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Speaker 1: It's nine O Genegen with Jenny Garth and Tory Spelling.

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Speaker 1: We are here for a really good episode, Yes.

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Speaker 2: It is.

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Speaker 1: First of all, I want to share with you that

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Speaker 1: with all our listeners that Tory just was a very

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Speaker 1: good friend and Randy was a very good manager, and

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Speaker 1: they both told me, you've got something shiny on your chair.

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Speaker 2: I have my glasses on.

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Speaker 1: It's a pimple patch.

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Speaker 2: Even with my glasses, I wouldn't know that.

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Speaker 1: I think, do those work? Have you guys tried?

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Speaker 2: They work?

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Speaker 1: They are amazing.

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Speaker 2: Yeah, I mean I don't know if I would have

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Speaker 2: worn one during a podcast.

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Speaker 3: But cool.

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Speaker 1: We wear them everywhere. We wear the like star ones

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Speaker 1: out like.

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Speaker 2: Oh my god, I care I know.

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Speaker 4: Oh yeah, somebody Millie Bobby Brown wore one on Drew

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Speaker 4: Barrymore or something.

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Speaker 1: Yeah, well there for pimp.

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Speaker 2: Remember when Nelly you to wear uh what was that

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Speaker 2: a band aid on his face? Like Nelly like it's

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Speaker 2: hot in here, uh huh?

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Speaker 1: Or Nelly like Nellie Ftato, I'm like a bird Nellie. Anyways,

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Speaker 1: I'm wearing a pimple patch today with pride.

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Speaker 4: Yeah, it actually doesn't look bad. I have a dermatology question.

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Speaker 3: But we could save that for later.

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Speaker 4: Please go ahead, No, my I would like. It is

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Speaker 4: Colon Health Month, so I would like everybody to know

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Speaker 4: things are improving slowly but surely, not gone, but improving.

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Speaker 1: Anybody. I'm so glad we started this podcast so we

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Speaker 1: could talk about your hemorrhoids amy.

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Speaker 2: But but honestly colon health month. But but no buds

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Speaker 2: about it. It's important and if you are of a

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Speaker 2: certain age, you should be getting your yearly colonoscopy years

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Speaker 2: and this is not even a paid Are you not

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Speaker 2: supposed to get yearly?

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Speaker 1: You don't get a yearly. I think it's like every

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Speaker 1: once you get one if you're doing good.

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Speaker 2: I think it's I was just excited I can't get

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Speaker 2: it yearly now, Okay, that's weird.

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Speaker 1: I'm just kidding.

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Speaker 2: No, I didn't now I didn't know.

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Speaker 4: Okay, everybody everyone say when it's not paid, so like,

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Speaker 4: this is not an AD.

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Speaker 1: This is not an AD you got.

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Speaker 2: It's not an AD. Like I'm fifty, I'm supposed to

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Speaker 2: get one every year nine years. It's not. It's not

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Speaker 2: I'm fifty I need to get one.

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Speaker 1: You've gotten one, now, okay, you're supposed to get one

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Speaker 1: well before fifty.

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Speaker 3: Now, Tori, I have any either, i'ms terrified.

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Speaker 1: Okay, you guys.

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Speaker 3: I'm gonna try cola guard first.

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Speaker 1: Let me tell you something. It's not a big deal.

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Speaker 1: You go in, they put you to sleep, and you

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Speaker 1: like that.

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Speaker 3: But I don't want to be put to sleep.

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Speaker 1: That's what you said. One.

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Speaker 2: I got one years and years ago because I was

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Speaker 2: having like stomach issues, but like, but now I need

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Speaker 2: to get one because of age issues.

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Speaker 1: Yep, yep.

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Speaker 2: Okay.

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Speaker 1: On that note, let's start the episode. It's season five,

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Speaker 1: episode twenty seven, Schoolash. It aired APRILSLF nineteen ninety five.

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Speaker 2: Synopsis. David recruits a young d David recruits a young

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Speaker 2: DJ to perform a hip hop night when all hell

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Speaker 2: breaks loose at the beach Bit until they squash it. Meanwhile,

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Speaker 2: Donna and Valerie beg ray to come back to the club,

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Speaker 2: Dylan has to interpret his hypnotic trance, Brandon finds himself

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Speaker 2: babysitting a young punk, and Claire finds David Silver more

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Speaker 2: attractive than ever.

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Speaker 1: Directed by Leslandel, written by Larry Mullen and Phil Sabbath.

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Speaker 1: Dude wrote this episode, I have.

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Speaker 3: Shocking news for you guys.

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Speaker 1: Okay, shocking.

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Speaker 2: You can't lead with that, then you've hyped it. But okay,

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Speaker 2: go you.

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Speaker 1: Didn't give us that warning last time, but okay, go ahead.

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Speaker 1: I do not love this episode at all.

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Speaker 2: Who does?

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Speaker 3: Thank Jenny does?

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Speaker 1: Thank Jenny?

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Speaker 2: No?

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Speaker 1: I didn't love it. I loved it for all its wrongness.

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Speaker 2: Oh because you came and fired up today before the show.

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Speaker 2: She was like, I'm excited, and I was like, hey, what.

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Speaker 1: You know, I get excited to talk about things that

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Speaker 1: upset me.

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Speaker 4: She does, I'm excited to hear what Jenny hated because

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Speaker 4: I just sort.

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Speaker 3: Of thought it was dull.

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Speaker 2: Dull is a great word.

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Speaker 1: It's a good word.

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Speaker 2: Yeah, now very descriptive, very just dull, Like, yeah, the.

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Speaker 1: Dylan stuff was dull.

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Speaker 3: Crazy.

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Speaker 4: That was me? Sorry, just Y, Valerie is totally confusing me.

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Speaker 2: Are you not in this episode again?

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Speaker 1: I'm in one scene?

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Speaker 4: Oh, okay, one moment, which was not enough because I

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Speaker 4: was like, oh, finally, thank you, and then it was

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Speaker 4: just like blip, You're gone.

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Speaker 5: No.

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Speaker 1: It was bad, you guys. It was bad, bad, bad.

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Speaker 1: There was so many bad parts about this episode.

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Speaker 4: It was a lot of bad and I actually fell

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Speaker 4: asleep at one point because it was so boring, and

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Speaker 4: then I did go back. I'm not like I went

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Speaker 4: back and did my work, but I'm like, if I'm

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Speaker 4: falling asleep, that cannot be a good episode.

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Speaker 1: Oh maybe it was the hypnotism though, because I didn't

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Speaker 1: you got you got hypnotized?

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Speaker 2: Did you wake up and then finish eating your snacks with.

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Speaker 3: A weird like rock in my hand?

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Speaker 1: Oh?

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Speaker 2: Okay, back at the beginning, like you like it, must

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Speaker 2: do it all right?

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Speaker 1: You don't want to hear trivia?

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Speaker 2: I got trivia, Firce got'll be more interesting.

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Speaker 1: Nat says he pays Juwan four dollars and twenty five

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Speaker 1: cents an hour, which was at that time the federal

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Speaker 1: minimum wage. It's wild four dollars and twenty five cents

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Speaker 1: an hour.

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Speaker 4: When this episode aired, I too was making four dollars

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Speaker 4: and twenty five cents an hour at a TV station.

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Speaker 1: Oh wow, etvu Fox.

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Speaker 4: So you guys were on Fox at the time. I

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Speaker 4: was working at Fox up in San Francisco at the time.

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Speaker 4: You all were not making four dollars an hour, and

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Speaker 4: I sure was.

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Speaker 1: That was nineteen ninety five though, thank god, And I.

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Speaker 4: Was only to work a certain amount, so I got

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Speaker 4: one hundred dollars a week.

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Speaker 2: What is the CUMA week? Seventeen?

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Speaker 1: Yeah, it's about I think so seventeen something.

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Speaker 2: Thank goodness, your butt stop one hundred dollars a week.

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Speaker 1: Yeah, it's insane. You work, You work for an hour.

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Speaker 1: My daughter has a job at a restaurant. She works

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Speaker 1: for an hour and that takes care of her parking

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Speaker 1: her car so she can be at work.

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Speaker 4: Yeah.

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Speaker 2: Oh yeah, and they don't pay for that.

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Speaker 1: No.

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Speaker 2: No, oh man.

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Speaker 1: Yeah, and I was stoked.

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Speaker 3: That's the other thing.

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Speaker 1: All stoked, right, and very accurate.

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Speaker 2: I had.

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Speaker 1: Yeah, I had minimum wage job when I got the show,

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Speaker 1: and I was really stoked to be making four dollars

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Speaker 1: an hour. Probably it was probably four what you were doing?

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Speaker 1: Oh well, I had several jobs before I became famous.

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Speaker 2: I'm not.

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Speaker 1: I was a secretary's assistant okay at my mom It's

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Speaker 1: real estate office.

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Speaker 3: Oh that's a good one.

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Speaker 1: What else? I was a waitress at a vegan restaurant.

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Speaker 3: Vegan in the nineties.

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Speaker 1: Wow, h and uh, I think that might have been it.

