WEBVTT - The Poof Point

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<v Speaker 1>Sabrina, Was there a time in your life that you

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<v Speaker 1>would go back to right now if you could, would

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<v Speaker 1>you change your age right now, if you could to

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<v Speaker 1>go back and redo something, not even redo, I'm going

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<v Speaker 1>to take that back. No, not even redo, just to

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<v Speaker 1>go back and be an age again. It's not even

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<v Speaker 1>about fixing mistakes, going out and being an age again.

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<v Speaker 1>Is there one you'd pick?

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<v Speaker 2>I think I would go back just to relive again

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<v Speaker 2>that those couple of years of first meeting Jordan and ours,

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<v Speaker 2>like first starting our relationship. I loved that time. I

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<v Speaker 2>was doing such a fun work situation. I was in

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<v Speaker 2>Vegas working at the Tropic Canna, doing the Dancing with

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<v Speaker 2>the Stars live in Las Vegas.

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<v Speaker 3>And then we did cruise lines like there was just

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<v Speaker 3>so much fun stuff.

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<v Speaker 2>And then of course, just like meeting him and after

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<v Speaker 2>dating not the best guys, finding this love and it

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<v Speaker 2>being what everyone else that I knew at that age

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<v Speaker 2>was talking about a lot of my friends were married

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<v Speaker 2>by that time, and it was like.

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<v Speaker 3>Oh, oh, this is amazing. N So, yeah, I think

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<v Speaker 3>that might be that nice Corney.

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<v Speaker 1>Huh, None, that's great, I think that's good. Yeah, I'm

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<v Speaker 1>I have I have two answers. The first one is

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<v Speaker 1>totally ridiculous. It's just so cliche, but it's true. Where

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<v Speaker 1>I'm the happiest I think I've ever been up the

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<v Speaker 1>age I am right now. I wouldn't want to change

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<v Speaker 1>it at all.

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<v Speaker 3>Yeah, that's awesome.

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<v Speaker 1>And then my other answer is to the first time

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<v Speaker 1>I meet Jordan, That's when I'm going to go on out.

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<v Speaker 1>I'm gonna change my age. I want to go forward

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<v Speaker 1>in life. Whenever I meet him. It sounds like a

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<v Speaker 1>great guy.

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<v Speaker 3>Yeah, he'll change your He'll change your whole world.

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<v Speaker 1>I bet you you will. I'll bet you you will

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<v Speaker 1>change my world. Well, welcome back to Magical Rewind, the

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<v Speaker 1>show that makes you want to grab your friends, your PJS,

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<v Speaker 1>and your popcorn and go back to a time when

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<v Speaker 1>all the houses were smart, the Wave, Tsunamis and the

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<v Speaker 1>high School's musical. I'm wilfor Dell and I'm Sabrina Brian. Well,

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<v Speaker 1>once again we have found ourselves back in a time

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<v Speaker 1>travel conundrum. So hide the goldfish, cause we're gonna break

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<v Speaker 1>down the two thousand and one sci fi comedy v

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<v Speaker 1>D com the poof Point. We are two weeks in

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<v Speaker 1>a row. Here, people, first, minute men. Now this the

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<v Speaker 1>poof point, debuted on a rather precarious day for a

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<v Speaker 1>time travel movie, first showing on the channel September fourteenth,

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<v Speaker 1>two thousand and one. So this is three days after,

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<v Speaker 1>you know, our country had just gone for one of

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<v Speaker 1>the worst days in history. The movie is based on

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<v Speaker 1>a nineten ninety two children's novel of the same insane title,

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<v Speaker 1>written by Elaine Weiss, and we can acknowledge that once

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<v Speaker 1>again we have a strange title that does it no favors.

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<v Speaker 1>It has very thirteenth year vibe and also kind of

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<v Speaker 1>sounds a little bit dirty or at least like a

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<v Speaker 1>movie well about farts. So you can watch this movie

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<v Speaker 1>not about farts, thank you, on Disney Plus. So go

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<v Speaker 1>check it out now or later. You've all got free will,

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<v Speaker 1>so use it anyway. We once again enter the sci

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<v Speaker 1>fi genre for this, but also into a really surreal

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<v Speaker 1>slapstick space as well. Worth noting that, not only in

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<v Speaker 1>the world of dcoms, but also on television in general

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<v Speaker 1>in two thousand and one, it was rare to see

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<v Speaker 1>a story centered around a black family, and a black

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<v Speaker 1>family of scientists at that, so once again kudos to

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<v Speaker 1>the Disney channel for always being just a bit ahead

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<v Speaker 1>in the field of inclusivity. They really have been. You

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<v Speaker 1>name it, they get their first It's awesome. With that said,

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<v Speaker 1>the proof Point is one of the lowest rated dcoms

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<v Speaker 1>when it comes to reviews, clocking a twenty seven percent

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<v Speaker 1>on Rotten Tomatoes and regularly mentioned when listing the worst

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<v Speaker 1>releases from the genre. And well, one of the reasons

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<v Speaker 1>is because we once again go back to one of

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<v Speaker 1>our favorite tropes, unbelievably awful neglectful parents. The premise is

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<v Speaker 1>so dependent on that, and boy does this movie have

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<v Speaker 1>plot holes. Not to mention it looks like it was

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<v Speaker 1>shot on a camquarder Sabrina. As always, I'm going to

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<v Speaker 1>did you know anything about this movie before the words

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<v Speaker 1>the poof and point, no, we're put on your schedule?

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<v Speaker 3>Not at all.

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<v Speaker 2>I was super stoked to see our guy Taj, who

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<v Speaker 2>we love here on this podcast.

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<v Speaker 1>So much, loved to so.

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<v Speaker 2>Excited to see him and a lot of great amazing actors.

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<v Speaker 3>You know that.

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<v Speaker 2>I was excited when I first turned it on, and

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<v Speaker 2>then it sort.

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<v Speaker 1>Of happened to you. It's seeing to me. It was

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<v Speaker 1>happening to me, and I couldn't make it stop.

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<v Speaker 3>I couldn't. I couldn't. It was. It was a tougher

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<v Speaker 3>movie for me to get through.

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<v Speaker 2>Unfortunately, I hate saying anything a bad about the Disney

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<v Speaker 2>Channel because you know, I am a Disney girl through

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<v Speaker 2>and through.

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<v Speaker 3>But this was it was a tough one.

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<v Speaker 1>It was rough and this and again, they can't all

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<v Speaker 1>be great. They can't love every movie. I can absolutely

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<v Speaker 1>say that even in this film, Taj is great. He's

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<v Speaker 1>tas Yes, there's a reason he was one of the

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<v Speaker 1>stars of the Channel. He shines in every thing he's in.

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<v Speaker 1>He's really really good. They always talk about it, like

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<v Speaker 1>when you see especially a child actor, Yes, they have it.

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<v Speaker 1>He has it. He just does.

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<v Speaker 3>Yes.

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<v Speaker 2>Also, another actor that we've seen now that breaks the

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<v Speaker 2>fourth wall talk straight to us.

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<v Speaker 3>And again that is really hard to do. It is

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<v Speaker 3>and he did a great job.

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<v Speaker 1>And we'll get into that because I have a theory

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<v Speaker 1>that I called the Shawn Aston theory. And we'll get

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<v Speaker 1>into my Shawn Aston theory in a bit, all right,

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<v Speaker 1>But before we find ourselves magically daged back into middle school,

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<v Speaker 1>or before we turned on this movie, let's get into

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<v Speaker 1>the synopsis. A married scientist couple are forced to enlist

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<v Speaker 1>the help of their children after an experiment goes wrong

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<v Speaker 1>and makes them younger and younger. This is where we

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<v Speaker 1>do our early thoughts. I think we both just kind

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<v Speaker 1>of said, it's not great. We don't need to dwell

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<v Speaker 1>on the fact that it's not great, but it's really

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<v Speaker 1>especially because we've been seeing some kind of bangers, yes

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<v Speaker 1>for different reasons stuff we loved. This just seemed like

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<v Speaker 1>it was I mean, I look at two thousand and one.

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<v Speaker 1>I mean, when did Cheetah Girls come out.

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<v Speaker 2>Two thousand and three, three in two thousand and two,

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<v Speaker 2>two years, so you.

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<v Speaker 1>Filmed a year later, and this again it looked like

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<v Speaker 1>it was shot on a camcorder like, it looked bad.

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<v Speaker 2>The stage was, you know, the props and everything was

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<v Speaker 2>just kind of I thought when we got the information

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<v Speaker 2>it was going to be from a different producing company

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<v Speaker 2>that that Disney bought.

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<v Speaker 3>Like yes, right, yes, okay, because it didn't.

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<v Speaker 2>To me, it did not correlate with the rest of

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<v Speaker 2>or not the rest, but so many does d coms,

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<v Speaker 2>you know, just it just really looked different.

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<v Speaker 1>It looked different, it.

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<v Speaker 3>Grown different, it read different.

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<v Speaker 2>I agree, and I need my good old d com

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<v Speaker 2>you know I need it.

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<v Speaker 1>I need it. Well halfway through this movie, I was like,

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<v Speaker 1>I never thought I'd say this, but I wish they'd

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<v Speaker 1>break it the song or they start dancing on the

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<v Speaker 1>team page. I do something. Anyway, Yes, let's get into

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<v Speaker 1>the cast the movie stars. Obviously, we've talked about him,

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<v Speaker 1>Disney legend and someone we love to imagine every single

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<v Speaker 1>d com because he's amazing. His whole family is young

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<v Speaker 1>Taj Maury Taj playing Eddie Ballard in this movie. He's

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<v Speaker 1>best known as TJ Henderson on Smart Guy Teddy on

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<v Speaker 1>Full House and as the voice of Wade on Kim

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<v Speaker 1>Possible Wade, Can You Help Me out Here? He also

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<v Speaker 1>cross over a few times as TJ on Sister Sister Show,

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<v Speaker 1>starring his twin sisters Tia and Tamara and produced by

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<v Speaker 1>the same people. Taj was also back on Disney last

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<v Speaker 1>year as one of the stars of The Muppets Mayhem

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<v Speaker 1>TV show. He is ridiculously talented and it could not

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<v Speaker 1>be a nicer human being. Raquelle Lee is Marie Ballard,

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<v Speaker 1>the older sister of the family. She was a performer

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<v Speaker 1>on the first season of The Amanda Show and would

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<v Speaker 1>later voice Nubia on the Proud Family and appear on

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<v Speaker 1>The Hugh Lees and The Bernie mac Show. She also

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<v Speaker 1>recently appeared on Disney for the Proud Family reboot Louder

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<v Speaker 1>and Prouder. Mark Curry is Norton Ballard, their father and

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<v Speaker 1>a bumbling scientific genius. Mark was a tea. The character

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<v Speaker 1>not Mark Curry. He's neither bump. He might be a

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<v Speaker 1>scientific genius. I don't know, but he's not bumbling, but

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<v Speaker 1>Norton Valor was. Mark was a TGF standout for his

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<v Speaker 1>hit show Hanging with Mister Cooper that ran for five seasons.

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<v Speaker 1>You also see him in the movie Armageddon and on

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<v Speaker 1>shows like See Dad Run, Living Single, The Jamie Fox Show,

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<v Speaker 1>and Family Reunion with Tiamury and then Don Lewis played

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<v Speaker 1>his wife, Marigo Balor. She is best remembered for her

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<v Speaker 1>time on the show A Different World, where she played

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<v Speaker 1>Jalisa Vinson. In addition to that, this is a very

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<v Speaker 1>fun fact, she was also one of the composers of

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<v Speaker 1>the theme song, which is really cool. But her first

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<v Speaker 1>job ever was in one of my favorite movies of

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<v Speaker 1>all time, Keenan Ivory Wayans at his best writing and

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<v Speaker 1>directing a film that is hold your gut funny from

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<v Speaker 1>beginning to end called I'm Going to Get You Suck Up.

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<v Speaker 1>Very important in the Fidell family, and she's been in

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<v Speaker 1>so many things, including hanging with mister Cooper with Mark

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<v Speaker 1>Curry before doing this movie, girlfriends, Young Rock and better

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<v Speaker 1>Call Saul. But she can now be heard as an

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<v Speaker 1>exceptionally busy voiceover actress. She is. She works all the time,

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<v Speaker 1>most notably as Bernice Hibbert on The Simpsons, but also

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<v Speaker 1>on Star Trek, Lower Decks, Futurama, World of Warcraft, Doc McStuffins,

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<v Speaker 1>and is Detective Terry Lee on Spider Man the animated series. Yes,

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<v Speaker 1>she works all the time, but seriously, go watch I'm

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<v Speaker 1>Gonna Get You suck It. It is so good. Now

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<v Speaker 1>very important here because you know how much we dwell

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<v Speaker 1>on this, but online you get a very different number.

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<v Speaker 1>But on Disney Plus this movie runs a very short,

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<v Speaker 1>mercifully seventy nine minutes, which is great, which is in

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<v Speaker 1>contrast to the number listed on most of the Internet

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<v Speaker 1>sources which say ninety minutes on the dot. But that

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<v Speaker 1>is not true. Lies, people, these are lies. Do not

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<v Speaker 1>believe them. This was no bull's eye. Don't listen to them,

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<v Speaker 1>I call Pants on Fire. The movie is directed by

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<v Speaker 1>Neil Israel, whose filmography is insane. He directed some of

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<v Speaker 1>the classic eighty adult theme movies like Bachelor Party with

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<v Speaker 1>Tom Hanks, which if you go back and watch, is

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<v Speaker 1>not good and Moving Violations, and also wrote the first

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<v Speaker 1>Police Academy movie, Real Genius with Val Kilmer, which is

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<v Speaker 1>one of the greatest films ever made in the history

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<v Speaker 1>of the world, and a few Mary Kate and Ashley

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<v Speaker 1>Olson movies as well. He also go on to direct

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<v Speaker 1>I'm Blowing Past Mary Kate Nashley Olsen by the Way,

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<v Speaker 1>because nothing will beat Real Genius. He also goes on

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<v Speaker 1>to direct TV shows like The Wonder Years, Lizzy Maguire,

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<v Speaker 1>Nash Bridges, and Phil of the Future. Such an eclectic career.

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<v Speaker 1>Neil Israel has been around forever, which made me wonder

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<v Speaker 1>about this movie a little bit because it just didn't

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<v Speaker 1>look good anyway. I'm not gonna dwell. I tried to

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<v Speaker 1>watch it as an eleven year old, and the eleven

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<v Speaker 1>oar old of me was sitting there going, Wow, this

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<v Speaker 1>movie doesn't look good. And then poof Point is written

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<v Speaker 1>by the dcom daddy friend of the podcast. Great guy,

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<v Speaker 1>Stu Krieger. Go check out our interview with him. He's

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<v Speaker 1>amazingly fascinated and we hope to get him back soon.

