1 00:00:01,080 --> 00:00:11,160 Speaker 1: I hope that your buddy and miss America, this is right, 2 00:00:11,560 --> 00:00:16,640 Speaker 1: you're here. Oh yeah, Friday morning. Let me say hello 3 00:00:16,720 --> 00:00:19,480 Speaker 1: to all my friends. Go ahead, studio, Why lets say 4 00:00:19,480 --> 00:00:21,760 Speaker 1: hello everybody out there listening. We appreciate you so much. 5 00:00:21,760 --> 00:00:24,639 Speaker 1: If you're listening live, it is early, you are what's 6 00:00:24,640 --> 00:00:28,000 Speaker 1: called an EML, an early morning listener. We are also 7 00:00:28,040 --> 00:00:31,560 Speaker 1: early morningers, all of us emls wearing this together. Also, 8 00:00:31,680 --> 00:00:34,040 Speaker 1: let me say it. If you're listening on the podcast, well, 9 00:00:34,120 --> 00:00:38,240 Speaker 1: good for you. You You didn't wake up early, Good for you. So, yeah, 10 00:00:38,280 --> 00:00:40,279 Speaker 1: we're here. I do want to talk about this story here. 11 00:00:40,680 --> 00:00:43,720 Speaker 1: A woman secretly fattened up bridesmaids for the wedding. Amy 12 00:00:43,800 --> 00:00:47,960 Speaker 1: know about the story, right, Yeah, So she has some bridesmaids. 13 00:00:48,000 --> 00:00:50,600 Speaker 1: Obviously she wants to be the one that shines the 14 00:00:50,680 --> 00:00:52,680 Speaker 1: day wedding story. Let me just pause this for a 15 00:00:52,680 --> 00:00:54,640 Speaker 1: second and say, I love this story so much because 16 00:00:54,680 --> 00:00:58,800 Speaker 1: it's it's even if I would never do this, but 17 00:00:58,920 --> 00:01:01,200 Speaker 1: all humans are thinking about something like this, But I 18 00:01:01,200 --> 00:01:03,360 Speaker 1: can't believe she actually went through with it. Go ahead, Okay, 19 00:01:03,520 --> 00:01:06,399 Speaker 1: So she thought if she made them look bigger, she 20 00:01:06,440 --> 00:01:09,520 Speaker 1: would look skinnier in the photos. And then also the 21 00:01:09,600 --> 00:01:12,360 Speaker 1: day off, she would just look better, you know. And 22 00:01:12,480 --> 00:01:15,520 Speaker 1: so her bridemaids also happened to be her sisters, and 23 00:01:15,560 --> 00:01:17,920 Speaker 1: so she would make them breakfast every morning, and she 24 00:01:17,959 --> 00:01:20,400 Speaker 1: would serve them smoothies and they would think like, oh, yeah, 25 00:01:20,400 --> 00:01:22,480 Speaker 1: I'm getting this healthy smoothie. But I mean she was 26 00:01:22,600 --> 00:01:27,319 Speaker 1: loading it up with fat, and like she got this 27 00:01:27,400 --> 00:01:31,000 Speaker 1: like mega weight gain protein powder for so crazy to 28 00:01:31,080 --> 00:01:33,960 Speaker 1: be mega weight gain, and you're secretly putting it in 29 00:01:34,040 --> 00:01:37,080 Speaker 1: somebody smoothie like something that a bodybuilder that's working out 30 00:01:37,120 --> 00:01:39,759 Speaker 1: like a bajillion hours a day and lifting heavyweights would 31 00:01:39,840 --> 00:01:43,319 Speaker 1: use this stuff and you know, for major gains, and 32 00:01:44,720 --> 00:01:47,320 Speaker 1: she was feeding it to her sisters in a smoothie. 33 00:01:48,000 --> 00:01:50,160 Speaker 1: I take it back. Normal humans don't want to do this. 34 00:01:50,240 --> 00:01:52,400 Speaker 1: I thought for a minute. Everybody wants to look in 35 00:01:52,440 --> 00:01:54,480 Speaker 1: a picture, like you want to look good and the best. 36 00:01:54,880 --> 00:01:58,240 Speaker 1: I just can't imagine sneaking super weight gain into anybody's smoothie. 37 00:01:59,200 --> 00:02:03,559 Speaker 1: No way, how awful. Didn't you move your wedding amy, Yeah, 38 00:02:03,600 --> 00:02:06,040 Speaker 1: for my sister so that she wouldn't look you know, 39 00:02:06,240 --> 00:02:08,840 Speaker 1: she would say she was pregnant, so she didn't want 40 00:02:08,840 --> 00:02:11,080 Speaker 1: to look like waddling down the aisle and look heavy 41 00:02:11,120 --> 00:02:13,000 Speaker 1: in all the photos because she would feel like she'd 42 00:02:13,000 --> 00:02:15,240 Speaker 1: have to explain everybody, I'm nine months pregnant here, you know. 43 00:02:15,800 --> 00:02:17,960 Speaker 1: But so we were going to get married in May, 44 00:02:18,120 --> 00:02:20,000 Speaker 1: but yeah, that was her around her due date. So 45 00:02:20,040 --> 00:02:22,480 Speaker 1: she asked us or came up with the brilliant idea 46 00:02:22,480 --> 00:02:24,960 Speaker 1: of getting married on New Year's Eve and presented this 47 00:02:25,000 --> 00:02:27,160 Speaker 1: whole case as to why it would be amazing, which 48 00:02:27,200 --> 00:02:30,680 Speaker 1: basically centered around she wouldn't be as heavy in December 49 00:02:30,720 --> 00:02:32,520 Speaker 1: as she would be in May. And I moved it 50 00:02:32,720 --> 00:02:34,720 Speaker 1: because I didn't want her waddling down the aisle and 51 00:02:34,720 --> 00:02:36,680 Speaker 1: I also didn't want her going into labor, so that 52 00:02:36,760 --> 00:02:40,320 Speaker 1: made sense. Look at you, I know, see some sisters 53 00:02:40,320 --> 00:02:44,960 Speaker 1: Amy the Saints. But I mean I did laugh out 54 00:02:44,960 --> 00:02:47,880 Speaker 1: loud when I saw that the sister did that. If 55 00:02:47,919 --> 00:02:51,520 Speaker 1: I'm in her bride, her party, her bride's party, I'm 56 00:02:51,520 --> 00:02:53,680 Speaker 1: out of my skull right now, going, I cannot believe 57 00:02:53,680 --> 00:02:56,120 Speaker 1: you did this. Well, listen, we're here Friday, I'll tell 58 00:02:56,120 --> 00:02:59,320 Speaker 1: you what. We'll go ahead, because I mean, we're just 59 00:02:59,360 --> 00:03:02,160 Speaker 1: thinking about these four sisters. They think they're being healthy 60 00:03:02,480 --> 00:03:05,480 Speaker 1: and then like even legit, like the day of the wedding, 61 00:03:05,560 --> 00:03:07,000 Speaker 1: or the week that it rolled around, they had to 62 00:03:07,000 --> 00:03:12,600 Speaker 1: get their dresses altered because they weren't fitting. Cruel. That's cruel. 63 00:03:14,480 --> 00:03:19,040 Speaker 1: So mayby I hear you just order straight tequila the night. Yeah, well, 64 00:03:19,120 --> 00:03:21,959 Speaker 1: my friend Kelly taught me that tequila is an upper 65 00:03:25,680 --> 00:03:28,520 Speaker 1: you know, it's like it's the one alcohol that will 66 00:03:28,560 --> 00:03:30,480 Speaker 1: not bring you down, could be happy. So if like 67 00:03:30,520 --> 00:03:32,760 Speaker 1: you're gonna have just one or two, like why not 68 00:03:33,480 --> 00:03:36,920 Speaker 1: stay up, be happy. And it's just cleaner if you 69 00:03:37,040 --> 00:03:39,200 Speaker 1: order it meat and add water in a little bit 70 00:03:39,240 --> 00:03:41,520 Speaker 1: of limits, you don't have any calories. People were just 71 00:03:41,560 --> 00:03:42,920 Speaker 1: surprised that you went up to the bar and ordered 72 00:03:43,000 --> 00:03:46,200 Speaker 1: straight tequila. Yeah, straight tequila. And plus I love the song. 73 00:03:46,400 --> 00:03:48,680 Speaker 1: You know, I really feel like that song makes me 74 00:03:48,720 --> 00:03:51,040 Speaker 1: want to drink tequila. Deal which one tequila makes her close? 75 00:03:51,080 --> 00:04:01,360 Speaker 1: Come off Dan and shade tequila? You know, I really 76 00:04:01,400 --> 00:04:05,040 Speaker 1: feel like my like tequila. I just love this song. 77 00:04:05,240 --> 00:04:07,680 Speaker 1: And then yeah, my friend Kelly telling me about ever since, 78 00:04:07,880 --> 00:04:09,880 Speaker 1: I've been like, okay, well, I try to be healthy, 79 00:04:10,000 --> 00:04:12,559 Speaker 1: like I don't want to have crazy calories and I 80 00:04:12,600 --> 00:04:16,240 Speaker 1: would rather be happy than sad. So around the room, 81 00:04:16,279 --> 00:04:21,360 Speaker 1: what's your drink right now? Tequila? Neat neat. I don't 82 00:04:21,400 --> 00:04:23,240 Speaker 1: know what that means. That means. I know I had 83 00:04:23,320 --> 00:04:25,839 Speaker 1: to learn it too. What does it means? No ice? 84 00:04:26,160 --> 00:04:28,120 Speaker 1: If you want ice, you say tequila on the rocks. 85 00:04:28,839 --> 00:04:31,280 Speaker 1: Tequila neat? No, I limon on the side, please, because 86 00:04:31,320 --> 00:04:32,960 Speaker 1: I don't want that lemon float in my drink because 87 00:04:32,960 --> 00:04:38,000 Speaker 1: it's dirty, dirty lunchbox. What you drink? I love tequila, beer, vodka, alcohol, 88 00:04:38,320 --> 00:04:42,200 Speaker 1: your drink, though, I just you something I'll drinking. It 89 00:04:42,200 --> 00:04:48,480 Speaker 1: doesn't matter. You'll just take an alcohol, yeah, whatever you want, Okay, 90 00:04:48,480 --> 00:04:51,919 Speaker 1: wine cooler. It didn't matter to him. Okay, what about you, Bobby. 91 00:04:53,000 --> 00:04:56,320 Speaker 1: The Charlie Temple, that's a good one. People always laugh 92 00:04:56,360 --> 00:04:58,559 Speaker 1: at me, and so I'll go, I'll take a Charlie Temple. 93 00:05:00,080 --> 00:05:01,400 Speaker 1: No, no no, no, I ordered that a lot when I 94 00:05:01,440 --> 00:05:03,359 Speaker 1: was a kid. But yeah, I wish they had a 95 00:05:03,360 --> 00:05:05,559 Speaker 1: man name for it though, you know, like the bench press, 96 00:05:05,680 --> 00:05:08,720 Speaker 1: something to be like something a little a little more 97 00:05:08,760 --> 00:05:12,760 Speaker 1: manly squats with a side of stronger football bench press part. 98 00:05:12,839 --> 00:05:17,240 Speaker 1: You know, I'll tell you one of those super manly 99 00:05:17,320 --> 00:05:19,040 Speaker 1: because here's that goes like, because I don't drink, so 100 00:05:19,040 --> 00:05:20,000 Speaker 1: I go up to the barto, I'm like, hey, do 101 00:05:20,040 --> 00:05:22,800 Speaker 1: you have a grenadine? And I go no, oh, do 102 00:05:22,800 --> 00:05:24,920 Speaker 1: you have cherry juice? And then when now we've entered 103 00:05:24,920 --> 00:05:27,280 Speaker 1: this conversation, it's a vortex of that. I'm a Wimp's 104 00:05:27,279 --> 00:05:29,839 Speaker 1: basically like, oh, we do have a cherry? Can I 105 00:05:29,880 --> 00:05:33,200 Speaker 1: get a shorty temple? You want a dirty Shirley? No? 106 00:05:33,680 --> 00:05:35,920 Speaker 1: What does that mean? That makes it? It's a dirty 107 00:05:36,040 --> 00:05:40,480 Speaker 1: yeah or something? Oh, so you you want a mocktail? No, 108 00:05:40,680 --> 00:05:44,040 Speaker 1: a shorty temple is mocktail. Yeah, so that's my drink 109 00:05:44,160 --> 00:05:46,800 Speaker 1: if I woulder one? Ray won know what you drink? Yeah, 110 00:05:46,839 --> 00:05:50,040 Speaker 1: red Bull vodka pretty much our audio guy, red Bull vodka. 111 00:05:50,080 --> 00:05:53,200 Speaker 1: Oh I don't get you going, you just need one 112 00:05:53,680 --> 00:05:56,240 Speaker 1: Morgan number two. Do you have a drink? Yeah, whiskey sours? 113 00:05:56,400 --> 00:05:58,880 Speaker 1: What's a sour mean? It's just a type of like 114 00:05:59,000 --> 00:06:03,360 Speaker 1: liquor that goes in and makes it not so strong. Interesting. 115 00:06:04,400 --> 00:06:06,279 Speaker 1: My other jock, I guess would be a club soda 116 00:06:06,320 --> 00:06:10,600 Speaker 1: extra limes. They go extra limes, like extra like seven lines. 117 00:06:15,640 --> 00:06:18,039 Speaker 1: So Lunchbox called businesses yesterday and said, hey, I can't 118 00:06:18,040 --> 00:06:21,040 Speaker 1: come in. I'm sick. It doesn't work there. So what's 119 00:06:21,040 --> 00:06:23,200 Speaker 1: the first place, Like, what kind of places is it. 120 00:06:23,279 --> 00:06:25,600 Speaker 1: I just a restaurant, like I sit down restaurant or 121 00:06:25,600 --> 00:06:27,960 Speaker 1: fast food restaurant. I'll sit down. Okay. Here he is 122 00:06:28,080 --> 00:06:30,960 Speaker 1: calling into restaurants and I can't come into work today 123 00:06:31,040 --> 00:06:35,920 Speaker 1: except he doesn't work there afternoons. How can I help you? Oh? Yeah, 124 00:06:35,920 --> 00:06:37,840 Speaker 1: who's this? This is Jason? How are you doing? Hi? 125 00:06:37,880 --> 00:06:41,760 Speaker 1: I'm glad. This is hey girl. I'm supp constipated. No, no, 126 00:06:41,800 --> 00:06:44,920 Speaker 1: I'm sick. I'm sorry being at three o'clock and I'm 127 00:06:44,920 --> 00:06:46,560 Speaker 1: just I'm not I'm feeling under the water. I don't 128 00:06:46,560 --> 00:06:48,479 Speaker 1: think i'm gonna able to make it okay, and I'm sorry. 129 00:06:48,520 --> 00:06:51,479 Speaker 1: What was your name again, Jason? Jason Gilbele. Yeah, and 130 00:06:51,720 --> 00:06:54,840 Speaker 1: oh okay, I came down with something this morning. I 131 00:06:54,880 --> 00:06:56,760 Speaker 1: don't know, and I just I'm supposed to work three 132 00:06:56,760 --> 00:06:59,360 Speaker 1: to eleven. I just can't make it. Are you? Are 133 00:06:59,400 --> 00:07:02,880 Speaker 1: you a cook? No? No, I did the I'm the waiter, Jake, 134 00:07:03,600 --> 00:07:10,440 Speaker 1: he's dumbles. I'm like, it's in the waiter. Yeah. I 135 00:07:10,720 --> 00:07:14,120 Speaker 1: didn't know anybody here was a server by that name. 136 00:07:15,000 --> 00:07:16,680 Speaker 1: But I was just hoping you could cover my shift, 137 00:07:16,760 --> 00:07:18,840 Speaker 1: or you get you know, you know, get a Lissa 138 00:07:18,880 --> 00:07:23,400 Speaker 1: to cover my shift. I think you have the wrong place. 139 00:07:23,560 --> 00:07:27,280 Speaker 1: I'm you're a lot of names that I don't freaking eye. No, 140 00:07:27,640 --> 00:07:29,280 Speaker 1: I said, if you could get Melissa to cover my 141 00:07:29,280 --> 00:07:37,960 Speaker 1: saida not less shift. Oh wow, she does not have 142 00:07:38,000 --> 00:07:40,960 Speaker 1: time for you anymore. Wow, she didn't even like mess 143 00:07:41,000 --> 00:07:43,760 Speaker 1: around you hear him? Sorry? What was your name again? Jason? 