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Speaker 1: That is old school. It's just us. This is Z.

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Speaker 1: It's great to say that, right, it's so weird. So

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Speaker 1: here we are saying goodbye to great Tea, Thank you, Elvis,

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Speaker 1: thank you everybody, even though he's not leaving. The most

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Speaker 1: ridiculous thing I've ever done. Were doing an entire show devoted,

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Speaker 1: I mean dedicated to the guy who's leaving, but who's

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Speaker 1: not leaving. Did you tell my heart, you know, the

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Speaker 1: management that be that this is ridiculous? That be? You know,

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Speaker 1: did you tell them the management that be, the management

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Speaker 1: you know, what is the difference of the powers that

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Speaker 1: the management that be? Thank you, You're welcome. You're out

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Speaker 1: of your mind, the powers that be? Did you tell

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Speaker 1: them that? No, they know it's ridiculous. This is stupid.

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Speaker 1: The fact that you're leaving but not leaving, and we're

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Speaker 1: dedicating an entire show to a guy who's leaving but

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Speaker 1: not leaving. It gave us something to do today. I

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Speaker 1: would like to have been a fly on the wall

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Speaker 1: during that conversation. Some food people were crying. I got

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Speaker 1: lots of texts. There was no conversation. We just do

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Speaker 1: what we want to do, you know. Anyway, it's so

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Speaker 1: great to be on Z one hundred because even though

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Speaker 1: you know every morning we come in and we're on

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Speaker 1: all these radio stags across the country and around the world,

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Speaker 1: people are listening to us. Now it's just us here

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Speaker 1: in New York where it started with you. It was God,

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Speaker 1: what month did we start the show? It was April

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Speaker 1: of great and scary and uh, Scotty b and Danielle

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Speaker 1: of course, and then Tom Pullman, he just put it on.

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Speaker 1: Tom Pullman was the genius that put us together and

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Speaker 1: forced us to do a morning show. And if you

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Speaker 1: read my book, you'll you'll read the chapter where I

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Speaker 1: beg for them to let me leave because was in

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Speaker 1: the It was in the tank. There was there were

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Speaker 1: no ratings, no listeners, and I had an offer to

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Speaker 1: go to Katiu or ironically, you're going you got my job,

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Speaker 1: you asshole. I didn't quite see like that. So it

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Speaker 1: was Tom Pullman and I went to meet him for

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Speaker 1: the first time. I said, please let me leave one

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Speaker 1: hunt in the it's in the crapper. He said, not

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Speaker 1: only am I making you stay, I'm gonna make you

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Speaker 1: do the morning show. I'm like, oh, dear lord, the

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Speaker 1: best thing that ever happened to us. Hey, Tom, good morning.

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Speaker 1: It makes me seem like such a jerk, Tom, Tom's

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Speaker 1: that a jerk. He gave me my first contract ever. Yeah.

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Speaker 1: I remember the first day that we took Danielle from

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Speaker 1: being like a part time What were you like, John?

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Speaker 1: It was an intern and I was helping with the

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Speaker 1: phone taps and you know, and then you realized what

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Speaker 1: union scale was and you fell to the floor crying.

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Speaker 1: I did. I cried and I was making back then

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Speaker 1: four an hour was the was the right? Right? The minimum?

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Speaker 1: I don't even know ddllars think that it wasn't that high,

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Speaker 1: but it was significantly higher. Yeah, And I cried and

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Speaker 1: I was so excited in Tom's office. I guess we

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Speaker 1: have to say, you know, great to you. Oh him

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Speaker 1: a little gratitude as well, I mean, because of you

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Speaker 1: forcing us to do this show on what was at

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Speaker 1: that time, I caved in radio station. Oh yeah, we're

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Speaker 1: all here in the way we we We couldn't even

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Speaker 1: get people to do this shift back then, you know

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Speaker 1: what I mean, any shift. It's like when I got

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Speaker 1: the gig, everybody said I'm out of here, and and

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Speaker 1: I've still yet to meet our night guy. In our

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Speaker 1: mid day guys. Right, but but but it was just

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Speaker 1: kind of like who's around and God bless you and

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Speaker 1: Elliott bringing together, God bless me. You forced me to

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Speaker 1: stay here. I'm trying to be sentimental. No, no, I

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Speaker 1: wanted to leave and you made me stay here. All right,

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Speaker 1: all right, all right, if you want to know the

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Speaker 1: real deal, he sat down in front of me and

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Speaker 1: he goes, hey, nice to meet you. You got to

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Speaker 1: get me the f out of here, and you made

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Speaker 1: me stay. But you know what, it's the best thing

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Speaker 1: that's ever happened, and it's so Gregory. Well, that's what

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Speaker 1: I'm hoping. I'm hoping that this will be the best

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Speaker 1: decision that I'm making right now. Well, any decision you

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Speaker 1: make is a good decision because you know, you're you're

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Speaker 1: you're all good, You're all good. Well, Tom, look, thank

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Speaker 1: you so much. And do you have any words of

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Speaker 1: advice for Gregory? You know, the first day I met

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Speaker 1: greg and we were all sitting at the room, I

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Speaker 1: was like, why your head really is round? But but

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Speaker 1: but but you know it was it was he was

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Speaker 1: something that was unorthodox and different and fun and uh,

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Speaker 1: he's gone through so many different iterations with Greg t

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Speaker 1: to the last twenty five years, and I'm just excited

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Speaker 1: that he's going to get an opportunity to continue to grow. Um.

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Speaker 1: I think he is taking a chance, there's no question,

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Speaker 1: but you know, without risk, there's not reward. And um,

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Speaker 1: I I'm just so happy for him and I think

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Speaker 1: he's going to do great. I think he and Carolina

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Speaker 1: are a great match, and um you know, I'm just

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Speaker 1: so excited for him and still do great. Thanks Tom,

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Speaker 1: I really do appreciate it. It's been a long road

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Speaker 1: and I'm not buying it in the second thoughts in

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Speaker 1: my head, I'm not I'm kiddy. I'm kiddy, Tom. You

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Speaker 1: know it's great. You know, look, we've had so many

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Speaker 1: superstars leave this show to go do their own shows.

