1 00:00:00,120 --> 00:00:03,600 Speaker 1: Yo, it's a rap right off podcast Wilson's Beat Beat 2 00:00:03,640 --> 00:00:06,600 Speaker 1: Dot Yo. Man, I missed you, Man, I missed you too. 3 00:00:07,680 --> 00:00:11,320 Speaker 1: Water We're back two years man, it's been a long 4 00:00:11,400 --> 00:00:14,480 Speaker 1: time left you. I want to shout out all our supporters. Man, 5 00:00:14,680 --> 00:00:17,360 Speaker 1: you know they brought us back. Many the man is 6 00:00:17,400 --> 00:00:19,840 Speaker 1: still there and we're ready to get back to work. Right, 7 00:00:19,960 --> 00:00:21,960 Speaker 1: let's do it down to a t L right now, 8 00:00:22,680 --> 00:00:29,800 Speaker 1: people's man, queer bo take off? What's up? So you 9 00:00:29,880 --> 00:00:32,880 Speaker 1: let us crash your festivities like you like doing photo 10 00:00:32,920 --> 00:00:34,760 Speaker 1: shoots and stuff like. Talk about today. Man, it's a 11 00:00:34,800 --> 00:00:37,040 Speaker 1: big day for confe right yeah, right now? We know 12 00:00:37,080 --> 00:00:40,040 Speaker 1: what I'm saying. In the process of shooting the album covering, 13 00:00:40,360 --> 00:00:42,839 Speaker 1: you know, we're getting that going in. It's crazy. We 14 00:00:42,880 --> 00:00:45,000 Speaker 1: got a couple of scenes and look, dope, how was 15 00:00:45,040 --> 00:00:47,479 Speaker 1: that for you? Take off the whole shoot what I'm saying, 16 00:00:47,520 --> 00:00:48,920 Speaker 1: we put it on every time we put it on, 17 00:00:49,000 --> 00:00:51,040 Speaker 1: you know what I'm saying. So we got it on, 18 00:00:51,640 --> 00:00:53,240 Speaker 1: and these ideas we came up with, you know what 19 00:00:53,240 --> 00:00:56,520 Speaker 1: I'm saying, were aside it absolutely Why is now the 20 00:00:56,640 --> 00:01:00,080 Speaker 1: right time for I mean, just alum always been in 21 00:01:00,160 --> 00:01:03,800 Speaker 1: our mind that we wanted to do Um, we actually 22 00:01:03,880 --> 00:01:06,160 Speaker 1: had it ready like two years ago, but then we 23 00:01:06,280 --> 00:01:08,400 Speaker 1: just pushed it back for a culture three but just 24 00:01:09,000 --> 00:01:10,840 Speaker 1: the right time. And you got started as a group, 25 00:01:10,920 --> 00:01:13,840 Speaker 1: right the polo club, right, sure, Like I said, man him, 26 00:01:14,240 --> 00:01:16,720 Speaker 1: we used to record since it was fourteen, and it 27 00:01:16,800 --> 00:01:18,600 Speaker 1: was something we always wanted to do. We used to 28 00:01:18,640 --> 00:01:21,960 Speaker 1: pass our CdSe with men take on it like when 29 00:01:21,959 --> 00:01:24,880 Speaker 1: it was in eighth grade, you know, like I said, 30 00:01:24,920 --> 00:01:26,639 Speaker 1: it was just one of them, one of them dreams 31 00:01:26,680 --> 00:01:28,600 Speaker 1: on them back pocket dreams that we all just wanted 32 00:01:28,600 --> 00:01:30,280 Speaker 1: to do. Let me go back to just you know 33 00:01:30,280 --> 00:01:33,080 Speaker 1: what I'm saying, like the famous pictures, but it went 34 00:01:33,160 --> 00:01:36,400 Speaker 1: by since standhem sad the tree, right and just we 35 00:01:36,720 --> 00:01:39,200 Speaker 1: we just wanted talent shows. Just we was always you 36 00:01:39,200 --> 00:01:42,000 Speaker 1: know what I'm saying, doing something. So so my my 37 00:01:42,200 --> 00:01:44,559 Speaker 1: take on the whole like DNA of it, like you know, Quavo, 38 00:01:44,800 --> 00:01:46,640 Speaker 1: like he was in the sports a little bit of music, 39 00:01:47,040 --> 00:01:48,720 Speaker 1: I feel like, correct me if I'm wrong. I feel 40 00:01:48,760 --> 00:01:51,040 Speaker 1: like take Off like you was like the like the 41 00:01:51,160 --> 00:01:53,040 Speaker 1: push for the music ship like you was like the 42 00:01:53,160 --> 00:01:55,760 Speaker 1: energy of like I want to get into music and 43 00:01:56,840 --> 00:01:59,840 Speaker 1: like let's do it. Yeah, that's all I know, right, 44 00:02:00,240 --> 00:02:01,720 Speaker 1: What was that right for you, Like why was that? 45 00:02:02,400 --> 00:02:04,600 Speaker 1: How did you how did you equaval to like focus 46 00:02:04,760 --> 00:02:06,800 Speaker 1: because he was doing the sports, the music, all types 47 00:02:06,840 --> 00:02:08,120 Speaker 1: like and now he was focused to with you know 48 00:02:08,120 --> 00:02:10,799 Speaker 1: what I'm saying, But it's just you know what I'm saying, 49 00:02:10,840 --> 00:02:12,320 Speaker 1: just doing it, keep you saying, keep you out of 50 00:02:12,360 --> 00:02:13,679 Speaker 1: trouble first, you know what I'm saying. But it's just 51 00:02:13,880 --> 00:02:15,799 Speaker 1: what I like to do. Ain't like you know what 52 00:02:15,800 --> 00:02:17,760 Speaker 1: I'm saying to them that I'm forced to do, like 53 00:02:17,919 --> 00:02:21,440 Speaker 1: forced doing. It's like he's just you know it too, 54 00:02:21,800 --> 00:02:24,639 Speaker 1: Like he knew every song from talking about him. Yeah, 55 00:02:24,720 --> 00:02:27,640 Speaker 1: one of them Takeoffs influences because we were viewing as 56 00:02:27,720 --> 00:02:30,799 Speaker 1: like the karaokes in my room, like you don't be No, 57 00:02:31,200 --> 00:02:33,360 Speaker 1: it ain't no better in the room. But it feels 58 00:02:33,360 --> 00:02:35,120 Speaker 1: like it's at Coachell and I'm coming out to closet. 59 00:02:36,440 --> 00:02:38,960 Speaker 1: I got like a little superstar line up man coming 60 00:02:38,960 --> 00:02:40,600 Speaker 1: out there. Dog, But does anybody get man when we 61 00:02:40,639 --> 00:02:42,720 Speaker 1: say take Off might be the strongest rapper out of 62 00:02:42,720 --> 00:02:44,880 Speaker 1: the me goos? Is that is that anything? You know? 63 00:02:45,000 --> 00:02:47,480 Speaker 1: Does anybody catching feelings about that? It's like he's a 64 00:02:47,520 --> 00:02:50,120 Speaker 1: different DNA in terms of like rapper right in terms 65 00:02:50,160 --> 00:02:52,680 Speaker 1: of how you approaches things. Definitely, I feel like he's hard. 66 00:02:52,760 --> 00:02:55,400 Speaker 1: He's definitely hard, you know what I'm saying, all of 67 00:02:55,520 --> 00:02:58,679 Speaker 1: us the hardest and in some type of shape or form. 68 00:02:58,919 --> 00:03:02,920 Speaker 1: And like I said, that was his dream, I feel 69 00:03:03,000 --> 00:03:07,120 Speaker 1: like it was my dream too. But I just feel 70 00:03:07,160 --> 00:03:10,400 Speaker 1: like my dream was playing sports man, you know, football 71 00:03:10,480 --> 00:03:15,800 Speaker 1: and basketball until I figured out what specially, we'll get 72 00:03:15,880 --> 00:03:18,400 Speaker 1: put up by the police. And he was thirteen years 73 00:03:18,440 --> 00:03:22,560 Speaker 1: old saying he'll rapping. I used to just laugh at 74 00:03:22,639 --> 00:03:24,639 Speaker 1: us and ship and I think we were going to 75 00:03:24,680 --> 00:03:27,760 Speaker 1: go to jail where he always had that dream. And 76 00:03:27,800 --> 00:03:29,560 Speaker 1: like I said, used to get in trouble for just 77 00:03:30,040 --> 00:03:36,280 Speaker 1: wrapping theirs front the back, cussing like a mother. What 78 00:03:36,480 --> 00:03:37,920 Speaker 1: was in form with you so much that you felt 79 00:03:37,920 --> 00:03:40,160 Speaker 1: like hip hop with your calling? Like what what connected 80 00:03:40,240 --> 00:03:43,080 Speaker 1: to you? That was just the way they know I'm saying, 81 00:03:43,120 --> 00:03:45,480 Speaker 1: the music sounds good the way they look, you know 82 00:03:45,480 --> 00:03:48,720 Speaker 1: what I'm saying, Uh, I don't know, just something bad 83 00:03:48,840 --> 00:03:52,640 Speaker 1: music made me feel good. Yeah, it just don't know 84 00:03:53,320 --> 00:03:57,640 Speaker 1: ran that soul with any artists that particularly connected to you, 85 00:03:57,800 --> 00:04:00,360 Speaker 1: Like y'all want to be a star like that rapper 86 00:04:00,440 --> 00:04:02,680 Speaker 1: or that MC or like was anybody you saw as 87 00:04:02,760 --> 00:04:11,080 Speaker 1: like an influence. Yeah, little yeah, little weisy, okay more 88 00:04:11,160 --> 00:04:13,800 Speaker 1: the southern MC's right, Yeah, I don't want to like 89 00:04:13,840 --> 00:04:15,880 Speaker 1: the technician he said, you wanted to wrap out, make 90 00:04:15,920 --> 00:04:18,240 Speaker 1: it happen. Get the microphone they lit on the wall, 91 00:04:19,360 --> 00:04:21,200 Speaker 1: Get a computer. You know what I'm saying. Put the 92 00:04:21,240 --> 00:04:23,560 Speaker 1: sock over three old time you tell him he can't 93 00:04:23,600 --> 00:04:27,080 Speaker 1: do something. I'm always somewhere just rigging up something to 94 00:04:27,160 --> 00:04:29,720 Speaker 1: make it look good, right on my job. Do you 95 00:04:29,800 --> 00:04:32,160 Speaker 1: still do you guys still have those early recordings when 96 00:04:32,160 --> 00:04:33,720 Speaker 1: you were like in the polo club we got you know, 97 00:04:33,760 --> 00:04:37,000 Speaker 1: we got some of them on his mom and computer computer. 98 00:04:37,560 --> 00:04:39,840 Speaker 1: Still still got a computer. Were you guys rapping like that? 99 00:04:40,000 --> 00:04:43,000 Speaker 1: Or like the flows improved the flow coaches got up. 100 00:04:45,160 --> 00:04:48,760 Speaker 1: You know what I'm saying. We was heavily influence. So 101 00:04:48,839 --> 00:04:53,080 Speaker 1: you hear something some of the influencing Atlanta influence. And 102 00:04:53,200 --> 00:04:56,120 Speaker 1: then once we find out on style, it's like it 103 00:04:56,240 --> 00:04:58,280 Speaker 1: was it was off to the racist right. Yeah what 104 00:04:58,320 --> 00:04:59,920 Speaker 1: I'm saying. You know, we used to seeing you guys 105 00:05:00,000 --> 00:05:02,200 Speaker 1: is a trio. Now it's a duo. Like what's the 106 00:05:02,240 --> 00:05:05,520 Speaker 1: creative process? Like you know, working together in tandem we're 107 00:05:05,520 --> 00:05:07,400 Speaker 1: bouncing off each other like I mean, it's just the 108 00:05:07,520 --> 00:05:10,000 Speaker 1: chemistry they've been in some day once, so we're just 109 00:05:10,760 --> 00:05:13,880 Speaker 1: you know, we easily bounce off ms saying it was 110 00:05:13,880 --> 00:05:18,680 Speaker 1: recording the same um. We always normally record by our said, 111 00:05:18,720 --> 00:05:21,320 Speaker 1: because we're so crazy on just dropping new ship on 112 00:05:21,400 --> 00:05:23,960 Speaker 1: each other. And so when you go out and record 113 00:05:24,000 --> 00:05:25,560 Speaker 1: by yourself, I can't wait to see coming back and 114 00:05:25,600 --> 00:05:28,800 Speaker 1: just bring some ships. And that's how you're doing impress 115 00:05:28,839 --> 00:05:31,600 Speaker 1: each other sometimes and then time to go in. So 116 00:05:31,800 --> 00:05:34,800 Speaker 1: it's just and ain't never know crazy feeling on. Like 117 00:05:35,160 --> 00:05:37,480 Speaker 1: I feel like we made the best music of course 118 00:05:37,560 --> 00:05:40,479 Speaker 1: in the studio together because like even if we say, 119 00:05:40,560 --> 00:05:42,760 Speaker 1: like a bad bar barter don't work, we'll say don't 120 00:05:42,760 --> 00:05:45,320 Speaker 1: work or change it up and do something. But as 121 00:05:45,360 --> 00:05:48,839 Speaker 1: far as like sending the studio recording, I can't wait 122 00:05:48,920 --> 00:05:51,400 Speaker 1: to bring some new music to take on because you 123 00:05:51,440 --> 00:05:55,000 Speaker 1: want to impress each other, right, like the energy, yeah yeah, yeah, 124 00:05:55,000 --> 00:05:57,600 Speaker 1: that's energy. Like even back when I used to call you, 125 00:05:57,640 --> 00:05:58,880 Speaker 1: when I used to be doing something, I called you 126 00:05:58,880 --> 00:06:00,760 Speaker 1: over the phone with you or something. For sure, I 127 00:06:00,800 --> 00:06:02,200 Speaker 1: don't want to wait till I get to him. I 128 00:06:02,279 --> 00:06:04,160 Speaker 1: just can't wait. So I had to call him, so 129 00:06:04,279 --> 00:06:06,440 Speaker 1: jump ahead. I remember with even Avalanche, like I remember 130 00:06:06,480 --> 00:06:08,800 Speaker 1: when that came out, which was dope because you guys 131 00:06:08,800 --> 00:06:10,480 Speaker 1: flipped the pop was the Rolling Stone, which is a 132 00:06:10,560 --> 00:06:13,480 Speaker 1: classic takeoff verse. I think I had a different energy 133 00:06:13,520 --> 00:06:15,840 Speaker 1: and I remember I ripped it on Twitter and like 134 00:06:15,920 --> 00:06:17,720 Speaker 1: that got like a million follows, like it was a 135 00:06:17,880 --> 00:06:20,560 Speaker 1: million likes out the gate. It's just like, you know 136 00:06:20,600 --> 00:06:21,920 Speaker 1: what I'm saying, Like do you feel like when you're 137 00:06:21,920 --> 00:06:23,839 Speaker 1: doing stuff like that, you're trying to impress your brothers? 