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<v Speaker 1>So we're not gonna say anything about the writing because

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<v Speaker 1>it really kind. I mean, the writing wasn't great, but

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<v Speaker 1>I don't think this was Stu through and through. I

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<v Speaker 1>don't know why. I bet you there's a story, but

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<v Speaker 1>I don't know what it is. It didn't feel like

0:11:02.679 --> 0:11:05.920
<v Speaker 1>a Stu Krieger movie. It did, frankly, I mean, yeah,

0:11:05.920 --> 0:11:08.040
<v Speaker 1>how many have we watch now? There's been a bunch,

0:11:08.120 --> 0:11:11.040
<v Speaker 1>so yeah, it didn't. Yeah, and we want to have

0:11:11.120 --> 0:11:12.440
<v Speaker 1>him back on him. I'd like to talk to him

0:11:12.440 --> 0:11:15.600
<v Speaker 1>about this. It's also worth noting that Darlene Marie, Taj's

0:11:15.640 --> 0:11:17.480
<v Speaker 1>mom was a producer on this movie, something she would

0:11:17.480 --> 0:11:19.480
<v Speaker 1>only do three times, and the other two movies are

0:11:19.520 --> 0:11:23.080
<v Speaker 1>Seventeen Again and Double Wedding with her Daughters. Okay, So

0:11:23.640 --> 0:11:26.080
<v Speaker 1>getting back to what you said in the beginning, So

0:11:26.200 --> 0:11:28.079
<v Speaker 1>you said that we've only and this is right, we've

0:11:28.120 --> 0:11:30.160
<v Speaker 1>only really seen this in quints where the actors talking

0:11:30.200 --> 0:11:32.240
<v Speaker 1>directly to the camera, which then led to us talking

0:11:32.240 --> 0:11:35.680
<v Speaker 1>about a couple times Parker Lewis can't lose, which you're

0:11:35.679 --> 0:11:36.960
<v Speaker 1>gonna have to go and watch this if we can

0:11:37.000 --> 0:11:41.320
<v Speaker 1>even find it anywhere. But it's it starts with Taj

0:11:41.880 --> 0:11:45.160
<v Speaker 1>speaking directly to the camera, but just a single shot

0:11:45.200 --> 0:11:47.920
<v Speaker 1>of him, like he doesn't move, He's in front of

0:11:47.960 --> 0:11:51.840
<v Speaker 1>a chalkboard, and he's just addressing the camera directly. Here's

0:11:51.920 --> 0:11:53.520
<v Speaker 1>my theory about this, and here's why I call it

0:11:53.559 --> 0:11:56.600
<v Speaker 1>the Shawn Aston theory. So one of my favorite movies

0:11:56.600 --> 0:11:59.480
<v Speaker 1>growing up with Shawn Aston was Whitewater Summer, and I

0:11:59.480 --> 0:12:01.720
<v Speaker 1>had a chance to talk to him about Whitewater Summer.

0:12:01.720 --> 0:12:04.520
<v Speaker 1>White Water Summer's this is going to do this very quickly.

0:12:04.800 --> 0:12:07.400
<v Speaker 1>It's a movie about a bunch of kids that have

0:12:07.520 --> 0:12:12.040
<v Speaker 1>nothing in common that go on a camping trip. It's

0:12:12.040 --> 0:12:14.800
<v Speaker 1>like a summer program with Kevin Bacon as the lead

0:12:14.960 --> 0:12:16.880
<v Speaker 1>of the camp and Kevin Bacon kind of turns out

0:12:16.920 --> 0:12:21.480
<v Speaker 1>to be crazy and all this shenanigans happens and the

0:12:21.559 --> 0:12:24.600
<v Speaker 1>kids have to essentially first beat up Kevin Bacon and

0:12:24.679 --> 0:12:28.319
<v Speaker 1>then rescue the fact that it's really a Bonker's movie.

0:12:28.440 --> 0:12:30.480
<v Speaker 1>But I had a chance to talk to Sean about that,

0:12:30.600 --> 0:12:34.840
<v Speaker 1>and throughout the movie they keep cutting to him talking

0:12:34.880 --> 0:12:38.200
<v Speaker 1>to the camera about the movie, but he looks older,

0:12:39.000 --> 0:12:41.120
<v Speaker 1>and so I said to him. I was like, hey, Sean,

0:12:41.120 --> 0:12:42.520
<v Speaker 1>I want to talk about this, and he went, well,

0:12:42.520 --> 0:12:44.719
<v Speaker 1>what happened was they cut the movie together and they

0:12:44.720 --> 0:12:47.800
<v Speaker 1>didn't like how the story was flowing. So like two

0:12:47.880 --> 0:12:51.439
<v Speaker 1>years later, I had to come back and shoot these interstitials.

0:12:52.040 --> 0:12:54.760
<v Speaker 1>And with the way this was shot with Taj, it

0:12:55.000 --> 0:12:58.320
<v Speaker 1>almost seemed like they put the movie together and the

0:12:58.360 --> 0:12:59.880
<v Speaker 1>story didn't quite work.

0:13:00.240 --> 0:13:03.200
<v Speaker 3>They needed to help out with some astra and.

0:13:03.120 --> 0:13:06.959
<v Speaker 1>They shot extra things with Taj to stick in throughout

0:13:06.960 --> 0:13:10.240
<v Speaker 1>the movie to keep the story going. Yeah. I could

0:13:10.320 --> 0:13:11.280
<v Speaker 1>totally be wrong.

0:13:11.840 --> 0:13:13.920
<v Speaker 3>No, yeah, but that would make a lot of sense.

0:13:13.960 --> 0:13:15.680
<v Speaker 1>Didn't it feel like that a little bit? Yeah?

0:13:15.720 --> 0:13:16.560
<v Speaker 3>Even the end.

0:13:16.679 --> 0:13:18.680
<v Speaker 2>I mean I don't want to jump forward, but the

0:13:19.000 --> 0:13:22.359
<v Speaker 2>end where they've came back from a holiday.

0:13:23.120 --> 0:13:26.640
<v Speaker 1>Yeah, yes, it didn't. None of it made any sense.

0:13:26.679 --> 0:13:28.880
<v Speaker 1>And that's the only thing going through my head was

0:13:29.280 --> 0:13:31.680
<v Speaker 1>they cut this movie together. It did not work the

0:13:31.679 --> 0:13:34.080
<v Speaker 1>way they had it cut. They went to Taj with

0:13:34.120 --> 0:13:37.560
<v Speaker 1>these interstitials, they did extra shooting days, and then they

0:13:37.760 --> 0:13:40.320
<v Speaker 1>cut them in through the movie. Because he does there's

0:13:40.320 --> 0:13:43.080
<v Speaker 1>certain ones where he's explaining things like, well, the only

0:13:43.120 --> 0:13:45.080
<v Speaker 1>way we then got my parents, who were now seven

0:13:45.160 --> 0:13:47.120
<v Speaker 1>years old together is by locking him in a room

0:13:47.160 --> 0:13:49.040
<v Speaker 1>and making him work it out, and then they cut

0:13:49.040 --> 0:13:51.000
<v Speaker 1>to after so you didn't have to see what he

0:13:51.120 --> 0:13:52.160
<v Speaker 1>was just talking about.

0:13:52.200 --> 0:13:56.680
<v Speaker 2>It was right, strange, Yes, it was just explained through words,

0:13:56.800 --> 0:13:59.120
<v Speaker 2>no visual to see any of it.

0:13:59.280 --> 0:14:01.440
<v Speaker 1>Yeah, and it's not even like they had him in

0:14:01.920 --> 0:14:04.559
<v Speaker 1>different locations talking to the camera. It was just him

0:14:04.600 --> 0:14:07.120
<v Speaker 1>in front of a chalkboard in the city. I think

0:14:07.160 --> 0:14:08.760
<v Speaker 1>he's in the same outfit the whole time. I could

0:14:08.800 --> 0:14:12.840
<v Speaker 1>be wrong, right, Yes, so it just seems like something

0:14:12.880 --> 0:14:15.880
<v Speaker 1>they threw in last second, but we could be wrong.

0:14:24.160 --> 0:14:27.760
<v Speaker 1>Let's start the poof point at the beginning. So again

0:14:27.920 --> 0:14:30.080
<v Speaker 1>starts with TODJ giving us some straight to camera intro

0:14:30.160 --> 0:14:32.720
<v Speaker 1>an overview asking if we can believe our parents ever

0:14:32.840 --> 0:14:35.520
<v Speaker 1>used to be young, which is a question we've all

0:14:35.560 --> 0:14:38.120
<v Speaker 1>thought before. You know you you see your parents. We've

0:14:38.120 --> 0:14:40.160
<v Speaker 1>talked about this on Podmetrol and I've talked about this

0:14:40.200 --> 0:14:43.560
<v Speaker 1>with friends where it's it's a beautiful and strange day

0:14:43.560 --> 0:14:47.080
<v Speaker 1>when you finally see your parents as humans and not

0:14:47.280 --> 0:14:49.800
<v Speaker 1>just parents. You realize they're flawed and they're just like you,

0:14:49.840 --> 0:14:51.680
<v Speaker 1>and they're trying to figure it out the entire way,

0:14:51.720 --> 0:14:54.360
<v Speaker 1>and and you obviously don't get that when you're fourteen,

0:14:54.440 --> 0:14:58.520
<v Speaker 1>and you can't get that fourteen. So the premise great

0:14:58.600 --> 0:15:00.760
<v Speaker 1>kind of premise, like what would your parents be like

0:15:00.920 --> 0:15:02.320
<v Speaker 1>back to the future kind of.

0:15:02.560 --> 0:15:04.880
<v Speaker 2>Or thinking about your parents as a teenager as the

0:15:05.040 --> 0:15:07.640
<v Speaker 2>as the age that you are currently.

0:15:07.400 --> 0:15:09.840
<v Speaker 3>That is a weird thing.

0:15:10.120 --> 0:15:13.680
<v Speaker 2>Yeah, no, my parents aren't going through the first you know,

0:15:13.920 --> 0:15:18.080
<v Speaker 2>jitters of being around a boy you like or finding yourself.

0:15:17.760 --> 0:15:18.960
<v Speaker 3>Right, things like that.

0:15:19.000 --> 0:15:23.040
<v Speaker 2>You just don't really ever want to see your parents

0:15:23.120 --> 0:15:23.520
<v Speaker 2>that way.

0:15:23.600 --> 0:15:27.920
<v Speaker 1>And when you're a kid, you're you're absolutely convinced that

0:15:27.960 --> 0:15:30.160
<v Speaker 1>you're the first person to ever experience any of these

0:15:30.200 --> 0:15:32.520
<v Speaker 1>emotions that you're going No one's ever.

0:15:32.400 --> 0:15:37.280
<v Speaker 2>Felt like, yes, that that is so so great about

0:15:37.360 --> 0:15:38.960
<v Speaker 2>being Yeah, it is right.

0:15:39.000 --> 0:15:40.720
<v Speaker 1>You're just I'm the only way.

0:15:40.680 --> 0:15:43.800
<v Speaker 2>Your own world, in your own world, nobody understands me.

0:15:44.040 --> 0:15:46.960
<v Speaker 1>And never will I hear this. You might be able

0:15:46.960 --> 0:15:48.320
<v Speaker 1>to tell me this. I hear this happens when you

0:15:48.320 --> 0:15:49.880
<v Speaker 1>become a parent too. All of a sudden, you're the

0:15:49.880 --> 0:15:52.400
<v Speaker 1>first person ever parent. So it's like, here's how we

0:15:52.480 --> 0:15:54.120
<v Speaker 1>do it, and your parents like, yeah, we've done this

0:15:54.160 --> 0:15:56.760
<v Speaker 1>thirty two times and like, yeah, yes, but we do

0:15:56.800 --> 0:15:59.280
<v Speaker 1>it a little bit differently. So yes, it's I think

0:15:59.320 --> 0:16:02.480
<v Speaker 1>it always switches. Yes, so we we've all thought before.

0:16:02.520 --> 0:16:04.320
<v Speaker 1>And he says he's actually lived with his parents as

0:16:04.440 --> 0:16:07.360
<v Speaker 1>kids and that this is his story, which includes then

0:16:07.760 --> 0:16:12.600
<v Speaker 1>instantly seeing his parents acting like toddlers, which is very

0:16:12.600 --> 0:16:13.080
<v Speaker 1>off putting.

0:16:13.160 --> 0:16:18.200
<v Speaker 2>Right off the beginning, I instantly went, oh, right, oh, no, right.

0:16:18.280 --> 0:16:19.960
<v Speaker 1>Oh it did.

0:16:20.040 --> 0:16:22.720
<v Speaker 3>I don't like this. I don't like it already, and

0:16:23.240 --> 0:16:24.280
<v Speaker 3>I'm two minutes in.

0:16:24.440 --> 0:16:27.760
<v Speaker 2>I agree terrible saying that, but it was that scene

0:16:27.800 --> 0:16:31.360
<v Speaker 2>with her on the ground, whining and like a baby. Yeah,

0:16:31.400 --> 0:16:33.400
<v Speaker 2>and it might be because I have a toddler who

0:16:33.480 --> 0:16:35.920
<v Speaker 2>kind of does like that to me right now, and

0:16:35.960 --> 0:16:38.880
<v Speaker 2>I'm like, no, no, I cannot take any additional It

0:16:38.960 --> 0:16:41.120
<v Speaker 2>might be because of that, but yes, right from the start,

0:16:41.160 --> 0:16:41.480
<v Speaker 2>I was.

0:16:41.480 --> 0:16:44.080
<v Speaker 1>Just and I you know, if they did want to

0:16:44.120 --> 0:16:46.240
<v Speaker 1>suck us in also kind of spoils the end, if

0:16:46.280 --> 0:16:47.000
<v Speaker 1>I'm honest with you.

0:16:47.400 --> 0:16:53.200
<v Speaker 2>Yeah, to see these grown people acting as the toddlers,

0:16:53.280 --> 0:16:56.280
<v Speaker 2>it did kind of take away from when they do

0:16:56.360 --> 0:16:57.360
<v Speaker 2>progress to that age.

0:16:57.440 --> 0:17:00.240
<v Speaker 1>I agree. So then we see that, and then he

0:17:00.280 --> 0:17:02.040
<v Speaker 1>kind of says, but you know, where we don't want

0:17:02.040 --> 0:17:03.680
<v Speaker 1>to start there, and so boom. We go back to

0:17:03.680 --> 0:17:05.920
<v Speaker 1>the beginning of the story, where young Eddie and Marie

0:17:06.000 --> 0:17:08.680
<v Speaker 1>are brothers and sisters. They are stuck with their two

0:17:08.800 --> 0:17:12.679
<v Speaker 1>very uncool and uptight scientists inventor parents who have the

0:17:12.720 --> 0:17:15.800
<v Speaker 1>most irresponsible ideas. They make the house and neighborhood shake.

0:17:16.520 --> 0:17:19.960
<v Speaker 1>They obviously have you know, they're causing explosions in the house.

0:17:20.000 --> 0:17:21.560
<v Speaker 1>We find We will find out a little bit later

0:17:21.640 --> 0:17:25.240
<v Speaker 1>that the university they worked for specifically had them build

0:17:25.240 --> 0:17:27.760
<v Speaker 1>their laboratory in their home to get them off campus

0:17:27.800 --> 0:17:31.440
<v Speaker 1>because of what they're doing is soo in a neighborhood. Yeah,

0:17:31.480 --> 0:17:33.959
<v Speaker 1>so put it in a residential neighborhood with your children, right.

0:17:34.320 --> 0:17:37.840
<v Speaker 1>So they're really awful parents. There's no other way to

0:17:37.840 --> 0:17:42.560
<v Speaker 1>say it. They are just neglectful, awful parents. They immediately

0:17:42.560 --> 0:17:45.520
<v Speaker 1>have forgotten that both the kids. So Taj's character is

0:17:45.640 --> 0:17:47.320
<v Speaker 1>very smart and has skipped a grade, so he's in

0:17:47.359 --> 0:17:50.639
<v Speaker 1>the same grade as his older sister, and they are

0:17:50.680 --> 0:17:53.760
<v Speaker 1>both graduating from middle school. Both the parents have completely

0:17:53.760 --> 0:17:55.440
<v Speaker 1>forgot that they're graduating that day.

0:17:55.680 --> 0:17:59.040
<v Speaker 2>So sad, so sad, especially because we are in graduation

0:17:59.240 --> 0:18:02.399
<v Speaker 2>season right now. You see the balloons in every and

0:18:02.480 --> 0:18:05.360
<v Speaker 2>every grocery store. Right now, it is such a big

0:18:05.400 --> 0:18:07.879
<v Speaker 2>deal for kids to go up into that next level.

0:18:08.440 --> 0:18:11.800
<v Speaker 2>My little nephew just went up. He's now in middle school,

0:18:11.800 --> 0:18:15.480
<v Speaker 2>and I mean it's huge. You cannot imagine forgetting.

0:18:15.000 --> 0:18:18.320
<v Speaker 1>That completely and totally forgot. They forgot. Not only that,

0:18:18.359 --> 0:18:20.640
<v Speaker 1>but they lie about the fact that they forgot. Yes,

0:18:20.920 --> 0:18:24.840
<v Speaker 1>and then they're like, no, we remembered. Then about an

0:18:24.840 --> 0:18:27.760
<v Speaker 1>hour later, the father forgets again, right, and she has

0:18:27.760 --> 0:18:28.600
<v Speaker 1>to remind him again.

