journey to the death point. Yeah. And

0:20:09.320 --> 0:20:13.960
<v Speaker 1>there's another monk known as Tetsu Monkei who's another part

0:20:13.960 --> 0:20:18.040
<v Speaker 1>of this order, and he supposedly killed two samurai with

0:20:18.080 --> 0:20:20.360
<v Speaker 1>a fire hook. Wait, what's a fire I don't know.

0:20:20.640 --> 0:20:23.520
<v Speaker 1>It's I was just imagining it was a hook that's

0:20:23.520 --> 0:20:25.480
<v Speaker 1>on fire, but I bet it's like a hook that

0:20:25.520 --> 0:20:28.680
<v Speaker 1>you used to move charcoals around something like that. It's

0:20:28.720 --> 0:20:32.960
<v Speaker 1>that because we also see this this traditional element of

0:20:33.000 --> 0:20:35.359
<v Speaker 1>the common man does not have access to weapons and

0:20:35.359 --> 0:20:40.199
<v Speaker 1>then must create a martial art around common farming or

0:20:40.800 --> 0:20:43.600
<v Speaker 1>you know, crafting tools. Well, this story was like a

0:20:43.600 --> 0:20:45.919
<v Speaker 1>little too large for some people to believe, so they

0:20:45.960 --> 0:20:47.680
<v Speaker 1>looked into it some more and they think what actually

0:20:47.720 --> 0:20:52.480
<v Speaker 1>happened as he killed a prostitute, okay, and then like

0:20:52.480 --> 0:20:55.600
<v Speaker 1>like the other guy fled to the monastery. Same thing.

0:20:55.800 --> 0:20:57.920
<v Speaker 1>But this guy, Remember I was talking about how they

0:20:58.119 --> 0:21:00.359
<v Speaker 1>would cut their own eyes out as part of aractice.

0:21:00.560 --> 0:21:02.440
<v Speaker 1>He's one of them. He cut out his own eye

0:21:02.880 --> 0:21:05.359
<v Speaker 1>and threw it into a river because he wanted to

0:21:05.400 --> 0:21:08.399
<v Speaker 1>pray for a cure for a local eye disease. It

0:21:08.480 --> 0:21:12.520
<v Speaker 1>was infecting the local villages. So that gives you kind

0:21:12.520 --> 0:21:15.679
<v Speaker 1>of an idea of the you know, these practices. We

0:21:15.720 --> 0:21:18.560
<v Speaker 1>don't have a lot of information on this, but it's

0:21:18.640 --> 0:21:21.920
<v Speaker 1>it's pretty extreme. Yeah, and I believe you were looking

0:21:21.920 --> 0:21:23.920
<v Speaker 1>into this and you found that there there is a

0:21:23.960 --> 0:21:28.119
<v Speaker 1>group that is that is advocating for more more access

0:21:28.200 --> 0:21:32.320
<v Speaker 1>to the existing mummified monks. Yeah. My understanding is that

0:21:32.359 --> 0:21:35.600
<v Speaker 1>it's called the Japanese Mummy Research Group and that apparently

0:21:35.800 --> 0:21:39.240
<v Speaker 1>they're responsible for studying, you know, the mummified monks, and

0:21:39.240 --> 0:21:42.119
<v Speaker 1>they petitioned the government for permission to exhume the graves

0:21:42.119 --> 0:21:44.280
<v Speaker 1>of the ones that they find. But I believe that

0:21:44.359 --> 0:21:47.800
<v Speaker 1>this was started around the same time that the practice

0:21:47.840 --> 0:21:52.280
<v Speaker 1>was ending, probably the beginning of the twentieth century. So

0:21:52.760 --> 0:21:56.520
<v Speaker 1>now we're going to venture away from Japan and into China,

0:21:56.600 --> 0:21:59.639
<v Speaker 1>and particularly we're going to look at Chan Buddhism. This

0:21:59.680 --> 0:22:02.399
<v Speaker 1>is a cool of my Yana Buddhism that developed in

0:22:02.520 --> 0:22:06.680
<v Speaker 1>China from the sixth century uh CE onward. So here

0:22:06.720 --> 0:22:10.879
<v Speaker 1>we see a definite merging of Buddhist and dallast ideas.

0:22:11.320 --> 0:22:15.879
<v Speaker 1>And interesting here is the notion that Buddhism and dallas

0:22:15.960 --> 0:22:19.640
<v Speaker 1>to sorcery seem to combine into a notion of Buddha

0:22:19.920 --> 0:22:23.960
<v Speaker 1>is a sort of foreign immortal who achieved some form

0:22:24.119 --> 0:22:28.280
<v Speaker 1>of death. Yeah, there's a fantastic piece that we used

0:22:28.320 --> 0:22:30.919
<v Speaker 1>for this, uh well as one of our sources for

0:22:30.960 --> 0:22:33.200
<v Speaker 1>this episode. That's up on Ion I and from a

0:22:33.280 --> 0:22:35.159
<v Speaker 1>couple of years ago, I think, and it's you know what,

0:22:35.200 --> 0:22:37.320
<v Speaker 1>I didn't realize it until I've finished the piece and

0:22:37.359 --> 0:22:39.040
<v Speaker 1>I rolled back up and I realized it's written by

0:22:39.080 --> 0:22:42.479
<v Speaker 1>one of my favorite writers over there, woman named Lauren Davis.

