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Speaker 1: No Worria, no, no, no.

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Speaker 2: Yes, yes, y'all. Freak freak y'all, Yes, yes, y'all.

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Speaker 3: What is freak freak out?

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Speaker 2: That just means girls just grinding on niggas as.

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Speaker 3: So it's a comment. I used to love her absolutely,

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Speaker 3: baby d.

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Speaker 2: Yes, welcome back, Baby Dank you.

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Speaker 3: We missed you. I definitely leaned when the beat dropped,

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Speaker 3: called that one. I leaned when the beat drop.

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Speaker 2: Did you. Yeah, Welcome to another episode of the New

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Speaker 2: Rory and Mall. That's Rory.

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Speaker 3: Hey, oh yeah, I forgot to do intros. Now, Hey,

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Speaker 3: I'm Rory and in context, I co host the sho

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Speaker 3: you have.

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Speaker 2: To give context. Hello, I am all and along with

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Speaker 2: that context, I am the co host of the New

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Speaker 2: Rory and Mall.

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Speaker 4: Uh.

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Speaker 2: Gotta welcome back Baby.

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Speaker 3: D She's here, Baby is back.

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Speaker 2: How you feeling, baby Day?

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Speaker 5: I got a nice tan. I'm feeling real. Say straight,

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Speaker 5: you know.

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Speaker 3: I mean, I got to call you straight.

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Speaker 2: I gotta call you d Santana all day.

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Speaker 6: You know what I'm saying.

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Speaker 3: The still Sandy, No, I was shift.

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Speaker 2: You shook the sneakers out before you came in.

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Speaker 3: Yeah, definitely saying all on your feet, you had your

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Speaker 3: button saying I know you had your buttons.

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Speaker 5: I did not have my button this in but I did.

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Speaker 5: I did have my toes in this. I went to

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Speaker 5: the beach, I would hope so and robe and they

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Speaker 5: I got sucked up because of it. I have bug

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Speaker 5: bites everywhere.

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Speaker 2: You went to the beach and just your robe.

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Speaker 3: Yeah, so how is the Sandals resort hold on?

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Speaker 5: So this was like it was a naked naked It

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Speaker 5: was not a naked beach, but it was late night

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Speaker 5: and I wanted to walk down to the beach.

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Speaker 6: I was on the phone, so I just had my rope.

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Speaker 3: I mean, she treats an airplane like a nude beach,

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Speaker 3: so it wouldn't shock me that the regular Jamaica beach,

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Speaker 3: she wouldn't be.

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Speaker 5: People are really running with that. They're like, wow, DeMars

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Speaker 5: flies air Jamaica. Air Jamaica has been out of business

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Speaker 5: for like.

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Speaker 3: That long for business.

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Speaker 2: So I didn't know that. I didn't know Air Jamaica

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Speaker 2: was not no longer a thing.

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Speaker 3: Yeah, so did you fly first class? Because I did

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Speaker 3: see on your close friends that you would you posted

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Speaker 3: the stereotypical uh little like end table with the drink

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Speaker 3: on it lan on my business owning business class ship like, yeah, no,

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Speaker 3: I'm handled if.

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Speaker 5: I post something in close friends, Why do you think

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Speaker 5: that I would want it in front of our thousands

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Speaker 5: and thousands?

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Speaker 1: Oh?

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Speaker 3: I don't think you want it. I'm just I just

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Speaker 3: ignore that. And it's what happens.

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Speaker 2: Base.

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Speaker 3: Stop chewing on the equipment. That's really expensive.

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Speaker 6: I'm sorry, but did you guys hear malls.

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Speaker 3: A yeah, and it just clapped correct, you're closest to Base,

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Speaker 3: you grab her place, Yes, I will grab her. So

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Speaker 3: Jamaris posted that and we still have no idea who

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Speaker 3: she went on this vacation with, but she appeared to

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Speaker 3: be in the solo first class seat, which makes me

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Speaker 3: think whatever people she did go with, she put the

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Speaker 3: ass an economy. That's crazy.

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Speaker 2: Well you know how that is. Man. You got to

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Speaker 2: let the peasants go where the peasants.

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Speaker 3: Go, and you gotta board first to make eye contact

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Speaker 3: a little.

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Speaker 2: You gotta look at all the peasantries walk down the

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Speaker 2: peasant aisle and go to their peasant cages.

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Speaker 6: We all flew from different.

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Speaker 3: No no, no, no, you f out of JFK made them

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Speaker 3: fly to Philly to take the bus down and down

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Speaker 3: at Philly airport.

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Speaker 2: They had to take the Chinese bus to Philly.

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Speaker 3: Yeah, they fly to a c Oh my god.

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Speaker 2: That's nasty. But I'm glad you back. Hopefully you had

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Speaker 2: a good time.

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Speaker 6: Did you miss me?

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Speaker 3: Of course?

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Speaker 2: I always miss you the marriage. You know that. I

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Speaker 2: tell you all the time. I'm so excited to see

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Speaker 2: you every time I see you.

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Speaker 3: She doesn't seem very excited.

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Speaker 6: I love when niggas lie to me.

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Speaker 2: No, I'm being honest.

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Speaker 3: What do you mean, I did miss you.

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Speaker 2: We told we said it on air, so we missed

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Speaker 2: the marriage. Can't wait till she's back. She's having fun

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Speaker 2: in the sun while we're hearing the cold. Even though

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Speaker 2: today is.

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Speaker 6: Hot and ship eighty degrees in New York shot.

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Speaker 2: Nowhere, it'd be fifty seven tomorrow.

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Speaker 3: I did appreciate edding, uh trying to like do the

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Speaker 3: double roll thing. He tried to get his best a

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Speaker 3: marriage and got his job edon.

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Speaker 2: Did a great jock, did a great job. Editing is

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Speaker 2: very I watched the way he maneuvered and he handled

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Speaker 2: the duress. Yeah, and he did a great job. And

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Speaker 2: thank you.

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Speaker 3: Topics terrible topics via text. I appreciate all this. Listen, listen, editing.

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Speaker 2: Got it done. Man, You are the m v P

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Speaker 2: and thank you very much for your services, sir, appreciate.

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Speaker 2: We're back after a couple of days off. Rory. How

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Speaker 2: you feeling.

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Speaker 3: I feel good, man, I feel good. I actually saw

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Speaker 3: Damaris before this though, her and I did our Yeah,

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Speaker 3: you had y'all your live ship on Patreon.

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Speaker 2: What was it called wine, wine and wine and dine

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Speaker 2: white white wine and chill white wine and.

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Speaker 3: But there was an original what was the original title

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Speaker 3: that you guys sent, like white white boys and wine

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Speaker 3: or something? It was? It was It was a nasty title.

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Speaker 2: White boys and it sounds like a nasty time.

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Speaker 6: White wine with Rory?

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Speaker 3: Was the original?

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Speaker 2: That just that just sounds a lot of white.

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Speaker 3: Yeah, I didn't like it. It was white wine or

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Speaker 3: lack of melanin beverage and Rory.

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Speaker 2: Yeah, you can't have white wine and Rory. That's too white.

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Speaker 2: There's too much white going on.

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Speaker 3: But yeah, we caught up before, so I have seen her.

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Speaker 2: How was it? How was the white wine?

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Speaker 6: You didn't watch it? Well?

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Speaker 2: No, I was? It was yesterday, right?

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Speaker 3: Was it?

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Speaker 2: It was two tuesdays ago?

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Speaker 3: It was on Tuesday? Tuesday was something Tuesday? It was

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Speaker 3: absolutely I was doing something Tuesday, Jamarison, I made tacos,

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Speaker 3: nice little taco night, Okay, got some good racist remarks

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Speaker 3: about edding behind his back off you know it was

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Speaker 3: it was good. Come on, uh I you know, I

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Speaker 3: was a little I came in a little hot because

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Speaker 3: everyone seemed to really love your cool weed Tuesdays smoke

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Speaker 3: session with Mall.

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Speaker 2: I didn't know what that was, but I was dying

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Speaker 2: last and I don't even know what the fuck is

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Speaker 2: going on over there, but.

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Speaker 3: Whatever, because I came in like just on some humble

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Speaker 3: intro shiit of just like yo, and I was like,

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Speaker 3: I'm glad you guys enjoyed smoke session with Mall at

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Speaker 3: the Astor Club with the famous rappers and the cool

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Speaker 3: cameo was and getting the strands. And then I thought

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Speaker 3: I was just being humble and complimenting my cos. Then

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Speaker 3: the comments just start ringing off of just how much

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Speaker 3: better it was my taco Tuesday.

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Speaker 2: See you didn't show them the seasonings? Did you go

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Speaker 2: to the season and cabins? I had the camera froz

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Speaker 2: with that.

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Speaker 3: I had the camera this time hooked up to the

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Speaker 3: laptop so I could move around the house and kind

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Speaker 3: of okay show we was doing. But I mean, you know,

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Speaker 3: then I got my weed and put on my my

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Speaker 3: upside down half what I want, what I wanted.

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Speaker 6: It was so funny.

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Speaker 2: I didn't know what the people wanted. Man, I don't

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Speaker 2: know what this is or whatever. Bro, So you had

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Speaker 2: a good time.

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Speaker 3: It was cool. Yeah, yeah, we had a really good time.

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Speaker 2: I gotta I gotta come by one of the white

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Speaker 2: wine and chills. Yeah, we should get a little vegan

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Speaker 2: tacos meaning you lost me, no, because you could just

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Speaker 2: get like some oyster mushrooms frottles up.

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Speaker 5: Well, I made some glack and some pico from scratch,

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Speaker 5: so you could have chill.

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Speaker 2: See there you go, I can engage in taco Tuesday.

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Speaker 6: So maybe tuesday it'll vegan taco to team over.

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Speaker 2: Yeah, man, as long as they clean it up, clean

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Speaker 2: what up?

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Speaker 3: I didn't realize just me and Tamaris fucking destroyed. We

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Speaker 3: did imagine the whole team.

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Speaker 2: It was one of those like food dishes everywhere, everywhere everywhere,

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Speaker 2: because we did make a lot of things from like

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Speaker 2: you know, we didn't just buy no, no, no, y'all really.

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Speaker 5: Up and then we were like rushing to cook and

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Speaker 5: on live and talking and getting drunk.

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Speaker 6: So it was just we were doing a lot.

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Speaker 2: Well, I'm glad you had a good time. I didn't

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Speaker 2: do much with my two days off, just just some

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Speaker 2: more stuff around the crib, did some shopping. I had

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Speaker 2: to go to a funeral. Rest in peace, mister Lee,

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Speaker 2: one of my favorite teachers growing up. I passed away

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Speaker 2: last week. So I went to pay my respects to

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Speaker 2: his family yesterday. So I had to do that. So

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Speaker 2: pres condolences to the Broughton family. Rest in peace, mister Lee,

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Speaker 2: for sure. Yeah, man, that was it. Watch some playoff basketball,

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Speaker 2: you know, just chill, I get it about it.

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Speaker 3: Well, it was definitely a week to stay inside if

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Speaker 3: you were in New York City, I'll tell you that much. Yeah,

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Speaker 3: the weather was a little little trippy. I meant the

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Speaker 3: danger oh fucking crazy.

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Speaker 2: Yes, Uh, condolences, We're starting off a lot of condolens.

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Speaker 2: Condolences to anybody that was affected by the subway shooting

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Speaker 2: U the other day in New York City. They did

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Speaker 2: catch well, I can't even say they called him. He

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Speaker 2: called the cops himself. I guess he was tired of,

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Speaker 2: you know, hiding and conspiracy. Conspiracy I mean, I don't think.

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Speaker 3: All right, I can we jumping into conspiracy because no

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Speaker 3: one passed right, No one passed a right. So what

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Speaker 3: Number one, you're a terrible fucking shot, ye. Number two,

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Speaker 3: prayers to the healing of everyone that was injured. This

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Speaker 3: ship just a lot of shit don't make sense to me.

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Speaker 6: Don't make sense to me.

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Speaker 4: I don't think it's real.

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Speaker 3: It's a lot of ship is just odd right now.

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Speaker 2: I didn't know we were going here, but because usually

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Speaker 2: I'm the one that goes here, you know what I'm

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Speaker 2: saying to anybody looking at me crazy, But I'm here

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Speaker 2: with you all though, Like let's talk about it.

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Speaker 3: Oh, I usually am with you on a lot of conspiracies.

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Speaker 3: But I just try to give some other side of it,

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Speaker 3: like no, that's not what's seeing and said.

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Speaker 2: Right, So so we we do feel like this is

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Speaker 2: a little shaky. They found him via his keys that

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Speaker 2: he dropped in. I'm saying that, I'm hearing that. The

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Speaker 2: credit card purchases of gas mask and things like that.

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Speaker 3: It just a lot of it doesn't make sense, down

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Speaker 3: to the convenient YouTube clips of the exact rhetoric that's

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Speaker 3: trying to be pushed with the climate right now of

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Speaker 3: like the Asian hate crime, Asian hate crime. Uh, the

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Speaker 3: entire police forced Eric Adams coming in, Like everything just

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Speaker 3: feels a little too convenient. Otter, what the fuck is

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Speaker 3: going on?

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Speaker 6: Max Show?

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Speaker 2: How do we feel about Eric Adams so far?

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Speaker 3: And again? And this is kind of localizing shit, but

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Speaker 3: I guess the mayor of New York still has some

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Speaker 3: effects to the rest of the world. We're not the

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Speaker 3: rest of the world, but people paying attention to who

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Speaker 3: the mayor of fuck New York City is absolutely just

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Speaker 3: is what it is. Absolutely. I have mixed feelings with

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Speaker 3: Eric Adams, which which by the way, I'm not mad

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Speaker 3: at having mixed feelings about because these days, these days

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Speaker 3: with politicians, it's either like, oh, he's the greatest, or

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Speaker 3: we fucking hat his.

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Speaker 2: Gun and he just got in there, so we got

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Speaker 2: to kind of give him some time, you know, really

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Speaker 2: do his thing.

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Speaker 3: But we do.

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Speaker 2: We can't agree that he is a crime fighter. He's

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Speaker 2: a he's a former cops, a cop, always a cop,

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Speaker 2: you know that. And he did say how he was

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Speaker 2: upset that he was sick during this time, or he

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Speaker 2: would have been out there looking for the guy himself.

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Speaker 2: I believe is what he said something to that.

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Speaker 6: I get it.

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Speaker 3: You're trying to be like a mayor of the people

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Speaker 3: and you used to be a crime fighter at you're

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Speaker 3: the mayor.

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Speaker 2: Just just go there, just mayor, so go ahead and mayor,

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Speaker 2: just just be a mayor. But yeah, it definitely was

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Speaker 2: a little shaky.

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Speaker 3: You know.

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Speaker 2: And again this is with no you know, we're not

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Speaker 2: trying to disrespect.

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Speaker 3: They're gonna take it that way, but anybody that.

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Speaker 2: Was it affected harm, no families, We don't want to

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Speaker 2: do that. But you gotta agree that this story is

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Speaker 2: just a little fucking weird.

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Speaker 3: And I think just with so much of the terrible

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Speaker 3: feedback the city has gotten, with how much money we're

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Speaker 3: dumping in to putting police officers in the subway systems,

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Speaker 3: as is down to like, hey, we have to stop

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Speaker 3: people from hopping turnstiles, Like I'm sorry, there's fifteen murders

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Speaker 3: in Brooklyn last weekend. I don't really care about who's

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Speaker 3: hopping the turnstyle right now. So that definitely crossed my

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Speaker 3: mind because now it's going to be police presence in

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Speaker 3: every single fucking train stop you could think of. And

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Speaker 3: where it happened was a little convenient to me as

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Speaker 3: far as from the Asian hate side, Sunset Park being

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Speaker 3: a large Asian population, it also being a very non

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Speaker 3: popular train area as far as like, it's not a

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Speaker 3: forty second street, it's not a thirty fourth, it's not

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Speaker 3: even a Broadway junction. It's not a major hub where

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Speaker 3: a bunch of different trains are going. And I think

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Speaker 3: they've been wanting police presence and can't really find a

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Speaker 3: real justification to put it in some of these smaller stations. So, yeah,

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Speaker 3: this happen in Times Square. Tom Square is always gonna

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Speaker 3: look like fucking bag day.

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Speaker 2: It's always police and Times But we know.

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Speaker 3: That I don't know, I could clearly wrong and insensitive

289
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Speaker 3: right now. And I'm not saying it was staged. Yeah,

290
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Speaker 3: I'm just saying a lot of it's fucking weird and

291
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Speaker 3: convenient the way a lot of these tragedies are. There's

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Speaker 3: always feels like there's a fucking perfect political shift when

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Speaker 3: these things happen, and they happen at the right time.

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Speaker 2: That's why to me, you know again, I'm with you

295
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Speaker 2: on that. When the news came out and you know again,

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Speaker 2: it was breaking news, so you had to wait for

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Speaker 2: more developments and more pieces of the story and things

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Speaker 2: like that, and then when we started to get the story,

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Speaker 2: it just it just seemed Now again it could seemed

300
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Speaker 2: weird because this is a very random and you know,

301
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Speaker 2: just odd situation for somebody to have a gas mask

302
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Speaker 2: and to you know, set off a gas grenade and

303
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Speaker 2: a car, a subway card and start shooting random people.

304
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Speaker 2: The story itself, even if it is true, it's a

305
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Speaker 2: crazy fucking story, insane, But it's just the timing of

306
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Speaker 2: it and you know, the political shit behind it and

307
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Speaker 2: everything like that makes you just have to raise an eyebrow, like,

308
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Speaker 2: all right, let me let me really look into this

309
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Speaker 2: a little bit because this just seems a little off.

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Speaker 2: So again, you know, prayers to anybody that was affected

311
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Speaker 2: and all of that. We don't want to disrespect, you know,

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Speaker 2: that part of the story.

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Speaker 3: But and one fully, there is a terrible trend right

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Speaker 3: now of attacking the Asian community and out speaking about

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Speaker 3: harming agents. So I'm not taking away of that from

316
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Speaker 3: that point of his his video, it's just like he

317
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Speaker 3: hit this guy just happened to hit every last point

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Speaker 3: that's currently happening in those videos in like such a

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Speaker 3: timely manner. It was just like, oh, every buzzword you

320
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Speaker 3: could think of, Yeah, they got it all from his Facebook.

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Speaker 4: He was like he was like active in terms of

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Speaker 4: just like gunplay and shit like that. He labeled them

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Speaker 4: as like a black nationalist, So of course.

324
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Speaker 3: Oh yeah that I definitely saw them. They were saying

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Speaker 3: that he's a follower of faa CON and all that stuff,

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Speaker 3: like all right, I see where a lot of this

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Speaker 3: is going right now, and it feels odd and just

328
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Speaker 3: the sheer science of that gentleman getting away.

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Speaker 2: Because part to me that was a little crazy because.

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Speaker 3: We've seen people that are like ex military, fucking train

331
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Speaker 3: know what they're doing, in shape, can run know the

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Speaker 3: city that are caught.

333
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Speaker 2: This dude is not in shape at all. Like he

334
00:14:18,440 --> 00:14:22,080
Speaker 2: looks a little obviously he's off. I just don't see

335
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Speaker 2: him being able to get away from that in that moment,

336
00:14:25,640 --> 00:14:28,160
Speaker 2: Like he's not athletic, he's not. You can't miss him.

337
00:14:28,160 --> 00:14:30,840
Speaker 2: If he's running, you're going to see him. And if

338
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Speaker 2: he just shot a cart full of people, I'm pretty

339
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Speaker 2: sure people on a platform like that's the guy right there,

340
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Speaker 2: Like they.

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Speaker 4: Pictured him as a a well, a lot of people

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00:14:37,960 --> 00:14:40,840
Speaker 4: online had painted him as a five for five.

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Speaker 3: Like, yeah, I remember that that was the early Now

344
00:14:43,320 --> 00:14:44,040
Speaker 3: he's like kind of a.

345
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Speaker 2: Six to two whole different thing, six to almost three hundred.

346
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Speaker 4: It just kind of goes too fast on trying to

347
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Speaker 4: find the person, and then they almost labeled the wrong person.

348
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Speaker 2: Yeah, and that happens often, you know what I mean?

349
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Speaker 2: Like here I am, I could have been walking around

350
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Speaker 2: the subway from that time they snatched my black ass.

351
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Speaker 2: I have any and been on the train, Like, I

352
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Speaker 2: haven't rig rode the subways in at least two years,

353
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Speaker 2: So I don't know what the fun y'all talking about. Butt. Yeah,

354
00:15:06,800 --> 00:15:09,520
Speaker 2: that whole story was a little weird. So I think that,

355
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Speaker 2: you know, I'm with you on.

356
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Speaker 3: Just raising the eyebrows some questions I have.

357
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Speaker 2: That's so, I don't know. I'm from New York. It's

358
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Speaker 2: not easy to get out of a subway if you

359
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Speaker 2: just shot a bunch of people, Like it's that's just

360
00:15:22,920 --> 00:15:26,560
Speaker 2: not easy. Like somebody that's on the that that platform

361
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Speaker 2: would have followed that dude outside of the subway, even

362
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Speaker 2: if he was running to get away, somebody would have

363
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Speaker 2: chased him and be like, Yo, this is the dude

364
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Speaker 2: that just shot a whole bunch of.

365
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Speaker 3: People in the subway. And also like that, all those

366
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Speaker 3: stations off the end of the R from fucking Bay

367
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Speaker 3: Bridge up through Sunset Park, it's a lot of steps,

368
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Speaker 3: Like it's not it's not one of those where it's

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Speaker 3: like where the a train like you just hit down

370
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Speaker 3: right there and you on the first that ship is

371
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Speaker 3: it's low.

372
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Speaker 2: I gotta you gotta get up out of it, or

373
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Speaker 2: it's super.

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Speaker 3: High, depending on which where you're at. It's always fucking

375
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Speaker 3: crazy steps on that specific part of the end of

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Speaker 3: the R. That's why I also didn't make something like

377
00:15:59,000 --> 00:16:01,040
Speaker 3: you get to get through all the steps and out

378
00:16:01,080 --> 00:16:03,280
Speaker 3: on the sidewalk and he ended up in the East Village. Yeah,

379
00:16:03,560 --> 00:16:05,680
Speaker 3: and then all the trains would stopped too. I mean, grant,

380
00:16:05,680 --> 00:16:08,160
Speaker 3: i'mout saying he can't drive or anything, but it was

381
00:16:08,240 --> 00:16:11,360
Speaker 3: just a lot of activity that I myself, who's sort

382
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Speaker 3: of in shape, was getting winded thinking about it.

383
00:16:14,000 --> 00:16:17,240
Speaker 2: Yeah. I definitely thought like an ex navy seal did this.

384
00:16:18,120 --> 00:16:19,800
Speaker 2: I was waiting for him to just arrest the guy.

385
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Speaker 4: That was super in shape, smoke bomb and then throwshots.

386
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Speaker 4: I mean obviously there was an intent.

387
00:16:25,200 --> 00:16:27,880
Speaker 2: Yeah, Yeah, it was just it's just really weird, but

388
00:16:29,360 --> 00:16:31,360
Speaker 2: New York City is starting to feel a lot like

389
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Speaker 2: Gotham City.

390
00:16:32,840 --> 00:16:33,520
Speaker 3: It's getting there.

391
00:16:33,760 --> 00:16:36,320
Speaker 2: Like you know, I thought this this that that. Just

392
00:16:36,840 --> 00:16:39,920
Speaker 2: thinking about that scene reminds me of like some ship

393
00:16:39,920 --> 00:16:42,400
Speaker 2: we would see in a Batman movie, for sure, you

394
00:16:42,440 --> 00:16:43,680
Speaker 2: know what I mean? Like, so, I don't you know,

395
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Speaker 2: just be safe in New York City, man, or any

396
00:16:45,720 --> 00:16:47,280
Speaker 2: any city that you obviously, but.

397
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Speaker 3: Maybe we owe uh just an apology. Yeah, cameras didn't work,

398
00:16:51,920 --> 00:16:55,600
Speaker 3: that's true. That's right, That is true.

399
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Speaker 2: That that's never know. Uh So yeah, besides that, let's

400
00:17:02,480 --> 00:17:03,680
Speaker 2: I'm want to recap the uh.

401
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Speaker 3: I mean, I want to say if we want to

402
00:17:05,480 --> 00:17:08,320
Speaker 3: say on gun violence for a second, Okay, when are

403
00:17:08,359 --> 00:17:13,080
Speaker 3: y'all gonna leave the baby alone? What hasn't he shown

404
00:17:13,800 --> 00:17:16,840
Speaker 3: in every scenario is that the baby may conquer in

405
00:17:16,880 --> 00:17:17,600
Speaker 3: any situation.

406
00:17:17,680 --> 00:17:18,960
Speaker 2: Did he have to shoot somebody else?

407
00:17:19,119 --> 00:17:21,840
Speaker 3: Somebody? I don't know if he did it. The details

408
00:17:21,880 --> 00:17:25,280
Speaker 3: are still coming out. But someone tried to break into

409
00:17:25,400 --> 00:17:29,320
Speaker 3: his property or his home last night and was shot.

410
00:17:29,720 --> 00:17:31,359
Speaker 3: Baby was mind his business. Someone tried to break in

411
00:17:32,119 --> 00:17:33,520
Speaker 3: was he home? He was on? I don't know if

412
00:17:33,520 --> 00:17:35,399
Speaker 3: he was one who did his friend security whatever, But

413
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Speaker 3: I just don't. At this point, I've seen a handful

414
00:17:39,000 --> 00:17:43,600
Speaker 3: of scenarios, I don't know where the baby is, handful

415
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Speaker 3: of scenarios where hand to hand combat or.

416
00:17:48,040 --> 00:17:49,840
Speaker 2: Did can we find out where.

417
00:17:49,440 --> 00:17:52,440
Speaker 3: Or weapons were involved? And the baby is turned out

418
00:17:52,480 --> 00:17:55,320
Speaker 3: to be in the victor in those situations.

419
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Speaker 4: So in his RDEL residence in North Carolina, person was

420
00:17:58,760 --> 00:18:02,760
Speaker 4: shot off the baby's aund eight pm Wednesday, uh and

421
00:18:03,520 --> 00:18:06,040
Speaker 4: they got injured by a single gunshot wound.

422
00:18:06,119 --> 00:18:07,560
Speaker 3: But it wasn't anything life threatening.

423
00:18:08,760 --> 00:18:13,960
Speaker 2: Okay, So this gentleman will live. They probably beat the

424
00:18:14,000 --> 00:18:14,880
Speaker 2: shit out of them.

425
00:18:15,480 --> 00:18:16,879
Speaker 3: Just like at this point, you don't just don't want

426
00:18:16,880 --> 00:18:17,880
Speaker 3: to leave that gentleman alone.

427
00:18:18,480 --> 00:18:21,000
Speaker 2: Yeah, I don't. You know, breaking an enter into me

428
00:18:21,119 --> 00:18:24,200
Speaker 2: has always been in a weird way. I've always been

429
00:18:24,760 --> 00:18:27,040
Speaker 2: not fascinated because I don't have any desire to do it.

430
00:18:27,080 --> 00:18:30,120
Speaker 2: But it's just always just the mindset that somebody has

431
00:18:30,160 --> 00:18:33,680
Speaker 2: to be in to take that risk of going in

432
00:18:33,760 --> 00:18:36,320
Speaker 2: someone's house. You don't know what's waiting for you behind that.

433
00:18:36,400 --> 00:18:39,920
Speaker 3: Door, and that person knows their house right and that's

434
00:18:39,920 --> 00:18:40,959
Speaker 3: a dangerous fucking thing.

435
00:18:41,160 --> 00:18:43,400
Speaker 2: Just the mindset where that person has to be as

436
00:18:43,400 --> 00:18:46,480
Speaker 2: far as in their life, that's desperation and feeling like

437
00:18:46,520 --> 00:18:50,120
Speaker 2: that's their last resort of trying to, you know, get

438
00:18:50,160 --> 00:18:52,639
Speaker 2: whatever they can to make money and feed themselves with

439
00:18:52,680 --> 00:18:55,560
Speaker 2: their family. Like that's a very scary thing to just

440
00:18:55,640 --> 00:18:59,119
Speaker 2: run into somebody's house and you don't know what to expect. Like,

441
00:18:59,240 --> 00:19:01,639
Speaker 2: I just don't understand how people get to that point.

442
00:19:01,840 --> 00:19:04,080
Speaker 3: And I feel like outside of jewelry, which of course

443
00:19:04,280 --> 00:19:07,760
Speaker 3: is expensive, but that's really the only thing at this

444
00:19:07,840 --> 00:19:12,600
Speaker 3: point you'll get out of a breaking that, like you'll

445
00:19:12,640 --> 00:19:14,680
Speaker 3: get a chain, it is that worth it.

446
00:19:15,080 --> 00:19:16,960
Speaker 2: And I can promise you someone like the Baby or

447
00:19:17,000 --> 00:19:20,439
Speaker 2: any of any of these other celebrities, they don't just

448
00:19:20,600 --> 00:19:23,520
Speaker 2: have cash out in the house. What I'm saying, they

449
00:19:23,520 --> 00:19:25,520
Speaker 2: have cash in the house, it's in a safe. You're

450
00:19:25,520 --> 00:19:28,840
Speaker 2: not gonna get it open. You might get some jewelry,

451
00:19:29,400 --> 00:19:31,560
Speaker 2: maybe some if they're into that type of thing art

452
00:19:32,040 --> 00:19:32,880
Speaker 2: and things like that.

453
00:19:33,400 --> 00:19:37,520
Speaker 3: Even that, how if you're solely doing a be any

454
00:19:37,840 --> 00:19:40,359
Speaker 3: like you're gonna carry out a painting right like it,

455
00:19:40,640 --> 00:19:42,000
Speaker 3: Like I'm just thinking, change's the only thing you can

456
00:19:42,040 --> 00:19:42,960
Speaker 3: probably stuff in your bag.

457
00:19:42,960 --> 00:19:44,919
Speaker 2: You're not going to get the calory and some whatever.

458
00:19:44,960 --> 00:19:47,119
Speaker 2: If they have some type of petty cash, maybe a

459
00:19:47,240 --> 00:19:49,640
Speaker 2: thousand dollars a couple of thousand dollars just laying around

460
00:19:49,680 --> 00:19:53,359
Speaker 2: the house. But just that that desperation and that, you know,

461
00:19:53,400 --> 00:19:55,400
Speaker 2: getting to that point where you're like, fuck it, I'm

462
00:19:55,400 --> 00:19:57,760
Speaker 2: going It's just that's scary. Like I don't understand how

463
00:19:57,760 --> 00:19:59,880
Speaker 2: people by yourself to play that game. Yeah, that game

464
00:19:59,920 --> 00:20:02,520
Speaker 2: is I don't that's a that's a very risky game.

465
00:20:03,000 --> 00:20:05,960
Speaker 2: But again, I'm glad that you know the baby is

466
00:20:06,040 --> 00:20:08,760
Speaker 2: uh is now three and oh.

467
00:20:09,160 --> 00:20:13,800
Speaker 3: No, I think the baby is if you adding some

468
00:20:13,840 --> 00:20:17,200
Speaker 3: of the fans, it's about seven enough. They've tried him

469
00:20:17,200 --> 00:20:17,480
Speaker 3: a lot.

470
00:20:18,240 --> 00:20:23,399
Speaker 2: Yeah, I see the baby. He listen early on. I

471
00:20:23,440 --> 00:20:25,320
Speaker 2: thought the baby was a star, you know what I mean.

472
00:20:25,400 --> 00:20:27,479
Speaker 2: And I like the way his demeanor and things like that.

473
00:20:27,560 --> 00:20:32,160
Speaker 2: He's had some he's been in the he's made some

474
00:20:32,200 --> 00:20:35,880
Speaker 2: mistakes in the in the last few years. But the baby,

475
00:20:35,920 --> 00:20:37,480
Speaker 2: I don't know if you notice, but they're clearly trying

476
00:20:37,520 --> 00:20:40,000
Speaker 2: to cancel you. Anything that you do. They're gonna try

477
00:20:40,000 --> 00:20:42,000
Speaker 2: to get you out of here. I saw something where,

478
00:20:42,080 --> 00:20:43,680
Speaker 2: you know, he was playing with his fans, and he's

479
00:20:43,680 --> 00:20:45,560
Speaker 2: always been that type. If he sees some of his

480
00:20:45,600 --> 00:20:48,679
Speaker 2: female fans out while he's out, he takes pictures with

481
00:20:48,760 --> 00:20:50,680
Speaker 2: them and gives them hugs, jump he jumped on one

482
00:20:50,720 --> 00:20:53,600
Speaker 2: girl like like she was a bigger girl and jumped

483
00:20:53,640 --> 00:20:55,719
Speaker 2: on and like she held him up like a baby,

484
00:20:55,800 --> 00:20:57,920
Speaker 2: like you know he's a baby, because he's because he's

485
00:20:57,920 --> 00:21:01,199
Speaker 2: the baby. So something came out recently where I think

486
00:21:01,240 --> 00:21:03,720
Speaker 2: they were saying that he was trying to kiss one

487
00:21:03,720 --> 00:21:06,439
Speaker 2: of his female followers and are female fans, and she

488
00:21:06,560 --> 00:21:08,440
Speaker 2: kind of like moved out the way. I don't think

489
00:21:08,440 --> 00:21:09,840
Speaker 2: he was really going to kiss her. I think he

490
00:21:09,920 --> 00:21:12,400
Speaker 2: was just joking around with her, and they were trying

491
00:21:12,440 --> 00:21:14,840
Speaker 2: to cancel him for that, saying that he was too

492
00:21:14,880 --> 00:21:16,600
Speaker 2: aggressive and he was trying to kiss her in the

493
00:21:16,640 --> 00:21:18,879
Speaker 2: mouth and this that and the third and calling to

494
00:21:18,880 --> 00:21:20,200
Speaker 2: cancel the baby another time.

495
00:21:21,240 --> 00:21:22,159
Speaker 3: Clearly they just want.

496
00:21:22,040 --> 00:21:24,320
Speaker 2: To cancel the baby. Like that's clear, that's you know,

497
00:21:24,440 --> 00:21:26,360
Speaker 2: it is what it is. So the baby you're gonna

498
00:21:26,359 --> 00:21:27,960
Speaker 2: have to just start. I know you love your your

499
00:21:27,960 --> 00:21:29,960
Speaker 2: female fans and you like to have fun with them,

500
00:21:29,960 --> 00:21:32,720
Speaker 2: but it's people out here that are really really trying

501
00:21:32,720 --> 00:21:34,399
Speaker 2: to get you, bro, They're really trying to cancel you

502
00:21:34,440 --> 00:21:35,640
Speaker 2: and get you the fuck out of here. I don't

503
00:21:35,640 --> 00:21:38,040
Speaker 2: want to see it happen, but just be careful, man.

504
00:21:38,080 --> 00:21:40,520
Speaker 2: You might have to just keep it you know, Hey, ladies,

505
00:21:40,520 --> 00:21:42,480
Speaker 2: how y'all doing, Thank you, love you, and just keep

506
00:21:42,520 --> 00:21:45,400
Speaker 2: it moving because they they gonna try to They're gonna

507
00:21:45,400 --> 00:21:46,920
Speaker 2: try to cancel any any chance they get.

508
00:21:47,920 --> 00:21:49,840
Speaker 3: Yeah, I mean, he'sould just I would just stop paying

509
00:21:49,840 --> 00:21:52,800
Speaker 3: attention to what his fans do in their free time,

510
00:21:53,200 --> 00:21:54,200
Speaker 3: because that seems.

511
00:21:53,920 --> 00:21:56,680
Speaker 2: That's it's not his fans trying.

512
00:21:56,480 --> 00:21:58,480
Speaker 3: To get him. Commenting on what people are doing in

513
00:21:58,520 --> 00:21:59,000
Speaker 3: their free time.

514
00:21:59,200 --> 00:22:01,760
Speaker 2: Yeah, his fans are not trying to cancel him. It's

515
00:22:01,840 --> 00:22:04,160
Speaker 2: you know, it's the people that want to see him

516
00:22:04,160 --> 00:22:06,760
Speaker 2: cancer trying to cancel him. But uh, yeah, man, I'm

517
00:22:06,760 --> 00:22:08,760
Speaker 2: glad he's safe. I'm glad you know, his his friends

518
00:22:08,760 --> 00:22:12,280
Speaker 2: and his family are safe. And to whoever broke into

519
00:22:12,359 --> 00:22:15,560
Speaker 2: his house, Uh, I hope that hot wing settled you down.

520
00:22:15,600 --> 00:22:18,359
Speaker 2: And yeah, but he got Sometimes you gotta put a

521
00:22:18,400 --> 00:22:19,680
Speaker 2: hot wing in the nigga shit him down, you know,

522
00:22:19,800 --> 00:22:21,160
Speaker 2: let him know, like listen, don't do that again.

523
00:22:21,320 --> 00:22:22,040
Speaker 3: Did you think this through?

524
00:22:22,359 --> 00:22:24,720
Speaker 2: Yeah, like you know, sit up in the hospital, you

525
00:22:24,760 --> 00:22:27,080
Speaker 2: got one of your ass think about it.

526
00:22:27,119 --> 00:22:29,680
Speaker 3: Feel like that wouldn't be I'm sure the baby lives

527
00:22:29,680 --> 00:22:33,399
Speaker 3: in a very affluent community. Absolutely, I just feel like

528
00:22:33,720 --> 00:22:36,160
Speaker 3: maybe his house I would skip on my little being

529
00:22:36,240 --> 00:22:36,800
Speaker 3: he ship.

530
00:22:36,600 --> 00:22:38,280
Speaker 2: But maybe what if he What if the person didn't

531
00:22:38,320 --> 00:22:41,520
Speaker 2: know that's the house. I just saw a card and

532
00:22:42,000 --> 00:22:45,200
Speaker 2: in the driveway breaking this one, and oh, Ship.