0:18:29.000 --> 0:18:32.040
<v Speaker 2>And the worst part is there the kids are anticipating this,

0:18:32.480 --> 0:18:35.000
<v Speaker 2>They fully know this is gonna happen. This is how

0:18:35.040 --> 0:18:35.600
<v Speaker 2>bad they are.

0:18:35.760 --> 0:18:39.320
<v Speaker 1>Yeah, they're awful. And then at the graduation, the parents

0:18:39.320 --> 0:18:42.040
<v Speaker 1>don't even pay any attention to the graduation itself. They're

0:18:42.040 --> 0:18:45.880
<v Speaker 1>focused on the laptops. They're missing the kid's commencement. And

0:18:46.320 --> 0:18:48.680
<v Speaker 1>they don't know their their kids friend's name. They know

0:18:48.840 --> 0:18:51.879
<v Speaker 1>nothing about them, like, literally nothing about their kids, their children.

0:18:51.920 --> 0:18:55.639
<v Speaker 1>They are bad, awful awful parents are the Now, Okay,

0:18:55.720 --> 0:18:59.360
<v Speaker 1>let's if we're ranking, where do you put these up

0:18:59.400 --> 0:19:02.119
<v Speaker 1>with me? You think about brink Dad, But he was

0:19:02.280 --> 0:19:03.600
<v Speaker 1>he was doing it for a reason.

0:19:04.040 --> 0:19:10.600
<v Speaker 2>He was cranky. He wasn't necessarily no the worst dad.

0:19:10.640 --> 0:19:15.240
<v Speaker 2>He was just cranky. The Quint's parents, they were overwhelmed.

0:19:15.720 --> 0:19:17.280
<v Speaker 2>They weren't great, but so.

0:19:17.320 --> 0:19:19.240
<v Speaker 1>Perfect wasn't great?

0:19:19.800 --> 0:19:23.000
<v Speaker 3>Pixel perfect? Dad was really self centered.

0:19:23.160 --> 0:19:25.399
<v Speaker 1>Yeah, but this, but at least he was trying. He

0:19:25.440 --> 0:19:27.760
<v Speaker 1>was like having meals with his kid and kind of

0:19:27.800 --> 0:19:30.640
<v Speaker 1>trying to do stuff. These to me, were the worst

0:19:30.680 --> 0:19:32.080
<v Speaker 1>parents we've seen on camera so far.

0:19:32.240 --> 0:19:35.920
<v Speaker 3>This is like both these babies were oops to Daisy babies.

0:19:35.560 --> 0:19:38.360
<v Speaker 1>Right, they were both. They weren't even born on purpose.

0:19:38.440 --> 0:19:41.600
<v Speaker 1>These were these were scientific experiment kids who happened to

0:19:41.640 --> 0:19:45.320
<v Speaker 1>be born exactly if they couldn't get any worse. We

0:19:45.359 --> 0:19:50.040
<v Speaker 1>also learned that the dad hates dogs, because forgetting your

0:19:50.119 --> 0:19:53.160
<v Speaker 1>children isn't a bad enough trope. We also hate dogs

0:19:53.200 --> 0:19:56.320
<v Speaker 1>and keeps calling their dog a mongrel. Maybe maybe don't

0:19:56.320 --> 0:19:59.280
<v Speaker 1>get a dog? Right, don't get a dog happened?

0:19:59.400 --> 0:20:01.760
<v Speaker 2>I thought at some point we were going to find

0:20:01.800 --> 0:20:04.119
<v Speaker 2>a reason of why that happened. We find a reason

0:20:04.280 --> 0:20:08.160
<v Speaker 2>why he doesn't like dogs. But why did you get one?

0:20:08.359 --> 0:20:10.359
<v Speaker 1>Yes, what's the point you don't like your kid? Well,

0:20:10.440 --> 0:20:12.200
<v Speaker 1>maybe they wanted the dog to raise the kids because

0:20:12.200 --> 0:20:15.600
<v Speaker 1>they weren't going to do it, which is possible. Another

0:20:15.600 --> 0:20:18.720
<v Speaker 1>thing we learned here is that Eddie plays guitar. Now

0:20:19.600 --> 0:20:21.600
<v Speaker 1>I'm gonna mention this once and then we won't harp

0:20:21.680 --> 0:20:21.960
<v Speaker 1>on it.

0:20:23.320 --> 0:20:24.520
<v Speaker 3>I don't believe that.

0:20:27.359 --> 0:20:32.800
<v Speaker 1>Todd's a great actor, Mark Curry, good actor. This is

0:20:32.880 --> 0:20:37.399
<v Speaker 1>the worst fake guitar playing ever. I mean, it's bad,

0:20:37.600 --> 0:20:41.480
<v Speaker 1>it's ritten. Why not just don't shoot their hands? Yeah,

0:20:41.800 --> 0:20:44.919
<v Speaker 1>or just do an insert of the hands of somebody

0:20:44.960 --> 0:20:47.240
<v Speaker 1>who's at least knows how to hold a guitar. I mean,

0:20:47.480 --> 0:20:49.520
<v Speaker 1>they literally don't even look like they know how to

0:20:49.600 --> 0:20:50.200
<v Speaker 1>hold a.

0:20:50.160 --> 0:20:55.000
<v Speaker 2>Guitar, and how good they are makes it worse. Right,

0:20:55.080 --> 0:20:58.280
<v Speaker 2>you know what you're hearing makes it worse. Yes, it

0:20:58.320 --> 0:21:02.760
<v Speaker 2>would be one thing if he was to a guitar plane.

0:21:02.160 --> 0:21:03.760
<v Speaker 1>Or can few chords.

0:21:04.000 --> 0:21:06.800
<v Speaker 3>Yeah, just just interested in it, interested in it?

0:21:06.920 --> 0:21:09.679
<v Speaker 1>Right, they are shredding on the guitar while literally not

0:21:09.760 --> 0:21:13.040
<v Speaker 1>moving their fingers. I mean, it's it's it.

0:21:13.680 --> 0:21:14.679
<v Speaker 3>That is, when I take.

0:21:14.600 --> 0:21:18.239
<v Speaker 2>My seatbelt in the car and I strum on my

0:21:18.240 --> 0:21:20.720
<v Speaker 2>seatbelt for my air guitar, that's.

0:21:20.520 --> 0:21:21.560
<v Speaker 3>As good as it happens.

0:21:21.600 --> 0:21:23.719
<v Speaker 1>Okay, wait, please tell me that you're not driving at

0:21:23.720 --> 0:21:26.919
<v Speaker 1>this point, because that's a I'm a passenger.

0:21:27.600 --> 0:21:30.200
<v Speaker 2>I'm a passenger and I do all my good moves

0:21:30.440 --> 0:21:33.280
<v Speaker 2>and Jordan gets all of it, like, great.

0:21:33.960 --> 0:21:35.639
<v Speaker 1>That this is why you want to go back to

0:21:35.640 --> 0:21:37.080
<v Speaker 1>when you first met him, so you could just sit

0:21:37.080 --> 0:21:39.840
<v Speaker 1>there and play play fake guitar for him forever. But

0:21:39.880 --> 0:21:43.679
<v Speaker 1>it's not again, good actors, this was not good, but

0:21:43.840 --> 0:21:47.240
<v Speaker 1>they love it. But his parents are so science focused

0:21:47.240 --> 0:21:49.720
<v Speaker 1>that they don't want this for him. Obviously, he's, like

0:21:49.760 --> 0:21:52.119
<v Speaker 1>you said, he skipped grad he's very smart. But the

0:21:52.160 --> 0:21:54.040
<v Speaker 1>next year in high school he wants to join the

0:21:54.080 --> 0:21:55.440
<v Speaker 1>band Urban.

0:21:55.280 --> 0:21:57.880
<v Speaker 3>Slugs another great name.

0:21:58.080 --> 0:22:01.000
<v Speaker 1>Great did your parents want you to learn anything when

0:22:01.040 --> 0:22:03.760
<v Speaker 1>you were little? They seemed you seem to be very artistic.

0:22:03.760 --> 0:22:05.280
<v Speaker 1>Did they push you towards that or was more like,

0:22:05.359 --> 0:22:07.720
<v Speaker 1>go find you and we're good with it. Yeah.

0:22:07.840 --> 0:22:11.920
<v Speaker 2>Actually, when I wanted to start acting, they told me no,

0:22:12.280 --> 0:22:16.120
<v Speaker 2>they didn't want that for me because it just was

0:22:16.600 --> 0:22:19.560
<v Speaker 2>not you know, they felt my grades were going to

0:22:19.640 --> 0:22:21.879
<v Speaker 2>take me somewhere else. You know, they just that was

0:22:21.920 --> 0:22:26.320
<v Speaker 2>when you know, actors were getting emancipated from their families,

0:22:26.359 --> 0:22:28.280
<v Speaker 2>suing their family. There was a lot of kind of

0:22:28.400 --> 0:22:34.359
<v Speaker 2>crazy stuff happening financially with families in the industry, and

0:22:34.440 --> 0:22:37.760
<v Speaker 2>so they were not super stoked I really had to

0:22:37.840 --> 0:22:40.960
<v Speaker 2>break them down and get them to just give me

0:22:41.440 --> 0:22:44.800
<v Speaker 2>just at least a background, a background agent, I mean,

0:22:44.880 --> 0:22:47.720
<v Speaker 2>you know, and so then it trickled into doing more

0:22:47.720 --> 0:22:48.080
<v Speaker 2>and more.

0:22:48.160 --> 0:22:50.119
<v Speaker 3>But yeah, they were not super stoked.

0:22:50.119 --> 0:22:53.120
<v Speaker 1>They did. They not see your your guitar playing your

0:22:53.680 --> 0:22:54.280
<v Speaker 1>They didn't.

0:22:54.040 --> 0:22:56.080
<v Speaker 3>See the guitar playing because that was kind of not

0:22:56.440 --> 0:22:57.360
<v Speaker 3>that wasn't.

0:22:57.440 --> 0:22:58.400
<v Speaker 1>You hadn't hold that yet.

0:22:58.520 --> 0:22:59.640
<v Speaker 3>Yeah, I hadn't own that yet.

0:23:02.240 --> 0:23:04.239
<v Speaker 1>My parents were were the kind of the same. They

0:23:04.240 --> 0:23:05.800
<v Speaker 1>didn't want me to be an actor, but they were

0:23:05.880 --> 0:23:07.840
<v Speaker 1>very supportive of everything I did, so that was sweet.

0:23:08.040 --> 0:23:12.600
<v Speaker 1>Unlike these parents, we just were bad at all. No,

0:23:12.760 --> 0:23:15.120
<v Speaker 1>the ballet kids, they love their parents, but they're embarrassed

0:23:15.119 --> 0:23:18.280
<v Speaker 1>by them. That's a typical thing that everybody loves their parents,

0:23:18.280 --> 0:23:20.640
<v Speaker 1>but it's embarrassed by them when they're kids. They asked

0:23:20.640 --> 0:23:22.240
<v Speaker 1>them not to talk about science, but to talk about

0:23:22.240 --> 0:23:25.359
<v Speaker 1>Little bow Wow and Shaquille O'Neal. They just wish they

0:23:25.359 --> 0:23:27.399
<v Speaker 1>had normal parents like their neighbor who every time they

0:23:27.400 --> 0:23:30.199
<v Speaker 1>look outside are like perfectly throwing the football or that

0:23:30.280 --> 0:23:33.879
<v Speaker 1>kind of thing, and they know much like now, this

0:23:33.880 --> 0:23:36.080
<v Speaker 1>this is where it got real for me, because this

0:23:36.160 --> 0:23:38.520
<v Speaker 1>was very much like me growing up. They knew that

0:23:38.520 --> 0:23:39.880
<v Speaker 1>their mom and dad were in the middle of trying

0:23:39.880 --> 0:23:42.400
<v Speaker 1>to create a time machine, and today was the big

0:23:42.440 --> 0:23:45.240
<v Speaker 1>test for two goldfish. Now that's happened to me one

0:23:45.280 --> 0:23:49.720
<v Speaker 1>hundred times. Okay, yes, So this is where we then

0:23:49.800 --> 0:23:53.760
<v Speaker 1>go into their lab, which is probably where the vast

0:23:53.800 --> 0:23:55.639
<v Speaker 1>majority of the budget went, and it looks like it's

0:23:55.680 --> 0:23:57.320
<v Speaker 1>kind of a cross between Bill and I the science

0:23:57.359 --> 0:24:00.480
<v Speaker 1>guy and Pee Wee's playhouse. And it just doesn't look good.

0:24:00.760 --> 0:24:02.679
<v Speaker 3>No, it didn't. It didn't.

0:24:02.720 --> 0:24:07.600
<v Speaker 2>And we have seen so many amazing sets already amazing

0:24:07.960 --> 0:24:09.199
<v Speaker 2>the dcoms we've watched.

0:24:09.320 --> 0:24:11.080
<v Speaker 3>Yes, this was the shocking part.

0:24:11.119 --> 0:24:15.960
<v Speaker 2>This was when it really was kind of oh, yeah.

0:24:15.359 --> 0:24:16.920
<v Speaker 3>What what happened here?

0:24:17.280 --> 0:24:17.680
<v Speaker 1>I agree?

0:24:17.720 --> 0:24:20.120
<v Speaker 2>You said you could tell that's where they put I mean,

0:24:20.240 --> 0:24:24.199
<v Speaker 2>most of the movie happens in this little realm, and

0:24:24.280 --> 0:24:25.560
<v Speaker 2>it just didn't look great.

0:24:25.800 --> 0:24:27.440
<v Speaker 1>That then led me to a question, and I wanted

0:24:27.480 --> 0:24:29.879
<v Speaker 1>to ask you because I couldn't remember. Is this the

0:24:29.920 --> 0:24:33.760
<v Speaker 1>first movie we've ever seen where there's nothing in a school?

0:24:34.480 --> 0:24:36.800
<v Speaker 3>Well, the graduation was in a school.

0:24:36.640 --> 0:24:39.480
<v Speaker 1>I guess technically for like two seconds that well, yeah, no,

0:24:39.560 --> 0:24:41.440
<v Speaker 1>they did the thing with the Yeah.

0:24:41.359 --> 0:24:42.600
<v Speaker 3>It was a really quick scene.

0:24:42.640 --> 0:24:43.800
<v Speaker 1>So it's a start of summer.

0:24:44.240 --> 0:24:48.520
<v Speaker 2>Yeah, the theater of the school that they're graduating, and

0:24:48.560 --> 0:24:52.200
<v Speaker 2>then you see you see which I don't know any

0:24:52.240 --> 0:24:56.119
<v Speaker 2>schools that have this, where they have snacks and refreshments

0:24:56.160 --> 0:24:56.920
<v Speaker 2>and things.

0:24:56.680 --> 0:24:59.560
<v Speaker 3>For after after graduate graduation, which.

0:24:59.320 --> 0:25:02.159
<v Speaker 2>Is not normal, but that's the only time. And then

0:25:02.280 --> 0:25:03.960
<v Speaker 2>it's in and out and you don't see the school.

0:25:04.119 --> 0:25:06.399
<v Speaker 1>You're right though, so it's summer, so that's why you

0:25:06.400 --> 0:25:08.880
<v Speaker 1>wouldn't see the school. Okay, that's on me. Then that's

0:25:08.920 --> 0:25:11.800
<v Speaker 1>that totally makes sense. The time travel trial doesn't go

0:25:11.840 --> 0:25:16.760
<v Speaker 1>as planned when the mongrel dog how Dairy, who literally

0:25:16.800 --> 0:25:18.400
<v Speaker 1>was the cutest dog in the world and just lying

0:25:18.440 --> 0:25:21.720
<v Speaker 1>there trying to be yet maybe just love me Dad,

0:25:22.240 --> 0:25:26.240
<v Speaker 1>chases a cockroach and then that leads to a part

0:25:26.320 --> 0:25:29.000
<v Speaker 1>opening up on one of the machines that somehow looked

0:25:29.000 --> 0:25:32.320
<v Speaker 1>like it was from the sixties, and he pulls the

0:25:32.359 --> 0:25:35.560
<v Speaker 1>thing out. We don't know what the part does, but

0:25:35.600 --> 0:25:40.880
<v Speaker 1>the dog now takes it, and so when the experiment starts,

0:25:40.920 --> 0:25:45.880
<v Speaker 1>a fatal error has hit and instead of anything happening,

0:25:45.960 --> 0:25:49.280
<v Speaker 1>so we don't it looks like nothing happens with the fish, right,

0:25:49.560 --> 0:25:52.600
<v Speaker 1>and then we start to see them. Once they leave,

0:25:52.800 --> 0:25:58.200
<v Speaker 1>then this voice on the machine says, two fish whatever

0:25:58.280 --> 0:26:02.719
<v Speaker 1>deaged by however, So that's what the poof point is,

0:26:02.800 --> 0:26:06.240
<v Speaker 1>which is a scientific term I believe invented for the

0:26:06.240 --> 0:26:08.200
<v Speaker 1>book and the show, because I don't know if poof

0:26:08.240 --> 0:26:12.280
<v Speaker 1>point is an actual scientific term. Is where the fish

0:26:12.320 --> 0:26:14.400
<v Speaker 1>will at least we learned this with the fish. When

0:26:14.400 --> 0:26:16.880
<v Speaker 1>they age enough, they just disappear. That's the brief point

0:26:16.920 --> 0:26:20.960
<v Speaker 1>they poof out of existence. So we go to the graduation.