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Speaker 3: Tori.

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Speaker 4: Did you ever have a real job, like, did you

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Speaker 4: ever work at the ice?

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Speaker 1: I take offense to that, sorry, but I need to

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Speaker 1: have real jobs.

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Speaker 4: Like, like, were you did you scoop ice cream or

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Speaker 4: bus tables?

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Speaker 1: Okay?

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Speaker 2: So I did. I sold lemonade and art at twentieth

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Speaker 2: Century Fox during the summer at my father's lot. Lot

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Speaker 2: Does that count? No, like a lemonade stand, lemonade stand,

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Speaker 2: and I would make art and then someone came over

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Speaker 2: and I was like, oh, do you like this? And

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Speaker 2: he's like yeah, yeah, well I'm uh painted watercolors, but

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Speaker 2: he was like uh. I was like, you don't have

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Speaker 2: to get it to or and he's like, yeah, I do.

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Speaker 2: I have to get it and stuck with me. And

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Speaker 2: I didn't go back after that. I was like, oh

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Speaker 2: my god, they just all feel like they have to

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Speaker 2: buy it. Okay. I did decide one time to get

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Speaker 2: a job, and I went to what is it the

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Speaker 2: running shoe.

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Speaker 4: Store unner Nike for runners, athlete, foot Locker, foot Locker Locker,

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Speaker 4: Athlete's foot.

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Speaker 1: Focker, foot loocker, okay.

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Speaker 2: Foot locker, and I went in and I interviewed and

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Speaker 2: I got the job, and I went home and I

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Speaker 2: had so much anxiety that I was freaking out so bad,

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Speaker 2: and my dad called and told them I couldn't come in,

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Speaker 2: and I didn't go stop so shameful.

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Speaker 1: H oh wait, I thought of another job. Yeah, I

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Speaker 1: was also I work at the mall. I sold clothing

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Speaker 1: to people.

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Speaker 2: Which what store?

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Speaker 1: Yeah on the move.

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Speaker 6: Dull.

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Speaker 2: It was a dance store.

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Speaker 1: No, it was like it was like you know Madonnaca.

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Speaker 1: Was this in Arizona or in Califoa? Was in Arizona?

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Speaker 1: And I had to full close. Well, they tried to

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Speaker 1: make me sell clothes, but I wouldn't talk to people,

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Speaker 1: so that didn't work. And then so they just kept

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Speaker 1: me in the back and I just folded stuff. Oh

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Speaker 1: my god.

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Speaker 4: First of all, this is more interesting, happy, It's better

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Speaker 4: than the episode by far. And can you even imagine

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Speaker 4: Jenny's just like straightening hangers and folding.

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Speaker 1: It was fun.

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Speaker 2: I imagine her talking to people.

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Speaker 1: But I would have bought shoes from you. I would

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Speaker 1: have definitely brought bought my Adidas from you, my Audidas

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Speaker 1: from you.

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Speaker 2: Beverly Hills, Tory, true, Beverly Hills.

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Speaker 3: I was fourteen, Okay, so you were earning your key.

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Speaker 2: That's good, correct, Amy.

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Speaker 1: You had jobs, you had regular jobs, of course I did.

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Speaker 1: I scooped ice cream at Lord's ice Cream Lafiette, and

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Speaker 1: he's like bitch, I still got a regular job, regular job.

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Speaker 4: I worked for my mom at Nordstrom. I was a

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Speaker 4: tennis teacher. Wow, thank you. And then like you, I

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Speaker 4: was the assistant to the assistant. So I was the

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Speaker 4: assistant to the secretary. And that was really that's where

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Speaker 4: I got my chops. That's where I really learned.

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Speaker 3: How to like do stuff.

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Speaker 1: Yeah, I loved it.

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Speaker 4: Yeah, that was my best job. Once I started to

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Speaker 4: get those kind of jobs, I was pretty stoked. I

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Speaker 4: didn't care that I was making four dollars. Nordstrom was

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Speaker 4: by far the hardest retail is so I never had

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Speaker 4: to really wait tables, so that.

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Speaker 3: Could be worse. But retail is so gnarly.

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Speaker 1: Yeah, shout out to everybody that works retail.

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Speaker 4: Scooping ice cream not hard, boring, and I just would eat,

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Speaker 4: you know, the tasters boons. I would just play games

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Speaker 4: with myself, like every hour, I get three tasters and

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Speaker 4: then we're a butter bri.

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Speaker 1: I'm going to say that retail is not near as

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Speaker 1: hard as working in hospitality. Oh yeah, well, people are

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Speaker 1: going to be mad that I said that. But it's

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Speaker 1: a good debate. It's a debate when you have to

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Speaker 1: deal with people like on that level of serving them

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Speaker 1: food and listening to them complain and retail they're mean too.

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Speaker 1: Yeah that's true. Let's recap this dang episode, you guys.

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Speaker 1: We start out at Ray's concert because I don't know

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Speaker 1: where that is, but Ray comes off the stage and

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Speaker 1: it kind of seemed like it was in Reno. Yeah,

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Speaker 1: maybe they went on location with Ray. It comes off

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Speaker 1: the stage and a groupie insinuates that she wants to

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Speaker 1: hook up with him, but he turns her down because

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Speaker 1: Donna's calling on the payphone. Could you call somebody on

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Speaker 1: a payphone?

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Speaker 4: I actually am wondering, Yeah, you can't if he gave

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Speaker 4: her the number.

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Speaker 2: Have you ever seen a movie movie? Every movie about

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Speaker 2: a musician on the road.

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Speaker 1: His babe at home is cane.

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Speaker 2: I'm on the payphone.

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Speaker 1: But you were calling from a payphone too, Oh right,

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Speaker 1: Oh yeah, you were payphone at the peach pit. Payphone

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Speaker 1: to payphone. Yeah, that straight payphone to payphone, y'all.

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Speaker 2: Whoa, whoa.

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Speaker 1: Donna and Ray kind of get into it on that

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Speaker 1: phone call because he's mean, He is mean, Nice, says

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Speaker 1: he's not coming home. She wants him to come home.

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Speaker 1: Hit the roughad he caves to him all the time too,

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Speaker 1: and it's kind of like getting so obvious. But it

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Speaker 1: was good because he expected her to just join him

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Speaker 1: on the road, like yeah.

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Speaker 2: Yeah, and she said, hello, I.

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Speaker 1: Have a life, sir. You just say sorry to him

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Speaker 1: so much when he's being terrible. I know, sorry, sorry.

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Speaker 2: Sorry that I said that. I'm not sorry.

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Speaker 1: We're at the peach Pit now where some crazy people

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Speaker 1: are auditioning, and Steve tails Valerie the after Dark is dying.

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Speaker 1: Well obviously because that act with a what was that?

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Speaker 7: Wait?

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Speaker 2: Were they auditioning and performing?

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Speaker 6: And on?

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Speaker 1: They were actually performing.

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Speaker 4: Believing we were leaving and it was what is it

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Speaker 4: supposed to be? Like interpretive art or like correct?

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Speaker 1: Like, I don't think that's the right venue for them. No, no,

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Speaker 1: so bad? Yeah, something about a fish.

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Speaker 4: It was like there was a fish.

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Speaker 1: Yeah. So Steve tells her that the Pea Pad is dying,

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Speaker 1: and he says they need to turn it into a

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Speaker 1: rap place.

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Speaker 3: Oh my god.

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Speaker 4: First of all, she doesn't even know what hip hop was.

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Speaker 4: She didn't know hip hop.

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Speaker 1: I was like, what who who doesn't know hip hop?

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Speaker 2: Valiev see this new thing? Yeah?

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Speaker 4: And she she says, like, I can't remember the exact line,

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Speaker 4: but like he says, she says like a sock hop

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Speaker 4: and it's like come on, like.

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Speaker 3: Please, gosh, yeah please.

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Speaker 1: And Claire confesses to Donna of all people, that she

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Speaker 1: misses David. God dang, it.

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Speaker 2: Doesn't act like it. Why isn't she try to get

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Speaker 2: back together with him.

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Speaker 1: Like to be mean, to be to get loved. You

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Speaker 1: know she's that yeah m hm. At the Old CU,

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00:14:34,240 --> 00:14:36,840
Speaker 1: the dean tells Brandon that he has a young new

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Speaker 1: student that he wants him to help convince to study.

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00:14:39,840 --> 00:14:44,360
Speaker 1: It's see you, but the kid, it's not even I

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Speaker 1: don't even think he's of college age, right, kid, dowser,

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Speaker 1: he's like do like a little opie. He is a

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Speaker 1: super rude and Brandon tells him basically that he has

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Speaker 1: half a brain. Wait, can we go back to the

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Speaker 1: peach pit for a second.

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Speaker 7: I do.

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Speaker 1: I had a moment. I had a little moment of

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00:15:16,200 --> 00:15:19,680
Speaker 1: an epiphany where I saw Valerie behind that big boss

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Speaker 1: lady day. Yeah, I said it was to myself. I said,

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00:15:24,800 --> 00:15:29,880
Speaker 1: this is kind of cool that this young lady has

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Speaker 1: this you know, badass boss job sitting at this desk.