0:22:43.040 --> 0:22:45.440
<v Speaker 1>She's good. Yeah, it's some of my favorite stuff on

0:22:45.480 --> 0:22:48.600
<v Speaker 1>their site is by her. But this is specifically about

0:22:49.000 --> 0:22:51.720
<v Speaker 1>in the Science and Civilization in China, a book, which

0:22:51.720 --> 0:22:55.240
<v Speaker 1>is the fifth volume of that series. Uh. And they

0:22:55.280 --> 0:22:58.680
<v Speaker 1>speculate that the self mummification originally was a dallast practice.

0:22:59.000 --> 0:23:01.760
<v Speaker 1>They note that while Japanese monks are the most famous

0:23:01.800 --> 0:23:05.680
<v Speaker 1>self mummifiers, there are deliberate self mummifications that have also

0:23:05.720 --> 0:23:08.159
<v Speaker 1>been recorded in China and India as well. So this

0:23:08.240 --> 0:23:12.440
<v Speaker 1>is where like, clearly there's a connection somehow between these

0:23:12.440 --> 0:23:14.840
<v Speaker 1>two things. They couldn't have just especially because they're from

0:23:14.880 --> 0:23:17.520
<v Speaker 1>the same belief systems. They couldn't have just independently sprung

0:23:17.640 --> 0:23:20.440
<v Speaker 1>up on their own. Yeah, And so that's why we're

0:23:20.440 --> 0:23:23.400
<v Speaker 1>looking at a Chan Buddhism and some particular examples here

0:23:23.440 --> 0:23:27.040
<v Speaker 1>among the some of the Chan masters, because you seem

0:23:27.160 --> 0:23:30.160
<v Speaker 1>of a form of mummification that maybe isn't quite as

0:23:30.280 --> 0:23:33.600
<v Speaker 1>deliberate and self destructive as the Japanese models we were

0:23:33.600 --> 0:23:37.840
<v Speaker 1>looking at, but but definitely similar blue print. And the

0:23:37.920 --> 0:23:41.520
<v Speaker 1>idea here is that they're this particular sect of Buddhism,

0:23:41.560 --> 0:23:44.240
<v Speaker 1>which I was unfamiliar with until we researched. This is

0:23:44.320 --> 0:23:48.720
<v Speaker 1>known for rejecting empty rituals and unworthy authority figures. Yeah,

0:23:48.720 --> 0:23:50.960
<v Speaker 1>there's a quote that I was reading and one of

0:23:50.960 --> 0:23:54.119
<v Speaker 1>the great sources for this section of the podcast, Robert H.

0:23:54.119 --> 0:23:57.560
<v Speaker 1>Sharks the idolization of Enlightenment on the mummification of Chan

0:23:57.720 --> 0:24:00.840
<v Speaker 1>masters in medieval China. Uh. People is how there's there's

0:24:00.960 --> 0:24:04.000
<v Speaker 1>a quote that the Chan would use where it says,

0:24:04.000 --> 0:24:07.239
<v Speaker 1>if you meet the Buddha, kill the Buddha. Yeah, in

0:24:07.280 --> 0:24:09.720
<v Speaker 1>other words, saying that if you meet somebody claiming to

0:24:09.760 --> 0:24:13.240
<v Speaker 1>be this great individual, reject them. Yeah. I've heard that

0:24:13.359 --> 0:24:15.280
<v Speaker 1>term before and I've always liked it, but I didn't

0:24:15.320 --> 0:24:18.520
<v Speaker 1>realize that it originated here, and in fact that this

0:24:18.560 --> 0:24:21.080
<v Speaker 1>particular school, you know, the idea was they didn't wanna

0:24:21.440 --> 0:24:25.560
<v Speaker 1>be based around superstition essentially. Uh. And so it's strange

0:24:25.800 --> 0:24:29.040
<v Speaker 1>then that they were involved in the mummification thing. Yeah,

0:24:29.080 --> 0:24:32.280
<v Speaker 1>this is this is definitely a fascinating area where you

0:24:32.320 --> 0:24:38.200
<v Speaker 1>see these merging and in times contradictory ideas coming from

0:24:38.240 --> 0:24:41.520
<v Speaker 1>the Dallist roots and the Buddhist roots, where on one

0:24:41.600 --> 0:24:44.440
<v Speaker 1>level Buddhism, you think of Buddhism and you think of, oh,

0:24:44.480 --> 0:24:49.120
<v Speaker 1>it's all about not caring. It's about about setting aside

0:24:49.119 --> 0:24:53.040
<v Speaker 1>any high levels of anxiety about death or even life

0:24:53.040 --> 0:24:58.400
<v Speaker 1>itself that you're you're disconnecting. And then with with Dallas Sorcery,

0:24:58.560 --> 0:25:03.240
<v Speaker 1>you have a farm more supernatural understanding of man's place

0:25:03.280 --> 0:25:06.159
<v Speaker 1>in the universe and what's possible with the physical body,

0:25:06.359 --> 0:25:09.520
<v Speaker 1>and these two things kind of merged together into one form. Yeah,

0:25:09.560 --> 0:25:12.720
<v Speaker 1>and I'm sure too that like the political and economic

0:25:12.760 --> 0:25:14.920
<v Speaker 1>and cultural pressures that were going on in the area

0:25:14.960 --> 0:25:19.399
<v Speaker 1>at the time contributed to this melding. You know, the

0:25:19.400 --> 0:25:22.040
<v Speaker 1>the the economic aspect of were interesting when we get

0:25:22.080 --> 0:25:25.879
<v Speaker 1>into it. Yeah, especially, So one thing about this, you know,

0:25:26.359 --> 0:25:28.879
<v Speaker 1>it's important to say you hinted at it here, is

0:25:28.920 --> 0:25:33.439
<v Speaker 1>that most Buddhism regards corpses as just lifeless lumps of flesh,

0:25:33.600 --> 0:25:36.320
<v Speaker 1>right rotting flesh in particular, and you just dispose of them.

