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Speaker 1: I listened to the Black Guy Who Tips podcast because

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Speaker 1: Rod and Karen are hot.

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Speaker 2: One and two and three and four.

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Speaker 3: And get them set ups right and tuck yr Tommy

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Speaker 3: tye and do your crunches like this, give head, stop breathe,

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Speaker 3: get up, check your weave, don't drop the blunt. Just

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Speaker 3: spect your weave. Pick yourself up over and just spect

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Speaker 3: your seat. It's a party tonight. And oh, she's so excited.

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Speaker 3: Tell me who's invited you? Your friends in ighty so

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Speaker 3: savy to me, he'd he made girls are like holly

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Speaker 3: Berry to me, so excuse me, miss I forgot your name.

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Speaker 3: Thank you, good night, God bless you. I can't, I can't,

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Speaker 3: I can't. Hey, Welcome to the black Out Tess podcast,

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Speaker 3: their hosts Rod and Karen.

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Speaker 2: It's been a week without how me and he for

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Speaker 2: a week without.

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Speaker 4: Me, got some goods. Work at men, pass out, try

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Speaker 4: to work out.

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Speaker 3: To that maybe wink and work and out, working out,

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Speaker 3: working out, working out? Now, all right, this is the

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Speaker 3: Blackout Tips or most of you guys are probably tuning

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Speaker 3: in the day.

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Speaker 2: You guys know this a special Wednesday edition.

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Speaker 3: Of one of our favorite shows that everybody seems to

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Speaker 3: be in love with and so are we So Walking

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Speaker 3: Down Wednesday, Day Walking Wednesday. Pull the blackout tips. You

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Speaker 3: can find this podcast a bunch of places iTunes, stitch,

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Speaker 3: r RSS, radio, Podcatcher, podcasts, addict munch stuff. Just search

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Speaker 3: Force and we'll come up. Leave a spot star reviews

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Speaker 3: on iTunes the stitches because he read those on the

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Speaker 3: show every Saturday when we do our feedback show. The

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Speaker 3: official weapon of the show is in the unofficial sport

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Speaker 3: at bullet Ball a streams at. Today's show is brought

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Speaker 3: to you by Shadow Dog Productions. Make sure you check

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Speaker 3: out our album Sunspot and other ratchetness. It is all

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Speaker 3: over everywhere Amazon and and and and and and iTunes

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Speaker 3: and whatnot. Buy it. Listen to us be silly. You

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Speaker 3: guys love when we do voices and characters and stuff.

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Speaker 3: Well we got paid to do voices and characters a

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Speaker 3: lot of fun. Yeah, and there's people you know on

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Speaker 3: that Nick jews On that you know. Come check us out, man.

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Speaker 3: We appreciate everybody that supports to show that way you

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Speaker 3: buy the album in it. Uh, let's the the let's

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Speaker 3: Shadow Down Productions know that you guys are invested and

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Speaker 3: uh that you guys support them. Sponsoring us. Also, we

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Speaker 3: have another sponsor. It's Bevel. That's right. This episode is

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Speaker 3: brought to you by Bevel, the first and only shaving

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Speaker 3: first month at getbebbel dot com. That's g E T

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Speaker 3: B E v e L dot com. All right, so

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Speaker 3: I guess we can get right into Walking Dead. That's

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Speaker 3: really what every right's here for.

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Speaker 4: I know, right, like y'all need to get on with

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Speaker 4: the show.

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Speaker 2: I don't know.

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Speaker 3: I don't remember if any major news I want to

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Speaker 3: cover came up. So we'll start with uh, the Walking Dead.

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Speaker 3: Let me play the song for y'all. Yeah, we're back

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Speaker 3: in the building Walking Dead episode uh ten of season six.

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Speaker 3: We're over the halfway mark, winding down towards that episode sixteen.

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Speaker 3: This one was.

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Speaker 2: Called The Next World.

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Speaker 3: It was directed by Kyrie Stoggling, written by Angela Kinge

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Speaker 3: and Corey Reid, and they got a thirteen point four

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Speaker 3: eight in the ratings, which is really good. I mean,

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Speaker 3: last week was thirteen point seven four, so it pretty

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Speaker 3: much retained everybody from the season halfway mark, which you

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Speaker 3: know last year I remember, I want to say they

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Speaker 3: did the return show. Yeah, they got fifteen point sixty four,

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Speaker 3: and then the episode after that them got a twelve

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Speaker 3: point twenty seven. So it dropped off tremendously last year.

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Speaker 3: This time, I guess they did such a good job.

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Speaker 3: They retained everybody. Everybody's like, I'm coming back to this

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Speaker 3: shit next week.

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Speaker 4: I know I got shut nine. What happened?

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Speaker 3: Right? So the Next World basically is the aftermath of

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Speaker 3: you know, the town being.

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Speaker 2: Overrun by zombies.

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Speaker 3: And you know the conclusion to uh, well, not the conclusion,

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Speaker 3: but you know, we get some we get a lot

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Speaker 3: of closure. This is one of those episodes where it's

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Speaker 3: a bit of a down episode. And by down, I

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Speaker 3: don't mean it's not good. I just mean it's not

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Speaker 3: frantic action. It's more character building.

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Speaker 5: Character development, slowing it down because it's like you can't

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Speaker 5: go high speed all the time. And I think some

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Speaker 5: people really want that Indus show and you're like, that's

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Speaker 5: not realistic because that's not how life functions.

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Speaker 3: Right, and relationship building is what it's about uh, you know.

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Speaker 3: I find a lot of people do not appreciate the

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Speaker 3: relationship building. But a lot of times those are the

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Speaker 3: episodes that actually make the deaths of characters mean things.

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Speaker 3: If not, if nothing else they it becomes meaningless. If

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Speaker 3: if the characters don't have real strong relationships with other characters,

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Speaker 3: their death don't mean anything to me. And I feel

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Speaker 3: like episodes like this give you the space where you

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Speaker 3: can go, Okay, this person means this to that person,

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Speaker 3: this person is getting cool with that person. And then

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Speaker 3: whenever you know, somebody eventually does die or get separated

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Speaker 3: from a group or something, now you feel that urgency that.

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Speaker 5: And a lot of times when they slow like this,

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Speaker 5: they give you background history, where they came from, who

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Speaker 5: they really are, why they make the decisions that they make.

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Speaker 5: And to me, I think a lot of people want

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Speaker 5: to they want to ignore those episodes that they don't

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Speaker 5: want to take the time to watch those episodes. But

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Speaker 5: if you don't it that person died, that person didn't

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Speaker 5: mean nothing is bad writing. You can't have both ways.

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Speaker 5: You can't want you can't want a rushed action story

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Speaker 5: but no character development.

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Speaker 4: That's dumb.

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Speaker 3: Yeah, what I find is that a lot of times

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Speaker 3: people just go, well, they ain't kill any zombies this week,

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Speaker 3: you know, but uh, at any rate, I guess we

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Speaker 3: should get into the scene my scene breakdown, because it

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Speaker 3: was a lot going on this week, and and you know,

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Speaker 3: it's separated into basically two major storylines. It was Rick

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Speaker 3: and Daryl going out on the run and Michean and

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Speaker 3: Carl and Enid and Spencer out in the woods. It's

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Speaker 3: pretty much a major storylines, which was cool because they

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Speaker 3: finally not finally, but they found a way to do

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Speaker 3: individual kind of storylines and we went together without having

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Speaker 3: to separate the group again, right, because I feel like

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Speaker 3: in the past, they've always kind of whenever they wanted

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Speaker 3: to just tell a couple of people's stories or a

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Speaker 3: couple of story involving only a handful of people, it's

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Speaker 3: always felt like they had to be like, and this

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Speaker 3: group got swlitted up from that group, and now we

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Speaker 3: gotta tell their story separate from everybody else. Yeah. So,

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Speaker 3: first thing we noticed when they come back is Rick

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Speaker 3: is creating another belt hole in his belt and if

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Speaker 3: you pay attention, he's making his belt looser, not tighter.

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Speaker 3: I asked some people say oh, I think he's making

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Speaker 3: it tighter. I rewound. I would watch it more than once.

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Speaker 3: You can't see the holes from that angle. If he

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Speaker 3: was making it tighter, you would be able to see

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Speaker 3: the holes that were in front of in front of

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Speaker 3: the hole he was making, you can't. And then when

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Speaker 3: he pulls picks the belt up, you see clearly that

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Speaker 3: the handle part of the belt is to the left

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Speaker 3: and the hole he was making us all the way

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Speaker 3: to the right. So you know, when you make a

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Speaker 3: hole closer to the tip of the belt, not away

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Speaker 3: from the handle, you're actually making your belt looser.

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Speaker 4: So uh.

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Speaker 3: They also show a picture of Carl holding Julus, and

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Speaker 3: Car has an eye patch.

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Speaker 4: So it's like a time skip right.

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Speaker 3: So he's looking like the governor Governor Jr. Right, But yeah,

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Speaker 3: we know now time skip time has passed, And I think,

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Speaker 3: first of all, what did you think about the idea

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Speaker 3: of skipping coming back to the story but skipping ahead.

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Speaker 4: I don't have a problem with that.

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Speaker 5: It's some sometimes certain things have to do that to

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Speaker 5: kind of move and progress the storyline along. And it's like,

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Speaker 5: what could you have told in that period of time

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Speaker 5: that would have warranted a non time skip Like.

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Speaker 3: Not only that I love this idea, it's they've done

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Speaker 3: it a few times before, Like typically they do it

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Speaker 3: coming out of the winter break, but this time they

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Speaker 3: did an episode immediately afterwards and then took a break.

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Speaker 3: But what I like about this is it like it

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Speaker 3: we can fill in the blanks of what happened, but

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Speaker 3: we don't have to go through the things that we

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Speaker 3: knew were gonna happen. You know, Carl's gonna live, so

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Speaker 3: he's gonna heal up. We don't have to go through

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Speaker 3: his whatever PTSD. Right, there was no reason to show

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Speaker 3: that the cleaning up of the bodies of the zombie

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Speaker 3: and you.

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Speaker 4: Need to see that. We just assumed that it happened.

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Speaker 2: Yeah, and and I mean the other things.

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Speaker 3: That adds this layer of sophistications to the show because

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Speaker 3: now when we see characters, we have to wonder, like,

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Speaker 3: next time we see Morgan and Carroll, have they had

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Speaker 3: this talk yet?

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Speaker 2: You know what?

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Speaker 3: Like what's going on?

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Speaker 4: You know?

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Speaker 3: So I actually really appreciated that that was that was

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Speaker 3: kind of dope to skip forward. Michean showed up in

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Speaker 3: Carlin Rick's house wearing a bathrob with her hair wrapped up,

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Speaker 3: but she just got out the shower.

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Speaker 4: Yeah, because she'd been living with them the whole time.

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Speaker 2: She's been living with them the whole time.

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Speaker 4: Yeah, okay, yeah, if I'm tell me if I'm wrong.

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Speaker 5: But from the beginning, she I think she been standing

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Speaker 5: there the whole time. Like I think they all had

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Speaker 5: a house together. I don't think that she actually had

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Speaker 5: a separate house. I don't remember her saying that she

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Speaker 5: lived somewhere else. I think they have always lived under

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Speaker 5: the same roof.

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Speaker 3: Well, what I've noticed was the comfort rights. I mean,

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Speaker 3: she walks in, she's basically in her house coat. You know,

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Speaker 3: her hairs. You know, any time the black women put

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Speaker 3: wrap her hair up around you, you know, you might

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Speaker 3: as well be family.

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Speaker 4: Yeah, she'd show you the headscarf. You know it's real.

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Speaker 3: You know she was borrowing. She had been borrowing the

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Speaker 3: two face for two weeks weeks now they were out

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Speaker 3: of two fast, to which you know, I'm like, I

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Speaker 3: understand the two face thing, but what are you doing

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Speaker 3: to keep your skin so luxurious? What's your skin regimen?

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Speaker 3: And the shining in the z pop shining on everybody.

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Speaker 4: Doing cocoa butter shade butter runs.

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Speaker 3: She got the secret shame. Yeah, I know that's what

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Speaker 3: they need to have. Instead of asking for two paste,

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Speaker 3: you should have asked for some for some shade butter.

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Speaker 3: Then we could have seen, like Darryl and Rick roll

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Speaker 3: their eyes because you know, that's the one that's the

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Speaker 3: that's the items just gonna be out of the way, right,

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Speaker 3: like damn, we gotta drive all the way over to the Sallies.

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Speaker 3: But then at the same time, those would be the

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Speaker 3: things that are still in stock because yesterday white people

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Speaker 3: would have roll right past them. All right, Coco butter,

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Speaker 3: what do you do with that?

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Speaker 4: And you feel realize it's good for y'all skin too,

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Speaker 4: But they were like that.

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Speaker 3: Where you been hiding out of oars and the butters.

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Speaker 3: So yeah, then Rick calls calling, and Carl tries to

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Speaker 3: like not come at first, and then Rick PRETIDSI didn't

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Speaker 3: hear what Rick Carl said. Carl comes and he's like,

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Speaker 3: I actually heard you, just some daddy shit.

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Speaker 2: But it was kind of a funny moment, you know.

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Speaker 3: And then you know, Macheone comes in smiling and she's

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Speaker 3: talking about the two pass and they saying they don't

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Speaker 3: have any, and it's such a relaxed you almost forget

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Speaker 3: his Designia Pocage's almost like a scene from a fucking like,

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Speaker 3: I don't know, episode of Full House or some shit,

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Speaker 3: you know.

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Speaker 5: And also it's one of those things with the time

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Speaker 5: skip was needed because the speech that Rick gave Carl

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Speaker 5: at the end of the last episode was like he

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Speaker 5: kind of wanted this and this was kind of his

237
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Speaker 5: vision coming to pass. He wondered what the piece and

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Speaker 5: like he wanted to build a new society and all

239
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Speaker 5: that stuff. He gave Carl that long speech before call

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Speaker 5: you know me grasps his and and shit like that.

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Speaker 5: So the time jump was was needed so that you

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Speaker 5: could kind of see them going through the precess that

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Speaker 5: you don't know how far a loan they might be in,

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Speaker 5: Like there's this pro process of you know, he told

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Speaker 5: me you gonna spend the wall and all that stuff

246
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Speaker 5: and rebuild and all that stuff, which I know you

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Speaker 5: you're under the assumption that's what they're doing. I think

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Speaker 5: eventually you'll see how far they've gotten in that process.

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Speaker 5: But yeah, I think that the time jump was needed

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Speaker 5: for that purpose.

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Speaker 3: Yeah, well more importantly, I mean, because you can't tell

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Speaker 3: all that and it's opening see what you can tell

253
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Speaker 3: is that his attitude has changed, right, Like his attitude

254
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Speaker 3: is one hundred percent different.

255
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Speaker 2: You know, before this, every episode.

256
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Speaker 3: That he was around and sewn the Carl or whoever

257
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Speaker 3: was in the group, it was always some these people

258
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Speaker 3: don't know what they got.

259
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Speaker 2: These people are gonna ruin everything. We gotta take it

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Speaker 2: from him if we got it.

261
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Speaker 3: Like every fucking conversation was just some savn ass shit.

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Speaker 2: So he finally got you know, we got relaxed.

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Speaker 3: Rick.

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Speaker 2: He's holding Judith, who's.

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Speaker 3: Looking our pressures in her little baby dress. And and

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Speaker 3: I've seen the way Michean looked at her holding Judith,

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Speaker 3: and it was.

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Speaker 4: Just kind of.

269
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Speaker 3: You know, like babies can be afrodisiacs a little bit

270
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Speaker 3: like you know, want you see a man holding a baby,

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Speaker 3: It's like I can think of a future with him.

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Speaker 5: Yeah, she's always had a soft but heart for Judas because.

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Speaker 2: Yeah, but this wasn't that. It wasn't I all look

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Speaker 2: at Judith.

275
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Speaker 3: It was looking at Rick holding Judith right, you know,

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Speaker 3: picking up like come on, baby, let's go, you know,

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Speaker 3: like it was very much. It was like a tender

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Speaker 3: moment for with Rick being a father, and it was

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Speaker 3: something we just don't really get to see from Rick

280
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Speaker 3: very much anymore. Everything with Rick is just so much

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Speaker 3: tension and what's the next move and stress. And here's

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Speaker 3: a moment of just Rick relaxing, you know, and he's like,

283
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Speaker 3: all right, man, I'm about to go do this run

284
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Speaker 3: and he gives her a five. They like slap hands,

285
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Speaker 3: and then he walks out. I don't know why, but

286
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Speaker 3: at that moment I thought maybe they were gonna kiss

287
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Speaker 3: on the cheek or something and be like all right,

288
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Speaker 3: well you have a good day. Because I was like, oh,

289
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Speaker 3: maybe in this time that this time jump, maybe they

290
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Speaker 3: started a relationship.

291
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Speaker 2: But they just gave each other five.

292
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Speaker 3: So I was like, Okay, I guess that's not happening.

293
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Speaker 4: Right, And I did.

294
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Speaker 5: I didn't assume it was gonna happen either, for the

295
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Speaker 5: simple fact that it was like, hey, we just cool.

296
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Speaker 4: Yeah we live in the same roof. But yeah, yeah yeah.

297
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Speaker 3: And you know, sometimes I you know, I feel like,

298
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Speaker 3: as a man, and especially as someone who finds uh

299
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Speaker 3: Michelle Deny to be attractive, part of me is just like,

300
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Speaker 3: oh man, you know, maybe she's feeling me. Maybe you

301
00:15:40,360 --> 00:15:43,240
Speaker 3: should make a move. But you know, obviously I was

302
00:15:43,280 --> 00:15:45,760
Speaker 3: like the showrunners might not even see this relationship in

303
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Speaker 3: that light. So he gave it, gives her a five,

304
00:15:48,440 --> 00:15:53,160
Speaker 3: and walks out. It's him and Daryl going on a mission.

305
00:15:53,240 --> 00:15:57,400
Speaker 3: Darryl's walking towards a car and Denise stops him and

306
00:15:57,560 --> 00:15:58,880
Speaker 3: wants some pop.

307
00:15:59,480 --> 00:16:01,040
Speaker 2: A special ran a pop for Tara.

308
00:16:01,240 --> 00:16:03,080
Speaker 5: And you can tell he was from the South because

309
00:16:03,560 --> 00:16:06,160
Speaker 5: I'm like, I know what poppy is now from talking

310
00:16:06,160 --> 00:16:07,760
Speaker 5: to people from other parts of the country, but I'd

311
00:16:07,760 --> 00:16:08,760
Speaker 5: be like, what the hell is the pop?

312
00:16:09,320 --> 00:16:12,040
Speaker 3: Well, she's from Ohio and that's how they say soda.

313
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Speaker 3: And he was like, how you know to get this

314
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Speaker 3: specific brand.

315
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Speaker 6: Uh.

316
00:16:18,280 --> 00:16:20,120
Speaker 3: She was like, it's not for me, I hate I

317
00:16:20,120 --> 00:16:22,560
Speaker 3: hate pop. It's actually for Terror.

318
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Speaker 4: I heard.

319
00:16:23,560 --> 00:16:25,880
Speaker 2: I heard her saying that under her breath and her sleep.

320
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Speaker 3: Uh. And I was like, oh man, that like you know,

321
00:16:30,720 --> 00:16:32,760
Speaker 3: we're not just together, but it's it's out in the

322
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Speaker 3: open and.

323
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Speaker 4: Everything, you know, relationship.

324
00:16:35,800 --> 00:16:38,800
Speaker 3: Yeah, she had everything with say you wanna smell Terror's

325
00:16:38,800 --> 00:16:45,160
Speaker 3: pussy in his face? But yeah, but I was like,

326
00:16:45,320 --> 00:16:47,040
Speaker 3: she said, she's the love of that hated I don't know.

327
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Speaker 6: Uh.

328
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Speaker 3: So she was playing a hunch and Daryl said, yeah,

329
00:16:50,280 --> 00:16:53,600
Speaker 3: I'll get it for you. You know, no problem list.

330
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Speaker 3: And you know, one thing I thought about that moment too,

331
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Speaker 3: is uh, I think people mistakenly say some fucked up

332
00:17:00,800 --> 00:17:04,119
Speaker 3: shit about not even mistakenly purposely, sometimes say some fucked

333
00:17:04,160 --> 00:17:06,080
Speaker 3: up shit about the black characters on the show. And

334
00:17:06,119 --> 00:17:08,040
Speaker 3: one of the things people say is like, well, black

335
00:17:08,040 --> 00:17:14,040
Speaker 3: men are asexual. There's nobody more asexual than Darryl. Daryl

336
00:17:14,160 --> 00:17:16,560
Speaker 3: might be the most asexual person on the show. He's

337
00:17:16,600 --> 00:17:22,840
Speaker 3: never had a relationship with anybody romantically. You know, people

338
00:17:22,880 --> 00:17:24,679
Speaker 3: were joking and trying to make something out of his

339
00:17:24,760 --> 00:17:26,560
Speaker 3: relationship with Carol, but that turned out to be more

340
00:17:26,560 --> 00:17:29,480
Speaker 3: of a mother figure type thing. His relationship with Beth

341
00:17:29,520 --> 00:17:31,320
Speaker 3: turned out to be kind of like an older brother.

342
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Speaker 4: You know.

343
00:17:32,560 --> 00:17:34,000
Speaker 2: He's never made a move on anybody.

344
00:17:34,000 --> 00:17:37,280
Speaker 3: He's never kissed anybody, He's never said anything, flirted anything.

345
00:17:37,920 --> 00:17:40,600
Speaker 3: So it's just kind of interesting that people cherry picked

346
00:17:40,640 --> 00:17:42,520
Speaker 3: that when you know, I was thinking about the black

347
00:17:42,600 --> 00:17:47,480
Speaker 3: characters on the show. Morgan starts off with a wife, yep, Tyrese.