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Speaker 1: She's strong, she's powerful, she's fearless, she's sexy, she's smart,

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Speaker 1: she's a lot of really good things that I don't

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Speaker 1: think we'd really focused on that I had in that moment,

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Speaker 1: Like it just a sort of like appreciation for vel.

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Speaker 1: I'm going to give you that.

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Speaker 4: But also she's so conniving and sneaky and dirty that

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Speaker 4: here's that. Yeah, so for me, I'm like, she'd be

327
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Speaker 4: so cool if she was a baller boss, but she's

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Speaker 4: like a little bit of a snake.

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Speaker 1: Yeah it's true, but the seitful just wanted to take

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Speaker 1: a moment.

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Speaker 4: Yeah yeah, yeah, potentially she could have been a baller.

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Speaker 3: But instead she's Oh.

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Speaker 1: Sooth fazer, We're gonna go. We talk about the kid,

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Speaker 1: right right.

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00:16:20,880 --> 00:16:23,160
Speaker 2: I hated the storyline. I hated it so much with

336
00:16:23,200 --> 00:16:24,479
Speaker 2: the sage.

337
00:16:24,360 --> 00:16:27,680
Speaker 4: Boring because he was so annoying, that kid, and they

338
00:16:27,680 --> 00:16:30,200
Speaker 4: didn't really give it enough, Like it was just a

339
00:16:30,400 --> 00:16:32,400
Speaker 4: useless story, useless.

340
00:16:32,080 --> 00:16:34,120
Speaker 1: Like either commit or don't commit.

341
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Speaker 4: I don't know.

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Speaker 3: Just no kid is going to behave like that.

343
00:16:37,360 --> 00:16:41,200
Speaker 1: That's like it was like a rich, spoiled boy, right, yeah,

344
00:16:41,200 --> 00:16:47,280
Speaker 1: he was marty pants boy. It was weird, No, it

345
00:16:47,400 --> 00:16:48,680
Speaker 1: was weird.

346
00:16:48,600 --> 00:16:52,000
Speaker 3: And the kid wasn't likable, so I was.

347
00:16:51,960 --> 00:16:58,640
Speaker 7: Like, So, then we go back to the Pea Pad

348
00:16:58,720 --> 00:17:01,640
Speaker 7: after dark, and it's when David walks in and finds

349
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Speaker 7: a kid named Juan playing with his DJ gear.

350
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Speaker 1: Yes, he gets all feisty about it.

351
00:17:08,440 --> 00:17:13,600
Speaker 4: He does very riled up feisty, but yet with the

352
00:17:13,760 --> 00:17:18,159
Speaker 4: knowing this kid's good, kid's gone got it.

353
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Speaker 1: So they kind of figure it out on their own.

354
00:17:21,080 --> 00:17:23,800
Speaker 1: And then Willy comes out and I was like, yay, Willy,

355
00:17:24,720 --> 00:17:27,400
Speaker 1: I'm so happy every time see Willy from the He's

356
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Speaker 1: the cook, you know, the guy at the love him.

357
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Speaker 1: I will say, too up to go back to this

358
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Speaker 1: Warren the the kid. Oh yeah, the nerdy, smart cardy kid. Yep.

359
00:17:41,520 --> 00:17:44,119
Speaker 1: He reminded me so much of a little Steve Sanders,

360
00:17:45,359 --> 00:17:48,520
Speaker 1: Like that's exactly how I imagine Steve Sanders as a child.

361
00:17:51,400 --> 00:17:57,800
Speaker 1: Yeah yeah, yeah, yeah, it's not wrong. But the braddy part,

362
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Speaker 1: you could see Steve acting like that on set his

363
00:18:00,680 --> 00:18:04,960
Speaker 1: mom mm hmmm mm hmmm. So Warren the Genius kid

364
00:18:05,200 --> 00:18:07,399
Speaker 1: forces Brandon to let him hang out with him for

365
00:18:07,440 --> 00:18:11,359
Speaker 1: the entire day, and that's back at the CEO where

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Speaker 1: Donna also is He called Donna that that made me giggle.

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Speaker 2: Yeah, well is it?

368
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Speaker 3: He had that.

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Speaker 2: Name for you, like.

370
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Speaker 4: It seemed almost inappropriate everything I know in my mind

371
00:18:27,280 --> 00:18:31,160
Speaker 4: what it was sort of like, well, you know, kind

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00:18:31,160 --> 00:18:36,200
Speaker 4: of like haughty lady with legs, but it wasn't that way, right.

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Speaker 1: Well, Donna doesn't hear him, so she confronts Valerie and

374
00:18:40,160 --> 00:18:41,920
Speaker 1: asks something happened between them?

375
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Speaker 3: So awkward?

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00:18:43,760 --> 00:18:46,920
Speaker 1: She asking them if something happened between Valerie and Ray

377
00:18:47,040 --> 00:18:48,400
Speaker 1: right well.

378
00:18:48,200 --> 00:18:50,840
Speaker 4: Like why isn't Ray allowed the peach pit anymore? Like

379
00:18:50,880 --> 00:18:51,960
Speaker 4: what really went down?

380
00:18:52,400 --> 00:18:56,080
Speaker 1: But she's not right? She admits she admits to being

381
00:18:56,080 --> 00:19:00,640
Speaker 1: attracted to Ray's so weird, but she assures that Ray

382
00:19:00,720 --> 00:19:01,879
Speaker 1: really loves her.

383
00:19:04,920 --> 00:19:06,840
Speaker 2: Does this go back on our theory that we think

384
00:19:06,960 --> 00:19:12,399
Speaker 2: Donna knows something happened? Like, now does she not?

385
00:19:13,240 --> 00:19:14,320
Speaker 1: I don't feel like she knows.

386
00:19:14,720 --> 00:19:16,280
Speaker 2: I know now, I don't feel like she knows.

387
00:19:16,359 --> 00:19:21,000
Speaker 4: I think she knows something because Ray is so overt

388
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Speaker 4: about his hatred for Valerie.

389
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Speaker 3: I don't want to hear her name. I don't want

390
00:19:24,560 --> 00:19:26,600
Speaker 3: to come back. So she's like, you know, what what

391
00:19:26,840 --> 00:19:27,600
Speaker 3: is going on?

392
00:19:28,359 --> 00:19:28,600
Speaker 2: Yeah?

393
00:19:29,240 --> 00:19:31,280
Speaker 1: I think it was in this scene? Was this an

394
00:19:31,320 --> 00:19:36,960
Speaker 1: area where Donna and Claire sitting there talking about Oh,

395
00:19:37,080 --> 00:19:42,400
Speaker 1: maybe it triggered me it was something about their caloric intake.

396
00:19:43,000 --> 00:19:45,240
Speaker 1: Oh yeah, yeah, yeah, this is when I thought.

397
00:19:45,240 --> 00:19:47,439
Speaker 4: That was when Claire's talking about how she loves David

398
00:19:47,880 --> 00:19:50,760
Speaker 4: and then they maybe filled their calories at the peach hole.

399
00:19:51,160 --> 00:19:53,920
Speaker 1: Yes, yes, oh okay, that was one of my first

400
00:19:53,920 --> 00:19:57,600
Speaker 1: red flags. I was like, Okay, clearly a man wrote this,

401
00:19:58,280 --> 00:20:02,200
Speaker 1: and that just really a very negative narrative to young

402
00:20:02,240 --> 00:20:03,520
Speaker 1: girls everywhere. Go ahead.

403
00:20:03,760 --> 00:20:06,080
Speaker 2: I had to go back. I didn't hear what she said.

404
00:20:06,119 --> 00:20:07,840
Speaker 2: I was like, they're gonna have what at the peach

405
00:20:07,880 --> 00:20:08,440
Speaker 2: pit like.

406
00:20:09,200 --> 00:20:13,440
Speaker 1: They had They had some sort of strange phrase. Yeah, yeah,

407
00:20:13,600 --> 00:20:18,760
Speaker 1: it made me feel gross. Anyways, Uh so don asks

408
00:20:18,760 --> 00:20:20,320
Speaker 1: if they can come back and play at the club

409
00:20:20,359 --> 00:20:24,280
Speaker 1: in Valerie says yes, m m I.

410
00:20:24,280 --> 00:20:25,440
Speaker 2: Would help everyone out.

411
00:20:27,000 --> 00:20:34,480
Speaker 1: Jenny is how she is Dylan's house. Exciting, exciting story line,

412
00:20:35,600 --> 00:20:38,720
Speaker 1: Dylan's getting hypnotized by Molly that he didn't even realize

413
00:20:38,760 --> 00:20:47,280
Speaker 1: it's how it works. But yeah, it was kind of

414
00:20:47,560 --> 00:20:48,480
Speaker 1: relaxing though.

415
00:20:49,280 --> 00:20:49,480
Speaker 4: Well.

416
00:20:49,520 --> 00:20:50,680
Speaker 3: I think I fell asleep from it.

417
00:20:50,760 --> 00:20:51,800
Speaker 2: Her voice was nice.

