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Speaker 1: Sabrina, Was there a time in your life that you

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Speaker 1: would go back to right now if you could, would

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Speaker 1: you change your age right now, if you could to

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Speaker 1: go back and redo something, not even redo, I'm going

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Speaker 1: to take that back. No, not even redo, just to

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Speaker 1: go back and be an age again. It's not even

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Speaker 1: about fixing mistakes, going out and being an age again.

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Speaker 1: Is there one you'd pick?

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Speaker 2: I think I would go back just to relive again

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Speaker 2: that those couple of years of first meeting Jordan and ours,

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Speaker 2: like first starting our relationship. I loved that time. I

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Speaker 2: was doing such a fun work situation. I was in

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Speaker 2: Vegas working at the Tropic Canna, doing the Dancing with

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Speaker 2: the Stars live in Las Vegas.

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Speaker 3: And then we did cruise lines like there was just

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Speaker 3: so much fun stuff.

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Speaker 2: And then of course, just like meeting him and after

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Speaker 2: dating not the best guys, finding this love and it

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Speaker 2: being what everyone else that I knew at that age

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Speaker 2: was talking about a lot of my friends were married

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Speaker 2: by that time, and it was like.

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Speaker 3: Oh, oh, this is amazing. N So, yeah, I think

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Speaker 3: that might be that nice Corney.

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Speaker 1: Huh, None, that's great, I think that's good. Yeah, I'm

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Speaker 1: I have I have two answers. The first one is

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Speaker 1: totally ridiculous. It's just so cliche, but it's true. Where

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Speaker 1: I'm the happiest I think I've ever been up the

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Speaker 1: age I am right now. I wouldn't want to change

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Speaker 1: it at all.

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Speaker 3: Yeah, that's awesome.

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Speaker 1: And then my other answer is to the first time

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Speaker 1: I meet Jordan, That's when I'm going to go on out.

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Speaker 1: I'm gonna change my age. I want to go forward

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Speaker 1: in life. Whenever I meet him. It sounds like a

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Speaker 1: great guy.

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Speaker 3: Yeah, he'll change your He'll change your whole world.

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Speaker 1: I bet you you will. I'll bet you you will

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Speaker 1: change my world. Well, welcome back to Magical Rewind, the

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Speaker 1: show that makes you want to grab your friends, your PJS,

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Speaker 1: and your popcorn and go back to a time when

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Speaker 1: all the houses were smart, the Wave, Tsunamis and the

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Speaker 1: high School's musical. I'm wilfor Dell and I'm Sabrina Brian. Well,

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Speaker 1: once again we have found ourselves back in a time

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Speaker 1: travel conundrum. So hide the goldfish, cause we're gonna break

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Speaker 1: down the two thousand and one sci fi comedy v

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Speaker 1: D com the poof Point. We are two weeks in

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Speaker 1: a row. Here, people, first, minute men. Now this the

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Speaker 1: poof point, debuted on a rather precarious day for a

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Speaker 1: time travel movie, first showing on the channel September fourteenth,

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Speaker 1: two thousand and one. So this is three days after,

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Speaker 1: you know, our country had just gone for one of

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Speaker 1: the worst days in history. The movie is based on

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Speaker 1: a nineten ninety two children's novel of the same insane title,

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Speaker 1: written by Elaine Weiss, and we can acknowledge that once

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Speaker 1: again we have a strange title that does it no favors.

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Speaker 1: It has very thirteenth year vibe and also kind of

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Speaker 1: sounds a little bit dirty or at least like a

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Speaker 1: movie well about farts. So you can watch this movie

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Speaker 1: not about farts, thank you, on Disney Plus. So go

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Speaker 1: check it out now or later. You've all got free will,

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Speaker 1: so use it anyway. We once again enter the sci

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Speaker 1: fi genre for this, but also into a really surreal

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Speaker 1: slapstick space as well. Worth noting that, not only in

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Speaker 1: the world of dcoms, but also on television in general

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Speaker 1: in two thousand and one, it was rare to see

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Speaker 1: a story centered around a black family, and a black

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Speaker 1: family of scientists at that, so once again kudos to

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Speaker 1: the Disney channel for always being just a bit ahead

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Speaker 1: in the field of inclusivity. They really have been. You

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Speaker 1: name it, they get their first It's awesome. With that said,

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Speaker 1: the proof Point is one of the lowest rated dcoms

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Speaker 1: when it comes to reviews, clocking a twenty seven percent

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Speaker 1: on Rotten Tomatoes and regularly mentioned when listing the worst

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Speaker 1: releases from the genre. And well, one of the reasons

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Speaker 1: is because we once again go back to one of

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Speaker 1: our favorite tropes, unbelievably awful neglectful parents. The premise is

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Speaker 1: so dependent on that, and boy does this movie have

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Speaker 1: plot holes. Not to mention it looks like it was

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Speaker 1: shot on a camquarder Sabrina. As always, I'm going to

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Speaker 1: did you know anything about this movie before the words

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Speaker 1: the poof and point, no, we're put on your schedule?

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Speaker 3: Not at all.

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Speaker 2: I was super stoked to see our guy Taj, who

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Speaker 2: we love here on this podcast.

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Speaker 1: So much, loved to so.

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Speaker 2: Excited to see him and a lot of great amazing actors.

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Speaker 3: You know that.

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Speaker 2: I was excited when I first turned it on, and

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Speaker 2: then it sort.

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Speaker 1: Of happened to you. It's seeing to me. It was

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Speaker 1: happening to me, and I couldn't make it stop.

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Speaker 3: I couldn't. I couldn't. It was. It was a tougher

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Speaker 3: movie for me to get through.

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Speaker 2: Unfortunately, I hate saying anything a bad about the Disney

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Speaker 2: Channel because you know, I am a Disney girl through

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Speaker 2: and through.

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Speaker 3: But this was it was a tough one.

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Speaker 1: It was rough and this and again, they can't all

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Speaker 1: be great. They can't love every movie. I can absolutely

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Speaker 1: say that even in this film, Taj is great. He's

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Speaker 1: tas Yes, there's a reason he was one of the

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Speaker 1: stars of the Channel. He shines in every thing he's in.

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Speaker 1: He's really really good. They always talk about it, like

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Speaker 1: when you see especially a child actor, Yes, they have it.

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Speaker 1: He has it. He just does.

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Speaker 3: Yes.

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Speaker 2: Also, another actor that we've seen now that breaks the

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Speaker 2: fourth wall talk straight to us.

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Speaker 3: And again that is really hard to do. It is

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Speaker 3: and he did a great job.

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Speaker 1: And we'll get into that because I have a theory

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Speaker 1: that I called the Shawn Aston theory. And we'll get

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Speaker 1: into my Shawn Aston theory in a bit, all right,

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Speaker 1: But before we find ourselves magically daged back into middle school,

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Speaker 1: or before we turned on this movie, let's get into

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Speaker 1: the synopsis. A married scientist couple are forced to enlist

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Speaker 1: the help of their children after an experiment goes wrong

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Speaker 1: and makes them younger and younger. This is where we

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Speaker 1: do our early thoughts. I think we both just kind

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Speaker 1: of said, it's not great. We don't need to dwell

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Speaker 1: on the fact that it's not great, but it's really

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Speaker 1: especially because we've been seeing some kind of bangers, yes

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Speaker 1: for different reasons stuff we loved. This just seemed like

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Speaker 1: it was I mean, I look at two thousand and one.

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Speaker 1: I mean, when did Cheetah Girls come out.

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Speaker 2: Two thousand and three, three in two thousand and two,

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Speaker 2: two years, so you.

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Speaker 1: Filmed a year later, and this again it looked like

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Speaker 1: it was shot on a camcorder like, it looked bad.

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Speaker 2: The stage was, you know, the props and everything was

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Speaker 2: just kind of I thought when we got the information

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Speaker 2: it was going to be from a different producing company

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Speaker 2: that that Disney bought.

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Speaker 3: Like yes, right, yes, okay, because it didn't.

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Speaker 2: To me, it did not correlate with the rest of

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Speaker 2: or not the rest, but so many does d coms,

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Speaker 2: you know, just it just really looked different.

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Speaker 1: It looked different, it.

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Speaker 3: Grown different, it read different.

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Speaker 2: I agree, and I need my good old d com

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Speaker 2: you know I need it.

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Speaker 1: I need it. Well halfway through this movie, I was like,

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Speaker 1: I never thought I'd say this, but I wish they'd

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Speaker 1: break it the song or they start dancing on the

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Speaker 1: team page. I do something. Anyway, Yes, let's get into

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Speaker 1: the cast the movie stars. Obviously, we've talked about him,

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Speaker 1: Disney legend and someone we love to imagine every single

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Speaker 1: d com because he's amazing. His whole family is young

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Speaker 1: Taj Maury Taj playing Eddie Ballard in this movie. He's

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Speaker 1: best known as TJ Henderson on Smart Guy Teddy on

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Speaker 1: Full House and as the voice of Wade on Kim

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Speaker 1: Possible Wade, Can You Help Me out Here? He also

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Speaker 1: cross over a few times as TJ on Sister Sister Show,

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Speaker 1: starring his twin sisters Tia and Tamara and produced by

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Speaker 1: the same people. Taj was also back on Disney last

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Speaker 1: year as one of the stars of The Muppets Mayhem

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Speaker 1: TV show. He is ridiculously talented and it could not

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Speaker 1: be a nicer human being. Raquelle Lee is Marie Ballard,

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Speaker 1: the older sister of the family. She was a performer

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Speaker 1: on the first season of The Amanda Show and would

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Speaker 1: later voice Nubia on the Proud Family and appear on

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Speaker 1: The Hugh Lees and The Bernie mac Show. She also

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Speaker 1: recently appeared on Disney for the Proud Family reboot Louder

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Speaker 1: and Prouder. Mark Curry is Norton Ballard, their father and

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Speaker 1: a bumbling scientific genius. Mark was a tea. The character

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Speaker 1: not Mark Curry. He's neither bump. He might be a

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Speaker 1: scientific genius. I don't know, but he's not bumbling, but

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Speaker 1: Norton Valor was. Mark was a TGF standout for his

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Speaker 1: hit show Hanging with Mister Cooper that ran for five seasons.

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Speaker 1: You also see him in the movie Armageddon and on

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Speaker 1: shows like See Dad Run, Living Single, The Jamie Fox Show,

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Speaker 1: and Family Reunion with Tiamury and then Don Lewis played

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Speaker 1: his wife, Marigo Balor. She is best remembered for her

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Speaker 1: time on the show A Different World, where she played

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Speaker 1: Jalisa Vinson. In addition to that, this is a very

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Speaker 1: fun fact, she was also one of the composers of

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Speaker 1: the theme song, which is really cool. But her first

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Speaker 1: job ever was in one of my favorite movies of

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Speaker 1: all time, Keenan Ivory Wayans at his best writing and

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Speaker 1: directing a film that is hold your gut funny from

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Speaker 1: beginning to end called I'm Going to Get You Suck Up.

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Speaker 1: Very important in the Fidell family, and she's been in

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Speaker 1: so many things, including hanging with mister Cooper with Mark

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Speaker 1: Curry before doing this movie, girlfriends, Young Rock and better

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Speaker 1: Call Saul. But she can now be heard as an

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Speaker 1: exceptionally busy voiceover actress. She is. She works all the time,

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Speaker 1: most notably as Bernice Hibbert on The Simpsons, but also

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Speaker 1: on Star Trek, Lower Decks, Futurama, World of Warcraft, Doc McStuffins,

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Speaker 1: and is Detective Terry Lee on Spider Man the animated series. Yes,

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Speaker 1: she works all the time, but seriously, go watch I'm

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Speaker 1: Gonna Get You suck It. It is so good. Now

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Speaker 1: very important here because you know how much we dwell

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Speaker 1: on this, but online you get a very different number.

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Speaker 1: But on Disney Plus this movie runs a very short,

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Speaker 1: mercifully seventy nine minutes, which is great, which is in

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Speaker 1: contrast to the number listed on most of the Internet

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Speaker 1: sources which say ninety minutes on the dot. But that

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Speaker 1: is not true. Lies, people, these are lies. Do not

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Speaker 1: believe them. This was no bull's eye. Don't listen to them,

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Speaker 1: I call Pants on Fire. The movie is directed by

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Speaker 1: Neil Israel, whose filmography is insane. He directed some of

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Speaker 1: the classic eighty adult theme movies like Bachelor Party with

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Speaker 1: Tom Hanks, which if you go back and watch, is

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Speaker 1: not good and Moving Violations, and also wrote the first

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Speaker 1: Police Academy movie, Real Genius with Val Kilmer, which is

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Speaker 1: one of the greatest films ever made in the history

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Speaker 1: of the world, and a few Mary Kate and Ashley

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Speaker 1: Olson movies as well. He also go on to direct

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Speaker 1: I'm Blowing Past Mary Kate Nashley Olsen by the Way,

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Speaker 1: because nothing will beat Real Genius. He also goes on

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Speaker 1: to direct TV shows like The Wonder Years, Lizzy Maguire,

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Speaker 1: Nash Bridges, and Phil of the Future. Such an eclectic career.

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Speaker 1: Neil Israel has been around forever, which made me wonder

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Speaker 1: about this movie a little bit because it just didn't

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Speaker 1: look good anyway. I'm not gonna dwell. I tried to

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Speaker 1: watch it as an eleven year old, and the eleven

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Speaker 1: oar old of me was sitting there going, Wow, this

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Speaker 1: movie doesn't look good. And then poof Point is written

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Speaker 1: by the dcom daddy friend of the podcast. Great guy,

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Speaker 1: Stu Krieger. Go check out our interview with him. He's

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Speaker 1: amazingly fascinated and we hope to get him back soon.

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Speaker 1: So we're not gonna say anything about the writing because

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Speaker 1: it really kind. I mean, the writing wasn't great, but

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Speaker 1: I don't think this was Stu through and through. I

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Speaker 1: don't know why. I bet you there's a story, but

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Speaker 1: I don't know what it is. It didn't feel like

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Speaker 1: a Stu Krieger movie. It did, frankly, I mean, yeah,

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Speaker 1: how many have we watch now? There's been a bunch,

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Speaker 1: so yeah, it didn't. Yeah, and we want to have

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Speaker 1: him back on him. I'd like to talk to him

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Speaker 1: about this. It's also worth noting that Darlene Marie, Taj's

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Speaker 1: mom was a producer on this movie, something she would

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Speaker 1: only do three times, and the other two movies are

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Speaker 1: Seventeen Again and Double Wedding with her Daughters. Okay, So

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Speaker 1: getting back to what you said in the beginning, So

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Speaker 1: you said that we've only and this is right, we've

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Speaker 1: only really seen this in quints where the actors talking

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Speaker 1: directly to the camera, which then led to us talking

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Speaker 1: about a couple times Parker Lewis can't lose, which you're

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Speaker 1: gonna have to go and watch this if we can

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Speaker 1: even find it anywhere. But it's it starts with Taj

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Speaker 1: speaking directly to the camera, but just a single shot

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Speaker 1: of him, like he doesn't move, He's in front of

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Speaker 1: a chalkboard, and he's just addressing the camera directly. Here's

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Speaker 1: my theory about this, and here's why I call it

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Speaker 1: the Shawn Aston theory. So one of my favorite movies

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Speaker 1: growing up with Shawn Aston was Whitewater Summer, and I

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Speaker 1: had a chance to talk to him about Whitewater Summer.

