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Speaker 1: J sm small Small.

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Speaker 2: Small smart. He comes Haze and Sean.

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Speaker 3: So uh me and uh Gina Lee, Nolan and John

4
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Speaker 3: our Buckle exactly, and we are going to wake up

5
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Speaker 3: Tom Green's parents. At this point, I'm like, why do

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Speaker 3: you guys ever fall asleep because you know we're coming

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Speaker 3: for you.

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Speaker 2: Yes, And it's like.

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Speaker 4: This was at the time where they were trying like

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Speaker 4: different incarnations of talent to wake up Tom Green's parents.

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Speaker 2: Sure.

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Speaker 3: Yeah, Well it seems so on the nose at first

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Speaker 3: to have it be Tom Green, I know.

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Speaker 2: So it's like, can I get Shot our Buckle in here? Yes?

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Speaker 2: Can we get Gina Lee from the from the song

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Speaker 2: yes on Black Football on TV pixre Genial Lee? Yeah,

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Speaker 2: I think it Wan Twins Shots.

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Speaker 3: I think it was shots shots of or shots with

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Speaker 3: I think it was shots.

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Speaker 2: I don't know what what was it? Shots of Genial Lee? Yeah, yeah,

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Speaker 2: which is tough because we're friends and I don't know.

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Speaker 2: Oh no, she asks you and you freeze, Yeah, you

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Speaker 2: give her that freeze face. I don't know the words

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Speaker 2: to the song anyway.

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Speaker 4: So we get to the house I know, and we

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Speaker 4: get to the front door, and I know that.

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Speaker 3: We're sneaking around, Yeah, I know, and we get to

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Speaker 3: the door. Oh Hayes, you didn't tell me this part.

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Speaker 3: So this is the part where it's okay, oh I

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Speaker 3: didn't know this. We get to the door and Tom

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Speaker 3: Green's dad answers the door.

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Speaker 2: Oh nowhere, like oh no, and I sort.

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Speaker 3: Of look around and it's not that dark. It's like

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Speaker 3: seven thirty right.

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Speaker 2: And he's like, what's up? And I like, we just

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Speaker 2: have to like play this out.

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Speaker 4: And so we're like we're hungry, yeah, and you know

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Speaker 4: Tom Green's that He's like, well you got it, come

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Speaker 4: in and out.

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Speaker 2: Yes, he'll stuff you. No, mister Green will stuff you.

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Speaker 5: Yes.

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Speaker 4: So we end up sitting down at the dinner table,

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Speaker 4: we have dinner with mister and missus Green.

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Speaker 2: We're like, well, he's awake.

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Speaker 4: Like, well we do uh, And we're just kind of

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Speaker 4: like trying to get him to like eat, like watching

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Speaker 4: for him to start to nod off.

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Speaker 2: Get sleepy. Yeah.

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Speaker 4: But then I start to see like he's looking at

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Speaker 4: us like he know we're playing chess.

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Speaker 3: You know, three D chess, yes, with the human mind

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Speaker 3: as the pieces. And it's as this realization sets in

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Speaker 3: and I realized.

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Speaker 2: King is like falling asleep.

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Speaker 4: So yeah, I am starting against sleepy Yeah, yes, yes,

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Speaker 4: And I can see that he's done something with the

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Speaker 4: foods and the next thing I know, there's a firecracker

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Speaker 4: going off.

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Speaker 2: I'm in his bed.

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Speaker 6: Oh, hay Yes, I.

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Speaker 2: Didn't know this part. He slipped it on me. That

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Speaker 2: was the show. It turned out you were woken up

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Speaker 2: by Tom Green's dan, Yes, Hayes, which.

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Speaker 4: Is why I didn't tell you why I finished the

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Speaker 4: story before with just us being outside the house, and

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Speaker 4: you didn't think that.

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Speaker 2: You were very satisfied by that. Yeah, I heard this

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Speaker 2: great story. I was telling other people.

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Speaker 3: I was like, it's not my story, but you have

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Speaker 3: to hear it.

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Speaker 2: It's so good.

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Speaker 3: Hayes went to Tom Green's dad's house. He never got

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Speaker 3: to the door, and people would and they're spreading it.

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Speaker 4: I'm sure, And I was like, this is scoring. I

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Speaker 4: guess I'll just let it.

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Speaker 2: And what did Gina Lee do? Gina Lee? Yes, was

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Speaker 2: she also asleep?

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Speaker 4: Yeah, she was asleep, kind of like right when we

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Speaker 4: crossed got into the door.

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Speaker 3: And was John Arbuckle in on it? John Arbuckle, I'd

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Speaker 3: almost forgotten he was there.

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Speaker 2: Yeah, he had the camera.

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Speaker 3: And he's working with mister Green. Yes, because if he

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Speaker 3: fell asleep then I'd be worried. Who feeds Odie? Hey,

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Speaker 3: welcome to Hollywood Handbook and insiders guy to kicking butt

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Speaker 3: and dropping names and in the red carpet line back

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Speaker 3: hallways of this industry we call show is little housekeeping?

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Speaker 2: What a what au.

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Speaker 7: Uh?

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Speaker 2: Check it off? We are doing two shows tonight. This

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Speaker 2: is the New York Night of Shows. It's we did

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Speaker 2: both shows, back to back shows.

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Speaker 3: Yes, and so obviously when you do two shows, one

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Speaker 3: show will be the good one.

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Speaker 2: The good show was the first show.

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Speaker 3: Yes, Obviously the real fans, as soon as a show

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Speaker 3: goes on sale, are going to buy tickets to that one.

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Speaker 2: Yeah, if you waited for the second show, you don't

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Speaker 2: deserve our best. Some of you were, maybe some of

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Speaker 2: you were, maybe there was that fun or what I

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Speaker 2: mean that one was good. We won't do that because

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Speaker 2: now for that one, we were very tired. Also for exhausted, exhausted,

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Speaker 2: but we pushed through. Yes, but now we are asleep.

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Speaker 3: Yeah, there's a doctor backstage. And he came and he

105
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Speaker 3: took the test and he said, I'm asleep, so fine,

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Speaker 3: you know I'll be on stage because that is like

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Speaker 3: in the contract.

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Speaker 2: But you know, I'm not gonna try too hard to

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Speaker 2: wake up. I'm asleep. If you could be quiet and

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Speaker 2: believe me you will well help. Yeah, it's better for us,

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Speaker 2: but we'll do the show anyway. We thought, what else?

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Speaker 2: What would be good to do? The sweetest treat?

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Speaker 5: Yes?

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Speaker 8: What?

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Speaker 2: And what? And other than of course candy? Yes, And

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Speaker 2: so that we thought, do we do candy? What would

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Speaker 2: that be?

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Speaker 3: How do you do that for the audience? You just

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Speaker 3: give it to them? What's the show version of that?

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Speaker 3: It's small? It's too small. It is to a whole show.

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Speaker 3: I don't know if you've seen parties. Yeah, but they're

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Speaker 3: like the size of like a little beam.

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Speaker 2: And there's some even smaller than that. A nerd, So,

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Speaker 2: how what does that look like on stage? Right? It's

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Speaker 2: almost nothing a nerd of the show. Please, Hey, Chef Kevin,

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Speaker 2: don't come out yet.

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Speaker 9: Yeah, it's late, it's getting late, getting funny, Yeah, I am,

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Speaker 9: I am just kidding.

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Speaker 3: One thing I like to do is I'll give Chef

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Speaker 3: Kevin one of these and I'll go remember that show

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Speaker 3: nerd Poker. Yeah, it was a show on ere Will,

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Speaker 3: pretty popular. Yeah, so so we thought, okay, not not candy.

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Speaker 2: We can't do candy the show. That's too crazy.

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Speaker 3: So even something even sweeter than that. So we said,

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Speaker 3: what's the sweetest entertainment and the most classic funniness.

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Speaker 2: Two ever be a show? Mm hmm, and we remembered.

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Speaker 3: Freaking the old shows?

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Speaker 2: Yeah, what does he mean?

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Speaker 3: We thought the sweetest fun to do would be for

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Speaker 3: you old fashioned talk show.

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Speaker 2: Really get back to our roots.

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Speaker 3: I mean, what we're doing right is a bastardization, a

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Speaker 3: modern uh offspring of the classic talk show.

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Speaker 2: But what happened to that format?

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Speaker 10: That was?

146
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Speaker 2: So we got away from it? And we did we

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Speaker 2: forgot to dance, that's what the girl that brung us? Yeah,

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Speaker 2: and those two gentlemen, Yeah, we're gonna remember again.

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Speaker 4: It's the most classic format.

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Speaker 2: Uh.

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Speaker 4: It is nothing that has ever been funnier uh.

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Speaker 2: Or more charming, or more iconic, or more natural or

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Speaker 2: more cool and more no go ahead fun and funny iconic.

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Speaker 2: So tonight do you need both of those? Huh? Are

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Speaker 2: those those are yours? The waters? Yes?

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Speaker 3: This one I definitely need. Okay, that one I have

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Speaker 3: to have.

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Speaker 2: Okay, that's fine, Yeah, that's why I asked I must

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Speaker 2: Why did you do. You need an extra cap as well, the.

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Speaker 3: Cap I need, Okay, completely necessary because I know the

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Speaker 3: second I take.

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Speaker 2: This cap off, that's it. You're gonna lose it. I'm

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Speaker 2: gonna lose it. I'm gonna lose it. Yeah, it's a

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Speaker 2: it's an old habit of mine.

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Speaker 11: You know.

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Speaker 3: I used to walk into a party with a bottle

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Speaker 3: of jack. First thing I do, throw the cap away.

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Speaker 2: I'm not gonna need it.

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Speaker 4: And all the cups at the party, Oh yeah, you're

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Speaker 4: throwing those away as well because I'm not using them.

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Speaker 2: Yeah.

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Speaker 3: And then I throw the bottle out I'm not thirsty.

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Speaker 2: Then I leave the party. I wasn't invited. Old party trick.

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Speaker 3: Can we get the should we get the stage kind

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Speaker 3: of arranged for the Old Fashion Talk Show?

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Speaker 2: Absolutely?

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Speaker 12: Uh.

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Speaker 3: Do you want to be the main host? I think

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Speaker 3: some because hey, this is the host of the show, right,

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Speaker 3: But do you want to be what if you are

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Speaker 3: Paul Shaeffer?

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Speaker 2: Yes? Please? Uh oh oh yeah uh.

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Speaker 4: And you could also be well, okay, what if it's Paul.

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Speaker 4: You're Paul Shaeffer, but you also get to do stand

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Speaker 4: up at some point of the show, and it's like your.

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Speaker 3: Big you're bo and maybe I could get the couch. Right,

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Speaker 3: that would be huge for me. Right, it'll be especially

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Speaker 3: good because I, of course have prepared stand up material.

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Speaker 2: Uh so let me. I'll move the table into a desk, so.

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Speaker 13: Givin, gimma.

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Speaker 2: Not there, so it's my desk. Kevin has a standing desk.

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Speaker 4: Over my knee. I don't want the leg between my knees.

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Speaker 4: I want my knees between two legs, my knees.

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Speaker 2: Yes, ah, wait, no, Kevin, Kevin snug me in a

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Speaker 2: little more. Ha ha ha ha ha. Really good, Hayes,

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Speaker 2: that's good.

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Speaker 3: And how are you gonna do music? How are you

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Speaker 3: gonna do your Paul Schaeffer?

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Speaker 2: How are you gonna do? Hey?

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Speaker 3: Hey, when it's time, we'll figure it out. Okay, oh

201
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Speaker 3: my god, how am I going.

202
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Speaker 2: To do music?

203
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Speaker 3: Just let him just get if we could take you

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Speaker 3: have one second, but just kind of let him think

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Speaker 3: this out.

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Speaker 2: I never thought about that.

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Speaker 3: I said I'd be Paul Shaffer so fast, and I thought,

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Speaker 3: you know, I can do that, but I can't ready

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Speaker 3: when you are, Hayes, Okay, okay, I'll just do like

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Speaker 3: a be like a funny house.