0:26:21.359 --> 0:26:24.440
<v Speaker 1>The parents stand out by having horrible social skills. Even

0:26:24.480 --> 0:26:27.400
<v Speaker 1>performing a scientific experiment with the principal's glasses, they set

0:26:27.480 --> 0:26:30.840
<v Speaker 1>him on fire. Everyone in the entire building hates the

0:26:30.840 --> 0:26:35.639
<v Speaker 1>fact that they're dorky scientific people. But there's good news.

0:26:36.160 --> 0:26:38.720
<v Speaker 1>Good news is coming out of this. Eddie has a

0:26:38.840 --> 0:26:42.640
<v Speaker 1>chance to be to audition for Urban Slug. He has

0:26:42.720 --> 0:26:45.160
<v Speaker 1>one chance to join the band.

0:26:45.840 --> 0:26:47.760
<v Speaker 3>Yes, the audition of a lifetime.

0:26:47.400 --> 0:26:49.919
<v Speaker 1>The audition of it. Now, there's a question here in

0:26:49.960 --> 0:26:52.040
<v Speaker 1>our notes where they'd like me to ask you if

0:26:52.080 --> 0:26:53.399
<v Speaker 1>you were ever in a band. But I already know

0:26:53.440 --> 0:26:55.399
<v Speaker 1>the answer to this, and I'm going to answer for you,

0:26:55.880 --> 0:26:59.600
<v Speaker 1>which is you had your rock band band? Yes, that

0:27:00.040 --> 0:27:02.560
<v Speaker 1>one of the it was like Mel Kardashian or whatever.

0:27:02.640 --> 0:27:03.359
<v Speaker 4>I don't know what it is.

0:27:03.640 --> 0:27:09.119
<v Speaker 1>Was play fake drums, right, yes, and yeah, so I

0:27:09.160 --> 0:27:11.200
<v Speaker 1>know I'm not already getting to know you. This is

0:27:11.640 --> 0:27:12.439
<v Speaker 1>I know the answers.

0:27:12.560 --> 0:27:17.440
<v Speaker 3>There you go, fake, bannon it through and through.

0:27:17.840 --> 0:27:18.440
<v Speaker 1>I love it.

0:27:18.600 --> 0:27:20.320
<v Speaker 3>Bake it till you make it, bake it till.

0:27:20.200 --> 0:27:20.600
<v Speaker 1>You make it.

0:27:20.640 --> 0:27:22.720
<v Speaker 3>My version is what they did in this movie, and.

0:27:22.760 --> 0:27:25.800
<v Speaker 1>It never really man never really made it. I think

0:27:25.840 --> 0:27:27.880
<v Speaker 1>I already told you about my first band, Rude Awakening.

0:27:27.880 --> 0:27:29.280
<v Speaker 1>I didn't know how to play any instruments, and I

0:27:29.280 --> 0:27:32.520
<v Speaker 1>also couldn't sing. Back at the lab, the ballards realize

0:27:32.600 --> 0:27:35.680
<v Speaker 1>they come back, the fish are gone. So, like any

0:27:35.680 --> 0:27:38.720
<v Speaker 1>good scientists, they instead of figuring that out, just try

0:27:38.760 --> 0:27:41.240
<v Speaker 1>the machine again. Yes, but instead.

0:27:41.080 --> 0:27:44.280
<v Speaker 3>Of don't even look for parts missing nothing.

0:27:44.080 --> 0:27:46.480
<v Speaker 1>Just not check any wires from our nineteen sixties stuff.

0:27:46.560 --> 0:27:48.280
<v Speaker 1>Let's go back into Bill and I I the science guys,

0:27:48.280 --> 0:27:54.119
<v Speaker 1>spinny room and just press enter again. Right. The machine

0:27:54.160 --> 0:27:57.880
<v Speaker 1>then lassos the parents and spins it around and turns

0:27:57.920 --> 0:28:00.919
<v Speaker 1>them younger. So now they are on and let's call

0:28:00.960 --> 0:28:03.080
<v Speaker 1>it the poof point scale. They're starting to poof.

0:28:03.359 --> 0:28:05.200
<v Speaker 3>They're starting to so.

0:28:05.280 --> 0:28:07.840
<v Speaker 1>They're twenty one years old. Now the kids raced down

0:28:07.880 --> 0:28:10.000
<v Speaker 1>of the lab feeling the explosion of what just happened.

0:28:10.440 --> 0:28:15.040
<v Speaker 1>And I don't want to not gonna harp too much

0:28:15.080 --> 0:28:20.840
<v Speaker 1>on the acting. But now the two leads are playing

0:28:20.880 --> 0:28:23.679
<v Speaker 1>twenty one years old, and they're doing that by saying

0:28:23.720 --> 0:28:27.719
<v Speaker 1>things like totally cool and slamming in a slightly higher

0:28:27.760 --> 0:28:31.200
<v Speaker 1>pitch voice. The mom even thinks it's a practical joke

0:28:31.240 --> 0:28:33.960
<v Speaker 1>being played on her. And when they ask, hey, who's

0:28:34.000 --> 0:28:36.679
<v Speaker 1>the president, they say the ron Man, meaning Ronald Reagan.

0:28:37.080 --> 0:28:40.320
<v Speaker 1>He's their political hero, Nancy Reagan's hot. It is a weird,

0:28:41.120 --> 0:28:42.320
<v Speaker 1>unhinged kind of scene.

0:28:42.680 --> 0:28:46.080
<v Speaker 3>The mirror, the mirror that now they look.

0:28:45.920 --> 0:28:48.320
<v Speaker 1>Into they can see themselves.

0:28:48.520 --> 0:28:51.880
<v Speaker 2>They can see themselves, but never happens again. They don't

0:28:51.920 --> 0:28:53.680
<v Speaker 2>ever get put in front of a mirror again.

0:28:54.080 --> 0:28:55.920
<v Speaker 1>You don't get to see them younger. Maybe one of

0:28:55.960 --> 0:28:58.720
<v Speaker 1>their toun't you get to see Mark Curry one more time?

0:28:59.360 --> 0:29:02.200
<v Speaker 1>I I don't remember that, maybe not because they don't

0:29:02.200 --> 0:29:04.240
<v Speaker 1>want to dage them again. But this is where we

0:29:04.320 --> 0:29:08.480
<v Speaker 1>learn something very important, which is where when they do

0:29:09.560 --> 0:29:12.680
<v Speaker 1>poof or whatever it is that they're calling until the

0:29:12.720 --> 0:29:15.479
<v Speaker 1>final poof, which is different than Europe's the final Countdown,

0:29:15.800 --> 0:29:18.160
<v Speaker 1>which is a great song, but before they get to

0:29:18.440 --> 0:29:23.880
<v Speaker 1>the poof they're gonna every time they deage, they forget

0:29:24.080 --> 0:29:28.040
<v Speaker 1>everything they just knew, right, right, So this is an

0:29:28.080 --> 0:29:30.440
<v Speaker 1>important thing. So the kids try to knock some sense

0:29:30.480 --> 0:29:32.840
<v Speaker 1>in a mom and dad, but they're just two happy

0:29:32.880 --> 0:29:35.400
<v Speaker 1>twenty one year olds who obviously don't ask to see

0:29:35.400 --> 0:29:37.760
<v Speaker 1>a newspaper. They aren't at all phased by the technology

0:29:37.760 --> 0:29:39.480
<v Speaker 1>in the two thousands of their house until they finally

0:29:39.560 --> 0:29:42.720
<v Speaker 1>see a computer. So many ways they could have realized

0:29:42.760 --> 0:29:46.280
<v Speaker 1>that they were in modern times, but yeah, just didn't

0:29:46.320 --> 0:29:49.720
<v Speaker 1>do any of that. But one hole is again kind

0:29:49.720 --> 0:29:52.400
<v Speaker 1>of fixed. When you want to say, well, just go

0:29:52.400 --> 0:29:53.840
<v Speaker 1>look at yourselves in the mirror, you can see your

0:29:53.840 --> 0:29:55.440
<v Speaker 1>two forty year old people. But they go look at

0:29:55.480 --> 0:29:58.480
<v Speaker 1>themselves in the mirror and they see they're twenty one

0:29:58.560 --> 0:30:01.240
<v Speaker 1>years old. For some reason, Mark Curry is dressed like prints,

0:30:01.520 --> 0:30:02.520
<v Speaker 1>which I don't.

0:30:02.280 --> 0:30:07.360
<v Speaker 2>Understands like Prince, I don't why, I mean, I think

0:30:07.720 --> 0:30:10.800
<v Speaker 2>to put more hair on him. I'm guessing as why.

0:30:10.800 --> 0:30:15.400
<v Speaker 3>Vick was used. It just was strange, Yeah, I agreed,

0:30:15.480 --> 0:30:16.400
<v Speaker 3>strange choice.

0:30:16.800 --> 0:30:19.000
<v Speaker 1>And then, like all twenty one year olds do, in

0:30:19.040 --> 0:30:21.560
<v Speaker 1>the presence of two young teenagers. They start to tongue

0:30:21.600 --> 0:30:24.560
<v Speaker 1>kiss in front of the children. The big problem is

0:30:24.640 --> 0:30:26.800
<v Speaker 1>if they're they're starting to realize, or at least the

0:30:26.840 --> 0:30:28.880
<v Speaker 1>kids are starting to realize if the fish have poofed

0:30:28.880 --> 0:30:32.560
<v Speaker 1>out of existence, when are the parents going to poof?

0:30:32.560 --> 0:30:34.640
<v Speaker 1>They're starting to realize that this is a very bad thing,

0:30:35.200 --> 0:30:38.160
<v Speaker 1>and they the parents get into it and have calculated

0:30:38.800 --> 0:30:42.000
<v Speaker 1>very nonchalantly by the way, they started to kind of

0:30:42.000 --> 0:30:44.240
<v Speaker 1>realize that something's wrong, but have calculated they're going to

0:30:44.320 --> 0:30:51.040
<v Speaker 1>disappear the next evening, hence the title the poof point? Right,

0:30:51.560 --> 0:30:53.560
<v Speaker 1>do you think there was a better title for this movie,

0:30:54.720 --> 0:30:57.160
<v Speaker 1>time Flies or maybe Back to the Future.

0:31:00.520 --> 0:31:02.920
<v Speaker 3>I mean the poof points. I don't know.

0:31:03.000 --> 0:31:06.800
<v Speaker 2>It just didn't feel part of the movie really. I

0:31:06.840 --> 0:31:10.560
<v Speaker 2>know that they are going to poof, I guess, and

0:31:10.640 --> 0:31:14.640
<v Speaker 2>go away, but there's just so many I think more

0:31:14.720 --> 0:31:18.080
<v Speaker 2>creative ways that they could have explained.

0:31:18.240 --> 0:31:21.720
<v Speaker 1>I think they were going for kind of big, goofy

0:31:21.800 --> 0:31:28.320
<v Speaker 1>fun romp like Big with Tom Hanks had some goofy points,

0:31:28.840 --> 0:31:32.360
<v Speaker 1>but was also kind of a morality play about what

0:31:32.440 --> 0:31:35.080
<v Speaker 1>it takes to be an adult a child losing his innocence,

0:31:35.720 --> 0:31:41.320
<v Speaker 1>whereas vice versa with Judge Reinhold and Fred Savage, which

0:31:41.360 --> 0:31:43.120
<v Speaker 1>came out around the same time. That was more of

0:31:43.160 --> 0:31:46.600
<v Speaker 1>a goofy switch your Body's fun kind of romp, and

0:31:46.680 --> 0:31:49.160
<v Speaker 1>I think that's what they were going for here. Yeah,

0:31:49.200 --> 0:31:54.160
<v Speaker 1>it just kind of never worked. It all felt really strange.

0:31:54.480 --> 0:31:57.000
<v Speaker 2>It did, it did, There was a lot of other

0:31:57.120 --> 0:31:59.360
<v Speaker 2>things that I think was hard to get over.

0:32:00.080 --> 0:32:03.160
<v Speaker 3>Yeah, to be able to accept this name of the

0:32:03.200 --> 0:32:03.840
<v Speaker 3>movie too.

0:32:03.760 --> 0:32:07.600
<v Speaker 1>I agree, And again Sabrina said this in the beginning.

0:32:07.640 --> 0:32:10.680
<v Speaker 1>I'll say this too. We don't want to be crapping

0:32:10.720 --> 0:32:13.680
<v Speaker 1>on these movies. We really don't. It's we love going

0:32:13.720 --> 0:32:16.200
<v Speaker 1>down the rabbit hole of the dcom movies. Not all

0:32:16.200 --> 0:32:18.160
<v Speaker 1>of them are going to be amazing, right, And you

0:32:18.200 --> 0:32:20.920
<v Speaker 1>can see from the reviews and from the Rotten Tomatoes,

0:32:20.960 --> 0:32:23.920
<v Speaker 1>this was one that just people didn't like, right, And

0:32:23.960 --> 0:32:26.920
<v Speaker 1>I think rightfully so. And it's probably one of those

0:32:26.960 --> 0:32:29.080
<v Speaker 1>things where it's no one person's fault. It was just

0:32:29.600 --> 0:32:32.160
<v Speaker 1>not a great project. But it appears at this point

0:32:32.160 --> 0:32:33.880
<v Speaker 1>that the parents have accepted the truth. We get a

0:32:33.920 --> 0:32:36.320
<v Speaker 1>montage of them now at twenty one years old, working

0:32:36.360 --> 0:32:39.120
<v Speaker 1>to try to fix everything, and then bingo, they figure

0:32:39.120 --> 0:32:41.440
<v Speaker 1>it out. But just when it looks like everything's going

0:32:41.480 --> 0:32:43.920
<v Speaker 1>to work out. They start to glitch, which is the

0:32:43.920 --> 0:32:47.360
<v Speaker 1>first time we've seen these kind of special effects. It's

0:32:47.400 --> 0:32:51.560
<v Speaker 1>almost flubbery where it's like WHOA made Yeah, and hiccups. Yes,

0:32:51.840 --> 0:32:54.800
<v Speaker 1>they hiccup, and they faded and out of existence.

0:32:55.160 --> 0:32:56.960
<v Speaker 3>Makes me worried to ever hiccup again.

0:32:57.320 --> 0:33:00.400
<v Speaker 1>Right, well, hey, if I can hiccup, maybe not five

0:33:00.480 --> 0:33:02.160
<v Speaker 1>years off my life. That wouldn't be the worst thing.

0:33:02.840 --> 0:33:05.800
<v Speaker 1>So we know now. It's also putting it in our mind.

