1 00:00:01,480 --> 00:00:07,920 Speaker 1: Joseph, how are you feeling about today's subject? MESSI MOI 2 00:00:08,600 --> 00:00:13,560 Speaker 1: excited the same girl, because today we are talking all about. 3 00:00:13,160 --> 00:00:16,919 Speaker 2: The Queen of the Hannah Sili. 4 00:00:20,320 --> 00:00:24,479 Speaker 1: Selena quintaniap it is, despite being taken from us long 5 00:00:24,520 --> 00:00:27,840 Speaker 1: before her time, Selena the icon has lived on for 6 00:00:27,960 --> 00:00:29,920 Speaker 1: generation after generation. 7 00:00:30,560 --> 00:00:33,240 Speaker 3: First there's the people who got to witness her first hand. 8 00:00:33,920 --> 00:00:35,839 Speaker 1: Then there's those of us who were born a few 9 00:00:35,880 --> 00:00:38,680 Speaker 1: years too late but grew up surrounded by her music 10 00:00:38,840 --> 00:00:40,920 Speaker 1: and learned her story through the magic of film. 11 00:00:41,159 --> 00:00:44,000 Speaker 3: And lastly, the youngins of today who have gloonbed onto 12 00:00:44,000 --> 00:00:46,160 Speaker 3: her fashion, her makeup. 13 00:00:46,120 --> 00:00:48,520 Speaker 2: And hopefully her music as well. 14 00:00:49,400 --> 00:00:52,320 Speaker 3: Totally, they should make you name your favorite Selena song 15 00:00:52,360 --> 00:00:54,640 Speaker 3: before letting you buy a Selena lipstick. 16 00:00:55,040 --> 00:00:55,280 Speaker 4: Wait. 17 00:00:55,360 --> 00:00:57,560 Speaker 2: That is genius. 18 00:00:57,600 --> 00:01:00,000 Speaker 1: Like when that Matt collaboration came out and it's sold 19 00:01:00,240 --> 00:01:03,360 Speaker 1: in seconds, and I saw the line wrapped around the 20 00:01:03,440 --> 00:01:06,399 Speaker 1: mall in Corpus, I was like, these people are not 21 00:01:06,480 --> 00:01:09,800 Speaker 1: old enough to know her music. But that's the magic 22 00:01:09,840 --> 00:01:11,800 Speaker 1: of Selena is that you've gotten to know her through 23 00:01:11,880 --> 00:01:13,160 Speaker 1: so many different things. 24 00:01:13,440 --> 00:01:15,959 Speaker 3: One and I fell in love with her. I refell 25 00:01:16,000 --> 00:01:19,440 Speaker 3: in love with her again when mac relaunched that Wait. 26 00:01:19,319 --> 00:01:21,640 Speaker 1: By the way, okay, let's do that now, all right, 27 00:01:21,680 --> 00:01:23,360 Speaker 1: If you had to name your favorite Selena song to 28 00:01:23,400 --> 00:01:25,120 Speaker 1: pick up your como La flord. 29 00:01:24,880 --> 00:01:27,399 Speaker 2: Lipstick, what would it be? 30 00:01:27,560 --> 00:01:27,800 Speaker 1: Three? 31 00:01:28,080 --> 00:01:31,440 Speaker 2: Two, one, go see yous. 32 00:01:31,760 --> 00:01:32,600 Speaker 4: I love that one. 33 00:01:32,720 --> 00:01:35,080 Speaker 2: It's angry, it's angsty. 34 00:01:35,480 --> 00:01:38,800 Speaker 1: It's so good, and it is such a deviation from 35 00:01:39,160 --> 00:01:42,319 Speaker 1: your more traditional like up tempo, upbeat ones. 36 00:01:42,400 --> 00:01:44,360 Speaker 2: It's just it's so good. She's such a bad bitch 37 00:01:44,360 --> 00:01:44,560 Speaker 2: in it. 38 00:01:45,000 --> 00:01:48,200 Speaker 3: So you're in your tehano Elani's Moore set face erro 39 00:01:48,360 --> 00:01:48,760 Speaker 3: right now. 40 00:01:49,040 --> 00:01:51,560 Speaker 2: You read me so clearly. I love you for that. 41 00:01:52,520 --> 00:01:55,720 Speaker 1: Now we should mention that as a couple of Texan 42 00:01:55,960 --> 00:02:00,320 Speaker 1: Latinos now our ties to the cult of Selena run 43 00:02:00,840 --> 00:02:02,560 Speaker 1: very very deep. 44 00:02:02,960 --> 00:02:05,520 Speaker 3: Okay, wait, so, since you are such a huge Selena fan, 45 00:02:06,000 --> 00:02:09,000 Speaker 3: what was your first like formative memory of her? 46 00:02:09,240 --> 00:02:09,440 Speaker 4: Oh? 47 00:02:09,480 --> 00:02:16,480 Speaker 1: Wow, honestly, it's probably a Nochebuena night in my house 48 00:02:16,639 --> 00:02:19,960 Speaker 1: or my Thea's house with all my crazy Theias and 49 00:02:20,040 --> 00:02:24,120 Speaker 1: primos dancing to baby Baby bombumb like we move the 50 00:02:24,160 --> 00:02:26,200 Speaker 1: first we pushed the furniture out of the middle. 51 00:02:25,919 --> 00:02:26,440 Speaker 2: Of the room. 52 00:02:26,720 --> 00:02:28,480 Speaker 4: No, stop it, No, it's true. 53 00:02:28,480 --> 00:02:30,280 Speaker 1: It's probably one of those like, yeah, it's probably like 54 00:02:30,320 --> 00:02:34,760 Speaker 1: nochebuena or like, it's usually those nights that feel to 55 00:02:34,840 --> 00:02:37,680 Speaker 1: me the most kind of I don't know, nostalgic when 56 00:02:37,680 --> 00:02:41,080 Speaker 1: it comes to her music. We love music in my family, 57 00:02:41,160 --> 00:02:44,280 Speaker 1: but I don't feel like my family danced as much 58 00:02:44,360 --> 00:02:46,919 Speaker 1: as I would have thought growing up, considering how much 59 00:02:46,919 --> 00:02:49,360 Speaker 1: we love music. But something about when my mom would 60 00:02:49,360 --> 00:02:51,519 Speaker 1: get together with her sisters. Again, my mom is one 61 00:02:51,560 --> 00:02:54,080 Speaker 1: of nine, so she's got six sisters and two brothers. 62 00:02:54,800 --> 00:02:57,880 Speaker 1: Something about those like big family nights by the time, 63 00:02:58,040 --> 00:02:59,760 Speaker 1: like you know, the kids are like sleeping on the 64 00:02:59,800 --> 00:03:02,320 Speaker 1: girl or on the chairs, they would like, you know, 65 00:03:02,400 --> 00:03:04,520 Speaker 1: push the furniture to the side, turn on like some 66 00:03:04,600 --> 00:03:07,560 Speaker 1: old ass stereo and like blast bitty bitty bumbum, and 67 00:03:07,760 --> 00:03:10,320 Speaker 1: it would be so funny to see my mom dancing 68 00:03:10,320 --> 00:03:13,040 Speaker 1: with her sisters and dancing with like my feels. 