0:25:36.320 --> 0:25:38.879
<v Speaker 1>It's no longer a person. So again it's it's a

0:25:38.920 --> 0:25:42.639
<v Speaker 1>little strange, this veneration thing, but we'll get into you know,

0:25:42.720 --> 0:25:45.840
<v Speaker 1>there there is a worship that was applied to their

0:25:45.880 --> 0:25:49.760
<v Speaker 1>abbots in particular. Uh. And this explains their fascination with

0:25:49.840 --> 0:25:54.600
<v Speaker 1>the possibility of bodies not decomposing. So they thought that

0:25:54.840 --> 0:26:00.399
<v Speaker 1>if their bodies didn't decompose, that they were incorruptible. And uh.

0:26:00.440 --> 0:26:03.240
<v Speaker 1>This involved you know, artificial mummification the same way that

0:26:03.280 --> 0:26:06.439
<v Speaker 1>we've talked about previously, but it was thought as a

0:26:06.480 --> 0:26:11.000
<v Speaker 1>mean to achieve spiritual purity and preserve it within their remains. Yeah.

0:26:11.000 --> 0:26:13.520
<v Speaker 1>So you see this, this idea that an individual is

0:26:13.520 --> 0:26:16.760
<v Speaker 1>is going to be wholly enough, pure enough that there

0:26:16.800 --> 0:26:21.120
<v Speaker 1>there's gonna be residual purity, residual karma even in the body. Uh.

0:26:21.119 --> 0:26:25.560
<v Speaker 1>And and the dallast roots here, apparently are that a

0:26:25.680 --> 0:26:29.440
<v Speaker 1>Daoist master sheds his body like the shell of a cicada,

0:26:29.520 --> 0:26:33.280
<v Speaker 1>and then his spirit alone ascends into the spirit realm,

0:26:33.359 --> 0:26:36.359
<v Speaker 1>leaving behind and this incorruptible body and the body serves

0:26:36.400 --> 0:26:40.200
<v Speaker 1>as a kind of anchor for an immortal soul wandering beyond,

0:26:41.280 --> 0:26:44.560
<v Speaker 1>which which is a fabulous idea that is is almost

0:26:44.560 --> 0:26:47.120
<v Speaker 1>science fiction in its elements, like the idea of say

0:26:47.160 --> 0:26:51.439
<v Speaker 1>a a body and some suspended state, but the mind

0:26:51.560 --> 0:26:55.360
<v Speaker 1>is wandering around in some some sort of virtual reality. Yeah,

0:26:55.760 --> 0:26:58.400
<v Speaker 1>And I think it's important to note too that these abbots,

0:26:58.600 --> 0:27:02.800
<v Speaker 1>my impression from the reading was these abbots, uh, we're

0:27:02.880 --> 0:27:07.440
<v Speaker 1>venerated because they're very charismatic and and the followers within

0:27:07.480 --> 0:27:11.000
<v Speaker 1>their temples and their communities loved them dearly. And so

0:27:11.160 --> 0:27:15.320
<v Speaker 1>part of this also was that the preservation allowed for

0:27:15.400 --> 0:27:17.360
<v Speaker 1>the new abbot that would come in, who was maybe

0:27:17.359 --> 0:27:19.840
<v Speaker 1>a little green and maybe not known so well, to

0:27:20.000 --> 0:27:25.040
<v Speaker 1>have a little bit of leeway uh and at time

0:27:25.160 --> 0:27:27.199
<v Speaker 1>to to get to know them better and build his

0:27:27.240 --> 0:27:31.240
<v Speaker 1>reputation and charisma, while the mummified version of the previous

0:27:31.320 --> 0:27:34.720
<v Speaker 1>abbot was still there for them to connect with. Yeah. Because, yeah,

0:27:34.720 --> 0:27:37.800
<v Speaker 1>the the center that the abbot and his charismatic power,

0:27:37.960 --> 0:27:39.600
<v Speaker 1>it had a lot to do with the support from

0:27:39.640 --> 0:27:42.320
<v Speaker 1>the community, the support from the government. It's like having

0:27:42.680 --> 0:27:45.119
<v Speaker 1>the lead singer of a band change, how right, But

0:27:45.280 --> 0:27:49.159
<v Speaker 1>imagine if the new lead singer could say, actually, the

0:27:49.200 --> 0:27:52.560
<v Speaker 1>old lead singers right here. He's in this he's not dead.

0:27:52.600 --> 0:27:56.320
<v Speaker 1>He's in this undeathed state, so he's technically still here.

0:27:56.359 --> 0:27:59.040
<v Speaker 1>You can come and venerate him. He's still the the

0:27:59.320 --> 0:28:04.040
<v Speaker 1>ritual spiritual center of of the monastery. And and that's

0:28:04.080 --> 0:28:06.600
<v Speaker 1>important to it's it's not only the outside forces, but

0:28:06.640 --> 0:28:10.640
<v Speaker 1>the inside forces. The the Abbot in this undeathed state,

0:28:10.680 --> 0:28:15.679
<v Speaker 1>in this mummified state, remains the rallying point for everyone.