348
00:17:48,000 --> 00:17:53,600
Speaker 3: It gets with Karen, Bob is with Sasha. Gabe is

349
00:17:53,600 --> 00:17:55,919
Speaker 3: a priest, so that kind of explains itself. You know,

350
00:17:55,960 --> 00:18:02,160
Speaker 3: he's a Catholic priest, so he's sitting the little children. Lord, no,

351
00:18:02,440 --> 00:18:04,800
Speaker 3: even you know, you can even I mean, and I'm

352
00:18:04,800 --> 00:18:07,440
Speaker 3: not I'm not going to even stretch the relationships that

353
00:18:07,960 --> 00:18:09,919
Speaker 3: other people had because I saw people saying stuff like,

354
00:18:09,920 --> 00:18:12,280
Speaker 3: well what about knowing and best? But we don't know

355
00:18:12,359 --> 00:18:16,439
Speaker 3: that anything romantic was happening there. But just in general,

356
00:18:16,480 --> 00:18:19,720
Speaker 3: it's just very weird that people cherry pick the black

357
00:18:19,760 --> 00:18:22,040
Speaker 3: men on this show and they just say all kinds

358
00:18:22,080 --> 00:18:26,040
Speaker 3: of wrong shit. People were my mentions all Sunday just

359
00:18:26,080 --> 00:18:29,000
Speaker 3: saying wrong shit. I was like, that's not what happened

360
00:18:29,000 --> 00:18:31,320
Speaker 3: on the show. You have to pay attention, you know what.

361
00:18:31,440 --> 00:18:34,399
Speaker 5: And I really really think a lot of people live

362
00:18:34,440 --> 00:18:37,080
Speaker 5: tweet and they don't pay attention, and then they don't

363
00:18:37,119 --> 00:18:38,000
Speaker 5: rewatch the show.

364
00:18:38,359 --> 00:18:40,920
Speaker 3: It's not even not paying attention. This is these aren't

365
00:18:41,480 --> 00:18:43,919
Speaker 3: This isn't something you missed. This isn't a moment like

366
00:18:43,920 --> 00:18:46,520
Speaker 3: oh I wasn't looking at the TV. This is People

367
00:18:47,160 --> 00:18:51,000
Speaker 3: have agenda sometimes and they want the show to fit

368
00:18:51,040 --> 00:18:53,000
Speaker 3: into the agenda so they can call it racist or

369
00:18:53,000 --> 00:18:56,000
Speaker 3: fucked up or whatever. The black men on the show

370
00:18:56,040 --> 00:18:59,439
Speaker 3: are not asexual. If that is a falsehood, it's absolutely

371
00:18:59,480 --> 00:19:01,840
Speaker 3: not true. You know, the only person I can think

372
00:19:01,880 --> 00:19:03,760
Speaker 3: of that was black, and a black dude that was

373
00:19:03,840 --> 00:19:08,840
Speaker 3: asexual was tea dog, you know, but that's it. The

374
00:19:08,880 --> 00:19:12,200
Speaker 3: rest of them had relationships at some point or something. Anyway,

375
00:19:15,160 --> 00:19:18,399
Speaker 3: So they start getting these requests. You get the pop,

376
00:19:18,480 --> 00:19:22,000
Speaker 3: you got the toothpaste, and Sean wants toothpaste with spearmen

377
00:19:22,160 --> 00:19:27,199
Speaker 3: and baking soda, baking power. And then Eugenie stops him

378
00:19:27,240 --> 00:19:29,879
Speaker 3: and says he wants them to get some sorgum. And

379
00:19:29,920 --> 00:19:32,359
Speaker 3: he's mapped out a bunch of agricultural locations where they

380
00:19:32,440 --> 00:19:34,760
Speaker 3: might be able to find some sorgum because it can

381
00:19:34,840 --> 00:19:37,680
Speaker 3: help them grow their crops faster. And if they can

382
00:19:37,720 --> 00:19:39,080
Speaker 3: grow the crops faster.

383
00:19:38,920 --> 00:19:39,520
Speaker 2: They can.

384
00:19:41,200 --> 00:19:45,200
Speaker 3: Take their food situation from scary the honky donkey.

385
00:19:45,720 --> 00:19:48,159
Speaker 4: That was the most awkward ass conversation.

386
00:19:48,160 --> 00:19:50,159
Speaker 3: Right, They didn't even I think he expected them to

387
00:19:50,240 --> 00:19:52,760
Speaker 3: laugh at Honky Donkey, and they both just looked at him,

388
00:19:53,640 --> 00:19:55,280
Speaker 3: because at this point it was becoming like a role

389
00:19:55,320 --> 00:19:58,240
Speaker 3: playing game with side missions. It's just like, okay, soda

390
00:19:58,280 --> 00:20:00,639
Speaker 3: two paste, sorgum, all right.

391
00:20:00,840 --> 00:20:03,240
Speaker 4: All right, I guess I put that on the list

392
00:20:03,240 --> 00:20:04,359
Speaker 4: that we have to cross it.

393
00:20:04,680 --> 00:20:05,000
Speaker 3: Right.

394
00:20:05,160 --> 00:20:07,400
Speaker 4: There's no home depot around here.

395
00:20:07,560 --> 00:20:09,520
Speaker 3: Right, and then when they paused and looked at him,

396
00:20:09,520 --> 00:20:15,000
Speaker 3: he just goes think about it. I'm like okay, so yeah,

397
00:20:15,640 --> 00:20:19,520
Speaker 3: let's see what else happened. And they head out on

398
00:20:19,560 --> 00:20:24,560
Speaker 3: the road and uh, as they're leaving, Machean's working the

399
00:20:24,560 --> 00:20:28,000
Speaker 3: fence on guard duty, and she sees Spencer running into

400
00:20:28,000 --> 00:20:29,159
Speaker 3: the woods.

401
00:20:28,920 --> 00:20:31,600
Speaker 2: Or well walking into the woods with a shovel on.

402
00:20:31,560 --> 00:20:36,920
Speaker 3: His back and a backpack, and she actually puts her

403
00:20:36,920 --> 00:20:40,520
Speaker 3: gun down and walks into the walks into the woods

404
00:20:40,560 --> 00:20:40,959
Speaker 3: behind her.

405
00:20:41,720 --> 00:20:43,600
Speaker 2: And I was thinking, only Micheon.

406
00:20:43,800 --> 00:20:45,840
Speaker 3: Is such a badass that she could put her gun

407
00:20:45,920 --> 00:20:49,280
Speaker 3: down and say, let me just take my sword into

408
00:20:49,280 --> 00:20:50,040
Speaker 3: the woods with me.

409
00:20:50,240 --> 00:20:51,680
Speaker 2: I don't need this weapon.

410
00:20:51,880 --> 00:20:54,480
Speaker 3: All right, and I don't worry about her. I was

411
00:20:54,520 --> 00:20:58,440
Speaker 3: just like, okay, yeah, she gotta figure out. So yeah,

412
00:20:58,480 --> 00:21:04,399
Speaker 3: she went into the woods the Spencer. Maggie walked up

413
00:21:04,400 --> 00:21:07,720
Speaker 3: to Ening and En it was like writing or a

414
00:21:07,800 --> 00:21:11,120
Speaker 3: letter or something, you know, just writing whatever, reading, and

415
00:21:11,240 --> 00:21:14,280
Speaker 3: Maggie went up to her and basically just said, you

416
00:21:14,640 --> 00:21:17,439
Speaker 3: saved Glenn. You don't have to be a loner. You

417
00:21:17,440 --> 00:21:18,560
Speaker 3: don't have to be out here, and if you want

418
00:21:18,600 --> 00:21:20,239
Speaker 3: to come talk to somebody, you want to talk to me.

419
00:21:20,840 --> 00:21:25,440
Speaker 3: I'm always available, you know, don't be a stranger. And

420
00:21:25,520 --> 00:21:27,199
Speaker 3: I was thinking, man, it's got to be lonely for

421
00:21:27,280 --> 00:21:31,439
Speaker 3: a girl her age, you know, because you know, pretty

422
00:21:31,520 --> 00:21:36,200
Speaker 3: much all the other kids are dead or they're fetti carl.

423
00:21:37,240 --> 00:21:40,720
Speaker 4: Yeah. Yeah, because they didn't have the skills to survive.

424
00:21:41,560 --> 00:21:44,920
Speaker 3: Yeah, Like the what the other kids when we got

425
00:21:44,920 --> 00:21:48,840
Speaker 3: there were Sam and his brother Ron and en it

426
00:21:50,200 --> 00:21:51,160
Speaker 3: Sam and Ron dead.

427
00:21:51,240 --> 00:21:52,119
Speaker 2: They zombie food.

428
00:21:53,480 --> 00:21:57,480
Speaker 3: Uh and then you know it's eating a car, you know, Uh,

429
00:21:57,520 --> 00:21:59,720
Speaker 3: it's it probably you know, it's pretty lonely for her,

430
00:21:59,720 --> 00:22:01,119
Speaker 3: and she's kind of standing office.

431
00:22:01,160 --> 00:22:04,280
Speaker 2: She's trying to be, you know, her own person.

432
00:22:04,320 --> 00:22:07,240
Speaker 3: And also she does she just doesn't believe in this

433
00:22:07,280 --> 00:22:09,560
Speaker 3: whole group dynamic. She feels like it's all gonna fall

434
00:22:09,600 --> 00:22:11,760
Speaker 3: apart and it's not gonna work out.

435
00:22:11,840 --> 00:22:13,320
Speaker 2: So why even deal with this?

436
00:22:13,520 --> 00:22:13,600
Speaker 5: Right?

437
00:22:13,680 --> 00:22:14,600
Speaker 4: Why waste my time?

438
00:22:15,080 --> 00:22:17,119
Speaker 3: But Maggie gave her a good like, you know, a

439
00:22:17,119 --> 00:22:21,359
Speaker 3: little like pep talk, like, hey, man, come be come,

440
00:22:21,560 --> 00:22:23,080
Speaker 3: you can come hang out with us, you know, hang

441
00:22:23,119 --> 00:22:23,480
Speaker 3: out with me.

442
00:22:23,560 --> 00:22:24,520
Speaker 2: You can always talk to me.

443
00:22:25,080 --> 00:22:27,040
Speaker 5: And it makes sense because it's one of those things

444
00:22:27,040 --> 00:22:30,200
Speaker 5: where she's, like I guess from her perspective, she probably

445
00:22:30,240 --> 00:22:33,960
Speaker 5: sees the loneliness, you know, see her kind of separate herself,

446
00:22:34,000 --> 00:22:37,720
Speaker 5: and she realized that she sacrificed you know, herself and

447
00:22:38,160 --> 00:22:40,239
Speaker 5: actually came back to the group, you know, because her

448
00:22:40,240 --> 00:22:41,720
Speaker 5: and Glenn party talked about.

449
00:22:41,680 --> 00:22:44,920
Speaker 3: If she saved her right she climbed that thing and say,

450
00:22:45,080 --> 00:22:49,359
Speaker 3: here's what I was thinking. Maggie also probably misses Beth,

451
00:22:50,640 --> 00:22:53,960
Speaker 3: you know, and you know she has that older sister

452
00:22:54,040 --> 00:22:55,840
Speaker 3: thing in her where she probably wants to take eat

453
00:22:55,880 --> 00:22:59,159
Speaker 3: it under her wing, you know, not to mention, you know,

454
00:22:59,280 --> 00:23:02,679
Speaker 3: maybe wanted to be a mom and stuff kind of

455
00:23:02,680 --> 00:23:04,479
Speaker 3: like how I want to be a dad. For Glenn,

456
00:23:04,560 --> 00:23:06,600
Speaker 3: was the thing that motivated him to take care of Eni.

457
00:23:07,000 --> 00:23:08,840
Speaker 4: Yeah, and something about a good thing.

458
00:23:08,920 --> 00:23:11,440
Speaker 5: There was more than just them, because remember had called

459
00:23:11,440 --> 00:23:12,879
Speaker 5: went to the room. There was a room full of

460
00:23:12,880 --> 00:23:15,640
Speaker 5: teenage boys and it was several boys in that room

461
00:23:16,080 --> 00:23:25,520
Speaker 5: and it was Enith uh Emo psycho boyfriend, and it

462
00:23:25,600 --> 00:23:28,040
Speaker 5: was like two other dudes and I don't remember these

463
00:23:28,080 --> 00:23:30,000
Speaker 5: other dudes, but we like never seen them again, but

464
00:23:30,040 --> 00:23:31,480
Speaker 5: it was like some other teenage.

465
00:23:31,119 --> 00:23:34,880
Speaker 3: Okay, well I don't see them niggas. No, I haven't

466
00:23:34,880 --> 00:23:38,720
Speaker 3: seen them since then. So character wise it seemed like

467
00:23:38,720 --> 00:23:40,840
Speaker 3: it's pretty lonely for Eni, and it definitely wasn't no

468
00:23:40,960 --> 00:23:45,159
Speaker 3: other little girls age, you know, like community wise. I

469
00:23:45,160 --> 00:23:47,920
Speaker 3: could see her feeling like there's no place for me here.

470
00:23:49,359 --> 00:23:52,080
Speaker 3: And that was so long ago, like legit, I don't

471
00:23:52,080 --> 00:23:56,560
Speaker 3: know what happened to them kids. I mean, even if

472
00:23:56,560 --> 00:24:00,240
Speaker 3: they are alive, they don't have roles, correct, But we

473
00:24:00,359 --> 00:24:02,679
Speaker 3: never see them in any other place, all right, Okay,

474
00:24:03,320 --> 00:24:12,280
Speaker 3: So they went and Rick and and and Darryl went

475
00:24:12,320 --> 00:24:15,040
Speaker 3: to one of these farm agriculture locations and they found

476
00:24:15,160 --> 00:24:17,600
Speaker 3: a truck. They open up the back of the truck

477
00:24:18,480 --> 00:24:25,640
Speaker 3: and inside was good. It was just everything you could use.

478
00:24:25,840 --> 00:24:28,919
Speaker 3: It was I mean, this looked like a trap. It

479
00:24:29,080 --> 00:24:33,320
Speaker 3: was so good, like the outside of the motherfucking barn

480
00:24:33,640 --> 00:24:37,159
Speaker 3: the housing facilities warehouse, said sor Gramona in big words

481
00:24:37,200 --> 00:24:39,960
Speaker 3: like it really felt like they were gonna open it

482
00:24:40,040 --> 00:24:42,680
Speaker 3: up and either zombies and wolves were gonna come out

483
00:24:42,920 --> 00:24:47,200
Speaker 3: or like uh Niagan was gonna be like aha, motherfuckers,

484
00:24:47,240 --> 00:24:51,080
Speaker 3: you know, And no, none of that happened. They just

485
00:24:51,240 --> 00:24:53,840
Speaker 3: found this truck full of shit and.

486
00:24:54,280 --> 00:24:58,160
Speaker 5: I think it was something that somebody else like, right,

487
00:24:58,200 --> 00:24:59,560
Speaker 5: and we want to come back for it.

488
00:24:59,640 --> 00:25:01,720
Speaker 3: Well, they must not have made it back in time,

489
00:25:02,520 --> 00:25:08,240
Speaker 3: and Rick and Dar'll look at it, and Rick says,

490
00:25:08,359 --> 00:25:12,080
Speaker 3: lower averages. Basically like, we've had so many shitty days

491
00:25:12,080 --> 00:25:14,800
Speaker 3: looking for stuff, so about time we hit the jackpot.

492
00:25:15,960 --> 00:25:17,919
Speaker 3: You know, we always come back with nothing. Here we go,

493
00:25:18,080 --> 00:25:21,800
Speaker 3: we got a bunch of something and he said, we

494
00:25:21,840 --> 00:25:25,040
Speaker 3: can come back for the car later. We'll just start

495
00:25:25,080 --> 00:25:27,600
Speaker 3: this truck and get the hell out of here. And

496
00:25:27,680 --> 00:25:29,640
Speaker 3: Dar'll say, you think you can start this truck? He said,

497
00:25:29,680 --> 00:25:32,879
Speaker 3: hell yeah, And they started up and get ready to

498
00:25:33,240 --> 00:25:34,919
Speaker 3: drive off and start driving off.

499
00:25:35,320 --> 00:25:38,879
Speaker 5: And at that time, I was like, this is smart

500
00:25:38,920 --> 00:25:40,240
Speaker 5: because you don't want to separate.

501
00:25:41,000 --> 00:25:43,480
Speaker 3: And I was thinking, why the fuck would you leave

502
00:25:43,480 --> 00:25:46,399
Speaker 3: the car behind? Two cars better than one? You know

503
00:25:46,400 --> 00:25:47,960
Speaker 3: what I'm saying, What if something? What if the truck

504
00:25:48,040 --> 00:25:50,879
Speaker 3: runs out of gas? What if you blow it? You

505
00:25:50,920 --> 00:25:53,200
Speaker 3: get a fat flat tire? You know, you have to

506
00:25:53,280 --> 00:25:56,440
Speaker 3: lead the truck somewhere. I don't know. I just thought

507
00:25:56,440 --> 00:26:00,080
Speaker 3: two modes of transportation would be better than the one.

508
00:26:00,240 --> 00:26:04,280
Speaker 3: But apparently it didn't work out. You know, they actually

509
00:26:04,280 --> 00:26:06,960
Speaker 3: said lead a car, hopping the truck, So they hopping

510
00:26:06,960 --> 00:26:10,040
Speaker 3: the truck. They're driving. They passed a gas station, they stopped.

511
00:26:10,040 --> 00:26:12,359
Speaker 3: I'm thinking, do they need gas because this gas station

512
00:26:12,440 --> 00:26:13,800
Speaker 3: looks fucking.

513
00:26:13,800 --> 00:26:14,960
Speaker 4: Terrible and deserted.

514
00:26:15,400 --> 00:26:17,280
Speaker 2: Yeah, like it ain't gonna be no d's up in

515
00:26:17,320 --> 00:26:17,879
Speaker 2: their player.

516
00:26:19,560 --> 00:26:23,120
Speaker 3: But they had actually stopped there for cousin the set

517
00:26:23,280 --> 00:26:25,520
Speaker 3: the soda and the candy and the two page.

518
00:26:25,320 --> 00:26:27,119
Speaker 4: Shit trying to get the shopping list.

519
00:26:27,040 --> 00:26:31,080
Speaker 3: Done right, and the inside the gas station was boarded

520
00:26:31,160 --> 00:26:34,159
Speaker 3: up and it looked empty, but outside there was a

521
00:26:34,240 --> 00:26:36,720
Speaker 3: vending machine. But the vendom machine had turned and fell

522
00:26:36,840 --> 00:26:39,879
Speaker 3: on its face, so you couldn't actually see what was

523
00:26:39,880 --> 00:26:42,120
Speaker 3: in it. They tried to flip it over, they weren't

524
00:26:42,119 --> 00:26:44,840
Speaker 3: strong enough. Darrell said, I have an idea. They tied

525
00:26:44,880 --> 00:26:47,160
Speaker 3: a chain to the vending machine. They got in the truck,

526
00:26:47,200 --> 00:26:50,760
Speaker 3: they pulled it, flipped it onto its side, and while

527
00:26:50,800 --> 00:26:53,280
Speaker 3: I it had candy and shit still in the side.

528
00:26:55,359 --> 00:26:59,840
Speaker 3: Rick said, soda and candy water trouble and uh, Daryl said,

529
00:26:59,840 --> 00:27:03,240
Speaker 3: this not any trouble. And they started getting a breaking

530
00:27:03,280 --> 00:27:07,840
Speaker 3: to the machine to get the candy, and a random

531
00:27:07,880 --> 00:27:11,959
Speaker 3: stranger bumps into Rick from behind, knocks him into the

532
00:27:11,960 --> 00:27:17,719
Speaker 3: machine and then turns around and stops, and Daryl and

533
00:27:17,800 --> 00:27:20,560
Speaker 3: Rick both draw weapons on this guy.

534
00:27:20,680 --> 00:27:21,640
Speaker 2: Both got guns to.

535
00:27:21,640 --> 00:27:27,880
Speaker 3: His face and that's when we cut the commercial, he said,

536
00:27:27,960 --> 00:27:30,600
Speaker 3: you know. And so we come back and the guy

537
00:27:30,880 --> 00:27:35,119
Speaker 3: has long, straggly hair, he's got a mask over his face,

538
00:27:35,200 --> 00:27:39,040
Speaker 3: like a ninja. I want to say. He may even

539
00:27:39,080 --> 00:27:41,119
Speaker 3: had a hoodie on or a hat. And he was

540
00:27:41,200 --> 00:27:44,080
Speaker 3: like yeah. He was like, whoa easy, guys. I was

541
00:27:44,119 --> 00:27:46,760
Speaker 3: just running from the dead. And they were like how

542
00:27:46,840 --> 00:27:48,879
Speaker 3: many and he was like ten. You know when it

543
00:27:48,880 --> 00:27:52,560
Speaker 3: gets double ditchits. I just started running and he said

544
00:27:52,600 --> 00:27:55,359
Speaker 3: that how far away? He said, they're about eleven minutes away,

545
00:27:56,240 --> 00:27:59,320
Speaker 3: you know, because Howard was running this stuff. But they're

546
00:27:59,359 --> 00:28:03,159
Speaker 3: on this way for sure, and you guys need to

547
00:28:03,160 --> 00:28:09,080
Speaker 3: get out of here too. And Rick realizes, like, okay,

548
00:28:09,240 --> 00:28:10,960
Speaker 3: the guy seems like he's on the up and up.

549
00:28:11,280 --> 00:28:13,360
Speaker 3: Does it seem like a threat? Puts his gun up.

550
00:28:14,359 --> 00:28:18,600
Speaker 3: Daryl continues to have his gun raised, tust you yeah,

551
00:28:18,640 --> 00:28:22,920
Speaker 3: and you know, and the guy is like, yeah, hey man,

552
00:28:23,160 --> 00:28:25,439
Speaker 3: we cool, right, We're cool. And Daryl finally puts his

553
00:28:25,520 --> 00:28:29,560
Speaker 3: gun down. And what it made me realize at.

554
00:28:29,480 --> 00:28:33,040
Speaker 2: This moment was Rick and Daryl had switched places.

555
00:28:33,560 --> 00:28:37,159
Speaker 3: Rick used to be the guy like, fuck this, we

556
00:28:37,200 --> 00:28:40,760
Speaker 3: can't trust anybody. What's the setup? What's the catch. I mean,

557
00:28:40,760 --> 00:28:44,120
Speaker 3: this is a guy who held Aaron, tied him up,

558
00:28:44,800 --> 00:28:51,800
Speaker 3: punched him, beat him, wasn't gonna let ju apple sauce, right,

559
00:28:51,880 --> 00:28:55,040
Speaker 3: made him eat the apple sauce. Wasn't gonna let Ju

560
00:28:55,080 --> 00:28:59,240
Speaker 3: just eat it like he was trusting nobody, confirm everything,

561
00:28:59,520 --> 00:29:02,200
Speaker 3: you know? And here he is going. It seemed like

562
00:29:02,240 --> 00:29:04,720
Speaker 3: a good dude to me. And Darryl is not the

563
00:29:04,760 --> 00:29:07,880
Speaker 3: opposite because Daryl got jack for his motorcycle on his crossbowl.