69 00:03:13,160 --> 00:03:14,360 Speaker 2: It was just really really cute. 70 00:03:14,400 --> 00:03:16,760 Speaker 1: And I think that's probably my first memory of her 71 00:03:16,840 --> 00:03:20,120 Speaker 1: music in that way, and then also remembering how sad 72 00:03:20,160 --> 00:03:21,880 Speaker 1: it was, which we're not going to go to right 73 00:03:21,919 --> 00:03:23,600 Speaker 1: now because she's got a lot of life to live 74 00:03:23,639 --> 00:03:26,080 Speaker 1: before we get there. But what about you, what is 75 00:03:26,120 --> 00:03:28,399 Speaker 1: your formative Selena memory? 76 00:03:28,600 --> 00:03:31,800 Speaker 4: You know, it is just watching her music video. 77 00:03:31,840 --> 00:03:34,440 Speaker 3: So I used to my parents, who really were really Christian, 78 00:03:34,840 --> 00:03:36,560 Speaker 3: and so I used to have to sneak away to 79 00:03:36,560 --> 00:03:38,400 Speaker 3: watch TV like late at night and I would watch 80 00:03:38,480 --> 00:03:40,400 Speaker 3: like VH one or MTV and. 81 00:03:40,400 --> 00:03:43,040 Speaker 4: Watching her music video of I could fall in love. 82 00:03:43,440 --> 00:03:46,360 Speaker 3: And I was always so like kind of confused because 83 00:03:46,400 --> 00:03:48,120 Speaker 3: I was like, why wouldn't they have like made the 84 00:03:48,200 --> 00:03:50,640 Speaker 3: video of her now, because it was like all the 85 00:03:50,640 --> 00:03:52,480 Speaker 3: past and I just didn't like really. 86 00:03:52,320 --> 00:03:53,320 Speaker 4: Understand I love that. 87 00:03:53,680 --> 00:03:56,120 Speaker 2: I love that now. Did you ever see her in concert? 88 00:03:56,560 --> 00:03:56,760 Speaker 3: No? 89 00:03:57,000 --> 00:03:58,960 Speaker 4: But like she was a Western playland? 90 00:03:59,160 --> 00:04:02,560 Speaker 3: What is that she was at this venue where it's 91 00:04:02,600 --> 00:04:05,440 Speaker 3: like a big amusement park and you could have concerts there. 92 00:04:05,480 --> 00:04:08,040 Speaker 3: So like, I know that people would go to see 93 00:04:08,080 --> 00:04:12,040 Speaker 3: her there no Western playland, but you didn't go. 94 00:04:12,320 --> 00:04:12,840 Speaker 4: I didn't. 95 00:04:13,160 --> 00:04:17,320 Speaker 3: I don't want my Dejano card revoked. But I am 96 00:04:17,440 --> 00:04:20,760 Speaker 3: now becoming a bigger fan of Selena. But growing up, 97 00:04:20,800 --> 00:04:24,240 Speaker 3: I wasn't the biggest fan of hers, although a lot 98 00:04:24,279 --> 00:04:26,680 Speaker 3: of my friends were obsessed with her. 99 00:04:26,880 --> 00:04:28,400 Speaker 2: That's okay, that's okay. 100 00:04:28,760 --> 00:04:33,559 Speaker 1: My biggest regret in life is actually not having seen 101 00:04:33,640 --> 00:04:38,400 Speaker 1: her at the Alamo Dome in San Antonio. I had 102 00:04:38,400 --> 00:04:40,840 Speaker 1: the opportunity to go, I did not go, and I 103 00:04:40,880 --> 00:04:42,520 Speaker 1: will forever hate. 104 00:04:42,279 --> 00:04:44,960 Speaker 2: Myself for not making that. That's okay, that's okay. 105 00:04:45,120 --> 00:04:49,440 Speaker 3: We could probably make a whole podcast of just Selena memory. 106 00:04:49,760 --> 00:04:52,880 Speaker 2: Yes, easily, but we're here to talk about her story, 107 00:04:53,400 --> 00:04:53,960 Speaker 2: not ours. 108 00:04:54,000 --> 00:05:00,200 Speaker 1: We are not the main characters, well not on this episode. 109 00:05:02,680 --> 00:05:05,640 Speaker 2: I'm your host Lilianavosquez. 110 00:05:04,800 --> 00:05:09,120 Speaker 4: And I'm Joseph Carrio and this is Becoming an Icon. 111 00:05:09,600 --> 00:05:12,120 Speaker 1: A weekly podcast where we give you the rundown on 112 00:05:12,160 --> 00:05:16,520 Speaker 1: how today's most famous LATINV stars have shaped pop culture. 113 00:05:16,400 --> 00:05:18,880 Speaker 4: And given the world some extra level. 114 00:05:19,120 --> 00:05:21,400 Speaker 2: Sit back and get comfortable. 115 00:05:21,200 --> 00:05:24,760 Speaker 3: Because we are going in the only way we know 116 00:05:24,839 --> 00:05:27,080 Speaker 3: how with Buenas Vias. 117 00:05:26,920 --> 00:05:28,720 Speaker 2: I'm Buenasriesas. 118 00:05:29,440 --> 00:05:32,560 Speaker 1: And a lot of opinions as we relive their greatest 119 00:05:32,560 --> 00:05:34,200 Speaker 1: achievements on our journey. 120 00:05:34,080 --> 00:05:36,400 Speaker 2: To find out what makes them so iconic. 121 00:05:45,680 --> 00:05:50,200 Speaker 1: Selina Kitania was born in Lake Jackson, Way, on the 122 00:05:50,279 --> 00:05:53,839 Speaker 1: opposite end of Texas from where Joseph is from. Tragically, 123 00:05:54,320 --> 00:05:57,240 Speaker 1: on April sixteenth, nineteen seventy one. 124 00:05:57,960 --> 00:05:59,440 Speaker 2: Joseph, you have the floor. 125 00:06:00,040 --> 00:06:04,520 Speaker 3: Thank you, Senator ahem as an Airy's son, Selena's a 126 00:06:04,600 --> 00:06:07,520 Speaker 3: woman of action. She charges ahead and doesn't care for 127 00:06:07,640 --> 00:06:12,360 Speaker 3: being led or organized by others. But as a Capricorn Moon, 128 00:06:12,560 --> 00:06:16,640 Speaker 3: she's practically defined by strong, maybe even rigid parenting. 129 00:06:16,880 --> 00:06:20,240 Speaker 2: Oh well, if there's one thing we all know about Selena. 130 00:06:20,320 --> 00:06:24,880 Speaker 3: It's that she's determined, steadfast, and reliable. Yes, also Capricorn 131 00:06:24,960 --> 00:06:28,000 Speaker 3: Moon qualities. She was raised to understand that she's an 132 00:06:28,040 --> 00:06:29,080 Speaker 3: important person. 133 00:06:29,080 --> 00:06:31,720 Speaker 2: And there's no question that she would become one. 134 00:06:32,120 --> 00:06:36,280 Speaker 1: Selena was born to Abraham Quintania Junior and Marcella or 135 00:06:36,320 --> 00:06:38,920 Speaker 1: Phelia Zamora in nineteen seventy one. 136 00:06:39,880 --> 00:06:43,320 Speaker 3: Abraham was a musician born in Corpus Christi, Texas. From 137 00:06:43,360 --> 00:06:45,919 Speaker 3: the late fifties through the late sixties, he had played 138 00:06:45,960 --> 00:06:49,280 Speaker 3: American pop and hicna rock with his band The Dinos. 