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Speaker 1: The video. Shoot, you guys actually had t Page and

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Speaker 1: Bugatti me from being from the South, being someone from

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Speaker 1: the the culture, the cloth of it, right. I remember

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Speaker 1: t Paying coming out and saying, Yo, that was my Bugatti.

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Speaker 2: A future hit rightfully in his own length doing this thing.

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Speaker 3: You had pain also too, And the reality is is

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Speaker 3: we're gonna have We're gonna have a Gougatti that regardless

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Speaker 3: exactly the BT Awards or some BT function. Your Roleg's

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Speaker 3: face bezel fell off.

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Speaker 1: No, that was crazy, right then, that's the first time

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Speaker 1: you let people before you want something. He almost he

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Speaker 1: almost lost the vessel. They can't out before we continue.

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Speaker 1: That's gotta go. You know what what was that about?

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Speaker 1: And did you fire that jeweler?

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Speaker 3: Back then, they had watch Busters, so watch Busters had

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Speaker 3: already verified that the watch was real.

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Speaker 2: Okay, you know why I want to hear that.

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Speaker 3: That's so that's why I'm saying we weren't tripping because

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Speaker 3: the watch was real, right, We weren't having no long

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Speaker 3: conversations about the watch situation like that, But we just

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Speaker 3: didn't know how the mother other came off? You know

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Speaker 3: what I'm saying, Like that was just the whole thing.

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Speaker 3: It just happened. I can't even explain how it happened,

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Speaker 3: but it happened. And that my jeweler is the biggest

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Speaker 3: jeweler at that time. He do all our stuff. He

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Speaker 3: do me, Fat Joe, he do everybody stuff. You know

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Speaker 3: what I'm saying.

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Speaker 1: So make sure it's a real Why I know it

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Speaker 1: was real, I need to see the third point. But

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Speaker 1: the reason I say that is baby went up with

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Speaker 1: a watch. There were like four hundred.

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Speaker 2: Grand that's the same jeweler.

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Speaker 1: And you were getting out of the Calli situation seen

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Speaker 1: on Breakfast Club where they kind of asked him about you,

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Speaker 1: but to ask what were the best eight hood was

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Speaker 1: like your first artist?

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Speaker 2: Fust time?

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Speaker 1: Are you still're still together.

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Speaker 4: Or ashore doing his own thing? You know what I'm saying,

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Speaker 4: that's my brother. Everybody makes your own decisions. But at

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Speaker 4: the end of the day, is we got love. It

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Speaker 4: ain't no like you know I sometimes you know, artists

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Speaker 4: might want to do.

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Speaker 1: Something and maybe you know I don't.

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Speaker 4: You know, I can't. I can't speak for him. I

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Speaker 4: don't know what he's thinking. But at the end of

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Speaker 4: the day, is we bless him, love him and he's

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Speaker 4: you know, I've been with him from the birth of aight.

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Speaker 4: So so I've supported him and I'm always gonna love

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Speaker 4: him and if you ever need me, I'm here to

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Speaker 4: support one.

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Speaker 1: And you tweeted following that you said that only if

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Speaker 1: everything you said in an interview was true. Have you

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Speaker 1: guys spoken since then? What's the relationship with you guys,

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Speaker 1: if at any But what's the feeling with Kelly and

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Speaker 1: that situation with we the Best?

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Speaker 3: Well, there is no situation. Welcome to us up there podcast.

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Speaker 3: I am your active and attractive hosts. Another episode of

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Speaker 3: the fastest growing show in the world. Today, we got

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Speaker 3: a guy, man that I was eager to speak with,

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Speaker 3: A legend in his own right, got some really big

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Speaker 3: records out there, Man, and I wanted to speak about

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Speaker 3: his journey and have a great conversation.

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Speaker 1: We got Acehood. How you doing, brother sir, I'm good,

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Speaker 1: my brother. Thank you for having me, no problem, man,

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Speaker 1: Thank you for coming. Man. It's a blessing. Always a

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Speaker 1: pleasure when players meet. Yeah, you know what I'm saying,

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Speaker 1: Always a pleasure. Man. How you feeling, man, what's going

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Speaker 1: on with you? How you be good? I feel good,

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Speaker 1: feel blessed.

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Speaker 3: You know what I'm saying, blessed to be here, Blessed

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Speaker 3: to be still doing what I love. Blessed that my

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Speaker 3: kids are healthy. Bro, you know what I'm saying. My

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Speaker 3: family good, my wife good. You know, we're building man

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Speaker 3: career wise.

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Speaker 1: You know what I'm saying.

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Speaker 3: I've done some incredible things in my career, sir, continuing

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Speaker 3: to do some incredible things.

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Speaker 1: So I'm blessed all for real. How do you how

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Speaker 1: do you keep from because we just had conversation of

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Speaker 1: course off Mike, how do you keep from letting some

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Speaker 1: of the stuff you've been through break your spirit? Yeah?

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Speaker 3: Man, well you know what, dog, I think that I

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Speaker 3: think keeping God first for me, Bro.

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Speaker 1: You know what I'm saying.

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Speaker 3: I think keeping God first and then realizing taking ownership

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Speaker 3: for where that I maybe didn't show up as my

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Speaker 3: best self or maybe that I shorten certain positions.

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Speaker 1: You know what I'm saying.

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Speaker 3: So I think it's big on taking accountability, figuring out

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Speaker 3: like you know, where I can get better at, you know,

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Speaker 3: spots where I can learn, you know what I'm saying,

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Speaker 3: where I can reapply myself, where I can do something differently.

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Speaker 3: I just look at everything as an opportunity to grow

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Speaker 3: brou So anytime I get, you know, down on.

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Speaker 1: Myself or like hardship start to hit.

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Speaker 3: I'm reminded where I am and I'm a reminder what's

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Speaker 3: on the other what's on the other side of that.

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Speaker 2: Hardship, you see what I'm saying.

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Speaker 3: So that's how my mind is naturally, I'm like, I know,

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Speaker 3: if I'm in a space, whatever it might be, Like, I.

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Speaker 1: Know God is placing me here for a reason. Is

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Speaker 1: that Has it always been that way? This is a

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Speaker 1: newfound thing?

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Speaker 3: No, no, No, I've always been a man of faith, you

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Speaker 3: know what I'm saying. That's how I navigated my career.

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Speaker 3: It's how I manifested my life the things that I want,

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Speaker 3: you know, it's just really being God's guy for real.

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Speaker 1: You know what I'm saying.

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Speaker 3: I think that just got re energized and recharged recently

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Speaker 3: with my whole faith obviously like stepping away and having

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Speaker 3: you know, just reaching in different places spirituality wise, you

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Speaker 3: know what I'm saying. So now coming back to the

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Speaker 3: full circle, like doubling back now in terms of like

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Speaker 3: what I know to be true about God? Would I

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Speaker 3: know it be true about my faith and how it

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Speaker 3: aligns with me now you see what I'm saying. So, uh,

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Speaker 3: it's always been a huge part of me, for sure.

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Speaker 1: How do you stay planted in that? Though? I think

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Speaker 1: that that still is something that you know, you can

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Speaker 1: wave off and you can get the questioning like well

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Speaker 1: why why? Though? I get it like if I've always

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Speaker 1: been this kind of guy, I've always stood on principal

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Speaker 1: morals and tried to put my best foot forward because

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Speaker 1: you your spirit doesn't give me a sleeze ball. Yeah,

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Speaker 1: you know what I'm saying. And sometimes you know, I

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Speaker 1: battle with questioning like yo, hold on but this, yeah,

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Speaker 1: and why? And so maybe you can give me some

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Speaker 1: insight or some of the viewing public some insight as

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Speaker 1: to how you can continue to stay grounded and level headed,

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Speaker 1: you know, as you move through some of those times

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Speaker 1: where it's all and you ain't even looking for a

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Speaker 1: light switch, you know what I'm saying, just expecting it

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Speaker 1: to get light at some point.

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Speaker 3: Yeah, Oh, that's a great question, brou I think what

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Speaker 3: I learned too, bro, is like, you know, not trying

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Speaker 3: to manipulate your situation, to manipulate where you are, but really.

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Speaker 2: To accept that.

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Speaker 3: So before there's acceptance, there has to be unacceptance. So

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Speaker 3: it has to be a space where it's like brou hurt,

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Speaker 3: you know what I'm saying, Like I feel pain.

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Speaker 2: This is where I'm at.

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Speaker 3: I'm frustrated, I don't trust nobody like you gotta really

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Speaker 3: sit in those spaces, in those moments. And the only

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Speaker 3: reason I was able to rise to this space because

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Speaker 3: I allow myself full space to be able to feel

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Speaker 3: what I was feeling. So in those moments of darkness,

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Speaker 3: like I wasn't trying to turn on the light, you

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Speaker 3: know what I'm saying, just within the darkness, I was

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Speaker 3: hoping that God provide me the like as opposed to

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Speaker 3: me physics, like I physically need to do something because

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Speaker 3: oftentimes that's what we go wrong, is us feeling like

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Speaker 3: we need to change and we need to do something

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Speaker 3: that we need to be more as opposed to just

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Speaker 3: being on me. Just be don't even try to be anything,

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Speaker 3: Just be in that space. If you and your darkness

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Speaker 3: allow yourself to sit there because to me, the more

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Speaker 3: that you become and you build a relationship with the darkness,

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Speaker 3: now we can introduce you to the light because then

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Speaker 3: you understand.

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Speaker 2: What it's like to be in the darkness.

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Speaker 3: And I think just for me, I've really been in

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Speaker 3: the darkness, really been in the thick of it, really

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Speaker 3: been in the lessons of it, really been in the

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Speaker 3: emotional space trying to figure out, like I've really been there,

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Speaker 3: so now to be able to tell people of like, nah,

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Speaker 3: this is how I got through it. It's like then

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Speaker 3: the light popped up. Then I seen the light at

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Speaker 3: the end of the tunnel, but it didn't start that way.

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Speaker 1: It's one thing to develop when you got a lot

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Speaker 1: of help, but it's another thing to develop in a

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Speaker 1: dark room. Yeah, you know what I'm saying, And that

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Speaker 1: is a hell of a trade to have as a

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Speaker 1: human being, is to understand that now you know, I

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Speaker 1: can develop in this dog room because God is real,

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Speaker 1: you know what I'm saying. And the more we let

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Speaker 1: the youngsters know that, because you know, in this time

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Speaker 1: in the industry and music, we're in a very weird time.

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Speaker 1: A lot of people are influencing children and influencing people

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Speaker 1: to do things that they've never did, you know what

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Speaker 1: I'm saying. And so for me, I'm always scared of

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Speaker 1: that because they don't have the tools to navigate some

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Speaker 1: of the waters that people are sending them in. You

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Speaker 1: know what I mean, some of these erratic behavior from

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Speaker 1: these rap guys when they get on these drugs and

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Speaker 1: going this booth and they screaming and hollering some of

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Speaker 1: these things. Bro. It really it pains me because I

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Speaker 1: have boys growing up in this world, you know what

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Speaker 1: I'm saying, And I don't know how we navigate that,

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Speaker 1: But I like to Even watching the Joe Budden interview,

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Speaker 1: I'm like, Yo, this dude is well spoken. Yeah, Bro,

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Speaker 1: what does that come from? Do you have a college background?

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Speaker 1: Do you know?

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Speaker 2: Bro? That's dad shit. Man, that's flattering. B I appreciate

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Speaker 2: that though.

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Speaker 1: That's love.

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Speaker 2: No college background, bro, just just the high school diplomba.

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Speaker 2: You know what I'm saying.

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Speaker 3: But I continue to further my education after the fact.

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Speaker 3: Obviously reading books, Obviously traveling the world was a huge

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Speaker 3: thing for me, So I learned so much in different

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Speaker 3: code There's different people, being around, different vibes.

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Speaker 2: So that was a huge. Uh, that was a huge

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Speaker 2: lesson for me and too growing up. To be clear.

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Speaker 3: Also I wanted to add is that I've always been

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Speaker 3: a good writer, a writer, a good interpreter, all of that.

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Speaker 3: You see what I'm saying like these are the skills. Like,

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Speaker 3: so I went writing contests speaking so things like that,

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Speaker 3: yes and uh coming up in the game. There was

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Speaker 3: always this energy when I came up of like, uh,

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Speaker 3: Southern artists couldn't rap or Southern artists.

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Speaker 2: Couldn't have that, you feel what I'm saying.

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Speaker 3: So for me always wanted to change that narrative about

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Speaker 3: like oh they just make swag rapping boom boom. But

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Speaker 3: I want to let y'all know that, like, nah, I'm

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Speaker 3: an intellectual and I can give you game and I could,

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Speaker 3: like you know what I'm saying, I didn't know it

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Speaker 3: in the beginning, but like my homiusal ten.

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Speaker 2: Brushun like you're from up top brush, like you from

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Speaker 2: blah blah blah.

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Speaker 1: Just because I challenged myself outside of you know, my environment,

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Speaker 1: find and you let's talk about that, like the Southern

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Speaker 1: stigma that's so on not only the intellectual capabilities but

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Speaker 1: also on the wrapping mm hmm. They would think like

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Speaker 1: and you one of those guys that you'll get in

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Speaker 1: there and start slicing and dicing, you know what I'm saying.

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Speaker 1: So I wonder like, well, I think it was a

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Speaker 1: song you had maybe Wayne redone it or he may

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Speaker 1: have jumped on it. I don't know, I can't remember.

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Speaker 1: But your style of rapping has always been something that

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Speaker 1: a lot of people appreciate. I'm talking about writers and rappers.

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Speaker 1: They understand, Oh that take you dig, That take a

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Speaker 1: skill set to be able to do that. That ain't

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Speaker 1: just a dude going in there and yeah, I'm you

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Speaker 1: know one two ABC on ABC Meet to Death. You

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Speaker 1: know what I'm saying. Where did that come from? Whether

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Speaker 1: you because back in that time, like you said, the

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Speaker 1: stigma wasn't that. It was damn there an anomaly to

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Speaker 1: come on, rapping fast and all of that. It really

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Speaker 1: was not in the Southern district to be doing that.

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Speaker 1: So where did that come from?

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Speaker 2: Listen to a lot of up North artists.

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Speaker 1: You know what I'm saying.

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Speaker 2: Me, I've always been built on like lyricism. I've always been.

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Speaker 3: Gravitated, gravitated to artists that could tell a story, that

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Speaker 3: can narrated story right and do that through lyrics, you

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Speaker 3: know what I'm saying. So and through fast play and

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Speaker 3: all of that. So listening to the cannabis and stuff,

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Speaker 3: growing up, listening to the eminems and all of that,

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Speaker 3: Dog the mystic cheeks and shit growing up, you geting

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Speaker 3: me like, these are guys that I thought were super lyrical,

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Speaker 3: you know what I'm saying, And these guys would could

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Speaker 3: also tell a story.

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Speaker 1: So that was a part of it though too as well.

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Speaker 3: But for me, I also felt like, this is a

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Speaker 3: great way for me to set myself apart, you know

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Speaker 3: what I'm saying as opposed because how can I say, man,

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Speaker 3: people would always subject themselves to something that's much less

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Speaker 3: than something that they can easily something that might be

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Speaker 3: more of the culture of the cloth that sounds like

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Speaker 3: the community, you know what I'm saying, that's more rugged,

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Speaker 3: that sounds a little bit more dirty, a little bit

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Speaker 3: more you know what I'm saying, as opposed to like

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Speaker 3: something that comes from that community, that's more polished. Dig

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Speaker 3: what I'm saying. Yeah, So I represent that end that's

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Speaker 3: more polished of it. So it was very different excepting

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Speaker 3: that from the South, because from the South you can

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Speaker 3: hear guys that got more slur more like a little

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Speaker 3: bit more mumbleish, little bit more like. It's very different

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Speaker 3: against swaggish. So for me, I wanted to make sure

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Speaker 3: that this sound and what I was saying was really

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Speaker 3: piercing through.

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Speaker 1: I wanted to look up some of your biggest records,

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Speaker 1: and it says Bugatti is your biggest record. That's what

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Speaker 1: it was. Hustle Hard Remix, Wang, That's what it was.

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Speaker 1: But you got Bugatti at three hundred and fifty eight

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Speaker 1: million views, you got Hustle Hard Remix at eighty five

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Speaker 1: million views. Body to Body featuring Chris Brown that said

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Speaker 1: thirty eight million views, cash Flow eighteen point seven million views,

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Speaker 1: Ride featuring Trey Songs sixteen point nine million views. So

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Speaker 1: you've you've covered a lot of ground with these records.

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Speaker 1: How was it with the Bugatti record in terms of

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Speaker 1: what exactly did you come up with that concept or

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Speaker 1: did you have anything to do with the structuring of

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Speaker 1: the restructuring of that. Well, it was a collaborative thing

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Speaker 1: more so, you know what I'm saying. And at that

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Speaker 1: particular time, it was right.

