1 00:00:05,200 --> 00:00:07,480 Speaker 1: Hey, this is Anny and Samantha. I'm welcome to Stuff 2 00:00:07,480 --> 00:00:19,479 Speaker 1: Will Never Told You production of iHeartRadio. And today for 3 00:00:19,560 --> 00:00:22,680 Speaker 1: our book club, we're talking about Natalie Lloyd's twenty two 4 00:00:22,880 --> 00:00:26,320 Speaker 1: award winning book, Hummingbird. It is a young adult novel 5 00:00:26,360 --> 00:00:29,880 Speaker 1: that features several poetry sections. It is heartfelt and magical. 6 00:00:29,880 --> 00:00:31,520 Speaker 1: Samantha and I were just talking about it, and we 7 00:00:31,520 --> 00:00:33,319 Speaker 1: were both dropped tears by. 8 00:00:34,560 --> 00:00:37,639 Speaker 2: Yes, it's defy different reasons, but yes, I feel. 9 00:00:37,440 --> 00:00:40,960 Speaker 1: Like similar ish reasons. But you had a more specific 10 00:00:41,040 --> 00:00:44,480 Speaker 1: reason than I did. Yes, what we will talk about. 11 00:00:44,479 --> 00:00:48,960 Speaker 1: You also listened to it via audio book yes, read. 12 00:00:48,720 --> 00:00:50,960 Speaker 3: By Natalie Lloyd. 13 00:00:51,120 --> 00:00:54,720 Speaker 2: And I don't know if this is somewhat autobiographical in 14 00:00:54,760 --> 00:00:57,040 Speaker 2: that like she wanted to be on the stage as 15 00:00:57,040 --> 00:00:59,840 Speaker 2: well or not, which is a part of the story, 16 00:01:00,040 --> 00:01:02,360 Speaker 2: because she did a great job. She did a great 17 00:01:02,440 --> 00:01:05,480 Speaker 2: job in doing voices, which I was very surprised by, 18 00:01:05,720 --> 00:01:08,959 Speaker 2: and she did she's rum Tennessee Chattanooga's but not too 19 00:01:08,959 --> 00:01:12,360 Speaker 2: far from us. Hello, but like, yeah, her accent was 20 00:01:12,520 --> 00:01:13,600 Speaker 2: on point. 21 00:01:14,280 --> 00:01:17,800 Speaker 1: Yes, yeah, So I'm kind of jealous in that because 22 00:01:17,800 --> 00:01:19,800 Speaker 1: there are a lot of fun sayings in this in 23 00:01:19,800 --> 00:01:22,920 Speaker 1: this book, so good and uh as the date of 24 00:01:22,920 --> 00:01:27,600 Speaker 1: publications suggests. Spoilers. Spoilers throughout if you're interested in reading it. 25 00:01:28,040 --> 00:01:31,080 Speaker 1: The story follows all of Miracle Martin, a twelve year 26 00:01:31,120 --> 00:01:35,560 Speaker 1: old girl with O I or Osteogenesis imperfecta. Before we 27 00:01:35,600 --> 00:01:37,160 Speaker 1: get into the plot, I wanted to read a quote 28 00:01:37,200 --> 00:01:42,080 Speaker 1: from the author. Like Olive Martin, the protagonist of Hummingbird, 29 00:01:42,200 --> 00:01:45,959 Speaker 1: I was born with a brittle bone disease called osteogenesis imperfecta. 30 00:01:46,240 --> 00:01:49,680 Speaker 1: Oh I oh I means my bones break very easily. 31 00:01:50,280 --> 00:01:53,320 Speaker 1: Like Olive, I used a wheelchair or walker throughout middle 32 00:01:53,320 --> 00:01:56,360 Speaker 1: and elementary school. In most of my childhood photos, I'm 33 00:01:56,400 --> 00:01:59,880 Speaker 1: wearing a cast, and like Olive, the word fragile is 34 00:02:00,080 --> 00:02:02,840 Speaker 1: one I've heard used to describe myself and my body 35 00:02:03,000 --> 00:02:06,400 Speaker 1: for as long as I can remember. During middle school, 36 00:02:06,400 --> 00:02:08,920 Speaker 1: my self esteem got extra wobbly because of how I 37 00:02:08,960 --> 00:02:11,600 Speaker 1: felt inside my body. I think this is when I 38 00:02:11,639 --> 00:02:15,040 Speaker 1: first realized how different my body looked from my friend's bodies. 39 00:02:15,520 --> 00:02:18,440 Speaker 1: They grew taller, but I stayed extra short. Their legs 40 00:02:18,440 --> 00:02:21,400 Speaker 1: were straight, while mine were bowed and scarred from surgeries. 41 00:02:21,680 --> 00:02:25,399 Speaker 1: I didn't like being different. Sometimes I hated being fragile. 42 00:02:25,760 --> 00:02:28,720 Speaker 1: I'm fully aware, shaky, self esteem is not and maybe 43 00:02:28,840 --> 00:02:32,119 Speaker 1: has never been, an obstacle for every reader who has OI. 44 00:02:32,480 --> 00:02:35,560 Speaker 1: I believe a person's experience with disability is as unique 45 00:02:35,600 --> 00:02:42,080 Speaker 1: as that individual's heart for fingerprints. Yeah, so let's get 46 00:02:42,120 --> 00:02:45,000 Speaker 1: into the plot. Twelve year old Olive has been homeschooled 47 00:02:45,000 --> 00:02:48,080 Speaker 1: her whole life due to her OI, but she is 48 00:02:48,160 --> 00:02:52,120 Speaker 1: determined to go to Macklemore Elementary, where she believes she 49 00:02:52,200 --> 00:02:56,000 Speaker 1: will meet her BFF, her best friend forever. She lives 50 00:02:56,000 --> 00:02:59,000 Speaker 1: with her mom stepdad, who is also the pe teacher, 51 00:02:59,200 --> 00:03:03,200 Speaker 1: coach Malone, her stepbrother Hatch, her uncle Dash, and her 52 00:03:03,280 --> 00:03:07,400 Speaker 1: dad Jupiter, who kind of lives in a yurt is separate. 53 00:03:07,760 --> 00:03:14,239 Speaker 1: But together with that, she manages to convince her family 54 00:03:14,360 --> 00:03:18,200 Speaker 1: to let her give Machelmore a try, which is sort 55 00:03:18,240 --> 00:03:19,320 Speaker 1: of a castle by the way. 56 00:03:19,400 --> 00:03:23,320 Speaker 2: The school it seemed very fantasy from the cho I 57 00:03:23,360 --> 00:03:23,839 Speaker 2: loved it. 58 00:03:23,919 --> 00:03:26,000 Speaker 3: I loved that aspect of it. 59 00:03:26,040 --> 00:03:28,840 Speaker 1: But yeah, yes, the description of the library, I was like, 60 00:03:28,919 --> 00:03:35,520 Speaker 1: oh uh huh, yes, is amazing. Things aren't exactly smooth 61 00:03:35,560 --> 00:03:39,360 Speaker 1: sailing for her, though. Her caretaker, the person assigned to 62 00:03:39,400 --> 00:03:43,880 Speaker 1: look out for her, Miss Pigeon, is overbearing and repeatedly. 63 00:03:45,080 --> 00:03:50,360 Speaker 1: Olive encounters people who call her fragile. Then she meets 64 00:03:50,480 --> 00:03:54,640 Speaker 1: Grace Cho, an aspiring entrepreneur, and learns the story of 65 00:03:54,680 --> 00:03:58,040 Speaker 1: a magical wish granting hummingbird that pops up every couple 66 00:03:58,040 --> 00:04:01,960 Speaker 1: of decades. All of become determined to find the hummingbird 67 00:04:02,320 --> 00:04:05,600 Speaker 1: to make a wish to strengthen her bones. But she 68 00:04:05,760 --> 00:04:08,840 Speaker 1: is not the only one looking for the hummingbird, so 69 00:04:08,880 --> 00:04:11,600 Speaker 1: she makes a pact with Grace to search for it 70 00:04:11,680 --> 00:04:14,000 Speaker 1: together and not hold it against each other. If the 71 00:04:14,000 --> 00:04:16,400 Speaker 1: other person gets the wish, they have an actual contract 72 00:04:16,640 --> 00:04:22,479 Speaker 1: they like draw up. This leads to a friendship with 73 00:04:22,520 --> 00:04:27,760 Speaker 1: the librarian, also the past discoverers of the hummingbird, and 74 00:04:27,920 --> 00:04:31,479 Speaker 1: her stepbrother Hatch, who wants to use it to wish 75 00:04:31,520 --> 00:04:36,040 Speaker 1: to find his lost dog Nah Yes, lost dog, notably 76 00:04:36,040 --> 00:04:39,440 Speaker 1: because you can't it's you can't wish life or death things. 77 00:04:39,640 --> 00:04:39,839 Speaker 3: Yes. 78 00:04:41,960 --> 00:04:45,200 Speaker 1: Throughout all of this, all of makes friends, especially in 79 00:04:45,200 --> 00:04:48,839 Speaker 1: the school theater troupe. She auditions for an Emily Dickinson. 80 00:04:48,400 --> 00:04:49,200 Speaker 3: Play that I Was Like. 81 00:04:49,240 --> 00:04:54,960 Speaker 1: Whoa Okay, and gets the role of Bird of Joy, 82 00:04:55,279 --> 00:04:59,880 Speaker 1: but also gets the understeady role for Emily Dickinson. Things 83 00:05:00,240 --> 00:05:02,960 Speaker 1: go wrong, though, when she falls off the stage and 84 00:05:02,960 --> 00:05:06,839 Speaker 1: breaks her leg preventing her from searching for the hummingbird, 85 00:05:07,000 --> 00:05:10,200 Speaker 1: which is on a timer. Basically, it's like by the 86 00:05:10,200 --> 00:05:11,760 Speaker 1: blue moon on the night of the blue moon, you 87 00:05:11,760 --> 00:05:14,760 Speaker 1: get to find it. So and it also prevents her 88 00:05:14,760 --> 00:05:16,520 Speaker 1: from being in the play, or at least that's what 89 00:05:16,560 --> 00:05:20,040 Speaker 1: she thinks. She truly wishes Grace and Hatch the best 90 00:05:20,040 --> 00:05:22,920 Speaker 1: of luck and finding the hummingbird. Then she has a 91 00:05:22,960 --> 00:05:26,320 Speaker 1: conversation with her grandfather, who also has oi and who 92 00:05:26,360 --> 00:05:29,240 Speaker 1: has been like throughout the story mentioned knows a lot 93 00:05:29,279 --> 00:05:32,559 Speaker 1: about birds, who made a wish on the hummingbird last 94 00:05:32,560 --> 00:05:35,520 Speaker 1: time it appeared. He convinces all of that she doesn't 95 00:05:35,520 --> 00:05:38,680 Speaker 1: need the hummingbird to do everything that she wants to do. 96 00:05:39,640 --> 00:05:42,120 Speaker 1: Her and her family go to watch the play and 97 00:05:42,160 --> 00:05:44,960 Speaker 1: the director asks Olive to take on the role of 98 00:05:45,000 --> 00:05:49,800 Speaker 1: Emily Dickinson since the lead who was her daughter, had mono. 99 00:05:50,960 --> 00:05:55,120 Speaker 1: Olive does and nails it. Of course, the hummingbird appears 100 00:05:55,120 --> 00:05:57,719 Speaker 1: to her and she realizes that while her bones are fragile, 101 00:05:58,040 --> 00:06:01,839 Speaker 1: she is not and wishes her Hatch to find his dog. 102 00:06:03,080 --> 00:06:06,000 Speaker 1: She meets Grace after, who pretty much got her wish 103 00:06:06,040 --> 00:06:09,919 Speaker 1: without the hummingbird and was like, I'm good and Hatch 104 00:06:09,960 --> 00:06:13,919 Speaker 1: reveals that he wished for Olive to realize how amazing 105 00:06:13,960 --> 00:06:19,720 Speaker 1: she was, and then the dog, Yes Biscuit appears. Olive 106 00:06:19,800 --> 00:06:22,320 Speaker 1: writes poetry for the first time, the poetry book gifted 107 00:06:22,360 --> 00:06:27,640 Speaker 1: to her, and halfily ever after, it seems it ends well, 108 00:06:27,720 --> 00:06:30,120 Speaker 1: it ends on a high note, right. 