WEBVTT - Roxane Gay: String Theory

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<v Speaker 1>Pushkin. Here's what we know. A Washington State resident fell

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<v Speaker 1>ill after returning from Huhan, China, in a world gone haywire.

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<v Speaker 1>Sometimes art is the only thing that can make sense

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<v Speaker 1>of it all. You know, it's going to be a

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<v Speaker 1>matter of you know, several weeks to a few months,

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<v Speaker 1>for sure. This is the Chronicles of Now, where we

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<v Speaker 1>ask some of today's greatest authors to write short fiction

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<v Speaker 1>inspired by the news. I'm Ashley Ford. Here in America,

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<v Speaker 1>confirmed infections are now more than double that of any

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<v Speaker 1>other nation. When the coronavirus hit and America hunkered down,

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<v Speaker 1>we had no idea what we were in for or

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<v Speaker 1>how long it would last. There is a hope of

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<v Speaker 1>a scene, and if you get it in a year

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<v Speaker 1>and a half, that would be record time. We still

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<v Speaker 1>don't know what we're in for. From Daytona, where crowds

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<v Speaker 1>shut down traffic and we still don't know what we're doing,

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<v Speaker 1>to the Lake of the Ozarks where people swam on

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<v Speaker 1>top of each other for hours, social distancing nowhere to

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<v Speaker 1>be found. Here's what we do know. Families have been

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<v Speaker 1>stuck inside together for months on end. Yes, things are

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<v Speaker 1>opening up, but how long will that last? Across the nation.

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<v Speaker 1>July fourth celebrations canceled as the virus continues. It's deadly

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<v Speaker 1>served now thirty four states in the country seeing new cases.

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<v Speaker 1>Up to now, coronavirus cases are absolutely skyrocketing. I don't

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<v Speaker 1>even think we've begun to see the extent of what's

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<v Speaker 1>going to happen in this country. That's Roxanne Gay, the

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<v Speaker 1>best selling author of Bad Feminist and Hunger and a

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<v Speaker 1>contributing opinion writer for The New York Times. Her story

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<v Speaker 1>is about a long, long quarranty. I just thought, what

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<v Speaker 1>would it be like to live with your partner in

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<v Speaker 1>isolation for a year. My wife loves to travel. She

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<v Speaker 1>always has interesting stories about a soup she once tried,

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<v Speaker 1>and hannoi, and what it was like to crawl up

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<v Speaker 1>the steps of a temple into that and so on.

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<v Speaker 1>One time, on the grounds of anger Watt, a Buddhist

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<v Speaker 1>monk gave her a red bracelet, told her it was

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<v Speaker 1>good luck. It was a piece of string, really, but

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<v Speaker 1>she loved that string, and it seemed to love her

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<v Speaker 1>because month after month it stayed wrapped around her slender wrist,

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<v Speaker 1>even as it thinned to nearly nothing. Every night, just

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<v Speaker 1>before bed, she would take off her watch, set it

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<v Speaker 1>on the nightstand, and when she turned to smile at me,

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<v Speaker 1>I stared at her wrist, trying to understand how that

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<v Speaker 1>string could withstand the rigors of being attached to a

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<v Speaker 1>human body. The string was spiting me by hanging on.

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<v Speaker 1>I began to ask her hypotheticals about what she would

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<v Speaker 1>do if I tore the string. I asked her if

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<v Speaker 1>she loved me more than the string. Are you having

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<v Speaker 1>a midlife crisis? She asked, It was a reasonable question.

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<v Speaker 1>I had recently purchased a ridiculous car one evening after

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<v Speaker 1>we drank a bottle of red wine that we got

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<v Speaker 1>from a small vineyard in Tuscany, where the owner cooked

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<v Speaker 1>us the most incredible meal we have ever eaten, and

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<v Speaker 1>got us so drunk that we bought an unfathomable quantity

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<v Speaker 1>of wine. I tugged on the string gently, and my

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<v Speaker 1>wife tensed. This string has brought me so much good luck,

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<v Speaker 1>She said, it brought me you. I don't want to

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<v Speaker 1>think about what might happen when it falls off. I

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<v Speaker 1>turned away, my body a long line of irrational anger,

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<v Speaker 1>and from that day on the string became my nemesis.

