1 00:00:03,000 --> 00:00:06,040 Speaker 1: It's now time for Cannabis Talk one oh one with Blue, 2 00:00:06,360 --> 00:00:10,119 Speaker 1: Joe Grande and Marking, Craig Wasserman, the Pot Brothers at Law. 3 00:00:10,320 --> 00:00:13,960 Speaker 1: We're the world's number one podcast for everything cannabis. Hello 4 00:00:13,960 --> 00:00:15,720 Speaker 1: and welcome to Cannabis Talk one on one, the world's 5 00:00:15,800 --> 00:00:18,119 Speaker 1: number one source for everything cannabis. My name is Blue. 6 00:00:18,120 --> 00:00:20,319 Speaker 1: Alongside of me is the world famous Joe Grande, and 7 00:00:20,320 --> 00:00:23,159 Speaker 1: you were now tuned into the greatest cannabis show in 8 00:00:23,200 --> 00:00:25,200 Speaker 1: the sudden name. No man, it's in the country a 9 00:00:25,280 --> 00:00:27,720 Speaker 1: hundred and thirty one countries. We out there banging, and 10 00:00:27,720 --> 00:00:29,840 Speaker 1: you know what, we appreciate everybody out there listening to 11 00:00:29,840 --> 00:00:32,680 Speaker 1: the show. We really do call us up anytime on 12 00:00:34,920 --> 00:00:39,320 Speaker 1: are called Blue personally five six to don't call me. 13 00:00:40,320 --> 00:00:42,800 Speaker 1: Make sure you check out our Instagram pages for days 14 00:00:42,840 --> 00:00:45,440 Speaker 1: learning the script and so much more at Cannabis Talk 15 00:00:45,520 --> 00:00:49,720 Speaker 1: one oh one at Pot Underscore, Brothers Underscore at Underscore, Law, 16 00:00:49,800 --> 00:00:52,480 Speaker 1: Marks at wash Law, Craigs at wash Law, Dog, Blue 17 00:00:52,520 --> 00:00:54,960 Speaker 1: is at one, Christopher Wright and I am at Joe 18 00:00:55,000 --> 00:00:58,360 Speaker 1: grand fifty two our guest today. I'll tell you, man, 19 00:00:58,880 --> 00:01:01,880 Speaker 1: this group right here already dealt with some tragedy after 20 00:01:01,920 --> 00:01:03,760 Speaker 1: one of the members were shot this year, Cut though, 21 00:01:03,800 --> 00:01:07,160 Speaker 1: decided to continue rest in piece of Juice Boy. Uh 22 00:01:07,200 --> 00:01:10,080 Speaker 1: you know he just all my heart goes out to 23 00:01:10,120 --> 00:01:12,120 Speaker 1: that as I hear the music. And they're from sam 24 00:01:12,120 --> 00:01:14,560 Speaker 1: Matale Bay area. Y'all don't know, but I'm from the 25 00:01:14,600 --> 00:01:17,280 Speaker 1: Bay as well, San Jose Reside, born and raised in 26 00:01:17,280 --> 00:01:20,360 Speaker 1: the four oh eight, James Like High school to seven. 27 00:01:20,360 --> 00:01:21,959 Speaker 1: I ride till I die. You know how we do 28 00:01:22,000 --> 00:01:24,720 Speaker 1: it from the four oh eight. Anyhow, who sky but 29 00:01:24,880 --> 00:01:28,400 Speaker 1: cutthrow you know place there their stamped within the Polynesian community. 30 00:01:28,800 --> 00:01:31,160 Speaker 1: So these cats are doing it. They're stopping their mobbing. 31 00:01:31,560 --> 00:01:34,679 Speaker 1: You'll hear creative yet candid bars from the bar. I love. 32 00:01:34,959 --> 00:01:36,680 Speaker 1: This is all from the from your website to which 33 00:01:36,720 --> 00:01:39,399 Speaker 1: I loved, bar for bar word played from Rich Rolling. 34 00:01:39,440 --> 00:01:40,920 Speaker 1: Thank you Rich for coming on the show with us. 35 00:01:40,920 --> 00:01:43,800 Speaker 1: By the way, brother and he's no fucking little cat either, 36 00:01:43,840 --> 00:01:48,000 Speaker 1: which is right. And it's stimulating conscious delivery from Juice 37 00:01:48,040 --> 00:01:51,440 Speaker 1: Boy and encouraging sanguine which is a big word that 38 00:01:51,520 --> 00:01:53,720 Speaker 1: you guys pull out of the closet for that, which 39 00:01:53,760 --> 00:01:56,440 Speaker 1: is a nice elegant sound. I had to look it up, 40 00:01:56,480 --> 00:01:58,440 Speaker 1: going wait a minute, any fucking dudes are making me 41 00:01:58,480 --> 00:02:01,320 Speaker 1: google a word over there. I can't just say a 42 00:02:01,360 --> 00:02:04,160 Speaker 1: word and not know exactly what I'm saying. But bottom line, 43 00:02:04,200 --> 00:02:07,560 Speaker 1: this dude's poetic right here. With some strong, smooth messages 44 00:02:07,840 --> 00:02:11,400 Speaker 1: from Mr Music and Uh after listening to some songs, 45 00:02:12,120 --> 00:02:14,359 Speaker 1: that's no doubt man. Together they create a rare hip 46 00:02:14,440 --> 00:02:17,000 Speaker 1: hop sound, creative wrapping R and B and an Island 47 00:02:17,080 --> 00:02:20,480 Speaker 1: reggae audience. It's Cutthroat mode dot com. Check them out 48 00:02:20,520 --> 00:02:23,679 Speaker 1: on I g I Cutthroat four or five four. Thank 49 00:02:23,720 --> 00:02:26,040 Speaker 1: you brothers, Rich and uh Mr Music for coming on 50 00:02:26,120 --> 00:02:28,480 Speaker 1: and being here with us. Man, thanks for having And 51 00:02:28,600 --> 00:02:31,600 Speaker 1: I gotta tell you when we first listen to the 52 00:02:31,680 --> 00:02:33,800 Speaker 1: music earlier, Blue and I right, we're we're sitting there 53 00:02:33,800 --> 00:02:35,560 Speaker 1: and doing some research on you guys, and I'm trying 54 00:02:35,600 --> 00:02:37,880 Speaker 1: to look up the music and I play it now. 55 00:02:37,919 --> 00:02:41,440 Speaker 1: Mind you. He was, he was signed with death Row Records. 56 00:02:41,440 --> 00:02:44,720 Speaker 1: He's been on toward it. I've worked at Wild mighty 57 00:02:44,800 --> 00:02:46,440 Speaker 1: four nine, a show called The dog House from the 58 00:02:46,440 --> 00:02:48,079 Speaker 1: Bay Area. I don't know if you guys know that 59 00:02:48,120 --> 00:02:50,640 Speaker 1: you might be young. I'm big Joe for the dog House. 60 00:02:50,680 --> 00:02:53,440 Speaker 1: So I've run from the doghouse to power one of 61 00:02:53,440 --> 00:02:55,720 Speaker 1: those six kiss that fami. I do more radio than 62 00:02:55,720 --> 00:02:58,960 Speaker 1: you can imagine. Right when we heard that ship, I 63 00:02:59,080 --> 00:03:02,200 Speaker 1: looked at Blue, I said, whether fucker he comes, he 64 00:03:02,280 --> 00:03:04,560 Speaker 1: sits next, we're on the desk. We don't. We don't 65 00:03:04,600 --> 00:03:06,640 Speaker 1: do this, all right, So I just listening. Hell, are 66 00:03:06,720 --> 00:03:08,799 Speaker 1: ill hustle from the next desk over because we share 67 00:03:08,840 --> 00:03:12,960 Speaker 1: the area and he won't like do but yeah, but 68 00:03:13,040 --> 00:03:16,239 Speaker 1: my point is he comes next to me on the knee. 69 00:03:16,480 --> 00:03:19,320 Speaker 1: So now we're listening to its side by side, then 70 00:03:19,520 --> 00:03:22,520 Speaker 1: together like right, and we're sitting here and I'm looking 71 00:03:22,520 --> 00:03:25,000 Speaker 1: at him. I go, dog, I can hear this like 72 00:03:25,280 --> 00:03:28,120 Speaker 1: now on the radio. So then I had to funk 73 00:03:28,160 --> 00:03:30,640 Speaker 1: with it and go to your YouTube page, and I 74 00:03:30,680 --> 00:03:33,639 Speaker 1: gotta go look for more music. I don't click another 75 00:03:33,680 --> 00:03:37,119 Speaker 1: one and another one. I'm four songs in, going why 76 00:03:37,160 --> 00:03:40,920 Speaker 1: aren't these cats on the air? Now? Right? I was 77 00:03:41,080 --> 00:03:44,280 Speaker 1: so impressed with what I heard, and I gave the 78 00:03:44,280 --> 00:03:46,160 Speaker 1: credentials of what we are and what we did because 79 00:03:47,160 --> 00:03:49,240 Speaker 1: I don't stroke anybody. You know what I'm saying. It 80 00:03:49,280 --> 00:03:51,560 Speaker 1: ain't my thing. I don't if I don't. Yeah, okay, no, welcome, 81 00:03:51,640 --> 00:03:54,200 Speaker 1: nice to see you guys, cool music whatever, whatever, This 82 00:03:54,240 --> 00:03:57,520 Speaker 1: ship is fire. Who's producing? Who are you guys with 83 00:03:57,720 --> 00:04:00,880 Speaker 1: to create such amazing beau the ful music? Because like 84 00:04:00,880 --> 00:04:03,760 Speaker 1: you said, everything in your bio, the lot it's it's 85 00:04:03,800 --> 00:04:07,320 Speaker 1: still in your face, uh, but it's smooth, you know 86 00:04:07,360 --> 00:04:10,160 Speaker 1: what I mean? And and rest in peace. Juice boy, 87 00:04:10,200 --> 00:04:12,160 Speaker 1: you're like the Nate dog of fucking what you was 88 00:04:12,200 --> 00:04:14,560 Speaker 1: doing with these hooks and ship right, it was like 89 00:04:14,560 --> 00:04:16,480 Speaker 1: when I heard that and I just found out that 90 00:04:16,480 --> 00:04:18,440 Speaker 1: that was the cat that path that gave me goose 91 00:04:18,480 --> 00:04:22,719 Speaker 1: bumps and made me go no, Like your guys, music 92 00:04:22,880 --> 00:04:27,039 Speaker 1: feels like it already has longevity, you know what I mean? 93 00:04:27,640 --> 00:04:29,839 Speaker 1: So talk about how who's producing this? How do you 94 00:04:29,839 --> 00:04:34,800 Speaker 1: guys get together? Well? Who produced this latest album? Juice 95 00:04:34,839 --> 00:04:38,160 Speaker 1: more was shakes a right, and he's actually from sokal In, Ontario. 96 00:04:38,760 --> 00:04:41,239 Speaker 1: So yeah, we leaked up with him through our brother 97 00:04:41,279 --> 00:04:43,800 Speaker 1: a though he's part of a plus family. But you know, 98 00:04:43,839 --> 00:04:45,400 Speaker 1: we were all with four or five four straight out 99 00:04:45,400 --> 00:04:48,080 Speaker 1: of San Jose, so that sat is like our second home. 100 00:04:48,920 --> 00:04:52,800 Speaker 1: Who are you guys messing with that? Okay, that's not 101 00:04:53,360 --> 00:04:54,800 Speaker 1: right now. I don't know if I know who you 102 00:04:54,920 --> 00:05:01,720 Speaker 1: who's his dad? Might know? Its d okay tracks a 103 00:05:01,760 --> 00:05:04,279 Speaker 1: million I remember that. Yeah, our sound really just comes 104 00:05:04,279 --> 00:05:06,320 Speaker 1: from you know, how we grew up, but we try 105 00:05:06,360 --> 00:05:08,120 Speaker 1: to keep it as really it can be, you know, 106 00:05:08,200 --> 00:05:10,400 Speaker 1: like like you said, it's in your face. But at 107 00:05:10,400 --> 00:05:12,080 Speaker 1: the same time, it's smooth because we were raised by 108 00:05:12,120 --> 00:05:14,240 Speaker 1: real o gs, you know, so we know how to 109 00:05:14,279 --> 00:05:17,120 Speaker 1: get get the attention. But talk that ship that, you 110 00:05:17,120 --> 00:05:20,400 Speaker 1: know what I mean, right, But it's smooth and nice though, 111 00:05:20,480 --> 00:05:22,240 Speaker 1: you know what I mean. That's what I liked about it. 112 00:05:22,240 --> 00:05:25,440 Speaker 1: It's smooth and nice and I'm smacking the face. Were 113 00:05:25,440 --> 00:05:30,560 Speaker 1: gonna hugging, hill chilling, smoking, drinking and party, yeah right, 114 00:05:30,640 --> 00:05:32,520 Speaker 1: but don't get it twisted. That's how I feel. Like. 115 00:05:32,560 --> 00:05:33,880 Speaker 1: When I was listening to it and they were watching 116 00:05:33,880 --> 00:05:35,800 Speaker 1: the videos and me and he were both saying this, 117 00:05:35,880 --> 00:05:38,360 Speaker 1: We're like, these cats give us that old school feeling 118 00:05:38,520 --> 00:05:41,000 Speaker 1: it is and gave us a feeling. You know. I'll 119 00:05:41,000 --> 00:05:42,440 Speaker 1: tell you what we we We get a lot of 120 00:05:42,520 --> 00:05:44,680 Speaker 1: artists that want to be on our show or and 121 00:05:44,680 --> 00:05:46,240 Speaker 1: and we try to, you know, give back to the 122 00:05:46,240 --> 00:05:49,080 Speaker 1: community as much as possible, but sometimes people don't make 123 00:05:49,080 --> 00:05:51,760 Speaker 1: the cut, you know. And so when we were listening 124 00:05:51,800 --> 00:05:53,920 Speaker 1: to it, we're like, yeo, these dudes are really talented, 125 00:05:54,040 --> 00:05:55,520 Speaker 1: like you know what I mean. Like and a lot 126 00:05:55,600 --> 00:05:57,320 Speaker 1: of times we'll hear stuff and be like, oh, it's cool, 127 00:05:57,320 --> 00:05:59,599 Speaker 1: but it's so and so sund from this or so 128 00:05:59,680 --> 00:06:01,640 Speaker 1: and so that, and so we'll let it, let it 129 00:06:01,680 --> 00:06:04,400 Speaker 1: fly to um. But but your guys, music stands on 130 00:06:04,440 --> 00:06:07,359 Speaker 1: its own. Like you guys have some quality, quality music. 