564
00:29:08,000 --> 00:29:11,040
Speaker 4: Yes, he who knows we might cross them to again.

565
00:29:11,920 --> 00:29:14,200
Speaker 3: Yeah, I don't know. I feel like Daryl looks different

566
00:29:14,240 --> 00:29:15,680
Speaker 3: holding the gun than not a crossbow.

567
00:29:16,360 --> 00:29:16,640
Speaker 4: Right.

568
00:29:18,000 --> 00:29:20,400
Speaker 3: But yeah, Darryl, you know, got jack for his ship

569
00:29:20,440 --> 00:29:24,720
Speaker 3: and now he's looking like trust nobody. I had a

570
00:29:24,760 --> 00:29:28,960
Speaker 3: motorcycle on the motherfucking Crossbowl last week. Fuck this, you know.

571
00:29:30,640 --> 00:29:32,600
Speaker 3: So it was kind of interesting to see them kind

572
00:29:32,640 --> 00:29:35,360
Speaker 3: of switch places, and that became a theme of the episode.

573
00:29:37,480 --> 00:29:40,760
Speaker 3: And they asked the dude what his name was, and

574
00:29:40,800 --> 00:29:43,600
Speaker 3: the whole time Darrel was looking like, man, just let

575
00:29:43,720 --> 00:29:43,920
Speaker 3: him go.

576
00:29:45,000 --> 00:29:45,080
Speaker 5: Uh.

577
00:29:45,160 --> 00:29:48,040
Speaker 3: The guy turned around and said Paul Rovia and me

578
00:29:48,120 --> 00:29:52,320
Speaker 3: and Karen says we read the comic went ah.

579
00:29:52,800 --> 00:29:57,840
Speaker 4: That was my yeah, because I was like damn it.

580
00:29:57,920 --> 00:29:59,640
Speaker 3: And then he said, but my friends used to call

581
00:29:59,680 --> 00:30:02,480
Speaker 3: me g Jesus your pick and even held his hands

582
00:30:02,520 --> 00:30:04,720
Speaker 3: out to the sign to the side, like Jesus on

583
00:30:04,760 --> 00:30:07,680
Speaker 3: the cross. And then me and Carol were like, I.

584
00:30:07,720 --> 00:30:10,520
Speaker 4: Knew it, yeah, because as soon as I see him,

585
00:30:10,880 --> 00:30:13,960
Speaker 4: I was like, oh, that was like Jesus. Then I

586
00:30:14,080 --> 00:30:16,360
Speaker 4: was like and it was funny though, because they psyched.

587
00:30:16,480 --> 00:30:17,040
Speaker 4: I think they.

588
00:30:17,040 --> 00:30:20,280
Speaker 5: Purposely did that, yes, for the people to read the comments,

589
00:30:20,360 --> 00:30:22,480
Speaker 5: because it was like when he said, I was like, oh.

590
00:30:22,800 --> 00:30:25,160
Speaker 4: Goddamn, Jesus, you got my hopes up for nothing.

591
00:30:25,400 --> 00:30:28,120
Speaker 3: Everybody on the timeline that reads the comic you could

592
00:30:28,120 --> 00:30:30,920
Speaker 3: just see Jesus question mark flow up and down the

593
00:30:30,960 --> 00:30:36,200
Speaker 3: daywalking hashtag. But yeah, so the guy is you know,

594
00:30:36,200 --> 00:30:42,480
Speaker 3: it turns out to be Jesus, and Rick is like, well,

595
00:30:42,480 --> 00:30:44,360
Speaker 3: how many walkers have you killed? And Darren was like,

596
00:30:44,400 --> 00:30:45,960
Speaker 3: come on, man, damn.

597
00:30:48,040 --> 00:30:50,600
Speaker 4: He was busy running away anyway, Yeah, and the.

598
00:30:50,640 --> 00:30:52,440
Speaker 3: Guy was like, hey, man, don't matter, I got to

599
00:30:52,440 --> 00:30:54,160
Speaker 3: get out of here by and he runs kind of

600
00:30:54,160 --> 00:30:59,680
Speaker 3: off in the distance around the corner and Rick is like, look, man,

601
00:30:59,800 --> 00:31:03,240
Speaker 3: I had to ask he might be out here with

602
00:31:05,000 --> 00:31:07,520
Speaker 3: with some people because earlier Darryl lied and said they

603
00:31:07,520 --> 00:31:09,440
Speaker 3: didn't have a camp, and the guy said he didn't

604
00:31:09,480 --> 00:31:11,640
Speaker 3: have a camp. But Rick's like, why was his beard

605
00:31:11,720 --> 00:31:14,600
Speaker 3: trim so much? Why was his hair on fleek like that?

606
00:31:15,000 --> 00:31:15,320
Speaker 7: Right?

607
00:31:15,440 --> 00:31:19,080
Speaker 5: So Rick, you know, even though he kind of more relaxed,

608
00:31:19,200 --> 00:31:20,320
Speaker 5: he still is alert.

609
00:31:20,920 --> 00:31:30,000
Speaker 3: Relax What does relax mean relaxed? Uh? Anyway, Rick is like, look, man,

610
00:31:31,000 --> 00:31:32,920
Speaker 3: we you know, we could have asked maybe bring him

611
00:31:32,920 --> 00:31:34,840
Speaker 3: back to the crew, to the crew and what not.

612
00:31:35,560 --> 00:31:39,760
Speaker 3: He didn't have a gun, like we could follow him,

613
00:31:39,800 --> 00:31:44,120
Speaker 3: we could track him. And uh, he says, bring him back,

614
00:31:44,160 --> 00:31:50,200
Speaker 3: And Daryl goes, nah, God called himself Jesus, right, yeah,

615
00:31:50,280 --> 00:31:54,920
Speaker 3: like can't be with him, but uh, you know, the

616
00:31:55,000 --> 00:31:59,360
Speaker 3: Lord giveth because then some fireworks went off in the

617
00:31:59,360 --> 00:32:04,000
Speaker 3: back of souven gunshots, ricking them go to investigate around

618
00:32:04,040 --> 00:32:06,960
Speaker 3: the corner of the building. They realize it's just fireworks

619
00:32:07,000 --> 00:32:09,000
Speaker 3: popping off, you know those fireworks.

620
00:32:08,560 --> 00:32:12,800
Speaker 2: That go pop off those like Chinese Was it like a.

621
00:32:12,680 --> 00:32:19,120
Speaker 5: Tin can not a tin can? But uh uh barrel?

622
00:32:19,560 --> 00:32:22,320
Speaker 3: Yeah, and they and they go off and they sound

623
00:32:22,360 --> 00:32:24,840
Speaker 3: like gunshots, and he did say walkers were coming from

624
00:32:24,880 --> 00:32:28,960
Speaker 3: that direction. They go to investigates, they realize the fireworks,

625
00:32:29,000 --> 00:32:32,000
Speaker 3: and right then Darrel goes, did he got your keys,

626
00:32:32,000 --> 00:32:38,920
Speaker 3: didn't he? So when Jesus bumped into Rick, originally he

627
00:32:39,040 --> 00:32:41,960
Speaker 3: swiped his keys and they run around the corner and

628
00:32:42,000 --> 00:32:46,480
Speaker 3: you hear the truck driving off, and as it drives off,

629
00:32:46,640 --> 00:32:49,600
Speaker 3: he does throw a bag out of the side. So

630
00:32:49,640 --> 00:32:51,440
Speaker 3: I don't know what that bag was for. Maybe it

631
00:32:51,480 --> 00:32:54,080
Speaker 3: was their stuff or whatever. He throws his bag out

632
00:32:54,080 --> 00:32:58,120
Speaker 3: of the side and like drives off and to convince

633
00:32:58,240 --> 00:33:05,240
Speaker 3: the candy machine whatever, it's still tied up to the

634
00:33:06,520 --> 00:33:12,320
Speaker 3: to the back of the truck and they're just both

635
00:33:12,440 --> 00:33:16,400
Speaker 3: standing in the road like, well shit, you know. And

636
00:33:16,440 --> 00:33:18,600
Speaker 3: that's why I'm like, you should have took the other car.

637
00:33:19,360 --> 00:33:20,840
Speaker 3: Just tell the other person.

638
00:33:22,120 --> 00:33:23,600
Speaker 4: Vehicle. I didn't think about it that time, but yeah,

639
00:33:23,600 --> 00:33:24,600
Speaker 4: you'd had enough vehicle.

640
00:33:24,960 --> 00:33:28,600
Speaker 3: Yep. H Spencer was in the woods with that shovel on.

641
00:33:29,680 --> 00:33:29,800
Speaker 6: Uh.

642
00:33:30,120 --> 00:33:34,360
Speaker 3: He confronted a zombie and when the zombie came out

643
00:33:34,360 --> 00:33:40,000
Speaker 3: of bushes, he looked disappointed and he went to go

644
00:33:40,080 --> 00:33:42,680
Speaker 3: kill it like to's stilled himself to kill it, but

645
00:33:42,800 --> 00:33:44,640
Speaker 3: Michean stepped in and killed it for him, and he

646
00:33:44,680 --> 00:33:46,240
Speaker 3: was basically like, what are you doing out here?

647
00:33:46,680 --> 00:33:47,280
Speaker 2: Leave me alone.

648
00:33:48,120 --> 00:33:51,120
Speaker 5: It's like you asking how she's gonna be fine.

649
00:33:51,320 --> 00:33:52,800
Speaker 3: She was like, I'm out here to help you. I

650
00:33:52,840 --> 00:33:55,320
Speaker 3: saw you running. I was doing security and whatnot. And

651
00:33:55,320 --> 00:33:57,360
Speaker 3: he was like, look, man, you the first person that's

652
00:33:57,360 --> 00:33:58,400
Speaker 3: ever spot me walk.

653
00:33:58,240 --> 00:33:58,920
Speaker 2: Into the woods.

654
00:33:59,280 --> 00:34:00,920
Speaker 3: I do this at the all my shifts for the

655
00:34:01,040 --> 00:34:04,200
Speaker 3: last few weeks. And she's like, while you out here,

656
00:34:04,240 --> 00:34:08,040
Speaker 3: and he was like, I don't want to say, you know,

657
00:34:08,160 --> 00:34:08,879
Speaker 3: I just got something.

658
00:34:08,920 --> 00:34:09,520
Speaker 2: I gotta do.

659
00:34:12,200 --> 00:34:14,760
Speaker 4: Security, right, everybody on security to be fined.

660
00:34:15,120 --> 00:34:18,200
Speaker 3: And meanwhile, Rick and Darryl roll up on the soda

661
00:34:18,320 --> 00:34:22,360
Speaker 3: the vending machine that had sodas and candy and ship.

662
00:34:22,440 --> 00:34:24,080
Speaker 3: And I've never seen a vendom machine like this.

663
00:34:24,840 --> 00:34:26,600
Speaker 2: It's some old school shit, I guess.

664
00:34:27,040 --> 00:34:27,239
Speaker 4: Yeah.

665
00:34:27,360 --> 00:34:32,400
Speaker 3: I've always seen either drinks or candy and shit. This

666
00:34:32,480 --> 00:34:33,160
Speaker 3: one had both.

667
00:34:33,920 --> 00:34:35,040
Speaker 4: Yeah, that was old school.

668
00:34:35,239 --> 00:34:37,239
Speaker 5: And then it was like the windy con too, isn't it.

669
00:34:37,960 --> 00:34:39,399
Speaker 5: All those shoulders was hot as ship.

670
00:34:39,600 --> 00:34:41,719
Speaker 3: So they have been running after the truck, you know,

671
00:34:41,920 --> 00:34:44,400
Speaker 3: just running down the street. Rick, of course in his

672
00:34:44,680 --> 00:34:48,400
Speaker 3: trademark Adida's boots. I don't know how he does all

673
00:34:48,400 --> 00:34:48,880
Speaker 3: that running.

674
00:34:49,360 --> 00:34:52,000
Speaker 5: I know he got so many fucking corns and shit,

675
00:34:52,239 --> 00:34:55,080
Speaker 5: I know his feet fucking staying because he been marching

676
00:34:55,120 --> 00:34:57,840
Speaker 5: around him. Got you know how that uncomfortable it is

677
00:34:57,880 --> 00:35:00,160
Speaker 5: to fucking run and cowboy boots and then you know,

678
00:35:00,160 --> 00:35:02,239
Speaker 5: I got a little heel on it, and honey, he

679
00:35:02,280 --> 00:35:04,120
Speaker 5: did he ran this and then he had them.

680
00:35:04,000 --> 00:35:06,320
Speaker 4: Same boots song when he was running before. From my

681
00:35:06,960 --> 00:35:08,720
Speaker 4: h I don't know he an athlete.

682
00:35:09,040 --> 00:35:12,919
Speaker 3: Rick Kate finished an episode without getting getting sweaty, don't

683
00:35:12,920 --> 00:35:16,600
Speaker 3: matter how clean he started off. Between him and that

684
00:35:16,719 --> 00:35:20,799
Speaker 3: dude from the Leftovers, it's like they just can't stay,

685
00:35:20,960 --> 00:35:22,240
Speaker 3: can't stay drive, can't.

686
00:35:22,040 --> 00:35:23,640
Speaker 2: Stay drive for a whole episode.

687
00:35:25,760 --> 00:35:29,000
Speaker 5: So somebody said sneakers to say, yeah, they need to

688
00:35:29,000 --> 00:35:31,040
Speaker 5: do he need to put a sneakers on the.

689
00:35:31,000 --> 00:35:32,960
Speaker 4: List of items next time.

690
00:35:33,239 --> 00:35:36,840
Speaker 5: Rick might be hearing, I know, athletic socks and some sneakers,

691
00:35:36,840 --> 00:35:39,000
Speaker 5: because you know, here beating them boots and sneakers on.

692
00:35:39,040 --> 00:35:41,000
Speaker 3: He could run a booth, right, it might be you

693
00:35:41,120 --> 00:35:47,120
Speaker 3: same boating from them regular shoes. So they get the

694
00:35:47,120 --> 00:35:49,760
Speaker 3: sodas and Darrel was a little happy about that because

695
00:35:50,320 --> 00:35:54,760
Speaker 3: those are the sodas that Denise wanted for terror and

696
00:35:55,160 --> 00:36:01,760
Speaker 3: they gloved down the sodas real quick. And Rick basically

697
00:36:01,880 --> 00:36:05,160
Speaker 3: is justifying the fact that he trusted this guy to

698
00:36:05,239 --> 00:36:08,040
Speaker 3: recruit him, and he's like, man, we need to still

699
00:36:08,080 --> 00:36:13,600
Speaker 3: be recruiting people. And Daryl's like, nah, that's that's we don't.

700
00:36:13,680 --> 00:36:16,800
Speaker 3: This is proved we don't, he said, And he goes

701
00:36:16,880 --> 00:36:20,160
Speaker 3: people like and Daryl goes people like him, and Rick's like, well,

702
00:36:20,160 --> 00:36:20,760
Speaker 3: of course.

703
00:36:20,600 --> 00:36:23,640
Speaker 2: Not him, you know, but we don't. We need to

704
00:36:23,680 --> 00:36:24,520
Speaker 2: continue to build.

705
00:36:25,560 --> 00:36:30,279
Speaker 5: Because before it was reversed, he kept telling Rick, we

706
00:36:30,320 --> 00:36:32,040
Speaker 5: need to recruit. We can't do it on our own.

707
00:36:32,040 --> 00:36:33,440
Speaker 5: We can't do it on our own. We can't do

708
00:36:33,480 --> 00:36:34,200
Speaker 5: it our own.

709
00:36:35,840 --> 00:36:38,279
Speaker 3: Yeah, well he was just saying that that's not who

710
00:36:38,320 --> 00:36:40,480
Speaker 3: they are to lead people outside stranded. I don't think

711
00:36:40,520 --> 00:36:43,520
Speaker 3: Daryl was thinking about we can't do it on our own,

712
00:36:43,640 --> 00:36:45,480
Speaker 3: or we need to build or anything. I just think

713
00:36:45,560 --> 00:36:47,640
Speaker 3: Darryl just feels like it's the wrong thing to do,

714
00:36:47,760 --> 00:36:50,000
Speaker 3: or at least he felt that way to leave people

715
00:36:50,040 --> 00:36:56,360
Speaker 3: stranded that obviously need help. So they started running again

716
00:36:57,440 --> 00:37:00,400
Speaker 3: with the backpack full of snacks now, and all I

717
00:37:00,440 --> 00:37:02,279
Speaker 3: could think was, I know them is getting shook the

718
00:37:02,320 --> 00:37:02,799
Speaker 3: fuck up.

719
00:37:04,760 --> 00:37:08,400
Speaker 2: I know they hot and they getting shook from this running.

720
00:37:08,520 --> 00:37:12,080
Speaker 3: Yes, the trailer for fider Walking Dad came on during

721
00:37:12,080 --> 00:37:15,640
Speaker 3: the commercials, and I loved it, that's all.

722
00:37:16,560 --> 00:37:16,920
Speaker 6: Uh.

723
00:37:17,360 --> 00:37:20,239
Speaker 3: Someone told me, well, I think the shorts for the

724
00:37:20,280 --> 00:37:22,719
Speaker 3: Flight of the Fear of Walking Dead or whatever, I

725
00:37:22,719 --> 00:37:26,120
Speaker 3: feel like that's been better than the actual show.

726
00:37:26,520 --> 00:37:28,640
Speaker 4: I was like them minute clips, what the fuck is

727
00:37:28,680 --> 00:37:29,320
Speaker 4: wrong with people?

728
00:37:29,400 --> 00:37:30,440
Speaker 3: Strongly disagree?

729
00:37:31,440 --> 00:37:31,840
Speaker 6: Uh?

730
00:37:32,160 --> 00:37:36,560
Speaker 3: In and and Carl are out in the woods, uh,

731
00:37:36,920 --> 00:37:39,360
Speaker 3: camping and ship walking around.

732
00:37:39,440 --> 00:37:42,480
Speaker 2: She Uh. She was asking why did they come out there?

733
00:37:42,560 --> 00:37:46,200
Speaker 3: He said, because we're kids, uh, and that's what they do.

734
00:37:46,400 --> 00:37:47,960
Speaker 2: And she said, We're not kids.

735
00:37:49,160 --> 00:37:49,920
Speaker 4: We're past that point.

736
00:37:50,040 --> 00:37:50,759
Speaker 3: Yeah, and that's true.

737
00:37:50,760 --> 00:37:52,360
Speaker 2: Man, they've done and seemed too much ship to.

738
00:37:52,360 --> 00:37:55,440
Speaker 3: Say that's still kids. Yes, they have, as awkward as

739
00:37:55,480 --> 00:37:58,040
Speaker 3: that sounds, because they're still innocent in some respects.

740
00:37:58,080 --> 00:38:01,759
Speaker 5: But come on, all the depth and dining and she

741
00:38:01,880 --> 00:38:04,120
Speaker 5: fucking eating turtles soup out the at the shade of

742
00:38:04,120 --> 00:38:04,520
Speaker 5: a turtle.

743
00:38:04,600 --> 00:38:06,880
Speaker 2: Come on, Yeah, they're not kids anymore.

744
00:38:09,000 --> 00:38:09,120
Speaker 4: So.

745
00:38:10,320 --> 00:38:10,640
Speaker 1: Uh.

746
00:38:10,719 --> 00:38:20,400
Speaker 3: They see mocheone and Spencer out there, and Eni's like,

747
00:38:20,480 --> 00:38:24,560
Speaker 3: you know what I'm done coming out here? And what

748
00:38:24,600 --> 00:38:26,799
Speaker 3: Maybe what I thought about this scene was, does this

749
00:38:26,880 --> 00:38:31,120
Speaker 3: mean en it? Maybe Maggie got through tour, maybe Glenn

750
00:38:31,120 --> 00:38:33,120
Speaker 3: got through to her. Maybe she's tired of trying to

751
00:38:33,160 --> 00:38:35,560
Speaker 3: be the loner, because I think when she was going

752
00:38:35,600 --> 00:38:39,960
Speaker 3: out through the woods by herself every day, sneaking by herself,

753
00:38:40,480 --> 00:38:44,799
Speaker 3: she actually felt safer alone, and she actually felt that

754
00:38:44,920 --> 00:38:48,040
Speaker 3: she didn't want to get attached to these people. And

755
00:38:48,080 --> 00:38:52,600
Speaker 3: now it seems like she realized by coming out in

756
00:38:52,600 --> 00:38:55,719
Speaker 3: the woods how and especially after the zombie attacking all

757
00:38:55,800 --> 00:39:00,439
Speaker 3: in the wolves, this world is very dangerous and the

758
00:39:00,680 --> 00:39:04,760
Speaker 3: and after last week's speech with Glenn, there's no strength

759
00:39:04,840 --> 00:39:06,640
Speaker 3: in being a loner.

760
00:39:07,440 --> 00:39:09,160
Speaker 4: You have to have unity in numbers.

761
00:39:09,200 --> 00:39:10,719
Speaker 5: And it's one of those things where she felt like,

762
00:39:11,320 --> 00:39:14,000
Speaker 5: I need to be among the wall because for the

763
00:39:14,040 --> 00:39:16,160
Speaker 5: first time, I think she felt like this is what

764
00:39:16,280 --> 00:39:16,920
Speaker 5: she belongs.

765
00:39:17,560 --> 00:39:19,680
Speaker 3: Yeah, and it's okay to care about people again and

766
00:39:19,680 --> 00:39:24,680
Speaker 3: shit like that. So they ran into a zombie and

767
00:39:24,920 --> 00:39:27,640
Speaker 3: Carl would not let her kill it. Ena said we

768
00:39:27,640 --> 00:39:30,160
Speaker 3: should kill it. He said no, and ed It goes

769
00:39:30,200 --> 00:39:36,200
Speaker 3: this is bullshit. It should be dead and Carl said, no,

770
00:39:36,480 --> 00:39:38,320
Speaker 3: you don't understand. You say you don't want to be

771
00:39:38,360 --> 00:39:41,760
Speaker 3: out here, just go back in. I got this, And

772
00:39:41,920 --> 00:39:44,239
Speaker 3: Carl pushes the zombie down, but he doesn't kill it.