0:33:05.840 --> 0:33:07.800
<v Speaker 1>They showed it with the fish, now they're showing it

0:33:07.840 --> 0:33:10.000
<v Speaker 1>with the parents. We know now that when we see

0:33:10.000 --> 0:33:14.160
<v Speaker 1>this kind of matrixy glitch, when the glitching ends, they're

0:33:14.200 --> 0:33:18.440
<v Speaker 1>going to have deaged again again and once again forgotten

0:33:18.600 --> 0:33:21.560
<v Speaker 1>everything that they had just learned. So they were just

0:33:21.680 --> 0:33:24.160
<v Speaker 1>on the realm or the cusp of figuring out how

0:33:24.200 --> 0:33:28.120
<v Speaker 1>to fix themselves. Boom, they've deaged again and now they

0:33:28.120 --> 0:33:33.720
<v Speaker 1>can't remember. And now they're fourteen, which is the same

0:33:33.800 --> 0:33:37.200
<v Speaker 1>age essentially as their kids. So which again you think

0:33:37.200 --> 0:33:38.600
<v Speaker 1>this is where the movie's really going to take off,

0:33:38.600 --> 0:33:41.200
<v Speaker 1>because now you've got a bunch of fourteen year olds

0:33:41.240 --> 0:33:41.560
<v Speaker 1>to get.

0:33:41.560 --> 0:33:45.920
<v Speaker 2>Yes, I felt that I started to get on board now, Okay,

0:33:46.560 --> 0:33:50.040
<v Speaker 2>that would be crazy to hap my mom.

0:33:50.360 --> 0:33:53.920
<v Speaker 3>Be the age that I am, that would be bonkers.

0:33:53.400 --> 0:33:55.760
<v Speaker 1>Nuts, And so you think that's going to happen, but

0:33:56.200 --> 0:33:58.840
<v Speaker 1>not really. This is where we find out that the

0:33:58.960 --> 0:34:01.160
<v Speaker 1>mom and dad actually grew up together. They had a

0:34:01.200 --> 0:34:04.080
<v Speaker 1>crush on each other when they were in school. But again,

0:34:04.080 --> 0:34:06.800
<v Speaker 1>the biggest problem that they have is that they've forgotten everything.

0:34:07.000 --> 0:34:11.000
<v Speaker 1>So once again their kids have to explain everything that's

0:34:11.040 --> 0:34:13.120
<v Speaker 1>going on, and it just feels like they've now put

0:34:13.160 --> 0:34:15.919
<v Speaker 1>themselves in a loop where this is going to keep

0:34:15.960 --> 0:34:20.120
<v Speaker 1>happening and for the story starts to drag. Yeah, because

0:34:20.120 --> 0:34:22.480
<v Speaker 1>it seems like, well then we've got to fix this

0:34:22.600 --> 0:34:24.480
<v Speaker 1>right now, because this is good and you just know

0:34:24.560 --> 0:34:26.200
<v Speaker 1>it's going to keep happening. I was just the first

0:34:26.200 --> 0:34:28.720
<v Speaker 1>time it happened, I was like, Okay, so they're gonna

0:34:29.000 --> 0:34:31.080
<v Speaker 1>just about to figure it out again, and it's gonna

0:34:31.120 --> 0:34:33.479
<v Speaker 1>happen again. I knew this was gonna come up again.

0:34:42.600 --> 0:34:47.960
<v Speaker 1>What did you think of the acting as the parents deaged?

0:34:48.840 --> 0:34:49.880
<v Speaker 3>Ah, it was.

0:34:51.760 --> 0:34:55.719
<v Speaker 2>I mean I kept having to remind myself at this

0:34:55.840 --> 0:35:03.520
<v Speaker 2>point Disney movie, Yep, getting that big act over the top. Yeah,

0:35:03.600 --> 0:35:07.120
<v Speaker 2>so I was having to now remind myself versus really

0:35:07.160 --> 0:35:09.040
<v Speaker 2>being able to kind of let go and.

0:35:09.160 --> 0:35:10.719
<v Speaker 3>Just enjoy it.

0:35:10.960 --> 0:35:14.120
<v Speaker 2>Yeah, that's where I was. And again, it was a

0:35:14.120 --> 0:35:16.600
<v Speaker 2>lot of things. By this point in the movie, we're

0:35:16.640 --> 0:35:20.160
<v Speaker 2>just not really adding up and and it wasn't easy

0:35:20.440 --> 0:35:21.960
<v Speaker 2>at this point to really watch.

0:35:22.160 --> 0:35:25.600
<v Speaker 3>So I think that affected like the big acting.

0:35:26.040 --> 0:35:29.920
<v Speaker 2>Normally, I love that. I love comedy that goes over

0:35:30.000 --> 0:35:33.160
<v Speaker 2>the top. I love physical comedy, you know, all of

0:35:33.200 --> 0:35:36.360
<v Speaker 2>that kind of stuff, and this just was at this

0:35:36.440 --> 0:35:39.600
<v Speaker 2>point I was already just okay, it's.

0:35:39.680 --> 0:35:42.200
<v Speaker 1>It's one of the things for me is the phone test.

0:35:42.400 --> 0:35:45.440
<v Speaker 1>I do not like to split focus. I can't split focus,

0:35:45.520 --> 0:35:48.240
<v Speaker 1>but I don't like doing it. So if a movie

0:35:48.400 --> 0:35:50.879
<v Speaker 1>or a television show or anything keeps my attention, that's

0:35:50.920 --> 0:35:52.920
<v Speaker 1>where my focus is. I don't pull ot my phone

0:35:53.040 --> 0:35:55.200
<v Speaker 1>and look at emails, or play video games or do

0:35:55.280 --> 0:35:58.600
<v Speaker 1>anything else. As I'm watching, right, And I was doing

0:35:58.640 --> 0:36:00.880
<v Speaker 1>all of them, all of of im in the background.

0:36:00.960 --> 0:36:04.560
<v Speaker 1>After a while, Yeah, I just zip through it the

0:36:04.600 --> 0:36:09.279
<v Speaker 1>second time. I mean, yeah, yes, same, same. Yeah. We

0:36:09.360 --> 0:36:13.399
<v Speaker 1>also learned that teenage Norton also plays you won't believe

0:36:13.400 --> 0:36:17.080
<v Speaker 1>this the guitar, and he is a as amazing as

0:36:17.120 --> 0:36:19.919
<v Speaker 1>his son and be as bad as holding it as

0:36:19.920 --> 0:36:24.080
<v Speaker 1>his son. I mean, it just looks bad. Yeah, But

0:36:24.200 --> 0:36:26.359
<v Speaker 1>this also brings us right back to reminding us that

0:36:26.440 --> 0:36:30.960
<v Speaker 1>Eddie's audition is coming up for Urban Slugs Urban Slugs,

0:36:31.480 --> 0:36:36.080
<v Speaker 1>and so all the focus has been on the parents

0:36:36.120 --> 0:36:40.520
<v Speaker 1>having a crush on each other and constantly getting together

0:36:40.560 --> 0:36:44.359
<v Speaker 1>and breaking up and doing all this stuff. But it's

0:36:44.440 --> 0:36:48.319
<v Speaker 1>also trying to show that Taj and his dad have

0:36:48.440 --> 0:36:52.320
<v Speaker 1>a lot in common actually and are trying to find

0:36:52.400 --> 0:36:55.000
<v Speaker 1>common ground. They do that more than they do the

0:36:55.160 --> 0:36:56.160
<v Speaker 1>daughter and the mom.

0:36:57.000 --> 0:37:01.680
<v Speaker 2>Yeah, the daughter and the mom's they're their meeting point.

0:37:01.800 --> 0:37:05.040
<v Speaker 2>And their commonality was crushes on boys.

0:37:05.200 --> 0:37:07.960
<v Speaker 1>Boys. That was it. Boys, That was it? Yeah.

0:37:07.719 --> 0:37:11.920
<v Speaker 2>Yeah, And it doesn't really come out until later she

0:37:12.120 --> 0:37:16.400
<v Speaker 2>hears the mom's is shoes with Norton, but she doesn't

0:37:16.920 --> 0:37:21.160
<v Speaker 2>expose her crush on TAJA's friend.

0:37:21.160 --> 0:37:21.640
<v Speaker 3>That comes up.

0:37:21.680 --> 0:37:23.920
<v Speaker 1>Oh, don't even get me into Taj's friend. You can

0:37:23.920 --> 0:37:28.000
<v Speaker 1>bleep this. But so then, of course what happens next

0:37:28.040 --> 0:37:30.759
<v Speaker 1>is the parents run away. When Eddie does finally catch

0:37:30.800 --> 0:37:34.600
<v Speaker 1>up with his dad, a obvious stunt double grabs his

0:37:34.640 --> 0:37:39.160
<v Speaker 1>son's bike and starts jamming on this thing, just jumping

0:37:39.200 --> 0:37:42.239
<v Speaker 1>off and down stuff like this guy. It's incredible and

0:37:42.320 --> 0:37:43.640
<v Speaker 1>you think, well, this is going to come to a

0:37:43.640 --> 0:37:45.239
<v Speaker 1>big bike chascene.

0:37:45.000 --> 0:37:48.760
<v Speaker 2>Never seen again, No no, never seen again, Never again.

0:37:49.400 --> 0:37:53.279
<v Speaker 1>He's obviously he's very upset because it looks like he

0:37:53.320 --> 0:37:55.920
<v Speaker 1>has just broken up again with his future wife is

0:37:55.960 --> 0:38:00.759
<v Speaker 1>now girlfriend. And that's when we find our gold, the

0:38:00.800 --> 0:38:04.680
<v Speaker 1>wife who's apparently drunk on milkshakes.

0:38:05.080 --> 0:38:09.040
<v Speaker 2>Yeah, that was strange, hugging a jukebox, hugging a juke

0:38:09.120 --> 0:38:13.160
<v Speaker 2>box at a diner, sad about her breakup with Norton.

0:38:13.920 --> 0:38:16.000
<v Speaker 1>And the whole second act is kind of about the

0:38:16.040 --> 0:38:21.120
<v Speaker 1>parents teenage love, which is a strange detour and weird

0:38:21.120 --> 0:38:22.240
<v Speaker 1>pill to swallows.

0:38:22.239 --> 0:38:26.759
<v Speaker 3>It's Norton in a very bad light. He is very

0:38:28.680 --> 0:38:30.960
<v Speaker 3>just doesn't think girls can do anything.

0:38:31.640 --> 0:38:35.640
<v Speaker 2>You know, she's fighting for him to to accept how.

0:38:35.440 --> 0:38:36.359
<v Speaker 3>Smart she is.

0:38:36.480 --> 0:38:40.359
<v Speaker 2>This is like, this part was really strange to me. Yeah,

0:38:40.520 --> 0:38:43.520
<v Speaker 2>I guess because they just really don't lean into that

0:38:43.600 --> 0:38:44.680
<v Speaker 2>with movies anymore.

0:38:45.480 --> 0:38:48.000
<v Speaker 1>But it's also there's supposed to be fourteen at this point.

0:38:48.239 --> 0:38:49.719
<v Speaker 3>Yeah, exactly.

0:38:49.840 --> 0:38:52.000
<v Speaker 1>You don't walk around at fourteen going like girls can't

0:38:52.000 --> 0:38:52.400
<v Speaker 1>do stuff.

0:38:52.440 --> 0:38:55.960
<v Speaker 2>You don't know that doesn't have little kids think that boys.

0:38:56.120 --> 0:38:58.960
<v Speaker 2>You know, boys can't do this, boys can't wear beans,

0:38:59.200 --> 0:38:59.840
<v Speaker 2>you know, think.

0:38:59.800 --> 0:39:03.520
<v Speaker 3>Like little kids do that. A fourteen year old.

0:39:03.880 --> 0:39:05.480
<v Speaker 2>Is not going to say any of that stuff. So

0:39:05.560 --> 0:39:08.560
<v Speaker 2>that started to get Yeah, age wise.

0:39:08.280 --> 0:39:09.320
<v Speaker 3>Where are we at?

0:39:09.880 --> 0:39:12.440
<v Speaker 1>I agree? And Marigold, of course finally opens up to

0:39:12.480 --> 0:39:15.359
<v Speaker 1>her daughter about everything. No, I'm kidding, she opens up

0:39:15.360 --> 0:39:16.880
<v Speaker 1>to her daughter's enemy.

0:39:17.280 --> 0:39:20.879
<v Speaker 2>Yeah, another random character thrown in there.

0:39:21.800 --> 0:39:23.680
<v Speaker 3>Why did we need her? We didn't.

0:39:23.880 --> 0:39:28.480
<v Speaker 1>We didn't at all. But through all the rough season romance,

0:39:28.480 --> 0:39:30.239
<v Speaker 1>the fourteen year olds think they figured out what they

0:39:30.280 --> 0:39:34.120
<v Speaker 1>need to fix the time machine. But it's three o'clock.

0:39:34.600 --> 0:39:38.000
<v Speaker 1>That's right, it's time for the Slugs audition. He's also

0:39:38.040 --> 0:39:41.600
<v Speaker 1>apparently auditioning to be the third bass player in the band.

0:39:42.320 --> 0:39:45.000
<v Speaker 1>It's a nineteen piece band, it looks like, and there's

0:39:45.160 --> 0:39:48.600
<v Speaker 1>like two bass players already. So I'm assuming in my

0:39:48.680 --> 0:39:51.040
<v Speaker 1>head again, I'm trying to justify everything. So in my head,

0:39:51.560 --> 0:39:55.120
<v Speaker 1>the bass player was a senior and graduating the following year,

0:39:55.239 --> 0:39:57.160
<v Speaker 1>and they were auditioning his replacement.

0:39:57.360 --> 0:39:59.280
<v Speaker 3>That's how I got added another.

0:40:00.840 --> 0:40:05.359
<v Speaker 1>I had to else did I love them? I had to?

0:40:06.239 --> 0:40:10.200
<v Speaker 2>So there were so many storylines, so many mini storylins.

0:40:10.280 --> 0:40:12.799
<v Speaker 3>Drop this movie. Why would you do that?

0:40:12.960 --> 0:40:16.560
<v Speaker 1>Because Billy loved playing bass. But Billy's a mathematician. He

0:40:16.640 --> 0:40:18.920
<v Speaker 1>got at MIT and he's putting his bass down forever.

0:40:18.960 --> 0:40:21.440
<v Speaker 1>This is actually his last Slugs performance. I have a

0:40:21.440 --> 0:40:22.640
<v Speaker 1>whole backstory for Billy.

0:40:22.760 --> 0:40:24.520
<v Speaker 3>Okay, all right, But it.

0:40:24.520 --> 0:40:27.000
<v Speaker 1>Also looks like the girls that Marigold ran into and

0:40:27.040 --> 0:40:30.759
<v Speaker 1>opened her heart up to at the diner turned the

0:40:30.800 --> 0:40:34.960
<v Speaker 1>audition into a school wide party. And here was the

0:40:35.000 --> 0:40:37.360
<v Speaker 1>thing that I thought was funny. I could totally be wrong,

0:40:37.680 --> 0:40:42.359
<v Speaker 1>but the best friend again, the best friend comes and says, hey,

0:40:42.800 --> 0:40:45.040
<v Speaker 1>I've got a bunch of cases of root beer. And

0:40:45.080 --> 0:40:47.960
<v Speaker 1>I also saw some people have some bags of popcorn.

0:40:48.080 --> 0:40:50.680
<v Speaker 1>And in my head that was the writer. Whether that

0:40:50.760 --> 0:40:53.319
<v Speaker 1>was Stew's line or not getting through cases of beer

0:40:53.360 --> 0:40:55.400
<v Speaker 1>and bags of weed, that's how I got that in

0:40:55.480 --> 0:40:58.800
<v Speaker 1>my head. Because nobody says and I've got some bags

0:40:58.800 --> 0:41:01.919
<v Speaker 1>of popcorn. That was a nice wink wink, we got

0:41:01.960 --> 0:41:02.759
<v Speaker 1>weed and beer.

0:41:03.000 --> 0:41:07.239
<v Speaker 2>Oh wow, Okay, I did catch the root beer.

0:41:07.280 --> 0:41:09.560
<v Speaker 3>I did not think bags of popcorn.

0:41:09.800 --> 0:41:13.680
<v Speaker 1>Okay, wink wink, Yeah, sticky, sticky, icky weed, that's what.

0:41:13.640 --> 0:41:15.759
<v Speaker 3>That Okay, oh okay.