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Speaker 1: And but as I said earlier, this is this is

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Speaker 1: a difficult one for me because I've been his protector,

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Speaker 1: as you know, for so many years, and now you're

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Speaker 1: gonna go down the hall and you don't have me

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Speaker 1: to protect you anymore, and it kind of scares me.

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Speaker 1: He's scaring me, I know. I love you, Tom, thank

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Speaker 1: you so much for spending time with us. I appreciate it.

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Speaker 1: I love you guys, Tom, thank you very much. I

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Speaker 1: do appreciate it. I won't let you down, all right.

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Speaker 1: And it's just one vacation day, right, yeah, please hang up.

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Speaker 1: Every time we talk to management, I lose more vacations.

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Speaker 1: All right, Tom, I gotta go. You're cost you're costing him. Goodbye,

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Speaker 1: and here you go. You're listening to Z one hundred.

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Speaker 1: We're all yours. It's so good to be only one day.

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Speaker 1: It's been how many years? How many years has it been? Six? Wow?

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Speaker 1: Since we've been It was May of two thousand six wow.

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Speaker 1: So we have some sound? Hear some sound? Yeah? Yeah,

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Speaker 1: what do we have here? We have the time that

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Speaker 1: Greg t walked through the corridor of mouse trap This

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Speaker 1: is hilarious, so gandhi. Yes, we put a blindfold on,

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Speaker 1: great tea and we turned off the lights and we

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Speaker 1: had a room filled with mouse traps and he had

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Speaker 1: to walk from one side to the other to collect

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Speaker 1: his paycheck. To get your paycheck, go get that paycheck

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Speaker 1: through the corridor of mouse traps. Here. What are you

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Speaker 1: feeling in experiencing nervousness right now? Very nervous? All right,

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Speaker 1: on your mark, get set run around quite find your

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Speaker 1: pay did you find it? What's wrong? There we go

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Speaker 1: a lot of mouse traps. What's wrong? Round? What's wrong? Stop? Stop?

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Speaker 1: Freeze freeze, freeze freeze? What's wrong? What's wrong? Did you

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Speaker 1: find it? I see it? How do you see it?

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Speaker 1: If you're blindfolded? Blabs, I con see where I was going.

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Speaker 1: Stop it paid over here? Well, I'm sorry, you're disqualified.

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Speaker 1: How with this? I'm going to get my pigs now?

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Speaker 1: And of course you failed miserably. That extended stream at

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Speaker 1: the end was really I don't think I ever really succeed.

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Speaker 1: So we we actually set I mean it was maybe

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Speaker 1: three hundred mouse traps and you and you stepped on

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Speaker 1: three D. They just kept on going along. If there

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Speaker 1: was nothing I could do, they wouldn't stop. Remember ahead,

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Speaker 1: which part of your body didn't hurt the most? They

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Speaker 1: were jumping up. They would like nip me, like in

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Speaker 1: parts of my upper body, you know. They would hit

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Speaker 1: me like my nipples and the privates everywhere. My toes

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Speaker 1: were swollen for days. I love the word private. Yah,

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Speaker 1: It's like it's like a ranking in the military. They

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Speaker 1: would set they would each they would set each other off.

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Speaker 1: So even though we had them all down, when one

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Speaker 1: went off. It was flip and hit the other. When

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Speaker 1: we were in our studios in Jersey City. Yeah, yeah,

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Speaker 1: overlooking downtown Manhattan. All right, So, um, what about when

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Speaker 1: you had the women flip a car over? That was

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Speaker 1: so much fun. Do you remember why we did it? Well,

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Speaker 1: you wanted to prove that women are just as strong

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Speaker 1: and then they could do these things. Because I said,

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Speaker 1: what would you like just to you know, flip a car.

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Speaker 1: And then Elvis your idea was, well, let's not do

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Speaker 1: it with men, Let's get women out there. There was

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Speaker 1: a story, there was a story out where someone was

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Speaker 1: run over by car and a bunch of guys went

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Speaker 1: out and they picked a car up off the victim.

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Speaker 1: And I said, well, women can do it too. They can't,

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Speaker 1: I said, yes, they can, and so we did it.

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Speaker 1: Here we go, go go go, go, go go go.

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Speaker 1: That's good. Yes, that was awesome. Remember that? Yeah, that

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Speaker 1: was cool. Somebody memories No, no, no, I don't like

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Speaker 1: any of those. We have a lot of sounds. So

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Speaker 1: remember when the guy Rupert was on Survivor. Yeah, I

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Speaker 1: was a big fan of his. So Greg T said,

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Speaker 1: I want you to do me a favorite rather than

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Speaker 1: the whole morning show interview Rupert from Survivor. Let me

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Speaker 1: do it. Let me let me have an exclusive Greg

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Speaker 1: t interview with Rupert. I wanted that opportunity because I

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Speaker 1: really loved I loved it. So we were in new

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Speaker 1: studios and he said, I'm gonna go into our We

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Speaker 1: had a new little interview studio, a little little closet

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Speaker 1: with a microphone and the board, and he said, let

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Speaker 1: me go in there and I will interview Rupert. So

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Speaker 1: we said, do you need some help? He said, no,

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Speaker 1: I got it. I mean, what could go wrong? He

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Speaker 1: just pushed playing the corn answered For some reason, when

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Speaker 1: he interviewed Rupert, the sound was so bad. He turned

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Speaker 1: it up so loud it was distorted. So let me

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Speaker 1: The thing is, he didn't stop in the middle because

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Speaker 1: he was embarrassed. So he just kept the interview going

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Speaker 1: with Rupert. And this is what it. I didn't know

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Speaker 1: when I gave it to you, Like here here, here's

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Speaker 1: what it sounded like. And then went on fortnutes. I

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Speaker 1: was so proud, like I did the first interview, It's

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Speaker 1: gonna be great, Elvis. What is this? I'm like, I

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Speaker 1: don't know how that happening. So another thing we love

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Speaker 1: that our years with a great tea. Of of course

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Speaker 1: he married. He married Trish, the most beautiful woman in

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Speaker 1: the world. And God knows she's patient. Yes, I met

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Speaker 1: early on and then the two of them, uh started

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Speaker 1: this family, this beautiful family with Ella and the other

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Speaker 1: one his first born. So Jada was in the background

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Speaker 1: and great. He was babysitting his little daughter, Jada, and

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Speaker 1: he was on the phone with Scary right, planning the show.

