WEBVTT - Episode 50 | "The Fighting Irish"

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<v Speaker 1>No worrying.

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<v Speaker 2>YEA thought they thought they was gonna hold Jesse down.

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<v Speaker 3>Gay two pocket is out, come on man, all the

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<v Speaker 3>other streets.

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<v Speaker 2>That was gonna hold Jesse down. That fifty was lying.

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<v Speaker 3>Y'all shook it on the second.

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<v Speaker 2>Cut in less and more than half last day.

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<v Speaker 3>Last time you ordered me past sub gay tupockets home

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<v Speaker 3>Justse going in on this po gay pop back.

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<v Speaker 2>Man. I would I would be lying. I would be

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<v Speaker 2>lying to see.

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<v Speaker 3>Pat is what they call him, that's what they called juicy.

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<v Speaker 2>Okay, listen man, Jesse he thought he was getting that

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<v Speaker 2>one fifty. He got up there, he said, I'm not suicidal.

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<v Speaker 2>He was scared that he didn't want to go behind

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<v Speaker 2>them walls.

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<v Speaker 3>Oh, I have a different theory with that. What theory

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<v Speaker 3>do you have that he was gonna kill himself? No? Yeah, no, yeah.

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<v Speaker 3>He wants to be a martyr, a martyr for what

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<v Speaker 3>for subway for his life. But that's not he wants

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<v Speaker 3>to be. He wants All he wanted was to be

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<v Speaker 3>this social justice war and be looked at this way

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<v Speaker 3>and it didn't work. So if he killed himself after

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<v Speaker 3>he was because you know, he's been writing this as

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<v Speaker 3>a screenplay in his head. He thinks everything is a

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<v Speaker 3>fucking movie.

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<v Speaker 2>He thinks that this is a this is He definitely

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<v Speaker 2>believes that this is a film that he's starring in.

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<v Speaker 3>Uh.

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<v Speaker 2>He definitely feels like this is something that he's written

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<v Speaker 2>in his head. He's like, Okay, this is how it's

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<v Speaker 2>supposed to go. He just didn't foresee jail time. No,

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<v Speaker 2>but he in factor that in.

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<v Speaker 3>He played this speech in his head though before he

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<v Speaker 3>went to court, like, yeah, I'm gonna make my movie scene.

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<v Speaker 3>This is gonna go down in the Civil Rights Museum

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<v Speaker 3>when I was saying I didn't kill myself, then he's

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<v Speaker 3>gonna go kill himself.

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<v Speaker 2>Yeah.

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<v Speaker 3>Even he's the worst screenplay writer of all time.

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<v Speaker 2>I don't know if. I don't know if he was

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<v Speaker 2>going to kill him.

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<v Speaker 3>So I think he was.

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<v Speaker 2>I just I think that Jesse, like most men, are

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<v Speaker 2>scared to go to jail.

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<v Speaker 3>I didn't think I'll tell you that.

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<v Speaker 2>I didn't think that he was prepared to do one

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<v Speaker 2>hundred and fifty days. I think that in his movie

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<v Speaker 2>that he was writing in his head that jail time.

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<v Speaker 2>He didn't write that into this.

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<v Speaker 3>What that third act of yeah Ucy in jail, He.

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<v Speaker 2>Didn't write that into that. Yeah, he didn't write that

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<v Speaker 2>into the script. So he was like, that was a

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<v Speaker 2>curve ball. He didn't know. So he stood up and said, listen,

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<v Speaker 2>if I die, I'm not suicidal.

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<v Speaker 3>But what if Juicy like ran the yard. What if

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<v Speaker 3>what if Juicy was snatching your noodles and noodles?

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<v Speaker 2>Listen, man, it's just listen. We we went through that

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<v Speaker 2>whole time. We know what Jesse was trying to do.

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<v Speaker 2>He was trying to, you know, have his face at

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<v Speaker 2>the forefront and during the pandemic, during the whole Black

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<v Speaker 2>Lives Matter movement. You know, he was trying to find

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<v Speaker 2>a way to just you know, attach himself to the

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<v Speaker 2>whole movement and and you know, just be one of

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<v Speaker 2>those faces where he now became, you know, super famous.

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<v Speaker 2>He had some some fame with the show with Empire.

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<v Speaker 3>Well, his his dad recorded music in prison. I don't

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<v Speaker 3>see why he didn't think of that. Yeah, but Lucious

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<v Speaker 3>Lyon went crazy when he was in jail in the

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<v Speaker 3>second season.

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<v Speaker 2>Yeah, but he didn't. But in Jesse's film that he

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<v Speaker 2>was writing, it didn't. It didn't. It didn't end in jail.

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<v Speaker 3>Do you remember Lucius Lyon in prison?

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<v Speaker 2>On Empire.

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<v Speaker 3>I don't remember the exact scene, but for them to like,

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<v Speaker 3>you know, he was back in his element because he

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<v Speaker 3>was from the streets and he was like back in jail,

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<v Speaker 3>and he starts like, yo, I think I could write

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<v Speaker 3>music again because like I'm back.

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<v Speaker 2>So he basically turned back into hustling flow.

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<v Speaker 1>They it was like an offset of hustler.

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<v Speaker 3>They fucking like I think they like murdered a guard

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<v Speaker 3>and then like locked a door and a brand new

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<v Speaker 3>recording studio appeared. And one of the inmates that killed

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<v Speaker 3>the guard just happened to be a great engineer, of course.

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<v Speaker 2>Engineer.

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<v Speaker 3>And then Lucius Lyon goes in there and one takes

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<v Speaker 3>the greatest verse I've ever heard off the dome. So

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<v Speaker 3>what is what is Juicy thinking he could do his

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<v Speaker 3>show album over the phone? Jesse was not.

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<v Speaker 2>He was not trying to go on the behind the walls.

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<v Speaker 2>He did. He did it six days.

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<v Speaker 3>I just saw he did his six day Yeah, in

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<v Speaker 3>my six days.

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<v Speaker 2>I just saw a picture of him. He got on

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<v Speaker 2>all black. You know what I'm saying, Like, listen, man,

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<v Speaker 2>I don't know, man, It's just the things that people

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<v Speaker 2>do for you know, cloud and fame these days. Doesn't

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<v Speaker 2>surprise me. I just think it's funny that, you know,

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<v Speaker 2>Jesse gave that speech about not killing himself, he's not suicidal,

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<v Speaker 2>and then six days later he walks out of jail

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<v Speaker 2>and he's appealing his.

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<v Speaker 3>I don't think he thought he would get bail on

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<v Speaker 3>his appeal. He was, I know, he was mapping out

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<v Speaker 3>the suicide. Then he was like, oh wait, hold on,

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<v Speaker 3>I could appeal this.

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<v Speaker 2>Maybe you know how crazy that would have been, like

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<v Speaker 2>if he went ahead with the suicide and he was

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<v Speaker 2>like he was gonna let him out in like.

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<v Speaker 4>Six days, they go to They go to him cell

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<v Speaker 4>to be like, yo, yo, juice, he hanging there.

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<v Speaker 2>Release the juice. The juice is loose.

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<v Speaker 3>Oh it's funny joke about people hanging themselves in prison.

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<v Speaker 1>On my third freezing.

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<v Speaker 2>Oh man, listen, man, Jesse's I hope you learned your lesson.

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<v Speaker 2>No more of them funny weird movies that you write

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<v Speaker 2>in your head that nobody cares about.

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<v Speaker 1>I actually really care about the movie.

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<v Speaker 2>I don't. I'm not gonna lie to you again.

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<v Speaker 3>I want the movie of his version. But you know

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<v Speaker 3>why I don't want the real because I don't want

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<v Speaker 3>the real netflix dock. I want what he wrote in

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<v Speaker 3>his head of what he thought was gonna happen.

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<v Speaker 2>I mean, but this is why I was sucked up,

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<v Speaker 2>because when it first happened and I yelled bullshit on it,

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<v Speaker 2>people killed me. I remember.

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<v Speaker 3>I remember that.

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<v Speaker 2>I don't know what I'm talking about, and this that

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<v Speaker 2>and the third and they called me all.

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<v Speaker 3>Kind of names, and I remember it all.

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<v Speaker 2>But it's just like, come on, dog, like if we

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<v Speaker 2>let's say, this is a movie that Jesse obviously has written,

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<v Speaker 2>and he had it all mapped out.

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<v Speaker 3>It was a bad movie, I don't think. No, No,

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<v Speaker 3>it was a great movie with terrible writing.

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<v Speaker 2>We sub made it home. You can't get your ass

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<v Speaker 2>by two big Nigerian men.

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<v Speaker 3>No they weren't. They were white racist.

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<v Speaker 2>Oh yeah at the time, white racist. What white racist

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<v Speaker 2>man is gonna leave behind a meat balls up?

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<v Speaker 3>Well, they got beat up by Justse. In the story

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<v Speaker 3>he got on stage, he said, and I fucked them

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<v Speaker 3>on and beat them up. I'm the gate Tubac.

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<v Speaker 2>He would That's what I'm saying.

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<v Speaker 3>The story he said it, I didn't say.

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<v Speaker 2>He said he got beat up. He went home with

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<v Speaker 2>a noose around his neck. Ye bleach poured on him.

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<v Speaker 2>There was no bleach on the meatballs up, Like, how

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<v Speaker 2>do you get your ass with a bottle of bleach?

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<v Speaker 2>And the sandwich is fine?

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<v Speaker 5>He was hungry, mall every time we talk about this,

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<v Speaker 5>because we talked about it often, that that meat boss

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<v Speaker 5>up really stumps you, Like, that's the key themarriage.

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<v Speaker 2>If I go out the two guys, I'll get into

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<v Speaker 2>a fight with two guys coming out of fucking uh

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<v Speaker 2>what restaurants are out here?

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<v Speaker 1>Your vegan bake, egg and cheese is making up.

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<v Speaker 2>The salad ain't making it home. If niggas hit me

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<v Speaker 2>with bleach.

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<v Speaker 3>It'll be It'll be romaine littering the streets.

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<v Speaker 2>It will be kale all over the fucking blake? Are

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<v Speaker 2>you kidding me? If I the Marias, If I said, hey,

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<v Speaker 2>look these two dudes I just got into it, they

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<v Speaker 2>would they nigga. They put a noose around my neck,

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<v Speaker 2>hit me with bleach, all kind of shit, and I

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<v Speaker 2>come down here and I was like, yeah, I went

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<v Speaker 2>to get a salad and I sit down and open

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<v Speaker 2>the salad. Salads told me.

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<v Speaker 3>You're not gonna look at me, like, but wait, you

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<v Speaker 3>just got jumped, And the salad made it out.

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<v Speaker 2>Okay.

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<v Speaker 3>In his defense, you have you seen the subway bags.

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<v Speaker 3>You could literally suffocate and murder somebody with the subway sandwich.

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<v Speaker 2>Yeah, but the handles are flimsy. They are the handles.

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<v Speaker 3>Down.

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<v Speaker 2>That's what I'm saying. Meatballs would have been everywhere like

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<v Speaker 2>That's why that that to me. Had the meatball sub

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<v Speaker 2>been like splattered all over the concrete, then I would

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<v Speaker 2>have maybe said, damn, they fucked.

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<v Speaker 3>Jesse was out there thumping, but it made it.

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<v Speaker 2>The sandwich made it home. Was out there thumping, but

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<v Speaker 2>that's where he sucked up at. He didn't cross that

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<v Speaker 2>t and dot that I he was supposed to step

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<v Speaker 2>all over the meatball sub and leave it on the

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<v Speaker 2>concrete for evidence, and we would have believed this story

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<v Speaker 2>ever since that sandwich made the home. Watch. So this

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<v Speaker 2>is bullshit.

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<v Speaker 1>Long story short, he out.

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<v Speaker 3>I think I'm gonna add someone to our Bengo Carden.

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<v Speaker 1>Definitely Jesse.

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<v Speaker 2>No, the meatball sup?

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<v Speaker 3>Besides me?

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<v Speaker 2>Ball Sup?

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<v Speaker 3>You know when Tupac got his appeal but didn't have

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<v Speaker 3>enough money to bail himself out, so he was still

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<v Speaker 3>chilling at Clinton and then Sugar came to Clinton and

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<v Speaker 3>was like, yeah, I'll pay the bill you just like

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<v Speaker 3>I want Whack one hundred to play that role for

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<v Speaker 3>just for just in County. Be like, YO got your

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<v Speaker 3>appeal and I got your bill. But we got to

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<v Speaker 3>squabble first.

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<v Speaker 2>We gotta get down. We gotta get for me to

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<v Speaker 2>bail you.

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<v Speaker 3>We gotta get out.

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<v Speaker 2>You know, Whack want to get out with Jesse.

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<v Speaker 3>Get It's still never not funny to me. I'm sorry

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<v Speaker 3>we keep saying it.

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<v Speaker 2>Whack wanted to get out with everybody in the industry.

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<v Speaker 2>I think everybody in the industry gotta fight Whack at

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<v Speaker 2>once at some point because he just want to get out.

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<v Speaker 3>That's how you get jumped into the music industry.

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<v Speaker 2>You gotta get down with Whack.

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<v Speaker 3>You need your thirty seconds with Whack.

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<v Speaker 2>That's the fact. Whack gotta get his thirty I saw

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<v Speaker 2>something online. I think it was fake though.

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<v Speaker 5>Well, Wax said, Takashi sixty nine is dirt poor. He

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<v Speaker 5>had to give him twenty dollars for gas the other day.

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<v Speaker 3>Those two are oh six six nine cutting Whack. I'm

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<v Speaker 3>those guys are good at the internet.

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<v Speaker 2>Man. Whack said he had to live first of all.

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<v Speaker 3>Twenty dollars don't get you shipp with gas.

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<v Speaker 2>You know how much gas doesn't want see so much gases?

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<v Speaker 2>Right now?

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<v Speaker 3>He got.

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<v Speaker 2>What's wrong with whack man?

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<v Speaker 3>Did he send it through Western Union? I'm certain here

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<v Speaker 3>look at us have a call back.

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<v Speaker 2>Yeah, but Jesse's free. Ah, so I don't know if

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<v Speaker 2>we give him around of a bullse for that. You

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<v Speaker 2>just clap, you just clap. Worry.

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<v Speaker 3>Yeah, I'm happy for sorry for Jesse, clapp for Jesse

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<v Speaker 3>Jesse's home. Can I ask, as a white person, what

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<v Speaker 3>are you allowed to use the black power fist as

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<v Speaker 3>a white not as a white man, as a black man.

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<v Speaker 3>I just feel like you're kind of selling the representation

0:09:31.559 --> 0:09:36.800
<v Speaker 3>of how iconic and how powerful that image represents, Yes,

0:09:36.920 --> 0:09:41.640
<v Speaker 3>of everything that it is. I just feel like just

0:09:42.800 --> 0:09:43.839
<v Speaker 3>coming out just throwing it.

0:09:43.840 --> 0:09:49.200
<v Speaker 2>Up Jesse, Jesse Listenesse and inventing Anna as the same

0:09:49.559 --> 0:09:53.120
<v Speaker 2>person at this point, Oh for sure. And I don't

0:09:53.160 --> 0:09:55.959
<v Speaker 2>see I don't see Anna raising the blackfist or the

0:09:56.000 --> 0:09:57.720
<v Speaker 2>white the white pale knuckle.

0:09:58.520 --> 0:10:03.240
<v Speaker 3>She was German, maybe a swast, I don't know, yo, yo,

0:10:03.800 --> 0:10:08.440
<v Speaker 3>happy are the equivalent? But it was a group of

0:10:08.440 --> 0:10:11.080
<v Speaker 3>people that got together and did some ship.

0:10:11.160 --> 0:10:11.959
<v Speaker 2>They did some things.

0:10:12.640 --> 0:10:15.200
<v Speaker 1>That's your favorite Europeans saying that not us.

0:10:14.960 --> 0:10:17.280
<v Speaker 3>But uh just not everyone's favorite Europeans.

0:10:18.200 --> 0:10:21.280
<v Speaker 2>That's just thinking about you being the favorite European. Jesse

0:10:21.559 --> 0:10:25.160
<v Speaker 2>is no longer allowed to raise the blackfist. I think

0:10:25.200 --> 0:10:29.160
<v Speaker 2>he can raise uh the black book and put lies

0:10:29.200 --> 0:10:31.199
<v Speaker 2>on the front of it. I don't think he can

0:10:31.200 --> 0:10:33.720
<v Speaker 2>have a book of lies. I think he can. He

0:10:33.760 --> 0:10:35.959
<v Speaker 2>can probably get a deal with Subway at some point.

0:10:36.160 --> 0:10:37.800
<v Speaker 2>Maybe they can kind of tie something in there.

0:10:38.160 --> 0:10:41.480
<v Speaker 3>They're not really batting a thousand with spokes.

0:10:41.480 --> 0:10:42.880
<v Speaker 2>People right on.

0:10:43.400 --> 0:10:45.120
<v Speaker 1>I can't for them.

0:10:45.400 --> 0:10:46.280
<v Speaker 2>This is what I'm trying to tell you.

0:10:46.320 --> 0:10:48.600
<v Speaker 3>This is just Jesse.

0:10:48.840 --> 0:10:52.199
<v Speaker 2>Yeah, this is Jared Walk So Jesse could fly. That's

0:10:52.200 --> 0:10:53.520
<v Speaker 2>what you're not seeing Jared.

0:10:53.600 --> 0:10:54.760
<v Speaker 3>Jared did some nasty assa.

0:10:55.480 --> 0:10:57.600
<v Speaker 2>Absolutely, that's what I'm saying. But this is right on

0:10:57.600 --> 0:10:58.280
<v Speaker 2>brain somewhere.

0:10:58.280 --> 0:10:59.160
<v Speaker 3>Did they kill him in prison?

0:10:59.200 --> 0:10:59.400
<v Speaker 2>Yet?

0:10:59.640 --> 0:11:00.400
<v Speaker 3>They must happened.

0:11:00.640 --> 0:11:03.120
<v Speaker 2>So no, I don't think Jared was killed.

0:11:03.160 --> 0:11:06.079
<v Speaker 5>I don't think he died as jeans he used to

0:11:06.160 --> 0:11:07.760
<v Speaker 5>have them. Jeans was big as fuck.

0:11:07.920 --> 0:11:09.600
<v Speaker 2>First of all. And if you're telling me that anybody

0:11:09.640 --> 0:11:13.040
<v Speaker 2>lost that much weight by eating Subway sandwiches, like come on, man,

0:11:13.520 --> 0:11:15.080
<v Speaker 2>Like see that's what I'm saying we don't pay attention

0:11:15.120 --> 0:11:17.160
<v Speaker 2>to the fine print, Like we just go along with

0:11:17.200 --> 0:11:18.920
<v Speaker 2>a lot of shit that people tell us and just

0:11:19.000 --> 0:11:19.640
<v Speaker 2>like believe it.

0:11:19.720 --> 0:11:27.800
<v Speaker 3>Who who's publicist has the worst hairline? The babies or Subway?

0:11:29.280 --> 0:11:30.480
<v Speaker 3>Who is stressed more.

0:11:31.480 --> 0:11:32.480
<v Speaker 2>The baby's publishers.

0:11:33.000 --> 0:11:34.880
<v Speaker 3>I think it's higher volume with the baby. I think

0:11:34.960 --> 0:11:37.280
<v Speaker 3>the things that happened with Subway though, you.

0:11:37.440 --> 0:11:39.400
<v Speaker 2>Know those are like those but those are two like

0:11:39.520 --> 0:11:41.959
<v Speaker 2>Bam bad. If I was in that baby band, it's

0:11:42.000 --> 0:11:44.080
<v Speaker 2>like day after day after day after day after Like

0:11:44.120 --> 0:11:46.160
<v Speaker 2>it's just it's very consistent with the baby.

0:11:46.240 --> 0:11:50.839
<v Speaker 3>Can you imagine working in the PR department but Jared

0:11:50.840 --> 0:11:58.000
<v Speaker 3>did what I quit? Yeahs And then you know, you

0:11:58.040 --> 0:12:00.160
<v Speaker 3>know there was the one like assisting or intern that

0:12:00.240 --> 0:12:02.000
<v Speaker 3>like stuck it out. They were the company man through

0:12:02.000 --> 0:12:04.360
<v Speaker 3>the Jared thing and they just went up the corporate lader,

0:12:04.360 --> 0:12:07.440
<v Speaker 3>probably the head of PR. Now mm hmmm. I'm sorry

0:12:07.440 --> 0:12:11.160
<v Speaker 3>that the guy from Empire to what meat boss? Why

0:12:11.160 --> 0:12:12.040
<v Speaker 3>are we included in this?

0:12:12.280 --> 0:12:15.240
<v Speaker 2>We do not sponsor him, listen man, but you know,

0:12:15.320 --> 0:12:19.359
<v Speaker 2>all jokes aside. I am. I hope that Jesse is okay.

0:12:19.160 --> 0:12:22.080
<v Speaker 5>And receiving the mental health that mental health help that

0:12:22.120 --> 0:12:23.120
<v Speaker 5>he needs the mental.

0:12:23.400 --> 0:12:26.600
<v Speaker 2>Health help that he needs. But please, Jesse, no more

0:12:26.679 --> 0:12:29.040
<v Speaker 2>these weird fucking movies that you're writing in.

0:12:29.080 --> 0:12:29.360
<v Speaker 5>No more.

0:12:29.640 --> 0:12:31.480
<v Speaker 2>Please, Yeah, we don't, we don't need no more this state.

0:12:31.679 --> 0:12:34.599
<v Speaker 2>They let your ass go. This was the warning This

0:12:34.720 --> 0:12:37.160
<v Speaker 2>was the warning shot. They let you go. You only

0:12:37.200 --> 0:12:39.800
<v Speaker 2>just six days. You're probably gonna win your uphill. You're

0:12:39.800 --> 0:12:41.720
<v Speaker 2>not gonna have to do those one hundred and forty

0:12:41.720 --> 0:12:42.400
<v Speaker 2>four other days.

0:12:42.440 --> 0:12:46.040
<v Speaker 3>So or or kill you ass down, or kill yourself

0:12:46.080 --> 0:12:48.440
<v Speaker 3>for act for the movie that wro like. We could

0:12:48.840 --> 0:12:49.600
<v Speaker 3>change it a little.

0:12:49.360 --> 0:12:51.040
<v Speaker 2>Bit, just go shit down. Do you think this affects

0:12:51.360 --> 0:12:54.000
<v Speaker 2>Jesse's career in uh, in film and TV?

0:12:54.800 --> 0:12:54.880
<v Speaker 1>Not?

0:12:55.240 --> 0:12:58.400
<v Speaker 3>I think I think TV. I think he does his

0:12:58.440 --> 0:13:00.000
<v Speaker 3>own ship and we're all gonna watch it.

0:13:00.880 --> 0:13:05.440
<v Speaker 1>Okay, Well, is this why Lovecraft Country got canceled? I'm

0:13:05.440 --> 0:13:06.080
<v Speaker 1>blaming him?

0:13:06.840 --> 0:13:08.079
<v Speaker 3>What did he have to do with that?

0:13:08.520 --> 0:13:10.240
<v Speaker 1>His sister well almost was going down.

0:13:10.320 --> 0:13:11.920
<v Speaker 3>Isn't his whole family and that ship you were.

0:13:11.800 --> 0:13:14.880
<v Speaker 5>Saying, Well, yeah, his whole family is like in the industry,

0:13:14.880 --> 0:13:16.440
<v Speaker 5>but his sister was Lovecraft Country.

0:13:16.440 --> 0:13:18.440
<v Speaker 1>It got one Emmys and got canceled. I think it's

0:13:18.480 --> 0:13:19.080
<v Speaker 1>because of him.

0:13:19.280 --> 0:13:22.240
<v Speaker 3>Listen, it might be Okay, that's I asked you about

0:13:22.480 --> 0:13:25.960
<v Speaker 3>the black power fist. If that's being overused with Jesse

0:13:26.040 --> 0:13:28.960
<v Speaker 3>in that situation, this point I can speak on. You

0:13:28.960 --> 0:13:31.440
<v Speaker 3>can't over use the crying grandmother in court. That's for

0:13:31.480 --> 0:13:35.040
<v Speaker 3>specific reasons for innocent people. Yeah, don't give me the

0:13:35.080 --> 0:13:36.760
<v Speaker 3>crying grandmother for this situation.

0:13:36.840 --> 0:13:38.680
<v Speaker 2>Yeah, because what jury is really going to look at

0:13:38.720 --> 0:13:41.360
<v Speaker 2>a crying grandmother and not feel some type of empathy.

0:13:41.640 --> 0:13:43.840
<v Speaker 3>Though I think the crying grandmother did call him a

0:13:43.880 --> 0:13:47.600
<v Speaker 3>social justice uh warrior leader was it was? It was

0:13:47.640 --> 0:13:51.920
<v Speaker 3>some Jesse Schmola is a social like like the theanos

0:13:52.080 --> 0:13:55.679
<v Speaker 3>of social justice. She was saying, she she used an

0:13:55.679 --> 0:13:57.240
<v Speaker 3>insane word. She I don't even think she said that.

0:13:57.280 --> 0:13:59.920
<v Speaker 2>It goes back to what I said about grandmother's not

0:14:00.120 --> 0:14:02.400
<v Speaker 2>knowing that mehole is a fucking demon out here in

0:14:02.480 --> 0:14:03.400
<v Speaker 2>the streets.

0:14:03.440 --> 0:14:06.640
<v Speaker 4>Calling the grandma's he's not here doesn't mean you get

0:14:06.640 --> 0:14:07.760
<v Speaker 4>your shit off, No, But that's.

0:14:07.600 --> 0:14:10.200
<v Speaker 2>What the grandma's call that grand home. They don't know

0:14:10.200 --> 0:14:12.880
<v Speaker 2>that me hole is out here shooting up the basketball tournament.

0:14:13.120 --> 0:14:16.559
<v Speaker 2>They don't know that he's shooting up the cookout. Jesse's

0:14:16.559 --> 0:14:18.920
<v Speaker 2>grandmother didn't know her baby was out here lying about

0:14:19.280 --> 0:14:21.280
<v Speaker 2>white men whipping his ass or a bottle of bleach

0:14:21.280 --> 0:14:22.560
<v Speaker 2>and tying a noose around his neck.

0:14:22.680 --> 0:14:24.480
<v Speaker 1>See, grandma was fat back in the days, so she

0:14:24.520 --> 0:14:25.440
<v Speaker 1>probably believed it.

0:14:25.640 --> 0:14:27.640
<v Speaker 2>Yeah, that's what I'm saying. So the grandmother. Yes, we

0:14:27.720 --> 0:14:30.680
<v Speaker 2>have empathy, and we love grandma's. It's hard not to

0:14:30.720 --> 0:14:34.200
<v Speaker 2>love grandma's. But you gotta know when the grandma is

0:14:34.240 --> 0:14:36.280
<v Speaker 2>just oblivious to the grandson's bullshit.

0:14:37.320 --> 0:14:39.760
<v Speaker 3>But okay, but also let's reverse this and we can

0:14:39.800 --> 0:14:43.800
<v Speaker 3>get off chesse. This is a good topic. When does

0:14:43.840 --> 0:14:46.880
<v Speaker 3>the grandmother's history get erased just because she becomes a grandmother.

0:14:48.200 --> 0:14:49.960
<v Speaker 2>Yeah, because grandma was a whole at one point too.

0:14:50.560 --> 0:14:52.600
<v Speaker 3>There's some nasty ass grandma's out there that we look

0:14:52.640 --> 0:14:55.400
<v Speaker 3>at just because their grandmothers that they must be holsome.

0:14:55.240 --> 0:14:57.920
<v Speaker 2>Oh absolutely, I know a few grandma's now that are grandma's.

0:14:57.920 --> 0:14:59.960
<v Speaker 2>And I'm like, yo, she used to be a like frigs.

0:15:00.320 --> 0:15:02.600
<v Speaker 3>I was watching he might be Jesse, but she might

0:15:02.640 --> 0:15:03.480
<v Speaker 3>be a hussy. Yeah.

0:15:03.520 --> 0:15:08.360
<v Speaker 2>Absolutely. I was watching Wu Tang's ice cream video and

0:15:08.440 --> 0:15:11.040
<v Speaker 2>I thought to myself, I said, now, miss butter Peacan

0:15:11.160 --> 0:15:11.720
<v Speaker 2>right there.

0:15:11.560 --> 0:15:15.640
<v Speaker 3>Beautiful, beautiful, my favorite video girls of all time.

0:15:15.720 --> 0:15:18.000
<v Speaker 2>I'm willing to bet that she's a grandmother right now.

0:15:19.200 --> 0:15:21.040
<v Speaker 3>Well, we don't know what she did. Maybe she just

0:15:21.120 --> 0:15:22.560
<v Speaker 3>enjoyed the song and likes method man.

0:15:22.720 --> 0:15:27.320
<v Speaker 2>No, but yes, probably, But this was thirty something years ago.

0:15:28.200 --> 0:15:31.280
<v Speaker 2>I'm willing to bet she had a kid, and by

0:15:31.400 --> 0:15:32.800
<v Speaker 2>now her kid had a kid, well, she.

0:15:32.800 --> 0:15:34.640
<v Speaker 1>Would be around forty nine fifty now.

0:15:34.840 --> 0:15:37.000
<v Speaker 3>Wellhit is just different now because when we were growing up,

0:15:37.000 --> 0:15:39.640
<v Speaker 3>most people's grandmothers were like older and we only know

0:15:39.720 --> 0:15:41.640
<v Speaker 3>them as older. Now I could find a thirty six

0:15:41.680 --> 0:15:42.320
<v Speaker 3>year old grandmother.

0:15:42.440 --> 0:15:44.560
<v Speaker 1>Bernice is right there on your for you, Paige.

0:15:45.160 --> 0:15:46.520
<v Speaker 3>Yeah, the grandmothers have changed.

0:15:46.560 --> 0:15:51.560
<v Speaker 2>Bernice could have easily been Chocolate Caramel Sunday in the

0:15:51.600 --> 0:15:52.280
<v Speaker 2>ice cream video.

0:15:52.400 --> 0:15:55.280
<v Speaker 3>She's let him plenty that I've loved. Yeah, she's a grandmother.

0:15:56.840 --> 0:15:58.800
<v Speaker 3>I don't I mean, I don't know anything about Bernice's past.

0:15:59.360 --> 0:15:59.960
<v Speaker 2>No, I don't either.

0:16:00.000 --> 0:16:01.680
<v Speaker 3>I'm just saying, but I just don't think her. I'm

0:16:01.720 --> 0:16:03.320
<v Speaker 3>just I just don't think her and Eileen's I g

0:16:03.440 --> 0:16:07.600
<v Speaker 3>pages would look the same. And who Eileen my grandmother?

0:16:08.720 --> 0:16:13.920
<v Speaker 2>I was lost? Who is hey, hey grandma.

0:16:13.400 --> 0:16:14.280
<v Speaker 3>She just passed.

0:16:16.560 --> 0:16:19.200
<v Speaker 2>Yeah, I didn't know your grandmother.

0:16:19.800 --> 0:16:21.960
<v Speaker 3>We were all like on a call and I was like, hey,

0:16:22.000 --> 0:16:24.640
<v Speaker 3>guys have to leave town to bury my grandmother.

0:16:25.160 --> 0:16:26.360
<v Speaker 2>I don't remember that. I'm sorry.

0:16:26.520 --> 0:16:27.000
<v Speaker 3>Totally fun.

0:16:27.200 --> 0:16:28.000
<v Speaker 2>How long ago was this?

0:16:28.600 --> 0:16:31.360
<v Speaker 3>Uh April of last year, so coming up on a year.

0:16:31.920 --> 0:16:33.920
<v Speaker 2>Okay, yeah, yes, I do remember that.