773
00:39:45,640 --> 00:39:47,680
Speaker 3: And at this point I'm like, who the fuck couldes

774
00:39:47,760 --> 00:39:50,840
Speaker 3: zombie be or used to have been that he would

775
00:39:51,040 --> 00:39:53,520
Speaker 3: be thinking this way, And the only thing I could

776
00:39:53,560 --> 00:39:57,680
Speaker 3: think was Deanna because it was either Deanna or like

777
00:39:58,000 --> 00:40:01,560
Speaker 3: Ron maybe you know what I mean, Like I just

778
00:40:01,640 --> 00:40:05,400
Speaker 3: it had to be someone who was important to them.

779
00:40:05,440 --> 00:40:08,240
Speaker 3: But those are the people. I was thinking, Deanna, Ron,

780
00:40:09,160 --> 00:40:10,799
Speaker 3: you know, Sam maybe something like that.

781
00:40:10,880 --> 00:40:13,120
Speaker 4: So I was like, whoever was gotta be somebody recognized.

782
00:40:15,760 --> 00:40:23,040
Speaker 3: So Rick and Darryl catch up to Jesus in the

783
00:40:23,080 --> 00:40:27,319
Speaker 3: middle of the road. Who's trying to you know, uh Kim.

784
00:40:27,440 --> 00:40:29,040
Speaker 3: I think he got a flat tire or something.

785
00:40:29,320 --> 00:40:30,719
Speaker 4: Yeah, he did, because he is. What he do is

786
00:40:30,800 --> 00:40:31,399
Speaker 4: change the tire.

787
00:40:31,880 --> 00:40:34,279
Speaker 3: Yeah, and uh they catch him in the middle of

788
00:40:34,320 --> 00:40:38,000
Speaker 3: the road and proceed to have a pretty good fight

789
00:40:38,040 --> 00:40:38,399
Speaker 3: with him.

790
00:40:39,120 --> 00:40:40,680
Speaker 2: He was handling his business.

791
00:40:40,360 --> 00:40:41,439
Speaker 4: Because before.

792
00:40:42,840 --> 00:40:46,319
Speaker 5: When Jesus and Darrel was talking and Darrel was like,

793
00:40:46,440 --> 00:40:49,200
Speaker 5: don't make threats that you can't back up, but he

794
00:40:49,239 --> 00:40:50,839
Speaker 5: said precisely m hm.

795
00:40:51,160 --> 00:40:53,200
Speaker 4: I was like, Okay, this sounds serious.

796
00:40:53,400 --> 00:40:56,080
Speaker 3: Yeah, Jesus believing in the I for I during this

797
00:40:56,160 --> 00:40:59,759
Speaker 3: fight because he was he wouldn't turned the other cheek,

798
00:41:01,000 --> 00:41:04,440
Speaker 3: but he had some pretty good moves. But eventually, uh,

799
00:41:05,480 --> 00:41:09,920
Speaker 3: with two on one Uh, they get Jesus down on

800
00:41:09,960 --> 00:41:12,960
Speaker 3: the ground, they got guns on them. Uh, zombie is

801
00:41:13,000 --> 00:41:19,280
Speaker 3: coming out the woods and uh, Jesus is like, yeah,

802
00:41:19,280 --> 00:41:21,440
Speaker 3: but y'all probably ain't even got bullets in those guns.

803
00:41:21,920 --> 00:41:26,160
Speaker 3: And Rick and Darryl in Unison both shoot the zombie

804
00:41:26,719 --> 00:41:29,480
Speaker 3: with the guns they have and then put the guns

805
00:41:29,480 --> 00:41:32,399
Speaker 3: back on Jesus. And it felt like some shit out

806
00:41:32,400 --> 00:41:38,840
Speaker 3: of Bad Boys too, like right, Like it was perfect,

807
00:41:39,680 --> 00:41:41,480
Speaker 3: And there was a lot of comedy to this storyline,

808
00:41:41,480 --> 00:41:43,759
Speaker 3: by the way, Like, I actually loved this storyline because

809
00:41:43,800 --> 00:41:46,719
Speaker 3: it was very much the road runner in Wially. Coyote

810
00:41:46,800 --> 00:41:49,279
Speaker 3: is very looney to him, very slapstick, and I like

811
00:41:49,360 --> 00:41:52,760
Speaker 3: the change in tempo and the change in tenor between

812
00:41:52,760 --> 00:41:55,719
Speaker 3: this episode and the last, because I was laughing my

813
00:41:55,760 --> 00:41:59,640
Speaker 3: ass off as some of these gags. So then they

814
00:41:59,680 --> 00:42:02,080
Speaker 3: tied you Jesus up and he said, you're just gonna

815
00:42:02,120 --> 00:42:03,960
Speaker 3: leave me like this. They like the change ain't even

816
00:42:03,960 --> 00:42:05,799
Speaker 3: that tight. You'll be able to get out in a

817
00:42:05,840 --> 00:42:09,160
Speaker 3: little bit, if you know, just not before we drive off,

818
00:42:09,640 --> 00:42:12,280
Speaker 3: and they all gives them something to drink, but first

819
00:42:12,280 --> 00:42:14,359
Speaker 3: he shakes up the can of soda that he throws

820
00:42:14,400 --> 00:42:20,880
Speaker 3: to Jesus. Ah petty on fleek, so petty to do

821
00:42:20,960 --> 00:42:29,439
Speaker 3: that shit. So they they're driving back towards Alexandria. For

822
00:42:29,480 --> 00:42:32,880
Speaker 3: some reason, Rick sees a barn and kind of wants

823
00:42:32,920 --> 00:42:37,399
Speaker 3: to go explore and check it out. And when they

824
00:42:37,440 --> 00:42:40,399
Speaker 3: turn off of the regular road and onto this dirt road,

825
00:42:40,840 --> 00:42:44,640
Speaker 3: they hear something banging and it sounds like it's coming

826
00:42:44,680 --> 00:42:48,480
Speaker 3: from the roof of the of the truck, and Rick

827
00:42:48,560 --> 00:42:51,840
Speaker 3: slams on brakes and sure enough, Jesus come falling off.

828
00:42:51,680 --> 00:42:52,400
Speaker 2: The roof of the truck.

829
00:42:53,120 --> 00:42:54,560
Speaker 4: The fuck did he get up there?

830
00:42:55,040 --> 00:43:00,520
Speaker 3: Jesus has somehow gotten his h gotten his restraint off

831
00:43:00,680 --> 00:43:03,799
Speaker 3: and was on top of the truck before they could

832
00:43:03,800 --> 00:43:08,280
Speaker 3: even pull off. And Uh, He's now on the loose,

833
00:43:08,320 --> 00:43:14,160
Speaker 3: and Darryl is fucking fed up. He's at least Darryl

834
00:43:14,640 --> 00:43:16,240
Speaker 3: houps out of the past the side of the truck.

835
00:43:16,760 --> 00:43:20,719
Speaker 3: Rick is in the truck truck, and Uh is in

836
00:43:20,800 --> 00:43:24,399
Speaker 3: the truck and he's like chasing Jesus. I don't even

837
00:43:24,480 --> 00:43:26,840
Speaker 3: know what the plan was at this point, to be honest,

838
00:43:28,200 --> 00:43:32,640
Speaker 3: music like, they legitimately could have just kept rolling. I

839
00:43:32,680 --> 00:43:36,280
Speaker 3: don't know what happened. It's not like unless that farm

840
00:43:36,440 --> 00:43:39,359
Speaker 3: was in Alexandria. Maybe that's what they were trying to say.

841
00:43:39,400 --> 00:43:41,480
Speaker 3: I don't know, because to me, I was like, just

842
00:43:41,560 --> 00:43:43,960
Speaker 3: drove off, fuck him, you know what I mean?

843
00:43:44,040 --> 00:43:44,640
Speaker 4: Like I don't.

844
00:43:44,520 --> 00:43:51,560
Speaker 3: Understand because I don't. I don't know anyway. But but

845
00:43:51,600 --> 00:43:53,719
Speaker 3: they were so pissed and they were so annoyed and this.

846
00:43:53,719 --> 00:43:56,719
Speaker 4: Dude, we're tired of. This would be the third time

847
00:43:56,760 --> 00:43:57,920
Speaker 4: we ran to your ass.

848
00:43:58,040 --> 00:44:01,839
Speaker 3: Yeah, So Daryl's out there chasing this motherfucker and he's look,

849
00:44:02,040 --> 00:44:06,560
Speaker 3: Jesus was out there like tech Mo bowl because Daryl

850
00:44:06,560 --> 00:44:08,720
Speaker 3: couldn't tackle him for ship man, he was trying.

851
00:44:09,200 --> 00:44:10,080
Speaker 2: She was putting them up.

852
00:44:10,080 --> 00:44:13,719
Speaker 3: Fucking la Damian Thomlinson moves on his ass and it

853
00:44:13,840 --> 00:44:14,440
Speaker 3: was crazy.

854
00:44:14,480 --> 00:44:14,680
Speaker 5: Man.

855
00:44:14,800 --> 00:44:19,600
Speaker 3: Jesus had a bunch of energy and she's worried. So

856
00:44:19,640 --> 00:44:22,319
Speaker 3: some zombs. So Rick's parts the truck and gets out

857
00:44:22,760 --> 00:44:26,080
Speaker 3: some zombies that were tied to a truck in the

858
00:44:26,160 --> 00:44:30,120
Speaker 3: in the farm like field get loose.

859
00:44:30,120 --> 00:44:32,880
Speaker 5: Right because they probably been trying to get off that

860
00:44:32,960 --> 00:44:34,799
Speaker 5: rope for years and then finally snapped right.

861
00:44:35,040 --> 00:44:40,399
Speaker 3: And Darryl says, I got Jesus. Basically, you just kill

862
00:44:40,440 --> 00:44:43,359
Speaker 3: those zombies. So Rick goes to kill the zombies him

863
00:44:43,400 --> 00:44:49,719
Speaker 3: and Jesus start fighting and running around. Jesus gets to

864
00:44:49,800 --> 00:44:51,799
Speaker 3: the to the van. I guess he's trying to steal

865
00:44:51,800 --> 00:44:53,480
Speaker 3: the steal the truck again. I mean he gets to

866
00:44:53,520 --> 00:44:56,040
Speaker 3: the truck, Darryl is fighting with him in the truck

867
00:44:56,080 --> 00:44:59,600
Speaker 3: cap and then Jesus goes get down. There's a zombie

868
00:44:59,600 --> 00:45:03,880
Speaker 3: behind Darryl, and Jesus pulled steals Dale's gun, points it

869
00:45:03,920 --> 00:45:05,600
Speaker 3: to Darryl, tells him to get down.

870
00:45:05,719 --> 00:45:07,680
Speaker 2: Darryl ducks, he shoots.

871
00:45:07,920 --> 00:45:12,520
Speaker 3: Jesus shoots the zombie, and then Darryl's blasone said thanks

872
00:45:12,760 --> 00:45:14,719
Speaker 3: for saving his life, you know, because that's what you

873
00:45:14,800 --> 00:45:17,080
Speaker 3: just did. Then he grabbed the gun and said that's

874
00:45:17,120 --> 00:45:21,319
Speaker 3: my gun and punched him in the face. And right

875
00:45:21,360 --> 00:45:23,520
Speaker 3: as he punched him in the face, the fucking truck

876
00:45:23,560 --> 00:45:26,319
Speaker 3: starts rolling backwards because apparently the handbrake or something got

877
00:45:26,440 --> 00:45:29,960
Speaker 3: knocked out, and it's rolling backwards into a lake. Y'all,

878
00:45:31,640 --> 00:45:35,080
Speaker 3: all that good ship they got today about to go

879
00:45:35,800 --> 00:45:40,680
Speaker 3: to a van down by the river dog and it's

880
00:45:40,719 --> 00:45:44,760
Speaker 3: so it's rolling into the lake. They realize this, Uh,

881
00:45:44,840 --> 00:45:46,760
Speaker 3: they both jumped out of the cab of the truck

882
00:45:47,040 --> 00:45:52,799
Speaker 3: and Jesus hits his head on the door the door

883
00:45:53,320 --> 00:45:58,760
Speaker 3: of the truck, and he's knocked unconscious. Immediately Rick comes

884
00:45:58,800 --> 00:46:02,640
Speaker 3: up seesus after mathter this, and Rick wasn't even too

885
00:46:02,680 --> 00:46:07,560
Speaker 3: mad Ric just just looks at the ship drowning, you know,

886
00:46:07,880 --> 00:46:10,880
Speaker 3: all that good good stuff going to the bottom of

887
00:46:10,920 --> 00:46:16,320
Speaker 3: the river, and he just goes like that, like that's terrible.

888
00:46:16,400 --> 00:46:22,919
Speaker 3: And then Daryl goes long averages some bullshit. Man I said,

889
00:46:22,920 --> 00:46:25,840
Speaker 3: maybe Darryl's an atheist now, definitely don't believe in Jesus.

890
00:46:28,840 --> 00:46:32,080
Speaker 3: So I think at this time they decide they're gonna

891
00:46:32,440 --> 00:46:34,880
Speaker 3: look in the cars, see if they can find one

892
00:46:34,920 --> 00:46:41,160
Speaker 3: that's working, and then take Jesus back with an Alexander

893
00:46:41,200 --> 00:46:44,520
Speaker 3: for medical care, even though Darryl his suggestion is to

894
00:46:44,719 --> 00:46:48,480
Speaker 3: leave him up in a tree. And with Darryl's accent,

895
00:46:48,520 --> 00:46:50,080
Speaker 3: I don't like the way that sounded. I thought he

896
00:46:50,160 --> 00:46:53,960
Speaker 3: was gonna hang him. I hope this don't mean what

897
00:46:54,000 --> 00:46:54,920
Speaker 3: I think it means. Darryl.

898
00:46:55,160 --> 00:46:55,759
Speaker 4: No, I.

899
00:46:57,440 --> 00:46:59,760
Speaker 2: All right, you never could tell his brother was Meryl.

900
00:47:00,160 --> 00:47:00,920
Speaker 4: That's true. Now.

901
00:47:02,840 --> 00:47:07,200
Speaker 3: So Spencer's out in the woods with Michean. He's talking

902
00:47:07,239 --> 00:47:13,120
Speaker 3: about how he didn't have a family anymore. And Michean's

903
00:47:13,160 --> 00:47:15,520
Speaker 3: like that's bullshit. You know you got all us. You

904
00:47:15,560 --> 00:47:17,600
Speaker 3: need to come back home, he said, my family's dead.

905
00:47:17,640 --> 00:47:21,640
Speaker 3: That's not home, it's just where I live. And at

906
00:47:21,640 --> 00:47:26,120
Speaker 3: this point, I think it's all coming together. You know,

907
00:47:26,360 --> 00:47:31,720
Speaker 3: if that zombie is Deanna, Spencer's out there to kill Deanna.

908
00:47:32,080 --> 00:47:37,320
Speaker 3: And if that zombie is Deanna and Carl didn't kill it,

909
00:47:37,320 --> 00:47:39,840
Speaker 3: it says something that he told Enid at the time.

910
00:47:41,200 --> 00:47:47,239
Speaker 3: You wouldn't understand, because Carl knows a boy can't become

911
00:47:47,280 --> 00:47:52,839
Speaker 3: a man until he kills his zombie mamah Okay, yep,

912
00:47:53,239 --> 00:47:57,160
Speaker 3: he's old in the game. He know from first hand experience.

913
00:47:57,840 --> 00:48:00,759
Speaker 3: You got to kill your zombie mama if you ever

914
00:48:00,800 --> 00:48:03,600
Speaker 3: won't closure Sochean looks in the woods.

915
00:48:03,640 --> 00:48:07,080
Speaker 2: She sees Carl leading the zombie.

916
00:48:07,760 --> 00:48:12,440
Speaker 3: To through the woods and yep, it's Deanna, and Spencer

917
00:48:12,680 --> 00:48:17,279
Speaker 3: sees Deanna, thinking that they've discovered Deanna all on his own.

918
00:48:17,680 --> 00:48:21,040
Speaker 3: Micheon holds Deanna and then Spencer kills her with his

919
00:48:21,239 --> 00:48:29,200
Speaker 3: UH with his knife and they go to bury Deanna

920
00:48:31,520 --> 00:48:35,400
Speaker 3: and Micheon cuts a d into a tree for her

921
00:48:35,680 --> 00:48:39,640
Speaker 3: for Deanna's burial site, which is also foreshadowing, and then

922
00:48:40,520 --> 00:48:45,800
Speaker 3: she uh. Spencer says that Deanna basically told him that

923
00:48:46,880 --> 00:48:49,319
Speaker 3: he he would find his way or something, or he

924
00:48:49,360 --> 00:48:52,920
Speaker 3: would not lose his way once she was gone. And

925
00:48:53,920 --> 00:48:58,640
Speaker 3: I also feel like Spencer may have had this reaction

926
00:48:58,760 --> 00:49:02,719
Speaker 3: because the last thing he really said that that was

927
00:49:02,800 --> 00:49:03,480
Speaker 3: him being.

928
00:49:03,560 --> 00:49:07,040
Speaker 4: Mean, right man, he was terrible, blaming.

929
00:49:06,680 --> 00:49:09,399
Speaker 2: Her for Reggie's death and his brother and.

930
00:49:09,400 --> 00:49:12,680
Speaker 4: The whole everything falling apart. He basically like, it's your fault.

931
00:49:12,920 --> 00:49:15,400
Speaker 3: Yeah, And I was kind of wondering that when Michean

932
00:49:15,440 --> 00:49:18,319
Speaker 3: gave him the speech about how you know I've been

933
00:49:18,320 --> 00:49:20,080
Speaker 3: out here chasing you all over the woods. You still

934
00:49:20,080 --> 00:49:23,160
Speaker 3: got family, you still got a home. I was wondering, like,

935
00:49:23,400 --> 00:49:27,080
Speaker 3: was this a romantic moment for them? Was Spencer like

936
00:49:27,080 --> 00:49:31,799
Speaker 3: a love interest from Sean? But I've realized in that moment, huh,

937
00:49:32,719 --> 00:49:34,560
Speaker 3: I wouldn't have thought that. Well, I was thinking that,

938
00:49:34,600 --> 00:49:36,680
Speaker 3: And in that moment, I realized, I don't want her

939
00:49:36,760 --> 00:49:39,520
Speaker 3: to date Spencer. I don't like Spencer.

940
00:49:40,040 --> 00:49:41,120
Speaker 4: He kind of a coward.

941
00:49:42,120 --> 00:49:44,960
Speaker 3: He's secretive, he's extremely.

942
00:49:45,080 --> 00:49:47,719
Speaker 5: Moody and all this shit, And truly, I don't think

943
00:49:47,760 --> 00:49:49,799
Speaker 5: that mine might be wrong, But I'm like, I don't

944
00:49:49,840 --> 00:49:51,600
Speaker 5: think that he would be her type.

945
00:49:52,560 --> 00:49:54,520
Speaker 3: Yeah, I don't know what Michean's type is because she's

946
00:49:54,520 --> 00:49:57,080
Speaker 3: never been with anybody on the show, so I can't

947
00:49:57,080 --> 00:50:00,719
Speaker 3: even really say, but I just felt I don't know,

948
00:50:00,800 --> 00:50:03,040
Speaker 3: But at that moment, I just felt this like, oh God,

949
00:50:03,120 --> 00:50:05,960
Speaker 3: please don't try to shift them relationship.

950
00:50:05,360 --> 00:50:07,080
Speaker 2: Show, you know what I mean.

951
00:50:07,120 --> 00:50:09,440
Speaker 3: Please don't like have this moment turn in to a

952
00:50:09,520 --> 00:50:13,239
Speaker 3: romantic moment. But I felt like at the end it

953
00:50:13,320 --> 00:50:15,319
Speaker 3: was more motherly than anything. Or she was kind of

954
00:50:15,320 --> 00:50:18,160
Speaker 3: saying like, you got family, don't be a plump come

955
00:50:18,360 --> 00:50:21,800
Speaker 3: come back, you know. Let's see.

956
00:50:22,040 --> 00:50:22,440
Speaker 4: Uh.

957
00:50:24,280 --> 00:50:28,279
Speaker 3: Rick and Daryl are driving back with Jesus unconscious in

958
00:50:28,320 --> 00:50:35,399
Speaker 3: the back seat tied up, and Daryl's basically like going

959
00:50:35,440 --> 00:50:37,719
Speaker 3: back and forth with Rick, like, man, we need to

960
00:50:39,200 --> 00:50:40,680
Speaker 3: this is a bad idea. I don't want to take

961
00:50:40,680 --> 00:50:43,439
Speaker 3: this person back. And Rick's like, no, y'all told me

962
00:50:44,120 --> 00:50:45,480
Speaker 3: that we need to recruit people.

963
00:50:45,960 --> 00:50:47,480
Speaker 2: I need to build for the future.

964
00:50:48,440 --> 00:50:50,919
Speaker 3: Y'all now right, we need to expand he said, I'm

965
00:50:50,920 --> 00:50:52,560
Speaker 3: finally listening. I was wrong.

966
00:50:54,560 --> 00:50:58,440
Speaker 2: You guys are right. We should do this, and you know, maybe.

967
00:50:58,200 --> 00:51:00,880
Speaker 3: Not this guy, but we need to get more people

968
00:51:00,880 --> 00:51:02,799
Speaker 3: in here to help us out.

969
00:51:04,080 --> 00:51:06,520
Speaker 5: Yeah, and Rick was being an ass because he kept

970
00:51:06,640 --> 00:51:09,120
Speaker 5: driving his swerving and making Jesus fall on Darryl.

971
00:51:09,320 --> 00:51:11,600
Speaker 3: Yeah, because Jesus is not in the seat belt and

972
00:51:11,640 --> 00:51:15,879
Speaker 3: he's in the back seat. And so Rick was basically like, man,

973
00:51:15,920 --> 00:51:17,959
Speaker 3: you try, you know, Daryl, you try to come off hard,

974
00:51:18,000 --> 00:51:20,960
Speaker 3: but you're not. And he turns a little bit and

975
00:51:21,040 --> 00:51:24,840
Speaker 3: knocks Jesus on to Daryl because of the momentum of

976
00:51:24,840 --> 00:51:27,799
Speaker 3: the car. At Darryl's slam Jesus off, I was like,

977
00:51:27,880 --> 00:51:30,560
Speaker 3: Jesus gonna Jesus hope Jesus got posty Cushing syndrome.