131 00:06:07,520 --> 00:06:10,239 Speaker 1: And I'll tell you what, um you know, I think 132 00:06:10,320 --> 00:06:12,760 Speaker 1: if you guys just keep pushing this, you know it's 133 00:06:12,800 --> 00:06:14,400 Speaker 1: to the moon. Where do you guys? Are you guys 134 00:06:14,440 --> 00:06:16,440 Speaker 1: on tour? What are you guys doing right now? Uh? 135 00:06:16,520 --> 00:06:20,520 Speaker 1: To to see your project explode? Man? Basically, you know 136 00:06:20,560 --> 00:06:23,200 Speaker 1: we're just you know we're to miss the cream visuals, 137 00:06:23,279 --> 00:06:25,239 Speaker 1: you know, we we we got we got the content 138 00:06:25,400 --> 00:06:27,080 Speaker 1: right now. But basically just trying to stay in their 139 00:06:27,080 --> 00:06:28,880 Speaker 1: face and you know, get a little just trying to 140 00:06:28,880 --> 00:06:30,840 Speaker 1: stand in their face and you know, uh, create more 141 00:06:30,920 --> 00:06:32,880 Speaker 1: visuals and have a lot for them to see, you 142 00:06:32,920 --> 00:06:35,080 Speaker 1: know what I mean. Yeah, definitely have this group come 143 00:06:35,160 --> 00:06:38,440 Speaker 1: together rich rolling man. We all childhood friends. We come 144 00:06:38,440 --> 00:06:40,760 Speaker 1: from San Matel, California. You know, shure of you to 145 00:06:40,800 --> 00:06:43,200 Speaker 1: be exact, it's on the East side and uh, we 146 00:06:43,279 --> 00:06:44,760 Speaker 1: all you know, we all went to the the same church, 147 00:06:44,760 --> 00:06:47,000 Speaker 1: our parents all close and that we were very close 148 00:06:47,080 --> 00:06:53,960 Speaker 1: knit community. That Polynesian community is stick together. And yeah, 149 00:06:54,520 --> 00:06:57,760 Speaker 1: but actually my older brother were just a year and 150 00:06:57,800 --> 00:07:00,839 Speaker 1: a half apart shot so you know, just him doing 151 00:07:00,880 --> 00:07:02,960 Speaker 1: what he's doing, like that's my big brother. Man, he's tight. 152 00:07:03,040 --> 00:07:06,520 Speaker 1: I'm gonna do that too, basically, you know, like everybody 153 00:07:06,520 --> 00:07:08,360 Speaker 1: in the uighblehood tried to wrap at first, you know, 154 00:07:08,680 --> 00:07:11,480 Speaker 1: and then we just slowly just connected. Well. And not 155 00:07:11,520 --> 00:07:14,200 Speaker 1: only that, for folks who don't know this geographic area, 156 00:07:14,240 --> 00:07:17,800 Speaker 1: San Mateo isn't necessarily known for putting out some big artists. 157 00:07:17,800 --> 00:07:19,400 Speaker 1: You got E. P A that's gonna put something out. 158 00:07:19,400 --> 00:07:21,559 Speaker 1: You've got San Francisco. Then you gotta cross the bridge 159 00:07:21,560 --> 00:07:23,440 Speaker 1: and you gotta go to Oakland or then you gotta 160 00:07:23,480 --> 00:07:26,000 Speaker 1: go up to Vallejo or something like that. And even 161 00:07:26,040 --> 00:07:27,840 Speaker 1: San Jo doesn't get the wraps that you know that 162 00:07:28,000 --> 00:07:29,840 Speaker 1: Rapping Forte was the one back in the day that 163 00:07:30,200 --> 00:07:32,000 Speaker 1: did something. Do you know your way to San Jose, 164 00:07:32,160 --> 00:07:33,760 Speaker 1: you know what I mean. So when you look at 165 00:07:33,800 --> 00:07:36,000 Speaker 1: Bay Area hip hop artists, which you know, I got 166 00:07:36,000 --> 00:07:38,560 Speaker 1: that Bay Area stamp like official, I know, and see 167 00:07:38,560 --> 00:07:41,120 Speaker 1: it and see some cats from saying Matto like I've 168 00:07:41,120 --> 00:07:44,840 Speaker 1: seen let alone Polynesian. I grew up like I'm from actual. 169 00:07:44,840 --> 00:07:46,760 Speaker 1: I had a lot of Polynesian boys, you know what 170 00:07:46,800 --> 00:07:48,880 Speaker 1: I mean. And I worked radio up in San Francisco 171 00:07:48,920 --> 00:07:51,280 Speaker 1: for years, so I'd go to hunt Hunter's Point, meet 172 00:07:51,360 --> 00:07:55,040 Speaker 1: all the Samoans up there and another Polynesian cats, hang out, 173 00:07:55,120 --> 00:07:57,960 Speaker 1: smoke blunts, do do our thing. So for me, when 174 00:07:58,000 --> 00:08:00,560 Speaker 1: I seen you guys and checked out the website, I 175 00:08:00,640 --> 00:08:03,400 Speaker 1: got this proud feeling for you guys just want to 176 00:08:03,400 --> 00:08:05,080 Speaker 1: support it and I want to do anything I could. 177 00:08:05,240 --> 00:08:10,040 Speaker 1: We were both we can get behind it, you know 178 00:08:10,080 --> 00:08:12,480 Speaker 1: what I mean. Because it's like if you if you 179 00:08:12,520 --> 00:08:14,760 Speaker 1: hear something great, you know, and we know you know, 180 00:08:15,560 --> 00:08:16,840 Speaker 1: we're on radio, you know what I'm saying. We're in 181 00:08:16,880 --> 00:08:19,480 Speaker 1: a hundred thirty four countries, so when we hear ship, 182 00:08:19,480 --> 00:08:21,400 Speaker 1: we're like, oh, that's just that's that that could go. 183 00:08:21,680 --> 00:08:23,720 Speaker 1: You know, we know it, you know. So there's record 184 00:08:23,760 --> 00:08:25,840 Speaker 1: pools that we deal with people that are in the industry, 185 00:08:25,840 --> 00:08:27,160 Speaker 1: and we could, you know, we were looking at like 186 00:08:27,160 --> 00:08:29,600 Speaker 1: we can get behind something like this because I think 187 00:08:29,640 --> 00:08:32,679 Speaker 1: it's it's one it needs to be heard. The sound 188 00:08:32,679 --> 00:08:34,960 Speaker 1: that you guys have It reminds me of of you know, 189 00:08:35,000 --> 00:08:37,760 Speaker 1: the the nineties field. But right now, you know what 190 00:08:37,800 --> 00:08:39,360 Speaker 1: I mean? What's something he said too? He goes, this 191 00:08:39,440 --> 00:08:44,200 Speaker 1: is a new, up and coming modern day tribe. Yeah right, yeah, 192 00:08:44,200 --> 00:08:50,160 Speaker 1: I like to different vibe. Vibe but like the pioneers, 193 00:08:50,360 --> 00:08:52,840 Speaker 1: yeah go get it said yeah, yeah, it was different. 194 00:08:52,880 --> 00:08:54,760 Speaker 1: But that's what we said looking at it. And then 195 00:08:54,800 --> 00:08:56,800 Speaker 1: the thing, you know, you guys got great music, and 196 00:08:56,840 --> 00:08:59,600 Speaker 1: you guys got a cannabis brand name juice. Right, is 197 00:08:59,600 --> 00:09:01,959 Speaker 1: that correct? That's what it's called juice. Yeah, that's that's 198 00:09:02,000 --> 00:09:03,640 Speaker 1: kind of under wraps from now. But right now we're 199 00:09:03,640 --> 00:09:07,160 Speaker 1: pushing out this actually right here? What is that right there? Uh? 200 00:09:07,559 --> 00:09:09,760 Speaker 1: That's right here. This is from my brother Big Seth 201 00:09:09,800 --> 00:09:13,920 Speaker 1: Exotics right here. So it's a tongue and fruit drink. 202 00:09:14,840 --> 00:09:17,720 Speaker 1: You know that my brother had turned into some cannabis. 203 00:09:17,800 --> 00:09:20,400 Speaker 1: You know what I mean? So is it actually flower? 204 00:09:20,559 --> 00:09:23,080 Speaker 1: What is it? Exactly? Yeah? It's some flower. Where can 205 00:09:23,120 --> 00:09:28,000 Speaker 1: people get this app? Man? You can follow thy exotics 206 00:09:28,040 --> 00:09:33,439 Speaker 1: folks out there. That o t a I okay exotics 207 00:09:33,720 --> 00:09:36,480 Speaker 1: and that's a drink and it's a drinking a tongue 208 00:09:36,480 --> 00:09:39,920 Speaker 1: and drink. Nice. Nice? What what is It consist of watermelon, 209 00:09:40,040 --> 00:09:43,959 Speaker 1: coconut um, a little half and half and some I 210 00:09:44,000 --> 00:09:51,240 Speaker 1: can't tell you how the rest. Yeah, drinking one of 211 00:09:51,240 --> 00:09:57,480 Speaker 1: those cho style things. Yeah yeah yeah. And now that's 212 00:09:57,640 --> 00:09:59,600 Speaker 1: and that's a flower that people can get. This is 213 00:09:59,640 --> 00:10:01,520 Speaker 1: a yeah, this is this is a flower you can 214 00:10:01,679 --> 00:10:05,320 Speaker 1: you could uh, you can inquire about it Big Self Exotics. Okay, 215 00:10:05,320 --> 00:10:07,719 Speaker 1: Can I see the brandy requim? Can I smoke it? No? 216 00:10:08,559 --> 00:10:10,800 Speaker 1: It's like, let me hit that. Okay, so you guys 217 00:10:10,800 --> 00:10:12,839 Speaker 1: got the full package and everything. All this stuff is 218 00:10:12,880 --> 00:10:14,839 Speaker 1: going good. Let's see here. Let's take a good little 219 00:10:14,960 --> 00:10:18,160 Speaker 1: nose test mm hmm smell. Oh yeah, it's got a 220 00:10:18,240 --> 00:10:20,920 Speaker 1: nice nose on it, and it's got a good look. 221 00:10:21,040 --> 00:10:24,000 Speaker 1: This is nice. This is real, real nice. All that 222 00:10:24,080 --> 00:10:26,760 Speaker 1: all right? Let me check it out old time. That's 223 00:10:26,760 --> 00:10:29,679 Speaker 1: that old tie from Big Seth Exotics. Nice. Are you 224 00:10:29,679 --> 00:10:33,280 Speaker 1: guys more in Bay Area? Dispensaries are all over California 225 00:10:33,360 --> 00:10:36,000 Speaker 1: or where you guys. Don't even think it's not in 226 00:10:36,040 --> 00:10:38,120 Speaker 1: the stores right now. Okay, so you're not getting ready 227 00:10:39,679 --> 00:10:41,560 Speaker 1: real soon. Okay, I think got all the info on 228 00:10:41,600 --> 00:10:44,880 Speaker 1: this page on Big Self Exotics. Alright, cool, So we 229 00:10:44,960 --> 00:10:47,360 Speaker 1: got the cannabis brands and we got juice coming soon. 230 00:10:47,440 --> 00:10:50,280 Speaker 1: Let's get back to this stuff, Mr Music. Big brothers 231 00:10:50,520 --> 00:10:53,400 Speaker 1: singing rapping as a kid. How at one point did 232 00:10:53,400 --> 00:10:55,800 Speaker 1: you go, hey, big brother, I want to do it too. 233 00:10:55,960 --> 00:10:58,839 Speaker 1: How old was that? Uh? Damn? Probably when I was 234 00:10:58,880 --> 00:11:01,840 Speaker 1: like twelve. I don't know. I just you know everything 235 00:11:01,880 --> 00:11:05,520 Speaker 1: my brother did. I just admired you. So him being 236 00:11:05,520 --> 00:11:07,440 Speaker 1: in the streets with all the boys and just you know, 237 00:11:07,480 --> 00:11:09,480 Speaker 1: even putting on for his name, and then you know, 238 00:11:09,640 --> 00:11:12,360 Speaker 1: just me, he's bigger, way bigger than me. So me 239 00:11:12,480 --> 00:11:15,120 Speaker 1: being the young dude on road to now I broke, 240 00:11:15,160 --> 00:11:17,520 Speaker 1: stay off the streets like anything with the music. Let 241 00:11:17,520 --> 00:11:19,480 Speaker 1: me go to studio with you now, I mean, stay home. 242 00:11:20,200 --> 00:11:22,680 Speaker 1: But I'm persistent, man, I don't give a damn but 243 00:11:23,600 --> 00:11:25,920 Speaker 1: hearing you in the music, dog, like when we're hearing 244 00:11:25,960 --> 00:11:27,760 Speaker 1: that song before we played it. We're gonna play this 245 00:11:27,800 --> 00:11:30,000 Speaker 1: for you guys all my life. And when you guys 246 00:11:30,040 --> 00:11:31,959 Speaker 1: hear this, if I'm not mistaken, you're the second one 247 00:11:31,960 --> 00:11:34,280 Speaker 1: that comes on. Correct. Yeah, So when you came on 248 00:11:34,320 --> 00:11:37,040 Speaker 1: that second verse, even when before we met you, we 249 00:11:37,040 --> 00:11:40,199 Speaker 1: were listening to the first one was dope. Second like 250 00:11:40,400 --> 00:11:42,840 Speaker 1: it was fire fire, fire, So all you guys when 251 00:11:42,880 --> 00:11:44,720 Speaker 1: you came in, Dog, it was great. And it's funny 252 00:11:44,720 --> 00:11:46,360 Speaker 1: because I think you were in the video too, right, 253 00:11:46,400 --> 00:11:48,280 Speaker 1: wearing a beanie one of your boys right here, and 254 00:11:48,320 --> 00:11:50,520 Speaker 1: from not mistake, I've ever seen him in the video everybody, 255 00:11:52,440 --> 00:11:54,760 Speaker 1: and I remember seeing it and I keep staring at like, 256 00:11:54,840 --> 00:11:56,560 Speaker 1: is he in the music? Where do I know this? 257 00:11:57,000 --> 00:11:59,880 Speaker 1: We have the video and just but Dog, you came spit? 258 00:12:00,080 --> 00:12:02,160 Speaker 1: So at what point at twelve you want to get 259 00:12:02,200 --> 00:12:05,160 Speaker 1: into it? But at what point did he go? All right? 