138 00:06:23,960 --> 00:06:27,800 Speaker 1: Like my verses like I'm in a pocket and ship, 139 00:06:27,920 --> 00:06:29,920 Speaker 1: yeah we're going there. I mean, yeah, of course, I 140 00:06:30,000 --> 00:06:34,720 Speaker 1: mean we're going there. It's like competition, friendly competition. If 141 00:06:34,760 --> 00:06:36,880 Speaker 1: I do here verse, you know what I'm going there. 142 00:06:37,040 --> 00:06:38,600 Speaker 1: It's like, you know what I'm saying to do what 143 00:06:38,640 --> 00:06:43,840 Speaker 1: I do. But I'm just I got because when you 144 00:06:44,040 --> 00:06:48,200 Speaker 1: like a freestyle, freestyle like remember like you know Kevin Durant, 145 00:06:48,520 --> 00:06:51,200 Speaker 1: like your style, your your verse, but like when you 146 00:06:51,279 --> 00:06:53,800 Speaker 1: watched the via, like who did who did Kevin Durant 147 00:06:56,720 --> 00:06:59,520 Speaker 1: take off that guy with that verse? No, but when 148 00:06:59,520 --> 00:07:02,120 Speaker 1: you watch when you guys do freestyles, like like you know, 149 00:07:02,200 --> 00:07:04,599 Speaker 1: the old school hip hop treacherous, free, like that type 150 00:07:04,600 --> 00:07:06,920 Speaker 1: of ship. They'd have routines where they play off each other, 151 00:07:07,000 --> 00:07:09,640 Speaker 1: Like what makes you guys unique? What all said? It's 152 00:07:09,680 --> 00:07:11,880 Speaker 1: like how you can like build off each other with 153 00:07:12,120 --> 00:07:14,160 Speaker 1: rhymes and the whole rhythm of how you do things, 154 00:07:14,240 --> 00:07:16,520 Speaker 1: Like you think this came from repetition of how you 155 00:07:16,680 --> 00:07:19,000 Speaker 1: was working together in the band or and building that. Yeah, 156 00:07:19,080 --> 00:07:21,360 Speaker 1: more definitely came from recording. You know what I'm saying. 157 00:07:21,400 --> 00:07:23,120 Speaker 1: If we had a shipped verse would tell each other 158 00:07:23,680 --> 00:07:27,040 Speaker 1: the verse ain't nothing, No, we're just deleted or come 159 00:07:27,080 --> 00:07:34,200 Speaker 1: back and your verse gone right? So can I ask 160 00:07:34,240 --> 00:07:36,480 Speaker 1: you respectfully? Because it became a whole moment of bad 161 00:07:36,520 --> 00:07:39,040 Speaker 1: and bochs, like was it something about bad? Why you 162 00:07:39,040 --> 00:07:40,600 Speaker 1: don't want to wrap on that beat? Like why wasn't 163 00:07:40,640 --> 00:07:43,640 Speaker 1: you on that song when it came out? Ultimately, Yeah, 164 00:07:43,680 --> 00:07:46,680 Speaker 1: I just think I was just trying to get something out. 165 00:07:46,960 --> 00:07:50,560 Speaker 1: Was actually piste off because we have no music out. 166 00:07:50,640 --> 00:07:52,720 Speaker 1: I think like a couple of months before that whole 167 00:07:52,800 --> 00:07:55,120 Speaker 1: little wave and what was going through the litigation with 168 00:07:55,200 --> 00:07:58,040 Speaker 1: three hundreds, So we ended up leaking. We ended up 169 00:07:58,080 --> 00:08:01,960 Speaker 1: leaking Bad and Bouge on Soundclub first. You know what 170 00:08:02,000 --> 00:08:04,160 Speaker 1: I'm saying, Ship, I won't even to be on it. 171 00:08:05,000 --> 00:08:07,960 Speaker 1: It was gonna be. It was gonna be Idea. I 172 00:08:08,040 --> 00:08:10,960 Speaker 1: had to do my verse like on some quick fast 173 00:08:11,240 --> 00:08:13,520 Speaker 1: and a rush Ship. So just like everybody running to 174 00:08:13,600 --> 00:08:15,400 Speaker 1: the song and trying to get it done right. Yeah, 175 00:08:15,440 --> 00:08:17,760 Speaker 1: but I was handing my tanner like that's only you 176 00:08:17,920 --> 00:08:20,000 Speaker 1: and take on that one. Yeah, that was just like 177 00:08:21,040 --> 00:08:24,280 Speaker 1: we did because he was going away jail. Yeah, you 178 00:08:24,360 --> 00:08:26,080 Speaker 1: don't realize that, like, and I think that was the 179 00:08:26,120 --> 00:08:27,680 Speaker 1: key thing because I thought when people were starting to 180 00:08:27,720 --> 00:08:30,240 Speaker 1: doubt me, goes like you came with that fight Night 181 00:08:30,440 --> 00:08:32,280 Speaker 1: and your hook and you're a friend with that, Like 182 00:08:32,400 --> 00:08:34,439 Speaker 1: that was a whole different energy like that, just like, 183 00:08:35,160 --> 00:08:40,360 Speaker 1: oh Ship, like these guys crazy on the hook? What 184 00:08:40,520 --> 00:08:43,360 Speaker 1: was his on that you never remember putting together? Fight Night? 185 00:08:43,840 --> 00:08:46,960 Speaker 1: He was in the studio downstairs in the basement at 186 00:08:46,960 --> 00:08:48,880 Speaker 1: the house, and that was the first little migo matching 187 00:08:48,960 --> 00:08:51,199 Speaker 1: what we was on. Noisy, I ain't got in trouble 188 00:08:51,280 --> 00:08:55,320 Speaker 1: by that ship. Yeah, so we did. We were down 189 00:08:55,400 --> 00:08:58,400 Speaker 1: there recording and we were just trying to come up 190 00:08:58,400 --> 00:09:00,880 Speaker 1: with something crazy with the beat. We be going through 191 00:09:00,920 --> 00:09:03,880 Speaker 1: beat so that the beat had to come on and 192 00:09:04,200 --> 00:09:07,440 Speaker 1: take our start with Bronist to the Love to the Right, 193 00:09:08,520 --> 00:09:15,880 Speaker 1: it was. It was that how it happened. That's exactly 194 00:09:16,000 --> 00:09:19,120 Speaker 1: I moved downstairs in the basement. We're trying to figure 195 00:09:19,160 --> 00:09:21,079 Speaker 1: out how to hear who's gonna do something with it? 196 00:09:21,200 --> 00:09:23,559 Speaker 1: Be a matter of fact, I think I think I 197 00:09:23,679 --> 00:09:26,920 Speaker 1: wanted then cut that cut quite night and I said, hell, no, 198 00:09:26,960 --> 00:09:28,520 Speaker 1: I don't sound right with my voice. You need to 199 00:09:28,559 --> 00:09:32,120 Speaker 1: say it. That what it was. He want crazy? That 200 00:09:32,280 --> 00:09:34,560 Speaker 1: what it was, But you go crazy, sake, That's exactly 201 00:09:34,600 --> 00:09:36,719 Speaker 1: what it was. You know, I'm always going crazy, So 202 00:09:39,800 --> 00:09:42,000 Speaker 1: beat the beat proud. I know I had to come 203 00:09:42,080 --> 00:09:44,599 Speaker 1: with it. Absolutely. You guys are coming with it, you know, 204 00:09:44,720 --> 00:09:47,240 Speaker 1: with these singles, and obviously I'm confused. Seems like a 205 00:09:47,280 --> 00:09:49,280 Speaker 1: passion project that you guys have for a long time. 206 00:09:49,360 --> 00:09:52,800 Speaker 1: And obviously Officer it's not, you know, part of this situation, 207 00:09:52,880 --> 00:09:55,160 Speaker 1: but like what those conversations difficult to happen with him 208 00:09:55,320 --> 00:09:58,080 Speaker 1: when you guys decided to do this. Not too much really, 209 00:09:58,080 --> 00:09:59,959 Speaker 1: because at the end of the day, once we want 210 00:10:00,000 --> 00:10:01,760 Speaker 1: to do two records, if you want to do a 211 00:10:01,800 --> 00:10:04,319 Speaker 1: record with Man take regardless of anything going on or not, 212 00:10:04,679 --> 00:10:07,520 Speaker 1: we're gonna still put it out. Really, let's together, not 213 00:10:08,000 --> 00:10:10,600 Speaker 1: why you decided to drop Hotel Lobby is the first 214 00:10:10,640 --> 00:10:13,880 Speaker 1: single um that wasn't again another record that we was 215 00:10:13,920 --> 00:10:18,120 Speaker 1: gonna put out. Can we have another Sitteam Passenger five 216 00:10:18,760 --> 00:10:21,319 Speaker 1: break do take off? Please break that line down for everybody. 217 00:10:21,679 --> 00:10:25,079 Speaker 1: We gotta get to that level with you. Wet it down. 218 00:10:25,200 --> 00:10:26,720 Speaker 1: You just got my minds up. You know what I'm saying. 219 00:10:27,280 --> 00:10:29,240 Speaker 1: Not debts, you know what I'm saying. It's a private jet, 220 00:10:30,120 --> 00:10:31,400 Speaker 1: no offense. You know what I'm saying. So when you 221 00:10:31,440 --> 00:10:33,400 Speaker 1: fly a lot, that's a difference. I'm just telling you. 222 00:10:33,440 --> 00:10:36,400 Speaker 1: We were tapping other SIT Team passengers that day and 223 00:10:36,960 --> 00:10:38,880 Speaker 1: it's a G five is not a challenger. It's a 224 00:10:38,960 --> 00:10:45,760 Speaker 1: difference living your life, living your wraps. Yeah, so I'll 225 00:10:45,800 --> 00:10:47,120 Speaker 1: just put you down on a game if you didn't 226 00:10:47,120 --> 00:10:49,120 Speaker 1: know about the private jet line. I love that record 227 00:10:49,200 --> 00:10:51,439 Speaker 1: so much, but the only probably so short, like I 228 00:10:51,559 --> 00:10:54,640 Speaker 1: keep running to get back. You want more, like so far, 229 00:10:54,760 --> 00:10:58,280 Speaker 1: you want some more? I gotta be up. But quite 230 00:10:58,280 --> 00:10:59,840 Speaker 1: it felt like you have real fun with the video, 231 00:11:00,080 --> 00:11:02,360 Speaker 1: the whole fear and loathing in Las Vegas theme, Like 232 00:11:02,920 --> 00:11:04,720 Speaker 1: what made you decided that just kind of have super 233 00:11:04,880 --> 00:11:07,439 Speaker 1: like fun with it? We've been definitely inspired by the 234 00:11:08,040 --> 00:11:12,480 Speaker 1: feeling Las Vegas. We watched that movie one time in 235 00:11:12,559 --> 00:11:18,040 Speaker 1: a great space and we have fun watching it, and 236 00:11:18,080 --> 00:11:21,439 Speaker 1: I think we I thought we should recreate it. Takes it, 237 00:11:21,600 --> 00:11:25,080 Speaker 1: let's recreate it. And you directed the video too, Yeah, man, keepmotion, 238 00:11:25,160 --> 00:11:28,280 Speaker 1: man kem motion? Did us versus them? Um record too? 239 00:11:29,120 --> 00:11:30,880 Speaker 1: You know, we're just trying to you know, we always 240 00:11:30,880 --> 00:11:33,199 Speaker 1: go crazy with the videos and I'm just trying to 241 00:11:33,240 --> 00:11:38,400 Speaker 1: shine light on the hunch your films. So we feel 242 00:11:38,400 --> 00:11:40,480 Speaker 1: like sometimes the hunt your films is not be given 243 00:11:40,559 --> 00:11:42,599 Speaker 1: the proper You're in the movie space. You know what 244 00:11:42,640 --> 00:11:44,559 Speaker 1: I'm saying, something drop and hunt your fan everything and 245 00:11:44,679 --> 00:11:47,280 Speaker 1: dropped on the camera, on the camera, on the lens, 246 00:11:47,320 --> 00:11:49,760 Speaker 1: going on, hunt your fans. You did hunt you like 247 00:11:49,800 --> 00:11:51,600 Speaker 1: active extraying the man. I can't keep you all. See 248 00:11:51,640 --> 00:11:55,080 Speaker 1: what John Travolta stepping into Robins de nero. I can't 249 00:11:55,160 --> 00:11:57,320 Speaker 1: keep up with the acting. I can't. I can't keep 250 00:11:57,400 --> 00:11:59,880 Speaker 1: up what's going on? Can give us a brief breakdown. 