978
00:51:31,360 --> 00:51:32,800
Speaker 2: Damn Darryl, be gentlemen.

979
00:51:35,960 --> 00:51:36,080
Speaker 5: Uh.

980
00:51:36,360 --> 00:51:40,000
Speaker 2: Carl was on the porch with Judith.

981
00:51:41,320 --> 00:51:44,719
Speaker 3: And they were looking at the stars and he was

982
00:51:44,719 --> 00:51:48,080
Speaker 3: teaching her about the North Star and how you know

983
00:51:48,120 --> 00:51:50,600
Speaker 3: where that is you always know where you are, and

984
00:51:50,719 --> 00:51:55,080
Speaker 3: Jesus doesn't understand she's a baby. But Micheon comes walking

985
00:51:55,160 --> 00:51:59,000
Speaker 3: up and she gave him basically gave call of talking

986
00:51:59,040 --> 00:52:02,000
Speaker 3: to which was like, the fuck you doing out there?

987
00:52:02,280 --> 00:52:05,960
Speaker 3: Not killing that zombie when you saw the zombie Deanna,

988
00:52:06,000 --> 00:52:09,480
Speaker 3: you need to kill her. And she was like, you

989
00:52:09,560 --> 00:52:10,080
Speaker 3: know how we do?

990
00:52:10,120 --> 00:52:10,640
Speaker 4: What's happening?

991
00:52:10,719 --> 00:52:13,799
Speaker 3: What's up right? And Carl was like, nah, like I

992
00:52:13,840 --> 00:52:16,960
Speaker 3: wouldn't I wouldn't do it to you, and I'm not

993
00:52:17,000 --> 00:52:21,120
Speaker 3: gonna kill Deanna. Like It's like this is not even

994
00:52:21,120 --> 00:52:23,600
Speaker 3: a debate to me, and Michean tried to like pull

995
00:52:23,680 --> 00:52:25,359
Speaker 3: rank on, like, no, you need to do what you're

996
00:52:25,400 --> 00:52:27,360
Speaker 3: supposed to do and need to be safe and all this,

997
00:52:27,960 --> 00:52:30,680
Speaker 3: and Carl's just like, I don't feel that way, you know.

998
00:52:32,920 --> 00:52:37,160
Speaker 3: And I think, especially with Carl having killed his own

999
00:52:37,200 --> 00:52:40,480
Speaker 3: mom zombie mom, I can see how he might feel

1000
00:52:40,480 --> 00:52:44,440
Speaker 3: that way, like, you know, anyway, I can see how

1001
00:52:44,440 --> 00:52:45,160
Speaker 3: you might feel that way.

1002
00:52:45,200 --> 00:52:48,120
Speaker 5: I think his thing is if anybody would have was

1003
00:52:48,120 --> 00:52:49,880
Speaker 5: gonna kill her, it needs to be a family member.

1004
00:52:50,360 --> 00:52:52,600
Speaker 3: Yeah, maybe he you know, I can see how you might.

1005
00:52:52,920 --> 00:52:54,960
Speaker 3: It might be more complicated for Carl than it is

1006
00:52:54,960 --> 00:52:59,120
Speaker 3: for us, which is another thing I think. I don't

1007
00:52:59,120 --> 00:53:01,640
Speaker 3: think we'll ever run understand it because we're just people

1008
00:53:01,680 --> 00:53:04,840
Speaker 3: watching the TV show. But all the scenes where you

1009
00:53:04,880 --> 00:53:07,439
Speaker 3: have to kill the zombie version of the person who

1010
00:53:07,520 --> 00:53:11,839
Speaker 3: raised you and shit, those scenes they always come off

1011
00:53:11,880 --> 00:53:15,919
Speaker 3: well to me because you would hesitate if my mom

1012
00:53:15,960 --> 00:53:18,919
Speaker 3: turned to a zombie. I wouldn't just feel like, well,

1013
00:53:19,040 --> 00:53:21,319
Speaker 3: oh well, bitch dead and just kill her, like who

1014
00:53:21,360 --> 00:53:25,080
Speaker 3: thinks that way? You fucking psychos out there, correct, you know,

1015
00:53:25,200 --> 00:53:28,120
Speaker 3: like it would be hard at fuck to do that anyway.

1016
00:53:28,760 --> 00:53:32,359
Speaker 3: Uh so, you know, he felt a certain way, and

1017
00:53:32,560 --> 00:53:34,879
Speaker 3: Chean gave him like a motherly talk. Man. I thought

1018
00:53:34,880 --> 00:53:36,879
Speaker 3: it was kind of a cool moment between the two

1019
00:53:36,960 --> 00:53:40,120
Speaker 3: characters because they go way back, you know, and so

1020
00:53:40,239 --> 00:53:44,279
Speaker 3: when they even got split up together and stuff, you know,

1021
00:53:44,480 --> 00:53:46,760
Speaker 3: so I just I just really appreciated that scene.

1022
00:53:47,600 --> 00:53:49,160
Speaker 4: Yeah, she was like, I tracked you down.

1023
00:53:49,239 --> 00:53:51,080
Speaker 5: I didn't track you down from two from from two

1024
00:53:51,160 --> 00:53:52,719
Speaker 5: states old, just for you to go ahead and.

1025
00:53:52,719 --> 00:53:57,840
Speaker 3: Kill your right. So they get all the way to

1026
00:53:57,960 --> 00:54:01,200
Speaker 3: the fence now with Darryl and Rick and car and

1027
00:54:01,280 --> 00:54:05,080
Speaker 3: Daryl's like, man, remember that ship you said when you

1028
00:54:05,120 --> 00:54:07,520
Speaker 3: sit after Pete and reg died, when you said we

1029
00:54:07,560 --> 00:54:09,919
Speaker 3: don't need to recruit people, we just need to stay

1030
00:54:09,960 --> 00:54:12,960
Speaker 3: here and you know, take care of ourselves.

1031
00:54:14,080 --> 00:54:18,279
Speaker 2: Well, you were right, And Rick was like, nope, I

1032
00:54:18,400 --> 00:54:18,719
Speaker 2: was wrong.

1033
00:54:18,880 --> 00:54:24,160
Speaker 3: Y'all was right. And then they drove in the fence.

1034
00:54:24,480 --> 00:54:26,400
Speaker 3: I just thought that was a cool moment because Daryl

1035
00:54:26,520 --> 00:54:28,600
Speaker 3: really held his tongue all the way till they got

1036
00:54:28,600 --> 00:54:30,640
Speaker 3: to the fence, and I think I think the ship

1037
00:54:30,719 --> 00:54:32,560
Speaker 3: didn't really get real till until they got to the

1038
00:54:32,560 --> 00:54:34,120
Speaker 3: fence and Jesus was about to come in the fence

1039
00:54:34,160 --> 00:54:36,960
Speaker 3: and he was just like, man, for real, we can't just.

1040
00:54:36,920 --> 00:54:38,360
Speaker 2: Put this nigga in a house or something.

1041
00:54:40,320 --> 00:54:43,640
Speaker 3: So they bring Jesus into the niece's office, doctor's office,

1042
00:54:43,640 --> 00:54:46,760
Speaker 3: and she's really confident about doctor. And now she's getting

1043
00:54:46,760 --> 00:54:47,640
Speaker 3: some on the rig.

1044
00:54:47,880 --> 00:54:50,440
Speaker 4: She she own she two am call because.

1045
00:54:52,000 --> 00:54:53,200
Speaker 2: Right now that she's.

1046
00:54:54,440 --> 00:55:00,799
Speaker 3: Created fetti car, I can fix anything. So they give

1047
00:55:00,920 --> 00:55:03,680
Speaker 3: him some concussion treatment by wrapping his head in gauze,

1048
00:55:04,280 --> 00:55:08,000
Speaker 3: and then uh, they put him in that same house

1049
00:55:08,120 --> 00:55:12,080
Speaker 3: seal room that they had Morgan and I believe Rick

1050
00:55:12,440 --> 00:55:18,960
Speaker 3: and Rick, and and Rick leaves him a note and

1051
00:55:20,040 --> 00:55:23,239
Speaker 3: Darrel leaves him some water for when he wakes up.

1052
00:55:23,920 --> 00:55:28,440
Speaker 3: And Rick Rix listening to Darrel, he goes, it is

1053
00:55:28,480 --> 00:55:31,440
Speaker 3: pretty stupid for us to go out there. Darrel goes yep,

1054
00:55:32,160 --> 00:55:37,640
Speaker 3: and Rick goes, do it again tomorrow, Dal goes yep. Yeah,

1055
00:55:37,680 --> 00:55:39,480
Speaker 3: it's just like I said, there's some funny moments in

1056
00:55:39,520 --> 00:55:44,839
Speaker 3: this joint. So Rick is back home. He's laying on

1057
00:55:44,880 --> 00:55:47,520
Speaker 3: the couch decompressing from the end of the day. Obviously

1058
00:55:47,560 --> 00:55:53,040
Speaker 3: he's tired as fuck. Boots right and Maseean walks in

1059
00:55:53,320 --> 00:55:56,279
Speaker 3: with a Wi Fi baby monitor, the same kind that

1060
00:55:56,360 --> 00:56:01,719
Speaker 3: I bought my brother and his wife. Mm hmmm, uh

1061
00:56:01,760 --> 00:56:03,719
Speaker 3: so I know, so I knew it was pretty expensive

1062
00:56:03,719 --> 00:56:08,239
Speaker 3: in hot tech, but apparently they got WiFi Alexandria. So

1063
00:56:08,320 --> 00:56:10,400
Speaker 3: he walks in with the WiFi. She walks in with

1064
00:56:10,440 --> 00:56:14,080
Speaker 3: the WiFi baby minitor, and she kicks Rick and says move,

1065
00:56:15,280 --> 00:56:16,719
Speaker 3: like to give him some space on the couch so

1066
00:56:16,800 --> 00:56:19,520
Speaker 3: she could sit down because he was man spreading.

1067
00:56:20,440 --> 00:56:21,440
Speaker 4: Yeah, he was.

1068
00:56:22,560 --> 00:56:26,320
Speaker 3: As soon as she walked in in them clean jeans. Uh,

1069
00:56:26,480 --> 00:56:29,920
Speaker 3: you know, my first thought was hey, boo, hey, you know,

1070
00:56:30,120 --> 00:56:33,160
Speaker 3: and she's smiling looking at you know, Judith on the camera,

1071
00:56:34,040 --> 00:56:36,520
Speaker 3: and you know, she kicked him in the in the

1072
00:56:36,560 --> 00:56:38,560
Speaker 3: side and said move and it was almost like hey,

1073
00:56:38,560 --> 00:56:44,399
Speaker 3: big head, you know, uh texted him and Rick took

1074
00:56:44,440 --> 00:56:48,520
Speaker 3: his boots off. That's when you know it's serious, you know.

1075
00:56:48,600 --> 00:56:55,680
Speaker 3: So they smell like sick wet dog. Yeah, so she asked,

1076
00:56:55,719 --> 00:57:00,239
Speaker 3: you know, basically by this day he said, yeah, we

1077
00:57:00,280 --> 00:57:02,520
Speaker 3: ran into a guy. I don't even feel like talking

1078
00:57:02,520 --> 00:57:06,000
Speaker 3: about it because he had a he had a pretty

1079
00:57:06,040 --> 00:57:09,000
Speaker 3: bad day and you know, lost that truck and all

1080
00:57:09,040 --> 00:57:11,240
Speaker 3: that ship and so uh.

1081
00:57:12,200 --> 00:57:14,000
Speaker 2: She said, what guy? You ran into a guy?

1082
00:57:14,040 --> 00:57:16,560
Speaker 3: He said, yeah, Daryl's supposed to be watching him until

1083
00:57:16,600 --> 00:57:21,000
Speaker 3: another guy could take over. Then he asked her about

1084
00:57:21,000 --> 00:57:23,560
Speaker 3: her day and she said it's kind of the same.

1085
00:57:23,640 --> 00:57:25,640
Speaker 3: He said, so you ran into a guy too, and

1086
00:57:25,680 --> 00:57:28,800
Speaker 3: she was like, nah, not that. And it's clear she

1087
00:57:28,800 --> 00:57:34,720
Speaker 3: didn't feel like talking about killing uh killing and burying Yanna.

1088
00:57:35,880 --> 00:57:36,040
Speaker 4: Uh.

1089
00:57:36,040 --> 00:57:40,000
Speaker 3: So they both kind of just chilled out, like Okay,

1090
00:57:40,280 --> 00:57:45,400
Speaker 3: we don't feel like talking about this ship. And then

1091
00:57:45,440 --> 00:57:47,600
Speaker 3: he was like, oh, I remember I got you something

1092
00:57:47,840 --> 00:57:50,520
Speaker 3: and pulled out his backpack back pocket because he couldn't

1093
00:57:50,520 --> 00:57:52,000
Speaker 3: get the tooth face.

1094
00:57:53,800 --> 00:57:54,960
Speaker 2: Put out some mints.

1095
00:57:55,560 --> 00:57:58,080
Speaker 3: Yeah, and she said, so you're giving me this he said,

1096
00:57:58,080 --> 00:58:00,520
Speaker 3: a two face and she was laughing, and then he

1097
00:58:00,600 --> 00:58:04,680
Speaker 3: said he was like, well, I got the.

1098
00:58:04,640 --> 00:58:07,240
Speaker 2: Two faces, but it's in a garden at the bottom

1099
00:58:07,280 --> 00:58:07,880
Speaker 2: of a lake.

1100
00:58:08,560 --> 00:58:13,120
Speaker 3: And she goes, oh, so you had a day, and

1101
00:58:13,200 --> 00:58:15,320
Speaker 3: she had to smile like she was almost gonna clown

1102
00:58:15,400 --> 00:58:20,920
Speaker 3: him or whatever, and so he was laughing and he

1103
00:58:21,000 --> 00:58:24,440
Speaker 3: put his hand on hers where he had handed her

1104
00:58:24,480 --> 00:58:27,520
Speaker 3: the mints, and then their hands are staying kind of

1105
00:58:27,520 --> 00:58:30,680
Speaker 3: close for a little bit, I know, and I was like,

1106
00:58:31,000 --> 00:58:37,280
Speaker 3: what the hell is what the hell is happening? And

1107
00:58:37,400 --> 00:58:42,400
Speaker 3: this motherfucking house I was, I was.

1108
00:58:42,520 --> 00:58:43,880
Speaker 2: I was losing it, man.

1109
00:58:45,000 --> 00:58:47,160
Speaker 4: Because I was like, y'all, y'all hanging too long.

1110
00:58:47,720 --> 00:58:50,280
Speaker 3: Yeah, you know, I wasn't. I wasn't really ready for

1111
00:58:51,800 --> 00:58:53,800
Speaker 3: I wasn't really ready for us. I was like, because

1112
00:58:53,840 --> 00:58:57,000
Speaker 3: I have here's the thing. I have given up on Rashan.

1113
00:58:57,520 --> 00:58:59,880
Speaker 3: I've given up you know what I'm saying, Like I

1114
00:59:00,360 --> 00:59:05,640
Speaker 3: was for Sean. Then Rick went fucking bananas crazy, and

1115
00:59:05,680 --> 00:59:09,520
Speaker 3: I said, you know what, man, nah Michean, you could

1116
00:59:09,560 --> 00:59:12,200
Speaker 3: do better. He can't be dating these crazy white boys.

1117
00:59:12,240 --> 00:59:12,560
Speaker 2: Okay.

1118
00:59:12,880 --> 00:59:16,840
Speaker 3: Like I don't care about the regular white dudes. That's fine,

1119
00:59:17,680 --> 00:59:20,200
Speaker 3: have no problem with white people as in general, as

1120
00:59:20,200 --> 00:59:23,560
Speaker 3: a brand, individually or whatever. But when it comes to

1121
00:59:23,680 --> 00:59:27,120
Speaker 3: just crazy white men TM, I say, we stay away

1122
00:59:27,120 --> 00:59:30,800
Speaker 3: from them period. I don't care who you are. Okay,

1123
00:59:30,840 --> 00:59:34,760
Speaker 3: they've been known to do crazy things. You've seen the news.

1124
00:59:34,800 --> 00:59:39,160
Speaker 3: But uh, you know, this episode, I hadn't had that

1125
00:59:39,280 --> 00:59:42,800
Speaker 3: queasy feeling about Rick the whole episode, and I realized

1126
00:59:42,840 --> 00:59:45,920
Speaker 3: it's because Thomas passed and he was acting right the

1127
00:59:46,080 --> 00:59:47,400
Speaker 3: whole fucking show.

1128
00:59:47,800 --> 00:59:50,120
Speaker 4: Yeah, act like he had some sense, you know, because

1129
00:59:50,160 --> 00:59:50,480
Speaker 4: when he.

1130
00:59:50,480 --> 00:59:52,120
Speaker 3: Was at the jesse Man. It was like a fucking

1131
00:59:52,160 --> 00:59:55,080
Speaker 3: wolf on some bacon dog. It was like, every time

1132
00:59:55,160 --> 00:59:56,840
Speaker 3: he's seeing her, I was like, yeah, I'm ana fuck

1133
00:59:56,880 --> 00:59:58,640
Speaker 3: that bitch. It's like it was like in like a

1134
00:59:58,720 --> 01:00:02,920
Speaker 3: street harassing at as twitter nigga for a whole season

1135
01:00:03,040 --> 01:00:05,800
Speaker 3: last week, just every time he's seen I'm gonna take it.

1136
01:00:05,840 --> 01:00:06,720
Speaker 2: I'm gonna take that bitch.

1137
01:00:06,760 --> 01:00:08,800
Speaker 3: I'm oh man, I told my gun I kill her

1138
01:00:08,880 --> 01:00:11,560
Speaker 3: husband right now. You're like, damn, nigga, I.

1139
01:00:11,560 --> 01:00:13,200
Speaker 2: Don't care about your kids. I raise your kids.

1140
01:00:13,240 --> 01:00:15,200
Speaker 3: I'm wrustll Wilson. I don't give a fuck Like.

1141
01:00:16,880 --> 01:00:17,080
Speaker 4: Down.

1142
01:00:17,200 --> 01:00:20,080
Speaker 3: Rick is cool, bro, you just you know, y'all just

1143
01:00:20,120 --> 01:00:23,520
Speaker 3: getting some civilization back. Maybe we can just you know

1144
01:00:23,880 --> 01:00:25,840
Speaker 3: X name on on the apy ray.

1145
01:00:26,440 --> 01:00:27,640
Speaker 2: What you approaching this woman?

1146
01:00:28,440 --> 01:00:30,480
Speaker 3: He went to hand her baby and kissed her. She

1147
01:00:30,520 --> 01:00:33,640
Speaker 3: ain't asked for that, she didn't you know so so

1148
01:00:34,200 --> 01:00:36,200
Speaker 3: and she was like an abuse victim and ship. It

1149
01:00:36,240 --> 01:00:39,440
Speaker 3: was just it was very terrible, right.

1150
01:00:39,480 --> 01:00:42,120
Speaker 5: He forced that relationship, and it's one of those things

1151
01:00:42,120 --> 01:00:43,880
Speaker 5: where people try to all.

1152
01:00:43,760 --> 01:00:46,480
Speaker 4: Who and you're like, nah, that's all Rick. That rich

1153
01:00:46,600 --> 01:00:47,200
Speaker 4: It was him.

1154
01:00:47,760 --> 01:00:52,160
Speaker 3: He was the problem, but he was acting saying the

1155
01:00:52,280 --> 01:00:56,560
Speaker 3: whole episode he was talking about listening to Machone in

1156
01:00:56,640 --> 01:00:59,440
Speaker 3: them and you know, Macheone's the only one that's been

1157
01:00:59,480 --> 01:01:01,760
Speaker 3: checking him all this, but it's about time he woke

1158
01:01:01,840 --> 01:01:04,840
Speaker 3: up and listened, you know, because you know Machean's the

1159
01:01:04,840 --> 01:01:07,680
Speaker 3: only one that's been advising him. She knocked his ass

1160
01:01:07,680 --> 01:01:10,800
Speaker 3: out when he was acting crazy in town Square, like

1161
01:01:11,160 --> 01:01:13,600
Speaker 3: you know, she's a boss of her in her own right,

1162
01:01:14,320 --> 01:01:16,840
Speaker 3: and they've always had this friendship there. But you know,

1163
01:01:17,520 --> 01:01:20,360
Speaker 3: I felt like the show never really built on that

1164
01:01:20,440 --> 01:01:21,560
Speaker 3: the way I would have liked him to.

1165
01:01:22,280 --> 01:01:24,280
Speaker 2: And once he went crazy for Jesse, I said.

1166
01:01:24,120 --> 01:01:27,120
Speaker 3: Oh no, girl, don't don't date him, not him, You're

1167
01:01:27,160 --> 01:01:29,080
Speaker 3: gonna be on some revenge for her website.

1168
01:01:31,840 --> 01:01:33,880
Speaker 2: But then when they when they.

1169
01:01:33,760 --> 01:01:47,080
Speaker 3: Touched hands with the mints Man, Denis smashed that. She

1170
01:01:47,160 --> 01:01:50,840
Speaker 3: put that that that smile out there, smile wide, it

1171
01:01:50,880 --> 01:01:55,640
Speaker 3: is all outdoors. She leaned back, and they both kind

1172
01:01:55,640 --> 01:01:58,280
Speaker 3: of had this look on their face like is this happening.

1173
01:01:59,800 --> 01:02:00,000
Speaker 8: Right?

1174
01:02:00,600 --> 01:02:01,440
Speaker 4: Like is we about to do that?

1175
01:02:01,600 --> 01:02:03,720
Speaker 3: They both picked up I saw them both pick up

1176
01:02:03,720 --> 01:02:05,560
Speaker 3: the script and look at and say yes the sales

1177
01:02:05,640 --> 01:02:07,400
Speaker 3: kiss and then they started kissing.

1178
01:02:08,040 --> 01:02:09,840
Speaker 4: They was like, did you read what I read? Yea.

1179
01:02:10,080 --> 01:02:11,240
Speaker 3: They couldn't believe it either.