109 00:06:29,960 --> 00:06:32,080 Speaker 2: Well, I think like one of the things about this book, 110 00:06:32,120 --> 00:06:34,440 Speaker 2: because you know, with a lot of young adult novels, 111 00:06:34,440 --> 00:06:38,240 Speaker 2: it could go pretty sad pretty quickly. One of the 112 00:06:38,240 --> 00:06:40,000 Speaker 2: things that you and I talked about when we were 113 00:06:40,040 --> 00:06:44,600 Speaker 2: finding books or movies specifically for Disability Justice Month, we 114 00:06:44,640 --> 00:06:47,880 Speaker 2: wanted something that wasn't dour, I guess is the best word. 115 00:06:47,880 --> 00:06:51,960 Speaker 2: We know. Again, just like the author said herself, everybody's 116 00:06:51,960 --> 00:06:55,520 Speaker 2: experiences are different, especially when it comes to their own 117 00:06:55,560 --> 00:07:00,520 Speaker 2: disabilities or whatnot. And she like talks about her own 118 00:07:00,640 --> 00:07:03,960 Speaker 2: desires and such, and we know that that's the case 119 00:07:04,040 --> 00:07:07,839 Speaker 2: in reality that people do often see this. It's just 120 00:07:07,880 --> 00:07:10,000 Speaker 2: a part of who they are, and it's not a 121 00:07:10,080 --> 00:07:13,840 Speaker 2: hindrance necessarily. It's just something that they've always had, that's 122 00:07:13,880 --> 00:07:17,280 Speaker 2: always been a part of them, and it's nothing worse 123 00:07:17,720 --> 00:07:20,520 Speaker 2: or better for anybody else. And we wanted something that 124 00:07:20,600 --> 00:07:24,240 Speaker 2: was just like a story essentially that celebrates that the 125 00:07:24,280 --> 00:07:27,920 Speaker 2: normality of having disabilities, and that is cool in itself, 126 00:07:28,160 --> 00:07:30,760 Speaker 2: and I think for this book they did a great job. 127 00:07:30,880 --> 00:07:34,080 Speaker 2: Natalie Lloyd did an amazing job and making the story 128 00:07:34,760 --> 00:07:38,840 Speaker 2: as like kind but honest as it could be. And 129 00:07:38,880 --> 00:07:41,360 Speaker 2: when I say kind, I really expected being girls coming 130 00:07:41,400 --> 00:07:45,520 Speaker 2: in with the Madisons, yes, and I was like, oh no, no, no, 131 00:07:45,760 --> 00:07:48,360 Speaker 2: but it wasn't. I was like, okay, cool, cool, cool, 132 00:07:48,600 --> 00:07:51,320 Speaker 2: you know, the like the even the most problematic people 133 00:07:51,800 --> 00:07:53,840 Speaker 2: were the people who were just like a little too 134 00:07:53,920 --> 00:07:57,920 Speaker 2: caught in infantalizing her because they were scared, which is 135 00:07:57,960 --> 00:08:01,200 Speaker 2: you know, reasonable when you don't when you're not aware 136 00:08:01,200 --> 00:08:05,480 Speaker 2: of what something is or how something can go, or 137 00:08:05,520 --> 00:08:09,440 Speaker 2: what incidents can happen, especially in like a crowded place. 138 00:08:09,520 --> 00:08:11,960 Speaker 2: You know, we see an incident that does happen. But 139 00:08:12,000 --> 00:08:14,120 Speaker 2: then I loved each of the characters that were so 140 00:08:14,160 --> 00:08:17,400 Speaker 2: different and they had such vibrant personalities of their own. 141 00:08:17,520 --> 00:08:20,720 Speaker 2: Between Dylan, I love Dylan in himself, like just being 142 00:08:20,720 --> 00:08:22,560 Speaker 2: who he is and him because at the first when 143 00:08:22,800 --> 00:08:24,760 Speaker 2: Grace was trying to find the hummingbird, she was trying 144 00:08:24,760 --> 00:08:27,440 Speaker 2: to recruit him, and Dylan was much like no no, 145 00:08:27,520 --> 00:08:28,480 Speaker 2: I can do this on my own. 146 00:08:28,480 --> 00:08:30,280 Speaker 3: I know I have the talent. I don't need a hummingbird. 147 00:08:30,280 --> 00:08:34,480 Speaker 2: I was like okay, oh, okay again, and all of 148 00:08:34,520 --> 00:08:37,000 Speaker 2: Who's like listening in and then Eve's jobbing. She's just 149 00:08:37,080 --> 00:08:40,280 Speaker 2: like yes, like she really wants to shout yeah because 150 00:08:40,320 --> 00:08:45,000 Speaker 2: like that type of added is so amazing. It was like, yes, indeed, 151 00:08:45,120 --> 00:08:47,640 Speaker 2: Grace found that out for herself and want to be 152 00:08:47,679 --> 00:08:50,400 Speaker 2: an entrepreneur, so she kind of figured that out later 153 00:08:50,920 --> 00:08:54,680 Speaker 2: as well. And I loved the relationship of her family, 154 00:08:55,600 --> 00:08:58,679 Speaker 2: such an amazing supportive family. Like I was like between 155 00:08:58,720 --> 00:09:02,520 Speaker 2: the good relationship the father and the mother and the 156 00:09:02,760 --> 00:09:06,400 Speaker 2: new husband, like I was like, Okay, y'all are actually cohabitating. 157 00:09:06,440 --> 00:09:09,120 Speaker 2: I like this and the like strength they give their 158 00:09:09,200 --> 00:09:13,880 Speaker 2: daughter without being over the top like with being parents. 159 00:09:13,920 --> 00:09:17,160 Speaker 2: For Coach Malone as well, like he's still a parent, 160 00:09:17,280 --> 00:09:21,400 Speaker 2: caring parent, kind of naive, really really too involved in 161 00:09:21,480 --> 00:09:24,360 Speaker 2: like go like the whole locker room thing. Was like, oh, 162 00:09:24,800 --> 00:09:27,040 Speaker 2: why would you do that to her? 163 00:09:28,200 --> 00:09:32,000 Speaker 1: Yeah, they like go be in the locker room, like 164 00:09:32,120 --> 00:09:34,640 Speaker 1: make friends or just talk to people. 165 00:09:35,679 --> 00:09:38,400 Speaker 2: And She's like, I don't need to change out, so 166 00:09:38,440 --> 00:09:41,200 Speaker 2: I'm just sitting here watching give people get change. I'm 167 00:09:41,200 --> 00:09:43,480 Speaker 2: not gonna start introducing myself while someone's getting into there, 168 00:09:43,640 --> 00:09:44,080 Speaker 2: Like I'm. 169 00:09:43,960 --> 00:09:45,480 Speaker 3: Like, yeah, that's so awkward. 170 00:09:45,559 --> 00:09:50,320 Speaker 2: Why what Yeah, what made you think this is a 171 00:09:50,400 --> 00:09:56,120 Speaker 2: smart idea? But even Hatch and then Hatch seemingly having 172 00:09:56,120 --> 00:09:59,280 Speaker 2: the normal life and being all good but talking about 173 00:09:59,320 --> 00:10:03,200 Speaker 2: his invisible disabilities and the like really seeing that and 174 00:10:03,240 --> 00:10:05,520 Speaker 2: then about his dog Biscuit, and yes, this is where 175 00:10:05,520 --> 00:10:06,000 Speaker 2: I cried. 176 00:10:06,080 --> 00:10:08,800 Speaker 3: I had a moment. I'm like, no, please tell me 177 00:10:08,840 --> 00:10:10,160 Speaker 3: he's okay, Like I. 178 00:10:10,240 --> 00:10:13,000 Speaker 2: Was not good and then he reappears and I was 179 00:10:13,040 --> 00:10:17,400 Speaker 2: not good again. It got me twice, like I'm tearing 180 00:10:17,440 --> 00:10:18,959 Speaker 2: of now we're talking about it. 181 00:10:19,080 --> 00:10:22,000 Speaker 3: I can't help it. Dogs can't do that with pets 182 00:10:22,040 --> 00:10:22,240 Speaker 3: with me. 183 00:10:22,520 --> 00:10:24,959 Speaker 2: And then yes, I love the like I just this 184 00:10:26,080 --> 00:10:29,080 Speaker 2: is my story once again is back to like, man, 185 00:10:29,400 --> 00:10:31,040 Speaker 2: I wish I had this as a good because this 186 00:10:31,160 --> 00:10:34,280 Speaker 2: made my but this would have made my imagination run wild. 187 00:10:35,000 --> 00:10:37,640 Speaker 3: Yeah, this level of love and like that. 188 00:10:37,840 --> 00:10:40,280 Speaker 2: When I read the description when we were talking about this, 189 00:10:40,320 --> 00:10:42,400 Speaker 2: I was like, Okay, this is interesting. This is intriguing 190 00:10:42,720 --> 00:10:44,920 Speaker 2: because it's kind of does remind me of the old 191 00:10:44,920 --> 00:10:48,080 Speaker 2: stories where it was all tragic. They mentioned the bridge 192 00:10:48,080 --> 00:10:51,000 Speaker 2: to Terabithy a lot that scarred me to the point 193 00:10:51,000 --> 00:10:54,600 Speaker 2: that I think I've deleted some of the information about that. 194 00:10:55,440 --> 00:10:58,320 Speaker 2: But then with the minute her hole like search for 195 00:10:58,440 --> 00:11:02,000 Speaker 2: BFF and talking about and Green Gables. So that's the 196 00:11:02,000 --> 00:11:03,600 Speaker 2: first thing that pops in my head and she mentions it. 197 00:11:03,600 --> 00:11:05,840 Speaker 2: I was like, of course, there it is, and I 198 00:11:05,920 --> 00:11:08,720 Speaker 2: love that. And y'all know I love a good retake, 199 00:11:09,080 --> 00:11:12,680 Speaker 2: I love a good redo, and this was so perfect 200 00:11:12,760 --> 00:11:16,560 Speaker 2: in that her relationship with Grace, which was so sweet 201 00:11:16,600 --> 00:11:20,959 Speaker 2: and so loving, and that Grace was not about her disability. 