0:28:16.040 --> 0:28:19.439
<v Speaker 1>That's what Black Sabbath should have done is mummified Ozzy

0:28:19.520 --> 0:28:22.480
<v Speaker 1>Osbourne and then had Ronnie James Dio you know, performed

0:28:22.560 --> 0:28:26.639
<v Speaker 1>with Azzi's uh mummified body on stage. Or Van Halen

0:28:26.640 --> 0:28:28.800
<v Speaker 1>could have done it as well. Sammy Haggard performs with

0:28:28.880 --> 0:28:31.880
<v Speaker 1>the body of David. They had the idea of an

0:28:31.920 --> 0:28:34.680
<v Speaker 1>aged rocker as a mummy. It is just perfect, I

0:28:34.760 --> 0:28:36.840
<v Speaker 1>mean because they kind of reached that state on their own.

0:28:37.359 --> 0:28:42.320
<v Speaker 1>Look at any and you can easily see a month. Yeah,

0:28:42.360 --> 0:28:46.520
<v Speaker 1>Mick Jagger is definitely approaching mummification. So okay. So the

0:28:46.600 --> 0:28:49.520
<v Speaker 1>first chin Master mummy that we know of was a

0:28:49.520 --> 0:28:53.080
<v Speaker 1>guy named Tao Sin And who was alive from five

0:28:53.200 --> 0:28:55.480
<v Speaker 1>eighty to six fifty one. When he passed away at

0:28:55.480 --> 0:28:58.400
<v Speaker 1>the age of seventy two, his students wrapped him in

0:28:58.480 --> 0:29:01.960
<v Speaker 1>lacquered cloth so they could preserve the miracle of his

0:29:02.080 --> 0:29:05.560
<v Speaker 1>natural incorruptibility. Uh and so like like what you're saying,

0:29:05.600 --> 0:29:07.720
<v Speaker 1>this wasn't a you know, a normal practice for Buddhism.

0:29:07.840 --> 0:29:12.080
<v Speaker 1>Is sometime in Eastern Han or early six Dynasties period,

0:29:12.200 --> 0:29:15.160
<v Speaker 1>the rationale around this changed. They wanted to maintain the

0:29:15.160 --> 0:29:17.960
<v Speaker 1>integrity of the body and the soul together after death

0:29:18.200 --> 0:29:22.120
<v Speaker 1>through this kind of preservation. Now, another example that Robert H.

0:29:22.120 --> 0:29:25.360
<v Speaker 1>Sharf brings out in his piece is that of Sean

0:29:25.440 --> 0:29:28.040
<v Speaker 1>wou Wei, who died in seven thirty five at age

0:29:28.120 --> 0:29:31.360
<v Speaker 1>ninety nine, but he wasn't buried until seven forty, and

0:29:31.400 --> 0:29:34.640
<v Speaker 1>according to his biography, he was he was so quote

0:29:34.800 --> 0:29:38.640
<v Speaker 1>imbued with meditation and wisdom that no decay occurred in

0:29:38.680 --> 0:29:40.800
<v Speaker 1>the five years between death and the tomb, and in

0:29:40.840 --> 0:29:44.120
<v Speaker 1>seven fifty eight, eighteen years later, his dissiples dug him

0:29:44.120 --> 0:29:46.920
<v Speaker 1>back up and then discovered very little decay. Or so

0:29:47.000 --> 0:29:49.800
<v Speaker 1>it's said, again, you kind of have to throwing a

0:29:49.800 --> 0:29:51.680
<v Speaker 1>little grain of salt here and there when it comes

0:29:52.000 --> 0:29:57.480
<v Speaker 1>to the the official religious account. So what's the common

0:29:57.520 --> 0:30:00.360
<v Speaker 1>practices here, so that it's different from what you're talking

0:30:00.400 --> 0:30:04.320
<v Speaker 1>about with the Japanese model earlier there it's not self

0:30:04.400 --> 0:30:07.080
<v Speaker 1>mumification in the sense that they starve themselves and eat

0:30:07.120 --> 0:30:11.120
<v Speaker 1>nuts and berries and then bury themselves life. Right, it's

0:30:11.160 --> 0:30:14.000
<v Speaker 1>not that gory. Uh. It's almost like the kind of

0:30:14.080 --> 0:30:19.200
<v Speaker 1>mummification in a lot of ways, similar to Egyptian mummification. Yeah,

0:30:19.280 --> 0:30:23.440
<v Speaker 1>because you do see these varying levels of embalming techniques

0:30:23.480 --> 0:30:28.120
<v Speaker 1>coming online to to make up for missing environmental factors.

0:30:28.520 --> 0:30:33.160
<v Speaker 1>Mummification itself in China goes back as far as two

0:30:33.240 --> 0:30:36.480
<v Speaker 1>hundred and six BC. Uh. And then the notion of

0:30:36.520 --> 0:30:39.680
<v Speaker 1>a lingering soul presence in the body like may underlie

0:30:39.800 --> 0:30:41.640
<v Speaker 1>all of it it, just as it seems to underlie

0:30:41.680 --> 0:30:46.280
<v Speaker 1>any mommification practice. Yeah. And the spirits of your ancestors

0:30:46.320 --> 0:30:50.280
<v Speaker 1>still to this day, seems to be fairly potent cultural

0:30:50.320 --> 0:30:55.520
<v Speaker 1>idea China. So they had various preservation practices. Uh. One

0:30:55.640 --> 0:30:57.480
<v Speaker 1>is just temporary burial, which again has a lot in