533
00:22:45,520 --> 00:22:49,680
Speaker 3: Like, oh, it's the bast of baby man. Listen, I

534
00:22:49,680 --> 00:22:51,800
Speaker 3: don't suck no dick in no parking lot. I didn't

535
00:22:51,800 --> 00:22:53,639
Speaker 3: know this your house. I'm so sorry.

536
00:22:53,960 --> 00:22:58,879
Speaker 2: I have all your albums. Yeah, still put one in

537
00:22:58,960 --> 00:23:03,080
Speaker 2: him though, as he should off the strength. I ain't

538
00:23:03,080 --> 00:23:05,639
Speaker 2: gonna kill you, but I'm gonna shoot you, niggah. But

539
00:23:05,680 --> 00:23:07,800
Speaker 2: that that was the two things that I saw on

540
00:23:07,840 --> 00:23:10,119
Speaker 2: the way here. I was just like, man, I just

541
00:23:10,160 --> 00:23:12,440
Speaker 2: wish they would leave him the fuck alone. Fans, you

542
00:23:12,480 --> 00:23:15,080
Speaker 2: cannot climb the house of a celebrity just because you

543
00:23:15,080 --> 00:23:15,639
Speaker 2: want to say.

544
00:23:15,480 --> 00:23:19,560
Speaker 3: Hello, especially one that has murdered someone in Walmart. Just

545
00:23:20,680 --> 00:23:22,400
Speaker 3: not the person. And then I wouldn't do that way.

546
00:23:22,440 --> 00:23:24,440
Speaker 2: Just tweet them, DM them whatever you gotta do. Stay

547
00:23:24,440 --> 00:23:25,320
Speaker 2: off their problems.

548
00:23:25,160 --> 00:23:28,640
Speaker 3: And the amount of issues he has just with parking

549
00:23:28,760 --> 00:23:30,840
Speaker 3: driveways and what people are doing. Just I would just

550
00:23:30,840 --> 00:23:33,840
Speaker 3: stay out of his really all I would get at.

551
00:23:34,480 --> 00:23:37,440
Speaker 3: But what else, did anything else happen in the means? Yeah,

552
00:23:37,480 --> 00:23:38,719
Speaker 3: along with gun violence.

553
00:23:39,720 --> 00:23:44,439
Speaker 4: Yesterday on Twitter, there's a hole spiel going on a new.

554
00:23:44,320 --> 00:23:45,440
Speaker 2: Release or a leaks release.

555
00:23:47,040 --> 00:23:50,040
Speaker 3: Oh of the the leak, Oh the Jack Harlow and

556
00:23:50,119 --> 00:23:50,560
Speaker 3: Drake leak.

557
00:23:50,880 --> 00:23:54,880
Speaker 2: Oh, yes, the Jack Carlow and Drake leak. Obviously they

558
00:23:54,880 --> 00:23:57,520
Speaker 2: spent some time they were in Turks. A few weeks ago.

559
00:23:58,280 --> 00:24:01,000
Speaker 2: A couple of pictures went viral, couple videos with viral

560
00:24:01,119 --> 00:24:06,199
Speaker 2: of Jack Harlow and Drake and Turks, And obviously this

561
00:24:06,280 --> 00:24:08,000
Speaker 2: is something. This was a song that I guess they

562
00:24:08,320 --> 00:24:10,600
Speaker 2: recorded during their time down.

563
00:24:10,840 --> 00:24:13,320
Speaker 3: When they were just donating money and working on music.

564
00:24:13,359 --> 00:24:14,760
Speaker 3: That's all they were doing.

565
00:24:14,800 --> 00:24:18,600
Speaker 2: They just wanted to catch a tan and shoot the ship.

566
00:24:19,560 --> 00:24:20,960
Speaker 2: So we got a leak last night.

567
00:24:22,880 --> 00:24:23,399
Speaker 3: Do we have it?

568
00:24:23,480 --> 00:24:23,960
Speaker 2: Rory?

569
00:24:24,200 --> 00:24:27,520
Speaker 3: I have it? Can we play it in context? Well,

570
00:24:27,600 --> 00:24:29,679
Speaker 3: it's not out yet, so are we being assholes in

571
00:24:29,680 --> 00:24:34,120
Speaker 3: that regard? I mean it did leak all over then? Well,

572
00:24:34,160 --> 00:24:35,840
Speaker 3: I mean, listen, guys, we're trying to get our Jack

573
00:24:35,840 --> 00:24:38,400
Speaker 3: Harlow interview models.

574
00:24:38,119 --> 00:24:40,159
Speaker 6: With the lyrics is pic captions already?

575
00:24:40,200 --> 00:24:42,879
Speaker 3: Well, that's because Jack and Drake sent that to them directly.

576
00:24:42,880 --> 00:24:44,920
Speaker 3: That's okay, yeah, those were some of it wasn't leaked.

577
00:24:45,080 --> 00:24:46,720
Speaker 2: Some of the locals that were.

578
00:24:47,560 --> 00:24:50,520
Speaker 3: The muse if you will, what inspired the records exactly,

579
00:24:51,520 --> 00:24:53,920
Speaker 3: or maybe they were there and engineered it. You never know.

580
00:24:54,080 --> 00:24:54,800
Speaker 3: It's turks.

581
00:24:56,400 --> 00:24:59,520
Speaker 2: So yeah, I heard it last night, listen to it

582
00:24:59,520 --> 00:25:03,879
Speaker 2: a few times and love. I like Jack Hallow, I

583
00:25:04,200 --> 00:25:08,560
Speaker 2: really like it. I think he's super talented. I would

584
00:25:08,640 --> 00:25:10,520
Speaker 2: have an issue with Drake tho if I was Jack

585
00:25:10,520 --> 00:25:15,359
Speaker 2: Hallow today. Why is that? Well, because if the song

586
00:25:15,480 --> 00:25:19,200
Speaker 2: leaked as it stands right now, I don't think Jack

587
00:25:19,240 --> 00:25:22,760
Speaker 2: Hallow wanted that to leak. With his his verse.

588
00:25:22,720 --> 00:25:25,240
Speaker 3: You think he was working on going back and changing

589
00:25:25,240 --> 00:25:25,640
Speaker 3: his verse.

590
00:25:26,000 --> 00:25:28,800
Speaker 2: I'm thinking he was gonna go change his verse add

591
00:25:28,840 --> 00:25:34,480
Speaker 2: to it, you know, because Drake just you know, first

592
00:25:34,480 --> 00:25:36,159
Speaker 2: of all, it's unfair to rap on a beat like

593
00:25:36,200 --> 00:25:38,840
Speaker 2: that with Drake, those open beats that's looped and just

594
00:25:39,520 --> 00:25:42,119
Speaker 2: where Drake can just have random moments of thoughts and

595
00:25:42,200 --> 00:25:45,000
Speaker 2: just keep going back in and laying like five bars.

596
00:25:45,680 --> 00:25:48,080
Speaker 2: You're gonna lose, bro, you can't. You can't get on

597
00:25:48,080 --> 00:25:50,160
Speaker 2: the track with Drake like that. You're gonna lose. That's

598
00:25:50,200 --> 00:25:53,800
Speaker 2: what he does. That's his fade away on the baseline

599
00:25:53,840 --> 00:25:55,640
Speaker 2: like he's not gonna miss.

600
00:25:55,560 --> 00:25:57,440
Speaker 3: But do you do that purposely? Because I feel like

601
00:25:57,520 --> 00:26:00,320
Speaker 3: Ross does that for Drake, where Ross is like, I'm

602
00:26:00,320 --> 00:26:03,080
Speaker 3: gonna get smoked on this, but but I'm going to

603
00:26:03,119 --> 00:26:06,240
Speaker 3: get an amazing Drake verse that everyone's gonna love and

604
00:26:06,280 --> 00:26:07,640
Speaker 3: it is my should want.

605
00:26:07,960 --> 00:26:11,399
Speaker 2: I get it. I get it, I understand, But you

606
00:26:11,520 --> 00:26:13,639
Speaker 2: still gotta want to put If I'm Jack, I gotta,

607
00:26:13,640 --> 00:26:15,160
Speaker 2: I gotta want to put some more on that though.

608
00:26:16,040 --> 00:26:18,800
Speaker 2: You have to, like, after hearing that, you have to

609
00:26:18,800 --> 00:26:20,480
Speaker 2: be like, nah, I can't. I can't just leave my shop.

610
00:26:20,480 --> 00:26:22,800
Speaker 3: Oh, I mean, if anything, since it leaked, I kind

611
00:26:22,800 --> 00:26:24,240
Speaker 3: of have to leave my first verse because you guys

612
00:26:24,280 --> 00:26:26,879
Speaker 3: heard it already. Then I look crazy. But it's at

613
00:26:26,920 --> 00:26:30,000
Speaker 3: what four minutes now? There might be a little guitar break,

614
00:26:30,040 --> 00:26:31,840
Speaker 3: and I'm coming back in for another sixty.

615
00:26:32,119 --> 00:26:33,600
Speaker 2: Yeah, I gotta, That's what I'm saying. I gotta.

616
00:26:33,680 --> 00:26:35,200
Speaker 3: I'm doing this. This is gonna be a seven minutes old.

617
00:26:35,200 --> 00:26:36,520
Speaker 2: If I'm Jack Haller, I got to get some more

618
00:26:36,520 --> 00:26:38,639
Speaker 2: shit off on that because Drake was just he was

619
00:26:38,720 --> 00:26:41,919
Speaker 2: just talking that. You know, I don't care who he

620
00:26:41,960 --> 00:26:43,760
Speaker 2: was talking to. Him seeing the internet trying to decipher

621
00:26:43,760 --> 00:26:44,640
Speaker 2: everything and break it down.

622
00:26:45,040 --> 00:26:46,080
Speaker 3: Who the nat he was?

623
00:26:46,720 --> 00:26:51,600
Speaker 2: He mentioned a Daytona watch, he mentioned, you know, brother, listen,

624
00:26:51,680 --> 00:26:52,200
Speaker 2: I wasn't.

625
00:26:52,240 --> 00:26:54,520
Speaker 3: I didn't think like sometimes I just know it could be,

626
00:26:54,560 --> 00:26:56,320
Speaker 3: but it's not that big of a deal.

627
00:26:56,400 --> 00:26:57,760
Speaker 2: Yeah, I don't think it. I don't think it is.

628
00:26:57,840 --> 00:26:59,679
Speaker 2: But you know, you know how it is. The Internet

629
00:26:59,720 --> 00:27:01,200
Speaker 2: is going to do what they do, and they're gonna

630
00:27:01,240 --> 00:27:05,040
Speaker 2: turn something nothing into something. So they did what they did.

631
00:27:05,040 --> 00:27:06,600
Speaker 2: I didn't listen to it like that. I didn't think

632
00:27:06,640 --> 00:27:08,480
Speaker 2: that Drake was talking to anybody in particularly. I thought

633
00:27:08,480 --> 00:27:11,320
Speaker 2: he was just talking his shit and letting everybody know, Hey, guys,

634
00:27:11,359 --> 00:27:13,720
Speaker 2: I still have more money than you. I'm still like

635
00:27:13,880 --> 00:27:16,320
Speaker 2: rapping better than you, and like I still sell more

636
00:27:16,359 --> 00:27:19,160
Speaker 2: albums than you. I still stream more than all of y'all.

637
00:27:20,200 --> 00:27:23,160
Speaker 2: I'm still that guy I can. I'm just like gambling

638
00:27:23,160 --> 00:27:25,800
Speaker 2: off my laptop right now, playing Roulette. But I'll get

639
00:27:25,800 --> 00:27:26,880
Speaker 2: back to y'all in a minute.

640
00:27:27,560 --> 00:27:33,120
Speaker 3: Between this verse and Certified lover Boy, I just think

641
00:27:33,240 --> 00:27:34,120
Speaker 3: Drake is fed up.

642
00:27:34,000 --> 00:27:37,040
Speaker 2: With us, well, like like what you mean, like the.

643
00:27:37,160 --> 00:27:42,000
Speaker 3: Essence just like us, like just the world okay, And

644
00:27:42,040 --> 00:27:44,600
Speaker 3: I'm not sure how we can make him feel any better.

645
00:27:45,560 --> 00:27:47,600
Speaker 3: I do know that he's very rich and successful, and

646
00:27:47,960 --> 00:27:49,840
Speaker 3: I do love his music. He just like gets on

647
00:27:49,840 --> 00:27:52,520
Speaker 3: the record and I feel like he's disgusted with me, Like,

648
00:27:52,560 --> 00:27:54,080
Speaker 3: how do you not realize how rich I am?

649
00:27:54,119 --> 00:27:54,280
Speaker 2: Now?

650
00:27:55,000 --> 00:27:57,640
Speaker 3: It's not that I'm not saying it's a bad way, no, no.

651
00:27:57,480 --> 00:27:59,600
Speaker 2: No, I get it, but it's that And also because

652
00:27:59,600 --> 00:28:01,960
Speaker 2: he has a lot on what he says my music,

653
00:28:02,080 --> 00:28:03,920
Speaker 2: I'm so rich, my music's not even relatable.

654
00:28:04,000 --> 00:28:06,600
Speaker 3: Yeah, but that's what I felt. You know how rich

655
00:28:06,680 --> 00:28:08,760
Speaker 3: that is to where the shit you're saying you can't

656
00:28:08,800 --> 00:28:11,000
Speaker 3: even relate to it no more? And listen, I'm a

657
00:28:11,920 --> 00:28:14,199
Speaker 3: it's like you said it brow you don't relate to

658
00:28:14,240 --> 00:28:15,879
Speaker 3: what you just said. And everyone thinks I'm not a

659
00:28:15,960 --> 00:28:18,320
Speaker 3: Drake fan. I'm a huge drag fan. I found that

660
00:28:18,359 --> 00:28:22,639
Speaker 3: line super interesting because of what he said around. I

661
00:28:22,680 --> 00:28:24,560
Speaker 3: think it was on the ride maybe we take care

662
00:28:24,920 --> 00:28:27,679
Speaker 3: mm hm, the ride whatever he said of saying that

663
00:28:27,760 --> 00:28:30,520
Speaker 3: he's living in this fantasy world, just trying to keep

664
00:28:30,520 --> 00:28:32,880
Speaker 3: you a part of the story because he's like, I'm

665
00:28:32,920 --> 00:28:34,960
Speaker 3: just now in this part of my career. Don't live

666
00:28:35,040 --> 00:28:37,560
Speaker 3: like the average person at all, And why people loved

667
00:28:37,600 --> 00:28:39,160
Speaker 3: me so much in the beginning was because I was

668
00:28:39,200 --> 00:28:41,400
Speaker 3: such a relatable fucking person. I went through the same

669
00:28:41,400 --> 00:28:44,880
Speaker 3: shit that y'all an average person would go through with life, relationships,

670
00:28:44,920 --> 00:28:47,120
Speaker 3: all that. So when he said that bar around to

671
00:28:47,120 --> 00:28:51,960
Speaker 3: take care time, Yeah, it's changed drastically as far as.

672
00:28:51,800 --> 00:28:52,400
Speaker 2: Life has changed.

673
00:28:52,440 --> 00:28:56,560
Speaker 3: And that's where I think people took my CLB critique

674
00:28:56,840 --> 00:28:58,640
Speaker 3: as like a really negative thing, when it was more

675
00:28:58,760 --> 00:29:02,040
Speaker 3: just of an observation. I felt how fed up Drake

676
00:29:02,240 --> 00:29:05,960
Speaker 3: was in trying to make that album not what his

677
00:29:06,040 --> 00:29:08,480
Speaker 3: actual life was about, because his actual life is what

678
00:29:08,520 --> 00:29:10,280
Speaker 3: the fuck he's rapping about on this Jack Carlow shit,

679
00:29:10,320 --> 00:29:12,440
Speaker 3: And it's like, nothing about this is relatable. He's trying

680
00:29:12,520 --> 00:29:16,840
Speaker 3: what human being besides fucking the A list artists or

681
00:29:17,680 --> 00:29:22,000
Speaker 3: the tech companies can really really go with what I'm saying, right.

682
00:29:22,200 --> 00:29:25,160
Speaker 2: Yeah, I mean, but we like it though, because we

683
00:29:25,280 --> 00:29:26,760
Speaker 2: like that's what we like about Drake. We like the

684
00:29:26,760 --> 00:29:29,400
Speaker 2: braggadocious ship talking, slick talking.

685
00:29:30,280 --> 00:29:31,120
Speaker 3: We like that that.

686
00:29:31,200 --> 00:29:34,680
Speaker 2: We like that Drake because Drake is, for what we know,

687
00:29:35,000 --> 00:29:38,320
Speaker 2: a nice guy. He doesn't come across like an asshole

688
00:29:38,760 --> 00:29:41,080
Speaker 2: or jerk. So when he brags and talks to ship,

689
00:29:41,120 --> 00:29:42,800
Speaker 2: you can appreciate it because like, oh, here's the guy

690
00:29:42,840 --> 00:29:45,320
Speaker 2: that's so nice in this but he's like, you know, like, fam,

691
00:29:45,360 --> 00:29:46,719
Speaker 2: I got more money to know, y'all shut up?

692
00:29:46,720 --> 00:29:49,200
Speaker 3: But does does it not feel like a kind of

693
00:29:49,240 --> 00:29:53,000
Speaker 3: annoyed braggadocious on this verse and on CLB as well.

694
00:29:53,040 --> 00:29:54,960
Speaker 2: But I think that was purpose on purpose though I

695
00:29:54,960 --> 00:29:57,520
Speaker 2: don't think that was by accident. I think he purposely

696
00:29:57,600 --> 00:29:58,480
Speaker 2: is Like I agree.

697
00:29:58,520 --> 00:29:59,840
Speaker 3: I think that's his actual feel.

698
00:29:59,840 --> 00:30:01,840
Speaker 2: Yeah, absolutely, But that's why I like it, because it's

699
00:30:01,960 --> 00:30:04,600
Speaker 2: actual feeling. So he's like, dog, I'm rich, Like I

700
00:30:04,600 --> 00:30:06,760
Speaker 2: don't even know what to tell y'all anymore, Like I

701
00:30:06,800 --> 00:30:08,640
Speaker 2: can't even because if I start talking about what I'm doing,

702
00:30:08,720 --> 00:30:11,160
Speaker 2: y'all can't relate to it. So y'all not gonna fuck with.

703
00:30:11,120 --> 00:30:13,640
Speaker 3: It, And like it's not the five am in Toronto

704
00:30:13,720 --> 00:30:18,360
Speaker 3: braggadosa shit, and like it's not even really a debate anymore.

705
00:30:18,720 --> 00:30:23,320
Speaker 3: This might be the clearest unanimous decision of who is

706
00:30:23,440 --> 00:30:29,880
Speaker 3: the richest, most popular, biggest artist in rap history, so

707
00:30:30,040 --> 00:30:33,640
Speaker 3: as there's really no incentive for a lot of that,

708
00:30:34,240 --> 00:30:36,840
Speaker 3: like Braggadocio's talk at this point, because there isn't really

709
00:30:36,880 --> 00:30:40,400
Speaker 3: a competition, like even When five in Toronto came out,

710
00:30:40,480 --> 00:30:42,040
Speaker 3: there was still a comp He's still some shit to

711
00:30:42,120 --> 00:30:45,760
Speaker 3: prove at that time. This, yeah, this braggadoca shit just

712
00:30:45,760 --> 00:30:48,040
Speaker 3: feels like I'm kind of sick of this entire thing.

713
00:30:48,240 --> 00:30:51,320
Speaker 3: And it's not like anyone could debate me on what

714
00:30:51,360 --> 00:30:55,280
Speaker 3: I'm saying. There's no comp in the regards of success

715
00:30:55,320 --> 00:30:59,160
Speaker 3: and accolades and numbers right now, So like, what do

716
00:30:59,200 --> 00:30:59,840
Speaker 3: I rap about?

717
00:31:00,040 --> 00:31:02,680
Speaker 2: This definitely feels like another installation one of his. I

718
00:31:02,720 --> 00:31:05,520
Speaker 2: call the tom Stamp versus up there. Yeah, the five

719
00:31:05,560 --> 00:31:08,360
Speaker 2: AM and Toronto's, the six PMS in New York City,

720
00:31:08,440 --> 00:31:12,280
Speaker 2: the twelve forty five in Calabasis. These time stamps all wrong.

721
00:31:12,320 --> 00:31:14,760
Speaker 2: I'm just whatever, Like I feel like this is another

722
00:31:14,800 --> 00:31:17,440
Speaker 2: one of those. It's right on on brand with those,

723
00:31:17,520 --> 00:31:20,360
Speaker 2: the sound, the feel, which is why I'm looking at

724
00:31:20,440 --> 00:31:22,320
Speaker 2: Jack like you might as should have stayed away from

725
00:31:22,320 --> 00:31:24,120
Speaker 2: the tom stamps and you can't jump on one of

726
00:31:24,560 --> 00:31:27,920
Speaker 2: Drake tom Stamp records like you can't do it well.

727
00:31:28,000 --> 00:31:29,560
Speaker 2: I like Jack, I like him a lot. I think

728
00:31:29,560 --> 00:31:32,600
Speaker 2: he's super dope. Is uh what's that record he put out?

729
00:31:32,800 --> 00:31:35,880
Speaker 2: I like the one first class, first Class, not that one.

730
00:31:35,920 --> 00:31:38,200
Speaker 2: The one was right before that the nails nail ship.

731
00:31:38,480 --> 00:31:41,160
Speaker 2: What's the name of that one, nail tech, nail Tech,

732
00:31:41,240 --> 00:31:42,920
Speaker 2: nail Tech. I love nail Tech.

733
00:31:42,960 --> 00:31:45,200
Speaker 3: I think both his singles like he was getting his.

734
00:31:45,200 --> 00:31:47,640
Speaker 2: Ship off on nail tech. I like nail tech a lot.

735
00:31:47,680 --> 00:31:50,600
Speaker 6: I really like first class. I'm in the g in

736
00:31:50,640 --> 00:31:51,840
Speaker 6: the A.

737
00:31:52,640 --> 00:31:57,080
Speaker 3: M you going, no, keep going? I was gonna s it.

738
00:31:58,960 --> 00:32:01,240
Speaker 6: See what came up, you guys was messed up?

739
00:32:02,560 --> 00:32:06,800
Speaker 3: Jack? Jack is a Jack is interesting. I don't think

740
00:32:06,840 --> 00:32:10,680
Speaker 3: we've ever seen this in rap, and I don't know

741
00:32:10,720 --> 00:32:12,480
Speaker 3: if I should be the one to say it. I

742
00:32:12,520 --> 00:32:16,600
Speaker 3: mean because of my face, but we've never seen a

743
00:32:16,600 --> 00:32:19,200
Speaker 3: white rapper like this before, like Jack Harwell.

744
00:32:20,720 --> 00:32:21,320
Speaker 2: And me.

745
00:32:23,200 --> 00:32:29,280
Speaker 3: As far as all right, Em was a fucking superstar

746
00:32:31,920 --> 00:32:36,760
Speaker 3: in a very pop world. M Like I guess for

747
00:32:36,840 --> 00:32:40,680
Speaker 3: the time, Yes, he was uh popular as far as

748
00:32:40,680 --> 00:32:42,760
Speaker 3: like how he dressed, how he moved, who he's moving with,

749
00:32:42,880 --> 00:32:46,320
Speaker 3: Like we've never seen that from a white rapper, like

750
00:32:46,480 --> 00:32:51,520
Speaker 3: where they didn't feel out of place in how they're

751
00:32:51,560 --> 00:32:55,640
Speaker 3: moving in modern hip hop. Okay, Em just kind of

752
00:32:55,840 --> 00:32:57,560
Speaker 3: was just the bar. He was just way the fuck

753
00:32:57,680 --> 00:32:59,560
Speaker 3: up here kind of what I'm saying with Drake, and

754
00:32:59,560 --> 00:33:03,960
Speaker 3: it's no contest, like m was his own. He was

755
00:33:04,000 --> 00:33:05,560
Speaker 3: on like the other side of music.

756
00:33:05,600 --> 00:33:08,240
Speaker 2: At that point, you're saying, like Jack kind of he

757
00:33:08,320 --> 00:33:09,000
Speaker 2: more fits in.

758
00:33:09,240 --> 00:33:10,880
Speaker 3: He's he and I don't mean that a bad way

759
00:33:10,920 --> 00:33:13,920
Speaker 3: because he's still coming up. Yeah, but he feels very

760
00:33:14,000 --> 00:33:18,480
Speaker 3: natural with what is popular, because we've had great white

761
00:33:18,520 --> 00:33:21,520
Speaker 3: rappers before that have been super popular, but they still

762
00:33:21,560 --> 00:33:24,080
Speaker 3: kind of moved outside of any time they were taken seriously,

763
00:33:24,480 --> 00:33:26,560
Speaker 3: they were outside of the mainstream, even like Mac Miller

764
00:33:26,640 --> 00:33:29,040
Speaker 3: Rest in Peace. To some degree, Mack was huge, but

765
00:33:29,080 --> 00:33:31,600
Speaker 3: Mac did kind of move outside of the mainstream shit,

766
00:33:33,240 --> 00:33:35,080
Speaker 3: and that usually when it comes to white rappers, is

767
00:33:35,120 --> 00:33:40,040
Speaker 3: the only way they're accepted because it either feels super

768
00:33:41,040 --> 00:33:45,520
Speaker 3: ingenuine or like a mockery, like a riff raff, or

769
00:33:45,600 --> 00:33:48,080
Speaker 3: you're like Mac and you're just a really genuine artist

770
00:33:48,160 --> 00:33:50,200
Speaker 3: and you kind of move outside the lines because the

771
00:33:50,200 --> 00:33:54,520
Speaker 3: mainstream shit isn't yours. Jack is just like any other

772
00:33:54,560 --> 00:33:57,440
Speaker 3: young trying to be a list rapper, and it doesn't

773
00:33:57,440 --> 00:33:59,080
Speaker 3: feel weird. I just don't think we've ever seen this,

774
00:33:59,080 --> 00:34:00,360
Speaker 3: and I don't know if I'm explaining this, well, no,

775
00:34:00,920 --> 00:34:03,080
Speaker 3: my face is just gonna make it look worse. I'm

776
00:34:03,080 --> 00:34:04,920
Speaker 3: trying to big up, like, let's get more whites in here. Now.

777
00:34:04,920 --> 00:34:05,920
Speaker 3: If you're not saying that.

778
00:34:05,800 --> 00:34:07,440
Speaker 2: Well, that's why this is perfect what we do because

779
00:34:07,440 --> 00:34:09,839
Speaker 2: I'm great to start some white and white crime. Got

780
00:34:09,840 --> 00:34:12,560
Speaker 2: a question for you, Jack Harlow or g Eazy.

781
00:34:13,680 --> 00:34:20,799
Speaker 3: Hmm, Gez keeps a hit, but I'm gonna lean on

782
00:34:20,920 --> 00:34:24,120
Speaker 3: potential here because I think and I'd say, Geez can't

783
00:34:24,120 --> 00:34:28,279
Speaker 3: really rap. But Jack, I think, is going more in

784
00:34:28,360 --> 00:34:31,359
Speaker 3: the I'm gonna be an album artist. I'll keep it hit,

785
00:34:31,440 --> 00:34:35,239
Speaker 3: but I'm gonna make albums and I'm here for a

786
00:34:35,280 --> 00:34:37,520
Speaker 3: long time. I'm not just waiting to get my next

787
00:34:37,600 --> 00:34:41,040
Speaker 3: hit or hoping to get the big feature on my

788
00:34:41,120 --> 00:34:44,520
Speaker 3: next hit to keep me afloat. I think there's more

789
00:34:44,560 --> 00:34:47,680
Speaker 3: longevity in what Jack is doing. I think Jack is

790
00:34:47,680 --> 00:34:49,680
Speaker 3: playing the long game because he's been around for a menut.

791
00:34:49,719 --> 00:34:51,799
Speaker 3: It's not like he just popped up like this. He's

792
00:34:52,239 --> 00:34:54,040
Speaker 3: worked very hard to get to this point to be

793
00:34:54,160 --> 00:34:58,120
Speaker 3: set up as the next guy. Now. Granted he would say,

794
00:34:58,160 --> 00:34:59,480
Speaker 3: and I would say, and a lot of people say yeah,

795
00:34:59,560 --> 00:35:02,360
Speaker 3: last due him being white gets some more leverage in

796
00:35:02,360 --> 00:35:04,400
Speaker 3: that regard, and he's a white person that doesn't feel

797
00:35:04,440 --> 00:35:07,279
Speaker 3: super awkward in the space. It does feel like he

798
00:35:07,320 --> 00:35:09,600
Speaker 3: gives a fuck, and it doesn't come across like I'm

799
00:35:09,640 --> 00:35:11,600
Speaker 3: just doing this to get some bread and I'm trying

800
00:35:11,600 --> 00:35:15,040
Speaker 3: to make some gimmick shit. So yeah, I have to

801
00:35:15,120 --> 00:35:16,040
Speaker 3: leave Jack on that.

802
00:35:16,640 --> 00:35:20,680
Speaker 2: I like Jack Harlow. I think he's a uh. I

803
00:35:20,760 --> 00:35:24,680
Speaker 2: think he's a better rapper than Gez. I think he's

804
00:35:24,719 --> 00:35:29,520
Speaker 2: still you know, geezy Jeez got some records thought hits. Yeah,

805
00:35:29,520 --> 00:35:31,600
Speaker 2: he got he got some records. I just I just

806
00:35:31,680 --> 00:35:34,600
Speaker 2: like the I like what Jack Hollow is doing though,

807
00:35:35,000 --> 00:35:36,480
Speaker 2: Like I like what I'm saying from him, like what

808
00:35:36,520 --> 00:35:37,279
Speaker 2: I'm hearing from him.

809
00:35:37,280 --> 00:35:38,520
Speaker 3: Like he's moving right.

810
00:35:38,440 --> 00:35:40,520
Speaker 2: You know what I mean. Like Like I like where

811
00:35:40,520 --> 00:35:43,960
Speaker 2: his his career is looking. I like, I like the

812
00:35:43,960 --> 00:35:46,360
Speaker 2: way it's looking this this record with Drake though, I

813
00:35:46,440 --> 00:35:48,879
Speaker 2: think he I think he should have been like, yo, listen,

814
00:35:48,920 --> 00:35:51,399
Speaker 2: we're gonna just say that verse verse for like something

815
00:35:51,440 --> 00:35:53,120
Speaker 2: that we're gonna do something else. We'll come back to that.

816
00:35:53,560 --> 00:35:56,799
Speaker 3: But I am nervous for him doing this fucking white

817
00:35:56,800 --> 00:36:00,200
Speaker 3: man can't jump rebooth though. I just I'm just not

818
00:36:00,239 --> 00:36:03,480
Speaker 3: in the reboots, so and I just there's a lot

819
00:36:03,480 --> 00:36:05,320
Speaker 3: of pressure and I feel like White Man Can't Just like,

820
00:36:05,360 --> 00:36:07,719
Speaker 3: do we need the other one is a classic? I

821
00:36:07,719 --> 00:36:08,960
Speaker 3: don't know if we need to do this.

822
00:36:09,080 --> 00:36:13,520
Speaker 2: Yeah, I don't. Is White Men Can't Jump a classic?

823
00:36:13,560 --> 00:36:13,839
Speaker 3: Of course?

824
00:36:14,280 --> 00:36:15,360
Speaker 6: And I wasn't saying it.

825
00:36:15,239 --> 00:36:18,920
Speaker 2: Was instant classic. As soon as I saw that movie

826
00:36:18,960 --> 00:36:20,120
Speaker 2: when I was a kid, I went to the park.

827
00:36:20,239 --> 00:36:22,319
Speaker 2: That's see, that's the That's how you know when the

828
00:36:22,360 --> 00:36:24,879
Speaker 2: movie is a classic. You watch a movie and it's

829
00:36:24,920 --> 00:36:27,360
Speaker 2: like a basketball movie, or like a fight movie or

830
00:36:27,400 --> 00:36:30,080
Speaker 2: something like that, like Rocky when Rocky came out. You

831
00:36:30,120 --> 00:36:32,560
Speaker 2: know what I'm saying out, Yeah, if you adn't go

832
00:36:32,560 --> 00:36:34,600
Speaker 2: outside and try to fight niggas, it wasn't a classic.

833
00:36:35,440 --> 00:36:37,960
Speaker 2: White Men Can't Jump definitely a classic. And it's the

834
00:36:38,000 --> 00:36:40,160
Speaker 2: thirty anniversary to so shout out to Wood. He has

835
00:36:40,200 --> 00:36:44,799
Speaker 2: and Wesley Snipes, Rosie Perez on a classic movie. But yeah,

836
00:36:45,000 --> 00:36:46,759
Speaker 2: Jack should definitely bring the diverse.

837
00:36:46,520 --> 00:36:50,160
Speaker 3: Disney Disney Channel Brink movie. You guys definitely tried to

838
00:36:50,160 --> 00:36:51,960
Speaker 3: put on roller skates after that, you're too what was

839
00:36:51,960 --> 00:36:54,360
Speaker 3: it called Brink? It was on Disney Channel. I was

840
00:36:54,440 --> 00:36:58,759
Speaker 3: a kid kid. They it was Disney Channel originally after

841
00:36:58,800 --> 00:37:00,719
Speaker 3: you on a rollerblade just they was like they was

842
00:37:00,960 --> 00:37:03,719
Speaker 3: doing the X game ship. Yeah, I remember a lot

843
00:37:03,760 --> 00:37:06,319
Speaker 3: of people the next day was like trying to cop

844
00:37:06,400 --> 00:37:07,800
Speaker 3: some roller skates.

845
00:37:07,800 --> 00:37:11,040
Speaker 2: To do stunts. See that's white boys ship.

846
00:37:11,520 --> 00:37:13,440
Speaker 3: No, No, it was the whole community.

847
00:37:13,600 --> 00:37:17,799
Speaker 2: No, everybody really, Yeah, because I.

848
00:37:16,800 --> 00:37:19,719
Speaker 6: Know fact like Tony Hawk ain't have everybody out here.

849
00:37:19,800 --> 00:37:22,840
Speaker 3: While I didn't want somebody to skateboarding. Huh did you

850
00:37:22,840 --> 00:37:24,440
Speaker 3: have roller rings and you?

851
00:37:24,560 --> 00:37:26,759
Speaker 2: Yeah, I skate. I'm not a skate yeah, but I was.

852
00:37:26,840 --> 00:37:28,800
Speaker 2: I didn't watch Brink and decide to go dust the

853
00:37:28,880 --> 00:37:29,960
Speaker 2: skates off and go outside.

854
00:37:30,000 --> 00:37:32,279
Speaker 3: Well it was different type of skates too. Rollerblade Yeah,

855
00:37:32,280 --> 00:37:33,560
Speaker 3: it was like the incline ships.

856
00:37:33,680 --> 00:37:36,359
Speaker 2: If you never really liked rollerblades, like the disco, Yeah,

857
00:37:36,400 --> 00:37:38,120
Speaker 2: I like the four wheels. Give me the four like

858
00:37:38,239 --> 00:37:40,440
Speaker 2: you just don't rollerblading. It's four wheels, but like just

859
00:37:40,480 --> 00:37:42,759
Speaker 2: like this and what do you call it the beat?

860
00:37:42,800 --> 00:37:42,840
Speaker 3: You?

861
00:37:43,000 --> 00:37:47,000
Speaker 6: Oh what the on rollerblades it's four four or three?

862
00:37:47,600 --> 00:37:49,600
Speaker 3: I think it's four wheels on the rollerblade? Roll is

863
00:37:49,640 --> 00:37:51,399
Speaker 3: like the straight one.

864
00:37:51,440 --> 00:37:53,160
Speaker 2: Yeah, it's like ice skating on concrete.

865
00:37:53,680 --> 00:37:54,840
Speaker 6: Let's rollerblading.

866
00:37:55,080 --> 00:37:55,680
Speaker 2: Rollerblading.

867
00:37:56,360 --> 00:37:57,279
Speaker 3: He's gonna stand you up.

868
00:37:57,440 --> 00:38:00,319
Speaker 2: Yeah, definitely, I'm not gonna roller blade I ride a

869
00:38:00,320 --> 00:38:02,520
Speaker 2: bike while you roller blade.

870
00:38:03,040 --> 00:38:04,920
Speaker 3: You could add like a rope to your bike and

871
00:38:05,120 --> 00:38:07,480
Speaker 3: America be behind you.

872
00:38:07,600 --> 00:38:11,280
Speaker 6: Yo. We could do that, Yo, we had a film

873
00:38:11,320 --> 00:38:12,439
Speaker 6: that you know, we should do Rory.

874
00:38:12,480 --> 00:38:14,840
Speaker 2: We should get like the two seater bikes and just

875
00:38:14,920 --> 00:38:16,200
Speaker 2: rode through Central Park one day.

876
00:38:16,600 --> 00:38:19,000
Speaker 3: I'm down. That's how. That's how we're on tour. We

877
00:38:19,040 --> 00:38:22,879
Speaker 3: should show up to every venue on the I don't

878
00:38:22,920 --> 00:38:24,120
Speaker 3: know what on stage.

879
00:38:23,960 --> 00:38:28,600
Speaker 2: On stage that's sick, that's nas Why not come up?

880
00:38:29,520 --> 00:38:30,719
Speaker 2: That's no.

881
00:38:30,800 --> 00:38:32,759
Speaker 3: Hell yeah, you do a whole routine to get off

882
00:38:32,800 --> 00:38:33,239
Speaker 3: the bike too.

883
00:38:33,440 --> 00:38:35,319
Speaker 2: No, thank you. No, but we could definitely go to.

884
00:38:35,520 --> 00:38:38,560
Speaker 6: Your leg around song to you guys right into.

885
00:38:38,680 --> 00:38:39,840
Speaker 2: Actually we can't go to Centrepore.

886
00:38:39,880 --> 00:38:40,200
Speaker 3: We should.