144 00:07:43,840 --> 00:07:50,080 Speaker 1: Jason Gibble? Yeah? And oh okay, it's like you broke 145 00:07:50,120 --> 00:07:53,240 Speaker 1: a rib. Like you're coughing with a broken rib. Yeah, 146 00:07:53,280 --> 00:07:57,000 Speaker 1: that's funny, it's hard. Yeah, more of these? Yeah, call too? 147 00:07:57,120 --> 00:08:04,120 Speaker 1: Is what another restaurant? Sit down? Or if that's sit down? Okay? 148 00:08:04,440 --> 00:08:06,520 Speaker 1: Oh yeah, this is Jason. I'm supposed to being at 149 00:08:06,560 --> 00:08:08,080 Speaker 1: three and I just don't think I can make it. 150 00:08:08,080 --> 00:08:14,840 Speaker 1: I'm sick. Okay, Um, Jason is supposed to being at three? 151 00:08:15,440 --> 00:08:18,280 Speaker 1: What do you do here, sir? I'm a server? I 152 00:08:18,400 --> 00:08:22,680 Speaker 1: wait tables. Um, he waits tables. You know, I do 153 00:08:22,720 --> 00:08:27,160 Speaker 1: a little bit of this, a little bit that you know, like, wait, 154 00:08:27,200 --> 00:08:29,960 Speaker 1: we don't have a Jason here? Sir? Yeah, yes, ma'am. 155 00:08:29,800 --> 00:08:31,840 Speaker 1: I'm supposed to work three to eleven though, I'm just 156 00:08:31,960 --> 00:08:33,920 Speaker 1: I don't want to leave you shorthanded. But do you 157 00:08:34,120 --> 00:08:38,240 Speaker 1: hear your cover? What restaurant are you calling. I'm calling. No, 158 00:08:38,400 --> 00:08:41,679 Speaker 1: you don't work here, sir. Yes, ma'am, ma'am, ma'am. I 159 00:08:42,320 --> 00:08:45,480 Speaker 1: am I getting fired. I'm getting fired for being sick. 160 00:08:46,200 --> 00:08:49,199 Speaker 1: Oh wow, I'm fired. It's funny you knew what a 161 00:08:49,240 --> 00:08:51,480 Speaker 1: server was that call? Like one call later, he knows 162 00:08:51,520 --> 00:08:54,680 Speaker 1: what he does exactly. Here we go. What's number three? 163 00:08:54,880 --> 00:09:00,679 Speaker 1: Another sitting down restaurant? Thanks for going, may a, thir you. 164 00:09:00,960 --> 00:09:03,240 Speaker 1: This is Jason. You know I work later today and 165 00:09:03,240 --> 00:09:07,760 Speaker 1: well he's dying now, like work quick and with him 166 00:09:07,800 --> 00:09:10,760 Speaker 1: not feeling great till he's struggling now, he may not 167 00:09:10,840 --> 00:09:18,520 Speaker 1: make it through this call. Thanks for calling? Does Jason? 168 00:09:18,720 --> 00:09:21,760 Speaker 1: You know I work later today and I'm just I'm 169 00:09:21,800 --> 00:09:23,600 Speaker 1: under the weather. I woke up and I just don't 170 00:09:23,600 --> 00:09:26,960 Speaker 1: think I'm gonna be able to make it. Hey, no, 171 00:09:27,280 --> 00:09:30,079 Speaker 1: Jason is I don't have anyone who works here by 172 00:09:30,120 --> 00:09:33,240 Speaker 1: the name of Jason. Yeah, yeah, yeah, yeah, yeah. I'm new, 173 00:09:33,360 --> 00:09:36,000 Speaker 1: but I'm the manager. I would know if there's a 174 00:09:36,080 --> 00:09:39,240 Speaker 1: Jason that worked here. No, No, I've done two shifts. 175 00:09:39,280 --> 00:09:41,600 Speaker 1: I mean I got him paycheck on the fifteenth. And 176 00:09:41,679 --> 00:09:45,199 Speaker 1: your name is Jason. Yeah, well that's my nickname, Yeah, Chase. 177 00:09:45,240 --> 00:09:47,480 Speaker 1: My real name is Chase, but you guys call me Jason. 178 00:09:47,480 --> 00:09:51,920 Speaker 1: But now you've pivoted. Also, I liked that he got 179 00:09:51,920 --> 00:09:54,000 Speaker 1: a paycheck on the fifteenth. Yeah, but he's only worked 180 00:09:54,040 --> 00:09:56,600 Speaker 1: two ships almost a month ago. I had no. That's 181 00:09:56,600 --> 00:10:02,400 Speaker 1: the way I had no. And like I like right now, 182 00:10:02,480 --> 00:10:04,720 Speaker 1: like I'm on the toilet and I'm puking a trash 183 00:10:04,800 --> 00:10:08,199 Speaker 1: game right now? Okay, and what you performed here you're 184 00:10:08,240 --> 00:10:11,079 Speaker 1: on a toilet and you're puking the trash came. Man's 185 00:10:11,160 --> 00:10:14,480 Speaker 1: flying out of both holes. Server but sometimes I cooked two. 186 00:10:14,559 --> 00:10:17,720 Speaker 1: I mean, I'm a wow. He does everything. Sorry, I 187 00:10:17,760 --> 00:10:21,439 Speaker 1: never did both. I never served no one or two. 188 00:10:21,480 --> 00:10:23,160 Speaker 1: You know, like when the orders running out, grab it 189 00:10:23,200 --> 00:10:26,360 Speaker 1: and take it out from people. And okay, yeah, I 190 00:10:26,400 --> 00:10:28,960 Speaker 1: know that is who you are. Thanks for coming. Yeah, 191 00:10:29,000 --> 00:10:34,559 Speaker 1: thank you. I shouldn't know who you are. I guess 192 00:10:34,720 --> 00:10:38,640 Speaker 1: they gave me a day off. Huh, yeah, letting get fired. True, 193 00:10:39,440 --> 00:10:46,040 Speaker 1: you are on the toilet and about They asked a 194 00:10:46,040 --> 00:10:48,640 Speaker 1: bunch of people, what phrase would you like to see 195 00:10:48,720 --> 00:10:52,840 Speaker 1: gone forever? Think about that? Amy something that people saying? 196 00:10:52,840 --> 00:10:56,400 Speaker 1: It drives you crazy because mine is when people go. 197 00:10:56,920 --> 00:10:59,640 Speaker 1: You couldn't ride it any better because I've never seen 198 00:10:59,640 --> 00:11:03,400 Speaker 1: an area that I couldn't write better. Yeah, but it's 199 00:11:03,440 --> 00:11:07,160 Speaker 1: just a saying. But I know these raw sayings, it's like, 200 00:11:07,360 --> 00:11:10,280 Speaker 1: what's saying? Can you not stand when someone says they 201 00:11:10,280 --> 00:11:13,360 Speaker 1: couldn't write it any better? Yeah you had aliens and puppies, 202 00:11:13,520 --> 00:11:16,320 Speaker 1: you know what we know. What I think is annoying 203 00:11:16,440 --> 00:11:18,839 Speaker 1: is when someone says that and then they're like, yeah, 204 00:11:18,880 --> 00:11:22,120 Speaker 1: I could write it better. Oh stop it, stop counter 205 00:11:22,280 --> 00:11:23,920 Speaker 1: contradicting me. All right, what do you have there? What 206 00:11:23,920 --> 00:11:26,000 Speaker 1: do you think? Um? I don't like it is what 207 00:11:26,120 --> 00:11:29,840 Speaker 1: it is that makes the list at number two of 208 00:11:29,880 --> 00:11:33,120 Speaker 1: the phrases people hate, it is what it is. Number two, okay. 209 00:11:33,559 --> 00:11:37,000 Speaker 1: Number five is not for nothing. I don't say that. 210 00:11:37,360 --> 00:11:40,079 Speaker 1: I don't either. Number four is literally, Oh I say 211 00:11:40,120 --> 00:11:42,160 Speaker 1: that all the time, even when I'm not being literal, 212 00:11:42,360 --> 00:11:44,640 Speaker 1: Like I'm like, I don't mind it if it's literal, 213 00:11:44,679 --> 00:11:47,640 Speaker 1: if it's figurative, And you're like, well, literally I ran 214 00:11:47,840 --> 00:11:49,720 Speaker 1: all the way through the wall, Yeah, like no you didn't. 215 00:11:49,760 --> 00:11:55,600 Speaker 1: I'm like literally, I'm dying right now. That one drives 216 00:11:55,640 --> 00:11:59,240 Speaker 1: me crazy. Number three is everything happens for a reason. Yeah, 217 00:11:59,280 --> 00:12:01,360 Speaker 1: I like that one. I don't like that one. Number 218 00:12:01,360 --> 00:12:04,559 Speaker 1: two is it is what it is. You don't like 219 00:12:04,640 --> 00:12:07,400 Speaker 1: that one, No, I don't need I don't mind that one. No, 220 00:12:07,520 --> 00:12:09,880 Speaker 1: I don't if something's happened, I don't need to hear like, well, 221 00:12:09,920 --> 00:12:12,960 Speaker 1: it is what it is. Well, those are just words 222 00:12:13,000 --> 00:12:17,920 Speaker 1: meaning well, that's definitive. Like, that's it. There's nothing else 223 00:12:17,920 --> 00:12:20,679 Speaker 1: you can do about it. It's definitive in its nature. 224 00:12:22,080 --> 00:12:24,000 Speaker 1: Well you better follow it up with everything happens for 225 00:12:24,040 --> 00:12:26,560 Speaker 1: a reason, oh boy, and number one, at the end 226 00:12:26,600 --> 00:12:29,440 Speaker 1: of the day. That's all these can flow together. At 227 00:12:29,440 --> 00:12:31,559 Speaker 1: the end of the day. It just is what it is, 228 00:12:31,640 --> 00:12:39,720 Speaker 1: and everything happens for a reason. Literally not funny. But 229 00:12:40,240 --> 00:12:42,960 Speaker 1: do you have any that you hate? I hate it 230 00:12:42,960 --> 00:12:45,560 Speaker 1: happens for a reason. Everything happens for a reason, because 231 00:12:45,720 --> 00:12:48,600 Speaker 1: like I lose my job. Oh, everything happens for a reason. No, 232 00:12:48,640 --> 00:12:50,760 Speaker 1: that's not a good thing. Like it's not Oh so 233 00:12:50,800 --> 00:12:52,679 Speaker 1: I can go out and find what I'm supposed to do. No, 234 00:12:53,040 --> 00:12:54,760 Speaker 1: it's bad. In that moment. If you want to lose 235 00:12:54,800 --> 00:12:56,320 Speaker 1: your job, you would go out and look for one. 236 00:12:57,080 --> 00:12:59,800 Speaker 1: What if no devil's advocate here that you lost your 237 00:12:59,840 --> 00:13:01,920 Speaker 1: job and it actually sparks something that was inside of 238 00:13:01,960 --> 00:13:03,880 Speaker 1: you and creatively started doing something that you really wanted 239 00:13:03,880 --> 00:13:05,800 Speaker 1: to do, like maybe you want to go be a teacher, 240 00:13:06,160 --> 00:13:08,040 Speaker 1: That's what I'm talking about. And then it's like, well, 241 00:13:08,080 --> 00:13:09,520 Speaker 1: if I'd never would have lost my job, I wouldn't 242 00:13:09,559 --> 00:13:11,760 Speaker 1: been a teacher. Ever. That's just my point there. I 243 00:13:11,760 --> 00:13:13,640 Speaker 1: think you have to be open to whatever's going to 244 00:13:13,720 --> 00:13:16,320 Speaker 1: come from the bad, because good can really come from 245 00:13:16,360 --> 00:13:19,200 Speaker 1: the bad, some of it can. But I mean every 246 00:13:19,200 --> 00:13:22,559 Speaker 1: time something bad happens that everyone's first response is, man, 247 00:13:22,640 --> 00:13:27,200 Speaker 1: everything happens for a reason. Just know that I'm not 248 00:13:27,200 --> 00:13:28,960 Speaker 1: gonna hate on people are having a positive out look. 249 00:13:29,000 --> 00:13:30,720 Speaker 1: The phrase is a little annoying to me, but I 250 00:13:30,720 --> 00:13:32,760 Speaker 1: don't mind people looking at it the good way, the 251 00:13:32,760 --> 00:13:34,720 Speaker 1: positive way. Yeah, I don't. I don't mind it. I 252 00:13:34,760 --> 00:13:36,360 Speaker 1: try not to be that person that says that to 253 00:13:36,440 --> 00:13:39,280 Speaker 1: someone fresh off something bad, you know, oh yeah, yeah 254 00:13:40,120 --> 00:13:42,800 Speaker 1: it's fresh. You try not to be that person, but 255 00:13:43,200 --> 00:13:45,960 Speaker 1: you know, eventually they can accept that it happened for 256 00:13:45,960 --> 00:13:52,880 Speaker 1: a reason. These are orchestra versions of popular songs. For example, 257 00:13:58,320 --> 00:14:07,160 Speaker 1: yeah Baby you were mented, Yeah Baby, ride with me, 258 00:14:07,679 --> 00:14:20,120 Speaker 1: Ride with me? Amy Ready? Yeah. The first one is 259 00:14:20,120 --> 00:14:22,840 Speaker 1: a country song. You get the clue ready number one 260 00:14:22,880 --> 00:14:41,960 Speaker 1: name the song Taylor Swift. Sorry, love story, Sorry I 261 00:14:42,200 --> 00:14:52,720 Speaker 1: had it to Okay, lunchbox country song, um My Wheelhouse, 262 00:14:52,840 --> 00:14:56,200 Speaker 1: it's a cover. Okay, I don't help me. I don't 263 00:14:56,200 --> 00:15:14,480 Speaker 1: know who covers what? Here you go? Did you hear 264 00:15:14,520 --> 00:15:16,920 Speaker 1: it the organstra version? Did I hear the orchestra version? 265 00:15:16,920 --> 00:15:22,760 Speaker 1: Did you hear the song in it? No? Not wrong? 266 00:15:22,880 --> 00:15:26,320 Speaker 1: I'm here on this baby. Do you hear it? Yeah? 267 00:15:28,960 --> 00:15:38,160 Speaker 1: Oh man, I had wagon all the time. You last smooth. 268 00:15:38,680 --> 00:15:44,800 Speaker 1: That's a good song there, Governor, what is that? But yeah? 269 00:15:46,600 --> 00:15:49,920 Speaker 1: President Roosevelt loves it too. It's one of the best. 270 00:15:51,800 --> 00:15:53,280 Speaker 1: All right, Eddie, if you can end it, come on. 271 00:15:53,360 --> 00:16:01,560 Speaker 1: It's a hip hop song. Oh my Wheelhouse, I got 272 00:16:01,640 --> 00:16:13,880 Speaker 1: it gold Digger. So it's like when yes, all right, Amy, 273 00:16:13,920 --> 00:16:16,920 Speaker 1: and I mean you missed. I'm the only one with points? 274 00:16:17,000 --> 00:16:19,720 Speaker 1: Is that? Yeah? I got another one, Eddie? Yeah, come on, Governor, 275 00:16:19,840 --> 00:16:27,680 Speaker 1: tried this one. Governor, I do believe that this uptown 276 00:16:27,760 --> 00:16:34,840 Speaker 1: funk because okay, I heard it. I knew that one. 277 00:16:35,440 --> 00:16:39,160 Speaker 1: I turned again. You're doing victory lab okay, orchestra version? 278 00:16:39,160 --> 00:16:46,600 Speaker 1: Here you Eddie? I do believe that's a song by 279 00:16:46,640 --> 00:16:51,440 Speaker 1: the White Stripes Army. Yeah, did I miss the whole 280 00:16:51,440 --> 00:16:54,400 Speaker 1: governor thing just sounds like it's from the old days. 281 00:16:55,200 --> 00:16:58,120 Speaker 1: No idea. I got it, but again it's a little stretched. 