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Speaker 1: No worrying.

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Speaker 2: YEA thought they thought they was gonna hold Jesse down.

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Speaker 3: Gay two pocket is out, come on man, all the

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Speaker 3: other streets.

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Speaker 2: That was gonna hold Jesse down. That fifty was lying.

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Speaker 3: Y'all shook it on the second.

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Speaker 2: Cut in less and more than half last day.

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Speaker 3: Last time you ordered me past sub gay tupockets home

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Speaker 3: Justse going in on this po gay pop back.

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Speaker 2: Man. I would I would be lying. I would be

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Speaker 2: lying to see.

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Speaker 3: Pat is what they call him, that's what they called juicy.

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Speaker 2: Okay, listen man, Jesse he thought he was getting that

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Speaker 2: one fifty. He got up there, he said, I'm not suicidal.

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Speaker 2: He was scared that he didn't want to go behind

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Speaker 2: them walls.

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Speaker 3: Oh, I have a different theory with that. What theory

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Speaker 3: do you have that he was gonna kill himself? No? Yeah, no, yeah.

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Speaker 3: He wants to be a martyr, a martyr for what

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Speaker 3: for subway for his life. But that's not he wants

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Speaker 3: to be. He wants All he wanted was to be

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Speaker 3: this social justice war and be looked at this way

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Speaker 3: and it didn't work. So if he killed himself after

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Speaker 3: he was because you know, he's been writing this as

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Speaker 3: a screenplay in his head. He thinks everything is a

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Speaker 3: fucking movie.

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Speaker 2: He thinks that this is a this is He definitely

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Speaker 2: believes that this is a film that he's starring in.

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Speaker 3: Uh.

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Speaker 2: He definitely feels like this is something that he's written

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Speaker 2: in his head. He's like, Okay, this is how it's

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Speaker 2: supposed to go. He just didn't foresee jail time. No,

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Speaker 2: but he in factor that in.

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Speaker 3: He played this speech in his head though before he

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Speaker 3: went to court, like, yeah, I'm gonna make my movie scene.

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Speaker 3: This is gonna go down in the Civil Rights Museum

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Speaker 3: when I was saying I didn't kill myself, then he's

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Speaker 3: gonna go kill himself.

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Speaker 2: Yeah.

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Speaker 3: Even he's the worst screenplay writer of all time.

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Speaker 2: I don't know if. I don't know if he was

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Speaker 2: going to kill him.

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Speaker 3: So I think he was.

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Speaker 2: I just I think that Jesse, like most men, are

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Speaker 2: scared to go to jail.

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Speaker 3: I didn't think I'll tell you that.

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Speaker 2: I didn't think that he was prepared to do one

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Speaker 2: hundred and fifty days. I think that in his movie

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Speaker 2: that he was writing in his head that jail time.

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Speaker 2: He didn't write that into this.

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Speaker 3: What that third act of yeah Ucy in jail, He.

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Speaker 2: Didn't write that into that. Yeah, he didn't write that

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Speaker 2: into the script. So he was like, that was a

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Speaker 2: curve ball. He didn't know. So he stood up and said, listen,

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Speaker 2: if I die, I'm not suicidal.

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Speaker 3: But what if Juicy like ran the yard. What if

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Speaker 3: what if Juicy was snatching your noodles and noodles?

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Speaker 2: Listen, man, it's just listen. We we went through that

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Speaker 2: whole time. We know what Jesse was trying to do.

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Speaker 2: He was trying to, you know, have his face at

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Speaker 2: the forefront and during the pandemic, during the whole Black

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Speaker 2: Lives Matter movement. You know, he was trying to find

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Speaker 2: a way to just you know, attach himself to the

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Speaker 2: whole movement and and you know, just be one of

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Speaker 2: those faces where he now became, you know, super famous.

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Speaker 2: He had some some fame with the show with Empire.

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Speaker 3: Well, his his dad recorded music in prison. I don't

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Speaker 3: see why he didn't think of that. Yeah, but Lucious

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Speaker 3: Lyon went crazy when he was in jail in the

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Speaker 3: second season.

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Speaker 2: Yeah, but he didn't. But in Jesse's film that he

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Speaker 2: was writing, it didn't. It didn't. It didn't end in jail.

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Speaker 3: Do you remember Lucius Lyon in prison?

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Speaker 2: On Empire.

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Speaker 3: I don't remember the exact scene, but for them to like,

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Speaker 3: you know, he was back in his element because he

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Speaker 3: was from the streets and he was like back in jail,

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Speaker 3: and he starts like, yo, I think I could write

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Speaker 3: music again because like I'm back.

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Speaker 2: So he basically turned back into hustling flow.

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Speaker 1: They it was like an offset of hustler.

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Speaker 3: They fucking like I think they like murdered a guard

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Speaker 3: and then like locked a door and a brand new

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Speaker 3: recording studio appeared. And one of the inmates that killed

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Speaker 3: the guard just happened to be a great engineer, of course.

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Speaker 2: Engineer.

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Speaker 3: And then Lucius Lyon goes in there and one takes

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Speaker 3: the greatest verse I've ever heard off the dome. So

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Speaker 3: what is what is Juicy thinking he could do his

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Speaker 3: show album over the phone? Jesse was not.

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Speaker 2: He was not trying to go on the behind the walls.

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Speaker 2: He did. He did it six days.

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Speaker 3: I just saw he did his six day Yeah, in

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Speaker 3: my six days.

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Speaker 2: I just saw a picture of him. He got on

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Speaker 2: all black. You know what I'm saying, Like, listen, man,

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Speaker 2: I don't know, man, It's just the things that people

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Speaker 2: do for you know, cloud and fame these days. Doesn't

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Speaker 2: surprise me. I just think it's funny that, you know,

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Speaker 2: Jesse gave that speech about not killing himself, he's not suicidal,

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Speaker 2: and then six days later he walks out of jail

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Speaker 2: and he's appealing his.

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Speaker 3: I don't think he thought he would get bail on

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Speaker 3: his appeal. He was, I know, he was mapping out

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Speaker 3: the suicide. Then he was like, oh wait, hold on,

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Speaker 3: I could appeal this.

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Speaker 2: Maybe you know how crazy that would have been, like

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Speaker 2: if he went ahead with the suicide and he was

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Speaker 2: like he was gonna let him out in like.

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Speaker 4: Six days, they go to They go to him cell

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Speaker 4: to be like, yo, yo, juice, he hanging there.

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Speaker 2: Release the juice. The juice is loose.

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Speaker 3: Oh it's funny joke about people hanging themselves in prison.

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Speaker 1: On my third freezing.

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Speaker 2: Oh man, listen, man, Jesse's I hope you learned your lesson.

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Speaker 2: No more of them funny weird movies that you write

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Speaker 2: in your head that nobody cares about.

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Speaker 1: I actually really care about the movie.

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Speaker 2: I don't. I'm not gonna lie to you again.

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Speaker 3: I want the movie of his version. But you know

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Speaker 3: why I don't want the real because I don't want

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Speaker 3: the real netflix dock. I want what he wrote in

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Speaker 3: his head of what he thought was gonna happen.

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Speaker 2: I mean, but this is why I was sucked up,

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Speaker 2: because when it first happened and I yelled bullshit on it,

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Speaker 2: people killed me. I remember.

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Speaker 3: I remember that.

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Speaker 2: I don't know what I'm talking about, and this that

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Speaker 2: and the third and they called me all.

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Speaker 3: Kind of names, and I remember it all.

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Speaker 2: But it's just like, come on, dog, like if we

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Speaker 2: let's say, this is a movie that Jesse obviously has written,

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Speaker 2: and he had it all mapped out.

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Speaker 3: It was a bad movie, I don't think. No, No,

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Speaker 3: it was a great movie with terrible writing.

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Speaker 2: We sub made it home. You can't get your ass

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Speaker 2: by two big Nigerian men.

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Speaker 3: No they weren't. They were white racist.

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Speaker 2: Oh yeah at the time, white racist. What white racist

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Speaker 2: man is gonna leave behind a meat balls up?

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Speaker 3: Well, they got beat up by Justse. In the story

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Speaker 3: he got on stage, he said, and I fucked them

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Speaker 3: on and beat them up. I'm the gate Tubac.

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Speaker 2: He would That's what I'm saying.

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Speaker 3: The story he said it, I didn't say.

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Speaker 2: He said he got beat up. He went home with

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Speaker 2: a noose around his neck. Ye bleach poured on him.

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Speaker 2: There was no bleach on the meatballs up, Like, how

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Speaker 2: do you get your ass with a bottle of bleach?

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Speaker 2: And the sandwich is fine?

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Speaker 5: He was hungry, mall every time we talk about this,

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Speaker 5: because we talked about it often, that that meat boss

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Speaker 5: up really stumps you, Like, that's the key themarriage.

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Speaker 2: If I go out the two guys, I'll get into

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Speaker 2: a fight with two guys coming out of fucking uh

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Speaker 2: what restaurants are out here?

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Speaker 1: Your vegan bake, egg and cheese is making up.

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Speaker 2: The salad ain't making it home. If niggas hit me

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Speaker 2: with bleach.

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Speaker 3: It'll be It'll be romaine littering the streets.

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Speaker 2: It will be kale all over the fucking blake? Are

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Speaker 2: you kidding me? If I the Marias, If I said, hey,

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Speaker 2: look these two dudes I just got into it, they

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Speaker 2: would they nigga. They put a noose around my neck,

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Speaker 2: hit me with bleach, all kind of shit, and I

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Speaker 2: come down here and I was like, yeah, I went

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Speaker 2: to get a salad and I sit down and open

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Speaker 2: the salad. Salads told me.

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Speaker 3: You're not gonna look at me, like, but wait, you

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Speaker 3: just got jumped, And the salad made it out.

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Speaker 2: Okay.

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Speaker 3: In his defense, you have you seen the subway bags.

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Speaker 3: You could literally suffocate and murder somebody with the subway sandwich.

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Speaker 2: Yeah, but the handles are flimsy. They are the handles.

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Speaker 3: Down.

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Speaker 2: That's what I'm saying. Meatballs would have been everywhere like

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Speaker 2: That's why that that to me. Had the meatball sub

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Speaker 2: been like splattered all over the concrete, then I would

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Speaker 2: have maybe said, damn, they fucked.

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Speaker 3: Jesse was out there thumping, but it made it.

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Speaker 2: The sandwich made it home. Was out there thumping, but

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Speaker 2: that's where he sucked up at. He didn't cross that

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Speaker 2: t and dot that I he was supposed to step

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Speaker 2: all over the meatball sub and leave it on the

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Speaker 2: concrete for evidence, and we would have believed this story

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Speaker 2: ever since that sandwich made the home. Watch. So this

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Speaker 2: is bullshit.

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Speaker 1: Long story short, he out.

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Speaker 3: I think I'm gonna add someone to our Bengo Carden.

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Speaker 1: Definitely Jesse.

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Speaker 2: No, the meatball sup?

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Speaker 3: Besides me?

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Speaker 2: Ball Sup?

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Speaker 3: You know when Tupac got his appeal but didn't have

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Speaker 3: enough money to bail himself out, so he was still

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Speaker 3: chilling at Clinton and then Sugar came to Clinton and

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Speaker 3: was like, yeah, I'll pay the bill you just like

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Speaker 3: I want Whack one hundred to play that role for

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Speaker 3: just for just in County. Be like, YO got your

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Speaker 3: appeal and I got your bill. But we got to

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Speaker 3: squabble first.

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Speaker 2: We gotta get down. We gotta get for me to

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Speaker 2: bail you.

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Speaker 3: We gotta get out.

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Speaker 2: You know, Whack want to get out with Jesse.

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Speaker 3: Get It's still never not funny to me. I'm sorry

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Speaker 3: we keep saying it.

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Speaker 2: Whack wanted to get out with everybody in the industry.

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Speaker 2: I think everybody in the industry gotta fight Whack at

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Speaker 2: once at some point because he just want to get out.

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Speaker 3: That's how you get jumped into the music industry.

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Speaker 2: You gotta get down with Whack.

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Speaker 3: You need your thirty seconds with Whack.

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Speaker 2: That's the fact. Whack gotta get his thirty I saw

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Speaker 2: something online. I think it was fake though.

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Speaker 5: Well, Wax said, Takashi sixty nine is dirt poor. He

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Speaker 5: had to give him twenty dollars for gas the other day.

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Speaker 3: Those two are oh six six nine cutting Whack. I'm

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Speaker 3: those guys are good at the internet.

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Speaker 2: Man. Whack said he had to live first of all.

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Speaker 3: Twenty dollars don't get you shipp with gas.

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Speaker 2: You know how much gas doesn't want see so much gases?

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Speaker 2: Right now?

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Speaker 3: He got.

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Speaker 2: What's wrong with whack man?

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Speaker 3: Did he send it through Western Union? I'm certain here

227
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Speaker 3: look at us have a call back.

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Speaker 2: Yeah, but Jesse's free. Ah, so I don't know if

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Speaker 2: we give him around of a bullse for that. You

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Speaker 2: just clap, you just clap. Worry.

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Speaker 3: Yeah, I'm happy for sorry for Jesse, clapp for Jesse

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Speaker 3: Jesse's home. Can I ask, as a white person, what

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Speaker 3: are you allowed to use the black power fist as

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Speaker 3: a white not as a white man, as a black man.

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Speaker 3: I just feel like you're kind of selling the representation

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Speaker 3: of how iconic and how powerful that image represents, Yes,

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Speaker 3: of everything that it is. I just feel like just

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Speaker 3: coming out just throwing it.

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Speaker 2: Up Jesse, Jesse Listenesse and inventing Anna as the same

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Speaker 2: person at this point, Oh for sure. And I don't

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Speaker 2: see I don't see Anna raising the blackfist or the

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Speaker 2: white the white pale knuckle.

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Speaker 3: She was German, maybe a swast, I don't know, yo, yo,

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Speaker 3: happy are the equivalent? But it was a group of

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Speaker 3: people that got together and did some ship.

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Speaker 2: They did some things.

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Speaker 1: That's your favorite Europeans saying that not us.

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Speaker 3: But uh just not everyone's favorite Europeans.

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Speaker 2: That's just thinking about you being the favorite European. Jesse

250
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Speaker 2: is no longer allowed to raise the blackfist. I think

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Speaker 2: he can raise uh the black book and put lies

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Speaker 2: on the front of it. I don't think he can

253
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Speaker 2: have a book of lies. I think he can. He

254
00:10:33,760 --> 00:10:35,959
Speaker 2: can probably get a deal with Subway at some point.

255
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Speaker 2: Maybe they can kind of tie something in there.

256
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Speaker 3: They're not really batting a thousand with spokes.

257
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Speaker 2: People right on.

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Speaker 1: I can't for them.

259
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Speaker 2: This is what I'm trying to tell you.

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Speaker 3: This is just Jesse.

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Speaker 2: Yeah, this is Jared Walk So Jesse could fly. That's

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Speaker 2: what you're not seeing Jared.

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Speaker 3: Jared did some nasty assa.

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Speaker 2: Absolutely, that's what I'm saying. But this is right on

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Speaker 2: brain somewhere.

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Speaker 3: Did they kill him in prison?

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Speaker 2: Yet?

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Speaker 3: They must happened.

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Speaker 2: So no, I don't think Jared was killed.

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Speaker 5: I don't think he died as jeans he used to

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Speaker 5: have them. Jeans was big as fuck.

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Speaker 2: First of all. And if you're telling me that anybody

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Speaker 2: lost that much weight by eating Subway sandwiches, like come on, man,

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Speaker 2: Like see that's what I'm saying we don't pay attention

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Speaker 2: to the fine print, Like we just go along with

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Speaker 2: a lot of shit that people tell us and just

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Speaker 2: like believe it.

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Speaker 3: Who who's publicist has the worst hairline? The babies or Subway?

279
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Speaker 3: Who is stressed more.

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Speaker 2: The baby's publishers.

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Speaker 3: I think it's higher volume with the baby. I think

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Speaker 3: the things that happened with Subway though, you.

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Speaker 2: Know those are like those but those are two like

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Speaker 2: Bam bad. If I was in that baby band, it's

285
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Speaker 2: like day after day after day after day after Like

286
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Speaker 2: it's just it's very consistent with the baby.

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Speaker 3: Can you imagine working in the PR department but Jared

288
00:11:50,840 --> 00:11:58,000
Speaker 3: did what I quit? Yeahs And then you know, you

289
00:11:58,040 --> 00:12:00,160
Speaker 3: know there was the one like assisting or intern that

290
00:12:00,240 --> 00:12:02,000
Speaker 3: like stuck it out. They were the company man through

291
00:12:02,000 --> 00:12:04,360
Speaker 3: the Jared thing and they just went up the corporate lader,

292
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Speaker 3: probably the head of PR. Now mm hmmm. I'm sorry

293
00:12:07,440 --> 00:12:11,160
Speaker 3: that the guy from Empire to what meat boss? Why

294
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Speaker 3: are we included in this?

295
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Speaker 2: We do not sponsor him, listen man, but you know,

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Speaker 2: all jokes aside. I am. I hope that Jesse is okay.

297
00:12:19,160 --> 00:12:22,080
Speaker 5: And receiving the mental health that mental health help that

298
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Speaker 5: he needs the mental.

299
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Speaker 2: Health help that he needs. But please, Jesse, no more

300
00:12:26,679 --> 00:12:29,040
Speaker 2: these weird fucking movies that you're writing in.

301
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Speaker 5: No more.

302
00:12:29,640 --> 00:12:31,480
Speaker 2: Please, Yeah, we don't, we don't need no more this state.

303
00:12:31,679 --> 00:12:34,599
Speaker 2: They let your ass go. This was the warning This

304
00:12:34,720 --> 00:12:37,160
Speaker 2: was the warning shot. They let you go. You only

305
00:12:37,200 --> 00:12:39,800
Speaker 2: just six days. You're probably gonna win your uphill. You're

306
00:12:39,800 --> 00:12:41,720
Speaker 2: not gonna have to do those one hundred and forty

307
00:12:41,720 --> 00:12:42,400
Speaker 2: four other days.

308
00:12:42,440 --> 00:12:46,040
Speaker 3: So or or kill you ass down, or kill yourself

309
00:12:46,080 --> 00:12:48,440
Speaker 3: for act for the movie that wro like. We could

310
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Speaker 3: change it a little.

311
00:12:49,360 --> 00:12:51,040
Speaker 2: Bit, just go shit down. Do you think this affects

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00:12:51,360 --> 00:12:54,000
Speaker 2: Jesse's career in uh, in film and TV?

313
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Speaker 1: Not?

314
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Speaker 3: I think I think TV. I think he does his

315
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Speaker 3: own ship and we're all gonna watch it.

316
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Speaker 1: Okay, Well, is this why Lovecraft Country got canceled? I'm

317
00:13:05,440 --> 00:13:06,080
Speaker 1: blaming him?

318
00:13:06,840 --> 00:13:08,079
Speaker 3: What did he have to do with that?

319
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Speaker 1: His sister well almost was going down.

320
00:13:10,320 --> 00:13:11,920
Speaker 3: Isn't his whole family and that ship you were.

321
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Speaker 5: Saying, Well, yeah, his whole family is like in the industry,

322
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Speaker 5: but his sister was Lovecraft Country.

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Speaker 1: It got one Emmys and got canceled. I think it's

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Speaker 1: because of him.

325
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Speaker 3: Listen, it might be Okay, that's I asked you about

326
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Speaker 3: the black power fist. If that's being overused with Jesse

327
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Speaker 3: in that situation, this point I can speak on. You

328
00:13:28,960 --> 00:13:31,440
Speaker 3: can't over use the crying grandmother in court. That's for

329
00:13:31,480 --> 00:13:35,040
Speaker 3: specific reasons for innocent people. Yeah, don't give me the

330
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Speaker 3: crying grandmother for this situation.

331
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Speaker 2: Yeah, because what jury is really going to look at

332
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Speaker 2: a crying grandmother and not feel some type of empathy.

333
00:13:41,640 --> 00:13:43,840
Speaker 3: Though I think the crying grandmother did call him a

334
00:13:43,880 --> 00:13:47,600
Speaker 3: social justice uh warrior leader was it was? It was

335
00:13:47,640 --> 00:13:51,920
Speaker 3: some Jesse Schmola is a social like like the theanos

336
00:13:52,080 --> 00:13:55,679
Speaker 3: of social justice. She was saying, she she used an

337
00:13:55,679 --> 00:13:57,240
Speaker 3: insane word. She I don't even think she said that.

338
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Speaker 2: It goes back to what I said about grandmother's not

339
00:14:00,120 --> 00:14:02,400
Speaker 2: knowing that mehole is a fucking demon out here in

340
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Speaker 2: the streets.

341
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Speaker 4: Calling the grandma's he's not here doesn't mean you get

342
00:14:06,640 --> 00:14:07,760
Speaker 4: your shit off, No, But that's.

343
00:14:07,600 --> 00:14:10,200
Speaker 2: What the grandma's call that grand home. They don't know

344
00:14:10,200 --> 00:14:12,880
Speaker 2: that me hole is out here shooting up the basketball tournament.

345
00:14:13,120 --> 00:14:16,559
Speaker 2: They don't know that he's shooting up the cookout. Jesse's

346
00:14:16,559 --> 00:14:18,920
Speaker 2: grandmother didn't know her baby was out here lying about

347
00:14:19,280 --> 00:14:21,280
Speaker 2: white men whipping his ass or a bottle of bleach

348
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Speaker 2: and tying a noose around his neck.

349
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Speaker 1: See, grandma was fat back in the days, so she

350
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Speaker 1: probably believed it.

351
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Speaker 2: Yeah, that's what I'm saying. So the grandmother. Yes, we

352
00:14:27,720 --> 00:14:30,680
Speaker 2: have empathy, and we love grandma's. It's hard not to

353
00:14:30,720 --> 00:14:34,200
Speaker 2: love grandma's. But you gotta know when the grandma is

354
00:14:34,240 --> 00:14:36,280
Speaker 2: just oblivious to the grandson's bullshit.

355
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Speaker 3: But okay, but also let's reverse this and we can

356
00:14:39,800 --> 00:14:43,800
Speaker 3: get off chesse. This is a good topic. When does

357
00:14:43,840 --> 00:14:46,880
Speaker 3: the grandmother's history get erased just because she becomes a grandmother.

358
00:14:48,200 --> 00:14:49,960
Speaker 2: Yeah, because grandma was a whole at one point too.

359
00:14:50,560 --> 00:14:52,600
Speaker 3: There's some nasty ass grandma's out there that we look

360
00:14:52,640 --> 00:14:55,400
Speaker 3: at just because their grandmothers that they must be holsome.

361
00:14:55,240 --> 00:14:57,920
Speaker 2: Oh absolutely, I know a few grandma's now that are grandma's.

362
00:14:57,920 --> 00:14:59,960
Speaker 2: And I'm like, yo, she used to be a like frigs.

363
00:15:00,320 --> 00:15:02,600
Speaker 3: I was watching he might be Jesse, but she might

364
00:15:02,640 --> 00:15:03,480
Speaker 3: be a hussy. Yeah.

365
00:15:03,520 --> 00:15:08,360
Speaker 2: Absolutely. I was watching Wu Tang's ice cream video and

366
00:15:08,440 --> 00:15:11,040
Speaker 2: I thought to myself, I said, now, miss butter Peacan

367
00:15:11,160 --> 00:15:11,720
Speaker 2: right there.

368
00:15:11,560 --> 00:15:15,640
Speaker 3: Beautiful, beautiful, my favorite video girls of all time.

369
00:15:15,720 --> 00:15:18,000
Speaker 2: I'm willing to bet that she's a grandmother right now.

370
00:15:19,200 --> 00:15:21,040
Speaker 3: Well, we don't know what she did. Maybe she just

371
00:15:21,120 --> 00:15:22,560
Speaker 3: enjoyed the song and likes method man.

372
00:15:22,720 --> 00:15:27,320
Speaker 2: No, but yes, probably, But this was thirty something years ago.

373
00:15:28,200 --> 00:15:31,280
Speaker 2: I'm willing to bet she had a kid, and by

374
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Speaker 2: now her kid had a kid, well, she.

375
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Speaker 1: Would be around forty nine fifty now.

376
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Speaker 3: Wellhit is just different now because when we were growing up,

377
00:15:37,000 --> 00:15:39,640
Speaker 3: most people's grandmothers were like older and we only know

378
00:15:39,720 --> 00:15:41,640
Speaker 3: them as older. Now I could find a thirty six

379
00:15:41,680 --> 00:15:42,320
Speaker 3: year old grandmother.

380
00:15:42,440 --> 00:15:44,560
Speaker 1: Bernice is right there on your for you, Paige.

381
00:15:45,160 --> 00:15:46,520
Speaker 3: Yeah, the grandmothers have changed.

382
00:15:46,560 --> 00:15:51,560
Speaker 2: Bernice could have easily been Chocolate Caramel Sunday in the

383
00:15:51,600 --> 00:15:52,280
Speaker 2: ice cream video.

384
00:15:52,400 --> 00:15:55,280
Speaker 3: She's let him plenty that I've loved. Yeah, she's a grandmother.

385
00:15:56,840 --> 00:15:58,800
Speaker 3: I don't I mean, I don't know anything about Bernice's past.

386
00:15:59,360 --> 00:15:59,960
Speaker 2: No, I don't either.

387
00:16:00,000 --> 00:16:01,680
Speaker 3: I'm just saying, but I just don't think her. I'm

388
00:16:01,720 --> 00:16:03,320
Speaker 3: just I just don't think her and Eileen's I g

389
00:16:03,440 --> 00:16:07,600
Speaker 3: pages would look the same. And who Eileen my grandmother?

390
00:16:08,720 --> 00:16:13,920
Speaker 2: I was lost? Who is hey, hey grandma.

391
00:16:13,400 --> 00:16:14,280
Speaker 3: She just passed.

392
00:16:16,560 --> 00:16:19,200
Speaker 2: Yeah, I didn't know your grandmother.

393
00:16:19,800 --> 00:16:21,960
Speaker 3: We were all like on a call and I was like, hey,

394
00:16:22,000 --> 00:16:24,640
Speaker 3: guys have to leave town to bury my grandmother.

395
00:16:25,160 --> 00:16:26,360
Speaker 2: I don't remember that. I'm sorry.

396
00:16:26,520 --> 00:16:27,000
Speaker 3: Totally fun.

397
00:16:27,200 --> 00:16:28,000
Speaker 2: How long ago was this?

398
00:16:28,600 --> 00:16:31,360
Speaker 3: Uh April of last year, so coming up on a year.

399
00:16:31,920 --> 00:16:33,920
Speaker 2: Okay, yeah, yes, I do remember that.

400
00:16:34,040 --> 00:16:34,720
Speaker 3: It's totally fun.

401
00:16:36,160 --> 00:16:37,800
Speaker 2: Just like a couple of weeks ago about to say

402
00:16:37,800 --> 00:16:38,840
Speaker 2: you why you didn't.

403
00:16:38,640 --> 00:16:39,720
Speaker 3: I only joke through pain.

404
00:16:40,720 --> 00:16:42,520
Speaker 2: Let's make jo the piece to Grandma Eileen.

405
00:16:42,920 --> 00:16:44,760
Speaker 3: I don't know. Eleen could have been in the North

406
00:16:44,800 --> 00:16:46,360
Speaker 3: streets going nuts. I don't know.

407
00:16:47,000 --> 00:16:50,040
Speaker 2: Leen was probably hot in her day. She probably in

408
00:16:50,080 --> 00:16:52,040
Speaker 2: the sixties was the one.

409
00:16:52,240 --> 00:16:55,720
Speaker 3: So actually, no, no, no, I've seen I've seen photos

410
00:16:55,720 --> 00:16:58,720
Speaker 3: of my grandmother. My grandmother was fucking bad.

411
00:16:59,280 --> 00:17:01,480
Speaker 2: She was you. I've seen younger pictures of my mom.

412
00:17:01,520 --> 00:17:04,800
Speaker 2: I'm like, I know we used when Marvin Gaye came

413
00:17:04,840 --> 00:17:05,160
Speaker 2: to town.

414
00:17:05,960 --> 00:17:08,680
Speaker 3: I feel like I've already told my mother story on here.

415
00:17:08,720 --> 00:17:12,720
Speaker 3: But my grandmother sometimes you just have to find little

416
00:17:12,760 --> 00:17:15,320
Speaker 3: tiny details and kind of make your own story or

417
00:17:15,320 --> 00:17:18,280
Speaker 3: assumptions when grandmother's are saying things because they'll make it

418
00:17:18,280 --> 00:17:20,040
Speaker 3: sound so beautiful. But she's told me the story of

419
00:17:20,040 --> 00:17:22,479
Speaker 3: how her and my grandfather met. She was on her

420
00:17:22,480 --> 00:17:26,119
Speaker 3: way to a church dance and met him and then

421
00:17:26,160 --> 00:17:26,840
Speaker 3: they fell in love.

422
00:17:27,080 --> 00:17:31,040
Speaker 2: Dance. That sounds so wholesome church dance, but y'all was

423
00:17:31,080 --> 00:17:33,040
Speaker 2: on your way to the underground spot. That was no

424
00:17:33,160 --> 00:17:33,720
Speaker 2: church dance.

425
00:17:34,280 --> 00:17:36,800
Speaker 3: She had Alzheimer's, so she would always retell stories.

426
00:17:36,800 --> 00:17:37,320
Speaker 2: But I loved it.

427
00:17:38,200 --> 00:17:41,120
Speaker 3: That was the best sounds insane, the best part of Alzheimers.

428
00:17:41,119 --> 00:17:42,320
Speaker 3: She would forget. She would tell me stories and I

429
00:17:42,320 --> 00:17:44,200
Speaker 3: would love to hear the story. You could add litle

430
00:17:44,520 --> 00:17:46,440
Speaker 3: and no, and she would just add in little details

431
00:17:46,440 --> 00:17:47,720
Speaker 3: that she left out before.

432
00:17:49,400 --> 00:17:51,440
Speaker 2: You're like, oh, that's the first time I heard that part.

433
00:17:51,840 --> 00:17:54,120
Speaker 3: She added in right before death that she was going

434
00:17:54,119 --> 00:18:00,239
Speaker 3: to that dance with another guy. Oh so you might

435
00:18:00,240 --> 00:18:04,119
Speaker 3: have thrown the map down crazy at the dance and

436
00:18:04,240 --> 00:18:05,800
Speaker 3: she was like, let me leave this boat, Zoe and

437
00:18:05,840 --> 00:18:06,920
Speaker 3: go get with Jeane over here.

438
00:18:08,040 --> 00:18:10,159
Speaker 1: The fact that my father and my grandfather's name is

439
00:18:10,240 --> 00:18:12,040
Speaker 1: Jane just reiterates that.

440
00:18:12,000 --> 00:18:13,360
Speaker 2: They don't make Eugens no more.

441
00:18:13,720 --> 00:18:14,120
Speaker 3: They don't.

442
00:18:14,280 --> 00:18:17,240
Speaker 2: The last time girl had a kid, boys, he's a Eugene.

443
00:18:17,359 --> 00:18:19,119
Speaker 3: Only West Indians still still do Eugene.

444
00:18:19,119 --> 00:18:20,360
Speaker 2: Oh yeah, Eugene's and Trevors.

445
00:18:20,359 --> 00:18:22,040
Speaker 3: West Indians love, they love, they love a Trevor.

446
00:18:22,119 --> 00:18:24,240
Speaker 2: Yeah, they love a Trevor. Trevor's never going out. That's

447
00:18:24,240 --> 00:18:26,280
Speaker 2: gonna be Trevor's for the next eight hundred years.