202 00:11:21,000 --> 00:11:22,280 Speaker 3: It was more about like, let's go. 203 00:11:22,480 --> 00:11:24,440 Speaker 2: You have this smarts and I have this smarts, and 204 00:11:24,480 --> 00:11:27,280 Speaker 2: we got this as a combination, we are unstoppable. 205 00:11:27,320 --> 00:11:29,640 Speaker 3: It was just, oh, so yeah. 206 00:11:29,760 --> 00:11:33,160 Speaker 2: For anybody who is a parent, or maybe some of 207 00:11:33,160 --> 00:11:36,000 Speaker 2: our listeners who are younger, this is an amazing book 208 00:11:36,000 --> 00:11:39,280 Speaker 2: to have as part of your imagination. 209 00:11:39,840 --> 00:11:43,959 Speaker 3: Reread is so sweet, it really is, and it's. 210 00:11:45,280 --> 00:11:47,560 Speaker 1: I think, going back to what you said earlier, Samantha, 211 00:11:47,640 --> 00:11:50,080 Speaker 1: it does a really good job of It is a 212 00:11:50,400 --> 00:11:58,120 Speaker 1: very supportive, nice kind take that also deals with like 213 00:11:58,160 --> 00:12:00,800 Speaker 1: there's a lot of a lack of accessibility, but then 214 00:12:00,840 --> 00:12:03,920 Speaker 1: they find a way like her people in her life 215 00:12:04,559 --> 00:12:07,120 Speaker 1: help her find a way around that. So it's like 216 00:12:07,200 --> 00:12:11,160 Speaker 1: it's not unrealistic in that way, but it's just very 217 00:12:11,280 --> 00:12:11,839 Speaker 1: very kind. 218 00:12:12,600 --> 00:12:15,600 Speaker 3: And also she's just determined, she's she's going to. 219 00:12:15,600 --> 00:12:18,680 Speaker 1: Find a way And I love the magical element of 220 00:12:18,720 --> 00:12:20,280 Speaker 1: it too, And I love how it's treated. 221 00:12:20,720 --> 00:12:25,079 Speaker 3: It's yeah and then it's like a little bit. I 222 00:12:25,400 --> 00:12:31,880 Speaker 3: love it too, what the yes? Please? Where is mine? Then? 223 00:12:33,480 --> 00:12:36,760 Speaker 1: The library is so eccentric because you've got like therapy 224 00:12:36,840 --> 00:12:39,240 Speaker 1: animals and it just sounded. 225 00:12:41,120 --> 00:12:45,600 Speaker 2: Like it's probably not exactly like exotic, but still I 226 00:12:45,640 --> 00:12:47,719 Speaker 2: was really hoping, and I know we're jumping all over 227 00:12:47,720 --> 00:12:49,520 Speaker 2: the place. I was really hoping that they would have 228 00:12:49,559 --> 00:12:50,720 Speaker 2: an accept about the ghost. 229 00:12:51,760 --> 00:12:55,640 Speaker 1: Yes, there's a ghost mentioned in the library. And I 230 00:12:55,920 --> 00:12:57,760 Speaker 1: was also like, oh. 231 00:12:58,240 --> 00:13:01,600 Speaker 2: This is going to pop up one this They didn't 232 00:13:01,640 --> 00:13:02,960 Speaker 2: get that deep into the lore. 233 00:13:03,280 --> 00:13:19,480 Speaker 1: I guess no, well maybe maybe next time. Maybe next time, Well, 234 00:13:20,080 --> 00:13:23,520 Speaker 1: I guess we should get into the themes. Uh, starting 235 00:13:23,679 --> 00:13:26,880 Speaker 1: with yes, disability And I love this quote. This comes 236 00:13:26,880 --> 00:13:32,960 Speaker 1: on early because all of is just immediately a very 237 00:13:33,080 --> 00:13:37,240 Speaker 1: unique and fun personality. So here here we go. In 238 00:13:37,240 --> 00:13:40,720 Speaker 1: case you're curious, I have two wheelchairs. They both have names, 239 00:13:40,880 --> 00:13:44,840 Speaker 1: Dolly and Riba. Dolly's my sparkly custom fitted go two 240 00:13:44,880 --> 00:13:47,599 Speaker 1: set of wheels, I hot food, my name and rhinestones 241 00:13:47,600 --> 00:13:50,559 Speaker 1: on the back. I maneuvered Dolly's wheels myself and gosh, 242 00:13:50,640 --> 00:13:53,920 Speaker 1: I love the way she guides. Riba is motorized, with 243 00:13:54,000 --> 00:13:56,720 Speaker 1: a maroon seat and shiny red rims that sparkle in 244 00:13:56,760 --> 00:14:00,920 Speaker 1: the sun. Contrary to popular belief, I don't hate my wheelchairs. 245 00:14:01,000 --> 00:14:03,440 Speaker 1: They help me do whatever I want. I consider them 246 00:14:03,520 --> 00:14:06,600 Speaker 1: fine chariots, So don't feel sorry for me on account 247 00:14:06,679 --> 00:14:08,600 Speaker 1: of the wheels, right, I. 248 00:14:08,520 --> 00:14:10,839 Speaker 2: Love it hard talking about g and speed anywhere. I 249 00:14:10,920 --> 00:14:13,200 Speaker 2: think we've talked about that before with that feminists around 250 00:14:13,240 --> 00:14:16,080 Speaker 2: the world. We had the activists who she was talking 251 00:14:16,080 --> 00:14:17,880 Speaker 2: about her wheelchair and she loves it too. She's like, 252 00:14:17,920 --> 00:14:19,920 Speaker 2: I can will where they can't, you know, where they 253 00:14:19,960 --> 00:14:21,640 Speaker 2: have to walk, and I'm much faster than them. I 254 00:14:21,720 --> 00:14:25,840 Speaker 2: was like, yeah, yeah, that's nice. And I did her 255 00:14:26,120 --> 00:14:29,200 Speaker 2: whole style. I love that she has a style, and 256 00:14:29,360 --> 00:14:32,640 Speaker 2: she was every bit head to toe with her sunglasses 257 00:14:32,800 --> 00:14:36,720 Speaker 2: or her heart sunglasses, like that was her personality, not 258 00:14:36,800 --> 00:14:39,080 Speaker 2: the wheelchair, Like I just love that. That was the 259 00:14:39,080 --> 00:14:40,840 Speaker 2: descriptors and it was so vivid. 260 00:14:41,360 --> 00:14:45,600 Speaker 1: Yes, yes, and you know, a reminder, this was the 261 00:14:45,600 --> 00:14:47,760 Speaker 1: first time she'd been homeschool, so this is the first 262 00:14:47,760 --> 00:14:50,960 Speaker 1: time she was going out. So she was like choosing 263 00:14:51,000 --> 00:14:54,360 Speaker 1: her clothes, you know, based on like the glitter and 264 00:14:54,400 --> 00:14:56,720 Speaker 1: all the stuff. She just had such a clear sense 265 00:14:56,760 --> 00:15:01,400 Speaker 1: of fashion who she was. But yes, this was she 266 00:15:01,520 --> 00:15:04,920 Speaker 1: did have the support of family. She does, and when 267 00:15:04,960 --> 00:15:08,960 Speaker 1: she first started at the school it wasn't It didn't 268 00:15:09,320 --> 00:15:13,360 Speaker 1: go quite as well, and she had encountered instances of 269 00:15:13,400 --> 00:15:16,000 Speaker 1: ableism before, including early on. 270 00:15:16,320 --> 00:15:17,800 Speaker 3: The book starts with. 271 00:15:19,840 --> 00:15:22,000 Speaker 1: Something that happens at church, which is also something that 272 00:15:22,000 --> 00:15:26,120 Speaker 1: we had discussed in previous book Picks for Disability Pride months. 273 00:15:26,760 --> 00:15:31,360 Speaker 1: So here's the quote that girl as fragile as a 274 00:15:31,400 --> 00:15:37,480 Speaker 1: falling star, and that word fragile does keep coming back 275 00:15:37,520 --> 00:15:39,760 Speaker 1: and does keep appearing throughout. 276 00:15:39,800 --> 00:15:40,400 Speaker 3: But then. 277 00:15:41,920 --> 00:15:44,520 Speaker 1: This woman while they're at church comes up to all 278 00:15:44,560 --> 00:15:49,720 Speaker 1: of and kind of like it supposedly prophecy. 279 00:15:49,880 --> 00:15:52,480 Speaker 2: It's specially a prophetic and I think in itself, like 280 00:15:53,120 --> 00:15:56,840 Speaker 2: we know, if any of us from southern churches know 281 00:15:57,360 --> 00:16:00,440 Speaker 2: this woman who comes in and prays over you and says, whatever, 282 00:16:00,720 --> 00:16:03,680 Speaker 2: maybe the problem is gonna heal you. And I have 283 00:16:03,720 --> 00:16:06,640 Speaker 2: a feeling she's a nosy butt that thinks she knows everything. 284 00:16:07,800 --> 00:16:08,480 Speaker 3: I'm just saying. 285 00:16:09,320 --> 00:16:11,120 Speaker 2: And this was one of the moments where Olive was 286 00:16:11,160 --> 00:16:13,600 Speaker 2: just sitting by herself and her parents weren't around, and 287 00:16:13,880 --> 00:16:17,120 Speaker 2: the woman actually tells Olive, I believe God wants me 288 00:16:17,160 --> 00:16:19,680 Speaker 2: to tell you that your life will not always look 289 00:16:20,360 --> 00:16:24,360 Speaker 2: like this. Makes sense, I said, sinking back against my 290 00:16:24,440 --> 00:16:27,640 Speaker 2: chair as far as possible. For some reason, I felt 291 00:16:27,720 --> 00:16:29,520 Speaker 2: smaller on account of the way she looked at me, 292 00:16:29,880 --> 00:16:31,760 Speaker 2: or maybe it was the way she was talking to me. 293 00:16:32,240 --> 00:16:35,120 Speaker 2: My voice came out small, too, so I cleared my throat. 