1180
01:02:12,080 --> 01:02:13,720
Speaker 4: They looked at this the audience.

1181
01:02:13,840 --> 01:02:15,760
Speaker 3: They could have broke the fourth wall like dead food.

1182
01:02:17,360 --> 01:02:19,800
Speaker 4: Myself looked at the spring and we don't believe it, y'all.

1183
01:02:20,240 --> 01:02:24,440
Speaker 3: And I let out a yelp on my motherfucking couch

1184
01:02:25,320 --> 01:02:26,080
Speaker 3: like I was.

1185
01:02:26,000 --> 01:02:26,800
Speaker 2: In the wrong.

1186
01:02:29,880 --> 01:02:33,880
Speaker 3: And they not supposed to be here, right, And they

1187
01:02:33,920 --> 01:02:36,200
Speaker 3: did the double kiss like they did a kiss. Then

1188
01:02:36,240 --> 01:02:38,160
Speaker 3: they looked at each other with their eyes because their

1189
01:02:38,160 --> 01:02:40,400
Speaker 3: eyes open during the whole kiss, And then they looked

1190
01:02:40,400 --> 01:02:43,560
Speaker 3: at each other like that was that's kiss again to

1191
01:02:43,640 --> 01:02:45,600
Speaker 3: make sure, and they kissed again.

1192
01:02:46,280 --> 01:02:47,680
Speaker 4: Didn't nobody go back out the deal?

1193
01:02:47,960 --> 01:02:48,120
Speaker 7: Right?

1194
01:02:48,160 --> 01:02:49,960
Speaker 3: And one of the things I really liked about it

1195
01:02:50,040 --> 01:02:54,720
Speaker 3: is it wasn't this like weird lustful thing where it's

1196
01:02:54,760 --> 01:02:56,680
Speaker 3: like I want you so bad, I'm gonna rip your

1197
01:02:56,680 --> 01:02:59,760
Speaker 3: clothes off. Like it wasn't that kind of shit, because

1198
01:02:59,760 --> 01:03:02,080
Speaker 3: I feel like he was like that about Jesse. Now

1199
01:03:02,120 --> 01:03:03,880
Speaker 3: I know they never got that have sex, but I

1200
01:03:03,920 --> 01:03:05,800
Speaker 3: felt like he was like that about Jesse, like I

1201
01:03:05,800 --> 01:03:08,080
Speaker 3: can't wait to just get you. Well this ship, it

1202
01:03:08,160 --> 01:03:11,440
Speaker 3: was kind of like this, Wow, we got a moment

1203
01:03:11,520 --> 01:03:15,720
Speaker 3: to be human. We're not worried about fucking survival at

1204
01:03:15,720 --> 01:03:17,200
Speaker 3: this direct moment.

1205
01:03:17,840 --> 01:03:19,560
Speaker 2: We're not living on the street.

1206
01:03:19,400 --> 01:03:22,720
Speaker 3: Like dogs, right, I don't. I'm not worried about killing

1207
01:03:22,760 --> 01:03:25,280
Speaker 3: Alexandria's or them breaking in my house and killing me.

1208
01:03:27,640 --> 01:03:28,440
Speaker 2: We can relax.

1209
01:03:28,560 --> 01:03:34,200
Speaker 3: I feel safe, right, And you know, they they went

1210
01:03:34,280 --> 01:03:37,320
Speaker 3: upstairs and had some sex, y'all. It wasn't gravitic or nothing.

1211
01:03:37,360 --> 01:03:42,240
Speaker 3: They just showed them laying in the bed after post

1212
01:03:42,320 --> 01:03:46,959
Speaker 3: Corteous and uh, I did not know this. I thought

1213
01:03:46,960 --> 01:03:49,520
Speaker 3: it was just a black man thing, or maybe just

1214
01:03:49,840 --> 01:03:53,800
Speaker 3: a me thing. But apparently everybody sleeps with black women,

1215
01:03:53,800 --> 01:03:58,280
Speaker 3: fall asleep with their hand on their ass. I didn't know. Rick,

1216
01:04:01,000 --> 01:04:03,400
Speaker 3: I he like that brown sugar. I guess it's just

1217
01:04:03,440 --> 01:04:05,680
Speaker 3: a natural thing. We all must do it. I don't know,

1218
01:04:06,800 --> 01:04:09,040
Speaker 3: but yeah, he had the hand on her ass and everything.

1219
01:04:09,800 --> 01:04:10,360
Speaker 3: And then.

1220
01:04:12,160 --> 01:04:14,680
Speaker 2: While they were sleeping, all you heard was.

1221
01:04:16,160 --> 01:04:22,360
Speaker 3: Rick, Rick, and I was like, what the fuck a

1222
01:04:22,440 --> 01:04:28,080
Speaker 3: goddamn ghost and Rick jumped up out of bed and

1223
01:04:28,160 --> 01:04:28,960
Speaker 3: sewed the macheone.

1224
01:04:29,000 --> 01:04:31,160
Speaker 2: Immediately, she grabbed a sword, he grabbed his gun.

1225
01:04:31,280 --> 01:04:34,320
Speaker 4: Right. They was like, you know what, no matter what,

1226
01:04:34,520 --> 01:04:35,600
Speaker 4: we ready to go to war.

1227
01:04:36,040 --> 01:04:39,840
Speaker 3: And it was Jesus singing and got out of the

1228
01:04:39,920 --> 01:04:43,240
Speaker 3: motherfucking cuffs like David Blaine. And it was back up

1229
01:04:43,240 --> 01:04:44,480
Speaker 3: in the motherfucking bedroom.

1230
01:04:45,160 --> 01:04:47,560
Speaker 4: Now, you know, you can't hold Jesus down.

1231
01:04:48,280 --> 01:04:50,400
Speaker 3: I'm assuming it was the third day and he rose.

1232
01:04:51,240 --> 01:04:54,080
Speaker 5: Yeah, now Jesus is right on time.

1233
01:04:54,200 --> 01:04:54,880
Speaker 4: Come on, Doug.

1234
01:04:55,040 --> 01:04:57,000
Speaker 2: He's like, I may not come when you won't, but.

1235
01:04:56,920 --> 01:04:59,720
Speaker 4: I'm right on time. You know what, change hold me down.

1236
01:05:00,080 --> 01:05:05,520
Speaker 3: He probably heard Micheon calling out for him. I'm coming down,

1237
01:05:06,040 --> 01:05:08,760
Speaker 3: just let me get out these chains. But yeah, so

1238
01:05:08,880 --> 01:05:11,240
Speaker 3: Jesus snuck up in the bedroom and that was the end.

1239
01:05:11,280 --> 01:05:13,400
Speaker 3: They both jumped up with the sword and the gun

1240
01:05:14,120 --> 01:05:19,600
Speaker 3: and Jesus was Jesus was staring at him, you know,

1241
01:05:20,040 --> 01:05:24,400
Speaker 3: So it was, but it was it was like the

1242
01:05:24,640 --> 01:05:28,520
Speaker 3: perfect ending to a very funny, you know moment. And

1243
01:05:28,600 --> 01:05:32,240
Speaker 3: then the other thing is that when Jesus, when Rick

1244
01:05:32,280 --> 01:05:34,640
Speaker 3: and Machean got out of bed, Jesus never took his

1245
01:05:34,720 --> 01:05:37,640
Speaker 3: hour for Rick, like and I don't know, I it's

1246
01:05:37,640 --> 01:05:39,280
Speaker 3: because Rick had a gun and Michean had a sword

1247
01:05:39,320 --> 01:05:40,720
Speaker 3: of he was just trying to be a gentleman.

1248
01:05:41,320 --> 01:05:43,760
Speaker 4: Or yeah, because when she stood up she was butt naggd.

1249
01:05:43,680 --> 01:05:46,040
Speaker 3: Right, Or maybe he's just into dudes. I don't know

1250
01:05:46,160 --> 01:05:48,640
Speaker 3: he was looking at He was looking at Rick kind

1251
01:05:48,640 --> 01:05:50,480
Speaker 3: of hard. Just what I'm saying. And I'm not saying

1252
01:05:50,520 --> 01:05:54,360
Speaker 3: that because it's homophobic. Maybe he was just being a gentleman,

1253
01:05:54,760 --> 01:05:57,200
Speaker 3: but I noticed that shit. He never took his eyes

1254
01:05:57,640 --> 01:05:59,680
Speaker 3: off of Michelle, off of Rick and I you know,

1255
01:05:59,760 --> 01:06:01,480
Speaker 3: and maybe people to cut his eyes on Michhoe. Maybe

1256
01:06:01,480 --> 01:06:02,320
Speaker 3: she would have cut his arm off.

1257
01:06:02,360 --> 01:06:04,840
Speaker 5: I don't know, right, because honey, she was like, yeah,

1258
01:06:04,840 --> 01:06:07,280
Speaker 5: I muck you up the sword and.

1259
01:06:07,240 --> 01:06:09,720
Speaker 3: He did say, Rick, you know, I want let's talk

1260
01:06:09,840 --> 01:06:16,760
Speaker 3: not guys, lady and gentleman, but like.

1261
01:06:16,680 --> 01:06:20,880
Speaker 5: A fucking ninja, right Jesus snuffing the doctor's office, through

1262
01:06:20,880 --> 01:06:21,800
Speaker 5: the whole neighborhood.

1263
01:06:21,800 --> 01:06:26,360
Speaker 3: He took the wheel. Everything he did, he.

1264
01:06:26,400 --> 01:06:28,640
Speaker 4: Was on something. I said, He's on the main line.

1265
01:06:28,880 --> 01:06:29,440
Speaker 4: What you want?

1266
01:06:29,560 --> 01:06:32,560
Speaker 3: He was the co pilot. Yeah, he was a pallet

1267
01:06:33,360 --> 01:06:36,720
Speaker 3: motherfucker was He was in that bedroom doll. Yeah he

1268
01:06:36,960 --> 01:06:39,960
Speaker 3: was all right. We had some emails. Let's do those

1269
01:06:40,960 --> 01:06:44,040
Speaker 3: day walking. This is from Turk. Hey, guys, that hotel

1270
01:06:44,120 --> 01:06:45,920
Speaker 3: letter from last week made me last so hard I

1271
01:06:45,920 --> 01:06:48,720
Speaker 3: got the hiccups. The irony of that letter letter is

1272
01:06:48,720 --> 01:06:50,920
Speaker 3: that it failed to mention the one actual instance of

1273
01:06:50,960 --> 01:06:54,040
Speaker 3: slavery on the show, which was Beth and Noah's captivity

1274
01:06:54,040 --> 01:06:58,120
Speaker 3: at Grady bless His Hotel. Part I A right. I

1275
01:06:58,120 --> 01:07:00,440
Speaker 3: have a public service announcement. Stop comparing the show to

1276
01:07:00,480 --> 01:07:02,960
Speaker 3: the comic There are two separate universes. No one is

1277
01:07:03,000 --> 01:07:06,160
Speaker 3: taking the place of the comic book Andrea on the show.

1278
01:07:06,280 --> 01:07:08,880
Speaker 3: There is no Andrew on the show anymore. Stop setting

1279
01:07:08,920 --> 01:07:11,920
Speaker 3: yourself up for disappointment and respect the artistry of the

1280
01:07:11,920 --> 01:07:13,400
Speaker 3: show's cast and staff.

1281
01:07:13,640 --> 01:07:13,960
Speaker 4: Right.

1282
01:07:14,120 --> 01:07:18,760
Speaker 5: I've always said that there's some landmarks and certain things

1283
01:07:18,760 --> 01:07:21,800
Speaker 5: that they may kind of pluck, but overall I see

1284
01:07:21,840 --> 01:07:24,400
Speaker 5: them as two different universes and two different timelines.

1285
01:07:24,520 --> 01:07:24,880
Speaker 6: Me too.

1286
01:07:25,840 --> 01:07:27,840
Speaker 3: I think they have major story arcs in common, but

1287
01:07:27,880 --> 01:07:30,240
Speaker 3: that's it. Like I think they definitely go Okay, we

1288
01:07:30,280 --> 01:07:31,840
Speaker 3: want to have them do this, and we'll have them

1289
01:07:31,920 --> 01:07:33,840
Speaker 3: do that, but the way it happens on the show

1290
01:07:33,840 --> 01:07:36,919
Speaker 3: can be totally different. Also have a proposal there needs

1291
01:07:36,920 --> 01:07:39,880
Speaker 3: to be a Walking Dead after Dark. The Walking Dead

1292
01:07:39,920 --> 01:07:42,000
Speaker 3: after Dark is the same as the eight PM showing,

1293
01:07:42,320 --> 01:07:45,600
Speaker 3: but at ten pm when unedited, Curse and Nudity. I'm

1294
01:07:45,600 --> 01:07:48,320
Speaker 3: a self admitted perv who would like to see some

1295
01:07:48,520 --> 01:07:52,160
Speaker 3: unrated Rishawn action. Side note, it was smart of the

1296
01:07:52,200 --> 01:07:55,080
Speaker 3: powers that be to not show the sex because so

1297
01:07:55,080 --> 01:07:58,680
Speaker 3: many ingrains would have complayed about the portrayal. Best to

1298
01:07:58,760 --> 01:08:02,040
Speaker 3: leave it to our imaginations. Yeah, when you're dealing with

1299
01:08:02,160 --> 01:08:07,400
Speaker 3: race and sex and relationships, you're gonna always have some

1300
01:08:07,440 --> 01:08:11,400
Speaker 3: people that aren't happy. And you know, to a large extent,

1301
01:08:12,200 --> 01:08:16,200
Speaker 3: you know, I hope those people find happiness somewhere, But

1302
01:08:17,040 --> 01:08:21,639
Speaker 3: some people there, they have a complicated relationship with race

1303
01:08:21,640 --> 01:08:23,240
Speaker 3: and they're just never going to be happy. And they

1304
01:08:23,800 --> 01:08:25,639
Speaker 3: blame it on a lot of things with these shows

1305
01:08:25,680 --> 01:08:31,040
Speaker 3: and stuff, but honestly, right, and it's really just a

1306
01:08:32,000 --> 01:08:34,600
Speaker 3: sometimes you're okay with shitt and sometimes you're not. And

1307
01:08:34,720 --> 01:08:38,080
Speaker 3: I think it's with all black people, with all marginalized people.

1308
01:08:38,120 --> 01:08:41,760
Speaker 3: We all have different lines. But sometimes I feel like

1309
01:08:41,840 --> 01:08:44,880
Speaker 3: people try to present themselves as speaking for everybody when

1310
01:08:44,880 --> 01:08:47,640
Speaker 3: they're not, you know, because I, like I personally do

1311
01:08:47,680 --> 01:08:48,559
Speaker 3: not have a show.

1312
01:08:48,720 --> 01:08:51,720
Speaker 2: An issue with this show racially. I actually think it's

1313
01:08:51,720 --> 01:08:52,040
Speaker 2: one of.

1314
01:08:51,960 --> 01:08:56,120
Speaker 3: The most well done, forward thinking shows when it deals

1315
01:08:56,160 --> 01:08:56,599
Speaker 3: with race.

1316
01:08:56,720 --> 01:09:00,200
Speaker 2: But I don't think that, you know, but I don't.

1317
01:09:00,240 --> 01:09:01,639
Speaker 3: But at the same time, I'm not trying to dismiss

1318
01:09:01,680 --> 01:09:04,040
Speaker 3: black people who do have an issue. I just don't

1319
01:09:04,040 --> 01:09:05,720
Speaker 3: share it, you know, And I don't you know, I

1320
01:09:05,960 --> 01:09:07,000
Speaker 3: don't necessarily see it.

1321
01:09:06,920 --> 01:09:09,160
Speaker 2: The way they do. But you're right.

1322
01:09:09,400 --> 01:09:12,360
Speaker 3: If they would have shown some graphic type of sexual thing,

1323
01:09:12,439 --> 01:09:14,960
Speaker 3: there would have been somebody would have problem somewhere. So

1324
01:09:15,320 --> 01:09:17,240
Speaker 3: it is what it is. And there were people that

1325
01:09:17,280 --> 01:09:21,960
Speaker 3: have problems with this hook up anyway, A couple of

1326
01:09:22,000 --> 01:09:25,559
Speaker 3: black men that weren't happy, like, well, she's with black

1327
01:09:25,600 --> 01:09:27,360
Speaker 3: men in the comic books and ship like that. I

1328
01:09:27,400 --> 01:09:34,960
Speaker 3: saw that also, and and and if they kept it

1329
01:09:35,000 --> 01:09:36,640
Speaker 3: like the comic books, a lot of y'all would have

1330
01:09:36,640 --> 01:09:40,639
Speaker 3: been calling her promiscuits, her calling her hole and ship

1331
01:09:40,760 --> 01:09:44,400
Speaker 3: for having multiple partners and ship over the course of

1332
01:09:44,520 --> 01:09:47,760
Speaker 3: this this you know, this epop not to mention in

1333
01:09:47,960 --> 01:09:49,720
Speaker 3: the stuff that happened with the governor, y'all would have

1334
01:09:50,000 --> 01:09:51,000
Speaker 3: really flipped on the show.

1335
01:09:52,320 --> 01:09:52,679
Speaker 2: Also.

1336
01:09:54,040 --> 01:09:58,200
Speaker 3: The other thing was a lot of people did not

1337
01:09:58,479 --> 01:10:01,880
Speaker 3: want to see this hook up. Now, people were like, oh,

1338
01:10:01,880 --> 01:10:04,800
Speaker 3: I didn't see anybody complaining. I searched the hashtag Rick

1339
01:10:04,800 --> 01:10:07,160
Speaker 3: Seon and everybody was happy. No, no, no, no, no, you

1340
01:10:07,160 --> 01:10:11,280
Speaker 3: don't search the hashtag. Those those are all people who

1341
01:10:11,280 --> 01:10:15,000
Speaker 3: support the ship, the rights, or at least know the concept.

1342
01:10:15,120 --> 01:10:19,040
Speaker 3: What I did was I searched Twitter for micheone. No,

1343
01:10:21,800 --> 01:10:26,360
Speaker 3: and let's just say it was a lot. Okay, it

1344
01:10:26,479 --> 01:10:31,360
Speaker 3: was a lot of stuff that people were extremely upset

1345
01:10:31,920 --> 01:10:35,360
Speaker 3: with the idea of this black woman hooking up with

1346
01:10:35,439 --> 01:10:39,360
Speaker 3: that white man. And it was mostly white women or

1347
01:10:39,479 --> 01:10:45,080
Speaker 3: not black women, and they were pissed. No, they should

1348
01:10:45,160 --> 01:10:49,439
Speaker 3: just be friends. They ruined their friendship. I didn't want

1349
01:10:49,439 --> 01:10:51,960
Speaker 3: to see him with her. Why couldn't he get with

1350
01:10:52,200 --> 01:10:57,160
Speaker 3: Jesse anybody but Micheone. A bunch of people in Spanish

1351
01:10:57,240 --> 01:11:00,200
Speaker 3: were saying shit, and I noticed Negra was you used

1352
01:11:00,240 --> 01:11:04,479
Speaker 3: a lot. So it was a lot of people not

1353
01:11:04,680 --> 01:11:10,479
Speaker 3: for this relationship. And I can't front man. Once you

1354
01:11:10,479 --> 01:11:13,479
Speaker 3: conbind the fact that one they did it right. Rick

1355
01:11:13,720 --> 01:11:17,240
Speaker 3: became a better person before he even got with Michean,

1356
01:11:17,360 --> 01:11:21,160
Speaker 3: which is something I felt was just crucial. But then

1357
01:11:21,240 --> 01:11:25,720
Speaker 3: two racist people mad, yeah, I'm all teen Rashan, let's

1358
01:11:25,760 --> 01:11:32,040
Speaker 3: go fuck that rack Shan. She wish I would let

1359
01:11:32,080 --> 01:11:35,200
Speaker 3: a racist motherfucker be get get the day off on

1360
01:11:35,280 --> 01:11:39,120
Speaker 3: my I'm not gonna be on your side, racist assholes. Yeah,

1361
01:11:39,160 --> 01:11:39,479
Speaker 3: I was.

1362
01:11:41,280 --> 01:11:43,879
Speaker 2: Completely on the side of teen rashon now.

1363
01:11:45,560 --> 01:11:49,840
Speaker 3: Uh cecil right said hello, Todd and Karen wasn't able

1364
01:11:49,840 --> 01:11:51,600
Speaker 3: to get my email off in time last week, so

1365
01:11:51,600 --> 01:11:53,880
Speaker 3: I'm doing it earlier. I liked this episode, thought it

1366
01:11:54,000 --> 01:11:56,920
Speaker 3: was solid. Few thoughts. Why did Darrell react to Rick

1367
01:11:57,000 --> 01:11:59,000
Speaker 3: CD like it was the Quin's mixtape?

1368
01:12:00,120 --> 01:12:01,920
Speaker 4: He was not happy about that music?

1369
01:12:02,000 --> 01:12:04,880
Speaker 3: Can we get a spin of show of spin off

1370
01:12:04,920 --> 01:12:08,559
Speaker 3: show of Eugene and Darryl Eugenie's dialogue mixed with Daryl's

1371
01:12:08,600 --> 01:12:10,720
Speaker 3: what the fuck face? Would be great? I didn't read

1372
01:12:10,720 --> 01:12:13,080
Speaker 3: the comments, but I remember y'all mentioning this Jesus character,

1373
01:12:13,160 --> 01:12:16,080
Speaker 3: so hopefully that'll bring a new wrinkle to Alexandra. Do

1374
01:12:16,160 --> 01:12:18,160
Speaker 3: y'all think there is a more diverse show on TV?

1375
01:12:18,800 --> 01:12:22,720
Speaker 3: They've had an interracial couples, gay couple, multiple people of

1376
01:12:22,760 --> 01:12:25,760
Speaker 3: color who aren't just there's Philler, strong female roles, and

1377
01:12:25,960 --> 01:12:26,680
Speaker 3: a redhead.

1378
01:12:27,280 --> 01:12:28,280
Speaker 2: Enjoy y'all's recap.

1379
01:12:28,400 --> 01:12:32,519
Speaker 3: Yeah, you be hard pressed to find, you know, a

1380
01:12:32,600 --> 01:12:37,040
Speaker 3: show more diverse. I'd say that Walking Dad feedback from Eve,

1381
01:12:37,520 --> 01:12:39,679
Speaker 3: she says, Hi, Rod and Karen, what a great episode.