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Speaker 11: Hey, everyone, U welcome to Hollywood handbook. Oll, attach to

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Speaker 11: talk show.

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Speaker 2: Ah, Hollywood handbook.

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Speaker 14: Ah, hey Sean, Oh no, here it comes.

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Speaker 2: What are you? What are you doing?

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Speaker 5: Oh?

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Speaker 2: He got me? You got me, your son of a bitch. Okay, enough, Okay,

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Speaker 2: we just go. It's hard you see Carson do it? Yeah,

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Speaker 2: it's so easy. Well, that's why he's the mess.

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Speaker 4: It's so effortless. It died with him. But it's too late.

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Speaker 4: Now should we bring out a guest.

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Speaker 2: Let's have a guest. There are some people that are

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Speaker 2: so special, uh, and are so funny and uh are iconic?

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Speaker 4: Yes, and have done TV and wrote a book. Yeah,

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Speaker 4: and maybe another book, but maybe just one.

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Speaker 2: Yeah, we don't know. We just don't know.

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Speaker 5: Uh.

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Speaker 3: And let's bring her out. Please welcome Julie Klausner. I

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Speaker 3: don't know where do we sit? Well, let's put two together.

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Speaker 2: Do do do? Do?

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Speaker 12: Do?

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Speaker 5: Do?

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Speaker 12: Do?

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Speaker 2: Do? Do?

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Speaker 7: Do?

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Speaker 12: Do?

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Speaker 2: Do?

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Speaker 15: Do? Dude?

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Speaker 2: Do you want to wait? Sorry?

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Speaker 8: I feel like yeah, the.

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Speaker 3: Music you ever learned to whistle? And I had like

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Speaker 3: a hundred crackers backstage. The music did just for next time? Yeah,

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Speaker 3: the music did start a little.

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Speaker 2: Did you feel it was late? A little late? Did

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Speaker 2: you feel it was late?

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Speaker 4: She had kind of landed by the time I was

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Speaker 4: hearing the beginning ginning of the music, like the Austin

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Speaker 4: Powers theme.

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Speaker 2: It was the Awestin Powers theme.

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Speaker 4: Yes, because you're at the height of your powers, I think,

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Speaker 4: is is that what you were referencing?

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Speaker 7: Absolutely absolutely accard format, because if your Paul Schaeffer, I

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Speaker 7: be on.

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Speaker 8: This side of you.

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Speaker 2: Yeah, but you yes, so it's just down there. You

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Speaker 2: pointed at that chair as if to say, should I

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Speaker 2: sit in this chair? I pointed at that chair and

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Speaker 2: was like yeah, and I and I made that and

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Speaker 2: I made room for you, and I made room for you.

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Speaker 4: Okay, and maybe we do another yeah, like a.

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Speaker 3: Oh yeah, do do do do do.

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Speaker 2: Do do do? Hi.

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Speaker 3: Julie shagged Elic and he's very far is this Have

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Speaker 3: you ever done one of these?

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Speaker 2: Uh? Yeah? Did you do? Did you do? Seth? You

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Speaker 2: did Seth? You've done Seth? Have you done Seth? Seth?

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Speaker 2: Did Seth? You can help us out? What does Seth do? Yes? Everything, Okay,

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Speaker 2: that's gonna be hard for us.

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Speaker 3: What did he give you any like help beforehand? Did

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Speaker 3: he say any like what the show was going to

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Speaker 3: be like, or like what did he say.

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Speaker 2: I realized maybe I could pretend this was my piano. Yes,

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Speaker 2: do do do do do do do do do doo.

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Speaker 4: And since you're pretending, uh huh, you can play in

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Speaker 4: all kinds of like fun ways.

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Speaker 2: Oh dude, like make it really funny. Oh yeah.

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Speaker 7: If I say, like, if I talk about like the

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Speaker 7: show dream On, then you could.

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Speaker 8: Do the araso.

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Speaker 2: Oh yes, yes, yes, yes.

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Speaker 8: Remember that show dream On?

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Speaker 3: Yeah, I could stay wait yes to love you.

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Speaker 2: So your piano sings vocals? Yeah, you were doing really

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Speaker 2: nice piano.

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Speaker 7: I know.

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Speaker 2: Okay, what do you what do you want? I know

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Speaker 2: that's great, that's good. Oh no, let's figure it out

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Speaker 2: now because it's going to be happening the whole show.

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Speaker 2: So you don't want the piano to sing vocals.

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Speaker 4: No, I just want to be clear what's happening because

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Speaker 4: you were using your hands to play the piano, but

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Speaker 4: then the singing.

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Speaker 7: I feel like when I look at you, even though

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Speaker 7: you're talking to me, I'm leaving sean out.

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Speaker 3: Yeah you don't want to look over Okay.

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Speaker 2: Hi, Julie, Hi, pretend I'm not even here.

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Speaker 3: Hey?

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Speaker 9: Thank you?

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Speaker 2: Tom?

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Speaker 3: Yeah? Hey, oh good, Tom's here.

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Speaker 7: Hi?

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Speaker 2: What's up?

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Speaker 3: Hey you guys doing you're thank you, thank you, thank you.

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Speaker 2: You are here. You asked me to invited you? Yes,

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Speaker 2: I would be here, okay, okay.

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Speaker 4: Yeah, I mean were you going to bring We announced

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Speaker 4: that you were going to be in the show.

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Speaker 3: Yes, are you going to and just like I'm backstage

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Speaker 3: and it's like.

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Speaker 8: And we're in such a role.

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Speaker 3: Yeah.

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Speaker 2: Yeah.

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Speaker 3: It sort of felt like he picked up time to like,

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Speaker 3: I know, yeah, but do you remember why we wanted Tom?

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Speaker 2: Why did we you?

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Speaker 3: Yeah, you definitely asked me to come. You said it

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Speaker 3: was an a murder you.

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Speaker 2: You okay, you've you've said that. Yes, yeah, what were

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Speaker 2: we What did I want?

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Speaker 8: I confirmed with you?

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Speaker 7: In fact, I asked to do the show. I confirmed

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Speaker 7: like a thousand times. No, I know, in no way

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Speaker 7: was I ever going to drop out?

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Speaker 4: No, And that was I don't remember what my intention

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Speaker 4: was with asking Tom.

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Speaker 2: What would we want Tom for?

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Speaker 4: I vaguely remember we were like we were swimming and

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Speaker 4: I like I kind of like surfaced and you were

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Speaker 4: like while you were down there, I was thinking we

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Speaker 4: should get Tom.

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Speaker 2: Was I joking? Well, I don't remember.

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Speaker 3: I definitely laughed, uh huh, oh okay, sure, Well I

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Speaker 3: was doing in a funny outfit. Well, when Hayes swims underwater,

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Speaker 3: I tried to put on like.

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Speaker 2: A costume for when he comes up while I'm down there,

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Speaker 2: tries to do a very quick change.

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Speaker 4: And you have like your rig, your special rig where

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Speaker 4: you just kind of pull a string in your outfit goes.

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Speaker 3: Yes, I'm sorry I keep forgetting your hair here. Yeah,

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Speaker 3: you did ask me to come. Okay, okay, you use

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Speaker 3: the word emergency again.

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Speaker 2: Thank you. Sobody you have said that. Yes, but this

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00:23:07,200 --> 00:23:10,840
Speaker 2: is great. It's so good for us. Yeah, we will

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Speaker 2: use Tom.

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Speaker 3: Do a show with Tom. Uh huh uh do we uh?

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Speaker 3: Let's introduce Yeah, give me a proper introduction. Okay, okay, okay.

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Speaker 2: I guess he hasn't written a book. Is that what

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Speaker 2: we say?

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Speaker 11: Yeah?

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Speaker 3: Tom, it is not appropriate. Tom is sort of this

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Speaker 3: no book, he's like a bookless.

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Speaker 2: Man. Yeah, but he has hair. Well, yeah, Tom, Julie,

353
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Speaker 2: that's my Tom.

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Speaker 3: You know he's here, and hello Tom.

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Speaker 5: Not enough.

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Speaker 2: New York City, greatest city in.

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Speaker 3: The world, that's right, Jeremy Lynn.

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Speaker 1: Insanity, Harvard, what's up, guys?

359
00:24:38,880 --> 00:24:44,440
Speaker 2: I sit there. Julie wanted me to move. She seems

360
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Speaker 2: to have something big planned.

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Speaker 4: Hi, Tom, Hi, thank you so much for accepting our

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Speaker 4: invitation to be here.

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Speaker 2: What are you doing? Well?

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Speaker 16: Things are going pretty good for me lately, if I

365
00:25:04,720 --> 00:25:06,600
Speaker 16: do say so myself.

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Speaker 2: Okay, are we good?

367
00:25:09,359 --> 00:25:09,399
Speaker 1: You?

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00:25:09,680 --> 00:25:10,879
Speaker 2: Can we move on? Or do you?

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Speaker 3: No?

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Speaker 2: No, no, no, okay.

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Speaker 16: I look so many times I come on this thing

372
00:25:16,920 --> 00:25:19,439
Speaker 16: and I'm failing, and you guys laugh at me, and

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Speaker 16: it's a big hoot.

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Speaker 3: But I'm on the upswing.

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Speaker 16: I got things. Thank you, thank you, you guys get it.

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00:25:26,840 --> 00:25:36,440
Speaker 16: I have gotten into podcasting and okay, I started two

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Speaker 16: new podcasts.

378
00:25:38,160 --> 00:25:44,399
Speaker 2: Mm hmmm. One is we Gotta move on to Julia.

379
00:25:46,520 --> 00:25:51,760
Speaker 3: One is Me tarn Asked through the Bruce Springsteen catalog

380
00:25:51,880 --> 00:25:52,960
Speaker 3: One album at a time.

381
00:25:56,119 --> 00:25:57,720
Speaker 2: Wait, wait, what are you doing?

382
00:25:58,240 --> 00:26:07,000
Speaker 3: Hey? You two are the boss? Okay, it's yeah, it's

383
00:26:07,320 --> 00:26:08,159
Speaker 3: it's pretty sweet.

384
00:26:09,680 --> 00:26:12,400
Speaker 4: So when you say you're tearing ass through the catalog,

385
00:26:12,920 --> 00:26:14,920
Speaker 4: you mean you are listening to the song.

386
00:26:14,880 --> 00:26:16,399
Speaker 3: We take on this stuff?

387
00:26:16,520 --> 00:26:16,840
Speaker 2: Head on?

388
00:26:17,119 --> 00:26:24,760
Speaker 3: You and who Bobby Kelly, Robert or Robert some people

389
00:26:24,800 --> 00:26:25,480
Speaker 3: call him Robert.

390
00:26:25,960 --> 00:26:30,880
Speaker 4: Okay, yeah, that's right, because you're thank you the uh

391
00:26:31,880 --> 00:26:34,080
Speaker 4: you're part of that, like you're a seller.

392
00:26:33,800 --> 00:26:35,800
Speaker 3: You stand up man. That's scene.

393
00:26:35,960 --> 00:26:41,560
Speaker 2: The table, the table yeah, the table.

394
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Speaker 4: I've heard that both of you guys can give as

395
00:26:44,280 --> 00:26:45,960
Speaker 4: good as you get at that table, Is that right?

396
00:26:46,080 --> 00:26:49,520
Speaker 8: We do, and we tweet abou Jeffrey Owens a lot.

397
00:26:49,600 --> 00:26:52,800
Speaker 3: Yes about just how this guy works at a grocery

398
00:26:52,840 --> 00:26:55,120
Speaker 3: store now, and then I'm.

399
00:26:54,960 --> 00:26:58,840
Speaker 2: Like, shut up a store sometimes.

400
00:27:00,560 --> 00:27:04,160
Speaker 3: Yeah, it was a perfect opportunity to list all of my.

401
00:27:04,440 --> 00:27:06,320
Speaker 2: Jobs that I've had.

