1 00:00:00,720 --> 00:00:03,000 Speaker 1: I am all in. 2 00:00:08,200 --> 00:00:19,000 Speaker 2: Let's kiss you. I am all in with Scott Patterson 3 00:00:19,239 --> 00:00:20,640 Speaker 2: an iHeartRadio podcast. 4 00:00:20,800 --> 00:00:23,680 Speaker 1: Hey Everybody, Scott Patterson, I am all in podcast, iHeart Radio. 5 00:00:23,720 --> 00:00:28,920 Speaker 1: One of them productions Pop Culture, Season six, Episode five, 6 00:00:29,000 --> 00:00:33,320 Speaker 1: Always a Godmother, Never a Godam joined with by my 7 00:00:33,600 --> 00:00:39,160 Speaker 1: intrepid crew, Tar Sued and Amy Sugarman and Susanne French 8 00:00:39,159 --> 00:00:42,400 Speaker 1: will join us. She's on a putty break or calls 9 00:00:42,440 --> 00:00:46,680 Speaker 1: for Luke and there's a that there's a fire. Luke, 10 00:00:46,720 --> 00:00:49,320 Speaker 1: what are you doing yelling fire? You can't do that, Laurel. 11 00:00:49,400 --> 00:00:52,880 Speaker 1: I know it only pertains to movie theaters crowded ones. 12 00:00:52,880 --> 00:00:55,160 Speaker 1: If you're watching a Wednesday matinee of Deduced Big Low, 13 00:00:55,200 --> 00:00:56,960 Speaker 1: you can yell fire all you want. Hell, you can 14 00:00:57,000 --> 00:01:01,840 Speaker 1: start a fire. No. One Bigelow Mal Jigglow is a 15 00:01:01,920 --> 00:01:08,200 Speaker 1: nineteen ninety ninety American sex comedy starring film starring Rob 16 00:01:08,280 --> 00:01:12,959 Speaker 1: Schneider as Deuice Bigelow and insecure aquarium cleaner who wrecks 17 00:01:13,000 --> 00:01:15,800 Speaker 1: a house of a Jigglow and must become a jigglow 18 00:01:15,880 --> 00:01:21,080 Speaker 1: himself to earn the money to repair it. That must 19 00:01:21,080 --> 00:01:25,400 Speaker 1: have been some pitch meeting. Lorelei is making the joke 20 00:01:25,480 --> 00:01:28,760 Speaker 1: that it was such a bad movie that no one 21 00:01:28,800 --> 00:01:31,920 Speaker 1: would be in the theater watching that movie. 22 00:01:33,760 --> 00:01:35,400 Speaker 2: I gotta do this one. This was my favorite. 23 00:01:35,480 --> 00:01:38,920 Speaker 1: I'm going to hand it off to my colleague Amy Sugarman. 24 00:01:39,120 --> 00:01:42,000 Speaker 2: Ladies, thank you so much. LORELEI is going through all 25 00:01:42,000 --> 00:01:45,080 Speaker 2: the old tapes. You need an episode of Magnum p 26 00:01:45,200 --> 00:01:48,040 Speaker 2: I from nineteen eighty six. Of course, not that tape 27 00:01:48,080 --> 00:01:51,920 Speaker 2: is mislabeled. That's ants Landing from nineteen eighty one, which 28 00:01:52,840 --> 00:01:57,120 Speaker 2: I interject flag on the play because nineteen eighty one 29 00:01:57,200 --> 00:01:59,320 Speaker 2: was before nineteen eighty six, so why would it be 30 00:01:59,360 --> 00:02:03,760 Speaker 2: mislabeled with something new. But anyway, I'm going to not 31 00:02:03,760 --> 00:02:09,240 Speaker 2: not stick on that, So anyway, thank you so much. 32 00:02:09,280 --> 00:02:11,959 Speaker 2: That's that's not Landing from nineteen eighty one. All the 33 00:02:12,000 --> 00:02:15,000 Speaker 2: women are held hostage at gunpoint during Ginger's baby Shower 34 00:02:15,080 --> 00:02:18,480 Speaker 2: Classic twenty one Jump Street season one. You do not 35 00:02:18,680 --> 00:02:19,760 Speaker 2: need this, Okay? 36 00:02:20,040 --> 00:02:21,120 Speaker 1: Who said that? Luke? 37 00:02:21,440 --> 00:02:21,920 Speaker 2: You said that? 38 00:02:22,480 --> 00:02:23,720 Speaker 1: Yeah, yeah, it says Luke. 39 00:02:23,840 --> 00:02:27,440 Speaker 2: So first of all. Magnum Pi Like We All Don't 40 00:02:27,520 --> 00:02:31,640 Speaker 2: Know is an American crime drama television series starring Tom 41 00:02:31,720 --> 