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Speaker 3: It's a collaborative right because Mike Will came in, Kali

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Speaker 3: found the beat, and then when we found the beat,

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Speaker 3: we already knew that like we want the future to

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Speaker 3: be on it. So like the thing was is working

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Speaker 3: at that particular time around that energy, Like we were

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Speaker 3: always big on anthems like that was our thing.

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Speaker 2: That was our conversation was like, all right, Bro, we

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Speaker 2: won't make anthems.

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Speaker 3: So anytime we were creating, we would always want to

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Speaker 3: get the best and the biggest people at that particular time.

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Speaker 3: So founding the Beat Man it came through pretty smooth.

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Speaker 2: Honestly.

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Speaker 3: Once we found the beat, Bro hit me, it was like,

301
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Speaker 3: all right, we already knew what the beat was. Say y'all,

302
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Speaker 3: I got soup in the studio. Man, We went there,

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Speaker 3: chopped it up. Bro did his thing, knocked that verse

304
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Speaker 3: out immediately, and it was it was a smash it

305
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Speaker 3: was today.

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Speaker 2: But it was a collaborative effort for sure.

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Speaker 1: Yeah, and you know I've seen where the video shoot.

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Speaker 1: You guys actually had t pays and bout gott it

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Speaker 1: me from being from the South, being someone from the

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Speaker 1: culture the cloth of it, right. I remember t Pain

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Speaker 1: coming out and saying, Yo, that was my Bugatti. I

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Speaker 1: didn't understand that. What was your understanding of him coming

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Speaker 1: out saying that in that moment?

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Speaker 3: Well, there was a lot of There was a lot

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Speaker 3: of energy around that time, right, was just around the

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Speaker 3: whole auto tune thing more so, Right, so you had

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Speaker 3: future hit rightfully in his own line doing this thing,

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Speaker 3: you had pain also too, So there was a lot

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Speaker 3: of comparisons at that particular time. There were a lot

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Speaker 3: of people that wanted them to collapse. So there were

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Speaker 3: a lot of people that were trying to pit them

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Speaker 3: against each other, being that they both were using a

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Speaker 3: specific sound, right, and they both are very talented and

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Speaker 3: good at it. So I just think, like you knows,

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Speaker 3: as bro continue to rise, I think that kind of

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Speaker 3: rubbed the pain, and you know, you know, I think

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Speaker 3: it's just, you know, it's a little industry play a

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Speaker 3: little bit. I think it rubbed paining a little bit

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Speaker 3: of like maybe this is something that I'm not a

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Speaker 3: part of and or I'm not getting the recognition or

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Speaker 3: from it, you know what I'm saying, being that this

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Speaker 3: is my thing, you know what I'm saying, or y'all

333
00:15:06,360 --> 00:15:09,520
Speaker 3: attacking me using it, but they ain't attacking him using

334
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Speaker 3: it because I think Jay also was was you know,

335
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Speaker 3: loud about.

336
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Speaker 1: We off that he tried to kind of kill the auto.

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Speaker 3: Two right, right, So so that's what I'm saying on

338
00:15:17,800 --> 00:15:20,280
Speaker 3: at that point there, It's like, so imagine that, right,

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00:15:20,320 --> 00:15:22,240
Speaker 3: So that's that's kind of hovering over the culture and

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Speaker 3: the energy, and it's like, you know, people feel some

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Speaker 3: type of way, you know what I'm saying, Like I

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00:15:26,080 --> 00:15:28,800
Speaker 3: can imagine paying feeling some type of way internally. So

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00:15:28,880 --> 00:15:31,600
Speaker 3: you know, when stuff like that happened in comparison to

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Speaker 3: and being that Brother was a part of the video

345
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Speaker 3: and then we're using the whip, it's like, you know,

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Speaker 3: it's something to comment on. You what I'm saying, I

347
00:15:37,240 --> 00:15:40,560
Speaker 3: didn't like that because I didn't love it neither. I

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Speaker 3: felt like it was not necessary for Brother to mention that. Uh,

349
00:15:45,120 --> 00:15:48,760
Speaker 3: but either way, I felt like I'm big on seeing

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Speaker 3: things from both ends of the perspective. Dog, you did

351
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Speaker 3: what I'm saying, like ends of the spectrum rather so

352
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Speaker 3: it's like on one end, you know, in that moment,

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Speaker 3: I'm like, Bro's that don't even make sense for you

354
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Speaker 3: even be a right and that big a deal.

355
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Speaker 1: We were trying to hustle.

356
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Speaker 4: Bro.

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Speaker 1: This don't got nothing to do with who caught his

358
00:16:06,400 --> 00:16:09,520
Speaker 1: seals or whatever that is. You can't you know what

359
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Speaker 1: I'm saying. I didn't appreciate that because of that. It's

360
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Speaker 1: almost like, Yo, this is two black artists you in particular,

361
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Speaker 1: coming from that area. Don't step on this, like, let

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Speaker 1: us hustle with this bro. It's like the big homie

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Speaker 1: who let you wear as jewelry or something. And then

364
00:16:26,000 --> 00:16:29,480
Speaker 1: he started trying to little boy. You know, I man,

365
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Speaker 1: it's my ship. Dude had on he came to buy

366
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Speaker 1: a bar on my car. I didn't appreciate that, you

367
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Speaker 1: know what I'm saying. I'm like, yo, let the let

368
00:16:36,480 --> 00:16:39,640
Speaker 1: the dudes hustle. This is part of our culture. People

369
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Speaker 1: rent cars in that videos. A lot of these dudes

370
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Speaker 1: rent jewelry. That's that's part of the culture, right. And

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Speaker 1: I don't think you guys positioned it like it's my Bugatti.

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Speaker 1: It's just like I woke up in a new Bougatti.

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Speaker 1: It was a smash record, and.

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Speaker 3: The reality is is we're gonna have We're gonna have

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Speaker 3: a Bugatti that regardless exactly, So that it didn't it didn't.

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Speaker 3: You understand what I'm saying. So it didn't. It didn't matter.

377
00:17:03,200 --> 00:17:05,479
Speaker 3: The song was a smash in itself and it hit.

378
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Speaker 3: So it's like, I think, you know, sometimes you want

379
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Speaker 3: to be a part of something.

380
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Speaker 1: Man.

381
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Speaker 3: I understood that whole situation. I understood the frustrations that

382
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Speaker 3: Bro was going through. At that time too, But uh,

383
00:17:16,080 --> 00:17:17,919
Speaker 3: it didn't. It didn't affect me, It didn't hinder me.

384
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Speaker 1: I did.

385
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Speaker 3: I never got any questions about it, Like nobody never

386
00:17:21,040 --> 00:17:23,480
Speaker 3: said and brought that up like. It was never no energy,

387
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Speaker 3: So it was never anything that I had to deal with.

388
00:17:25,600 --> 00:17:27,840
Speaker 3: It was never like bro was trying to suppress this

389
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Speaker 3: or why Bruh doing that? It was never no energy

390
00:17:30,080 --> 00:17:32,960
Speaker 3: like that. It was just like a couple of people

391
00:17:33,000 --> 00:17:35,320
Speaker 3: mentioned that, Hey, that was paying vibe in in a

392
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Speaker 3: in a video.

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Speaker 1: That was it. Yeah, that's for me. That's as a

394
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Speaker 1: big home man, as someone that lend out calls and

395
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Speaker 1: lend out jeur and lend out certain things. You know,

396
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Speaker 1: I just want to speak against that in our culture. Right,

397
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Speaker 1: Let's not do that to the youngsters coming up, because

398
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Speaker 1: at that point, what records did you really have? Was

399
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Speaker 1: that one of your one of your first like.

400
00:18:00,880 --> 00:18:03,520
Speaker 3: What it all was before that? Oh it was already

401
00:18:03,600 --> 00:18:05,600
Speaker 3: the record. I was already him, you know what I'm saying.

402
00:18:05,800 --> 00:18:08,679
Speaker 3: And then Hustle and then cash Flow was before that arrived,

403
00:18:09,560 --> 00:18:13,480
Speaker 3: so you was already meelish. Yeah, twenty thirteen was was

404
00:18:13,760 --> 00:18:16,359
Speaker 3: Uh so when that record came, it was just another

405
00:18:16,400 --> 00:18:17,600
Speaker 3: massive record for another.

406
00:18:18,920 --> 00:18:22,040
Speaker 1: Right, yeah, you smoked that junt. Let me ask you this.

407
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Speaker 1: I heard also on the Joe Button podcast because I

408
00:18:26,080 --> 00:18:29,560
Speaker 1: don't understand this and maybe you can, you know, help

409
00:18:29,840 --> 00:18:33,639
Speaker 1: gain some clarity. But you said that when you were

410
00:18:33,680 --> 00:18:37,760
Speaker 1: getting out of the CALLI situation, that it was seven figures.

411
00:18:37,800 --> 00:18:41,280
Speaker 1: What does that mean? Like, how does that look as

412
00:18:41,359 --> 00:18:45,639
Speaker 1: far as like contract negotiat What does that mean you

413
00:18:45,680 --> 00:18:47,960
Speaker 1: just need to pay a million dollars? Is that what

414
00:18:48,000 --> 00:18:50,600
Speaker 1: the verbage is that U that it is? Or what?

415
00:18:51,640 --> 00:18:54,000
Speaker 3: Well, at that time, it was just the number, right,

416
00:18:54,040 --> 00:18:56,520
Speaker 3: you know what I'm saying. So before any negotiation anything

417
00:18:56,600 --> 00:18:59,480
Speaker 3: went down, or any discussion around the contract, this is

418
00:18:59,480 --> 00:19:02,160
Speaker 3: what bro it initially. But again, I'm a guy, I'm

419
00:19:02,160 --> 00:19:04,040
Speaker 3: a young man who understands the both ends of this,

420
00:19:05,000 --> 00:19:08,520
Speaker 3: you know spectrum. So I'm understanding, like, this is just

421
00:19:08,560 --> 00:19:10,679
Speaker 3: a fluff number, This is just something to scare me.

422
00:19:10,760 --> 00:19:13,520
Speaker 3: This is something coming off of currently it's frustration and

423
00:19:13,600 --> 00:19:15,280
Speaker 3: how we feel and boo boom boom.

424
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Speaker 2: But also too, it.

425
00:19:16,359 --> 00:19:18,840
Speaker 3: Was very real, very real for me, so and I

426
00:19:18,920 --> 00:19:21,679
Speaker 3: knew at the reality at that particular time, I couldn't

427
00:19:21,720 --> 00:19:23,280
Speaker 3: just up and give a bro meal. You see what

428
00:19:23,280 --> 00:19:27,760
Speaker 3: I'm saying for the situation, and I feel like it

429
00:19:28,680 --> 00:19:30,200
Speaker 3: and I feel like that would have been just taking

430
00:19:30,240 --> 00:19:30,800
Speaker 3: advantage of.

431
00:19:30,720 --> 00:19:31,280
Speaker 1: A nigga too.

432
00:19:31,280 --> 00:19:32,880
Speaker 3: At that point too, I'm like, you know, to give

433
00:19:32,920 --> 00:19:35,240
Speaker 3: you an M for real, like you know what I'm saying,

434
00:19:35,240 --> 00:19:37,879
Speaker 3: what I know, my work done spoke for itself.

435
00:19:37,560 --> 00:19:42,000
Speaker 1: Like you know what I'm saying. In the rig you

436
00:19:42,000 --> 00:19:46,280
Speaker 1: you understand, yeah, kind of paper with this, especially because

437
00:19:46,280 --> 00:19:48,240
Speaker 1: you may have been in a deal that wasn't that

438
00:19:48,359 --> 00:19:51,800
Speaker 1: lucrative and it just bopped right right, So they still

439
00:19:51,840 --> 00:19:55,679
Speaker 1: are winning from that perspective, you know. So it's like,

440
00:19:55,760 --> 00:19:58,520
Speaker 1: you know, if we right have something, you've built something right,

441
00:19:58,520 --> 00:20:00,440
Speaker 1: which is incredible. You know, the moment when you want

442
00:20:00,440 --> 00:20:02,679
Speaker 1: to like slide out, I think for me, it's like,

443
00:20:03,160 --> 00:20:06,199
Speaker 1: oh no, Like anybody, depending upon who they are, they

444
00:20:06,240 --> 00:20:08,000
Speaker 1: gonna make it difficult for you. You know what I'm saying.

445
00:20:08,000 --> 00:20:10,480
Speaker 3: So to me, that's the first initial like all right,

446
00:20:11,119 --> 00:20:12,720
Speaker 3: And then we went back to the drawing board, you

447
00:20:12,760 --> 00:20:16,000
Speaker 3: know what I'm saying, And there was conversation, conversation, meeting up, conversation,

448
00:20:16,119 --> 00:20:18,600
Speaker 3: that whole thing till we can actually establish a real

449
00:20:18,680 --> 00:20:21,840
Speaker 3: number or something that actually made sense for me. And

450
00:20:21,880 --> 00:20:24,280
Speaker 3: then once the you know, the hot heads cool down

451
00:20:24,320 --> 00:20:26,960
Speaker 3: and everything like that. Once we got to and even

452
00:20:27,040 --> 00:20:29,040
Speaker 3: you know, everybody even killed. Now it's like, now we

453
00:20:29,080 --> 00:20:31,000
Speaker 3: can have a real conversation about this, you know what

454
00:20:31,040 --> 00:20:31,480
Speaker 3: I'm saying.

455
00:20:31,560 --> 00:20:33,600
Speaker 1: And I've seen on Breakfast Club where they kind of

456
00:20:33,600 --> 00:20:36,639
Speaker 1: asked him about you meant to ask what were the

457
00:20:36,640 --> 00:20:40,000
Speaker 1: best eight hood? Was like your first artist the first time?

458
00:20:40,160 --> 00:20:41,720
Speaker 1: Are you still and they so you're still together? Or

459
00:20:42,000 --> 00:20:42,400
Speaker 1: ain't sure?

460
00:20:42,480 --> 00:20:44,160
Speaker 4: Doing his own thing? You know what I'm saying, that's

461
00:20:44,200 --> 00:20:49,440
Speaker 4: my brother. I support him one he is he is,

462
00:20:49,480 --> 00:20:50,760
Speaker 4: but he wants to do his own thing.

463
00:20:51,080 --> 00:20:53,119
Speaker 1: You know what I'm saying, Why why right now? You

464
00:20:53,400 --> 00:20:54,320
Speaker 1: red hot?

465
00:20:55,560 --> 00:20:57,600
Speaker 4: Everybody makes your own decisions. But at the end of

466
00:20:57,640 --> 00:20:59,639
Speaker 4: the day, is we got love. It ain't no like

467
00:20:59,800 --> 00:21:01,919
Speaker 4: you know I sometimes you know, artists might want to

468
00:21:01,920 --> 00:21:03,960
Speaker 4: do something and maybe you know I don't, you know,

469
00:21:04,040 --> 00:21:05,399
Speaker 4: I can't. I can't speak for him. I don't know

470
00:21:05,400 --> 00:21:07,040
Speaker 4: what he's thinking. But at the end of the day,

471
00:21:07,080 --> 00:21:09,439
Speaker 4: is we bless him, we love him, and he's you know,

472
00:21:09,920 --> 00:21:12,480
Speaker 4: I've been with him from the birth of a sort

473
00:21:12,600 --> 00:21:15,280
Speaker 4: so I've supported him and I'm always gonna love him.

474
00:21:15,480 --> 00:21:17,360
Speaker 4: And if you ever need me, I'm here to support one.

475
00:21:18,520 --> 00:21:21,120
Speaker 1: You know, he does kind of what Cald does, kind

476
00:21:21,119 --> 00:21:24,159
Speaker 1: of dance around it, and it's love, love, and you

477
00:21:24,240 --> 00:21:26,719
Speaker 1: know what I'm saying. And then you tweeted following that

478
00:21:27,400 --> 00:21:29,720
Speaker 1: you said that only if everything you said in an

479
00:21:29,720 --> 00:21:33,080
Speaker 1: interview was true. Have you guys spoken since then? What's

480
00:21:33,160 --> 00:21:37,440
Speaker 1: the relationship with you guys, if at any But what's

481
00:21:37,520 --> 00:21:40,760
Speaker 1: the feeling with Cald and that situation with we the best?

482
00:21:41,400 --> 00:21:43,359
Speaker 3: Well, there is no situation, you know what I'm saying

483
00:21:43,400 --> 00:21:45,080
Speaker 3: between me and me and Bro. You know that's just

484
00:21:45,160 --> 00:21:49,280
Speaker 3: only history between me and Dog. On my end, I'm

485
00:21:49,320 --> 00:21:51,320
Speaker 3: a man of love, you know what I'm saying. Like like, so,

486
00:21:51,400 --> 00:21:54,560
Speaker 3: there is no love loss. You did what I'm saying.