282 00:16:58,120 --> 00:17:06,399 Speaker 1: It is stretched. I was like, uptown, you got These 283 00:17:06,520 --> 00:17:21,280 Speaker 1: verses are so cool? One more here you go. Yeah, 284 00:17:21,800 --> 00:17:33,359 Speaker 1: my own my bed. I'm sorry, that's hilarious. Anyway, she said, 285 00:17:33,400 --> 00:17:36,359 Speaker 1: do you love me? I tell only boy, I only 286 00:17:36,440 --> 00:17:41,080 Speaker 1: love my bed and my mom. I'm sorry you like 287 00:17:41,160 --> 00:17:43,320 Speaker 1: that game though, Yeah, I'm gonna show those to my kids. 288 00:17:43,320 --> 00:17:49,680 Speaker 1: And I guess I lost. It's time for the good news, 289 00:17:49,760 --> 00:17:55,879 Speaker 1: something good. Riley Gordon and stepdad Chris were out hunting 290 00:17:55,880 --> 00:17:57,919 Speaker 1: in Idaho. They were trying to, you know, kill some 291 00:17:58,040 --> 00:18:01,359 Speaker 1: game and when they saw help scratched in the dirt, 292 00:18:01,440 --> 00:18:04,720 Speaker 1: They're like, what is that? And Riley Gordon's like, wait 293 00:18:04,720 --> 00:18:07,080 Speaker 1: a minute, I remember about a Facebook post a fifteen 294 00:18:07,160 --> 00:18:09,440 Speaker 1: year old girl was missing in the woods for two 295 00:18:09,560 --> 00:18:12,320 Speaker 1: days and that help. They put the guns down, they 296 00:18:12,359 --> 00:18:17,080 Speaker 1: start searching, they find her live. Wow what They start 297 00:18:17,119 --> 00:18:21,400 Speaker 1: yelling hello, hello, hello, and she responded hello and they 298 00:18:21,400 --> 00:18:24,480 Speaker 1: brought her home safely. Wow, that's crazy that he remember 299 00:18:24,520 --> 00:18:28,680 Speaker 1: seeing that from Facebook. Yeah, Facebook saving lives. And then 300 00:18:28,800 --> 00:18:31,240 Speaker 1: they didn't continue hunting. They brought her to safety, just like, yeah, 301 00:18:31,240 --> 00:18:34,480 Speaker 1: I would think, I hope, Yeah, I hope. Well, there 302 00:18:34,520 --> 00:18:36,040 Speaker 1: you go. That's a good one. Net. What's all about 303 00:18:36,119 --> 00:18:42,040 Speaker 1: right there? That was tell me something good? Sorry? Yep. Today, 304 00:18:42,320 --> 00:18:45,520 Speaker 1: this story comes to us from Connecticut. A man was 305 00:18:45,520 --> 00:18:47,880 Speaker 1: on his way home around two am. He's like, oh, 306 00:18:47,920 --> 00:18:50,359 Speaker 1: there's windys, I'm gonna grab me. Somebody pulls up in 307 00:18:50,400 --> 00:18:52,359 Speaker 1: the drive through and he sees a cop in front 308 00:18:52,359 --> 00:18:54,320 Speaker 1: of him. So he's like, I'm gonna do something nice. 309 00:18:54,359 --> 00:18:56,800 Speaker 1: I'm gonna go buy the CoP's meal, gets out of 310 00:18:56,800 --> 00:18:59,200 Speaker 1: his car, walks up to the windows like, hey, officer, 311 00:18:59,440 --> 00:19:01,640 Speaker 1: don't worry about it. I'm gonna pay for your meal. 312 00:19:02,119 --> 00:19:04,840 Speaker 1: Officers like, hmm, it smells like you got some alcohol 313 00:19:04,880 --> 00:19:08,879 Speaker 1: on your breath. Oh no, gives him a breathalyizer, cuffs 314 00:19:08,880 --> 00:19:13,679 Speaker 1: some and stuffs him DWI and you know what he 315 00:19:13,760 --> 00:19:16,520 Speaker 1: should have But you know a little bit of the cop. 316 00:19:16,600 --> 00:19:18,200 Speaker 1: I was like, oh man, this guy turned up nice 317 00:19:18,200 --> 00:19:20,119 Speaker 1: for me. Now I got to arrest him. Yeah, I know, 318 00:19:20,400 --> 00:19:23,480 Speaker 1: but the guy I shouldn't have been drinking. All right, 319 00:19:23,480 --> 00:19:25,880 Speaker 1: there you go, I'm lunchbox. That's your bone head story 320 00:19:25,920 --> 00:19:32,679 Speaker 1: of the day. So what happened? Okay, So I'm in 321 00:19:32,680 --> 00:19:35,679 Speaker 1: a public bathroom and the only stall available was the 322 00:19:35,760 --> 00:19:38,080 Speaker 1: handicap one, and I didn't think anything of it. I 323 00:19:38,200 --> 00:19:40,280 Speaker 1: just went into the stall, use the bathroom, came out, 324 00:19:40,359 --> 00:19:42,239 Speaker 1: was washing my hands, and the woman next to me 325 00:19:42,280 --> 00:19:45,400 Speaker 1: washing her hands. She looked at me and said, you know, 326 00:19:45,920 --> 00:19:48,960 Speaker 1: you really shouldn't use the handicap stall unless you're handicap 327 00:19:49,680 --> 00:19:51,800 Speaker 1: And how did that make you feel? I mean, it 328 00:19:51,840 --> 00:19:55,120 Speaker 1: made me feel bad, like I thought, well, because that's 329 00:19:55,240 --> 00:19:57,040 Speaker 1: not the first time I've done that. I used it. 330 00:19:57,080 --> 00:20:00,119 Speaker 1: I've even used the handicap stall when it's nut only 331 00:20:00,160 --> 00:20:05,080 Speaker 1: one left, because it's spacious and it's fake. Like I was. 332 00:20:05,160 --> 00:20:08,120 Speaker 1: I felt guilty, like, oh my gosh, like I have been. 333 00:20:08,280 --> 00:20:10,080 Speaker 1: Have I done something wrong and people have been judging 334 00:20:10,080 --> 00:20:11,960 Speaker 1: me and I didn't know it. I know other people 335 00:20:12,040 --> 00:20:15,320 Speaker 1: do this too, and luckily nobody handicapped came in while 336 00:20:15,320 --> 00:20:18,120 Speaker 1: I was in there, at least I don't think so. 337 00:20:18,160 --> 00:20:20,479 Speaker 1: Then it just made me think, like, well, should I 338 00:20:20,760 --> 00:20:23,560 Speaker 1: not be using the handicap stall even if it's the 339 00:20:23,600 --> 00:20:27,760 Speaker 1: only one available? Judge comments sense? Oh my judge common 340 00:20:27,840 --> 00:20:29,920 Speaker 1: sense or here he is, Yeah, but I need judge 341 00:20:29,920 --> 00:20:32,879 Speaker 1: comments sence. You address two things is it okay to 342 00:20:32,960 --> 00:20:34,800 Speaker 1: use the handicap st off you're not handicap? And then 343 00:20:34,840 --> 00:20:37,760 Speaker 1: also is it okay for that woman to say that 344 00:20:37,800 --> 00:20:43,560 Speaker 1: to me? It made me feel bad. Well, if you 345 00:20:43,640 --> 00:20:46,639 Speaker 1: go into a movie theater and they have the handicapped seats, 346 00:20:47,000 --> 00:20:51,320 Speaker 1: will you sit in those? No? Never? Why because it's 347 00:20:51,359 --> 00:20:54,760 Speaker 1: designated for handicapped people and the movie is two and 348 00:20:54,760 --> 00:20:59,040 Speaker 1: a half hours. I can be in thirty seconds, so 349 00:20:59,680 --> 00:21:02,879 Speaker 1: time is why you'll sit in one seat and not 350 00:21:02,920 --> 00:21:15,199 Speaker 1: the other squat I don't sit okay, So you're right 351 00:21:15,240 --> 00:21:17,400 Speaker 1: about the movies. You should not sit in a handicap 352 00:21:17,440 --> 00:21:19,480 Speaker 1: seat at the movie theater. I don't park my car 353 00:21:19,560 --> 00:21:24,280 Speaker 1: in a handicap spot either. The bathrooms a little different. 354 00:21:24,400 --> 00:21:29,439 Speaker 1: I do think if there's not another open stall and 355 00:21:29,600 --> 00:21:36,360 Speaker 1: you go and you're conscious of who's walking in, because okay, yeah, 356 00:21:36,480 --> 00:21:38,280 Speaker 1: you have to do that because if someone comes into 357 00:21:38,280 --> 00:21:40,479 Speaker 1: handicap and you're in the only place, oh yeah, I'm 358 00:21:40,480 --> 00:21:43,320 Speaker 1: gonna feel lame when I walk out. So here's what 359 00:21:43,359 --> 00:21:47,760 Speaker 1: Judge Comminson says. You can go in, you can use 360 00:21:47,800 --> 00:21:53,000 Speaker 1: the handicap spot, the handicap stall, but you gotta go quick. Okay. 361 00:21:53,640 --> 00:21:55,800 Speaker 1: Sometimes tears close in there because there's so much so 362 00:21:56,080 --> 00:21:59,560 Speaker 1: you can't do that, like you have ninety seconds or 363 00:21:59,640 --> 00:22:01,600 Speaker 1: less if you're in the handicap stall. That's what I'm 364 00:22:01,600 --> 00:22:04,280 Speaker 1: saying at Judge comment sense right now, ninety seconds or less. 365 00:22:04,520 --> 00:22:06,960 Speaker 1: If you have stomach issues, you're not allowed to go in, okay, 366 00:22:09,119 --> 00:22:10,600 Speaker 1: But you gotta get in and get out. And it's 367 00:22:10,600 --> 00:22:14,000 Speaker 1: the only one you can't go on for spacious reasons. Okay. 368 00:22:14,320 --> 00:22:16,960 Speaker 1: Also was she is? I guess it's okay that she 369 00:22:17,000 --> 00:22:19,000 Speaker 1: told me that then, because I guess I needed to know. 370 00:22:19,480 --> 00:22:21,600 Speaker 1: You need it to know, and you really you shouldn't 371 00:22:21,640 --> 00:22:24,719 Speaker 1: go in there. You really shouldn't. But I'm not going 372 00:22:24,760 --> 00:22:26,560 Speaker 1: to put you in judge comment sense jail for doing 373 00:22:26,560 --> 00:22:29,240 Speaker 1: it if it's the only one left, okay, because in 374 00:22:29,280 --> 00:22:31,480 Speaker 1: this case it really was. But I'm confessing your honor 375 00:22:31,560 --> 00:22:34,679 Speaker 1: that I've done it before. I'm not a priest. I 376 00:22:34,720 --> 00:22:39,960 Speaker 1: said your honor. I didn't your father. No, But you're 377 00:22:40,000 --> 00:22:43,480 Speaker 1: confessing oh yeah, yeah, yeah, Well I know. I was 378 00:22:43,520 --> 00:22:47,680 Speaker 1: just letting you know your honor that I'm guilty of 379 00:22:47,720 --> 00:22:51,679 Speaker 1: this crime before lunch bucks. Are you thinking about this? 380 00:22:52,280 --> 00:22:53,960 Speaker 1: I got no problem with you going in the stall 381 00:22:54,000 --> 00:22:55,479 Speaker 1: at all. I going them all the time, if it's 382 00:22:55,480 --> 00:22:58,159 Speaker 1: the only one open and it's more spacious. Listen, it 383 00:22:58,400 --> 00:23:01,400 Speaker 1: is bigger for handicap, but it doesn't have a handicapped 384 00:23:01,400 --> 00:23:04,359 Speaker 1: sticker where it's only reserved for a handicap. It's common 385 00:23:04,480 --> 00:23:07,399 Speaker 1: sense that it's, you know, for handicap, but I go 386 00:23:07,520 --> 00:23:09,960 Speaker 1: in them. No, no, it does. It's definitely a handicapped 387 00:23:09,960 --> 00:23:13,600 Speaker 1: stall meant for people right there. There's no there's no desert. 388 00:23:13,640 --> 00:23:15,880 Speaker 1: Like when you see a handicapped parking spot. It has 389 00:23:15,880 --> 00:23:19,800 Speaker 1: a sign that this is handicap. That is just bigger 390 00:23:20,840 --> 00:23:23,159 Speaker 1: in case you are handicapped. Guys, do you need a 391 00:23:23,200 --> 00:23:25,359 Speaker 1: sign to know that that's for people who need to 392 00:23:25,440 --> 00:23:27,760 Speaker 1: use that? No, No, he is just making a point. 393 00:23:27,920 --> 00:23:29,840 Speaker 1: I was saying. Yeah, I mean sort of like do 394 00:23:29,880 --> 00:23:31,960 Speaker 1: you ever go in the family bathroom where it's just 395 00:23:32,040 --> 00:23:37,639 Speaker 1: one individual? Yeah, when I come out, it's a one stall, 396 00:23:37,760 --> 00:23:40,159 Speaker 1: like at the airport, it's one thing. One. There's a 397 00:23:40,160 --> 00:23:44,080 Speaker 1: difference in being in a family and being handicapped. That's 398 00:23:44,119 --> 00:23:46,440 Speaker 1: the difference. But the family one, I feel bad when 399 00:23:46,440 --> 00:23:48,399 Speaker 1: I use it, but sometimes they have a couch is 400 00:23:48,520 --> 00:23:52,000 Speaker 1: really nice in there, And and I've come out before 401 00:23:52,119 --> 00:23:55,119 Speaker 1: and like this mom traveling with four kids is waiting 402 00:23:55,160 --> 00:23:56,959 Speaker 1: to get in, and I was like, I walked up 403 00:23:57,000 --> 00:24:00,479 Speaker 1: by myself, and I was like, my bad. I basically 404 00:24:00,480 --> 00:24:03,720 Speaker 1: took a shower in there. Okay, here's my ruling. Officially, 405 00:24:04,160 --> 00:24:06,600 Speaker 1: you shouldn't do it, but if you have to, because 406 00:24:06,600 --> 00:24:08,480 Speaker 1: you have to go, you have ninety seconds or less 407 00:24:08,480 --> 00:24:11,000 Speaker 1: to get any get out, okay, because if someone's in 408 00:24:11,040 --> 00:24:13,399 Speaker 1: a wheelchair and they can't go anywhere else, that's the 409 00:24:13,400 --> 00:24:16,439 Speaker 1: only stall they can get us. I know, Okay, Okay, 410 00:24:16,440 --> 00:24:18,359 Speaker 1: thank you. And the woman had every right to say 411 00:24:18,400 --> 00:24:22,320 Speaker 1: that to you, because she's right, Yeah, she could have 412 00:24:22,400 --> 00:24:26,400 Speaker 1: said it less judgey though it's a judgy thing to say, 413 00:24:26,480 --> 00:24:28,520 Speaker 1: and she's judge right like me. Right now, I'm the judge. 414 00:24:28,640 --> 00:24:31,600 Speaker 1: The case dismissed. You're not going to jail, but you 415 00:24:31,640 --> 00:24:33,000 Speaker 1: have a warning, I wrote. I wrote you a warning 416 00:24:33,000 --> 00:24:38,600 Speaker 1: ticket right here there. So I'll bring in our phone 417 00:24:38,600 --> 00:24:41,920 Speaker 1: screen or Hillary. She sits out in the glassroom when 418 00:24:41,920 --> 00:24:45,200 Speaker 1: you call. She answered all the calls, but sometimes they 419 00:24:45,240 --> 00:24:47,080 Speaker 1: present her a scenario and she's like, hey, this is 420 00:24:47,080 --> 00:24:48,680 Speaker 1: pretty interesting, and she came to me about this one, 421 00:24:48,880 --> 00:24:51,359 Speaker 1: so tell me what's up. This girl called us and 422 00:24:51,480 --> 00:24:54,399 Speaker 1: she's currently dating this guy but she said she's starting 423 00:24:54,400 --> 00:24:56,800 Speaker 1: to have feelings for this other person and she wants 424 00:24:56,840 --> 00:24:59,560 Speaker 1: to stay with the guy she's with. But is it 425 00:24:59,560 --> 00:25:03,920 Speaker 1: okay to have feelings for someone else? That's the question? Cheat? Okay, 426 00:25:04,119 --> 00:25:06,040 Speaker 1: but let's say let's say Amy, you and your husband 427 00:25:06,040 --> 00:25:08,680 Speaker 1: are together. Okay, you're not gonna you're not explaining, I 428 00:25:08,720 --> 00:25:12,160 Speaker 1: have no way, but you start to have feelings for Lunchbox. Yeah, 429 00:25:13,000 --> 00:25:16,760 Speaker 1: so so I probably just couldn't hang around with Lunchbox. Okay, 430 00:25:16,800 --> 00:25:19,480 Speaker 1: so wait, what is your answer there? Go ahead, I 431 00:25:19,480 --> 00:25:23,800 Speaker 1: would have to stop hanging around with Lunchbox because if 432 00:25:23,800 --> 00:25:29,200 Speaker 1: the because Lunchbox is so um so sexy, yeah yeah, yeah, 433 00:25:29,440 --> 00:25:33,760 Speaker 1: and enticing that if that was going to affect my 434 00:25:33,880 --> 00:25:36,439 Speaker 1: current relationship, I would have to and then but if 435 00:25:36,480 --> 00:25:38,400 Speaker 1: it didn't, then I could start hanging out with them again. 