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<v Speaker 1>I stared at it and conspired against it and waited.

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<v Speaker 1>But then when the quarantine began, we weren't really worried.

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<v Speaker 1>We have a nice house, we have Netflix, we have books,

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<v Speaker 1>we have each other, and we're quite good at sacks.

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<v Speaker 1>We would amuse ourselves. Every day, soldiers dressed in protective

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<v Speaker 1>gear left a box of rations and four large containers

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<v Speaker 1>of water on our stop. The rations were uninspiring, too

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<v Speaker 1>salty industrial. Once a week we received fresh produce. It

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<v Speaker 1>was never interesting, only things like spinach, cabbage, kale pairs.

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<v Speaker 1>During the first few weeks we pretended we were on

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<v Speaker 1>a cooking competition and tried to make the food palatable.

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<v Speaker 1>But there is only so much you can do with

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<v Speaker 1>rice and beans and dry graham crackers. The soldiers were brusque, efficient,

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<v Speaker 1>and ignored us when we tried to talk to them

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<v Speaker 1>glean some information about life beyond. As far as we

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<v Speaker 1>could see, the street was empty and quiet save for

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<v Speaker 1>the military. The helicopters going in and out of the

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<v Speaker 1>nearby heliport were gone. There were no sirens wailing. That

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<v Speaker 1>was the worst part, the sound of nothing. To keep

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<v Speaker 1>ourselves reasonably sane, we developed a routine. In the morning,

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<v Speaker 1>we trudged up and down the stairs for forty five

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<v Speaker 1>minutes and lifted hand weights. It was important to stay fit,

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<v Speaker 1>we decided, just in case we eventually had to fight

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<v Speaker 1>for our survival. We'd shower separately most of the time,

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<v Speaker 1>and then catch up on email do some work because

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<v Speaker 1>it seemed like work still mattered, or we needed it

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<v Speaker 1>to matter, so we could believe that eventually the quarantine

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<v Speaker 1>would end and our lives would be waiting for us.

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<v Speaker 1>Quarantines in other countries had already ended, so we weren't

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<v Speaker 1>deluding ourselves. When we got bored with work, we watched

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<v Speaker 1>a TV show or movie. We played a lot of

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<v Speaker 1>board games, and sometimes got testy with each other. We

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<v Speaker 1>had to stop playing uno entirely. Neither of us were

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<v Speaker 1>particularly fond of our own nudity, but some days we

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<v Speaker 1>didn't even bother putting on clothes, or we wore outlandish outfits.

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<v Speaker 1>When we got stir crazy, we ran around our small backyard,

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<v Speaker 1>really just a patch of concrete with some nice outdoor furniture,

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<v Speaker 1>a fire pit and a grille. We burned things and

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<v Speaker 1>it felt good to commit small acts of destruction. We

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<v Speaker 1>ordered things we didn't need from Amazon because they contracted

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<v Speaker 1>with the military to handle their deliveries during the quarantine,

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<v Speaker 1>and the military gladly took their money, and we knew

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<v Speaker 1>we were complicit in something, but couldn't say quite what.

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<v Speaker 1>We took to spying on our neighbors in the huge

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<v Speaker 1>apartment building across the way, and they took to spying

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<v Speaker 1>on us. We saw some things about the ways other

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<v Speaker 1>people lived their lives, and many of those things were terrible.

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<v Speaker 1>Some days we ventured up to the roof, looked around

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<v Speaker 1>and saw people for blocks in every direction, also standing

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<v Speaker 1>on their roofs. No one tried communicating. We just smiled

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<v Speaker 1>at each other wandly shrugged like pandemic. What can you do?

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<v Speaker 1>My wife and I had a lot of sex that

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<v Speaker 1>never got boring. Every freaky or weird thing we had

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<v Speaker 1>been too shy to try was suddenly part of our repertoire.

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<v Speaker 1>I put my tongue in places I still thrilled to

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<v Speaker 1>think about. She was suddenly more demanding, less demure like.