487
00:21:54,640 --> 00:21:57,440
Speaker 3: But at the same time, I'm not looking for anything

488
00:21:57,680 --> 00:21:59,439
Speaker 3: from him, you know what I'm saying. I think that

489
00:21:59,680 --> 00:22:01,680
Speaker 3: I will him the best with what he has going

490
00:22:01,760 --> 00:22:04,200
Speaker 3: on with his kids, with his family and everything. But

491
00:22:04,640 --> 00:22:07,000
Speaker 3: there is no relationship, not to say that there will there.

492
00:22:07,119 --> 00:22:10,320
Speaker 3: There won't be a relationship nor a conversation, which I

493
00:22:10,359 --> 00:22:12,640
Speaker 3: feel that maybe there will be God willing to see

494
00:22:12,640 --> 00:22:14,879
Speaker 3: it so that it will be a conversation between us

495
00:22:14,920 --> 00:22:18,040
Speaker 3: two to mend some things out. Or just have a conversation.

496
00:22:18,119 --> 00:22:22,520
Speaker 3: But you know, nah, there's no relationship at this current moment.

497
00:22:22,600 --> 00:22:25,560
Speaker 1: But what's holding it back? What's what do you think is?

498
00:22:26,640 --> 00:22:28,800
Speaker 1: I mean? Because if you you cleared the debt, you

499
00:22:28,880 --> 00:22:33,120
Speaker 1: pay whatever was ass you guys negotiated a number, would

500
00:22:33,160 --> 00:22:36,720
Speaker 1: you guys seeming to be so close during that run,

501
00:22:36,920 --> 00:22:39,800
Speaker 1: what would make it at this point we haven't even

502
00:22:39,960 --> 00:22:43,199
Speaker 1: spoken right, right, Like, what is what? What would you

503
00:22:43,280 --> 00:22:45,240
Speaker 1: contribute that to? Uh?

504
00:22:45,280 --> 00:22:47,840
Speaker 3: Well, I would say there's a few things that contributes

505
00:22:47,880 --> 00:22:50,160
Speaker 3: to that, right. So that was a moment in time

506
00:22:50,160 --> 00:22:52,240
Speaker 3: for me where I took a step back from the industry,

507
00:22:52,600 --> 00:22:55,840
Speaker 3: right to just go more introspective, to learn about myself,

508
00:22:55,840 --> 00:22:58,600
Speaker 3: to recreate myself, rebrand and all of that stuff. So

509
00:22:58,640 --> 00:23:00,960
Speaker 3: that was that whole process that when down right, when

510
00:23:01,000 --> 00:23:03,320
Speaker 3: I became independent. So I went on my own personal

511
00:23:03,440 --> 00:23:05,200
Speaker 3: journey to find me, and I feel like he went

512
00:23:05,240 --> 00:23:06,760
Speaker 3: on his own personal journey as well.

513
00:23:06,640 --> 00:23:07,200
Speaker 2: To find him.

514
00:23:07,480 --> 00:23:09,919
Speaker 3: We just have yet to meet or be in the

515
00:23:09,960 --> 00:23:12,439
Speaker 3: same environment or space, you know what I'm saying, So

516
00:23:12,600 --> 00:23:15,640
Speaker 3: like that's really just the difference. But when I've seen

517
00:23:15,680 --> 00:23:18,879
Speaker 3: him out, our last time interacting was love, It was

518
00:23:18,920 --> 00:23:22,000
Speaker 3: big hugs, it was my brother. It was I appreciate you.

519
00:23:22,400 --> 00:23:25,439
Speaker 3: That was our final interaction at that particular time. But

520
00:23:25,600 --> 00:23:27,600
Speaker 3: it ain't no like bad Blood is just I'm doing

521
00:23:27,640 --> 00:23:30,320
Speaker 3: me bro doing him. We just haven't seen each other

522
00:23:30,320 --> 00:23:33,160
Speaker 3: in that environment. But I've I had other homies who's

523
00:23:33,160 --> 00:23:34,879
Speaker 3: connected to me that's seen him again.

524
00:23:35,200 --> 00:23:36,800
Speaker 2: And callin is always based on love.

525
00:23:36,840 --> 00:23:39,840
Speaker 3: Man, He's always like that sort of guy, the the

526
00:23:40,960 --> 00:23:44,960
Speaker 3: no non confrontational you dig so so yeah, they've seen

527
00:23:45,000 --> 00:23:46,760
Speaker 3: him out and it's been all love, you dig what

528
00:23:46,760 --> 00:23:49,480
Speaker 3: I'm saying. So we just haven't had that opportunity to connect.

529
00:23:50,080 --> 00:23:52,439
Speaker 1: That's to me. You know. We just spoke about some

530
00:23:52,520 --> 00:23:54,520
Speaker 1: of these events in some of the fake love in

531
00:23:54,560 --> 00:23:57,399
Speaker 1: the industry too, though, where you will get out and

532
00:23:57,440 --> 00:24:00,199
Speaker 1: there'll be DAPs in hugs and my brother is and

533
00:24:00,240 --> 00:24:02,280
Speaker 1: my brother that This is why I stay away from

534
00:24:02,359 --> 00:24:05,280
Speaker 1: some of these because they invite me everywhere. But I

535
00:24:05,320 --> 00:24:07,600
Speaker 1: stay away from some of it because I'm not into

536
00:24:07,640 --> 00:24:12,400
Speaker 1: the passing out numbers and not answering texts like if

537
00:24:12,400 --> 00:24:15,720
Speaker 1: you get my number, I'm gonna answer you. Yeah. You know,

538
00:24:15,760 --> 00:24:17,920
Speaker 1: I was dealing with a guy yesterday that was telling

539
00:24:17,960 --> 00:24:19,919
Speaker 1: me like, man, I reached out to this such and

540
00:24:19,960 --> 00:24:22,639
Speaker 1: such and he gave me number he wouldn't answer, and

541
00:24:22,720 --> 00:24:25,200
Speaker 1: it will hurting my spirit because I know the industry

542
00:24:25,400 --> 00:24:29,840
Speaker 1: is full of games like that. You know what I'm saying,

543
00:24:29,920 --> 00:24:32,960
Speaker 1: So I'm not sure I'm taking everyone in face value

544
00:24:33,040 --> 00:24:35,600
Speaker 1: that when I see you out in public, you know

545
00:24:35,600 --> 00:24:37,760
Speaker 1: what I'm saying, that it's all love and this and

546
00:24:37,840 --> 00:24:41,239
Speaker 1: that like and in private we ain't even spoken, right right,

547
00:24:41,320 --> 00:24:45,119
Speaker 1: right right, that's me my personal outlook on things, because

548
00:24:45,160 --> 00:24:49,480
Speaker 1: I understand this game. It's tainted. You know, it's sustained

549
00:24:49,520 --> 00:24:53,119
Speaker 1: on the game man, and it's not as it's not

550
00:24:53,200 --> 00:24:55,800
Speaker 1: as genuine as people may think it.

551
00:24:55,800 --> 00:24:58,080
Speaker 3: It looks that's a fact, bro, But I look at

552
00:24:58,119 --> 00:25:00,520
Speaker 3: it like this, right, like, whether or not you genuine

553
00:25:00,560 --> 00:25:01,720
Speaker 3: or not don't got nothing to do with me.

554
00:25:02,320 --> 00:25:03,080
Speaker 1: You see what I'm saying.

555
00:25:03,440 --> 00:25:07,120
Speaker 3: My love and my genuineness hopefully may inspire you too.

556
00:25:07,240 --> 00:25:09,840
Speaker 3: You don't have to be anything like a like minded

557
00:25:09,960 --> 00:25:12,720
Speaker 3: individuals are gonna find like minded individual and it's like,

558
00:25:12,880 --> 00:25:15,560
Speaker 3: that's why it's important enough to move through or he'll

559
00:25:15,680 --> 00:25:17,560
Speaker 3: like them lower parts of yourself, because if not, you

560
00:25:17,640 --> 00:25:20,120
Speaker 3: still come in contact with those same people, even though

561
00:25:20,119 --> 00:25:21,919
Speaker 3: you think you above it to a certain degree, you

562
00:25:21,920 --> 00:25:24,359
Speaker 3: did know what I'm saying. So for me, I'm gonna

563
00:25:24,359 --> 00:25:26,960
Speaker 3: come through with love regardless you can hate me. I

564
00:25:27,119 --> 00:25:30,320
Speaker 3: represent love that's gonna ride on your spirit in my mind, Yes,

565
00:25:30,400 --> 00:25:31,560
Speaker 3: you did. You know what I'm saying, So it ain't

566
00:25:31,560 --> 00:25:33,360
Speaker 3: got nothing to do with me. So it's like if

567
00:25:33,359 --> 00:25:35,320
Speaker 3: I'm connected and I come through with the space and

568
00:25:35,320 --> 00:25:37,760
Speaker 3: the energy of love and you don't reciprocate that, it

569
00:25:37,880 --> 00:25:39,560
Speaker 3: just lets me know that this is not where I

570
00:25:39,600 --> 00:25:41,320
Speaker 3: need to be. You are not who I need to

571
00:25:41,359 --> 00:25:44,439
Speaker 3: be in contact with. So that's information and everything. So

572
00:25:44,520 --> 00:25:46,600
Speaker 3: if he don't answer you or he don't hit back.

573
00:25:46,480 --> 00:25:48,640
Speaker 2: That's not your guy exactly. He did know what I'm saying.

574
00:25:48,680 --> 00:25:52,439
Speaker 3: It's clear, and it ain't to take personal like what

575
00:25:52,520 --> 00:25:54,280
Speaker 3: you can right take your personal feel how you want

576
00:25:54,280 --> 00:25:57,120
Speaker 3: to feel, man, whatever, but just know after you get

577
00:25:57,119 --> 00:25:59,280
Speaker 3: done with all that this ain't my man, and I'm

578
00:25:59,280 --> 00:26:02,320
Speaker 3: gonna treat you, yes, but I still got love. But

579
00:26:02,440 --> 00:26:05,040
Speaker 3: see them same guys to see you out, And I

580
00:26:05,119 --> 00:26:08,160
Speaker 3: was trying to kind of walk them through that them

581
00:26:08,200 --> 00:26:10,639
Speaker 3: same guys will see you out again and act like

582
00:26:10,720 --> 00:26:13,840
Speaker 3: oh man, I just no not and like it's like

583
00:26:14,560 --> 00:26:16,440
Speaker 3: and the little home is like bro I've been trying

584
00:26:16,440 --> 00:26:19,239
Speaker 3: to get a verse from your feature from you, Like

585
00:26:19,359 --> 00:26:21,640
Speaker 3: you're do a song with a guy in this business

586
00:26:21,680 --> 00:26:24,280
Speaker 3: and they won't clear the record they know it's red tape.

587
00:26:24,280 --> 00:26:26,800
Speaker 3: On the other side of it, the label may step

588
00:26:26,880 --> 00:26:28,080
Speaker 3: in and they may crazy.

589
00:26:28,440 --> 00:26:29,960
Speaker 1: All of that kind of stuff happens.

590
00:26:30,000 --> 00:26:31,280
Speaker 3: I don't like that type of shit though, when I

591
00:26:31,280 --> 00:26:34,000
Speaker 3: see that go down to like people who've given features

592
00:26:34,000 --> 00:26:35,919
Speaker 3: have done something like that, yes, and then when you

593
00:26:35,960 --> 00:26:38,320
Speaker 3: get it and they won't even clear for you, that's

594
00:26:38,400 --> 00:26:41,840
Speaker 3: just ain't gonna like. That's five business, bro, business for real.

595
00:26:42,200 --> 00:26:45,440
Speaker 3: So and I feel you, bro, sad niggas do shit

596
00:26:45,520 --> 00:26:47,480
Speaker 3: like that, because that could really kill an up and

597
00:26:47,520 --> 00:26:48,200
Speaker 3: coming artist.

598
00:26:48,200 --> 00:26:50,200
Speaker 2: Is somebody who just on their grind it can kill

599
00:26:50,240 --> 00:26:50,719
Speaker 2: your spirit.

600
00:26:50,760 --> 00:26:53,160
Speaker 3: Bro, we're dealing with somebody like that because you happy

601
00:26:53,160 --> 00:26:55,280
Speaker 3: about it, Like, man, I got the verse, only to

602
00:26:55,320 --> 00:26:57,160
Speaker 3: find that that them people on the other end.

603
00:26:57,240 --> 00:27:00,400
Speaker 1: I know some guys is paid for versus and we're

604
00:27:00,400 --> 00:27:03,320
Speaker 1: not talking about five were talking about forty five thousand

605
00:27:04,080 --> 00:27:07,919
Speaker 1: for a verse from artists not understanding the business. And

606
00:27:08,080 --> 00:27:11,640
Speaker 1: on the other side, the label keeps stopping it. Hey, yeah,

607
00:27:12,040 --> 00:27:15,240
Speaker 1: can't put that out, almost like they want more money.

608
00:27:15,640 --> 00:27:18,679
Speaker 1: That's crazy And for me, I don't have a I

609
00:27:18,720 --> 00:27:21,879
Speaker 1: take that personal or one hundred percent, one hundred percent

610
00:27:21,920 --> 00:27:24,199
Speaker 1: put majority of the time. Bro, that's really how it

611
00:27:24,320 --> 00:27:24,840
Speaker 1: goes that.

612
00:27:24,920 --> 00:27:27,160
Speaker 3: Like you know a lot of these artists who are

613
00:27:27,240 --> 00:27:29,120
Speaker 3: signed to labels and stuff, you know it's a partnership,

614
00:27:29,200 --> 00:27:31,600
Speaker 3: so there is no independence within them, you did you

615
00:27:31,640 --> 00:27:33,560
Speaker 3: know what I'm saying, Like they're not operating on that

616
00:27:33,640 --> 00:27:35,639
Speaker 3: so a lot because I remember, okay, being on a

617
00:27:35,640 --> 00:27:38,560
Speaker 3: major label, Like I can tell you something, but that

618
00:27:38,640 --> 00:27:41,760
Speaker 3: might be that could possibly go against like what my

619
00:27:41,840 --> 00:27:43,840
Speaker 3: label think about this? Ye, Like I can say, I

620
00:27:43,880 --> 00:27:45,800
Speaker 3: can say, yeah it is, but the label can be like,

621
00:27:45,960 --> 00:27:47,840
Speaker 3: now we ain't gonna clear that because this on the

622
00:27:47,880 --> 00:27:49,840
Speaker 3: line with this, you ain't doing this da da D

623
00:27:50,080 --> 00:27:51,840
Speaker 3: What do they numbers look like? What are they building?

624
00:27:51,880 --> 00:27:54,320
Speaker 3: What are they doing? So like yeah, you get that, bro,

625
00:27:54,480 --> 00:27:56,400
Speaker 3: you get that a lot. And that's that BS shit

626
00:27:56,480 --> 00:27:58,480
Speaker 3: with the label shit that you gotta And did you

627
00:27:58,520 --> 00:27:59,800
Speaker 3: really see like who got controlling?

628
00:27:59,840 --> 00:28:00,560
Speaker 2: Who really don't?

629
00:28:00,600 --> 00:28:00,760
Speaker 1: Right?

630
00:28:00,800 --> 00:28:01,560
Speaker 2: You see what I'm saying?

631
00:28:01,600 --> 00:28:05,159
Speaker 3: So like, yeah, man, that's crazy.

632
00:28:05,160 --> 00:28:08,040
Speaker 1: It's heavy, bro, that having heavy stuff. Let's take a

633
00:28:08,040 --> 00:28:10,159
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652
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653
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654
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655
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Speaker 1: this is some little commercial in the middle of the episode,

656
00:29:19,840 --> 00:29:22,200
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657
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658
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659
00:29:29,120 --> 00:29:31,680
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660
00:29:32,000 --> 00:29:35,800
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661
00:29:35,840 --> 00:29:37,920
Speaker 1: the feeling you get when you know what you're doing.

662
00:29:38,080 --> 00:29:41,720
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663
00:29:42,200 --> 00:29:45,800
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664
00:29:45,840 --> 00:29:48,440
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665
00:29:48,480 --> 00:29:51,920
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666
00:29:51,920 --> 00:29:57,040
Speaker 1: Picks code IUTP, and remember it's good to be right

667
00:29:57,400 --> 00:30:02,600
Speaker 1: only with prize Picks. Back to the show. So what

668
00:30:02,680 --> 00:30:05,560
Speaker 1: your experience with a major label, what you sign again

669
00:30:05,680 --> 00:30:08,719
Speaker 1: to a major I wouldn't be opposed to it.