418
00:20:52,359 --> 00:20:55,720
Speaker 4: The train scene when we talked about that every I

419
00:20:55,760 --> 00:20:58,040
Speaker 4: was like, oh, not the train tracks again.

420
00:20:59,560 --> 00:21:02,919
Speaker 2: But wait, guys, what does it mean? I don't know

421
00:21:02,920 --> 00:21:06,639
Speaker 2: what it means, it's just like because you told me

422
00:21:06,720 --> 00:21:08,879
Speaker 2: last week, wasn't it about his sister was on the

423
00:21:08,880 --> 00:21:09,560
Speaker 2: train tracks?

424
00:21:09,680 --> 00:21:12,600
Speaker 1: That was the other one. There's more than one track?

425
00:21:12,640 --> 00:21:16,440
Speaker 4: Wait, well well this was that weird train and the

426
00:21:16,480 --> 00:21:17,520
Speaker 4: girls on it.

427
00:21:18,200 --> 00:21:20,120
Speaker 1: Oh, I'm like, who's the girl?

428
00:21:20,720 --> 00:21:23,440
Speaker 2: Right? Right right? So I thought, oh, train tracks, we're

429
00:21:23,440 --> 00:21:25,320
Speaker 2: going to see the sister again or see a version

430
00:21:25,400 --> 00:21:27,919
Speaker 2: of it. And then all of a sudden, there's that girl.

431
00:21:28,280 --> 00:21:32,760
Speaker 2: So I was like, I'm trying to go in and

432
00:21:32,800 --> 00:21:35,160
Speaker 2: trying to figure out who's the girl because I thought

433
00:21:35,200 --> 00:21:39,919
Speaker 2: for just a split second that it was the the

434
00:21:39,960 --> 00:21:44,920
Speaker 2: mother the sister, Oh Carrie Keene uh play.

435
00:21:44,800 --> 00:21:49,040
Speaker 1: Oh yeah, yeah, Suzanne or whatever for.

436
00:21:48,920 --> 00:21:51,280
Speaker 2: A second and I was like, oh, and is that

437
00:21:51,359 --> 00:21:53,760
Speaker 2: going to be Kevin? Like I got confused. I know,

438
00:21:55,720 --> 00:21:56,560
Speaker 2: it was too random.

439
00:21:56,880 --> 00:21:59,960
Speaker 4: It was so weird that scene and so uncomfortable. And

440
00:22:00,119 --> 00:22:01,840
Speaker 4: also Dylan was second.

441
00:22:01,880 --> 00:22:04,640
Speaker 2: I thought it was Luke's real life wife at the time,

442
00:22:04,680 --> 00:22:07,640
Speaker 2: many for some reason because I saw like curly hair

443
00:22:07,680 --> 00:22:08,800
Speaker 2: and I couldn't.

444
00:22:08,440 --> 00:22:12,400
Speaker 1: See Dylan would never sit possibly.

445
00:22:12,000 --> 00:22:15,119
Speaker 2: By is it dream?

446
00:22:15,160 --> 00:22:16,040
Speaker 1: You guys?

447
00:22:17,119 --> 00:22:19,359
Speaker 2: Was it real that he didn't save Erica, that he

448
00:22:19,400 --> 00:22:21,680
Speaker 2: didn't save I.

449
00:22:21,600 --> 00:22:22,359
Speaker 1: Just didn't get it.

450
00:22:22,440 --> 00:22:24,120
Speaker 3: His dad.

451
00:22:24,520 --> 00:22:27,719
Speaker 1: Yeah, well, I didn't understand what the thing was in

452
00:22:27,760 --> 00:22:31,480
Speaker 1: his hand, the lantern when he woke up. No, he

453
00:22:31,560 --> 00:22:34,840
Speaker 1: woke up the stone. You didn't hypnotize me. And she

454
00:22:34,960 --> 00:22:39,160
Speaker 1: said check your hand or something. I think she put

455
00:22:39,240 --> 00:22:41,840
Speaker 1: that rock in his hand while he was Are we

456
00:22:41,920 --> 00:22:45,920
Speaker 1: supposed to just make like write the episode in our brains?

457
00:22:46,960 --> 00:22:47,639
Speaker 1: And I don't get it?

458
00:22:47,840 --> 00:22:50,639
Speaker 2: Come on, stand why the train scene? Are we gonna find.

459
00:22:50,520 --> 00:22:53,320
Speaker 1: Him next week? So many wise?

460
00:22:53,880 --> 00:22:59,040
Speaker 2: I mean that again, like she's like whatever, but I

461
00:22:59,119 --> 00:23:03,920
Speaker 2: just don't understand the train scene. It's bothering me. I mean,

462
00:23:04,800 --> 00:23:07,440
Speaker 2: are those people coming back? That man and that woman,

463
00:23:07,520 --> 00:23:08,520
Speaker 2: That woman was at his.

464
00:23:08,880 --> 00:23:12,280
Speaker 4: They fell out of the train and the lantern was hot,

465
00:23:12,320 --> 00:23:14,879
Speaker 4: and then I was like, oh god, why'd you and

466
00:23:14,920 --> 00:23:16,280
Speaker 4: why are they on that train?

467
00:23:16,600 --> 00:23:17,960
Speaker 1: Do they live on that train?

468
00:23:18,160 --> 00:23:21,440
Speaker 2: Right? Where were they going? Were they together or was

469
00:23:21,480 --> 00:23:23,080
Speaker 2: it they both escaped?

470
00:23:23,200 --> 00:23:27,560
Speaker 1: Like there are no answers to these questions they get answered.

471
00:23:27,640 --> 00:23:30,639
Speaker 2: You can't put a dream sequence in that means absolutely nothing.

472
00:23:31,000 --> 00:23:35,080
Speaker 1: Well, sometimes dreams may mean nothing. It was very weird.

473
00:23:35,920 --> 00:23:41,240
Speaker 3: I think it's therapist pleasing. Okay, right, she's pleasing.

474
00:23:41,480 --> 00:23:44,119
Speaker 1: She has a nice, beautiful stand outfit.

475
00:23:44,280 --> 00:23:48,240
Speaker 2: Yeah, cute scene. I was into the wardrobe.

476
00:23:48,640 --> 00:23:52,560
Speaker 1: You liked that vest. See now you're contradicting yourself. That

477
00:23:52,720 --> 00:23:54,320
Speaker 1: was a collarless shirt and a.

478
00:23:54,320 --> 00:23:56,600
Speaker 2: Vest in the train scene.

479
00:23:56,920 --> 00:23:59,560
Speaker 1: Oh no, in where he's sitting in Oh.

480
00:23:59,440 --> 00:24:01,199
Speaker 2: God, no, don't don't get me wrong. I don't like

481
00:24:01,200 --> 00:24:04,040
Speaker 2: any of his clothing. I could do it when he

482
00:24:04,119 --> 00:24:05,760
Speaker 2: was having the train scene and he.

483
00:24:05,920 --> 00:24:11,440
Speaker 4: Was dressed like a yeah, an entire rant on caps

484
00:24:11,600 --> 00:24:14,480
Speaker 4: in this episode, just bad cat.

485
00:24:14,880 --> 00:24:18,920
Speaker 1: I know, I feel bad. Why when was there another

486
00:24:19,000 --> 00:24:19,600
Speaker 1: bad cap?

487
00:24:20,240 --> 00:24:22,560
Speaker 3: David Silver is like, literally what.

488
00:24:25,240 --> 00:24:26,960
Speaker 2: He looks really cute in that one.

489
00:24:27,680 --> 00:24:32,800
Speaker 1: Okay, so bad, let's move Let's move on.

490
00:24:33,520 --> 00:24:35,719
Speaker 2: Fine, let's squash it.

491
00:24:36,320 --> 00:24:40,720
Speaker 1: Okay, everybody, come on, squash it. It feels good. That's right.

492
00:24:43,400 --> 00:24:48,720
Speaker 1: Is listening to a lecture called squash it. When David

493
00:24:48,800 --> 00:24:50,639
Speaker 1: comes to tell him that he's clear to perform at

494
00:24:50,640 --> 00:24:53,320
Speaker 1: the club with him and that he is his designated driver,

495
00:24:54,320 --> 00:24:57,160
Speaker 1: all making so much sense. Mhmm.

496
00:24:57,760 --> 00:25:01,159
Speaker 2: May I ask a question? For what reason? Why is

497
00:25:01,160 --> 00:25:02,640
Speaker 2: he driving?

498
00:25:03,160 --> 00:25:04,639
Speaker 1: Why is he what is he?

499
00:25:04,720 --> 00:25:07,920
Speaker 3: Deed talent? And he has to get permission.

500
00:25:07,480 --> 00:25:08,000
Speaker 4: From the poll.

501
00:25:09,200 --> 00:25:11,080
Speaker 2: I was like, oh, are we going to find out

502
00:25:11,119 --> 00:25:14,280
Speaker 2: like he's sober or something, and David has to drive

503
00:25:14,359 --> 00:25:18,680
Speaker 2: him to watch him to get permission from the office. Okay,

504
00:25:19,160 --> 00:25:20,080
Speaker 2: so bad.