139 00:06:50,000 --> 00:06:53,719 Speaker 1: Marcella was born in the border city of Akunyakawila, Mexico, 140 00:06:54,120 --> 00:06:56,239 Speaker 1: where by the way, my family still. 141 00:06:56,080 --> 00:06:57,359 Speaker 4: Lives hey family. 142 00:06:58,160 --> 00:07:02,159 Speaker 1: Before Selena came around, Abraham and Marcella had two children, 143 00:07:02,360 --> 00:07:03,760 Speaker 1: Susette and Aby. 144 00:07:03,960 --> 00:07:06,400 Speaker 3: With a boy and a girl in tow Abraham put 145 00:07:06,400 --> 00:07:09,800 Speaker 3: the Dinos to rest and moved the family to Lake Jackson, in. 146 00:07:09,840 --> 00:07:13,520 Speaker 2: A small town with a population just over ten thousand. 147 00:07:13,480 --> 00:07:15,640 Speaker 4: Only a sliver of cuomwor Latino. 148 00:07:15,680 --> 00:07:18,880 Speaker 1: On the Abraham saw an opportunity to support the family 149 00:07:19,080 --> 00:07:23,320 Speaker 1: by opening a Mexican restaurant. Every Latino opens a Mexican 150 00:07:23,360 --> 00:07:26,080 Speaker 1: by the way, we had a Mexican restaurant, like hello. 151 00:07:26,040 --> 00:07:28,880 Speaker 2: No you didn't yuh my mom did La Casita. 152 00:07:29,040 --> 00:07:29,640 Speaker 4: I loved that. 153 00:07:29,920 --> 00:07:33,200 Speaker 1: In Colleyville, Texas, they loved her. Tamalis Us, I love 154 00:07:33,400 --> 00:07:33,920 Speaker 1: dom malis. 155 00:07:34,040 --> 00:07:35,520 Speaker 4: Hey, she needs to make me son for Christmas. 156 00:07:35,640 --> 00:07:38,360 Speaker 1: She will, Okay, back to the restaurant, So Abraham named 157 00:07:38,400 --> 00:07:40,800 Speaker 1: it Baba Gayos, not a great name, by the way, 158 00:07:41,200 --> 00:07:45,600 Speaker 1: and soon after he and Marcella would welcome their third child. 159 00:07:45,920 --> 00:07:46,960 Speaker 4: From their Sonograms. 160 00:07:47,000 --> 00:07:49,480 Speaker 3: They had been expecting a boy, so when they found 161 00:07:49,520 --> 00:07:52,640 Speaker 3: themselves welcoming a daughter into the world, they had zero 162 00:07:52,800 --> 00:07:53,800 Speaker 3: ideas for the names. 163 00:07:54,160 --> 00:07:56,920 Speaker 1: It was actually another mom in the labor ward who 164 00:07:57,000 --> 00:07:59,520 Speaker 1: suggested the name Selina. 165 00:07:59,520 --> 00:08:02,880 Speaker 4: And god she did. I hope that woman became an 166 00:08:02,920 --> 00:08:05,080 Speaker 4: agent after realizing what she'd done for Selena. 167 00:08:05,240 --> 00:08:07,680 Speaker 1: For real, I would definitely ask for some kind of royalties, 168 00:08:07,760 --> 00:08:10,480 Speaker 1: but she's not going to get it. If you followed 169 00:08:10,480 --> 00:08:13,920 Speaker 1: the King Danias and Chris Cherney and everything that's happened 170 00:08:13,960 --> 00:08:15,920 Speaker 1: in the drama, which we will get to. She's not 171 00:08:16,000 --> 00:08:19,880 Speaker 1: getting any but anyway, Selena and her older siblings grew 172 00:08:19,960 --> 00:08:23,640 Speaker 1: up in a house steeped in American pop culture and music. 173 00:08:24,400 --> 00:08:27,200 Speaker 3: One day, Selena found an old songbook of her father's. 174 00:08:27,480 --> 00:08:29,960 Speaker 3: In an interview years later, she would describe it, picking 175 00:08:30,000 --> 00:08:32,400 Speaker 3: it up and eventually making up her own maladies to 176 00:08:32,440 --> 00:08:32,839 Speaker 3: the music. 177 00:08:33,280 --> 00:08:36,240 Speaker 1: Her father heard her and started coaching her on hot 178 00:08:36,280 --> 00:08:39,240 Speaker 1: to sing the songs of his youth. Selena, in her 179 00:08:39,320 --> 00:08:41,120 Speaker 1: own words, caught on pretty fast. 180 00:08:41,720 --> 00:08:44,200 Speaker 3: After that, Selena's dad went a step further and took 181 00:08:44,240 --> 00:08:46,520 Speaker 3: the family on a visit to his and the Dino's 182 00:08:46,559 --> 00:08:48,800 Speaker 3: old stomping grounds, Corpus Christy. 183 00:08:49,360 --> 00:08:52,600 Speaker 1: There, they visited a record store owned by Abraham's former mentor, 184 00:08:52,800 --> 00:08:56,200 Speaker 1: Johnny Herrera, so that he could hear Selena sing. 185 00:08:57,000 --> 00:08:59,640 Speaker 3: Harrari set up a portable cassette recorder for her. She'd 186 00:08:59,640 --> 00:09:02,160 Speaker 3: gotten for Anything Mike, and ran through several oldies. 187 00:09:02,600 --> 00:09:06,160 Speaker 1: Herrera noted that she stayed perfectly in tune and never 188 00:09:06,480 --> 00:09:07,040 Speaker 1: missed a beat. 189 00:09:07,440 --> 00:09:09,160 Speaker 2: Impressed, he cackled. 190 00:09:08,880 --> 00:09:10,880 Speaker 4: And said she's going to be a star. 191 00:09:12,160 --> 00:09:15,400 Speaker 1: Selena ended her little recording session with the song in Spanish, 192 00:09:15,600 --> 00:09:19,400 Speaker 1: one of the Dino's regional hits Guenestekopa, which Herrera himself 193 00:09:19,600 --> 00:09:20,160 Speaker 1: had written. 194 00:09:20,720 --> 00:09:23,040 Speaker 3: Though she went to an English speaking school and spoke 195 00:09:23,120 --> 00:09:25,800 Speaker 3: English at home, her father had taught her to pronounce 196 00:09:25,960 --> 00:09:26,720 Speaker 3: sound Spanish. 197 00:09:27,240 --> 00:09:30,720 Speaker 1: In this little record shop in Corpus Christi, Texas, Selena 198 00:09:30,800 --> 00:09:34,360 Speaker 1: wowed her first small audience in both English and Spanish. 199 00:09:34,880 --> 00:09:37,280 Speaker 2: It was a clear preview of things to come. 200 00:09:47,240 --> 00:09:48,800 Speaker 4: Okay, diehard, Selena fan. 201 00:09:49,280 --> 00:09:52,080 Speaker 3: Well, I know we were researching this, so I'm sure 202 00:09:52,160 --> 00:09:55,280 Speaker 3: that you rekindled your love for the lost songs of Selena. 203 00:09:55,360 --> 00:09:58,040 Speaker 3: Are you playing any of your favorite Selena songs for 204 00:09:58,120 --> 00:09:59,840 Speaker 3: Santa Hello? 