0:16:34.040 --> 0:16:34.720
<v Speaker 3>It's totally fun.

0:16:36.160 --> 0:16:37.800
<v Speaker 2>Just like a couple of weeks ago about to say

0:16:37.800 --> 0:16:38.840
<v Speaker 2>you why you didn't.

0:16:38.640 --> 0:16:39.720
<v Speaker 3>I only joke through pain.

0:16:40.720 --> 0:16:42.520
<v Speaker 2>Let's make jo the piece to Grandma Eileen.

0:16:42.920 --> 0:16:44.760
<v Speaker 3>I don't know. Eleen could have been in the North

0:16:44.800 --> 0:16:46.360
<v Speaker 3>streets going nuts. I don't know.

0:16:47.000 --> 0:16:50.040
<v Speaker 2>Leen was probably hot in her day. She probably in

0:16:50.080 --> 0:16:52.040
<v Speaker 2>the sixties was the one.

0:16:52.240 --> 0:16:55.720
<v Speaker 3>So actually, no, no, no, I've seen I've seen photos

0:16:55.720 --> 0:16:58.720
<v Speaker 3>of my grandmother. My grandmother was fucking bad.

0:16:59.280 --> 0:17:01.480
<v Speaker 2>She was you. I've seen younger pictures of my mom.

0:17:01.520 --> 0:17:04.800
<v Speaker 2>I'm like, I know we used when Marvin Gaye came

0:17:04.840 --> 0:17:05.160
<v Speaker 2>to town.

0:17:05.960 --> 0:17:08.680
<v Speaker 3>I feel like I've already told my mother story on here.

0:17:08.720 --> 0:17:12.720
<v Speaker 3>But my grandmother sometimes you just have to find little

0:17:12.760 --> 0:17:15.320
<v Speaker 3>tiny details and kind of make your own story or

0:17:15.320 --> 0:17:18.280
<v Speaker 3>assumptions when grandmother's are saying things because they'll make it

0:17:18.280 --> 0:17:20.040
<v Speaker 3>sound so beautiful. But she's told me the story of

0:17:20.040 --> 0:17:22.479
<v Speaker 3>how her and my grandfather met. She was on her

0:17:22.480 --> 0:17:26.119
<v Speaker 3>way to a church dance and met him and then

0:17:26.160 --> 0:17:26.840
<v Speaker 3>they fell in love.

0:17:27.080 --> 0:17:31.040
<v Speaker 2>Dance. That sounds so wholesome church dance, but y'all was

0:17:31.080 --> 0:17:33.040
<v Speaker 2>on your way to the underground spot. That was no

0:17:33.160 --> 0:17:33.720
<v Speaker 2>church dance.

0:17:34.280 --> 0:17:36.800
<v Speaker 3>She had Alzheimer's, so she would always retell stories.

0:17:36.800 --> 0:17:37.320
<v Speaker 2>But I loved it.

0:17:38.200 --> 0:17:41.120
<v Speaker 3>That was the best sounds insane, the best part of Alzheimers.

0:17:41.119 --> 0:17:42.320
<v Speaker 3>She would forget. She would tell me stories and I

0:17:42.320 --> 0:17:44.200
<v Speaker 3>would love to hear the story. You could add litle

0:17:44.520 --> 0:17:46.440
<v Speaker 3>and no, and she would just add in little details

0:17:46.440 --> 0:17:47.720
<v Speaker 3>that she left out before.

0:17:49.400 --> 0:17:51.440
<v Speaker 2>You're like, oh, that's the first time I heard that part.

0:17:51.840 --> 0:17:54.120
<v Speaker 3>She added in right before death that she was going

0:17:54.119 --> 0:18:00.239
<v Speaker 3>to that dance with another guy. Oh so you might

0:18:00.240 --> 0:18:04.119
<v Speaker 3>have thrown the map down crazy at the dance and

0:18:04.240 --> 0:18:05.800
<v Speaker 3>she was like, let me leave this boat, Zoe and

0:18:05.840 --> 0:18:06.920
<v Speaker 3>go get with Jeane over here.

0:18:08.040 --> 0:18:10.159
<v Speaker 1>The fact that my father and my grandfather's name is

0:18:10.240 --> 0:18:12.040
<v Speaker 1>Jane just reiterates that.

0:18:12.000 --> 0:18:13.360
<v Speaker 2>They don't make Eugens no more.

0:18:13.720 --> 0:18:14.120
<v Speaker 3>They don't.

0:18:14.280 --> 0:18:17.240
<v Speaker 2>The last time girl had a kid, boys, he's a Eugene.

0:18:17.359 --> 0:18:19.119
<v Speaker 3>Only West Indians still still do Eugene.

0:18:19.119 --> 0:18:20.360
<v Speaker 2>Oh yeah, Eugene's and Trevors.

0:18:20.359 --> 0:18:22.040
<v Speaker 3>West Indians love, they love, they love a Trevor.

0:18:22.119 --> 0:18:24.240
<v Speaker 2>Yeah, they love a Trevor. Trevor's never going out. That's

0:18:24.240 --> 0:18:26.280
<v Speaker 2>gonna be Trevor's for the next eight hundred years.

0:18:26.359 --> 0:18:28.320
<v Speaker 3>And adding Anne to the second part of the name

0:18:28.440 --> 0:18:30.800
<v Speaker 3>only West Indians. I hear it that forever? But now,

0:18:31.000 --> 0:18:31.520
<v Speaker 3>oh what?

0:18:32.119 --> 0:18:32.640
<v Speaker 1>And is deaf?

0:18:32.720 --> 0:18:36.280
<v Speaker 3>Carry and Kelly the as go crazy?

0:18:36.880 --> 0:18:39.159
<v Speaker 2>But yes, rest in peace to Grandma Isileen h And

0:18:39.200 --> 0:18:41.480
<v Speaker 2>also happy Saint Patrick's day, man, thank you. There was

0:18:41.480 --> 0:18:44.040
<v Speaker 2>a lot of traffic coming in early today. I didn't

0:18:44.040 --> 0:18:45.560
<v Speaker 2>know what was going on, and I looked out the windows.

0:18:45.560 --> 0:18:50.160
<v Speaker 2>Saw forty rories walking off the block. Shut up forty

0:18:50.800 --> 0:18:53.840
<v Speaker 2>saw forty. I said, okay, this is this is Saint

0:18:53.880 --> 0:18:54.440
<v Speaker 2>Patty's Day?

0:18:54.560 --> 0:18:56.359
<v Speaker 3>Or are you better come with my fighting Irish?

0:18:56.600 --> 0:18:59.640
<v Speaker 2>Oh you know he got the fighting Irish prod ain't.

0:18:59.400 --> 0:18:59.920
<v Speaker 3>Go crazy with it?

0:19:00.160 --> 0:19:01.159
<v Speaker 2>Are you are you? Are you?

0:19:01.200 --> 0:19:02.959
<v Speaker 3>Are? You? Are you even realize I was wearing this.

0:19:05.040 --> 0:19:06.000
<v Speaker 2>I didn't even know that.

0:19:06.800 --> 0:19:09.560
<v Speaker 5>None else he got at Patrick.

0:19:09.600 --> 0:19:12.320
<v Speaker 3>They ain't got a Master's a sick as yellow combination.

0:19:13.640 --> 0:19:15.160
<v Speaker 1>That thing got every shade of drink.

0:19:16.320 --> 0:19:19.160
<v Speaker 2>That's right, right, Rory, you fucking wrapped your pride, man.

0:19:19.240 --> 0:19:22.280
<v Speaker 3>I feel like I'm a hipster Irish hipster now though.

0:19:22.720 --> 0:19:25.320
<v Speaker 2>Irish hipster. That's interesting, kind of like Bill Walton back

0:19:25.359 --> 0:19:26.240
<v Speaker 2>in the seventies.

0:19:26.680 --> 0:19:31.320
<v Speaker 5>But go ahead, shout out to Peach happy. St Patrick's

0:19:31.359 --> 0:19:32.639
<v Speaker 5>Day YouTube page's Irish.

0:19:32.680 --> 0:19:37.240
<v Speaker 3>His last name is thorn Dough. I ain't no fucking Irish, but.

0:19:37.200 --> 0:19:39.879
<v Speaker 1>I said peg Irish. She said hell yeah. I said, okay,

0:19:40.720 --> 0:19:41.160
<v Speaker 1>you just need.

0:19:41.040 --> 0:19:43.200
<v Speaker 3>An excuse to drink okay, And this is why I'm

0:19:43.200 --> 0:19:44.920
<v Speaker 3>a hipster when it comes to Saint Patrick's Day now,

0:19:45.119 --> 0:19:49.440
<v Speaker 3>mm hmm. It's just like they've sullied the holiday, sullied

0:19:50.680 --> 0:19:52.080
<v Speaker 3>double one Tantra. Sully is Irish.

0:19:53.480 --> 0:19:54.480
<v Speaker 2>I'll see where you're going with it.

0:19:54.840 --> 0:19:59.080
<v Speaker 3>Listen, bars, someone keeps putting my mentions of this Irish rapper.

0:19:59.080 --> 0:20:01.280
<v Speaker 3>That was freestyle. I was said, now it's it's up

0:20:01.320 --> 0:20:03.639
<v Speaker 3>to me. I gotta battle them. So I'm already stealing

0:20:03.680 --> 0:20:05.879
<v Speaker 3>the Sully, the Sully double Chandra from him, so we

0:20:05.920 --> 0:20:08.359
<v Speaker 3>can't take it. I forgot his name. It's been in

0:20:08.400 --> 0:20:10.439
<v Speaker 3>my mentions for two days. I'm gonna finday when we

0:20:10.440 --> 0:20:13.480
<v Speaker 3>take a break and we can come back. Irish Rapper's

0:20:13.560 --> 0:20:18.159
<v Speaker 3>Millies Millies from Boston is he Irish? Probably, I would assume.

0:20:18.160 --> 0:20:20.119
<v Speaker 1>So most people from Boston are Irish and racist.

0:20:20.200 --> 0:20:24.479
<v Speaker 2>I fuck with millies though it comes with territory. But yeah, man,

0:20:24.520 --> 0:20:26.480
<v Speaker 2>happy Sat Patrew's Day.

0:20:26.600 --> 0:20:29.080
<v Speaker 5>Are you getting drunk tomorrow? Yo, It's gonna be nicest

0:20:29.440 --> 0:20:32.560
<v Speaker 5>fuck in New York tomorrow. We outside, not with you.

0:20:33.119 --> 0:20:34.480
<v Speaker 3>I kind of want to find this Irish.

0:20:34.240 --> 0:20:35.880
<v Speaker 1>Rapper separately we are outside.

0:20:36.400 --> 0:20:38.880
<v Speaker 3>But yeah, the holiday, now, well it always was there's

0:20:38.920 --> 0:20:40.960
<v Speaker 3>no real meaning to it, and I used to enjoy

0:20:40.960 --> 0:20:42.560
<v Speaker 3>it because it was actually a big day for my family.

0:20:42.640 --> 0:20:44.800
<v Speaker 3>We would do the parade on fifthdav like, we would

0:20:44.800 --> 0:20:47.280
<v Speaker 3>actually march in the parade, go to someone's house after

0:20:48.200 --> 0:20:49.880
<v Speaker 3>we have friends that on the bar in the hell's

0:20:49.960 --> 0:20:52.680
<v Speaker 3>kitchen on fucking forty eighth and tenth, like we would.

0:20:52.720 --> 0:20:54.840
<v Speaker 3>It would always be a good family ship where I

0:20:54.840 --> 0:20:57.639
<v Speaker 3>would see people I hadn't seen in the minute. You know,

0:20:57.760 --> 0:20:59.720
<v Speaker 3>people get older and that family shit doesn't happen as

0:20:59.760 --> 0:21:02.120
<v Speaker 3>often now. I just look at Saint Patrick's Day as, yeah,

0:21:02.119 --> 0:21:05.399
<v Speaker 3>this is just everyone has an excuse to wear green

0:21:05.640 --> 0:21:07.320
<v Speaker 3>and throw up in the street, all in the name

0:21:07.359 --> 0:21:11.000
<v Speaker 3>of my ancestors. It's like, no, there was more to us.

0:21:11.040 --> 0:21:12.119
<v Speaker 2>This is what they would have wanted.

0:21:12.400 --> 0:21:15.200
<v Speaker 3>I promised there was more to us. Matter of fact,

0:21:15.280 --> 0:21:18.160
<v Speaker 3>Saint Patrick's Day is the celebration of the patron Saint

0:21:18.320 --> 0:21:22.680
<v Speaker 3>of Ireland, which is Saint Patrick, who brought Catholicism to Ireland,

0:21:22.760 --> 0:21:26.520
<v Speaker 3>and there's symbolism of him chasing the snakes out of Ireland,

0:21:26.520 --> 0:21:28.960
<v Speaker 3>which is really the British and all that shit. Like

0:21:29.000 --> 0:21:31.159
<v Speaker 3>there's beauty, there's beauty to it. And it was like,

0:21:31.760 --> 0:21:33.520
<v Speaker 3>let me just chug this beer and throw up on

0:21:33.760 --> 0:21:36.040
<v Speaker 3>absolutely the next person I can see.

0:21:36.720 --> 0:21:39.200
<v Speaker 1>But who do you think started that tradition y'all? Did?

0:21:40.840 --> 0:21:42.080
<v Speaker 3>I mean, it's not like we were not going to

0:21:42.160 --> 0:21:43.400
<v Speaker 3>drink on a holiday.

0:21:43.720 --> 0:21:45.600
<v Speaker 1>Okay, but y'all drink. Y'all know how y'all drink.

0:21:45.640 --> 0:21:48.119
<v Speaker 3>I appreciate if people are celebrating Irish culture, but I

0:21:48.200 --> 0:21:50.639
<v Speaker 3>just don't think that's what it is. I'm very self

0:21:50.640 --> 0:21:53.320
<v Speaker 3>aware that people the.

0:21:53.280 --> 0:21:57.119
<v Speaker 2>African American Day Parade in Harlem, right, if everybody just

0:21:57.160 --> 0:22:00.800
<v Speaker 2>came out there and started fucking, you know, rocking, torking

0:22:00.840 --> 0:22:03.359
<v Speaker 2>and ship like, there's more to us than torking and

0:22:03.480 --> 0:22:06.840
<v Speaker 2>fucking rolling blunt people, Like ifverybody.

0:22:06.440 --> 0:22:09.800
<v Speaker 1>Started working Miley Cyrus did that first.

0:22:10.720 --> 0:22:13.600
<v Speaker 3>Like I just feel like I said that, not kill

0:22:13.640 --> 0:22:15.640
<v Speaker 3>her I just feel like if me and my family

0:22:16.800 --> 0:22:19.040
<v Speaker 3>put a float together and went on the Parkway on

0:22:19.160 --> 0:22:22.200
<v Speaker 3>Labor Day, it just I just wouldn't go overdo.

0:22:22.400 --> 0:22:25.240
<v Speaker 2>It has to be back to Day parade, has to

0:22:25.240 --> 0:22:28.000
<v Speaker 2>be a man like the parade has to be in

0:22:28.040 --> 0:22:28.520
<v Speaker 2>Harlem for.

0:22:28.440 --> 0:22:31.399
<v Speaker 3>The West India Day Parade, like, yeah, just it wouldn't

0:22:31.440 --> 0:22:31.880
<v Speaker 3>hit the same.

0:22:32.040 --> 0:22:35.760
<v Speaker 5>Yeah, you'll be at the West Indian Day Parade looking

0:22:35.800 --> 0:22:37.520
<v Speaker 5>for I don't bring my rive.

0:22:38.320 --> 0:22:39.760
<v Speaker 2>Rory put his bandann or you know how he do

0:22:39.880 --> 0:22:40.359
<v Speaker 2>he give it up?

0:22:40.359 --> 0:22:42.520
<v Speaker 1>That no waving that flag.

0:22:42.720 --> 0:22:46.439
<v Speaker 3>Yeah, I'm covering and paint from juvee the night before,

0:22:48.160 --> 0:22:48.720
<v Speaker 3>going nuts.

0:22:49.160 --> 0:22:50.960
<v Speaker 2>But that's what yo, That's a that's a good topic

0:22:50.960 --> 0:22:52.040
<v Speaker 2>we landed on, like because.

0:22:52.119 --> 0:22:53.400
<v Speaker 1>But I can't drink green beer.

0:22:53.880 --> 0:22:57.680
<v Speaker 2>Cultural differences, right, see for y'all to have the parade,

0:22:57.760 --> 0:23:00.560
<v Speaker 2>for y'all to have the same passage they parade, right,

0:23:00.720 --> 0:23:04.520
<v Speaker 2>do y'all have the same worries that us as all

0:23:04.560 --> 0:23:07.240
<v Speaker 2>Irish people are cops. I was about to.

0:23:07.160 --> 0:23:09.040
<v Speaker 3>Say, I feel like there's a lot of police that

0:23:09.080 --> 0:23:10.200
<v Speaker 3>they're just having a good time.

0:23:10.320 --> 0:23:13.480
<v Speaker 2>Like there's so much violence that is just around the

0:23:13.560 --> 0:23:15.680
<v Speaker 2>African American Day Parade in Harlem. And then the West

0:23:15.760 --> 0:23:16.439
<v Speaker 2>Indian parade.

0:23:16.520 --> 0:23:17.120
<v Speaker 1>Don't do that.

0:23:17.760 --> 0:23:20.320
<v Speaker 5>Don't do that, don't do what, because it's just as

0:23:20.359 --> 0:23:24.160
<v Speaker 5>much violence involved in all the Irish activities. Yes, yes,

0:23:24.280 --> 0:23:30.520
<v Speaker 5>autum bar fights them drunkens.

0:23:28.040 --> 0:23:34.240
<v Speaker 3>Okay, but they're drastically different scenarios. The violence that ensues

0:23:34.280 --> 0:23:38.159
<v Speaker 3>from the same Pastor's Day parade is because people are

0:23:38.200 --> 0:23:40.119
<v Speaker 3>getting drunken bars and they fight, and yes there's a

0:23:40.280 --> 0:23:43.920
<v Speaker 3>high level of that. Yeah, it takes place on Fifth

0:23:43.920 --> 0:23:49.880
<v Speaker 3>Avenue now, as Eastern Parkway is in a section gentrified

0:23:50.000 --> 0:23:53.120
<v Speaker 3>or not a terrifying fucking place to be. So when

0:23:53.160 --> 0:23:56.560
<v Speaker 3>you get violence from those when the parade happens, it

0:23:56.560 --> 0:24:00.000
<v Speaker 3>ain't because it's the parade. It's because there's probably neighborhoo

0:24:00.200 --> 0:24:01.920
<v Speaker 3>beef and we all just happen to see each other

0:24:02.080 --> 0:24:04.159
<v Speaker 3>because we're all on the Parkway today. It's not in

0:24:04.400 --> 0:24:06.800
<v Speaker 3>the name of the West Indian culture. It's just that

0:24:07.400 --> 0:24:09.320
<v Speaker 3>they do it in the neighborhood where most West Indians

0:24:09.359 --> 0:24:11.040
<v Speaker 3>are and they may have a personal issue with somebody.

0:24:11.160 --> 0:24:12.480
<v Speaker 3>It's not in the name of Trinidad.

0:24:13.640 --> 0:24:16.800
<v Speaker 2>But that's what I'm saying because when we like as younger,

0:24:16.880 --> 0:24:18.879
<v Speaker 2>when we would go to Juve and we would go,

0:24:19.320 --> 0:24:22.080
<v Speaker 2>you know, to the African American Day Parade in Harlem.

0:24:22.119 --> 0:24:24.280
<v Speaker 3>Congrats to both of us for surviving every juve that

0:24:24.320 --> 0:24:24.640
<v Speaker 3>we've been.

0:24:24.680 --> 0:24:26.600
<v Speaker 2>Yeah, because that this is just what I'm trying to say.

0:24:26.960 --> 0:24:29.560
<v Speaker 2>Do Irish people have something the night before the parade

0:24:29.640 --> 0:24:31.960
<v Speaker 2>that could be a little treacherous, a little dangerous.

0:24:31.600 --> 0:24:33.440
<v Speaker 3>That they're doing a little mischief.

0:24:33.119 --> 0:24:35.320
<v Speaker 2>Night, Yeah, like a little where you know, it could

0:24:35.359 --> 0:24:36.320
<v Speaker 2>get crazy out.

0:24:36.119 --> 0:24:43.160
<v Speaker 3>Here, probably more so before all Irish people started moving

0:24:43.160 --> 0:24:45.840
<v Speaker 3>to the suburbs, like when there was real I mean,

0:24:45.880 --> 0:24:49.080
<v Speaker 3>the Bronx still has a pretty good hold of Irish neighborhoods,

0:24:49.119 --> 0:24:53.360
<v Speaker 3>but there's there's not really Irish sections like there used

0:24:53.400 --> 0:24:55.679
<v Speaker 3>to be as far as like Hell's Kitchen, certain places

0:24:55.680 --> 0:24:59.720
<v Speaker 3>in Brooklyn, the Bronx heavy that's where it could happen

0:24:59.760 --> 0:25:03.600
<v Speaker 3>now as when you know, white people were afforded the

0:25:03.600 --> 0:25:06.239
<v Speaker 3>ability of the GI bill and able to get you know,

0:25:06.320 --> 0:25:09.280
<v Speaker 3>no no loan, no down payment homes on the suburbs,

0:25:09.480 --> 0:25:12.119
<v Speaker 3>whereas black people didn't get those. They all just separated

0:25:12.160 --> 0:25:14.960
<v Speaker 3>like there was no more culture like that. And I

0:25:14.960 --> 0:25:17.600
<v Speaker 3>feel like all of that happens again more on the

0:25:17.640 --> 0:25:20.120
<v Speaker 3>neighborhood side of Like, yeah, the night before we're getting

0:25:20.119 --> 0:25:21.840
<v Speaker 3>excited for the parade tomorrow. Let's all go outside.

0:25:21.840 --> 0:25:24.640
<v Speaker 2>Oh I don't like him, you know, because it enemy

0:25:24.800 --> 0:25:27.480
<v Speaker 2>If you've ever been to Juve, it was a known thing,

0:25:28.200 --> 0:25:31.320
<v Speaker 2>getting dressed and going like yo, be careful and go

0:25:31.400 --> 0:25:34.000
<v Speaker 2>down crazy tonight, Like you know, like it got to

0:25:34.040 --> 0:25:36.159
<v Speaker 2>a point where my mom didn't even allow me to

0:25:36.200 --> 0:25:38.000
<v Speaker 2>go anymore because it was like you every year you

0:25:38.040 --> 0:25:42.520
<v Speaker 2>heard somebody I shot, somebody got killed. I remember the

0:25:42.560 --> 0:25:44.480
<v Speaker 2>last time I went to the parade in Harlem, the

0:25:44.520 --> 0:25:47.960
<v Speaker 2>African American Day Parade. I think I think a girl

0:25:47.960 --> 0:25:50.520
<v Speaker 2>got a face cut. It was just like it just

0:25:50.520 --> 0:25:52.200
<v Speaker 2>got to a point where it was like, all right, man,

0:25:52.320 --> 0:25:54.520
<v Speaker 2>Like if every time I want to every summer, I

0:25:54.560 --> 0:25:57.960
<v Speaker 2>want to go to this parade, and it's like you

0:25:58.040 --> 0:26:01.000
<v Speaker 2>got to have this, you know, be careful and all

0:26:01.040 --> 0:26:02.959
<v Speaker 2>of that, it's like you don't even That's that feeling

0:26:03.040 --> 0:26:05.040
<v Speaker 2>is like I'm not going to that, Like I'm not

0:26:05.080 --> 0:26:06.080
<v Speaker 2>trying to be involved in none of that.

0:26:06.119 --> 0:26:08.880
<v Speaker 3>Ship well, I mean the parade itself during the day

0:26:08.920 --> 0:26:12.040
<v Speaker 3>on Labor Day, I don't. I don't. All the times

0:26:12.080 --> 0:26:14.280
<v Speaker 3>I've been my whole life hasn't been violence. It's the

0:26:14.359 --> 0:26:17.280
<v Speaker 3>night before juve is really when it happens during the day,

0:26:17.359 --> 0:26:19.240
<v Speaker 3>is is that is? Well?

0:26:19.280 --> 0:26:21.200
<v Speaker 2>I mean I love it though, I love the Caribbean culture.

0:26:21.520 --> 0:26:23.440
<v Speaker 3>I mean it's my favorite. Yeah, I mean I don't

0:26:23.440 --> 0:26:25.720
<v Speaker 3>even fun with Saint Blast like that. When's Labor Day, Yeah,

0:26:25.880 --> 0:26:26.800
<v Speaker 3>that was going.

0:26:27.280 --> 0:26:29.920
<v Speaker 1>They're gonna let them have the parade this year.

0:26:31.320 --> 0:26:33.320
<v Speaker 2>Wow, Labor Day parade.

0:26:34.600 --> 0:26:36.000
<v Speaker 3>I mean they didn't do it last year.

0:26:36.359 --> 0:26:39.360
<v Speaker 2>No, they didn't, right, No, I would love to see

0:26:39.359 --> 0:26:42.600
<v Speaker 2>it come back. Uh, I know, I know that for

0:26:42.680 --> 0:26:45.919
<v Speaker 2>me when the Puerto Rican Day Parade used to be

0:26:45.960 --> 0:26:48.000
<v Speaker 2>a thing that we used to go to, uh, when

0:26:48.080 --> 0:26:51.400
<v Speaker 2>we were young. And then what happened with I think

0:26:51.400 --> 0:26:53.119
<v Speaker 2>it was the year when when guys were trying to

0:26:53.119 --> 0:26:56.840
<v Speaker 2>pull a girls bikini tops off and all of that happened.

0:26:56.840 --> 0:26:59.600
<v Speaker 2>They kind of like shut it down and became more strict,

0:26:59.640 --> 0:27:01.760
<v Speaker 2>and that's when it was over because it was like

0:27:01.800 --> 0:27:03.280
<v Speaker 2>on one side of the streets, you can only walk

0:27:03.359 --> 0:27:05.520
<v Speaker 2>like this way, and if you want to go back

0:27:05.560 --> 0:27:07.920
<v Speaker 2>that way, you had to like cross over and then go.

0:27:08.040 --> 0:27:10.280
<v Speaker 2>It was just a lot that was going on with that.

0:27:10.240 --> 0:27:13.560
<v Speaker 3>Ship to the parade in New York, of course, are

0:27:13.560 --> 0:27:16.840
<v Speaker 3>you crazy? What parade best place to bag hicks.

0:27:17.640 --> 0:27:18.200
<v Speaker 2>I've never been.

0:27:18.240 --> 0:27:19.640
<v Speaker 3>If you want to know where the hose is at.

0:27:19.720 --> 0:27:23.119
<v Speaker 2>They had the propery mind all their I'm lying. I

0:27:23.160 --> 0:27:25.280
<v Speaker 2>actually I actually was down. I was in the l

0:27:25.320 --> 0:27:27.879
<v Speaker 2>e S one day and I didn't even know it.

0:27:28.080 --> 0:27:30.080
<v Speaker 2>I didn't even know, no bullshit, I didn't even know

0:27:30.119 --> 0:27:32.080
<v Speaker 2>it was the priv parade. And we were trying to

0:27:32.080 --> 0:27:35.000
<v Speaker 2>figure out why it was so much traffic, and literally,

0:27:35.080 --> 0:27:36.680
<v Speaker 2>like you see people walking, I'm like, wait a minute,

0:27:36.760 --> 0:27:39.760
<v Speaker 2>is the parade today? And we were downtown and got

0:27:39.760 --> 0:27:43.040
<v Speaker 2>stuck like a couple of blocks over during the proparade,

0:27:43.320 --> 0:27:45.680
<v Speaker 2>didn't get out and like you know, listen, we was

0:27:45.720 --> 0:27:46.960
<v Speaker 2>in the car trying to find a way to get

0:27:46.960 --> 0:27:47.639
<v Speaker 2>around the traffic.

0:27:47.680 --> 0:27:51.199
<v Speaker 3>But cheat code, I'm gonna give some game. If you're

0:27:51.240 --> 0:27:55.440
<v Speaker 3>a straight man, go to the property. Every single girl

0:27:55.480 --> 0:27:59.960
<v Speaker 3>with a gay bestie is there. They're excited they see

0:28:00.080 --> 0:28:02.520
<v Speaker 3>you and you're straight. There's not a lot of competition,

0:28:03.080 --> 0:28:05.639
<v Speaker 3>and they think, oh, what a progressive guy. He's just

0:28:05.680 --> 0:28:08.440
<v Speaker 3>here to celebrate the LGBTQ community. What a really nice guy.

0:28:08.520 --> 0:28:11.200
<v Speaker 3>You look amazing, best place to bad women?

0:28:11.480 --> 0:28:14.840
<v Speaker 2>Why can we we should start the heterosexual parade here?

0:28:14.920 --> 0:28:15.800
<v Speaker 1>We fucking go.

0:28:15.880 --> 0:28:17.760
<v Speaker 2>No, I mean like we should. Why why not like

0:28:17.800 --> 0:28:19.840
<v Speaker 2>the men that love women parade?

0:28:19.880 --> 0:28:23.199
<v Speaker 3>You sound you sound like Fox News to be like, well,

0:28:23.240 --> 0:28:28.720
<v Speaker 3>there's not a white entertainment television network. What reverse races?

0:28:28.800 --> 0:28:30.760
<v Speaker 2>Like, can we start a parade or some type of

0:28:30.840 --> 0:28:33.639
<v Speaker 2>festival where like just like heterosexual men that just like

0:28:34.000 --> 0:28:37.240
<v Speaker 2>love and appreciate and respect women can just get together

0:28:37.320 --> 0:28:40.120
<v Speaker 2>and have like a bunch of food trucks and artists perform,

0:28:40.400 --> 0:28:42.280
<v Speaker 2>Like we should do something like that.

0:28:42.360 --> 0:28:45.360
<v Speaker 1>So every hip hop festival that ever existed.

0:28:45.040 --> 0:28:47.440
<v Speaker 3>Yeah, but a little more, but we needed we knew that,

0:28:47.680 --> 0:28:49.320
<v Speaker 3>like me and Roy could put a little more class

0:28:49.360 --> 0:28:51.080
<v Speaker 3>into it. Or is it capas like you know, give

0:28:51.080 --> 0:28:53.440
<v Speaker 3>out three of spad dates for all of the women

0:28:53.560 --> 0:28:56.000
<v Speaker 3>and like you know, have like a bunch of vendors

0:28:56.000 --> 0:28:59.320
<v Speaker 3>like giving out free massages and have like facials and

0:28:59.320 --> 0:29:00.640
<v Speaker 3>stuff like that for the women.

0:29:00.800 --> 0:29:02.719
<v Speaker 2>Like you know, I don't know something.

0:29:03.520 --> 0:29:07.280
<v Speaker 3>So what you're saying is the straight male pride parade

0:29:07.440 --> 0:29:10.680
<v Speaker 3>is going to just celebrate women. Yeah, so we should

0:29:10.680 --> 0:29:13.360
<v Speaker 3>just do a women's parade, that's what you're saying.

0:29:14.240 --> 0:29:16.960
<v Speaker 2>Why we can't do it? I think it would be great.

0:29:16.760 --> 0:29:19.920
<v Speaker 3>Because this just speaks to to straight men of just

0:29:20.000 --> 0:29:24.640
<v Speaker 3>our focus. No, we don't want to be celebrated because

0:29:24.760 --> 0:29:26.280
<v Speaker 3>because if you was genuine this to be like, nah,

0:29:26.280 --> 0:29:28.080
<v Speaker 3>I should just be the fellas, like we should just

0:29:28.160 --> 0:29:29.720
<v Speaker 3>talk about first of all. I never want to just

0:29:29.760 --> 0:29:34.720
<v Speaker 3>bear we celebrate to celebrate straight man.