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Speaker 1: But listen to how great he speaks to his daughter

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Speaker 1: Jaden like a dog. Let me go to my old mail.

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Speaker 1: Hold on, give you one second. How's Jada. She's doing great?

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Speaker 1: No down, no, no, no, no back off no no Jada,

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Speaker 1: no Jada, no Jada. No. Here, play with this toy.

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Speaker 1: Come here, come here, come on, over here, come here,

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Speaker 1: come here, come here. There you go. That's right, good girl,

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Speaker 1: good girl, Come on, come on. So he's talking to

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Speaker 1: his daughter like she's a dog. There's a more. Hold on,

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Speaker 1: come on, you can do it, you can do it.

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Speaker 1: Give me a second, Scary Come on, good girl, good girl,

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Speaker 1: good girl. Come here, come here, sweetheart, Come on, keep coming,

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Speaker 1: keep coming. Uh, come here, give me, good girl, good girl.

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Speaker 1: There you go, play with your toy. Play with your toy.

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Speaker 1: There you go, girl, Daddy loves you. He loves you. Yeah,

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Speaker 1: positive reinforce. She's a puppy. You have to train the

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Speaker 1: little kids. If you don't train him, what are they're

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Speaker 1: gonna run wild? Yet as they get down, she was

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Speaker 1: trying to climb the couch. But it was great. It

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Speaker 1: was so awesome being a part of great to his

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Speaker 1: life when he met Trish, then he asked her to

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Speaker 1: marry him, and and then he actually recorded a nice

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Speaker 1: Valentine song for her. You want to hear that he

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Speaker 1: always loved this. If I was is, I would feel

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Speaker 1: so blessed to have you as a husband. But if

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Speaker 1: you ever if you had recorded this song for me,

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Speaker 1: this is for you, baby. You're so special. I love

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Speaker 1: my wife and I will for the rest of my life.

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Speaker 1: She is my love. Seeing a hymn for love. There's

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Speaker 1: no place side rather be than a place with my

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Speaker 1: wife then me together, we're in love. They're so we

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Speaker 1: love because she's my, because she's my, because she's my

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Speaker 1: took it down, rich, I love my batch chicook men dinner.

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Speaker 1: Her name is Trish. Yeah, come on, oh, I love

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Speaker 1: my pitch in the morning and the night Horse and

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Speaker 1: the Boomer's always. Look, it's just right. Let's stop my fingers.

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Speaker 1: There you are. That's romantic as hell. You think that's

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Speaker 1: from you didn't hear the Valentine's one right here requesting

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Speaker 1: the Valentine. Yes, the Valentine's that. I want to love you.

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Speaker 1: I want to value Here we go, this is great.

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Speaker 1: You're gonna love this. I love my baby Valentine Day. Yeah,

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Speaker 1: she makes me really happy in every single wing, my

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Speaker 1: time inside of your mouth. That's right, baby, I love

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Speaker 1: you more than you're ever gonna love me. I love

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Speaker 1: my baby when with snuggle on the couch. I love

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Speaker 1: my baby when she starts taking off her blouse. I want.

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Speaker 1: I wanna put my face between your boobies. I wanna

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Speaker 1: be your Valentine. I love my baby because she is

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Speaker 1: so incredibly sweet. I love my baby because I met

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Speaker 1: her on Nust dream. I want, I want to I

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Speaker 1: want to put my in your I wanna make you.

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Speaker 1: I wanna be your Validine. I forgot the last verse.

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Speaker 1: I forgot the last verse. You're listening to. Uh exclusive

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Speaker 1: is one moment or two with great tea. As we

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Speaker 1: said goodbye, It's good to be just Today, right, Am

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Speaker 1: I able to get a copy of the Last Time

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Speaker 1: Just I told you it was good, Gandhi, I just

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Speaker 1: don't need it. It's gone never again. I forgot about

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Speaker 1: those happy times. Yeah, I love that. So I got

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Speaker 1: all the lad hold on which great team gets in

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Speaker 1: a fight at the Today's Show? Oh that's good. I

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Speaker 1: knew were something out there? Were you holding up signs

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Speaker 1: on TV? Yeah? You're trying to get on the Today's Show?

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Speaker 1: Was that when you were on for the first time

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Speaker 1: and I was outside the window, Garrett so great Tea

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Speaker 1: was dressed as a son and he was trying to

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Speaker 1: get on the show while you were on the Today

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Speaker 1: Show inside the studio and he was going to dance

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Speaker 1: around outside on the clauses like Mr Sunshine, But security

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Speaker 1: wouldn't let him in because he was dressed as a son,

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Speaker 1: no costumes. The constant he used the line, do you

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Speaker 1: know who I am here? Why homes are allowed in here?

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Speaker 1: But but I'm Greg t I'm not like chucking the rules, buddy. No,

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Speaker 1: I know what Elvis is doing the show. It doesn't matter.

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Speaker 1: I'm not trying to bother you guys. Still, I'm not

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Speaker 1: a normal person at the end of the day. I'm

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Speaker 1: I'm sure you are. We still have our policy if

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Speaker 1: you if me and you were shot at I'm not special.

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Speaker 1: If I was your neighbor. If I was your neighbor,

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Speaker 1: would you talk to me like this when I was

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Speaker 1: your neighbor? If you continue to bree feed her, I'm

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Speaker 1: just wondering that. It's like, why was your neighbor persist?