251 00:12:00,080 --> 00:12:03,319 Speaker 1: What's going on with you? Is like the actor. I'm 252 00:12:03,400 --> 00:12:05,319 Speaker 1: just trying to keep my hand in all type of bowls. 253 00:12:05,400 --> 00:12:09,120 Speaker 1: You know, That's all I need. I just need it 254 00:12:09,240 --> 00:12:11,720 Speaker 1: on their thing. You're working with John Travolta this movie 255 00:12:11,800 --> 00:12:14,760 Speaker 1: Cash All right, what's your rolling that? Um, I'm just 256 00:12:14,960 --> 00:12:19,520 Speaker 1: robbing ship, you know, up, holding ship up? You know 257 00:12:19,520 --> 00:12:22,319 Speaker 1: what I mean? But Anton with a gun, that's it? 258 00:12:22,720 --> 00:12:25,040 Speaker 1: And what's the water boys? I mean water boys? What's 259 00:12:25,240 --> 00:12:28,240 Speaker 1: water boys? That's another one. You know they called me 260 00:12:28,400 --> 00:12:31,760 Speaker 1: Young Bishop from Juice. You know I'm comorable like taking 261 00:12:31,840 --> 00:12:34,240 Speaker 1: waters taking everything. You got to pay for my block. 262 00:12:34,280 --> 00:12:36,079 Speaker 1: You gotta pay for this block. I'm running around, sit 263 00:12:36,200 --> 00:12:39,600 Speaker 1: up and around all hoods in every hood every time. Yeah, 264 00:12:39,640 --> 00:12:43,360 Speaker 1: that's me and Robert DeNiro something Robert DeNiro exactly, Rob 265 00:12:43,440 --> 00:12:48,040 Speaker 1: DeNiro another game from me. Look now right now, I'm 266 00:12:48,080 --> 00:12:51,120 Speaker 1: actually the plug. You know, Robert DeNiro, he actually working 267 00:12:51,160 --> 00:12:54,599 Speaker 1: for me. You know what I'm saying. You know he 268 00:12:54,640 --> 00:12:56,719 Speaker 1: didn't inform what he the police, so you know what, 269 00:12:56,960 --> 00:12:59,240 Speaker 1: I got him working for me? Right, So to take? 270 00:12:59,320 --> 00:13:01,040 Speaker 1: How do you feel want be showing up? Man? Like 271 00:13:01,240 --> 00:13:03,839 Speaker 1: you just inspire you to step out more like? You 272 00:13:03,880 --> 00:13:05,360 Speaker 1: know what I'm saying for the show, you know, I mean, 273 00:13:05,400 --> 00:13:08,400 Speaker 1: I'm gonna watch them for God and everything you do. 274 00:13:08,960 --> 00:13:10,640 Speaker 1: I'm put him in the move. I got another movie 275 00:13:10,679 --> 00:13:12,959 Speaker 1: called Take over, you know what I'm starting, and then 276 00:13:13,040 --> 00:13:18,480 Speaker 1: my boy take over here if they take over, take 277 00:13:18,559 --> 00:13:23,199 Speaker 1: coming on over. You know he said't come to a 278 00:13:23,240 --> 00:13:25,840 Speaker 1: big screen there you right? Also, you never know you're 279 00:13:25,840 --> 00:13:28,360 Speaker 1: what I'm saying, so you never know what I'm Yeah, 280 00:13:29,679 --> 00:13:32,000 Speaker 1: shout out quite shot you out, like happy birthday. Take. 281 00:13:32,040 --> 00:13:36,199 Speaker 1: It's like we say, you like the most quietest, coldest 282 00:13:36,320 --> 00:13:40,600 Speaker 1: dangerous man on the planet. I think you love that, right, take? 283 00:13:40,720 --> 00:13:42,480 Speaker 1: Like why why do you love being the most quiet 284 00:13:42,559 --> 00:13:44,959 Speaker 1: coldest dangerous man on the planet. They don't know what 285 00:13:45,080 --> 00:13:52,120 Speaker 1: they'respect They treat your respect and I mean, yeah, you 286 00:13:52,280 --> 00:13:53,640 Speaker 1: ain't gonna play with you. Not real that I ain't 287 00:13:53,640 --> 00:13:55,920 Speaker 1: gonna play with your cray They're just going what I'm saying, 288 00:13:55,960 --> 00:13:57,600 Speaker 1: treat you like you know what I'm saying, treat you're 289 00:13:57,600 --> 00:14:00,120 Speaker 1: supposed to be treated. Absolutely, you treat you be too 290 00:14:00,200 --> 00:14:03,400 Speaker 1: friends with people. You treat us with this records man 291 00:14:03,559 --> 00:14:06,400 Speaker 1: like us versus them. Come on, I'm gonna treat you 292 00:14:06,480 --> 00:14:12,360 Speaker 1: every time. Not for shure, No, I'm on it. Why 293 00:14:12,440 --> 00:14:13,959 Speaker 1: was that the next move? And like why was that 294 00:14:14,040 --> 00:14:16,520 Speaker 1: the next song? And how the Gucci main getting involved? 295 00:14:16,559 --> 00:14:20,400 Speaker 1: Like always that's how it came about. What I'm saying, 296 00:14:20,560 --> 00:14:25,280 Speaker 1: who's them? You know saying whatever? You know that that 297 00:14:25,400 --> 00:14:27,120 Speaker 1: battle you woke up to, you know what saying you 298 00:14:27,160 --> 00:14:28,720 Speaker 1: woke up that morning and trying to figure it out 299 00:14:28,760 --> 00:14:30,680 Speaker 1: and trying to battle it and then know how you're 300 00:14:30,680 --> 00:14:32,520 Speaker 1: gonna get the money or you're going through something, you're 301 00:14:32,520 --> 00:14:35,200 Speaker 1: battling with something, get what on? Which is versus them? 302 00:14:35,280 --> 00:14:37,560 Speaker 1: You know what I mean, battling counsel or something you 303 00:14:37,680 --> 00:14:41,920 Speaker 1: can't figure it out? We which is us versus counsel? Hey, 304 00:14:42,280 --> 00:14:43,720 Speaker 1: you know what I'm saying, you can't get no money? 305 00:14:43,760 --> 00:14:44,960 Speaker 1: You know what I mean. You're trying to figure it 306 00:14:45,000 --> 00:14:46,320 Speaker 1: out and you're trying to you know what I mean, 307 00:14:46,360 --> 00:14:47,960 Speaker 1: you're trying to get your life up or trying to 308 00:14:48,040 --> 00:14:51,160 Speaker 1: go you know, suicide. No, so we don't do that. 309 00:14:51,280 --> 00:14:55,560 Speaker 1: It's us against the world's ups against evil. But why 310 00:14:55,600 --> 00:14:58,280 Speaker 1: do you think all the success you've had, it's almost 311 00:14:58,360 --> 00:15:00,840 Speaker 1: like you want to make this for about kind of 312 00:15:00,920 --> 00:15:03,520 Speaker 1: bowling adversity, Like like is the people out are still 313 00:15:04,280 --> 00:15:06,680 Speaker 1: fronting or like it's it's still like, you know, levels 314 00:15:06,720 --> 00:15:08,240 Speaker 1: you still want to get at. Like when you say 315 00:15:08,280 --> 00:15:12,800 Speaker 1: that what is tru fan If you think you're back 316 00:15:12,800 --> 00:15:15,520 Speaker 1: against the wall against the other fans. It's us versus 317 00:15:15,560 --> 00:15:18,280 Speaker 1: new you know what I'm saying. It's always a versus 318 00:15:18,320 --> 00:15:20,640 Speaker 1: demo matter what you do, just like it's a lot 319 00:15:20,680 --> 00:15:22,120 Speaker 1: of great and a lot of you know what I'm saying, 320 00:15:22,120 --> 00:15:23,720 Speaker 1: a lot of great artists. They always gonna put you 321 00:15:23,840 --> 00:15:26,680 Speaker 1: up against somebody and saying who does what I'm saying, 322 00:15:27,040 --> 00:15:29,520 Speaker 1: this person better than what's the that or so and 323 00:15:29,600 --> 00:15:31,960 Speaker 1: so better that if you're a group, just pers better. 324 00:15:32,000 --> 00:15:35,240 Speaker 1: It's just since versus you know, it's crazy. It's like, 325 00:15:35,360 --> 00:15:37,360 Speaker 1: I know you make it clear and it's a fair 326 00:15:37,480 --> 00:15:39,480 Speaker 1: argument to say megos is the greatest group. But even 327 00:15:39,520 --> 00:15:41,400 Speaker 1: if you don't want to say that, well you have 328 00:15:41,520 --> 00:15:44,400 Speaker 1: to say clearly is that you're like the last greade group, 329 00:15:44,600 --> 00:15:47,200 Speaker 1: right Like you guys killed the last standard of it, 330 00:15:47,320 --> 00:15:49,440 Speaker 1: right Like if I'm if I'm in seventy one growing 331 00:15:49,480 --> 00:15:51,200 Speaker 1: up in the eighties, run the MC is like the 332 00:15:51,760 --> 00:15:54,320 Speaker 1: the group it ends with the mego's, Like there's never 333 00:15:54,400 --> 00:15:56,960 Speaker 1: been a great group since you guys, so matter what, 334 00:15:57,080 --> 00:15:58,840 Speaker 1: you're like the last grade group. Like what does that 335 00:15:58,920 --> 00:16:00,440 Speaker 1: mean to you all? To build this sort of like 336 00:16:01,160 --> 00:16:04,360 Speaker 1: legacy of that standard of what you guys do? You 337 00:16:04,400 --> 00:16:06,120 Speaker 1: know what I'm saying, we've been doing it for teen years. 338 00:16:06,360 --> 00:16:10,480 Speaker 1: It's a blessing. You know, it's time to it's time 339 00:16:10,520 --> 00:16:14,480 Speaker 1: to go even beyond to infinity. You know, trying to 340 00:16:14,520 --> 00:16:18,160 Speaker 1: go to the moon. You know that was that was 341 00:16:18,240 --> 00:16:20,120 Speaker 1: the breakthrough. You ever seen a rocket, you know, and 342 00:16:20,280 --> 00:16:24,800 Speaker 1: just looking at it and as it goes, I'm saying, 343 00:16:24,800 --> 00:16:26,800 Speaker 1: that breaks those little parts off and then they keep 344 00:16:26,840 --> 00:16:29,600 Speaker 1: going in the act, got going straight. We're going past 345 00:16:30,120 --> 00:16:31,920 Speaker 1: you know what I'm saying. We already took you to Jupiter. 346 00:16:32,000 --> 00:16:34,000 Speaker 1: Now we're trying to go to the Mars with this ship. 347 00:16:39,360 --> 00:16:46,200 Speaker 1: I love to quit. You keep drinking. He definitely, I 348 00:16:46,320 --> 00:16:48,160 Speaker 1: just paid one to go out of space. And you 349 00:16:48,200 --> 00:16:52,080 Speaker 1: know what I'm saying, look it up. What you do 350 00:16:52,360 --> 00:16:54,640 Speaker 1: is like, why are you being at every sporting event 351 00:16:54,760 --> 00:16:56,560 Speaker 1: the planet? I can't keep up with you. Man, I 352 00:16:56,640 --> 00:16:59,360 Speaker 1: got a time machine. I'm saying, you'd be every sports 353 00:16:59,400 --> 00:17:01,880 Speaker 1: fucking thing, like, so I need something like highlights, like 354 00:17:01,960 --> 00:17:05,120 Speaker 1: what's some of the things you've seen sports wise? It's 355 00:17:05,160 --> 00:17:08,920 Speaker 1: like like sports witness. You be at every All Star game, 356 00:17:09,119 --> 00:17:11,639 Speaker 1: every Super Bowl. Yeah, I got like I got like 357 00:17:11,840 --> 00:17:14,960 Speaker 1: three of mine. Give me the first one got to 358 00:17:15,000 --> 00:17:18,040 Speaker 1: be when Kobe pulled up on us in um l 359 00:17:18,119 --> 00:17:22,480 Speaker 1: A and we met. G right, Yes, that's got to 360 00:17:22,520 --> 00:17:28,080 Speaker 1: be the first one, alright, Kobe history, um the All 361 00:17:28,119 --> 00:17:30,680 Speaker 1: Star Game when you when you see Lebron and um 362 00:17:31,520 --> 00:17:34,440 Speaker 1: is it Yannis or who are you facing off? Things? 