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Speaker 1: He is drinks chess, motherfucking podcast man.

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Speaker 2: He's a legendary queens rapper.

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Speaker 1: He's agreed.

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Speaker 3: Is your boy in ees a Miami hip hop pioneer dj.

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Speaker 1: E f N.

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Speaker 3: Together they drink it up with some of the biggest

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Speaker 3: players you me and the most professional unprofessional podcast and your.

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Speaker 4: Number one source for drunk.

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Speaker 3: D d new ye C's It's time for drink Champs,

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Speaker 3: drink up, motherfuck.

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Speaker 5: People talk about rock bottom that when you hit rock

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Speaker 5: bottom is when you'll make a change. But there's a

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Speaker 5: corresponding place that I call cliff top. Right, you could

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Speaker 5: be too high, where you get so high that you realize.

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Speaker 1: Literally none of the stuff can make you happy.

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Speaker 5: Right after you you get you can get to the

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Speaker 5: end of the material world.

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Speaker 4: You get to the end of money, you get to

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Speaker 4: the end of sex. You know, you get to the

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Speaker 4: end of fame.

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Speaker 5: You get you you you have so much, and you

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Speaker 5: get and then you, you like go off of a

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Speaker 5: cliff into the same kind of abyss that you'd be

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Speaker 5: scared of slipping into at rock bottom, right where life

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Speaker 5: loses all of its ability to sustain and please you,

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Speaker 5: and then the only thing that's left the same thing

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Speaker 5: at rock bottom. The only thing that's left at cliff

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Speaker 5: top is you have to You have to find what

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Speaker 5: you're actually looking for, and what what you're actually looking

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Speaker 5: for is you.

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Speaker 4: You're looking for you.

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Speaker 5: You're running around right when you When you like a

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Speaker 5: woman and you like being with a woman, is because

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Speaker 5: you like how you feel. You like what's happening inside

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Speaker 5: of you. When you have money, it's like, yeah, it's

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Speaker 5: cool to buy things, but it's not the money. You

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Speaker 5: like how you feel inside. It's unleashing a feeling inside.

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Speaker 5: And at rock bottom and at cliff top, what you

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Speaker 5: have to learn how to do is generate that feeling

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Speaker 5: without anything external. You want to you have to learn

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Speaker 5: how to like like you so much that you like

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Speaker 5: being alive so much that you you bring positive energy

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Speaker 5: that's not generated by stuff. Right because stuff is coming

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Speaker 5: and going, like people are coming and going. Everything you

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Speaker 5: have and everybody you love is going to rise and

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Speaker 5: fall in your life. The place that we have to

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Speaker 5: find is a spiritual place where we are good with us.

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Speaker 1: We trust us.

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Speaker 5: I trust myself, I trust God, and I trust life

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Speaker 5: that whatever happens, I'm gonna make happy out of it.

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Speaker 1: I don't need specific things to happen.

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Speaker 6: Passing the torch is important. How you do it is

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Speaker 6: up to you. I've never had a problem with anybody

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Speaker 6: younger than me because this generation now grew up listening

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Speaker 6: to my beasts on YouTube, so it's different from me.

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Speaker 6: So for the you know, although he's not young anymore,

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Speaker 6: For the little yachties I talked to from time to

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Speaker 6: time from Madlan Tokyo that I talked to even at

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Speaker 6: one point ten years ago, Kendrick, you know, I was

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Speaker 6: a young nigga. Cole was a young nigga. Drake was

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Speaker 6: a young nigger. Nipsey, Hussel, Rest and Peace mac Miller,

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Speaker 6: all the ones I kind of, you know, talk to

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Speaker 6: over time and you know they're doing that thing now.

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Speaker 6: I mean, I've always been a teachabook type person, so

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Speaker 6: I'm always gonna talk to them about something regardless of

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Speaker 6: give him some type of because because I truly believe

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Speaker 6: there's a difference between the elder and the old nigga,

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Speaker 6: and we got too many old niggas. We need elders.

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Speaker 6: We need elders to pass down whatever it is. Tough

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Speaker 6: love for any kind of love, because some of these

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Speaker 6: kids ain't never had no love of any kind. So

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Speaker 6: that's that's how I look at her. Passing the torch

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Speaker 6: is important. How you do it is up to you.

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Speaker 6: I never had a problem with anybody younger than me

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Speaker 6: because this generation now grew up listening to my beasts

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Speaker 6: on YouTube, so it's different from me. So for the

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Speaker 6: you know, although he's not young anymore. For the little

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Speaker 6: yachtis I talked to from time to time from mad

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Speaker 6: to Tokyo that I talked to even at one point

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Speaker 6: ten years ago, Kendrick, you know, I was a young nigga.

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Speaker 6: Cole was a young nigga. Drake was a young nigger.

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Speaker 6: Nipsey Hustle, rest in Peace, mac Miller, all the ones

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Speaker 6: I kind of you know, talked to.

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Speaker 1: Over time, and you know they're on that thing now.

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Speaker 6: I mean, I've always been a teachabook type person, so

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Speaker 6: I'm always gonna talk to them about something, regardless of

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Speaker 6: some type of because because I truly believe there's a

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Speaker 6: difference between the eldery and the old nigga, and we

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Speaker 6: got too many old niggas.

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Speaker 1: We need elders.

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Speaker 6: We need elders to pass down whatever it is. Tough

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Speaker 6: love for any kind of love because some of these

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Speaker 6: kids ain't never had no love of any kind.

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Speaker 1: So that's that's how I look at.

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Speaker 7: Comedy being I don't I don't want to censor it

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Speaker 7: almost you know what I mean?

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Speaker 4: How do you?

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Speaker 8: How do you?

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Speaker 4: How do you walk that line?

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Speaker 9: Here's still still to me, it's like, well, first of all,

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Speaker 9: is if you're offended by a joke, you're allowed to be.

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Speaker 9: That's why I keep telling people like I think there's

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Speaker 9: this idea that comedians are out here going.

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Speaker 4: You're not allowed to be offended by the joke.

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Speaker 1: Like however you.

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Speaker 9: Feel, you feel like I don't know how you grew up,

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Speaker 9: Like maybe someone is really traumatic happened to you. And

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Speaker 9: if I'm joking about it, you know you feel all

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Speaker 9: those you know, horrendous feelings that you felt.

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Speaker 1: As a kid. So you all have to feel whoever

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Speaker 1: you feel.

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Speaker 9: If you only I'm making you uncomfortable to your face,

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Speaker 9: I'm not going to say that.

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Speaker 10: Joke around you anymore. I'll still say it around the world,

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Speaker 10: I'm not going to say it to you so like I.

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Speaker 4: Want you to laugh.

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Speaker 9: But what I'm realizing now that like things are bigger

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Speaker 9: for me, is that the way that we grew up

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Speaker 9: specifically in New York. You probably haven't here in Miami,

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Speaker 9: maybe in Los Angeles, maybe in like San Francisco, maybe Chicago.

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Speaker 4: But it's very unique.

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Speaker 9: Most people did not grow up with a level of

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Speaker 9: comfort with another race or the station where you could

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Speaker 9: bust balls. People who have been in the military have

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Speaker 9: felt it because you you're protect your brother every single day,

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Speaker 9: so it doesn't matter if you're he's Asian and you're

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Speaker 9: fucking black.

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Speaker 1: Like you got jokes to each other because there's so

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Speaker 1: much love, like I'm keeping you alive, you give me life.

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Speaker 8: But we felt so much comfort growing up with it, but.

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Speaker 4: We never even thought about it.

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Speaker 9: Like it wasn't until I got out of New York

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Speaker 9: and maybe went to college that I even knew people

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Speaker 9: got offended by.

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Speaker 1: Things, didn't.

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Speaker 11: They just do the same thing to music, and none

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Speaker 11: of us said ship Prince t I, David, I told

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Speaker 11: you how stupid that wasn't y'all call me crazy? We

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Speaker 11: gave hip hop away, So what you're waiting for now?

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Speaker 8: Hm?

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Speaker 1: We did a song. I don't know if you know this.

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Speaker 1: We did a song with rock him.

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Speaker 4: Yeah.

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Speaker 11: Yeah.

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Speaker 12: We had a song off of our one of our

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Speaker 12: heaviest metal records, and the song was so it was

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Speaker 12: a super song. This is a song like six minutes something.

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Speaker 12: It's like this Metallica style six minute song. And we

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Speaker 12: just placed in the middle where I was thinking of

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Speaker 12: doing a verse. Actually, they were saying like, you should

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Speaker 12: do a rap verse on this because that's the most

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Speaker 12: unexpected thing you could do. And my brain was like, well,

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Speaker 12: what can we do that be even more unexpected? And

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Speaker 12: we managed to reach out to rock him and he

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Speaker 12: drove because he doesn't fly, you know, he drove.

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Speaker 1: Out from New York all the way out to La

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Speaker 1: the verse.

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Speaker 8: Part.

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Speaker 1: Who's the best? Talk about talk about t about you?

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Speaker 7: You wait way too fast, so you said, Rod.

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Speaker 1: Kim drove from New York.

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Speaker 4: I couldn't believe it either.

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Speaker 1: Yo. That's let I'm taking a shot, even though you ain't.

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Speaker 4: Home from jail.

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Speaker 13: In prison, yeah, in prison.

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Speaker 1: Yeah.

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Speaker 13: Don't take time for granted, and don't take it the

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Speaker 13: people you love, don't take them for granted. You can't.

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Speaker 13: And I'll tell you something f n because Jamaica prisons

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Speaker 13: is strange. It's like the gangster seen in Jamaica. Five

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Speaker 13: people will die here Kingston. But when you watch the news.

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Speaker 13: You only hear about the one person that died in

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Speaker 13: Montego Bay in a cheria. So you got to take

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Speaker 13: life seriously. The people you love. Got to spend it

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Speaker 13: with him. You know what My biggest shigett is and

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Speaker 13: my first son.

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Speaker 4: I had him.

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Speaker 13: Who to the studio with You know when you get

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Speaker 13: that son, your first child is a son. So I'm

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Speaker 13: with him in the studio. I'm changing is changing his diapers.

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Speaker 13: I'm doing all of that. But what I regret the

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Speaker 13: most is not spending more time with him.

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Speaker 1: Who's the oldest little vibes.

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Speaker 13: No Lika vibes. All right, But this is the good

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Speaker 13: thing about it. The liquor vibes gave me two grandchildren.

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Speaker 13: So now I have the opportunity, yes, giving me another chance, Yes,

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Speaker 13: second chances.

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Speaker 1: Man, God is the greatest.

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Speaker 13: Bro. I believe in God. Bro when I was If

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Speaker 13: you watch a lot of my old interos, that's the

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Speaker 13: Wildford I know because you watch America.

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Speaker 1: I'm like, yeah, so he knows what's up. I used

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Speaker 1: to say, bro, whatever x x X.

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Speaker 13: Now I believe in Like my son, I didn't get

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Speaker 13: to raise him. He gave me two grandchildren. Yes, so

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Speaker 13: I can raise a granddaughter and a grandson. So I'm like,

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Speaker 13: that's yeah, yeah, I'm like to my grandson, make sure

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Speaker 13: you get a lot of it.

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Speaker 4: I'm not to my granddaughter if you ever two point zero.

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Speaker 13: But seriously, though, it's like he gave me a new

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Speaker 13: lease on light to be able to because and this

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Speaker 13: is I'm going to tell you, I'm gonna be honest.

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Speaker 13: Before I got arrested, I never believe thank God as

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Speaker 13: a concept. Being in prison, and like I said, I

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Speaker 13: put the two thirty head on my Where is it

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Speaker 13: two thirty eight? Where is the tattoos?

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Speaker 1: I don't even know? Look, where is it? Two thirty eight?

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Speaker 13: Let's start right chee right there? Right, yeah, yeah, don't

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Speaker 13: study Norman che.

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Speaker 14: Hold on, hold on, got its nuts?

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Speaker 4: Right, yeah.

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Speaker 1: Yeah, hold on. When I said this, no, no disrespected.

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Speaker 13: Right.

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Speaker 1: When I'm gonna say.

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Speaker 13: This, I knew that I was going to come out,

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Speaker 13: but at the time I needed extra energy because a

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Speaker 13: lot of people were depending on me, not just the

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Speaker 13: guys that I was arrested with, but my mother and

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Speaker 13: my father, my children, my cousins, my aunts, my uncles. Remember,

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Speaker 13: this is Jamaica, this is Wall Street, Ship, this is Jamaica.

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Speaker 13: So I had to put my faith in something other

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Speaker 13: than us. And that's when I got more spiritual, more

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Speaker 13: religious and started focusing. And that's when I tattooed the

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Speaker 13: thing on my face. Love God. I don't know if

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Speaker 13: he can see it.

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Speaker 4: What's your.

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Speaker 1: What man?

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Speaker 13: But that's why I became more spiritual because I used

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Speaker 13: to or the church like most Jamaicans. Because Jamaicans have

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Speaker 13: the most churches for squirit capital. Really yeah, you know what,

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Speaker 13: you know what beats it the most bars. And I'm

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Speaker 13: not even joking, like literally bars beat not like where

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Speaker 13: you go to have drink, drink, rum, shamp whatever. The

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Speaker 13: most bar, yes, but but just by a slight because

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Speaker 13: think about this, we have the most churches per capital

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Speaker 13: in the world.