205 00:10:00,360 --> 00:10:02,440 Speaker 2: Are we friends? Have we met? 206 00:10:03,360 --> 00:10:07,160 Speaker 1: I started playing Selena songs for him when he was 207 00:10:07,600 --> 00:10:10,880 Speaker 1: in my belly, literally like in my belly. 208 00:10:11,520 --> 00:10:13,600 Speaker 2: And then I remember the. 209 00:10:13,640 --> 00:10:15,520 Speaker 1: First week I brought him home, so I had to 210 00:10:15,559 --> 00:10:18,240 Speaker 1: see section and it was like hard to even move, 211 00:10:18,360 --> 00:10:20,719 Speaker 1: like literally it was so hard. And the first day 212 00:10:20,800 --> 00:10:23,760 Speaker 1: that I felt good enough to really like get up 213 00:10:23,960 --> 00:10:27,040 Speaker 1: and take a shower and like brush my hair and 214 00:10:27,559 --> 00:10:32,040 Speaker 1: put on something other than like hospital underwear. We dance 215 00:10:32,280 --> 00:10:35,959 Speaker 1: to Badbad Bomb in his nursery. We did I like 216 00:10:36,040 --> 00:10:39,439 Speaker 1: open the windows, I like open the curtains, and I 217 00:10:39,600 --> 00:10:42,880 Speaker 1: was like holding this tiny little nugget and we dance. 218 00:10:42,920 --> 00:10:43,719 Speaker 2: I have a video of it. 219 00:10:43,800 --> 00:10:45,920 Speaker 1: It's like one of my favorite memories of him because 220 00:10:45,920 --> 00:10:47,640 Speaker 1: it was the first day that I really felt like 221 00:10:47,800 --> 00:10:50,680 Speaker 1: close to good. And yeah, like I play her songs 222 00:10:50,679 --> 00:10:54,360 Speaker 1: for him all the time. But you know what's funny 223 00:10:54,559 --> 00:10:56,480 Speaker 1: is he's in a phase right now where he doesn't 224 00:10:56,520 --> 00:10:58,800 Speaker 1: want me to sing or dance. So every time I sing, 225 00:10:58,880 --> 00:11:01,320 Speaker 1: he's like, mommy, stops singing. So I don't know if 226 00:11:01,360 --> 00:11:04,640 Speaker 1: I'm ruining Selena for him because he keeps saying, Mommy, 227 00:11:04,679 --> 00:11:05,319 Speaker 1: stop singing. 228 00:11:05,640 --> 00:11:08,480 Speaker 3: Now listen. I know little kids get like that. He 229 00:11:08,600 --> 00:11:11,520 Speaker 3: just didn't want you to do it. So here's another 230 00:11:11,600 --> 00:11:14,400 Speaker 3: question for you. Yeah, why do you think Selena is 231 00:11:14,520 --> 00:11:17,640 Speaker 3: so relatable like us in the US? Like why did 232 00:11:17,679 --> 00:11:18,680 Speaker 3: you identify to Selena? 233 00:11:18,800 --> 00:11:23,800 Speaker 1: Like, because I think she is very much living that 234 00:11:24,240 --> 00:11:27,880 Speaker 1: what I call like one life one g. Being first generation. 235 00:11:29,320 --> 00:11:32,200 Speaker 1: You know, if your first generation, you're very much born 236 00:11:32,280 --> 00:11:34,880 Speaker 1: here and you obviously want to be a part of 237 00:11:34,960 --> 00:11:37,000 Speaker 1: what it is to be American. But your parents were not, 238 00:11:37,400 --> 00:11:40,160 Speaker 1: and your cousins some morn either, like most of your 239 00:11:40,200 --> 00:11:43,079 Speaker 1: family probably wasn't, And so I think you're always kind 240 00:11:43,120 --> 00:11:47,200 Speaker 1: of straddling this world of living in America, being American 241 00:11:47,280 --> 00:11:51,480 Speaker 1: but also being Mexican, and maybe like wanting to feel 242 00:11:51,559 --> 00:11:54,280 Speaker 1: really connected to culture, but also being a little bit 243 00:11:54,360 --> 00:11:56,920 Speaker 1: ashamed of it. At least in my experience, I wanted 244 00:11:56,960 --> 00:11:58,640 Speaker 1: to fit in so desperately that I kind of like 245 00:11:58,880 --> 00:12:02,040 Speaker 1: pushed down everything that was beautiful and culturally rich about 246 00:12:02,080 --> 00:12:05,079 Speaker 1: being Mexicana or Puerto Rican to like fit in and assimilate. 247 00:12:05,480 --> 00:12:08,480 Speaker 1: And I think that first generation struggle is real for 248 00:12:08,559 --> 00:12:10,520 Speaker 1: so many of us, whether you come from Latin America 249 00:12:10,600 --> 00:12:11,280 Speaker 1: or Europe or. 250 00:12:11,240 --> 00:12:11,959 Speaker 2: Wherever you're from. 251 00:12:12,440 --> 00:12:15,280 Speaker 1: And there's a line in the movie that Abraham says, 252 00:12:15,360 --> 00:12:17,160 Speaker 1: and he says to her, you know, we have to 253 00:12:17,240 --> 00:12:20,400 Speaker 1: be more Mexican than the Mexicans and more American than 254 00:12:20,400 --> 00:12:23,959 Speaker 1: the Americans, both at the same time. It's exhausting, and 255 00:12:24,080 --> 00:12:27,240 Speaker 1: that I think really summarizes the feeling and the struggle 256 00:12:27,280 --> 00:12:29,920 Speaker 1: that so many of us first generation kids have. And 257 00:12:30,000 --> 00:12:32,000 Speaker 1: I think it's also why we relate to her and 258 00:12:32,160 --> 00:12:36,480 Speaker 1: her story so much, especially if you grew up in 259 00:12:36,640 --> 00:12:39,760 Speaker 1: Texas or Mexico or Arizona or California, right like we're 260 00:12:39,800 --> 00:12:40,360 Speaker 1: border kids. 261 00:12:40,480 --> 00:12:43,280 Speaker 4: And also because she also looked like us. 262 00:12:43,400 --> 00:12:45,520 Speaker 1: But she didn't sound like us, right, like I grew 263 00:12:45,600 --> 00:12:48,840 Speaker 1: up speaking Spanish. I think for me, like hearing her talk, 264 00:12:48,880 --> 00:12:51,079 Speaker 1: I was like, God, she sounds so American, but she 265 00:12:51,280 --> 00:12:54,000 Speaker 1: looks like us. So I think we were just kind 266 00:12:54,040 --> 00:12:56,400 Speaker 1: of fascinated with the idea that you could be both 267 00:12:56,679 --> 00:12:59,439 Speaker 1: right and be both so beautifully. Yeah, I can tell 268 00:12:59,480 --> 00:13:02,600 Speaker 1: you this as a Latina who's half Mexican and half 269 00:13:02,640 --> 00:13:06,320 Speaker 1: Puerto Rican, it's really important for me that Santhi, despite 270 00:13:06,400 --> 00:13:09,439 Speaker 1: him being born here in la and being half Irish, 271 00:13:09,679 --> 00:13:13,679 Speaker 1: like he needs to know everything about our gulura, like 272 00:13:14,240 --> 00:13:17,520 Speaker 1: where we came from, our music, our food, all of that, right, 273 00:13:17,679 --> 00:13:18,680 Speaker 1: Like you want that for your. 274 00:13:18,640 --> 00:13:23,079 Speaker 3: Kids, right like honor the ancestors carry them with you always. 