0:29:34.560 --> 0:29:35.920
<v Speaker 2>I want to be around just a bunch.

0:29:35.760 --> 0:29:37.160
<v Speaker 3>Of you just trying to find a way to.

0:29:38.160 --> 0:29:40.440
<v Speaker 2>I want to bring some women together and just like,

0:29:40.600 --> 0:29:42.480
<v Speaker 2>you know, just watch them frolic in a part.

0:29:43.440 --> 0:29:45.320
<v Speaker 1>On the International Women's Day Parade.

0:29:45.440 --> 0:29:47.000
<v Speaker 2>When is that? I feel like we don't pump that

0:29:47.080 --> 0:29:47.480
<v Speaker 2>up enough.

0:29:47.520 --> 0:29:50.720
<v Speaker 3>I would go, oh, you know you're gonna follow the

0:29:50.760 --> 0:29:52.120
<v Speaker 3>right wo women on Twitter?

0:29:52.320 --> 0:29:54.960
<v Speaker 2>Yeah? When is the International Women's Parade? Was it? Did

0:29:55.000 --> 0:29:55.400
<v Speaker 2>it pass?

0:29:55.920 --> 0:29:57.960
<v Speaker 3>Yeah? But you know it'd be a lot of white chicks.

0:29:58.000 --> 0:30:02.200
<v Speaker 2>So I love white, I don't women. I don't care white, amazing, black,

0:30:02.240 --> 0:30:03.240
<v Speaker 2>I don't care. I love women.

0:30:04.120 --> 0:30:06.880
<v Speaker 3>I'm saying that's probably that's the ninety nine percent majority

0:30:06.960 --> 0:30:07.520
<v Speaker 3>majority of.

0:30:07.480 --> 0:30:09.120
<v Speaker 2>It its white.

0:30:09.120 --> 0:30:10.280
<v Speaker 3>I don't want to get too woke on it, but

0:30:10.320 --> 0:30:13.040
<v Speaker 3>I follow people that are just like this, this is

0:30:13.040 --> 0:30:15.040
<v Speaker 3>to celebrate here, to celebrate white women.

0:30:16.160 --> 0:30:17.040
<v Speaker 2>What was the fest that we.

0:30:17.160 --> 0:30:20.800
<v Speaker 1>Oh, it's in Poughkeepsie. I'd rather choose thank you.

0:30:21.600 --> 0:30:22.160
<v Speaker 3>Not going to.

0:30:24.320 --> 0:30:26.920
<v Speaker 2>Not my flavored neighbor. But I know, what.

0:30:26.920 --> 0:30:29.160
<v Speaker 3>About the stroll of the white woman on the Upper Hudson,

0:30:29.160 --> 0:30:29.640
<v Speaker 3>I'm cool?

0:30:29.920 --> 0:30:31.640
<v Speaker 2>What about Curls Fest?

0:30:31.760 --> 0:30:34.920
<v Speaker 3>Is that curl Fest is an amazing festival.

0:30:35.120 --> 0:30:36.400
<v Speaker 2>Yeah, let's go to curl Fest.

0:30:36.400 --> 0:30:37.200
<v Speaker 3>Bro, I was going.

0:30:37.240 --> 0:30:39.800
<v Speaker 2>Whether you was going or not, I need you.

0:30:39.960 --> 0:30:41.719
<v Speaker 3>I need you to go. It was like every year,

0:30:42.000 --> 0:30:43.320
<v Speaker 3>of course I do. I love girl Fest and the

0:30:43.320 --> 0:30:45.120
<v Speaker 3>people that put it together amazing as well.

0:30:45.160 --> 0:30:47.080
<v Speaker 2>Wait a minute, so you go to curl Fest every year?

0:30:47.080 --> 0:30:47.640
<v Speaker 2>You didn't tell me?

0:30:47.880 --> 0:30:50.280
<v Speaker 3>Yes, I told you. I told you for two years straight.

0:30:50.480 --> 0:30:53.120
<v Speaker 1>Oh yeah, actually he did, and it's on.

0:30:53.240 --> 0:30:54.960
<v Speaker 3>Like record, we record these things.

0:30:55.160 --> 0:30:56.640
<v Speaker 2>I thought this was my brother man. He didn't. He

0:30:56.680 --> 0:30:58.920
<v Speaker 2>went to the curl Fest without you don't even have

0:30:59.000 --> 0:31:03.280
<v Speaker 2>curls neither do you. I don't care. I still want

0:31:03.320 --> 0:31:03.560
<v Speaker 2>to go.

0:31:04.240 --> 0:31:05.840
<v Speaker 3>I want to celebrate curls.

0:31:06.240 --> 0:31:07.120
<v Speaker 2>We're going to curl Fest.

0:31:07.160 --> 0:31:10.680
<v Speaker 3>When is Curls curl Is it Curls or curl curl Fest,

0:31:10.800 --> 0:31:11.320
<v Speaker 3>curl Fest.

0:31:11.400 --> 0:31:12.120
<v Speaker 2>When is curl Fest.

0:31:12.160 --> 0:31:15.320
<v Speaker 3>We're gonna pod for free, whether they electricity or not.

0:31:16.200 --> 0:31:17.160
<v Speaker 2>When is curl Fest.

0:31:17.200 --> 0:31:18.400
<v Speaker 3>We'll just bring the mics and sit down.

0:31:18.400 --> 0:31:20.560
<v Speaker 2>I don't even record that we're going, we're crashing curl Fist.

0:31:20.560 --> 0:31:22.200
<v Speaker 1>I don't know if they're having one this year.

0:31:22.240 --> 0:31:25.120
<v Speaker 2>I don't do what you want. That's ye want to go.

0:31:25.160 --> 0:31:27.560
<v Speaker 1>I haven't had one since twenty nineteen before the pandemic.

0:31:27.600 --> 0:31:28.560
<v Speaker 2>Oh no, we're bringing it back.

0:31:28.640 --> 0:31:32.880
<v Speaker 3>Rory. Was it a Randall's Island shirt? It was that

0:31:33.000 --> 0:31:34.520
<v Speaker 3>ran Yeah, Randas was the last one I went to.

0:31:35.040 --> 0:31:36.640
<v Speaker 1>My whole team is sick of curl Fest.

0:31:36.640 --> 0:31:37.440
<v Speaker 2>I'm in there this year.

0:31:37.720 --> 0:31:40.520
<v Speaker 3>They have great music acts, they do podcast stuff there.

0:31:40.560 --> 0:31:42.160
<v Speaker 2>It's not a curl in the world I don't want

0:31:42.160 --> 0:31:42.400
<v Speaker 2>to see.

0:31:42.720 --> 0:31:45.360
<v Speaker 3>Listen, man, that's curl Fest is the spot we I mean,

0:31:45.360 --> 0:31:48.120
<v Speaker 3>we could try to package the weekend of the Straight

0:31:48.160 --> 0:31:52.160
<v Speaker 3>Mail Pride Pride. Yes, like what we can all march

0:31:52.200 --> 0:31:54.600
<v Speaker 3>to the curl Fest. We'll parade to the.

0:31:55.000 --> 0:31:57.000
<v Speaker 2>I'm serious though, man, we need we should do that.

0:31:57.200 --> 0:31:59.200
<v Speaker 3>But look how unappealing that that would sound.

0:32:00.440 --> 0:32:02.360
<v Speaker 2>Hold, I'm blowing my nose when let call get me

0:32:02.360 --> 0:32:03.400
<v Speaker 2>on the camera and blow my nose.

0:32:03.640 --> 0:32:10.000
<v Speaker 3>He's gonna zuan to marriage. You're you're a woman, am I?

0:32:10.240 --> 0:32:12.040
<v Speaker 3>That's you don't have bro?

0:32:13.120 --> 0:32:13.560
<v Speaker 1>You know.

0:32:15.000 --> 0:32:19.200
<v Speaker 2>Guy? One night? Let me tell you what whoa whoa, whoa, whoa, whoa, whoa.

0:32:19.720 --> 0:32:24.000
<v Speaker 2>That was? That was? I know, I know that's why

0:32:24.040 --> 0:32:26.480
<v Speaker 2>I said it's a joke. It's a joke. But I

0:32:26.520 --> 0:32:28.840
<v Speaker 2>will say this though. When we were in l A,

0:32:29.240 --> 0:32:31.520
<v Speaker 2>here we go the way time in La so the marriage,

0:32:31.520 --> 0:32:32.880
<v Speaker 2>I had to put my stuff in her bag one

0:32:32.960 --> 0:32:35.320
<v Speaker 2>night and I left my my air pods in her bag.

0:32:35.840 --> 0:32:38.840
<v Speaker 2>So I said, the marriage before you leave, Like, you

0:32:38.840 --> 0:32:40.280
<v Speaker 2>know what I'm saying, come in my room and drop

0:32:40.320 --> 0:32:42.880
<v Speaker 2>my air pods off in the morning before you leave. Okay.

0:32:43.080 --> 0:32:46.120
<v Speaker 2>She's like, all right, cool, I got you. So I heard, No,

0:32:46.200 --> 0:32:48.280
<v Speaker 2>I'm knocked the funk out. I heard knock at the door.

0:32:48.320 --> 0:32:50.320
<v Speaker 2>I'm like, I not the same house keep because I

0:32:51.160 --> 0:32:53.479
<v Speaker 2>got no. I got to do not disturb ship on

0:32:53.480 --> 0:32:56.320
<v Speaker 2>the door. I know house keeping ain't knocking as so

0:32:56.400 --> 0:32:59.840
<v Speaker 2>I said, oh, ship is the marriage. I sleep naked,

0:33:00.280 --> 0:33:02.120
<v Speaker 2>you know what I'm saying, Like I just can't sleep

0:33:02.120 --> 0:33:04.640
<v Speaker 2>with underworld and I just can't. Okay, but as well,

0:33:04.720 --> 0:33:08.800
<v Speaker 2>but I opened the door to the marriage like you ugly,

0:33:08.920 --> 0:33:10.400
<v Speaker 2>and he.

0:33:10.480 --> 0:33:11.400
<v Speaker 1>Was ugly as fun.

0:33:11.520 --> 0:33:14.600
<v Speaker 5>You know when people just wake up, they like I

0:33:14.720 --> 0:33:16.480
<v Speaker 5>still close closed.

0:33:17.160 --> 0:33:19.080
<v Speaker 2>No, I mean I was like behind the door, I

0:33:19.560 --> 0:33:20.360
<v Speaker 2>didn't even look.

0:33:21.880 --> 0:33:24.360
<v Speaker 3>His hips first, wake up his hips creeping.

0:33:24.040 --> 0:33:26.360
<v Speaker 2>Over the side of the door. Man, I was knocked out,

0:33:26.400 --> 0:33:30.760
<v Speaker 2>so that be like, look how she talks to me

0:33:30.800 --> 0:33:32.840
<v Speaker 2>like you ugly and him. I was like, you're ugly

0:33:32.880 --> 0:33:35.520
<v Speaker 2>as I was, have a safe flight, love you too.

0:33:35.680 --> 0:33:37.120
<v Speaker 3>She was trying to make you feel secure. You were

0:33:37.240 --> 0:33:38.160
<v Speaker 3>vulnerable and naked.

0:33:38.440 --> 0:33:42.080
<v Speaker 5>I want to make sure that that he was naked

0:33:42.080 --> 0:33:42.520
<v Speaker 5>because he was.

0:33:42.840 --> 0:33:45.240
<v Speaker 3>She had nothing to fear about her being a predator.

0:33:46.160 --> 0:33:47.840
<v Speaker 2>It was like, eight am, are you not going to

0:33:47.920 --> 0:33:49.760
<v Speaker 2>nigga door? Wake him up and telling me ugly and

0:33:49.800 --> 0:33:52.080
<v Speaker 2>handed some air pods and leave. I'm just like, yo,

0:33:52.200 --> 0:33:54.480
<v Speaker 2>the respect level is crazy around.

0:33:54.160 --> 0:33:56.160
<v Speaker 1>Here, bro, because I look at more like a brother.

0:33:56.240 --> 0:33:58.040
<v Speaker 3>So like, I'm gonna talk to you like she said,

0:33:58.240 --> 0:34:01.440
<v Speaker 3>she said you ugly here like yo, all right, thank you,

0:34:01.480 --> 0:34:02.520
<v Speaker 3>I have a safe flight.

0:34:02.760 --> 0:34:05.520
<v Speaker 1>I've had a question Reddit. Reddit is gonna love this.

0:34:08.239 --> 0:34:11.280
<v Speaker 3>If someone said, yo, it's mad dudes at this spot.

0:34:12.040 --> 0:34:13.520
<v Speaker 3>As a woman, that's not going to be appealing.

0:34:13.760 --> 0:34:13.920
<v Speaker 1>No.

0:34:14.080 --> 0:34:15.760
<v Speaker 3>So that's why I'm saying, if we do the straight

0:34:15.880 --> 0:34:19.440
<v Speaker 3>dudes parade, mad women are not gonna flock Like That's

0:34:19.520 --> 0:34:21.520
<v Speaker 3>not that sounds that's not true because you're.

0:34:21.400 --> 0:34:22.879
<v Speaker 1>Gonna get women, which I ain't gonna like the type

0:34:22.880 --> 0:34:24.200
<v Speaker 1>of women as That is a fact.

0:34:24.200 --> 0:34:26.840
<v Speaker 2>That's not true. As soon as this All Star weekend

0:34:27.520 --> 0:34:28.239
<v Speaker 2>the women are there.

0:34:28.520 --> 0:34:29.680
<v Speaker 3>It's not the NBA parade.

0:34:30.400 --> 0:34:37.600
<v Speaker 5>It basically is not the niggas with money parade.

0:34:37.840 --> 0:34:41.920
<v Speaker 2>That's weekend niggas.

0:34:41.960 --> 0:34:44.120
<v Speaker 5>Rory said, if I call you and say, yo, I

0:34:44.160 --> 0:34:46.760
<v Speaker 5>know the spot the niggas is at. I said, Rory

0:34:46.800 --> 0:34:49.640
<v Speaker 5>calls me and said, because as he has before and said, Yo,

0:34:49.880 --> 0:34:51.239
<v Speaker 5>the niggas with money is in here.

0:34:51.800 --> 0:34:52.520
<v Speaker 2>I'm on my way.

0:34:54.080 --> 0:34:54.960
<v Speaker 3>I didn't say anymore.

0:34:55.160 --> 0:34:58.000
<v Speaker 4>And if I ever called you and said, wait, hold on,

0:34:58.680 --> 0:35:00.000
<v Speaker 4>I was with the jokes, but you're not about to

0:35:00.000 --> 0:35:00.600
<v Speaker 4>with that on my jacket.

0:35:00.640 --> 0:35:01.319
<v Speaker 3>I've never said that.

0:35:01.480 --> 0:35:03.040
<v Speaker 2>Like, that's all I have to say. You holding onto

0:35:03.040 --> 0:35:04.480
<v Speaker 2>the N word. That's not the part.

0:35:04.200 --> 0:35:10.439
<v Speaker 4>I'm not mad for money, Like, how can I identify money?

0:35:10.600 --> 0:35:12.680
<v Speaker 1>You can't identify men with money.

0:35:12.920 --> 0:35:15.120
<v Speaker 3>That's nasty because I know a lot of broke motherfuckers

0:35:15.160 --> 0:35:16.680
<v Speaker 3>that look rich. Matter of fact, I know more broke

0:35:16.719 --> 0:35:20.640
<v Speaker 3>motherfuckers absolute than rich people that look rich with but I.

0:35:20.560 --> 0:35:22.680
<v Speaker 1>Can identify the broke motherfuckers that look rich that's not

0:35:22.719 --> 0:35:23.040
<v Speaker 1>really rich.

0:35:23.080 --> 0:35:25.000
<v Speaker 3>You can identify, yeah, but you women can't do that

0:35:25.040 --> 0:35:25.439
<v Speaker 3>for ship.

0:35:25.760 --> 0:35:29.440
<v Speaker 2>Yeah. I'll get tricked all the time, women women, not you.

0:35:29.560 --> 0:35:31.920
<v Speaker 2>Maybe when I broke niggas that look broke. I don't know.

0:35:32.080 --> 0:35:35.319
<v Speaker 2>Women get tricked though. Yeah you've seen, Oh they be hot,

0:35:35.360 --> 0:35:36.400
<v Speaker 2>they be on Instagram.

0:35:36.880 --> 0:35:40.400
<v Speaker 3>The captions listen between you was really whenever they say

0:35:40.480 --> 0:35:44.080
<v Speaker 3>you was really really lucky relaxed that caption nigga a

0:35:44.160 --> 0:35:47.200
<v Speaker 3>nigga swindled and I wasn't lucky.

0:35:47.480 --> 0:35:48.640
<v Speaker 2>I wasn't lucky. It worked.

0:35:48.640 --> 0:35:52.000
<v Speaker 3>It happens often with you, yo. I hate when Chick

0:35:52.040 --> 0:35:54.680
<v Speaker 3>said that he was into it.

0:35:54.960 --> 0:35:57.440
<v Speaker 2>He swindled you. You thought that that nigga was gonna

0:35:57.440 --> 0:35:59.440
<v Speaker 2>start cash app and you were jelly some money.

0:35:59.440 --> 0:36:01.880
<v Speaker 5>When Nikki at us saying, and you a lucky nigga.

0:36:01.920 --> 0:36:04.520
<v Speaker 5>If my mean ass like you, oh my god, remember

0:36:04.560 --> 0:36:06.600
<v Speaker 5>that you remember girls.

0:36:06.320 --> 0:36:08.799
<v Speaker 2>Like anybody though, y'all like any nigga that y'all've never

0:36:08.960 --> 0:36:12.400
<v Speaker 2>seen before. You ain't from around here, y'all like them

0:36:12.400 --> 0:36:14.160
<v Speaker 2>type of nigga, and then turned out to be a

0:36:14.320 --> 0:36:16.960
<v Speaker 2>ship nigga from wherever he from it and then y'all ma,

0:36:17.160 --> 0:36:18.879
<v Speaker 2>and then y'all on y'all caption with the naily mold.

0:36:18.920 --> 0:36:19.520
<v Speaker 2>He's talking about.

0:36:19.520 --> 0:36:22.200
<v Speaker 3>You was really lucky, Like, oh he wasn't. He's going

0:36:22.239 --> 0:36:25.720
<v Speaker 3>to do state the State maskring women. He's having a ball,

0:36:26.040 --> 0:36:27.719
<v Speaker 3>he's racking him up. I don't say. Now, it's tiving

0:36:27.760 --> 0:36:29.440
<v Speaker 3>to focus on yourself, like.

0:36:29.360 --> 0:36:31.359
<v Speaker 2>Get out of here with that ship, man, get out

0:36:31.400 --> 0:36:35.960
<v Speaker 2>of here. Speaking of swindling, though, man, the Tender swing

0:36:36.120 --> 0:36:39.040
<v Speaker 2>List is the greatest story on Earth. I just want

0:36:39.080 --> 0:36:41.040
<v Speaker 2>to reiterate that. No, and he didn't do nothing.

0:36:41.239 --> 0:36:43.560
<v Speaker 3>If you watch Bad Vegan City Boys.

0:36:43.400 --> 0:36:46.480
<v Speaker 2>I'm I'm on on episode I'm on episode three of that.

0:36:46.520 --> 0:36:48.799
<v Speaker 1>All right, describe that's y'all get a chance.

0:36:48.840 --> 0:36:50.920
<v Speaker 3>He okay, it's female offensive.

0:36:50.960 --> 0:36:53.560
<v Speaker 2>Still maybe what is it? I don't know.

0:36:53.840 --> 0:36:58.440
<v Speaker 5>Okay, so I'm including female No, no, women includes everybody.

0:36:58.440 --> 0:36:59.319
<v Speaker 1>But I'm including.

0:36:59.120 --> 0:37:01.040
<v Speaker 3>Animals as well, because that's where it gets offensive, right,

0:37:01.080 --> 0:37:02.320
<v Speaker 3>because we refer to female.

0:37:02.520 --> 0:37:06.000
<v Speaker 1>I'm okay, you're including animals that you can say females.

0:37:06.040 --> 0:37:14.280
<v Speaker 3>Okay, the female species, including animals, yo, are the most gullible.

0:37:15.320 --> 0:37:16.200
<v Speaker 1>Damn the fish too.

0:37:17.040 --> 0:37:19.200
<v Speaker 3>Yeah, I've never caught a male fish in my life.

0:37:20.000 --> 0:37:23.319
<v Speaker 3>I need to catch man marlin. Don't even know how

0:37:23.360 --> 0:37:26.400
<v Speaker 3>funny that just said, Like you don't even know how funny.

0:37:26.600 --> 0:37:27.279
<v Speaker 3>I know how funny it is.

0:37:27.360 --> 0:37:28.440
<v Speaker 2>I said, it's.

0:37:28.280 --> 0:37:31.600
<v Speaker 5>Like looking for fish, Dick, Like what there.

0:37:31.160 --> 0:37:34.000
<v Speaker 2>Looking for fish? I have never caught a male fish

0:37:34.520 --> 0:37:36.279
<v Speaker 2>like they know, like, man, that's bait. Get out of

0:37:37.520 --> 0:37:39.920
<v Speaker 2>the women looks that's appealing.

0:37:40.560 --> 0:37:42.440
<v Speaker 3>Yo, It's so weird to see the shrimp in this

0:37:42.520 --> 0:37:43.200
<v Speaker 3>neck of the woods.

0:37:44.400 --> 0:37:46.120
<v Speaker 2>I didn't even know they like this type of water.

0:37:46.760 --> 0:37:49.200
<v Speaker 3>Why is the shrimp just This fish isn't even trying

0:37:49.239 --> 0:37:50.759
<v Speaker 3>to get away from me, It's just gonna let me.

0:37:51.680 --> 0:37:55.680
<v Speaker 2>Hilarious. I've never called man one go ahead.

0:37:56.880 --> 0:38:01.680
<v Speaker 3>Between Twitter Swindler and Bad Vegan and City Boys is

0:38:01.760 --> 0:38:05.959
<v Speaker 3>up at this point, But there's one c JT being free.

0:38:06.080 --> 0:38:07.319
<v Speaker 3>I can't even save y'all at this point.

0:38:07.320 --> 0:38:12.200
<v Speaker 2>But but Rory, there's one. There's one distinct thing that

0:38:12.400 --> 0:38:13.800
<v Speaker 2>both of those stories have in common.

0:38:13.880 --> 0:38:15.400
<v Speaker 3>Vegans No.

0:38:16.800 --> 0:38:19.239
<v Speaker 2>Both white men. A black man can't get away with

0:38:19.280 --> 0:38:19.960
<v Speaker 2>that type of swindle.

0:38:20.040 --> 0:38:23.400
<v Speaker 3>First Twitter Swindler was was from the middle. He'sti believing

0:38:24.760 --> 0:38:28.480
<v Speaker 3>he can be Cuban or fucking we're about to do spoiler.

0:38:31.080 --> 0:38:32.240
<v Speaker 1>What is Bad Vegan about?

0:38:32.360 --> 0:38:33.760
<v Speaker 2>Okay, so Bad Vegan is about?

0:38:33.880 --> 0:38:34.520
<v Speaker 3>Uh?

0:38:34.560 --> 0:38:35.560
<v Speaker 2>He do look like all.

0:38:35.400 --> 0:38:36.960
<v Speaker 3>The guys in Dubai that try to look like drink.

0:38:37.080 --> 0:38:38.920
<v Speaker 2>Yeah, that's what I'm saying. Like, so I get it.

0:38:39.520 --> 0:38:42.440
<v Speaker 1>Trying to say the guys in Dubai, I don't know.

0:38:43.000 --> 0:38:45.439
<v Speaker 2>I mean, whatever it is, I don't know, does Drake

0:38:45.440 --> 0:38:47.040
<v Speaker 2>ever showed it. Maybe he's trying to look like that.

0:38:47.719 --> 0:38:50.080
<v Speaker 3>Drake is definitely right now.

0:38:51.520 --> 0:38:54.359
<v Speaker 2>Why y'all be putting that on Drake? He ain't doing that, man,

0:38:54.840 --> 0:38:55.680
<v Speaker 2>I know I wasn't.

0:38:55.520 --> 0:38:58.160
<v Speaker 1>So Drake don't have neck braids. This he literally posted.

0:38:58.560 --> 0:39:00.480
<v Speaker 2>You didn't hear what he said? He said, Drake has

0:39:00.520 --> 0:39:02.439
<v Speaker 2>definitely pissed on a girl in Dubai.

0:39:02.480 --> 0:39:05.120
<v Speaker 3>That I thought it was a compliment. That's why I

0:39:05.160 --> 0:39:08.480
<v Speaker 3>didn't say that. Light that's how they say thank you.

0:39:09.360 --> 0:39:09.920
<v Speaker 3>Drake hasn't.

0:39:09.920 --> 0:39:13.560
<v Speaker 2>I'm judging you're saying thank you boy peeing up somebody, Oh,

0:39:13.600 --> 0:39:14.880
<v Speaker 2>there's a pleasure seeing you.

0:39:16.840 --> 0:39:21.040
<v Speaker 3>I have Instagram girlfriends like that. Are my friends that

0:39:21.080 --> 0:39:22.080
<v Speaker 3>are I G chicks?

0:39:22.560 --> 0:39:23.120
<v Speaker 2>Yeah, me too.

0:39:23.520 --> 0:39:25.279
<v Speaker 3>They getting pissed on out there. That's just what it is.

0:39:25.960 --> 0:39:28.320
<v Speaker 2>We know what it is. I just didn't think that anyway,

0:39:28.320 --> 0:39:30.279
<v Speaker 2>because now we have like b I n right now,

0:39:31.040 --> 0:39:35.000
<v Speaker 2>we almost got Bengo n z O. But The Bad

0:39:35.120 --> 0:39:39.920
<v Speaker 2>Vegan Bad Vegan is about a chef who married another

0:39:40.040 --> 0:39:43.880
<v Speaker 2>chef and they got into they created this this this

0:39:43.960 --> 0:39:47.680
<v Speaker 2>restaurant together, and then they separated, and then she started

0:39:47.719 --> 0:39:52.479
<v Speaker 2>her own raw food uh restaurant. They met a guy.

0:39:52.520 --> 0:39:53.760
<v Speaker 2>She she was a hopeless romantic.

0:39:54.080 --> 0:39:56.279
<v Speaker 3>All right, let's slow down a little bit though. I'm

0:39:56.320 --> 0:39:59.080
<v Speaker 3>just trying to get what was the We'll explain it

0:39:59.120 --> 0:40:04.040
<v Speaker 3>to her. We have to break down certain parts. She

0:40:04.120 --> 0:40:07.080
<v Speaker 3>bought the restaurant from her old chef dude, right.

0:40:07.680 --> 0:40:11.279
<v Speaker 2>Well, No, what happened was her old husband called a

0:40:11.320 --> 0:40:16.200
<v Speaker 2>guy who was basically an investor called Loon. Yeah, and

0:40:16.000 --> 0:40:18.880
<v Speaker 2>the husband said, I want her out of the business.

0:40:18.880 --> 0:40:20.759
<v Speaker 2>I don't want to work with her no more. Then

0:40:20.800 --> 0:40:22.680
<v Speaker 2>the wife called him and told him the same thing.

0:40:23.680 --> 0:40:26.640
<v Speaker 2>And the husband had had a little history with restaurants

0:40:26.640 --> 0:40:29.560
<v Speaker 2>and bad business practices and losing money. That's a lot

0:40:29.600 --> 0:40:31.440
<v Speaker 2>of money, spent a lot of money. So the god

0:40:31.480 --> 0:40:34.120
<v Speaker 2>the investor decided it was the better investment to go

0:40:34.239 --> 0:40:37.600
<v Speaker 2>with the woman attractive, new on the scene.

0:40:38.560 --> 0:40:41.600
<v Speaker 3>The whole idea of raw food being a new thing

0:40:42.120 --> 0:40:45.080
<v Speaker 3>today's show. It was like a new it was a

0:40:45.080 --> 0:40:47.760
<v Speaker 3>new project form. But we can't leave out the first

0:40:47.760 --> 0:40:53.960
<v Speaker 3>beginning part of when she was kind of had her husband,

0:40:54.080 --> 0:40:56.400
<v Speaker 3>the chef dude in her sights. She was plotting for

0:40:56.440 --> 0:40:58.680
<v Speaker 3>a while. She was a little Sioux chef. She couldn't

0:40:58.680 --> 0:41:00.920
<v Speaker 3>even get in the culinary school crush.

0:41:01.160 --> 0:41:03.759
<v Speaker 2>He could cook, and he was an attractive guy.

0:41:04.120 --> 0:41:06.640
<v Speaker 3>But she had a specific plan not gonna have women,

0:41:06.880 --> 0:41:12.120
<v Speaker 3>had a specific plan for that gentleman for a particular reason.

0:41:12.160 --> 0:41:13.520
<v Speaker 3>I just want to leave that note right there.

0:41:13.800 --> 0:41:17.000
<v Speaker 2>Oh yeah, yeah, she definitely had an angle. She definitely

0:41:17.080 --> 0:41:19.440
<v Speaker 2>had plans. She definitely had a blueprint.

0:41:19.640 --> 0:41:21.279
<v Speaker 3>Now, as a vegan, I want to ask you this

0:41:21.320 --> 0:41:26.280
<v Speaker 3>next question. When she opens the other restaurant, can you

0:41:26.480 --> 0:41:29.600
<v Speaker 3>is it a little misleading calling a vegan restaurant lucky duck.

0:41:32.800 --> 0:41:34.400
<v Speaker 3>No one else found that hysterical with me?

0:41:34.719 --> 0:41:36.200
<v Speaker 1>Well, I get the I get it.

0:41:36.520 --> 0:41:38.080
<v Speaker 3>Was that the name of the duck duck didn't die.

0:41:38.239 --> 0:41:42.040
<v Speaker 5>Yeah, the duck is lucky because it's think about the algorithms.

0:41:42.080 --> 0:41:44.480
<v Speaker 3>If I'm a vegan, duck is not making my algorithms.

0:41:45.080 --> 0:41:47.239
<v Speaker 2>No, but I think she was saying lucky duck, meaning

0:41:47.280 --> 0:41:49.840
<v Speaker 2>like lucky for you. I'm a vegan, I'm not gonna cook.

0:41:49.640 --> 0:41:50.480
<v Speaker 1>You, Lucky for the duck.

0:41:50.680 --> 0:41:53.880
<v Speaker 2>Yeah, I think that's where she's going with that. And

0:41:53.960 --> 0:41:55.319
<v Speaker 2>I wasn't the name of the restaurant. I thought it was

0:41:55.320 --> 0:41:56.640
<v Speaker 2>Pure Food and Wine or something like.

0:41:56.560 --> 0:41:58.400
<v Speaker 3>That, and then it switched. Okay, then she did the

0:41:58.400 --> 0:42:01.480
<v Speaker 3>other one, which was Lucky Duck. I just feel like

0:42:02.320 --> 0:42:04.840
<v Speaker 3>if I was a serial killer, I wouldn't open a

0:42:04.840 --> 0:42:10.680
<v Speaker 3>club that says I'm not gonna murder you. I just

0:42:10.840 --> 0:42:14.319
<v Speaker 3>is she a lucky Knight? Yeah, Like you care so

0:42:14.400 --> 0:42:17.560
<v Speaker 3>much about this ship and you just saved one duck? Like,

0:42:18.680 --> 0:42:20.080
<v Speaker 3>what are you the president on Thanksgiving?

0:42:20.120 --> 0:42:23.120
<v Speaker 2>Well you can you can understand the Okay, lucky ducky

0:42:23.239 --> 0:42:24.759
<v Speaker 2>like I'm lucky for you?