436 00:25:38,480 --> 00:25:40,159 Speaker 1: But if it was going to start affecting it, I 437 00:25:40,160 --> 00:25:42,440 Speaker 1: would have to create that space when you think about 438 00:25:42,440 --> 00:25:44,600 Speaker 1: the Lunchbox of relationship and you're staying together but you 439 00:25:44,680 --> 00:25:47,000 Speaker 1: have feelings for someone else, is that cheating? Yeah? If 440 00:25:47,000 --> 00:25:50,080 Speaker 1: my wife has feeling for another dude, yeah, she's cheating 441 00:25:50,080 --> 00:25:52,560 Speaker 1: on mere feeling. Oh yeah, you can't be having a 442 00:25:53,000 --> 00:25:54,879 Speaker 1: feeling for another What if she has a crush on 443 00:25:54,920 --> 00:25:58,680 Speaker 1: someone at work, No, she's quitting that job. Or we're okay, 444 00:25:58,800 --> 00:26:01,760 Speaker 1: you can't be studies cheating on me. My wife cannot 445 00:26:01,840 --> 00:26:04,760 Speaker 1: have feelings for another dude. Go ahead, and can you 446 00:26:04,840 --> 00:26:09,800 Speaker 1: have feelings for another girl? No? Not even feelings? No, okay. 447 00:26:09,840 --> 00:26:13,880 Speaker 1: So here's my thought on this feelings that that's not 448 00:26:14,040 --> 00:26:19,960 Speaker 1: cheating or dishonest. Anything cheating anything dishonest is because there's 449 00:26:19,960 --> 00:26:24,119 Speaker 1: a deception involved, right, And so you either have a 450 00:26:24,119 --> 00:26:26,679 Speaker 1: relationship where you go, hey, I have a crush on 451 00:26:26,720 --> 00:26:28,119 Speaker 1: someone at work. I don't like how it makes me 452 00:26:28,119 --> 00:26:30,280 Speaker 1: feel because I shouldn't and that's a very honest and 453 00:26:30,320 --> 00:26:33,520 Speaker 1: difficult thing to talk about. Or you just have to 454 00:26:33,520 --> 00:26:35,560 Speaker 1: get away from them, or you just have the feelings 455 00:26:35,560 --> 00:26:37,680 Speaker 1: you don't share to them. But it's not cheating if 456 00:26:37,720 --> 00:26:40,359 Speaker 1: you're not lying about something, If you're there's no deception involved, 457 00:26:40,359 --> 00:26:44,520 Speaker 1: you're not cheating. You're not having emotional conversations. You are 458 00:26:44,600 --> 00:26:48,919 Speaker 1: having gravitational pull because your heart is fluttering. Person is 459 00:26:48,960 --> 00:26:51,399 Speaker 1: next to you. You can't help that. Cheating well with 460 00:26:51,480 --> 00:26:53,840 Speaker 1: the heart fluttering, that's what it means when you have 461 00:26:53,920 --> 00:26:56,120 Speaker 1: feelings for someone else, get out of you, I don't 462 00:26:56,160 --> 00:26:58,439 Speaker 1: think feelings or action, though I have lots of feelings. 463 00:26:58,440 --> 00:26:59,800 Speaker 1: All the times, I have angry feelings that I don't 464 00:26:59,840 --> 00:27:02,040 Speaker 1: act on. I get sometimes I get really mad. I 465 00:27:02,040 --> 00:27:05,160 Speaker 1: don't act on those feelings, and so therefore you don't. 466 00:27:05,200 --> 00:27:09,159 Speaker 1: I'm not an angry person. I'm not a cheating person. Listen, 467 00:27:09,640 --> 00:27:12,240 Speaker 1: you tell her Hillary that what I said was she's 468 00:27:12,240 --> 00:27:15,200 Speaker 1: not acting. She's ain't cheating. You know, your heart tells 469 00:27:15,200 --> 00:27:17,280 Speaker 1: you to go at different a hundred different ways every day. 470 00:27:17,520 --> 00:27:19,159 Speaker 1: You don't follow every way your heart tells you to go. 471 00:27:19,520 --> 00:27:22,159 Speaker 1: Your heart processes your brain. Your brain processes your actions. 472 00:27:22,160 --> 00:27:25,119 Speaker 1: Your actions dictate you. So if if her actions aren't, 473 00:27:25,440 --> 00:27:27,639 Speaker 1: then she's good. I'll let her know that. Let her 474 00:27:27,640 --> 00:27:29,640 Speaker 1: in a callar back. I mean, but I'm the only 475 00:27:29,640 --> 00:27:31,840 Speaker 1: one that feels that way, by the way, everyone else 476 00:27:31,840 --> 00:27:36,120 Speaker 1: in the show, well, they don't feel that way. Good lunchbox. 477 00:27:36,200 --> 00:27:39,400 Speaker 1: What about how um you think girls are so hot 478 00:27:39,440 --> 00:27:41,240 Speaker 1: all the time and you stare at them. It's okay 479 00:27:41,240 --> 00:27:43,080 Speaker 1: to think someone's hot. You don't have feelings for her, 480 00:27:43,760 --> 00:27:47,240 Speaker 1: Oh she's pretty. You can appreciate beauty. That's okay. Feeling No, 481 00:27:47,440 --> 00:27:49,080 Speaker 1: what if your wife said there's this dude at work 482 00:27:49,080 --> 00:27:51,040 Speaker 1: and he's so hot. No, she can't talk like that. 483 00:27:51,080 --> 00:27:52,879 Speaker 1: Well now, but what if she did? Because you do. 484 00:27:53,200 --> 00:27:55,600 Speaker 1: But I mean, she thinks she's hot. But if she 485 00:27:55,640 --> 00:27:58,200 Speaker 1: has feeling for her, you do you call that girl back? 486 00:27:59,080 --> 00:28:03,720 Speaker 1: She's a two. She can't be doing that. She didn't 487 00:28:03,760 --> 00:28:06,280 Speaker 1: do time in anything, she's too time to God, she's 488 00:28:06,320 --> 00:28:09,679 Speaker 1: with Okay, you wouldn't if you if she did. She 489 00:28:09,840 --> 00:28:13,960 Speaker 1: feels guilty for a reason, you wouldn't feel guilt if 490 00:28:13,960 --> 00:28:19,639 Speaker 1: it isn't cheating. M dang Socrates has left the building. 491 00:28:19,880 --> 00:28:21,680 Speaker 1: I don't. I don't agree with that. I feel guilty 492 00:28:21,680 --> 00:28:22,800 Speaker 1: for a lot of things that I should have feel 493 00:28:22,800 --> 00:28:25,480 Speaker 1: guilty about. You know, I don't think just because she 494 00:28:25,480 --> 00:28:28,240 Speaker 1: feel guilty makes you wrong. I feel guilty that I 495 00:28:28,280 --> 00:28:30,320 Speaker 1: told you my mom got pregnant me at fifteen years old, 496 00:28:30,520 --> 00:28:32,560 Speaker 1: and that I heard her life like I feel. I 497 00:28:32,560 --> 00:28:34,159 Speaker 1: still have that, I know, but I do have that 498 00:28:34,200 --> 00:28:36,760 Speaker 1: guilt guilty all the time I do anything wrong. There's 499 00:28:36,760 --> 00:28:38,840 Speaker 1: nothing wrong. I didn't do anything wrong. I can't help that. 500 00:28:39,440 --> 00:28:41,000 Speaker 1: Nothing I can do can help the fact that my 501 00:28:41,040 --> 00:28:44,280 Speaker 1: mom got pregnant at fifteen years old. But I feel guilty, 502 00:28:45,000 --> 00:28:47,560 Speaker 1: So I just countered Socrates a point over here. Disagree 503 00:28:47,560 --> 00:28:52,920 Speaker 1: with Socrates absolutely, Oh I guess okay, killer, we all 504 00:28:52,960 --> 00:28:54,480 Speaker 1: stay in different places. Let her know all three of 505 00:28:54,520 --> 00:28:57,040 Speaker 1: our feelings. I'll let her decide. Yeah, let her decide, 506 00:28:57,040 --> 00:29:04,000 Speaker 1: but tell her mind first though. Okay. So Carrie Underwood says, 507 00:29:04,000 --> 00:29:05,480 Speaker 1: if you wrap this song and you send it to 508 00:29:05,480 --> 00:29:07,520 Speaker 1: her every city she goes to on her tour, she 509 00:29:07,520 --> 00:29:09,360 Speaker 1: you're gonna pull someone out to wrap with her, which, 510 00:29:09,360 --> 00:29:14,120 Speaker 1: by the way, can you imagine, Oh, I'll nervous, would 511 00:29:14,120 --> 00:29:18,520 Speaker 1: be nerve wracking. Yeah, I can't even imagine. So and Amy, 512 00:29:18,520 --> 00:29:21,440 Speaker 1: you're in your comfortable space right now, right, but I 513 00:29:21,480 --> 00:29:24,480 Speaker 1: have I gotta say, I've never seen these lyrics before. 514 00:29:24,640 --> 00:29:27,720 Speaker 1: But yeah, but would you see that? Would alf? Would 515 00:29:27,720 --> 00:29:32,920 Speaker 1: you see the ludicrous lyrics? Uh? Yeah, not clearly? Not often? Okay, 516 00:29:32,960 --> 00:29:34,880 Speaker 1: are you ready? You've had time to practice. You just 517 00:29:34,960 --> 00:29:36,680 Speaker 1: we just played it through it like for like thirty seconds. 518 00:29:36,720 --> 00:29:38,880 Speaker 1: You're in the commercial break. Here we go, here's Amy. 519 00:29:38,920 --> 00:29:40,640 Speaker 1: We had to make sure I know when to come in. 520 00:29:40,720 --> 00:29:42,640 Speaker 1: I mean, I don't only know when to go. Here 521 00:29:42,640 --> 00:29:46,440 Speaker 1: we go. There's champions. Yeah, with Carrie and You're born 522 00:29:46,560 --> 00:29:57,840 Speaker 1: Champions Ludicrous and style you're ready born champion, Luda. You're 523 00:29:57,840 --> 00:29:59,680 Speaker 1: not even watching. You're looking to me to come in 524 00:29:59,800 --> 00:30:04,120 Speaker 1: and I'm trying to give you and you're not Luda Amy. 525 00:30:04,160 --> 00:30:08,000 Speaker 1: Oh yeah, you can say whatever you want. I'm Luda. 526 00:30:08,520 --> 00:30:11,560 Speaker 1: Amy's gonna wrap the ludicrous part. Forget the board champion part. 527 00:30:11,600 --> 00:30:13,040 Speaker 1: I don't know, Just do whatever you want. Are you 528 00:30:13,200 --> 00:30:16,280 Speaker 1: ready on the breakdown? When the guitar dramas, I'm nervous. 529 00:30:16,280 --> 00:30:20,120 Speaker 1: Here we go, and the C is for the courage 530 00:30:20,120 --> 00:30:22,920 Speaker 1: I possessed. The drama ages for the hurt, but it's 531 00:30:22,960 --> 00:30:25,920 Speaker 1: all for the honor as for my attitude, working through 532 00:30:25,920 --> 00:30:28,320 Speaker 1: the patience. Money comes and go. So the EMMA is 533 00:30:28,320 --> 00:30:31,920 Speaker 1: for motivation, gotta stay consistent. The P is to persevere, 534 00:30:32,160 --> 00:30:36,480 Speaker 1: the eyes for integrity, innovative career. The O is optimistic, 535 00:30:36,600 --> 00:30:39,920 Speaker 1: open and never shut. And the end is necessary because 536 00:30:39,920 --> 00:30:42,240 Speaker 1: I've never given up. They see and ask me how 537 00:30:42,280 --> 00:30:47,560 Speaker 1: I did it. I just didn't from the heart, Oh 538 00:30:47,600 --> 00:30:53,920 Speaker 1: yeah I did. I wasn't going fast enough now, yeah, totally. 539 00:30:53,920 --> 00:30:56,160 Speaker 1: I thought you did it. Pretty I am pretty good enough, 540 00:30:57,960 --> 00:30:59,920 Speaker 1: pretty good. I wouldn't get picked. Don't pick me here. 541 00:31:01,320 --> 00:31:04,080 Speaker 1: I know your FO is listening right now. Scouting for talent. 542 00:31:04,120 --> 00:31:06,600 Speaker 1: I'm gonna go ahead and vow out. Don't don't pick me, Eddie. 543 00:31:06,600 --> 00:31:08,360 Speaker 1: You want to take a shot, I mean yeah, and 544 00:31:08,440 --> 00:31:10,480 Speaker 1: if she likes it, I can sing this with her. 545 00:31:10,680 --> 00:31:15,840 Speaker 1: Yeah a video? Yeah, okay, well then get a video Morgan. Two. Okay, 546 00:31:15,880 --> 00:31:19,400 Speaker 1: So I guess stay fast, here we go. Ready, boy? 547 00:31:20,000 --> 00:31:21,240 Speaker 1: Do you know when it come in? I think I 548 00:31:21,280 --> 00:31:31,200 Speaker 1: think so. Yeah, it'll drop out pretty ready, producer ready, champion. 549 00:31:31,360 --> 00:31:35,640 Speaker 1: Yeah yeah, yeah, Eddie, Yeah, to see us for the 550 00:31:35,680 --> 00:31:38,520 Speaker 1: courage I possessed through the drama. It just for the hurt, 551 00:31:38,600 --> 00:31:40,920 Speaker 1: but it's all for the honor a. It's for my 552 00:31:41,000 --> 00:31:44,000 Speaker 1: attitude working through the patience, money comes and goes, and 553 00:31:44,080 --> 00:31:47,280 Speaker 1: the ms for motivation, syst him in the pias for 554 00:31:47,360 --> 00:31:53,200 Speaker 1: persevere career. Oh it's optimistic and I've never never shut 555 00:31:53,440 --> 00:31:56,040 Speaker 1: The end is necessary and I'm never gonna give up. 556 00:31:56,240 --> 00:32:00,840 Speaker 1: See I'm I didn't drop it. Oh I thought you 557 00:32:00,920 --> 00:32:06,040 Speaker 1: dropped it. Dang I dropped I dropped that v is it? 558 00:32:06,040 --> 00:32:10,120 Speaker 1: It's like it was better Amy? Yeah, it was better 559 00:32:10,160 --> 00:32:14,320 Speaker 1: Amy or Eddie Amy for sure. Yeah, they got to 560 00:32:14,360 --> 00:32:18,080 Speaker 1: work on that line. It's right that persevere one's off 561 00:32:18,120 --> 00:32:20,440 Speaker 1: flowing right whatever. Well, Amy, you're the winner. Okay, no, 562 00:32:20,680 --> 00:32:22,720 Speaker 1: what do you want to try it? I don't. I 563 00:32:22,760 --> 00:32:26,680 Speaker 1: really don't. Come on, you have you're probabil it. I 564 00:32:26,720 --> 00:32:43,520 Speaker 1: have no competition. Yeah yeah, yeah, yeah, yo yo. The 565 00:32:43,560 --> 00:32:45,800 Speaker 1: c is for the courage I possessed through the drama. 566 00:32:45,920 --> 00:32:48,320 Speaker 1: The just for the hurt, but it's off for the honor, 567 00:32:48,440 --> 00:32:51,520 Speaker 1: the as form of attitude working through the patients. Money 568 00:32:51,560 --> 00:32:55,000 Speaker 1: comes and goes, so the emma's motivation gotta stay consistent, 569 00:32:55,080 --> 00:32:58,680 Speaker 1: so the p is persevere. The eyes for integrity, innovative career. 570 00:32:59,120 --> 00:33:06,440 Speaker 1: THEO was often mystic hard. Yeah literally messes that line. 571 00:33:06,880 --> 00:33:10,920 Speaker 1: I got change that line and be like, are you 572 00:33:10,960 --> 00:33:14,240 Speaker 1: sure this is right? How did he make that happen? 