448
00:18:26,359 --> 00:18:28,320
Speaker 3: And adding Anne to the second part of the name

449
00:18:28,440 --> 00:18:30,800
Speaker 3: only West Indians. I hear it that forever? But now,

450
00:18:31,000 --> 00:18:31,520
Speaker 3: oh what?

451
00:18:32,119 --> 00:18:32,640
Speaker 1: And is deaf?

452
00:18:32,720 --> 00:18:36,280
Speaker 3: Carry and Kelly the as go crazy?

453
00:18:36,880 --> 00:18:39,159
Speaker 2: But yes, rest in peace to Grandma Isileen h And

454
00:18:39,200 --> 00:18:41,480
Speaker 2: also happy Saint Patrick's day, man, thank you. There was

455
00:18:41,480 --> 00:18:44,040
Speaker 2: a lot of traffic coming in early today. I didn't

456
00:18:44,040 --> 00:18:45,560
Speaker 2: know what was going on, and I looked out the windows.

457
00:18:45,560 --> 00:18:50,160
Speaker 2: Saw forty rories walking off the block. Shut up forty

458
00:18:50,800 --> 00:18:53,840
Speaker 2: saw forty. I said, okay, this is this is Saint

459
00:18:53,880 --> 00:18:54,440
Speaker 2: Patty's Day?

460
00:18:54,560 --> 00:18:56,359
Speaker 3: Or are you better come with my fighting Irish?

461
00:18:56,600 --> 00:18:59,640
Speaker 2: Oh you know he got the fighting Irish prod ain't.

462
00:18:59,400 --> 00:18:59,920
Speaker 3: Go crazy with it?

463
00:19:00,160 --> 00:19:01,159
Speaker 2: Are you are you? Are you?

464
00:19:01,200 --> 00:19:02,959
Speaker 3: Are? You? Are you even realize I was wearing this.

465
00:19:05,040 --> 00:19:06,000
Speaker 2: I didn't even know that.

466
00:19:06,800 --> 00:19:09,560
Speaker 5: None else he got at Patrick.

467
00:19:09,600 --> 00:19:12,320
Speaker 3: They ain't got a Master's a sick as yellow combination.

468
00:19:13,640 --> 00:19:15,160
Speaker 1: That thing got every shade of drink.

469
00:19:16,320 --> 00:19:19,160
Speaker 2: That's right, right, Rory, you fucking wrapped your pride, man.

470
00:19:19,240 --> 00:19:22,280
Speaker 3: I feel like I'm a hipster Irish hipster now though.

471
00:19:22,720 --> 00:19:25,320
Speaker 2: Irish hipster. That's interesting, kind of like Bill Walton back

472
00:19:25,359 --> 00:19:26,240
Speaker 2: in the seventies.

473
00:19:26,680 --> 00:19:31,320
Speaker 5: But go ahead, shout out to Peach happy. St Patrick's

474
00:19:31,359 --> 00:19:32,639
Speaker 5: Day YouTube page's Irish.

475
00:19:32,680 --> 00:19:37,240
Speaker 3: His last name is thorn Dough. I ain't no fucking Irish, but.

476
00:19:37,200 --> 00:19:39,879
Speaker 1: I said peg Irish. She said hell yeah. I said, okay,

477
00:19:40,720 --> 00:19:41,160
Speaker 1: you just need.

478
00:19:41,040 --> 00:19:43,200
Speaker 3: An excuse to drink okay, And this is why I'm

479
00:19:43,200 --> 00:19:44,920
Speaker 3: a hipster when it comes to Saint Patrick's Day now,

480
00:19:45,119 --> 00:19:49,440
Speaker 3: mm hmm. It's just like they've sullied the holiday, sullied

481
00:19:50,680 --> 00:19:52,080
Speaker 3: double one Tantra. Sully is Irish.

482
00:19:53,480 --> 00:19:54,480
Speaker 2: I'll see where you're going with it.

483
00:19:54,840 --> 00:19:59,080
Speaker 3: Listen, bars, someone keeps putting my mentions of this Irish rapper.

484
00:19:59,080 --> 00:20:01,280
Speaker 3: That was freestyle. I was said, now it's it's up

485
00:20:01,320 --> 00:20:03,639
Speaker 3: to me. I gotta battle them. So I'm already stealing

486
00:20:03,680 --> 00:20:05,879
Speaker 3: the Sully, the Sully double Chandra from him, so we

487
00:20:05,920 --> 00:20:08,359
Speaker 3: can't take it. I forgot his name. It's been in

488
00:20:08,400 --> 00:20:10,439
Speaker 3: my mentions for two days. I'm gonna finday when we

489
00:20:10,440 --> 00:20:13,480
Speaker 3: take a break and we can come back. Irish Rapper's

490
00:20:13,560 --> 00:20:18,159
Speaker 3: Millies Millies from Boston is he Irish? Probably, I would assume.

491
00:20:18,160 --> 00:20:20,119
Speaker 1: So most people from Boston are Irish and racist.

492
00:20:20,200 --> 00:20:24,479
Speaker 2: I fuck with millies though it comes with territory. But yeah, man,

493
00:20:24,520 --> 00:20:26,480
Speaker 2: happy Sat Patrew's Day.

494
00:20:26,600 --> 00:20:29,080
Speaker 5: Are you getting drunk tomorrow? Yo, It's gonna be nicest

495
00:20:29,440 --> 00:20:32,560
Speaker 5: fuck in New York tomorrow. We outside, not with you.

496
00:20:33,119 --> 00:20:34,480
Speaker 3: I kind of want to find this Irish.

497
00:20:34,240 --> 00:20:35,880
Speaker 1: Rapper separately we are outside.

498
00:20:36,400 --> 00:20:38,880
Speaker 3: But yeah, the holiday, now, well it always was there's

499
00:20:38,920 --> 00:20:40,960
Speaker 3: no real meaning to it, and I used to enjoy

500
00:20:40,960 --> 00:20:42,560
Speaker 3: it because it was actually a big day for my family.

501
00:20:42,640 --> 00:20:44,800
Speaker 3: We would do the parade on fifthdav like, we would

502
00:20:44,800 --> 00:20:47,280
Speaker 3: actually march in the parade, go to someone's house after

503
00:20:48,200 --> 00:20:49,880
Speaker 3: we have friends that on the bar in the hell's

504
00:20:49,960 --> 00:20:52,680
Speaker 3: kitchen on fucking forty eighth and tenth, like we would.

505
00:20:52,720 --> 00:20:54,840
Speaker 3: It would always be a good family ship where I

506
00:20:54,840 --> 00:20:57,639
Speaker 3: would see people I hadn't seen in the minute. You know,

507
00:20:57,760 --> 00:20:59,720
Speaker 3: people get older and that family shit doesn't happen as

508
00:20:59,760 --> 00:21:02,120
Speaker 3: often now. I just look at Saint Patrick's Day as, yeah,

509
00:21:02,119 --> 00:21:05,399
Speaker 3: this is just everyone has an excuse to wear green

510
00:21:05,640 --> 00:21:07,320
Speaker 3: and throw up in the street, all in the name

511
00:21:07,359 --> 00:21:11,000
Speaker 3: of my ancestors. It's like, no, there was more to us.

512
00:21:11,040 --> 00:21:12,119
Speaker 2: This is what they would have wanted.

513
00:21:12,400 --> 00:21:15,200
Speaker 3: I promised there was more to us. Matter of fact,

514
00:21:15,280 --> 00:21:18,160
Speaker 3: Saint Patrick's Day is the celebration of the patron Saint

515
00:21:18,320 --> 00:21:22,680
Speaker 3: of Ireland, which is Saint Patrick, who brought Catholicism to Ireland,

516
00:21:22,760 --> 00:21:26,520
Speaker 3: and there's symbolism of him chasing the snakes out of Ireland,

517
00:21:26,520 --> 00:21:28,960
Speaker 3: which is really the British and all that shit. Like

518
00:21:29,000 --> 00:21:31,159
Speaker 3: there's beauty, there's beauty to it. And it was like,

519
00:21:31,760 --> 00:21:33,520
Speaker 3: let me just chug this beer and throw up on

520
00:21:33,760 --> 00:21:36,040
Speaker 3: absolutely the next person I can see.

521
00:21:36,720 --> 00:21:39,200
Speaker 1: But who do you think started that tradition y'all? Did?

522
00:21:40,840 --> 00:21:42,080
Speaker 3: I mean, it's not like we were not going to

523
00:21:42,160 --> 00:21:43,400
Speaker 3: drink on a holiday.

524
00:21:43,720 --> 00:21:45,600
Speaker 1: Okay, but y'all drink. Y'all know how y'all drink.

525
00:21:45,640 --> 00:21:48,119
Speaker 3: I appreciate if people are celebrating Irish culture, but I

526
00:21:48,200 --> 00:21:50,639
Speaker 3: just don't think that's what it is. I'm very self

527
00:21:50,640 --> 00:21:53,320
Speaker 3: aware that people the.

528
00:21:53,280 --> 00:21:57,119
Speaker 2: African American Day Parade in Harlem, right, if everybody just

529
00:21:57,160 --> 00:22:00,800
Speaker 2: came out there and started fucking, you know, rocking, torking

530
00:22:00,840 --> 00:22:03,359
Speaker 2: and ship like, there's more to us than torking and

531
00:22:03,480 --> 00:22:06,840
Speaker 2: fucking rolling blunt people, Like ifverybody.

532
00:22:06,440 --> 00:22:09,800
Speaker 1: Started working Miley Cyrus did that first.

533
00:22:10,720 --> 00:22:13,600
Speaker 3: Like I just feel like I said that, not kill

534
00:22:13,640 --> 00:22:15,640
Speaker 3: her I just feel like if me and my family

535
00:22:16,800 --> 00:22:19,040
Speaker 3: put a float together and went on the Parkway on

536
00:22:19,160 --> 00:22:22,200
Speaker 3: Labor Day, it just I just wouldn't go overdo.

537
00:22:22,400 --> 00:22:25,240
Speaker 2: It has to be back to Day parade, has to

538
00:22:25,240 --> 00:22:28,000
Speaker 2: be a man like the parade has to be in

539
00:22:28,040 --> 00:22:28,520
Speaker 2: Harlem for.

540
00:22:28,440 --> 00:22:31,399
Speaker 3: The West India Day Parade, like, yeah, just it wouldn't

541
00:22:31,440 --> 00:22:31,880
Speaker 3: hit the same.

542
00:22:32,040 --> 00:22:35,760
Speaker 5: Yeah, you'll be at the West Indian Day Parade looking

543
00:22:35,800 --> 00:22:37,520
Speaker 5: for I don't bring my rive.

544
00:22:38,320 --> 00:22:39,760
Speaker 2: Rory put his bandann or you know how he do

545
00:22:39,880 --> 00:22:40,359
Speaker 2: he give it up?

546
00:22:40,359 --> 00:22:42,520
Speaker 1: That no waving that flag.

547
00:22:42,720 --> 00:22:46,439
Speaker 3: Yeah, I'm covering and paint from juvee the night before,

548
00:22:48,160 --> 00:22:48,720
Speaker 3: going nuts.

549
00:22:49,160 --> 00:22:50,960
Speaker 2: But that's what yo, That's a that's a good topic

550
00:22:50,960 --> 00:22:52,040
Speaker 2: we landed on, like because.

551
00:22:52,119 --> 00:22:53,400
Speaker 1: But I can't drink green beer.

552
00:22:53,880 --> 00:22:57,680
Speaker 2: Cultural differences, right, see for y'all to have the parade,

553
00:22:57,760 --> 00:23:00,560
Speaker 2: for y'all to have the same passage they parade, right,

554
00:23:00,720 --> 00:23:04,520
Speaker 2: do y'all have the same worries that us as all

555
00:23:04,560 --> 00:23:07,240
Speaker 2: Irish people are cops. I was about to.

556
00:23:07,160 --> 00:23:09,040
Speaker 3: Say, I feel like there's a lot of police that

557
00:23:09,080 --> 00:23:10,200
Speaker 3: they're just having a good time.

558
00:23:10,320 --> 00:23:13,480
Speaker 2: Like there's so much violence that is just around the

559
00:23:13,560 --> 00:23:15,680
Speaker 2: African American Day Parade in Harlem. And then the West

560
00:23:15,760 --> 00:23:16,439
Speaker 2: Indian parade.

561
00:23:16,520 --> 00:23:17,120
Speaker 1: Don't do that.

562
00:23:17,760 --> 00:23:20,320
Speaker 5: Don't do that, don't do what, because it's just as

563
00:23:20,359 --> 00:23:24,160
Speaker 5: much violence involved in all the Irish activities. Yes, yes,

564
00:23:24,280 --> 00:23:30,520
Speaker 5: autum bar fights them drunkens.

565
00:23:28,040 --> 00:23:34,240
Speaker 3: Okay, but they're drastically different scenarios. The violence that ensues

566
00:23:34,280 --> 00:23:38,159
Speaker 3: from the same Pastor's Day parade is because people are

567
00:23:38,200 --> 00:23:40,119
Speaker 3: getting drunken bars and they fight, and yes there's a

568
00:23:40,280 --> 00:23:43,920
Speaker 3: high level of that. Yeah, it takes place on Fifth

569
00:23:43,920 --> 00:23:49,880
Speaker 3: Avenue now, as Eastern Parkway is in a section gentrified

570
00:23:50,000 --> 00:23:53,120
Speaker 3: or not a terrifying fucking place to be. So when

571
00:23:53,160 --> 00:23:56,560
Speaker 3: you get violence from those when the parade happens, it

572
00:23:56,560 --> 00:24:00,000
Speaker 3: ain't because it's the parade. It's because there's probably neighborhoo

573
00:24:00,200 --> 00:24:01,920
Speaker 3: beef and we all just happen to see each other

574
00:24:02,080 --> 00:24:04,159
Speaker 3: because we're all on the Parkway today. It's not in

575
00:24:04,400 --> 00:24:06,800
Speaker 3: the name of the West Indian culture. It's just that

576
00:24:07,400 --> 00:24:09,320
Speaker 3: they do it in the neighborhood where most West Indians

577
00:24:09,359 --> 00:24:11,040
Speaker 3: are and they may have a personal issue with somebody.

578
00:24:11,160 --> 00:24:12,480
Speaker 3: It's not in the name of Trinidad.

579
00:24:13,640 --> 00:24:16,800
Speaker 2: But that's what I'm saying because when we like as younger,

580
00:24:16,880 --> 00:24:18,879
Speaker 2: when we would go to Juve and we would go,

581
00:24:19,320 --> 00:24:22,080
Speaker 2: you know, to the African American Day Parade in Harlem.

582
00:24:22,119 --> 00:24:24,280
Speaker 3: Congrats to both of us for surviving every juve that

583
00:24:24,320 --> 00:24:24,640
Speaker 3: we've been.

584
00:24:24,680 --> 00:24:26,600
Speaker 2: Yeah, because that this is just what I'm trying to say.

585
00:24:26,960 --> 00:24:29,560
Speaker 2: Do Irish people have something the night before the parade

586
00:24:29,640 --> 00:24:31,960
Speaker 2: that could be a little treacherous, a little dangerous.

587
00:24:31,600 --> 00:24:33,440
Speaker 3: That they're doing a little mischief.

588
00:24:33,119 --> 00:24:35,320
Speaker 2: Night, Yeah, like a little where you know, it could

589
00:24:35,359 --> 00:24:36,320
Speaker 2: get crazy out.

590
00:24:36,119 --> 00:24:43,160
Speaker 3: Here, probably more so before all Irish people started moving

591
00:24:43,160 --> 00:24:45,840
Speaker 3: to the suburbs, like when there was real I mean,

592
00:24:45,880 --> 00:24:49,080
Speaker 3: the Bronx still has a pretty good hold of Irish neighborhoods,

593
00:24:49,119 --> 00:24:53,360
Speaker 3: but there's there's not really Irish sections like there used

594
00:24:53,400 --> 00:24:55,679
Speaker 3: to be as far as like Hell's Kitchen, certain places

595
00:24:55,680 --> 00:24:59,720
Speaker 3: in Brooklyn, the Bronx heavy that's where it could happen

596
00:24:59,760 --> 00:25:03,600
Speaker 3: now as when you know, white people were afforded the

597
00:25:03,600 --> 00:25:06,239
Speaker 3: ability of the GI bill and able to get you know,

598
00:25:06,320 --> 00:25:09,280
Speaker 3: no no loan, no down payment homes on the suburbs,

599
00:25:09,480 --> 00:25:12,119
Speaker 3: whereas black people didn't get those. They all just separated

600
00:25:12,160 --> 00:25:14,960
Speaker 3: like there was no more culture like that. And I

601
00:25:14,960 --> 00:25:17,600
Speaker 3: feel like all of that happens again more on the

602
00:25:17,640 --> 00:25:20,120
Speaker 3: neighborhood side of Like, yeah, the night before we're getting

603
00:25:20,119 --> 00:25:21,840
Speaker 3: excited for the parade tomorrow. Let's all go outside.

604
00:25:21,840 --> 00:25:24,640
Speaker 2: Oh I don't like him, you know, because it enemy

605
00:25:24,800 --> 00:25:27,480
Speaker 2: If you've ever been to Juve, it was a known thing,

606
00:25:28,200 --> 00:25:31,320
Speaker 2: getting dressed and going like yo, be careful and go

607
00:25:31,400 --> 00:25:34,000
Speaker 2: down crazy tonight, Like you know, like it got to

608
00:25:34,040 --> 00:25:36,159
Speaker 2: a point where my mom didn't even allow me to

609
00:25:36,200 --> 00:25:38,000
Speaker 2: go anymore because it was like you every year you

610
00:25:38,040 --> 00:25:42,520
Speaker 2: heard somebody I shot, somebody got killed. I remember the

611
00:25:42,560 --> 00:25:44,480
Speaker 2: last time I went to the parade in Harlem, the

612
00:25:44,520 --> 00:25:47,960
Speaker 2: African American Day Parade. I think I think a girl

613
00:25:47,960 --> 00:25:50,520
Speaker 2: got a face cut. It was just like it just

614
00:25:50,520 --> 00:25:52,200
Speaker 2: got to a point where it was like, all right, man,

615
00:25:52,320 --> 00:25:54,520
Speaker 2: Like if every time I want to every summer, I

616
00:25:54,560 --> 00:25:57,960
Speaker 2: want to go to this parade, and it's like you

617
00:25:58,040 --> 00:26:01,000
Speaker 2: got to have this, you know, be careful and all

618
00:26:01,040 --> 00:26:02,959
Speaker 2: of that, it's like you don't even That's that feeling

619
00:26:03,040 --> 00:26:05,040
Speaker 2: is like I'm not going to that, Like I'm not

620
00:26:05,080 --> 00:26:06,080
Speaker 2: trying to be involved in none of that.

621
00:26:06,119 --> 00:26:08,880
Speaker 3: Ship well, I mean the parade itself during the day

622
00:26:08,920 --> 00:26:12,040
Speaker 3: on Labor Day, I don't. I don't. All the times

623
00:26:12,080 --> 00:26:14,280
Speaker 3: I've been my whole life hasn't been violence. It's the

624
00:26:14,359 --> 00:26:17,280
Speaker 3: night before juve is really when it happens during the day,

625
00:26:17,359 --> 00:26:19,240
Speaker 3: is is that is? Well?

626
00:26:19,280 --> 00:26:21,200
Speaker 2: I mean I love it though, I love the Caribbean culture.

627
00:26:21,520 --> 00:26:23,440
Speaker 3: I mean it's my favorite. Yeah, I mean I don't

628
00:26:23,440 --> 00:26:25,720
Speaker 3: even fun with Saint Blast like that. When's Labor Day, Yeah,

629
00:26:25,880 --> 00:26:26,800
Speaker 3: that was going.

630
00:26:27,280 --> 00:26:29,920
Speaker 1: They're gonna let them have the parade this year.

631
00:26:31,320 --> 00:26:33,320
Speaker 2: Wow, Labor Day parade.

632
00:26:34,600 --> 00:26:36,000
Speaker 3: I mean they didn't do it last year.

633
00:26:36,359 --> 00:26:39,360
Speaker 2: No, they didn't, right, No, I would love to see

634
00:26:39,359 --> 00:26:42,600
Speaker 2: it come back. Uh, I know, I know that for

635
00:26:42,680 --> 00:26:45,919
Speaker 2: me when the Puerto Rican Day Parade used to be

636
00:26:45,960 --> 00:26:48,000
Speaker 2: a thing that we used to go to, uh, when

637
00:26:48,080 --> 00:26:51,400
Speaker 2: we were young. And then what happened with I think

638
00:26:51,400 --> 00:26:53,119
Speaker 2: it was the year when when guys were trying to

639
00:26:53,119 --> 00:26:56,840
Speaker 2: pull a girls bikini tops off and all of that happened.

640
00:26:56,840 --> 00:26:59,600
Speaker 2: They kind of like shut it down and became more strict,

641
00:26:59,640 --> 00:27:01,760
Speaker 2: and that's when it was over because it was like

642
00:27:01,800 --> 00:27:03,280
Speaker 2: on one side of the streets, you can only walk

643
00:27:03,359 --> 00:27:05,520
Speaker 2: like this way, and if you want to go back

644
00:27:05,560 --> 00:27:07,920
Speaker 2: that way, you had to like cross over and then go.

645
00:27:08,040 --> 00:27:10,280
Speaker 2: It was just a lot that was going on with that.

646
00:27:10,240 --> 00:27:13,560
Speaker 3: Ship to the parade in New York, of course, are

647
00:27:13,560 --> 00:27:16,840
Speaker 3: you crazy? What parade best place to bag hicks.

648
00:27:17,640 --> 00:27:18,200
Speaker 2: I've never been.

649
00:27:18,240 --> 00:27:19,640
Speaker 3: If you want to know where the hose is at.

650
00:27:19,720 --> 00:27:23,119
Speaker 2: They had the propery mind all their I'm lying. I

651
00:27:23,160 --> 00:27:25,280
Speaker 2: actually I actually was down. I was in the l

652
00:27:25,320 --> 00:27:27,879
Speaker 2: e S one day and I didn't even know it.

653
00:27:28,080 --> 00:27:30,080
Speaker 2: I didn't even know, no bullshit, I didn't even know

654
00:27:30,119 --> 00:27:32,080
Speaker 2: it was the priv parade. And we were trying to

655
00:27:32,080 --> 00:27:35,000
Speaker 2: figure out why it was so much traffic, and literally,

656
00:27:35,080 --> 00:27:36,680
Speaker 2: like you see people walking, I'm like, wait a minute,

657
00:27:36,760 --> 00:27:39,760
Speaker 2: is the parade today? And we were downtown and got

658
00:27:39,760 --> 00:27:43,040
Speaker 2: stuck like a couple of blocks over during the proparade,

659
00:27:43,320 --> 00:27:45,680
Speaker 2: didn't get out and like you know, listen, we was

660
00:27:45,720 --> 00:27:46,960
Speaker 2: in the car trying to find a way to get

661
00:27:46,960 --> 00:27:47,639
Speaker 2: around the traffic.

662
00:27:47,680 --> 00:27:51,199
Speaker 3: But cheat code, I'm gonna give some game. If you're

663
00:27:51,240 --> 00:27:55,440
Speaker 3: a straight man, go to the property. Every single girl

664
00:27:55,480 --> 00:27:59,960
Speaker 3: with a gay bestie is there. They're excited they see

665
00:28:00,080 --> 00:28:02,520
Speaker 3: you and you're straight. There's not a lot of competition,

666
00:28:03,080 --> 00:28:05,639
Speaker 3: and they think, oh, what a progressive guy. He's just

667
00:28:05,680 --> 00:28:08,440
Speaker 3: here to celebrate the LGBTQ community. What a really nice guy.

668
00:28:08,520 --> 00:28:11,200
Speaker 3: You look amazing, best place to bad women?

669
00:28:11,480 --> 00:28:14,840
Speaker 2: Why can we we should start the heterosexual parade here?

670
00:28:14,920 --> 00:28:15,800
Speaker 1: We fucking go.

671
00:28:15,880 --> 00:28:17,760
Speaker 2: No, I mean like we should. Why why not like

672
00:28:17,800 --> 00:28:19,840
Speaker 2: the men that love women parade?

673
00:28:19,880 --> 00:28:23,199
Speaker 3: You sound you sound like Fox News to be like, well,

674
00:28:23,240 --> 00:28:28,720
Speaker 3: there's not a white entertainment television network. What reverse races?

675
00:28:28,800 --> 00:28:30,760
Speaker 2: Like, can we start a parade or some type of

676
00:28:30,840 --> 00:28:33,639
Speaker 2: festival where like just like heterosexual men that just like

677
00:28:34,000 --> 00:28:37,240
Speaker 2: love and appreciate and respect women can just get together

678
00:28:37,320 --> 00:28:40,120
Speaker 2: and have like a bunch of food trucks and artists perform,

679
00:28:40,400 --> 00:28:42,280
Speaker 2: Like we should do something like that.

680
00:28:42,360 --> 00:28:45,360
Speaker 1: So every hip hop festival that ever existed.

681
00:28:45,040 --> 00:28:47,440
Speaker 3: Yeah, but a little more, but we needed we knew that,

682
00:28:47,680 --> 00:28:49,320
Speaker 3: like me and Roy could put a little more class

683
00:28:49,360 --> 00:28:51,080
Speaker 3: into it. Or is it capas like you know, give

684
00:28:51,080 --> 00:28:53,440
Speaker 3: out three of spad dates for all of the women

685
00:28:53,560 --> 00:28:56,000
Speaker 3: and like you know, have like a bunch of vendors

686
00:28:56,000 --> 00:28:59,320
Speaker 3: like giving out free massages and have like facials and

687
00:28:59,320 --> 00:29:00,640
Speaker 3: stuff like that for the women.

688
00:29:00,800 --> 00:29:02,719
Speaker 2: Like you know, I don't know something.

689
00:29:03,520 --> 00:29:07,280
Speaker 3: So what you're saying is the straight male pride parade

690
00:29:07,440 --> 00:29:10,680
Speaker 3: is going to just celebrate women. Yeah, so we should

691
00:29:10,680 --> 00:29:13,360
Speaker 3: just do a women's parade, that's what you're saying.

692
00:29:14,240 --> 00:29:16,960
Speaker 2: Why we can't do it? I think it would be great.

693
00:29:16,760 --> 00:29:19,920
Speaker 3: Because this just speaks to to straight men of just

694
00:29:20,000 --> 00:29:24,640
Speaker 3: our focus. No, we don't want to be celebrated because

695
00:29:24,760 --> 00:29:26,280
Speaker 3: because if you was genuine this to be like, nah,

696
00:29:26,280 --> 00:29:28,080
Speaker 3: I should just be the fellas, like we should just

697
00:29:28,160 --> 00:29:29,720
Speaker 3: talk about first of all. I never want to just

698
00:29:29,760 --> 00:29:34,720
Speaker 3: bear we celebrate to celebrate straight man.

699
00:29:34,560 --> 00:29:35,920
Speaker 2: I want to be around just a bunch.

700
00:29:35,760 --> 00:29:37,160
Speaker 3: Of you just trying to find a way to.

701
00:29:38,160 --> 00:29:40,440
Speaker 2: I want to bring some women together and just like,

702
00:29:40,600 --> 00:29:42,480
Speaker 2: you know, just watch them frolic in a part.

703
00:29:43,440 --> 00:29:45,320
Speaker 1: On the International Women's Day Parade.

704
00:29:45,440 --> 00:29:47,000
Speaker 2: When is that? I feel like we don't pump that

705
00:29:47,080 --> 00:29:47,480
Speaker 2: up enough.

706
00:29:47,520 --> 00:29:50,720
Speaker 3: I would go, oh, you know you're gonna follow the

707
00:29:50,760 --> 00:29:52,120
Speaker 3: right wo women on Twitter?

708
00:29:52,320 --> 00:29:54,960
Speaker 2: Yeah? When is the International Women's Parade? Was it? Did

709
00:29:55,000 --> 00:29:55,400
Speaker 2: it pass?

710
00:29:55,920 --> 00:29:57,960
Speaker 3: Yeah? But you know it'd be a lot of white chicks.

711
00:29:58,000 --> 00:30:02,200
Speaker 2: So I love white, I don't women. I don't care white, amazing, black,

712
00:30:02,240 --> 00:30:03,240
Speaker 2: I don't care. I love women.

713
00:30:04,120 --> 00:30:06,880
Speaker 3: I'm saying that's probably that's the ninety nine percent majority

714
00:30:06,960 --> 00:30:07,520
Speaker 3: majority of.

715
00:30:07,480 --> 00:30:09,120
Speaker 2: It its white.

716
00:30:09,120 --> 00:30:10,280
Speaker 3: I don't want to get too woke on it, but

717
00:30:10,320 --> 00:30:13,040
Speaker 3: I follow people that are just like this, this is

718
00:30:13,040 --> 00:30:15,040
Speaker 3: to celebrate here, to celebrate white women.

719
00:30:16,160 --> 00:30:17,040
Speaker 2: What was the fest that we.

720
00:30:17,160 --> 00:30:20,800
Speaker 1: Oh, it's in Poughkeepsie. I'd rather choose thank you.

721
00:30:21,600 --> 00:30:22,160
Speaker 3: Not going to.

722
00:30:24,320 --> 00:30:26,920
Speaker 2: Not my flavored neighbor. But I know, what.

723
00:30:26,920 --> 00:30:29,160
Speaker 3: About the stroll of the white woman on the Upper Hudson,

724
00:30:29,160 --> 00:30:29,640
Speaker 3: I'm cool?

725
00:30:29,920 --> 00:30:31,640
Speaker 2: What about Curls Fest?

726
00:30:31,760 --> 00:30:34,920
Speaker 3: Is that curl Fest is an amazing festival.

727
00:30:35,120 --> 00:30:36,400
Speaker 2: Yeah, let's go to curl Fest.

728
00:30:36,400 --> 00:30:37,200
Speaker 3: Bro, I was going.

729
00:30:37,240 --> 00:30:39,800
Speaker 2: Whether you was going or not, I need you.

730
00:30:39,960 --> 00:30:41,719
Speaker 3: I need you to go. It was like every year,

731
00:30:42,000 --> 00:30:43,320
Speaker 3: of course I do. I love girl Fest and the

732
00:30:43,320 --> 00:30:45,120
Speaker 3: people that put it together amazing as well.

733
00:30:45,160 --> 00:30:47,080
Speaker 2: Wait a minute, so you go to curl Fest every year?

734
00:30:47,080 --> 00:30:47,640
Speaker 2: You didn't tell me?

735
00:30:47,880 --> 00:30:50,280
Speaker 3: Yes, I told you. I told you for two years straight.

736
00:30:50,480 --> 00:30:53,120
Speaker 1: Oh yeah, actually he did, and it's on.

737
00:30:53,240 --> 00:30:54,960
Speaker 3: Like record, we record these things.

738
00:30:55,160 --> 00:30:56,640
Speaker 2: I thought this was my brother man. He didn't. He

739
00:30:56,680 --> 00:30:58,920
Speaker 2: went to the curl Fest without you don't even have

740
00:30:59,000 --> 00:31:03,280
Speaker 2: curls neither do you. I don't care. I still want

741
00:31:03,320 --> 00:31:03,560
Speaker 2: to go.

742
00:31:04,240 --> 00:31:05,840
Speaker 3: I want to celebrate curls.

743
00:31:06,240 --> 00:31:07,120
Speaker 2: We're going to curl Fest.