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Speaker 1: White Water Summer's this is going to do this very quickly.

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Speaker 1: It's a movie about a bunch of kids that have

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Speaker 1: nothing in common that go on a camping trip. It's

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Speaker 1: like a summer program with Kevin Bacon as the lead

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Speaker 1: of the camp and Kevin Bacon kind of turns out

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Speaker 1: to be crazy and all this shenanigans happens and the

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Speaker 1: kids have to essentially first beat up Kevin Bacon and

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Speaker 1: then rescue the fact that it's really a Bonker's movie.

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Speaker 1: But I had a chance to talk to Sean about that,

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Speaker 1: and throughout the movie they keep cutting to him talking

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Speaker 1: to the camera about the movie, but he looks older,

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Speaker 1: and so I said to him. I was like, hey, Sean,

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Speaker 1: I want to talk about this, and he went, well,

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Speaker 1: what happened was they cut the movie together and they

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Speaker 1: didn't like how the story was flowing. So like two

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Speaker 1: years later, I had to come back and shoot these interstitials.

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Speaker 1: And with the way this was shot with Taj, it

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Speaker 1: almost seemed like they put the movie together and the

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Speaker 1: story didn't quite work.

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Speaker 3: They needed to help out with some astra and.

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Speaker 1: They shot extra things with Taj to stick in throughout

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Speaker 1: the movie to keep the story going. Yeah. I could

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Speaker 1: totally be wrong.

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Speaker 3: No, yeah, but that would make a lot of sense.

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Speaker 1: Didn't it feel like that a little bit? Yeah?

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Speaker 3: Even the end.

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Speaker 2: I mean I don't want to jump forward, but the

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Speaker 2: end where they've came back from a holiday.

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Speaker 1: Yeah, yes, it didn't. None of it made any sense.

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Speaker 1: And that's the only thing going through my head was

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Speaker 1: they cut this movie together. It did not work the

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Speaker 1: way they had it cut. They went to Taj with

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Speaker 1: these interstitials, they did extra shooting days, and then they

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Speaker 1: cut them in through the movie. Because he does there's

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Speaker 1: certain ones where he's explaining things like, well, the only

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Speaker 1: way we then got my parents, who were now seven

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Speaker 1: years old together is by locking him in a room

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Speaker 1: and making him work it out, and then they cut

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Speaker 1: to after so you didn't have to see what he

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Speaker 1: was just talking about.

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Speaker 2: It was right, strange, Yes, it was just explained through words,

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Speaker 2: no visual to see any of it.

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Speaker 1: Yeah, and it's not even like they had him in

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Speaker 1: different locations talking to the camera. It was just him

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Speaker 1: in front of a chalkboard in the city. I think

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Speaker 1: he's in the same outfit the whole time. I could

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Speaker 1: be wrong, right, Yes, so it just seems like something

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Speaker 1: they threw in last second, but we could be wrong.

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Speaker 1: Let's start the poof point at the beginning. So again

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Speaker 1: starts with TODJ giving us some straight to camera intro

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Speaker 1: an overview asking if we can believe our parents ever

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Speaker 1: used to be young, which is a question we've all

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Speaker 1: thought before. You know you you see your parents. We've

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Speaker 1: talked about this on Podmetrol and I've talked about this

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00:14:40,200 --> 00:14:43,560
Speaker 1: with friends where it's it's a beautiful and strange day

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Speaker 1: when you finally see your parents as humans and not

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Speaker 1: just parents. You realize they're flawed and they're just like you,

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Speaker 1: and they're trying to figure it out the entire way,

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Speaker 1: and and you obviously don't get that when you're fourteen,

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Speaker 1: and you can't get that fourteen. So the premise great

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Speaker 1: kind of premise, like what would your parents be like

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Speaker 1: back to the future kind of.

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Speaker 2: Or thinking about your parents as a teenager as the

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Speaker 2: as the age that you are currently.

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Speaker 3: That is a weird thing.

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Speaker 2: Yeah, no, my parents aren't going through the first you know,

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Speaker 2: jitters of being around a boy you like or finding yourself.

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Speaker 3: Right, things like that.

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Speaker 2: You just don't really ever want to see your parents

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Speaker 2: that way.

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Speaker 1: And when you're a kid, you're you're absolutely convinced that

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Speaker 1: you're the first person to ever experience any of these

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Speaker 1: emotions that you're going No one's ever.

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Speaker 2: Felt like, yes, that that is so so great about

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Speaker 2: being Yeah, it is right.

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Speaker 1: You're just I'm the only way.

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Speaker 2: Your own world, in your own world, nobody understands me.

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Speaker 1: And never will I hear this. You might be able

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Speaker 1: to tell me this. I hear this happens when you

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Speaker 1: become a parent too. All of a sudden, you're the

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Speaker 1: first person ever parent. So it's like, here's how we

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Speaker 1: do it, and your parents like, yeah, we've done this

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Speaker 1: thirty two times and like, yeah, yes, but we do

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Speaker 1: it a little bit differently. So yes, it's I think

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Speaker 1: it always switches. Yes, so we we've all thought before.

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Speaker 1: And he says he's actually lived with his parents as

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Speaker 1: kids and that this is his story, which includes then

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Speaker 1: instantly seeing his parents acting like toddlers, which is very

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Speaker 1: off putting.

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Speaker 2: Right off the beginning, I instantly went, oh, right, oh, no, right.

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Speaker 1: Oh it did.

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Speaker 3: I don't like this. I don't like it already, and

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Speaker 3: I'm two minutes in.

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Speaker 2: I agree terrible saying that, but it was that scene

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Speaker 2: with her on the ground, whining and like a baby. Yeah,

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Speaker 2: and it might be because I have a toddler who

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Speaker 2: kind of does like that to me right now, and

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Speaker 2: I'm like, no, no, I cannot take any additional It

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Speaker 2: might be because of that, but yes, right from the start,

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Speaker 2: I was.

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Speaker 1: Just and I you know, if they did want to

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Speaker 1: suck us in also kind of spoils the end, if

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Speaker 1: I'm honest with you.

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Speaker 2: Yeah, to see these grown people acting as the toddlers,

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Speaker 2: it did kind of take away from when they do

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Speaker 2: progress to that age.

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Speaker 1: I agree. So then we see that, and then he

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Speaker 1: kind of says, but you know, where we don't want

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Speaker 1: to start there, and so boom. We go back to

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Speaker 1: the beginning of the story, where young Eddie and Marie

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Speaker 1: are brothers and sisters. They are stuck with their two

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00:17:08,800 --> 00:17:12,679
Speaker 1: very uncool and uptight scientists inventor parents who have the

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Speaker 1: most irresponsible ideas. They make the house and neighborhood shake.

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Speaker 1: They obviously have you know, they're causing explosions in the house.

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Speaker 1: We find We will find out a little bit later

364
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Speaker 1: that the university they worked for specifically had them build

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Speaker 1: their laboratory in their home to get them off campus

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Speaker 1: because of what they're doing is soo in a neighborhood. Yeah,

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Speaker 1: so put it in a residential neighborhood with your children, right.

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Speaker 1: So they're really awful parents. There's no other way to

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Speaker 1: say it. They are just neglectful, awful parents. They immediately

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Speaker 1: have forgotten that both the kids. So Taj's character is

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Speaker 1: very smart and has skipped a grade, so he's in

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Speaker 1: the same grade as his older sister, and they are

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Speaker 1: both graduating from middle school. Both the parents have completely

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Speaker 1: forgot that they're graduating that day.

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Speaker 2: So sad, so sad, especially because we are in graduation

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Speaker 2: season right now. You see the balloons in every and

377
00:18:02,480 --> 00:18:05,360
Speaker 2: every grocery store. Right now, it is such a big

378
00:18:05,400 --> 00:18:07,879
Speaker 2: deal for kids to go up into that next level.

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Speaker 2: My little nephew just went up. He's now in middle school,

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Speaker 2: and I mean it's huge. You cannot imagine forgetting.

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Speaker 1: That completely and totally forgot. They forgot. Not only that,

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00:18:18,359 --> 00:18:20,640
Speaker 1: but they lie about the fact that they forgot. Yes,

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00:18:20,920 --> 00:18:24,840
Speaker 1: and then they're like, no, we remembered. Then about an

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Speaker 1: hour later, the father forgets again, right, and she has

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Speaker 1: to remind him again.

386
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Speaker 2: And the worst part is there the kids are anticipating this,

387
00:18:32,480 --> 00:18:35,000
Speaker 2: They fully know this is gonna happen. This is how

388
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Speaker 2: bad they are.

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00:18:35,760 --> 00:18:39,320
Speaker 1: Yeah, they're awful. And then at the graduation, the parents

390
00:18:39,320 --> 00:18:42,040
Speaker 1: don't even pay any attention to the graduation itself. They're

391
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Speaker 1: focused on the laptops. They're missing the kid's commencement. And

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Speaker 1: they don't know their their kids friend's name. They know

393
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Speaker 1: nothing about them, like, literally nothing about their kids, their children.

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Speaker 1: They are bad, awful awful parents are the Now, Okay,

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Speaker 1: let's if we're ranking, where do you put these up

396
00:18:59,400 --> 00:19:02,119
Speaker 1: with me? You think about brink Dad, But he was

397
00:19:02,280 --> 00:19:03,600
Speaker 1: he was doing it for a reason.

398
00:19:04,040 --> 00:19:10,600
Speaker 2: He was cranky. He wasn't necessarily no the worst dad.

399
00:19:10,640 --> 00:19:15,240
Speaker 2: He was just cranky. The Quint's parents, they were overwhelmed.

400
00:19:15,720 --> 00:19:17,280
Speaker 2: They weren't great, but so.

401
00:19:17,320 --> 00:19:19,240
Speaker 1: Perfect wasn't great?

402
00:19:19,800 --> 00:19:23,000
Speaker 3: Pixel perfect? Dad was really self centered.

403
00:19:23,160 --> 00:19:25,399
Speaker 1: Yeah, but this, but at least he was trying. He

404
00:19:25,440 --> 00:19:27,760
Speaker 1: was like having meals with his kid and kind of

405
00:19:27,800 --> 00:19:30,640
Speaker 1: trying to do stuff. These to me, were the worst

406
00:19:30,680 --> 00:19:32,080
Speaker 1: parents we've seen on camera so far.

407
00:19:32,240 --> 00:19:35,920
Speaker 3: This is like both these babies were oops to Daisy babies.

408
00:19:35,560 --> 00:19:38,360
Speaker 1: Right, they were both. They weren't even born on purpose.

409
00:19:38,440 --> 00:19:41,600
Speaker 1: These were these were scientific experiment kids who happened to

410
00:19:41,640 --> 00:19:45,320
Speaker 1: be born exactly if they couldn't get any worse. We

411
00:19:45,359 --> 00:19:50,040
Speaker 1: also learned that the dad hates dogs, because forgetting your

412
00:19:50,119 --> 00:19:53,160
Speaker 1: children isn't a bad enough trope. We also hate dogs

413
00:19:53,200 --> 00:19:56,320
Speaker 1: and keeps calling their dog a mongrel. Maybe maybe don't

414
00:19:56,320 --> 00:19:59,280
Speaker 1: get a dog? Right, don't get a dog happened?

415
00:19:59,400 --> 00:20:01,760
Speaker 2: I thought at some point we were going to find

416
00:20:01,800 --> 00:20:04,119
Speaker 2: a reason of why that happened. We find a reason

417
00:20:04,280 --> 00:20:08,160
Speaker 2: why he doesn't like dogs. But why did you get one?

418
00:20:08,359 --> 00:20:10,359
Speaker 1: Yes, what's the point you don't like your kid? Well,

419
00:20:10,440 --> 00:20:12,200
Speaker 1: maybe they wanted the dog to raise the kids because

420
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Speaker 1: they weren't going to do it, which is possible. Another

421
00:20:15,600 --> 00:20:18,720
Speaker 1: thing we learned here is that Eddie plays guitar. Now

422
00:20:19,600 --> 00:20:21,600
Speaker 1: I'm gonna mention this once and then we won't harp

423
00:20:21,680 --> 00:20:21,960
Speaker 1: on it.

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Speaker 3: I don't believe that.

425
00:20:27,359 --> 00:20:32,800
Speaker 1: Todd's a great actor, Mark Curry, good actor. This is

426
00:20:32,880 --> 00:20:37,399
Speaker 1: the worst fake guitar playing ever. I mean, it's bad,

427
00:20:37,600 --> 00:20:41,480
Speaker 1: it's ritten. Why not just don't shoot their hands? Yeah,

428
00:20:41,800 --> 00:20:44,919
Speaker 1: or just do an insert of the hands of somebody

429
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Speaker 1: who's at least knows how to hold a guitar. I mean,

430
00:20:47,480 --> 00:20:49,520
Speaker 1: they literally don't even look like they know how to

431
00:20:49,600 --> 00:20:50,200
Speaker 1: hold a.

432
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Speaker 2: Guitar, and how good they are makes it worse. Right,

433
00:20:55,080 --> 00:20:58,280
Speaker 2: you know what you're hearing makes it worse. Yes, it

434
00:20:58,320 --> 00:21:02,760
Speaker 2: would be one thing if he was to a guitar plane.

435
00:21:02,160 --> 00:21:03,760
Speaker 1: Or can few chords.

436
00:21:04,000 --> 00:21:06,800
Speaker 3: Yeah, just just interested in it, interested in it?

437
00:21:06,920 --> 00:21:09,679
Speaker 1: Right, they are shredding on the guitar while literally not

438
00:21:09,760 --> 00:21:13,040
Speaker 1: moving their fingers. I mean, it's it's it.

439
00:21:13,680 --> 00:21:14,679
Speaker 3: That is, when I take.

440
00:21:14,600 --> 00:21:18,239
Speaker 2: My seatbelt in the car and I strum on my

441
00:21:18,240 --> 00:21:20,720
Speaker 2: seatbelt for my air guitar, that's.

442
00:21:20,520 --> 00:21:21,560
Speaker 3: As good as it happens.

443
00:21:21,600 --> 00:21:23,719
Speaker 1: Okay, wait, please tell me that you're not driving at

444
00:21:23,720 --> 00:21:26,919
Speaker 1: this point, because that's a I'm a passenger.

445
00:21:27,600 --> 00:21:30,200
Speaker 2: I'm a passenger and I do all my good moves

446
00:21:30,440 --> 00:21:33,280
Speaker 2: and Jordan gets all of it, like, great.