402
00:27:08,200 --> 00:27:11,159
Speaker 16: And to make sure that nobody misses that this dude

403
00:27:11,280 --> 00:27:13,560
Speaker 16: is maybe hitting a rough patch.

404
00:27:15,320 --> 00:27:18,440
Speaker 2: So you had another podcast.

405
00:27:17,960 --> 00:27:22,760
Speaker 16: Yeah, it's uh, it's kind of another thing people got

406
00:27:22,800 --> 00:27:25,080
Speaker 16: to realize is local is where it's at.

407
00:27:26,160 --> 00:27:26,400
Speaker 15: Right.

408
00:27:27,400 --> 00:27:34,000
Speaker 16: This one's called New Jersey Bizz. And we go and

409
00:27:34,080 --> 00:27:44,479
Speaker 16: we're just like this bus driver sucks, man, this guy's

410
00:27:44,520 --> 00:27:46,800
Speaker 16: always crabby on the bus.

411
00:27:47,800 --> 00:27:49,080
Speaker 2: Are you on the bus?

412
00:27:51,600 --> 00:27:54,359
Speaker 16: And we'll just be like, you got to get on

413
00:27:54,400 --> 00:27:58,160
Speaker 16: the quiet car on the train, first and last cars,

414
00:27:58,280 --> 00:27:59,000
Speaker 16: quiet cars.

415
00:27:59,040 --> 00:28:02,600
Speaker 7: There are podcasts in car. I'd got a podcasting scholarship

416
00:28:02,640 --> 00:28:03,240
Speaker 7: from Amtrak.

417
00:28:03,280 --> 00:28:04,200
Speaker 8: Do you know those things?

418
00:28:04,720 --> 00:28:07,919
Speaker 3: Oh, where you can go cross you can write on

419
00:28:07,960 --> 00:28:08,320
Speaker 3: the train.

420
00:28:08,440 --> 00:28:12,480
Speaker 7: What about podcasting on the train? I asked, sure.

421
00:28:12,480 --> 00:28:15,359
Speaker 2: And then they answered you, oh good.

422
00:28:15,320 --> 00:28:20,840
Speaker 3: Yeah, Well so wait, who's your one host for the

423
00:28:21,320 --> 00:28:22,359
Speaker 3: said for that one?

424
00:28:22,520 --> 00:28:24,879
Speaker 2: Is this? Yeah for that one? Yeah?

425
00:28:24,920 --> 00:28:26,080
Speaker 3: Oh that's me and rich Voss.

426
00:28:27,960 --> 00:28:31,760
Speaker 2: We do that one together, Sam the Godfather.

427
00:28:34,440 --> 00:28:37,000
Speaker 3: That's right from Wow.

428
00:28:38,920 --> 00:28:41,520
Speaker 8: That's his water, you know that Voss water.

429
00:28:42,120 --> 00:28:45,120
Speaker 3: That's Rich Voss's water.

430
00:28:45,320 --> 00:28:49,040
Speaker 2: Yes, okay, because I was tasting it. Yeah, before I

431
00:28:49,040 --> 00:28:50,280
Speaker 2: even knew what the name.

432
00:28:50,080 --> 00:28:52,840
Speaker 8: Of it lit right, pretty a little sour.

433
00:28:53,120 --> 00:28:55,640
Speaker 2: This sounds weird, but is this Rich Voss and water?

434
00:28:55,880 --> 00:29:00,120
Speaker 2: Little gamey little gamy.

435
00:29:01,400 --> 00:29:04,360
Speaker 7: You know why nobody can find the game of the

436
00:29:04,440 --> 00:29:05,480
Speaker 7: scene before he can?

437
00:29:07,840 --> 00:29:10,880
Speaker 2: He is the gamiest motherfucker there is.

438
00:29:10,920 --> 00:29:12,480
Speaker 8: We learned that at poker last week.

439
00:29:13,120 --> 00:29:15,560
Speaker 3: Yeah, and remember when I laid all those cards down,

440
00:29:15,600 --> 00:29:19,840
Speaker 3: I would just went pay me assholes.

441
00:29:21,040 --> 00:29:24,440
Speaker 2: And then give me. Everybody said that, No.

442
00:29:24,560 --> 00:29:26,720
Speaker 3: I said it to everybody. All the comedians were so

443
00:29:26,920 --> 00:29:27,480
Speaker 3: mad at me.

444
00:29:27,560 --> 00:29:29,880
Speaker 7: Oh they were mad because someone was in the next

445
00:29:29,960 --> 00:29:31,880
Speaker 7: room doing a bit about a rape whistle and they

446
00:29:31,880 --> 00:29:33,560
Speaker 7: were like, oh, I wish I'd written that one.

447
00:29:34,280 --> 00:29:35,760
Speaker 2: Uh huh.

448
00:29:35,800 --> 00:29:37,920
Speaker 16: Well that wasn't so much a bit as it was

449
00:29:38,000 --> 00:29:40,160
Speaker 16: a weird confession.

450
00:29:41,840 --> 00:29:45,880
Speaker 7: Bring me to my next podcast, Yeah, I'm doing too.

451
00:29:46,320 --> 00:29:49,400
Speaker 7: One is called My My Weird Confessions. Oh.

452
00:29:49,640 --> 00:29:52,000
Speaker 8: The other is called My Least Favorite murder.

453
00:29:56,200 --> 00:29:59,920
Speaker 2: Can we hear a little bit of that one?

454
00:30:00,520 --> 00:30:04,520
Speaker 7: Just like, uh, Nicole Brown Simpson, what a shitty incident

455
00:30:04,600 --> 00:30:05,080
Speaker 7: that was?

456
00:30:07,040 --> 00:30:09,040
Speaker 8: That was bad?

457
00:30:08,040 --> 00:30:10,640
Speaker 2: That nothing good about it.

458
00:30:10,600 --> 00:30:14,080
Speaker 7: It was very It's literally my least favorite murder.

459
00:30:14,400 --> 00:30:20,160
Speaker 2: She had, she had parents, It's awful. It's just it's

460
00:30:20,200 --> 00:30:22,440
Speaker 2: just one episode, your least favorite murder.

461
00:30:22,600 --> 00:30:23,600
Speaker 8: How many more do you need?

462
00:30:23,800 --> 00:30:26,520
Speaker 2: Yeah? No, no, that's great because it's like it starts

463
00:30:26,520 --> 00:30:27,320
Speaker 2: to feel.

464
00:30:28,640 --> 00:30:29,680
Speaker 8: Golden for season two.

465
00:30:32,600 --> 00:30:37,040
Speaker 3: That's too much, well, too much, little too Yeah. I

466
00:30:37,120 --> 00:30:45,000
Speaker 3: like saying to so, hey, how about some music, y'all?

467
00:30:45,080 --> 00:30:46,600
Speaker 3: Y'all ready for some music?

468
00:30:48,920 --> 00:30:52,080
Speaker 4: So we I guess we should give you permission every

469
00:30:52,080 --> 00:30:56,120
Speaker 4: time you want to do music, please, yeah, okay, I oh, yes,

470
00:30:56,240 --> 00:30:57,280
Speaker 4: you can do some music.

471
00:30:57,840 --> 00:31:00,000
Speaker 8: Okay should we say yes?

472
00:31:00,680 --> 00:31:01,800
Speaker 3: Oh yeah, that's fine by me.

473
00:31:03,200 --> 00:31:10,640
Speaker 2: Okay, great, I'll just I'll just start playing then.

474
00:31:12,440 --> 00:31:31,880
Speaker 15: Yeh been afraid of change because I built my life.

475
00:31:33,240 --> 00:31:33,800
Speaker 2: Around you.

476
00:31:37,000 --> 00:31:37,320
Speaker 15: Time.

477
00:31:38,560 --> 00:31:43,360
Speaker 4: I remember why we wanted Tom?

478
00:31:43,520 --> 00:31:44,280
Speaker 3: What what?

479
00:31:44,280 --> 00:31:44,320
Speaker 2: What?

480
00:31:44,600 --> 00:31:47,800
Speaker 3: Why?

481
00:31:50,240 --> 00:31:50,680
Speaker 2: It was?

482
00:31:52,120 --> 00:31:55,800
Speaker 3: I surface and you're like, we should get Tom because

483
00:31:55,800 --> 00:31:57,520
Speaker 3: we need like a Biff.

484
00:31:58,920 --> 00:32:02,760
Speaker 2: Yes, you can't do a talk show without.

485
00:32:02,520 --> 00:32:10,840
Speaker 6: Biff, Baby Biff, or like a Rouper, or like La Bamba,

486
00:32:11,600 --> 00:32:14,280
Speaker 6: or like Gearmo or.

487
00:32:14,640 --> 00:32:24,560
Speaker 4: Jewie or Ross intern Ross friend of the show normally, unfortunately,

488
00:32:24,560 --> 00:32:27,840
Speaker 4: these guys are some type of like funny other.

489
00:32:28,240 --> 00:32:32,920
Speaker 3: Yeah, yeah, exactly. We kind of have the like straight

490
00:32:32,960 --> 00:32:36,000
Speaker 3: white guy think covered and and and there's room for

491
00:32:36,080 --> 00:32:38,440
Speaker 3: diversity as long as it's something you throw to once

492
00:32:38,480 --> 00:32:40,000
Speaker 3: a show as a site gag.

493
00:32:40,240 --> 00:32:40,600
Speaker 9: Yes.

494
00:32:41,720 --> 00:32:44,000
Speaker 3: Okay, so so I'm.

495
00:32:43,600 --> 00:32:46,600
Speaker 4: So and we said Tom, We asked him if he

496
00:32:46,640 --> 00:32:47,640
Speaker 4: could bring a sumbrero.

497
00:32:47,920 --> 00:32:54,560
Speaker 3: Yes, Ah, I don't have a sombrero on me. Okay,

498
00:32:54,600 --> 00:32:57,600
Speaker 3: all right, do you want to do an offensive accent

499
00:32:57,640 --> 00:33:01,120
Speaker 3: of some kind now rather not?

500
00:33:01,600 --> 00:33:05,800
Speaker 2: Okay, what if you have like a poor job?

501
00:33:07,040 --> 00:33:09,440
Speaker 3: Yeah, you just working a deli or something that's kind

502
00:33:09,440 --> 00:33:16,840
Speaker 3: of funny to me. Okay, yeah, yeah, yeah, let's see. Nah,

503
00:33:16,920 --> 00:33:18,160
Speaker 3: I don't want to do that either.

504
00:33:18,600 --> 00:33:20,800
Speaker 2: You don't want to do that. Would you just be

505
00:33:20,880 --> 00:33:23,640
Speaker 2: willing to have a name that is just like so weird.

506
00:33:25,480 --> 00:33:26,240
Speaker 8: Like cloppy?

507
00:33:27,160 --> 00:33:31,360
Speaker 3: Yes, thank you, Julie, Yes, yeah, thank you Joe.

508
00:33:31,360 --> 00:33:34,280
Speaker 2: Okay, he likes that, thank you like a horse. He

509
00:33:34,440 --> 00:33:34,960
Speaker 2: likes clop.

510
00:33:35,040 --> 00:33:38,760
Speaker 3: Sure, I'm clopping now the dip shit.

511
00:33:39,880 --> 00:33:43,840
Speaker 2: Okay, that's a great day for the segment. Okay, so we'll.

512
00:33:43,720 --> 00:33:46,400
Speaker 4: Say, like, oh it looks like we're getting a call,

513
00:33:46,480 --> 00:33:48,880
Speaker 4: a video call from Cloppy the dip shit.

514
00:33:48,960 --> 00:33:58,120
Speaker 3: Oh yeah, it's ringing, Cloppy the dip Shit's calling. Should

515
00:33:58,120 --> 00:34:01,960
Speaker 3: I clomps? Actually? Like, should I be like that?

516
00:34:02,320 --> 00:34:03,120
Speaker 8: That's your ringtone?

517
00:34:04,080 --> 00:34:09,320
Speaker 3: Oh yeah, okay, Cloppy the dipshit.