744
00:31:07,160 --> 00:31:10,680
Speaker 3: When is Curls curl Is it Curls or curl curl Fest,

745
00:31:10,800 --> 00:31:11,320
Speaker 3: curl Fest.

746
00:31:11,400 --> 00:31:12,120
Speaker 2: When is curl Fest.

747
00:31:12,160 --> 00:31:15,320
Speaker 3: We're gonna pod for free, whether they electricity or not.

748
00:31:16,200 --> 00:31:17,160
Speaker 2: When is curl Fest.

749
00:31:17,200 --> 00:31:18,400
Speaker 3: We'll just bring the mics and sit down.

750
00:31:18,400 --> 00:31:20,560
Speaker 2: I don't even record that we're going, we're crashing curl Fist.

751
00:31:20,560 --> 00:31:22,200
Speaker 1: I don't know if they're having one this year.

752
00:31:22,240 --> 00:31:25,120
Speaker 2: I don't do what you want. That's ye want to go.

753
00:31:25,160 --> 00:31:27,560
Speaker 1: I haven't had one since twenty nineteen before the pandemic.

754
00:31:27,600 --> 00:31:28,560
Speaker 2: Oh no, we're bringing it back.

755
00:31:28,640 --> 00:31:32,880
Speaker 3: Rory. Was it a Randall's Island shirt? It was that

756
00:31:33,000 --> 00:31:34,520
Speaker 3: ran Yeah, Randas was the last one I went to.

757
00:31:35,040 --> 00:31:36,640
Speaker 1: My whole team is sick of curl Fest.

758
00:31:36,640 --> 00:31:37,440
Speaker 2: I'm in there this year.

759
00:31:37,720 --> 00:31:40,520
Speaker 3: They have great music acts, they do podcast stuff there.

760
00:31:40,560 --> 00:31:42,160
Speaker 2: It's not a curl in the world I don't want

761
00:31:42,160 --> 00:31:42,400
Speaker 2: to see.

762
00:31:42,720 --> 00:31:45,360
Speaker 3: Listen, man, that's curl Fest is the spot we I mean,

763
00:31:45,360 --> 00:31:48,120
Speaker 3: we could try to package the weekend of the Straight

764
00:31:48,160 --> 00:31:52,160
Speaker 3: Mail Pride Pride. Yes, like what we can all march

765
00:31:52,200 --> 00:31:54,600
Speaker 3: to the curl Fest. We'll parade to the.

766
00:31:55,000 --> 00:31:57,000
Speaker 2: I'm serious though, man, we need we should do that.

767
00:31:57,200 --> 00:31:59,200
Speaker 3: But look how unappealing that that would sound.

768
00:32:00,440 --> 00:32:02,360
Speaker 2: Hold, I'm blowing my nose when let call get me

769
00:32:02,360 --> 00:32:03,400
Speaker 2: on the camera and blow my nose.

770
00:32:03,640 --> 00:32:10,000
Speaker 3: He's gonna zuan to marriage. You're you're a woman, am I?

771
00:32:10,240 --> 00:32:12,040
Speaker 3: That's you don't have bro?

772
00:32:13,120 --> 00:32:13,560
Speaker 1: You know.

773
00:32:15,000 --> 00:32:19,200
Speaker 2: Guy? One night? Let me tell you what whoa whoa, whoa, whoa, whoa, whoa.

774
00:32:19,720 --> 00:32:24,000
Speaker 2: That was? That was? I know, I know that's why

775
00:32:24,040 --> 00:32:26,480
Speaker 2: I said it's a joke. It's a joke. But I

776
00:32:26,520 --> 00:32:28,840
Speaker 2: will say this though. When we were in l A,

777
00:32:29,240 --> 00:32:31,520
Speaker 2: here we go the way time in La so the marriage,

778
00:32:31,520 --> 00:32:32,880
Speaker 2: I had to put my stuff in her bag one

779
00:32:32,960 --> 00:32:35,320
Speaker 2: night and I left my my air pods in her bag.

780
00:32:35,840 --> 00:32:38,840
Speaker 2: So I said, the marriage before you leave, Like, you

781
00:32:38,840 --> 00:32:40,280
Speaker 2: know what I'm saying, come in my room and drop

782
00:32:40,320 --> 00:32:42,880
Speaker 2: my air pods off in the morning before you leave. Okay.

783
00:32:43,080 --> 00:32:46,120
Speaker 2: She's like, all right, cool, I got you. So I heard, No,

784
00:32:46,200 --> 00:32:48,280
Speaker 2: I'm knocked the funk out. I heard knock at the door.

785
00:32:48,320 --> 00:32:50,320
Speaker 2: I'm like, I not the same house keep because I

786
00:32:51,160 --> 00:32:53,479
Speaker 2: got no. I got to do not disturb ship on

787
00:32:53,480 --> 00:32:56,320
Speaker 2: the door. I know house keeping ain't knocking as so

788
00:32:56,400 --> 00:32:59,840
Speaker 2: I said, oh, ship is the marriage. I sleep naked,

789
00:33:00,280 --> 00:33:02,120
Speaker 2: you know what I'm saying, Like I just can't sleep

790
00:33:02,120 --> 00:33:04,640
Speaker 2: with underworld and I just can't. Okay, but as well,

791
00:33:04,720 --> 00:33:08,800
Speaker 2: but I opened the door to the marriage like you ugly,

792
00:33:08,920 --> 00:33:10,400
Speaker 2: and he.

793
00:33:10,480 --> 00:33:11,400
Speaker 1: Was ugly as fun.

794
00:33:11,520 --> 00:33:14,600
Speaker 5: You know when people just wake up, they like I

795
00:33:14,720 --> 00:33:16,480
Speaker 5: still close closed.

796
00:33:17,160 --> 00:33:19,080
Speaker 2: No, I mean I was like behind the door, I

797
00:33:19,560 --> 00:33:20,360
Speaker 2: didn't even look.

798
00:33:21,880 --> 00:33:24,360
Speaker 3: His hips first, wake up his hips creeping.

799
00:33:24,040 --> 00:33:26,360
Speaker 2: Over the side of the door. Man, I was knocked out,

800
00:33:26,400 --> 00:33:30,760
Speaker 2: so that be like, look how she talks to me

801
00:33:30,800 --> 00:33:32,840
Speaker 2: like you ugly and him. I was like, you're ugly

802
00:33:32,880 --> 00:33:35,520
Speaker 2: as I was, have a safe flight, love you too.

803
00:33:35,680 --> 00:33:37,120
Speaker 3: She was trying to make you feel secure. You were

804
00:33:37,240 --> 00:33:38,160
Speaker 3: vulnerable and naked.

805
00:33:38,440 --> 00:33:42,080
Speaker 5: I want to make sure that that he was naked

806
00:33:42,080 --> 00:33:42,520
Speaker 5: because he was.

807
00:33:42,840 --> 00:33:45,240
Speaker 3: She had nothing to fear about her being a predator.

808
00:33:46,160 --> 00:33:47,840
Speaker 2: It was like, eight am, are you not going to

809
00:33:47,920 --> 00:33:49,760
Speaker 2: nigga door? Wake him up and telling me ugly and

810
00:33:49,800 --> 00:33:52,080
Speaker 2: handed some air pods and leave. I'm just like, yo,

811
00:33:52,200 --> 00:33:54,480
Speaker 2: the respect level is crazy around.

812
00:33:54,160 --> 00:33:56,160
Speaker 1: Here, bro, because I look at more like a brother.

813
00:33:56,240 --> 00:33:58,040
Speaker 3: So like, I'm gonna talk to you like she said,

814
00:33:58,240 --> 00:34:01,440
Speaker 3: she said you ugly here like yo, all right, thank you,

815
00:34:01,480 --> 00:34:02,520
Speaker 3: I have a safe flight.

816
00:34:02,760 --> 00:34:05,520
Speaker 1: I've had a question Reddit. Reddit is gonna love this.

817
00:34:08,239 --> 00:34:11,280
Speaker 3: If someone said, yo, it's mad dudes at this spot.

818
00:34:12,040 --> 00:34:13,520
Speaker 3: As a woman, that's not going to be appealing.

819
00:34:13,760 --> 00:34:13,920
Speaker 1: No.

820
00:34:14,080 --> 00:34:15,760
Speaker 3: So that's why I'm saying, if we do the straight

821
00:34:15,880 --> 00:34:19,440
Speaker 3: dudes parade, mad women are not gonna flock Like That's

822
00:34:19,520 --> 00:34:21,520
Speaker 3: not that sounds that's not true because you're.

823
00:34:21,400 --> 00:34:22,879
Speaker 1: Gonna get women, which I ain't gonna like the type

824
00:34:22,880 --> 00:34:24,200
Speaker 1: of women as That is a fact.

825
00:34:24,200 --> 00:34:26,840
Speaker 2: That's not true. As soon as this All Star weekend

826
00:34:27,520 --> 00:34:28,239
Speaker 2: the women are there.

827
00:34:28,520 --> 00:34:29,680
Speaker 3: It's not the NBA parade.

828
00:34:30,400 --> 00:34:37,600
Speaker 5: It basically is not the niggas with money parade.

829
00:34:37,840 --> 00:34:41,920
Speaker 2: That's weekend niggas.

830
00:34:41,960 --> 00:34:44,120
Speaker 5: Rory said, if I call you and say, yo, I

831
00:34:44,160 --> 00:34:46,760
Speaker 5: know the spot the niggas is at. I said, Rory

832
00:34:46,800 --> 00:34:49,640
Speaker 5: calls me and said, because as he has before and said, Yo,

833
00:34:49,880 --> 00:34:51,239
Speaker 5: the niggas with money is in here.

834
00:34:51,800 --> 00:34:52,520
Speaker 2: I'm on my way.

835
00:34:54,080 --> 00:34:54,960
Speaker 3: I didn't say anymore.

836
00:34:55,160 --> 00:34:58,000
Speaker 4: And if I ever called you and said, wait, hold on,

837
00:34:58,680 --> 00:35:00,000
Speaker 4: I was with the jokes, but you're not about to

838
00:35:00,000 --> 00:35:00,600
Speaker 4: with that on my jacket.

839
00:35:00,640 --> 00:35:01,319
Speaker 3: I've never said that.

840
00:35:01,480 --> 00:35:03,040
Speaker 2: Like, that's all I have to say. You holding onto

841
00:35:03,040 --> 00:35:04,480
Speaker 2: the N word. That's not the part.

842
00:35:04,200 --> 00:35:10,439
Speaker 4: I'm not mad for money, Like, how can I identify money?

843
00:35:10,600 --> 00:35:12,680
Speaker 1: You can't identify men with money.

844
00:35:12,920 --> 00:35:15,120
Speaker 3: That's nasty because I know a lot of broke motherfuckers

845
00:35:15,160 --> 00:35:16,680
Speaker 3: that look rich. Matter of fact, I know more broke

846
00:35:16,719 --> 00:35:20,640
Speaker 3: motherfuckers absolute than rich people that look rich with but I.

847
00:35:20,560 --> 00:35:22,680
Speaker 1: Can identify the broke motherfuckers that look rich that's not

848
00:35:22,719 --> 00:35:23,040
Speaker 1: really rich.

849
00:35:23,080 --> 00:35:25,000
Speaker 3: You can identify, yeah, but you women can't do that

850
00:35:25,040 --> 00:35:25,439
Speaker 3: for ship.

851
00:35:25,760 --> 00:35:29,440
Speaker 2: Yeah. I'll get tricked all the time, women women, not you.

852
00:35:29,560 --> 00:35:31,920
Speaker 2: Maybe when I broke niggas that look broke. I don't know.

853
00:35:32,080 --> 00:35:35,319
Speaker 2: Women get tricked though. Yeah you've seen, Oh they be hot,

854
00:35:35,360 --> 00:35:36,400
Speaker 2: they be on Instagram.

855
00:35:36,880 --> 00:35:40,400
Speaker 3: The captions listen between you was really whenever they say

856
00:35:40,480 --> 00:35:44,080
Speaker 3: you was really really lucky relaxed that caption nigga a

857
00:35:44,160 --> 00:35:47,200
Speaker 3: nigga swindled and I wasn't lucky.

858
00:35:47,480 --> 00:35:48,640
Speaker 2: I wasn't lucky. It worked.

859
00:35:48,640 --> 00:35:52,000
Speaker 3: It happens often with you, yo. I hate when Chick

860
00:35:52,040 --> 00:35:54,680
Speaker 3: said that he was into it.

861
00:35:54,960 --> 00:35:57,440
Speaker 2: He swindled you. You thought that that nigga was gonna

862
00:35:57,440 --> 00:35:59,440
Speaker 2: start cash app and you were jelly some money.

863
00:35:59,440 --> 00:36:01,880
Speaker 5: When Nikki at us saying, and you a lucky nigga.

864
00:36:01,920 --> 00:36:04,520
Speaker 5: If my mean ass like you, oh my god, remember

865
00:36:04,560 --> 00:36:06,600
Speaker 5: that you remember girls.

866
00:36:06,320 --> 00:36:08,799
Speaker 2: Like anybody though, y'all like any nigga that y'all've never

867
00:36:08,960 --> 00:36:12,400
Speaker 2: seen before. You ain't from around here, y'all like them

868
00:36:12,400 --> 00:36:14,160
Speaker 2: type of nigga, and then turned out to be a

869
00:36:14,320 --> 00:36:16,960
Speaker 2: ship nigga from wherever he from it and then y'all ma,

870
00:36:17,160 --> 00:36:18,879
Speaker 2: and then y'all on y'all caption with the naily mold.

871
00:36:18,920 --> 00:36:19,520
Speaker 2: He's talking about.

872
00:36:19,520 --> 00:36:22,200
Speaker 3: You was really lucky, Like, oh he wasn't. He's going

873
00:36:22,239 --> 00:36:25,720
Speaker 3: to do state the State maskring women. He's having a ball,

874
00:36:26,040 --> 00:36:27,719
Speaker 3: he's racking him up. I don't say. Now, it's tiving

875
00:36:27,760 --> 00:36:29,440
Speaker 3: to focus on yourself, like.

876
00:36:29,360 --> 00:36:31,359
Speaker 2: Get out of here with that ship, man, get out

877
00:36:31,400 --> 00:36:35,960
Speaker 2: of here. Speaking of swindling, though, man, the Tender swing

878
00:36:36,120 --> 00:36:39,040
Speaker 2: List is the greatest story on Earth. I just want

879
00:36:39,080 --> 00:36:41,040
Speaker 2: to reiterate that. No, and he didn't do nothing.

880
00:36:41,239 --> 00:36:43,560
Speaker 3: If you watch Bad Vegan City Boys.

881
00:36:43,400 --> 00:36:46,480
Speaker 2: I'm I'm on on episode I'm on episode three of that.

882
00:36:46,520 --> 00:36:48,799
Speaker 1: All right, describe that's y'all get a chance.

883
00:36:48,840 --> 00:36:50,920
Speaker 3: He okay, it's female offensive.

884
00:36:50,960 --> 00:36:53,560
Speaker 2: Still maybe what is it? I don't know.

885
00:36:53,840 --> 00:36:58,440
Speaker 5: Okay, so I'm including female No, no, women includes everybody.

886
00:36:58,440 --> 00:36:59,319
Speaker 1: But I'm including.

887
00:36:59,120 --> 00:37:01,040
Speaker 3: Animals as well, because that's where it gets offensive, right,

888
00:37:01,080 --> 00:37:02,320
Speaker 3: because we refer to female.

889
00:37:02,520 --> 00:37:06,000
Speaker 1: I'm okay, you're including animals that you can say females.

890
00:37:06,040 --> 00:37:14,280
Speaker 3: Okay, the female species, including animals, yo, are the most gullible.

891
00:37:15,320 --> 00:37:16,200
Speaker 1: Damn the fish too.

892
00:37:17,040 --> 00:37:19,200
Speaker 3: Yeah, I've never caught a male fish in my life.

893
00:37:20,000 --> 00:37:23,319
Speaker 3: I need to catch man marlin. Don't even know how

894
00:37:23,360 --> 00:37:26,400
Speaker 3: funny that just said, Like you don't even know how funny.

895
00:37:26,600 --> 00:37:27,279
Speaker 3: I know how funny it is.

896
00:37:27,360 --> 00:37:28,440
Speaker 2: I said, it's.

897
00:37:28,280 --> 00:37:31,600
Speaker 5: Like looking for fish, Dick, Like what there.

898
00:37:31,160 --> 00:37:34,000
Speaker 2: Looking for fish? I have never caught a male fish

899
00:37:34,520 --> 00:37:36,279
Speaker 2: like they know, like, man, that's bait. Get out of

900
00:37:37,520 --> 00:37:39,920
Speaker 2: the women looks that's appealing.

901
00:37:40,560 --> 00:37:42,440
Speaker 3: Yo, It's so weird to see the shrimp in this

902
00:37:42,520 --> 00:37:43,200
Speaker 3: neck of the woods.

903
00:37:44,400 --> 00:37:46,120
Speaker 2: I didn't even know they like this type of water.

904
00:37:46,760 --> 00:37:49,200
Speaker 3: Why is the shrimp just This fish isn't even trying

905
00:37:49,239 --> 00:37:50,759
Speaker 3: to get away from me, It's just gonna let me.

906
00:37:51,680 --> 00:37:55,680
Speaker 2: Hilarious. I've never called man one go ahead.

907
00:37:56,880 --> 00:38:01,680
Speaker 3: Between Twitter Swindler and Bad Vegan and City Boys is

908
00:38:01,760 --> 00:38:05,959
Speaker 3: up at this point, But there's one c JT being free.

909
00:38:06,080 --> 00:38:07,319
Speaker 3: I can't even save y'all at this point.

910
00:38:07,320 --> 00:38:12,200
Speaker 2: But but Rory, there's one. There's one distinct thing that

911
00:38:12,400 --> 00:38:13,800
Speaker 2: both of those stories have in common.

912
00:38:13,880 --> 00:38:15,400
Speaker 3: Vegans No.

913
00:38:16,800 --> 00:38:19,239
Speaker 2: Both white men. A black man can't get away with

914
00:38:19,280 --> 00:38:19,960
Speaker 2: that type of swindle.

915
00:38:20,040 --> 00:38:23,400
Speaker 3: First Twitter Swindler was was from the middle. He'sti believing

916
00:38:24,760 --> 00:38:28,480
Speaker 3: he can be Cuban or fucking we're about to do spoiler.

917
00:38:31,080 --> 00:38:32,240
Speaker 1: What is Bad Vegan about?

918
00:38:32,360 --> 00:38:33,760
Speaker 2: Okay, so Bad Vegan is about?

919
00:38:33,880 --> 00:38:34,520
Speaker 3: Uh?

920
00:38:34,560 --> 00:38:35,560
Speaker 2: He do look like all.

921
00:38:35,400 --> 00:38:36,960
Speaker 3: The guys in Dubai that try to look like drink.

922
00:38:37,080 --> 00:38:38,920
Speaker 2: Yeah, that's what I'm saying. Like, so I get it.

923
00:38:39,520 --> 00:38:42,440
Speaker 1: Trying to say the guys in Dubai, I don't know.

924
00:38:43,000 --> 00:38:45,439
Speaker 2: I mean, whatever it is, I don't know, does Drake

925
00:38:45,440 --> 00:38:47,040
Speaker 2: ever showed it. Maybe he's trying to look like that.

926
00:38:47,719 --> 00:38:50,080
Speaker 3: Drake is definitely right now.

927
00:38:51,520 --> 00:38:54,359
Speaker 2: Why y'all be putting that on Drake? He ain't doing that, man,

928
00:38:54,840 --> 00:38:55,680
Speaker 2: I know I wasn't.

929
00:38:55,520 --> 00:38:58,160
Speaker 1: So Drake don't have neck braids. This he literally posted.

930
00:38:58,560 --> 00:39:00,480
Speaker 2: You didn't hear what he said? He said, Drake has

931
00:39:00,520 --> 00:39:02,439
Speaker 2: definitely pissed on a girl in Dubai.

932
00:39:02,480 --> 00:39:05,120
Speaker 3: That I thought it was a compliment. That's why I

933
00:39:05,160 --> 00:39:08,480
Speaker 3: didn't say that. Light that's how they say thank you.

934
00:39:09,360 --> 00:39:09,920
Speaker 3: Drake hasn't.

935
00:39:09,920 --> 00:39:13,560
Speaker 2: I'm judging you're saying thank you boy peeing up somebody, Oh,

936
00:39:13,600 --> 00:39:14,880
Speaker 2: there's a pleasure seeing you.

937
00:39:16,840 --> 00:39:21,040
Speaker 3: I have Instagram girlfriends like that. Are my friends that

938
00:39:21,080 --> 00:39:22,080
Speaker 3: are I G chicks?

939
00:39:22,560 --> 00:39:23,120
Speaker 2: Yeah, me too.

940
00:39:23,520 --> 00:39:25,279
Speaker 3: They getting pissed on out there. That's just what it is.

941
00:39:25,960 --> 00:39:28,320
Speaker 2: We know what it is. I just didn't think that anyway,

942
00:39:28,320 --> 00:39:30,279
Speaker 2: because now we have like b I n right now,

943
00:39:31,040 --> 00:39:35,000
Speaker 2: we almost got Bengo n z O. But The Bad

944
00:39:35,120 --> 00:39:39,920
Speaker 2: Vegan Bad Vegan is about a chef who married another

945
00:39:40,040 --> 00:39:43,880
Speaker 2: chef and they got into they created this this this

946
00:39:43,960 --> 00:39:47,680
Speaker 2: restaurant together, and then they separated, and then she started

947
00:39:47,719 --> 00:39:52,479
Speaker 2: her own raw food uh restaurant. They met a guy.

948
00:39:52,520 --> 00:39:53,760
Speaker 2: She she was a hopeless romantic.

949
00:39:54,080 --> 00:39:56,279
Speaker 3: All right, let's slow down a little bit though. I'm

950
00:39:56,320 --> 00:39:59,080
Speaker 3: just trying to get what was the We'll explain it

951
00:39:59,120 --> 00:40:04,040
Speaker 3: to her. We have to break down certain parts. She

952
00:40:04,120 --> 00:40:07,080
Speaker 3: bought the restaurant from her old chef dude, right.

953
00:40:07,680 --> 00:40:11,279
Speaker 2: Well, No, what happened was her old husband called a

954
00:40:11,320 --> 00:40:16,200
Speaker 2: guy who was basically an investor called Loon. Yeah, and

955
00:40:16,000 --> 00:40:18,880
Speaker 2: the husband said, I want her out of the business.

956
00:40:18,880 --> 00:40:20,759
Speaker 2: I don't want to work with her no more. Then

957
00:40:20,800 --> 00:40:22,680
Speaker 2: the wife called him and told him the same thing.

958
00:40:23,680 --> 00:40:26,640
Speaker 2: And the husband had had a little history with restaurants

959
00:40:26,640 --> 00:40:29,560
Speaker 2: and bad business practices and losing money. That's a lot

960
00:40:29,600 --> 00:40:31,440
Speaker 2: of money, spent a lot of money. So the god

961
00:40:31,480 --> 00:40:34,120
Speaker 2: the investor decided it was the better investment to go

962
00:40:34,239 --> 00:40:37,600
Speaker 2: with the woman attractive, new on the scene.

963
00:40:38,560 --> 00:40:41,600
Speaker 3: The whole idea of raw food being a new thing

964
00:40:42,120 --> 00:40:45,080
Speaker 3: today's show. It was like a new it was a

965
00:40:45,080 --> 00:40:47,760
Speaker 3: new project form. But we can't leave out the first

966
00:40:47,760 --> 00:40:53,960
Speaker 3: beginning part of when she was kind of had her husband,

967
00:40:54,080 --> 00:40:56,400
Speaker 3: the chef dude in her sights. She was plotting for

968
00:40:56,440 --> 00:40:58,680
Speaker 3: a while. She was a little Sioux chef. She couldn't

969
00:40:58,680 --> 00:41:00,920
Speaker 3: even get in the culinary school crush.

970
00:41:01,160 --> 00:41:03,759
Speaker 2: He could cook, and he was an attractive guy.

971
00:41:04,120 --> 00:41:06,640
Speaker 3: But she had a specific plan not gonna have women,

972
00:41:06,880 --> 00:41:12,120
Speaker 3: had a specific plan for that gentleman for a particular reason.

973
00:41:12,160 --> 00:41:13,520
Speaker 3: I just want to leave that note right there.

974
00:41:13,800 --> 00:41:17,000
Speaker 2: Oh yeah, yeah, she definitely had an angle. She definitely

975
00:41:17,080 --> 00:41:19,440
Speaker 2: had plans. She definitely had a blueprint.

976
00:41:19,640 --> 00:41:21,279
Speaker 3: Now, as a vegan, I want to ask you this

977
00:41:21,320 --> 00:41:26,280
Speaker 3: next question. When she opens the other restaurant, can you

978
00:41:26,480 --> 00:41:29,600
Speaker 3: is it a little misleading calling a vegan restaurant lucky duck.

979
00:41:32,800 --> 00:41:34,400
Speaker 3: No one else found that hysterical with me?

980
00:41:34,719 --> 00:41:36,200
Speaker 1: Well, I get the I get it.

981
00:41:36,520 --> 00:41:38,080
Speaker 3: Was that the name of the duck duck didn't die.

982
00:41:38,239 --> 00:41:42,040
Speaker 5: Yeah, the duck is lucky because it's think about the algorithms.

983
00:41:42,080 --> 00:41:44,480
Speaker 3: If I'm a vegan, duck is not making my algorithms.

984
00:41:45,080 --> 00:41:47,239
Speaker 2: No, but I think she was saying lucky duck, meaning

985
00:41:47,280 --> 00:41:49,840
Speaker 2: like lucky for you. I'm a vegan, I'm not gonna cook.

986
00:41:49,640 --> 00:41:50,480
Speaker 1: You, Lucky for the duck.

987
00:41:50,680 --> 00:41:53,880
Speaker 2: Yeah, I think that's where she's going with that. And

988
00:41:53,960 --> 00:41:55,319
Speaker 2: I wasn't the name of the restaurant. I thought it was

989
00:41:55,320 --> 00:41:56,640
Speaker 2: Pure Food and Wine or something like.

990
00:41:56,560 --> 00:41:58,400
Speaker 3: That, and then it switched. Okay, then she did the

991
00:41:58,400 --> 00:42:01,480
Speaker 3: other one, which was Lucky Duck. I just feel like

992
00:42:02,320 --> 00:42:04,840
Speaker 3: if I was a serial killer, I wouldn't open a

993
00:42:04,840 --> 00:42:10,680
Speaker 3: club that says I'm not gonna murder you. I just

994
00:42:10,840 --> 00:42:14,319
Speaker 3: is she a lucky Knight? Yeah, Like you care so

995
00:42:14,400 --> 00:42:17,560
Speaker 3: much about this ship and you just saved one duck? Like,

996
00:42:18,680 --> 00:42:20,080
Speaker 3: what are you the president on Thanksgiving?

997
00:42:20,120 --> 00:42:23,120
Speaker 2: Well you can you can understand the Okay, lucky ducky

998
00:42:23,239 --> 00:42:24,759
Speaker 2: like I'm lucky for you?

999
00:42:24,960 --> 00:42:27,040
Speaker 3: Just a weird I get it, but.

1000
00:42:27,800 --> 00:42:29,239
Speaker 1: I'm not getting where the swindle is coming from.

1001
00:42:31,200 --> 00:42:33,400
Speaker 2: She was a hopeless romantic. So then she she breaks

1002
00:42:33,480 --> 00:42:37,880
Speaker 2: up with her boyfriend, the original chef. She finds this

1003
00:42:38,040 --> 00:42:40,760
Speaker 2: new guy who's like, you know, he's he's basically another

1004
00:42:41,080 --> 00:42:41,600
Speaker 2: tendist one.

1005
00:42:41,880 --> 00:42:44,080
Speaker 3: But you're but you're you're leaving out a huge portion

1006
00:42:44,160 --> 00:42:48,200
Speaker 3: of it. Which one she meets Alec Baldwin. Okay, she

1007
00:42:48,239 --> 00:42:54,360
Speaker 3: meets Alec Baldwin. She's heartbroken from her husband's situation. She's

1008
00:42:54,400 --> 00:42:56,359
Speaker 3: literally only feels good at the restaurant. She goes home,

1009
00:42:56,440 --> 00:42:59,520
Speaker 3: She's fucking sad all the time. She gets a dog

1010
00:42:59,560 --> 00:43:02,960
Speaker 3: to try to lie better. She sees Alec Baldwin and

1011
00:43:03,000 --> 00:43:05,399
Speaker 3: I'm not gonna make she dodged a bullet joke because

1012
00:43:05,400 --> 00:43:06,360
Speaker 3: that's very insensitive.

1013
00:43:06,760 --> 00:43:09,480
Speaker 2: But but he didn't make the joke.

1014
00:43:10,000 --> 00:43:12,719
Speaker 3: Good Lucky duck.

1015
00:43:15,719 --> 00:43:17,080
Speaker 2: It's a callback. I'll get it.

1016
00:43:17,200 --> 00:43:21,360
Speaker 3: The name of the restaurant Lucky Duck. So prayers to

1017
00:43:21,360 --> 00:43:28,440
Speaker 3: all parties involved. So Alec meets Hilario. It's an internal one.

1018
00:43:28,640 --> 00:43:33,040
Speaker 3: It's the patron Saint of Ireland, Saint Patrick Dallas.

1019
00:43:33,320 --> 00:43:34,160
Speaker 2: I'm praying all the time.

1020
00:43:34,200 --> 00:43:36,080
Speaker 3: Today is a high holy day for me. This is

1021
00:43:36,160 --> 00:43:39,160
Speaker 3: Ramadan for the Irish people. We just celebrate differently.

1022
00:43:40,440 --> 00:43:44,759
Speaker 5: He has managed to offend every single like, every category

1023
00:43:44,880 --> 00:43:46,200
Speaker 5: of people in the first.

1024
00:43:46,280 --> 00:43:49,759
Speaker 3: An equal I'm an equal opportunity offender. Everybody could get it.

1025
00:43:50,400 --> 00:43:52,319
Speaker 2: Sorry, good continue.

1026
00:43:53,640 --> 00:43:56,160
Speaker 3: She starts getting a little, you know, chummy with Alec

1027
00:43:56,640 --> 00:43:57,960
Speaker 3: and starts to like him a little bit, but she's

1028
00:43:57,960 --> 00:43:59,520
Speaker 3: still heartbroken. I respected it. She was like, I'm not

1029
00:43:59,560 --> 00:44:02,520
Speaker 3: ready for ship, but still trying to get out for sure.

1030
00:44:04,160 --> 00:44:07,600
Speaker 3: Alec ends up meeting his now wife in her restaurant.

1031
00:44:09,480 --> 00:44:14,160
Speaker 3: So she as a could have been Exus naturally stocking

1032
00:44:14,200 --> 00:44:16,839
Speaker 3: his social media and sees him going back and forth

1033
00:44:16,920 --> 00:44:19,240
Speaker 3: with this funny tweeter. So I used to get pussy

1034
00:44:19,239 --> 00:44:20,720
Speaker 3: a lot of times too. People thought I was funny

1035
00:44:20,719 --> 00:44:24,040
Speaker 3: on Twitter. It's weird how that works. Women just tend

1036
00:44:24,040 --> 00:44:26,799
Speaker 3: to like funny tweets. She's like, well, if I can't

1037
00:44:26,800 --> 00:44:30,200
Speaker 3: have Alec, let me have the guy that he's tweeting.