1382
01:12:39,720 --> 01:12:42,439
Speaker 3: All my dreams of which has come true with Rashwan

1383
01:12:42,600 --> 01:12:45,479
Speaker 3: finally getting it on. Unlike the people who claim that

1384
01:12:45,520 --> 01:12:48,320
Speaker 3: this scene's rushed. I think the writers have been building

1385
01:12:48,360 --> 01:12:50,080
Speaker 3: up to it for the past three seasons, and dare

1386
01:12:50,120 --> 01:12:51,960
Speaker 3: say I some of the people who don't like them

1387
01:12:52,000 --> 01:12:57,280
Speaker 3: together are racist. I'm with you. Also, yeah, it does.

1388
01:12:57,360 --> 01:12:58,280
Speaker 4: I don't know.

1389
01:12:58,560 --> 01:13:01,360
Speaker 3: I can't say that it does and feel rushed, but

1390
01:13:01,439 --> 01:13:04,960
Speaker 3: I'll say this, they did take the prerequisite time of

1391
01:13:05,040 --> 01:13:08,200
Speaker 3: saying there's a time skip of say a month or

1392
01:13:08,240 --> 01:13:11,720
Speaker 3: so between this episode and the last one. You know,

1393
01:13:11,800 --> 01:13:14,160
Speaker 3: we don't have to go through the Morning of Jesse,

1394
01:13:14,280 --> 01:13:17,439
Speaker 3: which I really didn't think was a necessarily a healthy

1395
01:13:17,560 --> 01:13:19,120
Speaker 3: or real relationship in the first place.

1396
01:13:19,160 --> 01:13:21,720
Speaker 4: I think that quote unquote morning was that flashback.

1397
01:13:22,360 --> 01:13:25,400
Speaker 3: Yeah, and I don't think they need all yeah, and

1398
01:13:25,439 --> 01:13:27,840
Speaker 3: I don't think they needed a strong like courtship thing.

1399
01:13:28,000 --> 01:13:30,880
Speaker 3: I really just think these people have been together for

1400
01:13:31,880 --> 01:13:34,880
Speaker 3: a long ass time and they finally got a moment

1401
01:13:34,880 --> 01:13:38,800
Speaker 3: where they weren't worried about like how do we how

1402
01:13:38,800 --> 01:13:41,160
Speaker 3: do we not get eaten by these people at terminus

1403
01:13:41,280 --> 01:13:44,559
Speaker 3: or you know, I hope the governor doesn't kill us,

1404
01:13:44,720 --> 01:13:47,040
Speaker 3: or like it was just a moment of there's no

1405
01:13:47,160 --> 01:13:50,400
Speaker 3: wolves coming as you know, it's just us chilling, and

1406
01:13:50,439 --> 01:13:53,040
Speaker 3: they got you know we have houses. They had two

1407
01:13:53,160 --> 01:13:57,960
Speaker 3: or three family moments, whether it was calling and Judith

1408
01:13:58,520 --> 01:14:03,160
Speaker 3: and Ma seOne or the two pace scene, like, they

1409
01:14:03,280 --> 01:14:06,640
Speaker 3: had moments where they weren't worried about anything but just

1410
01:14:07,160 --> 01:14:10,040
Speaker 3: normal everyday shit her mom.

1411
01:14:10,840 --> 01:14:14,320
Speaker 2: I don't think so. I don't remember that. When did

1412
01:14:14,360 --> 01:14:14,840
Speaker 2: he say that?

1413
01:14:16,000 --> 01:14:18,160
Speaker 4: I don't know. I don't know why he might not.

1414
01:14:18,160 --> 01:14:21,360
Speaker 3: Have No, I'm pretty sure that never happened. But they

1415
01:14:21,439 --> 01:14:24,720
Speaker 3: just had moments where it was just it was just,

1416
01:14:24,960 --> 01:14:28,120
Speaker 3: you know, a relationship outside of just trying to live.

1417
01:14:28,280 --> 01:14:30,840
Speaker 3: And I think that's that enabled just to happen. And

1418
01:14:30,880 --> 01:14:33,320
Speaker 3: I don't think you. I think everything's gonna feel rushed

1419
01:14:33,320 --> 01:14:36,120
Speaker 3: in the zombie populas. When Glenn got with Maggie felt rushed.

1420
01:14:36,760 --> 01:14:39,439
Speaker 3: But now they've been together all this time, right, true?

1421
01:14:40,360 --> 01:14:41,479
Speaker 2: But who cares for them?

1422
01:14:41,560 --> 01:14:43,960
Speaker 3: I liked that there was a time jump. I liked

1423
01:14:44,000 --> 01:14:46,080
Speaker 3: that they showed Rick not putting on his wedding band,

1424
01:14:46,080 --> 01:14:48,360
Speaker 3: which signaled to me that he was ready to really

1425
01:14:48,400 --> 01:14:51,360
Speaker 3: move on. I'm still celebrating and doing a happy dance.

1426
01:14:51,400 --> 01:14:55,439
Speaker 3: The sex was so good that they saw Jesus, and

1427
01:14:55,439 --> 01:15:00,400
Speaker 3: who would have thought Jesus was a ninja? Even he was. Yeah,

1428
01:15:00,479 --> 01:15:04,920
Speaker 3: I was talking to Fonte from a Little Brother and

1429
01:15:05,680 --> 01:15:10,519
Speaker 3: Foreign Exchange and you know, obviously solo. He said, man,

1430
01:15:10,560 --> 01:15:13,400
Speaker 3: I don't trust this Jesus dude, and I was I

1431
01:15:13,439 --> 01:15:14,960
Speaker 3: was like, well, what if it was played by the

1432
01:15:15,040 --> 01:15:17,599
Speaker 3: dude from Black Jesus, because you know he did all

1433
01:15:17,600 --> 01:15:20,800
Speaker 3: the music the Black g to Black Dynamite. I was like,

1434
01:15:20,800 --> 01:15:22,360
Speaker 3: what he what if it was played about the dude

1435
01:15:22,360 --> 01:15:23,599
Speaker 3: from Black Jesus? Would you trust him?

1436
01:15:23,600 --> 01:15:23,760
Speaker 4: Then?

1437
01:15:24,880 --> 01:15:30,600
Speaker 3: Racist Walking Dad twenty one to twenty one episode. This

1438
01:15:30,640 --> 01:15:33,439
Speaker 3: is from Adrian. She says, HI, definitely gonna be less

1439
01:15:33,479 --> 01:15:35,639
Speaker 3: worthy this week. Thanks for reading my long email last week.

1440
01:15:35,680 --> 01:15:38,040
Speaker 3: A couple of thoughts they get. They got a little

1441
01:15:38,040 --> 01:15:41,080
Speaker 3: two by four to the head with the intro indicating

1442
01:15:41,120 --> 01:15:44,200
Speaker 3: time passing between a photo of Carling Judith with a

1443
01:15:44,240 --> 01:15:46,519
Speaker 3: cut to the watch. I guess the Walking Dad does

1444
01:15:46,560 --> 01:15:48,719
Speaker 3: not do subtle unless they are trying to do confusing.

1445
01:15:48,840 --> 01:15:52,960
Speaker 3: I fuse skating E. G. Glenn. I don't even think

1446
01:15:52,960 --> 01:15:56,920
Speaker 3: the Glen Ship was subtle. That shit seemed like I said,

1447
01:15:56,960 --> 01:15:58,840
Speaker 3: I think I called it like that week or the

1448
01:15:58,880 --> 01:16:02,160
Speaker 3: week after. I was like, he gotta be alive or

1449
01:16:02,680 --> 01:16:06,160
Speaker 3: it's like it's either way, it's gonna piss people off.

1450
01:16:06,160 --> 01:16:08,880
Speaker 3: But he gotta be alive, or it's why go through

1451
01:16:08,920 --> 01:16:11,880
Speaker 3: all this shit, seems like to tell us six weeks

1452
01:16:11,960 --> 01:16:16,519
Speaker 3: later Glenn's dead that that doesn't even make sense. I

1453
01:16:16,560 --> 01:16:19,200
Speaker 3: had jumped off of the Rick Sean train earlier this season,

1454
01:16:19,240 --> 01:16:20,640
Speaker 3: but I was on it for quite a while and

1455
01:16:20,720 --> 01:16:23,879
Speaker 3: out of a man in hookup scenes a little fan service,

1456
01:16:24,439 --> 01:16:26,960
Speaker 3: Uh probably you gave already gave your thoughts, but not

1457
01:16:27,000 --> 01:16:28,960
Speaker 3: worth of your thoughts. Oh we gave him. Yeah, it's

1458
01:16:29,000 --> 01:16:29,920
Speaker 3: not fan service to me.

1459
01:16:30,000 --> 01:16:31,280
Speaker 4: It just h.

1460
01:16:32,800 --> 01:16:35,479
Speaker 3: Like I said that, the ship with just felt stupid.

1461
01:16:36,040 --> 01:16:38,799
Speaker 3: It just felt it just felt that felt way worse

1462
01:16:38,840 --> 01:16:42,840
Speaker 3: than this shit. I don't like people were blaming Jesse

1463
01:16:43,160 --> 01:16:45,400
Speaker 3: and all this shit, and I don't know that's just

1464
01:16:45,479 --> 01:16:48,840
Speaker 3: societal We hate women, and so we have to blame

1465
01:16:48,880 --> 01:16:52,040
Speaker 3: a woman for Rick acting like a fucking savage, But

1466
01:16:53,040 --> 01:16:56,200
Speaker 3: I personally don't feel that way. I just feel like, uh,

1467
01:16:56,360 --> 01:16:59,840
Speaker 3: it's it was on Rick, And I don't know what

1468
01:16:59,880 --> 01:17:02,080
Speaker 3: the writers were thinking, like, oh, finally we got a

1469
01:17:02,080 --> 01:17:04,080
Speaker 3: white woman on the show. We can make a relationship

1470
01:17:04,160 --> 01:17:07,679
Speaker 3: or what. But whatever happened there, I'm glad it's over

1471
01:17:08,040 --> 01:17:10,880
Speaker 3: so and it wasn't her fault as an actress. I

1472
01:17:10,920 --> 01:17:12,720
Speaker 3: like Jesse as a character. I thought she was really

1473
01:17:12,760 --> 01:17:15,920
Speaker 3: stand up and really told Rick to back off, and

1474
01:17:16,000 --> 01:17:18,639
Speaker 3: all that stuff was well done. But I just hated

1475
01:17:18,920 --> 01:17:21,880
Speaker 3: the way Rick came across and all of that shit.

1476
01:17:21,920 --> 01:17:25,519
Speaker 3: He just seemed very territorial and just like a like

1477
01:17:25,560 --> 01:17:29,240
Speaker 3: a weirdo. How are y'all going to handle reviews of

1478
01:17:29,280 --> 01:17:31,400
Speaker 3: The Walking Dead, Game of Thrones, and Feel the Walking Dead?

1479
01:17:31,439 --> 01:17:33,479
Speaker 3: I don't think all three are going to overlap, But

1480
01:17:33,560 --> 01:17:36,080
Speaker 3: are you gonna do multiple review podcasts every week have

1481
01:17:36,160 --> 01:17:39,120
Speaker 3: a love of the Week. I don't know. I don't

1482
01:17:39,160 --> 01:17:41,760
Speaker 3: I don't think they overlapped, so I don't know. But

1483
01:17:41,960 --> 01:17:44,120
Speaker 3: if it comes down I'm gonna be honest, if it

1484
01:17:44,120 --> 01:17:46,960
Speaker 3: comes down to Fear the Walking Dead, it's gonna be

1485
01:17:47,040 --> 01:17:49,720
Speaker 3: on at the same time as Game of Thrones. I'm

1486
01:17:49,760 --> 01:17:52,439
Speaker 3: covering Game of Thrones. It's not even close to me.

1487
01:17:52,560 --> 01:17:54,400
Speaker 4: I don't know why they would do the notes. You

1488
01:17:54,479 --> 01:17:57,000
Speaker 4: gonna fuck your ratings? Who goes up against Game of Thrones?

1489
01:17:57,200 --> 01:17:58,720
Speaker 3: If it comes down to that. I don't know if

1490
01:17:58,720 --> 01:18:00,000
Speaker 3: it will, though, I don't.

1491
01:17:59,800 --> 01:18:02,960
Speaker 4: Think we'll just continue to go on it.

1492
01:18:02,960 --> 01:18:06,519
Speaker 5: It'll be like a continual thing, like you know, if

1493
01:18:07,040 --> 01:18:09,719
Speaker 5: they are separate, we'll cover one and then go straight

1494
01:18:09,720 --> 01:18:11,559
Speaker 5: into the other one or whenever the next one come back.

1495
01:18:11,560 --> 01:18:12,800
Speaker 4: But like, we don't have a problem with that.

1496
01:18:12,960 --> 01:18:14,240
Speaker 2: Yeah, they're the same. I don't know.

1497
01:18:14,360 --> 01:18:16,679
Speaker 3: I can't see us doing I don't want to turn

1498
01:18:16,680 --> 01:18:20,000
Speaker 3: our podcast into just a show review podcast because to me,

1499
01:18:20,080 --> 01:18:22,120
Speaker 3: that's not it's not really fun.

1500
01:18:23,120 --> 01:18:26,320
Speaker 4: And I hope they didn't do that bullshit. That's dumb.

1501
01:18:26,920 --> 01:18:29,599
Speaker 3: Yeah, it sounds stupid to me, right, don't make sense.

1502
01:18:31,080 --> 01:18:34,200
Speaker 3: All right, let's uh get into our our game segments.

1503
01:18:34,320 --> 01:18:37,720
Speaker 3: Uh here, I don't think we wrap that up pretty good.

1504
01:18:39,920 --> 01:18:44,040
Speaker 3: Let's do uh some fucking with black people and then

1505
01:18:44,160 --> 01:18:47,000
Speaker 3: we'll just do sore ratchetess after that. Okay, we'll do

1506
01:18:47,080 --> 01:18:51,040
Speaker 3: guess the race Sat Sunday or something. But all right,

1507
01:18:51,240 --> 01:19:03,080
Speaker 3: fucking with black people time, just fucking with those black people.

1508
01:19:03,200 --> 01:19:04,839
Speaker 2: Were just fucking with those blacks.

1509
01:19:05,040 --> 01:19:09,679
Speaker 3: We're just fucking with fucking with black people. That's right, guys.

1510
01:19:09,680 --> 01:19:11,360
Speaker 3: It's time to play the game, and we all hate

1511
01:19:11,360 --> 01:19:13,880
Speaker 3: to play. It's fucking with black people. The game where

1512
01:19:13,880 --> 01:19:16,240
Speaker 3: we go all around the grobe and we get articles

1513
01:19:16,400 --> 01:19:18,920
Speaker 3: about black people and we decide how much we feel

1514
01:19:18,920 --> 01:19:22,759
Speaker 3: fucked with the intervals twenty five from zero two one hundred.

1515
01:19:23,600 --> 01:19:27,559
Speaker 3: Today's guests are everybody. Let's see who is playing the game.

1516
01:19:28,960 --> 01:19:37,439
Speaker 3: Uh CNN had a segment where they talked about Beyonce,

1517
01:19:39,479 --> 01:19:42,200
Speaker 3: So this kind of doubles up for our Beyonce segment.

1518
01:19:42,479 --> 01:19:44,360
Speaker 4: Yeah't play that music.

1519
01:19:45,120 --> 01:19:47,479
Speaker 2: Well, you know, I don't have time for everything today.

1520
01:19:48,800 --> 01:19:51,840
Speaker 3: Uh CNN.

1521
01:19:53,040 --> 01:19:54,439
Speaker 4: H that I forget you today.

1522
01:19:54,760 --> 01:19:55,080
Speaker 2: Cool.

1523
01:19:55,200 --> 01:19:58,400
Speaker 3: Well, they had a segment where they brought on this

1524
01:19:58,479 --> 01:20:01,920
Speaker 3: guy that always defends the police whenever they shoot people,

1525
01:20:02,640 --> 01:20:05,599
Speaker 3: and a panel of black people and Don Leomon.

1526
01:20:05,640 --> 01:20:09,240
Speaker 8: Just statement and shows me support for an organization that

1527
01:20:09,320 --> 01:20:11,760
Speaker 8: has murdered and assassinated police officers for years.

1528
01:20:12,120 --> 01:20:12,479
Speaker 3: Bcary.

1529
01:20:14,280 --> 01:20:15,719
Speaker 4: I was just so encouraged that.

1530
01:20:15,640 --> 01:20:18,680
Speaker 1: So many black people watch and all Americans watch that

1531
01:20:18,720 --> 01:20:22,280
Speaker 1: PBS documentary because there's a misinformation campaign that has long

1532
01:20:22,360 --> 01:20:25,760
Speaker 1: existed in relationship to the Black Panthers, and it's high

1533
01:20:25,800 --> 01:20:27,920
Speaker 1: time that we talk about the truth and that we

1534
01:20:28,000 --> 01:20:32,519
Speaker 1: really begin to analyze correct history. There's not one narrative

1535
01:20:32,560 --> 01:20:35,080
Speaker 1: about the Black Panthers. The police don't get to tell

1536
01:20:35,280 --> 01:20:38,280
Speaker 1: what the Black Panthers are. We get to define what they.

1537
01:20:38,200 --> 01:20:38,840
Speaker 4: Were for us.

1538
01:20:38,960 --> 01:20:45,840
Speaker 7: Go ahead, be Cary at the police, come on, I

1539
01:20:45,840 --> 01:20:47,680
Speaker 7: have to laugh at Harry Howte for actually saying that

1540
01:20:47,760 --> 01:20:50,320
Speaker 7: this was racist. Harry's are friends. I have to laugh

1541
01:20:50,320 --> 01:20:52,280
Speaker 7: at him mat for actually saying this is racist, because

1542
01:20:52,280 --> 01:20:54,320
Speaker 7: it's not. And I wish Harry and others were as

1543
01:20:54,360 --> 01:20:57,920
Speaker 7: vocal as when we have young African American men who

1544
01:20:58,040 --> 01:21:01,320
Speaker 7: die at the hands of police officers for committing crimes

1545
01:21:01,320 --> 01:21:03,599
Speaker 7: that they should not be sentenced to death for. With

1546
01:21:03,640 --> 01:21:07,400
Speaker 7: that being said, I think that Beyonce, like myself, like Michelle,

1547
01:21:07,680 --> 01:21:10,360
Speaker 7: like Kierna, even like you, Harry, we all agree that

1548
01:21:10,439 --> 01:21:13,599
Speaker 7: police officers go out every day and they serve and protect,

1549
01:21:13,640 --> 01:21:16,040
Speaker 7: and they do so with such honor. However, there is

1550
01:21:16,120 --> 01:21:19,240
Speaker 7: a very very specific pain that is felt by African

1551
01:21:19,240 --> 01:21:21,760
Speaker 7: Americans that Beyonce and Kendrick lamar A speaking to.

1552
01:21:21,880 --> 01:21:24,160
Speaker 9: Right now, let's add another layer on top.

1553
01:21:23,960 --> 01:21:26,920
Speaker 8: Of one of the very few instances that occur, the

1554
01:21:27,080 --> 01:21:31,040
Speaker 8: very few instances that occur where police officers are involved

1555
01:21:31,080 --> 01:21:34,040
Speaker 8: in some kind of misconduct or maybe even murdered. Those

1556
01:21:34,080 --> 01:21:38,160
Speaker 8: police officers are are are are sent to court, and

1557
01:21:38,160 --> 01:21:39,799
Speaker 8: they're arrested and they are convicted.

1558
01:21:40,280 --> 01:21:41,360
Speaker 7: You're not right, they're not.

1559
01:21:43,160 --> 01:21:44,800
Speaker 8: Part of They're not well.

1560
01:21:44,840 --> 01:21:45,800
Speaker 7: Then you tell me they're not.

1561
01:21:46,120 --> 01:21:47,400
Speaker 8: You tell me which cases.

1562
01:21:47,880 --> 01:21:49,000
Speaker 4: You tell me which case.

1563
01:21:48,880 --> 01:21:51,000
Speaker 7: Which car No, I mean, we can go, we can go.

1564
01:21:51,200 --> 01:21:52,320
Speaker 4: We can go down the line.

1565
01:21:52,640 --> 01:21:55,400
Speaker 7: We can we can go down the line.

1566
01:21:54,160 --> 01:21:56,800
Speaker 8: One time, one of the time that what happened in

1567
01:21:56,960 --> 01:22:01,240
Speaker 8: Ferguson was murder. I'm sorry, it was not okay. What

1568
01:22:01,400 --> 01:22:04,280
Speaker 8: happened in uh in Staten Island was murdered. I'm sorry,

1569
01:22:04,280 --> 01:22:06,640
Speaker 8: but it was not okay. What happened in Norman. We

1570
01:22:06,680 --> 01:22:08,760
Speaker 8: can go back, Yeah, I mean, we can go back

1571
01:22:08,800 --> 01:22:09,599
Speaker 8: to that was murder.

1572
01:22:09,800 --> 01:22:12,880
Speaker 7: We can go back to February eighth, nineteen sixty eight, Harry,

1573
01:22:13,000 --> 01:22:16,040
Speaker 7: where you had eight officers fire group of fire fire

1574
01:22:16,120 --> 01:22:18,360
Speaker 7: shots into a group of students known as the Orangeburg

1575
01:22:18,400 --> 01:22:21,439
Speaker 7: massacre at South Carolina State. We can actually talk about that, Harry.

1576
01:22:21,600 --> 01:22:23,599
Speaker 7: We could talk about the fact that we have people,

1577
01:22:23,640 --> 01:22:27,800
Speaker 7: whether or not it's Walters, of these people that go

1578
01:22:27,880 --> 01:22:29,799
Speaker 7: without finding justice, this whole.

1579
01:22:29,560 --> 01:22:30,480
Speaker 4: White of them.

1580
01:22:30,920 --> 01:22:33,759
Speaker 7: The real issues, though, what real issues?

1581
01:22:33,760 --> 01:22:35,200
Speaker 4: Why do you talk about the real issue?

1582
01:22:35,960 --> 01:22:37,679
Speaker 8: You want to talk about Black Woody exactly.

1583
01:22:37,760 --> 01:22:39,240
Speaker 4: That's the real issue.