00:02:36,240 Speaker 2: Selleck and his short shorts and his mustache as Thomas Magnum, 42 00:02:36,880 --> 00:02:40,800 Speaker 2: a private investigator living on a Wahoo. There was a 43 00:02:40,840 --> 00:02:45,560 Speaker 2: TikTok the other day just showing all of Tom Selick's 44 00:02:45,560 --> 00:02:49,360 Speaker 2: short shorts from it, and I was like, so good, okay. 45 00:02:49,520 --> 00:02:55,480 Speaker 2: So Not's Landing is an American prime time television soap 46 00:02:55,520 --> 00:02:58,440 Speaker 2: opera that aired on CBS from seventy nine to ninety three. 47 00:02:58,480 --> 00:03:01,320 Speaker 2: It was a spinoff of Dallas, set in a fictitious 48 00:03:01,320 --> 00:03:04,359 Speaker 2: coastal suburb of la and centered on the lives of 49 00:03:04,400 --> 00:03:07,600 Speaker 2: four married couples living on a cul de sac seaview circle. 50 00:03:07,840 --> 00:03:09,960 Speaker 2: And I think that was not Slanding. Let me try 51 00:03:10,000 --> 00:03:10,920 Speaker 2: and name somebody. 52 00:03:10,840 --> 00:03:13,120 Speaker 1: That ran for fifteen years. 53 00:03:13,320 --> 00:03:17,600 Speaker 2: Yeah, and it had Oh my gosh, she's so beautiful 54 00:03:17,880 --> 00:03:20,360 Speaker 2: and she's still so beautiful. Hold on, I have to 55 00:03:20,360 --> 00:03:22,480 Speaker 2: tell you who she was, like one of the main 56 00:03:22,600 --> 00:03:30,000 Speaker 2: people and literally Victoria's Jon van Arc beautiful, Donna Mills. 57 00:03:30,639 --> 00:03:33,200 Speaker 3: Oh my gosh, she looks as Shelle Lee was in 58 00:03:33,280 --> 00:03:33,639 Speaker 3: that too. 59 00:03:33,840 --> 00:03:39,000 Speaker 2: Yeah, Michelle Lee, Ted Shackelford, William Devane who. Weirdly, speaking 60 00:03:39,040 --> 00:03:42,520 Speaker 2: of William Devane, I'm currently watching twenty four season five. 61 00:03:42,600 --> 00:03:45,920 Speaker 2: I think it is either season four season five, William Devane. 62 00:03:46,280 --> 00:03:48,520 Speaker 2: I mean, not Slanding was pretty legit. It never really 63 00:03:48,520 --> 00:03:52,400 Speaker 2: got the acclaim of oh, Lisa Hartman was on not Slanding. 64 00:03:52,640 --> 00:03:55,320 Speaker 2: You know, Lisa Hartman Black married to Clint Black. It 65 00:03:55,360 --> 00:03:58,120 Speaker 2: never was Dallas and it was never Dynasty. It was 66 00:03:58,160 --> 00:04:03,080 Speaker 2: sort of like below but for a long time. Then 67 00:04:03,560 --> 00:04:08,760 Speaker 2: twenty one Jump Street American police procedural television series that 68 00:04:08,880 --> 00:04:12,640 Speaker 2: focused on a squad of youthful looking undercover police officers 69 00:04:12,680 --> 00:04:16,120 Speaker 2: investigating crime in schools, gangs, and other teenage venues. Now, 70 00:04:16,160 --> 00:04:19,120 Speaker 2: let's talk about this Johnny Depp, But guess who else 71 00:04:19,160 --> 00:04:23,160 Speaker 2: starred in twenty one Jump Street day Louise Yes, thank you, Scott, 72 00:04:23,240 --> 00:04:26,840 Speaker 2: thank you for much, and Holly Robinson, who's now Holly 73 00:04:26,920 --> 00:04:32,000 Speaker 2: Robinson Pete like amazing, and there was a fourth Dustin 74 00:04:32,120 --> 00:04:35,520 Speaker 2: Yuen was also on it. Twenty one Jump Street was 75 00:04:35,680 --> 00:04:39,840 Speaker 2: like amazing. I know the movie version, right, you don't 76 00:04:39,880 --> 00:04:41,359 Speaker 2: know the TV show with Johnny Depp? 77 00:04:41,760 --> 00:04:41,920 Speaker 1: No? 78 00:04:42,080 --> 00:04:47,600 Speaker 2: I know the one with ye Jonah Hill Hills and 79 00:04:47,800 --> 00:04:49,120 Speaker 2: what's his doozy channing? 