670
00:30:08,880 --> 00:30:11,440
Speaker 3: Yeah, I wouldn't be opposed to popping out with a

671
00:30:11,480 --> 00:30:14,360
Speaker 3: major label for the simple fact of like the team

672
00:30:14,440 --> 00:30:15,400
Speaker 3: that they can provide.

673
00:30:15,440 --> 00:30:16,200
Speaker 1: You see what I'm saying.

674
00:30:18,000 --> 00:30:20,560
Speaker 3: But it would definitely be structured something in a deal

675
00:30:20,560 --> 00:30:22,320
Speaker 3: that I structured me and my lawyer for sure.

676
00:30:22,520 --> 00:30:26,800
Speaker 1: Right. You know what I've also noticed, because like I said,

677
00:30:26,800 --> 00:30:29,160
Speaker 1: I'm with iHeart, I've been with Revote, I've done a

678
00:30:29,200 --> 00:30:32,800
Speaker 1: lot of deals in this business. But I'm also noticing

679
00:30:32,880 --> 00:30:37,160
Speaker 1: that they outsource a lot of the jobs, right, meaning

680
00:30:37,680 --> 00:30:41,200
Speaker 1: you making go and hire that same marketing team, you know.

681
00:30:41,240 --> 00:30:43,320
Speaker 1: And I see Drake going through what he's going through

682
00:30:43,400 --> 00:30:46,440
Speaker 1: right now, where his songs are not getting that radio push.

683
00:30:46,800 --> 00:30:50,280
Speaker 1: Drake is gonna have to invest money hisself into some

684
00:30:50,320 --> 00:30:53,680
Speaker 1: of those teams, you know, and some of this relationship

685
00:30:53,680 --> 00:30:57,880
Speaker 1: because some of these labels have ten, fifteen, twenty years

686
00:30:57,920 --> 00:31:00,520
Speaker 1: with this certain company and they can press button, or

687
00:31:00,560 --> 00:31:03,600
Speaker 1: they have leverage with Spotify, they can you know, some

688
00:31:03,640 --> 00:31:06,640
Speaker 1: of the digital real estate they own, right And so

689
00:31:06,720 --> 00:31:08,960
Speaker 1: you some of these playlists and some of these things

690
00:31:09,000 --> 00:31:12,160
Speaker 1: that they can just place you on. But you see

691
00:31:12,160 --> 00:31:14,320
Speaker 1: someone as big as Drake drop a record, man and

692
00:31:14,360 --> 00:31:17,280
Speaker 1: it'll go from it, It'll peak to two or one

693
00:31:17,480 --> 00:31:20,120
Speaker 1: just because of who he is. But because of the

694
00:31:20,200 --> 00:31:23,160
Speaker 1: label infrastructure, it's not supporting him right now, because of

695
00:31:23,200 --> 00:31:27,760
Speaker 1: the lawsuits and stuff. You will see it drop fast tremendously,

696
00:31:27,960 --> 00:31:32,240
Speaker 1: like to forty and sixty and then out of the charts.

697
00:31:32,320 --> 00:31:35,240
Speaker 1: And we have to know that you can hire some

698
00:31:35,320 --> 00:31:38,160
Speaker 1: of these people yourself. Are you examining that, are you

699
00:31:38,360 --> 00:31:40,960
Speaker 1: looking forward to doing stuff like that?

700
00:31:40,960 --> 00:31:43,280
Speaker 3: That's how I operate now as an independent audience, So

701
00:31:43,560 --> 00:31:46,040
Speaker 3: I outsource all my things. Yeah, so the people that

702
00:31:46,080 --> 00:31:51,120
Speaker 3: I need outsource my PR. We'll outsource anything, man. You

703
00:31:51,120 --> 00:31:55,800
Speaker 3: see what I'm saying, outsourced marketing teams. I've outsourced social

704
00:31:55,800 --> 00:31:59,520
Speaker 3: media marketing teams before, but yeah, that's the way the

705
00:31:59,560 --> 00:32:01,040
Speaker 3: state of You know what I'm saying. Make sure you

706
00:32:01,080 --> 00:32:03,240
Speaker 3: have a really good distroal company that you do business with,

707
00:32:03,360 --> 00:32:06,680
Speaker 3: good partnership, and then you outsource everything depending upon what

708
00:32:06,720 --> 00:32:10,040
Speaker 3: it is that you need, so you know, during our time,

709
00:32:10,120 --> 00:32:11,160
Speaker 3: PR and all that stuff.

710
00:32:11,200 --> 00:32:13,960
Speaker 2: So one hundred percent, man, that's definitely the move.

711
00:32:14,040 --> 00:32:17,560
Speaker 1: Yeah, I think. But it's also a black hole in

712
00:32:17,600 --> 00:32:19,920
Speaker 1: this industry where you can spend money with this marketing

713
00:32:19,960 --> 00:32:23,360
Speaker 1: team and they don't they're not effective. You have to

714
00:32:23,440 --> 00:32:26,600
Speaker 1: know where to spend the money. And that's the thing

715
00:32:26,640 --> 00:32:30,840
Speaker 1: about the labels. They know exactly who to call to

716
00:32:30,960 --> 00:32:33,920
Speaker 1: make sure that you're here, there, and everywhere, and then

717
00:32:33,960 --> 00:32:35,840
Speaker 1: you can be like, no, I'll do it myself and

718
00:32:35,920 --> 00:32:39,040
Speaker 1: hire someone. It's like you're not getting this stuff done

719
00:32:39,360 --> 00:32:42,080
Speaker 1: right right, and you can't wrap your mind around here,

720
00:32:42,200 --> 00:32:42,920
Speaker 1: you know what I'm saying.

721
00:32:42,960 --> 00:32:45,200
Speaker 3: And that's one of the difficult parts that you say

722
00:32:45,200 --> 00:32:47,400
Speaker 3: that too, bros, because like those are some of the

723
00:32:47,400 --> 00:32:49,960
Speaker 3: things the hardships that independent artists are gonna come up against.

724
00:32:50,280 --> 00:32:52,320
Speaker 3: So I had to learn that whole plan field at first,

725
00:32:52,360 --> 00:32:54,560
Speaker 3: of like what it is to outsource? How do you

726
00:32:54,600 --> 00:32:57,800
Speaker 3: outsource these people? And only that what exactly do I need?

727
00:32:57,960 --> 00:32:58,120
Speaker 1: Bro?

728
00:32:58,520 --> 00:33:00,200
Speaker 3: Because I ain't gonna lie there was people that one

729
00:33:00,240 --> 00:33:02,600
Speaker 3: time that I was hiring, when it's like I can

730
00:33:02,640 --> 00:33:04,960
Speaker 3: honestly do that on my own, Like I can reach

731
00:33:05,000 --> 00:33:06,880
Speaker 3: out to the same company, I can reach out to

732
00:33:06,920 --> 00:33:08,600
Speaker 3: these same people and get the interviews and do you

733
00:33:08,680 --> 00:33:10,680
Speaker 3: know what I'm saying. So for a while once I

734
00:33:10,680 --> 00:33:12,240
Speaker 3: had to learn the game in that way of like,

735
00:33:12,360 --> 00:33:13,960
Speaker 3: all right, bro, what exactly do you need?

736
00:33:14,000 --> 00:33:15,880
Speaker 2: You know what I'm saying, what exactly are you trying

737
00:33:15,880 --> 00:33:17,040
Speaker 2: to do and what you're trying to take it.

738
00:33:17,400 --> 00:33:19,720
Speaker 3: So as I realized that, I'm starting to realizing like,

739
00:33:19,760 --> 00:33:21,720
Speaker 3: so I had to fail before, you know what I'm saying,

740
00:33:22,040 --> 00:33:24,959
Speaker 3: had to like outsource different people and realize had a

741
00:33:24,960 --> 00:33:27,640
Speaker 3: team of eight nine people and just realized, like, damn,

742
00:33:27,680 --> 00:33:29,880
Speaker 3: I'm putting a lot of money out. You see what

743
00:33:29,920 --> 00:33:32,560
Speaker 3: I'm saying to just mainly just paying people, but these

744
00:33:32,600 --> 00:33:35,000
Speaker 3: people are not producing. You see what I'm saying, Like

745
00:33:35,040 --> 00:33:37,840
Speaker 3: it's just And then ultimately you realize like they always

746
00:33:37,880 --> 00:33:38,880
Speaker 3: you know, pointed back to you.

747
00:33:38,920 --> 00:33:40,360
Speaker 2: Or you gotta be the one and you gotta be

748
00:33:40,400 --> 00:33:41,120
Speaker 2: the da da dad.

749
00:33:40,960 --> 00:33:42,600
Speaker 3: And it's like this is why I got the team

750
00:33:42,640 --> 00:33:45,320
Speaker 3: with people that could you know, I know, And so

751
00:33:45,600 --> 00:33:47,600
Speaker 3: for an independent art you gotta realize what are you

752
00:33:47,640 --> 00:33:48,800
Speaker 3: good at and what are you not good at?

753
00:33:48,840 --> 00:33:49,960
Speaker 2: Let me say that you know what I'm saying.

754
00:33:50,400 --> 00:33:52,360
Speaker 3: So like that first part was like that for me

755
00:33:52,560 --> 00:33:54,840
Speaker 3: till I realized it, like, man, I don't actually.

756
00:33:54,600 --> 00:33:56,000
Speaker 2: Don't need that, you know what I'm saying.

757
00:33:56,040 --> 00:33:58,280
Speaker 3: But it took for me hiring eight nine, ten people

758
00:33:58,520 --> 00:34:00,760
Speaker 3: to decide like, damn, I'm putting a lot of money out,

759
00:34:00,760 --> 00:34:02,640
Speaker 3: but I ain't getting no real return from this, you

760
00:34:02,680 --> 00:34:05,080
Speaker 3: know what I'm saying. And you sleep light man when

761
00:34:05,120 --> 00:34:07,640
Speaker 3: that happens, and you're like, man, every month I'm putting

762
00:34:07,640 --> 00:34:12,239
Speaker 3: out twenty six thousand, and you look up and it's like,

763
00:34:12,920 --> 00:34:14,399
Speaker 3: what have you been doing all money?

764
00:34:14,600 --> 00:34:17,240
Speaker 1: Right now, We've been working on it, We've been reaching out.

765
00:34:17,200 --> 00:34:18,640
Speaker 3: Now, they've been trying to cap you out because it

766
00:34:18,760 --> 00:34:21,799
Speaker 3: just be your energy. Because my energy alone and my

767
00:34:21,840 --> 00:34:23,800
Speaker 3: projects and my house that I pull out, they're gonna

768
00:34:23,840 --> 00:34:26,400
Speaker 3: be successful. My fans are gonna support it. The people

769
00:34:26,400 --> 00:34:28,359
Speaker 3: are gonna come. You see what I'm saying. I'm an

770
00:34:28,360 --> 00:34:30,640
Speaker 3: incredible artist in that way and blessed in that way

771
00:34:30,680 --> 00:34:33,320
Speaker 3: to where you know, I can continue giving the people

772
00:34:33,440 --> 00:34:35,279
Speaker 3: hits and so a lot of that. A lot of

773
00:34:35,280 --> 00:34:37,959
Speaker 3: times it's me driving that force. You see what I'm saying,

774
00:34:37,960 --> 00:34:40,000
Speaker 3: And it's like and then you can have a hot

775
00:34:40,160 --> 00:34:41,960
Speaker 3: you know, when you hire a few people, sometimes they

776
00:34:42,040 --> 00:34:45,520
Speaker 3: might hide underneath like what your energy and what you're doing.

777
00:34:45,880 --> 00:34:48,160
Speaker 3: It's a little diluted in terms of like no, no, I

778
00:34:48,239 --> 00:34:50,840
Speaker 3: made that happen, Like the boy restocked because I was

779
00:34:50,920 --> 00:34:51,520
Speaker 3: on my ship.

780
00:34:51,560 --> 00:34:54,120
Speaker 1: What the boy restocked? Because they see me out.

781
00:34:54,000 --> 00:34:55,839
Speaker 3: Here with you know what I'm saying, like it ain't

782
00:34:55,880 --> 00:34:57,960
Speaker 3: nothing like like so you learn like no, no, no,

783
00:34:58,200 --> 00:34:59,680
Speaker 3: is this person gonna go get you?

784
00:34:59,719 --> 00:35:01,080
Speaker 2: Are they gonna bring you ideas?

785
00:35:01,080 --> 00:35:03,560
Speaker 3: That's why they're gonna I'm the tight I need ideas,

786
00:35:03,600 --> 00:35:06,359
Speaker 3: bring me ideas? Yes, are you a creative mind? Can

787
00:35:06,400 --> 00:35:08,279
Speaker 3: you can just go make it happen? Don't bring it

788
00:35:08,320 --> 00:35:10,240
Speaker 3: to me? You need da da d go make it happen.

789
00:35:11,000 --> 00:35:13,000
Speaker 3: About that, like, let's get you know what I'm saying, like,

790
00:35:13,400 --> 00:35:15,160
Speaker 3: let's get it moving, bro, You hear me.

791
00:35:15,280 --> 00:35:18,279
Speaker 1: That's and you gotta pay attention to Like you said,

792
00:35:18,280 --> 00:35:21,640
Speaker 1: they definitely are high behind and under certain things. But

793
00:35:22,440 --> 00:35:24,799
Speaker 1: that's what I love about my platform is like a

794
00:35:24,840 --> 00:35:27,720
Speaker 1: lot of it is incoming. You see what I'm saying.

795
00:35:27,760 --> 00:35:30,759
Speaker 1: So it's almost like the people that I do have

796
00:35:30,880 --> 00:35:34,080
Speaker 1: on my team, they know I expect a certain level.

797
00:35:34,160 --> 00:35:36,440
Speaker 1: Cause it's like, man, if I'm having all these dudes

798
00:35:36,520 --> 00:35:40,320
Speaker 1: reaching to me, what you mean such and such said

799
00:35:40,600 --> 00:35:44,000
Speaker 1: such and such right right right?

800
00:35:44,960 --> 00:35:48,080
Speaker 3: You understand what I'm saying that what you mean such? Man,

801
00:35:48,120 --> 00:35:50,480
Speaker 3: just get it done with what you like how it

802
00:35:50,520 --> 00:35:52,680
Speaker 3: is in my mind, Bro, it ain't no pushback. Bro.

803
00:35:52,880 --> 00:35:55,000
Speaker 3: It's either it's gonna work or it's gonna work. I

804
00:35:55,040 --> 00:35:57,560
Speaker 3: don't got no. Well, maybe let's get it done. Let's

805
00:35:57,600 --> 00:36:00,400
Speaker 3: reach out to a moment like yeah, let's do bro.

806
00:36:00,440 --> 00:36:02,680
Speaker 1: And that's what I be about. And sometimes that kind

807
00:36:02,719 --> 00:36:04,759
Speaker 1: of comes off a way. But you know, and I

808
00:36:04,840 --> 00:36:06,640
Speaker 1: try not to because I don't want to. Also I

809
00:36:06,640 --> 00:36:09,120
Speaker 1: don't want to be hard to deal with. But this

810
00:36:09,280 --> 00:36:12,600
Speaker 1: is my baby. Yeah, this is everything for me. You

811
00:36:12,640 --> 00:36:15,480
Speaker 1: know what I'm saying, And I'm not paying people for

812
00:36:15,560 --> 00:36:17,160
Speaker 1: no real why you don't see a lot of people

813
00:36:17,200 --> 00:36:19,759
Speaker 1: around me? What are you doing? Right, bro?

814
00:36:20,080 --> 00:36:21,960
Speaker 3: That's the question right there, that's the bead. Like they

815
00:36:22,120 --> 00:36:23,879
Speaker 3: hit you with them titles you own such and such,

816
00:36:24,040 --> 00:36:26,239
Speaker 3: So what does that title intel? What would it look

817
00:36:26,360 --> 00:36:28,319
Speaker 3: like for you working on this business? What will you

818
00:36:28,400 --> 00:36:31,000
Speaker 3: be doing exactly? You know what I'm saying, like clearly,

819
00:36:31,120 --> 00:36:33,080
Speaker 3: well I be boom booming, And sometimes you're like like

820
00:36:33,080 --> 00:36:34,759
Speaker 3: hold on when they go to explain it, he's like, yeah,

821
00:36:34,920 --> 00:36:36,560
Speaker 3: I gotta actually like do that myself.

822
00:36:36,640 --> 00:36:38,560
Speaker 1: You know what I'm saying, by the time to get

823
00:36:38,640 --> 00:36:42,160
Speaker 1: to you, right, right, by the time it's submitted to you,

824
00:36:42,360 --> 00:36:45,680
Speaker 1: that's done. So I'm not understanding that's a smarter way

825
00:36:45,719 --> 00:36:47,319
Speaker 1: to do it, right, That's a smarter way.