275 00:13:23,200 --> 00:13:26,440 Speaker 3: But that's not quite where Selena's daddy was coming from. 276 00:13:26,760 --> 00:13:30,720 Speaker 1: Two drew Joseph, with his mentor's words ringing in his ears, 277 00:13:31,440 --> 00:13:36,160 Speaker 1: that girl's gonna be a star. Selena's father had stars 278 00:13:36,320 --> 00:13:39,240 Speaker 1: in his eyes. He dusted off the old instruments and 279 00:13:39,400 --> 00:13:41,360 Speaker 1: taught Selena's siblings to play. 280 00:13:42,640 --> 00:13:43,280 Speaker 4: At the age of. 281 00:13:43,360 --> 00:13:45,640 Speaker 3: Nine, Selena took the mic with her big brother ab 282 00:13:45,840 --> 00:13:48,760 Speaker 3: behind her on bass guitar and big sister Susette on 283 00:13:48,880 --> 00:13:49,360 Speaker 3: the drums. 284 00:13:49,800 --> 00:13:53,320 Speaker 1: The Dinos became a family band, and the family band 285 00:13:53,440 --> 00:13:57,360 Speaker 1: became the in house entertainment for Baba Gayo's Abraham's restaurant. 286 00:13:58,400 --> 00:13:59,240 Speaker 4: Selena ILO's. 287 00:13:59,280 --> 00:14:03,800 Speaker 3: Dino's also played street corners, Consignea's weddings, and other family gatherings, 288 00:14:04,120 --> 00:14:07,559 Speaker 3: which imagine if Selena played at your Keen'say. 289 00:14:08,120 --> 00:14:10,600 Speaker 2: She did play at Mikeen says. 290 00:14:10,520 --> 00:14:12,960 Speaker 4: Okay, I mean like played live in your keen. 291 00:14:13,000 --> 00:14:14,360 Speaker 2: Say okay, let me live. 292 00:14:14,679 --> 00:14:16,920 Speaker 1: Just let me remember my keyings is the way I 293 00:14:17,480 --> 00:14:22,520 Speaker 1: want to remember, Mike Keane says, anyway, moving one. Selena 294 00:14:22,600 --> 00:14:25,680 Speaker 1: and the band played so often, in fact, that young 295 00:14:25,800 --> 00:14:27,920 Speaker 1: Selena began to miss school frequently. 296 00:14:28,960 --> 00:14:32,280 Speaker 3: Selena was an exceptionally bright student and well liked by 297 00:14:32,320 --> 00:14:35,920 Speaker 3: her classmates. Her seventh grade reading teacher, Marilyn Greer called 298 00:14:35,960 --> 00:14:39,520 Speaker 3: her a valedictorian quality student. They didn't say that about me. 299 00:14:42,440 --> 00:14:46,360 Speaker 1: She went on to say, Selena conducted herself like a lady. 300 00:14:46,640 --> 00:14:48,760 Speaker 1: This child could have gotten a four year scholarship with 301 00:14:49,040 --> 00:14:53,280 Speaker 1: any major university in the country. But Selena was missing 302 00:14:53,360 --> 00:14:54,720 Speaker 1: two days of class. 303 00:14:54,520 --> 00:14:57,280 Speaker 3: A week, and when Selena was in class, she was 304 00:14:57,400 --> 00:14:59,080 Speaker 3: often tired and distracted. 305 00:14:59,360 --> 00:15:02,040 Speaker 1: Selena' teach year brought this to her father's attention on 306 00:15:02,440 --> 00:15:06,600 Speaker 1: multiple occasions. Each time, he insisted that Selena was a 307 00:15:06,840 --> 00:15:09,160 Speaker 1: child prodigy destined for a. 308 00:15:09,200 --> 00:15:13,360 Speaker 3: Career on the stage, which wasn't untrue, but it's more 309 00:15:13,400 --> 00:15:16,120 Speaker 3: than enough to make you question Abraham's priorities. 310 00:15:17,080 --> 00:15:20,680 Speaker 1: After all, the family band was formed to support Papagayo's 311 00:15:20,960 --> 00:15:23,160 Speaker 1: the family and Abraham's business. 312 00:15:24,360 --> 00:15:27,360 Speaker 3: After the recession of nineteen eighty one, Papa Guyo saw 313 00:15:27,520 --> 00:15:31,200 Speaker 3: fewer and fewer customers and eventually closed down, so the 314 00:15:31,320 --> 00:15:33,800 Speaker 3: band became the family business instead. 315 00:15:34,120 --> 00:15:36,840 Speaker 1: The following year, Abraham pulled the kids out of school 316 00:15:37,040 --> 00:15:40,280 Speaker 1: and moved the whole family to Corpus Christi, where Selena 317 00:15:40,320 --> 00:15:43,520 Speaker 1: Ilosino's would be the sole breadwinners for the family. 318 00:15:44,760 --> 00:15:47,720 Speaker 3: Seleno's brother ab took an old bus and restored it 319 00:15:47,840 --> 00:15:49,920 Speaker 3: so the band could use it as a tour bus. 320 00:15:50,360 --> 00:15:53,760 Speaker 3: The bus, which the family affectionately named Big Bertha, would 321 00:15:53,800 --> 00:15:56,440 Speaker 3: often serve as the entire family's home. 322 00:15:56,720 --> 00:16:00,640 Speaker 1: The kids essentially saying for food and barely earned enough 323 00:16:00,680 --> 00:16:04,000 Speaker 1: money to cover gas. Times were tough, and it was 324 00:16:04,160 --> 00:16:08,040 Speaker 1: all on their shoulders. There's like a tiny, tiny piece 325 00:16:08,160 --> 00:16:09,480 Speaker 1: of this that feels relatable. 326 00:16:09,640 --> 00:16:12,000 Speaker 3: Yeah, because many of the Latino kids do be on 327 00:16:12,160 --> 00:16:14,240 Speaker 3: that grind from a young age to how about the family. 328 00:16:14,560 --> 00:16:17,160 Speaker 4: But on the other hand, Abraham. 329 00:16:17,400 --> 00:16:19,960 Speaker 1: Right, I mean, there's ways to pay the bills that 330 00:16:20,360 --> 00:16:23,640 Speaker 1: don't involve turning your family into the Jackson five right 331 00:16:24,000 --> 00:16:27,520 Speaker 1: and jumping ahead a bit. According to Selena's eventual husband, 332 00:16:27,720 --> 00:16:31,400 Speaker 1: Chris Petes, Selena's father put his ambitions of making it 333 00:16:31,520 --> 00:16:36,480 Speaker 1: in the music industry before everything else. As we talk 334 00:16:36,560 --> 00:16:40,440 Speaker 1: about Abraham having her missed school, were like shocked, We're like. 335 00:16:40,400 --> 00:16:41,840 Speaker 2: Oh my god, she was missing school. 