80 00:04:49,480 --> 00:04:49,560 Speaker 1: No? 81 00:04:49,760 --> 00:04:54,040 Speaker 2: And Holly Robinson sang the theme song twenty one Jump Street, Like, 82 00:04:54,080 --> 00:04:57,479 Speaker 2: how do you not know that? It like launched Fox 83 00:04:58,200 --> 00:05:03,480 Speaker 2: made Fox Fox so good good three random shows. 84 00:05:03,520 --> 00:05:07,360 Speaker 1: I love it all right, Tara, You're up all right? 85 00:05:07,400 --> 00:05:09,880 Speaker 4: So Luke is telling Laurel I to throw away her 86 00:05:09,920 --> 00:05:13,240 Speaker 4: old tapes. Lurai says the DVDs won't have the commercials 87 00:05:13,240 --> 00:05:16,359 Speaker 4: on them, the original commercials, which is half the fun. 88 00:05:16,760 --> 00:05:20,520 Speaker 4: Spuds Mackenzie Clara Peller, Nothing comes between me and my Calvins. 89 00:05:20,720 --> 00:05:24,000 Speaker 4: I mean they don't make them like that anymore, it. 90 00:05:23,839 --> 00:05:28,680 Speaker 2: Clara, where's the beef? Yeah? Sorry? 91 00:05:29,920 --> 00:05:31,120 Speaker 1: Is that her? Is that her? 92 00:05:31,240 --> 00:05:32,239 Speaker 2: Where's the beef? 93 00:05:33,160 --> 00:05:33,960 Speaker 1: Where's the bait? 94 00:05:34,720 --> 00:05:38,960 Speaker 4: So Spuds Mackenzie's a fictional dog character used for an 95 00:05:39,000 --> 00:05:43,080 Speaker 4: extensive advertising campaign marketing bud Light beer in the late 96 00:05:43,160 --> 00:05:46,280 Speaker 4: nineteen eighties. The dog first showed up in the bud 97 00:05:46,360 --> 00:05:49,680 Speaker 4: Light super Bowl twenty one at in nineteen eighty seven. 98 00:05:50,520 --> 00:05:55,000 Speaker 4: Clara Peller was a Russian born American manicurist and television 99 00:05:55,040 --> 00:05:58,400 Speaker 4: personality who starred in the nineteen eighty four Where's the 100 00:05:58,440 --> 00:06:01,960 Speaker 4: Beef campaign for the Wendy's. 101 00:06:02,520 --> 00:06:05,560 Speaker 2: Wendy's are so tiny driving that car. 102 00:06:07,440 --> 00:06:09,719 Speaker 4: And you want to know what comes in between me 103 00:06:09,760 --> 00:06:13,360 Speaker 4: and Mike Calvins. Nothing is an iconic line that Model 104 00:06:13,400 --> 00:06:17,839 Speaker 4: Brookshields delivered in the nineteen eighty Calvin Klein campaign, one 105 00:06:17,839 --> 00:06:19,839 Speaker 4: that went on to become one of the most famous 106 00:06:19,880 --> 00:06:22,239 Speaker 4: and controversial fashion ads of all time. 107 00:06:23,480 --> 00:06:29,240 Speaker 1: M Susanne, French Ladies and Gentlemen stepping into the batter's box. 108 00:06:29,560 --> 00:06:33,240 Speaker 3: All right, Uh, this is LAURELEI telling Luke to not 109 00:06:33,320 --> 00:06:36,200 Speaker 3: go back upstairs, or else she'll keep all her old tapes. 110 00:06:37,240 --> 00:06:40,120 Speaker 3: Laura I says, oh, look at that America's Castles, the 111 00:06:40,160 --> 00:06:44,799 Speaker 3: special Florida edition, seated five times. Checking it, Luke says 112 00:06:44,839 --> 00:06:48,080 Speaker 3: one thing. Laurel I says, oh. The History of Paper, 113 00:06:48,240 --> 00:06:53,440 Speaker 3: a documentary by Ted Burns discality of Ken Burns. Luke says, 114 00:06:53,480 --> 00:06:56,800 Speaker 3: I'm not going up Laura I says, good, Oh, please don't. 115 00:06:56,800 --> 00:06:58,320 Speaker 3: The Daisy Seasons two and four. 116 00:06:58,400 --> 00:06:59,440 Speaker 2: I've been looking for this. 117 00:07:00,880 --> 00:07:04,560 Speaker 3: America's Castles is a documentary television series that aired on 118 00:07:05,120 --> 00:07:07,360 Speaker 3: A and E network from nineteen ninety four to two 119 00:07:07,360 --> 00:07:11,320 Speaker 3: thousand and five. The documents the mansions and summer homes 120 00:07:11,320 --> 00:07:14,280 Speaker 3: of the high society of the Gilded Age through interviews, 121 00:07:14,360 --> 00:07:18,520 Speaker 3: historic photos, and newly shot footage. Ken Burns is an 122 00:07:18,520 --> 00:07:22,080 Speaker 3: American filmmaker known for his documentary films and television series, 123 00:07:22,120 --> 00:07:27,040 Speaker 3: many of which chronicle American history. And culture and please donate. 