447
00:21:33,960 --> 00:21:35,639
Speaker 1: That this is why you want to go back to

448
00:21:35,640 --> 00:21:37,080
Speaker 1: when you first met him, so you could just sit

449
00:21:37,080 --> 00:21:39,840
Speaker 1: there and play play fake guitar for him forever. But

450
00:21:39,880 --> 00:21:43,679
Speaker 1: it's not again, good actors, this was not good, but

451
00:21:43,840 --> 00:21:47,240
Speaker 1: they love it. But his parents are so science focused

452
00:21:47,240 --> 00:21:49,720
Speaker 1: that they don't want this for him. Obviously, he's, like

453
00:21:49,760 --> 00:21:52,119
Speaker 1: you said, he skipped grad he's very smart. But the

454
00:21:52,160 --> 00:21:54,040
Speaker 1: next year in high school he wants to join the

455
00:21:54,080 --> 00:21:55,440
Speaker 1: band Urban.

456
00:21:55,280 --> 00:21:57,880
Speaker 3: Slugs another great name.

457
00:21:58,080 --> 00:22:01,000
Speaker 1: Great did your parents want you to learn anything when

458
00:22:01,040 --> 00:22:03,760
Speaker 1: you were little? They seemed you seem to be very artistic.

459
00:22:03,760 --> 00:22:05,280
Speaker 1: Did they push you towards that or was more like,

460
00:22:05,359 --> 00:22:07,720
Speaker 1: go find you and we're good with it. Yeah.

461
00:22:07,840 --> 00:22:11,920
Speaker 2: Actually, when I wanted to start acting, they told me no,

462
00:22:12,280 --> 00:22:16,120
Speaker 2: they didn't want that for me because it just was

463
00:22:16,600 --> 00:22:19,560
Speaker 2: not you know, they felt my grades were going to

464
00:22:19,640 --> 00:22:21,879
Speaker 2: take me somewhere else. You know, they just that was

465
00:22:21,920 --> 00:22:26,320
Speaker 2: when you know, actors were getting emancipated from their families,

466
00:22:26,359 --> 00:22:28,280
Speaker 2: suing their family. There was a lot of kind of

467
00:22:28,400 --> 00:22:34,359
Speaker 2: crazy stuff happening financially with families in the industry, and

468
00:22:34,440 --> 00:22:37,760
Speaker 2: so they were not super stoked I really had to

469
00:22:37,840 --> 00:22:40,960
Speaker 2: break them down and get them to just give me

470
00:22:41,440 --> 00:22:44,800
Speaker 2: just at least a background, a background agent, I mean,

471
00:22:44,880 --> 00:22:47,720
Speaker 2: you know, and so then it trickled into doing more

472
00:22:47,720 --> 00:22:48,080
Speaker 2: and more.

473
00:22:48,160 --> 00:22:50,119
Speaker 3: But yeah, they were not super stoked.

474
00:22:50,119 --> 00:22:53,120
Speaker 1: They did. They not see your your guitar playing your

475
00:22:53,680 --> 00:22:54,280
Speaker 1: They didn't.

476
00:22:54,040 --> 00:22:56,080
Speaker 3: See the guitar playing because that was kind of not

477
00:22:56,440 --> 00:22:57,360
Speaker 3: that wasn't.

478
00:22:57,440 --> 00:22:58,400
Speaker 1: You hadn't hold that yet.

479
00:22:58,520 --> 00:22:59,640
Speaker 3: Yeah, I hadn't own that yet.

480
00:23:02,240 --> 00:23:04,239
Speaker 1: My parents were were the kind of the same. They

481
00:23:04,240 --> 00:23:05,800
Speaker 1: didn't want me to be an actor, but they were

482
00:23:05,880 --> 00:23:07,840
Speaker 1: very supportive of everything I did, so that was sweet.

483
00:23:08,040 --> 00:23:12,600
Speaker 1: Unlike these parents, we just were bad at all. No,

484
00:23:12,760 --> 00:23:15,120
Speaker 1: the ballet kids, they love their parents, but they're embarrassed

485
00:23:15,119 --> 00:23:18,280
Speaker 1: by them. That's a typical thing that everybody loves their parents,

486
00:23:18,280 --> 00:23:20,640
Speaker 1: but it's embarrassed by them when they're kids. They asked

487
00:23:20,640 --> 00:23:22,240
Speaker 1: them not to talk about science, but to talk about

488
00:23:22,240 --> 00:23:25,359
Speaker 1: Little bow Wow and Shaquille O'Neal. They just wish they

489
00:23:25,359 --> 00:23:27,399
Speaker 1: had normal parents like their neighbor who every time they

490
00:23:27,400 --> 00:23:30,199
Speaker 1: look outside are like perfectly throwing the football or that

491
00:23:30,280 --> 00:23:33,879
Speaker 1: kind of thing, and they know much like now, this

492
00:23:33,880 --> 00:23:36,080
Speaker 1: this is where it got real for me, because this

493
00:23:36,160 --> 00:23:38,520
Speaker 1: was very much like me growing up. They knew that

494
00:23:38,520 --> 00:23:39,880
Speaker 1: their mom and dad were in the middle of trying

495
00:23:39,880 --> 00:23:42,400
Speaker 1: to create a time machine, and today was the big

496
00:23:42,440 --> 00:23:45,240
Speaker 1: test for two goldfish. Now that's happened to me one

497
00:23:45,280 --> 00:23:49,720
Speaker 1: hundred times. Okay, yes, So this is where we then

498
00:23:49,800 --> 00:23:53,760
Speaker 1: go into their lab, which is probably where the vast

499
00:23:53,800 --> 00:23:55,639
Speaker 1: majority of the budget went, and it looks like it's

500
00:23:55,680 --> 00:23:57,320
Speaker 1: kind of a cross between Bill and I the science

501
00:23:57,359 --> 00:24:00,480
Speaker 1: guy and Pee Wee's playhouse. And it just doesn't look good.

502
00:24:00,760 --> 00:24:02,679
Speaker 3: No, it didn't. It didn't.

503
00:24:02,720 --> 00:24:07,600
Speaker 2: And we have seen so many amazing sets already amazing

504
00:24:07,960 --> 00:24:09,199
Speaker 2: the dcoms we've watched.

505
00:24:09,320 --> 00:24:11,080
Speaker 3: Yes, this was the shocking part.

506
00:24:11,119 --> 00:24:15,960
Speaker 2: This was when it really was kind of oh, yeah.

507
00:24:15,359 --> 00:24:16,920
Speaker 3: What what happened here?

508
00:24:17,280 --> 00:24:17,680
Speaker 1: I agree?

509
00:24:17,720 --> 00:24:20,120
Speaker 2: You said you could tell that's where they put I mean,

510
00:24:20,240 --> 00:24:24,199
Speaker 2: most of the movie happens in this little realm, and

511
00:24:24,280 --> 00:24:25,560
Speaker 2: it just didn't look great.

512
00:24:25,800 --> 00:24:27,440
Speaker 1: That then led me to a question, and I wanted

513
00:24:27,480 --> 00:24:29,879
Speaker 1: to ask you because I couldn't remember. Is this the

514
00:24:29,920 --> 00:24:33,760
Speaker 1: first movie we've ever seen where there's nothing in a school?

515
00:24:34,480 --> 00:24:36,800
Speaker 3: Well, the graduation was in a school.

516
00:24:36,640 --> 00:24:39,480
Speaker 1: I guess technically for like two seconds that well, yeah, no,

517
00:24:39,560 --> 00:24:41,440
Speaker 1: they did the thing with the Yeah.

518
00:24:41,359 --> 00:24:42,600
Speaker 3: It was a really quick scene.

519
00:24:42,640 --> 00:24:43,800
Speaker 1: So it's a start of summer.

520
00:24:44,240 --> 00:24:48,520
Speaker 2: Yeah, the theater of the school that they're graduating, and

521
00:24:48,560 --> 00:24:52,200
Speaker 2: then you see you see which I don't know any

522
00:24:52,240 --> 00:24:56,119
Speaker 2: schools that have this, where they have snacks and refreshments

523
00:24:56,160 --> 00:24:56,920
Speaker 2: and things.

524
00:24:56,680 --> 00:24:59,560
Speaker 3: For after after graduate graduation, which.

525
00:24:59,320 --> 00:25:02,159
Speaker 2: Is not normal, but that's the only time. And then

526
00:25:02,280 --> 00:25:03,960
Speaker 2: it's in and out and you don't see the school.

527
00:25:04,119 --> 00:25:06,399
Speaker 1: You're right though, so it's summer, so that's why you

528
00:25:06,400 --> 00:25:08,880
Speaker 1: wouldn't see the school. Okay, that's on me. Then that's

529
00:25:08,920 --> 00:25:11,800
Speaker 1: that totally makes sense. The time travel trial doesn't go

530
00:25:11,840 --> 00:25:16,760
Speaker 1: as planned when the mongrel dog how Dairy, who literally

531
00:25:16,800 --> 00:25:18,400
Speaker 1: was the cutest dog in the world and just lying

532
00:25:18,440 --> 00:25:21,720
Speaker 1: there trying to be yet maybe just love me Dad,

533
00:25:22,240 --> 00:25:26,240
Speaker 1: chases a cockroach and then that leads to a part

534
00:25:26,320 --> 00:25:29,000
Speaker 1: opening up on one of the machines that somehow looked

535
00:25:29,000 --> 00:25:32,320
Speaker 1: like it was from the sixties, and he pulls the

536
00:25:32,359 --> 00:25:35,560
Speaker 1: thing out. We don't know what the part does, but

537
00:25:35,600 --> 00:25:40,880
Speaker 1: the dog now takes it, and so when the experiment starts,

538
00:25:40,920 --> 00:25:45,880
Speaker 1: a fatal error has hit and instead of anything happening,

539
00:25:45,960 --> 00:25:49,280
Speaker 1: so we don't it looks like nothing happens with the fish, right,

540
00:25:49,560 --> 00:25:52,600
Speaker 1: and then we start to see them. Once they leave,

541
00:25:52,800 --> 00:25:58,200
Speaker 1: then this voice on the machine says, two fish whatever

542
00:25:58,280 --> 00:26:02,719
Speaker 1: deaged by however, So that's what the poof point is,

543
00:26:02,800 --> 00:26:06,240
Speaker 1: which is a scientific term I believe invented for the

544
00:26:06,240 --> 00:26:08,200
Speaker 1: book and the show, because I don't know if poof

545
00:26:08,240 --> 00:26:12,280
Speaker 1: point is an actual scientific term. Is where the fish

546
00:26:12,320 --> 00:26:14,400
Speaker 1: will at least we learned this with the fish. When

547
00:26:14,400 --> 00:26:16,880
Speaker 1: they age enough, they just disappear. That's the brief point

548
00:26:16,920 --> 00:26:20,960
Speaker 1: they poof out of existence. So we go to the graduation.

549
00:26:21,359 --> 00:26:24,440
Speaker 1: The parents stand out by having horrible social skills. Even

550
00:26:24,480 --> 00:26:27,400
Speaker 1: performing a scientific experiment with the principal's glasses, they set

551
00:26:27,480 --> 00:26:30,840
Speaker 1: him on fire. Everyone in the entire building hates the

552
00:26:30,840 --> 00:26:35,639
Speaker 1: fact that they're dorky scientific people. But there's good news.

553
00:26:36,160 --> 00:26:38,720
Speaker 1: Good news is coming out of this. Eddie has a

554
00:26:38,840 --> 00:26:42,640
Speaker 1: chance to be to audition for Urban Slug. He has

555
00:26:42,720 --> 00:26:45,160
Speaker 1: one chance to join the band.

556
00:26:45,840 --> 00:26:47,760
Speaker 3: Yes, the audition of a lifetime.

557
00:26:47,400 --> 00:26:49,919
Speaker 1: The audition of it. Now, there's a question here in

558
00:26:49,960 --> 00:26:52,040
Speaker 1: our notes where they'd like me to ask you if

559
00:26:52,080 --> 00:26:53,399
Speaker 1: you were ever in a band. But I already know

560
00:26:53,440 --> 00:26:55,399
Speaker 1: the answer to this, and I'm going to answer for you,

561
00:26:55,880 --> 00:26:59,600
Speaker 1: which is you had your rock band band? Yes, that

562
00:27:00,040 --> 00:27:02,560
Speaker 1: one of the it was like Mel Kardashian or whatever.

563
00:27:02,640 --> 00:27:03,359
Speaker 4: I don't know what it is.

564
00:27:03,640 --> 00:27:09,119
Speaker 1: Was play fake drums, right, yes, and yeah, so I

565
00:27:09,160 --> 00:27:11,200
Speaker 1: know I'm not already getting to know you. This is

566
00:27:11,640 --> 00:27:12,439
Speaker 1: I know the answers.

567
00:27:12,560 --> 00:27:17,440
Speaker 3: There you go, fake, bannon it through and through.

568
00:27:17,840 --> 00:27:18,440
Speaker 1: I love it.

569
00:27:18,600 --> 00:27:20,320
Speaker 3: Bake it till you make it, bake it till.

570
00:27:20,200 --> 00:27:20,600
Speaker 1: You make it.

571
00:27:20,640 --> 00:27:22,720
Speaker 3: My version is what they did in this movie, and.

572
00:27:22,760 --> 00:27:25,800
Speaker 1: It never really man never really made it. I think

573
00:27:25,840 --> 00:27:27,880
Speaker 1: I already told you about my first band, Rude Awakening.

574
00:27:27,880 --> 00:27:29,280
Speaker 1: I didn't know how to play any instruments, and I

575
00:27:29,280 --> 00:27:32,520
Speaker 1: also couldn't sing. Back at the lab, the ballards realize

576
00:27:32,600 --> 00:27:35,680
Speaker 1: they come back, the fish are gone. So, like any

577
00:27:35,680 --> 00:27:38,720
Speaker 1: good scientists, they instead of figuring that out, just try

578
00:27:38,760 --> 00:27:41,240
Speaker 1: the machine again. Yes, but instead.

579
00:27:41,080 --> 00:27:44,280
Speaker 3: Of don't even look for parts missing nothing.

580
00:27:44,080 --> 00:27:46,480
Speaker 1: Just not check any wires from our nineteen sixties stuff.

581
00:27:46,560 --> 00:27:48,280
Speaker 1: Let's go back into Bill and I I the science guys,

582
00:27:48,280 --> 00:27:54,119
Speaker 1: spinny room and just press enter again. Right. The machine

583
00:27:54,160 --> 00:27:57,880
Speaker 1: then lassos the parents and spins it around and turns

584
00:27:57,920 --> 00:28:00,919
Speaker 1: them younger. So now they are on and let's call

585
00:28:00,960 --> 00:28:03,080
Speaker 1: it the poof point scale. They're starting to poof.

586
00:28:03,359 --> 00:28:05,200
Speaker 3: They're starting to so.

587
00:28:05,280 --> 00:28:07,840
Speaker 1: They're twenty one years old. Now the kids raced down

588
00:28:07,880 --> 00:28:10,000
Speaker 1: of the lab feeling the explosion of what just happened.

589
00:28:10,440 --> 00:28:15,040
Speaker 1: And I don't want to not gonna harp too much

590
00:28:15,080 --> 00:28:20,840
Speaker 1: on the acting. But now the two leads are playing

591
00:28:20,880 --> 00:28:23,679
Speaker 1: twenty one years old, and they're doing that by saying

592
00:28:23,720 --> 00:28:27,719
Speaker 1: things like totally cool and slamming in a slightly higher

593
00:28:27,760 --> 00:28:31,200
Speaker 1: pitch voice. The mom even thinks it's a practical joke

594
00:28:31,240 --> 00:28:33,960
Speaker 1: being played on her. And when they ask, hey, who's

595
00:28:34,000 --> 00:28:36,679
Speaker 1: the president, they say the ron Man, meaning Ronald Reagan.