336 00:16:41,920 --> 00:16:45,280 Speaker 1: But if you think about it now, there's so many 337 00:16:45,840 --> 00:16:50,560 Speaker 1: kid let's call them kid creatives, kid influencers, kiddy influencers 338 00:16:50,600 --> 00:16:51,920 Speaker 1: out there, Like I see them. 339 00:16:52,200 --> 00:16:54,880 Speaker 2: Making millions and millions of dollars. 340 00:16:54,920 --> 00:16:56,800 Speaker 1: I mean, these kids are moving out to la at 341 00:16:56,880 --> 00:17:01,960 Speaker 1: like ten, eleven, twelve as influencers. It's happening, ye stars, 342 00:17:02,120 --> 00:17:04,520 Speaker 1: It's happening now more so than it used to them. 343 00:17:04,640 --> 00:17:08,560 Speaker 1: But it's pretty commonplace now. I always read there's this 344 00:17:08,680 --> 00:17:10,800 Speaker 1: like one funny meme that like, maybe it's not a meme, 345 00:17:10,840 --> 00:17:12,840 Speaker 1: it's an article. It talks about when you ask little 346 00:17:12,920 --> 00:17:15,400 Speaker 1: kids what they want to be when they grow up. Now, 347 00:17:15,880 --> 00:17:20,440 Speaker 1: the number one profession is influencer or content creator. 348 00:17:21,040 --> 00:17:21,480 Speaker 4: Stop it. 349 00:17:21,720 --> 00:17:24,720 Speaker 1: Yeah, I mean I think Abraham was a businessman first 350 00:17:24,760 --> 00:17:26,920 Speaker 1: and a father second. I will say it where we go, 351 00:17:27,560 --> 00:17:31,200 Speaker 1: and I think that with child stars and stage parents, 352 00:17:31,680 --> 00:17:34,560 Speaker 1: it's a really really rocky relationship. And you really saw 353 00:17:34,640 --> 00:17:37,960 Speaker 1: that play out in her story, right, Like she felt 354 00:17:38,000 --> 00:17:41,080 Speaker 1: like she was being held down by them, right, Like 355 00:17:41,200 --> 00:17:43,440 Speaker 1: she wanted to be free to wear what she wanted, 356 00:17:43,520 --> 00:17:45,960 Speaker 1: to love who she wanted. And if you guys have 357 00:17:46,119 --> 00:17:51,119 Speaker 1: watched Quiet on Set, the Nickelodeon documentary, you really start 358 00:17:51,200 --> 00:17:55,359 Speaker 1: to understand that there is a very predatory culture to 359 00:17:56,160 --> 00:18:00,840 Speaker 1: child stars and what their parents allow to happen. It's 360 00:18:00,880 --> 00:18:03,119 Speaker 1: actually like terrifying. And this is like one of the 361 00:18:03,160 --> 00:18:06,440 Speaker 1: main reasons I would never allow my child to work 362 00:18:06,520 --> 00:18:09,280 Speaker 1: in the entertainment industry until he's like, much much older. 363 00:18:09,320 --> 00:18:11,280 Speaker 1: And it's also one of the reasons that I try 364 00:18:11,320 --> 00:18:13,280 Speaker 1: to keep him off of social media in terms of 365 00:18:13,359 --> 00:18:15,080 Speaker 1: like how much I post him because it just makes 366 00:18:15,119 --> 00:18:15,720 Speaker 1: me very afraid. 367 00:18:15,880 --> 00:18:17,240 Speaker 2: But that's a whole nother podcast. 368 00:18:17,440 --> 00:18:19,640 Speaker 4: That's another one, bitch. I was ready to go into 369 00:18:19,720 --> 00:18:21,119 Speaker 4: that one too, damn. 370 00:18:23,600 --> 00:18:26,240 Speaker 1: But Selena was also trying to make it in a 371 00:18:26,359 --> 00:18:29,200 Speaker 1: musical world that wasn't entirely her own. 372 00:18:29,680 --> 00:18:32,640 Speaker 4: It was a Tahano's world and Selena was just living 373 00:18:32,680 --> 00:18:32,879 Speaker 4: in it. 374 00:18:45,600 --> 00:18:48,280 Speaker 2: Do you remember how we introduced Selena. 375 00:18:48,800 --> 00:18:51,200 Speaker 4: Everyone knows the Queen of Tejano. 376 00:18:51,160 --> 00:18:54,040 Speaker 2: Right, Okay, So let's talk about the Hannah music for 377 00:18:54,080 --> 00:18:54,480 Speaker 2: a second. 378 00:18:54,600 --> 00:18:59,640 Speaker 1: Because Shano has its roots in a culture of ranching, agriculture, 379 00:19:00,119 --> 00:19:00,680 Speaker 1: farm stuff. 380 00:19:01,200 --> 00:19:01,360 Speaker 4: Right. 381 00:19:01,600 --> 00:19:05,200 Speaker 2: So the Hanno culture is rural. Little history lesson. 382 00:19:05,680 --> 00:19:08,280 Speaker 1: During Spanish rule, the southern region of what we now 383 00:19:08,400 --> 00:19:13,000 Speaker 1: call the has was developed as farmlands. The music and 384 00:19:13,040 --> 00:19:16,159 Speaker 1: the dress we associate with the Hanno evolved from a 385 00:19:16,359 --> 00:19:20,920 Speaker 1: long history of rancheros Bucqueto's people working the land. 386 00:19:21,480 --> 00:19:24,920 Speaker 3: Okay, but here's a question, did those people have accordions? 387 00:19:25,040 --> 00:19:27,320 Speaker 3: Because a lot of Tano music sounds like poka. 388 00:19:28,080 --> 00:19:30,560 Speaker 2: It does, and there's a really good reason for that. 389 00:19:31,160 --> 00:19:35,400 Speaker 1: While that the Hanno population is largely Spanish Mesthiesel and indigenous, 390 00:19:35,760 --> 00:19:39,119 Speaker 1: in the eighteen hundreds Texas on influx of German and 391 00:19:39,320 --> 00:19:40,800 Speaker 1: Czech immigrants, uhh. 392 00:19:41,080 --> 00:19:44,800 Speaker 4: So that explains the unpach lumbach and. 393 00:19:45,080 --> 00:19:48,479 Speaker 1: The Spanish part of it explains the string instruments, the guitar, 394 00:19:48,880 --> 00:19:53,200 Speaker 1: the bajo sex do and dolo or bass guitar. This 395 00:19:53,400 --> 00:19:55,359 Speaker 1: became the normal setup for a the Hano band, and 396 00:19:55,520 --> 00:19:58,639 Speaker 1: the Hanno bands grew to be popular community fixtures. 397 00:19:59,160 --> 00:20:01,760 Speaker 4: Sure, and what about the singers. 