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Speaker 4: The only thing that beats that, Wow, it's bars. That's

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Speaker 4: why you see.

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Speaker 13: The the that's the world the places of nature of

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Speaker 13: Jamaica dispaces. So on one side of Jamaica, you're partying,

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Speaker 13: you're in the tourist country and you're enjoying yourself and

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Speaker 13: nobody knew. And on the other side, fifty three people

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Speaker 13: die in two days murder, So tell me so crazy

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Speaker 13: it is? Fifty three people die between Monday and between

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Speaker 13: Friday and Sunday.

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Speaker 4: But when you are in Montego Bay, not.

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Speaker 1: And not the real Monthygo Bay.

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Speaker 10: You're in the resort, the resort, right, the safe You're good, right.

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Speaker 13: But when you go back to America and you go

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Speaker 13: on Google, you see that fifty three people die between

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Speaker 13: Friday and Sunday by murder.

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Speaker 1: It's crazy, man. So tell me something.

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Speaker 6: Since you've been out, what have you seen change the

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Speaker 6: climate of Jamaica?

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Speaker 1: Nothing? Just the love for me.

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Speaker 13: But my thing is this, why are you shooting people

257
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Speaker 13: because you have no other option. You were in school

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Speaker 13: and you were you could paint very well. You could

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Speaker 13: draw jay Z and it looked like jay Z. But

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Speaker 13: because no one cared about that, and you lived in

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Speaker 13: flat boards, no opportunities, no opportunities.

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Speaker 1: So you just started to.

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Speaker 13: Your gunman on your batman, and it feels good. You

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Speaker 13: know why it feels good because you're a man, and

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Speaker 13: man need get respect. Man need respect, and we need purpose.

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Speaker 13: So you found your purpose because you do it very well.

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Speaker 13: Run up and shooting them, is it right?

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Speaker 3: No?

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Speaker 13: But all you had left was purpose. Found it with

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Speaker 13: your gun the same way we found it after the

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Speaker 13: gun with the microphone music with the microphone. Jordan's founded

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Speaker 13: with the basketball, but you don't punk. You want a

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Speaker 13: picture with Jordan's, pay me. That's why I have no

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Speaker 13: problem with Jordan's because I understand its mindset. Is it

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Speaker 13: wrong or right, that's for people to decide. But I

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Speaker 13: understand the mindset of the man because we will. I

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Speaker 13: grew up in the ghetto. I understand how it works.

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Speaker 13: Let me if you don't understand that, man, you were

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Speaker 13: naive Mellis in Colorado.

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Speaker 4: You know what I mean, Let's go skiing in window

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Speaker 4: or some trick.

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Speaker 10: Saying he would have I would have?

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Speaker 7: Would I would would? I'm like, man, fuck that. But

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Speaker 7: you know what this is one man percent something. I'm

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Speaker 7: gonna be honest with you. Bro, you really deserve your flowers, man,

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Speaker 7: not just here but in real life.

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Speaker 4: Yeah.

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Speaker 3: No, facts, I didn't put my work in, bro, you

289
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Speaker 3: I didn't put my work.

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Speaker 4: And I ain't finished. You heard me. You know what

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Speaker 4: I'm saying.

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Speaker 3: I got a lot move you know what I'm saying

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Speaker 3: to contribute, man to the culture. Man, So you know

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Speaker 3: I'm just glad man, and I'm free. You know that

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00:16:58,360 --> 00:17:02,000
Speaker 3: I got another shot at it. Man, And and and yeah, man,

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Speaker 3: I'm I'm a rep man' a rep man for the

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Speaker 3: real man.

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Speaker 1: So let me ask you. Bird Man was not sleep

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Speaker 1: on stage?

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Speaker 3: No, they said he was reading something.

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00:17:11,359 --> 00:17:13,200
Speaker 4: Yeah, not all right? So you come over.

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Speaker 3: You did Arena days, you know when, right, and they

303
00:17:17,359 --> 00:17:19,679
Speaker 3: had a set list tape, you know, to the floor

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00:17:20,160 --> 00:17:23,760
Speaker 3: and and and the h the list of songs, and

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00:17:23,800 --> 00:17:26,960
Speaker 3: you know you're looking at you know, you know what

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00:17:27,000 --> 00:17:30,119
Speaker 3: I'm saying. He's reading, seeing what's coming up next. He

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Speaker 3: just gotta call from a band he got from a

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Speaker 3: bad angle. And then on some you know, just you

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Speaker 3: know work, you know, some wipe me down. You know

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Speaker 3: it's just on some you know about work. But it

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00:17:48,160 --> 00:17:51,680
Speaker 3: looks funny. But no, round wasn't sleep, bro, you know

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Speaker 3: what I'm saying, Like rown, they never did a whole drug.

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Speaker 4: Yeah man, you know what I'm saying. He used to

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Speaker 4: be on us.

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Speaker 3: I had seen ship on the internet about him being

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Speaker 3: on fitt No, and we had a good laugh about it,

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00:18:05,440 --> 00:18:07,480
Speaker 3: like we josed off here. You know what I'm saying.

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00:18:07,520 --> 00:18:10,040
Speaker 3: I sure stuff him like we josed off each other.

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Speaker 3: But yeah, now he was reading the song list.

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Speaker 7: Okay, because I'm gonna be honest with you. It looked

321
00:18:18,160 --> 00:18:21,359
Speaker 7: like it was finally your time to be the big homies.

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Speaker 7: It looked like like little things because it looked like

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Speaker 7: Little Man was like, let's go, Nigga, look at it.

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Speaker 3: Yeah, yeah, yeah yeah.

325
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Speaker 4: And this ain't me just trying to clean it up.

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Speaker 4: I'm just being one hundred percent real with it.

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Speaker 14: Man.

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Speaker 3: He was reading the song list, man, because I have

329
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Speaker 3: to gize down there at times because the show probably

330
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Speaker 3: an hour damn the two hours for real, you know

331
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Speaker 3: what I'm saying. We got the first Cash Money set,

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00:18:49,880 --> 00:18:52,760
Speaker 3: Bam and Wayne come out, then Bam and Wayne bring

333
00:18:52,880 --> 00:18:55,440
Speaker 3: us back out, you know, for the Hot Boys set,

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00:18:55,720 --> 00:18:58,639
Speaker 3: you know what I mean. So it's you know what

335
00:18:58,640 --> 00:19:01,440
Speaker 3: I'm saying, by the time, probably like a two hour set,

336
00:19:01,480 --> 00:19:04,040
Speaker 3: you know what i mean. So you know it's it's

337
00:19:04,440 --> 00:19:07,320
Speaker 3: yeah man, like like and motherfucker just be trying to

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00:19:07,320 --> 00:19:09,240
Speaker 3: make sure I know what's coming up next, you know

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Speaker 3: what I'm saying.

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00:19:09,680 --> 00:19:12,640
Speaker 4: So I gotta be on point, and I think you yeah,

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00:19:13,840 --> 00:19:16,439
Speaker 4: I know, and if you like, you know what I mean.

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00:19:16,520 --> 00:19:22,119
Speaker 3: Yeah, when you look at it, and he got a teleprompter, right,

343
00:19:22,440 --> 00:19:25,440
Speaker 3: just the teleprompter, but then you got the list.

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00:19:25,560 --> 00:19:27,359
Speaker 4: You know what I'm saying, tape to the floor.

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00:19:27,400 --> 00:19:29,960
Speaker 3: So it's like five sheets with all the song with

346
00:19:30,119 --> 00:19:33,160
Speaker 3: probably about ten songs on each, you know what I'm saying.

347
00:19:33,200 --> 00:19:38,080
Speaker 4: She and you know, Roun just got caught up reading the.

348
00:19:38,080 --> 00:19:45,399
Speaker 3: List, bro, and it's just like the probably with some ship,

349
00:19:45,520 --> 00:19:46,639
Speaker 3: you know what I'm saying.

350
00:19:46,800 --> 00:19:48,600
Speaker 4: So nah, but it's.

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00:19:48,520 --> 00:19:52,800
Speaker 3: All great though, man about nothing. It's like like like,

352
00:19:52,960 --> 00:19:55,480
Speaker 3: you know, he ain't tripping you, like, oh, press is

353
00:19:55,520 --> 00:20:00,920
Speaker 3: good press tripping the arenas you're selling out.

354
00:20:01,000 --> 00:20:04,640
Speaker 4: Yeah, and we're gonna keep getting this bag. And it

355
00:20:04,680 --> 00:20:09,280
Speaker 4: is what it is. Long as you are to reach me,

356
00:20:10,320 --> 00:20:10,960
Speaker 4: long as y'all.

357
00:20:11,520 --> 00:20:14,240
Speaker 7: That's that's as long as I underrated five movie man

358
00:20:14,480 --> 00:20:15,000
Speaker 7: that reached me.

359
00:20:16,720 --> 00:20:16,960
Speaker 1: Ship.

360
00:20:17,200 --> 00:20:20,560
Speaker 8: I don't know about underrated that moment. I'm a little

361
00:20:20,560 --> 00:20:22,080
Speaker 8: bit upset. I should have charged mo.

362
00:20:23,400 --> 00:20:25,920
Speaker 15: Yeah, I was on fire right around that time.

363
00:20:26,240 --> 00:20:28,119
Speaker 8: I should have changed a little more. But then with

364
00:20:28,200 --> 00:20:29,560
Speaker 8: Adam Sadler Chris.

365
00:20:29,400 --> 00:20:33,080
Speaker 10: Rock, Yeah, that was a great and because rentals.

366
00:20:35,280 --> 00:20:38,520
Speaker 15: Let me tell you cigarette, let me tell you how

367
00:20:38,880 --> 00:20:42,840
Speaker 15: how I found out how far he was, how you

368
00:20:43,000 --> 00:20:45,840
Speaker 15: sweat he had so my granny at this time that

369
00:20:45,920 --> 00:20:49,240
Speaker 15: mind you, this was two thousand and four country grammar

370
00:20:49,320 --> 00:20:52,879
Speaker 15: than did Nellyville just coming out with Sweatsuit the double

371
00:20:52,920 --> 00:20:56,680
Speaker 15: album like I'm on fire.

372
00:20:57,160 --> 00:20:58,119
Speaker 8: I'm like, this is.

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00:20:58,560 --> 00:21:01,440
Speaker 4: Fire, Grannie. Granny is still.

374
00:21:02,640 --> 00:21:05,760
Speaker 8: That's nice, not at all.

375
00:21:05,240 --> 00:21:09,119
Speaker 15: I'm still Cornell, like I'm probably always be.

376
00:21:09,240 --> 00:21:11,080
Speaker 8: But she was like, that's nice, Cornell. Yeah.

377
00:21:11,359 --> 00:21:12,600
Speaker 10: I was like, Granny, I'm doing the Gramms.

378
00:21:12,680 --> 00:21:14,760
Speaker 15: Yeah, I saw you on the Grammars. Baby, you look good.

379
00:21:14,840 --> 00:21:15,879
Speaker 15: I just had to tell you that.

380
00:21:16,320 --> 00:21:16,920
Speaker 14: You know what I'm saying.

381
00:21:18,240 --> 00:21:20,080
Speaker 15: You know what I'm saying, like, yeah, I saw the

382
00:21:20,080 --> 00:21:21,760
Speaker 15: football thing when you ran out.

383
00:21:21,840 --> 00:21:23,320
Speaker 4: Yeah, I was good, you look good.

384
00:21:24,000 --> 00:21:26,600
Speaker 15: I was like, okay, you know you can't get no rounds.

385
00:21:26,600 --> 00:21:29,639
Speaker 15: I'm like, shit, okay, So doing the I heard you

386
00:21:29,720 --> 00:21:32,040
Speaker 15: doing it. We're sitting around and she's like, I heard

387
00:21:32,080 --> 00:21:34,600
Speaker 15: you doing the movie. I was like, yeah, Granny, I'm

388
00:21:34,600 --> 00:21:35,120
Speaker 15: doing a movie.

389
00:21:35,160 --> 00:21:35,640
Speaker 1: You know what I'm saying.

390
00:21:35,680 --> 00:21:36,680
Speaker 8: It's a football movie.

391
00:21:36,720 --> 00:21:37,440
Speaker 4: Boy.

392
00:21:37,440 --> 00:21:39,919
Speaker 15: I'm explaining to her, good baby, do I hope you

393
00:21:40,000 --> 00:21:46,920
Speaker 15: have fun? And I don't know if my auntie somebody

394
00:21:47,000 --> 00:21:49,240
Speaker 15: said tell her who all tell her who in the movie.

395
00:21:49,359 --> 00:21:52,159
Speaker 15: And I'm not thinking nothing of it. I'm not thinking

396
00:21:52,160 --> 00:21:55,320
Speaker 15: nothing of it. My granny is like seventy year old

397
00:21:55,359 --> 00:21:59,719
Speaker 15: Black Saint Louis Lady, not thinking nothing of it.