505
00:25:20,359 --> 00:25:24,680
Speaker 1: Yeah, so there's that. Where do we go next? Dylan's house?

506
00:25:25,320 --> 00:25:28,320
Speaker 1: I fully remember this episode too, Like it wasn't.

507
00:25:28,080 --> 00:25:30,000
Speaker 2: Like I don't remember this.

508
00:25:30,160 --> 00:25:31,400
Speaker 3: I fully remembered it.

509
00:25:31,760 --> 00:25:35,480
Speaker 1: I don't Now we go to back to Dylan's house

510
00:25:35,480 --> 00:25:37,880
Speaker 1: where he's under hypnosis again.

511
00:25:37,960 --> 00:25:39,560
Speaker 3: Yeah, this is probably where the scene was.

512
00:25:40,480 --> 00:25:42,639
Speaker 1: And then he sees himself back on the train tracks

513
00:25:43,800 --> 00:25:44,720
Speaker 1: and then the phone rings.

514
00:25:46,440 --> 00:25:49,000
Speaker 4: Very she forgot to turn that off, which is a

515
00:25:49,200 --> 00:25:51,480
Speaker 4: very irresponsible therapy.

516
00:25:51,520 --> 00:25:55,560
Speaker 5: Therapist, who is come on, come on, it's not her.

517
00:25:56,160 --> 00:25:59,160
Speaker 5: Why is he said at his house? That's like, why

518
00:25:59,200 --> 00:26:01,679
Speaker 5: isn't he her? They just wanted to cheap and not

519
00:26:01,680 --> 00:26:04,240
Speaker 5: pay for another Malibu?

520
00:26:04,760 --> 00:26:08,840
Speaker 3: Yeah, you are correct, it was his phone.

521
00:26:09,280 --> 00:26:12,120
Speaker 2: Yeah. She's like, oh sorry, I didn't turn that off, right.

522
00:26:14,080 --> 00:26:17,320
Speaker 1: Right, Not your fault, girl. Then we go to the wallshouse,

523
00:26:17,320 --> 00:26:19,879
Speaker 1: where we don't see the Walsh mom and dad. No,

524
00:26:20,119 --> 00:26:21,400
Speaker 1: we don't see Jim and Cindy do.

525
00:26:21,400 --> 00:26:24,879
Speaker 2: We mm hmmm hm, nope, gone again.

526
00:26:25,280 --> 00:26:27,840
Speaker 1: Yep, Well, Warren is sleeping over it. Oh no, we

527
00:26:27,880 --> 00:26:31,200
Speaker 1: see Jim because he says Brandon will sleep on the couch,

528
00:26:31,240 --> 00:26:36,680
Speaker 1: don't worry about it. Uh yeah. Warren calls Brandon pathetic

529
00:26:36,720 --> 00:26:38,679
Speaker 1: for a living with his parents, and then he tells

530
00:26:39,160 --> 00:26:42,720
Speaker 1: Brandon he better hope he inherits his mom's good jeans,

531
00:26:42,760 --> 00:26:44,280
Speaker 1: which I really disagree with.

532
00:26:44,400 --> 00:26:48,040
Speaker 2: I hate the jeans she wears in the show jeans.

533
00:26:49,320 --> 00:26:53,280
Speaker 2: I hope it's his dad's jeans and suspenders.

534
00:26:55,040 --> 00:26:58,600
Speaker 1: And then Valerie walks in in a towel and a

535
00:26:58,640 --> 00:27:02,760
Speaker 1: hair turban and that apparently makes the kids jaw drop

536
00:27:03,800 --> 00:27:07,080
Speaker 1: because it looked hot. I don't know she was.

537
00:27:07,880 --> 00:27:10,200
Speaker 3: This is where I was definitely nodding off.

538
00:27:11,160 --> 00:27:14,560
Speaker 2: Yeah, I mean it was supposed to elicit some feeling,

539
00:27:14,960 --> 00:27:17,280
Speaker 2: but like, why did she come in in that?

540
00:27:17,560 --> 00:27:20,680
Speaker 1: Like I think I would have taken the hair towel out,

541
00:27:22,720 --> 00:27:26,800
Speaker 1: Like if you were gonna like make somebody a feeling.

542
00:27:27,200 --> 00:27:29,320
Speaker 2: Don't want to have her hair get wet, so they

543
00:27:29,359 --> 00:27:31,080
Speaker 2: had it whatever.

544
00:27:31,560 --> 00:27:31,919
Speaker 6: Whatever.

545
00:27:32,880 --> 00:27:38,160
Speaker 1: AnyWho back at the beatriit. This is so random and weird, right,

546
00:27:38,320 --> 00:27:42,440
Speaker 1: just brill come in and ruin everybody's life.

547
00:27:42,520 --> 00:27:45,080
Speaker 4: Right like the fa They reminded me of a fake

548
00:27:45,720 --> 00:27:50,000
Speaker 4: Rolling Zones cover band, and nothing made sense with each other.

549
00:27:50,160 --> 00:27:54,320
Speaker 3: It's all just like disjointed mass.

550
00:27:55,320 --> 00:27:58,680
Speaker 1: When do we see I'm missing this scene in this breakdown.

551
00:27:58,840 --> 00:28:02,560
Speaker 1: When do we see when Eve is talking to David

552
00:28:03,920 --> 00:28:10,040
Speaker 1: about who is this guy? And was earlier have this

553
00:28:10,280 --> 00:28:11,160
Speaker 1: gangster kid?

554
00:28:11,800 --> 00:28:15,840
Speaker 4: Steve's a real ass about He's racist, he's terrible.

555
00:28:16,400 --> 00:28:18,760
Speaker 1: He says we're going to get drive bys and sell

556
00:28:18,880 --> 00:28:21,800
Speaker 1: drugs now or something. He's just this is the where

557
00:28:21,800 --> 00:28:23,800
Speaker 1: it starts to go really downhill.

558
00:28:24,320 --> 00:28:28,720
Speaker 4: And also he that's not Steve. Like if I were

559
00:28:28,920 --> 00:28:31,760
Speaker 4: Iron and I had to read that, I mean say that,

560
00:28:31,840 --> 00:28:32,400
Speaker 4: I'd be like.

561
00:28:34,040 --> 00:28:36,399
Speaker 2: What is appropriate for my character?

562
00:28:38,840 --> 00:28:38,920
Speaker 1: Ye?

563
00:28:39,480 --> 00:28:39,800
Speaker 2: Something?

564
00:28:40,680 --> 00:28:41,960
Speaker 1: It just got worse from there.

565
00:28:42,680 --> 00:28:44,480
Speaker 2: Okay, now what now?

566
00:28:45,040 --> 00:28:49,200
Speaker 1: Now we go back to the sold question now, yes,

567
00:28:50,000 --> 00:28:52,200
Speaker 1: please we got to get through this. We got okay,

568
00:28:53,840 --> 00:28:58,960
Speaker 1: please please, I need to Okay, let's take a break.

569
00:29:11,160 --> 00:29:16,240
Speaker 4: We interrupted this recap. So can you thank god tiny

570
00:29:16,400 --> 00:29:18,520
Speaker 4: white dot?

571
00:29:19,160 --> 00:29:20,360
Speaker 2: Yes, no, I don't see.

572
00:29:20,400 --> 00:29:24,400
Speaker 1: That's not quite a pimple. No, get rid of those

573
00:29:24,520 --> 00:29:26,120
Speaker 1: or do I have to go to the German to

574
00:29:26,320 --> 00:29:27,160
Speaker 1: the dermatologists?

575
00:29:27,240 --> 00:29:29,880
Speaker 3: Okay, what is it called? It has a gross name, right.

576
00:29:30,520 --> 00:29:34,000
Speaker 2: Not a gross name, but it's go ahead. I don't know,

577
00:29:34,280 --> 00:29:34,720
Speaker 2: I don't know.

578
00:29:35,560 --> 00:29:40,400
Speaker 1: I can't remember. Amelia, Yeah, yeah, thank you, Okay, Amelia.

579
00:29:40,560 --> 00:29:42,400
Speaker 1: So is the dermatologist going to be able to get

580
00:29:42,480 --> 00:29:43,640
Speaker 1: rid of it pretty easily.

581
00:29:43,520 --> 00:29:46,960
Speaker 2: Yes, yeah, really easily. Okay, but it's like the skin

582
00:29:47,000 --> 00:29:49,440
Speaker 2: has formed over it, so you just can't get it out.

583
00:29:49,760 --> 00:29:53,720
Speaker 1: Yeah, they have to like lance it and then okay, yeah,

584
00:29:53,760 --> 00:29:54,560
Speaker 1: it's not a big deal.

585
00:29:54,680 --> 00:29:57,160
Speaker 2: Okay, it's the biggest problem on your face.

586
00:29:57,280 --> 00:30:00,880
Speaker 4: Oh, on my face. I mean to have a lot

587
00:30:00,880 --> 00:30:06,680
Speaker 4: of problems for places. That's my yeah, my face, that's

588
00:30:06,680 --> 00:30:07,880
Speaker 4: my biggest problem on my face.