0:42:24.960 --> 0:42:27.040
<v Speaker 3>Just a weird I get it, but.

0:42:27.800 --> 0:42:29.239
<v Speaker 1>I'm not getting where the swindle is coming from.

0:42:31.200 --> 0:42:33.400
<v Speaker 2>She was a hopeless romantic. So then she she breaks

0:42:33.480 --> 0:42:37.880
<v Speaker 2>up with her boyfriend, the original chef. She finds this

0:42:38.040 --> 0:42:40.760
<v Speaker 2>new guy who's like, you know, he's he's basically another

0:42:41.080 --> 0:42:41.600
<v Speaker 2>tendist one.

0:42:41.880 --> 0:42:44.080
<v Speaker 3>But you're but you're you're leaving out a huge portion

0:42:44.160 --> 0:42:48.200
<v Speaker 3>of it. Which one she meets Alec Baldwin. Okay, she

0:42:48.239 --> 0:42:54.360
<v Speaker 3>meets Alec Baldwin. She's heartbroken from her husband's situation. She's

0:42:54.400 --> 0:42:56.359
<v Speaker 3>literally only feels good at the restaurant. She goes home,

0:42:56.440 --> 0:42:59.520
<v Speaker 3>She's fucking sad all the time. She gets a dog

0:42:59.560 --> 0:43:02.960
<v Speaker 3>to try to lie better. She sees Alec Baldwin and

0:43:03.000 --> 0:43:05.399
<v Speaker 3>I'm not gonna make she dodged a bullet joke because

0:43:05.400 --> 0:43:06.360
<v Speaker 3>that's very insensitive.

0:43:06.760 --> 0:43:09.480
<v Speaker 2>But but he didn't make the joke.

0:43:10.000 --> 0:43:12.719
<v Speaker 3>Good Lucky duck.

0:43:15.719 --> 0:43:17.080
<v Speaker 2>It's a callback. I'll get it.

0:43:17.200 --> 0:43:21.360
<v Speaker 3>The name of the restaurant Lucky Duck. So prayers to

0:43:21.360 --> 0:43:28.440
<v Speaker 3>all parties involved. So Alec meets Hilario. It's an internal one.

0:43:28.640 --> 0:43:33.040
<v Speaker 3>It's the patron Saint of Ireland, Saint Patrick Dallas.

0:43:33.320 --> 0:43:34.160
<v Speaker 2>I'm praying all the time.

0:43:34.200 --> 0:43:36.080
<v Speaker 3>Today is a high holy day for me. This is

0:43:36.160 --> 0:43:39.160
<v Speaker 3>Ramadan for the Irish people. We just celebrate differently.

0:43:40.440 --> 0:43:44.759
<v Speaker 5>He has managed to offend every single like, every category

0:43:44.880 --> 0:43:46.200
<v Speaker 5>of people in the first.

0:43:46.280 --> 0:43:49.759
<v Speaker 3>An equal I'm an equal opportunity offender. Everybody could get it.

0:43:50.400 --> 0:43:52.319
<v Speaker 2>Sorry, good continue.

0:43:53.640 --> 0:43:56.160
<v Speaker 3>She starts getting a little, you know, chummy with Alec

0:43:56.640 --> 0:43:57.960
<v Speaker 3>and starts to like him a little bit, but she's

0:43:57.960 --> 0:43:59.520
<v Speaker 3>still heartbroken. I respected it. She was like, I'm not

0:43:59.560 --> 0:44:02.520
<v Speaker 3>ready for ship, but still trying to get out for sure.

0:44:04.160 --> 0:44:07.600
<v Speaker 3>Alec ends up meeting his now wife in her restaurant.

0:44:09.480 --> 0:44:14.160
<v Speaker 3>So she as a could have been Exus naturally stocking

0:44:14.200 --> 0:44:16.839
<v Speaker 3>his social media and sees him going back and forth

0:44:16.920 --> 0:44:19.240
<v Speaker 3>with this funny tweeter. So I used to get pussy

0:44:19.239 --> 0:44:20.720
<v Speaker 3>a lot of times too. People thought I was funny

0:44:20.719 --> 0:44:24.040
<v Speaker 3>on Twitter. It's weird how that works. Women just tend

0:44:24.040 --> 0:44:26.799
<v Speaker 3>to like funny tweets. She's like, well, if I can't

0:44:26.800 --> 0:44:30.200
<v Speaker 3>have Alec, let me have the guy that he's tweeting.

0:44:30.920 --> 0:44:33.960
<v Speaker 3>And Alec met his wife in my restaurant, so I

0:44:34.000 --> 0:44:38.400
<v Speaker 3>can meet my husband on alex timeline. That's really she

0:44:38.440 --> 0:44:41.480
<v Speaker 3>said it. She wanted to map out the person we're

0:44:41.520 --> 0:44:43.920
<v Speaker 3>dealing with because I know everyone's doing pity party for her.

0:44:45.800 --> 0:44:48.440
<v Speaker 3>She then meets this gentleman that thinks it's like a

0:44:48.480 --> 0:44:50.520
<v Speaker 3>catfish situation. Everyone's like, you're ever going to meet him?

0:44:50.840 --> 0:44:54.600
<v Speaker 3>Finally shows up, doesn't really look like the pictures, but

0:44:54.680 --> 0:44:58.960
<v Speaker 3>he starts throwing bread crazy. He starts bragging about offshore accounts,

0:45:00.160 --> 0:45:04.080
<v Speaker 3>the swindle. Do women not see a red flag when

0:45:04.160 --> 0:45:06.160
<v Speaker 3>men start showing you their bank accounts?

0:45:06.719 --> 0:45:09.360
<v Speaker 2>No, they start thinking about old the chanelle.

0:45:09.360 --> 0:45:11.440
<v Speaker 3>That is that not a red flag to somebody?

0:45:12.280 --> 0:45:14.239
<v Speaker 2>Well, I mean you think looking at it, like, on

0:45:14.239 --> 0:45:16.200
<v Speaker 2>one hand, She's like, Okay, he's obviously I don't know

0:45:16.239 --> 0:45:19.240
<v Speaker 2>what he does, but he's obviously successful. He's making money.

0:45:19.800 --> 0:45:22.279
<v Speaker 5>She's never met a successful person, and successful people will

0:45:22.360 --> 0:45:23.480
<v Speaker 5>rather her husband.

0:45:23.600 --> 0:45:25.719
<v Speaker 3>She was successful. They had the hottest restaurant in New

0:45:25.800 --> 0:45:26.200
<v Speaker 3>York City.

0:45:26.560 --> 0:45:29.640
<v Speaker 2>Yeah, so she was just she was just a hope.

0:45:30.320 --> 0:45:32.759
<v Speaker 2>She was hope's romantic. She just wanted to find love,

0:45:33.200 --> 0:45:35.680
<v Speaker 2>somebody that loved her. Uh. This was a guy that

0:45:35.719 --> 0:45:37.360
<v Speaker 2>she didn't know. None of her friends knew. He was

0:45:37.400 --> 0:45:40.200
<v Speaker 2>like a mystery, so it was fun for her. Stupid

0:45:40.200 --> 0:45:42.120
<v Speaker 2>love is stupid, love is blind, you know what I mean.

0:45:42.680 --> 0:45:45.880
<v Speaker 2>But either way, she meets this guy, and you know,

0:45:45.960 --> 0:45:49.600
<v Speaker 2>they they end up in a relationship. None of her

0:45:49.600 --> 0:45:52.319
<v Speaker 2>friends was really jacking him from the beginning. They was like,

0:45:52.320 --> 0:45:53.279
<v Speaker 2>all right, who is this dude?

0:45:53.480 --> 0:45:57.520
<v Speaker 3>And this is this is the turn where Jesse starts writing.

0:45:59.360 --> 0:46:00.480
<v Speaker 2>He's got just all over it.

0:46:01.800 --> 0:46:07.439
<v Speaker 3>So they start to start a relationship. She finds out

0:46:07.440 --> 0:46:12.480
<v Speaker 3>that he's in the Special Forces and he is in

0:46:12.560 --> 0:46:16.640
<v Speaker 3>the CIA and is like this government person that just

0:46:16.640 --> 0:46:20.880
<v Speaker 3>goes overseas and murders people, and it's fine with it.

0:46:22.680 --> 0:46:24.640
<v Speaker 3>She has to be protected. That's why she can't even

0:46:24.680 --> 0:46:26.799
<v Speaker 3>really do shit, because now her family's at risk because

0:46:26.840 --> 0:46:29.600
<v Speaker 3>she's dating this guy that will meet a stranger on

0:46:29.640 --> 0:46:32.160
<v Speaker 3>the internet and link that's also part of the CIA.

0:46:32.480 --> 0:46:38.200
<v Speaker 3>Just adding things up here. He then starts to tell

0:46:38.239 --> 0:46:40.759
<v Speaker 3>her that he is part he is eternal, he does

0:46:40.760 --> 0:46:43.759
<v Speaker 3>not have an age. He's been alive forever. He can

0:46:43.800 --> 0:46:46.319
<v Speaker 3>also make her dog, who was her support system after

0:46:46.360 --> 0:46:49.320
<v Speaker 3>the breakup, her dog eternal, so she'll never have to

0:46:49.400 --> 0:46:51.239
<v Speaker 3>leave her dog. Which, listen, you might give me if

0:46:51.280 --> 0:46:53.000
<v Speaker 3>you could tell me you could keep basing around forever.

0:46:53.040 --> 0:46:53.319
<v Speaker 2>I might.

0:46:53.680 --> 0:46:55.319
<v Speaker 3>I might hear you you start listening. I might hear

0:46:55.320 --> 0:46:56.200
<v Speaker 3>you out a little bit like wait.

0:46:56.200 --> 0:46:57.160
<v Speaker 2>I tell me yell.

0:46:59.239 --> 0:47:02.200
<v Speaker 3>Then says I'll keep you alive forever and you can

0:47:02.280 --> 0:47:09.120
<v Speaker 3>join the family. This family puts scientology to shame. So

0:47:09.600 --> 0:47:11.880
<v Speaker 3>starts connecting him with all these other numbers and like

0:47:12.000 --> 0:47:15.680
<v Speaker 3>all his fucking CIA people, and he can't talk for

0:47:15.719 --> 0:47:18.840
<v Speaker 3>certain times, and we get right back down to the Twitter. Swindler,

0:47:19.920 --> 0:47:22.200
<v Speaker 3>you gotta send me money, even though I just showed

0:47:22.239 --> 0:47:25.160
<v Speaker 3>you seventeen accounts with twenty two million dollars, forty million dollars,

0:47:25.200 --> 0:47:28.600
<v Speaker 3>one hundred million dollars, four hundred thousand, and his thing

0:47:28.719 --> 0:47:30.759
<v Speaker 3>was I need a quick ten k from you, real quick.

0:47:30.960 --> 0:47:34.919
<v Speaker 2>And his thing was, why you money is not even real?

0:47:35.320 --> 0:47:37.120
<v Speaker 2>Like who cares about the point? Who cares about this

0:47:37.160 --> 0:47:40.600
<v Speaker 2>million dollars? Like like we're gonna be happy, We're gonna

0:47:40.640 --> 0:47:44.440
<v Speaker 2>be happily together forever, like and once you get through this, like,

0:47:44.920 --> 0:47:47.120
<v Speaker 2>just send me the money. Stop bitching about fourteen grand.

0:47:47.120 --> 0:47:50.319
<v Speaker 2>Stop it. So at some point she starts feeling like, Okay,

0:47:50.360 --> 0:47:53.000
<v Speaker 2>where's this money going. He's like, it's on the shelf.

0:47:53.040 --> 0:47:56.080
<v Speaker 2>She's like, wellre's where's the shelf? And he's like, yo,

0:47:56.120 --> 0:47:58.560
<v Speaker 2>why are you asking these questions? Like you don't send

0:47:58.600 --> 0:48:00.440
<v Speaker 2>me this money, They're gonna kill me. They're gonna do

0:48:00.520 --> 0:48:02.040
<v Speaker 2>you already. I already told you what this was from

0:48:02.040 --> 0:48:03.800
<v Speaker 2>the beginning. They're gonna cut me like a fish whatever

0:48:03.840 --> 0:48:06.800
<v Speaker 2>he was saying. So she again hope it is romantics.

0:48:06.840 --> 0:48:09.320
<v Speaker 2>She doesn't want anything to happen to him. And then she

0:48:09.320 --> 0:48:11.279
<v Speaker 2>gets to your point where she's like, I sent him over

0:48:11.280 --> 0:48:13.960
<v Speaker 2>one hundred grand. And so she's at a point where

0:48:13.960 --> 0:48:16.239
<v Speaker 2>she's like, okay, do I cut him off and say, lo,

0:48:16.400 --> 0:48:17.960
<v Speaker 2>that's it. I'm not sending no more. And I don't

0:48:18.040 --> 0:48:21.680
<v Speaker 2>see where this ends, and take and take that loss,

0:48:22.239 --> 0:48:23.800
<v Speaker 2>or it's like, all right, I don't send him a

0:48:23.840 --> 0:48:27.120
<v Speaker 2>hundred thousand already, like I might as well go, I

0:48:27.200 --> 0:48:28.759
<v Speaker 2>might as well go through with this. So she's just

0:48:28.800 --> 0:48:31.359
<v Speaker 2>at a point where she's like, Okay, I'm in too

0:48:31.440 --> 0:48:33.399
<v Speaker 2>deep at this point for me to pull out now

0:48:33.400 --> 0:48:36.240
<v Speaker 2>and never see my hundred grand back, and he dies,

0:48:36.640 --> 0:48:39.239
<v Speaker 2>I don't want that, so let me just continue to

0:48:39.320 --> 0:48:41.320
<v Speaker 2>go on with this, this, this, this journey.

0:48:41.400 --> 0:48:46.600
<v Speaker 3>Don't you work for the government's line? Go howhead? Fucking yeah?

0:48:46.640 --> 0:48:47.920
<v Speaker 3>But Obama to give you that.

0:48:49.600 --> 0:48:52.440
<v Speaker 2>So so ultimately I didn't finish it. But ultimately the

0:48:52.480 --> 0:48:55.520
<v Speaker 2>story is he basically I don't want to spoil it

0:48:55.560 --> 0:48:59.760
<v Speaker 2>for thepol I don't want to spoil it for the listeners.

0:48:59.800 --> 0:49:02.160
<v Speaker 3>If you think it's only one hundred k, no, a

0:49:02.280 --> 0:49:02.680
<v Speaker 3>you are.

0:49:03.880 --> 0:49:05.960
<v Speaker 2>At that point, she had already sent them one hundred k.

0:49:06.200 --> 0:49:07.879
<v Speaker 2>She of course, she sent him way more than that.

0:49:08.080 --> 0:49:09.879
<v Speaker 2>And I think she said it within the two years

0:49:09.880 --> 0:49:11.279
<v Speaker 2>that she sent them money, it was like one point

0:49:11.320 --> 0:49:13.719
<v Speaker 2>seven million, and she said it gets higher than that,

0:49:13.760 --> 0:49:16.000
<v Speaker 2>you know what I mean. So it's like, you know,

0:49:16.040 --> 0:49:18.359
<v Speaker 2>he was just basically milking her. But he had did

0:49:18.360 --> 0:49:21.279
<v Speaker 2>this before with another woman that he had a kid with,

0:49:21.600 --> 0:49:23.759
<v Speaker 2>and then he said, do you know that child? He

0:49:24.160 --> 0:49:26.840
<v Speaker 2>told because he told his girlfriend then or maybe the

0:49:26.880 --> 0:49:28.960
<v Speaker 2>wife wife and his wife he said, do you know

0:49:29.000 --> 0:49:31.040
<v Speaker 2>you can kill a baby just by giving him salt?

0:49:31.080 --> 0:49:34.239
<v Speaker 2>And nobody will ever know. They won't shove, won't show

0:49:34.320 --> 0:49:36.879
<v Speaker 2>an autops. Some sick ass, you just give a baby salt.

0:49:37.840 --> 0:49:39.520
<v Speaker 2>So when he told his wife that, she looked at

0:49:39.560 --> 0:49:41.239
<v Speaker 2>him like what she said. She never left him alone

0:49:41.280 --> 0:49:44.560
<v Speaker 2>with the kid after that, and basically like he just started,

0:49:44.680 --> 0:49:46.600
<v Speaker 2>you know, he went on and found and she just thought, oh,

0:49:46.640 --> 0:49:48.840
<v Speaker 2>maybe he moved on to another woman and did to

0:49:48.880 --> 0:49:50.840
<v Speaker 2>her what he did to me, like basically swindled me

0:49:50.880 --> 0:49:53.920
<v Speaker 2>out of money and all kind of shit. But it's

0:49:53.920 --> 0:49:56.800
<v Speaker 2>a crazy, wild story. It's a good show.

0:49:57.000 --> 0:49:59.759
<v Speaker 5>I've never had tacking lies that amazing. I would like

0:49:59.800 --> 0:50:00.520
<v Speaker 5>to carry it out.

0:50:00.719 --> 0:50:03.200
<v Speaker 3>What was so ill was when she had pushback on

0:50:03.239 --> 0:50:05.279
<v Speaker 3>some of the money towards the end, he was like,

0:50:05.840 --> 0:50:08.279
<v Speaker 3>I talked with the family, they don't think you're ready

0:50:08.320 --> 0:50:08.560
<v Speaker 3>for this.

0:50:10.719 --> 0:50:12.560
<v Speaker 2>See, and that's the ship that a black man. We

0:50:12.560 --> 0:50:14.960
<v Speaker 2>can't get that off. We would stop you acts a

0:50:14.960 --> 0:50:18.960
<v Speaker 2>black woman for four K. She want to know, She's

0:50:19.000 --> 0:50:20.920
<v Speaker 2>like wait, what four thousand dollars for what?

0:50:20.960 --> 0:50:21.400
<v Speaker 1>What's the year?

0:50:21.440 --> 0:50:23.160
<v Speaker 5>You keep saying with black men you couldn't get off.

0:50:23.160 --> 0:50:25.480
<v Speaker 5>No black men could get it off with white women.

0:50:25.800 --> 0:50:27.799
<v Speaker 5>The black woman with the comments.

0:50:27.560 --> 0:50:29.120
<v Speaker 3>And don't do that because I'm getting I told the

0:50:29.120 --> 0:50:33.120
<v Speaker 3>story of Daikwan on this this podcast.

0:50:33.239 --> 0:50:35.959
<v Speaker 2>No, because he pretended I wasn't getting no money though.

0:50:36.239 --> 0:50:37.560
<v Speaker 3>Of course he was just trying to get peace of

0:50:37.600 --> 0:50:39.000
<v Speaker 3>mind from a woman wouldn't leve him alone.

0:50:39.000 --> 0:50:39.600
<v Speaker 2>That's what I'm saying.

0:50:39.600 --> 0:50:42.479
<v Speaker 3>That's he was running game just on like women ship,

0:50:42.600 --> 0:50:44.680
<v Speaker 3>but he wasn't milking him for one point seven?

0:50:44.960 --> 0:50:46.840
<v Speaker 1>Can we get da Kuan on the podcast? Please?

0:50:46.920 --> 0:50:48.040
<v Speaker 3>I probably can find them.

0:50:48.360 --> 0:50:48.800
<v Speaker 1>Please.

0:50:48.880 --> 0:50:50.600
<v Speaker 2>Got the sickest nigga out of though.

0:50:50.800 --> 0:50:54.239
<v Speaker 5>That shit that you are a newer listener the New

0:50:54.320 --> 0:50:56.080
<v Speaker 5>Royal Ma podcast and you're having a.

0:50:56.920 --> 0:51:01.080
<v Speaker 2>Showing him to a candlelight vigil for your death and

0:51:01.120 --> 0:51:05.560
<v Speaker 2>then asking people like yo, what happened? Bro? That is

0:51:05.560 --> 0:51:08.440
<v Speaker 2>a fucking Netflix special waiting to happen. Somebody has to

0:51:08.440 --> 0:51:09.080
<v Speaker 2>write that.

0:51:09.480 --> 0:51:10.839
<v Speaker 3>We should shoot it, bro.

0:51:11.000 --> 0:51:12.120
<v Speaker 2>That is insane.

0:51:12.280 --> 0:51:13.960
<v Speaker 3>We can shoot it at Saint Peter's in the same

0:51:13.960 --> 0:51:14.440
<v Speaker 3>dorm room.

0:51:14.719 --> 0:51:16.600
<v Speaker 2>No, we definitely need to shoot that, bro. Do you

0:51:16.640 --> 0:51:19.760
<v Speaker 2>know how funny that is? Why y'all crying? Like what happened?

0:51:20.280 --> 0:51:22.239
<v Speaker 2>That's a big ass picture you with candles around it,

0:51:22.520 --> 0:51:25.640
<v Speaker 2>you and you on you outside, you outside, Like Yo,

0:51:25.640 --> 0:51:29.040
<v Speaker 2>why y'all crying? You know how that is insane? Bro?

0:51:29.400 --> 0:51:31.960
<v Speaker 3>I mean he pretended to be someone else on the phone,

0:51:31.960 --> 0:51:34.080
<v Speaker 3>the same way old boy did when he was like

0:51:34.080 --> 0:51:35.520
<v Speaker 3>pretending to be the CIA handler.

0:51:36.000 --> 0:51:39.000
<v Speaker 2>What was his name on what the tennis one?

0:51:39.160 --> 0:51:42.120
<v Speaker 3>No? The other one? The uh?

0:51:42.719 --> 0:51:43.960
<v Speaker 2>What was his name he had?

0:51:44.000 --> 0:51:47.120
<v Speaker 3>Like Sara, he had like three different names. Her name

0:51:47.160 --> 0:51:50.160
<v Speaker 3>was Anthony sack Stag when he was pretending to be

0:51:50.280 --> 0:51:54.520
<v Speaker 3>Anthony's fucking CIA handler, Like Anthony is fighting the infidels

0:51:54.600 --> 0:51:56.560
<v Speaker 3>right now. He can't be distracted with your needs.

0:51:58.480 --> 0:52:00.279
<v Speaker 2>And then she kept telling him about her brother. His

0:52:00.360 --> 0:52:04.120
<v Speaker 2>brother brother sees everything, he knows everything, like he'll kill me.

0:52:04.640 --> 0:52:06.319
<v Speaker 2>He was spending a whole lot of bull But it

0:52:06.400 --> 0:52:08.359
<v Speaker 2>was working man, and that and and and the fucked

0:52:08.400 --> 0:52:10.520
<v Speaker 2>up part about it is watch it bad Vegan if

0:52:10.520 --> 0:52:12.279
<v Speaker 2>you haven't seen it. But the fun the part is

0:52:12.320 --> 0:52:14.080
<v Speaker 2>people know the type of people that they can do

0:52:14.120 --> 0:52:16.279
<v Speaker 2>that with. They prey on those type of people that

0:52:16.360 --> 0:52:18.480
<v Speaker 2>are looking for love. That a hope. It's romantics that

0:52:18.520 --> 0:52:21.840
<v Speaker 2>are like gullible and just vulnerable and you know you

0:52:21.840 --> 0:52:24.800
<v Speaker 2>can just tell and it's fucked up, but so sad.

0:52:25.200 --> 0:52:27.280
<v Speaker 2>I mean, it makes for great fucking Netflix.

0:52:27.719 --> 0:52:30.600
<v Speaker 5>Love on your children, raise your children, and don't let

0:52:30.680 --> 0:52:34.480
<v Speaker 5>your children be fucking stupid, because that's where that systems from.

0:52:34.400 --> 0:52:37.360
<v Speaker 3>His pops was in on his lives. Yeah, oh yeah,

0:52:38.000 --> 0:52:38.560
<v Speaker 3>got not him.

0:52:38.560 --> 0:52:40.000
<v Speaker 1>I'm sorry to people who are know what I'm saying.

0:52:40.040 --> 0:52:41.480
<v Speaker 3>I'm saying. No, it's Pops raised him.

0:52:41.800 --> 0:52:43.720
<v Speaker 1>No, not him talking.

0:52:43.880 --> 0:52:46.279
<v Speaker 5>I'm talking about the people who raise children who are

0:52:46.320 --> 0:52:47.160
<v Speaker 5>stupid enough to.

0:52:47.120 --> 0:52:49.560
<v Speaker 3>Believe will stop raising that they can be.

0:52:49.680 --> 0:52:50.239
<v Speaker 1>Part of Rock.

0:52:50.400 --> 0:52:53.040
<v Speaker 5>They can become a part of fucking rockefella if they

0:52:53.200 --> 0:52:54.920
<v Speaker 5>just keep sending money.

0:52:55.040 --> 0:52:59.919
<v Speaker 3>Twenty thousand dollars are you suggesting more? Never mind?

0:53:01.080 --> 0:53:03.480
<v Speaker 2>Well did what why You're always putting me in some bullshit?

0:53:03.640 --> 0:53:06.200
<v Speaker 3>She put Rockefeller into whatever? Just nobody sent you twenty

0:53:06.200 --> 0:53:08.640
<v Speaker 3>grand for like a told shorty like y'all let you

0:53:08.719 --> 0:53:12.560
<v Speaker 3>rad for bigs damn all.

0:53:12.640 --> 0:53:14.080
<v Speaker 1>You definitely could have gotten that ship off.

0:53:14.760 --> 0:53:16.880
<v Speaker 5>I would have been I would have been charging niggas

0:53:16.960 --> 0:53:18.960
<v Speaker 5>so many, so much money for beats. Oh yea, I'm

0:53:18.960 --> 0:53:20.960
<v Speaker 5>gonna bring this to j oh.

0:53:20.920 --> 0:53:22.600
<v Speaker 1>I got mad.

0:53:22.920 --> 0:53:25.520
<v Speaker 3>That's always been a thing. Yeah, it was when I

0:53:25.560 --> 0:53:27.080
<v Speaker 3>was at Death Chair, there was an rs that were

0:53:27.120 --> 0:53:30.120
<v Speaker 3>literally I knew how much they was making. That's why

0:53:30.120 --> 0:53:32.480
<v Speaker 3>I was like, you must have a gambling debt or

0:53:32.480 --> 0:53:34.440
<v Speaker 3>some ship. Why are you charging people for meetings? One

0:53:34.480 --> 0:53:37.800
<v Speaker 3>that's illegal, Two that'll get you fired. Three you making

0:53:38.760 --> 0:53:42.240
<v Speaker 3>a good amount? Why are you charging these fucking artists

0:53:42.280 --> 0:53:43.719
<v Speaker 3>for a meeting that you know you're not gonna sign.

0:53:43.719 --> 0:53:47.360
<v Speaker 3>You're literally gonna just fucking write emails while they're playing you.

0:53:47.320 --> 0:53:48.920
<v Speaker 3>They're bullshit that you're not gonna care for.

0:53:49.400 --> 0:53:50.799
<v Speaker 2>I could have done a lot of fun up, but

0:53:50.840 --> 0:53:52.960
<v Speaker 2>I'm just not that person, Like, that's not fake.

0:53:53.000 --> 0:53:57.200
<v Speaker 5>Off the back end charging people, that was never can

0:53:57.239 --> 0:53:58.399
<v Speaker 5>you play Rory my music?

0:53:58.480 --> 0:53:58.719
<v Speaker 1>Sure?

0:53:59.600 --> 0:54:01.200
<v Speaker 2>And that was that on my thing. People hit me

0:54:01.280 --> 0:54:03.320
<v Speaker 2>up now asking could they pay to, you know, have

0:54:03.440 --> 0:54:06.400
<v Speaker 2>their music. I'm like, bro, I would talk about your

0:54:06.400 --> 0:54:08.600
<v Speaker 2>ship for free like I always do. If it's dope, Like,

0:54:09.239 --> 0:54:11.640
<v Speaker 2>I'm not charging you to talk about your ship. That's corny,

0:54:11.680 --> 0:54:12.799
<v Speaker 2>that like that is just cornery.

0:54:12.840 --> 0:54:15.319
<v Speaker 3>Yeah, but that's why that's why. And this is no

0:54:15.400 --> 0:54:20.160
<v Speaker 3>slight to cameo the company I understand it, and I

0:54:20.200 --> 0:54:20.840
<v Speaker 3>get people to do it.

0:54:20.880 --> 0:54:21.160
<v Speaker 2>I'm not.

0:54:21.680 --> 0:54:24.799
<v Speaker 3>I just feel uncomfortable doing that. Like I know, just

0:54:24.920 --> 0:54:26.880
<v Speaker 3>I'll send a video if you're a supporter to say

0:54:26.920 --> 0:54:27.560
<v Speaker 3>happy birthday.

0:54:28.280 --> 0:54:31.000
<v Speaker 1>That's so corny to me saying that.

0:54:31.520 --> 0:54:33.200
<v Speaker 3>But I've already told Cameo knows that I've been on

0:54:33.200 --> 0:54:35.000
<v Speaker 3>the carse. I just know if there's other ways for

0:54:35.080 --> 0:54:36.560
<v Speaker 3>us work, I'm.

0:54:36.440 --> 0:54:38.720
<v Speaker 1>Just saying it's my birthday.

0:54:38.920 --> 0:54:41.200
<v Speaker 3>I'm ruin better email because I've done it mad times.

0:54:41.239 --> 0:54:41.879
<v Speaker 2>Yeah that's better.

0:54:41.960 --> 0:54:44.040
<v Speaker 3>I've done that thousands of happy birthday videos.

0:54:44.080 --> 0:54:46.320
<v Speaker 2>Yeah, I've done that for free. I'm not charging nobody

0:54:46.360 --> 0:54:47.160
<v Speaker 2>to say happy birthday.

0:54:47.160 --> 0:54:48.200
<v Speaker 3>That's superster.

0:54:48.440 --> 0:54:50.320
<v Speaker 2>There's other ways to get a bag, bro, Like that's

0:54:50.400 --> 0:54:52.479
<v Speaker 2>just that's crazy as fucking me. I'm not doing nothing

0:54:52.600 --> 0:54:52.879
<v Speaker 2>like that.

0:54:53.040 --> 0:54:54.719
<v Speaker 1>Well, my birthday is coming up, so y'all gotta sing

0:54:54.760 --> 0:54:55.799
<v Speaker 1>me Happy birthday.

0:54:56.320 --> 0:54:58.200
<v Speaker 3>Not only give me a ten.

0:54:58.440 --> 0:55:02.560
<v Speaker 1>Ten all right, put it on my tag.

0:55:02.400 --> 0:55:04.800
<v Speaker 3>And first of all, hold on, I've been trying to

0:55:04.800 --> 0:55:07.480
<v Speaker 3>ask de Maris' question, and it's funny. She's talking about

0:55:07.960 --> 0:55:11.680
<v Speaker 3>taking money from music. Your bio says you're the Muse

0:55:11.760 --> 0:55:17.800
<v Speaker 3>from my favorite album. Her Instagram bio says the muse

0:55:18.239 --> 0:55:21.120
<v Speaker 3>for your favorite album. One. You don't know my favorite album.

0:55:21.200 --> 0:55:24.520
<v Speaker 2>To explain this, my favorite album.

0:55:25.160 --> 0:55:26.600
<v Speaker 3>You wasn't even born? Reason what that came out?

0:55:26.640 --> 0:55:28.399
<v Speaker 2>Yeah, you wasn't born when Doggie Style came out?

0:55:28.520 --> 0:55:29.000
<v Speaker 1>What did you?

0:55:29.880 --> 0:55:31.000
<v Speaker 2>Howld you turn into marriage?

0:55:31.040 --> 0:55:33.400
<v Speaker 1>I'm turning twenty eight.

0:55:34.840 --> 0:55:41.200
<v Speaker 2>No, you weren't two or three. Damn d you young?

0:55:41.680 --> 0:55:43.040
<v Speaker 1>You old bitch. I'm not.