573 00:33:14,320 --> 00:33:17,400 Speaker 1: I don't know. No talent. There you go. Well we 574 00:33:17,480 --> 00:33:23,720 Speaker 1: all s oh, its optimistic Open America's mentor just told us, Yeah, 575 00:33:23,720 --> 00:33:29,320 Speaker 1: it's self sucked too. It's time for the good news. 576 00:33:31,440 --> 00:33:35,080 Speaker 1: A woman in Arizona is lucky to be alive after 577 00:33:35,160 --> 00:33:38,800 Speaker 1: a car crash left her vehicle suspended in a tree. 578 00:33:39,280 --> 00:33:43,000 Speaker 1: The fifty three year old was rescued after surviving there 579 00:33:43,040 --> 00:33:46,360 Speaker 1: for six days after the wreck. Are you kidding me? 580 00:33:46,880 --> 00:33:49,600 Speaker 1: She was driving, lost control of her car, it went 581 00:33:49,600 --> 00:33:52,720 Speaker 1: through a fence. It dropped fifty feet before it caught 582 00:33:52,800 --> 00:33:55,560 Speaker 1: on a tree branch, and that's where the car was 583 00:33:55,600 --> 00:34:00,520 Speaker 1: hanging for almost a week. Isn't that crazy? Crazy? The 584 00:34:00,800 --> 00:34:04,720 Speaker 1: damaged fence that she crashed through led one of the 585 00:34:04,760 --> 00:34:07,160 Speaker 1: guys who worked at the Arizona Department of Public Safety 586 00:34:07,200 --> 00:34:11,759 Speaker 1: to go, wait, why has this broken? They looked down, 587 00:34:12,040 --> 00:34:17,080 Speaker 1: they saw the car. She was dehydrated and they found 588 00:34:17,080 --> 00:34:19,239 Speaker 1: her and she's okay, yeah, this is six days like 589 00:34:19,320 --> 00:34:22,360 Speaker 1: no water, so you can go weeks without food, but 590 00:34:22,600 --> 00:34:24,879 Speaker 1: three to five days is like the max for water. 591 00:34:25,239 --> 00:34:28,799 Speaker 1: No water. That's doing the outstanding efforts. This woman's life 592 00:34:28,880 --> 00:34:31,839 Speaker 1: was saved. They said, wow, that is crazy. Come on, 593 00:34:32,640 --> 00:34:35,600 Speaker 1: and that's a will to live too, right, Yeah, for sure, 594 00:34:35,600 --> 00:34:37,919 Speaker 1: you go. That's tell me something good to the woman 595 00:34:37,920 --> 00:34:40,560 Speaker 1: that was rescued the rescuers at the Arizona Department of 596 00:34:40,560 --> 00:34:43,040 Speaker 1: Public Safety. That's cool and that's what it's all about 597 00:34:43,120 --> 00:34:46,799 Speaker 1: right there, that was tell me something good. Hope did 598 00:34:46,880 --> 00:34:59,440 Speaker 1: your buddy and miss balls? This is the bow. So 599 00:34:59,560 --> 00:35:03,759 Speaker 1: you follow Kim Kardashian on Instagram, I do, and I 600 00:35:03,840 --> 00:35:07,640 Speaker 1: follow a couple of the Kardashians. But anyway, I fell 601 00:35:07,719 --> 00:35:11,040 Speaker 1: for one of her ads fell for it. I don't know. 602 00:35:11,080 --> 00:35:13,440 Speaker 1: I was scrolling through, you know how I fell for 603 00:35:13,480 --> 00:35:16,000 Speaker 1: the advertisements that pop up, like the sponsors ads that 604 00:35:16,080 --> 00:35:18,239 Speaker 1: come up for me. I'm like, whoa, that's awesome. And 605 00:35:18,280 --> 00:35:20,960 Speaker 1: it was this flat tummy shake and she was like 606 00:35:21,360 --> 00:35:25,600 Speaker 1: standing there all like you know, ssual, like with her 607 00:35:25,880 --> 00:35:29,480 Speaker 1: button like everything out and holding this shake in her 608 00:35:29,520 --> 00:35:32,279 Speaker 1: like spandex workout gear, and she was like looking all fit. 609 00:35:32,360 --> 00:35:34,239 Speaker 1: And I was like, oh, so all I have to 610 00:35:34,280 --> 00:35:36,399 Speaker 1: do is drink that flat tummy shake and I'm gonna 611 00:35:36,400 --> 00:35:40,520 Speaker 1: feel good. So I ordered it. What did you order? 612 00:35:40,560 --> 00:35:44,160 Speaker 1: Because with the kim K code, I saved like twenty 613 00:35:44,200 --> 00:35:48,200 Speaker 1: percent or something. That's funny. I ordered, Well, it's called 614 00:35:48,239 --> 00:35:51,800 Speaker 1: flat tummy, so I was I. This is me confessing 615 00:35:51,800 --> 00:35:53,799 Speaker 1: to y'all that I was a little ashamed. I haven't it. 616 00:35:53,880 --> 00:35:55,800 Speaker 1: It's supposed to be coming in the mail. It better 617 00:35:55,840 --> 00:36:02,400 Speaker 1: arrived ordered from what from the instagram? Like, But if 618 00:36:02,440 --> 00:36:04,920 Speaker 1: it sponsored or was a person doing it, I don't know. 619 00:36:04,960 --> 00:36:07,400 Speaker 1: I think a listener forwarded over to me. But the 620 00:36:07,440 --> 00:36:09,359 Speaker 1: person looked like they were really tired because they put 621 00:36:09,360 --> 00:36:13,120 Speaker 1: the sleep patch on. And apparently it's like like essential oils, 622 00:36:13,200 --> 00:36:16,400 Speaker 1: like yes, and I used the zequill you know, the 623 00:36:16,440 --> 00:36:20,040 Speaker 1: melotonin stuff. Yeah, but still I have trouble sleeping sometimes 624 00:36:20,320 --> 00:36:23,560 Speaker 1: and so I don't have those yet either. But yeah, no, no, 625 00:36:23,600 --> 00:36:25,680 Speaker 1: I just don't know if I would trust that anything 626 00:36:26,680 --> 00:36:30,200 Speaker 1: fitness like you've really got to do the word flat 627 00:36:30,239 --> 00:36:34,600 Speaker 1: tell me shake? Uh? Gets that cost the flat Timmy Shake? Oh? 628 00:36:34,760 --> 00:36:37,080 Speaker 1: I think I got ten packets? Well you know I 629 00:36:37,120 --> 00:36:39,480 Speaker 1: did get the kim K discount. Wow, I don't remember 630 00:36:39,480 --> 00:36:43,560 Speaker 1: the exact total whatever, thirty dollars maybe too much, too 631 00:36:43,680 --> 00:36:46,400 Speaker 1: much for breakfast shakes. But don't worry, I'll be bringing 632 00:36:46,400 --> 00:36:48,800 Speaker 1: them in. But how do you I mean, she probably 633 00:36:48,840 --> 00:36:51,400 Speaker 1: got paid who knows how much to do that for 634 00:36:51,520 --> 00:36:54,600 Speaker 1: her five million dollars million. I fell for it. She 635 00:36:54,680 --> 00:36:56,480 Speaker 1: got a million dollars and who knows if she even 636 00:36:56,560 --> 00:36:59,040 Speaker 1: drinks the flat Timmy shake. But half a million for you? 637 00:36:59,280 --> 00:37:01,919 Speaker 1: I know, anything you do like, I know you really do, 638 00:37:02,040 --> 00:37:04,080 Speaker 1: but I don't know if she does. And so how 639 00:37:04,080 --> 00:37:07,240 Speaker 1: do you decide for you? How do you decide? Listen? 640 00:37:07,360 --> 00:37:09,920 Speaker 1: For me? I don't put many ads yeah on my Instagram, 641 00:37:09,920 --> 00:37:12,279 Speaker 1: only two ever, and it's because they came to me 642 00:37:12,320 --> 00:37:15,320 Speaker 1: because I was already talking about their product Meta Musel, 643 00:37:15,760 --> 00:37:18,640 Speaker 1: which I have to have fiber. I would go a 644 00:37:18,680 --> 00:37:20,719 Speaker 1: week without using the bathroom, just really not. He and 645 00:37:20,760 --> 00:37:23,440 Speaker 1: I would talk about that on the show and someone 646 00:37:23,520 --> 00:37:25,600 Speaker 1: was like, you should take fiber, and so I did. 647 00:37:25,640 --> 00:37:27,640 Speaker 1: And I was talking about on Instagram and Meta Mucil 648 00:37:27,680 --> 00:37:29,600 Speaker 1: came to me and said, would you do an ad 649 00:37:29,640 --> 00:37:31,320 Speaker 1: for us? And I was like, already talking about it anyway? 650 00:37:31,320 --> 00:37:33,560 Speaker 1: Why not? And so because that works for me. And 651 00:37:33,560 --> 00:37:37,360 Speaker 1: then now Bows because I have Bow's headphones. Yeah and so, 652 00:37:37,840 --> 00:37:40,719 Speaker 1: but yeah, that's it. I won't. I just won't sell 653 00:37:40,800 --> 00:37:45,040 Speaker 1: my soul on Instagram yet. Well maybe Kim, really I 654 00:37:45,080 --> 00:37:47,360 Speaker 1: would for I would for the money, but you have 655 00:37:47,400 --> 00:37:51,080 Speaker 1: to have like I'm a followers, oh one hundred million? 656 00:37:51,480 --> 00:37:56,760 Speaker 1: What I'm guessing I bet not Instagram oh one hundred 657 00:37:56,760 --> 00:38:00,600 Speaker 1: and twenty four million, and she's not even the most followed. 658 00:38:01,120 --> 00:38:04,560 Speaker 1: Kylie is right. Yeah, they're making some serious money. Listen, 659 00:38:04,560 --> 00:38:07,680 Speaker 1: I'm not hayding. Advertisers are just looking for eyeballs in 660 00:38:07,760 --> 00:38:10,480 Speaker 1: ears period that they don't care where they get them anymore. 661 00:38:11,320 --> 00:38:14,600 Speaker 1: As long as you're reaching people, they're into it. I 662 00:38:14,680 --> 00:38:16,080 Speaker 1: just won't put anything up if I don't use it. 663 00:38:16,080 --> 00:38:18,600 Speaker 1: She may use it. I don't know. I'm sure she 664 00:38:18,640 --> 00:38:22,080 Speaker 1: does her Timmy's flat. Yeah, I'm sure. That's why. Let's 665 00:38:22,080 --> 00:38:24,200 Speaker 1: do the morning Corny. Amy's got a joke right now, 666 00:38:24,280 --> 00:38:26,080 Speaker 1: thanks for waking up with us every morning around this time, 667 00:38:26,120 --> 00:38:32,560 Speaker 1: Amy hits to the corny joke. Morning Corny, did you 668 00:38:32,719 --> 00:38:36,439 Speaker 1: hear about the guy making tons of money collecting leaves? No, 669 00:38:37,719 --> 00:38:47,000 Speaker 1: he's raking it in. All right, that was the morning Corny. 670 00:38:50,239 --> 00:38:52,560 Speaker 1: All right, here's the game. We have a dog shot collar. 671 00:38:52,600 --> 00:38:54,600 Speaker 1: We'll put it on whomever gets their name drawn. You 672 00:38:54,640 --> 00:38:56,640 Speaker 1: have one minute of any song that you picked, by 673 00:38:56,640 --> 00:38:58,600 Speaker 1: the way, just to get every word right. So you 674 00:38:58,600 --> 00:39:00,759 Speaker 1: get the beginning song, you get to know the song. 675 00:39:01,160 --> 00:39:03,759 Speaker 1: You get to pick your strength, your wheelhouse. All right, 676 00:39:03,800 --> 00:39:06,440 Speaker 1: ready to go. Yeah, all four of us are doing it, 677 00:39:07,200 --> 00:39:09,520 Speaker 1: unless only three of us to do it and someone 678 00:39:09,560 --> 00:39:14,319 Speaker 1: gets lucky. I'm not gonna draw the name then come on, 679 00:39:14,400 --> 00:39:16,920 Speaker 1: So we'll let Mikey draw the Miken draw the first 680 00:39:16,960 --> 00:39:20,719 Speaker 1: person that's gonna play the game. Up first is I 681 00:39:20,760 --> 00:39:26,120 Speaker 1: got Bobby volunteered lunch lunch, so put the dog show 682 00:39:26,680 --> 00:39:29,760 Speaker 1: on his neck. Hey, let me see up a second, 683 00:39:30,080 --> 00:39:32,080 Speaker 1: what I want to make sure that? Okay, So this 684 00:39:32,160 --> 00:39:34,359 Speaker 1: is the shot caller. I'm gonna put it on level ten, 685 00:39:34,480 --> 00:39:36,719 Speaker 1: which it always stays on. It's meant for dogs over 686 00:39:36,719 --> 00:39:39,280 Speaker 1: one hundred and twenty pounds. And so here's the shocking sounds. 687 00:39:39,320 --> 00:39:43,279 Speaker 1: Hit the microphone. Here, there you go. I heard that 688 00:39:43,360 --> 00:39:45,879 Speaker 1: goes pulsating through your body. I got your lunchbox, get 689 00:39:45,920 --> 00:39:48,319 Speaker 1: out of lunchbox has a Chicago Cubs T shirt on, 690 00:39:50,719 --> 00:39:54,760 Speaker 1: strapping on his neck. Get it on there. Tightlip it, lunchbox. 691 00:39:54,800 --> 00:40:02,520 Speaker 1: What song have you chosen? Little bit, lunch box? Let 692 00:40:02,560 --> 00:40:04,839 Speaker 1: lunch box. Tighten it a little bit? You just like this? 693 00:40:07,200 --> 00:40:09,759 Speaker 1: Oh my gosh, why are you? It's wrong with him? 694 00:40:09,760 --> 00:40:12,400 Speaker 1: But because of shuckers around my neck? You freaks? Okay, 695 00:40:12,560 --> 00:40:14,799 Speaker 1: don't you dare? Tighten it a little bit. It's tight. 696 00:40:15,480 --> 00:40:17,000 Speaker 1: Not to hold it your hands and to be off. No, 697 00:40:17,280 --> 00:40:19,440 Speaker 1: I this is how I see. I don't trust them bones. 698 00:40:19,480 --> 00:40:21,719 Speaker 1: I don't either. Just have to hold it on your 699 00:40:21,719 --> 00:40:23,319 Speaker 1: lind No, no, I don't want you to choke me. 700 00:40:23,800 --> 00:40:27,040 Speaker 1: We're not touching it. You're touch You're the only one tightens. 701 00:40:27,280 --> 00:40:28,560 Speaker 1: Just tighten it so you don't have to hold it 702 00:40:28,600 --> 00:40:31,359 Speaker 1: with your hands. Put both hands down. Is it still 703 00:40:31,360 --> 00:40:34,880 Speaker 1: on your Okay? Here, we go. Are we ready? You 704 00:40:34,920 --> 00:40:37,520 Speaker 1: have one minute from Oh my God, first lyric of 705 00:40:37,640 --> 00:40:40,560 Speaker 1: Tina Turner. What's love got to do with it? No? No No, no, 706 00:40:40,719 --> 00:40:43,799 Speaker 1: hold on? Go ahead. So once I miss a word, 707 00:40:43,840 --> 00:40:45,759 Speaker 1: you don't just continuous to shot. You get back on 708 00:40:45,760 --> 00:40:50,279 Speaker 1: the words. If you minute you got, you got a 709 00:40:50,280 --> 00:40:51,920 Speaker 1: couple of seconds to get back on track. Okay, like 710 00:40:51,960 --> 00:40:53,360 Speaker 1: a couple of seconds to get back on track, like 711 00:40:53,360 --> 00:40:55,160 Speaker 1: the next word. I mean, because you're gonna be flustered, 712 00:40:55,200 --> 00:40:58,200 Speaker 1: you'll have three seconds to get back on Oh my gosh. Ready, 713 00:40:58,800 --> 00:41:02,040 Speaker 1: here we go, and Tina be with me right now? 714 00:41:02,120 --> 00:41:05,440 Speaker 1: Action Tina Turner, what's to tell me what it's about 715 00:41:05,440 --> 00:41:07,839 Speaker 1: to start? When the first lyrics starts? You're all right, right, 716 00:41:07,920 --> 00:41:14,680 Speaker 1: but I don't know when it's gonna start. Ready, not yet? 717 00:41:14,400 --> 00:41:16,399 Speaker 1: I think you think the song you show, I don't 718 00:41:16,400 --> 00:41:17,920 Speaker 1: know when it starts. Okay, let's about to sing a 719 00:41:17,960 --> 00:41:20,040 Speaker 1: Tina Turner. If he messes up, he gets shot. Here 720 00:41:20,040 --> 00:41:24,560 Speaker 1: we go three two one. You must understand though the 721 00:41:24,840 --> 00:41:29,680 Speaker 1: touch of your hand makes my pulse react. Seven seconds 722 00:41:29,719 --> 00:41:39,000 Speaker 1: and it's the boy mean girl, thanks react. No, I 723 00:41:39,160 --> 00:41:46,400 Speaker 1: did track cool la la. He didn't say only shot. 724 00:41:47,120 --> 00:41:54,560 Speaker 1: Start to ignore that it means more than that. Oh, 725 00:41:54,680 --> 00:41:58,400 Speaker 1: what's love got to do? Got to do with it? 726 00:41:58,520 --> 00:42:03,480 Speaker 1: Thirty six seconds? What's love for? A second? Hand? Motion? 