363 00:17:34,520 --> 00:17:37,119 Speaker 1: Lebron and Yannis? And then you see the picture and 364 00:17:37,200 --> 00:17:41,600 Speaker 1: I'm in the back that one. That one crazy. And 365 00:17:41,720 --> 00:17:44,440 Speaker 1: then the third moment when there bought ice trade. You 366 00:17:44,520 --> 00:17:46,280 Speaker 1: know what I'm saying. We set them folks on fire 367 00:17:46,359 --> 00:17:51,200 Speaker 1: all playoffs and knowledge game. That'shi guy that took them 368 00:17:51,440 --> 00:17:53,320 Speaker 1: was off and feeling meet Milly had to pay me 369 00:17:53,440 --> 00:17:56,120 Speaker 1: cash and and stuff, and then Mike room and try 370 00:17:56,119 --> 00:17:57,240 Speaker 1: to leave me on the jet and then try to 371 00:17:57,240 --> 00:17:59,320 Speaker 1: give me a ride back to Atlanta. They gotta be crazy. 372 00:17:59,440 --> 00:18:04,639 Speaker 1: Oh yeah, they did me dirty and feeling. They almost 373 00:18:04,720 --> 00:18:07,480 Speaker 1: left me. Did you trying to leave you now? J Bush? 374 00:18:07,640 --> 00:18:10,440 Speaker 1: But they did try to leave me though. That trade, 375 00:18:10,640 --> 00:18:14,040 Speaker 1: your boy trade did break us NIXT down to the 376 00:18:14,520 --> 00:18:16,280 Speaker 1: wrote them down. I wanted there though, I'm glad I 377 00:18:16,320 --> 00:18:19,760 Speaker 1: wanted to match. I probably got the fighting in there. 378 00:18:19,880 --> 00:18:22,359 Speaker 1: And they're crazy. On the music front though, guys, you know, 379 00:18:22,800 --> 00:18:24,920 Speaker 1: we did this really good interview with g Q and 380 00:18:25,000 --> 00:18:26,800 Speaker 1: I saw that you said that. You know, we're all growing, 381 00:18:26,880 --> 00:18:28,480 Speaker 1: but it feel like the world doesn't really know more 382 00:18:28,520 --> 00:18:30,920 Speaker 1: about you. Like what do we not know about you 383 00:18:31,000 --> 00:18:34,879 Speaker 1: so far? Um, y'all just we're probably missing just the 384 00:18:35,000 --> 00:18:37,560 Speaker 1: origin of the family. You know what I'm saying, Um, 385 00:18:38,640 --> 00:18:41,000 Speaker 1: where it started, where it came from, how we cracked 386 00:18:41,040 --> 00:18:43,800 Speaker 1: the loudtop open, how we engineer on, how we produce, 387 00:18:43,960 --> 00:18:46,560 Speaker 1: how we started this jury game, how we started to flow. 388 00:18:47,040 --> 00:18:48,600 Speaker 1: You know what I'm saying. It's been, it's been, It's 389 00:18:48,600 --> 00:18:51,520 Speaker 1: been a ten piece. It's trying to re educate. I 390 00:18:51,600 --> 00:18:57,000 Speaker 1: feel like every decade, every nine, every years, you gotta 391 00:18:57,200 --> 00:18:59,680 Speaker 1: you gotta, you gotta re educate people. And the young 392 00:18:59,760 --> 00:19:01,680 Speaker 1: one is on what's going on? You feel on saying, 393 00:19:01,800 --> 00:19:04,400 Speaker 1: So that's what we are, that's gonna say. It's interesting 394 00:19:04,440 --> 00:19:07,720 Speaker 1: you say that because on your debut on Equable Hancho, 395 00:19:07,960 --> 00:19:09,680 Speaker 1: like the first line you said, one of the first 396 00:19:09,720 --> 00:19:11,879 Speaker 1: lines you say, like the most influential since you dropped 397 00:19:13,080 --> 00:19:17,359 Speaker 1: you dude, since that first it was, and we got 398 00:19:17,440 --> 00:19:20,080 Speaker 1: to go back to that. We're showing them everything, you 399 00:19:20,119 --> 00:19:21,800 Speaker 1: know what I'm saying, and taking it back to them 400 00:19:22,240 --> 00:19:30,120 Speaker 1: from from I think to me. We were talking about 401 00:19:30,119 --> 00:19:32,680 Speaker 1: it was going back and listen to like your solo record, 402 00:19:32,760 --> 00:19:35,560 Speaker 1: Takeoff solo record. I feel like it wasn't appreciated enough. 403 00:19:35,600 --> 00:19:36,879 Speaker 1: When you go back and listen to it, it's like 404 00:19:37,440 --> 00:19:39,960 Speaker 1: that's joints in there, like Last Memory, Casper, like your 405 00:19:40,040 --> 00:19:42,120 Speaker 1: joints on there, Like there's there's a lot of heat 406 00:19:42,160 --> 00:19:44,760 Speaker 1: on there, like we have fun on them on those cellos. 407 00:19:44,840 --> 00:19:47,560 Speaker 1: But I think, um, the reason why, I think because 408 00:19:47,600 --> 00:19:50,760 Speaker 1: we was on tour with Drake the whole time, Yes, 409 00:19:50,960 --> 00:19:53,680 Speaker 1: and the whole time, especially for mine. I was was 410 00:19:53,720 --> 00:19:56,040 Speaker 1: on tour and I was doing mine in like hotels 411 00:19:56,200 --> 00:20:00,240 Speaker 1: across the world globe, nice hotels. Yeah, but you know, 412 00:20:00,320 --> 00:20:03,480 Speaker 1: I said, just just happen that space. I really, I 413 00:20:03,680 --> 00:20:06,640 Speaker 1: really really really love my album. You know what I'm saying. Yeah, 414 00:20:09,240 --> 00:20:11,680 Speaker 1: I really love my album, and I'm ready to get 415 00:20:11,680 --> 00:20:14,639 Speaker 1: your next one. But right now it's time, That's what say. 416 00:20:14,680 --> 00:20:16,800 Speaker 1: Because this is how y'all faked us out. You did 417 00:20:16,880 --> 00:20:19,440 Speaker 1: shooting inside of my crib and you did the joint 418 00:20:19,480 --> 00:20:21,840 Speaker 1: with a risk of kid, we'll gonna come seat you 419 00:20:21,920 --> 00:20:26,200 Speaker 1: don't you pick us out? To us about that a 420 00:20:26,240 --> 00:20:30,240 Speaker 1: little to fake it hopping hitting with the cheat coat, 421 00:20:30,560 --> 00:20:33,399 Speaker 1: and they thought they you gonna do that, you know, 422 00:20:34,119 --> 00:20:39,119 Speaker 1: they know trying to tell you, Yeah he was. He 423 00:20:39,200 --> 00:20:43,200 Speaker 1: was having crypt though at the time, risk kids though 424 00:20:43,920 --> 00:20:46,480 Speaker 1: we hit the lick though, you tell them you hit 425 00:20:46,520 --> 00:20:50,000 Speaker 1: that lick on no. No, But I actually like that 426 00:20:50,160 --> 00:20:52,000 Speaker 1: we talk about those records. I actually love both of 427 00:20:52,440 --> 00:20:54,240 Speaker 1: But he was going, don't making you know, but talk 428 00:20:54,280 --> 00:20:56,879 Speaker 1: about inside my crib, like what happens was the incident? 429 00:20:57,000 --> 00:20:59,640 Speaker 1: Like what did you go to shoot inside my crib? Man? 430 00:21:00,000 --> 00:21:03,560 Speaker 1: Meaning I'm saying, don't make no sense because like her 431 00:21:03,600 --> 00:21:08,280 Speaker 1: shooters or something. Mom say that every time she come 432 00:21:08,320 --> 00:21:10,720 Speaker 1: around and lay around. You know, back in the day, 433 00:21:11,359 --> 00:21:13,600 Speaker 1: y'all kind of seen it on the noisey man. We 434 00:21:13,720 --> 00:21:17,400 Speaker 1: were just everywhere you go, every shelf, every books you've seen, 435 00:21:18,480 --> 00:21:21,199 Speaker 1: you know, it was a stick or two. And they 436 00:21:21,240 --> 00:21:24,680 Speaker 1: say they had no saying and you were crypto risk 437 00:21:24,720 --> 00:21:26,240 Speaker 1: the kid. Why was that the right thing at that 438 00:21:26,359 --> 00:21:31,920 Speaker 1: time for you? But we were getting that crypt up. Yeah, 439 00:21:32,119 --> 00:21:35,639 Speaker 1: shoo and h At that time, you know, Brian had 440 00:21:35,720 --> 00:21:37,159 Speaker 1: dial he had did you know what I mean? So? 441 00:21:37,560 --> 00:21:39,840 Speaker 1: And I record and I had said what I said, 442 00:21:39,920 --> 00:21:42,120 Speaker 1: So I ain't want to you know, I'm any way 443 00:21:42,119 --> 00:21:43,520 Speaker 1: too long for that because it's one of them. You know, 444 00:21:43,600 --> 00:21:46,000 Speaker 1: certain balls you say you can need to be put 445 00:21:46,040 --> 00:21:48,359 Speaker 1: out right in and there and certain like stuff of 446 00:21:48,400 --> 00:21:50,600 Speaker 1: sex music as times like it can last long. But 447 00:21:50,720 --> 00:21:52,160 Speaker 1: I feel like that right there need to be out 448 00:21:52,240 --> 00:21:54,920 Speaker 1: right there that's lasting long? Is the flow man that 449 00:21:55,160 --> 00:21:58,960 Speaker 1: these guys have been manipulated imitated over the last ten years, 450 00:21:59,440 --> 00:22:02,240 Speaker 1: Like how did flow come about? Like who patented it? 451 00:22:02,359 --> 00:22:03,639 Speaker 1: Like I know what I'm saying. You got to just 452 00:22:03,760 --> 00:22:06,800 Speaker 1: be ready for the documentary. M we got a documentary. 453 00:22:07,800 --> 00:22:16,879 Speaker 1: I don't want time to take Yeah, you know what 454 00:22:18,359 --> 00:22:21,920 Speaker 1: I was on that part of the documentary. We we're 455 00:22:21,960 --> 00:22:26,800 Speaker 1: gonna get you cutt get your cut now. You got 456 00:22:26,920 --> 00:22:29,600 Speaker 1: to just say save me a weekend in the in 457 00:22:29,640 --> 00:22:32,320 Speaker 1: the calendar, you said one time, even though like the 458 00:22:32,359 --> 00:22:34,720 Speaker 1: flow has been manipulated and like I said, duplicated. I 459 00:22:34,760 --> 00:22:36,920 Speaker 1: remember you tweeted once you said comparison as a form 460 00:22:36,960 --> 00:22:39,840 Speaker 1: of jealousy, like when you heard other rappers using that flow? 461 00:22:39,880 --> 00:22:42,320 Speaker 1: Did you feel like that? No, because I never compared. 462 00:22:42,520 --> 00:22:44,159 Speaker 1: You know what I'm saying, We don't compare. It was 463 00:22:44,200 --> 00:22:47,840 Speaker 1: flattered when when people first came out loved it. If 464 00:22:47,840 --> 00:22:51,000 Speaker 1: we came out probably like bitching on some ship like 465 00:22:51,119 --> 00:22:53,960 Speaker 1: where it was like, hell, it as my as my shop. 466 00:22:54,000 --> 00:22:57,760 Speaker 1: I don't think the influence has been there. Yeahs like 467 00:22:58,040 --> 00:23:01,000 Speaker 1: up and common Artist and he the probably ran away 468 00:23:01,040 --> 00:23:03,000 Speaker 1: from the flow and try to not use it, you 469 00:23:03,080 --> 00:23:05,240 Speaker 1: know what I'm saying. So we was like, hey, yeah, 470 00:23:05,280 --> 00:23:07,159 Speaker 1: we use it. And you see how many kids and 471 00:23:07,280 --> 00:23:11,240 Speaker 1: how many genres and artists and different people use it, 472 00:23:11,600 --> 00:23:15,119 Speaker 1: you know what I'm saying. So appreciation is pointing towards 473 00:23:15,200 --> 00:23:17,159 Speaker 1: this way. That's how you ended up. But where did 474 00:23:17,200 --> 00:23:18,879 Speaker 1: it come from to you? Guys? Like people say, well, 475 00:23:18,960 --> 00:23:21,560 Speaker 1: Free six Mafia did this, whatever other people did this, 476 00:23:21,720 --> 00:23:24,080 Speaker 1: like and you feel like it's way did it connect 477 00:23:24,160 --> 00:23:26,560 Speaker 1: for you? Guys? I feel like you know, everybody have 478 00:23:27,200 --> 00:23:30,320 Speaker 1: history repeats itself. Of course I feel like it was 479 00:23:30,440 --> 00:23:34,200 Speaker 1: it was just an advanced flow y effect. Yeah, there's 480 00:23:34,240 --> 00:23:36,800 Speaker 1: something hand kind of like the iPhone one of the 481 00:23:36,880 --> 00:23:40,280 Speaker 1: iPhone twill. You know. Also the way you executed right, 482 00:23:40,400 --> 00:23:45,639 Speaker 1: that's what makes it special. It's like exactly. Um. Then 483 00:23:45,720 --> 00:23:47,680 Speaker 1: on top of that, it was melodies and auto tune 484 00:23:48,480 --> 00:23:52,400 Speaker 1: were singing. Yeah, was singing with on top of atlets 485 00:23:52,520 --> 00:24:00,399 Speaker 1: you know, the athletes brought see something different to PETI 486 00:24:04,400 --> 00:24:12,879 Speaker 1: projecting words, turn and turning, making making Disney trapped friendly. 