596
00:28:37,080 --> 00:28:40,320
Speaker 1: He's their political hero, Nancy Reagan's hot. It is a weird,

597
00:28:41,120 --> 00:28:42,320
Speaker 1: unhinged kind of scene.

598
00:28:42,680 --> 00:28:46,080
Speaker 3: The mirror, the mirror that now they look.

599
00:28:45,920 --> 00:28:48,320
Speaker 1: Into they can see themselves.

600
00:28:48,520 --> 00:28:51,880
Speaker 2: They can see themselves, but never happens again. They don't

601
00:28:51,920 --> 00:28:53,680
Speaker 2: ever get put in front of a mirror again.

602
00:28:54,080 --> 00:28:55,920
Speaker 1: You don't get to see them younger. Maybe one of

603
00:28:55,960 --> 00:28:58,720
Speaker 1: their toun't you get to see Mark Curry one more time?

604
00:28:59,360 --> 00:29:02,200
Speaker 1: I I don't remember that, maybe not because they don't

605
00:29:02,200 --> 00:29:04,240
Speaker 1: want to dage them again. But this is where we

606
00:29:04,320 --> 00:29:08,480
Speaker 1: learn something very important, which is where when they do

607
00:29:09,560 --> 00:29:12,680
Speaker 1: poof or whatever it is that they're calling until the

608
00:29:12,720 --> 00:29:15,479
Speaker 1: final poof, which is different than Europe's the final Countdown,

609
00:29:15,800 --> 00:29:18,160
Speaker 1: which is a great song, but before they get to

610
00:29:18,440 --> 00:29:23,880
Speaker 1: the poof they're gonna every time they deage, they forget

611
00:29:24,080 --> 00:29:28,040
Speaker 1: everything they just knew, right, right, So this is an

612
00:29:28,080 --> 00:29:30,440
Speaker 1: important thing. So the kids try to knock some sense

613
00:29:30,480 --> 00:29:32,840
Speaker 1: in a mom and dad, but they're just two happy

614
00:29:32,880 --> 00:29:35,400
Speaker 1: twenty one year olds who obviously don't ask to see

615
00:29:35,400 --> 00:29:37,760
Speaker 1: a newspaper. They aren't at all phased by the technology

616
00:29:37,760 --> 00:29:39,480
Speaker 1: in the two thousands of their house until they finally

617
00:29:39,560 --> 00:29:42,720
Speaker 1: see a computer. So many ways they could have realized

618
00:29:42,760 --> 00:29:46,280
Speaker 1: that they were in modern times, but yeah, just didn't

619
00:29:46,320 --> 00:29:49,720
Speaker 1: do any of that. But one hole is again kind

620
00:29:49,720 --> 00:29:52,400
Speaker 1: of fixed. When you want to say, well, just go

621
00:29:52,400 --> 00:29:53,840
Speaker 1: look at yourselves in the mirror, you can see your

622
00:29:53,840 --> 00:29:55,440
Speaker 1: two forty year old people. But they go look at

623
00:29:55,480 --> 00:29:58,480
Speaker 1: themselves in the mirror and they see they're twenty one

624
00:29:58,560 --> 00:30:01,240
Speaker 1: years old. For some reason, Mark Curry is dressed like prints,

625
00:30:01,520 --> 00:30:02,520
Speaker 1: which I don't.

626
00:30:02,280 --> 00:30:07,360
Speaker 2: Understands like Prince, I don't why, I mean, I think

627
00:30:07,720 --> 00:30:10,800
Speaker 2: to put more hair on him. I'm guessing as why.

628
00:30:10,800 --> 00:30:15,400
Speaker 3: Vick was used. It just was strange, Yeah, I agreed,

629
00:30:15,480 --> 00:30:16,400
Speaker 3: strange choice.

630
00:30:16,800 --> 00:30:19,000
Speaker 1: And then, like all twenty one year olds do, in

631
00:30:19,040 --> 00:30:21,560
Speaker 1: the presence of two young teenagers. They start to tongue

632
00:30:21,600 --> 00:30:24,560
Speaker 1: kiss in front of the children. The big problem is

633
00:30:24,640 --> 00:30:26,800
Speaker 1: if they're they're starting to realize, or at least the

634
00:30:26,840 --> 00:30:28,880
Speaker 1: kids are starting to realize if the fish have poofed

635
00:30:28,880 --> 00:30:32,560
Speaker 1: out of existence, when are the parents going to poof?

636
00:30:32,560 --> 00:30:34,640
Speaker 1: They're starting to realize that this is a very bad thing,

637
00:30:35,200 --> 00:30:38,160
Speaker 1: and they the parents get into it and have calculated

638
00:30:38,800 --> 00:30:42,000
Speaker 1: very nonchalantly by the way, they started to kind of

639
00:30:42,000 --> 00:30:44,240
Speaker 1: realize that something's wrong, but have calculated they're going to

640
00:30:44,320 --> 00:30:51,040
Speaker 1: disappear the next evening, hence the title the poof point? Right,

641
00:30:51,560 --> 00:30:53,560
Speaker 1: do you think there was a better title for this movie,

642
00:30:54,720 --> 00:30:57,160
Speaker 1: time Flies or maybe Back to the Future.

643
00:31:00,520 --> 00:31:02,920
Speaker 3: I mean the poof points. I don't know.

644
00:31:03,000 --> 00:31:06,800
Speaker 2: It just didn't feel part of the movie really. I

645
00:31:06,840 --> 00:31:10,560
Speaker 2: know that they are going to poof, I guess, and

646
00:31:10,640 --> 00:31:14,640
Speaker 2: go away, but there's just so many I think more

647
00:31:14,720 --> 00:31:18,080
Speaker 2: creative ways that they could have explained.

648
00:31:18,240 --> 00:31:21,720
Speaker 1: I think they were going for kind of big, goofy

649
00:31:21,800 --> 00:31:28,320
Speaker 1: fun romp like Big with Tom Hanks had some goofy points,

650
00:31:28,840 --> 00:31:32,360
Speaker 1: but was also kind of a morality play about what

651
00:31:32,440 --> 00:31:35,080
Speaker 1: it takes to be an adult a child losing his innocence,

652
00:31:35,720 --> 00:31:41,320
Speaker 1: whereas vice versa with Judge Reinhold and Fred Savage, which

653
00:31:41,360 --> 00:31:43,120
Speaker 1: came out around the same time. That was more of

654
00:31:43,160 --> 00:31:46,600
Speaker 1: a goofy switch your Body's fun kind of romp, and

655
00:31:46,680 --> 00:31:49,160
Speaker 1: I think that's what they were going for here. Yeah,

656
00:31:49,200 --> 00:31:54,160
Speaker 1: it just kind of never worked. It all felt really strange.

657
00:31:54,480 --> 00:31:57,000
Speaker 2: It did, it did, There was a lot of other

658
00:31:57,120 --> 00:31:59,360
Speaker 2: things that I think was hard to get over.

659
00:32:00,080 --> 00:32:03,160
Speaker 3: Yeah, to be able to accept this name of the

660
00:32:03,200 --> 00:32:03,840
Speaker 3: movie too.

661
00:32:03,760 --> 00:32:07,600
Speaker 1: I agree, And again Sabrina said this in the beginning.

662
00:32:07,640 --> 00:32:10,680
Speaker 1: I'll say this too. We don't want to be crapping

663
00:32:10,720 --> 00:32:13,680
Speaker 1: on these movies. We really don't. It's we love going

664
00:32:13,720 --> 00:32:16,200
Speaker 1: down the rabbit hole of the dcom movies. Not all

665
00:32:16,200 --> 00:32:18,160
Speaker 1: of them are going to be amazing, right, And you

666
00:32:18,200 --> 00:32:20,920
Speaker 1: can see from the reviews and from the Rotten Tomatoes,

667
00:32:20,960 --> 00:32:23,920
Speaker 1: this was one that just people didn't like, right, And

668
00:32:23,960 --> 00:32:26,920
Speaker 1: I think rightfully so. And it's probably one of those

669
00:32:26,960 --> 00:32:29,080
Speaker 1: things where it's no one person's fault. It was just

670
00:32:29,600 --> 00:32:32,160
Speaker 1: not a great project. But it appears at this point

671
00:32:32,160 --> 00:32:33,880
Speaker 1: that the parents have accepted the truth. We get a

672
00:32:33,920 --> 00:32:36,320
Speaker 1: montage of them now at twenty one years old, working

673
00:32:36,360 --> 00:32:39,120
Speaker 1: to try to fix everything, and then bingo, they figure

674
00:32:39,120 --> 00:32:41,440
Speaker 1: it out. But just when it looks like everything's going

675
00:32:41,480 --> 00:32:43,920
Speaker 1: to work out. They start to glitch, which is the

676
00:32:43,920 --> 00:32:47,360
Speaker 1: first time we've seen these kind of special effects. It's

677
00:32:47,400 --> 00:32:51,560
Speaker 1: almost flubbery where it's like WHOA made Yeah, and hiccups. Yes,

678
00:32:51,840 --> 00:32:54,800
Speaker 1: they hiccup, and they faded and out of existence.

679
00:32:55,160 --> 00:32:56,960
Speaker 3: Makes me worried to ever hiccup again.

680
00:32:57,320 --> 00:33:00,400
Speaker 1: Right, well, hey, if I can hiccup, maybe not five

681
00:33:00,480 --> 00:33:02,160
Speaker 1: years off my life. That wouldn't be the worst thing.

682
00:33:02,840 --> 00:33:05,800
Speaker 1: So we know now. It's also putting it in our mind.

683
00:33:05,840 --> 00:33:07,800
Speaker 1: They showed it with the fish, now they're showing it

684
00:33:07,840 --> 00:33:10,000
Speaker 1: with the parents. We know now that when we see

685
00:33:10,000 --> 00:33:14,160
Speaker 1: this kind of matrixy glitch, when the glitching ends, they're

686
00:33:14,200 --> 00:33:18,440
Speaker 1: going to have deaged again again and once again forgotten

687
00:33:18,600 --> 00:33:21,560
Speaker 1: everything that they had just learned. So they were just

688
00:33:21,680 --> 00:33:24,160
Speaker 1: on the realm or the cusp of figuring out how

689
00:33:24,200 --> 00:33:28,120
Speaker 1: to fix themselves. Boom, they've deaged again and now they

690
00:33:28,120 --> 00:33:33,720
Speaker 1: can't remember. And now they're fourteen, which is the same

691
00:33:33,800 --> 00:33:37,200
Speaker 1: age essentially as their kids. So which again you think

692
00:33:37,200 --> 00:33:38,600
Speaker 1: this is where the movie's really going to take off,

693
00:33:38,600 --> 00:33:41,200
Speaker 1: because now you've got a bunch of fourteen year olds

694
00:33:41,240 --> 00:33:41,560
Speaker 1: to get.

695
00:33:41,560 --> 00:33:45,920
Speaker 2: Yes, I felt that I started to get on board now, Okay,

696
00:33:46,560 --> 00:33:50,040
Speaker 2: that would be crazy to hap my mom.

697
00:33:50,360 --> 00:33:53,920
Speaker 3: Be the age that I am, that would be bonkers.

698
00:33:53,400 --> 00:33:55,760
Speaker 1: Nuts, And so you think that's going to happen, but

699
00:33:56,200 --> 00:33:58,840
Speaker 1: not really. This is where we find out that the

700
00:33:58,960 --> 00:34:01,160
Speaker 1: mom and dad actually grew up together. They had a

701
00:34:01,200 --> 00:34:04,080
Speaker 1: crush on each other when they were in school. But again,

702
00:34:04,080 --> 00:34:06,800
Speaker 1: the biggest problem that they have is that they've forgotten everything.

703
00:34:07,000 --> 00:34:11,000
Speaker 1: So once again their kids have to explain everything that's

704
00:34:11,040 --> 00:34:13,120
Speaker 1: going on, and it just feels like they've now put

705
00:34:13,160 --> 00:34:15,919
Speaker 1: themselves in a loop where this is going to keep

706
00:34:15,960 --> 00:34:20,120
Speaker 1: happening and for the story starts to drag. Yeah, because

707
00:34:20,120 --> 00:34:22,480
Speaker 1: it seems like, well then we've got to fix this

708
00:34:22,600 --> 00:34:24,480
Speaker 1: right now, because this is good and you just know

709
00:34:24,560 --> 00:34:26,200
Speaker 1: it's going to keep happening. I was just the first

710
00:34:26,200 --> 00:34:28,720
Speaker 1: time it happened, I was like, Okay, so they're gonna

711
00:34:29,000 --> 00:34:31,080
Speaker 1: just about to figure it out again, and it's gonna

712
00:34:31,120 --> 00:34:33,479
Speaker 1: happen again. I knew this was gonna come up again.

713
00:34:42,600 --> 00:34:47,960
Speaker 1: What did you think of the acting as the parents deaged?

714
00:34:48,840 --> 00:34:49,880
Speaker 3: Ah, it was.

715
00:34:51,760 --> 00:34:55,719
Speaker 2: I mean I kept having to remind myself at this

716
00:34:55,840 --> 00:35:03,520
Speaker 2: point Disney movie, Yep, getting that big act over the top. Yeah,

717
00:35:03,600 --> 00:35:07,120
Speaker 2: so I was having to now remind myself versus really

718
00:35:07,160 --> 00:35:09,040
Speaker 2: being able to kind of let go and.

719
00:35:09,160 --> 00:35:10,719
Speaker 3: Just enjoy it.

720
00:35:10,960 --> 00:35:14,120
Speaker 2: Yeah, that's where I was. And again, it was a

721
00:35:14,120 --> 00:35:16,600
Speaker 2: lot of things. By this point in the movie, we're

722
00:35:16,640 --> 00:35:20,160
Speaker 2: just not really adding up and and it wasn't easy

723
00:35:20,440 --> 00:35:21,960
Speaker 2: at this point to really watch.

724
00:35:22,160 --> 00:35:25,600
Speaker 3: So I think that affected like the big acting.

725
00:35:26,040 --> 00:35:29,920
Speaker 2: Normally, I love that. I love comedy that goes over

726
00:35:30,000 --> 00:35:33,160
Speaker 2: the top. I love physical comedy, you know, all of

727
00:35:33,200 --> 00:35:36,360
Speaker 2: that kind of stuff, and this just was at this

728
00:35:36,440 --> 00:35:39,600
Speaker 2: point I was already just okay, it's.

729
00:35:39,680 --> 00:35:42,200
Speaker 1: It's one of the things for me is the phone test.

730
00:35:42,400 --> 00:35:45,440
Speaker 1: I do not like to split focus. I can't split focus,

731
00:35:45,520 --> 00:35:48,240
Speaker 1: but I don't like doing it. So if a movie

732
00:35:48,400 --> 00:35:50,879
Speaker 1: or a television show or anything keeps my attention, that's

733
00:35:50,920 --> 00:35:52,920
Speaker 1: where my focus is. I don't pull ot my phone

734
00:35:53,040 --> 00:35:55,200
Speaker 1: and look at emails, or play video games or do

735
00:35:55,280 --> 00:35:58,600
Speaker 1: anything else. As I'm watching, right, And I was doing

736
00:35:58,640 --> 00:36:00,880
Speaker 1: all of them, all of of im in the background.

