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Speaker 1: It's the Best Bits of the Week with Morgan number two.

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Speaker 1: What is up? Y'all? Welcome to the Best Bits this weekend.

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Speaker 1: It's Morgan here and this is the Best Bits Part two,

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Speaker 1: which is just the Bits Part one I did with

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Speaker 1: Amy this weekend and it was super fun. And it's

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Speaker 1: the last normal edition of Best Bits this year. It's

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Speaker 1: not the last Best Bits because on Christmas Eve in

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Speaker 1: New Year's Eve, we did record some new shows for y'all,

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Speaker 1: and I hope you enjoy them. They're super fun. But

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Speaker 1: this is the last regular edition of Best Bits, so

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Speaker 1: let's get started. Blake Shelton was on our show this week,

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Speaker 1: and he's always super funny to have on because he

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Speaker 1: is very real and honest, and he talked about his

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Speaker 1: new TV show, Barman Getting. He also talks about why

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Speaker 1: he's leaving the Voice and the thing that he keeps

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Speaker 1: getting excited about in his career, because you know, Blake

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Speaker 1: Shelton has done practically everything at this point, so him

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Speaker 1: getting excited about something is pretty cool. Here's that interview

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Speaker 1: with Bobby number seven, So Bobby Bones Show interview. In

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Speaker 1: case you didn't know Flake Shelton. I mean, what do

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Speaker 1: I say he's the greatest. He had so many number ones.

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Speaker 1: He's got the show Barmageddon on USA Network. There's Monday nights.

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Speaker 1: I feel like I don't need to introduce you, because

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Speaker 1: you do know. We love we love him, we know him,

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Speaker 1: we love him, we know him, and we love him.

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Speaker 1: Here he is Blake Shelton on The Bobby Bones Show. Now,

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Speaker 1: Blake shelt Hey, buddy, how are you? I'm doing great?

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Speaker 1: How are you doing? I'm doing pretty good. I see

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Speaker 1: the preview of your show Barmageddon on I have a

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Speaker 1: show that just came off USA Network at all, and

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Speaker 1: I follow all the socials now because I felt like

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Speaker 1: I had too. I was kind of guilted into it.

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Speaker 1: So I see, I see all of your clips of Barmageddon, like,

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Speaker 1: it's pretty fine. That show looks pretty good. You guys

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Speaker 1: are like playing bar games with I think I saw

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Speaker 1: Cheryl Crowe on there. How did this show come together

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Speaker 1: when covid hit, you know, And I don't know how

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Speaker 1: it was for your show, It's probably similar the for

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Speaker 1: the voice we had to work with, like stripped down cruise,

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Speaker 1: you know, and what normally had a huge studio audience

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Speaker 1: or decent sized studio audience and hundreds of crews and

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Speaker 1: it kind of was whittled down to no audience, just

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Speaker 1: a handful of camera people and the coaches and Carson.

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Speaker 1: You know, it was we weren't letting a lot of

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Speaker 1: people in the building at that time, and so you

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Speaker 1: can imagine how long the setups took in between, you know,

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Speaker 1: each each thing that we shot there. So Carson and

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Speaker 1: I would just go to one of our dressing rooms

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Speaker 1: and just drink our faces off on these days. And

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Speaker 1: one day we had and you know that show Holy Molie,

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Speaker 1: the Mini golf show. Yeah, that was on the TV,

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Speaker 1: and one of our dressing rooms and one of us

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Speaker 1: had the bright idea, Man, when this show be better

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Speaker 1: if these people were drunk trying to play, you know,

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Speaker 1: And so that's where the idea. We were, like, man,

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Speaker 1: we could do this, you know, we could make a

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Speaker 1: you know, a show like this. And literally it's he

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Speaker 1: and I have had these brainstorm ideas for years now,

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Speaker 1: Like there's we had the idea for a beef jerky company,

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Speaker 1: any uh, you know, some weird apps and podcast things

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Speaker 1: that would never see the light of day because we're

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Speaker 1: too lazy to put it together. But we took this

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Speaker 1: drinking game show very serious and followed through with Bobby Barmageddon.

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Speaker 1: There's Mondays on USA Network. It's super fun. If you

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Speaker 1: do S season two. Like I was a little insulted.

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Speaker 1: I wasn't invited to be a part of the because one,

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Speaker 1: I have a show on the network, and then two

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Speaker 1: I thought you and I were semi coool, and then

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Speaker 1: I never got invited to like play the games. And

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Speaker 1: so if you do season two, I will hopefully be

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Speaker 1: ready for an invite that I'll say, are you wait

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Speaker 1: a minute, are you? Are you throwing your name in

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Speaker 1: the hat for yeah. Well we'll even call it Bob

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Speaker 1: Bobby getting yeah for the episode. And I don't drink,

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Speaker 1: but I'll do grape you. I don't know, we'll do something.

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Speaker 1: We'll do something. It just you know, it's in the family,

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Speaker 1: one of the family in so many ways, Blake, we'll

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Speaker 1: do some drugs or something instead. That's it. He goes

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Speaker 1: way hard. He's like, we know you don't drink, all right,

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Speaker 1: first heroin all right? I think because we're able to talk,

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Speaker 1: you know, a decent amount, and we talk a lot,

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Speaker 1: so I ask our listeners sometimes like what would you

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Speaker 1: like me to ask Blake. I got five or six

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Speaker 1: really quick questions, if you don't mind answering these for

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Speaker 1: our listeners. Number one, this ought to be good. Okay,

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Speaker 1: it's nothing too crazy, but I'm glad they ask them

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Speaker 1: because I think I lose touch sometimes. Why doesn't Blake

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Speaker 1: Shelton live in Nashville, Well, you know I did for

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Speaker 1: about right at twelve years I lived there. I moved

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Speaker 1: there in ninety four. I was seventeen when I moved

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Speaker 1: to Nashville. And then and I always my plan was

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Speaker 1: always if I ever got my foot in the door

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Speaker 1: and had some success, I was going to move back home,

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Speaker 1: just to Oklahoma. It just never Nashville always just felt

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Speaker 1: like where I would go to work, but it never

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Speaker 1: felt like home to me. I'm just from Oklahoma, and

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Speaker 1: that's just how it's always been for me. What is

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Speaker 1: Blake Shelton's favorite NFL team? The Arizona Cardinals. Painfully enough

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Speaker 1: and then really just yes, and it just keeps and

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Speaker 1: it has been for twenty years, thirty years now, that's

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Speaker 1: been my team. And it's just brutal. I mean it's horrifying.

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Speaker 1: I could even see the look on your face. You

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Speaker 1: look like you just verped. That's tough. It's tough. Yeah. One,

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Speaker 1: it's random and I'm curious at how that came together.

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Speaker 1: But then two it's been tough. I mean between Kyler

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Speaker 1: Murray getting hurt, the season not being good, Cliffs like

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Speaker 1: they're like they can fire in this that's a tough

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Speaker 1: team to be a fan of. Right now. I know

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Speaker 1: it's although some of those guys are my friends, and

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Speaker 1: I'm just I'm really nervous about what's gonna happen. It's ugly, okay.

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Speaker 1: Next question, how tall is Blake Shelton? I think I'm

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Speaker 1: around six to five maybe the older I get closer

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Speaker 1: to six four shrinking. How big is Blake Shelton's ranch?

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Speaker 1: We have two more? How big is Blake Shelton's ranch?

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Speaker 1: It's huge, It's huge, you know. I learned in that

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Speaker 1: movie Pure Country. It's rude to ask people how many

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Speaker 1: acres they have. That's almost like asking how much they

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Speaker 1: weigh or their age. Yeah, yeah, even though you could

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Speaker 1: look on probably Google Earth or something and figure it out.

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Speaker 1: Last question, why did Blake Shelton leave the Voice? Well?

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Speaker 1: I haven't yet. I leave next next spring is gonna

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Speaker 1: be my last season? It's season twenty three, and Bobby,

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Speaker 1: I'm just tired of win and yeah, you know what

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Speaker 1: I'm saying. It's just so easy. It's you know, how

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Speaker 1: can I never get a good laugh out of you?

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Speaker 1: It's always like, well it's not that part. Wasn't that funny?

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Speaker 1: But other things you've said were funny, But that one

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Speaker 1: you did. The other things you didn't laugh at either,

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Speaker 1: and I did a couple. You don't give me cherity laughs. Well,

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Speaker 1: here's the thing. You're a funny guy. You don't give

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Speaker 1: me cherity laughs. I don't give you cherity laughs. And

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Speaker 1: when we both laugh, we know that that was actually

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Speaker 1: really funny. Would you agree with that? But people are

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Speaker 1: watching this and you're making me look worse. No, I

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Speaker 1: think you actually look great. You look help by the way, physically,

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Speaker 1: you look like a million bucks. What have you been

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Speaker 1: up to? Well, it's I've been eating. I've been eating.

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Speaker 1: I've been eating. Well, see that's funny because you do

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Speaker 1: look good. And you made a joke there. See that's it.

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Speaker 1: I laughed at that one, and I love it when

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Speaker 1: the off camera people laugh. Also, it's like watching it's

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Speaker 1: like talk Suit remember that show. Yes, they do the song.

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Speaker 1: Is it nobody or nobody? Jimmy Fallon said it best

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Speaker 1: because I was having a hard time trying to explain it,

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Speaker 1: and he said, it's like they never found a body. Okay,

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Speaker 1: um no, because nobody we say it's setting it up.

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Speaker 1: But it's tough. It's good. It's a really good song.

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Speaker 1: And with music, you have the Christmas songs out now,

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Speaker 1: now are you about to really dive in and every

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Speaker 1: year give us a new Christmas? You gonna do a

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Speaker 1: Christmas tour? Maybe next year? No? Um, I you know

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Speaker 1: the I love Christmas music, but I never think about,

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Speaker 1: you know, adding to that that project. It's only one

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Speaker 1: wearing the studio doing something else, and the label will

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Speaker 1: call and say, hey, while you're in there, you know,

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Speaker 1: book one more day and and do some Christmas songs

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Speaker 1: and we'll add it to the album. And so that

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Speaker 1: happened this year and I had booked, you know, the

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Speaker 1: extra day in the studio was Scott Hendricks and but

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Speaker 1: I never really thought about what it was. We were

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Speaker 1: going to cut like ever, and and it got to

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Speaker 1: be like two or three days before the session and

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Speaker 1: Scott said, hey, what do we what Christmas songs? What

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Speaker 1: does this thing, and I go, oh my god. I

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Speaker 1: hadn't even thought about it. And so Gwynn had written

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Speaker 1: a song on her Christmas album that I thought was underrated,

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Speaker 1: called Cheer for the Elves, and so I wanted to

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Speaker 1: cut that song. And then we just did a couple

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Speaker 1: of classics and we did Up on the Housetop and

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Speaker 1: it ends up being maybe my favorite Christmas thing I've

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Speaker 1: ever cut. I just thought it was a fun recording

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Speaker 1: of it. I tried to copy that old Travis Tritt

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Speaker 1: recording of Burning Love, and so we'd kind of flipped

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Speaker 1: that into Up on the Housetop. There are new songs

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Speaker 1: added to Blake's DELXA version of his Christmas album Up

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Speaker 1: on the Housetop, Cheer for the Elves, Holly Jolly Christmas.

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Speaker 1: So right now we're eating it up all Christmas all

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Speaker 1: the time. So I mean, it's already we got like

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Speaker 1: a week and half left, kind of late on the

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Speaker 1: promotion to this idol. Blake, well, you know, I hate it.

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Speaker 1: I hate when people well you know, put up their

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Speaker 1: tree the day after Thanksgiving. So I'm treating I'm treating

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Speaker 1: promoting my Christmas album the same way. That's funny. See

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Speaker 1: how you did that. He's back, he's funny. That's a

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Speaker 1: good guffall. Even that's a good one. Hey, talk to

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Speaker 1: me about the uh the uh Arkansas helmet there? Now?

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Speaker 1: Is that because you're friends with the Arkansas people or

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Speaker 1: did Justin Moore or somebody gets you that helmet? I

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Speaker 1: am a diehard Arkansas Razorbacks fan. I know you're from there.

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Speaker 1: I know that. I am my doctorates from the University

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Speaker 1: of Arkansas. I go to games. I am that's my

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Speaker 1: most of my wife, my dogs, and the Razorbacks are

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Speaker 1: the only things I really care about. Yeah, but the helmet,

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Speaker 1: like did you go? Did you meet the coach? Do

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Speaker 1: you are your friends with the people? Yeah? Yeah, I'm

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Speaker 1: luckily now and I don't know if this is the

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Speaker 1: same for you. And I mean this in a serious way,

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Speaker 1: Like the coolest things to me now because I'm a

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Speaker 1: bit jaded that the coolest things to me now in

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Speaker 1: my life are the things that I dreamed of doing

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Speaker 1: and being as a kid. So the fact that I

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Speaker 1: can just call head coach in the first to Arkansas

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Speaker 1: football or basketball or go and like that stuff is,

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Speaker 1: or meeting John Michael Montgomery or things like that, from

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Speaker 1: when I was a kid. That's the stuff that's awesome

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Speaker 1: to me still. That makes me superhuman? Yeah, I love yes,

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Speaker 1: So what about what I love that coach? I love

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Speaker 1: that guy. He's Pittman, Yes, I can't think I don't

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Speaker 1: know his name. Yeah he's awesome. Yeah. What is that

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Speaker 1: for you? Blake? That you because again you get to

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Speaker 1: do everything, so nothing is cool except certain specific things.

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Speaker 1: What's still like really cool for you? Where you're like,

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Speaker 1: this is like what young Blake thought would be awesome

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Speaker 1: being able to text with Bill Dance and Jimmy Houston.

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Speaker 1: It blows the brains out of my butt into the

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Speaker 1: toilet and the toilet flushes itself. Like I can't even

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Speaker 1: imagine that I can talk to those guys. We watch

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Speaker 1: so much Bill Dance as a kid, Me and Arkansas, Keith,

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Speaker 1: my stepdad, that when I see pictures of like if

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Speaker 1: it's you and Bill Dance or Chris Jansen and Bill

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Speaker 1: Dance or Luke because you know Luke had this, I'm

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Speaker 1: just like that they got to be like living their

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Speaker 1: dream because I'm sure you watched hours and hours of

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Speaker 1: Bill Dance as a kid. We'll get up actually, because

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Speaker 1: they would air build dance on Saturday mornings. Remember TNN,

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Speaker 1: it was TNN back then, and so I'd go to

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Speaker 1: a friend's house that had cable Kurt Gillham, and we

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Speaker 1: would watch Bill dance and it was like, Oh my god,

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Speaker 1: he's the coolest guy in the world. That is the

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Speaker 1: same reason that I love the Grand Old Opera is

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Speaker 1: that my grandma and I would watch it either on

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Speaker 1: tenn or wherever it was because it moved around a

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Speaker 1: lot and my grandma adopted me and raised me for

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Speaker 1: a lot of my life. Or when it was off

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Speaker 1: TV because it had its different iterations, we would listen

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Speaker 1: to it on the radio. But that is why even

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Speaker 1: today the operay is so important to me that I

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Speaker 1: do work there and perform their multiple capacities because as

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Speaker 1: a kid, I love my grandma so much and she

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Speaker 1: loved it so much that I just I treasure that

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Speaker 1: place because of that. Yeah, you're you're the same as me.

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Speaker 1: Probably about the Opery House. People ask me all the time,

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Speaker 1: you know what's your favorite to play? The Rhyman or

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Speaker 1: the Grand Old House? And I always save the Opry

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Speaker 1: House and people look at me strange, But that's the

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Speaker 1: Grand Old Oupry that I grew up seeing on TV.

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Speaker 1: That's the building, that's the stage, and you know, and

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Speaker 1: so I get this crazy feeling when I step on

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Speaker 1: that stage. Well there he look, he's Blake Shelton. He's

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Speaker 1: done it all. He's doing it all. He's got Barna

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Speaker 1: Gadding on Mondays on USA Network. He's got three new

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Speaker 1: songs on his Christmas album. Are you touring next year? Yeah?

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Speaker 1: We're doing my normal like fifteen or seventeen shows. We

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Speaker 1: started in February, go to the end of March. We're

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Speaker 1: taking Carly Pierce out, taking her back out with me

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Speaker 1: and this new kid, Jackson Dean. He's awesome dude, Jackson

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Speaker 1: Dene I haven't met him yet. I haven't met him.

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Speaker 1: He has loved Yeah, you're gonna love him. You're gonna

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Speaker 1: love him. I can't wait. I love his I love

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Speaker 1: his record. That's all I know of him so far.

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Speaker 1: I'll end on this once. You may not remember this.

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Speaker 1: It was super quick, but Blake and I were doing

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Speaker 1: anything in California together. He was and I went out

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Speaker 1: on stage barefoot. I didn't know Blake didn't like bare feet.

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Speaker 1: Do you still is that a thing where you hate

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Speaker 1: bare feet? Or was it just you thought I was gross.

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Speaker 1: I showed up in sweats and I was I was

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Speaker 1: coming from a different shoot. Do you hate bare feet?

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Speaker 1: I hate men's bare feet. Okay, there is got it? Yeah, okay, okay,

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Speaker 1: well then there you have it. Um, Okay, there is

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Speaker 1: Blake Shelton show. Absolutely, yeah, Merry Christmas to you two.

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Speaker 1: Tell Gwen we say hello, and uh we'll see you

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Speaker 1: next year. Buddy, love you guys. All I see it, Blake.

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Speaker 1: It's the best bits of the week with Morgan. Number

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Speaker 1: two rejected segments happened this week. Yes, and I know

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Speaker 1: I just though thought word weird, But I tried to

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Speaker 1: be announcer esque in my rejected because you know, they

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Speaker 1: were rejected segments. They were brought up as show ideas,

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Speaker 1: but they didn't get chosen, and now they are chosen

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Speaker 1: as rejected segments. Number six, it's time four rejected segments.

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Speaker 1: Rejected segments. All these have come to me in the

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Speaker 1: way of, hey, I think we should do these on

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Speaker 1: the show, and they've all been rejected segment. I'm not

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Speaker 1: gonna put this in, but what inspired this was Morgan.

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Speaker 1: She sent me one. I'll just let you do what

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Speaker 1: you wanted to do. Go ahead. Well, I wanted to

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Speaker 1: give a shout out to listener Kate and her boyfriend.

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Speaker 1: I met them at the Santa Rampage in Nashville, which

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Speaker 1: is like Santa Con, and they basically tried to like

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Speaker 1: hook me up with a really cute guy at the bar,

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Speaker 1: and they were super nice. They have a white beard

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Speaker 1: and oh yeah, they had the whole Santa stuff going on.

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Speaker 1: But she also asked me to say hi to Bobby,

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Speaker 1: Hi to Amy, Hi to Eddie, but not to Lunchbox

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Speaker 1: because he's a oh Christmas. But she also asked it

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Speaker 1: not to be part of rejected segments, So it's not

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Speaker 1: it's leading into rejected segments. Let's do rejected segments. Rejected segments.

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Speaker 1: These are the top five segments that I've rejected, either

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Speaker 1: because you would get fired, you would get in trouble,

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Speaker 1: or it was just so boring. Okay at number five,

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Speaker 1: suggested by Mike d Worst of twenty twenty two. We

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Speaker 1: always talk about the songs that we like, But what if, Bobby,

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Speaker 1: you do a top five worst country songs, all from

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Speaker 1: major artists who put out singles to show we're open

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Speaker 1: to Christmas ourselves. We'll do a top five worse moments

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Speaker 1: of the Bobby Bone Show. But really we want to

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Speaker 1: talk about the suckiest songs that made it big, not bad.

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Speaker 1: This one was rejected because of negativity. Yeah, that's trouble man.

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Speaker 1: And at times I'll say a song is not good,

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Speaker 1: but not in the Christmas time, you know. YEA rejected

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Speaker 1: segments where I get rejected segments number four from Eddie.

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Speaker 1: Eddie's credit card company thinks that he's cheating on his wife.

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Speaker 1: Oh it's a good one, dude, Go ahead, that's a

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Speaker 1: good one. So the credit card card, there's some charges

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Speaker 1: on a credit card that we rarely use. So my

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Speaker 1: wife just randomly checked it and she said, hey, she

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Speaker 1: called customer service, like these are really weird charges. You know,

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Speaker 1: it's jewelry they bought. And the credit card company goes, well,

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Speaker 1: have you talked to your husband about the jewelry because

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Speaker 1: these were purchased And my wife's like, what do you

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Speaker 1: mean like talk to my husband? Well, are you sure

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Speaker 1: that your husband didn't buy this jewels? Suggesting you bought

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Speaker 1: it for another woman? What am I doing? I get

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Speaker 1: out of my life? But you did? Did you even

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Speaker 1: buy jewelry? No, I'd stole your car. Somebody stole our car.

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Speaker 1: It was an account on a website that was hacked.

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Speaker 1: Rejected Segments. Rejected Segments number three from Eddie. Oh boy,

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Speaker 1: it's just because it was boring and stupid. Oh. I

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Speaker 1: suffered a terrible injury recently, and I just want to

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Speaker 1: read this one, which on the headline, I'm like, oh, wow,

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Speaker 1: aco spine. This could be one of the hardest injuries

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Speaker 1: I've ever had to recover from. I was reading some pizza.

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Speaker 1: I didn't realize how hot it was when I put

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Speaker 1: it in my mouth. It was so hard to burn

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Speaker 1: the roof of my mouth. I think we could talk

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Speaker 1: about this and talk about how when you eat stuff

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Speaker 1: that's hot, it's really uncomfortable. Please pray for me. Hey,

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Speaker 1: I can use your prayer. I'm better now. That was

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Speaker 1: a while back, But dude, when you burn your the

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Speaker 1: roof of your stock, it's the worst rejected segments. You

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Speaker 1: remember the other one Eddie had It was like I've

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Speaker 1: changed my new favorite pizza or something. Yes, it was.

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Speaker 1: I mean some days you just got nothing, you know,

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Speaker 1: next up and that was something. Yeah at number two,

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Speaker 1: and this is one of those where I've just run

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Speaker 1: out of things that I could possibly even suggest to

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Speaker 1: the show. So I'm just gonna write down anything it

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Speaker 1: comes from lunchbox. He goes, let me feel you in

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Speaker 1: on one of the best snacks out there that nobody's

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Speaker 1: talking about. Get a banana and put some peanut butter

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Speaker 1: on it. Simple, easy and delicious. Everyone knows that. No,

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Speaker 1: you don't. I mean you kind of forget about it.

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Speaker 1: You don't, you nothing, And he's like, I need to

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Speaker 1: send something in rejected. It's been rejected. I can't do it.

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Speaker 1: And the number one rejected segment is from Amy. But

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Speaker 1: I've never made rejected though ever. Oh, yes you have.

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Speaker 1: You've never been rejected. No, no, I've never had anything

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Speaker 1: good enough. I feel like bad enough, yeah, or bad

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Speaker 1: enough like I get jealous y'all sometimes when you make it.

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Speaker 1: I've never made it. Amy wanted to know, have we

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Speaker 1: ever considered being a hand model? Now? Have you? Do

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Speaker 1: you remember sending this? Tell me Mark? Okay he even

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Speaker 1: needs to because she was like, that's how bad it was.

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Speaker 1: Amy was waiting in the grocery store line. Oh yeah, yeah,

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Speaker 1: I know this is a chance story. I know it now. Okay.

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Speaker 1: So this elderly man was the checker outer and then

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Speaker 1: an elderly woman was in front of me, and when

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Speaker 1: she was putting her stuff on the little conveyor belt

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Speaker 1: and near him, he could see her hands, and he

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Speaker 1: said to her, have you ever considered being a hand model?

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Speaker 1: And I feel like I was watching two you know,

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Speaker 1: they were hitting on each other. Yes, silver leather, she

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Speaker 1: didn't have a wedding ring. Who knows? Give them the

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Speaker 1: eyes and they head out. I mean I thought it

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Speaker 1: was super cute. And I was like, go him, look

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Speaker 1: at him picking up the people in his line. They

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Speaker 1: would have been cute together. I have no idea whatever happened.

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Speaker 1: That's why it's rejected, because you have no idea what happened.

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Speaker 1: But it's pretty cute. Though it was cute, I think

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Speaker 1: it had been a younger guy saying it to him,

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Speaker 1: it would have been as cute. Something about them being

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Speaker 1: old and probably widowed. Are you getting sad? Something about

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Speaker 1: them having to go to funeral one of no. But

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Speaker 1: then they find each other, They find love at the

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Speaker 1: grocery store. That's that. I don't hate that one. Actually,

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Speaker 1: I would take that one off after I already ever

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Speaker 1: made it. Yeah, I don't know that we would have

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Speaker 1: done it. But I take it. I would take it off.

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Speaker 1: Rejected segments. Man, what about ours? You gonna keeps rejected segments?

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Speaker 1: Rejected segments. I do have a snack that nobody's talking about. Well,

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Speaker 1: let me guess you take a piece of bread and

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Speaker 1: put jelly on it. Well, I was gonna say, you

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Speaker 1: cut up an apple and then put you know. That's

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Speaker 1: where I was gonna go, but he told me it

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Speaker 1: had already been rejected. I was like, you can also

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Speaker 1: switch to an apple. It's the best bits of the

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Speaker 1: week with Morgan. Number two. Amy shared the second episode

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Speaker 1: of Stevenson's radio show that he's been doing recently. He's

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Speaker 1: been really into going on the mic and just saying

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Speaker 1: a few words, and then she got some imaging done

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Speaker 1: from Scuba Steve and it's been really cool that he

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Speaker 1: got his own radio show now. So here is Stevenson's

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Speaker 1: Radio Show, Episode two, number five. Maybe this one's a

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Speaker 1: CMA next year, the Stevenson Show. It's Amy's son. This

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Speaker 1: all start up because he walked in one day while

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Speaker 1: you were recording. Yeah, I was working on my podcast

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Speaker 1: and he came in and he just sat down. He said, hey,

408
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Speaker 1: hit record for me, and I did and what came

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Speaker 1: out is what y'all heard. And now I think he's

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Speaker 1: he's into it and he knows we played it on

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Speaker 1: the show. So he's gotten feedback I think from peers

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Speaker 1: at school. And so he now wrote a little script

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Speaker 1: for himself for this one and then said, if you

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Speaker 1: end up playing us on the Bobby Bone Show, I'm

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Speaker 1: gonna need four dollars. Oh, I'll have to pay him.

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Speaker 1: I mean I'll pay him, tell him podcast is over.

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Speaker 1: That's more than I pay Eddie for sure. So tell

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Speaker 1: the listeners, if they're new, just give me fifteen seconds

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Speaker 1: about your son, Stevenson. He's twelve years old. He's from Haiti.

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Speaker 1: I have been his mom for five years now. And

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Speaker 1: his English, you're gonna it sounds so good here, and

422
00:20:41,359 --> 00:20:43,639
Speaker 1: I'm so proud of him and his writing skills and

423
00:20:43,720 --> 00:20:46,520
Speaker 1: how he talks now because English is a second language.