260 00:12:05,200 --> 00:12:08,640 Speaker 1: You know what? I think? I gotta give your name, Mr. Music, Like, 261 00:12:08,880 --> 00:12:10,559 Speaker 1: I mean, how did you at what point did you 262 00:12:11,080 --> 00:12:14,680 Speaker 1: spent so rich used to have a studio, homemade studio 263 00:12:14,760 --> 00:12:17,000 Speaker 1: in his room and we used to wrap in his closet. 264 00:12:17,000 --> 00:12:18,280 Speaker 1: Will Me and his little brother used to wrap in 265 00:12:18,280 --> 00:12:19,920 Speaker 1: the closet when he would be away at school. Would 266 00:12:19,920 --> 00:12:22,520 Speaker 1: just cut school down the street. And then, uh, I 267 00:12:22,640 --> 00:12:24,880 Speaker 1: was just persistent on that. And then it got to 268 00:12:24,880 --> 00:12:27,439 Speaker 1: the point where he brought it to our to our 269 00:12:27,480 --> 00:12:29,760 Speaker 1: house in our garage and then they were just in there, 270 00:12:29,760 --> 00:12:31,719 Speaker 1: you know, smoking and making music. And I was that 271 00:12:31,840 --> 00:12:33,439 Speaker 1: su let me get on this, and my brothers like, 272 00:12:33,520 --> 00:12:35,520 Speaker 1: let's see what you got and I got in you. 273 00:12:35,520 --> 00:12:37,719 Speaker 1: I mean all that practice pay the truth came out 274 00:12:37,720 --> 00:12:43,240 Speaker 1: in the booth and there you do this and then 275 00:12:43,280 --> 00:12:45,080 Speaker 1: that's doing that at that point and say this make 276 00:12:45,120 --> 00:12:49,000 Speaker 1: a group. Yeah. So my brother and Richard were already together, 277 00:12:49,120 --> 00:12:51,440 Speaker 1: so they were called last of the eighties. I mean 278 00:12:51,480 --> 00:12:56,000 Speaker 1: because they're they're both eighty nine. So when I got in, Yeah, 279 00:12:56,360 --> 00:12:57,920 Speaker 1: so so last of the eighties is like last of 280 00:12:57,920 --> 00:13:02,160 Speaker 1: the real because you know I mean that. Yeah, that's 281 00:13:02,200 --> 00:13:04,319 Speaker 1: so fucking crazy because I graduated high school in ninet 282 00:13:04,320 --> 00:13:05,920 Speaker 1: to ninety and I feel like I look younger than 283 00:13:05,960 --> 00:13:09,640 Speaker 1: both of you. We've been through some ship. I don't 284 00:13:09,679 --> 00:13:12,920 Speaker 1: have to prove that. I'm just trying to compliment myself. 285 00:13:12,960 --> 00:13:16,160 Speaker 1: Oh you know, I was old. I'm getting and sometimes 286 00:13:16,200 --> 00:13:17,840 Speaker 1: I see young cats in the Bay and that gets 287 00:13:17,840 --> 00:13:19,560 Speaker 1: me on, pup. I gotta think of a young cat. 288 00:13:19,960 --> 00:13:22,199 Speaker 1: I'm Bay Area and take my old as a homeoker. 289 00:13:22,920 --> 00:13:25,720 Speaker 1: I don't barking out enough right now, let me go. 290 00:13:26,240 --> 00:13:28,160 Speaker 1: It's so great though, Like I said, I just love 291 00:13:28,200 --> 00:13:31,160 Speaker 1: when I see that support. And speaking of support, how 292 00:13:31,280 --> 00:13:34,600 Speaker 1: is the Bay Area supporting you guys? Well, the Polynesian community, 293 00:13:34,800 --> 00:13:38,920 Speaker 1: I feel like you just he just stepped. Are we 294 00:13:38,960 --> 00:13:41,240 Speaker 1: still rolling there? We're good no matter what. Let's just 295 00:13:41,280 --> 00:13:46,760 Speaker 1: keep the Polynesian community in the Bay's like it's it's 296 00:13:46,800 --> 00:13:49,439 Speaker 1: a lot of us out here. So we have everybody's attention, 297 00:13:49,559 --> 00:13:52,520 Speaker 1: anybody in the States that we have their attention. But 298 00:13:52,880 --> 00:13:56,480 Speaker 1: as far as uh like all the other I'm talking 299 00:13:56,520 --> 00:14:00,880 Speaker 1: like the wild An really got too much of You know, 300 00:14:00,920 --> 00:14:04,080 Speaker 1: you need pool out here for you, you need your 301 00:14:04,080 --> 00:14:09,240 Speaker 1: red taking the stairs. Well you know what though that 302 00:14:09,280 --> 00:14:11,120 Speaker 1: you keep hitting them streets like that and you keep 303 00:14:11,120 --> 00:14:13,520 Speaker 1: doing their thing, It's gonna happen. You know, hip hop 304 00:14:13,559 --> 00:14:17,120 Speaker 1: started right where you guys live at right there at Stanford, 305 00:14:17,400 --> 00:14:19,120 Speaker 1: which was Kevy keV. I don't know if you know 306 00:14:19,160 --> 00:14:21,479 Speaker 1: the history of how hip hop came to the Bay. 307 00:14:21,840 --> 00:14:25,320 Speaker 1: Kevy keV is an old school o G hip radio 308 00:14:25,440 --> 00:14:28,240 Speaker 1: DJ that started on the Stanford radio station and he 309 00:14:28,280 --> 00:14:29,720 Speaker 1: brought it to the base. On my point is you 310 00:14:29,920 --> 00:14:32,000 Speaker 1: right there in the mix, and you know, if you 311 00:14:32,000 --> 00:14:33,800 Speaker 1: need to contact with Big von that's you know, Big 312 00:14:33,880 --> 00:14:36,120 Speaker 1: von us to intern for me back in the day. 313 00:14:36,160 --> 00:14:38,200 Speaker 1: So all these young all these cats that are doing 314 00:14:38,240 --> 00:14:40,680 Speaker 1: things over there, just keep doing your thing because your music, 315 00:14:40,720 --> 00:14:42,880 Speaker 1: I feel, like I said, speaks for itself. For those 316 00:14:42,880 --> 00:14:44,440 Speaker 1: who want to hear it, check it out. This is 317 00:14:44,520 --> 00:14:49,240 Speaker 1: all my life, produced by Shakes Shakes, so r let's go, 318 00:15:00,320 --> 00:15:11,400 Speaker 1: oh my life. I've been working fetish, sad fice, I've 319 00:15:11,440 --> 00:15:15,560 Speaker 1: been fatis, Oh my grind, never searched for this. I'll 320 00:15:15,560 --> 00:15:17,720 Speaker 1: put them work in this space, stressing in that he 321 00:15:18,480 --> 00:15:22,520 Speaker 1: ro feel like they were stuck below us. Tell us cities. 322 00:15:22,600 --> 00:15:25,440 Speaker 1: You has to show us he might go over my way. 323 00:15:25,520 --> 00:15:29,240 Speaker 1: Let me show you. Yeah. I'll be in the field 324 00:15:29,280 --> 00:15:31,720 Speaker 1: with the dirty cliche rope running. I strayed a hundred 325 00:15:31,720 --> 00:15:34,240 Speaker 1: off the dirty piece. I'll be getting to it with 326 00:15:34,360 --> 00:15:36,360 Speaker 1: an urgency. If I put it up. You know it's 327 00:15:36,440 --> 00:15:39,040 Speaker 1: good like a curry three. I've never heard of y'all. 328 00:15:39,040 --> 00:15:40,800 Speaker 1: I know y'all heard of meeting. I've just been moving 329 00:15:40,840 --> 00:15:42,400 Speaker 1: things off the muscle and I can bark. At least 330 00:15:42,400 --> 00:15:44,760 Speaker 1: I'm killing them every time that I double lists of murdency, 331 00:15:45,000 --> 00:15:47,440 Speaker 1: bloody bread, burgundy rich. I'm for sure to be the 332 00:15:47,480 --> 00:15:50,120 Speaker 1: nervodis blitchass things. Why I swear the guy and if 333 00:15:50,160 --> 00:15:52,080 Speaker 1: it's me against the where here, Yeah, I bet the 334 00:15:52,120 --> 00:15:53,880 Speaker 1: eyes to make sure that these clips on this bit 335 00:15:53,960 --> 00:15:56,320 Speaker 1: stake extra long drop me and Eddie and just tell 336 00:15:56,320 --> 00:15:58,600 Speaker 1: me where the exit are. All my life, I've been 337 00:15:58,600 --> 00:16:03,200 Speaker 1: working fetish sam p fic, I fade, oh my grind, 338 00:16:03,240 --> 00:16:06,920 Speaker 1: never search for this. I put the fucking diplace stuffing 339 00:16:06,920 --> 00:16:10,800 Speaker 1: in as he don't feel like they were stocking below us. 340 00:16:11,400 --> 00:16:14,880 Speaker 1: Tell us to show us might go over my way. 341 00:16:15,040 --> 00:16:18,000 Speaker 1: Let me show you participate in the street game. Hand 342 00:16:18,040 --> 00:16:20,160 Speaker 1: on my business. I like a briefcase windles in the 343 00:16:20,240 --> 00:16:22,400 Speaker 1: duffl like puzzles. I keep a pieces. It's lovel they're 344 00:16:22,400 --> 00:16:24,280 Speaker 1: speaking pieces. It's funk with it. I'm gonna reach it. 345 00:16:24,280 --> 00:16:26,440 Speaker 1: Ain't squeezy here in to tell your screech in the 346 00:16:26,480 --> 00:16:28,640 Speaker 1: freeway decor reach your half for freel like you don't 347 00:16:28,640 --> 00:16:30,560 Speaker 1: want to sweep stage. I'm gonna feed my niggers that 348 00:16:30,640 --> 00:16:32,400 Speaker 1: come off like I'm a chief skate and ripping and 349 00:16:32,480 --> 00:16:34,680 Speaker 1: running load in the loaded for a week straight. Once 350 00:16:34,720 --> 00:16:37,800 Speaker 1: we hit stick like a bleach stain. Oh you nigger 351 00:16:37,840 --> 00:16:40,440 Speaker 1: slips loose like a weak bread. No appointment needed for 352 00:16:40,520 --> 00:16:43,320 Speaker 1: a free faith. Oh we started to put your trust 353 00:16:43,360 --> 00:16:45,600 Speaker 1: in people these days, focus don't get in. They every 354 00:16:45,640 --> 00:16:48,720 Speaker 1: each way. Oh my life, I haven't like a fathi 355 00:16:49,160 --> 00:16:52,920 Speaker 1: sa fice. I've been running faces, Oh my grind, never 356 00:16:53,000 --> 00:16:56,440 Speaker 1: search for this. I put the fucking diplace, stuffing in 357 00:16:56,480 --> 00:17:01,080 Speaker 1: as he goeel like they were starting below us. Tell 358 00:17:01,120 --> 00:17:04,400 Speaker 1: us you had to show us might go on my way. 359 00:17:04,520 --> 00:17:07,680 Speaker 1: Let me show you, huh. All money ain't good money 360 00:17:07,760 --> 00:17:09,800 Speaker 1: to tation a bad pitch. A whole lot of good 361 00:17:09,880 --> 00:17:12,640 Speaker 1: from me. Forced me to add quick for every last rip. 362 00:17:12,840 --> 00:17:15,480 Speaker 1: Gave him my everything. One lord one with Kenny saying 363 00:17:15,560 --> 00:17:18,000 Speaker 1: was that Mary Jay gotta trapp very days. Stay clipp 364 00:17:18,000 --> 00:17:20,040 Speaker 1: from them, merry places which gets in the celler right, 365 00:17:20,200 --> 00:17:22,560 Speaker 1: stay for them, feather bikes straight from the cell of plates, 366 00:17:22,720 --> 00:17:24,960 Speaker 1: placing the selling aches and skating with hell of weight, 367 00:17:25,240 --> 00:17:27,480 Speaker 1: chasing the bad days to pay him some better ways. 368 00:17:27,560 --> 00:17:29,520 Speaker 1: My young niggas right behind. He keep doing by me 369 00:17:29,600 --> 00:17:32,320 Speaker 1: on my inner self, gonna suiciavy louem naughty to a 370 00:17:32,440 --> 00:17:34,680 Speaker 1: shotty right through your body. They're gonn to pocky came 371 00:17:34,720 --> 00:17:37,520 Speaker 1: move sloppy, my twol got Oh my life, I've been 372 00:17:37,560 --> 00:17:42,159 Speaker 1: working fittis sack fight and her fatis. Oh my grind, 373 00:17:42,200 --> 00:17:44,639 Speaker 1: I've was searching for this. I put the work in 374 00:17:44,680 --> 00:17:49,159 Speaker 1: this bitch, young grow up. Feel like there was stucking 375 00:17:49,200 --> 00:17:52,560 Speaker 1: below us, selling ship. We had to show us. So 376 00:17:52,720 --> 00:17:54,800 Speaker 1: here I go on my way. Let me show you up. 377 00:17:55,960 --> 00:18:00,480 Speaker 1: Oh my life, I've been working fittis spicing man face. 378 00:18:00,960 --> 00:18:10,840 Speaker 1: Oh I'll put the in this base below us. If 379 00:18:10,840 --> 00:18:13,640 Speaker 1: you had to show us to go on my way. 380 00:18:13,760 --> 00:18:23,840 Speaker 1: Look still up. Make sure you check out the G 381 00:18:24,040 --> 00:18:26,920 Speaker 1: four Live presented by the bud Tender Awards with Cannabis 382 00:18:27,000 --> 00:18:29,879 Speaker 1: Talk one on one, I Heart Media and Travis Barker. 