0:55:44.640 --> 0:55:50.640
<v Speaker 3>How at supposed to love hearing that, Like, damn you young?

0:55:50.800 --> 0:55:56.720
<v Speaker 2>Like you got no pleas I am.

0:55:56.600 --> 0:55:58.359
<v Speaker 1>Young because my dad keeps talking about some Yeah you're

0:55:58.360 --> 0:56:01.600
<v Speaker 1>pulling up I thirty. He keep reiterating in that shit thirty.

0:56:01.600 --> 0:56:03.359
<v Speaker 2>How old is your dads? Are you pulling up on thirty?

0:56:03.400 --> 0:56:04.200
<v Speaker 2>How old is that? Nigga?

0:56:04.400 --> 0:56:07.160
<v Speaker 5>My dad is fifty if my mom is sixty six,

0:56:07.200 --> 0:56:08.120
<v Speaker 5>my dad is fifty five.

0:56:09.160 --> 0:56:12.040
<v Speaker 2>Well, your dad got a cougar, he was all.

0:56:12.080 --> 0:56:14.440
<v Speaker 3>But her dad is like, he's a Brooklyn fifty five.

0:56:15.360 --> 0:56:16.520
<v Speaker 3>He's not a regular fifty five.

0:56:16.560 --> 0:56:19.040
<v Speaker 2>Your dad ever, didn't need jail toime. No, oh, he

0:56:19.080 --> 0:56:21.239
<v Speaker 2>a real fifty five. See when you do jail time,

0:56:21.239 --> 0:56:22.960
<v Speaker 2>I already figured this out. When niggas do jail time,

0:56:23.000 --> 0:56:25.479
<v Speaker 2>they come home the same age they went in. For sure,

0:56:25.560 --> 0:56:27.160
<v Speaker 2>they try to make a fall that year. Nigga do

0:56:27.160 --> 0:56:29.480
<v Speaker 2>fifteen years? He going when he twenty five, he come

0:56:29.520 --> 0:56:30.640
<v Speaker 2>on forty, he's still twenty five.

0:56:30.680 --> 0:56:32.920
<v Speaker 3>Prisoners are just like child actors whenever they got famous

0:56:32.960 --> 0:56:33.480
<v Speaker 3>at that age.

0:56:33.600 --> 0:56:36.040
<v Speaker 2>Absolutely without a doubt. But if your dad was a

0:56:36.080 --> 0:56:37.360
<v Speaker 2>freeman all his life, a hero.

0:56:37.480 --> 0:56:42.399
<v Speaker 3>So Esse is six days young younger, Yeah yeah, yeah,

0:56:42.400 --> 0:56:43.000
<v Speaker 3>ive alad he was.

0:56:45.160 --> 0:56:47.399
<v Speaker 2>Nah, Jesse did that hard time. Don't do that winning

0:56:47.440 --> 0:56:48.719
<v Speaker 2>there like a man. You know what I'm saying. He ain't

0:56:48.719 --> 0:56:49.320
<v Speaker 2>actual PC.

0:56:49.840 --> 0:56:50.400
<v Speaker 3>I didn't hear it.

0:56:50.480 --> 0:56:52.200
<v Speaker 2>Nah, he ain't actually P. He was on the Yardesse

0:56:52.360 --> 0:56:54.200
<v Speaker 2>was on the yard. He was getting down, he was

0:56:54.200 --> 0:56:54.799
<v Speaker 2>getting out like.

0:56:54.719 --> 0:56:58.200
<v Speaker 3>What Juicy went went through that, so hopefully you have

0:56:58.239 --> 0:57:00.560
<v Speaker 3>to go through that. The Marris Yo, man, I'm not

0:57:00.560 --> 0:57:02.000
<v Speaker 3>fucking with y'all. You tell you can.

0:57:02.040 --> 0:57:03.439
<v Speaker 5>I tell y'a how y'all left me at the fucking

0:57:03.440 --> 0:57:05.840
<v Speaker 5>hook al lowngne and one of y'all met me, but

0:57:06.280 --> 0:57:07.239
<v Speaker 5>both were supposed.

0:57:06.920 --> 0:57:09.960
<v Speaker 2>To come in yet all right, so I didn't even

0:57:10.000 --> 0:57:10.480
<v Speaker 2>know about it.

0:57:10.840 --> 0:57:11.760
<v Speaker 3>So show up this alone.

0:57:12.040 --> 0:57:15.720
<v Speaker 2>So when we left the restaurant and and the marriage

0:57:15.719 --> 0:57:17.440
<v Speaker 2>was saying she was gonna go to the hookah spot,

0:57:17.560 --> 0:57:20.320
<v Speaker 2>I said, okay, I might go over here to this

0:57:20.440 --> 0:57:23.360
<v Speaker 2>other other spot. I'll hit you if I'm going okay,

0:57:23.640 --> 0:57:24.760
<v Speaker 2>the He's like, all right, bet hit me.

0:57:25.480 --> 0:57:25.960
<v Speaker 3>She hits me.

0:57:26.000 --> 0:57:27.600
<v Speaker 2>She's like, yo, I'm at the hookah spot. Just let

0:57:27.600 --> 0:57:29.960
<v Speaker 2>me know if you're gonna go to wherever we was going.

0:57:30.000 --> 0:57:31.240
<v Speaker 3>I didn't get that taxi.

0:57:31.240 --> 0:57:33.400
<v Speaker 2>Right, so I'm like all right, But we asked what

0:57:33.440 --> 0:57:33.680
<v Speaker 2>I did.

0:57:33.720 --> 0:57:34.080
<v Speaker 1>I hit D.

0:57:34.240 --> 0:57:36.840
<v Speaker 2>I said, y'all, I'm five minutes away. D hits me back,

0:57:36.880 --> 0:57:39.000
<v Speaker 2>like twenty minutes later. I don't know what she was

0:57:39.080 --> 0:57:42.200
<v Speaker 2>doing for those twenty minutes sleep. She fell asleep in

0:57:42.240 --> 0:57:43.320
<v Speaker 2>the hook I was outside.

0:57:43.360 --> 0:57:46.160
<v Speaker 5>They had blankets and warm heaters and ship outside and

0:57:46.240 --> 0:57:48.080
<v Speaker 5>like a college you shouldn't sleep yourself.

0:57:48.080 --> 0:57:51.480
<v Speaker 2>Oh yeah, indeed doing that? Yeah, like, don't do that.

0:57:51.680 --> 0:57:54.919
<v Speaker 2>So then D hits me, like, yo, you're still there. Honestly, God,

0:57:55.160 --> 0:57:57.160
<v Speaker 2>what happened was a dude walked off. I was in

0:57:57.160 --> 0:57:59.440
<v Speaker 2>this spot maybe five minutes. A dude walks over and

0:57:59.480 --> 0:58:03.440
<v Speaker 2>throws up on everybody. They got to come out with

0:58:03.480 --> 0:58:06.880
<v Speaker 2>the It looked like soap detergent. The dudes that mops

0:58:06.920 --> 0:58:08.400
<v Speaker 2>the floor, they had no more allign on them all.

0:58:08.440 --> 0:58:10.320
<v Speaker 5>Like he came through up all over the whole section.

0:58:10.720 --> 0:58:12.320
<v Speaker 5>He ain't getting me though, because.

0:58:12.120 --> 0:58:13.480
<v Speaker 2>I was I was standing on the couch.

0:58:14.040 --> 0:58:16.120
<v Speaker 3>That what you standing on the couch? I had them

0:58:16.160 --> 0:58:22.880
<v Speaker 3>back to Greenhouse days was first put your fist a

0:58:22.960 --> 0:58:25.320
<v Speaker 3>couch or like the top of the couch they had

0:58:25.320 --> 0:58:26.920
<v Speaker 3>like they had like the piece of the platform on

0:58:26.920 --> 0:58:28.800
<v Speaker 3>the top of the count. You dug your Jordans into

0:58:28.800 --> 0:58:29.160
<v Speaker 3>that couch.

0:58:29.240 --> 0:58:31.240
<v Speaker 2>Just say no. Man was standing on the top of

0:58:31.280 --> 0:58:32.920
<v Speaker 2>the couch smoking. You know what I was doing. I

0:58:32.960 --> 0:58:33.800
<v Speaker 2>like to stand on the top.

0:58:34.360 --> 0:58:37.560
<v Speaker 3>Everybody used to sell drugs on a bench.

0:58:37.640 --> 0:58:39.800
<v Speaker 2>I just want exactly, you know, I just want to

0:58:39.800 --> 0:58:43.960
<v Speaker 2>see everybody. And that dude walked into the section and

0:58:44.000 --> 0:58:45.840
<v Speaker 2>the girls that were standing there. The dude that was

0:58:45.840 --> 0:58:49.680
<v Speaker 2>standing threw up on everybody's feet, and I was like, yes,

0:58:49.800 --> 0:58:52.080
<v Speaker 2>it's time to go at this point, that's it, that's mark.

0:58:52.120 --> 0:58:53.560
<v Speaker 3>That would have been violence. I'm just crying.

0:58:53.720 --> 0:58:55.760
<v Speaker 2>Throwing up on Nigga's feet and they didn't even know

0:58:55.760 --> 0:58:57.400
<v Speaker 2>who he was walking by, trying to make it to

0:58:57.440 --> 0:58:57.880
<v Speaker 2>the bathroom.

0:58:57.880 --> 0:59:00.760
<v Speaker 3>I think that's a noble I guess he tried. I'm

0:59:00.800 --> 0:59:06.320
<v Speaker 3>just crying at I'm crying at the maras Patrick's day

0:59:06.680 --> 0:59:07.240
<v Speaker 3>that's why we.

0:59:07.280 --> 0:59:09.120
<v Speaker 1>Had a hard day today. It's a hard weekend.

0:59:11.600 --> 0:59:15.520
<v Speaker 3>I didn't say it was a bowler, okay, but damaras

0:59:15.600 --> 0:59:18.200
<v Speaker 3>sending the YO my bad. I would sleep text from

0:59:18.200 --> 0:59:19.040
<v Speaker 3>a hookah couch.

0:59:20.520 --> 0:59:21.200
<v Speaker 2>And I didn't even.

0:59:22.640 --> 0:59:23.320
<v Speaker 1>Like I was knocked.

0:59:23.480 --> 0:59:25.160
<v Speaker 2>She takes you back, like, yo, you're still there. I said,

0:59:25.320 --> 0:59:26.560
<v Speaker 2>I'm about to get out of there. Some dude just

0:59:26.560 --> 0:59:28.880
<v Speaker 2>threw up on everybody's feet. Man, I'm out, And she's like,

0:59:28.880 --> 0:59:31.000
<v Speaker 2>oh yeah, and I'm going to the hotel. That was it.

0:59:31.040 --> 0:59:33.320
<v Speaker 2>I didn't leave her any They came and woke me up.

0:59:33.320 --> 0:59:34.840
<v Speaker 1>They came in to me. He's like, man, we're closing.

0:59:35.840 --> 0:59:37.760
<v Speaker 3>At least they'll let you get some some hours in.

0:59:39.160 --> 0:59:44.560
<v Speaker 2>She had a hotel next door to up. Go to

0:59:44.600 --> 0:59:47.000
<v Speaker 2>your get out of the hookah spot, go to your room.

0:59:47.280 --> 0:59:47.640
<v Speaker 2>You see.

0:59:47.640 --> 0:59:48.800
<v Speaker 3>She dodged that question though.

0:59:48.920 --> 0:59:52.680
<v Speaker 5>Question I don't die ships the question.

0:59:54.440 --> 1:00:00.000
<v Speaker 3>You are the muse to my favorite album?

1:00:00.240 --> 1:00:01.640
<v Speaker 2>Who you be throwing them shot chet?

1:00:02.640 --> 1:00:04.000
<v Speaker 3>That's what I want to know. And I don't want

1:00:04.000 --> 1:00:04.560
<v Speaker 3>to know the album.

1:00:04.800 --> 1:00:07.800
<v Speaker 2>Who's the and who who are you talking to? And

1:00:08.280 --> 1:00:10.600
<v Speaker 2>one guy you're talking to and so on? You know

1:00:10.680 --> 1:00:14.320
<v Speaker 2>his favorite album? She know his favorite album? He told

1:00:14.320 --> 1:00:15.680
<v Speaker 2>her like, yeah, every time I hear this album, I

1:00:15.680 --> 1:00:18.360
<v Speaker 2>think about you. Or maybe it was oh man, know

1:00:18.400 --> 1:00:20.000
<v Speaker 2>what it was an artist that she used to.

1:00:20.120 --> 1:00:22.800
<v Speaker 3>That's That's what I'm getting at. Next to your favorite album.

1:00:23.080 --> 1:00:24.920
<v Speaker 2>Maybe it was a you look like you like you

1:00:24.960 --> 1:00:25.640
<v Speaker 2>go for the producer?

1:00:25.720 --> 1:00:28.000
<v Speaker 3>Wait, I said, reasonable doubt, and she laughed because she

1:00:28.040 --> 1:00:31.480
<v Speaker 3>wasn't alive. She might have been amused to reasonable drought,

1:00:32.080 --> 1:00:34.880
<v Speaker 3>Same city. Oh my, it's one of my favorite albums.

1:00:34.920 --> 1:00:36.680
<v Speaker 1>God, yo, how you did that?

1:00:36.760 --> 1:00:40.240
<v Speaker 3>Man like that? You know what? It's one of my

1:00:40.320 --> 1:00:40.880
<v Speaker 3>favorite albums.

1:00:40.880 --> 1:00:42.720
<v Speaker 5>You know what's so crazy that I have never met

1:00:42.760 --> 1:00:44.640
<v Speaker 5>this man in my entire Fuck.

1:00:45.160 --> 1:00:48.240
<v Speaker 3>Mad relationships with people that never met, Mad relationships, Those

1:00:48.240 --> 1:00:51.000
<v Speaker 3>are the best TV shows out it. Yeah, it's like

1:00:51.040 --> 1:00:52.320
<v Speaker 3>it's fourteenth season.

1:00:54.120 --> 1:00:56.560
<v Speaker 2>Mad, Mad Relationships with people I never met? Are you

1:00:56.640 --> 1:00:57.040
<v Speaker 2>kidding me?

1:00:59.480 --> 1:00:59.600
<v Speaker 1>Get?

1:00:59.640 --> 1:01:01.160
<v Speaker 3>Can I get a bar from the album?

1:01:01.520 --> 1:01:02.200
<v Speaker 2>Album?

1:01:02.600 --> 1:01:04.800
<v Speaker 3>The one there one that you are amusing?

1:01:05.800 --> 1:01:07.880
<v Speaker 1>Can do that? Maybe it's not released, y'all don't know?

1:01:08.320 --> 1:01:09.480
<v Speaker 3>How could it be our favorite?

1:01:10.720 --> 1:01:15.919
<v Speaker 2>It's not out? Oh y'all are sick? Listen?

1:01:15.960 --> 1:01:17.640
<v Speaker 3>Man, But Demerius gotta be nice to me?

1:01:17.720 --> 1:01:17.919
<v Speaker 2>Man?

1:01:18.640 --> 1:01:18.920
<v Speaker 1>Why?

1:01:19.120 --> 1:01:21.920
<v Speaker 3>And and vice versa because Demarus and I have known

1:01:21.920 --> 1:01:22.360
<v Speaker 3>each other for a.

1:01:24.440 --> 1:01:27.800
<v Speaker 2>Got y'all, got y'all little dirt on each other that

1:01:27.920 --> 1:01:31.840
<v Speaker 2>we have very on record with each other.

1:01:32.000 --> 1:01:35.640
<v Speaker 3>Yeah, like I knew Dumerius when she was a Bronx

1:01:35.680 --> 1:01:37.600
<v Speaker 3>crypt y.

1:01:37.960 --> 1:01:42.919
<v Speaker 2>You never tell me you was listen. I'm listening, miss yo.

1:01:46.400 --> 1:01:48.680
<v Speaker 3>First of all, being a Bronx cript is just hilarious.

1:01:49.520 --> 1:01:50.720
<v Speaker 3>You make it all way to the Bronx.

1:01:50.880 --> 1:01:53.440
<v Speaker 1>Rory is a liar. Do not pay Rory no attention.

1:01:54.920 --> 1:01:57.840
<v Speaker 1>It was not a Bronx script, Rory, Rory, I promise

1:01:57.920 --> 1:01:59.200
<v Speaker 1>you I need.

1:01:59.040 --> 1:02:01.320
<v Speaker 2>You with a blue rad because I don't want if

1:02:01.320 --> 1:02:04.000
<v Speaker 2>I go back like no, I don't even know Jamaras

1:02:04.160 --> 1:02:06.680
<v Speaker 2>is working for you like you like yo. You know

1:02:06.760 --> 1:02:09.040
<v Speaker 2>themarriage is the big homie, like if I go uptown

1:02:09.080 --> 1:02:12.560
<v Speaker 2>to hit him, if I go uptown to hear you

1:02:12.640 --> 1:02:15.640
<v Speaker 2>was the big homie Demarics, I'm gonna be mad. I

1:02:15.720 --> 1:02:17.160
<v Speaker 2>was just letting you don't gonna be mad that I

1:02:17.200 --> 1:02:18.520
<v Speaker 2>had to find out from the streets.

1:02:18.760 --> 1:02:19.080
<v Speaker 1>Worry.

1:02:20.120 --> 1:02:22.920
<v Speaker 3>I met Demarus in eating wall projects with a blue rad.

1:02:22.880 --> 1:02:28.160
<v Speaker 5>He's alive, My god, he's a lot. That picture or

1:02:28.240 --> 1:02:30.840
<v Speaker 5>Rory doing that bel air ad and pouring Champagne in

1:02:30.920 --> 1:02:33.360
<v Speaker 5>his mouth, I'm releasing it to the fucking reddis street.

1:02:33.360 --> 1:02:37.280
<v Speaker 1>You do promise you, I promise you that I'm talking about.

1:02:37.160 --> 1:02:37.800
<v Speaker 2>What did you do?

1:02:38.520 --> 1:02:44.920
<v Speaker 3>A definitely? Wait you was still at the time, she

1:02:45.040 --> 1:02:48.560
<v Speaker 3>was still banging. She was knee deep in the streets.

1:02:48.280 --> 1:02:49.919
<v Speaker 1>The magnum bottle of bel air.

1:02:50.080 --> 1:02:53.400
<v Speaker 2>Wait, wait, who playing with? Going to see your mouth?

1:02:53.440 --> 1:02:56.880
<v Speaker 3>Though nobody was pooring belair in my mond, he was

1:02:56.880 --> 1:03:00.560
<v Speaker 3>poor in his own mouth. Oh you so wait, black

1:03:00.600 --> 1:03:05.240
<v Speaker 3>battle boys, what you want from me? Yeah?

1:03:05.240 --> 1:03:07.000
<v Speaker 2>You can't look at man in the d and for yourself,

1:03:07.000 --> 1:03:09.120
<v Speaker 2>the black bottle boys. First of all, I didn't call that.

1:03:09.200 --> 1:03:12.160
<v Speaker 2>Rick Ross called us that you were pouring bell air

1:03:12.240 --> 1:03:15.440
<v Speaker 2>in your mouth? Like how were you sipping from the bottle?

1:03:15.480 --> 1:03:16.600
<v Speaker 2>Were you like waterfalling it?

1:03:16.760 --> 1:03:19.760
<v Speaker 3>Like, I'm trying to remember the day because I know

1:03:19.800 --> 1:03:21.920
<v Speaker 3>the day she's talking about, and I know the picture

1:03:21.960 --> 1:03:23.000
<v Speaker 3>I think she's talking about.

1:03:23.120 --> 1:03:24.080
<v Speaker 1>I got it somewhere.

1:03:24.840 --> 1:03:25.640
<v Speaker 2>That's nasty.

1:03:25.680 --> 1:03:30.480
<v Speaker 3>But this is how nasty the day was. Though we

1:03:30.560 --> 1:03:34.000
<v Speaker 3>had we had done like this charity flag football game

1:03:34.320 --> 1:03:40.880
<v Speaker 3>in the heights in inwood Park, and we made it

1:03:40.920 --> 1:03:42.520
<v Speaker 3>to the finals. In mind you, we had like the

1:03:42.560 --> 1:03:45.160
<v Speaker 3>fucking monstars like it was. It was the All Star

1:03:45.240 --> 1:03:51.120
<v Speaker 3>team from Nike Football Society. We was squatted up get

1:03:51.160 --> 1:03:53.840
<v Speaker 3>to the finals. We play. We played just some some

1:03:53.920 --> 1:03:58.960
<v Speaker 3>regular Dominican dudes from from uptown right. All the refs

1:03:58.960 --> 1:04:03.840
<v Speaker 3>are Dominican. My man's caught caught a touchdown in the

1:04:03.840 --> 1:04:05.440
<v Speaker 3>middle of the end zone. They caught him out of bounce.

1:04:05.560 --> 1:04:08.520
<v Speaker 3>I said, Yo, we are I know a spot in Brooklyn.

1:04:08.560 --> 1:04:13.240
<v Speaker 3>We went from the Heights on a Saturday, from the

1:04:13.320 --> 1:04:17.919
<v Speaker 3>Heights deep into Brooklyn. So maybe when I walked in there,

1:04:18.400 --> 1:04:19.840
<v Speaker 3>bell Air didn't seem so crazy to me.

1:04:23.920 --> 1:04:25.040
<v Speaker 1>I gotta find that picture.

1:04:27.240 --> 1:04:29.520
<v Speaker 3>Maybe maybe bell Air wasn't where I was going to stop.

1:04:29.520 --> 1:04:32.280
<v Speaker 5>That day I got my lab was the first day

1:04:32.280 --> 1:04:33.880
<v Speaker 5>I ever took ecstasy. When I sell you, I got

1:04:33.920 --> 1:04:34.800
<v Speaker 5>my laughs off.

1:04:34.640 --> 1:04:38.000
<v Speaker 3>That day because you was there right where I met you.

1:04:38.040 --> 1:04:40.480
<v Speaker 1>After no, no, no, no, no, you took the picture. I

1:04:40.520 --> 1:04:41.560
<v Speaker 1>think I might have took the picture.

1:04:41.600 --> 1:04:44.520
<v Speaker 5>I watched, no, I watched you take that picture, and

1:04:44.560 --> 1:04:46.080
<v Speaker 5>I said, I know they not sitting up there, poorn

1:04:46.120 --> 1:04:48.720
<v Speaker 5>Belle here in these in front of a camera.

1:04:49.240 --> 1:04:50.080
<v Speaker 2>I'm disappointed.

1:04:50.440 --> 1:04:52.040
<v Speaker 3>Are you sure I just wasn't holding the bottle?

1:04:52.160 --> 1:04:53.400
<v Speaker 1>Nah? Nah, I'm pretty sure.

1:04:55.160 --> 1:04:59.360
<v Speaker 3>Niggas don't just hold bottles fair nor your family created.

1:05:01.800 --> 1:05:04.160
<v Speaker 5>I made a meme and it's remember people were doing

1:05:04.160 --> 1:05:05.720
<v Speaker 5>a straight out of It was around the time straight out

1:05:05.720 --> 1:05:07.240
<v Speaker 5>of Common that came out, and it was straight out

1:05:07.240 --> 1:05:08.400
<v Speaker 5>of Moet underneath them.

1:05:08.520 --> 1:05:11.240
<v Speaker 3>Oh, that was actually a great meme. Yeah, oh yeah,

1:05:11.240 --> 1:05:13.160
<v Speaker 3>I'm just holding the bottle. Come on, I know that picture.

1:05:14.000 --> 1:05:17.360
<v Speaker 2>Oh so you're not pouring in your No, okay, that's different.

1:05:18.000 --> 1:05:19.120
<v Speaker 3>I wasn't driving the boat.

1:05:19.480 --> 1:05:21.240
<v Speaker 2>They caught you mid pour in your mouth.

1:05:22.800 --> 1:05:24.480
<v Speaker 3>But here's the thing. I don't want to sound too cool.

1:05:24.520 --> 1:05:27.000
<v Speaker 3>I probably did that at some point in that jay.

1:05:27.200 --> 1:05:29.520
<v Speaker 2>I don't think that. As long as they didn't capture

1:05:29.720 --> 1:05:31.360
<v Speaker 2>that's all I care about. Don't let that before.

1:05:31.400 --> 1:05:34.080
<v Speaker 3>But I'm about like ninety pounds. I think I'm wearing

1:05:34.120 --> 1:05:36.200
<v Speaker 3>the backwards hat. I look nasty. It's not a good photo.

1:05:36.280 --> 1:05:38.520
<v Speaker 2>Yeah, okay, it's okay. It happens. It happens.

1:05:39.520 --> 1:05:42.600
<v Speaker 5>Yeah, we got to find somebody that knew you back

1:05:42.640 --> 1:05:44.080
<v Speaker 5>in the day, because you ain't always been.

1:05:44.040 --> 1:05:46.640
<v Speaker 2>Super cool fucking as I came out.

1:05:46.760 --> 1:05:47.919
<v Speaker 3>Nah, bro tell me.

1:05:48.120 --> 1:05:50.040
<v Speaker 1>Nah, I'll see some nasty picture.

1:05:50.160 --> 1:05:53.200
<v Speaker 2>You know, everybody got nasty picks. But you're never gonna

1:05:53.200 --> 1:05:55.160
<v Speaker 2>catch me like on some real crazy ship.

1:05:55.240 --> 1:05:57.240
<v Speaker 3>That's because you old as fucking it wasn't cameras like that.

1:05:57.880 --> 1:06:00.919
<v Speaker 2>I'm only nine years older us youth.

1:06:00.960 --> 1:06:05.240
<v Speaker 3>That's a ducking dodge fucking phones that can record everything

1:06:05.240 --> 1:06:07.280
<v Speaker 3>that's happening. You know, terrifying that is is a youth.

1:06:07.960 --> 1:06:10.320
<v Speaker 2>Know, it's definitely some wild pictures out there of me

1:06:10.440 --> 1:06:10.800
<v Speaker 2>for sure.

1:06:10.880 --> 1:06:12.360
<v Speaker 3>Can never relax with these things.

1:06:12.840 --> 1:06:15.080
<v Speaker 5>No, we've asked only one in this room that never

1:06:15.120 --> 1:06:16.440
<v Speaker 5>been in the background of a cipher.

1:06:17.840 --> 1:06:19.080
<v Speaker 1>Yeah, and the hip hop wars.

1:06:19.160 --> 1:06:25.880
<v Speaker 2>Damn fuck that cypher anyway.

1:06:25.120 --> 1:06:29.200
<v Speaker 3>Hold on it. Are we allowed to joke about stuff

1:06:29.200 --> 1:06:31.360
<v Speaker 3>without people thinking we're bitter and like all that shit?

1:06:33.400 --> 1:06:36.960
<v Speaker 3>A but why, I just wish Reddit in the world

1:06:37.000 --> 1:06:39.320
<v Speaker 3>would just let us joke about ship when we're completely

1:06:39.400 --> 1:06:43.680
<v Speaker 3>fond about it. Your man's putting an emoji over your

1:06:43.680 --> 1:06:46.840
<v Speaker 3>face might have been the ig bitch thing I've ever

1:06:46.840 --> 1:06:51.040
<v Speaker 3>seen in my life. That was the most bottle girl

1:06:51.120 --> 1:06:54.760
<v Speaker 3>service post I've ever seen. He putting emoji over your face.

1:06:55.920 --> 1:06:58.080
<v Speaker 3>You know when chicks do that because they love the photo,

1:06:58.200 --> 1:07:00.240
<v Speaker 3>but they don't like the boyfriend anymore, so they put

1:07:00.280 --> 1:07:03.240
<v Speaker 3>like like they don't speak to the girl in the picture.

1:07:05.920 --> 1:07:07.920
<v Speaker 1>We've been drinking, Mall, it's not funny to ma, mam,

1:07:08.040 --> 1:07:08.840
<v Speaker 1>not more sober.

1:07:09.720 --> 1:07:11.880
<v Speaker 2>No, I don't care about that, ya know, y'all know me.

1:07:11.880 --> 1:07:14.600
<v Speaker 2>I don't give a fuck about none of that ship.

1:07:14.480 --> 1:07:17.680
<v Speaker 3>Okay, because I I wanted to laugh about it. I

1:07:17.680 --> 1:07:20.640
<v Speaker 3>only sent it to Jamaricas, but I didn't put it

1:07:20.640 --> 1:07:22.520
<v Speaker 3>in our chat with thcause I laughed.

1:07:22.520 --> 1:07:23.320
<v Speaker 2>But I thought about it.

1:07:23.640 --> 1:07:25.800
<v Speaker 1>But I was with Mall when you said, I said.

1:07:25.680 --> 1:07:29.320
<v Speaker 3>Look, and I was like, because I didn't need I

1:07:29.360 --> 1:07:31.040
<v Speaker 3>didn't know how you were going to react to it.

1:07:31.080 --> 1:07:33.160
<v Speaker 3>And I was in a very silly and fun mood

1:07:33.200 --> 1:07:35.080
<v Speaker 3>when I saw it. I thought it was hysterical, and

1:07:35.080 --> 1:07:37.080
<v Speaker 3>I was like, I want to joke about it, but

1:07:37.120 --> 1:07:39.919
<v Speaker 3>I don't, okay, but I didn't want you to ruin

1:07:40.000 --> 1:07:41.000
<v Speaker 3>our group chat of jokes.

1:07:41.000 --> 1:07:44.600
<v Speaker 2>And I'm not listening. Man, you know me better than that.

1:07:44.680 --> 1:07:46.440
<v Speaker 3>I know that, but I'm not mad.

1:07:46.440 --> 1:07:48.000
<v Speaker 2>I don't care about it like that. I mean, it

1:07:48.040 --> 1:07:48.480
<v Speaker 2>was funny.

1:07:48.920 --> 1:07:51.160
<v Speaker 1>It is that vegan food gave me gas too.

1:07:52.280 --> 1:07:54.080
<v Speaker 2>That we went to eat the vegan food.

1:07:54.200 --> 1:07:56.040
<v Speaker 5>It was good, but it was he gave me a gas.

1:07:56.560 --> 1:07:59.720
<v Speaker 5>My stomach suck that you don't I think it was

1:07:59.760 --> 1:08:01.400
<v Speaker 5>a that fake cheese.

1:08:01.440 --> 1:08:04.360
<v Speaker 2>I don't think you know what was It probably was

1:08:04.400 --> 1:08:05.840
<v Speaker 2>the juice.

1:08:06.920 --> 1:08:09.800
<v Speaker 3>Yeah, that's bad Vegan right there.

1:08:09.840 --> 1:08:14.080
<v Speaker 2>That just that just put you on the top today.

1:08:14.520 --> 1:08:15.800
<v Speaker 3>What with the being.

1:08:17.280 --> 1:08:19.920
<v Speaker 2>You know stove v though, yeah, it would have to

1:08:20.000 --> 1:08:24.280
<v Speaker 2>be stove though. Uh. I could definitely see her in

1:08:24.520 --> 1:08:25.960
<v Speaker 2>Griselda for.

1:08:25.960 --> 1:08:28.280
<v Speaker 1>Sure, not the upstate New York.

1:08:28.320 --> 1:08:32.200
<v Speaker 2>So that big Cryp. You gotta rep big Seeds on them?

1:08:32.479 --> 1:08:36.040
<v Speaker 2>Mm hm Big d with the big Seeds, I could

1:08:36.080 --> 1:08:37.720
<v Speaker 2>say Big Dan, I say, Pauls, I'm talking about you.

1:08:38.120 --> 1:08:38.719
<v Speaker 2>It's not a pause.

1:08:41.120 --> 1:08:42.360
<v Speaker 3>What would your actual cryp name be?

1:08:42.400 --> 1:08:42.599
<v Speaker 5>Though?