424
00:20:46,560 --> 00:20:53,160
Speaker 1: Here is the Stevenson Show, Stevenson Radio Show. Today we're

425
00:20:53,160 --> 00:20:56,320
Speaker 1: going to talk about Christmas. First of all, this is

426
00:20:56,600 --> 00:21:01,000
Speaker 1: the vision for this season, Loop Loop Second Fall Present.

427
00:21:01,440 --> 00:21:08,480
Speaker 1: I'm talking nerf, guns, tours, video games, clothes and drums. Yes, sir. Also,

428
00:21:08,520 --> 00:21:13,040
Speaker 1: we need to help others that don't have presents and food. Okay,

429
00:21:13,160 --> 00:21:21,640
Speaker 1: that's all he's out, Yes, Sir, Stevenson Radio Show. Sir,

430
00:21:22,000 --> 00:21:27,840
Speaker 1: that's his catchphrase all the time. That's awesome. Yeah, I

431
00:21:27,920 --> 00:21:30,960
Speaker 1: love it. Give it, Give it a CMA and an ACM. Yeah,

432
00:21:31,119 --> 00:21:33,359
Speaker 1: give all whatever letters, give it a CMT. Calm him down,

433
00:21:33,440 --> 00:21:35,520
Speaker 1: or he's going to charge us more. Oh, I was

434
00:21:35,560 --> 00:21:37,480
Speaker 1: paying on the four dollars. I mean, I'll pay him.

435
00:21:37,520 --> 00:21:40,360
Speaker 1: I'll pay him the four dollars Stevenson Show. I mean honestly,

436
00:21:40,440 --> 00:21:42,560
Speaker 1: because he sat there and like, hay up with all

437
00:21:42,560 --> 00:21:45,000
Speaker 1: of it himself. It's an activity. So I love it.

438
00:21:45,040 --> 00:21:47,639
Speaker 1: I'm like, so wait, go go do this for the

439
00:21:47,680 --> 00:21:50,680
Speaker 1: next thirty minutes. We'll see in January for another episode

440
00:21:50,680 --> 00:21:55,280
Speaker 1: of The Stephenson Show. It's the best bits of the

441
00:21:55,320 --> 00:22:02,399
Speaker 1: week with Morgan. Number two one of the best performances

442
00:22:02,400 --> 00:22:04,439
Speaker 1: we've had on the show in a long time. We

443
00:22:04,480 --> 00:22:06,679
Speaker 1: had four King in Country By. Not only did they

444
00:22:06,760 --> 00:22:08,719
Speaker 1: talk about you know, how they came up with their

445
00:22:08,760 --> 00:22:11,679
Speaker 1: band name where their musical journey has led them to,

446
00:22:12,119 --> 00:22:15,040
Speaker 1: but they also performed Little Drummer Boy and it was

447
00:22:15,200 --> 00:22:18,719
Speaker 1: absolutely just insane. They had a full band in studio,

448
00:22:18,840 --> 00:22:21,280
Speaker 1: some really crazy instruments, and it was just a really

449
00:22:21,320 --> 00:22:24,960
Speaker 1: awesome performance that's going to get you into the Christmas

450
00:22:24,960 --> 00:22:27,919
Speaker 1: spirit on every level. And I don't know that we

451
00:22:27,920 --> 00:22:29,640
Speaker 1: can include it in here. You might hear it now,

452
00:22:29,720 --> 00:22:31,639
Speaker 1: but if you don't, you can go watch it at

453
00:22:31,640 --> 00:22:33,600
Speaker 1: Bobby Bones dot com and you will want to. You'll

454
00:22:33,600 --> 00:22:36,080
Speaker 1: probably want to put it on repeat for this entire week.

455
00:22:36,720 --> 00:22:40,840
Speaker 1: Number four, So Bobby Bones Show interviews in case you

456
00:22:40,960 --> 00:22:44,040
Speaker 1: didn't know, all right, their name is four King and Country.

457
00:22:44,280 --> 00:22:48,359
Speaker 1: They've won four Grammy Awards. They're awesome. Tonight a CMT

458
00:22:48,440 --> 00:22:53,479
Speaker 1: Crossroads Christmas for King and Country, Brelan, Chrissy Metz, Natalie Grant,

459
00:22:53,640 --> 00:22:56,120
Speaker 1: Rebecca Saint James, their sister. They're all going to perform

460
00:22:56,200 --> 00:22:58,960
Speaker 1: CMT nine pm Central. They are here, though, and not

461
00:22:59,080 --> 00:23:01,320
Speaker 1: because of that show, not because of their Grammys, but

462
00:23:01,320 --> 00:23:03,560
Speaker 1: because of Eddie and his wife Boy and they got

463
00:23:03,560 --> 00:23:06,240
Speaker 1: tickets and then they said, never mind, we don't need

464
00:23:06,280 --> 00:23:08,280
Speaker 1: the tickets, even though we're sold. It's a whole situation.

465
00:23:08,640 --> 00:23:11,000
Speaker 1: They are here, they are amazing. Let's go down and

466
00:23:11,040 --> 00:23:14,960
Speaker 1: talk with for King and Country on the Bobby Bones Show.

467
00:23:15,000 --> 00:23:18,040
Speaker 1: Now for Kenyan's Country, Well, the way you guys got

468
00:23:18,080 --> 00:23:21,640
Speaker 1: here at Lolan conventional, I will admit, because first of all,

469
00:23:21,840 --> 00:23:26,040
Speaker 1: you never invited us. Bobby Amy's invited us before. That's true. Yeah,

470
00:23:26,080 --> 00:23:32,000
Speaker 1: that's me. That's not me anyway. So also we're we

471
00:23:32,160 --> 00:23:34,679
Speaker 1: like know your family, and if we're just having you

472
00:23:34,720 --> 00:23:36,679
Speaker 1: in Willy Nilly every day, they're like, well, that's like

473
00:23:36,720 --> 00:23:40,240
Speaker 1: some sort of nepotism to show. Yeah. And also our

474
00:23:40,320 --> 00:23:43,720
Speaker 1: last name is small bone. You know, you've got to

475
00:23:43,760 --> 00:23:46,960
Speaker 1: keep the bones separated exactly, which is why we also

476
00:23:46,960 --> 00:23:49,879
Speaker 1: don't have matt On. Yeah I heard you did have

477
00:23:50,040 --> 00:23:51,800
Speaker 1: Matta know what's why we don't. But he text in

478
00:23:51,840 --> 00:23:54,520
Speaker 1: all the time and he's on the air in different ways. Yeah,

479
00:23:54,560 --> 00:23:58,520
Speaker 1: I just talk about him, yes, and he's like my pastors. Yeah,

480
00:23:58,640 --> 00:24:00,680
Speaker 1: that was gonna be like we've got a problem here. Yeah.

481
00:24:00,720 --> 00:24:03,840
Speaker 1: So here's what happened. You have millions of fans all

482
00:24:03,880 --> 00:24:06,080
Speaker 1: over the world, and two of them are Eddie and

483
00:24:06,119 --> 00:24:08,760
Speaker 1: his wife, Right, Eddie, that's right. And your wife wanted

484
00:24:08,760 --> 00:24:10,520
Speaker 1: to go to the show. She said, is there any

485
00:24:10,560 --> 00:24:12,760
Speaker 1: way you can get us tickets to go see the

486
00:24:12,800 --> 00:24:15,160
Speaker 1: band for Christmas concert? I'm like, well, look I look

487
00:24:15,160 --> 00:24:16,960
Speaker 1: on the calendar. I'm like, they're coming to the opera.

488
00:24:17,040 --> 00:24:19,280
Speaker 1: That we can do this, So what better to ask?

489
00:24:19,320 --> 00:24:22,160
Speaker 1: Amy says, she knows you guys. She's like, oh, Amy,

490
00:24:22,240 --> 00:24:24,320
Speaker 1: can you hook me with some tickets? And so she does,

491
00:24:24,440 --> 00:24:28,119
Speaker 1: and Amy, there's no small feet to get tickets the world.

492
00:24:28,359 --> 00:24:30,880
Speaker 1: This is like getting Taylor Swift tickets right to see them,

493
00:24:31,000 --> 00:24:33,320
Speaker 1: I know, but the site crashes basically when you try

494
00:24:33,320 --> 00:24:35,800
Speaker 1: to get tickets to freaking country, right, So yeah, it's

495
00:24:35,840 --> 00:24:38,520
Speaker 1: an often no problem. I get a text back, we'll

496
00:24:38,520 --> 00:24:41,399
Speaker 1: call under Eddie's name, night of ready to go. I

497
00:24:41,440 --> 00:24:43,720
Speaker 1: send Eddie a note and he's like, oh my gosh, amazing,

498
00:24:43,800 --> 00:24:46,159
Speaker 1: thank you. Well, then turns out I guess Eddie's going

499
00:24:46,200 --> 00:24:48,040
Speaker 1: to be out of town the night of the show.

500
00:24:48,240 --> 00:24:53,719
Speaker 1: So then we have to awkwardly be like, okay, sorry,

501
00:24:53,840 --> 00:24:55,800
Speaker 1: yes exactly, I knew it. You probably spent the whole

502
00:24:55,880 --> 00:24:58,000
Speaker 1: night going I bet to hate us because well, we

503
00:24:58,040 --> 00:25:00,440
Speaker 1: called up the operate personal Yeah, say we're out of

504
00:25:01,600 --> 00:25:06,320
Speaker 1: right and so, which which I'm so glad it worked

505
00:25:06,320 --> 00:25:08,200
Speaker 1: out that way because now I feel like we get

506
00:25:08,240 --> 00:25:11,520
Speaker 1: a very intimate performance from them. I'm still embarrassed, but

507
00:25:11,600 --> 00:25:13,320
Speaker 1: that's okay, so my bone. So we got a couple

508
00:25:13,359 --> 00:25:14,960
Speaker 1: of things we're gonna do here with for King and Country.

509
00:25:15,000 --> 00:25:16,520
Speaker 1: We're gonna do a Christmas song and then we're gonna

510
00:25:16,520 --> 00:25:18,639
Speaker 1: do an original. And first, let me say just you

511
00:25:18,640 --> 00:25:21,840
Speaker 1: guys are awesome just musically, sonically, what you're able to do,

512
00:25:21,840 --> 00:25:25,159
Speaker 1: how big you're able to sound, just just a plus.

513
00:25:25,200 --> 00:25:28,800
Speaker 1: So I want to compliment you there. Awesome. Secondly, you

514
00:25:28,800 --> 00:25:30,399
Speaker 1: know both of you have my hair at different stages

515
00:25:30,400 --> 00:25:32,800
Speaker 1: of my life. I'm just gonna say that. So true,

516
00:25:33,320 --> 00:25:36,040
Speaker 1: So maybe we could. You could be our brother m Yeah,

517
00:25:36,119 --> 00:25:39,560
Speaker 1: I could. It's just your funny accent me yeah, or

518
00:25:39,640 --> 00:25:42,320
Speaker 1: you know you can you do my accent? Of course

519
00:25:42,359 --> 00:25:44,560
Speaker 1: I can't. Is that? Hey, this is Bobby Bones. This

520
00:25:44,640 --> 00:25:46,720
Speaker 1: is the Bobby Bones Show with for King and Country.

521
00:25:46,800 --> 00:25:49,840
Speaker 1: Thanks for being here. That sounds so normal, It almost

522
00:25:49,920 --> 00:25:53,760
Speaker 1: sounds not hillbilly enough, But that's so that's such an American.

523
00:25:54,000 --> 00:25:55,840
Speaker 1: As a kid in Australia, do you grow up doing

524
00:25:55,840 --> 00:25:59,000
Speaker 1: American accents as a joke? We see, we get all

525
00:25:59,080 --> 00:26:02,720
Speaker 1: your movies and stuff. So really, because you know, Australia

526
00:26:02,760 --> 00:26:04,920
Speaker 1: has always been a little bit about like the kind

527
00:26:04,920 --> 00:26:07,879
Speaker 1: of the younger brother that looks up to America. So

528
00:26:07,960 --> 00:26:10,600
Speaker 1: you don't really want to be like America because you're

529
00:26:10,680 --> 00:26:13,320
Speaker 1: kind of actually jealous of America, if that makes sense. Well,

530
00:26:13,320 --> 00:26:16,520
Speaker 1: in America we always do like kangaroo and boomerang jokes. Yeah,

531
00:26:16,600 --> 00:26:23,640
Speaker 1: you know, we're like, you know, world are okay. So

532
00:26:23,680 --> 00:26:26,160
Speaker 1: here's what we're gonna do. We're gonna do a Christmas

533
00:26:26,160 --> 00:26:28,159
Speaker 1: song first, and then I want to get into a

534
00:26:28,160 --> 00:26:30,240
Speaker 1: little more of you guys. But here is for King

535
00:26:30,280 --> 00:26:32,159
Speaker 1: and Country and what are you guys? Look, what are

536
00:26:32,119 --> 00:26:34,240
Speaker 1: you guys are gonna do? Here? We're gonna play a

537
00:26:34,280 --> 00:26:37,919
Speaker 1: song for Eddie's wife because this is the song that

538
00:26:37,960 --> 00:26:40,360
Speaker 1: she probably wanted to see, right, Eddie, this is the one.

539
00:26:40,440 --> 00:26:42,800
Speaker 1: This is the one. Yes, and this is gonna be

540
00:26:43,080 --> 00:26:45,879
Speaker 1: uh this is the little drummer boy god will it is?

541
00:26:45,920 --> 00:26:47,480
Speaker 1: It is the one. And I just want to set

542
00:26:47,560 --> 00:26:49,560
Speaker 1: the record straight if you're just listening and not watching,

543
00:26:50,400 --> 00:26:53,920
Speaker 1: we have set a world record on your stage right

544
00:26:54,440 --> 00:26:57,560
Speaker 1: Three people on stage. Yes, it's amazing. The stage is

545
00:26:57,560 --> 00:26:59,800
Speaker 1: like sides of a nickel if somehow they're standing on

546
00:26:59,800 --> 00:27:01,119
Speaker 1: top up of each other. This is why New York

547
00:27:01,119 --> 00:27:03,840
Speaker 1: City did skyscrapers, actually, so you get more people on

548
00:27:04,400 --> 00:27:06,840
Speaker 1: high that's true. Well, and here's the other thing. Live

549
00:27:07,520 --> 00:27:09,920
Speaker 1: we're in elevators. So the next time we're going to

550
00:27:10,000 --> 00:27:13,239
Speaker 1: have to bring the elevators. Wait what we're in. We're in,

551
00:27:13,400 --> 00:27:16,080
Speaker 1: We go up like fifty feet elevators. It's like the

552
00:27:16,119 --> 00:27:18,959
Speaker 1: Australian version of Circus to late. Yeah, yeah, your shows

553
00:27:18,960 --> 00:27:21,480
Speaker 1: you do that really yeah yeah, we take out a

554
00:27:21,520 --> 00:27:28,400
Speaker 1: really big are King and Country on the Bobby Bones Show.

555
00:27:29,320 --> 00:27:33,120
Speaker 1: On the Bobby Bones Show. Now for Kenyan's country. Hey, Joel,

556
00:27:33,119 --> 00:27:36,880
Speaker 1: you and Luke were playing together since since how old? Well,

557
00:27:37,040 --> 00:27:38,560
Speaker 1: it depends on how you look at it. So our

558
00:27:38,640 --> 00:27:42,560
Speaker 1: sister was sort of a gospel Christian artist and dad

559
00:27:42,600 --> 00:27:45,680
Speaker 1: managed her needed cheap labor. We all homeschooled. The sorry

560
00:27:45,760 --> 00:27:47,520
Speaker 1: had five sons, and so we became the road crew

561
00:27:47,560 --> 00:27:51,240
Speaker 1: and incidentally started doing background vocals together at some point

562
00:27:51,760 --> 00:27:55,159
Speaker 1: for her or for other folks, for her, for her exclusively,

563
00:27:55,160 --> 00:27:56,439
Speaker 1: we were we weren't good enough to do it for

564
00:27:56,440 --> 00:27:59,639
Speaker 1: other people. It's a family as a family deal. And

565
00:27:59,680 --> 00:28:02,840
Speaker 1: then we didn't get on in our teenagers. You know,

566
00:28:02,840 --> 00:28:05,920
Speaker 1: he's my younger brother, grew taller than me, it's better sportsman,

567
00:28:06,040 --> 00:28:09,520
Speaker 1: all the things that an older brother really dislikes. Torn

568
00:28:09,600 --> 00:28:12,520
Speaker 1: his aco in basketball match, and he felt sorry for me.

569
00:28:12,520 --> 00:28:14,520
Speaker 1: And I feel sorry for him when we start a band.

570
00:28:14,680 --> 00:28:16,800
Speaker 1: How tall are you? I'm about six four six four

571
00:28:16,880 --> 00:28:18,119
Speaker 1: six five? I mean you want to cut your hair?

572
00:28:18,119 --> 00:28:21,159
Speaker 1: What are you? Five nine with the hair cut? The hair?

573
00:28:21,240 --> 00:28:25,120
Speaker 1: Five nine? Maybe? Yeah? Okay? You know what Samson got weaker? Yeah?

574
00:28:25,600 --> 00:28:28,560
Speaker 1: I grow it up? Yeah yeah? And so when does well?

575
00:28:28,600 --> 00:28:30,520
Speaker 1: I'm assuming too. You guys had a bunch of names

576
00:28:30,520 --> 00:28:32,760
Speaker 1: before a freaking in country. Since you've been together so long,

577
00:28:32,800 --> 00:28:36,400
Speaker 1: what were those if you'd had other names? What were they?

578
00:28:36,640 --> 00:28:38,200
Speaker 1: Bad ones? Yeah, we had a lot of bad ones.

579
00:28:38,240 --> 00:28:39,960
Speaker 1: I mean at first we would do the whole like,

580
00:28:40,000 --> 00:28:42,000
Speaker 1: we're not going to leave this coffee shop until we

581
00:28:42,080 --> 00:28:45,040
Speaker 1: find a name. And usually we walked out with John

582
00:28:45,160 --> 00:28:47,760
Speaker 1: Luke Joel. He's Luke. We're gonna be called Joel. This

583
00:28:47,800 --> 00:28:51,680
Speaker 1: is sort of Dan and Shade. Joel had another great one, Austeraville.

584
00:28:51,760 --> 00:28:53,880
Speaker 1: That was one that was because we make up of word.

585
00:28:53,880 --> 00:28:58,320
Speaker 1: It's Australia to Nashville. People called Nashville a Ville. I

586
00:28:58,360 --> 00:29:00,840
Speaker 1: didn't stay with that one. Literally we did it. We

587
00:29:00,880 --> 00:29:03,400
Speaker 1: did a show in Australia with that name. And Australians

588
00:29:03,400 --> 00:29:06,720
Speaker 1: are pretty forth right in their opinions, and we would

589
00:29:07,040 --> 00:29:08,640
Speaker 1: we were doing a festival and people came up and

590
00:29:08,640 --> 00:29:11,120
Speaker 1: they're like, yeah, mate, um, I don't even know how

591
00:29:11,160 --> 00:29:14,680
Speaker 1: to say your name. So we actually reverted back to Joel.

592
00:29:15,040 --> 00:29:17,840
Speaker 1: At the festival. We're like, all right, and when did

593
00:29:17,880 --> 00:29:20,960
Speaker 1: for King and Country come up? And I'm assuming it's

594
00:29:21,040 --> 00:29:23,320
Speaker 1: for a king who is Jesus, I'm just assuming. I

595
00:29:23,320 --> 00:29:25,760
Speaker 1: don't know this is that what it is? But it's

596
00:29:25,800 --> 00:29:28,520
Speaker 1: sort of there's a British if you ever watched like

597
00:29:28,680 --> 00:29:31,200
Speaker 1: oh it's not never mind, I'm wrong, down to an abbey,

598
00:29:31,520 --> 00:29:34,120
Speaker 1: there's sort of this British mantra that they would always

599
00:29:34,400 --> 00:29:36,160
Speaker 1: chant going into battle. They would say, oh, for king

600
00:29:36,240 --> 00:29:39,080
Speaker 1: like Zazu says line kings like oh forget, I don't

601
00:29:41,560 --> 00:29:45,360
Speaker 1: very American interview, um and uh he. So we kind

602
00:29:45,360 --> 00:29:47,000
Speaker 1: of thought, well, that's a cool phrase. And then I

603
00:29:47,040 --> 00:29:50,160
Speaker 1: think there's that great overtone of like why do we

604
00:29:50,200 --> 00:29:53,560
Speaker 1: do music? Like you said, like god people country, you know,

605
00:29:54,200 --> 00:29:56,920
Speaker 1: And so for King and Country was it in a

606
00:29:56,920 --> 00:29:58,600
Speaker 1: coffee shop. We're not leaving the cop and that's what

607
00:29:58,800 --> 00:30:01,560
Speaker 1: I don't know. Joel come into the studio one day,

608
00:30:01,600 --> 00:30:04,520
Speaker 1: I mean this was twelve years ago or so, and

609
00:30:04,560 --> 00:30:06,640
Speaker 1: he come in with the name all the King's Men,

610
00:30:06,760 --> 00:30:08,600
Speaker 1: which was a cool name. That is a cool name. Uh.

611
00:30:08,640 --> 00:30:11,120
Speaker 1: And our producer at the time spun around and he said,

612
00:30:11,120 --> 00:30:13,360
Speaker 1: oh no, no, what about the what about for Kean country?

613
00:30:13,360 --> 00:30:15,480
Speaker 1: You know the old British mantra that they used to

614
00:30:15,520 --> 00:30:17,560
Speaker 1: chant before going into battle. And we'd always wanted something

615
00:30:17,760 --> 00:30:20,040
Speaker 1: that felt like it had purpose, it felt like it

616
00:30:20,040 --> 00:30:22,120
Speaker 1: had media just wasn't like just a just a cool name,

617
00:30:22,160 --> 00:30:24,120
Speaker 1: you know what I mean? And I think we kind

618
00:30:24,160 --> 00:30:25,400
Speaker 1: of both looked at each other at that time. The

619
00:30:25,440 --> 00:30:27,960
Speaker 1: other big thing was it was available on MySpace. Yeah

620
00:30:29,000 --> 00:30:32,080
Speaker 1: remember that ten years ago? Yeah? Yeah, yeah, what's the

621
00:30:32,160 --> 00:30:35,880
Speaker 1: CMT Crossroads Christmas that you guys are doing? Like, what

622
00:30:36,040 --> 00:30:41,360
Speaker 1: exactly does that entail this sort of thing? Okay, okay,

623
00:30:41,400 --> 00:30:44,160
Speaker 1: that's there's always are other artists to come in. Yeah,

624
00:30:44,240 --> 00:30:47,960
Speaker 1: so Brian who's we love them? Chrissy Matts who was

625
00:30:47,960 --> 00:30:49,719
Speaker 1: on this is us and it's a great singer. So

626
00:30:49,760 --> 00:30:51,680
Speaker 1: they come in and sing songs with you. Are they're

627
00:30:51,680 --> 00:30:55,080
Speaker 1: doing your songs? Yeah? Well kind of Christmas songs aren't

628
00:30:55,120 --> 00:30:57,280
Speaker 1: really our songs, but al versions of Chris don't we

629
00:30:57,360 --> 00:31:01,600
Speaker 1: all on them? Public domain? That's right exactly? Um. Yeah,

630
00:31:01,680 --> 00:31:03,560
Speaker 1: so they come in and you know, they're singing these

631
00:31:03,560 --> 00:31:06,280
Speaker 1: renditions that you know we've created, and they sing along

632
00:31:06,280 --> 00:31:09,440
Speaker 1: with us. It was quite fascinating though, because they all

633
00:31:09,440 --> 00:31:12,400
Speaker 1: had to lead these songs very very quickly, so to

634
00:31:12,440 --> 00:31:14,600
Speaker 1: their to their credit, it turned out really great. Do

635
00:31:14,640 --> 00:31:17,120
Speaker 1: you guys keep up prompter for Christmas songs? You don't

636
00:31:17,160 --> 00:31:20,080
Speaker 1: mess up the words? Luke should? I probably should, but

637
00:31:20,120 --> 00:31:24,080
Speaker 1: I don't, I will says, although I've had a lot

638
00:31:24,120 --> 00:31:26,959
Speaker 1: of because we're right in the middle of an American Christmas,

639
00:31:27,440 --> 00:31:30,080
Speaker 1: we've had I've had quite a few fumbles. The problem

640
00:31:30,080 --> 00:31:32,200
Speaker 1: with Christmas songs is you do sing them every year,

641
00:31:32,560 --> 00:31:35,600
Speaker 1: but there's eleven months in between the there's like nine

642
00:31:35,720 --> 00:31:38,880
Speaker 1: verses in all of things, well versus they sort of

643
00:31:38,920 --> 00:31:40,680
Speaker 1: have the same in so just sort of the people

644
00:31:40,720 --> 00:31:42,400
Speaker 1: do the same thing that we do, which is you

645
00:31:42,440 --> 00:31:44,880
Speaker 1: just pick your favorite verses and that becomes the song. Right,

646
00:31:44,920 --> 00:31:46,560
Speaker 1: if so again, just do it again. And then if

647
00:31:46,560 --> 00:31:50,000
Speaker 1: you're into grandparents, you know, church, you're never going to

648
00:31:50,080 --> 00:31:52,320
Speaker 1: know the verses that they get into you there, That's

649
00:31:52,360 --> 00:31:56,120
Speaker 1: definitely true. The CMT Crossworlds Christmas is that in Nashville. Yeah, okay,

650
00:31:56,760 --> 00:32:00,200
Speaker 1: the factory, Okay, so twelve on the twelfth, that's where

651
00:32:00,240 --> 00:32:02,640
Speaker 1: you can go there. But then the Christmas show you

652
00:32:02,720 --> 00:32:05,440
Speaker 1: got Indianapolis on the fifteenth, fort Wayne on the sixteenth,

653
00:32:05,480 --> 00:32:08,480
Speaker 1: Grand Rapids on the seventeenth, the two opery shows, the

654
00:32:08,520 --> 00:32:11,200
Speaker 1: global what's the global live stream? Is that at a place?

655
00:32:11,680 --> 00:32:14,360
Speaker 1: It's the opera show. Oh, it just has global livestream,

656
00:32:14,400 --> 00:32:18,280
Speaker 1: Like we wanted to make it feel really big. Go

657
00:32:18,600 --> 00:32:20,479
Speaker 1: watch this show. I'm gonna have to go to one

658
00:32:20,520 --> 00:32:23,040
Speaker 1: of these shows for King and Country dot com for

659
00:32:23,120 --> 00:32:25,840
Speaker 1: this a Drummer Boy Christmas and then they are on

660
00:32:25,880 --> 00:32:27,800
Speaker 1: the road all of next year, which I mentioned a

661
00:32:27,880 --> 00:32:30,560
Speaker 1: little earlier. When your last name is small Bone, my

662
00:32:30,640 --> 00:32:34,480
Speaker 1: name is bone Bones Bonus. Did you ever consider the

663
00:32:34,480 --> 00:32:37,360
Speaker 1: small Bones as a band name? Would you come to

664
00:32:37,400 --> 00:32:40,400
Speaker 1: a show with the band name small Bones? You know

665
00:32:40,440 --> 00:32:44,680
Speaker 1: who did consider it? Matt Hales Aquilung considered it. He

666
00:32:44,760 --> 00:32:47,120
Speaker 1: was very serious about it because he was we were

667
00:32:47,160 --> 00:32:49,480
Speaker 1: developing sort of the band with him as sort of

668
00:32:49,480 --> 00:32:52,280
Speaker 1: guiding us through it, and he was like, you should

669
00:32:52,360 --> 00:32:56,320
Speaker 1: just be called small Bones or small Bone. Yeah, singular.