589
00:30:08,480 --> 00:30:13,280
Speaker 1: Jees, that wasn't a very good intermission. Sorry, you gotta

590
00:30:13,320 --> 00:30:16,880
Speaker 1: go back to the episode. So wait, wait, did we

591
00:30:16,880 --> 00:30:19,280
Speaker 1: talk about the is a good podcast?

592
00:30:19,360 --> 00:30:21,480
Speaker 4: I'm not gonna lie if I was listening to Ian

593
00:30:21,840 --> 00:30:23,840
Speaker 4: and this is much more entertaining than.

594
00:30:23,760 --> 00:30:27,400
Speaker 2: God an episode from Your Lips God's Ears.

595
00:30:28,640 --> 00:30:32,080
Speaker 1: Wait, area is in this episode? Did you know that? Well?

596
00:30:32,160 --> 00:30:33,960
Speaker 2: I saw her sitting at the booth, so there she

597
00:30:34,120 --> 00:30:34,440
Speaker 2: was at.

598
00:30:34,360 --> 00:30:37,040
Speaker 1: The peach pit. She tells the guys she's starting to

599
00:30:37,080 --> 00:30:40,600
Speaker 1: get used to the idea. That's right. I didn't even

600
00:30:40,640 --> 00:30:43,120
Speaker 1: hear that. The seed didn't even hear say that.

601
00:30:43,480 --> 00:30:46,280
Speaker 4: I heard it, and it was so quick and also

602
00:30:46,560 --> 00:30:49,200
Speaker 4: so random, like, hey, we're just gonna sprinkle this in

603
00:30:49,280 --> 00:30:52,920
Speaker 4: because these two are leaving soon in about four episodes. Cool.

604
00:30:54,160 --> 00:30:56,400
Speaker 1: Then Valerie comes in and she pretends to be somebody

605
00:30:56,440 --> 00:30:59,920
Speaker 1: else because she owes the brit guy's money. Oh yeah

606
00:31:00,160 --> 00:31:02,040
Speaker 1: she was, Yes, what was her name?

607
00:31:02,120 --> 00:31:02,479
Speaker 2: Melody?

608
00:31:02,640 --> 00:31:07,400
Speaker 4: Melanie worked up and Valerie was old in her drama

609
00:31:07,600 --> 00:31:11,200
Speaker 4: and sick or having some kind of dental procedure or something.

610
00:31:11,400 --> 00:31:12,520
Speaker 3: Yeah, I remember this now.

611
00:31:12,640 --> 00:31:19,960
Speaker 1: Oh yeah, dumb. It's also dumb. There got a peach

612
00:31:20,000 --> 00:31:22,360
Speaker 1: pit after dark. Now it's going to be really exciting.

613
00:31:22,400 --> 00:31:25,440
Speaker 4: Wait, can we talk about the guy, the fake the

614
00:31:25,480 --> 00:31:27,120
Speaker 4: British guy rolling stones?

615
00:31:27,320 --> 00:31:32,040
Speaker 1: You guys, not a real accent, is it? Oh you're

616
00:31:32,080 --> 00:31:37,240
Speaker 1: a genius, but you Yeah, No, that wasn't a real accent.

617
00:31:38,640 --> 00:31:42,800
Speaker 1: It was like a really strong British fake accent.

618
00:31:43,160 --> 00:31:45,400
Speaker 3: Episode was really British.

619
00:31:45,480 --> 00:31:46,640
Speaker 2: I don't understand.

620
00:31:48,560 --> 00:31:51,760
Speaker 1: Because he why wasn't they weren't available, so they got

621
00:31:51,800 --> 00:31:54,280
Speaker 1: this guy on the guy off the street.

622
00:31:54,360 --> 00:31:56,480
Speaker 2: No, I just don't understand. There wasn't a story point

623
00:31:56,560 --> 00:31:59,200
Speaker 2: to him being fake British right.

624
00:31:59,680 --> 00:32:02,960
Speaker 4: Yeah, they were like a band was British, right, British

625
00:32:03,160 --> 00:32:05,560
Speaker 4: rock band that was Why would you get that guy?

626
00:32:05,640 --> 00:32:09,800
Speaker 2: I'm so confused and it's so startled by him. His

627
00:32:10,000 --> 00:32:12,400
Speaker 2: performance it was like me doing the unreal world and

628
00:32:12,440 --> 00:32:13,920
Speaker 2: pertaining to be a brit It was.

629
00:32:14,320 --> 00:32:19,560
Speaker 1: Very yes, big, I don't know who any of that happened?

630
00:32:19,960 --> 00:32:22,040
Speaker 1: Can I throw who played in there?

631
00:32:22,680 --> 00:32:22,880
Speaker 2: Yeah?

632
00:32:23,200 --> 00:32:23,520
Speaker 1: Who's that?

633
00:32:23,840 --> 00:32:28,520
Speaker 4: Double ups are really sacrificing the quality of nine to

634
00:32:28,600 --> 00:32:28,920
Speaker 4: two one?

635
00:32:28,960 --> 00:32:29,080
Speaker 6: Oh?

636
00:32:29,520 --> 00:32:30,040
Speaker 2: I think?

637
00:32:30,440 --> 00:32:33,440
Speaker 1: Is this double ups? Did you find out? All said it?

638
00:32:33,600 --> 00:32:36,280
Speaker 1: And it just makes sense why you don't ask your

639
00:32:36,560 --> 00:32:37,880
Speaker 1: your speed dial guy?

640
00:32:38,320 --> 00:32:42,200
Speaker 4: Yeah, there's gotta be because like our main people are,

641
00:32:42,360 --> 00:32:43,800
Speaker 4: you're in one scene.

642
00:32:45,840 --> 00:32:48,840
Speaker 1: Ask Larry Molin? Yeah, you're good pall Larry who wrote

643
00:32:48,880 --> 00:32:50,360
Speaker 1: this episode, go ahead.

644
00:32:51,760 --> 00:32:54,280
Speaker 3: He probably would not like that. We don't like it?

645
00:32:54,560 --> 00:32:59,920
Speaker 1: Yeah, well this is our opinion, So don't listen if

646
00:32:59,920 --> 00:33:00,600
Speaker 1: you don't like it.

647
00:33:02,000 --> 00:33:02,760
Speaker 2: I don't think they do.

648
00:33:04,640 --> 00:33:07,800
Speaker 1: But if they're listening right now, hello.

649
00:33:09,160 --> 00:33:11,520
Speaker 2: Larry, Larry Chuck.

650
00:33:12,640 --> 00:33:15,280
Speaker 3: So long too. What happens now?

651
00:33:15,560 --> 00:33:17,960
Speaker 1: Okay? Okay, okay, okay. We're going to go back to

652
00:33:18,040 --> 00:33:20,520
Speaker 1: the peach pit after dark. It's going to get really excited.

653
00:33:20,960 --> 00:33:24,320
Speaker 1: Gets and Jawan. David's wearing the hat that you like

654
00:33:24,440 --> 00:33:30,400
Speaker 1: so much. They're getting ready for their YEP and then

655
00:33:30,480 --> 00:33:34,880
Speaker 1: Steve walks in and gives David uh and sees David

656
00:33:34,920 --> 00:33:38,959
Speaker 1: giving Juwan Flyers and freaks out, you can't be posting

657
00:33:39,040 --> 00:33:44,840
Speaker 1: ads in the crips and Blood's newsletter and accuses David

658
00:33:44,920 --> 00:33:50,400
Speaker 1: of trying to play social worker Steve ste David, he's

659
00:33:50,560 --> 00:33:55,960
Speaker 1: on his own with this hip hop night. Oh all right, Yeah,

660
00:33:56,280 --> 00:33:58,480
Speaker 1: we're on the move with Valerie. Where is she going

661
00:33:58,520 --> 00:34:05,160
Speaker 1: in her limo? She's she's broke and she can't she

662
00:34:05,440 --> 00:34:09,200
Speaker 1: can't pay the British band. She owes money too, but

663
00:34:09,320 --> 00:34:11,360
Speaker 1: she has enough money to go to the lim to

664
00:34:11,440 --> 00:34:17,520
Speaker 1: the airport and dilemmo. Yeah, that's right. It's all about image.

665
00:34:17,560 --> 00:34:22,320
Speaker 1: It's all images everything. Then for some reason they go

666
00:34:22,400 --> 00:34:26,080
Speaker 1: to the cake house for two split seconds where Warren

667
00:34:26,160 --> 00:34:28,399
Speaker 1: is being a little jerk to Kelly and Brandon makes

668
00:34:28,480 --> 00:34:34,279
Speaker 1: him cry. So that's when Warren runs away like a

669
00:34:34,360 --> 00:34:38,400
Speaker 1: little cry baby. And yeah, that's the only thing we

670
00:34:38,480 --> 00:34:39,480
Speaker 1: see Kelly in.

671
00:34:40,200 --> 00:34:40,439
Speaker 3: Yeah.