294 00:16:35,520 --> 00:16:39,120 Speaker 2: I mean, I'm only eleven. Life's bound to change considerably. 295 00:16:39,640 --> 00:16:42,880 Speaker 2: She smiled and said, I mean you will not always 296 00:16:42,880 --> 00:16:46,880 Speaker 2: be in this terrible contraption. Someday you'll walk, You'll jump 297 00:16:47,000 --> 00:16:50,080 Speaker 2: right out of this chair. I believe God means to 298 00:16:50,160 --> 00:16:50,680 Speaker 2: heal you. 299 00:16:51,440 --> 00:16:53,960 Speaker 3: And you all. My accent came out just now. It's 300 00:16:54,600 --> 00:16:56,280 Speaker 3: fitting fitting. 301 00:16:56,320 --> 00:16:58,720 Speaker 2: I think it's because I'll listen to it, so I 302 00:16:58,840 --> 00:17:03,040 Speaker 2: hurt it anyway. Also, again, I have seen these types 303 00:17:03,080 --> 00:17:06,240 Speaker 2: of people who came through and saying, I believe God 304 00:17:06,320 --> 00:17:07,119 Speaker 2: wants this for you. 305 00:17:07,200 --> 00:17:08,280 Speaker 3: God wants that for you. 306 00:17:09,560 --> 00:17:11,880 Speaker 2: Let me leave hands on you and heal you, which 307 00:17:11,880 --> 00:17:14,119 Speaker 2: is kind of one of those conversations when we have 308 00:17:14,200 --> 00:17:17,400 Speaker 2: about church in general, like thank God for those who 309 00:17:17,440 --> 00:17:20,880 Speaker 2: have their own faith and beliefs and aren't discouraged by this. 310 00:17:21,040 --> 00:17:23,879 Speaker 2: And as as she became discouraged, but she had people 311 00:17:24,359 --> 00:17:27,440 Speaker 2: around her who was like, noa, noa, Noah, there's nothing 312 00:17:27,440 --> 00:17:29,199 Speaker 2: wrong with you. Don't listen to this woman who was 313 00:17:29,480 --> 00:17:33,199 Speaker 2: somewhat out of her element and out and really just 314 00:17:33,320 --> 00:17:38,640 Speaker 2: being a nosy person and not realizing harms like that. 315 00:17:38,920 --> 00:17:41,879 Speaker 2: We've seen women like this and just saying your reverent 316 00:17:41,960 --> 00:17:45,720 Speaker 2: things as well as just very nosy, non non helpful 317 00:17:45,760 --> 00:17:49,320 Speaker 2: things for people. That has nothing like to do with 318 00:17:49,359 --> 00:17:51,199 Speaker 2: that person who feels like they need to speak on 319 00:17:51,280 --> 00:17:53,600 Speaker 2: based on the Lord. It's just based on their own 320 00:17:53,680 --> 00:17:56,280 Speaker 2: ableism and we know that and oftentimes we just wish 321 00:17:56,520 --> 00:17:57,959 Speaker 2: we could just cover their mouth up. 322 00:17:58,080 --> 00:18:01,159 Speaker 1: Yeah, I mean so many times it's about the person 323 00:18:01,200 --> 00:18:05,720 Speaker 1: wanting to feel better about themself and not at all about. 324 00:18:05,640 --> 00:18:08,159 Speaker 3: The other person question who didn't ask for this. 325 00:18:08,520 --> 00:18:10,840 Speaker 2: So it makes them feel like they they're closer to God, 326 00:18:11,119 --> 00:18:13,040 Speaker 2: which is a whole different level of competition. 327 00:18:13,160 --> 00:18:15,560 Speaker 3: You're like why, yeah. 328 00:18:16,119 --> 00:18:22,080 Speaker 1: Yeah, but so that that happens, and that's when her 329 00:18:22,080 --> 00:18:24,800 Speaker 1: mom like rushes in and it's like, oh, I don't 330 00:18:24,800 --> 00:18:29,560 Speaker 1: listen to her, it's not right. And that's when all 331 00:18:29,600 --> 00:18:32,200 Speaker 1: of is like, I really really want to go to Macklemore. 332 00:18:32,400 --> 00:18:37,280 Speaker 3: And her mom says, all right, you write me a sermon. No, 333 00:18:37,400 --> 00:18:38,520 Speaker 3: that was all his own plans. 334 00:18:38,560 --> 00:18:40,399 Speaker 2: She was like, I will write you a sermon, and 335 00:18:40,440 --> 00:18:42,280 Speaker 2: I will talk you into this. And this was doing 336 00:18:42,720 --> 00:18:48,400 Speaker 2: when all of a sudden, large white mass and they 337 00:18:48,480 --> 00:18:50,960 Speaker 2: whether it was like snowflakes. Some of them said snowflakes, 338 00:18:51,000 --> 00:18:52,800 Speaker 2: some of them says sleep some of the some of 339 00:18:52,800 --> 00:18:55,200 Speaker 2: them said fog came in and this and her uncle 340 00:18:55,280 --> 00:18:58,200 Speaker 2: Dadh had already been like, oh, there's something happening. There's 341 00:18:58,240 --> 00:19:01,040 Speaker 2: something in the wind, there's something coming, very mystical. So 342 00:19:01,280 --> 00:19:03,840 Speaker 2: you get this idea that this book is bigger than 343 00:19:04,000 --> 00:19:07,679 Speaker 2: just ugh just a tale in which they talk about 344 00:19:07,680 --> 00:19:11,640 Speaker 2: how this has happened before. And yes, they're actually feathers, 345 00:19:11,760 --> 00:19:17,080 Speaker 2: but the feathers dissolve like like snow. They live like 346 00:19:17,160 --> 00:19:20,159 Speaker 2: traces behind. She says glitter, the lives a little glitter 347 00:19:20,640 --> 00:19:23,520 Speaker 2: on her and that this has happened every few years. 348 00:19:23,600 --> 00:19:25,960 Speaker 2: And then it's significance to the birds, because birds is 349 00:19:25,960 --> 00:19:28,920 Speaker 2: a big part of the story because she is an 350 00:19:28,960 --> 00:19:32,360 Speaker 2: avid bird expert as with her grandfather, and she knows 351 00:19:32,400 --> 00:19:35,000 Speaker 2: a lot about birds, so this was a huge point. 352 00:19:35,040 --> 00:19:37,600 Speaker 2: So she was like, yes, something isn't the wind, it's happening, 353 00:19:37,600 --> 00:19:40,959 Speaker 2: it's time. This is a sign, and she does her sermon. 354 00:19:41,359 --> 00:19:45,639 Speaker 1: She does, and she convinces them to let her try mackelmore. 355 00:19:46,520 --> 00:19:49,040 Speaker 1: She is so excited. This is the thing she wants. 356 00:19:49,320 --> 00:19:51,280 Speaker 1: I did love that it was the BFF she was 357 00:19:51,320 --> 00:19:53,000 Speaker 1: most excited about. That was great. 358 00:19:53,560 --> 00:19:54,919 Speaker 3: But yeah, she gets to school. 359 00:19:55,040 --> 00:20:00,320 Speaker 1: She has the greatly named Miss Pigeon, who who is 360 00:20:00,320 --> 00:20:02,640 Speaker 1: supposed to kind of be her guide, but she is 361 00:20:02,680 --> 00:20:08,240 Speaker 1: like way over the top, thinks that she all of 362 00:20:08,440 --> 00:20:12,440 Speaker 1: is fragile, can't do anything. People avoid her because they're 363 00:20:12,480 --> 00:20:15,560 Speaker 1: nervous because it's like the whole school has been told 364 00:20:15,800 --> 00:20:18,840 Speaker 1: Olive's coming in. She's fragile. Hatch also didn't want her 365 00:20:18,840 --> 00:20:21,120 Speaker 1: to go, although you later find out there were other 366 00:20:21,160 --> 00:20:25,560 Speaker 1: reasons why, but he was worried about hurting her and 367 00:20:25,560 --> 00:20:28,600 Speaker 1: looking out for her. So here's a quote. People have 368 00:20:28,680 --> 00:20:31,440 Speaker 1: called me disabled before, I call myself disabled. It's not 369 00:20:31,480 --> 00:20:33,359 Speaker 1: a bad word, and it feels as neutral to me 370 00:20:33,400 --> 00:20:36,200 Speaker 1: as having brown hair. It's one part of who I am, 371 00:20:36,560 --> 00:20:39,600 Speaker 1: but her tone made disabled feel different, and not in 372 00:20:39,640 --> 00:20:42,679 Speaker 1: a good way, more like a scratchy sweater way. I 373 00:20:42,680 --> 00:20:48,840 Speaker 1: don't want special treatment. I just want to be myself, right. Yeah, 374 00:20:48,920 --> 00:20:52,080 Speaker 1: And this was after a pretty disastrous yeah lunch. 375 00:20:52,800 --> 00:20:54,399 Speaker 2: Yeah all right, that's when I thought I was going 376 00:20:54,480 --> 00:20:56,119 Speaker 2: to be a mean girl session and I was like, 377 00:20:56,160 --> 00:20:58,119 Speaker 2: oh no, but like instead, it was kind of an 378 00:20:58,160 --> 00:21:02,360 Speaker 2: ablest moment of like leave her alone. She's that's that's 379 00:21:02,400 --> 00:21:04,680 Speaker 2: not the way, that's not the way to go, but okay. 380 00:21:05,000 --> 00:21:07,040 Speaker 2: And then miss Pigeon she had such high hopes because 381 00:21:07,040 --> 00:21:10,000 Speaker 2: she seemed cool the way she was dressed, but then 382 00:21:10,080 --> 00:21:12,639 Speaker 2: she just ended up being like even more, which is 383 00:21:12,720 --> 00:21:15,520 Speaker 2: understandable when you don't know. And the parents had come 384 00:21:15,560 --> 00:21:18,520 Speaker 2: in with like a pretty big speech to prepare everybody, 385 00:21:18,560 --> 00:21:22,199 Speaker 2: so it kind of went beyond uh. So the introduction 386 00:21:22,480 --> 00:21:26,479 Speaker 2: is a rough start, a rough start, yes. And then 387 00:21:26,600 --> 00:21:30,120 Speaker 2: here's another quote. It's because fragile is how people always 388 00:21:30,119 --> 00:21:33,160 Speaker 2: describe me, that or short, and I wish they see 389 00:21:33,240 --> 00:21:36,919 Speaker 2: other things, like my dark hair, or my heart shaped sunglasses, 390 00:21:37,080 --> 00:21:39,840 Speaker 2: or even my dress which is full of mushrooms and 391 00:21:39,880 --> 00:21:43,240 Speaker 2: garden homes. It's so jazzy. But what people see is 392 00:21:43,280 --> 00:21:46,520 Speaker 2: the fragile part. It's strange how my bones are inside 393 00:21:46,520 --> 00:21:50,760 Speaker 2: my body, but there's still somehow. The first thing people see, 394 00:21:51,040 --> 00:21:54,080 Speaker 2: fragile is what I'll always be. I get that, but 395 00:21:54,240 --> 00:21:57,200 Speaker 2: I am a thousand other things too. I'm whole constellations 396 00:21:57,200 --> 00:21:59,600 Speaker 2: of wonders and weirdness and hope, which. 