0:30:57.480 --> 0:31:00.160
<v Speaker 1>common with the Egyptian model bearing in the ground. If

0:31:00.160 --> 0:31:01.840
<v Speaker 1>the ground is dry, then it's going to dry the

0:31:01.840 --> 0:31:06.440
<v Speaker 1>body out, drying over a fire, which you mentioned already. Yeah,

0:31:06.440 --> 0:31:10.520
<v Speaker 1>this is my favorite though. Salt brine in a used

0:31:10.560 --> 0:31:13.360
<v Speaker 1>inside of an urn to pickle the body, essentially tick

0:31:13.400 --> 0:31:15.560
<v Speaker 1>all the body. I read about that one. That is,

0:31:15.560 --> 0:31:17.840
<v Speaker 1>so you put the body in there and let it

0:31:18.000 --> 0:31:20.520
<v Speaker 1>soak for like years, right, and then you take it

0:31:20.560 --> 0:31:24.040
<v Speaker 1>out and momify it. And in any of these cases,

0:31:24.080 --> 0:31:26.840
<v Speaker 1>when you get the body back out, it's it's dried out.

0:31:27.120 --> 0:31:30.160
<v Speaker 1>You wrap it in various layers, including lacquered cloth, then

0:31:30.200 --> 0:31:32.240
<v Speaker 1>you dress it in robes, and you place it in

0:31:32.280 --> 0:31:35.920
<v Speaker 1>a in a position and befitting a chan master. So

0:31:36.240 --> 0:31:38.680
<v Speaker 1>from what I was reading, the lacquering process is actually

0:31:38.800 --> 0:31:41.040
<v Speaker 1>very similar to the same process that they used to

0:31:41.080 --> 0:31:45.040
<v Speaker 1>produce specific kinds of Buddhist sculptures, and it resulted in

0:31:45.080 --> 0:31:47.400
<v Speaker 1>a durable finished product. So I think that that's where

0:31:47.400 --> 0:31:49.920
<v Speaker 1>they got the idea from. They said, well, let's apply

0:31:50.040 --> 0:31:56.080
<v Speaker 1>this statue process to you know, venerating our elders. Uh.

0:31:56.120 --> 0:31:58.120
<v Speaker 1>And so do you want to get into the thing

0:31:58.160 --> 0:32:00.840
<v Speaker 1>about that there's a technique of placing aid and bone

0:32:00.840 --> 0:32:03.240
<v Speaker 1>in the nine orifices of the body. Yeah, this is

0:32:03.280 --> 0:32:05.520
<v Speaker 1>interesting and I don't have a lot of details on this.

0:32:05.680 --> 0:32:10.040
<v Speaker 1>I probably don't have to to employ them. But the

0:32:10.040 --> 0:32:13.440
<v Speaker 1>the the use of jade is interesting, um because it

0:32:13.480 --> 0:32:16.520
<v Speaker 1>was a common Han dynasty method for the wealthy to

0:32:16.520 --> 0:32:19.760
<v Speaker 1>be buried in a suit of jade. Uh. People may

0:32:19.760 --> 0:32:22.160
<v Speaker 1>have seen images of this. It tends to it's not

0:32:22.360 --> 0:32:25.360
<v Speaker 1>a solid suit of jade, but it has like jade que,

0:32:25.720 --> 0:32:30.280
<v Speaker 1>jade squares, jade tiles um. And this is because the

0:32:30.320 --> 0:32:32.520
<v Speaker 1>stone was thought to prevent decay. So if it works

0:32:32.520 --> 0:32:34.880
<v Speaker 1>on the outside, which there's no evidence that it did,

0:32:35.840 --> 0:32:37.920
<v Speaker 1>but if it worked on the outside, then the magical

0:32:37.960 --> 0:32:40.719
<v Speaker 1>thinking is that it would work inside as well. Because

0:32:41.200 --> 0:32:44.240
<v Speaker 1>it's as with the Egyptian model of momification, you see

0:32:44.240 --> 0:32:46.520
<v Speaker 1>this continuing struggle to try and figure out where decay

0:32:46.600 --> 0:32:49.240
<v Speaker 1>is coming from from the outside or from the inside. Therefore,

0:32:49.280 --> 0:32:50.800
<v Speaker 1>put the jade on the outside and put it on

0:32:50.840 --> 0:32:53.600
<v Speaker 1>the inside. Um. If you ever have the opportunity to

0:32:53.760 --> 0:32:58.440
<v Speaker 1>see a Chinese mummy, definitely take advantage of it. I

0:32:58.480 --> 0:33:02.360
<v Speaker 1>got to see one at the Museum of the Western

0:33:02.400 --> 0:33:05.360
<v Speaker 1>Han Dynasty Mausoleum in Guangzhoe when I was there a

0:33:05.360 --> 0:33:07.680
<v Speaker 1>couple of years ago to get my son. He was

0:33:07.680 --> 0:33:10.040
<v Speaker 1>not impressed. He was a year and a half and

0:33:11.000 --> 0:33:13.880
<v Speaker 1>did not see the beauty of everything there and cried

0:33:13.920 --> 0:33:16.040
<v Speaker 1>his head off. But I did get to see a

0:33:16.120 --> 0:33:21.400
<v Speaker 1>fabulous restored mummy there with the the jade suit, and

0:33:21.480 --> 0:33:24.680
<v Speaker 1>that would have been zal May, the second ruler of

0:33:24.680 --> 0:33:26.960
<v Speaker 1>the Kingdom of southern you. Yeah, I think I've brought

0:33:27.040 --> 0:33:29.280
<v Speaker 1>up on the show before that I spent some time

0:33:29.360 --> 0:33:31.800
<v Speaker 1>in my childhood in Southeast Asia and I lived in

0:33:31.880 --> 0:33:34.880
<v Speaker 1>China for six or seven weeks on my own. Actually

0:33:35.080 --> 0:33:37.080
<v Speaker 1>it was a teenager, which is kind of a wild story.