398
00:21:59,760 --> 00:22:03,080
Speaker 8: I know who she married. My granddaddy was a mother.

399
00:22:04,000 --> 00:22:06,199
Speaker 15: Oh god, you know what I'm saying, Like straight like that,

400
00:22:06,600 --> 00:22:10,840
Speaker 15: and I'm like, okay, cool, I said, yeah, Adams saying that.

401
00:22:10,920 --> 00:22:12,760
Speaker 8: I know she granny don't know none of these people.

402
00:22:12,760 --> 00:22:13,280
Speaker 4: You know what I'm saying.

403
00:22:13,320 --> 00:22:16,600
Speaker 15: I'm like, Adam said, look, you know Chris Rock because

404
00:22:16,600 --> 00:22:18,760
Speaker 15: she you know. I was like, yeah, Adam saying, look

405
00:22:18,880 --> 00:22:21,359
Speaker 15: Chris Rock, Bird Renalds who.

406
00:22:23,880 --> 00:22:25,440
Speaker 4: Bird Renals? Rentals?

407
00:22:26,600 --> 00:22:28,720
Speaker 8: Who that why boy five?

408
00:22:31,440 --> 00:22:39,600
Speaker 15: I said, Yo, here, your granny fan is the most

409
00:22:39,640 --> 00:22:40,639
Speaker 15: disgusting ship.

410
00:22:40,720 --> 00:22:45,879
Speaker 4: You know what I mean? Like you like she like

411
00:22:46,520 --> 00:22:48,920
Speaker 4: b Renals?

412
00:22:49,960 --> 00:22:52,840
Speaker 8: Well, yes, you in the movie?

413
00:22:52,840 --> 00:22:53,119
Speaker 4: What's so?

414
00:22:53,200 --> 00:22:53,800
Speaker 8: What you doing?

415
00:22:53,880 --> 00:22:54,000
Speaker 16: Man?

416
00:22:55,400 --> 00:22:57,920
Speaker 4: Don't get.

417
00:22:59,720 --> 00:23:04,040
Speaker 15: So it was Grammy for all that shit at this

418
00:23:04,200 --> 00:23:06,520
Speaker 15: time twenty two million record, It doesn't even matter.

419
00:23:06,600 --> 00:23:10,760
Speaker 4: She ain't. That's good baby, Burt Reynolds.

420
00:23:12,040 --> 00:23:14,520
Speaker 15: We had a whole conversation for about fifteen minutes.

421
00:23:14,840 --> 00:23:16,520
Speaker 1: We ain't never talked fifteen.

422
00:23:16,119 --> 00:23:19,760
Speaker 15: Minutes about my job, like probably altogether.

423
00:23:20,520 --> 00:23:21,920
Speaker 1: You know what I'm saying. I tell her what's that?

424
00:23:22,960 --> 00:23:23,160
Speaker 4: Boy?

425
00:23:23,520 --> 00:23:26,240
Speaker 8: She wanted to know burn random, why y'all feeling this movie? Yeah?

426
00:23:27,520 --> 00:23:29,399
Speaker 8: So tell me about what are you doing?

427
00:23:29,520 --> 00:23:30,040
Speaker 1: You do it?

428
00:23:30,280 --> 00:23:32,240
Speaker 15: I say, yeah, I'm playing a running back. You didn't

429
00:23:32,280 --> 00:23:34,960
Speaker 15: play you was a receiver. He's like, no, I'm just

430
00:23:35,000 --> 00:23:36,720
Speaker 15: playing it in the movie. You know what I'm saying,

431
00:23:37,320 --> 00:23:39,080
Speaker 15: because you know, she know about what I was doing

432
00:23:39,119 --> 00:23:41,240
Speaker 15: at She was like, now you play receiver. You don't

433
00:23:41,240 --> 00:23:44,080
Speaker 15: play running back. No, Grannie, I'm playing it in the movie.

434
00:23:44,160 --> 00:23:48,480
Speaker 8: You know what I mean? Okay, you little That's that's

435
00:23:48,480 --> 00:23:49,399
Speaker 8: why I started living.

436
00:23:50,000 --> 00:23:50,880
Speaker 1: Was small as ship.

437
00:23:52,440 --> 00:23:54,720
Speaker 15: No no, no, no, no, no.

438
00:23:57,040 --> 00:23:57,720
Speaker 1: Yeah. Hell y'all.

439
00:23:58,200 --> 00:23:59,000
Speaker 8: You be on set.

440
00:23:59,680 --> 00:24:01,720
Speaker 15: You got all these great people, don't set, and these

441
00:24:02,320 --> 00:24:04,840
Speaker 15: telling stories sitting in the chair, and then your man

442
00:24:04,880 --> 00:24:05,600
Speaker 15: burd Renal.

443
00:24:05,440 --> 00:24:09,640
Speaker 8: Sits back like this and goes everybody shut them. Ain't

444
00:24:09,640 --> 00:24:11,639
Speaker 8: even filming. He's stopping the whole movie.

445
00:24:12,160 --> 00:24:14,120
Speaker 15: Everybody want to hear this story because you don't know

446
00:24:14,560 --> 00:24:15,320
Speaker 15: what year this is.

447
00:24:16,920 --> 00:24:17,560
Speaker 4: You just don't.

448
00:24:17,600 --> 00:24:18,359
Speaker 1: You don't have people.

449
00:24:21,359 --> 00:24:23,040
Speaker 8: You don't know if it's finna be the.

450
00:24:23,119 --> 00:24:27,880
Speaker 15: Hustle magazine, the Playboy magazine, if it's gonna be blond brutete.

451
00:24:28,320 --> 00:24:31,040
Speaker 15: You don't know if it's gonna be a dignitary or politician.

452
00:24:31,160 --> 00:24:32,720
Speaker 4: But you do not know.

453
00:24:32,880 --> 00:24:35,840
Speaker 15: He's got him all and he sits back like this

454
00:24:35,960 --> 00:24:40,520
Speaker 15: and everybody's shut up. Adam Sander telling jokes. Everybody cracking up.

455
00:24:40,640 --> 00:24:42,880
Speaker 8: Chris Rocks is telling jokes. We got like nine.

456
00:24:42,680 --> 00:24:46,000
Speaker 15: Comedians, you know how they start firing at each other

457
00:24:46,080 --> 00:24:46,720
Speaker 15: and going around.

458
00:24:46,800 --> 00:24:48,040
Speaker 8: So it's hilarious.

459
00:24:48,040 --> 00:24:55,360
Speaker 15: And Burt's just you know, I remember ship shut down

460
00:24:55,400 --> 00:24:57,760
Speaker 15: and man, it was awesome. He told us some stories

461
00:24:57,800 --> 00:24:59,800
Speaker 15: some ship I can't really say right here.

462
00:24:59,800 --> 00:25:03,720
Speaker 8: He at Family Sniper.

463
00:25:04,080 --> 00:25:13,240
Speaker 2: He was like, you know, many man, because I mean again,

464
00:25:13,560 --> 00:25:19,160
Speaker 2: you see how elderly black lady spoke up about him, so.

465
00:25:19,359 --> 00:25:23,840
Speaker 15: Imagine what you know what I mean like, I probably yeah,

466
00:25:23,880 --> 00:25:27,439
Speaker 15: he probably top three. You probably top three sniper of

467
00:25:27,480 --> 00:25:27,920
Speaker 15: all time.

468
00:25:28,000 --> 00:25:28,480
Speaker 1: No, da.

469
00:25:32,160 --> 00:25:35,280
Speaker 15: Gotta be top three sniper of all time all time.

470
00:25:36,760 --> 00:25:41,560
Speaker 7: We had Kanye on this, yeah, I saw, and we.

471
00:25:41,520 --> 00:25:43,920
Speaker 16: Had two different we had two different different episodes.

472
00:25:44,080 --> 00:25:45,159
Speaker 1: Yes, and this is.

473
00:25:45,080 --> 00:25:49,000
Speaker 7: This is your according to your words as you're saying,

474
00:25:49,200 --> 00:25:51,119
Speaker 7: this is like your mentor somebody that you looked up to,

475
00:25:51,320 --> 00:25:54,639
Speaker 7: somebody that puts you on. We made a lot of

476
00:25:54,680 --> 00:25:58,160
Speaker 7: great music together and we came we came up together, right.

477
00:26:00,000 --> 00:26:04,560
Speaker 7: Sometimes does it disturb you, Oh how did you feel?

478
00:26:04,600 --> 00:26:04,679
Speaker 1: Like?

479
00:26:05,600 --> 00:26:05,760
Speaker 8: Oh?

480
00:26:06,400 --> 00:26:09,120
Speaker 6: Absolutely disturbs me. Some of the things he.

481
00:26:09,240 --> 00:26:13,280
Speaker 17: Says, and and I'm not as disturbed for me because

482
00:26:13,280 --> 00:26:16,199
Speaker 17: what he said about me, I don't care. I'm like,

483
00:26:16,640 --> 00:26:19,560
Speaker 17: obviously it was a good thing for him and for

484
00:26:19,640 --> 00:26:22,359
Speaker 17: me that he signed me. I wasn't worried about the

485
00:26:22,680 --> 00:26:23,639
Speaker 17: literal words.

486
00:26:23,359 --> 00:26:23,920
Speaker 1: That he said.

487
00:26:24,040 --> 00:26:25,120
Speaker 4: I didn't take it personally.

488
00:26:25,400 --> 00:26:27,040
Speaker 17: But I just feel like a lot of times he

489
00:26:27,520 --> 00:26:31,920
Speaker 17: seems to be going through ship and and every once

490
00:26:31,920 --> 00:26:34,840
Speaker 17: in a while we'll get, you know, these flurries of

491
00:26:35,480 --> 00:26:37,680
Speaker 17: outbursts from him, and it's sad.

492
00:26:37,720 --> 00:26:39,000
Speaker 1: Man. I don't love seeing it.

493
00:26:39,000 --> 00:26:41,920
Speaker 4: Man, I don't love seeing it for him because.

494
00:26:41,720 --> 00:26:44,359
Speaker 1: You know him, like, yeah, like these people.

495
00:26:45,640 --> 00:26:47,280
Speaker 7: To most people, and I don't want to stay on

496
00:26:47,320 --> 00:26:52,840
Speaker 7: this I'll get you know, yeah, well most people, it's entertainment, right, yeah, And.

497
00:26:52,800 --> 00:26:54,760
Speaker 17: It's like, but that's your that's your brother, and it

498
00:26:55,520 --> 00:26:57,800
Speaker 17: is outrageous, and sometimes it's funny, like and some of

499
00:26:57,800 --> 00:26:59,720
Speaker 17: my friends will like, you know, text me hear what

500
00:27:00,080 --> 00:27:03,040
Speaker 17: he said. Yeah, I'm like, yeah, but like part of

501
00:27:03,040 --> 00:27:07,960
Speaker 17: it's sad, you know, it's sad seeing it. And I

502
00:27:08,119 --> 00:27:11,600
Speaker 17: still look at him as one of the most important

503
00:27:11,680 --> 00:27:13,040
Speaker 17: artists that we've ever.

504
00:27:12,880 --> 00:27:15,480
Speaker 4: Had, and I still like some of his music is just.

505
00:27:15,840 --> 00:27:21,440
Speaker 17: Like truly incredible, groundbreaking, world changing and still holds up

506
00:27:21,520 --> 00:27:24,320
Speaker 17: now and.

507
00:27:23,240 --> 00:27:25,440
Speaker 4: And I just feel like it's a shame.

508
00:27:25,280 --> 00:27:29,960
Speaker 17: That that it gets clouded by all the other shit.

509
00:27:31,800 --> 00:27:36,399
Speaker 16: God bless man, because to go more to the musical

510
00:27:36,440 --> 00:27:39,240
Speaker 16: side of it, like, yeah, that journey that when you

511
00:27:39,280 --> 00:27:42,399
Speaker 16: guys connected in the beginning, But was that like how so.

512
00:27:42,560 --> 00:27:43,720
Speaker 10: What stage of his career?

513
00:27:43,840 --> 00:27:45,080
Speaker 4: And for you, like what was that whole?

514
00:27:45,440 --> 00:27:47,640
Speaker 17: It was good music, correct, Yeah, So it didn't even

515
00:27:47,680 --> 00:27:48,360
Speaker 17: exist good music.

516
00:27:48,359 --> 00:27:52,119
Speaker 4: It didn't exist when we met. So I'm a new artist.

517
00:27:52,600 --> 00:27:54,920
Speaker 17: I'm, like I said, working by day as a management

518
00:27:54,920 --> 00:27:58,239
Speaker 17: consultant in New York. One of my roommates I went

519
00:27:58,240 --> 00:28:01,600
Speaker 17: to college with his name is Devo, and Devo had

520
00:28:01,640 --> 00:28:04,399
Speaker 17: a cousin from Chicago that was about to move to

521
00:28:05,200 --> 00:28:07,159
Speaker 17: the area and his name was Kanye West.

522
00:28:07,480 --> 00:28:11,760
Speaker 7: So Devo he's not known.