1038
00:44:30,920 --> 00:44:33,960
Speaker 3: And Alec met his wife in my restaurant, so I

1039
00:44:34,000 --> 00:44:38,400
Speaker 3: can meet my husband on alex timeline. That's really she

1040
00:44:38,440 --> 00:44:41,480
Speaker 3: said it. She wanted to map out the person we're

1041
00:44:41,520 --> 00:44:43,920
Speaker 3: dealing with because I know everyone's doing pity party for her.

1042
00:44:45,800 --> 00:44:48,440
Speaker 3: She then meets this gentleman that thinks it's like a

1043
00:44:48,480 --> 00:44:50,520
Speaker 3: catfish situation. Everyone's like, you're ever going to meet him?

1044
00:44:50,840 --> 00:44:54,600
Speaker 3: Finally shows up, doesn't really look like the pictures, but

1045
00:44:54,680 --> 00:44:58,960
Speaker 3: he starts throwing bread crazy. He starts bragging about offshore accounts,

1046
00:45:00,160 --> 00:45:04,080
Speaker 3: the swindle. Do women not see a red flag when

1047
00:45:04,160 --> 00:45:06,160
Speaker 3: men start showing you their bank accounts?

1048
00:45:06,719 --> 00:45:09,360
Speaker 2: No, they start thinking about old the chanelle.

1049
00:45:09,360 --> 00:45:11,440
Speaker 3: That is that not a red flag to somebody?

1050
00:45:12,280 --> 00:45:14,239
Speaker 2: Well, I mean you think looking at it, like, on

1051
00:45:14,239 --> 00:45:16,200
Speaker 2: one hand, She's like, Okay, he's obviously I don't know

1052
00:45:16,239 --> 00:45:19,240
Speaker 2: what he does, but he's obviously successful. He's making money.

1053
00:45:19,800 --> 00:45:22,279
Speaker 5: She's never met a successful person, and successful people will

1054
00:45:22,360 --> 00:45:23,480
Speaker 5: rather her husband.

1055
00:45:23,600 --> 00:45:25,719
Speaker 3: She was successful. They had the hottest restaurant in New

1056
00:45:25,800 --> 00:45:26,200
Speaker 3: York City.

1057
00:45:26,560 --> 00:45:29,640
Speaker 2: Yeah, so she was just she was just a hope.

1058
00:45:30,320 --> 00:45:32,759
Speaker 2: She was hope's romantic. She just wanted to find love,

1059
00:45:33,200 --> 00:45:35,680
Speaker 2: somebody that loved her. Uh. This was a guy that

1060
00:45:35,719 --> 00:45:37,360
Speaker 2: she didn't know. None of her friends knew. He was

1061
00:45:37,400 --> 00:45:40,200
Speaker 2: like a mystery, so it was fun for her. Stupid

1062
00:45:40,200 --> 00:45:42,120
Speaker 2: love is stupid, love is blind, you know what I mean.

1063
00:45:42,680 --> 00:45:45,880
Speaker 2: But either way, she meets this guy, and you know,

1064
00:45:45,960 --> 00:45:49,600
Speaker 2: they they end up in a relationship. None of her

1065
00:45:49,600 --> 00:45:52,319
Speaker 2: friends was really jacking him from the beginning. They was like,

1066
00:45:52,320 --> 00:45:53,279
Speaker 2: all right, who is this dude?

1067
00:45:53,480 --> 00:45:57,520
Speaker 3: And this is this is the turn where Jesse starts writing.

1068
00:45:59,360 --> 00:46:00,480
Speaker 2: He's got just all over it.

1069
00:46:01,800 --> 00:46:07,439
Speaker 3: So they start to start a relationship. She finds out

1070
00:46:07,440 --> 00:46:12,480
Speaker 3: that he's in the Special Forces and he is in

1071
00:46:12,560 --> 00:46:16,640
Speaker 3: the CIA and is like this government person that just

1072
00:46:16,640 --> 00:46:20,880
Speaker 3: goes overseas and murders people, and it's fine with it.

1073
00:46:22,680 --> 00:46:24,640
Speaker 3: She has to be protected. That's why she can't even

1074
00:46:24,680 --> 00:46:26,799
Speaker 3: really do shit, because now her family's at risk because

1075
00:46:26,840 --> 00:46:29,600
Speaker 3: she's dating this guy that will meet a stranger on

1076
00:46:29,640 --> 00:46:32,160
Speaker 3: the internet and link that's also part of the CIA.

1077
00:46:32,480 --> 00:46:38,200
Speaker 3: Just adding things up here. He then starts to tell

1078
00:46:38,239 --> 00:46:40,759
Speaker 3: her that he is part he is eternal, he does

1079
00:46:40,760 --> 00:46:43,759
Speaker 3: not have an age. He's been alive forever. He can

1080
00:46:43,800 --> 00:46:46,319
Speaker 3: also make her dog, who was her support system after

1081
00:46:46,360 --> 00:46:49,320
Speaker 3: the breakup, her dog eternal, so she'll never have to

1082
00:46:49,400 --> 00:46:51,239
Speaker 3: leave her dog. Which, listen, you might give me if

1083
00:46:51,280 --> 00:46:53,000
Speaker 3: you could tell me you could keep basing around forever.

1084
00:46:53,040 --> 00:46:53,319
Speaker 2: I might.

1085
00:46:53,680 --> 00:46:55,319
Speaker 3: I might hear you you start listening. I might hear

1086
00:46:55,320 --> 00:46:56,200
Speaker 3: you out a little bit like wait.

1087
00:46:56,200 --> 00:46:57,160
Speaker 2: I tell me yell.

1088
00:46:59,239 --> 00:47:02,200
Speaker 3: Then says I'll keep you alive forever and you can

1089
00:47:02,280 --> 00:47:09,120
Speaker 3: join the family. This family puts scientology to shame. So

1090
00:47:09,600 --> 00:47:11,880
Speaker 3: starts connecting him with all these other numbers and like

1091
00:47:12,000 --> 00:47:15,680
Speaker 3: all his fucking CIA people, and he can't talk for

1092
00:47:15,719 --> 00:47:18,840
Speaker 3: certain times, and we get right back down to the Twitter. Swindler,

1093
00:47:19,920 --> 00:47:22,200
Speaker 3: you gotta send me money, even though I just showed

1094
00:47:22,239 --> 00:47:25,160
Speaker 3: you seventeen accounts with twenty two million dollars, forty million dollars,

1095
00:47:25,200 --> 00:47:28,600
Speaker 3: one hundred million dollars, four hundred thousand, and his thing

1096
00:47:28,719 --> 00:47:30,759
Speaker 3: was I need a quick ten k from you, real quick.

1097
00:47:30,960 --> 00:47:34,919
Speaker 2: And his thing was, why you money is not even real?

1098
00:47:35,320 --> 00:47:37,120
Speaker 2: Like who cares about the point? Who cares about this

1099
00:47:37,160 --> 00:47:40,600
Speaker 2: million dollars? Like like we're gonna be happy, We're gonna

1100
00:47:40,640 --> 00:47:44,440
Speaker 2: be happily together forever, like and once you get through this, like,

1101
00:47:44,920 --> 00:47:47,120
Speaker 2: just send me the money. Stop bitching about fourteen grand.

1102
00:47:47,120 --> 00:47:50,319
Speaker 2: Stop it. So at some point she starts feeling like, Okay,

1103
00:47:50,360 --> 00:47:53,000
Speaker 2: where's this money going. He's like, it's on the shelf.

1104
00:47:53,040 --> 00:47:56,080
Speaker 2: She's like, wellre's where's the shelf? And he's like, yo,

1105
00:47:56,120 --> 00:47:58,560
Speaker 2: why are you asking these questions? Like you don't send

1106
00:47:58,600 --> 00:48:00,440
Speaker 2: me this money, They're gonna kill me. They're gonna do

1107
00:48:00,520 --> 00:48:02,040
Speaker 2: you already. I already told you what this was from

1108
00:48:02,040 --> 00:48:03,800
Speaker 2: the beginning. They're gonna cut me like a fish whatever

1109
00:48:03,840 --> 00:48:06,800
Speaker 2: he was saying. So she again hope it is romantics.

1110
00:48:06,840 --> 00:48:09,320
Speaker 2: She doesn't want anything to happen to him. And then she

1111
00:48:09,320 --> 00:48:11,279
Speaker 2: gets to your point where she's like, I sent him over

1112
00:48:11,280 --> 00:48:13,960
Speaker 2: one hundred grand. And so she's at a point where

1113
00:48:13,960 --> 00:48:16,239
Speaker 2: she's like, okay, do I cut him off and say, lo,

1114
00:48:16,400 --> 00:48:17,960
Speaker 2: that's it. I'm not sending no more. And I don't

1115
00:48:18,040 --> 00:48:21,680
Speaker 2: see where this ends, and take and take that loss,

1116
00:48:22,239 --> 00:48:23,800
Speaker 2: or it's like, all right, I don't send him a

1117
00:48:23,840 --> 00:48:27,120
Speaker 2: hundred thousand already, like I might as well go, I

1118
00:48:27,200 --> 00:48:28,759
Speaker 2: might as well go through with this. So she's just

1119
00:48:28,800 --> 00:48:31,359
Speaker 2: at a point where she's like, Okay, I'm in too

1120
00:48:31,440 --> 00:48:33,399
Speaker 2: deep at this point for me to pull out now

1121
00:48:33,400 --> 00:48:36,240
Speaker 2: and never see my hundred grand back, and he dies,

1122
00:48:36,640 --> 00:48:39,239
Speaker 2: I don't want that, so let me just continue to

1123
00:48:39,320 --> 00:48:41,320
Speaker 2: go on with this, this, this, this journey.

1124
00:48:41,400 --> 00:48:46,600
Speaker 3: Don't you work for the government's line? Go howhead? Fucking yeah?

1125
00:48:46,640 --> 00:48:47,920
Speaker 3: But Obama to give you that.

1126
00:48:49,600 --> 00:48:52,440
Speaker 2: So so ultimately I didn't finish it. But ultimately the

1127
00:48:52,480 --> 00:48:55,520
Speaker 2: story is he basically I don't want to spoil it

1128
00:48:55,560 --> 00:48:59,760
Speaker 2: for thepol I don't want to spoil it for the listeners.

1129
00:48:59,800 --> 00:49:02,160
Speaker 3: If you think it's only one hundred k, no, a

1130
00:49:02,280 --> 00:49:02,680
Speaker 3: you are.

1131
00:49:03,880 --> 00:49:05,960
Speaker 2: At that point, she had already sent them one hundred k.

1132
00:49:06,200 --> 00:49:07,879
Speaker 2: She of course, she sent him way more than that.

1133
00:49:08,080 --> 00:49:09,879
Speaker 2: And I think she said it within the two years

1134
00:49:09,880 --> 00:49:11,279
Speaker 2: that she sent them money, it was like one point

1135
00:49:11,320 --> 00:49:13,719
Speaker 2: seven million, and she said it gets higher than that,

1136
00:49:13,760 --> 00:49:16,000
Speaker 2: you know what I mean. So it's like, you know,

1137
00:49:16,040 --> 00:49:18,359
Speaker 2: he was just basically milking her. But he had did

1138
00:49:18,360 --> 00:49:21,279
Speaker 2: this before with another woman that he had a kid with,

1139
00:49:21,600 --> 00:49:23,759
Speaker 2: and then he said, do you know that child? He

1140
00:49:24,160 --> 00:49:26,840
Speaker 2: told because he told his girlfriend then or maybe the

1141
00:49:26,880 --> 00:49:28,960
Speaker 2: wife wife and his wife he said, do you know

1142
00:49:29,000 --> 00:49:31,040
Speaker 2: you can kill a baby just by giving him salt?

1143
00:49:31,080 --> 00:49:34,239
Speaker 2: And nobody will ever know. They won't shove, won't show

1144
00:49:34,320 --> 00:49:36,879
Speaker 2: an autops. Some sick ass, you just give a baby salt.

1145
00:49:37,840 --> 00:49:39,520
Speaker 2: So when he told his wife that, she looked at

1146
00:49:39,560 --> 00:49:41,239
Speaker 2: him like what she said. She never left him alone

1147
00:49:41,280 --> 00:49:44,560
Speaker 2: with the kid after that, and basically like he just started,

1148
00:49:44,680 --> 00:49:46,600
Speaker 2: you know, he went on and found and she just thought, oh,

1149
00:49:46,640 --> 00:49:48,840
Speaker 2: maybe he moved on to another woman and did to

1150
00:49:48,880 --> 00:49:50,840
Speaker 2: her what he did to me, like basically swindled me

1151
00:49:50,880 --> 00:49:53,920
Speaker 2: out of money and all kind of shit. But it's

1152
00:49:53,920 --> 00:49:56,800
Speaker 2: a crazy, wild story. It's a good show.

1153
00:49:57,000 --> 00:49:59,759
Speaker 5: I've never had tacking lies that amazing. I would like

1154
00:49:59,800 --> 00:50:00,520
Speaker 5: to carry it out.

1155
00:50:00,719 --> 00:50:03,200
Speaker 3: What was so ill was when she had pushback on

1156
00:50:03,239 --> 00:50:05,279
Speaker 3: some of the money towards the end, he was like,

1157
00:50:05,840 --> 00:50:08,279
Speaker 3: I talked with the family, they don't think you're ready

1158
00:50:08,320 --> 00:50:08,560
Speaker 3: for this.

1159
00:50:10,719 --> 00:50:12,560
Speaker 2: See, and that's the ship that a black man. We

1160
00:50:12,560 --> 00:50:14,960
Speaker 2: can't get that off. We would stop you acts a

1161
00:50:14,960 --> 00:50:18,960
Speaker 2: black woman for four K. She want to know, She's

1162
00:50:19,000 --> 00:50:20,920
Speaker 2: like wait, what four thousand dollars for what?

1163
00:50:20,960 --> 00:50:21,400
Speaker 1: What's the year?

1164
00:50:21,440 --> 00:50:23,160
Speaker 5: You keep saying with black men you couldn't get off.

1165
00:50:23,160 --> 00:50:25,480
Speaker 5: No black men could get it off with white women.

1166
00:50:25,800 --> 00:50:27,799
Speaker 5: The black woman with the comments.

1167
00:50:27,560 --> 00:50:29,120
Speaker 3: And don't do that because I'm getting I told the

1168
00:50:29,120 --> 00:50:33,120
Speaker 3: story of Daikwan on this this podcast.

1169
00:50:33,239 --> 00:50:35,959
Speaker 2: No, because he pretended I wasn't getting no money though.

1170
00:50:36,239 --> 00:50:37,560
Speaker 3: Of course he was just trying to get peace of

1171
00:50:37,600 --> 00:50:39,000
Speaker 3: mind from a woman wouldn't leve him alone.

1172
00:50:39,000 --> 00:50:39,600
Speaker 2: That's what I'm saying.

1173
00:50:39,600 --> 00:50:42,479
Speaker 3: That's he was running game just on like women ship,

1174
00:50:42,600 --> 00:50:44,680
Speaker 3: but he wasn't milking him for one point seven?

1175
00:50:44,960 --> 00:50:46,840
Speaker 1: Can we get da Kuan on the podcast? Please?

1176
00:50:46,920 --> 00:50:48,040
Speaker 3: I probably can find them.

1177
00:50:48,360 --> 00:50:48,800
Speaker 1: Please.

1178
00:50:48,880 --> 00:50:50,600
Speaker 2: Got the sickest nigga out of though.

1179
00:50:50,800 --> 00:50:54,239
Speaker 5: That shit that you are a newer listener the New

1180
00:50:54,320 --> 00:50:56,080
Speaker 5: Royal Ma podcast and you're having a.

1181
00:50:56,920 --> 00:51:01,080
Speaker 2: Showing him to a candlelight vigil for your death and

1182
00:51:01,120 --> 00:51:05,560
Speaker 2: then asking people like yo, what happened? Bro? That is

1183
00:51:05,560 --> 00:51:08,440
Speaker 2: a fucking Netflix special waiting to happen. Somebody has to

1184
00:51:08,440 --> 00:51:09,080
Speaker 2: write that.

1185
00:51:09,480 --> 00:51:10,839
Speaker 3: We should shoot it, bro.

1186
00:51:11,000 --> 00:51:12,120
Speaker 2: That is insane.

1187
00:51:12,280 --> 00:51:13,960
Speaker 3: We can shoot it at Saint Peter's in the same

1188
00:51:13,960 --> 00:51:14,440
Speaker 3: dorm room.

1189
00:51:14,719 --> 00:51:16,600
Speaker 2: No, we definitely need to shoot that, bro. Do you

1190
00:51:16,640 --> 00:51:19,760
Speaker 2: know how funny that is? Why y'all crying? Like what happened?

1191
00:51:20,280 --> 00:51:22,239
Speaker 2: That's a big ass picture you with candles around it,

1192
00:51:22,520 --> 00:51:25,640
Speaker 2: you and you on you outside, you outside, Like Yo,

1193
00:51:25,640 --> 00:51:29,040
Speaker 2: why y'all crying? You know how that is insane? Bro?

1194
00:51:29,400 --> 00:51:31,960
Speaker 3: I mean he pretended to be someone else on the phone,

1195
00:51:31,960 --> 00:51:34,080
Speaker 3: the same way old boy did when he was like

1196
00:51:34,080 --> 00:51:35,520
Speaker 3: pretending to be the CIA handler.

1197
00:51:36,000 --> 00:51:39,000
Speaker 2: What was his name on what the tennis one?

1198
00:51:39,160 --> 00:51:42,120
Speaker 3: No? The other one? The uh?

1199
00:51:42,719 --> 00:51:43,960
Speaker 2: What was his name he had?

1200
00:51:44,000 --> 00:51:47,120
Speaker 3: Like Sara, he had like three different names. Her name

1201
00:51:47,160 --> 00:51:50,160
Speaker 3: was Anthony sack Stag when he was pretending to be

1202
00:51:50,280 --> 00:51:54,520
Speaker 3: Anthony's fucking CIA handler, Like Anthony is fighting the infidels

1203
00:51:54,600 --> 00:51:56,560
Speaker 3: right now. He can't be distracted with your needs.

1204
00:51:58,480 --> 00:52:00,279
Speaker 2: And then she kept telling him about her brother. His

1205
00:52:00,360 --> 00:52:04,120
Speaker 2: brother brother sees everything, he knows everything, like he'll kill me.

1206
00:52:04,640 --> 00:52:06,319
Speaker 2: He was spending a whole lot of bull But it

1207
00:52:06,400 --> 00:52:08,359
Speaker 2: was working man, and that and and and the fucked

1208
00:52:08,400 --> 00:52:10,520
Speaker 2: up part about it is watch it bad Vegan if

1209
00:52:10,520 --> 00:52:12,279
Speaker 2: you haven't seen it. But the fun the part is

1210
00:52:12,320 --> 00:52:14,080
Speaker 2: people know the type of people that they can do

1211
00:52:14,120 --> 00:52:16,279
Speaker 2: that with. They prey on those type of people that

1212
00:52:16,360 --> 00:52:18,480
Speaker 2: are looking for love. That a hope. It's romantics that

1213
00:52:18,520 --> 00:52:21,840
Speaker 2: are like gullible and just vulnerable and you know you

1214
00:52:21,840 --> 00:52:24,800
Speaker 2: can just tell and it's fucked up, but so sad.

1215
00:52:25,200 --> 00:52:27,280
Speaker 2: I mean, it makes for great fucking Netflix.

1216
00:52:27,719 --> 00:52:30,600
Speaker 5: Love on your children, raise your children, and don't let

1217
00:52:30,680 --> 00:52:34,480
Speaker 5: your children be fucking stupid, because that's where that systems from.

1218
00:52:34,400 --> 00:52:37,360
Speaker 3: His pops was in on his lives. Yeah, oh yeah,

1219
00:52:38,000 --> 00:52:38,560
Speaker 3: got not him.

1220
00:52:38,560 --> 00:52:40,000
Speaker 1: I'm sorry to people who are know what I'm saying.

1221
00:52:40,040 --> 00:52:41,480
Speaker 3: I'm saying. No, it's Pops raised him.

1222
00:52:41,800 --> 00:52:43,720
Speaker 1: No, not him talking.

1223
00:52:43,880 --> 00:52:46,279
Speaker 5: I'm talking about the people who raise children who are

1224
00:52:46,320 --> 00:52:47,160
Speaker 5: stupid enough to.

1225
00:52:47,120 --> 00:52:49,560
Speaker 3: Believe will stop raising that they can be.

1226
00:52:49,680 --> 00:52:50,239
Speaker 1: Part of Rock.

1227
00:52:50,400 --> 00:52:53,040
Speaker 5: They can become a part of fucking rockefella if they

1228
00:52:53,200 --> 00:52:54,920
Speaker 5: just keep sending money.

1229
00:52:55,040 --> 00:52:59,919
Speaker 3: Twenty thousand dollars are you suggesting more? Never mind?

1230
00:53:01,080 --> 00:53:03,480
Speaker 2: Well did what why You're always putting me in some bullshit?

1231
00:53:03,640 --> 00:53:06,200
Speaker 3: She put Rockefeller into whatever? Just nobody sent you twenty

1232
00:53:06,200 --> 00:53:08,640
Speaker 3: grand for like a told shorty like y'all let you

1233
00:53:08,719 --> 00:53:12,560
Speaker 3: rad for bigs damn all.

1234
00:53:12,640 --> 00:53:14,080
Speaker 1: You definitely could have gotten that ship off.

1235
00:53:14,760 --> 00:53:16,880
Speaker 5: I would have been I would have been charging niggas

1236
00:53:16,960 --> 00:53:18,960
Speaker 5: so many, so much money for beats. Oh yea, I'm

1237
00:53:18,960 --> 00:53:20,960
Speaker 5: gonna bring this to j oh.

1238
00:53:20,920 --> 00:53:22,600
Speaker 1: I got mad.

1239
00:53:22,920 --> 00:53:25,520
Speaker 3: That's always been a thing. Yeah, it was when I

1240
00:53:25,560 --> 00:53:27,080
Speaker 3: was at Death Chair, there was an rs that were

1241
00:53:27,120 --> 00:53:30,120
Speaker 3: literally I knew how much they was making. That's why

1242
00:53:30,120 --> 00:53:32,480
Speaker 3: I was like, you must have a gambling debt or

1243
00:53:32,480 --> 00:53:34,440
Speaker 3: some ship. Why are you charging people for meetings? One

1244
00:53:34,480 --> 00:53:37,800
Speaker 3: that's illegal, Two that'll get you fired. Three you making

1245
00:53:38,760 --> 00:53:42,240
Speaker 3: a good amount? Why are you charging these fucking artists

1246
00:53:42,280 --> 00:53:43,719
Speaker 3: for a meeting that you know you're not gonna sign.

1247
00:53:43,719 --> 00:53:47,360
Speaker 3: You're literally gonna just fucking write emails while they're playing you.

1248
00:53:47,320 --> 00:53:48,920
Speaker 3: They're bullshit that you're not gonna care for.

1249
00:53:49,400 --> 00:53:50,799
Speaker 2: I could have done a lot of fun up, but

1250
00:53:50,840 --> 00:53:52,960
Speaker 2: I'm just not that person, Like, that's not fake.

1251
00:53:53,000 --> 00:53:57,200
Speaker 5: Off the back end charging people, that was never can

1252
00:53:57,239 --> 00:53:58,399
Speaker 5: you play Rory my music?

1253
00:53:58,480 --> 00:53:58,719
Speaker 1: Sure?

1254
00:53:59,600 --> 00:54:01,200
Speaker 2: And that was that on my thing. People hit me

1255
00:54:01,280 --> 00:54:03,320
Speaker 2: up now asking could they pay to, you know, have

1256
00:54:03,440 --> 00:54:06,400
Speaker 2: their music. I'm like, bro, I would talk about your

1257
00:54:06,400 --> 00:54:08,600
Speaker 2: ship for free like I always do. If it's dope, Like,

1258
00:54:09,239 --> 00:54:11,640
Speaker 2: I'm not charging you to talk about your ship. That's corny,

1259
00:54:11,680 --> 00:54:12,799
Speaker 2: that like that is just cornery.

1260
00:54:12,840 --> 00:54:15,319
Speaker 3: Yeah, but that's why that's why. And this is no

1261
00:54:15,400 --> 00:54:20,160
Speaker 3: slight to cameo the company I understand it, and I

1262
00:54:20,200 --> 00:54:20,840
Speaker 3: get people to do it.

1263
00:54:20,880 --> 00:54:21,160
Speaker 2: I'm not.

1264
00:54:21,680 --> 00:54:24,799
Speaker 3: I just feel uncomfortable doing that. Like I know, just

1265
00:54:24,920 --> 00:54:26,880
Speaker 3: I'll send a video if you're a supporter to say

1266
00:54:26,920 --> 00:54:27,560
Speaker 3: happy birthday.

1267
00:54:28,280 --> 00:54:31,000
Speaker 1: That's so corny to me saying that.

1268
00:54:31,520 --> 00:54:33,200
Speaker 3: But I've already told Cameo knows that I've been on

1269
00:54:33,200 --> 00:54:35,000
Speaker 3: the carse. I just know if there's other ways for

1270
00:54:35,080 --> 00:54:36,560
Speaker 3: us work, I'm.

1271
00:54:36,440 --> 00:54:38,720
Speaker 1: Just saying it's my birthday.

1272
00:54:38,920 --> 00:54:41,200
Speaker 3: I'm ruin better email because I've done it mad times.

1273
00:54:41,239 --> 00:54:41,879
Speaker 2: Yeah that's better.

1274
00:54:41,960 --> 00:54:44,040
Speaker 3: I've done that thousands of happy birthday videos.

1275
00:54:44,080 --> 00:54:46,320
Speaker 2: Yeah, I've done that for free. I'm not charging nobody

1276
00:54:46,360 --> 00:54:47,160
Speaker 2: to say happy birthday.

1277
00:54:47,160 --> 00:54:48,200
Speaker 3: That's superster.

1278
00:54:48,440 --> 00:54:50,320
Speaker 2: There's other ways to get a bag, bro, Like that's

1279
00:54:50,400 --> 00:54:52,479
Speaker 2: just that's crazy as fucking me. I'm not doing nothing

1280
00:54:52,600 --> 00:54:52,879
Speaker 2: like that.

1281
00:54:53,040 --> 00:54:54,719
Speaker 1: Well, my birthday is coming up, so y'all gotta sing

1282
00:54:54,760 --> 00:54:55,799
Speaker 1: me Happy birthday.

1283
00:54:56,320 --> 00:54:58,200
Speaker 3: Not only give me a ten.

1284
00:54:58,440 --> 00:55:02,560
Speaker 1: Ten all right, put it on my tag.

1285
00:55:02,400 --> 00:55:04,800
Speaker 3: And first of all, hold on, I've been trying to

1286
00:55:04,800 --> 00:55:07,480
Speaker 3: ask de Maris' question, and it's funny. She's talking about

1287
00:55:07,960 --> 00:55:11,680
Speaker 3: taking money from music. Your bio says you're the Muse

1288
00:55:11,760 --> 00:55:17,800
Speaker 3: from my favorite album. Her Instagram bio says the muse

1289
00:55:18,239 --> 00:55:21,120
Speaker 3: for your favorite album. One. You don't know my favorite album.

1290
00:55:21,200 --> 00:55:24,520
Speaker 2: To explain this, my favorite album.

1291
00:55:25,160 --> 00:55:26,600
Speaker 3: You wasn't even born? Reason what that came out?

1292
00:55:26,640 --> 00:55:28,399
Speaker 2: Yeah, you wasn't born when Doggie Style came out?

1293
00:55:28,520 --> 00:55:29,000
Speaker 1: What did you?

1294
00:55:29,880 --> 00:55:31,000
Speaker 2: Howld you turn into marriage?

1295
00:55:31,040 --> 00:55:33,400
Speaker 1: I'm turning twenty eight.

1296
00:55:34,840 --> 00:55:41,200
Speaker 2: No, you weren't two or three. Damn d you young?

1297
00:55:41,680 --> 00:55:43,040
Speaker 1: You old bitch. I'm not.

1298
00:55:44,640 --> 00:55:50,640
Speaker 3: How at supposed to love hearing that, Like, damn you young?

1299
00:55:50,800 --> 00:55:56,720
Speaker 2: Like you got no pleas I am.

1300
00:55:56,600 --> 00:55:58,359
Speaker 1: Young because my dad keeps talking about some Yeah you're

1301
00:55:58,360 --> 00:56:01,600
Speaker 1: pulling up I thirty. He keep reiterating in that shit thirty.

1302
00:56:01,600 --> 00:56:03,359
Speaker 2: How old is your dads? Are you pulling up on thirty?

1303
00:56:03,400 --> 00:56:04,200
Speaker 2: How old is that? Nigga?

1304
00:56:04,400 --> 00:56:07,160
Speaker 5: My dad is fifty if my mom is sixty six,

1305
00:56:07,200 --> 00:56:08,120
Speaker 5: my dad is fifty five.

1306
00:56:09,160 --> 00:56:12,040
Speaker 2: Well, your dad got a cougar, he was all.

1307
00:56:12,080 --> 00:56:14,440
Speaker 3: But her dad is like, he's a Brooklyn fifty five.

1308
00:56:15,360 --> 00:56:16,520
Speaker 3: He's not a regular fifty five.

1309
00:56:16,560 --> 00:56:19,040
Speaker 2: Your dad ever, didn't need jail toime. No, oh, he

1310
00:56:19,080 --> 00:56:21,239
Speaker 2: a real fifty five. See when you do jail time,

1311
00:56:21,239 --> 00:56:22,960
Speaker 2: I already figured this out. When niggas do jail time,

1312
00:56:23,000 --> 00:56:25,479
Speaker 2: they come home the same age they went in. For sure,

1313
00:56:25,560 --> 00:56:27,160
Speaker 2: they try to make a fall that year. Nigga do

1314
00:56:27,160 --> 00:56:29,480
Speaker 2: fifteen years? He going when he twenty five, he come

1315
00:56:29,520 --> 00:56:30,640
Speaker 2: on forty, he's still twenty five.

1316
00:56:30,680 --> 00:56:32,920
Speaker 3: Prisoners are just like child actors whenever they got famous

1317
00:56:32,960 --> 00:56:33,480
Speaker 3: at that age.

1318
00:56:33,600 --> 00:56:36,040
Speaker 2: Absolutely without a doubt. But if your dad was a

1319
00:56:36,080 --> 00:56:37,360
Speaker 2: freeman all his life, a hero.

1320
00:56:37,480 --> 00:56:42,399
Speaker 3: So Esse is six days young younger, Yeah yeah, yeah,

1321
00:56:42,400 --> 00:56:43,000
Speaker 3: ive alad he was.

1322
00:56:45,160 --> 00:56:47,399
Speaker 2: Nah, Jesse did that hard time. Don't do that winning

1323
00:56:47,440 --> 00:56:48,719
Speaker 2: there like a man. You know what I'm saying. He ain't

1324
00:56:48,719 --> 00:56:49,320
Speaker 2: actual PC.

1325
00:56:49,840 --> 00:56:50,400
Speaker 3: I didn't hear it.

1326
00:56:50,480 --> 00:56:52,200
Speaker 2: Nah, he ain't actually P. He was on the Yardesse

1327
00:56:52,360 --> 00:56:54,200
Speaker 2: was on the yard. He was getting down, he was

1328
00:56:54,200 --> 00:56:54,799
Speaker 2: getting out like.

1329
00:56:54,719 --> 00:56:58,200
Speaker 3: What Juicy went went through that, so hopefully you have

1330
00:56:58,239 --> 00:57:00,560
Speaker 3: to go through that. The Marris Yo, man, I'm not

1331
00:57:00,560 --> 00:57:02,000
Speaker 3: fucking with y'all. You tell you can.