1:08:43.040 --> 1:08:47.080
<v Speaker 2>You know what her crip name would be? Yes, baby d.

1:08:47.920 --> 1:08:56.280
<v Speaker 5>Yeah, I worked so hard for this company blow sweating here.

1:08:56.360 --> 1:08:56.840
<v Speaker 1>It's like.

1:08:58.240 --> 1:08:59.920
<v Speaker 3>I just know if you're gonna rep that gonna tell

1:08:59.920 --> 1:09:00.760
<v Speaker 3>you you gotta get down.

1:09:00.760 --> 1:09:01.479
<v Speaker 2>You gotta get down.

1:09:02.040 --> 1:09:06.439
<v Speaker 3>I know you gotta get down with w Anyways, new music.

1:09:06.600 --> 1:09:08.800
<v Speaker 1>Have you guys heard Candy Drip yet?

1:09:09.240 --> 1:09:10.160
<v Speaker 3>Of course I did.

1:09:10.520 --> 1:09:15.040
<v Speaker 2>Lucky Day he delivered. He delivered, no but this one.

1:09:15.040 --> 1:09:18.000
<v Speaker 2>Because we were talking about how this project was important

1:09:18.360 --> 1:09:21.840
<v Speaker 2>for his discography and he did not disappoint at all.

1:09:21.880 --> 1:09:24.600
<v Speaker 2>This album is dope. I love it. Been listening to

1:09:24.640 --> 1:09:25.719
<v Speaker 2>it since it dropped.

1:09:28.200 --> 1:09:32.920
<v Speaker 3>I think Fever's probably my favorite. I like guests, Cherry Forrest.

1:09:32.960 --> 1:09:36.439
<v Speaker 2>I love shout out to Smino too. Not enough people

1:09:36.479 --> 1:09:39.160
<v Speaker 2>talk about Smino for me. You think that's about Yeah,

1:09:39.240 --> 1:09:41.840
<v Speaker 2>like Amino was one of those those those super super

1:09:41.880 --> 1:09:44.720
<v Speaker 2>talented artists. Man that I feel like we should be

1:09:44.880 --> 1:09:45.719
<v Speaker 2>talking about more.

1:09:46.200 --> 1:09:49.479
<v Speaker 3>Yeah, I mean, I feel like in in my world

1:09:49.840 --> 1:09:52.479
<v Speaker 3>Smino's talked about a lot, but in the world heeds.

1:09:52.479 --> 1:09:54.000
<v Speaker 3>But I know I agree, you know what I mean?

1:09:54.200 --> 1:09:56.000
<v Speaker 2>Yeah, so shout out Tomino. But yeah, I like guests.

1:09:56.800 --> 1:10:03.480
<v Speaker 2>Uh fucking sound.

1:10:01.280 --> 1:10:03.439
<v Speaker 3>Not gonna You're just not gonna say the Child's Compassion record,

1:10:03.479 --> 1:10:05.240
<v Speaker 3>no not' school. I heard you. I was looking no no, no,

1:10:05.240 --> 1:10:05.519
<v Speaker 3>no, no no.

1:10:06.680 --> 1:10:08.080
<v Speaker 2>That record is dope. Shout out to the child That

1:10:08.120 --> 1:10:10.360
<v Speaker 2>record is fired. The whole album is fired. Man, I'm

1:10:10.360 --> 1:10:16.240
<v Speaker 2>just trying to look at the deserve is hard over obviously. Yeah, man,

1:10:16.240 --> 1:10:18.439
<v Speaker 2>this is a really good album. It's a really good album.

1:10:18.439 --> 1:10:19.800
<v Speaker 2>Shout out to him. Having Dirk on the R and

1:10:19.800 --> 1:10:22.200
<v Speaker 2>B album, that's that kind of threw me off a

1:10:22.200 --> 1:10:22.559
<v Speaker 2>little bit.

1:10:22.600 --> 1:10:24.639
<v Speaker 3>But yeah, it didn't throw me off all the way there.

1:10:25.120 --> 1:10:27.200
<v Speaker 2>I kind of thought it. The album is dope. Though,

1:10:27.240 --> 1:10:29.760
<v Speaker 2>I mean, well, the song with Dirk is dope. This

1:10:29.800 --> 1:10:31.720
<v Speaker 2>is a really good album. Man, Lucky Day did not

1:10:31.720 --> 1:10:34.200
<v Speaker 2>disappoint with this album. This is a really really good project.

1:10:34.680 --> 1:10:36.760
<v Speaker 2>He sounds great, and I think that I think we

1:10:36.800 --> 1:10:41.080
<v Speaker 2>can say that he is probably the best male R

1:10:41.120 --> 1:10:41.920
<v Speaker 2>and B artist right now.

1:10:42.040 --> 1:10:46.600
<v Speaker 3>I hope this gets him too that next level. The

1:10:46.640 --> 1:10:48.840
<v Speaker 3>only reason why I think it wouldn't is because of

1:10:48.880 --> 1:10:50.559
<v Speaker 3>why I love the album so much, because he made

1:10:50.560 --> 1:10:53.680
<v Speaker 3>a fucking album. Yeah. Yeah, Like he didn't make a

1:10:53.840 --> 1:10:57.840
<v Speaker 3>let me make fifteen joints that will stream well individually.

1:10:58.320 --> 1:11:01.320
<v Speaker 3>He made a whole project. I've always talked about when

1:11:01.320 --> 1:11:04.160
<v Speaker 3>I hate when, especially R and B singers try to

1:11:04.200 --> 1:11:06.960
<v Speaker 3>go to prince. I think he tried his Princes thing

1:11:07.000 --> 1:11:10.400
<v Speaker 3>and it worked. He didn't try to overdo it in

1:11:10.439 --> 1:11:14.920
<v Speaker 3>the beginning of the album. Which record is that feels like? Yeah,

1:11:15.160 --> 1:11:18.200
<v Speaker 3>I really have no gripes about it. Sometimes he went

1:11:18.240 --> 1:11:20.679
<v Speaker 3>a little too Frank Ocean for me on certain parts,

1:11:20.720 --> 1:11:23.599
<v Speaker 3>but I really really love the album. Yeah, this has

1:11:23.640 --> 1:11:27.479
<v Speaker 3>been a project been on repeat Dirk's album. Did you

1:11:27.479 --> 1:11:28.240
<v Speaker 3>listen to it as beginning?

1:11:28.640 --> 1:11:30.960
<v Speaker 2>No, I didn't get into the Dirk album yet, but

1:11:31.000 --> 1:11:31.920
<v Speaker 2>you told me you liked it.

1:11:32.360 --> 1:11:34.439
<v Speaker 3>I do like it, and I'm just gonna sound I'm not.

1:11:35.439 --> 1:11:37.639
<v Speaker 3>It always sounds like a cop out, but it's really

1:11:37.680 --> 1:11:39.280
<v Speaker 3>not in regard of I know, albums that are for

1:11:39.360 --> 1:11:42.280
<v Speaker 3>me and albums that are not for me. Dirk does

1:11:42.400 --> 1:11:46.840
<v Speaker 3>this style of music better than anybody currently do. I

1:11:46.880 --> 1:11:49.160
<v Speaker 3>think with my old ears and the type of stuff,

1:11:49.200 --> 1:11:53.160
<v Speaker 3>I like that. It sounds so much like so many

1:11:53.240 --> 1:11:57.040
<v Speaker 3>other fucking artists that are trying to do this. At

1:11:57.040 --> 1:11:58.559
<v Speaker 3>that point, I'm always going to sound like to get

1:11:58.600 --> 1:12:01.160
<v Speaker 3>off my lawn guy. At that point, I'm not understanding it.

1:12:01.200 --> 1:12:04.599
<v Speaker 3>But but Dirk, as far as like content and substance

1:12:04.640 --> 1:12:06.559
<v Speaker 3>and shit he was talking about, now, Dirk got in

1:12:06.560 --> 1:12:09.320
<v Speaker 3>his fucking bag on this album. I really did like

1:12:09.320 --> 1:12:11.960
<v Speaker 3>it in that regard. It's just that specific filter of

1:12:12.000 --> 1:12:15.120
<v Speaker 3>auto tune that everyone fucking uses. I can't get past.

1:12:15.880 --> 1:12:18.439
<v Speaker 3>I know what you mean, but listening to what he's saying,

1:12:18.760 --> 1:12:21.439
<v Speaker 3>Derk is saying some ship on there, and it's well produced.

1:12:21.439 --> 1:12:22.400
<v Speaker 3>In that regard, I just can't.

1:12:22.400 --> 1:12:22.960
<v Speaker 2>I don't know that.

1:12:23.880 --> 1:12:26.519
<v Speaker 3>I don't dislike that filter at all. I just disliked

1:12:26.520 --> 1:12:29.200
<v Speaker 3>that everyone uses the exact same fucking compression on it

1:12:29.240 --> 1:12:29.960
<v Speaker 3>every single time.

1:12:30.040 --> 1:12:32.160
<v Speaker 2>Yeah, I know what you mean. It's just sonically it

1:12:32.200 --> 1:12:34.240
<v Speaker 2>all sounds the same. Yeah, but well with the con

1:12:34.640 --> 1:12:37.160
<v Speaker 2>obviously with the context and the content and the lyrics

1:12:37.160 --> 1:12:37.880
<v Speaker 2>that Derk is.

1:12:38.080 --> 1:12:41.240
<v Speaker 3>He talked, he talking, writing from he's talking, and he

1:12:41.240 --> 1:12:44.080
<v Speaker 3>sold out the fucking uh What's What's the Bulls Arena?

1:12:45.040 --> 1:12:48.320
<v Speaker 3>United Center? United Center sold out the United Center by himself.

1:12:48.640 --> 1:12:49.400
<v Speaker 3>That's incredible.

1:12:50.160 --> 1:12:52.760
<v Speaker 2>I mean, well he's Chicago's won right now.

1:12:52.800 --> 1:12:56.120
<v Speaker 3>But either way, that's that's incredible. An arena by yourself.

1:12:56.160 --> 1:12:57.320
<v Speaker 3>I don't care who the fuck you are.

1:12:57.400 --> 1:13:00.880
<v Speaker 2>Shout out to uh, shout out to uh. Dirk. I

1:13:00.880 --> 1:13:01.920
<v Speaker 2>gotta check that album out.

1:13:02.080 --> 1:13:04.080
<v Speaker 3>And he tweeted when he sold it out, I'm gonna

1:13:04.120 --> 1:13:06.080
<v Speaker 3>bring a bunch of Chicago artists to give him the

1:13:06.080 --> 1:13:08.080
<v Speaker 3>shot that I never got. So I think that's just

1:13:08.120 --> 1:13:11.240
<v Speaker 3>gonna be a night full of even if you not

1:13:12.080 --> 1:13:13.840
<v Speaker 3>quote unquote popping to the rest of the world, if

1:13:13.840 --> 1:13:17.040
<v Speaker 3>you popping in Chicago, you're gonna get on that stage.

1:13:17.640 --> 1:13:19.240
<v Speaker 2>Dope. I mean, like he's he's the one out of

1:13:19.280 --> 1:13:21.320
<v Speaker 2>out of Chicago. He's the one that if he's you know,

1:13:21.360 --> 1:13:24.479
<v Speaker 2>the city's gonna come together behind the music and you know,

1:13:24.680 --> 1:13:28.559
<v Speaker 2>really do some dope ship. It would be obviously Kanye, yes,

1:13:29.360 --> 1:13:31.600
<v Speaker 2>but it would be you know, as far as the

1:13:31.720 --> 1:13:34.240
<v Speaker 2>younger guys, it would be Dirk. Dave's dropped the project.

1:13:34.240 --> 1:13:36.840
<v Speaker 2>How did I get here? Did you check it out yet?

1:13:36.840 --> 1:13:37.439
<v Speaker 3>I haven't yet.

1:13:37.880 --> 1:13:42.080
<v Speaker 2>It's a short project, non tracts, thirty four minutes. It's

1:13:42.840 --> 1:13:44.479
<v Speaker 2>now you got some choice here. They've got some joints

1:13:44.479 --> 1:13:46.200
<v Speaker 2>on here. The joint with him and Benny is hard.

1:13:46.800 --> 1:13:49.559
<v Speaker 2>Deep in love with music is hard? Who else put

1:13:49.560 --> 1:13:56.439
<v Speaker 2>some shit out? Uh? Joelle and Crooked Joel, Joel Ortiz King, Crooked,

1:13:56.640 --> 1:13:59.679
<v Speaker 2>Rise and Fall of slaughter House album came out.

1:14:00.160 --> 1:14:01.800
<v Speaker 3>Did you hear? Did you check it out? I did?

1:14:02.439 --> 1:14:02.960
<v Speaker 2>What did you think?

1:14:03.000 --> 1:14:04.360
<v Speaker 3>I was in the gym going crazy?

1:14:04.560 --> 1:14:06.400
<v Speaker 2>Yeah, good Jim track, good gym tracks.

1:14:06.439 --> 1:14:09.679
<v Speaker 3>There were some gym tracks on there. I did enjoy

1:14:09.680 --> 1:14:12.280
<v Speaker 3>the project. I think I went in there, which isn't

1:14:12.320 --> 1:14:15.400
<v Speaker 3>fair to the two of them, because the rollout was

1:14:15.439 --> 1:14:18.000
<v Speaker 3>so spicy. I kind of went in there like, oh,

1:14:19.120 --> 1:14:22.360
<v Speaker 3>Crook and Joel are about to like really go at

1:14:22.680 --> 1:14:25.360
<v Speaker 3>the other two. And I had to remind myself, Oh,

1:14:25.360 --> 1:14:28.120
<v Speaker 3>the album was done before everything got spicy, and they

1:14:28.160 --> 1:14:30.600
<v Speaker 3>were probably trying to actually be sort of respectful to

1:14:31.400 --> 1:14:32.479
<v Speaker 3>what they deemed friends.

1:14:32.520 --> 1:14:35.439
<v Speaker 2>Well, I think Joel made that statement he wished he

1:14:35.439 --> 1:14:37.360
<v Speaker 2>would have known it was going to be received like

1:14:37.400 --> 1:14:41.160
<v Speaker 2>this by the other two, his other two group mates,

1:14:41.800 --> 1:14:43.280
<v Speaker 2>because he said he would have gotten a little more

1:14:43.320 --> 1:14:45.880
<v Speaker 2>spicy on the album. I think he did allude to

1:14:45.920 --> 1:14:49.560
<v Speaker 2>something like that. But either way, all that shit aside,

1:14:49.800 --> 1:14:52.639
<v Speaker 2>the album is good. There's some good tracks on there,

1:14:53.280 --> 1:14:57.240
<v Speaker 2>good production, the Coasting track that I love. Coasting track

1:14:57.360 --> 1:15:03.520
<v Speaker 2>is one of my favorite Johnson in there backstage Floodwaters, Floodwaters.

1:15:04.560 --> 1:15:08.320
<v Speaker 2>I don't want to lead with like critiques, but yeah,

1:15:08.320 --> 1:15:08.920
<v Speaker 2>we talked about it.

1:15:09.120 --> 1:15:11.240
<v Speaker 3>I just feel like this is not even directly to

1:15:12.040 --> 1:15:15.040
<v Speaker 3>this album per se, but all like the real rappers

1:15:15.080 --> 1:15:18.800
<v Speaker 3>that I love, I do want them to do more

1:15:18.840 --> 1:15:21.160
<v Speaker 3>shit with R and B hooks and everything, but they

1:15:21.200 --> 1:15:25.559
<v Speaker 3>need to have the right producer and mixer and R

1:15:25.600 --> 1:15:28.720
<v Speaker 3>and B artists for that for that matter in there

1:15:28.720 --> 1:15:30.479
<v Speaker 3>with them when they go that type of route, because

1:15:31.240 --> 1:15:34.439
<v Speaker 3>so many rappers like that really wrap. Their network is

1:15:34.680 --> 1:15:37.040
<v Speaker 3>people that work on shit that really rap. So their

1:15:37.080 --> 1:15:39.200
<v Speaker 3>mixers are great, but their mixers only know how to

1:15:39.240 --> 1:15:42.800
<v Speaker 3>mix rap vocals. Their producers are great, but a lot

1:15:42.840 --> 1:15:44.960
<v Speaker 3>of times those producers just know how to do that

1:15:45.000 --> 1:15:48.000
<v Speaker 3>specific sound, how to mix that specific sound. So when

1:15:48.000 --> 1:15:51.000
<v Speaker 3>you get Floodwaters, to me, could have been like a

1:15:51.000 --> 1:15:54.960
<v Speaker 3>classic joint. And I'm not mad at the gentleman that's

1:15:55.000 --> 1:15:56.360
<v Speaker 3>on the hook. I like the hook and I love

1:15:56.400 --> 1:15:58.880
<v Speaker 3>his tone, but it's super bare, like they need to

1:15:58.920 --> 1:16:02.400
<v Speaker 3>stack his vocals create that shit needs to be definitely

1:16:02.479 --> 1:16:06.360
<v Speaker 3>mixed differently. I love Floodwaters, but why I don't like

1:16:06.439 --> 1:16:08.560
<v Speaker 3>it is because I feel like it's you missed some

1:16:08.600 --> 1:16:09.120
<v Speaker 3>of classic.

1:16:09.160 --> 1:16:11.439
<v Speaker 2>You're being a being a nerd super nerves.

1:16:11.840 --> 1:16:13.640
<v Speaker 3>I feel like it was an opportunity to literally make

1:16:13.680 --> 1:16:16.679
<v Speaker 3>a real classic record and they missed the mark on it.

1:16:17.720 --> 1:16:19.519
<v Speaker 3>But I love the record, If that makes sense. I

1:16:19.560 --> 1:16:20.200
<v Speaker 3>sided like hate.

1:16:20.320 --> 1:16:22.360
<v Speaker 2>Trust me, I know I know exactly what you mean.

1:16:22.600 --> 1:16:25.160
<v Speaker 2>I like fuck Glasshouse, hate the hook. It's the hook

1:16:25.240 --> 1:16:27.280
<v Speaker 2>is I like the energy of it though, you know

1:16:28.320 --> 1:16:29.000
<v Speaker 2>that fun that.

1:16:28.960 --> 1:16:31.800
<v Speaker 3>Album funny to be if someone just screaming in a booth.

1:16:32.560 --> 1:16:34.280
<v Speaker 2>Yes, that's why I said, I love the energy. I

1:16:34.320 --> 1:16:36.040
<v Speaker 2>don't really like the hook, but I love the energy

1:16:36.040 --> 1:16:36.719
<v Speaker 2>of that track.

1:16:36.720 --> 1:16:38.680
<v Speaker 3>And booths are usually glass That's why I just had

1:16:38.680 --> 1:16:39.679
<v Speaker 3>a picture in my head.

1:16:40.200 --> 1:16:42.200
<v Speaker 2>I like the fact that they were honest with their

1:16:42.200 --> 1:16:45.519
<v Speaker 2>fan base. They told their side of the story. So

1:16:46.160 --> 1:16:47.880
<v Speaker 2>I mean that's what hip hop is, That's what the

1:16:47.960 --> 1:16:51.000
<v Speaker 2>art is is about telling your stories and and you know,

1:16:51.040 --> 1:16:54.320
<v Speaker 2>painting the pictures for people to to listen to and

1:16:54.360 --> 1:16:57.320
<v Speaker 2>to understand. I think they did a real good job

1:16:57.360 --> 1:17:00.479
<v Speaker 2>executing that. The lyrics always going to be top tier.

1:17:00.640 --> 1:17:04.280
<v Speaker 2>You're talking about Crooking Crook and Joelotz. That wasn't something

1:17:04.320 --> 1:17:06.320
<v Speaker 2>that we were worried about as far as lyrics. I

1:17:06.360 --> 1:17:09.160
<v Speaker 2>think we were molso how is it gonna sound sonically?

1:17:09.960 --> 1:17:13.160
<v Speaker 2>The music, the hooks, things like that, And they did

1:17:13.160 --> 1:17:15.720
<v Speaker 2>a good job with this project. I wasn't mad at

1:17:15.720 --> 1:17:18.479
<v Speaker 2>this project at all. Real real good rapping, good hooks,

1:17:18.479 --> 1:17:19.120
<v Speaker 2>good tracks.

1:17:19.360 --> 1:17:19.880
<v Speaker 3>Uh.

1:17:20.560 --> 1:17:21.759
<v Speaker 2>I know heat Makers did.

1:17:21.640 --> 1:17:23.840
<v Speaker 3>A lot of this, Okay, I actually didn't look at you.

1:17:23.880 --> 1:17:26.040
<v Speaker 2>I think he Makers did a lot of production on

1:17:26.080 --> 1:17:29.560
<v Speaker 2>this joint which Joel has a history with him and

1:17:29.800 --> 1:17:32.720
<v Speaker 2>his rescuece fred Fred Godson did some joints with the

1:17:32.720 --> 1:17:36.080
<v Speaker 2>heat Makers. Uh yeah, man. And they were just honest

1:17:36.120 --> 1:17:37.800
<v Speaker 2>man with their with their fans. A lot of things

1:17:37.800 --> 1:17:41.000
<v Speaker 2>that they you know, they put out there was interesting

1:17:41.000 --> 1:17:42.599
<v Speaker 2>to hear. I didn't know that a lot of those

1:17:42.600 --> 1:17:45.679
<v Speaker 2>things were going on behind behind the scenes, behind closed doors.

1:17:45.680 --> 1:17:48.559
<v Speaker 2>But you know, I mean, I think we got a

1:17:48.600 --> 1:17:51.320
<v Speaker 2>lot of answers and let a lot of insight onto

1:17:51.320 --> 1:17:52.559
<v Speaker 2>what the situation really was.

1:17:53.680 --> 1:17:56.320
<v Speaker 3>Let me let me, let me post some questions. May

1:17:56.400 --> 1:18:04.200
<v Speaker 3>not be my feelings. I do understand that everything got

1:18:04.200 --> 1:18:07.960
<v Speaker 3>spicy during the rollout and the album was done. But

1:18:08.080 --> 1:18:12.080
<v Speaker 3>I learned more about the situation, even as someone that

1:18:12.160 --> 1:18:14.879
<v Speaker 3>at one point was I wouldn't say on the inside,

1:18:14.880 --> 1:18:17.519
<v Speaker 3>that's still those four Gentlemen's group, I have nothing to

1:18:17.560 --> 1:18:20.200
<v Speaker 3>do with it, but being I was, I was a

1:18:20.200 --> 1:18:23.799
<v Speaker 3>friend of one of the members, so I obviously get information,

1:18:24.280 --> 1:18:28.639
<v Speaker 3>obviously just his side. I learned more even from being

1:18:28.680 --> 1:18:31.240
<v Speaker 3>on the inside from the rollout than I did on

1:18:31.280 --> 1:18:35.320
<v Speaker 3>the album. And I'm typically one of the people that

1:18:35.360 --> 1:18:38.439
<v Speaker 3>prefers people to make music about drama rather than ig

1:18:38.640 --> 1:18:42.360
<v Speaker 3>live about drama. But with this being back to the

1:18:42.360 --> 1:18:45.120
<v Speaker 3>cyber conversation, a concept album to some degree because it

1:18:45.160 --> 1:18:51.639
<v Speaker 3>is about's going on, I didn't really get much about

1:18:51.680 --> 1:18:57.200
<v Speaker 3>the rise and fall that wasn't already in those quick lives,

1:18:57.200 --> 1:18:59.760
<v Speaker 3>Like I feel like that really could have been a

1:18:59.760 --> 1:19:04.960
<v Speaker 3>conversation that maybe they just legitimately had in public before

1:19:05.000 --> 1:19:07.760
<v Speaker 3>this album came out. I enjoy the music. I just

1:19:07.760 --> 1:19:11.360
<v Speaker 3>don't know if it was needed, if the music this

1:19:11.400 --> 1:19:13.880
<v Speaker 3>is all in retrospect in hindsight's twenty twenty. I'm I'm

1:19:13.920 --> 1:19:16.599
<v Speaker 3>not in Jewel or Crook's position and would never talk

1:19:16.800 --> 1:19:19.439
<v Speaker 3>like that. I know they were how they felt about

1:19:19.439 --> 1:19:21.320
<v Speaker 3>it and was like, nah do I'm gonna rap? I

1:19:21.320 --> 1:19:22.960
<v Speaker 3>care about the fans. I'm gonna tell my side.

1:19:23.000 --> 1:19:23.320
<v Speaker 2>Fuck that.

1:19:25.680 --> 1:19:27.559
<v Speaker 3>Hindsight is always twenty twenty. It just feels like the

1:19:27.560 --> 1:19:31.120
<v Speaker 3>information that was put in here, had they not had

1:19:31.160 --> 1:19:34.840
<v Speaker 3>the spicy crazy rollout, shit, did the fans get much

1:19:34.840 --> 1:19:37.960
<v Speaker 3>out of this as far as information of why the

1:19:37.960 --> 1:19:40.160
<v Speaker 3>group isn't the group outside of Crook had a deal

1:19:40.160 --> 1:19:44.559
<v Speaker 3>on the table and Joe wouldn't call him. That's all

1:19:44.560 --> 1:19:47.160
<v Speaker 3>I'm saying. As far as the content from the album,

1:19:47.280 --> 1:19:49.600
<v Speaker 3>let's get the spicy rollout out of here. Did we

1:19:49.680 --> 1:19:53.160
<v Speaker 3>learn anything about the rise in won? Yes, I don't

1:19:53.160 --> 1:19:57.759
<v Speaker 3>think we did. I love I love what they were saying.

1:19:58.160 --> 1:20:00.280
<v Speaker 3>I can relate to it, even outside of ours situation

1:20:00.360 --> 1:20:02.080
<v Speaker 3>with that. I can just relate to that type of

1:20:02.120 --> 1:20:04.880
<v Speaker 3>shit they talking. But I don't know if I learned

1:20:04.880 --> 1:20:06.280
<v Speaker 3>about the Rise in Falls slaughter House.

1:20:06.760 --> 1:20:09.559
<v Speaker 2>I mean, I think we learned from from the album.

1:20:09.640 --> 1:20:11.120
<v Speaker 2>We learned some of it. I don't think it was

1:20:11.320 --> 1:20:14.120
<v Speaker 2>as complex as maybe we thought as fans and as

1:20:14.200 --> 1:20:16.559
<v Speaker 2>listeners and supporters of the group. I don't think it

1:20:16.600 --> 1:20:19.320
<v Speaker 2>was as complex as we thought it was. So maybe

1:20:19.360 --> 1:20:21.000
<v Speaker 2>that's where it falls short as far as you're saying

1:20:21.160 --> 1:20:24.040
<v Speaker 2>we didn't really learn, Like they basically said what it was.

1:20:24.040 --> 1:20:25.720
<v Speaker 2>It was like we were trying to do something. One

1:20:25.880 --> 1:20:28.320
<v Speaker 2>one member was saying they was retired, the other one

1:20:28.400 --> 1:20:30.240
<v Speaker 2>was saying, when when I'm not doing them with just

1:20:30.280 --> 1:20:34.080
<v Speaker 2>three of us. I think that's basically it. It was

1:20:34.120 --> 1:20:37.479
<v Speaker 2>just like that. It wasn't no real salacious, deep, like

1:20:37.640 --> 1:20:41.080
<v Speaker 2>long drawn out issue. It was like, okay, but here.

1:20:41.360 --> 1:20:43.479
<v Speaker 3>And I guess my point is with that, and maybe

1:20:43.479 --> 1:20:46.479
<v Speaker 3>that could just be how we're conditioned with fucking media

1:20:46.479 --> 1:20:50.519
<v Speaker 3>and everything being salacious and clickbaity m When I see

1:20:50.560 --> 1:20:52.320
<v Speaker 3>the Rise in Falls slaughter House, I think it's about

1:20:52.320 --> 1:20:53.880
<v Speaker 3>to tell me the Rise in fALS slaughter House. Now

1:20:54.000 --> 1:20:57.000
<v Speaker 3>they put out this album with a different title and

1:20:57.040 --> 1:21:00.439
<v Speaker 3>said this exact same thing. Would have equally loved it

1:21:01.640 --> 1:21:04.400
<v Speaker 3>and just thought they're just telling me what's going on?

1:21:04.520 --> 1:21:06.160
<v Speaker 3>What's going on? Like, if you're going to tell the

1:21:06.200 --> 1:21:08.800
<v Speaker 3>Rise of fALS Slaughterhouse, let's do the rise in fALS Slaughterhouse.

1:21:09.000 --> 1:21:09.599
<v Speaker 3>Let's not happen?

1:21:09.640 --> 1:21:10.000
<v Speaker 2>Wanted to do?

1:21:10.080 --> 1:21:12.679
<v Speaker 3>To be more, this could have been called it another

1:21:13.439 --> 1:21:15.840
<v Speaker 3>album with the exact same content. Still would have loved it,

1:21:15.920 --> 1:21:16.840
<v Speaker 3>still would have championed it.

1:21:17.400 --> 1:21:19.280
<v Speaker 2>Called it that pig is cooked. You would have been

1:21:20.360 --> 1:21:23.360
<v Speaker 2>you would have put it, put an apple on that mouth, yeah, whatever.

1:21:23.400 --> 1:21:24.960
<v Speaker 2>You would have been like, all right, cool. But when

1:21:25.000 --> 1:21:28.240
<v Speaker 2>you name it Rise and Fall, you're thinking, like, holy ship, No,

1:21:28.479 --> 1:21:30.160
<v Speaker 2>I want to hear about how this thing started and

1:21:30.200 --> 1:21:31.120
<v Speaker 2>how it ended.

1:21:31.720 --> 1:21:32.680
<v Speaker 3>Every detail you can think.

1:21:32.720 --> 1:21:34.400
<v Speaker 2>And they gave us that. Joel gave us the bars

1:21:34.400 --> 1:21:36.040
<v Speaker 2>of how it started when he was on the song

1:21:36.120 --> 1:21:37.559
<v Speaker 2>and then he said something he gave us.

1:21:37.600 --> 1:21:39.639
<v Speaker 3>I loved. I loved that Joel was talking to Ship

1:21:39.720 --> 1:21:41.439
<v Speaker 3>on that like fam I was, I was popping. I didn't,

1:21:41.760 --> 1:21:42.479
<v Speaker 3>I was in rotation.

1:21:43.400 --> 1:21:45.080
<v Speaker 2>So we got some of it. I don't just I

1:21:45.120 --> 1:21:48.160
<v Speaker 2>just think it wasn't as juicy of a story as

1:21:48.160 --> 1:21:50.599
<v Speaker 2>you were hoping it to be. That's what I think

1:21:50.600 --> 1:21:52.719
<v Speaker 2>it was. But we I think, but god no, But.

1:21:52.680 --> 1:21:55.479
<v Speaker 3>If you look at the juiciness of the rollout with

1:21:55.600 --> 1:21:58.840
<v Speaker 3>all of them going back and forth. We know there's details.

1:21:59.280 --> 1:22:01.719
<v Speaker 2>That's just because that's a lot of emotion and shocking

1:22:01.800 --> 1:22:03.479
<v Speaker 2>forth that type of shit. I don't think when they

1:22:03.520 --> 1:22:07.000
<v Speaker 2>recorded these songs, I don't think it was that much

1:22:07.000 --> 1:22:10.400
<v Speaker 2>emotion and that much like I think Joel said he didn't.

1:22:10.479 --> 1:22:12.120
<v Speaker 2>He didn't think that they would receive it like that

1:22:12.240 --> 1:22:14.520
<v Speaker 2>and have this type of negative energy.

1:22:14.240 --> 1:22:16.200
<v Speaker 3>Towards it either way.