487 00:24:14,840 --> 00:24:17,840 Speaker 1: You know what I'm saying. We have pie, had you 488 00:24:17,920 --> 00:24:20,680 Speaker 1: whipping up a crop pipe? You had it you you 489 00:24:20,800 --> 00:24:23,960 Speaker 1: thought you was eating um stirf our chicken and really 490 00:24:24,040 --> 00:24:28,280 Speaker 1: you was cooking avalanche. I remember you said that you 491 00:24:28,320 --> 00:24:29,879 Speaker 1: think your skills are getting better? Right? How do you 492 00:24:29,960 --> 00:24:32,440 Speaker 1: think you've improved as an MC? You know what I'm saying. 493 00:24:32,600 --> 00:24:34,480 Speaker 1: Every time I get on the mic, I feel like 494 00:24:34,600 --> 00:24:38,199 Speaker 1: I improved and stand stand in the studio, make you improve? 495 00:24:38,359 --> 00:24:39,600 Speaker 1: You know, so you stay in the gym and hit 496 00:24:39,640 --> 00:24:41,520 Speaker 1: a thousand show. You can't do that. Bust switch them 497 00:24:41,560 --> 00:24:44,600 Speaker 1: motherfucker's You know? Why do you think the success take 498 00:24:44,920 --> 00:24:47,680 Speaker 1: didn't like not stop that fire like that? You want 499 00:24:47,720 --> 00:24:50,360 Speaker 1: more like success come, money come. A lot of people 500 00:24:50,400 --> 00:24:52,080 Speaker 1: didn't build for that. Then then puts themselves to be 501 00:24:52,160 --> 00:24:53,840 Speaker 1: better as artists, like why do you think you guys 502 00:24:53,960 --> 00:24:56,359 Speaker 1: was like still focused, like oh we still gotta keep 503 00:24:56,400 --> 00:24:58,320 Speaker 1: doing this and get better, and we pray a lot. 504 00:24:58,520 --> 00:25:01,760 Speaker 1: I mean, we just I'm saying, we see we're so much, 505 00:25:01,800 --> 00:25:03,639 Speaker 1: we see the results, and we just we want to 506 00:25:03,680 --> 00:25:05,159 Speaker 1: be better onsepts. You know what I'm saying we know 507 00:25:05,840 --> 00:25:08,240 Speaker 1: that is different. You know many different levels that you go. 508 00:25:09,280 --> 00:25:12,240 Speaker 1: I mean we're just locking the superstide level. And yeah, 509 00:25:12,280 --> 00:25:14,159 Speaker 1: we travel across the world. We see all type of 510 00:25:14,200 --> 00:25:17,000 Speaker 1: different money, see all the type of you know what 511 00:25:17,160 --> 00:25:19,080 Speaker 1: you see all the type of the yachts and big 512 00:25:19,160 --> 00:25:22,920 Speaker 1: boats and you know du Bui type money, and you 513 00:25:23,000 --> 00:25:26,359 Speaker 1: know jay Z money. And when we see stuff like 514 00:25:26,440 --> 00:25:28,680 Speaker 1: that and make you go, make you go in and 515 00:25:28,800 --> 00:25:31,879 Speaker 1: still keep you homing. Right with the Carters with that 516 00:25:31,960 --> 00:25:34,879 Speaker 1: Ape ship, we're talking about talking about that record like 517 00:25:34,960 --> 00:25:36,919 Speaker 1: that them all like that got to them and then 518 00:25:37,080 --> 00:25:39,560 Speaker 1: they made a record right that was too hard man, 519 00:25:39,640 --> 00:25:42,800 Speaker 1: that was a blessing. Yeah, sure, for real, hat cooked 520 00:25:42,840 --> 00:25:45,080 Speaker 1: it up. That's that's a round. By the time we 521 00:25:45,400 --> 00:25:48,040 Speaker 1: did stir Fire, Yeah, we wentered there and did like 522 00:25:48,080 --> 00:25:49,879 Speaker 1: two three records. You know, for real, ain't gonna let 523 00:25:49,960 --> 00:25:55,200 Speaker 1: none go to waste. He called and said, Yo be 524 00:25:55,359 --> 00:26:01,560 Speaker 1: and Jake gott of his own and ship. I knew 525 00:26:01,600 --> 00:26:03,720 Speaker 1: it was on right. I ain't had to say no more. 526 00:26:04,240 --> 00:26:09,560 Speaker 1: Get out the way it happened, watch you but take off. 527 00:26:09,600 --> 00:26:11,840 Speaker 1: I wanted to go back a little bit. Um talk 528 00:26:11,880 --> 00:26:13,719 Speaker 1: to me about like those early days, right, like when 529 00:26:13,760 --> 00:26:16,760 Speaker 1: he was locked up in the studio with fourteen seventy nine, Like, 530 00:26:16,920 --> 00:26:19,080 Speaker 1: what was it times like for you during those during 531 00:26:19,119 --> 00:26:21,720 Speaker 1: that ever, when I was in the studio five thirty, 532 00:26:22,080 --> 00:26:25,200 Speaker 1: what recorder said? Yeah, I mean I'll be on the 533 00:26:25,240 --> 00:26:28,720 Speaker 1: computer on the internet those times, you know, we have 534 00:26:28,840 --> 00:26:34,119 Speaker 1: no my boy. What I'm saying the game and we 535 00:26:34,359 --> 00:26:36,920 Speaker 1: have him. Yet when those day when nobody asked you felished? 536 00:26:36,920 --> 00:26:40,200 Speaker 1: So I gonna like where it was sound? What get 537 00:26:40,800 --> 00:26:43,360 Speaker 1: what we get to be farm? But yeah, well am 538 00:26:43,359 --> 00:26:46,720 Speaker 1: I go on YouTube? That's like a type beat to type. Yeah, 539 00:26:48,240 --> 00:26:51,639 Speaker 1: I'm saying downloaders there and we record what's it was? 540 00:26:52,040 --> 00:26:54,560 Speaker 1: What it was? M Yeah, what are you talking about? Before? 541 00:26:55,600 --> 00:26:59,520 Speaker 1: You said before Fortune said remember just the time when 542 00:26:59,560 --> 00:27:02,320 Speaker 1: I was cool appear right? Yeah, because the room this 543 00:27:02,359 --> 00:27:04,199 Speaker 1: lyrical on I remember you said you was locked up 544 00:27:04,200 --> 00:27:06,280 Speaker 1: in the studio of fourteen seventy nine, and I was like, okay, 545 00:27:06,280 --> 00:27:08,160 Speaker 1: I just wanted to take you back to that particular time. 546 00:27:08,200 --> 00:27:11,120 Speaker 1: What was it light for you? Put up the beat? Yeah, 547 00:27:11,600 --> 00:27:14,480 Speaker 1: go in. But you mentioned DJ Dural. I feel like 548 00:27:14,520 --> 00:27:16,800 Speaker 1: he's a secret weapon to the mego success right, like 549 00:27:16,920 --> 00:27:20,560 Speaker 1: he helped copivate that sound. Talk about how his influencing 550 00:27:20,600 --> 00:27:23,639 Speaker 1: importance has been with you guys. You gotta him. I'm 551 00:27:23,680 --> 00:27:25,760 Speaker 1: saying he has James come up with what I'm saying. 552 00:27:25,800 --> 00:27:29,120 Speaker 1: How you think you might not understand you say called 553 00:27:29,240 --> 00:27:31,960 Speaker 1: Jans crazy. You might not understand it, but you know 554 00:27:32,080 --> 00:27:36,199 Speaker 1: since how you come up with the ideas just how 555 00:27:36,240 --> 00:27:37,600 Speaker 1: men and him record and what I'm saying, like this 556 00:27:37,720 --> 00:27:40,439 Speaker 1: only person I like to record with really yeah, how 557 00:27:40,520 --> 00:27:43,000 Speaker 1: we just chemistry? Like he understand me. I can give 558 00:27:43,040 --> 00:27:45,720 Speaker 1: him a certain look. I mean I might even ask 559 00:27:45,800 --> 00:27:48,679 Speaker 1: him shot I might have, like when I I might 560 00:27:48,760 --> 00:27:50,239 Speaker 1: come up with like three foot bars in my head. 561 00:27:50,280 --> 00:27:52,200 Speaker 1: I'm gonna ask him like, was one you know what 562 00:27:52,200 --> 00:27:53,840 Speaker 1: I'm say. I'm gonna say, like to you know what 563 00:27:53,840 --> 00:27:55,280 Speaker 1: I'm saying two or three? D Let me know it's 564 00:27:55,320 --> 00:27:57,560 Speaker 1: one You're like, I might be feeling like I lean 565 00:27:57,600 --> 00:27:59,200 Speaker 1: almost when I like the most, but he'll be like, yeah, 566 00:27:59,200 --> 00:28:01,880 Speaker 1: that's one right there. You know I want you be like, yeah, 567 00:28:01,880 --> 00:28:04,040 Speaker 1: I just want to say that picture of a dude. Yeah, 568 00:28:04,240 --> 00:28:06,520 Speaker 1: come in like that. But just the trust I trusted 569 00:28:06,560 --> 00:28:08,879 Speaker 1: me feel him my work. You're gonna let me know 570 00:28:08,920 --> 00:28:10,560 Speaker 1: what it is. Keep it hunt. What was he like 571 00:28:10,640 --> 00:28:12,000 Speaker 1: the person you went to for like one of your 572 00:28:12,040 --> 00:28:15,240 Speaker 1: solo records on your project None of Me, like that 573 00:28:15,400 --> 00:28:18,760 Speaker 1: was real vulnerable and transparent. Yeah, you damned that did 574 00:28:18,840 --> 00:28:22,920 Speaker 1: my whole man. I wasn't saying that record none none 575 00:28:22,960 --> 00:28:25,440 Speaker 1: to me. I felt like he really was really vulnerable 576 00:28:25,520 --> 00:28:28,080 Speaker 1: and transparent on that particular record, like was some like 577 00:28:28,280 --> 00:28:30,439 Speaker 1: was it real or was it? Yeah? I was right 578 00:28:30,480 --> 00:28:32,240 Speaker 1: there with me, not the real right there with me 579 00:28:32,320 --> 00:28:35,840 Speaker 1: for that for sure, spending money, but it's nothing. I mean, yeah, 580 00:28:36,359 --> 00:28:38,960 Speaker 1: now you're right there with him for that one. I 581 00:28:39,040 --> 00:28:40,640 Speaker 1: think I was in l A two when I did that. 582 00:28:41,080 --> 00:28:42,760 Speaker 1: Was it hard being that transparent? Because I know you 583 00:28:42,880 --> 00:28:44,920 Speaker 1: often like a silent person. You talked about like a situation. 584 00:28:45,080 --> 00:28:47,000 Speaker 1: I just woke up there day and said, I'm just 585 00:28:47,120 --> 00:28:49,960 Speaker 1: say what's all my check? Let him know because I 586 00:28:50,040 --> 00:28:53,080 Speaker 1: picking you. Yeah, I don't know everything, so I'm like Diddy, 587 00:28:53,080 --> 00:28:55,600 Speaker 1: I'm just opening them them lest something. Do you'd be 588 00:28:55,680 --> 00:28:59,080 Speaker 1: happing that quay for take to kind of share more 589 00:28:59,160 --> 00:29:02,640 Speaker 1: and put up stuff out there. Yeah, shipbody need getting 590 00:29:02,760 --> 00:29:07,000 Speaker 1: get in there. I thought it was interesting you said, 591 00:29:07,040 --> 00:29:09,080 Speaker 1: like way now you were scared to even step on 592 00:29:09,160 --> 00:29:12,040 Speaker 1: stage for the first time, right, remember that experience for 593 00:29:12,240 --> 00:29:14,680 Speaker 1: show you know what I mean, just the first I 594 00:29:14,760 --> 00:29:17,320 Speaker 1: mean just you know they're nervous. You were nervous. You know, 595 00:29:17,400 --> 00:29:20,440 Speaker 1: they're just nervous little and I mean you don't know 596 00:29:20,520 --> 00:29:23,840 Speaker 1: how just to crop whatever it is big, you don't 597 00:29:23,880 --> 00:29:28,120 Speaker 1: just you just you don't know the time. You know 598 00:29:28,160 --> 00:29:31,240 Speaker 1: what I'm saying. You do, but it's like yeah you do. 599 00:29:31,520 --> 00:29:33,520 Speaker 1: You get an air zion, But it's like I think 600 00:29:33,560 --> 00:29:37,560 Speaker 1: that's what we're doing. Go away fast, turn to the 601 00:29:37,720 --> 00:29:40,400 Speaker 1: first one. Fird time you remember that first show, the 602 00:29:40,520 --> 00:29:44,400 Speaker 1: first show. It's been so many yeah, yeah, read to 603 00:29:44,480 --> 00:29:46,080 Speaker 1: my the first show and just like the feeling just 604 00:29:46,160 --> 00:29:48,640 Speaker 1: first perform, you know, I mean, just like they're nervous. 