826
00:36:47,440 --> 00:36:49,759
Speaker 3: So oftentimes that's what we figure out is like, all right,

827
00:36:49,920 --> 00:36:51,960
Speaker 3: the boy want ten thousand dollars a month. Boom, But

828
00:36:52,040 --> 00:36:55,279
Speaker 3: I found somebody that actually work within these that this

829
00:36:55,480 --> 00:36:57,600
Speaker 3: this job title in these you know what I'm saying,

830
00:36:57,880 --> 00:36:59,640
Speaker 3: that could actually give me what I want and as

831
00:36:59,719 --> 00:37:02,719
Speaker 3: much they actually cutting out all the fluff because sometimes

832
00:37:02,719 --> 00:37:04,400
Speaker 3: just for that tile of the name, people like to

833
00:37:04,480 --> 00:37:06,800
Speaker 3: charge extra five to ten thousands just for that you

834
00:37:06,880 --> 00:37:08,719
Speaker 3: know what I'm saying, And then you find out it's like, man.

835
00:37:08,680 --> 00:37:11,400
Speaker 2: Y'all, boy, ain't really you know, there's no real work mean.

836
00:37:11,360 --> 00:37:14,880
Speaker 1: Right right again, I tell people it ain't just having

837
00:37:14,880 --> 00:37:17,640
Speaker 1: a brand, it's the person you're dealing with. They gotta

838
00:37:17,719 --> 00:37:21,680
Speaker 1: know how to pitch. When you see my roller dicks

839
00:37:21,719 --> 00:37:24,760
Speaker 1: like I've did a lot of people, but certain names

840
00:37:24,800 --> 00:37:28,239
Speaker 1: on my shit. You know, they don't do interviews, so

841
00:37:28,280 --> 00:37:30,920
Speaker 1: it's important for you to leave with those names so

842
00:37:31,000 --> 00:37:35,759
Speaker 1: people know, oh who they they really don't even do

843
00:37:35,840 --> 00:37:37,799
Speaker 1: it and let me check out. Even if you don't

844
00:37:37,840 --> 00:37:40,600
Speaker 1: know who I am or my brand visibility hasn't got

845
00:37:40,640 --> 00:37:45,160
Speaker 1: to you. The way you pitch it is important even

846
00:37:45,200 --> 00:37:48,160
Speaker 1: to getting some of these brand deals. It's like, who

847
00:37:48,200 --> 00:37:51,000
Speaker 1: am I paying to get my brand deals? When I'm

848
00:37:51,040 --> 00:37:53,719
Speaker 1: dealing with people in the culture that's introducing me to

849
00:37:53,800 --> 00:37:56,960
Speaker 1: people that's getting some of this stuff done. We got

850
00:37:56,960 --> 00:38:00,279
Speaker 1: to have a mean Monday one o'clock about that I'm saying,

851
00:38:00,320 --> 00:38:02,920
Speaker 1: I'm calling meetings, man, you know what I'm saying, cause

852
00:38:02,920 --> 00:38:05,080
Speaker 1: that money. I ain't bleeding money. I can't. I come

853
00:38:05,120 --> 00:38:07,880
Speaker 1: from the street. So I'm not someone that's just gonna

854
00:38:07,920 --> 00:38:10,360
Speaker 1: let everybody be paid for no reason, you know what

855
00:38:10,400 --> 00:38:14,400
Speaker 1: I'm saying. That's why I got Marquita. She keeps me

856
00:38:14,480 --> 00:38:17,520
Speaker 1: in the loop with the labels because she's she's heavy

857
00:38:17,560 --> 00:38:21,359
Speaker 1: with those labels. It's certain people. She can definitely get

858
00:38:21,400 --> 00:38:23,919
Speaker 1: you to them, you know what I'm saying. And that's

859
00:38:23,920 --> 00:38:26,200
Speaker 1: the thing too. People can promise you that they'll do

860
00:38:26,320 --> 00:38:28,080
Speaker 1: things that they can't even do. They don't even have

861
00:38:28,120 --> 00:38:31,759
Speaker 1: the capacity or the capability to even do right. So

862
00:38:31,800 --> 00:38:34,040
Speaker 1: we gotta be away and let these young people know.

863
00:38:34,280 --> 00:38:39,120
Speaker 1: Independent artists, independent content creators, podcasters, whatever you're doing. Your

864
00:38:39,160 --> 00:38:42,440
Speaker 1: team is important, but you got to hire the right people,

865
00:38:43,120 --> 00:38:44,600
Speaker 1: you know what I'm saying. Just don't have a lot

866
00:38:44,640 --> 00:38:46,960
Speaker 1: of fluff around you. I won't know what you want. Man.

867
00:38:47,040 --> 00:38:48,239
Speaker 2: That like for artists too.

868
00:38:48,239 --> 00:38:50,759
Speaker 3: That's important to say because we can say that, right,

869
00:38:50,800 --> 00:38:52,759
Speaker 3: But it's like for artists, like, you really have to

870
00:38:52,800 --> 00:38:54,680
Speaker 3: know what you want, bro, and you really got to

871
00:38:54,760 --> 00:38:57,520
Speaker 3: understand the positions of the people that you're working for.

872
00:38:57,640 --> 00:38:59,839
Speaker 3: Like my guy used to say that years ago of like, yo,

873
00:39:00,040 --> 00:39:01,720
Speaker 3: you know what I'm saying, you an artist were bruh.

874
00:39:01,760 --> 00:39:04,640
Speaker 3: You got to learn the landscape of what an insistant

875
00:39:04,640 --> 00:39:06,279
Speaker 3: would do, of what a manager would do. I'm like, bro,

876
00:39:06,280 --> 00:39:07,680
Speaker 3: I ain't got no time for none of that. Like

877
00:39:08,560 --> 00:39:10,880
Speaker 3: moment I got independent, the moment I started to go

878
00:39:10,960 --> 00:39:12,480
Speaker 3: back right, go back to school, and I had to

879
00:39:12,560 --> 00:39:14,799
Speaker 3: learn what's the job of a management, how do they

880
00:39:14,800 --> 00:39:16,719
Speaker 3: show up? What's the job on an assistant, what's the

881
00:39:16,800 --> 00:39:18,640
Speaker 3: job of a pr what's the job of this, what's

882
00:39:18,640 --> 00:39:21,000
Speaker 3: the job like how should they operate? And me being

883
00:39:21,040 --> 00:39:23,560
Speaker 3: clear about exactly as an artist of like what I want.

884
00:39:23,680 --> 00:39:26,040
Speaker 3: So that took the longest time of like oh okay,

885
00:39:26,040 --> 00:39:27,960
Speaker 3: I need this. I need somebody who's going to see this.

886
00:39:28,239 --> 00:39:30,680
Speaker 3: These are the type of brand deals because not everything

887
00:39:30,760 --> 00:39:32,319
Speaker 3: is for you, So you got to know what type

888
00:39:32,320 --> 00:39:33,879
Speaker 3: of brand deals to get you for you know, I'm

889
00:39:33,880 --> 00:39:36,279
Speaker 3: saying one that's in alignment with who you are, like,

890
00:39:36,520 --> 00:39:39,080
Speaker 3: so everything comes down to being that. So it's like

891
00:39:39,160 --> 00:39:41,440
Speaker 3: the more you get clear about what it is that

892
00:39:41,520 --> 00:39:43,600
Speaker 3: you want as an up and coming artist, that like

893
00:39:43,640 --> 00:39:45,160
Speaker 3: the better your landscape will look.

894
00:39:45,280 --> 00:39:47,279
Speaker 1: If a label asks you right now, Ash, what do

895
00:39:47,320 --> 00:39:50,400
Speaker 1: you want, you would be able to communicate that with

896
00:39:50,440 --> 00:39:57,560
Speaker 1: them from a dollar amount, from a structure amount. So

897
00:39:57,600 --> 00:40:00,640
Speaker 1: you're operating at a high level. Yeah, that's a artists

898
00:40:00,640 --> 00:40:02,480
Speaker 1: get around these dudes. They be like, all right, so

899
00:40:03,160 --> 00:40:04,919
Speaker 1: what do you need? What you want? What you trying

900
00:40:04,960 --> 00:40:08,600
Speaker 1: to do? Ship? I just want to sign bro right right.

901
00:40:08,840 --> 00:40:11,879
Speaker 3: When you're young, I mean yeah, yeah, yeah. When you young,

902
00:40:11,920 --> 00:40:13,520
Speaker 3: you think about Mama and them, you think about a

903
00:40:13,520 --> 00:40:15,440
Speaker 3: little brother, you think about the crib of the family.

904
00:40:15,800 --> 00:40:18,800
Speaker 3: So immediately like you know that override that check, that signing,

905
00:40:19,120 --> 00:40:21,200
Speaker 3: you know, like and then our minds start going to play,

906
00:40:21,239 --> 00:40:22,359
Speaker 3: you know, play tricks on us.

907
00:40:22,440 --> 00:40:24,319
Speaker 2: We start thinking about the future type of car.

908
00:40:24,280 --> 00:40:26,440
Speaker 3: We're gonna get, the crib we finna get, June, were

909
00:40:26,480 --> 00:40:28,560
Speaker 3: finna get, Like, I'm gonna take care mom, I'm finna

910
00:40:28,600 --> 00:40:31,080
Speaker 3: get it. So your mind start to place all these

911
00:40:31,120 --> 00:40:33,680
Speaker 3: purchases when you ain't even like, you ain't present enough

912
00:40:33,680 --> 00:40:35,439
Speaker 3: to handle the business. And that's how we get got

913
00:40:35,480 --> 00:40:38,360
Speaker 3: because you know, it's just like, oh, we're thinking contract, thinking.

914
00:40:38,160 --> 00:40:40,839
Speaker 2: Money, bro. It's like, nah, homie, all money and good

915
00:40:40,880 --> 00:40:41,680
Speaker 2: money for real real.

916
00:40:41,719 --> 00:40:43,480
Speaker 1: And then a lot of that money is paid back

917
00:40:43,600 --> 00:40:46,800
Speaker 1: money too, So it ain't you ain't. It's no free lunch.

918
00:40:46,840 --> 00:40:49,400
Speaker 1: Ain't no such thing as free lunch in this business. Yeah.

919
00:40:49,400 --> 00:40:52,440
Speaker 1: So if somebody take got you a million dollars. I

920
00:40:52,560 --> 00:40:55,360
Speaker 1: remember t I told Thug Thug wanted to sign with

921
00:40:55,440 --> 00:40:58,880
Speaker 1: t I. And he told and me say, bro, you

922
00:40:58,880 --> 00:41:00,880
Speaker 1: don't want to sign with me because if I sign't

923
00:41:00,920 --> 00:41:02,920
Speaker 1: give a million dollars, I'm gonna lock you down for

924
00:41:03,080 --> 00:41:06,200
Speaker 1: nine hours. He just ken't it real with him, like, bruh,

925
00:41:06,440 --> 00:41:08,839
Speaker 1: I'm gonna lock you in, lock you down the way

926
00:41:08,880 --> 00:41:11,919
Speaker 1: you really. I'm making all that back ten times over.

927
00:41:12,440 --> 00:41:15,279
Speaker 1: And I don't want to ruin our relationship with because

928
00:41:15,320 --> 00:41:17,200
Speaker 1: what will happen is kind of what happened to you.

929
00:41:17,280 --> 00:41:19,480
Speaker 1: At some point you run an audit or you try

930
00:41:19,520 --> 00:41:22,680
Speaker 1: to start asking questions. And he said, hold on, man,

931
00:41:22,719 --> 00:41:26,040
Speaker 1: you done been paid for six years at this rate, right,

932
00:41:26,320 --> 00:41:28,319
Speaker 1: and now I'm trying to leave and you still want

933
00:41:28,360 --> 00:41:32,359
Speaker 1: another men, right? And that shit if you're not strong minded, man,

934
00:41:32,400 --> 00:41:35,120
Speaker 1: it can break you down. You can feel used and

935
00:41:35,239 --> 00:41:38,240
Speaker 1: abused and miss you. Yeah, bro, you know what I'm saying.

936
00:41:38,960 --> 00:41:41,120
Speaker 1: That shit is, man, that's heavy man.

937
00:41:41,000 --> 00:41:42,839
Speaker 2: I mean all of them. Feelings are a part of it, bro.

938
00:41:43,000 --> 00:41:43,560
Speaker 1: You know what I'm saying.

939
00:41:43,600 --> 00:41:45,520
Speaker 3: In that moment, that's how you feel when you're in

940
00:41:45,520 --> 00:41:48,400
Speaker 3: a situation like that. And y'all water navigated something special

941
00:41:48,440 --> 00:41:51,200
Speaker 3: that loan and y'all brothers and y'all done traveled the world,

942
00:41:51,320 --> 00:41:51,880
Speaker 3: done stuff.

943
00:41:51,880 --> 00:41:54,120
Speaker 1: Bro, y'all been on stages. You know what I'm saying.

944
00:41:54,440 --> 00:41:57,200
Speaker 3: Like you feel that way, You feel like slighted after

945
00:41:57,239 --> 00:41:59,759
Speaker 3: you come out of something like that, Bro, you feel like, man,

946
00:41:59,800 --> 00:42:02,000
Speaker 3: I feel crazy, you know what I'm saying. But it's

947
00:42:02,040 --> 00:42:03,840
Speaker 3: like but then on the other end of that, it's like,

948
00:42:03,880 --> 00:42:06,600
Speaker 3: man like, if they keeping this information away from me, though,

949
00:42:06,680 --> 00:42:07,440
Speaker 3: what am I missing?

950
00:42:07,480 --> 00:42:07,839
Speaker 1: For real?

951
00:42:08,120 --> 00:42:08,920
Speaker 2: You know what I'm saying?

952
00:42:09,040 --> 00:42:13,640
Speaker 1: Like, So yeah, Bro, that's unfortunate stuff. Man. Let me

953
00:42:13,680 --> 00:42:16,840
Speaker 1: ask you this, being from Florida, what part of Florida

954
00:42:16,840 --> 00:42:20,279
Speaker 1: are you from? Did feel did feel Florida? Yeah? Do

955
00:42:20,320 --> 00:42:22,880
Speaker 1: you feel as though when do we the best situation

956
00:42:23,080 --> 00:42:29,320
Speaker 1: stopped that you lost the support from Miami? Hell no, no, no, no,

957
00:42:29,520 --> 00:42:32,640
Speaker 1: hell noah. Nah.

958
00:42:32,640 --> 00:42:34,440
Speaker 2: I ain't never I ain't never feel like that. I

959
00:42:34,440 --> 00:42:35,440
Speaker 2: ain't never feel like I lie.

960
00:42:35,480 --> 00:42:37,680
Speaker 3: You know, I think I always had like you know,

961
00:42:37,719 --> 00:42:39,759
Speaker 3: there was always murmurs in the city. Like I'm from

962
00:42:39,800 --> 00:42:42,200
Speaker 3: Brower County, so I ain't from Miami. Miami always been.

963
00:42:42,280 --> 00:42:44,040
Speaker 3: They always loved me, you know what I'm saying. And

964
00:42:44,160 --> 00:42:46,759
Speaker 3: my city always loved me. My city just they want

965
00:42:46,800 --> 00:42:49,279
Speaker 3: to see me more, you dig what I'm saying. So

966
00:42:49,320 --> 00:42:53,920
Speaker 3: at that particular time, you know, when I separated, bro,

967
00:42:54,000 --> 00:42:56,319
Speaker 3: it was that was just my choice. Man, the city

968
00:42:56,400 --> 00:42:58,600
Speaker 3: still behind me, the city still showing love, you know

969
00:42:58,600 --> 00:42:59,080
Speaker 3: what I'm saying.

970
00:42:59,080 --> 00:43:01,960
Speaker 1: Would you be able to say that though? If you like? Yo? Man,

971
00:43:02,520 --> 00:43:05,360
Speaker 1: the fucking radios and shit, and now I ain't with dude,

972
00:43:05,960 --> 00:43:07,640
Speaker 1: kind of feel like they ain't.

973
00:43:07,760 --> 00:43:10,360
Speaker 2: We talking about I'm bad the commercial spot so like

974
00:43:10,680 --> 00:43:11,200
Speaker 2: that's what.

975
00:43:11,080 --> 00:43:14,080
Speaker 1: I mean, Like not even just the I mean the radios,

976
00:43:14,160 --> 00:43:18,880
Speaker 1: the infrastructure that he has created in Miami. When he

977
00:43:19,000 --> 00:43:22,319
Speaker 1: co shines you or collaborates with you, it's kind of

978
00:43:22,400 --> 00:43:24,080
Speaker 1: baked in. Well.