0:33:37.240 --> 0:33:40.000
<v Speaker 1>But I never got to see anything like that that

0:33:40.040 --> 0:33:43.240
<v Speaker 1>sounds really cool. Well, apparently there are only a handful

0:33:43.280 --> 0:33:45.960
<v Speaker 1>of these. I think they're more than more than ten,

0:33:46.520 --> 0:33:48.800
<v Speaker 1>so that's about how many have been recovered. Only five

0:33:48.840 --> 0:33:51.840
<v Speaker 1>have been restored. So I just kind of looked into

0:33:51.880 --> 0:33:55.720
<v Speaker 1>gain to see one while in Guangjoe. So another thing

0:33:55.720 --> 0:34:00.239
<v Speaker 1>about these specific Chun Buddhist monks the way that they

0:34:00.240 --> 0:34:04.280
<v Speaker 1>were preserved. After they were covered in the lacquered cloth,

0:34:04.840 --> 0:34:08.759
<v Speaker 1>they were gilded as well, so they're they're they're there's

0:34:08.760 --> 0:34:11.920
<v Speaker 1>elements of gold here, right or some kind of metal,

0:34:12.360 --> 0:34:15.920
<v Speaker 1>and uh, they're dressed in fine robes afterwards as well.

0:34:16.120 --> 0:34:18.160
<v Speaker 1>So when you saw that one, did it have that

0:34:18.239 --> 0:34:22.759
<v Speaker 1>kind of shiny exterior? Um, I don't remember there being

0:34:22.800 --> 0:34:25.640
<v Speaker 1>as much of a shiny exterior so much, but the

0:34:25.960 --> 0:34:28.560
<v Speaker 1>jade suit was the thing that made the big impact.

0:34:28.960 --> 0:34:31.360
<v Speaker 1>And given how old they are too, I would imagine

0:34:31.400 --> 0:34:34.719
<v Speaker 1>over time that you know, that would kind of fade. Um.

0:34:35.480 --> 0:34:38.640
<v Speaker 1>So one of the things about this is that there

0:34:38.719 --> 0:34:42.799
<v Speaker 1>was a traditional funeral practice even before this mummification came

0:34:42.800 --> 0:34:45.799
<v Speaker 1>into effect, which the abbots were always buried with a

0:34:45.840 --> 0:34:50.400
<v Speaker 1>portrait of themselves nearby. Uh. And at some point mummifying

0:34:50.440 --> 0:34:53.680
<v Speaker 1>the abbot replaced the portrait the idea of being able

0:34:53.719 --> 0:34:56.799
<v Speaker 1>to interact with the you know, the the abbot and

0:34:56.840 --> 0:35:00.399
<v Speaker 1>his spirit. So it created a flesh icon and yeah,

0:35:00.400 --> 0:35:02.840
<v Speaker 1>I love that that's the term that the traffic uses

0:35:02.880 --> 0:35:06.000
<v Speaker 1>in his piece, flesh icon. So they could use these

0:35:06.080 --> 0:35:08.800
<v Speaker 1>as both an effigy and a holy relic. But there's

0:35:08.800 --> 0:35:12.680
<v Speaker 1>also as we talked about a little bit earlier, is that, Um,

0:35:12.719 --> 0:35:16.359
<v Speaker 1>there's the aspect of interacting with the government here too

0:35:16.360 --> 0:35:20.680
<v Speaker 1>in the economy. So a lot of these temples and

0:35:20.760 --> 0:35:25.480
<v Speaker 1>institutions were supported by government funds, and so if the

0:35:25.480 --> 0:35:28.359
<v Speaker 1>abbot was very popular with the community and very charismatic

0:35:28.640 --> 0:35:31.279
<v Speaker 1>and then passed away, there's always the possibility that the

0:35:31.320 --> 0:35:33.880
<v Speaker 1>government might withdraw funding and think, oh, well, this is

0:35:33.920 --> 0:35:36.960
<v Speaker 1>no longer an active institution, right. Yeah, it comes back

0:35:37.000 --> 0:35:40.680
<v Speaker 1>to the lead singer scenario exactly. The lead singer drops

0:35:40.719 --> 0:35:43.000
<v Speaker 1>out and how are you going to keep the support

0:35:43.080 --> 0:35:46.439
<v Speaker 1>for your product going, so they mummified them in order

0:35:46.480 --> 0:35:49.279
<v Speaker 1>to keep it active. And again, like we're talking about, yeah,

0:35:49.400 --> 0:35:51.640
<v Speaker 1>the the new singer, the new abbot comes in and

0:35:51.719 --> 0:35:54.240
<v Speaker 1>kind of gets used to the community then and hopefully

0:35:54.239 --> 0:35:56.920
<v Speaker 1>builds up enough of a following that he too gets mummified.