518
00:34:09,400 --> 00:34:11,480
Speaker 2: Let's see what this fucker asks to talk about? Is

519
00:34:11,680 --> 00:34:20,480
Speaker 2: stupid idiot flits up? Guys?

520
00:34:24,960 --> 00:34:28,799
Speaker 3: Oh hey Cloppy, Hey, I'm kind of trying to do

521
00:34:28,840 --> 00:34:32,640
Speaker 3: a show here. Yeah, I was in the middle of

522
00:34:32,680 --> 00:34:34,480
Speaker 3: a pretty good song we all liked.

523
00:34:34,800 --> 00:34:37,880
Speaker 7: Sure, now not to bring it to me, yeah, no, don't.

524
00:34:38,560 --> 00:34:44,799
Speaker 7: But just thinking about, you know, traditional roles in a

525
00:34:44,840 --> 00:34:47,719
Speaker 7: classic talk show format. If I'm a female guest and

526
00:34:47,760 --> 00:34:51,640
Speaker 7: I'm not telling like a cute story or flirting, okay,

527
00:34:51,680 --> 00:34:54,279
Speaker 7: would I be the person that's like, guys, stop being

528
00:34:54,320 --> 00:34:55,480
Speaker 7: means a Cloppy?

529
00:34:55,520 --> 00:34:59,160
Speaker 17: Well, then we would say, oh, looks like Julie kind

530
00:34:59,200 --> 00:35:03,120
Speaker 17: of has a thing for Cloppy.

531
00:35:04,520 --> 00:35:07,880
Speaker 2: The chemistry here, Julie's got a crush on Cloppy. Cloppy,

532
00:35:07,960 --> 00:35:09,920
Speaker 2: aren't you flattered? And that is.

533
00:35:13,640 --> 00:35:16,880
Speaker 4: Because that itself is a joke, The idea of Cloppy

534
00:35:17,000 --> 00:35:18,040
Speaker 4: experiencing love.

535
00:35:18,440 --> 00:35:19,320
Speaker 5: Yeah, it's hilarious.

536
00:35:19,560 --> 00:35:20,640
Speaker 2: Is itself a joke?

537
00:35:21,239 --> 00:35:22,040
Speaker 8: Got it? Okay.

538
00:35:22,200 --> 00:35:25,120
Speaker 17: Yeah, so we say, like Julie, like, it looks like

539
00:35:25,160 --> 00:35:26,360
Speaker 17: Cloppy wants a kiss.

540
00:35:27,200 --> 00:35:31,600
Speaker 3: Yeah, pretend to give Cloppy a kiss. Pretend that's how.

541
00:35:31,600 --> 00:35:33,240
Speaker 8: These things like video phone anyway?

542
00:35:34,840 --> 00:35:37,480
Speaker 2: Right? Yeah?

543
00:35:38,440 --> 00:35:44,120
Speaker 3: Yeah, well I guess you could pretend to kiss the screen.

544
00:35:45,560 --> 00:35:49,080
Speaker 3: It's just like it's almost too insane, the idea that

545
00:35:49,120 --> 00:35:51,040
Speaker 3: anyone would love Cloppy.

546
00:35:52,080 --> 00:35:58,279
Speaker 9: As I was saying it, I.

547
00:35:58,360 --> 00:35:59,240
Speaker 8: Can I make a pitch?

548
00:35:59,640 --> 00:36:00,080
Speaker 3: Yeah?

549
00:36:00,200 --> 00:36:00,600
Speaker 2: Please?

550
00:36:01,400 --> 00:36:04,280
Speaker 7: What if the character's name is Cloppy the unlovable dipshit?

551
00:36:04,719 --> 00:36:08,760
Speaker 2: Yes? I mean that works for me. Yes, it paints

552
00:36:08,760 --> 00:36:09,600
Speaker 2: a clearer picture.

553
00:36:09,960 --> 00:36:12,400
Speaker 3: Maybe it's that you're going to adopt Kloppy just so

554
00:36:12,480 --> 00:36:13,320
Speaker 3: he doesn't die.

555
00:36:16,440 --> 00:36:18,880
Speaker 7: Okay, but I'm still as a traditionally.

556
00:36:18,320 --> 00:36:20,080
Speaker 2: Feminine role mother.

557
00:36:20,760 --> 00:36:23,560
Speaker 8: Yes, no, I'm just calling you mother mother.

558
00:36:23,600 --> 00:36:24,120
Speaker 2: Yes, dear.

559
00:36:28,000 --> 00:36:31,160
Speaker 4: So okay, we would say, like, Cloppy, uh, what's something

560
00:36:31,200 --> 00:36:32,799
Speaker 4: that you like wish for?

561
00:36:35,360 --> 00:36:41,120
Speaker 1: I really, I really like these mints that they have

562
00:36:41,280 --> 00:36:43,680
Speaker 1: in the bathroom in the urinal.

563
00:36:43,719 --> 00:36:50,000
Speaker 3: Okay, Cloppy, Cloppy, I don't think you're supposed to eat those.

564
00:36:54,719 --> 00:36:59,960
Speaker 2: Never mind, Just tell me you don't put the saw

565
00:37:00,040 --> 00:37:02,680
Speaker 2: awes on them that comes out of the soap dispenser too.

566
00:37:04,440 --> 00:37:12,560
Speaker 2: It gives me a hoart burn cloppies, U asshole?

567
00:37:15,560 --> 00:37:17,920
Speaker 4: So that but we should I mean you are a

568
00:37:18,000 --> 00:37:25,319
Speaker 4: female guest. Uh, so we should do some kind of

569
00:37:25,760 --> 00:37:28,120
Speaker 4: like fun story.

570
00:37:28,120 --> 00:37:29,640
Speaker 8: Fun like a bad impression.

571
00:37:30,200 --> 00:37:32,399
Speaker 2: Oh yeah, that would own.

572
00:37:34,960 --> 00:37:38,240
Speaker 7: If I was like, oh, people like my Marlon Brando

573
00:37:38,320 --> 00:37:39,440
Speaker 7: and you guys are like do it?

574
00:37:39,680 --> 00:37:46,839
Speaker 2: Oh yeah, come on, come on right, I think we

575
00:37:46,880 --> 00:38:03,240
Speaker 2: all want to hear it, right guys, Wow, wait, do it? Sorry?

576
00:38:03,280 --> 00:38:06,480
Speaker 4: I forgot to laugh harder than anyone has ever laughed

577
00:38:07,520 --> 00:38:08,160
Speaker 4: in history.

578
00:38:08,280 --> 00:38:10,080
Speaker 7: It's like gonna be like a really funny gift, like

579
00:38:10,160 --> 00:38:11,800
Speaker 7: pretty girl makes a funny face.

580
00:38:12,040 --> 00:38:14,200
Speaker 2: Yeah. Oh yeah, okay, that could go viral.

581
00:38:15,120 --> 00:38:17,120
Speaker 4: Okay, let me set up one more time and I'll

582
00:38:17,160 --> 00:38:20,520
Speaker 4: just kind of get ready. Okay, all right, Julie, let's

583
00:38:20,520 --> 00:38:26,719
Speaker 4: see it. I don't know, come on, Julie, Okay, I'm ready.

584
00:38:27,920 --> 00:38:45,439
Speaker 12: Ha ha ha.

585
00:38:52,080 --> 00:38:57,440
Speaker 2: That's good. That's definitely something that people do on these shows. Now.

586
00:38:57,480 --> 00:39:01,480
Speaker 2: I heard you guys had some funny uh stories from set.

587
00:39:06,280 --> 00:39:08,640
Speaker 3: Yeah? Am I still cloppy?

588
00:39:09,280 --> 00:39:10,800
Speaker 2: Yes?

589
00:39:09,960 --> 00:39:12,920
Speaker 8: Answer when you asked it?

590
00:39:13,040 --> 00:39:14,040
Speaker 3: Fine?

591
00:39:14,200 --> 00:39:15,960
Speaker 2: So I heard cloppy. Oh we should get to a

592
00:39:16,040 --> 00:39:18,840
Speaker 2: field piece. Clap.

593
00:39:18,960 --> 00:39:21,560
Speaker 8: So I heard a remote Cloppy do a remote?

594
00:39:21,800 --> 00:39:25,959
Speaker 2: Yes. This segment is called Cloppy do or about.

595
00:39:28,440 --> 00:39:31,239
Speaker 4: So I heard that Kloppy got to visit the set

596
00:39:31,280 --> 00:39:33,080
Speaker 4: of your big movie recently.

597
00:39:33,520 --> 00:39:37,400
Speaker 2: What was the name of that movie? What was it about?

598
00:39:37,520 --> 00:39:40,200
Speaker 2: And who was in it? Who else was?

599
00:39:40,600 --> 00:39:40,839
Speaker 5: Yeah?

600
00:39:40,880 --> 00:39:43,160
Speaker 2: What was your role? How did you get into character?

601
00:39:44,680 --> 00:39:45,600
Speaker 2: And how does it end?

602
00:39:45,760 --> 00:39:45,920
Speaker 5: Oh?

603
00:39:45,920 --> 00:39:48,280
Speaker 2: And where is it set? What time period?

604
00:39:49,120 --> 00:39:55,120
Speaker 8: The answer to all of that is Pete Davison. What

605
00:39:55,280 --> 00:39:56,120
Speaker 8: was the next question?

606
00:39:57,040 --> 00:40:01,640
Speaker 4: So you are, of course, you are playing Ari in

607
00:40:01,760 --> 00:40:02,960
Speaker 4: the in the Pete Davidson.

608
00:40:03,920 --> 00:40:08,640
Speaker 3: Yes, yes, yes, yes.

609
00:40:08,719 --> 00:40:11,760
Speaker 4: In the Pete Davidson in the Story of Pete Davidson's Life.

610
00:40:11,960 --> 00:40:14,120
Speaker 2: Yes, okay, what what.

611
00:40:14,080 --> 00:40:15,120
Speaker 8: Did Cloppy do?

612
00:40:15,160 --> 00:40:15,319
Speaker 15: Is that?

613
00:40:15,400 --> 00:40:15,840
Speaker 8: The question?

614
00:40:16,560 --> 00:40:16,799
Speaker 2: Well?

615
00:40:16,960 --> 00:40:21,399
Speaker 4: I the the throw is I hear Cloppy? You got

616
00:40:21,400 --> 00:40:23,760
Speaker 4: to you had a little adventure on sadly.

617
00:40:23,480 --> 00:40:25,640
Speaker 2: Yeah, I got to see the movie get made.

618
00:40:25,680 --> 00:40:31,040
Speaker 1: And they have cameras on this movie and you should

619
00:40:31,120 --> 00:40:31,560
Speaker 1: see them.

620
00:40:31,600 --> 00:40:32,640
Speaker 2: They're big.

621
00:40:34,000 --> 00:40:36,319
Speaker 1: And the people do things in front of them and

622
00:40:36,600 --> 00:40:39,960
Speaker 1: behind them.

623
00:40:40,000 --> 00:40:42,040
Speaker 2: Okay, this should be interesting.

624
00:40:42,360 --> 00:40:46,240
Speaker 3: Uh let's see, uh Cloppy day clip.

625
00:40:46,200 --> 00:40:48,240
Speaker 8: Clipper remote, it's a remoter clip?

626
00:40:48,719 --> 00:40:51,080
Speaker 2: Is different? Is that different?

627
00:40:51,880 --> 00:40:57,040
Speaker 8: You were going to cut Cloppy into the movie. Oh, yeah, Cloppy,

628
00:40:57,040 --> 00:40:57,480
Speaker 8: I heard.

629
00:40:57,320 --> 00:41:01,440
Speaker 4: You were in it, right, No, we don't have the

630
00:41:01,480 --> 00:41:07,479
Speaker 4: technology for that. We only have pretending that we're doing

631
00:41:07,480 --> 00:41:07,920
Speaker 4: a clan.

632
00:41:11,840 --> 00:41:15,880
Speaker 2: I'm here on set and can I eat these eminem.