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Speaker 1: And I'm like your mail. I would go get your

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Speaker 1: mail for you and say here, I'll help you out.

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Speaker 1: Here's your mail. You weren't home today. I here's your newspaper.

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Speaker 1: I love He's having this argument while dressed as the sun.

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Speaker 1: I was trying to relate with her because you know,

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Speaker 1: so many times I would go places I would get

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Speaker 1: kicked out and it worked really well, but nailed it.

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Speaker 1: If I was your neighbor, you wouldn't talk to me

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Speaker 1: that way. You'd be like, hey, listen, Greg, can you

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Speaker 1: go what is it? But she was treating me like

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Speaker 1: what is his jumps and leaves? He was on the

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Speaker 1: roof of his mother's house and you jumped off the roof.

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Speaker 1: This isn't that funny? When I got caught, when I

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Speaker 1: got stuck in her Chimney. That was funny. You know what,

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Speaker 1: you had so many great moments with your grandmother Hetty,

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Speaker 1: and we lost we lost Hetty this past year. And

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Speaker 1: I mean, what a beautiful woman. Thank you and uh poor,

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Speaker 1: thank you. Every time she would be burning and every

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Speaker 1: time you played jokes on her in the air, she

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Speaker 1: always loved you more. She always fell for it because

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Speaker 1: she never believed her grandson would do this to her

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Speaker 1: over and over again. When your mom would yellow, you

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Speaker 1: should go yellow, my grands So here's like several moments

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Speaker 1: that we had with your grandmother. Heads because I'm phone

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Speaker 1: tapping again. No kidden, no kidden, that's ridiculous. I told

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Speaker 1: you what did you? What did she did? She keeps

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Speaker 1: hanging up. She doesn't want to crop. Did you know

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Speaker 1: Josh Groban's got two penises? Oh god, I'm hanging up now,

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Speaker 1: all right, Greg, that's the girl i'd really hang out with.

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Speaker 1: You don't hang out with any girls. You got a

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Speaker 1: wife at home and two beautiful children and that's it.

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Speaker 1: You know how some of these girls are yeah, yeah, yeah, yeah, yeah,

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Speaker 1: bunch of Oh my god, I knew this is a

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Speaker 1: phone tap, Greg. How did you know? Because he has

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Speaker 1: done this numerous, but he does it in a nice way,

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Speaker 1: in a nice way. Your grandma had he loved you

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Speaker 1: so much, dad, she dead. She was a big, a

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Speaker 1: big cheerleader of mine. Do you like when there's a

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Speaker 1: hidden mic and Greg three, he just throws fits not knowing. Yes,

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Speaker 1: this is when Great t was on the plane right right.

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Speaker 1: I believe he's on his way to six Flags right there,

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Speaker 1: This is great slamming scary during flight. Yeah, there's two

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Speaker 1: clips here because this is you're on the plane and

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Speaker 1: here we go, and how do this come about? Friend

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Speaker 1: t J would like to go around according people all time.

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Speaker 1: He needles them. And we caught Great Teath saying something's

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Speaker 1: sort of embarrassing. Scary talks. God gets swim But if

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Speaker 1: Hay looking closely, he's got white hair. He has gray

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Speaker 1: hair growing through his head. What women to go with?

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Speaker 1: A guy got this check in a belly stick and

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Speaker 1: justs this huge belly. Honestly, have you ever seen scary shoes? Spurs?

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Speaker 1: And then Great Team was on his way to six

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Speaker 1: Flags and he was freaking out because I don't think

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Speaker 1: he wanted to ride the ride right whenever it was

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Speaker 1: Zoom and Jarrow and I did not want to do that.

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Speaker 1: That was the one where you put me up all

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Speaker 1: the way up time you can see Philadelphia and then

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Speaker 1: drop me so all the way to six Flags. We

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Speaker 1: caught you saying this. Stop talking about how I drive.

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Speaker 1: Stop talking about how fast I'm driving. You guys are

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Speaker 1: not the guys that have to go on this. You

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Speaker 1: know some people they enjoy these thrill seeking rides. I

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Speaker 1: don't enjoy. I do what I gotta do for the

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Speaker 1: elvistor Ran show, and that's it. That's what I do. Okay,

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Speaker 1: So let me just get to my mindset of what

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Speaker 1: I have to do. I have to execute something for

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Speaker 1: millions of people. You guys don't have to do that. Okay.

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Speaker 1: This is on my shoulders and I'm nervous, so just

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Speaker 1: leave it at that. Wow, you freak out a lot.

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Speaker 1: I'm good with holding jackets. I don't need to go

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Speaker 1: actually go on the ride. All hit the microphone. This

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Speaker 1: is great tea screaming over breakfast? What is this breakfast? Cheap?

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Speaker 1: Hold on? This is just catching you yelling because you

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Speaker 1: would yell at every more somewhere because you're like an

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Speaker 1: angry old man when I talk. If you eat food,

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Speaker 1: somebody paid for your pay pay Scotty. Do I ever

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Speaker 1: see anybody out of money? Always? You always give extra.

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Speaker 1: I always give extra. The only person that pays every time,

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Speaker 1: Mr Elvis Durand you'd paid it last week? Carolina paid

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Speaker 1: for me like did I split it with her? There

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00:21:51,960 --> 00:21:55,439
Speaker 1: was only one chicken parm We put breakast, you guys didn't,

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Speaker 1: and you all ate like wild beast. You ate. So

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Speaker 1: you have fights about who's paying for breakfast almost every morning,

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Speaker 1: and so Great Tea yells every morning. Seriously, my body

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Speaker 1: doesn't want to be empty, my body doesn't want to

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Speaker 1: be angry. I'm a nice person and for this to

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Speaker 1: happen is a travesty. This is what is wrong with America.

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Speaker 1: Do you know why? Because you guys accept these answers

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Speaker 1: for fifty for two are wild eggs stand up for

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Speaker 1: what's right in America? That is what's wrong. A breakfast

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Speaker 1: place that doesn't sell hard old You're out of your mind.