523
00:28:11,640 --> 00:28:14,440
Speaker 17: Neither no, but he had just started working Jay and

524
00:28:14,600 --> 00:28:17,720
Speaker 17: Dame and all of them at Rockefeller and.

525
00:28:18,560 --> 00:28:19,240
Speaker 1: He had just.

526
00:28:21,040 --> 00:28:23,480
Speaker 4: Him and just Blade basically did the whole blueprint.

527
00:28:23,520 --> 00:28:24,199
Speaker 8: That's right, right.

528
00:28:24,359 --> 00:28:29,439
Speaker 17: So when I met Kanye was May of two thousand

529
00:28:29,520 --> 00:28:32,320
Speaker 17: or like late spring or early summer in two thousand and one,

530
00:28:33,240 --> 00:28:35,080
Speaker 17: And I remember it because it was at Jimmy's Uptown,

531
00:28:35,119 --> 00:28:39,000
Speaker 17: and I recorded that show at Jimmy's Uptown in Harlem.

532
00:28:39,320 --> 00:28:40,280
Speaker 4: Yeah, Jimmy's Uptown.

533
00:28:40,600 --> 00:28:46,880
Speaker 17: Yeah, We're gonna stab somebody, So I'm doing a show

534
00:28:46,920 --> 00:28:50,720
Speaker 17: there and we recorded it and we actually put out

535
00:28:50,720 --> 00:28:53,560
Speaker 17: a live record to my fans of that recording. So

536
00:28:53,560 --> 00:28:55,920
Speaker 17: that's why I knew when I met him was because

537
00:28:55,960 --> 00:28:58,880
Speaker 17: it was that day that we recorded the show, and

538
00:29:01,040 --> 00:29:02,920
Speaker 17: my roommates like, you gotta meet my cousin. He just

539
00:29:02,960 --> 00:29:06,520
Speaker 17: moved to New York and he's producing for a Rockefeller

540
00:29:08,920 --> 00:29:11,880
Speaker 17: and we met and then we started working together a

541
00:29:11,920 --> 00:29:15,200
Speaker 17: few months later. He was working on his demo and

542
00:29:15,320 --> 00:29:16,880
Speaker 17: he was trying to get signed as a rapper.

543
00:29:16,920 --> 00:29:17,640
Speaker 1: But everybody was like.

544
00:29:17,840 --> 00:29:19,360
Speaker 4: Yeah, you keeping serious?

545
00:29:19,440 --> 00:29:23,920
Speaker 7: Yeah, because not for a second, because Farrell always downplays

546
00:29:24,120 --> 00:29:29,160
Speaker 7: when when like when me and Farrell, Farrell was cocky

547
00:29:29,160 --> 00:29:31,600
Speaker 7: as ship, even as a person that was coming up

548
00:29:32,160 --> 00:29:33,160
Speaker 7: was Kanye Kky.

549
00:29:33,280 --> 00:29:34,400
Speaker 4: Yeah he was cocky.

550
00:29:34,120 --> 00:29:36,240
Speaker 1: Yeah cool, is Susan right.

551
00:29:37,240 --> 00:29:38,720
Speaker 17: He's not the same as he was back then, but

552
00:29:38,760 --> 00:29:39,040
Speaker 17: he was.

553
00:29:39,160 --> 00:29:41,080
Speaker 4: He's always like had a shrunk.

554
00:29:41,200 --> 00:29:41,800
Speaker 1: He was the ship.

555
00:29:42,320 --> 00:29:43,600
Speaker 4: Yeah all right.

556
00:29:43,640 --> 00:29:46,360
Speaker 7: Yeah, was like he's so humble now I'm like, no, no, no,

557
00:29:46,840 --> 00:29:49,040
Speaker 7: I Remember but when.

558
00:29:48,880 --> 00:29:50,680
Speaker 16: The guy told you my cousin, did you already know

559
00:29:50,720 --> 00:29:51,480
Speaker 16: about his production?

560
00:29:51,720 --> 00:29:52,920
Speaker 4: No, it wasn't out yet.

561
00:29:53,560 --> 00:29:56,000
Speaker 17: So the Bluebird came out nine eleven, remember nine eleven,

562
00:29:56,360 --> 00:29:57,880
Speaker 17: on the day of nine eleven.

563
00:29:57,520 --> 00:30:00,520
Speaker 7: And that's that's yeah, he's debut to product.

564
00:30:00,680 --> 00:30:03,000
Speaker 4: That was his first big moment as a producer.

565
00:30:03,040 --> 00:30:06,440
Speaker 17: So yeah, Izzo, which was a single before the album

566
00:30:06,480 --> 00:30:09,760
Speaker 17: came out, and then he had a few cuts on

567
00:30:09,800 --> 00:30:12,160
Speaker 17: the album and then Blaze did the other side. So

568
00:30:12,160 --> 00:30:15,200
Speaker 17: it was just like both of them were the album basically,

569
00:30:15,240 --> 00:30:19,080
Speaker 17: So that soul sample sound was the whole blueprint sound

570
00:30:19,200 --> 00:30:22,160
Speaker 17: and yay, and just Blaze did the whole thing basically.

571
00:30:22,280 --> 00:30:23,200
Speaker 1: And he's telling you this.

572
00:30:23,160 --> 00:30:26,840
Speaker 18: And you believe him, Like I'm like, let's meet him,

573
00:30:26,880 --> 00:30:29,720
Speaker 18: like at this point, like I'm trying to get signed too,

574
00:30:29,760 --> 00:30:30,880
Speaker 18: and I'm like, let's try it.

575
00:30:30,960 --> 00:30:33,840
Speaker 4: You know, like I don't know him, but we'll see.

576
00:30:34,040 --> 00:30:35,840
Speaker 17: And you never know what hip hop producers because some

577
00:30:35,960 --> 00:30:39,960
Speaker 17: aren't musical enough because they're more like bea driven and

578
00:30:40,200 --> 00:30:42,240
Speaker 17: you know, I'm an R and B artist, some more soulful.

579
00:30:42,280 --> 00:30:46,080
Speaker 17: So I want somebody that still has some musical underpinnings.

580
00:30:46,160 --> 00:30:47,520
Speaker 4: And the good thing about.

581
00:30:47,320 --> 00:30:50,200
Speaker 17: Yay was he He was using all the soul samples

582
00:30:50,320 --> 00:30:53,120
Speaker 17: and the music was very soulful. So it was like

583
00:30:53,120 --> 00:30:55,560
Speaker 17: the perfect blend of soul and hip hop for us

584
00:30:55,560 --> 00:30:58,280
Speaker 17: to work together. So we start working together, like late

585
00:30:58,520 --> 00:31:02,080
Speaker 17: two thousand and one, early two thousand him too. He

586
00:31:02,120 --> 00:31:06,760
Speaker 17: gets in an accident, you bet, before that, before the accident,

587
00:31:07,360 --> 00:31:09,600
Speaker 17: and I think he was signed by the time he

588
00:31:09,640 --> 00:31:14,400
Speaker 17: had the accident, but damning him. Our impression was they

589
00:31:14,440 --> 00:31:17,240
Speaker 17: signed him just so they could keep him in house

590
00:31:17,280 --> 00:31:21,680
Speaker 17: for beef. Yes, not because they really thought he was

591
00:31:21,720 --> 00:31:22,680
Speaker 17: going to be successful.

592
00:31:22,880 --> 00:31:27,200
Speaker 6: We saw artists who were so much you me Dancie

593
00:31:27,320 --> 00:31:28,040
Speaker 6: like the crew.

594
00:31:28,760 --> 00:31:32,200
Speaker 17: So we got this, yeah, the whole crew. Yeah, so

595
00:31:32,520 --> 00:31:35,240
Speaker 17: we and I started to get to know them later.

596
00:31:35,320 --> 00:31:37,680
Speaker 17: But you know, Devo was working with him, my roommate.

597
00:31:37,840 --> 00:31:41,280
Speaker 17: He was like basically running his production company, and so,

598
00:31:41,800 --> 00:31:45,200
Speaker 17: you know, Kanye really believe in himself as a solo artist,

599
00:31:45,280 --> 00:31:48,280
Speaker 17: and a lot of his team did, but I felt

600
00:31:48,400 --> 00:31:50,160
Speaker 17: and a lot of us felt like Rockefeller didn't.

601
00:31:50,400 --> 00:31:51,640
Speaker 4: So he gets an accident.

602
00:31:51,760 --> 00:31:53,720
Speaker 16: Can I tell you real quick to add to the story,

603
00:31:53,960 --> 00:31:56,680
Speaker 16: I was working for Deaf Jam at the time, and

604
00:31:57,000 --> 00:31:57,760
Speaker 16: they weren't.

605
00:31:57,480 --> 00:31:58,440
Speaker 4: Pushing him as an artist.

606
00:31:58,840 --> 00:32:01,240
Speaker 16: He went and sent he got the list of all

607
00:32:01,240 --> 00:32:04,640
Speaker 16: the street teams, sent the white labels of his singles hustling,

608
00:32:04,680 --> 00:32:07,560
Speaker 16: and started a conference call with himself and all the

609
00:32:07,560 --> 00:32:10,560
Speaker 16: street teams. So, yo, we're pushing this like himself. Yes,

610
00:32:10,680 --> 00:32:12,840
Speaker 16: outside of the infrastructure of the label.

611
00:32:13,040 --> 00:32:16,239
Speaker 4: He was so entrepreneurial. He put out his own mixtape.

612
00:32:17,000 --> 00:32:17,480
Speaker 16: And.

613
00:32:19,120 --> 00:32:23,520
Speaker 17: He got an accident and made Through the Wire. And

614
00:32:23,520 --> 00:32:25,480
Speaker 17: then he started just camping because he got an accident

615
00:32:25,480 --> 00:32:28,200
Speaker 17: in La So he started just camping out at the

616
00:32:28,360 --> 00:32:31,800
Speaker 17: W and Westwood in La Yeah. And so I would

617
00:32:31,800 --> 00:32:33,680
Speaker 17: go out there from New York whenever I had time

618
00:32:33,800 --> 00:32:36,520
Speaker 17: and we would work on college dropout with him, and

619
00:32:36,560 --> 00:32:39,200
Speaker 17: I wrote used to Love You out there and some

620
00:32:39,280 --> 00:32:39,560
Speaker 17: of my.

621
00:32:39,560 --> 00:32:40,600
Speaker 4: Songs Forget Lifted.

622
00:32:41,000 --> 00:32:44,160
Speaker 17: And that's when I started to see after the accident

623
00:32:44,560 --> 00:32:47,880
Speaker 17: this new sense of like this man is on a mission.

624
00:32:49,280 --> 00:32:51,680
Speaker 17: And it started with Through the Wire. But then I

625
00:32:51,680 --> 00:32:54,480
Speaker 17: heard Jesus Walks and all these other records. I'm like, Yo,

626
00:32:54,600 --> 00:32:57,640
Speaker 17: this is gonna be. And I played piano on Lauren

627
00:32:57,720 --> 00:33:01,040
Speaker 17: Hill's Miseducation So What What What too?

628
00:33:01,320 --> 00:33:03,520
Speaker 4: So you put my was on the whole.

629
00:33:03,560 --> 00:33:07,040
Speaker 17: I played piano and everything is everything on Lauren Hill's album.

630
00:33:06,800 --> 00:33:09,760
Speaker 4: And I said to ya when I was listening to Jesus.

631
00:33:09,440 --> 00:33:11,560
Speaker 17: Walks, I was like, I feel like I was part

632
00:33:11,560 --> 00:33:14,080
Speaker 17: of one album that changed the world in ninety eight

633
00:33:14,520 --> 00:33:16,280
Speaker 17: and this is album is about to do the same

634
00:33:16,320 --> 00:33:17,520
Speaker 17: thing in two thousand and four.

635
00:33:18,800 --> 00:33:21,560
Speaker 18: And you got credit for Laurence Hill. Yeah, I feel

636
00:33:21,560 --> 00:33:25,320
Speaker 18: like John Stevens. Yeah, I was legend Stevens.

637
00:33:25,400 --> 00:33:29,520
Speaker 1: Yeah, you know that's wild man, that's yea, because how

638
00:33:29,520 --> 00:33:31,680
Speaker 1: did you go through the red Rip? Let's just finish

639
00:33:31,760 --> 00:33:32,160
Speaker 1: this right.

640
00:33:32,360 --> 00:33:36,840
Speaker 4: So anyway, that time was crazy because we're all out

641
00:33:36,960 --> 00:33:39,400
Speaker 4: in la We're meeting up with him.

642
00:33:39,720 --> 00:33:41,920
Speaker 17: He's recovering from the accident, but he's got this new

643
00:33:41,960 --> 00:33:45,480
Speaker 17: sense of purpose and uh, he's making the best music

644
00:33:45,520 --> 00:33:48,920
Speaker 17: of his life up to that point. And it just

645
00:33:48,920 --> 00:33:51,920
Speaker 17: felt like the momentum was was there and it was

646
00:33:51,960 --> 00:33:54,440
Speaker 17: going to be a big, special album and it was

647
00:33:55,400 --> 00:33:56,600
Speaker 17: sure was Yeah, but.