1584
01:22:40,439 --> 01:22:42,479
Speaker 3: The chances there are there are.

1585
01:22:42,880 --> 01:22:46,520
Speaker 8: More if you killed by another.

1586
01:22:46,280 --> 01:22:49,120
Speaker 9: Black, Harry, Harry, here's the thing, there's I don't think

1587
01:22:49,160 --> 01:22:51,280
Speaker 9: anyone here will say that there is not an issue

1588
01:22:51,280 --> 01:22:53,559
Speaker 9: with people killing each other of all races. But there

1589
01:22:53,560 --> 01:22:55,479
Speaker 9: are two, so you can walk into them at the

1590
01:22:55,479 --> 01:22:57,280
Speaker 9: same time. You can talk about it not an issue

1591
01:22:57,320 --> 01:22:59,439
Speaker 9: you can have. You can talk people can talk about

1592
01:23:00,160 --> 01:23:02,720
Speaker 9: people being shot or abused by police officers, and you

1593
01:23:02,760 --> 01:23:04,760
Speaker 9: can also talk about, on the other hand, people who

1594
01:23:04,760 --> 01:23:06,400
Speaker 9: are killing each other on the streets. But I want

1595
01:23:06,400 --> 01:23:08,720
Speaker 9: to get to Michelle in here. Law enforcement feels that

1596
01:23:09,240 --> 01:23:12,400
Speaker 9: Beyonce Michelle is promoting division between law enforcement and African

1597
01:23:12,439 --> 01:23:14,760
Speaker 9: American communities. I talked with the former mayor of New

1598
01:23:14,840 --> 01:23:16,679
Speaker 9: York City, Rudy Julian. He's been brought up a lot

1599
01:23:16,680 --> 01:23:18,639
Speaker 9: and here about this a little over a week ago,

1600
01:23:18,640 --> 01:23:19,479
Speaker 9: and here's what he told me.

1601
01:23:21,000 --> 01:23:23,519
Speaker 10: Maybe it might not be a bad idea for people

1602
01:23:23,560 --> 01:23:25,479
Speaker 10: who have the kind of fame and celebrity that she

1603
01:23:25,600 --> 01:23:28,920
Speaker 10: has to teach everyone, not only in her community but

1604
01:23:28,960 --> 01:23:33,760
Speaker 10: in every other community, to respect the police, to respect

1605
01:23:33,840 --> 01:23:37,920
Speaker 10: the uniform, not to make it appear as if they're

1606
01:23:37,960 --> 01:23:42,439
Speaker 10: the enemy, but to respect the uniform of our police offices,

1607
01:23:42,920 --> 01:23:45,639
Speaker 10: of our military. That's the way I was brought up.

1608
01:23:45,800 --> 01:23:48,599
Speaker 10: That's a lot safer way to bring up your child.

1609
01:23:48,680 --> 01:23:52,040
Speaker 9: By the way, Michelle, this is what you do every day.

1610
01:23:52,080 --> 01:23:55,120
Speaker 9: You speak to artists in the entertainment industry and beyond.

1611
01:23:55,160 --> 01:23:58,120
Speaker 9: So what exactly is the responsibility of an artists like

1612
01:23:58,160 --> 01:23:59,880
Speaker 9: Beyonce in the community, and what are people, at least

1613
01:23:59,880 --> 01:24:02,360
Speaker 9: in the industry you would know saying about a responsibility

1614
01:24:02,400 --> 01:24:03,439
Speaker 9: of someone like a Beyonce.

1615
01:24:03,880 --> 01:24:06,519
Speaker 11: Right, Well, first of all, to mister Giuliani, it's the

1616
01:24:06,560 --> 01:24:08,439
Speaker 11: way I was brought up as well, and I'm quite

1617
01:24:08,479 --> 01:24:11,200
Speaker 11: sure that it's the way that Tina Knowles and Matthew

1618
01:24:11,240 --> 01:24:15,640
Speaker 11: Knowles also brought up Beyonce to respect the police, and

1619
01:24:15,720 --> 01:24:17,240
Speaker 11: I'm quite sure that she does.

1620
01:24:17,400 --> 01:24:19,680
Speaker 4: You know, what I think is really interesting here.

1621
01:24:19,520 --> 01:24:24,360
Speaker 11: Is when did the conversation go from you know, Beyonce

1622
01:24:24,840 --> 01:24:29,000
Speaker 11: making a statement in her art to she hates the police.

1623
01:24:29,080 --> 01:24:32,200
Speaker 11: I mean, I really don't even correlation there. And I

1624
01:24:32,200 --> 01:24:35,479
Speaker 11: think that it's very interesting when these people, who the

1625
01:24:35,520 --> 01:24:38,160
Speaker 11: majority of them, when I'm speaking about the police, Well, Harry,

1626
01:24:38,160 --> 01:24:40,160
Speaker 11: can you let me finish please. I mean I didn't

1627
01:24:40,200 --> 01:24:42,400
Speaker 11: interrupt you. I sat and into everything that you were saying.

1628
01:24:42,400 --> 01:24:45,439
Speaker 11: I'd appreciate the same to me. But what I was

1629
01:24:45,479 --> 01:24:48,519
Speaker 11: saying was that I think It's very interesting that these

1630
01:24:48,560 --> 01:24:51,559
Speaker 11: people that I consider everyday heroes, the majority of them,

1631
01:24:51,600 --> 01:24:55,799
Speaker 11: and I'm speaking about the police now, are saying, because

1632
01:24:55,880 --> 01:24:58,760
Speaker 11: we're mad at you, we are not going to or

1633
01:24:58,800 --> 01:25:01,600
Speaker 11: we potentially don't want to do for you what we

1634
01:25:01,720 --> 01:25:03,799
Speaker 11: signed up to do, and that serve and protect.

1635
01:25:04,120 --> 01:25:04,880
Speaker 4: I don't know.

1636
01:25:05,080 --> 01:25:07,360
Speaker 11: This is America and we're allowed to have a voice,

1637
01:25:07,560 --> 01:25:09,800
Speaker 11: We're allowed to have freedom of speech. And if you

1638
01:25:09,840 --> 01:25:11,920
Speaker 11: don't want to serve and protect someone that you may

1639
01:25:11,960 --> 01:25:14,120
Speaker 11: not agree with, I'm not sure why you sign up

1640
01:25:14,160 --> 01:25:17,040
Speaker 11: to be a police officer. That's just my view on that.

1641
01:25:17,280 --> 01:25:20,120
Speaker 8: Now, we have to clear this up, don We have

1642
01:25:20,160 --> 01:25:22,000
Speaker 8: to clear up the one issue here is not the

1643
01:25:22,040 --> 01:25:24,599
Speaker 8: fact that police officers don't want to protect her. These

1644
01:25:24,720 --> 01:25:28,320
Speaker 8: are that's what we're talking about, side jobs. These are

1645
01:25:28,479 --> 01:25:31,639
Speaker 8: side jobs that the police officers get paid extra. They

1646
01:25:31,640 --> 01:25:33,920
Speaker 8: get paid extra to go out and this is a

1647
01:25:34,000 --> 01:25:37,719
Speaker 8: volunteer work to wear the uniform and protect somebody like Beyonce,

1648
01:25:38,360 --> 01:25:41,559
Speaker 8: protect the venue. This is not working while you're a

1649
01:25:41,640 --> 01:25:44,000
Speaker 8: member of the police department. You're just wearing the uniform.

1650
01:25:44,160 --> 01:25:46,560
Speaker 8: This is a side job. These are the jobs that

1651
01:25:46,640 --> 01:25:49,240
Speaker 8: the police officers are talking about that they want to boycott.

1652
01:25:49,280 --> 01:25:51,000
Speaker 9: But they're also protecting the people who go to the

1653
01:25:51,040 --> 01:25:52,719
Speaker 9: show as regular citizens as well.

1654
01:25:54,760 --> 01:25:56,960
Speaker 8: This is a side job. They do not have to

1655
01:25:57,000 --> 01:26:01,920
Speaker 8: do this, all right, but.

1656
01:26:00,160 --> 01:26:02,280
Speaker 4: They always bring that asshole on there.

1657
01:26:02,479 --> 01:26:07,000
Speaker 3: Oh yeah, I give it a hundred, man, And I'm

1658
01:26:07,040 --> 01:26:09,320
Speaker 3: not even giving it a hundred to Harry Hawk. I'm

1659
01:26:09,360 --> 01:26:13,240
Speaker 3: giving it a hundred to seeing it. They keep him employed.

1660
01:26:13,920 --> 01:26:18,519
Speaker 3: They keep him doing his thing on National TV, trolling

1661
01:26:18,600 --> 01:26:22,800
Speaker 3: black people with his stupidity every week, every time a

1662
01:26:22,920 --> 01:26:23,519
Speaker 3: kid is shot.

1663
01:26:23,640 --> 01:26:24,759
Speaker 2: They don't take it serious.

1664
01:26:24,840 --> 01:26:27,760
Speaker 3: They think this is a good opportunity to get Harry

1665
01:26:27,840 --> 01:26:32,799
Speaker 3: Hawk onto our latest panel to argue with black people

1666
01:26:33,400 --> 01:26:36,720
Speaker 3: while he's clearly being racist and wrong. You know, that's

1667
01:26:36,760 --> 01:26:38,479
Speaker 3: the same guy that thought that the girl who got

1668
01:26:38,520 --> 01:26:43,400
Speaker 3: slammed in the in the chair by that police officer

1669
01:26:44,520 --> 01:26:47,960
Speaker 3: was He thought that she deserved to be slammed and

1670
01:26:48,000 --> 01:26:49,400
Speaker 3: that nothing should have happened to that officer.

1671
01:26:49,479 --> 01:26:50,280
Speaker 4: So right, you know.

1672
01:26:50,680 --> 01:26:53,760
Speaker 5: And it's just to the point where I'm to the

1673
01:26:53,800 --> 01:26:55,640
Speaker 5: point when it comes to news and the media and

1674
01:26:55,680 --> 01:26:59,120
Speaker 5: the things that I consume, I actually get it from

1675
01:26:59,240 --> 01:27:03,120
Speaker 5: all all to the areas, you know, because it's to

1676
01:27:03,200 --> 01:27:06,280
Speaker 5: the point now when when you go to the big publications.

1677
01:27:07,040 --> 01:27:09,679
Speaker 5: Instead of getting the truth, instead of reporting the facts,

1678
01:27:09,720 --> 01:27:11,680
Speaker 5: you get a fucking debate panel. I didn't come here

1679
01:27:11,680 --> 01:27:14,640
Speaker 5: for a goddamn debate panel. I didn't come here for

1680
01:27:14,640 --> 01:27:16,920
Speaker 5: for Oh okay, you got three minutes, you got three

1681
01:27:16,960 --> 01:27:20,160
Speaker 5: minutes debate. I came for you to give me the facts,

1682
01:27:20,160 --> 01:27:22,800
Speaker 5: and it's and it's now it's not facts anymore. Is

1683
01:27:22,920 --> 01:27:24,760
Speaker 5: how can we get the highest ratings? What can we

1684
01:27:24,800 --> 01:27:27,320
Speaker 5: do to entertain you? And sometimes the news is not

1685
01:27:27,439 --> 01:27:30,759
Speaker 5: always fucking entertaining. And that's something the reality that people

1686
01:27:30,800 --> 01:27:32,439
Speaker 5: have to face, and they don't want to face the

1687
01:27:32,479 --> 01:27:35,600
Speaker 5: reality that telling you the facts ain't always pretty.

1688
01:27:36,120 --> 01:27:43,439
Speaker 3: Yep, one hundred for me, Oh yeah, oh yeah, oh yeah.

1689
01:27:43,479 --> 01:27:46,599
Speaker 3: All right, let's wrap this bad boy up with some

1690
01:27:47,000 --> 01:27:47,920
Speaker 3: Soword ratchetness.

1691
01:27:48,840 --> 01:28:08,000
Speaker 6: Oh here we go.

1692
01:27:52,680 --> 01:28:15,120
Speaker 3: Ye, Now that's cutting it close, to know who else

1693
01:28:15,200 --> 01:28:16,000
Speaker 3: likes to cut it close?

1694
01:28:16,960 --> 01:28:18,840
Speaker 2: Bevel, that's right.

1695
01:28:20,000 --> 01:28:22,520
Speaker 3: Bebe is the first and only shaving system design specifically

1696
01:28:22,560 --> 01:28:26,120
Speaker 3: for course curly hair is sensitive skin. Step up your

1697
01:28:26,160 --> 01:28:28,639
Speaker 3: shaved game and say goodbye to razor bumps.

1698
01:28:30,040 --> 01:28:32,599
Speaker 2: You can get clear, smoother skin with Bevel.

1699
01:28:33,880 --> 01:28:35,120
Speaker 3: Okay, that's what you want.

1700
01:28:35,200 --> 01:28:36,759
Speaker 2: You don't want to get sliced uff with a sword.

1701
01:28:36,800 --> 01:28:39,120
Speaker 3: You want to get sliced up with a razor, but

1702
01:28:39,240 --> 01:28:41,840
Speaker 3: just the hair on your face, not no actual skin.

1703
01:28:42,120 --> 01:28:44,559
Speaker 3: You don't want to be bleeding and stuff. Every time

1704
01:28:44,560 --> 01:28:46,800
Speaker 3: I shave with bebel Man, I feel so good. Other

1705
01:28:46,880 --> 01:28:50,800
Speaker 3: razors leave you bleeding and cutting. You gotta put piece

1706
01:28:50,880 --> 01:28:53,280
Speaker 3: of toilet tissues on your skin and stuff like this

1707
01:28:53,400 --> 01:28:55,240
Speaker 3: to get to absorb to blood.

1708
01:28:55,280 --> 01:28:55,320
Speaker 9: Like.

1709
01:28:55,360 --> 01:28:57,040
Speaker 2: I don't have to deal with that with bevil because

1710
01:28:57,040 --> 01:28:57,400
Speaker 2: it's close.

1711
01:28:57,840 --> 01:29:01,760
Speaker 3: It cuts close, but it doesn't kind of cut face off, okay,

1712
01:29:02,680 --> 01:29:05,559
Speaker 3: and can trust it unlike people that own swords. Check

1713
01:29:05,560 --> 01:29:08,600
Speaker 3: out getbevele dot com today and use cold tbgwt to

1714
01:29:08,600 --> 01:29:11,960
Speaker 3: get twenty percent off of your first month getbeble dot com.

1715
01:29:12,000 --> 01:29:15,360
Speaker 2: That's g E T B e v e l dot com.

1716
01:29:16,320 --> 01:29:18,680
Speaker 3: A man attacked his housemate with a samurai sword on

1717
01:29:18,720 --> 01:29:22,639
Speaker 3: his birthday before stabbing himself in the stomach. Holy shit,

1718
01:29:23,320 --> 01:29:29,200
Speaker 3: Happy birthday, Stabad. Guess who's cutting the cake. Keith Arkley

1719
01:29:29,800 --> 01:29:32,320
Speaker 3: appeared in the court on crutches two months after the incident.

1720
01:29:32,320 --> 01:29:34,440
Speaker 3: The forty nine year old, who kept the sword beside

1721
01:29:34,479 --> 01:29:37,519
Speaker 3: his chair, lost control when the victim annoyed him at

1722
01:29:37,560 --> 01:29:40,400
Speaker 3: the drinking a leader of vodka during his celebrations.

1723
01:29:41,080 --> 01:29:42,680
Speaker 2: Prosecutor Jenny Hag.

1724
01:29:43,120 --> 01:29:46,880
Speaker 3: Told Todd Crown Court on Friday that Arkley swung the

1725
01:29:46,920 --> 01:29:49,040
Speaker 3: sword at the man's head, cutting his arm as he

1726
01:29:49,040 --> 01:29:52,719
Speaker 3: protected himself and slicing into his scalp, requiring five stitches.

1727
01:29:53,840 --> 01:29:56,840
Speaker 3: Friends friends who have been drinking with them phoned the

1728
01:29:56,840 --> 01:30:00,160
Speaker 3: police as a man staggered bleeding into the street. He

1729
01:30:00,200 --> 01:30:03,200
Speaker 3: then became agitated and he lashed out at furniture with

1730
01:30:03,280 --> 01:30:05,800
Speaker 3: the sword before it was taken from him.

1731
01:30:06,320 --> 01:30:07,760
Speaker 2: What they got to do? What the couch do?

1732
01:30:08,000 --> 01:30:09,160
Speaker 4: Ah?

1733
01:30:09,280 --> 01:30:11,680
Speaker 3: He grabbed a knife and he went to the back door.

1734
01:30:11,800 --> 01:30:14,160
Speaker 3: He smashed the neighbor's kitchen window, threatening a woman with

1735
01:30:14,240 --> 01:30:17,479
Speaker 3: the blade. He then stabbed himself in the stomach before

1736
01:30:17,479 --> 01:30:22,160
Speaker 3: he was tackled by police officers to kill himself and disarmed.

1737
01:30:22,240 --> 01:30:25,240
Speaker 3: Miss Haig said Arca League had a previous conviction for

1738
01:30:25,320 --> 01:30:27,799
Speaker 3: possessing a knife in public yeat. He made no comment

1739
01:30:28,680 --> 01:30:31,880
Speaker 3: when he was interviewed, but he made admissions that he

1740
01:30:32,040 --> 01:30:36,120
Speaker 3: was seeing again in the hospital. Oh Winny was seen

1741
01:30:36,120 --> 01:30:39,400
Speaker 3: again in the hospital. He pleaded guilty as a preliminary

1742
01:30:39,439 --> 01:30:42,400
Speaker 3: hearing victim. The victim asked to judge for protection from Arcley,

1743
01:30:42,800 --> 01:30:45,640
Speaker 3: and he made a restraining order banning him from containing

1744
01:30:46,040 --> 01:30:49,720
Speaker 3: from contacting him for five years. Brian Mark, defending, said

1745
01:30:49,800 --> 01:30:53,080
Speaker 3: Arkley accepted it with an unjustified, unprovoked the frightening attack.

1746
01:30:54,080 --> 01:30:56,960
Speaker 3: He said Arkley recognized he needed help the solve his problem,

1747
01:30:57,040 --> 01:31:00,400
Speaker 3: and he was keen to undergo cognitive therapy. The Mark

1748
01:31:00,439 --> 01:31:03,400
Speaker 3: said that a Probation Officers pre sentence report rated at

1749
01:31:03,479 --> 01:31:04,519
Speaker 3: Arkley's future risk.

1750
01:31:04,439 --> 01:31:05,439
Speaker 2: As relatively low.

1751
01:31:06,080 --> 01:31:07,479
Speaker 3: Yeah. I mean he just had a sword and the

1752
01:31:07,479 --> 01:31:09,400
Speaker 3: attack people when he's drunk. I mean he probably won't

1753
01:31:09,400 --> 01:31:11,720
Speaker 3: do it again. Right, He only got arrested for having

1754
01:31:11,720 --> 01:31:16,040
Speaker 3: a night before, so it's not like he's graduating weapons. Yeah,

1755
01:31:16,240 --> 01:31:18,200
Speaker 3: next time he has a gun. I guess y'all take

1756
01:31:18,240 --> 01:31:21,080
Speaker 3: them serious. All right, guys, we'll talk to you on

1757
01:31:21,160 --> 01:31:24,680
Speaker 3: Saturday for feedback show Premium people. We dropped a pregame

1758
01:31:24,760 --> 01:31:29,760
Speaker 3: today and I also dropped off season reviews, actually dropped

1759
01:31:29,800 --> 01:31:32,200
Speaker 3: two of them, one of them for Tyrant season one.

1760
01:31:32,479 --> 01:31:34,800
Speaker 3: I actually I literally recorded this two years ago with

1761
01:31:35,000 --> 01:31:37,320
Speaker 3: Justin forgot to put it in the feed.

1762
01:31:38,040 --> 01:31:39,800
Speaker 4: So for those of you looking, you got it.

1763
01:31:39,920 --> 01:31:42,759
Speaker 3: And there's now a new RSS feed for off season reviews,

1764
01:31:43,560 --> 01:31:46,200
Speaker 3: same password and everything to the other ones. But it's

1765
01:31:46,240 --> 01:31:48,920
Speaker 3: on you know, the blackoutists dot com slash premium. Make

1766
01:31:48,920 --> 01:31:51,080
Speaker 3: sure you sign in first. If you're a premium loser,

1767
01:31:51,479 --> 01:31:54,320
Speaker 3: scroll to the bottom. Get the password, get everything, get

1768
01:31:54,320 --> 01:31:57,240
Speaker 3: the RSS feed, plug it into your apps like RSS

1769
01:31:57,320 --> 01:32:00,599
Speaker 3: radio and Podcatcher and pot Kicker and stuff, and enjoy

1770
01:32:00,760 --> 01:32:04,040
Speaker 3: those on the go. And like I said also in

1771
01:32:04,200 --> 01:32:07,559
Speaker 3: this to the off season review, new pregame, uh and

1772
01:32:07,600 --> 01:32:09,439
Speaker 3: it was a good fun when it was long. It's

1773
01:32:09,439 --> 01:32:11,240
Speaker 3: like an hour and forty minutes. But I was listening

1774
01:32:11,280 --> 01:32:12,720
Speaker 3: to it when I was recording it today and it

1775
01:32:12,800 --> 01:32:15,160
Speaker 3: was so fun and so funny. I think you guys

1776
01:32:15,160 --> 01:32:19,920
Speaker 3: are all enjoy it all right, guys. And Jones Jessica

1777
01:32:20,000 --> 01:32:21,960
Speaker 3: Jones is the off season review and it's it's with

1778
01:32:22,080 --> 01:32:25,040
Speaker 3: Leslie from the Interracial Johns. So if y'all like Leslie

1779
01:32:25,680 --> 01:32:27,400
Speaker 3: and you like Jessica Jones, I don't know why you

1780
01:32:27,439 --> 01:32:29,360
Speaker 3: wouldn't like that review, you need to be checking Usselt.

1781
01:32:30,439 --> 01:32:32,479
Speaker 3: We stay grinding, We stay working, baby, that's what we

1782
01:32:32,520 --> 01:32:40,200
Speaker 3: do over here. We'll be back Sunday. So until then, Saturday,

1783
01:32:40,520 --> 01:32:42,800
Speaker 3: So until then, I love you.

1784
01:32:43,000 --> 01:32:43,599
Speaker 4: I love you too.