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Speaker 1: You're crazy, You're insane. The rest of the country does

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Speaker 1: not realize how much we pay in New York for

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Speaker 1: for breakfast. They have no clue. They would laugh at us.

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Speaker 1: And then the Great Tea has to go to the

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Speaker 1: studio and record things for for clients. And it doesn't

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Speaker 1: it doesn't always go very well. Good luck in the tournament?

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Speaker 1: Zags three to one? What's up? Three to one? This

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00:22:55,240 --> 00:22:58,800
Speaker 1: is great teath shouting out good three to one. This

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Speaker 1: is great tea saying good luck to three to one.

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Speaker 1: This is great tea saying good luck three two one, Hey, guys,

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00:23:08,359 --> 00:23:10,800
Speaker 1: great tea here, good luck in the tournament? Zags on

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00:23:10,800 --> 00:23:14,960
Speaker 1: one O three one, K C d A. Why do

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00:23:15,040 --> 00:23:17,800
Speaker 1: you three to That's my time until I get everything,

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00:23:17,840 --> 00:23:19,760
Speaker 1: like you know, and you don't have to do that.

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Speaker 1: You don't have to do that. How else would you

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Speaker 1: do it? You knew it. You never taught me that.

387
00:23:26,840 --> 00:23:31,320
Speaker 1: You just start reading. Oh my god. Anyway, you're listening

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Speaker 1: to just special coverage of the Great Tea Exodus on

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Speaker 1: Z one. H. We gotta take a break. Scotty Bee's yelling.

390
00:23:38,480 --> 00:23:40,400
Speaker 1: But why are you yelling at me? You can turn

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Speaker 1: on your microphone talk to me. What's wrong? How can

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00:23:42,720 --> 00:23:47,200
Speaker 1: were yelling at us? Do I get to go around

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Speaker 1: the room and say goodbye each and one, every one

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Speaker 1: of them? Know you already wrote a goodbyes on underwear?

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00:23:51,640 --> 00:23:55,280
Speaker 1: All right? That was true? That was good alright, let's

396
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Speaker 1: take a break. We'll come back and and say goodbye

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00:23:57,920 --> 00:24:00,600
Speaker 1: and say goodbye all right? I mean you really want

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00:24:00,600 --> 00:24:02,679
Speaker 1: to stop down and say goodbye to everyone? If you

399
00:24:02,680 --> 00:24:04,119
Speaker 1: want to, you can do whatever you want. It's up

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00:24:04,160 --> 00:24:06,240
Speaker 1: to you, guys, and it's up if you want to

401
00:24:06,240 --> 00:24:09,800
Speaker 1: do it, Gregory. I hopefully I can get through it.

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00:24:09,920 --> 00:24:11,560
Speaker 1: If we can't get through, may we play song? Because

403
00:24:11,560 --> 00:24:13,040
Speaker 1: I know you won't get through it? Right? Then we

404
00:24:13,080 --> 00:24:19,480
Speaker 1: play right, let's take it Valentine song again. Hold on

405
00:24:19,480 --> 00:24:21,520
Speaker 1: one second when we come back. Remember I netted the

406
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Speaker 1: mood set. Yeah, when she said goodbye, b l and

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00:24:28,640 --> 00:24:32,159
Speaker 1: she said, I quit this bitch. Listen very carefully. I

408
00:24:32,440 --> 00:24:36,080
Speaker 1: quit this bitch. You should do the same thing. I'm

409
00:24:36,080 --> 00:24:38,240
Speaker 1: working on that. All right, we'll be back right after this.

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Speaker 1: Come on, come on, now, you know there's never any

411
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Speaker 1: gas in this trocket and I don't know what to

412
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Speaker 1: do now responsible? How are you kidding me? I usually

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Speaker 1: I am responsible, yes, but I was not paying attention

414
00:24:58,720 --> 00:25:02,320
Speaker 1: and the car won't start anymore. The thing about this

415
00:25:02,400 --> 00:25:05,119
Speaker 1: is great teas on the side of the road. And

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00:25:05,280 --> 00:25:07,200
Speaker 1: what time of day is this? This is about seven

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Speaker 1: thirty in the morning, and I'm dressed up in some

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Speaker 1: kind of costume and you're waiting for Scotty Be to

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Speaker 1: pick you up. And I'm not such a favorable area.

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Speaker 1: So you're in a bad area. I'm very nervous. Let's

421
00:25:15,640 --> 00:25:18,800
Speaker 1: return to the phone tent. Get out of the car,

422
00:25:19,640 --> 00:25:23,960
Speaker 1: let me see get out of the car and nothing.

423
00:25:24,640 --> 00:25:27,120
Speaker 1: You go this way? Guess gotta be the most asked

424
00:25:27,119 --> 00:25:29,680
Speaker 1: the nine way to go? Ever, what what did you

425
00:25:29,760 --> 00:25:31,760
Speaker 1: do that? What do they do? I don't know, I

426
00:25:31,760 --> 00:25:33,240
Speaker 1: guess go to the gas. It shouldn't get me a

427
00:25:33,320 --> 00:25:37,359
Speaker 1: can o. I don't know what don't you do? You

428
00:25:37,359 --> 00:25:42,280
Speaker 1: want me to walk there? No play? Man, man play?

429
00:25:43,200 --> 00:25:47,400
Speaker 1: This is honor, no play. How do you got at

430
00:25:47,440 --> 00:25:50,840
Speaker 1: out of gas? Because you left the last time without

431
00:25:50,840 --> 00:25:56,920
Speaker 1: putting gas in it? I used the car well, I mean,

432
00:25:57,440 --> 00:25:58,800
Speaker 1: I don't know. I have never run out of gas

433
00:25:58,840 --> 00:26:00,760
Speaker 1: of horse, So I don't know what you do? Garret's

434
00:26:00,800 --> 00:26:04,840
Speaker 1: looking around? One course, yas, how do you right out

435
00:26:04,840 --> 00:26:09,480
Speaker 1: of gas? What? What? What? What? What do I do? Now? Well,

436
00:26:09,520 --> 00:26:12,440
Speaker 1: obviously Scott getting my car, I'll take people get gas.