648
00:33:56,640 --> 00:34:00,200
Speaker 7: How about the Grammy family, Like, yeah, you had whole

649
00:34:00,240 --> 00:34:03,760
Speaker 7: industry shook up every Monday at one point or we.

650
00:34:03,720 --> 00:34:06,520
Speaker 17: Were doing the Good Fridays Friday.

651
00:34:06,520 --> 00:34:08,440
Speaker 7: My bad, I said, Monday that lets you know how

652
00:34:08,480 --> 00:34:13,560
Speaker 7: much I'll be drinking. Like was that something that y'all

653
00:34:13,560 --> 00:34:16,760
Speaker 7: all got together and said, we're gonna look up the industry.

654
00:34:18,080 --> 00:34:20,440
Speaker 4: I think sometimes yea, he just gets in.

655
00:34:20,440 --> 00:34:23,799
Speaker 5: That like creative like uh.

656
00:34:23,360 --> 00:34:27,359
Speaker 17: Like that just extra excitement and he's ready to like

657
00:34:27,680 --> 00:34:29,479
Speaker 17: he's just got all these ideas and he just wants

658
00:34:29,480 --> 00:34:31,240
Speaker 17: to get him out and he's like, that's just good Fridays.

659
00:34:31,360 --> 00:34:31,880
Speaker 4: That was the time.

660
00:34:32,000 --> 00:34:34,760
Speaker 17: He's like, everybody at the studio needs to wear a

661
00:34:34,760 --> 00:34:37,080
Speaker 17: suit and tie, and so everybody was dressing like there

662
00:34:37,120 --> 00:34:38,880
Speaker 17: was in Reservoir Dogs.

663
00:34:38,600 --> 00:34:39,200
Speaker 1: At the studio.

664
00:34:40,560 --> 00:34:42,279
Speaker 4: They called it the rose Era. It was like a

665
00:34:42,320 --> 00:34:44,319
Speaker 4: whole thing. So he sometimes he's just be on.

666
00:34:44,320 --> 00:34:46,680
Speaker 17: One and he's like that's his thing at that time,

667
00:34:46,719 --> 00:34:47,600
Speaker 17: and that's what he be on.

668
00:34:48,400 --> 00:34:53,480
Speaker 7: That's yeah, goddamn it, I wish you auld good into

669
00:34:53,520 --> 00:35:00,800
Speaker 7: the studio. Well a goddamn reservoir dog. Jesus.

670
00:35:01,040 --> 00:35:02,319
Speaker 4: He called it the Rosewood Era.

671
00:35:03,640 --> 00:35:06,640
Speaker 16: So then you get so so now getting into your

672
00:35:06,680 --> 00:35:08,359
Speaker 16: project transitioning from his.

673
00:35:08,520 --> 00:35:10,680
Speaker 17: Yeah, So it was all happening at the same time though.

674
00:35:10,719 --> 00:35:14,160
Speaker 17: So we were working on like used to Love You

675
00:35:14,239 --> 00:35:16,560
Speaker 17: and some of the joints from Get Lifted during the

676
00:35:16,600 --> 00:35:19,919
Speaker 17: same time that we're working on College Drop at.

677
00:35:19,960 --> 00:35:20,520
Speaker 4: The same time.

678
00:35:20,560 --> 00:35:22,080
Speaker 17: It was all happened at the same time, we're both

679
00:35:22,080 --> 00:35:24,680
Speaker 17: trying to get I was trying to get signed after

680
00:35:24,719 --> 00:35:28,160
Speaker 17: he had already gotten signed to Rockefeller, and I eventually

681
00:35:28,200 --> 00:35:28,640
Speaker 17: signed to.

682
00:35:28,840 --> 00:35:31,600
Speaker 4: Good Music and my roommate was.

683
00:35:31,640 --> 00:35:33,600
Speaker 17: Running the label for him, so I was basically signed

684
00:35:33,640 --> 00:35:34,800
Speaker 17: to my roommate's.

685
00:35:34,480 --> 00:35:37,440
Speaker 4: Label with his cousin.

686
00:35:37,760 --> 00:35:42,919
Speaker 17: And eventually, after College Dropout came out, that was when

687
00:35:42,960 --> 00:35:46,000
Speaker 17: the industry really started to be like okay for the

688
00:35:46,040 --> 00:35:49,280
Speaker 17: whole crew. So before that, we took the same music

689
00:35:49,320 --> 00:35:51,440
Speaker 17: to all the labels and they turned us down or

690
00:35:51,440 --> 00:35:55,440
Speaker 17: they gave us a low offer. And when College Dropout

691
00:35:55,520 --> 00:35:58,160
Speaker 17: came out, everybody changed their tune.

692
00:35:58,200 --> 00:36:00,640
Speaker 4: We had a bidding war and with Columbia.

693
00:36:01,360 --> 00:36:05,040
Speaker 10: And who was the crew at the time, You Consequence.

694
00:36:04,840 --> 00:36:07,240
Speaker 4: GLC, don ce I mean those.

695
00:36:07,040 --> 00:36:10,960
Speaker 17: Are the artists, Me, Consequence GLC and yay, that was

696
00:36:11,000 --> 00:36:13,240
Speaker 17: those were the artists. But then don Cee John Monopoly.

697
00:36:13,280 --> 00:36:16,200
Speaker 17: The whole crew was. You know, we were touring together,

698
00:36:16,480 --> 00:36:18,080
Speaker 17: we're opening for us, sure together?

699
00:36:19,000 --> 00:36:20,479
Speaker 4: Uh that was the crew?

700
00:36:21,520 --> 00:36:23,719
Speaker 1: Crazy man? Did you ever think?

701
00:36:25,120 --> 00:36:27,279
Speaker 7: Because yeah, I was like almost like the modern day

702
00:36:27,320 --> 00:36:31,920
Speaker 7: Wu Tang clan right like like but not exactly okay,

703
00:36:32,000 --> 00:36:34,279
Speaker 7: but with different like you know, you had to push

704
00:36:34,280 --> 00:36:36,080
Speaker 7: your t you had consequence.

705
00:36:36,160 --> 00:36:37,120
Speaker 1: Yeah, you had.

706
00:36:37,120 --> 00:36:41,799
Speaker 7: You, you had kick cutting Sean Big Sean like during.

707
00:36:41,560 --> 00:36:43,799
Speaker 17: That during that Good Friday's time, that was a like

708
00:36:43,840 --> 00:36:44,920
Speaker 17: latt Roster was crazy.

709
00:36:45,040 --> 00:36:45,879
Speaker 1: I'm I'm gonna be honest.

710
00:36:45,960 --> 00:36:49,200
Speaker 7: As as an industry person, we were scared of that Friday.

711
00:36:49,440 --> 00:36:52,120
Speaker 4: You did not like it, being.

712
00:36:52,239 --> 00:36:55,160
Speaker 7: Like not gonna say I'm not making music no more.

713
00:36:55,360 --> 00:36:55,480
Speaker 11: So.

714
00:36:55,680 --> 00:36:59,000
Speaker 17: Yeah, the records like Click and some of those records

715
00:36:59,000 --> 00:36:59,759
Speaker 17: were insane.

716
00:37:00,120 --> 00:37:02,560
Speaker 1: Yeah, we were mad at y'all. We were like, why

717
00:37:02,719 --> 00:37:03,440
Speaker 1: why did y'all.

718
00:37:03,280 --> 00:37:04,239
Speaker 4: Want to just blogging down?

719
00:37:05,200 --> 00:37:06,120
Speaker 1: Yeah, it was wold.

720
00:37:06,360 --> 00:37:10,160
Speaker 17: And then right around that time, right after that time,

721
00:37:12,680 --> 00:37:15,239
Speaker 17: Jay and Kanye start working on Watching the Throne, like

722
00:37:15,560 --> 00:37:17,960
Speaker 17: probably this is the one, this is the.

723
00:37:17,960 --> 00:37:19,719
Speaker 4: Main Washington, Yeah, the only one.

724
00:37:19,760 --> 00:37:20,000
Speaker 1: Yeah.

725
00:37:20,320 --> 00:37:23,880
Speaker 17: So this is around twenty twelve, twenty thirteen. He's uh,

726
00:37:24,680 --> 00:37:26,600
Speaker 17: he's up in the Mercer. They talk about the song

727
00:37:26,719 --> 00:37:31,560
Speaker 17: the Mercer Hotel in New York and I'll tell.

728
00:37:31,440 --> 00:37:32,799
Speaker 1: You something about car Let's let you know.

729
00:37:32,840 --> 00:37:36,640
Speaker 17: I So they were literally they were literally in the

730
00:37:36,680 --> 00:37:39,920
Speaker 17: Mercer Hotel and he just brought his studio equipment in

731
00:37:39,960 --> 00:37:42,680
Speaker 17: there and was making Watch the Throne with Jay and

732
00:37:42,719 --> 00:37:45,360
Speaker 17: then we made Love in the Future my album that

733
00:37:45,400 --> 00:37:49,759
Speaker 17: came out in twenty thirteen in that same hotel, and

734
00:37:50,600 --> 00:37:52,279
Speaker 17: so all of me was on that. I didn't do

735
00:37:52,320 --> 00:37:55,239
Speaker 17: that one with Yay, but Yay produced the whole like

736
00:37:55,280 --> 00:37:59,040
Speaker 17: executive produced the whole album. And that was another crazy time.

737
00:37:59,360 --> 00:38:03,239
Speaker 17: So has been these times when yeah, he's really on,

738
00:38:03,280 --> 00:38:07,160
Speaker 17: like a creative tear and uh producing some of the

739
00:38:07,160 --> 00:38:09,240
Speaker 17: best music of that era.

740
00:38:09,520 --> 00:38:10,320
Speaker 4: It was incredible.

741
00:38:15,440 --> 00:38:18,880
Speaker 7: Rock him or care rest one.

742
00:38:20,160 --> 00:38:21,399
Speaker 1: I can pick even one either.

743
00:38:21,440 --> 00:38:23,600
Speaker 10: If you pick one, we're not drinking. But if you

744
00:38:23,640 --> 00:38:25,560
Speaker 10: say both of the damn.

745
00:38:26,239 --> 00:38:28,000
Speaker 1: Drink got it?

746
00:38:28,080 --> 00:38:28,960
Speaker 4: Don't do it on purpose?

747
00:38:29,080 --> 00:38:30,839
Speaker 1: I'm not.

748
00:38:31,320 --> 00:38:35,160
Speaker 4: I agree with you. I agree with you.

749
00:38:36,120 --> 00:38:40,200
Speaker 1: Yeah yeah, yeah, yeah, you do a smaller shot. Yeah yeah, yeah,

750
00:38:40,520 --> 00:38:42,479
Speaker 1: get it. Glad what you're doing, don't get it drinking,

751
00:38:42,480 --> 00:38:42,840
Speaker 1: don't get it.

752
00:38:42,920 --> 00:38:46,600
Speaker 16: Drink a small shot for yourself.

753
00:38:46,880 --> 00:38:47,680
Speaker 1: It must be strong.

754
00:38:48,560 --> 00:38:53,200
Speaker 16: I got tupac are easy.

755
00:38:54,640 --> 00:38:59,080
Speaker 1: Damn. Both of them? Was my guy? Both Okay? Oh, no,

756
00:38:59,239 --> 00:39:00,440
Speaker 1: where you at what you're doing?

757
00:39:01,360 --> 00:39:02,279
Speaker 4: Son, he's drinking for him.

758
00:39:02,640 --> 00:39:05,160
Speaker 10: He's about just need a drinker, Okay.

759
00:39:04,880 --> 00:39:07,279
Speaker 1: I respecting you. You know what. I love to drink.

760
00:39:07,640 --> 00:39:08,879
Speaker 1: You know what I said, you know what, I'm gonna

761
00:39:08,920 --> 00:39:12,200
Speaker 1: join him. Y'all asked some crazy you got to stand.

762
00:39:12,200 --> 00:39:16,120
Speaker 1: You understand easy easy roof Easy came with ruthless. Here

763
00:39:16,120 --> 00:39:19,080
Speaker 1: you got easy came with changed the game, easy, changed again,

764
00:39:19,320 --> 00:39:21,239
Speaker 1: pocket changes. You can't you know what I mean? So

765
00:39:21,800 --> 00:39:23,120
Speaker 1: I got to get easiest props.

766
00:39:23,320 --> 00:39:29,120
Speaker 16: Yes, yeah, rap Radar, Joe Bunden Podcast, rap Radar or

767
00:39:29,160 --> 00:39:30,440
Speaker 16: the Joe Bump Park, both of them.

768
00:39:30,440 --> 00:39:33,879
Speaker 1: IM messing with both. I messed with anybody. You can't

769
00:39:33,960 --> 00:39:37,919
Speaker 1: leave You can't leave me down in the mountaine, both

770
00:39:37,960 --> 00:39:40,400
Speaker 1: of all of them. Is you're not great. I forgot

771
00:39:40,400 --> 00:39:45,640
Speaker 1: to say rap Radar to hated on you. No, you know,

772
00:39:46,239 --> 00:39:46,600
Speaker 1: take your.