124 00:07:27,040 --> 00:07:30,280 Speaker 3: The Daisies is an American sitcom series based upon the 125 00:07:30,360 --> 00:07:33,280 Speaker 3: nineteen fifty seven book by Gene Kerr and the nineteen 126 00:07:33,320 --> 00:07:36,520 Speaker 3: sixty film starring Doris Day and David Niven. The series 127 00:07:36,640 --> 00:07:39,680 Speaker 3: ran for fifty eight half hour episodes and starred Patricia 128 00:07:39,680 --> 00:07:40,880 Speaker 3: Crowley and Mark Miller. 129 00:07:41,920 --> 00:07:45,720 Speaker 2: Sorry to interject with a question, are they so? Are 130 00:07:45,800 --> 00:07:49,560 Speaker 2: Luke and Lorelei sleeping? Is the whole fixed? Because I 131 00:07:49,600 --> 00:07:51,960 Speaker 2: feel like when we see the exterior there's still like 132 00:07:52,360 --> 00:07:54,680 Speaker 2: a tarp and the whole is still there, but there 133 00:07:55,360 --> 00:07:58,800 Speaker 2: are in the living room. It just yeah, it was 134 00:07:58,840 --> 00:08:00,760 Speaker 2: all mixed up. Okay, thank you, thank yeah. 135 00:08:00,760 --> 00:08:03,840 Speaker 3: Because the scene where She's trying to decide what to 136 00:08:03,880 --> 00:08:06,560 Speaker 3: wear to the baptism and Luke's laying in bed saying 137 00:08:06,560 --> 00:08:08,320 Speaker 3: which dress he likes you, They're. 138 00:08:08,120 --> 00:08:10,040 Speaker 2: Like the bed is like right in front of the front. 139 00:08:10,240 --> 00:08:13,000 Speaker 2: That's what I thought, Okay, Okay, yeah, I was all confused, 140 00:08:13,000 --> 00:08:14,760 Speaker 2: But great, great, great, all. 141 00:08:14,720 --> 00:08:18,760 Speaker 1: Right, Jackson and Suki fighting about getting the kids baptized. 142 00:08:18,800 --> 00:08:21,840 Speaker 1: Suki and We'll end up sleeping on a leaky air 143 00:08:21,840 --> 00:08:23,920 Speaker 1: mattress in the kids room and getting horrible creeks in 144 00:08:23,960 --> 00:08:26,320 Speaker 1: our next while your mother blasts the Flatt and scrugsy day, 145 00:08:26,360 --> 00:08:28,880 Speaker 1: and your cousins are going to be picking their teeth 146 00:08:28,920 --> 00:08:34,440 Speaker 1: with my rata pairing knives, Jackson, What about the time 147 00:08:35,240 --> 00:08:38,000 Speaker 1: wait to see your stuttering cousin? Odell and the worst 148 00:08:38,000 --> 00:08:41,240 Speaker 1: production of Nicholas Nickleby known to man? That was nine 149 00:08:41,280 --> 00:08:44,920 Speaker 1: hours of pure hell. Flat and Scrugs were an American 150 00:08:44,960 --> 00:08:50,200 Speaker 1: bluegrass duo formed in nineteen forty eight featuring Luster Flat 151 00:08:50,200 --> 00:08:54,320 Speaker 1: and Earl Scruggs, both of whom had been member of 152 00:08:54,400 --> 00:08:58,240 Speaker 1: Bill Monroe's Ben the Bluegrass Boys. The Life and Adventures 153 00:08:58,280 --> 00:09:00,040 Speaker 1: of Nicholas Nickleby is an eight and a half a 154 00:09:00,040 --> 00:09:04,400 Speaker 1: half hour long adaptation of Charles dickens eighteen thirty nine novel, 155 00:09:04,520 --> 00:09:06,439 Speaker 1: performed in two parts. 156 00:09:06,840 --> 00:09:09,560 Speaker 4: Oh my god, so it actually is that long? 157 00:09:10,320 --> 00:09:13,000 Speaker 2: I thought he was exaggeration. 