670
00:32:56,800 --> 00:32:59,560
Speaker 1: We we opted to not because of all of the

671
00:33:00,000 --> 00:33:03,600
Speaker 1: probably had a dominy bone world. Yeah well u endo, Yeah,

672
00:33:03,640 --> 00:33:05,760
Speaker 1: we homeschooled for a reason. With that last thing, got it?

673
00:33:05,800 --> 00:33:08,600
Speaker 1: You know what I mean? Amy knows another small bone.

674
00:33:08,800 --> 00:33:11,040
Speaker 1: What's the situation there with that guy? Who's that our

675
00:33:11,200 --> 00:33:20,800
Speaker 1: dad's brother's son. Wait, he's your cousin, you know how? Yeah,

676
00:33:20,960 --> 00:33:23,560
Speaker 1: everybody kind of looks like y'all look similar like Bobby.

677
00:33:23,600 --> 00:33:26,960
Speaker 1: You've said they look like people, Matt, Yes, he'll be.

678
00:33:27,080 --> 00:33:29,200
Speaker 1: He was at the grocery store literally the other day

679
00:33:29,240 --> 00:33:33,160
Speaker 1: and he told me that someone said, are you Bobby Bones?

680
00:33:33,640 --> 00:33:36,479
Speaker 1: And he's like, because I mean, small bone. Sometimes they

681
00:33:36,520 --> 00:33:37,840
Speaker 1: just hear the bone part and then they see the

682
00:33:37,840 --> 00:33:39,920
Speaker 1: glasses and the hair and they think it's he has

683
00:33:39,960 --> 00:33:42,840
Speaker 1: a very thick accent. Yes, I also thought he was

684
00:33:42,880 --> 00:33:47,040
Speaker 1: your brother because the last name. Yeah, genetic, The genetic

685
00:33:47,040 --> 00:33:49,680
Speaker 1: pool is pretty the seven kids in our families. I

686
00:33:49,720 --> 00:33:54,000
Speaker 1: meet on an airplane once me. That wasn't the Southwest, Yeah,

687
00:33:54,040 --> 00:33:55,960
Speaker 1: that was me. You're so much better looking now, josh Ka,

688
00:33:56,080 --> 00:33:59,320
Speaker 1: thank you. Yes, the little now that's all there. And

689
00:33:59,360 --> 00:34:02,520
Speaker 1: I was like, man, but now he's matured. That was

690
00:34:02,600 --> 00:34:04,520
Speaker 1: you sitting behind me on that fly we talked. You

691
00:34:04,560 --> 00:34:06,680
Speaker 1: were super nice to La. I didn't know you were

692
00:34:06,720 --> 00:34:08,279
Speaker 1: actually in the band. I didn't know you were one

693
00:34:08,320 --> 00:34:09,960
Speaker 1: of the two. Did you think he was a crew guy?

694
00:34:10,440 --> 00:34:12,359
Speaker 1: It kind of did you know? You were very kind

695
00:34:12,480 --> 00:34:16,759
Speaker 1: to the crew guys. I thought maybe maybe it's a

696
00:34:16,800 --> 00:34:22,040
Speaker 1: whole get up, the scarf, the mustache, the greased back hair. Yeah,

697
00:34:22,600 --> 00:34:25,200
Speaker 1: Amy's Amy's No. That was a good and a good

698
00:34:25,200 --> 00:34:28,120
Speaker 1: experience here. We talked who a lot. I was like, Yeah,

699
00:34:28,120 --> 00:34:30,680
Speaker 1: I was like that guy who does merge for King

700
00:34:30,680 --> 00:34:33,279
Speaker 1: and Country. Are we going to the Grammys? Well, you

701
00:34:33,280 --> 00:34:36,400
Speaker 1: know you going out to the show. Yeah, I don't know.

702
00:34:36,480 --> 00:34:39,680
Speaker 1: I was probably doing something cool. You know you'd missed

703
00:34:39,680 --> 00:34:41,839
Speaker 1: you flying. I remember because I remember going this guy

704
00:34:42,480 --> 00:34:45,640
Speaker 1: is awesome. He's on the Southwest flight, Like, nah, the

705
00:34:45,760 --> 00:34:48,799
Speaker 1: other private thing got canceled, and yeah you're making that up. Okay,

706
00:34:48,840 --> 00:34:51,640
Speaker 1: look for King and Country they are here and they're

707
00:34:51,640 --> 00:34:53,440
Speaker 1: gonna perform. What are we gonna do. Let's do one

708
00:34:53,440 --> 00:34:56,000
Speaker 1: of like your songs that you you like. I don't know.

709
00:34:56,120 --> 00:34:57,319
Speaker 1: What do you have for me? I don't know. I

710
00:34:57,360 --> 00:34:59,160
Speaker 1: just threw this on your last minute. No, it's all good.

711
00:34:59,280 --> 00:35:01,520
Speaker 1: We We're gonna lay a song called love Me Like

712
00:35:01,719 --> 00:35:05,520
Speaker 1: I Am and featuring if It's the If, If It's

713
00:35:05,560 --> 00:35:08,320
Speaker 1: the recorded version. Yeah, she's not with us today featuring

714
00:35:08,480 --> 00:35:11,319
Speaker 1: Jordan Spark. So we had a really lovely quite sing

715
00:35:11,360 --> 00:35:15,279
Speaker 1: like Jordan, oh you watch um no, we had this

716
00:35:15,320 --> 00:35:18,640
Speaker 1: lovely moment where we enjoy doing features here and there

717
00:35:18,680 --> 00:35:22,839
Speaker 1: and um we're kind of cold called. Jordan and her

718
00:35:22,880 --> 00:35:25,560
Speaker 1: brothers a supporter of the band, and so I think

719
00:35:25,600 --> 00:35:29,279
Speaker 1: he's a real champion like your wife. It was like, hey,

720
00:35:29,520 --> 00:35:31,920
Speaker 1: you should actually really do this, sister, and she's just

721
00:35:31,960 --> 00:35:34,279
Speaker 1: an awesome human. This thing you have over here, it's

722
00:35:34,280 --> 00:35:37,200
Speaker 1: a keyboard, looks like also a what do you it's

723
00:35:37,239 --> 00:35:40,160
Speaker 1: a harmonium. It's like an Indian drone instrument. You get

724
00:35:40,200 --> 00:35:42,680
Speaker 1: him in any paper, about three hundred dollars the handmake them?

725
00:35:42,800 --> 00:35:45,319
Speaker 1: Can you do it with everybody else playing? To show

726
00:35:45,320 --> 00:35:48,320
Speaker 1: people what it sounds like? What's that thing? The accordion

727
00:35:50,320 --> 00:35:56,120
Speaker 1: like keyboard sounds That's awesome, it's amazing. Yeah, okay, well

728
00:35:56,120 --> 00:36:00,080
Speaker 1: here they are my new favorite band. Oh yeah, a

729
00:36:01,120 --> 00:36:03,680
Speaker 1: true and Chris Tomlin, I would like, I'm going to

730
00:36:03,760 --> 00:36:06,040
Speaker 1: be a little selfish for a second for my son, Stevenson.

731
00:36:06,080 --> 00:36:08,759
Speaker 1: Since the Christmas song was dedicated to Eddie's wife, can

732
00:36:08,760 --> 00:36:10,960
Speaker 1: you'll just dedicate this one to Stevenson because he's your

733
00:36:11,040 --> 00:36:14,200
Speaker 1: number one for yes so and I'm gonna play it

734
00:36:14,239 --> 00:36:19,399
Speaker 1: for him because he's in school. Yeah Stevenson on behalf

735
00:36:19,440 --> 00:36:21,960
Speaker 1: of Luke and Me and thinking of you lady up here,

736
00:36:22,360 --> 00:36:25,759
Speaker 1: who's thinking of you this morning with this song love

737
00:36:25,840 --> 00:36:28,600
Speaker 1: me like I am. Merry Christmas to you, my friend.

738
00:36:30,760 --> 00:36:37,279
Speaker 1: Country guys, You guys are awesome. When you have the

739
00:36:37,360 --> 00:36:42,160
Speaker 1: last name, you gotta overcome who knew dang that is that?

740
00:36:42,360 --> 00:36:44,160
Speaker 1: It's just so good. I'm gonna try to come to

741
00:36:44,160 --> 00:36:47,120
Speaker 1: our show Holy Moly for King and Country dot Com

742
00:36:47,239 --> 00:36:49,000
Speaker 1: and go go get tickets for the Christmas show A

743
00:36:49,040 --> 00:36:51,040
Speaker 1: Drummer Boy Christmas and they're gonna be touring all over

744
00:36:51,120 --> 00:36:54,560
Speaker 1: next year as well. When I was growing up, Jarsa

745
00:36:54,640 --> 00:36:56,560
Speaker 1: Clay Ever heard of him? I haven't heard of him.

746
00:36:56,920 --> 00:36:59,120
Speaker 1: Did you guys grow up listening to Christian music only

747
00:36:59,320 --> 00:37:01,640
Speaker 1: or did you get second music as well? We got

748
00:37:01,680 --> 00:37:03,960
Speaker 1: a little bit of both. Our parents were no. I

749
00:37:03,960 --> 00:37:05,640
Speaker 1: will say this. When we would go to like go

750
00:37:05,680 --> 00:37:07,480
Speaker 1: out and drive and my oldest brother or one of

751
00:37:07,520 --> 00:37:10,560
Speaker 1: my brothers could drive the car. On the radio, you

752
00:37:10,640 --> 00:37:13,160
Speaker 1: did want to change the dial back to the Christian

753
00:37:13,200 --> 00:37:15,279
Speaker 1: station because if mom and dad came in. They may

754
00:37:15,360 --> 00:37:17,520
Speaker 1: comment on it, but there was there was freedom. We

755
00:37:17,520 --> 00:37:19,120
Speaker 1: were allowed to We were allowed to listen to both

756
00:37:19,239 --> 00:37:22,240
Speaker 1: the newsboys. Ever heard of them? I heard of them

757
00:37:22,360 --> 00:37:24,440
Speaker 1: switch Foot kind of on the line a little bit

758
00:37:24,480 --> 00:37:29,799
Speaker 1: of Yeah. That was an influential little bit because Joel

759
00:37:29,840 --> 00:37:33,160
Speaker 1: mentioned I told my a cl playing basketball and I

760
00:37:33,239 --> 00:37:35,279
Speaker 1: kind of was, you know, wanting to figure out what

761
00:37:35,320 --> 00:37:37,279
Speaker 1: was next for me, if that makes sense. Sports was

762
00:37:37,320 --> 00:37:40,120
Speaker 1: my thing up until that point. And as I was

763
00:37:40,160 --> 00:37:42,600
Speaker 1: rehabbing my knee, they had just released their album The

764
00:37:42,600 --> 00:37:45,040
Speaker 1: Beautiful Letdown, and I remember asking, you know, thinking to myself,

765
00:37:45,040 --> 00:37:48,279
Speaker 1: I wonder if I could write songs that mean as

766
00:37:48,400 --> 00:37:51,960
Speaker 1: much to me, uh like their music does to me.

767
00:37:52,040 --> 00:37:54,919
Speaker 1: That's interesting that you because for me and I don't

768
00:37:55,000 --> 00:37:56,680
Speaker 1: do music. I do comedy music, but not the same

769
00:37:56,680 --> 00:37:59,120
Speaker 1: as you guys obviously where you guys are good. Um.

770
00:37:59,280 --> 00:38:02,400
Speaker 1: But the first artist that ever spoke to me writing

771
00:38:02,800 --> 00:38:05,759
Speaker 1: you'd hear a song and you go, oh, oh wait

772
00:38:05,760 --> 00:38:07,360
Speaker 1: a minute, like I feel like they're speaking for me

773
00:38:07,400 --> 00:38:08,759
Speaker 1: and to me, Yeah, And it was for me. It

774
00:38:08,800 --> 00:38:14,160
Speaker 1: was John Mayer around my age sensibility somewhat similar. It

775
00:38:14,239 --> 00:38:16,719
Speaker 1: was a switch switch what for you? Switch what for me, Yeah,

776
00:38:16,760 --> 00:38:18,640
Speaker 1: because I mean, you know, I've heard it said that,

777
00:38:18,680 --> 00:38:21,920
Speaker 1: you know, an honest job is to be a poet

778
00:38:21,960 --> 00:38:25,319
Speaker 1: in some cases to articulate what another cannot. And if

779
00:38:25,360 --> 00:38:26,759
Speaker 1: you give that too, I mean, if you give them

780
00:38:26,800 --> 00:38:30,400
Speaker 1: that song, then that that song becomes this song. And

781
00:38:30,400 --> 00:38:32,680
Speaker 1: then in return, I think, because if you're writing those

782
00:38:32,680 --> 00:38:34,520
Speaker 1: songs from your heart, you know, and it means something

783
00:38:34,560 --> 00:38:37,640
Speaker 1: to you. When somebody responds to that song, I think

784
00:38:37,680 --> 00:38:40,239
Speaker 1: it inherently makes you feel less lonely, you know, And

785
00:38:40,280 --> 00:38:45,840
Speaker 1: that's the gift of music to me. Saw Carmen. Wow, Yeah, funny,

786
00:38:45,960 --> 00:38:48,239
Speaker 1: funny side note. We we've been actually working on a

787
00:38:48,280 --> 00:38:54,440
Speaker 1: feature film that is circles around out immigrant family, particularly

788
00:38:54,440 --> 00:38:57,120
Speaker 1: a mom six kids. It's a nineties film. It's ultimately

789
00:38:57,200 --> 00:39:00,520
Speaker 1: a story about our parents coming from Australia to America

790
00:39:00,520 --> 00:39:03,680
Speaker 1: and the triumphs and tragedies that happened along the way.

791
00:39:03,920 --> 00:39:06,640
Speaker 1: And Carmen is actually one of the reasons. Whay Yeah,

792
00:39:07,400 --> 00:39:11,000
Speaker 1: the oldest lounge singer Italian stand Stallion Carmen. Yeah, he

793
00:39:11,600 --> 00:39:14,040
Speaker 1: offered a job to dad over here. This is a

794
00:39:14,080 --> 00:39:15,840
Speaker 1: real story or a movie. This is a real story,

795
00:39:16,000 --> 00:39:19,600
Speaker 1: real actually we just filmed it like three weeks ago.

796
00:39:19,680 --> 00:39:21,960
Speaker 1: We just finished filming. We were in Louisville for like

797
00:39:21,960 --> 00:39:24,480
Speaker 1: two months filming it. I've been to a couple of

798
00:39:24,480 --> 00:39:27,160
Speaker 1: Carmen shows. They are an experienced the experience, for sure.

799
00:39:27,200 --> 00:39:30,040
Speaker 1: It's almost like those uh those flipping around at one

800
00:39:30,080 --> 00:39:32,359
Speaker 1: am and you see that on the channel and people

801
00:39:32,400 --> 00:39:34,799
Speaker 1: all that. I mean, that was the Carmen show. It was.

802
00:39:35,080 --> 00:39:36,719
Speaker 1: It was big and you're like, what it was a

803
00:39:36,719 --> 00:39:39,799
Speaker 1: wow wow moment for me. Yeah, but what you guys

804
00:39:39,840 --> 00:39:42,480
Speaker 1: do just it's a plus. I mean, I don't know.

805
00:39:42,560 --> 00:39:44,719
Speaker 1: I just wasn't expecting it to be so moved by this,

806
00:39:44,800 --> 00:39:47,120
Speaker 1: and I really was all seriousness. You guys are great.

807
00:39:47,640 --> 00:39:49,279
Speaker 1: You're not the same person any in the Southwest flight.

808
00:39:49,600 --> 00:39:51,719
Speaker 1: That's all I'm gonna say. It's not the same. I'm

809
00:39:51,760 --> 00:39:55,560
Speaker 1: glad we're improving, you know. I will say this, But boy,

810
00:39:55,600 --> 00:39:57,880
Speaker 1: can this guy sell some shirts? I thought it was

811
00:39:57,880 --> 00:39:59,400
Speaker 1: the merch guy for King and Country. What do I

812
00:39:59,480 --> 00:40:02,319
Speaker 1: what do I know? Yes, Bobby today has on like

813
00:40:02,360 --> 00:40:05,080
Speaker 1: a khaki sweater with a black shirt, and like literally,

814
00:40:05,160 --> 00:40:08,279
Speaker 1: y'all's whole vibe is khaki and black. Um, so I

815
00:40:08,320 --> 00:40:10,839
Speaker 1: feel like you could fit right in today? Is that

816
00:40:11,239 --> 00:40:13,759
Speaker 1: is that pre planned? Is a group text or y'all

817
00:40:13,800 --> 00:40:16,239
Speaker 1: just like since that, oh the whole group? Yeah, this

818
00:40:16,360 --> 00:40:19,239
Speaker 1: was Actually we're usually pretty uniform, but this was pretty

819
00:40:19,320 --> 00:40:21,120
Speaker 1: limber today. We were all like, yeah, I go cash,

820
00:40:21,120 --> 00:40:23,640
Speaker 1: you go casual. But y'all if you want to come

821
00:40:23,680 --> 00:40:24,960
Speaker 1: show up when they can do all right, I mean,

822
00:40:24,960 --> 00:40:27,759
Speaker 1: if whoever wants to show U again, it's been, there's been,

823
00:40:27,800 --> 00:40:31,719
Speaker 1: there's been discussions. You know. It's funny. The more detailed

824
00:40:32,280 --> 00:40:36,719
Speaker 1: that you get, the more accidental coincidences happened like this

825
00:40:36,760 --> 00:40:38,840
Speaker 1: when you don't get detailed because they kind of know

826
00:40:38,880 --> 00:40:40,560
Speaker 1: all they've said in the past, we should show up

827
00:40:40,560 --> 00:40:42,200
Speaker 1: looking like this, so you know, here we are. Do

828
00:40:42,200 --> 00:40:45,000
Speaker 1: you still play ball? I mean I tried to do good,

829
00:40:45,000 --> 00:40:47,799
Speaker 1: but yeah, does your leg hurt when it gets cold? No? No,

830
00:40:48,360 --> 00:40:50,840
Speaker 1: I didn't do any I just did strictly the ACL

831
00:40:50,840 --> 00:40:53,120
Speaker 1: so I didn't do all the other meniscus and all

832
00:40:53,120 --> 00:40:55,000
Speaker 1: the other craziness that can take place. So for the

833
00:40:55,000 --> 00:40:58,520
Speaker 1: most part, they just took the patella tendon stuck it

834
00:40:58,600 --> 00:41:00,000
Speaker 1: back in there, and I'm for the most part is good.

835
00:41:00,360 --> 00:41:03,160
Speaker 1: My dog, My dog just had that bulldog. It's the worst.

836
00:41:03,320 --> 00:41:04,920
Speaker 1: That's what he said, yeah, Well he went like this,

837
00:41:05,200 --> 00:41:07,839
Speaker 1: Oh that was it, but I think that's what he said. Yes,

838
00:41:07,960 --> 00:41:10,080
Speaker 1: the worst. Okay, look for King and Country. You guys

839
00:41:10,080 --> 00:41:13,080
Speaker 1: go watch him. Um, Eddie, I'm sorry your wife, yeah,

840
00:41:13,239 --> 00:41:15,839
Speaker 1: really let him down. Hey, you know what what? What?

841
00:41:15,840 --> 00:41:18,160
Speaker 1: What day are you going to Texas? Every day? Apparently

842
00:41:18,160 --> 00:41:19,560
Speaker 1: that you guys are here? Of all the days we're

843
00:41:19,560 --> 00:41:22,760
Speaker 1: gonna be gone, I think we're leaving the day before.

844
00:41:22,960 --> 00:41:27,200
Speaker 1: Nothing that you could do two days this. We've made

845
00:41:27,320 --> 00:41:30,320
Speaker 1: such a song and dance about this. We have other shows.

846
00:41:31,160 --> 00:41:34,600
Speaker 1: What if we flew you to another show? Webb wouldn't

847
00:41:34,600 --> 00:41:36,600
Speaker 1: be pleased with that because then he wouldn't be here. Well,

848
00:41:36,760 --> 00:41:38,719
Speaker 1: here's the thing. We have another guy in our shown

849
00:41:38,760 --> 00:41:43,359
Speaker 1: in the lunchbox who like milks artists for free stuff constantly,

850
00:41:43,719 --> 00:41:48,840
Speaker 1: and so I just feel like he's runned it for everyone.

851
00:41:50,000 --> 00:41:52,400
Speaker 1: Where Eddie, would you want them to fly you somewhere?

852
00:41:52,560 --> 00:41:54,440
Speaker 1: I mean it'd be awesome, but no, guys, don't go

853
00:41:54,480 --> 00:41:57,080
Speaker 1: out of your way, do your tour, do all that. Hey, well,

854
00:41:57,239 --> 00:41:58,600
Speaker 1: you guys are gonna be around for a while. We're

855
00:41:58,640 --> 00:42:02,080
Speaker 1: gonna about we don't know. Yeah, I know that this

856
00:42:02,120 --> 00:42:04,640
Speaker 1: is it, man, This is the last two. Okay for

857
00:42:04,800 --> 00:42:08,280
Speaker 1: King and does any mean everything it's forking and country.

858
00:42:08,920 --> 00:42:13,719
Speaker 1: Oh yeah, especially when you read it that one King

859
00:42:13,800 --> 00:42:16,040
Speaker 1: and People magazine still thinks for a country band, which

860
00:42:16,080 --> 00:42:21,719
Speaker 1: is awesome country? Oh do you feel like awesome and

861
00:42:21,880 --> 00:42:24,680
Speaker 1: you feel like they cover you more? I kind of

862
00:42:24,680 --> 00:42:26,640
Speaker 1: like it. I just think it's I think the more

863
00:42:27,000 --> 00:42:30,080
Speaker 1: kind of blurred lines you can create in genres and

864
00:42:30,160 --> 00:42:33,480
Speaker 1: collaborations be and we're in Nashville. Yeah, that's also what

865
00:42:33,520 --> 00:42:35,200
Speaker 1: you guys do sonically, if I can say so. There,

866
00:42:35,320 --> 00:42:40,520
Speaker 1: it's all an amazing blurred line. Yeah, between the instrumentation,

867
00:42:40,560 --> 00:42:42,240
Speaker 1: the message, the vote. I mean, it's all you wouldn't

868
00:42:42,239 --> 00:42:45,680
Speaker 1: know what genre it is because it kind of is universal. Well,

869
00:42:45,680 --> 00:42:47,720
Speaker 1: I sort of. I kind of love about this country

870
00:42:47,760 --> 00:42:50,960
Speaker 1: is you have enough of a like a framework for

871
00:42:51,000 --> 00:42:53,759
Speaker 1: people to sort of rise in certain genres. But then

872
00:42:54,200 --> 00:42:57,160
Speaker 1: I feel like with shows like yours, with streaming platforms

873
00:42:57,160 --> 00:42:59,960
Speaker 1: and whatnot, you're able to actually sort of branch out

874
00:43:00,080 --> 00:43:01,919
Speaker 1: foto because I mean, they write love songs, we write

875
00:43:01,920 --> 00:43:04,520
Speaker 1: life songs and God songs and Christmas songs. It's all

876
00:43:04,560 --> 00:43:08,960
Speaker 1: in there. But um, it's really Christian radio, particularly early on,

877
00:43:09,080 --> 00:43:10,520
Speaker 1: was like they were the ones and still a lot

878
00:43:10,520 --> 00:43:13,200
Speaker 1: of the ones that have sort of helped us rise,

879
00:43:13,239 --> 00:43:15,000
Speaker 1: which has been beautiful. If I wanted you guys to

880
00:43:15,000 --> 00:43:19,480
Speaker 1: play my Christmas party, what's that cost a lot of money?

881
00:43:19,400 --> 00:43:24,560
Speaker 1: The whole man, well, everybody, but they got with the bass,

882
00:43:25,120 --> 00:43:27,960
Speaker 1: very jealous. He's got it. He's got it perfectly. It's

883
00:43:27,960 --> 00:43:29,879
Speaker 1: like perfect brown to blonde, and I'm like, dang, that's

884
00:43:29,960 --> 00:43:31,680
Speaker 1: I'm jealous of that and it doesn't make me feel good,

885
00:43:31,680 --> 00:43:35,480
Speaker 1: so I want him to stay away because it's too perfect. Yes,

886
00:43:36,120 --> 00:43:40,480
Speaker 1: here they are for King of Country. Thank you guys.

887
00:43:40,480 --> 00:43:44,239
Speaker 1: It's the best bits of the week. With Morgan. Number two,

888
00:43:45,400 --> 00:43:48,200
Speaker 1: we brought the drafts back for a special edition of

889
00:43:48,360 --> 00:43:51,680
Speaker 1: Christmas Song Draft. So basically everybody had to choose their

890
00:43:51,680 --> 00:43:54,279
Speaker 1: favorite Christmas songs and they had to be specific. You

891
00:43:54,320 --> 00:43:56,600
Speaker 1: could have just generically choose one where you could, but

892
00:43:56,719 --> 00:43:58,520
Speaker 1: you know, I didn't really work out for you. So

893
00:43:58,719 --> 00:44:00,799
Speaker 1: you chose a Christmas song that you loved, and you

894
00:44:00,800 --> 00:44:03,160
Speaker 1: guys all had a lot of opinions. But listen, there

895
00:44:03,160 --> 00:44:05,200
Speaker 1: are so many Christmas songs out there in the world.

896
00:44:05,200 --> 00:44:07,680
Speaker 1: This is hard. This draft was so so hard, but

897
00:44:07,800 --> 00:44:10,560
Speaker 1: we did do it. We drafted our teams and we

898
00:44:10,600 --> 00:44:13,000
Speaker 1: did have a winner. So here is the Draft of

899
00:44:13,080 --> 00:44:16,560
Speaker 1: Christmas Songs number three. We're basically all our own sports

900
00:44:16,560 --> 00:44:19,000
Speaker 1: team here and we're gonna do the draft, but a

901
00:44:19,080 --> 00:44:22,520
Speaker 1: set of players. We're gonna draft the best Christmas songs.

902
00:44:22,719 --> 00:44:25,520
Speaker 1: Amy gets to go first. Amy, what's the number one

903
00:44:25,520 --> 00:44:27,239
Speaker 1: first round draft pick for you? And once we get

904
00:44:27,280 --> 00:44:28,600
Speaker 1: all our teams made, you guys can go vote to

905
00:44:28,600 --> 00:44:31,360
Speaker 1: Bobby Bones dot com. Amy, your first overall pick is

906
00:44:31,640 --> 00:44:34,640
Speaker 1: all I want for Christmas? Mariah Carey. It's a good one. Yeah,

907
00:44:34,640 --> 00:44:37,360
Speaker 1: of course, because all of them for Christmas, it is you.