773
00:39:46,520 --> 00:39:53,960
Speaker 16: Shots right off a crazy joints major figures to state products.

774
00:39:53,840 --> 00:40:03,560
Speaker 1: With both Philly Baby both y'all play. I fell him up,

775
00:40:03,920 --> 00:40:04,400
Speaker 1: fell him up.

776
00:40:04,680 --> 00:40:06,160
Speaker 4: I'm gonna be one up on this.

777
00:40:07,000 --> 00:40:09,000
Speaker 1: Are you taking this time? I forgot?

778
00:40:09,680 --> 00:40:10,839
Speaker 10: Okay, you got this one?

779
00:40:10,880 --> 00:40:11,520
Speaker 1: Okay, my bad.

780
00:40:11,560 --> 00:40:18,320
Speaker 7: I don't even glasses now, both everything.

781
00:40:18,640 --> 00:40:21,319
Speaker 1: I like both of them, though, I'm gonna say I ain't.

782
00:40:21,400 --> 00:40:26,239
Speaker 1: I ain't everybody we're seeing you were watching you?

783
00:40:27,960 --> 00:40:33,239
Speaker 16: He said, Okay, Okay, jay Z or Big Daddy came.

784
00:40:35,320 --> 00:40:37,040
Speaker 4: I don't know, you look like you have three Yes.

785
00:40:38,320 --> 00:40:40,719
Speaker 1: All right, so listen, I'm gonna just tell his story.

786
00:40:41,520 --> 00:40:44,520
Speaker 1: Big Daddy Kane was mad at me one day. Big

787
00:40:44,600 --> 00:40:49,239
Speaker 1: Daddy can listen a legend. He coming through the airport. Right,

788
00:40:49,400 --> 00:40:51,520
Speaker 1: it's early in the morning. We're in La So we

789
00:40:51,600 --> 00:40:53,759
Speaker 1: were get on this donkey doing this day, said Gil

790
00:40:53,800 --> 00:40:56,800
Speaker 1: were raking some tea. Cain got a mask on. He

791
00:40:56,960 --> 00:41:01,759
Speaker 1: walking down all the time. I go on, fan move,

792
00:41:02,120 --> 00:41:04,960
Speaker 1: came what's up? Like I draw it on him? He

793
00:41:05,080 --> 00:41:08,080
Speaker 1: was not trying to be noticed. He like Gil just

794
00:41:08,080 --> 00:41:12,399
Speaker 1: told him. So he like, I'm like, King, what's up? Ship?

795
00:41:12,520 --> 00:41:14,440
Speaker 1: Come on, Gil, come in this King, because you know

796
00:41:14,960 --> 00:41:17,360
Speaker 1: Gil said, I'm the biggest back in the Day groupie

797
00:41:17,360 --> 00:41:19,440
Speaker 1: of all rappers. I'm just this. I love all back

798
00:41:19,440 --> 00:41:21,000
Speaker 1: in the day for no reason. That's the ship to me.

799
00:41:21,200 --> 00:41:24,800
Speaker 1: So I'm like, damn King, what's up? So your badyies

800
00:41:24,800 --> 00:41:26,880
Speaker 1: will go ahead drink again? Kinge and came in.

801
00:41:27,920 --> 00:41:30,840
Speaker 10: So you King, I'm going with both were both, but

802
00:41:30,880 --> 00:41:32,000
Speaker 10: he gave us a King story.

803
00:41:32,400 --> 00:41:34,120
Speaker 1: On a cane story. Man Carrie's pissed.

804
00:41:36,239 --> 00:41:40,560
Speaker 7: Bruce Lee Royd, where'd you go with Buce Lee?

805
00:41:41,560 --> 00:41:44,760
Speaker 1: Listen you listen. I killed that. No, no, no, no,

806
00:41:44,960 --> 00:41:47,759
Speaker 1: that that that I just made this one up. I

807
00:41:47,760 --> 00:41:49,440
Speaker 1: gotta I gotta pick one on this one. And I'm

808
00:41:49,440 --> 00:41:52,160
Speaker 1: telling you why I'm picking one. Do you know Bruce

809
00:41:52,200 --> 00:41:54,040
Speaker 1: Lee Roy told me that I'm Bruce Lee Roy Jones.

810
00:41:54,040 --> 00:41:54,440
Speaker 1: I see it.

811
00:41:54,520 --> 00:42:00,520
Speaker 7: I see that, Bruce Lee, Bruce Lee.

812
00:42:00,800 --> 00:42:01,640
Speaker 1: He still looked at gud To.

813
00:42:01,960 --> 00:42:02,600
Speaker 4: He's a bad boy.

814
00:42:02,760 --> 00:42:05,640
Speaker 1: He's a bad boy again. This girl still popping.

815
00:42:05,760 --> 00:42:06,439
Speaker 4: He's a bad boy.

816
00:42:06,480 --> 00:42:09,960
Speaker 1: I had to. I'm sorry, I had to Bruce Lee.

817
00:42:10,000 --> 00:42:12,560
Speaker 1: Worry would have picked by. I don't got nothing to

818
00:42:12,560 --> 00:42:14,000
Speaker 1: do with that.

819
00:42:14,000 --> 00:42:14,839
Speaker 4: He was part of mine.

820
00:42:15,640 --> 00:42:20,560
Speaker 1: I mean, that's a good Pety Cracker, meek Mill, both

821
00:42:20,560 --> 00:42:26,879
Speaker 1: of them. Philly drink up, drink Kelly here. I love

822
00:42:26,920 --> 00:42:29,680
Speaker 1: Philly though he can't do that.

823
00:42:29,920 --> 00:42:30,759
Speaker 10: Biggie a big L.

824
00:42:32,120 --> 00:42:35,640
Speaker 1: Big L was big. It was the beast. I'm gonna

825
00:42:35,640 --> 00:42:37,360
Speaker 1: say this. Big L was better than a lot of

826
00:42:38,440 --> 00:42:39,080
Speaker 1: in New York.

827
00:42:39,760 --> 00:42:41,239
Speaker 10: If you would have ended up signing with the Rock

828
00:42:41,280 --> 00:42:42,080
Speaker 10: which y'all.

829
00:42:41,960 --> 00:42:45,080
Speaker 1: Y'all go ahead the story. Drink, drink again. Both.

830
00:42:46,520 --> 00:42:48,560
Speaker 4: When I think you're gonna say one, he's like no, but.

831
00:42:49,280 --> 00:42:51,640
Speaker 1: He was a barbarian man. If he didn't go, it

832
00:42:51,719 --> 00:42:55,879
Speaker 1: was over. Let me get my drinking. They just drunk

833
00:42:55,880 --> 00:42:58,080
Speaker 1: a bottle, messing with me. Damn Ron.

834
00:42:58,080 --> 00:43:02,520
Speaker 10: I'm sorry, black thought or no black thought or nas

835
00:43:02,520 --> 00:43:03,000
Speaker 10: I like this.

836
00:43:03,520 --> 00:43:06,600
Speaker 4: That's a good one, and that's I'm going with both.

837
00:43:06,880 --> 00:43:09,160
Speaker 4: Come on, I think I will.

838
00:43:09,280 --> 00:43:13,279
Speaker 1: But no, man, they're both barbarians. They are.

839
00:43:13,320 --> 00:43:16,560
Speaker 4: You got the right. I'm just gonna be drinking. I

840
00:43:16,680 --> 00:43:18,200
Speaker 4: just just start going like that.

841
00:43:18,719 --> 00:43:27,200
Speaker 1: Oh I forgot you. I said both. Now I think

842
00:43:27,239 --> 00:43:31,239
Speaker 1: you truly believes in both black thoughts and animal and

843
00:43:31,320 --> 00:43:33,960
Speaker 1: no animal now saying all.

844
00:43:34,000 --> 00:43:38,240
Speaker 16: Even Missy, just let me just pour up already.

845
00:43:39,239 --> 00:43:47,240
Speaker 1: They both legends, man, got he's a legend. Missy's a legend.

846
00:43:50,560 --> 00:43:51,239
Speaker 4: You get me now?

847
00:43:53,280 --> 00:43:56,680
Speaker 1: You can handle it? All right, y'all, y'all coming with

848
00:43:56,760 --> 00:44:01,600
Speaker 1: joints this too, like combat jacker text on rest in peace,

849
00:44:01,840 --> 00:44:06,760
Speaker 1: Rest in peace, Rest in peace, to listen, rest in peace?

850
00:44:06,920 --> 00:44:11,320
Speaker 7: On back jack both Yes, and you know and shout.

851
00:44:11,080 --> 00:44:14,160
Speaker 1: Out to my man tags. Yeah both y'all. Y'all done.

852
00:44:14,840 --> 00:44:19,000
Speaker 1: Y'all shouldn't have done this. Yeah that ship. Yeah, look

853
00:44:19,680 --> 00:44:22,600
Speaker 1: it's chess burd. It's chess burden.

854
00:44:23,719 --> 00:44:23,879
Speaker 8: Yeah.

855
00:44:23,880 --> 00:44:28,200
Speaker 1: I ain't gonna lie that t those look hot, okay,

856
00:44:28,680 --> 00:44:32,000
Speaker 1: Sonny red Sonny, I got to man, I gotta be real.

857
00:44:32,760 --> 00:44:35,840
Speaker 4: You always a little loozy or a little Dirk both

858
00:44:35,880 --> 00:44:36,160
Speaker 4: of them.

859
00:44:38,440 --> 00:44:39,120
Speaker 10: Should I just.

860
00:44:39,400 --> 00:44:41,080
Speaker 4: Should we just say how many we got? We just

861
00:44:41,080 --> 00:44:41,480
Speaker 4: say both?

862
00:44:43,120 --> 00:44:46,799
Speaker 1: Come on, y'all. The last one he's going to fix.

863
00:44:47,760 --> 00:44:54,360
Speaker 16: I got a point shot love love, I'll.

864
00:44:54,160 --> 00:45:03,520
Speaker 1: Do it all right, Geno's or Pats cheat the I'm

865
00:45:03,520 --> 00:45:07,000
Speaker 1: gonna say something right, Okay, in the hood, we never

866
00:45:07,160 --> 00:45:08,719
Speaker 1: ate them because they don't chop these stuff up like

867
00:45:08,960 --> 00:45:10,800
Speaker 1: seven joints in the hood. So you want me to

868
00:45:10,880 --> 00:45:11,719
Speaker 1: change twitch it up?

869
00:45:13,160 --> 00:45:13,480
Speaker 8: Food?

870
00:45:14,480 --> 00:45:17,520
Speaker 1: Let me say this all right, let me say let

871
00:45:17,520 --> 00:45:18,200
Speaker 1: me say the names.

872
00:45:18,280 --> 00:45:19,319
Speaker 4: Shout out the ones that you eat.

873
00:45:19,480 --> 00:45:21,719
Speaker 1: Let me say the names, and I guess switches. Yeah,

874
00:45:24,200 --> 00:45:29,600
Speaker 1: taste cheesecakes, cheese steaks, and you say what food? Food chases? No,

875
00:45:29,719 --> 00:45:32,160
Speaker 1: I was going to change it up, No I got.

876
00:45:32,920 --> 00:45:46,600
Speaker 1: I'm gonna say, taste cheesesteak food food, Uh chases, escabibbles,

877
00:45:46,680 --> 00:45:59,920
Speaker 1: pretty girls cook, country cooking. I'm missing somebody juice by

878
00:46:00,239 --> 00:46:03,919
Speaker 1: be what's what's the name with the glasses, the cooking,

879
00:46:03,960 --> 00:46:09,239
Speaker 1: the dj bou joint. Oh, she's gonna kill me. Mm hmm.

880
00:46:09,640 --> 00:46:16,120
Speaker 1: What you're talking about? Every Yeah, everybody peeling all of them.

881
00:46:16,320 --> 00:46:17,479
Speaker 1: So y'all gotta drink it all.

882
00:46:19,200 --> 00:46:21,200
Speaker 10: He said both times three, So I'm gonna give you

883
00:46:21,239 --> 00:46:21,560
Speaker 10: one more.

884
00:46:21,640 --> 00:46:24,200
Speaker 1: So food chases or Bees food truck.

885
00:46:24,480 --> 00:46:25,520
Speaker 10: Yeah, I got drinking.

886
00:46:25,400 --> 00:46:29,960
Speaker 1: Both take another one. Got that the one time I

887
00:46:30,000 --> 00:46:32,719
Speaker 1: wish I was drinking. I'm gonna say, keep.

888
00:46:32,640 --> 00:46:36,680
Speaker 4: Boom boom age Mamajuana.

889
00:46:37,400 --> 00:46:42,480
Speaker 1: And Kings and queens, Kings and queens, Kings and queens too,

890
00:46:43,800 --> 00:46:48,239
Speaker 1: was gonna make the list. Scobber, Yeah, they Hollywood, but

891
00:46:48,280 --> 00:46:51,080
Speaker 1: they do these things too. But taste teeste. Yeah, they

892
00:46:51,080 --> 00:46:53,000
Speaker 1: got my picture in the wall. That's why your to

893
00:46:53,000 --> 00:46:56,359
Speaker 1: throw its.