158 00:09:13,360 --> 00:09:19,720 Speaker 1: Yeah. 159 00:09:19,840 --> 00:09:21,679 Speaker 2: Can I do the next too? Because I really want 160 00:09:21,679 --> 00:09:23,720 Speaker 2: to do the one after this? Can I just be 161 00:09:24,160 --> 00:09:24,800 Speaker 2: a ball hog? 162 00:09:25,400 --> 00:09:28,480 Speaker 1: Who are we to stop? You? Could we possibly stop? You? Can't? 163 00:09:28,559 --> 00:09:32,120 Speaker 2: Thank you? Thank you. We're reintroducing Logan to Nancy. She's 164 00:09:32,160 --> 00:09:34,480 Speaker 2: the one who insists I look like Clara Barton, which 165 00:09:34,480 --> 00:09:36,959 Speaker 2: I'm still not sure is a compliment. Clara Barton was 166 00:09:36,960 --> 00:09:39,280 Speaker 2: an American nurse who founded the American Red Cross. She 167 00:09:39,360 --> 00:09:41,720 Speaker 2: was a hospital nurse in the American Civil War, a teacher, 168 00:09:41,760 --> 00:09:44,040 Speaker 2: and a patent clerk than the one I wanted to do. 169 00:09:44,559 --> 00:09:48,760 Speaker 2: Suki stressed about seeing Jackson's family. I overcompensate and I 170 00:09:48,760 --> 00:09:50,960 Speaker 2: start cracking jokes like I'm carrot Top, and I start 171 00:09:50,960 --> 00:09:53,440 Speaker 2: doing funny things with props, and I hate prov comedy. 172 00:09:55,400 --> 00:09:59,120 Speaker 2: Scott Thompson is Carrot Top. He's a stand up comedian 173 00:09:59,160 --> 00:10:02,440 Speaker 2: and actor known for his use of prop comedy. Now, 174 00:10:05,000 --> 00:10:09,000 Speaker 2: I don't like his prop comedy either. It is funny 175 00:10:09,040 --> 00:10:12,520 Speaker 2: at times, but it also wigs me out. He's so, 176 00:10:12,720 --> 00:10:16,320 Speaker 2: he's got that show in Vegas. I've met caratalk. Still going, right, 177 00:10:16,440 --> 00:10:19,640 Speaker 2: it's still going. He's been going since like literally the nineties. 178 00:10:19,800 --> 00:10:22,280 Speaker 2: Like what does he do? Oh my gosh. He pulls 179 00:10:22,320 --> 00:10:24,240 Speaker 2: out all this stuff out of a like you know 180 00:10:24,240 --> 00:10:25,839 Speaker 2: when you used to go to camp and you'd have 181 00:10:26,880 --> 00:10:30,880 Speaker 2: what was those called, they were like crates. You bring 182 00:10:30,920 --> 00:10:33,680 Speaker 2: him to camp back when like our age was at camp, 183 00:10:34,120 --> 00:10:36,560 Speaker 2: and he pulls all this crap out and puts on 184 00:10:36,640 --> 00:10:39,640 Speaker 2: weird hats and like, oh my god, it's a little 185 00:10:39,640 --> 00:10:43,040 Speaker 2: bit like freaky, like a little bit where I'm like 186 00:10:43,960 --> 00:10:48,000 Speaker 2: light Trump, thank you, it's Trump great. I'm a little 187 00:10:48,280 --> 00:10:52,199 Speaker 2: freaked out by him, but yet bless him. He's been 188 00:10:52,240 --> 00:10:53,760 Speaker 2: going strong for so long. 189 00:10:55,480 --> 00:11:01,160 Speaker 1: Where is he at right somewhere? Not comedian smash Pumpkins. 190 00:11:01,640 --> 00:11:04,160 Speaker 2: Oh yeah, that was Gallagher. 191 00:11:04,280 --> 00:11:08,600 Speaker 1: Gallagher smash it. I mean this was his act, right. 192 00:11:09,600 --> 00:11:12,040 Speaker 1: I have probably more complex than that, but I don't know. 193 00:11:12,040 --> 00:11:13,280 Speaker 1: That's funny funny to me. 194 00:11:13,320 --> 00:11:16,199 Speaker 2: It makes me think of a David Copperfield story. So 195 00:11:16,360 --> 00:11:20,679 Speaker 2: I won't name names, but David Copperfield calls people up 196 00:11:20,679 --> 00:11:25,800 Speaker 2: out of the audience, and this person was called up 197 00:11:25,800 --> 00:11:27,920 Speaker 2: out of the audience. The kids are in the audience, 198 00:11:30,600 --> 00:11:39,440 Speaker 2: makes them disappears. 