633
00:41:15,719 --> 00:41:19,439
Speaker 8: No, but they're just for the crew, Coppy.

634
00:41:19,840 --> 00:41:28,640
Speaker 2: Cobby, those are batteries. I eat batteries sometimes because I'm

635
00:41:28,640 --> 00:41:30,200
Speaker 2: an unlovable dipshit.

636
00:41:33,120 --> 00:41:35,960
Speaker 8: Hey Cobby, it's Pete Davison. What are you doing on

637
00:41:35,960 --> 00:41:36,520
Speaker 8: the set?

638
00:41:37,480 --> 00:41:39,439
Speaker 2: Hey Pete? How are you pretty good?

639
00:41:39,960 --> 00:41:55,000
Speaker 1: You seem really excited about comedy these days. You're going

640
00:41:55,080 --> 00:41:57,479
Speaker 1: to be such a treat on SNL this year.

641
00:42:04,840 --> 00:42:10,320
Speaker 4: Hey, Kloppy, I'm in your earpiece. I have a question

642
00:42:10,400 --> 00:42:10,920
Speaker 4: for Pete.

643
00:42:11,760 --> 00:42:14,839
Speaker 3: Yeah, yeah, I h I.

644
00:42:14,880 --> 00:42:20,640
Speaker 4: Read that jokes come and go, but swag is forever

645
00:42:22,760 --> 00:42:25,080
Speaker 4: on your titty?

646
00:42:25,600 --> 00:42:32,040
Speaker 2: Yeah yeah, what does that mean? And I only Kloppy

647
00:42:32,080 --> 00:42:40,080
Speaker 2: can hear me? So he asked a question and I

648
00:42:40,080 --> 00:42:43,960
Speaker 2: don't know what it wasn't it, Cloppy, Cloppy?

649
00:42:44,040 --> 00:42:46,279
Speaker 3: I have a question for Pete Davidson if you could,

650
00:42:46,360 --> 00:42:53,480
Speaker 3: if you could get in there is machine gun Kelly nice.

651
00:42:54,640 --> 00:42:57,640
Speaker 2: Sean wants to know if machine Gun Killy is nice.

652
00:42:58,480 --> 00:43:04,640
Speaker 2: Oh I am man, he said, yeah, man. Oh, that's

653
00:43:04,680 --> 00:43:10,600
Speaker 2: so good to hear that he's nice.

654
00:43:11,600 --> 00:43:14,760
Speaker 3: Uh, well, Cloppy, thanks so much for visiting set.

655
00:43:17,400 --> 00:43:19,759
Speaker 1: Hey on the way out, can I get something from

656
00:43:19,840 --> 00:43:25,000
Speaker 1: Crafty Cloppy?

657
00:43:33,440 --> 00:43:34,080
Speaker 2: Okay, good?

658
00:43:34,120 --> 00:43:39,040
Speaker 4: Welcome back to the studio everyone, Uh do do?

659
00:43:39,120 --> 00:43:41,120
Speaker 8: Dude?

660
00:43:42,200 --> 00:43:46,720
Speaker 4: We want to introduce uh a really talented dude stand

661
00:43:46,840 --> 00:43:48,240
Speaker 4: up mm hmmm.

662
00:43:53,200 --> 00:43:53,560
Speaker 9: Uh.

663
00:43:53,719 --> 00:43:58,200
Speaker 4: This is his first time appearing on the show. Uh

664
00:43:58,239 --> 00:44:02,240
Speaker 4: and he's really fun. He does a lot of uh

665
00:44:02,480 --> 00:44:03,680
Speaker 4: very current stuff.

666
00:44:07,360 --> 00:44:37,600
Speaker 2: H Uh. Please welcome Shawn Clevits. M hm. So I'm

667
00:44:37,680 --> 00:44:47,480
Speaker 2: dating again. That's new. H It's crazy out there. You

668
00:44:47,520 --> 00:44:48,719
Speaker 2: guys go on dates.

669
00:44:48,560 --> 00:44:58,080
Speaker 3: It's insane, you know, eat dinner.

670
00:45:00,760 --> 00:45:03,920
Speaker 2: It's crazy. It's totally crazy.

671
00:45:04,640 --> 00:45:12,080
Speaker 3: I saw a movie last week. Any guys do these Literally,

672
00:45:12,120 --> 00:45:16,760
Speaker 3: you get a ticket. If you haven't done it, you

673
00:45:16,880 --> 00:45:20,720
Speaker 3: just sit and watch the movie with strangers.

674
00:45:22,440 --> 00:45:23,960
Speaker 2: No, you do, I mean you do both of them.

675
00:45:23,960 --> 00:45:24,520
Speaker 5: That's a date.

676
00:45:24,560 --> 00:45:36,160
Speaker 2: I mean you gotta try that. The economy's gotta change.

677
00:45:37,920 --> 00:45:43,120
Speaker 2: It has to it must. We can't. We can't.

678
00:45:44,000 --> 00:45:46,040
Speaker 3: And I know I'm here to tell jokes and that's

679
00:45:46,080 --> 00:45:50,000
Speaker 3: fine and that you know that's important. But we have

680
00:45:50,239 --> 00:45:57,160
Speaker 3: to change the economy.

681
00:45:57,880 --> 00:45:58,240
Speaker 2: Thanks.

682
00:45:58,640 --> 00:46:01,600
Speaker 3: Thanks, That's not why I say it, but that's nice.

683
00:46:01,640 --> 00:46:03,200
Speaker 3: I mean, yeah, some people get it.

684
00:46:03,400 --> 00:46:16,919
Speaker 2: No, Yeah, smart cars? Are we sure? Right now? They don't.

685
00:46:16,960 --> 00:46:22,040
Speaker 3: Yeah, if they're so smart, how come I gotta drive it?

686
00:46:23,480 --> 00:46:26,200
Speaker 3: She'd say, smart cars, depending on who's behind the wheel.

687
00:46:33,719 --> 00:46:38,200
Speaker 7: Now, Sean, hey, you gotta get ready to if you

688
00:46:38,239 --> 00:46:40,799
Speaker 7: ask him to sit down, that's like a whole thing.

689
00:46:41,280 --> 00:46:43,000
Speaker 2: No, I know, I'm thinking about it.

690
00:46:43,040 --> 00:46:50,279
Speaker 3: Okay, some dating club, now that's new. Anybody in here

691
00:46:50,360 --> 00:46:51,160
Speaker 3: dating your dad?

692
00:46:54,280 --> 00:46:56,000
Speaker 2: It's weird. It's weird.

693
00:46:56,760 --> 00:47:01,000
Speaker 3: Yeah, eat dinner with them.

694
00:47:01,040 --> 00:47:01,719
Speaker 2: It's insane.

695
00:47:03,680 --> 00:47:08,759
Speaker 3: And he's almost there, he's so close. He so this

696
00:47:08,880 --> 00:47:11,880
Speaker 3: is so when you get grounded, you got to cancel

697
00:47:11,920 --> 00:47:13,680
Speaker 3: a date with your dad. He's the one that grounded you.

698
00:47:16,400 --> 00:47:20,640
Speaker 3: How does that work? How does that work? Dating my dad?

699
00:47:20,719 --> 00:47:21,360
Speaker 2: Are we sure?

700
00:47:28,200 --> 00:47:28,600
Speaker 5: Anyway?

701
00:47:28,640 --> 00:47:37,359
Speaker 2: That's my time? Call him, give him the wave, give

702
00:47:37,440 --> 00:47:37,919
Speaker 2: him the wave.

703
00:47:39,600 --> 00:47:42,520
Speaker 3: I don't know, give him the wave, give him the wave,

704
00:47:42,640 --> 00:47:45,200
Speaker 3: come on, come on over.

705
00:47:50,480 --> 00:47:55,359
Speaker 2: Hey, that was that was really funny stuff. You're really funny. Thanks. Yeah,

706
00:47:55,400 --> 00:47:57,000
Speaker 2: I mean, you know, a lot of it was funny.

707
00:47:57,000 --> 00:48:00,920
Speaker 2: But honestly, the economy has to change, no, I know, Uh,

708
00:48:01,480 --> 00:48:03,279
Speaker 2: that was really important that you said that.

709
00:48:03,600 --> 00:48:06,359
Speaker 3: Yeah, yeah, yeah, I'm fucking pissed off about it. It's

710
00:48:06,440 --> 00:48:08,240
Speaker 3: really got a change or else I'm going to fucking

711
00:48:08,440 --> 00:48:09,960
Speaker 3: kill somebody or do something crazy.

712
00:48:10,800 --> 00:48:15,880
Speaker 2: I'm gonna go completely insane. I just I'm so curious.

713
00:48:15,960 --> 00:48:18,600
Speaker 4: I know these guys had some questions about your your

714
00:48:18,680 --> 00:48:19,640
Speaker 4: stuff about movies.

715
00:48:19,800 --> 00:48:22,760
Speaker 2: Yeah, okay, what's up?

716
00:48:22,200 --> 00:48:23,440
Speaker 3: Am I Cloppy?

717
00:48:23,520 --> 00:48:25,719
Speaker 2: Or oh yeah, I know you're Cloppy.

718
00:48:26,200 --> 00:48:28,839
Speaker 3: You don't know what a movie is and you are

719
00:48:28,880 --> 00:48:31,720
Speaker 3: just on a set of what I got a feeling.

720
00:48:31,719 --> 00:48:34,000
Speaker 2: I know what Cloppy's question is. Can I eat the movie?

721
00:48:34,080 --> 00:48:39,040
Speaker 7: No, Cloppy, that was good because he was listening backstage.

722
00:48:39,120 --> 00:48:42,440
Speaker 2: Yes, watching. Yeah, reference, I'm a fan of the show. Oh,

723
00:48:42,480 --> 00:48:45,640
Speaker 2: thank you, I love Cloppy. That's really cool. Yes, thank Yes,

724
00:48:45,680 --> 00:48:53,560
Speaker 2: you're welcome, Thank you, thank you. Julie. Uh, do you

725
00:48:53,560 --> 00:48:55,360
Speaker 2: have any questions for do you have any.

726
00:48:55,280 --> 00:48:56,000
Speaker 8: Dates to plug?

727
00:48:56,600 --> 00:49:00,080
Speaker 2: M Oh yeah, I'm gonna be in Alaska.

728
00:48:59,680 --> 00:49:05,640
Speaker 3: For the to my life, you know, go.

729
00:49:05,680 --> 00:49:07,279
Speaker 2: Up there it which won't be that long.

730
00:49:08,560 --> 00:49:15,359
Speaker 3: Oh yeah, you're going to ask you to die.

731
00:49:16,040 --> 00:49:18,160
Speaker 2: I've heard that animals kind of have.

732
00:49:18,200 --> 00:49:20,279
Speaker 8: Thats when the Grizzly Man died.

733
00:49:20,719 --> 00:49:23,799
Speaker 2: Yeah, yes, said to honor him, I will do the same.

734
00:49:24,200 --> 00:49:26,800
Speaker 8: Yeah, I was friends with his girlfriend.

735
00:49:27,040 --> 00:49:33,400
Speaker 7: Oh yeah, I almost guys, Okay, Cloppy.

736
00:49:33,840 --> 00:49:37,960
Speaker 3: No enough for Cloppy. I'm not fucking Donna Cloppy anymore?

737
00:49:39,160 --> 00:49:43,040
Speaker 3: Thank you? Okay, this it's Tom Now.

738
00:49:43,320 --> 00:49:46,359
Speaker 4: I just want to say that was the like the

739
00:49:46,360 --> 00:49:50,440
Speaker 4: most I've seen you score on this Okay, on this

740
00:49:50,600 --> 00:49:54,080
Speaker 4: show Klappy like Kloppi's huge love Cloppy.

741
00:49:54,400 --> 00:49:58,560
Speaker 2: Yeah, do you want to know? Do you want to

742
00:49:58,560 --> 00:49:59,799
Speaker 2: just leave here as clo?

743
00:50:00,200 --> 00:50:00,279
Speaker 9: Oh?