1332
00:57:02,040 --> 00:57:03,439
Speaker 5: I tell y'a how y'all left me at the fucking

1333
00:57:03,440 --> 00:57:05,840
Speaker 5: hook al lowngne and one of y'all met me, but

1334
00:57:06,280 --> 00:57:07,239
Speaker 5: both were supposed.

1335
00:57:06,920 --> 00:57:09,960
Speaker 2: To come in yet all right, so I didn't even

1336
00:57:10,000 --> 00:57:10,480
Speaker 2: know about it.

1337
00:57:10,840 --> 00:57:11,760
Speaker 3: So show up this alone.

1338
00:57:12,040 --> 00:57:15,720
Speaker 2: So when we left the restaurant and and the marriage

1339
00:57:15,719 --> 00:57:17,440
Speaker 2: was saying she was gonna go to the hookah spot,

1340
00:57:17,560 --> 00:57:20,320
Speaker 2: I said, okay, I might go over here to this

1341
00:57:20,440 --> 00:57:23,360
Speaker 2: other other spot. I'll hit you if I'm going okay,

1342
00:57:23,640 --> 00:57:24,760
Speaker 2: the He's like, all right, bet hit me.

1343
00:57:25,480 --> 00:57:25,960
Speaker 3: She hits me.

1344
00:57:26,000 --> 00:57:27,600
Speaker 2: She's like, yo, I'm at the hookah spot. Just let

1345
00:57:27,600 --> 00:57:29,960
Speaker 2: me know if you're gonna go to wherever we was going.

1346
00:57:30,000 --> 00:57:31,240
Speaker 3: I didn't get that taxi.

1347
00:57:31,240 --> 00:57:33,400
Speaker 2: Right, so I'm like all right, But we asked what

1348
00:57:33,440 --> 00:57:33,680
Speaker 2: I did.

1349
00:57:33,720 --> 00:57:34,080
Speaker 1: I hit D.

1350
00:57:34,240 --> 00:57:36,840
Speaker 2: I said, y'all, I'm five minutes away. D hits me back,

1351
00:57:36,880 --> 00:57:39,000
Speaker 2: like twenty minutes later. I don't know what she was

1352
00:57:39,080 --> 00:57:42,200
Speaker 2: doing for those twenty minutes sleep. She fell asleep in

1353
00:57:42,240 --> 00:57:43,320
Speaker 2: the hook I was outside.

1354
00:57:43,360 --> 00:57:46,160
Speaker 5: They had blankets and warm heaters and ship outside and

1355
00:57:46,240 --> 00:57:48,080
Speaker 5: like a college you shouldn't sleep yourself.

1356
00:57:48,080 --> 00:57:51,480
Speaker 2: Oh yeah, indeed doing that? Yeah, like, don't do that.

1357
00:57:51,680 --> 00:57:54,919
Speaker 2: So then D hits me, like, yo, you're still there. Honestly, God,

1358
00:57:55,160 --> 00:57:57,160
Speaker 2: what happened was a dude walked off. I was in

1359
00:57:57,160 --> 00:57:59,440
Speaker 2: this spot maybe five minutes. A dude walks over and

1360
00:57:59,480 --> 00:58:03,440
Speaker 2: throws up on everybody. They got to come out with

1361
00:58:03,480 --> 00:58:06,880
Speaker 2: the It looked like soap detergent. The dudes that mops

1362
00:58:06,920 --> 00:58:08,400
Speaker 2: the floor, they had no more allign on them all.

1363
00:58:08,440 --> 00:58:10,320
Speaker 5: Like he came through up all over the whole section.

1364
00:58:10,720 --> 00:58:12,320
Speaker 5: He ain't getting me though, because.

1365
00:58:12,120 --> 00:58:13,480
Speaker 2: I was I was standing on the couch.

1366
00:58:14,040 --> 00:58:16,120
Speaker 3: That what you standing on the couch? I had them

1367
00:58:16,160 --> 00:58:22,880
Speaker 3: back to Greenhouse days was first put your fist a

1368
00:58:22,960 --> 00:58:25,320
Speaker 3: couch or like the top of the couch they had

1369
00:58:25,320 --> 00:58:26,920
Speaker 3: like they had like the piece of the platform on

1370
00:58:26,920 --> 00:58:28,800
Speaker 3: the top of the count. You dug your Jordans into

1371
00:58:28,800 --> 00:58:29,160
Speaker 3: that couch.

1372
00:58:29,240 --> 00:58:31,240
Speaker 2: Just say no. Man was standing on the top of

1373
00:58:31,280 --> 00:58:32,920
Speaker 2: the couch smoking. You know what I was doing. I

1374
00:58:32,960 --> 00:58:33,800
Speaker 2: like to stand on the top.

1375
00:58:34,360 --> 00:58:37,560
Speaker 3: Everybody used to sell drugs on a bench.

1376
00:58:37,640 --> 00:58:39,800
Speaker 2: I just want exactly, you know, I just want to

1377
00:58:39,800 --> 00:58:43,960
Speaker 2: see everybody. And that dude walked into the section and

1378
00:58:44,000 --> 00:58:45,840
Speaker 2: the girls that were standing there. The dude that was

1379
00:58:45,840 --> 00:58:49,680
Speaker 2: standing threw up on everybody's feet, and I was like, yes,

1380
00:58:49,800 --> 00:58:52,080
Speaker 2: it's time to go at this point, that's it, that's mark.

1381
00:58:52,120 --> 00:58:53,560
Speaker 3: That would have been violence. I'm just crying.

1382
00:58:53,720 --> 00:58:55,760
Speaker 2: Throwing up on Nigga's feet and they didn't even know

1383
00:58:55,760 --> 00:58:57,400
Speaker 2: who he was walking by, trying to make it to

1384
00:58:57,440 --> 00:58:57,880
Speaker 2: the bathroom.

1385
00:58:57,880 --> 00:59:00,760
Speaker 3: I think that's a noble I guess he tried. I'm

1386
00:59:00,800 --> 00:59:06,320
Speaker 3: just crying at I'm crying at the maras Patrick's day

1387
00:59:06,680 --> 00:59:07,240
Speaker 3: that's why we.

1388
00:59:07,280 --> 00:59:09,120
Speaker 1: Had a hard day today. It's a hard weekend.

1389
00:59:11,600 --> 00:59:15,520
Speaker 3: I didn't say it was a bowler, okay, but damaras

1390
00:59:15,600 --> 00:59:18,200
Speaker 3: sending the YO my bad. I would sleep text from

1391
00:59:18,200 --> 00:59:19,040
Speaker 3: a hookah couch.

1392
00:59:20,520 --> 00:59:21,200
Speaker 2: And I didn't even.

1393
00:59:22,640 --> 00:59:23,320
Speaker 1: Like I was knocked.

1394
00:59:23,480 --> 00:59:25,160
Speaker 2: She takes you back, like, yo, you're still there. I said,

1395
00:59:25,320 --> 00:59:26,560
Speaker 2: I'm about to get out of there. Some dude just

1396
00:59:26,560 --> 00:59:28,880
Speaker 2: threw up on everybody's feet. Man, I'm out, And she's like,

1397
00:59:28,880 --> 00:59:31,000
Speaker 2: oh yeah, and I'm going to the hotel. That was it.

1398
00:59:31,040 --> 00:59:33,320
Speaker 2: I didn't leave her any They came and woke me up.

1399
00:59:33,320 --> 00:59:34,840
Speaker 1: They came in to me. He's like, man, we're closing.

1400
00:59:35,840 --> 00:59:37,760
Speaker 3: At least they'll let you get some some hours in.

1401
00:59:39,160 --> 00:59:44,560
Speaker 2: She had a hotel next door to up. Go to

1402
00:59:44,600 --> 00:59:47,000
Speaker 2: your get out of the hookah spot, go to your room.

1403
00:59:47,280 --> 00:59:47,640
Speaker 2: You see.

1404
00:59:47,640 --> 00:59:48,800
Speaker 3: She dodged that question though.

1405
00:59:48,920 --> 00:59:52,680
Speaker 5: Question I don't die ships the question.

1406
00:59:54,440 --> 01:00:00,000
Speaker 3: You are the muse to my favorite album?

1407
01:00:00,240 --> 01:00:01,640
Speaker 2: Who you be throwing them shot chet?

1408
01:00:02,640 --> 01:00:04,000
Speaker 3: That's what I want to know. And I don't want

1409
01:00:04,000 --> 01:00:04,560
Speaker 3: to know the album.

1410
01:00:04,800 --> 01:00:07,800
Speaker 2: Who's the and who who are you talking to? And

1411
01:00:08,280 --> 01:00:10,600
Speaker 2: one guy you're talking to and so on? You know

1412
01:00:10,680 --> 01:00:14,320
Speaker 2: his favorite album? She know his favorite album? He told

1413
01:00:14,320 --> 01:00:15,680
Speaker 2: her like, yeah, every time I hear this album, I

1414
01:00:15,680 --> 01:00:18,360
Speaker 2: think about you. Or maybe it was oh man, know

1415
01:00:18,400 --> 01:00:20,000
Speaker 2: what it was an artist that she used to.

1416
01:00:20,120 --> 01:00:22,800
Speaker 3: That's That's what I'm getting at. Next to your favorite album.

1417
01:00:23,080 --> 01:00:24,920
Speaker 2: Maybe it was a you look like you like you

1418
01:00:24,960 --> 01:00:25,640
Speaker 2: go for the producer?

1419
01:00:25,720 --> 01:00:28,000
Speaker 3: Wait, I said, reasonable doubt, and she laughed because she

1420
01:00:28,040 --> 01:00:31,480
Speaker 3: wasn't alive. She might have been amused to reasonable drought,

1421
01:00:32,080 --> 01:00:34,880
Speaker 3: Same city. Oh my, it's one of my favorite albums.

1422
01:00:34,920 --> 01:00:36,680
Speaker 1: God, yo, how you did that?

1423
01:00:36,760 --> 01:00:40,240
Speaker 3: Man like that? You know what? It's one of my

1424
01:00:40,320 --> 01:00:40,880
Speaker 3: favorite albums.

1425
01:00:40,880 --> 01:00:42,720
Speaker 5: You know what's so crazy that I have never met

1426
01:00:42,760 --> 01:00:44,640
Speaker 5: this man in my entire Fuck.

1427
01:00:45,160 --> 01:00:48,240
Speaker 3: Mad relationships with people that never met, Mad relationships, Those

1428
01:00:48,240 --> 01:00:51,000
Speaker 3: are the best TV shows out it. Yeah, it's like

1429
01:00:51,040 --> 01:00:52,320
Speaker 3: it's fourteenth season.

1430
01:00:54,120 --> 01:00:56,560
Speaker 2: Mad, Mad Relationships with people I never met? Are you

1431
01:00:56,640 --> 01:00:57,040
Speaker 2: kidding me?

1432
01:00:59,480 --> 01:00:59,600
Speaker 1: Get?

1433
01:00:59,640 --> 01:01:01,160
Speaker 3: Can I get a bar from the album?

1434
01:01:01,520 --> 01:01:02,200
Speaker 2: Album?

1435
01:01:02,600 --> 01:01:04,800
Speaker 3: The one there one that you are amusing?

1436
01:01:05,800 --> 01:01:07,880
Speaker 1: Can do that? Maybe it's not released, y'all don't know?

1437
01:01:08,320 --> 01:01:09,480
Speaker 3: How could it be our favorite?

1438
01:01:10,720 --> 01:01:15,919
Speaker 2: It's not out? Oh y'all are sick? Listen?

1439
01:01:15,960 --> 01:01:17,640
Speaker 3: Man, But Demerius gotta be nice to me?

1440
01:01:17,720 --> 01:01:17,919
Speaker 2: Man?

1441
01:01:18,640 --> 01:01:18,920
Speaker 1: Why?

1442
01:01:19,120 --> 01:01:21,920
Speaker 3: And and vice versa because Demarus and I have known

1443
01:01:21,920 --> 01:01:22,360
Speaker 3: each other for a.

1444
01:01:24,440 --> 01:01:27,800
Speaker 2: Got y'all, got y'all little dirt on each other that

1445
01:01:27,920 --> 01:01:31,840
Speaker 2: we have very on record with each other.

1446
01:01:32,000 --> 01:01:35,640
Speaker 3: Yeah, like I knew Dumerius when she was a Bronx

1447
01:01:35,680 --> 01:01:37,600
Speaker 3: crypt y.

1448
01:01:37,960 --> 01:01:42,919
Speaker 2: You never tell me you was listen. I'm listening, miss yo.

1449
01:01:46,400 --> 01:01:48,680
Speaker 3: First of all, being a Bronx cript is just hilarious.

1450
01:01:49,520 --> 01:01:50,720
Speaker 3: You make it all way to the Bronx.

1451
01:01:50,880 --> 01:01:53,440
Speaker 1: Rory is a liar. Do not pay Rory no attention.

1452
01:01:54,920 --> 01:01:57,840
Speaker 1: It was not a Bronx script, Rory, Rory, I promise

1453
01:01:57,920 --> 01:01:59,200
Speaker 1: you I need.

1454
01:01:59,040 --> 01:02:01,320
Speaker 2: You with a blue rad because I don't want if

1455
01:02:01,320 --> 01:02:04,000
Speaker 2: I go back like no, I don't even know Jamaras

1456
01:02:04,160 --> 01:02:06,680
Speaker 2: is working for you like you like yo. You know

1457
01:02:06,760 --> 01:02:09,040
Speaker 2: themarriage is the big homie, like if I go uptown

1458
01:02:09,080 --> 01:02:12,560
Speaker 2: to hit him, if I go uptown to hear you

1459
01:02:12,640 --> 01:02:15,640
Speaker 2: was the big homie Demarics, I'm gonna be mad. I

1460
01:02:15,720 --> 01:02:17,160
Speaker 2: was just letting you don't gonna be mad that I

1461
01:02:17,200 --> 01:02:18,520
Speaker 2: had to find out from the streets.

1462
01:02:18,760 --> 01:02:19,080
Speaker 1: Worry.

1463
01:02:20,120 --> 01:02:22,920
Speaker 3: I met Demarus in eating wall projects with a blue rad.

1464
01:02:22,880 --> 01:02:28,160
Speaker 5: He's alive, My god, he's a lot. That picture or

1465
01:02:28,240 --> 01:02:30,840
Speaker 5: Rory doing that bel air ad and pouring Champagne in

1466
01:02:30,920 --> 01:02:33,360
Speaker 5: his mouth, I'm releasing it to the fucking reddis street.

1467
01:02:33,360 --> 01:02:37,280
Speaker 1: You do promise you, I promise you that I'm talking about.

1468
01:02:37,160 --> 01:02:37,800
Speaker 2: What did you do?

1469
01:02:38,520 --> 01:02:44,920
Speaker 3: A definitely? Wait you was still at the time, she

1470
01:02:45,040 --> 01:02:48,560
Speaker 3: was still banging. She was knee deep in the streets.

1471
01:02:48,280 --> 01:02:49,919
Speaker 1: The magnum bottle of bel air.

1472
01:02:50,080 --> 01:02:53,400
Speaker 2: Wait, wait, who playing with? Going to see your mouth?

1473
01:02:53,440 --> 01:02:56,880
Speaker 3: Though nobody was pooring belair in my mond, he was

1474
01:02:56,880 --> 01:03:00,560
Speaker 3: poor in his own mouth. Oh you so wait, black

1475
01:03:00,600 --> 01:03:05,240
Speaker 3: battle boys, what you want from me? Yeah?

1476
01:03:05,240 --> 01:03:07,000
Speaker 2: You can't look at man in the d and for yourself,

1477
01:03:07,000 --> 01:03:09,120
Speaker 2: the black bottle boys. First of all, I didn't call that.

1478
01:03:09,200 --> 01:03:12,160
Speaker 2: Rick Ross called us that you were pouring bell air

1479
01:03:12,240 --> 01:03:15,440
Speaker 2: in your mouth? Like how were you sipping from the bottle?

1480
01:03:15,480 --> 01:03:16,600
Speaker 2: Were you like waterfalling it?

1481
01:03:16,760 --> 01:03:19,760
Speaker 3: Like, I'm trying to remember the day because I know

1482
01:03:19,800 --> 01:03:21,920
Speaker 3: the day she's talking about, and I know the picture

1483
01:03:21,960 --> 01:03:23,000
Speaker 3: I think she's talking about.

1484
01:03:23,120 --> 01:03:24,080
Speaker 1: I got it somewhere.

1485
01:03:24,840 --> 01:03:25,640
Speaker 2: That's nasty.

1486
01:03:25,680 --> 01:03:30,480
Speaker 3: But this is how nasty the day was. Though we

1487
01:03:30,560 --> 01:03:34,000
Speaker 3: had we had done like this charity flag football game

1488
01:03:34,320 --> 01:03:40,880
Speaker 3: in the heights in inwood Park, and we made it

1489
01:03:40,920 --> 01:03:42,520
Speaker 3: to the finals. In mind you, we had like the

1490
01:03:42,560 --> 01:03:45,160
Speaker 3: fucking monstars like it was. It was the All Star

1491
01:03:45,240 --> 01:03:51,120
Speaker 3: team from Nike Football Society. We was squatted up get

1492
01:03:51,160 --> 01:03:53,840
Speaker 3: to the finals. We play. We played just some some

1493
01:03:53,920 --> 01:03:58,960
Speaker 3: regular Dominican dudes from from uptown right. All the refs

1494
01:03:58,960 --> 01:04:03,840
Speaker 3: are Dominican. My man's caught caught a touchdown in the

1495
01:04:03,840 --> 01:04:05,440
Speaker 3: middle of the end zone. They caught him out of bounce.

1496
01:04:05,560 --> 01:04:08,520
Speaker 3: I said, Yo, we are I know a spot in Brooklyn.

1497
01:04:08,560 --> 01:04:13,240
Speaker 3: We went from the Heights on a Saturday, from the

1498
01:04:13,320 --> 01:04:17,919
Speaker 3: Heights deep into Brooklyn. So maybe when I walked in there,

1499
01:04:18,400 --> 01:04:19,840
Speaker 3: bell Air didn't seem so crazy to me.

1500
01:04:23,920 --> 01:04:25,040
Speaker 1: I gotta find that picture.

1501
01:04:27,240 --> 01:04:29,520
Speaker 3: Maybe maybe bell Air wasn't where I was going to stop.

1502
01:04:29,520 --> 01:04:32,280
Speaker 5: That day I got my lab was the first day

1503
01:04:32,280 --> 01:04:33,880
Speaker 5: I ever took ecstasy. When I sell you, I got

1504
01:04:33,920 --> 01:04:34,800
Speaker 5: my laughs off.

1505
01:04:34,640 --> 01:04:38,000
Speaker 3: That day because you was there right where I met you.

1506
01:04:38,040 --> 01:04:40,480
Speaker 1: After no, no, no, no, no, you took the picture. I

1507
01:04:40,520 --> 01:04:41,560
Speaker 1: think I might have took the picture.

1508
01:04:41,600 --> 01:04:44,520
Speaker 5: I watched, no, I watched you take that picture, and

1509
01:04:44,560 --> 01:04:46,080
Speaker 5: I said, I know they not sitting up there, poorn

1510
01:04:46,120 --> 01:04:48,720
Speaker 5: Belle here in these in front of a camera.

1511
01:04:49,240 --> 01:04:50,080
Speaker 2: I'm disappointed.

1512
01:04:50,440 --> 01:04:52,040
Speaker 3: Are you sure I just wasn't holding the bottle?

1513
01:04:52,160 --> 01:04:53,400
Speaker 1: Nah? Nah, I'm pretty sure.

1514
01:04:55,160 --> 01:04:59,360
Speaker 3: Niggas don't just hold bottles fair nor your family created.

1515
01:05:01,800 --> 01:05:04,160
Speaker 5: I made a meme and it's remember people were doing

1516
01:05:04,160 --> 01:05:05,720
Speaker 5: a straight out of It was around the time straight out

1517
01:05:05,720 --> 01:05:07,240
Speaker 5: of Common that came out, and it was straight out

1518
01:05:07,240 --> 01:05:08,400
Speaker 5: of Moet underneath them.

1519
01:05:08,520 --> 01:05:11,240
Speaker 3: Oh, that was actually a great meme. Yeah, oh yeah,

1520
01:05:11,240 --> 01:05:13,160
Speaker 3: I'm just holding the bottle. Come on, I know that picture.

1521
01:05:14,000 --> 01:05:17,360
Speaker 2: Oh so you're not pouring in your No, okay, that's different.

1522
01:05:18,000 --> 01:05:19,120
Speaker 3: I wasn't driving the boat.

1523
01:05:19,480 --> 01:05:21,240
Speaker 2: They caught you mid pour in your mouth.

1524
01:05:22,800 --> 01:05:24,480
Speaker 3: But here's the thing. I don't want to sound too cool.

1525
01:05:24,520 --> 01:05:27,000
Speaker 3: I probably did that at some point in that jay.

1526
01:05:27,200 --> 01:05:29,520
Speaker 2: I don't think that. As long as they didn't capture

1527
01:05:29,720 --> 01:05:31,360
Speaker 2: that's all I care about. Don't let that before.

1528
01:05:31,400 --> 01:05:34,080
Speaker 3: But I'm about like ninety pounds. I think I'm wearing

1529
01:05:34,120 --> 01:05:36,200
Speaker 3: the backwards hat. I look nasty. It's not a good photo.

1530
01:05:36,280 --> 01:05:38,520
Speaker 2: Yeah, okay, it's okay. It happens. It happens.

1531
01:05:39,520 --> 01:05:42,600
Speaker 5: Yeah, we got to find somebody that knew you back

1532
01:05:42,640 --> 01:05:44,080
Speaker 5: in the day, because you ain't always been.

1533
01:05:44,040 --> 01:05:46,640
Speaker 2: Super cool fucking as I came out.

1534
01:05:46,760 --> 01:05:47,919
Speaker 3: Nah, bro tell me.

1535
01:05:48,120 --> 01:05:50,040
Speaker 1: Nah, I'll see some nasty picture.

1536
01:05:50,160 --> 01:05:53,200
Speaker 2: You know, everybody got nasty picks. But you're never gonna

1537
01:05:53,200 --> 01:05:55,160
Speaker 2: catch me like on some real crazy ship.

1538
01:05:55,240 --> 01:05:57,240
Speaker 3: That's because you old as fucking it wasn't cameras like that.

1539
01:05:57,880 --> 01:06:00,919
Speaker 2: I'm only nine years older us youth.

1540
01:06:00,960 --> 01:06:05,240
Speaker 3: That's a ducking dodge fucking phones that can record everything

1541
01:06:05,240 --> 01:06:07,280
Speaker 3: that's happening. You know, terrifying that is is a youth.

1542
01:06:07,960 --> 01:06:10,320
Speaker 2: Know, it's definitely some wild pictures out there of me

1543
01:06:10,440 --> 01:06:10,800
Speaker 2: for sure.

1544
01:06:10,880 --> 01:06:12,360
Speaker 3: Can never relax with these things.

1545
01:06:12,840 --> 01:06:15,080
Speaker 5: No, we've asked only one in this room that never

1546
01:06:15,120 --> 01:06:16,440
Speaker 5: been in the background of a cipher.

1547
01:06:17,840 --> 01:06:19,080
Speaker 1: Yeah, and the hip hop wars.

1548
01:06:19,160 --> 01:06:25,880
Speaker 2: Damn fuck that cypher anyway.

1549
01:06:25,120 --> 01:06:29,200
Speaker 3: Hold on it. Are we allowed to joke about stuff

1550
01:06:29,200 --> 01:06:31,360
Speaker 3: without people thinking we're bitter and like all that shit?

1551
01:06:33,400 --> 01:06:36,960
Speaker 3: A but why, I just wish Reddit in the world

1552
01:06:37,000 --> 01:06:39,320
Speaker 3: would just let us joke about ship when we're completely

1553
01:06:39,400 --> 01:06:43,680
Speaker 3: fond about it. Your man's putting an emoji over your

1554
01:06:43,680 --> 01:06:46,840
Speaker 3: face might have been the ig bitch thing I've ever

1555
01:06:46,840 --> 01:06:51,040
Speaker 3: seen in my life. That was the most bottle girl

1556
01:06:51,120 --> 01:06:54,760
Speaker 3: service post I've ever seen. He putting emoji over your face.

1557
01:06:55,920 --> 01:06:58,080
Speaker 3: You know when chicks do that because they love the photo,

1558
01:06:58,200 --> 01:07:00,240
Speaker 3: but they don't like the boyfriend anymore, so they put

1559
01:07:00,280 --> 01:07:03,240
Speaker 3: like like they don't speak to the girl in the picture.

1560
01:07:05,920 --> 01:07:07,920
Speaker 1: We've been drinking, Mall, it's not funny to ma, mam,

1561
01:07:08,040 --> 01:07:08,840
Speaker 1: not more sober.

1562
01:07:09,720 --> 01:07:11,880
Speaker 2: No, I don't care about that, ya know, y'all know me.

1563
01:07:11,880 --> 01:07:14,600
Speaker 2: I don't give a fuck about none of that ship.

1564
01:07:14,480 --> 01:07:17,680
Speaker 3: Okay, because I I wanted to laugh about it. I

1565
01:07:17,680 --> 01:07:20,640
Speaker 3: only sent it to Jamaricas, but I didn't put it

1566
01:07:20,640 --> 01:07:22,520
Speaker 3: in our chat with thcause I laughed.

1567
01:07:22,520 --> 01:07:23,320
Speaker 2: But I thought about it.

1568
01:07:23,640 --> 01:07:25,800
Speaker 1: But I was with Mall when you said, I said.

1569
01:07:25,680 --> 01:07:29,320
Speaker 3: Look, and I was like, because I didn't need I

1570
01:07:29,360 --> 01:07:31,040
Speaker 3: didn't know how you were going to react to it.

1571
01:07:31,080 --> 01:07:33,160
Speaker 3: And I was in a very silly and fun mood

1572
01:07:33,200 --> 01:07:35,080
Speaker 3: when I saw it. I thought it was hysterical, and

1573
01:07:35,080 --> 01:07:37,080
Speaker 3: I was like, I want to joke about it, but

1574
01:07:37,120 --> 01:07:39,919
Speaker 3: I don't, okay, but I didn't want you to ruin

1575
01:07:40,000 --> 01:07:41,000
Speaker 3: our group chat of jokes.

1576
01:07:41,000 --> 01:07:44,600
Speaker 2: And I'm not listening. Man, you know me better than that.

1577
01:07:44,680 --> 01:07:46,440
Speaker 3: I know that, but I'm not mad.

1578
01:07:46,440 --> 01:07:48,000
Speaker 2: I don't care about it like that. I mean, it

1579
01:07:48,040 --> 01:07:48,480
Speaker 2: was funny.

1580
01:07:48,920 --> 01:07:51,160
Speaker 1: It is that vegan food gave me gas too.

1581
01:07:52,280 --> 01:07:54,080
Speaker 2: That we went to eat the vegan food.

1582
01:07:54,200 --> 01:07:56,040
Speaker 5: It was good, but it was he gave me a gas.

1583
01:07:56,560 --> 01:07:59,720
Speaker 5: My stomach suck that you don't I think it was

1584
01:07:59,760 --> 01:08:01,400
Speaker 5: a that fake cheese.

1585
01:08:01,440 --> 01:08:04,360
Speaker 2: I don't think you know what was It probably was

1586
01:08:04,400 --> 01:08:05,840
Speaker 2: the juice.

1587
01:08:06,920 --> 01:08:09,800
Speaker 3: Yeah, that's bad Vegan right there.

1588
01:08:09,840 --> 01:08:14,080
Speaker 2: That just that just put you on the top today.

1589
01:08:14,520 --> 01:08:15,800
Speaker 3: What with the being.

1590
01:08:17,280 --> 01:08:19,920
Speaker 2: You know stove v though, yeah, it would have to

1591
01:08:20,000 --> 01:08:24,280
Speaker 2: be stove though. Uh. I could definitely see her in

1592
01:08:24,520 --> 01:08:25,960
Speaker 2: Griselda for.

1593
01:08:25,960 --> 01:08:28,280
Speaker 1: Sure, not the upstate New York.

1594
01:08:28,320 --> 01:08:32,200
Speaker 2: So that big Cryp. You gotta rep big Seeds on them?

1595
01:08:32,479 --> 01:08:36,040
Speaker 2: Mm hm Big d with the big Seeds, I could

1596
01:08:36,080 --> 01:08:37,720
Speaker 2: say Big Dan, I say, Pauls, I'm talking about you.

1597
01:08:38,120 --> 01:08:38,719
Speaker 2: It's not a pause.

1598
01:08:41,120 --> 01:08:42,360
Speaker 3: What would your actual cryp name be?

1599
01:08:42,400 --> 01:08:42,599
Speaker 5: Though?

1600
01:08:43,040 --> 01:08:47,080
Speaker 2: You know what her crip name would be? Yes, baby d.

1601
01:08:47,920 --> 01:08:56,280
Speaker 5: Yeah, I worked so hard for this company blow sweating here.

1602
01:08:56,360 --> 01:08:56,840
Speaker 1: It's like.

1603
01:08:58,240 --> 01:08:59,920
Speaker 3: I just know if you're gonna rep that gonna tell

1604
01:08:59,920 --> 01:09:00,760
Speaker 3: you you gotta get down.

1605
01:09:00,760 --> 01:09:01,479
Speaker 2: You gotta get down.

1606
01:09:02,040 --> 01:09:06,439
Speaker 3: I know you gotta get down with w Anyways, new music.

1607
01:09:06,600 --> 01:09:08,800
Speaker 1: Have you guys heard Candy Drip yet?

1608
01:09:09,240 --> 01:09:10,160
Speaker 3: Of course I did.

1609
01:09:10,520 --> 01:09:15,040
Speaker 2: Lucky Day he delivered. He delivered, no but this one.

1610
01:09:15,040 --> 01:09:18,000
Speaker 2: Because we were talking about how this project was important

1611
01:09:18,360 --> 01:09:21,840
Speaker 2: for his discography and he did not disappoint at all.

1612
01:09:21,880 --> 01:09:24,600
Speaker 2: This album is dope. I love it. Been listening to

1613
01:09:24,640 --> 01:09:25,719
Speaker 2: it since it dropped.

1614
01:09:28,200 --> 01:09:32,920
Speaker 3: I think Fever's probably my favorite. I like guests, Cherry Forrest.

1615
01:09:32,960 --> 01:09:36,439
Speaker 2: I love shout out to Smino too. Not enough people

1616
01:09:36,479 --> 01:09:39,160
Speaker 2: talk about Smino for me. You think that's about Yeah,

1617
01:09:39,240 --> 01:09:41,840
Speaker 2: like Amino was one of those those those super super

1618
01:09:41,880 --> 01:09:44,720
Speaker 2: talented artists. Man that I feel like we should be

1619
01:09:44,880 --> 01:09:45,719
Speaker 2: talking about more.

1620
01:09:46,200 --> 01:09:49,479
Speaker 3: Yeah, I mean, I feel like in in my world

1621
01:09:49,840 --> 01:09:52,479
Speaker 3: Smino's talked about a lot, but in the world heeds.

1622
01:09:52,479 --> 01:09:54,000
Speaker 3: But I know I agree, you know what I mean?

1623
01:09:54,200 --> 01:09:56,000
Speaker 2: Yeah, so shout out Tomino. But yeah, I like guests.

1624
01:09:56,800 --> 01:10:03,480
Speaker 2: Uh fucking sound.