383 00:18:30,119 --> 00:18:32,240 Speaker 1: Go to G four live dot com to register while 384 00:18:32,280 --> 00:18:37,240 Speaker 1: exhibitors space is still available. Hello and welcome back to 385 00:18:37,280 --> 00:18:39,359 Speaker 1: Cannabis Talk one on one, the world's number one source 386 00:18:39,440 --> 00:18:41,520 Speaker 1: for everything cannabis. We want to give a special shout 387 00:18:41,520 --> 00:18:45,200 Speaker 1: out to Dope Minerals, Tirpene Warehouse and G four Live 388 00:18:45,320 --> 00:18:48,560 Speaker 1: going down at the Mendalai Bay on the one to 389 00:18:48,680 --> 00:18:51,680 Speaker 1: the three of May, and we will be there and 390 00:18:51,760 --> 00:18:54,159 Speaker 1: it's gonna be going down, and not only us. I 391 00:18:54,280 --> 00:18:56,199 Speaker 1: think we need to get these cats out there too, 392 00:18:56,320 --> 00:18:58,919 Speaker 1: for Sam and Tale Cutthroat. I mean, you guys are 393 00:18:58,960 --> 00:19:02,879 Speaker 1: doing your thing, fall them online at cut wrote rolling 394 00:19:03,760 --> 00:19:07,240 Speaker 1: at cut Rote four five four Uh they guy, of 395 00:19:07,320 --> 00:19:09,840 Speaker 1: course that sound you just heard that song right there 396 00:19:09,960 --> 00:19:13,320 Speaker 1: all my life and the first person May Rest in 397 00:19:13,440 --> 00:19:17,320 Speaker 1: Peace Juice Boy, and then it went on to Mr 398 00:19:17,520 --> 00:19:20,320 Speaker 1: Music and the rich rolling ends up the song right there? 399 00:19:20,560 --> 00:19:23,240 Speaker 1: Who actually produced a beat on that song? Because that 400 00:19:23,400 --> 00:19:29,200 Speaker 1: right there was just that was also yeah yeah California? Yeah, 401 00:19:29,240 --> 00:19:33,680 Speaker 1: oh nice? How many on this like on the website 402 00:19:33,720 --> 00:19:35,840 Speaker 1: are on the YouTube page of those because I did 403 00:19:35,920 --> 00:19:38,840 Speaker 1: like about the first four songs listen to those? Who 404 00:19:38,920 --> 00:19:40,800 Speaker 1: else is producing some of the music because the first 405 00:19:40,840 --> 00:19:42,879 Speaker 1: top four, like I said, I listened to and one 406 00:19:42,920 --> 00:19:44,720 Speaker 1: of those top four where all my life again, so 407 00:19:44,760 --> 00:19:46,320 Speaker 1: I got to rehear it, but I was like, when 408 00:19:46,359 --> 00:19:47,560 Speaker 1: I heard it again, I was like, yeah, this is 409 00:19:47,560 --> 00:19:50,320 Speaker 1: another one. I like, it's the same one. Why did 410 00:19:50,320 --> 00:19:52,000 Speaker 1: this sound familiar? But who else is on this? That 411 00:19:52,040 --> 00:19:56,399 Speaker 1: whole album? Juice Modem is all shakes? All right? We 412 00:19:56,520 --> 00:19:58,600 Speaker 1: just locked in with him. Yeah. This was right before 413 00:19:59,160 --> 00:20:02,399 Speaker 1: before my brother, before my brother passed. We started the 414 00:20:02,440 --> 00:20:04,760 Speaker 1: album and then my brother passed and then we had 415 00:20:04,800 --> 00:20:07,200 Speaker 1: to finish the album, which is Us to Us three 416 00:20:07,240 --> 00:20:11,000 Speaker 1: because shakes. But yeah, other than that, um, I don't 417 00:20:11,000 --> 00:20:13,480 Speaker 1: know if you caught win of it, but right before that, 418 00:20:14,119 --> 00:20:17,159 Speaker 1: which it ended on the December three, we dropped a 419 00:20:17,240 --> 00:20:22,680 Speaker 1: hundred songs consecutively every day songs in a hundred days. 420 00:20:23,080 --> 00:20:26,920 Speaker 1: So we started September fifteen, every single day until December. 421 00:20:28,000 --> 00:20:30,080 Speaker 1: We dropped the song every single day, which I don't 422 00:20:30,080 --> 00:20:33,879 Speaker 1: think has been done before. And these are already produced 423 00:20:33,920 --> 00:20:37,480 Speaker 1: in the camp are we just trying to that were done? 424 00:20:37,520 --> 00:20:42,760 Speaker 1: But we keep going. We specifically had fourteen you started 425 00:20:42,800 --> 00:20:44,800 Speaker 1: with fourteen, we got we got fourteen days. We gotta 426 00:20:44,840 --> 00:20:47,520 Speaker 1: keep going. I just kept going. And then my brother 427 00:20:47,560 --> 00:20:49,159 Speaker 1: actually died in the middle of it, so it was 428 00:20:49,200 --> 00:20:51,880 Speaker 1: like day and we had to make that hard choice, 429 00:20:51,920 --> 00:20:54,480 Speaker 1: like we have to finish. I mean, we started a project, 430 00:20:54,560 --> 00:20:57,080 Speaker 1: let's go Pete. Rather we're doing this for you. That's it. 431 00:20:57,200 --> 00:21:00,840 Speaker 1: The marathon continues, and the journey continued most journey, Yeah, 432 00:21:01,040 --> 00:21:02,800 Speaker 1: and as it should because it makes it even that 433 00:21:02,960 --> 00:21:05,680 Speaker 1: much more. Like I said, we were already feeling you before. 434 00:21:05,800 --> 00:21:08,080 Speaker 1: Now here in a journey like this makes it go fun. Man, 435 00:21:08,760 --> 00:21:11,840 Speaker 1: what can we do for these cats? And now the 436 00:21:11,880 --> 00:21:14,720 Speaker 1: cannabis how does he even coming about with the music? 437 00:21:14,800 --> 00:21:17,520 Speaker 1: And then the cannabis brand fall into line especially A 438 00:21:17,600 --> 00:21:20,000 Speaker 1: lot of people may not know, but that Polynesian culture 439 00:21:20,080 --> 00:21:23,320 Speaker 1: sometimes it's borderline taboosh. A lot of old families over that. 440 00:21:23,720 --> 00:21:26,600 Speaker 1: Get your ass over here, boy quit some over that dope. Yeah, 441 00:21:28,040 --> 00:21:33,280 Speaker 1: old school Mexican style, you dope, it's dope. So cats 442 00:21:33,359 --> 00:21:35,640 Speaker 1: don't know what polynesia are the old school some more 443 00:21:35,760 --> 00:21:39,600 Speaker 1: like it's it's a different culture. Were family and Barry, 444 00:21:39,680 --> 00:21:41,560 Speaker 1: get your ass over you better go to church. And 445 00:21:41,680 --> 00:21:43,879 Speaker 1: we're singing, we dancing, we're doing our thing. And you 446 00:21:43,960 --> 00:21:46,160 Speaker 1: may see these big apologies. You think, oh, they can't 447 00:21:46,240 --> 00:21:48,520 Speaker 1: kill no man, they grew up in the church more 448 00:21:48,560 --> 00:21:51,480 Speaker 1: than likely more than that. It's more of a family exactly. 449 00:21:51,600 --> 00:21:55,760 Speaker 1: And they're smoking weed. That's dope. Yeah, So how does 450 00:21:55,800 --> 00:21:57,560 Speaker 1: that go with the fan band like that? Like how 451 00:21:57,600 --> 00:22:00,800 Speaker 1: do they look at that? Yeah? Cool? Initial initially you know, 452 00:22:00,880 --> 00:22:02,879 Speaker 1: of course, you know, the o GS has some problems 453 00:22:02,920 --> 00:22:04,080 Speaker 1: with it, you know what I mean, I call my 454 00:22:04,119 --> 00:22:08,280 Speaker 1: aunties and uncles and basically, like you know, like I said, 455 00:22:08,680 --> 00:22:10,639 Speaker 1: dope is dope, but don't matter what kind of it is. 456 00:22:10,800 --> 00:22:12,320 Speaker 1: And weed is just as bad as you know, the 457 00:22:12,320 --> 00:22:13,399 Speaker 1: worst ship in the world, you know what I mean, 458 00:22:14,359 --> 00:22:18,119 Speaker 1: doing smack right to the same ship. So when when 459 00:22:18,119 --> 00:22:19,760 Speaker 1: they're smelling it, they're kicking us out of the house, 460 00:22:19,840 --> 00:22:22,200 Speaker 1: like you know, you know, eventually you're don't have to 461 00:22:22,240 --> 00:22:24,520 Speaker 1: accept it because you know, especially where we're at the 462 00:22:24,560 --> 00:22:26,800 Speaker 1: northern California, it's everywhere. But I think that's the life 463 00:22:26,840 --> 00:22:29,119 Speaker 1: decision where you want to go against your family, like 464 00:22:29,200 --> 00:22:31,320 Speaker 1: what you know, it's right to know? I well, not 465 00:22:31,400 --> 00:22:33,720 Speaker 1: only it's right, but then you look at your mother, 466 00:22:33,840 --> 00:22:36,879 Speaker 1: your grandmother whatever, you're like, my grandma, you know that 467 00:22:36,920 --> 00:22:38,600 Speaker 1: whole shoulder. Let me put some of this cream on. 468 00:22:39,920 --> 00:22:42,560 Speaker 1: Oh my god, that feels so good. What is that? 469 00:22:42,960 --> 00:22:48,040 Speaker 1: That's called cannabis? That same day, the chocolap side your head, 470 00:22:48,119 --> 00:22:51,200 Speaker 1: like what, try this under your tongue and the little 471 00:22:51,280 --> 00:22:53,560 Speaker 1: kicks arom the time. What's that? Why am I feeling better? 472 00:22:53,720 --> 00:22:57,360 Speaker 1: That's called CBD. And it's just so funny though, because 473 00:22:57,400 --> 00:22:59,680 Speaker 1: cats don't know that. The older family, the ogs like 474 00:22:59,760 --> 00:23:01,679 Speaker 1: you're ferd, you're rich, they look at that all. They 475 00:23:01,720 --> 00:23:05,480 Speaker 1: don't even understand the medical side of it all, which 476 00:23:05,600 --> 00:23:07,960 Speaker 1: even that Polynesian culture, I'm sure that's a that's a 477 00:23:08,040 --> 00:23:10,959 Speaker 1: barrier you guys are breaking, Oh for sure. I mean, 478 00:23:11,080 --> 00:23:12,720 Speaker 1: you know, we first generation tongue is you know what 479 00:23:12,760 --> 00:23:15,120 Speaker 1: I mean? So our parents came here from the motherland, 480 00:23:15,240 --> 00:23:17,000 Speaker 1: like and at the end of the day, there's a 481 00:23:17,040 --> 00:23:19,159 Speaker 1: lot of customs that you know that there's a lot 482 00:23:19,200 --> 00:23:20,920 Speaker 1: of customers that they had to get accustomed to that 483 00:23:21,040 --> 00:23:25,080 Speaker 1: you know, they weren't really necessarily familiar with and accepting of. 484 00:23:25,359 --> 00:23:27,880 Speaker 1: But throughout time and ship, you know, you're just gonna 485 00:23:27,920 --> 00:23:30,160 Speaker 1: have to. You know, when the news said it is legal, 486 00:23:30,280 --> 00:23:37,280 Speaker 1: they're exactly, it must be. Okay, yeah, alcohol is it's cool. 487 00:23:37,280 --> 00:23:40,440 Speaker 1: It's cool. Yeah, that's how they think. So now you 488 00:23:40,480 --> 00:23:42,440 Speaker 1: can smoke in the backyard and it's a little easier. 