397 00:21:59,560 --> 00:22:03,159 Speaker 1: She was just Yes, in those like short sentences, you 398 00:22:03,240 --> 00:22:06,239 Speaker 1: learned so much about her character, and it is like 399 00:22:06,760 --> 00:22:08,200 Speaker 1: she's got a great sense of fashion. 400 00:22:08,359 --> 00:22:10,679 Speaker 3: She's just really interesting. 401 00:22:11,520 --> 00:22:16,040 Speaker 1: Also, she has like a best friend who is a Pelican. 402 00:22:15,840 --> 00:22:19,080 Speaker 3: Felix, which I was like, what is it? He's such 403 00:22:19,119 --> 00:22:19,720 Speaker 3: a comedic. 404 00:22:19,960 --> 00:22:21,320 Speaker 2: How much fish does she buy? 405 00:22:22,200 --> 00:22:24,000 Speaker 3: I don't know, but he was a comedic presence. 406 00:22:24,040 --> 00:22:26,120 Speaker 1: I could tell if this was like a movie because 407 00:22:26,160 --> 00:22:28,040 Speaker 1: he's constantly like running into the window. 408 00:22:28,880 --> 00:22:30,400 Speaker 3: He's fine everyone. 409 00:22:30,080 --> 00:22:32,840 Speaker 2: But she always says she actually says that he's fine. 410 00:22:33,280 --> 00:22:37,600 Speaker 3: Yeah, just so he's all right, I will say. 411 00:22:37,880 --> 00:22:38,000 Speaker 2: So. 412 00:22:38,040 --> 00:22:42,840 Speaker 1: When we were picking this book, we were worried about 413 00:22:42,840 --> 00:22:47,679 Speaker 1: the wish, and that the wish would be I wish 414 00:22:47,760 --> 00:22:50,000 Speaker 1: I didn't have this disability. And so when I was 415 00:22:50,000 --> 00:22:51,520 Speaker 1: starst reading it. I was like, uh oh uh oh 416 00:22:51,560 --> 00:22:55,720 Speaker 1: uh oh. But it turns out, it turns out all great. 417 00:22:55,840 --> 00:23:00,480 Speaker 1: And there is a great quote from the author about 418 00:23:00,920 --> 00:23:03,920 Speaker 1: having this when you're younger, having this kind of back 419 00:23:03,960 --> 00:23:07,439 Speaker 1: and forth, especially when you're starting school, and there's just 420 00:23:07,480 --> 00:23:11,680 Speaker 1: some things that because of accessibility or whatever, you can't do. 421 00:23:12,560 --> 00:23:18,440 Speaker 1: But there were instances of internalized ableism, especially after transitioning. 422 00:23:17,920 --> 00:23:21,639 Speaker 3: From homeschool to public school and seeing how people treated it. 423 00:23:21,680 --> 00:23:27,359 Speaker 1: Or there's a scene in the locker room where I 424 00:23:27,400 --> 00:23:30,960 Speaker 1: guess the dudes had made a list of the hottest 425 00:23:31,000 --> 00:23:33,880 Speaker 1: girls in their grade. 426 00:23:33,600 --> 00:23:35,560 Speaker 3: And had yeah, and. 427 00:23:37,240 --> 00:23:40,159 Speaker 1: All of sees it. And here's the quote, this is 428 00:23:40,160 --> 00:23:42,600 Speaker 1: what pretty looks like. I realized, according to the list, 429 00:23:43,080 --> 00:23:45,920 Speaker 1: this is number one, sixth grade, gorgeous, and it's the 430 00:23:45,960 --> 00:23:50,600 Speaker 1: opposite of me. And it was Madaline number one, because yeah, 431 00:23:50,600 --> 00:23:52,240 Speaker 1: they go by numbers. 432 00:23:53,240 --> 00:23:56,879 Speaker 3: It's three. I guess that's three or four three, there's three, okay, 433 00:23:56,880 --> 00:23:58,720 Speaker 3: But the third one didn't seem into it. 434 00:23:59,160 --> 00:24:01,840 Speaker 2: No, third one was just like just caught up in it, 435 00:24:01,960 --> 00:24:03,560 Speaker 2: just like I don't I don't want to be. 436 00:24:04,200 --> 00:24:06,280 Speaker 1: She's like, actually I go by Madeline. I think that 437 00:24:06,320 --> 00:24:08,720 Speaker 1: they all go by Maddie. But she would Madeline. 438 00:24:09,760 --> 00:24:10,040 Speaker 3: Yeah. 439 00:24:10,280 --> 00:24:12,439 Speaker 1: But it was nice because in the end there is 440 00:24:12,480 --> 00:24:17,360 Speaker 1: this really powerful moment where all of has this sort 441 00:24:17,400 --> 00:24:19,520 Speaker 1: of refrain my bones are fragile, but I am not. 442 00:24:19,760 --> 00:24:22,520 Speaker 3: And we'll talk about that more later. 443 00:24:22,760 --> 00:24:28,879 Speaker 2: But I think calling the Madison, haven't I Yeah. 444 00:24:28,520 --> 00:24:29,439 Speaker 3: Yeah, well. 445 00:24:31,520 --> 00:24:33,959 Speaker 2: I confuse them with Madison, but they I think they 446 00:24:33,960 --> 00:24:35,040 Speaker 2: are Madeline. 447 00:24:35,040 --> 00:24:37,879 Speaker 3: Yes, and they're Maddie's but they. 448 00:24:37,760 --> 00:24:39,800 Speaker 2: Go by Maddie, and so in my head they're Madison, 449 00:24:40,200 --> 00:24:42,680 Speaker 2: which is not the case. Yeah, and I think once 450 00:24:42,720 --> 00:24:44,960 Speaker 2: again it's a good point about talking about the fact 451 00:24:44,960 --> 00:24:47,760 Speaker 2: that she didn't think any of this, yeah, until other 452 00:24:47,840 --> 00:24:51,480 Speaker 2: people told her what she couldn't do, and especially with 453 00:24:51,560 --> 00:24:53,760 Speaker 2: the play, like she really wanted to be in the play, 454 00:24:53,840 --> 00:24:57,439 Speaker 2: but the person who she really hoped would be one 455 00:24:57,480 --> 00:25:01,399 Speaker 2: of the more like open not open, like just people 456 00:25:01,400 --> 00:25:04,760 Speaker 2: who would just treat her normally because she seemed eccentric 457 00:25:04,800 --> 00:25:06,480 Speaker 2: and out there was one of the ones who told 458 00:25:06,480 --> 00:25:08,960 Speaker 2: her how many things she couldn't do, including saying, maybe 459 00:25:09,000 --> 00:25:11,080 Speaker 2: we'll put you, we'll put you in something, we'll let 460 00:25:11,119 --> 00:25:11,920 Speaker 2: you be a tree. 461 00:25:12,040 --> 00:25:17,199 Speaker 1: We're just like yeah, yes, and maybe you can like 462 00:25:17,920 --> 00:25:19,720 Speaker 1: help director. 463 00:25:19,480 --> 00:25:22,239 Speaker 2: Right, and then like at the and the kids are 464 00:25:22,240 --> 00:25:24,080 Speaker 2: the ones that finding solutions were like, we can make 465 00:25:24,119 --> 00:25:26,440 Speaker 2: a ramp. We can do that, that's really easy, and 466 00:25:26,520 --> 00:25:28,479 Speaker 2: other kids will be like, yeah, she's not the only 467 00:25:28,520 --> 00:25:29,960 Speaker 2: one who's going to need a ramp. 468 00:25:30,040 --> 00:25:30,960 Speaker 3: That just makes sense. 469 00:25:31,280 --> 00:25:34,960 Speaker 2: So like it was interesting to see, But this change 470 00:25:35,000 --> 00:25:39,760 Speaker 2: of attitude came much later because of what other people 471 00:25:39,760 --> 00:25:40,800 Speaker 2: told her she couldn't do. 472 00:25:41,359 --> 00:25:44,119 Speaker 1: Yes, absolutely, she didn't have this in her head until 473 00:25:45,000 --> 00:25:47,679 Speaker 1: until she went to this school and people were like 474 00:25:47,920 --> 00:25:50,679 Speaker 1: treating her differently. I also wanted to touch on a 475 00:25:50,680 --> 00:25:52,520 Speaker 1: point I didn't have this in here originally, but because 476 00:25:52,520 --> 00:25:54,640 Speaker 1: you brought it up and so many things I saw 477 00:25:54,720 --> 00:25:58,520 Speaker 1: brought it up. Hatch does have an invisible disability, and 478 00:25:58,560 --> 00:26:00,639 Speaker 1: a lot of people were write about how that meant 479 00:26:00,680 --> 00:26:04,359 Speaker 1: a lot to them reading about that when he opened 480 00:26:04,440 --> 00:26:08,080 Speaker 1: up about it, because he was sort of the closed 481 00:26:08,119 --> 00:26:10,800 Speaker 1: off step brother and you weren't really sure why, and 482 00:26:10,840 --> 00:26:14,480 Speaker 1: then you thought you find out, like he's kind of 483 00:26:14,560 --> 00:26:19,600 Speaker 1: lying to his family about what he's involved in, and 484 00:26:19,640 --> 00:26:22,359 Speaker 1: then you find out why. And he's talking about like 485 00:26:22,400 --> 00:26:24,359 Speaker 1: why he always wears the same hoodie and it's a 486 00:26:24,480 --> 00:26:28,280 Speaker 1: very sensory kind of thing, and then he's talking about 487 00:26:28,280 --> 00:26:32,400 Speaker 1: his dog biscuit. But yeah, a lot of people wrote 488 00:26:32,440 --> 00:26:35,240 Speaker 1: about how that was also a really impactful thing for them, 489 00:26:35,800 --> 00:26:36,760 Speaker 1: right to read. 490 00:26:37,280 --> 00:26:39,800 Speaker 2: And then her assumption that he was okay and he 491 00:26:39,920 --> 00:26:43,439 Speaker 2: just didn't like her, like yeah, and vice versa, like 492 00:26:43,560 --> 00:26:45,280 Speaker 2: he really and he compared his to he's like, you 493 00:26:45,320 --> 00:26:47,800 Speaker 2: don't need this. You've got a great family, you have 494 00:26:47,960 --> 00:26:50,199 Speaker 2: like kind of you have a handle on your disability. 