0:35:57.480 --> 0:35:58.959
<v Speaker 1>You know, I do want to throw in real quick

0:35:59.000 --> 0:36:02.480
<v Speaker 1>that another fascinating aspect of this, uh that came out

0:36:03.040 --> 0:36:06.840
<v Speaker 1>in my my research is that according to Holmes aged Welch,

0:36:06.960 --> 0:36:09.960
<v Speaker 1>that's he's an early twentieth century expert on East Asian culture,

0:36:09.960 --> 0:36:15.120
<v Speaker 1>particularly Taoism and Buddhism, and he's talking about the mummification

0:36:15.160 --> 0:36:16.920
<v Speaker 1>of the bodies and he points out, of course how

0:36:16.920 --> 0:36:19.560
<v Speaker 1>they were gilded, but quote sometimes the lobes of the

0:36:19.600 --> 0:36:22.640
<v Speaker 1>ears were lengthened and a dot was placed between the eyebrows.

0:36:23.000 --> 0:36:27.080
<v Speaker 1>Golden skin, long lobes and the uma dot were among

0:36:27.120 --> 0:36:29.839
<v Speaker 1>the thirty two sacred marks of a Buddha. The implication

0:36:30.000 --> 0:36:33.120
<v Speaker 1>was therefore that in his lifetime, the monk whose corpse

0:36:33.160 --> 0:36:36.879
<v Speaker 1>the visitors saw before him, had attained buddhahood. So in

0:36:36.920 --> 0:36:42.719
<v Speaker 1>this we see postmortem body modification, which granted any form

0:36:42.760 --> 0:36:46.640
<v Speaker 1>of mummification or funerary, right, you know, anytime anything a

0:36:46.680 --> 0:36:50.400
<v Speaker 1>mortician does is body modification. But generally we were all about,

0:36:50.600 --> 0:36:52.239
<v Speaker 1>let's just make it look as much like it did

0:36:52.239 --> 0:36:55.640
<v Speaker 1>when it was alive. But here we see a modification

0:36:55.719 --> 0:36:59.080
<v Speaker 1>to make the body look more like the spiritual idea

0:36:59.560 --> 0:37:03.840
<v Speaker 1>idea as as as opposed to just what they were. Definitely,

0:37:03.960 --> 0:37:07.160
<v Speaker 1>from what I've seen the photographs during the research, I mean,

0:37:07.200 --> 0:37:10.879
<v Speaker 1>these do not retain human form in the way that say,

0:37:10.960 --> 0:37:15.160
<v Speaker 1>like our typical idea of an Egyptian mummy does, right,

0:37:15.280 --> 0:37:17.960
<v Speaker 1>because it's not stuff full of blackered linen and all

0:37:18.040 --> 0:37:22.520
<v Speaker 1>all kinds of materials, but it is you know, designed

0:37:22.520 --> 0:37:24.520
<v Speaker 1>to be an icon in the same way like a

0:37:24.600 --> 0:37:26.839
<v Speaker 1>statue would be, and really to be kind of a

0:37:26.880 --> 0:37:30.560
<v Speaker 1>trans human body for a different type of being, which

0:37:30.640 --> 0:37:33.360
<v Speaker 1>is such a fascinating idea. And I think there are

0:37:33.400 --> 0:37:36.319
<v Speaker 1>elements of that in Egyptian um momification as well, but

0:37:36.320 --> 0:37:38.360
<v Speaker 1>they I think it's often lost on us, And I

0:37:38.360 --> 0:37:41.680
<v Speaker 1>feel like this example brings out that motif in a

0:37:41.719 --> 0:37:45.279
<v Speaker 1>in a new way. Yeah it. You know, every time

0:37:45.280 --> 0:37:46.960
<v Speaker 1>we get into this kind of stuff, I have to

0:37:47.000 --> 0:37:51.240
<v Speaker 1>think to myself, like, what kind of uh post death

0:37:51.320 --> 0:37:53.400
<v Speaker 1>rituals are we going to come up with in the future,

0:37:53.640 --> 0:37:55.960
<v Speaker 1>you know, like where we go on with that when

0:37:56.000 --> 0:37:58.719
<v Speaker 1>we start taking our bodies and you know, with trans

0:37:58.800 --> 0:38:01.359
<v Speaker 1>humanism coming along, know, when we start trying to make

0:38:01.400 --> 0:38:04.040
<v Speaker 1>them look more alien or something like that. Yeah, we

0:38:04.120 --> 0:38:07.680
<v Speaker 1>ended up being Joe did a podcast episode on the

0:38:08.000 --> 0:38:10.520
<v Speaker 1>near future of various funeral rights. Yeah, we didn't get

0:38:10.560 --> 0:38:12.759
<v Speaker 1>into this as much, but I can't help but think

0:38:12.760 --> 0:38:16.080
<v Speaker 1>of RoboCop, remember, because there's a whole scene where it's

0:38:16.080 --> 0:38:20.480
<v Speaker 1>like RoboCop meeting his former wife and someone's pointing out, well,

0:38:20.520 --> 0:38:24.000
<v Speaker 1>this isn't him, that we did this to honor him,

0:38:24.040 --> 0:38:26.680
<v Speaker 1>which if you take the place is just like glued

0:38:26.719 --> 0:38:32.120
<v Speaker 1>on over. So in a sense, he's buried within RoboCop.