489 00:23:43,720 --> 00:23:46,280 Speaker 1: Like Mommy, I went and bought this down the street, 490 00:23:46,320 --> 00:23:49,000 Speaker 1: for God's sake. I didn't buy it out the corner 491 00:23:49,040 --> 00:23:51,120 Speaker 1: no more. Who we could maybe the corner a little cheaper. 492 00:23:52,800 --> 00:23:54,760 Speaker 1: So let me ask you, rich, Rich what's what's your 493 00:23:54,800 --> 00:23:58,400 Speaker 1: favorite record that you've produced or with your team here? Man? 494 00:23:58,560 --> 00:24:01,840 Speaker 1: My favorite record, man um, it's probably when we did 495 00:24:01,880 --> 00:24:04,879 Speaker 1: a while back. I think it was like sixty is 496 00:24:04,880 --> 00:24:08,639 Speaker 1: called Not Tomorrow. Okay, that's that's probably one of my favorite. Uh, 497 00:24:09,320 --> 00:24:13,040 Speaker 1: just the message in the whole the melodies behind the composition, 498 00:24:13,080 --> 00:24:15,280 Speaker 1: you know what I mean it was. I think you know, 499 00:24:15,800 --> 00:24:17,640 Speaker 1: it will speak for itself once y'all here, but it's 500 00:24:17,640 --> 00:24:20,520 Speaker 1: it's just one of those captivating sounds. Yeah, and Mr Music, 501 00:24:20,600 --> 00:24:23,440 Speaker 1: what about you? I honestly think it's all my life. 502 00:24:23,560 --> 00:24:25,919 Speaker 1: Just the way that we recorded the record was all together. 503 00:24:26,000 --> 00:24:28,440 Speaker 1: That's kind of probably our last fun time in the 504 00:24:28,480 --> 00:24:31,360 Speaker 1: studio altogether. So good memory, Yeah, great memory, but great 505 00:24:31,400 --> 00:24:33,920 Speaker 1: record too. So yeah, I think that's my favorite one. Yeah, 506 00:24:33,920 --> 00:24:36,120 Speaker 1: that's a it's my favorite one so far. I've only 507 00:24:36,160 --> 00:24:38,720 Speaker 1: heard like three three. Yeah, we heard four good ones 508 00:24:38,800 --> 00:24:40,639 Speaker 1: that we were all four of them were liking, but 509 00:24:40,760 --> 00:24:42,680 Speaker 1: that one was the standout one, and maybe because we 510 00:24:42,800 --> 00:24:44,200 Speaker 1: heard it first and then we heard it again, but 511 00:24:44,280 --> 00:24:46,399 Speaker 1: it's still stood out. Is that the first one you 512 00:24:46,480 --> 00:24:49,080 Speaker 1: guys are pushing as an EP? Yeah, that was actually 513 00:24:49,560 --> 00:24:51,560 Speaker 1: the first single off of the first video and everything 514 00:24:51,640 --> 00:24:55,760 Speaker 1: first that album for the album. But you're gonna you 515 00:24:55,880 --> 00:24:58,800 Speaker 1: dig into our archive, you're gonna find different genres. Yeah, 516 00:24:59,480 --> 00:25:02,480 Speaker 1: different stuff. We got some poppy stuff we got I 517 00:25:02,560 --> 00:25:07,040 Speaker 1: got a country countries. Are you serious? You know what's funny? 518 00:25:07,080 --> 00:25:08,600 Speaker 1: As you said that, I'm just looking at you smile 519 00:25:08,640 --> 00:25:10,560 Speaker 1: and laugh. That just takes me to my like growing 520 00:25:10,640 --> 00:25:14,440 Speaker 1: up with my polonies, the la Fossa family, and we 521 00:25:14,600 --> 00:25:16,680 Speaker 1: sit there and listen. They listen to country music and 522 00:25:16,680 --> 00:25:19,840 Speaker 1: It's just be so funny because they're sitting there drinking 523 00:25:19,840 --> 00:25:22,960 Speaker 1: a beer and listen to country music, white writing, some 524 00:25:23,080 --> 00:25:29,400 Speaker 1: big dude, white rice and spam, you know, putting catch 525 00:25:29,480 --> 00:25:33,120 Speaker 1: up in that motherfucker Like, well, what's that dinner fire? 526 00:25:35,359 --> 00:25:39,080 Speaker 1: Sound familiar? Right? Cats? I grew up with Tamor and 527 00:25:39,359 --> 00:25:42,399 Speaker 1: h La Fassa, Joseph Dolf for all these cats. And 528 00:25:42,840 --> 00:25:44,359 Speaker 1: when you smile like that, you took me to that 529 00:25:44,480 --> 00:25:47,640 Speaker 1: memory of them sitting on the corner, sitting there listening 530 00:25:47,640 --> 00:25:51,119 Speaker 1: to country music, And to me, that's that that Poloniesian 531 00:25:51,200 --> 00:25:53,600 Speaker 1: style though, right, Like everybody has and we all dabbled 532 00:25:53,600 --> 00:25:57,440 Speaker 1: into something, but the Polynesian culture just hasn't explored it 533 00:25:57,760 --> 00:25:59,320 Speaker 1: to the world. I feel like, you know what I mean. 534 00:25:59,600 --> 00:26:01,600 Speaker 1: So for you cats to be doing this and putting 535 00:26:01,640 --> 00:26:04,360 Speaker 1: out music like this, I think it's a great look 536 00:26:04,400 --> 00:26:07,960 Speaker 1: and a great feel for the country to understand what 537 00:26:08,119 --> 00:26:10,920 Speaker 1: the Polynesians are about. Right. It's not just we're not 538 00:26:11,040 --> 00:26:13,359 Speaker 1: to step there with the grass skirts, fucking dancing and 539 00:26:13,400 --> 00:26:16,560 Speaker 1: when you go to Hawaii, yeah, I never were one 540 00:26:16,600 --> 00:26:23,680 Speaker 1: of those. Bottom don't be mad, not yet. In a 541 00:26:23,760 --> 00:26:25,560 Speaker 1: couple of years, bro, you'll be out there on one 542 00:26:25,600 --> 00:26:28,400 Speaker 1: for sure listen. Um, you know, it's funny. I got 543 00:26:28,520 --> 00:26:31,600 Speaker 1: some some family and friends Tofika, a mod from from 544 00:26:32,040 --> 00:26:34,639 Speaker 1: San Diego. There's a big tongue and families out there. 545 00:26:34,720 --> 00:26:36,040 Speaker 1: You know. I don't know if you guys are aware 546 00:26:36,080 --> 00:26:38,159 Speaker 1: of that, but you guys were saying on break that 547 00:26:38,200 --> 00:26:40,760 Speaker 1: you guys did some tours and stuff like in Australia, 548 00:26:41,000 --> 00:26:44,359 Speaker 1: New Zealand, things like yeah, how was that? Man? It 549 00:26:44,520 --> 00:26:47,280 Speaker 1: was me and Juice. We actually went Rich couldn't go 550 00:26:47,320 --> 00:26:49,119 Speaker 1: to that tour, but it was really just a two 551 00:26:49,200 --> 00:26:51,000 Speaker 1: day tour, back to back shows in the same area. 552 00:26:51,440 --> 00:26:56,119 Speaker 1: You got Felons or something like that. We're gonna we're 553 00:26:56,119 --> 00:26:59,080 Speaker 1: gonna cut that. Yeah, you can't get on the plane 554 00:26:59,119 --> 00:27:02,359 Speaker 1: and we gotta put you together. Ye earlier when I 555 00:27:02,359 --> 00:27:06,080 Speaker 1: said I did forty nine days in that set there, 556 00:27:06,800 --> 00:27:08,679 Speaker 1: it was a long time. It's funny because I did 557 00:27:08,720 --> 00:27:11,200 Speaker 1: the America's Most Wanted Tour in in two thousand ten 558 00:27:11,280 --> 00:27:14,040 Speaker 1: out there maybe a two thousand, yeah, two thousand ten, 559 00:27:14,080 --> 00:27:16,760 Speaker 1: two thousand eleven. And I was with Savage, you know, 560 00:27:16,960 --> 00:27:19,399 Speaker 1: the artist Savage, you know what I mean? And and um, 561 00:27:19,680 --> 00:27:21,760 Speaker 1: and Savage was great. But we did New Zealand. We 562 00:27:21,880 --> 00:27:26,359 Speaker 1: did uh what is it Australia. But we did, uh 563 00:27:26,920 --> 00:27:29,440 Speaker 1: the Olympic Park Center and then we went over to Brisbane, 564 00:27:29,760 --> 00:27:31,639 Speaker 1: you know what I mean. So we hit Brisbane, New 565 00:27:31,720 --> 00:27:38,080 Speaker 1: Zealand and uh and uh I mean that not Alaska, right, No, 566 00:27:38,240 --> 00:27:40,159 Speaker 1: that tour was good, was the truth. Man. We did 567 00:27:40,200 --> 00:27:42,879 Speaker 1: that with Bone Thugs and Harmony. Um. Uh Snoop was 568 00:27:42,920 --> 00:27:46,000 Speaker 1: doing the Good Vibrations tour and um there's some bit 569 00:27:46,080 --> 00:27:48,440 Speaker 1: badass tours out there, but they have a huge you know, 570 00:27:48,680 --> 00:27:51,320 Speaker 1: uh Polynesian you know families out there in New Zealand 571 00:27:51,359 --> 00:27:53,040 Speaker 1: stuff like that. So you guys had a good market. 572 00:27:53,080 --> 00:27:54,920 Speaker 1: How was that tour for you? Did enjoy it? Yeah? 573 00:27:55,000 --> 00:27:57,440 Speaker 1: We saw that both both nights and uh yeah, the 574 00:27:57,600 --> 00:27:59,840 Speaker 1: love was just different. Yeah, you know, you get more 575 00:28:00,040 --> 00:28:02,680 Speaker 1: of away from home, so you feel it more genuine. 576 00:28:03,080 --> 00:28:05,040 Speaker 1: It's crazy how that how it works sometimes. I mean, 577 00:28:05,080 --> 00:28:06,639 Speaker 1: like I said, I'm born and raising the Babe, but 578 00:28:06,720 --> 00:28:08,320 Speaker 1: came to l A and blew up on Power one 579 00:28:08,359 --> 00:28:10,119 Speaker 1: oh six and then I started working with Kiss at 580 00:28:10,160 --> 00:28:12,159 Speaker 1: fan Ryan's Secret. But like I mean, granted, I was 581 00:28:12,200 --> 00:28:13,560 Speaker 1: on a big show in the Bay Areas, the highest 582 00:28:13,640 --> 00:28:16,120 Speaker 1: rated body show ever. The doghouse was huge. But when 583 00:28:16,160 --> 00:28:18,080 Speaker 1: I see artists that are trying to do their things. 584 00:28:18,480 --> 00:28:20,760 Speaker 1: It's just always takes something like that. Sometimes you gotta 585 00:28:20,800 --> 00:28:23,240 Speaker 1: leave your neighborhood. You gotta leave the city, let alone 586 00:28:23,280 --> 00:28:26,320 Speaker 1: the state. Sometimes you know what I'm saying, and the 587 00:28:26,400 --> 00:28:28,679 Speaker 1: other people embrace it more. I mean, I see your 588 00:28:28,720 --> 00:28:30,800 Speaker 1: guys is following. You guys got a huge following on 589 00:28:30,920 --> 00:28:34,480 Speaker 1: I G the YouTube. Everything's pushing and popping. I see 590 00:28:34,520 --> 00:28:37,239 Speaker 1: you guys are here with us because some management contacted us. 591 00:28:37,359 --> 00:28:40,000 Speaker 1: We've seen what we've seen, peanuts in it, we liked it. 592 00:28:40,280 --> 00:28:42,840 Speaker 1: We have you on the show. What is more to expect? 593 00:28:42,880 --> 00:28:44,720 Speaker 1: And what's it gonna take? Do you guys think to 594 00:28:45,120 --> 00:28:47,280 Speaker 1: to get that big label to be Hey, hey, what's it? 595 00:28:47,360 --> 00:28:50,520 Speaker 1: You know we want you, man, We just need a chance. Man. 596 00:28:50,600 --> 00:28:52,160 Speaker 1: You know, all you need to do is here as once, 597 00:28:52,720 --> 00:28:54,720 Speaker 1: you know, and we're just gonna keep working hard in 598 00:28:54,760 --> 00:28:56,560 Speaker 1: the miss all that. So, yeah, that was kind of 599 00:28:56,640 --> 00:28:59,560 Speaker 1: like the mentality behind the dropping in the hundred songs 600 00:28:59,640 --> 00:29:02,960 Speaker 1: can set was let's just shoot, let's shoot the basket 601 00:29:03,080 --> 00:29:04,480 Speaker 1: a honey times. One of them got to go in, 602 00:29:04,560 --> 00:29:06,960 Speaker 1: one of them gotta go in. Are you all hundred 603 00:29:07,000 --> 00:29:09,040 Speaker 1: of those songs are up right, now they're all on 604 00:29:09,160 --> 00:29:11,880 Speaker 1: YouTube YouTube, okay, but you don't have them up on 605 00:29:12,000 --> 00:29:14,440 Speaker 1: like Spotify and all the others. No, no, no yet, 606 00:29:15,120 --> 00:29:17,000 Speaker 1: Well that you better go do some homework and put 607 00:29:17,040 --> 00:29:19,760 Speaker 1: it up on there on Apple, Spotify, every do that ship. 608 00:29:19,840 --> 00:29:22,680 Speaker 1: Get your SoundCloud popping, because I'll tell you right now, 609 00:29:23,200 --> 00:29:25,360 Speaker 1: the sound you guys have is great. Are you guys 610 00:29:25,400 --> 00:29:29,640 Speaker 1: trying to collab with any other artists on top? Anytime? Anytime? 