199 00:11:37,240 --> 00:11:40,480 Speaker 1: They're what they're falling, falling. 200 00:11:40,320 --> 00:11:42,480 Speaker 2: So they take you know, there's a family in the 201 00:11:42,559 --> 00:11:45,440 Speaker 2: audience and the dad goes up and they do the 202 00:11:45,480 --> 00:11:47,319 Speaker 2: magic and they all disappear. 203 00:11:48,600 --> 00:12:00,160 Speaker 1: Kid audience one good magic tricks backfire a. 204 00:12:00,160 --> 00:12:01,920 Speaker 2: Tatara, You do this one? 205 00:12:01,960 --> 00:12:05,120 Speaker 4: Even though all right, I was trying to flirt with Lorelei. 206 00:12:05,640 --> 00:12:10,320 Speaker 4: Lorelei says, nice sunglasses, Very risky business. Bo says risky business. 207 00:12:10,400 --> 00:12:13,400 Speaker 4: Huh are you into risky business? Laurel I says, no, 208 00:12:13,520 --> 00:12:15,840 Speaker 4: all of a sudden, I hate it. Tom Cruises underwear 209 00:12:15,840 --> 00:12:18,199 Speaker 4: makes me want to barf. Would you like to register? 210 00:12:19,280 --> 00:12:22,559 Speaker 4: A Risky Business is a nineteen eighty three American teen 211 00:12:22,679 --> 00:12:27,920 Speaker 4: sex comedy film starring Tom Cruise and Rebecca Deep de Morney. 212 00:12:28,240 --> 00:12:30,000 Speaker 4: Mornee okay your Mornee? 213 00:12:31,240 --> 00:12:33,880 Speaker 2: Hand that rocks the Cradle Love Rebecca de Mornay. 214 00:12:34,320 --> 00:12:37,080 Speaker 4: Starring Tom Cruise and Rebecca de Mournay, It follows the 215 00:12:37,120 --> 00:12:40,800 Speaker 4: sexual exploits of a high school senior during his parents' 216 00:12:41,080 --> 00:12:43,480 Speaker 4: vacation trip, and it's considered to be. 217 00:12:43,480 --> 00:12:47,320 Speaker 1: Cruise's breakout role. Oh yeah, that was. 218 00:12:47,320 --> 00:12:48,280 Speaker 4: A really funny line. 219 00:12:48,280 --> 00:12:52,240 Speaker 2: Though I didn't I'm not a huge risky businessman, but 220 00:12:52,320 --> 00:12:55,200 Speaker 2: I love Oh come, I know. I'm sorry. I'm sorry. 221 00:12:55,440 --> 00:12:57,720 Speaker 2: I think I was too young. I think I just 222 00:12:57,720 --> 00:12:58,360 Speaker 2: didn't get it. 223 00:12:58,360 --> 00:13:01,560 Speaker 1: I was like Joey Pants was in that time. They 224 00:13:01,640 --> 00:13:07,400 Speaker 1: kid Nah Now another man's business and a down academy. Yeah. 225 00:13:07,520 --> 00:13:10,280 Speaker 2: I feel like Ray Band needs to really thank Tom 226 00:13:10,320 --> 00:13:11,600 Speaker 2: Cruise because, oh. 227 00:13:11,520 --> 00:13:16,560 Speaker 4: Yeah, the wafer, then the aviators and the aviators. 228 00:13:16,640 --> 00:13:18,640 Speaker 1: Yeah that was a great movie. 229 00:13:19,240 --> 00:13:20,600 Speaker 2: Scott, are you next to a Susan? 230 00:13:21,280 --> 00:13:26,120 Speaker 1: Oh? I think sane? Yeah? Yeah? All right? 231 00:13:26,400 --> 00:13:30,080 Speaker 3: Uh, Suki is pressuring Luke for the wedding date, Sukie says, 232 00:13:30,200 --> 00:13:32,640 Speaker 3: Miss Manners said, you're not really engaged until you have 233 00:13:32,679 --> 00:13:35,839 Speaker 3: a ring and a date. Judith Martin, better known by 234 00:13:35,840 --> 00:13:39,080 Speaker 3: the pen name Miss Manners, is an American columnist, author, 235 00:13:39,120 --> 00:13:42,800 Speaker 3: and etiquette authority. In nineteen seventy eight, Martin began writing 236 00:13:42,800 --> 00:13:46,520 Speaker 3: an advice column, answering etiquette questions contributed by her readers 237 00:13:46,600 --> 00:13:50,120 Speaker 3: and writing short essays on problems of manners or clarifying 238 00:13:50,200 --> 00:13:53,800 Speaker 3: the essential qualities of politeness. In her writings, Martin often 239 00:13:53,840 --> 00:13:56,120 Speaker 3: refers to herself in the third person, e g. 240 00:13:56,520 --> 00:14:02,400 Speaker 1: Miss Manners hopes, I'll tell you we could use a 241 00:14:02,400 --> 00:14:07,720 Speaker 1: little bit of mismanners these days. Sometimes true. All right, 242 00:14:07,720 --> 00:14:11,360 Speaker 1: who's up now? Me? Me, me, Suki. She's been institutionalized. 