1:22:16.600 --> 1:22:18.760
<v Speaker 2>You know, I mean, it's it's a personal situation to

1:22:19.080 --> 1:22:21.960
<v Speaker 2>those gentlemen for sure, and you know it is what

1:22:22.040 --> 1:22:25.280
<v Speaker 2>it is. I think that you know, this chapter seemingly

1:22:25.400 --> 1:22:27.240
<v Speaker 2>is over with. They close it doing that, and everyone's

1:22:27.240 --> 1:22:31.720
<v Speaker 2>moving forward in their lives doing what they do. And listen, man,

1:22:31.800 --> 1:22:35.080
<v Speaker 2>keep doing what y'all do, respectively, rapping and give the

1:22:35.080 --> 1:22:35.880
<v Speaker 2>people good music.

1:22:38.560 --> 1:22:45.240
<v Speaker 3>Royce was on our former podcast, Yeah, and he said

1:22:45.280 --> 1:22:49.360
<v Speaker 3>he said something that that threw me off. He was

1:22:49.360 --> 1:22:51.800
<v Speaker 3>talking about Joelle and Crook, and I understood that didn't

1:22:51.800 --> 1:22:55.040
<v Speaker 3>throw me off, but he said, keep all that negative

1:22:55.360 --> 1:22:59.720
<v Speaker 3>Joel crooked more energy away from me. That threw me

1:22:59.760 --> 1:23:01.240
<v Speaker 3>the off. I was like, wait, what am I do?

1:23:06.040 --> 1:23:10.439
<v Speaker 2>You know? And you know, people send me the clip.

1:23:11.320 --> 1:23:16.120
<v Speaker 2>Uh when it happened, when it came out, and people

1:23:16.160 --> 1:23:18.000
<v Speaker 2>had the same questions for me, like, you know, they

1:23:18.040 --> 1:23:19.839
<v Speaker 2>missed what I said, and I was like, I was confused.

1:23:19.840 --> 1:23:24.680
<v Speaker 2>I didn't know what happened. But I thought long and

1:23:24.720 --> 1:23:26.680
<v Speaker 2>hard about it. You know, I listened to it, and

1:23:28.040 --> 1:23:31.240
<v Speaker 2>you know, I decided I don't. I don't want to

1:23:31.240 --> 1:23:33.360
<v Speaker 2>address it publicly.

1:23:33.760 --> 1:23:37.479
<v Speaker 3>Okay, because I feel like.

1:23:39.080 --> 1:23:42.439
<v Speaker 2>If those were the emotions behind something I said, uh,

1:23:42.520 --> 1:23:48.160
<v Speaker 2>it's a it's a personal relationship there, and I think,

1:23:48.240 --> 1:23:52.040
<v Speaker 2>I think, well, I hope that Royce knows that I

1:23:52.080 --> 1:23:54.640
<v Speaker 2>have nothing but love and respect for him, that I

1:23:54.640 --> 1:23:57.080
<v Speaker 2>have nothing but love and respect for Joelle. I have

1:23:57.120 --> 1:24:00.320
<v Speaker 2>nothing but love and respect for Crook. So so I

1:24:00.360 --> 1:24:04.519
<v Speaker 2>would never like, I don't. My thing is to never

1:24:04.560 --> 1:24:09.400
<v Speaker 2>sit on my platform and talk negative negatively about people,

1:24:09.960 --> 1:24:11.760
<v Speaker 2>whether I know you're not, especially if I know you

1:24:11.840 --> 1:24:13.720
<v Speaker 2>and not have a personal relationship. I'm not sitting on

1:24:13.760 --> 1:24:19.040
<v Speaker 2>here talking negative negatively about you. So I won't address

1:24:19.080 --> 1:24:20.759
<v Speaker 2>it because I don't want to get into it because

1:24:20.800 --> 1:24:24.679
<v Speaker 2>I I feel like that's a personal conversation that hopefully

1:24:24.760 --> 1:24:28.719
<v Speaker 2>voice and the eye one day have. Yeah. But away

1:24:28.720 --> 1:24:34.240
<v Speaker 2>from that, I don't. Music comes out. You put music out,

1:24:34.520 --> 1:24:37.160
<v Speaker 2>things happen. You know, I may not like a record,

1:24:37.160 --> 1:24:38.680
<v Speaker 2>I may not like a song. That doesn't mean I

1:24:38.680 --> 1:24:40.160
<v Speaker 2>don't like the artist. That doesn't mean I have a

1:24:40.479 --> 1:24:42.280
<v Speaker 2>I feel some type way toward the artists or whatever.

1:24:43.640 --> 1:24:45.360
<v Speaker 2>I just think it's a it's a thing right now

1:24:45.400 --> 1:24:51.000
<v Speaker 2>where you know, I don't know where emotions are or

1:24:51.040 --> 1:24:55.040
<v Speaker 2>where true feelings are when it comes to me and

1:24:55.080 --> 1:24:59.840
<v Speaker 2>certain individuals because of whatever reason, maybe certain people don't

1:24:59.880 --> 1:25:03.120
<v Speaker 2>like certain things I say on my platform. Maybe people

1:25:03.120 --> 1:25:06.720
<v Speaker 2>don't like certain decisions that I've made, or you know,

1:25:06.760 --> 1:25:09.479
<v Speaker 2>certain energy that I have towards other people, Like I

1:25:09.479 --> 1:25:12.479
<v Speaker 2>don't ever want the lines to get crossed. I think

1:25:12.479 --> 1:25:14.880
<v Speaker 2>that you know, I'm very clear and things I say,

1:25:15.960 --> 1:25:19.880
<v Speaker 2>my intentions are negative, never negative. Like I said, people

1:25:19.960 --> 1:25:21.720
<v Speaker 2>that I don't fuck with, No, I don't fuck with them.

1:25:22.800 --> 1:25:24.559
<v Speaker 2>That's what I'm saying. That they don't. They don't have to.

1:25:24.800 --> 1:25:27.679
<v Speaker 2>That doesn't have to be questioned. If if Maul doesn't

1:25:27.680 --> 1:25:29.040
<v Speaker 2>fuck with you, you know, I don't fuck with you.

1:25:29.080 --> 1:25:31.160
<v Speaker 2>If I have some feelings towards you, I'm not you

1:25:31.280 --> 1:25:35.640
<v Speaker 2>know that I'm not fake, I'm not phony. And it

1:25:35.680 --> 1:25:38.080
<v Speaker 2>was it was just shocking to hear that type of

1:25:38.200 --> 1:25:40.160
<v Speaker 2>energy directing towards me, because I'm like, damn, I didn't

1:25:40.160 --> 1:25:41.720
<v Speaker 2>even say nothing, you know what I mean. All I

1:25:41.800 --> 1:25:45.080
<v Speaker 2>said was I don't think that they're wrong for moving on.

1:25:45.160 --> 1:25:46.439
<v Speaker 2>But I would have said the same thing had it

1:25:46.560 --> 1:25:48.360
<v Speaker 2>been the other way, I would have said the same

1:25:48.400 --> 1:25:53.400
<v Speaker 2>exact thing, like I support those guys in music and

1:25:53.479 --> 1:25:55.320
<v Speaker 2>whatever they decide to do, you know what I'm saying, Like,

1:25:56.080 --> 1:26:00.400
<v Speaker 2>people obviously know my feelings towards you know, one of

1:26:00.400 --> 1:26:04.920
<v Speaker 2>the gentlemen now, but that doesn't mean that I have

1:26:05.040 --> 1:26:07.400
<v Speaker 2>any energy towards the rest of those guys, you know

1:26:07.439 --> 1:26:08.920
<v Speaker 2>what I'm saying. So that's why I was. I was

1:26:08.920 --> 1:26:09.840
<v Speaker 2>really confused by that.

1:26:09.920 --> 1:26:13.280
<v Speaker 3>But we just were with Royce and yeah.

1:26:13.200 --> 1:26:15.320
<v Speaker 2>Like so you know again, man, I you know, I

1:26:15.439 --> 1:26:18.400
<v Speaker 2>understand emotions of high right now, and you know, but

1:26:19.400 --> 1:26:24.320
<v Speaker 2>it's it's it's it's it's respect for Royce for me always,

1:26:24.400 --> 1:26:27.040
<v Speaker 2>and you know, it's love for Royce for me always.

1:26:27.040 --> 1:26:30.360
<v Speaker 2>So you know, we'll talk. We'll talk one day about it,

1:26:30.640 --> 1:26:32.520
<v Speaker 2>you guys do Oh yeah, no, absolutely.

1:26:32.400 --> 1:26:33.640
<v Speaker 3>Because that's weird to me.

1:26:34.000 --> 1:26:37.120
<v Speaker 2>But I know what's and in the moment, I understand

1:26:37.120 --> 1:26:38.120
<v Speaker 2>what's going on. Right now.

1:26:38.200 --> 1:26:42.200
<v Speaker 3>And even with Royce, I don't know, he didn't really

1:26:42.280 --> 1:26:44.880
<v Speaker 3>get into why it is with you. If he explained it,

1:26:44.920 --> 1:26:46.720
<v Speaker 3>maybe I understand it, that's why, but that's why he

1:26:46.760 --> 1:26:48.680
<v Speaker 3>said it, And then there was no context to us.

1:26:48.680 --> 1:26:50.200
<v Speaker 3>I was like, wait, what.

1:26:49.880 --> 1:26:52.760
<v Speaker 5>What I'd assume is the clip that went up from

1:26:52.760 --> 1:26:56.960
<v Speaker 5>our episode. But I don't people take things the wrong.

1:26:57.240 --> 1:27:01.600
<v Speaker 3>And listen if Royce explained it, I'm sure if you

1:27:01.600 --> 1:27:03.639
<v Speaker 3>guys really talked about it, like oh, okay, that's how

1:27:03.640 --> 1:27:04.280
<v Speaker 3>you took it? My bad?

1:27:04.560 --> 1:27:07.040
<v Speaker 2>Yeah, man, it's just you know, I understand like that.

1:27:07.040 --> 1:27:08.760
<v Speaker 3>That was just like, wait, what why is ball in

1:27:08.800 --> 1:27:09.360
<v Speaker 3>this mixed with this?

1:27:10.120 --> 1:27:12.400
<v Speaker 2>You know, it's a I don't know, man, I I

1:27:12.400 --> 1:27:14.519
<v Speaker 2>don't know. It's it's it's just I don't know, man,

1:27:14.560 --> 1:27:19.840
<v Speaker 2>you know, it's it's just I know emotions are high

1:27:19.920 --> 1:27:22.400
<v Speaker 2>right now with that whole situation, and you know my

1:27:22.520 --> 1:27:24.240
<v Speaker 2>but like I said, my stance is very clear. Had

1:27:24.280 --> 1:27:26.680
<v Speaker 2>it been the other way, it would be nothing but

1:27:26.800 --> 1:27:30.880
<v Speaker 2>support for me. Had you know, I support Crook and Joel.

1:27:31.840 --> 1:27:33.360
<v Speaker 2>You know, me and Joel used to spend a lot

1:27:33.400 --> 1:27:36.280
<v Speaker 2>of time together, like we go play ball on on

1:27:36.360 --> 1:27:39.040
<v Speaker 2>the weekends together and ship like that and you know, like,

1:27:39.200 --> 1:27:41.680
<v Speaker 2>so it's it's it's it's personal relationship still with all.

1:27:41.720 --> 1:27:43.320
<v Speaker 2>You know, Royce opened up his home to me. I've

1:27:43.320 --> 1:27:46.280
<v Speaker 2>been in his home and around his family and studio

1:27:46.400 --> 1:27:49.479
<v Speaker 2>and yeah, you know, shit like that. So it's it's nothing.

1:27:49.520 --> 1:27:51.920
<v Speaker 2>But you know, I don't hit cook up as much

1:27:51.920 --> 1:27:53.600
<v Speaker 2>as I should when I go to LA, But I

1:27:53.640 --> 1:27:55.880
<v Speaker 2>just always assume Crook is just you know, on a

1:27:55.920 --> 1:27:58.160
<v Speaker 2>whole nother Yeah, you know what I'm saying. So, but

1:27:58.680 --> 1:28:02.000
<v Speaker 2>it's a we spent a lot of years around each

1:28:02.000 --> 1:28:04.040
<v Speaker 2>other man, you know what I'm saying, and that can't

1:28:04.080 --> 1:28:06.080
<v Speaker 2>be regardless of how it fell out and how it

1:28:06.720 --> 1:28:09.760
<v Speaker 2>you know, how it turned out, that has nothing to

1:28:09.760 --> 1:28:11.519
<v Speaker 2>do with those other gentlemen, you know what I'm saying.

1:28:11.560 --> 1:28:14.679
<v Speaker 2>And I don't want that to come across as the narrative.

1:28:14.800 --> 1:28:18.479
<v Speaker 2>Like I don't have any negative energy towards any of

1:28:18.520 --> 1:28:21.760
<v Speaker 2>those gentlemen, you know what I'm saying, Like even Homie,

1:28:21.800 --> 1:28:23.680
<v Speaker 2>I don't wish nothing bad on him. I don't have

1:28:23.760 --> 1:28:26.200
<v Speaker 2>no He did what he did, he said things he said,

1:28:26.240 --> 1:28:28.120
<v Speaker 2>and that's cool. You know, life goes on, we all

1:28:28.160 --> 1:28:30.599
<v Speaker 2>move on, we all growm in But you know, I

1:28:30.640 --> 1:28:33.320
<v Speaker 2>just understand the emotions of high right now, and it's

1:28:33.320 --> 1:28:36.519
<v Speaker 2>probably not the best time to talk about it because

1:28:36.560 --> 1:28:40.640
<v Speaker 2>you probably won't get a clear level of thinking and

1:28:40.760 --> 1:28:43.040
<v Speaker 2>some things might be said, you know, because it's just

1:28:43.040 --> 1:28:46.360
<v Speaker 2>like I said, the moment is very emotional and I

1:28:46.439 --> 1:28:50.519
<v Speaker 2>know how personal this is for Royce and those other gentlemen.

1:28:50.640 --> 1:28:56.080
<v Speaker 2>So again, I'm just talking about the music and showing

1:28:56.080 --> 1:28:59.200
<v Speaker 2>my support for guys that I have years of knowing

1:28:59.240 --> 1:29:01.040
<v Speaker 2>and years of being a round two and who I

1:29:01.040 --> 1:29:03.519
<v Speaker 2>think are super talented. I just think that, you know,

1:29:03.960 --> 1:29:07.080
<v Speaker 2>other things got in the way of what the ultimate

1:29:07.120 --> 1:29:08.880
<v Speaker 2>goal was and it's you know, it's fucked up, but

1:29:08.920 --> 1:29:12.280
<v Speaker 2>it happens. But to what you're talking about, yeah, I don't.

1:29:12.280 --> 1:29:12.680
<v Speaker 2>I don't know.

1:29:12.720 --> 1:29:13.080
<v Speaker 3>I didn't.

1:29:13.080 --> 1:29:18.200
<v Speaker 2>I didn't mean any any negative energy, you know, I didn't.

1:29:18.280 --> 1:29:19.960
<v Speaker 2>I was just giving my opinion. I don't think that

1:29:20.000 --> 1:29:22.439
<v Speaker 2>these gentlemen are wrong for trying to move on after

1:29:22.479 --> 1:29:26.680
<v Speaker 2>they've tried years of trying to mend something and make

1:29:26.720 --> 1:29:30.160
<v Speaker 2>something work. I didn't think they were wrong for that.

1:29:30.200 --> 1:29:33.200
<v Speaker 2>I still don't think they're wrong for that. And again,

1:29:33.280 --> 1:29:33.519
<v Speaker 2>you know.

1:29:33.520 --> 1:29:34.120
<v Speaker 3>It is what it is.

1:29:34.160 --> 1:29:36.320
<v Speaker 2>But we'll talk about we'll get more into that on

1:29:36.360 --> 1:29:38.400
<v Speaker 2>a personal level, me and him one day we're talking,

1:29:38.960 --> 1:29:40.160
<v Speaker 2>you know, But I just want to put that out

1:29:40.160 --> 1:29:42.920
<v Speaker 2>there for the public. I don't have any negative energy

1:29:42.920 --> 1:29:47.080
<v Speaker 2>towards nobody, especially not motherfuckers that I've been around and

1:29:47.120 --> 1:29:49.160
<v Speaker 2>spent years with and have opened their homes to me

1:29:49.200 --> 1:29:52.439
<v Speaker 2>and been nothing but hospitable towards me and things like that,

1:29:52.560 --> 1:29:55.439
<v Speaker 2>like it's nothing but love for me, nothing but respect

1:29:55.520 --> 1:29:58.680
<v Speaker 2>for me. But yeah, it is what it is.

1:29:58.680 --> 1:30:02.760
<v Speaker 3>Man, I'm with you. Yeah, I just saw that. And yeah,

1:30:03.520 --> 1:30:05.559
<v Speaker 3>I know I'm even more on the outside in that

1:30:05.640 --> 1:30:09.599
<v Speaker 3>regard with how long you've known the other three at

1:30:10.320 --> 1:30:13.480
<v Speaker 3>two Yeah, so yeah, so you know, reorganized only relationships,

1:30:13.520 --> 1:30:14.479
<v Speaker 3>me walking off drink champs.

1:30:16.240 --> 1:30:18.080
<v Speaker 2>Yeah, and that's another thing, like I didn't want to.

1:30:18.000 --> 1:30:21.840
<v Speaker 3>Crook was a super gentleman, super good dude that day, like.

1:30:22.320 --> 1:30:26.160
<v Speaker 2>And and and to get into you know, some of

1:30:26.200 --> 1:30:28.519
<v Speaker 2>the personal ship Roy, you and I talked about, you know,

1:30:28.600 --> 1:30:31.240
<v Speaker 2>we were we you was going back and for me

1:30:31.280 --> 1:30:34.280
<v Speaker 2>about sitting down with Joel and Crook that is because

1:30:34.320 --> 1:30:36.120
<v Speaker 2>of how it would come across and how it.

1:30:36.120 --> 1:30:36.720
<v Speaker 3>Would look next.

1:30:38.000 --> 1:30:40.720
<v Speaker 2>But these are the things that people don't know and

1:30:40.760 --> 1:30:42.559
<v Speaker 2>that you know, we don't cause I don't talk about it.

1:30:42.600 --> 1:30:47.320
<v Speaker 2>But it's like that's me showing respect for the situations. Yeah.

1:30:47.800 --> 1:30:50.080
<v Speaker 2>I spoke to Joel and I was like, Yo, you know,

1:30:50.360 --> 1:30:52.000
<v Speaker 2>I want to I want us to sit down and

1:30:52.040 --> 1:30:54.200
<v Speaker 2>we still may because it's not a negative thing, Like

1:30:54.240 --> 1:30:56.640
<v Speaker 2>it has nothing to do with shipping on nobody, you

1:30:56.680 --> 1:30:59.320
<v Speaker 2>know what I'm saying. But it's just like we know

1:30:59.360 --> 1:31:01.719
<v Speaker 2>how it could look and how it would come across.

1:31:01.760 --> 1:31:04.000
<v Speaker 2>And it was kind of like I would have I

1:31:04.000 --> 1:31:04.840
<v Speaker 2>don't know, I.

1:31:04.760 --> 1:31:08.280
<v Speaker 3>Would love to talk to Joelle and Krook or both

1:31:08.320 --> 1:31:12.040
<v Speaker 3>together any other time. Yeah, because just during the moment

1:31:12.160 --> 1:31:14.479
<v Speaker 3>respect for them the talent, I would love to have

1:31:14.680 --> 1:31:15.000
<v Speaker 3>to talk.

1:31:15.120 --> 1:31:18.000
<v Speaker 2>It would just come across a little it would come

1:31:18.000 --> 1:31:21.479
<v Speaker 2>across a little nasty. But again, these are the things

1:31:21.520 --> 1:31:25.360
<v Speaker 2>that you know, we don't get. I don't I'm not

1:31:25.360 --> 1:31:27.160
<v Speaker 2>looking for credit, so that's not the word I'm looking for.

1:31:27.520 --> 1:31:29.920
<v Speaker 2>But these are the things that people don't say. Oh,

1:31:30.000 --> 1:31:34.080
<v Speaker 2>but it can't be a negative thing because they were

1:31:34.560 --> 1:31:37.000
<v Speaker 2>apprehensive about even sitting down talking about it because they

1:31:37.000 --> 1:31:39.960
<v Speaker 2>didn't want it to come across in a negative light. Yeah,

1:31:40.280 --> 1:31:42.120
<v Speaker 2>because it was personal for me, Like I know these

1:31:42.120 --> 1:31:44.040
<v Speaker 2>gentlemen on a personal level, and I just know a

1:31:44.040 --> 1:31:46.120
<v Speaker 2>lot of things that went on and things that are

1:31:46.160 --> 1:31:47.920
<v Speaker 2>said and now things that I'm seeing and things that

1:31:47.960 --> 1:31:50.759
<v Speaker 2>are being said towards each other. It's just a very emotional,

1:31:50.920 --> 1:31:55.479
<v Speaker 2>very nasty, very uh you know, just unfortunate energy right

1:31:55.520 --> 1:31:58.479
<v Speaker 2>now around that whole situation. So we we stepped back

1:31:58.520 --> 1:32:01.360
<v Speaker 2>and was like, we want to but not right now,

1:32:01.880 --> 1:32:04.080
<v Speaker 2>you know what I'm saying, because it just it would

1:32:04.080 --> 1:32:06.240
<v Speaker 2>just come across nasty, you know what I mean. And

1:32:06.240 --> 1:32:08.120
<v Speaker 2>I don't I don't ever want what we're doing to

1:32:08.120 --> 1:32:10.120
<v Speaker 2>come across nasty. Like we're not here for that. We're

1:32:10.120 --> 1:32:13.680
<v Speaker 2>not here for you know, numbers, and we're not here

1:32:13.880 --> 1:32:16.519
<v Speaker 2>we're not chasing that. With Rory and ire doing, it's

1:32:16.520 --> 1:32:19.080
<v Speaker 2>something totally different, you know what I mean, Like we're

1:32:19.160 --> 1:32:21.880
<v Speaker 2>not on were not chasing no numbers, were not chasing

1:32:21.880 --> 1:32:24.800
<v Speaker 2>no moments, We're not chasing Like, that's not what we're doing.

1:32:24.840 --> 1:32:26.679
<v Speaker 2>And I'm definitely not gonna do that at the expense

1:32:26.760 --> 1:32:30.400
<v Speaker 2>of gentlemen that I have a real personal history with

1:32:31.120 --> 1:32:33.040
<v Speaker 2>and really fuck with. Like I'm not doing that at

1:32:33.040 --> 1:32:35.639
<v Speaker 2>the expense of that, Yeah, you know what I mean.

1:32:35.680 --> 1:32:37.600
<v Speaker 2>So it is what it is. But shout out to

1:32:37.640 --> 1:32:40.320
<v Speaker 2>King Crooked. Shout out to Joel Ortiz. Rise and Fall

1:32:40.360 --> 1:32:43.640
<v Speaker 2>of slaughter House on your DSPs right now. Stream that

1:32:44.120 --> 1:32:48.000
<v Speaker 2>support Real MC's not the bars at.

1:32:48.120 --> 1:32:50.599
<v Speaker 1>Jesus, you heard them right, not the bars.

1:32:51.040 --> 1:32:52.000
<v Speaker 2>Tan to Talk four.

1:32:52.200 --> 1:32:54.040
<v Speaker 1>How was that? I've been working? Actually it's pretty good.

1:32:54.040 --> 1:32:56.760
<v Speaker 2>I've been working, but you're coming shout out to Shout

1:32:56.760 --> 1:32:59.280
<v Speaker 2>out to Benny Man. He he listened. This is another

1:32:59.439 --> 1:33:04.519
<v Speaker 2>installment the Tanner Talk series that I love. The drunk

1:33:04.600 --> 1:33:07.600
<v Speaker 2>Tyson Ali with him and Conway.

1:33:08.200 --> 1:33:10.120
<v Speaker 3>Where where well, before we can get into where we

1:33:10.160 --> 1:33:13.320
<v Speaker 3>ranking the Tanna Talk series.

1:33:13.520 --> 1:33:14.960
<v Speaker 2>Oh no, it's up there. I thought you was about

1:33:15.000 --> 1:33:17.760
<v Speaker 2>this one. It's up there. Tanna Talk is up there.

1:33:18.120 --> 1:33:19.640
<v Speaker 2>That's one of the that's one of the that's one

1:33:19.680 --> 1:33:21.880
<v Speaker 2>of the tape series that it's like I.

1:33:21.439 --> 1:33:24.000
<v Speaker 3>I had to go back because I Tanna Talk too.

1:33:24.040 --> 1:33:26.240
<v Speaker 3>I think was the first one I heard. Mm hmm,

1:33:26.680 --> 1:33:29.599
<v Speaker 3>yeah one. I had to go back to. H This

1:33:29.640 --> 1:33:32.679
<v Speaker 3>is pretty fucking high in the mixtape series. World Talk

1:33:32.800 --> 1:33:36.280
<v Speaker 3>is definitely existence. Yeah, No, Tanna Talk is definitely up there.

1:33:36.320 --> 1:33:41.080
<v Speaker 3>When we start talking about the mixtape series, shout out

1:33:41.080 --> 1:33:41.519
<v Speaker 3>to Bennie Man.

1:33:41.560 --> 1:33:43.760
<v Speaker 2>I'm just so happy to see Benny. You know grow

1:33:43.800 --> 1:33:48.320
<v Speaker 2>as an artist as a businessman. Uh, you know, just

1:33:48.400 --> 1:33:51.160
<v Speaker 2>expand see the type of people that he's working with now,

1:33:52.080 --> 1:33:54.000
<v Speaker 2>the type of people that you know support him and

1:33:54.000 --> 1:33:57.120
<v Speaker 2>love him, type of artists that speak highly of him.

1:33:57.160 --> 1:34:03.000
<v Speaker 2>It's just dope to see Tanna talk for Uh. Back

1:34:03.240 --> 1:34:06.759
<v Speaker 2>back to two x Stove God. Listen, man, you niggas

1:34:06.760 --> 1:34:09.519
<v Speaker 2>better start really like rapping for real because Stove Got

1:34:09.600 --> 1:34:11.960
<v Speaker 2>is he this? I don't know if you're paying attention

1:34:12.000 --> 1:34:12.639
<v Speaker 2>to Stove God.

1:34:13.000 --> 1:34:14.760
<v Speaker 3>Kt is OK.

1:34:15.160 --> 1:34:18.120
<v Speaker 2>Katie's a hip hop we know, but Stove God, I

1:34:18.160 --> 1:34:18.439
<v Speaker 2>love that.

1:34:18.760 --> 1:34:19.280
<v Speaker 3>Gave that look.

1:34:19.479 --> 1:34:22.280
<v Speaker 2>Yeah, man, Stove God is on a whole like you know,

1:34:22.400 --> 1:34:26.120
<v Speaker 2>he's he's so unique. Uh. And I've been saying he's

1:34:26.160 --> 1:34:30.320
<v Speaker 2>one of my favorite rappers, but he just puts his

1:34:30.360 --> 1:34:34.200
<v Speaker 2>foot every time he's on a feature and he I'm

1:34:34.240 --> 1:34:37.519
<v Speaker 2>talking about he's the standout. Yeah, like you it's hard.

1:34:37.600 --> 1:34:38.920
<v Speaker 2>You cannot ignore this kid.

1:34:39.160 --> 1:34:41.559
<v Speaker 3>His tone, it's his tone, it's.

1:34:41.360 --> 1:34:44.680
<v Speaker 2>His style where he puts the punch in the punchline

1:34:44.720 --> 1:34:48.360
<v Speaker 2>at it's like it's it's very like unique and very different.

1:34:48.439 --> 1:34:50.840
<v Speaker 2>And I just love to hear. I'm excited to see

1:34:51.240 --> 1:34:53.760
<v Speaker 2>his career take off. Stove God shout out the Stove God.

1:34:53.960 --> 1:34:57.160
<v Speaker 2>I told I gotta get chapter thirty, especially.

1:34:56.840 --> 1:34:58.960
<v Speaker 3>Because his feature was crazy on on that on Uncle

1:34:58.960 --> 1:35:01.160
<v Speaker 3>Bunch would like to sit down with y'all.

1:35:01.800 --> 1:35:07.639
<v Speaker 2>I show Stove at Conway's album listening. That's like calling

1:35:07.760 --> 1:35:09.519
<v Speaker 2>Rory Rory Farrell. It's like, I don't want to say

1:35:09.560 --> 1:35:10.160
<v Speaker 2>your last name.

1:35:11.240 --> 1:35:13.800
<v Speaker 1>God is not his last name. Stove God is his state.

1:35:13.920 --> 1:35:16.439
<v Speaker 2>Well, God will cooks his last I'm gonna called jay

1:35:16.520 --> 1:35:17.000
<v Speaker 2>Z jay Z.

1:35:17.000 --> 1:35:17.760
<v Speaker 1>I'm just call him Jay.

1:35:18.800 --> 1:35:21.560
<v Speaker 2>Yeah, but so what would you like me to stoveto?

1:35:22.240 --> 1:35:25.200
<v Speaker 2>That works, okay, so stove veto. He know, he know

1:35:25.240 --> 1:35:28.360
<v Speaker 2>how listen we spoke to him, well, I spoke to

1:35:28.439 --> 1:35:29.880
<v Speaker 2>my saw and my bumped in to him at Conway's

1:35:29.920 --> 1:35:33.920
<v Speaker 2>album listening, and you know he's you know, he thanked

1:35:33.920 --> 1:35:35.840
<v Speaker 2>me for just, you know, just always showing him love.

1:35:35.880 --> 1:35:38.599
<v Speaker 2>And I told him, I said, listen, man it whenever

1:35:38.640 --> 1:35:41.320
<v Speaker 2>you're ready, like so he know, he and we can

1:35:41.320 --> 1:35:42.680
<v Speaker 2>come and sit now. I would actually like to go.

1:35:43.160 --> 1:35:44.320
<v Speaker 2>I'm saying and kicking with him.

1:35:44.520 --> 1:35:47.599
<v Speaker 3>Demeres getting on camera. We're going through Q with Stove

1:35:47.600 --> 1:35:51.280
<v Speaker 3>God and Demeras. That's the peace to me. I don't

1:35:51.280 --> 1:35:52.800
<v Speaker 3>want I don't want to bring stove got in here.

1:35:53.280 --> 1:35:53.920
<v Speaker 3>Let's go off to Q.

1:35:54.040 --> 1:35:57.400
<v Speaker 2>I should put the album out together, do Vito.

1:36:00.520 --> 1:36:02.960
<v Speaker 1>But you guys spouted to know like money because that's

1:36:02.960 --> 1:36:03.360
<v Speaker 1>where I was.

1:36:03.439 --> 1:36:04.120
<v Speaker 3>That's where I was at.

1:36:05.880 --> 1:36:10.120
<v Speaker 2>Tanna Talk for Tanner Talk for streaming. Now what else

1:36:10.200 --> 1:36:10.639
<v Speaker 2>came out?

1:36:10.760 --> 1:36:10.800
<v Speaker 1>No?

1:36:10.960 --> 1:36:12.400
<v Speaker 3>Tanna Talk four is fire.

1:36:12.560 --> 1:36:14.760
<v Speaker 2>My young boy, Chay Crew, I didn't even know he

1:36:14.800 --> 1:36:18.760
<v Speaker 2>put out Paining Pack five, my homeboy, shout out the end.

1:36:18.760 --> 1:36:20.799
<v Speaker 2>He told me he's like yo, Chay put out another project.

1:36:20.840 --> 1:36:23.639
<v Speaker 2>When I was in l A. I downloaded it, pain

1:36:23.760 --> 1:36:25.840
<v Speaker 2>Packed five. I'm listening to this ship since I was

1:36:25.880 --> 1:36:27.760
<v Speaker 2>in l A. Shout out to Chay Crew. If you

1:36:27.800 --> 1:36:31.080
<v Speaker 2>haven't heard pain Pack five, go stream that. Chay Crew.