737
00:36:00,960 --> 00:36:04,560
Speaker 1: After a while, Yeah, I just zip through it the

738
00:36:04,600 --> 00:36:09,279
Speaker 1: second time. I mean, yeah, yes, same, same. Yeah. We

739
00:36:09,360 --> 00:36:13,399
Speaker 1: also learned that teenage Norton also plays you won't believe

740
00:36:13,400 --> 00:36:17,080
Speaker 1: this the guitar, and he is a as amazing as

741
00:36:17,120 --> 00:36:19,919
Speaker 1: his son and be as bad as holding it as

742
00:36:19,920 --> 00:36:24,080
Speaker 1: his son. I mean, it just looks bad. Yeah, But

743
00:36:24,200 --> 00:36:26,359
Speaker 1: this also brings us right back to reminding us that

744
00:36:26,440 --> 00:36:30,960
Speaker 1: Eddie's audition is coming up for Urban Slugs Urban Slugs,

745
00:36:31,480 --> 00:36:36,080
Speaker 1: and so all the focus has been on the parents

746
00:36:36,120 --> 00:36:40,520
Speaker 1: having a crush on each other and constantly getting together

747
00:36:40,560 --> 00:36:44,359
Speaker 1: and breaking up and doing all this stuff. But it's

748
00:36:44,440 --> 00:36:48,319
Speaker 1: also trying to show that Taj and his dad have

749
00:36:48,440 --> 00:36:52,320
Speaker 1: a lot in common actually and are trying to find

750
00:36:52,400 --> 00:36:55,000
Speaker 1: common ground. They do that more than they do the

751
00:36:55,160 --> 00:36:56,160
Speaker 1: daughter and the mom.

752
00:36:57,000 --> 00:37:01,680
Speaker 2: Yeah, the daughter and the mom's they're their meeting point.

753
00:37:01,800 --> 00:37:05,040
Speaker 2: And their commonality was crushes on boys.

754
00:37:05,200 --> 00:37:07,960
Speaker 1: Boys. That was it. Boys, That was it? Yeah.

755
00:37:07,719 --> 00:37:11,920
Speaker 2: Yeah, And it doesn't really come out until later she

756
00:37:12,120 --> 00:37:16,400
Speaker 2: hears the mom's is shoes with Norton, but she doesn't

757
00:37:16,920 --> 00:37:21,160
Speaker 2: expose her crush on TAJA's friend.

758
00:37:21,160 --> 00:37:21,640
Speaker 3: That comes up.

759
00:37:21,680 --> 00:37:23,920
Speaker 1: Oh, don't even get me into Taj's friend. You can

760
00:37:23,920 --> 00:37:28,000
Speaker 1: bleep this. But so then, of course what happens next

761
00:37:28,040 --> 00:37:30,759
Speaker 1: is the parents run away. When Eddie does finally catch

762
00:37:30,800 --> 00:37:34,600
Speaker 1: up with his dad, a obvious stunt double grabs his

763
00:37:34,640 --> 00:37:39,160
Speaker 1: son's bike and starts jamming on this thing, just jumping

764
00:37:39,200 --> 00:37:42,239
Speaker 1: off and down stuff like this guy. It's incredible and

765
00:37:42,320 --> 00:37:43,640
Speaker 1: you think, well, this is going to come to a

766
00:37:43,640 --> 00:37:45,239
Speaker 1: big bike chascene.

767
00:37:45,000 --> 00:37:48,760
Speaker 2: Never seen again, No no, never seen again, Never again.

768
00:37:49,400 --> 00:37:53,279
Speaker 1: He's obviously he's very upset because it looks like he

769
00:37:53,320 --> 00:37:55,920
Speaker 1: has just broken up again with his future wife is

770
00:37:55,960 --> 00:38:00,759
Speaker 1: now girlfriend. And that's when we find our gold, the

771
00:38:00,800 --> 00:38:04,680
Speaker 1: wife who's apparently drunk on milkshakes.

772
00:38:05,080 --> 00:38:09,040
Speaker 2: Yeah, that was strange, hugging a jukebox, hugging a juke

773
00:38:09,120 --> 00:38:13,160
Speaker 2: box at a diner, sad about her breakup with Norton.

774
00:38:13,920 --> 00:38:16,000
Speaker 1: And the whole second act is kind of about the

775
00:38:16,040 --> 00:38:21,120
Speaker 1: parents teenage love, which is a strange detour and weird

776
00:38:21,120 --> 00:38:22,240
Speaker 1: pill to swallows.

777
00:38:22,239 --> 00:38:26,759
Speaker 3: It's Norton in a very bad light. He is very

778
00:38:28,680 --> 00:38:30,960
Speaker 3: just doesn't think girls can do anything.

779
00:38:31,640 --> 00:38:35,640
Speaker 2: You know, she's fighting for him to to accept how.

780
00:38:35,440 --> 00:38:36,359
Speaker 3: Smart she is.

781
00:38:36,480 --> 00:38:40,359
Speaker 2: This is like, this part was really strange to me. Yeah,

782
00:38:40,520 --> 00:38:43,520
Speaker 2: I guess because they just really don't lean into that

783
00:38:43,600 --> 00:38:44,680
Speaker 2: with movies anymore.

784
00:38:45,480 --> 00:38:48,000
Speaker 1: But it's also there's supposed to be fourteen at this point.

785
00:38:48,239 --> 00:38:49,719
Speaker 3: Yeah, exactly.

786
00:38:49,840 --> 00:38:52,000
Speaker 1: You don't walk around at fourteen going like girls can't

787
00:38:52,000 --> 00:38:52,400
Speaker 1: do stuff.

788
00:38:52,440 --> 00:38:55,960
Speaker 2: You don't know that doesn't have little kids think that boys.

789
00:38:56,120 --> 00:38:58,960
Speaker 2: You know, boys can't do this, boys can't wear beans,

790
00:38:59,200 --> 00:38:59,840
Speaker 2: you know, think.

791
00:38:59,800 --> 00:39:03,520
Speaker 3: Like little kids do that. A fourteen year old.

792
00:39:03,880 --> 00:39:05,480
Speaker 2: Is not going to say any of that stuff. So

793
00:39:05,560 --> 00:39:08,560
Speaker 2: that started to get Yeah, age wise.

794
00:39:08,280 --> 00:39:09,320
Speaker 3: Where are we at?

795
00:39:09,880 --> 00:39:12,440
Speaker 1: I agree? And Marigold, of course finally opens up to

796
00:39:12,480 --> 00:39:15,359
Speaker 1: her daughter about everything. No, I'm kidding, she opens up

797
00:39:15,360 --> 00:39:16,880
Speaker 1: to her daughter's enemy.

798
00:39:17,280 --> 00:39:20,879
Speaker 2: Yeah, another random character thrown in there.

799
00:39:21,800 --> 00:39:23,680
Speaker 3: Why did we need her? We didn't.

800
00:39:23,880 --> 00:39:28,480
Speaker 1: We didn't at all. But through all the rough season romance,

801
00:39:28,480 --> 00:39:30,239
Speaker 1: the fourteen year olds think they figured out what they

802
00:39:30,280 --> 00:39:34,120
Speaker 1: need to fix the time machine. But it's three o'clock.

803
00:39:34,600 --> 00:39:38,000
Speaker 1: That's right, it's time for the Slugs audition. He's also

804
00:39:38,040 --> 00:39:41,600
Speaker 1: apparently auditioning to be the third bass player in the band.

805
00:39:42,320 --> 00:39:45,000
Speaker 1: It's a nineteen piece band, it looks like, and there's

806
00:39:45,160 --> 00:39:48,600
Speaker 1: like two bass players already. So I'm assuming in my

807
00:39:48,680 --> 00:39:51,040
Speaker 1: head again, I'm trying to justify everything. So in my head,

808
00:39:51,560 --> 00:39:55,120
Speaker 1: the bass player was a senior and graduating the following year,

809
00:39:55,239 --> 00:39:57,160
Speaker 1: and they were auditioning his replacement.

810
00:39:57,360 --> 00:39:59,280
Speaker 3: That's how I got added another.

811
00:40:00,840 --> 00:40:05,359
Speaker 1: I had to else did I love them? I had to?

812
00:40:06,239 --> 00:40:10,200
Speaker 2: So there were so many storylines, so many mini storylins.

813
00:40:10,280 --> 00:40:12,799
Speaker 3: Drop this movie. Why would you do that?

814
00:40:12,960 --> 00:40:16,560
Speaker 1: Because Billy loved playing bass. But Billy's a mathematician. He

815
00:40:16,640 --> 00:40:18,920
Speaker 1: got at MIT and he's putting his bass down forever.

816
00:40:18,960 --> 00:40:21,440
Speaker 1: This is actually his last Slugs performance. I have a

817
00:40:21,440 --> 00:40:22,640
Speaker 1: whole backstory for Billy.

818
00:40:22,760 --> 00:40:24,520
Speaker 3: Okay, all right, But it.

819
00:40:24,520 --> 00:40:27,000
Speaker 1: Also looks like the girls that Marigold ran into and

820
00:40:27,040 --> 00:40:30,759
Speaker 1: opened her heart up to at the diner turned the

821
00:40:30,800 --> 00:40:34,960
Speaker 1: audition into a school wide party. And here was the

822
00:40:35,000 --> 00:40:37,360
Speaker 1: thing that I thought was funny. I could totally be wrong,

823
00:40:37,680 --> 00:40:42,359
Speaker 1: but the best friend again, the best friend comes and says, hey,

824
00:40:42,800 --> 00:40:45,040
Speaker 1: I've got a bunch of cases of root beer. And

825
00:40:45,080 --> 00:40:47,960
Speaker 1: I also saw some people have some bags of popcorn.

826
00:40:48,080 --> 00:40:50,680
Speaker 1: And in my head that was the writer. Whether that

827
00:40:50,760 --> 00:40:53,319
Speaker 1: was Stew's line or not getting through cases of beer

828
00:40:53,360 --> 00:40:55,400
Speaker 1: and bags of weed, that's how I got that in

829
00:40:55,480 --> 00:40:58,800
Speaker 1: my head. Because nobody says and I've got some bags

830
00:40:58,800 --> 00:41:01,919
Speaker 1: of popcorn. That was a nice wink wink, we got

831
00:41:01,960 --> 00:41:02,759
Speaker 1: weed and beer.

832
00:41:03,000 --> 00:41:07,239
Speaker 2: Oh wow, Okay, I did catch the root beer.

833
00:41:07,280 --> 00:41:09,560
Speaker 3: I did not think bags of popcorn.

834
00:41:09,800 --> 00:41:13,680
Speaker 1: Okay, wink wink, Yeah, sticky, sticky, icky weed, that's what.

835
00:41:13,640 --> 00:41:15,759
Speaker 3: That Okay, oh okay.

836
00:41:15,960 --> 00:41:20,600
Speaker 1: The crowd also includes one white, redheaded student with long braids,

837
00:41:21,160 --> 00:41:24,440
Speaker 1: and I am amazed if your entire Sabrina Sees is

838
00:41:24,480 --> 00:41:30,279
Speaker 1: not about this random obviously tripped on acid. I mean

839
00:41:30,280 --> 00:41:33,080
Speaker 1: this kid dropped mescaline before he ever came to this

840
00:41:33,160 --> 00:41:34,000
Speaker 1: eighth grade party.

841
00:41:34,160 --> 00:41:39,040
Speaker 2: This was the most non Disney character I have seen

842
00:41:39,080 --> 00:41:39,839
Speaker 2: in a d coon.

843
00:41:40,320 --> 00:41:41,120
Speaker 3: This could not.

844
00:41:41,320 --> 00:41:42,040
Speaker 1: Have been.

845
00:41:43,760 --> 00:41:47,040
Speaker 3: More off of what you expect on the channel. He

846
00:41:47,200 --> 00:41:47,640
Speaker 3: it was.

847
00:41:48,000 --> 00:41:53,880
Speaker 2: He was such a strange character. Yes, yes, and again

848
00:41:54,200 --> 00:41:58,320
Speaker 2: not needed. He didn't add anything to this movie. No, no,

849
00:41:58,320 --> 00:42:00,919
Speaker 2: no offense to him. Sure, he's a very nice guy.

850
00:42:01,160 --> 00:42:04,600
Speaker 2: This character did not add anything. It was weird and

851
00:42:04,680 --> 00:42:05,960
Speaker 2: again just another thing.

852
00:42:06,040 --> 00:42:08,600
Speaker 3: I just feel like I was just thing.

853
00:42:08,600 --> 00:42:12,240
Speaker 2: Ponging around in this this movie, just like ding ding dinging.

854
00:42:12,320 --> 00:42:14,879
Speaker 2: I'm trying to take everything in thinking it's gonna matter.

855
00:42:15,040 --> 00:42:17,400
Speaker 2: None of it does anyway, moving forward.

856
00:42:17,560 --> 00:42:20,160
Speaker 1: It also felt like they just kind of pointed at

857
00:42:20,200 --> 00:42:22,120
Speaker 1: people and went, all right, you're a weird looking kid,

858
00:42:22,160 --> 00:42:24,799
Speaker 1: came here, came here. I want you to walk by

859
00:42:24,880 --> 00:42:27,880
Speaker 1: and pretend you're just on ass background. It was like

860
00:42:27,960 --> 00:42:31,479
Speaker 1: I am on as it was. Yeah. So the house

861
00:42:31,560 --> 00:42:34,360
Speaker 1: is now overtaken with kid partiers, all while the parents

862
00:42:34,440 --> 00:42:36,319
Speaker 1: work on their machine with just two and a half

863
00:42:36,320 --> 00:42:40,480
Speaker 1: hours left, and as if the proof point doesn't even exist,

864
00:42:40,920 --> 00:42:44,200
Speaker 1: the Urban Slugs play with a carefree Eddie and they rock.

865
00:42:44,320 --> 00:42:49,399
Speaker 1: Now the band, I bet you that was a real band.

866
00:42:49,480 --> 00:42:51,640
Speaker 1: Somehow I thought so too.

867
00:42:52,040 --> 00:42:54,320
Speaker 2: The girl looked like she was actually a singing singer,

868
00:42:54,440 --> 00:42:56,719
Speaker 2: looked like she had a record deal.

869
00:42:56,760 --> 00:42:58,680
Speaker 1: So it was it was, okay, we've got we've got

870
00:42:59,200 --> 00:43:01,920
Speaker 1: a producer, say it was because that looked like a

871
00:43:01,960 --> 00:43:02,439
Speaker 1: real band.

872
00:43:02,880 --> 00:43:04,560
Speaker 3: Was the kid, guys?

873
00:43:04,719 --> 00:43:08,920
Speaker 2: Was the kid with the red Joey fatone red match

874
00:43:09,000 --> 00:43:11,920
Speaker 2: in front? Was he a real part of the band

875
00:43:12,040 --> 00:43:14,880
Speaker 2: because he was also acting? So I wasn't sure if

876
00:43:14,880 --> 00:43:15,880
Speaker 2: he was actually a part of it.