979
00:43:24,080 --> 00:43:27,520
Speaker 3: Well, you see, that's a great point because there was

980
00:43:27,600 --> 00:43:29,960
Speaker 3: some some some foul play going on there, right, There

981
00:43:30,080 --> 00:43:32,440
Speaker 3: was some calling in to try to not get my

982
00:43:32,520 --> 00:43:35,360
Speaker 3: records played. I was hearing things through the grayvine. But

983
00:43:35,400 --> 00:43:37,680
Speaker 3: the beautiful thing about that is that I've established my

984
00:43:37,719 --> 00:43:40,480
Speaker 3: own relationships within the radio. So there was also like

985
00:43:40,760 --> 00:43:43,080
Speaker 3: there was two ends of it that were people right

986
00:43:43,200 --> 00:43:45,200
Speaker 3: on one end that's pushed back from that side of

987
00:43:45,480 --> 00:43:48,120
Speaker 3: not you know, not trying to get my record played

988
00:43:48,120 --> 00:43:49,759
Speaker 3: and people not wanting me to shine and do my

989
00:43:49,840 --> 00:43:53,400
Speaker 3: thing right to like the radio people really want me

990
00:43:53,440 --> 00:43:55,560
Speaker 3: to be even more part of what they got going on.

991
00:43:55,719 --> 00:43:57,880
Speaker 3: You know what I'm saying, Like my god Bullyproof and

992
00:43:57,920 --> 00:44:01,200
Speaker 3: my guys DJ, ask the people who up there a

993
00:44:01,239 --> 00:44:03,280
Speaker 3: ninety nine, you know, the radios and all of that stuff,

994
00:44:03,320 --> 00:44:06,319
Speaker 3: like they still supported me. I mean, come through the radio, Bro,

995
00:44:06,600 --> 00:44:08,359
Speaker 3: Come do your thing, come do whatever. If you got

996
00:44:08,360 --> 00:44:10,600
Speaker 3: a project, you got an album. So that's that's the

997
00:44:10,640 --> 00:44:14,319
Speaker 3: beauty about h My navigation is the fact that like,

998
00:44:15,000 --> 00:44:17,360
Speaker 3: uh you know, I learned very on the respect of

999
00:44:17,520 --> 00:44:19,799
Speaker 3: like the DJ of the people. So for me, I've

1000
00:44:19,840 --> 00:44:22,160
Speaker 3: always like had a clean face. So that's the beauty

1001
00:44:22,160 --> 00:44:22,520
Speaker 3: about me.

1002
00:44:22,560 --> 00:44:22,640
Speaker 5: Bro.

1003
00:44:22,800 --> 00:44:24,799
Speaker 1: So I can pull up at any radio station. It

1004
00:44:24,840 --> 00:44:25,760
Speaker 1: ain't no bad blood.

1005
00:44:25,800 --> 00:44:28,320
Speaker 3: Even though you support Bro, you see what I'm saying,

1006
00:44:28,520 --> 00:44:30,480
Speaker 3: You still know that as still pulled up at that

1007
00:44:30,560 --> 00:44:33,120
Speaker 3: free concert, He's still pulled up at that toy drive.

1008
00:44:33,280 --> 00:44:35,360
Speaker 3: He's still pulled about there and handed out them turkeys

1009
00:44:35,400 --> 00:44:37,040
Speaker 3: with y'all for the race. So he's still you know

1010
00:44:37,200 --> 00:44:39,480
Speaker 3: what I'm saying. So I'm embedded within the culture in

1011
00:44:39,520 --> 00:44:42,160
Speaker 3: the community, and for the most part, people want to

1012
00:44:42,200 --> 00:44:44,520
Speaker 3: see Ace win simple and playing Bro.

1013
00:44:44,640 --> 00:44:47,040
Speaker 1: Yeah for sure. What about what about what the rappers?

1014
00:44:47,120 --> 00:44:47,239
Speaker 4: Right?

1015
00:44:47,280 --> 00:44:50,040
Speaker 1: Because we are just named off the Chris Brown's the

1016
00:44:50,120 --> 00:44:53,680
Speaker 1: futures some of that shit. Did it feel like it

1017
00:44:53,719 --> 00:44:57,640
Speaker 1: came because of the brand extension from call it or

1018
00:44:57,960 --> 00:45:00,920
Speaker 1: because of ace hood or was it a mixture? And

1019
00:45:01,000 --> 00:45:04,799
Speaker 1: did you lose some of that support after the separation

1020
00:45:05,080 --> 00:45:06,400
Speaker 1: from that current situation?

1021
00:45:07,040 --> 00:45:09,279
Speaker 3: There was a mixture. There was a mixture of two

1022
00:45:09,360 --> 00:45:12,040
Speaker 3: of like some things came by the extension of Bro

1023
00:45:12,360 --> 00:45:15,319
Speaker 3: and some things came because of who I am and

1024
00:45:15,360 --> 00:45:18,279
Speaker 3: who's the It's like ye had the extension, but the

1025
00:45:18,480 --> 00:45:20,760
Speaker 3: guy on the other end of that too, you understand

1026
00:45:20,760 --> 00:45:23,279
Speaker 3: what I'm saying. So if it's like, Okay, yeah, you

1027
00:45:23,360 --> 00:45:26,719
Speaker 3: connected to such subch but actually I rocked with Brother regardless,

1028
00:45:26,760 --> 00:45:28,759
Speaker 3: Like you know what I'm saying, Like it's extension, but

1029
00:45:28,960 --> 00:45:31,120
Speaker 3: I really got love for Brother, So like that's what

1030
00:45:31,160 --> 00:45:32,480
Speaker 3: it would be like, you know what I'm saying. It

1031
00:45:32,520 --> 00:45:34,480
Speaker 3: would be that back and forth, like did you lose

1032
00:45:34,520 --> 00:45:36,920
Speaker 3: any of that? Like some of it some of it?

1033
00:45:39,040 --> 00:45:43,960
Speaker 3: Let me say, did I lose any of it?

1034
00:45:44,120 --> 00:45:45,600
Speaker 1: Some of it got diluted? Yeah?

1035
00:45:45,680 --> 00:45:48,000
Speaker 3: Right, So there was moments, There was a time where

1036
00:45:48,000 --> 00:45:50,760
Speaker 3: like when I did separate from the whole label, there

1037
00:45:50,800 --> 00:45:54,080
Speaker 3: was like, you know, but I also didn't try to

1038
00:45:54,120 --> 00:45:56,000
Speaker 3: reach out. There was some artists that I did try

1039
00:45:56,000 --> 00:45:57,399
Speaker 3: to reach out to, you know what I'm saying during

1040
00:45:57,440 --> 00:46:01,360
Speaker 3: that time, whereas like man niggas weren't really trying to

1041
00:46:01,400 --> 00:46:03,280
Speaker 3: show love in that way. You did, what I'm saying,

1042
00:46:03,560 --> 00:46:06,440
Speaker 3: but it wasn't crazy, crazy pushback because I didn't really

1043
00:46:06,480 --> 00:46:08,600
Speaker 3: try to cert I really didn't try to reach for

1044
00:46:08,640 --> 00:46:10,960
Speaker 3: the higher up artists, if that makes sense. But why

1045
00:46:11,400 --> 00:46:14,560
Speaker 3: is that because you were protecting your peace or because

1046
00:46:14,880 --> 00:46:18,680
Speaker 3: again I just named off you Future three one hundred

1047
00:46:18,719 --> 00:46:19,600
Speaker 3: and eighty five.

1048
00:46:19,520 --> 00:46:21,399
Speaker 1: Million, right right right.

1049
00:46:21,480 --> 00:46:23,879
Speaker 3: I think a little bit of it was like I think,

1050
00:46:23,920 --> 00:46:26,200
Speaker 3: a little bit honestly bro from being transparent, was like

1051
00:46:26,200 --> 00:46:28,400
Speaker 3: I didn't know where I stood with those artists anymore.

1052
00:46:28,600 --> 00:46:30,560
Speaker 2: I no longer knew.

1053
00:46:30,320 --> 00:46:33,480
Speaker 3: Our relationship at that particular time and how strong that was.

1054
00:46:33,840 --> 00:46:35,880
Speaker 3: So a part of me was a little bit in

1055
00:46:35,960 --> 00:46:39,200
Speaker 3: fear of actually reaching out to particular people to be

1056
00:46:39,280 --> 00:46:41,080
Speaker 3: able to want to connect with them and say, hey, bro,

1057
00:46:41,200 --> 00:46:44,359
Speaker 3: let's get on this feature. Because of the vibe of

1058
00:46:44,360 --> 00:46:46,239
Speaker 3: being rejected, you know what I'm saying. I didn't want

1059
00:46:46,239 --> 00:46:47,920
Speaker 3: to be rejected and reach out to something, you know

1060
00:46:47,920 --> 00:46:50,160
Speaker 3: what I'm saying, and just go through that. So for me,

1061
00:46:50,400 --> 00:46:52,319
Speaker 3: I just kind of focus on my landscape and what

1062
00:46:52,360 --> 00:46:54,440
Speaker 3: I can do now. So I still took the steps

1063
00:46:54,440 --> 00:46:56,120
Speaker 3: to reach out to certain artists and some you know,

1064
00:46:56,120 --> 00:46:59,440
Speaker 3: wouldn't respond, and some would, but a lot of those

1065
00:46:59,480 --> 00:47:03,279
Speaker 3: guys that I working with before, I didn't go back

1066
00:47:03,320 --> 00:47:05,160
Speaker 3: and reach out to them guys because of this to

1067
00:47:05,200 --> 00:47:08,160
Speaker 3: the idea of rejecting or the idea of like them

1068
00:47:08,200 --> 00:47:10,200
Speaker 3: being slow motion, you know what I'm saying.

1069
00:47:10,080 --> 00:47:14,440
Speaker 1: And like whatever I thought I had with these individuals,

1070
00:47:14,520 --> 00:47:17,120
Speaker 1: and like you said, there's a fear associated with that,

1071
00:47:17,640 --> 00:47:19,879
Speaker 1: and I don't want to feel a way about you, dudes,

1072
00:47:19,920 --> 00:47:23,080
Speaker 1: because I'll stop then I'll stop performing the songs, which

1073
00:47:23,120 --> 00:47:26,040
Speaker 1: then hurts my fans and then probably hurts my shows.

1074
00:47:26,280 --> 00:47:28,839
Speaker 1: Like it's a domino effect. So I'm gonna just leave

1075
00:47:28,920 --> 00:47:33,840
Speaker 1: that alone. But that's unfortunate, bro, It's so unfortunate. You

1076
00:47:33,880 --> 00:47:36,000
Speaker 1: and Chris Brown should be able to get another one

1077
00:47:36,080 --> 00:47:38,799
Speaker 1: in you in future. Like we're talking about records, that

1078
00:47:40,040 --> 00:47:42,800
Speaker 1: three hundred and eighty five is not nothing to sneeze at.

1079
00:47:43,400 --> 00:47:46,839
Speaker 1: Like that's a very big deal, bro That's you dig

1080
00:47:46,880 --> 00:47:49,960
Speaker 1: almost a half a billion views and that's just on YouTube.

1081
00:47:50,000 --> 00:47:53,479
Speaker 1: That don't count Spotify, Apple. We may be talking about

1082
00:47:53,520 --> 00:47:58,640
Speaker 1: a billion streams if you, you know, put them all together, man,

1083
00:47:58,680 --> 00:48:02,120
Speaker 1: And I hate that. I hate that this industry moves

1084
00:48:02,160 --> 00:48:04,480
Speaker 1: that way. But I also won't expose that to the

1085
00:48:04,600 --> 00:48:08,160
Speaker 1: artist that's out there that really live in the moment

1086
00:48:08,200 --> 00:48:11,400
Speaker 1: and build your team while you on that journey, because

1087
00:48:11,440 --> 00:48:14,680
Speaker 1: you could be next to some of these people and thinking, no,

1088
00:48:14,760 --> 00:48:17,640
Speaker 1: it's always going to be like this. Now, get phone numbers,

1089
00:48:17,719 --> 00:48:20,960
Speaker 1: get contacts, like build that up, man, so that it's

1090
00:48:20,960 --> 00:48:23,759
Speaker 1: not just on the people that you came in with.

1091
00:48:23,920 --> 00:48:25,759
Speaker 1: I get it, you dance with who brought you to

1092
00:48:25,800 --> 00:48:28,640
Speaker 1: the party. But at the same time, man, you got

1093
00:48:28,640 --> 00:48:31,920
Speaker 1: to prepare for the worst in this industry, very vital.

1094
00:48:31,640 --> 00:48:34,200
Speaker 2: Industry, very much so, yeah, very much so.

1095
00:48:34,360 --> 00:48:36,520
Speaker 1: You know, I hope at some point you can get

1096
00:48:36,880 --> 00:48:38,680
Speaker 1: you in with some of those.

1097
00:48:39,440 --> 00:48:43,239
Speaker 3: It's literally just reaching out, broh because you know, I'm

1098
00:48:43,280 --> 00:48:45,160
Speaker 3: not gonna make any of it true, But I'm just

1099
00:48:45,200 --> 00:48:47,360
Speaker 3: telling you at that moment of what I was experiencing,

1100
00:48:47,360 --> 00:48:50,080
Speaker 3: the feeling, not to say that there isn't love there,

1101
00:48:50,160 --> 00:48:52,319
Speaker 3: Not to say that brother won't be willing to do

1102
00:48:52,560 --> 00:48:54,000
Speaker 3: the future or whatever it is right away.

1103
00:48:54,200 --> 00:48:55,280
Speaker 2: It comes through the grayvine.

1104
00:48:55,280 --> 00:48:57,680
Speaker 3: It's all love with most of the guys, because it

1105
00:48:57,680 --> 00:48:59,600
Speaker 3: ain't never been no bad blood, you know what I'm saying.

1106
00:48:59,840 --> 00:49:03,640
Speaker 3: And as we see things unfolding, you know, you just

1107
00:49:03,640 --> 00:49:05,360
Speaker 3: starting to see who's supported who ain't you know what

1108
00:49:05,360 --> 00:49:08,640
Speaker 3: I'm saying, Like you're just starting to see things starting

1109
00:49:08,640 --> 00:49:10,240
Speaker 3: to dwindle, you know what I'm saying, and like truths

1110
00:49:10,239 --> 00:49:12,880
Speaker 3: are starting to be recognized about certain people, certain things.

1111
00:49:13,120 --> 00:49:16,120
Speaker 3: So it's like I also believe like two dollars Like

1112
00:49:16,200 --> 00:49:18,000
Speaker 3: at that time too, I was just mindful about where

1113
00:49:18,000 --> 00:49:18,880
Speaker 3: I focused my attention.

1114
00:49:18,920 --> 00:49:21,719
Speaker 2: I knew I was very fragile at that particular.

1115
00:49:21,239 --> 00:49:24,960
Speaker 3: Times in terms of just like recreating, rebranding myself and

1116
00:49:25,000 --> 00:49:27,279
Speaker 3: my identity about who I am and where I'm going,

1117
00:49:27,360 --> 00:49:29,560
Speaker 3: you feel me, So it's like at that time I

1118
00:49:29,600 --> 00:49:31,360
Speaker 3: had if you think about it, right, if you in

1119
00:49:31,400 --> 00:49:33,839
Speaker 3: that position, I had already done this. So I had

1120
00:49:33,960 --> 00:49:36,080
Speaker 3: done this feature. Me and Bru done records together, Me

1121
00:49:36,080 --> 00:49:38,320
Speaker 3: and these people done stuff. Me and Chris got two records,

1122
00:49:38,320 --> 00:49:40,000
Speaker 3: three records, you see what I'm saying. So I had

1123
00:49:40,040 --> 00:49:41,680
Speaker 3: already done this, So in my mind, I'm going to

1124
00:49:41,719 --> 00:49:44,839
Speaker 3: do something different, something, and you've done it under his

1125
00:49:45,320 --> 00:49:47,799
Speaker 3: under right, right right exactly, and you didn't.

1126
00:49:47,520 --> 00:49:49,680
Speaker 1: Get to leave with some of that, some of the

1127
00:49:49,719 --> 00:49:53,680
Speaker 1: equity that you have built. So that's why it's important

1128
00:49:53,719 --> 00:49:57,760
Speaker 1: to nurture those relationships because now I'm playing independent ball

1129
00:49:58,600 --> 00:50:01,840
Speaker 1: and and I'll be in a situation to be able

1130
00:50:01,880 --> 00:50:04,600
Speaker 1: to capitalize off some of the things now that I've

1131
00:50:04,600 --> 00:50:07,560
Speaker 1: built in the past that he won off of. You

1132
00:50:07,640 --> 00:50:11,080
Speaker 1: know what I'm saying, Because those records a hit records, man,

1133
00:50:11,120 --> 00:50:14,360
Speaker 1: and at some point I just hope that you able

1134
00:50:14,360 --> 00:50:16,319
Speaker 1: to circle back around with some of those guys. The

1135
00:50:16,400 --> 00:50:20,400
Speaker 1: chemistry was great, the songs did amazing, and sometimes these labels,

1136
00:50:20,440 --> 00:50:22,319
Speaker 1: that's what they're looking at. We just spoke about. They're

1137
00:50:22,320 --> 00:50:25,440
Speaker 1: looking at the analytics. So it's hard to say no

1138
00:50:25,600 --> 00:50:28,600
Speaker 1: to the money because they all look at money around here.