605 00:29:48,680 --> 00:29:51,280 Speaker 1: Feeling when you look back at the mego's journey of 606 00:29:51,400 --> 00:29:53,840 Speaker 1: like to break through, right, like you know Besahi was 607 00:29:53,880 --> 00:29:56,240 Speaker 1: kind of that thing that broke you nashal right before 608 00:29:56,320 --> 00:29:58,600 Speaker 1: that was Bandough right, Like BANDA was the first record 609 00:29:58,640 --> 00:30:00,920 Speaker 1: I guess locally they gave you that, Like what was 610 00:30:01,000 --> 00:30:03,400 Speaker 1: that feeling like? And like you take us since that 611 00:30:03,480 --> 00:30:05,520 Speaker 1: journey of like finally breaking through that you feel like 612 00:30:05,560 --> 00:30:08,600 Speaker 1: people are listening to what you're doing. Yeah, the band though, 613 00:30:08,840 --> 00:30:13,360 Speaker 1: it was most definitely our breakthrough record. Yeah, especially for 614 00:30:13,440 --> 00:30:16,280 Speaker 1: the for the South and for Atlanta, and it was 615 00:30:16,360 --> 00:30:19,200 Speaker 1: just showing us ship, what we what we're doing actually working. 616 00:30:19,880 --> 00:30:22,280 Speaker 1: I think we had tried like two, two or three 617 00:30:22,320 --> 00:30:24,200 Speaker 1: songs before that it was getting trash and it was 618 00:30:24,280 --> 00:30:27,360 Speaker 1: getting from working with what it won that like how 619 00:30:27,440 --> 00:30:34,400 Speaker 1: that bando was we first? Yeah, when we first? Yeah, man, 620 00:30:34,440 --> 00:30:37,920 Speaker 1: when that ship first came out and the beat and 621 00:30:38,280 --> 00:30:42,239 Speaker 1: that like that that would that beat For some reason, man, 622 00:30:42,320 --> 00:30:44,880 Speaker 1: that ship just stuck so hard and everybody wanted to 623 00:30:44,920 --> 00:30:47,280 Speaker 1: play it back to back to back, and she we 624 00:30:47,480 --> 00:30:49,960 Speaker 1: was paying the DJ to play back to back to back. 625 00:30:50,040 --> 00:30:51,960 Speaker 1: You know what I'm saying. So well, make sure we 626 00:30:52,120 --> 00:30:55,560 Speaker 1: just had that good relationship with him and then ship 627 00:30:55,720 --> 00:30:58,320 Speaker 1: that he started out local one day the Nink with 628 00:30:58,400 --> 00:30:59,840 Speaker 1: justet wrapping up and she was like, where you go? 629 00:31:00,480 --> 00:31:02,240 Speaker 1: Don't gonna go to the city And I got a 630 00:31:02,280 --> 00:31:07,600 Speaker 1: gig in the city. Okay, you know that like a 631 00:31:07,720 --> 00:31:11,720 Speaker 1: dream of New York City too, you know. So we 632 00:31:11,800 --> 00:31:14,200 Speaker 1: were like, I bet we're moving with you. So we 633 00:31:14,360 --> 00:31:17,440 Speaker 1: hit we we follow him, put our money together, make 634 00:31:17,440 --> 00:31:19,880 Speaker 1: sure we strain him out, had enough to have have 635 00:31:20,000 --> 00:31:21,960 Speaker 1: a v I P. As you can see like in 636 00:31:22,080 --> 00:31:24,280 Speaker 1: the videos when you see us coming up, and she 637 00:31:24,640 --> 00:31:26,640 Speaker 1: was that spread money and made sure they played out 638 00:31:26,720 --> 00:31:31,200 Speaker 1: something prime, prime time, midnight one of them. Yeah, if 639 00:31:31,240 --> 00:31:33,640 Speaker 1: you played that ship when the lights come on, you 640 00:31:33,720 --> 00:31:35,600 Speaker 1: know as you might not have a loud talk. No, 641 00:31:37,320 --> 00:31:39,800 Speaker 1: you know what I'm saying. And we stood on that 642 00:31:39,840 --> 00:31:42,120 Speaker 1: everywhere we went and then like we just created the 643 00:31:42,200 --> 00:31:44,280 Speaker 1: traction and everybody looking at us. Of course we had 644 00:31:44,360 --> 00:31:47,080 Speaker 1: some and knife had it all. We kept we kept 645 00:31:47,120 --> 00:31:51,040 Speaker 1: coming through killing and ship and made noise and that 646 00:31:51,200 --> 00:31:52,760 Speaker 1: thing you know, I ran and we ran into as 647 00:31:52,760 --> 00:31:55,920 Speaker 1: they told him, and it was we can't forget about 648 00:31:56,000 --> 00:31:58,000 Speaker 1: you know, the engine that's been the driving force for 649 00:31:58,040 --> 00:32:01,240 Speaker 1: the successes QC. Remember on a talk he said, like 650 00:32:01,360 --> 00:32:04,600 Speaker 1: QC is the new cash money records right for show. Now, 651 00:32:04,720 --> 00:32:06,480 Speaker 1: like a lot of artists, you know, hate their label, 652 00:32:06,520 --> 00:32:08,440 Speaker 1: but you never hear that like with QC. Why do 653 00:32:08,480 --> 00:32:10,360 Speaker 1: you feel like there's such a good home. I mean, 654 00:32:10,480 --> 00:32:13,080 Speaker 1: we got family ties and we have ups and downs, 655 00:32:13,160 --> 00:32:16,880 Speaker 1: but I feel like publicly it ain't never for the outsiders. 656 00:32:16,880 --> 00:32:19,320 Speaker 1: If we came in the door, closed doors anyway, you 657 00:32:19,360 --> 00:32:20,880 Speaker 1: know what I'm saying. And that's how I feel like 658 00:32:21,200 --> 00:32:24,400 Speaker 1: with our family anyway, any family, you know, the group 659 00:32:24,440 --> 00:32:27,560 Speaker 1: of us Me Goes, QC. Anything. We just feel like 660 00:32:27,640 --> 00:32:30,520 Speaker 1: we should just deal with anything, any problems along with us. 661 00:32:30,560 --> 00:32:32,800 Speaker 1: And I feel like we grow like that and I 662 00:32:32,880 --> 00:32:34,760 Speaker 1: think we get it off that way. I was gonna say, 663 00:32:34,880 --> 00:32:37,480 Speaker 1: why P and coach K, like why they're so good 664 00:32:37,720 --> 00:32:41,800 Speaker 1: label heads ship They're great at what they do, like Yang, 665 00:32:41,840 --> 00:32:43,680 Speaker 1: you got, you got straight and you got in corporate. 666 00:32:44,000 --> 00:32:47,840 Speaker 1: You know what you got straight in corporate. It's the 667 00:32:47,880 --> 00:32:51,320 Speaker 1: best brandstand right. But I felt like that was a 668 00:32:51,360 --> 00:32:53,080 Speaker 1: big thing where I felt like maybe you guys weren't good, 669 00:32:53,120 --> 00:32:54,960 Speaker 1: but then you record, stiled and got things were needed 670 00:32:55,000 --> 00:32:57,280 Speaker 1: to be Like that's an important step to show the 671 00:32:57,400 --> 00:33:01,040 Speaker 1: artists that, you know, maybe you can rectified whatever difference is, 672 00:33:01,120 --> 00:33:04,040 Speaker 1: and and like of course, of course we've grown in 673 00:33:04,080 --> 00:33:05,400 Speaker 1: at the end of the day, you know what I'm saying. 674 00:33:05,440 --> 00:33:07,280 Speaker 1: If you have an issue, everybody to get with it. 675 00:33:07,840 --> 00:33:10,880 Speaker 1: What's the problem. Sometimes you spill, sometime you don't. You 676 00:33:10,960 --> 00:33:12,480 Speaker 1: just try your best way to clean it up and 677 00:33:12,520 --> 00:33:14,520 Speaker 1: make sure you're straight, and make sure we're straight. You 678 00:33:14,640 --> 00:33:17,160 Speaker 1: mentioned in family like take off. You know, if you 679 00:33:17,240 --> 00:33:18,760 Speaker 1: listen to Me Goes music, you have a lot of 680 00:33:18,840 --> 00:33:21,440 Speaker 1: references to your grandmother, like even on us as then 681 00:33:21,560 --> 00:33:23,600 Speaker 1: you said, you haven't shed a cry, you haven't shed 682 00:33:23,680 --> 00:33:26,240 Speaker 1: a tis since your grandmother died. And on vacation you 683 00:33:26,280 --> 00:33:29,040 Speaker 1: said you gotta think Mama, grandma and it helped you, 684 00:33:29,120 --> 00:33:30,280 Speaker 1: you know what I mean? Can you talk about like 685 00:33:30,360 --> 00:33:32,840 Speaker 1: the role that the maternal people and your family have 686 00:33:32,960 --> 00:33:35,760 Speaker 1: played for you to get where you are? Big role, 687 00:33:35,880 --> 00:33:38,680 Speaker 1: you know, just you know, I'm saying, just being there, 688 00:33:38,720 --> 00:33:42,200 Speaker 1: always being made sure you never want from there, you know, 689 00:33:43,560 --> 00:33:45,880 Speaker 1: just I always know we could come talk to them 690 00:33:45,920 --> 00:33:48,560 Speaker 1: about anything, and whatever it was. I'm saying, no matter 691 00:33:48,640 --> 00:33:54,800 Speaker 1: what it was, this was Jenna, right, Okay, that's your grandmother. Okay, 692 00:33:55,000 --> 00:33:57,160 Speaker 1: that's my grandma, that's your grandmother. Okay that it really is. 693 00:33:57,200 --> 00:33:59,959 Speaker 1: They're gonna keep it real funny. Is that why you're 694 00:34:00,040 --> 00:34:02,280 Speaker 1: we shout out Mama and the libs? Like? Is that 695 00:34:02,440 --> 00:34:04,680 Speaker 1: like a homage to them and the queens? When Queens 696 00:34:04,800 --> 00:34:06,640 Speaker 1: got you and que was dope to see you and 697 00:34:06,680 --> 00:34:08,440 Speaker 1: your mother on the cover of g Q together, How 698 00:34:08,480 --> 00:34:10,799 Speaker 1: important was that? Yeah? You know what a little mama 699 00:34:10,880 --> 00:34:14,320 Speaker 1: hunt you man around, ripping in for the game. She 700 00:34:14,920 --> 00:34:17,400 Speaker 1: she she had, you know, she put it down. She 701 00:34:17,520 --> 00:34:19,719 Speaker 1: let us make all that noise, all type of night 702 00:34:19,760 --> 00:34:23,080 Speaker 1: all over upon it, right up on her room and basement. 703 00:34:23,239 --> 00:34:25,319 Speaker 1: So you only it's only right that you make sure 704 00:34:25,360 --> 00:34:27,759 Speaker 1: she's straight and every young nigga noor and make sure 705 00:34:27,800 --> 00:34:29,719 Speaker 1: their mama good. What do you like to build that thing? 