727 00:42:05,080 --> 00:42:12,200 Speaker 1: Slow and say what shot needs a hu hun can 728 00:42:12,360 --> 00:42:19,880 Speaker 1: be broken? Seconds go? Oh, my goding confused, It's sorry, 729 00:42:20,200 --> 00:42:30,040 Speaker 1: that's shot three two one? He shoot? Then it is long. 730 00:42:30,239 --> 00:42:33,640 Speaker 1: That's long. That makes me just boys and girls. Yeah, 731 00:42:33,800 --> 00:42:35,920 Speaker 1: I did pretty solid. Yeah, there are a couple of 732 00:42:35,920 --> 00:42:37,600 Speaker 1: times I didn't shock you because I felt bad for you. 733 00:42:37,880 --> 00:42:40,279 Speaker 1: I'm being honest. Eddie kept looking at me like like, 734 00:42:40,320 --> 00:42:42,239 Speaker 1: why did you shock him? But you did pretty good. 735 00:42:42,239 --> 00:42:47,400 Speaker 1: You're pretty good, Lunchbock. Well come back, Amy, Eddie or myself. 736 00:42:47,400 --> 00:42:49,360 Speaker 1: We're going to the bathroom. Okay, go to the bathroom, 737 00:42:49,400 --> 00:42:53,760 Speaker 1: thank you. Three minutes. Well, we do have the shocker 738 00:42:53,840 --> 00:42:57,200 Speaker 1: in the studio. It's time to use the shocker. It's 739 00:42:57,200 --> 00:43:02,280 Speaker 1: time to screaming you. It's time to the shocker show. 740 00:43:05,600 --> 00:43:09,719 Speaker 1: It's time any time to years the shocker on the 741 00:43:09,760 --> 00:43:12,200 Speaker 1: body boat show. So what this says? The dog Shot 742 00:43:12,239 --> 00:43:14,360 Speaker 1: Caller and Lunchbox just did it, And you get to 743 00:43:14,360 --> 00:43:15,759 Speaker 1: pick any song you wanted it. But if you mess 744 00:43:15,840 --> 00:43:18,239 Speaker 1: up a word, you get shocked. Okay, So Lunchbox did 745 00:43:18,280 --> 00:43:20,440 Speaker 1: Tina Turner, what's love got to do with it? Did 746 00:43:20,480 --> 00:43:25,080 Speaker 1: a splendid job, splendid job even. Yeah, so Mike's over. 747 00:43:25,600 --> 00:43:30,359 Speaker 1: Amy has picked Tupac Dear Mama. Eddie has picked Colin 748 00:43:30,400 --> 00:43:34,440 Speaker 1: Baton Rouge. I picked friends in low places so we 749 00:43:34,440 --> 00:43:36,040 Speaker 1: can't mess up a single word or we get shocked. 750 00:43:36,040 --> 00:43:38,279 Speaker 1: We're ready, Mike deed, I'll hold the hat. Here we go. 751 00:43:38,680 --> 00:43:43,120 Speaker 1: Are we ready, ladies and gentlemen? Yeah? Number two is 752 00:43:43,880 --> 00:43:47,400 Speaker 1: Oh my god, I feel like I was born to 753 00:43:47,480 --> 00:43:50,279 Speaker 1: do this. However, go ahead. When you put a shocker on, 754 00:43:50,440 --> 00:43:52,799 Speaker 1: it changes everything. So we had a dog shot collar 755 00:43:52,880 --> 00:43:55,360 Speaker 1: meant for dogs over one hundred and twenty pounds, lunchbox 756 00:43:55,440 --> 00:43:59,600 Speaker 1: Petana's neck tight. I will like like he did not 757 00:43:59,719 --> 00:44:02,279 Speaker 1: do me. Well, this is an example for him later 758 00:44:03,000 --> 00:44:05,520 Speaker 1: remember how you were. Let me do it and then 759 00:44:05,600 --> 00:44:08,719 Speaker 1: you can check it. Yes, absolutely, because I'm not like you. 760 00:44:08,960 --> 00:44:11,200 Speaker 1: Eddie is strapping the shot caller to his neck. That's 761 00:44:11,239 --> 00:44:15,000 Speaker 1: pretty good. Yeah is lunch is it? Holding lunchbox is 762 00:44:15,000 --> 00:44:17,439 Speaker 1: adjusting it? Get your head come on, trying to block 763 00:44:17,480 --> 00:44:20,840 Speaker 1: it with the headphone call? I feel it? WHOA had it? 764 00:44:21,400 --> 00:44:23,600 Speaker 1: That's all? I had it? All right, I'm ready Okay, whoa, 765 00:44:23,719 --> 00:44:25,360 Speaker 1: I did a shot. I'm just making sound. I know. 766 00:44:25,400 --> 00:44:27,880 Speaker 1: I've pushed the sound button to make sure that receiving signal. 767 00:44:28,239 --> 00:44:31,000 Speaker 1: Put your put your shocker into the microphone. No, no no, no, no, 768 00:44:31,280 --> 00:44:34,560 Speaker 1: well to hear it. Yes, there it is, okay, alright, ready, 769 00:44:34,560 --> 00:44:36,359 Speaker 1: all right, I'm ready. You have one minute from the 770 00:44:36,440 --> 00:44:39,200 Speaker 1: moment that you start with the lyrics. Come on, Batty, 771 00:44:39,320 --> 00:44:42,000 Speaker 1: let's go. All right, Eddie's now doing Colin Baton rouge. 772 00:44:42,200 --> 00:44:44,120 Speaker 1: Anytime you miss a word, I'm gonna shock you. Okay, 773 00:44:44,200 --> 00:44:45,719 Speaker 1: all right, I know this my heart. I've known this 774 00:44:45,760 --> 00:44:49,080 Speaker 1: since the album came out in pieces. Let's go, I 775 00:44:49,120 --> 00:44:54,200 Speaker 1: got the shocker ready, Eddie's dancing around the time already. 776 00:44:54,280 --> 00:44:57,919 Speaker 1: Last night, here we go, here go. I spend last 777 00:44:58,040 --> 00:45:00,279 Speaker 1: night in the arms of a girl in Louis. Yeah, 778 00:45:01,600 --> 00:45:04,000 Speaker 1: though I met her on the highway, my thoughts are 779 00:45:04,080 --> 00:45:08,000 Speaker 1: still with her. We're talking about to strange conversation between 780 00:45:08,040 --> 00:45:12,560 Speaker 1: a woman and out child. Such a strange situation. Stopping 781 00:45:12,600 --> 00:45:16,760 Speaker 1: every hundred miles calling Batten rude, what one I missed? 782 00:45:16,760 --> 00:45:20,200 Speaker 1: Combination not conversation? Are you sure? Don't argue? I'm looking 783 00:45:20,239 --> 00:45:21,520 Speaker 1: at it right here? Hey, can you turn up a 784 00:45:21,520 --> 00:45:26,240 Speaker 1: little bit sure figure a replay of last night's events 785 00:45:26,360 --> 00:45:36,320 Speaker 1: rode through my mind. One sending up so I see Lanes, 786 00:45:37,400 --> 00:45:39,840 Speaker 1: I need a cup of coffee and a couple of 787 00:45:39,880 --> 00:45:44,919 Speaker 1: dollars changed, calling bat and rude he sees Louise nailed 788 00:45:44,920 --> 00:45:48,160 Speaker 1: the chorus I'm ready wants to put me off through. 789 00:45:48,239 --> 00:45:51,640 Speaker 1: I gotta send my love down to Baton rouge, hurry up, 790 00:45:51,920 --> 00:45:54,120 Speaker 1: put her on the line that I'm talking to the 791 00:45:54,239 --> 00:46:02,839 Speaker 1: one more time. Times up shocked, way too many times. 792 00:46:03,080 --> 00:46:05,480 Speaker 1: You get it up like my words. You may not 793 00:46:05,520 --> 00:46:09,880 Speaker 1: even know we're wrong. Really, yeah, that's the problem, the words. 794 00:46:09,960 --> 00:46:14,879 Speaker 1: But yeah we got combination. Yeah there you go. Dang, 795 00:46:14,960 --> 00:46:17,640 Speaker 1: are you sure what website is that? I used the 796 00:46:17,719 --> 00:46:22,080 Speaker 1: Garth Brooks website. This is terrible. I hate this. Okay, 797 00:46:22,080 --> 00:46:24,120 Speaker 1: we have one more person, Amy, it's other you and me. 798 00:46:25,080 --> 00:46:27,560 Speaker 1: Eddie and I both picked our favorite Garth, Garth the Goat. 799 00:46:28,040 --> 00:46:29,600 Speaker 1: I wonder if Garth could put this on and sing 800 00:46:29,600 --> 00:46:33,480 Speaker 1: his own songs. Probably not all right? That should just 801 00:46:33,640 --> 00:46:38,319 Speaker 1: be a new segment when artists come in. When we 802 00:46:38,360 --> 00:46:40,360 Speaker 1: fresh started this show, we were like, let's have artists 803 00:46:40,360 --> 00:46:42,480 Speaker 1: do everything, and we have coming to do those uh 804 00:46:42,640 --> 00:46:45,080 Speaker 1: those shots, and they escort things line in the Iron 805 00:46:45,160 --> 00:46:48,399 Speaker 1: Man shot. That was awesome. Lunchbox would do this Iron 806 00:46:48,400 --> 00:46:50,600 Speaker 1: Man shot where what would you do? You do the 807 00:46:51,480 --> 00:46:54,520 Speaker 1: salt up the nose, sport it and then you shot 808 00:46:54,520 --> 00:46:56,200 Speaker 1: a tequila and then you squeeze the line and you're 809 00:46:56,239 --> 00:47:06,640 Speaker 1: on you go, and we did that? Would all right? 810 00:47:06,760 --> 00:47:09,360 Speaker 1: Are we ready? Okay? So we have a hat, the 811 00:47:09,400 --> 00:47:12,400 Speaker 1: B Team hat. It has two names in it, Amy alone. 812 00:47:12,520 --> 00:47:16,000 Speaker 1: I'm not drawing. Mike D's drawing the name. This is 813 00:47:16,000 --> 00:47:23,200 Speaker 1: the last person we're in the dog shot collar it is. Yeah, 814 00:47:23,239 --> 00:47:25,319 Speaker 1: I just got a pass. Who's checking the lyrics? I 815 00:47:25,360 --> 00:47:27,840 Speaker 1: will all right? No, what do you mean be shocking? 816 00:47:27,920 --> 00:47:33,319 Speaker 1: Because she will do it? Honestly, I don't know. Show Okay, 817 00:47:33,360 --> 00:47:36,680 Speaker 1: I'm strapping this on you can. You can live stream 818 00:47:36,680 --> 00:47:38,840 Speaker 1: this if you want more. Number two, Amy, Bobby is 819 00:47:38,880 --> 00:47:42,560 Speaker 1: not your boss right now. I've never her boss, like 820 00:47:42,560 --> 00:47:44,880 Speaker 1: she's my boss most of the time. Well, where's the remote? 821 00:47:45,280 --> 00:47:47,279 Speaker 1: Don't do not shock me before give it a test 822 00:47:47,320 --> 00:47:49,920 Speaker 1: shock Amy, because I didn't test shot. I don't want to, 823 00:47:49,920 --> 00:47:54,360 Speaker 1: you knuckleheads, And you're right worked, you're right okay, and 824 00:47:54,520 --> 00:47:57,120 Speaker 1: my next still hurts. Blame it all on my room 825 00:47:58,000 --> 00:48:04,400 Speaker 1: blame me, Blame me, blame that one. Alrighty, maybe you 826 00:48:04,440 --> 00:48:08,600 Speaker 1: see the electric bull me right now, I'm going to 827 00:48:09,520 --> 00:48:13,280 Speaker 1: I'm not your boss. I will fire you. I'm just kidding. 828 00:48:13,320 --> 00:48:15,880 Speaker 1: All right, it's on my everybody see it. It's on. 829 00:48:16,080 --> 00:48:19,400 Speaker 1: We see it. Okay, I have one minute to get it. 830 00:48:19,600 --> 00:48:23,120 Speaker 1: It doesn't start till interesting you're putting it on your spine. 831 00:48:23,239 --> 00:48:25,359 Speaker 1: You start to think you don't know the word when 832 00:48:25,400 --> 00:48:28,120 Speaker 1: you put this on. Right, all right, ready, here we 833 00:48:28,160 --> 00:48:40,280 Speaker 1: go focus. Lame it all on my roots. I showed 834 00:48:40,320 --> 00:48:44,560 Speaker 1: it up in boots and ruined your black tie fair. 835 00:48:46,520 --> 00:48:50,280 Speaker 1: The last one to know, the last one to show. 836 00:48:50,560 --> 00:48:53,920 Speaker 1: I was the last one you thought you'd see there. 837 00:48:55,400 --> 00:48:58,880 Speaker 1: And I saw the surprise and the fear in his 838 00:48:59,080 --> 00:49:03,959 Speaker 1: eyes when I took his glass of champagne. Oh maybe 839 00:49:04,040 --> 00:49:08,440 Speaker 1: he's good. I toasted you said, Honey, we may be through, 840 00:49:09,239 --> 00:49:15,560 Speaker 1: but you'll never hear me complain because I got friends 841 00:49:15,840 --> 00:49:21,080 Speaker 1: in low places where the whiskey drowns and the beer 842 00:49:21,680 --> 00:49:29,399 Speaker 1: chase is my blues Wayne, and I'll be okay, give 843 00:49:29,520 --> 00:49:41,200 Speaker 1: you one second, baby, come on, I'm not you shot you. 844 00:49:39,440 --> 00:49:47,640 Speaker 1: I don't amy shot me, and then started yelling I'm sorry. 845 00:49:48,600 --> 00:49:54,560 Speaker 1: Can I just say, it's your shot. I'll do your song. Yeah, 846 00:49:54,320 --> 00:50:00,399 Speaker 1: you're do your song yourself, do your song. Lit thought 847 00:50:00,560 --> 00:50:04,200 Speaker 1: maybe you messed up, so I got I just oh, 848 00:50:04,360 --> 00:50:09,120 Speaker 1: I'm shocked too. It was perfect? Was it because he 849 00:50:09,160 --> 00:50:16,480 Speaker 1: did the getting into it? Shoot? I thought I got 850 00:50:16,520 --> 00:50:18,680 Speaker 1: shocked for note for perfection. I'm like Tom Brady Pople 851 00:50:18,719 --> 00:50:24,719 Speaker 1: hate me because I'm perfect. Oh my goodness, sorry, this 852 00:50:24,840 --> 00:50:27,840 Speaker 1: costs me having to do it. Yes, you can't be 853 00:50:27,840 --> 00:50:30,800 Speaker 1: just shocking people. There's a responsibility of being a shocker. 