0:38:32.160 --> 0:38:34.239
<v Speaker 1>He kind of like a like a Warhammer four eight

0:38:34.280 --> 0:38:38.040
<v Speaker 1>thousand dreadnought where the tomb is the robot. Which so

0:38:38.080 --> 0:38:41.279
<v Speaker 1>in a way, RoboCop is a funeral rite and one

0:38:41.320 --> 0:38:43.879
<v Speaker 1>that I think we should all be open to. Yeah,

0:38:44.239 --> 0:38:46.680
<v Speaker 1>why not. Let right, it's in the movies. It went

0:38:46.719 --> 0:38:50.600
<v Speaker 1>really well, it did, Yeah, it went great. Alright, So

0:38:50.640 --> 0:38:54.279
<v Speaker 1>we've discussed the Soko Shimbidsu, We've talked about the John

0:38:54.440 --> 0:38:58.400
<v Speaker 1>Masters and those are just two specific examples from East

0:38:58.440 --> 0:39:02.520
<v Speaker 1>Asian mom of the Asian history, and we we can't

0:39:02.520 --> 0:39:04.799
<v Speaker 1>get into all of the examples in this podcast. Maybe

0:39:04.800 --> 0:39:08.640
<v Speaker 1>we'll come back for more later. You do see related examples,

0:39:08.680 --> 0:39:13.160
<v Speaker 1>particularly in Thailand. Um, very much of the same model

0:39:13.239 --> 0:39:16.880
<v Speaker 1>I think is Sean Buddhism, but certainly an area that

0:39:17.280 --> 0:39:20.759
<v Speaker 1>deserves its own spotlight, perhaps at a later date. Yeah,

0:39:20.840 --> 0:39:23.440
<v Speaker 1>and in fact, you know, there's of course other mummies too,

0:39:23.520 --> 0:39:26.840
<v Speaker 1>especially in the American continent. So uh, there's possibility that

0:39:26.880 --> 0:39:29.319
<v Speaker 1>we could talk about Mayan or Tintrue mummies in the

0:39:29.320 --> 0:39:31.640
<v Speaker 1>future too. So if you're interested, let us know. Yeah,

0:39:31.680 --> 0:39:34.400
<v Speaker 1>sounds good to me. I am certainly down to do

0:39:34.560 --> 0:39:39.040
<v Speaker 1>more episodes on global mummification rituals me too, So let

0:39:39.120 --> 0:39:41.239
<v Speaker 1>us know. There's tons of avenues to get in touch

0:39:41.280 --> 0:39:44.040
<v Speaker 1>with us. In fact, we are on Facebook, Twitter and

0:39:44.120 --> 0:39:47.719
<v Speaker 1>Tumbler on all of those social media platforms. We are

0:39:48.160 --> 0:39:50.799
<v Speaker 1>under the handle below the mind that's where you can

0:39:50.840 --> 0:39:53.200
<v Speaker 1>find us and interact with us. But not only that,

0:39:53.480 --> 0:39:56.560
<v Speaker 1>we're on periscope every Friday at noon now and you

0:39:56.560 --> 0:39:59.560
<v Speaker 1>can directly interact with us there. We Uh. If you

0:39:59.560 --> 0:40:02.240
<v Speaker 1>haven't used periscope before, you get to see us hanging

0:40:02.239 --> 0:40:05.160
<v Speaker 1>out in front of an iPad and chatting with you, uh,

0:40:05.239 --> 0:40:08.799
<v Speaker 1>conversations that we had last week. We're about the possibility

0:40:08.960 --> 0:40:13.480
<v Speaker 1>of you, Joe and I writing our own horror anthology books.

0:40:13.800 --> 0:40:17.919
<v Speaker 1>One of our fans suggested that, all right, keep suggesting that. Yeah. Uh,

0:40:17.960 --> 0:40:20.239
<v Speaker 1>And and of course you can always visit the site

0:40:20.320 --> 0:40:22.759
<v Speaker 1>Stuff to Blow your Mind dot com, where we've got

0:40:22.960 --> 0:40:26.000
<v Speaker 1>blog posts and videos and all kinds of other content

0:40:26.120 --> 0:40:28.800
<v Speaker 1>that's not just the podcast. We work hard on Stuff

0:40:28.800 --> 0:40:30.680
<v Speaker 1>to Blow your Mind, and we've got all kinds of

0:40:30.680 --> 0:40:33.719
<v Speaker 1>crazy things out there, especially about mummies, right exactly. Yeah,

0:40:33.760 --> 0:40:35.440
<v Speaker 1>we have a lot of content about mommies, and don't

0:40:35.440 --> 0:40:37.640
<v Speaker 1>make sure include some links to it in the landing

0:40:37.640 --> 0:40:39.560
<v Speaker 1>page for this episode, as well as links out to

0:40:39.600 --> 0:40:41.800
<v Speaker 1>some of these key resources if you want to deeper

0:40:41.880 --> 0:40:44.360
<v Speaker 1>dive into the topics. And hey, if you want to

0:40:44.400 --> 0:40:46.839
<v Speaker 1>reach out to us directly, you don't have to self

0:40:46.920 --> 0:40:49.640
<v Speaker 1>mummify yourself. You don't have to slowly poison yourself and

0:40:49.920 --> 0:40:52.480
<v Speaker 1>been a Buddhist cript. Yeah we're here. Instead, just send

0:40:52.560 --> 0:40:54.719
<v Speaker 1>us an email. You can reach us at blow the

0:40:54.719 --> 0:41:06.520
<v Speaker 1>Mind at how Stuff Works dot back for more on

0:41:06.600 --> 0:41:09.080
<v Speaker 1>this and thousands of other topics is that how stuff

0:41:09.080 --> 0:41:32.120
<v Speaker 1>works dot com