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<v Speaker 1>She was determined to draw as much pleasure as she

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<v Speaker 1>could out of me. I was more than happy to oblige.

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<v Speaker 1>We did not fight much at all, because we're in

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<v Speaker 1>our fifties and understand the importance of not wasting time.

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<v Speaker 1>There was only one news channel in those days, and

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<v Speaker 1>the journalists broadcast from their homes, so they didn't have

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<v Speaker 1>much to say. Once in a while, a small child

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<v Speaker 1>would toddle in the background, having escaped the watchful eye

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<v Speaker 1>of another parent or a sibling. That was nice, a

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<v Speaker 1>reminder of why we were doing this thing at all. Mostly,

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<v Speaker 1>the journalists parroted whatever talking points they were given by

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<v Speaker 1>the government, how the quarantine would last for a year

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<v Speaker 1>too at the most, while the vaccine was developed and

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<v Speaker 1>tested and manufactured in mass quantities. The rest of the

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<v Speaker 1>world had a vaccine, but the American president had angered

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<v Speaker 1>so many world leaders that they left us to our

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<v Speaker 1>own devices and helped each other instead. Whenever he gave

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<v Speaker 1>the nation an update, the president looked unwell, like his

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<v Speaker 1>genetics were revolting all over his face and extremities, so

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<v Speaker 1>that gave us some hope and cheer. Fifteen months into

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<v Speaker 1>the quarantine, the red string remained around my wife's wrist.

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<v Speaker 1>It drove me to distraction. The vaccine was ready. One

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<v Speaker 1>morning we received a note with our daily rations. A

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<v Speaker 1>medical team would be bringing us the vaccine at the

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<v Speaker 1>end of the week. See my wife said one evening

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<v Speaker 1>as we watched a Spanish television show about angry teenagers

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<v Speaker 1>who seemingly didn't have parents. We're alive because of this string.

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<v Speaker 1>She raised a fist triumphantly. The string desperately frayed, taunted me.

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<v Speaker 1>I clenched my jaw and inhaled deeply. I willed myself

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<v Speaker 1>not to pluck it from her wrist. It would take

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<v Speaker 1>no effort at all, as it was barely hanging on.

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<v Speaker 1>I wanted to say we were alive because of our isolation,

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<v Speaker 1>general good health, and daily calisthenics in and out of bed.

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<v Speaker 1>But she looked so calm and assured I could not

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<v Speaker 1>take that from her or even myself. That was string

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<v Speaker 1>theory by Roxanne Gang. The reader was Bonnie Turpin. Roxanne,

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<v Speaker 1>it's now June, and I happened to know that you

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<v Speaker 1>wrote that story back in early March. What made you

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<v Speaker 1>into it? This was going to be a long, long ordeal.

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<v Speaker 1>I think I started to get a sense of how

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<v Speaker 1>much of an ordeal the pandemic was going to be

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<v Speaker 1>because we have incoherent and incompetent federal leadership, and so

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<v Speaker 1>I was thinking about that, like, literally, what is the

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<v Speaker 1>worst case scenario when an idiot is president and a

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<v Speaker 1>pandemic is ravaging the country. The story actually started in

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<v Speaker 1>a really weird way. My partner, she went to Cambodia

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<v Speaker 1>about a year and a half ago, and a monk

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<v Speaker 1>gave her this piece of red string that he tied

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<v Speaker 1>around her wrist, and it's a good luck type blessing.

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<v Speaker 1>Then we would joke about it because it drove me crazy.