398 00:20:01,760 --> 00:20:06,240 Speaker 1: Great question, Joseph. So the melodies and vocal sensibilities of 399 00:20:06,320 --> 00:20:09,399 Speaker 1: the Hanno drew from generations of farmhands who enjoyed the 400 00:20:09,480 --> 00:20:11,240 Speaker 1: songs of traveling musicians. 401 00:20:11,640 --> 00:20:14,639 Speaker 4: Oh okay, I see. All I needed was to know 402 00:20:14,960 --> 00:20:16,280 Speaker 4: where I fit in the story. 403 00:20:16,720 --> 00:20:19,640 Speaker 2: You're the wandering musician in my past life. 404 00:20:19,880 --> 00:20:24,639 Speaker 4: Uh yeah, I'm what broidy or more more on board 405 00:20:24,720 --> 00:20:25,200 Speaker 4: the guy? 406 00:20:25,520 --> 00:20:28,520 Speaker 2: Yeah, damn, Joseph. 407 00:20:29,080 --> 00:20:30,920 Speaker 1: By the way, when I was little, I could not 408 00:20:31,080 --> 00:20:34,520 Speaker 1: say mooran like. I could not say it, And I 409 00:20:34,640 --> 00:20:36,360 Speaker 1: love that song so much, and I'd be like move 410 00:20:36,400 --> 00:20:38,720 Speaker 1: moorun like, Oh I loved it. 411 00:20:39,760 --> 00:20:40,000 Speaker 4: Okay. 412 00:20:40,080 --> 00:20:43,359 Speaker 1: So anyway, do you think that we played together in 413 00:20:43,480 --> 00:20:46,399 Speaker 1: that way? Like maybe I was your accompanist, you. 414 00:20:46,560 --> 00:20:49,280 Speaker 4: Were one hundred percent and you followed me around with 415 00:20:49,359 --> 00:20:49,920 Speaker 4: an accordion. 416 00:20:50,040 --> 00:20:53,440 Speaker 2: Yes, yeah, So basically you and I invented the Hanno music. 417 00:20:53,560 --> 00:20:56,640 Speaker 4: You're welcome, You are welcome people. Okay. 418 00:20:56,800 --> 00:20:59,600 Speaker 1: Now, come the twentieth century, this music had become a 419 00:20:59,720 --> 00:21:03,760 Speaker 1: stage of larger Tojano culture and bringing it back back 420 00:21:03,840 --> 00:21:06,520 Speaker 1: back to Selena. It's not to say there were never 421 00:21:06,800 --> 00:21:08,480 Speaker 1: any female Kijano singers. 422 00:21:08,920 --> 00:21:13,040 Speaker 3: One of the first Tjanah superstars was Houston born Lydia Mendoza, 423 00:21:13,200 --> 00:21:15,399 Speaker 3: aka the mother of Tojna music. 424 00:21:15,600 --> 00:21:18,000 Speaker 4: Like Selena, she started singing from a very. 425 00:21:17,920 --> 00:21:22,200 Speaker 1: Young age, and, like Selena, eventually would Lydia Mendoza found 426 00:21:22,280 --> 00:21:26,320 Speaker 1: listeners in Mexican migrant communities before eventually finding success on 427 00:21:26,680 --> 00:21:27,920 Speaker 1: both sides of the border. 428 00:21:28,480 --> 00:21:31,760 Speaker 3: But Downo music was still heavily male dominated, from the 429 00:21:31,840 --> 00:21:33,600 Speaker 3: big stars to the local artists. 430 00:21:34,080 --> 00:21:37,240 Speaker 2: Remember, the Hanno music was raised on farmlands. 431 00:21:37,680 --> 00:21:41,800 Speaker 1: Rural workers were largely male, So Selena's father was hoping 432 00:21:41,880 --> 00:21:44,679 Speaker 1: to win over an audience of rugged, older men. 433 00:21:44,920 --> 00:21:48,320 Speaker 3: Who expected to Hano musicians to look like them, not 434 00:21:48,480 --> 00:21:50,600 Speaker 3: a man of fresh faced teens led by a girl. 435 00:21:50,960 --> 00:21:54,040 Speaker 1: Exactly so, when Selena and the family were knocking on 436 00:21:54,080 --> 00:21:56,760 Speaker 1: the doors of bars and music venues, door after door 437 00:21:57,160 --> 00:21:58,560 Speaker 1: was shut in their faces. 438 00:21:58,960 --> 00:22:02,440 Speaker 4: Well, Abraham, let's not forget who's pushing this whole thing. 439 00:22:02,760 --> 00:22:07,240 Speaker 1: Yeah, he'd be pushy, right, and let's give credit where 440 00:22:07,240 --> 00:22:10,720 Speaker 1: it's due. Abraham did not let all that rejection reach 441 00:22:10,800 --> 00:22:14,720 Speaker 1: Selena promoter Mike Chavez would say of Abraham, he was the. 442 00:22:14,840 --> 00:22:17,320 Speaker 4: Ultimate stage father. He wouldn't take no for an answer. 443 00:22:17,680 --> 00:22:19,960 Speaker 3: How many times has he told Selena had no talent, 444 00:22:20,240 --> 00:22:21,680 Speaker 3: that they were just another band. 445 00:22:22,040 --> 00:22:24,160 Speaker 4: He handled her career, He kept her clean. 446 00:22:25,040 --> 00:22:28,280 Speaker 1: For her part, Selena would say, we all wanted to 447 00:22:28,359 --> 00:22:30,679 Speaker 1: make it, so we did everything we could. There were 448 00:22:30,680 --> 00:22:32,760 Speaker 1: a lot of disappointing times, but even when we got 449 00:22:32,880 --> 00:22:36,080 Speaker 1: ten or twenty people to show up, we always believe that, hey, 450 00:22:36,560 --> 00:22:37,720 Speaker 1: these people paid to get in. 451 00:22:38,080 --> 00:22:39,400 Speaker 2: We should do a good show. 452 00:22:40,480 --> 00:22:43,119 Speaker 3: Despite the rejection, Selena and the band would continue to 453 00:22:43,200 --> 00:22:47,840 Speaker 3: find work playing weddings, kinsz blenquiz. Abraham added a keyboardist 454 00:22:47,880 --> 00:22:50,399 Speaker 3: and a guitarist to the band before placing them in 455 00:22:50,480 --> 00:22:51,240 Speaker 3: nineteen eighty three. 456 00:22:51,800 --> 00:22:55,320 Speaker 1: As Selena's biographer Joe Nick Potowski would say, the money 457 00:22:55,440 --> 00:22:59,159 Speaker 1: was in live performances, but Selena Losino's remained shut out 458 00:22:59,200 --> 00:22:59,919 Speaker 1: of key venues. 459 00:23:00,600 --> 00:23:03,800 Speaker 3: Records were hard to sell and the payoff wasn't promising. 460 00:23:04,119 --> 00:23:07,880 Speaker 3: But when Selena Elosdino's finally did enter the studio, things 461 00:23:07,920 --> 00:23:10,719 Speaker 3: began to turn around, ever so slowly. 462 00:23:11,800 --> 00:23:15,520 Speaker 1: Selena Elosinos would record a number of songs for Freddie Records, 463 00:23:15,720 --> 00:23:17,840 Speaker 1: a small label in Corpus Christie. 