894
00:46:56,920 --> 00:47:00,400
Speaker 7: I'm telling you know, I'm gonna at me.

895
00:47:01,400 --> 00:47:04,640
Speaker 1: Yeah, okay, y'all, but fat boys nothing what you got?

896
00:47:04,640 --> 00:47:06,920
Speaker 16: Fat boys times nobody?

897
00:47:07,360 --> 00:47:08,759
Speaker 4: Fat boys or beastie boys both?

898
00:47:09,400 --> 00:47:11,640
Speaker 1: Come on, man, lay back.

899
00:47:12,360 --> 00:47:13,600
Speaker 4: I love about opinion.

900
00:47:13,640 --> 00:47:14,759
Speaker 1: Many you got.

901
00:47:14,920 --> 00:47:18,600
Speaker 18: I love him, everybody love.

902
00:47:18,520 --> 00:47:22,759
Speaker 1: Everybody you know supposed to be broke. Go ahead, damn man,

903
00:47:22,760 --> 00:47:23,480
Speaker 1: I mean to do this.

904
00:47:23,520 --> 00:47:25,879
Speaker 4: Man, Rocky three or Creed three, Creed.

905
00:47:29,840 --> 00:47:32,600
Speaker 1: Yeah, Michael, you know Michael be Joe and that's my

906
00:47:32,680 --> 00:47:36,239
Speaker 1: guy the show Rocky. He inspired us all.

907
00:47:36,440 --> 00:47:47,080
Speaker 16: Jesus ran this is your speech for for both. Y'all

908
00:47:47,080 --> 00:47:54,200
Speaker 16: got to stay here and be drunk. That Chasey chasing

909
00:47:54,360 --> 00:47:56,200
Speaker 16: Scarface or ice Cube, both.

910
00:47:58,520 --> 00:47:59,640
Speaker 4: Legends I'm gonna.

911
00:47:59,400 --> 00:48:05,160
Speaker 1: Say both y'all, you give me nothing. I ain't give me.

912
00:48:05,239 --> 00:48:08,160
Speaker 16: Any stories with these people though. Ice Cube y'all interviewed ice.

913
00:48:08,080 --> 00:48:10,160
Speaker 1: C You know what, let me tell you somebody ice

914
00:48:10,239 --> 00:48:13,400
Speaker 1: Cube cubes a hater, and I'm gonna tell you why.

915
00:48:13,400 --> 00:48:16,600
Speaker 1: I cues all right, cbe hated on me. So the

916
00:48:16,600 --> 00:48:18,200
Speaker 1: Big Three comes, So we go to playing the Big

917
00:48:18,239 --> 00:48:19,680
Speaker 1: Three every year. Gil will get the m v P.

918
00:48:20,480 --> 00:48:23,080
Speaker 1: So We're in the locker room and we're getting ready.

919
00:48:23,120 --> 00:48:24,560
Speaker 1: I'm like, yea, we're gonna go there. We gonna kill him.

920
00:48:24,560 --> 00:48:26,239
Speaker 1: Cue we got him this time. He said, Wallow, this

921
00:48:26,280 --> 00:48:27,120
Speaker 1: is what I need you to do.

922
00:48:27,480 --> 00:48:29,319
Speaker 4: He said, he doesn't.

923
00:48:29,520 --> 00:48:32,200
Speaker 1: Just come here, man, listen, listen. He's trying to get

924
00:48:32,200 --> 00:48:36,359
Speaker 1: out of it. He's trying to make sure somebody wants

925
00:48:36,360 --> 00:48:40,759
Speaker 1: Somenny ready throw up so Cube. So we're in the

926
00:48:40,800 --> 00:48:42,360
Speaker 1: locker room, were all getting ready for the game to

927
00:48:42,400 --> 00:48:44,680
Speaker 1: stand third. I said, listen, man, we're gonna do this.

928
00:48:45,239 --> 00:48:46,680
Speaker 1: I'm starting this that day. He said, wollow, this is

929
00:48:46,680 --> 00:48:48,759
Speaker 1: what you're gonna do. Gil, do you wanna do this?

930
00:48:48,800 --> 00:48:49,560
Speaker 1: He telling anybody what to.

931
00:48:49,560 --> 00:48:50,200
Speaker 4: Do this this cue.

932
00:48:50,480 --> 00:48:51,640
Speaker 1: Anthony Edward was on the team.

933
00:48:51,760 --> 00:48:51,840
Speaker 16: Me.

934
00:48:52,360 --> 00:48:58,840
Speaker 1: I mean Anthony Anderson. Uh uh me, Gil, it was

935
00:48:58,880 --> 00:49:01,200
Speaker 1: a bunch of efforts. But what ever, he said, Wallow,

936
00:49:01,360 --> 00:49:02,960
Speaker 1: and you tell everybody to do some Wallow. This is

937
00:49:02,960 --> 00:49:05,239
Speaker 1: what I needs you to do. I need you to

938
00:49:05,320 --> 00:49:07,439
Speaker 1: just sit on the bench and just chill and hype

939
00:49:07,440 --> 00:49:12,480
Speaker 1: the team up here, because I ain't gonna lie. Wallow.

940
00:49:13,080 --> 00:49:14,879
Speaker 1: You know I got I got four points in that game.

941
00:49:15,080 --> 00:49:16,160
Speaker 4: I'm four points.

942
00:49:16,760 --> 00:49:18,960
Speaker 1: A little bit riding the culture. I realized that you

943
00:49:19,040 --> 00:49:21,520
Speaker 1: might be trash a little bit, like a little bit

944
00:49:21,800 --> 00:49:23,640
Speaker 1: like they said, you ain't see my joint. You ain't

945
00:49:23,640 --> 00:49:31,120
Speaker 1: see that. Dude slammed. He't get that. Got to show them, no, no, no,

946
00:49:31,200 --> 00:49:32,600
Speaker 1: it's a lot of people that be hating on me.

947
00:49:32,640 --> 00:49:36,800
Speaker 1: Kevin Durant. Kevin Durant hated on my game name Lillard Stack,

948
00:49:37,200 --> 00:49:39,600
Speaker 1: all them dudes, Matt Boring, I Cook, Mark Burns one time.

949
00:49:40,120 --> 00:49:41,920
Speaker 1: You ain't you ain't see what I did to donavand Mitchell.

950
00:49:42,400 --> 00:49:44,239
Speaker 1: You ain't see me working out of I cook. I

951
00:49:44,239 --> 00:49:47,120
Speaker 1: barbed you give him, but go ahead next.

952
00:49:47,120 --> 00:49:50,800
Speaker 10: Like oh man Nipsy or young Dolf rest in peace.

953
00:49:50,840 --> 00:49:56,720
Speaker 1: Everybody. Okay, y'all, y'all, just y'all nothing brow, go ahead

954
00:49:56,719 --> 00:49:59,799
Speaker 1: and y'all man, have work bad night man with me. Yeah, no,

955
00:50:00,360 --> 00:50:04,440
Speaker 1: you're enjoying this too. That's clearly I'm sorry. Man, you

956
00:50:04,880 --> 00:50:07,160
Speaker 1: got sorry, you're lucky.

957
00:50:07,280 --> 00:50:10,279
Speaker 4: You'll drink y'all lucky man, you.

958
00:50:10,200 --> 00:50:11,839
Speaker 10: Didn't take your drink.

959
00:50:12,160 --> 00:50:15,920
Speaker 1: We did, just took a drink. He should have since

960
00:50:15,960 --> 00:50:20,120
Speaker 1: your son man Kodaker pouch heisty both.

961
00:50:21,440 --> 00:50:21,759
Speaker 4: Forget it.

962
00:50:21,880 --> 00:50:23,120
Speaker 1: Then my nepts, bro.

963
00:50:24,000 --> 00:50:26,880
Speaker 10: I gotta I gotta get work couple that ship.

964
00:50:27,960 --> 00:50:33,879
Speaker 1: Then my nepts though, Yes you did, yes you did.

965
00:50:36,360 --> 00:50:37,719
Speaker 1: Last time I see him, he beat me for a

966
00:50:37,760 --> 00:50:40,040
Speaker 1: thousand dollars. Man, clean me out.

967
00:50:41,120 --> 00:50:43,480
Speaker 16: I got your next one ready because we was back

968
00:50:43,760 --> 00:50:47,040
Speaker 16: see you already, ug k back on out cast.

969
00:50:47,560 --> 00:50:49,360
Speaker 1: I got a pocket full of stone.

970
00:50:50,760 --> 00:50:53,000
Speaker 4: Both.

971
00:50:53,719 --> 00:50:56,080
Speaker 1: It's beginning to look a lot like follow my every

972
00:50:56,120 --> 00:50:58,399
Speaker 1: step take not yeah, both you know my hip hop

973
00:50:58,400 --> 00:51:00,359
Speaker 1: and story. Why is ya asking me this ship? Because

974
00:51:00,440 --> 00:51:04,040
Speaker 1: because we're trying get them drunk, they're gonna be I'm sorry, Rod,

975
00:51:04,760 --> 00:51:06,040
Speaker 1: Dave Chappelle or Chris Rock.

976
00:51:07,480 --> 00:51:09,719
Speaker 16: Oh wait, wait, hold on, hold we not that yes,

977
00:51:09,719 --> 00:51:12,840
Speaker 16: Sunny Wait a minute, no, no, no, no, that's the last one.

978
00:51:12,760 --> 00:51:14,120
Speaker 4: Y'all got to drink that ship.

979
00:51:16,239 --> 00:51:16,600
Speaker 1: Today.

980
00:51:16,680 --> 00:51:21,719
Speaker 16: Joint Okay, okay, okay, my man, my man, making sure

981
00:51:21,719 --> 00:51:23,080
Speaker 16: I'm not alone in this, y'all.

982
00:51:23,360 --> 00:51:28,160
Speaker 15: Every time you got relationship with what, you got a relationship.

983
00:51:27,719 --> 00:51:36,480
Speaker 1: With the Listen, listen, listen. I'm gonna say this. He left.

984
00:51:37,440 --> 00:51:39,359
Speaker 1: Dave gave me a million dollars worth of game. One

985
00:51:39,360 --> 00:51:45,160
Speaker 1: time was he spoke with cigarettes. I'm in the dressing

986
00:51:45,239 --> 00:51:47,400
Speaker 1: room with Dave, right, me and Gil we in there.

987
00:51:47,600 --> 00:51:51,080
Speaker 1: I'm telling we I'm talking about were tripping. I'm we're

988
00:51:51,080 --> 00:51:53,600
Speaker 1: talking about all time. Told Gil Gil like, Daved like, Gil,

989
00:51:53,600 --> 00:51:55,399
Speaker 1: you got a hell of a game. Yeah, that's okay.

990
00:51:55,440 --> 00:51:59,000
Speaker 19: That and one he called Gillah, I see you know,

991
00:51:59,200 --> 00:52:01,160
Speaker 19: I see this that news He said, all right, whatever,

992
00:52:01,480 --> 00:52:05,440
Speaker 19: but whatever Gi the white ship powder man.

993
00:52:05,760 --> 00:52:08,040
Speaker 1: But whatever they tell you, the case may be that

994
00:52:08,200 --> 00:52:12,240
Speaker 1: white Dave said, Dave said, Dave said, listen, Dave did listen.

995
00:52:13,040 --> 00:52:17,120
Speaker 1: Dave said, Wow, I was trying to figure it out.

996
00:52:17,160 --> 00:52:18,960
Speaker 1: I had all this money they kept paying me for

997
00:52:18,960 --> 00:52:21,279
Speaker 1: for shows and all this. I can't. I can't, I

998
00:52:21,280 --> 00:52:23,760
Speaker 1: can't make it happen. And I kept looking for something,

999
00:52:24,400 --> 00:52:25,920
Speaker 1: and that's how he came up with Dave Chapelle. He

1000
00:52:25,920 --> 00:52:28,200
Speaker 1: read a fortune cookie that said everything you need you

1001
00:52:28,280 --> 00:52:30,480
Speaker 1: already got in your kitchen the best meal. He said,

1002
00:52:30,480 --> 00:52:32,279
Speaker 1: something like the best meal you'll ever cooking. All the

1003
00:52:32,320 --> 00:52:34,600
Speaker 1: greedients is already in kitchen. And he just starts shooting

1004
00:52:34,680 --> 00:52:37,800
Speaker 1: David The Chappelle Show because he was like, I already

1005
00:52:37,840 --> 00:52:39,439
Speaker 1: had the people I needed right there. I keep looking

1006
00:52:39,480 --> 00:52:41,480
Speaker 1: for all this other ship, but my guys that I

1007
00:52:41,560 --> 00:52:44,160
Speaker 1: deal with is already actually Larry, that's a piece of

1008
00:52:44,200 --> 00:52:47,760
Speaker 1: Charlie Murphy, the whole team, but both of them. Because

1009
00:52:47,760 --> 00:52:49,320
Speaker 1: I love Pooky already.

1010
00:52:49,440 --> 00:52:53,200
Speaker 16: I thought we drank that one already before that.

1011
00:52:53,239 --> 00:52:55,080
Speaker 4: Man, Yeah, Pooky was a legend.