1625
01:10:01,280 --> 01:10:03,439
Speaker 3: Not gonna You're just not gonna say the Child's Compassion record,

1626
01:10:03,479 --> 01:10:05,240
Speaker 3: no not' school. I heard you. I was looking no no, no,

1627
01:10:05,240 --> 01:10:05,519
Speaker 3: no, no no.

1628
01:10:06,680 --> 01:10:08,080
Speaker 2: That record is dope. Shout out to the child That

1629
01:10:08,120 --> 01:10:10,360
Speaker 2: record is fired. The whole album is fired. Man, I'm

1630
01:10:10,360 --> 01:10:16,240
Speaker 2: just trying to look at the deserve is hard over obviously. Yeah, man,

1631
01:10:16,240 --> 01:10:18,439
Speaker 2: this is a really good album. It's a really good album.

1632
01:10:18,439 --> 01:10:19,800
Speaker 2: Shout out to him. Having Dirk on the R and

1633
01:10:19,800 --> 01:10:22,200
Speaker 2: B album, that's that kind of threw me off a

1634
01:10:22,200 --> 01:10:22,559
Speaker 2: little bit.

1635
01:10:22,600 --> 01:10:24,639
Speaker 3: But yeah, it didn't throw me off all the way there.

1636
01:10:25,120 --> 01:10:27,200
Speaker 2: I kind of thought it. The album is dope. Though,

1637
01:10:27,240 --> 01:10:29,760
Speaker 2: I mean, well, the song with Dirk is dope. This

1638
01:10:29,800 --> 01:10:31,720
Speaker 2: is a really good album. Man, Lucky Day did not

1639
01:10:31,720 --> 01:10:34,200
Speaker 2: disappoint with this album. This is a really really good project.

1640
01:10:34,680 --> 01:10:36,760
Speaker 2: He sounds great, and I think that I think we

1641
01:10:36,800 --> 01:10:41,080
Speaker 2: can say that he is probably the best male R

1642
01:10:41,120 --> 01:10:41,920
Speaker 2: and B artist right now.

1643
01:10:42,040 --> 01:10:46,600
Speaker 3: I hope this gets him too that next level. The

1644
01:10:46,640 --> 01:10:48,840
Speaker 3: only reason why I think it wouldn't is because of

1645
01:10:48,880 --> 01:10:50,559
Speaker 3: why I love the album so much, because he made

1646
01:10:50,560 --> 01:10:53,680
Speaker 3: a fucking album. Yeah. Yeah, Like he didn't make a

1647
01:10:53,840 --> 01:10:57,840
Speaker 3: let me make fifteen joints that will stream well individually.

1648
01:10:58,320 --> 01:11:01,320
Speaker 3: He made a whole project. I've always talked about when

1649
01:11:01,320 --> 01:11:04,160
Speaker 3: I hate when, especially R and B singers try to

1650
01:11:04,200 --> 01:11:06,960
Speaker 3: go to prince. I think he tried his Princes thing

1651
01:11:07,000 --> 01:11:10,400
Speaker 3: and it worked. He didn't try to overdo it in

1652
01:11:10,439 --> 01:11:14,920
Speaker 3: the beginning of the album. Which record is that feels like? Yeah,

1653
01:11:15,160 --> 01:11:18,200
Speaker 3: I really have no gripes about it. Sometimes he went

1654
01:11:18,240 --> 01:11:20,679
Speaker 3: a little too Frank Ocean for me on certain parts,

1655
01:11:20,720 --> 01:11:23,599
Speaker 3: but I really really love the album. Yeah, this has

1656
01:11:23,640 --> 01:11:27,479
Speaker 3: been a project been on repeat Dirk's album. Did you

1657
01:11:27,479 --> 01:11:28,240
Speaker 3: listen to it as beginning?

1658
01:11:28,640 --> 01:11:30,960
Speaker 2: No, I didn't get into the Dirk album yet, but

1659
01:11:31,000 --> 01:11:31,920
Speaker 2: you told me you liked it.

1660
01:11:32,360 --> 01:11:34,439
Speaker 3: I do like it, and I'm just gonna sound I'm not.

1661
01:11:35,439 --> 01:11:37,639
Speaker 3: It always sounds like a cop out, but it's really

1662
01:11:37,680 --> 01:11:39,280
Speaker 3: not in regard of I know, albums that are for

1663
01:11:39,360 --> 01:11:42,280
Speaker 3: me and albums that are not for me. Dirk does

1664
01:11:42,400 --> 01:11:46,840
Speaker 3: this style of music better than anybody currently do. I

1665
01:11:46,880 --> 01:11:49,160
Speaker 3: think with my old ears and the type of stuff,

1666
01:11:49,200 --> 01:11:53,160
Speaker 3: I like that. It sounds so much like so many

1667
01:11:53,240 --> 01:11:57,040
Speaker 3: other fucking artists that are trying to do this. At

1668
01:11:57,040 --> 01:11:58,559
Speaker 3: that point, I'm always going to sound like to get

1669
01:11:58,600 --> 01:12:01,160
Speaker 3: off my lawn guy. At that point, I'm not understanding it.

1670
01:12:01,200 --> 01:12:04,599
Speaker 3: But but Dirk, as far as like content and substance

1671
01:12:04,640 --> 01:12:06,559
Speaker 3: and shit he was talking about, now, Dirk got in

1672
01:12:06,560 --> 01:12:09,320
Speaker 3: his fucking bag on this album. I really did like

1673
01:12:09,320 --> 01:12:11,960
Speaker 3: it in that regard. It's just that specific filter of

1674
01:12:12,000 --> 01:12:15,120
Speaker 3: auto tune that everyone fucking uses. I can't get past.

1675
01:12:15,880 --> 01:12:18,439
Speaker 3: I know what you mean, but listening to what he's saying,

1676
01:12:18,760 --> 01:12:21,439
Speaker 3: Derk is saying some ship on there, and it's well produced.

1677
01:12:21,439 --> 01:12:22,400
Speaker 3: In that regard, I just can't.

1678
01:12:22,400 --> 01:12:22,960
Speaker 2: I don't know that.

1679
01:12:23,880 --> 01:12:26,519
Speaker 3: I don't dislike that filter at all. I just disliked

1680
01:12:26,520 --> 01:12:29,200
Speaker 3: that everyone uses the exact same fucking compression on it

1681
01:12:29,240 --> 01:12:29,960
Speaker 3: every single time.

1682
01:12:30,040 --> 01:12:32,160
Speaker 2: Yeah, I know what you mean. It's just sonically it

1683
01:12:32,200 --> 01:12:34,240
Speaker 2: all sounds the same. Yeah, but well with the con

1684
01:12:34,640 --> 01:12:37,160
Speaker 2: obviously with the context and the content and the lyrics

1685
01:12:37,160 --> 01:12:37,880
Speaker 2: that Derk is.

1686
01:12:38,080 --> 01:12:41,240
Speaker 3: He talked, he talking, writing from he's talking, and he

1687
01:12:41,240 --> 01:12:44,080
Speaker 3: sold out the fucking uh What's What's the Bulls Arena?

1688
01:12:45,040 --> 01:12:48,320
Speaker 3: United Center? United Center sold out the United Center by himself.

1689
01:12:48,640 --> 01:12:49,400
Speaker 3: That's incredible.

1690
01:12:50,160 --> 01:12:52,760
Speaker 2: I mean, well he's Chicago's won right now.

1691
01:12:52,800 --> 01:12:56,120
Speaker 3: But either way, that's that's incredible. An arena by yourself.

1692
01:12:56,160 --> 01:12:57,320
Speaker 3: I don't care who the fuck you are.

1693
01:12:57,400 --> 01:13:00,880
Speaker 2: Shout out to uh, shout out to uh. Dirk. I

1694
01:13:00,880 --> 01:13:01,920
Speaker 2: gotta check that album out.

1695
01:13:02,080 --> 01:13:04,080
Speaker 3: And he tweeted when he sold it out, I'm gonna

1696
01:13:04,120 --> 01:13:06,080
Speaker 3: bring a bunch of Chicago artists to give him the

1697
01:13:06,080 --> 01:13:08,080
Speaker 3: shot that I never got. So I think that's just

1698
01:13:08,120 --> 01:13:11,240
Speaker 3: gonna be a night full of even if you not

1699
01:13:12,080 --> 01:13:13,840
Speaker 3: quote unquote popping to the rest of the world, if

1700
01:13:13,840 --> 01:13:17,040
Speaker 3: you popping in Chicago, you're gonna get on that stage.

1701
01:13:17,640 --> 01:13:19,240
Speaker 2: Dope. I mean, like he's he's the one out of

1702
01:13:19,280 --> 01:13:21,320
Speaker 2: out of Chicago. He's the one that if he's you know,

1703
01:13:21,360 --> 01:13:24,479
Speaker 2: the city's gonna come together behind the music and you know,

1704
01:13:24,680 --> 01:13:28,559
Speaker 2: really do some dope ship. It would be obviously Kanye, yes,

1705
01:13:29,360 --> 01:13:31,600
Speaker 2: but it would be you know, as far as the

1706
01:13:31,720 --> 01:13:34,240
Speaker 2: younger guys, it would be Dirk. Dave's dropped the project.

1707
01:13:34,240 --> 01:13:36,840
Speaker 2: How did I get here? Did you check it out yet?

1708
01:13:36,840 --> 01:13:37,439
Speaker 3: I haven't yet.

1709
01:13:37,880 --> 01:13:42,080
Speaker 2: It's a short project, non tracts, thirty four minutes. It's

1710
01:13:42,840 --> 01:13:44,479
Speaker 2: now you got some choice here. They've got some joints

1711
01:13:44,479 --> 01:13:46,200
Speaker 2: on here. The joint with him and Benny is hard.

1712
01:13:46,800 --> 01:13:49,559
Speaker 2: Deep in love with music is hard? Who else put

1713
01:13:49,560 --> 01:13:56,439
Speaker 2: some shit out? Uh? Joelle and Crooked Joel, Joel Ortiz King, Crooked,

1714
01:13:56,640 --> 01:13:59,679
Speaker 2: Rise and Fall of slaughter House album came out.

1715
01:14:00,160 --> 01:14:01,800
Speaker 3: Did you hear? Did you check it out? I did?

1716
01:14:02,439 --> 01:14:02,960
Speaker 2: What did you think?

1717
01:14:03,000 --> 01:14:04,360
Speaker 3: I was in the gym going crazy?

1718
01:14:04,560 --> 01:14:06,400
Speaker 2: Yeah, good Jim track, good gym tracks.

1719
01:14:06,439 --> 01:14:09,679
Speaker 3: There were some gym tracks on there. I did enjoy

1720
01:14:09,680 --> 01:14:12,280
Speaker 3: the project. I think I went in there, which isn't

1721
01:14:12,320 --> 01:14:15,400
Speaker 3: fair to the two of them, because the rollout was

1722
01:14:15,439 --> 01:14:18,000
Speaker 3: so spicy. I kind of went in there like, oh,

1723
01:14:19,120 --> 01:14:22,360
Speaker 3: Crook and Joel are about to like really go at

1724
01:14:22,680 --> 01:14:25,360
Speaker 3: the other two. And I had to remind myself, Oh,

1725
01:14:25,360 --> 01:14:28,120
Speaker 3: the album was done before everything got spicy, and they

1726
01:14:28,160 --> 01:14:30,600
Speaker 3: were probably trying to actually be sort of respectful to

1727
01:14:31,400 --> 01:14:32,479
Speaker 3: what they deemed friends.

1728
01:14:32,520 --> 01:14:35,439
Speaker 2: Well, I think Joel made that statement he wished he

1729
01:14:35,439 --> 01:14:37,360
Speaker 2: would have known it was going to be received like

1730
01:14:37,400 --> 01:14:41,160
Speaker 2: this by the other two, his other two group mates,

1731
01:14:41,800 --> 01:14:43,280
Speaker 2: because he said he would have gotten a little more

1732
01:14:43,320 --> 01:14:45,880
Speaker 2: spicy on the album. I think he did allude to

1733
01:14:45,920 --> 01:14:49,560
Speaker 2: something like that. But either way, all that shit aside,

1734
01:14:49,800 --> 01:14:52,639
Speaker 2: the album is good. There's some good tracks on there,

1735
01:14:53,280 --> 01:14:57,240
Speaker 2: good production, the Coasting track that I love. Coasting track

1736
01:14:57,360 --> 01:15:03,520
Speaker 2: is one of my favorite Johnson in there backstage Floodwaters, Floodwaters.

1737
01:15:04,560 --> 01:15:08,320
Speaker 2: I don't want to lead with like critiques, but yeah,

1738
01:15:08,320 --> 01:15:08,920
Speaker 2: we talked about it.

1739
01:15:09,120 --> 01:15:11,240
Speaker 3: I just feel like this is not even directly to

1740
01:15:12,040 --> 01:15:15,040
Speaker 3: this album per se, but all like the real rappers

1741
01:15:15,080 --> 01:15:18,800
Speaker 3: that I love, I do want them to do more

1742
01:15:18,840 --> 01:15:21,160
Speaker 3: shit with R and B hooks and everything, but they

1743
01:15:21,200 --> 01:15:25,559
Speaker 3: need to have the right producer and mixer and R

1744
01:15:25,600 --> 01:15:28,720
Speaker 3: and B artists for that for that matter in there

1745
01:15:28,720 --> 01:15:30,479
Speaker 3: with them when they go that type of route, because

1746
01:15:31,240 --> 01:15:34,439
Speaker 3: so many rappers like that really wrap. Their network is

1747
01:15:34,680 --> 01:15:37,040
Speaker 3: people that work on shit that really rap. So their

1748
01:15:37,080 --> 01:15:39,200
Speaker 3: mixers are great, but their mixers only know how to

1749
01:15:39,240 --> 01:15:42,800
Speaker 3: mix rap vocals. Their producers are great, but a lot

1750
01:15:42,840 --> 01:15:44,960
Speaker 3: of times those producers just know how to do that

1751
01:15:45,000 --> 01:15:48,000
Speaker 3: specific sound, how to mix that specific sound. So when

1752
01:15:48,000 --> 01:15:51,000
Speaker 3: you get Floodwaters, to me, could have been like a

1753
01:15:51,000 --> 01:15:54,960
Speaker 3: classic joint. And I'm not mad at the gentleman that's

1754
01:15:55,000 --> 01:15:56,360
Speaker 3: on the hook. I like the hook and I love

1755
01:15:56,400 --> 01:15:58,880
Speaker 3: his tone, but it's super bare, like they need to

1756
01:15:58,920 --> 01:16:02,400
Speaker 3: stack his vocals create that shit needs to be definitely

1757
01:16:02,479 --> 01:16:06,360
Speaker 3: mixed differently. I love Floodwaters, but why I don't like

1758
01:16:06,439 --> 01:16:08,560
Speaker 3: it is because I feel like it's you missed some

1759
01:16:08,600 --> 01:16:09,120
Speaker 3: of classic.

1760
01:16:09,160 --> 01:16:11,439
Speaker 2: You're being a being a nerd super nerves.

1761
01:16:11,840 --> 01:16:13,640
Speaker 3: I feel like it was an opportunity to literally make

1762
01:16:13,680 --> 01:16:16,679
Speaker 3: a real classic record and they missed the mark on it.

1763
01:16:17,720 --> 01:16:19,519
Speaker 3: But I love the record, If that makes sense. I

1764
01:16:19,560 --> 01:16:20,200
Speaker 3: sided like hate.

1765
01:16:20,320 --> 01:16:22,360
Speaker 2: Trust me, I know I know exactly what you mean.

1766
01:16:22,600 --> 01:16:25,160
Speaker 2: I like fuck Glasshouse, hate the hook. It's the hook

1767
01:16:25,240 --> 01:16:27,280
Speaker 2: is I like the energy of it though, you know

1768
01:16:28,320 --> 01:16:29,000
Speaker 2: that fun that.

1769
01:16:28,960 --> 01:16:31,800
Speaker 3: Album funny to be if someone just screaming in a booth.

1770
01:16:32,560 --> 01:16:34,280
Speaker 2: Yes, that's why I said, I love the energy. I

1771
01:16:34,320 --> 01:16:36,040
Speaker 2: don't really like the hook, but I love the energy

1772
01:16:36,040 --> 01:16:36,719
Speaker 2: of that track.

1773
01:16:36,720 --> 01:16:38,680
Speaker 3: And booths are usually glass That's why I just had

1774
01:16:38,680 --> 01:16:39,679
Speaker 3: a picture in my head.

1775
01:16:40,200 --> 01:16:42,200
Speaker 2: I like the fact that they were honest with their

1776
01:16:42,200 --> 01:16:45,519
Speaker 2: fan base. They told their side of the story. So

1777
01:16:46,160 --> 01:16:47,880
Speaker 2: I mean that's what hip hop is, That's what the

1778
01:16:47,960 --> 01:16:51,000
Speaker 2: art is is about telling your stories and and you know,

1779
01:16:51,040 --> 01:16:54,320
Speaker 2: painting the pictures for people to to listen to and

1780
01:16:54,360 --> 01:16:57,320
Speaker 2: to understand. I think they did a real good job

1781
01:16:57,360 --> 01:17:00,479
Speaker 2: executing that. The lyrics always going to be top tier.

1782
01:17:00,640 --> 01:17:04,280
Speaker 2: You're talking about Crooking Crook and Joelotz. That wasn't something

1783
01:17:04,320 --> 01:17:06,320
Speaker 2: that we were worried about as far as lyrics. I

1784
01:17:06,360 --> 01:17:09,160
Speaker 2: think we were molso how is it gonna sound sonically?

1785
01:17:09,960 --> 01:17:13,160
Speaker 2: The music, the hooks, things like that, And they did

1786
01:17:13,160 --> 01:17:15,720
Speaker 2: a good job with this project. I wasn't mad at

1787
01:17:15,720 --> 01:17:18,479
Speaker 2: this project at all. Real real good rapping, good hooks,

1788
01:17:18,479 --> 01:17:19,120
Speaker 2: good tracks.

1789
01:17:19,360 --> 01:17:19,880
Speaker 3: Uh.

1790
01:17:20,560 --> 01:17:21,759
Speaker 2: I know heat Makers did.

1791
01:17:21,640 --> 01:17:23,840
Speaker 3: A lot of this, Okay, I actually didn't look at you.

1792
01:17:23,880 --> 01:17:26,040
Speaker 2: I think he Makers did a lot of production on

1793
01:17:26,080 --> 01:17:29,560
Speaker 2: this joint which Joel has a history with him and

1794
01:17:29,800 --> 01:17:32,720
Speaker 2: his rescuece fred Fred Godson did some joints with the

1795
01:17:32,720 --> 01:17:36,080
Speaker 2: heat Makers. Uh yeah, man. And they were just honest

1796
01:17:36,120 --> 01:17:37,800
Speaker 2: man with their with their fans. A lot of things

1797
01:17:37,800 --> 01:17:41,000
Speaker 2: that they you know, they put out there was interesting

1798
01:17:41,000 --> 01:17:42,599
Speaker 2: to hear. I didn't know that a lot of those

1799
01:17:42,600 --> 01:17:45,679
Speaker 2: things were going on behind behind the scenes, behind closed doors.

1800
01:17:45,680 --> 01:17:48,559
Speaker 2: But you know, I mean, I think we got a

1801
01:17:48,600 --> 01:17:51,320
Speaker 2: lot of answers and let a lot of insight onto

1802
01:17:51,320 --> 01:17:52,559
Speaker 2: what the situation really was.

1803
01:17:53,680 --> 01:17:56,320
Speaker 3: Let me let me, let me post some questions. May

1804
01:17:56,400 --> 01:18:04,200
Speaker 3: not be my feelings. I do understand that everything got

1805
01:18:04,200 --> 01:18:07,960
Speaker 3: spicy during the rollout and the album was done. But

1806
01:18:08,080 --> 01:18:12,080
Speaker 3: I learned more about the situation, even as someone that

1807
01:18:12,160 --> 01:18:14,879
Speaker 3: at one point was I wouldn't say on the inside,

1808
01:18:14,880 --> 01:18:17,519
Speaker 3: that's still those four Gentlemen's group, I have nothing to

1809
01:18:17,560 --> 01:18:20,200
Speaker 3: do with it, but being I was, I was a

1810
01:18:20,200 --> 01:18:23,799
Speaker 3: friend of one of the members, so I obviously get information,

1811
01:18:24,280 --> 01:18:28,639
Speaker 3: obviously just his side. I learned more even from being

1812
01:18:28,680 --> 01:18:31,240
Speaker 3: on the inside from the rollout than I did on

1813
01:18:31,280 --> 01:18:35,320
Speaker 3: the album. And I'm typically one of the people that

1814
01:18:35,360 --> 01:18:38,439
Speaker 3: prefers people to make music about drama rather than ig

1815
01:18:38,640 --> 01:18:42,360
Speaker 3: live about drama. But with this being back to the

1816
01:18:42,360 --> 01:18:45,120
Speaker 3: cyber conversation, a concept album to some degree because it

1817
01:18:45,160 --> 01:18:51,639
Speaker 3: is about's going on, I didn't really get much about

1818
01:18:51,680 --> 01:18:57,200
Speaker 3: the rise and fall that wasn't already in those quick lives,

1819
01:18:57,200 --> 01:18:59,760
Speaker 3: Like I feel like that really could have been a

1820
01:18:59,760 --> 01:19:04,960
Speaker 3: conversation that maybe they just legitimately had in public before

1821
01:19:05,000 --> 01:19:07,760
Speaker 3: this album came out. I enjoy the music. I just

1822
01:19:07,760 --> 01:19:11,360
Speaker 3: don't know if it was needed, if the music this

1823
01:19:11,400 --> 01:19:13,880
Speaker 3: is all in retrospect in hindsight's twenty twenty. I'm I'm

1824
01:19:13,920 --> 01:19:16,599
Speaker 3: not in Jewel or Crook's position and would never talk

1825
01:19:16,800 --> 01:19:19,439
Speaker 3: like that. I know they were how they felt about

1826
01:19:19,439 --> 01:19:21,320
Speaker 3: it and was like, nah do I'm gonna rap? I

1827
01:19:21,320 --> 01:19:22,960
Speaker 3: care about the fans. I'm gonna tell my side.

1828
01:19:23,000 --> 01:19:23,320
Speaker 2: Fuck that.

1829
01:19:25,680 --> 01:19:27,559
Speaker 3: Hindsight is always twenty twenty. It just feels like the

1830
01:19:27,560 --> 01:19:31,120
Speaker 3: information that was put in here, had they not had

1831
01:19:31,160 --> 01:19:34,840
Speaker 3: the spicy crazy rollout, shit, did the fans get much

1832
01:19:34,840 --> 01:19:37,960
Speaker 3: out of this as far as information of why the

1833
01:19:37,960 --> 01:19:40,160
Speaker 3: group isn't the group outside of Crook had a deal

1834
01:19:40,160 --> 01:19:44,559
Speaker 3: on the table and Joe wouldn't call him. That's all

1835
01:19:44,560 --> 01:19:47,160
Speaker 3: I'm saying. As far as the content from the album,

1836
01:19:47,280 --> 01:19:49,600
Speaker 3: let's get the spicy rollout out of here. Did we

1837
01:19:49,680 --> 01:19:53,160
Speaker 3: learn anything about the rise in won? Yes, I don't

1838
01:19:53,160 --> 01:19:57,759
Speaker 3: think we did. I love I love what they were saying.

1839
01:19:58,160 --> 01:20:00,280
Speaker 3: I can relate to it, even outside of ours situation

1840
01:20:00,360 --> 01:20:02,080
Speaker 3: with that. I can just relate to that type of

1841
01:20:02,120 --> 01:20:04,880
Speaker 3: shit they talking. But I don't know if I learned

1842
01:20:04,880 --> 01:20:06,280
Speaker 3: about the Rise in Falls slaughter House.

1843
01:20:06,760 --> 01:20:09,559
Speaker 2: I mean, I think we learned from from the album.

1844
01:20:09,640 --> 01:20:11,120
Speaker 2: We learned some of it. I don't think it was

1845
01:20:11,320 --> 01:20:14,120
Speaker 2: as complex as maybe we thought as fans and as

1846
01:20:14,200 --> 01:20:16,559
Speaker 2: listeners and supporters of the group. I don't think it

1847
01:20:16,600 --> 01:20:19,320
Speaker 2: was as complex as we thought it was. So maybe

1848
01:20:19,360 --> 01:20:21,000
Speaker 2: that's where it falls short as far as you're saying

1849
01:20:21,160 --> 01:20:24,040
Speaker 2: we didn't really learn, Like they basically said what it was.

1850
01:20:24,040 --> 01:20:25,720
Speaker 2: It was like we were trying to do something. One

1851
01:20:25,880 --> 01:20:28,320
Speaker 2: one member was saying they was retired, the other one

1852
01:20:28,400 --> 01:20:30,240
Speaker 2: was saying, when when I'm not doing them with just

1853
01:20:30,280 --> 01:20:34,080
Speaker 2: three of us. I think that's basically it. It was

1854
01:20:34,120 --> 01:20:37,479
Speaker 2: just like that. It wasn't no real salacious, deep, like

1855
01:20:37,640 --> 01:20:41,080
Speaker 2: long drawn out issue. It was like, okay, but here.

1856
01:20:41,360 --> 01:20:43,479
Speaker 3: And I guess my point is with that, and maybe

1857
01:20:43,479 --> 01:20:46,479
Speaker 3: that could just be how we're conditioned with fucking media

1858
01:20:46,479 --> 01:20:50,519
Speaker 3: and everything being salacious and clickbaity m When I see

1859
01:20:50,560 --> 01:20:52,320
Speaker 3: the Rise in Falls slaughter House, I think it's about

1860
01:20:52,320 --> 01:20:53,880
Speaker 3: to tell me the Rise in fALS slaughter House. Now

1861
01:20:54,000 --> 01:20:57,000
Speaker 3: they put out this album with a different title and

1862
01:20:57,040 --> 01:21:00,439
Speaker 3: said this exact same thing. Would have equally loved it

1863
01:21:01,640 --> 01:21:04,400
Speaker 3: and just thought they're just telling me what's going on?

1864
01:21:04,520 --> 01:21:06,160
Speaker 3: What's going on? Like, if you're going to tell the

1865
01:21:06,200 --> 01:21:08,800
Speaker 3: Rise of fALS Slaughterhouse, let's do the rise in fALS Slaughterhouse.

1866
01:21:09,000 --> 01:21:09,599
Speaker 3: Let's not happen?

1867
01:21:09,640 --> 01:21:10,000
Speaker 2: Wanted to do?

1868
01:21:10,080 --> 01:21:12,679
Speaker 3: To be more, this could have been called it another

1869
01:21:13,439 --> 01:21:15,840
Speaker 3: album with the exact same content. Still would have loved it,

1870
01:21:15,920 --> 01:21:16,840
Speaker 3: still would have championed it.

1871
01:21:17,400 --> 01:21:19,280
Speaker 2: Called it that pig is cooked. You would have been

1872
01:21:20,360 --> 01:21:23,360
Speaker 2: you would have put it, put an apple on that mouth, yeah, whatever.

1873
01:21:23,400 --> 01:21:24,960
Speaker 2: You would have been like, all right, cool. But when

1874
01:21:25,000 --> 01:21:28,240
Speaker 2: you name it Rise and Fall, you're thinking, like, holy ship, No,

1875
01:21:28,479 --> 01:21:30,160
Speaker 2: I want to hear about how this thing started and

1876
01:21:30,200 --> 01:21:31,120
Speaker 2: how it ended.

1877
01:21:31,720 --> 01:21:32,680
Speaker 3: Every detail you can think.

1878
01:21:32,720 --> 01:21:34,400
Speaker 2: And they gave us that. Joel gave us the bars

1879
01:21:34,400 --> 01:21:36,040
Speaker 2: of how it started when he was on the song

1880
01:21:36,120 --> 01:21:37,559
Speaker 2: and then he said something he gave us.

1881
01:21:37,600 --> 01:21:39,639
Speaker 3: I loved. I loved that Joel was talking to Ship

1882
01:21:39,720 --> 01:21:41,439
Speaker 3: on that like fam I was, I was popping. I didn't,

1883
01:21:41,760 --> 01:21:42,479
Speaker 3: I was in rotation.

1884
01:21:43,400 --> 01:21:45,080
Speaker 2: So we got some of it. I don't just I

1885
01:21:45,120 --> 01:21:48,160
Speaker 2: just think it wasn't as juicy of a story as

1886
01:21:48,160 --> 01:21:50,599
Speaker 2: you were hoping it to be. That's what I think

1887
01:21:50,600 --> 01:21:52,719
Speaker 2: it was. But we I think, but god no, But.

1888
01:21:52,680 --> 01:21:55,479
Speaker 3: If you look at the juiciness of the rollout with

1889
01:21:55,600 --> 01:21:58,840
Speaker 3: all of them going back and forth. We know there's details.

1890
01:21:59,280 --> 01:22:01,719
Speaker 2: That's just because that's a lot of emotion and shocking

1891
01:22:01,800 --> 01:22:03,479
Speaker 2: forth that type of shit. I don't think when they

1892
01:22:03,520 --> 01:22:07,000
Speaker 2: recorded these songs, I don't think it was that much

1893
01:22:07,000 --> 01:22:10,400
Speaker 2: emotion and that much like I think Joel said he didn't.

1894
01:22:10,479 --> 01:22:12,120
Speaker 2: He didn't think that they would receive it like that

1895
01:22:12,240 --> 01:22:14,520
Speaker 2: and have this type of negative energy.

1896
01:22:14,240 --> 01:22:16,200
Speaker 3: Towards it either way.

1897
01:22:16,600 --> 01:22:18,760
Speaker 2: You know, I mean, it's it's a personal situation to

1898
01:22:19,080 --> 01:22:21,960
Speaker 2: those gentlemen for sure, and you know it is what

1899
01:22:22,040 --> 01:22:25,280
Speaker 2: it is. I think that you know, this chapter seemingly

1900
01:22:25,400 --> 01:22:27,240
Speaker 2: is over with. They close it doing that, and everyone's

1901
01:22:27,240 --> 01:22:31,720
Speaker 2: moving forward in their lives doing what they do. And listen, man,

1902
01:22:31,800 --> 01:22:35,080
Speaker 2: keep doing what y'all do, respectively, rapping and give the

1903
01:22:35,080 --> 01:22:35,880
Speaker 2: people good music.

1904
01:22:38,560 --> 01:22:45,240
Speaker 3: Royce was on our former podcast, Yeah, and he said

1905
01:22:45,280 --> 01:22:49,360
Speaker 3: he said something that that threw me off. He was

1906
01:22:49,360 --> 01:22:51,800
Speaker 3: talking about Joelle and Crook, and I understood that didn't

1907
01:22:51,800 --> 01:22:55,040
Speaker 3: throw me off, but he said, keep all that negative

1908
01:22:55,360 --> 01:22:59,720
Speaker 3: Joel crooked more energy away from me. That threw me

1909
01:22:59,760 --> 01:23:01,240
Speaker 3: the off. I was like, wait, what am I do?

1910
01:23:06,040 --> 01:23:10,439
Speaker 2: You know? And you know, people send me the clip.

1911
01:23:11,320 --> 01:23:16,120
Speaker 2: Uh when it happened, when it came out, and people

1912
01:23:16,160 --> 01:23:18,000
Speaker 2: had the same questions for me, like, you know, they

1913
01:23:18,040 --> 01:23:19,839
Speaker 2: missed what I said, and I was like, I was confused.