437
00:26:12,680 --> 00:26:14,959
Speaker 1: This is the tature. This is so figures because it's

438
00:26:15,000 --> 00:26:19,440
Speaker 1: just what how my life is? This absolutely figures? What

439
00:26:19,640 --> 00:26:24,000
Speaker 1: a miserable horse today. This is becoming damn it. All right,

440
00:26:24,080 --> 00:26:28,879
Speaker 1: come on, we've the car garret here. I'm gonna leave

441
00:26:28,880 --> 00:26:32,119
Speaker 1: one in the middle of of this neighborhood. Yeah, we know.

442
00:26:32,280 --> 00:26:35,280
Speaker 1: Until Please, we're talking about we've been a horse neighborhoods

443
00:26:35,280 --> 00:26:37,960
Speaker 1: than this. That's a fine, dude. This looks like a

444
00:26:38,040 --> 00:26:42,040
Speaker 1: vacation prepared to some of the neighborhoods we've been in before. Please,

445
00:26:43,080 --> 00:26:44,480
Speaker 1: all right, Well the garrett, we'll stay here with it

446
00:26:45,000 --> 00:26:47,040
Speaker 1: with the car. He's gonna come around and go to gas.

447
00:26:47,440 --> 00:26:55,440
Speaker 1: Where are we going? All good? What? What? It's t J.

448
00:26:56,119 --> 00:26:58,439
Speaker 1: Who's that's right? What the yeah? How are you on

449
00:26:58,480 --> 00:27:04,080
Speaker 1: the phone too? Are you still kept my head of gas?

450
00:27:04,280 --> 00:27:09,880
Speaker 1: You idiots? Would? I yelled? But now somebody said, I'm

451
00:27:09,920 --> 00:27:12,560
Speaker 1: a friend. I was just joking. I don't usually use

452
00:27:12,560 --> 00:27:16,680
Speaker 1: that language. No, No No, he's making me cars, He's making

453
00:27:16,720 --> 00:27:20,040
Speaker 1: me listen to you. And meanwhile, like I said, I

454
00:27:20,119 --> 00:27:22,080
Speaker 1: was dressed up like Superman, so I mean, I canna

455
00:27:22,240 --> 00:27:24,639
Speaker 1: tights everything. But you want a KP. You are an

456
00:27:24,720 --> 00:27:31,120
Speaker 1: angry old man and I was at the time. Finally,

457
00:27:31,880 --> 00:27:33,639
Speaker 1: so we would send a great tea how to do

458
00:27:33,680 --> 00:27:37,639
Speaker 1: these death defying acts and usually on a very safe

459
00:27:37,760 --> 00:27:41,840
Speaker 1: roller coaster or whatever. So in Las Vegas, at the Stratosphere,

460
00:27:42,280 --> 00:27:46,080
Speaker 1: there's a roller coaster that goes out, it slings you

461
00:27:46,119 --> 00:27:49,760
Speaker 1: out over the top of the building. Right, But they

462
00:27:49,800 --> 00:27:52,399
Speaker 1: built But what happened was for they have that, and

463
00:27:52,440 --> 00:27:53,880
Speaker 1: that was one of the things you wanted me to do.

464
00:27:54,240 --> 00:27:56,439
Speaker 1: But the reason why you sent me there was to

465
00:27:56,480 --> 00:27:59,800
Speaker 1: do the giant leap off the Stratospy. Yeah, you're so,

466
00:27:59,800 --> 00:28:02,639
Speaker 1: You're not in the car of a Rota coaster. You

467
00:28:02,640 --> 00:28:05,600
Speaker 1: actually leap off the side and it brings you back.

468
00:28:05,800 --> 00:28:09,160
Speaker 1: And also with the time difference, it is like dark,

469
00:28:09,280 --> 00:28:12,119
Speaker 1: it's like three o'clock in the morning Vegas. In Vegas.

470
00:28:12,160 --> 00:28:14,280
Speaker 1: I mean that's like, you know, I understand, but I'm

471
00:28:14,359 --> 00:28:17,000
Speaker 1: sky high. I'm like four hundred feet in the air

472
00:28:17,080 --> 00:28:18,840
Speaker 1: or something like that, and you guys are over here

473
00:28:18,840 --> 00:28:20,879
Speaker 1: in New York. We flew him all the way to

474
00:28:20,960 --> 00:28:24,600
Speaker 1: Vegas first class, mind you in first class because this

475
00:28:24,720 --> 00:28:27,760
Speaker 1: was a sponsor. Yeah, they were paying us money for

476
00:28:27,800 --> 00:28:29,760
Speaker 1: great Tea to jump off the top of the Stratosphere,

477
00:28:29,800 --> 00:28:32,359
Speaker 1: big steak dinner the night before called the Leap of

478
00:28:32,359 --> 00:28:34,880
Speaker 1: faith is what it's called. And it didn't work. Out

479
00:28:34,920 --> 00:28:36,920
Speaker 1: so well, and this is kind of sad. You gotta

480
00:28:36,920 --> 00:28:41,240
Speaker 1: bring me down, Okay, you gotta bring me down. Sorry, yeah, yeah, yeah,

481
00:28:41,240 --> 00:28:43,720
Speaker 1: I want to come down. I wanna come down. Sorry, guys,

482
00:28:43,760 --> 00:28:46,520
Speaker 1: there's no go, man, it's no go. I'm sorry, man,

483
00:28:46,520 --> 00:28:48,280
Speaker 1: I know it's dangerous. I just want to get out

484
00:28:48,280 --> 00:28:50,719
Speaker 1: of here and get out of your way. I apologize,

485
00:28:50,720 --> 00:28:58,880
Speaker 1: I apologize. I wasted everybody's time. I'm sorry. I'm standing

486
00:28:58,960 --> 00:29:01,960
Speaker 1: on a plank. Were looking like Vegas at three o'clock

487
00:29:02,000 --> 00:29:04,280
Speaker 1: in the morning, but they died. You were totally safe,

488
00:29:05,200 --> 00:29:08,680
Speaker 1: but so I think the worst assistant, Anthony, actually did

489
00:29:08,680 --> 00:29:10,520
Speaker 1: it because she got on the phone. You're like, somebody

490
00:29:10,560 --> 00:29:14,600
Speaker 1: better be jumping. Somebody, somebody better be jumping. There's paying money.