877
00:43:15,920 --> 00:43:18,360
Speaker 1: Yeah, I'm sure. I'm sure he was part of the band. Okay,

878
00:43:18,880 --> 00:43:24,000
Speaker 1: so he's jamming with the Urban Slugs. He's playing really well.

879
00:43:24,520 --> 00:43:28,600
Speaker 1: But now the neighbors. Here's here's the strange thing. Okay.

880
00:43:28,640 --> 00:43:30,279
Speaker 1: So I don't know if it's this scene or a

881
00:43:30,320 --> 00:43:33,480
Speaker 1: scene before, but at one point they call the daughter,

882
00:43:34,440 --> 00:43:36,600
Speaker 1: the ballad's daughter into their house and they say, we

883
00:43:36,640 --> 00:43:39,000
Speaker 1: want to show you all the damage that your parents

884
00:43:39,040 --> 00:43:39,399
Speaker 1: are doing.

885
00:43:39,440 --> 00:43:41,920
Speaker 3: And the first thing they show this is before the party.

886
00:43:42,080 --> 00:43:45,280
Speaker 1: Yes, the first thing they show them is he's cleaning

887
00:43:45,320 --> 00:43:49,080
Speaker 1: up broken plates on the floor, and she says, this

888
00:43:49,120 --> 00:43:53,000
Speaker 1: is from last week. You've had broken plates on your.

889
00:43:52,880 --> 00:43:53,480
Speaker 3: Floor for.

890
00:43:56,400 --> 00:43:58,719
Speaker 1: You kept these here for a week just to make

891
00:43:58,760 --> 00:44:00,160
Speaker 1: a point to bring the girl over.

892
00:44:01,160 --> 00:44:05,440
Speaker 3: What take a picture? And back then you had to

893
00:44:05,440 --> 00:44:06,960
Speaker 3: get your pictures printed. You could have.

894
00:44:06,880 --> 00:44:09,759
Speaker 2: Gotten it printed before the time you saw this, could

895
00:44:09,760 --> 00:44:10,880
Speaker 2: have hated it.

896
00:44:11,040 --> 00:44:13,759
Speaker 1: I mean, seriously, if you kept the broken plates on

897
00:44:13,800 --> 00:44:16,160
Speaker 1: the flist the whole, all the neighbors were just it

898
00:44:16,200 --> 00:44:16,800
Speaker 1: was ridiculous.

899
00:44:16,840 --> 00:44:18,239
Speaker 3: They were so strange.

900
00:44:18,680 --> 00:44:20,120
Speaker 1: So yes, they.

901
00:44:21,600 --> 00:44:27,080
Speaker 2: And why are you calling Marian to talk about the parents?

902
00:44:27,360 --> 00:44:31,800
Speaker 2: The parents are another adult weird moment because you would

903
00:44:31,840 --> 00:44:36,000
Speaker 2: never call in a child to talk to them about

904
00:44:36,040 --> 00:44:37,160
Speaker 2: their adult parents.

905
00:44:37,200 --> 00:44:38,680
Speaker 1: And you always have the dad. They always had the

906
00:44:38,760 --> 00:44:42,640
Speaker 1: dad going well, honey, I don't think we can blame Marie, like, well,

907
00:44:42,680 --> 00:44:44,360
Speaker 1: of course you can't. She's fourteen.

908
00:44:44,440 --> 00:44:48,360
Speaker 3: She shouldn't even be here. What she's doing here completely ridiculous.

909
00:44:48,400 --> 00:44:51,800
Speaker 2: They would be talking to a teenager without her parents exactly.

910
00:44:52,120 --> 00:44:54,000
Speaker 1: Maybe sweep up the shut on your floor that's been

911
00:44:54,040 --> 00:44:55,400
Speaker 1: there for a week and a half before you call

912
00:44:55,440 --> 00:44:56,040
Speaker 1: a fourteen That.

913
00:44:56,200 --> 00:44:57,400
Speaker 3: Should be your bigger problem.

914
00:44:57,760 --> 00:45:01,759
Speaker 1: Yikes. So the neighbors, they want the ballads evicted, even

915
00:45:01,800 --> 00:45:05,240
Speaker 1: though their own daughter snuck over there to quote unquote

916
00:45:05,280 --> 00:45:07,480
Speaker 1: drink roup beer. She wanted some of that sticky, icky weed.

917
00:45:07,920 --> 00:45:10,920
Speaker 1: The fourteen year old parents figure out that the dog

918
00:45:11,480 --> 00:45:14,560
Speaker 1: was the problem, and they need to find because keep

919
00:45:14,600 --> 00:45:16,800
Speaker 1: in mind, as this party's going on, we keep cutting

920
00:45:16,800 --> 00:45:20,920
Speaker 1: back and forth from now the fourteen year old parents

921
00:45:20,960 --> 00:45:22,719
Speaker 1: trying to kind of figure out what's going on, but

922
00:45:22,760 --> 00:45:29,040
Speaker 1: then also wanting to go to the party because they're fourteen, right, Okay,

923
00:45:29,719 --> 00:45:35,680
Speaker 1: this is where they glitch again, and now they're younger again,

924
00:45:37,280 --> 00:45:43,279
Speaker 1: but this time the white kid with the braids sees

925
00:45:43,320 --> 00:45:46,440
Speaker 1: it all happening, and he crosses through and he says this,

926
00:45:46,480 --> 00:45:48,480
Speaker 1: I'd love to play this for you if I could. Wow,

927
00:45:49,360 --> 00:45:56,600
Speaker 1: trip it, trip it, trip it. And this was the

928
00:45:56,640 --> 00:46:00,000
Speaker 1: extent of this guy's part. He just kept walking through

929
00:46:00,080 --> 00:46:03,480
Speaker 1: with these one ballad liners. What did you think? Did

930
00:46:03,560 --> 00:46:05,719
Speaker 1: you think he stole the movie? No?

931
00:46:05,880 --> 00:46:06,200
Speaker 3: I did.

932
00:46:06,239 --> 00:46:07,719
Speaker 1: Should it be called the braid point?

933
00:46:07,719 --> 00:46:10,279
Speaker 2: Wanted him off my screen so bad because he did

934
00:46:10,280 --> 00:46:15,239
Speaker 2: not fall in line with a normal Disney channel. I

935
00:46:15,280 --> 00:46:17,359
Speaker 2: don't want to see that kind of stuff. I will

936
00:46:17,360 --> 00:46:19,360
Speaker 2: watch older movies, more.

937
00:46:19,200 --> 00:46:21,959
Speaker 3: Age appropriate if I want to see a character.

938
00:46:21,800 --> 00:46:29,640
Speaker 2: Like that trip it held, I trip it.

939
00:46:32,160 --> 00:46:33,760
Speaker 3: I just couldn't. I couldn't.

940
00:46:33,960 --> 00:46:36,839
Speaker 1: So the party rages on. Party is raging, and the

941
00:46:36,960 --> 00:46:39,799
Speaker 1: urban slugs think Eddie did great, but he's pulled away

942
00:46:39,800 --> 00:46:43,080
Speaker 1: because his parents are now seven years old, riding around

943
00:46:43,080 --> 00:46:45,520
Speaker 1: on scooters and throwing their inventions all over the house,

944
00:46:45,600 --> 00:46:49,600
Speaker 1: causing chaos and eventually making even the white kid with braids.

945
00:46:49,800 --> 00:46:52,080
Speaker 1: This this thing they invented, which is just a ball

946
00:46:52,080 --> 00:46:54,000
Speaker 1: that spins with light, which makes no sense.

947
00:46:54,040 --> 00:46:55,680
Speaker 3: Well, is the newest random character.

948
00:46:55,800 --> 00:46:58,160
Speaker 1: And then they've got a pose for some reason.

949
00:46:58,520 --> 00:47:02,080
Speaker 2: It was a long Yeah, does this seem like a

950
00:47:02,200 --> 00:47:04,960
Speaker 2: very long scene for whatever this was.

951
00:47:05,239 --> 00:47:08,520
Speaker 1: And it's spinning around the party, and they're spraying it

952
00:47:08,560 --> 00:47:10,680
Speaker 1: with a hose and they're spraying all the other kids

953
00:47:10,680 --> 00:47:13,040
Speaker 1: at the party. They're trying to swat it with a thing.

954
00:47:13,160 --> 00:47:16,000
Speaker 1: It flies up the white Brady Kid's shirt, so he's

955
00:47:16,040 --> 00:47:19,640
Speaker 1: now on the ground having a tickle fit. But now

956
00:47:19,680 --> 00:47:24,080
Speaker 1: Marigold and Norton are horribly annoying, and they really young

957
00:47:24,160 --> 00:47:26,200
Speaker 1: and back at the square one again, remembering none of

958
00:47:26,200 --> 00:47:29,200
Speaker 1: the progress they had just made, that they needed the ball,

959
00:47:29,320 --> 00:47:31,080
Speaker 1: or that the dog had stolen it. All that is

960
00:47:31,120 --> 00:47:34,080
Speaker 1: once again gone. This is a disaster. The cops are

961
00:47:34,120 --> 00:47:37,000
Speaker 1: now at the house, the neighbors are there. They're breaking

962
00:47:37,040 --> 00:47:39,600
Speaker 1: up the party, but their daughters also there, and she

963
00:47:39,719 --> 00:47:42,720
Speaker 1: says that the Ballards are actually great people and spotan

964
00:47:42,719 --> 00:47:44,879
Speaker 1: eighty is not a crime. I actually liked this part.

965
00:47:44,880 --> 00:47:47,040
Speaker 1: And here's why I like this part. I liked this

966
00:47:47,120 --> 00:47:50,640
Speaker 1: part because it's very Disney, where it's like the whole

967
00:47:50,680 --> 00:47:53,880
Speaker 1: point was the Ballard kids would look over and see

968
00:47:53,880 --> 00:47:57,920
Speaker 1: this quote unquote perfect family and just wish their family

969
00:47:58,040 --> 00:48:00,000
Speaker 1: was like that. And here's the girl explaining, we're not

970
00:48:00,200 --> 00:48:02,600
Speaker 1: perfect family. I wish my parents were more like yours.

971
00:48:02,960 --> 00:48:06,200
Speaker 1: And that is very Disney, where every family has their

972
00:48:06,239 --> 00:48:08,960
Speaker 1: own foibles and every kid wishes they were in somebody

973
00:48:08,960 --> 00:48:11,680
Speaker 1: else's family. Yes, at some point and it was like.

974
00:48:11,640 --> 00:48:15,960
Speaker 2: Hey, Disney moment started to finally feel like the deec

975
00:48:16,080 --> 00:48:17,160
Speaker 2: Alms that I.

976
00:48:17,200 --> 00:48:19,920
Speaker 1: Love Disney moment, and this girl was good.

977
00:48:20,600 --> 00:48:24,480
Speaker 2: I was gonna ask if the producers that love high

978
00:48:24,520 --> 00:48:28,720
Speaker 2: school musical, one of the one friend that was really

979
00:48:28,800 --> 00:48:32,480
Speaker 2: short I think also is in high school Musical. I

980
00:48:32,480 --> 00:48:35,040
Speaker 2: don't remember really character was, but I wanted to see

981
00:48:35,040 --> 00:48:36,719
Speaker 2: it at some point to.

982
00:48:36,640 --> 00:48:37,880
Speaker 1: Ask pole we'll have to see.

983
00:48:37,880 --> 00:48:41,680
Speaker 2: If this was maybe her first Disney job before she

984
00:48:41,719 --> 00:48:43,920
Speaker 2: booked high school musical okay, you know, four or five

985
00:48:43,960 --> 00:48:44,680
Speaker 2: years later.

986
00:48:44,920 --> 00:48:47,440
Speaker 1: So her you know, Spot eighty is not a crime.

987
00:48:48,120 --> 00:48:49,880
Speaker 1: She wants to stay with her. So her family's like

988
00:48:49,920 --> 00:48:53,120
Speaker 1: her dad almost sounds like Winchester from mash at this point,

989
00:48:53,160 --> 00:48:56,120
Speaker 1: where you know he's the neighbor, like, well, honey, you

990
00:48:56,120 --> 00:49:02,000
Speaker 1: don't need to go crazy about it. So strange. So

991
00:49:02,040 --> 00:49:04,520
Speaker 1: they say, fine, we'll give your family one more chance

992
00:49:04,520 --> 00:49:08,160
Speaker 1: if the party's broken up. Getting his side card for sure,

993
00:49:08,200 --> 00:49:10,120
Speaker 1: the white kid with the braids has one more line

994
00:49:10,120 --> 00:49:14,400
Speaker 1: as he walks in and goes bummer. It's now an

995
00:49:14,440 --> 00:49:17,520
Speaker 1: empty house. The ballads cannot find the part that was

996
00:49:17,640 --> 00:49:20,799
Speaker 1: just missing. Now the kids have figured out that it's

997
00:49:20,800 --> 00:49:24,560
Speaker 1: a part that's missing. Yes, they can't to the parents anymore,

998
00:49:24,600 --> 00:49:27,239
Speaker 1: who are now have have d aged so much that

999
00:49:27,280 --> 00:49:30,919
Speaker 1: they can barely be spoken to. It's getting bad and

1000
00:49:31,239 --> 00:49:35,520
Speaker 1: so everything looks dismal. Let's have Eddie himself explain the

1001
00:49:35,520 --> 00:49:36,839
Speaker 1: issue here. Can we listen to eclip too?

1002
00:49:37,600 --> 00:49:41,879
Speaker 3: They poof this time, it's gonna be for real.

1003
00:49:43,760 --> 00:49:48,240
Speaker 1: If poof this time, it's gonna be for real. Sabrina

1004
00:49:48,719 --> 00:49:51,760
Speaker 1: and with the music in the background. It was a moment.

1005
00:49:52,239 --> 00:49:54,880
Speaker 1: And then to make things worse, their parents glitch again,

1006
00:49:55,160 --> 00:49:57,680
Speaker 1: and they are now what two year olds?

1007
00:49:58,080 --> 00:50:00,839
Speaker 3: Doesn't she hold up to their three month old?

1008
00:50:01,040 --> 00:50:03,080
Speaker 1: Is that really how they get to be three month

1009
00:50:03,120 --> 00:50:06,600
Speaker 1: old babies? Well, but it can't be because he has

1010
00:50:06,640 --> 00:50:08,440
Speaker 1: to pee. I think they're too because she says how

1011
00:50:08,440 --> 00:50:09,279
Speaker 1: old are you and he goes.

1012
00:50:09,200 --> 00:50:11,799
Speaker 3: I'm too, Yeah, yeah, I think you're right.

1013
00:50:12,080 --> 00:50:15,240
Speaker 1: At this point, yes, the dad is in the bathroom

1014
00:50:15,239 --> 00:50:18,680
Speaker 1: covered in toilet paper and he's spraying baby powder all

1015
00:50:18,719 --> 00:50:19,320
Speaker 1: over the place.

1016
00:50:19,680 --> 00:50:22,279
Speaker 3: She's covered in spaghetti.