1:36:31.160 --> 1:36:33.040
<v Speaker 2>I'm happy to hear you. Still doing music, still doing

1:36:33.080 --> 1:36:35.559
<v Speaker 2>your thing. Man. Uh.

1:36:35.640 --> 1:36:39.120
<v Speaker 3>Joyce Rice to Death. She's put out a record with

1:36:39.160 --> 1:36:41.200
<v Speaker 3>k Tranado. She's about to open up for Lucky on

1:36:41.240 --> 1:36:43.720
<v Speaker 3>his tour. But she put out a record with k

1:36:43.760 --> 1:36:47.000
<v Speaker 3>Tranato Iced Tea that I love. I will say though.

1:36:47.720 --> 1:36:50.000
<v Speaker 2>Did we talk about Conway Ship since we since it came.

1:36:49.880 --> 1:36:51.040
<v Speaker 3>Out, Yeah, we did.

1:36:51.479 --> 1:36:54.880
<v Speaker 1>We talked about Joe Scott wash Conway, Yeah, smoked him.

1:36:54.920 --> 1:36:57.320
<v Speaker 2>But we did that with Conway. We didn't put that out.

1:36:57.479 --> 1:37:00.880
<v Speaker 2>Oh oh no, I'm I mean, I just sawt I'm

1:37:00.920 --> 1:37:02.640
<v Speaker 2>just going down to the albums that I've been listening to,

1:37:02.760 --> 1:37:05.519
<v Speaker 2>so I'm just like, but anyway, shout out to God, Conway, God,

1:37:05.520 --> 1:37:10.240
<v Speaker 2>don't make mistakes on your DSPs. Now Wayne Wayne feature

1:37:10.240 --> 1:37:12.040
<v Speaker 2>on that ship might be featured a year so far.

1:37:12.400 --> 1:37:17.960
<v Speaker 2>He absolutely killed that Tiaras verse. But yeah, I don't

1:37:17.960 --> 1:37:20.800
<v Speaker 2>know what else came up. I'm still I'm still listening

1:37:20.840 --> 1:37:22.200
<v Speaker 2>to shout out to y'all.

1:37:22.200 --> 1:37:23.520
<v Speaker 3>Remember chronicles.

1:37:23.840 --> 1:37:24.439
<v Speaker 1>What you mean?

1:37:24.479 --> 1:37:25.000
<v Speaker 5>What you mean?

1:37:25.120 --> 1:37:25.200
<v Speaker 3>Ma?

1:37:25.800 --> 1:37:28.400
<v Speaker 1>Oh you doing your thing? Ma asks showing out of

1:37:28.439 --> 1:37:29.000
<v Speaker 1>the jeans?

1:37:29.040 --> 1:37:31.439
<v Speaker 3>MA me what you thought he was talking to you?

1:37:31.479 --> 1:37:34.240
<v Speaker 2>I call right now, calling for you. You look like

1:37:34.240 --> 1:37:36.080
<v Speaker 2>you was going that memory lane because you gave me

1:37:36.200 --> 1:37:39.160
<v Speaker 2>rapping hands with that, Like, I don't know why the mask,

1:37:39.720 --> 1:37:41.519
<v Speaker 2>why you keep looking at me giving me rapping hands?

1:37:41.800 --> 1:37:42.760
<v Speaker 3>She was a crypt then, that's what.

1:37:44.320 --> 1:37:45.040
<v Speaker 2>Big baby.

1:37:45.280 --> 1:37:46.479
<v Speaker 3>That song was out. She was a cryp.

1:37:48.040 --> 1:37:49.479
<v Speaker 1>I was mad young when I think I was in

1:37:49.520 --> 1:37:50.519
<v Speaker 1>high school when that song came.

1:37:51.160 --> 1:37:52.960
<v Speaker 3>You've been cripping since you know, you've been banging. Yeah,

1:37:52.960 --> 1:37:53.760
<v Speaker 3>you've been banging hard.

1:37:56.080 --> 1:37:58.000
<v Speaker 2>I can't go to l right now.

1:37:57.880 --> 1:37:59.680
<v Speaker 1>Right now, I can't go to l A with y'all

1:37:59.720 --> 1:38:01.120
<v Speaker 1>because black one is outside.

1:38:01.240 --> 1:38:02.640
<v Speaker 3>You gotta get down with you, gotta get in.

1:38:02.960 --> 1:38:03.880
<v Speaker 1>West Hollywood asks me.

1:38:03.880 --> 1:38:05.920
<v Speaker 2>If I want you know Big like, you gotta get

1:38:05.920 --> 1:38:07.639
<v Speaker 2>down with wat you know Big? Next time you want

1:38:07.640 --> 1:38:09.080
<v Speaker 2>to go to the hookah spot, get down with Big.

1:38:08.960 --> 1:38:12.559
<v Speaker 3>Whack first, having a fight to get into the hookah You.

1:38:12.520 --> 1:38:15.120
<v Speaker 2>Gotta you gotta get down with Big Whack before you

1:38:15.120 --> 1:38:15.840
<v Speaker 2>go to the hookah spot.

1:38:15.880 --> 1:38:18.280
<v Speaker 3>You know. When I was in l A, I know

1:38:18.320 --> 1:38:20.320
<v Speaker 3>people have been harassing her for this album. I love

1:38:20.320 --> 1:38:21.120
<v Speaker 3>that she's taking the time.

1:38:22.000 --> 1:38:24.840
<v Speaker 2>Joyce that lex Ari Ari.

1:38:24.920 --> 1:38:29.240
<v Speaker 5>Okay, you heard the Ari. Well, we were all in town.

1:38:29.280 --> 1:38:30.760
<v Speaker 5>You went snuck and her the ARI album.

1:38:30.800 --> 1:38:32.960
<v Speaker 3>What I an't sneak. I purposely went and didn't invite you, guys.

1:38:33.880 --> 1:38:35.040
<v Speaker 2>I respect it like that.

1:38:35.320 --> 1:38:38.040
<v Speaker 3>I wasn't I was sneaking. I went with the intention

1:38:38.160 --> 1:38:40.639
<v Speaker 3>by myself to listen.

1:38:40.439 --> 1:38:44.160
<v Speaker 2>To the album. Listen, I understand. I totally get it. Yeah, man,

1:38:44.240 --> 1:38:45.040
<v Speaker 2>so Ari's coming.

1:38:46.240 --> 1:38:48.599
<v Speaker 3>I I'm being honest, and I don't know when it's

1:38:48.600 --> 1:38:50.360
<v Speaker 3>gonna happen. And I don't think she knows yet either,

1:38:50.400 --> 1:38:54.120
<v Speaker 3>which is perfect. But I get why it's taking the time.

1:38:54.160 --> 1:38:59.040
<v Speaker 3>It's it's taking take your time. That album is different,

1:39:00.200 --> 1:39:01.120
<v Speaker 3>like different different.

1:39:02.280 --> 1:39:05.479
<v Speaker 2>Well, Ari, she's she's not moving. She's moving on her

1:39:05.479 --> 1:39:07.760
<v Speaker 2>own accord. She ain't moving with somebody Tolds in the movie.

1:39:07.760 --> 1:39:09.320
<v Speaker 2>We know that about Ari, which I love.

1:39:09.680 --> 1:39:13.160
<v Speaker 1>So listening twenty six baby as babies period.

1:39:13.320 --> 1:39:13.960
<v Speaker 3>That's a birthday.

1:39:14.040 --> 1:39:15.439
<v Speaker 1>Yeah, me and I already got the same birthday.

1:39:15.920 --> 1:39:18.280
<v Speaker 3>Oh did did y'all share that info at the show? Now?

1:39:19.479 --> 1:39:21.719
<v Speaker 2>Okaya birth Okay?

1:39:21.840 --> 1:39:24.080
<v Speaker 1>So when we go to LA next week, it's up

1:39:25.320 --> 1:39:27.840
<v Speaker 1>it's uh the marriage.

1:39:27.640 --> 1:39:29.920
<v Speaker 3>Oh wait, well oh wow, we will be in there.

1:39:30.240 --> 1:39:32.639
<v Speaker 5>No, my actual birthday, know, because Rory has a wedding

1:39:32.680 --> 1:39:34.200
<v Speaker 5>to go to because he loves his family.

1:39:34.240 --> 1:39:35.040
<v Speaker 1>Suddenly, but.

1:39:37.479 --> 1:39:40.320
<v Speaker 3>Three days before is the picture I just posted on

1:39:41.080 --> 1:39:45.080
<v Speaker 3>my ig story. That's the cousin that's getting married. Yeah,

1:39:45.439 --> 1:39:47.040
<v Speaker 3>that's one of my favorite cousin.

1:39:47.160 --> 1:39:48.000
<v Speaker 2>What's your cousin's name?

1:39:48.240 --> 1:39:48.559
<v Speaker 1>Evan?

1:39:48.960 --> 1:39:51.080
<v Speaker 2>Congrats to Evan on your marriage. Man, it's all over.

1:39:51.120 --> 1:39:52.080
<v Speaker 2>It's all down here from.

1:39:51.920 --> 1:39:54.639
<v Speaker 3>Here, I mean yeah, it's a celebration of your life

1:39:55.000 --> 1:39:57.080
<v Speaker 3>ending his life. It's a funeral.

1:39:57.280 --> 1:39:59.559
<v Speaker 2>It's fucking over his life. Is it's over? Evan?

1:40:00.080 --> 1:40:02.960
<v Speaker 1>Throwing you have so much forward to like.

1:40:02.880 --> 1:40:04.360
<v Speaker 2>What you are never going to be able to watch

1:40:04.400 --> 1:40:05.320
<v Speaker 2>the game piece no more.

1:40:06.280 --> 1:40:08.960
<v Speaker 3>Look at the innocence in his face. That's all gone now.

1:40:09.080 --> 1:40:10.920
<v Speaker 3>Oh yeah, he looks so happy.

1:40:11.920 --> 1:40:12.839
<v Speaker 2>He doesn't look anything.

1:40:13.520 --> 1:40:14.679
<v Speaker 3>He has no idea what the world.

1:40:14.560 --> 1:40:15.280
<v Speaker 2>Is walking over.

1:40:15.680 --> 1:40:17.719
<v Speaker 1>Evan is fucking over, bro even do you have open

1:40:17.720 --> 1:40:18.519
<v Speaker 1>bar at your wedding?

1:40:19.280 --> 1:40:23.280
<v Speaker 2>Open bar asking, Yes, because Irish the barrels a wiel

1:40:23.280 --> 1:40:26.920
<v Speaker 2>of barrels in the back. No, all right, that's the

1:40:26.960 --> 1:40:27.519
<v Speaker 2>red wedding.

1:40:27.760 --> 1:40:30.000
<v Speaker 3>Evan is half Irish and half Cuban.

1:40:30.479 --> 1:40:34.839
<v Speaker 2>Oh Jesus, yeah, it's gonna be one of those weddings

1:40:34.880 --> 1:40:36.640
<v Speaker 2>for sure, Irish Cuban.

1:40:36.360 --> 1:40:39.920
<v Speaker 5>With the whole pay roasting on the spit next to

1:40:39.960 --> 1:40:42.920
<v Speaker 5>the barrels of fucking pigging alcohol everywhere.

1:40:42.960 --> 1:40:45.720
<v Speaker 3>And his his. I want to wear this correctly so

1:40:45.720 --> 1:40:49.320
<v Speaker 3>it doesn't sound weird, because well, my cousin Ryan knows.

1:40:49.320 --> 1:40:53.559
<v Speaker 3>What's my cousin Ryan is older brother is a gay

1:40:53.560 --> 1:40:57.200
<v Speaker 3>event planner. The mixed that with an Irish family and

1:40:57.240 --> 1:41:01.240
<v Speaker 3>a Cuban family and a gay event planners gonna be

1:41:01.240 --> 1:41:02.800
<v Speaker 3>the greatest fucking wedding of all time.

1:41:03.000 --> 1:41:05.879
<v Speaker 2>Somebody coming out some smoke. It's gonna be smoking light everywhere.

1:41:06.400 --> 1:41:08.200
<v Speaker 3>That's gonna be the greatest wedding ever.

1:41:08.240 --> 1:41:09.160
<v Speaker 1>Oh yeah, that's gonna be great.

1:41:09.160 --> 1:41:09.840
<v Speaker 3>That's why I'm flying.

1:41:09.840 --> 1:41:10.800
<v Speaker 2>That know how to present.

1:41:10.840 --> 1:41:13.679
<v Speaker 3>They will put together the great put on the show.

1:41:13.800 --> 1:41:17.080
<v Speaker 2>They put on the show for sure. Any more new music,

1:41:17.120 --> 1:41:17.479
<v Speaker 2>that's it.

1:41:17.960 --> 1:41:18.160
<v Speaker 5>Nah.

1:41:18.160 --> 1:41:20.640
<v Speaker 1>But y'all wish us good luck on our amb nomination.

1:41:21.200 --> 1:41:23.160
<v Speaker 2>We are nominated for an AMBI.

1:41:23.160 --> 1:41:26.320
<v Speaker 5>Best Entertainment Podcast. This is not a music podcast. Or

1:41:26.320 --> 1:41:27.719
<v Speaker 5>stop expecting us to talk about.

1:41:27.600 --> 1:41:30.599
<v Speaker 2>Best Entertainment podcast again. We want to thank the AMBIS

1:41:30.600 --> 1:41:33.920
<v Speaker 2>for nominating us. Thank the entire team. Y'all know who

1:41:33.960 --> 1:41:35.360
<v Speaker 2>y'all are. Too many of y'all to name.

1:41:35.560 --> 1:41:37.000
<v Speaker 3>Oh, I thought you meant the AMBIS team. I was like,

1:41:37.040 --> 1:41:38.120
<v Speaker 3>you don't even know the nb S team.

1:41:38.120 --> 1:41:40.799
<v Speaker 1>I don't know too many named Jasmine.

1:41:40.880 --> 1:41:42.639
<v Speaker 2>No, our team, our team.

1:41:42.760 --> 1:41:44.360
<v Speaker 1>It is not that many of us name me.

1:41:44.680 --> 1:41:47.559
<v Speaker 2>It is it is we have a team. See that.

1:41:49.320 --> 1:41:53.960
<v Speaker 2>This is how that energy was crazy. Oh you set

1:41:53.960 --> 1:41:55.400
<v Speaker 2>the screen and push the nigga into me when I'm

1:41:55.400 --> 1:41:56.400
<v Speaker 2>trying to come off and bug you.

1:41:56.400 --> 1:41:58.599
<v Speaker 3>Said, just name me. No, there's a lot of other

1:41:58.640 --> 1:42:02.040
<v Speaker 3>people that make this ship move. Besides, you said.

1:42:02.600 --> 1:42:10.679
<v Speaker 5>You said that not that many of us name.

1:42:08.120 --> 1:42:09.040
<v Speaker 2>Just it was just you.

1:42:09.200 --> 1:42:12.240
<v Speaker 5>That's shout out to our entire team. They are fucking amazing.

1:42:12.400 --> 1:42:14.400
<v Speaker 5>What I said, I never knew how much.

1:42:14.280 --> 1:42:18.120
<v Speaker 3>And then she said, she said, no just name, no ship.

1:42:18.200 --> 1:42:20.040
<v Speaker 5>I never knew how much I needed editing until Eddin

1:42:20.120 --> 1:42:23.960
<v Speaker 5>left and I'm like I needed in, Like I really know, you.

1:42:24.000 --> 1:42:24.720
<v Speaker 2>Just said name me.

1:42:28.640 --> 1:42:32.519
<v Speaker 3>That's up anyway, go ahead go edit that ship. Yeah stop,

1:42:33.920 --> 1:42:35.080
<v Speaker 3>come on, take that lens off.

1:42:35.120 --> 1:42:38.400
<v Speaker 2>We got We got nominated for an amb Best Entertainment Podcast.

1:42:38.479 --> 1:42:40.040
<v Speaker 2>So thank you to the NBAS, thank you to the

1:42:40.160 --> 1:42:44.800
<v Speaker 2>entires team, Demaris is the team.

1:42:43.680 --> 1:42:46.639
<v Speaker 3>Thank you to Demeris, Thank you to Demeris New DeMars

1:42:46.720 --> 1:42:47.200
<v Speaker 3>and Demerits.

1:42:47.360 --> 1:42:50.880
<v Speaker 2>Yeah Jesus Christ, but yeah, man, she knows something cool,

1:42:50.960 --> 1:42:54.360
<v Speaker 2>something uh to be proud of to be nominated in

1:42:54.560 --> 1:42:57.479
<v Speaker 2>the room with those same creatives and and talented people.

1:42:57.520 --> 1:42:59.240
<v Speaker 2>So yeah, we'll be in l A next week at

1:42:59.240 --> 1:42:59.960
<v Speaker 2>the AMBI Award.

1:43:00.400 --> 1:43:03.400
<v Speaker 3>Now we forever will be referred to as the am

1:43:03.479 --> 1:43:04.840
<v Speaker 3>BE nominated podcast.

1:43:04.920 --> 1:43:06.720
<v Speaker 2>Yes as Yeah, I guess we can put that in

1:43:06.760 --> 1:43:07.120
<v Speaker 2>a bio.

1:43:07.200 --> 1:43:08.680
<v Speaker 3>That's what they do with the grand No matter what,

1:43:08.920 --> 1:43:09.360
<v Speaker 3>you have to.

1:43:09.280 --> 1:43:10.800
<v Speaker 2>Be, Yeah, you're gonna have to put up another hit

1:43:10.840 --> 1:43:11.240
<v Speaker 2>ever again.

1:43:11.439 --> 1:43:14.679
<v Speaker 3>Just you're known as am be nominated Grammy Award winning

1:43:14.720 --> 1:43:17.759
<v Speaker 3>or Grammy nominated, exactly nominated.

1:43:17.800 --> 1:43:19.200
<v Speaker 5>I'm about to put that on our all of our

1:43:20.200 --> 1:43:23.080
<v Speaker 5>like our notes and stuff that's that you're be using. Yeah,

1:43:23.439 --> 1:43:26.960
<v Speaker 5>tell them to talk right kit definitely and be nominated.

1:43:27.640 --> 1:43:31.080
<v Speaker 3>I'm listen, man, I haven't I have not drank Henny

1:43:31.439 --> 1:43:33.559
<v Speaker 3>in a really, really really long time.

1:43:33.840 --> 1:43:34.599
<v Speaker 1>I can't let you drink.

1:43:34.600 --> 1:43:35.519
<v Speaker 2>If we win, you're gonna drink some.

1:43:35.680 --> 1:43:37.320
<v Speaker 3>No, you might see me on that red carpet with

1:43:37.320 --> 1:43:40.080
<v Speaker 3>the Henny bottle. And if we and if we don't win.

1:43:41.360 --> 1:43:43.519
<v Speaker 2>Yeah, turn that shut out like yo, I'm gonna let

1:43:43.560 --> 1:43:43.920
<v Speaker 2>you finish.

1:43:44.360 --> 1:43:44.479
<v Speaker 3>Yo.

1:43:44.760 --> 1:43:48.160
<v Speaker 2>We had the best entertainment podcast all the time of

1:43:48.240 --> 1:43:49.320
<v Speaker 2>all time.

1:43:49.560 --> 1:43:51.160
<v Speaker 3>But would be weird because then you'd have to be

1:43:51.160 --> 1:43:51.760
<v Speaker 3>amber and I don't.

1:43:52.200 --> 1:43:55.040
<v Speaker 1>Yeah, if they tackles, like what the fun? We could fight?

1:43:55.640 --> 1:43:56.960
<v Speaker 3>Should I wear a leather shirt?

1:43:58.520 --> 1:44:00.160
<v Speaker 1>Okay, I mean, I'm with it.

1:44:00.160 --> 1:44:06.080
<v Speaker 3>It has to be red leather though, can't be black red,

1:44:06.400 --> 1:44:08.400
<v Speaker 3>certain reds because you're just.

1:44:08.320 --> 1:44:13.320
<v Speaker 2>You look like a strawberry. Put a red leather shirt on.

1:44:13.400 --> 1:44:13.920
<v Speaker 2>You know what I'm saying?

1:44:13.960 --> 1:44:15.800
<v Speaker 3>It just we in there is there any way I

1:44:15.800 --> 1:44:18.559
<v Speaker 3>could just bring the honey bottle and put like not

1:44:18.680 --> 1:44:23.720
<v Speaker 3>honey in it, just for the label. And because I

1:44:23.760 --> 1:44:25.840
<v Speaker 3>don't want I don't want to drink any bottle and

1:44:25.880 --> 1:44:31.760
<v Speaker 3>poor Apple say I can drink, say I would.

1:44:32.120 --> 1:44:35.720
<v Speaker 2>Get a honey bottle or duce bottle. Sorry, sorry, get

1:44:35.720 --> 1:44:39.040
<v Speaker 2>a duce bottle sorry, and then poor apple juice in it.

1:44:39.880 --> 1:44:40.959
<v Speaker 3>That's just a hard liquor.

1:44:41.360 --> 1:44:45.080
<v Speaker 1>That is douce has a deeper, darker.

1:44:45.120 --> 1:44:46.720
<v Speaker 3>Like criminal link. Yeah, and I heard the bar.

1:44:46.920 --> 1:44:52.439
<v Speaker 5>Yeah, coloritch. We got to in this fucking podcast.

1:44:52.680 --> 1:44:53.880
<v Speaker 2>I don't want to go home.

1:44:54.400 --> 1:44:56.920
<v Speaker 3>So you're saying, so you're saying hennessy or pardon say,

1:44:57.000 --> 1:44:58.280
<v Speaker 3>is just hennessy with murder ink in it?

1:44:59.080 --> 1:45:00.920
<v Speaker 2>Yeah, don't get with.

1:45:01.360 --> 1:45:05.120
<v Speaker 3>Kevin Lyles and it and Russell Simmons.

1:45:05.240 --> 1:45:11.439
<v Speaker 2>The blood of Leo is Leo's blood. And yo, listen, man,

1:45:11.439 --> 1:45:13.559
<v Speaker 2>we now we started that crazy. Let's get the funk

1:45:13.600 --> 1:45:15.720
<v Speaker 2>out of Let's get the funk out of here. I'm

1:45:15.720 --> 1:45:16.240
<v Speaker 2>done with this ship.

1:45:16.320 --> 1:45:20.599
<v Speaker 3>Listen, Dame and your brother today, maybe we can.

1:45:20.520 --> 1:45:22.680
<v Speaker 2>Get into that because I speak the big yet, I

1:45:22.680 --> 1:45:24.720
<v Speaker 2>gotta we gotta laugh about that ship before I talk

1:45:24.760 --> 1:45:25.120
<v Speaker 2>about it.

1:45:25.439 --> 1:45:27.400
<v Speaker 3>Dame called him out on I g today on the

1:45:27.439 --> 1:45:28.360
<v Speaker 3>way Adam. I didn't.

1:45:28.360 --> 1:45:30.040
<v Speaker 2>I didn't get a chance to speak the bigs about it.

1:45:30.080 --> 1:45:32.719
<v Speaker 2>But listen, man, I love Dame, Man, I love Jay

1:45:32.880 --> 1:45:33.920
<v Speaker 2>obviously love Roy.

1:45:35.120 --> 1:45:36.479
<v Speaker 3>Just so much turmoil around you.

1:45:36.680 --> 1:45:38.799
<v Speaker 2>I don't listen, I don't have might be the problem?

1:45:39.000 --> 1:45:43.000
<v Speaker 3>Is he the common denominator, not me? Rockefeller the pod

1:45:43.880 --> 1:45:44.160
<v Speaker 3>not me?

1:45:44.280 --> 1:45:45.840
<v Speaker 2>Man, I wasn't in that room when that when.

1:45:45.680 --> 1:45:47.640
<v Speaker 3>That's Shorty that said that you weren't her ax on

1:45:47.680 --> 1:45:50.400
<v Speaker 3>the phone to live with you.

1:45:50.479 --> 1:45:53.960
<v Speaker 2>Yeah, it is right. I don't know, Like this is

1:45:54.000 --> 1:45:55.680
<v Speaker 2>why I don't come outside.

1:45:55.439 --> 1:45:55.760
<v Speaker 1>You know.

1:45:55.840 --> 1:45:57.519
<v Speaker 5>But that's you know, how sick it is that you

1:45:57.520 --> 1:45:59.120
<v Speaker 5>could stay in your house and create turmoil.

1:45:59.240 --> 1:46:01.760
<v Speaker 2>That's what I'm saying. I don't even be talking to nobody, bro,

1:46:01.880 --> 1:46:03.880
<v Speaker 2>Like what the fuck is going on? Like anybody would

1:46:03.880 --> 1:46:04.719
<v Speaker 2>have blame me for ship?

1:46:04.760 --> 1:46:08.920
<v Speaker 3>Like listen, my therapist says, I'm addicted to chaos, so.

1:46:09.360 --> 1:46:09.680
<v Speaker 2>We know it.

1:46:09.760 --> 1:46:12.439
<v Speaker 3>Times with me, it's gonna be chaos around you can't sleep.

1:46:12.360 --> 1:46:16.040
<v Speaker 2>Less' smoke in the city here, Like, Man, I'm the opposite. Man,

1:46:16.080 --> 1:46:16.840
<v Speaker 2>I love peace at all.

1:46:16.880 --> 1:46:19.280
<v Speaker 3>Yeah, but it'd be mad chaos around you, dude, right,

1:46:19.880 --> 1:46:21.040
<v Speaker 3>get your for you?

1:46:21.520 --> 1:46:24.200
<v Speaker 2>This ship is crazy, man, But anyway, man, listen, this

1:46:24.240 --> 1:46:27.400
<v Speaker 2>is another episode, another installment, another Journey down the New

1:46:27.520 --> 1:46:33.080
<v Speaker 2>or Jerit the Capsule Cast, another installment, another podcast, another your.

1:46:33.000 --> 1:46:34.840
<v Speaker 5>As speaking of capsules that but on your ass about

1:46:34.840 --> 1:46:36.280
<v Speaker 5>that merch you're supposed to be designed.

1:46:36.479 --> 1:46:37.880
<v Speaker 2>We got some, we got some ship coming.

1:46:38.080 --> 1:46:39.599
<v Speaker 1>We told them that for Valentine's Das.

1:46:39.800 --> 1:46:41.280
<v Speaker 2>Yeah, but I didn't want to. It would have been

1:46:41.320 --> 1:46:42.920
<v Speaker 2>rushed and it would have been corny. We're not gonna

1:46:42.920 --> 1:46:44.400
<v Speaker 2>do nothing. We don't want to go fast and mar

1:46:44.600 --> 1:46:46.439
<v Speaker 2>We want to go right. That's what we're doing here.

1:46:46.479 --> 1:46:48.400
<v Speaker 2>We want to go right. So when we go, we're gonna.

1:46:48.200 --> 1:46:52.559
<v Speaker 3>Go day to watch out, mad trees, Mad trees. One nigga,

1:46:52.600 --> 1:46:54.840
<v Speaker 3>we're going recyclable hoodies. That you were right.

1:46:54.880 --> 1:46:57.360
<v Speaker 1>So if we did arbor day but made the trees.

1:46:57.080 --> 1:46:59.640
<v Speaker 3>Weed with enveyan.

1:47:02.760 --> 1:47:03.320
<v Speaker 1>Or are we here?

1:47:03.360 --> 1:47:06.280
<v Speaker 2>We're in there this yo. Listen, man, I'm that nigga.

1:47:06.360 --> 1:47:07.160
<v Speaker 2>He's just ginger.

1:47:07.320 --> 1:47:09.920
<v Speaker 3>Let's get Shorty to model it. Let's if he got here,

1:47:10.240 --> 1:47:11.040
<v Speaker 3>she could be the model.

1:47:11.880 --> 1:47:15.920
<v Speaker 2>Not getting Sarma to model. No, we're not leave Sarma alone.

1:47:16.880 --> 1:47:17.840
<v Speaker 3>Just let us market this.

1:47:17.880 --> 1:47:21.960
<v Speaker 2>Smer still have a restaurant. No, I'm about to say

1:47:21.960 --> 1:47:23.519
<v Speaker 2>I'm about to go see Sarma this weekend, like if

1:47:23.560 --> 1:47:23.960
<v Speaker 2>she opened.

1:47:24.080 --> 1:47:26.280
<v Speaker 3>I googled it already. I had been to that restaurant,

1:47:26.320 --> 1:47:29.840
<v Speaker 3>but yeah, I've been there before. I remember. It was

1:47:29.840 --> 1:47:32.080
<v Speaker 3>the first time we ever took a meeting with Poluza

1:47:32.120 --> 1:47:34.000
<v Speaker 3>with an agency I won't name, and they took us

1:47:34.000 --> 1:47:35.280
<v Speaker 3>there and I got there and I said, is this

1:47:35.360 --> 1:47:38.360
<v Speaker 3>only vegan and they were like yeah, and they were

1:47:38.400 --> 1:47:38.840
<v Speaker 3>from l A.

1:47:39.040 --> 1:47:43.120
<v Speaker 2>Okay, makes sense, l A Vegans, Yeah, makes sense.

1:47:44.080 --> 1:47:46.759
<v Speaker 5>All right, guys, we're saying good night. I'm not editing

1:47:46.760 --> 1:47:50.120
<v Speaker 5>this podcast either. I gotta go see Jazz editing.

1:47:50.720 --> 1:47:58.479
<v Speaker 3>We leave everything, We leave it at it.

1:47:58.040 --> 1:48:00.720
<v Speaker 2>Listen, yo, were out of here, man, y'all take care

1:48:00.720 --> 1:48:00.880
<v Speaker 2>of We.

1:48:00.920 --> 1:48:04.639
<v Speaker 3>Talked energy before saying Jasmine, yeah, actually bust the windows

1:48:04.640 --> 1:48:05.760
<v Speaker 3>after your car. I'm with it.

1:48:06.920 --> 1:48:09.720
<v Speaker 1>Listen. It was a nice you know what, let's go.

1:48:09.760 --> 1:48:12.400
<v Speaker 3>Closere d closure show all these all these moody R

1:48:12.439 --> 1:48:14.880
<v Speaker 3>and B chicks. Jasmine was, you know, I'm busting every

1:48:14.920 --> 1:48:16.800
<v Speaker 3>fucking window out of your car, and I'm not scared

1:48:16.840 --> 1:48:20.400
<v Speaker 3>of lions, tigers and bears.

1:48:22.280 --> 1:48:23.400
<v Speaker 1>Jazz might get down.

1:48:25.320 --> 1:48:28.439
<v Speaker 3>Where I'm somelling from somewhere in that area, though. D

1:48:28.600 --> 1:48:30.639
<v Speaker 3>M V maybe thought.

1:48:30.680 --> 1:48:31.800
<v Speaker 2>She always thought she was from Philly.

1:48:31.840 --> 1:48:36.559
<v Speaker 3>For some reason, she gets Philly. I'm sorry, I.

1:48:36.560 --> 1:48:38.559
<v Speaker 2>Knew she was from Philly. I know Philly Energy when

1:48:38.560 --> 1:48:41.040
<v Speaker 2>I see it. I know that Philly Energy. They'll pray

1:48:41.040 --> 1:48:42.519
<v Speaker 2>for you and then clap you. I know how they

1:48:42.520 --> 1:48:42.920
<v Speaker 2>get down.

1:48:44.439 --> 1:48:47.480
<v Speaker 3>I know you signed state property with that said.

1:48:49.600 --> 1:48:51.120
<v Speaker 2>That man, Yeah.

1:48:54.439 --> 1:48:55.880
<v Speaker 3>That was you.

1:48:55.880 --> 1:48:57.160
<v Speaker 1>No worry, no