495 00:26:50,240 --> 00:26:53,399 Speaker 2: I don't type of thing conversation, you don't need this, 496 00:26:53,480 --> 00:26:54,760 Speaker 2: which I do, please give it to me. 497 00:26:54,920 --> 00:26:56,320 Speaker 3: And it was based on the dog. 498 00:26:56,680 --> 00:27:00,000 Speaker 2: Yeah, okay, But like I thought, it was a great 499 00:27:00,119 --> 00:27:03,280 Speaker 2: rate turn because she saw this person who she thought 500 00:27:03,359 --> 00:27:06,480 Speaker 2: really had it all and then like he really. 501 00:27:06,240 --> 00:27:07,359 Speaker 3: Thought she had it all. 502 00:27:08,240 --> 00:27:10,959 Speaker 2: And then that conversation that really brought them closer together 503 00:27:11,080 --> 00:27:13,280 Speaker 2: and how close they become and how they opened up 504 00:27:13,320 --> 00:27:17,160 Speaker 2: to each other was just beautiful and I really appreciated that. 505 00:27:17,600 --> 00:27:21,720 Speaker 1: Yeah, they do get a really close relationship and it's 506 00:27:21,720 --> 00:27:29,560 Speaker 1: really rewarding at the end. I don't what I was about. Also, 507 00:27:29,600 --> 00:27:31,879 Speaker 1: as you mentioned, change is a big theme in this. 508 00:27:32,080 --> 00:27:35,880 Speaker 1: There's a lot of like changes on the wind. There's 509 00:27:35,920 --> 00:27:39,360 Speaker 1: a lot of imagery around birds finding your wings. Grace 510 00:27:40,080 --> 00:27:44,680 Speaker 1: makes bird wings, which I would have loved when I 511 00:27:44,720 --> 00:27:48,439 Speaker 1: was a kid, but also, yeah, just all of going 512 00:27:48,480 --> 00:27:53,800 Speaker 1: to school and having those those new experiences in life. 513 00:27:54,560 --> 00:27:58,120 Speaker 3: There is a theme of spirituality. Here's a quote. 514 00:27:58,560 --> 00:28:01,040 Speaker 1: Mostly when I pray, I picture God holding my heart 515 00:28:01,119 --> 00:28:03,240 Speaker 1: up very gently to his ear, like one of those 516 00:28:03,240 --> 00:28:06,480 Speaker 1: big fancy seashells with an ocean sound inside it. I've 517 00:28:06,480 --> 00:28:09,080 Speaker 1: got a thousand tiny oceans inside me, and I think 518 00:28:09,119 --> 00:28:12,840 Speaker 1: God listens carefully to every crashing wave, all the fears 519 00:28:12,840 --> 00:28:16,639 Speaker 1: and hopes. Even if he doesn't answer every single prayer, 520 00:28:16,920 --> 00:28:18,600 Speaker 1: I think he keeps my heart safe. 521 00:28:18,760 --> 00:28:20,880 Speaker 3: That was one of my favorite lines. She does such 522 00:28:20,920 --> 00:28:24,400 Speaker 3: a great job with that. Yeah, yeah, she did. 523 00:28:24,920 --> 00:28:28,760 Speaker 1: But it was so nice too, with the themes of magic, and. 524 00:28:31,240 --> 00:28:33,080 Speaker 3: I kind of liked how the magic was. 525 00:28:33,200 --> 00:28:36,119 Speaker 1: It was exciting, but it was sort of accepted, like 526 00:28:36,160 --> 00:28:37,840 Speaker 1: it was just like, yeah, that's what's happening. 527 00:28:40,120 --> 00:28:41,320 Speaker 3: Yeah, yes. 528 00:28:42,000 --> 00:28:45,360 Speaker 1: And I love how when they talked to the three 529 00:28:45,440 --> 00:28:49,520 Speaker 1: people who had gotten the hummingbird wish last time, there 530 00:28:49,680 --> 00:28:52,400 Speaker 1: felt like there was something magical about each of them, 531 00:28:52,400 --> 00:28:56,760 Speaker 1: but then it sort of turned out that no, they 532 00:28:56,760 --> 00:29:01,320 Speaker 1: were just living their lives, and you know, some of 533 00:29:01,720 --> 00:29:05,080 Speaker 1: some of that worked out better than others, but it 534 00:29:05,120 --> 00:29:09,040 Speaker 1: was neat, like seeing what's her name, nest with the 535 00:29:09,080 --> 00:29:11,640 Speaker 1: apples and she has that dance like it just felt 536 00:29:11,640 --> 00:29:14,680 Speaker 1: so yeah, I love this. 537 00:29:15,040 --> 00:29:18,800 Speaker 2: Yeah, I feel like Luthor really like I love this again. 538 00:29:18,920 --> 00:29:20,360 Speaker 2: This is kind of one of those things again when 539 00:29:20,400 --> 00:29:22,160 Speaker 2: I say I wish I had this as a good 540 00:29:22,160 --> 00:29:25,480 Speaker 2: because it's got such a great vibe and depth. But 541 00:29:25,560 --> 00:29:28,120 Speaker 2: like when they talk about the fact that he loved 542 00:29:28,320 --> 00:29:30,680 Speaker 2: thinking about the childhood, when they said you are part 543 00:29:30,760 --> 00:29:34,400 Speaker 2: of the bloombird society, Like she's like, you're a part 544 00:29:34,440 --> 00:29:36,959 Speaker 2: of this, and he lights up because it reminds him 545 00:29:36,960 --> 00:29:39,760 Speaker 2: of such good times with him and his brother searching 546 00:29:39,840 --> 00:29:43,480 Speaker 2: for the hummingbird themselves and then making those wishes. 547 00:29:43,840 --> 00:29:44,840 Speaker 3: Like it was. 548 00:29:45,080 --> 00:29:47,080 Speaker 2: That kind of level of magic that I see in 549 00:29:47,120 --> 00:29:50,040 Speaker 2: this entirety of the book because of the search, but 550 00:29:50,160 --> 00:29:53,160 Speaker 2: because of the self finding. Yeah, And I think that 551 00:29:53,240 --> 00:29:56,400 Speaker 2: was the same thing for Martin and Luther. Obviously in 552 00:29:56,960 --> 00:30:00,360 Speaker 2: Luther like losing his brother and waiting still for her brother, 553 00:30:00,400 --> 00:30:02,960 Speaker 2: which yes, it's also got my heart to come back, 554 00:30:03,360 --> 00:30:07,760 Speaker 2: But like that level of his acceptance being this title 555 00:30:07,800 --> 00:30:11,880 Speaker 2: as the grouchiest man, the grautiest man in town, to 556 00:30:12,080 --> 00:30:14,600 Speaker 2: realizing that he's just dug gone through a lot of 557 00:30:14,720 --> 00:30:18,280 Speaker 2: loss and that be reminded of those good times of 558 00:30:18,320 --> 00:30:22,640 Speaker 2: his youth. I'm like, oh, oh, that's magical. Why And 559 00:30:22,680 --> 00:30:24,880 Speaker 2: then you also see the memories when they go and 560 00:30:24,920 --> 00:30:32,680 Speaker 2: find the other birds, rememory birds, birds, memory remembering birds, 561 00:30:33,040 --> 00:30:35,560 Speaker 2: and they got to see a part of that as well. 562 00:30:35,640 --> 00:30:37,840 Speaker 2: They saw them in the youth, they saw the dog 563 00:30:38,080 --> 00:30:42,040 Speaker 2: biscuit and so much more. So, like it was like, 564 00:30:42,120 --> 00:30:44,480 Speaker 2: I love that this magic is also kind of that 565 00:30:44,840 --> 00:30:47,000 Speaker 2: spirit of child as well. 566 00:30:47,920 --> 00:30:52,760 Speaker 1: Yeah, like making those memories and looking back on them 567 00:30:52,760 --> 00:30:55,320 Speaker 1: and the important thing being the people you were with 568 00:30:55,400 --> 00:30:58,400 Speaker 1: when you made them. And also Luther was the one 569 00:30:58,480 --> 00:31:04,280 Speaker 1: that helped Grace get her wish her dream. Yeah, so 570 00:31:04,360 --> 00:31:06,800 Speaker 1: I really loved that. I really loved that. And yeah, 571 00:31:06,800 --> 00:31:11,840 Speaker 1: the memory birds I love for listeners who've never read this. Essentially, 572 00:31:11,920 --> 00:31:13,400 Speaker 1: so they have what they call. 573 00:31:13,320 --> 00:31:14,280 Speaker 3: The Judy Bloom. 574 00:31:14,800 --> 00:31:19,080 Speaker 1: It's like a friendship group and they're collecting friends throughout 575 00:31:19,160 --> 00:31:21,840 Speaker 1: and they all of calls her grandfather who knows a 576 00:31:21,880 --> 00:31:25,200 Speaker 1: lot about birds, and the call is breaking up, but 577 00:31:25,480 --> 00:31:27,440 Speaker 1: she can hear them say memory birds, and then they 578 00:31:27,440 --> 00:31:31,160 Speaker 1: go and find them and they see all of these memories. 579 00:31:31,200 --> 00:31:34,520 Speaker 1: It's a really beautiful scene, and that helps them kind 580 00:31:34,560 --> 00:31:36,280 Speaker 1: of figure out where they. 581 00:31:36,200 --> 00:31:37,600 Speaker 3: Think the hulming Bird will be. 582 00:31:37,680 --> 00:31:40,120 Speaker 1: They get a lot of different clues and that makes 583 00:31:40,160 --> 00:31:42,560 Speaker 1: sense at the end. But I love that too, kind 584 00:31:42,560 --> 00:31:55,320 Speaker 1: of the mystery of it. Another theme, writing and creativity. 585 00:31:56,200 --> 00:31:58,840 Speaker 1: Here's a quote that's one of my favorite feelings in 586 00:31:58,880 --> 00:32:01,280 Speaker 1: the world. Pen to paper and a page full of words. 