1139
00:50:29,000 --> 00:50:32,000
Speaker 1: Three hundred and eighty five million on that junt, five

1140
00:50:32,120 --> 00:50:35,920
Speaker 1: hundred million over here, seventeen million over here, you know,

1141
00:50:36,480 --> 00:50:40,239
Speaker 1: and millions are not something to just sneeze at. I

1142
00:50:40,320 --> 00:50:42,480
Speaker 1: just I'm not going to allow people to Yeah, you

1143
00:50:42,520 --> 00:50:45,440
Speaker 1: know what I'm saying. Respect that. You know. I'm also

1144
00:50:45,520 --> 00:50:47,520
Speaker 1: looking into you. I don't think I ever heard you

1145
00:50:47,560 --> 00:50:49,520
Speaker 1: speak about this, So I want you to speak about

1146
00:50:49,560 --> 00:50:54,719
Speaker 1: this the BT Awards or some BT function. Your Roleg's

1147
00:50:55,280 --> 00:51:00,919
Speaker 1: face bezel fell off. I'm saying on with you, brother.

1148
00:51:01,440 --> 00:51:04,480
Speaker 5: With the feeling man BC wars going down, it's happy

1149
00:51:04,480 --> 00:51:04,920
Speaker 5: to beat him.

1150
00:51:05,040 --> 00:51:07,239
Speaker 1: Many of us young people just come through the takeover it.

1151
00:51:07,360 --> 00:51:08,960
Speaker 1: Man ain't put up too over there.

1152
00:51:10,480 --> 00:51:11,319
Speaker 3: That's our sat man.

1153
00:51:11,360 --> 00:51:13,719
Speaker 5: I'm happy to be here. My new album man as

1154
00:51:13,760 --> 00:51:17,160
Speaker 5: this stares July sixteen. But y'all picked that up. We

1155
00:51:17,320 --> 00:51:19,319
Speaker 5: just hear a baby were feeling good? You feel me

1156
00:51:19,640 --> 00:51:21,880
Speaker 5: all now? Speaking of Philly Field, man, I don't know

1157
00:51:22,000 --> 00:51:23,520
Speaker 5: that was crazy, right then, that's the first time you

1158
00:51:23,600 --> 00:51:24,320
Speaker 5: let people perform.

1159
00:51:24,560 --> 00:51:25,520
Speaker 1: You want something up.

1160
00:51:27,880 --> 00:51:27,920
Speaker 5: On?

1161
00:51:29,440 --> 00:51:29,600
Speaker 1: Yo.

1162
00:51:30,280 --> 00:51:31,319
Speaker 2: He almost he.

1163
00:51:31,480 --> 00:51:35,120
Speaker 1: Almost lost the vessel. Take care out before we continue.

1164
00:51:35,160 --> 00:51:37,200
Speaker 1: That's gotta go fright, you know what, that's only like,

1165
00:51:38,480 --> 00:51:40,279
Speaker 1: it's it's all good and it's only twenty k. Right then,

1166
00:51:40,280 --> 00:51:42,080
Speaker 1: if I fished out and they dropped down the blow

1167
00:51:42,080 --> 00:51:46,960
Speaker 1: Man's what was that about? And did you fire that? Julia? Well?

1168
00:51:47,200 --> 00:51:50,000
Speaker 2: Uh man did? I was totally shot.

1169
00:51:50,040 --> 00:51:51,840
Speaker 3: What happened at the whole war vibe, you know what

1170
00:51:51,840 --> 00:51:54,200
Speaker 3: I'm saying, Especially when you spend forty two thousand or something,

1171
00:51:54,200 --> 00:51:55,520
Speaker 3: it's like what I need that?

1172
00:51:56,040 --> 00:52:00,520
Speaker 2: So I ain't gonna lie it. It just happened.

1173
00:52:00,520 --> 00:52:03,000
Speaker 3: I can't even explain how it happened, but it happened,

1174
00:52:03,320 --> 00:52:06,799
Speaker 3: you know what I'm saying. Not the greatest place for

1175
00:52:06,840 --> 00:52:08,400
Speaker 3: it to happened that you did, you know what I'm saying,

1176
00:52:08,480 --> 00:52:09,840
Speaker 3: But uh, it happened.

1177
00:52:09,840 --> 00:52:09,960
Speaker 1: Man.

1178
00:52:10,000 --> 00:52:12,360
Speaker 3: What the reality was, we were never tripping our people

1179
00:52:12,400 --> 00:52:14,560
Speaker 3: around us, you know what I'm saying, Like we don't dabble,

1180
00:52:14,600 --> 00:52:16,879
Speaker 3: like respectful to the people who do, but we don't

1181
00:52:16,920 --> 00:52:18,759
Speaker 3: dabble in the whole fake jury vibe and.

1182
00:52:18,680 --> 00:52:21,480
Speaker 2: The people do with authentic people, you see what I'm saying.

1183
00:52:21,520 --> 00:52:24,360
Speaker 3: And after I after so after I went to Raffaello

1184
00:52:24,400 --> 00:52:26,279
Speaker 3: and we talked about that joint. And my jeweler is

1185
00:52:26,280 --> 00:52:28,080
Speaker 3: the biggest jewel at that time. He do all our stuff.

1186
00:52:28,080 --> 00:52:30,319
Speaker 3: He do me, Fat Joe, he do everybody stuff. You

1187
00:52:30,320 --> 00:52:33,760
Speaker 3: you know what I'm saying. So you know when that happened.

1188
00:52:33,760 --> 00:52:33,880
Speaker 1: Bro.

1189
00:52:33,960 --> 00:52:36,280
Speaker 3: It was unfortunate at that time, but we weren't tripping

1190
00:52:36,320 --> 00:52:37,680
Speaker 3: why because it's a real watch.

1191
00:52:37,920 --> 00:52:39,480
Speaker 2: The bezl just happened to fall off.

1192
00:52:39,480 --> 00:52:41,719
Speaker 1: For did you take it to a third party and

1193
00:52:42,360 --> 00:52:44,480
Speaker 1: make sure it's a real watch? I know it was real.

1194
00:52:44,680 --> 00:52:46,640
Speaker 1: I needed to see the curd part. But the reason

1195
00:52:46,680 --> 00:52:48,760
Speaker 1: I say that is Baby went up with a watched.

1196
00:52:48,760 --> 00:52:49,960
Speaker 1: There were like four hundred grand.

1197
00:52:50,000 --> 00:52:53,440
Speaker 3: That's the same jeweler, see which which which I'm a

1198
00:52:53,440 --> 00:52:55,480
Speaker 3: different type of guy. I actually never put that out.

1199
00:52:55,520 --> 00:52:57,880
Speaker 3: I actually never said that years ago when it happened.

1200
00:52:57,880 --> 00:53:00,920
Speaker 3: I actually had never even mentioned the jeweler. Yeah, but

1201
00:53:01,040 --> 00:53:03,040
Speaker 3: the same jeweler who did that the baby was the

1202
00:53:03,080 --> 00:53:04,399
Speaker 3: same jeweler that did it in my watch.

1203
00:53:04,600 --> 00:53:05,320
Speaker 1: That's what I'm trying to do.

1204
00:53:05,600 --> 00:53:07,400
Speaker 2: What I'm saying. I just wanted to never put bro

1205
00:53:07,480 --> 00:53:08,560
Speaker 2: out there like that because I'm.

1206
00:53:08,600 --> 00:53:10,799
Speaker 1: Just but at the end of the day, it could

1207
00:53:10,800 --> 00:53:14,320
Speaker 1: be like you send me to your people to verify

1208
00:53:14,400 --> 00:53:18,479
Speaker 1: as real and then yo, like they have these infrastructures, man,

1209
00:53:18,560 --> 00:53:21,239
Speaker 1: you know what I'm saying. So Baby go up online

1210
00:53:21,320 --> 00:53:26,279
Speaker 1: and the little fake watch dude, hey, and Baby like

1211
00:53:26,600 --> 00:53:29,560
Speaker 1: hold on, and he ended up making some rings for baby.

1212
00:53:29,560 --> 00:53:32,360
Speaker 1: After that, just to try to smooth it over, he

1213
00:53:32,480 --> 00:53:35,080
Speaker 1: basically said he was sold a fake watch. So that's

1214
00:53:35,120 --> 00:53:37,440
Speaker 1: what I'm trying to say, Like, oh and two, they

1215
00:53:37,520 --> 00:53:38,600
Speaker 1: so it was verified.

1216
00:53:38,920 --> 00:53:41,880
Speaker 3: Back then they had watch Busters, So watch Busters had

1217
00:53:41,880 --> 00:53:44,560
Speaker 3: already verified that the watch was real. Okay, didn't nobody

1218
00:53:44,560 --> 00:53:46,360
Speaker 3: want to hear that? So that's why I'm saying, we

1219
00:53:46,360 --> 00:53:48,839
Speaker 3: weren't tripping because the watch was real. Hor right. We

1220
00:53:48,880 --> 00:53:51,479
Speaker 3: spent real forty two thousand, and after that we read

1221
00:53:51,520 --> 00:53:53,960
Speaker 3: up and spent sixty five thousand on this one. So

1222
00:53:54,000 --> 00:53:56,440
Speaker 3: we want you understand what I'm saying, Like we weren't like,

1223
00:53:57,040 --> 00:53:57,880
Speaker 3: we weren't tripping, bro.

1224
00:53:58,000 --> 00:53:59,080
Speaker 2: We need real money, bro.

1225
00:53:59,200 --> 00:54:01,680
Speaker 3: So it's like and no need to like so as people,

1226
00:54:01,719 --> 00:54:03,640
Speaker 3: it's like, really the jokes on y'all if y'all want

1227
00:54:03,640 --> 00:54:05,439
Speaker 3: to be funny, because well, I wasn't in my house

1228
00:54:05,480 --> 00:54:07,760
Speaker 3: sad about nothing like that. We weren't having no loan

1229
00:54:07,840 --> 00:54:10,960
Speaker 3: conversations about the watch situation, nothing like that. But we

1230
00:54:11,040 --> 00:54:13,200
Speaker 3: just didn't know how the mother other came off. You

1231
00:54:13,239 --> 00:54:15,160
Speaker 3: know what I'm saying, Like that was just the whole thing.

1232
00:54:15,520 --> 00:54:17,640
Speaker 1: But if you spend that kind of money, when I'm

1233
00:54:17,640 --> 00:54:20,560
Speaker 1: saying is or what I would have suggest for people

1234
00:54:21,400 --> 00:54:27,040
Speaker 1: independent verification of some of these pieces that's costing that money. Right,

1235
00:54:27,160 --> 00:54:29,880
Speaker 1: I'm not taking a jeweler word because baby took his

1236
00:54:30,000 --> 00:54:32,959
Speaker 1: word the truth true, and he come to find out

1237
00:54:33,239 --> 00:54:36,600
Speaker 1: it wasn't no good and it was worth four hundred

1238
00:54:36,640 --> 00:54:40,000
Speaker 1: thousand dollars. You see what I'm saying. So your word

1239
00:54:40,120 --> 00:54:42,360
Speaker 1: is as much as I respect you, and it shouldn't

1240
00:54:42,360 --> 00:54:46,040
Speaker 1: the truth. Don't mind being investigated, right, So you can't

1241
00:54:46,080 --> 00:54:48,480
Speaker 1: get mad and me for saying, Yo, all right, bro,

1242
00:54:48,680 --> 00:54:50,600
Speaker 1: want that watch, but let me let me take it

1243
00:54:50,640 --> 00:54:55,280
Speaker 1: to such and such independently, not your people, because again

1244
00:54:55,360 --> 00:54:58,000
Speaker 1: it's an adlub thing. You know what I'm saying. I'mnna

1245
00:54:58,000 --> 00:55:00,440
Speaker 1: send you over here, man here verifies all the n

1246
00:55:00,480 --> 00:55:02,759
Speaker 1: I give you some papers on it. You'll get end

1247
00:55:02,840 --> 00:55:06,359
Speaker 1: up getting to the insurance people before you figure. Hold on, man,

1248
00:55:06,400 --> 00:55:09,399
Speaker 1: somebody stole I'm trying to claim that. Nah, it ain't

1249
00:55:09,400 --> 00:55:11,840
Speaker 1: worth what it ain't worth what the numbers is saying

1250
00:55:11,880 --> 00:55:14,600
Speaker 1: on now, you know what I'm saying. So I think

1251
00:55:14,680 --> 00:55:16,560
Speaker 1: that's important that you, you know what I'm saying, you

1252
00:55:16,600 --> 00:55:19,000
Speaker 1: look into those kind of things for people coming up

1253
00:55:19,080 --> 00:55:21,759
Speaker 1: that you said you verify to you. Good. But at

1254
00:55:21,800 --> 00:55:25,080
Speaker 1: the end of the day, man, I just think that's important.

1255
00:55:25,080 --> 00:55:26,839
Speaker 1: Have you espacially nowadays too?

1256
00:55:26,880 --> 00:55:30,920
Speaker 3: So I would say even more nowadays than like, let's

1257
00:55:30,960 --> 00:55:34,520
Speaker 3: like in those times for sure, right, but nowadays I

1258
00:55:34,560 --> 00:55:37,319
Speaker 3: think you you definitely have to double down in terms

1259
00:55:37,360 --> 00:55:39,160
Speaker 3: of like what's real? What I ain't you know what

1260
00:55:39,200 --> 00:55:42,200
Speaker 3: I'm saying, like, uh, does the dials match?

1261
00:55:42,480 --> 00:55:42,960
Speaker 2: What's what?

1262
00:55:43,080 --> 00:55:45,000
Speaker 3: You know what I'm saying, like, it's the numbers, it's

1263
00:55:45,040 --> 00:55:47,480
Speaker 3: everything lining up, you see them saying. So I think

1264
00:55:47,520 --> 00:55:49,800
Speaker 3: now more than ever because you got so many people

1265
00:55:49,840 --> 00:55:53,399
Speaker 3: like creating replicausin doing other things. So now today's game

1266
00:55:53,520 --> 00:55:55,399
Speaker 3: is even more dangerous now. So I would get two

1267
00:55:55,440 --> 00:55:58,239
Speaker 3: three people to just like verify that particular thing if

1268
00:55:58,239 --> 00:55:59,040
Speaker 3: you purchased, enjoyed.

1269
00:55:59,280 --> 00:56:02,720
Speaker 1: I think, like you're saying now, it's it's an overwhelming

1270
00:56:02,920 --> 00:56:07,080
Speaker 1: amount of full gazy shit moving around from clothes to

1271
00:56:07,200 --> 00:56:12,359
Speaker 1: jewelry to cause even niggas is having this bumper on

1272
00:56:12,440 --> 00:56:15,680
Speaker 1: this car and it's the twenty fourteen model with the

1273
00:56:15,719 --> 00:56:19,919
Speaker 1: twenty twenty three grill, and oh man, they it's pull

1274
00:56:19,960 --> 00:56:22,399
Speaker 1: a pause, man, Yeah, you know what I'm saying. So

1275
00:56:22,560 --> 00:56:26,960
Speaker 1: I would definitely tell people that right for real, man, Like,

1276
00:56:27,040 --> 00:56:30,759
Speaker 1: it's it's not as simple as because you'll spend your

1277
00:56:30,800 --> 00:56:33,840
Speaker 1: real money on something that ain't no good and that

1278
00:56:33,840 --> 00:56:37,160
Speaker 1: that can start a real problem forty two brand and

1279
00:56:37,239 --> 00:56:39,680
Speaker 1: it fall off. It's like, man, y'all, nigga, what you

1280
00:56:39,760 --> 00:56:42,360
Speaker 1: got me going through? Love one? Yeah? You know what

1281
00:56:42,400 --> 00:56:44,040
Speaker 1: I'm saying, that's just crazy.

1282
00:56:44,360 --> 00:56:48,520
Speaker 3: Yeah, that's I was like, now you know damn Like

1283
00:56:48,640 --> 00:56:51,359
Speaker 3: bro brouh, you know what I'm saying.

1284
00:56:51,440 --> 00:56:53,000
Speaker 2: That's it with Dow we had we like.

1285
00:56:53,320 --> 00:56:56,200
Speaker 3: That's one of the first bro so apologetic. Man, I

1286
00:56:56,200 --> 00:56:59,520
Speaker 3: feel sorry for him. Jude, I felt sorry went to him.