491
00:29:14,640 --> 00:29:17,720
Speaker 1: This is a client. Well, anyway, there are many times

492
00:29:17,720 --> 00:29:20,320
Speaker 1: where you did chicken out, like jumping out of airplanes

493
00:29:20,360 --> 00:29:23,000
Speaker 1: and stuff. They would fly him all the way to

494
00:29:23,040 --> 00:29:25,720
Speaker 1: the sky and they would harness him up with a

495
00:29:25,760 --> 00:29:27,760
Speaker 1: parachute and then he would say, no, I'm not doing it.

496
00:29:28,080 --> 00:29:30,640
Speaker 1: He cried because on the door opens up and the

497
00:29:30,680 --> 00:29:33,840
Speaker 1: windows like come on, jump and I'm like, I'm not

498
00:29:33,880 --> 00:29:36,160
Speaker 1: doing it. The thing wasn't and we were playing it

499
00:29:36,200 --> 00:29:38,360
Speaker 1: live on the air. It was sad here a grown

500
00:29:38,400 --> 00:29:42,160
Speaker 1: man crying like that. So I actually I actually ordered

501
00:29:42,200 --> 00:29:44,560
Speaker 1: them to delete all the sounds so no one would

502
00:29:44,560 --> 00:29:46,280
Speaker 1: ever hear of the grown men crop. We also do

503
00:29:46,320 --> 00:29:49,560
Speaker 1: not have the sound of him drinking the epicac. Yeah,

504
00:29:49,600 --> 00:29:52,920
Speaker 1: that was another. That was a very very low moment anyway,

505
00:29:52,960 --> 00:29:54,880
Speaker 1: But we had many, many great moments with you and

506
00:29:54,920 --> 00:29:57,360
Speaker 1: great tea. With that said, I've had very many great

507
00:29:57,400 --> 00:29:59,560
Speaker 1: moments with you. Guys to here on Z one hundred.

508
00:30:00,040 --> 00:30:02,320
Speaker 1: It's a time to let you go. I know it

509
00:30:02,360 --> 00:30:05,520
Speaker 1: has come down to the wire. Yes it is. We're

510
00:30:05,560 --> 00:30:08,720
Speaker 1: all drunk, we're ready to go home. We've had a day.

511
00:30:08,800 --> 00:30:11,000
Speaker 1: It's a great way to say goodbye. Look a straight name.

512
00:30:11,000 --> 00:30:14,400
Speaker 1: He can't even thank you, cross eye. I took a

513
00:30:14,480 --> 00:30:18,320
Speaker 1: nap about twenty minutes ago. I spoke in the two hours.

514
00:30:18,680 --> 00:30:20,080
Speaker 1: He wasn't missing for a while. I just want to

515
00:30:20,120 --> 00:30:24,440
Speaker 1: say thank you for giving me a life. Oh wait,

516
00:30:24,480 --> 00:30:25,880
Speaker 1: do you want to You said you want to go,

517
00:30:26,000 --> 00:30:27,480
Speaker 1: you want to go around the room, and oh I

518
00:30:27,520 --> 00:30:30,320
Speaker 1: can't do it. There's no way. You said you wanted

519
00:30:30,400 --> 00:30:34,240
Speaker 1: to tea. I couldn't do it. I just want to

520
00:30:34,240 --> 00:30:36,680
Speaker 1: say all I can't I can't. I can't. I want

521
00:30:36,680 --> 00:30:42,920
Speaker 1: to say to all of you, oh, thank you for

522
00:30:43,000 --> 00:30:49,240
Speaker 1: giving me my moment. I love I love the audience,

523
00:30:50,280 --> 00:30:53,600
Speaker 1: I love the stage. I loved everything that you've given

524
00:30:53,600 --> 00:30:58,400
Speaker 1: me helps. You have saved my life. And you know,

525
00:31:00,080 --> 00:31:03,040
Speaker 1: m I didn't know where I was in goment life,

526
00:31:03,280 --> 00:31:07,440
Speaker 1: what I was gonna do. Years. I look back, and

527
00:31:07,480 --> 00:31:10,080
Speaker 1: you don't really realize how fast it goes when you're

528
00:31:10,080 --> 00:31:12,360
Speaker 1: going through it, and then all of a sudden it

529
00:31:12,360 --> 00:31:14,960
Speaker 1: comes down to that time where you gotta say goodbye

530
00:31:15,640 --> 00:31:18,000
Speaker 1: and then you're like, where did the twenty five years go?

531
00:31:19,880 --> 00:31:23,240
Speaker 1: And I don't know. I don't know where twenty five

532
00:31:23,360 --> 00:31:30,360
Speaker 1: years went? Yea. I love you. I love everybody that

533
00:31:30,440 --> 00:31:35,080
Speaker 1: I came in contact with. I tried to stay normal

534
00:31:35,280 --> 00:31:38,320
Speaker 1: and humble, and I just wanted to be everybody's friend.