887
00:38:40,200 --> 00:38:42,520
Speaker 2: We should ride the two the two seater bike like

888
00:38:42,560 --> 00:38:46,400
Speaker 2: through like the hood as long as the Jamaica ass.

889
00:38:47,000 --> 00:38:49,560
Speaker 3: Jamaica as not really good anymore. But it's not don't

890
00:38:49,600 --> 00:38:51,080
Speaker 3: tell me this Starbucks.

891
00:38:51,120 --> 00:38:53,560
Speaker 2: I had to run many nights on Jamaica Avenue just

892
00:38:53,600 --> 00:38:54,239
Speaker 2: to get to the train.

893
00:38:54,400 --> 00:38:57,880
Speaker 3: The Coliseum block now is just like it's a fucking target.

894
00:38:58,600 --> 00:39:00,920
Speaker 2: Oh yeah, once the target show up you unless you're

895
00:39:01,000 --> 00:39:02,040
Speaker 2: the target, then that's different.

896
00:39:02,200 --> 00:39:04,000
Speaker 3: Listen, it's still jamakea app. Don't get it twisted. But

897
00:39:04,040 --> 00:39:07,760
Speaker 3: they have put a bunch of high rise apartments over there, Starbucks, Chipotle,

898
00:39:07,880 --> 00:39:10,160
Speaker 3: every last thing you could think of. But it's still

899
00:39:10,200 --> 00:39:12,560
Speaker 3: it's still okay. It's just I'm saying it wouldn't be

900
00:39:12,600 --> 00:39:14,800
Speaker 3: the craziest shot. Now if we want to bust a

901
00:39:14,880 --> 00:39:18,160
Speaker 3: right down Merrick on that we never want to, then

902
00:39:18,160 --> 00:39:20,480
Speaker 3: it might be a little different. Keep going fast to

903
00:39:20,520 --> 00:39:23,240
Speaker 3: Colie black Man. They'd be like, oh, well, I guess

904
00:39:23,280 --> 00:39:24,440
Speaker 3: it's officially gentrified.

905
00:39:27,239 --> 00:39:30,080
Speaker 2: Oh man, yeah, I never saw a brink, but I

906
00:39:30,600 --> 00:39:36,000
Speaker 2: round rollbounds. You've seen at l You've seen the best

907
00:39:36,200 --> 00:39:37,120
Speaker 2: roller skating movie.

908
00:39:37,160 --> 00:39:42,800
Speaker 3: I guess it's probably up there is atl atl is

909
00:39:42,840 --> 00:39:43,960
Speaker 3: far better than Rollbounds.

910
00:39:44,120 --> 00:39:45,719
Speaker 2: Oh yeah, no, no, no, no no, I'm talking about with

911
00:39:45,800 --> 00:39:46,720
Speaker 2: brink brinking.

912
00:39:46,840 --> 00:39:49,880
Speaker 3: Atl are too drastically different. I'll give you my Disney

913
00:39:49,880 --> 00:39:51,520
Speaker 3: Plus account and you'll watch it tonight and go, oh,

914
00:39:51,560 --> 00:39:52,160
Speaker 3: never mind.

915
00:39:52,000 --> 00:39:53,759
Speaker 2: Okay, you've never heard of it.

916
00:39:53,800 --> 00:39:58,160
Speaker 3: One is like these fucking skater kids in Santa Monica,

917
00:39:58,239 --> 00:40:01,080
Speaker 3: like trying to skate skate for free.

918
00:40:01,080 --> 00:40:03,000
Speaker 2: Man, Like, okay, I know what you mean. It's like,

919
00:40:03,280 --> 00:40:03,759
Speaker 2: we don't want to.

920
00:40:03,719 --> 00:40:06,200
Speaker 3: Get paid to get the thing we love. What a

921
00:40:06,400 --> 00:40:09,040
Speaker 3: stupid message bring gates the world. For those that don't know,

922
00:40:09,280 --> 00:40:11,560
Speaker 3: the whole synopsis of Brink is four kids that love

923
00:40:11,640 --> 00:40:13,880
Speaker 3: to skate, and then there's this other team, team X

924
00:40:13,880 --> 00:40:16,120
Speaker 3: Blades of their peers at high school that get paid

925
00:40:16,160 --> 00:40:18,480
Speaker 3: to skate because they're sponsored and all that ship.

926
00:40:18,280 --> 00:40:20,040
Speaker 2: And the kids that don't get paid actually better.

927
00:40:19,840 --> 00:40:22,279
Speaker 3: And yeah, and like bringing the story's like, man, you know,

928
00:40:22,360 --> 00:40:24,400
Speaker 3: we just do it for fun, like we're not sellouts

929
00:40:24,400 --> 00:40:24,919
Speaker 3: and all that shit.

930
00:40:25,040 --> 00:40:26,120
Speaker 2: Yeah, what a culture.

931
00:40:26,239 --> 00:40:29,319
Speaker 3: What a terrible message to give kids that if you're

932
00:40:29,360 --> 00:40:32,240
Speaker 3: really good at something, you love it, it's your fucking passion,

933
00:40:32,440 --> 00:40:33,359
Speaker 3: you shouldn't want to get paid.

934
00:40:33,360 --> 00:40:35,120
Speaker 2: You want to get paid for it. Yeah, that's like,

935
00:40:35,680 --> 00:40:37,080
Speaker 2: I don't know if you'll remember this movie. I might

936
00:40:37,120 --> 00:40:38,600
Speaker 2: have been I don't even know if y'all were born

937
00:40:38,640 --> 00:40:41,160
Speaker 2: when Rad came out. The whole BMX movie in the

938
00:40:41,200 --> 00:40:43,040
Speaker 2: eighties one of my favorite movies growing up. It was

939
00:40:43,080 --> 00:40:45,400
Speaker 2: like the same thing. A dude from the neighborhood that

940
00:40:45,440 --> 00:40:48,080
Speaker 2: was super dope on his BMX bike and you know,

941
00:40:48,120 --> 00:40:49,799
Speaker 2: he had beef with the kid in school who was like,

942
00:40:51,840 --> 00:40:56,239
Speaker 2: this is Nigel Sylvester's story Before Nigel Sylvester was even known.

943
00:40:57,760 --> 00:41:01,400
Speaker 2: But yeah, uh, that's any other news goes.

944
00:41:02,200 --> 00:41:04,360
Speaker 3: Do you want to get into Tony Hawk documentary? You

945
00:41:04,360 --> 00:41:04,920
Speaker 3: guys watch it?

946
00:41:05,080 --> 00:41:06,880
Speaker 5: No, I haven't watched no, but I was. I was

947
00:41:07,200 --> 00:41:10,160
Speaker 5: Tony Hawk. What was the game that the video.

948
00:41:10,760 --> 00:41:12,640
Speaker 3: Pro Skinny a bunch of those?

949
00:41:12,680 --> 00:41:15,160
Speaker 6: Man, You're still crazy. Really he was a Tony off

950
00:41:15,239 --> 00:41:16,839
Speaker 6: fan on the video game.

951
00:41:16,920 --> 00:41:18,640
Speaker 3: Yes, that video and whenever I would see.

952
00:41:18,560 --> 00:41:20,240
Speaker 5: Him on TV, I will watch it too, And I

953
00:41:20,320 --> 00:41:22,000
Speaker 5: used to. That's why my knees are all fed up.

954
00:41:22,520 --> 00:41:25,000
Speaker 2: Have you ever gone to like a skate ramp and

955
00:41:25,040 --> 00:41:25,759
Speaker 2: like look down?

956
00:41:26,719 --> 00:41:27,080
Speaker 3: Yeah?

957
00:41:27,160 --> 00:41:30,279
Speaker 2: Yes, I gained a total totally new respect for the

958
00:41:30,320 --> 00:41:32,160
Speaker 2: dudes that do that ship after like going to the

959
00:41:32,160 --> 00:41:33,840
Speaker 2: top of it, like the big skate ramp, not the

960
00:41:33,880 --> 00:41:35,160
Speaker 2: little one. I know you're talking about going to the

961
00:41:35,200 --> 00:41:36,480
Speaker 2: top and standing at the front. I'm like, wait, so

962
00:41:36,480 --> 00:41:38,359
Speaker 2: I'm sposed to put my board right here and just

963
00:41:38,360 --> 00:41:40,080
Speaker 2: just go for fall down and ship.

964
00:41:41,200 --> 00:41:44,000
Speaker 3: Fuck no, and then go to the other side and.

965
00:41:43,920 --> 00:41:46,399
Speaker 2: Come back to collect that the funk out of here.

966
00:41:46,400 --> 00:41:48,880
Speaker 2: That ain't for me, bro, that's some skin even on

967
00:41:48,960 --> 00:41:50,920
Speaker 2: a bike, that's some scary ship. A skateboard.

968
00:41:50,920 --> 00:41:52,560
Speaker 6: I always felt like it was scarier on the bike

969
00:41:52,640 --> 00:41:52,800
Speaker 6: than this.

970
00:41:53,040 --> 00:41:56,240
Speaker 2: Hell, no skateboard, You on that one little ass board

971
00:41:56,239 --> 00:41:57,319
Speaker 2: with no no, no, no, no no no.

972
00:41:57,880 --> 00:41:59,120
Speaker 3: I'll give me some handle.

973
00:41:58,880 --> 00:42:01,040
Speaker 2: Bars and ship where I can get on that skateboard.

974
00:42:01,080 --> 00:42:03,879
Speaker 3: Should know. Watching that Tony Hawk document, I think it's

975
00:42:03,920 --> 00:42:06,799
Speaker 3: on HBO, I want to say. And it's not that

976
00:42:06,880 --> 00:42:11,080
Speaker 3: long either, It's just like quick two hours. I had.

977
00:42:11,200 --> 00:42:12,880
Speaker 3: I had a lot of respect for skateboarders. I actually

978
00:42:12,880 --> 00:42:14,600
Speaker 3: always jealous. That shit looked really cool to me. I

979
00:42:14,600 --> 00:42:17,120
Speaker 3: wish I could do it, But I think I have

980
00:42:17,200 --> 00:42:20,040
Speaker 3: even more respect watching that Tony Hawk shit. They are

981
00:42:20,080 --> 00:42:23,120
Speaker 3: one hundred athletes and some of them and some of

982
00:42:23,200 --> 00:42:28,279
Speaker 3: the most disciplined athletes or people on earth. Like I

983
00:42:28,280 --> 00:42:30,680
Speaker 3: feel like, if you're a kid that can skateboard and

984
00:42:30,760 --> 00:42:34,000
Speaker 3: you constantly bust your fucking ass to get one thing done,

985
00:42:34,040 --> 00:42:36,279
Speaker 3: it's the most beautiful fucking metaphor for the rest of

986
00:42:36,320 --> 00:42:38,239
Speaker 3: your life. Like, if you can try to do that

987
00:42:38,280 --> 00:42:40,720
Speaker 3: trick thirty times and the result of when you fail

988
00:42:40,760 --> 00:42:43,840
Speaker 3: with the trick is actual physical pain, You're gonna be

989
00:42:43,880 --> 00:42:45,839
Speaker 3: fine with life. Dog, You're gonna be okay like that.

990
00:42:46,960 --> 00:42:48,520
Speaker 3: I know they say sports and all that shit is

991
00:42:48,560 --> 00:42:50,719
Speaker 3: good for kids, teamwork, all that shit, let's build more

992
00:42:50,760 --> 00:42:54,399
Speaker 3: wiles and all that shit. Kids that skateboard, I think

993
00:42:54,480 --> 00:42:57,680
Speaker 3: are getting the exact same thing, if not more when

994
00:42:57,680 --> 00:42:59,960
Speaker 3: it comes to life experience in that sport.

995
00:43:00,239 --> 00:43:03,360
Speaker 2: Like listen, that's the epitome of do something over and

996
00:43:03,400 --> 00:43:06,719
Speaker 2: over and over until you get it right, Like skateboarding

997
00:43:06,800 --> 00:43:10,799
Speaker 2: will humble you. Like skateboarding, I always say skateboarding and

998
00:43:10,880 --> 00:43:14,719
Speaker 2: tennis are two sports that because to me, skateboarding is

999
00:43:14,719 --> 00:43:17,359
Speaker 2: a sport. It's two sports that will humble the fuck

1000
00:43:17,400 --> 00:43:20,359
Speaker 2: out of you. Like I thought that tennis because if

1001
00:43:20,400 --> 00:43:23,719
Speaker 2: you never played like right now, if you've never played basketball,

1002
00:43:23,760 --> 00:43:26,200
Speaker 2: right and you go to a park and somebody gives

1003
00:43:26,239 --> 00:43:29,560
Speaker 2: your ball, say, yo, just just shooting getting it. It's

1004
00:43:29,600 --> 00:43:31,480
Speaker 2: a little easier to do that, right, it's a rim,

1005
00:43:31,520 --> 00:43:35,120
Speaker 2: you just throw it up there. With tennis, actually hitting

1006
00:43:35,160 --> 00:43:38,840
Speaker 2: the ball over the net and getting getting into state inbound,

1007
00:43:38,920 --> 00:43:41,319
Speaker 2: that's not easy. Like if you've never done that before,

1008
00:43:41,360 --> 00:43:42,600
Speaker 2: like right now, you go to a tennis court and

1009
00:43:42,640 --> 00:43:44,040
Speaker 2: you try to hit the ball over the net and

1010
00:43:44,200 --> 00:43:46,719
Speaker 2: keep it in bounds, that's not easy to do. Like

1011
00:43:46,760 --> 00:43:49,000
Speaker 2: it's at all that shit be going every other like

1012
00:43:49,280 --> 00:43:52,200
Speaker 2: flying over the fence it's not an easy sport, bro. Like,

1013
00:43:52,239 --> 00:43:54,239
Speaker 2: those are two sports that I tried, and I was like, okay,

1014
00:43:54,239 --> 00:43:55,520
Speaker 2: I have a different respect for this shit.

1015
00:43:55,920 --> 00:43:59,800
Speaker 3: Yeah, but the Tony Yawk shit and just the entire

1016
00:44:00,800 --> 00:44:03,279
Speaker 3: it's kind of the entire process of skateboarding from a

1017
00:44:03,320 --> 00:44:07,239
Speaker 3: business side as well of like it being this insane

1018
00:44:07,360 --> 00:44:09,680
Speaker 3: craze when Tony Hawk was a kid, and then it

1019
00:44:09,719 --> 00:44:12,880
Speaker 3: going into the early nineties and it was like everyone

1020
00:44:12,920 --> 00:44:15,359
Speaker 3: that thought they were going to be popular and got

1021
00:44:15,400 --> 00:44:17,319
Speaker 3: all this money in the late eighties was like, well,

1022
00:44:17,360 --> 00:44:18,960
Speaker 3: I guess I have to sell car insurance now because

1023
00:44:19,000 --> 00:44:24,239
Speaker 3: literally nobody gives a fuck about skateboarding. And I do

1024
00:44:24,280 --> 00:44:25,920
Speaker 3: remember when Tony Hawk was trying to do that nine

1025
00:44:26,000 --> 00:44:28,319
Speaker 3: hundred shit. I was young. I remember watching that shit

1026
00:44:28,360 --> 00:44:32,239
Speaker 3: on TV. I wasn't aware because I was so young,

1027
00:44:32,360 --> 00:44:36,480
Speaker 3: how that specific moment completely changed the business of skateboarding.

1028
00:44:37,040 --> 00:44:39,800
Speaker 2: It became something sixties plus a half.

1029
00:44:40,000 --> 00:44:41,680
Speaker 3: Yes, so you just you spending a lot?

1030
00:44:41,800 --> 00:44:42,640
Speaker 2: Yeah, it's too full.

1031
00:44:42,880 --> 00:44:45,160
Speaker 3: You think these kids spend the block That motherfucker was

1032
00:44:45,200 --> 00:44:48,120
Speaker 3: spinning the whole ramp. Yeah, I remember that day of

1033
00:44:48,239 --> 00:44:52,200
Speaker 3: just how that brought the popularity back to it. Whereas

1034
00:44:52,400 --> 00:44:55,919
Speaker 3: ESPN even wanted to, you know, air more skateboarding shit,

1035
00:44:56,000 --> 00:44:58,279
Speaker 3: and it created more stars. It wasn't just Tony like that.

1036
00:44:58,320 --> 00:45:02,120
Speaker 3: Shit was a very interesting documentary and I do recommend it.

1037
00:45:03,440 --> 00:45:12,000
Speaker 2: All right, well, let's see what else we got, I

1038
00:45:12,080 --> 00:45:12,600
Speaker 2: senior man.

1039
00:45:12,640 --> 00:45:15,719
Speaker 3: Elon's just just offering pocket change from what he found

1040
00:45:15,800 --> 00:45:17,719
Speaker 3: under his couch cushion to get to get one of

1041
00:45:17,719 --> 00:45:20,520
Speaker 3: the biggest social love. He felt like networks of all time.

1042
00:45:20,640 --> 00:45:22,879
Speaker 2: Just felt like buying a new toy. And he woke

1043
00:45:23,000 --> 00:45:26,560
Speaker 2: up and just offered forty three billion. It's like a

1044
00:45:26,560 --> 00:45:28,520
Speaker 2: little light change forty three billion on an off day.

1045
00:45:28,600 --> 00:45:30,120
Speaker 3: Say he found out one of his jackets didy in

1046
00:45:30,160 --> 00:45:31,680
Speaker 3: more than a while, like, oh shit, yeah, I didn't

1047
00:45:31,680 --> 00:45:32,560
Speaker 3: realize I had this in here.

1048
00:45:32,600 --> 00:45:33,879
Speaker 2: You know, you know how he get down?

1049
00:45:34,280 --> 00:45:37,719
Speaker 3: Oh he get down? Elon Musk, does it? Come on, man,

1050
00:45:37,840 --> 00:45:38,440
Speaker 3: Young Musky.

1051
00:45:38,640 --> 00:45:41,640
Speaker 2: Elon Musk offered to buy Twitter for fifty four twenty

1052
00:45:41,680 --> 00:45:44,080
Speaker 2: cents a share, saying the social media company needs to

1053
00:45:44,120 --> 00:45:47,600
Speaker 2: be transformed privately. I invested in Twitter as I believe

1054
00:45:47,600 --> 00:45:49,720
Speaker 2: in its potential to be the platform for free speech

1055
00:45:49,719 --> 00:45:52,320
Speaker 2: around the globe, and I believe free speech is a

1056
00:45:52,320 --> 00:45:57,719
Speaker 2: societal imperative or a functioning, functioning democracy, Musk wrote in

1057
00:45:57,760 --> 00:45:59,600
Speaker 2: a letter sent to Twitter, cham and Brett Taylor and

1058
00:45:59,640 --> 00:46:03,280
Speaker 2: Disclow in the securities filing. According to Musk, the social

1059
00:46:03,360 --> 00:46:05,800
Speaker 2: media company needs to go private because it can neither

1060
00:46:05,880 --> 00:46:10,279
Speaker 2: thrive nor serve free speech in its current state. As

1061
00:46:10,320 --> 00:46:12,560
Speaker 2: a result, I am offering to buy one hundred percent

1062
00:46:12,560 --> 00:46:14,759
Speaker 2: of Twitter for fifty four dollars and twenty cents per

1063
00:46:14,800 --> 00:46:18,000
Speaker 2: share in cash, a fifty four percent premium over the

1064
00:46:18,080 --> 00:46:20,920
Speaker 2: day before I began investing in Twitter, and a thirty

1065
00:46:20,960 --> 00:46:23,640
Speaker 2: eight percent premium over the day before my investment was

1066
00:46:23,640 --> 00:46:24,600
Speaker 2: publicly announced.

1067
00:46:25,000 --> 00:46:25,880
Speaker 3: Musk rights.

1068
00:46:26,440 --> 00:46:29,319
Speaker 2: My offer is my best and final offer, and if

1069
00:46:29,320 --> 00:46:31,760
Speaker 2: it is not accepted, then I'm gonna need that money

1070
00:46:31,760 --> 00:46:34,040
Speaker 2: that I gave you motherfucker's back, because I am no

1071
00:46:34,080 --> 00:46:38,239
Speaker 2: longer as shareholder in this company, writes Elon in so

1072
00:46:38,280 --> 00:46:40,239
Speaker 2: many where Yeah, Jack and Jay, Yeah, you know what

1073
00:46:40,239 --> 00:46:42,320
Speaker 2: I mean. Oh listen, man, forty three billion on the

1074
00:46:42,400 --> 00:46:45,440
Speaker 2: off day. I mean, y'all better give Elon what he want.

1075
00:46:45,480 --> 00:46:45,640
Speaker 6: Man.

1076
00:46:45,640 --> 00:46:47,640
Speaker 2: I think y'all should cash out. Fuck it, let him

1077
00:46:47,640 --> 00:46:47,920
Speaker 2: have it.

1078
00:46:48,480 --> 00:46:51,560
Speaker 3: And this is gonna sound really ignorant. Does Elon ever

1079
00:46:51,600 --> 00:46:54,160
Speaker 3: finish anything he starts? Oh?

1080
00:46:54,239 --> 00:46:56,640
Speaker 6: Yeah, the car is right, he's yeah, okay sor right,

1081
00:46:57,120 --> 00:46:57,840
Speaker 6: no them cars.

1082
00:46:57,840 --> 00:47:00,520
Speaker 5: I'm finished to sound well. The Tesla's why he's at

1083
00:47:01,360 --> 00:47:04,080
Speaker 5: the teslas. Have a go look up problems with Tesla's.

1084
00:47:04,320 --> 00:47:05,879
Speaker 3: I just feel like anytime he starts a new venture

1085
00:47:05,880 --> 00:47:07,719
Speaker 3: and doesn't finish it, he tries to distract us with

1086
00:47:07,719 --> 00:47:10,759
Speaker 3: a flamethrower. Yeah, and I feel like this might be

1087
00:47:10,800 --> 00:47:12,800
Speaker 3: a distraction. You feel like this is a new flamethrower.

1088
00:47:13,800 --> 00:47:18,560
Speaker 3: So where is the fucking underground railroad in l A?

1089
00:47:19,560 --> 00:47:22,080
Speaker 2: Oh that's racist. But the underground tunnel that he's building

1090
00:47:22,719 --> 00:47:25,880
Speaker 2: is uh, it's he called it that. I don't know.

1091
00:47:26,000 --> 00:47:28,399
Speaker 2: I don't I don't know. Well, it's not finished yet,

1092
00:47:28,400 --> 00:47:30,920
Speaker 2: but I hear it. I do know that they are still.

1093
00:47:30,960 --> 00:47:32,839
Speaker 2: I do still believe that they are working on it though.

1094
00:47:33,520 --> 00:47:35,840
Speaker 3: Have they have they started to dig at least a

1095
00:47:35,840 --> 00:47:37,279
Speaker 3: whole Yeah? What they have one?

1096
00:47:37,320 --> 00:47:39,520
Speaker 2: Who have one in Vegas? This was one in Vegas

1097
00:47:39,920 --> 00:47:42,279
Speaker 2: that I think a few people, uh, like I know

1098
00:47:42,360 --> 00:47:46,360
Speaker 2: the Kardashians have like driven through it. Okay, like you

1099
00:47:46,440 --> 00:47:48,239
Speaker 2: have to be like a celebrity. Yeah, it's because it's

1100
00:47:48,239 --> 00:47:49,640
Speaker 2: not done yet, so they just want to show people

1101
00:47:49,680 --> 00:47:52,040
Speaker 2: what it is. But I do think that's I think

1102
00:47:52,040 --> 00:47:53,520
Speaker 2: that's coming. I think we don't just because we don't

1103
00:47:53,520 --> 00:47:55,759
Speaker 2: hear about it, don't give us update daily. I do

1104
00:47:55,800 --> 00:47:58,680
Speaker 2: think that that's that's something that is going to be

1105
00:47:58,680 --> 00:47:59,600
Speaker 2: finished though, for sure.

1106
00:47:59,680 --> 00:48:01,239
Speaker 3: And then it was me working on like a just

1107
00:48:01,280 --> 00:48:03,239
Speaker 3: a regular rocket that like I could go cop and.

1108
00:48:03,200 --> 00:48:05,200
Speaker 2: Go to the moon, sending people to here, sending people

1109
00:48:05,200 --> 00:48:05,840
Speaker 2: to space.

1110
00:48:05,960 --> 00:48:07,759
Speaker 3: Then Bezos got involved and I think he got a

1111
00:48:07,760 --> 00:48:08,440
Speaker 3: little jealous.

1112
00:48:08,600 --> 00:48:11,759
Speaker 2: Yeah, you know, the billionaires just playing with their toys. Man,

1113
00:48:11,800 --> 00:48:12,600
Speaker 2: that's all this ship.

1114
00:48:12,520 --> 00:48:14,120
Speaker 3: Is a cyber truck and the motorcycle.

1115
00:48:14,520 --> 00:48:16,879
Speaker 2: Yeah, I mean, listen, I still want I still want

1116
00:48:16,880 --> 00:48:19,160
Speaker 2: one of those those for those four what is it,

1117
00:48:19,160 --> 00:48:21,920
Speaker 2: the quadra, Yeah, the motorcycle for the kids. Those are

1118
00:48:21,920 --> 00:48:25,879
Speaker 2: for like a motherfucker too. I'm getting like, yeah, yeah,

1119
00:48:26,080 --> 00:48:28,319
Speaker 2: so you needing you uptown going block to block to

1120
00:48:28,320 --> 00:48:30,160
Speaker 2: see the homies. No more than twenty five miles.

1121
00:48:30,239 --> 00:48:30,879
Speaker 3: Need the air musk.

1122
00:48:30,960 --> 00:48:32,239
Speaker 2: Yeah, that's it, that's what you need.

1123
00:48:32,160 --> 00:48:32,919
Speaker 6: The air mum.

1124
00:48:33,000 --> 00:48:35,200
Speaker 3: But I do still see, like I know, Twitter has

1125
00:48:35,280 --> 00:48:39,280
Speaker 3: dropped drastically as far as like users and it's potential

1126
00:48:39,280 --> 00:48:42,680
Speaker 3: and all that shit, I still think it may be

1127
00:48:42,880 --> 00:48:46,719
Speaker 3: the most long lasting social media shit in the long

1128
00:48:46,800 --> 00:48:49,560
Speaker 3: run because it's the most simple. It's literally just your

1129
00:48:49,600 --> 00:48:51,640
Speaker 3: thoughts and you can read other people's thoughts. There's no

1130
00:48:51,719 --> 00:48:54,840
Speaker 3: fucking bells and whistles. I'm glad Twitter has. They've changed,

1131
00:48:54,880 --> 00:48:58,040
Speaker 3: but they haven't gone too crazy outside of why we

1132
00:48:58,120 --> 00:48:58,799
Speaker 3: really like the ship.

1133
00:48:59,160 --> 00:49:01,480
Speaker 4: And it's also just because on an entertainment platform, and

1134
00:49:01,520 --> 00:49:04,880
Speaker 4: now a lot of people get their news from Twitter exactly.

1135
00:49:05,239 --> 00:49:07,680
Speaker 3: I think there's I see why he would want to

1136
00:49:07,680 --> 00:49:09,759
Speaker 3: buy it. I don't think Twitter's days, even if it

1137
00:49:09,800 --> 00:49:13,480
Speaker 3: looks like it's decreasing from what it original originally was,

1138
00:49:13,640 --> 00:49:17,480
Speaker 3: I think it'll be here forever. It's fucking it's headlines,

1139
00:49:17,640 --> 00:49:19,320
Speaker 3: It's what the world is now. It's one hundred and

1140
00:49:19,360 --> 00:49:21,560
Speaker 3: forty characters. All we care about is the first sentence,

1141
00:49:21,800 --> 00:49:24,040
Speaker 3: and that's what Twitter is, and it's everybody's first sentence.

1142
00:49:24,400 --> 00:49:27,680
Speaker 3: When it's easy to digest, it's easy to quickly look at. Granted,

1143
00:49:27,800 --> 00:49:29,840
Speaker 3: probably gives you a lot of misinformation and you shouldn't

1144
00:49:29,960 --> 00:49:33,480
Speaker 3: depend on it, but you know, I feel like I

1145
00:49:33,480 --> 00:49:35,719
Speaker 3: could be eighty years old and still be getting my

1146
00:49:35,760 --> 00:49:37,239
Speaker 3: tweets off. I don't know if I'm be getting my

1147
00:49:37,280 --> 00:49:38,480
Speaker 3: ig shit off when I'm eighty.

1148
00:49:38,640 --> 00:49:40,120
Speaker 2: Oh I'm gonna get these fits off when I'm made.

1149
00:49:40,160 --> 00:49:42,239
Speaker 3: You can believe that shit still money bags under Oh

1150
00:49:42,360 --> 00:49:45,239
Speaker 3: yeah for sure to girls that could be your grand daughter.

1151
00:49:45,680 --> 00:49:47,600
Speaker 6: Outlaws will outlast Facebook.

1152
00:49:48,600 --> 00:49:53,520
Speaker 3: It has Yeah how Facebook? Who on Facebook? Facebook became

1153
00:49:53,520 --> 00:49:57,240
Speaker 3: a different company. Facebook is now just masked as social

1154
00:49:57,239 --> 00:50:02,200
Speaker 3: media for your mom, But it's it started the downfall

1155
00:50:02,320 --> 00:50:05,760
Speaker 3: of our digital world of selling data and selling our information.

1156
00:50:05,800 --> 00:50:07,560
Speaker 3: They were the leaders in it. They become they became

1157
00:50:07,560 --> 00:50:10,440
Speaker 3: that type of company. They stopped focusing on Let's make

1158
00:50:10,480 --> 00:50:12,920
Speaker 3: sure this social media platform is growing and we get

1159
00:50:12,920 --> 00:50:15,719
Speaker 3: the kids. No, make sure my mom can get on

1160
00:50:15,760 --> 00:50:19,120
Speaker 3: there and talk to her friends, and let's make sure

1161
00:50:19,200 --> 00:50:22,760
Speaker 3: we lead the world in ad dollars because we started

1162
00:50:22,760 --> 00:50:25,440
Speaker 3: the system to sell everyone's data. They just became a

1163
00:50:25,440 --> 00:50:26,200
Speaker 3: different company.

1164
00:50:26,360 --> 00:50:29,480
Speaker 2: Facebook to me is like foot locker. Who still goes

1165
00:50:29,520 --> 00:50:34,280
Speaker 2: to foot locker to get sneakers? Your aunts, your uncles,

1166
00:50:34,960 --> 00:50:36,960
Speaker 2: They have some running sneakers. You know, they going there

1167
00:50:37,000 --> 00:50:38,759
Speaker 2: and they talk to the guys with the referee shirt on.

1168
00:50:39,120 --> 00:50:42,040
Speaker 2: They're running a couple suicides to see if you know

1169
00:50:42,080 --> 00:50:44,240
Speaker 2: the sneakers have the traction that it says it has.

1170
00:50:44,800 --> 00:50:46,600
Speaker 2: But you don't get your sneakers from foot Locker. You

1171
00:50:46,640 --> 00:50:47,799
Speaker 2: don't get your sniggers. I don't.

1172
00:50:47,840 --> 00:50:50,040
Speaker 3: You don't like we don't. But also Facebook kind of

1173
00:50:50,040 --> 00:50:53,000
Speaker 3: became the parent company too, Like they saw their competition

1174
00:50:53,080 --> 00:50:54,879
Speaker 3: and was like, well, we have more money than them,

1175
00:50:54,960 --> 00:50:58,040
Speaker 3: let's just buy the competition, like ig is under Facebook,

1176
00:50:58,080 --> 00:51:01,280
Speaker 3: Like they have bought a lot of social media platforms

1177
00:51:01,280 --> 00:51:04,320
Speaker 3: that are more popular with the younger generation that Facebook

1178
00:51:04,400 --> 00:51:08,080
Speaker 3: can focus on, and they're just literally fucking viacom at

1179
00:51:08,080 --> 00:51:10,920
Speaker 3: this point. Yeah, I just don't think they care.

1180
00:51:10,840 --> 00:51:13,160
Speaker 2: Well either way. Could somebody tell me what a super

1181
00:51:13,160 --> 00:51:14,160
Speaker 2: follow is on Twitter?

1182
00:51:14,840 --> 00:51:15,760
Speaker 3: I super followed.

1183
00:51:16,120 --> 00:51:19,680
Speaker 2: I followed someone and right after I click follow, it

1184
00:51:19,719 --> 00:51:21,000
Speaker 2: says super follow.

1185
00:51:21,640 --> 00:51:24,960
Speaker 5: So it's kind of like a close friends for Twitter.

1186
00:51:25,400 --> 00:51:27,200
Speaker 5: And in correct me if I'm wrong, Because I super

1187
00:51:27,200 --> 00:51:30,759
Speaker 5: followed a makeup a skincare esthetician. She was the only

1188
00:51:30,800 --> 00:51:33,719
Speaker 5: person I super followed. Because in your super follow she

1189
00:51:33,760 --> 00:51:35,640
Speaker 5: can like post like tweets that are just for the

1190
00:51:35,640 --> 00:51:37,480
Speaker 5: people who are super following her. And I think it's

1191
00:51:37,480 --> 00:51:39,399
Speaker 5: like five dollars a month or something like that.

1192
00:51:40,000 --> 00:51:41,880
Speaker 2: Oh you have to pay to super follow somebody.

1193
00:51:42,120 --> 00:51:45,520
Speaker 4: Yeah, this started last year on September. So today we're

1194
00:51:45,560 --> 00:51:47,839
Speaker 4: excited to introduce super follows, a new way for people

1195
00:51:47,880 --> 00:51:52,080
Speaker 4: to earn monthly revenue by sharing sharing subscriber only content

1196
00:51:52,120 --> 00:51:54,880
Speaker 4: with their followers on Twitter. With super follows, people can

1197
00:51:54,920 --> 00:51:57,840
Speaker 4: create an extra level of conversation on Twitter, sharing bonus

1198
00:51:57,880 --> 00:52:01,319
Speaker 4: suits and more to interact authentically with their most engaged followers,

1199
00:52:01,360 --> 00:52:03,560
Speaker 4: all while earning money. So how much money you making?

1200
00:52:04,080 --> 00:52:05,680
Speaker 2: I don't have a super follow, and if I do,

1201
00:52:05,760 --> 00:52:09,480
Speaker 2: somebody got my money. I don't even know concept for you.

1202
00:52:09,640 --> 00:52:11,040
Speaker 2: I'm like, I don't even First of all, I don't

1203
00:52:11,040 --> 00:52:13,800
Speaker 2: even post on Twitter like that, but yeah, follow somebody

1204
00:52:13,800 --> 00:52:15,160
Speaker 2: and I saw super follow I was like, what is

1205
00:52:15,160 --> 00:52:15,759
Speaker 2: a super follow?

1206
00:52:15,880 --> 00:52:19,120
Speaker 6: So basically it's like only fans. It's only for close friends.

1207
00:52:19,160 --> 00:52:22,360
Speaker 2: And that makes sense because the person I followed would

1208
00:52:22,360 --> 00:52:23,680
Speaker 2: have an only fans I believe.

1209
00:52:23,719 --> 00:52:25,520
Speaker 3: I mean, I like the Twitter community shit they do.

1210
00:52:25,840 --> 00:52:27,719
Speaker 3: They actually just made one for the show as well.

1211
00:52:27,920 --> 00:52:31,960
Speaker 3: That that shit is cool because you can take a

1212
00:52:32,360 --> 00:52:34,080
Speaker 3: specific group of people that you trust, like you can

1213
00:52:34,080 --> 00:52:36,239
Speaker 3: lock the room if you will. I get it, and

1214
00:52:36,320 --> 00:52:39,040
Speaker 3: y'all can really discuss the ship that you guys all

1215
00:52:39,320 --> 00:52:41,520
Speaker 3: want to talk about without the distractions of people that

1216
00:52:41,560 --> 00:52:43,400
Speaker 3: are going to come in that don't really have interest

1217
00:52:43,440 --> 00:52:45,239
Speaker 3: and just want to fucking find a way to either

1218
00:52:45,400 --> 00:52:48,600
Speaker 3: cancel you or you know, pick apart every last word

1219
00:52:48,719 --> 00:52:50,160
Speaker 3: you just said. And it's like, now we all have

1220
00:52:50,160 --> 00:52:52,600
Speaker 3: an understanding here, so I fuck with that ship.

1221
00:52:52,680 --> 00:52:55,319
Speaker 2: But okay, that makes sense. I like the super follow idea.

1222
00:52:55,320 --> 00:52:56,319
Speaker 2: I see what Twitter is doing.

1223
00:52:56,560 --> 00:52:59,080
Speaker 3: So yeah, huh, you gonna sign up?

1224
00:52:59,239 --> 00:52:59,479
Speaker 2: Nah?

1225
00:52:59,600 --> 00:53:02,240
Speaker 3: I don't pay five No, I'm.

1226
00:53:02,120 --> 00:53:03,960
Speaker 6: Saying, are you going to sign up so that people

1227
00:53:04,040 --> 00:53:05,440
Speaker 6: can super follow you?

1228
00:53:06,320 --> 00:53:06,480
Speaker 3: Oh?

1229
00:53:06,520 --> 00:53:08,719
Speaker 2: Super follow me? I don't know, because then that means

1230
00:53:08,760 --> 00:53:11,200
Speaker 2: I would have to feed like the super follow ecosystem,

1231
00:53:11,239 --> 00:53:13,560
Speaker 2: Like you have to like host like a lot of

1232
00:53:13,600 --> 00:53:15,439
Speaker 2: like super follow shit and like.

1233
00:53:15,560 --> 00:53:17,760
Speaker 3: Just interact with people and listen.

1234
00:53:17,840 --> 00:53:20,600
Speaker 2: I think I do that enough, like with our Patreon

1235
00:53:20,719 --> 00:53:22,799
Speaker 2: and Instagram, and I don't need to be doing that

1236
00:53:22,840 --> 00:53:23,280
Speaker 2: on Twitter.