1012
00:52:56,239 --> 00:52:58,560
Speaker 1: That was a great story though. I love it like that.

1013
00:52:58,640 --> 00:52:59,319
Speaker 1: Thank you, thank you.

1014
00:52:59,360 --> 00:52:59,759
Speaker 16: Oh d B.

1015
00:52:59,840 --> 00:53:03,080
Speaker 1: A is marquee, Rest in peace to two legends, Rest

1016
00:53:03,120 --> 00:53:06,840
Speaker 1: in peace both. I'm talking about one thing about O.

1017
00:53:06,960 --> 00:53:09,960
Speaker 1: D B. When he came out man first of all

1018
00:53:10,120 --> 00:53:13,640
Speaker 1: legendary songs, Nobody beats the Biz and the Vapors was classic.

1019
00:53:13,719 --> 00:53:15,520
Speaker 1: Can you feel it? No Savior?

1020
00:53:15,800 --> 00:53:17,839
Speaker 4: And this is this season for catching.

1021
00:53:17,520 --> 00:53:21,920
Speaker 1: The vapors business. He was that guy the game Biz

1022
00:53:22,080 --> 00:53:24,360
Speaker 1: didn't and O d B didn't give um. You know

1023
00:53:24,400 --> 00:53:25,800
Speaker 1: what I'm saying. When that, when that, when that Brooklyn

1024
00:53:25,880 --> 00:53:29,320
Speaker 1: Zoo came out, Brooklyn, that tape he got the he

1025
00:53:29,400 --> 00:53:31,440
Speaker 1: got the welfare idea on the it was just legendary.

1026
00:53:31,440 --> 00:53:33,880
Speaker 4: Both all we knew it was both.

1027
00:53:34,200 --> 00:53:36,080
Speaker 10: We just want you to explain some stuff.

1028
00:53:38,320 --> 00:53:39,360
Speaker 1: N w A or public.

1029
00:53:40,520 --> 00:53:41,880
Speaker 4: I mean that I would listen.

1030
00:53:42,000 --> 00:53:45,080
Speaker 1: I'm gonna tell you. I'm gonna take you from real ship.

1031
00:53:45,120 --> 00:53:50,640
Speaker 1: There's no bullshit. I'm at I met this. Uh this

1032
00:53:50,800 --> 00:53:55,080
Speaker 1: a city of Angels. Everybody in there, all the CEO no, no, no, no,

1033
00:53:55,760 --> 00:53:57,400
Speaker 1: I think it's called City Angels. Then't give him some

1034
00:53:57,400 --> 00:54:04,919
Speaker 1: of the leff. Listen, look there the dopest hip hop

1035
00:54:04,920 --> 00:54:08,239
Speaker 1: ship ever happened to because like like y'all, bet I

1036
00:54:08,280 --> 00:54:10,200
Speaker 1: mentioned DJ Premier because'm beefing him. I' gonna tell you

1037
00:54:10,239 --> 00:54:13,440
Speaker 1: about that ship. I'm gonna tell you why nobody. I'm

1038
00:54:13,440 --> 00:54:16,279
Speaker 1: gonna tell you why he did some ship. Listen, got

1039
00:54:16,280 --> 00:54:18,680
Speaker 1: premieres back, so so listen, hold on, hold up. So

1040
00:54:18,760 --> 00:54:21,360
Speaker 1: we enjoyed, right, So they give it Leo and everybody

1041
00:54:21,360 --> 00:54:24,160
Speaker 1: in there. So I'm sitting there, I'm like this, I

1042
00:54:24,160 --> 00:54:27,400
Speaker 1: got to shoot on chilling. I look over to go

1043
00:54:27,480 --> 00:54:32,840
Speaker 1: Chuck d chuck. He did one of these jonts. I

1044
00:54:32,920 --> 00:54:37,360
Speaker 1: was done this this chuck this uncle chuck this public

1045
00:54:37,480 --> 00:54:40,520
Speaker 1: nmy number one. Did you have a Pittsburgh hat? No?

1046
00:54:40,640 --> 00:54:42,040
Speaker 1: He I think he had some geens. You know, he

1047
00:54:42,120 --> 00:54:44,480
Speaker 1: keeping jeens with some levis. But I don't know. I'm

1048
00:54:44,480 --> 00:54:46,520
Speaker 1: just like, oh ship, this dude know who I am.

1049
00:54:46,800 --> 00:54:48,359
Speaker 1: It was just a legendary moment for both.

1050
00:54:49,200 --> 00:54:51,080
Speaker 4: Now I felt the same. He tweeted about dreams. I

1051
00:54:51,120 --> 00:54:51,440
Speaker 4: framed it.

1052
00:54:51,760 --> 00:54:55,000
Speaker 1: You're not legendary. That is like these the younger kids

1053
00:54:55,080 --> 00:54:58,880
Speaker 1: might like, man, they tripping out. This dude, he spoke

1054
00:54:58,920 --> 00:55:01,160
Speaker 1: truth to power. He a legend in n w A.

1055
00:55:03,440 --> 00:55:06,239
Speaker 1: I figured out what he's doing. He said, I'm gonna

1056
00:55:06,239 --> 00:55:11,680
Speaker 1: make sure Sonny never drink again. I'm this is this,

1057
00:55:11,680 --> 00:55:12,640
Speaker 1: this is gonna be sunny real.

1058
00:55:13,280 --> 00:55:16,799
Speaker 7: Put it too much in there, SCHOOLI d or Icy,

1059
00:55:20,320 --> 00:55:21,040
Speaker 7: let me tell you something.

1060
00:55:21,960 --> 00:55:26,160
Speaker 1: Listen, Ice T said, listen, listen, listen, listen to you

1061
00:55:26,200 --> 00:55:29,120
Speaker 1: know school, he said, looking at my goose Jesus. About

1062
00:55:29,120 --> 00:55:32,319
Speaker 1: that time, he said, but but, but but nothing is

1063
00:55:32,360 --> 00:55:35,520
Speaker 1: like Saturday night. It was a Saturday night. I was

1064
00:55:35,520 --> 00:55:38,960
Speaker 1: feeling kind of sporty, went to the ball. But I

1065
00:55:39,080 --> 00:55:41,799
Speaker 1: said this is what I said, just what I said.

1066
00:55:42,160 --> 00:55:45,360
Speaker 1: I said, I said this and this was this was

1067
00:55:45,400 --> 00:55:49,880
Speaker 1: so crazy. I said, speed of life fast. It's like

1068
00:55:49,960 --> 00:55:53,440
Speaker 1: walking bedfoot over broken glass. It's like jumping rope on

1069
00:55:53,480 --> 00:55:57,640
Speaker 1: a raising blade. All lightning, quick decisions are made. Lifestyle.

1070
00:55:58,480 --> 00:56:02,360
Speaker 1: Ice was so cold. Right when I was young. I

1071
00:56:02,400 --> 00:56:04,360
Speaker 1: wanted to be Ice. I used to I used to

1072
00:56:04,440 --> 00:56:07,279
Speaker 1: ripe ice in the mirror, like, damn this boy Ice.

1073
00:56:07,520 --> 00:56:09,600
Speaker 1: And then when he killed a new Jack hustler, new Jack,

1074
00:56:09,680 --> 00:56:12,839
Speaker 1: new Jack, new Jack hustler. And then when he said,

1075
00:56:14,160 --> 00:56:18,759
Speaker 1: I gotta put hair none a bitch WITHO and I

1076
00:56:18,760 --> 00:56:20,960
Speaker 1: got a Twitter as big as a TV set, and

1077
00:56:21,000 --> 00:56:23,080
Speaker 1: it's over there. Hey, the one I want to get

1078
00:56:23,080 --> 00:56:25,320
Speaker 1: but Joe, but maybe not. She might not like me. No,

1079
00:56:25,320 --> 00:56:27,920
Speaker 1: no sweat to a vet. I get assisted though word

1080
00:56:28,840 --> 00:56:29,319
Speaker 1: she said, I.

1081
00:56:29,239 --> 00:56:36,160
Speaker 20: Gotta said, he said, he said, he said, I gotta said.

1082
00:56:36,360 --> 00:56:40,719
Speaker 20: He said, I gotta make who rocks in fact gold lak,

1083
00:56:41,719 --> 00:56:42,959
Speaker 20: who like the people that.

1084
00:56:43,120 --> 00:56:47,720
Speaker 1: Want to kitchen sink. I gotta put hair putting none ofife.

1085
00:56:49,360 --> 00:56:51,840
Speaker 1: He was cold. He was cool, and then school he

1086
00:56:52,000 --> 00:56:52,640
Speaker 1: was just cold.

1087
00:56:52,760 --> 00:56:56,560
Speaker 10: Both and you know there was both real stories too.

1088
00:56:58,520 --> 00:57:05,320
Speaker 1: No cozy Robin okay, Oh ship millions sparks. Oh she

1089
00:57:05,520 --> 00:57:11,560
Speaker 1: know both Philly bro Philly. That a loaded question tells

1090
00:57:11,600 --> 00:57:15,400
Speaker 1: of a hustler. He's miss hustle. So you managed going

1091
00:57:15,400 --> 00:57:18,240
Speaker 1: for them, that's right, Okay, God damn it. Take a shot.

1092
00:57:18,280 --> 00:57:23,880
Speaker 1: Then sparks a young gun. They was killing that John

1093
00:57:24,360 --> 00:57:28,560
Speaker 1: moving out and strivel memories of them Cassidy or young

1094
00:57:28,640 --> 00:57:35,280
Speaker 1: Chris both Philly. Damn listen this this, this makes this

1095
00:57:35,360 --> 00:57:37,760
Speaker 1: a clip by itself. Yes, we got the dress. This

1096
00:57:37,800 --> 00:57:42,360
Speaker 1: is Drake Champs at his highest drunk. You ready now this? No,

1097
00:57:42,480 --> 00:57:45,800
Speaker 1: this is this is the one one more I do this?

1098
00:57:46,280 --> 00:57:49,480
Speaker 7: Oh yeah, Willim Smith or Kevin Hark, He's gonna say

1099
00:57:49,480 --> 00:57:51,200
Speaker 7: both regardless.

1100
00:57:54,120 --> 00:57:56,160
Speaker 1: Both. Okay, that's easy, man.

1101
00:57:56,200 --> 00:57:57,840
Speaker 7: That's the last one that you can get back to the interview.

1102
00:57:58,680 --> 00:58:02,400
Speaker 7: Loyalty or respect. We got a drink, though, relaxed, chill,

1103
00:58:03,400 --> 00:58:08,160
Speaker 7: everybody drink. Let's stay true to this game that Sony.

1104
00:58:08,280 --> 00:58:10,040
Speaker 1: Letna get you how to drinking games, Sonny. Yeah, I

1105
00:58:10,120 --> 00:58:13,400
Speaker 1: know what you're trying to do. Cheers. Listen, he said,

1106
00:58:16,720 --> 00:58:23,040
Speaker 1: I love this last one. Okay, Lord your respect.

1107
00:58:23,320 --> 00:58:25,240
Speaker 18: Well, that's that's the right answer to Yeah, that's the

1108
00:58:25,280 --> 00:58:25,680
Speaker 18: right answer.

1109
00:58:25,680 --> 00:58:28,240
Speaker 1: That's the only time we say you should say both. Yeah.

1110
00:58:28,600 --> 00:58:30,520
Speaker 4: I don't know why people don't say both all the time?

1111
00:58:30,680 --> 00:58:34,600
Speaker 1: Right for that question right, okay.

1112
00:58:35,560 --> 00:58:38,960
Speaker 16: Drink Champs is a drink Champs ll C production hosts

1113
00:58:38,960 --> 00:58:41,760
Speaker 16: and executive producers n O r E and d j

1114
00:58:42,000 --> 00:58:42,520
Speaker 16: e f f N.

1115
00:58:43,720 --> 00:58:44,880
Speaker 4: Listen to drink Champs on.

1116
00:58:44,840 --> 00:58:49,919
Speaker 16: Apple Podcast, Amazon Music, Spotify, or wherever you get your podcasts.

1117
00:58:50,880 --> 00:58:53,360
Speaker 16: Thanks for joining us for another episode of drink Champs

1118
00:58:53,360 --> 00:58:55,960
Speaker 16: hosted by yours truly, dj e f N and n

1119
00:58:56,000 --> 00:58:58,080
Speaker 16: O r E. Please make sure to follow us on

1120
00:58:58,160 --> 00:59:01,760
Speaker 16: all our socials That's at drink Champ across all platforms

1121
00:59:01,800 --> 00:59:05,360
Speaker 16: at the Real Noriegon, I g at Noriega on Twitter,

1122
00:59:05,720 --> 00:59:08,880
Speaker 16: mine is at Who's Crazy on I g at dj

1123
00:59:09,040 --> 00:59:11,560
Speaker 16: e f N on Twitter, and most importantly, stay up

1124
00:59:11,600 --> 00:59:14,800
Speaker 16: to date with the latest releases, news and merch by

1125
00:59:14,840 --> 00:59:20,120
Speaker 16: going to drink champs dot com