0:41:15.960 --> 0:41:20.600
<v Speaker 1>The crowd also includes one white, redheaded student with long braids,

0:41:21.160 --> 0:41:24.440
<v Speaker 1>and I am amazed if your entire Sabrina Sees is

0:41:24.480 --> 0:41:30.279
<v Speaker 1>not about this random obviously tripped on acid. I mean

0:41:30.280 --> 0:41:33.080
<v Speaker 1>this kid dropped mescaline before he ever came to this

0:41:33.160 --> 0:41:34.000
<v Speaker 1>eighth grade party.

0:41:34.160 --> 0:41:39.040
<v Speaker 2>This was the most non Disney character I have seen

0:41:39.080 --> 0:41:39.839
<v Speaker 2>in a d coon.

0:41:40.320 --> 0:41:41.120
<v Speaker 3>This could not.

0:41:41.320 --> 0:41:42.040
<v Speaker 1>Have been.

0:41:43.760 --> 0:41:47.040
<v Speaker 3>More off of what you expect on the channel. He

0:41:47.200 --> 0:41:47.640
<v Speaker 3>it was.

0:41:48.000 --> 0:41:53.880
<v Speaker 2>He was such a strange character. Yes, yes, and again

0:41:54.200 --> 0:41:58.320
<v Speaker 2>not needed. He didn't add anything to this movie. No, no,

0:41:58.320 --> 0:42:00.919
<v Speaker 2>no offense to him. Sure, he's a very nice guy.

0:42:01.160 --> 0:42:04.600
<v Speaker 2>This character did not add anything. It was weird and

0:42:04.680 --> 0:42:05.960
<v Speaker 2>again just another thing.

0:42:06.040 --> 0:42:08.600
<v Speaker 3>I just feel like I was just thing.

0:42:08.600 --> 0:42:12.240
<v Speaker 2>Ponging around in this this movie, just like ding ding dinging.

0:42:12.320 --> 0:42:14.879
<v Speaker 2>I'm trying to take everything in thinking it's gonna matter.

0:42:15.040 --> 0:42:17.400
<v Speaker 2>None of it does anyway, moving forward.

0:42:17.560 --> 0:42:20.160
<v Speaker 1>It also felt like they just kind of pointed at

0:42:20.200 --> 0:42:22.120
<v Speaker 1>people and went, all right, you're a weird looking kid,

0:42:22.160 --> 0:42:24.799
<v Speaker 1>came here, came here. I want you to walk by

0:42:24.880 --> 0:42:27.880
<v Speaker 1>and pretend you're just on ass background. It was like

0:42:27.960 --> 0:42:31.479
<v Speaker 1>I am on as it was. Yeah. So the house

0:42:31.560 --> 0:42:34.360
<v Speaker 1>is now overtaken with kid partiers, all while the parents

0:42:34.440 --> 0:42:36.319
<v Speaker 1>work on their machine with just two and a half

0:42:36.320 --> 0:42:40.480
<v Speaker 1>hours left, and as if the proof point doesn't even exist,

0:42:40.920 --> 0:42:44.200
<v Speaker 1>the Urban Slugs play with a carefree Eddie and they rock.

0:42:44.320 --> 0:42:49.399
<v Speaker 1>Now the band, I bet you that was a real band.

0:42:49.480 --> 0:42:51.640
<v Speaker 1>Somehow I thought so too.

0:42:52.040 --> 0:42:54.320
<v Speaker 2>The girl looked like she was actually a singing singer,

0:42:54.440 --> 0:42:56.719
<v Speaker 2>looked like she had a record deal.

0:42:56.760 --> 0:42:58.680
<v Speaker 1>So it was it was, okay, we've got we've got

0:42:59.200 --> 0:43:01.920
<v Speaker 1>a producer, say it was because that looked like a

0:43:01.960 --> 0:43:02.439
<v Speaker 1>real band.

0:43:02.880 --> 0:43:04.560
<v Speaker 3>Was the kid, guys?

0:43:04.719 --> 0:43:08.920
<v Speaker 2>Was the kid with the red Joey fatone red match

0:43:09.000 --> 0:43:11.920
<v Speaker 2>in front? Was he a real part of the band

0:43:12.040 --> 0:43:14.880
<v Speaker 2>because he was also acting? So I wasn't sure if

0:43:14.880 --> 0:43:15.880
<v Speaker 2>he was actually a part of it.

0:43:15.920 --> 0:43:18.360
<v Speaker 1>Yeah, I'm sure. I'm sure he was part of the band. Okay,

0:43:18.880 --> 0:43:24.000
<v Speaker 1>so he's jamming with the Urban Slugs. He's playing really well.

0:43:24.520 --> 0:43:28.600
<v Speaker 1>But now the neighbors. Here's here's the strange thing. Okay.

0:43:28.640 --> 0:43:30.279
<v Speaker 1>So I don't know if it's this scene or a

0:43:30.320 --> 0:43:33.480
<v Speaker 1>scene before, but at one point they call the daughter,

0:43:34.440 --> 0:43:36.600
<v Speaker 1>the ballad's daughter into their house and they say, we

0:43:36.640 --> 0:43:39.000
<v Speaker 1>want to show you all the damage that your parents

0:43:39.040 --> 0:43:39.399
<v Speaker 1>are doing.

0:43:39.440 --> 0:43:41.920
<v Speaker 3>And the first thing they show this is before the party.

0:43:42.080 --> 0:43:45.280
<v Speaker 1>Yes, the first thing they show them is he's cleaning

0:43:45.320 --> 0:43:49.080
<v Speaker 1>up broken plates on the floor, and she says, this

0:43:49.120 --> 0:43:53.000
<v Speaker 1>is from last week. You've had broken plates on your.

0:43:52.880 --> 0:43:53.480
<v Speaker 3>Floor for.

0:43:56.400 --> 0:43:58.719
<v Speaker 1>You kept these here for a week just to make

0:43:58.760 --> 0:44:00.160
<v Speaker 1>a point to bring the girl over.

0:44:01.160 --> 0:44:05.440
<v Speaker 3>What take a picture? And back then you had to

0:44:05.440 --> 0:44:06.960
<v Speaker 3>get your pictures printed. You could have.

0:44:06.880 --> 0:44:09.759
<v Speaker 2>Gotten it printed before the time you saw this, could

0:44:09.760 --> 0:44:10.880
<v Speaker 2>have hated it.

0:44:11.040 --> 0:44:13.759
<v Speaker 1>I mean, seriously, if you kept the broken plates on

0:44:13.800 --> 0:44:16.160
<v Speaker 1>the flist the whole, all the neighbors were just it

0:44:16.200 --> 0:44:16.800
<v Speaker 1>was ridiculous.

0:44:16.840 --> 0:44:18.239
<v Speaker 3>They were so strange.

0:44:18.680 --> 0:44:20.120
<v Speaker 1>So yes, they.

0:44:21.600 --> 0:44:27.080
<v Speaker 2>And why are you calling Marian to talk about the parents?

0:44:27.360 --> 0:44:31.800
<v Speaker 2>The parents are another adult weird moment because you would

0:44:31.840 --> 0:44:36.000
<v Speaker 2>never call in a child to talk to them about

0:44:36.040 --> 0:44:37.160
<v Speaker 2>their adult parents.

0:44:37.200 --> 0:44:38.680
<v Speaker 1>And you always have the dad. They always had the

0:44:38.760 --> 0:44:42.640
<v Speaker 1>dad going well, honey, I don't think we can blame Marie, like, well,

0:44:42.680 --> 0:44:44.360
<v Speaker 1>of course you can't. She's fourteen.

0:44:44.440 --> 0:44:48.360
<v Speaker 3>She shouldn't even be here. What she's doing here completely ridiculous.

0:44:48.400 --> 0:44:51.800
<v Speaker 2>They would be talking to a teenager without her parents exactly.

0:44:52.120 --> 0:44:54.000
<v Speaker 1>Maybe sweep up the shut on your floor that's been

0:44:54.040 --> 0:44:55.400
<v Speaker 1>there for a week and a half before you call

0:44:55.440 --> 0:44:56.040
<v Speaker 1>a fourteen That.

0:44:56.200 --> 0:44:57.400
<v Speaker 3>Should be your bigger problem.

0:44:57.760 --> 0:45:01.759
<v Speaker 1>Yikes. So the neighbors, they want the ballads evicted, even

0:45:01.800 --> 0:45:05.240
<v Speaker 1>though their own daughter snuck over there to quote unquote

0:45:05.280 --> 0:45:07.480
<v Speaker 1>drink roup beer. She wanted some of that sticky, icky weed.

0:45:07.920 --> 0:45:10.920
<v Speaker 1>The fourteen year old parents figure out that the dog

0:45:11.480 --> 0:45:14.560
<v Speaker 1>was the problem, and they need to find because keep

0:45:14.600 --> 0:45:16.800
<v Speaker 1>in mind, as this party's going on, we keep cutting

0:45:16.800 --> 0:45:20.920
<v Speaker 1>back and forth from now the fourteen year old parents

0:45:20.960 --> 0:45:22.719
<v Speaker 1>trying to kind of figure out what's going on, but

0:45:22.760 --> 0:45:29.040
<v Speaker 1>then also wanting to go to the party because they're fourteen, right, Okay,

0:45:29.719 --> 0:45:35.680
<v Speaker 1>this is where they glitch again, and now they're younger again,

0:45:37.280 --> 0:45:43.279
<v Speaker 1>but this time the white kid with the braids sees

0:45:43.320 --> 0:45:46.440
<v Speaker 1>it all happening, and he crosses through and he says this,

0:45:46.480 --> 0:45:48.480
<v Speaker 1>I'd love to play this for you if I could. Wow,

0:45:49.360 --> 0:45:56.600
<v Speaker 1>trip it, trip it, trip it. And this was the

0:45:56.640 --> 0:46:00.000
<v Speaker 1>extent of this guy's part. He just kept walking through

0:46:00.080 --> 0:46:03.480
<v Speaker 1>with these one ballad liners. What did you think? Did

0:46:03.560 --> 0:46:05.719
<v Speaker 1>you think he stole the movie? No?

0:46:05.880 --> 0:46:06.200
<v Speaker 3>I did.

0:46:06.239 --> 0:46:07.719
<v Speaker 1>Should it be called the braid point?

0:46:07.719 --> 0:46:10.279
<v Speaker 2>Wanted him off my screen so bad because he did

0:46:10.280 --> 0:46:15.239
<v Speaker 2>not fall in line with a normal Disney channel. I

0:46:15.280 --> 0:46:17.359
<v Speaker 2>don't want to see that kind of stuff. I will

0:46:17.360 --> 0:46:19.360
<v Speaker 2>watch older movies, more.

0:46:19.200 --> 0:46:21.959
<v Speaker 3>Age appropriate if I want to see a character.

0:46:21.800 --> 0:46:29.640
<v Speaker 2>Like that trip it held, I trip it.

0:46:32.160 --> 0:46:33.760
<v Speaker 3>I just couldn't. I couldn't.

0:46:33.960 --> 0:46:36.839
<v Speaker 1>So the party rages on. Party is raging, and the

0:46:36.960 --> 0:46:39.799
<v Speaker 1>urban slugs think Eddie did great, but he's pulled away

0:46:39.800 --> 0:46:43.080
<v Speaker 1>because his parents are now seven years old, riding around

0:46:43.080 --> 0:46:45.520
<v Speaker 1>on scooters and throwing their inventions all over the house,

0:46:45.600 --> 0:46:49.600
<v Speaker 1>causing chaos and eventually making even the white kid with braids.

0:46:49.800 --> 0:46:52.080
<v Speaker 1>This this thing they invented, which is just a ball

0:46:52.080 --> 0:46:54.000
<v Speaker 1>that spins with light, which makes no sense.

0:46:54.040 --> 0:46:55.680
<v Speaker 3>Well, is the newest random character.

0:46:55.800 --> 0:46:58.160
<v Speaker 1>And then they've got a pose for some reason.

0:46:58.520 --> 0:47:02.080
<v Speaker 2>It was a long Yeah, does this seem like a

0:47:02.200 --> 0:47:04.960
<v Speaker 2>very long scene for whatever this was.

0:47:05.239 --> 0:47:08.520
<v Speaker 1>And it's spinning around the party, and they're spraying it

0:47:08.560 --> 0:47:10.680
<v Speaker 1>with a hose and they're spraying all the other kids

0:47:10.680 --> 0:47:13.040
<v Speaker 1>at the party. They're trying to swat it with a thing.

0:47:13.160 --> 0:47:16.000
<v Speaker 1>It flies up the white Brady Kid's shirt, so he's

0:47:16.040 --> 0:47:19.640
<v Speaker 1>now on the ground having a tickle fit. But now

0:47:19.680 --> 0:47:24.080
<v Speaker 1>Marigold and Norton are horribly annoying, and they really young

0:47:24.160 --> 0:47:26.200
<v Speaker 1>and back at the square one again, remembering none of

0:47:26.200 --> 0:47:29.200
<v Speaker 1>the progress they had just made, that they needed the ball,

0:47:29.320 --> 0:47:31.080
<v Speaker 1>or that the dog had stolen it. All that is

0:47:31.120 --> 0:47:34.080
<v Speaker 1>once again gone. This is a disaster. The cops are

0:47:34.120 --> 0:47:37.000
<v Speaker 1>now at the house, the neighbors are there. They're breaking

0:47:37.040 --> 0:47:39.600
<v Speaker 1>up the party, but their daughters also there, and she

0:47:39.719 --> 0:47:42.720
<v Speaker 1>says that the Ballards are actually great people and spotan

0:47:42.719 --> 0:47:44.879
<v Speaker 1>eighty is not a crime. I actually liked this part.

0:47:44.880 --> 0:47:47.040
<v Speaker 1>And here's why I like this part. I liked this

0:47:47.120 --> 0:47:50.640
<v Speaker 1>part because it's very Disney, where it's like the whole

0:47:50.680 --> 0:47:53.880
<v Speaker 1>point was the Ballard kids would look over and see

0:47:53.880 --> 0:47:57.920
<v Speaker 1>this quote unquote perfect family and just wish their family

0:47:58.040 --> 0:48:00.000
<v Speaker 1>was like that. And here's the girl explaining, we're not

0:48:00.200 --> 0:48:02.600
<v Speaker 1>perfect family. I wish my parents were more like yours.

0:48:02.960 --> 0:48:06.200
<v Speaker 1>And that is very Disney, where every family has their

0:48:06.239 --> 0:48:08.960
<v Speaker 1>own foibles and every kid wishes they were in somebody

0:48:08.960 --> 0:48:11.680
<v Speaker 1>else's family. Yes, at some point and it was like.

0:48:11.640 --> 0:48:15.960
<v Speaker 2>Hey, Disney moment started to finally feel like the deec

0:48:16.080 --> 0:48:17.160
<v Speaker 2>Alms that I.

0:48:17.200 --> 0:48:19.920
<v Speaker 1>Love Disney moment, and this girl was good.

0:48:20.600 --> 0:48:24.480
<v Speaker 2>I was gonna ask if the producers that love high

0:48:24.520 --> 0:48:28.720
<v Speaker 2>school musical, one of the one friend that was really

0:48:28.800 --> 0:48:32.480
<v Speaker 2>short I think also is in high school Musical. I

0:48:32.480 --> 0:48:35.040
<v Speaker 2>don't remember really character was, but I wanted to see

0:48:35.040 --> 0:48:36.719
<v Speaker 2>it at some point to.

0:48:36.640 --> 0:48:37.880
<v Speaker 1>Ask pole we'll have to see.

0:48:37.880 --> 0:48:41.680
<v Speaker 2>If this was maybe her first Disney job before she

0:48:41.719 --> 0:48:43.920
<v Speaker 2>booked high school musical okay, you know, four or five

0:48:43.960 --> 0:48:44.680
<v Speaker 2>years later.

0:48:44.920 --> 0:48:47.440
<v Speaker 1>So her you know, Spot eighty is not a crime.