1237
00:53:23,320 --> 00:53:26,040
Speaker 3: You know what we could do We should make instead

1238
00:53:26,080 --> 00:53:28,279
Speaker 3: of like the new Rory and Maul super follow, we

1239
00:53:28,320 --> 00:53:32,680
Speaker 3: can make like twenty twelve Twitter follow that's a super follow.

1240
00:53:32,880 --> 00:53:38,080
Speaker 3: Oh and we get all pay five bucks, doesn't even matter.

1241
00:53:38,080 --> 00:53:40,759
Speaker 3: We just all can tweet and feel safe the same

1242
00:53:40,760 --> 00:53:42,960
Speaker 3: way we did in twenty twelve on Twitter. And we

1243
00:53:42,960 --> 00:53:45,800
Speaker 3: could just go back to that Twitter under this umbrella.

1244
00:53:46,480 --> 00:53:47,880
Speaker 3: I would be on Twitter all day.

1245
00:53:48,040 --> 00:53:51,000
Speaker 2: There, But is there a way those so those super follows,

1246
00:53:51,280 --> 00:53:53,560
Speaker 2: there's no way for people to like screenshot and send

1247
00:53:53,640 --> 00:53:55,040
Speaker 2: that out to like problems.

1248
00:53:56,040 --> 00:54:00,520
Speaker 3: I just feel like most of the people not safe.

1249
00:54:00,520 --> 00:54:01,800
Speaker 2: We can't do that. All right, then it has to

1250
00:54:01,800 --> 00:54:04,279
Speaker 2: be I'm about to say, listen, let's let's let's let's

1251
00:54:04,280 --> 00:54:06,839
Speaker 2: start that tonight, because I'll go in there right off.

1252
00:54:06,920 --> 00:54:10,840
Speaker 2: I let one go immediately I retweet one of my

1253
00:54:10,880 --> 00:54:13,560
Speaker 2: old tim yeah, like two thousand and eight all over again,

1254
00:54:13,920 --> 00:54:17,239
Speaker 2: Like what are you kidding me? Oh yeah, I.

1255
00:54:17,239 --> 00:54:18,560
Speaker 3: Would like to do that. But I do think with

1256
00:54:18,600 --> 00:54:20,320
Speaker 3: some of the Twitter communities you could do that ship

1257
00:54:20,320 --> 00:54:24,120
Speaker 3: because there is still a community that will trust each

1258
00:54:24,120 --> 00:54:25,360
Speaker 3: other even if you don't know each other. Like we

1259
00:54:25,480 --> 00:54:27,480
Speaker 3: all from this era, we know what time it is.

1260
00:54:27,520 --> 00:54:29,080
Speaker 3: We're not gonna let a weirdo in here.

1261
00:54:29,120 --> 00:54:29,600
Speaker 2: We get it.

1262
00:54:29,840 --> 00:54:32,240
Speaker 3: So maybe we'll find a way on Twitter to somehow

1263
00:54:32,280 --> 00:54:35,560
Speaker 3: incorporate that, or maybe on our discord we'll just use

1264
00:54:35,600 --> 00:54:36,840
Speaker 3: that as tweets.

1265
00:54:38,000 --> 00:54:40,600
Speaker 2: Got it all right? And the more Twitter news. Two

1266
00:54:40,680 --> 00:54:43,840
Speaker 2: inmates at an all women's New Jersey prison are pregnant

1267
00:54:44,080 --> 00:54:47,560
Speaker 2: a after both had sex with the same transgender inmate

1268
00:54:47,680 --> 00:54:50,960
Speaker 2: after local acl U Chapter one battle to house trans

1269
00:54:51,080 --> 00:54:54,800
Speaker 2: inmates and women's prisons. The pregnant women are house of

1270
00:54:54,840 --> 00:54:58,200
Speaker 2: the embattled Edna Mahan Correctional for City and Clinton, which

1271
00:54:58,239 --> 00:55:01,239
Speaker 2: New Jersey governor announced plans to It is unclear if

1272
00:55:01,280 --> 00:55:04,680
Speaker 2: the women had sex with the same transgender women. Edna

1273
00:55:04,760 --> 00:55:09,120
Speaker 2: Mayhon houses twenty seven transgender prisoners and over eight hundred

1274
00:55:09,480 --> 00:55:13,400
Speaker 2: cis gender women. The correctional facility began to house inmates

1275
00:55:13,400 --> 00:55:17,040
Speaker 2: by gender identity last year after reaching a settlement in

1276
00:55:17,040 --> 00:55:21,280
Speaker 2: a lawsuit brought by a transwoman and the ACLU. Edna Mayhan,

1277
00:55:21,440 --> 00:55:24,080
Speaker 2: the only women's prison in the state, does not require

1278
00:55:24,120 --> 00:55:28,319
Speaker 2: transgender inmates to proceed with reassignment surgery in order to

1279
00:55:28,360 --> 00:55:31,560
Speaker 2: be housed. In recent years, Edna Mayhan has grappled with

1280
00:55:31,680 --> 00:55:36,320
Speaker 2: reports of widespread abuses and systemic failures. Ten prison guards

1281
00:55:36,320 --> 00:55:39,160
Speaker 2: faced criminal charges stemming from an alleged assault on inmates,

1282
00:55:39,280 --> 00:55:44,680
Speaker 2: including a transgender woman in January twenty twenty. So he

1283
00:55:44,680 --> 00:55:48,600
Speaker 2: has two inmates at an All women's New Jersey prisons

1284
00:55:48,640 --> 00:55:49,280
Speaker 2: are pregnant.

1285
00:55:49,360 --> 00:55:51,359
Speaker 3: Now women have to be scared of prison rape. Two

1286
00:55:52,000 --> 00:55:57,040
Speaker 3: Uh sorry, but was it rape? No? I'm just saying,

1287
00:55:57,120 --> 00:56:00,520
Speaker 3: in the event that somebody with a penis is dillowed

1288
00:56:00,600 --> 00:56:05,560
Speaker 3: at a female jail, right, you could hire the risk

1289
00:56:05,640 --> 00:56:07,399
Speaker 3: of what men fear when they're in jail as well.

1290
00:56:07,400 --> 00:56:09,480
Speaker 2: And this is where the problem is going to come

1291
00:56:09,520 --> 00:56:13,480
Speaker 2: in with, you know, all of the genders being blurred.

1292
00:56:13,680 --> 00:56:16,440
Speaker 2: It's like, okay, now you have two women at an

1293
00:56:16,440 --> 00:56:19,399
Speaker 2: all women's facility that are pregnant because they had sex

1294
00:56:19,440 --> 00:56:24,239
Speaker 2: with a transgender me. Here we go.

1295
00:56:26,080 --> 00:56:29,799
Speaker 3: I don't even know how to what what is the

1296
00:56:29,840 --> 00:56:33,400
Speaker 3: trans community's view on where they want to go to prison?

1297
00:56:34,920 --> 00:56:35,920
Speaker 6: They want to be there.

1298
00:56:35,760 --> 00:56:38,720
Speaker 5: A lot of them want to be housed in women's

1299
00:56:38,719 --> 00:56:40,680
Speaker 5: prisons because it's safer for them.

1300
00:56:40,920 --> 00:56:44,200
Speaker 3: Okay, I can totally see that. I can see a

1301
00:56:44,239 --> 00:56:47,720
Speaker 3: male jail not being the safest place for a transgender person.

1302
00:56:48,360 --> 00:56:53,040
Speaker 3: It's not the most progressive place in the prison system

1303
00:56:53,080 --> 00:56:55,440
Speaker 3: as far as what they think of non straight people.

1304
00:56:57,000 --> 00:57:01,160
Speaker 3: So I guess I can see that. But this is

1305
00:57:01,200 --> 00:57:03,600
Speaker 3: also yeah, now it could also turn into a fuckfest.

1306
00:57:04,360 --> 00:57:07,600
Speaker 2: So listen, because we talked about this before. We we

1307
00:57:07,800 --> 00:57:10,920
Speaker 2: love all people. We don't care about your sexual preference,

1308
00:57:11,000 --> 00:57:13,239
Speaker 2: we don't care about what you identify as.

1309
00:57:13,239 --> 00:57:14,160
Speaker 3: That's your prerogative.

1310
00:57:15,239 --> 00:57:17,840
Speaker 2: But we're gonna have some fun with this topic. So

1311
00:57:18,440 --> 00:57:21,400
Speaker 2: if you know me, being a heterosexual man, say I

1312
00:57:21,400 --> 00:57:23,320
Speaker 2: commit a crime and I'm scared to go to a

1313
00:57:23,320 --> 00:57:25,400
Speaker 2: men's facility because I'm hearing that they just be beating

1314
00:57:25,400 --> 00:57:27,640
Speaker 2: motherfuckers up, which is true. But you know, just just

1315
00:57:27,640 --> 00:57:29,800
Speaker 2: like I don't want to go in there. Can I

1316
00:57:29,800 --> 00:57:33,440
Speaker 2: identify as a woman and be sent to the women's facility?

1317
00:57:33,800 --> 00:57:35,560
Speaker 3: That's like the best version of PC ever.

1318
00:57:36,000 --> 00:57:37,840
Speaker 2: Yeah, like I mean, and I don't.

1319
00:57:37,640 --> 00:57:38,120
Speaker 3: Have to snitch.

1320
00:57:38,240 --> 00:57:40,520
Speaker 2: Yeah, like I can identify as a woman to say, hey, listen,

1321
00:57:40,560 --> 00:57:43,640
Speaker 2: I am a woman, and I all that editor is.

1322
00:57:43,600 --> 00:57:45,960
Speaker 3: Gonna be crazy. That's okay, but do numbers for it?

1323
00:57:46,280 --> 00:57:49,600
Speaker 2: Identify don't tell me that me identifying a woman is

1324
00:57:49,600 --> 00:57:52,600
Speaker 2: gonna do numbers us. I identify as a woman, and

1325
00:57:52,680 --> 00:57:55,040
Speaker 2: I would like to be housed in the women's facility.

1326
00:57:55,520 --> 00:57:56,240
Speaker 3: It would be like I.

1327
00:57:56,200 --> 00:57:59,800
Speaker 2: Couldn't afford to get any type of you know, surgery

1328
00:58:00,080 --> 00:58:03,080
Speaker 2: or procedure done, so I'm just like poor, but I

1329
00:58:03,120 --> 00:58:05,240
Speaker 2: do identify as a woman. I want to be a woman.

1330
00:58:05,520 --> 00:58:07,920
Speaker 2: Would I be able to be housed in a woman's facility?

1331
00:58:08,040 --> 00:58:09,520
Speaker 6: I think you would have to be taking hormones.

1332
00:58:09,560 --> 00:58:11,760
Speaker 3: If I'm not mistaken, listen, I pop worse.

1333
00:58:12,720 --> 00:58:15,160
Speaker 2: That's prejudice. I have to be taking hormones to be

1334
00:58:15,160 --> 00:58:18,400
Speaker 2: housing a woman's facility. I was it prejudice because what

1335
00:58:18,440 --> 00:58:20,240
Speaker 2: if I don't want to take hormone pills yet, but

1336
00:58:20,280 --> 00:58:22,240
Speaker 2: I still identify as a woman, could.

1337
00:58:22,120 --> 00:58:25,000
Speaker 3: Identify time I process. Yeah, that should be like when

1338
00:58:25,040 --> 00:58:28,240
Speaker 3: Chris and nef went to the all girls' school and uh,

1339
00:58:28,400 --> 00:58:32,440
Speaker 3: they can't stop on style video. Yeah, that's what it

1340
00:58:32,440 --> 00:58:34,400
Speaker 3: would be like for prison. For you, I'm gonna go

1341
00:58:34,400 --> 00:58:35,280
Speaker 3: commit a crime.

1342
00:58:35,560 --> 00:58:37,160
Speaker 2: That's exactly what it would be like. That's what I'm

1343
00:58:37,160 --> 00:58:41,440
Speaker 2: asking because it's like y'all identify as a woman, identify as.

1344
00:58:41,280 --> 00:58:43,640
Speaker 3: One, and the amount the amount of bad bitches that

1345
00:58:43,880 --> 00:58:45,680
Speaker 3: are scanning front white toes.

1346
00:58:46,880 --> 00:58:49,480
Speaker 6: At least small, Like put some fucking effort.

1347
00:58:49,120 --> 00:58:51,160
Speaker 3: In white toes. Ain't that bad? You painting your nails before?

1348
00:58:51,280 --> 00:58:54,640
Speaker 2: But women have short haircuts, okay, especially before they go

1349
00:58:54,640 --> 00:58:57,440
Speaker 2: to prison. Yeah, like women have short natural hair. This

1350
00:58:57,520 --> 00:58:59,280
Speaker 2: is my natural look. I have my short natural hair

1351
00:58:59,280 --> 00:59:00,000
Speaker 2: going natural curve.

1352
00:59:00,200 --> 00:59:03,280
Speaker 3: And you cannot comment on a woman that has not

1353
00:59:03,360 --> 00:59:05,720
Speaker 3: a lot of hair. So look at you now.

1354
00:59:07,600 --> 00:59:09,479
Speaker 2: I'm just trying to figure it out. I'm just trying

1355
00:59:09,480 --> 00:59:11,640
Speaker 2: to figure it out. So if I ever run into

1356
00:59:11,680 --> 00:59:13,560
Speaker 2: the situation where God forbid, I have to go do

1357
00:59:13,640 --> 00:59:16,000
Speaker 2: some prison time, I would like to be housed in

1358
00:59:16,040 --> 00:59:16,960
Speaker 2: the women's facility.

1359
00:59:17,120 --> 00:59:20,400
Speaker 3: And you gotta think too, the women prison systems aren't

1360
00:59:20,400 --> 00:59:22,720
Speaker 3: what they used to be because all these bad bitches

1361
00:59:22,720 --> 00:59:26,200
Speaker 3: on ig are scamming their credit card scamming, and they're

1362
00:59:26,200 --> 00:59:29,320
Speaker 3: going to jail like some I feel like some prison

1363
00:59:29,360 --> 00:59:30,640
Speaker 3: yards look like your timeline.

1364
00:59:30,720 --> 00:59:32,920
Speaker 6: Yo. Imagine being in jail with JT.

1365
00:59:33,520 --> 00:59:36,640
Speaker 2: Me like I'm in the facility with the women.

1366
00:59:37,000 --> 00:59:41,720
Speaker 3: Yeah, you and JT cellmates. Oh man, careful, but who's

1367
00:59:41,720 --> 00:59:43,480
Speaker 3: even gonna smack you. I didn't even say nothing.

1368
00:59:43,520 --> 00:59:44,040
Speaker 2: I just laughed.

1369
00:59:44,040 --> 00:59:47,320
Speaker 3: I said, old man, don't say old man about UZI girl. No,

1370
00:59:47,400 --> 00:59:49,120
Speaker 3: I mean, you know, JT might SMAs.

1371
00:59:49,200 --> 00:59:50,760
Speaker 2: It would be she might smash me.

1372
00:59:50,920 --> 00:59:52,080
Speaker 3: Smack. That's a smack.

1373
00:59:52,160 --> 00:59:55,160
Speaker 2: But oh no, I mean, listen, identify as a woman

1374
00:59:55,200 --> 00:59:56,840
Speaker 2: if I get locked up, just just I'm saying it

1375
00:59:56,880 --> 00:59:59,520
Speaker 2: publicly so everybody knows. If I get arrested and I

1376
00:59:59,560 --> 01:00:02,120
Speaker 2: have to do time, please house met in the women's facility.

1377
01:00:02,160 --> 01:00:04,520
Speaker 2: Because now I now identify as a woman. I understand,

1378
01:00:04,760 --> 01:00:06,400
Speaker 2: and I have a twin sister, so it's kind of like,

1379
01:00:06,440 --> 01:00:08,040
Speaker 2: you know, I know how women think. I know how

1380
01:00:08,080 --> 01:00:08,480
Speaker 2: women like.

1381
01:00:08,560 --> 01:00:09,800
Speaker 3: You don't think that's how twins work.

1382
01:00:11,080 --> 01:00:13,320
Speaker 2: Yeah, it does. We were in the same womb. I

1383
01:00:13,360 --> 01:00:15,440
Speaker 2: know when they're hungry, I know when they're upset, like

1384
01:00:15,480 --> 01:00:16,439
Speaker 2: I can feel those things.

1385
01:00:16,440 --> 01:00:18,680
Speaker 3: But your sister's way nicer and cooler than you, like.

1386
01:00:18,680 --> 01:00:20,120
Speaker 3: I don't think there's very much in common.

1387
01:00:20,160 --> 01:00:22,320
Speaker 2: I mean, I still have men traits, yes, but I'm

1388
01:00:22,320 --> 01:00:24,720
Speaker 2: just saying I know, I'm like, okay, identify with women.

1389
01:00:24,720 --> 01:00:26,160
Speaker 2: I know, I know what they like, I know.

1390
01:00:26,120 --> 01:00:27,480
Speaker 3: What they need. Let me know how that works in

1391
01:00:27,480 --> 01:00:29,680
Speaker 3: the court system when you say, Yana, I got a.

1392
01:00:29,680 --> 01:00:33,680
Speaker 2: Twin, yeah, and identify as a woman. So yeah, we

1393
01:00:33,720 --> 01:00:37,040
Speaker 2: gotta I don't know what that situation at the the

1394
01:00:37,080 --> 01:00:40,400
Speaker 2: Mayhem Correctional Facility in Clinton is gonna end up doing

1395
01:00:40,440 --> 01:00:43,520
Speaker 2: about that, but that's something that we gotta look and

1396
01:00:43,600 --> 01:00:44,280
Speaker 2: keep it eye on.

1397
01:00:45,480 --> 01:00:48,560
Speaker 3: Listen, I don't know where they at with sporting events.

1398
01:00:48,920 --> 01:00:49,880
Speaker 3: Has that been cleared up?

1399
01:00:51,760 --> 01:00:53,960
Speaker 2: Kicking the ass? He's still with all those wimmen events.

1400
01:00:54,280 --> 01:00:56,280
Speaker 3: Told me going uh cleaning up?

1401
01:00:56,600 --> 01:00:57,520
Speaker 2: He ranked number one.

1402
01:00:57,560 --> 01:01:00,760
Speaker 3: Now she is cleaning up she she.

1403
01:01:00,840 --> 01:01:05,520
Speaker 2: Is cleaning up. I'm sorry, Yeah, that's that's the homie.

1404
01:01:05,560 --> 01:01:07,200
Speaker 3: She's shorty going nuts over there.

1405
01:01:08,120 --> 01:01:11,480
Speaker 2: It's just see, this is this is why this is.

1406
01:01:11,600 --> 01:01:14,280
Speaker 2: It's certain things you can't speak on only because it's

1407
01:01:14,320 --> 01:01:16,080
Speaker 2: like I feel like if I had like kids, if

1408
01:01:16,080 --> 01:01:18,960
Speaker 2: I had a daughter, I could really raise my opinion

1409
01:01:18,960 --> 01:01:19,400
Speaker 2: about this.

1410
01:01:19,360 --> 01:01:22,440
Speaker 3: And go crazy. I mean, I've we talked about that

1411
01:01:22,480 --> 01:01:24,200
Speaker 3: on this already. I have a clear stance for that.

1412
01:01:24,320 --> 01:01:27,520
Speaker 3: No like that. I'm not gonna tiptoe around right that.

1413
01:01:27,680 --> 01:01:30,760
Speaker 2: It is not fair, it's not right, it's not fucking right. Like,

1414
01:01:30,840 --> 01:01:35,080
Speaker 2: I get it. Listen, change your sex, identify as whatever

1415
01:01:35,120 --> 01:01:37,640
Speaker 2: you want to identify as that shit prerogative. But when

1416
01:01:37,680 --> 01:01:41,960
Speaker 2: you start talking about competing and and not only that,

1417
01:01:41,960 --> 01:01:43,680
Speaker 2: because after we spoke about that, I meant to bring

1418
01:01:43,680 --> 01:01:47,680
Speaker 2: it back up. There was a situation where a natural

1419
01:01:47,720 --> 01:01:50,760
Speaker 2: born woman, she was from I don't know if she

1420
01:01:50,840 --> 01:01:52,480
Speaker 2: was from Africa, somewhere maybe.

1421
01:01:52,240 --> 01:01:54,920
Speaker 3: Brazil and they're very similar to Africa.

1422
01:01:54,960 --> 01:01:59,040
Speaker 2: They were saying that she had way too many uh.

1423
01:01:58,840 --> 01:02:01,200
Speaker 6: She has a lot of testosterone on her body.

1424
01:02:01,360 --> 01:02:04,280
Speaker 2: Yes, test tossed on her body, and they said that

1425
01:02:04,320 --> 01:02:06,240
Speaker 2: she had to take some pills to lower the test

1426
01:02:06,280 --> 01:02:08,800
Speaker 2: toss on her body in order for her to compete

1427
01:02:09,320 --> 01:02:11,360
Speaker 2: against when got you mix?

1428
01:02:13,760 --> 01:02:14,880
Speaker 3: Listen, man, I don't make the rules.

1429
01:02:15,000 --> 01:02:19,560
Speaker 2: I know cast cast Yes that's her name.

1430
01:02:19,920 --> 01:02:21,400
Speaker 3: As long as I as long as I was seeing

1431
01:02:21,480 --> 01:02:25,400
Speaker 3: my bathroom.

1432
01:02:25,640 --> 01:02:27,480
Speaker 2: Let me find something else to talk about while we

1433
01:02:27,520 --> 01:02:28,320
Speaker 2: still have airtime.

1434
01:02:28,600 --> 01:02:32,280
Speaker 5: Anyway, Yeah, anyway, Rory, are you dropping on a Friday

1435
01:02:32,320 --> 01:02:33,360
Speaker 5: because Meek Mills said?

1436
01:02:33,760 --> 01:02:35,960
Speaker 3: I'm not doing anything because Meet Mills said it. I'm

1437
01:02:36,000 --> 01:02:40,120
Speaker 3: just against Meek. I just don't determine my life based

1438
01:02:40,160 --> 01:02:42,040
Speaker 3: off what Meek is telling me to do.

1439
01:02:42,200 --> 01:02:44,280
Speaker 5: Well, Meat came out and made a statement on Twitter

1440
01:02:44,320 --> 01:02:47,880
Speaker 5: and said, and I quote they crashing the rap game out?

1441
01:02:48,120 --> 01:02:50,040
Speaker 5: That every they crashing the rap game out now that

1442
01:02:50,120 --> 01:02:52,840
Speaker 5: everybody drop on Friday, BS, what the fuck is that?

1443
01:02:52,920 --> 01:02:54,600
Speaker 5: Why would you want to sell your product on the

1444
01:02:54,600 --> 01:02:57,040
Speaker 5: same day as the competition for a Billboard Look?

1445
01:02:57,320 --> 01:02:59,040
Speaker 6: Lo l what does that do for the artists?

1446
01:03:00,600 --> 01:03:04,280
Speaker 3: Uh? Well, that's not new. I mean they switched to day.

1447
01:03:04,320 --> 01:03:06,960
Speaker 3: Everyone everyone used to drop on Tuesday before. It's not

1448
01:03:07,000 --> 01:03:08,880
Speaker 3: like the Friday thing is a new strategy. It's just

1449
01:03:08,880 --> 01:03:13,600
Speaker 3: a new day. But again, that's kind of a repeat

1450
01:03:13,600 --> 01:03:17,000
Speaker 3: conversation we've had whereas all right on Friday, I know,

1451
01:03:17,040 --> 01:03:18,560
Speaker 3: I'm going to go look at all the new albums

1452
01:03:18,600 --> 01:03:22,320
Speaker 3: and I'm gonna listen and may stumble upon an album

1453
01:03:22,360 --> 01:03:26,000
Speaker 3: that I wouldn't listen to because Meek dropped and I

1454
01:03:26,000 --> 01:03:28,240
Speaker 3: see next to Meek, shit is this that might interest me?

1455
01:03:28,960 --> 01:03:30,800
Speaker 3: And it's not like albums take for the most part

1456
01:03:30,840 --> 01:03:32,440
Speaker 3: an hour to listen to. It's not like I have

1457
01:03:32,480 --> 01:03:35,320
Speaker 3: to dedicate my whole week to one album. I can

1458
01:03:35,360 --> 01:03:38,800
Speaker 3: just move on to another one. So I guess. But yeah,

1459
01:03:38,840 --> 01:03:41,640
Speaker 3: that Billboard. Look, Meek knows what that's about. He's done

1460
01:03:41,640 --> 01:03:46,040
Speaker 3: it before, He's moved to make sure he got that

1461
01:03:46,080 --> 01:03:47,520
Speaker 3: Billboard slot for the look.

1462
01:03:47,560 --> 01:03:51,920
Speaker 2: Did you read the tweet to Mars? Yeah, okay, just

1463
01:03:51,920 --> 01:03:52,400
Speaker 2: making sure.

1464
01:03:53,280 --> 01:03:57,040
Speaker 3: What do you think listen?

1465
01:03:57,040 --> 01:04:00,160
Speaker 2: We fuck with me and you know, with fans as

1466
01:04:00,160 --> 01:04:03,520
Speaker 2: a Meek, But I think that it's just the timing

1467
01:04:03,560 --> 01:04:07,400
Speaker 2: of this is couldn't have been worse, I guess, because

1468
01:04:07,400 --> 01:04:11,320
Speaker 2: of his last album not really doing what most thought

1469
01:04:11,360 --> 01:04:14,920
Speaker 2: it would do as far as numbers. I think that

1470
01:04:15,400 --> 01:04:16,840
Speaker 2: because I was reading some of the you know, the

1471
01:04:16,880 --> 01:04:19,200
Speaker 2: comments and things that people were saying about the tweet,

1472
01:04:19,640 --> 01:04:22,600
Speaker 2: and you know, I understand it now don't get it wrong.

1473
01:04:22,920 --> 01:04:25,400
Speaker 2: I think that Meek has a point in what he's saying,

1474
01:04:25,480 --> 01:04:29,480
Speaker 2: like why is everybody dropping on Friday? Like basically you

1475
01:04:29,480 --> 01:04:31,479
Speaker 2: could drop whenever you want to drop, you know, things

1476
01:04:31,520 --> 01:04:34,280
Speaker 2: like that. But I think coming from Meek, and you

1477
01:04:34,280 --> 01:04:36,120
Speaker 2: know when he said, because what he said, he said,

1478
01:04:36,320 --> 01:04:40,360
Speaker 2: we don't go off first week numbers. It's hard for

1479
01:04:40,400 --> 01:04:42,720
Speaker 2: me to think that Meek would feel this way. If

1480
01:04:43,440 --> 01:04:47,000
Speaker 2: Expensive Pain would have did phenomenal numbers first week and

1481
01:04:47,000 --> 01:04:49,160
Speaker 2: I don't I don't remember what they did editing. If

1482
01:04:49,160 --> 01:04:51,640
Speaker 2: you could pull it up Expensive Pains first week numbers,

1483
01:04:51,880 --> 01:04:52,640
Speaker 2: I don't know what it was.

1484
01:04:52,800 --> 01:04:55,040
Speaker 3: Is best outing if you will, right? So I just

1485
01:04:55,280 --> 01:05:00,480
Speaker 3: I kind of expected that based off Mek using meeks

1486
01:05:00,520 --> 01:05:02,040
Speaker 3: roll out four thousand isn't bad.

1487
01:05:02,120 --> 01:05:03,160
Speaker 2: I mean, for me, that's a.

1488
01:05:03,720 --> 01:05:06,880
Speaker 3: Ninety five thousand is fucking great. But I know with Meek, they.

1489
01:05:06,840 --> 01:05:08,800
Speaker 2: Was expecting him to do more than ninety five out.

1490
01:05:08,880 --> 01:05:11,760
Speaker 3: Meek also has went into the last three albums with

1491
01:05:12,000 --> 01:05:15,960
Speaker 3: a pretty big single, if not two singles going into it.

1492
01:05:16,000 --> 01:05:16,880
Speaker 3: This one, I felt like.

1493
01:05:16,840 --> 01:05:17,920
Speaker 2: And what did this album before that do?

1494
01:05:18,120 --> 01:05:20,400
Speaker 3: Eding? Championships, Championships did a lot though he was going

1495
01:05:20,440 --> 01:05:23,880
Speaker 3: in with that Drake single jay Z feature, like, there

1496
01:05:23,960 --> 01:05:27,320
Speaker 3: was a lot of momentum around so that album.

1497
01:05:27,360 --> 01:05:29,320
Speaker 2: So this is why the fans were kind of giving

1498
01:05:29,360 --> 01:05:32,280
Speaker 2: them some shit because they're like, dog, you can't now

1499
01:05:32,320 --> 01:05:34,200
Speaker 2: all of a sudden, first week numbers don't matter because

1500
01:05:34,240 --> 01:05:37,200
Speaker 2: your last album's first week numbers weren't that impressive. So

1501
01:05:37,280 --> 01:05:37,880
Speaker 2: it's first week.

1502
01:05:37,880 --> 01:05:40,680
Speaker 4: It did forty two thousand from its pure album sales

1503
01:05:40,680 --> 01:05:42,240
Speaker 4: in the first week, but overall did two hundred and

1504
01:05:42,280 --> 01:05:44,080
Speaker 4: twenty nine thousand first week.

1505
01:05:44,120 --> 01:05:44,920
Speaker 3: That's fucking nuts.

1506
01:05:44,960 --> 01:05:46,720
Speaker 2: Yeah, so you know what I mean. So I think

1507
01:05:46,720 --> 01:05:48,320
Speaker 2: that's what it was. People are like, oh, you know,

1508
01:05:48,440 --> 01:05:50,040
Speaker 2: now you want to say numbers, We don't go off

1509
01:05:50,120 --> 01:05:51,360
Speaker 2: numbers first numbers.

1510
01:05:51,160 --> 01:05:52,640
Speaker 3: And oh is that is that what he's saying though,

1511
01:05:52,840 --> 01:05:53,520
Speaker 3: But that's what he said.

1512
01:05:53,520 --> 01:05:55,320
Speaker 2: He said, we don't go off first week numbers. Labels

1513
01:05:55,400 --> 01:05:57,320
Speaker 2: run that shit, and most of the numbers can be fake.

1514
01:05:57,600 --> 01:05:59,320
Speaker 2: That's true. Most the numbers be fake. You can clearly

1515
01:05:59,360 --> 01:06:01,360
Speaker 2: see all the artist that's killing shit. Focus on your

1516
01:06:01,360 --> 01:06:05,520
Speaker 2: brand and impact. So he's making sense. Focus on your brand,

1517
01:06:05,600 --> 01:06:08,080
Speaker 2: your impact, don't really pay to just to numbers. But

1518
01:06:08,840 --> 01:06:11,200
Speaker 2: I just think that the consensus is, oh, you're saying

1519
01:06:11,200 --> 01:06:14,280
Speaker 2: that because this last album, your first numbers weren't that

1520
01:06:14,320 --> 01:06:17,480
Speaker 2: impressive as far as meeks first week numbers go.

1521
01:06:17,720 --> 01:06:22,040
Speaker 3: Well, that's why artists, I feel, should never really do

1522
01:06:22,120 --> 01:06:27,040
Speaker 3: the number game like that, unless you're Drake, because we've

1523
01:06:27,080 --> 01:06:30,520
Speaker 3: seen no matter who the fuck it is, numbers will decline,

1524
01:06:30,560 --> 01:06:32,720
Speaker 3: no matter who the fuck you are. Fifty had the

1525
01:06:32,800 --> 01:06:36,680
Speaker 3: craziest numbers ever, they eventually decline, and so much of

1526
01:06:36,720 --> 01:06:41,040
Speaker 3: fifties rollouts and who his character or brand was as

1527
01:06:41,080 --> 01:06:44,080
Speaker 3: a rapper was I do all these numbers, Look what

1528
01:06:44,120 --> 01:06:45,640
Speaker 3: the fuck I do? I'm better than the rest of

1529
01:06:45,680 --> 01:06:49,440
Speaker 3: you all because of my numbers, and when those started

1530
01:06:49,480 --> 01:06:52,360
Speaker 3: to decline, fifty luckily is just a smart dude and

1531
01:06:52,360 --> 01:06:57,760
Speaker 3: went into a different business. But you no longer kind

1532
01:06:57,800 --> 01:07:00,120
Speaker 3: of really your your character isn't taking as serious any

1533
01:07:00,120 --> 01:07:02,880
Speaker 3: more because you were the numbers guy, and now your

1534
01:07:02,960 --> 01:07:04,960
Speaker 3: numbers that are clining and it's inevitable that they're going

1535
01:07:05,040 --> 01:07:07,560
Speaker 3: to decline. So why even go in on the number

1536
01:07:07,560 --> 01:07:10,040
Speaker 3: game because eventually that's going to have to stop. Even

1537
01:07:10,080 --> 01:07:12,840
Speaker 3: six ' nine. Look what happened when he was I'm

1538
01:07:12,880 --> 01:07:16,080
Speaker 3: number one on Billboard with everything. Then we realize fucking

1539
01:07:16,240 --> 01:07:18,360
Speaker 3: Santa Claus wasn't real, and we know who was really

1540
01:07:18,360 --> 01:07:22,720
Speaker 3: behind all this shit, and now your entire stick of

1541
01:07:23,320 --> 01:07:25,080
Speaker 3: being the numbers guy, because that was your new one

1542
01:07:25,120 --> 01:07:27,200
Speaker 3: after the gang shit didn't work out. He was a

1543
01:07:27,280 --> 01:07:30,360
Speaker 3: numbers guy. Now you sell fucking twenty five thousand copies.

1544
01:07:31,520 --> 01:07:33,800
Speaker 3: We haven't heard from him in quite some time. I

1545
01:07:33,840 --> 01:07:35,200
Speaker 3: know he's trying to come back, but he can't do

1546
01:07:35,200 --> 01:07:38,200
Speaker 3: the number thing anymore. And Meek, yeah, eventually your numbers

1547
01:07:38,200 --> 01:07:39,800
Speaker 3: are going to go lower. And not to say Meek

1548
01:07:39,920 --> 01:07:42,960
Speaker 3: was always the I'm the numbers guy, yeah, but yeah,

1549
01:07:43,000 --> 01:07:47,040
Speaker 3: shit eventually goes lower. Focuses. Don't focus just on your brand,

1550
01:07:47,120 --> 01:07:49,439
Speaker 3: focus on how many people show up to your shows,

1551
01:07:49,800 --> 01:07:52,040
Speaker 3: because that'll tell you exactly what your fan base is,

1552
01:07:52,080 --> 01:07:54,120
Speaker 3: how profitable you are, how long you're going to be around,

1553
01:07:54,320 --> 01:07:56,800
Speaker 3: who gives a fuck, who really gives a fuck about you?

1554
01:07:57,520 --> 01:08:01,400
Speaker 2: I never really numbers for me was never a thing

1555
01:08:01,520 --> 01:08:04,880
Speaker 2: until you know, maybe a few years ago. Like I

1556
01:08:04,920 --> 01:08:07,479
Speaker 2: remember buying albums and shit like that, listening to music,

1557
01:08:07,520 --> 01:08:11,040
Speaker 2: listening to artists and never knowing what they numbers were.

1558
01:08:11,360 --> 01:08:13,919
Speaker 2: It was like, yo, it's the music good, Yes, it's

1559
01:08:13,960 --> 01:08:16,559
Speaker 2: the album dope. To me, that's all it was at

1560
01:08:16,560 --> 01:08:19,320
Speaker 2: one point, and then it just I think I think

1561
01:08:19,400 --> 01:08:21,600
Speaker 2: after Whole said men live, women line numbers, don't. I

1562
01:08:21,640 --> 01:08:24,120
Speaker 2: think that's when everybody started paying attention to numbers.

1563
01:08:23,880 --> 01:08:26,400
Speaker 3: Which is a lie though, because the numbers definitely numbers.

1564
01:08:26,120 --> 01:08:27,559
Speaker 6: Lie people about the numbers.

1565
01:08:28,200 --> 01:08:31,720
Speaker 2: People lie about the numbers exactly. But it was never

1566
01:08:31,800 --> 01:08:33,800
Speaker 2: a thing like it was always like, yo, this album

1567
01:08:33,880 --> 01:08:37,120
Speaker 2: is dope. Like I can't tell you what fucking the

1568
01:08:37,160 --> 01:08:39,960
Speaker 2: Purple Tape did the first week, No I did. I

1569
01:08:40,000 --> 01:08:41,880
Speaker 2: can't tell you. I can't tell you what Bulletproof while

1570
01:08:41,880 --> 01:08:43,120
Speaker 2: I Was did the first week. I can't tell you

1571
01:08:43,160 --> 01:08:45,720
Speaker 2: what Supreme Clientele did. I don't. I don't know. I

1572
01:08:45,720 --> 01:08:48,360
Speaker 2: can't tell you what Life after Death did. I can't.

1573
01:08:48,400 --> 01:08:50,639
Speaker 2: I don't know. I have no idea what these numbers

1574
01:08:50,640 --> 01:08:51,720
Speaker 2: with these albums did the first one.

1575
01:08:51,760 --> 01:08:54,559
Speaker 3: I do think though it it's kind of catch twenty

1576
01:08:54,560 --> 01:08:55,000
Speaker 3: two of it.

1577
01:08:55,960 --> 01:08:56,160
Speaker 2: Yeah.