744
00:50:00,520 --> 00:50:01,640
Speaker 2: Okay, all right.

745
00:50:01,719 --> 00:50:04,200
Speaker 3: What you know how I haven't scored when it comes

746
00:50:04,239 --> 00:50:05,400
Speaker 3: to being on this show.

747
00:50:06,719 --> 00:50:07,279
Speaker 8: Money?

748
00:50:07,640 --> 00:50:10,600
Speaker 2: Okay, we're here to negotiate.

749
00:50:10,160 --> 00:50:14,680
Speaker 3: A fee, and we sorry to We're not trying to

750
00:50:14,680 --> 00:50:17,240
Speaker 3: bum rush your show, okay, because we're doing a funny

751
00:50:17,239 --> 00:50:18,080
Speaker 3: talk show here.

752
00:50:19,120 --> 00:50:21,640
Speaker 2: This doesn't feel like the conceit that.

753
00:50:21,600 --> 00:50:24,759
Speaker 7: We said before and like the ethics of like even

754
00:50:24,800 --> 00:50:26,480
Speaker 7: though we love it, is it okay that we want

755
00:50:26,480 --> 00:50:28,680
Speaker 7: to get paid? And you know I took a job

756
00:50:28,680 --> 00:50:31,400
Speaker 7: ATAS magazine writing for it for about seven or eight months,

757
00:50:31,440 --> 00:50:33,240
Speaker 7: and you know I think that, Yeah.

758
00:50:33,280 --> 00:50:34,160
Speaker 2: That's great, Julie.

759
00:50:34,239 --> 00:50:38,239
Speaker 4: I just want to say congratulations. So that's exactly what

760
00:50:38,280 --> 00:50:38,919
Speaker 4: you should be doing.

761
00:50:39,239 --> 00:50:42,319
Speaker 3: Yeah, thanks, thanks, We're sick of this ship.

762
00:50:42,440 --> 00:50:43,480
Speaker 8: Yeah, we want to get paid.

763
00:50:44,680 --> 00:50:53,400
Speaker 16: You guys, haven't Kevin bring that bag out? Clearly what

764
00:50:53,680 --> 00:50:57,200
Speaker 16: you decided to do. We got to get paid. We

765
00:50:57,280 --> 00:50:59,480
Speaker 16: know you guys got merch and you guys get so

766
00:50:59,640 --> 00:51:02,279
Speaker 16: much the march. We don't get a fucking nickel of

767
00:51:02,280 --> 00:51:10,520
Speaker 16: that money. We made our own march. We're literally selling.

768
00:51:12,000 --> 00:51:15,400
Speaker 16: We will be selling this right now, okay, not after

769
00:51:15,440 --> 00:51:15,799
Speaker 16: the show.

770
00:51:16,000 --> 00:51:18,400
Speaker 8: These are Chef Kevin aprons. They are authentic.

771
00:51:20,560 --> 00:51:23,120
Speaker 3: Let me see, Chef Kevin appears to be written in

772
00:51:23,200 --> 00:51:23,680
Speaker 3: white out.

773
00:51:23,760 --> 00:51:29,279
Speaker 8: Yes, did this polish down for?

774
00:51:29,480 --> 00:51:32,399
Speaker 2: So the white out would show? Who?

775
00:51:32,680 --> 00:51:33,160
Speaker 7: Will I hear?

776
00:51:33,239 --> 00:51:34,000
Speaker 8: Ten dollars?

777
00:51:34,520 --> 00:51:34,759
Speaker 3: Ken?

778
00:51:34,760 --> 00:51:35,000
Speaker 2: Okay?

779
00:51:35,040 --> 00:51:38,640
Speaker 3: How about twenty twenty? Who would pay twenty? Okay? Forty?

780
00:51:38,960 --> 00:51:39,800
Speaker 3: Who do forty?

781
00:51:40,000 --> 00:51:42,440
Speaker 8: That guy's going to be they will be signed?

782
00:51:44,800 --> 00:51:45,000
Speaker 2: Yes?

783
00:51:45,080 --> 00:51:48,680
Speaker 4: Wait, yes, does Chef Kevin get any money from this?

784
00:51:48,800 --> 00:51:48,960
Speaker 2: Now?

785
00:51:49,440 --> 00:51:52,200
Speaker 4: We got Also, that's the same arrangement we have with

786
00:51:52,239 --> 00:51:53,560
Speaker 4: the other aprons, So that's great.

787
00:51:53,719 --> 00:51:56,480
Speaker 7: The other one, well, did we learn something backstage too?

788
00:51:57,239 --> 00:52:00,319
Speaker 3: Yeah, that that he got flown.

789
00:52:00,360 --> 00:52:03,880
Speaker 2: He got flown out here, Chef Kevin, maybe you should

790
00:52:03,880 --> 00:52:05,360
Speaker 2: come out here mean something.

791
00:52:08,160 --> 00:52:11,080
Speaker 3: And it's good that he'd be out here because in

792
00:52:11,120 --> 00:52:14,279
Speaker 3: addition to this merch, which we will be selling in

793
00:52:14,360 --> 00:52:18,960
Speaker 3: the lobby in front of your merch table, forty, we

794
00:52:19,000 --> 00:52:21,560
Speaker 3: are also offering for one hundred dollars.

795
00:52:22,360 --> 00:52:26,560
Speaker 16: The Hollywood handbok VIP package where you get a picture

796
00:52:26,560 --> 00:52:31,000
Speaker 16: with Hayes and Sean and Chef Kevin does like a

797
00:52:31,080 --> 00:52:34,800
Speaker 16: message to your like aunt or whatever on your phone,

798
00:52:35,120 --> 00:52:37,680
Speaker 16: like hey, happy birthday grandma.

799
00:52:37,400 --> 00:52:40,080
Speaker 2: Hey, happy birthday, Chef Kevin. That's one hundred dollars.

800
00:52:40,680 --> 00:52:49,200
Speaker 3: Okay, yeah, okay, Well here twenty This is a white

801
00:52:49,239 --> 00:52:50,600
Speaker 3: T shirt and it has what up?

802
00:52:50,640 --> 00:52:52,320
Speaker 2: What up? Written in cool polish?

803
00:52:58,000 --> 00:53:02,520
Speaker 3: Are better pay for these things too? I'm telling you.

804
00:53:02,560 --> 00:53:06,000
Speaker 2: Julie is confused polish and kool aid, which explains a

805
00:53:06,000 --> 00:53:10,160
Speaker 2: lot hamburg Hamburger sandwich.

806
00:53:11,480 --> 00:53:16,879
Speaker 4: Okay, yeah, we should have done that.

807
00:53:16,880 --> 00:53:20,120
Speaker 2: That would have been a big one. Now, if that's a.

808
00:53:20,120 --> 00:53:24,520
Speaker 3: Sixty dollars shirt, this guy will pay sixty dollars right there.

809
00:53:24,360 --> 00:53:29,480
Speaker 4: For Okay, this is fine. You can do this. That's okay,

810
00:53:29,719 --> 00:53:32,960
Speaker 4: we are doing it. No, great, great, I'm glad you are.

811
00:53:33,000 --> 00:53:34,719
Speaker 3: I'm glad you are because now we are going to

812
00:53:34,760 --> 00:53:38,880
Speaker 3: be reimbursed for the exposure. This is great exposure for

813
00:53:38,920 --> 00:53:42,520
Speaker 3: you guys. No, no, no, no, I'm sorry, that's not

814
00:53:42,640 --> 00:53:43,240
Speaker 3: how it works.

815
00:53:43,280 --> 00:53:45,440
Speaker 4: No, you've been on the show how many times?

816
00:53:45,719 --> 00:53:51,040
Speaker 3: Forty five? Yes, okay, and so forty five episodes worth

817
00:53:51,040 --> 00:53:55,160
Speaker 3: of exposure is actually priceless. Yes, so wait, I have

818
00:53:55,239 --> 00:53:56,399
Speaker 3: to pay you guys, then.

819
00:53:57,320 --> 00:53:59,960
Speaker 2: More money than there has ever been in the world.

820
00:54:00,239 --> 00:54:03,640
Speaker 3: How much an episode?

821
00:54:05,120 --> 00:54:07,840
Speaker 2: Billion bucks? A billion bucks?

822
00:54:07,960 --> 00:54:10,520
Speaker 8: I have one more out of deference. You can have

823
00:54:10,560 --> 00:54:11,160
Speaker 8: the first bid.

824
00:54:11,640 --> 00:54:18,239
Speaker 3: Okay, it's a shirt that says bossed the dog and

825
00:54:18,280 --> 00:54:20,920
Speaker 3: it looks like it has a piece of grass on

826
00:54:20,960 --> 00:54:29,480
Speaker 3: it and thirty thirty dollars hairy thirty thirty okay, forty,

827
00:54:30,040 --> 00:54:30,799
Speaker 3: but you wouldn't.

828
00:54:30,480 --> 00:54:33,120
Speaker 2: Even let Sean bitch Sean you said he'd have the

829
00:54:33,120 --> 00:54:33,600
Speaker 2: first bid.

830
00:54:33,680 --> 00:54:34,680
Speaker 8: sEH, you have the first bid?

831
00:54:36,000 --> 00:54:39,040
Speaker 2: Uh? One more full episode of exposure.

832
00:54:40,320 --> 00:54:43,600
Speaker 3: Oh, that's such a good deal. That's such a good.

833
00:54:43,440 --> 00:54:49,920
Speaker 7: Deal, Kevin, go around and get her bus'll get that money.

834
00:54:50,200 --> 00:54:55,799
Speaker 3: Forty sixty thirty thirty Kevin, seriously, and you get you

835
00:54:55,880 --> 00:55:00,520
Speaker 3: get five, you get ten dollars of it. You get

836
00:55:00,560 --> 00:55:03,520
Speaker 3: ten dollars, Kevin? How much was your round trip flight?

837
00:55:04,239 --> 00:55:13,680
Speaker 5: Hey, guys, chef Kevin here, Well, I came straight from Chicago,

838
00:55:13,800 --> 00:55:17,160
Speaker 5: so I only had to do one way from Who

839
00:55:17,200 --> 00:55:18,720
Speaker 5: cares so boring?

840
00:55:18,960 --> 00:55:22,000
Speaker 2: Whoa Kevin? Did you just stop teleg a story?

841
00:55:23,280 --> 00:55:26,360
Speaker 5: I could feel like you guys getting bored like faster

842
00:55:26,480 --> 00:55:26,920
Speaker 5: than normal.

843
00:55:27,080 --> 00:55:28,960
Speaker 2: Well, he wasn't there a really long story you were

844
00:55:28,960 --> 00:55:29,839
Speaker 2: going to tell out here?

845
00:55:30,640 --> 00:55:31,200
Speaker 5: Which one?

846
00:55:31,400 --> 00:55:31,960
Speaker 3: Oh uh?

847
00:55:32,960 --> 00:55:35,760
Speaker 2: Something just like a repeated conversation you had.

848
00:55:36,239 --> 00:55:39,120
Speaker 5: Yeah, about how I drove with Sean.

849
00:55:39,440 --> 00:55:41,840
Speaker 3: No, wasn't it was like a blow by blow about

850
00:55:41,840 --> 00:55:44,080
Speaker 3: someone you talked to outside the.

851
00:55:43,680 --> 00:55:45,960
Speaker 2: Theater on the way in or something that right, I

852
00:55:46,000 --> 00:55:46,840
Speaker 2: only heard a second of it.

853
00:55:46,920 --> 00:55:48,480
Speaker 8: Oh they asked you to get stoned that one.

854
00:55:48,520 --> 00:55:50,560
Speaker 3: You talked about it in the green room and then

855
00:55:50,920 --> 00:55:57,520
Speaker 3: you're like a god, you tell it on stage? Oh yeah,

856
00:55:57,600 --> 00:55:59,760
Speaker 3: and then you confirmed with oh yeah, oh you sorry.

857
00:56:01,280 --> 00:56:05,000
Speaker 5: Okay, So when the when the first show.