0:48:48.120 --> 0:48:49.880
<v Speaker 1>She wants to stay with her. So her family's like

0:48:49.920 --> 0:48:53.120
<v Speaker 1>her dad almost sounds like Winchester from mash at this point,

0:48:53.160 --> 0:48:56.120
<v Speaker 1>where you know he's the neighbor, like, well, honey, you

0:48:56.120 --> 0:49:02.000
<v Speaker 1>don't need to go crazy about it. So strange. So

0:49:02.040 --> 0:49:04.520
<v Speaker 1>they say, fine, we'll give your family one more chance

0:49:04.520 --> 0:49:08.160
<v Speaker 1>if the party's broken up. Getting his side card for sure,

0:49:08.200 --> 0:49:10.120
<v Speaker 1>the white kid with the braids has one more line

0:49:10.120 --> 0:49:14.400
<v Speaker 1>as he walks in and goes bummer. It's now an

0:49:14.440 --> 0:49:17.520
<v Speaker 1>empty house. The ballads cannot find the part that was

0:49:17.640 --> 0:49:20.799
<v Speaker 1>just missing. Now the kids have figured out that it's

0:49:20.800 --> 0:49:24.560
<v Speaker 1>a part that's missing. Yes, they can't to the parents anymore,

0:49:24.600 --> 0:49:27.239
<v Speaker 1>who are now have have d aged so much that

0:49:27.280 --> 0:49:30.919
<v Speaker 1>they can barely be spoken to. It's getting bad and

0:49:31.239 --> 0:49:35.520
<v Speaker 1>so everything looks dismal. Let's have Eddie himself explain the

0:49:35.520 --> 0:49:36.839
<v Speaker 1>issue here. Can we listen to eclip too?

0:49:37.600 --> 0:49:41.879
<v Speaker 3>They poof this time, it's gonna be for real.

0:49:43.760 --> 0:49:48.240
<v Speaker 1>If poof this time, it's gonna be for real. Sabrina

0:49:48.719 --> 0:49:51.760
<v Speaker 1>and with the music in the background. It was a moment.

0:49:52.239 --> 0:49:54.880
<v Speaker 1>And then to make things worse, their parents glitch again,

0:49:55.160 --> 0:49:57.680
<v Speaker 1>and they are now what two year olds?

0:49:58.080 --> 0:50:00.839
<v Speaker 3>Doesn't she hold up to their three month old?

0:50:01.040 --> 0:50:03.080
<v Speaker 1>Is that really how they get to be three month

0:50:03.120 --> 0:50:06.600
<v Speaker 1>old babies? Well, but it can't be because he has

0:50:06.640 --> 0:50:08.440
<v Speaker 1>to pee. I think they're too because she says how

0:50:08.440 --> 0:50:09.279
<v Speaker 1>old are you and he goes.

0:50:09.200 --> 0:50:11.799
<v Speaker 3>I'm too, Yeah, yeah, I think you're right.

0:50:12.080 --> 0:50:15.240
<v Speaker 1>At this point, yes, the dad is in the bathroom

0:50:15.239 --> 0:50:18.680
<v Speaker 1>covered in toilet paper and he's spraying baby powder all

0:50:18.719 --> 0:50:19.320
<v Speaker 1>over the place.

0:50:19.680 --> 0:50:22.279
<v Speaker 3>She's covered in spaghetti.

0:50:21.840 --> 0:50:25.080
<v Speaker 1>Bacup and spaghetti there. This is where we saw them

0:50:25.080 --> 0:50:27.560
<v Speaker 1>at the beginning. They're obviously have no help. Now they're

0:50:27.560 --> 0:50:32.080
<v Speaker 1>sucking on popsicles. They're crawling around. But guess what Norton finds.

0:50:33.160 --> 0:50:36.160
<v Speaker 1>He finds the part that's missing while playing with the dog,

0:50:36.360 --> 0:50:40.120
<v Speaker 1>so he started to like the dog now and hey,

0:50:40.280 --> 0:50:42.720
<v Speaker 1>I found the part that's missing. Now as a baby

0:50:42.760 --> 0:50:48.840
<v Speaker 1>he loves dogs again. It's just so interestingly strange. The

0:50:49.000 --> 0:50:52.160
<v Speaker 1>kids now have to fix the machine. They wrangle their

0:50:52.200 --> 0:50:55.680
<v Speaker 1>baby parents right as they're about to get there. You

0:50:55.800 --> 0:51:00.319
<v Speaker 1>think we're gonna hey, this is almost over. They can't

0:51:00.320 --> 0:51:03.360
<v Speaker 1>get in the machine because the dad has to peek.

0:51:03.560 --> 0:51:07.839
<v Speaker 2>True in toddler form, you are trying to get out

0:51:07.840 --> 0:51:11.759
<v Speaker 2>of the house. The whole freaking car is packed up,

0:51:12.320 --> 0:51:13.960
<v Speaker 2>baby ledgers in the car.

0:51:14.160 --> 0:51:15.520
<v Speaker 3>Monroe has to pee.

0:51:15.760 --> 0:51:18.799
<v Speaker 1>Okay, we got peepee time people.

0:51:19.320 --> 0:51:21.280
<v Speaker 2>Which I was wondering how they were going to handle

0:51:21.320 --> 0:51:24.839
<v Speaker 2>this part, because then they leave the toddler, the two

0:51:24.920 --> 0:51:27.040
<v Speaker 2>year old in the bathroom by themselves, which is not

0:51:27.080 --> 0:51:28.719
<v Speaker 2>really what you would do with the toddler.

0:51:28.520 --> 0:51:30.440
<v Speaker 1>But you hope he remembers at least how to.

0:51:30.760 --> 0:51:33.520
<v Speaker 3>How to do something. I would have just thrown him

0:51:33.520 --> 0:51:36.520
<v Speaker 3>in the time machine and let there dad.

0:51:36.640 --> 0:51:41.399
<v Speaker 1>Sorry, less than a minute left, their parents are about

0:51:41.440 --> 0:51:43.759
<v Speaker 1>to poof, but last second they're saved. They were brought

0:51:43.760 --> 0:51:46.120
<v Speaker 1>to the brink of poof, and now are they're adult

0:51:46.160 --> 0:51:48.759
<v Speaker 1>selves with fuzzy memories of what happens. Their dadd even

0:51:48.800 --> 0:51:51.640
<v Speaker 1>remembers that he said something about making a peepee, which

0:51:52.400 --> 0:51:55.440
<v Speaker 1>it was a strange joke to bring back again. Yes, uh,

0:51:55.640 --> 0:51:58.000
<v Speaker 1>Norton now also loves the dog. He remembers the dog.

0:51:58.120 --> 0:52:00.759
<v Speaker 1>Enough we get a family hug and a celebration that

0:52:00.800 --> 0:52:03.799
<v Speaker 1>the kids are actually scientific geniuses. The family's a full unit.

0:52:03.840 --> 0:52:06.560
<v Speaker 1>Once again, we don't exactly know how the Urban Slugs

0:52:06.560 --> 0:52:08.080
<v Speaker 1>turned out, but we assume he's going to be in

0:52:08.120 --> 0:52:11.880
<v Speaker 1>the band. The Ballads are regular barbecuing inside the house

0:52:11.960 --> 0:52:15.040
<v Speaker 1>because of course, when you grill, you always grill inside.

0:52:15.239 --> 0:52:18.960
<v Speaker 1>They're spending time together and Eddie. It ends again with

0:52:19.840 --> 0:52:22.319
<v Speaker 1>Taj talking to the camera, but this time dressed as

0:52:22.320 --> 0:52:25.920
<v Speaker 1>a Rastafarian, saying they just made a trip to nineteen

0:52:26.000 --> 0:52:28.680
<v Speaker 1>seventy five where Eddie got to play.

0:52:28.480 --> 0:52:30.880
<v Speaker 3>With Bob Marley and the Whalers.

0:52:30.920 --> 0:52:35.680
<v Speaker 1>And the Whalers. Now, I'm thinking what happened is at

0:52:35.719 --> 0:52:37.680
<v Speaker 1>one point in the movie, which we did not address,

0:52:38.440 --> 0:52:42.400
<v Speaker 1>they're glitching and trying to fix the machine. The kids

0:52:42.440 --> 0:52:46.520
<v Speaker 1>don't know what to do, so he hits Undue and

0:52:46.560 --> 0:52:50.960
<v Speaker 1>it brings the parents back, essentially solving the riddle of

0:52:51.000 --> 0:52:54.799
<v Speaker 1>the time machine. I think he essentially fixed the time

0:52:54.840 --> 0:52:58.359
<v Speaker 1>machine by hitting Undue. Okay, so now they have a

0:52:58.440 --> 0:53:00.719
<v Speaker 1>working time machine, which of course it did not really

0:53:00.760 --> 0:53:02.960
<v Speaker 1>talk about. So they made a family trip back to

0:53:03.000 --> 0:53:05.640
<v Speaker 1>nineteen seventy five where he can play with Bob Marley.

0:53:06.719 --> 0:53:12.480
<v Speaker 1>Roll credits. Here's your movie. This was a tough one, folks.

0:53:12.560 --> 0:53:14.919
<v Speaker 1>I'm sorry for anybody out there that loved this movie.

0:53:14.960 --> 0:53:18.000
<v Speaker 1>You gotta love what you love, yes, unapologetically love what

0:53:18.080 --> 0:53:20.920
<v Speaker 1>you love. But this this one, this one was a

0:53:20.920 --> 0:53:22.400
<v Speaker 1>little rough for me. I'll be allre it was.

0:53:22.600 --> 0:53:23.120
<v Speaker 3>It was.

0:53:31.160 --> 0:53:33.280
<v Speaker 1>Well, let's see if it was rough for everybody. Sabrina

0:53:33.680 --> 0:53:35.480
<v Speaker 1>and I think we should do our real reviews.

0:53:35.719 --> 0:53:38.360
<v Speaker 2>Yes, and there is definitely someone out there with a

0:53:38.400 --> 0:53:42.800
<v Speaker 2>five star on this Bad Boy, a nameless review from

0:53:42.920 --> 0:53:45.120
<v Speaker 2>June twenty sixteen.

0:53:46.320 --> 0:53:50.600
<v Speaker 3>It would be crazy to babysit your parents.

0:53:51.040 --> 0:53:52.160
<v Speaker 1>That's the whole rank you.

0:53:52.520 --> 0:53:53.799
<v Speaker 3>That's the review, Thank you.

0:53:54.280 --> 0:53:57.800
<v Speaker 1>And I've got the one star review from somebody named takanek.

0:53:58.000 --> 0:54:01.000
<v Speaker 1>I think it is t ok a na see the

0:54:01.000 --> 0:54:03.919
<v Speaker 1>best part for me the dog. I am an animal lover.

0:54:03.960 --> 0:54:07.680
<v Speaker 1>Though literally neither of them about the movie at all, really,

0:54:08.080 --> 0:54:10.520
<v Speaker 1>and I think that says something. We're gonna play another

0:54:10.560 --> 0:54:12.920
<v Speaker 1>game today, and this is a strange one. When I

0:54:12.920 --> 0:54:15.560
<v Speaker 1>was reading this game, even I didn't quite get what

0:54:15.600 --> 0:54:17.839
<v Speaker 1>we're doing here. It's called One for the Ages. We're

0:54:17.840 --> 0:54:20.760
<v Speaker 1>gonna read adult and child milestones that happened in almost

0:54:20.760 --> 0:54:23.440
<v Speaker 1>everyone's life and according to the UK Office of National

0:54:23.480 --> 0:54:28.239
<v Speaker 1>Statistics in twenty nineteen, and our very own American CDC website.

0:54:28.640 --> 0:54:31.320
<v Speaker 1>We then have to guess what age they are describing

0:54:31.400 --> 0:54:34.600
<v Speaker 1>as a milestone for development. These markers are off for everyone,

0:54:34.760 --> 0:54:37.240
<v Speaker 1>just clues you can find online for progress. So, for example,

0:54:37.520 --> 0:54:40.000
<v Speaker 1>if we said, what's you know when you legally become

0:54:40.040 --> 0:54:42.200
<v Speaker 1>an adult, the answer would be eighteen.

0:54:42.920 --> 0:54:46.279
<v Speaker 3>Do we have to say adult or child? Or do

0:54:46.360 --> 0:54:48.359
<v Speaker 3>we actually put an age to it? You put an

0:54:48.360 --> 0:54:49.800
<v Speaker 3>age actual to age?

0:54:49.880 --> 0:54:52.960
<v Speaker 1>Okay, I think number three might have put the answer

0:54:52.960 --> 0:54:54.920
<v Speaker 1>in there already by accident.

0:54:55.360 --> 0:54:58.400
<v Speaker 4>Oh really, but I'm gonna read it. I'm gonna if

0:54:58.400 --> 0:54:59.520
<v Speaker 4>it's in there. If it's in there, it gives you

0:54:59.520 --> 0:54:59.959
<v Speaker 4>another examp.

0:55:01.120 --> 0:55:01.680
<v Speaker 3>So here we go.

0:55:01.920 --> 0:55:06.680
<v Speaker 1>Well, here's number one getting married. Now this is a course.

0:55:06.719 --> 0:55:08.560
<v Speaker 1>This is from twenty nineteen. I think people are getting

0:55:08.600 --> 0:55:12.280
<v Speaker 1>married later. Yep, I'm gonna go ahead. You go first.

0:55:12.480 --> 0:55:13.680
<v Speaker 3>I would say thirty two.

0:55:14.280 --> 0:55:15.920
<v Speaker 1>Ooh, you're gonna go even higher than me. I was

0:55:15.920 --> 0:55:19.359
<v Speaker 1>gonna say thirty Let's see we got I have no

0:55:19.400 --> 0:55:22.920
<v Speaker 1>idea what's happening today? It's thirty two. I mean, I'm disgusting.

0:55:23.239 --> 0:55:24.000
<v Speaker 3>I'm disgusting.

0:55:24.280 --> 0:55:30.560
<v Speaker 1>Oh, Sabrina is nailing it. Thirty two draws a person

0:55:30.719 --> 0:55:33.600
<v Speaker 1>with three or more parts does that mean you that's

0:55:33.600 --> 0:55:36.319
<v Speaker 1>when you first realize that you could what a person is?

0:55:36.320 --> 0:55:37.960
<v Speaker 1>Like how old you are when you draw a person

0:55:38.000 --> 0:55:39.560
<v Speaker 1>with three or more parts? Is that? Yeah? I mean

0:55:39.600 --> 0:55:39.839
<v Speaker 1>I don't.

0:55:39.840 --> 0:55:42.400
<v Speaker 4>I wouldn't even say you acknowledge how many parts of person?

0:55:42.480 --> 0:55:44.240
<v Speaker 4>Is it? Just it would be like ahead a stick.

0:55:44.719 --> 0:55:49.960
<v Speaker 1>H Okay, I'm gonna say three.

0:55:50.719 --> 0:55:51.560
<v Speaker 3>I'm gonna go four.

0:55:52.520 --> 0:55:57.759
<v Speaker 1>Oh no, it's four. Oh no, something's happening. Okay, I'm

0:55:57.760 --> 0:55:59.600
<v Speaker 1>going to read this exactly. I was written having a

0:55:59.640 --> 0:56:00.719
<v Speaker 1>baby twenty nine.

0:56:00.840 --> 0:56:04.640
<v Speaker 4>Yeah, it's twenty nine. But I do think that's kind

0:56:04.640 --> 0:56:06.799
<v Speaker 4>of crazy because having a baby's twenty nine, but getting

0:56:06.840 --> 0:56:07.200
<v Speaker 4>married is.

0:56:07.200 --> 0:56:08.399
<v Speaker 1>Getting thirty two too.

0:56:08.760 --> 0:56:09.600
<v Speaker 3>That is interesting.

0:56:09.640 --> 0:56:13.279
<v Speaker 1>It is strange. Yes, by the way, I have no

0:56:13.400 --> 0:56:15.400
<v Speaker 1>children and wasn't married till I was forty, Thank you

0:56:15.480 --> 0:56:19.280
<v Speaker 1>very much. Starts to like looking at themselves in the mirror.

0:56:22.040 --> 0:56:26.600
<v Speaker 1>Seven five seven five? Who are you people?

0:56:26.640 --> 0:56:27.600
<v Speaker 4>This is six months?

0:56:28.320 --> 0:56:29.880
<v Speaker 1>Oh that's true.

0:56:30.000 --> 0:56:31.880
<v Speaker 3>You're right, Oh that's true.

0:56:32.400 --> 0:56:35.359
<v Speaker 2>No, child don't know that they recognize that it's themselves

0:56:35.360 --> 0:56:40.160
<v Speaker 2>in the I think they think they're looking at just someone.