1914
01:23:19,840 --> 01:23:24,680
Speaker 2: I didn't know what happened. But I thought long and

1915
01:23:24,720 --> 01:23:26,680
Speaker 2: hard about it. You know, I listened to it, and

1916
01:23:28,040 --> 01:23:31,240
Speaker 2: you know, I decided I don't. I don't want to

1917
01:23:31,240 --> 01:23:33,360
Speaker 2: address it publicly.

1918
01:23:33,760 --> 01:23:37,479
Speaker 3: Okay, because I feel like.

1919
01:23:39,080 --> 01:23:42,439
Speaker 2: If those were the emotions behind something I said, uh,

1920
01:23:42,520 --> 01:23:48,160
Speaker 2: it's a it's a personal relationship there, and I think,

1921
01:23:48,240 --> 01:23:52,040
Speaker 2: I think, well, I hope that Royce knows that I

1922
01:23:52,080 --> 01:23:54,640
Speaker 2: have nothing but love and respect for him, that I

1923
01:23:54,640 --> 01:23:57,080
Speaker 2: have nothing but love and respect for Joelle. I have

1924
01:23:57,120 --> 01:24:00,320
Speaker 2: nothing but love and respect for Crook. So so I

1925
01:24:00,360 --> 01:24:04,519
Speaker 2: would never like, I don't. My thing is to never

1926
01:24:04,560 --> 01:24:09,400
Speaker 2: sit on my platform and talk negative negatively about people,

1927
01:24:09,960 --> 01:24:11,760
Speaker 2: whether I know you're not, especially if I know you

1928
01:24:11,840 --> 01:24:13,720
Speaker 2: and not have a personal relationship. I'm not sitting on

1929
01:24:13,760 --> 01:24:19,040
Speaker 2: here talking negative negatively about you. So I won't address

1930
01:24:19,080 --> 01:24:20,759
Speaker 2: it because I don't want to get into it because

1931
01:24:20,800 --> 01:24:24,679
Speaker 2: I I feel like that's a personal conversation that hopefully

1932
01:24:24,760 --> 01:24:28,719
Speaker 2: voice and the eye one day have. Yeah. But away

1933
01:24:28,720 --> 01:24:34,240
Speaker 2: from that, I don't. Music comes out. You put music out,

1934
01:24:34,520 --> 01:24:37,160
Speaker 2: things happen. You know, I may not like a record,

1935
01:24:37,160 --> 01:24:38,680
Speaker 2: I may not like a song. That doesn't mean I

1936
01:24:38,680 --> 01:24:40,160
Speaker 2: don't like the artist. That doesn't mean I have a

1937
01:24:40,479 --> 01:24:42,280
Speaker 2: I feel some type way toward the artists or whatever.

1938
01:24:43,640 --> 01:24:45,360
Speaker 2: I just think it's a it's a thing right now

1939
01:24:45,400 --> 01:24:51,000
Speaker 2: where you know, I don't know where emotions are or

1940
01:24:51,040 --> 01:24:55,040
Speaker 2: where true feelings are when it comes to me and

1941
01:24:55,080 --> 01:24:59,840
Speaker 2: certain individuals because of whatever reason, maybe certain people don't

1942
01:24:59,880 --> 01:25:03,120
Speaker 2: like certain things I say on my platform. Maybe people

1943
01:25:03,120 --> 01:25:06,720
Speaker 2: don't like certain decisions that I've made, or you know,

1944
01:25:06,760 --> 01:25:09,479
Speaker 2: certain energy that I have towards other people, Like I

1945
01:25:09,479 --> 01:25:12,479
Speaker 2: don't ever want the lines to get crossed. I think

1946
01:25:12,479 --> 01:25:14,880
Speaker 2: that you know, I'm very clear and things I say,

1947
01:25:15,960 --> 01:25:19,880
Speaker 2: my intentions are negative, never negative. Like I said, people

1948
01:25:19,960 --> 01:25:21,720
Speaker 2: that I don't fuck with, No, I don't fuck with them.

1949
01:25:22,800 --> 01:25:24,559
Speaker 2: That's what I'm saying. That they don't. They don't have to.

1950
01:25:24,800 --> 01:25:27,679
Speaker 2: That doesn't have to be questioned. If if Maul doesn't

1951
01:25:27,680 --> 01:25:29,040
Speaker 2: fuck with you, you know, I don't fuck with you.

1952
01:25:29,080 --> 01:25:31,160
Speaker 2: If I have some feelings towards you, I'm not you

1953
01:25:31,280 --> 01:25:35,640
Speaker 2: know that I'm not fake, I'm not phony. And it

1954
01:25:35,680 --> 01:25:38,080
Speaker 2: was it was just shocking to hear that type of

1955
01:25:38,200 --> 01:25:40,160
Speaker 2: energy directing towards me, because I'm like, damn, I didn't

1956
01:25:40,160 --> 01:25:41,720
Speaker 2: even say nothing, you know what I mean. All I

1957
01:25:41,800 --> 01:25:45,080
Speaker 2: said was I don't think that they're wrong for moving on.

1958
01:25:45,160 --> 01:25:46,439
Speaker 2: But I would have said the same thing had it

1959
01:25:46,560 --> 01:25:48,360
Speaker 2: been the other way, I would have said the same

1960
01:25:48,400 --> 01:25:53,400
Speaker 2: exact thing, like I support those guys in music and

1961
01:25:53,479 --> 01:25:55,320
Speaker 2: whatever they decide to do, you know what I'm saying, Like,

1962
01:25:56,080 --> 01:26:00,400
Speaker 2: people obviously know my feelings towards you know, one of

1963
01:26:00,400 --> 01:26:04,920
Speaker 2: the gentlemen now, but that doesn't mean that I have

1964
01:26:05,040 --> 01:26:07,400
Speaker 2: any energy towards the rest of those guys, you know

1965
01:26:07,439 --> 01:26:08,920
Speaker 2: what I'm saying. So that's why I was. I was

1966
01:26:08,920 --> 01:26:09,840
Speaker 2: really confused by that.

1967
01:26:09,920 --> 01:26:13,280
Speaker 3: But we just were with Royce and yeah.

1968
01:26:13,200 --> 01:26:15,320
Speaker 2: Like so you know again, man, I you know, I

1969
01:26:15,439 --> 01:26:18,400
Speaker 2: understand emotions of high right now, and you know, but

1970
01:26:19,400 --> 01:26:24,320
Speaker 2: it's it's it's it's it's respect for Royce for me always,

1971
01:26:24,400 --> 01:26:27,040
Speaker 2: and you know, it's love for Royce for me always.

1972
01:26:27,040 --> 01:26:30,360
Speaker 2: So you know, we'll talk. We'll talk one day about it,

1973
01:26:30,640 --> 01:26:32,520
Speaker 2: you guys do Oh yeah, no, absolutely.

1974
01:26:32,400 --> 01:26:33,640
Speaker 3: Because that's weird to me.

1975
01:26:34,000 --> 01:26:37,120
Speaker 2: But I know what's and in the moment, I understand

1976
01:26:37,120 --> 01:26:38,120
Speaker 2: what's going on. Right now.

1977
01:26:38,200 --> 01:26:42,200
Speaker 3: And even with Royce, I don't know, he didn't really

1978
01:26:42,280 --> 01:26:44,880
Speaker 3: get into why it is with you. If he explained it,

1979
01:26:44,920 --> 01:26:46,720
Speaker 3: maybe I understand it, that's why, but that's why he

1980
01:26:46,760 --> 01:26:48,680
Speaker 3: said it, And then there was no context to us.

1981
01:26:48,680 --> 01:26:50,200
Speaker 3: I was like, wait, what.

1982
01:26:49,880 --> 01:26:52,760
Speaker 5: What I'd assume is the clip that went up from

1983
01:26:52,760 --> 01:26:56,960
Speaker 5: our episode. But I don't people take things the wrong.

1984
01:26:57,240 --> 01:27:01,600
Speaker 3: And listen if Royce explained it, I'm sure if you

1985
01:27:01,600 --> 01:27:03,639
Speaker 3: guys really talked about it, like oh, okay, that's how

1986
01:27:03,640 --> 01:27:04,280
Speaker 3: you took it? My bad?

1987
01:27:04,560 --> 01:27:07,040
Speaker 2: Yeah, man, it's just you know, I understand like that.

1988
01:27:07,040 --> 01:27:08,760
Speaker 3: That was just like, wait, what why is ball in

1989
01:27:08,800 --> 01:27:09,360
Speaker 3: this mixed with this?

1990
01:27:10,120 --> 01:27:12,400
Speaker 2: You know, it's a I don't know, man, I I

1991
01:27:12,400 --> 01:27:14,519
Speaker 2: don't know. It's it's it's just I don't know, man,

1992
01:27:14,560 --> 01:27:19,840
Speaker 2: you know, it's it's just I know emotions are high

1993
01:27:19,920 --> 01:27:22,400
Speaker 2: right now with that whole situation, and you know my

1994
01:27:22,520 --> 01:27:24,240
Speaker 2: but like I said, my stance is very clear. Had

1995
01:27:24,280 --> 01:27:26,680
Speaker 2: it been the other way, it would be nothing but

1996
01:27:26,800 --> 01:27:30,880
Speaker 2: support for me. Had you know, I support Crook and Joel.

1997
01:27:31,840 --> 01:27:33,360
Speaker 2: You know, me and Joel used to spend a lot

1998
01:27:33,400 --> 01:27:36,280
Speaker 2: of time together, like we go play ball on on

1999
01:27:36,360 --> 01:27:39,040
Speaker 2: the weekends together and ship like that and you know, like,

2000
01:27:39,200 --> 01:27:41,680
Speaker 2: so it's it's it's it's personal relationship still with all.

2001
01:27:41,720 --> 01:27:43,320
Speaker 2: You know, Royce opened up his home to me. I've

2002
01:27:43,320 --> 01:27:46,280
Speaker 2: been in his home and around his family and studio

2003
01:27:46,400 --> 01:27:49,479
Speaker 2: and yeah, you know, shit like that. So it's it's nothing.

2004
01:27:49,520 --> 01:27:51,920
Speaker 2: But you know, I don't hit cook up as much

2005
01:27:51,920 --> 01:27:53,600
Speaker 2: as I should when I go to LA, But I

2006
01:27:53,640 --> 01:27:55,880
Speaker 2: just always assume Crook is just you know, on a

2007
01:27:55,920 --> 01:27:58,160
Speaker 2: whole nother Yeah, you know what I'm saying. So, but

2008
01:27:58,680 --> 01:28:02,000
Speaker 2: it's a we spent a lot of years around each

2009
01:28:02,000 --> 01:28:04,040
Speaker 2: other man, you know what I'm saying, and that can't

2010
01:28:04,080 --> 01:28:06,080
Speaker 2: be regardless of how it fell out and how it

2011
01:28:06,720 --> 01:28:09,760
Speaker 2: you know, how it turned out, that has nothing to

2012
01:28:09,760 --> 01:28:11,519
Speaker 2: do with those other gentlemen, you know what I'm saying.

2013
01:28:11,560 --> 01:28:14,679
Speaker 2: And I don't want that to come across as the narrative.

2014
01:28:14,800 --> 01:28:18,479
Speaker 2: Like I don't have any negative energy towards any of

2015
01:28:18,520 --> 01:28:21,760
Speaker 2: those gentlemen, you know what I'm saying, Like even Homie,

2016
01:28:21,800 --> 01:28:23,680
Speaker 2: I don't wish nothing bad on him. I don't have

2017
01:28:23,760 --> 01:28:26,200
Speaker 2: no He did what he did, he said things he said,

2018
01:28:26,240 --> 01:28:28,120
Speaker 2: and that's cool. You know, life goes on, we all

2019
01:28:28,160 --> 01:28:30,599
Speaker 2: move on, we all growm in But you know, I

2020
01:28:30,640 --> 01:28:33,320
Speaker 2: just understand the emotions of high right now, and it's

2021
01:28:33,320 --> 01:28:36,519
Speaker 2: probably not the best time to talk about it because

2022
01:28:36,560 --> 01:28:40,640
Speaker 2: you probably won't get a clear level of thinking and

2023
01:28:40,760 --> 01:28:43,040
Speaker 2: some things might be said, you know, because it's just

2024
01:28:43,040 --> 01:28:46,360
Speaker 2: like I said, the moment is very emotional and I

2025
01:28:46,439 --> 01:28:50,519
Speaker 2: know how personal this is for Royce and those other gentlemen.

2026
01:28:50,640 --> 01:28:56,080
Speaker 2: So again, I'm just talking about the music and showing

2027
01:28:56,080 --> 01:28:59,200
Speaker 2: my support for guys that I have years of knowing

2028
01:28:59,240 --> 01:29:01,040
Speaker 2: and years of being a round two and who I

2029
01:29:01,040 --> 01:29:03,519
Speaker 2: think are super talented. I just think that, you know,

2030
01:29:03,960 --> 01:29:07,080
Speaker 2: other things got in the way of what the ultimate

2031
01:29:07,120 --> 01:29:08,880
Speaker 2: goal was and it's you know, it's fucked up, but

2032
01:29:08,920 --> 01:29:12,280
Speaker 2: it happens. But to what you're talking about, yeah, I don't.

2033
01:29:12,280 --> 01:29:12,680
Speaker 2: I don't know.

2034
01:29:12,720 --> 01:29:13,080
Speaker 3: I didn't.

2035
01:29:13,080 --> 01:29:18,200
Speaker 2: I didn't mean any any negative energy, you know, I didn't.

2036
01:29:18,280 --> 01:29:19,960
Speaker 2: I was just giving my opinion. I don't think that

2037
01:29:20,000 --> 01:29:22,439
Speaker 2: these gentlemen are wrong for trying to move on after

2038
01:29:22,479 --> 01:29:26,680
Speaker 2: they've tried years of trying to mend something and make

2039
01:29:26,720 --> 01:29:30,160
Speaker 2: something work. I didn't think they were wrong for that.

2040
01:29:30,200 --> 01:29:33,200
Speaker 2: I still don't think they're wrong for that. And again,

2041
01:29:33,280 --> 01:29:33,519
Speaker 2: you know.

2042
01:29:33,520 --> 01:29:34,120
Speaker 3: It is what it is.

2043
01:29:34,160 --> 01:29:36,320
Speaker 2: But we'll talk about we'll get more into that on

2044
01:29:36,360 --> 01:29:38,400
Speaker 2: a personal level, me and him one day we're talking,

2045
01:29:38,960 --> 01:29:40,160
Speaker 2: you know, But I just want to put that out

2046
01:29:40,160 --> 01:29:42,920
Speaker 2: there for the public. I don't have any negative energy

2047
01:29:42,920 --> 01:29:47,080
Speaker 2: towards nobody, especially not motherfuckers that I've been around and

2048
01:29:47,120 --> 01:29:49,160
Speaker 2: spent years with and have opened their homes to me

2049
01:29:49,200 --> 01:29:52,439
Speaker 2: and been nothing but hospitable towards me and things like that,

2050
01:29:52,560 --> 01:29:55,439
Speaker 2: like it's nothing but love for me, nothing but respect

2051
01:29:55,520 --> 01:29:58,680
Speaker 2: for me. But yeah, it is what it is.

2052
01:29:58,680 --> 01:30:02,760
Speaker 3: Man, I'm with you. Yeah, I just saw that. And yeah,

2053
01:30:03,520 --> 01:30:05,559
Speaker 3: I know I'm even more on the outside in that

2054
01:30:05,640 --> 01:30:09,599
Speaker 3: regard with how long you've known the other three at

2055
01:30:10,320 --> 01:30:13,480
Speaker 3: two Yeah, so yeah, so you know, reorganized only relationships,

2056
01:30:13,520 --> 01:30:14,479
Speaker 3: me walking off drink champs.

2057
01:30:16,240 --> 01:30:18,080
Speaker 2: Yeah, and that's another thing, like I didn't want to.

2058
01:30:18,000 --> 01:30:21,840
Speaker 3: Crook was a super gentleman, super good dude that day, like.

2059
01:30:22,320 --> 01:30:26,160
Speaker 2: And and and to get into you know, some of

2060
01:30:26,200 --> 01:30:28,519
Speaker 2: the personal ship Roy, you and I talked about, you know,

2061
01:30:28,600 --> 01:30:31,240
Speaker 2: we were we you was going back and for me

2062
01:30:31,280 --> 01:30:34,280
Speaker 2: about sitting down with Joel and Crook that is because

2063
01:30:34,320 --> 01:30:36,120
Speaker 2: of how it would come across and how it.

2064
01:30:36,120 --> 01:30:36,720
Speaker 3: Would look next.

2065
01:30:38,000 --> 01:30:40,720
Speaker 2: But these are the things that people don't know and

2066
01:30:40,760 --> 01:30:42,559
Speaker 2: that you know, we don't cause I don't talk about it.

2067
01:30:42,600 --> 01:30:47,320
Speaker 2: But it's like that's me showing respect for the situations. Yeah.

2068
01:30:47,800 --> 01:30:50,080
Speaker 2: I spoke to Joel and I was like, Yo, you know,

2069
01:30:50,360 --> 01:30:52,000
Speaker 2: I want to I want us to sit down and

2070
01:30:52,040 --> 01:30:54,200
Speaker 2: we still may because it's not a negative thing, Like

2071
01:30:54,240 --> 01:30:56,640
Speaker 2: it has nothing to do with shipping on nobody, you

2072
01:30:56,680 --> 01:30:59,320
Speaker 2: know what I'm saying. But it's just like we know

2073
01:30:59,360 --> 01:31:01,719
Speaker 2: how it could look and how it would come across.

2074
01:31:01,760 --> 01:31:04,000
Speaker 2: And it was kind of like I would have I

2075
01:31:04,000 --> 01:31:04,840
Speaker 2: don't know, I.

2076
01:31:04,760 --> 01:31:08,280
Speaker 3: Would love to talk to Joelle and Krook or both

2077
01:31:08,320 --> 01:31:12,040
Speaker 3: together any other time. Yeah, because just during the moment

2078
01:31:12,160 --> 01:31:14,479
Speaker 3: respect for them the talent, I would love to have

2079
01:31:14,680 --> 01:31:15,000
Speaker 3: to talk.

2080
01:31:15,120 --> 01:31:18,000
Speaker 2: It would just come across a little it would come

2081
01:31:18,000 --> 01:31:21,479
Speaker 2: across a little nasty. But again, these are the things

2082
01:31:21,520 --> 01:31:25,360
Speaker 2: that you know, we don't get. I don't I'm not

2083
01:31:25,360 --> 01:31:27,160
Speaker 2: looking for credit, so that's not the word I'm looking for.

2084
01:31:27,520 --> 01:31:29,920
Speaker 2: But these are the things that people don't say. Oh,

2085
01:31:30,000 --> 01:31:34,080
Speaker 2: but it can't be a negative thing because they were

2086
01:31:34,560 --> 01:31:37,000
Speaker 2: apprehensive about even sitting down talking about it because they

2087
01:31:37,000 --> 01:31:39,960
Speaker 2: didn't want it to come across in a negative light. Yeah,

2088
01:31:40,280 --> 01:31:42,120
Speaker 2: because it was personal for me, Like I know these

2089
01:31:42,120 --> 01:31:44,040
Speaker 2: gentlemen on a personal level, and I just know a

2090
01:31:44,040 --> 01:31:46,120
Speaker 2: lot of things that went on and things that are

2091
01:31:46,160 --> 01:31:47,920
Speaker 2: said and now things that I'm seeing and things that

2092
01:31:47,960 --> 01:31:50,759
Speaker 2: are being said towards each other. It's just a very emotional,

2093
01:31:50,920 --> 01:31:55,479
Speaker 2: very nasty, very uh you know, just unfortunate energy right

2094
01:31:55,520 --> 01:31:58,479
Speaker 2: now around that whole situation. So we we stepped back

2095
01:31:58,520 --> 01:32:01,360
Speaker 2: and was like, we want to but not right now,

2096
01:32:01,880 --> 01:32:04,080
Speaker 2: you know what I'm saying, because it just it would

2097
01:32:04,080 --> 01:32:06,240
Speaker 2: just come across nasty, you know what I mean. And

2098
01:32:06,240 --> 01:32:08,120
Speaker 2: I don't I don't ever want what we're doing to

2099
01:32:08,120 --> 01:32:10,120
Speaker 2: come across nasty. Like we're not here for that. We're

2100
01:32:10,120 --> 01:32:13,680
Speaker 2: not here for you know, numbers, and we're not here

2101
01:32:13,880 --> 01:32:16,519
Speaker 2: we're not chasing that. With Rory and ire doing, it's

2102
01:32:16,520 --> 01:32:19,080
Speaker 2: something totally different, you know what I mean, Like we're

2103
01:32:19,160 --> 01:32:21,880
Speaker 2: not on were not chasing no numbers, were not chasing

2104
01:32:21,880 --> 01:32:24,800
Speaker 2: no moments, We're not chasing Like, that's not what we're doing.

2105
01:32:24,840 --> 01:32:26,679
Speaker 2: And I'm definitely not gonna do that at the expense

2106
01:32:26,760 --> 01:32:30,400
Speaker 2: of gentlemen that I have a real personal history with

2107
01:32:31,120 --> 01:32:33,040
Speaker 2: and really fuck with. Like I'm not doing that at

2108
01:32:33,040 --> 01:32:35,639
Speaker 2: the expense of that, Yeah, you know what I mean.

2109
01:32:35,680 --> 01:32:37,600
Speaker 2: So it is what it is. But shout out to

2110
01:32:37,640 --> 01:32:40,320
Speaker 2: King Crooked. Shout out to Joel Ortiz. Rise and Fall

2111
01:32:40,360 --> 01:32:43,640
Speaker 2: of slaughter House on your DSPs right now. Stream that

2112
01:32:44,120 --> 01:32:48,000
Speaker 2: support Real MC's not the bars at.

2113
01:32:48,120 --> 01:32:50,599
Speaker 1: Jesus, you heard them right, not the bars.

2114
01:32:51,040 --> 01:32:52,000
Speaker 2: Tan to Talk four.

2115
01:32:52,200 --> 01:32:54,040
Speaker 1: How was that? I've been working? Actually it's pretty good.

2116
01:32:54,040 --> 01:32:56,760
Speaker 2: I've been working, but you're coming shout out to Shout

2117
01:32:56,760 --> 01:32:59,280
Speaker 2: out to Benny Man. He he listened. This is another

2118
01:32:59,439 --> 01:33:04,519
Speaker 2: installment the Tanner Talk series that I love. The drunk

2119
01:33:04,600 --> 01:33:07,600
Speaker 2: Tyson Ali with him and Conway.

2120
01:33:08,200 --> 01:33:10,120
Speaker 3: Where where well, before we can get into where we

2121
01:33:10,160 --> 01:33:13,320
Speaker 3: ranking the Tanna Talk series.

2122
01:33:13,520 --> 01:33:14,960
Speaker 2: Oh no, it's up there. I thought you was about

2123
01:33:15,000 --> 01:33:17,760
Speaker 2: this one. It's up there. Tanna Talk is up there.

2124
01:33:18,120 --> 01:33:19,640
Speaker 2: That's one of the that's one of the that's one

2125
01:33:19,680 --> 01:33:21,880
Speaker 2: of the tape series that it's like I.

2126
01:33:21,439 --> 01:33:24,000
Speaker 3: I had to go back because I Tanna Talk too.

2127
01:33:24,040 --> 01:33:26,240
Speaker 3: I think was the first one I heard. Mm hmm,

2128
01:33:26,680 --> 01:33:29,599
Speaker 3: yeah one. I had to go back to. H This

2129
01:33:29,640 --> 01:33:32,679
Speaker 3: is pretty fucking high in the mixtape series. World Talk

2130
01:33:32,800 --> 01:33:36,280
Speaker 3: is definitely existence. Yeah, No, Tanna Talk is definitely up there.

2131
01:33:36,320 --> 01:33:41,080
Speaker 3: When we start talking about the mixtape series, shout out

2132
01:33:41,080 --> 01:33:41,519
Speaker 3: to Bennie Man.

2133
01:33:41,560 --> 01:33:43,760
Speaker 2: I'm just so happy to see Benny. You know grow

2134
01:33:43,800 --> 01:33:48,320
Speaker 2: as an artist as a businessman. Uh, you know, just

2135
01:33:48,400 --> 01:33:51,160
Speaker 2: expand see the type of people that he's working with now,

2136
01:33:52,080 --> 01:33:54,000
Speaker 2: the type of people that you know support him and

2137
01:33:54,000 --> 01:33:57,120
Speaker 2: love him, type of artists that speak highly of him.

2138
01:33:57,160 --> 01:34:03,000
Speaker 2: It's just dope to see Tanna talk for Uh. Back

2139
01:34:03,240 --> 01:34:06,759
Speaker 2: back to two x Stove God. Listen, man, you niggas

2140
01:34:06,760 --> 01:34:09,519
Speaker 2: better start really like rapping for real because Stove Got

2141
01:34:09,600 --> 01:34:11,960
Speaker 2: is he this? I don't know if you're paying attention

2142
01:34:12,000 --> 01:34:12,639
Speaker 2: to Stove God.

2143
01:34:13,000 --> 01:34:14,760
Speaker 3: Kt is OK.

2144
01:34:15,160 --> 01:34:18,120
Speaker 2: Katie's a hip hop we know, but Stove God, I

2145
01:34:18,160 --> 01:34:18,439
Speaker 2: love that.

2146
01:34:18,760 --> 01:34:19,280
Speaker 3: Gave that look.

2147
01:34:19,479 --> 01:34:22,280
Speaker 2: Yeah, man, Stove God is on a whole like you know,

2148
01:34:22,400 --> 01:34:26,120
Speaker 2: he's he's so unique. Uh. And I've been saying he's

2149
01:34:26,160 --> 01:34:30,320
Speaker 2: one of my favorite rappers, but he just puts his

2150
01:34:30,360 --> 01:34:34,200
Speaker 2: foot every time he's on a feature and he I'm

2151
01:34:34,240 --> 01:34:37,519
Speaker 2: talking about he's the standout. Yeah, like you it's hard.

2152
01:34:37,600 --> 01:34:38,920
Speaker 2: You cannot ignore this kid.

2153
01:34:39,160 --> 01:34:41,559
Speaker 3: His tone, it's his tone, it's.

2154
01:34:41,360 --> 01:34:44,680
Speaker 2: His style where he puts the punch in the punchline

2155
01:34:44,720 --> 01:34:48,360
Speaker 2: at it's like it's it's very like unique and very different.

2156
01:34:48,439 --> 01:34:50,840
Speaker 2: And I just love to hear. I'm excited to see

2157
01:34:51,240 --> 01:34:53,760
Speaker 2: his career take off. Stove God shout out the Stove God.

2158
01:34:53,960 --> 01:34:57,160
Speaker 2: I told I gotta get chapter thirty, especially.

2159
01:34:56,840 --> 01:34:58,960
Speaker 3: Because his feature was crazy on on that on Uncle

2160
01:34:58,960 --> 01:35:01,160
Speaker 3: Bunch would like to sit down with y'all.

2161
01:35:01,800 --> 01:35:07,639
Speaker 2: I show Stove at Conway's album listening. That's like calling

2162
01:35:07,760 --> 01:35:09,519
Speaker 2: Rory Rory Farrell. It's like, I don't want to say

2163
01:35:09,560 --> 01:35:10,160
Speaker 2: your last name.

2164
01:35:11,240 --> 01:35:13,800
Speaker 1: God is not his last name. Stove God is his state.

2165
01:35:13,920 --> 01:35:16,439
Speaker 2: Well, God will cooks his last I'm gonna called jay

2166
01:35:16,520 --> 01:35:17,000
Speaker 2: Z jay Z.

2167
01:35:17,000 --> 01:35:17,760
Speaker 1: I'm just call him Jay.

2168
01:35:18,800 --> 01:35:21,560
Speaker 2: Yeah, but so what would you like me to stoveto?

2169
01:35:22,240 --> 01:35:25,200
Speaker 2: That works, okay, so stove veto. He know, he know

2170
01:35:25,240 --> 01:35:28,360
Speaker 2: how listen we spoke to him, well, I spoke to

2171
01:35:28,439 --> 01:35:29,880
Speaker 2: my saw and my bumped in to him at Conway's

2172
01:35:29,920 --> 01:35:33,920
Speaker 2: album listening, and you know he's you know, he thanked

2173
01:35:33,920 --> 01:35:35,840
Speaker 2: me for just, you know, just always showing him love.

2174
01:35:35,880 --> 01:35:38,599
Speaker 2: And I told him, I said, listen, man it whenever

2175
01:35:38,640 --> 01:35:41,320
Speaker 2: you're ready, like so he know, he and we can

2176
01:35:41,320 --> 01:35:42,680
Speaker 2: come and sit now. I would actually like to go.

2177
01:35:43,160 --> 01:35:44,320
Speaker 2: I'm saying and kicking with him.

2178
01:35:44,520 --> 01:35:47,599
Speaker 3: Demeres getting on camera. We're going through Q with Stove

2179
01:35:47,600 --> 01:35:51,280
Speaker 3: God and Demeras. That's the peace to me. I don't

2180
01:35:51,280 --> 01:35:52,800
Speaker 3: want I don't want to bring stove got in here.

2181
01:35:53,280 --> 01:35:53,920
Speaker 3: Let's go off to Q.

2182
01:35:54,040 --> 01:35:57,400
Speaker 2: I should put the album out together, do Vito.

2183
01:36:00,520 --> 01:36:02,960
Speaker 1: But you guys spouted to know like money because that's

2184
01:36:02,960 --> 01:36:03,360
Speaker 1: where I was.

2185
01:36:03,439 --> 01:36:04,120
Speaker 3: That's where I was at.

2186
01:36:05,880 --> 01:36:10,120
Speaker 2: Tanna Talk for Tanner Talk for streaming. Now what else

2187
01:36:10,200 --> 01:36:10,639
Speaker 2: came out?

2188
01:36:10,760 --> 01:36:10,800
Speaker 1: No?

2189
01:36:10,960 --> 01:36:12,400
Speaker 3: Tanna Talk four is fire.

2190
01:36:12,560 --> 01:36:14,760
Speaker 2: My young boy, Chay Crew, I didn't even know he

2191
01:36:14,800 --> 01:36:18,760
Speaker 2: put out Paining Pack five, my homeboy, shout out the end.

2192
01:36:18,760 --> 01:36:20,799
Speaker 2: He told me he's like yo, Chay put out another project.

2193
01:36:20,840 --> 01:36:23,639
Speaker 2: When I was in l A. I downloaded it, pain

2194
01:36:23,760 --> 01:36:25,840
Speaker 2: Packed five. I'm listening to this ship since I was

2195
01:36:25,880 --> 01:36:27,760
Speaker 2: in l A. Shout out to Chay Crew. If you

2196
01:36:27,800 --> 01:36:31,080
Speaker 2: haven't heard pain Pack five, go stream that. Chay Crew.

2197
01:36:31,160 --> 01:36:33,040
Speaker 2: I'm happy to hear you. Still doing music, still doing

2198
01:36:33,080 --> 01:36:35,559
Speaker 2: your thing. Man. Uh.

2199
01:36:35,640 --> 01:36:39,120
Speaker 3: Joyce Rice to Death. She's put out a record with

2200
01:36:39,160 --> 01:36:41,200
Speaker 3: k Tranado. She's about to open up for Lucky on

2201
01:36:41,240 --> 01:36:43,720
Speaker 3: his tour. But she put out a record with k

2202
01:36:43,760 --> 01:36:47,000
Speaker 3: Tranato Iced Tea that I love. I will say though.

2203
01:36:47,720 --> 01:36:50,000
Speaker 2: Did we talk about Conway Ship since we since it came.