908
00:44:38,840 --> 00:44:42,920
Speaker 1: That's a good one. I have gone no, but it's

909
00:44:42,920 --> 00:44:44,879
Speaker 1: not just because I didn't think of I have it here,

910
00:44:45,400 --> 00:44:47,759
Speaker 1: but I think that was better than what I would have. Yeah,

911
00:44:47,840 --> 00:44:50,239
Speaker 1: good job, that's good, Amy, lunchbox, what is your number

912
00:44:50,239 --> 00:44:52,640
Speaker 1: two pick? On the number two pick? It's the greatest

913
00:44:53,080 --> 00:44:55,319
Speaker 1: Christmas song of all time? Rudolf the Red Nose rein

914
00:44:55,360 --> 00:44:59,000
Speaker 1: Deer by anyone specific? Oh no, just Rudolf the Red

915
00:44:59,000 --> 00:45:02,279
Speaker 1: Nose Reindeer, the Red Nosed rain Dude. Could I may

916
00:45:02,320 --> 00:45:05,320
Speaker 1: go with the Luke Brian version of Run Run Rudolph.

917
00:45:05,440 --> 00:45:10,440
Speaker 1: That's a good one too. Eddie Bones give me jingle bells.

918
00:45:10,520 --> 00:45:17,040
Speaker 1: Everybody loves jingle bells. No generic. There's Frankie Old Blue Eyes.

919
00:45:17,160 --> 00:45:19,680
Speaker 1: But you don't get frank Sinatra. You can claim whatever

920
00:45:19,719 --> 00:45:22,279
Speaker 1: you want. It is to ride. No, so you have

921
00:45:22,320 --> 00:45:23,840
Speaker 1: to pick an artist. You do whatever you want to do. No,

922
00:45:23,960 --> 00:45:26,120
Speaker 1: I like generic, anyone that does jingle bells. Okay, so

923
00:45:26,120 --> 00:45:30,080
Speaker 1: I'm beside. Don't put generic. Oh my goodness, I don't

924
00:45:30,160 --> 00:45:33,839
Speaker 1: understand what I mean. Lunch Boks isn't gonna know any artists. Yeah,

925
00:45:33,880 --> 00:45:38,560
Speaker 1: that's my pride. I don't know any Morgan. I'm going

926
00:45:38,640 --> 00:45:43,560
Speaker 1: with It's the most wonderful time of the year Andy Williams. Oh,

927
00:45:43,600 --> 00:45:47,560
Speaker 1: that's a great version most and we don't have the

928
00:45:47,600 --> 00:45:49,560
Speaker 1: clips up because we did. Nobody knew what we were picking.

929
00:45:49,960 --> 00:45:51,680
Speaker 1: Can you sing them? Why don't you sing them? Bones?

930
00:45:52,000 --> 00:45:58,239
Speaker 1: It's the most wonderful time. Okay, that's good. So it's

931
00:45:58,239 --> 00:46:06,200
Speaker 1: over to me now. They'lf on the shelf by the

932
00:46:06,200 --> 00:46:08,319
Speaker 1: reging idiots. Would just be a strong get picked by

933
00:46:08,360 --> 00:46:09,640
Speaker 1: me right now, but I'm not gonna pick him. A

934
00:46:09,719 --> 00:46:11,920
Speaker 1: round one that's wanted to mention as people can stream

935
00:46:11,920 --> 00:46:18,960
Speaker 1: it as the final pick of the first round. I'm

936
00:46:18,960 --> 00:46:23,600
Speaker 1: gonna go with rocking around the Christmas Tree, Brenda Lee.

937
00:46:23,880 --> 00:46:29,799
Speaker 1: That's good, rocking around the Christmas tree, have a happy day.

938
00:46:30,960 --> 00:46:33,399
Speaker 1: She lives somewhere close to me because you are driving

939
00:46:33,400 --> 00:46:36,480
Speaker 1: around you do every once in a while. Do you

940
00:46:36,520 --> 00:46:39,520
Speaker 1: know what she looks like unless she's recently passed now, yeah,

941
00:46:39,600 --> 00:46:43,400
Speaker 1: because someone pointed out to me once. Oh okay, it's like, yeah, Ray,

942
00:46:43,400 --> 00:46:46,279
Speaker 1: do you have Brenda Lee? It sounds like it's in

943
00:46:46,320 --> 00:46:48,160
Speaker 1: black and white. I mean she was really she was

944
00:46:48,200 --> 00:46:51,520
Speaker 1: like a little girl, right she was. That's okay if

945
00:46:51,520 --> 00:46:53,879
Speaker 1: you don't have it. She's seventy eight. She's not that old,

946
00:46:55,239 --> 00:47:08,160
Speaker 1: all right. So that's round one, Christmas Tree, Christmas Lee. Okay,

947
00:47:08,200 --> 00:47:11,799
Speaker 1: I'm gonna go for my next one. I'm gonna go

948
00:47:13,239 --> 00:47:18,480
Speaker 1: Silent Night Brett Eldredge. Oh it's my round two. Pick

949
00:47:18,560 --> 00:47:21,239
Speaker 1: pick number one. We go reverse order, Morgan, what do

950
00:47:21,239 --> 00:47:24,839
Speaker 1: you have? This is hard. I have some really good

951
00:47:24,880 --> 00:47:26,360
Speaker 1: ones at the top, but I feel like this is

952
00:47:26,400 --> 00:47:27,920
Speaker 1: the right one I need to go with. I'm doing

953
00:47:28,000 --> 00:47:31,799
Speaker 1: Last Christmas by Taylor Swift. It's good. What is that one?

954
00:47:32,000 --> 00:47:39,920
Speaker 1: Last christ They gave it away? It's a good version.

955
00:47:40,400 --> 00:47:51,960
Speaker 1: Eddie m Bones give me Frosty the Snowman five Burrel Lives.

956
00:47:54,000 --> 00:47:56,720
Speaker 1: I feel like he's the dude that randomly sings Christmas

957
00:47:56,800 --> 00:47:59,960
Speaker 1: longs Burrel Lives is the dude that sings Christmas. Sorry, okay, good,

958
00:48:00,000 --> 00:48:01,640
Speaker 1: well let's write it down, all right, let's see what

959
00:48:01,680 --> 00:48:10,759
Speaker 1: happens lunchbox. Well, I googled, So you guys are going

960
00:48:10,880 --> 00:48:12,919
Speaker 1: artists because you're getting I mean, I guess I'm going.

961
00:48:13,600 --> 00:48:15,400
Speaker 1: You don't have to go artists. I thought we couldn't google.

962
00:48:15,800 --> 00:48:18,080
Speaker 1: O can't we? And we're allowed to google? We are? Okay? Yeah,

963
00:48:18,080 --> 00:48:20,080
Speaker 1: because if you run out of names, like you don't

964
00:48:20,200 --> 00:48:22,080
Speaker 1: get it from the down, Oh, Che's I'd be in

965
00:48:22,080 --> 00:48:28,879
Speaker 1: real trouble. Uh, I'm gonna go Cheez. I'll go. That's

966
00:48:28,920 --> 00:48:30,680
Speaker 1: just so hard. It's a lot of Christmas long give

967
00:48:30,719 --> 00:48:34,000
Speaker 1: a Guineas song. Just go generic. I'll go Blue Christmas

968
00:48:34,000 --> 00:48:37,440
Speaker 1: Elvis press. There you go. I would have went, I

969
00:48:37,440 --> 00:48:48,520
Speaker 1: don't know, Porky Pigs my favorite version. No blue, Blue Christmas.

970
00:48:51,320 --> 00:48:53,279
Speaker 1: I've never heard that. Okay, one save it, we'll come

971
00:48:53,280 --> 00:48:55,200
Speaker 1: back to it. I love that. I've never heard that

972
00:48:55,640 --> 00:49:00,680
Speaker 1: you're doing Elvis? Are you just doing generic? Do Elvis?

973
00:49:00,880 --> 00:49:02,440
Speaker 1: I guess I don't know. I mean I don't know

974
00:49:02,440 --> 00:49:04,960
Speaker 1: if anybody all sings it. Yeah, the porky dude, porky

975
00:49:05,000 --> 00:49:10,480
Speaker 1: Elvis America. You might want Elvis. There he goes blue,

976
00:49:12,320 --> 00:49:16,640
Speaker 1: Oh Christmas. Yeah, okay, good give me that one. All right,

977
00:49:16,680 --> 00:49:19,200
Speaker 1: So lunchbox, you have two picks. You have one to go. Oh,

978
00:49:19,280 --> 00:49:21,160
Speaker 1: Amy has one more, that's right, lights first, go ahead?

979
00:49:21,400 --> 00:49:26,360
Speaker 1: Oh yeah, I'm gonna go White Christmas, Brett Eldridge. Okay,

980
00:49:26,600 --> 00:49:28,520
Speaker 1: he sings White Christmas. Yeah. I think you can do

981
00:49:28,600 --> 00:49:31,840
Speaker 1: Brett for all of them. I think right. Anybody I

982
00:49:32,560 --> 00:49:36,600
Speaker 1: was tossed up. I was tossing Brett and Michael Blueblas around. Oh, bubbles,

983
00:49:36,640 --> 00:49:39,160
Speaker 1: how don't you do booblay then? Why? It's gonna be

984
00:49:39,200 --> 00:49:41,319
Speaker 1: confusing to my bread Elvidge. I'm at the bottom of

985
00:49:41,320 --> 00:49:43,040
Speaker 1: the list, and it's gonna look like I stole it

986
00:49:43,080 --> 00:49:44,880
Speaker 1: from you because I'm below you. I don't know what

987
00:49:44,920 --> 00:49:47,439
Speaker 1: to do about that. Okay, well, so that's two, Amy,

988
00:49:47,440 --> 00:49:49,120
Speaker 1: your two picks. You have one more to go. All

989
00:49:49,120 --> 00:49:51,880
Speaker 1: I want for Christmas, Maria carry white Christmas. Brett Eldridge

990
00:49:52,000 --> 00:49:54,640
Speaker 1: one final pick in your draft. Go ahead, Merry Christmas

991
00:49:54,680 --> 00:49:59,680
Speaker 1: in sync. It's a good one. Merry Christmas. Happy Holidays,

992
00:50:00,080 --> 00:50:06,560
Speaker 1: Merry Christmas. Lunchbox final pick. No Brett Eldres, Dude, I

993
00:50:06,560 --> 00:50:09,400
Speaker 1: don't know anything. Brett Eldred sings any Christmas song and

994
00:50:09,480 --> 00:50:12,680
Speaker 1: he did it on that's the problem. That's a good one.

995
00:50:12,960 --> 00:50:16,680
Speaker 1: Oh that's not Christmas. That is Hanaka's holiday. Whatever you want,

996
00:50:17,960 --> 00:50:24,000
Speaker 1: I'm gonna go, Wam class Christmas a good one, that's

997
00:50:24,040 --> 00:50:29,440
Speaker 1: the one. Go yeah, Wham, he knew who's in Wham?

998
00:50:29,800 --> 00:50:33,600
Speaker 1: No idea, George Michael go Wham? Who's he from? Wham?

999
00:50:33,840 --> 00:50:35,520
Speaker 1: Did he go? He went? He went solar to that.

1000
00:50:35,600 --> 00:50:39,440
Speaker 1: George Michael got a half faith faith faith? So was

1001
00:50:39,480 --> 00:50:41,720
Speaker 1: that George Michael? Is that wam that sings that? George

1002
00:50:41,719 --> 00:50:45,600
Speaker 1: Michael got it? Eddie, Oh bones, I'm gonna go with

1003
00:50:45,760 --> 00:50:48,880
Speaker 1: the Santa Claus is coming to town by the Jackson

1004
00:50:48,960 --> 00:50:55,080
Speaker 1: five Claus is coming to town. That's good Morgan, Oh gosh,

1005
00:50:55,120 --> 00:50:58,919
Speaker 1: I don't know. I'm stuck between two really good ones.

1006
00:51:01,440 --> 00:51:03,880
Speaker 1: I got I gotta do Michael Boublay because he's like

1007
00:51:04,680 --> 00:51:07,040
Speaker 1: King of Christmas. It's beginning to look a lot like Christmas.

1008
00:51:08,040 --> 00:51:12,400
Speaker 1: I've heard that. I mean, you can play, you can

1009
00:51:12,480 --> 00:51:14,800
Speaker 1: say any artists, because any artists you want sings a

1010
00:51:14,880 --> 00:51:17,160
Speaker 1: Christmas songs. You don't even know them specifically though. If

1011
00:51:17,160 --> 00:51:20,719
Speaker 1: it's a version, um, yes you could, Yes you could.

1012
00:51:21,200 --> 00:51:23,920
Speaker 1: Lunchbox has word all the runs around your generic Blue Christmas,

1013
00:51:23,960 --> 00:51:29,640
Speaker 1: Elvis Last Christmas, Wham Sure Eddie has jingle Bells, Generic Rosty,

1014
00:51:29,719 --> 00:51:31,919
Speaker 1: the Snowman burrelives, and Santa Claus is coming to town.

1015
00:51:31,960 --> 00:51:34,880
Speaker 1: The Jackson five Good Morgan has It's the most Wonderful

1016
00:51:34,880 --> 00:51:38,520
Speaker 1: time of the Year, Andy Williams Last Christmas, Taylor Swift

1017
00:51:38,840 --> 00:51:41,760
Speaker 1: and it's beginning to look a lot like Christmas. Michael Boublay.

1018
00:51:42,480 --> 00:51:44,640
Speaker 1: Yeah that feels good. Yeah, So here in mine, I

1019
00:51:44,640 --> 00:51:46,360
Speaker 1: have one more to go. I have Rocking around the

1020
00:51:46,440 --> 00:51:50,000
Speaker 1: Christmas Tree Brenda Lee, Brett Eldridge Silent Night. Now I'm

1021
00:51:50,040 --> 00:51:51,920
Speaker 1: torn because you guys can't pick. I'm either gonna go

1022
00:51:52,000 --> 00:51:57,440
Speaker 1: with the chipmunks Christmas, don't be late Christmas, don't I

1023
00:51:57,560 --> 00:52:01,919
Speaker 1: want a hula hoop. But I'm gonna go and write

1024
00:52:01,920 --> 00:52:07,760
Speaker 1: it down, just as this White Christmas from home alone, Drifters,

1025
00:52:07,880 --> 00:52:17,080
Speaker 1: I'm excited from home alone, Okay, but's so smart dreaming

1026
00:52:19,760 --> 00:52:33,040
Speaker 1: the Christmas dreaming, Oh Christmas. It's from the Santa Claus too,

1027
00:52:33,920 --> 00:52:35,600
Speaker 1: it's smart. A lot of people are gonna recognize it

1028
00:52:35,600 --> 00:52:37,920
Speaker 1: from Home Alone, even though you don't think Home alons

1029
00:52:37,920 --> 00:52:39,759
Speaker 1: a Christmas movie. Yeah, but I can use it in

1030
00:52:39,800 --> 00:52:43,640
Speaker 1: my advantage. It's not, but I will use it. But

1031
00:52:43,680 --> 00:53:19,799
Speaker 1: it is in the movie and real Christmas be so

1032
00:53:19,840 --> 00:53:22,120
Speaker 1: good man. We'll go vote. We all picked three, picked

1033
00:53:22,160 --> 00:53:25,000
Speaker 1: the team that you liked. If every song, if you

1034
00:53:25,000 --> 00:53:26,359
Speaker 1: had to pick one of us, and those three songs

1035
00:53:26,360 --> 00:53:27,840
Speaker 1: live forever. Don't pick it on just your favorite, but

1036
00:53:27,840 --> 00:53:29,480
Speaker 1: you only get that one. Go vote on who you

1037
00:53:29,560 --> 00:53:32,400
Speaker 1: like at Bobby bones dot com. That's the Christmas Song Draft.

1038
00:53:33,920 --> 00:53:40,160
Speaker 1: It's the best bits of the week with Morgan number two. Also,

1039
00:53:40,239 --> 00:53:42,640
Speaker 1: to continue in the Christmas spirit, we had the Uld

1040
00:53:42,680 --> 00:53:45,760
Speaker 1: Tide Carolers on this week, which features our own aviy

1041
00:53:45,840 --> 00:53:48,480
Speaker 1: Lee Anderson. She's now part of the Yule Tide Carollers

1042
00:53:48,480 --> 00:53:51,719
Speaker 1: in Nashville, and so they came by outfits and all,

1043
00:53:51,800 --> 00:53:54,440
Speaker 1: and they performed a few songs, but not just that.

1044
00:53:54,480 --> 00:53:58,840
Speaker 1: They also performed a special rendition of the Red Nose Reindeer.

1045
00:53:59,080 --> 00:54:01,480
Speaker 1: But it was a lunch Bob the Red Nose Reindeer

1046
00:54:01,520 --> 00:54:03,719
Speaker 1: instead of Rudolph, and it was beautiful. I think you'll

1047
00:54:03,719 --> 00:54:05,880
Speaker 1: really enjoy it. Again. Another thing you might hear right now,

1048
00:54:05,920 --> 00:54:07,600
Speaker 1: but if you don't, go to Bobby Bones dot com

1049
00:54:07,600 --> 00:54:11,160
Speaker 1: and you can watch it number two on the Bobby

1050
00:54:11,160 --> 00:54:13,920
Speaker 1: Bones Show. Now the Uld Tide Carollers, we feel like

1051
00:54:13,920 --> 00:54:17,959
Speaker 1: some Christmas boys and oh yeah, okay, so for two

1052
00:54:18,080 --> 00:54:21,160
Speaker 1: reasons here the Ould Tide Carollers are here. Abby is

1053
00:54:21,200 --> 00:54:23,400
Speaker 1: now part of the old type carolers. Abbey, why are

1054
00:54:23,400 --> 00:54:28,680
Speaker 1: you laugh? She looks awesome. Eighteen sixty? John is the

1055
00:54:28,719 --> 00:54:31,239
Speaker 1: right eighteen sixties. Yes, I was telling them before that

1056
00:54:31,239 --> 00:54:33,800
Speaker 1: we went on the air. Here. Their outfits are awesome.

1057
00:54:33,880 --> 00:54:36,040
Speaker 1: Leg what would you say it is? Amy, I say

1058
00:54:36,080 --> 00:54:39,120
Speaker 1: eighteen sixty. But what does it remind you of? Oh? Oh,

1059
00:54:39,160 --> 00:54:46,719
Speaker 1: like Jortin's little red riding hood is whatever she does

1060
00:54:46,800 --> 00:54:49,399
Speaker 1: kind of because she's kind of red. That's true for me,

1061
00:54:49,440 --> 00:54:52,480
Speaker 1: it's all the period pieces that we watch on different

1062
00:54:52,680 --> 00:54:55,880
Speaker 1: streaming services. There's the Gilded Age, Like I love stuff

1063
00:54:55,920 --> 00:54:57,719
Speaker 1: like this. I'm such a fan of these guys. I

1064
00:54:57,800 --> 00:55:00,439
Speaker 1: hired them last year at my house for the Christmas part. Yeah,

1065
00:55:00,560 --> 00:55:03,080
Speaker 1: and so just know that I'm already a fan. And

1066
00:55:03,200 --> 00:55:04,880
Speaker 1: John are You're the leader of the group, John, I

1067
00:55:04,920 --> 00:55:06,680
Speaker 1: am for the Nashville group. Okay, and so you have

1068
00:55:06,719 --> 00:55:10,520
Speaker 1: a stick? What's the stick there? This is a it's area,

1069
00:55:10,719 --> 00:55:13,480
Speaker 1: but it's a wreath on a stick that's your name, yes,

1070
00:55:13,600 --> 00:55:15,440
Speaker 1: with a lamp in it. I feel like at Christmas

1071
00:55:15,480 --> 00:55:17,840
Speaker 1: time you're going to the British are coming the British

1072
00:55:18,000 --> 00:55:21,200
Speaker 1: like that? Run around with that? Um? I like it.

1073
00:55:21,200 --> 00:55:23,520
Speaker 1: It's definitely do you ever light it? You know there's

1074
00:55:23,520 --> 00:55:26,080
Speaker 1: a there's a light in there, and it's it's an

1075
00:55:26,120 --> 00:55:28,839
Speaker 1: authentic flame. Just kidding, it's not um but we really

1076
00:55:28,840 --> 00:55:32,120
Speaker 1: do call this Aretha um as we carried around and

1077
00:55:32,160 --> 00:55:34,040
Speaker 1: introduced her. She's part of the group. Are you the

1078
00:55:34,040 --> 00:55:38,160
Speaker 1: base I am? He's John, you know? Or dashing through

1079
00:55:38,239 --> 00:55:41,000
Speaker 1: this there are the ul Tide Carelers and I just

1080
00:55:41,000 --> 00:55:43,640
Speaker 1: want to let them sing first and the instagram as

1081
00:55:43,960 --> 00:55:46,399
Speaker 1: the yul Time Carrelers or if you're where we are,

1082
00:55:46,440 --> 00:55:49,640
Speaker 1: because are the Ultime Carelers in a lot of places? John, Yes,

1083
00:55:49,680 --> 00:55:52,920
Speaker 1: we're in New York, in New Jersey and Florida and

1084
00:55:53,040 --> 00:55:55,239
Speaker 1: Colorado so and we're in all those states. So if

1085
00:55:55,320 --> 00:55:57,319
Speaker 1: yul Time Carelers are a group you like to hire

1086
00:55:57,440 --> 00:56:00,640
Speaker 1: this year next year at the Yule Tide cares. These

1087
00:56:00,680 --> 00:56:03,839
Speaker 1: are the Yule Tide Carolers Nashville. And we'll talk about

1088
00:56:03,880 --> 00:56:05,879
Speaker 1: how Abby got in the group in a second. But John,

1089
00:56:05,880 --> 00:56:08,080
Speaker 1: would you guys do would you could you do jingle bells?

1090
00:56:08,080 --> 00:56:10,000
Speaker 1: Horse verse? Yes? All right, there's there's four of them.

1091
00:56:10,000 --> 00:56:12,600
Speaker 1: There are no instruments in here. It is uh introduced

1092
00:56:12,600 --> 00:56:15,239
Speaker 1: everybody really quickly. John, Okay, Well, I think you know

1093
00:56:18,200 --> 00:56:23,560
Speaker 1: Christmas Abbey, Christmas James richardson top hat. James. Yes, James

1094
00:56:23,680 --> 00:56:26,560
Speaker 1: is also our music director. Hi, James at Jessica him,

1095
00:56:26,760 --> 00:56:28,640
Speaker 1: Jessica is in green and she's got some bells in

1096
00:56:28,680 --> 00:56:32,400
Speaker 1: her in alright. I asked Jessica where she was from

1097
00:56:32,520 --> 00:56:35,200
Speaker 1: before we came on. It's jes She goes Manchester and

1098
00:56:35,239 --> 00:56:37,600
Speaker 1: I thought she was in character of Manchester, England. I said, oh,

1099
00:56:37,640 --> 00:56:39,759
Speaker 1: are you in character? She goes no Manchester, Tennessee, right

1100
00:56:39,760 --> 00:56:43,200
Speaker 1: down the road right. I was like, oh, okay, hometown lady.

1101
00:56:43,280 --> 00:56:45,680
Speaker 1: All right, the Yule Tide carolers with a little bit

1102
00:56:45,680 --> 00:56:49,080
Speaker 1: of jingle bells. John, whenever you ready dashing through the

1103
00:56:49,160 --> 00:56:59,520
Speaker 1: slow and all the way making spirits? Fright? What fun

1104
00:56:59,600 --> 00:57:02,160
Speaker 1: it is you ride and sing a slay Son too night?

1105
00:57:02,440 --> 00:57:06,640
Speaker 1: Oh jingle bells dingle bells, dingle all the way. Oh

1106
00:57:06,719 --> 00:57:08,800
Speaker 1: what fun it is to ride in a one horse

1107
00:57:08,840 --> 00:57:13,440
Speaker 1: open sleigh. Jingle bells, jingle bells, single all the way,

1108
00:57:13,640 --> 00:57:15,680
Speaker 1: Oh what fun it is to ride in a one

1109
00:57:15,680 --> 00:57:18,880
Speaker 1: horse open sleigh. I'd sell you a two ago. I

1110
00:57:19,040 --> 00:57:21,960
Speaker 1: thought i'd take a ride and see Miss any right

1111
00:57:22,440 --> 00:57:25,520
Speaker 1: was seated by my side, The horse was leaning link

1112
00:57:25,880 --> 00:57:29,400
Speaker 1: misfortune seemed a lot we done to a prickly think,

1113
00:57:29,480 --> 00:57:33,040
Speaker 1: and we we got up side. Oh, jingle bells, jingle bells,

1114
00:57:33,120 --> 00:57:36,040
Speaker 1: tingle all the way, Oh what fun it is to

1115
00:57:36,200 --> 00:57:40,000
Speaker 1: ride in a one horse open sleigh. Jingle bells, jingle bells,

1116
00:57:40,080 --> 00:57:43,000
Speaker 1: single all the way. Oh, w fun it is to

1117
00:57:43,200 --> 00:57:45,919
Speaker 1: ride in a one horse open sleigh. Now the ground

1118
00:57:46,040 --> 00:57:48,520
Speaker 1: is white. Go with while we're young, Take a housing

1119
00:57:48,640 --> 00:57:51,080
Speaker 1: night and sing the slaying song. Just get up, bottle

1120
00:57:51,160 --> 00:57:53,560
Speaker 1: neck to forty four speed and hit him too, and

1121
00:57:53,720 --> 00:57:56,160
Speaker 1: up and say a cruck particular leader. Oh, jingle bells,

1122
00:57:56,200 --> 00:57:58,840
Speaker 1: single bells, jingle all the way. Oh with for it

1123
00:57:58,920 --> 00:58:03,360
Speaker 1: is he ride in a one horse up jingle bestinglestlehoa,

1124
00:58:05,760 --> 00:58:23,800
Speaker 1: Oh what fun? Come on? I love it. Okay, we

1125
00:58:23,880 --> 00:58:25,160
Speaker 1: have a lot of things to say. I'd like to

1126
00:58:25,200 --> 00:58:28,400
Speaker 1: warn you first, the Lunchbox gives Abby NonStop crap just

1127
00:58:28,480 --> 00:58:31,600
Speaker 1: so he's gonna somehow he's gonna give it to her. Really, yeah, yes,

1128
00:58:31,800 --> 00:58:34,240
Speaker 1: so that will come. Don't let it run your Christmas spirit.

1129
00:58:34,240 --> 00:58:36,360
Speaker 1: We're used to it at this point. Um, So, John,

1130
00:58:36,680 --> 00:58:39,919
Speaker 1: how did Abby become part of this group here? Well?