243 00:14:11,400 --> 00:14:14,319 Speaker 1: She shaved her head. She thinks she Susan Powder. Susan 244 00:14:14,360 --> 00:14:19,320 Speaker 1: Powder is an Australian born American motivational speaker, nutritionist, personal trainer, 245 00:14:19,840 --> 00:14:22,360 Speaker 1: an author who rose to fame in the nineties with 246 00:14:22,480 --> 00:14:27,880 Speaker 1: her catchphrase stop the Insanity of Weight Loss infomercial. She 247 00:14:27,920 --> 00:14:30,920 Speaker 1: hosted her own talk show, That Susan Powder Show. In 248 00:14:30,960 --> 00:14:32,040 Speaker 1: the nineties. 249 00:14:33,200 --> 00:14:35,560 Speaker 2: Rory Taels logan she just can't blow off the baptism. 250 00:14:35,680 --> 00:14:38,080 Speaker 2: You can do anything. You just have to believe in yourself. 251 00:14:38,160 --> 00:14:41,080 Speaker 2: Did we learn nothing from Mad Hot Ballroom? This made 252 00:14:41,120 --> 00:14:43,960 Speaker 2: me laugh? Mad Hot Ballroom is a two thousand and 253 00:14:43,960 --> 00:14:47,080 Speaker 2: five American documentary film about a ballroom dance program in 254 00:14:47,080 --> 00:14:49,960 Speaker 2: the New York City Department of Education the New York 255 00:14:50,000 --> 00:14:52,440 Speaker 2: City Public school system for fifth graders. 256 00:14:53,480 --> 00:14:55,240 Speaker 1: Mad Hot Ballroom, It. 257 00:14:55,360 --> 00:14:59,360 Speaker 2: Just funny lines. Did we learn nothing? You can do anything? 258 00:15:00,360 --> 00:15:03,120 Speaker 1: Oh, Tara, Yeah, you want to do another one? 259 00:15:03,200 --> 00:15:05,640 Speaker 2: Let me do another one. Lane trying to read Lane, 260 00:15:05,680 --> 00:15:06,720 Speaker 2: Thank you, Lane, trying. 261 00:15:06,520 --> 00:15:08,560 Speaker 1: To read them Amy, this one too. 262 00:15:09,800 --> 00:15:12,000 Speaker 2: Laane trying to read the manual to the equipment the 263 00:15:12,040 --> 00:15:14,680 Speaker 2: boys bought. You gotta be R too, D two to 264 00:15:14,800 --> 00:15:18,280 Speaker 2: understand this thing. R two D two obviously is a 265 00:15:18,320 --> 00:15:21,280 Speaker 2: fictional robot character in the Star Wars franchise created by 266 00:15:21,320 --> 00:15:24,080 Speaker 2: George Lucas. He has appeared in ten of the eleven 267 00:15:24,200 --> 00:15:26,120 Speaker 2: Star Wars films to date, which is weird he was 268 00:15:26,120 --> 00:15:29,080 Speaker 2: only in ten. R two D two and his companion 269 00:15:29,200 --> 00:15:31,640 Speaker 2: C three po are the only characters to appear in 270 00:15:31,760 --> 00:15:35,400 Speaker 2: every theatrical Star Wars film, with the exception of Solo 271 00:15:35,640 --> 00:15:36,920 Speaker 2: a Star Wars Story. 272 00:15:38,600 --> 00:15:42,680 Speaker 4: Now Tara all right, So Lane and Rory are catching up. 273 00:15:42,760 --> 00:15:45,040 Speaker 4: Lane says, you look good too. I like the bangs 274 00:15:45,200 --> 00:15:48,520 Speaker 4: very Mary and Faithful. Rory says thanks, I'm hoping. Mick 275 00:15:48,600 --> 00:15:52,560 Speaker 4: Jagger notices. Mary and Faithful is an English rock singer. 276 00:15:52,720 --> 00:15:55,640 Speaker 4: She achieved popularity in the sixties with the release of 277 00:15:55,680 --> 00:15:59,040 Speaker 4: her hit single As Tears Go By, written by Mick Jagger. 