2204
01:36:49,880 --> 01:36:51,040
Speaker 3: Out, Yeah, we did.

2205
01:36:51,479 --> 01:36:54,880
Speaker 1: We talked about Joe Scott wash Conway, Yeah, smoked him.

2206
01:36:54,920 --> 01:36:57,320
Speaker 2: But we did that with Conway. We didn't put that out.

2207
01:36:57,479 --> 01:37:00,880
Speaker 2: Oh oh no, I'm I mean, I just sawt I'm

2208
01:37:00,920 --> 01:37:02,640
Speaker 2: just going down to the albums that I've been listening to,

2209
01:37:02,760 --> 01:37:05,519
Speaker 2: so I'm just like, but anyway, shout out to God, Conway, God,

2210
01:37:05,520 --> 01:37:10,240
Speaker 2: don't make mistakes on your DSPs. Now Wayne Wayne feature

2211
01:37:10,240 --> 01:37:12,040
Speaker 2: on that ship might be featured a year so far.

2212
01:37:12,400 --> 01:37:17,960
Speaker 2: He absolutely killed that Tiaras verse. But yeah, I don't

2213
01:37:17,960 --> 01:37:20,800
Speaker 2: know what else came up. I'm still I'm still listening

2214
01:37:20,840 --> 01:37:22,200
Speaker 2: to shout out to y'all.

2215
01:37:22,200 --> 01:37:23,520
Speaker 3: Remember chronicles.

2216
01:37:23,840 --> 01:37:24,439
Speaker 1: What you mean?

2217
01:37:24,479 --> 01:37:25,000
Speaker 5: What you mean?

2218
01:37:25,120 --> 01:37:25,200
Speaker 3: Ma?

2219
01:37:25,800 --> 01:37:28,400
Speaker 1: Oh you doing your thing? Ma asks showing out of

2220
01:37:28,439 --> 01:37:29,000
Speaker 1: the jeans?

2221
01:37:29,040 --> 01:37:31,439
Speaker 3: MA me what you thought he was talking to you?

2222
01:37:31,479 --> 01:37:34,240
Speaker 2: I call right now, calling for you. You look like

2223
01:37:34,240 --> 01:37:36,080
Speaker 2: you was going that memory lane because you gave me

2224
01:37:36,200 --> 01:37:39,160
Speaker 2: rapping hands with that, Like, I don't know why the mask,

2225
01:37:39,720 --> 01:37:41,519
Speaker 2: why you keep looking at me giving me rapping hands?

2226
01:37:41,800 --> 01:37:42,760
Speaker 3: She was a crypt then, that's what.

2227
01:37:44,320 --> 01:37:45,040
Speaker 2: Big baby.

2228
01:37:45,280 --> 01:37:46,479
Speaker 3: That song was out. She was a cryp.

2229
01:37:48,040 --> 01:37:49,479
Speaker 1: I was mad young when I think I was in

2230
01:37:49,520 --> 01:37:50,519
Speaker 1: high school when that song came.

2231
01:37:51,160 --> 01:37:52,960
Speaker 3: You've been cripping since you know, you've been banging. Yeah,

2232
01:37:52,960 --> 01:37:53,760
Speaker 3: you've been banging hard.

2233
01:37:56,080 --> 01:37:58,000
Speaker 2: I can't go to l right now.

2234
01:37:57,880 --> 01:37:59,680
Speaker 1: Right now, I can't go to l A with y'all

2235
01:37:59,720 --> 01:38:01,120
Speaker 1: because black one is outside.

2236
01:38:01,240 --> 01:38:02,640
Speaker 3: You gotta get down with you, gotta get in.

2237
01:38:02,960 --> 01:38:03,880
Speaker 1: West Hollywood asks me.

2238
01:38:03,880 --> 01:38:05,920
Speaker 2: If I want you know Big like, you gotta get

2239
01:38:05,920 --> 01:38:07,639
Speaker 2: down with wat you know Big? Next time you want

2240
01:38:07,640 --> 01:38:09,080
Speaker 2: to go to the hookah spot, get down with Big.

2241
01:38:08,960 --> 01:38:12,559
Speaker 3: Whack first, having a fight to get into the hookah You.

2242
01:38:12,520 --> 01:38:15,120
Speaker 2: Gotta you gotta get down with Big Whack before you

2243
01:38:15,120 --> 01:38:15,840
Speaker 2: go to the hookah spot.

2244
01:38:15,880 --> 01:38:18,280
Speaker 3: You know. When I was in l A, I know

2245
01:38:18,320 --> 01:38:20,320
Speaker 3: people have been harassing her for this album. I love

2246
01:38:20,320 --> 01:38:21,120
Speaker 3: that she's taking the time.

2247
01:38:22,000 --> 01:38:24,840
Speaker 2: Joyce that lex Ari Ari.

2248
01:38:24,920 --> 01:38:29,240
Speaker 5: Okay, you heard the Ari. Well, we were all in town.

2249
01:38:29,280 --> 01:38:30,760
Speaker 5: You went snuck and her the ARI album.

2250
01:38:30,800 --> 01:38:32,960
Speaker 3: What I an't sneak. I purposely went and didn't invite you, guys.

2251
01:38:33,880 --> 01:38:35,040
Speaker 2: I respect it like that.

2252
01:38:35,320 --> 01:38:38,040
Speaker 3: I wasn't I was sneaking. I went with the intention

2253
01:38:38,160 --> 01:38:40,639
Speaker 3: by myself to listen.

2254
01:38:40,439 --> 01:38:44,160
Speaker 2: To the album. Listen, I understand. I totally get it. Yeah, man,

2255
01:38:44,240 --> 01:38:45,040
Speaker 2: so Ari's coming.

2256
01:38:46,240 --> 01:38:48,599
Speaker 3: I I'm being honest, and I don't know when it's

2257
01:38:48,600 --> 01:38:50,360
Speaker 3: gonna happen. And I don't think she knows yet either,

2258
01:38:50,400 --> 01:38:54,120
Speaker 3: which is perfect. But I get why it's taking the time.

2259
01:38:54,160 --> 01:38:59,040
Speaker 3: It's it's taking take your time. That album is different,

2260
01:39:00,200 --> 01:39:01,120
Speaker 3: like different different.

2261
01:39:02,280 --> 01:39:05,479
Speaker 2: Well, Ari, she's she's not moving. She's moving on her

2262
01:39:05,479 --> 01:39:07,760
Speaker 2: own accord. She ain't moving with somebody Tolds in the movie.

2263
01:39:07,760 --> 01:39:09,320
Speaker 2: We know that about Ari, which I love.

2264
01:39:09,680 --> 01:39:13,160
Speaker 1: So listening twenty six baby as babies period.

2265
01:39:13,320 --> 01:39:13,960
Speaker 3: That's a birthday.

2266
01:39:14,040 --> 01:39:15,439
Speaker 1: Yeah, me and I already got the same birthday.

2267
01:39:15,920 --> 01:39:18,280
Speaker 3: Oh did did y'all share that info at the show? Now?

2268
01:39:19,479 --> 01:39:21,719
Speaker 2: Okaya birth Okay?

2269
01:39:21,840 --> 01:39:24,080
Speaker 1: So when we go to LA next week, it's up

2270
01:39:25,320 --> 01:39:27,840
Speaker 1: it's uh the marriage.

2271
01:39:27,640 --> 01:39:29,920
Speaker 3: Oh wait, well oh wow, we will be in there.

2272
01:39:30,240 --> 01:39:32,639
Speaker 5: No, my actual birthday, know, because Rory has a wedding

2273
01:39:32,680 --> 01:39:34,200
Speaker 5: to go to because he loves his family.

2274
01:39:34,240 --> 01:39:35,040
Speaker 1: Suddenly, but.

2275
01:39:37,479 --> 01:39:40,320
Speaker 3: Three days before is the picture I just posted on

2276
01:39:41,080 --> 01:39:45,080
Speaker 3: my ig story. That's the cousin that's getting married. Yeah,

2277
01:39:45,439 --> 01:39:47,040
Speaker 3: that's one of my favorite cousin.

2278
01:39:47,160 --> 01:39:48,000
Speaker 2: What's your cousin's name?

2279
01:39:48,240 --> 01:39:48,559
Speaker 1: Evan?

2280
01:39:48,960 --> 01:39:51,080
Speaker 2: Congrats to Evan on your marriage. Man, it's all over.

2281
01:39:51,120 --> 01:39:52,080
Speaker 2: It's all down here from.

2282
01:39:51,920 --> 01:39:54,639
Speaker 3: Here, I mean yeah, it's a celebration of your life

2283
01:39:55,000 --> 01:39:57,080
Speaker 3: ending his life. It's a funeral.

2284
01:39:57,280 --> 01:39:59,559
Speaker 2: It's fucking over his life. Is it's over? Evan?

2285
01:40:00,080 --> 01:40:02,960
Speaker 1: Throwing you have so much forward to like.

2286
01:40:02,880 --> 01:40:04,360
Speaker 2: What you are never going to be able to watch

2287
01:40:04,400 --> 01:40:05,320
Speaker 2: the game piece no more.

2288
01:40:06,280 --> 01:40:08,960
Speaker 3: Look at the innocence in his face. That's all gone now.

2289
01:40:09,080 --> 01:40:10,920
Speaker 3: Oh yeah, he looks so happy.

2290
01:40:11,920 --> 01:40:12,839
Speaker 2: He doesn't look anything.

2291
01:40:13,520 --> 01:40:14,679
Speaker 3: He has no idea what the world.

2292
01:40:14,560 --> 01:40:15,280
Speaker 2: Is walking over.

2293
01:40:15,680 --> 01:40:17,719
Speaker 1: Evan is fucking over, bro even do you have open

2294
01:40:17,720 --> 01:40:18,519
Speaker 1: bar at your wedding?

2295
01:40:19,280 --> 01:40:23,280
Speaker 2: Open bar asking, Yes, because Irish the barrels a wiel

2296
01:40:23,280 --> 01:40:26,920
Speaker 2: of barrels in the back. No, all right, that's the

2297
01:40:26,960 --> 01:40:27,519
Speaker 2: red wedding.

2298
01:40:27,760 --> 01:40:30,000
Speaker 3: Evan is half Irish and half Cuban.

2299
01:40:30,479 --> 01:40:34,839
Speaker 2: Oh Jesus, yeah, it's gonna be one of those weddings

2300
01:40:34,880 --> 01:40:36,640
Speaker 2: for sure, Irish Cuban.

2301
01:40:36,360 --> 01:40:39,920
Speaker 5: With the whole pay roasting on the spit next to

2302
01:40:39,960 --> 01:40:42,920
Speaker 5: the barrels of fucking pigging alcohol everywhere.

2303
01:40:42,960 --> 01:40:45,720
Speaker 3: And his his. I want to wear this correctly so

2304
01:40:45,720 --> 01:40:49,320
Speaker 3: it doesn't sound weird, because well, my cousin Ryan knows.

2305
01:40:49,320 --> 01:40:53,559
Speaker 3: What's my cousin Ryan is older brother is a gay

2306
01:40:53,560 --> 01:40:57,200
Speaker 3: event planner. The mixed that with an Irish family and

2307
01:40:57,240 --> 01:41:01,240
Speaker 3: a Cuban family and a gay event planners gonna be

2308
01:41:01,240 --> 01:41:02,800
Speaker 3: the greatest fucking wedding of all time.

2309
01:41:03,000 --> 01:41:05,879
Speaker 2: Somebody coming out some smoke. It's gonna be smoking light everywhere.

2310
01:41:06,400 --> 01:41:08,200
Speaker 3: That's gonna be the greatest wedding ever.

2311
01:41:08,240 --> 01:41:09,160
Speaker 1: Oh yeah, that's gonna be great.

2312
01:41:09,160 --> 01:41:09,840
Speaker 3: That's why I'm flying.

2313
01:41:09,840 --> 01:41:10,800
Speaker 2: That know how to present.

2314
01:41:10,840 --> 01:41:13,679
Speaker 3: They will put together the great put on the show.

2315
01:41:13,800 --> 01:41:17,080
Speaker 2: They put on the show for sure. Any more new music,

2316
01:41:17,120 --> 01:41:17,479
Speaker 2: that's it.

2317
01:41:17,960 --> 01:41:18,160
Speaker 5: Nah.

2318
01:41:18,160 --> 01:41:20,640
Speaker 1: But y'all wish us good luck on our amb nomination.

2319
01:41:21,200 --> 01:41:23,160
Speaker 2: We are nominated for an AMBI.

2320
01:41:23,160 --> 01:41:26,320
Speaker 5: Best Entertainment Podcast. This is not a music podcast. Or

2321
01:41:26,320 --> 01:41:27,719
Speaker 5: stop expecting us to talk about.

2322
01:41:27,600 --> 01:41:30,599
Speaker 2: Best Entertainment podcast again. We want to thank the AMBIS

2323
01:41:30,600 --> 01:41:33,920
Speaker 2: for nominating us. Thank the entire team. Y'all know who

2324
01:41:33,960 --> 01:41:35,360
Speaker 2: y'all are. Too many of y'all to name.

2325
01:41:35,560 --> 01:41:37,000
Speaker 3: Oh, I thought you meant the AMBIS team. I was like,

2326
01:41:37,040 --> 01:41:38,120
Speaker 3: you don't even know the nb S team.

2327
01:41:38,120 --> 01:41:40,799
Speaker 1: I don't know too many named Jasmine.

2328
01:41:40,880 --> 01:41:42,639
Speaker 2: No, our team, our team.

2329
01:41:42,760 --> 01:41:44,360
Speaker 1: It is not that many of us name me.

2330
01:41:44,680 --> 01:41:47,559
Speaker 2: It is it is we have a team. See that.

2331
01:41:49,320 --> 01:41:53,960
Speaker 2: This is how that energy was crazy. Oh you set

2332
01:41:53,960 --> 01:41:55,400
Speaker 2: the screen and push the nigga into me when I'm

2333
01:41:55,400 --> 01:41:56,400
Speaker 2: trying to come off and bug you.

2334
01:41:56,400 --> 01:41:58,599
Speaker 3: Said, just name me. No, there's a lot of other

2335
01:41:58,640 --> 01:42:02,040
Speaker 3: people that make this ship move. Besides, you said.

2336
01:42:02,600 --> 01:42:10,679
Speaker 5: You said that not that many of us name.

2337
01:42:08,120 --> 01:42:09,040
Speaker 2: Just it was just you.

2338
01:42:09,200 --> 01:42:12,240
Speaker 5: That's shout out to our entire team. They are fucking amazing.

2339
01:42:12,400 --> 01:42:14,400
Speaker 5: What I said, I never knew how much.

2340
01:42:14,280 --> 01:42:18,120
Speaker 3: And then she said, she said, no just name, no ship.

2341
01:42:18,200 --> 01:42:20,040
Speaker 5: I never knew how much I needed editing until Eddin

2342
01:42:20,120 --> 01:42:23,960
Speaker 5: left and I'm like I needed in, Like I really know, you.

2343
01:42:24,000 --> 01:42:24,720
Speaker 2: Just said name me.

2344
01:42:28,640 --> 01:42:32,519
Speaker 3: That's up anyway, go ahead go edit that ship. Yeah stop,

2345
01:42:33,920 --> 01:42:35,080
Speaker 3: come on, take that lens off.

2346
01:42:35,120 --> 01:42:38,400
Speaker 2: We got We got nominated for an amb Best Entertainment Podcast.

2347
01:42:38,479 --> 01:42:40,040
Speaker 2: So thank you to the NBAS, thank you to the

2348
01:42:40,160 --> 01:42:44,800
Speaker 2: entires team, Demaris is the team.

2349
01:42:43,680 --> 01:42:46,639
Speaker 3: Thank you to Demeris, Thank you to Demeris New DeMars

2350
01:42:46,720 --> 01:42:47,200
Speaker 3: and Demerits.

2351
01:42:47,360 --> 01:42:50,880
Speaker 2: Yeah Jesus Christ, but yeah, man, she knows something cool,

2352
01:42:50,960 --> 01:42:54,360
Speaker 2: something uh to be proud of to be nominated in

2353
01:42:54,560 --> 01:42:57,479
Speaker 2: the room with those same creatives and and talented people.

2354
01:42:57,520 --> 01:42:59,240
Speaker 2: So yeah, we'll be in l A next week at

2355
01:42:59,240 --> 01:42:59,960
Speaker 2: the AMBI Award.

2356
01:43:00,400 --> 01:43:03,400
Speaker 3: Now we forever will be referred to as the am

2357
01:43:03,479 --> 01:43:04,840
Speaker 3: BE nominated podcast.

2358
01:43:04,920 --> 01:43:06,720
Speaker 2: Yes as Yeah, I guess we can put that in

2359
01:43:06,760 --> 01:43:07,120
Speaker 2: a bio.

2360
01:43:07,200 --> 01:43:08,680
Speaker 3: That's what they do with the grand No matter what,

2361
01:43:08,920 --> 01:43:09,360
Speaker 3: you have to.

2362
01:43:09,280 --> 01:43:10,800
Speaker 2: Be, Yeah, you're gonna have to put up another hit

2363
01:43:10,840 --> 01:43:11,240
Speaker 2: ever again.

2364
01:43:11,439 --> 01:43:14,679
Speaker 3: Just you're known as am be nominated Grammy Award winning

2365
01:43:14,720 --> 01:43:17,759
Speaker 3: or Grammy nominated, exactly nominated.

2366
01:43:17,800 --> 01:43:19,200
Speaker 5: I'm about to put that on our all of our

2367
01:43:20,200 --> 01:43:23,080
Speaker 5: like our notes and stuff that's that you're be using. Yeah,

2368
01:43:23,439 --> 01:43:26,960
Speaker 5: tell them to talk right kit definitely and be nominated.

2369
01:43:27,640 --> 01:43:31,080
Speaker 3: I'm listen, man, I haven't I have not drank Henny

2370
01:43:31,439 --> 01:43:33,559
Speaker 3: in a really, really really long time.

2371
01:43:33,840 --> 01:43:34,599
Speaker 1: I can't let you drink.

2372
01:43:34,600 --> 01:43:35,519
Speaker 2: If we win, you're gonna drink some.

2373
01:43:35,680 --> 01:43:37,320
Speaker 3: No, you might see me on that red carpet with

2374
01:43:37,320 --> 01:43:40,080
Speaker 3: the Henny bottle. And if we and if we don't win.

2375
01:43:41,360 --> 01:43:43,519
Speaker 2: Yeah, turn that shut out like yo, I'm gonna let

2376
01:43:43,560 --> 01:43:43,920
Speaker 2: you finish.

2377
01:43:44,360 --> 01:43:44,479
Speaker 3: Yo.

2378
01:43:44,760 --> 01:43:48,160
Speaker 2: We had the best entertainment podcast all the time of

2379
01:43:48,240 --> 01:43:49,320
Speaker 2: all time.

2380
01:43:49,560 --> 01:43:51,160
Speaker 3: But would be weird because then you'd have to be

2381
01:43:51,160 --> 01:43:51,760
Speaker 3: amber and I don't.

2382
01:43:52,200 --> 01:43:55,040
Speaker 1: Yeah, if they tackles, like what the fun? We could fight?

2383
01:43:55,640 --> 01:43:56,960
Speaker 3: Should I wear a leather shirt?

2384
01:43:58,520 --> 01:44:00,160
Speaker 1: Okay, I mean, I'm with it.

2385
01:44:00,160 --> 01:44:06,080
Speaker 3: It has to be red leather though, can't be black red,

2386
01:44:06,400 --> 01:44:08,400
Speaker 3: certain reds because you're just.

2387
01:44:08,320 --> 01:44:13,320
Speaker 2: You look like a strawberry. Put a red leather shirt on.

2388
01:44:13,400 --> 01:44:13,920
Speaker 2: You know what I'm saying?

2389
01:44:13,960 --> 01:44:15,800
Speaker 3: It just we in there is there any way I

2390
01:44:15,800 --> 01:44:18,559
Speaker 3: could just bring the honey bottle and put like not

2391
01:44:18,680 --> 01:44:23,720
Speaker 3: honey in it, just for the label. And because I

2392
01:44:23,760 --> 01:44:25,840
Speaker 3: don't want I don't want to drink any bottle and

2393
01:44:25,880 --> 01:44:31,760
Speaker 3: poor Apple say I can drink, say I would.

2394
01:44:32,120 --> 01:44:35,720
Speaker 2: Get a honey bottle or duce bottle. Sorry, sorry, get

2395
01:44:35,720 --> 01:44:39,040
Speaker 2: a duce bottle sorry, and then poor apple juice in it.

2396
01:44:39,880 --> 01:44:40,959
Speaker 3: That's just a hard liquor.

2397
01:44:41,360 --> 01:44:45,080
Speaker 1: That is douce has a deeper, darker.

2398
01:44:45,120 --> 01:44:46,720
Speaker 3: Like criminal link. Yeah, and I heard the bar.

2399
01:44:46,920 --> 01:44:52,439
Speaker 5: Yeah, coloritch. We got to in this fucking podcast.

2400
01:44:52,680 --> 01:44:53,880
Speaker 2: I don't want to go home.

2401
01:44:54,400 --> 01:44:56,920
Speaker 3: So you're saying, so you're saying hennessy or pardon say,

2402
01:44:57,000 --> 01:44:58,280
Speaker 3: is just hennessy with murder ink in it?

2403
01:44:59,080 --> 01:45:00,920
Speaker 2: Yeah, don't get with.

2404
01:45:01,360 --> 01:45:05,120
Speaker 3: Kevin Lyles and it and Russell Simmons.

2405
01:45:05,240 --> 01:45:11,439
Speaker 2: The blood of Leo is Leo's blood. And yo, listen, man,

2406
01:45:11,439 --> 01:45:13,559
Speaker 2: we now we started that crazy. Let's get the funk

2407
01:45:13,600 --> 01:45:15,720
Speaker 2: out of Let's get the funk out of here. I'm

2408
01:45:15,720 --> 01:45:16,240
Speaker 2: done with this ship.

2409
01:45:16,320 --> 01:45:20,599
Speaker 3: Listen, Dame and your brother today, maybe we can.

2410
01:45:20,520 --> 01:45:22,680
Speaker 2: Get into that because I speak the big yet, I

2411
01:45:22,680 --> 01:45:24,720
Speaker 2: gotta we gotta laugh about that ship before I talk

2412
01:45:24,760 --> 01:45:25,120
Speaker 2: about it.

2413
01:45:25,439 --> 01:45:27,400
Speaker 3: Dame called him out on I g today on the

2414
01:45:27,439 --> 01:45:28,360
Speaker 3: way Adam. I didn't.

2415
01:45:28,360 --> 01:45:30,040
Speaker 2: I didn't get a chance to speak the bigs about it.

2416
01:45:30,080 --> 01:45:32,719
Speaker 2: But listen, man, I love Dame, Man, I love Jay

2417
01:45:32,880 --> 01:45:33,920
Speaker 2: obviously love Roy.

2418
01:45:35,120 --> 01:45:36,479
Speaker 3: Just so much turmoil around you.

2419
01:45:36,680 --> 01:45:38,799
Speaker 2: I don't listen, I don't have might be the problem?

2420
01:45:39,000 --> 01:45:43,000
Speaker 3: Is he the common denominator, not me? Rockefeller the pod

2421
01:45:43,880 --> 01:45:44,160
Speaker 3: not me?

2422
01:45:44,280 --> 01:45:45,840
Speaker 2: Man, I wasn't in that room when that when.

2423
01:45:45,680 --> 01:45:47,640
Speaker 3: That's Shorty that said that you weren't her ax on

2424
01:45:47,680 --> 01:45:50,400
Speaker 3: the phone to live with you.

2425
01:45:50,479 --> 01:45:53,960
Speaker 2: Yeah, it is right. I don't know, Like this is

2426
01:45:54,000 --> 01:45:55,680
Speaker 2: why I don't come outside.

2427
01:45:55,439 --> 01:45:55,760
Speaker 1: You know.

2428
01:45:55,840 --> 01:45:57,519
Speaker 5: But that's you know, how sick it is that you

2429
01:45:57,520 --> 01:45:59,120
Speaker 5: could stay in your house and create turmoil.

2430
01:45:59,240 --> 01:46:01,760
Speaker 2: That's what I'm saying. I don't even be talking to nobody, bro,

2431
01:46:01,880 --> 01:46:03,880
Speaker 2: Like what the fuck is going on? Like anybody would

2432
01:46:03,880 --> 01:46:04,719
Speaker 2: have blame me for ship?

2433
01:46:04,760 --> 01:46:08,920
Speaker 3: Like listen, my therapist says, I'm addicted to chaos, so.

2434
01:46:09,360 --> 01:46:09,680
Speaker 2: We know it.

2435
01:46:09,760 --> 01:46:12,439
Speaker 3: Times with me, it's gonna be chaos around you can't sleep.

2436
01:46:12,360 --> 01:46:16,040
Speaker 2: Less' smoke in the city here, Like, Man, I'm the opposite. Man,

2437
01:46:16,080 --> 01:46:16,840
Speaker 2: I love peace at all.

2438
01:46:16,880 --> 01:46:19,280
Speaker 3: Yeah, but it'd be mad chaos around you, dude, right,

2439
01:46:19,880 --> 01:46:21,040
Speaker 3: get your for you?

2440
01:46:21,520 --> 01:46:24,200
Speaker 2: This ship is crazy, man, But anyway, man, listen, this

2441
01:46:24,240 --> 01:46:27,400
Speaker 2: is another episode, another installment, another Journey down the New

2442
01:46:27,520 --> 01:46:33,080
Speaker 2: or Jerit the Capsule Cast, another installment, another podcast, another your.

2443
01:46:33,000 --> 01:46:34,840
Speaker 5: As speaking of capsules that but on your ass about

2444
01:46:34,840 --> 01:46:36,280
Speaker 5: that merch you're supposed to be designed.

2445
01:46:36,479 --> 01:46:37,880
Speaker 2: We got some, we got some ship coming.

2446
01:46:38,080 --> 01:46:39,599
Speaker 1: We told them that for Valentine's Das.

2447
01:46:39,800 --> 01:46:41,280
Speaker 2: Yeah, but I didn't want to. It would have been

2448
01:46:41,320 --> 01:46:42,920
Speaker 2: rushed and it would have been corny. We're not gonna

2449
01:46:42,920 --> 01:46:44,400
Speaker 2: do nothing. We don't want to go fast and mar

2450
01:46:44,600 --> 01:46:46,439
Speaker 2: We want to go right. That's what we're doing here.

2451
01:46:46,479 --> 01:46:48,400
Speaker 2: We want to go right. So when we go, we're gonna.

2452
01:46:48,200 --> 01:46:52,559
Speaker 3: Go day to watch out, mad trees, Mad trees. One nigga,

2453
01:46:52,600 --> 01:46:54,840
Speaker 3: we're going recyclable hoodies. That you were right.

2454
01:46:54,880 --> 01:46:57,360
Speaker 1: So if we did arbor day but made the trees.

2455
01:46:57,080 --> 01:46:59,640
Speaker 3: Weed with enveyan.

2456
01:47:02,760 --> 01:47:03,320
Speaker 1: Or are we here?

2457
01:47:03,360 --> 01:47:06,280
Speaker 2: We're in there this yo. Listen, man, I'm that nigga.

2458
01:47:06,360 --> 01:47:07,160
Speaker 2: He's just ginger.

2459
01:47:07,320 --> 01:47:09,920
Speaker 3: Let's get Shorty to model it. Let's if he got here,

2460
01:47:10,240 --> 01:47:11,040
Speaker 3: she could be the model.

2461
01:47:11,880 --> 01:47:15,920
Speaker 2: Not getting Sarma to model. No, we're not leave Sarma alone.

2462
01:47:16,880 --> 01:47:17,840
Speaker 3: Just let us market this.

2463
01:47:17,880 --> 01:47:21,960
Speaker 2: Smer still have a restaurant. No, I'm about to say

2464
01:47:21,960 --> 01:47:23,519
Speaker 2: I'm about to go see Sarma this weekend, like if

2465
01:47:23,560 --> 01:47:23,960
Speaker 2: she opened.

2466
01:47:24,080 --> 01:47:26,280
Speaker 3: I googled it already. I had been to that restaurant,

2467
01:47:26,320 --> 01:47:29,840
Speaker 3: but yeah, I've been there before. I remember. It was

2468
01:47:29,840 --> 01:47:32,080
Speaker 3: the first time we ever took a meeting with Poluza

2469
01:47:32,120 --> 01:47:34,000
Speaker 3: with an agency I won't name, and they took us

2470
01:47:34,000 --> 01:47:35,280
Speaker 3: there and I got there and I said, is this

2471
01:47:35,360 --> 01:47:38,360
Speaker 3: only vegan and they were like yeah, and they were

2472
01:47:38,400 --> 01:47:38,840
Speaker 3: from l A.

2473
01:47:39,040 --> 01:47:43,120
Speaker 2: Okay, makes sense, l A Vegans, Yeah, makes sense.

2474
01:47:44,080 --> 01:47:46,759
Speaker 5: All right, guys, we're saying good night. I'm not editing

2475
01:47:46,760 --> 01:47:50,120
Speaker 5: this podcast either. I gotta go see Jazz editing.

2476
01:47:50,720 --> 01:47:58,479
Speaker 3: We leave everything, We leave it at it.

2477
01:47:58,040 --> 01:48:00,720
Speaker 2: Listen, yo, were out of here, man, y'all take care

2478
01:48:00,720 --> 01:48:00,880
Speaker 2: of We.

2479
01:48:00,920 --> 01:48:04,639
Speaker 3: Talked energy before saying Jasmine, yeah, actually bust the windows

2480
01:48:04,640 --> 01:48:05,760
Speaker 3: after your car. I'm with it.

2481
01:48:06,920 --> 01:48:09,720
Speaker 1: Listen. It was a nice you know what, let's go.

2482
01:48:09,760 --> 01:48:12,400
Speaker 3: Closere d closure show all these all these moody R

2483
01:48:12,439 --> 01:48:14,880
Speaker 3: and B chicks. Jasmine was, you know, I'm busting every

2484
01:48:14,920 --> 01:48:16,800
Speaker 3: fucking window out of your car, and I'm not scared

2485
01:48:16,840 --> 01:48:20,400
Speaker 3: of lions, tigers and bears.

2486
01:48:22,280 --> 01:48:23,400
Speaker 1: Jazz might get down.

2487
01:48:25,320 --> 01:48:28,439
Speaker 3: Where I'm somelling from somewhere in that area, though. D

2488
01:48:28,600 --> 01:48:30,639
Speaker 3: M V maybe thought.

2489
01:48:30,680 --> 01:48:31,800
Speaker 2: She always thought she was from Philly.

2490
01:48:31,840 --> 01:48:36,559
Speaker 3: For some reason, she gets Philly. I'm sorry, I.

2491
01:48:36,560 --> 01:48:38,559
Speaker 2: Knew she was from Philly. I know Philly Energy when

2492
01:48:38,560 --> 01:48:41,040
Speaker 2: I see it. I know that Philly Energy. They'll pray

2493
01:48:41,040 --> 01:48:42,519
Speaker 2: for you and then clap you. I know how they

2494
01:48:42,520 --> 01:48:42,920
Speaker 2: get down.

2495
01:48:44,439 --> 01:48:47,480
Speaker 3: I know you signed state property with that said.

2496
01:48:49,600 --> 01:48:51,120
Speaker 2: That man, Yeah.

2497
01:48:54,439 --> 01:48:55,880
Speaker 3: That was you.

2498
01:48:55,880 --> 01:48:57,160
Speaker 1: No worry, no