0:56:40.480 --> 0:56:43.720
<v Speaker 4>Are you guys raising vampires?

0:56:44.040 --> 0:56:50.239
<v Speaker 1>No, there's no reflection. Moving out of your parents' house. No,

0:56:50.800 --> 0:56:52.040
<v Speaker 1>it's gotten a lot older.

0:56:52.320 --> 0:56:58.040
<v Speaker 3>It has. I would say, I'm gonna say twenty eight.

0:56:58.600 --> 0:56:59.959
<v Speaker 1>I was gonna say twenty six.

0:57:01.200 --> 0:57:02.160
<v Speaker 4>Well it's twenty three.

0:57:02.719 --> 0:57:07.359
<v Speaker 1>Okay, that's a little better. Yeah, and here's the last one.

0:57:07.640 --> 0:57:18.720
<v Speaker 1>Hops on one foot eleven, don't kidding? Two? Three? This

0:57:18.840 --> 0:57:21.040
<v Speaker 1>is all the pressure you put on yourself too.

0:57:23.560 --> 0:57:24.880
<v Speaker 4>The answer is five?

0:57:25.640 --> 0:57:26.840
<v Speaker 1>Is it really? Yeah?

0:57:27.120 --> 0:57:29.000
<v Speaker 3>Can hop on one foot five?

0:57:29.200 --> 0:57:32.240
<v Speaker 1>But she's got a dancer's pedigree. That's true. There you go.

0:57:32.880 --> 0:57:35.920
<v Speaker 1>Oh my, all right, well, thank you once again, Producer

0:57:36.000 --> 0:57:38.400
<v Speaker 1>Jensen for one for the ages.

0:57:38.600 --> 0:57:39.960
<v Speaker 4>And by the way, I just want to go on record.

0:57:40.000 --> 0:57:41.880
<v Speaker 4>I have no connection to this. I think some of

0:57:41.880 --> 0:57:43.640
<v Speaker 4>this is BS. I hops on one foot at five.

0:57:43.720 --> 0:57:44.600
<v Speaker 4>I feel like that's late.

0:57:44.800 --> 0:57:45.960
<v Speaker 3>Yeah, I do too.

0:57:46.400 --> 0:57:48.600
<v Speaker 1>I feel like that's like, don't you start playing hopscotch

0:57:48.640 --> 0:57:50.680
<v Speaker 1>when you're like three? I don't know, I listen.

0:57:50.680 --> 0:57:51.760
<v Speaker 3>I just pulled it off the sites.

0:57:52.240 --> 0:57:55.000
<v Speaker 1>That's true, that's true. I still think having a baby

0:57:55.040 --> 0:57:57.720
<v Speaker 1>twenty nine is my favorite question that we had. Yeah,

0:57:57.720 --> 0:58:02.960
<v Speaker 1>don't at me? Okay, can we do Sabrina ses please?

0:58:04.000 --> 0:58:04.240
<v Speaker 4>Yes?

0:58:08.360 --> 0:58:10.320
<v Speaker 1>And can it all be about the blonde kid with

0:58:10.360 --> 0:58:12.760
<v Speaker 1>the long hair who just keeps going word or whatever.

0:58:12.920 --> 0:58:13.800
<v Speaker 1>I know, I have to.

0:58:13.800 --> 0:58:17.080
<v Speaker 2>Cut, cut, cut, let me let me scroll, let me scroll,

0:58:17.160 --> 0:58:21.560
<v Speaker 2>let me scroll. I had a and they talk about

0:58:21.600 --> 0:58:23.640
<v Speaker 2>it later and explain it later. I had a huge

0:58:23.680 --> 0:58:26.920
<v Speaker 2>issue with the laboratory in the house. That drove me crazy.

0:58:26.960 --> 0:58:30.760
<v Speaker 2>In the beginning, I kept saying, and really, and then

0:58:30.800 --> 0:58:32.680
<v Speaker 2>in the laboratory, I know we talked already about this,

0:58:32.800 --> 0:58:34.040
<v Speaker 2>but the poof.

0:58:33.760 --> 0:58:38.840
<v Speaker 3>Point countdown, that sign being.

0:58:38.720 --> 0:58:41.920
<v Speaker 2>Just a piece of paper with marker, for some reason

0:58:42.040 --> 0:58:46.360
<v Speaker 2>drove me crazy time. And they obviously are showing the countdown,

0:58:46.360 --> 0:58:47.600
<v Speaker 2>they show it so often.

0:58:47.640 --> 0:58:49.320
<v Speaker 3>I don't know why. That drove me nuts.

0:58:49.360 --> 0:58:53.280
<v Speaker 1>But they also have a voice saying, you know this

0:58:53.320 --> 0:58:54.400
<v Speaker 1>amount of times out.

0:58:54.600 --> 0:58:55.560
<v Speaker 3>I know there's an.

0:58:55.400 --> 0:58:58.960
<v Speaker 1>AI that's obviously speaking to them, but they need marker

0:58:59.000 --> 0:59:00.000
<v Speaker 1>to write down what's happening.

0:59:00.440 --> 0:59:01.840
<v Speaker 3>Yes, but a marker.

0:59:02.000 --> 0:59:05.600
<v Speaker 2>I mean, these are scientists, you, I mean, I know,

0:59:06.000 --> 0:59:08.080
<v Speaker 2>it just mean I just couldn't believe that they don't

0:59:08.080 --> 0:59:09.080
<v Speaker 2>have a printer that could have.

0:59:09.080 --> 0:59:09.960
<v Speaker 1>Done I don't know.

0:59:10.480 --> 0:59:13.800
<v Speaker 2>Again, that bugged me so much. And then going back

0:59:13.840 --> 0:59:20.320
<v Speaker 2>to the parents, the mom Marabel saying this is why

0:59:20.440 --> 0:59:22.640
<v Speaker 2>I was reluctant to have children.

0:59:22.760 --> 0:59:24.200
<v Speaker 3>Thank you, mom, Please.

0:59:23.920 --> 0:59:27.760
<v Speaker 2>Don't hold back glad they really never wanted me at all,

0:59:28.360 --> 0:59:32.000
<v Speaker 2>reluctant to even want kids in the beginning that I

0:59:32.440 --> 0:59:33.200
<v Speaker 2>had to rewind it.

0:59:33.240 --> 0:59:35.360
<v Speaker 3>I thought that was a pretty funny moment that they

0:59:35.480 --> 0:59:37.160
<v Speaker 3>swipe right on over.

0:59:37.240 --> 0:59:39.400
<v Speaker 2>The kids don't even react to it because they're used

0:59:39.400 --> 0:59:41.000
<v Speaker 2>to her saying these crazy things.

0:59:41.360 --> 0:59:45.040
<v Speaker 3>And then I want to know who made these who

0:59:45.080 --> 0:59:46.200
<v Speaker 3>made these neighbors?

0:59:46.640 --> 0:59:49.240
<v Speaker 2>Are they the head of the h o A, Why

0:59:49.280 --> 0:59:52.840
<v Speaker 2>are they able to be Why are they able to

0:59:52.880 --> 0:59:56.160
<v Speaker 2>say we have taken votes, your parents are out of here?

0:59:57.320 --> 1:00:00.160
<v Speaker 2>How can you honestly kick You cannot kick someone off

1:00:00.160 --> 1:00:02.280
<v Speaker 2>your street. You can put a lean on their house

1:00:02.320 --> 1:00:04.960
<v Speaker 2>within an h OA, but you cannot just say we

1:00:05.080 --> 1:00:07.800
<v Speaker 2>don't like your daffodils in the front of your house.

1:00:08.280 --> 1:00:08.760
<v Speaker 3>Bye.

1:00:08.800 --> 1:00:09.560
<v Speaker 1>You can't do that.

1:00:09.640 --> 1:00:12.479
<v Speaker 2>So that was that was funny, that kept coming back.

1:00:12.800 --> 1:00:15.560
<v Speaker 2>And then you know, of course they did give Marie

1:00:16.120 --> 1:00:18.320
<v Speaker 2>an opt to get the kids out of the house,

1:00:18.360 --> 1:00:21.200
<v Speaker 2>so that was nice. But you're still just being very

1:00:21.240 --> 1:00:24.480
<v Speaker 2>aggressive and you have no platform to stand on.

1:00:24.640 --> 1:00:28.160
<v Speaker 3>So those adults in this movie were rough.

1:00:28.280 --> 1:00:30.720
<v Speaker 1>I'd like to throw in a will Sea's for the

1:00:30.760 --> 1:00:32.400
<v Speaker 1>first time, if you don't mind, and this will not

1:00:32.480 --> 1:00:35.160
<v Speaker 1>be wait, I'm let me do it myself. Will sies.

1:00:37.040 --> 1:00:40.280
<v Speaker 1>So this is the first time ever registered to me

1:00:40.320 --> 1:00:43.000
<v Speaker 1>in any way, shape or form. I thought the house

1:00:43.120 --> 1:00:48.480
<v Speaker 1>they picked for them, their house was weird, weird just

1:00:48.560 --> 1:00:51.280
<v Speaker 1>the exterior of the house. It looked like they shot

1:00:51.400 --> 1:00:54.480
<v Speaker 1>part of a hotel and cut there. It looked odd

1:00:54.520 --> 1:00:55.480
<v Speaker 1>to me. I don't know why.

1:00:55.560 --> 1:00:57.640
<v Speaker 3>The neighbor's house was strange too.

1:00:58.080 --> 1:01:01.520
<v Speaker 1>It was a strange neighborhood construct do I don't know

1:01:01.560 --> 1:01:03.360
<v Speaker 1>if we know where this one was filmed, but this.

1:01:03.520 --> 1:01:06.120
<v Speaker 3>Was I didn't see anything, so let's assume.

1:01:06.160 --> 1:01:09.320
<v Speaker 1>Let's assume it's Utah, Utah. It was a strange little neighborhood.

1:01:09.360 --> 1:01:11.240
<v Speaker 3>No, Utah's houses are so cool.

1:01:11.400 --> 1:01:14.920
<v Speaker 1>This was a strange little neighborhood. It was. Well, now

1:01:14.920 --> 1:01:17.320
<v Speaker 1>it's time to rate our movie. One out of ten.

1:01:17.360 --> 1:01:20.800
<v Speaker 1>You know, uh, Sabrina, what do we got this week?

1:01:20.800 --> 1:01:24.000
<v Speaker 1>How about one out of ten more resiblings, one out

1:01:24.000 --> 1:01:27.560
<v Speaker 1>of ten urban slugs, one out of ten, milkshake hangovers,

1:01:28.280 --> 1:01:31.760
<v Speaker 1>one out of ten, white kids with braids, one out

1:01:31.760 --> 1:01:35.920
<v Speaker 1>of ten baby parents, one out of ten mongrels, one

1:01:35.920 --> 1:01:38.280
<v Speaker 1>out of ten Bob Marley jam sessions. Or I'm gonna

1:01:38.280 --> 1:01:42.320
<v Speaker 1>add one out of ten non finger moving guitar riffs.

1:01:42.720 --> 1:01:45.120
<v Speaker 1>Which which one would you like to pick this week?

1:01:45.160 --> 1:01:50.160
<v Speaker 2>Sabrina, I think I think I'll go with the non moving,

1:01:50.720 --> 1:01:51.680
<v Speaker 2>non finger.

1:01:51.680 --> 1:01:53.920
<v Speaker 1>Guitar riffs guitar risks.

1:01:53.960 --> 1:01:57.480
<v Speaker 3>Okay, I don't remember if you went first or me

1:01:57.640 --> 1:01:57.960
<v Speaker 3>at this.

1:01:57.960 --> 1:02:01.800
<v Speaker 1>Point, I think I think you went first. Last time.

1:02:01.880 --> 1:02:03.960
<v Speaker 1>I can't remember, and it sucks that I have to

1:02:03.960 --> 1:02:04.360
<v Speaker 1>go first.

1:02:04.640 --> 1:02:05.560
<v Speaker 3>No, you go first.

1:02:05.600 --> 1:02:11.320
<v Speaker 1>Then this is gonna be my lowest rated d COOM yet,

1:02:11.400 --> 1:02:14.640
<v Speaker 1>I believe. I'm sorry to say again, for anybody out

1:02:14.640 --> 1:02:16.560
<v Speaker 1>there who loves this movie, we can only take them

1:02:16.560 --> 1:02:20.640
<v Speaker 1>as they come. It's just not my favorite. I'm gonna

1:02:20.720 --> 1:02:27.800
<v Speaker 1>give this three non moving finger guitarists. It just this,

1:02:27.800 --> 1:02:30.560
<v Speaker 1>this movie did not hit for me on so many levels.

1:02:30.840 --> 1:02:35.040
<v Speaker 1>And props to my friend Taj, who is will always

1:02:35.040 --> 1:02:38.320
<v Speaker 1>be a star. There's a reason he's a star. He

1:02:38.480 --> 1:02:40.400
<v Speaker 1>was not even bad in this movie. And this was

1:02:40.480 --> 1:02:42.520
<v Speaker 1>not a good movie. But no one could look and

1:02:42.560 --> 1:02:44.000
<v Speaker 1>say the reason this was not a good movie is

1:02:44.000 --> 1:02:47.520
<v Speaker 1>because of Taj. He did his he did his damnedest

1:02:47.600 --> 1:02:51.240
<v Speaker 1>in this film. It just this project did not come

1:02:51.280 --> 1:02:53.360
<v Speaker 1>together for me. So I'm gonna give it. I'm gonna

1:02:53.400 --> 1:02:54.360
<v Speaker 1>give it a three.

1:02:54.480 --> 1:02:58.640
<v Speaker 2>Yeah, I think I'm gonna I'm gonna hit you right

1:02:58.680 --> 1:03:03.440
<v Speaker 2>there with another three of non movie finger.

1:03:06.720 --> 1:03:07.080
<v Speaker 1>Yeah.

1:03:07.120 --> 1:03:09.400
<v Speaker 3>It was a bummer because, like I said, I saw

1:03:09.520 --> 1:03:11.800
<v Speaker 3>the casts and I was excited for it.

1:03:11.880 --> 1:03:14.560
<v Speaker 2>But and again I don't think it was really necessarily them.

1:03:14.600 --> 1:03:16.760
<v Speaker 2>I just think, no, there was a lot. It seemed

1:03:17.000 --> 1:03:20.240
<v Speaker 2>now that you brought in that idea of the Sean

1:03:20.320 --> 1:03:26.480
<v Speaker 2>Aston situation, that makes so much sense. Something could have

1:03:26.920 --> 1:03:31.000
<v Speaker 2>absolutely happened during filming and things just not working.

1:03:31.080 --> 1:03:33.400
<v Speaker 3>And you know, but the.

1:03:33.440 --> 1:03:38.280
<v Speaker 1>Four main cast members in this movie are not bad actors. No,

1:03:38.400 --> 1:03:41.400
<v Speaker 1>they just are not bad actors, not a single one

1:03:41.440 --> 1:03:43.919
<v Speaker 1>of them. And this was not the project for them.

1:03:44.120 --> 1:03:45.840
<v Speaker 3>It just wasn't. It just didn't hit.

1:03:46.200 --> 1:03:47.200
<v Speaker 1>It just didn't.

1:03:48.520 --> 1:03:49.440
<v Speaker 3>Oh man.

1:03:49.600 --> 1:03:52.000
<v Speaker 1>And that is the end of the proof point. Thank

1:03:52.040 --> 1:03:55.400
<v Speaker 1>you everybody so much for joining us this week. They

1:03:55.480 --> 1:03:57.880
<v Speaker 1>can't all be amazing, but some of them are, and

1:03:57.960 --> 1:03:59.880
<v Speaker 1>we're looking for them out there. We're looking for the gems.

1:04:00.040 --> 1:04:02.240
<v Speaker 1>They're out there. So remember to subscribe to our feed

1:04:02.480 --> 1:04:04.600
<v Speaker 1>and you can follow us at the Magical rewind Pod

1:04:04.960 --> 1:04:11.560
<v Speaker 1>on Instagram. Thank you so much. Don't poof out, Bye everybody.

1:04:11.600 --> 1:04:14.120
<v Speaker 3>Bye.