672
00:34:41,560 --> 00:34:44,520
Speaker 1: I have a feeling I wasn't in the last episode,

673
00:34:44,840 --> 00:34:47,319
Speaker 1: wasn't in this episode. I know I got really sick

674
00:34:47,360 --> 00:34:50,040
Speaker 1: at one point, and I'm wondering if this was it.

675
00:34:50,160 --> 00:34:51,520
Speaker 1: I was in the hospital for.

676
00:34:51,640 --> 00:34:53,800
Speaker 3: Oh my god, maybe what was it?

677
00:34:54,719 --> 00:34:55,520
Speaker 2: Oh, you had a.

678
00:34:56,320 --> 00:35:02,400
Speaker 1: Kidney infection and really bad when you have iron deficiency.

679
00:35:02,880 --> 00:35:03,279
Speaker 7: This was it.

680
00:35:04,560 --> 00:35:09,960
Speaker 4: This has to be what is happening thens Randall, that

681
00:35:10,200 --> 00:35:14,680
Speaker 4: is making Randall's going to know, you know, what's everything?

682
00:35:16,640 --> 00:35:17,359
Speaker 2: But it could have been.

683
00:35:17,440 --> 00:35:24,040
Speaker 5: She was like, because it's just weird because it's the

684
00:35:24,160 --> 00:35:24,880
Speaker 5: last episode.

685
00:35:24,920 --> 00:35:27,560
Speaker 1: Then right, if it's double ups, it doesn't make any

686
00:35:27,600 --> 00:35:31,799
Speaker 1: sense because everybody else's there right on the other show

687
00:35:31,840 --> 00:35:35,040
Speaker 1: shooting by myself. I don't know, but like.

688
00:35:37,040 --> 00:35:39,880
Speaker 4: My theory was, like Andrea has one scene too, like

689
00:35:40,040 --> 00:35:43,520
Speaker 4: everybody was just bits, bits and bobs and like nothing

690
00:35:43,680 --> 00:35:44,360
Speaker 4: was connected.

691
00:35:45,719 --> 00:35:47,840
Speaker 1: Yeah, all right, keep going, keep going. Back to the

692
00:35:47,920 --> 00:35:51,359
Speaker 1: peach pit. After dark, the British rock band crashes into

693
00:35:51,400 --> 00:35:54,440
Speaker 1: the club looking for her and they start trouble. They

694
00:35:54,520 --> 00:35:59,040
Speaker 1: start motioning with people, shoving people, and you know what happens,

695
00:35:59,800 --> 00:36:04,719
Speaker 1: The big fight breaks out on stage. Yeah, with bloody rue.

696
00:36:06,560 --> 00:36:10,400
Speaker 1: David tells Juan not to fight, don't do it in

697
00:36:10,520 --> 00:36:13,120
Speaker 1: the face of it. He learned from his class, from

698
00:36:13,160 --> 00:36:16,760
Speaker 1: his anger management class, his squash it class. He learned.

699
00:36:17,360 --> 00:36:19,720
Speaker 1: He took that and he squashed it right in that moment.

700
00:36:19,840 --> 00:36:20,920
Speaker 2: I'm so proud of him.

701
00:36:21,040 --> 00:36:24,640
Speaker 1: Good job, Dway. Yeah, and Uncle Willie of course was

702
00:36:24,719 --> 00:36:26,440
Speaker 1: very proud of him. This is where I.

703
00:36:26,560 --> 00:36:29,120
Speaker 4: Really nodded off, and you'd think that the opposite would

704
00:36:29,160 --> 00:36:32,840
Speaker 4: be true because this was the big you know, crescendo excitement.

705
00:36:33,560 --> 00:36:36,120
Speaker 1: Yeah, well, Claren David started making out.

706
00:36:36,239 --> 00:36:39,640
Speaker 4: Did that get I was so concerned about her red lipstick?

707
00:36:40,080 --> 00:36:42,239
Speaker 4: Like my main thing was like, her red lipstick is

708
00:36:42,320 --> 00:36:43,160
Speaker 4: going to get on him?

709
00:36:43,280 --> 00:36:44,080
Speaker 2: And it didn't.

710
00:36:44,880 --> 00:36:47,520
Speaker 1: You always think that when you see a red kissing

711
00:36:47,560 --> 00:36:49,440
Speaker 1: scene and somebody's got like a lot of lipstick on,

712
00:36:49,560 --> 00:36:51,440
Speaker 1: don't you think, Oh no, don't it's gonna be a

713
00:36:51,520 --> 00:36:56,200
Speaker 1: hot mess. Well, they make lipstick this kiss proof, you know.

714
00:36:56,360 --> 00:37:02,120
Speaker 1: Amy put the lipstick on and put powder on it.

715
00:37:02,280 --> 00:37:05,319
Speaker 3: Like, yeah, a.

716
00:37:05,600 --> 00:37:10,080
Speaker 2: Choice like Macup would be like, let's not do that

717
00:37:10,320 --> 00:37:12,600
Speaker 2: because we're gonna have to keep reapplying. And you right,

718
00:37:13,400 --> 00:37:15,799
Speaker 2: you have a kissing me. I really want to wear

719
00:37:15,880 --> 00:37:18,200
Speaker 2: red lips. Sorry, it's worth it to me.

720
00:37:18,400 --> 00:37:22,000
Speaker 1: Okay, and her hair's her hair was sort of actually

721
00:37:22,120 --> 00:37:22,800
Speaker 1: kind of cool.

722
00:37:23,040 --> 00:37:24,160
Speaker 3: I wasn't mad at her hair.

723
00:37:24,440 --> 00:37:26,120
Speaker 2: Same, Okay, keep going.

724
00:37:26,239 --> 00:37:29,320
Speaker 1: We have four more scenes, the carriage in in Reno

725
00:37:29,440 --> 00:37:33,319
Speaker 1: where he has stalked ray and found him, found him

726
00:37:33,360 --> 00:37:36,759
Speaker 1: and she comes and knock it on his door. Then

727
00:37:36,800 --> 00:37:39,359
Speaker 1: we go back to Dylan's house where he goes, guess

728
00:37:39,400 --> 00:37:44,520
Speaker 1: what under hypnosis, and he dreams he's kissing a girl

729
00:37:44,560 --> 00:37:47,279
Speaker 1: and trank, No, that already happened. No, that might have

730
00:37:47,320 --> 00:37:50,799
Speaker 1: been when that No, because this is the he got

731
00:37:51,040 --> 00:37:52,840
Speaker 1: really hypnotized, he regrets.

732
00:37:53,040 --> 00:37:55,480
Speaker 4: Can I interject really quickly though, that there is a

733
00:37:55,640 --> 00:38:01,680
Speaker 4: carriage in in Reno. I actually think that they were going.

734
00:38:01,600 --> 00:38:05,479
Speaker 1: To all these places because of Jamie Walters looking up. Okay,

735
00:38:05,600 --> 00:38:09,480
Speaker 1: look up up in nineteen ninety five.

736
00:38:09,920 --> 00:38:15,120
Speaker 4: Let's see carriage in six ninety West fourth Street, Reno, Nevada.

737
00:38:15,840 --> 00:38:20,439
Speaker 1: So I'm convinced, I know, I'm convinced.

738
00:38:20,080 --> 00:38:24,400
Speaker 2: That the Donna was going to Reno. Right. Oh, no,

739
00:38:24,440 --> 00:38:26,480
Speaker 2: because he's coming back now, right right, right, No.

740
00:38:26,600 --> 00:38:27,120
Speaker 1: He's come back.

741
00:38:27,160 --> 00:38:29,960
Speaker 2: You don't go to Reno, Valerie, Yeah, somewhere And.

742
00:38:29,960 --> 00:38:32,640
Speaker 1: Then they go they go to a diner and she

743
00:38:32,800 --> 00:38:35,400
Speaker 1: tells Ray that Donna needs him back and he should

744
00:38:35,440 --> 00:38:37,840
Speaker 1: play at the peach bit again. And she's so nice.

745
00:38:38,480 --> 00:38:39,320
Speaker 2: She's so nice.

746
00:38:39,719 --> 00:38:41,840
Speaker 6: I was convinced for a second if and he agrees

747
00:38:41,920 --> 00:38:46,839
Speaker 6: to come back, yep, and value and then they're leaving, right,

748
00:38:47,000 --> 00:38:49,640
Speaker 6: and then all of a sudden, Valerie does a weird

749
00:38:49,880 --> 00:38:52,279
Speaker 6: like tries to make a move on him.

750
00:38:53,040 --> 00:38:57,719
Speaker 1: She like throws out a hook so Tricky can catch

751
00:38:57,800 --> 00:39:02,360
Speaker 1: him Tricky and then he doesn't. He says no, and

752
00:39:02,440 --> 00:39:04,600
Speaker 1: then she switches back and she says, good answer. If

753
00:39:04,640 --> 00:39:06,480
Speaker 1: you had said yes, I would have I would have

754
00:39:06,560 --> 00:39:08,799
Speaker 1: to tell Donna. What was that about.