706 00:34:29,760 --> 00:34:31,880 Speaker 1: Like to go back to the bando and then Visashi 707 00:34:31,960 --> 00:34:34,000 Speaker 1: and the Drake something on it, Like what's it? Like? 708 00:34:34,080 --> 00:34:36,160 Speaker 1: That feeling is like, oh, we're really breaking through like 709 00:34:36,239 --> 00:34:39,279 Speaker 1: this Meekhos thing. It's like really was crazy. You know 710 00:34:39,400 --> 00:34:41,279 Speaker 1: it was crazy. I was just thinking though, bro, Like 711 00:34:41,480 --> 00:34:43,960 Speaker 1: when Drake jumped on it, of course he was. He 712 00:34:44,120 --> 00:34:46,239 Speaker 1: was crazy huge, but he's as big as what he 713 00:34:46,440 --> 00:34:49,960 Speaker 1: is now, so like and I was, and and when 714 00:34:50,000 --> 00:34:52,759 Speaker 1: I think we was what was somewhere on tour he's 715 00:34:52,840 --> 00:34:56,040 Speaker 1: introducing me to he was introducing us to somebody. He 716 00:34:56,120 --> 00:34:57,959 Speaker 1: was like, sh I basically growed up with you guys, 717 00:34:58,360 --> 00:35:01,239 Speaker 1: like we kind of like, yeah, I went crazy. All 718 00:35:01,320 --> 00:35:03,680 Speaker 1: that started at the same time, you know what I'm saying, 719 00:35:03,719 --> 00:35:05,520 Speaker 1: even with his record. You know, his record was going 720 00:35:05,560 --> 00:35:09,320 Speaker 1: crazy before, but like beside you and then Ship after that, 721 00:35:10,000 --> 00:35:12,560 Speaker 1: like it was like nothing but up for both of us. 722 00:35:12,600 --> 00:35:14,759 Speaker 1: And I felt like Ship now that I'm looking back 723 00:35:14,800 --> 00:35:16,800 Speaker 1: at and I don't like, damn, we did kind of 724 00:35:16,880 --> 00:35:20,279 Speaker 1: like on some high school classmates. He was like, he 725 00:35:20,400 --> 00:35:23,279 Speaker 1: was like that came and got the young young. So 726 00:35:24,200 --> 00:35:28,759 Speaker 1: you know what, that was cool and that's how and 727 00:35:28,840 --> 00:35:30,719 Speaker 1: that's how I felt like it was. It's funny you 728 00:35:30,760 --> 00:35:32,520 Speaker 1: say that though, because take off. I remember you had 729 00:35:32,560 --> 00:35:33,920 Speaker 1: a lyric you said you can't put a nigger on 730 00:35:33,960 --> 00:35:36,000 Speaker 1: if you're too famous. But Drake helped you with that. 731 00:35:38,600 --> 00:35:40,719 Speaker 1: It was gonna lead the way, leave the wave. He 732 00:35:40,840 --> 00:35:42,760 Speaker 1: was like, you can't put any on to be too famous. 733 00:35:43,560 --> 00:35:45,919 Speaker 1: I don't think I might say you said you can't 734 00:35:45,920 --> 00:35:47,799 Speaker 1: put a nigger on if you're too famous. Don lead 735 00:35:47,840 --> 00:35:50,120 Speaker 1: the way, leave the way. He wasn't too femtassy, saying 736 00:35:50,480 --> 00:35:53,200 Speaker 1: saying he was still on the cor and in a 737 00:35:53,280 --> 00:35:55,640 Speaker 1: real picture of it, it's like because that thing, it's 738 00:35:55,640 --> 00:35:58,640 Speaker 1: like you look at the telling mom brushmore of who impacted, 739 00:35:59,160 --> 00:36:01,520 Speaker 1: because you guys look at it as a group. You're 740 00:36:01,520 --> 00:36:03,640 Speaker 1: not just the same way as like a Drake Kendrick 741 00:36:03,760 --> 00:36:06,759 Speaker 1: call or whatever, because you're a group. Right Megoes is 742 00:36:06,800 --> 00:36:09,960 Speaker 1: a defining story of that decade with your emergence of 743 00:36:10,080 --> 00:36:13,200 Speaker 1: like breaking through exactly. That's the difference. You know that 744 00:36:13,280 --> 00:36:15,600 Speaker 1: the division. We need a group maunt worshmore. Let's see 745 00:36:15,600 --> 00:36:19,680 Speaker 1: what that little hall of fame with greater group all 746 00:36:19,719 --> 00:36:23,160 Speaker 1: the time. Anybody, there's been no great group since Megos. 747 00:36:23,360 --> 00:36:25,640 Speaker 1: You know what, I'm right, we've been holding it down close, 748 00:36:26,040 --> 00:36:28,520 Speaker 1: We've been holding it down like that. Let's say games 749 00:36:28,719 --> 00:36:34,920 Speaker 1: now you can't leave you close. It was the last standard. 750 00:36:35,480 --> 00:36:37,520 Speaker 1: But how do you feel with that? Like being like 751 00:36:37,760 --> 00:36:40,080 Speaker 1: I think it's it's unquestionably looked at as you're the 752 00:36:40,200 --> 00:36:42,680 Speaker 1: leader of it, right, the leader of this. We all leaders. 753 00:36:42,719 --> 00:36:49,640 Speaker 1: We also play for now. We all we all dead 754 00:36:49,680 --> 00:36:52,399 Speaker 1: ass have our own program. And why do you think 755 00:36:52,440 --> 00:36:54,719 Speaker 1: it is that artists don't really embrace that, Like it's 756 00:36:54,800 --> 00:36:56,520 Speaker 1: a lot of it's a lot of like I mean, 757 00:36:56,880 --> 00:36:59,279 Speaker 1: when you was playing football and coach with the see 758 00:36:59,360 --> 00:37:01,400 Speaker 1: on you asked for you know what I'm saying, you 759 00:37:01,480 --> 00:37:04,759 Speaker 1: earned it, you know, so whatever whatever the people you 760 00:37:04,800 --> 00:37:06,600 Speaker 1: know what I'm saying, like they say, you know, artists 761 00:37:06,640 --> 00:37:08,560 Speaker 1: and I'm the front man or whatever. I take that. 762 00:37:08,680 --> 00:37:10,920 Speaker 1: I take the front man. But we all we all 763 00:37:11,120 --> 00:37:14,520 Speaker 1: make our own decisions like like, gentlemen, yeah, what's the 764 00:37:14,600 --> 00:37:16,960 Speaker 1: sound of this project? Gonna feel like, talk about this 765 00:37:17,200 --> 00:37:18,920 Speaker 1: good feel what we're about to get. We're about to 766 00:37:18,960 --> 00:37:27,000 Speaker 1: get about to get this real idea, raw, uncut. What 767 00:37:27,600 --> 00:37:29,800 Speaker 1: just like back to the back to the essence, you 768 00:37:29,840 --> 00:37:31,360 Speaker 1: know what I'm saying, Back to the oars, back to 769 00:37:31,440 --> 00:37:33,800 Speaker 1: the real screaming shots. You know that I came in 770 00:37:33,960 --> 00:37:36,520 Speaker 1: on that Leu's versus them. It's about blood, you know 771 00:37:36,560 --> 00:37:39,240 Speaker 1: what I'm saying. It's about us together, about us coming together, 772 00:37:39,280 --> 00:37:41,560 Speaker 1: bringing it back home to the family. That what I see. 773 00:37:41,640 --> 00:37:44,799 Speaker 1: You know, they're infinity. It's forever. You know what I'm saying. 774 00:37:44,800 --> 00:37:47,239 Speaker 1: We've been in there for a decade and it's time. 775 00:37:47,520 --> 00:37:49,360 Speaker 1: You know what I'm saying. Does it feel like a decade? 776 00:37:49,719 --> 00:37:51,959 Speaker 1: Do you feel like ten years now? I don't feel 777 00:37:51,960 --> 00:37:55,480 Speaker 1: like we're just getting started. I feel like my first year. 778 00:37:55,680 --> 00:37:59,800 Speaker 1: I'm jumping all the parts as a freshman. Even like 779 00:38:00,000 --> 00:38:02,480 Speaker 1: on Culture three, you produce Avalanche, Like, do you plan 780 00:38:02,560 --> 00:38:04,600 Speaker 1: to producing more on this project? I'm clicking, you know, 781 00:38:04,719 --> 00:38:07,080 Speaker 1: me and my boy Derail, me and Murder, me and Buddha. 782 00:38:07,239 --> 00:38:08,839 Speaker 1: You know what I'm saying. Then my main top three 783 00:38:08,880 --> 00:38:11,239 Speaker 1: producers I felt were heavy that you know, I put 784 00:38:11,360 --> 00:38:14,200 Speaker 1: hands on keys. You know what I'm saying you look 785 00:38:14,280 --> 00:38:16,600 Speaker 1: really low with the production, like people don't know unless 786 00:38:16,840 --> 00:38:18,520 Speaker 1: read the credits, Like, yeah, just do it for me, 787 00:38:18,640 --> 00:38:20,560 Speaker 1: you know what, I do it for us. You know 788 00:38:20,600 --> 00:38:22,080 Speaker 1: what I'm saying, When I need that salt, that that's 789 00:38:22,080 --> 00:38:24,719 Speaker 1: secret salt. That's the cheat code for the family. I've 790 00:38:24,760 --> 00:38:26,440 Speaker 1: been doing this ship though, I've been making beats in 791 00:38:27,239 --> 00:38:29,719 Speaker 1: ninth grade, eight grade. Yeah, I saw that once what 792 00:38:29,880 --> 00:38:31,880 Speaker 1: you said, like real niggas don't need credit, like you 793 00:38:31,960 --> 00:38:34,399 Speaker 1: think that still applies and this day and for shure, 794 00:38:34,440 --> 00:38:35,840 Speaker 1: you know what I'm saying, give me my credit on 795 00:38:35,920 --> 00:38:37,839 Speaker 1: their time. And I feel like once you add them, 796 00:38:37,880 --> 00:38:39,680 Speaker 1: pick up out the marrow's don't have a basket for 797 00:38:40,840 --> 00:38:44,600 Speaker 1: you know that's all? What is credit? Like? What does 798 00:38:44,640 --> 00:38:47,160 Speaker 1: that look like to you? Is it just money? Is 799 00:38:47,200 --> 00:38:55,719 Speaker 1: it troph definitely? Paper? Okay money. You can't get no 800 00:38:55,880 --> 00:38:59,560 Speaker 1: credit credit? You know what I'm saying, Get some credit? 801 00:39:00,080 --> 00:39:03,520 Speaker 1: Said straightening. Yeah, I'm trying to tell you, yeah, you're 802 00:39:03,520 --> 00:39:06,400 Speaker 1: not getting no straight straight Did you really have to 803 00:39:06,480 --> 00:39:08,799 Speaker 1: give you your teacher some straighten and take off? Only 804 00:39:08,840 --> 00:39:10,759 Speaker 1: the way you say you talked about how you met 805 00:39:11,040 --> 00:39:14,240 Speaker 1: ran a teer teacher you feel me? Was that story 806 00:39:14,400 --> 00:39:16,600 Speaker 1: you come on, man, I ran the joy. Talk about 807 00:39:16,640 --> 00:39:19,920 Speaker 1: it because you said they ran into a faster joy. 808 00:39:19,960 --> 00:39:21,400 Speaker 1: He saw a teacher that said he wasn't gonna like 809 00:39:21,440 --> 00:39:24,320 Speaker 1: amount to nothing. What was that experience like for you? 810 00:39:25,600 --> 00:39:28,200 Speaker 1: M I could have said something else, but you know, 811 00:39:28,360 --> 00:39:29,840 Speaker 1: just so you saw him like a Chick fil a 812 00:39:29,880 --> 00:39:32,840 Speaker 1: and was like, yo, Mr Little McDonald picking the miller 813 00:39:34,520 --> 00:39:36,680 Speaker 1: double cheat burger. I remember like you, yes da picking 814 00:39:36,800 --> 00:39:44,840 Speaker 1: me a double cheat burger. No pigle, No, ain't like 815 00:39:45,080 --> 00:39:47,400 Speaker 1: you know the order. So he was like, right, how 816 00:39:47,440 --> 00:39:49,719 Speaker 1: did you next to you? Not walked? Then he got 817 00:39:49,760 --> 00:39:53,640 Speaker 1: it it was lying too long. I had to walk in. Well. 818 00:39:53,719 --> 00:39:55,920 Speaker 1: Then I seen him in a line, okay, and he 819 00:39:55,960 --> 00:40:01,439 Speaker 1: knew who you were, like whatever was this like maybe platinum, yeah, 820 00:40:01,520 --> 00:40:05,959 Speaker 1: superlat super platinum, and you said congratulations or he said 821 00:40:05,960 --> 00:40:07,640 Speaker 1: it to you or you said it to him. I 822 00:40:07,719 --> 00:40:11,440 Speaker 1: told because he told me. I said, I ain't what 823 00:40:11,560 --> 00:40:14,200 Speaker 1: I said in the version I don't remember exactly said, 824 00:40:14,680 --> 00:40:16,360 Speaker 1: so I ain't got no um and they got no 825 00:40:16,480 --> 00:40:18,960 Speaker 1: bad word for him what I said, So I I 826 00:40:19,080 --> 00:40:23,160 Speaker 1: forget that. I'll just remember your second what he wants 827 00:40:23,160 --> 00:40:25,799 Speaker 1: me to do when I'm in the position I made it. Yeah, 828 00:40:25,960 --> 00:40:27,640 Speaker 1: so I ain't tell him that, greaty, Why why would 829 00:40:27,640 --> 00:40:29,160 Speaker 1: I do that when I'm in the position I made 830 00:40:29,160 --> 00:40:31,080 Speaker 1: it right, Ain't no point of me doing that. So 831 00:40:31,080 --> 00:40:35,600 Speaker 1: I'm gonna keep it playing right and just hey, hello, 832 00:40:36,360 --> 00:40:41,239 Speaker 1: remember me, remember yea quit? Do you love when like 833 00:40:41,680 --> 00:40:44,600 Speaker 1: because obviously it takes a quiet storm? Do you love 834 00:40:44,640 --> 00:40:47,279 Speaker 1: when he steps out one and shows more like man 835 00:40:47,600 --> 00:40:51,839 Speaker 1: a little bit? Right? Yeah? Many, little dude, y'all know? Man, 836 00:40:51,960 --> 00:40:54,319 Speaker 1: you know what I'm saying? Yeah, is that how he's 837 00:40:54,320 --> 