1578
01:08:56,160 --> 01:08:58,719
Speaker 3: I think when Hope started talking about I think fifty

1579
01:08:58,800 --> 01:09:00,880
Speaker 3: was like the real nail on the coughing of like

1580
01:09:00,960 --> 01:09:05,000
Speaker 3: we're all going to just focus on numbers, it matters. Yeah,

1581
01:09:05,320 --> 01:09:07,920
Speaker 3: And I think even him before that, because I think

1582
01:09:07,960 --> 01:09:11,320
Speaker 3: even with get Rich and the massacre specifically, fifty was

1583
01:09:11,479 --> 01:09:13,720
Speaker 3: on that campaign of look how much more I sell

1584
01:09:13,760 --> 01:09:16,280
Speaker 3: than y'all and any kind of His response to anybody

1585
01:09:16,439 --> 01:09:19,480
Speaker 3: was like what, And even with Hove, that clip resurfaced

1586
01:09:19,680 --> 01:09:23,160
Speaker 3: again on Twitter of the mob deep shit like I

1587
01:09:23,200 --> 01:09:25,000
Speaker 3: did what your whole album did and this first week

1588
01:09:25,040 --> 01:09:29,160
Speaker 3: shit like it is good, I think in the long run,

1589
01:09:29,320 --> 01:09:33,160
Speaker 3: because I think artists should be paying attention to the

1590
01:09:33,240 --> 01:09:36,040
Speaker 3: numbers and business side, I think we have gotten some

1591
01:09:36,080 --> 01:09:39,599
Speaker 3: positive change as far as awareness of what's going on

1592
01:09:39,720 --> 01:09:41,920
Speaker 3: in that label. Do I need the label? I'm doing

1593
01:09:41,960 --> 01:09:44,360
Speaker 3: this numbers with this amount of budget. I think in

1594
01:09:44,360 --> 01:09:46,160
Speaker 3: those early years of the albums you're talking about that

1595
01:09:46,160 --> 01:09:48,320
Speaker 3: we don't know the first week is because artists were like,

1596
01:09:48,520 --> 01:09:50,559
Speaker 3: I got my advance and I'm going to make great

1597
01:09:50,600 --> 01:09:53,479
Speaker 3: music and I'm selling out shows, so I should be cool,

1598
01:09:53,600 --> 01:09:56,080
Speaker 3: not really focusing on maybe I am getting fucked over here?

1599
01:09:56,360 --> 01:09:56,519
Speaker 2: Right.

1600
01:09:56,640 --> 01:09:59,160
Speaker 3: So the numbers game has been annoying, don't get me wrong,

1601
01:09:59,240 --> 01:10:02,560
Speaker 3: But I think it a lot of awareness to artists

1602
01:10:02,600 --> 01:10:06,160
Speaker 3: and their actual business careers. So there was some good

1603
01:10:06,160 --> 01:10:07,880
Speaker 3: that came out of it. Like I think all these

1604
01:10:07,920 --> 01:10:10,920
Speaker 3: rants that people be killing Meek about, we know Meek

1605
01:10:10,960 --> 01:10:12,800
Speaker 3: to be tweeting in real time the thoughts that pop

1606
01:10:12,920 --> 01:10:14,920
Speaker 3: up in its head right away. Think meet just being

1607
01:10:15,840 --> 01:10:18,160
Speaker 3: in these buildings getting real information in real time and

1608
01:10:18,200 --> 01:10:19,960
Speaker 3: just goes to Twitter and doesn't really think much like, yo,

1609
01:10:19,960 --> 01:10:21,240
Speaker 3: you know what the fuck is going on right now?

1610
01:10:21,760 --> 01:10:24,960
Speaker 3: And if we don't do the numbers game, I feel

1611
01:10:25,000 --> 01:10:27,080
Speaker 3: like a lot of artists wouldn't have the incentive to

1612
01:10:27,120 --> 01:10:30,760
Speaker 3: go in that building and go why because they see

1613
01:10:30,880 --> 01:10:34,280
Speaker 3: their numbers leverage I think, so, yeah, negotiating certain things

1614
01:10:34,320 --> 01:10:37,080
Speaker 3: and yeah, and seeing what their actual worth really is

1615
01:10:37,160 --> 01:10:39,760
Speaker 3: as far as real business and perception. So I think

1616
01:10:39,760 --> 01:10:40,320
Speaker 3: there's but I.

1617
01:10:40,240 --> 01:10:43,160
Speaker 2: Think you can good sides to it. But yeah, I think,

1618
01:10:43,160 --> 01:10:45,920
Speaker 2: but I think more so using the numbers as far

1619
01:10:45,920 --> 01:10:48,920
Speaker 2: as leveraging negotiations, I think it's better to do that.

1620
01:10:49,000 --> 01:10:51,240
Speaker 2: When you start saying, hey, look I just did a

1621
01:10:51,320 --> 01:10:54,439
Speaker 2: run and sold out these rooms. I had you know this,

1622
01:10:54,600 --> 01:10:57,400
Speaker 2: we did this emerch, we did this. Like to me,

1623
01:10:57,600 --> 01:11:01,840
Speaker 2: that's more impressive than saying, yo, I did one hundred

1624
01:11:01,840 --> 01:11:05,280
Speaker 2: thousand first week in sales, you know, disc or shreames

1625
01:11:05,280 --> 01:11:07,920
Speaker 2: and downloads like that's cool. But it's like when you

1626
01:11:07,920 --> 01:11:10,240
Speaker 2: go out there, do the people come to see?

1627
01:11:10,439 --> 01:11:12,519
Speaker 3: Yeah? And I mean that's why I give Cole and

1628
01:11:12,600 --> 01:11:15,400
Speaker 3: ebe so much credit in the beginning of his career,

1629
01:11:15,520 --> 01:11:20,559
Speaker 3: whereas Columbia and Rock were like, hey, Cole, you have

1630
01:11:20,720 --> 01:11:25,200
Speaker 3: no single. Nothing is sticking your counterparts. Wile has a

1631
01:11:25,280 --> 01:11:27,920
Speaker 3: hit single, Drake has a hit single, Big Sean has

1632
01:11:27,960 --> 01:11:30,200
Speaker 3: a hit single. He has a song with fucking Nicki Minaj,

1633
01:11:30,400 --> 01:11:33,639
Speaker 3: Like what are we doing here? And Cole and eb

1634
01:11:33,720 --> 01:11:36,559
Speaker 3: are like, I have not left the road. I've sold

1635
01:11:36,600 --> 01:11:40,400
Speaker 3: out every big or small market I've touched. I don't

1636
01:11:40,439 --> 01:11:43,120
Speaker 3: know what game y'all are playing here with this perception

1637
01:11:43,240 --> 01:11:45,599
Speaker 3: number thing, but I'm okay. I promise I don't need

1638
01:11:45,640 --> 01:11:48,120
Speaker 3: to do this forced hit single shit that y'all are

1639
01:11:48,120 --> 01:11:50,479
Speaker 3: trying to get me to compete with the numbers game

1640
01:11:50,920 --> 01:11:54,200
Speaker 3: and the radio game with them. So yeah, Cole, I

1641
01:11:54,240 --> 01:11:56,200
Speaker 3: just focused on the shows and realized I could make

1642
01:11:56,240 --> 01:11:59,080
Speaker 3: the music I want to make without having to compromise

1643
01:11:59,160 --> 01:12:01,360
Speaker 3: because I see fit people show up for me every time,

1644
01:12:01,600 --> 01:12:04,479
Speaker 3: and look what the fuck that's gotten. It's gotta hit

1645
01:12:04,520 --> 01:12:11,080
Speaker 3: singles and real fucking fans and a festival that was dreamy.

1646
01:12:11,640 --> 01:12:13,960
Speaker 6: Can we get a festival? I want a festival.

1647
01:12:15,520 --> 01:12:17,599
Speaker 3: Broccoli City is coming up. That's a good lineup.

1648
01:12:18,439 --> 01:12:20,439
Speaker 6: No I mean, like our own festival.

1649
01:12:21,360 --> 01:12:25,040
Speaker 2: Talked about it, let's have a bunch of podcasts or

1650
01:12:25,080 --> 01:12:27,439
Speaker 2: like just like just do like a have artists come

1651
01:12:27,439 --> 01:12:28,400
Speaker 2: out and perform type of ship.

1652
01:12:28,479 --> 01:12:32,320
Speaker 6: Yeah, like new artists, new artists, like sleepers, but not Sleepers.

1653
01:12:32,560 --> 01:12:35,280
Speaker 3: That's just such a niche fan base that it's like

1654
01:12:35,479 --> 01:12:39,960
Speaker 3: it's tough to find a profitable amount of profitable to

1655
01:12:39,960 --> 01:12:43,960
Speaker 3: even put on a show like that. Enough people have

1656
01:12:44,000 --> 01:12:46,439
Speaker 3: to care, and that's tough when it's just like, hey,

1657
01:12:46,439 --> 01:12:47,920
Speaker 3: we're gonna tell you that there'll be some new acts

1658
01:12:47,920 --> 01:12:50,760
Speaker 3: here and that that shit can get rough.

1659
01:12:51,000 --> 01:12:55,240
Speaker 2: It can. It's not impossible, but it's gonna it's it's

1660
01:12:55,280 --> 01:12:56,320
Speaker 2: gonna take time, and.

1661
01:12:56,640 --> 01:12:58,400
Speaker 3: That that's a slow build if you have to do

1662
01:12:58,439 --> 01:13:00,920
Speaker 3: that like at our regular live shows, and then that

1663
01:13:00,960 --> 01:13:03,479
Speaker 3: can build and build and build one just going out

1664
01:13:03,479 --> 01:13:06,040
Speaker 3: the gate. I've seen so many festivals fucking fail because.

1665
01:13:05,880 --> 01:13:07,720
Speaker 2: As much as people say they love to hear new

1666
01:13:07,800 --> 01:13:11,120
Speaker 2: artists and you know, find new artists, they're not gonna

1667
01:13:11,680 --> 01:13:15,120
Speaker 2: pay to go and listen to new artists. Not like that.

1668
01:13:15,479 --> 01:13:17,479
Speaker 2: Like it has to be like you have to attach

1669
01:13:17,520 --> 01:13:19,320
Speaker 2: it to something. It has to be like, all right,

1670
01:13:19,360 --> 01:13:23,360
Speaker 2: we got ten unsigned artists but you know, tonight fucking

1671
01:13:23,400 --> 01:13:26,240
Speaker 2: Kendrick has hit this. You gotta be it's something like that,

1672
01:13:26,280 --> 01:13:27,439
Speaker 2: like you gotta be something like that.

1673
01:13:27,640 --> 01:13:31,920
Speaker 3: Speaking of numbers. Uh, I saw that the coy Leroy

1674
01:13:32,280 --> 01:13:36,600
Speaker 3: I would say, I like, say, you look like you

1675
01:13:36,600 --> 01:13:38,120
Speaker 3: went to school Roy.

1676
01:13:38,479 --> 01:13:39,400
Speaker 2: Yeah, he was in your home.

1677
01:13:39,479 --> 01:13:39,639
Speaker 6: Rooum.

1678
01:13:39,680 --> 01:13:41,400
Speaker 2: I know, coy.

1679
01:13:41,439 --> 01:13:45,840
Speaker 3: That's funny. I saw. And I don't know if this

1680
01:13:45,880 --> 01:13:48,479
Speaker 3: is accurate. I just saw the reports that and I

1681
01:13:48,520 --> 01:13:50,320
Speaker 3: don't know it's even been a week to be official

1682
01:13:50,800 --> 01:13:54,120
Speaker 3: that she uh fifteen K first week, which, by the way,

1683
01:13:54,160 --> 01:13:57,559
Speaker 3: I'm not shitting on I don't know. I won't call

1684
01:13:57,600 --> 01:13:58,040
Speaker 3: it a flop.

1685
01:13:58,040 --> 01:13:59,559
Speaker 2: I'm not not shipping on it. But you're not not

1686
01:13:59,600 --> 01:14:00,240
Speaker 2: shipping on it.

1687
01:14:00,360 --> 01:14:02,560
Speaker 3: Where's the thing. I don't know if she pulled favors

1688
01:14:02,880 --> 01:14:06,400
Speaker 3: on all those features. I don't know how much money

1689
01:14:06,400 --> 01:14:08,640
Speaker 3: she put into that rollout, because there's a lot of

1690
01:14:08,680 --> 01:14:10,479
Speaker 3: heavy features on that shit. I just don't know what

1691
01:14:10,600 --> 01:14:14,799
Speaker 3: Republic invested into it for it to be a flop

1692
01:14:14,840 --> 01:14:16,920
Speaker 3: per se. But it did feel like there was much

1693
01:14:16,960 --> 01:14:20,400
Speaker 3: more buzz around it than a fifteen K first week.

1694
01:14:20,760 --> 01:14:23,400
Speaker 3: But I do think that girl is going to be

1695
01:14:23,400 --> 01:14:26,240
Speaker 3: around for a while. I don't think that this is

1696
01:14:26,320 --> 01:14:29,200
Speaker 3: like a crazy l the way people are putting it.

1697
01:14:29,479 --> 01:14:31,800
Speaker 3: I think she's kind of setting herself up for a

1698
01:14:31,880 --> 01:14:35,960
Speaker 3: slower pace, but there is a tension there. Ranted. A

1699
01:14:36,000 --> 01:14:38,080
Speaker 3: lot of the attention may have started with the antics

1700
01:14:38,160 --> 01:14:40,680
Speaker 3: rather than the music, but I think the music is

1701
01:14:40,720 --> 01:14:43,240
Speaker 3: starting to move a little bit more.

1702
01:14:43,600 --> 01:14:45,479
Speaker 2: And this is what I love about Nicki Minaj because

1703
01:14:45,520 --> 01:14:48,040
Speaker 2: she posted something saying, this is what she would have

1704
01:14:48,600 --> 01:14:52,040
Speaker 2: done to help improve the trend Setter album and shout

1705
01:14:52,080 --> 01:14:56,679
Speaker 2: out to Coiler Ray for because she responded to that. Well,

1706
01:14:56,960 --> 01:14:59,960
Speaker 2: you know most artists, they especially when somebody has been

1707
01:15:00,120 --> 01:15:03,080
Speaker 2: as a Nicki Minaj tweets or says something about your

1708
01:15:03,120 --> 01:15:05,240
Speaker 2: album and which she would have done to improve it,

1709
01:15:05,760 --> 01:15:08,879
Speaker 2: a lot of artists would have some type of negative

1710
01:15:08,920 --> 01:15:10,960
Speaker 2: response to that, like, oh, what the fuck you mean?

1711
01:15:11,200 --> 01:15:12,120
Speaker 3: Yeah, you know what I'm saying.

1712
01:15:13,960 --> 01:15:17,960
Speaker 2: Coy L Ray, she she was. She responded to that beautifully.

1713
01:15:18,320 --> 01:15:21,400
Speaker 2: H Nicki Minaj tweeted, no more hashtag, no more parties.

1714
01:15:21,400 --> 01:15:23,599
Speaker 2: It's too classic for y'all to leave the original off.

1715
01:15:23,880 --> 01:15:25,640
Speaker 2: It should have started the whole album. These are the

1716
01:15:25,680 --> 01:15:27,519
Speaker 2: songs I think Corey shines on and should have been

1717
01:15:27,600 --> 01:15:30,600
Speaker 2: higher on the track list twin them Anxiety, Heart and

1718
01:15:30,640 --> 01:15:33,400
Speaker 2: the Cough and Heartbreak Kid too far ay Yai Yai

1719
01:15:33,520 --> 01:15:38,519
Speaker 2: featuring Young Blue, and then Coylerray responded like, oh, your

1720
01:15:38,600 --> 01:15:42,840
Speaker 2: selections are fire, And yeah, I just thought that was

1721
01:15:42,880 --> 01:15:45,960
Speaker 2: dope for NICKI to just basically put that out there, like, yeah,

1722
01:15:46,120 --> 01:15:47,880
Speaker 2: you know what I mean, just give them some constructive

1723
01:15:47,920 --> 01:15:51,240
Speaker 2: criticism coming from somebody who Coiler Ray obviously looks.

1724
01:15:51,080 --> 01:15:53,600
Speaker 3: Up to shit. My only issue with that, if I

1725
01:15:53,600 --> 01:15:55,400
Speaker 3: were sir, I would have texted on the side, like,

1726
01:15:55,439 --> 01:15:56,880
Speaker 3: why the fuck you ain't telling this before I put

1727
01:15:56,880 --> 01:15:59,760
Speaker 3: it out. Well, I mean, I know, NICKI just saw

1728
01:15:59,800 --> 01:16:01,400
Speaker 3: the try he came out, so it's.

1729
01:16:01,320 --> 01:16:03,160
Speaker 2: Like, you know, she just responded to that. But I

1730
01:16:03,240 --> 01:16:03,840
Speaker 2: just think that that.

1731
01:16:03,840 --> 01:16:06,640
Speaker 3: Was dope because Nikki is someone I would listen to

1732
01:16:06,720 --> 01:16:08,679
Speaker 3: when it comes to putting out a fucking album.

1733
01:16:08,720 --> 01:16:10,840
Speaker 2: Come on, she's one of the one of the ghosts.

1734
01:16:10,840 --> 01:16:12,880
Speaker 2: But I just like the fact that Coyler Ray was

1735
01:16:13,000 --> 01:16:15,519
Speaker 2: open to that constructive criticism and she received that.

1736
01:16:15,479 --> 01:16:16,519
Speaker 3: Well, that was dope.

1737
01:16:17,160 --> 01:16:17,439
Speaker 2: Yeah.

1738
01:16:17,640 --> 01:16:18,840
Speaker 3: But again, I saw a.

1739
01:16:18,840 --> 01:16:22,200
Speaker 2: Tweet of something where they said Benzino laughed at the

1740
01:16:23,360 --> 01:16:24,040
Speaker 2: news coming out.

1741
01:16:24,520 --> 01:16:24,840
Speaker 3: I saw it.

1742
01:16:26,160 --> 01:16:28,160
Speaker 2: Then he's saying that that's not his account.

1743
01:16:27,760 --> 01:16:29,719
Speaker 6: That he said he got hacked. Whatever they happen.

1744
01:16:29,720 --> 01:16:31,280
Speaker 2: He said he hasn't had that account in years. I

1745
01:16:31,280 --> 01:16:32,879
Speaker 2: think he said that count was deactive.

1746
01:16:32,880 --> 01:16:34,519
Speaker 3: That's what I'm blocked on. That's probably I ain't see it.

1747
01:16:34,640 --> 01:16:39,080
Speaker 2: Yeah, he deactivated that account years ago or something like that.

1748
01:16:39,160 --> 01:16:41,920
Speaker 2: I hope, I hope that what Benzino was saying. I

1749
01:16:41,960 --> 01:16:46,280
Speaker 2: hope he's not laughing at his daughter's quote unquote flop

1750
01:16:47,120 --> 01:16:49,000
Speaker 2: of our first week album sales.

1751
01:16:49,040 --> 01:16:52,320
Speaker 5: Like they're working through their relationship and unfortunately, because of

1752
01:16:52,360 --> 01:16:55,479
Speaker 5: his daughter's rising fame, all of this is being put

1753
01:16:55,560 --> 01:16:58,639
Speaker 5: into the media, but it's really it's none of our business.

1754
01:16:58,640 --> 01:17:00,280
Speaker 5: I really hope they heal their relations.

1755
01:17:00,240 --> 01:17:01,840
Speaker 2: Yeah, yeah, because when I read that, I was like,

1756
01:17:01,920 --> 01:17:04,080
Speaker 2: I don't, I don't. I don't think Benzino would do that.

1757
01:17:04,120 --> 01:17:06,960
Speaker 2: I don't think he would publicly laugh at his daughter,

1758
01:17:07,000 --> 01:17:08,880
Speaker 2: even whatever their relationship may be at that.

1759
01:17:08,960 --> 01:17:11,639
Speaker 5: I mean what, I also would hope Evan Benzino wouldn't

1760
01:17:11,720 --> 01:17:13,640
Speaker 5: leak her the fact that she was working on a

1761
01:17:13,680 --> 01:17:15,120
Speaker 5: Nikki feature too, But he did.

1762
01:17:15,000 --> 01:17:18,320
Speaker 3: That, so I didn't hear the actual like audio of that.

1763
01:17:18,400 --> 01:17:21,720
Speaker 2: Well, he is the source. He was just reporting news.

1764
01:17:22,080 --> 01:17:25,080
Speaker 3: Don't kill the messenger, right, how many mikes did he

1765
01:17:25,080 --> 01:17:26,760
Speaker 3: give his daughter's album?

1766
01:17:27,120 --> 01:17:30,519
Speaker 2: That's now, that's what we need to find out. Hey, Benzino,

1767
01:17:30,680 --> 01:17:33,880
Speaker 2: how come she wasn't unside hype either? Yeah, like they

1768
01:17:34,000 --> 01:17:35,720
Speaker 2: dropped it. Guy, it could have been a lot of

1769
01:17:35,720 --> 01:17:39,200
Speaker 2: ship around this album. Bring the sauce back for one week,

1770
01:17:39,880 --> 01:17:42,000
Speaker 2: just for that, just for your daughter's album.

1771
01:17:42,640 --> 01:17:46,439
Speaker 3: See. Now, that's why you need to be in some

1772
01:17:46,479 --> 01:17:49,200
Speaker 3: of these meetings. Yeah, because that's a fucking brilliant thing.

1773
01:17:49,320 --> 01:17:51,320
Speaker 2: Would have been, That would have been, like you know

1774
01:17:51,320 --> 01:17:55,439
Speaker 2: what I'm saying, like you, that's why. Really it's it's

1775
01:17:55,439 --> 01:17:57,920
Speaker 2: ship there that's stopping that type of bonding and that

1776
01:17:58,000 --> 01:18:00,280
Speaker 2: thinking from happening. It's it's a lot of the shit

1777
01:18:00,320 --> 01:18:03,080
Speaker 2: that's there. But either way, hopefully Benzeno and his daughter,

1778
01:18:03,120 --> 01:18:05,599
Speaker 2: you know, reconcile and build their relationship because daughters do

1779
01:18:05,680 --> 01:18:06,200
Speaker 2: need their fault.

1780
01:18:06,400 --> 01:18:10,120
Speaker 5: We should do consulting, We should we should do consulting

1781
01:18:10,479 --> 01:18:11,600
Speaker 5: for people's releases.

1782
01:18:11,840 --> 01:18:13,000
Speaker 3: That shit gets annoying though.

1783
01:18:13,280 --> 01:18:15,560
Speaker 2: Yeah, and you gotta be open to like artists and

1784
01:18:15,640 --> 01:18:19,640
Speaker 2: not open to suggestions. Everybody's gonna know it all, you

1785
01:18:19,680 --> 01:18:21,280
Speaker 2: know what I mean, And it's just like that's why.

1786
01:18:21,320 --> 01:18:23,000
Speaker 2: I really thought that the way Coyler ric because I

1787
01:18:23,000 --> 01:18:24,560
Speaker 2: thought that that was we was going to get a

1788
01:18:24,600 --> 01:18:27,280
Speaker 2: whole new fake beef type of thing. I was like,

1789
01:18:27,280 --> 01:18:29,479
Speaker 2: Oh Jesus Christ, Nikki about to set this little girl.

1790
01:18:29,800 --> 01:18:32,560
Speaker 2: But the way she responded to that, I was like, beautiful,

1791
01:18:32,720 --> 01:18:33,760
Speaker 2: you know what I mean, because it's kind of like

1792
01:18:33,760 --> 01:18:36,559
Speaker 2: you could tell Nicki wasn't trying to demean her anyway

1793
01:18:36,640 --> 01:18:39,080
Speaker 2: or like talk down on her project. She was just like, yo, nah,

1794
01:18:39,080 --> 01:18:41,040
Speaker 2: you should have did that, Like that would have been done.

1795
01:18:41,479 --> 01:18:45,439
Speaker 3: Fam. If Nicki Minaj says one of your songs, not

1796
01:18:45,479 --> 01:18:47,360
Speaker 3: only is she named like five and that names like

1797
01:18:47,400 --> 01:18:49,960
Speaker 3: five or six for me, you have an army of

1798
01:18:50,040 --> 01:18:52,519
Speaker 3: barbs that no matter what, even if you're saying something

1799
01:18:52,520 --> 01:18:55,519
Speaker 3: negative or positive, are gonna go listen to listen to it. Yeah,

1800
01:18:55,560 --> 01:18:57,240
Speaker 3: Nikki say, my whole track is even if you say

1801
01:18:57,240 --> 01:18:59,599
Speaker 3: it's terrible. Not that she was saying that, but please

1802
01:18:59,600 --> 01:19:01,479
Speaker 3: get it. They're gonna stream that shit.

1803
01:19:01,760 --> 01:19:03,719
Speaker 2: Yeah, they could have did some really dope shit around

1804
01:19:04,000 --> 01:19:05,880
Speaker 2: a Cooy's album. I think that would have been That

1805
01:19:05,880 --> 01:19:07,080
Speaker 2: would have been a beautiful moment.

1806
01:19:07,160 --> 01:19:10,480
Speaker 5: But yeah, I didn't even really see any advertising dollars

1807
01:19:10,520 --> 01:19:14,400
Speaker 5: like I didn't see any advertisment for her album outside

1808
01:19:14,439 --> 01:19:16,320
Speaker 5: of shit that you would see on the Shade rooman like,

1809
01:19:16,320 --> 01:19:18,479
Speaker 5: I didn't see any ads at all. I don't know

1810
01:19:18,520 --> 01:19:21,880
Speaker 5: if I'm just not the demographic or but I listened

1811
01:19:21,880 --> 01:19:23,720
Speaker 5: to nothing but female rappers, so I should be the

1812
01:19:23,760 --> 01:19:24,960
Speaker 5: demo demographics.

1813
01:19:24,960 --> 01:19:26,000
Speaker 2: The oldest coiler.

1814
01:19:25,720 --> 01:19:30,200
Speaker 5: Right now twenty two, probably somewhere around there, twenty four,

1815
01:19:30,400 --> 01:19:32,800
Speaker 5: twenty five, I think you really twenty five.

1816
01:19:33,080 --> 01:19:34,280
Speaker 3: I thought she was younger than.

1817
01:19:34,120 --> 01:19:37,960
Speaker 4: That, solid twenty four years old.

1818
01:19:38,000 --> 01:19:41,840
Speaker 2: Twenty four, okay, she'll be all right, yeah, definitely.

1819
01:19:41,960 --> 01:19:44,320
Speaker 3: Uh and yeah, I don't think that Benzino shit. But

1820
01:19:44,320 --> 01:19:46,479
Speaker 3: people were also giving her ship because I think she

1821
01:19:46,600 --> 01:19:51,559
Speaker 3: was on the breakfast club where and no one really

1822
01:19:51,560 --> 01:19:54,599
Speaker 3: added tone in context to them killing her about this shit.

1823
01:19:54,640 --> 01:19:57,120
Speaker 3: But she was like, you know, I know I respect

1824
01:19:57,160 --> 01:19:59,080
Speaker 3: pushing tea and that you older people listen to push

1825
01:19:59,120 --> 01:20:01,280
Speaker 3: your tea, but like the young generation is here, I

1826
01:20:01,320 --> 01:20:04,080
Speaker 3: don't like that the gatekeepers like only continue to listen

1827
01:20:04,120 --> 01:20:07,280
Speaker 3: to the shit that they liked growing up, like we're

1828
01:20:07,320 --> 01:20:13,360
Speaker 3: here as well, which yes, I get that, but at

1829
01:20:13,360 --> 01:20:16,679
Speaker 3: the same time, it's kind of why I hate hip

1830
01:20:16,680 --> 01:20:22,519
Speaker 3: hop's view on longevity, Like do these younger artists not

1831
01:20:22,800 --> 01:20:27,160
Speaker 3: want to end up being the old artist. Like, I'm

1832
01:20:27,160 --> 01:20:29,800
Speaker 3: not saying that the quote unquote media gatekeepers should just

1833
01:20:29,840 --> 01:20:33,280
Speaker 3: talk about the pusha T era of music, even though

1834
01:20:33,280 --> 01:20:35,960
Speaker 3: that age wise is more of the stuff they're drawn to.

1835
01:20:37,880 --> 01:20:39,799
Speaker 3: But that should make you happy as a young artist

1836
01:20:39,840 --> 01:20:43,200
Speaker 3: that there is longevity and that people at the age

1837
01:20:43,320 --> 01:20:45,519
Speaker 3: of forty two years old can put out a project

1838
01:20:45,600 --> 01:20:48,080
Speaker 3: and everyone give a fuck about it. So yeah, there

1839
01:20:48,080 --> 01:20:51,720
Speaker 3: can be space for both. I think like we can

1840
01:20:51,800 --> 01:20:53,720
Speaker 3: still focus on the younger artists and care about them

1841
01:20:53,880 --> 01:20:57,519
Speaker 3: and pick them up. But at the same time, yeah,

1842
01:20:57,560 --> 01:21:02,320
Speaker 3: I love that this genre has proven its longevity and

1843
01:21:02,360 --> 01:21:05,400
Speaker 3: that it can age. I don't think Coroy doesn't want

1844
01:21:05,439 --> 01:21:07,840
Speaker 3: to be an artist that's around for a while.

1845
01:21:07,920 --> 01:21:11,519
Speaker 2: No, I think that see what happened Rory is music.

1846
01:21:11,600 --> 01:21:16,040
Speaker 2: The music business became a hustle for sure. And you know,

1847
01:21:16,200 --> 01:21:17,680
Speaker 2: ya ya used to always kill me when I said

1848
01:21:17,680 --> 01:21:19,599
Speaker 2: it's easy to get on now than it's ever been.

1849
01:21:19,800 --> 01:21:23,519
Speaker 2: But it is like you can literally upload your own album. Yeah,

1850
01:21:23,640 --> 01:21:25,599
Speaker 2: put it right in the market space next to Beyonce.

1851
01:21:25,880 --> 01:21:28,120
Speaker 3: Well, I've agreed to get on. It is easier staying on,

1852
01:21:28,280 --> 01:21:28,519
Speaker 3: I think.

1853
01:21:29,600 --> 01:21:32,320
Speaker 2: But they don't want to stay on. It's a hustle.

1854
01:21:32,600 --> 01:21:34,519
Speaker 2: Get in and you get out, get what you get,

1855
01:21:34,520 --> 01:21:36,120
Speaker 2: what you get out of it, you move on to

1856
01:21:36,160 --> 01:21:36,599
Speaker 2: the next.

1857
01:21:36,600 --> 01:21:41,080
Speaker 3: But that's short that's short sighted hustling. Like I think

1858
01:21:41,080 --> 01:21:43,439
Speaker 3: there is artists that have used this as a lick,

1859
01:21:43,880 --> 01:21:46,200
Speaker 3: but to get to the next lick. It was attached

1860
01:21:46,200 --> 01:21:47,760
Speaker 3: that way. Not let me just catch a lick and

1861
01:21:47,800 --> 01:21:51,240
Speaker 3: then die off. And well that's what my career, it's

1862
01:21:51,240 --> 01:21:52,320
Speaker 3: the only thing I know how to do. All right, Well,

1863
01:21:52,320 --> 01:21:53,519
Speaker 3: then you should probably keep making music.

1864
01:21:53,720 --> 01:21:55,080
Speaker 2: Yeah, But a lot of these a lot of these

1865
01:21:55,160 --> 01:21:57,639
Speaker 2: artists now, they don't. They don't come into the music

1866
01:21:57,680 --> 01:22:02,680
Speaker 2: business with the idea of dominating for years and you know,

1867
01:22:02,840 --> 01:22:06,519
Speaker 2: being relevant for years. They come in, what's my first

1868
01:22:06,520 --> 01:22:09,200
Speaker 2: week sales? I want to go on the road. I

1869
01:22:09,200 --> 01:22:11,400
Speaker 2: want to sell some merch I want to get into

1870
01:22:11,439 --> 01:22:14,600
Speaker 2: TV film, I want to do modeling, I want to

1871
01:22:14,640 --> 01:22:16,400
Speaker 2: do you know. They want to get into all of

1872
01:22:16,439 --> 01:22:18,080
Speaker 2: these things where they want to sell something. They want

1873
01:22:18,120 --> 01:22:20,360
Speaker 2: to sell makeup, they want to sell cookbooks, they want

1874
01:22:20,360 --> 01:22:23,360
Speaker 2: to sell bikinis. They want to like it's just a hustle.

1875
01:22:23,439 --> 01:22:25,519
Speaker 2: They want to sell stuff. They want to use whatever

1876
01:22:25,560 --> 01:22:27,600
Speaker 2: they what platforms are the biggest to get on to

1877
01:22:27,640 --> 01:22:29,479
Speaker 2: say hey, look I'm doing this, doing that, doing that,

1878
01:22:30,000 --> 01:22:33,280
Speaker 2: and now you have the music suffering because these are

1879
01:22:33,320 --> 01:22:35,200
Speaker 2: a lot of these artists are not real artists.

1880
01:22:36,000 --> 01:22:39,160
Speaker 3: But I can't all right, if you're going in, if

1881
01:22:39,200 --> 01:22:43,880
Speaker 3: you're going into this music shit strictly for business and

1882
01:22:43,920 --> 01:22:46,280
Speaker 3: for hustle, I get it. I understand it looks very

1883
01:22:46,280 --> 01:22:48,639
Speaker 3: easy and you're not the artist artist, because I can

1884
01:22:48,680 --> 01:22:51,639
Speaker 3: never really blame those real artists for not being the

1885
01:22:51,680 --> 01:22:54,160
Speaker 3: most savvy business people. But if you're admitting you're coming

1886
01:22:54,200 --> 01:22:56,360
Speaker 3: in just for the lick and just for the business,

1887
01:22:56,600 --> 01:22:58,519
Speaker 3: I'm going to hold you to a standard that you

1888
01:22:58,560 --> 01:23:00,720
Speaker 3: need to have some type of business and elligence, and

1889
01:23:00,760 --> 01:23:03,439
Speaker 3: that requires studying what's going on in the market and

1890
01:23:03,560 --> 01:23:08,160
Speaker 3: who is the artists that are successful after music and

1891
01:23:08,280 --> 01:23:11,320
Speaker 3: other ventures and all of those artists that are at

1892
01:23:11,320 --> 01:23:16,720
Speaker 3: the height of business. We're on in music for a minute. Yeah,

1893
01:23:16,720 --> 01:23:20,760
Speaker 3: but there wasn't there wasn't the one. There wasn't just

1894
01:23:20,760 --> 01:23:22,840
Speaker 3: the one quick I got a hit single or I

1895
01:23:22,880 --> 01:23:24,960
Speaker 3: got one album, or like I had a quick little

1896
01:23:25,000 --> 01:23:27,800
Speaker 3: run and now I'm this crazy business mobile. No, they

1897
01:23:28,120 --> 01:23:32,120
Speaker 3: leverage their celebrity from being in music for a good

1898
01:23:32,160 --> 01:23:34,719
Speaker 3: amount of time to then move on to these crazy

1899
01:23:34,720 --> 01:23:37,479
Speaker 3: business ventures because they now have the leverage for that.

1900
01:23:38,080 --> 01:23:41,000
Speaker 3: So if you don't realize that yet, you say I'm

1901
01:23:41,000 --> 01:23:43,280
Speaker 3: here just for a lick and for business. I look

1902
01:23:43,320 --> 01:23:46,479
Speaker 3: at you, goofy, because you're not studying the market, not

1903
01:23:46,560 --> 01:23:49,919
Speaker 3: studying who's successful in it. You're not looking at your surroundings.

1904
01:23:49,960 --> 01:23:51,960
Speaker 3: You're not realizing how you can leverage the moment that

1905
01:23:52,000 --> 01:23:55,360
Speaker 3: you have right now. So but if you say you're

1906
01:23:55,360 --> 01:23:57,040
Speaker 3: an artist, I can't really put that on you right

1907
01:23:57,080 --> 01:23:58,320
Speaker 3: away because you're an artist.

1908
01:23:58,840 --> 01:23:59,479
Speaker 2: But it's different now.

1909
01:23:59,479 --> 01:23:59,840
Speaker 3: It's different.

1910
01:23:59,840 --> 01:24:01,840
Speaker 2: Part to bring she is different now because the way

1911
01:24:01,880 --> 01:24:05,120
Speaker 2: that people get on now they leverage their social media

1912
01:24:06,680 --> 01:24:09,040
Speaker 2: platform and they said, oh, like you should do some

1913
01:24:09,120 --> 01:24:12,439
Speaker 2: music for sure, they start doing music like oh she

1914
01:24:12,520 --> 01:24:15,799
Speaker 2: should start acting, They start acting, Oh you should sell makeup,

1915
01:24:16,200 --> 01:24:17,959
Speaker 2: sell makeup, Oh you should sell.

1916
01:24:18,360 --> 01:24:21,479
Speaker 3: Okay, let's let's look at car Let's look at Cardi.

1917
01:24:21,600 --> 01:24:24,600
Speaker 3: Carty is a great fucking example of this. Carti was

1918
01:24:24,640 --> 01:24:30,639
Speaker 3: a social media personality. We saw that, you know, women

1919
01:24:30,640 --> 01:24:35,960
Speaker 3: were starting to the rap that had followings. Carti put

1920
01:24:35,960 --> 01:24:38,360
Speaker 3: in her fucking early thousand hours with the mixtape Shit

1921
01:24:38,680 --> 01:24:42,160
Speaker 3: Caught It. Caught One with Bodak Yellow put out a

1922
01:24:42,240 --> 01:24:44,920
Speaker 3: album that has stuck around for fucking years. She stayed

1923
01:24:44,960 --> 01:24:48,840
Speaker 3: super relevant with features with music. Of course, it helps

1924
01:24:48,960 --> 01:24:51,519
Speaker 3: when your husband is one of the biggest artists in

1925
01:24:51,520 --> 01:24:53,759
Speaker 3: the world as well. But she has stayed so relevant

1926
01:24:53,760 --> 01:24:57,920
Speaker 3: in music that has leveraged her to this business world

1927
01:24:57,920 --> 01:25:01,599
Speaker 3: that she is in and dominating respectfully in her right

1928
01:25:01,760 --> 01:25:05,080
Speaker 3: right now. Rihanna put out fucking how many albums before

1929
01:25:05,320 --> 01:25:09,200
Speaker 3: getting a feny deal, Like they were fixtures in music

1930
01:25:09,240 --> 01:25:11,759
Speaker 3: for a period of time. Not to say you can't

1931
01:25:11,800 --> 01:25:14,880
Speaker 3: just get a single and then start a business, but

1932
01:25:15,360 --> 01:25:18,120
Speaker 3: if you're using music as a way to get into business,

1933
01:25:18,400 --> 01:25:20,439
Speaker 3: look at the people that have been successful in business.