1017
00:50:21,840 --> 00:50:25,080
Speaker 1: Bacup and spaghetti there. This is where we saw them

1018
00:50:25,080 --> 00:50:27,560
Speaker 1: at the beginning. They're obviously have no help. Now they're

1019
00:50:27,560 --> 00:50:32,080
Speaker 1: sucking on popsicles. They're crawling around. But guess what Norton finds.

1020
00:50:33,160 --> 00:50:36,160
Speaker 1: He finds the part that's missing while playing with the dog,

1021
00:50:36,360 --> 00:50:40,120
Speaker 1: so he started to like the dog now and hey,

1022
00:50:40,280 --> 00:50:42,720
Speaker 1: I found the part that's missing. Now as a baby

1023
00:50:42,760 --> 00:50:48,840
Speaker 1: he loves dogs again. It's just so interestingly strange. The

1024
00:50:49,000 --> 00:50:52,160
Speaker 1: kids now have to fix the machine. They wrangle their

1025
00:50:52,200 --> 00:50:55,680
Speaker 1: baby parents right as they're about to get there. You

1026
00:50:55,800 --> 00:51:00,319
Speaker 1: think we're gonna hey, this is almost over. They can't

1027
00:51:00,320 --> 00:51:03,360
Speaker 1: get in the machine because the dad has to peek.

1028
00:51:03,560 --> 00:51:07,839
Speaker 2: True in toddler form, you are trying to get out

1029
00:51:07,840 --> 00:51:11,759
Speaker 2: of the house. The whole freaking car is packed up,

1030
00:51:12,320 --> 00:51:13,960
Speaker 2: baby ledgers in the car.

1031
00:51:14,160 --> 00:51:15,520
Speaker 3: Monroe has to pee.

1032
00:51:15,760 --> 00:51:18,799
Speaker 1: Okay, we got peepee time people.

1033
00:51:19,320 --> 00:51:21,280
Speaker 2: Which I was wondering how they were going to handle

1034
00:51:21,320 --> 00:51:24,839
Speaker 2: this part, because then they leave the toddler, the two

1035
00:51:24,920 --> 00:51:27,040
Speaker 2: year old in the bathroom by themselves, which is not

1036
00:51:27,080 --> 00:51:28,719
Speaker 2: really what you would do with the toddler.

1037
00:51:28,520 --> 00:51:30,440
Speaker 1: But you hope he remembers at least how to.

1038
00:51:30,760 --> 00:51:33,520
Speaker 3: How to do something. I would have just thrown him

1039
00:51:33,520 --> 00:51:36,520
Speaker 3: in the time machine and let there dad.

1040
00:51:36,640 --> 00:51:41,399
Speaker 1: Sorry, less than a minute left, their parents are about

1041
00:51:41,440 --> 00:51:43,759
Speaker 1: to poof, but last second they're saved. They were brought

1042
00:51:43,760 --> 00:51:46,120
Speaker 1: to the brink of poof, and now are they're adult

1043
00:51:46,160 --> 00:51:48,759
Speaker 1: selves with fuzzy memories of what happens. Their dadd even

1044
00:51:48,800 --> 00:51:51,640
Speaker 1: remembers that he said something about making a peepee, which

1045
00:51:52,400 --> 00:51:55,440
Speaker 1: it was a strange joke to bring back again. Yes, uh,

1046
00:51:55,640 --> 00:51:58,000
Speaker 1: Norton now also loves the dog. He remembers the dog.

1047
00:51:58,120 --> 00:52:00,759
Speaker 1: Enough we get a family hug and a celebration that

1048
00:52:00,800 --> 00:52:03,799
Speaker 1: the kids are actually scientific geniuses. The family's a full unit.

1049
00:52:03,840 --> 00:52:06,560
Speaker 1: Once again, we don't exactly know how the Urban Slugs

1050
00:52:06,560 --> 00:52:08,080
Speaker 1: turned out, but we assume he's going to be in

1051
00:52:08,120 --> 00:52:11,880
Speaker 1: the band. The Ballads are regular barbecuing inside the house

1052
00:52:11,960 --> 00:52:15,040
Speaker 1: because of course, when you grill, you always grill inside.

1053
00:52:15,239 --> 00:52:18,960
Speaker 1: They're spending time together and Eddie. It ends again with

1054
00:52:19,840 --> 00:52:22,319
Speaker 1: Taj talking to the camera, but this time dressed as

1055
00:52:22,320 --> 00:52:25,920
Speaker 1: a Rastafarian, saying they just made a trip to nineteen

1056
00:52:26,000 --> 00:52:28,680
Speaker 1: seventy five where Eddie got to play.

1057
00:52:28,480 --> 00:52:30,880
Speaker 3: With Bob Marley and the Whalers.

1058
00:52:30,920 --> 00:52:35,680
Speaker 1: And the Whalers. Now, I'm thinking what happened is at

1059
00:52:35,719 --> 00:52:37,680
Speaker 1: one point in the movie, which we did not address,

1060
00:52:38,440 --> 00:52:42,400
Speaker 1: they're glitching and trying to fix the machine. The kids

1061
00:52:42,440 --> 00:52:46,520
Speaker 1: don't know what to do, so he hits Undue and

1062
00:52:46,560 --> 00:52:50,960
Speaker 1: it brings the parents back, essentially solving the riddle of

1063
00:52:51,000 --> 00:52:54,799
Speaker 1: the time machine. I think he essentially fixed the time

1064
00:52:54,840 --> 00:52:58,359
Speaker 1: machine by hitting Undue. Okay, so now they have a

1065
00:52:58,440 --> 00:53:00,719
Speaker 1: working time machine, which of course it did not really

1066
00:53:00,760 --> 00:53:02,960
Speaker 1: talk about. So they made a family trip back to

1067
00:53:03,000 --> 00:53:05,640
Speaker 1: nineteen seventy five where he can play with Bob Marley.

1068
00:53:06,719 --> 00:53:12,480
Speaker 1: Roll credits. Here's your movie. This was a tough one, folks.

1069
00:53:12,560 --> 00:53:14,919
Speaker 1: I'm sorry for anybody out there that loved this movie.

1070
00:53:14,960 --> 00:53:18,000
Speaker 1: You gotta love what you love, yes, unapologetically love what

1071
00:53:18,080 --> 00:53:20,920
Speaker 1: you love. But this this one, this one was a

1072
00:53:20,920 --> 00:53:22,400
Speaker 1: little rough for me. I'll be allre it was.

1073
00:53:22,600 --> 00:53:23,120
Speaker 3: It was.

1074
00:53:31,160 --> 00:53:33,280
Speaker 1: Well, let's see if it was rough for everybody. Sabrina

1075
00:53:33,680 --> 00:53:35,480
Speaker 1: and I think we should do our real reviews.

1076
00:53:35,719 --> 00:53:38,360
Speaker 2: Yes, and there is definitely someone out there with a

1077
00:53:38,400 --> 00:53:42,800
Speaker 2: five star on this Bad Boy, a nameless review from

1078
00:53:42,920 --> 00:53:45,120
Speaker 2: June twenty sixteen.

1079
00:53:46,320 --> 00:53:50,600
Speaker 3: It would be crazy to babysit your parents.

1080
00:53:51,040 --> 00:53:52,160
Speaker 1: That's the whole rank you.

1081
00:53:52,520 --> 00:53:53,799
Speaker 3: That's the review, Thank you.

1082
00:53:54,280 --> 00:53:57,800
Speaker 1: And I've got the one star review from somebody named takanek.

1083
00:53:58,000 --> 00:54:01,000
Speaker 1: I think it is t ok a na see the

1084
00:54:01,000 --> 00:54:03,919
Speaker 1: best part for me the dog. I am an animal lover.

1085
00:54:03,960 --> 00:54:07,680
Speaker 1: Though literally neither of them about the movie at all, really,

1086
00:54:08,080 --> 00:54:10,520
Speaker 1: and I think that says something. We're gonna play another

1087
00:54:10,560 --> 00:54:12,920
Speaker 1: game today, and this is a strange one. When I

1088
00:54:12,920 --> 00:54:15,560
Speaker 1: was reading this game, even I didn't quite get what

1089
00:54:15,600 --> 00:54:17,839
Speaker 1: we're doing here. It's called One for the Ages. We're

1090
00:54:17,840 --> 00:54:20,760
Speaker 1: gonna read adult and child milestones that happened in almost

1091
00:54:20,760 --> 00:54:23,440
Speaker 1: everyone's life and according to the UK Office of National

1092
00:54:23,480 --> 00:54:28,239
Speaker 1: Statistics in twenty nineteen, and our very own American CDC website.

1093
00:54:28,640 --> 00:54:31,320
Speaker 1: We then have to guess what age they are describing

1094
00:54:31,400 --> 00:54:34,600
Speaker 1: as a milestone for development. These markers are off for everyone,

1095
00:54:34,760 --> 00:54:37,240
Speaker 1: just clues you can find online for progress. So, for example,

1096
00:54:37,520 --> 00:54:40,000
Speaker 1: if we said, what's you know when you legally become

1097
00:54:40,040 --> 00:54:42,200
Speaker 1: an adult, the answer would be eighteen.

1098
00:54:42,920 --> 00:54:46,279
Speaker 3: Do we have to say adult or child? Or do

1099
00:54:46,360 --> 00:54:48,359
Speaker 3: we actually put an age to it? You put an

1100
00:54:48,360 --> 00:54:49,800
Speaker 3: age actual to age?

1101
00:54:49,880 --> 00:54:52,960
Speaker 1: Okay, I think number three might have put the answer

1102
00:54:52,960 --> 00:54:54,920
Speaker 1: in there already by accident.

1103
00:54:55,360 --> 00:54:58,400
Speaker 4: Oh really, but I'm gonna read it. I'm gonna if

1104
00:54:58,400 --> 00:54:59,520
Speaker 4: it's in there. If it's in there, it gives you

1105
00:54:59,520 --> 00:54:59,959
Speaker 4: another examp.

1106
00:55:01,120 --> 00:55:01,680
Speaker 3: So here we go.

1107
00:55:01,920 --> 00:55:06,680
Speaker 1: Well, here's number one getting married. Now this is a course.

1108
00:55:06,719 --> 00:55:08,560
Speaker 1: This is from twenty nineteen. I think people are getting

1109
00:55:08,600 --> 00:55:12,280
Speaker 1: married later. Yep, I'm gonna go ahead. You go first.

1110
00:55:12,480 --> 00:55:13,680
Speaker 3: I would say thirty two.

1111
00:55:14,280 --> 00:55:15,920
Speaker 1: Ooh, you're gonna go even higher than me. I was

1112
00:55:15,920 --> 00:55:19,359
Speaker 1: gonna say thirty Let's see we got I have no

1113
00:55:19,400 --> 00:55:22,920
Speaker 1: idea what's happening today? It's thirty two. I mean, I'm disgusting.

1114
00:55:23,239 --> 00:55:24,000
Speaker 3: I'm disgusting.

1115
00:55:24,280 --> 00:55:30,560
Speaker 1: Oh, Sabrina is nailing it. Thirty two draws a person

1116
00:55:30,719 --> 00:55:33,600
Speaker 1: with three or more parts does that mean you that's

1117
00:55:33,600 --> 00:55:36,319
Speaker 1: when you first realize that you could what a person is?

1118
00:55:36,320 --> 00:55:37,960
Speaker 1: Like how old you are when you draw a person

1119
00:55:38,000 --> 00:55:39,560
Speaker 1: with three or more parts? Is that? Yeah? I mean

1120
00:55:39,600 --> 00:55:39,839
Speaker 1: I don't.

1121
00:55:39,840 --> 00:55:42,400
Speaker 4: I wouldn't even say you acknowledge how many parts of person?

1122
00:55:42,480 --> 00:55:44,240
Speaker 4: Is it? Just it would be like ahead a stick.

1123
00:55:44,719 --> 00:55:49,960
Speaker 1: H Okay, I'm gonna say three.

1124
00:55:50,719 --> 00:55:51,560
Speaker 3: I'm gonna go four.

1125
00:55:52,520 --> 00:55:57,759
Speaker 1: Oh no, it's four. Oh no, something's happening. Okay, I'm

1126
00:55:57,760 --> 00:55:59,600
Speaker 1: going to read this exactly. I was written having a

1127
00:55:59,640 --> 00:56:00,719
Speaker 1: baby twenty nine.

1128
00:56:00,840 --> 00:56:04,640
Speaker 4: Yeah, it's twenty nine. But I do think that's kind

1129
00:56:04,640 --> 00:56:06,799
Speaker 4: of crazy because having a baby's twenty nine, but getting

1130
00:56:06,840 --> 00:56:07,200
Speaker 4: married is.

1131
00:56:07,200 --> 00:56:08,399
Speaker 1: Getting thirty two too.

1132
00:56:08,760 --> 00:56:09,600
Speaker 3: That is interesting.

1133
00:56:09,640 --> 00:56:13,279
Speaker 1: It is strange. Yes, by the way, I have no

1134
00:56:13,400 --> 00:56:15,400
Speaker 1: children and wasn't married till I was forty, Thank you

1135
00:56:15,480 --> 00:56:19,280
Speaker 1: very much. Starts to like looking at themselves in the mirror.

1136
00:56:22,040 --> 00:56:26,600
Speaker 1: Seven five seven five? Who are you people?

1137
00:56:26,640 --> 00:56:27,600
Speaker 4: This is six months?

1138
00:56:28,320 --> 00:56:29,880
Speaker 1: Oh that's true.

1139
00:56:30,000 --> 00:56:31,880
Speaker 3: You're right, Oh that's true.

1140
00:56:32,400 --> 00:56:35,359
Speaker 2: No, child don't know that they recognize that it's themselves

1141
00:56:35,360 --> 00:56:40,160
Speaker 2: in the I think they think they're looking at just someone.

1142
00:56:40,480 --> 00:56:43,720
Speaker 4: Are you guys raising vampires?

1143
00:56:44,040 --> 00:56:50,239
Speaker 1: No, there's no reflection. Moving out of your parents' house. No,

1144
00:56:50,800 --> 00:56:52,040
Speaker 1: it's gotten a lot older.

1145
00:56:52,320 --> 00:56:58,040
Speaker 3: It has. I would say, I'm gonna say twenty eight.

1146
00:56:58,600 --> 00:56:59,959
Speaker 1: I was gonna say twenty six.

1147
00:57:01,200 --> 00:57:02,160
Speaker 4: Well it's twenty three.

1148
00:57:02,719 --> 00:57:07,359
Speaker 1: Okay, that's a little better. Yeah, and here's the last one.

1149
00:57:07,640 --> 00:57:18,720
Speaker 1: Hops on one foot eleven, don't kidding? Two? Three? This

1150
00:57:18,840 --> 00:57:21,040
Speaker 1: is all the pressure you put on yourself too.

1151
00:57:23,560 --> 00:57:24,880
Speaker 4: The answer is five?

1152
00:57:25,640 --> 00:57:26,840
Speaker 1: Is it really? Yeah?

1153
00:57:27,120 --> 00:57:29,000
Speaker 3: Can hop on one foot five?

1154
00:57:29,200 --> 00:57:32,240
Speaker 1: But she's got a dancer's pedigree. That's true. There you go.