755
00:39:08,920 --> 00:39:11,600
Speaker 2: I don't know, but I loved that. I was like, oh,

756
00:39:11,760 --> 00:39:12,840
Speaker 2: you clever girl.

757
00:39:13,280 --> 00:39:16,320
Speaker 1: Wow, she really I didn't think she.

758
00:39:16,560 --> 00:39:18,280
Speaker 3: I thought she backpedaled.

759
00:39:18,400 --> 00:39:22,359
Speaker 1: Oh yeah, but it was like clever, Yeah, I can

760
00:39:22,400 --> 00:39:24,359
Speaker 1: you tell she was doing it because now she wants

761
00:39:24,440 --> 00:39:27,000
Speaker 1: to be on Donna's a good side or like help them.

762
00:39:27,520 --> 00:39:31,040
Speaker 2: And some like if he had wanted to, she would

763
00:39:31,080 --> 00:39:33,279
Speaker 2: have done it, but he said no. So then she

764
00:39:33,440 --> 00:39:35,320
Speaker 2: was like, good convinced.

765
00:39:36,000 --> 00:39:37,840
Speaker 3: I'm sorry, I'm going to correct myself.

766
00:39:38,360 --> 00:39:40,880
Speaker 1: Okay, correct the way I am going to.

767
00:39:40,920 --> 00:39:45,120
Speaker 4: Correct myself, I said, convinced, which is weird. Frank's coffee

768
00:39:45,200 --> 00:39:49,480
Speaker 4: Shop was where they shot that Burbank, California, ninety sixteen

769
00:39:49,600 --> 00:39:52,600
Speaker 4: West Olive Avenue, So maybe my whole theory that they

770
00:39:52,640 --> 00:39:53,759
Speaker 4: went to Reno, I.

771
00:39:53,760 --> 00:39:56,120
Speaker 2: Don't think they want to be I mean, they showed

772
00:39:56,160 --> 00:39:58,080
Speaker 2: a hallway they should have scenes.

773
00:39:58,160 --> 00:40:02,360
Speaker 1: Yeah, I'm happy to say that. That's the end of

774
00:40:02,400 --> 00:40:02,960
Speaker 1: the episode.

775
00:40:06,239 --> 00:40:09,719
Speaker 2: Exciting. What do we have a carriage in here?

776
00:40:10,719 --> 00:40:10,919
Speaker 7: Yeah?

777
00:40:15,840 --> 00:40:18,680
Speaker 1: A tricky and what was the very very end? And

778
00:40:18,760 --> 00:40:23,440
Speaker 1: then it was like credits, what's going to happen?

779
00:40:24,160 --> 00:40:26,959
Speaker 3: What was the very last moment? Does anyone remember.

780
00:40:27,320 --> 00:40:32,239
Speaker 1: I'll never forget Valerie's Hooters? Wait no, that's a different note.

781
00:40:34,960 --> 00:40:37,880
Speaker 1: I'm reading my notes.

782
00:40:38,080 --> 00:40:41,480
Speaker 2: Oh my god, what what scene did you write that about?

783
00:40:41,840 --> 00:40:42,120
Speaker 5: You know what?

784
00:40:42,200 --> 00:40:46,200
Speaker 1: I think I quoted all the terrible things in this episode.

785
00:40:46,320 --> 00:40:48,839
Speaker 1: Squash it. That was an ain't that was another one.

786
00:40:49,360 --> 00:40:53,439
Speaker 1: I might be white, but I'm not vanilla. Oh my god,

787
00:40:54,640 --> 00:40:57,160
Speaker 1: Steve Sanders says, put an ad out in the Cripson

788
00:40:57,440 --> 00:41:02,600
Speaker 1: Blood newsletter. Uh huh yeah. So many things are.

789
00:41:02,880 --> 00:41:03,879
Speaker 2: To end on a high note.

790
00:41:04,440 --> 00:41:04,879
Speaker 4: This wasn't.

791
00:41:07,280 --> 00:41:11,800
Speaker 1: Okay, that's exciting. Give it.

792
00:41:11,880 --> 00:41:12,799
Speaker 3: This is my lowest ever.

793
00:41:15,560 --> 00:41:17,400
Speaker 1: But wait, I want to want to go back to

794
00:41:17,560 --> 00:41:20,840
Speaker 1: the fight at the peachment after dark for a seconding

795
00:41:20,920 --> 00:41:25,800
Speaker 1: the episode, I'm sorry, wait, you see where they started fighting.

796
00:41:26,040 --> 00:41:30,440
Speaker 1: The David Silver gets pushed over two times, just like

797
00:41:30,600 --> 00:41:33,080
Speaker 1: pushed down, like he doesn't even have any fight in him.

798
00:41:33,200 --> 00:41:36,399
Speaker 1: He's too busy dancing like this. He's like like he's

799
00:41:36,480 --> 00:41:38,439
Speaker 1: just a background down so he's not even in the band,

800
00:41:38,520 --> 00:41:40,680
Speaker 1: you guys, and then he gets pushed.

801
00:41:43,400 --> 00:41:43,440
Speaker 4: It.

802
00:41:44,320 --> 00:41:46,879
Speaker 1: Oh god, I will say this episode is so bad.

803
00:41:46,960 --> 00:41:47,359
Speaker 3: It's good.

804
00:41:47,760 --> 00:41:54,120
Speaker 1: It doesn't it like No, I'm gonnas so bad it's bad. Yeah, yeah, sorry,

805
00:41:54,320 --> 00:41:58,080
Speaker 1: sorry to say, Larry Mullin, it's bad. I want to

806
00:41:58,120 --> 00:42:01,960
Speaker 1: give it a two. What but I'm not going to,

807
00:42:02,160 --> 00:42:02,840
Speaker 1: but I want to.

808
00:42:02,960 --> 00:42:03,959
Speaker 3: I'm going to give it a four.

809
00:42:04,200 --> 00:42:06,919
Speaker 2: Oh my god, now I have to so bad.

810
00:42:07,000 --> 00:42:10,280
Speaker 3: We just did not like it ours and I remembered.

811
00:42:10,400 --> 00:42:11,840
Speaker 1: I'm going to give it. I'm going to give it

812
00:42:11,920 --> 00:42:18,759
Speaker 1: a two. You guys, it's racially inappropriate. It's horribly I'm

813
00:42:18,960 --> 00:42:24,319
Speaker 1: so sorry. It's terribly written. It's disjointed. It's disjointed, it's dull.

814
00:42:24,920 --> 00:42:28,040
Speaker 2: Okay, I'll give it a three three, so we.

815
00:42:28,120 --> 00:42:33,600
Speaker 1: Have two three four. They did some sequence. Yeah, I

816
00:42:33,719 --> 00:42:34,279
Speaker 1: hope you are.

817
00:42:34,400 --> 00:42:35,240
Speaker 3: It was better.

818
00:42:35,600 --> 00:42:38,239
Speaker 1: I really hope that our listeners had a better experience

819
00:42:38,320 --> 00:42:41,800
Speaker 1: with that. Maybe they did. If everyone loves this episode,

820
00:42:41,840 --> 00:42:42,839
Speaker 1: please reach out us.

821
00:42:42,840 --> 00:42:43,640
Speaker 4: I need to know why.

822
00:42:43,840 --> 00:42:44,160
Speaker 3: I need to.

823
00:42:44,320 --> 00:42:47,400
Speaker 1: Once again, we really appreciate you guys listening and sticking

824
00:42:47,440 --> 00:42:49,000
Speaker 1: with us through even the clunkers.

825
00:42:50,000 --> 00:42:52,879
Speaker 2: Even then, we make it fun. Yeah, yeah, job, We're

826
00:42:52,920 --> 00:42:53,919
Speaker 2: here here for the fun.

827
00:42:54,320 --> 00:42:56,480
Speaker 1: It's even more fun I think when it's a clnker

828
00:42:56,600 --> 00:42:58,880
Speaker 1: because we were to talk about we rip it, and

829
00:42:59,239 --> 00:43:04,440
Speaker 1: that's more exciting. But there's some people that don't like that.

830
00:43:04,560 --> 00:43:10,759
Speaker 1: I'm sure you rip it very good. But yeah, play,

831
00:43:11,520 --> 00:43:13,680
Speaker 1: follow or like or whatever. How does it work on

832
00:43:13,840 --> 00:43:18,319
Speaker 1: the on the podcasts? Yeah, you like it? You listen to? Yeah,

833
00:43:18,400 --> 00:43:19,920
Speaker 1: give us five stars and a good.

834
00:43:22,840 --> 00:43:23,040
Speaker 2: Yep.

835
00:43:23,160 --> 00:43:27,719
Speaker 1: No, totally use Radars reviews. We need some ratings and

836
00:43:27,840 --> 00:43:33,239
Speaker 1: reviews to impress our boss Amy Uh and remind her

837
00:43:33,360 --> 00:43:36,960
Speaker 1: how much everyone loves the show. Valid keep doing it.

838
00:43:39,440 --> 00:43:42,920
Speaker 1: Oh well, on that note, have a great week. Everybody,

839
00:43:43,280 --> 00:43:44,719
Speaker 1: love you, by bye,