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Speaker 1: It is time to ask the Riddlo and Junior.

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Speaker 2: Here we go. This is from Kimberly and Adventura. Kimberly writes,

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Speaker 2: my husband's alarm went off at four a m. On

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Speaker 2: Saturday morning. He rolled over and sent a text to

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Speaker 2: someone and he got a text back. He told me

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Speaker 2: that he had to make sure his friend was up

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Speaker 2: to catch her flight. He got mad when I asked

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Speaker 2: him who she was? Why was he defensive? And why

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Speaker 2: is he waking up other women? Come on, now, yeah,

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Speaker 2: this is crazy right here?

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Speaker 3: Okay, this is the mat you see.

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Speaker 4: You see how my stupid is friendly and and and playful.

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Speaker 4: Now this is just stupid and this this has this different.

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Speaker 1: I'm with you when you write temmy on this right,

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Speaker 1: I'm rolling with you.

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Speaker 3: Come on, man, you done woke up at four am

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Speaker 3: you to text some.

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Speaker 4: Woman your lady right there with you, I don't know.

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Speaker 3: And then you ain't even lie about it.

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Speaker 2: And then you get mad when she asked you who

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Speaker 2: this other woman is?

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Speaker 3: Who the world do you think you are? I mean,

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Speaker 3: this is.

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Speaker 1: Doesn't happen to you, has it?

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Speaker 3: No?

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Speaker 5: That can never happen to me. This not hasn't happened.

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Speaker 5: It can never happen.

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Speaker 3: My phone is on death.

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Speaker 5: Yeah, I don't care when you get to Chicago. I'm

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Speaker 5: not texting you to tell see if you're up to

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Speaker 5: get that.

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Speaker 1: I'm not doing that that part.

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Speaker 5: But if you go look at it from his standpoint on,

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Speaker 5: from his point of view, his real question is why

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Speaker 5: is you up watching me text somebody?

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Speaker 3: Why is you You need to sleep?

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Speaker 2: You want him? You want him to flip it? Yeah,

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Speaker 2: he had you need.

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Speaker 5: To sleep hard or something because you can't be up

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Speaker 5: and I let it.

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Speaker 3: You watching this text off? This girl gotta get on

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Speaker 3: this plane.

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Speaker 1: Yeah, this is that they have problems in they're mab

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Speaker 1: why she.

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Speaker 3: Can't set her own alarm and get her but.

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Speaker 1: Asked one of her single friends to help her.

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Speaker 5: They ain't got no homeboys, you can lown nobody just got.

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Speaker 1: Well his wife can see it. I'm sure. Yeah, all right.

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Speaker 2: Moving on Tom mackenzie and Atlanta. McKenzie writes, I've known

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Speaker 2: my husband for six years, and for six years he's

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Speaker 2: only worn Versace cologne. I've found samples of other colognes

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Speaker 2: in his work bag. He said it's time for a change,

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Speaker 2: so he got some samples. What prompted this change what

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Speaker 2: is he up to?

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Speaker 4: What is you're doing in the work bank. You can't

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Speaker 4: he can't have some samples of cologne?

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Speaker 3: Uh uh, I don't get this.

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Speaker 2: Nope. You know, any changes, any changes, change of behavior

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Speaker 2: that means something, that means you know, it does We've

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Speaker 2: been wearing Versace for six years.

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Speaker 3: Yeah, when last time you got some samples of cologne? Tommy?

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Speaker 3: The last time? I'll wait. Yeah, that's a good question, Carl.

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Speaker 1: I thought about it exactly back.

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Speaker 3: When we wearing lacquer Field. I mean it's been a while,

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Speaker 3: it's been I got some sample.

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Speaker 2: Yeah, so that's a change of behavior. Like like his

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Speaker 2: wife says, what prompted? What prompted or she should have said,

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Speaker 2: who prompted this change?

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Speaker 1: And what is he up to?

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Speaker 3: What was the old samples and news that was?

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Speaker 2: Like it doesn't say that, No, just change, just change

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Speaker 2: samples in his work bag.

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Speaker 1: She would have looked in his work bad had he

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Speaker 1: not changed.

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Speaker 5: Why is the brand concerning to Tommy?

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Speaker 1: Was it what Polo.

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Speaker 3: Something?

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Speaker 2: Oh?