611 00:29:29,680 --> 00:29:34,200 Speaker 1: Anybody features? Have you guys done? Anybody? Anybody big? Anybody big? 612 00:29:34,320 --> 00:29:37,200 Speaker 1: We got stupid young from out here? Who else we 613 00:29:37,280 --> 00:29:39,960 Speaker 1: didn't do music with? We got left the Farrell? How 614 00:29:39,960 --> 00:29:42,640 Speaker 1: about this? Who do you want to work with? Man? 615 00:29:43,400 --> 00:29:47,120 Speaker 1: Uh one team? I don't know really like I have 616 00:29:47,240 --> 00:29:49,400 Speaker 1: fun with just us? Yeah yeah no, But I mean 617 00:29:49,440 --> 00:29:50,920 Speaker 1: if you want to work with the artists I like 618 00:29:51,080 --> 00:29:53,480 Speaker 1: like Blasts and Rust. I like their artists, try you 619 00:29:53,520 --> 00:29:55,120 Speaker 1: know me with my flavor to you know what I mean? 620 00:29:55,480 --> 00:29:59,160 Speaker 1: Flavor with that. We know Russ's management? Who else? Who else? 621 00:29:59,480 --> 00:30:01,960 Speaker 1: Who else? Is hard man? I like? I like melodic dudes? 622 00:30:02,080 --> 00:30:04,560 Speaker 1: Like you know it was big game? What else got that? 623 00:30:05,600 --> 00:30:10,960 Speaker 1: I don't know? Big? Like? That's funny that you say that, 624 00:30:11,000 --> 00:30:13,680 Speaker 1: because exactly you guys are conscious like that. It's different, 625 00:30:14,680 --> 00:30:17,800 Speaker 1: but it is, but it's it's conscious, but it's still 626 00:30:17,840 --> 00:30:22,360 Speaker 1: smack you in your face, but consciously that I love. 627 00:30:22,400 --> 00:30:23,959 Speaker 1: That's why I think I like you guys so much, 628 00:30:23,960 --> 00:30:26,160 Speaker 1: because you're right to me. I think you're speaking more 629 00:30:26,240 --> 00:30:28,880 Speaker 1: to me my my era of hip hop, but yet 630 00:30:28,960 --> 00:30:30,920 Speaker 1: with the new conscious era too. That's what I'm saying, 631 00:30:30,920 --> 00:30:33,280 Speaker 1: your guys, this sounded so dope. I know the kids 632 00:30:33,360 --> 00:30:35,479 Speaker 1: love us, though I don't know because you guys are 633 00:30:35,520 --> 00:30:37,280 Speaker 1: still young and cool like that. I mean, you guys 634 00:30:37,320 --> 00:30:39,920 Speaker 1: are bringing it in but still with that O G flavor, 635 00:30:40,360 --> 00:30:42,480 Speaker 1: that that that that's in your soul. I mean like 636 00:30:42,600 --> 00:30:44,680 Speaker 1: we could feel that, I could feel that what I'm 637 00:30:44,720 --> 00:30:46,920 Speaker 1: listening to you guys. You guys have a soulful, deeper 638 00:30:47,040 --> 00:30:53,240 Speaker 1: sound than just some young b Yeah. Crais the Lord 639 00:30:53,320 --> 00:30:55,040 Speaker 1: all day every day, you know. I mean, when we 640 00:30:55,160 --> 00:30:56,560 Speaker 1: come back, we're gonna praise the Lord and do the 641 00:30:56,640 --> 00:30:58,680 Speaker 1: high five right here with these kids. And they're doing it. 642 00:30:58,760 --> 00:31:01,320 Speaker 1: If you don't know who they are are, Mr Music's 643 00:31:01,360 --> 00:31:04,720 Speaker 1: in the building with Rich Roland. Find them online cut 644 00:31:04,840 --> 00:31:07,320 Speaker 1: throat four or five four on I G It's Cannabis 645 00:31:07,360 --> 00:31:10,080 Speaker 1: Talk one on one will right back after this. Make 646 00:31:10,120 --> 00:31:12,239 Speaker 1: sure you check out G four Live at Mandalaid Bay 647 00:31:12,280 --> 00:31:16,600 Speaker 1: in Las Vegas, May one, presented by the Bud Tender Awards, 648 00:31:16,880 --> 00:31:19,880 Speaker 1: Cannabis Talk one on one, I Heart Radio, the Pot 649 00:31:19,960 --> 00:31:24,320 Speaker 1: Brothers at Law, callie ff X, Connector, and Tirping Warehouse 650 00:31:24,360 --> 00:31:27,000 Speaker 1: will all be broadcasting live. Go to G four live 651 00:31:27,120 --> 00:31:39,640 Speaker 1: dot com now to register, take a hit, get lit, 652 00:31:39,760 --> 00:31:42,239 Speaker 1: sit back and enjoy Cannabis Talk one on one right 653 00:31:42,280 --> 00:31:46,120 Speaker 1: here live with Cutthroat. It's going down. These two gentlemen, 654 00:31:46,240 --> 00:31:49,280 Speaker 1: let me tell you, are very very well spoken. They 655 00:31:49,360 --> 00:31:53,160 Speaker 1: have some great music for you, Rich Roland and Mr Music. 656 00:31:53,360 --> 00:31:55,760 Speaker 1: Is time for the High five. I think, like they 657 00:31:55,800 --> 00:31:58,200 Speaker 1: said though, the reason why they got that good music 658 00:31:58,280 --> 00:31:59,960 Speaker 1: and the reason why they're gonna blow up because they 659 00:32:00,000 --> 00:32:01,880 Speaker 1: got that church and that church back phone. You know, 660 00:32:01,960 --> 00:32:05,640 Speaker 1: I mean, you can never go wrong. It's the foundation. 661 00:32:05,760 --> 00:32:08,560 Speaker 1: So we've got five good questions for you guys. It's 662 00:32:08,560 --> 00:32:10,120 Speaker 1: called the high five that we like to do with 663 00:32:10,160 --> 00:32:12,480 Speaker 1: everybody that comes on the show. We're gonna start with 664 00:32:12,680 --> 00:32:16,120 Speaker 1: you Rich Rolling You'll go first, and then we'll go 665 00:32:16,200 --> 00:32:19,200 Speaker 1: to you Mr Music. You'll answer the same exact question 666 00:32:19,600 --> 00:32:21,360 Speaker 1: to Mr Music. You get a few seconds to think 667 00:32:21,400 --> 00:32:24,680 Speaker 1: about your answer. Question number one, how are you? How 668 00:32:24,760 --> 00:32:27,520 Speaker 1: old are you the first time you smoke cannabis? And 669 00:32:27,520 --> 00:32:30,520 Speaker 1: where'd you get it from? Shiit? I was? I think 670 00:32:30,560 --> 00:32:33,280 Speaker 1: I was ten years old here and stole it from 671 00:32:33,280 --> 00:32:37,080 Speaker 1: my uncle's ass track. It was a dub. It was 672 00:32:37,120 --> 00:32:43,000 Speaker 1: a little dude. How old I think ten? That's a 673 00:32:43,040 --> 00:32:45,760 Speaker 1: good time, might there? Mr Music? I was twelve and 674 00:32:46,200 --> 00:32:49,600 Speaker 1: my Mexican homie just had it nice right there in 675 00:32:49,640 --> 00:32:54,440 Speaker 1: sammy tail right here. Really always a good thing. Question 676 00:32:54,520 --> 00:32:56,400 Speaker 1: number two of the high five, what is your favorite 677 00:32:56,440 --> 00:33:00,320 Speaker 1: way to use cannabis? Rich Man? Definitely a smoky I 678 00:33:00,400 --> 00:33:04,240 Speaker 1: like tasting it. Yeah, A joint blunt? What ball? Now? 679 00:33:04,520 --> 00:33:08,160 Speaker 1: A bong? Man? I'm getting t easier that way, smoother though, Yeah, 680 00:33:08,440 --> 00:33:12,400 Speaker 1: ball are nice glass bloss killing. Mr Music, you'll be 681 00:33:12,520 --> 00:33:14,560 Speaker 1: upset with this. I don't even smoke anymore. Oh good 682 00:33:14,600 --> 00:33:16,880 Speaker 1: for you. Don't worry here, do I? It's all good. 683 00:33:21,640 --> 00:33:26,160 Speaker 1: Use some oils though, a lot of Yeah, barely smoked. 684 00:33:26,280 --> 00:33:29,560 Speaker 1: I never Oh no, oh dog, you use those oils. 685 00:33:29,640 --> 00:33:31,280 Speaker 1: It takes the pain away like nothing else. And you 686 00:33:31,320 --> 00:33:33,480 Speaker 1: don't got nothing, Just two oils under your tongue with 687 00:33:33,520 --> 00:33:35,959 Speaker 1: some good THC and you're sitting there. Callie effects has 688 00:33:35,960 --> 00:33:37,160 Speaker 1: a good one too. You can find it at your 689 00:33:37,200 --> 00:33:40,280 Speaker 1: local dispensary of minerals. I just took it edible. Man, 690 00:33:40,320 --> 00:33:43,240 Speaker 1: I'm over here sweat and think I'm I'm milting. He 691 00:33:43,320 --> 00:33:46,440 Speaker 1: really did, And then was that I see apart? What 692 00:33:46,480 --> 00:33:47,920 Speaker 1: are you doing? He goes, I don't know my back. 693 00:33:50,000 --> 00:33:53,200 Speaker 1: We eat in edibles the last two weeks. Question number 694 00:33:53,480 --> 00:33:58,720 Speaker 1: three of the high five Craziest place you ever use cannabis? Man? 695 00:33:59,720 --> 00:34:03,880 Speaker 1: At church, in the park. Just at school? I mean, yes, 696 00:34:04,240 --> 00:34:06,440 Speaker 1: that's cool. Yeah, up in the school bathroom. I got 697 00:34:06,520 --> 00:34:10,200 Speaker 1: caught though, did you what high school? You guys go 698 00:34:10,200 --> 00:34:13,719 Speaker 1: to set for a little bit, a little bit and 699 00:34:13,880 --> 00:34:16,920 Speaker 1: I let you go out with all of them? I 700 00:34:17,040 --> 00:34:20,839 Speaker 1: think I touched. I graduated from Millbray. I think went 701 00:34:20,840 --> 00:34:24,279 Speaker 1: to all of them too. Yeah really yeah Peninsula, Me 702 00:34:24,360 --> 00:34:26,960 Speaker 1: and Juice went to the same expellasion school. Yeah, I 703 00:34:27,040 --> 00:34:29,320 Speaker 1: just dropped out that we call that. We call that 704 00:34:29,520 --> 00:34:33,040 Speaker 1: continuation or adult school. Yeah. For those of you don't know, 705 00:34:33,280 --> 00:34:35,560 Speaker 1: there was Foothill Adult School by my house growing up. 706 00:34:35,600 --> 00:34:37,960 Speaker 1: I think it Santals. I think it was called Columbus. 707 00:34:38,000 --> 00:34:41,000 Speaker 1: They called it Columbus high school and then became Columbus Tech. 708 00:34:41,200 --> 00:34:42,640 Speaker 1: But let me tell you how to hold my high 709 00:34:42,680 --> 00:34:46,800 Speaker 1: school was My high school had its own daycare center 710 00:34:46,880 --> 00:34:51,760 Speaker 1: on it. Oh yeah, same here. That's how crazy I upbringing. 711 00:34:51,800 --> 00:34:54,439 Speaker 1: I was in San Jose. Swear to god, the kids 712 00:34:54,520 --> 00:34:57,799 Speaker 1: be coming to school, dropping the kids off at the Yeah, 713 00:34:58,440 --> 00:35:02,640 Speaker 1: we had that sometimes in the neighborhoods. That's the way 714 00:35:02,640 --> 00:35:05,279 Speaker 1: it goes down. Question number four of the high five. 715 00:35:05,400 --> 00:35:10,319 Speaker 1: What is your go to munchy when you get high? Rich? Man? Um, 716 00:35:11,160 --> 00:35:13,400 Speaker 1: I'm about to say cookies and milk? Man? Nice? What 717 00:35:13,480 --> 00:35:17,040 Speaker 1: kind of cookies? Oreos or some chips? Ahoy, Yeah, you're 718 00:35:17,120 --> 00:35:19,160 Speaker 1: down with those. You've got some new white orioles in 719 00:35:19,200 --> 00:35:24,760 Speaker 1: there in the room. I just fat, I just set 720 00:35:25,239 --> 00:35:26,960 Speaker 1: every Yeah you see something, He's like, I can't be 721 00:35:27,040 --> 00:35:29,239 Speaker 1: looking at that with my fat. I want to just 722 00:35:29,680 --> 00:35:32,680 Speaker 1: it's like just starts drifting, like exactly when you were 723 00:35:32,680 --> 00:35:35,839 Speaker 1: smoking Mr Music or your go to Damn, I don't 724 00:35:35,840 --> 00:35:37,719 Speaker 1: remember the last time I had munchies, but I don't 725 00:35:37,800 --> 00:35:46,600 Speaker 1: probably talk about con Yeah, I mean it's consistent. It's consistent. 726 00:35:47,160 --> 00:35:49,560 Speaker 1: Is gonna be the same one wherever you go, whatever 727 00:35:49,680 --> 00:35:51,440 Speaker 1: states you're in. You see it talking about you know 728 00:35:51,520 --> 00:35:53,920 Speaker 1: exactly what the you're getting, which is a good thing. 