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<v Speaker 1>I was like, why won't it fucking break? What is

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<v Speaker 1>happening here? And she got very protective of this little

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<v Speaker 1>red string, and so then I decided to write a

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<v Speaker 1>story about it. And then the pandemic was happening, and

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<v Speaker 1>that's where I took it. I was telling someone recently,

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<v Speaker 1>this felt like, as much as a pandemic story, a

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<v Speaker 1>love story about loving a person enough to allow them

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<v Speaker 1>their faith even if you feel like I don't know. Yes,

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<v Speaker 1>I'm wondering if you could talk to me about what

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<v Speaker 1>that string means to these two different characters, even though

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<v Speaker 1>they're stuck together. So to one of them, it means

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<v Speaker 1>that there is life beyond quarantine, that there is something

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<v Speaker 1>to believe in beyond the moment to moment, the day

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<v Speaker 1>to day. For the other partner. It represents this infuriating

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<v Speaker 1>thing that should not be sustained, that should not be intact,

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<v Speaker 1>but is intact, And so then it becomes this sort

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<v Speaker 1>of mildly antagonistic thing like, oh, now I want to

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<v Speaker 1>break it. I want to prove that that faith is misplaced.

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<v Speaker 1>But the longer the quarantine progresses for these women, the

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<v Speaker 1>more the antagonist realizes, Oh, maybe it is time to

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<v Speaker 1>have a little faith, because we're stuck with each other

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<v Speaker 1>and we love each other, and if this matters to her,

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<v Speaker 1>then it's got a matter to me. And so there's

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<v Speaker 1>this evolution of that. Back in March, we also didn't

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<v Speaker 1>know George Floyd would be killed by Minneapolis police. This

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<v Speaker 1>is all started and uprising the likes of which this

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<v Speaker 1>country hasn't seen in fifty years. To be close, do

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<v Speaker 1>you see a relationship between the pandemic and these uprisings. Absolutely,

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<v Speaker 1>the uprisings were going to happen no matter what because

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<v Speaker 1>black people have truly had enough. We are done, this

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<v Speaker 1>is it. But people have had a lot of time

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<v Speaker 1>to sit at home. There's no sports, there's no new TV,

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<v Speaker 1>there are no new movies, there's no new nothing. And

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<v Speaker 1>that frankly, there won't be until next year, and so

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<v Speaker 1>we have a lot of fucking time to sit around

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<v Speaker 1>thinking about what we think and feel. And I think

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<v Speaker 1>that absolutely contributed. Besides which people are scared, they're angry,

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<v Speaker 1>they are broke because we have again an incompetent federal government,

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<v Speaker 1>and that is a lethal combination. Plus summer is starting,

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<v Speaker 1>so people are getting out of school, like there's literally

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<v Speaker 1>nothing to distract us without work, without play, without school, Yes,

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<v Speaker 1>people are going to have the time. And in many ways,

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<v Speaker 1>the pandemic, I mean, it is a curse, but it

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<v Speaker 1>really laid bare just how divided this country is and

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<v Speaker 1>just how imperiled black life is. And I'm not grateful

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<v Speaker 1>for it. But sometimes something necessary rises out of something painful. Absolutely,

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<v Speaker 1>if you were writing this story today, not back in March,

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<v Speaker 1>how would this story end. The story would end with

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<v Speaker 1>more action, It wouldn't just be like and then life

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<v Speaker 1>got back to normal. I think it would end on

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<v Speaker 1>a note of we don't know what's next, but we

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<v Speaker 1>know that whatever's next will inevitably be better than what

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<v Speaker 1>we left behind, because we're going to leave behind racism

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<v Speaker 1>and law enforcement unchecked and all of these systemic biases

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<v Speaker 1>that allow law enforcement to brutalize black people. So I

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<v Speaker 1>think it would be more active at the end instead

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<v Speaker 1>of this sort of passive. Let's get back to normal, Roxanne,

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<v Speaker 1>thanks so much, Thank you so much, Ashley Forward. You

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<v Speaker 1>can read my full interview with Roxanne Gay on our

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<v Speaker 1>website Chronicles dot fm, where you can also read Drink

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<v Speaker 1>Theory and other short fiction torn from today's headlines. Our

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<v Speaker 1>sound designer and composer is Bart Warshaw. Our producer is

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<v Speaker 1>Curtis Fox. Tyler Cabot is the ex ecutive producer and

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<v Speaker 1>founder of Chronicles of Now for Pushkin Industries. Special thanks

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<v Speaker 1>to Leta Mulaud and Jacob Weisberg for the Chronicles of

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<v Speaker 1>Now podcast. I'm Ashley for thanks for listening.