1155
00:57:32,880 --> 00:57:35,920
Speaker 1: Oh my, all right, well, thank you once again, Producer

1156
00:57:36,000 --> 00:57:38,400
Speaker 1: Jensen for one for the ages.

1157
00:57:38,600 --> 00:57:39,960
Speaker 4: And by the way, I just want to go on record.

1158
00:57:40,000 --> 00:57:41,880
Speaker 4: I have no connection to this. I think some of

1159
00:57:41,880 --> 00:57:43,640
Speaker 4: this is BS. I hops on one foot at five.

1160
00:57:43,720 --> 00:57:44,600
Speaker 4: I feel like that's late.

1161
00:57:44,800 --> 00:57:45,960
Speaker 3: Yeah, I do too.

1162
00:57:46,400 --> 00:57:48,600
Speaker 1: I feel like that's like, don't you start playing hopscotch

1163
00:57:48,640 --> 00:57:50,680
Speaker 1: when you're like three? I don't know, I listen.

1164
00:57:50,680 --> 00:57:51,760
Speaker 3: I just pulled it off the sites.

1165
00:57:52,240 --> 00:57:55,000
Speaker 1: That's true, that's true. I still think having a baby

1166
00:57:55,040 --> 00:57:57,720
Speaker 1: twenty nine is my favorite question that we had. Yeah,

1167
00:57:57,720 --> 00:58:02,960
Speaker 1: don't at me? Okay, can we do Sabrina ses please?

1168
00:58:04,000 --> 00:58:04,240
Speaker 4: Yes?

1169
00:58:08,360 --> 00:58:10,320
Speaker 1: And can it all be about the blonde kid with

1170
00:58:10,360 --> 00:58:12,760
Speaker 1: the long hair who just keeps going word or whatever.

1171
00:58:12,920 --> 00:58:13,800
Speaker 1: I know, I have to.

1172
00:58:13,800 --> 00:58:17,080
Speaker 2: Cut, cut, cut, let me let me scroll, let me scroll,

1173
00:58:17,160 --> 00:58:21,560
Speaker 2: let me scroll. I had a and they talk about

1174
00:58:21,600 --> 00:58:23,640
Speaker 2: it later and explain it later. I had a huge

1175
00:58:23,680 --> 00:58:26,920
Speaker 2: issue with the laboratory in the house. That drove me crazy.

1176
00:58:26,960 --> 00:58:30,760
Speaker 2: In the beginning, I kept saying, and really, and then

1177
00:58:30,800 --> 00:58:32,680
Speaker 2: in the laboratory, I know we talked already about this,

1178
00:58:32,800 --> 00:58:34,040
Speaker 2: but the poof.

1179
00:58:33,760 --> 00:58:38,840
Speaker 3: Point countdown, that sign being.

1180
00:58:38,720 --> 00:58:41,920
Speaker 2: Just a piece of paper with marker, for some reason

1181
00:58:42,040 --> 00:58:46,360
Speaker 2: drove me crazy time. And they obviously are showing the countdown,

1182
00:58:46,360 --> 00:58:47,600
Speaker 2: they show it so often.

1183
00:58:47,640 --> 00:58:49,320
Speaker 3: I don't know why. That drove me nuts.

1184
00:58:49,360 --> 00:58:53,280
Speaker 1: But they also have a voice saying, you know this

1185
00:58:53,320 --> 00:58:54,400
Speaker 1: amount of times out.

1186
00:58:54,600 --> 00:58:55,560
Speaker 3: I know there's an.

1187
00:58:55,400 --> 00:58:58,960
Speaker 1: AI that's obviously speaking to them, but they need marker

1188
00:58:59,000 --> 00:59:00,000
Speaker 1: to write down what's happening.

1189
00:59:00,440 --> 00:59:01,840
Speaker 3: Yes, but a marker.

1190
00:59:02,000 --> 00:59:05,600
Speaker 2: I mean, these are scientists, you, I mean, I know,

1191
00:59:06,000 --> 00:59:08,080
Speaker 2: it just mean I just couldn't believe that they don't

1192
00:59:08,080 --> 00:59:09,080
Speaker 2: have a printer that could have.

1193
00:59:09,080 --> 00:59:09,960
Speaker 1: Done I don't know.

1194
00:59:10,480 --> 00:59:13,800
Speaker 2: Again, that bugged me so much. And then going back

1195
00:59:13,840 --> 00:59:20,320
Speaker 2: to the parents, the mom Marabel saying this is why

1196
00:59:20,440 --> 00:59:22,640
Speaker 2: I was reluctant to have children.

1197
00:59:22,760 --> 00:59:24,200
Speaker 3: Thank you, mom, Please.

1198
00:59:23,920 --> 00:59:27,760
Speaker 2: Don't hold back glad they really never wanted me at all,

1199
00:59:28,360 --> 00:59:32,000
Speaker 2: reluctant to even want kids in the beginning that I

1200
00:59:32,440 --> 00:59:33,200
Speaker 2: had to rewind it.

1201
00:59:33,240 --> 00:59:35,360
Speaker 3: I thought that was a pretty funny moment that they

1202
00:59:35,480 --> 00:59:37,160
Speaker 3: swipe right on over.

1203
00:59:37,240 --> 00:59:39,400
Speaker 2: The kids don't even react to it because they're used

1204
00:59:39,400 --> 00:59:41,000
Speaker 2: to her saying these crazy things.

1205
00:59:41,360 --> 00:59:45,040
Speaker 3: And then I want to know who made these who

1206
00:59:45,080 --> 00:59:46,200
Speaker 3: made these neighbors?

1207
00:59:46,640 --> 00:59:49,240
Speaker 2: Are they the head of the h o A, Why

1208
00:59:49,280 --> 00:59:52,840
Speaker 2: are they able to be Why are they able to

1209
00:59:52,880 --> 00:59:56,160
Speaker 2: say we have taken votes, your parents are out of here?

1210
00:59:57,320 --> 01:00:00,160
Speaker 2: How can you honestly kick You cannot kick someone off

1211
01:00:00,160 --> 01:00:02,280
Speaker 2: your street. You can put a lean on their house

1212
01:00:02,320 --> 01:00:04,960
Speaker 2: within an h OA, but you cannot just say we

1213
01:00:05,080 --> 01:00:07,800
Speaker 2: don't like your daffodils in the front of your house.

1214
01:00:08,280 --> 01:00:08,760
Speaker 3: Bye.

1215
01:00:08,800 --> 01:00:09,560
Speaker 1: You can't do that.

1216
01:00:09,640 --> 01:00:12,479
Speaker 2: So that was that was funny, that kept coming back.

1217
01:00:12,800 --> 01:00:15,560
Speaker 2: And then you know, of course they did give Marie

1218
01:00:16,120 --> 01:00:18,320
Speaker 2: an opt to get the kids out of the house,

1219
01:00:18,360 --> 01:00:21,200
Speaker 2: so that was nice. But you're still just being very

1220
01:00:21,240 --> 01:00:24,480
Speaker 2: aggressive and you have no platform to stand on.

1221
01:00:24,640 --> 01:00:28,160
Speaker 3: So those adults in this movie were rough.

1222
01:00:28,280 --> 01:00:30,720
Speaker 1: I'd like to throw in a will Sea's for the

1223
01:00:30,760 --> 01:00:32,400
Speaker 1: first time, if you don't mind, and this will not

1224
01:00:32,480 --> 01:00:35,160
Speaker 1: be wait, I'm let me do it myself. Will sies.

1225
01:00:37,040 --> 01:00:40,280
Speaker 1: So this is the first time ever registered to me

1226
01:00:40,320 --> 01:00:43,000
Speaker 1: in any way, shape or form. I thought the house

1227
01:00:43,120 --> 01:00:48,480
Speaker 1: they picked for them, their house was weird, weird just

1228
01:00:48,560 --> 01:00:51,280
Speaker 1: the exterior of the house. It looked like they shot

1229
01:00:51,400 --> 01:00:54,480
Speaker 1: part of a hotel and cut there. It looked odd

1230
01:00:54,520 --> 01:00:55,480
Speaker 1: to me. I don't know why.

1231
01:00:55,560 --> 01:00:57,640
Speaker 3: The neighbor's house was strange too.

1232
01:00:58,080 --> 01:01:01,520
Speaker 1: It was a strange neighborhood construct do I don't know

1233
01:01:01,560 --> 01:01:03,360
Speaker 1: if we know where this one was filmed, but this.

1234
01:01:03,520 --> 01:01:06,120
Speaker 3: Was I didn't see anything, so let's assume.

1235
01:01:06,160 --> 01:01:09,320
Speaker 1: Let's assume it's Utah, Utah. It was a strange little neighborhood.

1236
01:01:09,360 --> 01:01:11,240
Speaker 3: No, Utah's houses are so cool.

1237
01:01:11,400 --> 01:01:14,920
Speaker 1: This was a strange little neighborhood. It was. Well, now

1238
01:01:14,920 --> 01:01:17,320
Speaker 1: it's time to rate our movie. One out of ten.

1239
01:01:17,360 --> 01:01:20,800
Speaker 1: You know, uh, Sabrina, what do we got this week?

1240
01:01:20,800 --> 01:01:24,000
Speaker 1: How about one out of ten more resiblings, one out

1241
01:01:24,000 --> 01:01:27,560
Speaker 1: of ten urban slugs, one out of ten, milkshake hangovers,

1242
01:01:28,280 --> 01:01:31,760
Speaker 1: one out of ten, white kids with braids, one out

1243
01:01:31,760 --> 01:01:35,920
Speaker 1: of ten baby parents, one out of ten mongrels, one

1244
01:01:35,920 --> 01:01:38,280
Speaker 1: out of ten Bob Marley jam sessions. Or I'm gonna

1245
01:01:38,280 --> 01:01:42,320
Speaker 1: add one out of ten non finger moving guitar riffs.

1246
01:01:42,720 --> 01:01:45,120
Speaker 1: Which which one would you like to pick this week?

1247
01:01:45,160 --> 01:01:50,160
Speaker 2: Sabrina, I think I think I'll go with the non moving,

1248
01:01:50,720 --> 01:01:51,680
Speaker 2: non finger.

1249
01:01:51,680 --> 01:01:53,920
Speaker 1: Guitar riffs guitar risks.

1250
01:01:53,960 --> 01:01:57,480
Speaker 3: Okay, I don't remember if you went first or me

1251
01:01:57,640 --> 01:01:57,960
Speaker 3: at this.

1252
01:01:57,960 --> 01:02:01,800
Speaker 1: Point, I think I think you went first. Last time.

1253
01:02:01,880 --> 01:02:03,960
Speaker 1: I can't remember, and it sucks that I have to

1254
01:02:03,960 --> 01:02:04,360
Speaker 1: go first.

1255
01:02:04,640 --> 01:02:05,560
Speaker 3: No, you go first.

1256
01:02:05,600 --> 01:02:11,320
Speaker 1: Then this is gonna be my lowest rated d COOM yet,

1257
01:02:11,400 --> 01:02:14,640
Speaker 1: I believe. I'm sorry to say again, for anybody out

1258
01:02:14,640 --> 01:02:16,560
Speaker 1: there who loves this movie, we can only take them

1259
01:02:16,560 --> 01:02:20,640
Speaker 1: as they come. It's just not my favorite. I'm gonna

1260
01:02:20,720 --> 01:02:27,800
Speaker 1: give this three non moving finger guitarists. It just this,

1261
01:02:27,800 --> 01:02:30,560
Speaker 1: this movie did not hit for me on so many levels.

1262
01:02:30,840 --> 01:02:35,040
Speaker 1: And props to my friend Taj, who is will always

1263
01:02:35,040 --> 01:02:38,320
Speaker 1: be a star. There's a reason he's a star. He

1264
01:02:38,480 --> 01:02:40,400
Speaker 1: was not even bad in this movie. And this was

1265
01:02:40,480 --> 01:02:42,520
Speaker 1: not a good movie. But no one could look and

1266
01:02:42,560 --> 01:02:44,000
Speaker 1: say the reason this was not a good movie is

1267
01:02:44,000 --> 01:02:47,520
Speaker 1: because of Taj. He did his he did his damnedest

1268
01:02:47,600 --> 01:02:51,240
Speaker 1: in this film. It just this project did not come

1269
01:02:51,280 --> 01:02:53,360
Speaker 1: together for me. So I'm gonna give it. I'm gonna

1270
01:02:53,400 --> 01:02:54,360
Speaker 1: give it a three.

1271
01:02:54,480 --> 01:02:58,640
Speaker 2: Yeah, I think I'm gonna I'm gonna hit you right

1272
01:02:58,680 --> 01:03:03,440
Speaker 2: there with another three of non movie finger.

1273
01:03:06,720 --> 01:03:07,080
Speaker 1: Yeah.

1274
01:03:07,120 --> 01:03:09,400
Speaker 3: It was a bummer because, like I said, I saw

1275
01:03:09,520 --> 01:03:11,800
Speaker 3: the casts and I was excited for it.

1276
01:03:11,880 --> 01:03:14,560
Speaker 2: But and again I don't think it was really necessarily them.

1277
01:03:14,600 --> 01:03:16,760
Speaker 2: I just think, no, there was a lot. It seemed

1278
01:03:17,000 --> 01:03:20,240
Speaker 2: now that you brought in that idea of the Sean

1279
01:03:20,320 --> 01:03:26,480
Speaker 2: Aston situation, that makes so much sense. Something could have

1280
01:03:26,920 --> 01:03:31,000
Speaker 2: absolutely happened during filming and things just not working.

1281
01:03:31,080 --> 01:03:33,400
Speaker 3: And you know, but the.

1282
01:03:33,440 --> 01:03:38,280
Speaker 1: Four main cast members in this movie are not bad actors. No,

1283
01:03:38,400 --> 01:03:41,400
Speaker 1: they just are not bad actors, not a single one

1284
01:03:41,440 --> 01:03:43,919
Speaker 1: of them. And this was not the project for them.

1285
01:03:44,120 --> 01:03:45,840
Speaker 3: It just wasn't. It just didn't hit.

1286
01:03:46,200 --> 01:03:47,200
Speaker 1: It just didn't.

1287
01:03:48,520 --> 01:03:49,440
Speaker 3: Oh man.

1288
01:03:49,600 --> 01:03:52,000
Speaker 1: And that is the end of the proof point. Thank

1289
01:03:52,040 --> 01:03:55,400
Speaker 1: you everybody so much for joining us this week. They

1290
01:03:55,480 --> 01:03:57,880
Speaker 1: can't all be amazing, but some of them are, and

1291
01:03:57,960 --> 01:03:59,880
Speaker 1: we're looking for them out there. We're looking for the gems.

1292
01:04:00,040 --> 01:04:02,240
Speaker 1: They're out there. So remember to subscribe to our feed

1293
01:04:02,480 --> 01:04:04,600
Speaker 1: and you can follow us at the Magical rewind Pod

1294
01:04:04,960 --> 01:04:11,560
Speaker 1: on Instagram. Thank you so much. Don't poof out, Bye everybody.

1295
01:04:11,600 --> 01:04:14,120
Speaker 3: Bye.