1131
00:58:39,960 --> 00:58:42,640
Speaker 1: I heard her sing the national anthem a couple of times,

1132
00:58:42,800 --> 00:58:46,000
Speaker 1: and I said, we have to have her in the group,

1133
00:58:46,080 --> 00:58:49,080
Speaker 1: and so we all huddled up, um, and we knew

1134
00:58:49,080 --> 00:58:52,280
Speaker 1: that she had this really beautiful, um, you know, alto voicing.

1135
00:58:52,360 --> 00:58:55,560
Speaker 1: We needed an alto and so you know, I just um,

1136
00:58:55,600 --> 00:58:57,800
Speaker 1: you know, asked her to if you'd consider joining us

1137
00:58:57,840 --> 00:58:59,920
Speaker 1: because I'd met her, um you know actually at the

1138
00:59:00,040 --> 00:59:03,280
Speaker 1: I Heart party and anyway, and so she just fits

1139
00:59:03,320 --> 00:59:06,160
Speaker 1: in so beautifully and that voice is so rich, and

1140
00:59:06,520 --> 00:59:08,920
Speaker 1: we've loved having her in the group. She is awesome, right,

1141
00:59:09,000 --> 00:59:11,160
Speaker 1: like even just to hang around like, Abby's just a

1142
00:59:11,160 --> 00:59:12,919
Speaker 1: great spirit. It's not for her being able to sing.

1143
00:59:12,960 --> 00:59:15,800
Speaker 1: She's just funded. We love her. Um, Lunchbox, I'm gonna

1144
00:59:16,280 --> 00:59:18,240
Speaker 1: hold your comment for a second. Oh I was. I

1145
00:59:18,280 --> 00:59:20,320
Speaker 1: was ready to comment. I know we're gonna come, We're

1146
00:59:20,320 --> 00:59:22,240
Speaker 1: gonna play this song. And then we're gonna come back

1147
00:59:22,240 --> 00:59:23,680
Speaker 1: and they're gonna do another one and then we'll talk

1148
00:59:23,680 --> 00:59:25,720
Speaker 1: to Abby and you can talk to Abby. Okay, okay,

1149
00:59:25,760 --> 00:59:27,480
Speaker 1: all right, let's play this here from Chase Rice. We'll

1150
00:59:27,520 --> 00:59:31,120
Speaker 1: come back with the Yuld Tie Carolers next on the

1151
00:59:31,200 --> 00:59:35,080
Speaker 1: Bobby Bones Show. Now the Yule Tie Carollers. So my

1152
00:59:35,120 --> 00:59:37,440
Speaker 1: wife makes fun of me a little bit because I'll say, Hey,

1153
00:59:37,560 --> 00:59:40,720
Speaker 1: we're gonna go to Walmart's or Nordstrum's, and she's like,

1154
00:59:40,720 --> 00:59:43,800
Speaker 1: you know it's not it's Walmart and Nordstrum. Yeah. I

1155
00:59:43,800 --> 00:59:45,880
Speaker 1: grew up in Arkansas, and so I say, you know,

1156
00:59:46,040 --> 00:59:48,600
Speaker 1: you can take the hillbilly out of the hillbilly lamb,

1157
00:59:48,600 --> 00:59:51,400
Speaker 1: but it's hard to remove it from him. And I

1158
00:59:51,440 --> 00:59:53,520
Speaker 1: apparently I called him the old time carollers. I think

1159
00:59:53,520 --> 00:59:54,960
Speaker 1: I always thought that's what it was called, you time.

1160
00:59:55,000 --> 00:59:58,080
Speaker 1: I heard that a couple of times. Yeah, yeah, you'ld tied.

1161
00:59:58,280 --> 01:00:00,880
Speaker 1: But it said that in the little piece there you'll tie, yes,

1162
01:00:00,960 --> 01:00:08,520
Speaker 1: And then I think you said you'll tied you'll tied carolers.

1163
01:00:08,680 --> 01:00:10,800
Speaker 1: And they are here in the studio with us. Abby,

1164
01:00:10,800 --> 01:00:12,920
Speaker 1: You're now part of the you'ld tiede Carolers. I am

1165
01:00:13,080 --> 01:00:15,400
Speaker 1: and is it fun for you? It's so fun. Yeah,

1166
01:00:15,440 --> 01:00:16,919
Speaker 1: it was a lot though, what do you mean? Because

1167
01:00:16,920 --> 01:00:19,400
Speaker 1: they're just like professionals at what they do. And I

1168
01:00:19,440 --> 01:00:21,360
Speaker 1: have not been a quartet or a choir since like

1169
01:00:21,400 --> 01:00:24,040
Speaker 1: middle school, so this was a lot to adjust to.

1170
01:00:24,480 --> 01:00:26,840
Speaker 1: What is your role called alto? And do you have

1171
01:00:26,880 --> 01:00:29,040
Speaker 1: to learn specifically? How do you have to stay as

1172
01:00:29,080 --> 01:00:30,880
Speaker 1: an alto the whole time? Right? Yes, that's the thing.

1173
01:00:30,880 --> 01:00:33,160
Speaker 1: We all go off, you know, like we're some notes

1174
01:00:33,200 --> 01:00:35,160
Speaker 1: are the same and then we go off onto we

1175
01:00:35,240 --> 01:00:38,400
Speaker 1: split our parts. And so what's an sing not hard?

1176
01:00:38,480 --> 01:00:39,920
Speaker 1: Just give me a little bit of jingle bells? Is

1177
01:00:39,960 --> 01:00:42,720
Speaker 1: just the alto part? Dashing through the snow and a

1178
01:00:42,760 --> 01:00:46,200
Speaker 1: one horse open sleigh or the fields we go laughing

1179
01:00:46,240 --> 01:00:49,840
Speaker 1: all the way. Can you have to stay there? It's

1180
01:00:49,880 --> 01:00:53,640
Speaker 1: almost like singing harmonies, but that's your wheelhouse. You have

1181
01:00:53,680 --> 01:00:57,680
Speaker 1: to stay a certain because I'm not great obviously it's singing.

1182
01:00:57,680 --> 01:00:59,320
Speaker 1: But Eddie had to teach me a lot about music,

1183
01:00:59,480 --> 01:01:02,720
Speaker 1: and sometimes you have to stay in places that feels

1184
01:01:02,720 --> 01:01:04,400
Speaker 1: it's not actually the song, right, it's not like the

1185
01:01:04,400 --> 01:01:07,720
Speaker 1: Melody's that the real melody? Yeah, you're right, more Jessica

1186
01:01:07,840 --> 01:01:10,720
Speaker 1: right kind of stays melody, Yeah kind of Yeahard normally

1187
01:01:10,720 --> 01:01:14,960
Speaker 1: does yeah classic under that no idea. There's some chords

1188
01:01:14,960 --> 01:01:17,320
Speaker 1: though that you would just not even understand. Hell, you

1189
01:01:17,360 --> 01:01:19,120
Speaker 1: know you pull that off there. We call them crunch

1190
01:01:19,200 --> 01:01:21,920
Speaker 1: chords and really tight heart always tough for me too,

1191
01:01:21,920 --> 01:01:26,520
Speaker 1: of the crunches Nestley John, if you as the bass

1192
01:01:27,120 --> 01:01:28,680
Speaker 1: and you were doing jingle bells, what would it be

1193
01:01:28,720 --> 01:01:30,280
Speaker 1: a jingle bells part as just a basse? Can we

1194
01:01:30,320 --> 01:01:34,480
Speaker 1: hear that? Um dashing through the snow when a one

1195
01:01:34,560 --> 01:01:37,400
Speaker 1: horse opens lay or the fields we go and you

1196
01:01:37,440 --> 01:01:40,440
Speaker 1: stay there all the way? Wow? And okay? So and

1197
01:01:40,480 --> 01:01:45,720
Speaker 1: then you are this soprano. I never the finale was weird, right,

1198
01:01:45,720 --> 01:01:48,000
Speaker 1: it went to black and a lot of people were

1199
01:01:48,080 --> 01:01:51,680
Speaker 1: upset with it. But still when it comes to mobsters

1200
01:01:51,760 --> 01:01:58,240
Speaker 1: like I really show her voice, it's not the same

1201
01:01:59,640 --> 01:02:02,400
Speaker 1: if you different, because yours is a melody thing, right,

1202
01:02:02,560 --> 01:02:04,640
Speaker 1: So could you give us a little bit of how

1203
01:02:04,640 --> 01:02:07,960
Speaker 1: you did it alone of jingle bells? Sure, dashing through

1204
01:02:08,000 --> 01:02:12,720
Speaker 1: the snow in a one horse open shoah? Okay, and

1205
01:02:12,800 --> 01:02:16,520
Speaker 1: you're the music leader? Yes, yes, okay? And so James,

1206
01:02:16,560 --> 01:02:18,880
Speaker 1: what yours is? What what's your role called? I'm a

1207
01:02:18,920 --> 01:02:21,240
Speaker 1: tenor in the group ten You know, I'd have given

1208
01:02:21,280 --> 01:02:22,800
Speaker 1: me a solid eider, but a tenner If they think

1209
01:02:22,800 --> 01:02:25,640
Speaker 1: you're a tener, well thank you. I thought it was

1210
01:02:25,640 --> 01:02:28,200
Speaker 1: a six. Well yeah, you know, um as a tenor.

1211
01:02:28,280 --> 01:02:30,960
Speaker 1: Can you tell me what a tenor sounds like? Dashing

1212
01:02:31,000 --> 01:02:33,920
Speaker 1: through the snow and a one horse open sleigh? Oh

1213
01:02:34,040 --> 01:02:37,200
Speaker 1: the fields? We go all the way and then all together?

1214
01:02:37,280 --> 01:02:41,680
Speaker 1: Can you do just that part together? Going through the

1215
01:02:41,720 --> 01:02:56,200
Speaker 1: snow and let me sing the snow? Yeah? Me too.

1216
01:02:57,160 --> 01:03:00,280
Speaker 1: They need a baritone? What they need a baritone? Do

1217
01:03:00,240 --> 01:03:01,800
Speaker 1: you actually? All right? Let's do it all together? Here

1218
01:03:01,840 --> 01:03:13,360
Speaker 1: we go all the way? Yo, here, I am, it's

1219
01:03:13,360 --> 01:03:17,040
Speaker 1: to be it's I was gonna do like a remix. No, okay,

1220
01:03:17,080 --> 01:03:19,880
Speaker 1: are you available this week? I am. I'm fully booked out.

1221
01:03:20,000 --> 01:03:23,040
Speaker 1: You couldn't afford me. Yeah, I know it's tough. It's

1222
01:03:23,080 --> 01:03:27,200
Speaker 1: only because I, um my venmo is broken. Otherwise I'd

1223
01:03:27,240 --> 01:03:29,040
Speaker 1: be in with you guys. Next year, Yeah, next year

1224
01:03:29,080 --> 01:03:32,000
Speaker 1: for sure. The you'll tie to carolers are here? Abby?

1225
01:03:32,080 --> 01:03:34,040
Speaker 1: What song are you guys gonna do next? Okay? I

1226
01:03:34,120 --> 01:03:36,840
Speaker 1: request is all if it's on the sheet, Well, I

1227
01:03:36,840 --> 01:03:38,400
Speaker 1: don't know about that. Can you do Rudoff. That's just

1228
01:03:38,440 --> 01:03:41,240
Speaker 1: my favorite song. Oh yeah, d Off. Yes, okay, I

1229
01:03:41,240 --> 01:03:43,040
Speaker 1: don't have a sheet, but you guys can try to

1230
01:03:43,240 --> 01:03:45,680
Speaker 1: roll rood Off. Yeah we have that one. Okay, all

1231
01:03:45,760 --> 01:03:52,360
Speaker 1: right herehere they are the you'll tied carolers. You Bobby,

1232
01:03:52,720 --> 01:04:00,360
Speaker 1: Amy and Eddie and Morgan and Mike, Dan, Suber and Abby.

1233
01:04:00,800 --> 01:04:06,680
Speaker 1: But you you call the most miss me. Weeen near

1234
01:04:12,120 --> 01:04:18,320
Speaker 1: lunchboxes read no reindeer had a very shiny nose and

1235
01:04:18,640 --> 01:04:23,360
Speaker 1: if you ever saw it, you what do you saying? Glows?

1236
01:04:24,440 --> 01:04:28,840
Speaker 1: All of the other reindeer he's left me call him

1237
01:04:29,040 --> 01:04:39,280
Speaker 1: names lunch read no reindeers n one mighty Christmas Eves.

1238
01:04:39,520 --> 01:04:44,320
Speaker 1: And I came to you same lunchbox with your nose,

1239
01:04:44,440 --> 01:04:51,120
Speaker 1: so right, won't you got my slaves? You know? Then

1240
01:04:51,280 --> 01:04:55,080
Speaker 1: all the reindeer loved him, as they shouted out with

1241
01:04:55,400 --> 01:05:00,440
Speaker 1: green lunch box read no reindeer, you go down in

1242
01:05:00,560 --> 01:05:11,680
Speaker 1: his story, You'll go down story. He started to like,

1243
01:05:11,800 --> 01:05:13,360
Speaker 1: he was like, oh, they're saying my name, like he's

1244
01:05:13,360 --> 01:05:15,160
Speaker 1: like a kid. He's like to stay in my name.

1245
01:05:15,440 --> 01:05:18,200
Speaker 1: And then he realized he was the misfit. Yeah, but

1246
01:05:18,280 --> 01:05:19,760
Speaker 1: then you realized we all liked you. At the end,

1247
01:05:20,000 --> 01:05:21,960
Speaker 1: well you like you know? That was the thing I

1248
01:05:22,040 --> 01:05:23,600
Speaker 1: was like, And it was tough because I was starting

1249
01:05:23,640 --> 01:05:27,320
Speaker 1: saying Rudolf too. I was like route lunchbox. They switched

1250
01:05:27,320 --> 01:05:29,640
Speaker 1: it up. How you like that? One did? That was interesting?

1251
01:05:29,920 --> 01:05:32,160
Speaker 1: On their feet? That was quick how they did that?

1252
01:05:32,320 --> 01:05:33,880
Speaker 1: And so what do you want to say? Because you've

1253
01:05:33,920 --> 01:05:37,560
Speaker 1: heard them smart? They are geniuses. They turn Aby's off,

1254
01:05:37,720 --> 01:05:40,400
Speaker 1: Mike off when they sing. No they don't we have

1255
01:05:40,600 --> 01:05:43,120
Speaker 1: the mics, they don't, or you don't hear her at all,

1256
01:05:43,240 --> 01:05:46,560
Speaker 1: yes you do, but they sound together. I'm just telling you,

1257
01:05:46,720 --> 01:05:48,360
Speaker 1: Bobby did the break down a minute there. You could

1258
01:05:48,400 --> 01:05:50,680
Speaker 1: put a hologram up there of anybody and they would

1259
01:05:50,720 --> 01:05:53,640
Speaker 1: not They would not know the difference that one is

1260
01:05:53,640 --> 01:05:57,280
Speaker 1: not true. That's true, then two that is mean, but

1261
01:05:57,400 --> 01:05:59,160
Speaker 1: it's true. Three do you ever want to be a

1262
01:05:59,240 --> 01:06:02,160
Speaker 1: raindeer with us? You need to chime? And also, you

1263
01:06:02,280 --> 01:06:05,040
Speaker 1: know how she's in the group. She ain't in the

1264
01:06:05,120 --> 01:06:08,080
Speaker 1: a group because these people perform last night, Abby wasn't

1265
01:06:08,120 --> 01:06:10,800
Speaker 1: a part of it, and she's borrowing someone's outfit. We

1266
01:06:10,920 --> 01:06:15,840
Speaker 1: switch off. I have several AG groups you in. I'm

1267
01:06:15,880 --> 01:06:20,800
Speaker 1: not in a singing like acting groups group. Probably yeah, yeah, yeah, Abby,

1268
01:06:20,840 --> 01:06:23,120
Speaker 1: I thought he sounded great. Thank you. Did you even

1269
01:06:23,200 --> 01:06:26,840
Speaker 1: hear her? You couldn't hear you? Let know you could, Lunchbox,

1270
01:06:27,000 --> 01:06:29,640
Speaker 1: because they all sing together. That's the point. That's the point.

1271
01:06:29,840 --> 01:06:31,960
Speaker 1: I can hear her on the end, no problem, because

1272
01:06:32,040 --> 01:06:37,360
Speaker 1: she is I can hear this dude. Okay, Lunchbox. Could

1273
01:06:37,480 --> 01:06:40,200
Speaker 1: you hear James? Yes? Okay, what was he doing it?

1274
01:06:42,200 --> 01:06:45,800
Speaker 1: Hold on thinking about a quartet as they blend. Yes,

1275
01:06:46,960 --> 01:06:48,800
Speaker 1: you know when they blended you into the way background

1276
01:06:51,000 --> 01:06:53,160
Speaker 1: they blended you out. Okay, Abbey, will you sing a

1277
01:06:53,200 --> 01:06:57,439
Speaker 1: little Rudolf by yourself as the tenor no, no alt

1278
01:06:57,560 --> 01:07:00,920
Speaker 1: I get my things mixed up? Yeah, Rudolf nose Windy

1279
01:07:01,600 --> 01:07:05,800
Speaker 1: had a very shiny nose, and if you ever saw it,

1280
01:07:06,440 --> 01:07:11,080
Speaker 1: you wouldn't even saying glow wow all of the other Windy.

1281
01:07:11,880 --> 01:07:17,080
Speaker 1: You used to have him call him names. That's good. Okay, great,

1282
01:07:17,160 --> 01:07:20,680
Speaker 1: that's good. You're perfectly right in there, yes, guys, right

1283
01:07:20,720 --> 01:07:22,480
Speaker 1: where she belongs. If you guys can hang out, I'm

1284
01:07:22,480 --> 01:07:24,200
Speaker 1: gonna have you sing a little bit later too. I

1285
01:07:24,360 --> 01:07:28,120
Speaker 1: love it, I loved I love Lunchbox. The no showered

1286
01:07:29,000 --> 01:07:34,400
Speaker 1: I no showered misfit whatever that was right? Yeah, yeah,

1287
01:07:34,560 --> 01:07:36,120
Speaker 1: it was great, But I have a question about now.

1288
01:07:36,160 --> 01:07:39,040
Speaker 1: I don't want a question so Abby, like you said

1289
01:07:39,640 --> 01:07:41,440
Speaker 1: that you're in charges and you met Abby at the

1290
01:07:41,520 --> 01:07:44,760
Speaker 1: Christmas party last year. So did you invite Abby to

1291
01:07:44,760 --> 01:07:46,160
Speaker 1: sing last year? Or did she come up to you

1292
01:07:46,160 --> 01:07:47,320
Speaker 1: at the Christmas party and be like, hey, do you

1293
01:07:47,400 --> 01:07:49,200
Speaker 1: mind if I sing a song with you? I heard

1294
01:07:49,240 --> 01:07:51,280
Speaker 1: her sing the national anthem and I saw her and

1295
01:07:51,360 --> 01:07:53,440
Speaker 1: I said, WHOA, we could really use her. And so

1296
01:07:56,000 --> 01:07:59,200
Speaker 1: he wouldn't lie to you in a costume like that?

1297
01:08:00,280 --> 01:08:02,680
Speaker 1: And so what group is Abby? And like where are hurt? Like?

1298
01:08:02,720 --> 01:08:04,680
Speaker 1: Because she doesn't sing with you guys like you guys

1299
01:08:04,720 --> 01:08:06,920
Speaker 1: are you were the ones at the Christmas party last year?

1300
01:08:07,080 --> 01:08:08,959
Speaker 1: So do she has her own group of three people

1301
01:08:09,000 --> 01:08:12,400
Speaker 1: that she's with. Abby sings with you know, any number

1302
01:08:12,440 --> 01:08:14,480
Speaker 1: of us. There are eighteen of us actually, and you

1303
01:08:14,560 --> 01:08:16,400
Speaker 1: know she sang with us at the opening. Might have

1304
01:08:16,479 --> 01:08:18,000
Speaker 1: been chant a couple of weeks ago. He was trying

1305
01:08:18,040 --> 01:08:20,960
Speaker 1: to find something to hold on and it was awesome.

1306
01:08:21,479 --> 01:08:24,320
Speaker 1: And Minnie Murphy, we're gonna come back in a second.

1307
01:08:24,320 --> 01:08:26,439
Speaker 1: They're gonna be here for a while. Well always might

1308
01:08:26,479 --> 01:08:28,439
Speaker 1: be on her. It'll be on like it always has been.

1309
01:08:28,680 --> 01:08:31,599
Speaker 1: Right about to be off at you know what, I'm

1310
01:08:31,600 --> 01:08:35,080
Speaker 1: gonna leave it on Americ Christmas at The Yule Tide

1311
01:08:35,160 --> 01:08:37,960
Speaker 1: Carollers will come back in a second. Here Bobby Bones Show,

1312
01:08:38,880 --> 01:08:41,879
Speaker 1: on the Bobby Bone Show. Now the Yule Tide Carollers.

1313
01:08:42,040 --> 01:08:49,360
Speaker 1: So they're here. They're dressed like Victorian Yeah, Victorian time, right,

1314
01:08:50,040 --> 01:08:53,400
Speaker 1: like I think I like Queen Victoria. Anything I know

1315
01:08:53,439 --> 01:08:58,880
Speaker 1: from Victorian times called that those are private parts. No belt,

1316
01:09:00,000 --> 01:09:04,200
Speaker 1: it makes the skirt. I got it, got it. I

1317
01:09:04,280 --> 01:09:08,519
Speaker 1: was gonna say, well, as kids, we called them poopoom poop. Okay.

1318
01:09:08,960 --> 01:09:11,280
Speaker 1: The Yule Tide Carolers are here. Abby is a part

1319
01:09:11,320 --> 01:09:16,799
Speaker 1: of the group, and Jessica is the soprano. Right. Abby

1320
01:09:16,960 --> 01:09:20,400
Speaker 1: is the alto, Hey, thank you. James is the tenor,

1321
01:09:21,120 --> 01:09:23,640
Speaker 1: and John is the bass and he's the head of

1322
01:09:23,640 --> 01:09:26,160
Speaker 1: the Nashville group. And the ul Tide Carolers are all

1323
01:09:26,160 --> 01:09:27,840
Speaker 1: over the country. So you can have them, you can

1324
01:09:28,040 --> 01:09:29,800
Speaker 1: hire them. I hired them last year to sing at

1325
01:09:29,840 --> 01:09:31,560
Speaker 1: my house. That's how good they are. Is awesome, And

1326
01:09:31,680 --> 01:09:33,240
Speaker 1: so I thought we'd do one more to kind of

1327
01:09:33,240 --> 01:09:35,280
Speaker 1: put us in the Christmas mood. Can we do silver bells?

1328
01:09:35,320 --> 01:09:37,800
Speaker 1: Can we slow it down a little bit as that possible. Guys. Okay,

1329
01:09:38,000 --> 01:09:43,360
Speaker 1: so here they are the Yule Tide carolers. Hello, oh

1330
01:09:43,400 --> 01:10:00,519
Speaker 1: my gosh, Silva Sila. Christmas in the city, bring a

1331
01:10:00,680 --> 01:10:15,760
Speaker 1: lead here the room suit. It will be Christmaster city sidewalks,

1332
01:10:15,920 --> 01:10:23,439
Speaker 1: busy sidewalks, just a hard day star in the there's

1333
01:10:23,520 --> 01:10:33,960
Speaker 1: a feeling of Christmas, children laughing and people passimar have

1334
01:10:34,200 --> 01:10:46,040
Speaker 1: to smile. I'm down every street corner, silver bears, silver bells,

1335
01:10:46,880 --> 01:10:56,160
Speaker 1: silver bars, silver bells. It's Christmas time in the city. City,

1336
01:10:57,520 --> 01:11:29,880
Speaker 1: Bring a lead and Abby, we heard you loud and

1337
01:11:29,920 --> 01:11:35,519
Speaker 1: clear at that time, but literally all he says you

1338
01:11:35,640 --> 01:11:39,519
Speaker 1: and Jessica were like, no, don't get to you. And

1339
01:11:39,600 --> 01:11:41,360
Speaker 1: I got a question. Does Abby put her hands in

1340
01:11:41,439 --> 01:11:44,439
Speaker 1: that that thing because she's like worried. She's like because

1341
01:11:44,439 --> 01:11:46,560
Speaker 1: I feel like she's given the dinner guy eyes and

1342
01:11:46,640 --> 01:11:48,559
Speaker 1: so she's trying to control her hands so she doesn't

1343
01:11:48,560 --> 01:11:51,760
Speaker 1: like grab him or something, you know, So Abby has on.

1344
01:11:52,240 --> 01:11:55,240
Speaker 1: Let's say you're Aaron Rodgers and you're playing in Green

1345
01:11:55,280 --> 01:11:56,960
Speaker 1: Bay and his cold and you put your hands in

1346
01:11:57,000 --> 01:11:59,280
Speaker 1: that thing as the quarterback. That is what they would

1347
01:11:59,280 --> 01:12:00,920
Speaker 1: wear then to keep their hands warm as well. So

1348
01:12:01,040 --> 01:12:03,640
Speaker 1: in order to have that prop makes sense? She wears it, Yes, yes,

1349
01:12:03,840 --> 01:12:06,080
Speaker 1: for her hand warmer. Yes, well, I just wonder if

1350
01:12:06,120 --> 01:12:07,400
Speaker 1: she was just trying to control her hands. And I

1351
01:12:07,479 --> 01:12:09,559
Speaker 1: feel like she's eyeing the tinner guy, like I feel

1352
01:12:09,560 --> 01:12:12,040
Speaker 1: like there's chemistry there, eyeing him. He's like behind me.

1353
01:12:13,760 --> 01:12:16,920
Speaker 1: How could you see? What? Start anything? No, at the

1354
01:12:16,960 --> 01:12:18,720
Speaker 1: start of the song, they look at each other. They

1355
01:12:18,800 --> 01:12:22,679
Speaker 1: have to look each other, man like I was looking

1356
01:12:22,720 --> 01:12:25,160
Speaker 1: at Jessica, So we start at the same time. Yes,

1357
01:12:25,680 --> 01:12:29,120
Speaker 1: oh my god, are you making eyes at Jessica. It's

1358
01:12:29,160 --> 01:12:31,720
Speaker 1: like she has to bind her hands, so she has

1359
01:12:31,760 --> 01:12:34,080
Speaker 1: her feet and shoes so she can keep her feet

1360
01:12:34,120 --> 01:12:37,960
Speaker 1: on the ground. She doesn't doesn't attack him for you. Yeah,

1361
01:12:38,200 --> 01:12:40,400
Speaker 1: sounds really sound great. All of you guys sound great.