858
00:56:07,160 --> 00:56:15,080
Speaker 2: You I have to play cloppy this guy. I can't

859
00:56:15,120 --> 00:56:21,160
Speaker 2: just be mean Tom. Kevin guy is cloppy. But look

860
00:56:21,200 --> 00:56:23,200
Speaker 2: what it's done for Kevin. Tom, you don't want a

861
00:56:23,239 --> 00:56:25,640
Speaker 2: piece of this. All you have to do is say

862
00:56:25,719 --> 00:56:27,960
Speaker 2: is fucking name and people clap.

863
00:56:33,840 --> 00:56:37,960
Speaker 5: So before this show started, someone that works here came

864
00:56:38,040 --> 00:56:40,160
Speaker 5: up to me and was like, there's a line down

865
00:56:40,200 --> 00:56:41,439
Speaker 5: the street. What is this?

866
00:56:41,800 --> 00:56:45,080
Speaker 4: And so Tom, you could be learning from this, So

867
00:56:45,200 --> 00:56:50,600
Speaker 4: maybe try just like sure like the storytelling of this quality.

868
00:56:50,840 --> 00:56:54,000
Speaker 2: Yeah all right, sort of a barbiglious style.

869
00:56:54,280 --> 00:56:58,640
Speaker 3: Ta yeah, it really is. Yes, torn from the notebook.

870
00:56:59,239 --> 00:57:01,879
Speaker 4: Yes, so keep going, Kevin and you kind of pick

871
00:57:02,000 --> 00:57:02,600
Speaker 4: up stuff.

872
00:57:02,800 --> 00:57:06,040
Speaker 5: And I said it's for a podcast and he said, no,

873
00:57:06,160 --> 00:57:09,960
Speaker 5: what's that? And I was like, oh, it's like a

874
00:57:10,320 --> 00:57:14,600
Speaker 5: it's like a recorded show, like a radio show. And

875
00:57:14,800 --> 00:57:18,240
Speaker 5: he wasn't impressed with I get it, and he was

876
00:57:18,280 --> 00:57:20,360
Speaker 5: like I was. He asked what the show was and

877
00:57:20,400 --> 00:57:32,880
Speaker 5: I said Hollywood Handbook. He said what's that? And I said, well,

878
00:57:32,920 --> 00:57:46,480
Speaker 5: it's a podcast and these these two guys interview people.

879
00:57:46,720 --> 00:57:49,200
Speaker 5: It's like a really funny bit. And he went, no,

880
00:57:52,120 --> 00:57:55,560
Speaker 5: you can't do that. You can't do a bit because

881
00:57:55,560 --> 00:57:58,560
Speaker 5: then people don't get it. And I was like, yeah,

882
00:57:58,600 --> 00:57:59,800
Speaker 5: I get it. I have to go.

883
00:58:01,800 --> 00:58:06,600
Speaker 2: Okay. So I have two questions, is this really a story?

884
00:58:06,840 --> 00:58:07,080
Speaker 5: Yeah?

885
00:58:07,400 --> 00:58:09,600
Speaker 2: That? And how much could have been skipped?

886
00:58:11,600 --> 00:58:13,640
Speaker 3: These are just questions for myself that I'll be up

887
00:58:13,680 --> 00:58:20,200
Speaker 3: all night thinking about. So Tom, you know, yeah, like

888
00:58:20,280 --> 00:58:23,040
Speaker 3: what would something like you could try to do something

889
00:58:23,120 --> 00:58:23,400
Speaker 3: like that?

890
00:58:23,760 --> 00:58:25,120
Speaker 2: Give it bring that kind.

891
00:58:24,920 --> 00:58:27,960
Speaker 3: Of as as me or as clompy.

892
00:58:28,280 --> 00:58:30,880
Speaker 2: Well, it's up to you. But I think are like

893
00:58:31,160 --> 00:58:36,680
Speaker 2: borrowing from Jeff Kevin, So do you want me to

894
00:58:36,720 --> 00:58:37,080
Speaker 2: do that?

895
00:58:37,320 --> 00:58:38,880
Speaker 8: I don't think he understands the question.

896
00:58:39,080 --> 00:58:44,560
Speaker 2: Hey, Okay, Julie, do you want to show Tom?

897
00:58:44,600 --> 00:58:44,760
Speaker 5: So?

898
00:58:45,880 --> 00:58:51,120
Speaker 3: Is that the outside the theater? And there was a

899
00:58:51,200 --> 00:58:53,600
Speaker 3: guy who's just like, hey, this is a line all

900
00:58:53,640 --> 00:58:57,480
Speaker 3: the way up to the block. And I went outside

901
00:58:57,520 --> 00:59:01,680
Speaker 3: and somebody it's like, hey, what is the headline? And

902
00:59:01,880 --> 00:59:04,880
Speaker 3: I was like, it's a podcast and he's like what's

903
00:59:04,920 --> 00:59:09,160
Speaker 3: the podcast? And then he's like what's the show. I'm

904
00:59:09,200 --> 00:59:12,080
Speaker 3: like a Hollywood handbook and he's like what's that?

905
00:59:14,040 --> 00:59:19,440
Speaker 2: Okay, but that's Kevin's story. Yeah, you just stole Kevin's

906
00:59:19,600 --> 00:59:20,400
Speaker 2: entire story.

907
00:59:20,520 --> 00:59:26,840
Speaker 3: Okay, So so look I was outside the theater. Guys, right,

908
00:59:27,680 --> 00:59:28,360
Speaker 3: He's gonna do.

909
00:59:28,320 --> 00:59:30,240
Speaker 8: The same story but in his own voice.

910
00:59:30,480 --> 00:59:35,640
Speaker 7: Yeah, no, No, the people on our shirts are leaving

911
00:59:35,680 --> 00:59:36,280
Speaker 7: with the shirts.

912
00:59:36,480 --> 00:59:39,200
Speaker 3: Yes, go get the money, the money.

913
00:59:39,280 --> 00:59:42,840
Speaker 2: Fucking get the money, Kevin, You get the money.

914
00:59:43,000 --> 00:59:45,640
Speaker 8: You's on the stairs, Kevin, use the stairs.

915
00:59:47,200 --> 00:59:51,720
Speaker 4: Wow, Kevin just started to walk off the stage.

916
00:59:52,800 --> 00:59:54,600
Speaker 2: So look, I'm at the store.

917
00:59:56,280 --> 00:59:58,800
Speaker 3: My crew from the store, we roll out in front

918
00:59:58,800 --> 00:59:59,440
Speaker 3: of the theater.

919
00:59:59,560 --> 01:00:07,360
Speaker 4: We're going, hey, wait, sorry, is she standing there? Kevin

920
01:00:07,920 --> 01:00:13,240
Speaker 4: has fallen into some kind of mind trap. He is

921
01:00:13,280 --> 01:00:15,880
Speaker 4: standing directly in front of of course, it would have

922
01:00:15,920 --> 01:00:16,840
Speaker 4: to be a woman.

923
01:00:22,240 --> 01:00:23,440
Speaker 2: What's happening down there?

924
01:00:23,480 --> 01:00:24,920
Speaker 5: I was gonna ask for the money, but I was

925
01:00:24,960 --> 01:00:26,600
Speaker 5: waiting for Tom.

926
01:00:26,960 --> 01:00:41,160
Speaker 18: Do it silently, Yes, I have the money.

927
01:00:44,400 --> 01:00:46,880
Speaker 2: Does she have a shirt? Do you even know? Yes?

928
01:00:47,160 --> 01:00:50,600
Speaker 2: Oh she does? Okay, how much did you bid? They?

929
01:00:50,680 --> 01:00:52,000
Speaker 8: Remember? It's fun?

930
01:00:53,680 --> 01:00:56,240
Speaker 2: Do you have an ATM around here? Uh?

931
01:00:56,320 --> 01:01:01,400
Speaker 3: Huh oh hey hey hey, hey, hey boo.

932
01:01:03,840 --> 01:01:05,640
Speaker 8: I think there's one in the line. I think there's

933
01:01:05,720 --> 01:01:07,800
Speaker 8: one out there at the bar. There's one at the bar.

934
01:01:08,800 --> 01:01:09,800
Speaker 5: All right, see us soon.

935
01:01:11,120 --> 01:01:12,760
Speaker 3: That's the next Who else bought a shirt?

936
01:01:13,480 --> 01:01:17,480
Speaker 2: Well everyone knows they can do that. Now, who else

937
01:01:17,520 --> 01:01:18,280
Speaker 2: bought a shirt?

938
01:01:18,680 --> 01:01:27,600
Speaker 5: Hi? Can I? Can I have the money? Please? He

939
01:01:27,640 --> 01:01:29,560
Speaker 5: gave me five? He owes me fifteen?

940
01:01:30,920 --> 01:01:31,280
Speaker 2: Okay.

941
01:01:31,360 --> 01:01:33,440
Speaker 8: What do you think should he be doing crowd work?

942
01:01:34,680 --> 01:01:37,960
Speaker 4: I guess I guess when you sort of get to somebody,

943
01:01:38,440 --> 01:01:41,360
Speaker 4: it would help to like do just one piece of

944
01:01:41,440 --> 01:01:42,040
Speaker 4: crowd work.

945
01:01:42,440 --> 01:01:43,920
Speaker 3: Yeah.

946
01:01:44,560 --> 01:01:55,680
Speaker 5: So where are you from?

947
01:01:55,800 --> 01:02:00,600
Speaker 2: Philly? Where? Philadelphia? Okay?

948
01:02:01,280 --> 01:02:05,760
Speaker 5: That's cool? Can I have the money please? Okay, I'll

949
01:02:05,800 --> 01:02:06,240
Speaker 5: come back.

950
01:02:07,880 --> 01:02:09,840
Speaker 3: How much money is he's just sitting right out? Oh

951
01:02:10,240 --> 01:02:12,640
Speaker 3: you must be at the bell house like that big bell.

952
01:02:15,800 --> 01:02:18,440
Speaker 16: Hey, give him your glasses and as a as a

953
01:02:18,600 --> 01:02:21,560
Speaker 16: down payment for the money, take his glasses.

954
01:02:21,200 --> 01:02:28,720
Speaker 3: Take faces, right, Kevin, give time the glasses, doesn't wear them?

955
01:02:28,760 --> 01:02:29,880
Speaker 2: Who else ows Kevin?

956
01:02:29,960 --> 01:02:33,800
Speaker 16: Money right there, right there.

957
01:02:33,280 --> 01:02:34,840
Speaker 8: For you, and you know you owe money.

958
01:02:34,960 --> 01:02:35,760
Speaker 2: Just please do it.

959
01:02:36,280 --> 01:02:38,760
Speaker 8: Wave Kevin down because he's wandering around with another.

960
01:02:38,840 --> 01:02:41,680
Speaker 4: Sorry Kevin, don't give him. Sorry, do not take those

961
01:02:41,680 --> 01:02:44,600
Speaker 4: glasses back. We established the first show. Kevin is having

962
01:02:44,760 --> 01:02:46,400
Speaker 4: very severe face problems today.

963
01:02:46,680 --> 01:02:49,320
Speaker 8: Yes, going on with his face.

964
01:02:49,640 --> 01:02:51,520
Speaker 3: You're bringing a rash back to Philly.

965
01:02:51,560 --> 01:02:54,920
Speaker 2: That l through. I worry.

966
01:02:54,960 --> 01:03:03,920
Speaker 4: I can see the map on the news now. Kevin

967
01:03:04,320 --> 01:03:08,400
Speaker 4: tried to shave today for the first time with what

968
01:03:08,640 --> 01:03:10,960
Speaker 4: like a new kind of razor.

969
01:03:11,400 --> 01:03:14,480
Speaker 5: It was just a razor. I normally don't use a razor.

970
01:03:15,040 --> 01:03:19,080
Speaker 5: What normally I normally use an electric shaver. And then

971
01:03:19,120 --> 01:03:22,960
Speaker 5: I used a razor and it hurt a lot. And

972
01:03:23,040 --> 01:03:24,800
Speaker 5: my face is different.