854 00:50:31,360 --> 00:50:35,160 Speaker 1: And he trusted you. We would have never done that. 855 00:50:36,120 --> 00:50:41,640 Speaker 1: And he goes, sorry, I'm sorry, I'm sorry. Okay, wait, 856 00:50:42,680 --> 00:50:44,359 Speaker 1: do you have the lyrics have to her song? She 857 00:50:44,520 --> 00:50:47,560 Speaker 1: picked a hip hop song? Yeah, I'm so dumb, so 858 00:50:47,680 --> 00:50:50,560 Speaker 1: dumb because I'm so nervous right now, okay, where is 859 00:50:50,680 --> 00:50:54,400 Speaker 1: how where the shocking? Mikey? Will you tighten it on? 860 00:50:56,960 --> 00:50:59,120 Speaker 1: Get the shocker ready, let's see if it works. I 861 00:50:59,160 --> 00:51:01,400 Speaker 1: feel weak. I know you start to think maybe I 862 00:51:01,440 --> 00:51:05,480 Speaker 1: don't know those words? Where you guys over, I'm ready, 863 00:51:05,920 --> 00:51:08,000 Speaker 1: I'm ready to see this. I don't want to shot 864 00:51:08,040 --> 00:51:13,279 Speaker 1: me in the front. Bobby put on his spine. That 865 00:51:13,400 --> 00:51:16,279 Speaker 1: was crazy. I want it, like right, here, just hold 866 00:51:16,280 --> 00:51:18,719 Speaker 1: it till hold it? No, not you let someone else 867 00:51:18,719 --> 00:51:24,879 Speaker 1: hold on your forehead? Yeah no, no, Okay, come over here, ride, 868 00:51:24,920 --> 00:51:27,600 Speaker 1: I'll hold it. Amy's got a dog shot collar on 869 00:51:27,640 --> 00:51:31,080 Speaker 1: her neck. Okay, I gotta stand. She's gonna do tupac 870 00:51:31,200 --> 00:51:34,080 Speaker 1: dear Mama, that has so many words. Oh my earring, 871 00:51:34,280 --> 00:51:36,799 Speaker 1: al l oh, she's gonna shock her earring. This would 872 00:51:36,800 --> 00:51:44,120 Speaker 1: be fun. It trawls all over her. Ready, Amy, come down, Amy, 873 00:51:44,160 --> 00:51:46,480 Speaker 1: don't mess up. It doesn't start with you. I appreciate it. 874 00:51:46,520 --> 00:51:52,640 Speaker 1: Start okay, okay, okay, ready you guys Amy. Everybody. When 875 00:51:52,680 --> 00:51:55,440 Speaker 1: I was young, me and my mama had beef. Seventeen 876 00:51:55,560 --> 00:51:58,440 Speaker 1: years old, kicked out on streets, go back in this 877 00:52:00,600 --> 00:52:04,040 Speaker 1: wonder woman alive that could take my mama's place, spending 878 00:52:04,120 --> 00:52:06,880 Speaker 1: from school, scared to go home. I was a fool 879 00:52:06,880 --> 00:52:10,080 Speaker 1: with the big boys, breaking all the rules and even 880 00:52:10,480 --> 00:52:13,719 Speaker 1: sorry sister. And over the years we were hiding all 881 00:52:13,760 --> 00:52:17,280 Speaker 1: the little kids. And even though we had different daddies, 882 00:52:17,520 --> 00:52:20,800 Speaker 1: the same drama. With things were wrong, we blame mama. 883 00:52:21,000 --> 00:52:23,959 Speaker 1: A reminisced saw the stress our caused. It was hell 884 00:52:24,360 --> 00:52:27,759 Speaker 1: hugging on my mama from a jail cell. And who 885 00:52:27,960 --> 00:52:34,239 Speaker 1: thinking elementary. I see the penitentiary one day running from 886 00:52:34,239 --> 00:52:39,200 Speaker 1: the post. That's right, a woman to my backside. And 887 00:52:39,440 --> 00:52:42,840 Speaker 1: even as a crack fiend, Mama, you always was a 888 00:52:42,920 --> 00:52:50,040 Speaker 1: black queen mama trying to raise a man. And then 889 00:52:55,719 --> 00:53:14,520 Speaker 1: I'm sorry, all right, run night job, except for the 890 00:53:14,560 --> 00:53:20,880 Speaker 1: part you cheated and shutting me for no reason I didn't. 891 00:53:22,280 --> 00:53:24,800 Speaker 1: All right, there you go. That thing scares the crapping. 892 00:53:24,880 --> 00:53:30,839 Speaker 1: I'm glad it's over. Yeah, coming up tomorrow. It's time 893 00:53:30,920 --> 00:53:38,640 Speaker 1: for the good news. So we got two sisters. They're twins. 894 00:53:38,920 --> 00:53:41,520 Speaker 1: They found out they were pregnant around the same time, 895 00:53:41,640 --> 00:53:44,360 Speaker 1: but they didn't expect to deliver their babies at the 896 00:53:44,440 --> 00:53:46,839 Speaker 1: same time. Then one of the sisters called the other 897 00:53:46,880 --> 00:53:49,000 Speaker 1: sister was like, I'm having labor pains. I'm going to 898 00:53:49,040 --> 00:53:51,120 Speaker 1: the hospital. She's like, you're not gonna believe this. I'm too, 899 00:53:51,239 --> 00:53:54,520 Speaker 1: I'm probably gonna see you there. So she showed up 900 00:53:54,520 --> 00:53:58,279 Speaker 1: at the hospital shortly after her sister, and they delivered 901 00:53:58,560 --> 00:54:04,520 Speaker 1: babies two hours apart. Identical twins delivering babies. The cousins 902 00:54:04,560 --> 00:54:07,319 Speaker 1: were born at the same hospital. A nurse who helped 903 00:54:07,360 --> 00:54:10,759 Speaker 1: deliver both of the babies again that her Cousins said 904 00:54:10,800 --> 00:54:13,080 Speaker 1: that she's been working at the hospital for two decades 905 00:54:13,200 --> 00:54:15,600 Speaker 1: and never seen twin sisters give birth on the same day. 906 00:54:15,760 --> 00:54:17,640 Speaker 1: That's funny. That's a good story. That one makes me smile. 907 00:54:17,719 --> 00:54:21,160 Speaker 1: And you know what, Amy, that's what's all about. That 908 00:54:21,560 --> 00:54:26,040 Speaker 1: was tell me something good. All right, we're gonna play 909 00:54:26,080 --> 00:54:29,960 Speaker 1: will at Uber. So there's an app and you hit 910 00:54:30,000 --> 00:54:32,480 Speaker 1: the button and then a car comes to you and 911 00:54:32,520 --> 00:54:34,960 Speaker 1: it's called an uber car and you uhould get in 912 00:54:35,040 --> 00:54:37,320 Speaker 1: it and they take you somewhere. Except we like to 913 00:54:37,360 --> 00:54:38,680 Speaker 1: put things in the back of the uber car and 914 00:54:38,719 --> 00:54:40,560 Speaker 1: see if they'll deliver it. And so now we have 915 00:54:40,640 --> 00:54:43,279 Speaker 1: a Jinga tower, lunch box you there, Yeah, can you 916 00:54:43,400 --> 00:54:46,240 Speaker 1: hear me? Yeah, So we have a follow a fully 917 00:54:46,320 --> 00:54:49,520 Speaker 1: built Jinga tower, and we're gonna take it and put 918 00:54:49,560 --> 00:54:50,719 Speaker 1: in the back of the car. Do you have money 919 00:54:50,760 --> 00:54:53,160 Speaker 1: for my wallet? Yeah? I got I got a hundred 920 00:54:53,160 --> 00:54:56,040 Speaker 1: dollar bill. No you don't that you're lying. I know, 921 00:54:56,120 --> 00:54:58,640 Speaker 1: I got a twenty dollars bill. Now we're talking, but 922 00:54:58,760 --> 00:55:02,919 Speaker 1: I was people think the baller. So give the Uber 923 00:55:03,000 --> 00:55:05,160 Speaker 1: driver a twenty and say, hey, this is really important. 924 00:55:05,160 --> 00:55:08,080 Speaker 1: This is delivered standing like in piece. Please don't let 925 00:55:08,120 --> 00:55:10,160 Speaker 1: it fall down and see if they'll deliver it fully 926 00:55:10,200 --> 00:55:13,680 Speaker 1: built to Eddie. Okay, okay, yeah, how long until the 927 00:55:13,719 --> 00:55:17,000 Speaker 1: car gets there? Right now? Let me see. Oh it 928 00:55:17,160 --> 00:55:18,560 Speaker 1: might be out here, hold on all right, she's just 929 00:55:18,560 --> 00:55:20,359 Speaker 1: walking outside. Do you have the Jinga tower built ready 930 00:55:20,400 --> 00:55:22,680 Speaker 1: to go? Yeah? I got the Ginga tower built. We're 931 00:55:22,680 --> 00:55:26,680 Speaker 1: gonna play with one minute away, one minute away. Okay, 932 00:55:26,760 --> 00:55:29,200 Speaker 1: we'll wait for the car then and Eddie. Eddie is 933 00:55:29,239 --> 00:55:35,080 Speaker 1: standing by. Yes, you call it inga Jinga. I gave 934 00:55:35,120 --> 00:55:37,560 Speaker 1: you a giant jinga thing for your patio, your house. 935 00:55:37,600 --> 00:55:40,600 Speaker 1: You use it. It's still it's like life sized jinga. Yeah, 936 00:55:40,960 --> 00:55:42,480 Speaker 1: when you have people over, I thought it'd be fun. 937 00:55:43,000 --> 00:55:45,560 Speaker 1: It is fun. Yeah, we played it one time. It 938 00:55:45,640 --> 00:55:48,080 Speaker 1: sounds like I have a ton of parties. But when 939 00:55:48,120 --> 00:55:50,520 Speaker 1: I did have people over, we did play Jinga. How 940 00:55:50,520 --> 00:55:53,080 Speaker 1: do you say Morgan number two Jenga? You say it 941 00:55:53,160 --> 00:55:57,040 Speaker 1: jinga probably the right way. Yeah, we say jinga jinga? Yeah, jinga. 942 00:55:57,080 --> 00:55:58,960 Speaker 1: You want to play jinga? Lunch box out far out. 943 00:56:00,239 --> 00:56:02,160 Speaker 1: That's a minute, so it's I mean, it doesn't it 944 00:56:02,280 --> 00:56:05,000 Speaker 1: maybe thirty seconds? Lunchbox is waiting on the uber. Oh, 945 00:56:05,080 --> 00:56:07,560 Speaker 1: it says a riding now it says a riding now 946 00:56:09,400 --> 00:56:11,719 Speaker 1: a Toyota cameray and this guy has a four point 947 00:56:11,840 --> 00:56:15,319 Speaker 1: nine rating. Wow, he'll oh he's falling up right now, 948 00:56:15,440 --> 00:56:18,520 Speaker 1: right here, we're gonna listen. Here's my boy. What's up 949 00:56:19,880 --> 00:56:24,719 Speaker 1: a ride a rhyme? How you doing? My man? I look, 950 00:56:24,800 --> 00:56:27,040 Speaker 1: this is this is a deal, all right. You ever 951 00:56:27,120 --> 00:56:30,440 Speaker 1: played jinga? You never playing ginga? Okay, So this is 952 00:56:30,480 --> 00:56:33,160 Speaker 1: a tower of jinga blocks right, and you cannot let 953 00:56:33,200 --> 00:56:36,759 Speaker 1: it tip over if if, if it doesn't fall over, 954 00:56:36,840 --> 00:56:39,520 Speaker 1: you get a big tip. No, no, no, sir, I 955 00:56:39,600 --> 00:56:43,279 Speaker 1: need you to deliver that to my boss again. No no, no, no, no, no, no, no, 956 00:56:43,320 --> 00:56:46,880 Speaker 1: no no no. Here here's a tip. But no, no, 957 00:56:47,040 --> 00:56:49,040 Speaker 1: you can't let it fall. Here's your twenty. Here's a 958 00:56:49,080 --> 00:56:51,800 Speaker 1: twenty dollars tip. Do not let that fall or I 959 00:56:51,880 --> 00:56:55,799 Speaker 1: lose my job. Yeah. Oh you want me to put 960 00:56:55,840 --> 00:56:58,520 Speaker 1: it up on the seat so you can hold it? Okay, Okay, 961 00:56:58,760 --> 00:57:00,759 Speaker 1: I know it's scary, man, but my job is in 962 00:57:00,880 --> 00:57:02,800 Speaker 1: your hand. There's another twenty on the other side of it. 963 00:57:03,160 --> 00:57:05,800 Speaker 1: There's another twenty when you get there. If it doesn't 964 00:57:05,840 --> 00:57:07,800 Speaker 1: fall and I get to keep my job, okay, And 965 00:57:07,880 --> 00:57:09,680 Speaker 1: if it does fall, build it back before you drop 966 00:57:09,719 --> 00:57:12,759 Speaker 1: it off. Yeah, and if it falls, will you build 967 00:57:12,800 --> 00:57:15,000 Speaker 1: it back before you get there so my boss will 968 00:57:15,040 --> 00:57:19,600 Speaker 1: not fire me. I am dead serious, my man, I am. 969 00:57:19,680 --> 00:57:24,040 Speaker 1: I am sure. Like do you ever jinga ginga? You 970 00:57:24,160 --> 00:57:28,040 Speaker 1: never jinger because my boss said it cannot come with this. 971 00:57:28,160 --> 00:57:30,240 Speaker 1: You got to hold that the whole way and if 972 00:57:30,360 --> 00:57:32,400 Speaker 1: it does fall, my boss is gonna say thank you. Next. 973 00:57:32,520 --> 00:57:38,200 Speaker 1: It's a couple of blocks away, right, all right, all right, 974 00:57:38,280 --> 00:57:40,800 Speaker 1: my man, do not let that fall. Promise me shake 975 00:57:40,880 --> 00:57:44,280 Speaker 1: my hand. Hey, let's say a little friend, Hey, let's 976 00:57:44,280 --> 00:57:48,960 Speaker 1: say him, please do not let the jinga box fall. Sir, 977 00:57:49,760 --> 00:57:53,120 Speaker 1: this is for my job. Amen, Amen, all right, all right, 978 00:57:53,200 --> 00:57:57,040 Speaker 1: thank you, sir. Good lorne good lorn hell God, he 979 00:57:57,200 --> 00:57:58,920 Speaker 1: took it. He took it. He was so bad, he 980 00:57:59,040 --> 00:58:02,120 Speaker 1: was so mad, mad mad well. He was like, no, sir, 981 00:58:02,200 --> 00:58:04,360 Speaker 1: I cannot do that. I was like, sir, but I 982 00:58:04,520 --> 00:58:08,440 Speaker 1: gotta I I sprew my job. And he goes, okay, 983 00:58:08,640 --> 00:58:11,160 Speaker 1: And you gave him twenty bucks in the front side, right, yes, 984 00:58:11,280 --> 00:58:12,680 Speaker 1: And he made me bring it up to the front 985 00:58:12,720 --> 00:58:14,840 Speaker 1: seat and he has it in the passenger seat and 986 00:58:14,880 --> 00:58:16,920 Speaker 1: he is holding it with his other hand, okay. And 987 00:58:17,040 --> 00:58:19,600 Speaker 1: he is so nervous. All right, come back in, all right, 988 00:58:19,640 --> 00:58:22,800 Speaker 1: I'm coming in. All right. We'll seeing if the Jinga well. Remember, Eddie, 989 00:58:23,400 --> 00:58:26,600 Speaker 1: there are so many problems with it. Why he said 990 00:58:26,600 --> 00:58:30,440 Speaker 1: a prayer? I know, I was like a prayer, and 991 00:58:30,600 --> 00:58:32,760 Speaker 1: then you said there's twenty bucks on the other side 992 00:58:32,760 --> 00:58:34,640 Speaker 1: of this. I don't have cash, bro. Now I'll tip 993 00:58:34,760 --> 00:58:37,600 Speaker 1: him on the app. Okay, good, Yeah, that's how the 994 00:58:37,680 --> 00:58:40,120 Speaker 1: that's how the app works, Eduardo, I didn't know that, 995 00:58:40,240 --> 00:58:42,280 Speaker 1: didn't I know that. Are you at a gas station away? No, 996 00:58:42,480 --> 00:58:46,680 Speaker 1: I'm at a store. Okay, okay. Oh he's a turn 997 00:58:46,720 --> 00:58:53,480 Speaker 1: of truck. Okay, yeah, yeah, okay, we'll come back to 998 00:58:53,520 --> 00:58:54,840 Speaker 1: you in a minute. Okay, I'll see if he delivered. 999 00:58:54,880 --> 00:58:56,520 Speaker 1: All right, all right, hold on a minute. There's Eddie 1000 00:58:56,560 --> 00:59:01,200 Speaker 1: waiting to see if the Jinga tower will uber. We're 1001 00:59:01,240 --> 00:59:03,240 Speaker 1: trying to do is see if this Jinga tower well 1002 00:59:03,360 --> 00:59:06,480 Speaker 1: uber from our studio to the store a few miles away. Eddie, 1003 00:59:06,520 --> 00:59:08,720 Speaker 1: you there, Bud, I'm here, I'm here. Okay. What's he 1004 00:59:08,760 --> 00:59:12,240 Speaker 1: looking for a lunchbox? It's like a gold Toyota Camray 1005 00:59:15,120 --> 00:59:19,439 Speaker 1: one minute. Should be getting there anytime. Okay, so far nothing, Okay, 1006 00:59:19,520 --> 00:59:22,280 Speaker 1: Now we want the tower to still be fully erect. Okay, 1007 00:59:22,320 --> 00:59:24,040 Speaker 1: and you want me to say what thank you? Next? 1008 00:59:24,160 --> 00:59:27,120 Speaker 1: Or what? No? I was trying to get lunchbox up 1009 00:59:27,160 --> 00:59:29,800 Speaker 1: to say to the guy. You don't have to, but 1010 00:59:29,880 --> 00:59:33,400 Speaker 1: if it's fully up, just say, hey, man, appreciate that. 1011 00:59:36,240 --> 00:59:41,440 Speaker 1: All right, go ahead. And he's driving very slow, slow 1012 00:59:42,400 --> 00:59:46,000 Speaker 1: of course there is Tell him I get to keep 1013 00:59:46,040 --> 00:59:48,880 Speaker 1: my job. Yeah, okay, like I'm not getting Oh, he's 1014 00:59:48,880 --> 00:59:52,880 Speaker 1: got one hand on it. He's got one hand. Hey, 1015 00:59:53,360 --> 00:59:57,560 Speaker 1: how you doing, man? Look at that? It's together? You 1016 00:59:57,680 --> 01:00:00,480 Speaker 1: got it? Have you been holding it the whole time? Wow? 1017 01:00:01,160 --> 01:00:05,360 Speaker 1: Good work, It's all together, not one pieces falling? Wow? Wow. 1018 01:00:05,800 --> 01:00:09,800 Speaker 1: Tell him. Somebody's getting promotion today. Somebody's getting to promot 1019 01:00:09,880 --> 01:00:13,040 Speaker 1: Eddy knock it over on accident. All right, thank you, Okay, 1020 01:00:13,040 --> 01:00:15,280 Speaker 1: we gotta be careful you'reocking over. Okay, we gotta be 1021 01:00:16,440 --> 01:00:19,960 Speaker 1: one pieces mission knock out. Okay, I got it. It's okay, 1022 01:00:19,960 --> 01:00:28,560 Speaker 1: I got it. I guess Oh well, okay, be like 1023 01:00:28,640 --> 01:00:31,120 Speaker 1: I never saw anything. I never saw it together, Like 1024 01:00:31,160 --> 01:00:34,320 Speaker 1: what happened? You know what? It kind of fell so 1025 01:00:34,400 --> 01:00:41,280 Speaker 1: I should find Yeah, but he said he would, you 1026 01:00:41,320 --> 01:00:45,720 Speaker 1: would have it all together, I know any time. Tell 1027 01:00:45,760 --> 01:00:48,840 Speaker 1: him good work, and we're tipping. Hey, good work, my man, 1028 01:00:48,960 --> 01:00:51,280 Speaker 1: good work. We're gonna tip you. Okay, tip you good, 1029 01:00:51,400 --> 01:00:54,040 Speaker 1: Thank you so much. It's not his fault. Okay, that 1030 01:00:54,120 --> 01:00:57,760 Speaker 1: was my fault. Okay, all right, all right, Will? It 1031 01:00:57,920 --> 01:01:01,560 Speaker 1: is Amy with the dirty aren't you there? That's funny 1032 01:01:01,640 --> 01:01:04,200 Speaker 1: Eddie coming back in? Hey did that got twenty buckle? 