1934
01:25:20,479 --> 01:25:23,400
Speaker 3: They've stayed in music long enough to get the leverage

1935
01:25:23,400 --> 01:25:25,960
Speaker 3: and the following to matter in business.

1936
01:25:26,200 --> 01:25:28,360
Speaker 2: But Cardi was different because people fell in love with

1937
01:25:28,400 --> 01:25:32,599
Speaker 2: her first her personality. People loved her. She was the underdog.

1938
01:25:32,640 --> 01:25:33,519
Speaker 2: People were that.

1939
01:25:33,520 --> 01:25:34,559
Speaker 3: Music, that music hit.

1940
01:25:34,640 --> 01:25:36,880
Speaker 2: Oh no, the music, the hit the music, and that's

1941
01:25:37,080 --> 01:25:40,720
Speaker 2: but that's the thing, Like she built a legit. You know,

1942
01:25:40,840 --> 01:25:43,439
Speaker 2: people were rooting for her. People wanted to see cards win.

1943
01:25:43,600 --> 01:25:45,680
Speaker 2: Like her story was super relatable to a lot of

1944
01:25:45,720 --> 01:25:49,280
Speaker 2: women and her personality. People just loved she was herself.

1945
01:25:49,320 --> 01:25:52,120
Speaker 2: She didn't have no filter, she didn't care, she knew

1946
01:25:52,120 --> 01:25:54,439
Speaker 2: she was ratchet, she embraced it and all of that.

1947
01:25:55,000 --> 01:25:57,080
Speaker 2: People loved that, and then it was like okay. Then

1948
01:25:57,120 --> 01:25:59,519
Speaker 2: she came with the music and people was like, oh shit,

1949
01:25:59,600 --> 01:26:01,519
Speaker 2: the mute is good, Like she sounds great.

1950
01:26:02,560 --> 01:26:05,840
Speaker 3: And that's what did it, because we've seen thousands and

1951
01:26:05,840 --> 01:26:07,880
Speaker 3: that's why I have to give Carti so much credit.

1952
01:26:07,960 --> 01:26:09,519
Speaker 3: And you could say Atlantic helped a live do all

1953
01:26:09,520 --> 01:26:13,639
Speaker 3: that bullshit. I don't care. We've seen ten thousand chicks.

1954
01:26:13,720 --> 01:26:16,400
Speaker 3: Of course it did. They've seen ten thousand chicks on

1955
01:26:16,479 --> 01:26:20,960
Speaker 3: ig have a crazy personality that was relatable. It was

1956
01:26:21,080 --> 01:26:23,920
Speaker 3: chick around the block. They were funny, they were most

1957
01:26:23,960 --> 01:26:26,720
Speaker 3: people deemed attractive. Then they tried to wrap too or

1958
01:26:26,760 --> 01:26:29,519
Speaker 3: they tried to do another business and it all fucking flopped.

1959
01:26:29,920 --> 01:26:33,120
Speaker 3: That's the same way I give Kim Kardashian credit because

1960
01:26:33,120 --> 01:26:35,360
Speaker 3: you know how many fucking women moved to LA and

1961
01:26:35,360 --> 01:26:37,519
Speaker 3: we're just like, hey, I'm pretty and did nothing with it.

1962
01:26:38,240 --> 01:26:42,439
Speaker 3: So looking at that, we see what made Cardi stick around.

1963
01:26:42,800 --> 01:26:45,320
Speaker 3: There's plenty of women that are funny and attractive and

1964
01:26:45,360 --> 01:26:47,719
Speaker 3: relatable on the internet. But what's stuck was that fucking

1965
01:26:47,840 --> 01:26:50,320
Speaker 3: music and that's what got her to that place.

1966
01:26:50,479 --> 01:26:51,880
Speaker 2: Well that's that Bronx hustle too.

1967
01:26:51,840 --> 01:26:53,599
Speaker 3: Though bronxtripper hustle.

1968
01:26:53,640 --> 01:26:55,360
Speaker 2: It's a different big Bronx hustle.

1969
01:26:56,479 --> 01:27:00,479
Speaker 3: So I just I feel like music still is number

1970
01:27:00,520 --> 01:27:04,439
Speaker 3: one thing if you're coming into the music business. The

1971
01:27:04,520 --> 01:27:05,439
Speaker 3: music has been good.

1972
01:27:05,479 --> 01:27:07,320
Speaker 2: The music has to be strong. Yes, I agree.

1973
01:27:07,320 --> 01:27:08,920
Speaker 3: I have to be around for a minute too, Like

1974
01:27:09,520 --> 01:27:11,639
Speaker 3: in a minute these days could be two albums. That's

1975
01:27:11,680 --> 01:27:13,840
Speaker 3: a while. Yeah, I just I can't think of one

1976
01:27:14,000 --> 01:27:15,439
Speaker 3: artist that we could tell was like, oh you just

1977
01:27:15,479 --> 01:27:19,519
Speaker 3: came in here called a quick lick single that was

1978
01:27:20,160 --> 01:27:24,240
Speaker 3: on socials that turned into a big record and now

1979
01:27:24,320 --> 01:27:27,120
Speaker 3: it's some crazy business mogul that has nothing to do

1980
01:27:27,120 --> 01:27:31,439
Speaker 3: with music. So boy, Sojia Boy has been around, Well.

1981
01:27:31,680 --> 01:27:33,920
Speaker 6: Boy has been around for us and delivered.

1982
01:27:33,560 --> 01:27:37,640
Speaker 3: Delivered music wise for years. Don't act like kiss Me

1983
01:27:37,640 --> 01:27:39,519
Speaker 3: Through the Phone wasn't a hit and it wasn't ten

1984
01:27:39,600 --> 01:27:40,360
Speaker 3: years into his career.

1985
01:27:40,960 --> 01:27:46,840
Speaker 2: Wow, how long ago was that? I was FaceTime first?

1986
01:27:46,840 --> 01:27:49,559
Speaker 3: I know I've been said that that sociable, inventive faced off.

1987
01:27:49,840 --> 01:27:51,840
Speaker 2: Yeah, that was a while ago. Been through the phone

1988
01:27:51,880 --> 01:27:54,200
Speaker 2: was two two thousand and eight. Jesus correct.

1989
01:27:54,240 --> 01:27:56,599
Speaker 5: But what I'm saying is by kiss me through the phone,

1990
01:27:56,760 --> 01:27:59,960
Speaker 5: I think Sojia Boy already was like a business mode.

1991
01:28:00,240 --> 01:28:01,719
Speaker 6: He already had businesses and stuff.

1992
01:28:01,720 --> 01:28:02,200
Speaker 3: Oh for sure.

1993
01:28:02,880 --> 01:28:05,880
Speaker 6: He continued to make music while being a.

1994
01:28:05,800 --> 01:28:09,599
Speaker 3: Business Oh yeah, no, absolutely, I'm just saying Soldier Boy. Yes,

1995
01:28:09,640 --> 01:28:13,760
Speaker 3: he leveraged his music well and stayed relevant in music.

1996
01:28:13,800 --> 01:28:16,719
Speaker 3: Soldier Boy kept one even if he wasn't doing albums

1997
01:28:16,720 --> 01:28:18,720
Speaker 3: all the time and was focused on other business shit

1998
01:28:18,840 --> 01:28:21,599
Speaker 3: that we weren't aware of at the time. He kept one,

1999
01:28:21,680 --> 01:28:23,000
Speaker 3: and what we were aware of at the time was

2000
01:28:23,040 --> 01:28:25,640
Speaker 3: the music. And that's what allowed him to leverage his

2001
01:28:26,000 --> 01:28:29,519
Speaker 3: community and fan base into these business ventures because they

2002
01:28:29,960 --> 01:28:31,800
Speaker 3: were there and gave a fuck, because he had been

2003
01:28:31,840 --> 01:28:33,439
Speaker 3: around for a minute, he had shown improved and we

2004
01:28:33,479 --> 01:28:36,080
Speaker 3: knew we can be a fan of this person because

2005
01:28:36,080 --> 01:28:38,360
Speaker 3: they're going to deliver. Now, if you just catch a single,

2006
01:28:39,439 --> 01:28:41,080
Speaker 3: catch one single and then try to go to a

2007
01:28:41,160 --> 01:28:45,160
Speaker 3: legitimate business or start a legitimate business just based off of, hey,

2008
01:28:45,200 --> 01:28:47,320
Speaker 3: I think I just have a single for a second,

2009
01:28:47,360 --> 01:28:49,519
Speaker 3: these people are not going to give a fuck until

2010
01:28:49,560 --> 01:28:51,799
Speaker 3: you show and prove and we get to fucking know you.

2011
01:28:51,800 --> 01:28:54,799
Speaker 4: You guys know best, so you know the world's the words.

2012
01:28:54,920 --> 01:28:57,080
Speaker 4: There is still a realm of the one hit wonder

2013
01:28:57,439 --> 01:28:59,880
Speaker 4: right now, do you guys say in terms of social

2014
01:29:00,040 --> 01:29:01,720
Speaker 4: you need to do those last.

2015
01:29:01,520 --> 01:29:05,240
Speaker 2: Longer or shorter time one hit wonders? Yeah, it's shorter

2016
01:29:05,360 --> 01:29:07,680
Speaker 2: now you do so, yeah, because music comes out every

2017
01:29:07,720 --> 01:29:11,920
Speaker 2: week now, like literally, like there's there's a bunch of

2018
01:29:12,000 --> 01:29:15,160
Speaker 2: music that comes out every week, like things get You

2019
01:29:15,200 --> 01:29:19,320
Speaker 2: have artists, you have artists that are like legit, like

2020
01:29:21,040 --> 01:29:24,479
Speaker 2: iconic artists that will put an album out this week

2021
01:29:25,640 --> 01:29:29,599
Speaker 2: and in five weeks, nobody's talking about the album and

2022
01:29:29,640 --> 01:29:31,920
Speaker 2: it'll be a good project. But so much album has

2023
01:29:31,920 --> 01:29:34,080
Speaker 2: come out, so much music has coming out come out

2024
01:29:34,080 --> 01:29:37,360
Speaker 2: in those five weeks after where it's kind of like,

2025
01:29:37,400 --> 01:29:39,680
Speaker 2: you know, we don't really care about it until we

2026
01:29:39,680 --> 01:29:42,680
Speaker 2: get a tour and not artist for that album, or

2027
01:29:42,720 --> 01:29:44,920
Speaker 2: we get like a documentary around that album or Netflix

2028
01:29:45,000 --> 01:29:46,280
Speaker 2: or something, or you know what I'm saying. It's like

2029
01:29:46,280 --> 01:29:48,639
Speaker 2: you don't really talk about it no more. And now

2030
01:29:48,680 --> 01:29:51,160
Speaker 2: everybody is what I call their own DJ. Like an

2031
01:29:51,160 --> 01:29:53,880
Speaker 2: album comes out, you take what you like off that album,

2032
01:29:53,920 --> 01:29:56,920
Speaker 2: make your own playlist. You don't even need. You don't care.

2033
01:29:56,960 --> 01:29:59,280
Speaker 2: The radio doesn't even have impact like that no more,

2034
01:29:59,320 --> 01:30:01,240
Speaker 2: because you don't even came about the radio. You get

2035
01:30:01,280 --> 01:30:02,840
Speaker 2: into your car, you connect to your Bluetooth, or you

2036
01:30:02,880 --> 01:30:04,360
Speaker 2: play your auction in play your own music.

2037
01:30:04,800 --> 01:30:06,560
Speaker 3: I think you'll have a little more spotlight as a

2038
01:30:06,600 --> 01:30:10,200
Speaker 3: one hit wonder now, not to say a spotlight with value.

2039
01:30:10,400 --> 01:30:11,599
Speaker 2: Who's the last one hit wonder?

2040
01:30:12,080 --> 01:30:14,360
Speaker 3: I use it a weird example because he's not a

2041
01:30:14,400 --> 01:30:18,720
Speaker 3: one hit wonder, but there was a chance at the

2042
01:30:18,760 --> 01:30:22,560
Speaker 3: time that he could have been. Lilina's X was just

2043
01:30:22,640 --> 01:30:25,120
Speaker 3: a social media guy that admitted he just tried some

2044
01:30:25,160 --> 01:30:28,840
Speaker 3: shit and it fucking worked and for a very long time.

2045
01:30:29,200 --> 01:30:32,479
Speaker 3: Lilana's X had one song for a very long time,

2046
01:30:32,520 --> 01:30:36,040
Speaker 3: and that shit lasted really fucking long, and he stayed

2047
01:30:36,080 --> 01:30:38,160
Speaker 3: relevant in that regard. He ended up not being one,

2048
01:30:38,360 --> 01:30:40,240
Speaker 3: but there could have been a chance that that was

2049
01:30:40,240 --> 01:30:42,479
Speaker 3: the one hit wonder for lil X because he had

2050
01:30:42,479 --> 01:30:44,519
Speaker 3: that He just did that song for like a year

2051
01:30:44,560 --> 01:30:45,080
Speaker 3: and a half.

2052
01:30:45,640 --> 01:30:45,960
Speaker 2: That song.

2053
01:30:46,160 --> 01:30:48,160
Speaker 3: He just happens to be really good at social media.

2054
01:30:48,280 --> 01:30:50,719
Speaker 2: Well yeah, that too, but that song was so huge.

2055
01:30:50,800 --> 01:30:53,880
Speaker 2: It's like the label almost forces you. They put the

2056
01:30:53,880 --> 01:30:56,040
Speaker 2: writers in lock. You in the room like we're getting

2057
01:30:56,040 --> 01:30:57,559
Speaker 2: the album tomorrow more.

2058
01:30:57,560 --> 01:31:01,320
Speaker 3: Or less here you could say happened when Bodak Yello

2059
01:31:01,360 --> 01:31:03,040
Speaker 3: hit Atlantic, was like, all right, well, let's get all

2060
01:31:03,040 --> 01:31:03,880
Speaker 3: our resources.

2061
01:31:03,920 --> 01:31:10,240
Speaker 2: Absolutely absolutely, speaking of music and one hit wonders. I

2062
01:31:10,280 --> 01:31:11,960
Speaker 2: don't know if any of these people one hit wonders,

2063
01:31:12,000 --> 01:31:14,439
Speaker 2: but there's a lot of music, Rihanna admits she she

2064
01:31:14,479 --> 01:31:19,000
Speaker 2: has kept no absolutely not. Rihanna admit she kept Asap

2065
01:31:19,120 --> 01:31:22,320
Speaker 2: Rocky in the friend zone for a long time.

2066
01:31:22,439 --> 01:31:23,000
Speaker 6: We knew that.

2067
01:31:23,800 --> 01:31:25,800
Speaker 2: Rihanna sat down for a real interview with Vogue in

2068
01:31:25,840 --> 01:31:29,200
Speaker 2: which she divulged intimate details about her pregnancy and relationship

2069
01:31:29,240 --> 01:31:32,000
Speaker 2: with Asat Rocky. The couple announced they were expecting their

2070
01:31:32,040 --> 01:31:35,080
Speaker 2: first child together in January, but the Barbadian singer and

2071
01:31:35,160 --> 01:31:37,719
Speaker 2: Asap mob rapper were friends for a long time before

2072
01:31:37,760 --> 01:31:40,759
Speaker 2: they took their friendship to the next level. As Rihanna explained,

2073
01:31:40,800 --> 01:31:43,400
Speaker 2: it was an uphill battle for Rocky to become her

2074
01:31:43,479 --> 01:31:46,559
Speaker 2: romantic partner. That's right, Rocky, like Harlems do it, you

2075
01:31:46,600 --> 01:31:51,559
Speaker 2: stick together and you stick to it. People don't. This

2076
01:31:51,600 --> 01:31:53,680
Speaker 2: is yourn I said, the last day of your last day.

2077
01:31:54,080 --> 01:31:56,040
Speaker 2: People don't get out of the friend zone very easily

2078
01:31:56,120 --> 01:31:58,280
Speaker 2: with me, she said, And I certainly took a while

2079
01:31:58,720 --> 01:32:00,439
Speaker 2: to get over how much I know him and how

2080
01:32:00,520 --> 01:32:03,000
Speaker 2: much he knows me, because we also know how much

2081
01:32:03,120 --> 01:32:04,640
Speaker 2: trouble we can land each other in.

2082
01:32:04,960 --> 01:32:10,200
Speaker 3: Lord, So I've read that relationships like that.

2083
01:32:11,720 --> 01:32:12,519
Speaker 2: Was all right?

2084
01:32:13,439 --> 01:32:15,759
Speaker 3: What she's saying, like, all right, if we get romantic,

2085
01:32:15,880 --> 01:32:19,040
Speaker 3: if we stay friends, it's rare that this is gonna

2086
01:32:19,160 --> 01:32:21,360
Speaker 3: our friendship is gonna end. We'll probably always be cool forever.

2087
01:32:21,720 --> 01:32:25,160
Speaker 3: But if cool, if we get in a relationship and

2088
01:32:25,240 --> 01:32:30,000
Speaker 3: some ship goes left, this could get fucking messy. Yeah,

2089
01:32:30,160 --> 01:32:31,960
Speaker 3: is that what she meant, because that's how I interpreted it.

2090
01:32:32,120 --> 01:32:35,360
Speaker 2: Rihanna would listen, man, and I love re But all

2091
01:32:35,400 --> 01:32:38,640
Speaker 2: she was doing was she knew when she wanted to.

2092
01:32:38,880 --> 01:32:42,200
Speaker 2: She she liked Rocky and she was like, yo, but

2093
01:32:43,880 --> 01:32:45,880
Speaker 2: not right now, like we can't you know what I'm saying,

2094
01:32:45,960 --> 01:32:48,840
Speaker 2: Like I'm doing my thing. She Rihanna's Rihanna. When you

2095
01:32:48,920 --> 01:32:49,960
Speaker 2: a billionaire, you.

2096
01:32:50,320 --> 01:32:52,280
Speaker 3: Beautiful, And I don't think that was it.

2097
01:32:52,439 --> 01:32:54,360
Speaker 2: You got. You got a bunch of boy toys. Everywhere

2098
01:32:54,400 --> 01:32:55,720
Speaker 2: you play with them, you put them back when you

2099
01:32:55,760 --> 01:32:58,040
Speaker 2: feel like it, Like nobody can't call you a whole

2100
01:32:58,160 --> 01:33:00,000
Speaker 2: because You're not fucking none of these niggas for their money.

2101
01:33:00,040 --> 01:33:02,160
Speaker 2: You got your own bag. It's kind of like, yo,

2102
01:33:02,160 --> 01:33:03,439
Speaker 2: get out of here, like I have fun with you.

2103
01:33:03,479 --> 01:33:06,560
Speaker 2: We took a trip for a month, we dated for

2104
01:33:06,600 --> 01:33:07,720
Speaker 2: two months, and I was like, get out of it.

2105
01:33:07,720 --> 01:33:10,920
Speaker 2: I don't know you anymore. And she always felt like

2106
01:33:11,200 --> 01:33:14,519
Speaker 2: she probably had a super soft spot for Rocky and

2107
01:33:14,640 --> 01:33:16,679
Speaker 2: was like, nah, he'll be the one to break my heart.

2108
01:33:16,920 --> 01:33:20,800
Speaker 3: This guy's I thought they dated before that, yeah, I

2109
01:33:20,840 --> 01:33:23,240
Speaker 3: thought dated, yeah, and then friends that he got friend

2110
01:33:23,320 --> 01:33:24,080
Speaker 3: zone after the date.

2111
01:33:24,320 --> 01:33:26,240
Speaker 2: Yeah, because it was kind of like, nah, you know,

2112
01:33:26,360 --> 01:33:28,559
Speaker 2: you know rock that'st that hall. You know he probably

2113
01:33:28,560 --> 01:33:31,920
Speaker 2: you know, you know Rocky, he probably was different. Not

2114
01:33:31,960 --> 01:33:34,839
Speaker 2: only that he was, Rocky was keeping it probably super

2115
01:33:35,680 --> 01:33:38,360
Speaker 2: like authentic with her, like doing ship, like not the

2116
01:33:38,479 --> 01:33:40,200
Speaker 2: rich ship, like yeah, we know you got money and

2117
01:33:40,200 --> 01:33:42,320
Speaker 2: all that, but like you have real fun. Let's do

2118
01:33:42,439 --> 01:33:44,880
Speaker 2: real ship. And once you tap into that part of

2119
01:33:44,920 --> 01:33:48,439
Speaker 2: a woman's psyche and it's different, and she probably knew

2120
01:33:48,520 --> 01:33:50,960
Speaker 2: like yo, I'm not ready for that right now, like nah,

2121
01:33:51,200 --> 01:33:54,640
Speaker 2: but you know years later, you know maybe like so

2122
01:33:54,800 --> 01:33:57,280
Speaker 2: shiit uphill battle, like fight for it. If you really

2123
01:33:57,320 --> 01:33:58,519
Speaker 2: love me and you really want to be with me,

2124
01:33:58,560 --> 01:34:01,400
Speaker 2: show me. So I just I got a salute Rocky

2125
01:34:01,400 --> 01:34:02,720
Speaker 2: for that because he wasn't fumbling that.

2126
01:34:03,000 --> 01:34:03,439
Speaker 3: No, sir.

2127
01:34:03,680 --> 01:34:06,959
Speaker 5: It gave me ma And I know you you've definitely

2128
01:34:06,960 --> 01:34:09,160
Speaker 5: been through the sport rory. Probably you too. When you

2129
01:34:09,200 --> 01:34:11,479
Speaker 5: know somebody, it's like, y'all have like that chemistry and

2130
01:34:11,520 --> 01:34:14,479
Speaker 5: it's like, bro, this can go left, Like, we ain't

2131
01:34:14,520 --> 01:34:16,200
Speaker 5: even gonna do this because we know that.

2132
01:34:16,120 --> 01:34:17,559
Speaker 2: This not that it could go left.

2133
01:34:18,400 --> 01:34:21,120
Speaker 5: It's too much passion, not that it could go left.

2134
01:34:21,160 --> 01:34:24,080
Speaker 5: So it'll it'll start in fire and it'll end in fire.

2135
01:34:24,240 --> 01:34:27,200
Speaker 2: No, but it's that I've never felt that with a

2136
01:34:27,240 --> 01:34:28,800
Speaker 2: girl that I had that type of chemistry, but but

2137
01:34:28,840 --> 01:34:32,240
Speaker 2: I always had the I'm scared to fuck this up,

2138
01:34:32,800 --> 01:34:35,559
Speaker 2: like because now because i'd rather like I've said this before,

2139
01:34:35,680 --> 01:34:38,560
Speaker 2: I don't want to lose you as a friend, like

2140
01:34:38,560 --> 01:34:40,559
Speaker 2: because we'll be super cool, have this chemistry and we

2141
01:34:40,560 --> 01:34:42,280
Speaker 2: start really dating, and I do some shit to fuck

2142
01:34:42,320 --> 01:34:44,400
Speaker 2: it up and now you're not my friend. I'm gonna

2143
01:34:44,400 --> 01:34:46,559
Speaker 2: be like NAZII, it wasn't even worth it because we

2144
01:34:46,560 --> 01:34:49,840
Speaker 2: were super cool. Yeah, we know we both like each other,

2145
01:34:49,960 --> 01:34:52,759
Speaker 2: we both attracted to each other. We flirt whatever, whatever.

2146
01:34:53,120 --> 01:34:54,960
Speaker 2: You might let me suck a titty every now and then,

2147
01:34:55,000 --> 01:34:57,320
Speaker 2: you got a shit go Like, you know, we cuddle

2148
01:34:57,360 --> 01:34:59,160
Speaker 2: with the house, you let me play with the pussy

2149
01:34:59,200 --> 01:35:01,880
Speaker 2: a little bit, but we never really go all the

2150
01:35:01,960 --> 01:35:04,120
Speaker 2: way you like. No, I'm not we know the time

2151
01:35:04,160 --> 01:35:05,760
Speaker 2: of this, but yeah, but you know I could come

2152
01:35:05,760 --> 01:35:07,559
Speaker 2: to your house. I could spend the night. I could

2153
01:35:07,600 --> 01:35:09,160
Speaker 2: you know what I'm saying, Like we do all those

2154
01:35:09,160 --> 01:35:12,320
Speaker 2: type of things, but I know that once you disappear

2155
01:35:12,320 --> 01:35:13,360
Speaker 2: and I don't see you for a couple of months,

2156
01:35:13,439 --> 01:35:15,479
Speaker 2: Yeah you're dating, you haven't you know out what other

2157
01:35:15,479 --> 01:35:17,519
Speaker 2: guys doing what you do like, but I'm always gonna

2158
01:35:17,520 --> 01:35:18,479
Speaker 2: be the guy that you come back to.

2159
01:35:18,640 --> 01:35:21,679
Speaker 3: It's risky, but that is the better long run game

2160
01:35:22,479 --> 01:35:24,479
Speaker 3: because you know where you're at in your life for

2161
01:35:24,479 --> 01:35:26,880
Speaker 3: the most part, if you are in the right space

2162
01:35:27,040 --> 01:35:29,960
Speaker 3: to fully commit to a relationship. And it's like, all right,

2163
01:35:30,000 --> 01:35:33,040
Speaker 3: if I'm not, do I take this fucking risk and

2164
01:35:33,080 --> 01:35:35,439
Speaker 3: just do it and then be who I know I

2165
01:35:35,479 --> 01:35:37,439
Speaker 3: am right now, and then she's gonna end up resenting

2166
01:35:37,439 --> 01:35:39,599
Speaker 3: me forever and there would really be no future. Yeah

2167
01:35:39,640 --> 01:35:42,479
Speaker 3: that's or just you know, play this out and hope

2168
01:35:42,520 --> 01:35:44,960
Speaker 3: she don't meet somebody that you really love. Yeah, like

2169
01:35:45,000 --> 01:35:47,320
Speaker 3: you always that's the scary part of that game. Yeah,

2170
01:35:47,360 --> 01:35:49,720
Speaker 3: there is a very high high chance that she.

2171
01:35:49,840 --> 01:35:52,680
Speaker 2: Will and like really fall in love and then yeah,

2172
01:35:53,360 --> 01:35:56,800
Speaker 2: it happens. But you know it just it always goes

2173
01:35:56,840 --> 01:35:58,280
Speaker 2: back to if it's for me, it's for me.

2174
01:35:58,479 --> 01:35:59,400
Speaker 3: Yeah, you know what I'm saying.

2175
01:35:59,439 --> 01:36:01,559
Speaker 2: And I think that's with Rihann and Rocky, you know,

2176
01:36:01,760 --> 01:36:04,120
Speaker 2: ultimately that's what their relationship is. Just they were just

2177
01:36:04,200 --> 01:36:08,320
Speaker 2: meant to be together and meant to have a family together.

2178
01:36:08,360 --> 01:36:09,519
Speaker 3: Like it just say, is what it is, you know

2179
01:36:09,560 --> 01:36:10,040
Speaker 3: what I'm saying.

2180
01:36:10,080 --> 01:36:12,920
Speaker 2: But I thought that that was funny that she she

2181
01:36:13,040 --> 01:36:15,559
Speaker 2: admitted to having him in the friend zone. Rocky fought though,

2182
01:36:15,920 --> 01:36:18,800
Speaker 2: he fought his way out that motherfucker thought he fought

2183
01:36:18,800 --> 01:36:21,479
Speaker 2: his way out that friend zone. Though I respect it now,

2184
01:36:21,479 --> 01:36:25,080
Speaker 2: I definitely respected. Ice Cube was back. We spoke about

2185
01:36:25,120 --> 01:36:25,719
Speaker 2: him last.

2186
01:36:25,520 --> 01:36:27,519
Speaker 3: Episode rebooted Black and White.

2187
01:36:27,880 --> 01:36:31,439
Speaker 2: No, he uh, ice Cube said. Ice Cube wanted to

2188
01:36:31,479 --> 01:36:34,639
Speaker 2: buck black people dying in the first fifteen minutes trend

2189
01:36:34,720 --> 01:36:36,599
Speaker 2: of movies, Like he said, he wanted to get rid

2190
01:36:36,600 --> 01:36:38,680
Speaker 2: of that. So it was twenty five. It was a

2191
01:36:38,680 --> 01:36:41,000
Speaker 2: twenty five y anniversary of the movie Anaconda with ice

2192
01:36:41,000 --> 01:36:44,760
Speaker 2: Cube and j Lo last week, and ice Cube said,

2193
01:36:44,800 --> 01:36:47,000
Speaker 2: when they asked me to do Anaconda, I said, I'd

2194
01:36:47,040 --> 01:36:50,120
Speaker 2: do it only if my character lived and helped kill

2195
01:36:50,160 --> 01:36:52,679
Speaker 2: the snake before then, most black people in these type

2196
01:36:52,680 --> 01:36:54,840
Speaker 2: of movies are dead within the first fifteen minutes.

2197
01:36:54,920 --> 01:36:57,280
Speaker 3: And just open open the door for Samuel Jackson get

2198
01:36:57,320 --> 01:36:58,280
Speaker 3: on that plane with the snakes.

2199
01:36:58,320 --> 01:37:01,040
Speaker 2: Listen, man. You know we laughed, ice Cube, and you

2200
01:37:01,040 --> 01:37:02,559
Speaker 2: know we love him, but we laugh at him too.

2201
01:37:02,600 --> 01:37:04,720
Speaker 2: But that's dope though. I think that if he did

2202
01:37:04,760 --> 01:37:06,439
Speaker 2: do that and was like, yo, listen, nah, man, let's

2203
01:37:06,520 --> 01:37:09,800
Speaker 2: kill that. You know, all these horror movies with animals

2204
01:37:09,840 --> 01:37:12,120
Speaker 2: and things killing you, jumping out the bushes, the black

2205
01:37:12,160 --> 01:37:14,800
Speaker 2: guy always dies soon. I want to be the one

2206
01:37:14,840 --> 01:37:18,200
Speaker 2: at the end that's victorious. Like yeah, like, let me

2207
01:37:18,200 --> 01:37:19,800
Speaker 2: be the one. So I do like the fact that

2208
01:37:19,840 --> 01:37:21,240
Speaker 2: ice Cube, if that is indeed.

2209
01:37:21,000 --> 01:37:25,840
Speaker 3: True, I promise you that original script had c he was.

2210
01:37:27,040 --> 01:37:27,960
Speaker 3: Did he even get off the plane?

2211
01:37:28,280 --> 01:37:29,720
Speaker 2: He got off the boat. Yeah, when they was in

2212
01:37:29,960 --> 01:37:33,519
Speaker 2: the swamp seat and I think that was in Brazil.

2213
01:37:33,680 --> 01:37:36,840
Speaker 3: I forgot think it was, but I'm saying the original

2214
01:37:36,880 --> 01:37:37,719
Speaker 3: script he was dead.

2215
01:37:37,880 --> 01:37:40,559
Speaker 2: Oh yeah, yeah, yeah, he was the camera man yea

2216
01:37:40,680 --> 01:37:43,040
Speaker 2: for the documentary for them Looking for the Snake. You know,

2217
01:37:43,120 --> 01:37:45,920
Speaker 2: he dies, man, But I thought that that was dope

2218
01:37:45,960 --> 01:37:47,800
Speaker 2: that he stood up and was like, nah, man, funk

2219
01:37:47,840 --> 01:37:49,240
Speaker 2: that we're not doing that. I'm not doing it. If

2220
01:37:49,280 --> 01:37:52,400
Speaker 2: y'all want me, give me a longer fucking script in

2221
01:37:52,400 --> 01:37:53,680
Speaker 2: this movie. So I like that.

2222
01:37:54,200 --> 01:37:55,680
Speaker 6: More money period, Yeah, and.

2223
01:37:55,680 --> 01:37:57,479
Speaker 2: More money basically that's hope that ship boils down.

2224
01:37:57,360 --> 01:37:57,960
Speaker 3: To don't know.

2225
01:37:58,000 --> 01:38:00,599
Speaker 4: That was also another that made it through.

2226
01:38:00,600 --> 01:38:01,439
Speaker 3: Another horror movie.

2227
01:38:01,760 --> 01:38:04,559
Speaker 2: Yeah, yeah, Blue ce right, deep Blue Sea was that it?

2228
01:38:04,560 --> 01:38:05,240
Speaker 2: That's the name movie?

2229
01:38:05,360 --> 01:38:06,840
Speaker 3: Do you think that one? Funny enough? Is the one

2230
01:38:06,880 --> 01:38:08,520
Speaker 3: that Samuel Jackson.

2231
01:38:08,840 --> 01:38:11,200
Speaker 5: Deep Blue See was one of I used to watch

2232
01:38:11,240 --> 01:38:13,320
Speaker 5: that every time that I was That was cool.

2233
01:38:13,479 --> 01:38:14,880
Speaker 2: He was a chef and the Yeah, he was a

2234
01:38:14,920 --> 01:38:16,360
Speaker 2: chef up north. He would have got left up and

2235
01:38:16,800 --> 01:38:17,880
Speaker 2: that was but.

2236
01:38:17,920 --> 01:38:20,840
Speaker 3: He was a shock up Yeah.

2237
01:38:20,880 --> 01:38:26,240
Speaker 6: Anyway, all right, yeah.

2238
01:38:24,560 --> 01:38:25,280
Speaker 2: I can't do this with.

2239
01:38:29,000 --> 01:38:32,040
Speaker 3: LLL has been in some sick movies, man, llo cool

2240
01:38:32,120 --> 01:38:32,879
Speaker 3: j Yeah.

2241
01:38:32,800 --> 01:38:35,240
Speaker 6: Deliver us from even such a good movie. It's so underrated.

2242
01:38:37,040 --> 01:38:38,920
Speaker 2: Gabrielle, Yes, that was Gabrielle.

2243
01:38:39,000 --> 01:38:39,240
Speaker 6: Yes.

2244
01:38:40,280 --> 01:38:42,160
Speaker 2: That movie was kind of what was he was he

2245
01:38:42,240 --> 01:38:43,639
Speaker 2: like a male truck drip or something.

2246
01:38:43,680 --> 01:38:47,040
Speaker 6: He was a he was a chef to catering, right, yeah,

2247
01:38:47,040 --> 01:38:50,160
Speaker 6: I think so. Yeah, he was just LL like, what's.

2248
01:38:50,000 --> 01:38:52,000
Speaker 2: So lu Oh? I know why? Because you don't have

2249
01:38:52,040 --> 01:38:54,679
Speaker 2: no facial head. Yes, bald head, so no head falls

2250
01:38:54,680 --> 01:38:55,560
Speaker 2: into the food.

2251
01:38:55,600 --> 01:38:57,880
Speaker 3: And like those cool chef hats probably work well on

2252
01:38:57,920 --> 01:38:58,479
Speaker 3: his bald head.

2253
01:38:58,680 --> 01:38:59,519
Speaker 2: Yeah. I get.

2254
01:38:59,560 --> 01:39:01,200
Speaker 3: I get what over the arin I could get.

2255
01:39:01,320 --> 01:39:03,240
Speaker 2: I get why they trying to always make Ll a chef.

2256
01:39:03,240 --> 01:39:03,640
Speaker 2: I get it.

2257
01:39:03,680 --> 01:39:04,320
Speaker 3: I understand.

2258
01:39:04,439 --> 01:39:05,080
Speaker 2: Shout out to LL.

2259
01:39:06,240 --> 01:39:08,280
Speaker 4: He was trying to think about other movies he was

2260
01:39:08,280 --> 01:39:13,080
Speaker 4: in so h two Oh the Mike Myers Michael Myers movies.

2261
01:39:13,200 --> 01:39:14,960
Speaker 2: Halloween twenty Yeah, Halloween twenty.

2262
01:39:15,000 --> 01:39:17,840
Speaker 3: I did not see LL that in Too Deep and

2263
01:39:17,960 --> 01:39:18,479
Speaker 3: Too Deep.

2264
01:39:18,720 --> 01:39:21,720
Speaker 2: You ain't no cop, J Reed. You don't even know

2265
01:39:21,720 --> 01:39:22,439
Speaker 2: nothing about God.

2266
01:39:22,560 --> 01:39:25,200
Speaker 6: Kingdom Come, Oh my God Kingdom Come is one of

2267
01:39:25,200 --> 01:39:26,479
Speaker 6: the funniest Kingdom comers.

2268
01:39:26,479 --> 01:39:27,680
Speaker 3: That is Chris rocking it.

2269
01:39:28,320 --> 01:39:30,800
Speaker 2: No, No, No Kingdom Come.

2270
01:39:30,840 --> 01:39:31,599
Speaker 3: Who was in that?

2271
01:39:32,479 --> 01:39:33,639
Speaker 4: Cedric Andy Anderson?

2272
01:39:34,880 --> 01:39:37,320
Speaker 6: Remember Jada got it? Yep, wasn't it?

2273
01:39:37,560 --> 01:39:40,519
Speaker 2: Yell J was the first rap superstar.

2274
01:39:41,320 --> 01:39:41,880
Speaker 3: That's robably true.

2275
01:39:41,920 --> 01:39:44,320
Speaker 2: A lot of people don't know that J first rap superstar.

2276
01:39:44,400 --> 01:39:45,439
Speaker 3: What would you say is the second one?

2277
01:39:45,560 --> 01:39:47,160
Speaker 2: The second rap superstar.

2278
01:39:50,320 --> 01:39:52,040
Speaker 3: Was the LL Superstar before run.

2279
01:39:52,160 --> 01:39:55,519
Speaker 2: Though LJ was the first artist the first a death.

2280
01:39:55,680 --> 01:39:58,240
Speaker 3: Yeah, yeah, I'm just saying I know I know him

2281
01:39:58,240 --> 01:40:00,639
Speaker 3: in around the same time.

2282
01:40:00,640 --> 01:40:04,040
Speaker 2: I don't love her first taking the shirt off.

2283
01:40:04,560 --> 01:40:05,160
Speaker 3: She wasn't doing that.