729 00:35:54,360 --> 00:35:57,680 Speaker 1: Question number five of the high five cutthroat mode is 730 00:35:57,719 --> 00:35:59,920 Speaker 1: the group right here Rich Rolling Mr Music. If you 731 00:36:00,000 --> 00:36:03,719 Speaker 1: can smoke cannabis with anyone dead or alive, who would 732 00:36:03,760 --> 00:36:06,759 Speaker 1: it be? And why? Man, this is a that's a 733 00:36:06,840 --> 00:36:09,440 Speaker 1: hard ask question. I got two of them, but I'm 734 00:36:09,440 --> 00:36:12,120 Speaker 1: gonna have to go with Bob Marley, you know, just 735 00:36:12,200 --> 00:36:14,440 Speaker 1: because of the conversation, you know what I mean. My 736 00:36:14,520 --> 00:36:18,040 Speaker 1: second choice would have been snooped. That's a good second choice. 737 00:36:18,120 --> 00:36:21,239 Speaker 1: He's coming in today. So and then I got some 738 00:36:21,400 --> 00:36:26,160 Speaker 1: form Mr Music my brother. Yeah, brother, did you ever 739 00:36:26,239 --> 00:36:28,920 Speaker 1: smoke with him? Yeah? Of course on toys. That's not 740 00:36:29,080 --> 00:36:31,040 Speaker 1: the only time I really smoked, just to fall asleep, 741 00:36:31,120 --> 00:36:33,480 Speaker 1: like you know, road tours, Yeah, twelve our drives and 742 00:36:34,640 --> 00:36:39,000 Speaker 1: driving and passed. When when you were on those tours? Man, 743 00:36:39,080 --> 00:36:41,359 Speaker 1: what were you guys? Were we who was booking your shows? 744 00:36:41,360 --> 00:36:44,480 Speaker 1: You guys a booking to yourself? No? Uh damn? How 745 00:36:44,520 --> 00:36:47,280 Speaker 1: did we get those stories? Uh? Well we were actually 746 00:36:47,280 --> 00:36:49,080 Speaker 1: the label four or five four was booking our shows 747 00:36:49,080 --> 00:36:52,320 Speaker 1: at that time. Are big bros? Big seth exotics? You know? 748 00:36:52,400 --> 00:36:55,080 Speaker 1: The was this weed? He was he managed just for 749 00:36:55,200 --> 00:36:58,279 Speaker 1: for earlier a half of our careers. And he's the 750 00:36:58,280 --> 00:37:00,040 Speaker 1: one who really, you know, put it all together. What 751 00:37:00,040 --> 00:37:02,920 Speaker 1: about isn't there uh do go gold Toes out there? 752 00:37:03,080 --> 00:37:09,239 Speaker 1: Isn't he His name is no Yeah, his name is no. 753 00:37:09,840 --> 00:37:11,960 Speaker 1: Uh all listen, you know back because they have a 754 00:37:12,080 --> 00:37:15,280 Speaker 1: black and brown um back in the days like seventeen 755 00:37:15,320 --> 00:37:17,480 Speaker 1: reasons we know where the Latins and and Africans are, 756 00:37:17,600 --> 00:37:20,200 Speaker 1: you know, uh clicked up and made music together and 757 00:37:20,320 --> 00:37:22,399 Speaker 1: it was that's that's when I had heard a big 758 00:37:23,080 --> 00:37:24,800 Speaker 1: gold Toes for the first time. Doesn't he put on 759 00:37:24,880 --> 00:37:26,759 Speaker 1: some tourists and stuff, and he puts on a lot 760 00:37:26,760 --> 00:37:28,920 Speaker 1: of artists. I see him with a lot of new artists. Yeah, 761 00:37:29,000 --> 00:37:30,800 Speaker 1: you know what I mean. I remember hearing from Shark 762 00:37:30,840 --> 00:37:33,719 Speaker 1: Tank or something Shark Sharks folks from four uh eight 763 00:37:34,120 --> 00:37:35,759 Speaker 1: putting out a lot of music. But you guys are 764 00:37:35,800 --> 00:37:38,239 Speaker 1: doing it from the Bay area once again. Folks. Check 765 00:37:38,320 --> 00:37:41,160 Speaker 1: them out on Instagram at cut throat four or five four. 766 00:37:41,640 --> 00:37:45,160 Speaker 1: What's the YouTube pages at the same thing. Yeah, just 767 00:37:45,239 --> 00:37:47,560 Speaker 1: cut the mode. You can get everything. I cut them 768 00:37:47,560 --> 00:37:50,239 Speaker 1: mode dot com, cut through mode dot com and God 769 00:37:50,280 --> 00:37:53,040 Speaker 1: Willing the cannabis brand juice will be coming out shortly. 770 00:37:53,080 --> 00:37:54,640 Speaker 1: Is there anything else from missing that you guys want 771 00:37:54,680 --> 00:37:57,880 Speaker 1: to promote and let people know about. He's looking at 772 00:37:57,920 --> 00:38:00,600 Speaker 1: something I don't want to mess up again. You go ahead, 773 00:38:00,600 --> 00:38:02,040 Speaker 1: you want to come in here and say come on 774 00:38:02,120 --> 00:38:04,040 Speaker 1: and make sure, come on, come on. Know what y'all 775 00:38:04,040 --> 00:38:05,520 Speaker 1: could do, y'all you can make sure y'all go get 776 00:38:05,560 --> 00:38:07,640 Speaker 1: that Juice Mode album and don't cut throw mode dot 777 00:38:07,680 --> 00:38:12,200 Speaker 1: com do anything'll come over here, comes, don't check the text, 778 00:38:12,239 --> 00:38:16,120 Speaker 1: come over here, speak on the merchant for everybody in 779 00:38:16,200 --> 00:38:18,520 Speaker 1: the bay. They will be on a promo run May 780 00:38:18,600 --> 00:38:21,239 Speaker 1: tent through the twelfth in the Bay area. They'll be 781 00:38:21,320 --> 00:38:24,799 Speaker 1: with Wayne Haynes rig Lely in Sacramento. They'll be all 782 00:38:24,840 --> 00:38:27,040 Speaker 1: over So check them out there it is man, make 783 00:38:27,040 --> 00:38:29,319 Speaker 1: sure you look out for them. Man, and listen, you guys, 784 00:38:29,360 --> 00:38:32,640 Speaker 1: I'm telling you, like sincerely, we really are fans of 785 00:38:32,719 --> 00:38:36,440 Speaker 1: your music. Bro, Like yeah, you guys, thank you man, 786 00:38:36,560 --> 00:38:39,600 Speaker 1: you guys, you guys literally have something great. Um, you know, 787 00:38:39,719 --> 00:38:42,919 Speaker 1: and and just I love watching this. I understand it's 788 00:38:42,920 --> 00:38:45,319 Speaker 1: a battle, and remember the battles only in your head, 789 00:38:45,719 --> 00:38:47,920 Speaker 1: you know. Um. Dealing with the right you know, the 790 00:38:48,120 --> 00:38:50,960 Speaker 1: right people is about putting yourself in front of those people, 791 00:38:51,320 --> 00:38:53,719 Speaker 1: making the drive like you did today, stepping up and 792 00:38:53,760 --> 00:38:55,959 Speaker 1: showing up in front of people, because if you don't, 793 00:38:56,000 --> 00:38:58,160 Speaker 1: then you miss that opportunity. And a lot of people 794 00:38:58,200 --> 00:39:01,160 Speaker 1: don't understand that. And so I encourage you guys to 795 00:39:01,360 --> 00:39:05,200 Speaker 1: to expand your vision because when you do, the ability 796 00:39:05,280 --> 00:39:07,560 Speaker 1: to be wherever you want is right here. It's within 797 00:39:07,920 --> 00:39:10,239 Speaker 1: and you can tap that man. So keep sharing your 798 00:39:10,280 --> 00:39:12,600 Speaker 1: story with him, please, and share with everybody listening to 799 00:39:12,640 --> 00:39:15,759 Speaker 1: your story. Um bu being signed and then almost the 800 00:39:15,840 --> 00:39:17,960 Speaker 1: next sign and then the sign o ship. So so 801 00:39:18,080 --> 00:39:19,640 Speaker 1: here's just just I don't know why. I just feel 802 00:39:19,640 --> 00:39:21,520 Speaker 1: like they need to hear. Yeah. So I mean I 803 00:39:21,680 --> 00:39:24,160 Speaker 1: was at UM. I was at Cannam Studios, which was 804 00:39:24,200 --> 00:39:26,160 Speaker 1: deaf Al Records early in the nineties, but you know, 805 00:39:26,200 --> 00:39:29,880 Speaker 1: I'm in my forties now, um. And then after that 806 00:39:30,000 --> 00:39:33,440 Speaker 1: went to Atlantic for like I got. We called it 807 00:39:33,520 --> 00:39:36,279 Speaker 1: the death Row curse. Everybody who left death Row, you know, 808 00:39:36,560 --> 00:39:38,360 Speaker 1: they signed us somewhere and then they put us on 809 00:39:38,440 --> 00:39:40,280 Speaker 1: the shelf and they wouldn't let you come out anywhere. 810 00:39:40,360 --> 00:39:43,799 Speaker 1: You know. So when Independent after that created my own 811 00:39:43,840 --> 00:39:46,120 Speaker 1: recording studios here in Orange County, which where I met Pitt. 812 00:39:46,239 --> 00:39:50,200 Speaker 1: You know this is thousand years ago, and uh, I 813 00:39:50,280 --> 00:39:53,720 Speaker 1: did a publicitation. If he's meeting people, Hi, I'm Jason, 814 00:39:55,440 --> 00:40:00,520 Speaker 1: Jason Jason Williams here. Um so so so anyways, I 815 00:40:00,800 --> 00:40:03,239 Speaker 1: ended up, you know, going on the America's Most Wanted Tour, 816 00:40:03,280 --> 00:40:04,600 Speaker 1: which I was telling you, and I put that whole 817 00:40:04,640 --> 00:40:07,040 Speaker 1: tour together, you know, and it was I got a 818 00:40:07,560 --> 00:40:09,719 Speaker 1: cat that was like, you know, hey, my brother you 819 00:40:09,760 --> 00:40:12,080 Speaker 1: know owns OZ camp, you know, which is uh they 820 00:40:12,160 --> 00:40:15,320 Speaker 1: do commercials for UH toyotas and all these other stuff. 821 00:40:15,360 --> 00:40:17,120 Speaker 1: Can you do some commercials for us? We started doing 822 00:40:17,160 --> 00:40:20,040 Speaker 1: commercials for them. And mind you use a bald headed 823 00:40:20,120 --> 00:40:23,319 Speaker 1: little Mexican you know what I'm saying. Total style thumped out. 824 00:40:27,320 --> 00:40:30,879 Speaker 1: It wasn't this. Don't let the don't let the button 825 00:40:30,960 --> 00:40:33,080 Speaker 1: up the three inches of I always tell people, my 826 00:40:33,400 --> 00:40:35,319 Speaker 1: my hair is three inches from being bald and two 827 00:40:35,320 --> 00:40:37,400 Speaker 1: inches from having a in your face, you know what 828 00:40:37,440 --> 00:40:38,800 Speaker 1: I'm saying. But at the end of the at the 829 00:40:38,880 --> 00:40:40,439 Speaker 1: end of the day, so I was, I was there 830 00:40:40,600 --> 00:40:44,160 Speaker 1: and and um you know what we ended up, you know, 831 00:40:44,280 --> 00:40:46,440 Speaker 1: getting on the I did a publicity something which is 832 00:40:46,480 --> 00:40:48,200 Speaker 1: that right there on the wall. It's that that plaque 833 00:40:48,200 --> 00:40:49,919 Speaker 1: from the Los Angeles Times when I hit the front 834 00:40:49,920 --> 00:40:52,480 Speaker 1: page and we um we just got off our tour 835 00:40:52,920 --> 00:40:57,560 Speaker 1: within New Zealand in Australia and I changed my group 836 00:40:57,680 --> 00:41:00,600 Speaker 1: name from the Imperial Assassins to the Imperial Star. And 837 00:41:00,760 --> 00:41:02,320 Speaker 1: everybody was like, what then are you doing? This is 838 00:41:02,400 --> 00:41:04,440 Speaker 1: you're playing roulette with your industry. You know, you're on 839 00:41:04,560 --> 00:41:07,320 Speaker 1: tour with Corrupt and and you know, Dog Pound and 840 00:41:07,440 --> 00:41:09,680 Speaker 1: this and bone Thugs and why would you change the 841 00:41:09,760 --> 00:41:12,000 Speaker 1: name of your group. And I'm like, well, Imperial Assassins 842 00:41:12,000 --> 00:41:14,400 Speaker 1: when I was out there had no opportunity because in 843 00:41:14,520 --> 00:41:17,160 Speaker 1: Australia they were letting me cuss on air. They were 844 00:41:17,239 --> 00:41:19,839 Speaker 1: talking about Coca Cola sponsorships. But the guy from Coca 845 00:41:19,920 --> 00:41:22,400 Speaker 1: Cola said, I said, well, what about Cali. Can you 846 00:41:22,440 --> 00:41:24,319 Speaker 1: give me some you know, some sponsors out here? Cally 847 00:41:24,360 --> 00:41:26,200 Speaker 1: He's like, Callie, will never work with you know, in 848 00:41:26,239 --> 00:41:29,040 Speaker 1: the United States, with the company with the name of Assassins. 