00:40:57,640 Speaker 1: always been from day one? Like he's more like he 838 00:40:57,680 --> 00:41:00,960 Speaker 1: seems like you're more like actually verdy, he's gonna introverted 839 00:41:01,040 --> 00:41:04,719 Speaker 1: like you. Man. You told me quiet man, man say 840 00:41:04,719 --> 00:41:08,040 Speaker 1: he quiet man, Man, you don't talk too much. Man, 841 00:41:08,520 --> 00:41:11,799 Speaker 1: they just man dead man, man get back man, still 842 00:41:11,840 --> 00:41:14,120 Speaker 1: blow up on you, man, say do you love that 843 00:41:14,200 --> 00:41:16,839 Speaker 1: you've been able to be successful and still be that way, 844 00:41:16,960 --> 00:41:19,759 Speaker 1: like you know, on your own terms? Right? Yeah, it's 845 00:41:19,760 --> 00:41:22,400 Speaker 1: a blessing, I thank god, Yeah it is. But you 846 00:41:22,440 --> 00:41:24,600 Speaker 1: also got people recognizing your skills like you was on 847 00:41:24,680 --> 00:41:28,880 Speaker 1: the Little Wayne project on Funeral being that you How 848 00:41:29,000 --> 00:41:31,440 Speaker 1: important was that well impactful for you to be on 849 00:41:31,520 --> 00:41:34,880 Speaker 1: that project? Oh tune, that was Buckeless. You know what 850 00:41:34,880 --> 00:41:36,839 Speaker 1: I told you growing up. You know what I'm saying, 851 00:41:36,880 --> 00:41:39,839 Speaker 1: watching listen to him. I want to be I mean, 852 00:41:39,920 --> 00:41:42,160 Speaker 1: like the type of what I'm saying, rapper one of them. 853 00:41:42,239 --> 00:41:44,160 Speaker 1: Then I mean, order just want to be a type 854 00:41:44,200 --> 00:41:46,960 Speaker 1: of rapp accomplished. You know what I'm saying, streaming things 855 00:41:47,000 --> 00:41:49,399 Speaker 1: he did and just to be you know what I'm saying, 856 00:41:49,480 --> 00:41:51,839 Speaker 1: do that be on them? And then it's my brother 857 00:41:51,880 --> 00:41:53,800 Speaker 1: and I'm saying, like my red red like Colin. You 858 00:41:53,920 --> 00:41:56,920 Speaker 1: know I mean, I'm saying, we talked, So that's awesome. 859 00:41:57,040 --> 00:41:59,080 Speaker 1: Remember that, Jim Jones, we set the trends, set the 860 00:41:59,120 --> 00:42:01,920 Speaker 1: trends that that hook off and then Way was on 861 00:42:02,000 --> 00:42:04,839 Speaker 1: the remix and yeah, seeing that energy between you all 862 00:42:04,960 --> 00:42:18,440 Speaker 1: was dope. Give one twenty million camp. Yes, do you 863 00:42:18,480 --> 00:42:20,080 Speaker 1: think about that like this is a hook or you 864 00:42:20,160 --> 00:42:22,319 Speaker 1: just be writing it don't matter, Like no, I don't. 865 00:42:22,320 --> 00:42:26,040 Speaker 1: I just be right, like I might just start wrapping. 866 00:42:26,040 --> 00:42:28,799 Speaker 1: You're going, you're just going in. You like to change 867 00:42:28,840 --> 00:42:31,879 Speaker 1: Mamber that He was like, jump on the two, change 868 00:42:32,120 --> 00:42:35,759 Speaker 1: the good drink and drink you're a good drink too. Yeah. 869 00:42:36,200 --> 00:42:38,200 Speaker 1: But when Travis, like I feel like you said that 870 00:42:38,280 --> 00:42:43,279 Speaker 1: birds trapped buying me Night album after that. Yeah, I 871 00:42:43,360 --> 00:42:52,320 Speaker 1: came after Yeah, I name a burden not you know that? 872 00:42:53,280 --> 00:42:57,160 Speaker 1: Yeah this ain't Yeah, dog do we have a title 873 00:42:57,239 --> 00:42:59,800 Speaker 1: for this project. It's coming in September. That's all I 874 00:43:00,040 --> 00:43:04,279 Speaker 1: got for y'all. You'll be having some heavy features. Got 875 00:43:04,320 --> 00:43:07,320 Speaker 1: justin Bieber, You had Madonna. You know, I got some 876 00:43:07,400 --> 00:43:11,320 Speaker 1: good friendships, you know, good relationship. You know with the 877 00:43:11,400 --> 00:43:14,680 Speaker 1: collid ship that's about California second before we get out 878 00:43:14,680 --> 00:43:19,680 Speaker 1: of here, like we just did on that God. Yeah, 879 00:43:20,280 --> 00:43:25,600 Speaker 1: you talk about that like people don't fully understand what 880 00:43:25,840 --> 00:43:28,880 Speaker 1: Kalid does with Calida is like I see, who come 881 00:43:28,960 --> 00:43:31,320 Speaker 1: trying my boy cat Like he don't come with that vision. 882 00:43:31,480 --> 00:43:33,600 Speaker 1: You know what I'm saying, My boy cattle having vision 883 00:43:33,719 --> 00:43:36,800 Speaker 1: production beats. You know exactly how he wanted. All you 884 00:43:36,840 --> 00:43:38,919 Speaker 1: gotta do is just put your drip and your whole 885 00:43:38,960 --> 00:43:40,880 Speaker 1: blessing on it. In his own He's gonna take it 886 00:43:40,920 --> 00:43:44,000 Speaker 1: to the moment you're looking at. You know, I had 887 00:43:44,040 --> 00:43:45,839 Speaker 1: to do a last minute for that. God did because 888 00:43:45,840 --> 00:43:51,200 Speaker 1: God did everything. We did. Everything we got going on God. 889 00:43:52,280 --> 00:43:56,040 Speaker 1: I only put it on after God made it. You 890 00:43:56,120 --> 00:43:58,040 Speaker 1: know what I'm saying. You got a lot of hits 891 00:43:58,080 --> 00:44:01,160 Speaker 1: with this Justin Bieber. This guy not even humanized man, 892 00:44:01,239 --> 00:44:05,600 Speaker 1: that's my boy, JB has JB is actually a human, 893 00:44:05,760 --> 00:44:07,560 Speaker 1: real person, like talk to us. You know I'm saying, 894 00:44:07,560 --> 00:44:09,279 Speaker 1: we all alien. You know what I'm saying. We all 895 00:44:09,360 --> 00:44:13,040 Speaker 1: from you know the alpha verse. You know what I'm saying, 896 00:44:13,360 --> 00:44:15,279 Speaker 1: we all from the Alpha her. We all come from 897 00:44:15,360 --> 00:44:17,640 Speaker 1: you know, a spot that we you know, were clicked 898 00:44:17,680 --> 00:44:19,600 Speaker 1: to the music and to the people where we stretched out. 899 00:44:19,640 --> 00:44:22,440 Speaker 1: So I feel like he's just another just crazy extra 900 00:44:22,520 --> 00:44:25,120 Speaker 1: Tradi will come through with just different type of music, 901 00:44:25,200 --> 00:44:26,880 Speaker 1: no how to play, a good time to do everything. 902 00:44:27,480 --> 00:44:30,600 Speaker 1: And we had a relationship, Si yo, piano everything. We 903 00:44:30,680 --> 00:44:33,680 Speaker 1: had a relationships in two thousand fourteen, we were feeling 904 00:44:33,719 --> 00:44:36,759 Speaker 1: good and drinking and everything. And since then you just 905 00:44:36,840 --> 00:44:40,240 Speaker 1: still be my buddy. What's your buddy? Ship pole muddy 906 00:44:41,160 --> 00:44:44,000 Speaker 1: And before we got here, we gotta give congratulations finished 907 00:44:44,040 --> 00:44:48,919 Speaker 1: high school. Yeah back go getting the plum and Jeff 908 00:44:48,960 --> 00:44:51,080 Speaker 1: for the touch you up? Why was that in point 909 00:44:51,160 --> 00:44:53,560 Speaker 1: for you? You're ready very important, you know what I'm saying. 910 00:44:53,600 --> 00:44:55,400 Speaker 1: For the old heads and feel like they dropped out 911 00:44:55,480 --> 00:44:57,879 Speaker 1: like me and then I want to go back because 912 00:44:57,880 --> 00:45:00,600 Speaker 1: they felt like it was lame or not cool. You know, 913 00:45:00,760 --> 00:45:02,600 Speaker 1: you can still go back and get your paperwork so 914 00:45:02,719 --> 00:45:04,160 Speaker 1: you can do what you gotta do. You don't have 915 00:45:04,280 --> 00:45:08,080 Speaker 1: to be slow. Okay. Also, another little birdie told me 916 00:45:08,160 --> 00:45:11,440 Speaker 1: that Adidas. You're working with Adidas and some capacity. Um, 917 00:45:11,520 --> 00:45:15,480 Speaker 1: I gotta deal with Adidas with my AU team Hunt 918 00:45:15,520 --> 00:45:17,640 Speaker 1: Team Huncho. Ay. You you know what I'm saying. Were 919 00:45:17,960 --> 00:45:20,600 Speaker 1: having a U team team Hunt you. They're going crazy 920 00:45:20,719 --> 00:45:24,759 Speaker 1: right now. And we have seven on seven team also, yes, 921 00:45:24,800 --> 00:45:27,840 Speaker 1: seven on seven football team Huncho elite. You know what 922 00:45:27,840 --> 00:45:31,440 Speaker 1: I'm saying. You know, hunt your love of kids, we 923 00:45:31,600 --> 00:45:33,279 Speaker 1: got we got, we got we We got a lot 924 00:45:33,320 --> 00:45:35,080 Speaker 1: of things going on in the sports world, you know, 925 00:45:35,480 --> 00:45:37,040 Speaker 1: just trying to raise them right so they staut of 926 00:45:37,040 --> 00:45:39,920 Speaker 1: Truman have a good celebrity behind them. You know, back 927 00:45:39,960 --> 00:45:41,880 Speaker 1: in the day, we had no celebrity pushing us and 928 00:45:41,920 --> 00:45:44,200 Speaker 1: nobody come to the hood and just touched the kids 929 00:45:44,600 --> 00:45:46,879 Speaker 1: with all this talent. So we just gotta be there 930 00:45:46,960 --> 00:45:48,680 Speaker 1: and it's all of us. You know, when they say 931 00:45:48,760 --> 00:45:50,600 Speaker 1: hunt you, that mean we also hunt you. You know 932 00:45:50,640 --> 00:45:52,839 Speaker 1: it ain't jet me. You know it takes takeing come 933 00:45:52,920 --> 00:45:56,640 Speaker 1: through coach Team Hunt seven and semi lead. That coach 934 00:45:56,760 --> 00:45:58,960 Speaker 1: take when you see him, y'all, nigga, that coach take 935 00:45:59,000 --> 00:46:03,239 Speaker 1: you feeling respected? Everything is on. So you treated, I'm 936 00:46:03,280 --> 00:46:05,719 Speaker 1: gonna be the first billionaire out of my class. You 937 00:46:05,840 --> 00:46:07,719 Speaker 1: penned it? What did that mean? You penn it on 938 00:46:07,880 --> 00:46:12,800 Speaker 1: top because listen, I pin it because I meant it. 939 00:46:12,920 --> 00:46:15,279 Speaker 1: So get So what's that we get out of here? 940 00:46:15,880 --> 00:46:17,399 Speaker 1: How you see the path to that? Because I said, 941 00:46:17,400 --> 00:46:18,840 Speaker 1: you said with the film ship you want to be 942 00:46:19,160 --> 00:46:21,160 Speaker 1: perforced by ice Cube. Do you have a certain path 943 00:46:21,280 --> 00:46:23,160 Speaker 1: for what's gonna take to get to that point? Yeah? 944 00:46:23,200 --> 00:46:30,239 Speaker 1: I pined it because I meant yeah. See right off podcast, 945 00:46:31,280 --> 00:46:38,800 Speaker 1: I'm confused. Appreciate you guys man. We're gonna, We're gonna 946 00:46:40,840 --> 00:46:44,520 Speaker 1: Rapperators Interval presents original production from hyper House, produced by 947 00:46:44,600 --> 00:46:48,319 Speaker 1: Laura wasser Olsen, Producers Elliott Wilson and Brian B. Dot Miller. 948 00:46:48,680 --> 00:46:51,880 Speaker 1: For Me to Full presents executive producers Alan Coy and 949 00:46:52,000 --> 00:46:56,560 Speaker 1: Jake Kleinberg. Executive producer Paul Rosenberg, editing his sound design 950 00:46:56,760 --> 00:47:01,120 Speaker 1: by Dylan Alexandra Freeman, recording engineer Great Paul, Visual directors 951 00:47:01,280 --> 00:47:05,680 Speaker 1: Sammy Delille and Caleb Seals. Operations lead Sarah You Business 952 00:47:05,719 --> 00:47:09,439 Speaker 1: development lead cheff E Allen Swagg and marketing lead Samara Still. 953 00:47:09,760 --> 00:47:12,920 Speaker 1: Make sure to follow, operator or listen on Apple Podcasts, Spotify, 954 00:47:13,080 --> 00:47:15,600 Speaker 1: Amazon Music, Stitcher, or wherever you get your podcasts