1033 01:01:04,360 --> 01:01:07,240 Speaker 1: Need to get on my wallet? There you go, Will 1034 01:01:07,280 --> 01:01:13,720 Speaker 1: and Uber. Yes. So today's question is, what's the first 1035 01:01:13,760 --> 01:01:17,960 Speaker 1: concert you ever went to? Ready, Ready, first concert you 1036 01:01:18,080 --> 01:01:21,120 Speaker 1: ever went to? Amy? You're up first, Amy Grant? Oh 1037 01:01:21,240 --> 01:01:25,680 Speaker 1: tell me more? Well, I think I was probably like eight, 1038 01:01:26,120 --> 01:01:28,400 Speaker 1: and I went with my sister, She's four years older 1039 01:01:28,440 --> 01:01:30,040 Speaker 1: than me, and I thought she was super cool. She 1040 01:01:30,200 --> 01:01:33,480 Speaker 1: loved Amy Grant, So clearly I loved Amy Grant and 1041 01:01:33,800 --> 01:01:36,360 Speaker 1: she was, I guess at the Frank Growin Center in Austin, Texas. 1042 01:01:36,840 --> 01:01:40,000 Speaker 1: We got to go and it was pumped, didn't you sing? 1043 01:01:40,080 --> 01:01:43,240 Speaker 1: Amy Grant? One of your school productions, fifth grade Talent Show. 1044 01:01:43,840 --> 01:01:48,440 Speaker 1: Me and my friend Kristen and highly we sang in 1045 01:01:48,640 --> 01:01:54,040 Speaker 1: the year of fourteen ninety two in Columbus sail the 1046 01:01:54,240 --> 01:01:58,520 Speaker 1: Oh Shim Blue? Whatever that was? I'm Galiley over something yeah, 1047 01:01:58,560 --> 01:02:05,240 Speaker 1: I'm galile. Even on the dukest night, I'm all fine 1048 01:02:05,520 --> 01:02:12,560 Speaker 1: the shiny like, oh hello, I did a spin, but 1049 01:02:12,640 --> 01:02:15,120 Speaker 1: we didn't have cordless mic, so we would get tangled 1050 01:02:15,880 --> 01:02:18,560 Speaker 1: good times. So Amy Grant is someone that you've met 1051 01:02:18,600 --> 01:02:20,560 Speaker 1: a couple of times since then. Oh yeah, you brought 1052 01:02:20,600 --> 01:02:22,640 Speaker 1: her in one time to surprise me. You blindfolded me 1053 01:02:22,720 --> 01:02:26,440 Speaker 1: and she came in way before. Yeah, you were way 1054 01:02:26,520 --> 01:02:29,280 Speaker 1: ahead the bird box her boy adad and so that 1055 01:02:29,440 --> 01:02:32,000 Speaker 1: was super amazing. And then well one time you and 1056 01:02:32,080 --> 01:02:36,160 Speaker 1: I were at some awards thing and we went up 1057 01:02:36,200 --> 01:02:37,880 Speaker 1: to her because you knew, like knew where about her. 1058 01:02:37,960 --> 01:02:40,520 Speaker 1: I don't know she Vince was there, maybe Vince Gil 1059 01:02:40,600 --> 01:02:42,040 Speaker 1: and you were talking to him, and then I was 1060 01:02:42,080 --> 01:02:45,240 Speaker 1: just sitting there awkwardly like Bomby, like let me talk 1061 01:02:45,280 --> 01:02:47,080 Speaker 1: to Amy, but I didn't. And then you were like 1062 01:02:47,200 --> 01:02:49,280 Speaker 1: hugging them, and then she looked at me and was 1063 01:02:49,320 --> 01:02:51,440 Speaker 1: like hi, and I stuck her hand out to like 1064 01:02:51,640 --> 01:02:57,800 Speaker 1: shake her hand in a song. Awkward. Amy's first concert 1065 01:02:57,880 --> 01:03:01,800 Speaker 1: was Amy Grant. Yeah, she left right on the road. Yeah, 1066 01:03:02,040 --> 01:03:11,680 Speaker 1: start baby, it's good. Oh. Mine was my first ever 1067 01:03:11,760 --> 01:03:15,240 Speaker 1: concert was at Magic Springs Theme Park in Hot Springs. 1068 01:03:15,320 --> 01:03:18,200 Speaker 1: Arkansas and our church group went to watch Diamond Rio 1069 01:03:18,720 --> 01:03:20,160 Speaker 1: and I thought it was the coolest thing I'd ever seen. 1070 01:03:20,200 --> 01:03:21,960 Speaker 1: I was going to watch a real life band because 1071 01:03:22,000 --> 01:03:24,520 Speaker 1: I listened to Meet in the Middle ten thousand times 1072 01:03:24,800 --> 01:03:28,600 Speaker 1: on cassette, and so I start. We went, and I 1073 01:03:28,720 --> 01:03:32,320 Speaker 1: remember I was twelve, I think in sixth grade with me. 1074 01:03:40,200 --> 01:03:42,200 Speaker 1: I don't have a cool story about getting to hang 1075 01:03:42,240 --> 01:03:46,000 Speaker 1: out with Diamond Rio. I went to a Blake Shelton 1076 01:03:46,080 --> 01:03:48,200 Speaker 1: video shoot once and I think it was all named 1077 01:03:48,200 --> 01:03:51,120 Speaker 1: the Dogs and the lead secret Diamerio was there and 1078 01:03:51,160 --> 01:03:52,880 Speaker 1: I talked to him briefly, but he was in the 1079 01:03:53,000 --> 01:03:55,560 Speaker 1: video I think, playing in Blake's band. Yeah, and so, 1080 01:03:56,280 --> 01:03:58,080 Speaker 1: but we didn't hang out. You say anything like you're 1081 01:03:58,120 --> 01:04:02,840 Speaker 1: my first concert? You're my first? Did you know? Get 1082 01:04:02,920 --> 01:04:05,240 Speaker 1: my first? I would like to have that. That'd be 1083 01:04:05,280 --> 01:04:06,800 Speaker 1: fun to have them in right. Yeah, I don't even 1084 01:04:06,840 --> 01:04:09,720 Speaker 1: have him, Yes, because I loved me in the Middle. 1085 01:04:09,720 --> 01:04:11,680 Speaker 1: It reminds me of going to my youth group at 1086 01:04:11,760 --> 01:04:13,320 Speaker 1: church because we would listen to this. We'd go to 1087 01:04:13,440 --> 01:04:16,680 Speaker 1: rodeos and we'd listen to this all the time. That's 1088 01:04:16,720 --> 01:04:20,280 Speaker 1: my first ever concert, Diamond Riot at Magic Springs and 1089 01:04:20,320 --> 01:04:23,280 Speaker 1: Hot Springs, Arkansas, which is an amusement park theme park. 1090 01:04:23,320 --> 01:04:31,440 Speaker 1: I'm watching them play Lunchbox first ever concert, Oh spring 1091 01:04:31,520 --> 01:04:34,160 Speaker 1: of two thousand. I was eighteen years old. I was 1092 01:04:34,240 --> 01:04:36,680 Speaker 1: a freshman in college at the University of Texas at 1093 01:04:36,760 --> 01:04:41,120 Speaker 1: San Antonio, and they announced Tina Turner at the Albamo 1094 01:04:41,240 --> 01:04:45,120 Speaker 1: Dome and San Antonio and I was like, I am 1095 01:04:45,280 --> 01:04:49,280 Speaker 1: gonna be there, and you love Tina Turner. I loved 1096 01:04:49,560 --> 01:04:52,960 Speaker 1: Tina Turner. And some guy named Lionel Richie was opening 1097 01:04:53,040 --> 01:04:55,800 Speaker 1: for her, and I mean I wanted to poke my 1098 01:04:55,920 --> 01:05:00,640 Speaker 1: eyeballs out. It was so boring. Some guy I was lone. 1099 01:05:00,720 --> 01:05:02,800 Speaker 1: Richie is awesome. Yeah, and not only let me say this. 1100 01:05:02,920 --> 01:05:04,520 Speaker 1: I'm not just saying it because we worked together on 1101 01:05:04,680 --> 01:05:08,080 Speaker 1: Idol now, but he's like, his music's awesome. I understand that. 1102 01:05:08,920 --> 01:05:11,560 Speaker 1: But I was ready for the main course of Tina 1103 01:05:11,680 --> 01:05:14,440 Speaker 1: Turner her twenty four seven tour. I mean, come on, 1104 01:05:14,760 --> 01:05:17,960 Speaker 1: it was amazing right there in the album No but 1105 01:05:18,080 --> 01:05:23,440 Speaker 1: it was just like what dad, you didn't know? Lionel 1106 01:05:23,520 --> 01:05:30,040 Speaker 1: Richie like song song like, uh, Fiesta Forever, no idea? Now, 1107 01:05:30,080 --> 01:05:32,440 Speaker 1: I mean, why is the piano? You didn't know? And 1108 01:05:32,560 --> 01:05:34,640 Speaker 1: he sat on the edge of the stage. I was like, 1109 01:05:34,760 --> 01:05:37,080 Speaker 1: oh my gosh, can we get on with this or 1110 01:05:37,160 --> 01:05:40,400 Speaker 1: something like, hello, you know that one? Is it for me? 1111 01:05:40,600 --> 01:05:43,200 Speaker 1: You're looking for? Don't know it now, but I didn't know. 1112 01:05:43,320 --> 01:05:47,760 Speaker 1: I did, thank you? But yeah, man, what a concert. Wow, 1113 01:05:47,840 --> 01:05:49,840 Speaker 1: it was amazing. I went with a girl named Lauren, 1114 01:05:50,000 --> 01:05:52,000 Speaker 1: and I went with my mom and dad because my 1115 01:05:52,080 --> 01:05:57,040 Speaker 1: mom's a huge fla. Lauren's girl from back in the day. Wow, 1116 01:05:57,320 --> 01:06:00,800 Speaker 1: you know, yeah, Randa, just take her from random girl 1117 01:06:00,840 --> 01:06:02,840 Speaker 1: you met. No, No, I've known him for a few years. 1118 01:06:02,880 --> 01:06:05,400 Speaker 1: You know what the middle school of high school? Elaborate? 1119 01:06:05,640 --> 01:06:08,920 Speaker 1: She a friend or a girlfriend or what? Look a friend? 1120 01:06:09,000 --> 01:06:11,040 Speaker 1: You know what I'm saying. No, I don't know what. 1121 01:06:11,360 --> 01:06:14,160 Speaker 1: I don't know what to say. That was my concert. 1122 01:06:14,680 --> 01:06:17,640 Speaker 1: Let's go to our video producer, Eddie. Eddie's got two kids, Eddie, 1123 01:06:17,640 --> 01:06:20,200 Speaker 1: your first ever concert it was middle school, I would 1124 01:06:20,240 --> 01:06:23,920 Speaker 1: guess probably ninety two. I saw Clinton Black at the 1125 01:06:24,080 --> 01:06:32,880 Speaker 1: South Padre Island Convention Center, killing kill. And even more importantly, 1126 01:06:33,000 --> 01:06:35,240 Speaker 1: this was the first time I purchased concert tickets. My 1127 01:06:35,560 --> 01:06:37,760 Speaker 1: dad was like, here's my credit card, just buy it whatever. 1128 01:06:37,840 --> 01:06:40,240 Speaker 1: And I used to call on the dial phone and 1129 01:06:40,600 --> 01:06:43,120 Speaker 1: it's like busy. It's busy, It's busy, and finally got through, 1130 01:06:43,360 --> 01:06:47,320 Speaker 1: bought the tickets and we went. It's funny that most 1131 01:06:47,400 --> 01:06:49,840 Speaker 1: of us went to country concerts because of where we 1132 01:06:49,880 --> 01:06:53,640 Speaker 1: grew up and how we grew up. Amy is from Austin, Texas, 1133 01:06:54,040 --> 01:06:56,960 Speaker 1: grew up there, and so you went to see Amy Grant, 1134 01:06:57,000 --> 01:06:59,800 Speaker 1: which was country slash kind of pop at the time. Yeah, 1135 01:07:00,040 --> 01:07:04,600 Speaker 1: slash Christian. Yeah. Yeah. Eddie's from South Texas. Yeah, McCallan, 1136 01:07:05,160 --> 01:07:07,200 Speaker 1: and they loved Clint Black and South Texas. We loved 1137 01:07:07,360 --> 01:07:10,520 Speaker 1: all country down there and from Arkansas. So it was 1138 01:07:10,560 --> 01:07:14,560 Speaker 1: anything anything and lunchbox from the Tina Turner. But Morgan 1139 01:07:14,680 --> 01:07:17,400 Speaker 1: number two it's from Kansas. Morgan number two is twenty five, 1140 01:07:17,400 --> 01:07:19,520 Speaker 1: our head of digital. What was your first concert, Shania, 1141 01:07:20,480 --> 01:07:25,760 Speaker 1: that's a big one. Where was that, um, God, like 1142 01:07:25,840 --> 01:07:27,480 Speaker 1: the gas station. It had to be at like Arrowhead 1143 01:07:27,480 --> 01:07:29,000 Speaker 1: Stadium or something, right. I think it was at the 1144 01:07:29,120 --> 01:07:33,600 Speaker 1: Colosseum if I remember correctly, um, because the arena that's 1145 01:07:33,600 --> 01:07:36,680 Speaker 1: there now didn't exist when she came. But I still remember. 1146 01:07:36,760 --> 01:07:38,520 Speaker 1: I reached up and I touched her hand, and she 1147 01:07:38,640 --> 01:07:41,160 Speaker 1: was wearing her leopard outfit with a red live stick 1148 01:07:41,240 --> 01:07:43,480 Speaker 1: on and I will never forget that moment. You had 1149 01:07:43,560 --> 01:07:46,400 Speaker 1: close enough seats to touch Shanaya. Yes, how rich were 1150 01:07:46,520 --> 01:07:50,880 Speaker 1: you not? It was just like I'm glad you asked. 1151 01:07:52,160 --> 01:07:54,760 Speaker 1: Going to country concerts in Kansas is like the thing 1152 01:07:54,920 --> 01:07:57,360 Speaker 1: that you do. Yeah, so that's what you pay for, 1153 01:07:57,800 --> 01:08:00,400 Speaker 1: that's what you spend. Your mind of money goes there, 1154 01:08:00,440 --> 01:08:04,000 Speaker 1: you go, Shania Twain, Well that's been get to know 1155 01:08:04,040 --> 01:08:10,120 Speaker 1: the Bobby Bones Show show. Okay, we are going home, 1156 01:08:10,200 --> 01:08:12,560 Speaker 1: but thank you for listening. You can catch up on everything. 1157 01:08:12,680 --> 01:08:17,000 Speaker 1: Just search Bobby Bones Show on demand on iHeartRadio. Search 1158 01:08:17,080 --> 01:08:19,720 Speaker 1: Bobby Bones on iTunes. You can listen to the whole thing, 1159 01:08:19,880 --> 01:08:21,600 Speaker 1: like listen to Bobby cast a show I do for 1160 01:08:21,680 --> 01:08:24,320 Speaker 1: my house. Just search that too. All that. Thanks for 1161 01:08:24,400 --> 01:08:26,120 Speaker 1: being here. We would not be able to pay our 1162 01:08:26,160 --> 01:08:28,559 Speaker 1: mortgages or eat our meals without you're listening, right Amy, 1163 01:08:28,680 --> 01:08:30,760 Speaker 1: that's right. We appreciate you. Thank you. We'll see soon.