849 00:41:29,600 --> 00:41:31,160 Speaker 1: And I was like, hun. He was like, yeah, Imperial 850 00:41:31,200 --> 00:41:33,680 Speaker 1: Assassins will never do anything, he says, but here we can, 851 00:41:33,800 --> 00:41:35,920 Speaker 1: we can work with you. So I was kind of 852 00:41:35,960 --> 00:41:37,839 Speaker 1: like what. So I was like okay, cool, And at 853 00:41:37,880 --> 00:41:40,040 Speaker 1: the same time I watched what I did to the crowd. 854 00:41:40,040 --> 00:41:42,960 Speaker 1: I hypnotized the crowd into being on some hoodie ship, 855 00:41:43,239 --> 00:41:45,080 Speaker 1: and I thought, damn, this is horrible what I'm doing, 856 00:41:45,160 --> 00:41:46,880 Speaker 1: you know. And it was kind of sucked up because 857 00:41:46,920 --> 00:41:49,840 Speaker 1: I seen, you know, what I was, you know, capable of. 858 00:41:50,520 --> 00:41:52,359 Speaker 1: And I came back. I'm like, all right, I'm gonna 859 00:41:52,360 --> 00:41:54,239 Speaker 1: calling Imperial stars and I started doing more pop, more 860 00:41:54,280 --> 00:41:57,080 Speaker 1: party rock, kind of fun stuff, you know. Um, right 861 00:41:57,120 --> 00:41:58,440 Speaker 1: before l M f A, you and all of them 862 00:41:58,480 --> 00:42:02,480 Speaker 1: start jumping off FM. Far a movement, and UH ended 863 00:42:02,560 --> 00:42:05,840 Speaker 1: up doing my publicity stunt, became sixty three most googled 864 00:42:05,840 --> 00:42:07,960 Speaker 1: in the world once to the Grammys Top ten Grammy 865 00:42:08,000 --> 00:42:10,239 Speaker 1: publicity stunts in music history. I still have it. I'm 866 00:42:10,320 --> 00:42:12,839 Speaker 1: like number seven in the world for the biggest music 867 00:42:12,920 --> 00:42:16,480 Speaker 1: publicity stunts, and um with his which with Michael Jackson, 868 00:42:16,600 --> 00:42:19,960 Speaker 1: President Barack Obama, Janet Jackson, Um, you know, I think 869 00:42:20,320 --> 00:42:22,960 Speaker 1: Katie Perry and a couple other people with me and 870 00:42:23,040 --> 00:42:26,400 Speaker 1: that in that group. But long story short, when I 871 00:42:26,480 --> 00:42:30,600 Speaker 1: did that publicity stunt and I got Universal Records hit 872 00:42:30,640 --> 00:42:32,040 Speaker 1: me up and they were asking me, you know, hey, 873 00:42:32,120 --> 00:42:33,960 Speaker 1: we want to sign you on a deal. Whenna do 874 00:42:34,000 --> 00:42:37,319 Speaker 1: a fifty fifty joint venture deal. We're gonna offer you, um, 875 00:42:37,520 --> 00:42:40,120 Speaker 1: some cash and a couple of tours, like a three 876 00:42:40,200 --> 00:42:42,359 Speaker 1: year tour, you know, this and that. And I got 877 00:42:42,440 --> 00:42:44,719 Speaker 1: the deal, and I was listening to my team around me, 878 00:42:44,800 --> 00:42:47,120 Speaker 1: you know. And and keep in mind my team, you know, 879 00:42:47,200 --> 00:42:48,600 Speaker 1: you never asked someone how to get out of the 880 00:42:48,640 --> 00:42:51,000 Speaker 1: hood that still lives in the hood. Just remember that, 881 00:42:51,120 --> 00:42:52,480 Speaker 1: you know what I'm saying, because they don't know how 882 00:42:52,520 --> 00:42:54,000 Speaker 1: to get out, you know what I mean, you know, 883 00:42:54,120 --> 00:42:56,000 Speaker 1: and it's very difficult when you think of that, you know. 884 00:42:56,840 --> 00:42:59,360 Speaker 1: And and so the homies were you know, gassing me up, 885 00:42:59,440 --> 00:43:02,080 Speaker 1: like if they off with you joint venture, they offered 886 00:43:02,080 --> 00:43:04,200 Speaker 1: you a hundred racks, then you know, come back with 887 00:43:04,440 --> 00:43:07,360 Speaker 1: you know, sixty forty and you know, five racks, you know. 888 00:43:07,520 --> 00:43:09,640 Speaker 1: So of course I you know, I'm listening to the 889 00:43:09,680 --> 00:43:13,040 Speaker 1: homies in the hood, and um and I went back 890 00:43:13,080 --> 00:43:14,960 Speaker 1: to them counter offered, and they said, no, thank you, 891 00:43:15,040 --> 00:43:18,400 Speaker 1: will pass. And then I was like, okay, cool. And 892 00:43:18,480 --> 00:43:20,200 Speaker 1: then I waited a week and I was like, hey, humbly, 893 00:43:20,239 --> 00:43:22,120 Speaker 1: I'd like to, you know, take that offer to you guys. 894 00:43:22,200 --> 00:43:25,000 Speaker 1: Did you know I'm excited to work with you guys, 895 00:43:25,120 --> 00:43:27,640 Speaker 1: and they're like, no, thank you will pass. And I'm like, 896 00:43:28,440 --> 00:43:30,120 Speaker 1: but you know, if we could try to do this 897 00:43:30,320 --> 00:43:31,920 Speaker 1: or that, they were like, no, thank you will pass. 898 00:43:32,000 --> 00:43:33,520 Speaker 1: And the whole time was just no, thank you will 899 00:43:33,520 --> 00:43:36,200 Speaker 1: pass and never got that deal again. Ten years later. 900 00:43:37,160 --> 00:43:40,839 Speaker 1: You know, um, I'm I'm you know, doing all kinds 901 00:43:40,880 --> 00:43:42,960 Speaker 1: of ship. You know. I ended up becoming public speaker 902 00:43:43,000 --> 00:43:45,440 Speaker 1: and and uh, you know, doing a bunch of other things, 903 00:43:45,440 --> 00:43:47,279 Speaker 1: a couple of different TV shows that I was working with. 904 00:43:48,040 --> 00:43:52,200 Speaker 1: I ended up coming to a radio station and and 905 00:43:52,480 --> 00:43:55,480 Speaker 1: you know, working there and uh doing a show. I 906 00:43:55,520 --> 00:43:56,560 Speaker 1: was trying. They were trying to get me to do 907 00:43:56,560 --> 00:43:58,400 Speaker 1: a hip hop show. I was over the hip hop thing. 908 00:43:58,480 --> 00:43:59,640 Speaker 1: I was like, no, I don't want to. I want 909 00:43:59,640 --> 00:44:01,080 Speaker 1: to do it. End of the show. They wouldn't let me. 910 00:44:01,440 --> 00:44:03,680 Speaker 1: We ended up at a midnight slot, ended up becoming 911 00:44:03,719 --> 00:44:05,560 Speaker 1: the number one show on one on one point five 912 00:44:05,640 --> 00:44:08,520 Speaker 1: FM k c I, and then Joe Grande. We brought 913 00:44:08,600 --> 00:44:11,040 Speaker 1: Joe Grande on board with the propers at Law and 914 00:44:11,320 --> 00:44:13,520 Speaker 1: uh we we got a deal over at I Heeart Media, 915 00:44:13,600 --> 00:44:17,000 Speaker 1: which Joe quarterbacked us right in with Big Boy, which 916 00:44:17,040 --> 00:44:19,120 Speaker 1: I always want to thank him and Big Boy for 917 00:44:19,360 --> 00:44:21,880 Speaker 1: for introducing us to Dock and all the cats up 918 00:44:21,920 --> 00:44:24,200 Speaker 1: at I heeart Um and then they signed us to 919 00:44:24,280 --> 00:44:25,640 Speaker 1: I Heart and put us on a three year deal. 920 00:44:25,719 --> 00:44:28,359 Speaker 1: But when we got that deal, you know, these guys 921 00:44:28,400 --> 00:44:32,200 Speaker 1: were like, we need to counter you know. So they 922 00:44:32,200 --> 00:44:34,920 Speaker 1: started countering and I literally was like, hey, yeah, I'll 923 00:44:34,960 --> 00:44:37,600 Speaker 1: let you say it. Joe, I mean, he goes, if 924 00:44:37,719 --> 00:44:40,680 Speaker 1: this doesn't happen, I'm gonna punch you on the face. Yeah, 925 00:44:41,320 --> 00:44:43,760 Speaker 1: because if you guys, you know, I can't be countery 926 00:44:43,840 --> 00:44:45,960 Speaker 1: like this anywhere with a big company. Now, I'm like, 927 00:44:46,040 --> 00:44:47,640 Speaker 1: let's just take the deal. You know what I'm saying, like, 928 00:44:47,760 --> 00:44:53,480 Speaker 1: don't don't you know, don't sleep un But they pushed him. 929 00:44:53,480 --> 00:44:55,600 Speaker 1: We almost well, it got a little slippery, it got 930 00:44:55,640 --> 00:44:58,520 Speaker 1: a little slipper. We want. Well, yeah, we didn't get 931 00:44:58,560 --> 00:45:00,560 Speaker 1: what we want. We got the same thing they offer from. Yeah, 932 00:45:00,960 --> 00:45:04,200 Speaker 1: we got this boom the bottom This is the bottom line. 933 00:45:04,200 --> 00:45:06,400 Speaker 1: I mean, I think they changed it from six to 934 00:45:06,520 --> 00:45:08,800 Speaker 1: three because we wanted a three year deal instead of 935 00:45:08,800 --> 00:45:11,600 Speaker 1: a six year deal. Yeah, but we changed that. That 936 00:45:11,719 --> 00:45:14,879 Speaker 1: was us. But other than that, So the point being though, 937 00:45:14,960 --> 00:45:16,399 Speaker 1: is that I think Joe was asking me to share 938 00:45:16,440 --> 00:45:17,880 Speaker 1: that with you so that you could, you know, be 939 00:45:18,000 --> 00:45:20,120 Speaker 1: conscious of what you're trying to surround yourself around. And 940 00:45:20,400 --> 00:45:23,200 Speaker 1: when you have opportunity from from real folks that are 941 00:45:23,280 --> 00:45:25,440 Speaker 1: really industry cats, you know, you might want to just 942 00:45:25,520 --> 00:45:27,360 Speaker 1: jump on that those because those are your first like 943 00:45:27,520 --> 00:45:29,960 Speaker 1: launching pads. And then one thing I always tell you know, 944 00:45:30,080 --> 00:45:33,120 Speaker 1: people in this industry is, you know, don't forget who 945 00:45:33,160 --> 00:45:34,879 Speaker 1: brought you to the dance. You know what I'm saying, 946 00:45:35,160 --> 00:45:36,880 Speaker 1: Because when people will bring you to the dance and 947 00:45:37,200 --> 00:45:39,200 Speaker 1: you go and you start dancing, and and a lot 948 00:45:39,239 --> 00:45:42,000 Speaker 1: of times you forget how you got there, and you know, 949 00:45:42,160 --> 00:45:45,000 Speaker 1: start exting that person out. What happens is you get 950 00:45:45,040 --> 00:45:46,839 Speaker 1: lost and you don't understand how you got back there, 951 00:45:47,239 --> 00:45:48,759 Speaker 1: you know what I mean. And that's the trick of 952 00:45:48,800 --> 00:45:51,279 Speaker 1: this industry, you know, So be conscious of who brings 953 00:45:51,320 --> 00:45:53,279 Speaker 1: you to the dance and don't forget them, and then 954 00:45:53,320 --> 00:45:55,200 Speaker 1: wait for the magic to happen. So and and for 955 00:45:55,280 --> 00:45:58,120 Speaker 1: everybody out there, get ready because cutthroat mode dot com 956 00:45:58,400 --> 00:46:00,360 Speaker 1: it's coming to you. And that's why I show I 957 00:46:00,400 --> 00:46:01,960 Speaker 1: just want to Blue to show the story. I don't know. 958 00:46:03,239 --> 00:46:06,160 Speaker 1: I was like, not only for him, not only for 959 00:46:06,239 --> 00:46:07,880 Speaker 1: him to share with you guys, but for the listeners 960 00:46:07,920 --> 00:46:10,080 Speaker 1: out there to that I listen. It's a good story 961 00:46:10,160 --> 00:46:12,920 Speaker 1: first all that we don't talk about fully, but it's 962 00:46:12,960 --> 00:46:15,040 Speaker 1: something that I just feel like, I don't know. I 963 00:46:15,120 --> 00:46:16,759 Speaker 1: gotta God touch us out. I need you guys to 964 00:46:16,840 --> 00:46:18,319 Speaker 1: hear this right now rather than before we get off 965 00:46:18,360 --> 00:46:21,440 Speaker 1: the air. Appreciate it. Well, there it is, guys, this 966 00:46:21,520 --> 00:46:23,120 Speaker 1: Cannabis Talk on Aloe. We want to thank you for 967 00:46:23,200 --> 00:46:25,600 Speaker 1: joining the show and remember this if no one else 968 00:46:25,680 --> 00:46:28,760 Speaker 1: loves you, we do. Thank you for listening to Cannabis 969 00:46:28,800 --> 00:46:30,879 Speaker 1: Talk one oh one on the I Heart Radio app, 970 00:46:31,000 --> 00:46:33,960 Speaker 1: Apple podcast, or wherever you get your podcasts.