464 00:23:18,320 --> 00:23:19,360 Speaker 2: With her father's. 465 00:23:19,080 --> 00:23:22,520 Speaker 1: Coaching, Selena sang in less than perfect Spanish, and her 466 00:23:22,640 --> 00:23:25,880 Speaker 1: brother ab received his first composing credit for the song 467 00:23:26,240 --> 00:23:26,600 Speaker 1: call Me. 468 00:23:27,320 --> 00:23:29,920 Speaker 3: After a few more singles and some modest airplan on 469 00:23:30,000 --> 00:23:33,200 Speaker 3: local radio, the group slowly began finding their way into 470 00:23:33,280 --> 00:23:37,040 Speaker 3: music venues. Then came the group's first full album, Mitti 471 00:23:37,040 --> 00:23:38,320 Speaker 3: spimetas Grabacionz. 472 00:23:38,880 --> 00:23:42,880 Speaker 1: The album was never distributed to stores, but Abraham bought 473 00:23:42,920 --> 00:23:45,679 Speaker 1: a stack of copies to pitch any and every label 474 00:23:45,720 --> 00:23:47,800 Speaker 1: executive he could meet at the band's shows. 475 00:23:48,320 --> 00:23:49,840 Speaker 4: The hustle paid off. 476 00:23:50,200 --> 00:23:54,320 Speaker 3: Soon Selena Elosdino signed with Carl Records in San Antonio, and. 477 00:23:54,440 --> 00:23:57,120 Speaker 2: Here is where things finally get going. 478 00:23:57,480 --> 00:24:01,479 Speaker 1: In nineteen eighty six, Selena Losino's record their second album, Alpha, 479 00:24:01,760 --> 00:24:04,719 Speaker 1: the record that won Selena her first musical award. 480 00:24:05,680 --> 00:24:08,680 Speaker 3: Selena was named Female Vocalist of the Year at the 481 00:24:08,760 --> 00:24:12,840 Speaker 3: nineteen eighty seven West Texas Hispanic Music Awards and the 482 00:24:12,960 --> 00:24:15,800 Speaker 3: KFLZ Awards, run by a local radio station. 483 00:24:16,440 --> 00:24:20,560 Speaker 2: We talk about local the West Texas Hispanic Music. O word, 484 00:24:21,320 --> 00:24:23,600 Speaker 2: what is the trophy? What is the prize? 485 00:24:23,960 --> 00:24:24,320 Speaker 4: I have ache? 486 00:24:24,400 --> 00:24:26,200 Speaker 2: It was a boot is there a red carpet. Should 487 00:24:26,200 --> 00:24:26,639 Speaker 2: I cover it? 488 00:24:27,600 --> 00:24:28,720 Speaker 4: Yeah, we'll find it. 489 00:24:29,440 --> 00:24:32,320 Speaker 1: But the biggest award of all came from the te 490 00:24:32,440 --> 00:24:36,080 Speaker 1: Hanno Music Awards, where Selena won Performer of the Year. 491 00:24:36,280 --> 00:24:37,920 Speaker 2: That is more like it. That is where I want 492 00:24:37,960 --> 00:24:39,240 Speaker 2: to see my girl right. 493 00:24:40,680 --> 00:24:41,760 Speaker 4: Hold on pause. 494 00:24:41,880 --> 00:24:45,600 Speaker 3: So, after years of rejections, promoter after promoter telling them 495 00:24:45,680 --> 00:24:47,800 Speaker 3: that no one wanted to hear a teen girls seeing 496 00:24:48,000 --> 00:24:52,920 Speaker 3: Tejano music, Selena turns around and wins Tehano Performer of 497 00:24:53,280 --> 00:24:56,760 Speaker 3: the Year. Imagine being one of those promoters who said, no, 498 00:24:57,200 --> 00:25:01,639 Speaker 3: big mistake, huge, it's comeback story we all want for 499 00:25:01,920 --> 00:25:03,240 Speaker 3: our selves real. 500 00:25:04,680 --> 00:25:07,520 Speaker 1: Thanks to the Tejano Music Awards, Selena was introduced to 501 00:25:07,680 --> 00:25:11,320 Speaker 1: Rick Dravigno, the founder of the award show, and Johnny Canales, 502 00:25:11,440 --> 00:25:14,680 Speaker 1: an influential radio personality in the Tejano scene. 503 00:25:15,200 --> 00:25:18,680 Speaker 3: Selena appeared on can Nada's radio show, where over time 504 00:25:18,880 --> 00:25:20,040 Speaker 3: she'd become a regular. 505 00:25:20,920 --> 00:25:23,840 Speaker 1: The following year, in nineteen eighty eight, the band dropped 506 00:25:23,880 --> 00:25:28,320 Speaker 1: two more albums, Fresciosa and Bulsemore, netting them their biggest 507 00:25:28,520 --> 00:25:29,800 Speaker 1: record sales yet. 508 00:25:30,280 --> 00:25:33,280 Speaker 3: This brought them once again to the Teuano Music Awards. 509 00:25:33,320 --> 00:25:34,520 Speaker 3: In nineteen eighty nine. 510 00:25:34,880 --> 00:25:37,880 Speaker 1: Selena again won Best Female Vocalist and her brother ab 511 00:25:38,160 --> 00:25:40,320 Speaker 1: got his first nomination as a songwriter. 512 00:25:41,119 --> 00:25:44,360 Speaker 3: But most importantly, this is where Selena Elosdinos would meet 513 00:25:44,400 --> 00:25:47,959 Speaker 3: Jose Bahar, vice president of the newly formed Latin division 514 00:25:48,040 --> 00:25:48,520 Speaker 3: of EMI. 515 00:25:49,119 --> 00:25:52,560 Speaker 1: EMI Latin was less than a year old, and coincidentally, 516 00:25:52,720 --> 00:25:55,400 Speaker 1: Selena and the band were free agents after ending their 517 00:25:55,440 --> 00:25:56,880 Speaker 1: engagement with Kara Records. 518 00:25:57,400 --> 00:25:59,920 Speaker 3: Watching Selena own the stage at the Tejano Music Award, 519 00:26:00,119 --> 00:26:03,600 Speaker 3: so Bear was convinced he had found the next Gloria Estefan. 520 00:26:04,400 --> 00:26:08,440 Speaker 1: Selena became the new record label's first signed artist, and 521 00:26:08,840 --> 00:26:10,600 Speaker 1: it was only up from there. 522 00:26:11,240 --> 00:26:12,840 Speaker 4: But that's next week. 523 00:26:13,240 --> 00:26:14,920 Speaker 2: That's right, You'll have to wait. 524 00:26:17,200 --> 00:26:17,760 Speaker 4: On the next. 525 00:26:17,880 --> 00:26:23,399 Speaker 1: Becoming an Icon, Selena finds success, love, and maybe even 526 00:26:23,840 --> 00:26:32,240 Speaker 1: a little independence. Becoming an Icon is presented by Sonoo 527 00:26:32,440 --> 00:26:36,679 Speaker 1: and Iheart's Michael Duda podcast network. Listen to Becoming an 528 00:26:36,880 --> 00:26:39,280 Speaker 1: Icon on the iHeartRadio app, Apple 529 00:26:39,320 --> 00:26:42,160 Speaker 2: Podcast, or wherever you get your podcast