1362
01:12:40,400 --> 01:12:43,240
Speaker 1: The you'ld tide carolers. Are you guys booked up for

1363
01:12:43,280 --> 01:12:45,559
Speaker 1: the rest of the year there, John, are you still

1364
01:12:45,600 --> 01:12:49,000
Speaker 1: taking reservations? We're pretty close. You know, we might be

1365
01:12:49,040 --> 01:12:51,000
Speaker 1: able to fit in one or two, but next year,

1366
01:12:51,760 --> 01:12:53,760
Speaker 1: next year, plan ahead. Actually, what if we wanted to

1367
01:12:53,880 --> 01:12:57,360
Speaker 1: hire you though in March, for like Christmas in March

1368
01:12:57,439 --> 01:12:59,639
Speaker 1: we do that? Who then? Who the hell knows? Whenever

1369
01:13:00,000 --> 01:13:01,320
Speaker 1: I wanted to hire you to hire you to do

1370
01:13:01,400 --> 01:13:05,439
Speaker 1: like Celo forget you. You see him driving around town

1371
01:13:05,600 --> 01:13:13,240
Speaker 1: with a girl I love. I'm like seein of Christmas script,

1372
01:13:13,800 --> 01:13:15,320
Speaker 1: what did we have to do one year? We had

1373
01:13:15,360 --> 01:13:20,320
Speaker 1: to do um everyoneman. Yeah. Yeah, we just had the

1374
01:13:20,400 --> 01:13:23,120
Speaker 1: family that wanted a little inside joke and so it

1375
01:13:23,240 --> 01:13:29,439
Speaker 1: was that's all in me. Have you heard of us

1376
01:13:30,160 --> 01:13:32,680
Speaker 1: the bones for do our Christmas song yet? We'd like

1377
01:13:32,800 --> 01:13:38,920
Speaker 1: to Okay, that's good, Yeah, Eddie go aheadswer off what yeah, okay,

1378
01:13:38,960 --> 01:13:55,120
Speaker 1: well if I have to, okay, let Amy go ahead.

1379
01:13:55,920 --> 01:14:10,559
Speaker 1: Boom bump bump. But Dreaming he ruined it. We've had

1380
01:14:10,600 --> 01:14:14,200
Speaker 1: it good intro the Yuld Tide Carollers at the Yule

1381
01:14:14,280 --> 01:14:17,479
Speaker 1: Tide Carolers or at the Yule Tide Carolers Nashville or

1382
01:14:17,800 --> 01:14:21,040
Speaker 1: the Yule Tide Carollers dot Com. Thank you all for

1383
01:14:21,160 --> 01:14:24,080
Speaker 1: your time for getting dress for that. She sounds so good, uh,

1384
01:14:24,960 --> 01:14:32,040
Speaker 1: John Coskey, James Richardson, Jessica him, him and Abby Abbey

1385
01:14:32,200 --> 01:14:34,799
Speaker 1: her last gig with them today. They got the promotions

1386
01:14:34,840 --> 01:14:36,439
Speaker 1: just like that band she joined that she was gonna

1387
01:14:36,439 --> 01:14:37,599
Speaker 1: be in and then all of a sudden they didn't

1388
01:14:37,600 --> 01:14:39,280
Speaker 1: get her name on air? Mighting go off now, Ray,

1389
01:14:40,479 --> 01:14:43,080
Speaker 1: it's not even like it's good at their Wikipedia ban.

1390
01:14:44,320 --> 01:14:50,040
Speaker 1: All right, thank you guys, thank you. It's the best

1391
01:14:50,200 --> 01:14:54,800
Speaker 1: bits of the week with Morgan number two and of

1392
01:14:54,960 --> 01:14:57,160
Speaker 1: course in that number one spot. This week is our

1393
01:14:57,240 --> 01:15:01,320
Speaker 1: Spicy Christmas Gift Exchange Day. Did it get interesting? We

1394
01:15:01,479 --> 01:15:03,720
Speaker 1: pulled out all the stuffs. I'm just telling you, I

1395
01:15:03,840 --> 01:15:06,280
Speaker 1: had one of the best gifts this year, and somebody

1396
01:15:06,320 --> 01:15:09,519
Speaker 1: else competed with me, for sure, but I feel like

1397
01:15:09,600 --> 01:15:12,080
Speaker 1: I've felt very strongly about it. And I don't say

1398
01:15:12,080 --> 01:15:14,160
Speaker 1: that often because Christmas gifts are hard for me. Gifts

1399
01:15:14,200 --> 01:15:15,800
Speaker 1: in general are very hard for me because I get

1400
01:15:15,880 --> 01:15:18,040
Speaker 1: so much anxiety about it. But I tried really hard

1401
01:15:18,080 --> 01:15:20,000
Speaker 1: to get Mike d the best present ever, and I

1402
01:15:20,040 --> 01:15:22,040
Speaker 1: got pretty dang close. I got him a really good gift,

1403
01:15:22,360 --> 01:15:25,559
Speaker 1: and also Ray Mundo gave Abby a crazy gift as well.

1404
01:15:25,720 --> 01:15:27,920
Speaker 1: And there was a lot of drama, of course, you know,

1405
01:15:28,040 --> 01:15:30,680
Speaker 1: because Spicy, and there was luxury gifts. It was just

1406
01:15:30,760 --> 01:15:33,120
Speaker 1: a whole thing. And I'm really excited talking about this

1407
01:15:33,240 --> 01:15:35,160
Speaker 1: because it was my favorite segment. It went on for

1408
01:15:35,280 --> 01:15:37,800
Speaker 1: so many different segments throughout the show, like we had

1409
01:15:37,840 --> 01:15:39,599
Speaker 1: it in the seven o'clock hour, and the eight o'clock

1410
01:15:39,640 --> 01:15:42,000
Speaker 1: hour because there's so much happening and this will get

1411
01:15:42,000 --> 01:15:43,719
Speaker 1: you in the Christmas spirit in all kinds of ways,

1412
01:15:43,920 --> 01:15:48,679
Speaker 1: Scrooge included. So I hope you enjoy everybody's truly favorite

1413
01:15:48,920 --> 01:15:52,360
Speaker 1: segment of the entire year. Every year. This is our

1414
01:15:52,439 --> 01:16:01,559
Speaker 1: Spicy Christmas Gift Exchange Number one, Spicy Christmas. We all drew.

1415
01:16:02,000 --> 01:16:03,840
Speaker 1: We all drew, and so we have a gift to

1416
01:16:03,880 --> 01:16:06,280
Speaker 1: give somebody. And that would be healthy and loving if

1417
01:16:06,320 --> 01:16:07,840
Speaker 1: we just gave him a gift and say mery Christmas.

1418
01:16:09,040 --> 01:16:11,439
Speaker 1: But we can't. We can give an element. So but

1419
01:16:11,560 --> 01:16:14,320
Speaker 1: it can be that by the way. So for example,

1420
01:16:14,400 --> 01:16:17,240
Speaker 1: Ammy gets a gift first, and Mike drew her name,

1421
01:16:17,439 --> 01:16:19,000
Speaker 1: so Mike will give her the gift. She'll open it,

1422
01:16:19,400 --> 01:16:21,840
Speaker 1: if she likes it, she keeps it. If she wants

1423
01:16:21,880 --> 01:16:24,639
Speaker 1: to trade it in for the luxury up on my desk,

1424
01:16:25,479 --> 01:16:28,280
Speaker 1: luxury you can. It's so confusing, though, because there's such

1425
01:16:28,360 --> 01:16:30,519
Speaker 1: really big bags and I don't know if you did

1426
01:16:30,640 --> 01:16:33,600
Speaker 1: reverse psychology on us, and in the big bags, you know,

1427
01:16:33,640 --> 01:16:37,080
Speaker 1: we're thinking you probably put the spicy little guy that's

1428
01:16:37,120 --> 01:16:39,719
Speaker 1: gonna kill us, or if it's really the luxury gift.

1429
01:16:40,160 --> 01:16:44,160
Speaker 1: So right, there's one, two, three, There are six up here.

1430
01:16:44,720 --> 01:16:50,240
Speaker 1: Two of them are spicy. Oh my gosh. So one

1431
01:16:50,400 --> 01:16:52,360
Speaker 1: is that hot chip that makes you vomit. It's so

1432
01:16:52,479 --> 01:16:55,240
Speaker 1: hot and it hurts forever. One is that spicy gummy

1433
01:16:55,280 --> 01:16:57,080
Speaker 1: that we haven't opened in months because everybody scared of it.

1434
01:16:57,520 --> 01:16:58,720
Speaker 1: If you open that, you have to eat it right

1435
01:16:58,720 --> 01:17:03,639
Speaker 1: there on the spot. Oh my god, we milk, milk.

1436
01:17:04,400 --> 01:17:06,599
Speaker 1: Have we not learned anything? We never said we're gonna,

1437
01:17:06,960 --> 01:17:08,599
Speaker 1: but I think we just it should just be boy.

1438
01:17:08,680 --> 01:17:11,240
Speaker 1: The bet starts now. But so here's the thing. I

1439
01:17:11,439 --> 01:17:15,960
Speaker 1: promise you. I didn't put any joke in the luxury

1440
01:17:16,200 --> 01:17:18,439
Speaker 1: That's what I'm talking about. These are all and and

1441
01:17:18,680 --> 01:17:21,679
Speaker 1: if they don't get away, I'm keeping them. Next question,

1442
01:17:23,600 --> 01:17:26,280
Speaker 1: if you open a luxury gift and you don't like it,

1443
01:17:26,520 --> 01:17:27,800
Speaker 1: even if you like that, you can trade it for

1444
01:17:27,840 --> 01:17:32,680
Speaker 1: a nut. Going again, Oh my goodness, I love it.

1445
01:17:32,840 --> 01:17:35,720
Speaker 1: Let's go. I'm ready to play. First up opening her

1446
01:17:35,760 --> 01:17:42,280
Speaker 1: gift on spicy Christmas is Amy, Yeah, Christmas, Amy? Who's

1447
01:17:42,280 --> 01:17:47,519
Speaker 1: it from Mike d It's wrapped so cute, black shiny paper.

1448
01:17:47,600 --> 01:17:52,559
Speaker 1: That's there's little gold Christmas Christmas trees. Faller, his wife

1449
01:17:52,600 --> 01:17:55,240
Speaker 1: told me. She picked this out, and there's no way

1450
01:17:55,280 --> 01:17:57,280
Speaker 1: I'm gonna want to trade it. Why would why would

1451
01:17:57,280 --> 01:18:01,000
Speaker 1: she spoil that for a Mike? Yeah, Mike, I think

1452
01:18:01,040 --> 01:18:04,479
Speaker 1: I get credit for it, you know. Oh wow, what

1453
01:18:04,720 --> 01:18:08,400
Speaker 1: is it? Oh gosh, it is so cute? What is it? Um?

1454
01:18:09,120 --> 01:18:12,280
Speaker 1: But I actually already have the shirt. Oh and if

1455
01:18:12,400 --> 01:18:15,880
Speaker 1: she I keep it, if you give it, if you

1456
01:18:15,960 --> 01:18:18,479
Speaker 1: trade it, I keep it. Okay. She knows my style

1457
01:18:18,640 --> 01:18:20,680
Speaker 1: so well that she got me a shirt that I

1458
01:18:20,760 --> 01:18:23,560
Speaker 1: actually have. However, the one I have is gray and

1459
01:18:23,760 --> 01:18:26,920
Speaker 1: this seems to be it's a it's an Annie being

1460
01:18:27,320 --> 01:18:30,200
Speaker 1: shirt with like an eagle. Okay, nice shirt. Now, Amy

1461
01:18:30,240 --> 01:18:36,200
Speaker 1: already have one gray and this is kind of green, Fie,

1462
01:18:36,320 --> 01:18:38,600
Speaker 1: may are you keeping it? Are you going spicy? I

1463
01:18:38,680 --> 01:18:43,720
Speaker 1: mean you don't want to spice. I almost died on

1464
01:18:43,800 --> 01:18:46,720
Speaker 1: the show eating something spicy, so I just can't even

1465
01:18:46,840 --> 01:18:49,080
Speaker 1: risk it. As much as i want the luxury. This

1466
01:18:49,280 --> 01:18:51,439
Speaker 1: is a luxury shirt, so I'm keeping it. Okay, she's

1467
01:18:51,479 --> 01:18:56,599
Speaker 1: keeping Wow, you didn't go going spicy. By the way,

1468
01:18:56,640 --> 01:19:00,120
Speaker 1: we have of the six packages, there are three in

1469
01:19:00,240 --> 01:19:05,200
Speaker 1: big white boxes. I can't decide what is what in

1470
01:19:05,280 --> 01:19:11,680
Speaker 1: one bag of humongous luxury item ury. All right, Ray

1471
01:19:11,840 --> 01:19:14,280
Speaker 1: is opening a gift. Next raiser, audio producer. He's the

1472
01:19:14,320 --> 01:19:19,040
Speaker 1: guy there. Ray, Merry Christmas, Merry Christmas. And you have

1473
01:19:19,120 --> 01:19:21,400
Speaker 1: a gift there. And who's that from? Scuba? Okay, Scuba,

1474
01:19:21,400 --> 01:19:24,000
Speaker 1: Steve is getting Ray. There's two boxes. Here's the first one.

1475
01:19:25,800 --> 01:19:28,840
Speaker 1: Very nice wrapping job, Scuba. It looks like it's in

1476
01:19:28,920 --> 01:19:34,280
Speaker 1: a shoe box maybe. Oh oh, it's a Nike shoe box.

1477
01:19:36,320 --> 01:19:39,439
Speaker 1: And it is a pair of Nike's Baby, and these

1478
01:19:39,520 --> 01:19:46,400
Speaker 1: are let me guess Kyrie's. They are Harachas. My nephew

1479
01:19:46,479 --> 01:19:48,680
Speaker 1: has them, so I know they're definitely dirty. Okay, that

1480
01:19:48,840 --> 01:19:53,040
Speaker 1: is sick. That is really cool. All right, next gift,

1481
01:19:53,600 --> 01:19:56,000
Speaker 1: make sure I don't hit the mouse. Uh. This one

1482
01:19:56,200 --> 01:19:59,080
Speaker 1: is in a bag. Taking out all the paper. It

1483
01:19:59,240 --> 01:20:03,760
Speaker 1: looks like them chill sweatpants. Oh nice, okay, it is

1484
01:20:03,880 --> 01:20:09,200
Speaker 1: taper leg Nike sweatpants. Baby. They are fit exactly for me.

1485
01:20:09,720 --> 01:20:14,360
Speaker 1: What size are they? They are mediumwner man. Now you're thinking,

1486
01:20:14,600 --> 01:20:16,640
Speaker 1: and it looks like there's maybe one more thing in here.

1487
01:20:16,720 --> 01:20:18,920
Speaker 1: I like raised gifts. I start trying to get you

1488
01:20:19,000 --> 01:20:24,200
Speaker 1: guys and traded in There is some Harry's deodorant because

1489
01:20:24,240 --> 01:20:28,439
Speaker 1: Scoopa knows I love Harry's. Hey, I already had some

1490
01:20:28,520 --> 01:20:31,000
Speaker 1: of my desk. I guess yeah, there you go. And

1491
01:20:31,200 --> 01:20:36,479
Speaker 1: the final gifts. Man, those harass shoes are expensive lotion,

1492
01:20:36,880 --> 01:20:44,000
Speaker 1: good deal, ray, and you want to keep it because

1493
01:20:44,040 --> 01:20:47,000
Speaker 1: of the harasas. I have no choice but to keep them.

1494
01:20:47,080 --> 01:20:50,120
Speaker 1: I believe they're very, very pricey. You're not going spicy.

1495
01:20:50,600 --> 01:20:54,280
Speaker 1: Not going spicy. I'm turning it out. Ok. We have

1496
01:20:54,400 --> 01:20:57,080
Speaker 1: a budget, right man, I really have. I don't know

1497
01:20:57,120 --> 01:20:59,439
Speaker 1: who they bided by it. Yeah, I really am. It

1498
01:20:59,479 --> 01:21:04,880
Speaker 1: didn't sound like he did. Yeah whatever, stop Morgan, you

1499
01:21:04,960 --> 01:21:07,439
Speaker 1: have to come over here. Oh I'm not gonna get

1500
01:21:07,520 --> 01:21:10,840
Speaker 1: up because it's so heavy. We have a budget. Yeah,

1501
01:21:11,000 --> 01:21:14,280
Speaker 1: I'm bet car keys are so expensive. You can go

1502
01:21:14,320 --> 01:21:17,320
Speaker 1: over to your desk. The keys are pretty cheap. Remember

1503
01:21:17,439 --> 01:21:19,640
Speaker 1: what is my all Christmas? With everybody I'm buying for?

1504
01:21:19,720 --> 01:21:24,560
Speaker 1: It is what a practical I'm not getting anything crazy, like, wow, unbelievable.

1505
01:21:24,560 --> 01:21:27,120
Speaker 1: I want to cry. It's very practical. So I went

1506
01:21:27,160 --> 01:21:29,599
Speaker 1: to people and address what I think would be their

1507
01:21:29,680 --> 01:21:31,360
Speaker 1: needs or something I didn't even know they need. Oh

1508
01:21:31,400 --> 01:21:39,080
Speaker 1: you got her boyfriend? A little guy comes out? Oh

1509
01:21:39,960 --> 01:21:42,439
Speaker 1: what is it? Wait? Hold on it's a piece of paper.

1510
01:21:46,560 --> 01:21:49,519
Speaker 1: Mobile pet Spot, so they come to your house and

1511
01:21:49,600 --> 01:21:51,400
Speaker 1: they do your they take care of your dog, and

1512
01:21:51,479 --> 01:21:53,920
Speaker 1: they spam and you ever have to leave. It's a

1513
01:21:53,960 --> 01:21:59,639
Speaker 1: place we use. It's so that's amazing, that is thank you. Yeah.

1514
01:22:00,520 --> 01:22:02,639
Speaker 1: I don't know, guys. I've never had a mobile's pet

1515
01:22:02,720 --> 01:22:04,960
Speaker 1: spot in my house and remy could use a spaw,

1516
01:22:05,439 --> 01:22:10,080
Speaker 1: but you've never had what's in these boxes, guys, that's

1517
01:22:10,280 --> 01:22:14,040
Speaker 1: that spaw is who we used too, and so easy,

1518
01:22:14,120 --> 01:22:15,720
Speaker 1: so convenient. They do such a good job. But if

1519
01:22:15,760 --> 01:22:17,880
Speaker 1: I gonna trade it, hey trade it? Yeah, I mean no,

1520
01:22:18,160 --> 01:22:20,840
Speaker 1: because like there's also this is a voucher for something

1521
01:22:20,880 --> 01:22:22,320
Speaker 1: and I'm not going to say what the price is.

1522
01:22:22,439 --> 01:22:29,000
Speaker 1: So ext I like it. I like it. You keeping it,

1523
01:22:29,560 --> 01:22:33,280
Speaker 1: I keeping it, She's keeping it. Wow. Okay, so no

1524
01:22:33,320 --> 01:22:35,479
Speaker 1: one's going to the luxury items yet. Okay, that means

1525
01:22:35,520 --> 01:22:37,479
Speaker 1: you guys are doing great. I hope nobody goes to

1526
01:22:37,479 --> 01:22:39,560
Speaker 1: the spice because that means everybody's happy. That's true, and

1527
01:22:39,600 --> 01:22:42,320
Speaker 1: that's what Christmas is all about. Yes, no, no, no.

1528
01:22:42,880 --> 01:22:45,120
Speaker 1: If the gifts are bad, you know, like where it's like,

1529
01:22:45,160 --> 01:22:47,519
Speaker 1: oh that's not even worth So what's the rule there.

1530
01:22:47,640 --> 01:22:51,280
Speaker 1: If somebody purposefully gives a bad gift, they must eat

1531
01:22:52,240 --> 01:22:55,000
Speaker 1: the chewy the hot chewie. That's where it gets crazy.

1532
01:22:55,960 --> 01:22:58,680
Speaker 1: If they purposefully give hot a bad gift, just that

1533
01:22:58,800 --> 01:23:02,120
Speaker 1: one's more toxic than they and decides that mean one

1534
01:23:02,160 --> 01:23:04,880
Speaker 1: man panel got it? Yeah? Oh, Abby, come in please,

1535
01:23:06,000 --> 01:23:09,200
Speaker 1: final person for this commit Yeah, come in here place.

1536
01:23:09,240 --> 01:23:12,800
Speaker 1: You're not a Leonard sing, are you. There's no need

1537
01:23:12,880 --> 01:23:15,160
Speaker 1: for that. We're just going to open the gift where

1538
01:23:15,200 --> 01:23:19,120
Speaker 1: the cameras are. Oh gotcha? Okay, here comes Abby? Who

1539
01:23:19,240 --> 01:23:22,040
Speaker 1: is she produces so many things. She's the phone answers

1540
01:23:22,080 --> 01:23:23,960
Speaker 1: the phones as well. I don't know is that on.

1541
01:23:24,640 --> 01:23:26,720
Speaker 1: You don't need to hear you're good, you can just

1542
01:23:26,800 --> 01:23:33,000
Speaker 1: hear normal life. Abby's now opening her gift. He said,

1543
01:23:33,040 --> 01:23:35,240
Speaker 1: don't turn it over. Yes, it was like upside down

1544
01:23:35,320 --> 01:23:36,720
Speaker 1: on the desk. He's like, if you turned over, you're

1545
01:23:36,720 --> 01:23:38,439
Speaker 1: gonna know what it is. Okay, go ahead, you've been

1546
01:23:38,560 --> 01:23:41,320
Speaker 1: bush whacked. One hundred dollars gift card your favorite bar,

1547
01:23:41,400 --> 01:23:48,120
Speaker 1: which is Brute House. Oh okay, this nice. Okay, wait,

1548
01:23:48,200 --> 01:23:50,920
Speaker 1: so there's something injured too. Yeah, there's an actual gift,

1549
01:23:51,040 --> 01:23:54,280
Speaker 1: but that was already like the budget. Nobody nobody followed

1550
01:23:54,280 --> 01:23:56,760
Speaker 1: the budget. I don't remember the budget. But you didn't

1551
01:23:56,760 --> 01:23:58,240
Speaker 1: go to jail. You don't go to jail. Yeah, it's

1552
01:23:58,280 --> 01:24:01,599
Speaker 1: not like nothing's enforced. I thought it might be kindness.

1553
01:24:01,680 --> 01:24:04,040
Speaker 1: Who is this from? Ray? You got it? So you

1554
01:24:04,040 --> 01:24:07,200
Speaker 1: got one hundred bar gift card? Yeah, that's so. That's good.

1555
01:24:07,680 --> 01:24:16,599
Speaker 1: And god, what it's saying? That's your dude, that's that's

1556
01:24:16,640 --> 01:24:19,320
Speaker 1: the guy you are crush on. She didn't say she

1557
01:24:19,400 --> 01:24:25,160
Speaker 1: had a crush. Nice. One more. There's one more. So

1558
01:24:25,280 --> 01:24:26,800
Speaker 1: it's coming in the door right now, coming in the door,

1559
01:24:26,840 --> 01:24:29,440
Speaker 1: right now. There's something. Oh my god, what is happening

1560
01:24:29,439 --> 01:24:38,200
Speaker 1: in the Nashville Predator? That is Nash, who is delivering

1561
01:24:38,240 --> 01:24:40,160
Speaker 1: a bag high Nash. You can't talk, I know, but

1562
01:24:40,280 --> 01:24:43,680
Speaker 1: good to see you, Nash. Nash's waving. What could it

1563
01:24:43,800 --> 01:24:47,519
Speaker 1: be happening? Nash's got big things in the world. Okay.

1564
01:24:47,520 --> 01:24:50,799
Speaker 1: Abby's pulling out a bag. The card first, right, Nash's

1565
01:24:50,840 --> 01:24:53,400
Speaker 1: pointing at the card. Okay, this is way above what

1566
01:24:53,600 --> 01:24:55,760
Speaker 1: is what kind of is Nash animal? And Nash is

1567
01:24:55,760 --> 01:25:01,200
Speaker 1: a predatory? But like, oh, Saber too, Neigbortune, you got it? Okay,

1568
01:25:01,439 --> 01:25:05,200
Speaker 1: Abby read it? Please? Abby, Oh my gosh, So every

1569
01:25:05,240 --> 01:25:07,080
Speaker 1: we'd love for you to sing the national anthem for

1570
01:25:07,160 --> 01:25:09,880
Speaker 1: US on February thirteen, twenty twenty three, but only if

1571
01:25:09,960 --> 01:25:28,320
Speaker 1: I can be your day kids kids. Abby. Wow? Ray,

1572
01:25:29,080 --> 01:25:32,080
Speaker 1: what's in the bag? Abby? What is it? Okay, it's

1573
01:25:32,120 --> 01:25:34,479
Speaker 1: a press jersey with your last name on it. Oh

1574
01:25:34,560 --> 01:25:39,800
Speaker 1: that's awesome. This is insane, Abby. What are your thoughts here?

1575
01:25:40,120 --> 01:25:42,360
Speaker 1: They've invited you, Ray as orchestrated? Do you sing the

1576
01:25:42,439 --> 01:25:49,120
Speaker 1: national anthem at the pres game? Oh? It's spark with Mike. Yes,

1577
01:25:49,240 --> 01:25:51,640
Speaker 1: I supped. Yes. What do you want to say to

1578
01:25:51,760 --> 01:25:54,599
Speaker 1: Ray that this is like the most thoughtful, most amazing

1579
01:25:54,680 --> 01:25:56,479
Speaker 1: thing ever. I kind of want to cry, thank you Ray?

1580
01:25:56,600 --> 01:26:01,360
Speaker 1: You that ever you want to trade it in? Absolutely not?

1581
01:26:03,640 --> 01:26:10,760
Speaker 1: Thank you to the Fred Ray. That was awesome. God's

1582
01:26:10,800 --> 01:26:15,280
Speaker 1: good to see you, buddy. Okay, let's go, let's go. Wow.

1583
01:26:15,360 --> 01:26:20,280
Speaker 1: Good to see you, buddy. Wow. So nobody went spicy,

1584
01:26:20,640 --> 01:26:24,160
Speaker 1: great gifts, guys, Ray A plus, thank you. How did

1585
01:26:24,200 --> 01:26:26,720
Speaker 1: you arrange that? Hooked it up? Wayne d Man? I

1586
01:26:26,800 --> 01:26:28,800
Speaker 1: guess he does the announcing and he's like, yeah, you

1587
01:26:28,880 --> 01:26:30,559
Speaker 1: can do the national anthem? And she had a clip

1588
01:26:30,600 --> 01:26:32,479
Speaker 1: in the system and they said she makes the cut.

1589
01:26:32,560 --> 01:26:35,040
Speaker 1: She's good. Look at you. What a great idea. That's

1590
01:26:35,160 --> 01:26:39,400
Speaker 1: very it's meaningful to her. Good job, buddy job. Okay,

1591
01:26:39,600 --> 01:26:43,360
Speaker 1: coming up Eddie, Mike d and myself, Scuba and lunchbox over.

1592
01:26:45,240 --> 01:26:48,280
Speaker 1: It's hard to follow that well, anyone go spicy man.

1593
01:26:48,320 --> 01:26:51,719
Speaker 1: I've been trying to dissect those presents. Which one lunchbox

1594
01:26:52,000 --> 01:26:56,439
Speaker 1: do you think has bad spicy pain in it? Of

1595
01:26:56,479 --> 01:26:59,040
Speaker 1: the six? Well described that the boxer bag has the pain.