973
01:03:28,840 --> 01:03:31,320
Speaker 2: It is different, and.

974
01:03:31,440 --> 01:03:35,120
Speaker 3: Maybe you know better or worse, who's to say, But

975
01:03:35,200 --> 01:03:36,880
Speaker 3: it's got a lot of problems.

976
01:03:38,760 --> 01:03:41,480
Speaker 8: You do crowd work this next time. Please don't ask

977
01:03:41,560 --> 01:03:42,920
Speaker 8: him where he's from.

978
01:03:43,320 --> 01:03:47,080
Speaker 3: I call him numb nuts. Say where you're from, numb nuts.

979
01:03:48,400 --> 01:03:49,600
Speaker 3: That's how you do crowd work.

980
01:03:51,480 --> 01:03:53,920
Speaker 5: So you got an orange shirt? Numb nuts.

981
01:04:04,880 --> 01:04:08,720
Speaker 4: Yeah, Okay, Kevin, he sounds pretty bad.

982
01:04:08,760 --> 01:04:11,320
Speaker 2: I would try to walk this back.

983
01:04:11,400 --> 01:04:14,400
Speaker 4: If you can't, let's just try and undo as much

984
01:04:14,480 --> 01:04:15,560
Speaker 4: damage as possible.

985
01:04:15,800 --> 01:04:19,880
Speaker 3: But let's just say, give me the money, Jerky.

986
01:04:20,600 --> 01:04:23,760
Speaker 5: Well, you know what, I love orange shirts, and give

987
01:04:23,760 --> 01:04:26,040
Speaker 5: me the money, Jerky.

988
01:04:27,840 --> 01:04:38,640
Speaker 2: Do you have a square? What I'm with? Kevin?

989
01:04:41,480 --> 01:04:43,000
Speaker 5: No, but I have a wallet?

990
01:04:44,560 --> 01:04:49,440
Speaker 9: Okay, Hey, okay.

991
01:04:49,160 --> 01:04:51,760
Speaker 2: That was a little far. That was a little too bad.

992
01:04:51,960 --> 01:04:53,120
Speaker 8: Bring it back to the thing.

993
01:04:53,520 --> 01:04:58,480
Speaker 3: Oh sure, King, Yes, we found here, jaywak we found

994
01:04:58,520 --> 01:04:59,240
Speaker 3: our segment.

995
01:05:01,520 --> 01:05:09,000
Speaker 5: So do you have you don't have cash? Yeah?

996
01:05:09,800 --> 01:05:10,000
Speaker 2: Was that?

997
01:05:10,080 --> 01:05:10,280
Speaker 12: Yeah?

998
01:05:10,320 --> 01:05:12,800
Speaker 2: He does? Or hang on, I want to see where

999
01:05:12,800 --> 01:05:13,440
Speaker 2: this goes.

1000
01:05:18,400 --> 01:05:20,560
Speaker 8: Is there another article of clothing he's wearing that you

1001
01:05:20,600 --> 01:05:22,280
Speaker 8: could tell him he's wearing.

1002
01:05:23,640 --> 01:05:33,200
Speaker 5: Okay, gray shorts and shoes? You on, Venmo Gray.

1003
01:05:34,640 --> 01:05:37,080
Speaker 4: I just want for people to help. Something that Kevin does.

1004
01:05:38,120 --> 01:05:41,040
Speaker 4: He speaks into the mic and then he fully relaxes

1005
01:05:41,080 --> 01:05:42,720
Speaker 4: his arm at his side.

1006
01:05:45,120 --> 01:05:47,440
Speaker 2: And just a sheer weakness.

1007
01:05:47,560 --> 01:05:48,000
Speaker 3: He just.

1008
01:05:49,920 --> 01:05:56,360
Speaker 2: It creates a nice tension. Yeah, yeah, Vemo, move on,

1009
01:05:56,440 --> 01:05:57,280
Speaker 2: move on, move on.

1010
01:05:57,720 --> 01:06:01,680
Speaker 16: Yeah, someone over there has a shirt Kevin right there?

1011
01:06:02,160 --> 01:06:03,520
Speaker 2: Oh no, it's Chansen.

1012
01:06:04,280 --> 01:06:05,439
Speaker 5: He has a chef cut.

1013
01:06:05,480 --> 01:06:06,000
Speaker 13: It is.

1014
01:06:08,560 --> 01:06:19,240
Speaker 5: Hey, cute chef Kevin's shirt weirdo, thank you give me

1015
01:06:19,280 --> 01:06:20,480
Speaker 5: the money.

1016
01:06:22,160 --> 01:06:24,880
Speaker 2: They don't have my bank here Kevin ask him what

1017
01:06:24,920 --> 01:06:25,520
Speaker 2: his name is?

1018
01:06:25,720 --> 01:06:26,600
Speaker 5: Hey, what's your name?

1019
01:06:27,320 --> 01:06:28,280
Speaker 3: It's a chance in.

1020
01:06:28,320 --> 01:06:41,560
Speaker 2: From them and okay, wait Kevin, go my condolences, my condolences.

1021
01:06:43,320 --> 01:06:49,240
Speaker 2: Now that's crowd work. Okay, Kevin, come back up here?

1022
01:06:54,320 --> 01:06:54,840
Speaker 3: Who else?

1023
01:06:56,120 --> 01:06:56,200
Speaker 1: Like?

1024
01:06:56,240 --> 01:06:58,160
Speaker 2: Wait? Is there more? Is there more shirts?

1025
01:06:58,600 --> 01:06:59,560
Speaker 3: I's gotta be one more.

1026
01:06:59,600 --> 01:07:01,400
Speaker 5: Probably what we'll.

1027
01:07:01,000 --> 01:07:01,919
Speaker 8: Do one more than Tom.

1028
01:07:02,040 --> 01:07:04,120
Speaker 2: He's tired. You can tell he's getting tired.

1029
01:07:04,880 --> 01:07:06,920
Speaker 3: Someone wants to be involved over here, Do you have

1030
01:07:06,960 --> 01:07:09,560
Speaker 3: the money?

1031
01:07:09,760 --> 01:07:11,160
Speaker 8: Get the slower Kevin?

1032
01:07:11,320 --> 01:07:11,520
Speaker 2: Yeah?

1033
01:07:12,040 --> 01:07:12,360
Speaker 1: M hm?

1034
01:07:14,040 --> 01:07:19,280
Speaker 5: Where are you? Hi?

1035
01:07:22,920 --> 01:07:23,200
Speaker 2: Wait?

1036
01:07:23,200 --> 01:07:25,680
Speaker 4: Wait wait I just heard Kevin walk over there, and

1037
01:07:25,760 --> 01:07:26,720
Speaker 4: then I heard someone.

1038
01:07:26,560 --> 01:07:31,320
Speaker 2: Say, oh god, what what did you do? What did

1039
01:07:31,360 --> 01:07:31,560
Speaker 2: you do?

1040
01:07:31,640 --> 01:07:32,000
Speaker 8: Kevin?

1041
01:07:32,240 --> 01:07:33,600
Speaker 2: I can't see anything.

1042
01:07:34,160 --> 01:07:51,160
Speaker 10: We made eye contact, okay, oh okay.

1043
01:07:49,600 --> 01:07:50,800
Speaker 2: No, I don't have to hold the mic.

1044
01:07:52,520 --> 01:07:55,080
Speaker 3: I just said, hey, keV, hey, do.

1045
01:07:55,040 --> 01:08:01,760
Speaker 5: You have the do you have a shirt the.

1046
01:08:01,960 --> 01:08:04,760
Speaker 8: I just have the boss shirt that I bought medium.

1047
01:08:04,800 --> 01:08:07,200
Speaker 5: Bosh. Did you hear the part where we were collecting

1048
01:08:07,320 --> 01:08:11,440
Speaker 5: Julie's shirt money?

1049
01:08:17,240 --> 01:08:17,439
Speaker 7: No?

1050
01:08:18,560 --> 01:08:24,240
Speaker 5: That's okay, okay, well, good catching up.

1051
01:08:26,640 --> 01:08:32,280
Speaker 7: We have an idea that'll really cut this short. If

1052
01:08:32,320 --> 01:08:35,160
Speaker 7: you bid money for one of the shirts or aprons,

1053
01:08:35,680 --> 01:08:37,800
Speaker 7: we asked you to go online and give to a

1054
01:08:37,920 --> 01:08:40,439
Speaker 7: charity the amount of money that you bid for the

1055
01:08:40,520 --> 01:08:42,840
Speaker 7: shirt of the apron, and on your word you will

1056
01:08:42,880 --> 01:08:46,679
Speaker 7: do that, Okay, And with that.

1057
01:08:46,640 --> 01:08:49,400
Speaker 3: Tom, because it would be nice if there was some

1058
01:08:49,560 --> 01:08:54,280
Speaker 3: charitable element associated with Hollywood Handbook at some point. It's

1059
01:08:54,320 --> 01:08:59,320
Speaker 3: a legendarily uncharitable show. The only the only charity you

1060
01:08:59,360 --> 01:09:02,560
Speaker 3: can't give you is the Doughboys Patreon.

1061
01:09:10,760 --> 01:09:13,679
Speaker 8: Charity that makes the world a better kinder place.

1062
01:09:13,960 --> 01:09:14,320
Speaker 3: Mmmm.

1063
01:09:14,479 --> 01:09:15,920
Speaker 2: Yeah, that's what we're about here.

1064
01:09:16,600 --> 01:09:21,000
Speaker 3: And really it's you know, that's always been the mission

1065
01:09:21,040 --> 01:09:26,879
Speaker 3: of the show. Uh, thank you so much for revealing

1066
01:09:26,920 --> 01:09:29,360
Speaker 3: the idea I, me and Hayes had before the whole thing.

1067
01:09:29,479 --> 01:09:32,040
Speaker 2: Even it's just how.

1068
01:09:31,920 --> 01:09:33,880
Speaker 8: We are there going to be a band.

1069
01:09:35,200 --> 01:09:36,400
Speaker 2: For the end? Yeah?

1070
01:09:36,479 --> 01:09:40,360
Speaker 3: Okay, yeah, yeah, there will be.

1071
01:09:42,120 --> 01:09:43,080
Speaker 2: Take it away, keV.

1072
01:09:47,439 --> 01:09:56,680
Speaker 5: Is there a birthday in the house? Okay? Never mind

1073
01:09:59,640 --> 01:10:01,440
Speaker 5: what it was called the Hollywood.

1074
01:10:01,200 --> 01:10:02,200
Speaker 3: Do the office thing?

1075
01:10:05,280 --> 01:10:05,720
Speaker 2: Do do.

1076
01:10:07,560 --> 01:10:14,479
Speaker 3: What come on?

1077
01:10:15,760 --> 01:10:17,240
Speaker 2: That's not how it goes at all.

1078
01:10:18,200 --> 01:10:19,960
Speaker 3: Stand up there and do the office thing.

1079
01:10:26,000 --> 01:10:34,920
Speaker 5: Do do do do do do do boo do do

1080
01:10:35,040 --> 01:10:40,520
Speaker 5: do do do, can I hear it? For New York? Yeah,

1081
01:10:40,680 --> 01:10:44,400
Speaker 5: doode old the.

1082
01:10:44,600 --> 01:10:48,160
Speaker 3: Queen sence be forgot.

1083
01:10:48,200 --> 01:10:59,080
Speaker 2: And never brought to Louise and Speed forgot.

1084
01:11:00,120 --> 01:11:07,400
Speaker 16: And he's a Dolligant fellow.

1085
01:11:07,840 --> 01:11:11,200
Speaker 2: He's a Dollgate fellow. Thank you for coming to her job.

1086
01:11:12,640 --> 01:11:16,439
Speaker 3: Thank you New York, Thank you Dom, thank you, Julie,

1087
01:11:16,960 --> 01:11:17,880
Speaker 3: thank you Kevin.

1088
01:11:18,439 --> 01:11:18,840
Speaker 2: Good night,