535
00:31:39,320 --> 00:31:42,400
Speaker 1: That's all I've ever wanted to do. And I just

536
00:31:42,440 --> 00:31:45,400
Speaker 1: want to still remain your friends. I walked out of

537
00:31:45,440 --> 00:31:48,120
Speaker 1: here very proud that I wear the Olvis to brand

538
00:31:48,200 --> 00:31:53,840
Speaker 1: brand on my chest proudly. I cannot fail because I

539
00:31:53,880 --> 00:31:56,760
Speaker 1: don't want to embarrass you, Elvis. I want everybody to

540
00:31:56,840 --> 00:32:01,920
Speaker 1: know where I came from, Mayne, who taught me how

541
00:32:01,920 --> 00:32:06,080
Speaker 1: did you radio the right way? So I thank you

542
00:32:06,160 --> 00:32:09,120
Speaker 1: very much for all of that from my heart and

543
00:32:09,200 --> 00:32:12,880
Speaker 1: I love you more than you really do. Know. Forget

544
00:32:12,880 --> 00:32:15,960
Speaker 1: about arguments and things that went on in twenty five years,

545
00:32:17,680 --> 00:32:19,760
Speaker 1: but to be able to work with your radio hero

546
00:32:20,640 --> 00:32:24,440
Speaker 1: has been an amazing thing. I mean, think about knowing

547
00:32:24,480 --> 00:32:27,280
Speaker 1: the celebrity, let's just say Kay Perry, and all of

548
00:32:27,360 --> 00:32:29,320
Speaker 1: a sudden you become friends with her, and you're like, wow,

549
00:32:29,360 --> 00:32:31,880
Speaker 1: this is awkward. You know, I grew up listening to you,

550
00:32:33,160 --> 00:32:37,560
Speaker 1: so to be your friend it was very awkward because

551
00:32:37,600 --> 00:32:40,080
Speaker 1: I grew up just loving you as a person, as

552
00:32:40,160 --> 00:32:43,120
Speaker 1: the radio guy that I knew. So I thank you

553
00:32:43,200 --> 00:32:46,040
Speaker 1: for being a part of my life, and I thank

554
00:32:46,120 --> 00:32:48,400
Speaker 1: everybody for letting me share my life. I see one

555
00:32:49,400 --> 00:32:54,360
Speaker 1: getting married, having my two kids, YadA, YadA, YadA, and

556
00:32:54,400 --> 00:32:57,240
Speaker 1: I just hope I helped. I help. I hope I

557
00:32:57,280 --> 00:32:59,840
Speaker 1: was able to make everybody laugh just a little bit more.

558
00:33:00,480 --> 00:33:02,960
Speaker 1: And that's all I really wanted to do. And I

559
00:33:03,040 --> 00:33:05,160
Speaker 1: put myself out there and I left it on the

560
00:33:05,200 --> 00:33:09,320
Speaker 1: court for you. Thank you, And as you carve your

561
00:33:09,320 --> 00:33:11,480
Speaker 1: initials in a tree, I just want to leave it

562
00:33:11,560 --> 00:33:16,000
Speaker 1: by saying I am Greg T and I was here,

563
00:33:17,120 --> 00:33:19,880
Speaker 1: and that's all I want you guys to remember that

564
00:33:20,040 --> 00:33:25,640
Speaker 1: I was here. That's thank you. We love you, Gregory.

565
00:33:26,000 --> 00:33:29,800
Speaker 1: You know something I want you to remember is think

566
00:33:29,800 --> 00:33:32,720
Speaker 1: about your heart is having a little room in the

567
00:33:32,840 --> 00:33:36,400
Speaker 1: very back. You can always visit that little room in

568
00:33:36,400 --> 00:33:40,760
Speaker 1: your heart. You open the door, it will always be.

569
00:33:40,800 --> 00:33:44,800
Speaker 1: It will always be in that room for you. Okay, Well,

570
00:33:45,120 --> 00:33:48,080
Speaker 1: enjoy yourselves tomorrow we will and I'll see you on

571
00:33:48,120 --> 00:33:52,120
Speaker 1: the radio on Wednesday. See you later. Thank you. Please,

572
00:33:52,120 --> 00:33:54,880
Speaker 1: whatever you do, whatever you do, don't listen to the show.

573
00:33:59,360 --> 00:34:01,200
Speaker 1: Honest me. I I got a business to run here.

574
00:34:02,760 --> 00:34:05,640
Speaker 1: We have mouths to feed. I mean, do not support

575
00:34:05,680 --> 00:34:14,200
Speaker 1: his new show. And you remember in the words listen

576
00:34:14,400 --> 00:34:19,160
Speaker 1: very carefully. I quit this bit. Hey everybody, it's me

577
00:34:19,239 --> 00:34:21,480
Speaker 1: Greg T, the frat boy, and I told you I

578
00:34:21,560 --> 00:34:24,920
Speaker 1: had a very important announcement, and here it is. I

579
00:34:25,000 --> 00:34:28,680
Speaker 1: refused to walk around and watch people on my job,

580
00:34:29,280 --> 00:34:34,360
Speaker 1: people lying me, talking about me. It's ridiculous. I can't

581
00:34:34,360 --> 00:34:37,120
Speaker 1: take it. I'm not gonna take it. I don't have

582
00:34:37,239 --> 00:34:40,839
Speaker 1: to take it. I'm not a dumming. And after saying this,

583
00:34:41,239 --> 00:34:45,399
Speaker 1: I don't care if I ever get another job in radio.

584
00:34:45,920 --> 00:34:49,399
Speaker 1: Greg T will not be taking his clothes off at

585
00:34:49,440 --> 00:34:52,880
Speaker 1: the Elvis to Ranch show no more. I refuse to

586
00:34:52,920 --> 00:34:56,560
Speaker 1: walk around with people that will speak to you, Hey,

587
00:34:56,560 --> 00:35:00,600
Speaker 1: great tea, how are you doing. But and as soon

588
00:35:00,640 --> 00:35:06,560
Speaker 1: as you walk by that idiot, that moron, that naked

589
00:35:06,680 --> 00:35:09,960
Speaker 1: looking Shrek look alike, well, I will not do it

590
00:35:10,000 --> 00:35:15,920
Speaker 1: to myself anymore. So listen very carefully. I quit this bitch.

591
00:35:16,239 --> 00:35:17,320
Speaker 1: Come a big station,