587 00:32:01,320 --> 00:32:03,959 Speaker 1: I could write a thousand things in my lifetime, plays 588 00:32:03,960 --> 00:32:06,520 Speaker 1: and poems and short stories and songs, and never ever 589 00:32:06,600 --> 00:32:09,080 Speaker 1: get sixth the way words feel when they spin out 590 00:32:09,160 --> 00:32:13,000 Speaker 1: of my soul. So she's a very creative type. Yes, yes, 591 00:32:13,720 --> 00:32:15,320 Speaker 1: if it's not clear why wanting to be in the 592 00:32:15,400 --> 00:32:18,640 Speaker 1: play and just having all of these ideas, she was 593 00:32:18,840 --> 00:32:22,080 Speaker 1: very smart when thinking about the Summing Bird. But also yeah, 594 00:32:22,120 --> 00:32:24,360 Speaker 1: she loved to write, and she loved to write poetry, 595 00:32:24,360 --> 00:32:26,680 Speaker 1: and that's there. As I said, there is a lot 596 00:32:26,680 --> 00:32:28,800 Speaker 1: of poetry that she writes throughout the book. 597 00:32:29,800 --> 00:32:31,480 Speaker 2: And I will say, like, there's a lot of like 598 00:32:31,560 --> 00:32:34,840 Speaker 2: kindred spirits, if there were, if she were to name 599 00:32:34,880 --> 00:32:36,920 Speaker 2: them that. And then one of them is her first 600 00:32:36,960 --> 00:32:40,440 Speaker 2: teacher that she meets, mister Watson, And here's a quote, 601 00:32:41,040 --> 00:32:44,280 Speaker 2: because he's also just as passionate as she is. He says, 602 00:32:44,320 --> 00:32:46,640 Speaker 2: we believe three things in this class, olive. First, we 603 00:32:46,720 --> 00:32:49,600 Speaker 2: believe that miracles surround us every day we take time 604 00:32:49,640 --> 00:32:53,000 Speaker 2: to notice them. Second, we believe every person deserves respect 605 00:32:53,080 --> 00:32:56,760 Speaker 2: and kindness. And third we believe and inkpen is a 606 00:32:56,800 --> 00:32:59,200 Speaker 2: direct line to a person's heart. Your words are a 607 00:32:59,280 --> 00:33:02,760 Speaker 2: kind of magic carry inside. That's why we write each 608 00:33:02,840 --> 00:33:06,440 Speaker 2: morning to turn the magic loose. So he had given 609 00:33:06,480 --> 00:33:09,000 Speaker 2: him an assignment. He was the one that told him 610 00:33:09,000 --> 00:33:10,200 Speaker 2: the Tale of the Honeybird. 611 00:33:10,880 --> 00:33:14,120 Speaker 1: Yes, and I love the scene where he like, excitedly 612 00:33:14,280 --> 00:33:19,600 Speaker 1: is like chicken eggs are hatching, America is happening, And. 613 00:33:19,800 --> 00:33:21,600 Speaker 2: I believe this could be very real intimacy. 614 00:33:22,320 --> 00:33:25,080 Speaker 3: Yeah, yep, I believe it too. 615 00:33:25,160 --> 00:33:29,480 Speaker 2: I say that So came from a country school in Georgia. 616 00:33:29,960 --> 00:33:32,480 Speaker 1: As we've already discussed, acting is a big thing. All 617 00:33:32,520 --> 00:33:36,000 Speaker 1: of really really wants to be on stage. It did 618 00:33:36,040 --> 00:33:38,080 Speaker 1: make me laugh because I did, in fact play a 619 00:33:38,120 --> 00:33:40,040 Speaker 1: tree when I was in elementary school. 620 00:33:40,040 --> 00:33:41,720 Speaker 3: I was Tree number two. 621 00:33:43,840 --> 00:33:48,120 Speaker 1: Number two, wasn't that, But that was due to my 622 00:33:48,200 --> 00:33:49,760 Speaker 1: poor acting ability and not able. 623 00:33:51,040 --> 00:33:53,479 Speaker 2: I mean, it's better than being in high school playing 624 00:33:53,840 --> 00:33:58,680 Speaker 2: the black servant girl with a really bad because I 625 00:33:58,760 --> 00:34:02,560 Speaker 2: was the only minority. She would never say that rip 626 00:34:02,760 --> 00:34:05,240 Speaker 2: my drama teacher, who was actually a really great drama teacher, 627 00:34:05,240 --> 00:34:07,760 Speaker 2: and I loved her to death. But that microaggression kind 628 00:34:07,760 --> 00:34:10,960 Speaker 2: of casting was like yeah, ay, and if anybody ever 629 00:34:11,000 --> 00:34:13,960 Speaker 2: finds those tapes and calls me out on it. I 630 00:34:14,080 --> 00:34:16,880 Speaker 2: followed the script as it was written, and it was 631 00:34:16,920 --> 00:34:18,680 Speaker 2: really bad and I feel bad about it now. 632 00:34:20,040 --> 00:34:24,719 Speaker 3: Oh no, I have those things too. Yes, in that 633 00:34:24,840 --> 00:34:28,080 Speaker 3: like it was more of what was worse. 634 00:34:29,200 --> 00:34:32,040 Speaker 2: I mean, look, when I think about it, I'm like, man, 635 00:34:33,120 --> 00:34:34,880 Speaker 2: I suffered through some things in high school and I 636 00:34:35,000 --> 00:34:37,480 Speaker 2: really thought I was doing well. I take that as 637 00:34:37,520 --> 00:34:45,680 Speaker 2: a compliment. I should not have oh dear, well anyway, 638 00:34:45,880 --> 00:34:48,280 Speaker 2: going back, the tree is better. 639 00:34:48,840 --> 00:34:50,960 Speaker 3: The tree was better. A tree was better. 640 00:34:51,800 --> 00:34:54,560 Speaker 1: Also, there is a kind of a theme of using 641 00:34:54,719 --> 00:34:58,600 Speaker 1: art as an escape an inspiration throughout. There's just a 642 00:34:58,640 --> 00:35:03,560 Speaker 1: lot of references and things that she loves. She's very 643 00:35:03,600 --> 00:35:07,480 Speaker 1: nerdy in what she she'll bring up, which I you know, 644 00:35:07,800 --> 00:35:08,200 Speaker 1: a door. 645 00:35:08,680 --> 00:35:11,000 Speaker 3: Yes. Family, Family was a big theme. 646 00:35:11,560 --> 00:35:11,640 Speaker 2: Ye. 647 00:35:12,080 --> 00:35:16,239 Speaker 1: Here's the quote from her mom. Your name was a 648 00:35:16,320 --> 00:35:19,279 Speaker 1: hallelujah for the whole world to hear, because no life 649 00:35:19,280 --> 00:35:21,880 Speaker 1: should be a whisper remember that, Okay, you're not a 650 00:35:21,880 --> 00:35:24,359 Speaker 1: miracle because you have brittle bones or because you use 651 00:35:24,360 --> 00:35:27,240 Speaker 1: a wheelchair or walker. You're not a miracle if you don't, 652 00:35:27,520 --> 00:35:31,640 Speaker 1: you're a miracle because you exist. Everybody is. And that's 653 00:35:31,640 --> 00:35:34,520 Speaker 1: when she's talking about why all OF's middle name is miracle. 654 00:35:35,440 --> 00:35:39,760 Speaker 2: Yeah, and then there's a whole breakdown because when Olive 655 00:35:40,000 --> 00:35:42,200 Speaker 2: decides that she was going to make a wish for 656 00:35:42,280 --> 00:35:45,800 Speaker 2: her bones to be stronger, she knew because of the 657 00:35:45,840 --> 00:35:48,839 Speaker 2: comments like that, her mom would be somewhat disappointed. So 658 00:35:48,920 --> 00:35:51,399 Speaker 2: there was a conversation between her because she finally tells 659 00:35:51,440 --> 00:35:54,040 Speaker 2: her dad, Jupiter, that she was looking for it. Who 660 00:35:54,080 --> 00:35:55,600 Speaker 2: told her mom and mom was like, what are you 661 00:35:55,760 --> 00:35:58,839 Speaker 2: wishing for? And she told her very hesitantly because she 662 00:35:58,840 --> 00:36:01,560 Speaker 2: she had a feeling, and this was the response, I 663 00:36:01,680 --> 00:36:04,000 Speaker 2: just I don't want you to feel like you have 664 00:36:04,080 --> 00:36:06,000 Speaker 2: to live in a world where you wish part of 665 00:36:06,000 --> 00:36:08,480 Speaker 2: yourself away. Maybe that's not what your wish is about. 666 00:36:08,560 --> 00:36:11,480 Speaker 2: I hope it's not, because all of you is wonderful. 667 00:36:11,760 --> 00:36:13,640 Speaker 2: So yeah, this is when she doesn't tell her mom 668 00:36:13,680 --> 00:36:17,480 Speaker 2: because she was kind of scared. Yeah, the reaction, but 669 00:36:17,560 --> 00:36:20,200 Speaker 2: her mom knowing who she was and knowing she's had 670 00:36:20,239 --> 00:36:24,120 Speaker 2: some difficulties with school already knew. 671 00:36:26,280 --> 00:36:31,240 Speaker 1: And then at the end, the grandfather we've been hearing 672 00:36:31,239 --> 00:36:37,640 Speaker 1: about all this time shows up and here's what he says. Quote, 673 00:36:37,880 --> 00:36:40,360 Speaker 1: here's what's going to happen, kiddo. As you get older, 674 00:36:40,400 --> 00:36:43,280 Speaker 1: your world will get bigger and bigger, and you'll realize 675 00:36:43,400 --> 00:36:46,880 Speaker 1: there's way more that you can do than you can't do. 676 00:36:47,400 --> 00:36:50,320 Speaker 1: It just takes time for us to see it. Birds 677 00:36:50,320 --> 00:36:52,640 Speaker 1: are born with wings. The rest of us have to 678 00:36:52,680 --> 00:36:56,400 Speaker 1: find our wings as we go, and you will allive miracle. 679 00:36:56,719 --> 00:36:58,840 Speaker 1: You'll find them and you'll fly. 680 00:37:00,280 --> 00:37:00,520 Speaker 4: Moving. 681 00:37:01,000 --> 00:37:03,880 Speaker 1: And I do think going back to the memory birds, 682 00:37:03,920 --> 00:37:09,120 Speaker 1: like those memories are present throughout two of how they 683 00:37:09,160 --> 00:37:13,560 Speaker 1: impacted people's lives and how through generations they impact people. 684 00:37:14,560 --> 00:37:18,520 Speaker 3: That was a pretty big theme. And then lastly, friendship again, 685 00:37:18,719 --> 00:37:21,279 Speaker 3: I love the search for the BFF was like all 686 00:37:21,320 --> 00:37:24,880 Speaker 3: of his number one goal. That's what she was so 687 00:37:24,920 --> 00:37:28,520 Speaker 3: excited about. And going back to a point you made earlier, Samantha, 688 00:37:28,520 --> 00:37:31,600 Speaker 3: here's a quote. But you know how Diana has Anne 689 00:37:31,640 --> 00:37:34,320 Speaker 3: and the green Gables books, or how the girls and 690 00:37:34,400 --> 00:37:37,480 Speaker 3: the Babysitters Club all have one another, That's what I 691 00:37:37,560 --> 00:37:40,200 Speaker 3: think is missing in my life. I'd like one true 692 00:37:40,280 --> 00:37:44,680 Speaker 3: BFF to spend my time with. It's sweet and it's. 693 00:37:44,520 --> 00:37:47,839 Speaker 1: Really fun in the beginning because she's like, maybe this 694 00:37:47,960 --> 00:37:49,640 Speaker 1: person is bff. 695 00:37:50,440 --> 00:37:51,840 Speaker 2: She started talking about maybe I could be with a 696 00:37:51,880 --> 00:37:54,280 Speaker 2: Maddie or maybe I can hang out with Villain. 