2284
01:40:05,800 --> 01:40:06,880
Speaker 2: He love taking the shirt off.

2285
01:40:07,160 --> 01:40:08,800
Speaker 3: They kept their hats on and still they took her.

2286
01:40:08,840 --> 01:40:10,320
Speaker 2: She was off. You've seen all the videos. You see

2287
01:40:10,320 --> 01:40:11,679
Speaker 2: you see how he was going crazy in his videos.

2288
01:40:11,680 --> 01:40:13,479
Speaker 2: They just gave us the time a couple of weeks ago,

2289
01:40:13,560 --> 01:40:14,080
Speaker 2: like how crazy.

2290
01:40:14,280 --> 01:40:17,160
Speaker 5: He also has one of the most underrated dirty Max

2291
01:40:17,280 --> 01:40:19,720
Speaker 5: songs too, Hey lover is a dirty man?

2292
01:40:19,800 --> 01:40:23,000
Speaker 3: Oh he lovers? Is that an underrated dirty song that

2293
01:40:23,120 --> 01:40:25,320
Speaker 3: makes Yeah, I think it gets its accolades that.

2294
01:40:26,800 --> 01:40:28,960
Speaker 2: Yes, but that's why because boys and men coming croon,

2295
01:40:29,040 --> 01:40:30,719
Speaker 2: and you forget about all the salt that this nigga

2296
01:40:30,960 --> 01:40:33,639
Speaker 2: LLLL was throwing in the verses, and like when Sean

2297
01:40:33,720 --> 01:40:36,160
Speaker 2: stopped me coming with the oohs and the ayes, it's like, oh.

2298
01:40:36,080 --> 01:40:37,760
Speaker 3: This she got nasty dirty mack.

2299
01:40:38,400 --> 01:40:41,840
Speaker 2: You forget LLLL was spitting venom at niggas chicks. It's

2300
01:40:41,840 --> 01:40:44,679
Speaker 2: like my girl, she's.

2301
01:40:44,560 --> 01:40:47,040
Speaker 3: Not your lover. Yeah, like, this is my lady, nigga,

2302
01:40:47,520 --> 01:40:49,479
Speaker 3: and it was it was nasty, dirty mac like he

2303
01:40:49,600 --> 01:40:53,559
Speaker 3: was like, she he drinks too much. Yeah, don't tell

2304
01:40:53,600 --> 01:40:56,840
Speaker 3: my girl, I drink too much. What he said works

2305
01:40:56,880 --> 01:40:57,760
Speaker 3: too much, he.

2306
01:40:57,840 --> 01:41:00,519
Speaker 2: Said, telling me you're damn with vanilla. I don't put

2307
01:41:00,520 --> 01:41:04,000
Speaker 2: the don't put the before the vanilla ice, don't tell

2308
01:41:04,360 --> 01:41:05,040
Speaker 2: before the flavor.

2309
01:41:05,400 --> 01:41:05,800
Speaker 3: Don't do that.

2310
01:41:06,400 --> 01:41:08,760
Speaker 5: No, I gotta read just the first Can I just

2311
01:41:08,840 --> 01:41:11,960
Speaker 5: read the first verse? Please picture this. It was Harlem

2312
01:41:12,000 --> 01:41:14,960
Speaker 5: at the ruckers. I saw you with your man smiling, huh,

2313
01:41:15,040 --> 01:41:16,960
Speaker 5: a coach bag in your hand. I was laying in

2314
01:41:17,040 --> 01:41:19,439
Speaker 5: the coop with my hat turned back. We call eyes

2315
01:41:19,520 --> 01:41:20,880
Speaker 5: for a moment, and that was that.

2316
01:41:21,160 --> 01:41:23,760
Speaker 6: Yo. First of all, don't catch eyes with my bitch.

2317
01:41:24,479 --> 01:41:24,720
Speaker 2: You don't.

2318
01:41:26,880 --> 01:41:27,800
Speaker 3: It's the whole basketball game.

2319
01:41:28,120 --> 01:41:30,760
Speaker 2: Yeah, why ain't looking at what skipping these niggas? Stop

2320
01:41:30,840 --> 01:41:33,519
Speaker 2: looking at my lady, my nigga, like skip got thirty.

2321
01:41:34,840 --> 01:41:36,760
Speaker 2: You should be paying attention to this nigga. Don't look

2322
01:41:36,760 --> 01:41:37,200
Speaker 2: at my girl.

2323
01:41:37,400 --> 01:41:39,920
Speaker 5: So I skated off as you strolled off looking at

2324
01:41:39,960 --> 01:41:42,960
Speaker 5: them legs. God, damn, they look so soft. I gotta

2325
01:41:43,000 --> 01:41:44,960
Speaker 5: take you from your man, that's my mission. If his

2326
01:41:45,080 --> 01:41:47,760
Speaker 5: love is real, he got to handle competition. You only

2327
01:41:47,880 --> 01:41:51,640
Speaker 5: know him five months. Besides, you know me minutes and

2328
01:41:51,840 --> 01:41:53,040
Speaker 5: smoke too many blunts?

2329
01:41:53,400 --> 01:41:59,400
Speaker 2: What all day? You just saw a girl. Don't be

2330
01:41:59,479 --> 01:42:01,559
Speaker 2: looking at don't be thinking about my girl while you're

2331
01:42:01,560 --> 01:42:03,280
Speaker 2: on the end climb my nigga, Like, what's up with

2332
01:42:03,360 --> 01:42:04,559
Speaker 2: this nigga? Yo?

2333
01:42:04,720 --> 01:42:07,040
Speaker 3: Now that I think about it, the whole hay Lover

2334
01:42:07,200 --> 01:42:11,080
Speaker 3: verse is just the description of the show The Ultimatum

2335
01:42:11,160 --> 01:42:12,080
Speaker 3: on Netflix right.

2336
01:42:12,000 --> 01:42:13,320
Speaker 6: Now, I see I gotta watch.

2337
01:42:13,439 --> 01:42:16,479
Speaker 3: First of all, you ain't know my girl, but five minutes.

2338
01:42:16,520 --> 01:42:20,559
Speaker 2: Shut shut the fuck up. He saw her for five minutes.

2339
01:42:20,560 --> 01:42:21,200
Speaker 3: You don't know her.

2340
01:42:22,200 --> 01:42:23,200
Speaker 2: Listing you down with.

2341
01:42:23,800 --> 01:42:26,280
Speaker 5: Vanilla, he said, I see you at the bus stop

2342
01:42:26,320 --> 01:42:28,280
Speaker 5: way and every day your man must think it's safe

2343
01:42:28,280 --> 01:42:29,360
Speaker 5: for you to travel that way.

2344
01:42:30,080 --> 01:42:32,080
Speaker 3: Nah, that's a that's a dirty line, yo.

2345
01:42:32,400 --> 01:42:32,960
Speaker 6: He gotta go.

2346
01:42:33,840 --> 01:42:34,679
Speaker 3: That's a dirty ass.

2347
01:42:34,960 --> 01:42:36,800
Speaker 2: It'll work, you see, my girl. We did the bus

2348
01:42:36,880 --> 01:42:37,479
Speaker 2: stop though work.

2349
01:42:37,520 --> 01:42:38,759
Speaker 6: Why you yours?

2350
01:42:39,200 --> 01:42:40,040
Speaker 3: You're from Queens?

2351
01:42:40,080 --> 01:42:40,479
Speaker 2: What the fuck?

2352
01:42:40,520 --> 01:42:40,960
Speaker 3: You always in.

2353
01:42:40,960 --> 01:42:43,000
Speaker 2: Harlem for it? And it expressed she only got to

2354
01:42:43,040 --> 01:42:44,800
Speaker 2: wait ten minutes, like to get to her job.

2355
01:42:45,080 --> 01:42:46,280
Speaker 3: I think it's unsafe that you.

2356
01:42:48,040 --> 01:42:49,840
Speaker 6: Because if you're not on the bus, why you see

2357
01:42:49,880 --> 01:42:50,720
Speaker 6: her at the bus stop bar?

2358
01:42:50,800 --> 01:42:51,880
Speaker 2: He being a fucking creep.

2359
01:42:52,560 --> 01:42:55,040
Speaker 3: That's why you nasty, just driving around Harlem following her.

2360
01:42:55,120 --> 01:42:56,960
Speaker 3: You fucking this, That's why she's not safe, fir.

2361
01:42:57,080 --> 01:43:00,080
Speaker 2: She got people like you roll one leg of on

2362
01:43:00,160 --> 01:43:00,599
Speaker 2: the jeene.

2363
01:43:00,920 --> 01:43:01,680
Speaker 3: Yes, that's rough.

2364
01:43:01,720 --> 01:43:03,240
Speaker 2: You're creep, my nigga, How you get that leg to

2365
01:43:03,240 --> 01:43:04,160
Speaker 2: stay up like that all day?

2366
01:43:06,080 --> 01:43:08,439
Speaker 3: I got you do that a lot of caffres, and

2367
01:43:08,479 --> 01:43:09,920
Speaker 3: we got to be working out thinking about her.

2368
01:43:10,000 --> 01:43:12,720
Speaker 2: Yeah, we got mad caf So do what caffres is

2369
01:43:12,760 --> 01:43:15,920
Speaker 2: thinking about another man's girl. I don't know how crazy

2370
01:43:16,040 --> 01:43:17,599
Speaker 2: that is. He should be locked away.

2371
01:43:17,680 --> 01:43:19,320
Speaker 3: But I want to know how How you know so

2372
01:43:19,439 --> 01:43:21,320
Speaker 3: much about me too? How you know I drink too

2373
01:43:21,360 --> 01:43:23,360
Speaker 3: much and smoke too many blunts? You just saw me

2374
01:43:23,479 --> 01:43:25,519
Speaker 3: walking with my girl for five fucking minutes.

2375
01:43:25,320 --> 01:43:26,800
Speaker 2: And I wasn't smoking or drinking.

2376
01:43:27,920 --> 01:43:30,439
Speaker 6: Now he asked about you and me, asking.

2377
01:43:30,360 --> 01:43:32,200
Speaker 2: My girl about me? My nigga, ask nothing.

2378
01:43:33,920 --> 01:43:37,320
Speaker 3: Then watch that show on Netflix, The Ultimato asking about

2379
01:43:37,360 --> 01:43:37,720
Speaker 3: my girl.

2380
01:43:37,920 --> 01:43:39,560
Speaker 2: I was definitely in the chat talking about it.

2381
01:43:39,600 --> 01:43:42,360
Speaker 5: So we got to I came across a TikTok well

2382
01:43:42,439 --> 01:43:45,160
Speaker 5: from I guess one of the main girls, and like her,

2383
01:43:45,280 --> 01:43:47,519
Speaker 5: she put up like a collage on her and the

2384
01:43:47,640 --> 01:43:49,280
Speaker 5: dude she used to be with. But I guess that's

2385
01:43:49,320 --> 01:43:51,120
Speaker 5: not the dude she ended up with. And they said,

2386
01:43:51,200 --> 01:43:52,479
Speaker 5: like I went to the comments, I'm like, what is

2387
01:43:52,520 --> 01:43:53,640
Speaker 5: this about? That has to be from a show, and

2388
01:43:53,680 --> 01:43:55,479
Speaker 5: they were like talking about the ultimatum. I'm like, oh,

2389
01:43:55,560 --> 01:43:56,880
Speaker 5: Rory's was talking about this show.

2390
01:43:57,280 --> 01:43:59,840
Speaker 3: Have you guys ever been given an ultimatum? Yes? Yes,

2391
01:44:00,880 --> 01:44:04,000
Speaker 3: I'll say Nick Lache is sick. He's just he's just

2392
01:44:04,080 --> 01:44:07,240
Speaker 3: a sick Fuck this girl. He did love his blind,

2393
01:44:07,240 --> 01:44:10,799
Speaker 3: which was super sick, and he double topped the sickness.

2394
01:44:11,040 --> 01:44:12,800
Speaker 3: I don't know how you could take Love is Blind

2395
01:44:12,920 --> 01:44:16,400
Speaker 3: down and be like hold my beer. Like him and

2396
01:44:16,479 --> 01:44:19,719
Speaker 3: his girl are must they they're a perfect match because

2397
01:44:19,720 --> 01:44:22,280
Speaker 3: they're equally fucking sick in the head and they come

2398
01:44:22,360 --> 01:44:26,000
Speaker 3: up with these fucking insane shows. So this is a

2399
01:44:26,640 --> 01:44:29,040
Speaker 3: show him and his wife hosted, just like Love Is Blind.

2400
01:44:29,240 --> 01:44:32,720
Speaker 4: Wow, Okay, Basically what it is couples come through and

2401
01:44:33,280 --> 01:44:35,600
Speaker 4: uh one one side of the couple gives the ultimatum

2402
01:44:35,880 --> 01:44:39,439
Speaker 4: right then for I think three weeks, three weeks separate,

2403
01:44:39,840 --> 01:44:42,080
Speaker 4: and then they have the chance to be single, meet

2404
01:44:42,120 --> 01:44:44,759
Speaker 4: another person, and then they're stuck with that other person

2405
01:44:45,000 --> 01:44:45,960
Speaker 4: for three more weeks.

2406
01:44:46,120 --> 01:44:47,720
Speaker 3: But the contestants on the show and not like they

2407
01:44:47,840 --> 01:44:49,840
Speaker 3: go out and just find somebody. You got to take

2408
01:44:49,880 --> 01:44:52,240
Speaker 3: someone else's girl and go live with them for three weeks.

2409
01:44:52,400 --> 01:44:55,040
Speaker 3: And then some other dude that's on the cast lives

2410
01:44:55,080 --> 01:44:57,320
Speaker 3: with your girl for three three weeks.

2411
01:44:57,520 --> 01:45:00,200
Speaker 2: And you're watching this go on like you're there while

2412
01:45:00,240 --> 01:45:01,400
Speaker 2: he like some dudes with your chick.

2413
01:45:01,560 --> 01:45:03,760
Speaker 3: Though the fact that there is no fights on that show.

2414
01:45:04,000 --> 01:45:06,760
Speaker 2: Wait wait wait wait wait wait wait wait wait. So

2415
01:45:07,880 --> 01:45:12,200
Speaker 2: so you get to take my girl, yeah, somewhere like

2416
01:45:12,439 --> 01:45:13,960
Speaker 2: it's just like all in the same property.

2417
01:45:14,040 --> 01:45:17,679
Speaker 3: Yeah, they'll live together and like these little fun apartments,

2418
01:45:17,720 --> 01:45:18,839
Speaker 3: small apartments, shit.

2419
01:45:19,080 --> 01:45:21,519
Speaker 2: Okay, and you get to stay in this room with

2420
01:45:21,640 --> 01:45:22,960
Speaker 2: my girl for three weeks.

2421
01:45:23,120 --> 01:45:26,200
Speaker 3: It's about the apartments are smaller than this studio for

2422
01:45:26,320 --> 01:45:27,720
Speaker 3: three weeks for three weeks.

2423
01:45:28,640 --> 01:45:31,040
Speaker 2: That you guys are married for three week and and

2424
01:45:31,080 --> 01:45:31,920
Speaker 2: I'm watching all.

2425
01:45:31,880 --> 01:45:33,720
Speaker 3: Of this, and on top of that, it's like a

2426
01:45:34,600 --> 01:45:40,000
Speaker 3: accelerated relationship. So like Shorty will take her new dude

2427
01:45:40,439 --> 01:45:43,400
Speaker 3: to go meet your father in law, yeah, and meet

2428
01:45:43,479 --> 01:45:45,880
Speaker 3: the fam like I would be sitting there. Not only

2429
01:45:45,960 --> 01:45:47,800
Speaker 3: mad at my girl, I'd be mad at like my

2430
01:45:47,880 --> 01:45:50,640
Speaker 3: potential in laws. Are you talking to his mouff? Like

2431
01:45:50,720 --> 01:45:52,719
Speaker 3: I drink beers with you on Sunday and watch football?

2432
01:45:53,040 --> 01:45:53,320
Speaker 2: Dad?

2433
01:45:55,680 --> 01:45:56,760
Speaker 3: What are you doing right now?

2434
01:45:57,080 --> 01:46:00,360
Speaker 2: You're suspect? Like you mad what you call your girls

2435
01:46:00,439 --> 01:46:01,160
Speaker 2: pop's dad?

2436
01:46:01,640 --> 01:46:07,240
Speaker 7: But you're gonna let him do that, dad, Like I

2437
01:46:07,360 --> 01:46:12,559
Speaker 7: bought you that shirt, I took you to Polo Ko

2438
01:46:14,479 --> 01:46:15,759
Speaker 7: you know those giants tickets.

2439
01:46:15,800 --> 01:46:17,760
Speaker 2: I got your fifty.

2440
01:46:17,520 --> 01:46:19,280
Speaker 6: Yard It was me, not him.

2441
01:46:20,080 --> 01:46:22,880
Speaker 2: Yo. So so you get to live with somebody's girl

2442
01:46:24,000 --> 01:46:25,880
Speaker 2: for three weeks in an apartment. I get to look

2443
01:46:25,920 --> 01:46:28,599
Speaker 2: at everything, so I could see if y'all kissing.

2444
01:46:29,000 --> 01:46:30,479
Speaker 3: Well, no, it's all you have camp like you could

2445
01:46:30,520 --> 01:46:33,160
Speaker 3: watch it. I mean, eventually you're gonna watch the show

2446
01:46:33,200 --> 01:46:34,320
Speaker 3: and see it, right, But.

2447
01:46:34,640 --> 01:46:35,840
Speaker 2: So you don't see it real time?

2448
01:46:36,000 --> 01:46:38,120
Speaker 3: No, But but you guys do activities around each other,

2449
01:46:38,240 --> 01:46:40,599
Speaker 3: and like you meet you meet up. There's fella's night

2450
01:46:40,640 --> 01:46:45,040
Speaker 3: out with the guy that's sleeping with your girl, like potentially, bro.

2451
01:46:45,080 --> 01:46:48,000
Speaker 2: This sounds just like a recipe for disaster. And you're

2452
01:46:48,000 --> 01:46:49,840
Speaker 2: also with a girl at that time too, and then

2453
01:46:49,840 --> 01:46:51,880
Speaker 2: they all link up and like so I could be

2454
01:46:51,960 --> 01:46:53,479
Speaker 2: with your girl, you could be with my girl type

2455
01:46:53,479 --> 01:46:56,280
Speaker 2: of thing. Yes, and we don't know what happened until

2456
01:46:56,280 --> 01:46:57,599
Speaker 2: we get together and watch the vide.

2457
01:46:57,479 --> 01:47:00,280
Speaker 3: So then after the after the three weeks, the next

2458
01:47:00,320 --> 01:47:02,400
Speaker 3: step is you have to go back with your significant

2459
01:47:02,439 --> 01:47:05,080
Speaker 3: other and live for three weeks and you know night

2460
01:47:05,160 --> 01:47:09,320
Speaker 3: one is all right? Man'd what y'all did? What y'all

2461
01:47:09,360 --> 01:47:09,800
Speaker 3: did in this bed?

2462
01:47:10,680 --> 01:47:12,519
Speaker 2: Yo, I have to watch I'm so intrigued. I have

2463
01:47:12,640 --> 01:47:13,000
Speaker 2: to watch this.

2464
01:47:13,280 --> 01:47:14,400
Speaker 6: I'm watch it when I got home.

2465
01:47:14,479 --> 01:47:16,080
Speaker 3: Shiit, love is blind. I haven't watched season two, but

2466
01:47:16,120 --> 01:47:18,720
Speaker 3: I watched season one equally as sick too.

2467
01:47:20,080 --> 01:47:23,000
Speaker 2: What is wrong with we have that this would be

2468
01:47:23,000 --> 01:47:23,800
Speaker 2: a good idea to do this?

2469
01:47:23,920 --> 01:47:26,040
Speaker 3: We all thought Jessica Simpson was the problem, but I

2470
01:47:26,479 --> 01:47:28,400
Speaker 3: think we owe her an apology. I understand that she

2471
01:47:28,400 --> 01:47:30,360
Speaker 3: didn't know what tuna was, and like, I get it.

2472
01:47:30,800 --> 01:47:32,759
Speaker 3: I get it was chicken of the sea, was chicken

2473
01:47:33,000 --> 01:47:35,400
Speaker 3: from the sea. But you know, I think the real

2474
01:47:35,520 --> 01:47:38,160
Speaker 3: problem was Nick. Yeah, that's a sick fu.

2475
01:47:39,000 --> 01:47:40,360
Speaker 2: Yeah, we owe Jessica Simpsons.

2476
01:47:40,439 --> 01:47:43,519
Speaker 5: So the persson who carrates the show, the people who

2477
01:47:43,640 --> 01:47:46,160
Speaker 5: go on the show, or the people who the people,

2478
01:47:46,240 --> 01:47:48,519
Speaker 5: the people, the people which I mean, we all sick,

2479
01:47:48,720 --> 01:47:49,680
Speaker 5: the people that go on the.

2480
01:47:49,680 --> 01:47:51,320
Speaker 2: Show or the Shakens. First of all, let's just get

2481
01:47:51,360 --> 01:47:51,720
Speaker 2: that out there.

2482
01:47:51,760 --> 01:47:53,200
Speaker 3: I do think the people in Love is Blind is

2483
01:47:53,240 --> 01:47:56,240
Speaker 3: sicker than these people though that are on the show.

2484
01:47:56,560 --> 01:48:01,599
Speaker 3: Why because I can see if by the relationships are

2485
01:48:01,600 --> 01:48:03,360
Speaker 3: at a point where it's like I need aultimative either

2486
01:48:03,400 --> 01:48:04,880
Speaker 3: we're gonna get married and move on or we need

2487
01:48:04,920 --> 01:48:07,559
Speaker 3: to break up. So I can see a world where

2488
01:48:08,040 --> 01:48:11,439
Speaker 3: somebody takes a break in that scenario and dates another person.

2489
01:48:11,640 --> 01:48:14,840
Speaker 3: It's in a very sick environment because you're grabbing someone

2490
01:48:14,880 --> 01:48:18,960
Speaker 3: else's girl and living in the same building, But I

2491
01:48:19,040 --> 01:48:21,719
Speaker 3: can see a world where that exists. Love is Blind.

2492
01:48:22,640 --> 01:48:25,559
Speaker 3: You get in a pod and you can't see the person,

2493
01:48:25,640 --> 01:48:27,960
Speaker 3: and you date like twenty people, and the only way

2494
01:48:28,000 --> 01:48:31,760
Speaker 3: to get out this fucking pod is to propose and

2495
01:48:31,880 --> 01:48:35,000
Speaker 3: get engaged with the person you can't see. You've just

2496
01:48:35,040 --> 01:48:37,439
Speaker 3: been talking to them for a while. Yeah, I'm not

2497
01:48:37,560 --> 01:48:40,040
Speaker 3: doing And then you get engaged, and then you get

2498
01:48:40,080 --> 01:48:42,599
Speaker 3: out the pod, and then you're like hey, and then

2499
01:48:42,680 --> 01:48:45,240
Speaker 3: y'all go on vacation with all the other people.

2500
01:48:45,040 --> 01:48:47,479
Speaker 2: That got engaged. But was it like hey, nah, I'm

2501
01:48:47,520 --> 01:48:50,880
Speaker 2: not doing this. It gets there, okay, yeah, because I

2502
01:48:51,160 --> 01:48:54,400
Speaker 2: sometimes the hey ain't hey, it could be hey fuck.

2503
01:48:54,520 --> 01:48:56,960
Speaker 3: And then like one of the couples in the first

2504
01:48:56,960 --> 01:49:00,280
Speaker 3: season clearly dude was gay, and then once they got

2505
01:49:00,320 --> 01:49:02,559
Speaker 3: to the resort show, he was like, I don't think

2506
01:49:02,600 --> 01:49:07,880
Speaker 3: you like women. And then all of the audience on

2507
01:49:07,920 --> 01:49:09,439
Speaker 3: social media was like, sis, we was trying to tell

2508
01:49:09,439 --> 01:49:10,280
Speaker 3: you that when he was in the pot.

2509
01:49:13,560 --> 01:49:15,439
Speaker 2: We tried to help you avoid all of this, but

2510
01:49:16,360 --> 01:49:19,160
Speaker 2: you didn't listen. I gotta watch Ultimatum, though. That sounds

2511
01:49:19,200 --> 01:49:20,560
Speaker 2: like a show that you just sit back and just

2512
01:49:20,640 --> 01:49:22,240
Speaker 2: laugh at him, like this is fucking sick.

2513
01:49:22,360 --> 01:49:24,320
Speaker 3: I think I need to revisit some ninety eight degrees

2514
01:49:24,400 --> 01:49:26,720
Speaker 3: records too. I think we made there may be some oversights.

2515
01:49:26,800 --> 01:49:28,599
Speaker 2: Yeah, we gotta go and dissect some of those lyrics.

2516
01:49:28,720 --> 01:49:29,720
Speaker 3: Yeah, what did you ask me yet?

2517
01:49:29,760 --> 01:49:32,200
Speaker 4: And I'm sorry, how are you responding to an ultimatum?

2518
01:49:32,320 --> 01:49:34,640
Speaker 4: Not only just an ultimatum because most of them just

2519
01:49:34,680 --> 01:49:37,559
Speaker 4: didn't like they wanted to get married and their dudes

2520
01:49:37,600 --> 01:49:38,320
Speaker 4: didn't want to get married.

2521
01:49:38,439 --> 01:49:42,479
Speaker 2: But it's on Netflix, So how do I feel about

2522
01:49:42,479 --> 01:49:45,320
Speaker 2: a ultimatum on Netflix? On Netflix? If a girl was

2523
01:49:45,360 --> 01:49:48,840
Speaker 2: to give me an ultimatum on Netflixflix. I don't. I mean,

2524
01:49:49,040 --> 01:49:50,000
Speaker 2: ultimatums are.

2525
01:49:51,760 --> 01:49:52,160
Speaker 6: Toxic.

2526
01:49:54,040 --> 01:49:58,040
Speaker 2: They can be, But if you're somebody that's like, because

2527
01:49:58,240 --> 01:50:01,600
Speaker 2: it could be this. You're dating a girl and you

2528
01:50:01,680 --> 01:50:06,400
Speaker 2: know she feels like you're not the relationship isn't progressing,

2529
01:50:07,080 --> 01:50:10,240
Speaker 2: and she still doesn't understand where y'all staying with each other.

2530
01:50:10,320 --> 01:50:12,639
Speaker 2: Things like that. She may give you an ultimatum like, look,

2531
01:50:13,680 --> 01:50:16,800
Speaker 2: what are we doing, like because you know, I feel

2532
01:50:16,800 --> 01:50:19,280
Speaker 2: like we're just wasting each other's time, Like this relationship

2533
01:50:19,320 --> 01:50:21,640
Speaker 2: isn't growing or going in the spaces I thought it

2534
01:50:21,640 --> 01:50:24,439
Speaker 2: would go to, like what are we doing? It's either

2535
01:50:24,600 --> 01:50:27,120
Speaker 2: we're gonna be together or we're gonnach other people.

2536
01:50:27,360 --> 01:50:31,760
Speaker 3: Right, But here's the thing, they're fair. Ultimatums are fair.

2537
01:50:32,040 --> 01:50:35,200
Speaker 3: They're just a terrible They're just a terrible fucking strategy

2538
01:50:35,640 --> 01:50:38,760
Speaker 3: because at that point, now, to some degree, you are

2539
01:50:38,880 --> 01:50:41,360
Speaker 3: forcing somebody to do something they don't want to do

2540
01:50:41,920 --> 01:50:44,640
Speaker 3: at that time. Now, if they're just a shitty communicator

2541
01:50:44,640 --> 01:50:47,800
Speaker 3: and they're giving you bad signals and saying like nah,

2542
01:50:48,080 --> 01:50:49,800
Speaker 3: we're gonna get married next year and it doesn't happen

2543
01:50:49,840 --> 01:50:53,240
Speaker 3: all that, that's different. But like purely asking someone to

2544
01:50:53,320 --> 01:50:57,000
Speaker 3: do something that they're showing and expressing to you that

2545
01:50:57,080 --> 01:51:00,600
Speaker 3: they're not ready for Telling them to either do it

2546
01:51:00,760 --> 01:51:02,960
Speaker 3: or we're done and they do it is not going

2547
01:51:03,000 --> 01:51:06,040
Speaker 3: to yield a healthy result. Because now, like even with

2548
01:51:06,520 --> 01:51:09,040
Speaker 3: in the beginning of this show, for the people that

2549
01:51:09,200 --> 01:51:12,160
Speaker 3: didn't get engaged or whatever, some of the ultimatums were like, yo,

2550
01:51:12,200 --> 01:51:13,800
Speaker 3: I don't want to have kids, but my partner wants

2551
01:51:13,800 --> 01:51:17,720
Speaker 3: to have kids. And then it was like they were

2552
01:51:18,160 --> 01:51:21,400
Speaker 3: on by episode two, like all right, I'll have kids

2553
01:51:21,439 --> 01:51:23,080
Speaker 3: if like that's what you want, and it's like, wait,

2554
01:51:23,520 --> 01:51:26,920
Speaker 3: I don't want the mother of my child to just

2555
01:51:27,040 --> 01:51:28,560
Speaker 3: give in and be like I find we'll have a

2556
01:51:28,640 --> 01:51:29,640
Speaker 3: kid that's not going to be.

2557
01:51:31,160 --> 01:51:34,559
Speaker 2: A healthy mother, right right, Yeah, in those cases, that's

2558
01:51:34,880 --> 01:51:36,920
Speaker 2: your forceing somebody to do something that they clearly don't

2559
01:51:36,920 --> 01:51:38,360
Speaker 2: want to do or not ready to do. So you

2560
01:51:38,479 --> 01:51:40,720
Speaker 2: know those don't were but you know in certain case,

2561
01:51:40,800 --> 01:51:44,360
Speaker 2: certain instances where like I said, a woman just wants

2562
01:51:44,439 --> 01:51:47,120
Speaker 2: to see progression in your relationship or whatever it is,

2563
01:51:47,439 --> 01:51:50,120
Speaker 2: I can understand that, but I don't do well with ultimatums.

2564
01:51:50,160 --> 01:51:51,080
Speaker 2: Never did that.

2565
01:51:51,120 --> 01:51:52,759
Speaker 4: You guys have never given ultimatums before.

2566
01:51:53,160 --> 01:51:53,840
Speaker 2: I've never given them.

2567
01:51:53,880 --> 01:51:54,599
Speaker 3: I've never given one.

2568
01:51:55,000 --> 01:51:56,479
Speaker 2: I took it to me for I told the nigga

2569
01:51:56,520 --> 01:51:57,240
Speaker 2: that owe me money.

2570
01:51:58,880 --> 01:52:01,360
Speaker 3: Here tomorrow or this or that.

2571
01:52:01,520 --> 01:52:04,559
Speaker 2: Ultimatum was very very direct. Fam. You like the way

2572
01:52:04,560 --> 01:52:06,880
Speaker 2: you be walking up and down these blocks and Sonny

2573
01:52:06,920 --> 01:52:11,439
Speaker 2: out and peaceful birds turping, like we can change. We

2574
01:52:11,520 --> 01:52:14,200
Speaker 2: can change if you ain't got them three g's tomorrow,

2575
01:52:14,280 --> 01:52:17,040
Speaker 2: my man, We're gonna change all of that.

2576
01:52:17,200 --> 01:52:18,519
Speaker 3: Something tells me you love your knees.

2577
01:52:18,640 --> 01:52:21,800
Speaker 2: Yeah, something tells me you like just lot. Yeah, you

2578
01:52:22,000 --> 01:52:24,200
Speaker 2: like that, right, like, Fam, don't let niggas have to

2579
01:52:24,240 --> 01:52:25,559
Speaker 2: split your melan open out here.

2580
01:52:25,640 --> 01:52:28,559
Speaker 3: Man. Oh but you guys definitely try to catch up

2581
01:52:28,880 --> 01:52:29,439
Speaker 3: over the weekend.

2582
01:52:29,600 --> 01:52:30,880
Speaker 2: I'm definitely watching Ultimatum.

2583
01:52:31,040 --> 01:52:33,960
Speaker 3: I got it almost at the end. I'm almost at

2584
01:52:34,000 --> 01:52:35,280
Speaker 3: the I hate.

2585
01:52:35,160 --> 01:52:36,599
Speaker 2: When I'm in the group chat and y'all like are

2586
01:52:36,600 --> 01:52:39,080
Speaker 2: all watching something and y'all are like throwing like shot

2587
01:52:39,120 --> 01:52:40,400
Speaker 2: back and forth, and I'm just kind of sitting there

2588
01:52:40,439 --> 01:52:42,000
Speaker 2: looking at all y'all like, shut the fuck up.

2589
01:52:42,040 --> 01:52:42,799
Speaker 6: I'm going to depressure.

2590
01:52:42,840 --> 01:52:45,120
Speaker 5: I feel like you didn't haven't really interacted with us

2591
01:52:45,200 --> 01:52:46,800
Speaker 5: in the group, in any of the group chaps. I'm

2592
01:52:46,840 --> 01:52:49,640
Speaker 5: in like six with you, and like you haven't interacted

2593
01:52:49,720 --> 01:52:51,880
Speaker 5: with us in the group chats lately as of late.

2594
01:52:52,240 --> 01:52:54,760
Speaker 2: When I interacted in the group chats with you last week,

2595
01:52:56,040 --> 01:52:58,479
Speaker 2: the past week, last week, cut it out. You wasn't

2596
01:52:58,520 --> 01:53:00,439
Speaker 2: even first of all, when you was going, you wasn't

2597
01:53:00,439 --> 01:53:03,320
Speaker 2: even group chat mommy. We replaced you. We got a

2598
01:53:03,360 --> 01:53:05,320
Speaker 2: whole new group chat mommy in there. You don't even

2599
01:53:05,360 --> 01:53:06,680
Speaker 2: know her name. You don't even know we added her.

2600
01:53:06,720 --> 01:53:08,519
Speaker 2: You ain't see the ad because you ain't have what

2601
01:53:08,720 --> 01:53:09,240
Speaker 2: can she fight?

2602
01:53:09,840 --> 01:53:10,360
Speaker 6: Can she fight?

2603
01:53:10,560 --> 01:53:13,240
Speaker 2: I saw her throw hands before she she legit. It

2604
01:53:13,280 --> 01:53:15,000
Speaker 2: ain't gonna be Easy're gonna have tout. You gonna have

2605
01:53:15,000 --> 01:53:16,080
Speaker 2: to get up in here a little bit. You ain't

2606
01:53:16,120 --> 01:53:18,040
Speaker 2: gonna just don't think you're gonna just scare her out

2607
01:53:18,080 --> 01:53:19,519
Speaker 2: of her spot like you're gonna have to give me

2608
01:53:19,600 --> 01:53:19,960
Speaker 2: get down.

2609
01:53:20,400 --> 01:53:24,559
Speaker 3: Got for the love?

2610
01:53:26,320 --> 01:53:29,439
Speaker 2: Yeah? Oh man, I.

2611
01:53:29,400 --> 01:53:31,000
Speaker 3: Didn't think we were gonna TELLR about that group chat

2612
01:53:31,000 --> 01:53:31,400
Speaker 3: and that girl.

2613
01:53:31,640 --> 01:53:34,240
Speaker 2: Yeah, she'll she'll see a pop up soon.

2614
01:53:34,920 --> 01:53:35,040
Speaker 4: Uh?

2615
01:53:37,400 --> 01:53:38,000
Speaker 6: Any hoots?

2616
01:53:38,960 --> 01:53:41,120
Speaker 3: Any who does we're gonna have for our next live.

2617
01:53:41,560 --> 01:53:47,240
Speaker 5: The fans were requesting editing Carl were a little sprinkler peach.

2618
01:53:47,200 --> 01:53:49,040
Speaker 2: That would be interesting. I ain't paid for that.

2619
01:53:50,360 --> 01:53:53,400
Speaker 3: Ed have eddn't do a patre heart my guy and

2620
01:53:53,479 --> 01:53:54,880
Speaker 3: there they ain't paid for that.

2621
01:53:55,240 --> 01:53:56,760
Speaker 4: No, I wasn't like, what would you want that.

2622
01:53:59,840 --> 01:54:00,000
Speaker 1: Saying?

2623
01:54:00,160 --> 01:54:00,519
Speaker 6: I thought he.

2624
01:54:03,080 --> 01:54:05,960
Speaker 2: Pay me. If edits ever start talking like that, I

2625
01:54:05,960 --> 01:54:09,880
Speaker 2: would be like, attle, you don't even talk like that.

2626
01:54:10,000 --> 01:54:13,080
Speaker 2: You're like, ya, ain't pay me for that? Like like damn,

2627
01:54:13,240 --> 01:54:13,960
Speaker 2: Like all right, my bad?

2628
01:54:15,080 --> 01:54:17,719
Speaker 3: Like that heat Fridays for heater Fridays.

2629
01:54:17,800 --> 01:54:19,720
Speaker 5: You want to do for heat Fridays, Let's not do

2630
01:54:19,800 --> 01:54:21,759
Speaker 5: it on a Friday. It's gonna be on a Tuesday.

2631
01:54:21,840 --> 01:54:23,760
Speaker 5: We're gonna stay consistent to heat it.

2632
01:54:24,920 --> 01:54:28,080
Speaker 3: I open open my house just to observe. Yeah, can

2633
01:54:28,600 --> 01:54:28,920
Speaker 3: on camera.

2634
01:54:29,040 --> 01:54:31,320
Speaker 2: It has a lot of personality, like editing is great.

2635
01:54:31,320 --> 01:54:32,200
Speaker 2: I think that he would do great.

2636
01:54:32,240 --> 01:54:33,880
Speaker 3: You should do it. Edit, should do the next one, Sure,

2637
01:54:34,440 --> 01:54:35,040
Speaker 3: do the next one.

2638
01:54:35,200 --> 01:54:35,320
Speaker 2: Edit.