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Speaker 3: Is he feeling young? You know, you gotta understand it

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Speaker 3: was it?

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Speaker 4: You know old spikes, I mean because old news spikes

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Speaker 4: now because you know.

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Speaker 1: To come back shout out to dian Cole. I love

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Speaker 1: him so much. I love my Chicago brother.

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Speaker 4: Yeah, and he's killing it out there too.

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Speaker 1: Uh so for six years the same thing.

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Speaker 3: So what is he doing when somebody at that job?

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Speaker 5: I'm not saying who it was, but so my job

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Speaker 5: don't like the pasaca? Clearly somebody. He wear too much

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Speaker 5: of it. He's prying way too much, leaves some in

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Speaker 5: the bottle. Yeah, he head to toe with it. He's everywhere.

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Speaker 5: You know, why your shoestring smell like besace?

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Speaker 1: Is its?

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Speaker 3: What is?

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Speaker 1: Six years?

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Speaker 3: Yeah? All right? Why is she in his Why is

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Speaker 3: she in his work? Bad? You can't have nothing.

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Speaker 2: You can't because he changed and when you changed the problem.

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Speaker 1: Yeah, here comes the detective work. All right.

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Speaker 2: He should have eased into that one, all right. Cortes

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Speaker 2: and Harlem moving on, Cortes says, my girlfriend's My girlfriend's

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Speaker 2: leg is broken, but she still tries to have sex

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Speaker 2: all the time. We were having sex yesterday and her brother,

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Speaker 2: who lives with us, barged in on us and told

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Speaker 2: me to get out for her. My girl didn't stick

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Speaker 2: up for me. Was her brother out of line?

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Speaker 3: You broke leg behind?

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Speaker 4: Gonna stand up and say something, not stand up. But

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Speaker 4: you know what I'm saying, you're gonna you're gonna say,

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Speaker 4: my bad, no punt. You know, no, I ain't. We

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Speaker 4: ain't got a leg to stand on because you ain't.

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Speaker 4: My bad, my bad.

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Speaker 2: But her leg is broken and she's still getting it

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Speaker 2: in all the time.

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Speaker 4: It's gotta be great, though, because that leg ain't in

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Speaker 4: the way. You know what I'm saying, it's probably broken

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Speaker 4: out the way.

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Speaker 3: That's really what I know. Ya don't see put the

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Speaker 3: visual in there. Think about it. A leg broken out

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Speaker 3: the way, that's really some good room.

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Speaker 1: But I don't.

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Speaker 3: Nobody, don't nobody see what I see. I don't see

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Speaker 3: what you see. Tem I don't.

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Speaker 1: Oh you did, junr what you say?

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Speaker 5: Because you know, if you got to have you got

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Speaker 5: to have it. Broke leg or not, that's not stopping six.

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Speaker 5: Put that leg on that nice stay with that great

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Speaker 5: boot on it. That great boot is on the night,

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Speaker 5: staying right now and.

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Speaker 1: Lets her she doesn't even give her herself.

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Speaker 5: She with that, with that great boot and that broken legs,

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Speaker 5: she kicked everything off, that nice skin, that labor medications,

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Speaker 5: that pain peels.

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Speaker 3: Let's go.

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Speaker 2: But brother out of line though, for banging up in

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Speaker 2: the room with Yes, yeah, that's what he lives with them. Yeah,

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Speaker 2: he lives he lives with Cortes and his brother. No, no, no,

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Speaker 2: he's just not yelling to tell telling Cortes to get

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Speaker 2: off his sister.

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Speaker 3: And put we can put him out though. Yeah, mother

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Speaker 3: got to go.

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Speaker 5: Noise, how much hollow broke broke and you know this,

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Speaker 5: how broke leg is good?

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Speaker 3: That's all.

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Speaker 4: Hear.

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Speaker 5: So much stuff in that bedroom. She hit that mirror

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Speaker 5: with that leg. That leg didn't hit this ottoman. She

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Speaker 5: she hit the dressle with that That leg was just

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Speaker 5: banging around in the room and everything again broke a mirror,

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Speaker 5: she hit that that leg.

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Speaker 3: It was all over the room, broke in there.

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Speaker 2: Yeah, wow, all right, all right, thank you Riddo and

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Speaker 2: Junior h