1596
01:26:59,160 --> 01:27:01,080
Speaker 1: The big blue bag do you think that has pain

1597
01:27:01,160 --> 01:27:03,120
Speaker 1: in it? Yea has pain in it. Is it's just

1598
01:27:03,240 --> 01:27:05,360
Speaker 1: so big and it's just like calling my name, and

1599
01:27:05,439 --> 01:27:07,200
Speaker 1: it wants you to call its name because it's gonna

1600
01:27:07,200 --> 01:27:08,920
Speaker 1: be a big present and you're gonna get it, and

1601
01:27:08,960 --> 01:27:11,840
Speaker 1: it's gonna be a stupid chip. And so I'm staying

1602
01:27:11,840 --> 01:27:14,280
Speaker 1: away from that blue bag. Okay, we'll not touch it.

1603
01:27:15,479 --> 01:27:18,400
Speaker 1: Let's go to Eddie. Who's opening first? All right, Eddie,

1604
01:27:18,760 --> 01:27:21,000
Speaker 1: where's your gift? I don't know where's my gift? Who

1605
01:27:21,080 --> 01:27:26,240
Speaker 1: drew Eddie? I did Amy. It's time to give it,

1606
01:27:28,240 --> 01:27:29,560
Speaker 1: all right? So Eddie will open it up. If he

1607
01:27:29,640 --> 01:27:31,160
Speaker 1: likes it, he keeps it if he does, and he

1608
01:27:31,200 --> 01:27:34,920
Speaker 1: trades it. Wow, it's two We got two gifts. Oh

1609
01:27:35,080 --> 01:27:40,200
Speaker 1: this looks like a baby gun. Okay, hey maybe that

1610
01:27:40,240 --> 01:27:42,120
Speaker 1: would be kind of cool, right, how cool would that be?

1611
01:27:42,760 --> 01:27:45,640
Speaker 1: Go to the woods. All right, let's see we got

1612
01:27:45,800 --> 01:27:51,400
Speaker 1: umlass Oh Dallas Cowboys. It's like grilling utensils, like a

1613
01:27:51,520 --> 01:27:57,519
Speaker 1: spatula and long, so it's called but yeah, yeah, okay,

1614
01:27:57,760 --> 01:28:02,400
Speaker 1: all right, songs, thank young, Thongs, thongs, right, tongs you No,

1615
01:28:02,520 --> 01:28:06,320
Speaker 1: thongs will be flip flops. Tongs would be okay, these

1616
01:28:06,320 --> 01:28:10,320
Speaker 1: are tongs. Oh all right, next, Yeah, the meaning of

1617
01:28:10,400 --> 01:28:12,439
Speaker 1: thong is underwear. But thongs are also like flip flops.

1618
01:28:12,479 --> 01:28:14,280
Speaker 1: I didn't know that. Okay, this one's in a bag.

1619
01:28:15,960 --> 01:28:21,479
Speaker 1: Oh Dallas Cowboys hat. That's okay, faking enthusiasm. Go he's

1620
01:28:21,520 --> 01:28:24,439
Speaker 1: going on? That is No, that is the best Cowboys hat.

1621
01:28:24,800 --> 01:28:26,920
Speaker 1: And sorry I stayed in the budget. I like it,

1622
01:28:27,000 --> 01:28:29,840
Speaker 1: amy Cowboys hat and grill set. I'm looking at those

1623
01:28:29,880 --> 01:28:33,519
Speaker 1: boxes down there, and you can keep those or oh no,

1624
01:28:33,760 --> 01:28:36,719
Speaker 1: I'm the first person that then I keep that stuff.

1625
01:28:36,720 --> 01:28:38,360
Speaker 1: It's now mine. But you trade it for a luxury

1626
01:28:38,400 --> 01:28:40,040
Speaker 1: box and you're a Cowboys fan, And I'll tell you this,

1627
01:28:40,200 --> 01:28:45,240
Speaker 1: every luxury box is valued it at least over one

1628
01:28:45,280 --> 01:28:50,560
Speaker 1: hundred at least you're going luxury. When he opened the

1629
01:28:50,640 --> 01:28:52,720
Speaker 1: grilled thing, he lived at his like. I mean, he

1630
01:28:52,880 --> 01:28:54,760
Speaker 1: tried to fake a smile. And if you get a

1631
01:28:54,840 --> 01:28:56,360
Speaker 1: box and you open the luxury and it's not your

1632
01:28:56,400 --> 01:28:57,840
Speaker 1: type of luxury, you can trade it in for another

1633
01:28:57,880 --> 01:28:59,599
Speaker 1: luxury box if you want a Mayby. I'm just saying,

1634
01:28:59,720 --> 01:29:02,479
Speaker 1: like he his face was discussed when he opened the No,

1635
01:29:02,680 --> 01:29:04,840
Speaker 1: not discussing, Amy. Thank you so much. I love your gift.

1636
01:29:05,200 --> 01:29:09,639
Speaker 1: But man, those boxes and they're luxurious items in there.

1637
01:29:11,560 --> 01:29:12,840
Speaker 1: I just don't know which one I want to go

1638
01:29:12,840 --> 01:29:17,200
Speaker 1: spicy or not? Eddie, I do have a lot of

1639
01:29:17,240 --> 01:29:19,040
Speaker 1: cowboys hats. You want to go spicy or not? Eddie

1640
01:29:19,080 --> 01:29:27,120
Speaker 1: bones one. I think I'm gonna go spicy. Okay, Eddie,

1641
01:29:27,160 --> 01:29:34,040
Speaker 1: come up real quick. Oh boy, Eddie go blue back.

1642
01:29:34,160 --> 01:29:37,559
Speaker 1: Anybody to get spicy will eat it in a later segment. Okay, Eddie,

1643
01:29:37,600 --> 01:29:40,720
Speaker 1: don't touch anything, don't touch anything. You take the bag,

1644
01:29:40,800 --> 01:29:42,320
Speaker 1: don't grab it. Just let me know which one you

1645
01:29:42,400 --> 01:29:44,599
Speaker 1: want and I'll up. We'll leave it until we come back.

1646
01:29:47,120 --> 01:29:50,320
Speaker 1: We gotta go though. No, don't touch anything, just point

1647
01:29:50,320 --> 01:29:58,120
Speaker 1: you touch, don't touching. Okay, Okay, he's picked this bag

1648
01:29:58,200 --> 01:30:02,360
Speaker 1: right here, stand stand down. Oh no, oh my god.

1649
01:30:04,880 --> 01:30:09,800
Speaker 1: He's looking in it so could be a guest card.

1650
01:30:10,120 --> 01:30:11,560
Speaker 1: He's not smile. We'll have that. You get to it

1651
01:30:11,600 --> 01:30:13,720
Speaker 1: in a minute, all right. Next up, Oh my god,

1652
01:30:13,920 --> 01:30:16,519
Speaker 1: Mike D will be opening up his Who got Mike D?

1653
01:30:17,000 --> 01:30:19,320
Speaker 1: I did? Morgan? Would you get Mike D his gift? Please?

1654
01:30:19,560 --> 01:30:25,679
Speaker 1: He has it? Okay, all right? I got some wrapping

1655
01:30:25,720 --> 01:30:31,479
Speaker 1: paper in a no Man bag, and inside we have

1656
01:30:33,240 --> 01:30:35,000
Speaker 1: did you leave my cowboy stuft up here? Oh? I

1657
01:30:35,080 --> 01:30:39,639
Speaker 1: have it. I own it. That hat is it looks

1658
01:30:39,680 --> 01:30:46,960
Speaker 1: like a sweatshirt. And we got some Dallas Cowboys sweatshirt? Okay? Yeah?

1659
01:30:48,800 --> 01:30:54,040
Speaker 1: Something else inside the box? Silver wrapping paper. You got

1660
01:30:54,160 --> 01:30:56,760
Speaker 1: to open that all the way up to and this

1661
01:30:57,000 --> 01:31:04,280
Speaker 1: you have looks like a cool what yeah, all the

1662
01:31:04,320 --> 01:31:08,320
Speaker 1: way up, all the way up ye cowboys? Something? Huh

1663
01:31:08,880 --> 01:31:12,720
Speaker 1: is a spider Man canteen? Oh that's cool? A nice one. Yeah.

1664
01:31:12,880 --> 01:31:15,000
Speaker 1: I have a couple of these that I love and

1665
01:31:15,160 --> 01:31:17,720
Speaker 1: this is amazing. Love this a lot. Do you want

1666
01:31:17,720 --> 01:31:19,160
Speaker 1: to go spicy or keep it? I do not want

1667
01:31:19,200 --> 01:31:23,479
Speaker 1: to go spicy up okay, Mike, Hey bonus, I'm really

1668
01:31:23,520 --> 01:31:25,559
Speaker 1: glad you kept it. Mike because I also have two

1669
01:31:25,640 --> 01:31:28,080
Speaker 1: tickets for you to the Tennessee tight Ends in Dallas

1670
01:31:28,160 --> 01:31:32,720
Speaker 1: Cowboys game in nash Are you kidding me? Courtesy of

1671
01:31:32,800 --> 01:31:38,519
Speaker 1: the Tennessee tight Ends. My hook up is you did

1672
01:31:38,520 --> 01:31:39,920
Speaker 1: that because you didn't trade it. If you would have

1673
01:31:39,960 --> 01:31:43,760
Speaker 1: traded it, she'd have kept it. That's hilarious to that game.

1674
01:31:44,320 --> 01:31:47,160
Speaker 1: That's an awesome, good job. More again, you want to

1675
01:31:47,200 --> 01:31:50,320
Speaker 1: trade it now? I'm begging him. Please, man, that's awesome

1676
01:31:50,360 --> 01:31:59,120
Speaker 1: you keeping it? Yeah? Wow, Okay, I don't have the

1677
01:32:00,080 --> 01:32:03,720
Speaker 1: tan you who got me a gift? No pressure, guys,

1678
01:32:04,439 --> 01:32:06,559
Speaker 1: I know I don't know who even got me. Oh,

1679
01:32:06,600 --> 01:32:09,559
Speaker 1: Abby's coming in. Oh you might as well trade now.

1680
01:32:10,240 --> 01:32:14,760
Speaker 1: I can't. I know what the gifts are. Oh my gosh,

1681
01:32:14,800 --> 01:32:19,920
Speaker 1: why do I have to wait the lot? Curious? Yeah,

1682
01:32:19,920 --> 01:32:22,120
Speaker 1: so I'm for sure I keep what I really know

1683
01:32:22,240 --> 01:32:24,280
Speaker 1: I want. Yeah, Okay, here it comes. Wow, it's two.

1684
01:32:24,320 --> 01:32:27,599
Speaker 1: They're both very flat. They're very big. What is that? Okay?

1685
01:32:29,760 --> 01:32:35,559
Speaker 1: Santa Claus light green? It is very heavy. It's really heavy.

1686
01:32:35,600 --> 01:32:45,640
Speaker 1: Here it is wrapped in tape, meticulous care. It's got

1687
01:32:45,760 --> 01:32:52,519
Speaker 1: bubble wrap on it. It is Abby. What is this?

1688
01:32:55,880 --> 01:32:58,519
Speaker 1: It's the shape of the state of Arkansas. It's like

1689
01:32:58,600 --> 01:33:00,960
Speaker 1: a metal thing with a hog. Oh that's really cool, Abbey.

1690
01:33:02,000 --> 01:33:06,200
Speaker 1: What fine? I put it on the road. Yeah yeah,

1691
01:33:06,240 --> 01:33:10,880
Speaker 1: it's like what's the shape the signs? That shape Arkansas?

1692
01:33:12,760 --> 01:33:16,200
Speaker 1: Like hurry up, Yeah, it's okay to date your cousin.

1693
01:33:16,800 --> 01:33:19,120
Speaker 1: I wonder to say. That's what we all do according

1694
01:33:19,160 --> 01:33:22,759
Speaker 1: to R Let's go all right. Next thing I like it, Abby, awesome,

1695
01:33:22,800 --> 01:33:24,479
Speaker 1: give me give me that little one there or the

1696
01:33:24,520 --> 01:33:27,599
Speaker 1: big one, whichever one you want me to order. We're

1697
01:33:27,640 --> 01:33:30,320
Speaker 1: gonna run into a commercial break and I don't want

1698
01:33:30,320 --> 01:33:35,519
Speaker 1: to do that quite yet. Next it's a toilet paper

1699
01:33:35,600 --> 01:33:37,639
Speaker 1: that there's for when the hogs play, like, and there's

1700
01:33:37,640 --> 01:33:40,640
Speaker 1: a poop emoji. Okay, Abby, what do you have here

1701
01:33:40,680 --> 01:33:42,679
Speaker 1: at the sign? I'll check it out. It's a Boby

1702
01:33:42,680 --> 01:33:47,280
Speaker 1: cast sign. That's really good. It's a logo to my

1703
01:33:48,280 --> 01:33:51,320
Speaker 1: Songwriter Musician podcast that I do the hour long. This

1704
01:33:51,439 --> 01:33:54,600
Speaker 1: is awesome, Abby, Dang I can hang it. Yeah. I

1705
01:33:54,640 --> 01:33:56,519
Speaker 1: can just carry around all the time. That's true. Where

1706
01:33:56,520 --> 01:33:57,840
Speaker 1: you go and like what do you do? I'm like, well,

1707
01:33:57,840 --> 01:34:00,599
Speaker 1: youre asking have a sign. Check this out? Thank you, Abby,

1708
01:34:00,640 --> 01:34:04,400
Speaker 1: it's awesome. That's amazing. Okay, so only two people left

1709
01:34:04,439 --> 01:34:06,800
Speaker 1: Scuba and Lunchbox will open their gifts. You can keep

1710
01:34:06,840 --> 01:34:07,800
Speaker 1: it or you can give it to me and go

1711
01:34:07,880 --> 01:34:10,160
Speaker 1: to the spicy pile. That's right, all right, Scooba Steve.

1712
01:34:10,200 --> 01:34:12,960
Speaker 1: What do you have? I got scuba? Okay, got you

1713
01:34:13,080 --> 01:34:15,280
Speaker 1: something good? Using me be a good day. Well, the

1714
01:34:15,400 --> 01:34:21,120
Speaker 1: rapping looks like crap. It's literally like a garbage grocery bag. Um,

1715
01:34:21,640 --> 01:34:25,360
Speaker 1: he got me hues and ques, which we have like

1716
01:34:25,439 --> 01:34:27,519
Speaker 1: a thousand of there. There's some gimmick here. Sure I

1717
01:34:27,600 --> 01:34:29,840
Speaker 1: gave him this too, or some gimmick. Yes, go ahead,

1718
01:34:30,880 --> 01:34:32,640
Speaker 1: next one. It is a free game that we have

1719
01:34:32,720 --> 01:34:35,920
Speaker 1: piled up back there another grocery you're nothing there, and

1720
01:34:36,080 --> 01:34:38,080
Speaker 1: then oh, here we go. Here's the real deal right here.

1721
01:34:39,240 --> 01:34:40,920
Speaker 1: Although I don't know if this cost us one hundred dollars,

1722
01:34:40,920 --> 01:34:42,519
Speaker 1: wh anywhere near one hundred dollars, But do you get

1723
01:34:42,560 --> 01:34:45,560
Speaker 1: you He got me a Shaquille O'Neal like kind of

1724
01:34:45,600 --> 01:34:49,439
Speaker 1: throwback T shirt New Orlando Magic. Yeah, yeah, that's really cool.

1725
01:34:49,479 --> 01:34:52,000
Speaker 1: I appreciate that. Yeah, and the other one didn't come

1726
01:34:52,040 --> 01:34:56,280
Speaker 1: in time. Got I know what that's like? I get it. Yeah,

1727
01:34:56,320 --> 01:34:58,160
Speaker 1: it's out there in a shipping container in the bay dude,

1728
01:34:58,200 --> 01:34:59,800
Speaker 1: I don't know. It's been over two weeks and it's

1729
01:34:59,800 --> 01:35:02,600
Speaker 1: like to keep it or do you want to go

1730
01:35:04,200 --> 01:35:07,240
Speaker 1: and try shirt gonna fit spicy? He said? You said large,

1731
01:35:07,400 --> 01:35:09,880
Speaker 1: say large or extra large? Depending on this. I'm keeping

1732
01:35:09,920 --> 01:35:12,160
Speaker 1: it if you trade it. You said t shirt is large,

1733
01:35:12,200 --> 01:35:14,479
Speaker 1: So I got you a large stop fighting scuba. Do

1734
01:35:14,520 --> 01:35:15,680
Speaker 1: you want to go spicy or do you want to

1735
01:35:15,720 --> 01:35:17,400
Speaker 1: keep the shirt? You don't like spicy things at all,

1736
01:35:17,439 --> 01:35:21,640
Speaker 1: but I also like luxury. I love my team, but

1737
01:35:21,800 --> 01:35:27,240
Speaker 1: good god, I'm going spicy. Yeah, I'll the shirt. I

1738
01:35:27,360 --> 01:35:28,920
Speaker 1: now own the shirt. You're not getting the stuff back.

1739
01:35:28,960 --> 01:35:31,280
Speaker 1: Guys up in the shirt. There's no don't touch a box?

1740
01:35:31,760 --> 01:35:35,800
Speaker 1: Don't touch anything? Which one I'm kevin keep another shirt too,

1741
01:35:37,000 --> 01:35:40,040
Speaker 1: don't touch it? Which one? Would you like to go?

1742
01:35:40,200 --> 01:35:44,679
Speaker 1: Blue bag show with whatever? I'm gonna go this box dono? Okay?

1743
01:35:44,760 --> 01:35:48,000
Speaker 1: This big box here? Cool, that's scubas all right. Final

1744
01:35:48,080 --> 01:35:50,560
Speaker 1: person is lunch box. Come all right, here we go.

1745
01:35:51,280 --> 01:35:54,960
Speaker 1: I'm gifting him his gifts green wrapping paper, It says

1746
01:35:55,320 --> 01:35:59,760
Speaker 1: Mary Christmas. Hey, it's you're gonna like this stuff. All right,

1747
01:36:00,320 --> 01:36:02,240
Speaker 1: You're gonna come in back in a second. Here we go.

1748
01:36:02,880 --> 01:36:06,320
Speaker 1: It's in a brown Amazon box. Use your muscles. There

1749
01:36:06,400 --> 01:36:13,680
Speaker 1: we go, a couple of lottery tickets. I don't know

1750
01:36:13,760 --> 01:36:18,559
Speaker 1: what you gotta open it up, nice box, a right box. Yeah,

1751
01:36:18,600 --> 01:36:21,519
Speaker 1: it's in a little black box. They go, I don't

1752
01:36:21,520 --> 01:36:24,400
Speaker 1: know lights for your bike. I already have them. Yeah

1753
01:36:24,720 --> 01:36:26,720
Speaker 1: that's terrible. What do you mean there's a headlight and

1754
01:36:26,840 --> 01:36:30,559
Speaker 1: like winking flashing light in a book. In a book says,

1755
01:36:30,560 --> 01:36:33,720
Speaker 1: don't be a d like it like it runs the river. Yeah,

1756
01:36:33,880 --> 01:36:39,240
Speaker 1: it was Eddie trying to get that's it. That's it. Yeah, purpose,

1757
01:36:39,280 --> 01:36:41,560
Speaker 1: Come on, that's not on purpose the bike. I do

1758
01:36:41,720 --> 01:36:44,160
Speaker 1: think that he could have got bike lights. I'm gonna

1759
01:36:44,200 --> 01:36:46,640
Speaker 1: let that, thank you and none. It's a brand new

1760
01:36:46,720 --> 01:36:49,680
Speaker 1: book and it's called get that though. That sounds he

1761
01:36:49,880 --> 01:36:51,560
Speaker 1: did that to Abbey I hope, but that was a

1762
01:36:52,120 --> 01:36:54,880
Speaker 1: lunch box. The lights saved you barely. I mean it

1763
01:36:55,040 --> 01:36:57,200
Speaker 1: was like no effort. And the lottery tickets, guys, he

1764
01:36:57,240 --> 01:36:59,320
Speaker 1: loves lottery. Are you going, well, you're gonna get that

1765
01:36:59,360 --> 01:37:05,400
Speaker 1: all to me? You trade in, make it, don't throw

1766
01:37:05,439 --> 01:37:08,800
Speaker 1: like what am I gonna break? The book? The lights, oh,

1767
01:37:09,439 --> 01:37:13,360
Speaker 1: the lights that he founded good Will? No, I don't

1768
01:37:13,400 --> 01:37:22,639
Speaker 1: touch anything, sill looking at the place. Yoa, you got luxury,

1769
01:37:23,240 --> 01:37:25,479
Speaker 1: you got spicy. Which one do you not want? Because

1770
01:37:25,520 --> 01:37:31,280
Speaker 1: this one Scooba has already gone, oh, I do not want. Okay,

1771
01:37:31,840 --> 01:37:34,400
Speaker 1: the different color than everything else. So he's trying to

1772
01:37:35,600 --> 01:37:39,439
Speaker 1: don't want it. Go ahead. That big box is saying,

1773
01:37:39,520 --> 01:37:42,120
Speaker 1: pick me, but that means you put the biggest box

1774
01:37:42,280 --> 01:37:44,800
Speaker 1: there because you want me to pick that. Scooba also

1775
01:37:44,840 --> 01:37:47,080
Speaker 1: picked a big box I know, but not the biggest

1776
01:37:48,400 --> 01:37:51,479
Speaker 1: that blue Bax says, Ah, it's the different colors. We

1777
01:37:52,000 --> 01:37:54,800
Speaker 1: need to pick something, just this one, that box right there,

1778
01:37:55,120 --> 01:37:59,080
Speaker 1: I want it, okay, mid sized? Yeah, mid sized? Oh

1779
01:37:59,160 --> 01:38:04,960
Speaker 1: my gosh, you would you want to change the faces

1780
01:38:05,800 --> 01:38:09,160
Speaker 1: all these items of luxury items? But there is potential

1781
01:38:09,240 --> 01:38:17,920
Speaker 1: in pod an iPod. I need an answer on dang it.

1782
01:38:18,120 --> 01:38:21,639
Speaker 1: Oh my gosh, give me, oh my god, go ahead

1783
01:38:21,960 --> 01:38:24,360
Speaker 1: with it. Are you sure I'm gonna tell you right now?

1784
01:38:24,600 --> 01:38:28,920
Speaker 1: You're not gonna like what's in that box? Wait? Is

1785
01:38:29,000 --> 01:38:33,360
Speaker 1: he lying? Oh? You never know? With Bobby, that's the deal. Hey,

1786
01:38:34,040 --> 01:38:39,760
Speaker 1: you are not gonna like what's in that box? Oh man,

1787
01:38:39,760 --> 01:38:43,120
Speaker 1: I don't like that. Words like that, You know what

1788
01:38:43,200 --> 01:38:46,400
Speaker 1: I say? Go with your gun. I'm sticking with it.

1789
01:38:47,000 --> 01:38:52,280
Speaker 1: You might love what's in the box. Oh, here's what

1790
01:38:52,320 --> 01:38:54,360
Speaker 1: we're gonna get. Hold hold the hold on. So Scuba,

1791
01:38:54,520 --> 01:38:57,160
Speaker 1: Eddie and Lunchbox all went spicy. That means one of

1792
01:38:57,200 --> 01:39:00,320
Speaker 1: you will get a luxury item for sure, maybe all three. Gosh,

1793
01:39:00,360 --> 01:39:01,840
Speaker 1: everybody liked their gifts for the most part. But the

1794
01:39:01,960 --> 01:39:04,240
Speaker 1: three people that didn't like their gift, they've given it

1795
01:39:04,320 --> 01:39:06,800
Speaker 1: to me, and they chose from the pile on my desk.

1796
01:39:07,880 --> 01:39:10,439
Speaker 1: Some of the gifts are luxury items. A couple of

1797
01:39:10,520 --> 01:39:12,920
Speaker 1: them are those hot things that are so hot they

1798
01:39:13,000 --> 01:39:14,360
Speaker 1: make the news and they have to eat them right

1799
01:39:14,400 --> 01:39:17,200
Speaker 1: on the spot. If it's in Oh man, Scuba, you

1800
01:39:17,240 --> 01:39:20,200
Speaker 1: can come up and just don't really pick yours lup,

1801
01:39:20,200 --> 01:39:22,599
Speaker 1: but you can open it. Hold on, Scuba's got It's

1802
01:39:22,600 --> 01:39:24,320
Speaker 1: a white box with a fold flap. It's a pretty

1803
01:39:24,320 --> 01:39:28,559
Speaker 1: big box. It's either the biggest or the second biggest box. Scuba,

1804
01:39:28,600 --> 01:39:31,960
Speaker 1: go ahead and unflap it. There you go, and Scuba

1805
01:39:32,000 --> 01:39:35,240
Speaker 1: hate spicy. Let's end it. Go ahead out pick it up.

1806
01:39:36,360 --> 01:39:37,920
Speaker 1: Look at the back of it. You can say what

1807
01:39:38,000 --> 01:39:47,760
Speaker 1: it Oh my god, Amazon, that you marry Christmas. That's

1808
01:39:47,800 --> 01:39:50,960
Speaker 1: not good. But that's one I still have from Kaitlin

1809
01:39:51,680 --> 01:39:54,519
Speaker 1: laid on the chair. I gotta get back. I know,

1810
01:39:54,600 --> 01:39:57,479
Speaker 1: I was like, I think I saw Christmas. I removed

1811
01:39:57,520 --> 01:39:59,599
Speaker 1: some stuff and use them. This is not good. That's

1812
01:39:59,680 --> 01:40:01,960
Speaker 1: one good one away, so one good one's down. That means,

1813
01:40:02,040 --> 01:40:06,320
Speaker 1: oh gosh, there are five other gifts stuff here. Two

1814
01:40:06,439 --> 01:40:12,000
Speaker 1: of them are spicy, so it's almost it was like

1815
01:40:12,040 --> 01:40:15,040
Speaker 1: four gifts. Well, Eddie's a little bag is somewhere. Yeah,

1816
01:40:15,120 --> 01:40:17,120
Speaker 1: you guys took that away. Okay, Eddie, we'll let you

1817
01:40:17,160 --> 01:40:19,200
Speaker 1: go second, since you came up just laid in front

1818
01:40:19,200 --> 01:40:22,439
Speaker 1: of the mic. I went with a whole little bag theory,

1819
01:40:22,560 --> 01:40:25,400
Speaker 1: like and you have there's the way some cowboys stuff

1820
01:40:25,439 --> 01:40:27,640
Speaker 1: a cowboy's hat, but scoobas was light too. Is a

1821
01:40:27,640 --> 01:40:30,439
Speaker 1: gift card? I know, I know, I know, man cowboy

1822
01:40:30,520 --> 01:40:32,599
Speaker 1: hat and and I can touch it. No cowboy girls stuff.