1287
00:56:59,560 --> 00:57:03,000
Speaker 2: So Bro, I'm so sorry. Bro Manna, you know what

1288
00:57:03,040 --> 00:57:03,439
Speaker 2: I'm saying.

1289
00:57:03,440 --> 00:57:05,960
Speaker 3: That Like again, and if I if I would have

1290
00:57:05,960 --> 00:57:08,480
Speaker 3: felt slighted, if I would have been affected by it,

1291
00:57:08,640 --> 00:57:10,359
Speaker 3: I think I would have said his name earlier when

1292
00:57:10,360 --> 00:57:13,000
Speaker 3: it first happened. Yeah, I never said anything. That's how solid,

1293
00:57:14,000 --> 00:57:15,839
Speaker 3: which I was just like, and it because it wasn't

1294
00:57:15,880 --> 00:57:18,560
Speaker 3: no issue with me. It's just the world wanted to

1295
00:57:18,600 --> 00:57:21,840
Speaker 3: make it an issue. But we was all laughing at it.

1296
00:57:21,920 --> 00:57:22,600
Speaker 3: You know what I'm saying.

1297
00:57:22,720 --> 00:57:25,040
Speaker 1: That one of the first things that went viral, Like

1298
00:57:25,120 --> 00:57:28,960
Speaker 1: you got to think back then, shit was viral, viral anything,

1299
00:57:29,160 --> 00:57:31,680
Speaker 1: all these little niggas going viral. Now, that was one

1300
00:57:31,720 --> 00:57:35,720
Speaker 1: of the first things that really went crazy across the

1301
00:57:35,720 --> 00:57:39,640
Speaker 1: internet because again, people are messing bullshitters, so they just

1302
00:57:39,680 --> 00:57:41,600
Speaker 1: want to see it and be like, man, this bezzer

1303
00:57:41,600 --> 00:57:44,080
Speaker 1: fell out. Man, I spent fifty recks on that jump,

1304
00:57:45,040 --> 00:57:47,720
Speaker 1: like what y'all got going. But for you not to

1305
00:57:47,760 --> 00:57:50,800
Speaker 1: throw dude under the bus, it says a lot about

1306
00:57:50,840 --> 00:57:52,920
Speaker 1: your careag She baby didn't hold note.

1307
00:57:52,840 --> 00:57:55,440
Speaker 3: He didn't hope because it's because it's the pressure of

1308
00:57:55,480 --> 00:57:58,120
Speaker 3: the people that he's dealing with, and only that his

1309
00:57:58,200 --> 00:58:00,840
Speaker 3: situation was a little different because it washed was fake. Yeah,

1310
00:58:00,920 --> 00:58:02,720
Speaker 3: you know what I'm saying, Like I had a real

1311
00:58:02,800 --> 00:58:05,280
Speaker 3: watch that the bezel came off of it that people

1312
00:58:05,320 --> 00:58:08,040
Speaker 3: were trying to consider its fake because the bezel came right,

1313
00:58:08,200 --> 00:58:11,240
Speaker 3: But we chilling in, we chilling the fact that it's

1314
00:58:11,240 --> 00:58:14,440
Speaker 3: a real watch on it. It's manufacturing. We don't know

1315
00:58:14,480 --> 00:58:16,800
Speaker 3: how it came off, my brad, but we know we

1316
00:58:16,840 --> 00:58:19,480
Speaker 3: spent brother government, Like we know what we spent, we

1317
00:58:19,560 --> 00:58:21,840
Speaker 3: know how we rotten, we know how we purchased jewelry.

1318
00:58:21,960 --> 00:58:23,200
Speaker 1: Right, you see what I'm saying.

1319
00:58:23,160 --> 00:58:26,040
Speaker 3: Not even that look at anything track history on anything

1320
00:58:26,080 --> 00:58:28,040
Speaker 3: that we purchased, house, cribs, cars, whatever.

1321
00:58:28,040 --> 00:58:28,880
Speaker 1: No matter what it is.

1322
00:58:28,920 --> 00:58:31,240
Speaker 3: That like you know what I'm saying, like like, come on, man,

1323
00:58:31,240 --> 00:58:33,240
Speaker 3: and I've been doing it since I'm in eighteen nineteen

1324
00:58:33,320 --> 00:58:36,520
Speaker 3: yeh three seven and this tookn't kill menasy understand.

1325
00:58:36,600 --> 00:58:38,280
Speaker 2: So it's like, you know, you.

1326
00:58:38,360 --> 00:58:41,120
Speaker 3: Just got to be mindful about like, you know, especially

1327
00:58:41,120 --> 00:58:43,440
Speaker 3: for people out there in terms of like you know,

1328
00:58:44,040 --> 00:58:45,440
Speaker 3: I know they want to keep it as like you know,

1329
00:58:45,520 --> 00:58:47,360
Speaker 3: a running joke or whatever in the path, but like

1330
00:58:47,400 --> 00:58:49,000
Speaker 3: you know, we're really rich for real.

1331
00:58:49,120 --> 00:58:52,240
Speaker 1: Yeah for sure. Do you think you were fairly compensated

1332
00:58:52,280 --> 00:58:53,640
Speaker 1: for all the work you've put in?

1333
00:58:54,880 --> 00:58:57,000
Speaker 3: You mean, like fairly from all the work that I done,

1334
00:58:57,080 --> 00:59:03,720
Speaker 3: all the music and the success of the music. No, no, no, no,

1335
00:59:03,720 --> 00:59:06,040
Speaker 3: I'm definitely old some checks out here. But you know

1336
00:59:06,080 --> 00:59:08,760
Speaker 3: what I'm saying, Uh, I think I should be way

1337
00:59:08,800 --> 00:59:11,680
Speaker 3: more richer for sure, Like I should have way more Yeah,

1338
00:59:11,720 --> 00:59:16,120
Speaker 3: for sure, That's just what I believe, uh, especially for

1339
00:59:16,200 --> 00:59:20,600
Speaker 3: my type of music, my discography in in in you know,

1340
00:59:20,760 --> 00:59:23,160
Speaker 3: in comparison to maybe like the other things that people

1341
00:59:23,200 --> 00:59:25,120
Speaker 3: put out. I think that my music and what I

1342
00:59:25,160 --> 00:59:27,120
Speaker 3: put out is healing. I think it affects people. I

1343
00:59:27,160 --> 00:59:29,280
Speaker 3: think it'll make you wanna get up and go get

1344
00:59:29,320 --> 00:59:30,960
Speaker 3: some money and think you wanna get up and become

1345
00:59:31,040 --> 00:59:33,800
Speaker 3: or be something. So I do think that, uh, for

1346
00:59:33,840 --> 00:59:35,919
Speaker 3: sure deserve more. But I think at the same time,

1347
00:59:36,040 --> 00:59:41,760
Speaker 3: like uh, you know, like like like like, uh, you know.

1348
00:59:41,760 --> 00:59:42,800
Speaker 2: God has an answer.

1349
00:59:42,840 --> 00:59:45,480
Speaker 3: You did y sort of speech, you know what I'm saying, like,

1350
00:59:45,560 --> 00:59:47,880
Speaker 3: so uh, I keep my eyes on that cause I

1351
00:59:47,880 --> 00:59:49,920
Speaker 3: know God can provide anything as opposed to what I

1352
00:59:49,960 --> 00:59:52,080
Speaker 3: felt like man should get me, you know what I'm saying.

1353
00:59:51,960 --> 00:59:54,960
Speaker 1: So that you know that's a beautiful thing. I I'm

1354
00:59:54,960 --> 00:59:57,240
Speaker 1: also want to hit you or talk to you about

1355
00:59:58,840 --> 01:00:04,080
Speaker 1: you lost a kid, very sad situation and RP. Can

1356
01:00:04,120 --> 01:00:06,200
Speaker 1: you explain that? Is that something that you would like

1357
01:00:06,240 --> 01:00:06,800
Speaker 1: to talk about?

1358
01:00:07,000 --> 01:00:11,520
Speaker 3: Yeah, my daughter, lyrics star who passed away. My daughter

1359
01:00:11,600 --> 01:00:16,240
Speaker 3: lyrics star passed away. The twins were born to twenty eleven,

1360
01:00:16,600 --> 01:00:18,560
Speaker 3: you know, so I had two twins, a lyric star

1361
01:00:18,600 --> 01:00:20,919
Speaker 3: and I had Sailor Blue. Sailor Blue is my daughter

1362
01:00:21,000 --> 01:00:24,240
Speaker 3: now she's fourteen in high school. So I lost my

1363
01:00:24,560 --> 01:00:27,880
Speaker 3: baby girl. She was in a nick you and she

1364
01:00:28,000 --> 01:00:31,120
Speaker 3: couldn't so normally when they let you out of the nick.

1365
01:00:31,160 --> 01:00:33,280
Speaker 3: You you gotta have a stool, you know what I'm saying.

1366
01:00:33,320 --> 01:00:35,160
Speaker 3: You gotta have a natural stool so they can see

1367
01:00:35,160 --> 01:00:38,120
Speaker 3: that everything is okay, you're processing your food. So she

1368
01:00:38,160 --> 01:00:39,920
Speaker 3: didn't have an anus for it too, like you know

1369
01:00:39,920 --> 01:00:42,000
Speaker 3: what I'm saying, She had a tube connected to her.

1370
01:00:42,600 --> 01:00:45,320
Speaker 3: So long story short, man, we had to make a

1371
01:00:45,320 --> 01:00:47,680
Speaker 3: really tough decision. That's what I spoke about on the

1372
01:00:47,800 --> 01:00:51,120
Speaker 3: album on the Soul Album of Georgia Lyric talking about

1373
01:00:51,480 --> 01:00:55,040
Speaker 3: her and my grandmother's story around that. So yeah, we

1374
01:00:55,120 --> 01:00:56,720
Speaker 3: ended up losing her. We had to make a tough

1375
01:00:56,760 --> 01:00:59,200
Speaker 3: decision to pull the plug at that time because she

1376
01:00:59,280 --> 01:01:03,600
Speaker 3: wasn't showing of they actually created her, you know, uh

1377
01:01:04,800 --> 01:01:06,439
Speaker 3: you know, and it ain't it so she can try

1378
01:01:06,440 --> 01:01:08,440
Speaker 3: to use the restroom, but it still was coming out

1379
01:01:08,480 --> 01:01:10,160
Speaker 3: like the sack part of it, you know what I'm saying.

1380
01:01:10,200 --> 01:01:11,280
Speaker 1: So that's wrong.

1381
01:01:11,960 --> 01:01:13,920
Speaker 3: It was rough, man, So we had to make a

1382
01:01:13,960 --> 01:01:17,280
Speaker 3: decision to pull the plug. And it is one of

1383
01:01:17,320 --> 01:01:21,800
Speaker 3: the toughest decisions in my life. So I definitely, you know,

1384
01:01:21,880 --> 01:01:23,959
Speaker 3: still to this day, is still healing from for sure.

1385
01:01:24,120 --> 01:01:26,000
Speaker 1: Yeah, for sure, I got a I actually got a

1386
01:01:26,040 --> 01:01:31,000
Speaker 1: sound name a lyric, right, and that's that's crazy, man, agatting.

1387
01:01:31,040 --> 01:01:33,160
Speaker 1: My heart goes out to you. I couldn't imagine he

1388
01:01:33,320 --> 01:01:35,600
Speaker 1: was born in the nick you he spent like seventy

1389
01:01:35,680 --> 01:01:38,680
Speaker 1: some days and as well, So of course my heart

1390
01:01:38,720 --> 01:01:41,040
Speaker 1: goes out to you for that, you know, Navigating that

1391
01:01:41,120 --> 01:01:43,360
Speaker 1: kind of shit, it just has to be yeah, b

1392
01:01:43,760 --> 01:01:46,680
Speaker 1: traumatize it very much, so, bro, very much so.

1393
01:01:46,840 --> 01:01:49,240
Speaker 3: Like I told him, Man, I was in the room

1394
01:01:49,280 --> 01:01:51,720
Speaker 3: for weeks, Bro, you know what I'm saying, for weeks,

1395
01:01:51,720 --> 01:01:53,840
Speaker 3: I would say, for about for about a week though,

1396
01:01:53,880 --> 01:01:55,920
Speaker 3: in the room, just emotional in the dark room, in

1397
01:01:55,960 --> 01:01:58,480
Speaker 3: a hotel room. You see what I'm saying, crying about

1398
01:01:58,520 --> 01:02:00,400
Speaker 3: an emotional and it still visits me. You know what

1399
01:02:00,440 --> 01:02:02,160
Speaker 3: I'm saying. I can just be chilling, do low, bro,

1400
01:02:02,280 --> 01:02:04,280
Speaker 3: and just become emotional out of nowhere. You know what

1401
01:02:04,280 --> 01:02:08,800
Speaker 3: I'm saying, thinking about my daughter and my grandmother. But

1402
01:02:09,000 --> 01:02:11,040
Speaker 3: I know like they still here, Bro. You know what

1403
01:02:11,040 --> 01:02:13,160
Speaker 3: I'm saying, a part of why I am the way

1404
01:02:13,200 --> 01:02:15,160
Speaker 3: that I am is because they are who they are.

1405
01:02:15,120 --> 01:02:17,760
Speaker 1: You know what I'm saying. Yeah, So facts, man, Well

1406
01:02:18,080 --> 01:02:20,280
Speaker 1: anything you want to lead the people with Man, great

1407
01:02:20,320 --> 01:02:23,040
Speaker 1: conversation today with you. Man, I appreciate you. I'm gonna

1408
01:02:23,040 --> 01:02:25,920
Speaker 1: get your number with a lock in anytime you dropping,

1409
01:02:26,240 --> 01:02:29,600
Speaker 1: you know, touch through touch point, make it happen. You

1410
01:02:29,600 --> 01:02:33,080
Speaker 1: know what I'm saying. I support your music, support your journey.

1411
01:02:33,480 --> 01:02:36,960
Speaker 1: I think you're well spoken, which is rare in its climate,

1412
01:02:37,280 --> 01:02:39,440
Speaker 1: you know what I'm saying. But you're able to spa

1413
01:02:39,720 --> 01:02:41,960
Speaker 1: and do this thing. So that's a beautiful thing from

1414
01:02:42,160 --> 01:02:45,920
Speaker 1: just a man standpoint. Yeah, hold yourself together, man, but

1415
01:02:45,960 --> 01:02:48,840
Speaker 1: I appreciate you. Anything you want to lead the people with.

1416
01:02:50,640 --> 01:02:53,160
Speaker 3: Man, keep God first, man, God first, and everything that

1417
01:02:53,200 --> 01:02:57,680
Speaker 3: you do. We got the tour coming up soon. I'm

1418
01:02:57,800 --> 01:02:59,560
Speaker 3: very excited about that. That's gonna happen the top of

1419
01:02:59,560 --> 01:03:02,680
Speaker 3: the year for sol album. Soul Album is also.

1420
01:03:02,480 --> 01:03:03,920
Speaker 1: Out right now. Go check it out. Man.

1421
01:03:03,960 --> 01:03:07,680
Speaker 3: If you wentto growing, healing, being motivated, being pushed, we

1422
01:03:07,760 --> 01:03:09,440
Speaker 3: got some of that dog work on there too, man,

1423
01:03:09,480 --> 01:03:12,520
Speaker 3: So it ain't all just like healing, but it's definitely something.

1424
01:03:12,280 --> 01:03:14,000
Speaker 2: For everybody on the album. Go check it out.

1425
01:03:15,400 --> 01:03:18,080
Speaker 1: Merchandise and all of that man Ace hood and all sites.

1426
01:03:18,440 --> 01:03:19,000
Speaker 1: But I love you.

1427
01:03:19,040 --> 01:03:20,920
Speaker 3: I appreciate the people who's been supporting me, all of

1428
01:03:20,960 --> 01:03:24,280
Speaker 3: the fans, So yeah, man, keep.

1429
01:03:24,120 --> 01:03:26,800
Speaker 1: Going, keep going, man, y'all take that game, do something

1430
01:03:26,880 --> 01:03:29,000
Speaker 1: with it. It's up there podcast. Let's get it.

1431
01:03:29,120 --> 01:03:29,600
Speaker 2: Yeah, what up?

1432
01:03:29,640 --> 01:03:30,000
Speaker 1: Man it?

1433
01:03:30,040 --> 01:03:32,800
Speaker 3: Shahmi ace Hood Man right here, live and direct you dig.

1434
01:03:33,040 --> 01:03:36,720
Speaker 3: My album Soul is available and out everywhere right now. Man,

1435
01:03:37,080 --> 01:03:39,880
Speaker 3: make sure you go get that. It's healing, emotion, it's growth,

1436
01:03:39,880 --> 01:03:42,800
Speaker 3: it's all that good stuff. Hey, and it's up there man,

1437
01:03:43,040 --> 01:03:47,080
Speaker 3: up there podcast. We live in effect. Ace Hood