697 00:37:54,360 --> 00:37:54,920 Speaker 3: He's school. 698 00:37:55,320 --> 00:37:59,720 Speaker 2: Her interactions with Ransom is also very sweet as well. 699 00:38:00,480 --> 00:38:04,200 Speaker 2: She accidentally like pells him in the leg with her chair. 700 00:38:04,320 --> 00:38:05,839 Speaker 3: She's like, oh, no, you, and. 701 00:38:05,800 --> 00:38:08,160 Speaker 2: He was very sweet, gives her a pen, talks about 702 00:38:08,160 --> 00:38:11,600 Speaker 2: how he has an element of magic, about how finding 703 00:38:11,680 --> 00:38:13,239 Speaker 2: random things and he felt like he's supposed to give 704 00:38:13,280 --> 00:38:16,440 Speaker 2: him to people. So cute, and then having the dance 705 00:38:16,480 --> 00:38:18,520 Speaker 2: with her or she wants to dance with her. I 706 00:38:18,560 --> 00:38:19,520 Speaker 2: love the friendship too. 707 00:38:19,680 --> 00:38:24,560 Speaker 1: Yeah. Yeah, they were really cute. And she accidentally introduced 708 00:38:24,560 --> 00:38:26,160 Speaker 1: herself as new all of to him. 709 00:38:26,200 --> 00:38:30,520 Speaker 3: Yeah that was very fun, which sounds like, again something 710 00:38:30,520 --> 00:38:30,960 Speaker 3: I would do. 711 00:38:31,360 --> 00:38:37,160 Speaker 4: Yes, Yeah, and I did like at the end because 712 00:38:37,200 --> 00:38:40,600 Speaker 4: I feel like, you know, it was becoming clear as 713 00:38:40,600 --> 00:38:44,440 Speaker 4: the story progressed what the I don't even want to 714 00:38:44,440 --> 00:38:45,719 Speaker 4: say moral of it was. 715 00:38:45,640 --> 00:38:50,160 Speaker 1: But kind of what generally happens with the hummingbird, and 716 00:38:50,480 --> 00:38:53,960 Speaker 1: so I like at the end that they pretty much 717 00:38:53,960 --> 00:38:57,200 Speaker 1: all gave up their wishes for each other the other. 718 00:38:57,840 --> 00:38:59,719 Speaker 2: Yeah, and I think that's the biggest thing, is I 719 00:38:59,800 --> 00:39:03,279 Speaker 2: like the hummingbird. Really they say that you'll only say 720 00:39:03,360 --> 00:39:06,040 Speaker 2: in the legend, you'll only say what's on your heart, 721 00:39:06,320 --> 00:39:08,560 Speaker 2: so you can't even really choose. Because each one of 722 00:39:08,560 --> 00:39:10,919 Speaker 2: the people that they like had talked about one said 723 00:39:10,920 --> 00:39:13,160 Speaker 2: I just want to be happy, and then he realized 724 00:39:13,160 --> 00:39:15,719 Speaker 2: that he was with, you know, all these things. The 725 00:39:15,760 --> 00:39:18,400 Speaker 2: other one was I just want a friend, and it 726 00:39:18,440 --> 00:39:20,880 Speaker 2: turned out to be his wife. He was with the 727 00:39:20,920 --> 00:39:24,319 Speaker 2: only one you know all those things, and she realized 728 00:39:24,360 --> 00:39:26,840 Speaker 2: that she was Okay, She's like, I want she was 729 00:39:26,840 --> 00:39:30,080 Speaker 2: thinking about Hatch as well as Hatch thinking about her 730 00:39:30,200 --> 00:39:32,840 Speaker 2: missing out on her opportunities because she she wanted to 731 00:39:32,880 --> 00:39:34,480 Speaker 2: be on the plane. He's like, I wish that you 732 00:39:34,520 --> 00:39:36,799 Speaker 2: would be happy on the play, at the play and 733 00:39:36,800 --> 00:39:39,160 Speaker 2: being successful. Were you able to do this? Like it 734 00:39:39,200 --> 00:39:41,560 Speaker 2: was so cute because it was in their hearts. It's 735 00:39:41,640 --> 00:39:44,080 Speaker 2: just genuine kind love for each other. 736 00:39:45,080 --> 00:39:49,160 Speaker 3: Yes, Yeah, it was very very sweet. I definitely got 737 00:39:49,200 --> 00:39:54,360 Speaker 3: two Your eyed the dog, Yeah, the dog came back everybody. 738 00:39:54,960 --> 00:39:57,400 Speaker 1: And then also we've been talking about this, but I 739 00:39:57,480 --> 00:39:59,160 Speaker 1: just want to reiterate it because I loved it. I 740 00:39:59,200 --> 00:40:02,000 Speaker 1: did like the whole I love when Grace was like, actually, 741 00:40:02,080 --> 00:40:03,279 Speaker 1: I figured out, you know what. 742 00:40:05,280 --> 00:40:07,160 Speaker 3: I can do this, I. 743 00:40:07,080 --> 00:40:09,360 Speaker 2: Can give my mentor I didn't need that, he asked me. 744 00:40:09,440 --> 00:40:10,360 Speaker 2: That's how I was going. 745 00:40:11,239 --> 00:40:11,479 Speaker 1: Yeah. 746 00:40:11,600 --> 00:40:12,279 Speaker 3: I really liked it. 747 00:40:12,280 --> 00:40:15,239 Speaker 1: And I think sometimes I would be like, that's what 748 00:40:15,320 --> 00:40:17,200 Speaker 1: you're wishing for, But when you're a kid, you know, 749 00:40:17,239 --> 00:40:20,600 Speaker 1: of course yes, that's but that's success, that's something that 750 00:40:20,640 --> 00:40:23,240 Speaker 1: you really want. And I really loved that. I loved 751 00:40:23,719 --> 00:40:26,320 Speaker 1: how it kind of became like, oh, yeah, I figured 752 00:40:26,360 --> 00:40:26,640 Speaker 1: it out. 753 00:40:27,040 --> 00:40:28,120 Speaker 3: Yeah it was. 754 00:40:28,320 --> 00:40:31,759 Speaker 2: It was very again, like all these things ended up 755 00:40:32,920 --> 00:40:35,400 Speaker 2: being exactly what they need without knowing that they needed. 756 00:40:35,920 --> 00:40:38,560 Speaker 2: I love the whole Hummingbird kisses and that in the 757 00:40:38,560 --> 00:40:40,520 Speaker 2: way that she spoke out, she's like, I am fine 758 00:40:40,560 --> 00:40:43,000 Speaker 2: being me. She speaks, my bones are fragile, but I 759 00:40:43,040 --> 00:40:44,840 Speaker 2: am not like it. And they're like, wait, is this 760 00:40:44,880 --> 00:40:47,080 Speaker 2: a part of the play. Does Emily Dickinson say this? 761 00:40:47,200 --> 00:40:47,520 Speaker 3: Sweet? 762 00:40:47,600 --> 00:40:47,680 Speaker 1: What? 763 00:40:47,920 --> 00:40:51,440 Speaker 2: But that's what she keeps saying out loud to the 764 00:40:51,520 --> 00:40:56,360 Speaker 2: hummingbird and then truly wishes for, you know, she realizing 765 00:40:56,360 --> 00:40:58,960 Speaker 2: that she is she is not fragile and It was 766 00:40:59,080 --> 00:41:02,320 Speaker 2: very sweet. It was a very good, feel good. Every 767 00:41:02,320 --> 00:41:04,840 Speaker 2: turn of it was like a feel good with a 768 00:41:04,840 --> 00:41:07,320 Speaker 2: little suspense. And I could definitely see this being a show. 769 00:41:08,520 --> 00:41:10,680 Speaker 3: Oh yeah, I could do again. 770 00:41:10,840 --> 00:41:14,640 Speaker 1: Like the setting of the school, even the town, Oh 771 00:41:14,640 --> 00:41:16,360 Speaker 1: my gosh. 772 00:41:16,560 --> 00:41:22,759 Speaker 3: I loved it. Yeah, highly recommend, I highly recommend. Yeah. 773 00:41:22,840 --> 00:41:25,719 Speaker 2: Probably one of my top five of all the books 774 00:41:25,719 --> 00:41:27,160 Speaker 2: that we've read, and we've read a lot. 775 00:41:27,719 --> 00:41:31,480 Speaker 3: We have read a lot, we have read a lot. 776 00:41:32,160 --> 00:41:33,160 Speaker 3: It was very. 777 00:41:34,520 --> 00:41:39,920 Speaker 1: It was it was just like a fun, unique, mysterious friendship, 778 00:41:40,040 --> 00:41:42,600 Speaker 1: heavy family heavy like it was just yeah, a lot 779 00:41:42,640 --> 00:41:44,239 Speaker 1: of things. 780 00:41:43,040 --> 00:41:48,680 Speaker 3: That I really like. Full magic. Yeah. Yeah, felt healthy. 781 00:41:49,000 --> 00:41:52,680 Speaker 2: All the relationships felt healthy, even when they weren't communicating. 782 00:41:53,360 --> 00:41:58,879 Speaker 1: Yes, yes, yes Wow. Listeners. If you have any thoughts 783 00:41:58,880 --> 00:42:01,560 Speaker 1: about this, or if you have any suggestions, please let 784 00:42:01,640 --> 00:42:03,759 Speaker 1: us know. You can email us a Stephanie mom Stuff 785 00:42:03,760 --> 00:42:05,680 Speaker 1: at iHeartMedia dot com. You can find us on Twitter 786 00:42:05,719 --> 00:42:07,960 Speaker 1: at momstep podcast, or on Instagram and TikTok at stuff 787 00:42:07,960 --> 00:42:10,080 Speaker 1: One Never Told You for us on YouTube. We have 788 00:42:10,120 --> 00:42:11,880 Speaker 1: a tea public store and we have a book you 789 00:42:11,920 --> 00:42:14,080 Speaker 1: can get wherever you get your books. Thanks as always 790 00:42:14,080 --> 00:42:17,200 Speaker 1: to our super produced Christina Executive producer Maya and our contribute. Joey, 791 00:42:17,320 --> 00:42:19,680 Speaker 1: thank you and thanks to you for listening. Stuff I 792 00:42:19,760 --> 00:42:21,760 Speaker 1: Never Told You is production of iHeartRadio. For more podcasts 793 00:42:21,760 --> 00:42:23,360 Speaker 1: from my Heart Radio, you can check out the iHeartRadio 794 00:42:23,360 --> 00:42:25,560 Speaker 1: ap Apple podcast Wherever you listen to your favorite shift