1823
01:40:32,600 --> 01:40:34,880
Speaker 1: Go ahead, open it up. It's a little oh my gosh,

1824
01:40:34,920 --> 01:40:37,400
Speaker 1: there's like nothing in there. It's like a feather. So

1825
01:40:37,520 --> 01:40:39,040
Speaker 1: what a gift A gift card would be like a

1826
01:40:39,400 --> 01:40:42,400
Speaker 1: or a gummy bear. That's true, could be either one chip,

1827
01:40:43,560 --> 01:40:46,360
Speaker 1: go ahead even looking in reaching in the bag paper.

1828
01:40:47,479 --> 01:40:51,760
Speaker 1: Oh we guys, there's a box, a box, Oh my god,

1829
01:40:51,800 --> 01:40:56,360
Speaker 1: I think I think it seemed. Oh my god, the

1830
01:40:56,439 --> 01:41:07,960
Speaker 1: gummy bear. Yeah, eat Eddie, I got the little nitro

1831
01:41:08,080 --> 01:41:11,560
Speaker 1: gummy bear. Oh man, I bet you're going to miss that, Edie. Spicewoys,

1832
01:41:12,120 --> 01:41:17,760
Speaker 1: you just open open it up and get it ready.

1833
01:41:18,520 --> 01:41:21,720
Speaker 1: Don't eat it, just get it ready. So I mean

1834
01:41:21,800 --> 01:41:24,360
Speaker 1: I feel for him. But also lunchbox, come on up

1835
01:41:24,360 --> 01:41:25,720
Speaker 1: and grab yours and just walk it back over to

1836
01:41:25,760 --> 01:41:27,360
Speaker 1: your desk, because it's gonna take a minute for Eddie

1837
01:41:27,360 --> 01:41:29,960
Speaker 1: to come back to a lot. So dumb. Now you've

1838
01:41:30,080 --> 01:41:32,640
Speaker 1: chosen up the four the up here, you chose this one.

1839
01:41:32,760 --> 01:41:34,000
Speaker 1: Just you can take it here to see. You can

1840
01:41:34,040 --> 01:41:39,000
Speaker 1: take your seat, Take your seat, all right, Welcome to daddy.

1841
01:41:39,760 --> 01:41:45,760
Speaker 1: Oh boy, get it. That's a lot. That's breaks, cash's heavy.

1842
01:41:48,920 --> 01:41:53,360
Speaker 1: All these are all these are luxury items. This lunchbox.

1843
01:41:53,400 --> 01:41:56,160
Speaker 1: I tell you what before you open it, oh many

1844
01:41:57,160 --> 01:42:02,160
Speaker 1: before you opening take one in my bag. Gosh, whoa

1845
01:42:03,720 --> 01:42:09,960
Speaker 1: your wallet? What is he doing? I will trade you

1846
01:42:10,760 --> 01:42:16,360
Speaker 1: for that gift. This is a one time offer that

1847
01:42:16,479 --> 01:42:21,640
Speaker 1: no negotiating. One hundred and twenty dollars in cash for

1848
01:42:21,760 --> 01:42:29,840
Speaker 1: that gift. Right there, it's right here in my hand.

1849
01:42:29,880 --> 01:42:31,800
Speaker 1: You can take it. You can you can have that gift.

1850
01:42:32,160 --> 01:42:37,280
Speaker 1: There's no more negotiating. There's also the option if you

1851
01:42:37,320 --> 01:42:38,720
Speaker 1: don't like it, to trade it. But you know one

1852
01:42:38,760 --> 01:42:41,800
Speaker 1: of these up heres, the spicy. Do you want the

1853
01:42:41,880 --> 01:42:46,479
Speaker 1: cash or the gift? Give me the gift. Okay, give

1854
01:42:46,520 --> 01:42:49,719
Speaker 1: me the gift. Oh my god, wait with the money. Luxury,

1855
01:42:49,760 --> 01:42:51,800
Speaker 1: I don't do if it is a white box, it's

1856
01:42:51,840 --> 01:42:54,439
Speaker 1: got tape on all four sides of the top holding down.

1857
01:42:54,439 --> 01:42:56,599
Speaker 1: I'm oh, I got it already done under the dead.

1858
01:42:56,760 --> 01:42:58,479
Speaker 1: You read me to flip this open, but I told

1859
01:42:58,520 --> 01:43:02,679
Speaker 1: you you weren't gonna like it. Acts off cash, Go ahead,

1860
01:43:02,800 --> 01:43:09,479
Speaker 1: here we go, three two, one, blast up? What's in there?

1861
01:43:10,880 --> 01:43:14,639
Speaker 1: First of all, it's crap. It's a it's a gamache tie.

1862
01:43:15,160 --> 01:43:19,160
Speaker 1: What who wears the tie? I'm not twelve. It is

1863
01:43:19,200 --> 01:43:25,400
Speaker 1: a very expensive luxury tie and luxury face products, wash scrubs.

1864
01:43:26,680 --> 01:43:31,000
Speaker 1: So this is crap. You said it was luxury. All

1865
01:43:31,040 --> 01:43:34,519
Speaker 1: that is luxuries a joke. Gift is a brand name. Dude,

1866
01:43:35,240 --> 01:43:39,200
Speaker 1: that's really that's a really nice face stuff. Yeah he's

1867
01:43:39,200 --> 01:43:41,240
Speaker 1: already pretty dang nice. Okay, lunch box, so you can

1868
01:43:41,360 --> 01:43:45,280
Speaker 1: keep that? Whoa wow? Yeah, I left the tie on it.

1869
01:43:45,320 --> 01:43:46,559
Speaker 1: I left the price tag on it, So don't think

1870
01:43:46,560 --> 01:43:49,160
Speaker 1: that's messing with them. But who would pay that for

1871
01:43:49,240 --> 01:43:55,800
Speaker 1: a time? Exactly? People that like luxury, luxurious people lunchbox stuff.

1872
01:43:56,040 --> 01:44:01,640
Speaker 1: You can keep it, you could, he could. You can

1873
01:44:01,720 --> 01:44:02,720
Speaker 1: keep it, or you can trade it for one of

1874
01:44:02,760 --> 01:44:06,920
Speaker 1: these need an answer? You had the cash. I gave

1875
01:44:06,960 --> 01:44:08,960
Speaker 1: him the offer for the cash. Yeah, but I can

1876
01:44:09,040 --> 01:44:12,479
Speaker 1: take this bag and get cash for this, because I mean,

1877
01:44:12,520 --> 01:44:15,000
Speaker 1: this is the store credit. Yeah, this stuff's crap, man,

1878
01:44:15,720 --> 01:44:19,759
Speaker 1: this is an absolute crap. I'm out on this crape. Okay,

1879
01:44:22,479 --> 01:44:29,200
Speaker 1: that's the stuff I like. That's right, laying down, no idea,

1880
01:44:30,600 --> 01:44:34,960
Speaker 1: don't touch anything. What would you like next? What you

1881
01:44:35,040 --> 01:44:37,160
Speaker 1: guys stressed me out? We're on a clock here, we

1882
01:44:37,200 --> 01:44:39,400
Speaker 1: don't we're just not gooping around. I think you know what, what?

1883
01:44:40,000 --> 01:44:41,800
Speaker 1: Give me the blue bag? Oh oh, he's been eyeing

1884
01:44:41,840 --> 01:44:44,400
Speaker 1: the blue bag. Give me the blue bag, blue back,

1885
01:44:44,439 --> 01:44:45,960
Speaker 1: the thing I said I wasn't gonna take. Guess what

1886
01:44:46,400 --> 01:44:50,080
Speaker 1: daddy switched. Give me the blue daddy. Let's go give

1887
01:44:50,120 --> 01:44:52,519
Speaker 1: me the blue bag. Hey, I'll give I'll give you

1888
01:44:52,520 --> 01:44:55,040
Speaker 1: a hundred bucks not to take the blue bag. Why

1889
01:44:55,360 --> 01:44:58,360
Speaker 1: take the hundred ude? This psychological ward, it's less than

1890
01:44:58,360 --> 01:44:59,479
Speaker 1: one hundred and twenty, but I give you a one

1891
01:44:59,520 --> 01:45:06,479
Speaker 1: hundred n take the blue bag. Oh no, that is great.

1892
01:45:08,400 --> 01:45:15,960
Speaker 1: I feel like it's like a kitchen. Oh you want, yes, yes,

1893
01:45:17,200 --> 01:45:19,600
Speaker 1: a three hundred Amazon gift card. That face cream and

1894
01:45:19,600 --> 01:45:23,160
Speaker 1: the tie stuff is really nice. Yeah. No one uses

1895
01:45:23,200 --> 01:45:25,360
Speaker 1: that crow. It's luxury. Yeah, here we go, go ahead.

1896
01:45:26,280 --> 01:45:29,320
Speaker 1: It's huge, the big blue bag. Oh my gosh, what

1897
01:45:29,600 --> 01:45:38,720
Speaker 1: is it? Yeah? What wait? What is it? It's like

1898
01:45:38,800 --> 01:45:41,920
Speaker 1: an oven. It's a small like. Oh that's cool, super, No,

1899
01:45:42,720 --> 01:45:46,880
Speaker 1: I haven't I tech. It's like a small oven that

1900
01:45:47,040 --> 01:45:49,320
Speaker 1: can toast and you put stuff in it. You can

1901
01:45:49,360 --> 01:45:51,400
Speaker 1: see inside of it. I understand. I have an oven

1902
01:45:51,479 --> 01:45:53,360
Speaker 1: that I can use and look inside. Don't like that oven?

1903
01:45:53,400 --> 01:45:56,479
Speaker 1: Oh it's called a teeny tasty? Why would I want

1904
01:45:56,520 --> 01:45:57,840
Speaker 1: a many of it when I have an oven? I

1905
01:45:57,920 --> 01:45:59,840
Speaker 1: guess you can put you can where you can get here.

1906
01:46:00,040 --> 01:46:01,680
Speaker 1: This is for people that live in New York that

1907
01:46:01,800 --> 01:46:05,639
Speaker 1: don't have an oven or here. Okay, then well he's

1908
01:46:05,680 --> 01:46:07,519
Speaker 1: not happy. Here we are. Where do you want to

1909
01:46:07,600 --> 01:46:10,800
Speaker 1: keep it? There's no oh wait, there's one. There's two

1910
01:46:11,000 --> 01:46:13,120
Speaker 1: two gifts up here. You can go to the next

1911
01:46:13,200 --> 01:46:16,040
Speaker 1: gift to get spicy, or you can keep the oven?

1912
01:46:17,560 --> 01:46:20,840
Speaker 1: What do you do? No, don't do that. No, I

1913
01:46:20,880 --> 01:46:24,880
Speaker 1: don't let him do that. No, no, no. Offered you

1914
01:46:24,920 --> 01:46:26,320
Speaker 1: a hundred bucks for that, and you said no. But

1915
01:46:26,360 --> 01:46:29,920
Speaker 1: I don't even understand, bocks. I need an answer. I

1916
01:46:29,960 --> 01:46:32,760
Speaker 1: don't understand what i'd use this for. Okay, well then

1917
01:46:32,800 --> 01:46:35,120
Speaker 1: you don't like it to warm food? Up? Would use that?

1918
01:46:35,240 --> 01:46:37,200
Speaker 1: I would use it too. I would too, I'd use

1919
01:46:37,200 --> 01:46:41,240
Speaker 1: in my office. I'll trade you for the gun bear lunchbox.

1920
01:46:41,280 --> 01:46:42,920
Speaker 1: I need to answer, because we're running out of time.

1921
01:46:44,360 --> 01:46:52,800
Speaker 1: I'll try, okay, trading again. Read it. There's the season one.

1922
01:46:55,320 --> 01:46:59,240
Speaker 1: It's something that there's two we get. We'll run out

1923
01:46:59,240 --> 01:47:01,240
Speaker 1: of time here, buddy, maybe you shocked as the fox

1924
01:47:01,400 --> 01:47:03,240
Speaker 1: doing this? Which you mean? What am I gonna use

1925
01:47:03,280 --> 01:47:05,160
Speaker 1: that crappy oven for? Which one would you like? I

1926
01:47:05,320 --> 01:47:07,439
Speaker 1: have a house with an oven. Which one would you like?

1927
01:47:09,960 --> 01:47:12,519
Speaker 1: Give me the big bag? He wants the bag a

1928
01:47:12,560 --> 01:47:15,240
Speaker 1: little bag. Yeah, you know why, because Eddie had a bag.

1929
01:47:15,400 --> 01:47:17,679
Speaker 1: It had some minute. You ain't gonna do two bags

1930
01:47:17,760 --> 01:47:19,760
Speaker 1: with the spice. Okay, take the back, give me the bag.

1931
01:47:20,160 --> 01:47:23,240
Speaker 1: Every money you want, offer me money, yeah, how much?

1932
01:47:23,680 --> 01:47:29,599
Speaker 1: Let's go us forty bucks. You go less every two?

1933
01:47:29,640 --> 01:47:31,160
Speaker 1: What's just going less every time? I give forty bucks?

1934
01:47:31,160 --> 01:47:33,040
Speaker 1: If you just leave me the bag, now give it back. Okay,

1935
01:47:33,120 --> 01:47:38,719
Speaker 1: let's go back, give me the bag. Let's go, let's

1936
01:47:38,760 --> 01:47:41,880
Speaker 1: go stay right there and open he's gonna go. We're

1937
01:47:41,920 --> 01:47:44,760
Speaker 1: rolling here, buddy. How long ray? How long we've been

1938
01:47:44,800 --> 01:47:46,800
Speaker 1: on the air? Niner? Okay? Go? We like four four

1939
01:47:46,840 --> 01:47:53,559
Speaker 1: minutes left and no, you've chosen it ahead? What did

1940
01:47:53,560 --> 01:47:59,360
Speaker 1: you feel? What did you feel? Go ahead? Away? You know, no,

1941
01:47:59,720 --> 01:48:01,880
Speaker 1: pull it I don't think it is immediately pull it out.

1942
01:48:03,120 --> 01:48:27,880
Speaker 1: Pull it out? Oh exactly, you know from laughing all that. Okay,

1943
01:48:28,120 --> 01:48:30,760
Speaker 1: so lunch, the chip eds got the g Can I

1944
01:48:30,880 --> 01:48:36,080
Speaker 1: open that big ones? No? Leave it? Sit down, I'll try. No. Yeah,

1945
01:48:36,080 --> 01:48:39,080
Speaker 1: I offered you one hundred twenty one hundred forty and

1946
01:48:39,160 --> 01:48:41,280
Speaker 1: you said no to all that money. You said it

1947
01:48:41,439 --> 01:48:43,599
Speaker 1: was luxurious items, and you gave me cry you give

1948
01:48:43,640 --> 01:48:46,160
Speaker 1: me face lotion. It's luga very expected to tie that.

1949
01:48:46,200 --> 01:48:47,720
Speaker 1: You could have taken back by the way, had you

1950
01:48:47,840 --> 01:48:51,639
Speaker 1: just done that, Oh my goodness. Yeah, yeah, you're too good.

1951
01:48:51,640 --> 01:48:55,040
Speaker 1: Even taken back. You have gotten probably over two from

1952
01:48:55,479 --> 01:48:59,800
Speaker 1: probably Nordstrom cash. So here's what we're gonna do. Man,

1953
01:49:00,240 --> 01:49:03,519
Speaker 1: can we roll the dice? So if you two would

1954
01:49:03,560 --> 01:49:06,280
Speaker 1: like to compete, Yeah, I like it. I can eat both.

1955
01:49:08,080 --> 01:49:13,639
Speaker 1: Another one gets that white box, somebody will die. It's

1956
01:49:13,720 --> 01:49:18,200
Speaker 1: physically impossible to eat a sandwich of the chip and

1957
01:49:18,320 --> 01:49:20,600
Speaker 1: the gummy bear. Okay, we're gonna take it. We have

1958
01:49:20,680 --> 01:49:23,000
Speaker 1: one more break. The world hates me. Spicy Christmas. We

1959
01:49:23,080 --> 01:49:27,320
Speaker 1: had the gift exchange and three different people chose to

1960
01:49:27,479 --> 01:49:30,400
Speaker 1: go to the luxury items Scoopa is the only one

1961
01:49:30,439 --> 01:49:32,920
Speaker 1: that came out doing really well. Yeah. He traded his

1962
01:49:32,960 --> 01:49:34,760
Speaker 1: gift in, which was a T shirt the lunchbox of

1963
01:49:34,880 --> 01:49:37,920
Speaker 1: him for a three hundred dollars Amazon gift card. That's

1964
01:49:37,960 --> 01:49:41,400
Speaker 1: pretty amazing for lunchbox one hundred and twenty bucks. Just

1965
01:49:41,439 --> 01:49:43,680
Speaker 1: takes cash and go home. And he said nope, I

1966
01:49:43,760 --> 01:49:46,639
Speaker 1: want to go to the and he has a potato chip. Yeah,

1967
01:49:47,080 --> 01:49:49,120
Speaker 1: I kept trading in. It did not go well. It's

1968
01:49:49,160 --> 01:49:52,760
Speaker 1: the packy what is it called? Uh pocky Packy? One

1969
01:49:52,880 --> 01:49:57,200
Speaker 1: chip challenge and the steps say one tongue, takeover, two

1970
01:49:57,360 --> 01:50:00,840
Speaker 1: shock the senses, three surge of tears, four jolt to

1971
01:50:00,880 --> 01:50:04,679
Speaker 1: the gut and five voltage overload. Eddie, what is yours,

1972
01:50:04,760 --> 01:50:07,200
Speaker 1: and what does it say? Okay, bones mine says Lil

1973
01:50:07,360 --> 01:50:11,160
Speaker 1: Nitro like l I l Nitro the world's hottest gummy bear,

1974
01:50:11,280 --> 01:50:13,040
Speaker 1: and it's got warning signs all over it. Can I

1975
01:50:13,120 --> 01:50:15,160
Speaker 1: just tell you I can smell the spice in my

1976
01:50:15,280 --> 01:50:18,320
Speaker 1: nose right now? This is your Christmas present from the

1977
01:50:18,360 --> 01:50:21,200
Speaker 1: gift exchange? Can I say something? Yeah, I just touched

1978
01:50:21,240 --> 01:50:23,280
Speaker 1: the gummy bear and my fingers are burning. We know

1979
01:50:23,360 --> 01:50:26,920
Speaker 1: for a fact this is stuff, so you know at

1980
01:50:26,920 --> 01:50:29,920
Speaker 1: the same time, oh the same time, ye beside, you

1981
01:50:31,360 --> 01:50:33,080
Speaker 1: can get some Christmas music gun, because I feel I'm

1982
01:50:33,120 --> 01:50:35,559
Speaker 1: in the Christmas mood right now. This is not gonna

1983
01:50:35,560 --> 01:50:39,200
Speaker 1: be good. Here we go, lunchbox Eddie, lunchbox with the chip,

1984
01:50:39,320 --> 01:50:42,080
Speaker 1: Eddie with the gummy three two one, go Hey, I'm

1985
01:50:42,120 --> 01:50:45,040
Speaker 1: gonna take out like a pill. Oh my gosh, Oh

1986
01:50:45,120 --> 01:50:50,360
Speaker 1: my god. Okay, oh, I don't even think I can

1987
01:50:50,800 --> 01:50:53,519
Speaker 1: because I know how painful it is. I just want

1988
01:50:55,479 --> 01:50:58,840
Speaker 1: I just saw it and it stuck in my Oh

1989
01:50:58,920 --> 01:51:01,800
Speaker 1: my god. There's milk, Caaddy, there's milkhady. Let you guys,

1990
01:51:01,840 --> 01:51:05,280
Speaker 1: it's past my tongue, but now the my chest is burning.

1991
01:51:07,200 --> 01:51:11,439
Speaker 1: It's beginning to look a lot like Christmas. Holy, oh

1992
01:51:11,560 --> 01:51:14,720
Speaker 1: my god, I'm dead. I'm dude. My throat is on fire. No,

1993
01:51:14,840 --> 01:51:16,840
Speaker 1: my I think the top layer of my tongue's coming

1994
01:51:16,880 --> 01:51:19,920
Speaker 1: off from the chip. You think it's like burning heart.

1995
01:51:20,360 --> 01:51:24,519
Speaker 1: My heart is racing. I'm not gonna make it like death.

1996
01:51:24,640 --> 01:51:26,720
Speaker 1: Like my heart's racing, but you're not gonna make it

1997
01:51:26,760 --> 01:51:28,920
Speaker 1: like death. Or here's the problem. I swallowed it, and

1998
01:51:29,040 --> 01:51:32,200
Speaker 1: now my throat and my chest is burning. He's got

1999
01:51:32,240 --> 01:51:34,360
Speaker 1: a tear out of his eyes chest. Who's crying? Who's crying?

2000
01:51:35,320 --> 01:51:37,800
Speaker 1: Oh you are crying. Isn't that hot? I don't know

2001
01:51:37,920 --> 01:51:40,439
Speaker 1: because I don't taste it, but my body's freaking out.

2002
01:51:41,840 --> 01:51:44,880
Speaker 1: What happens? Like, my tongue is fine, I'm good with

2003
01:51:45,040 --> 01:51:47,479
Speaker 1: my mouth. It's my throat and my chest right and

2004
01:51:47,640 --> 01:51:50,160
Speaker 1: I can feel it moving across my body. I'm worried.

2005
01:51:50,240 --> 01:52:01,559
Speaker 1: I can feel it. No, not dying, not good. It's

2006
01:52:01,560 --> 01:52:03,240
Speaker 1: got to be destroy on my insides. Right now, we

2007
01:52:03,400 --> 01:52:06,479
Speaker 1: lunchboxes like that is an aggressive got milk head lunchboxes

2008
01:52:06,520 --> 01:52:08,920
Speaker 1: in the middle of right now, he's like pouring in

2009
01:52:09,040 --> 01:52:13,360
Speaker 1: his face. You're good. The crap Eddie is sitting tall

2010
01:52:13,520 --> 01:52:16,960
Speaker 1: and quiet because I can feel it lunchboxes bent down

2011
01:52:19,200 --> 01:52:21,080
Speaker 1: so red. The crazy thing is lunchbox could have had

2012
01:52:21,080 --> 01:52:24,599
Speaker 1: one hundred twenty dollars, but instead he's eating and being miserable.

2013
01:52:25,320 --> 01:52:28,760
Speaker 1: What'd you learn about selfishness, lunchbox? Oh the world hates me.

2014
01:52:29,040 --> 01:52:38,320
Speaker 1: Oh this suckers hidding my stomach right now. Uh huh yeah,

2015
01:52:38,320 --> 01:52:43,160
Speaker 1: I taste it too, just in the air. Okay, Merry Christmas.

2016
01:52:46,040 --> 01:52:47,760
Speaker 1: We had to the dance party. We've punted it a

2017
01:52:47,800 --> 01:52:49,759
Speaker 1: little bit. We go to the dance like that person

2018
01:52:49,880 --> 01:52:52,680
Speaker 1: that is so nauseous they can't really move sitting up

2019
01:52:52,760 --> 01:52:58,519
Speaker 1: quietus and lunchboxes the opposite. My body's freaking out right now,

2020
01:52:58,880 --> 01:53:03,599
Speaker 1: Like I tue, it's about a bottom, a mouth. I mean,

2021
01:53:03,680 --> 01:53:05,880
Speaker 1: both of y'all are in vain. I'm not you wish

2022
01:53:05,880 --> 01:53:07,600
Speaker 1: you wouldn't have been selfish and kept the gift the

2023
01:53:07,600 --> 01:53:11,479
Speaker 1: person got for you. No, I'm good. Well, yeah, i'm good.

2024
01:53:11,520 --> 01:53:16,000
Speaker 1: I like your gift. I'm gonna take I'm gonna wear this. Hm. No,

2025
01:53:16,120 --> 01:53:17,960
Speaker 1: I gave a good gift. I gave a good gift.

2026
01:53:18,160 --> 01:53:19,920
Speaker 1: Eddie gave me a stupid book said don't be a

2027
01:53:20,000 --> 01:53:25,320
Speaker 1: d read it. Yeah, okay, guys, Merry Christmas. Oh this

2028
01:53:25,439 --> 01:53:26,880
Speaker 1: is not good the dance party, what kind of like

2029
01:53:26,880 --> 01:53:28,639
Speaker 1: I'm gonna pay for this and in like thirty minutes

2030
01:53:28,720 --> 01:53:30,880
Speaker 1: are everybody? Thank you for listening. I't to play this

2031
01:53:30,960 --> 01:53:35,920
Speaker 1: song here. Hey, Spicy Christmas a success, good job. It's

2032
01:53:35,960 --> 01:53:40,840
Speaker 1: the Best Bits of the Week with Morgan number two. Oh.

2033
01:53:41,160 --> 01:53:42,880
Speaker 1: I hope you enjoyed that one. I know it was

2034
01:53:42,960 --> 01:53:45,120
Speaker 1: fun to relive it for me, because dang, it was

2035
01:53:45,120 --> 01:53:47,160
Speaker 1: just so much fun. I love Christmas time and our

2036
01:53:47,160 --> 01:53:50,040
Speaker 1: gift exchange is always a fun one. Merry Christmas, everybody.

2037
01:53:50,080 --> 01:53:52,080
Speaker 1: Thank you for hanging out with me this weekend. I

2038
01:53:52,200 --> 01:53:54,960
Speaker 1: hope all your travels for the holidays go well. I

2039
01:53:55,040 --> 01:53:56,800
Speaker 1: hope you have the best time getting ready for it.

2040
01:53:56,800 --> 01:54:00,200
Speaker 1: I hope you're getting to spend time relaxing, enjoying the

2041
01:54:00,280 --> 01:54:03,160
Speaker 1: rest of twenty twenty two for Christmas and into New Year.

2042
01:54:03,560 --> 01:54:05,240
Speaker 1: But I love y'all so much. Thanks for hanging out

2043
01:54:05,240 --> 01:54:07,360
Speaker 1: with me on the Best Bits again. Make sure you

2044
01:54:07,439 --> 01:54:10,519
Speaker 1: stay tuned because next weekend. In the following weekend, just

2045
01:54:11,000 --> 01:54:13,439
Speaker 1: because things are a little different around here doesn't mean

2046
01:54:13,479 --> 01:54:15,200
Speaker 1: I didn't do some new best Bits for you guys.

2047
01:54:15,240 --> 01:54:17,400
Speaker 1: It's gonna be new content and some best of the

2048
01:54:17,560 --> 01:54:20,280
Speaker 1: year I've got best of the Year segments and best

2049
01:54:20,360 --> 01:54:22,040
Speaker 1: games of the Year, and you don't want to miss them,

2050
01:54:22,120 --> 01:54:24,040
Speaker 1: so make sure to pay attention to those, and of

2051
01:54:24,160 --> 01:54:26,880
Speaker 1: course the part one with Amy this weekend. We talked

2052
01:54:26,920 --> 01:54:28,400
Speaker 1: about a whole lot of things, a lot of our

2053
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Speaker 1: Christmas plans, and she shared some life updates. It was

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Speaker 1: really fun. I hope you go listen to all of

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Speaker 1: these things, but most importantly, I love y'all. Merry Christmas.

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Speaker 1: Bobby Bone by Bone Show