278 00:16:00,240 --> 00:16:03,480 Speaker 4: Michael Phillip Jagger is an English singer, writer and musician. 279 00:16:03,840 --> 00:16:07,120 Speaker 4: He is the frontman and one of the founding members of. 280 00:16:07,160 --> 00:16:08,280 Speaker 1: The Rolling Stones. 281 00:16:08,760 --> 00:16:12,000 Speaker 4: Jagger and Faithful dated from nineteen sixty six to nineteen 282 00:16:12,040 --> 00:16:17,400 Speaker 4: seventy and became a notorious part of the big swinging London. 283 00:16:17,160 --> 00:16:22,680 Speaker 1: Scene and still going strong in their late seventies. I think, 284 00:16:22,760 --> 00:16:28,720 Speaker 1: isn't micked like eighty now? M hm ah than Yeah, 285 00:16:29,040 --> 00:16:31,400 Speaker 1: they're still They're going out on tour. They just released 286 00:16:31,400 --> 00:16:33,400 Speaker 1: a single with a video. 287 00:16:34,480 --> 00:16:39,520 Speaker 2: I mean, I'm getting the exact age rock on with 288 00:16:39,760 --> 00:16:42,400 Speaker 2: He exactly emailed those Yeah, exactly. 289 00:16:42,640 --> 00:16:47,480 Speaker 1: He's eighty man. This guy is still cinal. He's I mean, 290 00:16:47,920 --> 00:16:53,240 Speaker 1: the energy that guy expends on stage, Oh oh my god, 291 00:16:53,560 --> 00:16:54,600 Speaker 1: he's indestructible. 292 00:16:58,400 --> 00:16:58,520 Speaker 4: Man. 293 00:16:59,200 --> 00:17:00,760 Speaker 1: All right, I'll do the last one. 294 00:17:01,600 --> 00:17:04,720 Speaker 3: This is Kirk deciding which side of the church on. 295 00:17:06,119 --> 00:17:09,480 Speaker 3: Kirk says, I haven't had much contact with Martha. She 296 00:17:09,560 --> 00:17:12,680 Speaker 3: seems more reserved, elusive. There's a bit of Garbo in her. 297 00:17:13,680 --> 00:17:16,720 Speaker 3: Greta Garbo was a Swedish American actress regarded as one 298 00:17:16,720 --> 00:17:19,760 Speaker 3: of the greatest screen actresses of all time. She was 299 00:17:19,840 --> 00:17:24,359 Speaker 3: known for her melancholic, somber persona, her film portrayals of 300 00:17:24,440 --> 00:17:27,720 Speaker 3: tragic characters, and her subtle and understated performances. 301 00:17:28,400 --> 00:17:30,400 Speaker 4: M that was a really funny line from Kirk. 302 00:17:30,480 --> 00:17:33,760 Speaker 1: Actually, oh, Kirk, Kirk, we won in a lot, but 303 00:17:33,880 --> 00:17:37,119 Speaker 1: he killed it in this episode. Anyway. That's gonna wrap 304 00:17:37,200 --> 00:17:41,720 Speaker 1: us up for pop culture. Next episode, Season six, episode five, 305 00:17:41,800 --> 00:17:45,040 Speaker 1: We've got magic to thank you, ladies, Susanne French, Terristuit, 306 00:17:45,600 --> 00:17:46,400 Speaker 1: Amy Sugarman. 307 00:17:46,480 --> 00:17:50,920 Speaker 2: We no thank you, Scott, no, thank you, no, thank you. 308 00:17:51,200 --> 00:17:53,800 Speaker 2: I'm gonna go watch old episodes not landing. 309 00:17:54,440 --> 00:17:58,520 Speaker 1: Yeah, I'm gonna I'm gonna not watch anything. I'm gonna eat. 310 00:17:58,920 --> 00:18:01,520 Speaker 1: I'm gonna eat. I'm gonna watch new episodes of me 311 00:18:01,720 --> 00:18:06,200 Speaker 1: stuffing my face. Thank you, all right, guys, see you 312 00:18:06,280 --> 00:18:08,679 Speaker 1: next time. Keep the cards and letter coming. Love you, 313 00:18:09,440 --> 00:18:13,520 Speaker 1: best fans on the planet and remember we I am 314 00:18:13,560 --> 00:18:44,399 Speaker 1: all in. See you next time. Stay safe, hey everybody, 315 00:18:44,440 --> 00:18:47,760 Speaker 1: and talk again. Follow us on Instagram at I Am 316 00:18:47,840 --> 00:18:52,800 Speaker 1: all In Podcast and email us at Gilmore at iHeartRadio 317 00:18:53,119 --> 00:19:00,000 Speaker 1: dot com