2639
01:54:35,360 --> 01:54:37,080
Speaker 6: I think I'm gonna do edit Carlin Peach.

2640
01:54:37,440 --> 01:54:41,800
Speaker 2: Oh my god, that that right. I might subscribe just

2641
01:54:41,880 --> 01:54:43,640
Speaker 2: to watch that from wherever I'm at. I need to

2642
01:54:43,640 --> 01:54:43,880
Speaker 2: see that.

2643
01:54:44,000 --> 01:54:45,280
Speaker 3: That needs to happen in my house so I can

2644
01:54:45,320 --> 01:54:45,920
Speaker 3: monitor what the.

2645
01:54:47,920 --> 01:54:53,560
Speaker 2: Somebody at any time anytime Peage is around and it's

2646
01:54:53,600 --> 01:54:56,080
Speaker 2: a camera, we have to be very very cognizant, Like

2647
01:54:56,400 --> 01:54:58,480
Speaker 2: he might go off the rails any minute.

2648
01:54:58,680 --> 01:55:01,120
Speaker 3: Or or we could have the whole staff there and

2649
01:55:01,240 --> 01:55:03,920
Speaker 3: like I say, you can teach your dance class for

2650
01:55:03,920 --> 01:55:04,360
Speaker 3: the whole crew.

2651
01:55:04,640 --> 01:55:07,920
Speaker 6: Oh my god, that would be perfect a routine and

2652
01:55:08,040 --> 01:55:08,760
Speaker 6: we TikTok it.

2653
01:55:10,960 --> 01:55:12,720
Speaker 2: The marras has been trying to get me on TikTok

2654
01:55:12,760 --> 01:55:14,400
Speaker 2: for at least no one will give me the password.

2655
01:55:14,480 --> 01:55:16,560
Speaker 3: I will. I want to TikTok all right, So all

2656
01:55:16,640 --> 01:55:17,840
Speaker 3: right we could do that. We could do call it

2657
01:55:17,880 --> 01:55:19,560
Speaker 3: tea just a routine and we gotta do it.

2658
01:55:20,560 --> 01:55:22,960
Speaker 6: Oh my god, I'm excited. I'm so excited.

2659
01:55:23,480 --> 01:55:25,680
Speaker 2: Listen, I cook. I'm telling you right now what I'm

2660
01:55:25,720 --> 01:55:27,520
Speaker 2: not doing putting some ride. I'm not dropping.

2661
01:55:27,600 --> 01:55:30,240
Speaker 3: What is the drop the drop challenge?

2662
01:55:30,360 --> 01:55:33,600
Speaker 2: I'm not doing the drop challenge? Okay, I'm not tworking.

2663
01:55:34,720 --> 01:55:35,760
Speaker 3: I've never seen Carl twerk.

2664
01:55:36,120 --> 01:55:38,160
Speaker 6: I don't think that his routines he got a little hit.

2665
01:55:43,360 --> 01:55:45,960
Speaker 3: Anyways, is any more quick quick hit?

2666
01:55:46,000 --> 01:55:46,040
Speaker 2: What?

2667
01:55:46,960 --> 01:55:47,880
Speaker 3: Anymore gossiping ship?

2668
01:55:47,920 --> 01:55:48,240
Speaker 2: We got it?

2669
01:55:48,640 --> 01:55:48,760
Speaker 5: Uh?

2670
01:55:49,200 --> 01:55:50,400
Speaker 2: No, not at all.

2671
01:55:50,520 --> 01:55:53,120
Speaker 6: Actually, what do you have coming up for the weekend?

2672
01:55:53,160 --> 01:55:54,000
Speaker 6: What are you planning on doing?

2673
01:55:54,440 --> 01:55:56,080
Speaker 2: I don't know, but I'm gonna be playing this ees

2674
01:55:56,160 --> 01:55:59,960
Speaker 2: t G and this forty two Dug album All fucking Weekend.

2675
01:56:00,240 --> 01:56:00,720
Speaker 6: Oh Slit.

2676
01:56:00,800 --> 01:56:03,160
Speaker 2: I haven't heard it yet, Last Ones left s, TG,

2677
01:56:03,480 --> 01:56:07,880
Speaker 2: forty two Doug listen, Man, I just I don't. I don't.

2678
01:56:07,920 --> 01:56:09,360
Speaker 2: I don't go out as much as I used to.

2679
01:56:09,360 --> 01:56:11,080
Speaker 2: I don't do the strip clubs. I don't do the

2680
01:56:11,200 --> 01:56:16,480
Speaker 2: clubs like that. But I know they shaking ass. I

2681
01:56:16,600 --> 01:56:18,720
Speaker 2: know they are because it's just that energy.

2682
01:56:18,520 --> 01:56:20,720
Speaker 6: They got shaking ass. But like with the guns point

2683
01:56:20,760 --> 01:56:21,200
Speaker 6: it because.

2684
01:56:22,000 --> 01:56:24,400
Speaker 2: Gunplay is TG and forty two Doug and shoot the

2685
01:56:24,400 --> 01:56:26,160
Speaker 2: sh out. You don't get it to it because forty

2686
01:56:26,160 --> 01:56:27,640
Speaker 2: two Doug got a bar in there. He was like, yeah,

2687
01:56:27,640 --> 01:56:29,560
Speaker 2: bitches get it too, Like, yeah, we should we shoot bitches.

2688
01:56:30,160 --> 01:56:33,280
Speaker 2: I said, whoa. I'm a pack taking tax paying citizens,

2689
01:56:33,280 --> 01:56:36,000
Speaker 2: so I can't like. But I know what that energy is.

2690
01:56:36,080 --> 01:56:37,880
Speaker 2: It's letting you know, like you don't get it twisted.

2691
01:56:38,480 --> 01:56:40,760
Speaker 3: I've seen a lot of strippers with keyloids and the

2692
01:56:40,840 --> 01:56:41,640
Speaker 3: legs and I knew what it was.

2693
01:56:41,840 --> 01:56:44,040
Speaker 2: Yeah. Yeah, But I just love the fact that they

2694
01:56:44,800 --> 01:56:46,800
Speaker 2: their energy. I like. I like the energy. I don't

2695
01:56:46,840 --> 01:56:49,880
Speaker 2: the content is kind of like I'm in a whole

2696
01:56:50,080 --> 01:56:51,400
Speaker 2: another level that I don't.

2697
01:56:51,280 --> 01:56:52,840
Speaker 3: Really just hope it's entertainment purpose.

2698
01:56:53,160 --> 01:56:55,760
Speaker 2: Yeah, just let it be entertaining purposes. But they the

2699
01:56:55,760 --> 01:56:59,720
Speaker 2: ship that they're saying, them numbers is legit. They dropping numbers.

2700
01:56:59,760 --> 01:57:01,840
Speaker 2: I'm all, these boys are still out there, So.

2701
01:57:03,480 --> 01:57:06,160
Speaker 3: He's not lying, he's not. I just I have to

2702
01:57:06,240 --> 01:57:06,800
Speaker 3: do that to know that.

2703
01:57:06,960 --> 01:57:09,000
Speaker 2: I just checked last week. Them numbers is legit.

2704
01:57:10,440 --> 01:57:11,840
Speaker 3: I know what numbers checked out.

2705
01:57:11,880 --> 01:57:14,400
Speaker 2: Oh my god, forty two was getting up. I said,

2706
01:57:14,400 --> 01:57:17,960
Speaker 2: oh that nigga is still out there. Yeah, shout out

2707
01:57:18,000 --> 01:57:20,440
Speaker 2: to forty two Doug E. S tg Man last.

2708
01:57:20,360 --> 01:57:24,000
Speaker 5: Night review of five year os a Bible album. I

2709
01:57:24,160 --> 01:57:26,040
Speaker 5: was out and when I was out, I absolutely did

2710
01:57:26,120 --> 01:57:26,840
Speaker 5: not listen to y'all.

2711
01:57:26,920 --> 01:57:27,600
Speaker 2: So yeah, yeah we did.

2712
01:57:27,680 --> 01:57:30,480
Speaker 3: We did. Okay, good shout out the Bible. What sounded

2713
01:57:30,480 --> 01:57:32,400
Speaker 3: good with Jamaica project from the last stuff that came out?

2714
01:57:33,240 --> 01:57:35,120
Speaker 3: So what what sounded good in Jamaica from all the

2715
01:57:35,120 --> 01:57:36,720
Speaker 3: albums that came out? Because last Friday was a lot

2716
01:57:37,080 --> 01:57:38,880
Speaker 3: and you you was he was overseas was.

2717
01:57:40,400 --> 01:57:42,760
Speaker 6: I was out? Shut up at him?

2718
01:57:43,600 --> 01:57:44,000
Speaker 2: No, I was.

2719
01:57:44,160 --> 01:57:45,800
Speaker 6: I was, you know, in the Strip club they were

2720
01:57:45,840 --> 01:57:47,120
Speaker 6: playing stuff, but I wasn't.

2721
01:57:47,200 --> 01:57:49,520
Speaker 2: I bet that forty two Dug and EStG was banging.

2722
01:57:49,560 --> 01:57:52,520
Speaker 2: I know it was nah they shaken as to that album.

2723
01:57:52,640 --> 01:57:54,600
Speaker 5: Trust me, when we're gonna go to the strip club

2724
01:57:54,640 --> 01:57:57,000
Speaker 5: so we can hear it a road strip club, not

2725
01:57:57,040 --> 01:57:58,640
Speaker 5: the white strip clubs or.

2726
01:57:58,800 --> 01:58:03,640
Speaker 3: Ye wor yeah, a white strip Sapphires isn't White's Sunday night.

2727
01:58:03,720 --> 01:58:06,560
Speaker 3: That is I'm the only white person in the Okay,

2728
01:58:06,960 --> 01:58:08,040
Speaker 3: that's worry.

2729
01:58:08,080 --> 01:58:10,720
Speaker 2: Don't go to gentlemen's clubs. Look like now coming to

2730
01:58:10,800 --> 01:58:16,080
Speaker 2: the stage in the middle stage, Diamond.

2731
01:58:15,960 --> 01:58:18,720
Speaker 3: And I get up when Diamond when it's Diamonds turned Yes,

2732
01:58:19,200 --> 01:58:24,160
Speaker 3: you stay in the stage schedule like a chick that's

2733
01:58:24,160 --> 01:58:24,440
Speaker 3: on time.

2734
01:58:24,680 --> 01:58:29,280
Speaker 2: You walk through the drinking Excuse me, excuse me, Diamond's

2735
01:58:29,360 --> 01:58:32,400
Speaker 2: me is you go to get a front French excuse me?

2736
01:58:32,440 --> 01:58:32,840
Speaker 6: Excuse me?

2737
01:58:32,880 --> 01:58:34,440
Speaker 2: Diamonds on states reserve.

2738
01:58:36,960 --> 01:58:37,520
Speaker 6: A reserve.

2739
01:58:39,560 --> 01:58:40,000
Speaker 2: I haven't been.

2740
01:58:41,560 --> 01:58:44,200
Speaker 6: I need a starlets night a good yeah, but the

2741
01:58:44,240 --> 01:58:44,920
Speaker 6: strippers don't be.

2742
01:58:44,960 --> 01:58:47,280
Speaker 2: It'd be the bartenders, is pretty man. I'm not throwing

2743
01:58:47,320 --> 01:58:48,480
Speaker 2: money at bartenders.

2744
01:58:48,520 --> 01:58:48,640
Speaker 6: Bro.

2745
01:58:49,120 --> 01:58:51,680
Speaker 2: I just can't no disrespect. I know a few bartenders.

2746
01:58:51,720 --> 01:58:54,600
Speaker 2: I love y'all. Y'all know, I love listen a lot

2747
01:58:54,600 --> 01:58:56,280
Speaker 2: of respect the hustle. That's one thing I'm never gonna

2748
01:58:56,280 --> 01:59:00,160
Speaker 2: do is disrespect hustle, but I just can't. Like I

2749
01:59:00,280 --> 01:59:02,600
Speaker 2: grew up, I came up in Sin City like for real,

2750
01:59:02,760 --> 01:59:05,080
Speaker 2: like you know when Sin City was Sin City, you

2751
01:59:05,120 --> 01:59:08,280
Speaker 2: could smack ass for five dollars. I come from that

2752
01:59:08,400 --> 01:59:11,320
Speaker 2: cloth like take show your titty, claw you want this

2753
01:59:11,440 --> 01:59:12,480
Speaker 2: five show your titty.

2754
01:59:13,040 --> 01:59:15,760
Speaker 3: We come from that where the stage wasn't behind the bar,

2755
01:59:16,440 --> 01:59:17,240
Speaker 3: like you know, you could.

2756
01:59:17,080 --> 01:59:18,800
Speaker 2: Be right up on it, like yo, we'll pull up

2757
01:59:18,800 --> 01:59:19,200
Speaker 2: to the side.

2758
01:59:19,280 --> 01:59:19,640
Speaker 3: Let me see.

2759
01:59:19,760 --> 01:59:22,080
Speaker 2: Security can't see nothing. You know, you can't get really

2760
01:59:22,080 --> 01:59:24,240
Speaker 2: get top of in New York like no security. Security

2761
01:59:24,280 --> 01:59:25,120
Speaker 2: ain't even looking.

2762
01:59:26,520 --> 01:59:30,080
Speaker 3: Getting in anyway.

2763
01:59:30,120 --> 01:59:32,080
Speaker 2: Yeah, but I just can't do the uh the bar

2764
01:59:32,200 --> 01:59:34,480
Speaker 2: tender thing like I can't, you know, I say, what's up?

2765
01:59:34,560 --> 01:59:36,080
Speaker 2: I throw a couple of singles on the ball tender,

2766
01:59:36,160 --> 01:59:38,520
Speaker 2: but I need the strippers to be pretty again and

2767
01:59:38,640 --> 01:59:40,880
Speaker 2: be sexy and dance. And you can tell when the

2768
01:59:40,880 --> 01:59:43,240
Speaker 2: stripper is always there to just pay like Rent, like

2769
01:59:43,480 --> 01:59:44,360
Speaker 2: attitude of energy.

2770
01:59:44,440 --> 01:59:47,800
Speaker 6: The strippers they just very that one little move like

2771
01:59:47,960 --> 01:59:49,360
Speaker 6: I understand it's hard.

2772
01:59:49,440 --> 01:59:51,200
Speaker 2: I know it's hard out here. I know Rent dude,

2773
01:59:51,320 --> 01:59:53,400
Speaker 2: Bill's kids and all that. I understand, but you got

2774
01:59:53,480 --> 01:59:54,440
Speaker 2: to look enthusiastic.

2775
01:59:54,600 --> 01:59:56,600
Speaker 3: Yeah, you come to work now, Yeah, I hate I

2776
01:59:56,680 --> 02:00:00,360
Speaker 3: hate when strippers act like like entitled twenty olds that

2777
02:00:00,440 --> 02:00:03,240
Speaker 3: work at Starbucks, like they treat you like ship when

2778
02:00:03,280 --> 02:00:06,320
Speaker 3: its like I didn't give you this job, like at

2779
02:00:06,440 --> 02:00:08,440
Speaker 3: least at least treat it with some respects.

2780
02:00:08,720 --> 02:00:11,040
Speaker 2: That's that's that's what I can't. I just can't subscribe

2781
02:00:11,040 --> 02:00:13,240
Speaker 2: to that culture. That's why I still love going to

2782
02:00:13,280 --> 02:00:16,000
Speaker 2: strip clubs in the South things like that, because it's

2783
02:00:16,040 --> 02:00:18,120
Speaker 2: still you know, like you see the prettiest girl in

2784
02:00:18,400 --> 02:00:21,120
Speaker 2: the whole fucking county, as soon as she walks into

2785
02:00:21,120 --> 02:00:23,040
Speaker 2: strip club, she just she make it wink for you

2786
02:00:24,560 --> 02:00:27,640
Speaker 2: that Yes, this is the energy I wanted.

2787
02:00:27,960 --> 02:00:30,640
Speaker 3: How did you switch from like the art of stripping

2788
02:00:30,640 --> 02:00:33,920
Speaker 3: outside of the dance ship was making you feel like

2789
02:00:34,200 --> 02:00:35,880
Speaker 3: she likes you? Like that was that was a big

2790
02:00:35,920 --> 02:00:38,800
Speaker 3: part of strippers, Like it has to feel like she

2791
02:00:38,960 --> 02:00:42,800
Speaker 3: actually likes me type ship. Now it's like I feel insecure,

2792
02:00:42,840 --> 02:00:44,080
Speaker 3: like I wonder does she hate me?

2793
02:00:44,840 --> 02:00:45,879
Speaker 2: It's because.

2794
02:00:47,440 --> 02:00:49,600
Speaker 3: It's not like I wonder if she likes me for me,

2795
02:00:49,680 --> 02:00:51,560
Speaker 3: does she really like me? It's a game and it

2796
02:00:51,600 --> 02:00:53,520
Speaker 3: always is, But that's the fun in the strip club

2797
02:00:53,560 --> 02:00:55,760
Speaker 3: of like, no, of course not, but she has that

2798
02:00:55,840 --> 02:00:59,040
Speaker 3: personality that's warm, and it's like, oh lot to me exactly.

2799
02:00:59,320 --> 02:01:02,360
Speaker 3: Now it's like the upfront about it, Like I feel

2800
02:01:02,360 --> 02:01:03,240
Speaker 3: like I did something to her.

2801
02:01:03,280 --> 02:01:05,360
Speaker 2: Yo, give me your money. I'm like, well, bitch, at

2802
02:01:05,440 --> 02:01:06,840
Speaker 2: least pull a grip out on me, Like you ain't

2803
02:01:06,880 --> 02:01:08,760
Speaker 2: gonna just get this thousand dollars on my head. You

2804
02:01:08,840 --> 02:01:09,800
Speaker 2: gotta rob me.

2805
02:01:10,080 --> 02:01:11,800
Speaker 3: Like men, Men used to go to the strip club

2806
02:01:11,840 --> 02:01:15,280
Speaker 3: to feel wanted. Right now, I go there and feel insecure, like, wow,

2807
02:01:15,400 --> 02:01:16,640
Speaker 3: none of these girls like me.

2808
02:01:18,080 --> 02:01:19,000
Speaker 2: They won't even look at me.

2809
02:01:19,120 --> 02:01:21,760
Speaker 3: What the fuck not even what part of the game

2810
02:01:22,880 --> 02:01:24,040
Speaker 3: places to boost my ego?

2811
02:01:24,160 --> 02:01:27,400
Speaker 2: What the fuck I can't women won't look at me.

2812
02:01:28,320 --> 02:01:30,000
Speaker 3: Yo, Listen, the strip club has men going Man, I

2813
02:01:30,000 --> 02:01:31,080
Speaker 3: gotta go back home to my wife.

2814
02:01:31,160 --> 02:01:33,480
Speaker 2: Yeah that's the fact. That's a fact. I'm going home.

2815
02:01:33,560 --> 02:01:36,200
Speaker 2: Fuck it. These these women are brutal in here. Yeah,

2816
02:01:36,240 --> 02:01:38,120
Speaker 2: we need to bring back pretty pretty strippers in New

2817
02:01:38,200 --> 02:01:40,360
Speaker 2: York City though, Man, you might find one or two

2818
02:01:40,440 --> 02:01:43,520
Speaker 2: hands there. But yeah, it was a time with Oh

2819
02:01:43,640 --> 02:01:45,800
Speaker 2: my god, I just remember walking the strip clubs and

2820
02:01:45,960 --> 02:01:49,120
Speaker 2: every girl was pretty, every dancer was pretty. Now it's

2821
02:01:49,240 --> 02:01:52,240
Speaker 2: like it's two in impossible. It's like a bad spades hand.

2822
02:01:52,200 --> 02:01:54,600
Speaker 5: Because why do I gotta go into the strip club

2823
02:01:54,680 --> 02:01:56,920
Speaker 5: when I can just go on Instagram when I'm pretty

2824
02:01:56,960 --> 02:01:59,880
Speaker 5: and post pretty pictures and sell pretty pussy on my dms.

2825
02:02:00,120 --> 02:02:01,000
Speaker 6: It's so much less work.

2826
02:02:01,360 --> 02:02:02,880
Speaker 2: Yeah, that's what I'm saying they got rid of. They

2827
02:02:02,920 --> 02:02:04,280
Speaker 2: got rid of. It's no more.

2828
02:02:06,600 --> 02:02:07,080
Speaker 6: The consumer.

2829
02:02:07,240 --> 02:02:09,080
Speaker 2: It was direct to consumer because it's like I got

2830
02:02:09,120 --> 02:02:11,320
Speaker 2: the money. Yeah, just come over here and sit directly

2831
02:02:12,080 --> 02:02:12,400
Speaker 2: right now.

2832
02:02:12,480 --> 02:02:15,200
Speaker 6: I wasn't direct to consumer because they have to pay fees.

2833
02:02:18,280 --> 02:02:21,360
Speaker 3: Strip club was distribution taxes, some kind of tax.

2834
02:02:21,520 --> 02:02:23,800
Speaker 2: Now they sell push you off the I phone. Remember

2835
02:02:23,840 --> 02:02:27,240
Speaker 2: how Giez was selling dope off the I phone? Click

2836
02:02:27,360 --> 02:02:37,640
Speaker 2: right off our phone now, which in retrospective. All right, so,

2837
02:02:37,800 --> 02:02:40,240
Speaker 2: uh the battle was out. Did the battle?

2838
02:02:40,240 --> 02:02:43,800
Speaker 3: We kind of shook up the culture, the culture, the culture.

2839
02:02:43,840 --> 02:02:45,160
Speaker 3: The culture remained unshook.

2840
02:02:45,240 --> 02:02:47,440
Speaker 2: Yeah, culture is stable right now. Fast.

2841
02:02:47,720 --> 02:02:47,840
Speaker 6: Uh.

2842
02:02:48,720 --> 02:02:52,720
Speaker 2: We had our battle Drake versus Wayne on our patreons.

2843
02:02:52,760 --> 02:02:54,640
Speaker 2: Subscribed to the patreon if you haven't already. We have

2844
02:02:54,720 --> 02:02:56,760
Speaker 2: a lot of different ways We're going to make fun

2845
02:02:56,800 --> 02:02:59,920
Speaker 2: of ourselves and absolutely fucking just get rid of all

2846
02:03:00,000 --> 02:03:01,520
Speaker 2: stereotypes that they have about us.

2847
02:03:01,640 --> 02:03:04,960
Speaker 3: For sure, wait for our tender tender Piece, but we.

2848
02:03:05,000 --> 02:03:07,920
Speaker 2: Dropped the Drake versus Wayne. We had our little battle. Uh,

2849
02:03:08,200 --> 02:03:09,160
Speaker 2: the people seem to love it.

2850
02:03:09,480 --> 02:03:10,840
Speaker 3: Yeah, I have to. I have to go through the

2851
02:03:10,880 --> 02:03:13,440
Speaker 3: comments to get some more scores. But uh, you know,

2852
02:03:13,520 --> 02:03:16,280
Speaker 3: I felt that I started out strong. Did I got

2853
02:03:16,320 --> 02:03:18,160
Speaker 3: a little rattled around the third quarter?

2854
02:03:18,600 --> 02:03:20,560
Speaker 2: Yeah, I mean, you know, listen, this is what it is.

2855
02:03:20,720 --> 02:03:24,320
Speaker 2: Drake is the biggest artist of a generation. It's hard

2856
02:03:24,400 --> 02:03:27,240
Speaker 2: for anybody to put their catalog in front of Drake's.

2857
02:03:27,400 --> 02:03:28,680
Speaker 2: But we have fun with it because it was an

2858
02:03:28,680 --> 02:03:30,720
Speaker 2: internal conversation. We go back and forth about it all

2859
02:03:30,760 --> 02:03:33,440
Speaker 2: the time. Who's the better wrapper between Drake and Wayne.

2860
02:03:33,560 --> 02:03:36,640
Speaker 2: So we decided to finally just do it for the public.

2861
02:03:36,960 --> 02:03:39,680
Speaker 2: Let them decide, and it all comes down to who

2862
02:03:39,720 --> 02:03:40,640
Speaker 2: picked the better records.

2863
02:03:40,840 --> 02:03:42,720
Speaker 3: And I think we should do more of this because

2864
02:03:42,720 --> 02:03:44,440
Speaker 3: all the matchups that we know are never gonna fucking

2865
02:03:44,480 --> 02:03:47,000
Speaker 3: see Like, yeah, as a Patreon community, we could just

2866
02:03:47,040 --> 02:03:49,000
Speaker 3: get in there and have them ships and do it

2867
02:03:49,080 --> 02:03:52,160
Speaker 3: in a funny way, not the hook up to ig Live, Like,

2868
02:03:52,280 --> 02:03:53,760
Speaker 3: let's make it a piece, let's think the ship.

2869
02:03:53,880 --> 02:03:56,000
Speaker 2: This is. This is all about fun. It's all about

2870
02:03:56,120 --> 02:03:59,480
Speaker 2: you know, just laughing at each other. Because what can

2871
02:03:59,520 --> 02:04:02,440
Speaker 2: we all get arguably too of the greatest artists ever,

2872
02:04:02,560 --> 02:04:04,600
Speaker 2: So yeah, who really gives a ship At the end

2873
02:04:04,600 --> 02:04:05,480
Speaker 2: of the day, they're great, and.

2874
02:04:05,480 --> 02:04:08,320
Speaker 3: I think even on some of like the smaller acts,

2875
02:04:08,400 --> 02:04:10,960
Speaker 3: we could do that type of stuff on live regardless

2876
02:04:11,240 --> 02:04:12,600
Speaker 3: instead of doing like the full piece shit. But I

2877
02:04:12,640 --> 02:04:13,520
Speaker 3: had fun doing that ship, man.

2878
02:04:13,680 --> 02:04:15,120
Speaker 2: I have an idea. I don't want to speak about it,

2879
02:04:15,160 --> 02:04:16,480
Speaker 2: but I have an idea where we can do something

2880
02:04:16,520 --> 02:04:19,040
Speaker 2: else like that, but not with those artists.

2881
02:04:19,400 --> 02:04:20,760
Speaker 3: I think we can do something that was really cool

2882
02:04:20,800 --> 02:04:21,320
Speaker 3: and really fun.

2883
02:04:22,200 --> 02:04:26,320
Speaker 2: But yeah, man, subscribe to the Patreon, subscribe to our YouTube,

2884
02:04:27,440 --> 02:04:31,800
Speaker 2: subscribe to our Instagram, Twitter TikTok coming because Demarus is

2885
02:04:31,840 --> 02:04:36,840
Speaker 2: not gonna let us not shake ass on TikTok. So yeah, man,

2886
02:04:36,840 --> 02:04:38,160
Speaker 2: if there's anything else not we good.

2887
02:04:38,440 --> 02:04:40,760
Speaker 6: Moll you never gave me feedback on my TikTok that

2888
02:04:40,840 --> 02:04:43,200
Speaker 6: I sent you, Rory, you.

2889
02:04:43,280 --> 02:04:45,880
Speaker 3: Did a TikTok? Yes, I did we talk about that

2890
02:04:45,960 --> 02:04:47,720
Speaker 3: on the live or do we talk about that off?

2891
02:04:47,800 --> 02:04:47,960
Speaker 2: Off?

2892
02:04:48,040 --> 02:04:49,880
Speaker 3: Mic? I think we might have been off text to

2893
02:04:49,960 --> 02:04:50,720
Speaker 3: me in the group chat.

2894
02:04:51,200 --> 02:04:53,280
Speaker 6: You don't listen. I don't even look. I sent it

2895
02:04:53,360 --> 02:04:53,880
Speaker 6: like months ago.

2896
02:04:54,000 --> 02:04:56,440
Speaker 2: Oh my god, An interview.

2897
02:04:57,120 --> 02:04:59,480
Speaker 3: She made a TikTok of being a podcast producer, like

2898
02:04:59,480 --> 02:05:00,840
Speaker 3: a day in the life, because I guess that's how

2899
02:05:00,840 --> 02:05:04,560
Speaker 3: the ship like works out on TikTok right to say

2900
02:05:04,600 --> 02:05:06,840
Speaker 3: Demarras isn't professional. I just feel like she left a

2901
02:05:06,920 --> 02:05:10,720
Speaker 3: lot out of her day. She looked like the most

2902
02:05:10,840 --> 02:05:12,760
Speaker 3: corporate responsible human.

2903
02:05:12,560 --> 02:05:14,080
Speaker 2: Being you was not on Toronto.

2904
02:05:14,160 --> 02:05:15,720
Speaker 3: I was like, where's where you fell asleep in the

2905
02:05:15,760 --> 02:05:19,520
Speaker 3: hookah spot? Where's it was?

2906
02:05:19,840 --> 02:05:21,160
Speaker 2: It was a day though it was a day.

2907
02:05:21,200 --> 02:05:22,520
Speaker 3: It was a different day, but it was a day

2908
02:05:22,520 --> 02:05:23,760
Speaker 3: and that was when you was producing it.

2909
02:05:23,880 --> 02:05:25,040
Speaker 2: It was a day in the life. If you me

2910
02:05:25,080 --> 02:05:25,640
Speaker 2: and a producer.

2911
02:05:25,720 --> 02:05:27,680
Speaker 5: I'm actually gonna have a Lincoln in so that the

2912
02:05:27,760 --> 02:05:29,720
Speaker 5: fans note we're talking about and mall, I'll send it

2913
02:05:29,800 --> 02:05:29,960
Speaker 5: to you.

2914
02:05:30,200 --> 02:05:30,600
Speaker 3: Send it to me.

2915
02:05:30,640 --> 02:05:31,360
Speaker 2: I would love to see it.

2916
02:05:32,880 --> 02:05:36,280
Speaker 3: Super professional, waking up when the sunrises, all the way

2917
02:05:36,400 --> 02:05:37,280
Speaker 3: taking it down at nine.

2918
02:05:37,600 --> 02:05:39,400
Speaker 2: He was on it meditating in the morning.

2919
02:05:39,760 --> 02:05:40,000
Speaker 6: Listen.

2920
02:05:40,400 --> 02:05:42,640
Speaker 3: She was handwriting notes. She had a healthy breakfast.

2921
02:05:42,920 --> 02:05:43,200
Speaker 2: This is what.

2922
02:05:44,880 --> 02:05:45,840
Speaker 6: That was my day?

2923
02:05:46,000 --> 02:05:47,320
Speaker 5: Like, how are y'all going to tell me how my

2924
02:05:47,520 --> 02:05:49,360
Speaker 5: day went? That was the day of our sober interview

2925
02:05:49,400 --> 02:05:51,040
Speaker 5: and I recorded it from the beginning.

2926
02:05:51,280 --> 02:05:53,200
Speaker 3: She might have put her ironing her blazer on there.

2927
02:05:53,400 --> 02:05:55,600
Speaker 2: I was not either the hotel. Okay, so she caught

2928
02:05:55,640 --> 02:05:57,560
Speaker 2: the sunset or the sunrise.

2929
02:05:57,120 --> 02:05:58,400
Speaker 6: At the mandre.

2930
02:05:58,720 --> 02:06:01,400
Speaker 2: Yes, the one from here, Yeah, doing doing from here

2931
02:06:01,400 --> 02:06:02,880
Speaker 2: from New York. When you be coming to hit cursing

2932
02:06:02,920 --> 02:06:05,520
Speaker 2: at us and ship like that, why are you? Why

2933
02:06:05,520 --> 02:06:06,200
Speaker 2: are you post?

2934
02:06:07,160 --> 02:06:09,120
Speaker 3: Like it was to the point towards the end and

2935
02:06:09,200 --> 02:06:11,200
Speaker 3: I She's like, then I called my parents, I donated

2936
02:06:11,240 --> 02:06:11,800
Speaker 3: to a charity.

2937
02:06:12,160 --> 02:06:14,160
Speaker 2: You adopted a kid in Campo. Yeah, it was like.

2938
02:06:15,680 --> 02:06:17,480
Speaker 3: I was like, I was like, wait, hold on such

2939
02:06:17,520 --> 02:06:20,240
Speaker 3: a full productive day where it's tworking at how level?

2940
02:06:20,840 --> 02:06:22,720
Speaker 2: Like why wasn't none of that or there? That's the

2941
02:06:22,840 --> 02:06:24,680
Speaker 2: d I love when you start throwing that ass like

2942
02:06:24,720 --> 02:06:25,520
Speaker 2: look at the well.

2943
02:06:25,560 --> 02:06:27,240
Speaker 5: I have to be very careful what I put in

2944
02:06:27,320 --> 02:06:29,160
Speaker 5: stuff like that because I can't out you guys and

2945
02:06:29,240 --> 02:06:31,640
Speaker 5: what you're doing you'll be doing.

2946
02:06:31,680 --> 02:06:33,040
Speaker 2: We don't be doing doing Ship.

2947
02:06:33,440 --> 02:06:35,720
Speaker 3: You took a vacation and I haven't been on vacation

2948
02:06:35,840 --> 02:06:37,920
Speaker 3: in years. Your TikTok was accurate to what MO and

2949
02:06:38,000 --> 02:06:39,200
Speaker 3: I do. We go and p we come back to

2950
02:06:39,200 --> 02:06:39,800
Speaker 3: our hotel room.

2951
02:06:39,880 --> 02:06:44,000
Speaker 2: Yeah, like like wholesome men, gentlemen.

2952
02:06:47,200 --> 02:06:48,880
Speaker 3: He wasn't sure of our pronouns, so.

2953
02:06:50,720 --> 02:06:52,480
Speaker 2: I didn't want to. I didn't want to identify. It

2954
02:06:52,600 --> 02:06:55,240
Speaker 2: was the wrong thing. I realized exactly.

2955
02:06:55,560 --> 02:06:59,840
Speaker 3: Like responsible young vays, Yeah, yeah, we are.

2956
02:07:00,760 --> 02:07:02,600
Speaker 2: I identify as a day from that woman they say

2957
02:07:02,640 --> 02:07:03,120
Speaker 2: they hat.

2958
02:07:03,040 --> 02:07:03,600
Speaker 3: And it might be me.

2959
02:07:06,640 --> 02:07:08,040
Speaker 6: Well you can watch that off camera.

2960
02:07:08,240 --> 02:07:09,480
Speaker 2: Yeah no, I'm gonna watch it off came.

2961
02:07:09,440 --> 02:07:11,440
Speaker 6: Everybody, Thank you so much for coming.

2962
02:07:11,600 --> 02:07:13,320
Speaker 2: Listen man, Thank y'all for listening this week.

2963
02:07:13,360 --> 02:07:16,200
Speaker 3: We love Cali transphobic. He always saying bad ship about

2964
02:07:16,240 --> 02:07:18,720
Speaker 3: that cal it he might be. He's always saying all

2965
02:07:18,760 --> 02:07:20,120
Speaker 3: the bad things in the world is because of the day,

2966
02:07:20,960 --> 02:07:23,400
Speaker 3: but he is. They don't want anything for us, they don't.

2967
02:07:24,960 --> 02:07:27,400
Speaker 2: We didn't even take cogressive Kalid on the star Yeah,

2968
02:07:28,520 --> 02:07:30,800
Speaker 2: Hollywood Walker Fame. He has a star on the Hollywood

2969
02:07:30,800 --> 02:07:33,520
Speaker 2: Walker Fame. Shout out to DJ Khaled man like well deserved,

2970
02:07:33,640 --> 02:07:36,720
Speaker 2: well deserved, mate. He's somebody who's literally come up from

2971
02:07:37,320 --> 02:07:39,680
Speaker 2: you know, the ground floor in this industry to where

2972
02:07:39,680 --> 02:07:44,240
Speaker 2: he is today. Inspirational, motivational, and he's always super positive.

2973
02:07:44,440 --> 02:07:46,960
Speaker 2: Never has I don't know if cald has ever spoken

2974
02:07:47,000 --> 02:07:47,760
Speaker 2: bad about anybody.

2975
02:07:47,880 --> 02:07:49,120
Speaker 3: Just Tyler, just Tyler.

2976
02:07:50,320 --> 02:07:52,480
Speaker 2: He hated Tyler. He didn't think that we had.

2977
02:07:52,480 --> 02:07:54,960
Speaker 3: One moment of weakness. It's okay, I have plenty, No

2978
02:07:55,120 --> 02:07:58,760
Speaker 3: that just that. Just let me on that Calid it's human.

2979
02:07:58,640 --> 02:08:00,400
Speaker 2: That liked it. Yeah, that was the It was like

2980
02:08:00,440 --> 02:08:03,280
Speaker 2: all this nice guy shit, he is fucking trash.

2981
02:08:04,280 --> 02:08:07,480
Speaker 3: Hate that weirdo ship, I ain't here ship nowhere. Finally

2982
02:08:08,200 --> 02:08:08,480
Speaker 3: that I.

2983
02:08:08,480 --> 02:08:10,360
Speaker 2: Love Calor for that. That was a human moment.

2984
02:08:10,400 --> 02:08:11,040
Speaker 3: I love Calor for that.

2985
02:08:11,080 --> 02:08:13,800
Speaker 2: But shout out to Dj Khaled, Hollywood Walker fame getting

2986
02:08:13,800 --> 02:08:16,200
Speaker 2: his star. That was super dope. Shouts to Hoe and

2987
02:08:16,360 --> 02:08:20,560
Speaker 2: Diddy and Fat Joe for being there and I love that. Yeah,

2988
02:08:20,600 --> 02:08:23,280
Speaker 2: that was dope man. So yeah, man, another week in

2989
02:08:23,360 --> 02:08:25,840
Speaker 2: the can my brother Rory, good to see you as always,

2990
02:08:25,920 --> 02:08:29,240
Speaker 2: adding demaras thank you. We'll be back next week. Y'all

2991
02:08:29,320 --> 02:08:31,400
Speaker 2: be safe, have a blessed weekend. I'm that nigga. He's

2992
02:08:31,480 --> 02:08:33,000
Speaker 2: just ginger peace

2993
02:08:34,800 --> 02:08:34,920
Speaker 4: Wor